Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Hot Sparks and Feverish Reality part 1 – part 2 and The Secrets Behind The Floors
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They Held Hands, But…
They held hands.
They held hands. 
(chapter 87)
They are so cute. 😍
This refrain summarizes much of the immediate reaction to the chapter. Attention clustered around the opening scene: the quiet morning moment in which the champion squeezes the doctor’s hand after asking for luck. 
(chapter 87) The intimacy of the gesture (chapter 87), its tenderness, and its symbolic weight were widely commented on—sometimes to the exclusion of almost everything else.
In the aftermath of the chapter, the author Mingwa herself remarked on this reception. On X, she noted—half amused, half ironic—that although Baek Junmin appeared 
(chapter 87) and an entire match took place, readers were largely talking about the introduction alone. 그나저나 이번화 나름 ㅂㅈㅁ도 나오고 경기도 했는데 다들 맨앞 도입부만 얘기하셔서 너무나 커엽군요,, (손잡았어 웅성웅성) Mimicking the collective reaction with a playful “They held hands!”, she described this selective focus as 커엽군요—not reproachful, but gently teasing.
This imbalance is understandable. The preceding chapters centered predominantly on the main leads 
(chapter 84) and the progression of their relationship, attuning readers to intimacy 
(chapter 85), care, and emotional release. When the chapter opens with a tactile, reassuring gesture, it naturally confirms that reading mode. The squeeze feels like a culmination.
Yet the chapter does not end there. By focusing almost exclusively on that moment, readers risk overlooking the significance of the final scene 
(chapter 87), where a very different gesture unfolds. 
(chapter 87) There, Baek Junmin rejects restraint, pushes away guidance, and verbalizes a resolve shaped not by trust or release, but by anger and revenge. (chapter 87) This closing moment is not incidental; it is placed in deliberate contrast to the opening.
The chapter is structured around these two gestures. One dissolves a belief rooted in ritual and control, the champion’s jinx. The other inaugurates a trajectory driven by wounded pride and escalation. Read together, they form a single movement—one that unfolds between a squeeze (chapter 87) and a crack (chapter 87).
Between a Squeeze and a Crack: Two Gestures, Two Logics
The chapter is structured around two gestures that appear simple, almost inconspicuous, yet articulate two radically different ways of relating to control, desire, and action.
One is a squeeze of the hand. (chapter 87) The other is the crushing of glass underfoot. (chapter 87) Between them unfolds a decisive split. The squeeze is not an act of domination. It is measured, contained, and reciprocal —an act of protection. The champion’s hand does not merely touch the physical therapist’s; it covers it. (chapter 87) The gesture encloses rather than exposes, shielding the other instead of pressing down on him. Force is present, but it is regulated and oriented toward care. The champion does not grasp to hold on longer than necessary; he squeezes, then stops. The gesture culminates in a line that matters far more than it seems at first glance: “That’ll do.” 
(chapter 87) This sentence marks a limit. It is not indifference, but acceptance. The champion has just registered the doctor’s surprise 
(chapter 87) — the slight jolt, the hesitation—and he responds by stopping. The restraint is not automatic; it is chosen. He does not ask for more reassurance, more certainty, or more support, even though he clearly desires it. Instead, he recognizes sufficiency.
What unfolds here is a careful negotiation between selfishness and selflessness. (chapter 87) The gesture still serves his need—he seeks strength, grounding, and reassurance—but it refuses to extract more than the other can freely give. (chapter 87) He allows himself to receive without insisting, to take comfort without turning it into a demand. Let’s not forget that after the tap, doc Dan had already started moving his hand away, though his fingers were brushing slightly his. 
(chapter 87) So the doctor’s support was indeed limited in time. So the stop of the champion ‘s squeeze (chapter 87) is therefore not a withdrawal, but an ethical adjustment: the moment at which desire acknowledges the other’s boundary and accepts it as final.
In that sense, the squeeze does not prove generosity; it proves restraint. It shows a willingness to carry what remains unmet rather than convert it into pressure. This is why the gesture concludes where it does. Not because the need disappears, but because it is no longer permitted to override respect.
In doing so, he abandons the logic that previously governed him—the belief that repetition, ritual, or escalation could secure an outcome. He would have sex, until his partners passed out. 
(chapter 33) Humbleness here (chapter 87) is not merely the expression of modesty, but the conscious recognition of limits: the willingness to accept uncertainty without compensating for it through excess, and the refusal to impose oneself on another. The gesture exposes a desire for respect toward Kim Dan; the champion knows his shyness and calibrates his touch accordingly, stopping before closeness turns into coercion. (chapter 87) The hand, as an instrument, reinforces this meaning. It reaches horizontally toward another human being. It creates proximity, connection, and grounding. 
(chapter 87) Nothing mediates the gesture. There is no object, no talisman, no substitute. Meaning is produced entirely through contact.
The final gesture operates according to the opposite logic. (chapter 87) The foot does not protect; it exposes. It descends vertically, asserting weight rather than relation. Where the hand encloses, the foot bares. The glass shatters under pressure, turning reflection into sharpness. What was once a surface becomes a source of wounds. It does not regulate force but releases it. Where the hand stops (chapter 87), the foot escalates. (chapter 87) The glass shatters, not to restore anything, but to discharge tension. This is not violence directed at a person, yet it is unmistakably expressive. It replaces connection with spectacle and containment with excess. Unlike the squeeze, the crack does not conclude itself. It invites continuation. The gesture is driven not by sufficiency, but by the refusal of “enough.” Here, greed is not merely material; it is existential. It manifests as the desire for the last word, total vindication, and unrestrained agency.
The contrast extends beyond movement into atmosphere. 
(chapter 87) The opening scene unfolds in a space that feels inhabited and shared, composed in softer shades that emphasize stillness and presence. The final scene is colder, darker, sharper. 
(chapter 87) Motion replaces quiet. An object enters the frame, absorbing force and redirecting it away from human contact. Where the first scene restores continuity—between bodies, between effort and outcome, between present and future 
(chapter 87) —the second collapses time inward. Baek Junmin does not act toward what is coming; he reacts toward what has already been. His violence is not exploratory but recursive. 
(chapter 87) It invokes the past as a template, attempting to reinstate an earlier hierarchy in which domination was secure and uncontested.
The gesture is therefore not simply destructive, but regressive. By striking, he tries to repeat a former position—acting like he wasn’t my gopher back in the day—as if the present could be coerced into mirroring that memory. This is why moderation is impossible. Repetition does not recognize limits; it demands reenactment. What breaks under this logic cannot be repaired because it was never oriented toward the future in the first place. It leaves only fragments—evidence of an attempt to overwrite change rather than accommodate it.
What ultimately sharpens the contrast between the two gestures is not only the difference between hand (chapter 87) and foot (chapter 87), but the difference between human presence and object substitution. In the opening scene, meaning emerges exclusively between two people. Nothing stands in for the other; nothing absorbs the gesture on their behalf. The squeeze requires mutual presence and ends precisely because it is shared. Its limit is ethical as much as physical. The final gesture unfolds in the absence of such reciprocity. Baek Junmin does not direct his force toward another human being, but toward an object. This displacement is not incidental. The object absorbs what no one else does. It becomes the recipient of rage, humiliation, and wounded pride. In doing so, it exposes a fundamental loneliness. Violence no longer seeks recognition from another person; it settles for impact.
The object in question matters. The Shotgun does not destroy a random item, but a television screen 
(chapter 87)—the very surface on which images circulate, words are fixed, and visibility is regulated. The screen does not reveal truth; it organizes perception. It is where victories are staged, reputations stabilized 
(chapter 46), and statements acquire permanence through broadcast. 
(chapter 87)
By turning on the screen, The Shotgun does not challenge the system itself (chapter 87); he reacts to what it has already done to him. What breaks is not the logic of spectacle, but his ability to endure exposure. The screen cracks, yet remains standing. This first rupture interrupts the image, but not its effect. The words spoken through it persist. They cannot be retracted, reframed, or silenced after the fact.
Thus he strikes again. (chapter 87) Using the ashtray, the “demon” shatters the screen into debris. At this point, the object has already lost its function. The broadcast is long over; the image is long gone. Yet the violence continues. He steps forward and crushes the remaining black shards underfoot (chapter 87), as if determined to annihilate even the remainder. The escalation exceeds necessity. It is no longer about disabling a device, but about confronting something that refuses to disappear.
This escalation becomes even more revealing when read against the opening sequence of the chapter. The three acts of destruction mirror, in distorted form, the three steps through which closeness was established earlier. In the morning scene, proximity unfolds gradually and remains contingent on consent: first the whisper 
(chapter 87), then the pause; then Kim Dan’s tentative tap (chapter 87); finally the squeeze (chapter 87), held only until it must stop. Each step waits for response. (chapter 87) Each movement depends on acknowledgment. The sequence concludes because it recognizes a limit.
At the office of director Choi Gilseok (chapter 87), the same tripartite structure is emptied of reciprocity. The first strike cracks the surface. The second shatters it into debris. The third crushes what remains. Where the opening scene pauses, this one accelerates. Where the whisper waits, the blow overrides. Where the squeeze ends itself, the violence repeats because it cannot conclude. The symmetry is formal, but the logic is inverted: one sequence builds relation through restraint; the other pursues erasure through excess. (chapter 87) In the latter, escalation is uninterrupted. At no point does Director Choi Gilseok intervene. He does not place a hand on Baek Junmin’s shoulder again, does not issue a command, does not impose a limit. (chapter 87) Whether he has already left the room or chooses deliberate avoidance is ultimately secondary. What matters is the absence itself.
That absence exposes a failure of containment. Authority is present in name, but not in function. Choi Gilseok cannot—or will not—stop his fighter. His invisibility transforms into passivity and complicity, not because he endorses the violence, but because he allows it to proceed unchecked. Power here no longer circulates through guidance or control; it dissolves into abdication. Yet this abdication is not uniform. It is selective.
Earlier in the narrative, Director Choi reacts strongly when his authority is verbally challenged. 
(chapter 49) When Joo Jaekyung addresses him with open disrespect, the breach of seniority provokes immediate outrage. 
(chapter 49) Intervention follows quickly. The insult is not tolerated 
(chapter 49) because it threatens hierarchy itself. Choi’s anger is genuine in that moment and it reveals what he truly guards: status, order, and the visibility of respect.
In contrast, Baek Junmin’s behavior provokes no such response. He brushes past instructions (chapter 87), slaps away physical restraint 
(chapter 87), and continues escalating without repercussion (chapter 87). The difference is telling. Where Choi once asserted authority to defend rank, he now withdraws it in the face of volatility. Baek’s aggression does not offend hierarchy in the same way; instead, it destabilizes it. And Choi does not confront destabilization. He avoids it.
A final irony sharpens this configuration of power. Neither Choi Gilseok nor Baek Junmin is aware of the protagonist’s true rank. 
(chapter 78) Both continue to perceive Joo Jaekyung as nothing more than a fighter (chapter 87) —talented, profitable, but ultimately subordinate. 
(chapter 87) This assumption governs how they speak to him, how they threaten him (chapter 49), and how they imagine their leverage over him.
Yet this perception is false. Joo Jaekyung is not merely an athlete within the system; he occupies the same structural level as those who presume to manage him. He is the owner of Team Black. His position aligns not with fighters, but with directors. The irony lies in the fact that the system itself enables this misrecognition. Authority is not distributed according to legal ownership, but according to visibility and habit.
This is already visible earlier, when the “hyung” attends directors’ meetings on the champion’s behalf. 
(chapter 46) His presence creates a convenient fiction: those around the table come to believe that he is the owner, or at least the one who truly governs the gym. Joo Jaekyung’s absence is interpreted not as autonomy, but as immaturity or dependence. Authority, once again, attaches itself to performance rather than reality.
The warning issued by the gym’s leadership makes this distortion explicit. 
(chapter 46) Even after boundaries are formally stated, Park Namwook continues to rely on seniority to address the champion 
(chapter 46) as if he were a child or an employee—someone to be corrected, instructed, and disciplined. The warning does not alter behavior because it does not challenge the underlying assumption: that Joo Jaekyung’s place is below them.
This misreading has consequences. Because Choi Gilseok and Baek Junmin both believe they are dealing with a fighter who must answer to managers, coaches, and institutions, they overestimate their capacity to contain him. They imagine leverage where there is none. They threaten exposure, punishment, and exclusion—tools that function only if the target depends on the system for legitimacy.
What they fail to see is that Joo Jaekyung no longer does. He doesn’t care about his image after challenging Baek Junmin. 
(chapter 87)
But let’s return our attention to the scene at the gym office. (chapter 87) This asymmetry exposes the limits of Choi Gilseok’s power. His authority functions only when obedience is already plausible. It depends on recognition rather than enforcement. When faced with a figure who neither seeks approval nor acknowledges restraint, Choi’s authority collapses into silence. The absence of intervention is not neutrality; it is an admission of impotence.
In that sense, Baek Junmin is not merely uncontrolled — he is uncontrollable within the existing structure. Choi’s refusal or inability to intervene reveals that the hierarchy he enforces is performative, not structural. It governs appearances and etiquette, not escalation or consequence. What remains once those appearances are ignored is not authority, but avoidance.
This is why Choi’s passivity matters narratively. By failing to stop Baek, he becomes an accomplice to excess without ever authorizing it. He does not direct violence, but he creates the conditions under which it can proceed. Power, here, does not flow downward or circulate relationally; it evaporates at the moment it is most needed.
In this sense, Baek Junmin is not merely acting out of rage. (chapter 87) He is acting in a vacuum created by institutional withdrawal. Thus the thug starts talking to himself loudly. This is not a dialogue, but a monologue. It was, as if he was trying to reassure himself about his power and connection. The director’s inability to regulate his “star” mirrors the waves in the last panel. An ocean can not be contained or restrained. In addition, his lack of restrain reflects the broader collapse of moderation within this economy. Where restraint once required oversight, its absence permits excess to define the relationship. What unfolds is not rebellion against authority, but the revelation that authority was already hollow.
This repetition is revealing. Each act answers the same stimulus, yet fails to neutralize it. The destruction does not bring release because the provocation was never material. The television has already fulfilled its role; the words spoken live cannot be undone. 
(chapter 87) What Baek attempts to destroy is not the object, but what it represents: the irreversibility of public speech, the collapse of secrecy, the loss of narrative control.
The black glass fragments make this failure visible. (chapter 87) They do not restore darkness; they scatter it across the floor. The act does not erase visibility but multiplies its traces into debris. This is not a cleansing destruction. It is an attempt at erasure that arrives too late, producing residue instead of resolution.
Seen in light of Baek Junmin’s habitual reliance on whispers 
(chapter 49), handshakes, and private humiliation 
(chapter 49), the gesture becomes clearer still. He is accustomed to violence without witnesses, to domination shielded by proximity and secrecy. He was always the man in the shadow. The live broadcast deprives him of that refuge. (chapter 87) For the first time, he is confronted with words that circulate beyond his control.
Both sequences 
(chapter 87) also unfold under the sign of privacy. (chapter 87) Nothing from either scene is leaked to the audience within the story. No cameras intrude on the morning room; no spectators witness the destruction that follows. In both cases, what happens remains offstage, contained within enclosed spaces.
Yet the function of privacy differs radically. In the opening scene, privacy protects vulnerability. It creates a space in which hesitation, consent, and restraint can exist without performance. The absence of witnesses allows closeness to remain unexploited and unrecorded. Privacy here is not concealment, but care. (chapter 87)
The destruction scene also takes place out of view, but for the opposite reason. Privacy no longer shelters vulnerability; it shields waste. Hence the thug used an ashtray to damage the TV screen. The object exposes the truth about this gym: it is just a cover for thugs. Additionally, the ashtray allows violence to escalate without immediate consequence, to repeat without interruption. What is hidden is not intimacy, but loss of control. The same absence of witnesses that preserves dignity in one scene enables denial in the other. This parallel sharpens the contrast further. Privacy is not neutral. It amplifies what already governs the gesture. Where restraint is present, privacy sustains it. Where limits have collapsed, privacy becomes an accomplice.
What surfaces here (chapter 87) is not pure aggression, but fear. Rage functions as its mask. The insistence, the repetition, the overkill all point to an inability to tolerate being seen, named, and fixed in public space. Crushing the screen is not an assertion of power, but a response to exposure—a desperate attempt to silence what can no longer be taken back.
(chapter 87) He is announcing a shift of identity.
Up to this point, Baek Junmin still oscillated between two positions: the shadow fighter 
(chapter 74) seeking legitimacy, and the underground enforcer shaped by violence, order and debts 
(chapter 47). The broken screen already signaled that he no longer cares about how he is seen. (chapter 87) This line confirms what replaces that concern. He is ready to be seen as he is, without mediation, without justification. Leaving the shadow does not mean entering the light. It means abandoning concealment.
What he exposes are not hidden virtues, but true colors. The phrase is not a threat designed to intimidate an opponent into caution; it is a declaration of readiness to abandon restraint. He no longer intends to pass as a disciplined athlete governed by rules, training, or institutional limits. He is prepared to act as a bully and criminal —someone for whom violence is not a means within a system, but an identity in itself.
This is why the line follows the destruction of the screen so closely. (chapter 87) Once image no longer matters, there is nothing left to protect. Reputation, legitimacy, and future standing cease to function as brakes. What remains is the body and its capacity to harm. The statement therefore does not project confidence about the outcome of a match; it projects indifference toward consequences. In that sense, Baek Junmin is not stepping out of the shadows to claim recognition. He is stepping out to remove the mask. The system demanded that he appear controlled, profitable, and presentable. 
(chapter 47) By rejecting visibility and embracing excess, he also rejects the last requirement that tied him to that system.
What he is ready to expose is not truth, but himself.
Just as importantly, the damaged object does not belong to him. (chapter 87) Baek Junmin does not need to clean the mess, replace the screen, or account for the damage. He can afford indifference because responsibility is externalized. This is where materialism enters the gesture. (chapter 87) In his logic, what is destroyed can be replaced—by money, by compensation, by someone else’s labor. The gesture therefore carries no sense of loss. It is pure discharge. Where the hand-holding scene ends in sufficiency (chapter 87), this act ends in non-attachment. That non-attachment is not freedom; it is dispossession. Because nothing belongs to him, nothing binds him. The violence does not commit him to consequence. He does not have to stay, repair, or answer. (chapter 87) The object takes the blow and disappears from relevance, just as people do in his worldview once they cease to be useful or respectful. This is why the destruction feels so pronounced. It is not driven by concern for outcome. Baek Junmin does not care whether the screen works afterward, just as he does not yet care how events unfold. What matters is the act itself—the assertion that he can still act, still impact, still dominate a space that otherwise refuses him recognition. Under this new light, it becomes palpable that Baek Junmin’s resent and rage represent a liability to Choi Gilseok and his backers, the pharmaceutical company. 
(chapter 48) And their collaboration is founded on money laundering!! The shooting star is in reality (chapter 47) a meteor bringing calamity, once it lands on the Earth. Baek Junmin is about to face “reality” very soon.
Placed next to the opening scene, this contrast becomes stark. (chapter 87) There is no money, no power… between them. One gesture creates meaning because it acknowledges another human and accepts limitation. The other destroys an object precisely because no human is there to receive the force. One restores continuity; the other exposes isolation. Between them, the chapter reveals not only two trajectories, but two economies of value: one grounded in presence, the other in replacement.
Two pairs, two economies of power
What ultimately distinguishes the two dynamics is not intimacy versus violence, but how power is situated and what it depends on. In one case, power emerges through limitation; in the other, it is sought through displacement. The difference is not emotional, but structural. In the morning scene, power does not circulate vertically, but it also does not dissolve into symmetry. What changes is not the existence of power, but its source.
When the champion leans in and whispers, (chapter 87), he is not performing vulnerability for reassurance, nor delegating responsibility. He is explicitly naming Kim Dan as his source of energy. This matters. In earlier chapters, strength was something to be extracted through action—through sex, repetition, or coercive certainty 
(Chapter 2). Here, strength is no longer something he takes. It is something he receives. (chapter 87)
This is not a weakening admission. It is a reorientation. The champion does not ask Kim Dan to guarantee victory, to protect him from loss, or to secure the outcome. He asks for presence. What sustains him is no longer a ritualized act performed on another body, but the continued existence of a relationship in which he is accepted despite his flaws. 
(chapter 87) Kim Dan sleeping openly, showing his face, remaining there without fear—this is read by the champion as tacit trust. That trust becomes energy. In other words, this scene serves as the positive reflection of the argument in the locker room: 
(chapter 51)
The jinx (chapter 87) collapses precisely here. The old belief system operated on compensation: anxiety required action; uncertainty demanded escalation. Sex functioned as a mechanism to overwrite doubt. In this scene, no such mechanism is activated. The chapter makes this shift legible through space. When the champion rises from the bed, his movement is shown in full: he steps away from Kim Dan and crosses the room. (chapter 87) Yet he does not open the brown door. There is no pause at the threshold, no transition panel suggesting entry into another enclosed space. Instead, the next frame places him directly in the living area of the suite. The cut is continuous, not elliptical.
This matters because the brown door cannot be the suite’s entrance. (chapter 87) We have already seen the entrance elsewhere, and its placement does not align with this angle or proximity to the bed. Within the logic of a hotel suite, the remaining option is functional rather than transitional: the bathroom. In earlier chapters, that space was explicitly associated with ritual 
(chapter 75) —showering, cologne, self-regulation before a match. Here, that sequence is conspicuously absent.
The absence is not neutral. Mingwa does not show him choosing another ritual; she shows him skipping one. (chapter 87) No water, no mirror, no scent. The champion moves forward without cleansing, without recalibration, without the preparatory gestures that once framed his readiness. The bathroom—previously a site of purification and self-conditioning—remains closed, unused, and irrelevant.
What replaces it is not another ritual, but continuity. He enters the shared living space already grounded. The confidence he carries does not come from resetting himself, but from what has already occurred. Kim Dan’s presence, his sleep, the unguarded exposure of his face—all of this has already done the work that ritual once performed. There is nothing left to correct, neutralize, or overwrite. To conclude, this omission is not accidental. By abandoning the shower-and-cologne ritual, the champion abandons the idea that he must transform himself to be worthy of victory or public acceptance. He no longer needs to sanitize desire, image, or fear. What sustains him has already been secured before the match begins: recognition without conditions.
Power, then, is not extracted from superstition, domination, or bodily expenditure. It is grounded in continuity. Kim Dan’s presence does not ensure success, but it makes uncertainty bearable. That is the decisive shift. The champion no longer acts to silence fear; he acts while carrying it. And because he no longer believes that ritual determines outcome, he can later speak freely on live television. He is now confident, as he feels supported by doc Dan. 
(chapter 87) The profanity is not recklessness—it is evidence that image management has lost its hold. The champion does not stop caring about how he is seen; he narrows the field of recognition. Public perception no longer governs him (chapter 87) because it no longer defines his worth. What matters now is not the crowd, the broadcast, or the institution—but the single person whose presence already secured his sense of legitimacy before the match began. Thus after the match, he asked for the physical therapist’s approval and recognition: 
(chapter 87)
In short, the whisper does not mark dependence, but emancipation. (chapter 87) By replacing “I must do something” with “you are here,” the champion exits the economy of compulsion and enters an economy of trust. Victory will still matter—but it no longer needs to be purchased in advance.
