Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/jinx_en But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, https://bebebisous33analyses.com/2021/06/21/who-are-you-the-significance-of-masks-in-manhwas/ and the 4th essay about Jinx https://bebebisous33analyses.com/2022/12/16/jinx-hot-boys-%f0%9f%a5%8a%f0%9f%98%8e-full-version/ (the full version is locked) https://bebebisous33analyses.com/2022/12/16/jinx-hot-boys-%f0%9f%a5%8a%f0%9f%98%8e-10-pictures/ Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas
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After the release of chapter 8, many manhwalovers were so upset about Joo Jaekyung’s behavior that they wished that Kim Dan would make him regret soon enough. This was visible because of the posts and comments left on IG and Twitters. In their eyes, Joo Jaekyung had been the winner of this episode, because at the end, the poor physical therapist was left behind on his knees. 
(chapter 8) Naturally, this is how the main lead must have felt, and the readers were all putting themselves in the shoes of Kim Dan. How could they not be hurt? He had somehow to clean up the mess left by the selfish and rude fighter. To conclude, this image reinforced the impression that Kim Dan had been the loser of this encounter. However, I believe this is not entirely correct. Why? First, we shouldn’t judge this situation from the doctor’s perspective. It is necessary not to view this episode based on emotions and impressions. Why? I would like the manhwaphiles to keep in mind that this story is entitled JINX! In other words, chance and bad omen play a huge role in the manhwa, but the main characters have no idea about this. Finally, Kim Dan has always felt unlucky in his life. Hence he can not perceive his last interaction with the champion as “luck” at all. Thus in this composition, I would like to present my interpretation of the chapter under the aspect “defeat” and “good fortune”. The purpose of this essay is to introduce my predictions about the next chapter. For me, there is no doubt that Joo Jaekyung’s “success” is just a Pyrrhic victory, but Joo Jaekyung is clueless about it.😉 This Pyrrhic victory will have terrible consequences for the champion, and this very soon. And the moment I viewed episode 8 in that perspective, I could only anticipate chapter 9 and looking forward for Joo Jaekyung’s jinx. 😁
1. The boxers: lucky losers?
Let’s start with Joo Jaekyung’s colleagues who were allowed for the first time to shower along the champion
(chapter 8), though they had never been able to defeat the protagonist before. 
(chapter 8) It looks like they were very lucky, for the main lead was generous and even in a good mood. Joo Jaekyung: “You’re good. Go ahead.” (chapter 8) On the other hand, when they opened the door and discovered the main lead’s presence, they first got shocked. 
(chapter 8) It displays that they feared his reaction. It seemed more like they were very unlucky. One of them had even seen the champion vanishing in the showers, but he had still trusted his friend’s judgement. They were embarrassed and somehow fearful, hence they proposed to leave the room. Their insecurities were perceptible thanks to the rhetorical question (“What do we do?”), the stammering and the pause (uh and the points of suspension). Thus imagine their surprise, when they saw Joo Jaekyung’s smile and heard his invitation. They could only feel honored that the “winner” would accept them in the room. Their admiration for him could only increase, for he acted as a generous man. 
(chapter 8) Thus while one was smiling out of happiness and relief, the other bid farewell to the athlete properly. However, the biggest evidence for their growing appreciation is when 
(chapter8) the blond fighter asked the protagonist for his shampoo. Since they were already sharing the showers with him, they could also use the same washing!! It was, as though the athlete was no longer putting his distance from them and the gap was reducing. However, his friend warned him, he shouldn’t abuse the champion’s leniency: “Dude, don’t bother him, while he’s showering” (chapter 8) As you can see, the two boxers could only become happy and feel lucky, since Joo Jaekyung had accepted them in the showers. Furthermore, he had made no reproach to them, because they had talked or asked him for shampoo. The celebrity could appear as more humble and selfless to them. To sum up, they were the “lucky losers”.
2. Joo Jaekyung, the jinxed winner?
According to the uke from chapter 2, the athlete can only get victorious, if he sleeps with a man just before the match. So in Joo Jaekyung’s eyes, he is jinxed. Striking is that after not having sex with Kim Dan for quite some time, he got defeated. 
(chapter 7) For the first time, he got punched by a man much smaller than him. To sum up, this scene could be seen as an evidence for his jinx. Here, he was the loser of the “battle”. Besides, observe that in the gym, the doctor had never approached him. He had watched him from a certain distance. (chapter 7)
On the other hand, in the shower, he was able to outlive his sexual fantasies… There is no ambiguity that he enjoyed the presence of the boxers in the room. So for him, the boxers were like a lucky charm. How do I know this? We have 4 clues for this. First, Kim Dan asked him to send the fighters away, when he shook his head.This shows that this was Joo Jaekyung’s intention. Secondly, the main lead was blushing and complimenting the uke. 
(chapter 8) He was definitely savoring this situation. Moreover, Joo Jaekyung has the tendency to project his own thoughts and emotions onto Kim Dan. When he said “You’re even tighter today… guess you like a little thrill, huh?
(chapter 8) he was the one enjoying the thrill in reality. It is the same here too. “Looks to me like you really enjoyed yourself, doc. You can hardly even stand up”. (chapter 8) After ejaculating, he could no longer carry the doctor, hence he dropped him!! So his legs were definitely “shaking”. But why would he do that? It is because he is hiding his own emotions. I would even go so far to say that he is struggling to accept his homosexuality. Hence he is projecting his thoughts and emotions onto others. And since he could outlive his sexual fantasies without getting caught, we could say that he got a lucky loser! On the other hand, he felt like the winner, as Kim Dan had a climax there. He had been able not only to procure pleasure to the doctor, but also to “claim” Kim Dan as his prize! The former would never share him to the others. He might have shared the shower room, but not the physical therapist.
3. Kim Dan, a lucky loser or jinxed winner?
Like mentioned above, the slender physical therapist had been able to punch Joo Jaekyung in the shower. (chapter 7) This means that he had been the winner of the “fight”. And this slap left such an impression on the famous fighter that he was willing for the first time to call Kim Dan “doc”. 
(chapter 8) This exposes that Joo Jaekyung came to warm up to the main lead. He is now recognizing him as a man, even as a physician. This was totally genuine, while in front of his hyung manager, he had to maintain appearances and fake his “respect”. 
(chapter 7) In the last image, his gaze was directed to the left, which is a sign that someone is lying. Yet, in the bathroom, the champion was looking straight at his sex partner. He was genuine in his admiration. To sum up, the idiom “doc” in episode 8 was a mark of real respect from Joo Jaekyung. His pride was not even hurt, as he kept smiling (chapter 8). Further, he never retaliated against Kim Dan for his defiance and resistance. Remember how he reacted to the words from the other uke: 
(chapter 2) And observe that the physical therapist was expecting a punch from the fighter, hence he used his arms to protect himself. (chapter 8) But no, Joo Jaekyung smiled and started talking. So in that moment the young man must have felt “lucky”, for he had been sparred. For the first time, the champion was sharing his thoughts to Kim Dan!! In fact, he used words to submit the main lead. He never employed force which I see as a positive sign contrary to episode 7. Despite the recognition from the athlete, he had to follow his request. He was bound by the secret arrangement, hence he could not refuse the athlete. So Kim Dan appears more as a jinxed winner.
Moreover, since Joo Jaekyung has never been defeated by his colleagues, he could impose his will onto others. Thus he never allowed anyone to share the showers with him. (chapter 8) He was acting like the alpha of the group. And now, you have the explanation why the famous boxer never locked up the room. He expected that no one would entered the showers, as it was his privilege to shower alone. He thought that the other members of the club had noticed his departure to the shower room. Under this new light, the manhwaworms can grasp why the fighter chose the bathroom in the end. This was the place where he wouldn’t be bothered! Nevertheless, he could have asked him to give him a massage like in episode 1 for example. 
(chapter 1). This truly exposes that with Kim Dan it was different right from the start. Joo Jaekyung brought himself the doctor to the showers, an unconscious sign that he wanted to share privacy and intimacy with him, which stands in opposition to this scene: 
(chapter 7) As you can see, the sweet doctor was able to “defeat” the champion, not only with his punch, but also by forcing him to share the showers with him and as such with others!! Thus one might say that Kim Dan was lucky that the champion accepted him in that room.
But this doesn’t end here. When he was coerced to have sex with Joo Jaekyung, he wished not to get caught by the other boxers: ” It’s too late.. The only thing to do now is finish before someone really catches us“: And it did happen, like he had wished. The other members never detected his presence. (chapter 8) Was he lucky then? to a certain extent yes, because no one saw this humiliating situation.
On the other hand, his wish coincides with the champion’s too. 
(chapter 8) Hence the latter could only feel lucky. Not only he had immense pleasure there, but also he had not been caught. Observe that he mentioned this on two occasions; Joo Jaekyung; “Looks like we got away with it” / 
(chapter 8) This displays how important it was not to get caught. He has more to protect than the doctor in the end. Under this new perspective, it becomes comprehensible why he was smiling constantly. He felt lucky, while the gentle physician could only feel the opposite. But here is the question: Was it really luck that the boxers entered the showers?
4. The presence of the boxers in the showers
First, their arrival was no coincidence, because the main lead had out of habit not locked the door! Secondly, he had dragged the doctor with him
(chapter 7), hence it was not clear to the other boxers if he had gone to the showers. He could have gone to the room to have a massage like in chapter 1. Besides, all of the fighters knew that they were not allowed to enter the bathroom, when the champion was there. But since the young man had followed the sportsman, they jumped to the conclusion that Joo Jaekyung was not taking a shower. That’s the reason why they entered the room. (chapter 8) In other words, this has nothing to do with luck at all.
But this doesn’t end here. For me, the boxers’ presence in the showers will become a jinx for Joo Jaekyung. 😉 Why? It is because they will be the witnesses of the champion’s wrongdoing, though they “enjoy” his generosity!! How so? First of all, the athlete didn’t pay attention to Kim Dan’s clothes. The doctor was wearing his normal clothes
(chapter 7), when he started working: a off-white tee-shirt with grey sweatpants. Like the huyng manager told him, he would receive his uniform tomorrow. 
(chapter 7) This means that Kim Dan was not wearing an uniform, and he has no change of clothing. But now, all his clothes are wet. (chapter 8) So the moment he leaves the bathroom, he can only catch the attention of people, especially the hyung manager!! How could the physical therapist could be so drenched? Besides, don’t forget that the hyung noticed the lack of disrespect from the athlete before. 
