This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞 Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/
In chapter 6, Jeon Hee-Seong compared Janggi (Korean chess) to real life. 
For her, humans resemble to the pieces of the chess board, where the weakest are doomed to disappear. Striking is that many chess players have a similar approach than her. They all see many similarities between real life and chess.
Benjamin Franklin: “Chess teaches foresight, by having to plan ahead; vigilance, by having to keep watch over the whole chess board; caution, by having to restrain ourselves from making hasty moves; and finally, we learn from chess the greatest maxim in life – that even when everything seems to be going badly for us we should not lose heart, but always hoping for a change for the better, steadfastly continue searching for the solutions to our problems.“ or from the same author: “Life is a kind of Chess, with struggle, competition, good and ill events.”
Charles Buxton: “In life, as in chess, forethought wins.” quoted from https://www.ichess.net/blog/chess-quotes/
Allan Rufus: “Life is like a game of chess. To win you have to make a move. Knowing which move to make comes with IN-SIGHT and knowledge, and by learning the lessons that are accumulated along the way. We become each and every piece within the game called life!”
1. Jeon Hee-Seong’s perception about Janggi and life
What caught my attention is these men have a different mindset than the character from The Pawn’s Revenge. They have a rather optimistic attitude, whereas the former prostitute seems only to see death. 
It is a dog-eat-dog world, and if you want to survive, then you need to become ruthless as well. This negative attitude is really palpable, if you contrast it to Allan Rufus’ quote. The latter views the game and life as a place, where people gain knowledge through experiences. Thanks to the practice and increasing maturity, the person is capable to change or anticipate the next moves. In other words, with the training, people can make a different decision. Furthermore Benjamin Franklin, who has a similar approach, adds that even bad events should be considered as lessons and as such a source of motivation to improve the situation. Both authors promote hope, whereas the femme fatale advocates disillusion and defeatism. Hence, for the Korean figure, life is perceived as an endless battle and nothing more. This signifies that in her eyes, life contains no happy moment and has nothing to offer. Since she compares it to a constant war, 
this signifies that only power matters, as it guarantees survival. I would like to point out that EVY confirmed in a tweet that the femme fatale plans to become a king. This truly reveals that for the former prostitute, dominance is her ultimate goal in life. In her mind, strength symbolizes life. Thereby for her, love has no meaning. Moreover, I also think, she doesn’t believe in values like affection, friendship or respect. The evidence for this the following. Note how many times she utilizes the idiom “kill”, while the male authors outline the importance of insight (“insight”, “foresight”, “forethought” “vigilance”) and wisdom (“knowledge”, “knowing”, “insight”). In other words, while Jeon Hee-Seong is focusing more on action (killing), the other players (Franklin, Buxton, Rufus) privilege pondering and reflection. She is already aiming directly at her final goal: removing the former king and replacing him.
Her pessimistic mindset is particularly perceptible, when she describes the role played by the pawn. 
(chapter 6) In her eyes, it has no value at all (“the most useless”), whereas the protagonist and student Seong-Rok views the soldier differently: 
(chapter 13). The latter can be influential, but it depends on its position and the way the general uses it. Sense the contrast between these two descriptions outlining her narrow-mindedness in the end.
In my opinion, her words about the soldier truly expose that the femme fatale is acting under the influence of emotions (fear, resentment, greed). She is not just trying to arouse pity in her lover, her description about real world and Janggi reflect her true thoughts: dark, brutal and painful. That’s why the title of this manhwa is also referring to her, and not just to the two protagonists. She is a pawn and desires to get revenge by becoming powerful. Striking is that many famous intellectuals associate revenge to weak people.
Juvenal: “Revenge is always the weak pleasure of a little and narrow mind” (Roman poet from 2nd Century AD)
Albert Einstein: “Weak people revenge. Strong people forgive. Intelligent people forget.”
Since I described Jeong Hee-Seong as disenchanted and pessimistic, I can’t help myself judging the femme fatale as a weak person in the end. She is definitely short-sighted, as she can no longer be moved by genuineness and affection. Besides, in her eyes, love can not procure protection and power. I have the impression, she views affection as a vulnerability. Let’s not forget that she was backstabbed, hence I deduce that she has become immune to loyalty. All this would explain why she manipulates the red-haired innocent man and why she plans to betray him too.
Her desire to become powerful and as such to get rid of her former “colleagues” is stronger than anything else, therefore Lee Seon-Cheol
(chapter 1), her husband, Ma Jong-Seok 
(chapter 18) are removed within a short time. This explicates why the detective Kang Hyeon-Woo suspects her right away.
(chapter 8) But why is the femme fatale neglecting reflection, knowledge and foresight in Janggi?
2. The causes for her negative attitude about Janggi and life
From my point of view, the former prostitute has the impression that she knows everything about life. Through her bad experiences, she believes that she has already understood how life works. I would like to point out that Do Seong-Rok got mesmerized by her due to her insight. She could recognize his personality 
(chapter 16) and his occupation within a few minutes, when they met for the first time. In his eyes, she appeared as an intelligent woman full of wisdom and experiences. This explicates why he listened to her explanations so carefully, when she was about to manipulate him to kill for her. 
(chapter 16) And that’s how she definitely views herself too.
3. The consequences
But her attitude is the reason why she will fail. First, she has never heard about the concept of “lifelong learning”. Life is always teaching lessons to people till their death. Secondly, she is overestimating her abilities. Because she understands humans due to her observation skills, she believes that her manipulations will always be effective. However, she is misjudging the importance of love and loyalty, as she is just a disillusioned woman. And pieces from Janggi are different from humans, for the latter have emotions and can think on their own. The pieces in the game board will never switch sides and as such betray their general and king. In real life, it is different. People can change. From my perspective, she is diminishing the significance of change. Do Seong-Rok was an obedient puppy, for he imagined that she loved him. However, once she lost her temper 
(chapter 12) and showed no loyalty towards him
(chapter 12), the young man could only recognize that she was lying to him. 
(chapter 12) She has no idea about Do Seong-Rok’s past experience (the fake promise and abandonment).
To sum up, because she thinks, she knows everything about men and life, in her mind, she no longer needs to gain more insight, and as such be more prudent. For she has internalized that weak people are just pawns that can be easily discarded, she is already viewing her lover Do Seong-Rok as such. For her, he is just a tool, and once he has fulfilled its functions, she can sacrifice him. That’s why she describes him in a very rational way to her second lover officer Ahn. 
(chapter 11) The red-haired man is perfect for her plan, as his eyes and hands are focused on the game. But what the female character failed to realize is that in Janggi, there exists different pieces: the elephant, the horse, the general/king, the pawns, the chariot and the cannon. Do Seong-Rok is not a pawn in reality.
3. The pieces of Janggi
Striking is that the black-haired woman describes herself as a pawn to her lover Do Seong-Rok. (chapter 6) This means, she portrays herself as vulnerable, implying she needs the protection of a more powerful piece. However, since she gives Do Seong-Rok instructions
(chapter 13), this signifies that her true role in Janggi is different. She is the player. Consequently, she is sitting on the one side and takes the pieces. (chapter 6) That’s why I come to the conclusion that in the game itself, she represents the general/king and Do Seong-Rok’s part is to protect her and help her to defeat her opponent. In her eyes, he is her pawn and she is the player. But like I mentioned above, in Korean chess, we have more than just the pawn: the horse
, the elephant
, the counselor/the guard
, the chariot 
and the cannon 
(chapter 13). That’s why I tried to identify the killer’s true role in the game board.
3. 1. Do Seong-Rok in the game board
In my opinion, he is the cannon, while his girlfriend is the player. First, since the cannon represents a weapon, it fits Seong-Rok’s role perfectly: he is a killer. Secondly, the cannon in Janggi is the only piece that can jump over other pieces. That’s the reason why it becomes useless, if there are no other pieces to skip over. And this function (jumping over) reminds me of the kidnapping. The killer abducted Lee Je-Oh and Ma Jong-Seok, though the latter was his real target. This kidnapping resembles a lot to jumping over, especially after Lee Je-Oh got spared. And note that the black-haired man is now considered as an ally to the killer. In addition, Do Seong-Rok plans a second abduction: Koo Jeong-Mo. 
(chapter 13) The moment the protagonist has eliminated all her targets, he will become useless. Consequently, I deduce that when Jeon Hee-Seong plays chess, she is the “king” and Do Seong-Rok is the cannon.