The dynamic surrounding Baek Junmin operates differently. His position has always depended on external validation—rankings, victories 
(chapter 69), recognition, and above all visibility. Yet this visibility is curiously incomplete. Despite his victory, Baek Junmin is not immediately present as a public figure. He appears as a result 
(chapter 52) —his name, his win—but not yet as a narrative subject.
Only later, in episode 77
(chapter 77) does the story formally reveal his identity as champion. Until that moment, he remains strangely undefined, as if held back from full exposure. This delay is not incidental. It reflects a controlled form of recognition: Baek Junmin is allowed to win, but not yet to be seen. It already exposes that his success or victory is not clean. 
(chapter 87)
In this sense, the former underground fighter has not disappeared, but been contained. His past is not erased; it is suspended. (chapter 47) Visibility is granted selectively, not as self-expression, but as an institutional function. He exists within the system, but not yet fully in the public gaze. Even when violence or illegality intervenes, it does so in service of legitimacy. Until now, Baek Junmin has relied on the legal system 
(chapter 69) to carry him forward: sanctioned fights, official narratives, public status. Crimes may occur along the way, but they remain hidden, delegated, or absorbed by others. Power, for him, is something that must appear legitimate, even when it is not.
The destruction of the screen marks the point where this arrangement begins to fracture. (chapter 87) The legal economy no longer guarantees dominance. Public speech escapes control. (chapter 87) Visibility becomes a threat rather than a resource. In response, Baek does not retreat; he escalates. What we witness is not yet a full turn toward the underground, but the precondition for it: the realization that legality no longer secures power. (chapter 87) In this moment, Baek Junmin is no longer speaking as an athlete anticipating a rematch, nor as a rival operating within institutional rules. The phrasing “He has no idea who he’s messing with” does not refer to skill, ranking, or preparation. It signals a different register of power altogether—one that lies outside competition and beyond merit.
The threat is deliberately vague. He does not name a tactic, a plan, or a legitimate advantage. Instead, he invokes reach. The implication is relational rather than athletic: access, leverage, intermediaries. Power here is imagined as something that can be mobilized indirectly, through others, rather than exercised personally. This is where the “angel of death” reading becomes relevant—not as a literal figure, but as a symbolic posture. Baek frames himself as someone whose influence does not require visibility or accountability. Risk is no longer borne by the speaker. It is transferred, outsourced, or enforced through an unnamed elsewhere. Violence becomes atmospheric rather than explicit.
This is where the contrast between the two pairs sharpens. One trajectory exits the economy of compensation—the belief that force, ritual, or excess can neutralize uncertainty. The other moves toward a system where uncertainty is resolved through coercion rather than consent. One abandons the jinx by accepting risk. The other approaches a space where risk is relegated, outsourced, or enforced.
What separates them, then, is not morality, but dependency. The champion no longer depends on systems that promise control. Baek Junmin still does—and when that promise fails, the search for power does not stop. It changes terrain. Up to this point, Baek Junmin’s power has been structurally protected rather than personally secured. His victories, rankings, and public status were carried forward by the legal economy of the sport, even as acts of sabotage or coercion occurred in its margins. Crucially, this system did not require his full awareness to function. Violence was absorbed, displaced, or misattributed by intermediaries, allowing legitimacy to remain intact on the surface. Baek benefited from this arrangement without having to own it. Authority appeared lawful, outcomes appeared earned, and responsibility flowed elsewhere.
That arrangement begins to collapse here. Once public speech escapes control and visibility can no longer be managed retroactively, legality stops functioning as insulation. What follows is not yet a plunge into the underground, but the moment where reliance on institutional protection becomes untenable—and the search for power must change terrain. (chapter 87) Strangely, the director of King of MMA has just assured him his full support (chapter 87), but this was not enough for the “demon”. What the “new champion” failed to realize is that gaining the champion belt didn’t mean the end of his achievement. The reality was and is that he would be challenged constantly. Even when crimes are committed around him 
(chapter 50), they remain structurally hidden, absorbed by intermediaries, or misattributed. 
(chapter 69) Violence is laundered through legitimacy. The system continues to present him as a contender, even as it quietly tolerates sabotage and manipulation. Importantly, Baek Junmin does not need to know every detail for this economy to function; it protects him by design.
The scene in chapter 87 marks the moment where this economy begins to fail him. Public speech, live broadcast, and irreversible visibility introduce a variable that cannot be managed retroactively. Unlike clandestine acts or whispered humiliations, what is said on air cannot be displaced, denied, or quietly corrected. The legal system does not offer erasure; it offers record.
This is where the alternative economy becomes legible. Underground fighting (chapter 47), illegal gambling, and criminal enforcement operate on a different logic: outcomes are secured not through recognition, but through coercion and tricks; not through visibility, but through fear and secrecy; not through procedure, but through immediacy. There, a defeat is more like a death sentence. 
(chapter 47) Where the legal economy requires patience and exposure, the illicit one promises certainty and silence.
By contrast, the champion’s gesture in the opening scene binds him more firmly to the legal economy precisely because it accepts uncertainty. Redistributed power cannot be weaponized quickly. It resists conversion into domination. That resistance is what dissolves the jinx—and what makes the two trajectories incompatible.
This is how mediation works in that relationship. Kim Dan’s presence does not absorb excess; it sets a limit that is respected. Joo Jaekyung does not outsource control. He exercises it on himself.
The dynamic between Choi Gilseok and Baek Junmin operates according to a different economy. Formally, theirs is a boss–employee relationship. 
(chapter 52) In practice, hierarchy barely functions. Authority exists without discipline, protection without accountability. Baek Junmin is not positioned among other fighters, nor anchored in a collective. Thus he is not truly celebrated at the restaurant after the tie. Thus the fighters mentioned the director Choi Gilseok’s financial success or the odd behavior of Joo JAekyung. 
(chapter 52) Besides, he watches the match alone (chapter 87), from the director’s office—at the center of power, yet fundamentally isolated. This spatial detail matters. It signals both exclusion and entitlement. He does not belong, but he feels authorized to occupy the space.
When Choi Gilseok touches Baek Junmin’s shoulder, the gesture is corrective. (chapter 87) It is meant to halt escalation, to reassert moderation, to momentarily reintroduce limits. Baek’s response is immediate: he slaps the hand away. (chapter 87) This rejection is not rebellion in the classical sense. He is not trying to overthrow authority; he is refusing mediation. In his mind, limits no longer apply to him. He has been granted license without ownership. It was, as if the championship belt had freed the fighter from social norms and laws. Shortly after, “By all means” (chapter 87) removes the brakes while leaving responsibility elsewhere. It sounds like a free pass for the “criminal” in the end.
The final scene also marks the quiet dissolution of the association between Choi Gilseok and Baek Junmin. Although the director speaks in the plural—“we will use all means necessary”—the scene itself contradicts that claim. Spatially, Choi remains behind Baek, positioned as if backing him, yet excluded from his line of sight. The demon does not turn toward him, does not respond to him, and does not share affect or intent. The “we” exists only rhetorically. In practice, the scene contains only two figures: Baek Junmin and his imagined adversary. The director is already irrelevant.
This staging contrasts sharply with the earlier locker-room confrontation between Joo Jaekyung and Kim Dan, 
(chapter 51) where proximity forced acknowledgment and power was renegotiated face-to-face. (chapter 51) In the office, no such negotiation occurs. (chapter 87) Baek Junmin’s refusal is not confrontational; it is dismissive. (chapter 87) He does not reject authority—he bypasses it. The champion belt appears to function, in his mind, as a form of exemption: a signal that dependence, seniority, and mediation no longer apply. Whether this belief is justified remains open. What matters is that Baek Junmin acts as if it were. In doing so, he exits not only a partnership, but the structure that once contained him.
Placed side by side, the two pairs reveal two economies of power. In one, influence circulates through presence, restraint, and mutual risk. In the other, power is maintained through delegation, insulation, and the removal of limits. One dynamic produces responsibility by accepting vulnerability. The other produces entitlement by severing accountability.
This is why the outcomes diverge so sharply. Where one relationship closes a cycle of superstition and control, the other opens a trajectory of escalation and downfall. Not because one side loves and the other hates, but because one accepts limits—and the other has been told there are none.
Feel free to comment. If you have any suggestion for topics or Manhwa, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
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(chapter 85) Why care about the color of a carpet or the direction a door opens 
(chapter 85), when the real story unfolds between Joo Jaekyung and Kim Dan?
(chapter 82) Floors and patterns are not neutral decoration. They function as a parallel narrative system—one that tracks changes in status 
(chapter 85), exposes the actual situations in which the characters are placed 
(chapter 85), and helps us locate spaces and relationships within the hotel architecture itself. In other words, the floors do not merely frame the story; they add a spatial depth that sharpens our understanding of the “characters.”
(chapter 82)
(chapter 82) 
(chapter 82) One might think, the only information we get is that MFC had booked a conference room at the hotel where Team Black is staying. However, in the States, the carpet of the hallway at the hotel had a similar pattern. 
(chapter 37) This similarity and repetition caught my attention. It suggests continuity between public spectacle and private space, between what is shown and what is concealed. Following this thread led to a broader realization: the floors simultaneously signal elevation and confinement. They show who appears powerful—and who is, in fact, enclosed.
(chapter 37)
(chapter 37) It is in that hallway that Kim Dan collapses after drinking a drugged beverage. He literally falls onto the carpet, on his knees. The trap activates—but not on its intended target.
(chapter 46), not by MFC directly. The scheme exists, but it is imperfect. Joo Jaekyung is not truly “caught” in that moment, which explains why the plan ultimately fails. 
(chapter 69) As you can see, the pattern of the carpet could be seen as an evidence for a trap, and the “Emperor” is their target once again. Their plan is to end his career so that all the incidents and crimes from the past can be buried.
(chapter 82). The opponent stands on the surface that embodies order, hierarchy, and control, and behaves accordingly. He flirts, comments on the doctor’s eyes, and treats the moment as harmless. Then he turns his back. 
(chapter 82) He never steps onto, nor does he seem to register, the animal-patterned carpet nearby, as doc Dan was standing on a white-off carpet. In other words, Arnaud Gabriel interacts only with the space that reflects the institution’s worldview. 
(chapter 82) This is not the response of a neutralized Emperor, but the instinctive surge of a predator whose territory has been violated. The scene echoes an earlier, more intimate image from the bathroom in chapter 30, 
(chapter 30), where Joo Jaekyung appeared wearing leopard-patterned pajamas. The animal imagery was already present then, but dormant. Here, it reawakens.
(chapter 85) The champion is not alone inside the cage. He is supported, grounded, and no longer isolated. What MFC fails to see is that this support does not weaken the predator—it stabilizes him. And a stabilized predator is far more dangerous than a cornered one. For years, Joo Jaekyung’s violence was reactive, triggered by threat, humiliation, or loss of control. Such a fighter is powerful, but predictable. He can be provoked, exhausted, and manipulated.
(chapter 84) These visual cues distinguish floors, mark thresholds between zones, and separate different kinds of isolation. The hotel ceases to function as an abstract backdrop and instead reveals itself as a structured environment in which hierarchy is materially inscribed.
(chapter 85) 
(chapter 84) 
(chapter 85) The corridor seems to have white linoleum covered a dark brown carpet, similar to the one in his bedroom. However, observe that the manager’s entrance has the same tiles than in the hallway. 
(chapter 85) reminds us of the champion’s living room in the hotel. 
(chapter 82) This clearly exposes that doc Dan’s room is not a normal room. It exceeds that basic category. It is larger, brighter, and arranged for comfort. The interior layout is particularly revealing: the bathroom is located close to the bedroom 
(chapter 85) clearly separating living space from bedroom 
(chapter 82), and extending outward through more than one balcony. 
(chapter 82)
(chapter 82) And the moment I had this realization, architecture, once again, speaks first, my attention returned to the hotel in the States. 
(chapter 37)
(chapter 37) This detail is crucial. It explains why he can hear their laughter and smell the food they are eating. 
(chapter 37) Architecturally, he was not isolated. Despite his status, he remained embedded within the collective space of the team. 
(chapter 37) Besides, Episode 40 confirms that Joo Jaekyung did occupy an imperial suite: the interior layout includes a door separating the bedroom from another room 
(chapter 40), a feature characteristic of a suite rather than a standard hotel room. The issue, therefore, is not the absence of a suite, but how that suite was positioned and managed.
(chapter 37) Because the suite was embedded within a shared corridor, an intruder could approach the champion’s room without attracting attention. 
(chapter 37) intended for weight-cutting and post–weight-cut recovery. This detail exposes a managerial failure rather than a hotel failure. The environment was not curated around the champion’s physical needs. Discipline was demanded of his body, but not enforced in his space. Meanwhile, fighters and coaches purchased junk food behind the champion’s and Kim Dan’s back, reinforcing the gap between stated goals and actual practice.
(chapter 37) There is no visible keycard system, and no clear indication of an interior lock. 
(chapter 37) This absence is striking, especially when contrasted with the Paris hotel 
(chapter 85), where doors are equipped with keycards and locks on both sides 
(chapter 37) Access was not negotiated; it was simply taken. The architecture allowed it. The space did not protect its occupants.
(chapter 37) At first glance, this appears implausible. A suite, by definition, should insulate its occupant from such disturbances. His bedroom is not situated next to the corridor.
(chapter 7) Status was asserted rhetorically, but not enforced spatially, exactly with Joo Jaekyung.
(chapter 37), negotiating access with local coaches and nearly getting into a physical altercation before being allowed to use their facilities 
(chapter 37). Only after asserting himself does he gain permission to train. Even then, the gym he ultimately uses is unremarkable — functional, crowded, and indistinguishable from what any average fighter might access. There is nothing exceptional about it.
(chapter 82) The infrastructure finally aligns with the demands placed on his body. This shift is not a luxury; it is a correction. It reveals retroactively how deficient the American setup was — and how little institutional care surrounded the champion at the time.
(chapter 82) The remark does not stem from arrogance alone; it is grounded in observation. The training space available to Joo Jaekyung at the hotel is not designed for an elite athlete, even less for MMA fighters. 
(chapter 82) It is a generic fitness room intended for ordinary guests. There are no heavy bags, no proper equipment, no environment suited to the demands of a reigning champion. 
(chapter 37) This is precisely why his training must be adapted, restrained, and partially improvised.
(chapter 5) MMA is not baseball or soccer 
(chapter 54); it does not benefit from the same institutional prestige or resources. Earlier in his career, the champion was more likely trained to endure damage than to prevent it. What we see now is not the continuation of an elite system, but its gradual construction — one in which Kim Dan plays a central role. 
(chapter 81)
(chapter 49), rather restraining him and as such exposing him to danger.
(chapter 37) and the post–weight-cut recovery. 
(chapter 82) Kim Dan may indeed possess a keycard to Joo Jaekyung’s suite. If so, this is not a minor convenience. It constitutes a symbolic transfer of access. The physical therapist is granted proximity not merely to the champion’s body, but to his private space. Hence the athlete is not caught by surprise, he doesn’t even mind this intrusion or interruption.
(chapter 82) and support 
(chapter 85), he expects everyone to wake up on time and appear at seven sharp. He doesn’t see it as his “task” to wake up the champion. Once again, he is delegating responsibility onto others. However, it is clear that he expects Joo Jaekyung to be awake early like he did before. So if the champion doesn’t appear on time, the manager’s decision should be to call doc Dan or visit his room. In his eyes, he is the one responsible for the champion!! 
(chapter 80) for his contract is limited not only to Joo Jaekyung, but also in time. He was never a fighter, hence he is not part of MFC at all contrary to the other hyungs. 
(chapter 40) 
(chapter 82) These are managerial functions.
(chapter 40) Doc Dan is not one among others, but the BEST physical therapist. He is also a champion 
(chapter 86), it does not close the night through narrative resolution. There is no statement, no promise, no verbal seal. And yet, for many Jinx-philes, the final panel refuses to let the scene dissolve. What remains is not heat, not tension, not even tenderness — but circulation.
(chapter 21), overload 
(chapter 33), short circuit 
(chapter 53) reset. And once that lens is adopted, it becomes impossible to limit the consequences of episode 86 to the couple alone. Because a closed circuit does not only affect those directly connected to it. It alters the surrounding system. 
(chapter 86). This section will explore how acknowledging change without denying past harm opens a new ethical position — one that prevents memory from being weaponized, while still preserving responsibility. Third, the analysis will turn to conversion, revisiting earlier nights marked by failure, asymmetry, and isolation. Rather than cancelling them, episode 86 absorbs and transforms them. This is where forgiveness, reflection, and the first true encounter with consequence quietly enter the narrative. Finally, a new section will widen the lens further by examining shared experience and memory 
(chapter 53), particularly through Kim Dan’s relationship with his grandmother. Here, the focus will not be accusation, but contrast: between memories carried alone and memories held together; between cycles of repetition and moments of presence; between a worldview structured around endurance and one shaped by circulation. The Paris night does not only affect how Kim Dan sees Joo Jaekyung 
(chapter 86) carries such weight, we must return to the origin of kissing itself in Jinx. Because surprise, in this story, is not an abstract theme. It has a history. And that history begins with a body being caught off guard.
(chapter 14) There is no warning, no verbal cue, no time to prepare. The kiss arrives as interruption. It is not negotiated; it is imposed. Hence the author focused on the champion’s hand just before the smooch. 
This moment matters far more than it initially appears, because it establishes the template through which Kim Dan first encounters intimacy. 
(chapter 15) Affection does not emerge gradually. It breaks in.
(chapter 15) He needs preparation. He needs time to brace himself emotionally. This request reveals two aspects. First, he connects a kiss with love. On the other hand, the request is not really about romance; it is rather about survival. Surprise, for Kim Dan, has already been coded as something that overwhelms the body before the mind can intervene.
(chapter 39), he violates his own request.
(chapter 39) They are unannounced, often landing on unusual places (cheek or ear) 
(chapter 44). They often take place under asymmetrical conditions — when one of them is intoxicated, confused, or emotionally exposed. Sometimes they occur without full consent, sometimes without clarity. In chapters 39 and 44, kisses surface precisely when language fails or consciousness fractures. It is as if Kim Dan has internalized a rule he never chose: a kiss must be sudden. Observe how the champion replies to the doctor’s smile and laugh: he kissed him, as if he was jealous of his happiness. 
(chapter 44) That’s how I came to realize that the kiss in the Manhwa is strongly intertwined with “surprise”. This is the missing link.
(chapter 2), he comes to reproduce interruption as intimacy. He knows that surprise destabilizes him — that is why he asked for warning — but he has no other model. What overwhelms him also becomes what he reaches for. Surprise is both threat and language.
(chapter 3): the sudden call from the athlete, 
(chapter 1), the offer of sex in exchange for money 
(chapter 6), the switched spray 
(chapter 49), the sudden changes in rules. These moments strip Kim Dan of anticipation and agency. His body reacts before his will can engage. Surprise equals exposure.
(chapter 1) His life is governed by “always”: always working, always returning, always responsible. He lives for his grandmother. Nothing unexpected is allowed to happen, because nothing unexpected can be afforded. This is safety through stasis. Presence without experience.
(chapter 5) 
(chapter 1) They shattered routine rather than enriching it. Surprise, in that context, did not open possibility; it threatened survival. It meant debt, coercion, fear. And precisely because of that, it could not be integrated into memory as experience — only repressed as trauma.
(chapter 1), if he doesn’t return home. Surprise, in its earlier form, is excised from the household. What remains is a world of repetition and endurance — safer, but lifeless. 
(chapter 2) but in a fundamentally different form.
(chapter 11)
(chapter 11) His appearances are sudden, his demands non-discussable, his violence immediate. He does not ask; he enforces. Surprise, under his rule, eliminates speech. It leaves no space for argument, no room for clarification, no possibility of consent. One endures, or one is punished.
(chapter 6) Even when power is asymmetrical, even when the terms are coercive, speech is required. Conditions are stated. Rules are articulated. Kim Dan is forced to listen, to answer, to argue, to object. He must speak.
(chapter 17) The two figures cannot coexist because they represent mutually exclusive regimes of surprise: one that annihilates speech, and one that forces it into being. In other words, only one allows experience to be lived rather than survived.
(chapter 27) Experiences accumulate instead of disappearing. They demand response, speech, negotiation. Life no longer consists in enduring impact, but in processing it.
(chapter 65) and as such neutralization: suffering must be absorbed, pain must be justified, disruption must be folded back into endurance. There is no place for charge there — only for dissipation. What Kim Dan lives through with Joo Jaekyung follows a different logic altogether: not sacrifice, but circulation; not repetition, but conversion.
(chapter 41) not despite surprise, but through it. Not because dominance is romanticized, but because surprise is the first force that treats him as someone to whom things can happen. And don’t forget that for him, a kiss symbolizes affection. Even negative experiences generate subjectivity. They prove that he exists beyond function.
(chapter 85) Kim Dan either endures it or reproduces it under unstable conditions. Agency is partial. Meaning collapses afterward.
(chapter 39), irony 
(chapter 41) or rejection 
(chapter 55). He does not retreat into his habitual “it’s nothing” or “never mind.” He does not reinterpret the gesture as convenience or reflex. 
(chapter 86) He kisses back while looking tenderly at his partner. He holds Kim Dan’s head gently. He can only see such a gesture as a positive answer to his request: acceptance and even desire. Surprise is not punished. It is received.
(Chapter 45) This time, the athlete not only accepts the present (the kiss), but but also expresses “gratitude” by kissing back actively. 
(chapter 65) In her eyes, she has never changed, just like her grandson. 
(chapter 52), justify behavior 
(chapter 57), and foreclose change. The champion’s violence is explained through reputation. 
(chapter 1) Kim Dan’s endurance is explained through obedience and debt. The grandmother’s authority is explained through sacrifice. In every case, the same logic applies: this is how it has always been; therefore this is how it must remain.
(chapter 65) If the past is absolute, it can be endlessly invoked to invalidate the present. We have a perfect example on the beach. 
(chapter 65) 
(chapter 65) They are evaluated exclusively through a moral lens. Smoking and drinking are not responses; they are flaws. And because they are framed as flaws, they retroactively define his character rather than his situation. This is where agency collapses.
(chapter 65) Her behavior does not contradict her claim that she wants Kim Dan to “live his own life.” 
(chapter 65) It reveals how she understands such a life should be arranged. She sees herself as superior, as if she had never done any mistake, as if she had lived as a saint.
(chapter 78)
(chapter 86) Once again, the “hamster” is given the opportunity not only to decide, but also to follow his heart. Where the Paris night allows difference to coexist with memory, Shin Okja’s framework collapses difference back into judgment. Where electricity requires polarity, her logic insists on sameness. Under this new light, it becomes comprehensible how doc Dan came to neglect himself. Self-care is inseparable from choice — from the belief that one’s decisions can meaningfully alter the present. If change is denied, care loses its purpose. Attending to oneself becomes optional, even suspect, because it implies a future different from the one already prescribed. 
(chapter 44) The one who remembers bears the – alone, while the other continues forward unmarked. That imbalance is corrosive. It distorts perception. It turns even good memories sour.
(chapter 65), but she remembers it in a way that flattens time. Pain becomes proof of virtue. Sacrifice becomes identity. 
(chapter 65) Change is allowed only insofar as it returns to the same point. Electrically speaking, her system is grounded — all charge dissipates into endurance. There is no polarity, only repetition.
