Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx While They Embrace🫂: The Mysterious Landlord 🏠🐕and While They Embrace 🫂: The Western Coast 🌬️🍃🌊🐦
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My avid readers might have been surprised that I didn’t publish any essay for almost a month. I had two reasons for this hiatus. First, the last publications didn’t receive much attention, while I had invested a lot of time in them. Secondly, I was myself under a lot of stress, just like our champion Joo Jaekyung and the Webtoonist Mingwa. I needed myself a break. On the other hand, this doesn’t mean that I stopped analyzing this terrific Manhwa, quite the opposite.
The First Sound: Episode 69 and the Birth of the Heartbeat
When I first read episode 69 of Jinx, one small, fragile detail caught me by surprise — the sudden appearance of the champion’s heartbeat: BADUM 
(chapter 69). For the first time in this story, we as readers were allowed to hear Joo Jaekyung’s heart 
— not in battle, not in passion, not in rage — but in that suspended instant when he imagined Kim Dan missing, possibly forever. Since the author linked the BADUM with doc Dan 
(chapter 69) 
(chapter 69), she created the illusion that the physical therapist was embodying the MMA fighter’s heart. This scene resonated with me long after I closed the chapter.
And then I came across a fascinating article: Resonance Theory: Vibrating with Music. It explained how sound activates deep biological responses — how rhythm, tone, and vibration connect us to life itself. According to this theory, when we hear sound — especially rhythmic or emotionally charged sound — it does not remain a surface experience. It triggers responses in our nervous system, heart rate, breath, and emotional centers. Sound can bypass the defenses of the thinking mind and speak directly to the body.
This is why music can make us weep, why a heartbeat can evoke terror or tenderness — and why a single human voice can call us back from fear or despair, like in this scene: 
(chapter 69) Suddenly, the pieces clicked: the heartbeat in Jinx is not just a narrative sound effect. (chapter 69) It is a form of music — an embodied rhythm that signals life, love, and emotional awakening.
It was this article that first led me to reflect on why we so rarely hear heartbeat or music in the story — and why their presence or absence marks such a profound shift in the characters’ inner worlds.
Looking Back: The Silence of the Heart
As I began reflecting on this moment, I noticed how deliberately the manhwa had withheld the fighter’s heartbeats in earlier key scenes. Consider chapter 14: 
(chapter 14) Jaekyung, insulted and trapped in shameful memories, is wrapped in rage 
(chapter 14)— yet no heartbeat is heard. One might think, the absence of the heart racing implies the lack of fear. His emotions are real, but they do not connect him to life or to others. Why?
Because at that time, there was no one to lose. His world was transactional: lovers came and went; gym relationships were shallow and competitive; even his manager was more functionary than family. Without meaningful attachment, there was no fear of loss — and thus no reason for the heart to speak.
This absence of heartbeat is mirrored in Joo Jaekyung’s actions in that scene. In episode 14, after the humiliating confrontation, we see him drive his fist into the locker 
(chapter 14) — GUOOO, metal dented, yet no pain. Yet, Jinx-philes can see Badum Badum in that picture. Nevertheless it is connected to the physical therapist’s heart: he is scared of the athlete’s strength. On the surface, the champion’s gesture appears reckless — an act of a man who does not care for his body. But this is not pure “fearlessness.” In truth, the celebrity’s anger is masking deeper fear and suffering.
His mind, still trapped in past traumas, is locked onto an unseen enemy: the voice of his childhood abuser 
(chapter 54), who had called him trash, weak, pathetic, incapable. 
(chapter 54) The challenger, Randy Booker’s insult — calling him a “baby” 
(chapter 14) — triggered this buried wound, igniting a desperate drive to disprove that old accusation.
Yet the protagonist is not consciously aware of this. He has repressed his childhood so deeply that he fights not the present opponent, but a shadow from the past. In this state, he acts on instinct, driven by the frustration, rage and pain he cannot name. (chapter 14) There is no conscious heartbeat — because he is not present with himself. He is moving as a zombie: reactive, destructive, unthinking. His body acts, but his heart remains silent.
Heartbeat Scenes: Love, Fear, and Danger
As you can see, Jinx does show us heartbeat scenes earlier — not for the MMA fighter, but for the physical therapist and for other moments of crisis. These examples help us understand the emotional vocabulary of the heartbeat in the narrative:
❤️ Episode 44: Heartbeat of Love and Attachment
In episode 44, we hear 
(chapter 44) BADUM BADUM from Kim Dan’s heart as Jaekyung makes a move on him. His blushing face, wide eyes, and parted lips all signal that this is not fear — it is love, excitement, and emerging attachment.
This is the positive heartbeat — the one that invites us to risk feeling, to follow the pull of connection.
Indeed, Dan did follow his heart that night, therefore he made requests 
(chapter 44) and tried new things. He gave his lover pecks on his cheeks and ear 
(chapter 44). He chose intimacy, and chose to act from his own emotions. This gave him strength and courage. But by morning, he withdrew, the moment he met resistance and opposition. 
(chapter 45) He chose silence, unable yet to confess what that heartbeat had awakened.
💔 Episode 34: Heartbeat of Fear and Danger
By contrast, in episode 34, we witness a different kind of heartbeat — one driven not by love, but by survival panic.
When the protagonist first corners Choi Heesung and threatens him — 
(chapter 34), we see the actor’s confidence gradually vanishing. His mask begins to crack. In that moment, he realizes that in the VIP spa his celebrity status offers no protection. No manager, no Park Namwook, no audience is present. He is utterly exposed to the raw force of the champion’s anger and fist — and the physical threat is real.
His body betrays him: the darkness around the gaze, the unmistakable BADUM BADUM of his racing heart. Here, the heartbeat does not speak of longing or love. It is a visceral alarm bell, signaling vulnerability and fear.
And yet — this makes the next moment all the more revealing. Later in the same episode, the actor faces the main lead again — but this time Dan is present. 
(chapter 34) The confrontation repeats — Jaekyung threatens once more. Yet, there is no visible BADUM, BADUM here. Why? Don’t forget that just before, the actor gulped and blushed 
(chapter 34) — a clear sign of excitement, not fear. And still, his heart remains silent. This raises the question. Why was the actor not afraid of the MMA fighter? Because even if the words echo the previous threat, the perceived danger has changed. With doc Dan standing between them 
(chapter 34), the actor subconsciously knows: “He will not attack me here.” The champion made it clear that the physical therapist shouldn’t detect the actor’s presence. Doc Dan acts as an emotional shield, preventing true panic. The body no longer signals mortal danger — and so, no BADUM sounds.
In this, the manhwa subtly shows us:
Heartbeat is not simply about surface emotion. It reflects the perceived reality of threat, loss, or love.
When danger and loss feel real → the heart races. 
(chapter 43) Here, the doctor feared the celebrity’s rejection. This scene was actually announcing that doc Dan was already in love with the “wolf”.
When one feels protected → the heart stays still, even if the mind recalls past fear.
Music as Substitute for the Heartbeat: Emotional Disconnection
There is another layer to this symbolism — and it lies in the rare appearances of actual music in Jinx. Music is introduced only twice:
1. Episode 21:
Kim Dan remembered his grandmother singing a lullaby 
(chapter 21) — a sound of comfort and life. But it was a distant memory, not part of his adult world.
Crucially, Dan was asleep 
(chapter 21) — having a nightmare. It is only when the grandmother returned to the bed and began to sing that his body calmed. (chapter 21) Here, sound functions as both comfort and erasure. The lullaby soothes — but it also covers an earlier silence. It replaces what was absent: the voice of his parent(s). The melody fills the void — yet beneath it, the deeper wound remains untouched. 
(chapter 21)
Thus the lullaby is not simply a token of love — it is also a symbol of emotional substitution. Dan carries this unresolved layer with him 
(chapter 21) — one that later echoes in his adult struggles with attachment and loss.
2. Episode 58 (season 2):
Outside, Heesung, Potato, and the landlord are singing and dancing 
(chapter 58) — vibrant, alive. But Dan sits apart. He is disconnected — his inner state does not resonate with the music. At that moment, he is preparing to abandon Jaekyung.
What struck me is this: Dan’s own heartbeat is absent in that scene. Though he thinks 
(chapter 58) “I am happy and at ease, but… why does my heart feel so heavy?” — it is as if the external music has replaced his internal rhythm. The joyous sound outside contrasts painfully with his own muted emotions. The music underscores his emotional disconnection and the inner weight he carries.
And here, the parallel with childhood becomes clear.
The cheerful music provides surface warmth — but the root pain of emotional rupture (with Jaekyung) is untouched.
Just like the lullaby once offered comfort without healing, the music here offers temporary relief, not true resolution.
In both moments, we see how music without heart resonance leaves the deeper wounds unaddressed — and why it is the sound of the heart, not external melody, that must ultimately speak.
3. Boksoon and the champion
In Dan’s case, music never fully reconnected him to life — it was merely a temporary surface. But Joo Jaekyung, guided not by a melody but by the raw bark of a dog, 
(chapter 65) finds his way back to the man he cares for.
Boksoon’s bark in episode 65 
(chapter 65) is more than noise. It’s a resonant signal — not unlike the heartbeat. When she barks, it alerts Jaekyung to Dan’s trance. 
(Chapter 65) Moreover, the dog is capable of expressing her „worries and pain“. And for the first time, the champion follows a sound not of the crowd, not of a bell, but of life calling to life. 
(Chapter 65) Her bark anchors him, just as Dan once did. And it marks the moment Jaekyung becomes emotionally receptive not only to Dan, but to care itself — puppies, vulnerability, connection. In other words, her presence foreshadows Jaekyung’s emotional readiness to care for others beyond the ring. Having rediscovered and embraced his own vulnerability, his heart is gradually open to softness — to animals, to dependency, to affection.
In this light, Boksoon’s bark becomes a canine echo of Jaekyung’s heartbeat: both signal that something fragile and important is alive. That life is worth protecting. And that Jaekyung — no longer the zombie fighter — is becoming someone who hears, feels, and chooses to respond.
The Black Veil: Emotional Death and Substitution of Memory
We see this deepening in the very next beat. 
(chapter 58) During the happy party with the actor and Potato, Dan remembers his past lover — and we see the champion’s image under a black-and-white veil. It was, as if the sun was vanishing from his life. In that moment, Dan decided to detach himself from Jaekyung, to forget him. The champion is emotionally “dead” — unreachable, lost to him.
This may explain why after the death of the puppy, doc Dan goes toward the sea. Though in his trance, he is thinking of his grandmother 
(chapter 59), the reality is that work has long lost its meaning. He has no goal in his life in the end. The emotional gravity of his loss regarding Jaekyung is palpable, though the physical therapist is not realizing it. Jinx-philes should keep in their mind that in season 1, the protagonist used his grandmother as a shield to justify his transactional relationship with the celebrity — and here, perhaps again, she becomes a cover for deeper pain.
Sound, Resonance, and Biological Awakening
And so we return to resonance theory. As the article explains, sound activates deep biological responses. It connects us to life, bypassing intellectual defenses. Rhythm, tone, and vibration speak first to the body — to the breath, to the heartbeat, to the reflexes — before they are processed by the conscious mind.
In Jinx, we see this principle embodied again and again — and nowhere more clearly than in the key moments of Jaekyung’s awakening. At first, the BADUM — the sound of the heart — announces the body’s recognition of fear and attachment. (chapter 69) But as his emotional state deepens, the manhwa subtly shows that the language of the heart is not always written — it is felt, seen, heard in breath and gaze.
This becomes especially clear when Jaekyung reaches the dock. 
(chapter 69) There, as he sees a figure on the boat, his breath catches — for a moment, he believes it might be Dan. But as he draws closer, he recognizes his mistake. The man is not Dan. 
(chapter 69)
Now, on the dock, Jaekyung remains proactive — scanning for signs, seeking a solution. And when a small, fragile sound pierces the air (chapter 69) — “Umm” — we witness a subtle but profound shift.
Here, the heartbeat is no longer heard, but it is seen and felt: in the shallow breath 
(chapter 69), the audible HAA…, and in the dilated pupil. 
(chapter 69) His body speaks what the panel leaves unsaid — a visceral resonance of surprise, longing, and fragile hope.
And when his eyes finally meet Dan’s, we see it: relief floods through him. In that instant, his hardened facade dissolves. He appears young again — the boy beneath the champion’s armor emerges.
This marks not only the depth of his attachment, but also a profound shift in perception: he is no longer the “superior” in this bond. In that moment of relief, he begins to see Dan not as a child or subordinate, but as an emotional anchor, an authority figure — someone he can trust, someone to whom he can turn. (chapter 69) But before he moves, before he speaks, he just looks. Frozen in place, he engulfs Dan with his gaze (chapter 69) — eyes wide, breath caught. His pupil dilates, as if trying to capture and preserve the image of the person he feared lost. In that breathless instant, Dan becomes the apple of his eye — the one irreplaceable figure in his emotional world.
And then something even deeper shifts: the roles reverse. Dan is no longer the puppy. Jaekyung is. He becomes Jaegeng.
Why this transformation? Because despite everything — the pain, the fear, the trauma of the night before 
(chapter 69) — Dan does not scold him, reject him, or shrink away. He simply asks: 
(chapter 69) There is no accusation, no resentment, no judgment.
Unlike Baek Junmin or the mysterious ghost from Jaekyung’s past, who mocked 
(chapter 49) the fighter’s vulnerability and punished his needs, (chapter 54) Dan sees the man, not the mistake.
And so, for the first time in his life, Jaekyung experiences unconditional regard — not the kind that is bought with talent or won through dominance, but the kind that says: you are worth caring for, even when you make mistake or falter. And that’s why he clings to Dan 
(chapter 69) — not as a fighter needing a medic, but as a person giving affection and seeking warmth. And in Dan’s quiet presence, he finally finds someone who doesn’t shame his vulnerability — someone who holds space for both the man and the boy he has always been.The inner child from the athlete awakens — and with it, the first true opening of his heart. He is now reborn.
Revisiting Episode 44: Fear of Dependency and Fear of Loss
Here we can look back and understand earlier scenes more deeply.
In episode 44,Jaekyung’s heart had already begun reacting — but he could not name it. This is visible, when he questioned Dan: 
(chapter 44) What were those buttons? His heart. His breath. His body’s fear that Dan might vanish.
Every time he heard Dan leaving at night 
(chapter 45), his heart raced. But he mistook this for irritation 
(chapter 45) — not attachment. That is why he threatened to hire another doctor the next morning: he feared dependency and as such vulnerability. 
(chapter 45)
And there is one more layer. Before episode 69, even though Jaekyung feared Dan vanishing, he had never connected “vanishing” with death. 
(chapter 55) In his mind, people leave — they live elsewhere — life goes on. He never imagined irretrievable loss.
But now — seeing the empty house, the footprints on the ground, imagining Doc Dan bare feet while (chapter 69) walking into the sea (chapter 69): he has this revelation: Dan might not simply leave. He might disappear forever. This unbearable thought awakens his heart completely. (chapter 69) Under this new light, it becomes comprehensible why Mingwa connected his beating heart to his face. With this panel, she implied the huge awakening and the protagonist’s transformation. He is facing reality. He is accepting his mortality, his beating heart. He no longer views it as a discomfort.
Conclusion: When the Heart Spoke, Life Began
And here, the lesson deepens. In episode 14, Jaekyung’s self-destructive punch had shown us a man trapped by past traumas, acting on raw instinct. There was no heartbeat — not because he was fearless, but because his mind was not free. He was still a zombie: 
(chapter 29) moving through the world, but without true inner life. Hence his eyes were “empty”. 
(chapter 26)
But now, in episode 69, when the heart speaks (chapter 69), it teaches not only love — but emancipation. The BADUM announces the birth of a man who can finally think and feel for himself and for doc Dan. The resonance of the heart breaks the zombie trance. It awakens conscious presence.
And we can now see why this experience of fear was essential. (chapter 69) Until this moment, Jaekyung’s driving force had been to prove his mysterious childhood abuser wrong (chapter 54) — to erase the label of “weak, pathetic, incapable” that had haunted him.
This is why, in episode 67, when Dan asked him directly 
(chapter 67), Jaekyung could only remain silent. 
(chapter 67) He could not yet admit his worries, his vulnerabilities — not even to himself. To confess would be to risk blackmail, to risk being seen again as that helpless child.
Only by experiencing the true fear of losing Dan — a fear greater than his old shame — could he begin to open the sealed chamber of his heart.
And so, when the heartbeat came, it did not merely signal love. It marked the first break in the old defenses. The child within could finally begin to hope — not for victory, but for understanding, for acceptance. But there’s more to it.
But with that one heartbeat (chapter 69) — the BADUM that exploded in episode 69 — the jinx is broken. The undead becomes the living. His past, once the fuel of every punch, begins to fade. The rage that once drove him no longer holds its grip. He no longer needs to fight in order to prove that he isn’t weak — because someone has seen him at his most vulnerable and stayed. Under this light, my avid readers can grasp why the athlete hid his “growing attachment and dependency” behind the jinx. 
(chapter 65)
In focusing on Dan (chapter 69) — not as a subordinate or tool, but as a source of emotional stability — Jaekyung finally turns his gaze forward. His reason for fighting is no longer rooted in resentment, but in attachment. His strength no longer has to scream; it can protect. Hence he desires to embrace his companion and lover in front of others. (chapter 69) The curse is lifted. The zombie breathes. The jinx dissolves — and in its place, a human being emerges. No longer driven by resentment or fear, he begins to choose connection over rage, presence over instinct. This means, he will be less vulnerable to schemes.
And that, at last, is the beginning of his humanity.
And we must also notice what happens just before the embrace. (chapter 69) When Dan speaks, Jaekyung remains utterly silent. He does not reply — not because he does not care, but because he is emotionally disarmed. In that moment, words fail him.
His silence is a form of submission — the instinctive response of a boy overwhelmed by fear, reaching for safety.
And the embrace that follows is not the act of a champion, or a lover. 
(chapter 69) It is the embrace of a child seeking a parent — of one who has never known how to ask for comfort, but who now surrenders to the need for it.
The boy hugs, because the heart has spoken — and in that moment, the first true human bond is formed.
Yet true liberation still lies ahead. For emancipation can only be complete when he begins to open his heart fully to Dan — to speak, to share, to trust.
When the heart spoke — life began.
But not yet the life of a man. First, the awakening of the child within — the boy who had never been allowed to feel, who now looks at Dan with open eyes.
And only through love, only through trust, will this child one day become a man — free, whole, alive.
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(chapter 69) 
(chapter 69) These silent, parallel compositions reveal the landlord’s symbolic position as an enduring guardian: not static, but responsive. Therefore his position shifts constantly, either 
(chapter 65) in front of the couple, or behind Kim Dan in one scene, behind the champion in another.
(chapter 57) He is not fixed in place like house, wall or obstacle. This explicates why he is almost seen outdoors, even her. Opening the door means allowing the fresh air to enter the room. 
(chapter 65) He is like the wind, fluid and unobtrusive, adapting to the needs of the moment. His position is never rigid, therefore in the final panel he seems to have vanished. 
(chapter 46) or authority 
(chapter 65), the landlord responds to what is needed, not what is expected. His flexibility does not stem from indecision—it is born from humility and care. Another aspect contributing to this perception is his ignorance. However, the latter should not be viewed negatively. Since he doesn’t know the champion’s profession or the doctor’s familial and financial situation, he is not projecting expectations or judgments onto them. Rather than acting out of assumption, he simply observes. This is precisely why he doesn’t come across as arrogant. His lack of knowledge becomes a quiet strength—it allows him to respond with presence, not prejudice. Just as the wind moves through open spaces without imposing form or judgment, his unknowing presence allows room for others to breathe and unfold, free from predefined roles or assumptions.
(chapter 65) He does not try to define the protagonists by their past or their titles. He lets them define themselves. While he tried to encourage doc Dan to drink and work less, as time passed on, he came to notice his suffering and accept him with his illness. 
(chapter 69), it is plausible that the landlord is calmly scanning the horizon, sensing the approach of the tempest. After all, he is a farmer 
(chapter 62) —his livelihood depends on observing the skies. 
(chapter 69) They are murmuring, yes, but their attention is absorbed by the incident at the shore. This led me to reconsider: perhaps the purchase was not consciously connected to the weather after all. And yet, one man quietly stood apart from the crowd—the landlord, his silence and gaze directed not toward the commotion, but toward the open horizon.
(chapter 62) He is a farmer—a man who reads the sky, the wind, and the rhythm of the land. Hence I am inclined to think that his awareness of the approaching storm stems not from a broadcast but from instinct. The wind carries signs, and he is attuned to them. It is even possible that while talking with the coast guards, he learned more about the forecast—not through digital alerts, but through human connection.
