Painter Of The Night: The liars 🤥 in front of the mirror of truth 👺 : Lee Jihwa and Yoon Chang-Hyeon (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

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Announcement: The essays “Sex and passion” and “The puzzle with the paper” have been updated.

I selected these pictures as illustration for this essay for two reasons. On the one hand, the couple was still in denial about their true desires. Both wished to be embraced and loved by the other, yet in this panel they still feared to voice their own wishes. Why? It is because they dreaded disappointment and betrayal due to their painful past experiences. In other words, they were lying to themselves. Therefore it is no coincidence that at the end of season 3, the two protagonists were confronted with separation and real lies! They had waited for a sign from their partner, hence their karma was to wait and lose the right time. (chapter 102) The painter had confessed too late, for the schemers were already pulling the strings in the shadow. To conclude, the main leads’ self-deceptions were connected to love and time. The importance of self-manipulation leads me to the next observation. All the antagonists and villains were liars, because they were also deceiving themselves. They refused to admit their own fears and flaws, therefore they chose to commit a wrongdoing and manipulate others in order to hide their true thoughts. This means that not only the crime was covered up with a deception, but also the manipulation was hidden by another lie. This means that the list of their sins increased. Therefore it is not surprising that the gods chose to confront the liars with the verity, as they kept refusing to admit their sins. Now, it is time to focus on the antagonists and villains’ manipulations and the scenes where they were facing the mirror of truth. However, the readers are probably wondering where the mirror of truth is. The answer is simple. The mirrors of truth are not only the two main figures, but also Kim and Min, though they are their negative reflections. Remember that in Snow White, the item led the evil Queen to her doom, for the latter refused to accept reality. At the same time, the mirror of truth was not entirely honest either, for it never explained the definition of “Beauty”. In other words, it lied by “omission”. I realized that I can not examine all the antagonists and villains in one text, as I am so detail-oriented. Consequently, I selected Lee Jihwa and Yoon Chang-Hyeon first, for both characters’ lies are strongly intertwined.

1. The red-haired master’s sins

The manhwaphiles could witness his first wrongdoing in the study. He had kissed Yoon Seungho without his consent. (chapter 77) The problem is that he had been caught by the butler. Thus the door was open. The door is full of symbolism. It can represent opportunity, but also imprisonment. Simultaneously, the door embodies the passage from one world to another in religion and literature. In the analysis “The window, the door, the air and their signification”, I had explained that in Painter Of The Night, the door embodies the passage between the conscious and the unconscious. This means that when all the villains are confronted with the mirror of truth, they are standing on the doorstep. That’s why the reflection is linked to the open door. The characters are forced to face their own repressed desires and anxieties. Hence I deduce that the room symbolizes memories too, which means that we are dealing with repressed memories. In our first case, since Lee Jihwa was seen in the study, this means that when he got caught, he tried to deny his responsibility in the seduction. That’s how he started being in denial of his wrongdoing. Thus out of fear, he left his friend behind and as such he buried the incident in his unconscious. He tried to forget it. He convinced himself that he had seen the friend’s smile. This was the evidence of his “statement”, yet this was just an illusion. However, before he ran away, he lied to the butler too. He told him that the one who had kissed him had been the main lead. So not only he lied to the valet, but also to himself. That way, he was avoiding to feel guilty. There were two lies, and both were used to covered up his own wrongdoing. But the one who had been smiling, was in reality Lee Jihwa, as he had the impression that his dream had been fulfilled. Thus the author revealed the young master’s blushing, the expression of happiness. (chapter 77) However, since he had been caught by the valet, he was facing the butler’s visage. And what did he see in his facial expressions? Shock and horror!! That’s how Lee Jihwa realized the gravity of his sin and chose to blame his friend. Thus I imagine that he must have blushed again and this time out of shame and embarrassment. It is very possible that in that moment, he must have copied the valet’s facial expressions before leaving Yoon Seungho behind and lying to the butler. Why do I think so? It is because the butler had made such an expression in front of the barn, when he had been caught. (chapter 64) And what did the main lead say? (chapter 64) Since the painter seems to have forgotten it, I deduce that it was the reverse for Lee Jihwa which explains why he felt so guilty in the end. As for the butler, when he had barged in the study, he had committed a wrongdoing himself. He should have asked for the main lead’s permission, but he did not. Consequently, he decided to believe in Lee Jihwa’s deception. One hand washes the other. He was covering up the guest’s sin, while the latter was doing the same thing for the domestic, though I doubt that Lee Jihwa truly realized it. Simultaneously, Kim had the perfect justification to hide the violation of social norms. He had caught the main lead red-handed, hence no one would question his own action. As you already know, I associate the butler to Pilatus, therefore he is connected to the bucket.

