Jinx/Doctor Frost: Flight 🚪 from Truth 👁️✨🧠, Fight🥊 for Fragile Peace ☮️

In the psychology article “How does confirmation bias push us to make bad decisions in life?”, author Jennifer Delgado analyzes how our minds instinctively defend core beliefs when confronted with contradictory evidence. This defense, she explains, stems from the discomfort of cognitive dissonance—a tension we feel when facts challenge our identity or worldview. To avoid this discomfort, people tend to seek psychological safety over factual accuracy. When destabilizing information arises—especially involving self-concept, loyalty, or trauma—they fall back on defense mechanisms: denial, deflection, aggression, or withdrawal.

This behavior is not purely mental; confronting such dissonant facts activates brain regions linked to physical pain. As a result, the individual unconsciously opts for survival behaviors—either fight (blame, control, projection) or flight (avoidance, submission, denial)—instead of reasoned analysis.

This concept is deeply relevant to the world of Jinx, where characters often mistake emotional avoidance for peace (chapter 47) and denial for strength (chapter 55). Joo Jaekyung, Kim Dan (chapter 61), Park Namwook (chapter 69), and Shin Okja (chapter 53) all operate within survival mechanisms shaped by trauma, guilt, and fear. They choose the illusion of control or calm over genuine healing. But as the story unfolds, these strategies begin to unravel. Each character must confront the truth behind their emotional habits, learning that happiness isn’t the absence of pain—it’s the result of confronting it with clarity and purpose.

Joo Jaekyung: When Strength Masks Submission

In his recurring nightmare (chapter 54), Joo Jaekyung is cornered by a faceless, overpowering ghost. He is unable to fight or flee; only obedience and silence remain. (chapter 54) He could only express his pain and resent through the hand. This moment encapsulates the core of his trauma: as a child, he learned to survive through silence and compliance, not resistance. Yet deep down, the resentment festered—toward himself, and toward the abuser. That psychological pain was redirected into becoming a fighter, as if to prove the abuser wrong. (chapter 26) (chapter 14) But ironically, he became exactly what the abuser desired: a powerful, obedient puppet. His fame, discipline, and aggression were not signs of freedom, but evidences of emotional and mental captivity. That’s why the past from the champion is surrounded by darkness and mystery.

This also explains why Jaekyung never learned how to speak to others or negotiate emotionally. (chapter 36) His language was dominance, not dialogue. He didn’t process his emotions through words—he suppressed them, until they erupted in violence or withdrawal. (chapter 34)

But his dynamic with Kim Dan began to disrupt this cycle. Doc Dan, being physically weaker and more emotional, didn’t respond to force like the others. He didn’t fight back with fists. He showed his vulnerability and as such his tears. (chapter 1) And crucially, he didn’t leave right away either despite his embarrassment and fears. (chapter 1) Thus for the first time, Jaekyung had to develop a new strategy in order to meet him again: one that doesn’t rely on intimidation, but on communication. The problem is that since he saw the physical therapist running away after their first session (chapter 1), he knew that he needed to lure him with something: money (chapter 1). Under this new light, my avid readers can grasp why the athlete played a trick on the phone, though we have to envision that here the celebrity’s thoughts were strongly influenced by his bias and prejudices. He imagined that Doc Dan had made a move on him.

Dan has been teaching him, without lecturing, that flight can be strength. (chapter 5) That retreat doesn’t mean failure—it can be an act of self-preservation. However, the champion experienced that he needed to speak with doc Dan in order to keep him by his side. This lesson became a turning point. Jaekyung started to speak more. (chapter 18) Therefore it is no coincidence that in episode 18, right after the celebrity spoke, Kim Dan’s reply was strongly intertwined with flight: (chapter 18) The denial of kindness from the champion made the doctor uncomfortable, the latter felt the need to leave the penthouse as soon as possible. The lesson for the star was to realize that words are powerful and can affect people. But Joo Jaekyung didn’t grasp it, as he chose to use sex to „submit“ his fated partner. (Chapter 18) Nevertheless, as time passes on, the wolf asks more and more questions. He reacts to emotional discomfort not only with physicality but with hesitation, introspection. He is no longer reacting as the ghost once taught him; he is arguing and as such adapting, growing. Thus we could say, he is less passive.

On the other hand, I noticed that Joo Jaekyung displayed a clear behavioral pattern in season 1: he cornered Dan physically—pinning him onto the bed (chapter 3) or table, in showers (chapter 7), against doors, or walls (chapter 34). On the surface, it may seem like a gesture of dominance or desire, but symbolically, it reflects silencing.

This repetition links back to Jaekyung’s trauma. In his youth, he was trapped between the abuser and a bed or a wall (chapter 54), unable to escape or speak. He was physically and emotionally silenced by someone more powerful. As a result, cornering became his unconscious language of control—a reenactment of power where he was once powerless. It’s not just about physical space; it’s about suppressing the other’s voice so he doesn’t have to face emotional exposure himself. In other words, he never learned how to flee, until he met his new mentor Doc Dan.

That’s why the locker room scene in episode 51 stands out. There, they are no longer pressed into corners. (chapter 51) They stand in the middle of the room—an open space—symbolizing emotional emancipation. When Dan questions the celebrity (chapter 51), the words from doc Dan pierce the champion’s emotional defenses. Thus Joo Jaekyung is destabilized. (chapter 51). The latter tries to reassert control (chapter 51), but this time, when he lashes out, he is the one who leaves. This is cognitive dissonance at work: the fighter cannot reconcile his fear of vulnerability with his emerging need for connection and his perfectionism. So he defaults to a performance of control, even as he runs from it. And while one might mistake this for weakness or regression, it actually displays a progression. First, Jaekyung had finally revealed his thoughts and fears to Dan. (chapter 51) Secondly, he left the place which was a new MO for the fighter. His act of fleeing is no longer an escape from confrontation —it follows a moment of emotional vulnerability. It shows that he had finally dared to speak, even if he wasn’t yet ready to stay and endure the emotional aftermath.

Then in episode 69, Jinx-philes can detect a huge metamorphosis in the star. On the surface, he still appears obedient—he remains largely silent during the tense meeting with Park Namwook and the CEO. (chapter 69) That silence could easily be mistaken for submission, for the same old performance of the compliant athlete. (chapter 69) But that would be a misreading. His silence is no longer a symptom of fear or control. It is a deliberate withholding—a sign that he no longer plays by their emotional rules. He is starting distancing himself from MFC, Park Namwook and the fight-centered identity they crafted for him.

His choice to return to the West Coast might look like a retreat to the schemers. (chapter 69) After all, to those still invested in dominance hierarchies, leaving the capital after a public defeat seems like the behavior of someone who’s been defeated mentally as well. But the truth is the opposite. This “retreat” is actually an act of autonomy. For the first time, Jaekyung is giving himself space—not to run, but to reflect. (chapter 69) He is no longer blindly performing the role of the fighter, nor desperately trying to maintain control over the narrative. (chapter 69) He is beginning to think critically about his past behavior, his future, and the systems that have defined his identity and life.

That’s what makes the embrace at the dock so powerful. It doesn’t take place in a ring, in a hallway, or in a cornered room. It happens in an open space, (chapter 69) with “no audience” (he ignores people), no pressure, no script. And in that openness, he lets go—not just physically, but psychologically. (chapter 69) The hug marks the collapse of his old beliefs: that emotions are weaknesses, that silence is protection, that strength means standing alone. He is no longer trying to dominate Dan or prove anything. He’s not cornering or fleeing. He’s simply staying—with someone, and with himself.

It’s a moment that doesn’t fit the binary of fight or flight. It is something more radical: connection.
It is vulnerability without fear. Stillness without paralysis. Silence without suppression.
In this context, the hug is not just affection—it is emotional rebellion. The sportsman reclaims his body not as a weapon, but as a vessel for intimacy. He reclaims silence not as submission, but as peace. And perhaps for the first time in his life, he doesn’t need to perform. He just is.

That’s why this hug is a fight. Not against Dan. Not against MFC. But against everything that taught him that love and respect must be earned through violence, that silence must come from fear, and that warmth and dependency are weaknesses.

This is the moment he stops surviving and starts living. When Jaekyung embraces Dan without shame, he does not speak—but for the first time, his silence is not imposed. It is chosen. He allows his body to express his emotions differently: longing and affection. He is not voiceless anymore—he simply no longer needs to explain or defend. The hug becomes his first true act of emotional agency. He is not reacting to fear. He is not controlling or escaping. He is staying. That is the fight.

And in this moment, he reclaims what “fight” really means. Not overpowering others. Not performing masculinity. Not obeying trauma. But overcoming his trauma, standing one’s ground for connection, for truth, for love. The hug is his first fight that isn’t about winning—it’s about not running away.

What begins as survival now becomes healing. And how are prejudices dismantled? Through communication. This means that from episode 70 on, the star will talk to doc Dan. Jaekyung, who once avoided words, who let others speak for him, who was branded and silenced by MFC, the entertainment agency and Park Namwook—is now ready to speak for himself. The hug is not the end of that journey (chapter 69), but the door finally opening. He is on his way to reconnect with his true self surrounded by nature and the people who truly respect and love him.

Park Namwook: Delegating Blame to Escape Collapse

Park Namwook relies heavily on both fight (chapter 7) and flight (chapter 52), often using blame as a shield. When crisis strikes, he blames the champion’s temper, relies on Doc Dan (chapter 36), or MFC’s decisions. (chapter 69) He surrounds himself with “assistants” like coach Yosep, Kim Dan or Joo Jaekyung (chapter 25: here the protagonist was replacing Yosep and Park Namwook), hires professionals to manage damage (chapter 47), and hides behind administrative actions. (chapter 66) But he never takes full responsibility. This blame-displacement strategy works—until the champion flees to the West Coast.

Now, Park has no one left to blame but himself. In fact, it was Joo Jaekyung’s very act of fleeing (chapter 66) that cornered the manager. (chapter 66) As long as the champion was nearby, Park Namwook could project blame onto him, framing him as unstable, disobedient, or temperamental. But once „his boy“ vanished from Seoul, the hyung was left exposed. Striking is that he is not seen watching over the training of the remaining members. (chapter 60) (chapter 60), a sign that he is neglecting the other members. The absence of his star fighter removed his most convenient scapegoat, forcing him to face the consequences of his own mismanagement—though he is not yet ready to truly question it and change his mindset, denial, and dependency. This was not just a geographical disappearance—it was a strategic psychological rupture, meant to destabilize Park’s illusion of authority.

And this is where the illusion breaks. He is forced to realize: he is not the real owner of the gym. He needs Joo Jaekyung’s signature for major decisions. He needs the champion’s public image to draw sponsors. When the fighter disappears, the manager’s relevance disappears too. That’s why he pushes for a new match (chapter 69) —not for the protagonist’s career and sake, but as a desperate attempt to re-anchor himself to glory, Joo Jaekyung and MFC. This means that he is choosing avoidance and as such flight. He lets his puppet fight for him.

But this can only backfire. In his mind, he is imagining that with a new fight, everything will return to normality and as such it will be like in the past. But he is overlooking two aspects: (chapter 69) The announcement that MFC will “line up a match” for Joo Jaekyung after the fall competition marks a pivotal moment — not of triumph, but of quiet exclusion. The phrasing itself is telling. The main lead is not invited to compete in the main event. He is not allowed to fight for the title. His role has been reduced to a postscript — a gesture, not a priority. For a fighter who once carried the brand’s identity, this is not simply a delay. It is a symbolic sidelining. In other words, the new champions and the CEO fear the star. (chapter 69) So with this new request, the manager ignores the reality that Jaekyung has been removed from the competitive spotlight. (chapter 69) He continues to speak as though the champion’s future is intact, as if the title is still within reach. But the organization’s actions speak louder: Jaekyung is no longer a contender — he is being gradually abandoned, not promoted. Secondly, Park Namwook assumes that Jaekyung will win the next fight, as if victory is still within his grasp. But this trust is misplaced — not only because the fighter is recovering from surgery, but because the schemers may have already designed this match as a final blow. Another fight right after a surgery, a staged defeat, or a quiet elimination would neatly push Jaekyung out without public controversy. By assigning him a marginal, delayed match, they are not offering redemption — they are orchestrating his exit.

MFC manipulates the manager’s selfishness and uses him as a tool to cover up the previous scandals. They feed him the illusion that he’s still in control, but the fall match is just a distraction—a public reset. I would even add that the manager seems to know that the ranking is not reflecting reality and even that the ranking is manipulated. . (chapter 69) The causal link here is suspect. Rankings in professional fighting aren’t determined solely by inactivity, especially when medical suspension is publicly known. So the manager tries to blame ranking drop on inactivity, but the inactivity isn’t prolonged enough to justify such a steep fall — from 1st to 3rd within 1 month and half. Besides, observe the drop of sweat on his face, a sign of discomfort and as such deception. Moreover, he is hesitating, visible with the points of suspension. indicating his awkwardness and lack of honesty. In addition, he is speaking exactly like MFC (he lost the last match, while it was just a tie) and finally he shouldn’t be employing the expression “it’s been a while”, as barely two months passed since his match with Baek Junmin. In other words, the man is delivering the message from MFC. He becomes a complicit agent, cloaking corporate strategy in soft euphemisms. This signifies, he is no longer acting as the owner of Team Black, though on the surface, it still looks like the man has the title of gym owner. The deeper irony lies in the fact that the true owner of Team Black is Joo Jaekyung. It is his money and name that built the gym’s reputation. It is his popularity, victories, and public image that attracted members, sponsors, and influence. Legally, financially, and symbolically, Jaekyung is the one holding the structure together.

That’s how it dawned on me that the schemers could be deceived too. I think, the CEO from MFC and Choi Gilseok still perceive Joo Jaekyung as “just a fighter” because of Park Namwook’s attitude: an asset, a brand face, a body to manage. (chapter 17) They don’t see him as someone with legal or institutional power. But that’s their fatal blind spot. Since Jaekyung co-owns or outright owns Team Black, this makes him: A partner (or even rival) in MFC’s talent pipeline; an employer and a stakeholder in fighter safety. He has the same position than Choi Gilseok. Therefore as the owner of Team Black, he can sue the gym King of MMA and Choi Gilseok. He can take action against the CEO for negligence, corruption or abuse of authority. (chapter 47) Finally, he can testify not only as a fighter, but as a representative of the institution they tried to exploit. That elevates his voice: from a disposable athlete to a legal opponent with organizational standing.

Worse, if anything goes wrong, Park Namwook is now positioned as the scapegoat and spy. He didn’t reveal certain things to his boss, like for example how his members could never win. This character shows how fight (blame, control) and flight (denial, delegation. omission) are merely two faces of the same cowardice. His false peace rests on borrowed time and power—and it’s collapsing.

Kim Dan: From Submission to Resistance—and Back Again

Kim Dan’s survival mechanism was silence as well. As a child, he learned that speaking up would change nothing. (chapter 57) Secondly, the vanishing of his parents were also swept under the carpet. That’s how he internalized powerlessness. Fleeing (chapter 1), deflecting, and disappearing became natural. With the grandmother, with doctors (chapter 1), with institutions—he obeyed. He accepted his fate as a fatality. But with Jaekyung, a new pattern emerged. Slowly, he began to resist: he set boundaries, raised his voice, argued with his boss, even used physical gestures to assert himself. (chapter 7) For a moment, he was fighting.

But without mutual trust (chapter 51), this resistance could not hold. His boss and client never fully opened up, and so Dan, sensing instability, retreated again. (chapter 53) The brief flicker of agency collapsed. And this reflects a deeper psychological truth: resistance is not sustainable unless it is met with recognition. Otherwise, it begins to feel dangerous. Dan learned how to fight—but he never learned that he was allowed to win. Because deep down, Dan has internalized a belief shaped by trauma and lifelong submission:

Doc Dan has begun to resist, to speak, and even to walk away—but deep down, he still struggles to believe that success, safety, or love are things he’s truly entitled to. He acts, but with hesitation. He asserts himself, but doubts linger. He’s not powerless anymore—but the belief that he must always yield hasn’t fully let go of him either. That’s why he keeps mentioning the debts. (chapter 67) Moreover, in contrast to Season 1, Kim Dan is no longer the invisible caregiver or obedient grandson. Thanks to Joo Jaekyung’s presence—disruptive and painful as it was—he began to form an independent identity (chapter 57), one no longer shaped entirely by duty or guilt. The grandmother, however, is blind to this change. She continues to speak to him as if he’s the same self-sacrificing boy (chapter 65) who followed orders quietly and centered his life around pleasing others. Her suggestion that he “returns to Seoul” assumes he still views that as his place. But Dan refuses.

This refusal is significant. It is not only a rejection of her directive (chapter 57) —it is a rejection of the belief that he exists only to serve. In Season 2, Dan says “no” repeatedly:

  • He refuses Jaekyung’s offer of support. (chapter 60) (chapter 67)
  • He ignores the sleep specialist’s recommendations and denies the seriousness of his condition.
  • He rejects Potato’s suggestion to return to the gym. (chapter 58)
  • He only listens to the nurse, when the latter uses her authority on him. (chapter 57)

Although he is clearly struggling emotionally, there is something new about his detachment: it is not just trauma withdrawal—it is the first fragile assertion of selfhood. For the first time, he is choosing himself, even if that choice leads him into making bad decisions and a quiet depression. He is not clinging to roles that once gave him safety—he is testing the silence between identities.

And this is precisely what the grandmother fails to understand: Dan is no longer a reflection of her expectations. He is trying to become someone who belongs to himself. And her ignorance can be perceived, when she brings up the past. (chapter 65) She uses his past flaws to outline his immaturity and need of guidance. However, she is not taking into consideration the transformation in the doctor due to the recent incidents (switched spray). He is no longer the same than he was 6 months ago or 2 years old. He changed thanks to the athlete and because of unfortunate events (sexual harassment from the hospital director, switched spray). But the halmoni has no idea about such incidents.

And so he, too, begins to confuse avoidance (chapter 61) with peace. He gives in to silence in front of Shin Okja again, not because he believes it is right, but because he believes it is safer. So far, he has not confronted his grandmother’s decisions yet.

The Grandmother: Avoidance Disguised as Selflessness

The grandmother represents the clearest embodiment of the flight response. (chapter 53) Unlike Park Namwook who uses blame and delegation in professional settings, she applies emotional avoidance in private and familial spaces. Much like the manager, she outsources responsibility, asking others to step in (chapter 53) (chapter 65) rather than engaging directly. She avoids difficult conversations, never once asking doc Dan about the nature of his work or why he followed her to the West Coast. (chapter 65) Her silence is not protective—it is evasive.

As someone who is not a fighter by temperament or experience, she avoids confrontation and choices. Hence she asks for help from the champion behind her grandson’s back. This internalized passivity is mirrored in her body: she cannot fight back against cancer. (chapter 5) Her illness becomes a metaphor for her mindset. She relies on external systems: her grandson (chapter 53), doctors (chapter 7), medication, comfort (chapter 21), and other people (nurse, Joo Jaekyung) —to maintain her emotional balance. But as doc Dan himself once observed, she is ultimately on her own in her battle. No system can fight it for her.

This mindset surfaces again when the oncologist, Dr. Kim Miseon, reproaches doc Dan for not visiting his grandmother. The implication is blame. However, this accusation is not entirely grounded: doc Dan had arranged for a nurse to provide care and companionship. (chapter 7) His grandmother was not truly abandoned; she simply equated his physical absence with neglect, ignoring the emotional and financial burden he already carried. Like Park Namwook, she prefers others to carry the discomfort while maintaining a façade of suffering and sacrifice. (chapter 65)

Her passivity is cloaked in martyrdom—”I did everything for you”—yet it deprives doc Dan of emotional reciprocity. In her world, emotional closeness is conditional (chapter 47) , and her narrative of selflessness becomes another form of emotional pressure. She does not yell, she does not accuse directly, but her avoidance is equally powerful in shaping Dan’s self-image as a burden. Doc Dan came to internalize that she suffered because of him. (chapter 5) Hence he made sure to shield her from any pain.

Her return to her hometown and her stay at the hospice reflect a deeper psychological strategy: she is not preparing to die, but attempting to escape death—to feel young again (chapter 65), protected, comforted. Surrounded by nurses, medication, and routine, she finds temporary peace in an environment that simulates safety. The hospice does not cure her illness, but it cushions it. This illusion allows her to smile again, to relax—but only up to a point. Kim Dan’s gradual deterioration (chapter 57) —his visible exhaustion, disconnection, and quiet suffering—becomes a thorn in her eye, a reminder that her peace is not whole. As long as he suffers, she cannot entirely escape the shadow of her own regrets. Sending him away to Seoul represents a new of flight. Out of sight means out of mind. That way the grandmother wouldn‘t have to worry about doc Dan, as he has been entrusted to the athlete.

Survival Mode and Selective Laziness: The Blind Spots of Belief

As explained in Dr. Frost (chapter 163) and supported by the article on confirmation bias, human survival was deeply dependent on mental shortcuts. Biases were not flaws, but adaptive tools — heuristics that helped our ancestors make quick decisions under threat. Faced with a potential predator, they could not afford the luxury of curiosity or debate. Run first, think later. (chapter 163) In this sense, biases were effective precisely because they increased the chance of survival.

This explains why all four characters in Jinx behave irrationally at times — not because they are inherently flawed, but because they are trapped in survival mode. Joo Jaekyung, Kim Dan, Park Namwook, and the grandmother all exhibit narrow thinking and emotional rigidity because their nervous systems are wired for defense, not reflection. They are biased — not out of malice, but because their minds are trying to protect them.

For example, Park Namwook began as a cheerful, strategic manager. (chapter 9) But once Joo Jaekyung became the target of criticism and scandals, his fear response activated. (chapter 52) He grew rigid, controlling, and increasingly biased. The infamous slap in the hospital was not a calculated choice — it was the culmination of fear, the eruption of unresolved stress and repressed blame. His mind no longer could no longer hide behind fake understanding; it sought a target.

The article on selective laziness explains how people apply critical thinking unevenly, questioning what threatens them while blindly trusting what confirms their worldview.

The result of this study is visible in Jinx. While, the manager thought that the next match was too soon in episode 41, (chapter 41) he recommends the opposite at the restaurant because the idea comes from the CEO! (chapter 69)

In addition to the earlier exploration of confirmation bias, Jennifer Delgado’s article 5 cognitive biases limit our potential” offers another compelling extension. She explains how biases don’t just distort perception—they actively constrain personal growth. She introduces 5 different cognitive biases and one of them is “Hindsight bias”.

Hindsight bias is the tendency to look back on a decision and reinterpret it as better, wiser, or more inevitable than it actually was. To reduce discomfort or self-doubt, we modify our memory of past motives, downplay any hesitation or contradiction, and reframe our choice as the best one all along. This can be observed in this image: (chapter 65) The grandmother quietly rewrites the past to preserve her emotional comfort. Her statement — “I told him I wanted to see the ocean, but I never imagined he’d end up settling down here” — seems reflective on the surface, but it is a clear case of hindsight bias. She reframes her earlier decision as simple and innocent (as if it was a trip), downplaying the emotional pressure she placed on Kim Dan to follow her. By minimizing her role in shaping his circumstances, she subtly shifts responsibility onto him, as if his decision to stay was entirely his own, disconnected from her influence. This distortion allows her to avoid guilt and maintain the illusion of benevolence. However, if she truly meant, she desired to go on a trip (chapter 53), she should have voiced before that the doctor had misunderstood her. However, she claims that this place is her hometown, and with her request to the champion, she implies that she desires to stay in that little town: (chapter 65) It was her decision to settle down at the hospice.

Even more revealing is her next comment: “I really don’t know what that boy plans to do with his life.” This confession exposes her emotional detachment. Despite being the one who uprooted his life, she has made no effort to understand his goals, his work, or his emotional needs. Her words reflect not only a lack of curiosity, but also a passive disavowal of responsibility. She speaks as if Dan were a stranger, even though she has shaped his life through silent expectation and unspoken control. The peaceful ocean backdrop masks this deeper avoidance. Her worldview remains rooted in survival logic and emotional self-preservation — not genuine connection or growth.

By reinforcing outdated beliefs, we avoid novelty, risk, and the emotional labor required for change.

When we have deep-seated beliefs, we stop questioning them and simply assume they are true. This limits our ability to grow, learn, and discover new perspectives. This insight sheds further light on the characters’ emotional stagnation in Jinx. Park Namwook clings to obsolete narratives about leadership and discipline, failing to acknowledge how the landscape—and Jaekyung—have changed. His insistence on orchestrating a comeback fight is not strategic foresight, but cognitive rigidity disguised as professionalism.

The grandmother is likewise restricted by inherited beliefs: that safety, solitude, and hard work (chapter 65) are the cornerstones of survival. She only has friends, when she needs them (see for example the champion). These assumptions once protected her, but now they prevent her from evolving—from supporting Dan emotionally, from engaging in reciprocal dialogue, and from allowing herself to face death consciously rather than evade it.

Even Joo Jaekyung’s belief that strength equals stoicism prevented him from confronting the truth of his own vulnerability. Only through Kim Dan’s influence did he begin to question this inner script—and once he did, the false foundations began to crumble. He has just started healing emotionally; he is starting questioning the corrupt systems surrounding him, including MFC’s exploitation. This means, the existence of his jinx is vanishing.

This second article reinforces a deeper truth: that healing requires not only confronting pain, but also dismantling the faulty reasoning that keeps us blind. As long as the characters were clinging to biases, they remained paralyzed—unable to process what had happened to them, or recognize the larger forces at play. Hence they could never be happy. But the moment they begin to question themselves and speak honestly with one another, they also begin to see clearly—not just inwardly, but outwardly.

This explains why doc Dan ignored Jaekyung’s advice about medication and health. (chapter 67) His survival bias told him: “Don’t trust a man who once treated you violently.” or “Doctors are ignorant, they don’t know me“. It was easier to discredit the source than to weigh the merit of the message. Likewise, in Season 1, the champion dismissed doc Dan’s medical opinions (chapter 41), trusting instead in MFC and his agency — despite the fact that those institutions are overtly motivated by money. His bias protected his ego, but at the cost of his health and relationships.