(chapter 69) had already been shown earlier together in the crowd, I suspect that one of them might informed Kim Dan about the incident and the champion’s presence. This would align with the narrative’s kaleidoscopic structure, where certain scenes are reflected in different timelines.
(chapter 66) the image of him gently fanning himself while sitting in his yard. I detected something immediately intimate and ancient in this gesture. A hand fan, in many East Asian cultures, denotes calm authority, self-discipline, and silence. I interpreted this scene as more than casual: the landlord becomes an embodiment of wind—present, refreshing, yet invisible. A man who can create movement without pressure. It is striking that in a story driven by action, fists, and fame, the one character who moves the plot forward with the least noise is this old man.
(chapter 66) Under this new light, it dawned on me that the fan was most likely handed out by a local institution—perhaps even the hospice Light of Hope, during a public health campaign or examination event. This means that he is taking good care of himself. One might argue with this interpretation, yet there exists another evidence for this perception. 
(Chapter 62) He is constantly wearing the green cap, a sign that he knows about the danger of the sun. This stands in opposition to the grandmother who would sell her vegetables without any hat. 
(chapter 57) These types of fans are typically distributed by hospitals or clinics: practical items with subtle promotional intent. But once in the landlord’s hands, it takes on symbolic weight. The number “365” does not simply represent a calendar year; it represents consistency, time, and the daily rhythm of care.
(chapter 57), white, 
(chapter 61) and brown. Yet, his clothes tend to lean toward brown hues, evoking earth and soil—symbols of rootedness and stability.
(chapter 62) 
(chapter 65) words and wind share the same pathway—the ear. We do not see them; we hear or feel them. Just like the wind, the landlord’s influence often goes unnoticed unless we attune ourselves. Interestingly, in the English version of Jinx, he refers to Joo Jaekyung as “son” 
(chapter 69) and Kim Dan as “sonny” 
(chapter 52), they use their “youth and seniority” to assert dominance or demand loyalty and obedience. On the other hand, the landlord positions himself as a silent guardian, perceiving the protagonists as children in need of warmth and care, not correction. 
(chapter 59) Whether it’s due to panic, malnutrition, exhaustion, or psychological collapse, suffocation is one of the defining sensations of Kim Dan’s arc. In this context, the landlord, with his unassuming fan and grounded demeanor, emerges as a breath of fresh air—the very opposite of the heiße Luft, or “hot air,” surrounding the champion’s fabricated scandals and media distortions. 
(chapter 52) 
(chapter 69) the atmosphere grows heavier—not from external scandal, but from inner turmoil. Then Kim Dan’s puzzled reaction, 
(chapter 69) The scene becomes emotionally charged, echoing classic storm symbolism: emotional intensity, uncertainty, and the prospect of sudden change.
(chapter 59) The landlord doesn’t shelter people from pain or storms. He makes sure they’re equipped to face them. And once they do, the wind is no longer a threat, but a form of grace. And now, you comprehend why the death of the puppy has not been discovered by the athlete yet. For the landlord, death is something natural and inevitable, and since doc Dan has been working at the hospice, I am quite certain that the old man imagined that doc Dan was well-equipped to deal with this situation. He must have been envisaging that Doc Dan was accustomed to it. The problem is that he doesn’t know the protagonist’s past and family. 
(chapter 58), who plays the victim while hiding his own culpability, the landlord does not engage in gossip or vilification. His silence isn’t ignorance—it is grace. 
(chapter 58) and from media 
(chapter 59) He felt so comfortable around him. 
(chapter 66) and remains seated. Since he mentions it is the weekend, it is clear that he has no intention to work during the weekend. This explains why he is not wearing his usual green-and-white cap. This subtle detail reinforces his connection to nature’s rhythms—he is not a workaholic 
(chapter 57), but someone who understands the balance between labor and rest. He may not have a name, but he has a function. And sometimes, in storytelling, function is identity enough.
(chapter 56) In Episode 56, we see him resting in front of the window. This moment suggests not only emotional vulnerability but also isolation. There is no one behind him, no one shielding him from the coldness of the world. Later, when he watches the sunset, disconnected from his senses, unable to hear the waves or feel the breeze, 
(chapter 59) there’s only one poor sun umbrella in front of him and a wall far behind him. His back is turned to the world, wrapped in solitude and silence. That’s how I was reminded of his childhood. There, the grandmother often stood beside him 
(chapter 47) 
(chapter 47) 
(chapter 65) but not behind. Thus the landlord’s placement 
(chapter 49) explains why he got abandoned in the locker room. It gains even more poignancy when viewed against his past. In Episode 47, while the grandmother was carrying him on her back, Kim Dan’s back is left unprotected. 
(chapter 47) Her proximity is visible, yet it lacks the symbolic protection associated with standing at someone’s back.
(chapter 57) The grandmother embraces him and taps his back gently while saying, “You still have me.” At first glance, this gesture may seem supportive. Yet, under this new light, I came to the following conclusion: her touch is more reflexive than instinctive. It soothes, but it doesn’t protect. It calms, but it does not empower. It is not a shield—it is a silencer. Her physical gestures, though present, lacked the emotional resonance necessary to foster true security. This interpretation gets validated, when you include her second “action”: 
(chapter 57) The moment she offered him a snack, she distanced herself from him. Now, she is standing by his side. 
(chapter 65) It becomes the exception—the rare moment where she appears to have his back. But photographs can be deceptive. They capture posed perfection, not lived reality. And as we trace Kim Dan’s emotional journey, we begin to understand that this illusion of maternal protection was not enough to sustain him.
(chapter 61) —they give him the air, time, and space to grow. 
(chapter 62) Their presence—especially the landlord’s—is the embodiment of silent guardianship. 
(chapter 69) His consistent yet unobtrusive presence stands in opposition to the grandmother’s inconsistent gestures. One acted out care; the other lives it.
(chapter 19) 
(chapter 47) 
(chapter 47) Despite the rare instance of closeness captured in a photo, most scenes depict Kim Dan standing next to his grandmother, and he is the one supporting her. 
(chapter 69) This gesture, though seemingly violent, reveals something deeper—it forced Kim Dan to feel what he had been missing all along: there were people around him, he was not alone. I would even add, someone was finally standing behind him. 
(chapter 69) In that brief moment, Kim Dan is no longer alone. The landlord, as a silent guardian, and Joo Jaekyung, as a fierce protector, are both behind him—symbolically and literally. 
(chapter 56) 
(chapter 65) while seated in a wheelchair or lying in a hospital bed—entirely dependent on others to move her. Her self-image as a strong and autonomous elder clashes sharply with her visible reliance on those around her.
(chapter 65), reliant on beds, wheels, and nurses to navigate the world. Under this new perspective, the wheelchair and the truck are no longer just modes of transportation—they are emblems of character. One rolls forward by another’s push, the other steers by its own will.
(chapter 53), I doubt that she anticipated the existence of dangers by living on the coast: storms and typhoons. So her beautiful town could get devastated, 
(chapter 46) Coach Yosep, Joo Jaekyung, and Park Namwook—a trio marked by authority without dialogue, control without care. In that group, the manager sowed distrust while avoiding accountability. 
(chapter 46) In the new trio, no one holds dominion over the other. There are no contracts, no strings. The landlord has no financial stake in the fighter’s success.
(chapter 66)
(chapter 66) quietly shapes the emotional core of the episode. At first, this detail may appear insignificant, but its narrative timing and visual prominence suggest a deeper meaning. The sudden flight of the sparrows 
(chapter 69) —who serve as stand-ins for the broader community. In this way, their union is not just a private matter but becomes public and recognized, affirming their bond within the social fabric of the town.
(chapter 69) fight again in the fall which leads him later to admit his own vulnerability 
(chapter 69). The omen of unity is fleeting, replaced by the return of hardship and uncertainty. Through this careful allusion to the visual language of traditional art, Mingwa invites us to savor the beauty and community of these moments 
(chapter 64) or inspire the group to change its direction. In the context of Jinx, the sparrows’ existence 
(chapter 62), therefore the young man didn’t pay attention to his arrival contrary to the quoted panel above. Moreover, it is clear that the “hamster” felt safe in the presence of the landlord. Back then, he had only accepted the champion’s request after hearing the landlord’s remark: 
(chapter 27) a playful prank occurs without any third-party observer. The context is unambiguous: both the characters and the reader understand the action as harmless and mutually accepted, so no external framing is required.
(chapter 69) and throws him outside 
(chapter 69) His composed presence in the background 
(chapter 69) Moreover, I am sensing that the elderly man might feel terrible, for he asked for the athlete’s assistance in the middle of the night. But let’s not forget that the main lead had driven 4 times within 2 days the distance from the little town to Seoul.
(chapter 62) he brings his belongings 
(chapter 66) gradually into his new environment, creating a personal nest. 
(chapter 69) This process is not merely about physical comfort, but about constructing a sense of safety, identity, and belonging. One of these items could be the doctor’s present. Notice that before he left his penthouse with the gray car, he was holding the “golden key chain”, 
(chapter 66) a sign that this gift has now a sentimental value for the athlete. Just as sparrows persistently build and rebuild, so do the characters in Jinx adapt, settle, and grow—sometimes through trial and error, sometimes in fits and starts, but always moving toward a deeper sense of home. By moving to a smaller house, he is encouraged to select what truly matters to him. This evolution has not reached its end: the champion will keep moving his possessions to the little town. Moreover, I am more than ever convinced that we should expect the arrival of the Wedding Cabinet in that small town. 
(chapter 19) To conclude, we should see the chapters from 62 to 69 as the creation of the couple’s nest and as such “home”. 
(chapter 67): the brief diagnosis, the recommendation for weekly visits, the specialist’s tentative attribution of Kim Dan’s condition to either alcohol or a possible psychological cause, emphasizing the need for continued observation and weekly visits before offering a definitive diagnosis —all standard responses. For her, this was a doctor following routine procedure without overstepping professional boundaries. However, I perceived her behavior very differently. I saw someone who remained emotionally detached and almost absent, reducing the complexity of Kim Dan’s condition to simplistic surface-level causes without genuine inquiry.
(chapter 67) Rather than forming an independent assessment, she accepts the narrative of a third party, which introduces bias and limits her understanding. One might argue about that, because she is looking at a paper, probably result of a blood test which seems to corroborate the guardian’s statement. Hence the sleep specialist concludes that Kim Dan is suffering from insomnia, alcohol addiction and sleepwalking. The problem is that his statement is based on external observations (halmoni and the landlord) and their limited knowledge. Moreover, Jinx-philes should keep in mind two important aspects: 
(chapter 61) The champion had been himself suffering from similar symptoms which could be seen as a projection on his loved one. Additionally, based on previous observations, I have interpreted Kim Dan’s nightly walks not merely as sleepwalking, but as dissociative episodes—likely triggered by overwhelming guilt, unresolved trauma, and a chronic sense of disconnection from his body and surroundings. But how could the champion know about this? He’s not a doctor himself. In order to have a more accurate picture of the whole situation, she should have talked to the patient himself. But by relying on papers and the guardian’s testimony, she not only distances herself from the patient physically and emotionally, but also delegates the responsibility of interpretation. She is using the eyes of others.
(chapter 57) Perhaps the doctor’s detachment is not indifference, but a survival mechanism in a healthcare system that demands efficiency over intimacy.
(chapter 67) indicating that his alcohol addiction is not the real reason for his insomnia. Then she fails to examine Kim Dan physically, the desk is between them. Therefore she can not detect his visible malnourishment. 
(chapter 62) Moreover, both the landlord and the grandmother never brought up this aspect, though Shin Okja had observed this terrible transformation: 
(chapter 57)
(chapter 66) It is because the physical therapist is just a number (2) and as such a file. Therefore the doctor is not seeing the patient as a human. I can not blame the woman either, for she has so many patients to treat during the day. And now look at the building of the hospital: 
(chapter 66). It is huge reminding me of a factory. This “modern hospital” with its sleek architecture, expansive buildings, and impressive specialization exudes a sense of advancement and trustworthiness. Yet beneath this polished surface lies a business-oriented structure, one that prizes efficiency, reputation, and patient turnover over genuine patient connection. This “modern hospital” 
(chapter 67) She is doing exactly what Shin Okja wanted: 
(chapter 65) 
(chapter 65) It is as though thanks to the drug, the odd behavior from Kim Dan would simply vanish. 
(chapter 5) with the new medicine. On the other hand, it implies that the light-brown haired woman is doing her job for her paycheck which reminds me of Cheolmin’s statement: 
(chapter 13): “Oh no, no. That won’t do. My precious paycheck!”.
(chapter 27) 
(chapter 49) as mere service providers. Whether it was brushing off medical advice with “Don’t push it, I know my body better than anyone else” (chapter 27) or demanding instant pain relief to continue training (chapter 49), the champion positioned himself as the ultimate authority over his own treatment. Since his attitude echoed the confession of my osteopath, it is understandable why my osteopath-orthopedist began to select his patients carefully. This mirrors Kim Dan’s evolution, when the latter chose to reject the champion’s offer. Indirectly, he is “learning” to select his job and not take them by opportunism. He is also learning to select his “patients”. Striking is that Shin Okja has a similar attitude than the athlete. 
(chapter 7) She desired to have a treatment with less side effects and less painful. And the moment she was confronted with reality, this painful new treatment only brought pain and nothing more, she chose to leave this institution and move elsewhere. 
(chapter 53) Therefore it is not surprising that she is treating the protagonist the same way: she knows what is the best for him. 
(chapter 57) She is treating him like a service-provider, she is now rejecting that he has lost his “usefulness”. His pay here is not high, … 
(chapter 67) and not even following her recommendation. 
(chapter 67) He felt misjudged and misunderstood; reduced to a file number, not seen as a complex human being.
(chapter 67) and second, what Kim Dan actually received as treatment: 
(chapter 13), in contrast, enters the story with no white coat at all. He carries only a doctor’s bag, dressed in a green pullover and a beige checkered shirt. 
(chapter 13) Despite this informal attire, he immediately recognizes Kim Dan’s symptoms and engages both the guardian and the patient. He doesn’t need institutional support to assert authority; his presence and diagnostic clarity define him. While his clothes might elsewhere be read as conservative or emotionally restrained, here they highlight that care can come outside rigid systems. 
(chapter 13) Quite the opposite. He doesn’t hide behind his distance; he manages it. His approach is practical and grounded, but never cold. He doesn’t wear a white coat, yet he brings with him a doctor’s case and an unshakable sense of responsibility. His tools are simple (his own body), 
(chapter 13) It bridges the gap between roles, making the patient feel seen rather than categorized. 
There’s no judgement in their relationship. The eyeless doctor may appear neutral, but in truth, she is hollow. Cheolmin appears reserved, yet his actions speak with empathy. Where she recites guidelines, he initiates dialogue. 
(chapter 13) Where she avoids involvement, he offers engagement. 
(chapter 61) 
(chapter 67), the Light of Hope hospice 
(chapter 61), the sleek University hospital dedicated to research 
(chapter 5), and more intimate yet modern facilities like this one.
(Chapter 27) Each medical setting not only has its own architecture but also its own moral blueprint. In the essay “
(chapter 21) Then the treatment’s failure is attributed either to the grandmother’s frailty or Kim Dan’s late arrival and absence, subtly shifting blame. 
(chapter 21) Like mentioned before, this treatment wasn’t even properly recorded in the patient file raising the suspicion of deliberate concealment. 
(chapter 56) It appears as “pain killers”. Her open white coat
(chapter 48) got aware of Shin Okja’s conditions, implying that patient confidentiality had been breached. 
(Chapter 61): In contrast, Park Junmin 
(chapter 61) represents the polished face of a business-oriented clinic. While his office projects sleekness and personalized care, his comments betray his priorities. He praises Joo Jaekyung’s fame and urges a return to the ring—not out of medical concern, but because it would guarantee the champion’s return as a paying patient. He wants to retain a high-profile client. His friendliness is strategic. 
(chapter 61), highlighting that the athlete has become aware of what genuine care should look like. When the champion calmly declares, “I’ll be receiving rehabilitation services in another hospital,” Junmin answers with a stunned “Sorry?”. But this is not confusion. It’s a reflexive mask for shock. He did not expect to lose control of the situation. Beneath that one-word response lies disbelief, disappointment, and veiled panic. He’s losing a lucrative patient—and more importantly, a public endorsement. The moment exposes how fragile his authority truly is when faced with a patient asserting autonomy. Let’s not forget that when the champion was facing a mental and emotional breakdown, the latter offered no other support than “rest”. He even avoided his gaze.
(chapter 54) The athlete was left on his own. 
(Chapter 59): At first glance, the hospice appears to be underfunded and outdated. 
(chapter 61) However, its director breaks expectations. Unlike the smooth-talking or indifferent doctors at larger institutions, he is directly involved in patient care. 
(chapter 60), criticizes people for their rude behavior 
(chapter 59) or actively disciplines staff 
(chapter 59) when mistakes are made. Though he also flatters the champion 
(chapter 61) and sees promotional potential, he never exploits patients. 
(chapter 61) The juxtaposition of humility and responsibility in his demeanor, combined with his stunned reactions to sudden events, suggests an overworked and understaffed environment—but not one without moral grounding. His white coat and blue medical uniform echo the nurses’ attire, subtly promoting a sense of equity among staff. Despite being a director, he doesn’t separate himself from frontline caregivers. His uniform also contrasts with the green worn by Kim Miseon or Park Miseon, suggesting a focus on practical responsibility over prestige. By blending in with the team, he fosters a culture of shared accountability, not rigid hierarchy. Among all institutional figures, he comes closest to balancing authority with integrity. 
(Chapter 6): While this figure appears authoritative
(chapter 1), the details of his attire tell another story. Wearing a suit beneath his coat implies professionalism, but here it also suggests a business-driven mindset. The coat becomes a sleek outer layer masking deeper intentions. His charming demeanor conceals a more sinister reality—he weaponizes authority for personal gain. His use of professional attire isn’t about respectability but manipulation. Beneath the surface, profit, control, and coercion drive his actions. 
(chapter 1) The white coat, in his case, is not a symbol of healing but a façade for exploitation. drives his authority. The coat becomes a literal cover for abuse—harassment disguised under professionalism. His entire persona is a façade: calculated, charming on the surface, but predatory and morally bankrupt beneath.
(chapter 27) His gray shirt signals a more relaxed approach, 
(chapter 27) and his facial expression conveys a certain empathy—though his words also betray resignation. He sits beside the patient, not opposite, visually erasing the typical hierarchical divide between doctor and athlete. His recommendation that Joo Jaekyung rest is gently delivered, but he knows it will likely be ignored. He represents the tension between medical idealism and the pressures of athletic performance. He is trying his best to protect Joo Jaekyung’s career. 
(chapter 27) Notably, he doesn’t chase fame or loyalty—he’s realistic, yet still rooted in care. 
(chapter 13) Finally, Cheolmin exists outside the hospital system. He wears no white coat, but his behavior mirrors a true physician’s. He diagnoses accurately, gives immediate advice, and engages both patient and guardian. His attire—a shirt layered under another—might suggest emotional restraint, but it doesn’t interfere with his actions. He jokes and teases, breaking through tension and inviting trust. He acts not because protocol demands it, but because someone needs help. That’s enough.
(chapter 41) nature is neatly confined. Rooftop gardens and structured greenery exist, but more as visual accessories than lived environments. The hospital is a towering research center, representing scientific advancement—but also bureaucratic coldness. Here, nature exists to impress, not to comfort. This artificial balance between concrete and green reflects a clinical detachment: nature is curated, not embraced. It aligns perfectly with Kim Miseon’s demeanor—professional, pristine, but ultimately distant and ambition-driven.the environment feels controlled. 
(chapter 41) 
(chapter 54) where Joo Jaekyung receives treatment, the rooftop greenery appears remote and ornamental, disconnected from patient care. 
(chapter 18) modern, and set among scattered trees. 
(chapter 18) Large windows suggest openness and transparency—the very qualities Dr. Lee brings to his interaction. This is a space that, while modest, is genuinely attentive. Here, nature doesn’t impress, it is integrated in the landscape. The park is not surrounded by huge buildings. 
(chapter 65) nestled in the countryside and far from institutional rigidity, emerges as a space of true potential. In returning there, Joo Jaekyung and Kim Dan are not just escaping their past—they are moving toward a form of healing that modern hospitals imitate but rarely achieve. Closer to nature, they are closer to themselves. If hospitals imitate forests, the village becomes the forest. And in that simplicity, Jinx suggests, real happiness might grow.