(chapter 7) 
(chapter 1) So everything will be used against Joo Jaekyung. The latter will be judged as a bully. He harassed the doctor in the shower, because he had to call him “hyung”. Under this new aspect, one of the boxers will remember hearing a loud there Boxer: “Did you hear something?” (chapter 8), whereas the other can testify that he saw the champion going there with the doctor. (chapter 8) But what the champion say to his defense? He can not say that they had sex there!! Besides, if he tries to mention that the physician had slapped him, no one will ever believe him. (chapter 8) Then the fighters will explain his generosity, because he wished to cover up his “wrongdoing” and not get caught!! As you can see, I believe that the presence of the 2 fighters will become the champion’s jinx in the end so that the true winner of this encounter can only be the physician. The boxers and the coach will side with him, as they will jump to the wrong conclusion due to the main lead’s past behavior. 
(chapter 1) They will think that Joo Jaekyung was jealous, because he had to give up on his privilege, he was no longer the hyung in the team next to the coach. However, the irony is that in the shower room, the champion had come to recognize the protagonist as a man and had called him “doc”. To conclude, for me, this image doesn’t just represent Kim Dan’s suffering, but also the evidence of his “luck”. (chapter 8) The absence of an uniform can only announce the downfall of Joo Jaekyung who didn’t pay attention to details, too blinded with his own jealousy and his lust. I had already predicted that the fighters would become close to him, and even protect him, after chapter 8 I am more than ever convinced of this. Like I pointed out above, Joo Jaekyung is hiding his sexual orientation, thus he can never reveal the encounter in the showers, just like he can not mention the contract. This is the doctor’s good fortune.
Now, the manhwaphiles can comprehend why I mentioned Pyrrhic victory in the introduction. That’s how the champion felt, but not realizing that he was in reality losing his privileges. First, he had allowed the other fighters to shower, hence this change could become a habit. Secondly, they still kept calling “hyung”, but the moment they believe that he bullied the new “hyung”, he can only lose his title as hyung! (chapter 8) Note that their departure ended with this title, which is not random at all.
The other reason why I am expecting such an outcome is the evolution of the previous chapter. After their first intimacy, the athlete’s happiness was so short-lived!! From this 
(chapter 5) to this 
(chapter 5) I couldn’t forget his funny reaction. Besides, I had detected the presence of Taoism and karma. That’s the reason why I was not so upset while reading episode 8. I was already imagining his “punishment”. Moreover, I have to admit that I had another thought while observing the boxer’s reaction: (chapter 8) The champion could become the doctor’s mentor for fighting. If he wants to be recognized as a real man and boxer by the doctor, he needs to act like one!!
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(chapter 57) So in this short essay, I would like to present my new observations and interpretation concerning this intriguing man.
(chapter 57), as it resembles a lot to the ones from the yangbans. 
(chapter 67) 
. (chapter 86) His beard is so different from the commoners’. 
(chapter 45) This is important, because it reveals that the doctor belongs to a different social class: Chungin, the upper-middle class. 
(chapter 92) The lords and chungin can look down on the commoners, sangmin and cheonmin, as the latter are not considered as educated, since they never had to pass an exam. Striking is that the physician voiced his ignorance in front of the painter which stands in opposition to his social status. 
(chapter 57) Note that solution has two meanings, thus it has for synonyms answer and elixir/extract!! He did give him a solution, the drug!! This truly shows that the physician was lying to the painter. 😮 But this doesn’t end here.
(chapter 57) He is the only one who portrayed the protagonist in a positive light. Why? In my eyes, it was to gain the painter’s trust. That way, the doctor would appear as impartial and neutral. Thus he said the truth first in order to divert attention from his own actions. He had been the one supplying the drug to the butler. 
(chapter 57) I had already criticized the doctor in the past, for he kept giving the medicine to the valet, and never made the connection to his “hot-headed” temper. He appeared as quite stupid. In my eyes, he already appeared as a passive accomplice, but mainly due to his lack of discernment. He would trust the butler too much. Thus in the composition „the purge“, I had predicted his involvement in a plot which would bring to light his complicity. 
(“he would say strange things”), he was brutal with his son 
(chapter 57). This shows that right from the start, he was already putting the whole blame on the elder master Yoon. That way, the physician was avoiding to become responsible. He had been giving the drug to the butler for a long time, while claiming that he had not been able to diagnose the illness. Besides, we shouldn’t overlook that in this chapter, we only have the physician’s version!! We never heard the testimony from the father. Just because we saw the bruises and the hand on the main character’s neck, this is no real guarantee that the father said this to the doctor. 
(chapter 57) That’s how I realized that the doctor had been deceiving the painter all along. He lied by commission, but also when he talked about the visitation, he was actually delivering the truth in delay, paltering!! He used the same MO than Kim. He feigned ignorance, and mixed a truth with a lie!! This is no coincidence. This leads me to the following question: why did he talk about the past to Baek Na-Kyum?
(Chapter 57) Yes, it was to protect himself!! He was diverting the painter‘s attention. From that moment on, I could no longer judge him the same way. He was now an active and smart accomplice, who would utilize innocence, truth and knowledge to his advantage. 
(chapter 12) According to my interpretation, here the butler wished the painter to desert the mansion. Thus I conclude that at the physician’s office, the doctor had the opposite task: he should ensure that Baek Na-Kyum doesn’t run away. It was important that the artist was by the lord’s side the moment he gets kidnapped. That way, Yoon Seungho would only blame himself and the painter. Yet, I don’t think that he knew everything about the future abduction. Secondly, why did the doctor bring up Yoon Seungho’s health and his medicine to the painter? He was actually a stranger, even a „servant“. 
(chapter 57) However, the office is actually far away from the mansion. (For more read the essay 
(chapter 55) But like I have always pointed out, Yoon Seungho had no idea about the drugs and medicine. He was totally left in the dark, for the valet would call the drug ” medicinal tea”. 
(chapter 35) He employed an euphemism. This truly shows that the doctor and the valet were partners in crime, both accomplices due to their passivity, knowledge and silence. Nevertheless, I don’t think that the physician was directly involved with the kidnapping and assassination plot. The conversation between the valet and the physician displays the lack of honesty coming from Kim. 
(chapter 57) The latter portrays himself as a victim. 
(chapter 63) He felt bound by secrecy to the bearded man. On the other hand, this incident must have worried him, as it had taken place at his own mansion. Thus he could get into trouble. Kim realized that he needed to reassure the doctor. If the latter started speaking, he could get into trouble, for he had left the propriety during that night. He had no real alibi. Hence the valet visited the doctor during that night, but he never threatened him. 
(chapter 65) The doctor believed that the moment someone talked, someone could take the fall. Observe that in the yard, the butler followed the physician’s advice: he should say nothing. 
(chapter 65) This truly exposes that the doctor is not just a naive man, but an accomplice not only due to his silence and passivity, but also due to his own manipulations. He described himself as a concerned observer who had done nothing wrong. But no, this is not true, as the drug is the evidence of his participation. Who paid for the drug/medicine in the end? Since the elder master Yoon was no longer living in the mansion, the valet was the one responsible for the expenses. I doubt that Yoon Seungho would take a closer look to the accounts. Then when he said that he only saw the protagonist twice 
(chapter 57), this doesn’t mean that he was not involved in the main lead’s suffering. He could have affected Yoon Seungho’s life differently. We have the perfect example in season 3: he treated the butler 
(chapter 77), while he neglected the lord’s hand 
(chapter 84) But like I pointed out, who gave the aphrodisiac to Lee Jihwa? This is a medicine!! To conclude, the physician was involved in the main lead’s suffering, though he only met him twice. 
(chapter 57) But since my theory is that Kim was a shaman, this signifies that he should have recognized Kim as the shaman!! In that case, I deduced that the physician had been lying to the elder master Yoon by omission. Naturally, it is also possible that the father had hired the shaman, but out of fear for his reputation, he acted, as if he had no idea about the butler’s true identity. In other words, all three men acted, as if they knew nothing. This would explain why all the characters had no eye in the last picture. Anyway, because of my latest theory, I reexamined the physician‘s statement and found more incongruences 
(chapter 57) Here he doubted the elder master Yoon’s words, for he stated as a fact that the young master Lee Jihwa was not mentally sick. Keep in mind that according to the doctor, the protagonist was described as someone suffering from a mental illness. And this detail caught my attention: the physician took the Lees’ side. Furthermore, the patriarch Lee was thinking similarly than the doctor: the shaman and the mental illness. 
(chapter 82) Finally, I would like to point out that in that chapter, the physician was mentioned too, and this next to the patriarch Lee. 
(chapter 82) Thus I believe that the physician’s fate is linked to Lee Jihwa and his father.
(chapter 44) We should never trust the old bearded men, not even the doctor. And ignorance can not serve as an excuse for covering up wrongdoings. As a conclusion, the physician was more acting in chapter 57, he rather expressed a fake concern towards the main lead. 
(Chapter 57) Finally, the manhwaphiles should detect that the doctor never mentioned the presence of the servants in the bedchamber. Both were restraining the wounded lord. 
(Chapter 57) This is also no coincidence that he didn‘t point out the absence of the elder master Yoon during the second visit. He couldn‘t, because his tactic to put the whole blame on the patriarch would have totally failed. And this leads me to the following observation: 
(chapter 74) The doctor was not honest here either. Exactly like in episode 57, he was faking his worries towards Baek NA-Kyum. First, we have the presence of the drop of sweat on his cheek, a sign of dishonesty, but more importantly, his question was just theoretical, he was influencing the painter. The latter just needed to agree. He hoped that the artist would never bring up the incident in his mansion, and as such would wonder about his whereabouts and his responsibility concerning the kidnapping. At the same time, he could have asked this with the hope that the painter would blame the protagonist for his misery. He would use the painter‘s suffering (the unfair judgement leading to his imprisonment) in order to divert attention from his own wrongdoing: his silence, his passivity and his lack of commitment. He never tried to look for Baek Na-Kyum‘s vanishing. He never felt responsible. But he had to give up, because the artist was truly ignorant.
(chapter 74) He never made any reproach towards the main lead. 
(chapter 4) As you can imagine, in this essay, my main focus will be on executive director Yoon Jae, because he is surrounded by mystery and secrets. However, this perception is not entirely correct, because they exist other wackos in this story which I will present at the end. 😲
. 