(chapter 65) Even though the word jinx is never spoken during the Paris night, its logic quietly collapses there. 
(chapter 75) In chapter 75, it is explicitly framed as a way to “clear the head”: an act designed to release pressure and return the system to zero. Partners were interchangeable. Feelings were excluded. Electricity existed only as a spark — brief, violent, and self-extinguishing. Energy was expelled, not circulated. That is the true mechanics of the jinx: power without continuity, intensity without consequence.
(chapter 85) Desires matter, not the match the next morning. Besides, the identity of the partner matters — not just romantically, but also structurally. Current requires two poles. It requires response. It cannot flow through an object, only between 2 subjects.
(chapter 39) and chapter 44 
(chapter 11), the care – even if he had hurt himself – 
(chapter 47), the shared smiles 
(chapter 47). Thus this photograph 
(chapter 65) becomes a talisman — not a record of reality, but a distilled image of safety. Painful dimensions are filtered out. Conflict, coercion, and silent pressure recede into the background. Memory protects him by idealizing. Because of this picture, he projected himself in the future, making unrealistic plans. 
(chapter 47) It was, as if he only had good times with his grandmother. 
(chapter 21) 
(chapter 47) and memories. 
(chapter 21) 
(chapter 65). While sleeping, memories come to the surface. 
(chapter 85) I believe that its appearance does not function as decoration. Its imagery — figures suspended among clouds, bodies neither falling nor grounded — introduces a different register of time. Not urgency. Not performance. Not spectacle. Stillness. Interval. A space where movement pauses without collapsing. Under this new light, the reference is Morpheus.
(chapter 75) Until now, rest had been replaced by discharge: sex as erasure, violence as exhaustion, ritual as compulsion. The Paris night does not abolish wakefulness through collapse; it introduces the conditions under which sleep might finally be possible. 
(Chapter 78) Here, he reduced it to the absence of sex, but I am sure that deep down, he would have been satisfied, if the “hamster” had given him a good night kiss. 
(chapter 86) The charge redistributes. Memory ceases to isolate and begins to circulate. Hence it creates a new memory. 
(chapter 86) was a reflection of the picture. 
(chapter 86) No one is erased or reduced to an object. Nothing is overlooked or forgotten. But repetition loses its hold. And from here, the story can no longer proceed as before.
(chapter 73) Their violent encounter may have led to the vanishing of the young boy’s smile, replacing it with the hardened scowl of the Emperor, the tyrant in the ring. 
(chapter 1) If Hwang Byungchul gave Jaekyung the tools to fight, Baek Junmin gave him the reason to fight like a bloodthirsty tyrant. He did not simply scar the soul — he engraved rage into the champion’s core. The tragedy is that Joo Jaekyung never even learned his name. Thus he didn’t react to his name, only to his face and his smile. 
(chapter 47) And yet, Baek Junmin reappears, not as a stranger, but as the remnant of a past that refuses to stay buried. Additionally, he appears only through the narration of others (fighter) 
(chapter 73) — a gesture here, a line there 
(chapter 73) — before vanishing again. To understand him, we have to read between the panels, compare the boy we meet in episode 73 
(chapter 73) to the man who resurfaces much later. 
(chapter 73) Such an injury is not congenital, nor cosmetic. It is the ear’s irreversible memory of repeated trauma, often earned through unregulated or unsupervised fighting.
(chapter 49) Jaekyung’s ears mark him as a champion who faced real opponents in real matches, many of them brutal. His injuries are the price of transparency, visibility, and legitimacy. They are scars earned in the light, while Baek Junmin is supposed to be a novice. 
(chapter 47)
(chapter 47)
(chapter 49) His cheeks have sunk, his jaw stands out more sharply, and his features seem carved by something deeper than age. This is not the look of someone forced to cut weight for competition, 
(chapter 37), for the new rising star is already much smaller and thinner than the protagonist. 
(chapter 49) It’s more likely the result of long-term stress, emotional corrosion, or drug use.
(chapter 73) This line is telling. It reveals not only the normalization of drug use among these teenagers, but also how intimately it’s tied to fighting. Juho isn’t offering an escape—he’s offering a tool. For him, drugs aren’t about rebellion or recreation; they are a performance enhancer. They’re marketed as part of the fighter’s toolkit.
(chapter 44) His skin is clearer, his features softer, and his face shows fewer signs of internal collapse. This is the effect of healthy food, structured discipline, clean training, and perhaps even emotional restraint. While Junmin’s face has been thinned by chaos, Jaekyung’s has been preserved by control. Under this light, it becomes comprehensible why the athlete fell in love with doc Dan at first sight. Despite being older, 
(chapter 7) the “hamster” still carries a baby face: a visual marker of youth, innocence, and gentleness. He embodies everything the Shotgun does not: vulnerability without corruption, softness without vice. If Baek Junmin stands for a corrupted adulthood — weapons (The Shotgun), shadows, and counterfeit gold — then Kim Dan, by contrast, becomes the sanctuary of all that was lost: the child, the smile, the safe bed.
(chapter 49) reveals that anonymity was never his desire. It was his sentence.
(chapter 18) criminals don’t want attention. They avoid the law. They train their subordinates to vanish, to move through shadows, to speak only when spoken to. Baek Junmin wasn’t just playing a role —he was surviving a system that required him to erase himself. His hoodie was not simply clothing; it was a muzzle, a shadow he had to wear. That’s why the protagonist has not made a connection between his nemesis Baek Junmin and a Korean gang yet.
(chapter 73) he blends in by choice. Black is not a neutral here; it is a decision to recede, to be part of the backdrop. The fabric pools around his hands, hiding the skin, while the hood hangs like an unspoken “no comment.” Even when he speaks, it is without volume or force. 
(chapter 73) And notice that the legend is trapped to a province, indicating that he could never make it out of there like the champion! Therefore it already implies that the future “Shotgun”‘s association with the hyung is not based on loyalty or mutual respect—it is circumstantial, even transactional. It is about money and usefulness. And now, you comprehend why Baek Junmin’s position in this gang is quite precarious.
(chapter 73) That’s the same number of persons in the dark alley, when you exclude Joo Jaekyung and Baek Junmin 
(chapter 52) Note that Director Choi Gilseok doesn’t express concern for Baek Junmin, his attention is on the Emperor! 
(chapter 47),he doesn’t take pride in killing someone.
(chapter 49), there must have been at least a second — brief, sharp, and wounding enough to carve itself into Baek Junmin’s memory while leaving no conscious trace in Joo Jaekyung’s. The difference is telling: what the champion repressed, the Shotgun carried it like a scar. It means Baek Junmin knows more about him than the reverse, and every glare, every barb he throws later is sharpened by a history Joo Jaekyung couldn’t anticipate they share
(chapter 73) lit only in patches, with more shadow than clarity. In this kind of setting, the black hoodie becomes something more than clothing — it is camouflage. He is not merely wearing the dark; he is using it, letting the folds of fabric and the absence of light blur his edges. It is as if he intends to merge with the scenery, to be just another shadow leaning against the wall. This double concealment — in time and in space — ensures that, for now, he remains invisible to the one person whose attention he will one day crave. He began in the shadows not just by circumstance but by mandate. Yet as the boy in the hoodie fades into memory, a new figure will eventually emerge from those shadows—not to hide, but to strike. And he will no longer wear a hood. He will wear scars.
(chapter 72) and in this context, “cutthroat” is more than an idiom. It hints at the lurking threat of blades, at encounters in alleys and side streets where victory is stolen through speed and treachery. Joo Jaekyung has walked those streets without incident 
(chapter 72) 
(chapter 73) in the present timeline, but an assault there can happen any time.
(chapter 17) And what did the loan shark tell him before provoking him? 
(chapter 17) Based on the champion’s facial expression after hearing Heo Manwook’s questions, it becomes clear that Joo Jaekyung experienced in the past a scene where he faced a knife and his head was smashed with a bottle of soju. The criminals are recognizable due to their tattoos and their weapons, the knife! And the logic of the knife in this world is telling: as Heo Manwook showed
(chapter 17), it appears when a fight is already lost. It is not a weapon of open combat, but of pride and desperation — a way to cheat fate when skill is not enough. Moreover, he was particularly vicious here. He attacked the champion from behind, a treacherous move. As you can see, the knife is strongly intertwined with the underworld, deception and cowardice.
(chapter 73) 
(chapter 17), a head injury 
(chapter 73), insults and provocations 
(chapter 73),
(chapter 17) and finally an allusion to the “maker”, god versus father. 
(chapter 73) The loan shark was diminishing the young man’s skills and that his success was FAKE! Why? It is because the outcome was predicted. The winner and loser would already be determined. 
(chapter 73) Over time, the champion chose protective symbols— clouds and a dragon-like mask—tattoos designed not to intimidate but to shield. 
(chapter 1) 
(chapter 17) They represent protection, not aggression. Where Baek Junmin’s tattoos speak of death and destruction, Jaekyung’s express escape, survival and resilience. Even in their body art, the two boys tell opposing stories: one driven by resentment and darkness, the other by endurance and self-preservation. 
(chapter 73) No… he is copying others and in particular Joo Jaekyung whom he resents. Thus their attitude in the ring is similar (ruthless), yet both act that way for different reasons: pain and seriousness 
(chapter 15) versus fun and schadenfreude 
(chapter 47). His new persona feels exaggerated, theatrical, hollow. He wanted to become unforgettable, but ended up being another disposable fighter in a system that only remembers champions. Now, his face is ruined: he lost teeth and has a broken nose. 
(chapter 57) Hence the nurse felt sympathy for him. At the health center, he received his long due punishment. Baek Junmin learned through the hard way what it means fighting without rules. He got deceived himself, thinking that his “hyung” would have his back.
(chapter 54) These words imply that the outcome was predicted… That’s the reason why Joo Jaekyung needs to remember the past. There lies the truth: they are “rigging the games because of bets! 
(chapter 54) and Joo Jaekyung’s father, Joo Jaewoong. 
(chapter 73) These three form a symbolic trio—each marked by violence, marginalization, and a desire to escape the suffocating grip of their environment. Their most immediate shared trait? A smile that feels wrong. A grin not born of joy, but of cruelty, mockery, or powerlessness. Furthermore, all three are associated with trash and garbage: 
(chapter 47) 
(chapter 72) Their words or flat reflect their mindset and role. They are waste, once used, they can be discarded. For me, it becomes obvious that the ghost from the champion’s nightmare is a combination of Joo Jaewoong and The Shotgun. Besides, observe how the father’s corpse 
(chapter 54), the father with his fading trophy, Baek Junmin with his own unspoken history in the underground ring and the ghost’s words linked to the champion’s hands. Together, they symbolize the toxic underbelly of combat sports, the place where dreams are sold and consumed.
(chapter 73) He had a past worth remembering—something he even clung to in his ruined apartment, preserving his medal and document like a relic. Baek Junmin, by contrast, never belonged to the gym. He wasn’t trained. He never received formal recognition. He fought in shadows, kept to the margins, and remained a “legend” only in the backrooms of Gangwon’s illegal rings because he trusted his “hyung”.
(chapter 49). he desired to have a real title and admiration. 
(chapter 51) all along—a spectacle, not a coronation. Hence director Choi was overjoyed when he heard the verdict.
(chapter 52) That’s why he earned a lot of money. They used this fight to remove the Emperor from the stage quietly. It was time for him to give up on his throne. If they had let Baek Junmin win the fight, people would have questioned the referees. The Shotgun was there to prepare the coup d’Etat, hence the new champion is someone else. Joo Jaekyung wouldn’t remain so calm hearing this: 
(chapter 72) This explicates why Hwang Byungchul condemned the man and sided with the mother. But while Joo Jaewoong and Baek Junmin tried to escape through the sport, they both ended up in the criminal network. And neither made it out.
(chapter 65) corresponds to the release of Jinx Chapter 70, which marked the series’ return after a three-month hiatus. This observation is more than clever numerology—it mirrors the manhwa’s deeper message: the past always haunts the present, and at times, it even foreshadows the future. And that’s exactly what I will do in this essay. I propose that the key to understanding the protagonists and characters’ evolving identities lies in the overlooked architectural and administrative details—especially the house numbers, door placements, and legal ownership of space. These seemingly minor visual cues are in fact loaded with meaning, offering insight into how home, memory, and identity are fragmented and reassigned across time and place.
(chapter 57) The landlord’s house has the number 33-3. Why do two neighboring houses bear such disconnected numbers: 7-12 and 33-3? 
(chapter 61) For readers unfamiliar with Korea, this looks quite bizarre. In most European and American countries, street addresses follow a linear order; house number 12 would typically be located between 10 and 14. But in Korea, especially in rural areas, many towns use the older jibeon (지번) land-lot numbering system. Here, numbers are based not on street sequence but on the chronological order of land registration and subsequent subdivisions.
(chapter 62), newer developments, or administrative restructuring rather than deep-rooted inheritance. In this context, a higher subdivision number implies not only later division, but also the erosion of legacy and the weakening of kinship-based territorial claims—an erosion especially poignant in the context of Confucian traditions that once emphasized multi-generational cohabitation and patrilineal inheritance. In classical Korean society, a home was not merely a shelter but a physical emblem of familial continuity, with ancestral rites often performed within the same household across generations. As addresses fragment and land parcels divide, so too does the symbolic structure of the family unit. The once-cohesive ideal of the extended household dissolves into isolated, rented spaces, reflecting not only economic realities but also the fraying of intergenerational bonds and filial authority.
(chapter 61) Though Jaekyung is a wealthy celebrity, he inhabits a parcel of land that speaks to impermanence and anonymity. Meanwhile, Dan shares space with someone who quietly represents legacy and transparency.
(chapter 62) However, this “dynamic” (distinction) began to shift the moment Jaekyung started working for the local residents. 
(chapter 62) No longer just a “guest” or a “tourist,” he earned their recognition and acceptance through acts of service and humility. 
(chapter 62) As he helped them with manual tasks—such as lifting goods or assisting the elderly—they started seeing him not as an outsider, but as one of their own. However, it is important to note that these gestures of inclusion occurred while Jaekyung was outside the blue gate 
(chapter 62) —beyond the formal boundary of the rental property. 
(chapter 62) In this way, the gate truly functioned as a symbolic threshold: only once he crossed it through action and humility, the community began to approach him. This change in perception was symbolized, when he received vegetables from the townspeople, a traditional gesture of inclusion and local acknowledgment. 
(chapter 62) Nevertheless, the best sign that he has been accepted by the community is when he received traditional welcome gifts: the toilet paper and detergent. 
(chapter 69) [For more read 
(chapter 65), the elderly neighbor chose to open the blue gate shortly after: 
(chapter 69) Thus I deduce that the blue gate lost its purpose. The champion definitely saw the advantages of the absence of a gate by his neighbor. He could arrive there at any moment 
(chapter 62) and the landlord never rejected him. In fact, he was always welcome. 
(chapter 66)
(chapter 59), and townspeople instinctively report Dan’s behavior to him. 
(chapter 69) I would like to point out that the kind man said “villagers” and not “villager”, a sign that he was contacted by many people. Such recognition is reserved for those woven into the community’s long memory.
(chapter 61) Given that the rural address system is based on the older jibeon model—and most GPS systems now rely on the newer road-based address format— it is unlikely that Jaekyung could have located Dan’s home through navigation alone. 
(chapter 61) That’s the reason why the author included this scene. Even if someone had disclosed Dan’s address, the GPS in Jaekyung’s luxury car would not have been able to guide him there. Like mentioned above, the streets have no names, and the numbering lacks logical sequence. Thus, we have to envision how the Emperor followed Dan on foot, observing where he went. In doing so, he not only located the general vicinity. Afterwards, he must have contacted a local and requested for a vacant house close to 33-3. That’s how he found the “hostel” right next door. 
– chapter 69) and walking through the confusion himself.
(chapter 1) we see Dan walking under a blue plaque labeled “24”—the newer, street-based system introduced after 2013. This number, part of Seoul’s revised address format, contrasts sharply with the rural jibeon model. Where 7-12 and 33-3 reflect layered histories and family division, “24” is precise, administrative, and arguably impersonal. The place is no longer connected to family and traditions, rather to migration and anonymity. The juxtaposition between systems emphasizes not only physical distance but emotional dislocation.
(chapter 65) Though she insists this seaside town is where she “grew up,” she never identifies a lot number, street, or ancestral parcel. In a rural system where numbers are more than logistical—they are signs of rootedness and intergenerational presence—her vagueness stands out. Everyone else is connected to a numbered gate, a registry, or a mailbox. She alone floats in narrative space, clinging to emotional claims without material proof: no concrete location is brought up. 
(chapter 57) The contrast becomes sharper when she refers to Seoul only in generic terms. She never mentions a district, 
(chapter 56), a neighborhood, or specific location. This lack of detail, especially when juxtaposed with the specificity of the rural jibeon system (where even a subdivision number implies lineage and ownership), exposes her rootlessness. It reinforces the idea that her ties to place are performative rather than grounded. Even her nostalgia for Seoul is flattened 
(chapter 65) into a symbol of urban superiority—money, prestige, modernity—without anchoring it to a real “home.” In short, she idealizes Seoul the way she romanticizes the countryside—selectively, superficially. At the same time, she is giving the impression that she is erasing her stay in Seoul, as if her past there, too, is unmoored. Because of this observation, I realized why the nurse never questioned the senior’s statement. 
(chapter 56), though she expressed some doubt. By asking for more details, she imagined that she could touch a sensitive topic, like for example loss of her home etc. Shin Okja‘s inability—or refusal—to locate herself within a concrete building and specific numbered system of belonging hints at a deeper truth: Shin Okja may perform the role of native and guardian 
(chapter 17) As Jinx-lovers can detect, next to the entrance of her apartment, there is no blue house number plate or street name. How is that possible in a metropolis where every residence should be digitally registered? And now, pay attention to the house where the “goddess” and her “puppy” lived. 
(chapter 1) 
(chapter 11), we naturally assume he is returning home—entering the same shared space he and his grandmother inhabit. But is that actually the case? A closer look reveals he is using the other entrance. On his right side, we see the electricity meter, the mailbox, and the window—the signs of an inhabited and administratively recognized unit. This suggests that Kim Dan’s official residence is behind this second door. Once again, I am showing the view of the same building from a different perspective, 
(chapter 57) where the mail box and the electricity meter are. But I have another evidence for this observation. During that night, the hamster got assaulted by Heo Manwook and his minions. 
(chapter 19) The moment I made this discovery, I couldn’t help myself wondering why doc Dan would go to the other door and not to the halmoni’s room.
(chapter 11) The voice on the phone reveals something legally crucial
(chapter 11): Kim Dan is the last remaining resident in that building. That one line reframes everything. This suggests that Kim Dan’s official residence is behind this second door. 😮 In fact, the building features 
(chapter 5) When the loan shark came to collect the interest of the debts during Kim Dan’s childhood, he went straight to her door 
(chapter 5) the door associated with Kim Dan in later episodes—particularly the one through which the champion entered during the confrontation with the thugs —opens inward and is placed in the corner of the right wall. The interior layouts and door directions don’t match, though the furniture is similar. This strongly suggests that these are two different units within the same building, exactly like I had observed before. The “goddess” and the hamster’s house had two doors and as such two units. 
(chapter 19) had a recollection of this moment, when he was about to leave this humble dwelling. 
(chapter 19) His move to the penthouse triggered another “move” from the past. Consequently, I am deducing that this souvenir represents the moment of the grandmother’s arrival and the departure of the hamster’s parent(s) from the other unit. But there’s more to it.
(chapter 65) and Kim Dan the immature child, whereas according to my observations, she is legally dependent on the “hamster”. She is just a household member. As you can see, I detected a contradiction between her words and “hidden actions”, all this triggered because of the closed door. By transferring the address and registration to the physical therapist, she made it possible for him to inherit not just the space, but also the liability. That’s why he’s now the only registered person.
(chapter 11) When he says “home,” he is referring not just to a physical place, but also to a legal and emotional placeholder—a registration number that ties him to bureaucratic existence, familial duty, and emotional manipulation. With her promise to return in that home, Shin Okja is essentially demanding he remains the legal anchor—the one who stays behind, the one who remains registered, the one who continues to carry the official burdens, even as she herself fades into invisibility. That’s how she became a “carefree” ghost in the end. It wasn’t just a promise of care, but a submission to being tethered—not to belonging, but to obligation masked as love. The irony is that by remaining legally “present,” Dan was emotionally erased.
(chapter 65) In this panel, her words in English were ambiguous, while in the Korean version, the grandmother exposes that she was well aware that her grandson and the emperor would live together. 
(chapter 57) That way, he became attached to her. It’s a startling reversal: the woman who claims maternal authority is 
(chapter 65), in the eyes of the system, merely lodging in his shadow. She is indeed a ghost. 
(chapter 22) This architectural division is deeply symbolic. Despite being the dependent, Dan is the one bearing responsibility—both financially and administratively. Shin Okja, on the other hand, manages to live without accountability. 
(chapter 65) Joo Jaekyung is almost her grandson!! It was, as if she was about to adopt him. Let’s not forget that he embodies all her ideals and dreams: strong, healthy, rich, famous, generous, polite and gentle! And according to my observations, she knows that the athlete owns a flat in Seoul, big enough to take a room mate. 
(chapter 16) He even showed the amount Kim Dan owned with his cellphone to the Emperor 
(chapter 17) That’s how the champion internalized that the hamster was the one with debts. This theory explicates why doc Dan is not blaming his grandmother for the debts in the end, as he signed himself loans. And now, you can imagine what happened in the past. Once he became 17 years old, she asked him to get a resident registration number. With this, he could apply for a loan in order to reimburse the grandmother’s debts. This must be one of her favors from the past: 
(chapter 53) So far, in season 1, she had made only one (chapter 41) before her request to visit the West Coast. The most plausible explanation is that Shin Okja persuaded him to take over the loan. She likely presented it as a necessary sacrifice, something he could manage given his income as a physical therapist. This explains why the elderly woman is no longer asking about the debts or loan. It is no longer her main concern, she is not the household head either. And don’t forget what the physical therapist thought, when he heard from Kim Miseon the bad prognostic about his grandma. 
(chapter 5) His words imply that he had done something in the past for her. And that would be to become her guardian and take her debts. This hypothesis explicates why only in episode 11, Doc Dan was comparing the progression of the interests with a snowball system, something unstoppable. 
(chapter 11) His thoughts reflect a rather late realization that he is trapped in a system and he can not get out of it. In other words, this image oozes a certain innocence. This also explained why Joo Jaekyung had to confront him with reality in front of the hospital. 
(chapter 18) The location is not random: for the halmoni, such a work place symbolizes respectability, power and money. The problem is that in the hospice, Doc Dan is not well-paid. 
(chapter 56)
(chapter 11) And now, it is time to return our attention to my illustration for the essay: 
As my avid readers can observe, the panel with the champion facing the blue door comes from episode 69, while the one with doc Dan comes from chapter 11. These scenes are mirroring each other. It is about concern and danger! While in episode 69, the athlete got worried, as he imagined that doc Dan’s life was in danger, in episode 11, the hamster was about to face an old threat: Heo Manwook and his minions! 
(chapter 11) But back then, he was on his own and no one paid attention to his health. Not even Shin Okja… He was truly abandoned, while the episode 69 exposes the opposite. Society in this little town takes care of people in general. 