Park Namwook falls into the same trap: he considers Jaekyung a “spoiled child” (chapter 7) (chapter 40) who needs to fight to prove himself, yet likely doesn’t treat his own family this way. (chapter 45) His double standard is not conscious hypocrisy — it’s a form of selective laziness. He does not challenge his beliefs because doing so would unravel the identity he’s built as a competent, authoritative manager.

The grandmother also embodies survival-driven bias. She believes that working hard and seeking fame are acts of love and stand for happiness— but she never questions the emotional cost. (chapter 65) She doesn’t help her grandson build friendships (chapter 57) (chapter 65) or a support network. It is not her fault, if she never met doc Dan’s friends in the past while hiding the fact that he had been bullied by his peers. Her request for him to return to Seoul, a place he has no roots, only furthers his habit of isolation. Similarly, when she asked Jaekyung to bring him to Seoul and have him diagnosed, she implicitly discouraged any shared decision-making. Like Park Namwook, she bypassed dialogue in favor of directive control, reinforcing the habit of emotional withdrawal.

As the article states,

But her attitude blocks precisely that — there is no exchange of ideas, no real conversation. Only avoidance wrapped in concern and requests.

This is why neither Jaekyung nor Kim Dan were “thinking properly” earlier in the story. They were not free to. Their brains were in survival mode, stuck in flight or fight, not reflection. But once the champion saw Dan again — saw that he was still there, still himself — his anxiety softened. He began to press MFC for answers. (chapter 67) That shift marks a turning point from survival to conscious thought. The mind cannot reflect when it believes it is under attack. The tragedy is not that these characters are irrational — it’s that they were taught fear before they were taught trust. Thus I come to the following conclusion. As soon as both are curious about each other (chapter 69), they are now free from their bias and prejudices. (chapter 69) They will be able to communicate which will help them to discover the truth about MFC. Yes, their ability to ponder will lead them to unmask the villains and defeat their opponents. By fighting for justice, both will discover true peace of mind. This hardship at the end of season 1 was necessary to reset their heart and mind: what is the true meaning of life? Money? Work? Duty? Sacrifice?… The answer is happiness which is strongly intertwined with love and selflessness.

The topic for the next essay is:

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Jinx: The Truth 🕵🏼‍♂️ Behind The Oath Of Hippocrates ⚕️

The Hippocratic Oath, one of the oldest binding documents in history, originates from Ancient Greece and has long been regarded as the ethical foundation of Western medicine. Traditionally attributed to Hippocrates, often called the ‘Father of Medicine’, the oath originally included commitments to treat the sick to the best of one’s ability, to preserve patient confidentiality, and to pass on medical knowledge without demanding payment.

Over centuries, this oath has undergone numerous revisions to reflect the changing nature of medicine and ethics in society. While its core values—non-maleficence, beneficence, and fidelity—remain intact, modern versions are more secular and inclusive, often omitting archaic references to gods or master-apprentice hierarchies. The intention behind the oath has always been clear: to put the well-being of the patient first and to uphold the dignity and responsibility of the medical profession. These noble intentions raise important questions in today’s context. To what extent are they still fulfilled? Do contemporary medical professionals act in the spirit of this oath? And can structural realities—limited time, profit-driven care, burnout—undermine a physician’s ability to live up to its promise?

These critical perspectives crystallized while reading Chapter 67 of Jinx, and triggered a thought-provoking exchange between my friend @Milliformemes2024 and me. Our diverging interpretations of the sleep specialist in chapter 67 helped to shed new light on the enduring relevance—but also the limitations—of the Hippocratic tradition. What began as a discussion about a single consultation evolved into a broader reflection on symbolic language, institutional care, and the ethical cost of modern medicine. In truth, both perspectives hold merit. Our conversation mirrored a larger dialogue between Idealism and Reality: one of us defending the emotional depth and symbolic resonance in care, the other grounded in the necessity of boundaries and pragmatism. This essay unfolds in three parts: first, a symbolic analysis of the sleep specialist and the contrasting figure of Cheolmin; second, a comparison of institutional care and how financial motives shape medical ethics; and third, a visual exploration of hospitals and their architectural relationship to nature.

The Sleep Specialist and the Invisible Patient

Our discussion began with differing impressions of the sleep specialist in Chapter 67. My friend viewed her approach as textbook (chapter 67): the brief diagnosis, the recommendation for weekly visits, the specialist’s tentative attribution of Kim Dan’s condition to either alcohol or a possible psychological cause, emphasizing the need for continued observation and weekly visits before offering a definitive diagnosis —all standard responses. For her, this was a doctor following routine procedure without overstepping professional boundaries. However, I perceived her behavior very differently. I saw someone who remained emotionally detached and almost absent, reducing the complexity of Kim Dan’s condition to simplistic surface-level causes without genuine inquiry.

This divergence in opinion hinged on what each of us prioritized. My friend appreciated the clinical neutrality, interpreting it as a mark of competence. I, however, found it troubling—too minimal, the possible psychological cause was only mentioned. The symbolism in her appearance intensified my reaction. She is portrayed eyeless, a metaphor for her blindness—not in vision, but in perception. Her gaze is absent; her diagnostic process relies not on what she sees but on what others report, most notably, Joo Jaekyung. (chapter 67) Rather than forming an independent assessment, she accepts the narrative of a third party, which introduces bias and limits her understanding. One might argue about that, because she is looking at a paper, probably result of a blood test which seems to corroborate the guardian’s statement. Hence the sleep specialist concludes that Kim Dan is suffering from insomnia, alcohol addiction and sleepwalking. The problem is that his statement is based on external observations (halmoni and the landlord) and their limited knowledge. Moreover, Jinx-philes should keep in mind two important aspects: (chapter 61) The champion had been himself suffering from similar symptoms which could be seen as a projection on his loved one. Additionally, based on previous observations, I have interpreted Kim Dan’s nightly walks not merely as sleepwalking, but as dissociative episodes—likely triggered by overwhelming guilt, unresolved trauma, and a chronic sense of disconnection from his body and surroundings. But how could the champion know about this? He’s not a doctor himself. In order to have a more accurate picture of the whole situation, she should have talked to the patient himself. But by relying on papers and the guardian’s testimony, she not only distances herself from the patient physically and emotionally, but also delegates the responsibility of interpretation. She is using the eyes of others.

She wears an open white coat, (chapter 67) revealing a light green pullover layered over a white shirt—clothing that clearly belongs to her private wardrobe. This visual detail suggests a separation between her personal identity and her professional role. It’s as if donning the coat is enough to signal her authority, without requiring emotional engagement. The coat becomes a badge, not a commitment.

Yet one could argue that this very distinction is essential. The boundary between self and profession is what prevents the physician from becoming emotionally overwhelmed. Without such a barrier, the practitioner might absorb too much of the patient’s pain—leading not only to fatigue but to burnout. (chapter 57) Perhaps the doctor’s detachment is not indifference, but a survival mechanism in a healthcare system that demands efficiency over intimacy.

The white coat in this scene does not function as a symbol of care (chapter 67): it becomes an emblem of role-playing. What caught my attention is that she doesn’t directly address the patient, she doesn’t ask him any question either. She is not curious at all. If she had, she would have heard this: (chapter 67) indicating that his alcohol addiction is not the real reason for his insomnia. Then she fails to examine Kim Dan physically, the desk is between them. Therefore she can not detect his visible malnourishment.

But she couldn’t see it, as she relied on second-hand testimony (Joo Jaekyung’s words). The irony is that the latter failed to notice it. Each time he saw the doctor’s body, he got aroused. (chapter 62) Moreover, both the landlord and the grandmother never brought up this aspect, though Shin Okja had observed this terrible transformation: (chapter 57)

And this raises the following question. Why did the sleep specialist not question the main lead directly and relied on other sources? (chapter 66) It is because the physical therapist is just a number (2) and as such a file. Therefore the doctor is not seeing the patient as a human. I can not blame the woman either, for she has so many patients to treat during the day. And now look at the building of the hospital: (chapter 66). It is huge reminding me of a factory. This “modern hospital” with its sleek architecture, expansive buildings, and impressive specialization exudes a sense of advancement and trustworthiness. Yet beneath this polished surface lies a business-oriented structure, one that prizes efficiency, reputation, and patient turnover over genuine patient connection. This “modern hospital” (chapter 67) functions like one factory: patients are numbers in a queue, doctors are overloaded, and individual care becomes secondary to systemic goals. The very design of the building reflects this: towering facades and compartmentalized departments, where nature and warmth are pushed to the background. In such an environment, the Hippocratic Oath—rooted in ideals of empathy, presence, and personal responsibility—is reduced to ritual, overshadowed by institutional pragmatism and economic demands. Hence she is simply treating his symptoms: insomnia and “sleepwalking”! She is prescribing him “sleeping pills”. (chapter 67) She is doing exactly what Shin Okja wanted: (chapter 65) (chapter 65) It is as though thanks to the drug, the odd behavior from Kim Dan would simply vanish. (chapter 67) That’s the reason why Mingwa didn’t give the doctor a name. She has become a soulless doctor, like a robot. On the one hand, the absence of her name implies that she is not trying to seek fame like Kim Miseon (chapter 5) with the new medicine. On the other hand, it implies that the light-brown haired woman is doing her job for her paycheck which reminds me of Cheolmin’s statement: (chapter 13): “Oh no, no. That won’t do. My precious paycheck!”.

This “namelessness” is not a coincidence. It mirrors how large hospitals treat their staff: as interchangeable parts of a system that prioritizes efficiency and profit over personalized care. (chapter 67) The sleep specialist becomes a faceless figure in an institution where doctors are overworked, underpaid, and pressured to diagnose quickly. Her task is not to heal, but to manage—preferably in under 10 minutes. This reminds me of a confession I received from my own osteopath-orthopedist-chiropractor. He once told me that in hospitals (Germany), proper care is nearly impossible. Due to pressure and time constraints, most doctors are given no more than two or three minutes per patient. As a result, many end up recommending surgery as the default solution—not necessarily because it’s the best, but because it’s fast and system-approved.

Disillusioned by this assembly-line approach, he eventually left the hospital and opened his own private practice. There, he devotes at least one full hour to each new patient—first to examine, then to diagnose, and finally to treat them himself. I remain deeply grateful to him, because he was the only one able to resolve my long-standing shoulder and neck pain. While others focused on symptoms—treating the neck in isolation—he identified the true origin: spinal blockages further down the column. What struck me even more is that he once recognized signs of depression in a patient—not through tests or charts, but simply by observing how the symptoms would worsen or improve. He talks to his patients while treating them, listening not only to their words, but also to their bodies. This interaction allows him to adjust the treatment in real-time and to notice subtle signs others might miss. That’s what makes him a true healer. He doesn’t rush; he takes his time and creates space for the patient to be seen and heard. In doing so, he provides something that modern hospitals often fail to offer: attention without judgment, and care without hurry.

On the other hand, he also confided in me that he has learned to select his patients. Some individuals came to him with fixed expectations, treating him like a service provider rather than a medical expert. They arrived with their own self-diagnoses and requests, expecting him to execute treatment plans they had already designed in their minds. In those cases, he had to draw a line—because healing, in his view, depends on trust and dialogue, not on fulfilling demands. A doctor, he reminded me, is not a technician carrying out orders, but someone who must observe, assess, and guide with discernment. This dynamic reminded me of Joo Jaekyung, who often treated both Dr. Lee and Kim Dan (chapter 27) (chapter 49) as mere service providers. Whether it was brushing off medical advice with “Don’t push it, I know my body better than anyone else” (chapter 27) or demanding instant pain relief to continue training (chapter 49), the champion positioned himself as the ultimate authority over his own treatment. Since his attitude echoed the confession of my osteopath, it is understandable why my osteopath-orthopedist began to select his patients carefully. This mirrors Kim Dan’s evolution, when the latter chose to reject the champion’s offer. Indirectly, he is “learning” to select his job and not take them by opportunism. He is also learning to select his “patients”. Striking is that Shin Okja has a similar attitude than the athlete. (chapter 7) She desired to have a treatment with less side effects and less painful. And the moment she was confronted with reality, this painful new treatment only brought pain and nothing more, she chose to leave this institution and move elsewhere. (chapter 53) Therefore it is not surprising that she is treating the protagonist the same way: she knows what is the best for him. (chapter 57) She is treating him like a service-provider, she is now rejecting that he has lost his “usefulness”. His pay here is not high, …

But let’s return our attention to the anonymous sleep specialist. The latter has just become a victim of this terrible health system. She is not engaging with Kim Dan’s trauma, nor investigating his psyche, for she doesn’t have the time for it. Her task is not to heal deeply, but to manage efficiently. Secondly, she is specialized in sleep medicine, so she is no psychologist or psychiatrist. Therefore it is not surprising that she is focusing on certain aspects. But sending him to a different department would mean that she would lose her „new patient“. If you have ever watched series about hospitals, you are aware of the competition between departments. Here I can recommend the K-drama LIFE. Since she is more treating him in such a short time, it is not astonishing that doc Dan is doubting her words, (chapter 67) and not even following her recommendation. (chapter 67) He felt misjudged and misunderstood; reduced to a file number, not seen as a complex human being.

However, there’s more to it. Two details stood out to me in particular. First, consider what the anonymous doctor told Joo Jaekyung (chapter 67) and second, what Kim Dan actually received as treatment: (chapter 67) pills in a plastic bag marked with a standard instruction: “Take with food”. These two panels capture more than a routine prescription, they reveal the institutional deflection of responsibility and the impersonal mechanics of care.

By printing the instruction on the packaging rather than saying it aloud, the doctor shields herself from accountability. If something goes wrong, she can point to the label. She doesn’t have to engage, explain, or ensure understanding. It’s a subtle but calculated transfer of responsibility—from physician to patient, and even more so, to the guardian. Now it’s not just Kim Dan who’s expected to monitor himself, but Joo Jaekyung as well. The burden of care is silently offloaded onto those least equipped to manage it.

What makes it worse is that Joo Jaekyung is never shown holding or reading the bag. The implication? He likely never noticed the fine print at all. No one is actively guiding the treatment. No one is watching over Kim Dan.

Her verbal emphasis is even more revealing. Instead of discussing the food requirement or giving Kim Dan any personal advice, she delivers a single, sweeping command: “Drinking is off-limits.” It’s not just vague—it’s scolding. The patient’s alcoholism isn’t treated; it’s sidelined. The system checks the boxes—and moves on. It frames her as an authority figure who cares more about issuing warnings than offering help. There’s no nuance, no tailored support, no effort to build trust. What Kim Dan hears is not empathy, but judgment. He’s treated as a risk to be managed, not a human being to be helped. She can only reinforce his low self-esteem: he‘s a burden.

This is what deepens his sense of being misdiagnosed, as if the doctor was painting his condition so negatively in order to scare him. He doesn’t receive insight or compassion—he receives protocol. And in a healthcare system ruled by efficiency and liability protection, the doctor’s priority becomes covering herself—not ensuring the well-being of her patient.

The invisible doctor and the visible patient

Cheolmin (chapter 13), in contrast, enters the story with no white coat at all. He carries only a doctor’s bag, dressed in a green pullover and a beige checkered shirt. (chapter 13) Despite this informal attire, he immediately recognizes Kim Dan’s symptoms and engages both the guardian and the patient. He doesn’t need institutional support to assert authority; his presence and diagnostic clarity define him. While his clothes might elsewhere be read as conservative or emotionally restrained, here they highlight that care can come outside rigid systems.

Previously, we interpreted Cheolmin’s clothing as a reflection of a certain emotional reserve. The beige checkered shirt, covered by the green pullover, suggests a guarded personality; someone who perhaps maintains a protective layer between his professional and emotional worlds. And yet, this emotional caution doesn’t hinder his ability to act with warmth and competence. (chapter 13) Quite the opposite. He doesn’t hide behind his distance; he manages it. His approach is practical and grounded, but never cold. He doesn’t wear a white coat, yet he brings with him a doctor’s case and an unshakable sense of responsibility. His tools are simple (his own body), (chapter 13) his posture relaxed, and his tone—often sprinkled with humor—adds a human touch that the eyeless doctor sorely lacks. And what is the cause for this huge difference? It is because the “famous sleep specialist” is relying on her institution (nurses, blood tests, drugs). She is following a procedure, as the visit took place at the hospital.

Unlike Cheolmin, who uses his emotional detachment constructively, the sleep specialist disappears behind it. She neither touches nor addresses the patient directly. She offers no humor, no effort to ease the atmosphere—only sterile authority and detached warnings.

Ironically, while Cheolmin may seem less emotionally expressive at first glance, he is far more emotionally present. His humor isn’t just a personal trait—it’s a therapeutic tool. (chapter 13) It bridges the gap between roles, making the patient feel seen rather than categorized. There’s no judgement in their relationship. The eyeless doctor may appear neutral, but in truth, she is hollow. Cheolmin appears reserved, yet his actions speak with empathy. Where she recites guidelines, he initiates dialogue. (chapter 13) Where she avoids involvement, he offers engagement.

In short, Cheolmin’s clothes reflect thoughtful distance—not absence. He remains attentive, responsive, and subtly warm. His restraint is a choice, not a flaw. And it is precisely this contrast that reveals what the Hippocratic Oath should still mean today: presence, humility, and care; and not money, drug and efficiency.

The positions between my friend and me reflect a core conflict between reality and idealism. She values adherence to clinical norms and sees the specialist’s behavior as a rational expression of professional boundaries. Emotional distance, she argued, is often necessary—not just to ensure objectivity, but also to protect healthcare professionals from burnout, especially in overburdened systems. I agreed in principle, but maintained that detachment becomes damaging to the patients and the doctors. It affects the relationship between them, because it prevents accurate diagnosis or erases the patient’s voice entirely or the patient starts seeing himself as a “client” and the doctor as his “service provider”. A middle ground must be found—where presence doesn’t equate to over-involvement, but where empathy still has space. My orthopedist found his solution: open a small office where he tries to help his patients to avoid surgeries. He told me: “The first surgery in his field is always an option, the second one will always be a necessity.”

Moreover, our analysis acknowledged the limitations the doctor faces. The specialist likely juggles a tight schedule. A queue of patients, like the one displayed before Kim Dan’s session, signals the industrial rhythm of care. In such a system, she may not have time for deeper engagement. But for patients like Kim Dan—vulnerable, undernourished, spiraling emotionally—this neglect can reinforce their invisibility. In contrast, Joo Jaekyung receives deferential treatment, because he is famous. The medical world depicted in Jinx bends toward prestige, not need.

This contrast reveals something vital: in medicine, presence matters. The specialist hides behind procedures. Cheolmin shows up. The white coat, then, becomes a mirror: does it reflect a vocation or disguise institutional distance?

Institutions and Ideals—Comparing the Medical World of Jinx

In Jinx, medical care unfolds within a tapestry of institutions—anonymously vast hospitals (chapter 61) (chapter 67), the Light of Hope hospice (chapter 61), the sleek University hospital dedicated to research (chapter 5), and more intimate yet modern facilities like this one.(Chapter 27) Each medical setting not only has its own architecture but also its own moral blueprint. In the essay “Doctor Romantic 3 (locked)“, I had already compared doctor Lee’s workplace and behavior to the “beautiful Kim Miseon” from the University Hospital. Season 2 introduced us to new institutions. Each place claims authority through professional codes and visual symbols, but the deeper narrative explores how care is either embodied or abandoned. Mingwa uses attire, body language, and structure to draw sharp distinctions between appearance and intent.

Kim Miseon (chapter 5) from Sallim University Seongshim Hospital: This research-driven university hospital is connected to Kim Miseon, the doctor who prescribed a new experimental treatment for the grandmother. (chapter 5) Despite the pristine exterior of the building and the promise of scientific advancement, her actions raise ethical concerns. She dilvuged information in the hallway. (chapter 21) Then the treatment’s failure is attributed either to the grandmother’s frailty or Kim Dan’s late arrival and absence, subtly shifting blame. (chapter 21) Like mentioned before, this treatment wasn’t even properly recorded in the patient file raising the suspicion of deliberate concealment. (chapter 56) It appears as “pain killers”. Her open white coat (chapter 21), worn over a green uniform resembling surgical scrubs, aligns her visually with institutional authority, while her eyeless portrayal emphasizes detachment. (chapter 21) Her motivation seems driven not by compassion but ambition: a pursuit of recognition and success through experimental medicine, regardless of consequence. It seems that this new therapy didn’t bring her the results she hoped, and strangely later director Choi Gilseok (chapter 48) got aware of Shin Okja’s conditions, implying that patient confidentiality had been breached.

Park Junmin (Chapter 61): In contrast, Park Junmin (chapter 61) represents the polished face of a business-oriented clinic. While his office projects sleekness and personalized care, his comments betray his priorities. He praises Joo Jaekyung’s fame and urges a return to the ring—not out of medical concern, but because it would guarantee the champion’s return as a paying patient. He wants to retain a high-profile client. His friendliness is strategic. (chapter 61) He does not embody the Hippocratic Oath but rather a service model. The coat becomes a costume that sells recovery. It is clear that he is promoting his own hospital. Joo Jaekyung, however, surprises him by refusing (chapter 61), highlighting that the athlete has become aware of what genuine care should look like. When the champion calmly declares, “I’ll be receiving rehabilitation services in another hospital,” Junmin answers with a stunned “Sorry?”. But this is not confusion. It’s a reflexive mask for shock. He did not expect to lose control of the situation. Beneath that one-word response lies disbelief, disappointment, and veiled panic. He’s losing a lucrative patient—and more importantly, a public endorsement. The moment exposes how fragile his authority truly is when faced with a patient asserting autonomy. Let’s not forget that when the champion was facing a mental and emotional breakdown, the latter offered no other support than “rest”. He even avoided his gaze. (chapter 54) The athlete was left on his own.

Light of Hope Director (Chapter 59): At first glance, the hospice appears to be underfunded and outdated. (chapter 61) However, its director breaks expectations. Unlike the smooth-talking or indifferent doctors at larger institutions, he is directly involved in patient care. (chapter 56) He informs the physical therapist about the grandmother’s condition, works late at night (chapter 60), criticizes people for their rude behavior (chapter 59) or actively disciplines staff (chapter 59) when mistakes are made. Though he also flatters the champion (chapter 61) and sees promotional potential, he never exploits patients. (chapter 61) The juxtaposition of humility and responsibility in his demeanor, combined with his stunned reactions to sudden events, suggests an overworked and understaffed environment—but not one without moral grounding. His white coat and blue medical uniform echo the nurses’ attire, subtly promoting a sense of equity among staff. Despite being a director, he doesn’t separate himself from frontline caregivers. His uniform also contrasts with the green worn by Kim Miseon or Park Miseon, suggesting a focus on practical responsibility over prestige. By blending in with the team, he fosters a culture of shared accountability, not rigid hierarchy. Among all institutional figures, he comes closest to balancing authority with integrity.

Hospital Director (Chapter 6): While this figure appears authoritative (chapter 1), the details of his attire tell another story. Wearing a suit beneath his coat implies professionalism, but here it also suggests a business-driven mindset. The coat becomes a sleek outer layer masking deeper intentions. His charming demeanor conceals a more sinister reality—he weaponizes authority for personal gain. His use of professional attire isn’t about respectability but manipulation. Beneath the surface, profit, control, and coercion drive his actions. (chapter 1) The white coat, in his case, is not a symbol of healing but a façade for exploitation. drives his authority. The coat becomes a literal cover for abuse—harassment disguised under professionalism. His entire persona is a façade: calculated, charming on the surface, but predatory and morally bankrupt beneath.

The Sleep Specialist (Chapter 67): (chapter 67) Eyeless and detached, the sleep doctor treats Kim Dan without any emotional or physical engagement. Her absence of a name symbolizes depersonalization. She doesn’t speak directly to Kim Dan, doesn’t examine him, and only echoes what she heard from Joo Jaekyung. The prescription she offers is another layer of critique. The instruction “Take with food” appears only in print—never verbally stressed—thus shifting liability. If Kim Dan suffers side effects or mixes medication with alcohol, responsibility falls on him or his guardian. This is institutional medicine in its most risk-averse form: impersonal, quick, and shielded from consequence.

Dr. Lee (Chapter 27): Dr. Lee is the only named and truly visible doctor. (chapter 27) His gray shirt signals a more relaxed approach, (chapter 27) and his facial expression conveys a certain empathy—though his words also betray resignation. He sits beside the patient, not opposite, visually erasing the typical hierarchical divide between doctor and athlete. His recommendation that Joo Jaekyung rest is gently delivered, but he knows it will likely be ignored. He represents the tension between medical idealism and the pressures of athletic performance. He is trying his best to protect Joo Jaekyung’s career. (chapter 27) Notably, he doesn’t chase fame or loyalty—he’s realistic, yet still rooted in care. (chapter 27) His clinic, with open blinds and wide windows, stands for transparency and modern ethics.

Cheolmin (Chapter 13): (chapter 13) Finally, Cheolmin exists outside the hospital system. He wears no white coat, but his behavior mirrors a true physician’s. He diagnoses accurately, gives immediate advice, and engages both patient and guardian. His attire—a shirt layered under another—might suggest emotional restraint, but it doesn’t interfere with his actions. He jokes and teases, breaking through tension and inviting trust. He acts not because protocol demands it, but because someone needs help. That’s enough.

This comparative tableau reveals that white coats do not guarantee compassion—and their absence doesn’t negate it. In Jinx, only those who break institutional molds offer real help. The rest follow protocols, serve systems, and sometimes cause harm through inaction or self-interest. It exposes that doctors are simply humans and not gods.

Furthermore, the financial aspect underpins all these interactions. Hospitals in Jinx are not purely charitable; they’re businesses. The emphasis on new medicine, fame, or facility branding often outweighs the patient’s actual condition. Misdiagnoses, evasions, and moral compromises follow from this reality.

Kim Dan’s journey through these institutions underscores how vulnerable patients are when medicine is transactional. Blame is subtly shifted. Responsibility is diffused. And yet, in emergencies, the expectation remains: doctors should act.