3. 2. Jeon Hee-Seong’s team
As for officer Ahn, I believe, he is her chariot, because he is the one who will procure her connections and power, the moment he becomes a politician. Compare it to the description about the chariot. (chapter 13) Because officer Park is working under officer Ahn, this signifies that he is definitely one of her pieces too: I am inclined to judge him as the horse, though there’s no real guarantee that this is correct. Why? It is, because Park is covering up for Jeon Hee-Seong by giving information to officer Ahn. Besides, the latter mentioned this: 
(chapter 11). “Some of my guys” is a reference to the lieutenant Park. And remember that the role of the horse is to create a bridge for the cannon. Let’s not forget that Park Gwang-Soo is not really trying to investigate the whole matter, as the victims are all involved in the red-light-district. A real investigation would lead to unveil the corruption among Mijeong police.
I have to admit that I am not very familiar with Janggi, hence my comparison could be lacking. EVY😉😘 might even correct my interpretations, since she has always read my essays and given me information. But one thing is sure. Though the former prostitute calls herself a pawn, she is definitely not acting like one. That’s why she abandons her boyfriend Do Seong-Rok. He is now on his own, since he didn’t follow her instructions correctly, though later she tries to diminish her words by renewing her previous promise: she would ensure to save him. (chapter 12) The beginning of the alienation between the red-haired man and his girlfriend is important, because this announces the creation of a third party. While the head manager of Hongok-Dong Red Light District jumps to the false conclusion that Jeon Hee-Seong represents the third party,
he is not realizing that she is just trying to replace the first team. Jeon Hee-Seong plans to maintain the collaboration between Mijeong police and the red light district, yet the involved parties will be changed.
3. 3. The first team
As the victims represent different pieces of the Janggi
, 
this means that they are embodying a team. Koo is the horse, Ma is the elephant, Choi the guard and Lee Soon-Cheol the pawn. However, two pieces are missing in this team: the chariot and the cannon. Since the the head manager of Hongok-Dong Red Light District meets officer Ahn in order to beg for his support
(chapter 11), this signifies that Ahn has been working for this team too. In my opinion, he plays the same role than in the other team: he is the chariot. As for the cannon, I will unveil his identity below. But since we have a whole team, this signifies that there’s a general. Consequently, there exists someone behind the victims, the king and player of the game board. To sum up, Jeon Hee-Seong is playing against a person, whose identity has not been revealed yet. How ironic is that when I was writing this essay, the special episode confirmed my theory: 
The “not yet” is the player using Koo Jeong-Mo and the others as his pieces. Jeon Hee-Seong entered the game and started a war against the first team. She could win over officer Ahn by appealing to his feelings. She revealed the injustice she was exposed too. That’s why Ahn asks Koo Jeong-Moo about the reason for targeting him. 
(chapter 11) Ahn could understand her motivation. However, she disguises from him that she is stimulated by her greed and ambition too.
3. 4. Do Seong-Rok’s future team
The irony is that the moment Do Seong-Rok took an initiative, his role in the board game got affected. Though Jeon Hee-Seong gave him instructions, she never gave him any concrete indication how to remove her enemies. In other words, the protagonist was more than just a cannon. Striking is that in the beginning, the male prostitute associated him to a god 
(chapter 2) and a grim reaper, and this connection is no coincidence. This exposes that Do Seong-Rok became himself a player, when he started acting on his girlfriend’s behalf. He had to ponder how to approach and attack his victims. Hence in my eyes, the main lead represents a king/general too.
That’s why we see him facing Jeon Hee-Seong in chapter 6. Note that she asked him to kill in her name and if he did, he would be able to remain by her side. 
(chapter 6) It was, as if with the killing, he would go to her side, as in that scene he was facing her.
From my point of view, this scene in chapter 6 is important, as it somehow announces that they will become rivals and fight against each other. One might argue, the fact that the killer was sitting in front of his girlfriend is just random and has no real signification. Nevertheless, I would like to point out that right in the beginning, the murderer placed people like on a board game. For me, this is another clue that Do Seong-Rok is not just a cannon, but a player himself. 
(chapter 1). It was, as if he was observing a game and predicting moves. Furthermore, he observed Lee Je-Oh for a long time 
and questioned his role in this team. This truly shows that the main lead was pondering a lot. I would like the readers to keep in mind the advices given from the chess players: foresight, forethought, prudence and vigilance. Moreover, there exists a interrogation point in the image of the male prostitute, which shows that the main character was thinking about Lee Je-Oh’s role in that game. Furthermore, the former could impose himself through his strength in front of Lee Je-Oh. 
(chapter 12) The latter made the mistake to overestimate his situation and his skills. He imagined with his observation skills and schemes he could prove his superiority and loyalty, but the red-haired protagonist punished him for his “betrayal” and “arrogance”. The red-haired man embodies physical power and is the final authority. Finally, if you observe the way Do seong-Rok taught his new ally Lee Je-Oh about the game, you’ll sense that their position reflects the actual situation: they are sitting on the same side in front of the game. 
(chapter 13) which contrasts so much to the scene with the former prostitute in episode 6. Since Lee Je-Oh is giving advice to the young criminal (like not leaving any evidence 
(chapter 13) or not answering Jeon’s calls, I view him as a guard and counsellor. At the same time, he is offering his help to capture the pimp Koo. Hence I consider him as Do Seong-Rok’s horse too. As you can observe, the red-haired man and his lover will play different roles in Janggi. However, right now the two main characters are still working for the femme fatale, but it is only a matter of time, until they build their own team and work for their own survival and ultimate goal.
Besides, let’s not forget that I have already predicted a revolution 
(chapter 1) from the male prostitute, for the latter has still a strong sense of justice. He has never forgotten the victims of Ma Jong-Seok. 
(chapter 18) And strangely, Benjamin Franklin was also involved in American Revolution:
“War is when the government tells you who the bad guy is. Revolution is when you decide that for yourself”. (Benjamin Franklin)
With this quote, it becomes obvious that at some point, Do Seong-Rok will realize that his girlfriend is no angel either and the so-called bad guys (Koo, Ma, Lee and Choi) aren’t the only ones responsible for the existence of the Red Light District.
(chapter 8)
3. 5 The special role played by the lieutenant Kang Hyeon-Woo
This is the only character I haven’t mentioned so far. However, I believe, he will play a major key role in the story. Why do I think so? My reasoning is that the young police officer doesn’t belong to any team. He represents a source of danger for officer Ahn, hence the latter got worried, when he heard about his presence. 
(chapter 11) According to his reaction, the manhwaphiles can deduce that the detective has lived himself in the city before moving out to Seoul. In other words, he is coming back to Mijeong and is determined to remove corruption in the city and police. Since Player 1 (Not Yet) will be aware that officer Ahn has already sided with Jeon Hee-Seong, there’s no doubt that he will try to use Kang Hyeon-Woo to target Jeon Hee-Seong and her helpers. An investigation about the murders in the city is definitely necessary for the player 1. However, since the lieutenant chose to leave the city in the past, this signifies that he suffered himself some injustice in the past and as such was a victim of the king from team 1. Therefore Kang Hyeon-Woo has to ensure that he needs to unveil the whole truth.
Simultaneously, I have the impression that Do Seong-Rok and Lee Je-Oh might use the detective for their own advantage too. Let’s not forget that Ahn judges the lieutenant as a threat. 
(chapter 11) It is even possible that the femme fatale decides to use the detective for her benefit too, when she believes that it’s time to get rid of Do Seong-Rok. That’s why I believe, the detective will be the lose cannon in the board game. From my perspective, each time they will try to take advantage of his desire for truth and justice in order to divert the attention from their own crimes and wrongdoings.
And now, it is time to summarize the discoveries/interpretations I made about the different teams:
| Player/General | Not Yet | Jeon Hee-Seong | Do Seong-Rok |
| Horse | Koo Jeong-Mo | Park Gwang-Soo | Lee Je-Oh |
| Elephant | Ma Jong-Seok | ? | |
| Guard/counselor | Choi Yeong-Gil | ? | Lee Je-Oh |
| Chariot | ? (Officer Ahn) | Officer Ahn | |
| Cannon | (Kang Hyeon-Woo) | Do Seong-Rok (Kang Hyeon-Woo) | Do Seong-Rok (Kang Hyeon-Woo) |
| Pawn | Lee Seon-Chool | Lee Je-Oh (lure Koo) |
As you can notice, the team members can definitely switch sides and the characters can play different roles in the board game. From my perspective, the readers will witness the rise of Lee Je-Oh, his influence over Do Seong-Rok will keep increasing.
I am predicting this due to the character’s personality: he is observant, intelligent and can react quickly to new situations. Therefore he can anticipate moves from the others. As a conclusion, both original pawns, Do Seong-Rok and Lee Je-Oh, will take revenge on the persons responsible for their suffering. That’s why EVY chose this picture as an illustration for her story: 
And at the end, they will “destroy” this world, just like in the picture. Their reason is simple. They are not aiming at gaining power and wealth. For them, freedom and love matter more.