(chapter 11), he jumped to the conclusion that Dan was either prostituting himself or laundering funds. Why? It is because he had taken odd jobs, until he got hired by the dragon, Joo Jaekyung, and had such a huge income. Under this new light, it becomes comprehensible why Heo Manwook knew how to use the old lady in order to threaten doc Dan. 
(chapter 16) Like I wrote in a different analysis, I doubt that the grandma would have signed a loan by Heo Manwook. This reveals how Dan entered the contract in obscurity, without recognition or protection. He did it for Shin Okja’s sake to repay her for her support and “love”. 
(chapter 57) Therefore I am expecting an argument between the halmoni and the inhabitants of 33-3. The landlord embodies the opposite values of Shin Okja. 
(chapter 16) Dan repeatedly calls it his grandmother’s and even dreamed of finding a new place that could house it—a gesture that underscores how much he believed she treasured the object, even though she herself never mentions it. But she never once references it, not even when returning from the hospital. The absence of interest is striking. What if the cabinet didn’t belong to her at all? Its size suggests that it predates the division of the house. Besides, according to my observation, she used to live in the other unit and I can not imagine, the halmeoni moving this furniture from one unit to the other. Perhaps it once belonged to Dan’s mother—a remnant of the original household, now misattributed to the woman who unofficially took over.
(chapter 19) onto the object just as he projects loyalty and gratitude onto his guardian. But the silence around the cabinet speaks volumes: it is not treasured by Shin Okja, only by Dan. Much like his name on the loan, or the house number on the door, it could be a misplaced inheritance. At the same time, such an item could serve to identify doc Dan’s true origins, if the Wedding Cabinet belonged to his true family.
(chapter 66) Changing his registration would mean stepping outside of the institution’s control and surveillance. 
(chapter 62) Without Dan, Seoul held no meaning. But if he remains in the town past the statutory threshold, it would imply that he is ready to leave behind the world of contracts and competitions. It would mean he is now rooted—not by career, but by choice. Not by obligation, but by emotional truth.
(chapter 27) This aspect becomes particularly evident in Kim Dan’s perception of himself and his interactions with Joo Jaekyung. 
(chapter 62) In episode 62, Kim Dan reproached the champion for only being interested in his body, reflecting his own inability to see his body as something valuable. Hence he never wondered about the true cause for such a huge bruise. 
(chapter 61) While with his words, he implied that his fated partner was a man obsessed with sex, his complaint reveals his mindset. First, he is the one longing for human warmth 
(chapter 59), hence he felt terrible sleeping alone. Secondly, he does not attribute worth to his own physical being beyond its utility for others. This explains why he has consistently neglected himself—avoiding food, disregarding his own injuries, and refusing to seek medical help when necessary.
(chapter 60) It underscores the reality that without his body, he cannot work. In this way, his physical deterioration forces him to confront an undeniable truth: 
(chapter 59) his body is not just a tool for others, but the very foundation of his survival. I would even so far to say that his sick and stressed body would question his identity as PT and caregiver. 
(chapter 43), they will replace him with a new ‘doll.’ This exploitation shaped his relationship with his own body—one that prioritized its use over its care.
(chapter 26) and 62 
(chapter 62) that highlighted a crucial shift in how each of them perceives their own worth—and, more importantly, each other’s. The mirroring of these two episodes suggests a deliberate narrative structure that showcases their evolving dynamic, with each character taking on a role the other once held. This realization led me to explore how their perspectives on strength, vulnerability, and agency transform over time.
(chapter 26) 
(chapter 62), Kim Dan’s smile (genuine versus fake) and the characters’ shifting roles in confrontation and protection. The numerical structure of this episode—where Joo Jaekyung (2) represents dominance 
(chapter 26) 
(chapter 26) This small yet significant act reveals that the champion does not see Kim Dan merely as a ‘sex doll’ but as someone worth protecting, even when challenging him. The protective gear is a contrast to Joo Jaekyung’s usual treatment of his one-night stands, reflecting an unconscious distinction between how he views Kim Dan versus his other partners. Finally, this sparring day exposes the doctor’s biased perception about the athlete in episode 62 once again. 
(chapter 62) It was, as if he had no real talent. But let’s return our attention to the safety gears. The latter underline the high sense of responsibility of the champion, which readers could detect in episode 62. With the red accessories, Joo Jaekyung was showing his respect to the doctor as a man. In that scene, Kim Dan could choose his destiny. It is clear that “the hamster” has long forgotten this happy day 
(chapter 26) – he was smiling genuinely here- , and has reduced his time spent with Joo Jaekyung to sex: 
(chapter 26) —a powerful, intimidating man who mirrors the threat of Heo Manwook 
(chapter 16) and his minions. At the beginning of the fight, the doctor was not fighting for himself but for someone else, reinforcing his deep-seated belief that his worth was tied to service and sacrifice. However, during the match of the century, there was a short change. Kim Dan was reminded of his own past and fears. Thus, I deduce that in episode 62, it is Joo Jaekyung who must face his own greatest challenge—not a physical opponent, but the emotional vulnerability that comes with loss and uncertainty. Though he helped others, his generosity remained unnoticed by Kim Dan. Hence the latter was still unwilling to return to Seoul. 
(chapter 62) On the surface, it looks like Joo Jaekyung lost. 
(chapter 62) More importantly, Kim Dan’s words 
(chapter 26), was happy to demonstrate his talents and kept smiling all the time: 
(chapter 26) For the first time, fighting had become a source of joy for the athlete. He felt not only good, but confident about his skills, as a teacher and fighter. In both instances, this moment serves as a turning point, pushing each character to redefine their role and perception of self.
(chapter 25) Kim Dan was interested to know more about this sport for the protagonist’s sake, whereas Potato was jealous of Kim Dan’s closeness to the star. How did the celebrity react, when he heard the doctor’s desire to learn fighting moves? He was totally pleased, hence he lowered himself smiling 
(chapter 25) before returning to the ring: 
(chapter 25). Notice that he employed the word “happy” here. This shows that the athlete liked to be a teacher and mentor to a novice. 
(chapter 26), reinforcing his belief that his worth lies in service, and he requests an opportunity for someone else. The physical challenge that followed, in which the champion invited him into the ring, was meant to teach Kim Dan to overcome fear, though the original idea was to learn jujitsu moves for the champion’s sake. As you can see, there was a switch in the intentions for the “lesson”. This moment also highlights Joo Jaekyung’s approach to the body—power, physicality, and dominance, which will later be subverted in episode 62 when emotional resilience becomes the true test of strength. 
(chapter 26) Though the doctor was initially immobile and passive, the experience became a significant lesson: fear was something that could be faced and overcome. From that moment on, he became more proactive 
(chapter 26) This is a moment of physical initiation for Kim Dan, teaching him resilience. Nonetheless, he was still fighting for someone else, still locked in his pattern of self-neglect.
(chapter 62), although he has yet to fully recognize the reason behind his behavior. He is now imitating the doctor, as if his body is there to provide assistance and care for others. The people of the small town rely on Joo Jaekyung, placing him in an unfamiliar caretaker position. 
(chapter 34), wealth 
(chapter 42) and title
(chapter 55), not for its attractiveness or desirability. His reputation in bed has been poor; 
(chapter 13), but for his own pleasure. The defy incites the fighter to make a conscious choice contrary to the day, when both main leads took the day off: 
(chapter 29) On the other hand, this suggestion challenges Joo Jaekyung’s previous experiences, forcing him to realize that he has never had to woo or seduce anyone before. This was the only time, where Jinx-philes could see him using his sex-appeal- 
(chapter 34) He got confident, because he had played a trick on his room mate. His physicality has always been his defining trait, but for the first time, he is being confronted with the question: does he have more to offer beyond brute strength and money? If he wants to prove his worth, he must do more than rely on his body—he must reveal his true self.
(chapter 62) He does not plead; he challenges. This reversal is significant because it places Joo Jaekyung in the uncomfortable position of emotional uncertainty. In episode 26, the champion was confident in his control over the situation. In episode 62, he is on the verge of losing control—not over a fight, but over a person. Hence he can no longer control his erection. 
(chapter 62) 
(chapter 61) Why does he want him to return to Seoul? Is he really looking for a physical therapist or something else? It is clear that he is longing for companionship.
(chapter 26), which represents the MMA fighter’s world, the wolf is now the one penetrating Kim Dan’s world: the treatment table! 
(chapter 62) 
(chapter 62) The latter was brought to the hostel. I know, here I am more speculating about the next episode. However, keep in mind that the hamster brought up the past to his destined partner. 
(chapter 1) The blue treatment table is the witness and proof that the champion never saw Kim Dan as a sex doll. So far, they never had sex on it, a sign that he respected not only Kim Dan as PT, but also the profession as such 
(chapter 27) Here, the champion suggested to have sex at home, and not on the table. On the other hand, Jinx-philes will certainly recall this scene where the doctor begged on his knees for money: 
(chapter 11) That’s how I discovered a strong connection between this item and sexuality. First, the one fantasying about the champion’s body on the treatment table had been Kim Dan 
(chapter 1). 
(chapter 1) The massage must have felt like caresses to Joo Jaekyung. So when the main lead made this mistake 
(chapter 1), it is very clear that Joo Jaekyung could have interpreted it as a sign for seduction later. Moreover, don’t forget the mysterious incident concerning the previous physical therapist: 
(chapter 37) In the States, the athlete received his treatment on the floor, a sign of a disrespect for that profession from the manager and even MFC. They somehow knew that the fighter had brought his “sex partner” for his jinx, but they had no idea about his identity. By paying attention to the blue treatment table, I realized that this item stands for power, secret, courage and vulnerability.
(chapter 62) According to my interpretation, Joo Jaekyung had interpreted the mistake for some advances and keep in mind that the fighter felt also attracted to the physical therapist. 
(chapter 56) In other words, he projected his own desires onto the “hamster”. But since he was still with the green-haired guy, he needed to mask his true intention: 
(chapter 1) -thus he asked for a treatment. He was about to drop the man.
(chapter 1) However, contrary to their first encounter, the champion would be talking to his neighbor. While the doctor is thinking, he will relive his first night in the penthouse, the other might reproduce his first treatment, though it should be certainly combined with the intercourse on the couch: . 
(chapter 29) 
(chapter 62) But he made such an offer, because he thought, he was respecting the doctor’s wish. This shows that the athlete needs to converse properly with the doctor and not just make assumptions (MO from his manager). Moreover, the star has never expressed his gratitude and admiration towards Kim Dan concerning his talents and efforts openly. The problem is that he can not compliment him yet, because Joo Jaekyung is trying to “forget” the past and as such he is repressing the fight with Baek Junmin. I feel like the champion is on his way to discover the medical world and chapter 62 represents a prelude.
(chapter 57) He should have sent her to the hospital and ensure that she received treatment. Notably, after the sea incident, Joo Jaekyung took Kim Dan to the hospital, but the latter rejected the champion’s advice and help. 
(chapter 13) So it dawned on me that if the doctor gets sick, Joo Jaekyung will be fueled with regrets and guilt, as he didn’t listen to Cheolmin’s advice. So this could lead him to apologize to Kim Dan. On the other hand, his illness could serve as a reminder to the fighter that he needs to treat his physical therapist and friend better. He only sent for the doctor because of “sex”. To conclude, both would be responsible for this terrible situation, a balance of responsibility. 
(chapter 57) is not just a symptom of overwork and lack of sleep—it symbolizes the deep imbalance in his life. His world consists only of work 
(chapter 61) His mind and heart are no longer listening; he is trapped in his own darkness. His dizziness and fainting spells mirror this imbalance, making his physical weakness a reflection of his emotional detachment.
(chapter 54) and drinking habits. 
(chapter 54) His entire life has been dedicated to work and physical prowess, leaving no space for genuine happiness or emotional well-being. His drinking is not just an escape—it is a manifestation of his need to silence his thoughts and emotions. In episode 44, when Kim Dan expressed admiration for his body, he patted his head
(chapter 44), he caressed his cheeks 
(chapter 44) and kissed his ear 
(chapter 54) His headaches intensified, and he isolated himself, mirroring Kim Dan’s earlier state of detachment. His drinking hadn’t just become a habit—it was mourning, a sign of his internal loss. It was, as if deep down he wanted to forget this intoxicating feeling of happiness from that night in the penthouse. The departure of Kim Dan caused both of them to lose their already fragile balance, reinforcing the idea that their dynamic, as unhealthy as it had been, was stabilizing them in ways they never acknowledged.
(chapter 56) It was, as if the champion no longer needed to see his former room mate. Note that he even waited for the evening before approaching doc Dan again. 
(chapter 60), he immediately went to the town. This contradiction reveals that mere visual presence was never sufficient—what he truly longed for was something deeper. And as soon as he saw him, he felt much better, 
(chapter 61) hence he could remove his splint. That’s how powerful drug Kim Dan is. 😉
(chapter 61) While undergoing treatment, he saw Kim Dan every day, yet he remained unsatisfied due to the silent treatment. It was not enough to simply observe him; what Joo Jaekyung truly craved was conversation, interaction, and recognition. This explains his decision to move into the town, settling near Kim Dan as his neighbor. 
(chapter 62) He asked a question, while the other did not! He just made assumptions from his part, hence he suggested “separate ways”. It was naturally his way of being considerate. That’s why I have the feeling that two words could move Kim Dan’s heart: “HOME” and “HYUNG”. If he calls him that way, the doctor is now recognized as a family member, even as a senior. Hence he needs to be treated with respect.
(chapter 62) he had previously ignored—he is undeniably attracted to Kim Dan’s body, particularly his nipples, which have repeatedly 
(chapter 27) triggered strong reactions in him. 
(chapter 29) That’s the moment he expressed his interest in the doctor’s nipples for the first time. This even became a habit: 
(chapter 44). And what did the doctor whisper during that magical night? 
(chapter 44) He wanted him to treasure his body!! In my eyes, Kim Dan’s suggestion in episode 62 is hiding another intention, though it is definitely unconscious: 
(chapter 44), though in his mind, he desires to have a bad experience so that he can erase him from his mind. Finally, what do the nipples symbolize? Motherhood and nurturing. 
(chapter 57) 
(chapter 26) Moreover, it was thanks to a trick that Kim Dan won: 
(chapter 26) 
(chapter 26) He felt superior and strong, whereas his rival was weak. Moreover, he imagined that Kim Dan would ask for money for the bet. 
(chapter 26) That’s why I believe that in the next episode, the roles should be switched. Kim Dan always saw himself morally superior and caring to the star, but in truth, his care was rather superficial, for he also showed no interest in the champion’s past and family. Thus I come to the following deduction that episode 62 suggests that arguing is not about losing or winning, but about listening. The champion has unknowingly become a caretaker, not only to the people of the town but, potentially, to Kim Dan himself. The question remains whether he will recognize that Kim Dan’s provocation is not just another fight lost (cutting off ties) —it is a seductive challenge to redefine his understanding of worth and their relationship. What are they to each other? A client and a prostitute? A fighter and a doctor? Or simply two men who are longing for the same: belonging and love. Nevertheless, due to their past, they are unable to detect the true source of their misery: their lack of reflection, own bias and anxieties.
(Chapter 61) However, this moment is not isolated—it reflects patterns in his personality that have appeared throughout the series. 
(Chapter 11) 
(chapter 18) This essay delves into the significance of Kim Dan’s physical and emotional bruises, examining how they symbolize his suffering, internal conflict and transformation. I will examine Kim Dan’s conflicted emotions surrounding gratitude and debt, contrasting his interactions with Joo Jaekyung and his grandmother, Shin Okja. Additionally, I will explore how Kim Dan’s conditioned identity as a caregiver drives his choices, even in his current living situation with the landlord, where he unconsciously replicates past dynamics. Ultimately, I will elaborate how Kim Dan’s newfound awareness could reshape his identity and relationships moving forward.
(Chapter 61) His unexpected reaction catches Kim Dan off guard, further emphasizing how disconnected the doctor has become from his own well-being. However, contrary to the past 
(chapter 11), Kim Dan is truly responsible for the contusion. He caused the injury by removing the needle from the drip. 
(chapter 60) By taking this action, he absolved Joo Jaekyung of any responsibility for the injury, but this is merely a superficial conclusion. 
(Chapter 61) On the hand the circumstances surrounding the bruise, where Kim Dan removed the needle on his own, provide insight into his psyche. The deeper cause of the bruise lies in Kim Dan’s declining health, which is intrinsically connected to his malnutrition and the neglect he faces from those around him. It is important to recall that Joo Jaekyung was explicitly informed that Kim Dan needed rest 
(chapter 61), he forced the physical therapist to keep working, adding even more strain than before. Though the physical therapist attempted to voice his disapproval, 
(chapter 61), he ultimately had no choice but to comply, as his order came from the hospice director. 
(Chapter 61) And why did the director override Kim Dan’s need for rest? Money and free PR. Joo Jaekyung’s influence secured the director’s approval, disregarding the doctor’s well-being in favor of business interests. This conversation at the director’s office makes one thing clear: words hold no power against profit. An d that realization led me to another connection—every one of Kim Dan’s bruises is linked to exploitation, whether by authority, obligation, or financial influence. 
(Chapter 41) It is clear that she was inciting him to work harder than before. This displays that Kim Dan was not allowed to rest. During this encounter, she didn’t ask him about his well-being either. And what is the link between these 3 episodes? The grandmother and her poverty. The latter was responsible for the loan. 
(chapter 56) Kim Dan has only visited the hospital once, and this was solely due to Joo Jaekyung’s intervention. The latter needed medical attention himself 
(chapter 18) and took Kim Dan along, ensuring he was seen as an emergency patient. However, this visit was brief and lacked any comprehensive medical examination—no blood samples were taken, and his underlying health concerns remained undiagnosed. This omission further underscores the neglect Kim Dan has suffered, as even in a medical setting, his long-term health issues were overlooked. 
(chapter 21) But back then, the champion didn’t pay too much attention to it. In my opinion, her response will likely reflect her established pattern of emotional detachment and deflection of responsibility. Rather than admitting her lack of concern for his well-being, she may shift blame onto the staff or Kim Dan himself 
(chapter 57). In the last case, she will downplay the severity of his condition, insisting that he has always been stubborn and independent. She could even mention her conversation, when she tried to convince Kim Dan to return to Seoul, but the latter refused to listen to her.
(chapter 5), or his general reluctance to ask for help. He rejected the athlete’s help and concern. 
(chapter 57). She blamed the main lead, because she imagined that Shin Okja would worry about him. However, it becomes clear that the halmoni is not worried about her grandson at all. She is acting like a fan in front of the athlete. 
(chapter 61) One might argue that based on this scene, the grandmother didn’t see him with the bruise on his arm. 
(chapter 61) He only remained at the door. However, observe that there was a cut between this image 
(chapter 61) and the conversation between the main couple in front of the hospice. 
(chapter 61) So he could have made his presence known to his relative before asking Joo Jaekyung to follow him because of his treatment. To conclude, I believe that she had the time and occasion to see her grandchild and his bruise.
(chapter 13) He is the only doctor who has ever examined the protagonist so closely and even paid attention to his fingernails! 
(chapter 13) At the same time, the chingu from the club was the first one pointing out that his wounds were never treated!! Furthermore, I realized that the doctor’s lies from episode 11 
(chapter 13) The latter was the cause for the severe exhaustion. However, like mentioned above, the doctor is not blameless either, because he never questioned why his wounds on the hand were bleeding again. 
(chapter 43) He thought, it was related to the massage, yet the reality was that this incident showed that he had coagulation issues. To conclude, all the bruises could have always been noticed by people due to their locations (eyes, hands, arm)! 
(chapter 61) and his relationship with Joo Jaekyung. 
(chapter 61) That’s how I recognized why these women’s warm welcome and curiosity about Kim Dan were rather superficial. 
(chapter 56) His arrival stands for novelty and a breath of fresh air at the institution. However, with this change, the female staff is forgetting their original duty: they need to pay attention to their colleagues. They are behaving like the grandmother
(chapter 61): fangirling over the handsome guys visiting their little town. That’s why Mingwa drew flowers in the last two images. No wonder why no one around Kim Dan is observing the bruise and his deteriorating condition. Moreover, since the physical therapist has a relative at the hospice, the staff is envisioning that Shin Okja is doing “her work”, she is paying attention to Kim Dan’s mental and physical conditions. On the other hand, there is no doubt that the grandmother has already delegated her own responsibility onto others, Kim Dan and the hospice. It is a medical institution, therefore they should pay attention to his working conditions. In other words, since no one feels responsible for the protagonist’s health, no one is worried about Kim Dan at all. At the end of episode 61, he is even so pale and breathless 
(chapter 61) that I am anticipating a terrible incident leading to a rude awakening for everyone.
(chapter 57) — reinforces her conviction that she has fulfilled her role. In her mind, his rejection of her advice places the burden of care entirely on him, allowing her to dismiss any further involvement. This emotional withdrawal directly connects to the symbolism of the bruise: 
(chapter 18) In episode 18, when Joo Jaekyung confronts Kim Dan about the loan, the doctor has a bruise on his left eye, symbolizing his entrapment and helplessness. This earlier injury highlights how Kim Dan has been conditioned to view himself as responsible for burdens that are not his own, perpetuating a cycle of sacrifice and self-neglect. And a new bruise appeared just after the athlete reminded the physical therapist of his past promise: 
(chapter 61) His grandmother’s disregard for his well-being amplifies the injustice of this situation; she allowed him to shoulder the debt despite knowing it was never truly his to bear. The bruise becomes a recurring motif, a visual representation of how others have imposed their responsibilities on Kim Dan, leaving him physically and emotionally scarred. 
(chapter 60). The juxtaposition of the vibrant environment with Kim Dan’s deteriorating health underscores the neglect he faces. The hospice is meant to be a sanctuary, yet it becomes a space where Kim Dan is further burdened by the champion and his grandmother’s expectations 
(chapter 55) This line “I finally feel like I can breathe again”, written by Kim Dan, reveals a subconscious acknowledgment that his relationship with the champion represents a breath of fresh air, a chance to escape the suffocating expectations and burdens he has carried for so long. The bruise, a physical manifestation of his struggle, signals the breaking point of his role as a selfless caregiver. It challenges the illusion of invulnerability that Kim Dan has maintained and forces those around him to confront his vulnerability.
(chapter 60) The beach, with its open and untamed expanse, symbolizes freedom and a return to the self. It foreshadows that Kim Dan’s true journey toward healing will require him to step outside the roles and confines imposed upon him, finding solace not in what is expected but in what feels authentic and liberating.
(chapter 18) —or, more accurately, the lack thereof. The champion’s actions were motivated by a desire to help 
(chapter 18), hence the star was waiting for a smile from Kim Dan. Yet the latter perceived it as meddling. His immediate response 
(chapter 53), leaving a note when he moved out that promises to settle the debt. However, by Episode 61, Kim Dan is no longer mentioning the debt, signaling a shift in his priorities and a possible breaking point in his adherence to his grandmother’s expectations. 
(chapter 47) The physical therapist’s entire existence had revolved around fulfilling her needs, from managing the debt to taking care of her health. With her now approaching death and actively pushing him away, Kim Dan is left grappling with a profound sense of meaninglessness. 
