Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Behind The Emp’s Shadow and The Scent Behind The Jinx
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The Wrong Forecast
Many readers were happy to discover that Joo Jaekyung and Kim Dan are about to spend a day at an amusement park. 
(chapter 82) Jinx-Lovers consider it as their first real date, a long-awaited moment of levity after so much pain. But perhaps we should pause and ask: why this place?
Among the brochures 
(chapter 82) scattered on the table, one displays the Eiffel Tower — the obvious choice, symbol of mastery and control. Built for the Exposition Universelle of 1889, it was meant to celebrate France’s industrial power and the centenary of the Revolution — proof that bourgeoisie and steel, not kings and nobility, now ruled the sky and ground. It was even supposed to be dismantled after twenty years, yet it remained, and has since become the symbol of Paris and of France. A monument to progress, modernity, freedom, national pride and endurance.
But the man who picked up these brochures was never a tourist. In the past, Joo Jaekyung would not have chosen any destination at all. He would have stayed inside or trained, untouched by the world outside his window or the gym. 
(chapter 38) Hence in the States he is here turning his back to the window and his only connection to others was through the cellphone. The cities he visited were backdrops, not experiences. He was always alone. And yet, here, something changes in Paris. 
(chapter 82) His hotel room opens onto a broad window and a balcony — an invitation to look out. Secondly, observe that he only proposed this activity after the other members had fallen sick. When doc Dan barged in his room, the champion was doing a one-handed handstand, holding his entire weight as if defying gravity itself 
(chapter 82) and proving his recovery. The posture seemed like control, yet it was closer to self-punishment — an immobility that devoured strength. Blood rushed to his heart and head, but his lungs stayed empty. It was, unconsciously, his way of treating his breathlessness. This also shows that he had no real expectation about the “rest” his manager had suggested 
(chapter 82) — the drinking, the empty and aimless trip (“check out the area”). For the wolf, such a downtime could only mean endurance, not release and excitement. By the way, such a suggestion from Park Namwook borders on stupidity and blindness. How could he propose drinking, when he had seen his “boy” indulged in alcohol before?
(chapter 54) I guess, he must have taken the celebrity’s words at face-value. But let’s return our attention to the panel with the brochures selected by the champion. If you look carefully, you will detect the presence of 4 stars. (chapter 82) They reveal the protagonist’s thoughts and emotions. He is happy!! The news brought by doc Dan was actually good news! 😂 
(chapter 82) How do I come to this interpretation? We have seen these stars before, during Kim Dan’s Summer Night’s Dream: the same glittering symbols of softness and excitement.
(chapter 44) Yet, this time, the little “stars” belong to the celebrity.
For once, the fighter blushes, smiles, and dreams. 
(chapter 82) His choice of the amusement park is not really about himself and his desires— it is an act of care, a wish to give happiness to someone else.
And here, I feel the need to add this information. The most famous theme park next to the capital is Eurodisney which is strongly intertwined with fairy tales (The Little Mermaid 
, Sleeping Beauty 
and Beauty and the Beast 
).Hence there is the castle on the brochure. (chapter 82) This shows that my connection between the fairy tales and Jinx was correct. Eurodisney is a place built for children, stories, and families, where a person’s worth is measured not by conquest but by joy and time shared together. On the other hand, such a funfair cannot be separated from money; it is a space of paid joy, accessible only to families with a certain income. This alone explains why neither Kim Dan nor Joo Jaekyung has ever visited it before. 
(chapter 82) For both, it was financially and emotionally out of question. It grounds the symbolism of the amusement park in social reality, reminding readers that “fun” is also a form of privilege. This means that the champion is actually on his way to replace this picture: 
(chapter 65) So yes, this may look like a simple date. Yet beneath its playful surface lies the quietest revolution of all: the man who once ignored every view now opens the window, looks outward, and chooses wonder and fun over war.
When I first speculated about France, I imagined Cannes — the realm of spectacle, trophies, and bright façades. I was wrong about the destination 
(chapter 81), but not about the geography and air. I had truly detected the importance of this image and its symbolism. The plane that opened this arc spoke not of luxury, but of altitude — of a life lived too high, where oxygen is rationed by pride. Below the aircraft stretch the Alps, which I had correctly identified. From there flows the athlete’s own water – Evian 
(chapter 82) (written Evien in the manhwa) — drawn from the mountain that sustains him and starves him at once.
And now, let me you ask this: what happens to a candle’s flame at high altitude? It flickers, gasps, and finally dies for lack of air. This is exactly what Mingwa foreshadowed in the promotional poster 
(chapter 81): the rising smoke, the suggestion of a light already suffocated. The higher they bring him, the closer he moves to extinction. Besides, the higher he climbs, the harder the fall. In other words, they are trying to break him — to make him fall — something the athlete has already sensed. 
(chapter 82)
It is no coincidence that his opponent in France is an eagle 
(chapter 82) — a creature of heights and thin air, born to dominate the skies where others can barely breathe. The metaphor could not be clearer: altitude is his arena, but also his undoing.
Now they are in Paris, and it is fall — not yet cold because of the presence of the sun. 
(chapter 81) The air remains clear and generous, the sky washed in blue as if nothing could go wrong. Yet the trees, touched by the first copper tones, announce the slow turn of the year. It is a calm, lucid atmosphere, the kind of weather that hides transition inside serenity. The unseen Seine glides through the city like a long breath, steady and effortless.
In this luminous stillness, the champion tries, for the first time 
(chapter 82), to build joy outside the ring (chapter 82) — to borrow light for someone else’s smile. Paris welcomes him not with spectacle, but with ordinary clarity: air that holds both change and peace.
So yes, this may look like a simple date. Yet beneath the gentle brightness lies something deeper: the rest is supposed to treat Joo Jaekyung’s breathlessness. (chapter 82) Everyone has noticed that the athlete has been burning out quickly during training. 
(chapter 82)
So why is he struggling so much with breathing? It is more than just an altitude question.
Airport – Exhaling for the First Time
Like mentioned in the previous essay, the airport symbolizes transition, a sign that both protagonists are gradually changing, but their metamorphosis is not complete. Interesting is that Mingwa focused on the champion’s reaction at the airport which only Jinx-lovers could notice. 
(chapter 81) A single breath — huu — escapes, white against the air. It looks like calm, but it isn’t. It’s the sound of a man forcing his body to obey. The clenched fist that follows betrays him: anxiety condensed into muscle. 
(chapter 81) The champion has descended, yet the altitude still lives inside him.
Every cell of his body is trained to equate success with survival, control with oxygen. Even here, standing on solid ground, he breathes as if a fight were about to begin. His chest expands too sharply; his breath leaves in bursts. The nervous exhale isn’t relief — it’s containment. To conclude, he is tense, because he is anxious. This time, his shoulder is not betraying him 
(chapter 14), but his lungs and heart. Yet at the airport, the sportsman doesn’t realize it (chapter 81) — he is drawn eyeless, suspended in a state of self-control rather than awareness. His brief moment of meditation is still ruled by habit: the reflex of an athlete who measures calm through dominance. For him, success has always been synonymous with survival and such life. Hence later in his bedroom, he recalls his first tournament and defeat 
and makes the following resolution: (chapter 82) But there exists another reason why the athlete’s heart and lungs are betraying him.
The truth behind Joo Jaekyung’s breathlessness
Let me ask you this. When did we hear and see the champion’s breathlessness in the past? 
(chapter 69) Back then, he feared for doc Dan’s life and ran as if his own heart depended on it. His breathlessness wasn’t exhaustion but panic: the instinctive terror of losing the person who keeps him alive. Thus when he saw him alive on the dock, he could start breathing properly: 
(chapter 69) From HUFF to HAA… exhale versus inhale.
Seen under this light, his current symptoms are no mystery. What burns him out in training isn’t merely overwork—it’s fear disguised as stamina. 
(chapter 82) His brain and heart remember that night at the dock; every harsh inhale during practice echoes that same dread of separation.
Before his collapse, the opponent Arnaud Gabriel had casually flirted with his “fated partner.” 
(chapter 82) And how did the champion respond to that provocation? Like a cornered animal. 
(chapter 82) He became the wolf again, not out of jealousy, but out of survival reflex—his body screaming its panic in place of words. In that instant, he was reminded that he could lose doc Dan as a partner, that the bond he relies on might not belong to him forever.. The roar emptied his chest; his lungs gave out before his pride did. There was no air left in his body… thus the heart and lung couldn’t work properly.
