Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Loser’s Mother: Fragments of a Mother and The Birth of The Shotgun – part 1
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For my avid readers, the title and illustration give the impression that I will focus on Joo Jaewoong’s death and its signification in the protagonist’s life. They are not wrong, yet it covers only one aspect of this analysis. Jinx-philes have already sensed that this moment was not only the night that ended a life, but the one that birthed a weight Joo Jaekyung would carry forward: guilt that refused to fade, and a self-loathing that no victory could silence. If these are the roots of the curse, then “Emperor” names the crown — a crown whose origin is far murkier than the public believes. However, people shouldn’t forget that in that moment, the main lead was just a teenager, who belonged to a boxing studio. He was not a MMA fighter, he was not the Emperor either.
Like readers who thought they knew the main lead (a psychopath, a jerk…), fans in Jinx believe they know their idol. 
(chapter 26) They have watched his fights 
(chapter 23), memorized his moves and titles, and repeated the anecdotes told in gyms and on TV. They’ve heard how he was “saved” by sports from a darker path, and cheered for him as the “Emperor” — the handsomest fighter, the man who broke the arcade’s punching machine 
(chapter 26), the champion who stands above the rest. But if the champion’s life is already an open book, why did Mingwa wait so long to reveal his childhood and family? The answer is simple. It is because Joo Jaekyung has been called the Emperor till his fight against Baek Junmin! These public portraits — the friendly banter in the gym, the theatrical ring intros — show us the merchandise, not the man. They are the carefully polished surface presented to fans and fellow fighters alike, repeated so often that even those closest to him believe them. Yet behind this image 
(chapter 30) lies a past left unspoken, a silence so complete that his own history became an empty space others could fill as they wished. This essay brings these two “stories” together — the Emperor and the boy. And now, you may be wondering how I came to connect the champion’s trauma to his future career as an MMA fighter. The answer lies in Joo Jaekyung’s own voice. 😮
The Emperor in The News
When the news broke in chapter 70, 
(chapter 70), Hwang Byungchul’s anger fell squarely on the champion. 
(chapter 70) To him, it looked as though Jaekyung had made the reckless choice to return to the ring so soon. That was the trap: the headline and phrasing were designed to make it appear that the decision was the fighter’s own. The opening line alone 
(Chapter 70) created the illusion that this break had been perceived as a punishment, and that Jaekyung was eager to prove himself once again. No wonder the director assumed he had given his consent.
The visuals reinforced the illusion. The entertainment agency recycled old images not just because they lacked recent photos, but because they wanted to tap into the nostalgia of his earlier popularity, before the match against the Shotgun. It was as if someone wanted to overwrite the present and rewrite his history, packaging him in the glow of past victories. Even within the same news segment, there were two distinct “voices”: the official announcer highlighting his return, and an unseen voice quietly bringing up the suspension again — a reminder meant to frame his comeback as a personal mission rather than a corporate decision. In truth, the match was arranged by “Joo Jaekyung’s team” and MFC — a convenient shield for those actually pulling the strings. (chapter 70) Thus I conclude that the first comment (chapter 70) was to divert attention from the other persons involved in the decision for the next fight.
Notice what the journalist does not say. The CEO’s name is absent. There is no mention of the closed-door meeting between Park Namwook, Jaekyung, and the CEO where the fight was proposed. 
(chapter 69) By erasing these details, the public sees only two players: the Emperor and his anonymous “team.” 
(chapter 69) It was as if the main lead, backed by his team, had personally approached MFC to request the match — an illusion strengthened by the opening line, “MFC’s former champion Joo Jaekyung will be returning to the ring this fall after serving his suspension.” This way, if the decision draws criticism, the CEO can retreat behind the fighter and his team, like they did in the past. 
(Chapter 54) Back then, the champion had not reacted to this comment. Even in the worst case, the CEO can hide behind one of the MFC match managers or doctors. 
(chapter 41) But that excuse would be a fiction: Jaekyung hasn’t even met those doctors or talked to the MFC match manager 
(chapter 05). He has been chasing after his fated partner. Finally, he hasn’t even signed any paper or agreed at the meeting. In fact, he remained silent for the most part of the time and the reason for this urgent meeting was his request for proper investigation concerning the switched spray: 
(chapter 67) That’s the reason why this suggestion from the CEO appeared the very next day. 
(chapter 69)
When the orthopedic surgeon Park Junmin cleared him to remove the cast in chapter 61 
(chapter 61), it was paired with a recommendation for rehabilitation — not an immediate return to competition. This was actually a condition for his total recovery. On the other hand, the doctor imagined or suggested that his patient wished to return to the ring so soon. No medical professional ever signed off on an autumn fight. Yet the date is already set, and the headlines frames it as a confident comeback without any medical backup. The Emperor’s name is splashed everywhere, but none of the words belong to him.
And this is not the first time we’ve seen this sleight of hand. Back in chapter 57, a television broadcast featured an “exclusive interview” 
(chapter 57) with one of his close associates — a man whose face was hidden, speaking as though he were the athlete’s voice. That interview was accompanied by a familiar victory image 
(chapter 57), a stock photo already used in other press pieces. This picture comes from after the fight in the States: 
(chapter 41), while the image released with the fall match announcement was the one from when he first won his champion title. (chapter 70) Since MFC and the journalist are recycling old images, they unwittingly revealed their own deception — dressing up the present in the clothes of the past. LOL!
The message is the same in every case: Jaekyung “speaks,” but only through others. His former stage name mirrored his situation, as he owned the champion belt for quite some time. The title “Emperor” 
(chapter 14) seems to radiate absolute power — the kind of authority that commands armies, bends laws, and answers to no one. It is meant to ooze charisma and control, a name that suggests the bearer acts on his own will. Yet, in truth, emperors have rarely ruled alone. Behind every throne stand ministers, advisors, generals, and family factions, each shaping decisions from the shadows. An emperor who ignores these forces risks losing his crown.
In Joo Jaekyung’s case, the irony is sharper still. Far from being the all-powerful figure his stage name implies, the “Emperor” is a role built and sustained by others — MFC executives, Park Namwook, the entertainment agency — each serving as both his court and his cage. They decide when he fights, how he is presented, and even the tone of the stories told in his name. Once he tried to complain about his tight schedule, this is what he got to hear: 
(chapter 17) He was blamed for his popularity. The man inside the crown does not act or speak freely; his words are filtered, scripted, or replaced entirely.
This makes the title “Emperor” less a badge of sovereignty and more a mask for dependence. Like a ruler hemmed in by court protocol and political intrigue, Jaekyung’s every public move is mediated by the hands of others. The grandeur of the title hides the quiet truth: the Emperor is voiceless, and the crown he wears is one that demands obedience rather than granting freedom. That’s his curse. His identity is filtered, packaged, and sold by those who stand in his shadow – so much so that people send him bottles of alcohol because that’s what one offers a champion, 
(chapter 12), never mind that he hardly drinks. The gesture fits the fantasy they’ve built around him, not the reality of a man who rejects alcohol due to his addicted father, a reminder that even the tokens of admiration are shaped by the image, not the truth. So who is this so-called close associate or “Joo Jaekyung’s team” exactly that decides for him, speaks for him, and hides behind his title? Besides, why did the journalist change from “one of his close associates” to “Joo Jaekyung’s team”?
The Voice Behind the Crown
In chapter 57, the television broadcast introduced “one of his close associates” — (chapter 57) a figure whose face and name were hidden, speaking on behalf of the Emperor. In the essay Craving Mama’s Shine – part 1 (locked) I had presented different possibilities about the identity of this “close associate”. But with the new announcement, it becomes clear that figure can only be Park Namwook. He is the only one who arranged the meeting between the CEO and Joo Jaekyung. The anonymity was not a courtesy; it was a shield. By keeping his face and identity off the record, he could shape the narrative without owning it, avoiding any direct responsibility for the words attributed to him. Yet the choice of “close associate” was deliberate — it positioned him as the man closest to Jaekyung, someone with privileged access and authority to speak for him. It was a claim of proximity and influence, the sort of title that sells the image of a trusted confidant, even as it erases the fighter’s own voice.
The broadcast itself set the tone even before his segment began. Just prior to the “interview,” the anchor announced: 
(chapter 57) The nickname, played for entertainment value, was another way of turning the champion into a caricature — a marketable, amusing persona instead of a man with a past and agency. It is quite telling that Park Namwook’s interview aired immediately after the anchor referred to Jaekyung as “Mama Joo Jaekyung Fighter.” This was not the lofty “Emperor” title repeated in gyms and ring intros — it was more a mocking nickname, a deliberate jab meant to provoke. In that moment, the Emperor was verbally pulled down from his pedestal, yet the images shown alongside the segment told a different story: carefully chosen shots of him as a champion, a visual echo of his marketable persona. The dissonance was striking.
Equally telling is that the “Emperor” title had already vanished from the conversation. Its disappearance suggests that Jaekyung was never the one who chose it — it was a label assigned to him by others, to be used or dropped at their convenience. Park Namwook made no attempt to restore it or defend his fighter’s dignity, like mentioning the drug incident in the States or the spray incident in Seoul. The cause for his “silence” is simple: he doesn’t want to admit his failures and responsibility. He prefers the champion taking the blame. Hence this interview was not brought up by the manager: 
. (chapter 54) In my opinion, the man is trying to return to the past, thinking that his “popularity” can come back, not realizing that he is being manipulated himself. On the contrary, he stepped into the role of spokesperson without hesitation, speaking as if he were Jaekyung’s voice while keeping his own face and name hidden. He only speaks, when he feels safe. He can not be responsible for the champion’s recovery. (chapter 57) The message was clear: he had no issue with his fighter being framed this way (“Mama Fighter Joo Jaekyung”), so long as the interview served its purpose. Park Namwook may not be a cynical manipulator, but his silence in the face of mockery speaks volumes. In his mind, any coverage is better than none; to vanish from the public eye is worse than being nicknamed “Mama Fighter.” By stepping into the media slot, he believes he’s keeping Jaekyung alive in the public consciousness. Yet in doing so, he stands shoulder to shoulder with another, unseen voice — the one that coined the nickname in the first place. In both chapter 57 and chapter 70, this pairing repeats itself: Namwook’s loyalty becomes indistinguishable from complicity. Whether he realizes it or not, he’s lending his presence to a narrative that diminishes the man he claims to represent.
By chapter 70, the personal title “close associate” had shifted to the more generic “Joo Jaekyung’s team.” On the surface, the word “team” suggests equity, collaboration, and shared responsibility. But in Park Namwook’s vocabulary, “team” has never meant equality. His idea of a team mirrors the hierarchy he operates in — a boss who directs, and subordinates who follow without question, like we could observe at the hospital. 
(Chapter 52) This framing lets him claim the prestige of leadership while leaving himself room to withdraw if things go wrong. Yosep was the one notifying MFC and reporting the incident to the police, Potato explaining his discovery to Joo Jaekyung and blaming the star.
And yet, the choice of this term also reveals a subtle shift. By saying “Joo Jaekyung’s team,” he is placing the athlete’s name in front — not his own, not MFC’s. That way, he believes that he can avoid accountability behind the team. However, he is not grasping that gradually, he is stepping down from his self-proclaimed ownership of the gym. Whether intentionally or not, the manager is acknowledging that the gym’s growing identity will eventually crystallize around the fighter himself. The name “Team Black” hasn’t appeared yet, but its logic is already here: a team that exists for the athlete and with the athlete’s consent, not a faceless collective that speaks over him. When that name finally surfaces, it will function as a boundary—an institutional “enough”—marking the end of treating the man like merchandise.
Here, the article “You Don’t Have to Put Up With Everything” offers a revealing lens. The article warns against confusing empathy with passive tolerance. While it’s important to understand that people may have difficult histories or traumas, compassion should not be used as a justification for allowing someone to mistreat or disrespect you. Understanding someone’s struggles does not mean accepting harmful gestures, words, or behaviors. Setting limits is not selfish or arrogant, but an act of self-respect and emotional protection. Boundaries are not rejection — they are self-care, a way to protect one’s well-being without guilt. This is exactly what the manager expected from Kim Dan. 
(Chapter 36) He should tolerate the celebrity’s moods and put up with everything. The manager didn’t mind, as long as he didn’t get affected. But what is the consequence of such a passive tolerance? An individual’s self-esteem can slowly erode, leading to a gradual loss of their sense of self. They may stop recognizing their own desires, needs, and rights, often without even realizing this is happening. This is because emotional exhaustion often develops subtly over time, rather than appearing as a sudden, dramatic event.
Thus, what begins with a hurtful remark can end in emotional blackmail. What was once a pointed criticism turns into contempt. And you, who at first knew what you wouldn’t tolerate, end up justifying the unjustifiable, in the name of empathy or the fear of loneliness. The result is a slow erosion of your self-esteem. You gradually disappear, ceasing to recognize your desires, needs, and rights. And the worst part is that you don’t even realize it. Because often, emotional exhaustion doesn’t come as an explosion, but rather as a steady trickle. Quoted from https://psychology-spot.com/you-do-not-have-to-put-up-wiht-everything/
As you can see, it can lead to depression. That has been Jaekyung’s position for years as well— enduring decisions made without his real consent, swallowing public criticism and badmouthing, and staying silent 
(chapter 31) when punished. In this light, Park Namwook embodies the very dynamic the article warns against: a figure who benefits from another’s compliance, maintaining control not through open dialogue, but through unspoken rules and the threat of exclusion.
The First Curse of the Manufactured Emperor
And now, you may be wondering why I am focusing so much on the absence of voice from Joo Jaekyung — the Emperor and the man. It is because he has been used as a tool, more precisely as an ATM machine for MFC. According to the teacher in Jinx 
(chapter 73), by becoming a boxer, the champion wouldn’t make a lot of money. With this comment, he implied that boxing in South Korea had been losing popularity 10 years ago. This explicates why gradually, the members from Hwang Byungchul left the studio. And it was likely the same in the illegal fighting circuit. 
(chapter 73) The popularity of MMA in the States gave them the opportunity to revive fighting sports, a figure who could draw crowds and sponsors, making such events fashionable again.
For me, the Emperor was created for that reason. His public image was rewritten — he was called a “genius” 
(chapter 72) instead of “hard-working,” a man who “chose sports over a dark path.” Yet if you look closely, this celebrated “ascension” 
(chapter 72) isn’t tied to the director’s boxing studio at all — it’s linked to the arcade’s punching machine incident. (chapter 26) This moment, trivial in reality, became the origin story of the Emperor, as though the broken machines had revealed a prodigy destined for greatness. That’s the reason the star rejects this intro. In fact, this incident contributed to create the champion as a spoiled brat. In truth, the director had suggested that Jaekyung enter the sport professionally so that he could feed himself, but his reasoning had nothing to do with arcade games or instant legend. That pragmatic nudge was later overwritten with a glamorous tale that erased the long hours in a run-down boxing studio 
(chapter 72), the scars of his family history, and the years of survival before the cage. This is history rewritten, his boxing past and family erased. Why? His origins could expose the ugly verity: the link between criminality and boxing (as such fighting sports). Secondly, because his real story, though moving, lacked the glamorous allure needed to market him. His real story would have revealed that to rise to the top, you need relentless work, not a miraculous moment. That version was never going to sell as well as the “genius” myth.
With his success, his “gym” soon attracted members from different martial arts — judo, jiu-jitsu — all chasing the dream of becoming rich and famous like him. 
(chapter 46) Most of them thought that by staying close to him, they could benefit from his popularity. To conclude, for many of them proximity to the Emperor wasn’t about learning discipline or technique; it was about absorbing his fame by osmosis. Hence they complained and accepted the gifts and money so easily. 
(chapter 41) Observe how the manager is acting here. He is speaking, touching the star like his prize and possession. The Emperor became the merchandise, the illusion, the bait to draw both viewers and fighters. However, being “labeled as genius” can only push desperate fighters to take a short-cut: bribes and drugs. Hence Seonho couldn’t last a whole round. 
(chapter 46) And, like any product, once it was seen as damaged, its value plummeted. The moment he “lost” his title and suffered injury (chapter 52), the dream began to unravel. 
(chapter 52) This panel captures this shift perfectly: two fighters casually dismiss him over dinner. In those words, the Emperor isn’t a mentor, a champion, or even a man — he’s a broken commodity, no longer worth the investment. The same people who once fed off his popularity are the first to abandon him when the promise of easy gain disappears.
This served more than publicity. Through him, they could obscure their crimes and build a parallel market in the underground fighting world. And here, the lesson from “You Don’t Have to Put Up With Everything” becomes vital: understanding Jaekyung’s difficult past or the pressures on the industry should not excuse the way his dignity and history have been trampled. His compassion for the system that raised him has been turned into passive tolerance — exactly the dynamic the article warns against.
And now, you see why I chose to postpone the second part of The Birth of the Shotgun. Without Baek Junmin — his shadow in the ring — Joo Jaekyung would never have been made to shine so brightly. No wonder why he was so jealous. He believed that his victories were rigged too.
Yet the irony is that Park Namwook is no mastermind. As we’ve seen time and again, he follows the lead of others — the CEO, the entertainment agency, perhaps even unseen backers — rather than setting the agenda himself. He is the mouthpiece, not the brain. The “close associate” title flattered him with the appearance of authority; the “team” label protects him when that authority becomes risky. Both are masks, worn depending on the circumstances, to keep himself valuable to the system. On the other hand, he is gradually revealing his real position: he is not the owner of the gym! 
(chapter 22) He is even disposable. He is gradually giving more rights to his “boy”, the real director of Team Black. And the moment you perceive the manager as the main lead’s voice, you can grasp the true significance of the slap at the hospital: 
(chapter 52) For the first time, the main lead had voiced his own thoughts and emotions. He had used his real “voice”, revealed his unwell-being: 
(chapter 52) To this outburst, Park Namwook slapped Jaekyung in front of others (chapter 52). 
(chapter 52) That was not the act of a coach correcting an athlete — it was the gesture of an owner disciplining a pet or a possession, a reminder of who controlled the narrative. In that moment, the Emperor did not protest. 