This means that Fujoking and Samk were hiding his real character on purpose, though the readers already knew his job and name: executive director Yoon. As you can see, the mystery concerning Yoon Jay is not about his name, but about his personality. He is indeed very difficult to understand contrary to Lee Yoohan who can be read like an open book. 
(chapter 1) He lived for a long time in the US, and he hasn’t been working at Dream Ent for a long time. He is portrayed as a ruthless man, for he doesn’t mind firing people. However, I believe that his bad notoriety is linked to his smile as well. How so? It is because when he rejects or fires people, he has a huge smile on his face. It was, as if he was feeling Schadenfreude. We have the perfect example, when he rejects Song Myungshin’s advances. 
(chapter 9) Though the image seems to ooze warmth due to the flowers and bright colors, we should perceive it as the opposite due to the huge contrast between the background and the immense NO. He is here acting, mirroring the actor’s hypocrisy. Besides, note that the main lead has closed eyes, an indication that he is hiding his true thoughts and emotions to the antagonist. Because the main lead combines a smirk with cold words, he appears heartless… almost like a psychopath! Hence he is also called psychopath. 
(chapter 35) That’s the reason why Yoon Jae is not surprised or upset hearing it from his protégé. His negative reputation incites fear and intimidation, like the spy admits it. Even the manager Choi gets frightened, when he hears his name. 
(chapter 6) However, the readers should question if Yoon Jae’s dangerousness is not exaggerated. Why? First of all, despite his claims, the worker was actually revealing secrets about the executive director to the actor Song Myungshin. If he truly feared him, then he shouldn’t have exposed the director’s research for the rabbit. 
(chapter 1) This was absolutely private. But who is Yoon Jae in reality? 
(Doctor Frost, chapter 8) Striking is the preference for dark colors, essentially brown and black. 
(chapter 9) He investigated about his past immediately. And what is the signification of brown then?
(chapter 35). One might object to this interpretation, for contrary to the office in Dream’s building and Alice’s labyrinth
(chapter 13), the floor and walls of his home are white. Why is there this difference? The color exposes the emptiness and loneliness of his life. This explains why the main lead barely goes home. I am even assuming that he is avoiding the place. He prefers sleeping on the bank 
(chapter 34) from the rooftop of the building than going home. And now, you comprehend why the director’s relative and friend sent Lee Yoohan there. He desired to ensure that his acquaintance would get enough sleep. Yoon Jae realized that if he desired to keep the main lead by his side, he needed to go back home so that they could share a bed together. 
(chapter 35) As you can see, I was able to create connections between the main lead’s office and other scenes indicating the importance of the design of a room. 
(chapter 35) Since he switched from the office in the Dream’s building to the one at Alice labyrinth’s, he can barely notice sun light. And now, you have the explanation why the main lead is so feared by the workers from Dream Ent. He forces them to work non-stop, even to sacrifice their night (see chapter 38)! That’s the reason why he is called a psychopath. He doesn’t know the true meaning of life. For him, there only exists work, work, work. Under this new light, the readers can perceive the similarities between the two protagonists. Both were leading a similar way of life, but definitely for different reasons. 
(chapter 10) The topic exposes the main lead’s loneliness and dull life. There is no real fresh air in his office, as it is just a picture. This room feels suffocating. It was, as if Yoon Jae was buried under work. Finally, the manhwaphiles can notice the absence of family pictures. And this is the same in the second office at Alice labyrinth’s and his real home. He is truly alone. The darkness of the room and the absence of a family display that Yoon Jae is not truly living. He is just working. There’s no joy or happiness in his life. That’s the reason why he appears so ruthless to others, because he doesn’t take into consideration his workers’ love life and family. This is the second common denominator with Lee Yoohan. And now, it is time to focus why the main lead called Yoon Jae a wacko.
(chapter 3), Yoon Jae showed his hostility immediately. First, he remained silent, then he insulted him by throwing the butt to his feet. 
(chapter 3) Such a reaction could only shock Lee Yoohan, as the latter had showed no sign of aggressiveness before. But why did the mysterious man react so negatively then? It is because for Yoon Jae, the rooftop had become his true home, the place where he could breathe. That’s the reason why he didn’t want anyone there, until he met the other main lead! And it is the same at Alice‘s labyrinth either. The rooftop is the main lead’s refuge where he can connect to “nature”. He can watch the city, but also the stars in the night sky or find some sleep. 
(chapter 3) This perception got even reinforced, when Fujoking chose black to show Yoon Jae’s words. 
(chapter 3) Unlike with Song Myungshin, the main lead decided to expose his true thoughts and emotions, therefore Lee Yoohan could see his gaze. In other words, the scene 9 stands in opposition to chapter 3 and 4. This is important, because this explains why Yoon Jae came to “show an interest in Lee Yoohan” righ away. While in chapter 9, the executive director sent away the evil and fake actor 
(chapter 9), he proposed a deal to “Lee Baekwon”. 
(chapter 4) The reason for this change of attitude is that Lee Yoohan showed no fear in front of him. He didn’t feel humiliated to take the butt and he even retaliated. 
(chapter 3) This means that he had no problem to defy Yoon Jae, while the latter knows about his terrible reputation. The protagonist would even glare at him after the punch. 
(chapter 4) 
(chapter 4), but also he rejected his assistance. 
(chapter 5) This shows that Lee Yoohan was no real leech. In other words, the young man was acting the opposite to the people Yoon Jae had ever met so far: hypocrites and greedy leech. That’s the reason why Yoon Jae found him so intriguing. 
(chapter 4), amusing 
(chapter 11), impressive 
(chapter 13), boring 
(chapter 23) and “amused” 
. (chapter 23) These idioms belong to the semantic field “entertainment”, which stands in opposition to work! To conclude, Lee Yoohan brought joy and light into his dull life, this is not surprising that at the end of season 1, Yoon Jae is now investing in an independent movie. 
(chapter 35) But why did he react to “revenge” then? He had never done something like that before, for he had always been on his own. He had always been indifferent towards people. But the more he saw the young actor, the more he got aroused sexually, the consequence of his racing heart. 
(chapter 13) This indicates that he was slowly brought back to life. 
t (chapter 30) He was not allowed to voice his emotions and thoughts to his “mother”. That’s the reason why Fujoking portrayed him as emotionless. 
(chapter 30) He had no smile on his face as a child, because he had been forced to lose it. There is no ambiguity that he was not allowed to cry either. The reason seems to be related to the mother’s high expectations for her son. 
(chapter 30). She made plans that Yoon Jae had to make come true. That’s how he internalized that life consists of only work and expectations. Everything else is pointless. It doesn’t matter, if this woman is his biological mother or his “adoptive mother”. Let’s not forget that the executive director has two names, Han and Yoon. Yoon comes from his mother. He is using “Yoon”, which could be seen as a sign of pride, while he resents “Han”. 
(chapter 30) He only had to use his intelligence and deny the existence of his heart. That’s the reason why he became a lonely and detached person. The lack of intimacy explains why Yoon Jae discovered sexuality very late. He only had sex with Lee Yoohan so far. 
(chapter 30) He had not the time and the opportunity to question his sexual orientation. His whole life revolved around work since his childhood. 
(chapter 14) He had a wounded arm, he was hiding his gaze behind his hair… a sign that he was having a hard time. He could only voice his emotions through aggression in the end. Striking is that in this situation, he utilized the idiom “play” contrasting to his philosophy of life: work: 
(chapter 14) In his mind, play was a synonym for fighting, but Lee Yoohan changed the meaning: sex. Thus when he had sex with the young man, he made two discoveries: tears which could only move his heart
(chapter 14), for they represented what Yoon Jae had always been repressing so far, his broken heart and sadness.
(chapter 35) This means that the young actor serves as a role model for the executive director. At the same time, he felt sexual pleasure for the first time
(chapter 14), and he could give warmth to someone. 
(chapter 15) He was no longer evaluated based on his work performance, but on his kindness. I am quite certain that during this encounter Yoon Jae must have felt time differently too. 
(chapter 15) I would even add that he was totally sincere, when he gave him the following advice: 
(chapter 15) But what the executive director had in mind back then was totally different from Lee Yoohan. Thanks the pink rabbit, he had discovered that he was not truly alone, there existed warmth and emotions besides work. This meeting had definitely affected the main lead’s perception, hence he added this: 
(chapter 15) He was smiling again, because he felt that a new chapter in his life was about to begin. However, the problem is that his words resonated for the former thug differently. He had deserved to lose his mother and his brother, as he had neglected them before. He was responsible for their death. He reinforced the main lead’s guilt and shame. Thus the latter got angry and punched Yoon Jae’s wounded arm before giving him money. 
(chapter 15) He was not allowed to receive affection, though his future lover meant the exact opposite. From my point of view, this was the moment Yoon Jae learned the following lesson: smile is associated to rejection and coldness. This explicates why his facial expression in the motel room 
(chapter 17), but still was longing for him and his embrace. 
(chapter 37) One thing is sure. Because of this incident, the executive director learned not to show his affection immediately. So when Lee Yoohan got into trouble at Alice Labyrinth’s, the executive director denied that he had sent the waiter in order to assist him. 
(chapter 7) Lee Taemin was here cornered. If he had mentioned the incident on the rooftop, the protagonist would have lost his interest in him. However, this pushed the main lead to become proactive and even creative. Then later, it was the same. His help was never for free.
(chapter 10) The irony is that here, the debutant didn’t grasp the ambiguity of his words. He could mean that he was selling his body, while in reality he had in his mind to work for the mysterious “helper”. The executive director had already perceived his innocence, hence he indeed offered him a job. 
(chapter 13) Secondly, Lee Tamin never truly employed his assistance directly. When he made the first phone call to wacko, he asked him to have his manager punished. Why? That way, Song Myungshin’s intervention would be mentioned. This means that Lee Yoohan used more or less the normal way to achieve his goal. That’s the reason why no one has ever made a connection between the executive director and Lee Taemin. The latter always tried to resolve the problems on his own. This could only impress the executive director. He could see that the young man was hard working. Striking is that Jay revealed his attachment and admiration towards Lee Yoohan very early on, because he introduced himself as Jay! 