That’s why the “burnout” (chapter 82) after training feels different this time. It’s not a failure of strength but a signal from the body, revealing what he refuses to confess: his greatest fear is no longer defeat—it’s loss. And that’s what makes him so human. For the first time, the indestructible champion stands on the same ground as Oh Daehyun—both breathless, both weary, both trapped between expectation and emotion. The difference is that Jaekyung’s fatigue is not born of rivalry but of love. In other words, this scene announces the vanishing of the monster the manager had tried to create and preserve. 
(chapter 75) The fearsome beast who once fought for dominance is gone. What remains is a tamed wolf, following his master’s voice (doc Dan) — not out of submission, but because he finally trusts where it leads. 
(chapter 82) He is now a tamed wolf following his master’s suggestions! 
(chapter 82) Thus the coach is now facing the couple. And now, my avid readers can understand why the champion seems almost radiant when he finds himself alone with doc Dan at the amusement park. It is not mere joy or freedom; it is the relief of finally acting from desire instead of duty (chapter 82) For once, he can do what he truly wants — to make the man beside him breathe.
The motivation behind this “date” goes beyond playfulness. It is his way of returning the gift he once received. Remember the birthday card (chapter 55): 
(chapter 55)
“Thanks to you, I finally feel like I can breathe again.” That card became the emblem of hope — a promise of redemption. Joo Jaekyung had been able to bring the physical therapist comfort and support in the past, so he can do it again. If he can help doc Dan breathe freely, without fear or debt, then perhaps he himself can breathe without fear as well. In other words, we should expect a confession in the future episodes.
“I Won’t Fall Again” — Gravity, Shame, and the Vow
Falling is actually the champion’s biggest fear. (chapter 82) That’s why Mingwa confronted him with reality, when she stages doc Dan’s unconscious suicidal attempt in front of the railing: 
(chapter 79) The scene functions as both mirror and revelation: it forces the fighter to face the truth he has avoided all his life. In the past, he had never truly fallen. His defeats were painful, but never fatal; his failures never signified the end of a life. He could always stand up again — until now. Watching Kim Dan lean over the edge forces him to confront the difference between metaphor and mortality.
But this rises the following question. Why does he associate his first tournament (chapter 82) with fall (chapter 82)? After all, that match ended only in a knockout, not in death. The answer lies at home. The boy’s first image of defeat was not his own body in the ring, but his father’s corpse on the floor 
(chapter 73) – surrounded by bottles and syringes (chapter 73). Addiction, gambling, and intoxication: all ways of trying to rise above reality, to feel high, if only for a moment. Joo Jaewoong quite literally died from altitude, from chasing a false form of air. His father had tried to climb the social ladder through sport, to escape the poverty that trapped them, but he had failed. Those words 
(chapter 73), thrown like stones by the father at his son, buried themselves in the boy like shards.. They echoed like a curse — a prophecy Joo Jaekyung would spend his whole life disproving.
The young Jaekyung saw and understood. When he collapsed during his first tournament, finishing third because there were no other opponents (chapter 82), he has the same posture of that corpse — arms spread, breath gone, waiting for someone to call him back to life. Back then, his father was still alive, but didn’t care for him. However, such a position announced the future demise of Joo Jaewoong. He had fallen out of excess; he fell out of weakness. Both were conquered by gravity, one literally, the other symbolically.
But the mother’s departure turned that fall into reality. She left the house claiming that the father’s violence and failure were to blame 
(chapter 72) 
(chapter 72), yet she made no attempt to build an independent life. Her survival had always depended on his success — and when his career crumbled, she vanished with it. That’s the reason why the trash remained uncollected — a visual proof of abandonment 
(chapter 72) But the little boy failed to notice it, because he was suffering from the father’s abuse. Before leaving, she gave her son a phone number, as if absence were only temporary, as if love could be reached through a dial tone. That small gesture sustained an illusion: that she would come back if he became strong enough, rich enough, worthy enough. That illusion became the foundation of his life.
Thus he trained obsessively, demanding to compete even as an elementary student 
(chapter 72) His first fight was not about trophies — it was an act of filial negotiation: a promise to buy her return. But of course, 300 dollars could not rebuild a family. His first fall became the confirmation of her silence. This explicates why he recalls his first tournament and considers it as “fall”. He had not been able to win, thus the mother could not return. He doesn’t fight for glory or passion; he fights to avoid being discarded again. So, when he says “I won’t fall again,” what he really means is “I won’t let myself be unloved again.”
In other words, he wanted to climb in order to rebuild the missing bridge to his mother. 
(chapter 72) But the problem is that when he was finally able to reach his mother, the latter answered that Joo Jaekyung was too late. The mother’s words sealed the curse. He was “already grown up now” 
(chapter 74), hence he no longer needed her — as if maturity meant he no longer needed love. She actually implied that she had been all this time by his side. 
(chapter 74), while in reality, she had long abandoned him. Her departure turned growth into punishment, and independence into exile. This explicates why as an adult, he used money to buy people and turn them into toys. This could only make appear as a spoiled brat.
He built his entire life around that promise, standing against gravity like an inverted pillar. The body that once touched the ground became a monument to refusal. He had to reach the sky, to remain in the air. Thus he chose the penthouse as his new home.
But defying gravity comes at a cost. He trained to stay upright until breathing became difficult due to the thin air. Breathing itself became rebellion. Every gasp of air reminded him of the father’s last exhale. Every victory was a way of proving that he could resist both descent and inheritance. Yet the same vow that kept him standing also froze him in place: a man always in motion, never resting.
When Kim Dan almost fell from the railing (chapter 79), the scene echoed this primal fear. The champion’s hand reaching out was more than reflex — it was salvation in reverse. By catching the doctor, he was symbolically catching his father, his mother, and the child he once was. In that single gesture, he refused to let history repeat itself.
The sentence “I won’t fall again” is no longer just a boy’s defense; it is a man’s confession. It reveals the weight he carries: the fear of becoming the very body he once found on the floor, the terror of losing the one person who gave him air. Through doc Dan, Joo Jaekyung learns that grounding himself is not failure but healing: he must get closer to the ground to draw air back into his lungs.
And now, we can understand why he chose the amusement park over the Eiffel Tower. The fighter who once chased altitude now seeks balance at earth level. His goal is not to impress through grandeur or wealth, but to care, to laugh, to rebuild joy together.
By choosing play over pride, he is attempting to rewrite his history — to erase the legacy of his parents’ abandonment and failure. What once was a vow against falling now becomes a lesson in how to stand, breathe, and love on common ground. Hence he looked for attractions and found these brochures. He didn’t want to leave it to fate contrary to his hyung.
Breathlessness and Youth
Before focusing on the funfair, I would like to give another explanation for his sudden breathlessness. (chapter 82) In chapter 82, both Yosep and the manager interpret the champion’s shortness of breath in purely technical terms. Yosep assumes it comes from his long absence from the ring, while Park Namwook agrees — eager to reduce fatigue to mere physiology. Their reasoning sounds plausible, yet it misses the core truth.
Joo Jaekyung’s breathlessness was never an issue before. 
(chapter 79) Even Park Namwook himself, only days earlier, had described the French match as 
(chapter 81) “a breeze” — a fight so effortless that it would bring some fresh air into the champion’s career. But that metaphor betrays its irony: what was supposed to refresh him is now suffocating him. The “breeze” promised by his manager has turned into lack of air.
If his lungs are giving out, it is not from lack of training, but from an excess of negative feelings. This is the paradox of his transformation. The man who once lived like stone — unyielding, heavy, immovable — is now becoming light, emotional, alive. His body, once used only for control, now responds to affection, anxiety, and loss. He is breathless because he has begun to feel again.
Interesting is that (chapter 79), the break is perceived differently, depending on the situation. (chapter 82) In one scene, the break is seen as a good opportunity, in the other not(“out of the game”). Besides, at no moment, they are using the word “recovery”, as if the man had never been surged.
What neither man notices is that the athlete’s body had already changed during that so-called “break.”
In truth, he had caught a cold 
(chapter 70) — a detail no one around him ever learned. This simple fact overturns their interpretation. 
(chapter 70) The breathlessness they see now is not a decline in performance, but the residue of transformation. His body, once trained to suppress every weakness, had finally surrendered to nature.
The cold, therefore, was not an illness but a rebirth — the first genuine sign of rejuvenation.
The first sneeze burst out like a leftover gasp from the night of panic at the dock (chapter 69): an involuntary release of fear and tension. Flooded with air and emotion, his body responded the only way it knew how — by collapsing into vulnerability. It was the moment when the emperor turned into a man, when the monument learned to breathe.
This was not simple fatigue; it was renewal.