And since the childhood friend had been able to avoid punishment by lying and putting the whole blame on his friend, he learned that he could get away by deceiving others and by putting the whole blame on his friend. I would even add that with this incident, he was taught another lesson: Silence and burying the truth. Note that he never came clean, he never exposed the truth to his friend or to the elders. That’s the reason why from that moment on, Lee Jihwa became a hypocrite, but deep down, he felt guilty and ashamed, for he couldn’t outlive his sexual orientation due to the horrified expression. He had to hide his homosexuality in front of others, hence later he had sex in the barn with Yoon Seungho. This explains why the spirits chose to confront Lee Jihwa with the truth on different occasions in season 1.

I could mention the argument between the main lead and the red-haired master. (chapter 13) However, in my eyes, this doesn’t represent the biggest confrontation with the mirror of truth. For me, it is the altercation in episode 17, for it took place in the same place than the aristocrat’s crime. When the red-haired master looked at the picture, he was suspecting that the painter had seduced his friend due to the insinuations by the staff. And his fear reached the peak, when he saw the painter’s reaction: (chapter 17) As you can see, in this episode, the gods were recreating the same situation: a servant had witnessed how the two men “were fooling around” (chapter 16), though this was definitely not the case!! And this is exactly like in the past, Yoon Seungho was totally pure and innocent. And what was Lee Jihwa’s reaction? A slap! (chapter 17) This is what Yoon Seungho had experienced in the past. Yoon Chang-Hyeon had definitely abused him. (chapter 57) Thus the main lead’s cheek was bruised. Then exactly like in the past, Lee Jihwa accused someone else of committing a crime. In the past, it was his friend, in the present it was Baek Na-Kyum. Both were portrayed as immoral seducers. (chapter 17) These words were exposing the verity about the past. Lee Jihwa was admitting in front of the painter that his friend would never act like that, and as such he had not attempted to woo him in the past. Striking is that in front of the painter, the red-haired master was misinterpreting the incident. Why? It is because he was influenced by his past experiences. Since he had lied twice, he jumped to the wrong conclusion that it was the same in the present. And back then, he had even achieved to fool Kim. Therefore he couldn’t allow himself to be fooled like the butler. That’s the reason why he couldn’t imagine that someone was innocent. (chapter 17) He was a liar in the past, so it must be the same for the painter. Yet, this was the negative reflection from the past. Thus his karma was to get caught by his childhood friend. Striking is that this time, he was put in his friend’s place. He was turning his back to the door. Moreover, due to his anger, he didn’t hear Yoon Seungho’s steps and the opening of the door! (chapter 17) But the childhood friend refused to face reality in that moment, and as such to admit his guilt and responsibility. Why? It is because he had committed another crime in the past. This is related to the bedchamber incident. (chapter 83) However, here he had been caught by his father, hence I believe that this confrontation represents mainly the elders’ punishment. As for Lee Jihwa, despite the humiliation and abandonment in chapter 18, he refused to give up on his friend. (chapter 18) One might say that he was motivated by love, yet I think that it is related to his denial about his sexual orientation. And this coincides with his lack of honesty. He had not confessed his own sins and lies yet. Therefore (chapter 36) he presented himself as a pitiful creature, as he was sharing the protagonist’s suffering due to his knowledge. However, this was not empathy, just sympathy. The person only feeling sympathy will always put a distance between himself and the counterpart. There‘s a “I“ and “you“, but no „we“. The person might come to pity the other, yet he won‘t intervene and help. He will just understand and that‘s it. (chapter 36) This panel is the evidence for this interpretation. Lee Jihwa never used the personal pronoun “we”, even during the abduction. (chapter 59) [For more information about sympathy read the essay “Sympathy for the devil”] Hence the gods let him meet the mirror of truth a second time: (chapter 43) Based on this panel, Lee Jihwa had more or less barged in the study, but his presence was detected too late! One detail caught my attention in this picture, the presence of the light reflected on the door. Hence I assume that the main lead detected the presence of a witness because of the light!! (chapter 43) Let’s not forget that the room was dark, when they were having sex. (chapter 42) He was still looking at his lover’s face, when he perceived the change of the light. Hence he turned his head in direction of the light reflected on the door. My friend Luzaly brought my attention to this detail. The couple was turning their back to the door before. (chapter 42) The form of the light reflected on the door doesn’t come from behind the gate (chapter 43), for this is what we would see: (chapter 97) And now, you comprehend why I