(chapter 57) It lives where no one is watching and no one is billing. In Jinx, the real medicine lies outside the chart—in the dirt on borrowed floral pants, in sweat earned under open skies. Nature becomes the unspoken vow that systems forgot.
(chapter 2) his ritualistic sex before fights, his fear of losing control, 
(chapter 5) his reliance on routine. Yet there is another jinx in this story, one far less visible and perhaps even more tragic: Kim Dan’s.
(chapter 1) was seen as the core expression of a man who believed he was doomed.
(chapter 21) And this issue didn’t begin in adulthood. In Chapter 21, Kim Dan dreams of a night from his childhood: he wakes up alone, glances around the room in quiet confusion, and softly calls out for his grandmother. The room is dim, the bed beside him empty. This image carries more than just childhood anxiety: 
(chapter 21) He lies on the couch and dreams of a night when she vanished from their shared bed. 
(chapter 21) This reveals how, in Kim Dan’s subconscious, the night and an empty bed have become synonymous with death. The trauma is deeply embedded, where even temporary absence is tied to the irreversibility of loss. For Kim Dan, solitude at night 
(chapter 67) is not mere loneliness—it is abandonment, it is death, it is the erasure of home. It is repressed, hidden beneath his quiet demeanor and years of survival-based behavior. Rather than a rational belief, it is a subconscious wound that only surfaces in moments of extreme vulnerability—especially at night. 
(chapter 2), the doctor’s is secret and involuntary. His actions—his fearful expressions 
(chapter 57), his pattern of emotional detachment 
(chapter 67), and his obsessive loyalty to his grandmother 
(chapter 10) signal a suppressed conviction: that he is destined to be left behind. What seemed like devotion now appears as coping; what appeared stoic was survival. And with the impending death of his grandmother, the anchor holding this hidden jinx in place is slipping away.
(chapter 2), the trembling kiss 
(chapter 44) in Chapter 44, the complete breakdown 
(chapter 66) in Chapter 66, or the transactional submission 
(chapter 67) in Chapter 67, nighttime becomes the stage for his unresolved trauma. These nights mirror one another and suggest an origin story that predates them all: a night when Kim Dan was abandoned by his mother.
(chapter 57) A puppy needs at least eight weeks with its mother to grow emotionally secure. By drawing this parallel 
(chapter 59), the story tells us: Kim Dan was separated too soon. He was not ready.
(chapter 53)
(Chapter 56) he tucks her in. Their roles are reversed. He behaves like a parent, whereas in truth, he is reverting emotionally to a child terrified of being alone. This reversal highlights the internal dissonance between his outward behavior and emotional reality. Though he was forced to grow up quickly 
(chapter 29) That’s how it dawned on me why Shin Okja was so determined to send back her grandson to Seoul.
(chapter 65) and going back to Seoul under the guise of freedom and career advancement takes on a deeper meaning when viewed through the lens of emotional avoidance. Her words may sound supportive, but they conceal a subtle attempt to sever the emotional tie without taking responsibility for its existence. Now, rather than confronting this vulnerability head-on, she shifts focus to the one thing she believes can replace human closeness: work. A busy man has no time to wallow, no time to drink, no time to remember the empty bed. A man with a career won’t ask for someone to hold his hand at night. In that sense, her vision of “a good life” is one of functionality, not emotional fulfillment. If he works, he won’t be a burden. If he’s successful, she doesn’t have to worry. Yet this approach doesn’t cure the root wound — it just redirects it. This situation mirrors the wolf’s: 
(chapter 19) The latter is obsessed with work, while he is suffering from insomnia. 
(chapter 65) And the best evidence for her selfishness and neglect is her ignorance about her grandson’s plan for his future. She is not discussing with him about what he likes or dislikes. She is directing his life, like she did it in the past in the end. And while she may think she’s doing what’s best, her silence about his fears, her ignorance about his true conditions (no home, blacklisted in Seoul) and her refusal to discuss his emotional future reveal a lingering discomfort with the very idea of dependence — perhaps because it reminds her of her own failures or helplessness as a parent figure.
(chapter 65)
(chapter 65) And when we remember that Kim Dan tried to call her, she
(chapter 65) replied with a silence. Here, she claims that he addressed her as “mom”, but it is possible that she was just projecting her own fears onto her grandson. Since she was by his side all the time, she feared to be seen as his mother. Like mentioned above, the mother might have been busy due to work (or sick) and asked her relative to take care of her grandchild.
(chapter 44) These gestures suggest he had once received such kisses, most likely from his mother. It means he remembers love, even if he doesn’t know how to process its loss.
(Chapter 39), the moment is tainted. It occurred under the influence of an aphrodisiac, intertwining love with sex. Furthermore, he has never voiced this sentiment to his grandmother—perhaps because she never said it to him. It was never modeled. While others might judge Kim Dan’s emotional restraint, I desire to stay neutral. He is not an emotionally stunted adult by choice—he is a product of emotional neglect. That’s the reason why Mingwa has associated him with an angel. 
He is carrying the sins of “adults”. By likening him to an angel, Mingwa frames his pain not as weakness, but as unjust burden. He embodies purity, sacrifice, and resilience, not because he was allowed to thrive, but because he endured. The angel metaphor becomes even more striking when you think about traditional symbolism: angels don’t belong to Earth, yet they walk among the living, often suffering in silence and helping others. That’s exactly Kim Dan — out of place, bearing the consequences of others’ choices, carrying guilt, debt, and unspoken grief that were never his to begin with.
(chapter 29) —not because of physical intimacy with Joo Jaekyung, but because he felt safe. For a time, the place became his illusion of home. But when the champion showed mistrust, the illusion shattered. 
(chapter 51) The penthouse was never truly his. It was borrowed space. This explicates his refusal to spend the night there. 
(Chapter 67) Observe how Joo Jaekyung called the penthouse: not home, but his place. Due to the last altercation, the emotional safety collapsed. This experience reactivated his fear of abandonment and solidified the belief that he has no home. 
(chapter 65) Even the family photo (where and by whom it was taken is unclear) emphasizes the fragility and incompleteness of his sense of belonging.
(chapter 61) that he must sacrifice his “needs” and identity to be accepted. 
(chapter 66) Therefore it is not surprising that he laughes like a little child during that night. 
(Chapter 44) Chapter 66 represents its negative reflection, the emotional climax of this regression: 
(chapter 66) he cries, begs, 
(chapter 66) holds on—“Don’t leave me.”
(chapter 66) and desperate pleas are not about romance—they’re about survival, longing and regret. Deep down, he wished, he had hold onto his “mother” in the past, stopped her from leaving him. Is it a coincidence that this gesture from that night mirrors the one during their first night? 
(chapter 2) He wanted the champion to keep his promise. From my point of view, the parent’s vanishing is strongly intertwined with a broken promise… And that’s exactly what the grandmother did to her own grandson: she didn’t keep her words either. 
(chapter 11) 
(chapter 53)
(chapter 67), but this time, with eerie detachment. He kneels before Joo Jaekyung like a servant, 
(chapter 67) his arousal betrays a loss of emotional control. Though he is on his knees, it is Joo Jaekyung who is emotionally yielding. His body betrays his composure, responding to Kim Dan’s touch and gaze. Kim Dan, watching the tremble in the fighter’s expression and the rising heat in his body, feels the shift. His soft blush is not simply one of affection or embarrassment—it’s a flicker of recognition. 
(chapter 67) He senses that the one usually in control is now unraveling. Appearances deceive: beneath this scene lies a quiet reversal of power. The blush on his cheeks is a trace of a brief moment of clarity: he sees that the person who once held all the control is now faltering.
(chapter 66), his body is still a vessel for mourning. Hence there is no kiss during that blue night. Each night carries the residue of that first trauma: the night he was left alone. Whether his mother disappeared or passed away in the night, the result is the same—nighttime became synonymous with loss.
(chapter 63) His so-called jinx is not some irrational superstition. It’s a scar. It’s the quiet belief that the people he loves will vanish the moment he lets his guard down.
(chapter 67), it’s resignation. Hence he is not expecting to be cured with the pills. 
(chapter 67) he offers sex to “settle up,” citing his own preparations like a transaction. 
(chapter 7), while Kim Dan becomes a child during the night.
(Chapter 66) 
(chapter 47), when the “wolf” was portrayed as a thug, though the latter had assisted him on multiple occasions.
(chapter 66) they saw it as further confirmation of their perception—reinforcing the idea that he is terribly flawed. However, a deeper analysis suggests that this term reflects not just his character but also his evolving mindset and struggle with emotional vulnerability. This essay will explore the paradox at the heart of their dynamic—how both men refuse to acknowledge the emotional weight of their relationship, leading to a cycle of denial and misperception. It will examine how the concept of the jinx evolves, the continued influence of Park Namwook’s manipulations on Joo Jaekyung, and the role that mutual ingratitude plays in their emotional stagnation.
(chapter 65)The athlete is admitting his dependency on doc Dan. The jinx is now directly tied to Kim Dan, not just as a concept but as a tangible element of Joo Jaekyung’s career stability. The second switch is that sex is no longer a condition to ward off bad luck. In fact, the celebrity is recognizing the importance of his daily training and, as such, his hard work. 
(chapter 65) The inner thoughts of the sportsman reveal that the champion is feeling less powerless than before. His champion status is no longer reliant on superstition but on tangible efforts—his “old routine” and, crucially, Kim Dan’s expertise as a physical therapist. This marks a significant transformation in his perception of Kim Dan, whom he now values for his professional skills rather than as a mere tool for maintaining a ritual. Thus, Joo Jaekyung should be less inclined to request Doc Dan’s sexual services. Then, in episode 66, a new change became visible.
(chapter 11), a tool to generate money and maintain the gym’s reputation. Hence he blames him, when members leave the gym. 
(chapter 46) The manager used the incident with Seonho to justify the desertion of the other athletes. However, it is clear that some left the gym because they didn’t become successful like Joo Jaekyung. However, their lack of success is explained by their lack of talent 
(chapter 46) exposing the lack of ambition and commitment from the two hyungs. It is clear that Joo Jaekyung’s wealth and fame was used to attract the sportsmen creating a myth that they could experience the same success. Nevertheless, as time passed on, the fighters were confronted with reality. It was, as if the athlete’s achievement had become a curse for Team Black. Nonetheless, neither the manager nor the coach can admit it, the champion’s bad temper is utilized to cover the mismanagement within the gym. Striking is that by portraying the protagonist as a person with a bad temper and personality 
, (chapter 9) the manager and his colleague described their boss as defective. The contrast between Joo Jaekyung’s perception of ‘defect’ and the coach’s view of him as a ‘maniac’ is particularly telling. When the protagonist refers to Kim Dan as having a defect, there is an implicit acknowledgment that something can be repaired or improved. In contrast, Park Namwook’s statement about ‘handling that maniac’ suggests that the star is beyond fixing—someone who must be tolerated and controlled rather than understood or helped. This fundamental difference in perspective reveals how deeply the manager has shaped the champion’s self-perception, reinforcing the idea that he is nothing more than a force to be managed rather than a person who can change or grow.
(chapter 54) 
(chapter 66) His presence is necessary to maintain the “myth” alive. 
(chapter 66) In calling Kim Dan ‘defect,’ Joo Jaekyung is unknowingly projecting his own self-perception onto him. The term suggests something broken but also something that can be repaired, reflecting an unconscious shift in his perspective. Instead of simply using Kim Dan as part of a superstition, he is beginning to see his vulnerability, perhaps even recognizing a parallel to his own struggles. His choice of words also reveals his deeply ingrained belief in self-reliance. 
(chapter 66) Nevertheless, the idiom (“he’s got a defect”) reveal that Joo Jaekyung is still under the manager’s influence. This means that this shift is not immediate or conscious; it is restrained by his continued loyalty to Park Namwook and his ingrained avoidance of emotional vulnerability.
(chapter 60) This scene represents the exception. For the most part of the time, the star only visited the gym because Park Namwook had contacted him. 
(chapter 54) 
(chapter 66) Striking is that by each meeting, the champion was alone with the manager. The latter was no longer followed by coach Yosep. It was, as if Park Namwook wanted to have some privacy with the celebrity. However, through this contrast, Jinx-lovers can detect a certain MO from the manager: he is isolating the champion, limiting his interactions with other members. This explicates why he remains a pivotal force in Joo Jaekyung’s stagnation. 
(chapter 66) Yet, just moments later, he tells him that he can take more time to rest, as if feigning concern. This contradiction is striking because it exposes his underlying agenda: he wants Joo Jaekyung back in the gym but doesn’t want to appear forceful. Instead, he makes it seem like Joo Jaekyung is the one making the decision, fostering guilt by implying that his long absence is unnatural.
(chapter 27) This double standard highlights Park Namwook’s true role: he is not a supportive figure but a handler, ensuring that Joo Jaekyung remains under control and fulfilling his duties as a fighter. His words are not meant to provide genuine support but to keep Joo Jaekyung tethered to a system where his worth is defined solely by his success in the ring. 
(chapter 54) or (un)favorable interviews about the athlete. 
(chapter 54) 
(Chapter 57) As a manager, Park Namwook’s role involves overseeing Joo Jaekyung’s career, securing contracts, and ensuring his reputation remains intact. Yet, as seen in Chapter 66, his actual concerns seem remarkably narrow in scope. 
(chapter 48) Back then, there was a witness, Kwak Junbeom and the latter could have reported to the “hyung”. These incidents indicate a consistent effort to control what the champion knows, raising the critical question: why?? His silence on this matter suggests not only a strategic decision to keep the star uninformed, but also an attempt to avoid responsibility. The supervisor often hesitates to make decisive choices 
(chapter 50), preferring instead to remain passive so that any negative outcomes can be blamed on the champion. At the same time, this passivity helps him maintain control—as if Joo Jaekyung, without his guidance, would be left ‘alone’ and directionless. In this way, the man with the glasses sustains a dynamic in which the champion feels dependent on his presence, even as he is subtly undermined. By neglecting to inform him of these events, Park Namwook ensures that the champion remains unaware of external factors that could influence his choices. This pattern reinforces the possibility that Park Namwook was aware of the meeting with Choi Gilseok and deliberately ignored it, likely expecting that Joo Jaekyung would take care of it, while absolving himself of responsibility. 
(chapter 22) They had heard about his place, for the manager must have talked about it. The protagonist is not someone who will talk about his private life to others. The manager must have dangled promises in front of them, making them believe that if they’re lucky enough, they too could live like the champion. However, their reactions reveal something crucial—they are not motivated by greed but by genuine admiration. They simply want to experience the luxury once in a while, reinforcing that their bond with Joo Jaekyung is rooted in camaraderie rather than material envy. This further highlights the contrast between Park Namwook’s manipulation and the sincere regard his teammates have for him. This scene is important, because it exposes the manager’s prejudices and lack of discernment. 
(chapter 46) Not everyone is the same and more importantly like him! It is clear that the man is projecting his own principles onto others and in particular onto the champion. 
(chapter 66) Neither of them fully understands how to acknowledge care or support. Just as Joo Jaekyung struggles to recognize his actions as stemming from concern 
(chapter 66) rather than routine, Kim Dan fails to see Joo Jaekyung’s interventions as genuine help. This mutual misunderstanding deepens the emotional rift between them, ensuring that both remain trapped in their own perceptions of obligation rather than connection. In Chapter 66, he openly expresses frustration, stating, 
(chapter 66). This moment highlights a rare glimpse of honesty: he is not acting purely out of self-interest, but he frames it as an obligation rather than a choice. From my point of view, such a statement could only reach the physical therapist’s mind, for in the latter’s eyes, the champion has always been a “demon”: self-centered and inconsiderate. Observe the absence of reply from the “hamster”. He couldn’t contradict the star, as the latter was using this negative image: bad tempered and selfish.
(chapter 53), the manager 
(chapter 7) and even Choi Heesung. Hence the latter called him like that: 
(chapter 30) Kim Dan’s perception of himself as an “angel” has long shaped the way he interprets his relationship with Joo Jaekyung. Reinforced by his upbringing and Park Namwook’s subtle manipulation 
(chapter 36), he has unconsciously placed himself in a position of moral superiority. He is the patient, understanding figure, while Joo Jaekyung, in contrast, is violent 
(chapter 1), selfish, and emotionally stunted. However, this self-perception is deeply flawed. By believing himself to be inherently better 
(chapter 66) The expression “Really…?” is not just about disbelief but also about a moment of confrontation with reality. Up until this point, Kim Dan has been dismissing his own suffering, suppressing his struggles, and functioning on autopilot. However, hearing a professional confirm that he is indeed sick forces him to acknowledge what he has been denying.
(chapter 60) or exaggerations. 
(chapter 66) It also forces him to consider that others—especially Joo Jaekyung—were right to be concerned, which in turn may lead to a shift in his perception of the champion’s actions.
(chapter 20) with shame, something impure that should be avoided or hidden. This internalized belief made it difficult for him to separate his own experiences from moral judgment. When he encountered the champion —who treated sex as nothing more than a professional ritual 
(chapter 66) He assumed once again that the star had taken advantage of his “drunkenness”, something Kim Dan had done himself in the past.
(chapter 40) , while Kim Dan, conditioned by years of emotional neglect, sees gratitude as a transactional exchange rather than an expression of genuine appreciation. 
(chapter 66) because Kim Dan does not recognize his efforts, while Kim Dan cannot see past his own survival instincts to notice that Joo Jaekyung’s actions are slowly shifting from obligation to care. Kim Dan, conditioned by years of neglect and survival-driven thinking, does not see Joo Jaekyung’s actions as genuine care. 
(chapter 36), his tendency to retreat rather than challenge his own doubts 
(chapter 36), and his overwhelming fear of disappointing others 
(chapter 51) are all reflections of these internalized obstacles. Recognizing them as external impositions rather than intrinsic truths is the first step to breaking free. That’s the reason why in the reflection of the broken mirror, you can detect an open window in the background. By focusing too much on his reflection, the physical therapist is trapped in his own negative world. One could perceive it as the opposite version of Narcissus. Yet rather than falling in love with his image, he sees only his flaws, reinforcing his belief that he is unworthy. The open window suggests an escape, a possibility for change, but the problem is that the main lead is too fixated on his shattered self-perception to pay attention to his surroundings. Hence he comes to neglect his own body and people next to him.
(chapter 62), Joo Jaekyung does not. The evidence for this interpretation is the champion’s nightmare: 
(chapter 18) the doctor 
(chapter 25) Therefore the physical therapist bought books. Moreover, we should consider this argument 
(chapter 45) as a revocation of the star’s statement in episode 18. Kim Dan was no longer perceived as a tool, but as a real physical therapist. On the one hand, this request boosted the “angel’s ego”, on the other hand, he was put under immense pressure, for he was compared to his colleagues. 
(chapter 62) Due to his bad past experiences, he concluded deep down that his CV was not reflecting the truth. 
(chapter 56) That’s the reason why he was devaluing himself and as such not looking for a high position.
(chapter 48) exemplifies this pattern: 
(chapter 48) It was not the right time. He assumed his voice held no weight, reflecting years of learned helplessness. It shows how Kim Dan internalizes responsibility for things beyond his control. He thinks that withholding information is an act of protection rather than avoidance. Yet in doing so, he denies himself agency in his own life.
(chapter 62) completely devastated Kim Dan’s already fragile self-esteem. 
(chapter 62) First, he considers himself as waste. While in the past, he was at least a tool, he is now garbage. Hence his feelings are “trash”. 
(chapter 62) This means that in episode 62, he felt worse than in episode 18! The idioms “trash” and “waste” revealed the doctor’s own self-perception in episode 62: he saw himself as totally useless. He belonged to the “wastebasket”, just like the golden key chain. 
(chapter 46) Thus I deduce that the fate of this item echoes the doctor’s. 
(chapter 47) He had selected this profession because of her. This shows that until now, he has never developed any ambition on his own. The loss of faith from someone he relied on for motivation made him feel completely worthless. This reinforces that his confidence and sense of direction were never self-sustained: they depended on others’ recognition. This pattern suggests that Kim Dan has never truly asked himself what he wants. His entire existence has revolved around meeting expectations, whether from his grandmother, Joo Jaekyung, or even his profession. His current crisis—feeling like waste—stems from the realization that without someone to validate his worth, he sees himself as nothing.