PS: Dear @EVY, if there are some errors, you can notify me. I tried to fill the blanks.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 149). This means, this terrible incident with these painful memories will always be a part of his life and he will always have to fight to find the right balance. That’s why he describes the patient’s life as a long journey 
, where the figure has to find a way to overcome his trauma. 
(chapter 149) As you can see, a patient suffering from flashbacks and PTSD is on his own in the end, the psychologist can only give him support, advice and comfort, but in the end Yeonshik is the one who has to work on himself and find the right balance. 
(chapter 63) But note that it took the lord a long time to recognize and externalize this thought. And so far, the painter has still no idea what truly makes him happy. 
(chapter 74) and thoughts 
(chapter 74) from his lover. 
(chapter 75) He might have asked for his help in chapter 76
, yet it was a spontaneous and natural gesture. But once he starts thinking with his mind, the closeness won’t remain. There’s no doubt that the painter is still afraid to admit his attraction and affection to Yoon Seungho. The negative image of sex, influenced by Jung In-Hun and Heena noona, has not been entirely removed. Furthermore, Yoon Seungho never revealed to the artist that he knows now about the kidnapping. He detained information from his lord Na-Kyum. That’s why I deduce that the painter and the aristocrat will have to discover on their own that for happiness, they must be open and truthful to themselves and to their partner. A white lie, lie by omission or a silence can have devastating consequences. 
Yoon Seungho will always have mental issues, but at the end he won’t let his traumas take control of his life anymore. Yet this doesn’t mean either that this story will have a tragic ending due the expression “in their own way”. Both protagonists have to recognize that first, they need to liberate themselves from their past and traumas. Yoon Seungho is still suffering from partial memory loss due to his huge traumas. However, thanks to the painter who creates good memories for the noble, the latter is slowly recovering from his amnesia. This is important, for it signifies that Yoon Seungho is regaining his identity and as such returning to his old self. But by slowly remembering his past, he is getting the chance to discover the truth about the causes for his misery. Little by little, Yoon Seungho is realizing the butler’s betrayal and abandonment, 
(chapter 77) just like he is now remembering that lord Song is responsible for his martyrdom. 
(Chapter 59) Compare the lord’s attitude in season 1. 
(chapter 37) So far, he only blamed the father. Sure, in season 3, he still reproaches the father‘s responsibility, but observe that his blame is more related to the Yoon Chang-Hyeon‘s bad choices. 
(Chapter 86) He trusted the wrong people, in other words, he sensed that his father had been misguided. This explicates why he blames the father for the absence of his critical thinking. 
(Chapter 86) He never pondered on the question how the tragedy could occur. He was simply satisfied with the easiest solution: Yoon Seungho was responsible for this. This conversation is important, as it actually outlines how different the lord is from his own father. At the end of season 3, Baek Na-Kyum asked his lover this: 
(chapter 102) How come that he left his side? For the main lead, it sounded like a blame, while in reality, it was a question. By asking Yoon Seungho this, he is pushing the lord to investigate the matter. Discovering the truth is relevant, for it will reveal that Yoon Seungho’s crime had been planned all along!! He was incited to kill people, thus he had the sword in the hand. And since the situation mirrors the past, the main lead will slowly unveil the truth about his own past. Now, you are probably wondering how this is related to happiness. The answer is simple. As long as the protagonist is trapped in the past, he could never become happy. He couldn’t simply move on. But by leaving everything behind, he makes a clean start, and he is forced to rely on himself and as such to trust himself, if he wants to take care of the painter properly. 
(Chapter 102) That’s the reason why the author said that they will find happiness on their own. 
(chapter 74) At the end of the second season, Heena noona’s influence is still palpable. In that aspect, Yoon Seungho is much further than the artist, as the lord is no longer in denial about his love for Baek Na-Kyum. Yet, at the end of season 3, Baek Na-Kyum makes a similar experience. He recognizes that his sister has been manipulating him in order to achieve her goal. 
(Chapter 97) Furthermore, because he listened to the ghost Jung In-Hun and the comments from the staff, he fell into the trap set by Min. Once facing Black Heart, he got aware of the deception right away. 
(Chapter 99) In other words, due to the last tragic incident, he experienced that he should mistrust people’s words. He shouldn’t take their statement as face-value. This is important, for the artist is learning to become more and more independent. His critical thinking is developing. As you can observe, both main leads have to find their own way to become happy. But they can only become happy, if they discover the truth and as such their past. Thus I am deducing that Yoon Chang-Hyeon will never find happiness, for he never tried to discover who was behind the bad reputation of the Yoons. This explicates why he is repeating the same mistakes from the past in season 3. He still trusts valet Kim.
As the manhwaphiles can detect, a femme fatale is strongly connected to the fake vow of pleasure and enjoyment. 
(chapter 6) Moreover, observe the position of her legs, it definitely reminds us of a siren, as her legs resemble to a fishtail. Moreover, if I include the following panel
, this perception gets reinforced. Her hair on the bed makes me think of hair under water. Sure, in this panel
, as he is slowly recognizing that his lover won’t keep her vow: she would save him, if he needed assistance. He wanted her to become his safety net and comfort. 
(chapter 16) And now, if you connect this promise with the siren’s temptation, you’ll realize what the abandonment signifies in truth: he will drown and die. He will lose his life and soul. 
(chapter 6) 
(chapter 11) They are puppets of the femme fatale. This angst is truly palpable in chapter 6. Do Seong-Rok got scared, because before he had met detectives looking for Lee Je-Oh, Ma Jong-Seok and Choi Yeong-Gil and couldn’t get in touch with his lover
. He felt totally vulnerable. He needed her presence in order to stay calm and find a solution to his problem: the existence of a witness. 
(chapter 16) Yet, if you pay attention to Eva’s role, she was herself a victim, for she listened to the snake and got tempted to eat the fruit. 
This comparison seems to be correct due to her behavior in chapter 6 and 16. Striking is that in this image
(chapter 11) He justifies his crime by saying that he just attempted to run his business. Just like his foe, he is diminishing his sin. On the other hand, his words 
truly outline his immorality and wrongdoing. If it was not murder, then what did he do to her? He calls her a snake, because she betrayed him. However, he was the one who backstabbed her first. There’s no doubt that she was forced to marry Choi Yeong-Gil, a violent man. 
(chapter 9) The former pimp suspects her for being the mastermind behind the murders. Nevertheless, the manhwalovers should keep in mind that she is his competitor too. She is now running her own business. If she was caught and accused, he would get rid of his rival. Since he backstabbed her in the past, it truly exposes that his comparison is only partially correct. As the former prostitute is not just a perpetrator, but also a victim, I come to the conclusion that the female character resembles more to Eva than to the snake. 
Note that she announces to the future criminal that she will be ruthless, selfish and she might even betray him in order to achieve her goal. To sum up, she is more paltering than lying by commission.
made him the perfect tool for her goal. At the same time, she is overlooking the male prostitute Lee Je-Oh. Since none of her targets has ever resisted her, she can’t imagine that Do Seong-Rok will distance himself from her. 
He even suggests to become his ally. And this observation truly reinforces my former statement: Jeon Hee-Seong and Lee Je-Oh will become rivals. One thing is sure: because the former prostitute is a femme fatale, she won’t get what she truly wants. 
(chapter 55) He doesn’t want to be recognized, but more importantly he is determined to hide his true feelings from Nam Dong-Gyun, for he believes that he has no chance to be his lover again. Moreover, during the Corona pandemic, people are requested to wear a mask in order to stop the contamination.
If people knew that he was a psychopath, he would get isolated. His parents are already very distant with him, for they view him as a monster. Due this experience 
(he killed a dog and his mother caught him), he got aware that he was not allowed to act on his urges. For him, the mask is a necessity, as he is living in society. He doesn’t want to end up in jail. But is it the same for Nameless from Painter Of The Night? 
(chapter 54) He is switching his identity to become a killer. In this panel, the manhwaphiles see the transformation of the figure, as his face is already half-covered. He is no longer a joker, but not the ruthless murderer yet. However, when he kills the servant, he has the cover on.
(chapter 54) By putting a mask, he is protecting himself too, for he is acting as someone else, therefore his heart can’t be wounded. 
In this case, it is more a desire, though in truth it is a combination of both. The “butcher” has to hide his true identity. So when he wears his mask in chapter 44, he is doing his job. He won’t be recognized, but also he won’t feel remorse. He has been paid for that and the mask is helping him not to get emotionally invested. On the other hand when Jihwa met him in chapter 51, the manhwalovers could perceive the low-born’s true personality which coincides with the absence of the mask.
In that episode, he was literally naked in front of the noble, which explicates why he showed concern and care for his client. He let the noble express his worries. Let’s not forget that the jester is a person with a pure heart, when he is true to himself. Hence I come to the conclusion that the mask serves as a protection for the criminal’s mind and heart. And now, you comprehend why Nameless didn’t feel remorse for hurting the painter. According to me, in this scene, it was Kim who was scaring the painter.