(chapter 60) He had never been given the opportunity to develop dreams or ambitions of his own, as his life was entirely defined by his grandmother’s circumstances. This lack of agency further explains his rejection of Joo Jaekyung’s generosity in Episode 18 and his later promise to reimburse the loan. Clinging to this promise was Kim Dan’s way of creating purpose and meaning in a life that had otherwise been dictated by others. It highlights how deeply entrenched his self-sacrificing tendencies are, as even his attempts to assert independence are rooted in his conditioned need to serve others. That’s why I come to the following prediction. Kim Dan needs to get confronted with illness and death (he could lose his life) so that his will for life comes to the surface. Right now, he imagines that since he is young, he will outlive his relative, but the death of the puppy was a warning to him that youth is no guarantee for a long life. 
(chapter 59) Death can take away anyone and at any moment. In my eyes, if Joo Jaekyung uses his own body to save the doctor again (like for example blood transfusion and CPR), this time Kim Dan would feel truly grateful towards the champion. So far, the doctor has not recognized the star as his savior yet. By removing the needle, he denied the protagonist’s intervention on the beach: 
(chapter 60) Hence his arm got bruised. The contusion was a reminder that something had happened during that night, but Kim Dan chose to ignore the incident. He never questioned why he was on the beach, he acted, as if Joo JAekyung had lied. 
(chapter 60) 
(chapter 18) Deep down, Kim Dan knows that the debt was never truly his responsibility, making it difficult for him to view the champion’s actions as a genuine act of kindness. This inner conflict is compounded by his suicidal disposition, which renders the concept of repaying the debt meaningless. 
(chapter 59) He worked so hard, was even beaten, but he could never voice his torment. 
(chapter 59) Why? It is because the grandmother was no longer by his side and she never talked to him either. The absence of communication indicates her lack of interest in Kim Dan. And it becomes comprehensible why during that night, he felt the need to go to the ocean and drown himself. It is because he was gradually realizing his loneliness. With his relative’s death, he would only keep living a terrible life determined by work and nothing else.
(chapter 60) 
(chapter 11) and even uses his own words against him: 
(chapter 22) The loan was the result of his grandmother’s decision. He never helped him, rather his grandmother. 
(chapter 11) However, he never explained his circumstances to the generous athlete. By keeping him in the dark, he reinforced his negative disposition about the doctor. And chapter 61 exposes this reality. His suffering was the result of his own decision. 
(chapter 61) Do you recognize the room? That was the doctor’s 
(chapter 19) 
(chapter 53) His decision to allow Joo Jaekyung into his bedroom in episode 61 demonstrates that he consented to the relationship, even if begrudgingly. 
(chapter 61) However, his reaction afterward (regret) suggests that he struggles to take ownership of his choices. The fact that he recalled this sex scene in the restroom divulges a certain resent towards the athlete. The latter abandoned him right after their interaction. Hence I come to the following deduction. In reality, he is projecting his frustrations onto Joo Jaekyung, masking his true feelings about his grandmother, who is the root cause of his conditioned self-sacrifice. And this observation brings to my next remark. People wondered when this intercourse took place. One might think that this took place rather early in the story because of the way Joo Jaekyung acted. He didn’t remove his pants 
(chapter 61) and acted like in episode 6. 
(chapter 6) or 8 
(chapter 8) where he would abandon the protagonist right after the climax and not care about his partner’s conditions and feelings: 
(chapter 61) I might be wrong, but for me, it took place much later in the story, around the time the athlete was about to face Alfredo. Why? First notice that they had sex in the doctor’s bedroom. This means that Kim Dan was already living in the penthouse. The words from the champion implied that he would return to his own bedroom, where the doctor’s thoughts implied that he was standing close to his bed. However, so far, they only had sex in the champion’s bedroom, when it was the evening before the match: 
(chapter 13) Since the doctor mentioned that a match was right around the corner 
(chapter 61) It leaves us four possibilities. Randy Booker, Dominic Hill, Alfredo 
(chapter 47) and Baek Junmin. However, for the intercourse took place in the doctor’s bedroom (he wished to be carried to his own bed) 
(chapter 36), for they had sex every day. However, in episode 53, we discover their night before the match against the Shotgun
(chapter 53) So this scene can only have taken place in chapter 47, when the match with Angelo got canceled and Kim Dan had been confronted with the terrible news about his terminally ill grandmother. 
(chapter 47) In the previous part of this essay, my avid readers could see the strong parallels between 61 and 47. But there exists another reason why I am inclining to think that the sex scene took place later in the story. It is because during that “magical night” (44), Kim Dan learned the notion of “consent”. 
(chapter 44) During that blue hour, Kim Dan discovered that he could say no! And notice that in his memory, he clearly thought that he could have rejected the athlete’s advances. 
(chapter 46) He should mistrust the members from the gym and keep his distance from people. So during that time, Joo Jaekyung did follow his hyung’s advice 
(chapter 47), yet I can’t imagine that this man could become abstinent like in episode 19. Hence at some point, he must have felt the urge to possess Kim Dan, a mixture of fear and dominance. He imagined that way that he could impose his will onto the doctor and control his “loyalty”. With this submission, he would force the doctor to remain by his side. But naturally, this sex as “power play” could increase the gap between the main leads.
(chapter 53) doc Dan was copying the champion’s behavior from episode 61. Right after the sex, he would leave the bed and return to his bedroom. How did Joo Jaekyung recall this night? 
(chapter 53) He saw his attitude as a sign of disloyalty and “abandonment”. And that’s how Kim Dan is feeling in the restroom: 
(chapter 61) The darkness around the eyes is a metaphor for his resent and anger. And the moment you contrast the two memories (53 and 61), you can detect the hypocrisy of the two main leads. They only recall scenes where they were hurt and felt betrayed. However, in reality, they were both victims and perpetrators, because none of them chose to open up and talk to each other. Why? It is because both chose to listen to their “guardian” and their “favor”. Like mentioned before, in a quarrel, no one is right and wrong. The purpose of an argument is to listen to the counterpart and view incidents from their perspective. Finally, the physical therapist’s recollection serves as an important evidence that he had never been powerless and helpless. He could have refused all the time because their deal was never official.He could have used the contract as a shield. But the best evidence of Kim Dan’s power is this rejection: 
(chapter 61) I had already pointed out the increasing resistance and resilience from Kim Dan in episode 60: 
(chapter 61) My prediction came true. In the past, he could have denied the existence of the deal, Joo Jaekyung was free to seek another physical therapist. He never realized that he had some leverage. Yet he still followed the athlete’s requests. He saw himself bound by obligations. However, this was just an illusion. Hence in episode 61, we see him legitimating his consent that there was an imminent fight. 
(chapter 61) He is expected to work despite his declining health, his suffering dismissed by those around him. 
(chapter 40) He is paid to receive bruises, to push his body past its limits 
(chapter 50), to endure pain while the public watches and profits are made. His suffering is entertainment, a spectacle that fuels the business of MMA. Though he is a champion, he is still a commodity, expected to perform regardless of his condition. 
(chapter 61) He understands, better than anyone, what it means to be physically used for the sake of others, yet he remains blind to the fact that he has placed Kim Dan in the same position. While one has no file about his health condition, the other has many files, but they are not studied, because this would push the manager to question his decision and even ruin the business: 
(chapter 17) I doubt that Park Namwook studied them, and notice that the recently hired PT didn’t ask for the champion’s files first: 
(chapter 54) Thus I deduce that the champion’s files are in reality a subterfuge. They give the impression that the doctors and Park Namwook truly care for his well-being, but it is not correct. They are only interested in his body because of wealth and reputation. But let’s return our attention to episode 61 and the champion’s attitude towards Kim Dan.
(chapter 54) It is clear that the manager wants Joo Jaekyung to return to the ring as soon as possible to erase the last “debacle”. In my opinion, the doctor’s illness could serve Joo Jaekyung as an excuse to delay his return to the ring and even not to accept the next challenge. 
(chapter 57) is another manifestation of his conditioned role as a caregiver. By living with an older man, he creates the illusion of a familial bond, mirroring the dynamic he shared with his grandmother. This decision highlights his struggle to break free from the identity imposed on him—one defined by servitude and selflessness. He assumes that he should take care of the landlord, offering to cook and expressing guilt for not fulfilling this perceived duty. Yet, the landlord subtly challenges this narrative. By inviting Kim Dan to eat breakfast 
(chapter 57) and dismissing his apologies, the landlord treats him as an equal rather than a caretaker. This dynamic forces Kim Dan to confront his false perception of himself.
(chapter 57) Despite this, Kim Dan rejects the advice, demonstrating his resistance to being cared for. This moment underscores his internal conflict—he craves independence yet clings to the role of the selfless provider. The landlord’s actions expose the fallacy of Kim Dan’s identity, revealing that his caregiving is not always necessary or effective.
(chapter 61) is indicating the increasing resent and anger towards the star. Joo Jaekyung is no longer seen as a celebrity and idol, but as a inconsiderate man. This transformation is subtle but meaningful, as it reflects his burgeoning awareness of his own worth and the unjust treatment he has endured. For the first time, Kim Dan acknowledges himself as pitiful 
(chapter 53) 
(chapter 13) and the fragility of Kim Dan’s existence. For Kim Dan, it challenges his self-perception as an indestructible caregiver. This realization could lead him to an inevitable conclusion: his own needs and well-being are just as important as those of others.
(chapter 54) and penthouse 
(chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” 
(chapter 56) in a small town on the West Coast 
(chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged 
(chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, 
(chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information 
(chapter 48) and using Shin Okja as a guinea pig for trial treatments 
(chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: 
(chapter 57) who no longer appears in the news. 
(chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating 
(chapter 36) 
(chapter 35) 
(chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives 
(chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: 
(special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets. 
(chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.
(chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: 
(chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean 
(chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water 
(chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.
(chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.
(chapter 57) and the yelling patient
(chapter 57), she reminded me of the champion’s friend: 
(chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life. 
The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.
(chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.
(chapter 49) These 3 men and The Shotgun have to be seen as a team. Moreover, 4 is a synonym for death. Then, observe that the image from episode 20 contains two villains, the loan shark and the perverted hospital director. 1 +1 = 2. So when we see the number 10, 11, 16, 17 and 18, we could perceive it as an allusion to Heo Namwook, the villain.
(chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: 
(chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. 
(chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!
(chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water 
(chapter 27) or the ocean. It is because he was under the influence of his hyung Park Namwook which explains why Mingwa introduced him like this: 
(chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: 
(chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: 
(chapter 17) or in episode 46 
(chapter 9) or other events like this one: 
(chapter 37) Buying in secret junk food.
(chapter 1)
(chapter 22) He is acting here like a tyrant. 
I came to this revelation thanks to this article:
(chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.
(chapter 53) Only the logo is red. 
(chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. 
(chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again: 
(chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: 
MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. 
(chapter 46) 
(chapter 37) He never complimented him for his hard work at all. 
(chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members. 
(chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: 
(chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible. 
(chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.
(chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: 
(chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. 
(chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: 
(chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: 
(chapter 19) Then in episode 27, Kim Dan offers his assistance. 
(chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 
, (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, 
(chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. 
(chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: 
(chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:
The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.
(chapter 7) indicates that she was not senile or totally oblivious of the truth. She raised her voice out of fear that Kim Dan might have signed a lease behind her back. In that case, she would have become responsible for the new debts. Note the drop of sweat on her cheek, a sign of discomfort. Since I started examining Manhwas, I noticed the strong correlation between the drop of sweat and hypocrisy. Thus I conclude that the halmeoni was living after the following principle: “What the eye does not see, the heart does not grieve over”. For me, her gentleness and smiles are masking her true personality: greedy, selfish and even heartless. 
(chapter 11) He had taken over her burden. Furthermore, my avid readers should keep in their mind that the loan shark had been angry, for he imagined that the young physical therapist was moving out. 
(chapter 16) As you can see, the debt was strongly connected to the grandmother’s house. But who had moved out from the small dwelling? The grandmother. Interesting is that this district was about to get redeveloped. The thugs could have noticed it… there were everywhere banners announcing the new construction. 
(chapter 9) But who was not aware of the redevelopment? The grandmother… She had been living at the hospital for 3 years. I came to this deduction because of Choi Heesung’s remark about his k-drama: 
(chapter 30) As you can see, I have the feeling that Shin Okja is not so innocent either. She must have known that her grandson was exposed to violence. In my eyes, her MO is always to leave her mess behind and let others take the burden. 
(chapter 10) In my last composition, I mentioned that her flat was exposing her toxic positivity. And now it is time to bring up the evidence for this perception. 
(chapter 30) She was not working non-stop. Another important aspect is that such persons are passive, because they are waiting for the right time or for the outside help. They somehow imagine that a prince charming will suddenly appear and remove all their problems. Consequently, I conclude that the elderly woman views herself as “Sleeping Beauty”, hence the doctor adopted her mentality. The athlete must have appeared like a knight in shining armor for the grandmother that day. 
(chapter 30) Whereas the protagonist sees in a pattern a shield and protection, the other considers it as a source of danger, for the person doesn’t feel alive. 
(Chapter 30) Kim Dan had heard the conversation between the artist and his manager before offering his help and approaching him. Then when he took his hand for an examination, he was not holding it out of admiration. 
(Chapter 30) No wonder why the doctor caught his attention. The pink haired star got surprised by such an unusual treatment. The irony is that the main lead was doing nothing out of the ordinary. This shows that till this meeting, the actor had always been treated as a prince, for the latter had always been privileged. It is not surprising that Heesung found Joo Jaekyung refreshing. 
(Chapter 30) He was the only one who would not consider him as special, rather as bothersome. Yes, he was not favored by the emperor. Under his new light, it becomes comprehensible why Mingwa let the gumiho play the role of a prince wearing a purple hanbok with Potato: 
(Special episode 2) The purple hanbok is strongly connected to Joseon royalty. (For more read my essays about Painter Of The Night) In addition, while the comedian thinks, it is a fiction, he is wrong in verity. It was a reality, for he has been living like a sovereign. And now, you comprehend why Heesung praised the physical therapist to the sky. 
(Chapter 30) By treating him like an average patient, he could only appear as very professional and competent. 
(Chapter 30) He was seen as a serious and honest doctor who was not looking for favors and recognition. So I deduce that the actor felt moved by such a selflessness and care. 
(Chapter 30) We should consider this image full with stars as a metaphor for the comedian’s heart racing. To conclude, their first encounter reflected Heesung’s philosophy: his desire for novelty and genuine attention, while he is longing for normal treatment and as such for an ordinary relationship. The expression “soulmate” is implying the notion of equity. Thus because of the doctor’s actions, Heesung felt alive. Funny is that by discovering the doctor, Heesung was encouraged to accept routine. Therefore he came to the gym on a regular basis. 
(Chapter 31) This shows the inner conflict of the actor. Deep down, he dislikes being treated as a prince and would like to be seen as a man and nothing more. Normality and regularity stand in opposition to privilege and novelty. On the other side, he seems to reject averageness and commonplaceness. Therefore he likes to show off his wealth: 
(chapter 32) Through the ukes (Potato and Kim Dan), the fox is experiencing the positive aspects of ordinariness. He drinks soju while eating a cheap meal on the street to drown his sorrow 
(chapter 35) or he imagines to have sex in a barn next to a crowded place. 
(Special episode 2) As you can see, thanks to the new episode, I realized that Potato’s role is to make him give up on his special status and privileges. In the bedroom, he might become the master, but outside he will be forced to work for someone else: Potato and as such for the main couple. And this brings me to my next prediction. Look how Mingwa ended the second special episode: 
Manhwaphiles see Potato running away, because he is embarrassed. For me, it indicates that Potato will turn his back on Heesung. Yes, we should see this ending as the positive reflection from this night: 
(Special episode 1) He needs to become responsible. He won’t get sick of his lover, and he is going to miss him terribly. In my eyes, Choi Heesung is about to go through the same experience than his frenemy: regret and longing. He should have paid more attention to the physical therapist and the champion
(chapter 35), as their relationship is affecting his own life. How so? It is because the young MMA fighter is a stan of Kim Dan and Joo Jaekyung! 
(Chapter 35) Let’s not forget that when Yoon-Gu helped the physical therapist in the locker room, he was indirectly assisting the star. 
(Chapter 49) The problem is that in season 1, he was rather distant and privileged the celebrity. Therefore he didn’t protect the physical therapist properly. Since the maknae is really sad about the doctor’s departure
(chapter 52), it becomes clear that his interest aligns with his idol’s.
(Chapter 53) Therefore he can only support the champion’s decision to bring back the main lead. Yet, under the orange tent he decided to cheer them on from afar. Thus I am now inclined to think that the maknae could choose to become more proactive, when it comes to Kim Dan.
(Special episode 2) Fascinating is that the expression “to have a ball” (a synonym to enjoy oneself) is related to Cinderella.
(Chapter 29) He has only lived in one so far due to his privileges. It was, as if he has lived in a fairy tale, far away from reality. Now with Potato, he is finally able to live out his fantasies, hence his fairytale-like world has just lost its reason to exist. Thanks to Kim Dan and Potato, the comedian is brought back to reality. He is discovering not only averageness, but also the true significance of routine and normality. Thanks to the latter, trust and intimacy can deepen. He found out that he can experience novelty through sex.
(Special episode 2) It was, as if he wanted Potato to switch his career. It exposes his desire to be close to the maknae. However, with the champion’s downfall and the physical therapist’s departure, I am quite certain that Yoon-Gu’s position at Team Black is about to change. The gym needs to become successful again and present new athletes. Yoon-Gu can no longer be treated as an extra!! His future is now important for Team Black and Park Namwook. Finally, he proved his worth by fighting the older and bigger fighters at the restaurant. Thus I doubt that Choi Heesung can make a deal with Park Namwook like in the past.
The moment you read this note, you can grasp why the athlete would consider the comedian as a total nuisance. It is because the former couldn’t focus on his training (other exercises: CrossFit, Gym, mostly weights). As a conclusion, the athlete had many reasons to view the artist as bothersome. On the other hand, since Heesung is on his way to adopt regularity, I deduce that the champion’s fate is to accept surprises and changes in his life. And now, you know why their first encounter ended like this: 
(chapter 1) No one had ever run away from him like that. He was used to face opponents who would challenge him or people who would admire him. Notice that the doctor is turning his back on him, which contrasts to the morning after their first sex session. There, the protagonist chose to vanish into thin air behind the champion’s back after spending the night with him. 
(Chapter 4) However, in the athlete’s mind, the doctor had not abandoned him, for he imagined that Kim Dan was motivated by his greed. He was just interested in money. As you can see, Kim Dan represents novelty and exception. Nonetheless, the problem is that till the end of season 1, the fighter never came to see novelties and sudden events as something positive.
(Chapter 53) Under this new light, Manhwaphiles can grasp why the celebrity hates birthdays and surprise parties. They represent a violation to his regular schedule. 
(Chapter 43) 
(chapter 19), the athlete didn’t change his daily schedule at all. On the one hand, Manhwa-philes could judge this as a sign of his selfishness. On the other hand, it exposes his lack of sociability. He had never lived with someone else before. Since we never saw his family or heard about his parents in the first season, I assume that he is a true orphan contrasting to the physical therapist’s situation. Yet both have one common denominator: abandonment issues. The absence of family displays the difference between the two semes. While the actor embodies favoritism and nepotism which is strongly linked to family, the other represents the opposite values: indifference, meritocracy and business. Thus the Webtoonist created such a scene: 
(Chapter 31) He only gets respected, as long as he is “bringing money” to Team Black 
(Chapter 32) According to me, he never went to his training. And shortly after, he was involved in a scandal.
(chapter 19) and why he got upset and scared
(chapter 53), when he saw the Wedding Cabinet in the hallway. 
(chapter 53). In episode 19, the champion really viewed the main lead as an object 
(chapter 05) Hence he called him from the gym making sure that he had not blocked him or even vanished. Under this new light, Jinx-philes can understand why he felt the urge to have sex with Kim Dan. It was to remind him that he would belong to him. Yes, unconsciously, the athlete projected his own thoughts and fears onto his fated companion. 
(chapter 19), many Jinx-philes had been able to discern the fighter’s past (invisible) action. He had been looking for the doctor in the huge penthouse, the older version of this scene 
(chapter 19) The doctor had barely left traces in the apartment. Only the cupboard was the evidence of his presence in the flat. However, this object could be left behind… exactly like Joo Jaekyung had treated Kim Dan in this panel: 
(chapter 19) It was worthless. My point is that Joo Jaekyung must have realized in episode 19, when he returned to the penthouse that Kim Dan was different from the cupboard, he was no object at all. And now, you comprehend why the main lead said this to the doctor in the bathroom: 
(chapter 19) First, he was compared to a prostitute, then later to a baby. 
(Chapter 20) This scene proves that Joo Jaekyung was viewing his lover as a human. Additionally, the comparison to a whore was to mask his previous anxiety and thoughts. He had been looking for him. He needed to appear as strong and superior, the one with the upper hand.
(Chapter 33) Here, he tried to give pleasure to the doctor, for he saw Choi Heesung as a huge rival. The latter is known for being a better lover. It was, as if he was trying to give a reward to his companion. Moreover, I believe, the sex toy was there, because the champion feared that he wouldn’t be able to control his emotions and actions. Then in this scene, one might argue that the champion treated him as a sex doll 
What caught my attention is that earlier in the season, the celebrity talked to doc Dan, but he was showing a certain disrespect towards his room mate. His Wedding Cabinet was garbage, he was not included in his evening training. Like mentioned above, he was treated like a furniture. Nevertheless, in chapter 47, Joo Jaekyung chose the silent treatment. It shows that he was now considering him as a member from Team Black, but because of Park Namwook’s warning, 
(chapter 51), unconsciously the star made the opposite decision: he started considering him as a real member from Team Black. Why? It is because the doctor had touched his heart and mind with this question: 
(Chapter 53) In my opinion, the one behind the champion’s mistrust is the manager. I even have the impression that he is also responsible for his mistrust against doctors, as they are no fighters. Either it is because he has an inferiority complex against such people or it is related to MFC. He only trusts the organization and its members, as such he only trusts doctors from MFC. To conclude, at the end of season 1, Kim Dan is recognized as a trustworthy physical therapist and as a real member from Team Black.
(chapter 53) When the doctor left the penthouse, he disposed his halmoni’s Wedding cabinet. In other words, he treated the precious furniture as junk, turning the champion’s words into a reality. It was, as if the doctor had taken the MMA fighter’s words seriously. However, Kim Dan didn’t act that way because of the athlete’s false judgement. It is just that the doctor came to consider the wedding cabinet as a burden. Thus he treated it as junk. For him, the furniture only had a sentimental value. It symbolized the grandmother. But why would he consider it as an onus then? First, he couldn’t bring the cupboard to the West coast, too expensive and troublesome. Secondly, he wouldn’t have been able to place the Wedding cabinet in a small flat. 
(chapter 16) In addition, Kim Dan had kept it for his halmoni’s sake. 
(chapter 53) She was the one who loved it so much. But since she is trying to reconnect to her childhood and nature, she no longer values it. Yes, the halmoni is falling more and more into childhood, the closer she is to death. Thus she came to repress her marriage. As you can see, the elderly is slowly forgetting her own past and as such Kim Dan. She is trying to relive a moment from her childhood, a time when the grandchild didn’t exist. 