(chapter 52) He chose silence, and later avoidance, staying away from the gym. That silence was not weakness, but choice: he would listen less and less to his hyung.
From then on, the champion’s public image — whether filtered through the “close associate” or the “team” — was not his own. Park Namwook treated him less like an athlete 
(chapter 70) and more like a product: something to be displayed, sold, and, when necessary, handled roughly to keep in line. The shift in labels is just another layer of that merchandising process — a packaging change to suit the current market, not a recognition of the man inside. To conclude, the champion has always been voiceless all this time, even here: 
(chapter 36) All he needed to do was to fight: 
(chapter 36)
And yet, if you compare the Emperor in the present with the teenager in the past, you’ll see a stark reversal. The Joo Jaekyung of today has his voice mediated, silenced, or replaced by others; the boy of yesterday dared to speak for himself. In the confrontation with his father, he voiced his own desires and defiance directly 
(chapter 73) — unfiltered, unmarketed, unprotected. It was raw, dangerous honesty, and it came at a cost: the loss of his voice!
The Night That Stole His Voice
If you compare the Emperor to the boy he once was, the contrast is striking. As a teenager confronting his father, Joo Jaekyung still voiced his own desires. 
(chapter 73) Six years earlier, however, his voice had already been battered by silence. After his mother’s abandonment at age six, the only connection he retained with her was a phone number —
(chapter 72) We don’t know how many times he called, but each time we see him do it, his face is injured. 
(chapter 72) The phone calls are therefore intertwined with the boxing studio, as though pain itself pushed him toward her. At ten, he picked up the receiver and let it ring only a few times before hanging up. The next time, in the dead of winter, he finally spoke, promising that if she returned, he would protect her from his father and make enough money to keep her safe. 
(chapter 72) Each time what answered him was not her voice, but a machine: “ (chapter 72) His words met a recording, his promise suspended in a vacuum. Whether she listened to his words or not, the outcome was the same — she never came back. No reply, no echo. Her silence told him the truth: his wish would never be heard. From that point on, she vanished not only from his life but from his speech; he no longer mentioned her. That silence became his default — speaking desires aloud was pointless if no one would answer.
By the time of the morning argument with his father at sixteen, we can conclude that the nightly calls had long stopped. The boy had given up on being heard. (chapter 73) Six years later, at sixteen, he finally raised his voice again — this time to his father. He wouldn’t give up on boxing. Unlike the mother, the father answered. But his “reply” came in the form of insults, blows, and a dark prophecy: that Jaekyung would never amount to anything, 
(chapter 73) that he was born a loser, that his dream was a joke. Here, the voice met not silence but resistance, mockery, and humiliation. And unlike with his mother, Jaekyung did not retreat — he cursed back. (chapter 73) He swore he would prove the man wrong, that he would win, and spat the most dangerous line of all: “If I win, you can keel over and die for all I care.” That evening, he saw his father’s corpse — 
(chapter 73) and with it, another layer of his voice disappeared. He had the impression, he had killed his father. His words had been more dangerous than his punches. Hence he could only come to resent his own voice and words. And now, you comprehend why the Emperor allowed the hyung to become his voice. To conclude, the silence of those nights became the silence of the man. As you can see, the curse did not fall on Joo Jaekyung’s voice in one night — it was built, in stages, over years. But the death of his father linked to the argument represented the final straw that broke the camel’s back.
This is the pivotal difference: with the mother, voicing a wish had no consequence because it dissolved into nothingness. With the father, voicing a wish carried weight — it provoked, it struck back, and, in Jaekyung’s eyes, it cursed. When his father died that same evening, the boy was left to carry the unbearable suspicion that his words had somehow brought it about. That night became the night his voice was poisoned: one parent had taught him that speaking was useless; the other had taught him that speaking could kill. From then on, his voice retreated into the ring, where the only “speaking” he did was with his fists. And now, you comprehend why he is using his sex partners as surrogate fighters, why he treats them as toys. 
(chapter 55)
The Birth of the Jinx
The two formative wounds — his mother’s unanswered call and his father’s cursed reply — shaped the way Joo Jaekyung would handle intimacy for years to come. With his mother, speaking led to nothing; his voice dissolved into silence. With his father, speaking led to too much; his words became a curse, followed by guilt and grief. From these experiences, he learned that words in close relationships were unpredictable weapons. They could vanish, leaving him abandoned, or strike deep, leaving him ashamed.
Sex became his remedy to fight against loneliness and his refuge from this danger 
(chapter 2) — a space where he could act without having to speak. In the bedroom, as in the ring, the body could carry the conversation. Here, he could dominate, control, and release tension without the risk of verbal damage. His partners became surrogate opponents: sparring substitutes in a non-lethal match. Treating them as “toys” wasn’t only objectification; it was a form of control that, in his mind, protected both sides. Toys don’t demand answers, don’t talk back, and don’t leave you cursed with regret. They remain safely outside the territory where his voice had once done harm.
But this logic, built to keep others safe from his voice and himself safe from their silence, begins to falter with Kim Dan. The latter embodies not only the mother (abandonment, silence- I believe that he resembles her too) and father (argument, drinking), but also the child. Dan cries, shows his vulnerability and admits his mistakes. 
(chapter 1) He embodies innocence and as such lack of experiences. Moreover, he talks, makes suggestions for the champion’s sake 
(chapter 27), spent time with him, asks questions, confronts, and refuses to be reduced to a body in the room. He breaks the rule of silence. With him, Jaekyung can no longer hide behind the physical alone; he is forced to speak, to explain, to voice desires and fears. He pushes Jaekyung to engage in ways he’s spent years avoiding. In this way, Kim Dan becomes the first real threat to the system the champion built after those two curses — and possibly the first person who could prove that words can be safe again. And now, you comprehend why Joo Jaekyung was moved by the birthday card
(chapter 62) To most, it might look like a simple gesture, but for him, it was a rare and precious thing — a voice that had taken the time to shape itself into words just for him. 
(chapter 55) After years of associating speech with either silence or harm, receiving a long-winded, carefully written message felt almost unreal. He saw the effort behind it, the deliberate choice to put thoughts and emotions into language instead of letting them fade away or turn into weapons. In that card, Kim Dan offered something neither of his parents had managed: a voice that reached him without wounding. No silence, no insult. For the champion, it wasn’t just a card — it was proof that words could be built into a gift, not a curse. The latter expressed his dreams and gratitude. Thus I deduce that the Emperor’s curse will be broken by a spell: words!
(chapter 55) The “spell” to break it is not some grand external event, but the simple, sustained act of honest communication — something that has been denied to him since childhood.
By linking this to Kim Dan, it becomes obvious that the Emperor’s liberation won’t come from winning another fight or reclaiming a title, but from restoring his own voice in a relationship where speaking is safe, heard, and reciprocated. Boxing was the only language he ever learned from his parents (chapter 72) — a vocabulary of fists, jabs, and physical dominance as a way to earn money and recognition— but with Dan, the champion is slowly acquiring a new language. His hands, once trained only for striking and defending, begin to communicate through gentle gestures: an embrace 
(chapter 68), a kiss, a pat, a caress or by simply holding hands
. In this way, the curse that began when his voice was silenced and his hands were weaponized will only be broken when those same hands learn to speak tenderness. Look how doc Dan reacted to his public embrace: 
(chapter 71) He saw affection in the hug, but he still doubted the champion’s action.
The Prison of the Boy
And now, you are probably wondering why I selected a tree for the background illustration of The Night-Cursed Emperor. 
Until now, the design’s images have played a secondary role, yet the answer lies in a single scene from chapter 41. 
(chapter 41) Under the bright sunlight, Kim Dan reached out toward the leaves, his hand open and unguarded, as he silently thought of the man he loved. This gesture, so simple yet so revealing, became the unspoken confession that marked the start of a different kind of freedom—the freedom to feel.
In my earlier analysis Prison of Glass , Key Of Time , I had argued that Joo Jaekyung’s habit of meditating before the expansive glass window in his penthouse was more than a moment of calm — it was a ritual of self-confinement. 
(chapter 53) The glass was an invisible barrier, offering the illusion of freedom while keeping him trapped in the moment of his unresolved trauma. The closer he stood to it, the further he was from true release, his gaze fixed outward to avoid looking inward. That’s why he had no eye in that scene: 
(chapter 55)
This new scene 
(chapter 73) reveals why that reading was correct: the penthouse window is not just a symbolic device of the present — it is the direct heir of a far older image burned into his memory. Here, as a teenager, he stands before a small barred window in the room where his father’s corpse lies. The resemblance is not visual coincidence but emotional continuity. Both windows let in light without granting escape; both present the outside world as something visible yet forever out of reach.
In this panel, the confinement is literal. The bars fragment the daylight, reducing it to slivers, making the outside world seem even more inaccessible. He is facing the window and he corpse, his eyes fixed on the narrow frame of light, as if distance could make the reality behind him vanish. But the truth is locked in place — the body on the floor, the night’s events, the words exchanged. This is the night that froze him.
From that point on, every window in his life — no matter how large, modern, or luxurious — became a reenactment of that first prison. (chapter 55) The penthouse’s vast glass wall is just a polished version of this barred opening, a reminder that while his circumstances changed, the barrier never truly fell. The trauma stayed intact, shaping the way he saw the world and himself. The boy who stared through those bars never left that room; the man still carries that gaze. But there’s more to it.
Observe how he is standing in front of the window: (chapter 73) he is not only frozen, but also silent! Not only he lost his voice that night, but also he could never talk about it to anyone! He was forced to carry this huge burden alone. Who would feel empathy or attachment to such a man, when he was famous for his bad behavior? But deep down, the boy had come to love his father despite his flaws. This is his deepest secret which is coming to the surface: his love and guilt!
Even the window denies him solace. He could never see the moon behind that small window, just as he failed to notice the snow falling, when he attempted to contact his mother: (chapter 72) Nature was invisible to him; his world was defined by conflict, neglect, and survival, not by moments of beauty. He was never taught to enjoy the present moment.
Chapter 73 signals a shift. Like in chapter 71, where he shields his gaze, his “third eye” — the inner sight that perceives emotional truth — is beginning to open and recall his “sins”. His fever is not just physical; it’s the body’s acknowledgment of pain long repressed. He is starting to allow himself to feel, to admit vulnerability.
(chapter 71)
And this is where the night changes meaning. Until now, darkness for him was bound to abandonment and death. But in chapter 70, the owl’s call pierces the silence — 
(chapter 70) the night can also be alive, communicative, protective. In that moment, the moon becomes more than a distant light in the sky: it is a patient witness, a calm listener in the stillness, reflecting the truth he has yet to voice. 
(chapter 70) Its soft glow contrasts with the blinding glare of the cage lights, suggesting that under the moon, there is space for gentleness, for hearing one’s own heartbeat and another’s words. Just as the moon guides travelers through darkness, it can guide him toward a night that does not suffocate him with loss, but offers orientation and connection.
This reframes his past behavior: his repeated night rescues of Kim Dan were not merely impulsive heroics; 
(chapter 60) they were his own form of therapy. In saving someone else in the night, 
(chapter 65) he could prove to himself he was not powerless, he was valuable, capable of protecting what mattered. 
(chapter 69) He was not too late either. And the moment doc Dan discovers what the silent hero has done for him so many times, the former will realize that he has always been special to the Emperor. Moreover, the latter had never abandoned him in the end.
The curse of the Night-Cursed Emperor — the depression, the insomnia, the silence — will only break when he can walk through the night not as a rescuer masking his own wounds, but as a man who voices his emotions to the one person who has truly shared those nights with him. And now, Jinx-philes can grasp my illustration. The moment Joo Jaekyung starts confiding to doc Dan about his inner world, he will not only regain his voice, but also his life! He will be free and no longer the merchandise “Joo Jaekyung the fighter”. He will become a man with a history that is finally his to tell. And if his mother is still alive… she can be criticized for her actions. How so? It is because she was not by his side. She believed the “myth”. She probably imagined that he was “happy”. With his regained voice, the schemers will lose their hold over him; they will no longer be able to manipulate the silence that once kept him bound. Park Namwook has thrived in the shadow of his trauma — reframing the scars of that night as “mania”
, (chapter 9) as if the champion’s volatility were a quirk (the actions of a spoiled child) to be managed rather than a wound to be healed. It is because he never talked to the champion or investigated his past. It was only about money and glory. The manufactured image of the erratic, temperamental fighter served Namwook well; it excused rough handling, justified bad press, and kept Joo Jaekyung dependent. Once the Emperor can name the truth of that night, the fiction collapses — and with it, Namwook’s control. He can only be judged as a liar and even a traitor, but we know that Joo Jaekyung has a big heart. He could love his father despite the abuse. Now, the missing link is Cheolmin! 
(chapter 13) Observe that this name is a combination between Hwang Byungchul and Baek Junmin! Under this light, my avid readers can grasp why the athlete kept his existence in the dark for so long! It is because the latter belongs to his past and knows the truth behind the Emperor! He was aware of his suffering. For him, he is not just a fighter, but someone who needed FUN in his life!
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51, 52, and 73 [I am excluding the match]—his role is far from minor. He is, in fact, one of the main invisible architects of the champion’s trauma and jinx, the one who once stood across from him on a night that would shape the course of both their lives. Long before he was known as the Shotgun, Baek Junmin might have pulled the trigger on something else entirely: the last remnant of Jaekyung’s innocence.
(chapter 73) Their violent encounter may have led to the vanishing of the young boy’s smile, replacing it with the hardened scowl of the Emperor, the tyrant in the ring. 
(chapter 1) If Hwang Byungchul gave Jaekyung the tools to fight, Baek Junmin gave him the reason to fight like a bloodthirsty tyrant. He did not simply scar the soul — he engraved rage into the champion’s core. The tragedy is that Joo Jaekyung never even learned his name. Thus he didn’t react to his name, only to his face and his smile. 
(chapter 47) And yet, Baek Junmin reappears, not as a stranger, but as the remnant of a past that refuses to stay buried. Additionally, he appears only through the narration of others (fighter) 
(chapter 47) or in flashes 
(chapter 73) — a gesture here, a line there 
(chapter 73) — before vanishing again. To understand him, we have to read between the panels, compare the boy we meet in episode 73 
(chapter 73) to the man who resurfaces much later. 
(chapter 47) This is how we catch glimpses of him — by holding the present up against the past, by noticing what has changed and what has stayed the same.
(chapter 49) Jaekyung’s ears mark him as a champion who faced real opponents in real matches, many of them brutal. His injuries are the price of transparency, visibility, and legitimacy. They are scars earned in the light, while Baek Junmin is supposed to be a novice. 
(chapter 47)
(chapter 47) His damage was earned in the shadows and in staged fights manipulated by higher powers. 
(chapter 47)
(chapter 49) His cheeks have sunk, his jaw stands out more sharply, and his features seem carved by something deeper than age. This is not the look of someone forced to cut weight for competition, 
(chapter 37), for the new rising star is already much smaller and thinner than the protagonist. 
(chapter 49) It’s more likely the result of long-term stress, emotional corrosion, or drug use.
(chapter 73) This line is telling. It reveals not only the normalization of drug use among these teenagers, but also how intimately it’s tied to fighting. Juho isn’t offering an escape—he’s offering a tool. For him, drugs aren’t about rebellion or recreation; they are a performance enhancer. They’re marketed as part of the fighter’s toolkit.
(chapter 44) His skin is clearer, his features softer, and his face shows fewer signs of internal collapse. This is the effect of healthy food, structured discipline, clean training, and perhaps even emotional restraint. While Junmin’s face has been thinned by chaos, Jaekyung’s has been preserved by control. Under this light, it becomes comprehensible why the athlete fell in love with doc Dan at first sight. Despite being older, 
(chapter 7) the “hamster” still carries a baby face: a visual marker of youth, innocence, and gentleness. He embodies everything the Shotgun does not: vulnerability without corruption, softness without vice. If Baek Junmin stands for a corrupted adulthood — weapons (The Shotgun), shadows, and counterfeit gold — then Kim Dan, by contrast, becomes the sanctuary of all that was lost: the child, the smile, the safe bed.
(chapter 49) reveals that anonymity was never his desire. It was his sentence.
(chapter 18) criminals don’t want attention. They avoid the law. They train their subordinates to vanish, to move through shadows, to speak only when spoken to. Baek Junmin wasn’t just playing a role —he was surviving a system that required him to erase himself. His hoodie was not simply clothing; it was a muzzle, a shadow he had to wear. That’s why the protagonist has not made a connection between his nemesis Baek Junmin and a Korean gang yet.
(chapter 69) How is this possible, when it is clear that the antagonist is already a thug? It is because Joo Jaekyung has no idea about his true identity. He only knows him as a cheater and liar!! 
(chapter 73) he blends in by choice. Black is not a neutral here; it is a decision to recede, to be part of the backdrop. The fabric pools around his hands, hiding the skin, while the hood hangs like an unspoken “no comment.” Even when he speaks, it is without volume or force. 
(chapter 73) And notice that the legend is trapped to a province, indicating that he could never make it out of there like the champion! Therefore it already implies that the future “Shotgun”‘s association with the hyung is not based on loyalty or mutual respect—it is circumstantial, even transactional. It is about money and usefulness. And now, you comprehend why Baek Junmin’s position in this gang is quite precarious.
(chapter 73) That’s the same number of persons in the dark alley, when you exclude Joo Jaekyung and Baek Junmin 
(chapter 52) Note that Director Choi Gilseok doesn’t express concern for Baek Junmin, his attention is on the Emperor! 
(chapter 47),he doesn’t take pride in killing someone.