(chapter 66) This is important, because the mask had two purposes here: to hide the identity of the perpetrator, but also to slip into a role, No-Name’s, the assassin. The main lead’s face was covered and turned around. At no moment, the “butcher” could see the victim’s gaze and facial expressions. The mask helped him to be ruthless, while he threatened Baek Na-Kuym. He might feel pity, but that was it.
(chapter 66) In that scene, the manhwaphiles thought that they were seeing Mumyeong, hence they imagined that Jihwa’s safety meant more than the artist’s life and possible scars. But if you take my theory seriously, this was Kim, then the words from the butler had a different meaning. He was hiding his action behind the nobles. Only after paying attention to the mask, I realized the existence of two masks. 
(Chapter 61) 
(chapter 61) Smiling mask versus threatening mask. The presence of two masks explicates why No-Name had the impression that after the painter’s return nothing bad had really happened. He was not aware of the butler‘s wrongdoings. Simultaneously, since the artist had not been killed, No-Name imagined that he had done nothing wrong. 
(Chapter 61) Hence the existence of the Joker’s mask outlines the criminal’s duality. He can be a ruthless killer, yet he can be gentle and caring too. At the same time, it implies the presence of a biased view. 
(chapter 73), the moment he is deprived of his powers. It was, as if he became a human. This is particularly perceptible, when he accepts the judgement of Maat and says this. 
Striking is that in this panel, the mask doesn’t appear as a source of advantage, rather as a hindrance. He couldn’t see and hear the consequences of his crimes due to the mask. He was blind and deaf. By removing his mask, he becomes human and can face reality: he is facing his sins and the suffering of his victims, their wounded soul. 
[chapter 35], his son, his title
[chapter 35], his power over the desert
[chapter 35]), he lost his identity. Osiris made sure to imprison his brother, because the former was lusting after him and had the impression that the latter would always escape his control. 
(chapter 35). At the end, he raped him in order to claim him. The latter got literally destroyed, hence he hid his pain behind the mask and chose to hurt others.
(chapter 37) In other words, the loss of identity was the reason why Seth decided to hide himself under the mask. Who was he in reality? The god was so tormented by his tragic past, Osiris had hurt him with his actions and words. He made sure that his brother would doubt himself. Hence the mask became the only reason to keep living. This item helped him to hide his wounds, but also not to lose himself completely. Hence I conclude that the “evil god” wasn’t just blinded by his heartache, but also by his mask, for the latter hindered him to see the real impact of his terrible actions. 
(chapter 37) 
(chapter 73), his son makes the opposite experience. He transforms himself into a god, Anubis, hence he gets a mask. 
(chapter 73) However, this signifies that he won’t see his wrongdoings too, he will be oblivious to the pain he is causing to others. This time, his blindness will be caused by his resent. While in the past, Anubis was a sensitive and gentle person, but no real god due to Seth’s curse, in chapter 73 he becomes Osiris’ true son, an evil god. Why do I judge him like that? It’s related to Osiris’ words. The latter is encouraging his son to feel hatred for the one responsible for his curse, Seth. Moreover, he asked his son to forget his past signifying that he should cut ties with his previous family. Therefore I believe that in the future, Anubis will fight against Seth and even Horus. Nevertheless, the wounded Anubis doesn’t realize that he has been manipulated by Osiris. The latter used his vulnerability and fear to approach him and appear as his savior. 
(chapter 73) Besides, Osiris was in fact accountable for his injury 
(chapter 37) In other words, the god of the afterlife used a disguise, though his brother had the impression that Osiris was real. Yet, one might argue that in that scene, Osiris was not wearing a mask. However, since he took possession of Anubis’ body, we can clearly see the presence of a cover. Let’s not forget that this terrible god is not allowed to leave the Underworld, hence he needs a subterfuge to enter the world of the living. That’s why I perceive it as a disguise. While the Egyptian god used Anubis as his vessel, Kwon Sungha from Dine With A Vampire took a new identity: he became Sooin’s bodyguard. 
As you can see, in both cases magic provided the villains a new occasion to deceive their target. And this shows that a mask can eventually cover a whole body, when it is to create a new “identity”. 
, just like Ra or Hathor. Yet, note that they are all women. Secondly, if you pay attention to their appearances, you’ll detect the presence of a hair dress and make up, especially around the eyes. This is no coincidence in my opinion. These accessories should be perceived as a “mask”. The make-up and hair dress are a form of disguise. This becomes really obvious in the manhwa “True beauty” from Yaongyi, where the heroine Jugyeong Lim hides her insecurities and true self behind a make-up. This is the real and natural protagonist 
(chapter 7), while we have here the disguised heroine
(chapter 0). This goes to the point that her boyfriend Sujeon Han has no idea how she really looks like. As a conclusion, the make-up and hair dress should be judged as a mask too. That’s why in traditional Chinese theater, the actors have painted faces. It was, as if they were wearing a mask.
(Doctor Frost, chapter 2) That’s the reason why the author Black Apricot didn’t drew a mouth, when she presented Song Ji-Sung here.
(chapter 9). She wanted her readers and the main lead to realize the character’s true personality. The latter was upset, because Kwon Soo-Young was keeping his distance from him and it looked like, he had found a new protector/boyfriend. When the protagonist Kwon Soo-Young had met Song Ji-Sung for the first time, he had only paid attention to his smile. Therefore he had misjudged his personality. And now, if you contrast the previous panel with the following one
(chapter 16), you’ll notice an important detail: The eyes are closed, when the character is smiling. In this situation, the figure was actually hiding his true thoughts, this explains why the main lead couldn’t correct his false impression about his future lover. He had no idea about his true nature, as the latter keeping concealing his true intentions, he was faking his emotions with his facial expressions. This confirms my interpretation: the face can also be a mask. For me, this character is like Doctor Jekyll and Mr. Hyde. In this picture, Kwon Soo-Young got scared, when he saw this gaze and refused his lover’s advances. 
He is brutal, selfish and very manipulative. And now, you understand why in ENNEAD we had two different kind of masks: Seth and Horus are wearing real masks, while Osiris and Isis use their own face and make-up to conceal their true personality. 
(chapter 7) Sure, the color refers to his death, a decayed body, nonetheless the readers should judge the painting as a cover. Since he is using a whole body to disguise himself, this signifies that he is hiding his true personality and thoughts more than Isis or Ra. That’s why it is not surprising that this god is particularly scheming and deceptive. 
(chapter 10) The mask is a combination of shadow and absence of eyes. Here, Ahn Jiwon was remembering his first love and boyfriend, who faked affection and care for him. As a conclusion, the eyes symbolize honesty and naturality and its absence the presence of a mask. 
and the internist Kwon Sungha
. While examining their characters, I made a connection between the glasses and their personality. I defined the function of the glasses as a mask, because both almost act the same, as vicious hypocrites. They hide behind their glasses and their fake smiles so that people misjudge them. And remember doctor Frost’s advice: 
Observe that the smile is less pronounced, giving the impression that it is vanishing. Simultaneously, the eyes are shown oozing a rather cold and heartless side. In the scene at the library (chapter 40), he’s finally able to perceive his own reflection in the scholar’s gaze, since the smile has totally disappeared. The gaze exudes coldness, despise and filth.
Combined with the harsh words “you were born to be a prostitute”, the painter’s identity and personality are literally destroyed. The scholar has reduced Baek Na-Kyum to a prostitute, the lowest rank among the commoner. They have no rights and no real identity as they are forced to do what their clients want. 
(chapter 41) Hence it is not surprising that the protagonist remembers the cold gaze. His eyes were the other reason why Baek Na-Kyum’s heart was so wounded. He could sense despise and rejection. In other words, the scholar had used two weapons to hurt the main character: the gaze and the words. This connection between the smile and the eyes is visible in Dine With A Vampire too.
As soon as the smile vanishes, the eyes become visible unveiling their true personality. That’s why it is not surprising that Kwon Sungha has the same behavior towards the main lead Joo Sooin. The former has also destroyed the protagonist and reduced him to a puppet. The villains keeps calling him a pervert. He was even worse than Jung In-Hun in the sense that he kept abusing him mentally and physically after the coercive persuasion. Both are hypocrites hiding behind their glasses and their gaze. Therefore they are portrayed as cruel and mean hypocrites. The other common denominator is their hatred and rejection for homosexuality. Kwon Sungha seems to be even worse than the scholar, as he is in reality a repressed homosexual. He has sex with Joo Sooin, but resents him because he sees in him the reason for his “perverted” sexuality. He rejects sodomy because of the Church and his mother. Both reject this sexual orientation. I could mention Carter Nathan from The Blood of Madam Giselle 
(the fake and the real 
(chapter 13) or Jung from Unintentional Love Story 
as well as selfish and ruthless hypocrites. In other words, the next time you read a manhwa, be careful with characters wearing glasses, they might be dangerous and their smile might be fake. 
