Jinx: A Luminous Kiss 😘💋 Amid Shadows 🫂

In Jinx, the evolution of Joo Jaekyung and Kim Dan’s relationship can be traced through the symbolic use of kisses [for more listen to Kiss Me], specifically the one in the locker room (Chapter 15) and the life-saving kiss on the beach (Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.

Selfishness vs. Selflessness

The kiss in Chapter 14 and 15 was performed under the pretense of care but was marked by a sense of urgency and concern. Joo Jaekyung, lost in his thoughts and experiencing a form of derealization (chapter 14), acted particularly rough with Kim Dan (chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. (chapter 14) This moment of realization, coupled with the doctor’s tears and plea (chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation (chapter 14) of using foreplay and gentler methods, such as a kiss. While the kiss reflected care in the moment (chapter 14), selfish motives lingered in the shadows, as Joo Jaekyung sought to prevent causing visible harm that could lead to questions or even a scandal. It was, as if he wanted to silence his partner. Moreover, this decision was influenced by external suggestions, particularly from his friend, and not entirely by his own intentions. It was a calculated action to prevent immediate harm but lacked genuine emotional depth.

Interesting is that Kim Dan never dared to question Joo Jaekyung for this sudden kiss. (chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. (chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist (chapter 15), because for the first time, Kim Dan made a request. With his remark, he implied that the kiss was strongly associated with emotions. However, exactly like Joo Jaekyung pointed out (chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach.

In contrast, the kiss in Episode 60 (chapter 60) was executed purely for Kim Dan’s sake. It was a spontaneous, instinctive act of CPR to save his life, demonstrating selflessness and true concern. Unlike the locker room kiss, which carried both urgency and selfish motives, the beach kiss was entirely devoid of emotional connection, functioning solely as a technical gesture. Kim Dan was unconscious and unaware of the act, which stripped it of any emotional reciprocity. Here, Joo Jaekyung saw Kim Dan as a human being—detached from his social background and circumstances. This shift in perception is reflected in the location: the openness and natural beauty of the beach stand in stark contrast to the confined, artificial environment of the locker room. Joo Jaekyung’s willingness to perform this act in the open signifies a progression in his character—a gradual dismantling of his secrecy about his sexuality and his connection to Kim Dan. This shift from selfishness to selflessness illustrates not only Joo Jaekyung’s emotional growth but also the deepening of his bond with Kim Dan.

Secrecy vs. Openness

The locker room serves as a metaphorical closet (chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club (chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift. (chapter 60) Moreover, in the past, the locker room (chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room, (chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, (chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan. (chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured (chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind (chapter 50) in the locker room twice (chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: (chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression.

Moreover, keep in mind what the grandmother used to say constantly to her grandson: “Don’t cry” (chapter 57) Shin Okja must have felt uncomfortable with his tears and pain, therefore the doctor internalized not to show his struggling and burdens in front of his grandmother. This explicates why he denied his weeping in front of her first. (chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: (chapter 60) The absence of tears or a trembling body from the main leads indicate that both are hiding their emotions from each other. (chapter 60)

And because Kim Dan came to symbolize the fighter’s intimacy and privacy, it is no coincidence that their relationship ended in the locker room. There, the champion exposed his true thoughts about the doctor: his lack of professionalism, (chapter 51), his lack of loyalty, his greed and obsession for money. (chapter 51) Here, they were totally honest to each other: (chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. (chapter 51) Despite living together in the penthouse, he didn’t trust his room mate. After divulging his mistrust and anger to the physical therapist in the locker room, the former left Kim Dan behind and went to the health center with his hyungs. (chapter 51) What he didn’t realize is that the doctor stood for secrecy and closeness, so by leaving his side, he was destined to be exposed. (chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after.

Through these events, the kiss in the locker room becomes full of symbolism. It not only marked a moment of urgency but also served as an emotional awakening for Joo Jaekyung (chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

By contrast, the couple on the beach in episode 60 (chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them. (chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. (chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. . (chapter 60) The latter has now darker circles, and he lost a lot of weight. (chapter 49) His muscles are less pronounced. He is also wasting away.

This progression also ties to the concept of nature vs. artifice. The natural setting of the beach—the waves, the open sky—contrasts sharply with the sterile, artificial environment of the locker room. Nature brings out authenticity and raw emotion, whereas the locker room and the emergency room (chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach (chapter 14) (chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. (chapter 15) The kiss in Chapter 15 became a moment where Joo Jaekyung discovered not only physical pleasure but also positive emotions, which acted like a sweet candy, a reward for his hard work. (chapter 15) It gave him emotional support. It symbolized a rare moment of relief and connection amidst the overwhelming demands of his environment. Joo Jaekyung’s actions in these settings highlight his gradual move from a place of concealment to one of openness and authenticity. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. (chapter 60) The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

Lies and Miscommunication

Another layer of complexity is revealed when examining the two kisses. From that wonderful night (chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye. (chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: (chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now (chapter 60) , though there is no doubt that the doctor is still in love with him. At the hospice, this mistrust resurfaces. The parallel conversations—in the locker room and the emergency room—highlight the ongoing cycle of miscommunication and emotional disconnect. Both characters, in their own way, lie to themselves and each other. Joo Jaekyung sees Kim Dan through the lens of poverty and greed (chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. (chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened.

The beach, however, offers a stark contrast. There, in the midst of the emergency, Joo Jaekyung’s perception of Kim Dan shifts. For the first time, he sees him as a human being—vulnerable and in need of genuine care. (chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness (chapter 60) and inability to fully comprehend the seriousness of Kim Dan’s mental and physical state.

Kim Dan as Joo Jaekyung’s Reflection

Episode 60 also underscores the parallels between Kim Dan and Joo Jaekyung. Both characters are struggling and mistreating their bodies, albeit in different ways. Kim Dan’s rejection of help and his deteriorating condition mirror Joo Jaekyung’s past behavior of ignoring medical advice and pushing himself to extremes. This dynamic serves as a reflection, forcing the champion to confront his own flaws. Kim Dan’s condition becomes a metaphorical mirror, showing Joo Jaekyung the consequences of neglecting physical (chapter 27) and mental well-being. (chapter 27) When Kim Dan removed the needle carelessly (chapter 60), he was actually copying his lover’s behavior.

The dissociation and derealization evident in Kim Dan’s behavior further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, , his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. (chapter 60) That’s why I can’t shake the feeling that the physical therapist is still in danger. The trail of blood on the floor could be interpreted as a bad omen. (chapter 60) Many Jinx-philes saw parallels between the champion’s departure from the locker room with the final image from chapter 60, (chapter 51) However, in the last image, the athlete had left the room to go to the health center, while Kim Dan is now leaving the treatment room, a sign that he is not just rejecting the champion’s help, but also the hospice’s intervention. (chapter 60) So he could get into trouble in his profession.

This moment becomes a turning point for Joo Jaekyung, as he is about to grasp the gravity of Kim Dan’s mental illness. However, his focus on money and material solutions (chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.

As long as Joo Jaekyung hides his vulnerability and hides his true self to achieve his goal, Kim Dan will mirror his actions. He will deceive him too. However, we shouldn’t see their separation (chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: (chapter 51) He never wished to never see Joo Jaekyung again. Moreover, he never regretted their meeting either. (chapter 60) And now, pay attention to his hand, he is slightly clenching his fist, a sign that he is pained while saying this: “Have a safe trip home!” The word “home” and his gesture display that deep down, he was happy to see him. He is longing for home, but he can not express his true desire. Thus I deduce that Joo JAekyung’s words in front of the restaurant must have moved his heart: (chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: (chapter 44)

On the other hand, by utilizing the word “home”, he is implying that the fighter doesn’t belong here. The doctor is actually mimicking his own grandmother. (chapter 57) (chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along.

And because of the doctor’s words, it is clear that Joo Jaekyung won’t return to Seoul. He just needs to stay by his side in order to gain his trust. The longer the fighter stays in that place, the longer he will be able to detect the deceptions surrounding the doctor: (chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame.

One thing is sure. Because of the doctor, Joo Jaekyung will be forced to admit that home is where the physical therapist is. With his goodbye, Kim Dan was challenging his former boss , (chapter 60) a new version of this scene. (chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.

Conclusion

The kisses in Jinx are more than just physical acts; they are symbolic markers of Joo Jaekyung’s emotional journey and his evolving relationship with Kim Dan. The locker room (chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss (chapter 60) signifies selflessness, openness, and recognition. However, both kisses, initiated by Joo Jaekyung, were not truly expressions of deep love or genuine emotional pleasure. As technical gestures borne out of urgency and care, they left no lasting emotional trace in their relationship.

This lack of emotional permanence highlights the characters’ ongoing struggles. While Joo Jaekyung shows signs of growth, he has yet to fully understand or confront the complexities of Kim Dan’s mental and emotional state. Similarly, Kim Dan’s passivity and silence in earlier moments underline the barriers that remain between them. Trapped in his own misery, he fails to see the physical deterioration from his former idol. The juxtaposition of these kisses serves to illustrate the fragility of their bond and the slow, uneven process of their personal and relational evolution. Through these moments, the author masterfully portrays the intersection of urgency, care, and miscommunication, ultimately crafting a nuanced exploration of healing and connection amidst shadows. Once again, it exposes the importance of honesty and clear communication in a couple.

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Jinx: The Mermaid’s🧜‍♂️🧜‍♀️ Illusion of Love 💝 (second version)

Hans Christian Andersen’s The Little Mermaid offers a nuanced exploration of love, conditional relationships, and the struggle for independence. In a previous essay, The Painful Mermaid’s Aspiration, I explored parallels between Andersen’s tale and Jinx, focusing on themes of sacrifice and transformation. However, deeper analysis has revealed additional layers to these parallels, particularly in the dynamics of conditional love, independence, and the pursuit of dreams, which merit further exploration here. The little mermaid’s yearning is expressed poignantly in her dialogue with her grandmother:

This statement reflects the mermaid’s desperation and her willingness to sacrifice everything for her dream. The old woman’s response highlights the impossibility of her aspiration without absolute devotion from the prince:

The unattainable condition imposed by the old woman underscores the imbalance in the mermaid’s love. The grandmother’s description of the prince’s hypothetical love suggests it would transcend familial bonds, symbolizing a selflessness so profound that he would give a part of himself to his partner. However, this ideal of love contrasts sharply with the mermaid’s sacrifices, as in verity her yearning for the prince is intertwined with her desire for an immortal soul. Her physical attributes, cherished in her own world, are deemed unattractive on land, symbolizing the rejection of her true self. Her conditional love requires her to give up her voice, her identity, and even endure physical pain. This duality—a love that demands selflessness yet is rooted in conditional aspiration—reveals the inherent imbalance in her quest for acceptance and fulfillment. The matriarch’s final remark—“Let us be happy and dart and spring about during the three hundred years that we have to live, which is really quite long enough; after that we can rest ourselves all the better”—urges the mermaid to embrace her current existence rather than chase an impossible dream. However, if she had followed her grandmother’s advice, she wouldn’t have truly lived at all, for she has always been feeling miserable deep inside.

This tension between illusion, aspiration and self-acceptance mirrors the emotional struggles in Jinx, particularly the relationships between Heesung, Potato, and Kim Dan. Moreover, as I delved deeper into the story, I realized that Andersen’s fairy tale carries an even more poignant message: dreams, while often a source of aspiration, can also be illusions that shatter upon collision with harsh realities, like for example the broken promise (“The prince said she should remain with him always“) from the prince who denied the existence of death in their life. This essay builds on these reflections, delving deeper into the overlooked dimensions of dependency and conditional love, revealing how these dynamics shape the characters’ paths toward independence and self-realization. The little mermaid’s yearning, intertwined with her desire for an immortal soul and as such for her own identity, mirrors the characters’ pursuit of validation and dreams, often at the cost of their individuality. Like the mermaid, these characters grapple with the conflict between their dreams and the realities of conditional relationships. While Andersen’s tale portrays the little mermaid’s yearning for the prince and the human world as both a source of aspiration and tragedy, Jinx reinterprets these themes through the lens of modern relationships, showing how dependency and idealization can hinder self-discovery and fulfillment. The parallels extend further, as each character’s journey reveals deeper truths about love, independence, and personal growth.

The Illusion of the Prince: Joo Jaekyung and Potato

In The Little Mermaid, the prince represents the little mermaid’s idealized dream of the human world. However, her love for him is deeply intertwined with her desire for an immortal soul. This duality—a mix of genuine affection and conditional aspiration—renders her relationship with the prince inherently unbalanced.

Similarly, Joo Jaekyung serves as an illusion in Potato’s life. (chapter 23) Potato initially admires the champion, aspiring to be like him (chapter 23) and dreaming of recognition as his sparring partner. (chapter 23) Joo Jaekyung, much like the prince in Andersen’s story, projects an image that masks the reality of his life. His success, while celebrated, represents years of hard work and immense personal sacrifices. At the gym, Park Namwook undermines these efforts by slapping the athlete (chapter 7) and calling him “my boy,” (chapter 40) effectively denying Joo Jaekyung the acknowledgment he deserves for his achievements. Potato is misled by this fabricated image (chapter 23), drawn to the champion’s public persona rather than understanding the struggles beneath it. Moreover, Joo Jaekyung can also be viewed as a mixture of both the prince and the mermaid, embodying the illusion of grandeur while simultaneously bearing the silent pain of sacrifice and transformation. This duality deepens the parallels between Andersen’s tale and Jinx, highlighting the complexities of admiration, dependency, and self-realization. To conclude, this admiration is rooted in superficial qualities: Joo Jaekyung’s public persona, his success, and the light he projects to the world. Furthermore, Potato’s physical differences—his smaller frame and lighter weight category—highlight the impossibility of truly becoming like Joo Jaekyung. (chapter 23) This realization mirrors the little mermaid’s struggle to reconcile her nature as a seductress of the sea with her dream of becoming human.

Potato, drawn to this carefully curated public persona, aspires to emulate the champion (chapter 23) without understanding the profound struggles beneath his image, failing to perceive Joo Jaekyung’s unhappiness, struggles, and loneliness. Like the image is exposing it, Potato views the athlete as a companion as well whose efforts should serve to keep him company. This dynamic mirrors the little mermaid’s conditional love for the prince, as Potato’s idealization is rooted in his own aspirations rather than genuine understanding. Just as the prince remains oblivious to the mermaid’s sacrifices, Potato overlooks the reality of Joo Jaekyung’s burdens, emphasizing a dependency that hinders true recognition and connection. Once his reputation as a champion is tarnished (chapter 52), the amateur starts distancing himself from his former idol. This exposes the fragility of Potato’s dream. Therefore it is not surprising that he starts taking a different path: acting, though I still think, it is temporary. However, behind the glamorous facade of the show business, there exists a dark side as well. (chapter 59) Heesung’s fate is similar to the champion’s. Despite his popularity, the actor is deeply unhappy. He feels lonely, for people only know the actor and not the man behind the mask. That’s the reason why he is looking for his soulmate. (chapter 33) That’s how I realized why Potato and Heesung are destined to be together. They are both self-centered, dishonest and blind, but more importantly they are chasing after an illusion which is strongly intertwined with immortality. In addition, my avid readers should keep in mind what Potato truly expressed, when Mingwa introduced this “chow chow”. (chapter 23). In reality, he wanted to use the athlete as his servant. The closeness (chapter 23) he was seeking was self-serving. While the amateur and the actor are searching for the “perfect companion”, the other couple has no expectation from others. They both have no longer any dream or hope. That’s the reason why Kim Dan was putting this vision of Joo Jaekyung behind a veil: (chapter 58) He was giving up on his dream expressed in the birthday card, (chapter 55) though I believed that he had another bigger wish, but due to his low self-esteem, he didn’t dare to express it: (chapter 55) My newest theory is that he wanted Joo Jaekyung to teach him fighting, but not for himself, but in order to help the fighters and in particular to protect the champion’s body: (chapter 25) (chapter 25) To develop a training where injuries are minimized. In season 2, it is clear that Joo Jaekyung and Kim Dan have reached the bottom. Both feel empty and exhausted. They were crushed by harsh reality, and they had no one by their side to listen to their pain. Therefore it is not astonishing why the doctor could not confide to the actor and the amateur fighter. They arrived too late. (chapter 58) Their presence definitely diverted the doctor’s attention, lessening his pain.

Initially, Potato views the champion as an infallible figure, a symbol of success and strength. However, his perception begins to shift as he confronts the realities of the MMA world and his own identity. Potato’s loss of innocence is closely tied to the discovery of secrets. In Episode 25, (chapter 25) he learns the true nature of the relationship between Kim Dan and Joo Jaekyung. This revelation forces him to confront his own repressed feelings, as he unconsciously realizes his attraction to the fighter. (Chapter 25) Heesung’s involvement further complicates matters, as Potato confesses his love for Joo Jaekyung (chapter 35) while simultaneously vowing to sacrifice his feelings for the sake of the couple’s happiness. This act demonstrates Potato’s pure and selfless definition of love, (chapter 35) contrasting with the conditional love depicted in Andersen’s tale.

However, Potato’s understanding of love remains naive. He fails to grasp the distinction between love and physical relationships, unaware of the darker realities of one-night stands and transactional connections. (Special episode 1) His discovery of sports gambling (chapter 52) and the switched spray the (chapter 52) which is strongly intertwined with the departure of disloyal members from Team Black marks another step in his journey toward disillusionment. While Potato initially views this as an isolated incident, it exposes the broader corruption within the MMA world, including the betrayal, greed, and lack of loyalty that undermine its integrity. While he views himself as loyal to doc Dan and Team Black, for he remained at the gym, his heart was not. He is becoming like his hyungs, Park Namwook and Heesung. In Andersen’s tale, the mermaid’s journey to the sea witch represents a pivotal moment of transformation. By sacrificing her voice and enduring physical pain, she gains entry into the human world, but at the cost of her identity. Similarly, Potato’s journey is marked by painful discoveries that force him to confront uncomfortable truths. Through Kim Dan, he will begin to see his own flaws before he is able to recognize them in those he once trusted.

Heesung and Conditional Love

In the fairy tale, the prince represents the mermaid’s idealized dream—a vision of love and immortality. However, the prince’s love is conditional and superficial. While he admires the mermaid’s devotion and affection, he remains blind to her true identity and sacrifices. This dynamic is epitomized in his words:

The prince’s affection is rooted in comparison and memory, not in genuine understanding. And that’s exactly how the actor is thinking. He compared his sex partners to his ideal.

Heesung embodies the concept of conditional love in Jinx. (chapter 33) He can only love his soulmate, and the latter has to be perfect. By seeking perfection in his “soulmate”, he doesn’t realize that he is exposing his darkness and inhumanity. How so? It is because imperfection defines humans. He is denying the existence, error is human. Funny is that his fated partner embodies mistake and imperfection! (chapter 23) (chapter 25) (chapter 35) The latter doesn’t mind breaking social norms by yelling or causing a fight at a restaurant. But let’s return to the actor’s confession at a bar. It’s not surprising that Heesung appears indifferent to the affection of those who cared for him. The last partner was described as too clingy. This means that Heesung places himself as the judge. In addition, it was, as if he was a god destined to live forever. He is forgetting his human condition, just like his partner’s. And that’s exactly how the prince in The Little Mermaid views life.

For him, it looks like death or change don’t exist, though he doesn’t realize that his fate got changed through the intervention of the mermaid. Had she not rescued him, he wouldn’t have been able to have a companion and a wife. His perfect happiness is paid by the efforts and sacrifices of others. He is surrounded by beautiful slaves who have no voice and as such no freedom:

Through this quote, readers can grasp why the prince didn’t see the mermaid as a possible love interest. She was not his equal socially. Therefore it is not surprising that he chose to have an arranged marriage. I would even add that her voicelessness is viewed as a sign of stupidity, because she can not express her opinion. She is forced to follow the prince’s requests. The prince’s failure to recognize the mermaid’s true nature and the depth of her sacrifices underscores the fragility of dreams built on illusions. His promises, though well-meaning, are symbolic of fleeting ideals that crumble under societal and familial pressures. We could say that in the end, he refuses to become responsible for the mermaid.