(chapter 49) and there was no direct interaction between them in the street, I come to the conclusion that their past must have crossed a second time between these two meetings. If we take the hallway encounter as their third meeting 
(chapter 49), there must have been at least a second — brief, sharp, and wounding enough to carve itself into Baek Junmin’s memory while leaving no conscious trace in Joo Jaekyung’s. The difference is telling: what the champion repressed, the Shotgun carried it like a scar. It means Baek Junmin knows more about him than the reverse, and every glare, every barb he throws later is sharpened by a history Joo Jaekyung couldn’t anticipate they share
(chapter 73) lit only in patches, with more shadow than clarity. In this kind of setting, the black hoodie becomes something more than clothing — it is camouflage. He is not merely wearing the dark; he is using it, letting the folds of fabric and the absence of light blur his edges. It is as if he intends to merge with the scenery, to be just another shadow leaning against the wall. This double concealment — in time and in space — ensures that, for now, he remains invisible to the one person whose attention he will one day crave. He began in the shadows not just by circumstance but by mandate. Yet as the boy in the hoodie fades into memory, a new figure will eventually emerge from those shadows—not to hide, but to strike. And he will no longer wear a hood. He will wear scars.
(chapter 72) 
(chapter 73) in the present timeline, but an assault there can happen any time.
(chapter 17) And what did the loan shark tell him before provoking him? 
(chapter 17) Based on the champion’s facial expression after hearing Heo Manwook’s questions, it becomes clear that Joo Jaekyung experienced in the past a scene where he faced a knife and his head was smashed with a bottle of soju. The criminals are recognizable due to their tattoos and their weapons, the knife! And the logic of the knife in this world is telling: as Heo Manwook showed
(chapter 17), it appears when a fight is already lost. It is not a weapon of open combat, but of pride and desperation — a way to cheat fate when skill is not enough. Moreover, he was particularly vicious here. He attacked the champion from behind, a treacherous move. As you can see, the knife is strongly intertwined with the underworld, deception and cowardice.
(chapter 73) 
(chapter 17), a head injury 
(chapter 73), insults and provocations 
(chapter 73),
(chapter 17) and finally an allusion to the “maker”, god versus father. 
(chapter 73) Over time, the champion chose protective symbols— clouds and a dragon-like mask—tattoos designed not to intimidate but to shield. 
(chapter 1) 
(chapter 17) They represent protection, not aggression. Where Baek Junmin’s tattoos speak of death and destruction, Jaekyung’s express escape, survival and resilience. Even in their body art, the two boys tell opposing stories: one driven by resentment and darkness, the other by endurance and self-preservation. 
(chapter 69) Nevertheless, they are here buying time. How so? If the champion were to fight again and even lose, they could bury the investigations. They were also biding time in order to stop investigations and the involvement of the media. 
(chapter 73) No… he is copying others and in particular Joo Jaekyung whom he resents. Thus their attitude in the ring is similar (ruthless), yet both act that way for different reasons: pain and seriousness 
(chapter 15) versus fun and schadenfreude 
(chapter 47). His new persona feels exaggerated, theatrical, hollow. He wanted to become unforgettable, but ended up being another disposable fighter in a system that only remembers champions. Now, his face is ruined: he lost teeth and has a broken nose. 
(chapter 57) Hence the nurse felt sympathy for him. At the health center, he received his long due punishment. Baek Junmin learned through the hard way what it means fighting without rules. He got deceived himself, thinking that his “hyung” would have his back.
(chapter 54) These words imply that the outcome was predicted… That’s the reason why Joo Jaekyung needs to remember the past. There lies the truth: they are “rigging the games because of bets! 
(chapter 54) and Joo Jaekyung’s father, Joo Jaewoong. 
(chapter 47) 
(chapter 72) Their words or flat reflect their mindset and role. They are waste, once used, they can be discarded. For me, it becomes obvious that the ghost from the champion’s nightmare is a combination of Joo Jaewoong and The Shotgun. Besides, observe how the father’s corpse 
(chapter 54), the father with his fading trophy, Baek Junmin with his own unspoken history in the underground ring and the ghost’s words linked to the champion’s hands. Together, they symbolize the toxic underbelly of combat sports, the place where dreams are sold and consumed.
(chapter 73) He had a past worth remembering—something he even clung to in his ruined apartment, preserving his medal and document like a relic. Baek Junmin, by contrast, never belonged to the gym. He wasn’t trained. He never received formal recognition. He fought in shadows, kept to the margins, and remained a “legend” only in the backrooms of Gangwon’s illegal rings because he trusted his “hyung”.
(chapter 49). he desired to have a real title and admiration. 
(chapter 51) all along—a spectacle, not a coronation. Hence director Choi was overjoyed when he heard the verdict.
(chapter 52) That’s why he earned a lot of money. They used this fight to remove the Emperor from the stage quietly. It was time for him to give up on his throne. If they had let Baek Junmin win the fight, people would have questioned the referees. The Shotgun was there to prepare the coup d’Etat, hence the new champion is someone else. Joo Jaekyung wouldn’t remain so calm hearing this: 
(chapter 69) They knew the Shotgun wasn’t strong enough. But he didn’t. He mistook cheating for skill. He mistook chaos for greatness. He believed he had earned what was scripted all along.
(chapter 72) This explicates why Hwang Byungchul condemned the man and sided with the mother. But while Joo Jaewoong and Baek Junmin tried to escape through the sport, they both ended up in the criminal network. And neither made it out.
(chapter 72) — subtle symbols of education, possibility, and restraint, hinting at something more structured, perhaps even noble, behind his harsh upbringing. 
(chapter 27) Where and how did he learn swimming? Moreover, observe that he connected it to relaxation and fun. “This feels good”. This contrasts so much to the interaction between Hwang Byungchul and the little boy with the teddy bear. 
(Chapter 72) The man doesn’t know that the athlete can swim, he only knows the boxer, as he was only able to see him on TV. 
(chapter 71) Interesting is that Jinxphiles followed Kim Dan’s school career 
(chapter 47) 
(chapter 47), yet the latter can not swim! 
(Chapter 47) 
(chapter 72), though the year is deliberately blurred. At first glance, it’s a simple timestamp anchoring the timeline of a major fight. It took place one month before his birthday. But May 16th also falls exactly one month after April 16th, the day of the Sewol ferry disaster. This connection may not be overt, but it echoes thematically in the physical therapist’s life: Kim Dan, born too early to benefit from those reforms, never learned how to swim. I will explain more further below.
(Chapter 72) Nevertheless, with this panel, Mingwa indicates that the protagonist was visiting the Elementary school. The neighborhood he grew up in — as described by Hwang Byungchul — was “cutthroat.” 
(Chapter 60) These aren’t casual skills. They’re not the product of school curriculum or street wisdom, especially not in a neighborhood described as “cutthroat.” These are taught skills — and not by someone who saw Jaekyung merely as a fighter. Swimming and first aid reflect something else entirely: a commitment to preparedness, not just for survival, but for helping others.
(chapter 72) this unnamed figure offered a radically different message: you have value not just in your fists, but in your capacity to protect life. And contrary to Hwang Byungchul, this person stands for “shadow and humbleness” and not “spotlight or wealth”! 
(Chapter 27) That Jaekyung carries this knowledge — and uses it without hesitation — reveals a deeper emotional structure. 
(Chapter 13) His vocabulary revolves around water: “pond”, “fish”! Besides, I have already connected to him Poseidon, the god of the ocean. Moreover, this man is strongly intertwined with fun, a notion that doesn’t belong in Hwang Byungchul’s world! And now, you understand why this man could touch Joo Jaekyung’s shoulder 
(Chapter 13) He knew about the existence of the Teddy Bear inside the champion. And is it a coincidence that both men have the same name “Chul=Cheol”, though the order diverges: Cheolmin versus Byungchul? And both are connected to the color “green”. 
(chapter 72)
(chapter 60) There was no witness, no coast guard, no institutional figure involved in his rescue. He was alone, only saved by one person. His generation was expected to take responsibility — to succeed, to repay debts, to endure hardship — but they were given no tools to survive when crisis struck. They were neither protected nor prepared.
(chapter 65) So teaching him how to swim will help him to reconnect with his true self and to find a meaning to his life. 
(chapter 14) This fight took place in April… the same month than the Sewol ferry tragedy. And the color of the poster is once again green. Is it a coincidence? I have my doubt here. And what did Randy Booker say to his opponent? He called him a baby 
(chapter 14) which led the protagonist to seek refuge in the bathroom, but here he couldn’t relax. 
(chapter 14) That’s how I realized that water is an element linked to childhood and as such motherhood! 
(chapter 45) And this brings me to my final thought: Kim Dan had to meet Hwang Byungchul for an important reason: to learn how to survive on his own, as he is still depressive. He is lectured how to become independent and how to find a real goal in his life. By confessing the terrible youth about the Emperor, the physical therapist gets to hear that he wasn’t the only one abandoned and in pain!! 
(chapter 72) 
(chapter 56) Moreover, he gets the opportunity to understand why “usefulness” became so important in the MMA fighter’s life. Through this confession, the other teddy bear gets to perceive that he has so many things in common with his fated partner. Both experienced abandonment, loss, poverty, bullying and only worked in their life too! They never got the opportunity to enjoy life to the fullest.
(chapter 14) For the physical therapist, this moment would later be confirmed. 
(chapter 16) —haltingly and with a trace of disbelief visible thanks to the points of suspension —as his first kiss ever. His stunned reaction and eventual admission offer a compelling lens through which to explore the symbolism of kissing in Jinx, but also the emotional landscape the two men must navigate. 
(chapter 14) If it was his first, the gesture carries a far deeper meaning than either man realizes in the moment. And if it wasn’t, then why does this kiss—with Kim Dan—resonate so differently?
(chapter 15) she showed more than the physical therapist’s confusion with the interrogation marks, she added his inner thoughts. This question (“What’s this?”) already hinted that he had never experienced a kiss before. The ambiguity of his reaction suggested that the moment was unfamiliar, and not immediately recognizable as a kiss at all. 
(chapter 30) Recognizing his face, Dan mentions that his grandmother used to watch the drama A Fine Line, and that he had seen it with her. 
(chapter 30) The author even includes a framed shot from the fictional show, depicting Heesung as the smiling son-in-law in a multigenerational family. This visual insert is subtle, but telling: it wasn’t the story that stayed with Dan, but the faces—the aesthetics of family structure and polite emotional decorum.
(chapter 16) it frightened him. The kiss broke an invisible boundary—one his upbringing had silently enforced. That’s the reason why he wasn’t sure if he could do it again.
(chapter 30) He blushes and wonders why. 
(chapter 30) It’s a telling moment: Dan isn’t used to feeling attraction and desire, let alone recognizing it. He never bought posters of celebrities, never fantasized. That world—the glamorous world of affection, attention, and beauty—was never his. 
(chapter 30) —despite already having been seen naked by Jaekyung 
(chapter 30) —suggests something deeper than modesty. When he rushes to hide his underwear and blushes merely at brushing his teeth next to someone 
(chapter 30), it becomes evident: Dan is not accustomed to physical closeness or shared domestic spaces. These are not reactions of a man with just sexual trauma—they point to someone raised without the warmth of daily intimacy.
(chapter 5) He had to take care of himself, dressed on his own. He had to act like an adult, as his role was to assist his grandmother: 
(chapter 65) This raises the possibility that someone else—most likely his mother—was his primary caregiver in early childhood. She would have changed his diapers, held him close, and kissed him gently. 
(chapter 65) This hypothesis and interpretation gets reinforced with the champion’s first kiss on his cheek 
(chapter 44) and ear 
(chapter 44) For me, without realizing it, Dan reproduced those gestures. These actions can not come from Shin Okja, as we only see her caressing or patting her grandson. The progression is striking. It moves away from eroticism (kiss from the lips) 
(chapter 44) and toward something far more intimate and protective. These are not the kisses of seduction, but of affection—almost maternal in their tone. Hence the MMA fighter got patted later: 
(chapter 44) They suggest care, comfort, and emotional presence. This is crucial, because it reveals that for Dan, a kiss is not about arousal or conquest. It is a language of love. They carry the flavor of instinct. These are the kinds of kisses a child might have once received, or given, in moments of safety and connection.
(chapter 44) is a behavior shared by felines and wolves alike: a subtle act of comfort, trust, and bonding. Wolves nuzzle to soothe and reassure. Leopards nudge to display affection without threatening dominance. Dan’s pecks 
(chapter 57) (chapter 57)—licking them not out of instinct alone, but to reassure and bond. 
(chapter 57) During that summer night’s dream, Dan’s body mirrored this wordless care. That’s why he could laugh so genuinely like a child after witnessing his “pet’s reaction”. 
(chapter 44) 
(chapter 14) Therefore the physical therapist astonishment, “What’s this?” was not naïve; it was disoriented. Somewhere deep within, Dan had internalized a different model of kissing: one that reflected comfort, not conquest; affection, not arousal. The kiss he received was too strange, too fierce—it violated a definition he didn’t even know he had. His body knew how to kiss, but it remembered a different type of kiss altogether. The latter stands for love and as such emotions. Under this new light, my avid readers can comprehend why the physical therapist made the following request from his fated partner: 
(chapter 15) He needed to be “warned” in order to control his “heart”. As you can see, doc Dan had an innocent definition of the kiss. Therefore it is not astonishing that the wolf’s first kiss confused him so deeply: it shattered the only blueprint he had for intimacy.
(chapter 65) with success and fortune take on a new, darker meaning. Her restraint around love and sexuality wasn’t only generational—it was strategic. She reinforced a worldview in which success, debt repayment, and self-denial were Dan’s only legitimate currencies. For her, love, on the other hand, was frivolous, indulgent, even dangerous. She only treasures the relationship between the protagonists, as such a friendship is useful. It serves her interests, that way she can still control doc Dan’s fate. In other words, she only views relationship as transactional. The smiling family in A Fine Line 
(chapter 14) Jaekyung repeated such a gesture, as seen in chapters 24
(chapter 24), and again in 64 
(chapter 64). These gestures were not expressions of tenderness, but acts of dominance, mirroring how the celebrity was taught to treat intimacy: not as an exchange, but as an imposition. His behavior echoes Cheolmin’s earlier suggestion 
(chapter 63) Fun is not the same as love, and this distinction matters deeply for someone like Kim Dan, who associates kissing with emotional safety and love, not performance or play. This explicates why he refused to be kissed in episode 63: 
(chapter 63) 
(chapter 44), Dan’s were soft, exploratory, almost reverent. His lips touched not just his lover’s mouth, but his cheek and ear—tender sites that bypass eroticism in favor of emotional intimacy. These weren’t prolonged, devouring kisses. They were pecks, small and deliberate. They mirrored affection, not possession. 
(chapter 3) —it forces the wolf to ponder on the meaning of a kiss and his relationship with the physical therapist.
In that iconic artwork, the man does not kiss the woman on the mouth, the traditional locus of erotic desire. Instead, his lips are placed upon her cheek—a gesture that suggests reverence, not possession; vulnerability, not domination.
(chapter 44) 
(chapter 45)
(chapter 54) When he was young, he had to face an abuser. Notice that the man’s face was very close to the champion’s 
(chapter 44) Joo Jaekyung is leading the kiss, he is regaining control over their relationship. It reinforces the idea that the wolf’s kiss was not merely about passion, but about reclaiming dominance and halting a shift in power. Just moments earlier, Kim Dan’s laughter had opened a space of emotional intimacy and lightness, which the champion was not prepared to face. The kiss, now prolonged and intensified, becomes the sportsman’s way of reasserting control over a situation that was slipping into unfamiliar emotional territory.
(chapter 45) The marks on the doctor’s body were evidence that he was no longer in control. They weren’t just signs of a physical encounter—they were witnesses to something far more threatening: vulnerability, softness, and reciprocity. In the night, swept up by instinct and unspoken longing, the wolf had allowed himself to be touched—not just physically, but emotionally. But by morning, the spell was broken. His gaze didn’t linger on Kim Dan with affection—it darted instead to the bruises and scratches as though they were accusations.
(chapter 45) wasn’t just the pain he might have inflicted—it was the realization that the balance of power had subtly shifted. The man who had always dictated the terms of their relationship had surrendered to something unfamiliar: tenderness, emotional closeness, and shared desire. The fact that Kim Dan initiated affection, even kissed him voluntarily, shattered Jaekyung’s script. For someone who conflated feelings with threat, and dominance with safety, this reversal was unbearable.
(chapter 45) —and that he, in turn, had wanted Dan back. This terrified him more than any bruise ever could.
(chapter 37), and kissing becomes his emotional brake pedal. It’s not simply an act of love, but a means to regulate, or even drown out, what he cannot yet name or accept: that he is being loved. It is not random that I included the scene from episode 37: he heard laughs from the other room. For him, such a noise must have sounded like a disrespect and mockery, triggering his past trauma. And he was not entirely wrong in the sense that they were eating behind his back 
(chapter 37) It was, as if they were mocking him because of his forced “diet”. No wonder why the champion is barely seen laughing and prefers seriousness. At the same time, I can grasp why the athlete feels close to Park Namwook, as the latter stands for these exact notions: work, money and seriousness. Fun is not part of his world and vocabulary, therefore he punished Joo Jaekyung for sparring with doc Dan.
(chapter 2) Though his face was close to the star’s, he didn’t attempt to kiss him. In fact, he proposed him a fellatio, a sign that the champion had never allowed anyone to get close to his “face”. Finally, observe how he reacted, when the uke in episode 55 attempted to kiss him: 
(chapter 55) Not only he rejected him, but also he pushed him violently so that the latter was on the floor. 
(chapter 55) The celebrity even ran away: a sign that the allowing someone approaching his face is perceived as something uncomfortable and threatening. At the same time, that moment exposes the kiss as something sacred—one that cannot be duplicated without emotional violation. This shows that for the champion, the meaning of a smooch has evolved. It is no longer perceived as a source of fun and a mean to gain something.
(chapter 55) He couldn’t forget doc Dan’s face, the latter excited him, a sign that for the champion, the face in general has been a source of pain, yet thanks to doc Dan, the latter has become a source of “comfort and joy”. 
(chapter 66) When he saw his face for the first time, he didn’t realize that he was already under the hamster’s spell. Striking is that he even focused on his chin and lips, a sign that he desired to kiss them. One thing is sure. The champion treasured the doctor’s face. After their separation, it is not surprising that the wolf felt the need to see his face. 