Nature, Architecture, and the Illusion of Healing

A striking feature in Jinx is the architectural integration of nature into hospital design. (chapter 67) Trees and greenery appear in every facility—but their placement and symbolism vary. These visual cues subtly reveal each institution’s philosophy of care.

At the university hospital where Kim Miseon works, (chapter 41) nature is neatly confined. Rooftop gardens and structured greenery exist, but more as visual accessories than lived environments. The hospital is a towering research center, representing scientific advancement—but also bureaucratic coldness. Here, nature exists to impress, not to comfort. This artificial balance between concrete and green reflects a clinical detachment: nature is curated, not embraced. It aligns perfectly with Kim Miseon’s demeanor—professional, pristine, but ultimately distant and ambition-driven.the environment feels controlled. (chapter 41)

In the rain-drenched hospital (chapter 54) where Joo Jaekyung receives treatment, the rooftop greenery appears remote and ornamental, disconnected from patient care. (chapter 61) Nature is present but removed, almost symbolic of lost ideals. The building is imposing, gray, and bureaucratic, which is quite similar to the university hospital.

In the sleep therapy hospital (chapter 67), the setting amplifies this detachment. Trees do appear, but they are overwhelmed by massive, impersonal structures. The greenery seems almost trapped, overshadowed by glass and steel. This mirrors the interaction with the sleep specialist, who issues warnings and prescriptions without genuine communication. In this environment, nature is not a partner in healing—it is background noise, a symbolic performance of care in a place that prioritizes liability and speed over connection.

By contrast, the Light of Hope hospice (chapters 61) is embedded in a hillside, its architecture low to the ground, surrounded by untamed, organic greenery. The trees are not ornamental—they embrace the building, echoing a kind of natural protection. Nature here is not only real, but alive. It reflects the ethos of the institution: flawed, underfunded, but grounded in human presence. The hospital director may wear a coat, but his modest blue uniform aligns him visually with the nurses, suggesting equity and participation rather than hierarchy. Just like the unpolished trees, he is there not to be admired but to serve.

A fourth setting appears with Dr. Lee’s clinic (chapter 27). The building is smaller, (chapter 18) modern, and set among scattered trees. (chapter 18) Large windows suggest openness and transparency—the very qualities Dr. Lee brings to his interaction. This is a space that, while modest, is genuinely attentive. Here, nature doesn’t impress, it is integrated in the landscape. The park is not surrounded by huge buildings.

Through these varied landscapes, Jinx critiques the illusion of healing as something that can be staged through architecture. It exposes how hospitals, like people, can hide behind appearances. Trees and plants, like white coats and professional titles, can be used to mask indifference just as easily as they can accompany real care. Healing does not bloom in greenery alone—it flourishes through presence, attentiveness, and trust.

Yet these visual patterns also contain hope. The presence of even small parks and rooftop gardens within institutional designs reflects an underlying truth: nature matters. (chapter 41) These green spaces acknowledge, even if superficially, that human beings do not heal through medicine alone. They need sunlight, air, softness—a sense of rhythm beyond fluorescent lights and steel corridors. Nature grounds. It breathes.

That is why the small town, (chapter 65) nestled in the countryside and far from institutional rigidity, emerges as a space of true potential. In returning there, Joo Jaekyung and Kim Dan are not just escaping their past—they are moving toward a form of healing that modern hospitals imitate but rarely achieve. Closer to nature, they are closer to themselves. If hospitals imitate forests, the village becomes the forest. And in that simplicity, Jinx suggests, real happiness might grow.

Conclusions

From open to closed, from crisp to wrinkled, the white coat becomes a symbol of ideology. Some wear it like armor, others like a mask—and some not at all. But it is not just the coat that deceives. Buildings too wear their own uniforms. Grand glass hospitals draped in rooftop gardens and courtyard trees promise healing, yet often fail to deliver. Nature becomes another costume—just like the coat.

But Jinx reminds us: real care cannot be faked. It is revealed not through polished surfaces or institutional prestige, but in action—staying late, listening carefully, protecting the vulnerable. The doctors who truly heal are those who treat the person, not the file.

And why, then, do so few doctors recommend sunlight, trees, or quiet walks? The answer is simple: nature costs nothing. It cannot be patented or billed. And yet, its presence in every hospital design is a silent confession that healing lies outside the system. That, in the end, true recovery begins where profit ends. This is precisely what Jinx shows through Joo Jaekyung’s arc: once he leaves the sterile confines of the gym and begins spending time outdoors, (chapter 62) surrounded by greenery, animals, and people who don’t treat him as a product—his health improves. His muscles may still ache, but mentally and emotionally, he is lighter. Research confirms what the story suggests: sunlight and time in nature significantly boost mental health. In that way, his borrowed floral pants and farmwork reflect something deeper—a return to balance. Nature becomes not just a background, but a remedy.

The Hippocratic Oath promised to do no harm. But in a medical world where patients are reduced to symptoms, empathy is replaced by protocol, and care becomes a product, harm happens quietly—disguised in good intentions and sealed with institutional polish.

And yet, what the Oath once embodied still exists—just not in the systems that claim it. It lives in a shared meal, a walk under trees, a quiet moment in the sun. (chapter 57) It lives where no one is watching and no one is billing. In Jinx, the real medicine lies outside the chart—in the dirt on borrowed floral pants, in sweat earned under open skies. Nature becomes the unspoken vow that systems forgot.

The coat may still be white. The walls may be green. But healing comes not from the symbols, but from the soil.

That’s the truth behind the Oath of Hippocrates.

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Jinx: The Wolf’s 🐺 Cure ⚕️ Among The Sheep 🐑

Introduction

The second season of Jinx promises to delve deeper into the lives of its main characters, transitioning from the confines of the gym (chapter 54) and penthouse (chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” (chapter 56) in a small town on the West Coast (chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged (chapter 16) (chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, (chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information (chapter 48) and using Shin Okja as a guinea pig for trial treatments (chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: (chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion (chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. (chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, (chapter 57) who no longer appears in the news.

Contrasting the Hospice and MFC

The hospice, Light of Hope, does not offer healing in the traditional sense, as its patients are no longer hoping to be cured. Instead, it provides a space for those burdened by emotional scars to wait for death in a positive way, (chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating (chapter 36) (chapter 35) (chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives (chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. (chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: (chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony (chapter 57) which contrasts so much to the mentality at the gym. There, no one paid attention to the well-being of Kim Dan or the athlete. The latter had to burden everything on his own. The hospice’s focus on teamwork and selflessness mirrors the qualities of the sheep—often symbols of conformity but also of communal support and altruism.

On the other hand, the grandmother believes she has found her “family” and “roots” at the hospice (chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: (special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets.

The MFC, in contrast, represents the worst of hierarchical power dynamics. It stands as a symbol of industrialization, producing ‘champions’ not for their personal growth or well-being but for monetary gain. Fighters are treated as commodities, molded and exploited for profit in a system that prioritizes output over humanity. As an organization, it prioritizes profit over the well-being of its fighters, fostering a culture of exploitation and blind obedience. Joo Jaekyung’s realization of these flaws will likely spur his transformation into the true owner of the gym, imposing his values of loyalty, care, and protection.

Defining the Cure: Reconnecting with the True Self

For Joo Jaekyung, the “cure” lies in reconnecting with his true self and rediscovering his childish side, something he could only experience twice in season 1. He had fun with Kim Dan by his side (chapter 26) (chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.

Central to this transformation is his relationship with Kim Dan. Taking care of Kim Dan—physically, emotionally, and mentally—becomes a pathway for Joo Jaekyung to rediscover his own humanity and generosity. However, it becomes evident that the one truly dying a slow death is Kim Dan. His negative change, marked by physical and emotional decline, should make the champion realize that Kim Dan has been identifying himself with the athlete. The last incident appears to have “killed” the physical therapist’s spirit, leaving him a shadow of his former self. (chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: (chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.

Education also stands at the center of Season 2, exemplified by Boksoon (chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean (chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water (chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.

Moreover, the professional dynamic between them shifts significantly in Season 2. With Joo Jaekyung hiring a new physical therapist (chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.

The Role of Mirrors and Mentors

Key secondary characters at the hospice serve as mirrors and mentors to the main leads. The landlord (chapter 57) and the yelling patient (chapter 57), represented as an ibex, embody qualities that challenge Joo Jaekyung and Kim Dan to confront their past traumas and current flaws. The ibex’s defiance contrasts with the sheep-like conformity of the hospice patients, encouraging Potato, Kim Dan and Joo Jaekyung to question the blind obedience that has shaped their relationship with figures like Park Namwook. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

Nurses 1 and 2, previously conceptualized as (chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself (chapter 57), she was able to note that he was suffering mentally and emotionally. She diagnosed it as burn-out. Then in the latest chapter, a new nurse appeared. With her green hair and glasses (chapter 57), she reminded me of the champion’s friend: (chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.

The Symbolism of Wolves, Sheep, and the Illustration

The wolf symbolizes love, family, and protection, qualities that Joo Jaekyung begins to embody as he nurtures Kim Dan and confronts his own vulnerabilities. The illustration visually represents this duality: the wolf in sheep clothes, walking towards the hospice, embodies Joo Jaekyung’s fierce yet diminished and protective nature, while the broken tree—representing Kim Dan—signals his fragile state and the need for healing. Together, the wolf and the sun symbolize Joo Jaekyung’s journey toward self-discovery and redemption, as he draws strength from the tree’s shade, embodying Kim Dan’s care and quiet support.

Meanwhile, the sheep represent conformity and selflessness, but the presence of the ibex disrupts this harmony, standing as a challenge to blind obedience. I have to admit that the patient’s reaction (chapter 57) reminded me a lot of Yoon-Gu’s (chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.

Wolves also represent loyalty and teamwork, values that stand in stark contrast to the selfishness and manipulation he experienced at the MFC. Meanwhile, the sheep, often dismissed as symbols of conformity, carry a deeper meaning at the hospice. They embody gentleness, warmth (due to their wool), selflessness and community, traits that Joo Jaekyung learns to appreciate and emulate. That’s how the wolf will learn how to give warmth and comfort to his fated partner. The hamster can only feel grateful towards his benefactor pushing him to reciprocate the attitude. Then the moon, embodied by the doctor, will become the guardian of the champion so that the latter can little by little recover from his insomnia and recurrent nightmares.

A Journey of Transformation

In a world where individuals are on the verge of death, Joo Jaekyung discovers his own senses: his humanity and generosity. The hospice provides a space for him to reconnect with his true self, guided by the lessons he learns from Kim Dan, the nurses, and the “mirrors” of the landlord and the ibex. This transformation not only redefines his relationship with Kim Dan but also prepares him to reclaim his rightful place as the leader of the gym, imbuing it with values of care and protection. Furthermore, the hospice teaches Joo Jaekyung the value of rest and relaxation (chapter 57), concepts he had previously dismissed as “laziness.” (chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.

Ultimately, The Wolf’s Cure Among the Sheep is a story of healing through connection, a reminder that even in a world marked by competition and death, humanity and generosity can flourish when the heart is truly in it.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 15 📆🃏♦️♥️

If you pay attention to the title, you might have noticed the joker, diamond and the heart as emojis. This signifies that I will examine this panel once again. (chapter 27)

The 3 cards and its significance

Yes, a thought occurred to me, while I was writing the last analysis about this scene. In Daily Jinx Advent Insight 7, I interpreted that Joo Jaekyung had been in reality on the verge of winning the game, but due to the Joker, a wild card, he thought, he had already lost. Then I had added that the Joker card could be perceived as a metaphor for Kim Dan. The champion had lost his last game, for he didn’t utilize his PT properly. He mistrusted him, therefore he didn’t talk with him about his meeting with director Choi Gilseok. In addition, he did nothing to protect him from the public eyes. He never realized that this man was the synonym for secrecy and information. The protagonist knows everything about the athlete’s health and injuries (not just his bad joints, but also his insomnia). Therefore he should have been guarded and protected, making sure that nothing would be leaked. However, I believe that the Joker could represent another character from Jinx. The moment I saw these cards (Joker, 3 Diamond, 3 Heart) as a symbol for a character, I suddenly realized that both main leads were defeated by their enemies, because both didn’t use their cards properly.

The other person behind the Joker

And now, you might be wondering about the identity of the other Joker. The fact that Joo Jaekyung is holding the Joker in his hand implies that he has this person on his side. He is close to him. In my eyes, it is the mysterious doctor from chapter 13. According to me, it is Cheolmin hyung. The fact that he called him, when the celebrity desired to avoid the headlines with a scandal, is a sign that he is trusting this man. (chapter 13) He is definitely sure that this man won’t betray him. He is not judging him for his job or “sexual preferences”. He embodies fairness, tolerance and impartiality. And since in his cellphone, Doctor Cheolmin is registered under the name Cheolmin hyung, it exposes his closeness with this cute doctor. He is like a “brother”. (chapter 13) The conversation between these two characters in episode 13 shows that Cheolmin is not only a reliable person, but also a good friend. He assisted the star in a time of needs without expecting anything in return. There was no exchange of favors, hence Mingwa showed us his hand, when he said his goodbye. (chapter 13) This gesture with the hand implied not only that he was just looking forward to meeting him again, but also generosity. And if there was a request from Cheolmin, it was just about an information: (chapter 13) It had nothing to do with money and promoting his hospital.

As soon as I came to associate the Joker with Cheolmin Hyung, Joo Jaekyung’s only true friend, I suddenly realized why this mysterious doctor no longer showed up in season 1. He was treated like the Joker in episode 27. He was not used properly, and this in two occasions. (chapter 33) According to me, the man was calling his friend Cheolmin, because he truly believed that the actor had been hurt. The fact that he went to the rooftop in order to call the person is indicating that he desires to hide his contact from Park Namwook and Jeong Yosep. In other words, he was seeking secrecy, exactly like the actor. As you can see, the dragon and the gumiho had a similar attitude. They thought that the rooftop was the perfect place to hide a secret. So by calling Cheolmin who is working at a hospital, the MMA fighter was making sure that there would be no scandal. However, when he called him, he discovered the truth. Choi Heesung had faked his injury. Therefore how could he use his connection with Cheolmin, when there was no emergency? In his eyes, he would have abused his busy friend’s generosity. That’s the reason why the star chose not to intervene. If he had revealed the truth and as such accused the actor of deception, he would have no one by his side to prove the truth. It was one man against two. Secondly, by revealing his presence on the rooftop, he would have been forced to mention his close friend: Cheolmin hyung. His connection with the athlete would have raised some question. And because he didn’t utilize the Joker in that situation, he became a victim of a trick. It is important, because the champion’s decision to hide Cheolmin’s existence from Jeong Yosep and Park Namwook is a sign that deep down, he is not trusting his two other hyungs. In my eyes, it is related to his homosexuality. But there could be other reasons as well, for example he met this doctor, before he became a celebrity.

As for the second occasion, it took place at the restaurant. (chapter 33) For me, the doctor was the person Joo Jaekyung was talking to. Interesting is that contrary to episode 33, he didn’t leave the inn in order to talk to his acquaintance. In fact, he did it in front of the door. By acting that way, he didn’t attract the attention from the members. No one questioned the celebrity why he was talking on the phone for quite some time. They just imagined that it was work-related due to the selfie with a stan. (chapter 43) They didn’t even bother to wait for him to arrive before drinking and eating, though the man was the birthday child. He was actually the guest of honor. (chapter 43) This exposes violation of social norms and even the disrespect towards Joo Jaekyung. He is just seen as a cash cow, hence there was no thank you from them or even a short invitation for him, like Park Namwook and Kim Changmin had done it in episode 9. (chapter 9) (chapter 9) In fact, Joo Jaekyung was totally neglected at the restaurant, no one even paid attention to his actions. Under this light, I recognized why Mingwa created this incident: (chapter 43) It was not just to bring the two main leads closer, but also to expose the wrongdoers. If they had waited for him, the champion wouldn’t have drunk some soju from the glass of water, for Kim Dan couldn’t have used his glass. (chapter 43) That’s why the manager got red, a sign of embarrassment. He realized that they should have all waited for the birthday child. Moreover, don’t forget that the star was even paying the bill. And now, you are wondering if I didn’t diverge from my original topic, the Joker and Cheolmin hyung. No, as this new interpretation helped me to understand why Joo Jaekyung talked to his hyung in front of others. He already sensed that no one was observing him or waiting for him. (chapter 43) Moreover, it is possible that the mysterious caller desired to congratulate for his birthday or even to thank for his donation. Let’s not forget that just before his real birthday, the celebrity organized a charity event, and it could be related to Cheolmin’s work place. (chapter 41) Because I detected ingratitude, selfishness and rudeness from Team Black, I couldn’t help myself thinking that the other person must have behaved differently, which put the young man in a good mood. Therefore he overlooked the incident with the switch of glass: (chapter 13) Here we have a threat from the champion to which Cheolmin replied with a joke. Here, we have the same situation: a threat, but people got scared (chapter 43) before Park Namwook tried to relativize the incident. (chapter 43) Thus it dawned on me why Cheolmin was not introduced to Kim Dan in season 1. He didn’t belong to Joo Jaekyung’s inner circle, his only true friend. He didn’t trust him enough to introduce him to this peculiar doctor. And now let me ask you this? What is a joker?

The Joker has held various roles throughout history, rooted in society’s need for humor, critique, and balance. Historically, the Joker or court jester was a figure in royal courts who entertained through wit, music, or physical comedy. Yet, their symbolic role extended beyond entertainment; they served as a unique voice of truth, able to mock power and question authority without punishment. Their ability to navigate sensitive topics under the guise of humor made them essential figures for revealing societal flaws.

Symbolically, the Joker represents duality: humor and tragedy, order and chaos. It reflects society’s hidden truths and contradictions, often acting as a mirror to human folly. In a broader sense, the Joker embodies freedom and the subversion of norms, often challenging rigid structures or oppressive systems. This duality persists in modern interpretations, where the Joker is both a symbol of liberation and an agent of chaos, reflecting society’s shifting values and inner struggles. In other words, he rejects herd mentality and hypocrisy. He embodies seriousness, but also fun and laughs. And that’s exactly how Cheolmin appeared in chapter 13. He is a non-conformist, he treats his job seriously, but if he sees something wrong, he has no problem to voice his opinion and criticize the person: (chapter 13). Hence I believe that the other reason why our cute PT didn’t meet Cheolmin in season 1 is that he was not ready to interact with him. Kim Dan needed to mature, to free himself from social norms in order to accept such a man as a “role model”. That’s the reason why I am expecting the return from this mysterious doctor in season 2. In my opinion, he will play a central role in dethroning the king Park Namwook at Team Black, but also in helping Kim Dan to obtain justice. Keep in mind that according to me, the protagonist was a victim of many crimes committed by doctors. (The hospital director, Kim Miseon, MFC doctors)

The 3 Diamond and 3 heart

Since the Joker represents the only true friend from the Emperor, I came to the following deduction. Because Kim Dan is holding a diamond and a heart card, this means that he has two persons on his side as well. In other words, these 3 diamond and 3 heart represent the physical therapist’s friends. Anyone will immediately recognize the identity of his true friends: Choi Heesung as the diamond (due to his wealth and brillance) and Yoon-Gu as the heart. Let’s not forget that the actor was willing to intervene, if the PT needed help to “tame” the Emperor. (chapter 35) He offered his assistance, but at no moment the main lead thought of even asking for his help. (chapter 46) If he had voiced his struggle to Heesung, the latter would have understood him and “talked” some sense to the dragon. And it is the same for Potato. In the locker room, when Kim Dan was criticized for his sloppiness, (chapter 50) he didn’t ask from Potato to vouch for him. He could have reached to him, requesting from him to testify in his favor. Yes, I believe that not only the actor and the maknae are to blame for their passivity, the physical therapist is also responsible for his own suffering. He is not seeing that he has already gained two friends. However, he didn’t treat them properly. No wonder why Kim Dan ended up alone at the end of season 1. At no moment, he confided to Potato or other members about his struggles, he kept everything to himself which is similar to his soulmate.

But why does the protagonist behave like this? One might reply that he has never had any friend before. Therefore he doesn’t know how to have friends. However, I feel that there exists a deeper cause. In my eyes, it is related to his low self-esteem mixed with pride. Yes, deep down, Kim Dan feels some shame due to his social background and familial situation. This explicates why he only mentioned his grandmother once (chapter 30). Here, I am excluding the scene with his drunkenness. Nevertheless, from his words, Heesung couldn’t detect that he was raised by a single grandmother. He already had a hard time to “accept” the champion’s benevolence (chapter 18) He was brainwashed to rely only on himself. Why? It is related to his halmeoni and his childhood. The elderly woman gave the impression that she raised him without any help. She did everything on her own which is only partially true. The young boy was forced very early on to help her. (chapter 5) (chapter 47) Hence he was taught cooking. In addition, we can already envision that when he was a high school student, he had to take a part-time job. She definitely minimized his assistance, creating a debt towards her.

Observe that though he treated the fighters (chapter 7) and (chapter 23), he just acted as their “PT” and nothing more. In other words, he acted, as if they only had a professional relationship. This explicates why Kim Dan never talked about himself, in other words he never shared any information with them. However, I doubt that he just considered them as his “patients”. He was happy to give his assistance. For me, the fact that he never lowered his guard is a sign of his low-esteem. So they had a strictly professional relationship, except with Potato. (chapter 26) However, even here, Kim Dan never shared his cellphone number with the maknae. If Potato had it, he would have tried to contact him immediately. To conclude, though I criticized Yoon-Gu and Heesung for their indifference and neglect, I feel that Kim Dan is partially responsible for this too. He didn’t take the first step to improve their relationship. Friendship is a two-way Street!

To conclude, the 3 diamond and 3 heart (chapter 27) represents the PT’s friends. The moment he acknowledges that he has these two assets, he should recognize that he is not “poor”. He needs to realize that he is on his own, because he chose to. He simply ignored “people” around him.

On the other hand, it is important to relativize this aspect as well, for Shin Okja played a huge role in this mind-set. The best evidence is that the woman doesn’t have any friend. (chapter 7) She needs to pay a nurse to give her some company. Therefore she is forced to rely on her grandson. Then she doesn’t pay any attention to her grandson’s needs and circumstances, for she is only focused on her own suffering and “unhappiness” chasing after an illusion. (chapter 53) Because she has no one by her side except Kim Dan, she has no problem to move to a different place where she doesn’t know anyone. Her grandchild is her “home”. This move reminded me a lot to a uprooting. It was, as though the male lead was not allowed to settle for good. Don’t forget that her deteriorated home let transpire that she didn’t consider this place as her true home. It was just a stopping-place. Under this new light, it becomes comprehensible why Kim Dan could never get any friend. Through the cards, I could find more evidences about my past interpretation. The halmeoni is responsible for the protagonist’s self-blame, lack of confidence, suffering and isolation.

But in order to recognize the existence of true friends in his life, Kim Dan needs to find a good role model. And that would Joo Jaekyung with his hidden Joker Cheolmin.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Click 📸: Between Fleeting Illusions and Enduring Realities

Like the illustration is indicating it, the topic of this composition are the photographs in Jinx. To be more precise, I would like to divulge its different symbolisms. The trigger for this study was a sudden thought, which came to my mind this morning.

1. The ghost’s invisible photos

When Kim Dan left his home, he only took this picture. (chapter 19) However, in chapter 47, Mingwa revealed that in the past, Kim Dan had many pictures taken with his grandmother (chapter 47) . (chapter 47) (chapter 47) (chapter 47) One might argue about this interpretation, as these panels are presented as “memories”. However, the author left three important clues that these memories were pictures in reality. First, the perspective is not from the protagonist’s, but from an invisible third person’s. Then in the last image, in the background, you can observe a family posing for a picture in front of a person with a cellphone. This was the allusion that someone must have taken these pictures. The last evidence is the bouquet of flowers, the symbol for congratulations, but also affection!! After this realization, I couldn’t help myself wondering about the whereabouts of these photographs. Where are they?

And now, take a closer look at the doctor’s home: (chapter 17) (chapter 17) (chapter 17) They are nowhere to be seen!! I would even add that this place contains no traces of Kim Dan’s presence! (chapter 17) The pictures and the papers on the board are all connected to the grandmother. The images of the beach were revealing her wish to go back to the West coast, which was only revealed in the final chapter (chapter 53). And here, I feel the need to correct my past interpretation. Back then, I had assumed that this was the doctor’s repressed wish to go to the beach. It turns out that this was Shin Okja’s. Thus I deduce that the papers on the board are related to her health issues. Then in this image (chapter 17), the white shirt, the pink and dark green jackets are definitely belonging to the physical therapist’s relative. Finally, observe where his framed picture was placed: in a chest drawer! (chapter 19) The framed photograph isn’t visible on the chests or the shelves, when Joo Jaekyung confronts the loan shark and his minions (chapter 17). Then the next day, there is a box placed on the chest, while he is taking his belongings, while two drawers are open. (chapter 19) This exposes that this “souvenir” was not put on display in this house contrary to his stay in the expensive penthouse: (chapter 47) Thus I conclude through the absence of his pictures and belongings that nothing was exposing the presence of Kim Dan in this small flat. We could say that he had been living as a ghost child (the piggy bank) in his halmoni’s place. It implies the existence of an invisible wall between himself and his grandmother. This perception reinforces my previous interpretation. This place was like a “cursed place, where the “Sleeping beauty” was waiting for his “prince charming”. 😉 Therefore, when the doctor removed the framed picture from the drawer, it symbolizes his own “release”. It is no coincidence that one week later, he became “a man and as such an adult”. (chapter 19) He was slowly detaching himself from his halmoni’s shadow. The mirror is a reflection of a photograph. Here, he is facing reality: he has a long phallus and he can have a climax.

Furthermore, this new discovery (the absence of his commemoration pictures) helps us to grasp the origin of Kim Dan’s low self-esteem. He was not truly loved by his grandmother. Yes, the absence of his pictures represents a source of his suffering. IT was, as if the grandmother was not proud of her grandchild, because these photos were not exposed. The way these pictures were treated reveals the discrepancy between her words (chapter 7) and actions.