And this remark brings me back to Heesung and his relationship with Potato: (special episode 1) With this request, he implies that he will never become responsible for the amateur fighter. Therefore he can hide his homosexuality behind the young fighter. He used Potato’s mistake to his advantage. (special episode 1) By asking Potato to take care of all his needs and desires, Heesung placed himself in a position where he had power and could control Potato. That’s how the young fighter made a dangerous deal with the gumiho. No wonder why his sex role play was a prince interacting with a guard. (special episode 2) Hwang Yoon-Gu didn’t realize that by taking responsibility for the actor, he lost his freedom and as such his voice. Is it a coincidence that Mingwa portrayed the young maknae as someone who would raise his voice due to his emotions in the past? (chapter 25) (chapter 35) No, and it becomes obvious that when he is reunited with Kim Dan, (chapter 58) his behavior is totally different than with the actor: (chapter 58) Tears, touch, raising his voice with Kim Dan, but not with the comedian. With the actor, he looks more calm, distant and mature. Heesung’s selfishness is evident in his treatment of Potato, whom he manipulates into becoming an extension of his own image. Hence he is no longer wearing shorts and tee-shirts. (chapter 59) One might say that he is gradually elevating Potato’s status through his suggestions. (special episode 2) By encouraging Potato to work as an actor and shaping him into a version of himself, Heesung prioritizes his own desires over Potato’s individuality. He is not asking what Potato’s true dream is. But this was his dream originally: (chapter 23) The problem is that in the past, he was too passive, waiting for the right opportunity. (chapter 23) Why? It was due to his low self-esteem. (chapter 23) He was not confident enough, for he was the only one with such a weight-category.

And why did the prince suggest Potato to become an extra? On the one hand, it was an easy way to make money, on the other hand, Heesung didn’t want to reveal his true thoughts. He desired a companion by his side too. However, giving him the opportunity to be an extra, Potato could get criticized that he got this acting job through connections. And this reminds me of the little mermaid, who received people’s admiration and the prince’s superficial admiration, yet in reality, the latter had no one by her side to talk about her pain. She was never given a name or a status, her position was defined by her relationship with the prince.

Potato’s growing dependency on Heesung reflects the little mermaid’s surrender of her voice and identity for the prince. In both cases, the individual sacrifices their true self for a love that is neither reciprocal nor nurturing. The prince might have developed an affection for the mermaid, but he never recognized her as worthy to be his bride. I believe that this gesture (special episode 2) played a huge influence in Potato’s decision to take the offer as an extra. It was, as if one of his dreams had come true. But is this what he truly wanted?

Heesung’s refusal to wait for Potato after leaving Kim Dan (chapter 58) underscores his indifference, symbolizing the unbalanced dynamic in their relationship. Like the prince, Heesung offers no genuine commitment, leaving Potato to grapple with the consequences of his dependency. Thus I perceive Potato’s tears (chapter 59) as a signal that he is not truly happy. (chapter 58) However, this is about to change. Heesung who likes novelty and change is not realizing that his wish is becoming true. The picture with his last work announces the end of his “friendship” with Potato. How so? (chapter 58) The actor chose to become responsible for hiding information from Joo Jaekyung. And he used the mermaid Kim Dan for his decision. He created the impression that he truly cared for the main lead. And how did the prince react to the vanishing of the mermaid? He got caught by surprise and definitely hurt.

He realized too late that his marriage could have consequences with his relationship with the voiceless mermaid. Through her vanishing, she actually revealed her independence and expressed her thoughts. She was not the prince’s eternal companion. She was an independent human being.

Kim Dan: A Mirror to the Little Mermaid

Kim Dan’s experiences parallel the little mermaid’s journey in profound ways. Raised in an environment defined by conditional love, (chapter 53) Kim Dan learned to prioritize the needs of others over his own. His grandmother’s reliance on him mirrored the traditions and expectations imposed on the mermaid by her underwater world. Just as the little mermaid longed for the human world’s light and freedom, Kim Dan yearned for an escape from his oppressive circumstances.

The death of a puppy in Jinx adds another symbolic layer to these parallels. (chapter 59) Kim Dan once referred to Potato as a puppy (chapter 29), drawing a connection between the character’s innocence and loyalty. (chapter 59) However, Potato’s departure reveals an underlying superficiality and disloyalty—he merely asks Kim Dan to call him when he visits Seoul, failing to acknowledge the depth of their bond. This reminded me of the prince’s fake promise:

He is here actually mimicking Heesung’s behavior who had made a similar offer to the physical therapist: (chapter 35) This shows that Heesung has long internalized this pattern: assistance will be only given, if he is called. That’s why he has no true friend in the end. He shows no interest in others. But by doing so, he is putting the whole responsibility on his counterpart. Through the actor and the manager’s behavior, the former errand boy has long adopted this pattern. Hence he didn’t call Kim Dan in the end. He waited for a signal from his part. This behavior mirrors the little mermaid’s sisters, who only realize her absence when it is almost too late to act. Similarly, Potato’s casual farewell highlights a betrayal of Kim Dan’s friendship, further emphasizing Potato’s struggle with emotional awareness. That’s why I mentioned above that Potato is about to discover his true nature: he is also a sinner. This growth parallels the biblical narrative of Adam and Eve, where the acquisition of knowledge leads to the loss of innocence. Heesung, like Eve, introduces Potato to a new world of experiences, including his sexual orientation. However, this newfound knowledge comes with its own burdens, as Potato must reconcile his identity with the harsh realities of the world around him.

This raises the following question: what if Potato blocks Heesung’s phone number after their break up or argument? (chapter 5) Heesung could no longer express his needs and desires.

The death of the puppy, occurring shortly after Potato’s departure, symbolizes a loss of innocence and marks his transition into adulthood. Yoon-Gu is slowly becoming a new version of Joo Jaekyung, he hides things from Oh Daehyun and the other hyungs. He is blinded by the smiles and gentle gestures of the gumiho. Naturally, there’s no doubt that Heesung is falling in love with the maknae. The latter has become the perfect lover, but his dream is about to get crashed by reality. (chapter 58) Just because one is happy, this doesn’t mean that the other is. For that to happen, communication and honesty are necessary.

(chapter 59) This event underscores the contrasting paths of Joo Jaekyung and Potato. While Joo Jaekyung is forced to give up his principle of “self-reliance,” (chapter 59) Potato’s journey is to discover and embrace the principle of “self-reliance” and autonomy. Only when Potato becomes independent in his thoughts and decisions, can he truly help the main couple.

So far, Potato has relied heavily on the guidance and judgment of others: his hyungs, Park Namwook, Yosep, and Heesung. This dependency is evident when contrasting his behavior in episodes 47 (chapter 47) and 52. Initially, he believed in his hyungs’ description of Joo Jaekyung as a thug, but later he criticized the same fighters for abandoning the athlete (chapter 52), accusing them of lacking loyalty and dismissing their claim that they had nothing to learn from him. Yet, in episode 52, Potato does not reproach Park Namwook or Yosep for their passivity and naivety, (chapter 52) instead solely blaming Joo Jaekyung for not trusting Kim Dan and causing his departure. This selective criticism reveals that Potato still views the older men as inherently good and fails to recognize his own shortcomings. In this way, he mirrors Park Namwook’s superficial loyalty, further emphasizing his dependence on external validation.

Another significant detail is Potato’s absence during the birthday party, where Park Namwook expressed gratitude toward Kim Dan. (chapter 43) This absence highlights how Potato has missed key moments of reflection and acknowledgment, which are essential for his growth. It suggests that Potato is destined to detect the flaws in his hyungs—Park Namwook, Yosep and Heesung’s superficiality, passivity, hypocrisy and selfishness—before he can achieve true independence and contribute meaningfully to the lives of Joo Jaekyung and Kim Dan.

Kim Dan’s attentiveness to Potato’s emotions (chapter 23) —taking over his tasks and noticing his unhappiness (chapter 25) —demonstrates his capacity for genuine care. This contrasts sharply with Heesung’s selfishness and serves as a reminder of the value of mutual support in relationships. Potato’s potential return to the place where he met Kim Dan could symbolize a rediscovery of authentic connections, marking the beginning of his path toward independence and self-realization.

Independence and Rediscovery of Dreams

The little mermaid’s transformation into a daughter of the air signifies her liberation from heartbreak and physical pain. While she loses the prince, she gains something far more significant: a purpose independent of him. Her ascension represents the realization that true fulfillment comes from within, not from external validation. (chapter 58) Notice that Potato is embarrassed here, a sign that he is not happy. And he has a reason for that. Neither Heesung nor Yoon-Gu are coming out, they are still following social norms which reminds us of the prince’s marriage. Furthermore, when the actor is complimenting on Potato’s acting, the latter doesn’t acknowledge it, because deep down he knows that he got this gig through Heesung and their relationship (chapter 58) And like mentioned above, this could become a serious problem for Yoon-Gu. He could be perceived as someone selling himself for a gig. And Heesung is not even realizing the consequences of his intervention and meddling. That’s why it is important for Yoon-Gu to become independent. This lesson resonates with Potato’s journey in Jinx. By recognizing Heesung’s selfishness and breaking free from his influence, Potato has the potential to rediscover his own dreams and individuality. Like Erich Fromm mentioned it, true love is respect, care, knowledge and responsibility. However, Heesung has no idea about the importance of these notions, as everything is evolving around his own needs and dreams.

Besides, if Potato’s dream is still to seek wealth and fame like in the past (chapter 23), he should be aware of the danger in the MMA world, like for example death and bad injuries. Moreover, if we take into consideration that he wanted to be like his role model, it signifies that Yoon-Gu associates fortune and celebrity with happiness which is a real illusion, like Heesung and Joo Jaekyung’s hidden misery and loneliness expose it. But I doubt that the actor ever talked about Yoon-Gu about it.

Finally, Yoon-Gu hasn’t met his former idol yet, so he was not able to see his suffering: (chapter 58) That’s how it dawned on me that little by little Yoon-Gu had been losing his senses: (chapter 31), his smell, then his ears (chapter 52) and finally his eyes: (chapter 58) He forgot the danger coming from Heesung’s words, he could not hear the suffering from the champion due to his bias, and finally he couldn’t see Kim Dan’s distress due to his own feelings and prejudices. We could say that because of the influence from others, he was no longer able to see reality. However, like mentioned before, I sense the return of Potato’s senses in the following panel: (chapter 59) His silence and hesitation shows that he detected something was wrong, but he couldn’t determine that this was related to the actor’s cold and distant goodbye.

In my opinion, Kim Dan has always helped Yoon-Gu to mature and voice his own thoughts and desires. If Potato were to return to the place where he met Kim Dan or learn about Kim Dan’s struggles, it could serve as a pivotal moment in his transformation. Reconnecting with Kim Dan, who genuinely cared for him, might inspire Potato to forge a new path. This could parallel the little mermaid’s ultimate realization that her dreams and identity are separate from the prince.

The Role of the Number Six and Maternal Symbolism

Another significant layer in Andersen’s fairy tale is the little mermaid’s identity as the sixth child. The number six, often associated with motherhood and the heart, highlights her nurturing qualities and selflessness. Her distinctiveness among her siblings is reflected in her unique garden, designed in the shape of the sun, symbolizing her longing for light and individuality. Despite these efforts, no one paid attention to her garden, mirroring how her inner world and emotions were overlooked. And this coincides with my observation about the numbers in Jinx. 6 announces the beginning of a new relationship.

This parallels Kim Dan’s experience in Jinx, where his well-being and emotions are ignored by those around him. He, too, acts as a maternal figure, selflessly caring for others while receiving little in return. This maternal role further emphasizes the weight of his sacrifices and his struggle to be seen as an individual.

The death of the puppy (chapter 59), coinciding with Potato’s departure, underscores this theme of overlooked emotions and unreciprocated care. As Joo Jaekyung reflects on Kim Dan’s comparison of Potato to a puppy, it may catalyze a pivotal shift, prompting him (chapter 29) to adopt a puppy for the doctor’s sake and bring him to their new home.

Conclusion: Love, Dependency, and the Pursuit of Dreams

The Little Mermaid and Jinx both explore the complexities of love, conditional relationships, and the search for independence. Andersen’s tale warns against losing oneself in the pursuit of another’s love, emphasizing the importance of self-discovery and personal growth. In Jinx, these themes are echoed through the dynamics between Heesung, Potato, and Kim Dan. Joo Jaekyung, as an illusionary prince, represents the dangers of idolization, while Heesung’s selfishness highlights the pitfalls of conditional love. Ultimately, the journeys of these characters underscore the importance of finding one’s own voice, embracing individuality, and pursuing dreams on one’s own terms.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Snapshot 🖼️ of Fate’s🧵 Hands 🫶

Introduction

The journey of Joo Jaekyung finding Kim Dan (chapter 59) is a masterful interplay of symbolism, reflection, and narrative breadcrumbs laid out by Mingwa. Central to this exploration is a photograph (chapter 59) —an innocent request by the nurses at the hospice (chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious (chapter 59) led him to the shore, driven by despair and suicidal intent, the MMA fighter’s journey stands as its opposite: (chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. (chapter 59) This deliberate action underscores the contrast between their emotional states and sets the stage for their eventual reunion. The stay of Heesung and Potato (chapter 59) embodies the negative reflection of Joo Jaekyung’s purposeful arrival. We can detect the divergences: day versus night, work versus break, healthy versus unhealthy etc. Through the juxtaposition of images and situations, Mingwa provides profound insight into the characters’ thoughts, desires, and intentions. The photograph’s role becomes pivotal: while it marks the end of Heesung and Potato’s visit (chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.

At first glance, the photograph (chapter 59) features key individuals such as Heesung, Potato, the green-haired nurse, and the director of the hospice (chapter 59) —each of whom had interacted with Kim Dan (chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture (chapter 59), if the nurses had not insisted (chapter 59), or if the photograph (chapter 59) had remained entirely private (only Kim Dan, Potato and Heesung together), the chain of events might not have unfolded. Each of these “ifs” reflects the delicate interplay of fate and intervention, where seemingly small actions cumulatively wove the threads that guided Joo Jaekyung to Kim Dan. This demonstrates how intentional and unintentional acts alike can influence the larger narrative, ultimately intertwining lives in unexpected ways. The “if” becomes a recurring symbol of fate and intervention. Through a process of deduction and analysis, the photograph emerges as the link that sets fate into motion, guiding Joo Jaekyung to his lover. The stay of Heesung and Potato, defined by inaction, lies (chapter 58) (chapter 58) (chapter 58), ignorance and superficiality (chapter 58), becomes the shadowed reflection of the proactive search by Joo Jaekyung. This interplay of light and dark is central to unraveling how fate unfolded.

Potato, Heesung, and the Decision to Stay Silent

Heesung (chapter 58) and Potato, despite their contrasting motivations (chapter 58), came to the same conclusion: they should not reveal Kim Dan’s whereabouts to Joo Jaekyung. Heesung argued that Kim Dan was better off in his secluded life, away from the chaos of Joo Jaekyung. Potato, deeply trusting his lover’s seniority and judgment, chose to follow Heesung’s lead. Their decision reflects not only their loyalty to Kim Dan’s expressed wishes but also their passive adherence to the belief that avoiding intervention was a form of help which reminds us of Potato’s former principle: (chapter 35) This shows that despite the last incident, Yoon-Gu didn’t drop this terrible principle. Notice that he is advocating the same philosophy than Shin Okja. Heesung justified his stance by claiming that it was in Kim Dan’s best interests (chapter 58), implying that the relationship between Kim Dan and Joo Jaekyung was toxic. However, his reasoning revealed a deeper selfishness: Heesung harbored resentment and sought to see his frenemy suffer as payback for the humiliation and damages he had endured. (chapter 58) This hidden motivation underscores the complexity of his actions and casts doubt on his proclaimed concern for Kim Dan.

This decision persisted throughout their ten-day stay at the hospice. (chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets (chapter 59) (chapter 59) —suggests that Joo Jaekyung arrived only two days after Heesung and Potato left. This indicates that neither Potato nor Heesung leaked the information to Joo Jaekyung, as the champion would have sought Kim Dan immediately if informed by them. Instead, this photograph—seemingly public rather than private—became the clue he needed. Moreover, since the two friends knew where Kim Dan lived, I am assuming that he would have gone right to the doctor‘s rented room. But he did not. He went to the beach. Since the nurses didn‘t notice that Kim Dan was a friend of Potato and Heesung and mistook him for a fan, I am assuming that only the two friends know his address.

The Photograph as the Catalyst

The photograph holds immense symbolic and narrative weight. It was not meant to expose Kim Dan (chapter 59); it was requested by the nurses as a keepsake for their time with the visiting celebrities. Initially intended as a simple memento, the photograph transformed into the thread that connected Joo Jaekyung to Kim Dan. Importantly, the identities of Heesung, Potato, the green-haired nurse, and the hospice director all become relevant, as each had interacted with Kim Dan during his time at Light of Hope.

This public nature of the photograph underscores the idea of “hiding in plain sight.” Kim Dan was among a crowd, blending into the background, not anticipating that anyone would recognize him. However, this picture became the critical link for someone who initially focused on Heesung, Potato, or the green-haired nurse or the hospice director. The person looking at the picture was not searching for Kim Dan but discovered him by accident, making the revelation both unexpected and serendipitous. This discovery highlights how fate operates through chance and unintentional connections. It serves as a prelude to exploring the contrasting dynamics of intervention, from misguided actions to purposeful assistance, which will be further examined in the comparative analysis.

Thus it is unlikely that the information came from members of Team Black, in particular from Oh Daehyun and Kwank Junbeom. Initially, I envisaged them as potential candidates, for Oh Daehyun has always had sharp eyes (he has an eagle as tattoo) (chapter 8) (chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. (Chapter 48) Nonetheless, there exist significant points against this theory. Despite their fondness for the actor (chapter 30) and their interactions with Heesung and Potato (chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday (chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . (chapter 58) His “redness” indicates that he doesn’t want to expose his special relationship with Heesung. Therefore I believe that he didn’t mention this trip to other members. Consequently, I doubt that the members were looking for Potato in such a photograph. Furthermore, from my perspective, members of Team Black are still left in the dark about Joo Jaekyung’s struggles. They are unaware of his drinking habits (chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and (chapter 57) the interview suggested that Joo Jaekyung was taking a break to recover from his injury, leaving no indication of his active search for Kim Dan. However, Yoon-Gu got informed through Heesung that Joo Jaekyung was desperately looking for him: (chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information.

This leaves only the green-haired nurse and the hospice director as plausible sources of assistance. However, the hospice director can be ruled out, as he did not make the request for the photograph. His lack of direct involvement in this key moment suggests that his role in connecting Joo Jaekyung to Kim Dan was minimal, leaving the nurse as the final candidate.

The green-haired nurse (chapter 59), while not pivotal in initiating the photograph (chapter 59) —this was driven by her colleagues’ request—holds a central position in the narrative due to her placement next to Kim Dan in the picture. Although quiet, observant (chapter 57) and unassuming (chapter 57), her positioning reflects Mingwa’s deliberate storytelling, emphasizing her subtle yet crucial role in connecting the threads of fate. She is also unlikely to have directly contacted Joo Jaekyung. As an average nurse living far from Seoul, she would not have access to the champion’s contact information or knowledge of his search for Kim Dan. However, this does not exclude her influence entirely. My idea is that she shared the photograph with someone close to her—a family member or friend—turning what was initially a public image into a private clue. Through this intermediary, the picture may have reached someone who recognized Kim Dan and understood his connection to the MMA fighter. This chain of events underscores the role of chance and intervention in the narrative and suggests that another, yet unknown, individual helped guide Joo Jaekyung to his destination.

In season 1, both Joo Jaekyung and Kim Dan became victims of schemes (chapter 50) (chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog (chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. (chapter 59) Symbolically, their request took place on the road, metaphorically paving the way for the reunion between Joo Jaekyung and Kim Dan. This act of intervention can also be compared to the three fairies in Sleeping Beauty (chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.

Comparative Analysis: Bad Help vs. Real Help

And now it is time to show the table with the comparative analysis which helped me to determine the identity of the “decisive helper”.