(chapter 13) This is quite unusual for Koreans. Moreover, observe that he allowed him to enter his office at Alice Labyrinth’s. This is definitely his hiding place, hence I doubt that he allows strangers to visit him there. Slowly, the executive director Jay allowed Lee Yoohan to visit his private places: first the roof, then his office at Alice’s Labyrinth, the rooftop there too and finally his home. 
(chapter 29) He knew that he had to play cupide. 
. (chapter 15) This shows that Yoon Jae associates love to faithfulness and strong emotions, but the innocent rookie has long disconnected sex with affection. That’s the reason why he couldn’t see his jealousy 
(chapter 16) and as such his growing affection towards him.
(chapter 37) This picture announces the final transformation of the “wacko”. He is so overjoyed, that he wished to give his lover everything. 
, (chapter 38): fame, revenge… but also his heart! Thus he added this
(chapter 38) He will give him affection and warmth so that he can overcome his loss. 
(chapter 07) Thus he embodies the opposite values of chairman Kim, who doesn’t care about great movies and realism. Thus he changes scripts or actors. 
(chapter 23) For him, only his pleasures matter. He uses his money and connections to obtain his goal. He is actually the real monster who will abuse and rape men. 
(chapter 40) And the actor Song Myungshin is his helping hand who selects the man’s future preys
(chapter 40) with fake promises, while he benefits the most by receiving money and support for his career. The manager Choi described them as parasites who take pleasure at the suffering of others: 
(chapter 40) The actor is not different from chairman Kim, because as long as the others are sacrificed and as such suffering, he will never envy them. Song Myungshin is full of jealousy, and can not bear that someone else can be successful, thus he is determined to ruin the life of others: manager Choi, the talented Lee Hansoo and the rookie Lee Taemin. He perceives everyone as a source of threat due to his insecurities and greed. Since Chairman Kim and Song Myungshin embody rape and prostitution, it is normal that Yoon Jae never forced Lee Yoohan to have sex with him. He is the romantic one through and through, thus he is waiting for a real sign from his lover. Therefore it is no coincidence that he said this to the main lead: 
(chapter 28) He was signalizing that he wished to have sex with him, he had trouble to wait. 
(chapter 28) These words expose that for Yoon Jae sex and love were the same thing for him. He couldn’t differentiate them. Hence he can only appear as a wacko to the fake actor and chairman Kim. Therefore Song Myungshin is doomed to failure, he will never be able to seduce the powerful and attractive executive director Yoon Jae. 
(chapter 2) Queen Yoon vanished, because she was condemned as a witch. Naturally, her disgrace is linked to Lee Nok’s special situation. His yin energy is so strong that he attracts ghosts which his mother noticed. If the king knew about this, he would definitely see it as a curse. Thus Queen Yoon tried to protect her son with talismans which led to her demise. Because of this incident, the king turned concubine Han into his new Queen. The latter gave birth to a son who definitely represents a threat to Lee Nok. 
(chapter 8) This explicates why the boy is turning his back to Lee Nok. Their position in this picture already displays the existing rivalry between them which Queen Han is trying to diminish by faking concern and pity for the Crown prince. She seems to take the Crown Prince’s side, for she has to mask her involvement and true intentions: ambition. She is eyeing at the throne. If the main lead was involved in a scandal, the king could decide to nominate his second son as the future Crown prince. As you can see, Lee Nok’s situation is quite fragile and as such precarious. There is no ambiguity that the loss of his mother wounded the Crown prince deeply. We could detect it thanks to Jae Shin. The main lead chose to adopt the cute puppy, as the latter was motherless. 
(Chapter 7) As you can see, the main lead was projecting his own emotions and thoughts onto the small dog. He feels also abandoned in the palace, as he has no one to rely on. He can not even trust his close aid, the eunuch Ahn, and his love interest, Choi Kyung Joon, as his secrets (sodomy and the ghosts lusting after him) would shock them (disbelief and rejection).
(chapter 1) 
(chapter 2). Though the verdict looks similar, I come to a different interpretation. How so? 
(chapter 1), the other is badmouthed to be involved with dark arts through posters. 
(chapter 2) Yet there is no evidence. I would even add that contrary to Yeomra, the king never gave Lee Nok a choice to defend himself and to determine his fate. How so? As soon as the father read the poster, he accused his son: “What have you been doing that things have come to this?” This means that he believes that there exists a kernel of truth in this rumor. The cause for his mistrust is Lee Nok’s birth mother, the former Queen Yoon. Because his mother was already involved in such a ruckus, the king can only blame the Crown prince, all the more when the latter defends his mother’s honor. 
(chapter 2) These words could only reinforce the father’s prejudices. He was already guilty by association. 
(chapter 2) No one is able to see his face. His only support and connection to aristocrats is his friend Choi Kyung-Joon, the son of a minister. That’s how powerless the Crown prince is in the palace. He is even surrounded by maids spying for Queen Han. Consequently, I come to the conclusion that Lee Nok’s father represents the negative reflection of Yeomra. He doesn’t send away his son in order to protect him, rather to hide him out of shame and resent. In other words, the king doesn’t love his son contrary to Yeomra. Interesting is that the latter let his son make the choice about his own destiny. Why? He wished to give him the liberty to determine his fate in order to prove him what DESTINY is. 
(chapter 3). Let’s not forget that the son’s crime had been to change a person’s fate. Striking is that both monarchs believes in fate, but the mortal ruler has a different notion. Since Queen Yoon is viewed as a witch, the son seems to be “tainted”. Moreover, while Yeomra trusts his son, the mortal king behaves differently. In reality, he relies on his wife, Queen Han. Thus he recommended her to Lee Nok 
(chapter 2), and later he listened to her fake concerns. This shows how easily the king can be manipulated, he is not even realizing that his royal secretary 
(chapter 2) is working against Lee Nok, while claiming that he will look for the author of these posters. I couldn’t help myself connecting Lee Nok’s seclusion in his quarters to the death of the shaman Yeom: both are “buried alive”. 
(chapter 13) Hence she can “understand” him. Another proof for this interpretation is the spirit’s following statement: they share the same fate. 
(chapter 8) The only difference is that the Crown prince is still living. However, for the Queen, it is just a matter of time, until people forget Lee Nok completely so that her son can replace him. At the same time, his isolation can only increase suspicions. And the more he is badmouthed (dark arts or sodomy), the more the king will turn away from his own son. While the king of the hell of tongue ripping wished Jae Shin to recognize his mother, the king of Joseon desired the exact opposite: he should deny his relationship to his birth mother, Queen Yoon. 
(Chapter 2) Moreover, the god never imposed his will onto Jae Shin. The latter has to discover this himself, whereas the king made the opposite choice.
(chapter 1). This shows that the ghost has a deep respect for his father in the end. This explains why after his sentence he thought about his father 
(chapter 1) His words don’t ooze resent, he is more pleading his cause, begging his father to recognize that humans don’t deserve such mercy and care. He trusted his father and his fairness, hence he spoke the truth. He never hid anything from him. As for Lee Nok, despite the father’s verdict, he still follows social norms. He accepts his father’s order. Then despite the rejection, he tried to see his father, and he even went to the Queen’s palace to greet her. He acts like an obedient and dutiful son. Finally, he tried to defend his mother’s honor, as he knew that she had sacrificed herself for him. I am convinced that he must feel guilty for her disgrace. 
(Chapter 8) This truly displays that he had no faith in his son, for in the king’s eyes, the prince is ignorant about Queen Han’s good nature. To sum up, Lee Nok is rejected by his own father, he has no one to rely on. He might have loyal servants like inspector So-Rib 
(chapter 2) or Eunuch Ahn, but the latter have no real power in the palace. Furthermore, he can not confide to them everything. He is not loved which stands in opposition to Jae Shin who grew up as a spoiled prince. 
(Chapter 2) That’s the moment he can finally breathe. This corresponds to the situation of being buried alive which I mentioned above. Since he is surrounded by maids, he has no privacy. But contrary to the Queen and the king, he has no real control over his staff. Due to his innocence and purity, he is not aware that one of his maids is reporting to Queen Han. He is definitely cautious, but he is not cunning enough to anticipate the Queen’s moves. As the manhwaphiles could sense, Lee Nok is indeed a fragile and lonely prince.
(Chapter 1) Imagine that he can control someone from the afterlife. But the problem is that he is not aware of his power, as he has no idea about Jae Shin’s curse. Yeomra’s son can not return to his father’s side, as long as he had not won Lee Nok’s heart. On the other hand, the immortal prince has no intention to reveal his secret to Lee Nok, because if so, he would become his puppet. This explicates why in chapter 18, Jae Shin treats the Crown prince like an object. 
(chapter 18) He is masking his own vulnerability, at the same time he gives the impression that Lee Nok has no other choice than to depend on him. He is trying to turn the tables in the end. 
(Chapter 4) Besides, according to me, Yeomra fell in love with a human, this means that his action affected the mortal world, so he has to restore the harmony in the mortal realm. But the problem is that Lee Nok is already in love with his childhood friend Choi Kyung-Joon. So the main lead might have become the Crown prince’s sex partner, but he has not conquered his heart yet. Nevertheless, it is just a matter of time. The irony is that humans are mortals, hence their time is limited. This shows that Jae Shin is actually working against time. He could end up living as a puppy forever. So he is also weak, totally depending on Lee Nok’s heart and good will. 
(Chapter 16) The latter might have not died, but he lost his yin energy. Thus he lost his strength. Only the Crown prince could heal him.
(Chapter 13) Why would she say that? First, Lee Nok is aware that his friend hates sodomy. 
(Chapter 3) Hence he is forced to hide his affection from him. This means that he can never be honest to Choi Kyung-Joon, yet like already pointed out above, the Crown prince embodies innocence and as such honesty. This means that his lack of honesty towards his loved one can only wound his heart. So far, the Crown prince could never outlive his sexual orientation, for he had no partner at all. Thus he could still maintain his image in front of his loved one. This hopeless love gave him a certain strength. 
(Chapter 9) This outlines the mortal’s power. 
(chapter 13) The friends can not become lovers, as this would represent a threat to them. However, there is no ambiguity that Choi Kyung-Joon is aware of the Crown prince’s affection and he is taking advantage of it. By using social norms, rejection of sodomy, he can keep his distance from Lee Nok, but still maintain his relationship with him. How did I come up with this interpretation? 
(Chapter 3) Note that he is using the personal pronoun “I”, while in reality he is just usurping the Crown Prince’s authority. 