(chapter 16) The main lead explains that he chose to wear glasses, because he desired to avoid rejection and fear. He had noticed that the absence of facial expressions (smile) and his cold gaze would be misjudged by people. Here, Matthew used the glasses as protection. And this illustration reinforces my interpretation: glasses in manhwas have a huge importance in the end, they should be considered as masks too. 
The latter is the only one who can control him. 
(chapter 1) This is his second identity: BJ Alex. On the one hand, he desires to remain anonymous so that no one can recognize him in real life, on the other hand this signifies that he is living a double life. He would like to protect his privacy, but also his secret life as homosexual. That’s why he said this, when his relationship with Nam Dong-Gyun was revealed: 
As you can observe, a name and as such notoriety can also serve as a mask. The president of the council was admired by his peers, he was so perfect that some students even wondered, if he was human.
and the president is not recognizing it. But why is reputation a mask? It is, because people often judge others on hearsay and first impressions. The social medias are the perfect example for superficial and quick judgement. But we have to question ourselves about Ahn Jiwon’s initial motivations to hide behind a good notoriety. 
In the beginning of the story, he doesn’t even know the other protagonist very well, yet he is willing to take care of him, when the latter is drunk. The president is seen constantly smiling and has never externalized negative emotions (anger, violence…). This explicates why the uke was so shocked and confused, when he saw a brutal BJ Alex. The latter had discovered his secret, hence the former felt vulnerable. On the other hand, Nam Dong-Gyun wondered about Ahn Jiwon’s true personality. But the uke was not the only one who had no idea about Ahn Jiwon’s true character. The latter was also confused. 
This signifies that the protagonist was never confronted with his own reflection. 
(Doctor Frost, chapter 11). That’s why he became an empty man in the end. He has no idea about his true self (his likes and dislikes). He was forced to follow his parents’ requests and his brother’s shadow. This emptiness is palpable in chapter 49, when the main lead confesses this: 
(chapter 1)
(chapter 49) Since the adults kept criticizing him, he imagined that if he copied his brother, he would get recognition and acceptance. In other words, he forced himself to become a second version of his brother. 
But even copying his hair dress and tastes, he was doomed to failure, for the parents had already categorized him: he would always be inferior to their eldest son. He realized gradually that this wasn’t right, for his parents still didn’t perceive his true identity. That’s why he feels drowning, when he loses his mask. 
He doesn’t have the impression to exist.
(chapter 49) That’s why he chose a third mask: he tried to be admired at school. He was caring and considerate towards his fellows. However, since he had made this rational decision
, in his mind he was acting. Hence he didn’t truly enjoy this situation. 
(chapter 49) He felt that he was forced to smile. Besides, I believe as he was fake, this admiration was quite superficial in his mind. Therefore he didn’t feel truly loved. That’s why at some point, he wondered if he would ever be loved… 
However, the readers should interpret this question differently: he was asking indirectly, when his true self would be recognized by someone. And the one who made him discover his true sexual orientation was unfortunately a player. That’s why the main lead was so devastated and hurt, when he discovered that his relationship was based on deception and fakeness. So after being sent to the army, Ahn Jiwon chose to act like in the past. He became a role model as a student, yet he could no longer hide his homosexuality. Hence he led a double life. 
(chapter 08) In this scene, the charater is disguising his true thoughts. The black and red are representing his emotions: he is irritated, because he needs to have sex with Nam Dong-Gyun. Note how Ahn Jiwon is avoiding his counterpart’s gaze. The figure is acting, his mask is his face and the presence of the colors symbolizes the repressed and hidden thoughts and emotions. Mingwa colored one picture in chapter 51 marking a turning point in the protagonist’s life.
For the first time, he was acknowledging his feelings and as such his own desires. This picture represents the removal of one mask. He is slowly living for real, but in this chapter he still hadn’t found his true personality. The other mask (his reputation as good student) was still existent. Besides, he still believed that his smiling and caring attitude were just an act, while in truth he was genuine and caring. But due to his past, he had already internalized that this was just an act. And now, you comprehend why the latest episodes from BJ Alex are in color. The main lead had finally found his own identity and place. 
(Painter Of The Night, chapter 54), colors, reputation, etc. The protagonists are often hiding their true thoughts and emotions due to their past, while the villains are using masks to deceive people. 
, pet and doll. This statement was reinforced in the following scenes. First, the rich man asked his former lover to dress with the clothes he had bought for him.
(chapter 28) Here, he didn’t ask for the protagonist’s consent and choice. The brown-haired man was the one who selected the pullover and the pants. Later, he even ordered dishes Jooha was supposed to like, nonetheless he never asked him directly. 
(chapter 28) Furthermore, the readers can detect the symbolism in this scene. 
(chapter 29) The rare fish in the huge aquarium symbolizes Jooha, hence both are in a similar situation. They are not only isolated, but also imprisoned against their own will. Their common fate is particularly perceptible in this image: 
(chapter 29) Remember how the CEO bought the restaurant and the main lead was supposed to repay the debts. So he definitely spent a fortune for Jooha in order to obtain him. On the other hand, the manhwaphiles discover that Pilwon and Jooha were quite close in the past.
(chapter 27) They were friends before becoming lovers. 
For Jooha, Choi Pilwon must have appeared as the Prince Charming, until the latter revealed his true face… The blessing became a curse. But how did their relationship deteriorate so much and so rapidly? 
, he could only see the “mermaid” as a rarity. It was, as if he had found a real treasure. This explicates why he confesses to his purple-haired pet, he is only interested in the special ones. 
(chapter 29) Jooha’s ability to create pearls pushed the villain to claim Jooha as his own.
(chapter 28) However, I don’t believe that the discovery of Jooha’s condition was the only trigger for their alienation. First, the real cause is Choi Pilwon’s personality. Furthermore, the restaurant and Jooha’s mother played a huge role in the deterioration of their relationship. The manhwaphiles shouldn’t forget that the main lead chose to remain by his mother’s side, while all his friends left the town in order to study.
(chapter 27) As you can observe, Jooha and his mother had a very good relationship, and the presence of the promise to move to Seoul could only reinforce the main lead to remain by his mother’s side. From my point of view, Pilwon must have asked the young man to follow him to Seoul and his mansion. There exists another clue for this theory. Kang Dooshik proposed his lover to leave the place
(chapter 26), but the young boy refused explaining what the restaurant meant to him. But after hearing the young man’s story, Kang Dooshik chose to respect his lover’s decision. That’s why I believe that the CEO must have requested from his lover to follow him too. Note that before they became intimate, the rich man kept coming from Seoul in order to meet Jooha. 
(chapter 27) But contrary to Dooshik, Choi Pilwon couldn’t bear the rejection and took it too personally, hence he decided to play a trick. The latter had to take away the restaurant and remove Jooha’s mother from his side. With no one by his side, Jooha would be forced to rely on him and as such follow him to his mansion. Therefore, from my point of view, Choi Pilwon used the father’s debts to corner the main lead and his family.
This explains why the purple-haired man blamed his former lover for the loss of his mother later.
In my opinion, Choi Pilwon didn’t intervene directly, he used the loan shark by tipping him off about the whereabouts of the family. Let’s not forget that he investigated Kang Dooshik’s past and even used his friend Lee Choonbae to separate the couple. But why would Choi Pilwon cause so much pain to his lover and manipulate people in order to achieve his goal? Like I mentioned it above, it is connected to his character.
(chapter 28) 
(chapter 29), in the name of professional conscience, family ties, friendship, love, etc.
(chapter 29)
(chapter 28: Here, he is not clearly expressing his true desire: he would like the protagonist to remain by his side. Instead, he proposes a deal in order to corner Jooha.)
(chapter 28: Here within a few minutes, he transformed into a fury the moment he was criticized and rejected)
(chapter 29), and immediately respond to requests and questions.
(chapter 28: here, he is looking down on both protagonists)
) or via intermediaries (telephone instead of face-to-face: 
and lets him only hear a conversation over the phone 
(chapter 29) Note that he cut the conversation, an indication that he left out an important information)
(chapter 17)
(chapter 28 and 29 reveal how he manipulates truth)
(chapter 29: He hurt the “mermaid”, yet he blamed the victim for this, as he was furious.) 
)
Choi Pilwon succeeded not only to keep Jooha by his side, but also to bring him to his home)
, chapter 3) 
Observe how many men were starring at the brown-haired CEO, though he is not visible in this picture. He is definitely envious of Dooshik, as the latter has been able to get close to Jooha, while he failed to achieve his goal in the past. Besides, he is well aware that the drunkards in chapter 1 envy him for Jooha. This is no coincidence that Choi Pilwon is associated to green, the symbol of envy and jealousy. 