AspectHeesung and Potato (Bad Help)The Anonymous Helper and Joo Jaekyung (Real Help)
MotivationCoincidence – They visited Kim Dan for unrelated reasons and deferred to his expressed wishes to stay hidden.Purposeful – Joo Jaekyung actively searched for Kim Dan, aided by the helper’s deeper insight.
Driving ForceHeesung dominated decision-making; Potato followed blindly out of trust.Collaborative – The helper actively supported Joo Jaekyung with information and empathy.
Knowledge of Kim DanLimited to surface-level observations, unaware of his deeper struggles (derealization, isolation).Comprehensive understanding of Kim Dan’s physical and emotional state, possibly worsened by isolation.
Knowledge of Joo JaekyungNone; they did not factor in Joo Jaekyung’s struggles or his importance to Kim Dan.Awareness of Joo Jaekyung’s emotional repression, suffering and need for reconciliation.
Action TakenChose not to reveal Kim Dan’s whereabouts, leaving him isolated and misunderstood.Proactively helped Joo Jaekyung locate Kim Dan, recognizing their interdependence.
Impact on Kim DanReinforced his isolation and emotional detachment, respecting his wish to remain hidden but worsening his condition.Facilitated a reunion, offering support and an opportunity for Kim Dan to heal through connection.
Encounter TimingDuring the day, casual and detached, focused on surface-level interactions.At night, intimate and deliberate, focused on reconnecting and providing real help.
Interaction DepthMinimal – They barely talked to Kim Dan and misunderstood his deeper needs.Profound The helper’s understanding of both characters allowed for meaningful assistance.
Emotional ToneMisguided loyalty, passive adherence to Kim Dan’s expressed wishes without deeper consideration.Empathy-driven, with active efforts to address both Kim Dan’s and Joo Jaekyung’s struggles.
Identity of the HelperHeesung and Potato: Superficial understanding, driven by friendship and blind trust.Anonymous Helper: Likely someone who knows both Kim Dan’s struggles and Joo Jaekyung’s challenges
Motivated ByFear of “making things worse” by interfering, leading to inaction. Heesung sees Joo Jaekyung as a violent, drunk and selfish ruffian So the other person should stand for the opposite notions: Genuine care and understanding of the importance of reconnection for both parties.
OutcomeLeft Kim Dan emotionally isolated and neglected Joo Jaekyung’s need to help him.Enabled Joo Jaekyung to find Kim Dan, fostering potential healing and growth for both.

Portrait of the Anonymous Helper

The anonymous helper stands out as a figure of quiet significance, bridging the emotional and practical divide between Joo Jaekyung and Kim Dan. Acting out of genuine care and empathy, this individual demonstrated a nuanced understanding of the connection between the two protagonists. While they may not have known all the details of Kim Dan’s struggles or Joo Jaekyung’s emotional turmoil, their insight and actions played a pivotal role. By recognizing the doctor in the photograph and ensuring it reached the athlete, who could act upon it, the helper catalyzed the reunion. Their ability to intervene discreetly and purposefully exemplifies the transformative power of small, compassionate gestures. This role, often unnoticed in its quiet execution, serves as a symbol of how intentional yet modest actions can shape the course of fate.

The Angel’s Intervention

And all these clues led me to Cheolmin! (chapter 13) The latter knew the PT’s face, (chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. (chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge (chapter 13), the death of a man and finally urgency. Moreover, remember what his friend told him before: the importance of rest and (chapter 13) He should send him to the hospital for tests, but the fighter refused. Why? It is because the latter feared his “chingu”. The doctor seemed rather interested in Kim Dan, therefore he feared that the PT might dump him for a “colleague”. That’s why Heesung was sent later to his gym. Karma was punishing him for not listening to his friend’s advice. Finally, it is important to recall his advice: (chapter 13) His recommendation makes him a clear supporter of the couple which stands in opposition to the second couple: Heesung and Potato. That’s why I am suspecting that the actor is about to receive his own punishment!! Who is standing next to Kim Dan? (chapter 59) The Cute Potato! The actor is about to get a rival. But let’s return our attention to Cheolmin. Though in episode 13, he remained unaware of Kim Dan’s true identity and personal struggles, I have the impression that he got updated by the athlete later. (chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. (chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, (Chapter 13), it is also possible that he could have heard about the last incident in the restroom with doc Dan’s replacement. Since Cheolmin found Dan cute, it is very likely that he was also drawn to the surrogate „Dan“. But I don‘t think, this was enough to intervene, as Joo Jaekyung didn‘t ask for his help.

However, this must have changed, when Cheolmin came across the photograph and recognized Kim Dan, his prior connection to both men could have inspired him to act. Moreover, since he had examined Kim Dan before, as a detailed -oriented physician, he could have detected the pale face of Kim Dan. (Chapter 59) Moreover, if he talked with the green-haired nurse, he could have heard about his unusual tiredness and spacing out. This would reflect the theme of fate weaving unlikely connections into the narrative. Cheolmin’s invisible intervention would also underscore the contrast between those who act out of genuine care and those who avoid involvement due to fear or inaction. However, since the champion came at the right time, it is likely that Joo Jaekyung will feel deeply grateful to the person who informed him. This gratitude may pave the way for Joo Jaekyung to trust others more fully and recognize the value of relying on others’ judgment.

Finally, I would like to remind my readers about my previous portrait of the mysterious doctor Cheolmin: I compared him to an archangel and to Neptune and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision (chapter 13), not to listen to his true friend, the one who was not called (chapter 56), but who reached to him, when Joo Jaekyung needed assistance the most. He was the only one who was accepting the fighter’s struggling, whereas Park Namwook chose to bury the truth.

Contrasting the Two Photographs

The two significant photographs in Jinx—one of Kim Dan and his grandmother (Chapter 19) and the group photograph at the hospice

(chapter 59) (Chapter 59)—serve as visual metaphors for Kim Dan’s emotional state and his evolving journey. However, their contrast is best understood through an analysis of key aspects: location, subjects, feelings, and the importance of memory.

Location: The first photograph, taken in a garden filled with vibrant flowers, symbolizes life and nature. This imagery conveys warmth and innocence, yet in reality, it reflects ephemerality and death due to the flowers. Moreover, it is ironically undercut by the secrecy surrounding the picture, as it was hidden from view. That’s why the readers can not identify the location and occasion for this image too. In contrast, the hospice setting of the second photograph can be more easily identified and located. In addition, it represents a more clinical and structured environment. On the other hand, it contains a common denominator with the first image: death and temporality. This means that The “Light of Hope” sign in the background casts a dual shadow. On the one hand, it signifies the grandmother’s oppressive influence but also hints at the possibility of healing and reconnection. Someone else will take over her place.

Subjects: The first photograph features only Kim Dan and his grandmother, emphasizing their private and familial bond. This simplicity, however, underscores Kim Dan’s isolation and dependency on a single flawed relationship. The group photograph, on the other hand, is crowded with people: nurses, hospice staff, and celebrities. The collective setting reflects a growing sense of community, albeit one where Kim Dan remains on the periphery. His inclusion in this photograph marks the beginning of a tentative integration into a broader social circle.

Feelings of Kim Dan: In the first photograph, Kim Dan’s childlike happiness is genuine, hence I am suspecting that the halmoni’s smile was not sincere. How so? It is because in the hospice photograph, Kim Dan’s outward expressions appear subdued, reflecting discomfort and reluctance. Everyone is happy except him, but no one noticed it. Hence I believe that in the first picture, Kim Dan has been idealizing his grandmother’s happiness. However, since he is now struggling, I see this new picture as a good sign. This juxtaposition highlights his transition from stagnation and idealization to a fragile but growing acceptance of connection and support.

Importance of Memory: The childhood photograph was hidden, suggesting that it served more as a relic of the past than a tool for connection. For Kim Dan, it embodied a memory of his grandmother’s love, but for her, it likely held no such significance—highlighting her emotional distance. In contrast, the hospice photograph, initially intended as a lighthearted memento, became a pivotal clue in reuniting Kim Dan with Joo Jaekyung. Its transformation from public to private use underscores the power of shared memories in forging connections. Furthermore, since the second picture announces the future reunion of the protagonists, I am connecting the first picture to a future „separation“. On the other hand, the second image was taken just before they departed, so both photographs are linked to separation and departure.

Photographer’s Identity: The identity of the photographer adds another layer of contrast. The hospice photograph was taken by Heesung’s manager, someone connected to work and external responsibilities. In contrast, the photographer of the childhood image remains unknown, shrouding the moment in secrecy. This anonymity, combined with the hidden nature of the photograph, reinforces its association with private pain and toxic positivity. Both images carry “ghosts”—the grandmother’s influence and the silent presence of the anonymous photographer—highlighting the themes of temporality and loss in Kim Dan’s journey.

Through these comparisons, it becomes evident that the first photograph symbolizes stagnation, secrecy, and unspoken pain, while the second reflects progression, albeit hesitant, toward community and healing. These images serve as mirrors of Kim Dan’s journey, reinforcing Mingwa’s use of visual storytelling to depict the interplay of isolation, connection, and fate. This comparison serves another purpose as well. Keep in mind that the one who desired to have a private picture was Potato (chapter), he wanted to have a good memory of his stay there with Heesung and Potato. However, this is how it looked like in the end: (chapter 59) It became the synonym for “work” and “fame”. So should the news about Kim Dan’s action reach Potato’s ears, he can only get shocked. What he thought to be a happy memory, was not, because he was unable to detect his friend’s suffering. He was not a true friend. As you can see, I have the feeling that this image will drive an edge between the second couple in the end. Let’s not forget that the actor is now using friendship and work to hide his true relationship with Yoon-Gu. So far, he has not been honest to the chow chow. He used his innocence to his advantage. However, the doctor’s attempted suicide announces the loss of Potato’s real innocence.

Conclusion: A Green Thread Among the Red

Through the photograph and the green-haired nurse’s inadvertent intervention, Joo Jaekyung was led to Kim Dan. The story’s thematic underpinnings—fate, connection, and the contrast between isolation and community—culminate in this reunion. Joo Jaekyung’s journey was not simply guided by one person but by many, each playing a small but significant role in weaving the threads of fate. If Potato had not asked for the photograph, if the nurses had not encouraged its capture, or if someone like Cheolmin had not acted upon it, the outcome could have been vastly different. These small moments of intervention underscore the story’s larger theme: the quiet power of collective action. However, keep in mind that Kim Dan met the actor and the „puppy“ by coincidence. So in their meeting, fate still played a role: the beach. As you already know, my theory is that Joo Jaekyung recognized Kim Dan‘s back from the road, as the latter is higher than the beach. And where did the nurses asked for the picture with Heesung? (Chapter 59) They were standing on the road. On his way to the hospice, he arrived by the coast, from there he could see the ocean. Nature (sea) brought them together, just like the dog Boksoon let Kim Dan reunite with his friends.

Interestingly, (chapter 59) Kim Dan’s ocean scene—a night devoid of moonlight—symbolized his emotional turmoil and loss in the darkness which marks the end of the grandmother‘s power over her grandson‘s life. By contrast, Joo Jaekyung’s intervention represents the light of hope rekindled (chapter 59), offering Kim Dan a chance for healing and reconnection. He embraces him, something his grandmother has not been able to provide lately, Through this journey, Joo Jaekyung also learns to trust others and realize that self-reliance, bolstered by money alone, is insufficient. His disillusionment with Park Namwook, who failed to act on his requests, should further cement this realization. Gradually, Joo Jaekyung comes to value genuine support and collaborative effort, paving the way for both his and Kim Dan’s growth.

This narrative progression, captured through time, characters, and symbolism, ultimately reveals that Joo Jaekyung’s journey to finding Kim Dan was not simply one of chance. It was a testament to the interconnectedness of lives and the quiet power of actions—a snapshot of fate’s many hands.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Wolf’s 🐺 Cure ⚕️ Among The Sheep 🐑

Introduction

The second season of Jinx promises to delve deeper into the lives of its main characters, transitioning from the confines of the gym (chapter 54) and penthouse (chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” (chapter 56) in a small town on the West Coast (chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged (chapter 16) (chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, (chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information (chapter 48) and using Shin Okja as a guinea pig for trial treatments (chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: (chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion (chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. (chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, (chapter 57) who no longer appears in the news.

Contrasting the Hospice and MFC

The hospice, Light of Hope, does not offer healing in the traditional sense, as its patients are no longer hoping to be cured. Instead, it provides a space for those burdened by emotional scars to wait for death in a positive way, (chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating (chapter 36) (chapter 35) (chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives (chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. (chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: (chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony (chapter 57) which contrasts so much to the mentality at the gym. There, no one paid attention to the well-being of Kim Dan or the athlete. The latter had to burden everything on his own. The hospice’s focus on teamwork and selflessness mirrors the qualities of the sheep—often symbols of conformity but also of communal support and altruism.

On the other hand, the grandmother believes she has found her “family” and “roots” at the hospice (chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: (special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets.

The MFC, in contrast, represents the worst of hierarchical power dynamics. It stands as a symbol of industrialization, producing ‘champions’ not for their personal growth or well-being but for monetary gain. Fighters are treated as commodities, molded and exploited for profit in a system that prioritizes output over humanity. As an organization, it prioritizes profit over the well-being of its fighters, fostering a culture of exploitation and blind obedience. Joo Jaekyung’s realization of these flaws will likely spur his transformation into the true owner of the gym, imposing his values of loyalty, care, and protection.

Defining the Cure: Reconnecting with the True Self

For Joo Jaekyung, the “cure” lies in reconnecting with his true self and rediscovering his childish side, something he could only experience twice in season 1. He had fun with Kim Dan by his side (chapter 26) (chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.

Central to this transformation is his relationship with Kim Dan. Taking care of Kim Dan—physically, emotionally, and mentally—becomes a pathway for Joo Jaekyung to rediscover his own humanity and generosity. However, it becomes evident that the one truly dying a slow death is Kim Dan. His negative change, marked by physical and emotional decline, should make the champion realize that Kim Dan has been identifying himself with the athlete. The last incident appears to have “killed” the physical therapist’s spirit, leaving him a shadow of his former self. (chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: (chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.

Education also stands at the center of Season 2, exemplified by Boksoon (chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean (chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water (chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.

Moreover, the professional dynamic between them shifts significantly in Season 2. With Joo Jaekyung hiring a new physical therapist (chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.

The Role of Mirrors and Mentors

Key secondary characters at the hospice serve as mirrors and mentors to the main leads. The landlord (chapter 57) and the yelling patient (chapter 57), represented as an ibex, embody qualities that challenge Joo Jaekyung and Kim Dan to confront their past traumas and current flaws. The ibex’s defiance contrasts with the sheep-like conformity of the hospice patients, encouraging Potato, Kim Dan and Joo Jaekyung to question the blind obedience that has shaped their relationship with figures like Park Namwook. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

Nurses 1 and 2, previously conceptualized as (chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself (chapter 57), she was able to note that he was suffering mentally and emotionally. She diagnosed it as burn-out. Then in the latest chapter, a new nurse appeared. With her green hair and glasses (chapter 57), she reminded me of the champion’s friend: (chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.

The Symbolism of Wolves, Sheep, and the Illustration

The wolf symbolizes love, family, and protection, qualities that Joo Jaekyung begins to embody as he nurtures Kim Dan and confronts his own vulnerabilities. The illustration visually represents this duality: the wolf in sheep clothes, walking towards the hospice, embodies Joo Jaekyung’s fierce yet diminished and protective nature, while the broken tree—representing Kim Dan—signals his fragile state and the need for healing. Together, the wolf and the sun symbolize Joo Jaekyung’s journey toward self-discovery and redemption, as he draws strength from the tree’s shade, embodying Kim Dan’s care and quiet support.

Meanwhile, the sheep represent conformity and selflessness, but the presence of the ibex disrupts this harmony, standing as a challenge to blind obedience. I have to admit that the patient’s reaction (chapter 57) reminded me a lot of Yoon-Gu’s (chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.

Wolves also represent loyalty and teamwork, values that stand in stark contrast to the selfishness and manipulation he experienced at the MFC. Meanwhile, the sheep, often dismissed as symbols of conformity, carry a deeper meaning at the hospice. They embody gentleness, warmth (due to their wool), selflessness and community, traits that Joo Jaekyung learns to appreciate and emulate. That’s how the wolf will learn how to give warmth and comfort to his fated partner. The hamster can only feel grateful towards his benefactor pushing him to reciprocate the attitude. Then the moon, embodied by the doctor, will become the guardian of the champion so that the latter can little by little recover from his insomnia and recurrent nightmares.

A Journey of Transformation

In a world where individuals are on the verge of death, Joo Jaekyung discovers his own senses: his humanity and generosity. The hospice provides a space for him to reconnect with his true self, guided by the lessons he learns from Kim Dan, the nurses, and the “mirrors” of the landlord and the ibex. This transformation not only redefines his relationship with Kim Dan but also prepares him to reclaim his rightful place as the leader of the gym, imbuing it with values of care and protection. Furthermore, the hospice teaches Joo Jaekyung the value of rest and relaxation (chapter 57), concepts he had previously dismissed as “laziness.” (chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.

Ultimately, The Wolf’s Cure Among the Sheep is a story of healing through connection, a reminder that even in a world marked by competition and death, humanity and generosity can flourish when the heart is truly in it.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Craving Mama’s 👩‍👦Shine ☀️ – part 2

Mama or Joo Jaekyung?

After reading the first part, my follower and avid reader @rantofalifetime brought my attention to this panel. (chapter 57) She wondered if this nickname “MAMA” was not a spelling mistake, and that the translator might have meant “MMA fighter Joo Jaekyung.” Intrigued by this possibility, I sought clarification, and indeed, in the Japanese version (episode 57) the reporter introduces the main lead differently: “Next, we have news regarding Joo Jaekyung.” This subtle difference is significant for three reasons.

Fighter Joo Jaekyung and its implications

First, it shifts the tone of the news. By omitting the nickname “MAMA” and using a more neutral phrasing, the journalist appears more professional and unbiased. This deliberate neutrality lends credibility to the report, giving viewers the impression that the information presented is factual and untainted by bias. Second, this choice strategically conceals the existence of any underlying manipulation or conspiracy, aligning with the larger narrative tactics observed throughout the interviews. The omission of the nickname highlights the calculated nature of MFC’s media strategy, showcasing how tone and language are carefully curated to influence public perception. Finally, like my friend noticed it, something was missing in this introduction: the nickname Emperor. The omission of the nickname “The Emperor” in the second interview is a subtle yet significant detail. It not only signals a shift in how Joo Jaekyung is perceived but also reveals a deliberate effort to undermine his status. As my friend keenly observed, this change in language demotes the champion from his previously exalted position. While he was once heralded as “The Emperor,” the absence of this title in the current narrative exposes an underlying strategy of manipulation and control. It is as though his stature is being diminished step by step, aligning with MFC’s broader agenda to distance themselves from his achievements and frame his struggles as personal failings. This seemingly minor detail becomes a glaring indicator of the deception at play, further underscoring the calculated nature of the interviews. On the other hand, they are not using the suspension as an excuse for the loss of his title. (chapter 57) And what does it mean?

Rewriting the past

The organization’s deliberate omission of the health center incident (chapter 52) and the suspension from their narrative highlights a calculated effort to erase inconvenient truths that could tarnish not only MFC’s reputation but also that of the medical professionals complicit in their schemes. Let’s not forget (chapter 41) the complicity of the doctors who cleared Joo Jaekyung to fight despite his evident injuries as another example of the corruption within this world. Moreover, by avoiding any mention of the suspension (chapter 52) (chapter 57), which stems from Joo Jaekyung’s actions at the health center, MFC ensures that questions surrounding the incident—such as the switched spray and the deliberate injury to his ankle—are never raised. This allows both the organization and the doctors involved to escape scrutiny.

By neglecting to use the suspension as a justification for the champion’s alleged fall from grace, MFC subtly frames the athletes as solely responsible for their setbacks, deflecting attention away from systemic corruption. The erasure of the health center brawl, where Baek Junmin provoked Joo Jaekyung, (chapter 52), is not only a protective measure for MFC but also shields the medical professionals who facilitated the situation. Doctors at the health center failed to report the ankle injury caused by the sabotage (chapter 50), further implicating them in a network of complicity and greed. Their decision to place the two fighters next to each other without proper privacy measures, such as curtains, reveals a disregard for professional ethics in favor of spectacle and profit. I would even add, the decisions from the health center’s medical staff, played a significant role in escalating the situation. By placing Joo Jaekyung and Baek Junmin next to each other post-fight, without appropriate measures like curtains to ensure separation, the health center created an environment ripe for conflict.