(Chapter 3) He was definitely arrogant, selfish and intolerant in that scene. He didn’t pay attention that his friend was not feeling well the whole time. Secondly, with such an attitude, he could create a ruckus for the Crown prince and damage his reputation. 
(Chapter 3) They were in a gibang, and note that the poster was released shortly after this visitation. Finally, Jae Shin was already hinting about Lee Nok’s love to Choi Kyung-Joon
(chapter 3) It was clear that he was designating his companion, as their path crossed there for the first time. But since the ghost was just insinuating, the other could still feign ignorance. However, despite this warning, the minister’s son didn’t change his attitude. In fact, he became even more caring and gentle than before. Moreover, observe that when the main lead was summoned to his father, Choi Kyung-Joon never asked for an audience and speak up for his friend. 
(chapter 10) Thanks to Painter Of The Night, we all know that this exam has more rounds. Why did he not pass the second round? In my opinion, it is because he is relying on Lee Nok’s support. This shows that he is not determined to become a high official on his own merit. That’s the reason why he is close to the Crown prince in the end. His well-being is his ticket to get power. 
(Chapter 9) But since Queen Han sent someone to tail the childhood friend, it is only a matter of time, until jinsa Choi realizes that he can obtain more, if he supports Queen Han. Besides, if he detects that Lee Nok is hiding things from him, he can utilize this as a sign that he is losing favors. And the moment he switches sides, Lee Nok won’t be able to forgive him. But there exists another possibility how their friendship can get ruined, Choi Kyung-Joon’s attitude represents a problem itself, which I had already outlined above. He almost caused a ruckus in the gibang, then he didn’t try to defend his friend in front of the father, and finally, he made another huge mistake. He let Lee Nok sleep outside. 
(chapter 10) Though his advices sound selfless and great, they are actually terrible. How could he leave the room, after the prince had fallen asleep? He should have left before. Then he makes sure that no one sees him. This can create a misunderstanding. Why did they do there together? So the moment there is a rumor that Lee Nok is a sodomite, the minister’s son could get suspected. So in order to save his skin, he could betray his friend and testify against him. He saw the hickeys. 
(Chapter 13) This is important, because Jae Shin is powerful contrary to the childhood friend. He can use his connection from the afterlife: his brothers, Yeom and the ghosts. And contrary to the minister’s son, his movements can not be detected first. As an investigator, he can unveil how Queen Han used ghosts to ruin Lee Nok by altering the book of names. The ghosts remained in the mortal world, 
(chapter 15) because they were not fetched by the warden and messenger to the deceased. 
(chapter 15) The reason is simple. They were not supposed to die. 
(Chapter 13) Remember that he questioned Yeom’s choice, as she had not accepted the tragic death of her loved ones which was in his eyes predestinated. 
(chapter 13) Like his father, he believes in fate, not realizing that his sin is the evidence that destiny can be changed. From my perspective, this change of heart and conviction can only happen, when he discovers that someone else committed the same crime affecting him directly. Interesting is that Yeom serves as a mother figure to Jae Shin. Despite his rejection, he still followed her advice. He trusted her words, when she said this: 
(chapter 13) He recognized the truth in her words. This shows that through Jae Shin, Lee Nok can gain powers. Indirectly, the latter is also receiving the help of the mother figure, Yeom. The punished prince can give orders to ghosts, he can chase away evil spirits and as such put an end of Queen Han’s influence. Moreover, thanks to his loving brothers, Jae Shin can get an access to the book of names and know about people’s fate. 
(Chapter 15) He doesn’t necessarily needs to interfere directly, his knowledge can help Lee Nok (for example the king’s passing). Remember the saying: knowledge is power. As a puppy, Jae Shin can tail Choi Kyung-Joon too, and he won’t be suspected, as a white puppy is supposed to chase away evil spirits. In fact, the friend knows how Lee Nok cherishes the dog, so he has no interests to mistreat or suspect him. This shows that the Crown prince has powers in the afterlife, 
and his purity is his strength.
(chapter 2) and chose to protect him. Despite his status, he showed humbleness. But this doesn’t end here. He shared not only his bed and his food with him, but also his secrets. . 
(Chapter 2) Jae Shin had already become his confident. And this leads me to my final conclusion: Lee Nok is strong because of his huge heart too. He is neither arrogant nor selfish, and he has not such a negative view about humans and life in general, more about ghosts, the cause for his suffering. For me, he has never lost hope. He contrasts so much to his lover, thus he can teach him these values and change him. On the other hand, Jae Shin can give the Crown prince what he has been missing the most: a true home thanks to his affection and support. 
(chapter 7) For them, Kim Dan became a hot topic among the staff (def. 4). 
(chapter 7) Then they recognized his skills immediately (“He’s a totally different weight class. Definitely won’t be easy”). He not only looked young, but also was skillful (def. 5) Hence one member made the following request that the doctor should treat them too. This is important, because thanks to the manager and coach, the gentle Kim Dan was welcome properly. He was accepted as a member of their team, though he didn’t have his uniform yet. Consequently, it is not surprising that the moment the protagonist offered his help to an injured fighter, the other boxers came to his side, and wished to be examined too. 
(chapter 1) The latter used his position to isolate the main lead and put the blame on him. As you can imagine, I am expecting the opposite in Black Team. If something happens, they will side with Kim Dan, because the latter treated them well contrary to the champion. 
(chapter 7), he acted differently, as he treated the other boxers. He was selfless, and the other hot boys could witness it. In their eyes, Kim Dan is definitely a hot boy (def. 4.-5-9)!
(chapter 7), exactly like his fighter Joo Jaekyung (chapter 1). However, I believe that there exists a difference. The champion came to take this expression literally, hence he shows a certain arrogance which is not the case for the coach. Nevertheless, the athlete respects the coach. The former never retaliated, when the hyung scolded him after smacking his back. 
(chapter 7) This means that he has to call Kim Dan hyung like the other fighters now. And now, you comprehend his reluctance to address Kim Dan properly. 
(chapter 7) It was, as if he didn’t want to lose his title “hyung” to the physical therapist. And this leads me to the following observation: Kim Dan became the hot topic between the protagonist and the coach (def. 3). And it is only a question of time, until hyung discovers the existence of the deal between the two protagonists. In this scene, he is hot on his athlete’s trail for his arrogance and disrespect towards people. (def. 11)
(chapter 8). 
(Chapter 1). He appears as more brutal and partial, for his kingdom is called the hell of tongue ripping. It was, as if he was not allowing protest or disobedience, and there would only exist one sentence: tongue ripping. Secondly, he banished his own son to the mortal world, because the protagonist had played a trick on the book of names. 
(chapter 1), had been asking this favor from him while tricking him. However, Yeomra wouldn’t listen to his defense so that at the end, Jae Shin was turned into a puppy. 
(chapter 8) or 
(chapter 14) what is he? A dream, a ghost, a human? And this leads me to the following observation: Jae Shin might be Yeomra’s son, but he has three appearances: the puppy, the nobleman and the ghost. This divulges that he has more than just one identity. In this picture, the author outlined the two sides from the main lead. 
(chapter 7) This is no coincidence. If you pay attention how the main figure was called by Yeom, HALF-BREED
(chapter 7) 
(chapter 15) Even Yeom who didn’t recognize him immediately, as she had never met him before, 
(chapter 8) still knew about his rumor. This indicates that Jae-Shin is different. One might say that it is related to his dependence on yin energy (“preying on humans to survive”). Hence he portrayed himself as defective. 
(chapter 15) This shows that he wished to be different, to resemble his hyungs and other “ghosts”. However, in my eyes, this is not the true origin for his reputation as half-breed. If the beholders look carefully at this image
(chapter 1) 
(chapter 1) The color is exposing his special status. Secondly, in this image, we could see the young version of Jae-Shin
(chapter 15) In other words, he had the same evolution than a human! The only difference is that he doesn’t age and die like humans. He is already a few centuries old. 
(chapter 3) Thus I came to the conclusion that Jae Shin is actually the result of an union between Yeomra and a human. Hence he resembles a lot to a vampire with his teeth and long nails, as the vampire is considered as a living corpse. Moreover, the Korean version of a vampire, the gangsi is supposed to absorb Qi, life force. Nevertheless, Jae Shin is not a gangsi, for he can move freely and his body contains blood. My point is that Jae Shin became immortal thanks to his father, but since he was born from a human, he was first a baby before becoming an adult. This explains why Jae Shin’s main color is red, the symbol for life, combined with black, a reference to his father, as this color symbolizes the underworld! Under this new approach, it becomes comprehensible why Jae Shin is forced to go to the mortal world to replenish in yin energy, which is not a necessity for his hyungs. The older brothers don’t often visit the mortal world. 
(chapter 15) As you can sense, for me chapter 15 was very eye-opening! And once you accept this theory, you can comprehend why the father turned him into a puppy. 
(chapter 1) In his eyes, they have no real value. Moreover, he resents them for their hypocrisy 
(chapter 3) He prefers the afterlife world to the mortal one. And because he was different from the others, he got spoiled by his father, brothers and other gods. 
(chapter 3) Since he is the result of an union between a god and a human, he needs human energy (yin). Therefore he bleeds like a human
(chapter 15), when he gets stabbed, but because he is an immortal, he can heal. 
(chapter 16) Striking is that he called himself a ghost, but Lee Nok didn’t accept this, for he is visible to humans. 
(chapter 16) This is important, because by identifying himself as a ghost, he is actually denying his “human nature”. However, he is not realizing that “ghosts” were all once humans which is not the case to Yeomra, Jin-Gwang, Cho-Gang and probably to his brothers. They are “gods”. In other words, the moment he calls himself a ghost, he indirectly admits his “human origins”.
The association is already presented in the title, as it is part of the “ghost”. 
Besides, the manhwalovers can detect its presence in three occasions. 
Jae Shin is wearing an earring in the form of the lycoris. Then the red spider lily 
(chapter 9), was present, when he changed his appearance and dressed as a noble. 
(chapter 9) But what is the meaning of this flower then?
(chapter 9) This was their final goodbye. It takes courage to love someone so different, to love an immortal. That’s the reason why the father sentenced his son to win a human’s heart. He was teaching him a lesson, he should learn how his father fell in love with a human. 