(Chapter 53) This image is full of symbolism. Kim Dan is now able to touch the cold Wedding Cabinet, a sign that he is accepting his grandmother’s death. By biding farewell to the furniture, he is preparing himself for the inevitable: his halmoni’s vanishing. It was, as though he was saying goodbye to his relative. That’s the reason why his smile is full of sadness, when he is pushing his relative’s wheelchair.
(chapter 53) as a reflection of this chapter: 
(chapter 46) 
(chapter 46) In both scenes, the doctor came to resign and lower his expectation. Thus I deduce that after the final episode, the champion will come to treasure the objects left behind by the physical therapist. Notice that he didn’t throw away the letter. By keeping them, the athlete would show how much he appreciates Kim Dan. In addition, the letter is wishing him well, which no one has expressed so far. The letter oozes trust, confidentiality, admiration and closeness. Hence I deduce that at the end, Joo Jaekyung is heartbroken, though he can not clearly voice his emotions. 
(Chapter 17) Then when he brought the physical therapist to Heesung’s home, he used the GPS, a sign that he was not familiar with the route. 
(Chapter 33) Interesting is that when he heard his regular nightly disappearances, he never tried to follow him. 
(Chapter 45) Why? It is because he was always back in the morning. Furthermore, despite his exhaustion, the physical therapist was still following the daily schedule. Because Kim Dan wanted to keep it a secret, the champion was forced to feign ignorance. Thus he couldn’t question him about his whereabouts. In addition, I can also envision that he must have thought that it was related to his grandmother. Don’t forget that he experienced once how the doctor had left his side due to a phone call in the middle of the night. 
(Chapter 21) Since the athlete’s life is revolving around routine, I am quite certain that he must have jumped to conclusions based on his first experiences… the birth of prejudices. Thus I have the feeling that Park Namwook’s biased perception concerning his champion is also influenced by their first meeting and experiences. It is important, because such a mentality fixated on daily schedule represents a hindrance for the mind. Routine often leads to close-mindedness and lack of critical thinking. At the same time, this new interpretation explains why the athlete got so worked up and upset, when he received the golden chain. 
(chapter 16) He wondered why the athlete had kissed him, which made him realize that it was his first kiss. Therefore I come to the following deduction. Joo Jaekyung will be forced to discover his lover’s like and dislike which will incite him to become more honest about his own desires and passions. We have an allusion to this development in season 1: 
(chapter 27) Thanks to his companion, he remembered how much he likes swimming! He had totally repressed it. To conclude, Joo Jaekyung’s travel shouldn’t be just perceived as a journey to the West Coast and Kim Dan’s side, but as an inner journey! He is on his way to discover himself and reconnect to his childhood, or better said to his inner child. This signifies that he is actually following Shin Okja’s footsteps which is regression to childhood. 
(chapter 22) He would have the opportunity now to verify this statement. 
(Chapter 27) 
and humorous fighter in season 2. Since he is suspended, he can no longer associate sex with fighting! He has now time to enjoy life. He has someone by his side watching his back. He can now learn how to relax. He should come quickly to the conclusion that his career doesn’t represent his life. He could do other things. He is no longer fighting against time, as the latter has been suspended: 3 MONTHS! The god Saturn, Kim Dan, will teach him the true value of time. And that’s how Park Namwook will lose his boy to the physical therapist. 
(chapter 1) The problem is that Kim Dan blamed himself for his suffering, as he must have often not paid the interests on time. That’s the reason why he got surprised, when he saw his enemy in front of his humble home. 
(chapter 1) Due to the lack of rest and time, he didn’t have the opportunity to ponder on his life and even have dreams on his own. Therefore he had no ambition. At the same time, he couldn’t become energetic and proactive due to his low self-esteem and his abandonment issues.
(chapter 26) This represents the highlight for the first season. For the first time, both characters had fun together. That’s how they got one step closer to each other. The fighter was enjoying this moment, as he was teaching Kim Dan to become more proactive and fight for himself. The sparring represents the opposite version of the athlete’s vision (chapter 29). He felt safe next to Kim Dan. In fact, his presence boosted his confidence. 
(chapter 7) Thus he keeps beating the celebrity. 
This shows that Park Namwook has no real respect for the champion. According to my theory, the athlete comes from a wealthy family, hence he is labeled as “spoiled kid”. Due to his social status, the manager can only judge the main lead as “lucky”. Besides, he is successful, for he earns a lot of money and has many fans. He embodies the “American Dream” perfectly. He has everything to be happy in the manager’s eyes. Therefore he couldn’t comprehend the bad mood from the champion. Moreover, Park Namwook embodies social norms and prejudices, and he has many about his star. Not only the latter has a bad temper, but also he is a stubborn workaholic. 
(chapter 27) But by portraying him like that, the coach gave us a justification why he wouldn’t converse with the gym owner. Why should he talk or listen to Joo Jaekyung, if the latter is stubborn and obsessed with his work? It is pointless. And such an attitude could only get reinforced in this scene: 
(Chapter 26) Oh Daehyun repeated this story, because he had heard it from someone and that can only be from the manager and coach. And it is the same for Kim Changmin either, for the two aren’t long members from the gym. They are not close enough to know the celebrity’s past. These stories must have been spread by the hyung. In my eyes, Park Namwook views himself as Joo Jaekyung’s savior, because Joo Jaekyung 
(chapter 26) could have become a criminal. Nonetheless, it is an illusion, for MFC is connected to the underworld.
(chapter 46) Despite his attitude, Joo Jaekyung still listened to his hyung’s warning, for from that moment on, he kept his distance from everyone, including the physical therapist. But there’s more to it. Park Namwook keeps associating his star with “good luck”. 
(chapter 1) 
(chapter 27) This represents the exact opposite of the star’s jinx. It shows that he is not trying to understand his celebrity. With such a mind-set, it is normal that the champion wouldn’t trust his manager. And the absence of the manager in this panel 
(chapter 33) The latter truly worries for his star, although he is well aware of his shortcomings. 
(chapter 30) In addition, he knows about his private life and love life. 
(chapter 31) Despite his struggles, he accepts his actor. This is the symbol for unconditional love and support. Therefore it is not surprising that Choi Heesung confessed his trick. He was sure that his right-hand wouldn’t betray him. What about the champion? When the latter discovered the verity
(chapter 33), he didn’t report it to his hyung. He also kept it a secret. That way, he was not only protecting Kim Dan’s misdiagnosis, but also Park Namwook’s misjudgment. On the other hand, he acted as a real boss, for the comedian is an important client. 
(chapter 40) However, he is far from being a honest man. How so? First, he describes himself as the owner of the gym which is not true. 
(chapter 23) He promised the fighters that they would win, but the reality is that they failed terribly. 
(chapter 47) Therefore he bought chicken for them. Instead of showing compassion and understanding for his hungry and miserable champion, he allowed Potato and Oh Daehyun to buy junk food behind the celebrity’s back. 
(chapter 23) He never confronted the members with the truth. They lack skills 
(chapter 46) or endurance. I would even say that neither Park Namwook nor Jeong Yosep had high expectations for the other members from Team Black
(chapter 46). It was, as if they didn’t have the goal to create a new champion. How come? It is because the gym was initially created for Joo Jaekyung’s needs. And now, Jinx-lovers comprehend the dilemna. Team Black needs to redefine itself and its purpose. Moreover, Park Namwook’s true wish is to open the gym for “kids”. And that’s how he treated the staff from Team Black, like little kids. No wonder why many left the gym in the end. They didn’t feel truly supported by the manager and coach. Jeong Yosep and Park Namwook didn’t put any real effort to turn the members into professional fighters. That’s the reason why none of them had a MMA manager, only a coach and nothing more. 
(chapter 49) He claimed to trust the champion, but the reality is the opposite. 
(chapter 52) He blamed Joo Jaekyung for everything: the tie, the doctor’s departure, the suspension and as such the loss of his good reputation. However, even if the champion had vented his anger onto the physical therapist wrongly, he had reasons to doubt Kim Dan. He had not only received the pictures, but he had been warned by the coach himself to doubt the members’ loyalty. There was a spy and a traitor among Team Black. One detail in the last panel caught my attention is the idiom “facts”. It is in plural and not in singular. Fact could be seen as a reference to his own warning, he had not checked the fact either (rumor, suspected disloyalty), yet this is not what he meant. Potato had exposed only one fact to the group: the switch of the spray organized by Choi Gilseok.
(chapter 52) So what other fact was Park Namwook referring to? The fighter Baek Junmin and director of King Of MMA had paid Kim Dan. This shows that he had heard the conversation between the two protagonists. 
(chapter 52) And what did the manager do, after the champion had left the room? He abandoned Kim Dan, followed by the other men. At no moment, he asked Oh Daehyun or Yoon-Gu to take care of the physical therapist. But by following the celebrity or remaining passive, they had implicitly supported Joo Jaekyung’s decision. They had taken his side. And now, you comprehend why all these men chose to put the whole blame on the celebrity. 
(chapter 1) 
(chapter 49) He should be responsible for his contracts, yet the reality is that the Entertainment agency is the one managing the champion’s career. 
(chapter 30) This shows that Park Namwook doesn’t have a lot of connections. He should be the one organizing the fights, but no… others are making the propositions (MFC matchmaker and agency). Consequently, the ex-wrestler often voices doubts about the matches. 
(chapter 41) However, as his manager, it is his duty to protect his star, as the career of a MMA fighter is rather short. Imagine, he let Joo Jaekyung fight three times within 3 months (April- June- July). It is definitely too much. To conclude, he is not doing his job properly, as he is trying to put a lot of responsibility on others (Kim Dan- Joo Jaekyung – the Entertainment agency). According to Mingwa, Kim Dan had been taking care of administrative tasks. However, as the director of Team Black, he should be the one handling it. After the incident at the health center, Park Namwook didn’t contact the press to explain the whole situation. 
(chapter 52) The article is indicating that the champion was quickly judged and this within a few days. The article implies the non-intervention of a lawyer or his manager. No one sided with the celebrity. They are not even contacting the media. 
(chapter 52) Park Namwook never tried to correct this negative reflection, for this is how the manager perceives the man himself. He is an ill-mannered child. This explicates why Park Namwook could slap the patient in his bed. So we should judge the argument between the fighter and his manager 
(chapter 52) as the negative reflection from that blue night. 
(chapter 29) He is not standing next to the main lead, but he is facing him. He is like an opponent. Another divergence is that Kim Dan was alone, whereas Park Namwook utilizes Potato and the others from Team Black to corner Joo Jaekyung. The doctor was willing to listen to him, whereas the other gets upset, when the other admits his suffering. Since the gym is facing a crisis, the patient should find a solution to the problem. 
(chapter 52) The hospital is a place for reconvalescence, rest and not work and pressure. Indirectly, it shows the coach’s lack of respect for the medical world. The champion was right to criticize his hyung, for blaming him was totally pointless. He couldn’t turn back time. The manager desired to hear from the champion 
(chapter 52) that he regretted his decision and outburst. By admitting his mistake, he would have become responsible for the whole mess. Funny is that he asked compassion from Joo Jaekyung, whereas he showed none to the patient. And what was Kim Dan thinking during that night? 
(Chapter 53) Moreover, he had not earned his patient’s trust. Kim Dan was the only one paying attention to his injured shoulder. 
(chapter 52) And the only solution he offers to the gym owner is to find a new PT during his a break. 
(chapter 52) resembles a lot to the image with the opponents. 
(chapter 22) Besides, by announcing it in front of this circle, the champion divulged that there existed a certain distance between the manager and the sportsman. Finally, the fact that Park Namwook is still left in the dark about the fighter’s jinx is the evidence that he is a really bad manager. For me, it is because he is afraid of making decisions. He lets other take his burden and responsibilities. Yet, Myles jury declared that a manager needs to take a lot of responsibilities. The gathering in the break room stands in opposition to this one: 
(chapter 52) For the first time, the champion is no longer looking at his cellphone. He shared his thoughts to others and exposed his powerlessness 
(chapter 40) These two situations have many similarities. Both were confronted with an accusation, they were surrounded by people, who were acting as righteous and honest workers. Both were coerced to admit a wrongdoing. In addition, they are actually abandoned by Team Black members, especially the manager. No one is looking for them out of concern. The reality was that they were not their “true colleagues and even less friends. However, like mentioned in a previous essay, the men in black were actually covering up a crime in order to hide the corruption from the organization. This makes me truly wonder if Park Namwook is truly ignorant about MFC’s corruption. He could simply know about the crimes, but he chose to close an eye to the whole situation. 
(Chapter 46) He is already aware of the existence of illegal betting. Besides, since Joo Jaekyung is paying his taxes properly, Park Namwook could have the impression, he is doing nothing wrong. However, if he knows something and is remaining silent, he “becomes an accomplice” de facto. And what is the other common point with the interrogation from MFC security guards and the hospital visit? No lawyer and the incident was swayed under the rug. 
(chapter 40) He had rescued him. So by slapping the champion
, (chapter 29), I deduce that the slap had the opposite effect than this wonderful night. The gap between the hyung and the athlete got bigger. This represents the moment where Joo Jaekyung is emancipating himself from the hyung’s influence. By refusing the letter of resignation, he clearly indicates that he is rejecting Park Namwook’s suggestion.
(chapter 30), but failed due to his roughness and cowardice. Hence I assume that the slap was the trigger for the champion to switch Park Namwook’s position with Kim Dan’s. The latter is finally recognized as a friend and even as a competent physical therapist. He is on the verge of becoming Joo Jaekyung’s “hyung”. So far, the athlete has been calling the physical therapist “Kim Dan”. And exactly like that wonderful night, Joo Jaekyung will attempt to seek the doctor’s closeness, resolve the misunderstandings and close the gap between them. He will follow his footsteps, but have a different attitude. Why? It is because the grandmother will be next to them.
(chapter 49) He was no longer relying on the ritual. 
(chapter 43) So when he discovers the empty bedroom, he is forced to admit that he had become a part of his life. He had liked Kim Dan’s company. 
(chapter 19) Yes, we should see episode 53 as the negative reflection from chapter 19, the doctor’s arrival at the penthouse. 
(chapter 53) Here, what Kim Dan saw was not the real sunset, but the lights from the cameras. Far away from the lights from the journalists, the champion will witness the beauty of a sunset, which can not be bought with money. 
(chapter 37) or sightseeing attractions. Here, I feel the need to add this French song from Daniel Balavoine (1985): “Aimer est plus fort que d’être aimé” (Loving is stronger than being loved”).
(chapter 21). By interacting with Kim Dan, he will be able to reconnect with his true self which will change him forever. Notice that after the night in the States, at no moment, the champion mentioned his jinx, but spoke about his physical health. In reality, he was including his mental health. This shows that he was already moving on from his jinx. Moreover, after the tie and the suspension, he is not mentioning or thinking about his former belief. The reason is simple. Because of the doctor, the champion was allowed to perceive glimpses of the truth: corruption and the existence of tricks. This image 
(Chapter 48) represents the medicine against the champion’s false belief. Moreover, by making him meet his former rival Baek Junmin, the athlete was incited to overcome his past and biggest fears. 
(chapter 26) The more he spent time with the celebrity, the more confident he became. He was able to voice his opinion and he started becoming more passionate about his job as PT. He studied sports rehabilitation, a sign that he was taking the champion’s career seriously. So when he wrote these words to his soulmate
(Chapter 53) Here, I feel the need to remind my avid readers that though the doctor was victim of a trick, he was not entirely innocent either. He should have come clean with the champion concerning his meeting with the director from the rival gym. His lie still played a huge role in the champion’s mistrust. But why did he not tell him later? It is because he was under the influence of the manager. 
(chapter 48) The hyung had been his mentor and advisor. Thus he copied his actions and followed blindly his recommendations. 
(chapter 41) At no moment, he questioned his words and honesty. 
(chapter 43) How could the athlete be kinder to his own body, when his hyung was slapping him constantly? He was definitely pressured by the former wrestler. This shows that the 29 years old man is lacking critical thinking. On the other hand, we can not blame Kim Dan for trusting the man so blindly, as Joo Jaekyung was behaving the same way. Yet, the fact that Kim Dan cries
(chapter 45) Both knew how the champion disliked the birthday and the gifts, but they still chose to ignore the man’s feelings. He believed every word Park Namwook said about the champion in the end. Hence for me, the doctor’s decision to quit was not simply the consequence from champion’s request and reproach, but also from the manager’s indifference and ignorance. At no moment, he contacted him showing that he was necessary for Team Black. His silence and passivity could only be interpreted as a disapproval and rejection.
(chapter 44) The intimacy is rather superficial, for it is limited to pleasure and sensuality. This has nothing to do with the partner’s personality. Secondly, during that night, the champion was drunk. In season 1, both protagonists only discovered physical closeness without sharing their thoughts and emotions 
(chapter 44) He never told the athlete that he was so cute or handsome. He kept his thoughts and happiness to himself. The only moment they shared real intimacy was this night: 
(chapter 29) Moreover, during that sex session, the athlete employed dirty talk. 
(chapter 29) It was not to express affection.
(chapter 2) prostitution and rough sex. He never experienced true romance and the birth of “first love”. The courting and seduction were totally absent. His first kiss is connected to fighting, pain, survival and protection. 
(chapter 14) It had nothing to do with innocent and pure love. For me, Kim Dan didn’t have the time to fall in love with the champion properly. He could even say that his affection is related to his job and he could reduce it to mutual physical chemistry. Thus I deduce that he became a ghost again for one reason. Both need to experience the innocent first love. In other words, we should expect a new version of this magical night: 
(chapter 20) Till that moment, he lived like a ghost. He had been trying to deny the existence of his own body. And how did the athlete describe his lover in the bathroom? First, he compared him to a whore 
(chapter 44) There should be no drug or no time pressure!! However, there exists another reason why I have such an expectation. First, the grandmother should be close to them. Her presence should represent a hindrance, as the latter is falling back into childhood. Secondly, right from the start, Joo Jaekyung was under the spell from Kim Dan. 
(chapter 1) He was so attracted to him physically, hence he didn’t pay attention to his partner’s personality. In fact, he had a negative perception of his nature: 
The hands are no longer fists used to express anger and resent, but they are wide open, they are expressing love and tenderness. They will convey a different message: respect, teamwork, and communication. Finally, through such gestures, both are able to reconnect. The hands are encouraging them to express their own thoughts and emotions. They are giving them reassurance and confidence. Season 2 stands for sharing, honesty and communication. Expect a revolution at the gym!
(chapter 140) 
(chapter 149) Both were suffering from survivor guilt. To conclude, Joo Jaekyung and Kim Dan represent the bitter medicine for their scars. I mentioned “bitter”, because through their loved one, they are forced to face painful moments. That’s how they can overcome their past and discover happiness. However, while looking for a new title, I rediscovered the first illustration 
, and it suddenly made click in my head. To conclude, I had another revelation concerning episode 50.
. (chapter 50) At first glance, the champion is blaming Kim Dan for the wound. He betrayed him. However, his words could have a different signification. Don’t forget that a message always has 4 sides according to Schulz von Thun. 
Consequently, while many saw this question as a “factual information” and as such as an accusation, the reality is that it gave us an insight about the sender too. The sportsman was not using the personal pronoun “I” or “me” in his inquiry. As you can see, the absence of the personal pronoun is indicating that Joo Jaekyung was in reality not referring to him and his wounds. He is not prioritizing himself, rather the doctor and his action. So this question could be prompted by curiosity or a desire to understand the person’s recent activities. Thus I deduce that the champion was asking his lover to tell him the truth. He should come clean. He desired a honest explanation. His attitude reminded me of an adult confronting his child.
(chapter 51) But note that he never accused Kim Dan of assault, but of leaking information. That’s the reason why I don’t think that this inquiry “What have you done” was about seeking accountability. In that case, he wouldn’t have rejected the doctor’s offer. By letting him treat his wound, Kim Dan would have become responsible for the injury. 
(Chapter 50) It becomes comprehensible why the Emperor refused the offer. The rejection was the symbol of his “trust” in Kim Dan unconsciously. Astonishing, right, though people and Kim Dan had the opposite impression. Yet, because of the “tie”, Kim Dan felt responsible for the incident, therefore he apologized. 
(chapter 51) This means, the main lead recognized his responsibility. He should have checked the spray more carefully. The champion could perceive this excuse as a confession of his complicity. Hence he asked his lover if he was the spy. 
(chapter 51) This signifies that in episode 51, he dared to question his physical therapist’s loyalty. Yes, we have another “Truth or Dare” in episode 51.
(chapter 50) This is the face of a scarred man. Yet, contrary to the past, he is not expressing his fear through rage. That’s the reason why his emotions were controlled. Under this new light, Manhwaworms grasp why the athlete asked such a question from his soulmate: 
(chapter 51) Interesting is that he was more pained by the idea of a betrayal from Kim Dan than the tie, if you compare these two panels: 
(chapter 51) He could sense the wound in doc Dan’s voice and gaze. It is important, because the sentence “You don’t trust me?” is actually constructed like a statement and not like a question. It only becomes a question through the tone. Through the latter, the champion could detect his partner’s genuine pain. The wounded tone could only move the champion’s heart. Kim Dan dared with a single question to shake the fighter’s confidence. No wonder why he reacted badly. 
(chapter 51) Thus Kim Dan could overcome this shocking but terrible discovery: he hadn’t earned the full trust from Joo Jaekyung yet. 
(chapter 51) As my avid readers can see, my perception about chapter 50 was confirmed with episode 51. The arguments in the locker room were reflecting the quarrel in the penthouse with Choi Heesung. What is the common denominator between these two scenes? The lack of trust from Joo Jaekyung, but his private PT failed to realize it in the penthouse. Why? It’s because he chose to trust his destined partner.
I believe you = I trust you 
(chapter 15) He told him something that he didn’t know. Note that after the terrible meeting with the actor, Joo Jaekyung couldn’t even find the answer himself: 
(chapter 35) He was still clueless about the trigger for his behavior. With this inquiry “You don’t trust me”, the hamster pushed his destined partner to face his biggest fear: trust someone and in particular him. This conversation can only incite him to meditate about their relationship. So while in episode 15, he behaved like a pouting child 
(chapter 15), in the latest episode, Jinx-philes can perceive his growth and maturity. 
(chapter 15) This painful incident was a wake-up call Thus I come to the following deduction. Kim Dan will try to earn the champion’s trust, whereas the champion will be forced to take a leap of faith towards Kim Dan. Contrary to episode 34, the champion could see the truth directly through the doctor’s gaze and voice: 
(chapter 34) As a conclusion, while the champion thought that his loved one had dared to cross the line, he was confronted with truth. He was biased and mistrusting his room mate and PT. This shows that though dare was the opposite choice of truth, the fighter ended up to be confronted with verity.
(chapter 34) These questions were all rhetorical: 
(chapter 34) This signifies that in the sauna, truth was not standing in opposition to daring. The sauna reminded me of the cavern where an imugi hides, until the latter leaves its hidden place and find his star, his yeouiju. Only then, he can turn into a dragon. To conclude, because of Heesung’s pressure, the imugi had to select between daring or lie. In other words, telling the truth became the challenge itself. Heesung knew that Joo Jaekyung would never confess. 