However, I haven’t answered the question yet: where are the other pictures? My assumption is that they were thrown away!! (chapter 46) I might shock my avid readers with this hypothesis, but the fact that Kim Dan could only remember his childhood’s pictures in chapter 47 shows that he had long forgotten these moments. If he had seen the pictures constantly, he would have been confronted with reality and as such grasped that he was not alone in this world. He had his halmeoni by his side this entire time. He was cherished. Finally, keep in mind that this story is written like a kaleidoscope, so such a scene must have occurred in the past. Thanks to my chingu @@Milliformemes24, I can even be more precise. Note that in the last panel, the photos were taken with a cellphone. (chapter 47) So I deduce that these pictures were never printed and remained in the cellphone. One might say that the woman didn’t have money to print these images. But this explanation falls too short. How so? It is because she could have sent a copy to her grandson, especially when he became a PT. He was old enough to have his own cellphone. These pictures were never shared to her grandson! They remained in her cellphone. If so, he wouldn’t just have looked at the framed picture. The other proof for this deduction is the absence of a grandmother’s picture in her grandson’s screen: (chapter 38)
To conclude, their vanishing is exposing that these pictures were not TREASURED!! It was, as if they had been erased. But the doctor can not be the one who erased them or kept them hidden, as he associates these important moments in his life with his grandmother as sign of love and support!! Yes, this recollection reveals how much the doctor valued these moments. In other words, he would have “treasured” these pictures. He has none of them. Besides, when he entered elementary school, he was definitely too young to have a cellphone. That’s why I believe that they were all taken by the grandmother’s cellular phone. From my point of view, they were taken, because it was the custom. This would also explain why these “pictures” had no value for the grandmother. And now, you comprehend why I linked their disappearance to Shin Okja. So why did she not treasure and share them with her grandson? Why did she “erase” them symbolically?

2. Okja’s vanishing

My answer to these questions is the following. Halmeoni couldn’t stand the photographs, because she could see herself aging. From this (chapter 47) to this (chapter 47) And you all know that according to me, this elderly woman is suffering from Peter Pan Syndrom. Thus I feel like at some point, the halmeoni must have “thrown away” the pictures. Besides, I am quite certain that for the woman, these images had a different signification than for the doctor. She connected them to her suffering. She had to raise her grandchild on her own: these pictures represent her suffering from poverty and struggling mentally and emotionally. They mean hardship and aging for her. This explicates why she didn’t value these “souvenirs”. However, observe that all these pictures are related to Kim Dan’s school career path! (chapter 47) (chapter 47) The absence of these pictures signifies denial! It was, as if Kim Dan had never visited school and even never become a physical therapist. Under this new light, it becomes comprehensible why Kim Dan had no pride “as PT” and was willing to take odd jobs like “courier” (chapter 42) or “waiter”. As my avid readers can detect, there is a strong link between “pictures” and “pride and love”. Their absence is the expression of neglect from the grandmother, who was definitely too focused on herself and her own suffering. At the same time, it lets also transpire the low self-esteem from the grandmother. In her humble dwell, there is no picture of her as well. (chapter 17) Thus I come to the following deduction: the grandmother dislikes pictures in general and was not living herself as well. Since she couldn’t love herself, she was not capable to love her grandson either. How so? For that, it is necessary to quote Erich Fromm from the Art of Loving (1956):

Loving someone means loving loving oneself first. In addition, where is the halmeoni running to? To the West coast, where she knows no one and desires to watch the sunset alone. (chapter 53) This image exposes not only her rejection of reality, but also her isolation. This decision stands in opposition to the quote above. She can not love Kim Dan, for she is rejecting the world and humans. This quote made me realize why Kim Dan felt so insecure the whole time, it is because he has never heard such a love confession from his grandmother. As you can see, the trigger with the photos gave me a lot of insight about the grandmother and the main lead.

In addition, one might wonder why the framed image was not put on display. (chapter 19) Why was this photo not treasured by Shin Okja? In my eyes, the picture was taken, when both were happy. There was a garden, and the boy’s happiness was genuine. However, I believe that this photo is linked to loss and this mysterious phone call. (chapter 19) She was wearing the same shirt, when Kim Dan was speaking on the phone. In other words, the photo was also bringing painful memories to the grandmother. My theory is that the grandson’s parents vanished after that day. But this was not the same for the boy. He remembers the warmth from his relative. He is not making the link between this moment and his abandonment. In addition, this picture represents a frozen moment in time. It was, as if the woman desired to turn back time or hoped to stay in that moment forever. This explains why she kept the picture and continued treating her grandson as a child. For her, he was still the little boy from that time. However, at the end of season 1, it is no longer possible for her to treat Kim Dan as a child, because she needs him to move to the West coast. (chapter 53) It requires money, sacrifice and energy, but she is no longer paying attention to these aspects. Her time is now limited, thus she doesn’t feel responsible for any future debt. Striking is that she is not recognizing him as a man, but as a puppy dog. (chapter 47) Why? By acknowledging him as an adult man, she would give him a choice. He could refuse to do her a favor. As a puppy, he can not live on his own. Besides, by turning him into a dog and as such animal, she is denying him his right as a human being. She is appealing to his instinctive nature, his loyalty. And the moment I thought of a dog and death, I couldn’t help myself thinking of the famous dog Hachiko who kept waiting for his owner’s return at the train station, unaware that the latter had died a long time ago. As you can see, doc Dan’s pictures are strongly intertwined with reality and confrontation. Therefore the pictures with her grandson were not shown or treasured. The grandmother has been avoiding mirror and even pictures. As a person suffering from “Peter Pan Syndrome”, she is trying to do anything to escape “death and responsibility”. How ironic is that she just needed a picture to express her wish to move to the West Coast! (chapter 53) Yes, the image from the brochure is creating the illusion that the woman on the wheelchair is her. She is smiling and “looking healthy”. It looks like she will have a better life there, less painful than at the hospital. In other words, this photo represents the exact opposite: illusion and fakeness. This (chapter 53) is the reality. The grandmother is not looking at Kim Dan contrary to the woman on the prospect. He is reduced to his role as caretaker. He has become her “servant”. In addition, the PT is not smiling like the nurse in the photo. In verity, he doesn’t want to do it. Deep down, he wished to stay at the penthouse. (chapter 53) The words “I should go” displays that he is doing it out of obligation. To conclude, photographs in Jinx are also embodying dream and illusion. (chapter 53). They only symbolize truth and reality, when the doctor is present.

3. The pictures in Joo Jaekyung’s world

What caught my attention are the similarities between Kim Dan and the champion. Both have no photo on their cellphone screen: (chapter 38) Clouds are a reference to heaven and dream, while the green display displays loneliness and emptiness. They have no one by their side. Furthermore, just like Kim Dan, Joo Jaekyung has no family pictures in his house, (chapter 19) which could be seen as a clue that he is an orphan. Or in the best case, they live, but there is a huge wall and gap between them and the fighter. I would even add that no one could even identify the owner of the penthouse. He is a famous MMA fighter, yet there exist no picture of himself in this flat! Not even this one: (chapter 1) That’s why I had compared the penthouse to a hotel room in a previous essay. So we could say that he also lived like a ghost. However, since he is a celebrity, he should be rather compared to a god. He has no home and privacy. Thus the penthouse contained no memories, until the doctor started living with the champion.

Another important aspect is that the fighter doesn’t even have any picture of his manager or his children (chapter 43), a sign that their relationship has always been more businesslike, thought the boss somehow considered him as his “older brother”, as he keeps calling “hyung”. (chapter 5) The first personal video and message from his manager only appeared in chapter 43. This shows that the owner of Team Black had no family at all and not even friends. This observation brings me to my next remark. What about the gym Team Black? (chapter 1) (chapter 5) There are only pictures of the champion and of no one else. Not even from Park Namwook or the ex-professional fighter Jeong Yosep. Everything is revolving around the celebrity. The absence of pictures from others is indicating neglect. The gym was not advertised as a great place to have fun! It is all about fame, wealth and glory! Therefore it is not astonishing why the rats left the sinking ship. (chapter 52) The champion’s image is tarnished, he will get less admiration and sponsoring. The decoration of the gym exposed the mentality of the owner, Park Namwook. The gym is about the celebrity, money, fame and sponsoring! Under this new light, it becomes comprehensible why the other members were neglected and why the athlete disliked it so much to be taken in pictures. (chapter 30) It is because the photographs are a synonym for “money, glory and fame”. Choi Heesung was using him to get attention. His name (chapter 46), his face and body are like “merchandises”. (chapter 43) That’s why he disliked the idea that Seonho would advertise that he was his sparring partner. The pictures in the god’s world have nothing to do with memories or love, but with work! It is about making business and getting sponsors and making his fans happy. That’s why the author included the magazines in the same chapter with the actor. (chapter 30) Naturally, Heesung’s picture is not only related to business, they have a frenemy relationship. The photos with Joo Jaekyung stand in opposition to Kim Dan’s values: glorification, illusion, superficiality and futility. Under this new light, it becomes comprehensible why Joo Jaekyung would never put any framed picture of himself or others in his flat. His gym and the photographs are related to work. Who would like to be “reminded” of work and money in his own home? No one…

Under this new light, I came to understand why the celebrity reacted so violently about the presents and Kim Dan’s. (chapter 45) (chapter 45) Imagine that the doctor had to work to exhaustion to give him an expensive gift! Yes, his gift was strongly intertwined with money, business and work! However, birthday is a symbol for home, pleasure, joy, simplicity and genuine gratitude. This has nothing to do with work and “replacement”. Yet, contrary to the other presents, the champion did open the hamster’s gift, for the latter had brought it personally. (chapter 45) Yes, his birthday was turned into a business event, a merchandise where he even had to pay for his own birthday party. (chapter 43) His popularity among the staff was based on his spending: (chapter 35) Such a success and glorification could only drive an edge between himself and others. In addition, the images could never boost the fighter’s low self-esteem. Yes, the absence of his own picture in his home is another important clue for his unhappiness and self-loathing. Because the doctor brought “work” home, Joo Jaekyung started avoiding the physical therapist: (chapter 47) It was not just because the athlete had been encouraged by his mentor to trust no one, to see relationship as a business. (chapter 46) This remark leads me to the following conclusion. Since the manager started sowing distrust in the champion’s heart, we can see it as another proof that this man has never truly loved “his boy”:

He just considers him as a toy and possession. (chapter 40) Thus he can mistreat him, if he is not pleased.

But there’s another evidence that the pictures with the fighter are strongly linked to idolization, illusion and deception. 8chapter 35) When this article was released, the author selected a photograph exposing the champion in good health! He was raising his arm and as such using his “injured shoulder”. The content of the article contradicts so much the image which can only raise doubts among the readers. By using such a picture, they created the illusion that the athlete was hiding something. And this remark brings me to the last articles about the fallen legend: (chapter 52) His beaten face is exposed to destroy his “good image”: he appears not only as weak, but also as a bully. This shows how the medias are trying to manipulate the public with pictures. His face and body are damaged, therefore he has less value. This deceptive trick becomes more visible, when you include Baek Junmin. (chapter 52) The article utilized a picture of the fake fighter taken right after the match. He is smiling and barely injured… yet, the reality is that he got so wounded by the champion that he needs a long time to recover. As you could observe, all these photographs symbolizes money, business, work, superficiality and publicity. Thus they are strongly intertwined with temporality, fake love and emptiness. No meaningful moment…

It is important, because the moment the athlete started interacting with the physical therapist, a new kind of photograph started appearing: (chapter 46) The ones in this panel ooze privacy, selflessness and intimacy. The champion is seen carrying bottles and opening the door for the doctor, a sign of Joo Jaekyung’s respect for the doctor. Yes, these images expose the truth about the athlete: he really treasures his physical therapist. He is also seen listening to the doctor. This observation corroborates my previous interpretation. The pictures with the physical therapist symbolizes verity and reality. The problem is that Joo Jaekyung never got to see them, hence he didn’t realize his affection for the doctor. However, Choi Gilseok could notice it. In fact, the celebrity was delivered a different kind of truth: (chapter 48) Kim Dan’s meeting with director Choi Gilseok! However, note that these photographs were also a deception, for they never expose the outcome of the meeting. These pictures display the negative notions of privacy and intimacy, it is about plotting, betrayal and as such about “business”. How so? It is because they met at a café. As a conclusion, the photographs have a total different meaning in the athlete’s world. They represent coldness, superficiality, temporality, deception and work. This new interpretation reinforces my hypothesis that the main lead’s car must have been followed by a paparazzi during that night: (chapter 33) A black car was following him. But they couldn’t take any picture, for the windows of his car were tainted.

Interesting is that at the end of season 1, Kim Dan had a recollection of this scene (chapter 53) which left him deeply impressed. Joo Jaekyung was turning around his head and looking at him! This shows that the star was paying attention to him. And what had happened in that moment? What is the light next to the protagonist? Yes, these were the flashes from the cameras! (chapter 40) It is no coincidence. Though he had no memory of the previous night, he felt this moment as magical. He had saved him and claimed him as a part of Team Black. Then he had look at him back, though he was facing journalists. However, the journalists didn’t take a picture of such a moment, for this was not relevant to them. It shows not only the true value of “memories”, but also that both were now truly living! During that night and day, both created wonderful memories. (chapter 41) Kim Dan experienced that he was not alone, he was part of “Team Black”, while the other heard a love confession for the first time. This memory displays (chapter 53) not only admiration, but also intimacy and TRUST!

Because the MMA fighter has been constantly surrounded by fake people in his world, it is not surprising that he doesn’t value “money” or glory. These didn’t make him truly happy. But there is more to it. Due to photographs, the fighter learned the wrong lessons. He judged people on prejudices and impressions!! Yes, this explains why Joo Jaekyung imagined to see Kim Dan selling his body., while he was about ti get raped. (chapter 17) He is relying too much on his eyes. He paid no attention to details and their words. Hence their words are not visible. In addition, the author created such a panel. (chapter 17) in that scene.. But why is he trusting too much his eyes? It is because he adopted this poor habit from his mentor and hyung, Park Namwook. who judges people based on prejudices and impressions. When the manager faces a problem or some criticism (chapter 17), he prefers blaming his “boy” or delegating responsibilities to others: (chapter 36) Furthermore the man with the red tee-shirt has always been by his side for a long time. The time spent together is a proof of his “loyalty”, yet if the athlete had paid more attention to his words, he should have noticed his hypocrisy, lack of empathy and disrespect: (chapter 49) (chapter 52) The slap is the expression of lack of faith and disrespect. Besides, he kept badmouthing him in front of the other members, creating a huge gap between the celebrity and the other members.

This is no coincidence why Joo Jaekyung didn’t listen to doctor Lee’s recommendations as well. He never saw the results of his examination. (chapter 27) In addition, he had to rely on the expertise of doctors, but he only trusts himself, his hyung and no others. But let’s return our attention to Kim Dan and his letter.

When the doctor left the penthouse, he left a memory and treasure to the athlete: a letter full of kindness and care! (chapter 53) The letter stands in opposition to the articles and photographs. Through the letter, the main lead is teaching to the wolf this important life lesson. He needs to use his mind and as such his heart to see the truth and reality.

The doctor is now perceived correctly, because for the first time, the athlete listened to his words and opinion. Here, I mean, he believed in his confession (apology, convalescence). Interesting is that after listening to his words, Joo Jaekyung started reflecting on his own actions and emotions. (chapter 53) Thus he voiced his discomfort and annoyance. However, this time, he is not questioning the origins of his actions. He knows now that the doctor means a lot to him. He is not a waste of time. It is no coincidence that the moment he paid attention to Kim Dan’s thoughts and emotions, he opened up his own heart and mind, because according to Erich Fromm

And now, look at the expression “home with oneself”. Home is strongly connected with inner harmony, meditation and well-awareness as the foundation for genuine communication and understanding of others.. Let’s not forget that home is also a synonym for “family”. Thanks to the support of a loving family and friends, one can become true to oneself. At the same time, home with oneself helps to communicate better with others. And because the MMA fighter listened to Kim Dan words, he became more aware of himself. The doctor has become the key to the champion’s heart. He has also become his home as well. Thus Joo Jaekyung came to associate the penthouse to his loved one: (chapter 53) The latter might have no photograph of Kim Dan, but his face is now engraved in his memory. To conclude, the letter should be perceived as a mirror of truth to the athlete. He needed to hear the hamster’s words without seeing his face in order to see him properly.

Finally, I conclude that in season 2, photographs will have a different meaning in the champion and doctor’s life. They will stand for privacy, love, friendship, recognition and selflessness. Yes, I am expecting that the doctor and his lover start taking pictures of memorable events, like this day: (chapter 26) (chapter 26) The gym will face some changes.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Dawn’s 🌅 Enigmatic Message ☎️ 📞 (second version)

Like the illustration is displaying it, my main focus will be on the last part of chapter 47, the phone call and message from the “executive director” of King of MMA. (chapter 47) Now, you are wondering why I decided to dedicate an essay about this scene. It is because the phone call and message raise a lot of questions. Why did the mysterious man call Kim Dan at such an early hour? Notice that it is in the morning, at 5. 15 am. (chapter 47)

1. Evidences for 5:15 am

How can I be so sure that it is in the morning, and not in the evening? Notice that in the Spanish version, the translator wrote “Buenas tardes” for hello giving the impression that it was in the afternoon. The person came to this conclusion because during the night before, Kim Dan looked at his cellphone. The doctor’s meeting with Kim Miseon was in the afternoon. (chapter 47) The Spanish translator thought, the person calling Kim Dan was contacting him, after the doctor had met the oncologist. She imagined that not much time had passed. Yet, I believe, it is in the morning. First, it is important to place the day in the year. Since Joo Jaekyung’s birthday is on June 21st, and the next match is shortly after (chapter 47), I deduce that we are in July. However, the sunset in Seoul during that month is between 8:29 and 8:12 pm, whereas dawn in the same period and place is between 4:44 am and 5:07 am and sunrise between 5:15 and 5:36 am. Jinx-philes can now determine the time thanks to the position of the sun: (chapter 47) It is in the morning. Moreover, the Webtoonist tipped off her avid readers with this panel: (chapter 47) In Korean, it is written MONDAY!! I had already detected a certain pattern. The protagonist would visit his grandmother on Sundays, (chapter 30) as Saturdays are Kim Dan’s days. The morning in chapter 30 took place after the couple had spent their day-off together.

2. Reconstruction of his weekend and its interpretation

Thus I deduce that when the doctor returned home (chapter 47), it was Saturday evening. Then the next day, he went to the hospital in order to get the results. After hearing the terrible news, he lost track of time. Hence he didn’t look at his cellphone contrary to episode 5. (chapter 5) On the other hand, I don’t think, he visited Shin Okja right after meeting Kim Miseon, for his grandma would have known that he had remained by her side the entire night. Nonetheless, her worries were about eating and not about lack of sleep. (chapter 47) Thus I come to the conclusion that he spent the whole night at the hospital like in episode 21: (chapter 21) This explains why the grandmother was not wearing her headgear. She was sleeping. But back then, Kim Dan returned to the penthouse at dawn. (chapter 21) Therefore the grandma didn’t notice that he had stayed by her side for quite some time, for she was asleep. Hence she requested his presence the next morning. Nonetheless, there exists another difference between chapter 47 and 21. In my eyes, Kim Dan entered her room during the night and spent some time in the bathroom. (chapter 47) He didn’t approach the bed the same way: (chapter 21) However, I doubt that he spent just one hour in the restroom covering his tears by running the tap water. (chapter 47) I have the feeling that this scene is a reflection from their first night. (chapter 3) Here, he was also sitting on the floor pondering if he should still accept the deal. And what had happened back then? The protagonist was lost in the moment, he had no notion of time because of his fears and social norms. As a first conclusion, Kim Dan spent a lot of time in the bathroom reliving the moment when he was receiving the bad news. This interpretation displays how much his grandmother’s imminent death devastated him. He had spent the entire night crying: (chapter 47) Therefore he had red eyes. Furthermore, the halmoni’s name is Shin Okja, and Shin can signify “morning, dawn and daybreak”. For me, it is no coincidence. First, it was her moment to shine due to her compassion. (chapter 47). She symbolizes humanity in both senses of the word: empathy and humankind (mortality). Though she is weak physically, she is strong mentally. At the same time, Okja can only treasure this moment, for Kim Dan was by her side, when she woke up. (chapter 47) In my eyes, this scene represents the positive reflection from that nightmare: (chapter 21) As a little boy, he had asked his grandmother to never leave his side, unaware that this meant that he should do the same. He should remain by her side too. Yet, he didn’t do it. (chapter 47) This observation made me realize another aspect. When he heard the diagnosis from Kim Miseon for the first time, he admitted his powerlessness. (chapter 5) In his eyes, he could do nothing for his grandma. But he was wrong, as he could support her by spending time with her. From my point of view, when the halmoni left home for the hospital, deep down, he must have felt abandoned. On the other hand, we shouldn’t forget that he also had other worries and problems to solve: the loan, the hospital bills and finding a job as a PT. Hence I deduce that through his grandmother, he learned the following lesson: he should spend more time with his loved ones, as they can vanish at any moment. He learned how precious time is. This remark made me realize the huge contrast between these two scenes: (chapter 47) He was in the bathroom crying and kept recalling the terrible monologue from the oncologist. He felt lost and trapped in the same moment. It felt like an eternity for him. But when he listened to his grandmother, bathed in the sunlight, it triggered his memory about his childhood with her. (Chapter 47) Not only she had kept her promise, but also through this recollection, he got a notion of time again. We could say, he could feel time again. He sensed her true nature: her mortality. It is important, because of this new realization, he can move on and focus on the future in a long term. That’s the reason why I see this scene as a new leaf for both characters: (chapter 47) Shin Okja is no longer a goddess, a star during the night… but a human facing her mortality. Besides, the doctor focused too much on money, not realizing that goods are irrelevant in front of death. (chapter 41) This explicates why the champion is not attached to clothes and presents.

3. The call at 5:15 am

And now, it is time to return our attention to the phone call in the morning. Why would he call the physical therapist at such an early hour? One might reply that it was an emergency, for the next match is around the corner. Yet, I can refute this point. How so? Note that the caller only let the phone ring 3 times: (chapter 47) Then he left a message. This stands in opposition to Joo Jaekyung’s action in episode 5: (chapter 5) The latter even spent about 23 minutes to reach the protagonist. He started calling at 10: 12 am and the next person he called was the MFC manager at 10:30 am. 12 + 23 times = 25 minutes. It means that for each call, he waited more than one minute before calling again. Another difference is that the athlete phoned him each hour: around 10 am, before around 9.00 am., hence I am assuming that he must have called around 8:00 am. This exposes the champion’s despair and huge desire!! However, he never tried to reach him at 5: 15 am. The director’s action appears as tactless and selfish. Since it was not an emergency, then why would he call the doctor so early? What was the point to act that way, when he left a message right immediately? (chapter 47) One might say that he feared that the doctor would reject his phone call, as he couldn’t recognize the number. On the other hand, I would like to outline that the man didn’t introduce himself properly. He didn’t mention his name at all. He just described his work and position. Compare his message to the one from the journalist: (chapter 35) So what does the divergence display? I would say, the lack of seriousness and integrity from the executive director. Shim Yoon-Seok wished to appear as a serious reporter, though he was intruding in the champion’s private life. Don’t forget that the latter messaged Joo Jaekyung during the night, but he didn’t call him: (chapter 35) He desired to give the impression that he was a hard-working journalist. On the other hand, because he just sent a message, it indicates that the reporter wished to hide, to remain anonymous. In other words, he was hiding his identity behind a name. How so? It is because the champion could not hear his voice at all. Joo Jaekyung can not recognize the journalist contrary to this scene: (chapter 36) This divergence reveals that the executive director has a different approach than the reporter. The former seeks to „get close to Kim Dan“, while the journalist desired to avoid the famous fighter’s wrath. Shim Yoon-Seok anticipated his reaction. Therefore I have the feeling that the mysterious man contacted the physical therapist so early to create the illusion that it was urgent. They needed him. Interesting is that when the champion received the message from Shim Yoon-Seok, he never questioned how the reporter got his contact. (Chapter 35) Besides, I noticed that the text from the journalist was ambiguous, especially for the readers. (Chapter 35) The latter doesn’t claim to be the author of the article. He doesn’t employ the possessive pronoun „my“, then the column doesn’t expose the name of the author. And we have a similar situation with the message. (Chapter 47) No name and as such no identity… Kim Dan could not recognize the man in the street, if he were to meet him. Furthermore, the message could be from someone else, impersonating him… the latter could deny that he ever sent such a message, as it is not his „phone number“. As you can see, I detected a pattern. The schemers are playing with ambiguity which mirrors the doctor’s situation. The MFC security guys had no idea about Kim Dan’s identity: (chapter 40) A fighter, a prostitute, a lover or a physical therapist? Another difference between the two texts (35 and 47) is that (chapter 47) above the anonymous message, Manhwalovers can read the warning about phishing and spasms, while the champion’s cell phone doesn’t show such a message. It could be an indication that the debts from Kim Dan are related to phishing scams.