This negligence directly contributed to Baek Junmin’s severe injuries , (chapter 52) as the provoked champion lashed out in an unregulated setting. The decision to ignore these systemic failures and instead to suspend Joo Jaekyung suggests a deeper layer of complicity from the medical world, where doctors and nurses prioritized organizational demands and reputational interests over ethical responsibilities. Their failure to report the provocation and the ankle injury caused by the switched spray further highlights their alignment with MFC’s corrupt practices.

The vanishing of the shooting star

This complicity extends to Baek Junmin’s trajectory as a fighter. Once celebrated as a rising star with “star quality” (chapter 47) and favored by MFC’s CEO, Baek Junmin has now been discarded, his relevance extinguished the moment he ceased to serve the organization’s agenda. (chapter 57) His involvement in the underground fighting circuit and illegal gambling adds a layer of complexity to his role. (chapter 47) His background, combined with his visible association with MFC’s CEO, positions him as a key figure who could potentially expose the organization’s darker practices.

Rather than remaining a simple antagonist to Joo Jaekyung, Baek Junmin’s evolving role shifts him toward that of a pivotal witness. His potential testimony against figures like Choi Gilseok and the corrupt medical professionals could unravel the facade that MFC has worked so hard to maintain. This transformation invites readers to reconsider the hierarchy of villains and victims within the narrative. While Baek Junmin’s earlier provocations painted him as an adversary (chapter 49), his ultimate fate now reflects the broader cruelty and exploitation perpetuated by those in power. That’s how I realized the other signification of the cross below his left eye. The latter symbolizes his blindness in the end. The cross signifies his inability to see beyond the role he played within the system—a symbol of his naivety and misplaced confidence. Baek Junmin believed he understood the brutal reality of the fighting world, given his background in underground rings and illegal gambling. He thought his experience and cunning gave him an edge, making him untouchable or indispensable. However, his taunts to Joo Jaekyung (chapter 49) reveal a man who overestimated his position within the organization.

His role as a fighter in the shadows, bound by corrupt systems and ruthless practices, prevented him from recognizing his true dispensability. MFC’s abandonment of him after his injuries and the lack of media attention further underline this. Baek Junmin, who once took pride in being part of such a system, failed to realize that he, like Joo Jaekyung, was merely a pawn in a game controlled by higher powers. The cross, therefore, becomes a stark reminder of his ignorance—not just of his own situation but also of the shared plight of those exploited within this system.

This blindness also extends to his inability to see himself as part of a larger narrative of manipulation. His dismissal by MFC, after being paraded as the next rising star, parallels the broader exploitation of fighters, making him not just a villain but also a victim. The irony is that while he mocked Joo Jaekyung’s perceived vulnerabilities, he was equally, if not more, vulnerable to the same forces that ultimately discarded him. (chapter 52) Thus he is erased from the news.

Between Fiction and Reality

This dynamic highlights the dehumanizing nature of the combat sports world portrayed in the story. Fighters are reduced to pawns, manipulated through orchestrated narratives, and discarded when they are no longer useful. The inclusion of Baek Junmin as a potential whistle-blower not only reveals the systemic corruption within MFC but also foreshadows a potential turning point. His decision to expose the illegal activities he has witnessed, including the complicity of the doctors, could serve as the catalyst for dismantling the network of exploitation controlling the fighters’ lives. His evolution from a rival to a reluctant ally, shaped by shared experiences of manipulation and abandonment, would underscore the collective struggle of those ensnared in the system. This would emphasize the need for unity among the exploited in confronting the forces of greed and corruption that dominate their lives. On the other hand, since in episode 54, the champion is blaming Baek Junmin once again (chapter 54), it shows the athlete’s lack of reflection and insight. He hasn’t been able to discern the truth, the corruption of his “world”. This means that he needs to travel and experience a whole new world. The contrast would serve as an eye-opener for the athlete.

Mingwa’s storytelling in Jinx is layered with sharp social commentary, and the narrative’s critique of organizations like MFC can certainly be seen as a mirror to real-life entities such as the UFC. By delving into the corrupt underpinnings of MFC, Mingwa exposes the dehumanizing aspects of combat sports, where fighters are reduced to commodities rather than respected athletes. Through characters like Joo Jaekyung and Baek Junmin, the story critiques the exploitation, systemic manipulation, and lack of accountability within these organizations.

The parallels are striking. Just as MFC uses fighters for profit and discards them when they’re no longer useful, real-life organizations in the fighting industry have faced criticism for their treatment of athletes—be it inadequate healthcare, manipulated narratives to boost viewership, or prioritizing financial gain over the fighters’ well-being. The absence of transparency, as seen in the suspension’s omission in Jinx, reflects a calculated attempt to control the narrative and avoid scrutiny, a tactic not uncommon in corporate sports environments.

Silencing the Outsider: MFC’s Strategy Against Kim Dan

The second interview (chapter 57) holds significant weight in the context of Kim Dan’s storyline, as it appears to be strategically (chapter 56) released shortly after the champion’s urgent request to locate him. This timing is no coincidence. Instead, it reflects a calculated effort to manipulate both the public narrative and Kim Dan’s own perception of his role and value. By introducing the anonymous person as “one of his close associates”, it implies that the champion has already moved on from the protagonist. He is not missing him at all. At the same time, it implies that within a short time, the person was able to get the athlete’s trust which stands in opposition to this scene: (chapter 51) Thus I conclude that the interview serves a dual purpose: to emotionally undermine Kim Dan and to cement his estrangement from Joo Jaekyung.

First, the interview subtly shifts the blame for the champion’s so-called “loss” onto external factors, including his struggles with recovery and mental well-being. (chapter 57) While it does not explicitly mention Kim Dan, the implications are clear. As someone who was deeply involved in Joo Jaekyung’s health and recovery during the lead-up to the match, Kim Dan is indirectly made to feel responsible for the champion’s struggles. This psychological manipulation creates a sense of guilt, making him question his capabilities as a physical therapist and his influence on the champion’s performance. However, they fail to achieve their goal, because his subsequent reflections reveal a deeper realization (chapter 57): his regret was not merely about using the spray but about his failure to assert himself professionally. (chapter 49) By complying unquestioningly with the champion’s requests, he had diminished his role, acting more like a servant than a competent physical therapist. The interview, though painful, (chapter 57) serves as a harsh wake-up call, forcing him to confront his own shortcomings and reevaluate his behavior.

The introduction of the new physical therapist further amplifies this shift in perspective. If the new PT indeed represents a professional eager to stand in the spotlight and claim authority, their presence acts as a stark contrast to Kim Dan’s former passivity. It highlights the missed opportunities in Kim Dan’s past—instances where he could have spoken up (chapter 41), drawn boundaries, and made his expertise known. I would even add that he never felt responsible for the champion’s reputation in the media (chapter 36) Hence he remained passive all this time. His negligence becomes more obvious, when the media released this wave of articles: (chapter 52) Thus I discern a turning point in the doctor’s mentality. The last interview served as a painful wake-up call. This juxtaposition not only deepens Kim Dan’s understanding of his mistakes but also offers a model for the kind of professional he aspires to become. He can, if he wants to be in the spotlight: (chapter 41) In addition, while many Jinx-Philes are blaming the champion for his outburst, (chapter 50) rejection and (chapter 50) accusations, (chapter 51), the main lead is not blaming his fated partner at all. Why? It is because none of this would have happened, if he had acted as PT and trusted his own hands. He was too passive, standing by the sideline. He never became proactive. (chapter 57) Therefore I deduce that the doctor should be gradually become aware of his grandmother’s wrongdoings: her passivity in front of bullying and ostracism is one of the reasons for his low self-esteem. Besides, we should keep in mind his other confession which outlines (chapter 47) his indifference and lack of professionalism. In the end, the grandmother is the reason for his lack of professionalism and neglect.

But let’s return our attention to the second interview. The latter, while deeply manipulative and likely intended to isolate both Kim Dan and Joo Jaekyung, inadvertently sparks a positive transformation. It forces Kim Dan to grapple with the realities of his role and recognize that his value as a physical therapist lies in his ability to assert his knowledge and make independent decisions. What was meant to discredit him 😉 becomes the catalyst for his growth, paving the way for him to reclaim his agency and redefine his identity within the professional and personal dynamics surrounding Joo Jaekyung. I would even add that it pushes him to separate private life from professional matters.

At the same time, the interview appears to diminish Kim Dan’s importance by omitting any reference to him altogether. (chapter 57) This omission sends a message: the champion is being “taken care of” by others, including the newly hired physical therapist, whose role is subtly elevated through the term “close associate.” By erasing Kim Dan from the narrative, MFC effectively undermines his connection to Joo Jaekyung and makes it seem as though his presence and contributions are no longer required. The implicit rejection is a cruel strategy designed to isolate him further and ensure that he stays away from the champion.

Kim Dan’s status as a freelancer further highlights the precariousness of his position. (chapter 54) Unlike the newly hired PT, who likely has the backing of a hospital or organization, Kim Dan operates independently. This independence, while offering a degree of freedom, also makes him vulnerable. He lacks the institutional support that could shield him from the manipulative tactics of MFC. Moreover, his independence places him in direct contrast to the systemic corruption that permeates MFC and its associated entities. As someone who has already been victimized by two major deceptions—the drugged nutrition shake (chapter 37) and the switched spray (chapter 57) —Kim Dan stands as a figure who threatens to expose the cracks in MFC’s carefully constructed facade. Let’s not forget that the incident with the poisoned beverage was swept under the rug by framing haters.

By keeping Kim Dan away from Joo Jaekyung, MFC is not only ensuring that he does not return to support the champion but also protecting their own interests. Kim Dan’s presence could potentially disrupt their narrative, especially if his proximity to Joo Jaekyung allowed him to uncover further instances of manipulation or corruption. His removal from the equation eliminates a wildcard that MFC cannot afford to tolerate.

Furthermore, the interview’s implicit targeting of Kim Dan underscores the predatory nature of the organization. Rather than openly addressing the champion’s request or the realities of his situation, MFC and the Entertainment agency opt to manipulate the individuals surrounding him to maintain control. The release of this interview ensures that Kim Dan feels alienated, unneeded, and even complicit in the champion’s struggles, thereby neutralizing him as a potential ally.

In sum, the second interview is as much about silencing Kim Dan as it is about reshaping the narrative around Joo Jaekyung. By targeting Kim Dan’s emotional vulnerabilities and professional independence, MFC and their accomplices seek to isolate him while protecting their interests. This calculated strategy highlights the organization’s ruthless nature and its willingness to exploit anyone—even those on the periphery—to maintain its grip on the narrative.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Starving 🍬 For Light ☀️ – part 2

After the release of Starving for Light, I made very important discoveries and as such new connections between Kim Dan’s eating disorder, his workaholism and the grandmother’s neglect. However, since the original essay was already very long, I decided to add a second part. According to my observations, Kim Dan is suffering from ARFID (Avoidant/Restrictive Food Intake Disorder). The latter is an eating disorder characterized by an extreme avoidance or restriction of food, leading to nutritional deficiencies, weight loss, or dependence on supplements. Unlike other eating disorders, ARFID is not related to concerns about body image or weight but instead stems from factors such as sensory sensitivities, fear of choking or vomiting, or a lack of interest in eating. It often begins in childhood and can significantly impact physical health, social functioning, and emotional well-being. Treatment typically involves therapy, nutritional counseling, and addressing underlying causes of food avoidance.

Evidences of the grandmother’s neglect

In the first part, this is what I wrote:

This suspicion got confirmed while rereading the story. Shin Okja has never shared a meal with Kim Dan together. One might argue about this statement because of his memory concerning his birthday. (chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene (chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. (chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater.

Moreover, I would like my avid readers to keep in mind that Kim Dan was eating his snacks alone, when she was standing next to him: (chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents.

But let’s return our attention to the scene in episode 5. (chapter 5) Notice that she only asked him if he had already eaten after hearing his question. In other words, if Kim Dan had never inquired about her meals, she would have never shown an interest in his meals. Only after hearing that he would eat later, she got worried: (chapter 5) Thus she offered him two sweet yogurts. (chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. (chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, (chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: (chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. (chapter 57) On the other hand, the expression “wasting away” displays her realization. She is seeing how Kim Dan is losing weight!! To conclude, she is not totally blind. Her grandson is not eating properly. But why is she not questioning her grandson about his meals? It is because he is working at the hospice where lunches are provided to the staff. (chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. (chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist (chapter 57) for his attitude and is now siding with the grandmother. They assume “burn out”, while the reality is that he is suffering from different traumas. But notice that he was only sent away, after Kim Dan got dizzy. (chapter 57) This shows that Kim Dan had become a ghost at the hospice for the last few days, and no one paid attention to him. He was invisible because it was his way to be “accepted” and not stigmatized as “bun” or “orphan”. People only noticed him, until he created some ruckus at the institution. However, this means that the man must have spent the night with his grandmother. Yet, at no moment she sent him away or even shared her meals with him. This shows her indifference and egoism. She contrasts so much to the protagonist’s landlord.

The landlord in the doctor’s life

Though the latter doesn’t know him that well, he is paying attention to his every move: (chapter 57) He noticed right away that he was missing. Why? It is because his room was empty. (chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? (chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. (chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. (chapter 53) And now pay attention to the PT’s departure on the day he was sent back: (chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. (chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: (chapter 57) In my opinion, this man doesn’t know the real profession of Kim Dan. Notice that he is talking about “work” in general. He can not understand why his tenant would work for days so much. Another evidence for his ignorance is that he never went to the hospice to ask if the physical therapist was there. I would even add that this man is also ignorant about the existence of Kim Dan’s grandmother. How did I come to this deduction? It is simply that the old man is anticipating the doctor’s departure. Who would move to that little town with only two bags? It is important because despite his mistakes (chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. (chapter 57) I would even add that with this advice, she was restraining him from becoming close to people in this hometown. It is her place, not his… In other words, she was forbidding him to make friends here and have a good relationship with the staff. Finally, when the grandmother says Kim Dan has no ties here,” it mirrors the hurtful stigmatization he faced as a child when he was labeled as an orphan, a “bum.” (chapter 57) Her words inadvertently repeat the narrative of abandonment and lack of belonging that has followed Kim Dan throughout his life. It feels as though she’s repeating those same accusations, reinforcing the idea that he is rootless, unworthy, and out of place. Instead of acknowledging the sacrifices Kim Dan has made for her, the grandmother dismisses him as someone without meaningful ties, perpetuating the feelings of invisibility and worthlessness he’s battled since childhood. So with this declaration “This place isn’t your hometown and you don’t have any ties here” she was triggering his abandonment issues and low self-esteem. This outlines her lack of empathy, self-centeredness and ignorance. Thus I have to admit that I am even wondering if he has not been adopted by Shin Okja.

And because the halmoni claims to be part of this hometown and the landlord belongs to the same community, I can’t help myself thinking that once he hears about Kim Dan’s true job and his halmoni, he will go to the hospice and meet her. Let’s not forget that no one recognizes or remembers her. Why? My explanation is simple. This is the place where her maiden family has been buried, but like her words display it: she never went to the hometown to visit the graves of her ancestors. The grandmother is projecting her own history of not “sticking around” for her deceased relatives onto Kim Dan. Just as she distanced herself from her family in the past (e.g., after their deaths), she now assumes that Kim Dan will do the same to her, reflecting her awareness of how such disconnection has defined her relationships. We could say, she “forgot” them, but once she is about to die, she wants to be remembered as a part of this community. This shows that this woman values tradition and the past, but in a superficial manner.

However, since the doctor has become the symbol of her past suffering, she would like to send him away. She is refusing to be burdened by worries and a guilty conscience. To conclude, she is rejecting her past and as such her responsibilities. She is now advocating “self-reliance”, while in the past, she used to ask him for favors. (chapter 53) On the other hand, the landlord embodies the opposite notions: (chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard (chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness (chapter 57), night and death.

The sequels of traumas

Since I detected symptoms of ARFID, it occurred to me the significance of the drugged beverage. (chapter 37) Kim Dan has never associated food with pleasure, love and happiness. Yet, for the first time, someone paid attention to his eating habits and suggested him to drink this nutrition shake. So the food became “poison” to him, this could only reinforce his negative disposition about eating. Is it a coincidence that soon after, he is seen sleeping and skipping meals? (chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: (chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. (chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.

And what is the common denominator between the switched spray and the drugged beverage? They reinforced his mental issues: ARFID, his depression and his low self-esteem. But the problem is that MFC , (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: (chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying (chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: (chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: (chapter 57) Because of ostracism and bullying, invisibility became his copying mechanism and the absence of shared meals could only reinforce his negative perception of himself. At the same time, the grandmother’s existence became his only source of life. So his meeting with Potato and Heesung is to remind him that he is not alone. (chapter 57) He was not forgotten, he left traces in their life. He was their sunlight, their angel.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Sweet 🍬 Redemption or Sweet Poison ☠️? The Price of Desire

Headache, Poison and Addiction

In the previous essay, I focused on the symbolism of the rooms in the champion’s life. Therefore I came to neglect the champion’s headache in the restroom. (chapter 55) One might think that the causes for his throbbing head are his depression and insomnia. On the other hand, I am quite certain that many readers had a different explanation for his migraine. He is missing his lover, Kim Dan, as the color red symbolizes the headache and the physical therapist’s name is strongly intertwined with this pigment which was once again confirmed in episoe 56. (chapter 56) So it is true that his migraine are caused by the doctor’s absence. It was, as if the main lead was suffering from withdrawal symptoms. The fighter has a love addiction, but he is not aware of the existence of this “sweet poison”. But there’s more to it.

Very early on, I had associated the “hamster” to a drug, but more precisely to a sweet candy and even a strawberry, like my different illustrations of analyses are displaying it Thus I consider this image, where the champion is seen (chapter 43) eating a strawberry with cream as the announcement of the magical night between Kim Dan and his fated partner. The fruit with the cream represented a violation to his strict diet.

The wolf’s coping mechanisms

So the moment Joo Jaekyung was left alone, he tried to cope with the withdrawal symptoms by replacing with other drugs, like for example alcohol (chapter 55) or the medicine against migraine. (chapter 54) However, in episode 55, we can observe a huge change in the champion. (chapter 55) The latter is finally admitting the inefficiency of the medicine. In other words, in this scene, he was giving up on them. This represents an important step on his way to enlightenment. For me, it signifies that he is stopping relying on pharmaceutical products. Let’s not forget that in the past, he rejected the PT and even neglected them. Why? It is because he trusted more sprays and other medicines than people. (chapter 49) Therefore the switch of the spray had to occur. He needed to question his prejudices and attitude. But let’s return our attention to the champion and his throbbing head. One detail in this panel caught my notice. (chapter 55) Interesting is that Mingwa portrayed him with closed eyes. It is not anodyne in my opinion, for the author was referring to the star’s third eye. Here, the protagonist was using it. That’s the reason why I interpret this image as a metamorphosis in the fighter.

Headache and alcohol

And what about alcohol? When the cleaning lady with her colleagues removed all the empty bottles of wine, she made the following comment: (chapter 55). This means that she had not seen the mess in the master room before: (chapter 55) And now, pay attention to the number of the bottles in his room: (chapter 55) I count 12 bottles of wine exactly like in the last image from chapter 54. Thus I came to the following deductions:

  • The cleaning staff only comes once a week and it is on Mondays!!
  • This signifies that a week had passed between the moment the fighter started drinking (chapter 54) and the appearance of the staff in chapter 55. It indicates that Jinx-philes can witness time deceleration in season 2. From one month in one chapter, then a week in the next episode, finally we have a reference to a day: Monday. Thus I deduce that in episode 56, only 2 or 3 days elapsed. I have already announced that the couple should meet each other around 25th: (chapter 56), for the day Kim Dan wired his money to his “loved one” took place after 10th of the month: XX = two digits. (chapter 55)

Then, the fact that this woman questioned the fighter’s behavior before removing the bottle, (chapter 55), indicates her surprise. She can not explain his huge change of behavior (messy and dirty room). She is trying to find an explanation: maybe a party with friends? The woman’s comment about the champion’s drinking habits seems to carry a dual tone. On one hand, it could be interpreted as playful or ironic banter, potentially lightheartedly teasing him about drinking heavily or having an active social life. On the other hand, it could also function as a reminder or critique, subtly pointing out the extent of his drinking and perhaps hinting at concern or judgment. For me, she was showing concern for her boss. The other evidence for this interpretation is that she brought the gift with the card: (chapter 55) Consequently, I judge the cleaning lady as the positive version of Park Namwook. Though she uses social norms, she doesn’t use them against her employee. She didn’t condemn him, it is a mixture of teasing and reminder. At the same time, her intervention implies that she must have noticed changes in her boss after the arrival of Kim Dan in the flat and his departure. That’s the reason why I have the impression that this image is announcing another turning point in the champion’s life either: (chapter 55) He won’t drink like before. However, I don’t think that he will behave like in the past: reject any alcohol entirely.