For the first time in years, his system behaved like that of a human being, not a machine. The flushed cheeks, the runny nose, the dazed look — all marked a regression to childhood, an age when feelings could still flow freely. Before, he had never been breathless, because he was living like a zombie or a machine ignoring pain. Breathlessness had once been a symptom of repression; the cold became the body’s quiet revenge, proof that he could still react, still feel.
In this sense, the cold acts as metaphorical cleansing — an expulsion of the stale air he had been holding since childhood. The “monster” that Park Namwook wished to preserve (chapter 75) was finally dissolving. What replaced it was something fragile yet alive. But Yosep and Park Namwook, more obsessed with performance and profit, mistook this renewal for decline.
This connection between breathlessness and youth extends beyond Joo Jaekyung. We’ve seen another fighter gasping for air — Seonho 
(chapter 46), whose clash with the champion exposes two different forms of frustration.
It begins with Jaekyung’s own accusation. 
(chapter 46) He reproaches Seonho for using his title and image to promote himself, for bragging about their sparring sessions to boost his career. From his perspective, Seonho lacks both endurance and authenticity — he performs strength rather than living it. 
(chapter 46) For Jaekyung, such behavior is intolerable because it cheapens everything he has sacrificed to achieve.
But Seonho’s retaliation strikes closer to the heart. 
(chapter 46) He turns on Jaekyung and accuses him of arrogance — of using his champion title to look down on others. What Seonho perceives as disdain is, in truth, the athlete’s defense mechanism. The star’s detachment is not born from pride but from obligation and trauma (abandonment issues).
For years, he has been forced to be perfect — the faultless product that Yosep and Park Namwook can market and control. 
(chapter 46) His perfection is not freedom; it is captivity.
The irony is cruel: Seonho envies what Jaekyung himself resents deep down. He is not happy.
One gasps because he cannot reach the summit; the other because he can never descend and have a family. Both are breathless — trapped at different altitudes of the same illusion. In this light, breathlessness becomes the shared symptom of youth distorted by ambition. For Seonho, it signals decline — the body’s inability to keep up with the illusion of eternal strength.
For Jaekyung, it marks the end of the illusion itself — the beginning of human fatigue, emotion, and rebirth.
Under this light, it became comprehensible why Seonho 
(chapter 52) tried to recruit Potato, the youngest member from Team Black. He wanted to become the new idol of Hwang Yoon-Gu. He imagined that he could replace the main lead and Potato would be happy to become the new sparring partner of Seonho.
And this prepares the ground for his encounter with Arnaud Gabriel, the “eagle” who embodies yet another version of false air 
(chapter 82) — a beauty that glides but never lands. Like Seonho, Gabriel thrives on appearance — on surfaces polished by attention. His beauty, elegance, and social charisma are his weapons. He lives in the air of visibility, relying on wind — the shifting currents of social media 
(chapter 81) 
(chapter 82) and press coverage — to lift his name higher. That’s why Mingwa made sure to show him at the press conference. 
(chapter 82) Every post, every camera flash, every headline serves as borrowed oxygen.
We see him carefully maintaining this illusion of effortless flight: (chapter 82) posing in his new suit for the press conference, his public image as flawless as his wings.
(chapter 82) Yet beneath that composure lies dependency. Gabriel’s power exists only as long as others keep watching, as long as the wind keeps blowing. His world is made of altitude — but the higher one flies, the thinner the air becomes. But if there is no wind or air, the eagle can no longer fly. This is palpable on two occasions, his encounter with the two male leads.
When he flirts with doc Dan (chapter 82), Gabriel still speaks in French — creating an act of exclusion. The physical therapist can’t understand a word, but the eagle doesn’t care; comprehension isn’t the goal, impression is. The wink replaces language, turning seduction into spectacle. It’s not meant for dialogue but for display — a gesture meant to be seen, not felt. He imagines that he has wooed the physical therapist.
He doesn’t wait for a reply; he simply turns away, leaving Doc Dan behind. 
(chapter 82) The grin that follows is one of self-satisfaction and superficiality, not connection. It’s the smile of a man admiring his own reflection in another’s confusion — proof that he controls both the scene and the gaze. This shows that he had no intention to make the protagonist jealous. And it is clear that he never saw the wolf’s rage afterwards. (chapter 82)
But why did he approach the Emperor, after he had left the spotlight? One might say that it was to get his attention and provoke a reaction. The same arrogance colors his handshake with Joo Jaekyung. Gabriel greets him with a polished smile and an extended hand, yet his words carry a double edge: (chapter 82)
- “I know this is your return match, but I won’t go easy on you.” Behind the polite phrasing hides mockery and calculation. The smile is diplomatic; the tone, predatory. By choosing to speak in French, through an interpreter, he asserts distance and superiority. It is not a language barrier — it is a form of hierarchy.
- “Good luck with your training,” he pretends to wish him well while quietly diminishing its target. The implication is clear: you’ll need it. The eagle knows about the champion’s surgery and exploits that knowledge beneath a façade of charm. Every word he utters, whether to Jaekyung or Dan, is a performance — a test of power disguised as civility.
Everything is pointing out that Gabriel knows more than he admits. His remark reveals that he is fully aware of the champion’s surgery and the rumors surrounding it. He could even know about the drinking and his “lack of stamina”. (chapter 82) The line echoes in irony. On the surface, it invokes sportsmanship; beneath it, it suggests that Jaekyung’s previous victories were not clean — that his reign was tainted by aggression or controversy. Yet the true paradox lies elsewhere: Gabriel himself knows that this match is anything but clean. He is exploiting Jaekyung’s weakened condition, confident that he will prevail against a half-healed opponent. That’s why the athlete was encouraged to appear in a suit. 
(chapter 82) That way, his “vulnerability” would be masked. No one would question the champion’s health. And this brings me to my next observation.
This duplicity mirrors the logic of Hwang Byungchul, the old coach who once criticized Jaekyung for fighting too soon after his shoulder surgery 
(chapter 70). Both men embody the same cruelty disguised as professionalism — one in the ring, the other from the shadows. They blame the champion for the new match, none of them question the system.
Gabriel’s arrogance, therefore, is not personal but systemic. He represents the world that raised Jaekyung: a world where weakness is mocked, empathy is absent or a lip-service, and “clean fights” exist only as public performances. That’s why he stands for fun. He has never truly challenged “dangerous opponents”. The eagle’s flight is powered by the same wind that once blew through the director’s gym — the cold air of superiority. This means that unlike Joo Jaekyung, the eagle has never faced real turbulence.
Gabriel has lived in an atmosphere of praise, never subjected to the kind of hostility that constantly surrounded the champion. He has not endured the venom of hateful comments 
(chapter 36) or the media’s harsh verdicts after defeat 
(chapter 54), when analysts accused Jaekyung of recklessness for returning to the ring too soon, though he had problems with his shoulder. Gabriel’s fame soars above such storms — sustained by admiration, not endurance. Hence he is posting selfies.
(chapter 82) However,, Joo Jaekyung is no longer attached to his cellphone and the virtual world. What he truly wants now is real and true love from doc Dan. (chapter 82) This explains why he is seen interacting more and more directly with fans and this outside! 
(chapter 82) He is now seen signing autographs 
(chapter 82), whereas in the past, he was only seen in company of reporters in a secluded area. 
(chapter 40)
But this match carries a hidden danger. It was secretly arranged by the CEO, a fact still unknown to the public. Should Jaekyung win, the backlash could fall not on the loser, but on the victor. Critics could accuse the champion of avoiding a real challenge — of selecting an easy, lower-ranked opponent (chapter 81) rather than facing the fighters in first or second place. 
(chapter 69) The victory would be branded as hollow, a publicity stunt rather than an athletic achievement.
Yet this very accusation could threaten Gabriel as well. By calling him weak, the same commentators who once worshipped his image would strip him of his core identity: that of an athlete. (chapter 81) He wants to be admired as the hottest male figure in the sport, but admiration without credibility is only ornament. If his skill is questioned, his entire persona collapses.
Thus, both men stand on fragile ground — one condemned for winning, the other diminished by losing. Gabriel’s elegance and Jaekyung’s strength mirror each other’s curse: both are trapped in a world where value exists only in the eyes of others, and where even victory can feel like a fall. However, this can change, if this fight becomes a true spectacle, and is born out of love! But the air that sustains Gabriel is not the same that now fills Jaekyung’s lungs.
The eagle rises through applause; the wolf begins to rise through love. Liebe verleiht Flügel (German) — love gives wings — but these wings do not lift him away from the world. They carry him closer to it, toward the ground, toward life and fun.