(chapter 39) before requesting a fellatio: 
(chapter 39) The main lead’s head was very close to the champion’s face, thus he must have felt uncomfortable. Secondly by acting this way, the doctor was gradually gaining power over their relationship. For the wolf, dominance is everything, an indication that in his past he felt defenseless and weak. His “opponent”, the mysterious ghost, had the upper hand. Moreover, the fellatio created a distance between them, where the fighter could expose his superiority. And note how doc Dan behaved under the influence of the drug: 
(chapter 39) He caught his fated partner by surprise, when he suddenly kissed him, mirroring the champion’s past behavior. This panel corroborates that for the doctor, a kiss is the symbol of love. The champion was not happy with this kiss too, for the latter meant that he was no longer controlling their relationship. Yet, after hearing the doctor’s confession during that night, the athlete no longer resisted his partner’s kisses. 
(chapter 39) For the first time, he accepted Dan’s initiative—both physically and emotionally. Compare it to his attitude before: 
(chapter 39) here, he still has his eyes wide open, a sign of vigilance. These kisses from doc Dan 
(chapter 39) mark a turning point in Jaekyung’s arc: he begins to lower his defenses, allowing Dan not only into his personal space but also into a position of gentle agency within their relationship. The kiss no longer represents a threat; it becomes an opening and a sign of trust. 
(chapter 55) These memories represent the moment where the athlete felt strong and had the upper hand in their relationship. These images reveal that Joo Jaekyung hasn’t realized the signification of the kiss yet. For him, they don’t seem important. This exposes that the athlete has not associated kiss with love and affection yet. At the same time, we have to envision that a smooch is strongly intertwined with equity and trust. 
(chapter 28) And in episode 14, it was clear that the star still felt superior to his companion, therefore the kiss had no special meaning. As you can see, everything is pointing out that Joo Jaekyung had never been kissed before. And what does a kiss symbolize? Not only attachment, but also purity and innocence. 
(chapter 42) According to him, doc Dan was not different from him. However, he was wrong. It is because the champion had kissed him!! Moreover, the celebrity had allowed doc Dan to kiss him as well. Besides, how did the champion name his past lovers? They were toys… normally people don’t kiss playthings. And now, imagine that doc Dan were to discover that Joo Jaekyung had his first kiss with him. This revelation would not only make him realize that Joo Jaekyung loves him, but also he could be wondering why the athlete had never done such a thing before, though he had past lovers. YES, the “first kiss” could be the trigger for both characters to question their respective past and perceive their fated partner correctly. 
(chapter 15) 
(chapter 52) In that context, a kiss could never be affection, but vulnerability. A risk.
(chapter 3), based on Dan’s vague claim of prior partners. Yet Dan has never kissed anyone before. The kiss becomes his true moment of loss, a quiet confession through action. Conversely, Jaekyung’s own discomfort shows that he, too, is untouched in this particular way. When Dan tries to kiss Jaekyung again, and he instinctively rejects it, it reveals just how unprepared he is for affection. They are both unaware that the other is emotionally “pure” in this regard, and that makes the kiss a shared revelation.
(chapter 67), Jaekyung must reinvent his approach. He cannot rely on dominance, strength, or sexual performance to win Dan’s heart. If he wants true connection, he must learn a new language—one built on gestures of affection, softness, and presence. This process also involves separating his public persona from his private longing. Joo Jaekyung, the champion, cannot seduce with spectacle. But Jaegeng, the man, might learn to express love through a simple touch, or a well-timed kiss. The redefinition of seduction is not just about Dan’s healing; it is about the wolf’s reclaiming his own right to feel and give love. And in my opinion, that process has already started: 
(chapter 69) That moment was devoid of lust, stripped of performance, and free from power dynamics. Jaekyung didn’t lean in for a kiss; he didn’t touch Dan’s lips or body with any sexual intent. Instead, he wrapped his arms around the physical therapist in silent reassurance, tucking his face against Dan’s shoulder as though hiding from the world. This was not a champion claiming a prize—it was a man expressing affection. The embrace exposes that doc Dan belongs to his “world” and he trusts him. In this light, the embrace becomes a prelude to a kiss—not a literal one, but an emotional kiss: a meeting place of vulnerability and longing.
(chapter 65) nor his past partners provided him with genuine and affectionate touch, Jaekyung must look elsewhere. 
(chapter 29: note that he did not select this scene to rekindle with the doctor, but the other scene) He will learn it from life, from watching how the innocent express care without shame or purpose.
(chapter 27) In Jaekyung’s past, laughter had been a weapon—an expression of ridicule and cruelty from an abuser. 
(chapter 62) If someone had laughed in front of him and made fun of him, this would have reopened his old wounds.
(chapter 67): the brief diagnosis, the recommendation for weekly visits, the specialist’s tentative attribution of Kim Dan’s condition to either alcohol or a possible psychological cause, emphasizing the need for continued observation and weekly visits before offering a definitive diagnosis —all standard responses. For her, this was a doctor following routine procedure without overstepping professional boundaries. However, I perceived her behavior very differently. I saw someone who remained emotionally detached and almost absent, reducing the complexity of Kim Dan’s condition to simplistic surface-level causes without genuine inquiry.
(chapter 67) Rather than forming an independent assessment, she accepts the narrative of a third party, which introduces bias and limits her understanding. One might argue about that, because she is looking at a paper, probably result of a blood test which seems to corroborate the guardian’s statement. Hence the sleep specialist concludes that Kim Dan is suffering from insomnia, alcohol addiction and sleepwalking. The problem is that his statement is based on external observations (halmoni and the landlord) and their limited knowledge. Moreover, Jinx-philes should keep in mind two important aspects: 
(chapter 61) The champion had been himself suffering from similar symptoms which could be seen as a projection on his loved one. Additionally, based on previous observations, I have interpreted Kim Dan’s nightly walks not merely as sleepwalking, but as dissociative episodes—likely triggered by overwhelming guilt, unresolved trauma, and a chronic sense of disconnection from his body and surroundings. But how could the champion know about this? He’s not a doctor himself. In order to have a more accurate picture of the whole situation, she should have talked to the patient himself. But by relying on papers and the guardian’s testimony, she not only distances herself from the patient physically and emotionally, but also delegates the responsibility of interpretation. She is using the eyes of others.
(chapter 57) Perhaps the doctor’s detachment is not indifference, but a survival mechanism in a healthcare system that demands efficiency over intimacy.
(chapter 67) indicating that his alcohol addiction is not the real reason for his insomnia. Then she fails to examine Kim Dan physically, the desk is between them. Therefore she can not detect his visible malnourishment. 
(chapter 62) Moreover, both the landlord and the grandmother never brought up this aspect, though Shin Okja had observed this terrible transformation: 
(chapter 57)
(chapter 66) It is because the physical therapist is just a number (2) and as such a file. Therefore the doctor is not seeing the patient as a human. I can not blame the woman either, for she has so many patients to treat during the day. And now look at the building of the hospital: 
(chapter 66). It is huge reminding me of a factory. This “modern hospital” with its sleek architecture, expansive buildings, and impressive specialization exudes a sense of advancement and trustworthiness. Yet beneath this polished surface lies a business-oriented structure, one that prizes efficiency, reputation, and patient turnover over genuine patient connection. This “modern hospital” 
(chapter 67) She is doing exactly what Shin Okja wanted: 
(chapter 65) 
(chapter 65) It is as though thanks to the drug, the odd behavior from Kim Dan would simply vanish. 
(chapter 5) with the new medicine. On the other hand, it implies that the light-brown haired woman is doing her job for her paycheck which reminds me of Cheolmin’s statement: 
(chapter 27) 
(chapter 49) as mere service providers. Whether it was brushing off medical advice with “Don’t push it, I know my body better than anyone else” (chapter 27) or demanding instant pain relief to continue training (chapter 49), the champion positioned himself as the ultimate authority over his own treatment. Since his attitude echoed the confession of my osteopath, it is understandable why my osteopath-orthopedist began to select his patients carefully. This mirrors Kim Dan’s evolution, when the latter chose to reject the champion’s offer. Indirectly, he is “learning” to select his job and not take them by opportunism. He is also learning to select his “patients”. Striking is that Shin Okja has a similar attitude than the athlete. 
(chapter 7) She desired to have a treatment with less side effects and less painful. And the moment she was confronted with reality, this painful new treatment only brought pain and nothing more, she chose to leave this institution and move elsewhere. 
(chapter 53) Therefore it is not surprising that she is treating the protagonist the same way: she knows what is the best for him. 
(chapter 57) She is treating him like a service-provider, she is now rejecting that he has lost his “usefulness”. His pay here is not high, … 
(chapter 67) and not even following her recommendation. 
(chapter 67) He felt misjudged and misunderstood; reduced to a file number, not seen as a complex human being.
(chapter 67) and second, what Kim Dan actually received as treatment: 
(chapter 13), in contrast, enters the story with no white coat at all. He carries only a doctor’s bag, dressed in a green pullover and a beige checkered shirt. 
(chapter 13) Despite this informal attire, he immediately recognizes Kim Dan’s symptoms and engages both the guardian and the patient. He doesn’t need institutional support to assert authority; his presence and diagnostic clarity define him. While his clothes might elsewhere be read as conservative or emotionally restrained, here they highlight that care can come outside rigid systems. 
(chapter 13) It bridges the gap between roles, making the patient feel seen rather than categorized. 
There’s no judgement in their relationship. The eyeless doctor may appear neutral, but in truth, she is hollow. Cheolmin appears reserved, yet his actions speak with empathy. Where she recites guidelines, he initiates dialogue. 
(chapter 13) Where she avoids involvement, he offers engagement. 
(chapter 61) 
(chapter 67), the Light of Hope hospice 
(chapter 61), the sleek University hospital dedicated to research 
(chapter 5), and more intimate yet modern facilities like this one.
(Chapter 27) Each medical setting not only has its own architecture but also its own moral blueprint. In the essay “
(chapter 21) Then the treatment’s failure is attributed either to the grandmother’s frailty or Kim Dan’s late arrival and absence, subtly shifting blame. 
(chapter 21) Like mentioned before, this treatment wasn’t even properly recorded in the patient file raising the suspicion of deliberate concealment. 
(chapter 56) It appears as “pain killers”. Her open white coat
(chapter 48) got aware of Shin Okja’s conditions, implying that patient confidentiality had been breached. 
(chapter 61) represents the polished face of a business-oriented clinic. While his office projects sleekness and personalized care, his comments betray his priorities. He praises Joo Jaekyung’s fame and urges a return to the ring—not out of medical concern, but because it would guarantee the champion’s return as a paying patient. He wants to retain a high-profile client. His friendliness is strategic. 
(chapter 61), highlighting that the athlete has become aware of what genuine care should look like. When the champion calmly declares, “I’ll be receiving rehabilitation services in another hospital,” Junmin answers with a stunned “Sorry?”. But this is not confusion. It’s a reflexive mask for shock. He did not expect to lose control of the situation. Beneath that one-word response lies disbelief, disappointment, and veiled panic. He’s losing a lucrative patient—and more importantly, a public endorsement. The moment exposes how fragile his authority truly is when faced with a patient asserting autonomy. Let’s not forget that when the champion was facing a mental and emotional breakdown, the latter offered no other support than “rest”. He even avoided his gaze.
(chapter 54) The athlete was left on his own. 
(Chapter 59): At first glance, the hospice appears to be underfunded and outdated. 
(chapter 61) However, its director breaks expectations. Unlike the smooth-talking or indifferent doctors at larger institutions, he is directly involved in patient care. 
(chapter 60), criticizes people for their rude behavior 
(chapter 59) or actively disciplines staff 
(chapter 59) when mistakes are made. Though he also flatters the champion 
(chapter 61) and sees promotional potential, he never exploits patients. 
(chapter 61) The juxtaposition of humility and responsibility in his demeanor, combined with his stunned reactions to sudden events, suggests an overworked and understaffed environment—but not one without moral grounding. His white coat and blue medical uniform echo the nurses’ attire, subtly promoting a sense of equity among staff. Despite being a director, he doesn’t separate himself from frontline caregivers. His uniform also contrasts with the green worn by Kim Miseon or Park Miseon, suggesting a focus on practical responsibility over prestige. By blending in with the team, he fosters a culture of shared accountability, not rigid hierarchy. Among all institutional figures, he comes closest to balancing authority with integrity. 
(Chapter 6): While this figure appears authoritative
(chapter 1), the details of his attire tell another story. Wearing a suit beneath his coat implies professionalism, but here it also suggests a business-driven mindset. The coat becomes a sleek outer layer masking deeper intentions. His charming demeanor conceals a more sinister reality—he weaponizes authority for personal gain. His use of professional attire isn’t about respectability but manipulation. Beneath the surface, profit, control, and coercion drive his actions. 
(chapter 1) The white coat, in his case, is not a symbol of healing but a façade for exploitation. drives his authority. The coat becomes a literal cover for abuse—harassment disguised under professionalism. His entire persona is a façade: calculated, charming on the surface, but predatory and morally bankrupt beneath.
(chapter 27) His gray shirt signals a more relaxed approach, 
(chapter 27) and his facial expression conveys a certain empathy—though his words also betray resignation. He sits beside the patient, not opposite, visually erasing the typical hierarchical divide between doctor and athlete. His recommendation that Joo Jaekyung rest is gently delivered, but he knows it will likely be ignored. He represents the tension between medical idealism and the pressures of athletic performance. He is trying his best to protect Joo Jaekyung’s career. 
(chapter 27) Notably, he doesn’t chase fame or loyalty—he’s realistic, yet still rooted in care. 
(chapter 13) Finally, Cheolmin exists outside the hospital system. He wears no white coat, but his behavior mirrors a true physician’s. He diagnoses accurately, gives immediate advice, and engages both patient and guardian. His attire—a shirt layered under another—might suggest emotional restraint, but it doesn’t interfere with his actions. He jokes and teases, breaking through tension and inviting trust. He acts not because protocol demands it, but because someone needs help. That’s enough.
(chapter 41) nature is neatly confined. Rooftop gardens and structured greenery exist, but more as visual accessories than lived environments. The hospital is a towering research center, representing scientific advancement—but also bureaucratic coldness. Here, nature exists to impress, not to comfort. This artificial balance between concrete and green reflects a clinical detachment: nature is curated, not embraced. It aligns perfectly with Kim Miseon’s demeanor—professional, pristine, but ultimately distant and ambition-driven.the environment feels controlled. 
(chapter 41) 
(chapter 54) where Joo Jaekyung receives treatment, the rooftop greenery appears remote and ornamental, disconnected from patient care. 
(chapter 18) modern, and set among scattered trees. 
(chapter 18) Large windows suggest openness and transparency—the very qualities Dr. Lee brings to his interaction. This is a space that, while modest, is genuinely attentive. Here, nature doesn’t impress, it is integrated in the landscape. The park is not surrounded by huge buildings. 
(chapter 65) nestled in the countryside and far from institutional rigidity, emerges as a space of true potential. In returning there, Joo Jaekyung and Kim Dan are not just escaping their past—they are moving toward a form of healing that modern hospitals imitate but rarely achieve. Closer to nature, they are closer to themselves. If hospitals imitate forests, the village becomes the forest. And in that simplicity, Jinx suggests, real happiness might grow.
(chapter 57) It lives where no one is watching and no one is billing. In Jinx, the real medicine lies outside the chart—in the dirt on borrowed floral pants, in sweat earned under open skies. Nature becomes the unspoken vow that systems forgot.
(chapter 64), and the language of touch—their dynamic undergoes a profound shift. This moment is not just about desire but about power, communication, and the fight for control. It is in this intimate space that both men are confronted with their vulnerabilities 
(chapter 64) and the evolving nature of their relationship. During this lavender-tinted night, their intimacy is no longer just a matter of physicality—it becomes a language of contradictions. Through grasping, biting, and kissing, their touch oscillates between control and vulnerability, rejection and longing. This moment encapsulates the shifting power dynamics between them, where Jaekyung’s physical presence no longer guarantees submission 
(chapter 64), and Kim Dan begins to push back, not with force, but with emotional detachment. He avoids his gaze, hides his moaning and as such remains silent. This night is a pivotal moment, signaling the champion’s awakening to his emotions and Kim Dan’s assertion of his autonomy. 
(chapter 63) it is a stark contrast to the usual aggressive or mechanical physicality of their past encounters. Let’s not forget that when the athlete kissed the doctor for the first time 
(chapter 14) in the locker room, he not only used his hand 
(chapter 14) This comparison outlines that their first kiss was more the result of conscious and tactical decisions than of passion and desire. It was not only to protect the hamster’s life, but also to be able to fight against Randy Booker. In other words, their first kiss was strongly intertwined with work and absence of consent. He had not informed Doc Dan before.
(chapter 63), until the latter finally opened his mouth. This gesture reminded me of a wolf licking his progeniture in order to show affection. My avid readers will certainly recall my analysis of their “love session” at the penthouse in Episode 44: there were traces of “animalistic behavior” 
(chapter 15) 
(chapter 63) represented the next step of his “generosity”. Yet, the divergence is that the star had done the French Kiss by instincts, whereas the fellatio was more a calculated move. He selected this new approach based on his own likes and experiences. In other words, this magical night represents the birth of a “lover” and “boyfriend”. 
(chapter 63) It is clear that Kim Dan had anticipated a different approach: a renewal of their First wedding night. The irony is that the French kiss and the fellatio became the evidence that the star was not treating the doctor as a doll per se. Why? The star has changed a lot due to the main lead’s influence. He had gained knowledge and confidence. Nevertheless, their interaction here forces a confrontation not just between them, but within themselves—Jaekyung, who has always relied on physical dominance to maintain control, is confronted with a newfound uncertainty, while Kim Dan, whose silence once reinforced Jaekyung’s belief in his own power, now wields that same silence as a weapon.
(chapter 61) or exhaustion—has his tongue metaphorically freed by this act. 
(chapter 63) The significance of this kiss becomes evident when, later that night, he finally speaks up, voicing everything he has suppressed. 