came to the deduction that Lee Jihwa had witnessed the love session not from this door, (chapter 43) from a different point. This explicates why once again, the lord couldn’t see the identity of the so-called “peeper”. Besides, don’t forget that the author is working with reflections, as such this means that the second lead must have been placed differently. But this doesn’t end here. I would like to point out that during that evening, the main lead had left the door wide open, when he confronted the artist. (chapter 41) However, in the next episode, Byeonduck showed us a slight change. (chapter 42) The door was now close. This means that the butler had intervened at some point. This was the negative reflection from episode 20. (chapter 20) This time, the main lead had not requested for more privacy, for he had not detected the presence of his right-hand. And this leads me to the following conclusion. Since this is not the door (chapter 43) which had been opened by Lee Jihwa, it is impossible for the second main lead to have witnessed this embrace from this perspective. (chapter 43) I am even suspecting that he didn’t view this scene at all, because logically, the light should be coming from the other side!! But on the other side, there is no door!! (chapter 49) But there is the window…. And now, you comprehend why Yoon Seungho never investigated the matter with the “door”. It had never been opened in the first place. But how could Lee Jihwa imagine such a scene? (chapter 43) It is impossible, for he confessed later that he knew about the friend’s longing for an embrace! (chapter 57) However, here it is necessary to remind the readers of my previous character’s examination. I had described Lee Jihwa as trapped in a dark room, because he had lost his auditory and visual sense due to his guilt!! This was the price to pay for his sins. He had imagined to see the friend’s smile and he had lied to the butler. And since in episode 17, his visual senses were triggered (the painting, the painter’s facial expressions), I deduce that in chapter 42/43, this time Lee Jihwa was confronted with the mirror of truth through words. Through the window, he could hear the moaning of the couple, hence he couldn’t see the painter’s sadness. Moreover, this is what the painter said: (chapter 42). It sounded like he was indeed seducing the main lead. As for the embrace, he couldn’t hear it, but someone had heard the longing from the painter. (chapter 41) In other words, the butler had helped Lee Jihwa to spy on the couple and had even divulged what he had heard from before. Naturally, he had deceived the red-haired master by omission. He never mentioned the existence of the scholar and the painter’s broken heart!! One might argue that this is not possible. I am again overthinking. But I would like to outline the existence of the following rule on which the story was created: the reflection within the same episode. How did Black Heart manipulate the red-haired master in the pavilion? Through words and that’s how the childhood friend came to envision this scene: (chapter 43) The gods were punishing Lee Jihwa for his lie: his friend’s smile!! But I have more evidences for this theory. First, it is important to pay attention to Min’s words, when he manipulated Lee Jihwa. First, he portrayed the painter in a pejorative light with the idiom “indecent life”. (chapter 43) Moreover, the noble employed the personal pronoun “we”, which is not typical for the selfish and hypocrite villain. This means that he was repeating Kim’s words. Then he added how the couple would have sex in the barn (chapter 43) (“vulgar roll in the hay”), but this was not true. However, this is what had happened in the past with Lee Jihwa. The latter would have sex with his childhood friend in the storage room. This explicates why Lee Jihwa came to believe in Black Heart’s words and manipulations. With such a description, he was reminded of his own past!! Therefore it is not surprising that Lee Jihwa had such a vision. (chapter 43) This is what he had wished in the past, and what he had done too: he had seduced his friend and smiled… and he had been caught! In other words, Kim was actually viewing the red-haired master as an immoral witch: (chapter 43) Moreover, since this night was a reflection of the first Wedding night, this means that the author left a clue there. And now, look at this… (chapter 21) The windows!! As you can see, the door is not the only place to spy or interrupt intimacy. Secondly, we should have reflections of the spying through the window in season 2. (Chapter 49) In this episode, the light in the study had suddenly vanished, and this is what we had before: (Chapter 49) This darkness exposed the presence of someone outside. Then in episode 70, the author drew a panel focusing on the window and the bougies. (Chapter 70) I had already suspected back then, that someone was listening to their conversation, and with this new discovery, Lee Jihwa hearing the love session from the window, this interpretation gets reinforced. Furthermore, in chapter 96, the main lead had explained the opening of the door with this: (chapter 96). This signifies that in the past, the lord had explained the sudden opening of a window and the vanishing of the candle light with the wind during the night of chapter 49.