Migraine and the power of love

Moreover, I would like to point out that the moment the champion masturbated himself, (chapter 55), his migraine vanished. Though he is holding his head the next morning and hiding his gaze (chapter 55) (chapter 55), the Webtoonist didn’t add any red or “throb” as an indication for a migraine. As you can see, his headache is strongly intertwined with repressing the physical therapist and as such locking away memories. However, there exists another cause. What had the doctor done in the past? (chapter 44) Yes, the main lead had patted his lover’s head, while the champion had his eyes close. In my opinion, his unconscious had registered this gesture and loved it. However, the champion had not seen it himself. He was drunk and had his eyes closed. This stroke on the head symbolizes appreciation, affection and recognition. (chapter 23) That’s how little kids are admired and loved. This stands in opposition to the abuser’s behavior: (chapter 54) parental criticism and absence of contact. And how did Choi Heesung express his “love” to Yoon Gu? (chapter special 2) The same way than Kim Dan with the patting! In other words, the champion is deep down longing for such a gesture, but he has not realized it yet. Nevertheless, I believe that he just needs a trigger.

And what was he doing it here? (chapter 55) Stroking himself his head!! On the one hand, it stands for self-reliance, on the other hand it symbolizes his growing maturity. He is somehow attempting to be gentler with himself. Thus I interpret this image as the symbol of growth and insight, whereas I judge the scene in the bathroom as its negative reflection. How was the champion drawn under the shower?

(chapter 55) With his left opened eye!! The exact opposite from this picture: (chapter 55) This signifies that under the shower, he made the opposite decision: no insight and clairvoyance. He chose to bury the doctor again. The problem is that it was already too late. And what is the other difference between these two panels? The absence of the migraine! As long as the athlete thinks about Kim Dan, he has no throbbing head. This explicates why at the end, of episode 55, he was no longer suffering from a migraine. (chapter 55) This observation got confirmed in episode 56, though I couldn’t expose it before the release of the new chapter. (chapter 56) As long as the fighter thinks of his fated partner, he is not plagued with a throbbing head. This shows that it has something to do with repressing memories. However, his physical condition is still not improving: (chapter 56) He even looks worse than before: exhausted and malnourished. There is no one by his side taking care of him: his only interaction with his manager is through the phone. At no moment, the guy felt the need to pay a visit to his boss and champion. (chapter 56) Because I discovered the connection between memories and the physical therapist, it is important to examine the interaction between the main lead and the new uke.

Migraine and the placebo

Yes, I am comparing the new uke to a placebo, a fake “medicine”.

Funny is the original meaning of placebo: “I will please”. Who is pleasing whom at the club? I would say, the celebrity is like a sweet reward to the bottom. Hence the latter is smiling, when he starts talking to the fighter. (chapter 55) This signifies that in reality, the uke is the one benefiting more from this relationship, while the “Gucgi guy” is a placebo for Joo Jaekyung. He can not replace the true medicine: Dan’s love. But Joo Jaekyung chose to close an eye to the truth forgetting his “insight” from chapter 2: (chapter 2) However, back then, he had just stated it in order to get rid of the mint-goblin. He needed a justification for switching his partner. In other words, this was reflecting more the protagonist’s corrupted mind and heart. Therefore he is designed eyeless, the symbol for ignorance, lies and blindness.

What caught my attention is that the author zoomed on Joo Jaekyung’s gaze and notice that the zoom was more on his right eye. (chapter 55) And where did he have his migraine exactly? (chapter 55) It was on the right side and eye! It truly exposes that Joo Jaekyung was getting punished for his attitude. He is not allowed to bury and forget Kim Dan. The star’s open eyes in this episode symbolize denial, lack of self-awareness and as such the absence of insight. He is also punished for his lies in episode 2. His words might have reflected the truth, but his words didn’t expose a change of heart. He was taking advantage of this situation as well. So when the pain intensified pushing him to close his right eye, we should consider this image as a short moment of reflection and realization. In the restroom, he was forced to admit that only Kim Dan could kiss him. Is it a coincidence that just before Mingwa presented this image (chapter 55), she designed her characters eyeless? (chapter 55) Naturally no, she was mirroring the attitude of both figures: both were in denial!! Notice that though the star had no reaction in front of the “replacement”, the latter chose not to give up at all. This man was not expecting a rejection, in fact he was in total denial as well. He didn’t notice the star’s passivity and silence.(chapter 55) He was just standing there and avoiding his gaze. (chapter 55) By such a lethargy and the absence of an erection, the uke should have recognized that the fighter was not into him at all! But no, this man chose to close his eyes to the truth. Why? Because of his greed and selfishness. This explains his shocked reaction, when the athlete pushes him away and leaves: (chapter 55) How can the MMA fighter reject him? This displays his huge confidence or arrogance. There’s no doubt that he will put the blame on Joo Jaekyung. At the same time, I believe that his blindness was also caused by his greed. (chapter 55) He knew that the protagonist was rich and famous.

But let’s return our attention to the athlete. Since the champion’s headache is located on the right side, Jinx-philes should pay attention to the place the doctor patted him: the left side! (chapter 44) This shows that he would like to be patted on his whole head, exactly like Potato. And he had received it in episode 5: (chapter 5) Therefore he was in a happy mood after that match. A simple gesture with a lot of power! He has been missing this hand or better said this gesture. This action was the main lead’s true motivation. (chapter 54) Don’t forget that Dominic Hill had expressed his admiration in a similar way, patting on the back: (chapter 40) No wonder why he felt so lost and empty after the last fight. (chapter 5) But whose hand is this? Park Namwook or coach Jeong Yosep? Because I saw connections between chapter 43-44 and 55, I deduce that (chapter 43) this was the coach’s hand. In other words, the athlete felt more close to the coach than to the manager. This would explain why he would listen to the coach and even entrust him with huge tasks like the charity event. Strangely, in season 1, we can observe how more or more he is distancing himself from the fighter. Probably related to his secret relationship with Kim Dan. According to my theory, the coach is aware of their relationship. They are more than just boss and employee. As you can see, I don’t think that the champion is right now just missing the doctor’s sweet lips. Deep down, he would like to be patted by his loved one, exactly like Potato. (chapter 23) (special episode 2) But this is what he received after the last match: (chapter 52) Nevertheless, Joo Jaekyung is lost as well, because he needs to face his old and fake belief: he is jinxed. But in order to remove this persistent superstition, it is important to study the origins of the athlete’s sexuality. How can I do this?

The origins for the wolf’s excitement

I have always stated that the champion’s libido was strongly intertwined with his aggressiveness. His intercourses were like surrogate fights in the bed. This explicates why the mint-goblin didn’t put much effort to “seduce” him and only touched his sex, when he was on the verge of losing his biggest income: (chapter 2) The champion’s reaction is quite telling. He is not easily swayed. But we have another bigger evidence that his intercourses were replacement for “fights”. In The States, the fighter asked Kim Dan to join him at 11:00. (chapter 38) He needed to prepare himself mentally, to visualize how he would screw his opponent Dominic Hill. He was just taking the expression “fuck/screw” too literally. The latter idiom has the following synonyms: to cheat, oppress, bleed, coerce, wrest and to tighten. Just before the doctor came to his door, what was the athlete doing? He was watching a video from his challenger: (chapter 38) Therefore it is not surprising that he rejected Kim Dan’s request first. (chapter 39) He didn’t feel like it, because he was not aroused at all. Imagine that he needed two hours for that erection, a sign that during that night, Kim Dan was in reality a replacement for the American fighter. (chapter 39) Even when the doctor rubbed his hand against his sex, he had no reaction. (chapter 38) In fact, he needed a fellatio to get an erection, and he only started getting excited, when he saw the doctor’s gaze. That’s the reason why he remembered this image under the shower: (chapter 55) However, the more time the champion spent time with his physical therapist, the more he came to violate his own rules and principles: It started with their first meeting, when he crossed the line by mixing private and professional life together: (chapter 56) Here, Jinx-philes should detect a change, for the champion used the idiom “play”, which is strongly intertwined with fun and entertainment. Then the second violation took place, when the main lead suggested this deal. (chapter 6), Sex was no longer linked to matches, but to his own desires. To conclude, for the first time, the fighter connected sex to pleasure and desires and not “work and fighting”. Because of the deal and Joo Jaekyung’s strange behavior (sex shower scene, …) the PT had the impression that his boss was a man obsessed with sex.

However, this connection between sex and fight was not truly severed at the end of season 1, as the athlete didn’t give up on his biggest rule: to have sex before a match. This observation brings me to the last intercourse between the doctor and Joo Jaekyung. (chapter 53) The latter didn’t feel the need to have more sex with Kim Dan, he let his partner leave the place. Why? This contrasts so much to their First Wedding Night: (chapter 4) (chapter 53) Pay attention to the behavior from the fighter during their last night together. He is looking away, he is not paying attention to his fated companion. His mind was elsewhere, focused on Baek Junmin! In my opinion, during that night, the champion had been able to differentiate between the physical therapist and his opponent. Fighting was more important than sex and as such his sex partner. To conclude, the physical therapist had been able to win Joo Jaekyung’s belief and heart. He was no longer a replacement at all. He had become a person close the fighter.

This signifies as well, the sex before the match had lost its true purpose, and this change occurred in the bathroom, when the athlete made the following resolve: (chapter 49) he wanted to screw Baek Junmin for real. In this image, the athlete oozes confidence and strength. This means that he was no longer dependent on the good fuck before the match. (chapter 53) However, the main lead never realized this huge change, he kept his old belief as a tradition out of habit. This explicates why the fighter tried to replace with a new uke (chapter 55), but here the sex was longer connected to a match, rather to fun. Finally, observe how the champion is now blaming his PT for his ruined match: (chapter 56). I don’t think, he was referring to the spray incident, rather to their night before the match. The doctor had not behaved like a real opponent, he had admitted his “defeat” quite easily. He had left the ring before procuring him a good fuck. He was blaming his partner for violating his rule: (chapter 2) But here is the thing. Kim Dan had just accepted the deal because of his grandmother. Secondly, he learned an important lesson during that magical night: consent! (chapter 44) Sex is a synonym for love and as such it is about giving pleasure and affection to his partner. It is a two-way street. And this is something that the champion has to admit and accept. Thus I deduce that the fighter still has a long way to go before dropping all his fake principles. Like mentioned before, he needs to ponder on the following question: what matters to him the most? His championship or his happiness? Or what is sex to him? Why does he think that he is jinxed? He needs to face his own painful past and remember the face of his tormentor.

However, so far, I didn’t elaborate why Joo Jaekyung came to link fight and sex together. So where does it come from? The answer is simple. The origins of his anger and belligerence were linked to the ghosts from the past: (chapter 49) Baek Junmin and the abusive parent. (chapter 54) Deep down, he wants to punish them. Back then, he must have felt powerless, therefore he chose to erase them from his memories.In both cases, the athlete succeeded to forget them, but he didn’t truly move on with his life. The sufferings they brought upon him were still lingering in his heart and mind. Many readers could detect that the fighter had masturbated on the couch, as he left two tissues on the table: (chapter 54) But I doubt that he had been thinking about the doctor during that time, as Kim Dan only emerged in his nightmare: (chapter 54) But the masturbation had taken place before. So who did he have in mind, when he was jerking off? I might shock my avid readers, but I would say: Baek Junmin. (chapter 54) However, this gesture had the opposite signification: rage, resent… but also sweet revenge! He must have recalled the Shotgun’s face. (chapter 52) There’s no doubt that thanks to the doctor, the champion will learn that he can get “justice” and satisfaction through other means. He can defeat the ghosts from the past, not just thanks to his fists and hard work, but also thanks to his surroundings and knowledge. Lawsuit and media!

The Price Of Desire

Before meeting the doctor again, Joo Jaekyung has to mature and reflect on his way of life. That’s why I included “Sweet Redemption” in the title. The latter mirrors the transformative influence of Kim Dan, who acts as the “cure” to Jaekyung’s toxic patterns, helping him grow emotionally and morally. Kim Dan is sweet like a strawberry, but it signifies that his lover needs to violate his own old “rules”. As for “Sweet Poison”, it ties into the lingering struggles, like the headaches and the karmic weight of his past actions, symbolizing how this transformation isn’t without pain and challenge.

Kim Dan’s influence is a blessing or a painful process of reckoning (or both). It is not surprising that Joo Jaekyung is cursing him. It also balances the themes of suffering (his headaches, physical changes) and healing (learning to separate aggression from intimacy, and focusing on his true battles). It perfectly mirrors the push and pull of his internal conflict. He needs to give up on his false principles, like self-reliance or jinx. In fact, Mingwa already exposed the message of Jinx in the first episode: (chapter 1) The physical therapist is not only his reward and price, but also his “second shoulder” and as such his pillar. The new PT won’t be able to replace him. Joo Jaekyung is not just a champion, but also a team: Kim Dan as his PT and his lover. As for Kim Dan, the celebrity is his “energy drink”, his source of comfort and joy. He is also his home, for he is the first one who invited him to stay with him! Yes, the grandmother didn’t invite her grandson to live with her, he was just dumped at her place. And because the celebrity is like a home and family, it explicates why the doctor is once again “living like a ghost”. (chapter 56) He feels lonely, but contrary to his fated partner, he is not truly looking for replacement. He might use work to divert his mind, yet he is not erasing Joo Jaekyung from his memory due to his promise: he needs to repay him. So his MO is slightly different. He is just using work and his halmoni to survive. Yes, he is also suffering from depression. In other words, when both main leads will meet each other again, they should have reached the bottom so that they can see each other’s misery and both are willing to listen to each other.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 15 📆🃏♦️♥️

If you pay attention to the title, you might have noticed the joker, diamond and the heart as emojis. This signifies that I will examine this panel once again. (chapter 27)

The 3 cards and its significance

Yes, a thought occurred to me, while I was writing the last analysis about this scene. In Daily Jinx Advent Insight 7, I interpreted that Joo Jaekyung had been in reality on the verge of winning the game, but due to the Joker, a wild card, he thought, he had already lost. Then I had added that the Joker card could be perceived as a metaphor for Kim Dan. The champion had lost his last game, for he didn’t utilize his PT properly. He mistrusted him, therefore he didn’t talk with him about his meeting with director Choi Gilseok. In addition, he did nothing to protect him from the public eyes. He never realized that this man was the synonym for secrecy and information. The protagonist knows everything about the athlete’s health and injuries (not just his bad joints, but also his insomnia). Therefore he should have been guarded and protected, making sure that nothing would be leaked. However, I believe that the Joker could represent another character from Jinx. The moment I saw these cards (Joker, 3 Diamond, 3 Heart) as a symbol for a character, I suddenly realized that both main leads were defeated by their enemies, because both didn’t use their cards properly.

The other person behind the Joker

And now, you might be wondering about the identity of the other Joker. The fact that Joo Jaekyung is holding the Joker in his hand implies that he has this person on his side. He is close to him. In my eyes, it is the mysterious doctor from chapter 13. According to me, it is Cheolmin hyung. The fact that he called him, when the celebrity desired to avoid the headlines with a scandal, is a sign that he is trusting this man. (chapter 13) He is definitely sure that this man won’t betray him. He is not judging him for his job or “sexual preferences”. He embodies fairness, tolerance and impartiality. And since in his cellphone, Doctor Cheolmin is registered under the name Cheolmin hyung, it exposes his closeness with this cute doctor. He is like a “brother”. (chapter 13) The conversation between these two characters in episode 13 shows that Cheolmin is not only a reliable person, but also a good friend. He assisted the star in a time of needs without expecting anything in return. There was no exchange of favors, hence Mingwa showed us his hand, when he said his goodbye. (chapter 13) This gesture with the hand implied not only that he was just looking forward to meeting him again, but also generosity. And if there was a request from Cheolmin, it was just about an information: (chapter 13) It had nothing to do with money and promoting his hospital.

As soon as I came to associate the Joker with Cheolmin Hyung, Joo Jaekyung’s only true friend, I suddenly realized why this mysterious doctor no longer showed up in season 1. He was treated like the Joker in episode 27. He was not used properly, and this in two occasions. (chapter 33) According to me, the man was calling his friend Cheolmin, because he truly believed that the actor had been hurt. The fact that he went to the rooftop in order to call the person is indicating that he desires to hide his contact from Park Namwook and Jeong Yosep. In other words, he was seeking secrecy, exactly like the actor. As you can see, the dragon and the gumiho had a similar attitude. They thought that the rooftop was the perfect place to hide a secret. So by calling Cheolmin who is working at a hospital, the MMA fighter was making sure that there would be no scandal. However, when he called him, he discovered the truth. Choi Heesung had faked his injury. Therefore how could he use his connection with Cheolmin, when there was no emergency? In his eyes, he would have abused his busy friend’s generosity. That’s the reason why the star chose not to intervene. If he had revealed the truth and as such accused the actor of deception, he would have no one by his side to prove the truth. It was one man against two. Secondly, by revealing his presence on the rooftop, he would have been forced to mention his close friend: Cheolmin hyung. His connection with the athlete would have raised some question. And because he didn’t utilize the Joker in that situation, he became a victim of a trick. It is important, because the champion’s decision to hide Cheolmin’s existence from Jeong Yosep and Park Namwook is a sign that deep down, he is not trusting his two other hyungs. In my eyes, it is related to his homosexuality. But there could be other reasons as well, for example he met this doctor, before he became a celebrity.

As for the second occasion, it took place at the restaurant. (chapter 33) For me, the doctor was the person Joo Jaekyung was talking to. Interesting is that contrary to episode 33, he didn’t leave the inn in order to talk to his acquaintance. In fact, he did it in front of the door. By acting that way, he didn’t attract the attention from the members. No one questioned the celebrity why he was talking on the phone for quite some time. They just imagined that it was work-related due to the selfie with a stan. (chapter 43) They didn’t even bother to wait for him to arrive before drinking and eating, though the man was the birthday child. He was actually the guest of honor. (chapter 43) This exposes violation of social norms and even the disrespect towards Joo Jaekyung. He is just seen as a cash cow, hence there was no thank you from them or even a short invitation for him, like Park Namwook and Kim Changmin had done it in episode 9. (chapter 9) (chapter 9) In fact, Joo Jaekyung was totally neglected at the restaurant, no one even paid attention to his actions. Under this light, I recognized why Mingwa created this incident: (chapter 43) It was not just to bring the two main leads closer, but also to expose the wrongdoers. If they had waited for him, the champion wouldn’t have drunk some soju from the glass of water, for Kim Dan couldn’t have used his glass. (chapter 43) That’s why the manager got red, a sign of embarrassment. He realized that they should have all waited for the birthday child. Moreover, don’t forget that the star was even paying the bill. And now, you are wondering if I didn’t diverge from my original topic, the Joker and Cheolmin hyung. No, as this new interpretation helped me to understand why Joo Jaekyung talked to his hyung in front of others. He already sensed that no one was observing him or waiting for him. (chapter 43) Moreover, it is possible that the mysterious caller desired to congratulate for his birthday or even to thank for his donation. Let’s not forget that just before his real birthday, the celebrity organized a charity event, and it could be related to Cheolmin’s work place. (chapter 41) Because I detected ingratitude, selfishness and rudeness from Team Black, I couldn’t help myself thinking that the other person must have behaved differently, which put the young man in a good mood. Therefore he overlooked the incident with the switch of glass: (chapter 13) Here we have a threat from the champion to which Cheolmin replied with a joke. Here, we have the same situation: a threat, but people got scared (chapter 43) before Park Namwook tried to relativize the incident. (chapter 43) Thus it dawned on me why Cheolmin was not introduced to Kim Dan in season 1. He didn’t belong to Joo Jaekyung’s inner circle, his only true friend. He didn’t trust him enough to introduce him to this peculiar doctor. And now let me ask you this? What is a joker?