(chapter 64) It is, as though Jaekyung has unknowingly opened a door within the hamster. Yet, despite this newfound ability to speak, Kim Dan still bites his lip at times, revealing his continued hesitation. He is not yet ready to embrace vulnerability fully, but this moment marks the beginning of that journey.
(chapter 64), the scent in the air 
(as seen through the presence of scent sticks in the background), and the vision and sensation of the man beneath him. Unlike the previous intimate moment in Chapter 44, where he was inebriated, this time he is conscious. 
(chapter 64) This is the rebirth of Jaekyung—not as the infallible champion but as a man experiencing intimacy in a new way.
(chapter 64) It indicates that the star was actually revealing his attraction toward his companion. We could say that with this attitude, he was gradually lowering his guard. But there’s more to it. Just before he “was going to finish inside”, he chose to kiss his partner. 
(chapter 64) This privileged position indicates that the main lead was not ready to face Kim Dan’s gaze during an orgasm. In other words, he had not entirely lowered his guard in front of the doctor. The reason is simple. While he was giving pleasure to his partner, this is what he was forced to see: 
(chapter 64) rejection, anger and resentment. This was not a gaze full of love, the remains from the “surrogate fights”. His facial expression was reminding him that his fated partner was more a prostitute than a lover, for he saw this sex session not as a source of pleasure. That’s why he thought like this: 
(chapter 64) Under this new light, I deduce that the champion was not aware of the true motivations behind his actions. He was actually longing for the doctor’s love and embrace. 
(chapter 64) His act of biting his lips in Chapter 64 is not just a nervous tic; it expresses not only physical manifestation of his restraint, but also his suicidal tendencies. He doesn’t mind hurting himself. This shows that he still doesn’t value and treasure his own body.
(chapter 64) The lip bite signifies hesitation but also resistance. It reflects his internal struggle: he does not want to engage, but something within him still reacts. He still has feelings for the athlete. This small gesture encapsulates his frustration—not just with Jaekyung, but with himself.
(chapter 57) and overworks himself. That’s the reason why I couldn’t truly rejoice when Kim Dan rejected the champion. In fact, he selected work and pain over “joy and pleasure”. And why? Because of the past and the athlete’s actions.
(chapter 64) Further by licking his lip, he is acting like his doctor and guardian. But there’s more to it. Observe the comment from the champion: he was holding back. This means that by biting his lips, the doctor reminded Joo Jaekyung of his own weak constitution. Thus I interpret that the champion came to associate the kiss with vulnerability and affection. 
(chapter 15) and touches were purely acts of dominance—ways to assert ownership over Kim Dan. However, the ear lick, which almost looks like a bite, in Chapter 64 carries a different weight. 
(chapter 64) He refused to see and listen to others and to the athlete, because he was trying to deny the existence of his love. The reason is simple. He is trapped in his own world, full of darkness. He was trying to clinch onto the past, where he portrayed himself as a victim and doll of the champion. But the reality is that doc Dan treated himself as a doll or servant, for he didn’t value his own body. Hence he didn’t eat properly and drank soju to drown his pain. 
(chapter 5) This is a habit he had before he met Joo Jaekyung. Moreover the latter was living in abstinence, until he drank alcohol by mistake because of him.
(chapter 24) of Season 1. Instead, there is waiting and hesitation, an unspoken question in the way he leans in. For the first time, it seems as though he is searching for something more—perhaps a response, a reciprocation, or even just an acknowledgment from Kim Dan. This shift underscores Jaekyung’s internal transformation; he is gradually internalizing Kim Dan’s values and beginning to approach intimacy differently, even if he himself is not yet fully aware of it.
(chapter 64). He thought, using strength could still help him to conquer Kim Dan’s heart, though it is just an unconscious attempt. 
(chapter 8) 
(chapter 15) 
(chapter 61) That’s the reason why during this lavender-tinted night, Mingwa used reflections of all sex sessions from season 1. Let’s not forget that Joo Jaekyung was never seen cleaning up “the mess” he made. Doc Dan had to clean himself, which is the reason why he made the following request: 
(chapter 29) Not washing his partner implies his refusal of becoming responsible. The problem is that since it was a first for him, he has no idea about its true meaning. Besides, due to his own traumas and fears, he didn’t pay attention to his PT’s emotions and well-being. Striking is that Joo Jaekyung compared himself to fire during that night. 
(chapter 63) And what is the opposite to fire? WATER!! Thus this image came to my mind. How do you kill desires and passion? One might say by becoming ice-cold! However, my answer is this: by pouring a glass of cold water on the champion’s face! Yes… 
(chapter 37) This means that Joo Jaekyung is getting punished for this gesture. Let’s not forget that he mentioned their stay in the States to bring back good memories. But I have another reference for this interpretation. 
(chapter 64) This panel is a reflection from that particular day: 
(chapter 27) And where did he go to calm down? In the swimming pool… 
(chapter 27) And now, you comprehend why I came to see this scene 
(chapter 62) In episode 62, Kim Dan reproached the champion for only being interested in his body, reflecting his own inability to see his body as something valuable. Hence he never wondered about the true cause for such a huge bruise. 
(chapter 61) While with his words, he implied that his fated partner was a man obsessed with sex, his complaint reveals his mindset. First, he is the one longing for human warmth 
(chapter 59), hence he felt terrible sleeping alone. Secondly, he does not attribute worth to his own physical being beyond its utility for others. This explains why he has consistently neglected himself—avoiding food, disregarding his own injuries, and refusing to seek medical help when necessary.
(chapter 60) It underscores the reality that without his body, he cannot work. In this way, his physical deterioration forces him to confront an undeniable truth: 
(chapter 59) his body is not just a tool for others, but the very foundation of his survival. I would even so far to say that his sick and stressed body would question his identity as PT and caregiver. 
(chapter 43), they will replace him with a new ‘doll.’ This exploitation shaped his relationship with his own body—one that prioritized its use over its care.
(chapter 26) and 62 
(chapter 62) that highlighted a crucial shift in how each of them perceives their own worth—and, more importantly, each other’s. The mirroring of these two episodes suggests a deliberate narrative structure that showcases their evolving dynamic, with each character taking on a role the other once held. This realization led me to explore how their perspectives on strength, vulnerability, and agency transform over time.
(chapter 26) 
(chapter 26) 
(chapter 26) This small yet significant act reveals that the champion does not see Kim Dan merely as a ‘sex doll’ but as someone worth protecting, even when challenging him. The protective gear is a contrast to Joo Jaekyung’s usual treatment of his one-night stands, reflecting an unconscious distinction between how he views Kim Dan versus his other partners. Finally, this sparring day exposes the doctor’s biased perception about the athlete in episode 62 once again. 
(chapter 62) It was, as if he had no real talent. But let’s return our attention to the safety gears. The latter underline the high sense of responsibility of the champion, which readers could detect in episode 62. With the red accessories, Joo Jaekyung was showing his respect to the doctor as a man. In that scene, Kim Dan could choose his destiny. It is clear that “the hamster” has long forgotten this happy day 
(chapter 26) – he was smiling genuinely here- , and has reduced his time spent with Joo Jaekyung to sex: 
(chapter 26) —a powerful, intimidating man who mirrors the threat of Heo Manwook 
(chapter 16) and his minions. At the beginning of the fight, the doctor was not fighting for himself but for someone else, reinforcing his deep-seated belief that his worth was tied to service and sacrifice. However, during the match of the century, there was a short change. Kim Dan was reminded of his own past and fears. Thus, I deduce that in episode 62, it is Joo Jaekyung who must face his own greatest challenge—not a physical opponent, but the emotional vulnerability that comes with loss and uncertainty. Though he helped others, his generosity remained unnoticed by Kim Dan. Hence the latter was still unwilling to return to Seoul. 
(chapter 62) On the surface, it looks like Joo Jaekyung lost. 
(chapter 62) More importantly, Kim Dan’s words 
(chapter 26), was happy to demonstrate his talents and kept smiling all the time: 
(chapter 26) For the first time, fighting had become a source of joy for the athlete. He felt not only good, but confident about his skills, as a teacher and fighter. In both instances, this moment serves as a turning point, pushing each character to redefine their role and perception of self.
(chapter 25) Kim Dan was interested to know more about this sport for the protagonist’s sake, whereas Potato was jealous of Kim Dan’s closeness to the star. How did the celebrity react, when he heard the doctor’s desire to learn fighting moves? He was totally pleased, hence he lowered himself smiling 
(chapter 25) before returning to the ring: 
(chapter 25). Notice that he employed the word “happy” here. This shows that the athlete liked to be a teacher and mentor to a novice. 
(chapter 26), reinforcing his belief that his worth lies in service, and he requests an opportunity for someone else. The physical challenge that followed, in which the champion invited him into the ring, was meant to teach Kim Dan to overcome fear, though the original idea was to learn jujitsu moves for the champion’s sake. As you can see, there was a switch in the intentions for the “lesson”. This moment also highlights Joo Jaekyung’s approach to the body—power, physicality, and dominance, which will later be subverted in episode 62 when emotional resilience becomes the true test of strength. 
(chapter 26) Though the doctor was initially immobile and passive, the experience became a significant lesson: fear was something that could be faced and overcome. From that moment on, he became more proactive 
(chapter 26) This is a moment of physical initiation for Kim Dan, teaching him resilience. Nonetheless, he was still fighting for someone else, still locked in his pattern of self-neglect.
(chapter 62) This shift highlights a deeper irony: while Joo Jaekyung has always prided himself on his physical strength, he is now being tested in a way that cannot be resolved with fists.
(chapter 34), wealth 
(chapter 42) and title
(chapter 55), not for its attractiveness or desirability. His reputation in bed has been poor; 
(chapter 33), he was never seen as a man with sex appeal or sensuality, but merely as a fighter who could endure. Sex was another form of exertion, a display of control and dominance rather than a pursuit of pleasure. 
(chapter 27) 
(chapter 29) On the other hand, this suggestion challenges Joo Jaekyung’s previous experiences, forcing him to realize that he has never had to woo or seduce anyone before. This was the only time, where Jinx-philes could see him using his sex-appeal- 
(chapter 34) He got confident, because he had played a trick on his room mate. His physicality has always been his defining trait, but for the first time, he is being confronted with the question: does he have more to offer beyond brute strength and money? If he wants to prove his worth, he must do more than rely on his body—he must reveal his true self.
(chapter 62) He does not plead; he challenges. This reversal is significant because it places Joo Jaekyung in the uncomfortable position of emotional uncertainty. In episode 26, the champion was confident in his control over the situation. In episode 62, he is on the verge of losing control—not over a fight, but over a person. Hence he can no longer control his erection. 
(chapter 61) Why does he want him to return to Seoul? Is he really looking for a physical therapist or something else? It is clear that he is longing for companionship.
(chapter 26), which represents the MMA fighter’s world, the wolf is now the one penetrating Kim Dan’s world: the treatment table! 
(chapter 62) 
(chapter 62) The latter was brought to the hostel. I know, here I am more speculating about the next episode. However, keep in mind that the hamster brought up the past to his destined partner. 
(chapter 1) The blue treatment table is the witness and proof that the champion never saw Kim Dan as a sex doll. So far, they never had sex on it, a sign that he respected not only Kim Dan as PT, but also the profession as such 
(chapter 27) Here, the champion suggested to have sex at home, and not on the table. On the other hand, Jinx-philes will certainly recall this scene where the doctor begged on his knees for money: 
(chapter 11) That’s how I discovered a strong connection between this item and sexuality. First, the one fantasying about the champion’s body on the treatment table had been Kim Dan 
(chapter 1). 
(chapter 1) The massage must have felt like caresses to Joo Jaekyung. So when the main lead made this mistake 
(chapter 1), it is very clear that Joo Jaekyung could have interpreted it as a sign for seduction later. Moreover, don’t forget the mysterious incident concerning the previous physical therapist: 
(chapter 1) It is no coincidence that Park Namwook’s words have a sexual connotation reviving my theory that a doctor might have made sexual advances there. Here, I feel the need to add another observation which came to my mind, the moment I focused on the blue treatment table. 
(chapter 37) In the States, the athlete received his treatment on the floor, a sign of a disrespect for that profession from the manager and even MFC. They somehow knew that the fighter had brought his “sex partner” for his jinx, but they had no idea about his identity. By paying attention to the blue treatment table, I realized that this item stands for power, secret, courage and vulnerability.
(chapter 62) According to my interpretation, Joo Jaekyung had interpreted the mistake for some advances and keep in mind that the fighter felt also attracted to the physical therapist. 
(chapter 1) -thus he asked for a treatment. He was about to drop the man.
(chapter 1) However, contrary to their first encounter, the champion would be talking to his neighbor. While the doctor is thinking, he will relive his first night in the penthouse, the other might reproduce his first treatment, though it should be certainly combined with the intercourse on the couch: . 
(chapter 29) 
(chapter 62) But he made such an offer, because he thought, he was respecting the doctor’s wish. This shows that the athlete needs to converse properly with the doctor and not just make assumptions (MO from his manager). Moreover, the star has never expressed his gratitude and admiration towards Kim Dan concerning his talents and efforts openly. The problem is that he can not compliment him yet, because Joo Jaekyung is trying to “forget” the past and as such he is repressing the fight with Baek Junmin. I feel like the champion is on his way to discover the medical world and chapter 62 represents a prelude.
(chapter 57) He should have sent her to the hospital and ensure that she received treatment. Notably, after the sea incident, Joo Jaekyung took Kim Dan to the hospital, but the latter rejected the champion’s advice and help. 
(chapter 13) So it dawned on me that if the doctor gets sick, Joo Jaekyung will be fueled with regrets and guilt, as he didn’t listen to Cheolmin’s advice. So this could lead him to apologize to Kim Dan. On the other hand, his illness could serve as a reminder to the fighter that he needs to treat his physical therapist and friend better. He only sent for the doctor because of “sex”. To conclude, both would be responsible for this terrible situation, a balance of responsibility. 
(chapter 57) is not just a symptom of overwork and lack of sleep—it symbolizes the deep imbalance in his life. His world consists only of work 
(chapter 62), without fun, rest, or emotional fulfillment. He has no hobby, no personal joy, and no real human connections. He is suffering from depression. Interestingly, the sense of balance is directly tied to the ear, which aligns with his emotional “deafness”—his lack of true contact with others. 
(chapter 61) His mind and heart are no longer listening; he is trapped in his own darkness. His dizziness and fainting spells mirror this imbalance, making his physical weakness a reflection of his emotional detachment.
(chapter 54) and drinking habits. 
(chapter 54) His entire life has been dedicated to work and physical prowess, leaving no space for genuine happiness or emotional well-being. His drinking is not just an escape—it is a manifestation of his need to silence his thoughts and emotions. In episode 44, when Kim Dan expressed admiration for his body, he patted his head
(chapter 54) His headaches intensified, and he isolated himself, mirroring Kim Dan’s earlier state of detachment. His drinking hadn’t just become a habit—it was mourning, a sign of his internal loss. It was, as if deep down he wanted to forget this intoxicating feeling of happiness from that night in the penthouse. The departure of Kim Dan caused both of them to lose their already fragile balance, reinforcing the idea that their dynamic, as unhealthy as it had been, was stabilizing them in ways they never acknowledged.
(chapter 56) It was, as if the champion no longer needed to see his former room mate. Note that he even waited for the evening before approaching doc Dan again. 
(chapter 60), he immediately went to the town. This contradiction reveals that mere visual presence was never sufficient—what he truly longed for was something deeper. And as soon as he saw him, he felt much better, 
(chapter 61) hence he could remove his splint. That’s how powerful drug Kim Dan is. 😉
(chapter 61) While undergoing treatment, he saw Kim Dan every day, yet he remained unsatisfied due to the silent treatment. It was not enough to simply observe him; what Joo Jaekyung truly craved was conversation, interaction, and recognition. This explains his decision to move into the town, settling near Kim Dan as his neighbor. 
(chapter 61) It also sheds light on why, during their latest encounter, he chose to turn his back on Kim Dan—he no longer needed to ‘see his face,’ he wanted acknowledgment and his return to the penthouse. He has not grasped it yet, but he already views the protagonist as his family and home. 
(chapter 46) He is full of prejudices and not willing to listen to his boss. Therefore Joo Jaekyung doesn’t know that in order to become close, conversations must never be one-sided and have to be free from prejudices and assumptions. Joo Jaekyung needs to listen and show an interest in his partner. And now, observe the communication between the two main leads in the room. 
(chapter 62) He asked a question, while the other did not! He just made assumptions from his part, hence he suggested “separate ways”. It was naturally his way of being considerate. That’s why I have the feeling that two words could move Kim Dan’s heart: “HOME” and “HYUNG”. If he calls him that way, the doctor is now recognized as a family member, even as a senior. Hence he needs to be treated with respect.
(chapter 62) he had previously ignored—he is undeniably attracted to Kim Dan’s body, particularly his nipples, which have repeatedly 
(chapter 27) triggered strong reactions in him. 
(chapter 29) That’s the moment he expressed his interest in the doctor’s nipples for the first time. This even became a habit: 
(chapter 44). And what did the doctor whisper during that magical night? 
(chapter 44) He wanted him to treasure his body!! In my eyes, Kim Dan’s suggestion in episode 62 is hiding another intention, though it is definitely unconscious: 
(chapter 44) He wants to relive that night
(chapter 44), though in his mind, he desires to have a bad experience so that he can erase him from his mind. Finally, what do the nipples symbolize? Motherhood and nurturing. 
(chapter 57) 
(chapter 26) Moreover, it was thanks to a trick that Kim Dan won: 
(chapter 26) 
(chapter 26) He felt superior and strong, whereas his rival was weak. Moreover, he imagined that Kim Dan would ask for money for the bet. 
(chapter 26) That’s why I believe that in the next episode, the roles should be switched. Kim Dan always saw himself morally superior and caring to the star, but in truth, his care was rather superficial, for he also showed no interest in the champion’s past and family. Thus I come to the following deduction that episode 62 suggests that arguing is not about losing or winning, but about listening. The champion has unknowingly become a caretaker, not only to the people of the town but, potentially, to Kim Dan himself. The question remains whether he will recognize that Kim Dan’s provocation is not just another fight lost (cutting off ties) —it is a seductive challenge to redefine his understanding of worth and their relationship. What are they to each other? A client and a prostitute? A fighter and a doctor? Or simply two men who are longing for the same: belonging and love. Nevertheless, due to their past, they are unable to detect the true source of their misery: their lack of reflection, own bias and anxieties.