The Amusement Park and its Ferris Wheel — Circles of Breath and Light
If the Eiffel Tower was built to celebrate height and conquest, the Ferris wheel, 
(chapter 82) first unveiled at the World’s Columbian Exposition in 1893, was created to transform height into play. Conceived by engineer George Washington Ferris as America’s answer to the Parisian tower, it sought to outshine France not through steel alone, but through motion — a structure that would rise and fall, carrying ordinary people with it. Unlike the fixed tower, the wheel invited participation: passengers would move together, share the air, rise and descend without fear. It was both monument and moment — a way to democratize the sky.
That is the kind of altitude Joo Jaekyung chooses.
After years of living at the top — in the isolating stillness of the champion’s penthouse, the rooftop — he now turns to a form of shared elevation. The Ferris wheel becomes his antidote to the rigid hierarchy that once defined his life. Here, there are no rankings, no first or second place, only circular motion. One rises while another descends, but both will meet again. It is the geometry of equality — and the perfect metaphor for breathing. This means that, by choosing the Ferris wheel, Joo Jaekyung and Kim Dan experience a gentle form of falling — one that no longer hurts.
Each rotation of the wheel is an inhale and exhale; ascent and descent, effort and release.
Inside the small cabin, air is shared. Love and life become visible through motion rather than achievement. The attraction’s design embodies the very thing Jaekyung and Dan have been learning all along: balance.
For the doctor, whose childhood was shaped by financial limits and emotional debt, the wheel offers what he never had — the chance to look at people from above, to rise without cost or guilt. For the champion, it restores what he lost — the ability to enjoy altitude without suffocating, to associate height not with fear, fame, or trauma, but with wonder. In that cabin, surrounded by laughter and sky, they can both breathe again.
But the symbolism extends further.
The Ferris wheel stands in sharp contrast to the highway, the modern symbol of depression and disconnection. As psychologists have noted, this kind of highway thinking characterizes the depressed and overdriven mind. It is the mental state of someone who keeps moving forward in a single direction — not out of purpose, but out of inertia. The brain becomes trapped in one lane, incapable of detouring, exploring, or slowing down. Over time, this creates a kind of perceptual tunnel: a world reduced to one goal, one fear, one story.
I watched this documentary, but it is in French https://www.youtube.com/watch?v=v5YcH5X5Xgo
In depression, this narrowing becomes pathological. The mind loses its ability to imagine alternatives, to see side roads or landscapes beyond the straight line ahead. Reality shrinks into a one-dimensional track — progress without perspective. The obsession with direction replaces the experience of life itself: one keeps accelerating or slowing down, chasing milestones, yet the inner landscape remains unchanged. This is how I came to connect these three scenes:
| Chapter 33 | Chapter 56 | Chapter 69 |
|---|---|---|
 That reflects the champion’s mind-set, his narrow-mindedness. But keep in mind that during that evening, the champion made a detour, he was disturbed by the destination/ goal:  |  Here the athlete has only one goal: talk to doc Dan and clean the air. He has no intention to truly rekindle with him  Thus he is still stuck in a traffic jam. |  Here, there is a progression, because he can switch the lane. However, he is still driving in one direction, not looking out of the window. He is not taking his time either. These scenes illustrate the champion’s psychological confinement and mirror doc Dan’s mindset as well. |
And now, look at the streets of Paris. (chapter 82) They look rather empty, yet we can see a crossroad — a sign that the champion’s mentality has improved. He is no longer narrow-minded or trapped in one lane. However, the high peak ahead represents the amusement park, because there, the destination is not important. There is no order or hierarchy either.
This is why healing requires not just rest but multi-perspectivity — the rediscovery of curves, loops, and crossings. The the funfair and Ferris wheel become the perfect antidote: it teaches that movement can be circular, playful, shared, and above all, reversible. Instead of racing toward a fixed destination, the wheel allows return, variation, and exchange. It reawakens the part of the brain that knows how to wonder. But the funfair offers other possibilities as well: the roller coasters. (chapter 82) The latter teach courage.They carry within them the echo of Jaekyung’s greatest fear: falling. But here, the fall is transformed into exhilaration. What once symbolized loss, shame, and trauma now becomes thrill and laughter. The mechanical descent reclaims the forbidden emotion; it gives the body permission to scream, to release control, to fall without dying.
Joo Jaekyung’s life before Kim Dan was precisely that: a mental highway.
Every victory led only to the next, every title erased the one before. The more he advanced, the less he lived. His body, disciplined into automation, had forgotten the curve of joy — the possibility of turning, pausing, returning. The Ferris wheel and the roller coasters break that pattern. The Ferris Wheel reintroduces circularity, where movement is not escape but rhythm, where the goal is not ascent but repetition with difference and observation. From there, you can look at your surroundings. 
(chapter 75)
This is where Mingwa’s visual irony reaches its height.
The man who once swore, (chapter 82) now voluntarily steps into a machine that promises nothing but falling — and smiles. What once represented humiliation now produces joy. This reversal is the purest expression of healing: when what once wounded becomes what restores.
Together, the Ferris wheel and the roller coasters offer two complementary forms of breath.
One teaches rhythm — the inhale and exhale of life. The other teaches release — the scream that clears the lungs. And then, it came to my mind that such a theme park could offer bumper cars — small machines of collision and laughter. Unlike the Ferris wheel or the roller coaster, they don’t offer height or speed but contact. Here, impact is stripped of danger; the crash becomes a form of play. The goal is not to avoid others but to meet them — to touch, collide, and burst out laughing. In this attraction, aggression loses its sting and turns into connection.
One shows that peace is possible in repetition; the other shows that freedom lies in motion. Laughter becomes medicine for the two breathless men, but contrary to the past, this time, doc Dan will see the happiness written on his loved one’s face. So far, he has never paid attention to his genuine smiles: 
(chapter 27) 
(chapter 80) He has not grasped that he can make the champion happy. In fact, this day would represent a real break and rest, as they would learn nothing, only make new experiences so that life can appear colorful again. Here, we can see two balloons in the form of heart: green and yellow. (chapter 82) Once they enter this world, they will discover a world full of magic and lights.
And now, imagine this. If there was a love confession in that theme park, this could bring tears of joy, the opposite of these scenes 
(chapter 52) a kid versus a grown-up, both rejected and silenced. 
(chapter 74) Joo Jaekyung would have achieved his goal: even vulnerable or childish, he is still lovable.
Both stand against the straight line of the highway — the depressive geometry of one-way thinking. The park and its attractions offer circles and loops instead, motions that bring one back to the self, not away from it. They turn fear into fun, control into connection.
If the highway is the architecture of burnout, the amusement park with its attractions is the architecture of recovery.
On the road, time accelerates; in the air, it expands.
On the highway, one is alone even among traffic; on the wheel, one is secluded but among people — the paradox of safe intimacy. Inside the cabin, the couple is both visible and hidden, surrounded by other voices yet enclosed in their own breath. It’s a fragile cocoon where public space becomes private moment, where affection can exist without fear of intrusion.
This is the healing structure of Jinx’s Paris arc. (chapter 82) The wheel is not a symbol of escape from the world but reconciliation with it. At the same time, it feels like a reverence to the fairy tales and their famous ending: 
(chapter 41) They were destined to be together and lived happily.
It redefines air: no longer something to conquer or control, but something to share. The circular motion mirrors the psychological rhythm that both men have been denied — the ability to rise and fall without shame, to let life move through them rather than resist it.
Even the mechanics of the wheel resonate with their journey. It turns slowly, patiently; it demands trust. Once aboard, there’s no way to force speed or direction. One must surrender — to the mechanism, to the air, to the view. It is the perfect opposite of Jaekyung’s former life, where every second was measured, every breath controlled. Now, he can do nothing but sit, look, and breathe.
And there is more. The wheel’s origin — a response to France’s Eiffel Tower — completes the symbolic circle between the two monuments. The Eiffel Tower represented competition between nations, a masculine monument to progress, mastery, and endurance. The Ferris wheel transformed that spirit into something inclusive: it turned height into experience, individual triumph into collective wonder. Hence the Ferris Wheel exists in France and in other cities. This is exactly the transformation Jaekyung undergoes. The fight is no longer vertical — him against the world — but circular, relational, shared.
Seen from a distance, the wheel glows like a moving constellation — a ring of stars rotating in the night.
In the earlier chapters, stars appeared above Jaekyung’s brochures (chapter 82) to signal his quiet happiness, mirroring the stars that once surrounded Kim Dan’s laugh (chapter 44). The Ferris wheel reanimates that motif. Each cabin is a star, and together they form a galaxy of moments — proof that light can move without burning out, that joy can repeat without fading.
In that sense, the Ferris wheel is more than a date setting. It is a machine of breath: a gentle, mechanical reminder that even steel can carry tenderness, that love — not ambition — is what truly gives flight.