After this quote, Manhwaworms can grasp that phishing represents a huge problem in South Korea. Therefore I have the feeling that this number could get blocked or even reported as spam. Let’s not forget my previous conclusion. The fact that the mysterious sender didn’t mention his name is exposing his mind-set. He doesn’t want his true identity to be discovered in verity. This would corroborate my theory that the man behind the message is Mr. Choi. In the analysis “Angel(s) Of Death: Shadows versus Serenity”, I had already outlined the similarities between the mysterious phone number (chapter 47) and Mr Choi’s: (chapter 46) And now, imagine the consequences, when Kim Dan or Joo Jaekyung reports the text as spam. Not only he doesn’t prevent the scammer from sending more texts to him, but it does let the authorities know as well that there’s a problem. Carriers might block the sender’s messages. Government bureaus might take action to prevent the scammer from messaging other cellphone users. (Chapter 46) And remember that Mr. Choi used this cellphone to contact his underling, a sign that their relationship was not official and should remain a secret. Hence if the line got cut, then Heo Manwook and Mr. Choi would be forced to meet. As you can imagine, the moment I discovered the connection between „carrier“ and „spam“, I couldn‘t help myself thinking that Mr. Choi might have received the CV from the courier company!! (Chapter 42) Yes, we have here a text on a cellphone too. Therefore I couldn‘t help myself laughing!! Why? It is because I believe that the schemers are thinking that Kim Dan is a member of Team Black, a fighter, and he is Joo Jaekyung‘s protégé. My reasoning is the following: since my hypothesis is that he got the doctor‘s curriculum vitae through the courier enterprise (Chapter 46), I doubt that Kim Dan mentioned that he was working as PT for Joo Jaekyung. This would have raised an eye-brow!! His side gig was supposed to be a secret implying that his official work was to be kept hidden as well. Furthermore, I am assuming that Mr. Choi must have tried to figure out Kim Dan based on his CV. He worked for a short time at the hospital and after he chose to take odd jobs. So he could have had a change of heart, he desired to pursue a different career, like for example becoming a professional MMA fighter. I don‘t think, people would mention such a hobby, as it could give a bad impression. Finally, if my theory is correct, then it signifies that Mr. Choi got tipped off by the hidden person from chapter 42. (chapter 42) Remember my previous interpretation: the anonymous person had discovered a secret, but back then it was difficult to determine the secret. (Chapter 42) First, I thought that they knew that Kim Dan was probably his „sex partner“ as a fan, as he didn‘t object to this statement (chapter 42) But note that Kim Dan had protected the champion’s name and reputation first. Hence my idea is that in the mind of the anonymous observer, Kim Dan might have been left speechless for a different reason. He was described as a parasite, for he was using Joo Jaekyung‘s care and talent to become himself a professional MMA fighter!! In other words, they are mistaking him for Potato. And now, you comprehend why I added the green fox in the illustration: They are trying to snatch away the favorite athlete from Team Black in order to destabilize Joo Jaekyung mentally (chapter 46), as the champion was seen quite caring towards Kim Dan. We could see that fighters at Team Black believes in luck (chapter 23) So they could think, Kim Dan is not questioning the belief too, as he is a fighter. However, in the picture, Kim Dan looked depressed alone. So the picture was exposing his disillusion and Mr. Choi could misinterpret the origins of his disappointment: he was not able to achieve his dream. (Chapter 47) Because he is a member from Team Black, he is not paid well. He is not sponsored by Joo Jaekyung, in fact he needs to pay fee memberships. One might argue about this theory (Kim Dan is confused as a fighter) for the sender addressed the protagonist as Doc Dan. This is the indication of a spy, only members from Team Black know his nickname. Nonetheless, the Spanish version diverges, as he is addressed as Mr. Kim. Hence that could be an error made by the English translator, similar to „Buenas tardes“. On the other hand, let‘s not forget that during the sparring, the main lead’s nickname got a different meaning. (Chapter 26) They could have jumped to the conclusion that Doc Dan was his stage name as a reference to his education and past, unaware that in reality it was indicating his true job. Thanks to @joojaedan, I got access to the original version. He is addressed as Kim Dan, and @joojaedan told me that he got addressed the same way than the fighter and Joo Jaekyung would call him. I have to admit that I let the app Deepl translate the Korean version. This is what I got:

The official English version is definitely the better translation for two reasons. First, what caught my attention is the title “executive director”. According to my research, executive director is not the same than CEO or “jefe del gimnasio…”. In Spanish, the author of the message is presented as the owner of the gym, but now take a look at this source:

This shows that the author of the message is presenting himself as the right-hand of the fighter. He is not the owner of the gym officially, for he acts as a representative and takes care of the finances and PR!! I would even say, he must be working with a law firm as well. As you can see, thanks to the original and English translation, I discovered a new aspect, the connection between the Entertainment agency and the law firm, which corroborates my previous interpretation: the lawyer and the manager from the agency were working together, covering up for each other. (Chapter 36) Moreover, this signifies that Baek Junmin is presented as the owner of the gym (chapter 47), as he is the face of that gym. In reality, he is just the cover, whereas the true owner is the mysterious sender of the text. (Chapter 47) This signifies that he is acting like Park Manwook (chapter 22). Yet, he is his negative reflection, as Mr. Choi is the real owner, but he hides behind the thug Baek Junmin. On the other hand, Park Manwook views himself as the owner of the gym, for he takes care of contracts and finances, but the one with the final saying is in truth Joo Jaekyung. To conclude, we have a similar situation between the two gyms: the owners are keeping a low profile, they stand in the shadow. However, there exists a difference between them. Joo Jaekyung is allowing his hyung to call himself the owner of the gym out of respect, whereas the other is doing in order to hide his criminal activities. I would even say, he is making sure that Baek Junmin would take the fall in case he would get into trouble.

Moreover, since he asked Kim Dan to call him back, it implies that he wished to be in touch with Kim Dan through his cellphone. In other words, he doesn’t desire to meet Kim Dan personally. I would even add that he wished to be connected to Kim Dan like to Heo Manwook, not through the official line, but a private and secret phone. (chapter 46) As you can see, through this comparison, we can discern the personality and the intentions of the anonymous caller much better. It stands for secrecy and intrusion. At the same time, it exposes that the schemers are not exchanging information between each other which can only need to a failure. Heo Manwook knows that Kim Dan is well paid, whereas Mr. Choi thinks, he is still struggling financially. But why did he call him at 5:15 am then?

One might reply that he needed to call him before the doctor would go to the gym with Joo Jaekyung. (chapter 46) He wanted to ensure that the athlete wouldn’t notice his phone call. He couldn’t reach him around 9:00 or 10:00 am, this would have been noticed by Team Black’s members. On the other hand, he could have called him during the weekend, especially on Saturday evening or on Sunday. The last picture with Kim Dan is portraying him leaving a place alone, in my opinion, it is the hospital. Thus my hypothesis is that Mr. Choi must have known that the main lead would visit his relative on Sunday. On the other hand, since my theory is that he got the CV through the carrier enterprise, it is also possible that Mr. Choi imagines that Kim Dan is still working as a courier, especially if he is assuming that the doctor is planning to become a professional MMA fighter. He has no idea about the truth: it was to offer a present to the star.

Don’t forget that the two protagonists reflect each other. While Joo Jaekyung was misled to think that the hospital leaked information to the journalist (chapter 36) which was definitely not true, I deduce that this must have happened to Kim Dan in reality. A company leaked his information, yet the doctor is unaware of it.

Therefore I assume that Mr Choi called him briefly at 5:15 am, as he knew that his night shift as courier would end around dawn. (chapter 42) He let it ring three times before texting him in order to catch the doctor’s attention, to distinguish himself from the previous calls (for his job). If so, then Mr. Choi must believe that Kim Dan is being “exploited” by the athlete. Hence the doctor would look so unhappy, when he is alone. In other words, the pictures taken in secrecy would expose the hypocrisy of the celebrity towards the main lead. (chapter 46) That’s how Mr. Choi interpreted the images. Nevertheless, it would signify that the executive director is projecting his own thoughts onto the fighter. According to me, Baek Junmin is his “slave”. He needs to bring him the result Mr. Choi desires. (chapter 47)

That’s how I came to the following deduction. In order to perceive the caller’s intention, we need to compare his text to the previous ones. And we have two other messages in Jinx:

In chapter 34, Heesung, Kim Dan and Joo Jaekyung communicated to each other through messages. (Chapter 35) Here, the actor had planned to confess to him, while the other wanted to divulge the true nature of their relationship: (chapter 34) It was pure sex, yet the comedian didn‘t get fooled. Joo Jaekyung had feelings for him. Striking is that during that night, the doctor got fooled and this twice!!: (chapter 34) First, the star knew about the invitation from Choi Heesung. This even caught Kim Dan by surprise. This image exposes that the champion had violated the doctor’s privacy. So how did he know it? We have different possibilities, yet my idea is that he had seen the message!! Thus he replied with a text to Heesung. Besides, observe how he dissuaded the doctor from visiting the actor. (Chapter 34) He should CALL him… a sign that the champion had not called anyone. Since Mingwa is writing like Byeonduck, I have the feeling that the message from Mr. Choi will be discovered by Joo Jaekyung. Remember how his hyungs had warned him (chapter 46), but he had refused to listen to them. (Chapter 46) But the moment the champion is confronted with such a message directly, this would be a wake-up call for Joo Jaekyung, he should treat his members much better, as the existence of his company is in jeopardy. Moreover, I am hoping that such a discovery will push Joo Jaekyung to play a trick on his enemy too, like for example he gives a task to Potato, act as a spy!!

But it is relevant to recall that the executive director initially called Kim Dan before leaving a message on his cellphone. Hence I believe that we should also compare it to the previous phone calls the main leads received in the past. This led me to notice the recurrence of certain notions: sex, emergency, treatment, interruption, spying, secrecy, manipulations, rejection, and finally ignorance.

Chapter 1Chapter 5Chapter 11Chapter 13Chapter 16/17Chapter 19/20

Emergency, treatment, manipulation, sex and interruption
Kim Dan saw the calls, but he ignored them.
Here, Joo Jaekyung heard that the doctor could have blocked him.
Emergency, treatment, secrecy (the reason behind the contract) and rejection
It was another emergency call, for he needed to leave the place within a week. Interesting is that the person didn’t present himself. No name… As you already know, I am suspecting that the doctor got fooled, for I doubt he ever received any compensation for his move. He should have received money. Emergency, rejection, manipulation, interruption and spying (Heo Manwook interrogated the doctor right after)
In this chapter, we have in fact two calls related to a danger.
Emergency, treatment, sex, interruption, manipulation and secrecy

Treatment, interruption, sex, secrecy, rejection and manipulation
Sex, interruption, „emergency“, as the champion didn‘t take off his shoes and put down his bag. Then during the intercourse, the doctor was called by the hospital
Sex, treatment, interruption, secrecy (hidden in the bathroom) Here, the doctor could not refuse the champion‘s suggestion.
ChaPter 21Chapter 24Chapter 32Chapter 38Chapter 45

Here, we have sex, interruption, secrecy (grandma‘s existence and illness), rejection and ignorance. Kim Dan didn‘t answer the phone calls right away, as he was sick.
Sex, interruption (food), secrecy, manipulation, ignorance and spying. Potato had tried to listen to their conversation.
Treatment, emergency, interruption (food), ignorance, manipulation and „spying“. Heesung tried to discern the nature of their relationship.
Interesting is that here, there was no emergency from the champion‘s part. This time, Kim Dan was the one longing for the athlete. Sex, emergency, ignorance, manipulation, though here the victims of the trick were the two main leads.This message stands in opposition to all the other messages: honesty, family.
But it shares a common point from the text in chapter 34: love confession. Park Namwook and his family view him as a family member. Yet, the star saw it as an intrusion, it happened right after the sex-love session

And now, which notions do we find in the phone call from Mr. Choi? Manipulation, because he is not introducing himself properly. He doesn’t explain how he got his contact. Then we have secrecy, because he is calling so early. Interesting is that the caller gave the impression that it was an emergency by calling at dawn, (Chapter 47) yet his words contradict the notion of crisis and danger. Kim Dan can determine the time. Then we have ignorance, for Kim Dan didn’t notice the ringing and the texting. (Chapter 47) That’s why we have NO interruption. Furthermore, it displays spying, as the contact raises the question how the executive director got his phone number. Funny is that the notion of rejection is present through the notice above the text: (chapter 47) As for treatment, it is related to the grandmother, a sign that the sender is not interested in any treatment. Hence I come to the following deduction: the mysterious sender has the intention of deceiving Kim Dan. In exchange for betraying the champion, the executive director will promise him a career at the gym „Kim of MMA“!! Yet, I don’t think, he has the intention to keep his promise, because Baek Junmin has been used as his tool to get rich. The fame in the underground fighting ring is not only fake, but also dangerous. (Chapter 47) And how should he betray the athlete?

We have different possibilities. Since I linked this scene to the altercation with the goblin and his mysterious room mate, they could ask him not to be his sex partner before the match. Or they could ask him to drug the champion like in the past. According to my previous observations, MR. Choi was left in the dark concerning the failure of the last trick. (Chapter 40) He has no idea that Kim Dan became the victim and got framed later. (Chapter 46) Furthermore, since Heo Manwook was the one who hired this man (chapter 37) indicating that he used another channel than Mr. Choi‘s. Hence I am suspecting that Mr. Choi wasn‘t informed about the corruption of the MFC’s doctors. (Chapter 47) So my idea is that they could ask Kim Dan to injure the athlete during a sparring. First, Mr Choi judged the champion based on his performance. He still won the fight against Dominic Hill, though he was supposed to be injured. So in his eyes, the shoulder injury was exaggerated. Besides, he received a go from the MFC doctors and his match is very soon. Everything is pointing out that the athlete is healthy. Moreover, Alfredo was replaced in the last minute due to an injury. (Chapter 47) The MMA fighter could have been asked to fake an injury, similar to Heesung‘s plot. As for Kim Dan, his task would be to „target his shoulder, his weak point“. Another possibility is to expose his vulnerabilities. One thing is sure: their approach will fail, hence they will propose the deal to Seonho. (Chapter 47) And the latter has a reason to get revenge on the celebrity because the suffered humiliation and beating. (Chapter 46) What caught my attention is that this athlete definitely boosted his situation by advertising that he was the champion’s sparring partner. I doubt that the main lead‘s criticism was unfounded. (Chapter 46), for he had been bragging about his merits. (Chapter 46) By the way, I believe, Seonho was a recent recruit. Therefore he doesn‘t know the champion that well and he is not close to the other fighters. Hence they didn‘t protect him (Chapter 46) like in episode 1 (chapter 1) He had no idea about the roughness during the sparring, though this scene exposes that the champion had toned down the brutality during the sparring. (Chapter 46) (Chapter 25) So Seonho could expose the true identity of the main lead, he is a physical therapist… Hence the schemers would understand why he got blocked or reported as spam. Their retaliation would be to tarnish his reputation as physical therapist.

Besides, I am envisaging that Seonho could be encouraged to trespass and steal the files (chapter 42) On the other hand, since I am predicting a failure of their scheme, they could decide to take revenge on Seonho by sending him to an illegal fighting game, where he could get badly injured. Moreover, the moment they discover how weak the red-haired man is, they could jump to the impression that Seonho deceived them!! (Chapter 46) Don’t forget that the champion is the mirror of truth, while the doctor‘s role is to expose the hideous side from people: the goblin and the green fox! It divulges their true nature: greed, ambition, selfishness, ruthlessness, immorality… That‘s the reason why Mr. Choi made his entrance.

Moreover, because of the files, they could frame the physical therapist as the leak for the article, unaware that the doctor is living with the athlete. And that would force Shim Yoon-Seok to come out of the shadow. At the same time, the doctor‘s past suffering would come to the surface. So far, Joo Jaekyung only met trustworthy doctors, Dr. Lee and Cheolmin. Hence he had no reason to doubt the integrity of doctors. Notice that after the release of the article, they framed the hospital, but not the doctor himself. (Chapter 36) And this is what Kim Dan and the champion will have to learn: the corruption of organizations like the Entertainment company, MFC and hospitals, if their directors are themself dishonest and greedy.

Since my idea is that the champion discovers the message, I am hoping that he can hear and recognize the voice of Mr. Choi so that he can realize that he got betrayed by the Entertainment agency. Interesting is that coach Jeon Yosep was tasked to investigate the matters about the underground fighting ring. (Chapter 46) But he was sitting with the others later. Consequently, I come to the deduction that he failed to discover any lead, or better said, any connection between the bets and Mr. Choi. Why? It is because he is a former champion, and professionals among MMA world must know that he works for the star. (Chapter 47) Joo Jaekyung needs to realize that he can not just rely on his hyungs alone, he needs the assistance from the whole staff: Kim Dan and the other fighters, as they are not known in the MMA world. (Chapter 47) They couldn‘t break into MFC, on the other hand, their position helps them to get insight, to approach the illegal fighting ring. (Chapter 47) To conclude, I am sensing a new undercover mission and a trick from Team Black.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Plotting Shadows: Enigma❓ of a Mysterious Collage🧩

1. The first piece of the puzzling plot

If you read my essays “Agent Blue – part 1 (Second version) and Agent Blue – part 2“, you already know about my theory that Heo Manwook was involved in the drug incident. And this hypothesis got proven correct: (chapter 46) I had even truly perceived his motivations: (chapter 46) He desired to get revenge on the celebrity. But from my point of view, there exist other reasons for his trick. He was seeking validation for his statement: (chapter 17) Such fights are fake. The irony was that his perception got discredited once again. And now, we know why he thought like this. He is involved with the underground sports gamblers. (Chapter 46) His computer screen is indicating that Heo Manwook is gambling himself. (Chapter 46)

However, the loan shark was just the peak of the iceberg, for he is working for someone else: Mr Choi! (chapter 46)

Before examining this new character more closely, I prefer determining their relationship, as my focus is first on the moneylender. The way Heo Manwook saved the contact under Mr Choi indicates a certain respect and distance. He doesn’t call him by his first name. Additionally, though the moneylender calls Mr Choi “Boss” (chapter 46), their work relations are not official. Yes, they are bound to each other by an oral contract and as such by loyalty. And how do I know this? Mingwa left two important clues: Mr Choi is using his wireless telephone, though there is a normal telephone on his desk. (chapter 46) This shows that this call is private and even secret. No one should know about his connection to the thug. From my point of view, Mr. Choi doesn’t want to interact with Heo Manwook too often, as this could expose the true origins of his wealth and fame. He is not a real self-made man, rather a criminal who could climb the social ladders thanks to his cunningness and connections.

Secondly, Jinx-philes should recall how Kim Dan had wired the 14.000 $ to Heo Manwook’s personal account. (chapter 16) And this raises the following question again. (chapter 17) To which account did the champion send the money? Heo Manwook’s or a different one? If this is the second case, this signifies that Heo Manwook has been embezzling money from Mr. Choi through the poor physical therapist. The latter was sending the money to his personal account. (chapter 16) This would explain why Heo Manwook would harass the main lead, though he had paid the interests on time. (chapter 1) Under this new light, it dawned on me why the moneylender interrogated Kim Dan later. (chapter 11) It is because the doctor had paid a huge amount making it impossible for the loan shark to filch it. And now take a closer look at the infuriated thug: he employed the expression “laundering money”! He was projecting his own fears onto Kim Dan. For me, this scene exposes the true nature between Mr. Choi and Heo Manwook. He is laundering money for Mr. Choi. This explicates why their work relations is not official, as they are engaged in illegal activities. Thus their labor relations can not be known to others. On the other hand, if the champion paid the loan to the same account (chapter 16), then Joo Jaekyung has a way to track down the moneylender. 😮 Moreover, remember how I had underlined the importance of business account and personal account. If the loan shark were to get sued, he would be held responsible personally for any damage. He could go himself into debts.😉 And Mr. Choi could act, as if he has nothing to do with him. Since I detected the presence of “respect and distance” with the contact registration, it seems doubtful that the criminal would steal from his “boss”. Yet, we shouldn’t overlook the fact that the moneylender used his “boss” to achieve his own goal: getting revenge on the champion. (chapter 46) He had to convince him to bet on Joo Jaekyung’s defeat. The thug could use the interference of the champion on his side business, as this secret “laundering money” could come to the surface. His actions prove us that his “respect” towards his boss is just superficial. He is prioritizing his own interests. Hence he could have definitely taken advantage of his own position to earn more money through side “hustles”. (chapter 45) Yes, the negative reflection from the physical therapist’s. So should the broker indeed have embezzled money, that would be the end between him and Mr Choi. He would be abandoned. However, since my assumption is that the moneylender is laundering money for Mr. Choi, it signifies that the latter is dependent on him as well. However, he could choose to replace him. We could detect through the years that the thugs were switched. (Chapter 5) (chapter 1) Thus I come to the following conclusion: We are assisting to the gradual disintegration of their secret relationship. I am already envisaging that Heo Manwook could end up not only losing Mr. Choi’s favor, but also getting switched by this man. (Chapter 37) And the starting point of their estrangement is the suggestion made by Heo Manwook which led to the loss of the bet. Mr. Choi trusted his „underground assistant“, hence he wagers a huge amount of money. (Chapter 46) The sum reflects the faith he had in Heo Manwook. Yet, the conversation displays the increasing mistrust between them. Note that the usurer is not taking responsibility for the failure of his scheme: „on their end“. (Chapter 46) It was because of the others. Moreover, observe that the moneylender was looking at his screen, a sign that he is slowly getting addicted to underground sports gambling. (Chapter 46) There’s no doubt that the moneylender will act on his own. (chapter 46) He won’t listen to his boss’ request. Why? First, the thug never got his revenge, but it was his main motivation for his last trick. We could say that it is a matter of pride and money  (chapter 46). Secondly, since Mr. Choi is now taking the matter into his own hands, this signifies that the criminal won’t be involved in the next scheme, so he won‘t gain anything. (chapter 46) Consequently, it implies that Mr. Choi won’t inform him… Yet, keep in mind that Heo Manwook is looking at illegal sport bets, and the champion’s next fight is scheduled in two weeks, which the moneylender must definitely know. Therefore I am envisaging a new bet on the athlete from his part. And this brings me to my second piece of the “collage”.

2. The drug incident and its consequences

For that, it is time to return our attention to the last scheme. Mr. Choi had not organized himself the drug incident, he had just been informed about the plot. (chapter 46) That’s the reason why the thug had hired the man himself. This confirms that this man (chapter 37) met the moneylender, but he was not in touch with Mr Choi. Hence the man in black could not reveal the incident in the States to Mr Choi. The latter has no idea what truly happened there: they missed their target and afterwards they involved MFC security guys to cover up the incident by framing the physical therapist.. What only mattered to Mr. Choi was that the champion had not drunk the drugged beverage. And we know for sure that Mr Choi is left in the dark concerning this (chapter 40). How so? It is because Heo Manwook doesn’t explain how the plot failed!! (chapter 46) At no moment, he elaborates that someone else drank the poisoned nutrition shake. Besides, Heo Manwook has no idea about the identity of the drinker. From my point of view, Mr Choi is unaware of the involvement of MFC security guys. Yes… though this chapter was painful for Jinx-philes, it still gave me hope, for the author is showing that the villains are not communicating to each other. They keep information from each other which represents the exact opposite to the argument in the penthouse. (chapter 45) Their reason for not sharing their secrets is simple: they don’t want to expose their vulnerabilities, mistakes and problems. That’s the reason why their plots can only fail in the end. They didn’t possess all the information. Simultaneously, it displays their cowardice, for they are acting in the shadow, behind people’s back.

We have the best evidence of miscommunication with Kim Dan. The latter never interacted with Mr. Choi directly, but he was connected to him through the debts. Moreover, he was not the borrower of the loan (chapter 5), thus I doubt that Mr. Choi is aware of the connection between the physical therapist and Heo Manwook. The curriculum vitae sent to him certainly doesn’t contain any information about Kim Dan’s past financial situation. (chapter 46) Moreover, the CV can be seen as a source of information, just like the photos. As you can see, Mr. Choi gathered insight through others, I would even add through indirect channels. Another common denominator is that this intel is on paper. He is not interacting with the celebrity or the doctor. It is important, because he is judging the situation from the distance. He is put in the same situation than Potato: (chapter 23) Back then, he initially denied the existence of intimacy between them, until he was confronted with reality. (chapter 25) Hence he envied the doctor for his closeness with the celebrity. (chapter 25) Thus from my point of view, Mr. Choi must have come to a different perception than the maknae: (chapter 46) The champion not only must trust the doctor, but also exposes his attachment towards the physical therapist by opening the door and sharing the burden with his fated partner. The fighter is seen gentle and caring. Hence it becomes clear that Mr. Choi is now targeting Kim Dan. His goal will be to separate the couple. I didn’t come to this conclusion just through deductions, but Mingwa also left a clue: the “stalker” took a picture of Kim Dan alone, a sign that the photograph was now following the physical therapist. But if Mr. Choi had showed the picture to Heo Manwook, the latter would have revealed that Kim Dan was “selling his body” for “Team Black”. The documents are the proof of miscommunication, though they are conversing over the phone. This stands in opposition to these short messages from Park Manwook: (chapter 45): sincere congratulations from a family, as he showed his kids to the celebrity. Finally, observe that during the phone conversation, Mr. Choi refused to listen to his minion. (chapter 46)

Furthermore, I would like to outline that when the fake MFC guy brought the poison, he saw Kim Dan wearing an uniform with the tag Team Black. (chapter 37) However, the man with the cap couldn’t determine Kim Dan’s true identity based on his uniform. Who was he exactly? A fighter? Or a coach? He could jump to the false conclusion that it is an uniform for the members of Team Black and not for the physical therapist. The unknown man could only recognize him by his face and hair. That’s how he got denunciated to the MFC security guys (chapter 40) Therefore you comprehend why the “fake” agents for order tried to determine his identity. (chapter 40) But the champion’s response couldn’t give them any satisfaction: (chapter 40) He only declared that he was part of his team. They had no idea who the person actually was. However, Joo Jaekyung didn’t realize that through his action, he was bringing attention to the company “TEAM BLACK”. That’s what the criminal saw on the uniform and the jacket! Thus I come to the following deduction: the hired man will report to Heo Manwook the existence of Team Black and its connection with Joo Jaekyung. (chapter 16) (chapter 16) Thus there’s a high chance that they will try to ruin the champion by tarnishing his company. It is a hidden brothel. Imagine Park Manwook’s reaction, when he gets to hear that his gym is a whorehouse. (Chapter 45) Another possibility is that they decide to target the members from Team Black, especially Potato, and rig his games. (chapter 46) But here is the thing: (chapter 30) Choi Heesung has been promoting the athlete and his company. (chapter 31) That’s how the actor’s reputation would get affected. As you can see, the actor and Mr. Choi share the same family name. So are they related or not?

3. A star against evil versus a overseer of a mountain

Before answering this question, I would like to portray him first, based on the clues Mingwa left in the chapter. Who is this man?