Therefore you comprehend why I came to this diagnosis. Sure, the way he grew up played a huge role in his disorder. The latter is strongly connected to abandonment issues. These patients are in truth hypersensitive and vulnerable, but they mask this by boosting their ego. 
His house is huge, yet he is on his own. 
Loneliness and emptiness explicate why he felt bored
However, even when he realized his betrayal, he still had the restaurant, the place where he shared happy memories with his mother. However, this is no longer possible due to Dooshik. The latter worked there and seems to have abandoned him too. Furthermore, he is now living with his past lover. That’s why I think, the purple-haired man will start hurting himself in the next season,
The young man has no longer any hope… so why should he keep living? The CEO is not recognizing that due to his past behavior, the mermaid will never rely on him ever again. He couldn’t trust him any longer. This explicates why we never saw Choi Pilwon having sex with the main lead. Due to this observation in my first analysis, I was wondering if the antagonist was suffering from a erectile dysfunction. But now, I have found the real signification. He was in reality faithful to Jooha, because he only got fellatios.
But since the main lead had perceived his true personality, he was no longer willing to accept him as his partner. From my point of view, Choi Pilwon forced the main lead to sell his body in the neighborhood for one simple reason. He wanted him to develop resent towards people from that town. His purpose was to isolate him from the community so that at some point he would ask for Choi Pilwon’s comfort and help: a new version of this panel.
(chapter 28) Remember what I wrote above… he saw the restaurant as a hindrance. Hence I come to the following theory. After Jooha had called him for his assistance, the CEO imagined that he had succeeded. The mother was already dead. Hence he proposed a deal. 
, we never see his face again. It gives the impression that we are witnessing his slow vanishing. In addition, the scene in the mansion ends with the picture of the rare fish.
(chapter 27) One might argue that Dooshik is smoking too, hence this interpretation is wrong. However, note that the latter was willing to work in the sea
(chapter 3). He had no problem to wear weird clothes and look for shells. He enjoyed his stay in this town, he only proposed to move away, as he felt that Jooha was hurt due to his bad reputation. In other words, Dooshik was no longer missing the city, but was choosing Jooha’s side. When the latter revealed his decision to remain in the city, the latter understood this. In other words, Dooshik is no longer attached to Seoul and the city. 
and it happened again with Choi Pilwon. Hence I deduce that Dooshik will be reformed in the second season, which means that I am expecting a change for Choi Pilwon as well. The latter will learn that his so-called reality
This is relevant, because it already outlines his mysterious nature. This is not just a question of anonymity. Notice that during the whole introduction, he barely talks so that the readers can’t perceive his thoughts. Moreover, he only speaks on two occasions. First, he calls Ms. Jeon and later he describes the actual situation: he has removed the first target: 
(chapter 1) Therefore this is no coincidence that the reason why the murderer didn’t eliminate the prostitute is obscure. In other words, the main figure is an enigma per se, and the readers are asked to discern his personality, whereas Lee Je-Oh’s character is so easily exposed.
(chapter 1), he uses the cellphone to call his lover, the mastermind of this murder. This explains why his face is only revealed, when he uses the pronoun “I”. 
(chapter 1) That’s the moment he starts existing. He only lives, when he is in contact with Ms. Jeon. Yet through his words, the readers can detect the nature of their relationship. Ms. Jeon is his superior and mentor (he calls her “teacher”/Seonsangnim/ in the Korean version), whereas in the killer’s mind she is his lover. 
(chapter 8) But if you pay attention, you’ll detect the emptiness of this declaration of affection. First, there’s no name attached to the “I love you”. It is so anonymous. Furthermore, the love confession is at the bottom of the letter, totally separated from the content of the letter. The first scene in chapter 1 already illustrated the gap between these two characters, for Do Seong-Rok was speaking to her formally. The absence of the informal speech is a clue that they are not intimate and close in truth. And now, if you combine this with the “love letter”, you can only come to the conclusion that Ms. Jeon is the one keeping the protagonist at a certain distance. All this truly exposes Jeon Hee-Seong’s true thoughts. She’s using Do Seong-Rok’s naivety and innocence. With a few words and a letter, she could manipulate the protagonist to commit assassinations. What caught my attention is that the main lead was incapable to see through her lies. In chapter 6,
(chapter 16) This panel exposes the man’s genuineness and purity, as he revealed his true thoughts so easily. I would say that he was easy to read like an open book. So he was seduced by her intelligence and her beautiful body. From my point of view, she wooed him by taking his side in this incident despite her criticisms. Let’s not forget that his colleagues not only were looking down on him, when he refused to follow them, 
(chapter 16), but they also left him behind. Then, when Jeon Hee-Jeong put the card in his hand, she gave him the impression that he had the freedom to come back to her. He had a place to return, when he had finished his mandatory service. 
(chapter 16) In other words, she didn’t abandon him, though she left him behind too. And this is important in my opinion, for it explains why the main lead chose to seek her company. She was the first person who accepted him with his flaws, but she didn’t truly leave his side. And this leads me to the following conclusion: Do Seong-Rok has abandonment issues. 
(chapter 12) However, the father left a letter behind announcing that he would come back at some point, but it never happened. What caught my attention in this picture is the person reading the letter left by the relative. The house looks well-maintained and the woman is wearing an apron. Yet, she seems so cold and unfriendly due to the absence of a smile and the eyes. In the first version, I thought that he had not been abandoned in an orphanage, but he was confided to a particular person. However, it turned out to be wrong. The reality is that he grew up in an orphanage
(chapter 27), yet the persons working there could never give what he truly wished: a family. 
This signifies that I had perceived the person’s attitude correctly. The personal could never give the affection and warmth he had been longing. On the other hand, From my perspective, Do Seong-Rok grew up in a family from the middle-class. This signifies that he never had to face financial struggles, on the other hand the absence of eyes in the woman exposes her displeasure. So though he received a proper education, he must have felt as a burden as well. This would explain why Do Seong-Rok lived in a bubble for a long time. Abandoned by his biological parent, he didn’t desire to annoy more people, especially the family who took him in. That’s why he felt the need to abide by laws and to be very strict. He didn’t want to stand out. For him, assimilation was a mean to get acceptance. Therefore you understand why Do Seong-Rok is a lamb, for “conformity” was like a safety net. Consequently, Lee Je-Oh and the murderer have both something in common despite the social gap: isolation, lack of warmth and acceptance. On the other hand, the huge difference in their social status explains why Do Seong-Rok is so inexperienced and naïve. He never had to struggle to survive. Thus this explicates why Lee Je-Oh is so street-smart, while the other is so clumsy. By abiding to laws, he didn’t have to use his brain properly. Furthermore, I believe that due to the abandonment he kept his distance with people… out of fear that he might appear as a burden. That’s the reason why he had no girlfriend, until he met the prostitute. Besides, it is also possible that in his childhood he could only meddle with people with a similar background, hence he never had to encounter people with terrible fates. But by entering the army, it changed, as he was forced to interact with people from other social classes and with a different mindset. This explains why Do Seong-Rok entered the red-district for the first time, when he was 22 years old. 
This truly outlines a certain compliance and obedience. On the other hand, once arrived there, he realized the purpose of their visit. Hence he refused to do the same, revealing his integrity. Thus it is no surprise that he values monogamy so much. Since he had his first sexual experience with Jeon Hee-Seong, he could only judge her as his companion and lover. Besides, when they met for the second time, she made him feel special. She was dedicating her free time to him. 
(chapter 16) Therefore it is not astonishing that Lee Je-Oh considers Do Seong-Rok as a dog. The animal symbolizes loyalty, unconditional love and protection. When I read the prostitute’s comment in this panel
(chapter 9), I couldn’t restrain myself connecting it to Hachiko, the dog who continued to wait at the train station for over nine years for its master, though the latter had already died. And now, I would like to combine this thought with my interpretation from the first chapter. The man appeared as a ghost and only started existing, the moment he was talking to the former prostitute. Waiting is often perceived as the contrary to life. Why? While you are waiting, you are not able to make any new experience. And this reinforces my perception: the killer was not truly living while waiting for his lover. 
) and both characters have a similar reaction. They are neither shocked nor scared. They remain calm and indifferent. Yet what is more surprising is that in the two situations, the author let us see the corpse through their eyes. 
Striking is that Lee Je-Oh can’t help himself making a comment in his head, while watching the floating corpse. 
(chapter 16), while in reality the usurer had some feelings for him. He needed to ensure that Je-Oh would remain by his side. That’s why the young man was constantly brought to the clients and his minions were asked to keep an eye on him. Because of this mistake, she never gave any instruction about the male prostitute. Consequently Do Seong-Rok had no idea how to deal with him. Simultaneously, when he kept an eye on him, he was reminded of Jeon Hee-Seong’s fate. He could only pity the male whore, hence he was reluctant to kill him. 