The purple lotus flower symbolizes spiritual enlightenment as well as faithfulness and innocence. The purple flower indicates harmony and balance between different parts of ourselves. [For more read the essay: The lotus and the snake] But since the pavilion and pond were facing the palace where Jae Shin was staying, the presence of the lotus is announcing the future purification of that place full of evil spirits and ghosts.
(chapter 14) This shows that his body’s energy works like a huge talisman. But in order to become effective, he needs human energy. Hence I couldn’t help myself making the following connection, when I read Yeom’s comment about Queen Han: 
(chapter 13) She attributed the queen’s protection to a strong amulet, as she believed that the woman was a human. However, the moment you admit that Jae Shin is the fruit of a love between the god of the underworld and a human, you can imagine that Queen Han could have the same nature. Her aura could be so strong that she can push away powerful ghosts like Yeom. Yeom thought that the young girl was attracting ghosts like Lee Nok 
(chapter 8), thus the shaman advised to the father: 
(chapter 8) She encouraged him to have his daughter accumulated good karma. She was indirectly trying to change the girl’s personality and as such destiny. 
(chapter 8) From my point of view, the young girl was discovering her second nature, she could see and talk to ghosts. Thus she smiled. As you can see, I came to develop the following idea: Queen Han is a half-breed like Jae Shin, but contrary to him, she prefers the human world. Why? Because of her powers, she can control people and gain power. This explicates why she chose to get rid of the shaman whom she viewed as a threat. At the same time, thanks to the intervention of the “spirits”, she discovered how powerful she was. Thus she smiled… 
(chapter 8) like a flower
(chapter 8) These words reminded me of the lycoris, the flower of death and funeral. We have many possibilities for her lineage. Either she is a new version of Gongju Bari, or she could be the product of another god, like for example this one: Seokga.
(chapter 13), yet the brother had not heard about such a death. 
(chapter 8) Exactly Jae Shin, she is living between two worlds, her body might have died, but she is by clear conscious. 
(chapter 9) 
(Chapter 5) It took him a whole week to recover from this encounter. (Chapter 5) He was physically and mentally wounded. His behavior fits all the criteria in chapter 6. He is totally selfless and is risking his life emotionally, physically and mentally. He definitely sees the champion as a „criminal“, since he keeps comparing him to the director from the hospital. (chapter 6) He has indeed become a true hero, hence he received the admiration and love from all the readers.
(Chapter 5) At no moment, in the ring, he risked his life, for this fight is controlled by a ref and both boxers are required to follow certain rules. But the seme has not realized this yet. Like I had pointed out before, he takes everything too seriously. He views his games as a matter of life or death. One might think that he has never had a strong opponent so far, but we have two indications that his career wasn’t always smooth. 
. (chapter 1) The legend is implying that this was not like that in the past (“the streak continues”). Secondly, he has cauliflower ears
(chapter 1), a typical consequence for fighting. [Here I would like to thank @delune_art for her observation]
(chapter 5) The lover and Kim Dan have the same hair dress and the same height, they are both muscular, yet slender. 
(chapter 2) In other words, Joo Jaekyung favors a certain type, but he is not aware of it. Hence he claims that all his sex partners were different. And now, you have the explanation why he views people he has sex with as tools and even whores. He used money as a protection, a wall to keep his distance from people. This is not surprising why he was happy, when Kim Dan asked for financial support. That way, there was no string attached.: “So it was just the money, after all”. (chapter 6) But naturally, he is deluding himself, because observe that he is now changing his sexual habits! 
(chapter 6) It is no longer linked to his jinx, because he is asking Kim Dan to have sex no matter the time or place. This little detail makes a huge difference, the start of his new obsession.
(chapter 1) before and after the arrival of the manager. The tone changed immediately. 
(chapter 1) Then when his athlete wondered why he had not heard from Kim Dan, the manager not only took Kim Dan’s side, but also criticized his athlete. First, when he said that the main lead had asked him like a million times, (chapter 5), he was implying that he had bothered him a lot. Then 
(chapter 5) the idiom “something” is a reference to the sportsman’s behavior. He reproached him in a calm manner that he would nag constantly. Yet, at no moment, the boxer felt insulted. That’s why I couldn’t help myself judging him as a “hero”. He could tame his sportsman and turn him into an obedient “puppy”. The latter is always well-mannered in front of him and never showing his frustration. 
(Chapter 5) He got caught by surprise by this point. He never imagined that Kim Dan would reject or even block him, as he is considered as a “champion”, a hero!! But the moment he turned his back from the manager, he couldn’t control his frustration and anger. Thus he smashed the punching bag with such a force. (chapter 5) On the other hand, he couldn’t control his gaze, when he heard that he could get blocked. (chapter 5) This whole scene displayed the respect Joo Jaekyung had for the manager and his friend. At the door, he never exploded. But why is it so? Like mentioned above, he views the man as his family. And we have another proof for this: “block us” was turned into “block me”. As you can see, the personal pronoun “us” indicates that Joo Jaekyung considers the man with the red shirt as an unit, a home.
(chapter 5) Joo Jaekyung was frank enough to voice his dissatisfaction about the physical therapists. For me, this image exposes that the boxer is not just a violent and selfish man, he is still capable to have a normal relationship. He respects his peer and never vents his rage towards him. Under this new approach, you can grasp why I selected “my hero” as a title. I wished to outline the good influence the manager has on Joo Jaehyunk. The former will definitely take the physical therapist’s side, like we could sense in chapter 1 and 5!! I am looking forward for the interaction between Kim Dan and the manager, because it will definitely affect the relationship between the hyung and the champion! 
(chapter 5) This is perceptible due to her clothes and her basket. She was more or less a “peasant”, living in the countryside. And the young child could sense her struggle. She dedicated her life to raise Kim Dan properly so that he could get an education. She was so selfless and caring that she protected her grandchild from the loan sharks’ brutality. 
(chapter 5) With this scene, the manhwalovers could discover that Kim Dan’s debts existed, even before he became an adult. This means that this was the heritage from his parents. Hence I am suspecting that one of a parent deserted the family in order to escape from the loan sharks and left the debts to the halmoni and Kim Dan. And if you recall the criteria for heroism, you will recognize the halmoni is a true heroine. Hence you comprehend why the young protagonist is willing to do anything for his grandma. He is trying to repay his “debts”, since she had to suffer so much in the past. There is no ambiguity that the young man feels responsible for her. And if you observe the chapters I quoted the most so far, this was episode 5 where the manager and the halmoni were introduced properly for the first time!! 
In order to fully grasp the boxer’s mentality, it is relevant to know the true signification of this word: 
If he can not defeat his opponent, he “will die”. This is no coincidence that his color is black
, a pigment that symbolizes nowadays death. Being too serious has huge negative consequences. Such a person can never be happy. The reason is simple. He is focusing too much on career and work that he is overlooking to enjoy the moment. The person is not able to play and to take time to laugh along the way. In the end, he doesn’t know what truly matters in life.
At the same time, imagine what a defeat could signify for the champion. He would judge himself as worthless, as in his eyes, only strength is important. To conclude, I think that this violence from the athlete is much more complex, just like its origins. 
Nevertheless, the fighter is totally wrong in that aspect. It takes a lot of courage to admit a mistake and to ask for forgiveness 
(doctor Frost, chapter 211), because we don’t know if the offended person will accept the excuse. 
And this is exactly what happened with Kim Dan. He apologized, yet he still feared that he would be hit. 
and apologized before before becoming silent and inactive. Hence I believe that this is what the uke will teach the strongest man in the world. He needs to learn to admit his mistakes. And this is no coincidence that in the ring, the brutal man never voiced regret towards the “green” man. With his expression “punk”, he had the perfect excuse to avoid the apology. That’s why he didn’t reply to the trainer immediately and in front of him 
(chapter 1) It is because they had all heard about the boxer’s violent behavior and his stubbornness: 
The anaconda 😂 Yes, the length and and size of his phallus! While Kim Dan was massaging him, the man was relaxed, hence this signifies that it had not reached its maximum size!! And now, imagine what happened to the last doctor… The latter could have made an intentional move, but the champion has always separated his career from his private life. No one at the gym knew about the champion’s homosexuality. Since for the boxer, everything is a matter of life and death, he definitely views sex as a fight too. It is about his own climax, and not about feeling good or giving pleasure to his partner, even less about love! Therefore it is not surprising that the man is having sex in this position. 
(chapter 1) He doesn’t feel the need to see his partner’s face or to talk to him. And if you read my analyses about Painter Of The Night, you are all aware of the signification of such a position. It is about power struggle and victory. This observation leads me to the following conclusion: Joo Jaekyung’s rough sex is just the consequence of his “mentality”. In truth, he is masking his own anxieties, his manhood. This is just a speculation on my part, but I have the impression that his overactive superego is his way to deal his own sexual orientation. Homosexuality is often perceived as a lack of masculinity and strength, and note that so far, the boxer has been following social norms quite strictly. He embodies the prototype of the successful and wealthy boxer. We definitely need more information about his past, his family and surroundings. Another possibility is that the athlete is bothered by his huge phallus, which he could view as “jinx”…. For him, it is the reason why his former sex partners keep running away. The author will give us more elements in the future episodes.
and contrary to the others, he will keep having sex with the protagonist. 😂 Under this aspect, the readers can grasp why the anonymous sex partner said nothing, when Joo Jaekyung called the main lead. 
I am suspecting that the man didn’t find this sex session very pleasant, as he was clinching onto the sheets. Besides, why would he call him in the middle of the encounter? And he could see Kim Dan as his savior… it was his luck that Joo Jaekyung had a new physical therapist. 
Even the author Black Apricot from Legs That Won’t Walk couldn’t help herself to praise the main lead for his handsomeness on Twitter. Striking is that this picture represents the perspective from Kim Dan, the other protagonist. In other words, not only the readers were enchanted, but also Kim Dan. He couldn’t restrain himself from voicing his fascination by whispering “WOW”. The gentle and pure man was voicing what the readers felt. While massaging him, he kept starring at him, complimenting for his skin, his muscles and even his visage. He had the impression that he was really lucky, for he never had such a client before. 
It was, as if he was claiming the main lead. He was his reward and trophy. And now, pay attention to the clothes the bottom was wearing, when he met his client. 
I am inclined to think that the boxer won’t view the physical therapist as a jinx. For him, he will be his lucky charm. And this is already detectable in chapter 1. 