Love gives wings — but not the kind that seek altitude. These wings move in circles, not lines. They return to where they began, bringing both men back to the ground lighter than before. To conclude, the birthday card contained the key how to rekindle with the physical therapist and win his heart: 
(chapter 55)
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(chapter 74) What does it mean that a man who once reached for his mother’s voice is now suspended between clouds, unreachable himself? 
(chapter 74) Why does the same stillness that once followed a farewell now fill the air around his flight?
(chapter 65) Let’s not forget that the last poster of chapter 81 
(chapter 74) In that earlier scene, the smoke rises from burning incense sticks which is linked to scent — the invisible bridge between the living and the dead. Here, it reappears as the airplane’s exhaust 
(chapter 75), perfume 
(chapter 75), sweat and sex 
(chapter 75) became instruments of anesthesia, each meant to silence the body that once betrayed him.That betrayal did not come from the body itself but from what it carried — his father’s shadow. 
(chapter 75) Every muscle, every breath, every instinct reminded him of the man he swore never to become. The body was a mirror of lineage, and lineage meant failure. In his dreams, that failure still reached for him: black hands emerging from the dark, the father who had lost everything. 
(chapter 75) The fighter calls it a “dream,” not a nightmare, because fighting was once his father’s dream — a dream of escape, of being seen, of proving that poverty was not fate. But for the son, that same dream turned into a curse. To fight was to repeat what had already destroyed the family.
(chapter 75), the forbidden comfort that ended in scolding. 
(chapter 72) When he finally received it, it was not from a mother but from the director — a man whose gift could fill the stomach but not the heart. From that day, nourishment and submission became one.
(chapter 72) And yet every attempt at purification only buried the rot more deeply. The more he washed, the more the stain spread inward — invisible, odorless, yet consuming.
(chapter 81) — the same spot where he once sprayed his perfume 
(chapter 40) — it is more than desire: it is instinct, possession, and search. The gesture blurs the line between hunger and recognition, as if he were trying to inhale and keep what had always eluded him. The scent he once sought in bottles and rituals now breathes through another body, one that refuses to be contained. So when Jaekyung breathes against Dan’s skin, he is no longer trying to mask the stench of loss but to find the source of something living. The doctor’s scent does not erase hunger; it answers it. For the first time, the wolf eats without devouring. 
(chapter 44) — nuzzling the one destined to become his anchor. Jinx-philes can observe not only the presence of steam (which is similar to smoke), but also the effect of the scent. Back then, the champion had calmed down thanks to the hamster’s scent. 
(chapter 44) To conclude, that moment, half dream and half awakening, had already begun to rewrite the map of scent. There, the fragrance from doc Dan had triggered his appetite, hence he couldn’t restrain himself during that night. 
(chapter 45) 
(chapter 65) He will make sure that doc Dan doesn’t smoke again and his scent remains pure. This signifies that the wolf will pursue its source through the smoke of deception, through the perfume of luxury and corruption. The doctor becomes both compass and contrast — the pure odor that exposes every false aroma around him. Through Dan’s scent he will breathe again—through that fragile, living fragrance the wolf begins to track the truth that stinks beneath luxury and lies.
(chapter 36) When the champion left South Korea for the United States in episode 36, the plane glided through a void of light. There was no sky, no earth, no horizon — only a white expanse pierced by the sun’s glare. Even the boundaries of air and space seemed dissolved. The image radiated purity but felt sterile, stripped of texture. The machine was rising, not toward a destination but away from attachment itself.
(chapter 37), the heart disinfected of need. Hence the bed became an instrument of “torture”. The upward flight marked a beginning, yet it already smelled of exhaustion and futility. A life built on departure cannot land anywhere.
(chapter 78) Through Hwang Byungchul’s blunt words, the Emperor finally realized that he possessed an identity of his own—one not confined by inheritance or shame. The insults that once defined him, 
(chapter 36) instead of naming Joo Jaekyung himself. He might have stood beside the MMA fighter the entire time, yet he preferred to disappear behind collective language, as if the plural could shield him from personal involvement. It was a professional gesture, an attempt to efface the self, to stand beside the fighter without belonging to him. His role was service, not solidarity; his language confirmed distance. Thus his karma was that he got abandoned by the team after the match, while rescued by the celebrity himself!! 
(chapter 81) translates that awareness into sensation. It’s no longer the passivity of a bystander but the heartbeat of someone invested. The count of days becomes a shared horizon between doctor and fighter, a bridge of feeling. 
(chapter 37) The others indulge in small pleasures — snacks, shopping, light rebellion — but the champion and his doctor remain trapped in routine, orbiting one another inside sterile rooms. I am suspecting that doc Dan must have bought the scarf at the airport, a small act of thoughtfulness before departure. 
(chapter 41) Yet the gesture, though sincere, carries a quiet irony. The scarf is printed with flowers, mostly roses, but as a piece of fabric it has neither scent nor warmth. It imitates life without containing it. What he gives her, in truth, is a copy of affection, not its essence — a bouquet that cannot breathe.
(chapter 37) The answer lies in the contrast between the smell of life and the smell of emptiness. While others seek flavor in hot ramen or the sweetness of snacks, the champion’s room remains odorless, air-conditioned, antiseptic. Then, in the quiet of night, a faint aroma drifts toward him, the flavor of hot ramen. And now observe the progression of scents through Jinx. 
(chapter 72) — the garbage, the spoiled food, the stale air of neglect. What he truly covers is not his nose, but his fear of returning there. Later, in episode 22, when Dan cooks for him, the champion instinctively associates food with corruption: 
(chapter 22) Interesting is that here fish has a negative connotation: intrusion and thoughtlessness. This shows how detached the champion was from his true self: water and the ocean. Moreover, cooking, warmth, nourishment—all evoked garbage, the chaos of his first home.
(chapter 54) couldn’t nourish him. Hence he replaced it with wine for a while.
(chapter 74) Their fragrance became the perfume of loss. To his senses, flowers never meant beauty or love or nice smell; they mean burial and as such pain. Every petal recalls the suffocating smell of the funeral room, the smoke, the artificial but painful peace of goodbye.
(chapter 32) The blue tie contains 3 striped colors: red, white and blue, which are quite similar to French flag, though the order has been switched. Secondly, Choi Heesung purchased 
(chapter 32) Hermès’ item, a French company famous its bags, scarfs and perfumes. So I am quite certain that once Jinx-philes discovered the identity of the next fighter 
(chapter 81) and saw the plane, they must have jumped to the conclusion that the next fight will take place in Paris! But France is more just than the capital. This country is called the Hexagon due to its form, and this name stands in opposition to the MMA ring, which is an octagon! 
(chapter 40) Interesting is that the team at the airport is composed of 6 people. 
(chapter 81) So we could say that despite the disadvantage being in a foreign country, they are “equal”, 6 colors against the team from the Hexagon, the blue light from the MMA ring. But let’s return our attention to Paris. The latter is widely recognized as the symbol of love, the global center for fashion, art, and stardom. The city has a deep historical connection to these fields, being the birthplace of haute couture and home to many of the world’s leading fashion houses and luxury conglomerates. Its cultural scene is equally rich, with a long history as a hub for artists and a more recent reputation for being a center for music and film stars. However, the image with the landing plane is actually revealing the truth. 
(chapter 14) Here, exactly like in the States, his trip to Busan never gave him the opportunity to visit the city and the beach, exactly like the athlete. The next airport to Cannes is Nice- Côte d’Azur and it looks more like the one in the Manhwa. Furthermore, the South of France has a milder climate in the fall, hence it is still possible to swim in September. Besides, in my last essay, I had connected the champion to Bruce Lee and water: 
Finally, Naturally, here I could be wrong with Cannes. Nevertheless, Cannes, with its glittering shorelines and film festival glamour, symbolizes the marriage of money (millionaires, yachts) and illusion — the theater of appearances. It is where contracts are made, where bodies are displayed, traded, and consumed through the gaze, the very economy that has always governed the champion’s existence. The wolf, once born among garbage and hunger, now finds himself surrounded by luxury, in a world perfumed with artificial success. Yet beneath the surface of that “breeze” and “splash” lingers the scent of corruption. The coastal light hides what the smoke once revealed: exploitation, manipulation, and the unspoken violence of commerce.
(chapter 59); silence had replaced air; life was drained of flavor. None of them truly enjoyed the nature: the ocean or the mountain. The seaside town was strongly intertwined with work 
(chapter 77) or danger. Then, when they returned to that place, their time was limited to visit the grandmother and the landlord. 