But why was Lee Jihwa confronted with the mirror of truth? It is because he was still dishonest. He kept deceiving himself and refusing to admit his wrongdoings. In the inn, this is what he had said in front of the nobles: (chapter 36) The reality is that he couldn’t cut ties with his friend. He had lied in the past, therefore he got manipulated in the present. And since he was confronted with his auditory and visual senses in season 1, he was put in a similar situation in season 2. However, there was a slight change, now the red-haired master was confronted with a real crime: murder!! The darkness of the room and the silence from Yoon Seungho and the painter were referring to the master’s loss of senses and his guilt. Deep down, the young master knew that the assassination was not right. And note that the aristocrat had this nightmare in his own bedroom confirming that the room is the symbol for the subconscious. Finally, in season 3, Lee Jihwa got confronted with another uncomfortable truth: his friend’s sexual abuse. Lee Jihwa had acted, as if this stolen kiss was nothing. However, due to his silence, he let his friend get raped. And he knew about this, but he chose to close an eye to this. First, Lee Jihwa refused to share his friend with the painter (chapter 18) implying that in the past, he had to share Yoon Seungho with other men. But since he had declared that the main lead had never taken an initiative, this signifies that the protagonist had no choice in the selection of his partners. He had not the right to refuse anyone, not even the red-haired master. Hence the latter got furious and angry, when he was rejected for the first time. (chapter 5) Therefore it is no coincidence that in the shaman’s house, he was put in the same position than Yoon Seungho. He couldn’t select his partner (chapter 100), he had to rape Baek Na-Kyum. This is no coincidence that the Joker was standing in front of the door. He was pushing the young man to face his repressed memories and lies. That’s the reason why exactly like in the pavilion (chapter 43), Black Heart coerced the antagonist. He used words to manipulate the second lead, but there is a huge difference. The shaman’s house was representing the young noble’s unconscious and as such his true personality, while it was not the case in the pavilion. The room in chapter 43 was more embodying the Joker’s unconscious. Why? It is because Lee Jihwa was speaking the truth in that scene. (chapter 43) He reproached Black Heart to have deceived him. On the other hand, the scene in the shaman’s house corroborates my interpretation that Lee Jihwa had not seen the embrace from chapter 42, for Black Heart was voicing the butler’s thoughts and emotions. (chapter 100) This shows that during the night of chapter 42/43, the valet had intervened. Thus Min was acting, as if he was a victim in the recent past. He had been deceived by Lee Jihwa’s lies by omission or commission. This is what had happened in the past. Besides, I realized that when the man confessed the incident in the bedchamber (chapter 83), Min couldn’t see the whole story. He had to rely on the second lead’s words. Just because we could observe the whole scene, this doesn’t mean that this was the case for the character. It is very likely that Lee Jihwa left details out, especially as he portrayed himself as a victim. Due to the narration, Min could have been misled. He could have envisioned that the childhood friend was living in the study and had dragged his friend to the bedchamber. Hence you comprehend why I consider it as another evidence that Lee Jihwa didn’t view the love session in the study from chapter 42 with his own eyes. He had to rely on his ears and naturally Kim played a role before Black Heart’s intervention. The servant hoped that Lee Jihwa would decide to do something…. in other words, he had been gradually manipulated by Kim and Min to hire an assassin. That way, he could be blamed for the murder of the scholar. He would become guilty by association. And the one pulling the strings behind the scene can only be the mysterious lord Song, for he can no longer interfere directly, though I am certain that he was not aware of the butler’s own meddling. Why? It is because in the past, Kim had never become proactive like that. Moreover, I think that even in the past, the man was not omniscient and omnipotent either. He over-estimated his own abilities, and didn’t recognize that he had been fooled himself either.