(Chapter 1) When Baek Na-Kyum remembered his noona’s words about Yoon Seungho, he connected it to the loss of his future lover’s topknot. Here, the gesture had a different meaning. By cutting off his hair, the father was acting, as if he was abandoning his son. According to social norms, the hair was considered as a heritage from the parents. So if Yoon Chang-Hyeon had truly done it, the latter was showing that he was no longer considering the main lead as his son. While the rumor about the haircut gave the impression that the elder master Yoon was a honest and honorable noble, anyone can perceive the elder master’s action differently: the father is a coward, a selfish, ruthless and disloyal lord, especially the moment it is revealed that Yoon Seungho was abused sexually, physically and mentally. Let’s not forget that the protagonist used to live in the shed, for he was viewed as an animal. His situation reflected the father’s betrayal and abandonment. It doesn’t matter if he had been manipulated, because in the end, he made the decision to treat his son as a slave. He refused to send for a physician. To sum up, the loss of the topknot in this rumor would be judged as the epitome for cruelty and intolerance!! This shows that the loss of the hair in Painter Of The Night has actually many significations: castration, mercilessness and abandonment. 
(Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68 
, this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? 
(Chapter 94) He had no parents or guardians protecting him which is true, for here he was exposed to violence. Heena, as the head-kisaeng, had not protected him at all, she must definitely have portrayed herself as powerless. Yet as a slave of the state, she was belonging to the king. So she had connections to officers and the court. In my eyes, the head-kisaeng made sure that the artist could never get a topknot, and as such he would never be able to become a “noble” or even a man. Hence Baek Na-Kyum was constantly called boy 
(Chapter 56) 
(Chapter 59) 
(chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. 
(Chapter 101) Here, the lord had spared his friend’s life.
(Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. 
(chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. 
(chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. 
(chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. 
(chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. 
(chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings. 
(Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. 
(Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: 
(chapter 88) (chapter 88) By cutting off the friend’s hair, he was showing that he was abandoning his friend. He was leaving him behind, and Lee Jihwa was forced to face lord Song alone. 
(Chapter 83) This time, he had not his father by his side either. The latter could not protect him too. I had already voiced this theory before, as it would explain why Lee Jihwa is masking the man’s face. And note that Nan-Woo from A Sip Of Poison cut off the topknot, as he is already acting as the future ruler. Another important detail caught my attention. Just before receiving his sentence, Woo Jong-Han made an oath, 
(chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury. 
(Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host 
(chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. 
(Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 
, for he was not present, chapter 57 
in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang.
(Chapter 69) Under this new light, this panel from Twitter get a total new meaning: 
The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see. 
(chapter 59) Furthermore, he associated it to abandonment too. 
(Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment. 
(Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. 
(Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. 
(chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder). 
(Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. 
(Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. 
(chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy. 
(Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side. 
(chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: 
(Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. 
Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.
(chapter 23) to give him a knife: 
(chapter 23) before grabbing Woo Jang-Hon by his topknot 
(chapter 23). Hence the hair fell between the men. 
(chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. 
(chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:
And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
(chapter 66)
(chapter 83) 
(chapter 67) This shows that till season 3, Lee Jihwa had never been exposed to real justice. There was always someone ready to intervene for him. And now, you comprehend why the red-haired master felt no remorse to blame his friend for his humiliation in the past. He must have thought that if he had not been in his bedchamber during that night 
(chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: 
(chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies 
(chapter 77) He had kissed him without his consent, thus he got “castrated”. Let’s not forget that the main lead was forced to become a male prostitute, an uke, for he had not been able to perform, to have an erected phallus. On the other hand, Lee Jihwa had done nothing wrong in the bedchamber 
(Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole. 
(chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. 
(chapter 33) 
(chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, 
(chapter 77) and this one 
(chapter 83) The length was almost the same, yet 3 or 4 years had passed in the main time. Let’s not forget that this scene represents the patriarch’s abandonment 
(chapter 77) and Kim had also experienced rejection from Yoon Seungho 
(chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: 
(chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers!
(chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state. 
(chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.
(chapter 33) 
(chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that 
(chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! 
(chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: 
(chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband. 
(Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. 
(chapter 34) 
on Twitter yesterday, and naturally this made many people happy, for Jung In-Hun was stroking Baek Na-Kyum’s foot gently. How could people identify the characters, though we don’t see their faces? Simply by the clothes! The manhwaphiles remember the painter’s grey pants and the learned sir’s favorite color, lavender, 
(chapter 19) 
(chapter 68). While many manhwalovers found this image cute 
(chapter 70) The manhwalovers can immediately detect the contrasts: the visages of the protagonists versus the hand and the foot, day versus night, sun versus moon. That’s the reason why I came to the deduction that this image embodies a happy memory of the painter: sadness versus happiness. 
. (chapter 68) This means that Baek Na-Kyum was removed, because he was a witness and could generate a scandal. He is beloved by the kisaengs. However, back then, he got misled due to Heena’s indoctrination and false impressions. When he saw this, he was only looking at his noona, hence he didn’t pay attention to the actions of the black guard. Moreover, he had no idea why Heena and Yoon Seungho were behaving like that. So when the painter recalled Jung In-Hun from that night, he was no longer heartbroken, because the stroll with the scholar came to his mind. 
(chapter 70). The trigger for this recollection was his farewell to Heena. This time, he could say goodbye to Heena properly by embracing her and giving her a scarf so that she would remember him. In the painter’s mind, after that night, he would never see her again. 
(chapter 69) In other words, this night represented a closure for Baek Na-Kyum, the end of his abandonment issues. In episode 70, Jung In-Hun had consoled him, he had tried to cheer him up. Thus the learned sir was smiling. Yet, this couldn’t cover the painter’s scar. He felt that he had betrayed Heena, for he had not been able to protect her. It was, as if he had run away. Nevertheless, when this incident occurred, the learned sir had not run away from the gibang, because you could see that Baek Na-Kyum was wearing socks and shoes. 
(chapter 70) The man had put the shoes on the child, as in the building, the painter only had his socks on. Because of the presence of the socks, 
(chapter 68), I deduce that this walk must have taken place in a colder season (fall) 
while in this picture, Jung In-Hun was carrying the painter on his shoulders in the summer. 
(chapter 102) In both scenes, the main lead is seen with bare feet. He is also carried by his loved one. But here, it is snowing, hence this signifies that it is winter. On the other hand, the manhwalovers can detect the presence of a purple flower on the right side. This signifies that Spring is on its way. That’s how I came to realize why Baek Na-Kyum is now recalling the learned sir’s gesture from the past. 
(chapter 102) where it is even colder than in the valley, secondly it is snowing and there is no sun, only the moonlight. So the moment Yoon Seungho witnessed that Baek Na-Kyum was alive, he must have recognized the seriousness of the situation. Since Baek Na-Kyum had only a hanbok on, he could die of hypothermia. What he had imagined for himself, death, had terrible consequences. He could be the reason for the painter’s curtains. So in my opinion, he must have warmed the painter’s feet with his hands, a new version of this scene: 
(chapter 94) His presence was to divert the attention from these men so that she wouldn’t be asked to have sex with them. And since I have already detected that each time, the painter suffered, karma would retaliate, the logical consequence is that Heena got punished for her wrong action. This signifies that while the painter was following the learned sir, his noona was abused in the kisaeng house. This would explicate why later she had no remorse to turn Yoon Seungho into a victim. And don’t forget that the painter was much younger than in this scene. 
(chapter 45) 
(chapter 75) The latter would let his partner walk through town in order to please him. He would even follow the painter. In other words, it was always for the painter’s sake, and in the mountain, it was the same. But it was not the same for Jung In-Hun, it was for his own benefit. We have the best example in chapter 10: 
(chapter 10) Here, he desired to separate the couple. Baek Na-Kyum should refuse to paint erotic pictures. 
(chapter 29) 
(chapter 70): The artist is dressed with good clothes, he looks more like a young master than a commoner, only the shoes are indicating that he is a commoner. That’s the reason why I believe that during that night, the learned sir was avoiding people. They could have wondered why the young boy was carried in his night clothes outside. From my point of view, this scene 
(chapter 29) He had already been seen with a girl before who seems to like him either. 
(chapter 6) Thus I couldn’t help myself wondering if the learned sir was not directly involved in prostitution, bringing girls to the gibang and even covering up for the sexual child abuse. We shouldn’t forget that the pedophile was portrayed as a man consumed by lust who would never pay attention to the time and the hour. 
(chapter 6) 
(chapter 7) 
(chapter 7) This change is not random in my eyes. I had already associated the learned sir to a chameleon. This change of color seems to validate my theory that Jung In-Hun had been sponsored by Min, hence we have the light green. Black Heart is symbolized by green. However, the light pigment reflects that he had been abandoned and betrayed. Nonetheless, when he encountered Yoon Seungho, the latter was wearing a purple hanbok. 
(chapter 6) That’s how the man got influenced and chose to wear his lavender hanboks again. But he never realized that behind the young noble, there was standing the pedophile, someone he had helped in the past. From my point of view, the change of the learned sir’s hanbok was the indication of his betrayal. According to me, the old bearded man 
(chapter 37) was not a former servant, but the pedophile. So he could have recognized the learned sir thanks to his hanbok… just like the readers did with this picture: 
(chapter 73) From my point of view, the intimacy in the bedchamber stands in opposition to the teacher’s gesture in the countryside. His caress was just a casual gesture with no real deep meaning in the end. This explicates why he could betray and abandon the artist on so many occasions in season 1 (chapter 11, 24, 25, 29, 35, 40). The learned sir had always prioritized his own interests. 
(chapter 102), the painter should realize the difference. 
(chapter 70) talk and ask questions before apologizing and hugging him. The lord never acted, as if nothing had happened, 
(chapter 102) This was true love and Baek Na-Kyum’s feet always reflect his emotions: 
(chapter 58) 
(chapter 80) So now, imagine how the painter must feel if the lord took his feet in his hands! This is no coincidence that there is this saying: 
(chapter 100)
(chapter 102) and the zooms on the feet: 
(chapter 53) 
The couple was following their heart!! But this was not the case with the scholar. Baek Na-Kyum had no other choice than to follow Jung In-Hun. 
(chapter1) Or was she simply the noona? 