(chapter 59) However, observe that he is using the expressions “do” and “now”. This has nothing to do with the future and dreams. It is not a reflection on his own desires but rather an immediate reaction to his circumstances. His mindset is still trapped in survival mode, seeking a course of action rather than contemplating what he truly wants. His words reflect an urgency to act rather than an opportunity to dream. This highlights that he has spent his entire life making decisions based on necessity rather than personal fulfillment. Even when faced with uncertainty, he does not ask himself what he wants—only what he must do next. His transformation will only be complete when he begins to question not just how to survive, but how to live on his own terms. That’s how I realized why Mingwa put this question in front of the window covered with Venetian blinds [which made me think of this scene 
(chapter 39 – Venice, a travel to Italy]. The window with the Venetian blinds represents a metaphor for the doctor’s trapped dreams. This interpretation made me recognize another aspect. Kim Dan is pushed to meditate, when he is front of a window or better said close to the sky! Hence the hamster started thinking about his own future in the penthouse 
(chapter 19) or when he looked at the sun and sky: 
(chapter 41) 
(chapter 41) And the best evidence for this interpretation and expectation is doc Dan’s cellphone screen display. 
(chapter 38) My avid readers will certainly recall that clouds embody dreams! Why? It is because in verity, doc Dan is a dreamer, an ambitious man. What caught my attention is that his contact Joo Jaekyung was not saved with a picture!! And what had motivated Kim Dan in the past? 
(chapter 47) The picture from his childhood: himself with his grandmother. 
(chapter 38) No wonder why he questioned the meaning of his champion title: 
(chapter 54). He saw the belt as something rather “meaningless”. 
(chapter 43) This would boost the doctor’s self-esteem. He is not trash, but an acknowledged fan and friend. The picture would encourage the physical therapist to develop his own ambitions. As soon as I made this discovery, another detail caught my notice: 
(chapter 66) The celebrity has no picture of Park Namwook in his contacts divulging the superficiality of their relationship. 
(chapter 42) The problem is that the athlete took this recommendation personally. He felt as if his job as fighter was questioned. 
(chapter 42) As you can see, the doctor’s hesitations were exposing his mental obstacles, which was reflected in the champion’s attitude. No wonder why doc Dan chose to become a courier as a second job instead of finding a new VIP client. While the interaction between the athlete and Kim Dan in front of the hospice display the return of doc Dan’s past mental hurdles:
(chapter 62) According to the main lead, the champion is “wasting his time here”. 
(chapter 62)
(chapter 57) Hence it is clear that in the future, the physical therapist would refuse to use any kind of spray. On the other hand, it is important to recall that back then, Joo Jaekyung had made the request himself: 
(chapter 57) 
(chapter 1) with a previous PT like the spray? No wonder why he called himself “trash” in the end. 
, people might wonder why I selected dandelions as a frame for the selected.. It’s clear that the dandelions aren’t just there for aesthetic balance. Their symbolism is profound. Dandelions are often associated with childhood innocence, wishes, and fleeting moments of beauty, yet they also wither quickly, easily scattered by the wind. In the context of Jinx, they represent a transitory force—something that struggles to take root, much like the intangible and fleeting elements in Kim Dan’s life. But there’s more to it. Before delving into deeper analysis, consider this: what is the common denominator in all these scenes?
(chapter 37) Therefore it is not surprising that the main lead couldn’t view the members as friends in the end. 
(chapter 41) And now, you comprehend why Joo Jaekyung has always disliked his birthday and the “congratulations” from people in general. The gifts and words were like poisoned praises to his soul. They were pushing him to live like a “god”. 
(chapter 45) Kim Dan’s only adult photograph, taken with Choi Heesung and Potato, ties into his professional world, reinforcing how his identity has always been defined by what he does rather than who he is. 
(chapter 59) While this photography was not a personal and intimate picture, it also symbolizes his first root in the little community: Light of Hope Hospice. He is part of the staff and as such of the little town. On the other side, we could say, he is gradually entering the scene as a PT. Note the contrast to the food truck: 
(chapter 30) In other words, it exposes the actor’s hypocrisy and wrongdoings. And now, you understand why I wrote genuine in parentheses above [proof of (genuine) human connection]. Photography in Jinx also represents the evidence of wrongdoing 
(chapter 48) and deception: 
(chapter 46) The exact opposite of the dandelions.
(chapter 62) This shows that deep down, he desires to obtain doc Dan’s gratitude. No wonder why he got so upset after hearing the displeased comment from Kim Dan. 
(chapter 66) reveals Kim Dan’s elevation in the champion’s life. The dressing room symbolizes privacy and closeness. No longer seen as a mere tool, Kim Dan has become an integral part of Joo Jaekyung’s world, not because of what he can do but because of who he is. 
(chapter 66) Therefore the champion is holding the expensive gift with his whole hand contrary to the past: 
(chapter 55) As a conclusion, by bringing him to the sleep specialist, the star proved doc Dan’s words wrong! He told him something that doc Dan didn’t know: he is precious. He needs to pay attention to his health and body.
(chapter 32) And now, you comprehend why the athlete didn’t fall for Park Namwook’s manipulations afterwards.
(chapter 7) 
(chapter 65) At the same time, such a disapproval 
(chapter 1), hence his true desire was to run away from that place. For praise to be effective, the recipient must be open to receiving it, either by looking forward to feedback or having expectations of validation. Since Kim Dan was in a state of distress, he was unable to internalize the champion’s words, reinforcing his long-standing belief that he was invisible or unworthy of acknowledgment. That’s how the champion’s praise became a dandelion seed in the end.
(chapter 18) 
(chapter 45) 
(chapter 64) 
(chapter 66) Is this a joke? 
(chapter 40) However, Kim Dan has never realized it. Either he was sleeping or totally out of it (fear of sex) 
(chapter 27) It is important to recall the importance of the receiver’s mind-set. The latter has to perceive the sincerity from the speaker. Hence I come to the following deduction: The moment Kim Dan notices Joo Jaekyung’s smile and laugh, then he should come to the conclusion that he matters to the protagonist. I would even say, the two protagonists are destined to make each other laugh and smile: 
(chapter 65) This description stands in opposition to the gumiho’s statement: he was an angel. 
(chapter 65) Is she genuinely worried for him, or is there a hidden motive behind her request to send him back to Seoul? And why does Joo Jaekyung, usually so straightforward, respond with silence and hesitation 
(chapter 65) or with shock? 
(chapter 65)
(chapter 65) His bare feet on the cold ground 
(chapter 65) suggest a longing for freedom, yet the direction of his steps remains uncertain. Whereas these walks reveal about his inner struggle, they don’t reveal the destination of his nightly strolls. Where was he going during that night? Was he going to the ocean—vast and untamed— like in episode 59, 
(chapter 65) or had his destination changed? These questions will be answered in the second part. 
(chapter 65) This destination reflects the athlete’s desire and mind-set. He likes this place because it is quiet. 
(chapter 62) From my perspective, the man has now internalized the beach to nature and privacy. Striking is the way Mingwa introduced the scenery. First, she focused on the wheel and Joo Jaekyung’s feet. 
(chapter 65) The contrast between the creaking wheels of the grandmother’s wheelchair and the steady steps of the champion immediately establishes the theme of control versus freedom. The wheelchair’s wheels represent civilization, immobility, passivity, and the grandmother’s obsession with control—over her own fate 
(chapter 65) In fact, she is just looking ahead of her. The “nice little town” is reduced to the pathway next to the beach. This observation exposes her narrow-mindedness. Because she is not truly admiring the place, I feel like she is praising the town more based on her childhood memories. This explains why she mentions her youth afterwards. Moreover, the fact that she employed the expression “isn’t it” with her description, reveals her tendency to lead the conversation. It was, as if she pushed the young man to agree to her claim. The irony is that she didn’t even wait for his reply. She explained why she was so fond of the place: her childhood memories. In her eyes, because her companion didn‘t spend his youth here, he can not connect to this town, overlooking that people can create new memories anywhere. Moreover, they are not obliged to live in the same town their whole life or to live where they spent their childhood. In other words, this frail lady has no real notion of time as such. I would even say, her gaze is not truly directed in the present or the future, she is rather obsessed with the past.
(chapter 59) The contrast between these two images—one of the halmoni accompanied by Joo Jaekyung and the other of Kim Dan sitting alone by the ocean—exposes the stark difference in their emotional worlds and the dynamics of control and isolation that define their lives.
(chapter 65) The sunlight high in the sky bathes the scene in brightness, suggesting a façade of warmth and clarity. This lighting aligns with the halmoni’s belief that she can influence Kim Dan through the champion, using Joo Jaekyung as an intermediary to extend her authority. The fact that she is in a wheelchair, however, subtly contradicts this impression of power, revealing her true state of passivity and reliance on others to act on her behalf. The ocean, tamed by the pathway, symbolizes her attempt to domesticate nature— 
(chapter 65) the same illusion that the high sun implies. The latter can not shine if there are clouds. 
(chapter 59)
(chapter 57) By telling him that he had no ties here, she effectively erased their shared past and portraying him as a stranger in the very place she calls home. Thus I deduce that she is aware that she is racing against time. The longer the athlete stays in that place, the lower are the chances that her grandson will leave this town. She has to ensure that Joo Jaekyung doesn’t feel like settling here. I don’t think, she heard about the athlete’s involvement in the little town, for her only source of information comes from the staff 
(chapter 65) Here, she claims that she only knows about the sportsman’s job thanks to the patient next door. However, she is lying, because she watched his match in the States. 
(chapter 41) The irony is that she is not realizing that she is showing her true colors. 
(chapter 21) In episode 21, the halmoni’s description of the champion as a “good friend” was, in hindsight, a superficial and self-serving characterization. At that time, she likely saw Joo Jaekyung as someone who could be beneficial for Kim Dan’s financial situation without truly caring about who he was as a person. Her interest in him was more about what he represented—a source of money and stability—rather than any genuine appreciation of his character or the impact of his presence in Kim Dan’s life. Thus she said this in front of the ocean: 
(chapter 61) Yes, the conversation at the beach played an important role, for Shin Okja’s behavior serves as a distorted mirror to Joo Jaekyung’s actions and mindset, exposing the flaws and contradictions in both. When she voiced this wish 
(chapter 22) he acted out of a simplistic view of good deeds—believing that financial support alone could resolve problems and fulfill his moral obligations. His subsequent failure to visit her again reflects his tendency to distance himself emotionally once he has performed what he sees as his duty. This is reminiscent of his behavior towards Kim Dan: helping him materially but avoiding deeper emotional involvement or responsibility.
(chapter 65), much like how Joo Jaekyung likely saw himself when paying her bills—believing that fulfilling a material need is equivalent to showing genuine concern. Park Namwook is a representative of this mind-set too.
(chapter 65) is a way to offload responsibility for doc Dan while maintaining an image of concern. Both display a form of care that lacks true depth.
(chapter 62) Both avoid the emotional accountability that comes with their actions, preferring to distance themselves once a material obligation (debts)
(chapter 60) is fulfilled.
(chapter 22)
(chapter 60) If my assumption is correct, the woman didn’t realize that this rejection was linked to Joo Jaekyung’s intervention. So if she had talked to her grandchild himself, she could have had an impact… But they are actually avoiding each other. One thing is sure: the absence of communication and avoidance between these two family members reinforced the doctor’s suffering. Imagine the consequences of her request: she is preferring locking him up in a hospital receiving drugs than giving what doc Dan has been longing: warmth, love and a home. 
(chapter 48). Both the halmoni and Choi Gilseok embody betrayal and the theme of acting behind the back 
(chapter 48) and superior medical care 
(chapter 48) mask a deeper betrayal. His real aim was never to assist but to control, using offers of support as bait to tie Kim Dan into a powerless position. The parallel between his proposition to Kim Dan—promising a better life in exchange for leaking information and compliance—and the halmoni’s push for Seoul’s hospitals underlines their shared strategy: make the target believe they have a choice, while the outcome is already decided. The fact that Heo Manwook, who collects Kim Dan’s debts, called Choi Gilseok “hyung” further hints at a deeper conspiracy, suggesting that the offer might have been a tool to ensnare Kim Dan from the start. He would have committed a crime (illegal drugs).
(chapter 29) He had even advised to think of himself first. As you can see, the fact that the two characters were just sitting next to each other reinforces my previous interpretation about the conversation. The grandmother was the one who had been leading the conversation, there is no real exchange of thoughts. In episode 29, the champion refused to accept the doctor’s help and suggestion. That’s the reason why I am more than ever convinced that the star won’t listen to the grandmother.
(chapter 53) and watch the ocean with her grandson 
(chapter 57) But it is only partially correct. The doctor only suggested this walk to the ocean much later, when he was already suffering emotionally. This means that the grandmother would have not been able to enjoy this walk. Yes, the timing played a huge role. In fact, she confessed her crime to the star: 
(chapter 65) However, I believe that her words reached the champion’s third eye. The latter was not focusing on the grandmother, but on his fated companion. He was trying to understand why he had changed. This question was already on his mind before: 
(chapter 62) And notice that the words from the grandmother 
(chapter 62) Once he has achieved his goal (reclaim his champion title), they will depart from each other. He would treat the doctor the same way than the grandmother! No wonder why doc Dan is getting angry and rejecting the offers from his destined partner. IT is only about his own selfish desires and not about doc Dan’s future and desires. Both have a similar mind-set: they don’t know what doc Dan plans to do with his life and the future…. And it shows that Joo Jaekyung was imitating the grandmother, though this suggestion was born from the following thought. Since Doc Dan was no reluctant to work for him, he imagined that maybe he would still accept to work for him for a limited time. But that’s not what Kim Dan is looking. He is longing for a home and at the same time for freedom.
(chapter 65) The points of suspension are indicating that he is meditating on her words and suggestions. This stands in opposition to his past behavior where he got manipulated so easily. 
(chapter 36) The reason for this huge metamorphosis is that because of the lavender-tinted night, he learned to control his emotions. 
(chapter 65) According to her, Kim Dan has never introduced her to any of his friends. The celebrity would be the exception! But she is lying here. How so? Joo Jaekyung introduced himself to her on his own. It is because he answered a call from the nurse. 
(chapter 21) It happened behind doc Dan’s back in the end. The latter was sick, but the old lady didn’t seem concerned. The second lie is this statement which is exposed with the memory:
(chapter 57) She claims her ignorance why the little boy acted like an adult at such a young age. The reality is that she hasn’t forgotten the incident at all. This explicates why she confessed this to the “wolf”: 
(chapter 30) a sign that she was never a source of embarrassment for him. 
(chapter 47) Her refusal to address these deeper issues reveals that her sacrifices were less about genuine care and more about maintaining her self-image as a righteous guardian. 
(chapter 18) What caught my attention in her revelation is her lack of enthusiasm for her own grandson. 
(chapter 65) “Is he that good?” exposes a lack of faith in her grandchild, a remark which caught the athlete by surprise. For me, he unconsciously sensed this negative aspect. 
(chapter 65) While this image is actually humorous, the grandmother’s words don’t match her body language. She is not showing any joy or smile. Therefore I comprehend why Kim Dan was so hurt by the champion’s behavior: 
(chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree
(chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. 
(chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. 
(chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.
(chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: 
(chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees. 
(chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: 
(chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. 
(chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.
(chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. 
(chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.
(chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.
(chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients. 
(chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy:
(chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: 
(chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: 
(chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: 
(chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: 
(chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power. 
(chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. 
(chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.
(chapter 47), the nursing attendant 
(chapter 21) or the reporters: 
(chapter 37) 
(chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.
(chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. 
(chapter 56) 
(chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this. 
(chapter 7) before she got reassured. Then she made this request 
(chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing. 
(chapter 55) and later brought the doctor’s present: 
(chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.
(chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: 
(chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.
(chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers 
(chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? 
(chapter 56) Male physical therapists like this one 
(chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: 
(chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.
(chapter 51) Moreover, people saw parallels between this slap 
(chapter 7) It was, as if the coach had become the cute doctor himself or his representative. Therefore he was authorized to slap the champion. Yes, for them, Joo Jaekyung was just receiving his karma. But when he confronted the doctor, the latter did nothing, except ask a question. 
(chapter 26) This contrast outlines that Kim Dan hadn’t been that offended, he was just heartbroken and sad that the latter didn’t trust him, like he imagined. 
(chapter 52) They were abandoning the protagonist, as they couldn’t put up with his bad temper. They were thinking like the athletes. 
(chapter 52) And the moment you outline the parallels between these two groups, such Jinx-philes appear as superficial and disloyal. I don’t think, it is a coincidence. Why? First, both were influenced by Park Namwook’s remarks. The latter would constantly portray his own boss in a bad light ruining the sentiment of cohesion within the team. The champion was on the one side, while on the other side the fighters, forgetting that the coach was hiding behind the emperor’s success. Once the latter failed, it is not surprising that the members didn’t stay out of loyalty for Park Namwook. He had done nothing for them, except empty promises. 
(chapter 23) But in my eyes, the main reason why the sportsmen and many Manhwaworms reacted like this is that nowadays people hate pain and suffering. They don’t see it as a source of growth. Why? They only perceive it from one perspective, their own, a sign for selfishness. But emotional and mental pain is not one-dimensional, for in a conflict or argument, both sides are hurting each other. This means that Mingwa portrayed the mentality of the younger generation in her Manhwa. And how is the younger generation called? They are described as snowflake.
(chapter 46) He had to leave the gym, for he noticed that he would become the target of gossips. 
(chapter 46) He refused to face reality. That’s the reason why he became a traitor. He was tasked to bring members to the gym King Of MMA 
(chapter 52) so that he would become the next champion.
(chapter 52) They turned a hero and philanthropist (he organized a charity event) into a criminal, while the Shotgun, a cheater, got celebrated as a hero. It’s not surprising that no one was missing Baek Junmin during the party. In fact, the members talked behind his back. But what were the MMA fighters celebrating then? 
(chapter 52) Themselves… and their dream. They were imagining that they were one step closer to the spotlight. Through Jinx, Mingwa is criticizing our modern society and indirectly Jinx-philes who would easily jump from one ship to another. Twenty days earlier, the so-called hero was insulted for treating Kim Dan poorly. 
(chapter 50) If there are “heroes” in this story, it is the main couple. Joo Jaekyung is a protagonist and not a villain, hence the slap was not deserved. The antagonists are Choi Gilseok, Baek Junmin, Heo Manwook, Seonho and other invisible hands.
(chapter 36) The main lead was here put under immense stress due to the article. 
(chapter 36) Yet, he still took his job seriously, hence he spent time training himself the fighters despite his shoulder injury. 
(chapter 36) Here, he had become their coach and sparring trainer. Under this light, it becomes comprehensible why the author often portrayed them as chicken 
(chapter 43) or chibbies. 
(chapter 47) and still chose to leave the gym. This means that they can not feign ignorance about their involvement in the criminal world. Even the cheating was discussed at the restaurant. 
(chapter 52) To conclude, they chose to become true thugs, while in the past, they would look like ones. But a bad decision doesn’t mean that their fate is sealed forever. They can change their opinion and redeem themselves.
(chapter 46) I am not saying that he shouldn’t change. But he is a far better person than he is perceived. He is loyal, tolerant, sincere and generous. In fact, he shared his PT with the fighters. 
(chapter 47). Thus I am already anticipating a rude awakening for the sportsmen, the moment they realize that in that new gym, the law of the jungle is ruling. Moreover, they should realize that they will be used as tools to make money. Choi Gilseok will throw them under the bus, if it is necessary. They will keep rigging the matches, as now MFC has become the official ground for betting. The dark side of MFC is coming to the surface. Baek Junmin is the perfect example. Choi Gilseok and his “Shotgun” provoked the main lead on purpose. However, the fake Angel of Death never realized the consequences of his words. 
(chapter 52) He lost consciousness and two front teeth. Moreover, he is shaking, a sign that he got severely injured, something I had predicted. This explicates why the corrupt reporter used a picture before the beating 
(chapter 52) Secondly, for me, the director is the epitome of cowardice. Hence he resorted to the cheap trick. Let’s not forget that in the past, he wagered on the champion’s loss with the drugged beverage. I doubt that he would repeat the same mistake. To conclude, the fighters felt good, when they left Team Black. 
(chapter 52) But reality will catch them quickly. They are the tools to make others to shine as “heroes”. Their happiness is simply short-lived. There is a huge difference between this party and the one in chapter 9. There is no welcome elixir bowl, 
(chapter 9) King Of MMA stands for the philosophy: “it’s everyone for himself”. Hence the generosity from the director is fake, he will ask for something in return! Remember how he lured the doctor to commit a crime with his “sweet temptation”. I am still expecting the usage of steroids and other tricks. Moreover, through their participation, they become involved in money laundering.