But let’s return to the scheme in the shaman’s house. The young master Lee was now cornered, for he had kept denying his own wrongdoings: the sexual assault with the stolen kiss and the lies by omission and by commission! What caught my attention is that the antagonist associated the sexual abuse with murder! (chapter 100) This is no coincidence, for the sexual abuse is the reason why Yoon Seungho’s heart and soul got destroyed. This had the same effect than killing someone, especially if the person is so innocent and pure. Because he recognized the truth, he had the courage to abandon and betray Black Heart. That’s how he could redeem himself in the end. (chapter 100) At the same time, this is not surprising that Lee Jihwa met his friend and admitted his wrongdoing. For the first time, he didn’t remain silent and chose to intervene!! I also believe that during that night, he apologized to the protagonist before vanishing. In other words, Lee Jihwa had to face 4 different mirrors of truth, until he was able to admit the verity. He was responsible for Yoon Seungho’s suffering. He had lied, therefore he got deceived, until he had no other choice to confess his guilt and sins.

2. Yoon Chang-Hyeon’s lies

In episode 77, we discover from the butler the patriarch’s following promise to Kim: (chapter 77) He would do anything to cure Yoon Seungho implying that he wouldn’t mind spending money for the main lead’s treatment. However, the truth was that he refused to send for the physician, when the young boy was sick after the straw mat beating. (chapter 77) This means that he broke his promise. Striking is that the vow to the butler was introduced in connection to the patio!! When the readers hear this promise, this is what we see shortly after. (chapter 77) Secondly, the elder master Yoon was seen shortly after there. (chapter 77) That’s how I realized that the elder master was connected to this patio in front of the building. Thus Byeonduck showed us him in this place in the gibang (chapter 87) Finally, there exists the flashbulb from Yoon Seungho’s memory: (chapter 55) My avid readers will certainly recall how I had claimed that this scene was representing Lee Jihwa and father Lee. I am not changing my mind, but I would like to point out that this story is built like a kaleidoscope and as such, each image is actually a reflection. Thereby I come to the conclusion that in this panel, the young boy and the elder are in verity embodying 4 people: the boy is Lee Jihwa and Yoon Seung-Won, as for the elder, it is father Lee and the elder Yoon. Why? It is because the punishments were related to the Lees’ behavior and words. There is no ambiguity that elder Lee intervened to protect his son’s reputation. In other words, father Yoon was seen in the patio in chapter 55. Then when he visited the physician, he remained outside too contrary to the main leads. (chapter 57) It was, as if the elder master had nothing to hide, for the domestic and the butler could hear him. However, the latter got deceived. There is no ambiguity that the valet and the young master trusted him. On the other hand, the valet was the one who introduced him to the physician, like we could see here. (chapter 57) But what does it mean? First, it shows that Yoon Chang-Hyeon was never seen in the bedchamber!! In other words, his power was fake. This interpretation gets validated, when I use the confrontation between Heena and Yoon Seungho. (chapter 65) In that very same place, the protagonist had been insulted and could do nothing, for neither Kim nor his staff intervened. And this perception reinforces my perception that the patriarch has always been delusional and arrogant, over-estimating his own power. Moreover, the lord was not honest either. (chapter 65) This shows that the patio is connected to violence, hypocrisy, deceptions and offenses.