(chapter 2) In other words, Lee Je-Oh could have decided to call the cops and report an intruder before entering his home, but he never did. In my eyes, all this contributed to confuse the killer. Somehow he realized that the prostitute had been helping him. Therefore he didn’t kill them in the flat. Since they were together, he had to kidnap them together. But as you can see, Do Seong-Rok had a weak spot for the main lead, but he was definitely less important than his lover Jeon Hee Seong. That’s why the main lead is not allowed to touch her belongings. 
According to the belief of the red-haired man, he is removing the persons responsible for Jeon Hee-Seong’s misery. Since police didn’t protect her, while she was abused 
In my eyes, his words must have triggered Do Seong-Rok’s memories concerning his girlfriend. The former prostitute made sure to portray her husband, the chief and the pimp as dark as possible, while she made herself appear as pure and innocent as possible. She was forced to marry Choi Yeong-Gil, yet the naive lamb couldn’t detect her lies. Let’s not forget that during their first meeting, she acted as the prostitute’s superior and chased away her minion. So she was no longer a simple victim, she was reinforcing the system of exploitation. She was already higher in the hierarchy. Secondly, like I explained in the previous essay, she was already possessing a parlor, when he husband got killed. She ensured to trigger negative emotions in the young man so that the latter would feel the need to kill her so-called oppressors. 
(chapter 16) That’s why I believe that Koo Jeong Mo is correct about his assessment of the former prostitute. 
(chapter 16) Through her, the red-haired man discovers real life and as such pain. The manhwaworms should remember that after the expulsion from Eden, Eva and Adam discovered pain and death. And that’s exactly what is happening in the manhwa, though in my opinion Do Seong-Rok is a combination of Adam and Cain. Let’s not forget that Eva’s son killed his brother out of jealousy and resent. But since the snake views the young man as a lamb, this signifies that she has already planned to sacrifice him for her own interests. That’s why she tells officer Ahn that she has no real relationship to the murderer. 
(chapter 2) The reason for his mistakes is simple: he was an idealist lulled in an illusion, hypnotized by Ms. Jeon’s words. That’s why he had a nightmare
(chapter 8) Besides, let’s not forget that after the nightmare, the protagonist gave a honest portrait of Do Seong-Rok. He is a sensitive murderer .
(chapter 6). The black-haired man’s role is important, as he forces his ally to question the nature of his relationship with his girlfriend. 
(chapter 10) In chapter 18, he made him realize that he was now cheating on her and as such was no longer faithful. 
The longer Lee Je-Oh remained by his side, the more disillusioned Do Seong-Rok got about Ms. Jeon’s true nature. This is not surprising that at some point the assassin is no longer blindly trusting his goddess. 
In other words, the murderer taught his ally to respect him too. Despite their quarrel, their trust didn’t get ruined. From my point, Lee Je-Oh will become faithful despite his past and job. Why? It is because of these words: 
(chapter 8) and she is not even imagining that he has found an ally and is disobeying her words. She is so confident about her seductive skills and her beauty. This explains why Do Seong-Rok’s sexuality is gradually changing, though he tried to deny pleasure in the beginning. On the other side, since the prostitute has associated sex with power and violence, this is no coincidence that the killer feels aroused while strangling Ma Jong-Seok.
Slowly, he is under the influence of Lee Je-Oh. 
(chapter For the snake, Do Seong-Rok was a lamb and her cannon. As for the dog
or he confesses that he is aroused. 
(chapter 18) Thus I come to the conclusion that the killer was living in a similar situation than Je-Oh’s in his past: he was invisible to people and didn’t truly feel alive. 
in chapter 1 and the other was called a lamb by his future lover Jeon Hee-Seong
(chapter 1). In this panel, the young man has the impression that he bought an aquarium, because he found the fish pretty, but notice that although they keep dying (this is the third one), he is still determined to keep a fish by his side. This is important for two reasons. It shows his loneliness and as such his need for company. Let’s not forget that Je-Oh has to reimburse the debt left by his father, so this signifies that his budget is limited. Yet each time a goldfish died, he still bought a new one revealing that he considered it at some point as a necessity to have a goldfish by his side. He is well aware that he doesn’t take care of it very well, he can’t help himself buying a new one. This incident exposes too that Je-Oh has no idea how to treat a companion properly, for he has been alone for a long time. As a conclusion, right from the start, the reader can sense the escort’s solitude and selfishness. He feels the need to detect the presence of someone by his side, yet he is not willing to invest too much time and emotions in it. A fish is the perfect solution, for the aquarium serves as boundary and a fish can’t be touched like a cat or a dog.
(chapter 16) Thanks to the image, we can detect that Je-Oh is missing his mother. This is perceptible, for the main lead still has a framed picture of his mother. Since he is smiling, this indicates that he was happy, as long as his mother was around him. However, the moment he was left alone with his father, the latter only viewed him as trash and burden. This explicates why he removed the father’s portrait from the picture. He really hated his father. He had many reasons for his disdain. 
Instead, he displayed no understanding and just made the son guilty. Besides, the relative kept insulting him, calling him filthy and dirty. 
(chapter 9) This incident at the convenience store explains why the young boy resented so much his father. 
(chapter 9) Note that the young boy was smiling after the theft, he didn’t see it as a real wrongdoing… let’s not forget that the father bought things from the supermarket and always put it on tab, but never paid back the debt immediately. 
(chapter 9) The young boy could only learn that it is no big crime, if he doesn’t pay the figurine. The irony is that during that incident, the father couldn’t put the bug spray on tab, as the shop owner refused to due to the huge amount of unpaid bills. This incident reveals that the father was already deeply indebted. Simultaneously, due to the harsh scolding and insult, the main character learned that he needed to act behind his father’s back in order to achieve his goal. He knew that his father would never do anything for him, since he represented a source of annoyance. For the father, Je-Oh was a burden. 
(chapter 1) When the main character discovered his father’s suicide, he only showed calmness and indifference. 
(chapter 1) The suicide was the peak of the father’s abandonment and neglect. That’s the reason why the student wasn’t shocked or upset and kept smoking in front of his father’s corpse. And now, you understand why the young boy hated his father. 
Yet, these words reveal that the relative didn’t feel responsible for his education at all. With his statement, he was putting the whole blame on his own son, while in reality the man was refusing to educate the boy properly. In other words, Lee Je-Oh should be considered as a orphan who had no good role model in his youth. The manhwaphiles can grasp why he stole the toy or why he started smoking, though he was still a minor. There was no one around him who showed concern and care for him. 
(chapter 17) He was willing to be responsible for his father’s mistake, though he despised him. The reality is that he was forced by Ma Jong-Seok to sell his body. Because of this terrible experience and the indifference of people, the teenager learned that he would never receive any help. He was on his own, that’s why he tried to rebel and escape on his own from the claws of the pimp Koo Jeong Mo and the moneylender Ma many times. 
Then this observation made me realize why the protagonist’s life was similar to the goldfish’s. 
, the main lead was living in a flat on his own. He would get picked up by Lee Soon Cheol or Choi Yeong-Gil or even Ma Jong-Seok and brought to his clients 3 times a day. This clearly displays that the young man had a different clientele. In my opinion, he was more working for people with money. And this explains why Jeon Hee-Seong didn’t know Lee Je-Oh’s true place in the end. In her eyes, he had the same position, as he was selling his body for money. She was surprised to hear that the loan shark would pick up himself a prostitute and wondered this situation. 
(chapter 1), and since they are married, I believe that they hide their homosexuality. Furthermore, if you consider that he only had maximum three clients a day, this meant that the young man was a special escort. That’s why I believe, the main lead was sent to serve a different clientele than Jeon Hee-Seong in the end. This would elucidate why her husband asked the main character not to get caught and create a scandal.
(chapter 1) Consequently, I conclude that he was definitely having sex with rich people. And if you take into consideration Chief’s behavior, you’ll notice the parallels between the “bunch of horny men” who felt guilty by having sex with the young man: Ma Jong-Seok only confessed he had some feelings for the main lead the moment he was facing death. He hid his “emotions” behind his behavior. That’s why he raped him 3 years ago and tasted him in the second episode and used a pill to achieve his goal. In my opinion, the Chief was not willing to admit his attraction to Je-Oh and used his position to sleep with him, whenever he wanted. 
He was neither desperate nor afraid of death, but he was not repelled by the scent of the dead fish. Furthermore, he even touched the corpse. And these gestures made me think that the main lead was very fascinated by death 
(chapter 1). And this led me to suspect that Je-Oh could be suffering from necrophilia. In the first chapter, he showed this tendency. Then he witnessed how Seong-Rok was strangling the usurer in episode 18, he got fascinated and aroused as well. 