(Chapter 61) However, this moment is not isolated—it reflects patterns in his personality that have appeared throughout the series. 
(Chapter 11) 
(chapter 18) This essay delves into the significance of Kim Dan’s physical and emotional bruises, examining how they symbolize his suffering, internal conflict and transformation. I will examine Kim Dan’s conflicted emotions surrounding gratitude and debt, contrasting his interactions with Joo Jaekyung and his grandmother, Shin Okja. Additionally, I will explore how Kim Dan’s conditioned identity as a caregiver drives his choices, even in his current living situation with the landlord, where he unconsciously replicates past dynamics. Ultimately, I will elaborate how Kim Dan’s newfound awareness could reshape his identity and relationships moving forward.
(Chapter 61) His unexpected reaction catches Kim Dan off guard, further emphasizing how disconnected the doctor has become from his own well-being. However, contrary to the past 
(chapter 11), Kim Dan is truly responsible for the contusion. He caused the injury by removing the needle from the drip. 
(chapter 60) By taking this action, he absolved Joo Jaekyung of any responsibility for the injury, but this is merely a superficial conclusion. 
(Chapter 61) On the hand the circumstances surrounding the bruise, where Kim Dan removed the needle on his own, provide insight into his psyche. The deeper cause of the bruise lies in Kim Dan’s declining health, which is intrinsically connected to his malnutrition and the neglect he faces from those around him. It is important to recall that Joo Jaekyung was explicitly informed that Kim Dan needed rest 
(chapter 61), he forced the physical therapist to keep working, adding even more strain than before. Though the physical therapist attempted to voice his disapproval, 
(chapter 61), he ultimately had no choice but to comply, as his order came from the hospice director. 
(Chapter 61) And why did the director override Kim Dan’s need for rest? Money and free PR. Joo Jaekyung’s influence secured the director’s approval, disregarding the doctor’s well-being in favor of business interests. This conversation at the director’s office makes one thing clear: words hold no power against profit. An d that realization led me to another connection—every one of Kim Dan’s bruises is linked to exploitation, whether by authority, obligation, or financial influence. 
(Chapter 41) It is clear that she was inciting him to work harder than before. This displays that Kim Dan was not allowed to rest. During this encounter, she didn’t ask him about his well-being either. And what is the link between these 3 episodes? The grandmother and her poverty. The latter was responsible for the loan. 
(chapter 18) and took Kim Dan along, ensuring he was seen as an emergency patient. However, this visit was brief and lacked any comprehensive medical examination—no blood samples were taken, and his underlying health concerns remained undiagnosed. This omission further underscores the neglect Kim Dan has suffered, as even in a medical setting, his long-term health issues were overlooked. 
(chapter 21) He had never been healthy and strong. Moreover, when he joined them, at no moment the senior asked if he had gone to the doctor, though he had been sick before. 
(chapter 21) But back then, the champion didn’t pay too much attention to it. In my opinion, her response will likely reflect her established pattern of emotional detachment and deflection of responsibility. Rather than admitting her lack of concern for his well-being, she may shift blame onto the staff or Kim Dan himself 
(chapter 5), or his general reluctance to ask for help. He rejected the athlete’s help and concern. 
(chapter 61) One might argue that based on this scene, the grandmother didn’t see him with the bruise on his arm. 
(chapter 61) He only remained at the door. However, observe that there was a cut between this image 
(chapter 61) and the conversation between the main couple in front of the hospice. 
(chapter 61) So he could have made his presence known to his relative before asking Joo Jaekyung to follow him because of his treatment. To conclude, I believe that she had the time and occasion to see her grandchild and his bruise.
(chapter 13) He is the only doctor who has ever examined the protagonist so closely and even paid attention to his fingernails! 
(chapter 13) At the same time, the chingu from the club was the first one pointing out that his wounds were never treated!! Furthermore, I realized that the doctor’s lies from episode 11 
(chapter 43) He thought, it was related to the massage, yet the reality was that this incident showed that he had coagulation issues. To conclude, all the bruises could have always been noticed by people due to their locations (eyes, hands, arm)! 
(chapter 61) and his relationship with Joo Jaekyung. 
(chapter 61) That’s how I recognized why these women’s warm welcome and curiosity about Kim Dan were rather superficial. 
(chapter 56) His arrival stands for novelty and a breath of fresh air at the institution. However, with this change, the female staff is forgetting their original duty: they need to pay attention to their colleagues. They are behaving like the grandmother
(chapter 61): fangirling over the handsome guys visiting their little town. That’s why Mingwa drew flowers in the last two images. No wonder why no one around Kim Dan is observing the bruise and his deteriorating condition. Moreover, since the physical therapist has a relative at the hospice, the staff is envisioning that Shin Okja is doing “her work”, she is paying attention to Kim Dan’s mental and physical conditions. On the other hand, there is no doubt that the grandmother has already delegated her own responsibility onto others, Kim Dan and the hospice. It is a medical institution, therefore they should pay attention to his working conditions. In other words, since no one feels responsible for the protagonist’s health, no one is worried about Kim Dan at all. At the end of episode 61, he is even so pale and breathless 
(chapter 61) that I am anticipating a terrible incident leading to a rude awakening for everyone.
(chapter 47) For Shin Okja, raising him to adulthood marked the completion of her duty, and his current struggles are no longer her concern. This perspective becomes evident in her words from Chapter 57, where she tells him, he can’t stay here forever, and it’s not like he’ll stick around after she dies.
(chapter 57) By declaring that Kim Dan is now responsible for his own life, she emotionally detaches herself, absolving herself of any accountability for his deteriorating condition. However, she is forgetting 
(chapter 56) that she is still relying on him, as he is the one paying her hospice bills. Besides, she still doesn’t know that the loan is no longer existent. It was, as if he had to clean up her mess before her death. At no moment, she asks about the loan or the doctor’s future. She is not thinking about his future at all.
(chapter 57) — reinforces her conviction that she has fulfilled her role. In her mind, his rejection of her advice places the burden of care entirely on him, allowing her to dismiss any further involvement. This emotional withdrawal directly connects to the symbolism of the bruise: 
(chapter 18) In episode 18, when Joo Jaekyung confronts Kim Dan about the loan, the doctor has a bruise on his left eye, symbolizing his entrapment and helplessness. This earlier injury highlights how Kim Dan has been conditioned to view himself as responsible for burdens that are not his own, perpetuating a cycle of sacrifice and self-neglect. And a new bruise appeared just after the athlete reminded the physical therapist of his past promise: 
(chapter 61) His grandmother’s disregard for his well-being amplifies the injustice of this situation; she allowed him to shoulder the debt despite knowing it was never truly his to bear. The bruise becomes a recurring motif, a visual representation of how others have imposed their responsibilities on Kim Dan, leaving him physically and emotionally scarred. 
(chapter 60). The juxtaposition of the vibrant environment with Kim Dan’s deteriorating health underscores the neglect he faces. The hospice is meant to be a sanctuary, yet it becomes a space where Kim Dan is further burdened by the champion and his grandmother’s expectations 
(chapter 55) This line “I finally feel like I can breathe again”, written by Kim Dan, reveals a subconscious acknowledgment that his relationship with the champion represents a breath of fresh air, a chance to escape the suffocating expectations and burdens he has carried for so long. The bruise, a physical manifestation of his struggle, signals the breaking point of his role as a selfless caregiver. It challenges the illusion of invulnerability that Kim Dan has maintained and forces those around him to confront his vulnerability.
(chapter 18) His grandmother, Shin Okja, played a significant role in this mindset by fostering the illusion that hard work and sacrifice would erase the debts. However, as revealed in episode 18, this was a lie. Shin Okja made the choice to take on the loan and not to seek help 
(chapter 5), yet she burdened Kim Dan with it, using his sense of duty and gratitude against him. Her statement in episode 57 
(chapter 18) —or, more accurately, the lack thereof. The champion’s actions were motivated by a desire to help 
(chapter 18), hence the star was waiting for a smile from Kim Dan. Yet the latter perceived it as meddling. His immediate response 
(chapter 53), leaving a note when he moved out that promises to settle the debt. However, by Episode 61, Kim Dan is no longer mentioning the debt, signaling a shift in his priorities and a possible breaking point in his adherence to his grandmother’s expectations. 
(chapter 47) The physical therapist’s entire existence had revolved around fulfilling her needs, from managing the debt to taking care of her health. With her now approaching death and actively pushing him away, Kim Dan is left grappling with a profound sense of meaninglessness. 
(chapter 60) He had never been given the opportunity to develop dreams or ambitions of his own, as his life was entirely defined by his grandmother’s circumstances. This lack of agency further explains his rejection of Joo Jaekyung’s generosity in Episode 18 and his later promise to reimburse the loan. Clinging to this promise was Kim Dan’s way of creating purpose and meaning in a life that had otherwise been dictated by others. It highlights how deeply entrenched his self-sacrificing tendencies are, as even his attempts to assert independence are rooted in his conditioned need to serve others. That’s why I come to the following prediction. Kim Dan needs to get confronted with illness and death (he could lose his life) so that his will for life comes to the surface. Right now, he imagines that since he is young, he will outlive his relative, but the death of the puppy was a warning to him that youth is no guarantee for a long life. 
(chapter 59) Death can take away anyone and at any moment. In my eyes, if Joo Jaekyung uses his own body to save the doctor again (like for example blood transfusion and CPR), this time Kim Dan would feel truly grateful towards the champion. So far, the doctor has not recognized the star as his savior yet. By removing the needle, he denied the protagonist’s intervention on the beach: 
(chapter 60) Hence his arm got bruised. The contusion was a reminder that something had happened during that night, but Kim Dan chose to ignore the incident. He never questioned why he was on the beach, he acted, as if Joo JAekyung had lied. 
(chapter 60) 
(chapter 18) Deep down, Kim Dan knows that the debt was never truly his responsibility, making it difficult for him to view the champion’s actions as a genuine act of kindness. This inner conflict is compounded by his suicidal disposition, which renders the concept of repaying the debt meaningless. 
(chapter 53) and guilt to manipulate Kim Dan into fulfilling her wishes, framing his sacrifices as acts of love and duty. Her neglect and disregard for his well-being, even as he deteriorates physically and emotionally, highlight her selfishness. Through his past memories, readers can get a glimpse of his misery.
(chapter 59) He worked so hard, was even beaten, but he could never voice his torment. 
(chapter 59) Why? It is because the grandmother was no longer by his side and she never talked to him either. The absence of communication indicates her lack of interest in Kim Dan. And it becomes comprehensible why during that night, he felt the need to go to the ocean and drown himself. It is because he was gradually realizing his loneliness. With his relative’s death, he would only keep living a terrible life determined by work and nothing else.
(chapter 60) 
(chapter 11) and even uses his own words against him: 
(chapter 22) The loan was the result of his grandmother’s decision. He never helped him, rather his grandmother. 
(chapter 11) However, he never explained his circumstances to the generous athlete. By keeping him in the dark, he reinforced his negative disposition about the doctor. And chapter 61 exposes this reality. His suffering was the result of his own decision. 
(chapter 61) Do you recognize the room? That was the doctor’s 
(chapter 19) 
(chapter 53) His decision to allow Joo Jaekyung into his bedroom in episode 61 demonstrates that he consented to the relationship, even if begrudgingly. 
(chapter 61) and acted like in episode 6. 
(chapter 6) or 8 
(chapter 8) where he would abandon the protagonist right after the climax and not care about his partner’s conditions and feelings: 
(chapter 13) Since the doctor mentioned that a match was right around the corner 
(chapter 61) It leaves us four possibilities. Randy Booker, Dominic Hill, Alfredo 
(chapter 47) and Baek Junmin. However, for the intercourse took place in the doctor’s bedroom (he wished to be carried to his own bed) 
(chapter 36), for they had sex every day. However, in episode 53, we discover their night before the match against the Shotgun
(chapter 53) So this scene can only have taken place in chapter 47, when the match with Angelo got canceled and Kim Dan had been confronted with the terrible news about his terminally ill grandmother. 
(chapter 47) In the previous part of this essay, my avid readers could see the strong parallels between 61 and 47. But there exists another reason why I am inclining to think that the sex scene took place later in the story. It is because during that “magical night” (44), Kim Dan learned the notion of “consent”. 
(chapter 44) During that blue hour, Kim Dan discovered that he could say no! And notice that in his memory, he clearly thought that he could have rejected the athlete’s advances. 
(chapter 46) He should mistrust the members from the gym and keep his distance from people. So during that time, Joo Jaekyung did follow his hyung’s advice 
(chapter 47), yet I can’t imagine that this man could become abstinent like in episode 19. Hence at some point, he must have felt the urge to possess Kim Dan, a mixture of fear and dominance. He imagined that way that he could impose his will onto the doctor and control his “loyalty”. With this submission, he would force the doctor to remain by his side. But naturally, this sex as “power play” could increase the gap between the main leads.
(chapter 53) doc Dan was copying the champion’s behavior from episode 61. Right after the sex, he would leave the bed and return to his bedroom. How did Joo Jaekyung recall this night? 
(chapter 53) He saw his attitude as a sign of disloyalty and “abandonment”. And that’s how Kim Dan is feeling in the restroom: 
(chapter 61) The darkness around the eyes is a metaphor for his resent and anger. And the moment you contrast the two memories (53 and 61), you can detect the hypocrisy of the two main leads. They only recall scenes where they were hurt and felt betrayed. However, in reality, they were both victims and perpetrators, because none of them chose to open up and talk to each other. Why? It is because both chose to listen to their “guardian” and their “favor”. Like mentioned before, in a quarrel, no one is right and wrong. The purpose of an argument is to listen to the counterpart and view incidents from their perspective. Finally, the physical therapist’s recollection serves as an important evidence that he had never been powerless and helpless. He could have refused all the time because their deal was never official.He could have used the contract as a shield. But the best evidence of Kim Dan’s power is this rejection: 
(chapter 61) I had already pointed out the increasing resistance and resilience from Kim Dan in episode 60: 
(chapter 61) My prediction came true. In the past, he could have denied the existence of the deal, Joo Jaekyung was free to seek another physical therapist. He never realized that he had some leverage. Yet he still followed the athlete’s requests. He saw himself bound by obligations. However, this was just an illusion. Hence in episode 61, we see him legitimating his consent that there was an imminent fight. 
(chapter 61) He is expected to work despite his declining health, his suffering dismissed by those around him. 
(chapter 40) He is paid to receive bruises, to push his body past its limits 
(chapter 50), to endure pain while the public watches and profits are made. His suffering is entertainment, a spectacle that fuels the business of MMA. Though he is a champion, he is still a commodity, expected to perform regardless of his condition. 
(chapter 17) I doubt that Park Namwook studied them, and notice that the recently hired PT didn’t ask for the champion’s files first: 
(chapter 54) Thus I deduce that the champion’s files are in reality a subterfuge. They give the impression that the doctors and Park Namwook truly care for his well-being, but it is not correct. They are only interested in his body because of wealth and reputation. But let’s return our attention to episode 61 and the champion’s attitude towards Kim Dan.
(chapter 54) It is clear that the manager wants Joo Jaekyung to return to the ring as soon as possible to erase the last “debacle”. In my opinion, the doctor’s illness could serve Joo Jaekyung as an excuse to delay his return to the ring and even not to accept the next challenge. 
(chapter 57) is another manifestation of his conditioned role as a caregiver. By living with an older man, he creates the illusion of a familial bond, mirroring the dynamic he shared with his grandmother. This decision highlights his struggle to break free from the identity imposed on him—one defined by servitude and selflessness. He assumes that he should take care of the landlord, offering to cook and expressing guilt for not fulfilling this perceived duty. Yet, the landlord subtly challenges this narrative. By inviting Kim Dan to eat breakfast 
(chapter 57) and dismissing his apologies, the landlord treats him as an equal rather than a caretaker. This dynamic forces Kim Dan to confront his false perception of himself.
(chapter 57) Despite this, Kim Dan rejects the advice, demonstrating his resistance to being cared for. This moment underscores his internal conflict—he craves independence yet clings to the role of the selfless provider. The landlord’s actions expose the fallacy of Kim Dan’s identity, revealing that his caregiving is not always necessary or effective.
(chapter 61) is indicating the increasing resent and anger towards the star. Joo Jaekyung is no longer seen as a celebrity and idol, but as a inconsiderate man. This transformation is subtle but meaningful, as it reflects his burgeoning awareness of his own worth and the unjust treatment he has endured. For the first time, Kim Dan acknowledges himself as pitiful 
(chapter 53) 
(Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.
(chapter 14), acted particularly rough with Kim Dan 
(chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. 
(chapter 14) This moment of realization, coupled with the doctor’s tears and plea 
(chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation 
(chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. 
(chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist 
(chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach. 
(chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club 
(chapter 60) Moreover, in the past, the locker room 
(chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room, 
(chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, 
(chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan. 
(chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured 
(chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind 
(chapter 50) in the locker room twice 
(chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: 
(chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression. 
(chapter 57) Shin Okja must have felt uncomfortable with his tears and pain, therefore the doctor internalized not to show his struggling and burdens in front of his grandmother. This explicates why he denied his weeping in front of her first. 
(chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: 
(chapter 60) 
(chapter 51), his lack of loyalty, his greed and obsession for money. 
(chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. 
(chapter 51) Despite living together in the penthouse, he didn’t trust his room mate. After divulging his mistrust and anger to the physical therapist in the locker room, the former left Kim Dan behind and went to the health center with his hyungs. 
(chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after. 
(chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.
(chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. 
(chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. 
. (chapter 60) The latter has now darker circles, and he lost a lot of weight. 