(Chapter 34) What Heesung wanted was actually a lie by omission or commission which would have been presented as the truth. Through this game, the actor thought that he could impose his will onto the celebrity. He anticipated the athlete’s silence. This signifies that he knew about the star’s denial and turned it against him. Besides, that way Heesung could maintain his good image: he had not stolen his partner and as such there was no cheating. No one was betraying him.
(chapter 34), but also his hand.
(chapter 34) He caught the actor by surprise, the latter never thought that the celebrity would become violent. The redness on his face was displaying that he was barely controlling his annoyance and impatience. 
(chapter 34) However, they were in a public place, the hotel’s sauna, and the actor is a celebrity. Hence he is protected by his fame and social status. That’s the reason why the champion didn’t hit his frenemy, he had learned his lesson at the gym. 
(chapter 34) Despite his words, the gumiho still got scared. The racing of his heart is an indication of his fright. Therefore he ran away more or less after ordering his trainer not to meddle in his love life. 
(chapter 34) Note that when he did this, he avoided his counterpart’s gaze. Deep down, he knew that he shouldn’t provoke his frenemy too much. Only when he was at the door, he turned around and LIED! 
(chapter 34) Yes, after that incident, he chose to give him a fake excuse for his departure. As you can see, this conversation was strongly intertwined with the notion “truth or dare”, but both ended up lying. Whereas the champion didn’t admit any feelings, the other acted, as if there was nothing wrong and he was not scared. The gumiho thought that if he were to remove the champion from the doctor’s side, the latter would be able to open up to the actor. 
(chapter 34) What does it reveal? The actor had been projecting his own thoughts onto the future dragon too. He was the one who didn’t dare to become more honest with the physical therapist. He used work to spend time with Kim Dan. One might say that Heesung failed terribly. Yet, this is just an illusion, because his “failure” pushed him to become more honest with Kim Dan. Thereby he asked to meet the doctor again. 
(chapter 34) Yet, the message is exposing that Heesung was still lying, as he kept using work as an excuse. Hence Joo Jaekyung had to intervene again: 
(chapter 34) The champion dared to challenge his rival. 
(chapter 35) Yes, by challenging the athlete because of Kim Dan, the comedian ended up telling the truth. 
(chapter 34), but his anxiety reached a new peak, the fear that he might be abandoned. Hence he used the sandbag to vent his temper. And what did the cute puppy do during that incident? He dared to offer his help to his idol: 
(chapter 34) He was not telling the truth, when he stated that Kim Dan was his “possession”. This explicates why he couldn’t stay by the doctor’s side 
(chapter 34) in the end. He manipulated the main lead by letting him think that he had no other choice. Yet the last panel displays his trick. It was up to the doctor to decide how he should spend his free time. Nevertheless, while people were mad at the champion for his deception, many failed to realize that the champion was actually deceiving himself. So all the tricks (episode 33 and 34) were manifestations of avoidance, the fear to face the truth: his affection for Kim Dan and this due to a past betrayal. Hence these chapters stand under the sign of silence hidden by “pranks”. 
(chapter 35) On the other hand, the artist could only tell one part of the truth: the presence of feelings. However, the deceptions in the penthouse exposed something else: 
(chapter 45) or left the doctor in the locker room in episode 51. 
(chapter 40) 
(chapter 36) And exactly like at the sauna, daring became a synonym for verity. No wonder why the fighter is never rejecting the challenge. It corresponds to his past attitude: he has been burying the truth and as such the past. But let’s return our attention to the plotters.
(chapter 29), the journalist without a face 
(chapter 47), then he recognized the director without naming him, 
(chapter 48) and finally the ghost from the past 
(chapter 54). These characters are all connected to “Truth or Dare”. 
(chapter 50) This scene exposed that the champion repressed a certain incident which is rather common among victims of a trauma, especially people suffering from PTSD. This shows that some traumatic event took place for quite some time, but the champion acted, as if nothing had happened. 
(Doctor Frost, chapter 140 ) That’s how the champion became a zombie, he couldn’t live properly due to his untreated scars. 
(doctor Frost, chapter 139) But thanks to his fated partner, the traumatic past is slowly coming to the surface.
(chapter 48) Should the athlete remember this night, he will realize that he was the one dismissing his physical therapist, although the doctor could have come clean later. At the same time, Joo Jaekyung’s attitude could be mirroring the parent or guardian’s in the past. They didn’t have the time or the inclination to listen to their son, hence the traumatic incident got buried. 
(chapter 47) and voice his true thoughts and emotions: 
(chapter 45) He lied, when he portrayed himself as grateful. He was avoiding his gaze either. No wonder why the fighter got even more mad and threatened to fire him. Such an attitude could only increase the celebrity’s mistrust, as the latter could discern a certain dishonesty. 
(chapter 49) The latter didn’t even greet the director or acted, as if they didn’t know each other. He exposed the existence of a secret, an uncomfortable secret. Consequently, I believe that the champion could only jump to the conclusion that Kim Dan had been indeed acting behind his back, even coerced to do something. 
(chapter 51) Note that the star never came clean with the truth either. 
(Chapter 35) Through the doctor, the champion is encouraged to become honest to himself.
(chapter 33) Simultaneously, it exposes that the champion has a secret, which is strongly intertwined with betrayal, love, money and deceptions. I couldn’t help myself thinking of “blackmail”. Kim Dan had been coerced to do something, as the director was holding something against him. Hence we have the question: “what have you done?”. Remember how the actor chose to approach the angel. 
(chapter 31) He tricked his boss by faking an injury. He put the gym under pressure, as this incident could be leaked to the outside. The whole situation reminded me of blackmail. If he did not follow his request, there could be a scandal. That’s the reason why I believe that the champion’s past is linked to blackmail as well. How is it possible? It is because of the game “truth or dare”! The latter is strongly intertwined with divulging information and crossing the line!! To sum up, this game embodies trauma, secret, leaking information, trust and overstepping a boundary or rule. This observation brings me to my next point.
(chapter 9) And what did happen after they left the restaurant? The champion discovered the truth: 
(chapter 10) 
(chapter 34) “Are you drunk?” With this question, the protagonist revealed something about himself. He associates dating and love confession with drunkenness. He implies the existence of a lie. But a confession is strongly associated with verity and sincerity. On the other hand, for the sportsman, no one in his right mind would admit to be in love and in our case to love another man. For me, one part of the problem is that the champion is afraid of admitting his homosexuality. The latter is still a stigma in South Korean society. But there’s more to the game Truth or Dare. If you paid attention to the origin of the last quote, you will realize that this fun is linked to bullying and even hazing.
(chapter 57) There is one leader and the others are following the flow, the latter even become more proactive by making new bets and suggestions in order to ensure their own safety. As long as no one divulges the truth, the bullies are safe. But there’s more to it. Striking is that the way they coerced the champion to fight resembles to bullying too. He was manipulated with the articles, then with the advises from the lawyer and manager. Once in the States, they tried to drug him, which corresponds to a physical assault. 
(chapter 37) Finally, note that the schemers are working in teams exactly like the bullying students. Therefore I judge Park Namwook’s attitude as the teacher’s who is closing the eye to the truth. He is rather passive and puts the whole responsibility on his “boy”. 
(chapter 37) Interesting is the athlete described this night as a party which made me think of a students’ party. Therefore I couldn’t help myself wondering if the champion didn’t go to college, but due to an incident, he was forced to drop out. And the latter could be related to a party organized by students. The latter chose to cover up the incident by remaining silent. I would like to outline that the doctor got fired, though he was actually sexually harassed by his superior. The nurse never testified in his favor, she chose to close an eye to the crime. 
(chapter 1) It is important, because it implies that Kim Dan avoided to socialize and participate in gatherings. Interesting is that in season 2, Jinx-philes discover that Kim Dan had been bullied in the past. 
(chapter 9), yet Park Namwook made sure that the physical therapist wouldn’t be abandoned drunk. Thus he tasked his boss to bring him home. And as for Potato, it is clear that Oh Daehyun would take care of him, as he was sleeping in the dormitory next to him. In other words, no one was left behind drunk. But this scene contrasts so much to episode 43. First, no one was missing Potato. No one asked about his absence. Secondly, pay attention that the fighters invited Kim Dan to join them for another round, while they were neglecting their boss, though it was his birthday party. 
(chapter 43) Moreover, they never wondered about his physical condition. Was he drunk or not? Funny is that the intoxicated character was the one who forced Kim Dan to go home. 
(chapter 43) That’s what a friend is supposed to do.
(chapter 35) So the auntie could keep an eye on the judo fighter, and it was only a matter of time, until his friend would return. Nevertheless, this scene is implying a certain problem: a drunken person shouldn’t be left unguarded. Thus imagine that during a party, an unconscious person is brought to a room and left there unguarded, as the friend desires to keep partying, similar to this scene: 
(chapter 37) The person could get sexually assaulted, and no one would notice it. Secondly, I would like to outline that the hazing party from the article reminded me a lot to bullying. These freshmen were humiliated, and the perpetrator excused her behavior behind traditions and social norms. So the champion could have been betrayed by a friend, as the latter would have justified his action similarly. So instead of admitting his mistake, he could have justified the incident like this: the victim was responsible for his misery, because he was at the wrong place at the wrong time. It was just his misfortune or better said his jinx. Yes, for me, the jinx is indicating that people responsible for the champion’s traumas were denying their wrongdoings.
(chapter 8) From my point of view, this place is not just symbolizing purification and reflection, but also indicating the presence of a wound. As soon as I connected the bathroom and as such water to pain, all the champion’s past behavior appeared in a different light. In episode 3, when he went there, he was wearing his pajamas. 
(chapter 3) Neither Kim Dan nor the protagonist were seen both naked in the shower room. 
(chapter 8) 
(chapter 20) 
(chapter 30) Therefore I perceive the champion’s last comment as relevant. In my opinion, Kim Dan’s gesture reflected the champion’s mind-set. So by saying this, Joo Jaekyung was forced to admit the absurdity of such an attitude. Therefore Manhwalovers can understand Joo Jaekyung’s annoyance at the sauna. He imagined that he would be alone there. 
(chapter 34) He feels uncomfortable naked around people… As soon as you connect this place to a wound, my avid readers can finally better interpret the champion’s irritation in episode 36: 
(chapter 36) Kim Dan’s entrance could be perceived as a violation, for the champion was naked. This intrusion caught him off-guard. But since his gaze was covered, his anxiety masked behind his anger was diminished. On the other hand, this led him to leave the bathtub undressed and have sex in the kitchen. 
(chapter 27) Under this new perspective, I don’t think that it is a coincidence that the champion felt the need to take a shower after meeting Baek Junmin and recalling the past. 
(chapter 49) This helped him to overcome his trauma and past wound. 
(chapter 8) they dared to have sex next to Oh Daehyun and the other fighter. However, note that in all these scenes, neither the doctor nor the champion were honest. They were both lying… not only to their counter-part, but also to themselves. 
(chapter 51) doesn’t represent the final moment where both main leads opened up their heart and mind to each other. They were not truly honest to themselves and to each other. There was no water… and according to me, the spray was a pepper spray, so the champion’s ankle should have been cleaned and not simply covered. For me, both characters need to prove their trust and loyalty to each other. But they are moving in the right direction, for Joo Jaekyung divulged a huge information to Kim Dan. 
(chapter 7) 
(chapter 70) His sexual orientation was exposed in high school, his friends were behind the rumor 
(chapter 70), although we have to envision that his crush played a huge part in it. Why? It is because he didn’t want to be associated with homosexuality. 
(chapter 70) Not only he cut off ties with him, but also he made sure to isolate the main lead from other students. The worst is that this person acted, as if this ostracizing had never occurred. 
(chapter 69), as if he had done nothing wrong. For me, it shows that the traitor never grasped the significance of his actions. Hence Park Sung-Woong could forget Dong-Gyun, while the latter could never forget him at all. The result from this huge betrayal was that the cute uke decided to keep his distance from people. 
(chapter 70) He could no longer trust people, he avoided meetings. In order to outline how severe betrayal trauma can be, the Webtoonist showed us the immediate effects of betrayal trauma: physical and emotional reactions 
(chapter 70) 
(chapter 70) and the long term effects: 
(chapter 69) he is trembling so much, he can not look at his former friend. Readers shouldn’t underestimate the issue. Betrayal trauma is so severe that it is comparable to being hit by a white truck. The pain is so great that it affects the brain functioning and as such personality.
(chapter 05) Then when he stayed at home,
(chapter 33) Interesting is that this trauma resembles a lot to PTSD.
(chapter 49), the latter was not loved, as he didn’t reach the first place like his older brother. Then we have Interpersonal with Nam Dong-Gyun and his high school friend. However, since the rumor circulated at school, and no adults intervened, we could see it as a reference to Institutional betrayal. Finally, Mingwa presented the last type (partner) with Hweemin. 
(chapter 51) But why is betrayal trauma so severe? It is because everything appears as a lie, as an illusion. All the memories become tainted. The victim can only question his own senses and judgment. How could he not detect the lies? Since PTSD and betrayal trauma share some common points, it is not surprising that such persons come to blame themselves and develop huge self-loathing. 
(doctor Frost, chapter 139). And now, it is time to expose my latest observation: 
(BJ Alex, chapter 51) Ahn Jiwon caught his first lover cheating on him at a club. Interesting is that the new lover resembles a lot to Joo Jaekyung! Mingwa said that characters from BJ Alex will only appear, but Jinx is not connected to her previous work. Note that they were kissing in a public place. Moreover, the club is a location where students not only meet, but also drink alcohol together. However, once Jiwon saw Hweemin, he dragged him outside so that they could talk. In other words, the “new lover” was left behind. Thus I come to the following conclusion. Joo Jaekyung has been suffering from betrayal trauma exactly like Ahn Jiwon. He was betrayed by his guardian 
(BJ Alex, chapter 51). If this theory is true, then Mingwa would finally outline the devastating effects of Betrayal trauma on people, something she barely touched in her previous work.
(chapter 51)
(chapter 23) On the other hand, the physical therapist has always been associated with a hamster, like in this image. 
So how did I come to connect the main lead to a puppy dog? 
(chapter 47) It is because Shin Okja called her grandson “her puppy dog”.
(chapter 47) Yet, a puppy embodies innocence and inexperience. Thus it needs the guidance of a mother. On the other hand, in my essays about the doctor, I kept describing him as a person who would constantly grow and mature. So “a puppy dog” would appear as a contradiction to my previous interpretation. Nonetheless, we shouldn’t forget that this was representing the grandmother’s desire. By turning him into a puppy dog, she expects from him obedience and loyalty. She is denying his right to determine his own life. He needs to follow its master. Hence this scene announces a certain regression for Kim Dan. On the other hand, I believe that this is just temporary. What the elderly woman didn’t know is that by linking him to a dog, she was freeing Kim Dan from society as well. He is now an animal. He belongs to Nature from that moment on. This animal symbolizes freedom and independency. So when the grandmother described him as a puppy dog
(chapter 53). On the other hand, she was also cutting off ties with him symbolically. She was also liberating him from any obligation and expectation, as her favor was linked to a single moment: watching the sunset once again. The moment he does this, she can no longer ask for a new favor, especially after admitting him that she had never done anything for him. 
(chapter 48) Furthermore, Jinx-philes could observe how the doctor had followed his instincts during the conversation with Choi Gilseok in different panels, like for example in this image. 
(chapter 48) The idiom “fishy” is a reference to smell, indicating that he was relying on his own senses. But we have another evidence that the puppy dog was using all his senses to judge his counterpart: 
(chapter 48) He rejected the touch from Choi Gilseok. That’s how he could detect the director’s hypocrisy. He refused to drink the coffee from the senior, although it had been recommended. As you can imagine, all his 5 senses were on alert, and the latter are strongly intertwined with instincts. In addition, when he asked his counterpart to go to the point and speak frankly 
(chapter 48), he was urging Choi Gilseok to drop all manners. Yet, Manhwalovers should keep in mind that the synonyms for manners are etiquette and ceremony. This proves that manners stand for civilization. But what are good manners?
(Chapter 48) This means, he was disrespecting the elder. However, his disrespect didn’t start at the café, but in front of the gym. 
(chapter 48) He refused to take the card from the director. However, the moment his grandmother was brought up, he became obedient and accepted the invitation. 
(chapter 48) He acted out of loyalty and love for her. Nevertheless, the director’s offer for his halmoni served him to see the truth. His behavior during the conversation exposes the awakening of his wild and rebellious side. Thus we could say, Doc Dan showed more and more his rudeness. He left without asking permission and saying goodbye.
(Chapter 48) To conclude, the conversation displayed that Kim Dan was already following his halmoni’s advice, he was living as a dog. This made me smirk, because I could detect how Joo Jaekyung had rubbed off on Kim Dan!! 😂 
These two characters symbolize true friendship. Thus I come to the following deduction: Kim Dan is about to get truly adopted by Team Black, while it looked the opposite at the end of the season. He might have been wearing a uniform and a jacket Team Black, yet there were signs that he wasn’t truly part of the team.
(chapter 43) The cause for this issue is that Kim Dan was hired as the private Physical Therapist for the champion. He occupies a special position, for he is no fighter. Yet, he did everything to integrate his new family by treating the other members, though it was never his responsibility officially. 
(chapter 47) But for the adoption to happen, he needs to prove his loyalty. How will he do it? Once again… wait for the part with the predictions. Yes, I am taunting my attentive readers.
(chapter 47) In my eyes, Doc Dan didn’t dare to ruin the maknae’s illusion about his idol, though he thought otherwise. His broken sentences and his drop of sweat are revealing his discomfort and skepticism. He was not sure about the success of his VIP client. But Kim Dan as his PT knew about the champion’s true conditions: he is not truly healthy. But why are the fighters so innocent?
(chapter 36) To sum up, he was buying their loyalty. Under this new light, it becomes comprehensible why the coach of Team Black treated Seonho so gently 
(chapter 31) It looks like I am diverting from the topic, as I am now talking about the fighters and the gym. No wonder why most of the members switched the gym, as soon as the champion lost and his reputation got tarnished. Nonetheless, keep in mind that his game with Baek Junmin ended up with a TIE. So it is not a complete defeat. In my opinion, the schemers desired to tame the Emperor, not to ruin him, as they definitely need him to make money. 
(chapter 23) Kim Dan and Yoon-Gu had no task at all. The latter were treated like playmates and nothing more. Hence the manager asked patience from the doctor. 
(chapter 36) He should keep the star company, as no one was willing to be exposed to his sour mood and roughness. To conclude, both puppies were treated the same way: like puppies and not dogs or better said as fighters.
(chapter 52) And since the other fighters from Team Black had never been able to break through MFC, it is not entirely surprising why they made such a decision. With their desertion and the champion’s ruined image, the future of the gym Team Black seems to be sealed: failure. Under this new light, my avid readers can grasp the true signification of this gesture: 
(chapter 49) It was not just about Kim Dan’s fate, but also Team Black’s. Hence he can not quit or run away. This new interpretation made me perceive the entrance of Kim Dan in the arena in a new light. 
(chapter 50) Remember how I said that the locker room had become a temple. Thus I come to the conclusion that he got baptized there. He discovered the power of his hands, similar to this scene. 
(Chapter 14) So when he comes to the arena, he is still following his instincts, unaware of his own metamorphosis. He is no longer a puppy, but a dog. Deep down, he feels that he has to be there despite his agony. He needs to be there in order to protect his home. To conclude, in the locker room, the doctor reached adulthood. Interesting is the chosen perspective from Mingwa. It was, as though he was flying high in the sky, like a yeouiju. 
(chapter 40) In this image, he has to look up, whereas in the other panel, the beholder has the impression that doc Dan is rather standing on the same level than his soulmate, the alpha Jaekyung. However, since the athlete blamed him for the incident and rejected his hand, for Kim Dan, it sounded that he was no longer needed. 
(chapter 53) This exposes that the physical therapist learned through this terrible incident the huge significance of a PT. The latter is the sportsman’s protector. He is the one making sure that the athletes don’t ruin their career. 
(chapter 42) Here, it becomes obvious that he didn’t see his PT as a partner, but as an underling. 
(chapter 40) And that’s how the champion will come to realize that he can not live like before, as Kim Dan can not keep up to him. He is physically weaker. He desires his loved one to always look at him, to never leave his side, to stop living like a stray dog. 
(chapter 48) Yes, these images represent a metaphor of a wandering dog. On the other hand, the shadow below the doctor is indicating that he is slowly turning into a human being out of flesh and blood. He is no longer living like a spirit.
(chapter 53) Observe that the doctor’s shadow is getting bigger. I interpret it as a sign of his growth, and it implies that Kim Dan is leaving traces behind inviting Joo Jaekyung to follow him. In the nature, far away from the city, the wolf should be able to reconnect with his true nature: freedom, but also loyalty and family. Home is no longer a place, but a person: 
(chapter 29) while all the others called Yoon-Gu as Potato. 
(chapter 9) The image divulges us the origin of this nickname: coach Jeong Yosep. Yet, this shows us the naivety from the hyung. And what did the other fighters do? They simply followed the suggestion from their elder: 
(Chapter 23) This shows that he was not infantilizing him despite judging him as a child or “puppy”.
(chapter 35) He stood up, yelled and gave an order to the artist, though he is a junior. No wonder why the other guests turned around and looked at him. But this shows his strength, as he is following his instincts and as such his heart. He has already developed his own moral codex.
(chapter 7) He might have not wounded his partner terribly, but we shouldn’t forget that he was facing the Emperor. To conclude, by calling him Potato, the fighters were misjudging the young fighter. Kim Dan was the first one to identify him correctly. He was a dog, hence he desired to treat the champion as his master.
(chapter 23) His desire was to become the Emperor’s companion and as such best friend. The problem is that he was projecting his own thoughts onto the protagonist. The latter is not a dog, but a wolf. Moreover, Jinx-philes can sense that in his mind, the maknae was viewing the training as a playground. However, for the Emperor, life is like a battlefield, where death can strike at any moment. It is deadly serious. So in the star’s eyes, training has nothing to do with pleasure and fun, but survival. That’s why Joo Jaekyung received punches from his soulmate, a reminder that he needed to be careful. And that’s how Kim Dan earned the athlete’s respect. 
(Chapter 8) I noticed that the champion initially only listened to violence. It was, as if he had internalized this Nature’s law: the strongest prevails. No wonder why the champion didn’t react to Potato’s admiration so positively. 
(Chapter 23)
(chapter 23) Interesting is that she cut the chibi Kim Dan in half. Why? In my opinion, the main lead had not found his true self yet. She didn’t place any puppy above his head as well, because she wanted to keep her readers in the dark. However, let’s not forget that a puppy will recognize another puppy much more easily. Therefore Potato felt jealous and resentful first. 
(chapter 25) Moreover, we should interpret his nightmare like this. The puppy doc Dan had already marked his territory: 
(chapter 25), though in his vision it looked like the roles were switched. The “dog” was the champion, whereas the doctor was the owner. That’s the other reason why Potato was so worked up. He preferred the strong man or beast.
(chapter 25) The latter was trying to learn more about MMA, as he desired to improve his skills as PT.
(Chapter 25) That’s how Potato came to offer his assistance. Interesting is that Yoon-Gu became the teacher for the physical therapist. 