(chapter 81) They had no time to walk through the woods or visit the hills. They had no time for themselves. Consequently, I believe that in The French Riviera, the two of them will discover “savoir vivre”. Everything breathes, glows, and stirs. It is a land overflowing with color, aroma, and taste — precisely the senses that the wolf had long sought to erase through ritual. Doc Dan had led a similar life too, dedicated to his grandmother and work. If they are close to the sea, they might decide to walk on the beach together.
(chapter 69); the scandal there had linked the previous incident to the infiltration of a Korean gang. The American branch was compromised, its credibility tainted. France, on the other hand, offers a mask of neutrality — refinement, culture, and distance from scandal. By choosing it, they manufacture the illusion of glamour and innocence, pretending that Baek Junmin and his former hyungs have nothing to do with the coming event.
(chapter 69), where Baek Junmin once fought for the championship belt. Thailand in Jinx is not a paradise but a mirror of corruption — the place where victory turns into prostitution, where the body becomes currency. There, the Shotgun won a crown but not respect; his triumph was drenched in manipulation, spectacle, and moral decay. He was admired by no one, celebrated by ghosts.
(chapter 36), the transition from flight to arrival unfolds with seamless precision: no airport, no customs, no luggage — only the honk of city traffic and the flags fluttering over a hotel entrance. Everything about that journey screams logistics. It was a corporate trip, arranged, timed, and contained. The athletes passed through invisible gates, their movement stripped of individuality. The champion, like cargo, was transported rather than welcomed. His arrival, though triumphant 
(chapter 81)
(chapter 81) The suitcase becomes the true protagonist of this threshold. In that small vibration lies all the instability the white air once denied. It is his portable home, his compressed past, the fragile proof that he finally has something to lose. In the earlier arc, he could have vanished mid-flight and no one would have noticed; now, if the suitcase disappears, another heart will break. That difference measures his evolution. Yet it also marks new vulnerability: any hand can touch what he carries.
(chapter 41) and the wedding cabinet
(chapter 80) before it, the suitcase belongs to the same symbolic lineage. It is the container of intimacy — filled with clothes, precious items like pictures or books, with the silent evidence of presence. But unlike its predecessors, it moves. The wardrobe once stood still, rooted in the domestic; the wedding cabinet invited intrusion within a private world, as it was once discarded. The suitcase, however, carries that vulnerability into the public realm. It is exposure on wheels — the private made portable. 
(chapter 81) 
(chapter 81) and Kim Dan has still no idea that the athlete has kept them like cherished relics. He might have placed the notebook from Hwang Byungchul as well. However, the person carrying the suitcase is the manager: 
(chapter 55), where he expressed his desire to work for Joo Jaekyung for a long time. What would be the manager’s reaction, when he recalls this incident with the switched spray and Doc Dan’s sudden departure? Moreover, we have here “erased words”: to be ho… The timing of the discovery is really important. This could generate some tension and confrontation between the manager and the physical therapist. Besides, such a birthday card could generate negative feelings (like jealousy), Kim Dan is gradually taking more and more place in the athlete’s life. The violation that once occurred behind closed doors (the penthouse) now could happen in plain sight. The line between private and public collapses, just as the boundary between success and loss blurs.
(chapter 37). So when the manager says this, 
(chapter 75) While he was sick, he could recall this scene. 
(chapter 75) where the fighter could stay focused, though he was surrounded by noise and people. The advice had seemed trivial, when first given. Now it re-emerges as revelation. The emperor, once incapable of rest, now reads 
(chapter 81) beside someone who represents safety. The book becomes a bridge between wakefulness and sleep, a ritual that does not erase consciousness but calms it. Where his earlier practices sought to block sensation, this one restores it.
(chapter 73), which should have offered nourishment, attention and peace, had been replaced by absence and deceit. Her warmth was an illusion, a posture mimicked but never felt.
(chapter 80) And here, I had imagined that the mother had offered this t-shirt as a birthday present. 
(chapter 78), without the good night! That missing intimacy was not a void but a distortion — a tenderness twisted into survival. The mother’s touch, meant to console, existed only to protect herself. She kept the child close not out of affection but out of anxieties and resent, turning him into a living barrier between her and the man she resented. What he experienced as warmth was, in truth, defense and rejection; what seemed like closeness was the choreography of avoidance. Hence she never looked at her child. The body that should have been cradled for its own sake was held as cover, its value defined by its usefulness.
(chapter 29) which reminds us of breastfeeding. And now, look at the embrace in the swimming pool: 
(chapter 80). The hamster was imitating the behavior of the little Jaekyung in the past, clinching onto the “parent” like his life depended on him. But how did the athlete react to this embrace? He looked at his fated partner 
(chapter 80) and got all warm and fuzzy by looking at him: 
(chapter 81) A sign that the mother had never reacted the way her son is doing now, the feel to kiss the loved one! The problem is that in the swimming pool, the doctor’s scent and taste are covered by chlorine. 
(chapter 81) The wolf falls asleep next to someone, not on top of or apart from them. That small preposition — next to — carries the weight of redemption. The couch, once a site of violation 
(chapter 61) or solitude, becomes again what it was meant to be: a place of rest and tenderness. Thus he touches his fated partner’s legs over the cover, showing his care and respect. 
(chapter 81)
(chapter 81), he can recognize the false nature of his mother’s affection. What she offered was conditional, deceptive and self-centered; what the doctor gives is ordinary and consistent. No grand gestures, no promises — only presence. The doctor does not rehearse concern; he lives it through routine. And this ordinariness, paradoxically, becomes sacred. It was, as if the athlete was treating his own inner child through the physical therapist. 
(chapter 37)
(chapter 74) At this moment, the page itself turns black, veined with smoky whorls of gray — as though her words had burned into the air rather than spoken. “I can’t live with you… please understand… let’s just go our separate ways.” The sentences rise like vapors, leaving behind the faint residue of a scent that refuses to vanish. This visual texture — half smoke, half ink — captures her true condition: she dissolves herself with every attempt at escape.
France itself mirrors her — beautiful, perfumed, wrapped in silk and secrecy. She definitely climbed the social ladders through her second marriage, hence she could offer toys to her second son. The nation of couture and fragrance becomes the stage for the mother’s unmasking. Once the name of Joo Jaewoong rises again, questions about her will inevitably follow. And here, she can no longer hide behind silence or excuses. The myth of refinement — both hers and France’s — collapses under the weight of exposure.
(chapter 72) 
(chapter 13) 
(chapter 40) to Baek Junmin’s red blaze 
(chapter 48) — had mirrored faces, two bodies, two lights. This time, there is only one. The duel has vanished. What remains looks less like a fight and more like a myth in the making. 
(chapter 81) chosen to face the Emperor. According to Oh Daehyun, this man is fighting for the title of the hottest male athlete in the world. 
(chapter 14) Why is there this abbreviation? Why does the image proclaim a return while simultaneously concealing the full title? What does it signify? 
seems to be corroborated: this event doesn’t announce the glorious comeback it pretends to be, but a carefully staged trap. However, there is more to it. The longer I examine the composition 
(chapter 30) The latter had to learn fighting in order to play his role in the drama Extreme Worlds 
(chapter 29). 
(chapter 8) His eagle is spreading his wings in front of his god, the sun, attempting to fly closer to the sun. According to me, Joo Jaekyung is the sun. This explains the loyalty of this purple belt fighter toward the protagonist! 
(chapter 47) But that’s one possibility among others, one thing is sure. Oh Daehyun will play an important part during their stay in France.
(chapter 46) People would bet on him and win… they needed him to lose and break his “lucky streak”. In other words, the organization betrayed the body they once sold. They had prepared the fall long before the injury, the surgery, or the suspension. But their plan failed. Despite every setback, the wolf remained beloved at home. People still admired him, not for the trophies, but for his kindness 
(chapter 62), humility 
and strength 
(chapter 62) In other words, what the champion did in the seaside town had a huge impact in his life and world. He lingered in the hearts of those he touched. He was not a fallen idol, nor a forgotten champion, but a living memory — proof that integrity leaves deeper marks than victory ever could. To conclude, his fame no longer comes from spectacle only but also from empathy and presence — from the very qualities the schemers and media system fail to grasp.
(chapter 81) The new battlefield is the face. Under this light, Jinx-philes will grasp why the agents from the Entertainment agency were so zealous in defending the star’s reputation. If he were to lose his good looks, they would lose one of their most profitable clients. 
(chapter 52), whose envy of beauty turned into a creed. Imagine this. Now he holds the championship belt, yet no one admires him. His ruined face became the excuse for his bitterness,
(chapter 52) and his rival the embodiment of everything he lost. He had to flee to Thailand to claim glory and admiration 
(chapter 77) MFC can not promote him so easily, as his title could get questioned. He remains unseen — a champion without a face.