(chapter 49) His muscles are less pronounced. He is also wasting away. 
(chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach 
(chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. 
(chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: 
(chapter 60) , though there is no doubt that the doctor is still in love with him. At the hospice, this mistrust resurfaces. The parallel conversations—in the locker room and the emergency room—highlight the ongoing cycle of miscommunication and emotional disconnect. Both characters, in their own way, lie to themselves and each other. Joo Jaekyung sees Kim Dan through the lens of poverty and greed 
(chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. 
(chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness 
(chapter 27) and mental well-being. 
further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, 
, his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. 
(chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: 
(chapter 51) He never wished to never see Joo Jaekyung again. Moreover, he never regretted their meeting either. 
(chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: 
(chapter 44) 
(chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame. 
(chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.
(chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss 
(chapter 59) is a masterful interplay of symbolism, reflection, and narrative breadcrumbs laid out by Mingwa. Central to this exploration is a photograph 
(chapter 59) —an innocent request by the nurses at the hospice 
(chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious 
(chapter 59) led him to the shore, driven by despair and suicidal intent, the MMA fighter’s journey stands as its opposite: 
(chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. 
(chapter 59) embodies the negative reflection of Joo Jaekyung’s purposeful arrival. We can detect the divergences: day versus night, work versus break, healthy versus unhealthy etc. Through the juxtaposition of images and situations, Mingwa provides profound insight into the characters’ thoughts, desires, and intentions. The photograph’s role becomes pivotal: while it marks the end of Heesung and Potato’s visit
(chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.
(chapter 59) —each of whom had interacted with Kim Dan 
(chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture 
(chapter 58) 
(chapter 58) 
(chapter 58), ignorance and superficiality 
(chapter 58), becomes the shadowed reflection of the proactive search by Joo Jaekyung. This interplay of light and dark is central to unraveling how fate unfolded.
(chapter 58) and Potato, despite their contrasting motivations 
(chapter 58), came to the same conclusion: they should not reveal Kim Dan’s whereabouts to Joo Jaekyung. Heesung argued that Kim Dan was better off in his secluded life, away from the chaos of Joo Jaekyung. Potato, deeply trusting his lover’s seniority and judgment, chose to follow Heesung’s lead. Their decision reflects not only their loyalty to Kim Dan’s expressed wishes but also their passive adherence to the belief that avoiding intervention was a form of help which reminds us of Potato’s former principle: 
(chapter 35) This shows that despite the last incident, Yoon-Gu didn’t drop this terrible principle. Notice that he is advocating the same philosophy than Shin Okja. Heesung justified his stance by claiming that it was in Kim Dan’s best interests 
(chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets 
(chapter 59) 
(chapter 59) —suggests that Joo Jaekyung arrived only two days after Heesung and Potato left. This indicates that neither Potato nor Heesung leaked the information to Joo Jaekyung, as the champion would have sought Kim Dan immediately if informed by them. Instead, this photograph—seemingly public rather than private—became the clue he needed. Moreover, since the two friends knew where Kim Dan lived, I am assuming that he would have gone right to the doctor‘s rented room. But he did not. He went to the beach. Since the nurses didn‘t notice that Kim Dan was a friend of Potato and Heesung and mistook him for a fan, I am assuming that only the two friends know his address. 
(chapter 8) 
(chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. 
(Chapter 48) Nonetheless, there exist significant points against this theory. Despite their fondness for the actor 
(chapter 30) and their interactions with Heesung and Potato 
(chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday 
(chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . 
(chapter 58) His “redness” indicates that he doesn’t want to expose his special relationship with Heesung. Therefore I believe that he didn’t mention this trip to other members. Consequently, I doubt that the members were looking for Potato in such a photograph. Furthermore, from my perspective, members of Team Black are still left in the dark about Joo Jaekyung’s struggles. They are unaware of his drinking habits 
(chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and 
(chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information. 
(chapter 50) 
(chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog 
(chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. 
(chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.
(chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. 
(chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge 
(chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. 
(chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, 
and to Neptune 
and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision 
(Chapter 19) and the group photograph at the hospice
(chapter 54) and penthouse 
(chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” 
(chapter 56) in a small town on the West Coast 
(chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged 
(chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, 
(chapter 48) and using Shin Okja as a guinea pig for trial treatments 
(chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating 
(chapter 36) 
(chapter 35) 
(chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives 
(chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. 
(chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: 
(special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets. 
(chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water 
(chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.
(chapter 57) and the yelling patient
(chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life. 
The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.
(chapter 11) and indirectly the persons involved in the redevelopment. However, I have to admit that I have a different explanation. 
(chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: 
(chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. 
(chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!
(chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water 
(chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: 
(chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: 
(chapter 11) 
(chapter 11) And I can prove my statement by showing the episode where she appears: 
(chapter 9) or other events like this one: 
(chapter 37) Buying in secret junk food.
(chapter 1)
(chapter 1) But it is the same for the champion who got his “gym” stolen from his hyung: 
I came to this revelation thanks to this article:
(chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.
(chapter 53) Only the logo is red. 
(chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. 
(chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again: 
(chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: 
MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. 
(chapter 46) 
(chapter 37) He never complimented him for his hard work at all. 
(chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members. 
(chapter 46), however Park Namwook refused to accept such a behavior from his boss. Therefore he put his pupil under pressure.
(chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: 
(chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible. 
(chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: 
(chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. 
(chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: 
(chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: 
(chapter 19) Then in episode 27, Kim Dan offers his assistance. 
(chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 
, (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, 
(chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. 
(chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: 
The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.
(chapter 27) 
(chapter 13) This gesture with the hand implied not only that he was just looking forward to meeting him again, but also generosity. And if there was a request from Cheolmin, it was just about an information: 
(chapter 33) According to me, the man was calling his friend Cheolmin, because he truly believed that the actor had been hurt. The fact that he went to the rooftop in order to call the person is indicating that he desires to hide his contact from Park Namwook and Jeong Yosep. In other words, he was seeking secrecy, exactly like the actor. As you can see, the dragon and the gumiho had a similar attitude. They thought that the rooftop was the perfect place to hide a secret. So by calling Cheolmin who is working at a hospital, the MMA fighter was making sure that there would be no scandal. However, when he called him, he discovered the truth. Choi Heesung had faked his injury. Therefore how could he use his connection with Cheolmin, when there was no emergency? In his eyes, he would have abused his busy friend’s generosity. That’s the reason why the star chose not to intervene. If he had revealed the truth and as such accused the actor of deception, he would have no one by his side to prove the truth. It was one man against two. Secondly, by revealing his presence on the rooftop, he would have been forced to mention his close friend: Cheolmin hyung. His connection with the athlete would have raised some question. And because he didn’t utilize the Joker in that situation, he became a victim of a trick. It is important, because the champion’s decision to hide Cheolmin’s existence from Jeong Yosep and Park Namwook is a sign that deep down, he is not trusting his two other hyungs. In my eyes, it is related to his homosexuality. But there could be other reasons as well, for example he met this doctor, before he became a celebrity. 
(chapter 43) They didn’t even bother to wait for him to arrive before drinking and eating, though the man was the birthday child. He was actually the guest of honor. 
(chapter 43) This exposes violation of social norms and even the disrespect towards Joo Jaekyung. He is just seen as a cash cow, hence there was no thank you from them or even a short invitation for him, like Park Namwook and Kim Changmin had done it in episode 9. 
(chapter 9) 
(chapter 9) In fact, Joo Jaekyung was totally neglected at the restaurant, no one even paid attention to his actions. Under this light, I recognized why Mingwa created this incident: 
(chapter 43) It was not just to bring the two main leads closer, but also to expose the wrongdoers. If they had waited for him, the champion wouldn’t have drunk some soju from the glass of water, for Kim Dan couldn’t have used his glass.
(chapter 43) That’s why the manager got red, a sign of embarrassment. He realized that they should have all waited for the birthday child. Moreover, don’t forget that the star was even paying the bill. And now, you are wondering if I didn’t diverge from my original topic, the Joker and Cheolmin hyung. No, as this new interpretation helped me to understand why Joo Jaekyung talked to his hyung in front of others. He already sensed that no one was observing him or waiting for him. 
(chapter 43) Moreover, it is possible that the mysterious caller desired to congratulate for his birthday or even to thank for his donation. Let’s not forget that just before his real birthday, the celebrity organized a charity event, and it could be related to Cheolmin’s work place. 
(chapter 41) Because I detected ingratitude, selfishness and rudeness from Team Black, I couldn’t help myself thinking that the other person must have behaved differently, which put the young man in a good mood. Therefore he overlooked the incident with the switch of glass: 
(chapter 43) before Park Namwook tried to relativize the incident. 
(chapter 13). Hence I believe that the other reason why our cute PT didn’t meet Cheolmin in season 1 is that he was not ready to interact with him. Kim Dan needed to mature, to free himself from social norms in order to accept such a man as a “role model”. That’s the reason why I am expecting the return from this mysterious doctor in season 2. In my opinion, he will play a central role in dethroning the king Park Namwook at Team Black, but also in helping Kim Dan to obtain justice. Keep in mind that according to me, the protagonist was a victim of many crimes committed by doctors. (The hospital director, Kim Miseon, MFC doctors)
(chapter 35) He offered his assistance, but at no moment the main lead thought of even asking for his help. 
(chapter 46) If he had voiced his struggle to Heesung, the latter would have understood him and “talked” some sense to the dragon. And it is the same for Potato. In the locker room, when Kim Dan was criticized for his sloppiness, 
(chapter 50) he didn’t ask from Potato to vouch for him. He could have reached to him, requesting from him to testify in his favor. Yes, I believe that not only the actor and the maknae are to blame for their passivity, the physical therapist is also responsible for his own suffering. He is not seeing that he has already gained two friends. However, he didn’t treat them properly. No wonder why Kim Dan ended up alone at the end of season 1. At no moment, he confided to Potato or other members about his struggles, he kept everything to himself which is similar to his soulmate. 
(chapter 47) Hence he was taught cooking. In addition, we can already envision that when he was a high school student, he had to take a part-time job. She definitely minimized his assistance, creating a debt towards her.
(chapter 7) and 
(chapter 23), he just acted as their “PT” and nothing more. In other words, he acted, as if they only had a professional relationship. This explicates why Kim Dan never talked about himself, in other words he never shared any information with them. However, I doubt that he just considered them as his “patients”. He was happy to give his assistance. For me, the fact that he never lowered his guard is a sign of his low-esteem. So they had a strictly professional relationship, except with Potato. 
(chapter 7) She needs to pay a nurse to give her some company. Therefore she is forced to rely on her grandson. Then she doesn’t pay any attention to her grandson’s needs and circumstances, for she is only focused on her own suffering and “unhappiness” chasing after an illusion. 
(chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk 
(chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. 
(chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.
(chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: 
(chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. 
(Chapter 45) But how can he change his condition? I will give the answer below.
(chapter 40), though the gym belongs to the celebrity. But let’s return our attention to the American-German philosopher. The latter pointed out the importance of self-awareness and the rejection of materialism and social pressures (authority figures, conformity) in order to become truly free. 
(chapter 50) Hence the last match was not cancelled in the last minute. The athlete is not fighting out of fun and passion, but out of obligation and survival. He is trapped in a world where money is everything. Thus he was always pushed to accept any challenger despite his injuries. That’s how I realized why the athlete always suspected Kim Dan of being greedy. It is because he projected his own thoughts onto his partner. However, this negative perception was definitely influenced by his “hyung”, we have the best example in episode 46. Due to Park Namwook, Joo Jaekyung was the one who was constantly thinking and talking about money in front of Kim Dan. 
(chapter 51) He was disarmed by a single question and a shocked and disappointed face: 
(chapter 43), yet he added shortly this comment: : 
(chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. 
(chapter 43) 
(chapter 49) Notice that he was afraid of an outburst from Joo Jaekyung in the locker room, therefore they were restraining him. This was no real protection. I am suspecting that the manager is trusting MFC and its organization. In addition, his obsession with the future explains why the athlete’s mental health has been neglected by the coach and manager. As a conclusion, Park Namwook is himself trapped in his own world: money, fear of the future and the champion‘s retirement which means the end of his own career as manager and coach. Therefore he is pushing his fighter to race against time. It is only a matter until his boy gets injured!!
(chapter 53). The latter announces that his “boy” can take a break. What caught my attention is his idiom. The suspension got turned into a break which sounds much more positive. Interesting is that break is not only a synonym for “rest”, but also for “opportunity, chance”. This new discovery reinforces my previous interpretation: the loss of his “title” and his suspension are in verity an escape to freedom. Why? It is because he is no longer exposed to manipulations and external pressure like in episode 36: 
(chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. 
(chapter 53) This means that the fighter was acknowledging the “uke” as an important member of Team Black. In addition, he was recognizing Kim Dan’s effort and talent as PT. Moreover, it exposes the absence of change in Joo Jaekyung’s mentality. He was still “thinking” of work and fighting. It displays that the protagonist had not realized the true signification of his suspension yet. Hence the doctor’s departure was necessary. Joo Jaekyung is forced to think about his fated partner, making him forget his work and his career. His “obsession” with Kim Dan will push him to stop being a workaholic. But there is more to it.
(chapter 21) to this 
(chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.
(chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.
(chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: 
(chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: 
or like this: 
(chapter 22) 
(chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. 
(chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. 
(chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: 
(chapter 18) He had to, because the man was now living with him. Joo Jaekyung feared that his roommate could come to take advantage of his new position and even consider this place as his own. As you can see, the champion had long discovered the power of giving to others. Yet his problem was that he couldn’t live out this principle: he was either exploited or he has no family or close friend so far.
(chapter 30) They both desire to be acknowledged and appreciated. 
(chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. 
(chapter 31) 
(chapter 31) Furthermore, the actor gave these things for one reason: it was to obtain the doctor’s heart or to maintain his good image as a celebrity. In other words, these gestures were not selfless at all. This explains why the athlete was so weary of such “gifts”: a return of favor or a service. But the comedian is not the only one donating things. Naturally, it is the manager Park Namwook. 
(chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? 
(Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. 
(chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss
That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay. 
(chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: 
(chapter 43) 
(chapter 7) Therefore I conclude that this possessiveness and obsession with Kim Dan is the result of the manager’s influence. Park Namwook treated him like a possession. And this brings me to my next part. How to become happy? One might reply: by loving someone. However, how can Joo Jaekyung drop his insecurities and open his heart like that? As you can see, we need another explanation.
(chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. 
(chapter 43) But the best evidence for this interpretation is this image: 
(chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money. 
(chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight 
(chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. 
(chapter 40) in the States and even at the gym? 
(Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. 
(chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „
(Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her:
(chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: 
(chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? 
(chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her.
(chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.
(chapter 22) 
(chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: 
(chapter 25) and 
(chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important 
(chapter 36) than their training and career. Moreover, he kept bribing them with junk food 
(chapter 46) The latter was a new source of income and fame. Everything was revolving around money. That’s how it dawned on me why the manager got angry for the bet in episode 26: 
(chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.
(special episode2 ), but also Cheolmin 
(chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating.
(chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun? 
(special episode 1) The actor chose to use the black-haired sportsman as “Friends with Benefits”. But what would be Potato’s benefits then? Support and connections, like we could see it in special episode 2: 
(special episode 2) So when Heesung is already envisaging to get rid of his new lover 
(chapter 35) Because he is famous and wealthy, he is expecting a similar reaction from the chow-chow. At some point, he will appear too clingy, hence he will perceive his relationship as burdensome. This is no longer fun.
(chapter 33) However, the change of Heesung’s mind-set (Friends with Benefits, no longer the search for a soulmate) is also related to Potato’s reaction after their first night together. 
(special episode 1) With his words, the sportsman implied that he had taken advantage of the actor, while in reality the opposite had happened. Heesung had taken advantage of Potato’s drunkenness 
(special episode 1), ignorance and purity
(special episode 1).The confession of Yoon-Gu’s wrongdoing could only shock the actor. 
(chapter 35) With his behavior, the fox gave the impression that his affection for Kim Dan was running deep. Under the tent, he was drowning his sorrow with soju. Hence in the maknae’s mind, Heesung was still in love with the physical therapist. Yes, the irony is that the chow-chow was also projecting his own thoughts onto the comedian. Let’s not forget that when the young fighter discovered the true nature of the relationship between the doctor and the emperor, he didn’t give up on his admiration and affection for Joo Jaekyung. 
(chapter 35) My avid readers should keep in their mind that the chow-chow is famous for his strong loyalty. To sum up, Potato imagined that Heesung was still loving Kim Dan, exactly like him with the fighter… he would remain faithful and keep his one-sided love.That’s why I came to the following conclusion: their relationship started on a misunderstanding, which was also reflected in this situation: 
(special episode 1) It was, as if he had disregarded the gumiho’s feelings, he had incited the latter to commit a sin. Heesung had broken his vow of faithfulness 😂. That’s the reason why he mentioned “zero regrets”. It is important, because with such a mind-set and attitude, he is indirectly pushing the gumiho to face the truth: his dishonesty. His affection for Kim Dan was just a crush, a superficial attachment, as he knew nothing about him. In fact, he was just chasing after an illusion. He even admitted it at the restaurant: 
(chapter 35) His description for a partner and as such love doesn’t correspond to the definition of true love: care, respect, knowledge and responsibility (Definition from Erich Fromm, for more read “
(chapter 32) He didn’t try to protect him from the athlete’s fury. He never clearly stated his true desire, he wished to date the doctor, until he was cornered (threatened).
(special episode 1) and why Potato couldn’t refuse the role-play. 
(special episode 2) However, he is not entirely powerless, like I mentioned in the first part. He is not forced to admit that he had fun after the intercourse. 