The Joker has held various roles throughout history, rooted in society’s need for humor, critique, and balance. Historically, the Joker or court jester was a figure in royal courts who entertained through wit, music, or physical comedy. Yet, their symbolic role extended beyond entertainment; they served as a unique voice of truth, able to mock power and question authority without punishment. Their ability to navigate sensitive topics under the guise of humor made them essential figures for revealing societal flaws.

Symbolically, the Joker represents duality: humor and tragedy, order and chaos. It reflects society’s hidden truths and contradictions, often acting as a mirror to human folly. In a broader sense, the Joker embodies freedom and the subversion of norms, often challenging rigid structures or oppressive systems. This duality persists in modern interpretations, where the Joker is both a symbol of liberation and an agent of chaos, reflecting society’s shifting values and inner struggles. In other words, he rejects herd mentality and hypocrisy. He embodies seriousness, but also fun and laughs. And that’s exactly how Cheolmin appeared in chapter 13. He is a non-conformist, he treats his job seriously, but if he sees something wrong, he has no problem to voice his opinion and criticize the person: (chapter 13). Hence I believe that the other reason why our cute PT didn’t meet Cheolmin in season 1 is that he was not ready to interact with him. Kim Dan needed to mature, to free himself from social norms in order to accept such a man as a “role model”. That’s the reason why I am expecting the return from this mysterious doctor in season 2. In my opinion, he will play a central role in dethroning the king Park Namwook at Team Black, but also in helping Kim Dan to obtain justice. Keep in mind that according to me, the protagonist was a victim of many crimes committed by doctors. (The hospital director, Kim Miseon, MFC doctors)

The 3 Diamond and 3 heart

Since the Joker represents the only true friend from the Emperor, I came to the following deduction. Because Kim Dan is holding a diamond and a heart card, this means that he has two persons on his side as well. In other words, these 3 diamond and 3 heart represent the physical therapist’s friends. Anyone will immediately recognize the identity of his true friends: Choi Heesung as the diamond (due to his wealth and brillance) and Yoon-Gu as the heart. Let’s not forget that the actor was willing to intervene, if the PT needed help to “tame” the Emperor. (chapter 35) He offered his assistance, but at no moment the main lead thought of even asking for his help. (chapter 46) If he had voiced his struggle to Heesung, the latter would have understood him and “talked” some sense to the dragon. And it is the same for Potato. In the locker room, when Kim Dan was criticized for his sloppiness, (chapter 50) he didn’t ask from Potato to vouch for him. He could have reached to him, requesting from him to testify in his favor. Yes, I believe that not only the actor and the maknae are to blame for their passivity, the physical therapist is also responsible for his own suffering. He is not seeing that he has already gained two friends. However, he didn’t treat them properly. No wonder why Kim Dan ended up alone at the end of season 1. At no moment, he confided to Potato or other members about his struggles, he kept everything to himself which is similar to his soulmate.

But why does the protagonist behave like this? One might reply that he has never had any friend before. Therefore he doesn’t know how to have friends. However, I feel that there exists a deeper cause. In my eyes, it is related to his low self-esteem mixed with pride. Yes, deep down, Kim Dan feels some shame due to his social background and familial situation. This explicates why he only mentioned his grandmother once (chapter 30). Here, I am excluding the scene with his drunkenness. Nevertheless, from his words, Heesung couldn’t detect that he was raised by a single grandmother. He already had a hard time to “accept” the champion’s benevolence (chapter 18) He was brainwashed to rely only on himself. Why? It is related to his halmeoni and his childhood. The elderly woman gave the impression that she raised him without any help. She did everything on her own which is only partially true. The young boy was forced very early on to help her. (chapter 5) (chapter 47) Hence he was taught cooking. In addition, we can already envision that when he was a high school student, he had to take a part-time job. She definitely minimized his assistance, creating a debt towards her.

Observe that though he treated the fighters (chapter 7) and (chapter 23), he just acted as their “PT” and nothing more. In other words, he acted, as if they only had a professional relationship. This explicates why Kim Dan never talked about himself, in other words he never shared any information with them. However, I doubt that he just considered them as his “patients”. He was happy to give his assistance. For me, the fact that he never lowered his guard is a sign of his low-esteem. So they had a strictly professional relationship, except with Potato. (chapter 26) However, even here, Kim Dan never shared his cellphone number with the maknae. If Potato had it, he would have tried to contact him immediately. To conclude, though I criticized Yoon-Gu and Heesung for their indifference and neglect, I feel that Kim Dan is partially responsible for this too. He didn’t take the first step to improve their relationship. Friendship is a two-way Street!

To conclude, the 3 diamond and 3 heart (chapter 27) represents the PT’s friends. The moment he acknowledges that he has these two assets, he should recognize that he is not “poor”. He needs to realize that he is on his own, because he chose to. He simply ignored “people” around him.

On the other hand, it is important to relativize this aspect as well, for Shin Okja played a huge role in this mind-set. The best evidence is that the woman doesn’t have any friend. (chapter 7) She needs to pay a nurse to give her some company. Therefore she is forced to rely on her grandson. Then she doesn’t pay any attention to her grandson’s needs and circumstances, for she is only focused on her own suffering and “unhappiness” chasing after an illusion. (chapter 53) Because she has no one by her side except Kim Dan, she has no problem to move to a different place where she doesn’t know anyone. Her grandchild is her “home”. This move reminded me a lot to a uprooting. It was, as though the male lead was not allowed to settle for good. Don’t forget that her deteriorated home let transpire that she didn’t consider this place as her true home. It was just a stopping-place. Under this new light, it becomes comprehensible why Kim Dan could never get any friend. Through the cards, I could find more evidences about my past interpretation. The halmeoni is responsible for the protagonist’s self-blame, lack of confidence, suffering and isolation.

But in order to recognize the existence of true friends in his life, Kim Dan needs to find a good role model. And that would Joo Jaekyung with his hidden Joker Cheolmin.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 14 📆 🧶 🥔

The topic of this essay is coach Jeong Yosep. It came to my mind that I had a little neglected this side character, though in a previous essay, I predicted that he could become a couple with Cheolmin. In the following panel (chapter 9), we discover the origin for Yoon-Gu’s nickname, Potato. The coach and sparring partner from Joo Jaekyung is the one behind it. However, this connection reveals a lot about the divorced man. He is actually a soft and tender man. Yes, in my opinion, Yosep’s nickname should be Potato.

Yosep, the real Potato

Is it a coincidence that this vegetable, when connected to a man, often symbolizes simplicity, resilience, and humility? Another important detail caught my attention in episode 9. He bowed to Kim Dan, when he was introduced: (chapter 9) This gesture oozes humility and respect. This contrasts so much to Park Namwook’s behavior during their first meeting: no bowing and no shaking hands. (chapter 1)

Potatoes, as staple foods, represent sustenance and practicality, embodying someone who is grounded, dependable, and essential in their environment. In literature or culture, a man compared to a potato might be seen as unpretentious, nourishing in spirit, or deeply rooted in their values and traditions. At the same time, the potato can represent love. This stems from its association with sustenance and nurturing qualities. Potatoes are hearty, versatile, and grow underground, symbolizing grounded-ness and resilience. Gifting potatoes can convey love, as they represent providing for someone’s well-being. The healing aspect comes from their nourishing properties, historically sustaining populations through hardship. This dual symbolism ties potatoes to the ideas of enduring care, connection, and renewal in relationships or life challenges. Jinx-philes could detect his caring nature right from the start: (chapter 1) He came right away, whereas the manager was busy with his phone-call and never asked later about the incident.

To conclude, potatoes are linked to earthy, “everyman” qualities—hardy, adaptable, and silently enduring through life’s challenges. This description fits the coach perfectly. Only in chapter 5, he exposed the circumstances of his divorce: (chapter 5) At no moment, he claims the champion as his boy or tries to attract attention from people for being the Emperor’s sparring partner. Thus each time the protagonist wins, he doesn’t appear in the ring contrary to Park Namwook. (chapter 5) (chapter 40) Yes, at no moment Jinx-philes can detect his presence. The bearded man embodies humbleness. As you can observe, this man doesn’t mind standing in the champion’s shadow. He already knows that fame and success are no guarantee for happiness, as he lost his wife. In fact, he knows that success means rather loneliness. This remark brings me back to his confession in the office. (chapter 5) If you read my previous analysis, you are aware of the strong connection between the cellphone and vanishing. So why did the ex-wife act like that? I suppose that Jeong Yosep led a similar life than the Emperor. He was racing against time, and was only in touch with his family through the phone. Thus I can imagine that one day, the former champion must have returned home and found his house empty, an older version of this scene: (chapter 53) So when he tried to call her, she blocked his calls. One of the causes for their failed marriage is that they had stopped talking to each other. [As for the other reason, I will expose it below] That’s the other reason why I developed the theory that the coach Yosep was behind this phone call. (chapter 19) He definitely knew about his relationship with Kim Dan, as he was the only one who was not surprised by this revelation. (chapter 22) This observation is relevant, for it indicates that the former champion must have listened to his manager as well. He never questioned the responsibility of his former coach or manager or organization. I am suspecting that he might have already been working with Park Namwook in the past, which would explain their closeness. For his divorce, Jeong Yosep chose to take the whole blame. Hence he kept his failure to himself. However, observe the manager’s attitude concerning this revelation. (chapter 5) He laughed, which indicates a lack of empathy. And if the man was working for Yosep before, then it exposes his neglect, ignorance and indifference. Secondly, he called the former champion “boy”, a sign that the manager feels superior to him. One might reply that the manager is just one year older than Yosep. For me, the scene exposes the true nature of their relationship. Park Namwook has the upper hand. Hence he can claim Joo Jaekyung as his boy (chapter 40) Interesting is that the idiom “boy” has historically been used to mean “servant” or “attendant” in certain contexts, particularly in colonial or hierarchical settings. For instance, it was often used during the colonial era to refer to male domestic workers, typically in a demeaning or racially charged manner. No wonder why though Yosep is the sparring partner of the Emperor, (chapter 37) he acts more like a servant. In my eyes, the last image displays the manager’s three “boys”: Yosep, Kim Dan and Joo Jaeykung. They are the former wrestler’s servants, while he can stand on the sideline and watch as a superior and guardian. (chapter 37)

Therefore such a remark “my boy” (chapter 5) is exposing the man’s arrogance and delusion. With these words, he is actually denying the hard work from Jeong Yosep and the Emperor himself. That’s how it dawned on me that this man doesn’t embody Teamwork at all. He is trying to steal the spotlight and success from others. On the other hand, the absence of reaction from Yosep shows the sparring partner’s lack of critical thinking. Yes, he is also very passive, just like the champion.

Yosep’s gradual maturity

And now, if you pay attention to Yosep’s evolution, you will notice a gradual transformation. He is getting more and more involved. First, he follows Park Namwook’s lead (chapter 26) (chapter 36). He even agrees to everything the man says and decides. (chapter 36) Yet, I see a turning point in the States. For the first time, he is seen talking on the phone, which indicates a certain responsibility. (chapter 37) However, till this scene, Yosep was treated like a “boy”, which I outlined above. The gradual transition can be perceived if you contrast the two following images (chapter 49) (chapter 40) In the States, he was not visible at all, he would even walk behind Oh Daehyun next to Yoon-Gu. In my opinion, he felt the need to be next to the maknae. However, in South Korea, he is standing right behind the protagonist. Moreover, note how Joo Jaekyung entrusted him with the charity event, another indication that the main lead was trusting more and more his sparring partner: (chapter 41) In addition, in the locker room, he is the one who made the decision to let the Emperor fight against Baek Junmin. (chapter 50) For the first time, he voiced his own opinion, yet his choice lets transpire the great influence from his “hyung” and MFC. His decision was influenced by money. Naturally, the high peak of his action is, when he announces to the main lead that he went to different authorities (chapter 52). However, it is important to recall that putting the whole blame on the manager and coach is not right either. How so? As a former athlete, he has more experiences and he should have realized that he should not just trust people blindly. Yes, I believe that his major flaw is that he is too trusting and doesn’t ponder deeply why his relationship with his wife failed. As you can see, he embodies the opposite notions of Park Namwook: faith in authorities and people. This explicates why in chapter 47, he didn’t say anything in the conference room. (chapter 47) He let his “hyung” and the other “experts” who were never in the ring do the talking. (chapter 47) Why did he let it happen? It is simply because he just views himself as a “sportsman”. The others act with their title (managers, advisors), as if they had more knowledge than the sparring partner from the Emperor. Another mistake from him is that he never looked at his sparring partner’s files. He let Park Namwook take care of this, thinking that he would pay attention to their star’s health and security.

That’s the reason why I believe that Kim Dan’s departure must have saddened him a lot. (chapter 52) Since he lost his wife and as such has no family, it is clear that this former champion views Team Black as a family. Therefore he participated in the surprise party. (chapter 43) Consequently, I come to the following conclusion that the last scheme made him realize his own wrongdoing. He didn’t protect his sparring partner correctly. He failed him. However, like pointed out in a previous Daily Jinx Advent Insight, Yosep was manipulated from his colleague. Therefore the coach didn’t meet Kim Dan in the office and couldn’t talk him out of it. This discovery exposes that one of the protagonist’s problem is that he was following his sparring partner’s lead as well. Because Yosep trusted blindly Namwook, his “pupil” did the same. And this remark leads me to the confrontation in episode 46. The true owner of Team Black warned his both hyungs: (chapter 46) This led the manager to give a task to the coach Jeong. (chapter 46) Why did he delegate it to the former athlete? Simply because that way, he could avoid responsibility. If something wrong happened, then “Potato” would take the blame. The hot potato was passed around. I am using this term on purpose. The reason is that “Potato” embodies harmlessness. And because Yosep comforted the manager and didn’t criticize him for his outburst and slap, it displays that the coach has not questioned the manager’s integrity yet. He is not doubting his trustworthiness. This explains why Joo Jaekyung returned home on his own, though he had an injured shoulder. (chapter 53) So we could say that Jeong Yosep is not entirely free from the negative influence from the manager. However, I have still hope for a true change in this gentle and caring man. How so? (chapter 26) It is because he is wearing a bird on his jacket. And what is the natural enemy of the spider which represents Park Namwook? The bird and the fish. For me, this animal announces his future liberation and transformation. According to me, Cheolmin is associated with fish and water (chapter 13) Interesting is that these two hyungs are linked to a similar color: dark green. This shade embodies hope and nature. However, since they are still living in the city and working for corrupted organisation (hospitals, MFC), they are not true themselves.

Consequently, I have the feeling that the cute doctor could help Yosep to emancipate himself from Park Namwook’s shadow. The latter stands for fun, joy and joke, which stands in opposition to the values MFC is promoting: wealth, fame and money at the cost of the own safety. Interesting is that Yosep’s hobby is knitting which he never showed to others. Knitting often symbolizes motherhood, as it evokes the nurturing and protective act of creating clothing or blankets for loved ones. It can also represent patience, creativity, and connection, as the intricate process of weaving yarn mirrors the effort required to build relationships or maintain traditions. Additionally, in literature and art, knitting can symbolize fate or destiny, as seen in mythological references like the Fates weaving the threads of life. Knitting is also associated with healing and comfort, offering a meditative and restorative activity. That’s the reason why I couldn’t help myself comparing Yosep to an obedient wife. This new connection explains why Yosep remained in the shadow of Park Namwook, whom appears so manly, caring and confident in front of others. In addition, this feminine side from Jeong Yosep made me realize that if Yosep came to marry one of his admirers, the wife might have grasped that she had not married a famous fighter, but a gentle and caring potato. In other words, through the marriage, the wife discovered the huge discrepancy between the image of a “hero and champion” and the true self of Yosep: caring, gentle and humble. She might have had other expectations: more strength, charisma and decisiveness. Under this new light, it becomes comprehensible why the coach chose to remain in the shadow after ending his career as “champion”. He experienced the negative aspects of “fame”: loneliness, illusion and superficiality. However, he didn’t lose hope. He still remained an optimistic person which explains why he trusts people so easily.

Therefore I come to the following conclusion: Team Black can only become a true family and team, the moment Jeong Yosep, Kim Dan, Joo Jaekyung and all the others are working together, protecting each other. Only that way, the “owner of Team Black” can be dethroned. He can no longer treat others as boys or tools. From that moment, they would be all equal, the opposite of this situation: (chapter 7) Note the absence of Yosep in that panel, a sign that his work and position were minimized. Nevertheless, this was just the consequence of his own decision. He chose to minimize his own value and to rely on his hypocrite partner.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 12 📆 🌃

The starting point of this composition is the following image from chapter 53:

Sacrifice and responsibility

While standing in front of the huge window, Kim Dan makes the following resolution. He is sacrificing himself for the champion’s sake. Interesting is that in the same chapter, Kim Dan displays similar self-sacrificial behavior with his grandmother, prioritizing her well-being above his own despite the personal cost. It looks like he is giving up on his career as PT for her. Yet, deep down, he is doing it because he feels like he has no other option. (chapter 53) Nevertheless, this parallel emphasizes Kim Dan’s inclination to bear burdens and deny his own needs for others’ sake. In this chapter, he seems to be undergoing a form of penance, sacrificing himself repeatedly as if to atone for the perceived guilt of being a burden to those around him. His actions reflect deep-seated feelings of responsibility and self-blame, shaping his interactions with both his grandmother and Joo Jaekyung in his life. While he admits his responsibility for the last disaster with the injury and the tie, he was made feel guilty by his own grandmother. With this statement (chapter 53), she implied that she never got the chance to go to the West Coast because of him. It was, as if he had been a burden in her life (“life got so hectic”). This expression made me realize why Kim Dan came to live like a ghost. He embodies “life” for the grandmother: burden, responsibility, missed chance. It exposes her delusional mind-set. She is definitely chasing after an illusion. On the other hand, I detected that despite her words, she was not able to move her grandson’s heart. The latter was actually unwilling to leave the penthouse. (chapter 53) His decision was strongly connected to filial duty and not to “love”. Moreover, by fulfilling her request, he is one step closer to become free from self-blame and accountability.

Then the moment you realize that “sacrifice and responsibility” stand in the center of the final episode, you will realize that there was someone who was not willing to sacrifice himself: Park Namwook. (chapter 53) Neither for the doctor nor for his “boy”. (chapter 52)

I would even add that at no moment, he even thought like this: “It would be better for both of us if I just leave”. Yet, just before he had blamed the star for everything: (chapter 52) If he is that unsatisfied with the main lead and his personality, why doesn’t he “quit”? The thing is that he can’t leave, because he claimed that he was the owner of the gym. But in that case, he could decide to fire Joo Jaekyung. However, it is impossible either, as he is not the true owner of the gym. In other words, his “departure” would expose the truth. As a conclusion, he is trapped due to his lie. He can do nothing except let others take the burden. His deception represents his livelihood in the end.

Under this light, it becomes comprehensible why he can not think like Kim Dan at all. At the same time, the contrast between these two hyungs displays the true nature of the former national wrestler. He embodies self-preservation, selfishness, greed, cowardice and deception. That’s the reason why he had no problem to replace the protagonist immediately. (chapter 53) The latter would take the fall for the incident, a new version from the drug scheme in the States: (chapter 40) Though he lacked awareness in the States, for he was not present in the interrogation room, he can no longer claim to be oblivious. He knows about Kim Dan’s innocence. But why didn’t he call the physical therapist then?

The view and the doctor’s resignation

But before answering to this question, it is necessary to focus on the timeline. (chapter 53) Notice that before leaving the penthouse, the main lead was holding the resignation in his hand. This means that the young man had not informed Park Namwook yet. This gesture exposes that Kim Dan was convinced that the manager was his boss, the master of Team Black. Nevertheless, Jinx-lovers should detect that the “hamster” left the flat during the evening. This signifies that the PT handed out his abdication the next morning, I can’t imagine that it happened during the night, for the man has a family with kids. (chapter 53) By leaving the penthouse before going to the gym, it becomes clear that Park Namwook must have realized or even was informed that the doctor would no longer live with the champion, the opposite of this scene where he was caught by surprise: (chapter 22) That’s how I detected the second lie from the manager, lying by paltering. He just mentioned that Kim Dan was quitting, but kept silent about his departure from the penthouse. As you can see, Park Namwook was trying to reduce the main couple’s relationship to a boss-employee contract, while he was trying to act like a close acquaintance and relative from Joo Jaekyung.