(chapter 52) In the past, his insult 
(chapter 74) merged anger with heat; now that very “hotness” materializes in the media and poster as smoke, an image of resentment turned into atmosphere. 
(chapter 74): the visible trace of a man who dares to rebel. He once watched the fighter smoke a plain cigarette and sneered at him for it, precisely because he knew it was not a joint. In Junmin’s world, violation meant courage and power intoxication. He assumed that fearlessness linked to drugs would bring admiration and success. Jaekyung’s refusal to accept their drug wasn’t prudence; it was, to him, an insult — a quiet act of superiority. The wolf’s restraint exposed his indifference and own dependency, and that humiliation still burns.
(chapter 74) The main lead was seen “wearing a black suit with three white strips” showing that he was the chief mourner. 
(chapter 74) Once you recognize this 
(chapter 73), hiding behind his hyungs, the mobsters who granted him borrowed strength and false belonging. Joo Jaekyung, by contrast, was raised in the ring — the gym shaped him as both a professional and a person.
(chapter 49) If you have read my previous essay, you’ll remember that I connected the arc of chapters 80 to 89 to the theme of jealousy. Baek Junmin embodies that poison completely. His words — “ 
(chapter 49) “kid”, “coward,” “chicken” 
(chapter 73) Both men are haunted by the same delusion: that to win, one must erase the other.
(chapter 79) And the hamster followed the wolf’s request. This explicates why Potato is wearing a knee support brace — a sign that he is now tending to his own injuries without the doctor’s assistance. 
(chapter 81) It is a subtle but telling detail: the physical separation mirrors the emotional boundary now forming within the team. The healer’s hands have been withdrawn. So the emperor’s empathy is incomplete, hence he is only EMP. It extends only toward his chosen one — the doctor — and not yet to the others around him. True empathy, however, cannot be selective; it must reach beyond intimacy to encompass even those who do not stand at the center of affection.
(chapter 1) He was a beast of destruction, someone who made sure to crush his opponents without mercy 
(chapter 15) Unstoppable in his rage, he moved like a man possessed — bloodthirsty, unrelenting, fighting not for glory but for survival. Each strike was a declaration: I will not die.
(chapter 38) The doctor, too, has always been associated with clouds: soft, elusive, shifting with emotion. Thus I deduce that their paths will inevitably cross, dream and danger meeting in vapor and light. But more importantly, I perceive the smoke as a reference to the rising of doc Dan as physical therapist. 
(chapter 49) What looked like teamwork was mere coordination. Now, the visual disarray hides emotional harmony — the perfect yin-yang inversion of their past selves.
(chapter 36) One could think, the other members are not wearing it, for they don’t want to be associated with the champion. He has been stigmatized as a thug or a child losing his temper, the consequences of Park Namwook’s badmouthing. However, observe that even the star is not wearing it. 
(chapter 36) What once symbolized sponsorship and solidarity has quietly disappeared. The explanation seems obvious at first: the loss of commercial partners following scandal and suspension. 
(chapter 54) Yet the deeper implication is far more unsettling. The jacket was more than a uniform; it was a contract, a visible bond between fighter and system. Its absence signals abandonment. The champion may still fight under the MFC banner, but the federation no longer claims him with pride. He is now a free agent trapped in an invisible cage — tolerated, not trusted. He questioned MFC and their competence (see chapter 67 and 69).
(chapter 37) He could be mistaken for the owner of the gym or a person involved in the scheme. And this leads me to my next observation: the champion’s picture and posture!
(chapter 36) no cheering spectators — nothing recalls the hero’s welcomes of earlier arcs.
(chapter 74) but with a different public.
(chapter 47) Thus, 317 functions like a counterfeit signature — convincing enough to deceive even those inside the organization. What looks like promotion turns out to be execution by design, a fight that exists on paper but not on record. Hence no one is waiting for them at the airport. 
(chapter 54), the match where the Emperor faced Baek Junmin. That small arithmetic gap hides something extraordinary: eighteen events have supposedly taken place since then, in barely three months. Such acceleration borders on absurdity. It feels less like a sports calendar than a purge — as if the federation were rushing to overwrite history, to bury the memory of its fallen champion beneath a flood of new numbers.
(chapter 16), the moment Heo Manwook thought that the “hamster” was working as an escort due to the name “Team Black”. 
(chapter 16) So because of the jacket Team Black, doc Dan could be mistaken for a prostitute. Naturally, Jinx-lovers will remember the great fight between Heo Manwook and his minions, when the athlete saved his fated partner. Back then, no one discovered his great action.
(Chapter 17) And how did the loan shark describe their world? Fake… he even called him a princeling, because he stands for the glamor and artificiality of MFC. He is the cover for the underground fights, drugs and money laundering. This connection reinforces my interpretation that the future match is « fake » and as such rigged. Then in chapter 37, the hamster met a Korean disguised as a MFC manager. 
(chapter 47) In the past, they participated in the underground matches of Gangwon Province, where Baek Junmin reigned as a local legend — a thug made myth through blood and rumor. 
(chapter 46), as they didn’t want to lose money. And what did Park Namwook say in episode 46? 
(chapter 46) But now, the same hunger for spectacle has simply migrated upward. What once belonged to the alleys has climbed into the penthouses. The illegal thrill of the poor has become the curated decadence of the rich. And they were invited to witness the death of the “emperor”, someone who tried to escape from his origins. Thus I deduced that this is only a match that the high rollers (I suppose, mostly people from the Occident, though expect some from South Korea) know about.
(chapter 81), breathing without bracing, learning that flow is strength. The author placed the swimming lessons here so we’d see him practice calm under pressure before he performs it in the ring. But observe that when he is in the swimming pool, he is expressing more and more his emotions. 
(chapter 81) In other words, during the swimming lessons, he was encouraged to find the right balance between instincts and control, which Bruce Lee recommended. It is no coincidence that he referred to the philosophy of yin and yang! 
(chapter 36) The pool inverts it. Laps replace lunges; rhythm and love replace revenge and hatred. Anger loses its grip because water refuses to hold it. And now, you can grasp why the athlete was calm during the meeting: 
(chapter 81) His fear and anger were no longer controlling his heart and mind. “One of the best lessons you can learn in life is to remain calm.” The swimmer learns it; the fighter must now prove it. Thanks to doc Dan, the athlete was incited not only to accept himself, but also to get self-knowledge.
(chapter 81) Arnaud Gabriel is totally unpredictable which makes him dangerous but also weak. So what happens when the athlete uses a totally different strategy? The eagle will get caught by surprise. Thus in the past, we have to envision that the wolf was the mechanical man, iron and fire, surviving by destruction. Bruce Lee’s middle path—instinct guided by awareness—is the only way out of this binary. That’s why the story moves him from steel to steam, from panic to presence.
(chapter 62), and you are in a state of constant learning. 
(chapter 80) The seaside town and doc Dan taught him kindness, the pool teaches him composure and precision, the poster’s smoke teaches him restraint: you don’t swat at vapor; you breathe and move through it. “It is far better to be alone than to be in bad company”—so he steps out of the schemers’ frame. “When you accept yourself, the whole world accepts you”—so he stops fighting the audience and starts speaking to one person who matters, then to many. In my opinion, Joo Jaekyung will use this bout to express his feelings for Doc Dan (“to me, martial arts means expressing yourself“) and the birthday card 
(chapter 17) And once the cloud (doc Dan) meets the steam 
(chapter 26) They have watched his fights 
(chapter 23), memorized his moves and titles, and repeated the anecdotes told in gyms and on TV. They’ve heard how he was “saved” by sports from a darker path, and cheered for him as the “Emperor” — the handsomest fighter, the man who broke the arcade’s punching machine 
(chapter 26), the champion who stands above the rest. But if the champion’s life is already an open book, why did Mingwa wait so long to reveal his childhood and family? The answer is simple. It is because Joo Jaekyung has been called the Emperor till his fight against Baek Junmin! These public portraits — the friendly banter in the gym, the theatrical ring intros — show us the merchandise, not the man. They are the carefully polished surface presented to fans and fellow fighters alike, repeated so often that even those closest to him believe them. Yet behind this image 
(chapter 30) lies a past left unspoken, a silence so complete that his own history became an empty space others could fill as they wished. This essay brings these two “stories” together — the Emperor and the boy. And now, you may be wondering how I came to connect the champion’s trauma to his future career as an MMA fighter. The answer lies in Joo Jaekyung’s own voice. 😮
(chapter 70), Hwang Byungchul’s anger fell squarely on the champion. 