(chapter 52) What was the point of dwelling on the past? And if you compare these two images 
(chapter 21), the manager’s violation becomes more obvious. The hospital is a place where a patient needs rest. And what had Kim Dan done in the past? He had not revealed his problems to his grandmother so that she wouldn’t worry too much. He had tried to solve them on his own. Stress is not good for an ill person. In other words, the manager revealed his true face: 
(chapter 52) He is a wolf with no manner and empathy. 
(chapter 5) That’s the only moment he revealed his true thoughts and emotions to his pupil. This exposes his hypocrisy and distance. And there was another reason why I condemn his action. 
(chapter 52) Through the tears, he not only diverted attention from his bad reaction, but also tried to arouse pity. What an irony! He was standing in front of a man who had a wounded foot, a ruined reputation and a surgery. The latter still deserved some compassion despite his mistakes.
(chapter 52) But that means as well, the athlete will emancipate himself from his hyung. Furthermore, he showed him that it was okay to weep in front of others, though his weeping was short-lived. 
(chapter 52)
(chapter 09) He had failed his task. Keep in mind that Joo Jaekyung had warned him. 
. )chapter 52) 
(chapter 30). He let the manager and the lawyer to push the athlete to accept the fight with Dominic Lee. When the drug incident was reported to him, he simply notified MFC security guys dropping everything on them and Kim Dan. 
(chapter 40) He didn’t feel concerned. It was not part of his duty. So when the fighter got switched, he hired more advisors so that if anything went wrong, no one would put the blame on him. 
(chapter 47) It is no coincidence that he delegates tasks to others. 
(chapter 52) He doesn’t give any interview to explain the incident in the health center. As his manager, he should have intervened. Under this light, it becomes comprehensible why he had to blame the champion. It is the result of his passivity, fears and ignorance. He never tried to understand the origins of the champion’s anger management issues. That’s the reason why he wished the physical therapist good luck. 
(chapter 1) He was totally unpredictable in his eyes. But he didn’t ask the right question: why? He neglected his mental health. Then, later he gave himself an answer: he is just a spoiled brat.
(chapter 52) In front of this confession, Park Namwook was left speechless. The man was completely lost. Out of fear and powerlessness, he slapped the champion. 
(chapter 52) or look for Kim Dan 
. (chapter 52) or go to the authorities. Potato was the one who visited the doctor, for he repeated the same words. Oh Daehyun took care of the training and coach Yosep went to MFC and the authorities, though I fear that this could also backfire, as the weapon and crime got reported. Kim Dan could be incriminated. 
(chapter 52) But there is another reason why I don’t think, the manager met the physical therapist. Park Namwook remembers definitely that he had not sided with him in the locker room either. And that time, he could put the blame on the athlete, for he was a victim. And now, you comprehend why the manager had to put the whole blame on the athlete at the hospital. So he didn’t slap the champion, for it felt good, but out of anxiety and discomfort. He didn’t want to be confronted with the champion’s pain as well. 
(chapter 7), he turned into a trainer and coach. On the other hand, I doubt that the champion should do everything on his own. Exactly like his hyung, he should ask for help and advices, but contrary to the past, there would be a real discussion where everyone comes to an agreement. All of them should make the decision together. But let’s return our attention to the manager and coach.
(chapter 26) The reality is that MFC is strongly intertwined with the crime world. 
(chapter 48) He has been a coward, he used Joo Jaekyung to boost his ego. He relied on routine 
(chapter 52) They did nothing to stop the tragedy, though they knew about his bad temper. To conclude, Park Namwook didn’t feel good for the slapping, hence this action was not truly necessary. On the other hand, this could only make the champion realize how precious Kim Dan is. The latter allowed him to speak up
(chapter 31) He slapped him on his neck showing a certain dishonesty.
(chapter 52) No, because it brought only him misery afterwards. 
(chapter 52) He has to get surgery and he got suspended. 
(chapter 41) Moreover, thanks to the punishment, the champion learned that he couldn’t use his fists in order to solve a problem. Remember what he said to Kim Dan during the breakfast: 
(chapter 41) He wanted to kill the mastermind behind the plot. From my point of view, the champion is incited to discover the existence of other means to get justice. According to my theory, the fighter is a chaebol. So he has power, but he was never taught to use his power properly. As time passes on, he will realize that he has to report a crime on his own, file a lawsuit but not for himself, for others. Finally, he will come to utilize medias to expose a crime. Hence I am expecting a new version of this scene at some point 
(chapter 35), where he contacts a journalist and reveals everything with the help from his loved one. From my point of view, he became a fighter because of manipulations. That way, the truth could get buried.
(chapter 52) shows that my interpretation was correct. Joo Jaekyung didn’t fire the doctor with his words “Get out of my sight”, he just wanted to be left alone. On the other hand, I am certain that the physical therapist took his words too literally. He imagined that he was fired. Hence I saw this argument in the hospital room as a good omen, though I was mad at the coaches and Oh Daehyun. 
Joo Jaekyung must have realized that Kim Dan misunderstood his words in the locker room. 
(chapter 52) He got to hear a terrible news that took him by surprise. 
(chapter 52) Hence he listened patiently to his coach. He was calm again, the shock made him forget his misery. However, note that he is not looking at Park Namwook. He is starring in front of him. In my eyes, it is related to the grandmother and her imminent death. Joo Jaekyung was so blinded by anger and fears 
(chapter 29) No matter what happened to Kim Dan, the doctor’s fate is there to teach Joo Jaekyung another important lesson. His pain is nothing compared to his loved one’s. Even if the grandmother didn’t die, one thing is sure: Kim Dan’s in a worse place than the champion. That’s how they can help each other to overcome their tragedy and face the future with confidence. For me, what will motivate Team Black is not money, but the doctor’s happiness. That’s how they come close to each other, they will all discover the importance of mental health and happiness. Being protective can be a source of a strength. 
(chapter 52) There was no second round. In fact, I only felt good, when Kim Dan succeeded in this challenge: 
(chapter 26) I can only feel good, when the two protagonists are smiling. 
(chapter 26) Both were listening to each other. 
(chapter 26) It was the happiest moment, for all the characters were genuinely cheering and smiling. 
(chapter 26) 
(chapter 26) And now, look at this: 26 +26 = 52! So we have to envision that Kim Dan must be devastated, even a wreck. And now, you comprehend my illustration. The red and heart were referring to blood and pain, but the hands were to indicate that sharing pain is caring, the symbol for love. 
(chapter 36) They will no longer feel good while recalling their decision and even this evening
(chapter 50) and Kim Dan. While the former was tormented by his challenger directly 
(chapter 50) and indirectly, the other had to witness how the members from Team Black turned their back on him in the locker room. 
(chapter 50) Interesting is that on X, hamster Dan received more affection and attention than the champion. Though I have always pointed out the doctor’s flaws, in episode 50, I couldn’t help myself being upset and heartbroken for Doc Dan too, until I had a revelation. Many readers were disappointed or mad, when they saw him in this panel. 
(chapter 50) They could put themselves in his shoes: he was left behind. On the other hand, the reaction from Joo Jaekyung was totally understandable. 
(chapter 50) He acted on instinct. Moreover, he had a match, therefore they had no time to discuss or investigate the matter. 
(chapter 45) In other words, the scene in chapter 50 exposes the doctor’s growing strength and resilience. That’s the second reason why anguish is necessary in Jinx. Through their suffering, the characters can change, and Jinx-philes have the opportunity to witness their growing maturity. At the same time, the author is able to underline the other figures’ flaws thanks to torment. Between the essay 
(chapter 44) Now, the doctor is no longer associating sex with prostitution and corruption, but with love.
(chapter 27) But only Dr. Lee and Kim Dan got to see the results
(chapter 27), not Park Namwook. He just overviewed the medical file quickly. But for that, the manager needs to be capable of understanding medical terms. Thus I doubt, he could visualize the seriousness of the situation. 
(chapter 27) Then, after the match in the States, the manager asked his “boy” how his shoulder was. 
(chapter 40) while the manager had witnessed how Dominic Hill had targeted his shoulder. He should have realized that his star’s shoulder had been damaged. Nevertheless, we shouldn’t overlook that the athlete’s statement was corroborated by the medical checkup from MFC. That’s how he got fooled. Hence there was no treatment. However, doc Dan could detect the champion’s lie not only through observations
(chapter 41) but also through touching.
(chapter 41) As you can see, the wound was slowly coming to the surface. Thus I consider the incident in episode 43 as a metaphor for the shoulder injury. 
(chapter 43) It was exposing the damage in his body. Consequently, when the champion’s foot got wounded by the pepper spray, 
(chapter 49), I realized what was happening. Mingwa is forcing the Emperor to admit his suffering. Hence his wounds are becoming more and more visible.
(chapter 5) for he was simply relying on the prostitutes due to his jinx. Thus I consider this argument in the penthouse as a huge step for the athlete: 
(chapter 50) So far, he just had a cut above his eye, nothing serious. 
(Chapter 40) However, the wound on the foot is different, for his skin is damaged. The recovery will take longer. It is relevant, because Park Namwook can no longer feign ignorance about his star’s wounds. He is less susceptible to manipulations. 
(chapter 50) That’s the reason why he turned into a dragon at the end of the chapter. [For more read the essay “
(chapter 5) And now, you comprehend why he got so nervous and angry, when he imagined that Kim Dan had blocked him. 
(chapter 5) This shows that his belief in his jinx had been reinforced after his first night with Kim Dan.
(chapter 31) He could take the fall for everything. The main lead is put in such a position so that he has no other choice: he needs to clear his name! 
(chapter 1) He shouldn’t accept his fate like in the past, but fight for his rights and reputation. In other words, the painful incident serves another purpose: Kim Dan is incited to develop a fighter’s spirit. That’s the reason why the situation is quite similar to the past.
(chapter 50) From my perspective, this is the result of the overexerting. 
(chapter 48) Finally, we shouldn’t overlook the fact that after his match in the States, he never visited the hospital due to the law suit. 
(chapter 41) According to me, the MFC medical checkup was not reflecting the verity. Hence he never got a real check-up and MFC could definitely say that the athlete was definitely fine. 
(chapter 41) This shows that the more the champion refuses to his PT’s advice, the more injuries he will substain. That’s how it dawned on me why Joo Jaekyung is now getting more and more wounded during the fights. It forces him to take a rest! However, in the past, he had a reason not to listen: he got barely injured. He needed to treat his body roughly in order to prove his effort and strength. This observation reinforces my conviction that there is a second group manipulating the champion’s matches: MFC itself. For me, Heo Manwook and Choi Gilseok are rather puppets. How so? It is because someone knew about the champion’s sexual habits, hence he was supposed to take an aphrodisiac in the States. But neither the loan shark nor the director from King Of MMA are aware of this. To conclude, the champion’s anguish is necessary to expose the deceptions and the schemers as well.
(chapter 27) refused to force the champion to take a day-off by saying that the protagonist would never listen anyway. With such a statement, he pushed Kim Dan to make the decision and announce it to his VIP client. Moreover, the manager didn’t stop his “boy” from exposing his injured shoulder to the public. 
(chapter 41) However, by doing so, he was exposing his vulnerability to his opponents, though I am still suspecting that MFC leaked information too. So far, the headlines are not indicating which shoulder is wounded. Yet, the moderator knew which one: 
(chapter 50) So why was the manager so shocked with such an attack? 
(chapter 50) It was clear that during such a match, the challenger would use the opponent’s weakness. What did he expect in the end? The panel exposes his stupidity and his immaturity. He should have anticipated such a move. These observations lead me to the following conclusion: the champion needs to realize that his hyung will never recognize his suffering, as long as Joo Jaekyung is in denial. Until now, he hasn’t been protecting Joo Jaekyung’s interests, rather his own comfort. His MO was to put the whole responsibility on the athlete. But it was his duty as his manager not to accept the new challenge. 
(chapter 41) Observe that he is just asking questions once again, when he voices his doubts. He is not making a statement. However, the manager is changing. While in the past, the manager was not treating the celebrity like real family, though he was called hyung, I detected a switch, when Park Namwook sent messages from his family for his birthday. 
(chapter 46)
(chapter 22) yet the reality is that this power comes from the champion, as the latter is the real owner of Team Black. Therefore the captain warned the two hyungs. 
(chapter 41) to the golden keychain. 
(Chapter 45) As you can see, the famous writer is connected to Positive Psychology, for he was also promoting meditation and experiences. This fits our story, as both main characters are on their way to give a meaning to their life and as such to find happiness. But let’s return our attention to the manager Park Namwook as a representative of “ignorance”. 
(chapter 11), but also he never tried to correct the star’s false conclusion. 
(Chapter 11) He just got angry giving the impression that he was siding with Kim Dan. But the reality is that he did nothing for the poor doctor at all. He remained passive and silent. His “ignorance” explains as well why he is not questioning events and his athlete’s success. 
(chapter 43) Through the two examples, Manhwaphiles can sense that his “ignorance” is a mixture of willingness to close an eye and real naivety. Under this new approach, it dawned on me why the manager used to beat his star so brutally. 
(chapter 32) Furthermore, he forced Joo Jaekyung to take the blame without investigating the matter.
(chapter 36) or to let others make decisions. I would even add, he often delegates things to others: the manager from the Entertainment company
(chapter 43) Furthermore, compare his behavior towards the celebrity and the doctor:
(chapter 16) 
(chapter 41) and he should assist him during his matches! 
(chapter 21: he was criticized by Kim Miseon, he feared to lose his halmoni) 
(chapter 47) and finally 
(chapter 50) That’s the reason why Kim Dan could become a star. Contrary to Joo Jaekyung, we didn’t assist to the birth of the yeouiju. It is no coincidence that birth is connected to pain and happiness. Mothers forget the suffering of the delivery, as their child can procure them a lot of joy and happiness.
(chapter 5) or Heesung drank alcohol 
(chapter 35). Both were trying to numb their pain, though they shouldn’t have according to the German philosopher. The soju stopped them from becoming the better version of themselves. I am suspecting that doc Dan copied this poor habit from his grandmother, who drank in secret. Don’t forget that in all the memories, the halmoni is smiling 
(chapter 16) or as a tool for the jinx, therefore he mopped the floor
(chapter 31) 
(chapter 31). Furthermore, he took a side gig in order to buy the champion’s present and finally, he rejected Choi Gilseok’s praise and offer. 
(chapter 48) He was always diminishing himself as a doctor. Therefore in the locker room, he was confronted with his biggest fear: is he really a physical therapist? 
(chapter 50) He injured his patient. The spray is there to let him see that he has power in his hands. He should trust himself and his magical hands. Don’t forget that this request was made by Joo Jaekyung. 
(chapter 50) And from my point of view, the locker room became the doctor’s new temple. There, he must have recalled his grandmother’s wishes. She would like to see him on TV. For me, the light over his head symbolizes Enlightenment. He has become the champion’s yeouiju. Thus I deduce that Kim Dan is on the verge of proving his worth to Team Black. I am anticipating, he will approach the ring, and even treat him during a break, something he denied to his halmoni. 
(chapter 5) 
(chapter 40) I am expecting a surprise in the next episode. Kim Dan will no longer stand in the shadow, he will no longer follow the “herd”. But there is another reason why I am hoping for such an intervention. It is because neither Baek Junmin nor Choi Gilseok are not expecting the intervention of the physical therapist during the fight, for it never happened before. Besides, the demon could see that their trick had worked. 
(chapter 50) It is relevant, because through such an intervention, hamster Dan would teach the champion an important lesson. He is not alone in the ring, the doctor is watching his physical condition and helping him. 
For me, chapter 50 announces a new start! Interesting is that the number 50 is associated with the planet Mercury which stands for poison but also medicine! And now, you comprehend why I consider the painful chapter as treatment sessions. The two protagonists are forced to redefine themselves. Joo Jaekyung might be injured, but he no longer sees himself jinxed! 
(chapter 48) So the moment you perceive this moment 
(chapter 19), this signifies that Potato was acting like a true friend in the locker room. 
(chapter 37) 
(chapter 40) 
(chapter 42) In the first part of Jinx, the doctor was the star’s companion of the night, but since the incident with the birthday present, he stopped being the night partner. Now, he is about to become the famous private physical therapist acknowledged by the public and media. In other words, his destiny contrasts to Baek Junmin’s, a shooting star, it will last longer. Why? It is because the main lead is Saturn! He brings fortune and karma to the evildoers. This interpretation corresponds to Übermensch from Nietzsche, which is sometimes translated as “Superman”. Under this new light, you comprehend why I added the protagonist’s pink angel wings. It was an allusion to his transformation, he is destined to become an “Overman” or Superman. 
And this brings me to my next observation. The doctor’s pain is exposing his recovery! Weird, right?
(chapter 47) and his agony. He was no longer under the influence of toxic positivity. While he cried, he admitted his flaws making him realize that he had never been abandoned by his grandmother. 
(chapter 47) That’s how he overcame his abandonment issues.
(chapter 27) For the first time, he rejected a suggestion from his lover and even slapped his hand. 
(chapter 37) He wanted the party to continue. It shows that he was having a good time with Oh Daehyun and Potato. He has no problem to stop kissing his soulmate, when the latter shows his discomfort. 
. (chapter 36) 
(chapter 50) They are trying to find themselves, therefore they must constantly adapt to each other. While the image gives the impression that the trust between them is vanishing, it is in reality an illusion. People should pay attention to the color of the speech bubble. It is white, there is no point of explanation. It reveals that the champion is not raising his voice. He is rather calm. In reality, the champion was not truly mad at Kim Dan. He was restraining himself. Jinx-philes should compare this image to the following two panels: 
(chapter 34) 
(chapter 45) And now, you comprehend why I stated earlier that he acted rather instinctively. For me, he still trusts the physical therapist.
(chapter 18) When the champion paid off his debts, he saw it as meddling. Interesting is that he came to accept the champion’s support, but he never asked for Joo Jaekyung’s help directly. In addition, Jinx-philes should notice that in the interrogation room, he thought just about the champion and not himself. 
(chapter 40) It never came to his mind that he should ask for assistance. Finally, observe that after he got drugged in the States, he let the champion deal with the problem. 
(chapter 41) He accepted the statement from his boss. Nevertheless, doc Dan was the real victim. He should have become more involved in the matter. Besides, he was a witness. And this brings me to my next thought: if Kim Dan gets into trouble, he should remember Heesung’s words: he should give him a call! 
(chapter 35) For me, the incident is there to teach Kim Dan that he can ask for help! This would show him that he is no longer alone. He wouldn’t appear weak at all. That’s how he would end up to gain his first friends. Let’s not forget that Heesung’s relationship with the doctor is no longer tainted by money or by lust or greed. In fact, thanks to him, he found his soulmate. What unites Kim Dan and Heesung is the heart and the desire to help. Heesung stands for brotherhood, so he could be the one outlining the problems to Team Black. Finally since Potato likes Doc Dan very much, there is no doubt that Heesung and Potato will work together to assist the main lead. This image 
(chapter 33). He is not hiding his sexual orientation, he is greedy, but in a good way. Hence he tried to win the doctor’s heart. He never gave up, till he was properly rejected by the doctor. 
(Chapter 35) Interesting is that after his confession, he still chose to come clean with the doctor. He revealed the truth to Kim Dan, though he could have lost the protagonist’s respect. He admitted his lie and manipulation, 
(Chapter 35), but Kim Dan’s reaction was not to scold his future friend. In fact, he appreciated his honesty. In front of Kim Dan, he could show his true self. He was not entirely a good guy, but he didn’t get rejected. But so far, the actor is not present in the arena. Therefore Potato could be the first person Kim Dan asks for help. He shares some similarities with his soulmate. He doesn’t fear people’s gaze, hence he raised his voice under the tent. 
(chapter 35) he doesn’t represent the herd mentality, for he never thinks and acts like others. 
(chapter 31) While the fighters all liked the actor, he judged him in a different light. Then he was not present during the champion’s birthday. Therefore he possesses all the qualities to become a hero. He could cause a scandal, 
(chapter 49) similarly to his idol and hero in the States. He noticed the issue right away: the security didn’t do his job properly. To sum up, Potato would follow his foot steps and that’s how he would get noticed by MFC!
(chapter 50) The word is displaying that the doctor is not accepting the incident simply like that. It is showing that the doctor is slowly losing his naivety. Before the incident with the spray took place, he still trusted the words from people. 
(chapter 49) Naturally, he can not get rid of his naivety totally, for keeping a certain purity is necessary in life too. On the other hand, it becomes clear that his naivety is the result from his education. The halmoni is herself quite too trusting. Hence she ended up being harassed by loan sharks. On the other hand, the incident was like an eye-opener for the physical therapist. He should stop judging people based on their words 
(Chapter 32)
(chapter 1) by bosses, it becomes comprehensible why he didn’t fall into the trap a third time. 