But let’s return our attention to the confession from Park Namwook. (chapter 53) He portrayed himself as active and helpless. Yet the reality was different, for the physical therapist took his time to organize the athlete’s files (chapter 53). This signifies that he must have spent some time at the office. To conclude, the young man didn’t vanish quickly from the gym like a ghost, similar to the PT from episode 1. (chapter 1) Kim Dan didn’t return to the office just to give his termination. He stayed there for quite some time. It exposes not only Kim Dan’s dedication for the athlete but also the manager’s deception. In verity, he didn’t do his best to stop him from quitting. He had time to talk to him, but chose not. He didn’t see it as an emergency. Hence there was no call! The latter symbolizes need and seriousness. (chapter 1) (chapter 13) (chapter 20) I selected only three scenes in order to prove my point, but I could give more examples (16, 17, 19, 35, 48). This new perspective corroborates my previous theory: the manager is not so innocent like he appears.

Moreover, the way the resignation is exposed made me realize that it reflects the doctor’s departure. First, the champion is blamed, then the coach announced Kim Dan’s desertion. However, the doctor gave the letter in delay, not right after hearing the reproaches from Joo Jaekyung in the locker room. Park Namwook used this incident, because all the members could hear the celebrity. (chapter 53) He gave the impression that he was telling the truth. This incident was used to explain the doctor’s resignation. But here is the thing. If the doctor spent some time at the office in order to organize the files, why didn’t Potato stop him or tried to talk him out of it? That’s how I came to the following deduction. When Kim Dan came to the gym, the latter was empty, only the manager was there!! A new version of this scene: (chapter 23) Thus I deduce that all the members from Team Black were busy due to the discovery of the scheme: (chapter 52) Yosep was sent to investigate, Oh Daehyun took care of Potato. In other words, they were sent on errants. Moreover, I would like to outline the absence of Kwak Junbeom in the hospital room. The latter had observed the meeting between Choi Gilseok and Kim Dan (chapter 48), he was an important witness. Yet he is missing here. (chapter 52) Under this new light, I am suspecting that Park Namwook already knew about Kim Dan’s innocence, but he never revealed it to the physical therapist. He made sure that no one from Team Black met the main protagonist Kim Dan so that no one would stop him from quitting. That’s why there was no phone call during that week. As conclusion, I believe that Park Namwook used the members from Team Black at the hospital to have the majority on his side, to hide his passivity. There is no doubt that he feared to be blamed for his behavior in the locker room. (chapter 50) Moreover, he could be blamed for the spray incident, for he failed to protect his own athlete. That’s why there was no apology from his side.

However, he made a mistake, when he manipulated his “boy”, the way he announced the doctor’s departure. First, he blamed the champion, then he revealed his desertion. Observe the athlete’s reaction to this news: (chapter 53) Why would the physical therapist quit, if he is innocent? It is because Park Namwook said that Kim Dan did it because of the champion. It was, as if the man’s pride had been hurt:. The verity is that he was actually projecting his own thoughts onto the doctor.

However, the letter addressed to the champion is exposing the truth: at no moment the main lead blamed the athlete for his harsh words!! (chapter 53) He took his words to heart. Thus I come to the following deduction: Park Namwook already knew about the physical therapist’s innocence, but he chose to keep the truth from his boss to mask his own wrongdoings: his passivity and negligence. The reason is that the discovery of the scheme took place in the evening, and Kim Dan gave his letter in the morning. Moreover, some days had passed, when they showed up at the hospital. Potato’s vanishing injuries are the evidence. They waited for the right time to announce the terrible news, something similar to this: (chapter 48) “If we tell him now, it will only throw him off his recovery or his surgery”. Once again, he chose silence and inactivity. Thus no one called the champion or the doctor.

Yet, the best evidence is that Park admitted this: “I tried to talk him out of it”. With his own words, he revealed that he was the only one who faced the physical therapist. If Potato had been there, he would have tried to stop him either, a new version of this panel: (chapter 50) And what did the manager say to the protagonist? (chapter 52) He should have checked the facts. The letter is exposing the manager’s lie. He is expecting that Kim Dan vanished like the previous PT. However, contrary to the previous one, the “hamster” lived with the celebrity. Thus he left a letter to Jaekyung in the penthouse, and the manager had no way to know the existence of this message. And now, you comprehend why Kim Dan never received any phone call from Park Namwook. It is because he would have to inform him about the existence of the scheme. There was no emergency from his side, for he desired to hide his own wrongdoings (negligence, blindness and stupidity).

The true nature of Park Namwook

This signifies that the hyung copied the behavior from MFC agent in the States. He desired to sweep under the rug his own blame and passivity. But since he is not willing to sacrifice himself and as such to leave, I can only come to the following conclusion: Joo Jaekyung will be the one leaving. It is because he will see it as his responsibility to reveal the truth to Kim Dan. That’s how he will release the young man from his low self-esteem and guilt.

But why would the coach act like this? It is because his motto is to stand on the sidelines. This mirrors his actions at the gym: (chapter 36). No wonder why the man is passive. But his inactivity is the result of his indecisiveness (I had portrayed him as someone suffering from Decidophobia). Interesting is that making no decision is the worst people can do. Why?

This reinforces my interpretation about this character, he is responsible for the champion’s emptiness and “death”. Since in my previous essay, I compared Joo Jaekyung to a leopard, let me ask you this. Which animal represents Park Namwook then? It has to be an animal that embodies gain, self-preservation, death, passivity (standing on the sideline) and selfishness. (chapter 26) Yes, the spider!! Is it a coincidence that Mingwa drew him with a grey jacket with the arachnid? The negative aspects from the spider are the following:

Fascinating is that Park Namwook acts like the spider, he does not much, but when he strikes, it is sudden and quite violent: (chapter 52) This signifies that the leopard had a spider on his back the whole time 😉. Each time the feline didn’t behave like the manager wanted, he just needed to strike him. At the same time, this metaphor explains the absence of retaliation from the athlete. A spider is so small, yet its poison can kill the heart and mind. Interesting is that the arachnid stands for balance, a sign that it rejects novelty and change. It is no coincidence that Kim Dan was encouraged to leave the gym, the place where Park Namwook spread a lot of lies and rumors about members and Joo Jaekyung: (chapter 46) In addition, this new discovery corroborates my connection between chapter 52 and 40. In my eyes, Park Namwook should be perceived as a representative of MFC. I had already compared the scheme in the States to a web and a spider, indicating that MFC is far from being a good organization. As a conclusion, the manager is an accomplice of the schemers, even if he was not involved directly. The reason is simple. With his inactivity and deceptions, he is assisting the villains. However, like explained in an earlier essay, the spider is not only connected to negative aspects. It represents wisdom, patience, creativity and even rebirth. Hence it is likely that this man will change or come to regret it at some point. Contrary to the halmoni, he has time in front of him and I am counting on the champion’s huge heart (for example like forgiveness).

The hamster and leopard’s maturity

But let’s return our attention to this panel. (chapter 53) Interesting is that this was not the first time that the doctor was standing in front of the window. (chapter 53) Look at this. Back then, he was thinking of taking another job, a sign that he was not taking his job as PT seriously. The cause for this is that he didn’t view himself as a real PT. Nevertheless, this shows that he was not judging Joo Jaekyung as a champion, but as a man obsessed with sex: (chapter 19) This comparison outlines the PT’s metamorphosis. Not only his perception of Joo Jaekyung changed, but also he has become a responsible and dedicated physical therapist. He defines himself as a PT too. Hence he didn’t leave a mess behind with the files (chapter 53). His decision exposes that this was not an escape.

And note that during the night in episode 19, the young man received a call from Joo Jaekyung: (chapter 19) Striking is that this conversation is strongly intertwined with emergency and racing against time. Back then, I had already developed the theory of the involvement of a third person in their relationship. Why would the champion think of sex suddenly after training for 10 days without any break? Jinx-philes can detect two common denominators: Break and responsibility. How so? In that chapter, Kim Dan was asked to become responsible for the “intercourse” (“I don’t feel like doing it myself, so get your ass ready”). As you can see, the contrast between these two episodes reinforces my hypothesis that the champion will be taking a break, though Park Namwook had not this in mind. The fact that he desires to hire a new PT indicates that he is already anticipating the return of Joo Jaekyung. (chapter 53) Since all the PT were treating him at the gym, I doubt that the manager has the intention to send the new doctor to the penthouse. The hiring of a physical therapist implies the return of the champion to the gym. In his mind, everything will return to normality. But he is totally wrong. The champion can’t accept the disappearance from his soulmate. And this raises the following question: Why didn’t the champion call the doctor right away, when he noticed his desertion? Why did he remain passive in front of the window? (chapter 53) It is because the doctor’s words reached his heart and mind. He must have realized that he couldn’t act like in chapter 1 (chapter 1) or (chapter 19) or (chapter 32). Here, he prioritized his own needs and desires, he rushed things. He never took his time to understand Kim Dan or discover his life. The letter made him realize that he knows nothing about his PT. He has only noticed just now that he is reliable and honest. He is trustworthy. He even listens to him, accepts his words (he took his words to heart twice: the blame for the incident and the Wedding Cabinet). The other reason why he can not use the phone is this. He also knows that he could get blocked. This means that he will ponder how to find and approach his fated partner. (chapter 53) Yes, in front of the window, the man recognized that he had misjudged his partner. The latter was not obsessed with money!! Kim Dan felt terrible, though he had become a victim of a trick. The paper let transpire his true nature: he was a lamb. Furthermore, they had more than a boss-employee relationship. Hence I come to the conclusion that the athlete must have grasped that his relationship with Kim Dan has moved to the next level, like with this doctor : (chapter 13)

The other reason for the absence of a call

I discovered another reason why during that night Kim Dan didn’t call the star. (chapter 53) It is because for Kim Dan saying goodbye over the phone is not proper. The reason is simple. He experienced it himself as a child. (chapter 19) And it hurt him terribly. I am suspecting that the person on the phone might have vanished without saying anything.

But my avid readers should go even deeper and ask themselves the following question: why did neither the champion nor the doctor contact each other? Why is there this huge silence between them? It is because Joo JAekyung had other worries: the bad PR, his injury and the tie. Secondly, he had imagined that Kim Dan would still be with the team. He was unconsciously relying on them. As for the doctor, the latter envisions that Park Namwook and the others were taking care of their athlete. Let’s not forget that he was left behind, while all the others followed the champion to the health center. So in his mind, everyone from Team Black would take care of Joo Jaekyung. He was not needed. This means, he envisioned that Team Black acted as a Team. That’s why he never asked anyone. He thought, the others would do their job properly. And now, imagine Kim Dan seeing Joo Jaekyung approaching him alone with his injured shoulder, similar to this scene: (chapter 53) He just left the hospital after a surgery and he is already carrying a heavy bag. No one is assisting him. There is no driver either. As a PT, Kim Dan can only get worried and feel bad. That’s how Kim Dan will realize that he is needed! (chapter 53) Even more than before!! Joo Jaekyung needs assistance and protection. From that moment on, he can grasp that his sacrifice was not the best for both of them, why his sacrifice was in reality pointless. He should have been more selfish and more confident.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 11 📆😄😾

In the last essays I studied a lot the manager and coach from Team Black. Therefore I decided to focus on a different person today. And that will be our beloved Kim Dan.🐹🦆 The starting point of this essay is the following panel:

Chapter 44

Doc Dan’s laugh and its symbolism

In my composition “A Summer Night’s Dream  I described the doctor’s smile and laugh as a magical moment. The little bubbles of light reminded me of fairies and in particular of Tinker Bell with her pixie dust. Interesting is that this character from Peter Pan and her magical powder symbolize the magic of youth, joy, and the power of belief. Her dust, which grants characters the ability to fly, represents imagination and the freedom that comes from thinking like a child, unbound by adult limitations or fears. Tinker Bell herself often embodies loyalty and playful spirit, sparking wonder and adventure. Her presence reminds characters—and viewers—of the youthful joy, innocence, and boundless possibility that magic can bring into their lives, even in challenging or serious moments.

And that’s exactly what happened during that night, the return of youth and simple joy. Kim Dan’s fears and prejudices vanished immediately. Because the champion had asked for Kim Dan’s consent, the latter discovered freedom. He felt so free that he could voice his desires sensually. (chapter 44) He stroke his soulmate’s face, kissed his cheeks and finally his ears. His actions triggered a singular reaction in the star: (chapter 44) This made the physical therapist’s laugh. (chapter 44) His genuine laugh combined with the following realization (chapter 44) shows that in that moment, the physical therapist rediscovered his youth again. I would even add that Jinx-philes were witnessing in this panel how Kim Dan reconnected with his inner child. (chapter 44) The blushing is an indication of life and innocence. But if this young man’s childish nature was brought to the surface, who was Tinker Bell during this night? Naturally Joo Jaekyung. Under the influence of soju, the man could no longer hide his true nature. He has a childish side too. In other words, he was lowering his guard. Anyone has already heard from the quote “In wine, there’s truth” (the original quote comes from Latine: “in vino veritas”). As you can see, this beautiful night corresponds to this one: (chapter 10)

Chapter 10 Chapter 44
Darkness Light
TearsLaugh and Smile
PovertyWealth
Stench Wonderful Smell
Money Free

And what was the common denominator? Drunkenness. However, back then the champion did not choose to have sex with the young physical therapist: (chapter 10) Under this light, it becomes comprehensible why Kim Dan’s beautiful night became a dream, an illusion. The young doctor had done something wrong from a moral point of view. However, because the young man had treated the champion so well before, his reward was to experience what love is. (chapter 44) Thanks to Tinker Bell, he could fly: he was brought to Nirvana. (chapter 44) The problem is that the physical therapist was reducing love to sex (“making love”). True love has to be expressed in a lot of different ways (spiritual intimacy, experiential closeness, responsibility etc) and not just through sex.

Another common point between these two scenes is the doctor’s longing for companionship. And this brings me back to the protagonist’s laugh and observation. He compared the Emperor to a sulky cat. (chapter 44) Why was he thinking of an animal? Let’s not forget that in chapter 10, the very same person was confusing the celebrity with his grandmother. (chapter 19( The comparison suggests that Kim Dan still hadn’t fully recognized or understood Joo Jaekyung’s true character. Under this new perspective, it becomes comprehensible why Kim Dan still came to misjudge and misinterpret the athlete’s words and behavior later. Yes, even this night outlines the physical therapist’s flaws. Exactly like his soulmate, he still couldn’t love his partner properly. Nevertheless, this thought (“sulky cat”) divulges the doctor’s inner child.

Kim Dan’s sulky cat

Most children desire to have a pet at home, it is often either a dog or a cat. Cats and children often share a unique bond due to their mutual curiosity and playfulness. Cats can offer children a gentle introduction to empathy and responsibility, as children learn to care for a creature with needs and boundaries. The independent nature of cats also teaches children about respect for personal space. For kids, cats provide comfort and companionship, while cats, in turn, appreciate the warmth and attention. This dynamic can foster compassion and self-awareness in children, helping them grow emotionally and socially.

But what does a cat symbolize in literature and cultures? Cats have held various symbolic roles across history. In ancient Egypt, they were sacred and associated with the goddess Bastet, seen as protectors of the home and often honored in death. In medieval Europe, cats became linked to superstition and witchcraft, often seen as mysterious or foreboding. By the 19th century, authors like Carroll and Dickinson used cats as symbols of freedom and intelligence. In 20th-century literature, cats evolved to represent loyalty and companionship (for example French author Colette with The Cat). As you can see, this feline has always been associated with magic, supernatural and mystery (witchcraft, gods, death). So we could say that the cat Jaekyung was the one who helped Kim Dan to discover a lost world; his long forgotten and repressed inner child.

At the same time, cats also symbolize home and protection. This means that in that moment, Kim Dan felt truly at home. (chapter 44) For a brief moment, they were no longer in a boss-employee relationship. Hence I come to the conclusion that we should consider Kim Dan’s laugh and smile as a reflection from the champion’s hug and drunken confession: (chapter 43) Interesting is that in that scene, the protagonist couldn’t see his lover’s face. He couldn’t detect the glimpse of a smile and his warm gaze.

Another point is that he compared the fighter to a sulky cat. (chapter 44) On the one hand, this expression exposes that the main lead was not wearing any pink-tinted glasses and as such he was not delusional. On the other side, this idiom often represents independence, moodiness, and a desire for autonomy. In folklore and literature, cats that appear sullen or aloof can represent mystery, self-possession, or quiet resentment, emphasizing traits like defiance and emotional complexity. They might also convey an inner conflict or unspoken feelings, as their behavior reflects the subtle tension between closeness and detachment. This image often serves to remind us of the value of personal space, boundaries, and the instinct to guard one’s inner self. This means that with this discovery, Kim Dan was encouraged not to become clingy and depend on the athlete. Yes, I see this laugh (chapter 44) as a positive reflection from this night: (chapter 11)

The doctor’s laugh from the past and the present

By comparing both images, Manhwa-lovers can detect the differences. Kim Dan might have a wide open mouth in both pictures, yet there is no sound in the humble home. Secondly, his eyes are wide open contrary to the magical night. What does it mean? The absence of a laughing sound and a blushing are revealing that the little boy was faking his joy. He didn’t want to show his fear and sadness. Like mentioned in a previous essay, during that night, he was acting like a Teddy Bear comforting his grandmother. In other words, this memory from the main figure is exposing his delusion and suffering. A Teddy Bear doesn’t require any attention or care, as it is just an object. This explains why this toy was not treated properly (chapter 21). He was simply put on the floor. Yet small children usually treat such cuddly toys as treasures. While making this contrast, I realized why the halmeoni never took care of her grandchild properly. Observe what happened to the Wedding Cabinet and the expensive scarf she received from her grandson. They were all left behind or vanished, just like the little boy’s Teddy Bear. (chapter 53) They were literally abandoned, as they lost their sentimental value overtime. I am suspecting that they had become “useless”. Hence I am suspecting that by calling him a puppy dog, she didn’t truly mean it. (chapter 47) By saying that he was a puppy dog, she was implying that she would be responsible for him. Keep in mind that pet are linked to care and accountability. However, her wish is strongly connected to one single moment: (chapter 53) She is not thinking about the future at all. For her, it doesn’t matter, for her time is limited. Dog can be abandoned in the end, especially when the responsibility becomes a burden. That’s the reason why I believe that in verity, she was treating the protagonist more like an object than like an animal. Moreover, Jinx-philes should keep in their mind she used to describe him as a little boy, which also represents responsibility and care. Therefore I conclude that this scene didn’t stand for Kim Dan’s true home, it was just an illusion. (chapter 11) He was smiling and faking happiness in order to comfort the grandmother. That’s how he reinforced her mental issues and his own abandonment issues. Everything would be fine, as long as he acted like she expected it. At no moment she desired to be confronted with his own suffering or with reality. This was not a “magical night”, but a night where the boy got “cursed”, like Sleeping Beauty. This night is strongly connected to silence which stands in opposition to the magical night from chapter 44. On the bed, both tried to have a conversation (chapter 44), though the communication failed, for Joo Jaekyung was drunk. Moreover, Kim Dan kept most of his thoughts to himself, a sign that he was still guarded. Hence while Doc Dan felt at home during that night, it didn’t last long. The next morning, they became once again boss and employee. (chapter 45) Moreover, by comparing the Emperor to a sulky cat, he is indirectly thinking and behaving like his grandmother. A cat can be abandoned, the latter can find new owners. Nevertheless, I still think, this night left traces in Kim Dan’s heart and mind. He had grown fond of this place, almost at home. Therefore he struggled to leave the penthouse. (chapter 53) And compare his attitude to the one in chapter 19: (chapter 19) They were no deep lingering feelings towards the grandmother’s house. In fact, before leaving, he remembered an incident, a mysterious phone call which I consider as the moment, which broke the boy’s soul and heart. For me, he was almost glad to leave this place behind.

I pointed out above that one difference between these two laughs (chapter 11) (chapter 44) is the closed eyes from the main lead during the bright night. Since I interpreted the boy with wide open eyes as an allusion to deception, illusion and toxic positivity, the closed eyes should be perceived as the awakening of the third eye. Moreover, the young man’s mind and heart turned towards his inner world. Simultaneously, they also imply the absence of reality. Like mentioned above, Doc Dan is not truly perceiving the fighter for whom he is. This implies that there are aspects of Joo Jaekyung’s personality, motivations, or emotions that Kim Dan is overlooking or misinterpreting, which influenced their dynamic negatively so that they couldn’t relate to each other. However, I still think, Doc Dan was not really far from the truth. How so?