He is definitely a new villain, as he wagered on the champion‘s loss. Interesting is that Mingwa didn’t reveal everything about this character. First, she never showed his eyes! (chapter 46) Don’t forget that eyes are the mirror of the soul. Secondly, the readers can only see his chin and nose, while the top of his head remains in the shadow. For me, the Webtoonist didn’t truly expose Mr Choi’s face. Why? The purpose is to keep his identity a mystery. Some people came to think that this person was the fan at the restaurant, for he was wearing similar clothes (green shirt). (chapter 43) Besides, on his desk, there were photos of the protagonists. But in my eyes, these two persons are totally different. How so? (chapter 46) The form of the hair on the neck diverges: round versus square. Moreover, both men are wearing the cell phone with a different hand: left versus right. But why did the author create such a confusion? It is because she is working with positive and negative reflections. This means that the admiration of the fan at the restaurant was genuine, whereas Mr Choi is just a hypocrite. He had been spying on Joo Jaekyung and Kim Dan. (chapter 46) I also don’t think that it’s a coincidence that Mr Choi is left-handed. The association between being left-handed and being considered a jinx or unlucky is rooted in historical superstitions and cultural beliefs. Throughout history, left-handedness has been viewed with suspicion or negativity in various cultures.

He owns a huge company, for his desk is covered with files. Besides, the small red box looks very expensive. First, I thought that it was a cigarette etui, until my friend @m1n_m1n_07 suggested a box for a stamp seal. The latter is the symbol for identity and ownership. Thus I deduced that Mr. Choi is running a business. In my opinion, he is the CEO of the Entertainment agency. Yes, this would fit the description about the „fake admiration“ for Joo Jaekyung. Then this would signify that the entertainment agency would launder money by receiving payments from the moneylender Heo Manwook that are proceeds from illegal activities, such as loan sharking or extortion. The agency might then use its legitimate business activities, such as concert promotions or talent management, to disguise the illicit origins of the funds. That‘s why they needed the athlete as their client! Behind his games, they could mask the illegal activities, thus the lucky streak!!

And remember what the actor said at the club: (chapter 33) He employed the personal pronoun “our” (even in the Korean version), a sign that he was identifying himself with the owner. From my point of view, Mr Choi and Choi Heesung are related, I would even say father and son. I know, when I presented my theory on X, people argued about this, for in South Korea, Choi is a common surname, just like Kim Miseon is not related to Kim Dan. (Chapter 5) Yet, I can refute their objections with the following points. Jinx is about emancipation and maturity, the leads are encouraged to become responsible and mature men. This signifies that they need to cut off ties with their parents and become strong mentally and emotionally.

Moreover, the moment you compare the introduction of the two Chois, you can detect huge contrasts. It indicates that the author is once again working with positive and negative reflections. First, the actor was not introduced as Choi Heesung, but as Heesung. (chapter 29) Note that the comedian is promoting himself with Heesung and not his surname. (chapter 30) It was, as if he didn’t want to be connected to this Mr. Choi. Moreover, contrary to the mysterious director, readers could see his face and identify his “job”: an actor! (chapter 29) Yes, the Webtoonist introduced the actor the opposite way. However, in this scene, Jinx-Philes were intrigued by him, as they had no way to determine his role in the story: antagonist or second lead? His personality was quite mysterious which stands in opposition to Mr. Choi. Readers can already judge him as a bad guy. The latter oozes ruthlessness, greed and dishonesty. His words are represented by the color “dark grey”. (chapter 46)

These notions stand in opposition to the actor. (chapter 31) The latter hates conventions, discipline and even control. (chapter 33) In addition, Grey embodies boredom, neutrality and compromise, while the actor is always trying to “take a side”, to earn people’s admiration. As you can see, through this contrast, it becomes obvious that these two characters are related. The darkness from the relative rubbed off on the actor, for he is able to scheme. Moreover, Mingwa still created some similarities: both faces were first covered. (chapter 29) (chapter 46) And finally, the actor was seen wearing a similar shade on the rooftop: (chapter 33) Green, whose negative features are greed, jealousy and envy. And what had Heesung done during that day? A prank at the champion’s expense. He wanted to have the doctor for himself. Furthermore, we can grasp why Heesung’s manager complained about this: (chapter 31) His words expose the greed and selfishness of the CEO from the agency. They are accountable for Heesung’s actions. In my eyes, this condition was made in order to control Heesung, so that the latter would feel responsible for his manager and other employees. It was to push him to „work“. Under this new approach, it dawned on me why Heesung would sponsor lunches to the members from Team Black, (chapter 30). It was his way to get acceptance and recognition. From my point of view, he occupies a special position at the agency, as if his moves are supervised there. Hence he asked from his manager that the latter would keep the fake injury a secret. (Chapter 33) His laziness was already implied by the champion. (Chapter 31) As you can see, I sense that Heesung had an ambivalent relationship with his „father“. On the one hand, he rejects him due to his cold-heartedness and high expectations, on the other hand, he was still relying on him and his connections through the agency. In my eyes, he will be forced to choose between love or money in the end.

From my point of view, Heesung and his relative are not close, they have an estranged relationship. Finally, I would like my inquisitive readers to recall the way the actor appeared at the club: he was wearing slippers. (chapter 33) My initial theory was that he had been stalked. But he could have left the family house after a huge quarrel. And Mr. Choi is indeed acting like a stalker, though he did not do it himself: the pictures! (chapter 46) On the other hand, these pictures corroborate my previous observation: Joo Jaekyung had been followed during that evening. (chapter 33) This was the “stalker” working on Mr. Choi’s account. So it dawned on me that Heesung might have been living with his father in the huge building (chapter 32), until he chose to move out and live on his own. And now, we have the perfect explanation why his house is so clean and impersonal: (chapter 33) It is because his father probably meddled in his life constantly. I have the impression that he must know about his father’s past and the true origin of their wealth. The fact that he introduces himself as “Heesung” is a sign that he wants to deny his origins, Choi.

Since people questioned my theory about their parentage, I chose to look into the signification of Choi. This is what I found:

This quote explains why this mysterious man was introduced as Mr. Choi!! He is an antagonist and even villain of our beloved couples, while the actor had to be introduced as Heesung, for his role in Jinx is different. Moreover, since Mr. Choi is portrayed as a man obsessed with money and with no integrity, Manhwalovers can grasp why Heesung was obsessed with his search for a „soulmate“. (Chapter 33) He had been missing love and warmth too because of his family, exactly like the champion. Both came to a similar conclusion: fame served as a replacement. It was to get recognition and „affection“. The problem is that this type of attachment is rather superficial and temporary, as none of their „admirers“ or „fans“ has to become responsible for them. Moreover, their fortune played a huge role to undermine their relationship.

Then I found on a different website this information:

This indicates Mr. Choi’s role in Jinx. He acts like a general or governor, and gives orders to his minions. He has the impression that he owns the world. Hence he can bet on the champion‘s defeat. He is treating people like „pawns”. That‘s the reason why I included a building below Mr Choi in the illustration.  The house stands for power and propriety. But Choi has another signification.

As you can see, this surname is associated with stars and lucky charms. It is important, because it implies the involvement of Mr. Choi with the champion‘s jinx. Is it a coincidence that the actor knows about the athlete‘s jinx? (Chapter 32) Note that when he was conversing with the celebrity at the bar, he never brought up his jinx. (Chapter 33) He only criticized Joo Jaekyung for his poor sexual behavior. So where did he hear it? Interesting is that 6 months ago, the champion signed a contract with the Entertainment agency, and this is what Park Namwook confessed to the physical therapist: (Chapter 43) His success felt almost unreal, as it was too beautiful to be true. And this would coincide with the signature of the contract between the athlete and the Entertainment agency. The lucky streak is to cover up the illegal activities. He is already envisaging an injury, because he was convinced that this is the fate of such celebrities. (Chapter 43) However, if he pondered a little more, he would realize that it is a lie. How so? Coach Jeon Yosep is the evidence that not all athletes are destined to end their career because of an injury. Yosep is still a fighter.

And the connection between Choi and the 5 stars reinforces my previous interpretation about the characters in Jinx. They are all associated with stars and as such planets: Saturn, Moon, Sun, Mars, Venus, Jupiter, Neptun and Mercury. Interesting is that number 46 corresponds to the sun. So we could say that Mr-Choi and Joo Jaekyung are represented by the huge star, and Mingwa placed Mr Choi next to the main lead as an indication of a future collision between the 2 suns. There will be a conflict of interests.

Interesting is that this number is linked to scandal and family. Then the latter is used to achieve a goal displaying selfishness and heartlessness. As you can see, I am quite certain that very soon, we will have a new uproar. Moreover, I would like to outline that the mysterious man is wearing a watch! (chapter 46) It was, as if he was owning time. And we have the evidence that he is the one behind the timing, as he called Heo Manwook first, and this for one reason. he wanted to announce him that he should stop seeking “revenge” on the celebrity on his own. But he only did it after receiving the CV from Kim Dan and the pictures. (chapter 46) The desk is also referring to time, like we could observe it in this situation: (chapter 43) The package arrived right on time.

And naturally, this panel (chapter 46) raises the following questions. Who took the pictures without being noticed? I mean, they were in front of the gym, so they could have sensed the presence of a third person, unless the latter acted as a deliveryman. Then, how did Mr. Choi get the résumé from the main lead? Did the latter send it to find a new job? Or was the curriculum vitae delivered to Mr. Choi by someone else? Like for example… a hospital! Let’s not forget that the physical therapist has been blacklisted by all the hospitals. (chapter 1) I doubt that the incident with the perverted hospital director was leaked to the outside world, so the main lead must have been badmouthed. So if this rumor about Kim Dan reached Mr- Choi’s ears, then he will definitely see in him the perfect scapegoat for covering up his own involvement. He would even appear as a righteous person. According to me, he is the CEO from the Entertainment agency and the latter had pushed the champion to press charges against the hospital. (chapter 36) In fact, he could decide to leak the information about the physical therapist to the hospital so that the latter can put the blame on the free-lancer! (chapter 42) That way, the agency would divert attention from its own responsibility and even receive support from the clinic. Then we have this rumor circulating that people are sending spies to gyms. (chapter 46) Is it a coincidence that this terrible gossip reached the blind manager Park Manwook at this moment? No, nothing is random in this story. They could frame the physical therapist as someone who tried to “leak” information in order to rig a game. He could be portrayed as a gambler. Yet, Mr Choi is not aware that Kim Dan offered a golden keychain to the champion and even risked his health to buy the expensive present.  

However, we shouldn’t overlook that because the MFC matchmaker was involved in the plot, (chapter 36), he must have wagered too and lost money. This would explain why he asked the doctor from MFC to give it a go right after. He needed to create a new game in order to cover up the last losses. The problem is that since Mr. Choi wasn’t informed about the incident with the security guys from MFC, I don’t think, he is truly aware of the celebrity’s physical conditions. If he knew about the real diagnosis, he wouldn’t need to investigate Kim Dan. He would rely on time… within such a short time, Joo Jaekyung wouldn’t be able to recover. In fact, he would even bet on the athlete’s defeat once again. Since he saw these pictures, I am quite certain that he is misjudging the relationship between the two protagonists. They are close, hence he needs to sow discord and even plant a seed of doubts on the athlete’s mind.

Finally, I would like to outline that the first plot started with the publication of Shim Yoon-Seok’s article: (chapter 35) The athlete was pushed to prove the “wrongfulness” of this article by accepting a fight. (chapter 36) Hence I am suspecting that one of Mr. Choi’s intentions is to portray Kim Dan as a fraud, as a bad and immoral PT. They could even question his skills and competences, for MFC authorized the fight and the champion is now no longer treated by the famous hospital. They could imply that the main lead isolated the athlete on purpose and even aggravated his injury. But like mentioned above, Mr. Choi only knows half of the story. He has no idea about the connection between Cheolmin and the athlete and the former assisted him. Besides, he judges the poor uke based on his prejudices and past experiences. Exactly like the loan shark, Mr. Choi is also projecting his own thoughts onto the doctor. If the latter sent his CV, it signifies that the CEO imagines that Kim Dan is ready to “betray” the champion. Yet, the doctor doesn’t resent the main lead. In addition, from my point of view, the mysterious “general” received the résumé through connections.

Finally, once the characters make a connection between the drug incident and the agency, there is no ambiguity that the agent will have to take the fall, though he definitely followed the directives: (chapter 36) He acted on his own. The MFC matchmaker can even deny his involvement, for he didn’t contact the champion himself. (Chapter 36) Don’t forget that the man has his phone number. (Chapter 5) Imagine the consequences for the manager. The latter would not only lose his job, but also face a lawsuit for breaching the contract. There’s no ambiguity that Mr. Choi would feign ignorance. Finally, since Mingwa is using karma as punishment, the readers should expect that Mr. Choi’s papers will get leaked too. Heo Manwook plotted out of revenge and greed, the result was that he lost a lot: his boss‘ trust, his money and his „sanity“. Since Mr. Choi is now taking matters into his own hands, we have to envision that his actions will affect his company… and as such Heesung. The latter could become suspected as „spy“ or in the worse case as theft, he is „stealing talents“. All his past actions would appear in a different light: his generosity was fake. (Chapter 31) Yes, appearances would now play in Heesung‘s disfavor. Finally, an incident with the agency would push Heesung to fight against his relative… and to regain control over his life.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Trapped Butterfly 🦋 in Deceit’s Web 🕸️ (part 2)

After publishing the first part, I had another huge revelation. Yet, instead of updating the last analysis, I decided to write a second part. And now, you are probably curious about my new discoveries. It is related to the methods I employed to examine chapter 40 which were to interpret the significance of the sun glasses and to contrast the interrogation scene with previous episodes.

1. The importance of glasses

I don’t think that my inquisitive readers have already forgotten the different meaning behind the spectacles: naivety, blindness, hypocrisy and deception. And now, let me ask you this. Who has been wearing glasses in Jinx? The first person coming to your mind would be Park Namwook. But he is not alone!! We have Cheolmin (chapter 13) who also jumped to the wrong conclusion, when he saw the doctor’s bruises. He imagined that the champion had been too rough in bed with Kim Dan. However, once he heard his testimony, he believed him. This shows that he trusted him. On the other hand, this scene reinforces my interpretation that the glasses are connected to prejudices and false perception. Moreover, observe that he was curious about the physical therapist, hence he interrogated the champion. (chapter 13) Then, observe that in the penthouse, the doctor acted too. (chapter 13) He faked to be frightened, while in reality he was having fun, which is displayed by the onomatopoeia “epp”. As you can see, the behavior of Cheolmin corroborates all my previous statement about the glasses. They are used as masks. Another important detail is that this scene contains all the same ingredients than in episode 40: a rescue, a doctor (chapter 40) and the blood test (chapter 13) and a new face!! (chapter 40) (chapter 13) And by contrasting these two scenes, I realized that it reinforced my theories. 1. There must have been a phone call!! In episode 13, the champion must have called his chingu. (chapter 13), for he couldn’t leave the main lead alone. Secondly, this phone call was to cover up a scandal. To conclude, because of a phone call, the MFC security guys had received a task. They had to cover up a scandal by framing the new face. (chapter 40) However, the moment the guard with the sun glasses got caught, he tried to act as a savior. As you can see, this comparison reinforces my theory. The MFC manager must have asked the MFC security guys to cover up the incident. If not, they would be blamed for the matter!! And now, you comprehend why they had to know everything about Kim Dan. (chapter 40) They needed to find any excuse to put the blame on the protagonist. Either he had a strong reaction because of his medication or because of a different meal… but since Kim Dan never replied to them, they had to frighten him, to coerce him to confess a crime. (chapter 13) That’s how desperate and ruthless they were in the end. While dressed like FBI agents, they were acting like thugs and criminals. No matter what… MFC should not be involved in a scandal! And this brings me to my second discovery. Who else is wearing glasses in Jinx?

2. The hidden reflections

The perverted hospital director!! (chapter 1) And he also got caught!! What did happen afterwards? (chapter 1) Kim Dan got fired, for he was a new face! (chapter 1) The wrongdoing from the higher-up had been covered up, and the staff had assisted him!! (chapter 1) The nurse had not testified in the physical therapist’s favor. She had remained silent. This door opening doesn’t symbolize true rescue… but abandonment. It stands for silence and betrayal. The reason is simple. The staff wanted to keep their job. This signifies that the hospital director used the organization to protect his reputation and cover up his crime. In a previous essay, I elaborated that the nurse had been sent to the office on purpose, for the director office had no light on. I doubt that she was allowed to enter her superior’s office like that. And this assumption got reinforced, for Park Namwook was the one mentioning the incident to Joo Jaekyung in the hallway. (chapter 40) The intrusion of Joo Jaekyung in the office was caused by Park Namwook’s revelation. And it was the same, when the champion caught Heo Manwook with his minions. (chapter 17) And what is the common denominator between the perverted hospital director (chapter 6) and the moneylender? (chapter 16) Sexual harassment and the usage of the number to achieve their goal!! These two characters could hide their crimes with the assistance of other people (thugs, staff). We could say that both used an organization. Consequently, I am assuming that the MFC manager is doing the same!! Therefore it is no coincidence that Mingwa employed the same colors: blue, white and black . (chapter 1) That’s the reason why I am suspecting that the MFC guys must have already been informed that Kim Dan might be the champion’s sex partner. (chapter 40) If the champion had admitted that Kim Dan was his boyfriend, then they could say that Kim Dan had drunk the nutrition shake by mistake, and Joo Jaekyung had actually planned to take the drug. Keep in mind that according to me, the green-haired guy, the loan shark and the MFC manager are working together. But they were assisted by the lawyer and the manager from. the Entertainment agency. Fortunately, the champion’s answer was ambiguous. (chapter 40) Is he his partner or a member of his gym? Not only he is the face of Team Black (chapter 1), but also he owns the club. This means, in chapter 40, as the team leader of Team Black, he protected Kim Dan!! It exposes that Joo Jaekyung used the organization to defend his lover and physical therapist. (chapter 40) Joo Jaekyung is behaving the opposite from the perverted hospital director, Heo Manwook and finally the MFC manager. Thus it dawned on me that the reporter from this article did the same. (chapter 35) He sought protection behind the hospital (chapter 35) and social medias (chapter 36). Thus I deduce that the agent from the Entertainment agency and that lawyer are acting the same. They believe that they are safe, for they are both working for a huge company or law firm. And guess what… the doctor Kim Miseon is also wearing glasses. (chapter 5) As you can see, thanks to the glasses, I discovered a new pattern. These schemers and helping hands are avoiding any responsibility by hiding their wrongdoings behind an institution or we could say behind a name. (chapter 7) In the last case, it would be MFC!! But the reproach from the champion (chapter 40) should have opened their eyes! Not MFC would have been involved a scandal… but only the MFC security team!! As you can see, the moment they had been informed about the incident, they should have reported the MFC manager to the highers-up! They should have never protected such a person in the end, because the latter is the reason why the organization would be involved in a scandal. That’s the reason why such people are framing others. They know how an institution works. Under this new light, it becomes comprehensible why the plotters are trying to ruin the champion’s name!! (chapter 36) (chapter 36) It is because they are projecting their own thoughts onto the champion. He is just a person. However, what they don’t realize is that behind the athlete, there is also an organization: TEAM BLACK!! (chapter 40) Because their scheme failed, there is no doubt that they will target the physical therapist, for he is much weaker. He is “new” in the team and he comes from a low social background. He has a sick and old halmoni. However, Kim Dan has almost become their true mascot!! (chapter 36) Note that Oh Daehyun and Potato tried to investigate the matter with the doctor’s illness. (chapter 38) (chapter 38) Thus I deduce that because of Kim Dan, the members from Team Black will become more proactive. They need to show to these people that Joo Jaekyung is not alone, he is the alpha of a great gym… producing many champions!! In other words, the dragon with his yeouiju will be able to remove these Deceit’s webs and purify these institutions. As you can imagine, I am suspecting that Dr. Lee must have been blamed for the article (chapter 27), for someone had to take the fall. I hope, we will see him again.

Interesting is that the Manhwaphiles have no idea about the identity of the perverted hospital director. We don’t know the name of the hospital as well. It is no coincidence. It indicates that this person is hiding behind the reputation of the hospital. This contrasts so much to Joo Jaekyung, but there is definitely a link between them. Thus my suspicions got reinforced that this man could be Seo Gichan. And we know for sure that Joo Jaekyung has connections to a hospital. (chapter 13)

3. The hidden wearers of glasses

By focusing on the glasses, I had another revelation. Joo Jaekyung is also wearing glasses. (chapter 29) However, here the item has a different signification. How so? It is because Joo Jaekyung was totally honest and was opening up to the physical therapist. (chapter 29) It seems to contradict my previous interpretation about the glasses. But no… Observe that during that whole scene, the readers could see the champion’s eyes contrary to the MFC guys (chapter 40), Park Namwook (chapter 37), Kim Miseon (chapter 21), Cheolmin (chapter 13) and the perverted hospital director (chapter 1)!! The eyes are the mirror of the soul. In Park Namwook and Cheolmin’s case, I don’t judge them as manipulators and schemers. The glasses are there to expose their flaws. But let’s return our attention to this scene. (chapter 29) Because he was wearing blue light blocking glasses, he was protected from “Agent Blue”, the positive version of episode 36 and 40!! This explicates why I consider them as a shield. He was trying to hide his vulnerability while confiding to Kim Dan.

And this interpretation got reinforced with Choi Heesung. (chapter 35) The Jinx-Philes could see his eyes too. He had come to the café with them to hide his identity, but in reality his action had the opposite effect. People noticed the actor. (chapter 35) Striking is that as soon as the actor removed them, he got honest with the doctor. He revealed his intentions, but he got rejected. As you can see, the glasses can have a positive function. Consequently, I came to develop a theory which was triggered by the glasses. Kim Dan envisioned the athlete in a suit (chapter 32), then he imagined him with the sun glasses (chapter 35) Thus I come to the conclusion, Kim Dan will be the one turning the athlete into a star, a real celebrity! But he won’t be reduced to his body and face (chapter 30) People will notice his qualities and talents so that he doesn’t need to prove his strength and power in the ring. The celebrities often use sun glasses to protect their anonymity. And Mingwa already implied that the champion’s birthday is around the corner. (chapter 40) So he could offer the sun glasses to his savior. If this prediction comes true, then it means that Kim Dan will become the rival of the manager from the agency. Besides, it was the manager’s job to develop a strategy how to change the netizens’ opinion. But he chose to put the whole responsibility on his athlete. (chapter 36) He could have shown that Joo Jaekyung was the owner of Team Black and he was training other athletes. It is important, because it shows that certain people hide their laziness behind the organization or a name. That’s the reason why I am expecting that Choi Heesung will play a role in the demise of the bad manager at the agency. (chapter 33) Since he has sun glasses, he is already connected to spying. Don’t forget that he tried to determine the true nature of their relationship before giving up on his angel. (chapter 32) Finally, I have the feeling that Team Black will come to act like the security guys in episode 40, investigate the matter why the champion and the doctor became the targets of malicious rumors and bad articles.

Thus I came to the final conclusion, though Cheolmin and Park Namwook are wearing glasses, they are the positive reflections of the other doctors. They will change for the better contrary to Kim Miseon and the perverted hospital director! Meeting the physical therapist, the blue butterfly, will affect their life forever… you know all the butterfly effect…🦋 A simple gesture from him is like a magic touch (chapter 31) and they are under his spell.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

A Poem A Day/Jinx/ Painter Of The Night: The true Face of Family 👨‍👨‍👦‍👦👨‍👩‍👧‍👦

1. A Poem A Day and Family

The trigger for this essay was the K-drama A Poem a Day which I was recently rewatching. You might not know this, but I created this blog because of my analyses about K-dramas. Funny is that through them, I discovered Manhwas. That’s how I ended up reading BL-Manhwas which became my new passion. However, during my summer vacation, I was feeling nostalgic and melancholic, thus I decided to watch this terrific story “A Poem A Day” again. Like the title is implying, the story is revolving around poetry. In each episode, they included poems which were reflecting the situation, emotions and thoughts of characters in the series. And that’s how I came across this beautiful and touching poetry

The woman on the right is Woo Bo-Young. She is the protagonist of A Poem A Day. She loves poetry, but she couldn’t study Korean literature because of her family situation.

The poem gives a very good definition of family. A real family is when people share their pain, attachment and happiness. This signifies that their members have no secret, they are allowed to cry in front of others. Interesting is that the blanket, a pars pro toto for the bed, is a metaphor for the embrace. This explicates why in this image, the characters are presented as a family, as they are hugging each other. The blanket represents warmth and protection. Interesting is that this vision is rejecting the notion that men shouldn’t cry (“Cry together”). It doesn’t matter who is weeping. And now, it is time to examine more closely how this poem was illustrated in A Poem A Day.

In episode 6, Woo Bo-Young was spending the evening with her mother and her half-brother, for she needed comfort from her mother. When she was very young, her father died and left not only a huge amount of debts, but also an illegitimate son. That’s how Bo-Young and her mother discovered the existence of an affair. Despite everything, the mother decided to adopt him as her son. Because he didn’t share blood with Bo-Young’s mother, the woman made sure that he wouldn’t feel burdened or excluded. Thus she showered him with love and understanding which sometimes made Bo-Young question who was the real relative in this family. Though this jealousy is totally normal, this scene exposes their mutual affection. Simultaneously, this scene also displays the slowly drifting apart between Bo-Young and her half-brother and mother as well. At the restaurant, she didn’t share all her worries and emotions to her family. She didn’t get the comfort she had hoped. In other words, this poetry exposes her growing maturity and as such her quest to find a loved one! Yes, by finding a partner, Bo-Young will start her own family. On the other hand, this poem reflects how these 3 became a family as well.

And this drifting away is also symbolized by the birthday’s party Bo-Young organized for Lee Min-Ho. His own family had totally forgotten about his birthday. So when Bo-Young saw Min-Ho alone, she brought him to a buffet and offered him a cake. At the same time, the poem exposes the abandonment and betrayal from Lee Min-Ho’s family. He might live in comfort (“a sweet and soft ice-cream”), but he never felt part of his own family, for the parents only had eyes for the elder son. Thus they were never present for important events in his life. In other words, he could never voice his pain or share his joy and pride with them. He only caught their attention, when he caused trouble.