(chapter 25) It is relevant, because the maknae was acting like a sunbae and not like a junior. He was given responsibility. His task was quite important compared to the coffee incident. With such a task, the cute puppy got to learn the importance of PT. This explicates why Potato always paid attention to the protagonist and his duties afterwards. Though Kim Dan had been constantly diminishing himself as physical therapist, in front of Potato he acted differently: meticulous, dedicated and caring. As you can see, this training session had huge repercussions for the chow chow.
(Chapter 25) Hence it is not surprising that Kim Dan chose to repay Potato’s kindness by fulfilling his dream. 
(chapter 25), then he lowered his face like a moping mutt. 
(chapter 25) Because of his sacrifice and generosity, doc Dan became a role model in Potato’s eyes. 
(chapter 31) But how could he judge the actor as a danger? It is because he was using his senses as well. Don’t forget that they had bumped into each other 
(chapter 31) Secondly, since Yoon-Gu is a dog, this signifies that he can not be bought with money or presents either. Hence he could only mistrust the artist’s generosity. It is important to recall that before meeting the “angel”, Heesung would simply offer meals 
(chapter 30) and not expensive stuff like designer clothes or electronics. So Potato was not wrong either to mistrust the actor first, for the latter was indeed expecting affection in return despite his claim. He did want to date the doctor, but the puppy knew that the protagonists were together. He represented a threat to his new found home.
(chapter 31) Heesung described him as ugly, which is actually an insult. Note the contrast. Heesung is smiling despite his words. It is because he was voicing his annoyance at Potato. The latter represented a hindrance to his courting.
(chapter 40), the former came to appreciate the doctor much more than before. 
(chapter 40) First, he informs him about his patient’s conditions. On the other hand, it becomes obvious that he worries much more about the doctor’s health. His increasing care started with the party. 
(chapter 37) When Potato and Daehyun saw that Kim Dan was feeling down, they tried to cheer him up. Moreover, let’s not forget that when they got caught partying, the hyung tried to protect them: 
(chapter 37) Besides, Yoon-Gu witnessed the effects of the drug 
(chapter 38). Contrary to the other fighter, he touched his head. This gesture reminded me of a mother’s. And now, I know why Kim Dan saw Potato as a puppy. 
(chapter 25) On the other hand, Yoon-Gu lacks experiences, for he has never been exposed to the cruelty of this world, unlike Kim Dan or Joo Jaekyung. His fighting spirit is not developed yet.
(chapter 41) Thus the latter must have suggested to go out during the planned birthday party.
(chapter 52) He never questioned why the coach didn’t stop Kim Dan from quitting. On the other hand, I wondered how he came to change his mind about his idol. It can not be his brutality 
(chapter 1) and rudeness, for he didn’t criticize the athlete in the first episode or episode 7. In my eyes, the maknae lacks critical thinking. Nevertheless, we shouldn’t overlook that he followed the members’ behavior. No one from Team Black called Kim Dan and looked out for him. They all abandoned him after the match. 
(chapter 52) They only talked about the lost members, not about the physical therapist. This exposes that they didn’t treat him as one of them. To conclude, as time passes on, Yoon-Gu came to mimic and think like hyung Namwook. 
(Chapter 49) and helped him. I have to admit that the way the main lead was holding his hand reminded me a little dog. 
(chapter 50) He was cheering him up! On the other hand, he still remained passive, and didn’t question the sunbaes like Park Namwook or Yosep. One thing is sure. After the last incident, he should have realized cheering someone is not truly loving someone. And this brings me to the other reason why Kim Dan was alone between 41 and 47. Yoon-Gu didn’t know doc Dan that well. He has no idea about his past and his actual situation. He can not expect the champion to act like in the States, as now the situation is different. He is already injured. Consequently, I am quite certain that it is also time for the semi-professional to reveal his true nature: he is a chow chow in verity! He sometimes acts more like a mother towards Kim Dan, though the latter is his hyung. Take the last panel as an example. Yoon-Gu is strong, extremely loyal and intelligent! His nickname Potato might be cute, but it doesn’t reflect his personality.
(Chapter 50) However, the doctor
(chapter 47) was hiding his sadness and pain behind his job. How could Potato notice his suffering? Kim Dan never let his wounds transpire. Finally, we shouldn’t overlook the fact that Kim Dan never confided to the puppy dog as well. The protagonist has always been a loner, like we could see it in his memories. 
(Chapter 21) He was first of all his boss and his landlord. Yoon-Gu is not connected to the main lead because of money. The foundation of their relationship is based on trust, care and respect. Thus I deduce that Potato is on his way to become not only his first true friend, but also his second stan. He might have noticed his angelic nature in the past
(chapter 26), but his adoration for the champion was still very strong. 
(Chapter 33) Yes, through them, the dragon and the gumiho can become real friends. So far, they had been more frenemies. They know each other’s secret 
(chapter 42) 
(chapter 52) His behavior shows that he was no longer respecting social norms, respecting the elders. While in the beginning, he still followed Seonho 
(chapter 52), at the end he chose to leave the restaurant on his own accord. Yes, he stopped being a follower of “herd mentality”. 
(chapter 40) I am quite certain that some readers might be shocked or call me crazy… but actually such an incident was a blessing in disguise. How so? It is because it pushed both protagonists to drop their bias and flaws. 
(chapter 50) and Kim Dan. While the former was tormented by his challenger directly 
(chapter 50) and indirectly, the other had to witness how the members from Team Black turned their back on him in the locker room. 
(chapter 50) They could put themselves in his shoes: he was left behind. On the other hand, the reaction from Joo Jaekyung was totally understandable. 
(chapter 50) And everyone knows this saying: Time is money. Yes, the hyungs didn’t decide to postpone the fight, because they would have to pay huge fees, and this could have affected the Emperor’s reputation. It exposes that the fight as such the show was more important than the well-being of their star. As a conclusion, money played a huge role in their decision. On the other side, the annulation would have brought more trouble to Kim Dan, as it would have caught the attention from journalists and fans, though it can still happen later. Under this new perspective, it becomes comprehensible why they left the locker room and didn’t argue with Kim Dan. They were under pressure. Nevertheless, the readers had a different reaction, for they knew the truth: Doc Dan was the victim of a new scheme. Therefore they judged the whole situation as unfair. Some were mad at the manager for yelling at the physical therapist. 
(chapter 50) Yet, we shouldn’t allow our emotions cloud our judgement, for this image displays the doctor’s metamorphosis. Notice that he talked back. Though his sentence is still not complete, the thickness of the writing and the point of exclamation are indicating that he was not whispering. He was speaking loudly and clearly. He was talking back firmly. Moreover, he was not avoiding his counterpart’s gaze contrary to the argument in the penthouse. 
(chapter 45) In other words, the scene in chapter 50 exposes the doctor’s growing strength and resilience. That’s the second reason why anguish is necessary in Jinx. Through their suffering, the characters can change, and Jinx-philes have the opportunity to witness their growing maturity. At the same time, the author is able to underline the other figures’ flaws thanks to torment. Between the essay 
(chapter 27) But only Dr. Lee and Kim Dan got to see the results
(chapter 27), not Park Namwook. He just overviewed the medical file quickly. But for that, the manager needs to be capable of understanding medical terms. Thus I doubt, he could visualize the seriousness of the situation. 
(chapter 27) Then, after the match in the States, the manager asked his “boy” how his shoulder was. 
(chapter 40) Here, he chose to rely on the celebrity’s words, 
(chapter 40) while the manager had witnessed how Dominic Hill had targeted his shoulder. He should have realized that his star’s shoulder had been damaged. Nevertheless, we shouldn’t overlook that the athlete’s statement was corroborated by the medical checkup from MFC. That’s how he got fooled. Hence there was no treatment. However, doc Dan could detect the champion’s lie not only through observations
(chapter 41) but also through touching.
(chapter 41) As you can see, the wound was slowly coming to the surface. Thus I consider the incident in episode 43 as a metaphor for the shoulder injury. 
(chapter 43) It was exposing the damage in his body. Consequently, when the champion’s foot got wounded by the pepper spray, 
(chapter 49), I realized what was happening. Mingwa is forcing the Emperor to admit his suffering. Hence his wounds are becoming more and more visible.
(chapter 5) for he was simply relying on the prostitutes due to his jinx. Thus I consider this argument in the penthouse as a huge step for the athlete: 
(chapter 50) So far, he just had a cut above his eye, nothing serious. 
(chapter 50) That’s the reason why he turned into a dragon at the end of the chapter. [For more read the essay “
(chapter 5) And now, you comprehend why he got so nervous and angry, when he imagined that Kim Dan had blocked him. 
(chapter 5) This shows that his belief in his jinx had been reinforced after his first night with Kim Dan.
(chapter 50) From my perspective, this is the result of the overexerting. 
(chapter 42) In addition, he would return home late, a sign that he would train even more than before. 
(chapter 48) Finally, we shouldn’t overlook the fact that after his match in the States, he never visited the hospital due to the law suit. 
(chapter 41) According to me, the MFC medical checkup was not reflecting the verity. Hence he never got a real check-up and MFC could definitely say that the athlete was definitely fine. 
(chapter 41) This shows that the more the champion refuses to his PT’s advice, the more injuries he will substain. That’s how it dawned on me why Joo Jaekyung is now getting more and more wounded during the fights. It forces him to take a rest! However, in the past, he had a reason not to listen: he got barely injured. He needed to treat his body roughly in order to prove his effort and strength. This observation reinforces my conviction that there is a second group manipulating the champion’s matches: MFC itself. For me, Heo Manwook and Choi Gilseok are rather puppets. How so? It is because someone knew about the champion’s sexual habits, hence he was supposed to take an aphrodisiac in the States. But neither the loan shark nor the director from King Of MMA are aware of this. To conclude, the champion’s anguish is necessary to expose the deceptions and the schemers as well.
(chapter 41) However, by doing so, he was exposing his vulnerability to his opponents, though I am still suspecting that MFC leaked information too. So far, the headlines are not indicating which shoulder is wounded. Yet, the moderator knew which one: 
(chapter 50) So why was the manager so shocked with such an attack? 
(Chapter 45) In other words, his loyalty towards the star is improving. 
(Chapter 9) and coach for Team Black, but he acts like the director of Team Black.
(Chapter 49) This explains why he claimed that Team Black was his gym, 
(chapter 41) to the golden keychain. 
(Chapter 45) As you can see, the famous writer is connected to Positive Psychology, for he was also promoting meditation and experiences. This fits our story, as both main characters are on their way to give a meaning to their life and as such to find happiness. But let’s return our attention to the manager Park Namwook as a representative of “ignorance”. 
(chapter 11), but also he never tried to correct the star’s false conclusion. 
(chapter 43) Through the two examples, Manhwaphiles can sense that his “ignorance” is a mixture of willingness to close an eye and real naivety. Under this new approach, it dawned on me why the manager used to beat his star so brutally. 
(chapter 32) Furthermore, he forced Joo Jaekyung to take the blame without investigating the matter.
(chapter 43) The latter triggers his anxiety and nervousness. Thus when there is a problem, his MO is either to threaten, 
(chapter 36) or to let others make decisions. I would even add, he often delegates things to others: the manager from the Entertainment company
(chapter 16) 
(chapter 41) Therefore I believe that in the locker room, Kim Dan must have recalled her words. She became his source of strength once again. That’s why we have parallels between these three scenes: 
(chapter 21: he was criticized by Kim Miseon, he feared to lose his halmoni) 
(chapter 50) That’s the reason why Kim Dan could become a star. Contrary to Joo Jaekyung, we didn’t assist to the birth of the yeouiju. It is no coincidence that birth is connected to pain and happiness. Mothers forget the suffering of the delivery, as their child can procure them a lot of joy and happiness.
(chapter 5) or Heesung drank alcohol 
(chapter 16) or as a tool for the jinx, therefore he mopped the floor
(chapter 31) 
(chapter 31). Furthermore, he took a side gig in order to buy the champion’s present and finally, he rejected Choi Gilseok’s praise and offer. 
(chapter 48) He was always diminishing himself as a doctor. Therefore in the locker room, he was confronted with his biggest fear: is he really a physical therapist? 
(chapter 50) He injured his patient. The spray is there to let him see that he has power in his hands. He should trust himself and his magical hands. Don’t forget that this request was made by Joo Jaekyung. 
(chapter 5) 
(chapter 50) It is relevant, because through such an intervention, hamster Dan would teach the champion an important lesson. He is not alone in the ring, the doctor is watching his physical condition and helping him. 
(chapter 48) So the moment you perceive this moment 
(chapter 37) 
(chapter 40) 
(chapter 42) In the first part of Jinx, the doctor was the star’s companion of the night, but since the incident with the birthday present, he stopped being the night partner. Now, he is about to become the famous private physical therapist acknowledged by the public and media. In other words, his destiny contrasts to Baek Junmin’s, a shooting star, it will last longer. Why? It is because the main lead is Saturn! He brings fortune and karma to the evildoers. This interpretation corresponds to Übermensch from Nietzsche, which is sometimes translated as “Superman”. Under this new light, you comprehend why I added the protagonist’s pink angel wings. It was an allusion to his transformation, he is destined to become an “Overman” or Superman. 
And this brings me to my next observation. The doctor’s pain is exposing his recovery! Weird, right?
(chapter 47) and his agony. He was no longer under the influence of toxic positivity. While he cried, he admitted his flaws making him realize that he had never been abandoned by his grandmother. 
(chapter 47) That’s how he overcame his abandonment issues.
. (chapter 36) 
(chapter 45) And now, you comprehend why I stated earlier that he acted rather instinctively. For me, he still trusts the physical therapist.
(chapter 40) It never came to his mind that he should ask for assistance. Finally, observe that after he got drugged in the States, he let the champion deal with the problem. 
(chapter 41) He accepted the statement from his boss. Nevertheless, doc Dan was the real victim. He should have become more involved in the matter. Besides, he was a witness. And this brings me to my next thought: if Kim Dan gets into trouble, he should remember Heesung’s words: he should give him a call! 
(chapter 35) For me, the incident is there to teach Kim Dan that he can ask for help! This would show him that he is no longer alone. He wouldn’t appear weak at all. That’s how he would end up to gain his first friends. Let’s not forget that Heesung’s relationship with the doctor is no longer tainted by money or by lust or greed. In fact, thanks to him, he found his soulmate. What unites Kim Dan and Heesung is the heart and the desire to help. Heesung stands for brotherhood, so he could be the one outlining the problems to Team Black. Finally since Potato likes Doc Dan very much, there is no doubt that Heesung and Potato will work together to assist the main lead. This image 
(Chapter 35) Interesting is that after his confession, he still chose to come clean with the doctor. He revealed the truth to Kim Dan, though he could have lost the protagonist’s respect. He admitted his lie and manipulation, 
(Chapter 35), but Kim Dan’s reaction was not to scold his future friend. In fact, he appreciated his honesty. In front of Kim Dan, he could show his true self. He was not entirely a good guy, but he didn’t get rejected. But so far, the actor is not present in the arena. Therefore Potato could be the first person Kim Dan asks for help. He shares some similarities with his soulmate. He doesn’t fear people’s gaze, hence he raised his voice under the tent. 
(chapter 49) similarly to his idol and hero in the States. He noticed the issue right away: the security didn’t do his job properly. To sum up, Potato would follow his foot steps and that’s how he would get noticed by MFC!
(chapter 50) The word is displaying that the doctor is not accepting the incident simply like that. It is showing that the doctor is slowly losing his naivety. Before the incident with the spray took place, he still trusted the words from people. 
(chapter 49) Naturally, he can not get rid of his naivety totally, for keeping a certain purity is necessary in life too. On the other hand, it becomes clear that his naivety is the result from his education. The halmoni is herself quite too trusting. Hence she ended up being harassed by loan sharks. On the other hand, the incident was like an eye-opener for the physical therapist. He should stop judging people based on their words 
(Chapter 32)
(chapter 14) But back then, Kim Dan didn’t mind staying in Seoul. 
(chapter 15) And notice that this pattern was the same in the States. For the second match, Team Black left without him, hence Kim Dan arrived late. 
(chapter 40) Therefore he was running once again. However, back then, no readers felt angry at the team, though it could also be perceived as a betrayal and abandonment! Kim Dan was not perceived as necessary, neither for Joo Jaekyung nor for Park Namwook. Hence the bedroom could be judged as the place of the betrayal: “
(chapter 40) It was to outline their previous disregard and betrayal! Thanks to Potato, Joo Jaekyung got informed, hence he could rescue the physical therapist. 
He has just his blue uniform.
Hence he could get into trouble! The MFC could report the incident to the authorities! 
(chapter 38) To conclude, it was not in Kim Dan’s interest to run away or hide! This would have been judged as a sign of his culpability and complicity. He needs to face the problems so that he can shape his destiny with his own hands and not remain the playball of dark forces! Yes, this chapter announces a huge change at Team Black, the start of a real friendship between two puppies. 😉
(chapter 48) Why did the Webtoonist gave us the time, when the next episode starts another day? On the one hand, it exposes that the schemers knew about the champion’s nightly activities. He wouldn’t sleep much and he would keep his cellphone next to him. 
(chapter 76) “A deed once foiled has no chance of success the second time around”.The criminal was referring to learning through experience. After going through such an event once, the athlete is no longer caught by surprise. We could say that he learned not to jump to conclusions and control his emotions. That’s the reason why in episode 48 he remained level-headed. Because the champion didn’t get angry, he could be more attentive. 
(Chapter 48) The irony is that the doctor had been able to treat the star’s injury. For me, the Summer Night’s Dream played a huge role, as during that night, Joo Jaekyung felt treasured and loved. Therefore the pictures could only expose the duplicity of the director of King of MMA. Under this new light, it becomes understandable why the celebrity didn’t fall into their trap and why they had to turn doc Dan into a traitor by giving him a weapon without his knowledge. Finally, I believe that Joo Jaekyung had another reason not to confront the physical therapist. How so? It is because he had sent away his soulmate, while the latter had approached him. 
(chapter 49) The gaze displays not only worry and anxiety, but also regret. It was too late to ask the doctor. For me, he chose silence, for he was regretting his reactions in the penthouse. He feared to ask Kim Dan, because if he brought up the meeting with Choi Gilseok, this could push the hamster to quit his job. However, thanks to Kim Dan, the star’s condition improved greatly. That’s how it dawned on me why the champion became a beast and why he is hiding his past:
(chapter 12) the couple was supposed to reach Nirvana, but the athlete failed terribly. Under this new light, it becomes comprehensible why the protagonist chose not to confront Kim Dan in episode 48. It was, as if the champion was closer to the heavens. This represents the champion’s leap of faith. Don’t forget that the star got scared for one moment
(chapter 48), when he noticed doc Dan’s presence too late. But nothing happened to him, that’s how he got incited to trust Kim Dan. The latter wouldn’t backstab him. Under the blue light, the champion got transformed. 
(chapter 48) On the other side, the fact that the champion is always targeted during the night is a sign that the villains desired to approach him, when he was isolated. So they know not only about his insomnia, but also about his solitude. I would even add that the plotters are aware of his association between the night and danger. Remember how he described relaxation: he would give an opportunity to his enemies to attack him 
(chapter 19) or a new request like swallowing the sperm 
(chapter 39) or kissing the champion’s ruined ears 
(Chapter 29)
(Chapter 18) And now, observe that during the night in the bathroom, doc Dan was associated with a baby receiving food:
(chapter 49) Then I noticed another parallel between the two plots: the presence of a scapegoat, and the involvement of a third person. Heesung faked his injury by putting the blame on the athlete, while he asked Kim Dan as compensation. In the second plot, the roles are switched. Kim Dan is now the perpetrator, while the athlete is the victim! Baek Junmin is the beneficiary of this scheme. And what do these plots have in common? Joo Jaekyung is the victim of a trick, though Heesung’s manipulation was rather benign. First, he acted on his own. 
(Chapter 31) Moreover, he utilized the genuine concern and innocence of his surroundings. In other words, he used his image as a good and honest man to his advantage. Thus I come to the conclusion that the artist’s sin in their youth was rather minor, as the artist tends to violate social norms. So though it was no illegal, the actor’s wrongdoing definitely left scars on the protagonist’s heart. 
(chapter 46) could be seen as a reflection from the arcade and the star’s past. And since Kim Dan wounded Joo Jaekyung in the locker room 
(chapter 49), I deduce that such an action must have happened in the champion’s youth. He got not only hurt by people, but also betrayed by a friend. There exists many reasons for this hypothesis.
(Chapter 04) and be rude towards others. 
(Chapter 7) 
(Chapter 3) Some of them are not written in Korean or English. Moreover, the Webtoonist revealed that one of his hobbies is reading. This explains why he can talk prettily. 
(chapter 22) This shows that his behavior mirrors the counterpart’s. Consequently, it is not surprising that the champion is rough with his own body, as Park Namwook is not treating him like a delicate child. 
(Chapter 40) Compare Kim Dan’s English skills in the same scene: 
(chapter 40) Besides, Jinx-philes should question why Mingwa is not divulging his scores as a student contrary to Kim Dan or Jinwon from BJ Alex. It is because she wants to create a certain image about the champion: he is a bad boy. In my eyes, she is playing with prejudices about MMA fighters. People often imagine, they lack social manners and education. They chose this path, for they could do nothing else. And this brings me to my next remark. We know that Kim Dan selected PT because of his halmoni. 
(chapter 27) I see a contrast between these two sports: swimming which is related to relaxation, pleasure and fun and MMA fighting which stands for challenge, pain and seriousness. This contrast is even more present in the following panel: 
(chapter 49) He is a hyena, hence his color is brown. 
(Chapter 48) And The Shotgun has a similar attitude: 
(chapter 49) Interesting is that his description of the challengers fits the situation in the new plot perfectly. The Shotgun imagines that he will fight against a diminished champion. His shoulder is injured and they have planned to add a new injury. The hyena stands for balance and cleansing as their task is to remove the weak ones.
(chapter 5), as he is the only person who has not appeared yet, though the champion has his cellphone number. And this remark brings me back to the present and the night messages and the hyenas.
(chapter 36) which could only affect the members from Team Black. Their loyalty could waver. Then he got to hear bad comments from the Internet
(chapter 36), creating the illusion that he was losing popularity. That’s how the lawyer could convince the champion to accept a new match in such a short-time. Finally he got reprimanded for his outburst. 
(chapter 36) Under this new perception, Manhwaphiles can grasp why the MFC manager offered him a new defy right away. They needed to exploit his injury! 
(chapter 13) This could have ended badly. Another wrongdoing could be the rejection of his birthday present and his harsh reaction. 
(chapter 26) For the first time, he had fun sparring. Hence he kept smiling. It is no coincidence that soon after he chose to accept to take a day-off, when Kim Dan made the suggestion. 
(chapter 27) That’s how he remembered that he liked swimming and he could play a prank on his lover. 
(chapter 35) and not in episode 48. It is because Kim Dan had paid him a visit during that night, a sign that he was thinking of him as his patient and VIP client. 
(Chapter 48) On the other hand, I am inclined to think that when a terrible incident in his youth occurred, he couldn’t contact his family or guardian. Hence he keeps his cellphone by his side constantly. Yes, I was thinking of the doctor’s assault in the street and his failed rape: 
(Chapter 16) Heo Namwook’s minions had confiscated his cellphone. Hence it was impossible for him to call for help. And now take a closer look at this scene:
(chapter 49) That could be the hidden guardian who has not showed up yet, I am thinking of Seo Gichan. And now it is time to close this long essay. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 