According to Mingwa, Kim Dan is a hamster and Joo Jaekyung is a wolf. So he sensed his animalistic nature. As you already know, I came to associate these two protagonists to other animals: dragon and his Yeouiju, Kim Dan as a DUCK! Hence it is possible that deep down, the celebrity has another hidden nature, like a cat.

The other nature from Joo Jaekyung

In my eyes, the champion is also a feline, more precisely a leopard. 😮 Remember the champion’s pajamas from episode 30: (chapter 30) The pajama pattern in the image appears to resemble a leopard print, which features distinct rosette-shaped spots that are commonly associated with this type of design. He also looked like a sulky “cat”. (chapter 30) And what was he trying to do here? To seek closeness to his new mate!

Leopards are wild animals and are generally not suitable for domestication. Though they are sometimes trained in captivity, they retain strong instincts and can be unpredictable and dangerous. Leopards often haul their kills up into a tree, out of reach of other carnivores, few of which can match a leopard’s climbing agility. They then leave the carcass and return at their leisure, safely enjoying a prolonged meal high up in a tree. 

This description corresponds a lot to the champion’s behavior: seeking isolation, bringing his prey to his penthouse (chapter 19), very territorial and disliking surprises. In literature, leopards often symbolize strength, courage, agility, and stealth. They are seen as solitary and powerful hunters, often representing independence or mystery. In totemic traditions, the leopard can symbolize resilience, adaptability, and personal power, often embodying a person’s inner strength and ability to face challenges.

In ancient Egyptian culture, leopards were revered, with priests wearing leopard-skin robes to signify their connection to the divine. Similarly, in African cultures, leopards are seen as symbols of royalty and protection. In the Chinese zodiac, the leopard (or panther) is associated with bravery and assertiveness, often symbolizing fierce guardianship and sharp intuition. Finally, leopards are historically associated with British royalty and heraldry, especially through their depiction as symbols of power and courage. In the British royal coat of arms, the “leopard” typically represents a stylized lion (often called a “lion passant guardant”)—a lion walking with its head turned to face the viewer. These symbols are often connected to English kings, with each “leopard” or lion reinforcing the monarchy’s strength, nobility, and bravery. This emblem has been used in military contexts as well, representing valor and leadership. To conclude, this predator is strongly intertwined with nobility and healing, as the latter was perceived to have a connection to the beyond.

That’s exactly how Joo Jaekyung has been affecting Kim Dan’s life. He is bringing luck in his life, he is healing him and the symbol for this healing is Doc Dan’s smile and laugh (chapter 44). He is the only one who can bring him joy and happiness. Note that he smiled for the first time after their first sparring: (chapter 26) One might argue that he laughed with Potato and Oh Daehyun in the States. But are you sure? We never saw him laughing. Only Joo JAekyung heard their laughs, but did it also belong to the hamster? (chapter 37) Moreover, observe that during that terrible night, the athlete was wearing an t-shirt with a feline on it: (chapter 37) Puma was designed on it. As you can see, everything is pointing out that this man is a leopard which was mistaken to a sulky cat or a puma.

And now imagine that the young man is moving to the West Coast in order to watch the sunset: (chapter 44) That’s how the champion should reconnect with his true nature. Interesting is that leopards are adaptable animals that thrive in various environments, from savannas and rainforests to mountains and deserts. They prefer areas with dense vegetation for stalking prey, as well as access to water sources for hydration. Though leopards are not as dependent on water as some animals, they will drink when it’s available. They are often active at night or during dawn and dusk, making them well-suited to both sunny and shaded habitats. Their adaptability to different climates is one reason they have such a broad geographic range. It shows that the champion will adapt himself very well in a new environment. His hamster or duck has become his lifetime companion. He can no longer live without him.

One might reply that I am overinterpreting this story, because Mingwa only associated her characters with the hamster and the wolf. But I would like to remind my avid readers that there was a reference to chapter 30: (chapter 44) So since the champion was naked during this night, we could say that his true nature was slowly coming to the surface. As a predator, his annoyance to the strokes and kisses appears more normal and understandable: (chapter 44) Kim Dan is teaching him how to control his strength and discover playfulness. And now, imagine Kim Dan patting a leopard 😉 (chapter 44) and the leopard fighting a wounded and isolated hyena: (chapter 52) But what had triggered the champion? (chapter 52) Eye-contact! Making direct eye contact with a leopard can be dangerous. Leopards may interpret prolonged eye contact as a threat or challenge, triggering an aggressive response. In the wild, they rely on stealth and avoid open confrontation, so they may react defensively if they feel they are being stared at. This behavior is common among many predators, as eye contact often signals dominance or confrontation. It’s generally advised to avoid direct eye contact and back away slowly if you encounter a leopard in close proximity. Baek Junmin had totally underestimated the true nature of his opponent. This could explain as well why Park Namwook is wearing his glasses all the time and even avoiding eye-contact with the emperor.

To conclude, Kim Dan was slowly perceiving the champion’s true nature, his feline side. However, since leopard can not be domesticated and are extremely territorial, it signifies that the carnivore will be searching for his mate and master. In my eyes, thanks to the physical therapist, Joo Jaekyung will discover his second nature: raising cubs. Potato the chow chow (chapter 24), Oh Daehyun the eagle… (chapter 9)

Leopard mothers raise their cubs with care and caution. After giving birth, they keep the cubs hidden in dense vegetation or secluded rocky areas to protect them from predators which reminded me of the gym. The latter is not famous. The mother frequently moves her young to new locations to avoid detection by other animals. Cubs rely on their mother’s milk for the first few months, after which she gradually introduces them to solid food by bringing back small prey. The mother teaches her cubs essential hunting and survival skills, often for up to two years, until they can fend for themselves. In other words, Joo Jaekyung will train the remaining members of Team Black to develop their killer instincts far away from public eyes.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx Daily Jinx Advent Insight 5 📆🎀

A Picture, a question

Today, I will focus on the champion’s jacket which Joo Jaekyung gave to Kim Dan. (chapter 53) One detail caught my attention. The inscription on the back is referring to Team Black and it has a number, 03. Why doesn’t the jacket show his name, when the MMA fighter is so famous?

In the real world, UFC fighters typically enter the arena wearing a jacket or hoodie that often has their name or nickname on it, as well as the logos of their sponsors and their team. This gear is usually provided by UFC’s official outfitting partner, which has been Venum since 2021 (following a previous deal with Reebok). The jacket is part of their walkout attire, meant to represent the fighter’s brand and provide visibility for their sponsors. This observation gets confirmed in this image: (chapter 36) The gym is visible and at the bottom of the jacket, you can see the name of the different sponsors (MFC, Jinx and others). As you can see, only the name or nickname (Emperor) of the main lead is missing. So how could Park Namwook recognize that this one was for the Emperor, (chapter 36), though his size is not so different from other fighters? One might think that it is related to the number 03. Yet I detected that all the other jackets had the same number too: 03. (chapter 36) That’s how I realized two aspects.

Interpretation of the jacket

First the jackets have no name, because they are part of the membership. You can only wear this, if you are a member from Team Black. Don’t forget what the manager said to Kim Dan, when he realized his mistake: (chapter 36) The cloth is the symbol of membership. And now you comprehend why Kim Dan chose to return it to Joo Jaekyung. He was no longer considering it as a gift, rather as a company uniform.

However, there is no doubt that in the beginning, the young man saw it as a present, because he chose to wear it, when no one was around him. (chapter 36) Moreover, in the States, he was wearing a different jacket: (chapter 40) He kept it hidden like a precious treasure. Secondly, the fact that no jacket is wearing a name of the fighter is indicating that the latter can be replaced. They are all just reduced to a number: 03. They have no name or as such no face.

But this doesn’t end here. What is the biggest name on the back of the cloth? BLACK TEAM! (chapter 36) Yes, the gym stands in the foreground. And who claims to be the owner of TEAM BLACK? Naturally Park Namwook. (chapter 22)This signifies that he is trying to get famous on Joo Jaekyung’s back. By not adding his name or his nickname on his back, he is claiming the fighter as his “fighter” and member. He is trying to claim that only thanks to him, the athlete could reach the top. In addition, when the manager gave the jacket to the celebrity, he had just selected one of them based on his size and nothing more. (Chapter 36). He could have given the same cloth to another member, but by giving him one personally, he gave the impression that he was thinking of him a lot. It was, as if Joo Jaekyung was his first priority. Yet the reality is far from it, for the jacket was not personally for the star.

Furthermore, very early on, I had discovered that the true owner is Joo Jaekyung due to the advance and transaction. As you can see, the coach and manager was trying to do free PR. (chapter 30) As a conclusion, the jacket revealed the manager’s greed and indirect “embezzlement”. He is using Team Black and Joo Jaekyung to get recognition and admiration. Should the jacket have the name of Joo Jaekyung on it, no one would pay attention to Team Black.

And now, it is time to focus on the circumstances when the jackets were offered. They appeared, when the gym was facing a crisis. The future of Joo Jaekyung was questioned. And who was in a bad mood? One might answer the star. But there was someone else too: Park Namwook! (chapter 36) Yes, the coach and manager, but his bad mood didn’t get the attention from the readers or the members. He was yelling, even looking unhappy and grumpy. (chapter 36) According to my observations, Park Namwook’s nightmare is to see the end of the champion’s career. In other words, he also felt threatened after the release of the article. The champion’s career is numbered.

Interesting is that the moment I noticed his bad mood in this image, I had another revelation. Why was the champion so rough and deadly serious, when he was sparring with Oh Daehyun and others? It is because he knew that his hyung was observing him. He needed to prove to him that he was still invincible. Yes, the body language from Park Namwook (crossed arms with no mouth) is expressing expectations, dissatisfaction and pressure. As soon as you accept this interpretation, you will realize that the members during that day were used as “tools” for the champion’s training. It had nothing to do with sparring or teaching, rather with a real fight. Joo Jaekyung needed to prove his superiority and even his perfection to his hyung. Thar’s the reason why I come to the following conclusion: chapter 36 stands in opposition to episode 26, where sparring was connected to fun and real teaching. (chapter 26) And how were the members from Team Black feeling during that special day? (chapter 26) Happy, though they were just observing. Kim Dan was spreading not only good mood, but also genuine care and selflessness.

Under this light, it becomes comprehensible why Park Namwook didn’t try to protect them from the champion’s coldness, though the star was less brutal compared to episode 1. (chapter 36) The manager and coach was upset too and he could no longer hide his anxieties and stress. Thus I come to the following deduction: we should see this episode as the older version of the slap. (Chapter 2) His boy had not been perfect. He had failed him. In addition, Namwook’s reaction contrasts so much to Kim Dan who not only fulfilled Potato’s dream, but also desired to learn from the star. He considered him as a master. But let’s return our attention to chapter 36 and the coach’s attitude.

First, he was himself in a bad mood (anxious, under pressure). Secondly, he saw this training as a preparation to an imminent fight. In other words, he already knew that a fight would take place. He needed it in order to get reassurance for himself. At the same time, he needed to cover up for his own rude and selfish behavior. Hence he offered the jackets. That way, he could appear as a good Samaritan (chapter 36) Yet, he pales in comparison to our main lead Kim Dan, who didn’t use money to get recognition and admiration from the other members. He is not using Joo Jaekyung to get rich or famous…. And this remark brings me to another statement. While the sparring in episode 26 embodies fun, honesty, happiness, gratitude and teaching, episode 36 represents the opposite notions: MONEY, WORK, ANGER, greed, manipulations and selfishness. That’s why the jackets have no name on it, they symbolize dehumanization and anonymity. The underlining message is that even Joo Jaekyung, as a fighter, can get replaced. However, this is not correct, for the protagonist is the true owner of the gym. Without him, the gym can not exist.

Thus I can’t help myself thinking that in the end, Kim Dan is destined to become famous, something Park Namwook have been dreaming of. However, contrary to the manager, Kim Dan’s success will be thanks to his own skills and dedication. He will bring a different philosophy to the gym. The members are not numbers, but talented fighters, hence they should be treated with respect and care. (chapter 7) They are honorable, though they are using their fists.

That’s it for today.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 3 📆🌹🥀

In this essay I will talk about pink roses. (chapter 31)

1. Pink roses and their different meanings

In the composition ““Go Away, Romeo!” (locked), I explained their meaning. Pink roses generally convey innocence, gratitude, and pure affection. They are traditionally associated with gentle emotions, making them a popular choice for expressing sincere, heartfelt sentiments without the intensity of red roses or the friendship focus of yellow roses. Interesting is that in the language of flowers, the shade of pink roses convey various shades of affection and admiration:

  • Lavender Pink: Often symbolizes enchantment and fascination, making it ideal for conveying admiration that feels magical or unique.
  • Deep Pink: Expresses gratitude, appreciation, and recognition, often used to say “thank you” or show deep admiration.
  • Medium Pink: Represents joy and happiness, perfect for conveying general affection or light-hearted romance.
  • Light Pink: Symbolizes gentleness, grace, and sympathy, often given to convey gentle love or to show empathy.

As the picture is illustrating, each hue brings a different layer of signification, adding depth to the message conveyed.

2. Heesung’s curse and the pink roses

And let’s return our attention to the gift from Choi Heesung. (chapter 31) They look more like the light pink rose: Innocence and admiration. However, keep in mind that back then, the gumiho was already love bombing the physical therapist with presents, a sign that he was already thinking of dating the main lead. While the bouquet of flowers was not reflecting his intentions, in verity it exposes his true thoughts unconsciously. He was simply impressed and desired to express gentleness, grace, and gratitude. This observation made me realize that the actor couldn’t identify his emotions in the end. In other words, he doesn’t know what LOVE is! That’s his curse. He mistook his feelings for love, while in reality, it was simply LUST. 😉 While the latter is important in a relationship, it only represents the first stage of love. So not overcoming this first stage, means that the relationship is doomed to fail.

3. Lust or Love?

Here I am giving a summary of the short video. The 6 differences between lust and love are the following

  1. Physical vs Emotional
  2. Weaker vs Stronger over time.
  3. Base on Fantasy vs Reality
  4. Romantic Partner vs Lifelong friend
  5. Thrill Seeking vs Pursuit of Stability
  6. Selfish vs Selfless

After watching the video or reading the summary, my avid readers can recognize the comedian’s problem. Mingwa utilized Kim Dan as an example to divulge the origins of Heesung’s curse.

First, by offering a lot of presents, Choi Heesung didn’t try to create a real emotional connection with the physical therapist. He barely knew the doctor, he didn’t even try to get to know him at all (1st sign). The presents were quite random and came mostly from his own sponsors. His generosity was not totally genuine at all: he was trying to woo Kim Dan despite his claims (6th sign). Moreover, he already imagined that he knew him: (chapter 30) “The angel speaks” outlines that he is creating a false image of the main lead. It was, as if he was living a dream which corresponds to the third characteristic. This is no coincidence that Heesung was seeing a lot of stars, when he looked at the “hamster’s face”. (chapter 30)

Then when he confided his thoughts and emotions to Joo Jaekyung at the bar, it becomes clear that his attraction towards his past partner was always fading away. (chapter 33) His emotions couldn’t be maintained over time, which corresponds to the second sign.. Thus he was suddenly perceiving the unknown man as clingy and the grass would always look greener (chapter 33), each time he faced someone he felt attracted to. We could say, he was under the spell of his “type”. At the same time, this discovery reinforces my previous interpretation about Kim Dan’s role. The actor needed to experience rejection in order to learn that lust can not always lead to love. We could say that the doctor was the angel who freed Heesung from his terrible lust spell.

Interesting is the 4th sign. Since the doctor rejected his feelings at the café, it becomes clear that his “attraction” turned into a friendship (chapter 35), though it appears rather superficial. After their separation, Choi Heesung didn’t try to stay in touch with the protagonist.

That’s how I had the sudden revelation why Choi Heesung was doomed to fall in love with Potato. (chapter 35) Since the actor has always confused lust with love, it was necessary for him not to feel “lust” in front of Potato first. In that scene, the man was moved, not by the uke’s touch like with Kim Dan (chapter 30), but by Yoon-Gu’s words. (chapter 35) The latter was offering him some help without expecting anything in return. Yes, he got attracted by his beautiful mind and heart. Through their conversation, they got to know each other. In other words, for the actor it was necessary to not experience lust, as a first stage of “love”, but to develop an emotional connection first! In addition, it becomes comprehensible why the artist suggested Potato to work as an actor. (special episode 2) It was his way to develop a longer relationship. He was trying to find the right balance between seeking thrill and pursuing stability. As a conclusion, the two special chapters display why the actor came to fall in love with Potato. (chapter special 1) By preparing some ramen, he acted as a selfless person, though his thoughts revealed his dark side. Nevertheless, what matters the most are the actions and not the thoughts.

Thus I deduce that in the past, the artist and Joo Jaekyung had similar relationships despite their denial. Both could not create an emotional connection with their partner, for they wouldn’t talk to them. The absence of communication was the core of their problem. Moreover, both were full of prejudices, therefore they didn’t feel the need to converse with their counterpart. They would often judge their counterpart.

4. The halmoni and the pink roses

Interesting is that the light pink rose appears in a different chapter. Kim Dan selected an expensive scarf for his grandmother as a present. (chapter 41) He bought it during his trip to the States. Interesting is that the young man chose not to bring pink roses to his grandmother. Why has he never brought flowers to his halmeoni? Chapter 31 gives us the answer: (chapter 31) The flowers stand for “ephemerality”, for they are destined to wilt in a very short time. Yes, this shows that deep down, Kim Dan knew how his grandmother is trying to escape from reality. He knows her likes for flowers and roses as pattern because of the bed sheets (chapter 5)

Since the scarf has light pink roses, this signifies that the doctor was conveying a similar meaning than Choi Heesung: innocence, gratitude and gentleness. It indicates that his affection is not real love in reality. How so? It is because he bought a designer neckwear. He spent all his savings for her and the nurse, as his true intention is to get acceptance and affection from these persons. Due to his grandmother, he internalized that expressing love is strongly connected to money in the end. Because the grandmother raised him, in his mind she spent a lot of money on him. But if you look carefully, you will notice that the grandmother spent more money on herself (all the things in the flat belongs to her), while she simply offered a “sweet bread and yoghurt” for his birthday (chapter 11) or bouquets of flowers for his school career. (chapter 47) Hence she generated guilt, indebtedness and obligation in her grandson. Because he was able to travel to the States, he must have felt somehow guilty, as the latter was trapped in her hospital room. Therefore he felt the need to compensate his grandmother with an expensive present.

At the same time, the design of the scarf contains not only pink roses, but also peonies and white poppies. (chapter 41) The two flowers have the following meanings:

  1. Pink peony: represented by the larger, rounder flower with more layered petals, peonies often symbolize prosperity, romance, compassion, feminity and good fortune.
  2. White Poppy: The third flower, with a prominent yellow center and thinner petals, resembles a white poppy, which can symbolize peace, remembrance, or consolation.

Each flower has a gentle, comforting quality, reflecting themes of affection and remembrance.

This exposes that Kim Dan must have known about his grandmother’s experience concerning Korean War and her evacuation. She must have mentioned her suffering and probably complained that this was the reason for her poverty. Therefore, it dawned on me why the Webtoonist created such a pattern for the neckwear.

First, in many cultures, including South Korea, peonies, roses, and white poppies can be associated with death, funerals, or remembrance.

  • White roses often symbolize reverence, remembrance, and purity, which can be appropriate for funerals.
  • Peonies have a complex symbolism; while often representing prosperity and romance, they can also signify compassion, which is suitable for mourning contexts.
  • White poppies are strongly linked to peace and remembrance, making them common in memorials or to honor the deceased.

For me, these flowers on the scarf are announcing her imminent death, especially when you recall that flowers embody transience and temporality.

Secondly this new discovery about the white poppy confirms my previous examination: Mingwa chose to write her story like a kaleidoscope, this was the moment where war was mentioned for the first time. War was only brought up directly in chapter 53. Thus I perceive the scarf as a mirror of the grandmother’s mind-set. This reflects her inner world, the pink-tinted glasses. Whereas she imagines herself as a victim of life, she has always felt entitled for a great destiny: fortune and romance. The scarf symbolizes toxic positivity, for the main lead is avoiding an important topic: her death. But I have another clue for this interpretation in the following panel (chapter 19) But this will be the topic for the next Daily Jinx Advent Insight! 😉

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