(special episode 2) In other words, he is not obliged to say YES either! It is funny because thanks to this examination, I realized that Yes and No have “become” like taboo words. Yoon-Gu is avoiding these idioms by using the expression “I don’t know”. Hence I am suspecting that Heesung will become obsessed with the word “yes”! 😂 Only Heesung can procure him fun and pleasure, and no one else. He is getting disarmed by the sentence “I don’t know”.
(special episode 2), yet in the past he had a different reaction. 
(chapter 23) The reason is simple. This was not patting, but rubbing. Neither Oh Daehyun nor Kim Changmin did it to express gratitude, rather for selfish reasons. They wanted luck on their side. Potato didn’t feel recognized and accepted, rather used as a tool. Hence he was bothered. Under this new light, it becomes comprehensible how Heesung can win Yoon-Gu’s heart in the long run. It is not because of his sexual performances, but thanks to his selfless gratitude and generosity!! We have the perfect example in these two scenes: 
(special episode 2) He was attempting to hide his growing affection for the comedian. He feared that his feelings for him could become a burden for the comedian. In his eyes, Heesung should remain faithful to the physical therapist. He shouldn’t expect any affection from the actor either. 
(chapter 34) In this scene, the physical therapist looked like attached to his owner. In the first part of “Passions in Purple: Jealousy and Joy”, I made the following prediction. Heesung would order a sex toy 
(special episode 2) out of annoyance and jealousy
(special episode 2), for Potato had run away from him. He needs to put him on a leash to feel in control, to obtain his chow chow’s attention. Naturally, there is no guarantee that this prediction is correct. Yet since according to my examination, Potato is thinking that Heesung is in love, it signifies that Heesung is already attached to Kim Dan. Hence he won’t do anything to ruin this attachment… therefore Heesung can only be put in front of a dilemma. How can he make Potato look at him? He could reveal the truth to Yoon-Gu, but by doing so, he would ruin his image as a good and caring guy. Moreover, since he has lived for a long time deceiving himself and others, it is very unlikely that the actor might change his behavior so suddenly. Old habits are hard to die. Therefore for me, honesty won’t be his initial choice, rather acting. He will express his thoughts and emotions behind a new role-play and sex.
(chapter 35) 
There, I included two gemstones, the Bloodstone and the Aquamarine! Choi Heesung, born on 21st March, is represented by these birthstones! In this composition 
(chapter 28) which I had interpreted as a baptism, a purification. If the actor bathes in the Yellow Sea, he will be purified and as such his true self will come to the surface. That’s how he will recognize his love for Potato, but also his friendship for the doctor. So far, the man has no real friend, but he has been longing for one. At the same time, the metaphor (the sun turning red) could be a reference to the interaction between the actor and the emperor, the former helps the latter to recognize his true feelings for the physical therapist. As a conclusion, we should expect to see Heesung under the sunset and next to the ocean or water. There, he should ponder and have a realization.
(chapter 37) Here each fighter was on his own, they were not really training together. The champion was the leader due to his imminent match, he put the others under pressure, as he was himself stressed. But with his suspension, he is no longer racing against time. In other words, the training routine should be different. They will help each other, encouraging each other to become better. The presence of Heesung should help them to see the training under a different light. But for that, he has to reconnect to his true nature: bloodstone and aquamarine.
(chapter 34) Here, he forced the champion to claim the doctor as his possession. However, in season 1, the main lead came to regret his actions (34, 43), for he has never been honest to himself. And now, it is time to focus on the second gemstone. 
(chapter 31) They were green. He is attracted to “green”, his origin self. Nevertheless, in episode 31, this was rather a khaki version due to his corruption. No wonder why he played a trick on the champion. And this observation brings me back to the doctor’s clothes. What was he wearing, when he was young? 
(chapter 35) At the same time, it explains why Heesung changed for the better thanks to the physical therapist. Thus I assume that Heesung is destined to become an aquamarine, bringing all these characters closer to each other: Potato, Cheolmin, Kim Dan, Joo Jaekyung. However, contrary to the past, he won’t use his money to help people to become happier. His smile and happiness should affect the others: 
(chapter 31) However, this should no longer be superficial. The celebrity is associated with flowers, stars, fun and happiness. Because he symbolizes “Spring”, I deduce that his rebirth and as such his Enlightenment are primordial. He is there to assist the others. And the color for understanding, compassion, self-awareness and wisdom is purple:
(special episode 1) Since the elderly woman confided to Joo Jaekyung, we can assume that she could do the same with the gumiho, as soon as she sees her idol. It is important, because he could grasp the physical therapist’s suffering and low self-esteem. 
(chapter 48), but the actor would be replacing the fake director. We had a sunset here, dark water (the coffee), the symbol for corruption. Then notice that he is wearing a blue t-shirt (but two colors, a symbol of his hypocrisy)!! This reinforces my expectation that we should witness the actor’s awakening, the exact opposite of the other Choi, who chose revenge and manipulations. But there is more to it. Thanks to the comment of @Milliformemes24, I had another revelation. The latter wrote that places of knowledge and self-awareness are related not only to the ocean, but also to the mountains. It is normal, as the hill is closer to the sky and as such closer to the gods. Notice that Heesung’s new home is situated on the top of a hill, surrounded by a forest. 
In other words, Heesung could get enlightened on a mountain too, during a stroll for example. And the moment I read this from my friend, this image came to my mind: 
(chapter 41) That’s the moment when he realized his feelings for the fighter. As you can see, Mingwa used the tree and as such nature as a source to spirituality. And now let me ask you this question. Since the story is written with reflections, the tree should have appeared before and after. Where was it then? First, the first plant to appear was the bouquet. The roses from Heesung 
(chapter 31) could be seen a mirror of the tree. The roses encourage the doctor to ponder and show an interest in his employer. 
(chapter 37) However, the first time, the tree appeared as such was in the States, and this on two occasions: 
(chapter 47) Kim Dan imagined going on a trip with his grandmother, totally delusional, as he was in denial about his grandmother’s deteriorating health conditions. However, the vision shows the desire to become closer to his relative, to become more proactive as well. His words (“She’s been so busy raising me, she’s never had a day’s rest”) imply the presence of reflection. It indicates his gradual transformation and maturity. But this doesn’t end here. The tree was also present in the special episode 2: 
(special episode 2) Yes, the barn!! The tree had been transformed into a home. However, don’t forget that this was just a fantasy from Heesung. However, during this intercourse, he came to expose his jealousy and growing attachment towards his soulmate. Yes, the last two mentioned scenes have two common denominators: a mixture of fantasy and Enlightenment. Nature is strongly intertwined with meditation and communication. To conclude, we should expect the presence of woods and trees in season 2 as well. And this hypothesis got reinforced, when Mingwa released this image on X: 
We have a sunset, a palm tree and purple in the sky… Joo Jaekyung is wearing a similar shirt than Heesung: 
(chapter 34) I consider this as an allusion that the actor will be by the fighter’s side. On the other hand, since the shirt is open, I interpret as the star’s emancipation. The latter has been able to escape from his mental prison and suffering. In his cage, he was racing against time. Now, he is able to relax and enjoy time. At the same time, since the champion in the image from X is seen wearing rings with stones, it somehow confirmed my interpretation about the role of birthstones in Jinx. 
(chapter 7) Kim Dan had just punched his boss. How would he react to this wrongdoing? In fact, I realized that all the episodes with the number 7 are strongly connected to an intrigue and riddle. Why? The answer lies in the number. 😉 So what does 7 symbolize in the end?
(chapter 18) He believed to see someone selling his body to a loan shark, while in reality the main lead was about to get raped. Hence we have -7! This represents the absence of reflection and even the refusal of meditation. 
(Chapter 52) He will realize that he needs to select his opponent more properly. 
(chapter 5) He remained passive, because he had already an answer to his silence. He was refusing the job. He implied that his lack of reaction had been caused by the champion’s action. In addition, he reproached his boss that he was getting worked up for nothing. His behavior displays that he saw no value in Kim Dan. Moreover, Mingwa left a clue why the man has always been passive all this time. It is not just a question of fear. The other reason is that he used prejudices and superficial thoughts to explain people’s attitude. Hence he never investigated the matter why the doctor didn’t contact them. His attitude in episode 52 hasn’t changed at all.
(chapter 52) He reproaches to Joo Jaekyung his heartlessness, though Kim Dan took care of him for months. But he is forgetting that he spent himself time with the hamster too, and he is healthy contrary to the champion. So he could have reached to the doctor. His reproach is just an excuse to mask his passivity, ignorance and even indifference. His rudeness and neglect towards the doctor and athlete becomes more obvious.
(chapter 52). By mocking him, he was provoking Joo Jaekyung and he knew it. Yet, he never expected that he would be punched so violently that he would be KO. In episode 7, the champion “invited” the doctor to enter the shower room, 
(chapter 7) reminding us of the kidnapping in episode 16. Here, on the other hand, Heo Manwook must have judged his presence at doc Dan’s house as an “invitation” 
. (Chapter 16) and not trespassing. Each challenge or invitation is strongly connected to moving. Heesung had to drive through town in order to discover the secret between the two protagonists. Moreover, I distinguished another similarity: abduction and sequestration. Kim Dan was forced to stay in the shower room or his home or in the penthouse (34,43). Chapter 25 represents the exception, for it was the only case, where Kim Dan was given a real choice. 
(Chapter 25) He could refuse the sparring. Thus I deduce that in episode 52, the opposite is happening to the doctor. Something happened to him, and he could do nothing. On the other hand, this signifies that at the hospital, the members from Team Black were seeking the consent and support from their boss. 
(chapter 44) Kim Dan agreed to have sex with the fighter, because he wanted to know him better. Thus I deduce that the athlete discovered new aspects about Kim Dan’s life. 
(chapter 25) He received only attention, when he got strangled due to the maknae’s mistake and notice that the protagonist was too focused on training the others that he neglected his soulmate. Then in episode 34, Kim Dan was supposed to meet Choi Heesung, but he missed the appointment due to the athlete’s trick. 
(chapter 34) 
(chapter 34) Since the latter had not replied, Choi Heesung assumed that Kim Dan was not free. And now, you know why the actor never contacted the angel and asked about his whereabouts. The main lead never replied and confirmed the meeting. Then in episode 43, no one missed Kim Dan at the table, when they ate their dinner. 
(chapter 52) He had been too harsh and had not investigated the matter properly. However, his words “getting the facts straight” reminded me of this scene: 
(chapter 49) Remember that he had avoided him on purpose. And episode 49 is related to number 7. Hence we have this contrast: 
(chapter 49) “We believe in you” 
(chapter 52) And funny is that as soon as I contrasted these episodes, I had another revelation. How did Joo Jaekyung know that Kim Dan was supposed to meet the actor? 
(chapter 32) Kim Dan had no saying in it, the justification was that it was for the champion’s sake. Hence my assumption is the comedian must have complained to the manager that Joo Jaekyung had interrupted their time together. 
(chapter 31) That’s the reason why Park Namwook asked the doctor to fetch the celebrity in episode 34. 
(chapter 34) Kim Dan could refuse to go to that meeting. He was not obligated, for there was no contract between the artist and the “hamster”. They had never asked for his consent. Choi Heesung used work to meet the doctor, but the manager had also heard from the actor’s manager about the comedian’s love life 
(chapter 30). So he must have known about the true intentions. The clue for this interpretation is that he had a drop of sweat on his face. To sum up, he feigned ignorance. And you know how I came to this theory? The coach is not visible in 34 and he didn’t assist to the champion’s birthday surprise party: 
(chapter 43) Yet, Park Namwook joined them for the dinner at the restaurant. Only through the comparison, I detected the absence of the manager which I consider as a sign of his neglect. Yosep’s gesture 
(chapter 43) represents the positive gesture from Namwook’s slap.
(chapter 35) He needed Potato to work off some stress. That’s why the reason why NO ONE wondered about the young fighter’s absence during the birthday party. 
(chapter 52) The result was that his face got bruised. 
(chapter 7), 16 
(chapter 16) 
(chapter 16), 25 
(chapter 25) 
(episode 25) and 
(chapter 40), but also paid attention to his actions and work. 
(chapter 25)
(chapter 41) However, notice that her desire to watch the match was related to her grandson, the source of her pride and joy. As soon as I made this connection, I had another revelation. Gradually, the chow-chow’s admiration is shifting towards the doctor. 
(Chapter 25) and showed no fear to fight with stronger men. 
(chapter 52) I sense some future tension between him and coach Park Namwook, for the maknae embodies enlightenment, great intuition and open-mindedness, whereas the other stands for prejudices, ignorance and herd mentality. Naturally, the manager is changing for the better, nonetheless his metamorphosis is progressing much more slowly. Only in episode 52, he questioned why Baek Junmin was placed next to his athlete. 
(Chapter 52) Yet, he didn’t complain to the staff or to director Choi Gilseok. He remained passive contrary to the young member from Team Black. Moreover, because Kim Dan has always felt a certain closeness to Yoon-Gu, I believe that the latter will be the reason why the champion and Kim Dan can rekindle. Thanks to him, he can approach the poor doctor and convince him that Team Black is his home. 
(chapter 29) I doubt that it will be just for the athlete’s sake and recovery, for this would make him a hypocrite. He is truly interested in the doctor’s well-being. Let’s not forget that his worries in episode 43 were genuine. Moreover, since Joo Jaekyung’s name number 3 and Potato 4, we come to 7! They will work together. Joo Jaekyung will share his knowledge how to rule in the ring.
(chapter 26), his tolerance, patience, understanding 
(chapter 37), his humbleness 
(chapter 25), his dedication and meticulousness. 
(chapter 49) Yoon-Gu could only perceive Kim Dan as the symbol of loyalty. Hence I come to the deduction that after meeting doc Dan, he must have realized that only one could change the situation, it was Joo Jaekyung and no one else. 
(chapter 43), but also Park Namwook’s neglect. How so? First, look how Kim Dan came to offer his services to the members from Team Black. Kim Changmin had an old shoulder injury which had been neglected: 
(chapter 7) But the coach should have noticed it and advised him to go to a doctor. He was responsible for them. But no… and we have two other evidences in episode 52. First, the manager didn’t ask about Potato’s injury. Secondly, he slapped a patient, because he felt “provoked” by the outburst from Joo Jaekyung. 
(chapter 52) Why? One might say that he was worried for his star. But for me, the drop of sweat is showing a certain discomfort. How so? A surgery means that the athlete can no longer fight for a while. Without him, the coach is put under pressure, for he needs to ensure that other fighters can enter MFC. 
(chapter 47) Hence I am now wondering if his passivity and silence after the terrible incident were not deliberate. He had ran away from any responsibility out of fear (avoidance). That way, he could put the blame on others: the champion, the fighters, King Of MMA etc. Naturally, the champion is also to blame 
(chapter 41) That’s how it dawned on me that the news about Kim Dan could be referring to his health too. But does it mean that doctor Dan is now ill, especially when you look at Potato’s facial expression here? 
(chapter 25) Back then, his dream was to train and spare with the athlete, thus I deduce that his new dream got “crushed”. But what was his new wish? To work with doc Dan! Thus he assisted him and asked for his opinion. He trusted him blindly. Therefore I have the impression that the physical therapist stopped on his own working for Team Black. However, I don’t think, Kim Dan made this choice himself. The news definitely caught the athlete by surprise. 
(chapter 52) Either he is sick, or it could be a reference to the doctor’s mental health as well. This would mirror the champion’s unwell-being. 
(chapter 10) Let’s not forget that after his first night, the doctor numbed his physical pain with soju, while he was not eating properly. 
(chapter 43) The champion represented the doctor’s motivation and as such “sweet drug”. That’s the reason why he could always overcome the pain afflicted by his soulmate: 
(chapter 47) 
(chapter 51) And this brings me to my next observation. All the episodes are showing the champion’s weak mental condition which got even worse over time. From this 
(chapter 7) to this 
(chapter 34) and to this: 
(chapter 34) Though the celebrity was getting easily irritated, the manager never took the matter seriously. He saw it as the result of bad education, hence he never tried to change it either. 
(chapter 43) 
(chapter 43) and care are not selfless, for the PT could improve the celebrity’s performance and even treat his shoulder injury in such a short time. However, what Park Namwook is not realizing is that he is becoming responsible for Kim Dan and his return. 
34 and 52) is not the expression of fun, rather it indicates fear, frustration and anger. In episode 25, the maknae wounded the doctor out of jealousy and frustration unconsciously. He wished to be close to the celebrity. Interesting is that chapter 43 represents the true exception. Here, the readers could discover the champion’s true face: he was behaving like a brute and thug 
(chapter 43) 
(chapter 43) To say that the athlete always has a bad temper 
(chapter 25) Why? It is because the doctor protected him by explaining the circumstances: he was learning jujitsu. He diverted the champion’s attention from Yoon-Gu. He had not been “caught”. However, when Kim Dan was offered to become the celebrity’s sparring partner, Potato got angry and voiced his anger and wish: 
(chapter 34) He employed the exact expression than the manager, an indication that the latter had influenced the actor. I consider his thoughts as another evidence for the coach’s intervention. However, he couldn’t report it to Park Namwook, for he had used work as a reason to meet the protagonist. On the other hand, I am quite certain that he divulged the incident to Potato in episode 43, therefore the latter agreed to the statement of the other fighters: he was a thug. 
(chapter 52) They got scot-free. While it looks like a blessing, it is not because contrary to the past, police got involved. Coach Jeong Yosep reported the incident to the authorities, so Choi Gilseok and the other could get arrested for money laundering. 
(chapter 1) His bad temper is the reason for that incident. Funny is that by admitting this, he is not realizing his own wrongdoing! He neglected the champion’s mental health and his well-being all this time. He never tried to grasp the origins of his irritability and to improve the situation. So it was only a matter of time, until this would come to the surface! To conclude, though number 7 is strongly connected to suffering, it also stands for education and teaching. Thus as time passes on, the characters are getting enlightened and more complete. Little by little, they are getting closer to the divine: the discovery of hope and as such happiness. For me, the protagonists’ main spiritual growth will take place around the episodes 70-79.
Bebebisous33s' analyses in K-Dramaland and Manhwas 