(Chapter 48) He is pushed to question impressions and people’s motivations. As a conclusion, anguish is a tool to push people to become wiser and happier. And this leads me to my final part.
(chapter 14) But back then, Kim Dan didn’t mind staying in Seoul. 
(chapter 13) Furthermore, after having sex in the locker room, Kim Dan was left behind. 
(chapter 15) And notice that this pattern was the same in the States. For the second match, Team Black left without him, hence Kim Dan arrived late. 
(chapter 40) Therefore he was running once again. However, back then, no readers felt angry at the team, though it could also be perceived as a betrayal and abandonment! Kim Dan was not perceived as necessary, neither for Joo Jaekyung nor for Park Namwook. Hence the bedroom could be judged as the place of the betrayal: “
(chapter 40) That’s how I realized why the Webtoonist never showed the athlete’s caring gesture. He moved him in the middle of the bed! It is because the celebrity was still not treating his soulmate as a physical therapist. The second reason for the absence of anger is that Kim Dan had been drugged and as such was not fit. In addition, he needed to rest after having sex for the whole night. And now, you comprehend why the doctor could get dragged away by the MFC security guards, and no one from Team Black intervened. 
(chapter 40) It was to outline their previous disregard and betrayal! Thanks to Potato, Joo Jaekyung got informed, hence he could rescue the physical therapist. 
(chapter 40) But he never revealed the hamster’s role in the team! This explains why Kim Dan was used by Choi Gilseok. He needs to expose his role in Team Black to the world. He is the champion’s private PT! 
He has just his blue uniform.
Hence he could get into trouble! The MFC could report the incident to the authorities! 
(chapter 49) in both cases! He was present, when Kim Dan drank the drugged beverage. 
(chapter 38) To conclude, it was not in Kim Dan’s interest to run away or hide! This would have been judged as a sign of his culpability and complicity. He needs to face the problems so that he can shape his destiny with his own hands and not remain the playball of dark forces! Yes, this chapter announces a huge change at Team Black, the start of a real friendship between two puppies. 😉
(chapter 49) Under this new light, my inquisitive readers can understand the title of this composition. My focus will be the infamous sportsman and his interactions with the main lead, in the past and present. Consequently, the composition will contain theories about the champion’s past. Nevertheless, since I am examining the present, it signifies that I will explain Baek Junmin’s role in the new scheme too. So who is Baek Junmin in the end? In the essay “
(chapter 49) Yet I couldn’t help myself seeing in the following image glimpses of purple (around the eyes). 
(chapter 49) Interesting is that this color is also associated with death.
(chapter 49) It exposes his duplicity. Because of his sobriquet and his color, I assume that the schemers consider the boxer as a weapon. His role is to kill the Emperor, and probably in one blow. He is the executioner of the invincible legend. It should be a quick, merciless “death”. From that fight, Baek Junmin has to ensure that Joo Jaekyung can never come back to the ring. How is it possible? 
(chapter 49) It is because they know about his injured shoulder. That’s the reason why Baek Junmin is patting him on his left shoulder. Remember what the sports doctor told to the physical therapist: 
(chapter 42) He was on the verge of getting surgery. Besides, it is important what the manager suggested to his “boy”: 
(chapter 49) Here, he is almost smiling. He was telling the truth, when he said that he was fine contrary to the States. 
(chapter 49) He has now taken over the manager’s place. This reflects the doctor’s rising within Team Black. At the same time, this expression lets us perceive the role of Baek Junmin at King Of MMA gym. He is the protector of Choi Gilseok, the “old man”. On the other hand, his position also insinuates his passivity, as he is not the driver, like here. 
(chapter 49) The director had to suffer a great humiliation for this trick, while a helping hand had to switch the spray. For me, the expression “The Shotgun” displays the inaction from Baek Junmin. He was catapulted to the top thanks to the assistance of others: Mr Choi thanks to his money and connections with the media and with the CEO of MFC. Then the members from his gym had to gathered intel about his opponents. This was truly palpable in the description from the moderator. 
(chapter 47) Where did I find the evidence for this? It is because Seok (from Gilseok) can signify “brass”! As you can see, thanks to two different notions “shotgun”, I could give a better portrait of the fake star. But this is far from being finished. Funny is that “Shotgun ” can also refer to a position in American football.
(chapter 49) It was, as if the team of King of MMA had scored a goal by bringing the pepper spray to the other side and switching it with the relief spray. 
(chapter 49) And what is the common denominator between the meaning “firearm” and “American football position”? Attack! But there’s more to it. As adjective, “shotgun” is indicating coercion and duress. And this corresponds to Choi Gilseok and Baek Junmin’s tactics. The director tried to put the physical therapist under pressure, when he met him in the café: 
(chapter 49) By meeting Kim Dan there, 
(chapter 49) he tried to sow seeds of doubt and even discord between the couple. It was to give the impression, they were working together. But the champion didn’t fall for it. The reason is that his fated partner was able to heal his injured shoulder. As a hypocrite and arrogant fighter, he utilized his small talk to threaten Joo Jaekyung. 
(chapter 49) Interesting is that “shotgun” can also refer to a flat. 
(chapter 10)
(chapter 10) And what was the couple’s reaction during that night? While Kim Dan wept, as he was longing for his grandma 
(chapter 10) before he had a change of heart. Kim Dan’s plea had moved his heart. 
(chapter 10) The problem is that the doctor couldn’t remember this scene due to his drunkenness. This scene leads us to another meaning of Shotgun.
(chapter 31) And this leads me to the following theory that Baek Junmin’s sin towards Joo Jaekyung was linked to drugs. Don’t forget that Mr. Choi is himself symbolizing “drug” due this image: 
(chapter 48) And both are working together. My hypothesis is that Baek Junmin was involved in drugging the athlete. The sportsman admitted that The Shotgun had schemed against him. 
(chapter 49) This would explain why Joo Jaekyung would never join the team’s dinner and why he reacted that way, when he drank a glass of soju: 
(chapter 43) He could recognize the alcohol, a sign that he must have tasted it before. His threat and anger were masking his fears. For me, he had a terrible experience with alcohol. And this brings me to the last signification of “Shotgun”: SEX! This was already brought up with the quote above, but I am quite sure that people have already heard the expression “Shotgun wedding”. Then I also found this description “Shotgun Sex”:
(chapter 6), when Kim Dan had accepted the deal from the main lead. The erected phallus looks like a weapon and Kim Dan also made the connection, when he saw his huge anaconda with the sex toy: 
(Chapter 12) The idiom “shotgun sex” suggests a situation where sexual intercourse occurs hastily and impulsively. It has nothing to do with love and warmth. It is something done quickly or without much forethought, which corresponds to the scene in chapter 6. 
(chapter 6) And what do we see here? Submission! 
(chapter 17) Don’t forget that during that night, the soju was present as well. 
(chapter 17) Because of his nickname and the reflections from episode 10 and 17, I deduce that Baek Junmin was present, but he didn’t help the athlete. He turned a blind eye to the situation. 
(chapter 11) Though Joo Jaekyung despised the doctor and called him pathetic, he still accepted his request. But let’s return our attention to The Shotgun. Moreover, the fact that he employed the expression “kid” insinuates that Baek Junmin is older than the athlete. So he could have the same age than Kim Dan. I feel like the physical therapist is slowly taking over Baek Junmin’s place. He is on the verge to shine like a star. With the theory of a gangrape or rape (phallus as a weapon), we would have the explanation why the criminal insulted the athlete with “A little bitch ass punk”. He was describing him as a poser and “douchebag”, whereas in verity, he is the coward. Hence he resorts to tricks to achieve his goal. And now, you comprehend why the champion felt the need to clean his hair after meeting the fake star. 
(chapter 49) He usually takes a shower in the morning, however this scene took place in the evening. Under this new light, it becomes comprehensible as well why Joo Jaekyung couldn’t remember the criminal 
(chapter 49). It is related to a painful but short experience which scarred the athlete’s heart and soul.
(chapter 49) It is because the latter had repressed his traumatic past. The other reason he didn’t remember him is that the latter had betrayed him. He was not worthy of being remembered and being noticed. Would you remember a poser and coward? No, not really. In my opinion, Baek Junmin stands for immaturity, betrayal, irresponsibility and false manhood.
(chapter 18) and why both have no notion of “rape”. Joo Jaekyung must have been told that he was “responsible” for his misery, just like in this scene: “You did this”.
(chapter 6) He brought him upon himself. He shouldn’t have drunk or taken drugs, he shouldn’t have been weak, he shouldn’t have been there that night… I see his statement there as an evidence for manipulations
(chapter 18) If they are criminals, then the authorities should be informed, because the latter need to stop them, to make things worse for them. It was, as if he was advocating loansharking, though it is illegal. One might argue about this theory, for I deduced it simply from the name The Shotgun and its different reflections. However, Mingwa left us two other clues for this hypothesis.
(chapter 49) He never loses! He sounded so confident and sure. His words contrast to his confession in his bedroom: 
(chapter 20) But contrary to the physical therapist, the champion had never denied the existence of his body. He didn’t need to look at his reflection to see any change. The pondering was triggered by The Shotgun’s words. Baek Junmin saw the protagonist in a different light: weak and pitiful. 
(chapter 49) and not looking at his own reflection. Here we were witnessing the birth of the champion’s third eye. In addition, this scene corresponds to the one in episode 3: 
(chapter 3) As you can see, the moment you connect these two scenes, it becomes clear that there was no sex. In episode 3, the doctor was fetched and had to have sex, while in episode 49, the PT waited for a signal from his boss, but it never came. Furthermore, the bathroom is the only place where the athlete doesn’t bring his cellphone! And the latter represents a huge hindrance to his meditation, like Jin-philes could observe it in chapter 35: 
(chapter 35) But there is more to it. The departure from the restroom corresponds to the doctor’s realization at the hospital.
Gradually, Kim Dan came to accept the truth: his grandmother couldn’t keep her promise, as she would never recover from her illness. He went on his knees, too devastated by the terrible news. However, he didn’t question the doctor’s action and behavior. Nonetheless, he was able to move on. He was forced to mature and become more independent. 
(chapter 49) without getting disturbed. But don’t misunderstand me. I am not saying that the athlete was weeping. What I meant is that he was admitting the existence of his pain and suffering. This represents an important step to treat his own body with kindness. 
(chapter 28) Because of this special day and night, Kim Dan came to accept sex and sensuality in his life. 
(chapter 29) 
(chapter 36) As you can see, all the scenes reflecting the bathroom scene in episode 49 contain SEX. Hence I see it as another evidence that the sex during that night had a different meaning: it was more a habit than a real need. And don’t forget that in the States, he had already complained about the timing. 
(chapter 39) He didn’t feel like “fucking” and it must have been the same during that night before the match. And if he had been sexually assaulted, anyone would comprehend why he didn’t feel any desire. Under this new light, Manhwaworms can understand why the title is “Embracing change”. 
The star is gradually dropping his old belief. He is one step closer to realize that he is not jinxed, he is strong enough to win the next fight. My avid readers should keep in their mind that when the couple argued on his birthday
(chapter 49) which was used for the sex session at the gym. 
(chapter 24) Moreover, he even took an ointment in case his anus would tear, for they didn’t have sex for a long time. 
(chapter 49) But Baek Junmin was not alone in this. Due to his traumatic past, Joo Jaekyung came to resent and mistrust humans, for he never got the chance to get justice from his tormentors. That’s the reason why he rejected social norms. As time passed on, he repressed the incident and buried the identity of the persons responsible for his wounds, whereas his pain couldn’t vanish. Hence he was still boiling inside and his anger was directed at anyone. It would come to the surface at the slightest provocation or rejection. That’s why he was still trapped in the past. He had the impression, he could get assaulted at any time. Therefore he needed to prove his strength. And this brings me back to the whispered confession: 
(chapter 37) When the athlete saw the doctor’s reaction, the latter was looking away, 
(chapter 37) the VIP client got so angry that he sent Kim Dan away. And now, take a closer look to this image. 
(chapter 49) The characters are placed in the same position. The comparison between these two scenes reinforces my hypothesis that Baek Junmin mocked Joo Jaekyung, resented him and refused to help the younger fighter back then, as Kim Dan was looking away. On the other hand, by using the expression “baby” in English, Jinx-philes could sense parallels with the fight with Randy Booker. 
(chapter 49) On the other side, this match has another signification for The Shotgun. How so? It is because he needs to win. He claimed that he would take away his belt. He believes that since Choi Gilseok paid a lot of money, he bet on his victory. Besides, the director of the gym even got humiliated himself. However, he is deluding himself, for he was just a tool to ruin the Emperor. A shotgun is an firearm and as such it is dispensable. Furthermore, this panel displays Junmin’s jealousy towards the celebrity. 
(chapter 49), whereas The Shotgun was relegated to fight in the shadow! He was fighting in the underground fighting ring, but since it was illegal, he couldn’t become famous and rich. He couldn’t be exposed to the spotlight. This shows that deep down, Baek Junmin was also trapped in the past. He came to resent the protagonist, for the latter had been able to rise the ranks. That’s why he couldn’t forget him contrary to the celebrity. The latter was not only successful professionally, but also admired as a hero. It looked like he had been able to move on from the past, whereas for The Shotgun, it was the exact opposite. He became more and more involved in crimes. Don’t forget that he is helping the director from the King of MMA gym to launder money. Thus I deduce that Baek Junmin is underestimating his opponent. 
(chapter 51) they had never planned to turn the new comer into a champion, people would have questioned the outcome. The real intention was to tarnish the champion’s reputation, to isolate him, to make him lose his stans. And they almost achieved it. Baek Junmin never realized his true position. He was just a middle-man, a hit-man that they would discard right after his “victory”. Hence he is no longer in the media, because his name is now linked with the incident with the switched spray. 
(chapter 7) In the essay 
(chapter 8) Secondly, in the analysis “
(chapter 43) As a conclusion, the physical therapist embodies “sharing” which is strongly connected to eating. Furthermore, the symbol for giving is the hand which fits Heesung’s description about Kim Dan: “Magic Touch”. 
(chapter 30) As a conclusion, Joo Jaekyung is taught how to share through the doctor. This means that at some point, the champion will realize that he has to share the main lead too, if he wants to become truly happy. How so? 
(chapter 35) This scene represents the first step of the athlete’s meditation. Interesting is that this self-reflection got interrupted by the text from the journalist. Consequently, the athlete’s old habits resurfaced. Thus the athlete began neglecting the doctor again. Additionally, identifying jealousy and its cause means that emotional intelligence is necessary. However, Joo Jaekyung possesses a low EI… yes, he really has the mind-set of a baby. 
(chapter 7), self-centeredness, poor social skills 
(chapter 34) He was presented as a hindrance to the artist’s happiness. 
(chapter 34) 
(chapter 8), as he felt that he had no other tool to keep his partner by his side. In addition, in order to control his jealousy, he always employed the same method: SEX!! 
(chapter 34) Consequently, as long as Joo Jaekyung could not control his possessiveness and jealousy, he was shooting himself in the foot. Which corresponds to the metaphor with too much salt in the food. Mingwa gave us many examples for this situation. When the champion became jealous in episode 7, he forced the physical therapist to have sex with him. Thus his karma was to be perceived as a man obsessed with sex. Then, in episode 9, he provoked Kim Dan with the drink. 
(chapter 9) It was, as if he wanted to steal the show from the physical therapist. His punishment was to take care of the physical therapist, but the latter never witnessed his caring side due to his high intoxication. When he challenged the comedian
(chapter 37) giving the impression that he was resenting Kim Dan the most. However, in reality, he was jealous of Oh Daehyun and Potato, for the latter were having a good time with his lover, while he was left alone in his bedroom. While they were happily laughing with Kim Dan, he was totally excluded. 
(chapter 37) He was envious that they were the source of Kim Dan’s happiness, whereas he was not. Finally, when the athlete confronted them, the doctor sided with them. 
(chapter 43) His gaze was betraying him. Though he was the star of the evening, the fighters didn’t invite him to the second round. Yet, he didn’t mind, until he heard them asking the physical therapist. But contrary to the past, episode 7 and 37, Joo Jaekyung acted more gently. 
(chapter 43) He didn’t vent his anger on the doctor, as he embraced him gently. Why? In my opinion, there exist different causes. One reason is the phone call and the long conversation. Another cause for this change of behavior is that the time spent with Kim Dan at his penthouse. Through the breakfasts and their days-off, the celebrity got to know Kim Dan better. The champion’s jokes 
(chapter 41) Yet, he was still crossing his arms while talking to the physical therapist. This shows that he has not completely lowered his guard yet. Finally, Manhwaworms shouldn’t overlook the doctor’s drunken confession accompanied with kisses and embraces. 
(chapter 39) Consequently, I could observe that the athlete is gradually capable to manage his jealousy, the longer he is living with the main lead. Simultaneously, I believe that the recent transformation of the physical therapist (exhaustion, skipping dinners) incited Joo Jaekyung to observe his lover and meditate. 
(chapter 43) However, I would like to outline that in this scene, he didn’t feel jealous, as Kim Dan was excluded. Hence he had no reason to claim the doctor as his. As you can see, the star’s jealousy was the trigger to change his behavior in front of the members. Thus I come to the deduction that we were witnessing the positive aspect of “jealousy”. He was not questioning the doctor’s integrity and trust. Therefore it is no coincidence that contrary to episode 7, 9, 22 and 37, he didn’t look grumpy, when he stated that Doc Dan is coming with him. 
(chapter 43) It was seen as a miracle that Joo Jaekyung was showing such a care for someone. Kim Changmin, as a representative of Team Black, was not at all envious, because they are used to sharing (dinner, dormitories, etc). The boxer felt that he just witnessed a wonder. It is important, because through this scene, we have an explanation for their passivity in the States. They thought that the athlete didn’t really care for Kim Dan. 
(chapter 37) I could also include the scene with the new jacket. 
(chapter 36) When the sportsmen were all fighting against each other to give their new cloth to Kim Dan, the champion intervened by throwing his jacket to Kim Dan. He was not smiling at all. In fact, he gave the impression that Kim Dan was causing trouble. 
(chapter 36) At no moment, Oh Daehyun and the others could detect the main lead’s jealousy. That’s how it dawned on me why Kim Dan was not informed about the surprise birthday party. 
(chapter 43) He was as astonished as Joo Jaekyung. I deduce that they desired to protect him, in case the celebrity would react so negatively. 
(chapter 43) Since the athlete had been so impolite and rude towards the doctor in front of Oh Daehyun and the other members on so many occasions (7, 9, 
11, 36, 37), they imagined that Joo Jaekyung was treating him the same way than them: if he was not rough, then he was indifferent. 
(chapter 22) When he announced to the staff that Kim Dan was cooking for him, his facial expression and words are indicating that this is no big deal! He was not smiling and voicing his admiration for doc Dan. He created the illusion that the physical therapist was just living at the penthouse for the celebrity’s comfort. It was to do his job and nothing more. But this was only partially true. That’s the reason why I come to the assumption that this miracle in episode 43 will change the dynamics at the gym. Kim Changmin, Oh Daehyun and the others know now that the celebrity not only cares for the doctor, but also has become his friend. Thus they could seek Kim Dan’s closeness in order to get his advices and assistance.
(chapter 43) So he never took the doctor’s choice into consideration. Although Joo Jaekyung is no longer dragging the doctor like in the beginning of the story, he is not truly respecting Kim Dan’s decisions. But how did this rivalry between Joo Jaekyung and his team start?
(chapter 7) He occupies a special position, for he is only working for the alpha as doctor. But note that doc Dan crossed the line, the moment he started taking care of Kim Changmin’s problematic shoulder. 
(chapter 7) Thus I deduce that Kim Dan still needs to find his own place at the gym. This can only generate tension. Moreover, it dawned on me, neither the champion nor coach Jeon Yosep nor Park Namwook recognized the consequences of his arrival at the gym. 
(chapter 7) First, they made the mistake not to bring Kim Dan to Busan. 
(chapter 36) After that event, they learned their lesson. However, note that the champion refused that the physical therapist would follow Oh Daehyun and the others to their fight. 
(chapter 23) On the one hand, he was reminding his companion that he was only working for him, on the other hand, the uniform and the treatment from the members were giving the impression that he was also part of Team Black. 
(chapter 23) That’s how he discovered the ritual with high five!! This is something he could share with his lover! By using this gesture, they would not only become closer, but the gap between the fighters and Joo Jaekyung would be reduced. On the other hand, by hindering Kim Dan to follow the group, Joo Jaekyung was hindering the main lead to do his job. This shows as well that they are slowly developing a new routine, but it is not fully deployed. The doctor is bringing the real changes due to his special but unclear position.