(chapter 70) At some point, I came to realize that Heena had acted as the surrogate mother, but she had never clearly stated that she was the painter’s mother. In other words, his adoption was never official, which explicates why the main lead only considered her as his older sister. This is important, because her ambiguous status can not only generate problems, but also expose her betrayal towards Baek Na-Kyum. Note that in chapter 97, the noona treated Baek Na-Kyum as her “child” who wouldn’t listen to her 
(Chapter 97), while later she implied that they were both equal, for she employed the personal pronoun “us”. 
(chapter 97) On the other hand, she used her seniority as status, when she called him a fool 
(Chapter 97). He lacked experiences, hence he was too naïve, and as such he would trust the protagonist too easily. As you can see, Heena herself had an ambiguous relationship with her brother. Nonetheless, thanks to chapter 93, I got finally a definitive answer about Heena’s true identity. She is indeed the head-kisaeng in the gibang. I realized that the protagonists were invited to stay in Heena’s personal room. 
(Chapter 93) That’s the reason why the seat of the host was empty and why Yoon Seungho didn’t go there. He would have violated social norms, if he had taken her seat.. Moreover, by doing so, he would have revealed that he knew where the woman was. This could have raised questions.
(Chapter 93) This means that the figures were not sitting in the room shown in the last panel. On the other hand, their voices in the hallway exposed their location. The noonas and Heena were not far away from that door hidden by the veil. That’s how I got aware where Heena’s room was situated. In the last picture, the readers are turning their back from Heena’s study, which is right after the corner. Thus I could recognize the design of the building: ][ In the center, there is this huge hallway with the purple veils, but at its end, on each both sides, there exists a corridor perpendicular to the one with the purple curtains. What the beholder imagined as a door at the end of the hallway, 
(Chapter 68) was in truth a huge window. How do I know this? First, in this scene, the scholar was hiding a huge white vase with red flowers. Hence I deduced that Jung In-Hun couldn’t have walked through that “gate”, it was just a window. Therefore I assumed that he had to walk past the flowers, either turn to the right or the left. Secondly, observe that next to the lantern on the left, there is a small white panel. This means that the view from chapter 93 was more or less taken from the right corner. Moreover, in the next chapter, Heena is not facing this “window”, when she is in the same building. 
(Chapter 69) This time, the white vase with the flowers is standing in front of a wall. That’s how I deduced that Heena had to turn to the left in order to go to the hallway. 
(chapter 93) which is not present in episode 69. 
(chapter 93) Since I came to the conclusion that Heena’s private room was on the right side after the corner, I deduce that the kisaeng was not on her way to her room. Moreover, since the kisaeng was walking in the same direction than the scholar, I can only conclude that Heena was actually approaching the entrance of the building. I believe that she had turned around, but the author didn’t reveal this. One might argue that it is possible that in chapter 68, the learned sir could have gone with the painter to Heena’s bedroom. However, back then the latter was not the head-kisaeng. We know this due to the presence of a kisaeng standing right behind Yoon Chang-Hyeon during the sexual lesson. 
(chapter 86) She was the superior. Moreover, we saw the teacher walking through the countryside during the night. 
(chapter 69) It was done on purpose!! She wished that Min would take care of her brother. Under this new light, it becomes comprehensible why the noona has a drop of sweat on her cheek. She is faking ignorance, she is acting, as if she was very protective of her brother. She uses illusion to manipulate people. In reality, she was acting here. One might argue that I am overthinking again. This is not possible, for Heena didn’t know Min at all. Hence she couldn’t manipulate him. The latter had heard of her for the first time in Yoon Seungho’s mansion. 
(chapter 66) But let me ask you this. How could Heena have never met Min, when she was the head-kisaeng? Secondly, just because the servant had never heard of the noona, this doesn’t mean that it was the case for Black Heart. The domestic assumed Black Heart’s ignorance, just like the readers. Moreover, recently I had detected that Heena had been standing in front of a mansion belonging to a noble. 
(chapter 46) This was not Yoon Seungho and Lee Jihwa’s mansion, for the gate and walls 
(chapter 67) diverge. Moreover, Min has been seen in the kisaeng house in so many chapters 
, (chapter 19) 
(chapter 59). Here, I would like to point out that in episode 59, Lee Jihwa had visited the kisaeng house on different occasions, for his hair was slowly growing. 
(chapter 1) 
(chapter 19) This image was showing us that Yoon Seungho was visiting the gibang. However, pay attention to the pattern of the doors in the last picture and the next: 
(chapter 19) The motive diverges, it looks like the one from the hallway with the purple veils. This means that the party was not taking place in the room shown in the former picture. What caught my notice is the presence of the white vase with the red flowers in front of the building. It was present in each scene taking place in the gibang. 
(chapter 93) For me, the red flowers symbolize Heena noona. This explicates why during the painter’s dream, the flowers were not present. 
(chapter 87), as Heena was not included in his vision. And this image 
(chapter 44) Due to the similarities, I believe that in chapter 19, Byeonduck was actually exposing the ghost head-kisaeng. Exactly like the father, she was hiding. Why? It is because she is involved in Yoon Seungho’s suffering. And now, imagine her reaction, when she hears that Black Heart has organized a feast for the main lead’s honor. The woman could only avoid the main character. And now, you have the explication why Heena as the head-kisaeng was not present during that festivity. It was deliberate. 
(chapter 19) Striking is that the kisaeng had a similar hair dress than Heena, This is no coincidence. She was acting as the head-kisaeng. The manhwalovers will certainly remember that only two kisaengs had no braided bun or braids: this one 
and Heena. Look at all the others: 
(chapter 51) 
(chapter 93) 
(chapter 93) 
(chapter 95) The extravagant hair dress was exposing the kisaeng’s status. And now, you comprehend why the other noona explained the disappearance of Heena during that night. 
(chapter 19) But how could she sense that the noble was in a good mood? The latter was silent and not even smiling. 
(chapter 19) How could she claim this? In reality she was actually spying on him. Heena had no idea why the lord would come to the gibang, especially after suffering there so much. The kisaeng’s task was to dig up information. This visitation must have bothered the head-kisaeng. 
(chapter 69) She was even turning her back to him. But actually, she could have detected his presence, exactly like I had recognized him: through his laugh!! 
(chapter 99) He was wearing a veiled hat, yet in chapter 69, this was not the case. 
(chapter 88) 
(chapter 99) Under this new light, Min’s words get a new signification: 
(chapter 99) He was implying that they knew each other for a long time! The irony is that the manhwaphiles had the impression that their relationship was recent, and his cynical tone contributed to it. Secondly, he called her Heena, a sign that they were close to each other. Note that Lee Jihwa never mentioned her name. 
(chapter 99) His words even insinuate that Black Heart had just given the following order. The red-haired master should just fetch a kisaeng and in my opinion, Heena was waiting for Lee Jihwa’s arrival to leave the gibang. According to his words, he had no idea about the kisaeng’s identity. But is it true? I have my doubts now, and this for two reasons. Why would he ask about her identity, when he already knows that she is a kisaeng? The drop of sweat on his face is an indication that he is lying. But the problem is to determine if the deception is only referring to “I heard not a word” and to all the questions. Let’s not forget that he knew about Min’s initial intention. The moment Lee Jihwa arrived in the gibang, she just followed him. That way, they would avoid to attract attention, and with her new hair dress 
(chapter 93), the gibang had lost its “leader”. This explains why this noona as her right-hand had to explain the absence of the owner. 
(chapter 86) The latter had been eyeing the throne in the family mansion, but he failed to take over the mansion. This was the negative reflection of Heena. Whereas the kisaeng had a powerful position in the gibang, it was the opposite for the patriarch. He was no longer recognized as the head of the Yoons. Yet, both have something in common. Both lost their position for good, for Heena and Yoon Chang-Hyeon couldn’t take or keep the seat. We could say that both got defeated by Yoon Seungho. In chapter 93, the main lead acted as a respectful and calm master, whereas in the bedchamber he showed no respect to his own father. He talked back and even made fun of him. 
(chapter 87) This picture stands in opposition to this one: 
(chapter 93) To conclude, the surrogate mother and the patriarch made a similar experience in season 3. Both got deceived by manipulations and in both cases, letters played a huge role. 
(chapter 99) No one would be looking for her. The problem is that the witnesses of her curtains all vanished. Lee Jihwa ran away, Black Heart got killed with his friends, and the only survivor, lord Jang, was confronted with real corpses in the shaman’s house. 
(chapter 102) That’s why I come to the deduction that her murder will be questioned. Why? There is no blood contrary to the bloodbath in the shaman’s house and there is no corpse!! Since Black Heart used different corpses in order to deceive Heena and the couple, there is no ambiguity that the head-kisaeng’s curtains will be doubted. Striking is that Heena staged her death out of cowardice and selfishness, while Yoon Seungho made the opposite decision. He was resolute to commit suicide in order to follow his lover in his death. During that night, Heena and Yoon Seungho lost their “home”, but at the end, he found his true home: the painters embrace. 
(chapter 96) 
(chapter 96), though he is a noble. Besides, I am suspecting her of suffering from genophobia (fear of sex and intimacy) Their behavior exposes closeness and a certain trust. But how is this possible? It is because she knows that Min is a sodomite, and he is not looking for sexual favors. That’s the reason why she trusted Black Heart in my opinion. Moreover, he is smiling like Jung In-Hun. Therefore it is not surprising that she was speaking like the Joker in chapter 97. Here, the man had actually projected his own thoughts onto Yoon Seungho, and due to her own belief, Heena was more than willing to believe Black Heart. 
(chapter 52) It is because Black Heart knew Heena! I even believe that he had already met the scholar. Note that the man with the black hanbok was repeating the rumors about the learned sir. And the other questioned the main lead’s action exposing that he had never heard about this grapevine before. Hence I am deducing that the one spreading this rumor could only be MIN!! That’s the reason why he just said this
(chapter 52) That means that the noble knew the teacher in the end. Therefore it is no coincidence that Min was aware where the learned sir lived!! 
(chapter 52). Why? It is because there was an incident in the gibang!! 
(chapter 94) 
(chapter 97) 
(chapter 97) 
(chapter 101), and even Kim hid his face under a hanbok. 
(chapter 92) That’s the reason why I believe that in season 4, the visage will play a major role! The couple will recognize people due to the face!! In my eyes, the former head-kisaeng knows the identities of all the persons involved in Yoon Seungho’s suffering. 
(chapter 97) her brother is detecting her deception. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 