What caught my attention is that Choi Bum Young made a difference between “we become a family” and “be a family”. For him, family is not symbolized by sharing the same blood. The verb “become” insinuates not only change, but also something alive. Living under the same roof is not a synonym for family either (“No matter where you are”). As you can see, the house is not the symbol of a family. This means that the poem was exposing the existence of fake and true family. Under this new perspective, you comprehend why I selected such a title: The true face of family. Besides, the lyricist outlines that family is associated with hard work and trust. A family is created, when people feel safe and loved, but for that to happen, the members must open up their heart and their mind. That’s the reason why trust and respect are so vital. At the same time, the Manhwaphiles can grasp why the poet included the notion of effort. The person has to overcome the barrier, the fears. Hence it is not surprising that Choi Bum Young included the notion of struggles. Once the trust is there, the “you” is able to help the other. A real family is, when people face problems together. Therefore it is not surprising that the poetry emphasized the notion of “sharing”. The members should divulge their emotions and thoughts! Striking is the recurrence of the personal pronoun “You” which outlines the responsibility of a member. One has to share his agony or happiness to others first, if he wants to have a family. As long as the person doesn’t open up, there is no family. One has to take the first step and the others will follow. This explicates why the personal pronoun “you” turns into a WE! Thus this poem implies that Lee Min-Ho was partially responsible for his own suffering as well. He never shared his resent to his brother and parents. He should have argued with them much sooner, yet he let things happen. To conclude, family is not just made of sunshine and rainbows, but of clashes and troubles. Hence discussion is not excluded at all. To conclude, family symbolizes responsibility, faith, affection, communication, support and cover! The family is represented by the personal pronoun “we”.

As you can imagine, the moment I read this poem, I couldn’t help myself connecting it to Painter Of The Night and Jinx. Thus I decided to utilize the poetry as foundation in order to define the families in the Manhwas. Moreover, we can detect the evolution of families or we could say the loss and birth of a family. And the criteria in order to define a real family would be the embrace, the weeping and its acceptance, sharing the same cover, meals, secrets and emotions.

2. Family in Painter Of The Night

2. 1. Baek Na-Kyum’s “families”

When Na-Kyum had this dream, he was remembering his own family. (chapter 87) Not only the painter and the 3 noonas were sharing the same bed, but also they were taking their meals together. (chapter 87) They would even caress each other and laugh together. This scene oozes happiness. Consequently, it is no coincidence that during that night, they shared their honest thoughts to Baek Na-Kyum giving him good advices. But more importantly, the painter was there, when his noonas were struggling. (chapter 94) He cried in front of them. His tears symbolized his compassion and love for his noonas. He regarded them as his family. And it was the same for the artist. He had the noonas by his side, when he was in trouble or agony. (chapter 94) (chapter 107) However, at some point, it changed! (chapter 94) Jung In-Hun entered his life and consoled him. Thus I deduce that this image (chapter 68) represents a turning point in Baek Na-Kyum’s life. During that night, the scholar took away the young painter from Heena, hence he couldn’t help her. And now, observe the learned sir’s reaction. He didn’t allow the painter to cry. He shouldn’t share his pain. (chapter 70) In fact, he diverted Baek Na-Kyum’s attention from the incident to the moon. The learned sir was smiling the whole time. (chapter 70) He was acting, as if nothing had happened. The fact that he didn’t bear the tears from the painter exposes that the learned sir never considered him as a family. Therefore it is not surprising that he got abandoned, when the learned sir struggled: (chapter 75) But we have other scenes where Jung In-Hun didn’t behave like in the poem. When he discovered the truth, he had not been approached by Yoon Seungho due to his talent (chapter 19), he pushed away the painter. (chapter 19) He was mad, because Baek Na-Kyum was the cause for his sponsoring. (chapter 19) However, the family serves as pillar and protection. When the scholar’s pride got hurt, he rejected Baek Na-Kyum. He only approached the painter, when he needed him (chapter 10) (chapter 24) (chapter 35). (chapter 111) For me, in episode 10, he was definitely aware of the existence of a plot, thus he led the painter to the pavilion. Then in episode 24 and 35, he wanted the artist to spy on his benefactor. Finally, in episode 111, he knew that by taking away his former pupil, he would hurt Yoon Seungho, for he was aware of his affection for Baek Na-Kyum. Under this new light, it becomes comprehensible why Jung In-Hun didn’t bid farewell to the main lead in episode 44. Baek Na-Kyum’s presence was not necessary for the preparation for the civil service examination. And this brings me to the last scene between the learned sir and the painter. (chapter 118) He is now crying in front of him, as if he was considering him as a part of his family. He is trying to create the illusion that he shares his suffering, just like he shared his happiness during the parade. (chapter 111) But in the gibang, the learned sir changed his attitude towards his former pupil, for he kissed the painter. (chapter 117) It was, as if the former was starting his family. Baek Na-Kyum is now his “bride”. But naturally, everything is just an illusion. Why? It is because the Manhwaphiles never saw Jung In-Hun share his bed or room with the artist! (chapter 27) (chapter 38) He was also never seen taking his meals with him. This explicates why he never visited him, when the painter was sick. In fact, the learned sir is connected to the air and the courtyard. That’s the reason why he is always seen roaming around with Baek Na-Kyum (10: pavilion, 18-19-27-35-44: courtyard, countryside/city: 29-37-70 and ) But more importantly, he is not sharing his true thoughts and emotions to the young man. (chapter 118) He never explained how his face got bruised! This shows that he approached Na-Kyum for one reason. He was in trouble and he needed him. But he acted, as if he was becoming responsible for him. (chapter 118) (chapter 118) He didn’t expect a rejection. Why? It is because now, he was treating the main lead as family member. Nonetheless, don‘t get me wrong. In Joseon, servants were considered as a part of the household and as such of the „family“. I don‘t believe that the teacher views Baek Na-Kyum as an equal. Yet, the latter is in reality a free man. (chapter 118) Thus out of fear, he made a false love confession which resembles a lot to obsession and possessiveness. His words display his worries and despair. Another important aspect is the absence of the personal pronoun “we” in their conversation. We only have “you” and “me”. (chapter 118) (chapter 118) There is no union. Because he didn’t take the protagonist’s feelings into consideration, this “seduction” was doomed to fail. Thus I deduce that when the learned sir trampled on Baek Na-Kyum’s heart and loyalty in the library, (chapter 40), the latter learned the following lesson: Jung In-Hun had never been his new family. That’s the reason why he was so wounded. Therefore it is no coincidence that his karma is to be abandoned the moment he needs Baek Na-Kyum the most. But why did he not consider the painter as a family member? It is because he came from the gibang. Moreover, he was blinded by his desire to succeed on his own, not realizing the true role of a family.

And this brings me back to Heena and the noonas. The moment Jung In-Hun meddled in the painter’s life, the relationship between the noonas and Baek Na-Kyum deteriorated! And this coincides to these nights: (chapter 86) (chapter 107) The sexual abuse is something they hid from Baek Na-Kyum! They could never share such a burden with the protagonist. But there is more to it. In fact, Byeonduck illustrated the slow deterioration of Na-Kyum’s s family in season 2, 3 and 4. First, the painter couldn’t talk to his noonas like in the past: (chapter 46) He was forbidden to announce his departure which indicates that Heena was hiding something from the other kisaengs. Moreover, notice that he never talked back to Heena. He listened to her, though he was in pain. (chapter 46) He could only express his sadness with his tears. Then when Heena reentered his life, she was seen next to his bed while hugging. by his side (chapter 66) This means that she would no longer share his cover. This is no coincidence that in the gibang, the noona could no longer enter her brother’s room. (chapter 96) Little by little, Heena got excluded from the painter’s life. She could no longer share her meals with him. (chapter 93) This explicates why in season 4, Baek Na-Kyum can not penetrate Heena’s room. (chapter 105) She is hiding more and more things from her brother: her “illness”, her involvement in the murder of nobles and her lies. On the other hand, the painter still considered her as a part of his family because of her intervention in episode 68/69: (chapter 68) Their argument was reflecting their trust, though here the kisaeng was questioning her brother’s maturity. Due to her concerns, Baek Na-Kyum felt that they were still a family. However, I sense a rupture, when they argued in the kisaeng house. The artist was no longer trusting Heena’s words: (chapter 97) Interesting is that from that moment on, Baek Na-Kyum and Heena never faced each other! She didn’t join his side during the parade. This means that their argument in the kisaeng house represents their last reunion. And what did Heena do in this scene? She cried (chapter 97), while the painter didn’t, though he looked disturbed. (chapter 97) He lost all his colors. However, such a scene could be perceived as a sign of indifference, especially for the kisaeng. And this observation made me realize why the kisaeng asked Yoon Seungho not to reveal his suspicions about Jung In-Hun’s involvement to her brother. (chapter 105) Here, she implied that Baek Na-Kyum would cry out of pain and shock. But she had seen that he had shared no tears, when he heard about his murder: And it happened again in the shrine. (chapter 99) Simultaneously, the request from Heena exposes that they are no longer sharing agony and as such struggles. Moreover, this made me realize why the artist left the mansion after the nightmare. It was out of fear and obligation. For me, he had sensed that Heena liked the learned sir and as she was still part of his family, he had to make sure that this was not true. Yet, even after witnessing the faked crime scene, he still trusted Yoon Seungho. Hence I am deducing that the absence of tears is the trigger for their separation which stands in opposition to their embrace in the mansion: (chapter 66) . (chapter 68) And what was her reaction, when she saw her brother in tears and yelling at his lover?: (chapter 105) She remained silent, passive and rather indifferent. This impression gets reinforced, when she is lying next to her colleagues. She is not sharing her thoughts and emotions, rather pensive contrary to these kisaengs: (chapter 105) She is even turning her back to them. This displays the dissolution of this family. The kisaeng is no longer sharing her fears, her tears and emotions to others. Therefore she can not sense “happiness or relief” like the others.

But the gradual alienation between the protagonist and his noonas becomes more perceptible in season 3. In episode 93, they could share their happiness (chapter 93), but the moment the lord joined his side, the honesty started vanishing. Notice that the painter couldn’t talk about his past (how he met Yoon Seungho and how he got abandoned by Jung In-Hun). It was reduced to “I was caught up with something”. He had so many secrets that he couldn’t share to his noonas. And it was the same for the kisaengs. (chapter 93) They also had secrets, hence they were seen whispering. Baek Na-Kyum could confide less to Heena. Why? He sensed that the kisaengs might show no understanding. And note how the painter reacted, when he met his noonas in episode 105. (chapter 105) He lied to his noona, he didn’t voice his worries. He didn’t enjoy his time spent by the kisaengs’ side. He didn’t eat with them either. This is the sign that he was moving on, he was on the verge of starting his new family. In other words, this scene (chapter 105) corresponds to the bird flying from the nest which was witnessed by Heena and the kisaengs. Because the painter was not sincere to his noonas, it is not surprising that they acted the same way. Here, (chapter 105), the kisaeng’s words are a reference to loss of virginity. Yet the painter didn’t grasp the true meaning. Only in his dream and nightmare, he realized the significance of her words: (chapter 109) Hence I come to the conclusion that we are witnessing to the birth of Baek Na-Kyum’s new family: Yoon Seungho. (chapter 118) That’s the reason why the painter decided to run away with his lover. (chapter 118) However, in order to become a real family, the painter needs to call his husband like this: (chapter 72) Under this new light, it becomes comprehensible why the noonas were no longer entirely honest with Baek Na-Kyum in the gibang. They couldn’t share their thoughts and secrets to the artist, as they had played a role in the separation of the couple (chapter 99) and the nobles’ execution. Besides, they also had secrets which they had to hide from their donsaeng.

2. 2. Yoon Seungho’s family

He never had a family to begin with. Why? First, the mother was neglecting him because of her hatred for her husband. This is what Byeonduck revealed. From my point of view, her detachment towards Yoon Seungho was linked to the first sexual experience and that her first son would resemble her husband. As for Yoon Chang-Hyeon, the father had definitely troubles with him. (chapter 57) I believe that it is related to the protagonist’s sensibility and intelligence. My assumption is that Yoon Seungho is a Highly Sensitive Person.

Therefore due to his particular personality, he could not share his thoughts and emotions to Yoon Chang-Hyeon and his brother, hence he expressed his emotions through painting. Moreover, due to his ambitious father, pranks were not well perceived. Therefore it is not surprising that he was forced to face adversity on his own, for he had no protection. Interesting is that Yoon Chang-Hyeon views the ancestors (chapter 85), his second son and even lord Song as his family (chapter 116) Hence they are sharing a drink, their secrets and emotions together, though it is obvious that the man in purple is deceiving the patriarch. However, the elder master still trusts and listens to his words. (chapter 107)

And what about Kim, the so-called faiithful butler? Was he not his surrogate father? It is the same. The latter never considered him as his family. Don’t forget what the butler said to the painter. (chapter 26) The latter was not allowed to cry! Therefore the artist heard the same reproach from the main lead. (chapter 26) The valet disliked the tears, because he refused to share the suffering. The reason is simple. If he did, this would have increased his guilt. Furthermore, Kim never shared the cover or his meals with Yoon Seungho in the past (chapter 83) and in the present. Here, (chapter 17) he even refused to bring him his breakfast. But one might argue that Kim cried in front of the protagonist in the shed, he even expressed regrets: (chapter 108) So we could assume that he was starting to view the main lead as a family member. But no… for me, it is just an illusion. First, note that he never let the lord see his gaze while weeping. Besides, the noble’s heart was not moved either. They were not crying together, a sign that the two were drifting apart. Moreover, in the shed, the valet never shared the information about the fire at the shrine. (chapter 108) The noble had to use threat and force in order to push the butler to voice his thoughts. Finally, at the end, the valet never vowed his loyalty to Yoon Seungho, but to Baek Na-Kyum. (chapter 108) Moreover, like exposed above, family in the poem symbolizes trust, love, responsibility, comfort and protection, but the valet failed to fulfil his duties which he admitted in the shed. As a conclusion, the butler didn’t keep such a promise. Moreover, what did the butler do after the painter’s abduction? (chapter 64) (chapter 64) He ran away. He never saved the painter, just like he didn’t argue with his master in that moment. But he could have, since the latter had no sword by his side. Imagine that he had a heated discussion with Yoon Seungho the very next day, and in the courtyard, the protagonist had the sword in the hand. (chapter 68) A sign that he knew that the noble would never slay him! And in the past, the valet had not come to his rescue, shared his suffering or defended his honor. And now, you comprehend why I am more than ever convinced that the valet was never Yoon Seungho’s family: no tear, no joy or no secret shared! His expression “bird of misfortune” embodies the gap between the two characters.

And that’s how I realized why the staff never cared for the couple in the end. It is because the staff would eat together, while Yoon Seungho and Baek Na-Kyum got excluded. In season 4, Yoon Seungho was even forced to give up on his own room for the painter and the maids (chapter 109) The latter would even get the opportunity to eat sweets and sit in the patio (chapter 109), while the lord was relegated to the courtyard. (chapter 109) And the poem mirrors perfectly the birth of Yoon Seungho’s first family. Baek Na-Kyum is his very first family. Thus he could share his pain, his fears, his resent, (chapter 62) and his hope to be happy for one moment: (chapter 63) I selected the terrible scene in the shed for two reasons. It symbolizes the verse “how to become a family”. This explicates why in season 3, the artist was slowly using the personal pronoun “we”. (chapter 78) This means that the two protagonists were learning how to become a true family. And one of this important step was “crying together” which occurred after the sexual abuse in the shrine, (chapter 102) However, Yoon Seungho had to learn the importance of “secrecy”! He kept his crime from his loved one hidden, not understanding that a real family is to “endure all hardships” together. Consequently, I judge this night as the finalization of their “Wedding”, though it is still not official. During this night, we have all the criteria. They share their worries (chapter 110), their happiness (chapter 110), they sit together while eating (chapter 110), they embrace each other, they share the same bed. And the lord makes the following promise: there won’t be any secret between them. He will share everything with his lover. (chapter 110) So when the brother gave the petition to the artist (chapter 116), he even reinforced their bond. It was, as if they had no longer any secret between them. Thus they talked about the document in the pavilion making sure that no one would listen to their discussion. (chapter 117) Therefore, it is not surprising that during that same night, the couple slept under the same blanket while hugging each other. (chapter 117) The symbol for the new family! But a family is not made just of two members! Is Yoon Seungwon a part of Yoon Seungho’s family? Let’s not forget that he considered the artist as his brother’s wife. (chapter 116) What caught my attention is that Yoon Seungho was not followed by his lover, when he met his brother in the gibang. (chapter 118) And this reminded me of this scene: (chapter 37) He wished to send away the artist, but the host refused. Then if you pay attention to his behavior, you will notice that none of them were seen eating together! (chapter 118) Neither in the mansion nor in the kisaeng house. The table between them symbolizes the gap between them. Another important detail is that his brother didn’t serve him a drink which is actually a custom in Joseon. (chapter 118) Compare it to Black Heart’s behavior: (chapter 43) In fact, the two guests were drinking on their own! Yoon Seungwon had even started drinking before the protagonist’s arrival. (chapter 118) Moreover, exactly like the scholar, Yoon Seungwon is just employing the pronouns “you”, “I” and “father”. There is no WE at all. (chapter 118) Moreover, he doesn’t want to share the pain and suffering with his father. And while he shared a secret with Yoon Seungho in the past, (chapter 118), I believe that he is hiding something from his brother again. Thus we see constantly him with a drop of sweat. (chapter 118) (chapter 118) Striking is that he is at no moment mentioning the painter, which actually represents the lord’s source of comfort and joy! He is more talking about the past than the present. He is hoping for a change of heart. That’s the reason why I come to the conclusion that Yoon Seungwon called the main lead as brother (chapter 118), but it is only a name! In reality, he desires to use the main lead. He needs him more than ever! Let’s not forget that the patriarch could discover Yoon Seungwon’s betrayal at any moment. Finally, I would like to outline that family stands for effort and understanding, nevertheless the younger master never showed compassion or worries for his brother, who had just recovered from a stabbing. His speech was full of blame. (chapter 118) Thus I conclude that Yoon Seungwon is not a part of Yoon Seungho’s new family and his smile in the library was fake. His words were just a lip service. (chapter 116) Don’t forget that during the same night, Yoon Seungho got stabbed and the younger master knew it.

And now it is time to examine the families in Jinx.

3. Family in Jinx

3.1. Kim Dan’s family

It is clear that though the grandma moved to the hospital (chapter 22), the physical therapist still views her as his family. This corresponds to the verse “no matter where you are”. This explains why he listened to her and started treating the champion differently. From my point of view, they became a family, because they slept under the same cover (chapter 21), shared their agony, fears (chapter 5) and their happiness together, though this needs to be relativized. (chapter 11). I will give more details later. Another evidence that they are family is that the grandmother would often sing him songs. Then we could say that the grandmother shares her meals with the doctor, for she is often saving yoghurts for her grandson. (chapter 05) She is happy, when she hears good news from her grandson. (chapter 07) When she feels lonely or miserable, she asks for his presence. (chapter 21)

Furthermore, she often caresses her grandson, a different form of embrace. (chapter 5) Nevertheless, there exist two negative aspects. First, I noticed that she didn’t question Kim Dan about his career, only when it was necessary. (chapter 07) She is not that involved in his current life. (chapter 05) Secondly, what caught my attention is that the halmoni is not letting her grandson weep. With her attitude, she implied that he had overreacted (“Now, now none of that”). (chapter 21) Moreover, the poem outlined the necessity of crying together (“be able to cry together”), yet the halmoni was not upset, when she found the little Dan in tears. She didn’t understand his abandonment issues. Thus I deduce that the shared agony was only in one way! If the grandmother was scared or suffering, her grandson should feel the same. (chapter 5) This explicates why Kim Dan was willing to sacrifice himself for his halmoni. (chapter 16) It is because he knew that her grandmother disliked tears. Besides, in a previous essay, I had already outlined that such an attitude was considered as abusive, for such a young child should have been shielded from harm. However, he was exposed to violence very early on. Under this new perspective, it becomes comprehensible why Kim Dan started having secrets from her. Finally, the family portrayed in the poem implied the notion of effort and work. But the moment the grandmother refused to share his agony, she stopped putting energy in her relationship with Kim Dan. This means that as time passed on, she became more and more passive and relied more and more on the main lead. Another interesting aspect is that Kim Dan came to enjoy K-dramas because of his grandmother. (chapter 30) This shows that Kim Dan’s preferences are all influenced by the halmoni. We could say that he didn’t truly develop his own identity. It was, as if he had become the second version of “grandma”. And now, you comprehend why he rejected sex: (chapter 20)

Therefore it is not surprising that as time passes on, they are slowly drifting apart. Notice that he barely visited his grandmother. (chapter 30) Because the grandmother didn’t allow her grandson to share his struggles (no tears), Kim Dan has been hiding many things from his grandmother (chapter 07): the beatings from Heo Manwook, his firing from the hospital, the sexual assault from the perverted hospital director and the moneylender, his deal with Joo Jaekyung and the fact that he moved to the penthouse. This means that little by little, the physical therapist is sharing less and less his happiness with her. I doubt that he told her about his trip to Busan, his first MMA fight as spectator (chapter 15) and his first sparring with Joo Jaekyung (chapter 26). But this is a sign that Kim Dan is maturing. Therefore it is no coincidence that after their first day off spent together, Kim Dan is already under the champion’s spell. (chapter 30) And at some point, the grandma will notice her little boy’s transformation and the growing distance. And Choi Heesung could be the trigger for a first quarrel (chapter 30), because the doctor feels more attracted towards the champion than the actor. I have already outlined that so far, the physical therapist’s life had been determined by the grandmother. But a discussion is not necessarily a bad thing, quite the opposite, for to be a family means to share thoughts and emotions.

3.2. Joo Jaekyung’s “families”

So far, we don’t know if the celebrity has a family. However, what caught my attention is that Team Black is a company that Joo Jaekyung created for his personal needs. Though it is an enterprise (incorporation, where he is the shareholder), I noticed that Park Namwook treats the members like a family. They share their meals together (chapter 22) (chapter 26), they get support from each other (chapter 14) (chapter 23) or they argue (chapter 07). Moreover, they call the older members “hyung” (chapter 5) (chapter 23) which is another evidence that Team Black functions more like a family than like a company. What caught my attention is that the doctor is not addressed as hyung (chapter 30) but as Doc Dan or doc. (chapter 23), though the manager Park Namwook had introduced him as hyung. (chapter 07) The reason behind this different title is the champion. The latter addressed him like that: (chapter 22) It exposes that the physical therapist occupies a particular position at the gym. On the one hand, it could be interpreted that he has not been entirely adopted as a family member. On the other hand, the physical therapist didn’t exclude that he could have other clients. (chapter 25) This means that his “adoption” is not definitive and official. Nevertheless, I would like to outline that though Team Black’s structure resembles a lot to a family, we can not say that it is a true family. Why? It is because Joo Jaekyung is hiding many things from his hyungs and members. He is not sharing his problems to his coach (his insomnia, his jinx, his sexual orientation, his insecurities eg). Imagine that he preferred deceiving his admirer (chapter 15) than admitting that his shoulder had been plaguing him. And it is the same for Potato. He didn’t talk about the incident with the office room and the sofa. (chapter 25) According to me, Jeong Yosep knows about the true relationship between the physical therapist and the alpha black wolf. But he kept this information to himself as well. However, like pointed out before, family stands for communication and not secrecy! Moreover, so far, we only saw the fighters share their happiness. And what about their struggles or defeat? To conclude, Jinx is actually showing us the transformation of Team Black as company into a family. How they “become” a WE! Park Namwook does consider Team Black as his gym, but he has his own family. However, this is not the case for Jeong Yosep or Joo Jaekyung, who lives as a loner wolf! In my opinion, Team Black will turn into a real family, the moment Kim Dan loses his halmoni. Remember the quote from the poem: “If you can’t say you’re hurt when you feel hurt you’re not family“. Kim Dan won’t be able to hide his sadness and broken heart. In the beginning of the story, he lied to the coach and Kwak Junbeom about the reason for his injuries: (chapter 11), because he considered them as superior and colleagues. In other words, the fighters will share their pain with doc Dan helping him to overcome the loss. But this change can only happen, when the owner of Team Black has a change of heart himself as well. Remember how he pushed Oh Daehung and the other members away. (chapter 22) He didn’t want them to come to his house. (chapter 22) So far, he didn’t want people to cross the line, but thanks to the physical therapist, this will change. That’s how both protagonists will come to view more and more Team Black as a family. They will share their struggles and happy moments together. I have one evidence that Kim Dan is the key to turn Team Black into a real family. It is because Joo Jaekyung came to the gathering (chapter 9), though he had been avoiding such events in the past.

But in chapter 30, the Manhwalovers could discover that the champion belongs to an Entertainment agency as well. (chapter 30) But he is there an employee. Thus I am suspecting that the talent agency is working differently from Team Black. If there is a scandal, I doubt that the company would side with the star in trouble or they would try to find ways to get rid of the issue, like finding a scapegoat in order to bury the truth. As a conclusion, I am expecting to see companies run differently so that the readers can perceive Team Black as a family company, although it is an incorporation.

Naturally, there is no doubt that Kim Dan will become the champion’s real family. The author let us see such a scene. Right after their First Night together, the champion shared his bed with Kim Dan. (chapter 4) This was a reference to the blanket in the poem, though here Kim Dan slept in a cocoon. This was a sign that he didn’t feel safe. However, as time passed on, I detected a change in Kim Dan’s sleeping position. He is lying on his back and even in the middle of the bed. (chapter 29) It is because Joo Jaekyung always put him there! This exposes that the champion is still thinking that he represents a disturbance to the Sleeping beauty. One thing is sure: Joo Jaekyung will become the blanket taking over the grandmother’s past role: (chapter 21) At the same time, this signifies that Kim Dan will have a similar function in the champion’s life either. Thanks to his presence and embrace, the boxer will be able to relax and to fall asleep.