(chapter 31) 
(chapter 42) and didn’t look for new patients. He needs a role model as entrepreneur and doctor. In my eyes, that’s where Cheolmin comes in. The latter should become Kim Dan’s mentor. Moreover, I would like to outline that by intervening in the doctor’s life and career, the champion was blurring more and more the boundary between private life and profession. 
(chapter 9) and the welcome elixir. 
(chapter 25) It is relevant, because the doctor is not technically involved with the other members. He is attached to them, because they are very nice to him. 
(chapter 9) There exists no contract between them either. Their relationship is simply based on the goodness from the characters. And now, you comprehend why the champion had to come to this welcome party. It is because he feared that the doctor would feel closer to them than to him. His money was already competing with the heart from the fighters. Is it a coincidence that the champion felt the need to remind them that he was the one paying for the party? 
(chapter 9) Funny is that for his birthday party, money was no longer rivaling with the fighters. Furthermore, he was joining the table for real. 
(chapter 43) To conclude, the causes for the tension between the alpha and his members are the undefine position and duties of Kim Dan. 
(chapter 13), Park Namwook and Oh Daehyun are representing the other extreme: junk food (too salty, greasy, too much sugar) 
(chapter 22) 
(chapter 37) or fasting!! Notice that Park Namwook preferred Kim Dan resting than eating dinner with them! 
(Chapter 43) Joo Jaekyung listened to his hyung, as he had already heard such an advice before. But actually by skipping dinners, the doctor is living like in the past. This could lead to malnutrition again. As you can see, I sense here a new source of problem. 
(chapter 26) He proposed this idea after seeing his lover learning moves from Potato. In other words, due to his jealousy, he offered his sex partner the possibility to learn from him. 
(chapter 25) This was the positive aspect of jealousy. It is not surprising that the champion smiled during this little game. 
(chapter 26) The members didn’t recognize how gentle the celebrity was towards his partner, therefore Park Namwook imagined that Kim Dan had been coerced to spare and the punch was the expression from anger and frustration against the alpha. Thus he came to misjudge the situation. That’s how Kim Dan got excluded from the ring. And this observation brings me to the following conclusion. Till episode 43, none of the fighters realized that Kim Dan was receiving a special treatment from Joo Jaekyung. They were totally oblivious of the truth, even during this incident! 
(chapter 23) In addition, I would like to outline that Potato had been favored by his hyungs
(chapter 22), because the latter was somehow neglected by the champion. They were compensating for the lack of interest from the captain. Interesting is that no one was missing Potato during that day and party except the readers. Why? It is because little by little, his adoration for the champion is vanishing. He is starting to have a life on his own. It is important, because Kim Dan could receive now more attention from the members than before, especially because he is receiving the good grace from his boss. Don’t forget that Park Namwook never protected them from his bad mood. 
(chapter 36) or he was sitting in the office. It is not surprising that he kept his distance at the hotel, when the champion was taking his meal. 
(chapter 37) But it started changing, after the athlete declared him as a part of his team. 
8chapter 40) The problem is that he met the green-haired uke which reinforced his insecurities and low self-esteem. Observe that while returning home, he was only remembering all the champion’s words 
(chapter 43) He should bring him home. If you read the essay “
(chapter 43) Though the doctor’s hands had been bleeding, Kim Dan chose to treat his patient first before taking care of his own wounds. His selflessness could only catch Joo Jaekyung’s notice. Doc Dan’s benevolence can only make him realize that fame can never be a source of joy and adoration is totally different from true love and warmth.
(chapter 37), when he snatched the towel from Kim Dan with force without saying thank you or when he poured the coke on Kim Dan’s head. 
(chapter 37) No wonder why Joo Jaekyung sent away the doctor. 
(chapter 37) The latter made him feel worse than before. 
(chapter 37) There is no doubt that Joo Jaekyung was hurt too. The only difference is that the athlete is not allowed to cry or to complain, for he made the decision to take the challenge. 
(chapter 37)
(chapter 37) What is Kim Dan feeling here? Sympathy or empathy? 
(chapter 37), for he is drawing a line.
(chapter 37), but no one understood his message. They thought that they were reprimanded for eating, though it was more about bad nutrition (“garbage”, “stuff yourselves”) and eating in excess! 
(chapter 37) The doctor’s excuse could only sound fake to the athlete’s ears. In fact, in that moment, Kim Dan showed no real sympathy for the champion. He was drawing the line between the athlete and himself. However, after getting humiliated, 
(chapter 22) It was, as if he had forgotten his knowledge and his past decisions. Then the next day, Kim Dan pities him, something he also hates!! 
(chapter 37) This discovery led me to the following conclusion. Park Namwook embodies sympathy and as such cognitive empathy. He can grasp people‘s feeling, as he is able to see from people‘s perspective. 
(chapter 37) This explicates why he allows the fighters to buy ramyeon and sodas behind the captain’s back. 
(chapter 22) He was even more ruthless towards the other members, until Kim Dan made the following suggestion: eating elsewhere. This is applied in the States. The champion’s past indifference reflects the negative influence from Park Namwook. Observe that the latter asked from the physical therapist only “pity and sympathy” 
(chapter 37), like holding the towel or pouring the hot water.
(chapter 37) 
(chapter 37) Under this new light, it becomes comprehensible why Park Namwook or the coach accepted the suggestion from the agent so easily. 
(chapter 36) They are passive, because they only feel sympathy in the best case. Thus I come to the conclusion that Kim Dan’s low self-esteem was reinforced by the manager’s attitude and advices. At no moment, he acknowledged his work 
(chapter 37) and as such gave him compliments contrary to Doctor Lee. This means, the lawsuit against the hospital is detrimental for Kim Dan’s career. He needs some guidance from a hyung. 
(chapter 37) Kim Dan thought that this person belonged to MFC, for he was wearing an ID MFC, a cap with the logo MFC and he was wearing black clothes like the other officials. 
(chapter 37) This means that he judged this man by his looks. A terrible mistake! This situation mirrors the scene where one agent from MFC questioned Kim Dan about his identity. 
(chapter 37) The protagonist saw the fighter as weak, for he had slimmed down. He was comparing him to their first meeting. 
(chapter 1) However, he was making a mistake, for Joo Jaekyung was just losing water, and not muscles! In my eyes, he was underestimating Joo Jaekyung’s strength. 
(chapter 37) In other words, they are underestimating their opponent’s physical condition. This panel exposes that Joo Jaekyung can recover very quickly. 
(chapter 37) Thus I deduce that the schemers are judging the fighter based on his “looks”. My assumption is that their scheme is based on the following information: injured shoulder (“incident in Busan”) and the request from Kim Dan that the champion needs to take a day-off!
(chapter 31) If the athlete works less, the manager gets paid less! I would like to point out that Joo Jaekyung’s agent was never seen at the gym! He was never present during his training. Thus he had every reason to think that his client Joo Jaekyung has already reached his zenith! Therefore I am wondering if the manager came to believe the manipulations from the article. 
(chapter 36) That’s why there was no interview to deny the allegations. It was, as if he didn’t detect the fake news. The manhwaphiles should pay attention to his words. It was all about the leaking of private information, but not about the content of the article. 
(chapter 36) In other words, the manager judged his client by his “cover”! He was tasked to book less events!! Consequently, neither the lawyer nor the manager should be trusted, though they are well-mannered and educated. 
(chapter 36) In reality, Park Namwook should have focused more on their words and their body language! However, he judges people based on their manners! The irony is that the coach is himself a “wolf”. 
(chapter 5) 
(chapter 15) Hence I deduce that Park Namwook will have to learn through bad experiences that the champion is a poor reflection of himself. He spoils the fighters 
(chapter 36) It is because he thought that he couldn’t change the situation. That way, he was avoiding trouble as well. He was clearly a drawing a line: you and me! 
(chapter 37) and Oh Daehyun. Thus he didn’t object to Oh Daehyun’s suggestion to have a late snack party
. (chapter 37) 
(chapter 37) Therefore it is not surprising that he followed again his advices. 
(chapter 37) Kim Dan is learning through the hard way to develop critical thinking, his so-called third eye. Why shouldn’t people listen to others?
(chapter 37) Striking is that the criminal faked sympathy, when he gave the beverage to the doctor. Through his mistake, the physical therapist should realize that there is nothing free in this world (“extra nutrition shake”). Secondly, concerns and sympathy can be fake. This should help him to recognize the divergence between cognitive sympathy and empathy too. Above, I had explained that this drug should be an aphrodisiac. This interpretation is based on the physical reactions of the main lead: he is trembling, blushing, 
(chapter 37), moaning and feeling hot. 
(chapter 37) Therefore I made some research about the drug. This is what I found: Dextroamphetamine. [Note: I am no doctor] 
(chapter 29) This was brought up in connection to the drug test. Therefore I deduce that the schemers are quite close to Joo Jaekyung. First, they are aware of his insomnia, but more importantly they know about his sex habits, his jinx! They had two reasons to give him such a drug. First, under the influence of the aphrodisiac, the champion could become even more rough than usually, a new version of this scene 
(chapter 13). Moreover, remember that his jinx is based on the following idea: he needs to feel satisfied! 
(chapter 33) Hence under the influence of the drug, he could call for a second partner, like he did in episode 2. 
(chapter 2) In other words, he would hire a prostitute. Anyway, their plan is to cause a new scandal. The moment he ingurgitates the nutrition shake, he will get tested positive. 
(chapter 2) Notice that till this night, Kim Dan believed in the existence of Joo Jaekyung’s jinx.
(chapter 37) and beverage. Be more suspicious of people, don’t trust people so easily. The other conclusion I made is that this pink beverage will work like a love potion. 
(chapter 37) I am hoping that through this life lesson, the doctor will realize that he is the champion’s lucky charm! Thanks to him, he will be able to fight and defeat the other legend! The plot will fail, and if there is a scandal, then Joo Jaekyung won’t be affected. How am I so sure about the emperor’s victory? Simply because the Webtoonist made many allusions to episode 1! 
He is drinking an energy drink instead of eating properly. 
He is acting the same way.
He is feeling insecure and nervous, a sign of his low self-esteem 
An apology : Fear in front of Joo Jaekyung 
The loan sharks at the door 
Eating ramen
Here he had no reason to cry. 
: looking at Joo Jaekyung’s body
The physical therapist is the champion’s reward. He is his yeouiju. Like I wrote before, the pink drink is a blessing in disguise. Thus this 
(chapter 25) A new version of this scene. In other words, I am sensing the start of “WE” and as such family. They are now bound by secrecy.
(chapter 87) Not only the painter and the 3 noonas were sharing the same bed, but also they were taking their meals together. 
(chapter 87) They would even caress each other and laugh together. This scene oozes happiness. Consequently, it is no coincidence that during that night, they shared their honest thoughts to Baek Na-Kyum giving him good advices. But more importantly, the painter was there, when his noonas were struggling. 
(chapter 94) He cried in front of them. His tears symbolized his compassion and love for his noonas. He regarded them as his family. And it was the same for the artist. He had the noonas by his side, when he was in trouble or agony. 
(chapter 94) 
(chapter 107) However, at some point, it changed! 
(chapter 94) Jung In-Hun entered his life and consoled him. Thus I deduce that this image 
(chapter 68) represents a turning point in Baek Na-Kyum’s life. During that night, the scholar took away the young painter from Heena, hence he couldn’t help her. And now, observe the learned sir’s reaction. He didn’t allow the painter to cry. He shouldn’t share his pain. 
(chapter 70) In fact, he diverted Baek Na-Kyum’s attention from the incident to the moon. The learned sir was smiling the whole time. 
(chapter 70) He was acting, as if nothing had happened. The fact that he didn’t bear the tears from the painter exposes that the learned sir never considered him as a family. Therefore it is not surprising that he got abandoned, when the learned sir struggled: 
(chapter 75) But we have other scenes where Jung In-Hun didn’t behave like in the poem. When he discovered the truth, he had not been approached by Yoon Seungho due to his talent 
(chapter 19), he pushed away the painter. 
(chapter 19) He was mad, because Baek Na-Kyum was the cause for his sponsoring. 
(chapter 19) However, the family serves as pillar and protection. When the scholar’s pride got hurt, he rejected Baek Na-Kyum. He only approached the painter, when he needed him 
(chapter 10) 
(chapter 24) 
(chapter 35). 
(chapter 111) For me, in episode 10, he was definitely aware of the existence of a plot, thus he led the painter to the pavilion. Then in episode 24 and 35, he wanted the artist to spy on his benefactor. Finally, in episode 111, he knew that by taking away his former pupil, he would hurt Yoon Seungho, for he was aware of his affection for Baek Na-Kyum. Under this new light, it becomes comprehensible why Jung In-Hun didn’t bid farewell to the main lead in episode 44. Baek Na-Kyum’s presence was not necessary for the preparation for the civil service examination. And this brings me to the last scene between the learned sir and the painter. 
(chapter 118) He is now crying in front of him, as if he was considering him as a part of his family. He is trying to create the illusion that he shares his suffering, just like he shared his happiness during the parade. 
(chapter 111) But in the gibang, the learned sir changed his attitude towards his former pupil, for he kissed the painter. 
(chapter 117) It was, as if the former was starting his family. Baek Na-Kyum is now his “bride”. But naturally, everything is just an illusion. Why? It is because the Manhwaphiles never saw Jung In-Hun share his bed or room with the artist! 
(chapter 27) 
(chapter 38) He was also never seen taking his meals with him. This explicates why he never visited him, when the painter was sick. In fact, the learned sir is connected to the air and the courtyard. That’s the reason why he is always seen roaming around with Baek Na-Kyum (10: pavilion, 18-19-27-35-44: courtyard, countryside/city: 29-37-70 and 
) But more importantly, he is not sharing his true thoughts and emotions to the young man. 
(chapter 118) He never explained how his face got bruised! This shows that he approached Na-Kyum for one reason. He was in trouble and he needed him. But he acted, as if he was becoming responsible for him. 
(chapter 118) 
(chapter 118) He didn’t expect a rejection. Why? It is because now, he was treating the main lead as family member. Nonetheless, don‘t get me wrong. In Joseon, servants were considered as a part of the household and as such of the „family“. I don‘t believe that the teacher views Baek Na-Kyum as an equal. Yet, the latter is in reality a free man. 
(chapter 118) Thus out of fear, he made a false love confession which resembles a lot to obsession and possessiveness. His words display his worries and despair. Another important aspect is the absence of the personal pronoun “we” in their conversation. We only have “you” and “me”. 
(chapter 118) 
(chapter 40), the latter learned the following lesson: Jung In-Hun had never been his new family. That’s the reason why he was so wounded. Therefore it is no coincidence that his karma is to be abandoned the moment he needs Baek Na-Kyum the most. But why did he not consider the painter as a family member? It is because he came from the gibang. Moreover, he was blinded by his desire to succeed on his own, not realizing the true role of a family. 
(chapter 86) 
(chapter 107) The sexual abuse is something they hid from Baek Na-Kyum! They could never share such a burden with the protagonist. But there is more to it. In fact, Byeonduck illustrated the slow deterioration of Na-Kyum’s s family in season 2, 3 and 4. First, the painter couldn’t talk to his noonas like in the past: 
(chapter 46) He was forbidden to announce his departure which indicates that Heena was hiding something from the other kisaengs. Moreover, notice that he never talked back to Heena. He listened to her, though he was in pain. 
(chapter 46) He could only express his sadness with his tears. Then when Heena reentered his life, she was seen next to his bed while hugging. by his side 
(chapter 66) This means that she would no longer share his cover. This is no coincidence that in the gibang, the noona could no longer enter her brother’s room. 
(chapter 96) Little by little, Heena got excluded from the painter’s life. She could no longer share her meals with him. 
(chapter 93) This explicates why in season 4, Baek Na-Kyum can not penetrate Heena’s room. 
(chapter 105) She is hiding more and more things from her brother: her “illness”, her involvement in the murder of nobles and her lies. On the other hand, the painter still considered her as a part of his family because of her intervention in episode 68/69: 
(chapter 68) Their argument was reflecting their trust, though here the kisaeng was questioning her brother’s maturity. Due to her concerns, Baek Na-Kyum felt that they were still a family. However, I sense a rupture, when they argued in the kisaeng house. The artist was no longer trusting Heena’s words: 
(chapter 97) Interesting is that from that moment on, Baek Na-Kyum and Heena never faced each other! She didn’t join his side during the parade. This means that their argument in the kisaeng house represents their last reunion. And what did Heena do in this scene? She cried 
(chapter 97), while the painter didn’t, though he looked disturbed. 
(chapter 97) He lost all his colors. However, such a scene could be perceived as a sign of indifference, especially for the kisaeng. And this observation made me realize why the kisaeng asked Yoon Seungho not to reveal his suspicions about Jung In-Hun’s involvement to her brother. 
(chapter 105) Here, she implied that Baek Na-Kyum would cry out of pain and shock. But she had seen that he had shared no tears, when he heard about his murder: And it happened again in the shrine.
(chapter 99) Simultaneously, the request from Heena exposes that they are no longer sharing agony and as such struggles. Moreover, this made me realize why the artist left the mansion after the nightmare. It was out of fear and obligation. For me, he had sensed that Heena liked the learned sir and as she was still part of his family, he had to make sure that this was not true. Yet, even after witnessing the faked crime scene, he still trusted Yoon Seungho. Hence I am deducing that the absence of tears is the trigger for their separation which stands in opposition to their embrace in the mansion: 
(chapter 66) 
. (chapter 68) And what was her reaction, when she saw her brother in tears and yelling at his lover?: 
(chapter 105) She remained silent, passive and rather indifferent. This impression gets reinforced, when she is lying next to her colleagues. She is not sharing her thoughts and emotions, rather pensive contrary to these kisaengs: 
(chapter 105) She is even turning her back to them. This displays the dissolution of this family. The kisaeng is no longer sharing her fears, her tears and emotions to others. Therefore she can not sense “happiness or relief” like the others. 
(chapter 93), but the moment the lord joined his side, the honesty started vanishing. Notice that the painter couldn’t talk about his past (how he met Yoon Seungho and how he got abandoned by Jung In-Hun). It was reduced to “I was caught up with something”. He had so many secrets that he couldn’t share to his noonas. And it was the same for the kisaengs. 
(chapter 93) They also had secrets, hence they were seen whispering. Baek Na-Kyum could confide less to Heena. Why? He sensed that the kisaengs might show no understanding. And note how the painter reacted, when he met his noonas in episode 105. 
(chapter 105) He lied to his noona, he didn’t voice his worries. He didn’t enjoy his time spent by the kisaengs’ side. He didn’t eat with them either. This is the sign that he was moving on, he was on the verge of starting his new family. In other words, this scene 
(chapter 105) corresponds to the bird flying from the nest which was witnessed by Heena and the kisaengs. Because the painter was not sincere to his noonas, it is not surprising that they acted the same way. Here,
(chapter 105), the kisaeng’s words are a reference to loss of virginity. Yet the painter didn’t grasp the true meaning. Only in his dream and nightmare, he realized the significance of her words: 
(chapter 109) Hence I come to the conclusion that we are witnessing to the birth of Baek Na-Kyum’s new family: Yoon Seungho. 
(chapter 118) That’s the reason why the painter decided to run away with his lover. 
(chapter 118) However, in order to become a real family, the painter needs to call his husband like this: 
(chapter 72) Under this new light, it becomes comprehensible why the noonas were no longer entirely honest with Baek Na-Kyum in the gibang. They couldn’t share their thoughts and secrets to the artist, as they had played a role in the separation of the couple 
(chapter 99) and the nobles’ execution. Besides, they also had secrets which they had to hide from their donsaeng. 
(chapter 57) I believe that it is related to the protagonist’s sensibility and intelligence. My assumption is that Yoon Seungho is a 
(chapter 85), his second son and even lord Song as his family 
(chapter 116) Hence they are sharing a drink, their secrets and emotions together, though it is obvious that the man in purple is deceiving the patriarch. However, the elder master still trusts and listens to his words. 
(chapter 107) 
(chapter 26) The latter was not allowed to cry! Therefore the artist heard the same reproach from the main lead. 