Moreover, the patio in front of the bedchamber where anyone can see and hear the elder Yoon reminded me of the learned sir who selected the pavilion to incite the painter to disobey his host and sponsor. That’s why I started suspecting Yoon Chang-Hyeon again, if he had not manipulated the butler in the past and this on purpose. Moreover, since in Painter Of The Night, the room embodies memories and the unconscious, I deduce that the patio is exposing Yoon Chang-Hyeon’s true personality. He lacks not only integrity, but also knowledge. Let’s not forget that knowledge is acquired through reading and experiences. But in the patio, there is no book… and the person can only witness what is happening in the courtyard. This means that the view is limited and the person is not interacting with people. This explains why the man is stupid and superficial. Because of this new discovery, I had another revelation!!

According to the main lead, only his grand-father had a government post. (chapter 7) Then in the study, Yoon Seungho confessed that his father had been dismissed from his post which contradicts the previous statement. (chapter 80) But how did Yoon Chang-Hyeon obtain his office then? Then the expression “follow in his footsteps” caught my attention. That’s how I realized that the elder master never passed the civil service examination!! In truth, he failed terribly. How can I be so sure about this? First, the civil service examination consists of different tests. Secondly the idiom from Yoon Seungho indicates an gradual rise in the grandfather’s career which is not reflected in the lord’s confession to the messenger. Finally, in front of the mirror of truth, the father voiced the following wish: (chapter 86) This expectation exposes that this had not happened in the past. But why didn’t he expect this from Yoon Seungho earlier, though the latter had such a good notoriety? It is because he desired to be admired himself. He viewed himself as the Yoons. Thus he said this to his son: (chapter 86) This means that he was using his own sons for his own career, though he claims that he is doing for the Yoons’ notoriety. In other words, the patriarch’s position was obtained through sexual favors. But since the king was the sponsor, there is no ambiguity that at some point, the elder master must have started dreaming even bigger, similar to the scholar: (chapter 18) Hence I have the impression that he must have acted, as if he was the king’s relative. Hence he asked to be called by a certain title. This could only infuriate the mysterious lord Song, for the latter was hiding his sodomy and debauchery behind closed doors. No one was supposed to make a connection between him and the Yoons. However, I don’t think that the elder master Yoon had planned everything from the start. He had definitely been misguided, for in season 1 and 3, we could see that he was believing blindly what people would say to him. He never doubted his son’s words, when the latter said that Yoon Seungho had given him such a paper. (chapter 44) And it is the same with father Lee. That’s the reason why I still think that he had been manipulated. He was pushed to sell his own son, thinking that the Yoons would benefit from it. However, this was just a delusion, as he was dependent on the monarch’s benevolence.