(chapter 2) Therefore you comprehend why the main lead claimed to his kidnapper that he had been raped. (chapter 3). 
He wasn’t just trying to manipulate the red-haired man to get rid of his abuser, he was also telling the truth. The protagonist didn’t have sex with the usurer willingly. Thus the manhwalovers can understand why the main lead is now reacting sexually, when he sees someone getting strangled or punched. For him, violence can no longer be dissociated from sex. The only difference is that, now he is no longer the victim, hence he can enjoy this. The manhwaphiles could detect this in two occasions. First, in chapter 3 he enjoyed so much how the serial killer was punching the usurer that he got an erection. 
(chapter 3) Then, in episode 17 he felt excited, when the moneylender was begging for his life.
His words expose the connection between pleasure and power again. The violence is present here, as Ma Jong-Seok is getting threatened and humiliated: let’s not forget that he is on the verge of losing his life. As you can observe, the main lead’s sexuality is already linked to violence and corpse. And now, you can comprehend why he is so fascinated by the serial killer Seong-Rok. He embodies everything that he likes: strength, power, violence, but also a certain sense of innocence, sensitivity and justice. 
(chapter 3) This explicates why the prostitute didn’t stop the moneylender from strangling him during their duel. He counted on Seong-Rok’s good heart and pity to protect him in the end.
(chapter 6), until Seong-Rok rejected this idea. 
or survival, for the first time Je-Oh had the impression to have found a purpose in life. There was someone who was strong, but also vulnerable at the same time implying that the latter would have to rely on someone. Besides, Je-Oh felt indebted towards his savior. Thanks to him, he had become released from his prison. 
With these words, you can observe, “help” plays a huge role in Je-Oh’s mentality. That is the reason why he desires to be by Seong-Rok’s side in the end. 
, though the red-haired protagonist kept rejecting this role. And now, you comprehend why Je-Oh is eyeing at Seong-Rok. The latter has already shown a weak spot towards the young man. He didn’t let him die by Ma Jong-Seok’s hand (chapter 3), then he showed him a special treatment by letting him sleep in the same room. The latter could take a shower and got clothes. No one had ever paid attention to his needs before. He might say that he dislikes love
, yet in front of Seong-Rok in tears, he feels himself moved.
And this panel is interesting, as it reminds us of the scene at the convenience store. It was, as if Seong-Rok was a toy and the protagonist felt the need to steal him. Let’s not forget that he was already looking for a partner unconsciously before meeting his savior. The evidence was the goldfish. By connecting the scene with the toy and this picture
(chapter 9) All of them were treating him, as if he was inexistent. His clients never paid attention to his feelings, when they confessed their sins. Moreover his masters treated him like trash. And this signification makes the readers realize that the killer’s lover Ms. Jeon will become Je-Oh’s true enemy and rival, for the former will claim Seong-Rok as his own. That’s why in chapter 18, he makes the red-haired protagonist feel guilty. 
(chapter 1), while in reality the former had showed no respect to the deceased himself too.
Ma Jong-Seok claimed to have feelings for the main character (chapter 17)
(chapter 17), yet until now he had mistreated Je-Oh, as if the latter was a pet. Thanks to Seong-Rok, the prostitute could feel free for the first time, though he was a hostage. Imagine the irony of the situation. This is not surprising that the prostitute rejected the usurer’s offer.
The main lead was truly aware of Ma Jong-Seok’s hypocrisy. He knew that this was an empty promise, visible through the points of suspension and the question. The main lead was not naive: the loan shark would always prioritize money over Je-Oh, once he had escaped from the jail. Let’s not forget that the usurer was living a good life according to the main lead’s words. 
Due to his sharp senses, the main lead knew that someone was in his house, but he remained silent, as he was hoping that the murderer would help him by eliminating the loan shark. This truly shows that Je-Oh is an opportunist, he can see which situation benefits him more. Simultaneously, it also shows that the protagonist is a gambler, willing to risk his life, though he had a reason to envisage that the killer was not targeting him. Do Seong-Rok had never approached him before, while Lee Soon Cheol was already dead, yet the murderer had been observing him for a while and Je-Oh was aware of that. 
and imagined burning the world
A Painter Behind The Curtain:
Dine With A Vampire:
Doctor Frost (used as reference for examining manhwas: POTN, Jinx, BJ Alex):
Legs That Won’t walk:
My Suha:
Painter Of The Night:
Pearl Boy:
Under The Green Light:
Unintentional Love Story:
Serene Bird:
ENNEAD
Mad Place:
Bongchon Bride: ”
Steel Under Silk:
Payback:
A Sip Of Poison:
Jinx: After writing 31 essays, I decided to create a table of contents for Jinx.
The Ghost’s Nocturne:
🤔 
Beta Off Not Dating:
At the End of The Road from Haribo:
The Edge OF Ambiguity:
Banana Scandal:
(chapter 17) 
(chapter 17) As you can observe, the positions between the main lead Je-Oh and Ma Jong-Seok had been switched. The latter, the blond-haired man, was the protagonist’s owner due to the debt left by Je-Oh’s father. The latter had preferred killing himself than reimbursing the credit with a huge interest. The vengeance becomes more visible, when the readers discover that the chief has been brought to the location, where Je-Oh’s father committed suicide. 
(chapter 17) This means, in chapter 17 Ma Jong-Seok is going through the same experience than the main lead. 
If he commits a crime, then he will lose his “humanity”. This is no coincidence that the chief talks about righteousness and as such humanity. Let’s not forget that the latter is a synonym for benevolence and kindness. Facing death, the hypocrite starts treating Je-Oh as a human and no longer as his pet. This doesn’t escape the main lead’s attention who points out his hypocrisy. 
He has behaved like a man without any conscience and heart until now. And this explains why at some point Ma Jong-Seok confesses to like Je-Oh. The moment the loan shark views him as a human being and no longer as whore, he can admit to have some feelings for him. 
(chapter 3) 
(chapter 5) He kept treating him as his tool. The main lead had to listen to his order and show loyalty and obedience. Sure, he was definitely stressed and desired to survive, well aware that Do Seong-Rok could kill him at any moment. But he acted like that even before the abduction and sequestration. 
(chapter 2)
He criticizes Ma Jong-Seok for being responsible for the death of so many people. With his ruthless job, he sentenced people to their death. In other words, the violent moneylender is a murderer, though he never pulled the trigger himself. 
(chapter 1) 
(chapter 2), while Je-Oh used the same expression for Do Seong-Rok.
(chapter 10), while he associated his minions to chickens. 
(chapter 2) 
(chapter 11)
(chapter 2) Here, Hongok-Dong is presented as a paradise, while in reality there’s only poverty and misery. This poster reminded me of the last commandment in the farm. “All animals are equal, but some animals are more equal than others.” This served as propaganda in order to legitimate Napoleon’s dictatorship. In other words, the banner from that Korean city made me think of propaganda. By showing such pictures, the inhabitants are lulled into in the illusion that everything is alright, whereas in reality there exists only selfishness and indifference due to corruption and injustice. Secondly, the pictures about the red-light district 
(chapter 16) make me think of a farm, and more precisely of chicken batteries: 
(chapter 2) This situation is quite similar to the life of the pigs at the farm. 
, as Janggi. That’s why I believe that the city is like the animal farm, as Janggi is limiting the world. The animals are represented by a piece of chess. The only difference is that we also have wild animals, unlike the English novel. The killer is a player of Janggi, he is the one who uses the different pieces (chariot
(chapter 11), when the naive lover killed her husband. But why did she ask Seong-Rok to eliminate so many people (Ma Jong-Seok; Choi Yeong-Gil, Koo Jeong Mo and Lee Seon-Chol)? 
(chapter 11). The femme fatale purchased land in Hongok-Dong so that she will get rich, when the redevelopment starts. 
(chapter 9) But in order to achieve her goal, she has to erase her past as a prostitute. She needs to eliminate people who know her from her origins. And this leads me to the following observation: since this world is described as a game of war
(chapter 3) He was applying this theory, yet deep down he desired that the main lead would seize this opportunity to get revenge on the usurer. 
(chapter 3) As you can detect, the red-haired man was pushing the hostage to get revenge on his abuser. 
(chapter 3) after hearing how the usurer looked down on the main lead. Since he was just a whore, he had no right to survive. The red-haired man hated so much that Je-Oh was insulted for his “profession”. 
and her relationship to the serial killer. Like I had mentioned it before, Ms. Jeon desires to erase any trace about her origins and plans. So the male prostitute already represents a threat to her plan. On the other hand, the woman has no idea about this, because in her eyes, he is just a pawn. But like the red-haired main lead pointed out, 
Bebebisous33s' analyses in K-Dramaland and Manhwas 