Another important detail is the doctor’s tears. When Kim Dan met the celebrity for the first time, the former started crying, when he thought hat he would get punished. (chapter 1) This was the reaction from the champion: (chapter 1) He questioned the cause for the tears. He was naturally annoyed (“the hell”), but he didn’t make fun of the doctor. And now, pay attention to the memory Joo Jaekyung had from their first night. He remembered his tears which had moved him deeply: (chapter 6) This shows that the celebrity is not judging the physical therapist as weak due to his tears. In episode 28, he even showed concerns, when he heard the doctor crying. (chapter 28) (chapter 28) He questioned the doctor once again, why he was in tears. However, he didn’t ask the doctor to stop weeping or to wipe his tears. He wanted to understand him. This exposes the fighter’s tolerance and interest in Kim Dan. For me, it reveals that Joo Jaekyung is willing to share the pain or fears with Kim Dan. Therefore it is not surprising that Kim Dan is remembering this moment! (chapter 30) He was allowed to express his emotions. Interesting is that this image is now connected to red, not to grey/black. (chapter 20) or orange/pink (chapter 30) The switch of color indicates the doctor’s increasing feelings and sensuality for Joo Jaekyung. That’s the reason why I am expecting that one day, the two protagonists will cry together, something that the grandma hasn’t done until now.

But let’s return our attention to the poem and its illustration in Jinx. A sweet and soft ice cream cone isn’t enough to become a family. Just because they shared one meal together (chapter 13), it doesn’t signify that they are a family now. And it is the same for the penthouse. (chapter 18) They might share the same flat, but the penthouse is so huge that they can technically live apart. Joo Jaekyung and Kim Dan are slowly spending more and more time together, either because the champion feels like it (chapter 19) or it is necessary . (chapter 27) During the day off, they shared their thoughts,, their emotions (chapter 27) (chapter 27), their happiness (chapter 28) and their fears (chapter 27) (chapter 29) Because Joo JAekyung confessed his fears and health issues to Kim Dan, it shows that he was trusting him. For me, this night represents another step how to become a true family. “If you can’t say you’re hurt when you feel hurt you’re not family.” This day and night were so magical that it affected the protagonists’ life forever. From that moment on, Kim Dan is feeling more attracted to the champion, hence he is peeping at him. (chapter 30) And it is the same for the champion. Now, he is slowly regretting that they live in two different rooms and they have their own bathroom. Therefore he came to the doctor’s bathroom under the fake excuse that he had run out of toothpaste. (chapter 30) What was so funny is that he had opened the door like a huge bear. Why? It is because he was so annoyed how to explain his intrusion. (chapter 30) This shows that little by little, the champion is regretting his words to Kim Dan in the master’s room. (chapter 29) For me, he will be forced to recognize that work is not bringing him closer to Kim Dan, especially after Choi Heesung met the main lead. (chapter 30) For me, this scene is the bathroom represents another step how to become a true family. (chapter 30) However, like Mingwa voiced it, they have a long way to go, for Joo Jaekyung and Kim Dan are hiding their true thoughts and emotions from each other. (chapter 30) Kim Dan had to hide his blushing, while the champion had to lie for his appearance. Moreover, the fact that he tried to hide his underwear (chapter 30) indicates that their intimacy has not reached its peak. He doesn’t feel comfortable around the athlete to be seen in underwear. Moreover, the champion is also hiding his jealousy and possessiveness towards the main character. (chapter 30) But like I said, they need to open up their hearts and mind in order to become a true family. From my point of view, the halmoni could play a huge role in their union. How so? It is because she entrusted her grandson to Joo Jaekyung. The latter also conversed with her (chapter 21) and even paid her hospital bills. She even took his hand (chapter 22) and gave him a yoghurt. (chapter 21) So the moment the grandma vanishes, it could also wound the champion’s heart, especially when his sex partner is so heartbroken. It would be interesting if the champion came to voice his feelings about her. If you can’t say you’re hurt when you feel hurt you’re not family.

And because the champion saved Kim Dan, paid off the debts and gave him a house and a place to feel safe, he embodies responsibility, trust, support and protection which is the true face of family. That’s the reason why the physical therapist is slowly transforming, developing his own interests and as such his own identity. But the closer the doctor gets to the champion, the bigger gap becomes between him and his grandma which can represent a source of conflict. And now, Choi Heesung met Kim Dan, thus he could disrupt the fragile harmony between Kim Dan, the grandma and Joo Jaekyung. Don’t forget that the grandmother is a huge fan of the actor and she is actually suffering from Peter Pan Syndrome. To conclude, Jinx is exactly like Painter Of The Night. We are witnessing the start of a new family breaking boundaries and taboos. Yet, both “families” are real and true, for they embody selflessness, honesty and trust.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx /Doctor Frost: Joo Jaekyung‘s shadow 👤

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwas. Doctor Frost Jinx But be aware that the last manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about JinxHere is the link where you can find the table of contents of analyzed manhwas Here are the links, if you are interested in the first work from Mingwa, BJ Alex,  and the previous essay about Jinx “Tragicomic loss of innocence“ (locked)

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. The origins of this essay

Since the beginning, people have been wondering about Joo Jaekyung’s past and family and this interest keeps increasing, the more the champion interacts with Kim Dan. Why? It is because Jinx lovers are sensing the tyrant’s transformation. (chapter 1) Slowly, he is getting tamed and as such he is becoming a social being! Right now, he has become much more considerate towards the physical therapist. (chapter 25) Note that he is standing in the ring, but he is smiling. And this change can only push the manhwaphiles to question about Joo Jaekyung’s raising and past. His metamorphosis is referring to the famous debate “nature versus nurture” in psychology.

“The expression “nature vs. nurture” describes the question of how much a person’s characteristics are formed by either “nature” or “nurture.” “Nature” means innate biological factors (namely genetics), while “nurture” can refer to upbringing or life experience more generally. […]

A person’s biological nature can affect a person’s experience of the environment. For example, a person with a genetic disposition toward a particular trait, such as aggressiveness, may be more likely to have particular life experiences (including, perhaps, receiving negative reactions from parents or others). Or, a person who grows up with an inclination toward warmth and sociability may seek out and elicit more positive social responses from peers. These life experiences could, in turn, reinforce an individual’s initial tendencies. Nurture or life experience more generally may also modify the effects of nature—for example, by expanding or limiting the extent to which a naturally bright child receives encouragement, access to quality education, and opportunities for achievement.” Quoted from https://www.psychologytoday.com/us/basics/nature-vs-nurture#:~:text=The%20expression%20%E2%80%9Cnature%20vs.,or%20life%20experience%20more%20generally.

This shows that Joo Jaekyung’s environment played a huge role in his mental and emotional development. Because of Kim Dan, it becomes obvious that the boxer has a big heart. In addition, he had no loved one by his side. He has definitely trust and abandonment issues. In other words, he had not opened up his heart to anyone else before. But does it mean that he has always been on his own till his fateful meeting with the doctor? No, I don’t think so. Why? First, he trusts the coaches Park Namwook and Jeong Yosep (chapter 5) and the doctor Cheolmin. (chapter 14) He listens to them, hence he calls them all “hyung”. But here is the question. How did he come to meet them and even trust them? Imagine that he is still keeping his distance from other fighters, yet he is the unofficial owner of Black Team. He can determine the salary and the transferring. This displays that his mistrust is not just a matter of time. Consequently, my hypothesis is that someone introduced the hyungs to him. Here, I feel the need to remind my inquisitive readers that I had found many clues in the name Joo Jaekyung [For more read “The bright calamity“] which had triggered many new ideas. One of them was that the protagonist could be in verity the real heir of that chaebol family, because Joo can have the following significations: master/owner/host and helmet/descendants!! I had also voiced the possibility that he might have lost his parents due to a terrible incident (crime). With this, we would have the explanation of the abandonment issues and the absence of motherly affection. If this theory is true, then it means that he would be an orphan. Therefore he needed to have a guardian. Yes… exactly like Kim Dan. He was raised by someone else. And don’t forget that Kim Dan is his fated partner, thereby they share some common denominators. Therefore in my eyes, the only difference would be that the doctor was abandoned by his parents on purpose which would not be the case for the famous MMA-fighter. And now, it is time to reveal my theory concerning Joo Jaekyung’s past. Actually, I had made this discovery much sooner, and even planned to present it in the essay “The bright calamity”. Yet, as the latter had become so long, I decided to postpone it! I was waiting for the right time, until I couldn’t help myself announcing on Twitter the discovery of a clue in episode 5, when @jaekyungxdan wondered about the athlete’s childhood. Thus people got intrigued about my new finding and theory.

2. “I just tried a little something new”

Do you recognize this quote? Joo Jaekyung mentioned it in the car after his match in chapter 5. And now, if you take a closer look at the illustration, you will identify that two images are from episode 5. (chapter 5) For me, it is a very important episode. So what do these panels have in common? The main lead’s cellphone. In fact, the latter exposes a lot about the athlete’s private life.😮 We have the best example from Kim Dan. (chapter 16)(chapter 16) (chapter 16) The minions saw the amount and came to the conclusion that Kim Dan was selling his body.

And now, it is time to study the emperor’s recent calls more closely. (chapter 05) According to me, the mysterious doctor from episode 13 is Cheolmin hyung. Consequently, I had only one name left: Seo Gichan. Who is this man? Because I had made a connection between the names and personality, I immediately started reading the information about his name. Yes, the website giving significations to Korean names has become my little something. Moreover, observe that Seo Gichan appeared first! For me, the order is exposing the importance of a person in Joo Jaekyung’s life. This explains why Kim Dan was only called 8 times after talking to the faceless man. I have the impression that this man had reassured the young fighter. Since Cheolmin hyung is connected to the club, it is comprehensible why the main lead called Kim Dan 23 times after his conversation. He had dropped the idea of finding a lover through the club!! And now, I would like to outline another relevant detail. When did we see the champion using his cellphone? (chapter 1) (chapter 2) (chapter 19) They are all related to sex and as such prostitution. So when he called the MFC match manager, it is related to his jinx. Hence the champion got upset. I could even include this scene as well. (chapter 17) The champion paid off the doctor’s debts, thinking that he was freeing him from “prostitution”. (chapter 18) And guess what? The name “Gi” can signify “prostitute” or “flesh, muscle”. (chapter 5) A coincidence? I don’t think so. Hence I came to the conclusion that this man is responsible for the athlete’s negative perception of sex. The latter is connected to prostitution. How so? Gi can also mean “man of sixty or seventy“. This means, he is an older man! That’s how I deduced that Seo Gichan has been the champion’s guardian! The negative version of Kim Dan’s halmoni! (chapter 22) He is the reason why the champion became a fighter, just like Kim Dan became a physical therapist for his grandmother. This explicates why the athlete knew how to talk prettily to an elderly and how to assist the sick grandmother (chapter 21). Joo Jaekyung is used to this. But there’s more to his name. However, before exposing more about his name and his personality, I would like to examine this panel again. (chapter 5) When the protagonist is starring at his cellphone, there’s a fighter standing behind him. For me, this image represents a metaphor. There exists a shadow in the athlete’s life. Yet the champion is not detecting the colleague’s presence, too blinded by his frustration and anger. He had never been ignored and as such rejected before!! Nevertheless, we shouldn’t overlook the fact that the main lead had called Seo Gichan and Cheolmin hyung before! This exposes the increasing obsession of the athlete for the main lead. Kim Dan is Joo Jaekyung’s shadow, but when I selected this title, I was naturally thinking of Seo Gichan! He is the one who had been influencing the athlete’s life so far. However, for me, the last image represents the transition. Kim Dan is little by little taking over the old man’s place. Yes, we are actually assisting to the champion’s spiritual and mental emancipation. He’s maturing into a real adult by rediscovering his inner child. Thus on one hand, he is taking care of the doctor and the halmoni, on the other hand, he plays more and more pranks. (chapter 24)

3. Seo Gichan: the ghost in Joo Jaekyung’s life

How can I be so sure that he’s been acting as the athlete’s guardian? First, Seo can signify “son-in-law” or “husband“, an indication that he is like family to the main lead. Furthermore, his name is related to food: potato, yam (sweet potato) and millet/broomcorn millet. It was, as though the man had been making sure that Joo Jaekyung would eat properly. This would explain why Joo Jaekyung is eating on a regular basis. (chapter 13) (chapter 18) As a child, he was encouraged to drink his glass of milk and not to drink these sweet yoghurts. (chapter 21) They were definitely judged as unhealthy, for they contain a lot of sugar. It is no coincidence that Seo can mean “order, discipline and age”. This man was definitely strict. Hence the main lead never experienced a caress and a warm hug from his guardian.

However, since the elderly man is not wearing the same name than the fighter, this means that they are not directly related. Hence Joo Jaekyung had never tasted a family meal!! (chapter 22) (chapter 22) Seo Gichan must have never cooked for the athlete, he simply hired a nutritionist! (chapter 22) However, I doubt that Seo Gichan is living like the athlete. I am suspecting that he enjoys good meals. Why? It’s because Chan can mean “meal, eat, food, delicacies“!! Moreover, Seo can refer to hungry. Hence I don’t think that he is as slim and fragile as the halmoni, quite the opposite! Why? First, his name Gi can signify “rhinoceros” or “piebald horse“, an indication that he must be robust. Additionally, this ghost is linked to “west”, “dawn” and willow, which reminded me of Park Namwook. The latter is represented by “morning sun, rising, mountain cherry and camphor tree“!! How does the coach look like? (chapter 7) Quite chubby! Thus we can assume that he resembles to the coach and the emperor is taking after his mentor to a certain extent.

Moreover, we know the halmoni’s face, but we don’t know her name… and it is the opposite for Seo Gichan! This is not random for me. We all read his name, yet we haven’t seen him in person. He has a similar role than the halmoni in the champion’s life. (chapter 22) Is he actually real?

I have to admit that after reading all the different meanings of Seo Gichan, I came to the following conclusion: he is one of the villains of Jinx! First, Seo means “daybreak, dawn“, while Joo Jaekyung fears the night and is suffering from somniphobia. This contrast could only raise my suspicion. On the other hand, this would explain why he would trust this man and rely on him. At the same time, the faceless man could feign ignorance about the main lead’s suffering.

What caught my attention is that his name always embodies opposite notions. Seo stands for loyalty (oath, vow, swear), for forgiveness and generosity (to forgive, to give, have mercy, to assist, to give, to live), while Seo is also connected to scheme, stratagem, to weed, to dig, to hoe, to die. In addition, Gi can embody plot, to deceive, to cheat, to abandon, relinquish, discard, exile, banish and scuttle! Then Seo can allude to weird, odd, strange, divergent or WISE. This is another contradiction. How is it possible? For me, this mysterious man is a hypocrite, but Joo Jaekyung has not detected it yet. While Seo can signify “perch”, “rest of birds”, “to dwell“, “relax“, Gi can represent “bridle, halter and restrain“! I perceive that the elderly gave Joo Jaekyung a fake home, where the latter was restrained and manipulated. Seo was the willow where the dragon could rest , the reality was to divert his attention. Under this new aspect, you can grasp my illustration. In addition, Seo can also signify “to narrate, chat, express and relieve”, a sign that he has been manipulating the athlete filling his head with prejudices. Hence Gi can also mean “to ridicule“.

This ghost is definitely selfish and greedy, for his name is connected to the following notions: “wish, want, hope, hungry, oneself, self, her/his/its, sixth in order, numerous, to hoe” (in Australian, it means eat eagerly) and “to store, to compile, to gather”. Due to the words “craft, skill, wise, chess, chess piece, stratagem, plot”, I deduce that he must be very intelligent and even cunning. Nonetheless, I can not be sure 100%, but since Seo can represent villa, office and bureau, I have the impression that he is running the chaebol company in Joo Jaekyung’s name. By becoming a fighter, Joo Jaekyung has not the time to deal with business. Further, the name Chan can represent “to carry on, to inherit“, while it can also mean “to exile, banish and scuttle“. In other words, he took over the young man’s place. Hence Joo Jaekyung lives in a recent and modern penthouse and not in the family villa.

But how did I come to this hypothesis? Look once again at the illustration on the left side on the bottom. What do these little images (plow, winnow basket, millet, yam) have in common? They are all related to agriculture and farming. Besides, Gi can also signify woodworking chisel, hoe, tool/utensil and finally “headland“. In agriculture, headland is the area at each end of a planted field. Hence I came to the following deduction: Seo Gichan comes from the countryside, from the peasantry. As soon as I made this connection, I couldn’t help myself thinking of Potato (chapter 23) For me, their path will cross, especially since Potato is a reflection of Kim Dan. The former could view the physical therapist as a source of danger for his idol. But let’s return our attention to my interpretation. Seo Gichan comes from a humble background, but he could raise socially, the exact opposite of the grandmother’s destiny. This is not surprising that Gi can signify “rise, raise and get up“. Hence he was not rich and powerful from the start. So how could he come close to a chaebol heir? It is because he was his guardian. He must have gained the chaebol family’s trust. Thus he could indoctrinate his pupil telling him that poor people are to blame for their misery. In other words, Seo Gichan must have sold himself as a self-made man which would explain why Joo Jaekyung is such a hardworking athlete and he is not living on his wealth. I have the feeling that in reality, he is more like Heo Manwook, the loan shark. He took advantage of the situation. (“Gi”: machine, opportunity”)

Because he is not related to the champion directly, it becomes comprehensible why the penthouse contains no direct reference to Seo Gichan. However, I believe that he did leave a trace there, though it is not obvious. It is the painting: (chapter 18) In the analysis “The bright calamity”, I had elaborated that this painting was reflecting the protagonist’s name and as such his personality. But we know that Joo Jaekyung has no knowledge about culture: (chapter 19) For me, the painting reflects not only the champion, but also the mysterious man. Why? His name can also signify “book, divination, lucky, auspicious, oath and libation cup“, hence I included the bowl from episode 9 in the illustration. All these idioms belong to the semantic field of religion and faith, thus we have the church in the picture. And that’s how it dawned on me why Joo Jaekyung came to choose abstinence and is refusing to drink alcohol with his fellows. It is because he is drinking with his “master Seo”, his priest!! Besides, Gi can refer to “base, basic, foundation“. He is the owner of the champion’s past (Gi= to record, note and remember“). Thus he could distort the champion’s past memories and childhood. Under this new light, it occurred to me that Seo Gichan is the cause for the champion’s false belief: (chapter 18) How so? It is because Seo Gichan must have presented himself as his lucky charm (“Seo: lucky, auspicious, propitious; Chan: libation cup, praise, compliment, brilliant, glorious“). And this leads me to the following observation, Gi can also mean mythical male unicorn. As soon as I found this, I looked into it and discovered Qilin.

“qilin, Wade-Giles ch’i-lin, in Chinese mythology, the unicorn whose rare appearance often coincides with the imminent birth or death of a sage or illustrious ruler. (The name is a combination of the two characters qi “male,” and lin, “female.”) A qilin has a single horn on its forehead, a yellow belly, a multicoloured back, the body of a deer, and the tail of an ox. Gentle of disposition, it never walks on verdant grass or eats living vegetation.” Quoted from https://www.britannica.com/topic/qilin

This discovery could only reinforce my hypothesis that the protagonist is the real heir, the true ruler, but he has been fooled by this old man. The latter presented himself as a qilin, thus the dragon felt a connection with his spiritual guide. He had the impression, they were similar and as such close. Both are creatures of water (Gi: Yi River), and to fire and as such light (bright, brilliant, summer heat, hot weather). No wonder why the protagonist would trust Seo Gichan so much. However, the reality is that the elderly man stopped Joo Jaekyung from turning into a dragon by keeping him by the coast. Headland has another signification: it is also a narrow piece of land that projects from a coastline into the sea. Under this aspect, my avid readers can grasp why I selected the yellow and blue picture in the illustration. It is an allusion to the coast and ocean, to fire and to water, but also to border, as Gi can mean “flag, border, breakwater, jetty and boundary“. In my eyes, Seo Gichan is the red flag. But the fake qiling used “cotton wadding, the perch and willow” to stop Joo Jaekyng from flying over the ocean and find his yeouiju! He wanted him to remain an imoogi! [For more, read the essay “Tattooed identity”]

So while Seo Gichan poses as qilin, in reality he is just a rat, mouse and rhinoceros. As you all know, the rat symbolizes betrayal, greed, but intelligence. The mouse inspires no danger, and it is known for its gentle and nurturing nature. No reason to mistrust him. As for the rhinoceros, it is also connected to the positive features:

  • strong,
  • reliable,
  • private,
  • protective,
  • wisdom,
  • loyal

However, in the theater play “Rhinoceros” written by Ionesco, this animal embodies different notions: brutality, intolerance, blindness, indoctrination and dictatorship! Interesting is that Seo Gichan is connected to “gas, vapor and steam” which was used in Doctor Frost as a metaphor for hatred, indoctrination and manipulation as well! (Doctor Frost, 175) And that’s how I realized another divergence between the halmoni and Seo Gichan. Kim Dan’s grandmother might have played a role in Kim Dan’s suffering, but it was not done on purpose. She had trouble herself, the main culprits were the parents. Moreover, though both (Seo Gichan and the grandmother) wanted the main leads to remain “boys” and “children”, the grandmother was more focused on the past because of her imminent death, while I am quite certain that Seo Gichan is more thinking of the future! He wishes to take over the inheritance, though he must be quite old. In other words, he is not realizing his own immortality. That’s the reason why I believe that he will be the biggest enemy of our beloved couple, for Kim Dan represents a threat to his power. Gi means “afraid, careful, abnormal, unbalanced, lopsided“, hence I am suspecting that he will use tricks to get rid of the physical therapist.

While Seo Gichan is connected to “valuable stone, fine jade, virtuous/refined thoroughbred horse, irregular pearl, delicacies, addicted of/fond of“, I deduce that he is living in luxury and comfort and this thanks to the protagonist. He is living happily, whereas his pupil is still suffering from a trauma. The reason is that he can feign ignorance, for Joo Jaekyung can have everything. Gichan might have suggested “fighting” in order to help the protagonist to overcome his issues, his “violence”, well aware that in reality, he needed a therapy. This “fragile peace” could be maintained, until Kim Dan entered his life. To conclude, the “guardian” had a reason to ignore the champion’s suffering. Hence his life was trapped in the winter: his true nature was dormant like in the painting. The tree is not blooming. (Chapter 18), for the sun Seo is ruling elsewhere, probably in the villa and the company. If you recall the description of the fighter’s name, the latter can symbolize gem and pearl. So the two characters are both jade and pearls, though Gi is referring to “irregular pearl“. This exposes that this ghost has less value than the true gem.

And because Seo Gichan can symbolize “deceive, cheat, discard, exile, banish“, I could only come to the conclusion that he will use tricks to separate the couple: Randy Booker, Heo Manwook, the green haired uke, probably Hwang Yoon-Gu (though it can be only temporary), the perverted hospital director (if he is not Seo Gichan), and Kim Miseon, like for example an arranged marriage. But the dragon is not alone!! How so? After discovering the Qilin, I searched for mythical Chinese creatures. And this is what I found:

“In ancient Chinese astronomy, the sky ecliptic was divided into four sections. Each of these sections contained seven mansions, and together they formed the 28 Mansions. The 28 Mansions may be considered to be equivalent to the zodiacal constellations in Western astronomy, although they reflect the movement of the Moon through a sidereal month rather than the Sun in a tropical year. This enabled the ancient Chinese to mark the travelling positions of the Sun and the Moon, as well as to determine the time and seasons. Each section of the sky is assigned to a mythological creature, collectively known as the Four Symbols. These creatures are the Azure Dragon of the East, the White Tiger of the West, the Black Tortoise of the North, and the Vermillion Bird of the South. Apart from their astronomical significance, each of the Four Symbols is surrounded by various mythological associations.

The Azure Dragon is the mythological creature in the East, as it is said that when the seven mansions in that area (Horn, Neck, Root, Room, Heart, Tail, and Winnowing Basket) are joined up, they form the shape of a dragon. The Azure Dragon corresponds to the season of spring. […]

The mythological creature in the West is the White Tiger, and its seven mansions are the Legs, Bond, Stomach, Hairy Head, Net, Turtle Beak and Three Stars. The White Tiger corresponds to the season of autumn. The White Tiger’s element is metal, and it was held to be the God of War. […]

In the North, the mythological creature in the Black Tortoise, and its seven mansions are the Dipper, Ox, Girl, Emptiness, Rooftop, Encampment and Wall. The Black Tortoise corresponds to the season of winter. The element of the Black Tortoise is water, and this mythological creature is commonly associated with longevity and wisdom (just as these virtues are traditionally attributed to ordinary tortoises in Chinese mythology).    

The mythological creature in the South is the Vermillion Bird, and its seven mansions are the Well, Ghosts, Willow, Star, Extended Net, Wings and Chariot. The Vermillion Bird corresponds to the season of summer. Interestingly, the Vermillion Bird has been considered to be identical to the phoenix. The phoenix is traditionally associated with fire, and this is also the case with the Vermillion Bird. As a mythological creature, the phoenix is considered as a symbol of good luck. Quoted from https://www.ancient-origins.net/myths-legends-asia/four-mythological-symbols-china-001792

Thus I came to associate the following characters to these mythical creatures:

  • Azure dragon: Joo Jaekyung
  • Vermilion bird: Kim Dan. By living with Joo Jaekyung, the duck is taking over the vermilion red (life) from his lover. This means that for the transformation to be complete, the athlete has to bring his partner to the ocean, to the beach.
  • Black Tortoise: Hwang Yoon-Gu (his name can refer to tortoise).

White Tiger: Park Namwook

And now, you are wondering why I didn’t pick up Jeong Yosep as the tiger. It is because the Black tortoise is always accompanied with a snake on its back and I am expecting that Potato and Yosep represent the second couple in Jinx. The coach is rather a discreet person, quite the opposite of Namwook. Besides, the latter considers Team Black as his gym. (chapter 22) Moreover, the White tiger is the king of terrestrial beings which coincides with the manager’s function. Namwook is the representative of Team Black. (chapter 7) Thus I believe that together, they will be able to free Joo Jaekyung from his suffering and his mental prison changing his destiny. In reality, the main lead was destined to greatness.

Okay, all this was based on an analysis of the name Seo Gichan, so there is no guarantee that it is the truth. But so far, many of my assumptions were confirmed later. Now, it would be great, if you could give your thoughts after reading this.

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