(chapter 26) The valet disliked the tears, because he refused to share the suffering. The reason is simple. If he did, this would have increased his guilt. Furthermore, Kim never shared the cover or his meals with Yoon Seungho in the past 
(chapter 83) and in the present. Here, 
(chapter 17) he even refused to bring him his breakfast. But one might argue that Kim cried in front of the protagonist in the shed, he even expressed regrets: 
(chapter 108) So we could assume that he was starting to view the main lead as a family member. But no… for me, it is just an illusion. First, note that he never let the lord see his gaze while weeping. Besides, the noble’s heart was not moved either. They were not crying together, a sign that the two were drifting apart. Moreover, in the shed, the valet never shared the information about the fire at the shrine. 
(chapter 108) The noble had to use threat and force in order to push the butler to voice his thoughts. Finally, at the end, the valet never vowed his loyalty to Yoon Seungho, but to Baek Na-Kyum. 
(chapter 108) Moreover, like exposed above, family in the poem symbolizes trust, love, responsibility, comfort and protection, but the valet failed to fulfil his duties which he admitted in the shed. As a conclusion, the butler didn’t keep such a promise. Moreover, what did the butler do after the painter’s abduction? 
(chapter 64) 
(chapter 64) He ran away. He never saved the painter, just like he didn’t argue with his master in that moment. But he could have, since the latter had no sword by his side. Imagine that he had a heated discussion with Yoon Seungho the very next day, and in the courtyard, the protagonist had the sword in the hand. 
(chapter 68) A sign that he knew that the noble would never slay him! And in the past, the valet had not come to his rescue, shared his suffering or defended his honor. And now, you comprehend why I am more than ever convinced that the valet was never Yoon Seungho’s family: no tear, no joy or no secret shared! His expression “bird of misfortune” embodies the gap between the two characters. 
(chapter 109) The latter would even get the opportunity to eat sweets and sit in the patio
(chapter 109), while the lord was relegated to the courtyard. 
(chapter 109) And the poem mirrors perfectly the birth of Yoon Seungho’s first family. Baek Na-Kyum is his very first family. Thus he could share his pain, his fears, his resent, 
(chapter 62) and his hope to be happy for one moment: 
(chapter 63) I selected the terrible scene in the shed for two reasons. It symbolizes the verse “how to become a family”. This explicates why in season 3, the artist was slowly using the personal pronoun “we”. 
(chapter 78) This means that the two protagonists were learning how to become a true family. And one of this important step was “crying together” which occurred after the sexual abuse in the shrine, 
(chapter 102) However, Yoon Seungho had to learn the importance of “secrecy”! He kept his crime from his loved one hidden, not understanding that a real family is to “endure all hardships” together. Consequently, I judge this night 
as the finalization of their “Wedding”, though it is still not official. During this night, we have all the criteria. They share their worries
(chapter 110), their happiness 
(chapter 110), they sit together while eating
(chapter 110), they embrace each other, they share the same bed. And the lord makes the following promise: there won’t be any secret between them. He will share everything with his lover. 
(chapter 110) So when the brother gave the petition to the artist
(chapter 116), he even reinforced their bond. It was, as if they had no longer any secret between them. Thus they talked about the document in the pavilion making sure that no one would listen to their discussion. 
(chapter 117) Therefore, it is not surprising that during that same night, the couple slept under the same blanket while hugging each other. 
(chapter 117) The symbol for the new family! But a family is not made just of two members! Is Yoon Seungwon a part of Yoon Seungho’s family? Let’s not forget that he considered the artist as his brother’s wife. 
(chapter 116) What caught my attention is that Yoon Seungho was not followed by his lover, when he met his brother in the gibang. 
(chapter 118) And this reminded me of this scene: 
(chapter 37) He wished to send away the artist, but the host refused. Then if you pay attention to his behavior, you will notice that none of them were seen eating together! 
(chapter 118) Compare it to Black Heart’s behavior: 
(chapter 43) In fact, the two guests were drinking on their own! Yoon Seungwon had even started drinking before the protagonist’s arrival. 
(chapter 118) Moreover, exactly like the scholar, Yoon Seungwon is just employing the pronouns “you”, “I” and “father”. There is no WE at all. 
(chapter 118) Moreover, he doesn’t want to share the pain and suffering with his father. And while he shared a secret with Yoon Seungho in the past,
(chapter 118), I believe that he is hiding something from his brother again. Thus we see constantly him with a drop of sweat. 
(chapter 118) 
(chapter 118) Striking is that he is at no moment mentioning the painter, which actually represents the lord’s source of comfort and joy! He is more talking about the past than the present. He is hoping for a change of heart. That’s the reason why I come to the conclusion that Yoon Seungwon called the main lead as brother
(chapter 118), but it is only a name! In reality, he desires to use the main lead. He needs him more than ever! Let’s not forget that the patriarch could discover Yoon Seungwon’s betrayal at any moment. Finally, I would like to outline that family stands for effort and understanding, nevertheless the younger master never showed compassion or worries for his brother, who had just recovered from a stabbing. His speech was full of blame. 
(chapter 22), the physical therapist still views her as his family. This corresponds to the verse “no matter where you are”. This explains why he listened to her and started treating the champion differently. From my point of view, they became a family, because they slept under the same cover
(chapter 5) and their happiness together, though this needs to be relativized. 
(chapter 11). I will give more details later. Another evidence that they are family is that the grandmother would often sing him songs. Then we could say that the grandmother shares her meals with the doctor, for she is often saving yoghurts for her grandson. 
(chapter 05) She is happy, when she hears good news from her grandson. 
(chapter 07) When she feels lonely or miserable, she asks for his presence. 
(chapter 21) 
(chapter 5) Nevertheless, there exist two negative aspects. First, I noticed that she didn’t question Kim Dan about his career, only when it was necessary. 
(chapter 07) She is not that involved in his current life. 
(chapter 05) Secondly, what caught my attention is that the halmoni is not letting her grandson weep. With her attitude, she implied that he had overreacted (“Now, now none of that”). 
(chapter 21) Moreover, the poem outlined the necessity of crying together (“be able to cry together”), yet the halmoni was not upset, when she found the little Dan in tears. She didn’t understand his abandonment issues. Thus I deduce that the shared agony was only in one way! If the grandmother was scared or suffering, her grandson should feel the same. 
(chapter 5) This explicates why Kim Dan was willing to sacrifice himself for his halmoni. 
(chapter 30) Because the grandmother didn’t allow her grandson to share his struggles (no tears), Kim Dan has been hiding many things from his grandmother
(chapter 07): the beatings from Heo Manwook, his firing from the hospital, the sexual assault from the perverted hospital director and the moneylender, his deal with Joo Jaekyung and the fact that he moved to the penthouse. This means that little by little, the physical therapist is sharing less and less his happiness with her. I doubt that he told her about his trip to Busan, his first MMA fight as spectator 
(chapter 15) and his first sparring with Joo Jaekyung 
(chapter 26). But this is a sign that Kim Dan is maturing. Therefore it is no coincidence that after their first day off spent together, Kim Dan is already under the champion’s spell. 
(chapter 30) And at some point, the grandma will notice her little boy’s transformation and the growing distance. And Choi Heesung could be the trigger for a first quarrel 
(chapter 14) 
(chapter 5) 
(chapter 23) which is another evidence that Team Black functions more like a family than like a company. What caught my attention is that the doctor is not addressed as hyung 
(chapter 30) but as Doc Dan or doc. 
(chapter 15) than admitting that his shoulder had been plaguing him. And it is the same for Potato. He didn’t talk about the incident with the office room and the sofa. 
(chapter 25) According to me, Jeong Yosep knows about the true relationship between the physical therapist and the alpha black wolf. But he kept this information to himself as well. However, like pointed out before, family stands for communication and not secrecy! Moreover, so far, we only saw the fighters share their happiness. And what about their struggles or defeat? To conclude, Jinx is actually showing us the transformation of Team Black as company into a family. How they “become” a WE! Park Namwook does consider Team Black as his gym, but he has his own family. However, this is not the case for Jeong Yosep or Joo Jaekyung, who lives as a loner wolf! In my opinion, Team Black will turn into a real family, the moment Kim Dan loses his halmoni. Remember the quote from the poem: “If you can’t say you’re hurt when you feel hurt you’re not family“. Kim Dan won’t be able to hide his sadness and broken heart. In the beginning of the story, he lied to the coach and Kwak Junbeom about the reason for his injuries: 
(chapter 11), because he considered them as superior and colleagues. In other words, the fighters will share their pain with doc Dan helping him to overcome the loss. But this change can only happen, when the owner of Team Black has a change of heart himself as well. Remember how he pushed Oh Daehung and the other members away. 
(chapter 22) He didn’t want them to come to his house. 
(chapter 30) But he is there an employee. Thus I am suspecting that the talent agency is working differently from Team Black. If there is a scandal, I doubt that the company would side with the star in trouble or they would try to find ways to get rid of the issue, like finding a scapegoat in order to bury the truth. As a conclusion, I am expecting to see companies run differently so that the readers can perceive Team Black as a family company, although it is an incorporation.
(chapter 4) This was a reference to the blanket in the poem, though here Kim Dan slept in a cocoon. This was a sign that he didn’t feel safe. However, as time passed on, I detected a change in Kim Dan’s sleeping position. He is lying on his back and even in the middle of the bed. 
(chapter 6) This shows that the celebrity is not judging the physical therapist as weak due to his tears. In episode 28, he even showed concerns, when he heard the doctor crying. 
(chapter 28) 
(chapter 28) He questioned the doctor once again, why he was in tears. However, he didn’t ask the doctor to stop weeping or to wipe his tears. He wanted to understand him. This exposes the fighter’s tolerance and interest in Kim Dan. For me, it reveals that Joo Jaekyung is willing to share the pain or fears with Kim Dan. Therefore it is not surprising that Kim Dan is remembering this moment! 
(chapter 30) He was allowed to express his emotions. Interesting is that this image is now connected to red, not to grey/black. 
(chapter 30) The switch of color indicates the doctor’s increasing feelings and sensuality for Joo Jaekyung. That’s the reason why I am expecting that one day, the two protagonists will cry together, something that the grandma hasn’t done until now. 
(chapter 13), it doesn’t signify that they are a family now. And it is the same for the penthouse. 
(chapter 18) They might share the same flat, but the penthouse is so huge that they can technically live apart. Joo Jaekyung and Kim Dan are slowly spending more and more time together, either because the champion feels like it 
(chapter 19) or it is necessary 
. (chapter 27) During the day off, they shared their thoughts,, their emotions 
(chapter 27) 
(chapter 27), their happiness 
(chapter 27) 
(chapter 29) Because Joo JAekyung confessed his fears and health issues to Kim Dan, it shows that he was trusting him. For me, this night represents another step how to become a true family. “If you can’t say you’re hurt when you feel hurt you’re not family.” This day and night were so magical that it affected the protagonists’ life forever. From that moment on, Kim Dan is feeling more attracted to the champion, hence he is peeping at him. 
(chapter 30) And it is the same for the champion. Now, he is slowly regretting that they live in two different rooms and they have their own bathroom. Therefore he came to the doctor’s bathroom under the fake excuse that he had run out of toothpaste. 
(chapter 30) What was so funny is that he had opened the door like a huge bear. Why? It is because he was so annoyed how to explain his intrusion. 
(chapter 30) This shows that little by little, the champion is regretting his words to Kim Dan in the master’s room. 
(chapter 29) For me, he will be forced to recognize that work is not bringing him closer to Kim Dan, especially after Choi Heesung met the main lead. 
(chapter 30) For me, this scene is the bathroom represents another step how to become a true family. 
(chapter 30) However, like Mingwa voiced it, they have a long way to go, for Joo Jaekyung and Kim Dan are hiding their true thoughts and emotions from each other. 
(chapter 30) Kim Dan had to hide his blushing, while the champion had to lie for his appearance. Moreover, the fact that he tried to hide his underwear 
(chapter 30) indicates that their intimacy has not reached its peak. He doesn’t feel comfortable around the athlete to be seen in underwear. Moreover, the champion is also hiding his jealousy and possessiveness towards the main character. 
(chapter 30) But like I said, they need to open up their hearts and mind in order to become a true family. From my point of view, the halmoni could play a huge role in their union. How so? It is because she entrusted her grandson to Joo Jaekyung. The latter also conversed with her 
(chapter 21) and even paid her hospital bills. She even took his hand 
(chapter 22) and gave him a yoghurt.
(chapter 21) So the moment the grandma vanishes, it could also wound the champion’s heart, especially when his sex partner is so heartbroken. It would be interesting if the champion came to voice his feelings about her. If you can’t say you’re hurt when you feel hurt you’re not family.“
(chapter 28) and his attitude 
(chapter 28) Hence he grabbed the doctor and brought him back to the swimming pool 
(chapter 28) He wanted to make sure that Kim Dan wouldn’t escape from him and ruin the flow. 
(chapter 28) He was taking advantage of his fear of the water! For certain readers, the champion had not changed at all. He was still rude and selfish. However, these manhwaphiles were overlooking two important aspects. First, the athlete’s selfish attitude was necessary! How so? It was to teach Kim Dan to become more selfish! Don’t forget that Mingwa is applying the philosophy yin and yang. Secondly, certain manhwaworms took all the champion’s words at face-value! I would like to point out if the doctor had truly hurt him with his teeth, his phallus would no longer be erected!! Moreover, he wouldn’t have some precum on his phallus 
(chapter 28) From my perspective, he needed an excuse to stop the fellatio, as he could no longer wait for the penetration. Thus he asked if the doctor was already loose right after. 
(chapter 28) He wanted more. Finally, observe that he had kissed the doctor and asked for a blow-job before. Why? It is because he had experienced Kim Dan’s rejection at the gym! 
(chapter 8)
(chapter 24) As you can see, the different intercourses expose the fighter’s transformation. He is getting gentler despite his roughness. Exactly like I had anticipated in the previous essay, the couple is now facing each other while having sex. And Joo Jaekyung prefers facing his lover 
(chapter 28). He gets a climax each time he sees his partner oozing sensuality and pleasure. In other words, Joo Jaekyung learned an important lesson in the swimming pool, he might be enjoying such a view 
(chapter 28), yet he favors this position
(chapter 27), Kim Dan always appears as calm and indifferent towards him. Hence he keeps rejecting him or he is passive during the intercourses. That’s the reason why the champion asked from the doctor to become more active next to the swimming pool. 
(chapter 28) This shows that the boxer has sensed that Kim Dan has not truly accepted him. It is no coincidence that the physical therapist chose to turn his back to the champion, when he was on his lap. 
(chapter 28) This made his heart race! 
(chapter 28) Too overwhelmed by such a view, he decided to show his back to the champion. He wanted to remain level-headed. This was the negative version of this panel: 
(chapter 27) 
(chapter 28) The idiom “mess around with foreplay” divulges the champion’s deficiency. He is really bad at foreplay. He knows about his lack of dexterity and gentleness! Hence he asked the doctor to prepare himself! 
(chapter 28) However, Joo Jaekyung got impatient 
(chapter 22) This explicates why he decided to sacrifice his night and day off for the champion. 
(chapter 27) One might say that this had been suggested by the fighter. 
(chapter 27) What we were witnessing is a new version of the past with the halmoni. Because she had adopted him, he felt obligated to dedicate his whole life for her! Everything in his life was evolving around her: his career, his emotions, his home, his meals, his money, his time eg. By putting the whole burden on her grandchild, Kim Dan internalized this pattern. Hence the moment the “goddess” praised the protagonist to her grandson 
(chapter 22), he would sacrifice his day-off for the champion etc. Selflessness was repaid by selflessness. However, this means that he is still neglecting his own life and as such his own desires and needs. It is not by chance that this expression from episode 22 
(chapter 22) appears in episode 28: look alive! 
(chapter 28) This exposes that he was still in denial about his own life! And because the athlete acted like a selfish person, the doctor is encouraged to behave the same way. Consequently, I conclude that this scene at the swimming pool corresponds to the doctor’s spiritual awakening. He is alive, he is a man on his own! He is now making choices for himself. Like my friend @becalmandhappy_1111 realized, this scene 
(chapter 28) at the swimming pool corresponds to the moment the imoogi is grabbing the yeouiju! 
or enjoys kissing his partner. Observe that the swimming pool is situated in the penthouse which is close to the sky. And exactly like I had predicted in the essay “The duck and the dragon in the bathroom”, in this scene Manhwa lovers could assist to a new metamorphosis of the protagonists. Another spiritual awakening! Their true self comes back to the surface! On the other hand, this signifies that the characters are slowly moving away from their old believes! Hence I come to the conclusion that chapter 28 announces the slow emergence of a new religion. Therefore the character went under the water 3 times: 
(chapter 28) It was, as if he got baptized! Don’t get me wrong: the new religion is not truly developed yet. But where was the transformation of the couple visible? We could detect a change in these two panels 
(chapter 28) 
(chapter 28)
(chapter 4) 
(chapter 7)
(chapter 12) 
(chapter 20) Joo Jaekyung never wanted to stop after one round! However, after his first climax, he wishes Kim Dan to leave his side. This is a true novelty! The moment I detected this modification, I began wondering why the fighter would ask Kim Dan this: 
(chapter 28) One might argue that the doctor is unconscious! However, I don’t think that he has truly fainted yet. The evidences for this interpretation are the way he is holding onto the fighter. Observe that he has already moved his head, as we can see his hair now, whereas before his head was resting on the champion’s shoulder 
(chapter 12) In fact, his arms would relax and he would fall in the water. Finally, he was thinking, when he was in the boxer’s embrace: 
(chapter 27) Furthermore, I would like to underline this expression “I barely have enough time to train” which contrasts to Park Namwook 
(chapter 27) 
(chapter 28) 
(chapter 28) Why? It is because Joo Jaekyung has no life outside the gym! All his days looked the same, until the protagonist entered his life! Besides, if you’ve already read my essay 
(chapter 5) And right after, he expressed this wish: 
(chapter 5) Interesting is that there exists a strong link between time, time perspective and self-esteem! Someone with no notion of time and no time perspective has a poor self-esteem! Therefore it is not surprising that the athlete doesn’t trust his own talent. Hence I deduce that this sex session played a huge importance in the champion’s life. He could see with all his senses (touch, sight, hearing, taste) that he had pleased Kim Dan! 
This signifies that he will treat Joo Jaekyung as a lone wolf and Kim Dan will keep acting as a hamster, whereas he has already turned into a real duck! But why? It is because the doctor has been advocating pure love so far. Loving someone more than yourself yet in return not expecting anything is pure love. Hence the Webtoonist had mentioned 🤍 in the tweet too. But by saying this
(chapter 28) Then he complained about his lack of competence in bed 
(chapter 28), he was marking him as his lover! His decision is contradicting his own actions! It is because he still fears sex! 
(chapter 10) And remember that after this embrace, Joo Jaekyung brought the doctor to his penthouse, for his heart got moved!! From my point of view, the athlete’s heart is little by little warming up to the idea of affection! In other words, he is slowly adopting the doctor’s philosophy (love)! 
(chapter 25) Kim Dan would be on the champion’s lap, the latter would long for his lips, and the doctor would hug his companion. It was announcing how Kim Dan would get the upper hand in the relationship! 
(chapter 28) Don’t forget that according to the champion’s belief, the sex sessions are all like surrogate fights. By putting the doctor on his lap, he was admitting his inferiority! This shows that he is moving on from his fake faith. Thus I deduce that we should have a new version of this position in the future which will reflect the doctor’s increasing power over the fighter and his gradual transformation. 
(chapter 20) Here, the champion was comparing the doctor’s hole to a baby! 
(chapter 20) Consequently, I came to the following deduction. Kim Dan will try to find a new partner for Joo Jaekyung! 
(chapter 19) His reasoning is the following. The champion likes having sex and he has been treating him more or less like a sex toy, the doctor will try to find a subterfuge to divert attention from himself. Because I detected many similarities between episode 12/13
(chapter 13) and episode 28 
(chapter 13) Hence my impression is that he will suggest to Joo Jaekyung to go to the club with the hope that his friend will find a new partner! He just needs to say that the champion likes to go there. The day off, Saturday, would be the perfect excuse. However, since the doctor is so innocent, he will not realize that by going there, he will become the target of other guests! This uke could resurface! 
(chapter 2)There is not ambiguity that the champion will never bring the physical therapist to the club on his own. He has already marked the doctor as his partner. And the result can only be that Joo Jaekyung declares Kim Dan as his boyfriend! The emoji 💙 would get a new meaning: the heart of the dragon! This means that the doctor’s decision in episode 28 will push Joo Jaekyung to question his fake belief: the jinx, the existence of a line and the rejection of love in his life. Keep in mind that the champion always makes decisions by instincts, he never ponders on things like the doctor! Similar to this scene, where he paid off the doctor’s debts.
Bebebisous33s' analyses in K-Dramaland and Manhwas 