Therefore I came to realize that the confrontation in the bedchamber in chapter 83 was actually organized to mock the elder master, but not only by Kim. (chapter 83) Here, he was confronted with reality. His power came from prostitution and nothing more! From my point of view, this scene was a reflection of the night in the study with Min: (chapter 53) But Yoon Chang-Hyeon refused to admit it, it went so far that he was denying his relationship with Yoon Seungho. He was just an animal. (chapter 83) The reason why I am connecting it to episode 53 is because of The Joker’s smile which reminded me of lord Song’s evil smirk. The man had a view to the patio, hence he could see who could enter the bedchamber or not. And observe that when the brutal father was in the bedchamber, the main lead never replied to him. This could only reinforce the man’s delusion and greed. That’s the reason why Yoon Seungho had to live in the barn and was not dressed properly. The elder master Yoon was avoiding his son for this reason. He was closing an eye to the truth. And that’s how he could convince himself that Yoon Seungho was just a sodomite. In other words, he came to believe his own lies, while in the beginning, he had definitely been deceived himself. To sum up, his evolution stands in opposition to Lee Jihwa. Instead of suffering from guilt and shame, he came to adopt this philosophy, Yoon Seungho is responsible for everything. His hatred towards the protagonist could only increase. But reality caught up with him during the same night! He ended losing his power, as all the noble families supporting him vanished. He had promised to cure his son, he ended up as a wreck. His health deteriorated, hence he is much thinner now. (chapter 87) He was paying the price for his lies about the cure. Furthermore, the manhwaphiles will realize that he is no longer seen in the patio. (chapter 44) This explicates why he refused to bid farewell to Yoon Seung-Won from the patio. This means that he chose to live in the bedroom, totally cut off from the world. And this leads me to the following observation. Once he met his son after such a long time, he refused to accept the verity. He was responsible for the situation and for Yoon Seungho’s suffering. This shows that his self-manipulations can no longer be removed. He remained once again totally delusional, thinking that the treason was just a subterfuge! (chapter 86) Why? It is because the young lord was supported by the “king”. But since he had cut ties with the main lead in the past, treating him like a servant, there is no doubt that the pedophile doesn’t view Yoon Chang-Hyeon in a good light. Hence the son became the true owner of the mansion. In the bedchamber, the father was confronted with the consequences of his decisions and lies. He had lost everything: his position as the head of the family, the propriety, the wealth and the connections. Thus he was left speechless. (chapter 86) But when he arrived in the study, this is what he saw. This picture revealed his greed and ambition (chapter 86), but he would never admit it. This is no coincidence that the open door is reflected with the shadow. He claimed to contribute to the lineage of the Yoons, but like mentioned above, he was only thinking about himself. This scene shows that he was eyeing for the throne, and this must have happened in the past too. That’s the reason why I believe that he did sell his son to a pedophile for his own greed and ambition, but he never admitted it. He used the family and traditions to hide his ruthlessness and selfishness. When the father was on the verge of leaving the study, he expressed his regret that he shouldn’t have saved his son. (chapter 87) This was another self-deception. Without the main lead, the latter would have lost everything. Note that he is living comfortably in the house in Hanyang. So if the young master were to disappear, I doubt that the mysterious lord Song will allow the father to take over the mansion. His regret implied that he shouldn’t have sent for a doctor. This is important, because this signifies that he will be punished the same way, it will be even worse. No one will be by his side to protect him and to save him… no one will request for the physician’s assistance. Similar to the broken promise in the patio: (chapter 77) Moreover, the father acted, as if he was decent and righteous (chapter 87), while Yoon Seungho was compared to a monster! (chapter 86) The outcome of his lie can only be that he will be perceived by people as a monster, as an immoral father who had no conscience at all. How do I come to this conclusion? First, the painter could see right through the father’s gaze. (chapter 87) He was a cruel and resentful father. Moreover, the lord’s words always become a reality. Hence the father can only be condemned as the licentious and depraved degenerate. (chapter 86), the black sheep! Furthermore the moment Yoon Chang-Hyeon loses the house in Hanyang, he has no place where he can hide himself from public gaze. He can only ended up as a powerless outcast. I am suspecting that since he longed to be admired and fawned, he could end up committing suicide, for he is unable to tolerate people’s rejection and insults. To conclude, the father refused to admit his guilt and wrongdoings till the end. Even cornered, he chose to avoid reality, preferring to trust father Lee and the butler’s lies. Why? It is because he envisioned that by removing the main lead, he could take over the mansion, and act, as if nothing had happened, as if Yoon Seungho had never existed. The gods will fulfil his wish so that he can be confronted with reality. Besides, note that the patriarch never stopped his son from kissing the painter, he even followed him to the seat. (chapter 87) This shows that deep down, the man was not truly against sodomy and prostitution. The father resented the son, for he could only achieve “glory” through debauchery and sodomy. I believe that the elder master Yoon was thinking like this: “no matter what” the Yoons’ power and notoriety must increase. In the bedchamber, the man exposed his true personality, while in the patio he was just the fake image of a powerful, decent and righteous man. This explicates why it took the teenager so long to realize the father’s betrayal. (chapter 55) In the patio, the son still trusted the patriarch. In reality, Yoon Chang-Hyeon needed admiration in order to feel alive. In other words, his credulity, arrogance, superficiality and narrow-mindedness were the causes for the downfall of the Yoons and the main lead’s suffering. We could say that the folding shield in his bedchamber truly reflected his personality. (chapter 82) He was just an empty shell, his knowledge, experiences and possessions were just an illusion.

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