(Chapter 70) created the illusion that this break had been perceived as a punishment, and that Jaekyung was eager to prove himself once again. No wonder the director assumed he had given his consent.
(chapter 69) By erasing these details, the public sees only two players: the Emperor and his anonymous “team.” 
(chapter 69) It was as if the main lead, backed by his team, had personally approached MFC to request the match — an illusion strengthened by the opening line, “MFC’s former champion Joo Jaekyung will be returning to the ring this fall after serving his suspension.” This way, if the decision draws criticism, the CEO can retreat behind the fighter and his team, like they did in the past. 
(chapter 41) But that excuse would be a fiction: Jaekyung hasn’t even met those doctors or talked to the MFC match manager 
(chapter 05). He has been chasing after his fated partner. Finally, he hasn’t even signed any paper or agreed at the meeting. In fact, he remained silent for the most part of the time and the reason for this urgent meeting was his request for proper investigation concerning the switched spray: 
(chapter 67) That’s the reason why this suggestion from the CEO appeared the very next day. 
(chapter 69) 
(chapter 61), it was paired with a recommendation for rehabilitation — not an immediate return to competition. This was actually a condition for his total recovery. On the other hand, the doctor imagined or suggested that his patient wished to return to the ring so soon. No medical professional ever signed off on an autumn fight. Yet the date is already set, and the headlines frames it as a confident comeback without any medical backup. The Emperor’s name is splashed everywhere, but none of the words belong to him.
(chapter 57) with one of his close associates — a man whose face was hidden, speaking as though he were the athlete’s voice. That interview was accompanied by a familiar victory image 
(chapter 57), a stock photo already used in other press pieces. This picture comes from after the fight in the States: 
(chapter 41), while the image released with the fall match announcement was the one from when he first won his champion title. 
(chapter 12), never mind that he hardly drinks. The gesture fits the fantasy they’ve built around him, not the reality of a man who rejects alcohol due to his addicted father, a reminder that even the tokens of admiration are shaped by the image, not the truth. So who is this so-called close associate or “Joo Jaekyung’s team” exactly that decides for him, speaks for him, and hides behind his title? Besides, why did the journalist change from “one of his close associates” to “Joo Jaekyung’s team”?
(chapter 57) The nickname, played for entertainment value, was another way of turning the champion into a caricature — a marketable, amusing persona instead of a man with a past and agency. It is quite telling that Park Namwook’s interview aired immediately after the anchor referred to Jaekyung as “Mama Joo Jaekyung Fighter.” This was not the lofty “Emperor” title repeated in gyms and ring intros — it was more a mocking nickname, a deliberate jab meant to provoke. In that moment, the Emperor was verbally pulled down from his pedestal, yet the images shown alongside the segment told a different story: carefully chosen shots of him as a champion, a visual echo of his marketable persona. The dissonance was striking.
(Chapter 52) This framing lets him claim the prestige of leadership while leaving himself room to withdraw if things go wrong. Yosep was the one notifying MFC and reporting the incident to the police, Potato explaining his discovery to Joo Jaekyung and blaming the star. 
(Chapter 36) He should tolerate the celebrity’s moods and put up with everything. The manager didn’t mind, as long as he didn’t get affected. But what is the consequence of such a passive tolerance? An individual’s self-esteem can slowly erode, leading to a gradual loss of their sense of self. They may stop recognizing their own desires, needs, and rights, often without even realizing this is happening. This is because emotional exhaustion often develops subtly over time, rather than appearing as a sudden, dramatic event. 
(chapter 31) when punished. In this light, Park Namwook embodies the very dynamic the article warns against: a figure who benefits from another’s compliance, maintaining control not through open dialogue, but through unspoken rules and the threat of exclusion.
(chapter 73), by becoming a boxer, the champion wouldn’t make a lot of money. With this comment, he implied that boxing in South Korea had been losing popularity 10 years ago. This explicates why gradually, the members from Hwang Byungchul left the studio. And it was likely the same in the illegal fighting circuit. 
(chapter 73) The popularity of MMA in the States gave them the opportunity to revive fighting sports, a figure who could draw crowds and sponsors, making such events fashionable again.
(chapter 72) instead of “hard-working,” a man who “chose sports over a dark path.” Yet if you look closely, this celebrated “ascension” 
(chapter 72) isn’t tied to the director’s boxing studio at all — it’s linked to the arcade’s punching machine incident. 
(chapter 72), the scars of his family history, and the years of survival before the cage. This is history rewritten, his boxing past and family erased. Why? His origins could expose the ugly verity: the link between criminality and boxing (as such fighting sports). Secondly, because his real story, though moving, lacked the glamorous allure needed to market him. His real story would have revealed that to rise to the top, you need relentless work, not a miraculous moment. That version was never going to sell as well as the “genius” myth.
(chapter 41) Observe how the manager is acting here. He is speaking, touching the star like his prize and possession. The Emperor became the merchandise, the illusion, the bait to draw both viewers and fighters. However, being “labeled as genius” can only push desperate fighters to take a short-cut: bribes and drugs. Hence Seonho couldn’t last a whole round. 
(chapter 46) And, like any product, once it was seen as damaged, its value plummeted. The moment he “lost” his title and suffered injury (chapter 52), the dream began to unravel. 
(chapter 52) This panel captures this shift perfectly: two fighters casually dismiss him over dinner. In those words, the Emperor isn’t a mentor, a champion, or even a man — he’s a broken commodity, no longer worth the investment. The same people who once fed off his popularity are the first to abandon him when the promise of easy gain disappears.
(chapter 22) He is even disposable. He is gradually giving more rights to his “boy”, the real director of Team Black. And the moment you perceive the manager as the main lead’s voice, you can grasp the true significance of the slap at the hospital: 
(chapter 52) For the first time, the main lead had voiced his own thoughts and emotions. He had used his real “voice”, revealed his unwell-being: 
(chapter 52) To this outburst, Park Namwook slapped Jaekyung in front of others (chapter 52). 
(chapter 52) He chose silence, and later avoidance, staying away from the gym. That silence was not weakness, but choice: he would listen less and less to his hyung. 
(chapter 70) and more like a product: something to be displayed, sold, and, when necessary, handled roughly to keep in line. The shift in labels is just another layer of that merchandising process — a packaging change to suit the current market, not a recognition of the man inside. To conclude, the champion has always been voiceless all this time, even here: 
(chapter 36) All he needed to do was to fight: 
(chapter 36)
(chapter 73) — unfiltered, unmarketed, unprotected. It was raw, dangerous honesty, and it came at a cost: the loss of his voice!
(chapter 73) Six years earlier, however, his voice had already been battered by silence. After his mother’s abandonment at age six, the only connection he retained with her was a phone number —
(chapter 72) We don’t know how many times he called, but each time we see him do it, his face is injured. 
(chapter 72) The phone calls are therefore intertwined with the boxing studio, as though pain itself pushed him toward her. At ten, he picked up the receiver and let it ring only a few times before hanging up. The next time, in the dead of winter, he finally spoke, promising that if she returned, he would protect her from his father and make enough money to keep her safe. 
(chapter 55) 
(chapter 2) — a space where he could act without having to speak. In the bedroom, as in the ring, the body could carry the conversation. Here, he could dominate, control, and release tension without the risk of verbal damage. His partners became surrogate opponents: sparring substitutes in a non-lethal match. Treating them as “toys” wasn’t only objectification; it was a form of control that, in his mind, protected both sides. Toys don’t demand answers, don’t talk back, and don’t leave you cursed with regret. They remain safely outside the territory where his voice had once done harm.
(chapter 1) He embodies innocence and as such lack of experiences. Moreover, he talks, makes suggestions for the champion’s sake 
(chapter 27), spent time with him, asks questions, confronts, and refuses to be reduced to a body in the room. He breaks the rule of silence. With him, Jaekyung can no longer hide behind the physical alone; he is forced to speak, to explain, to voice desires and fears. He pushes Jaekyung to engage in ways he’s spent years avoiding. In this way, Kim Dan becomes the first real threat to the system the champion built after those two curses — and possibly the first person who could prove that words can be safe again. And now, you comprehend why Joo Jaekyung was moved by the birthday card
(chapter 62) To most, it might look like a simple gesture, but for him, it was a rare and precious thing — a voice that had taken the time to shape itself into words just for him. 
(chapter 55) The “spell” to break it is not some grand external event, but the simple, sustained act of honest communication — something that has been denied to him since childhood.
(chapter 68), a kiss, a pat, a caress or by simply holding hands
. In this way, the curse that began when his voice was silenced and his hands were weaponized will only be broken when those same hands learn to speak tenderness. Look how doc Dan reacted to his public embrace: 
(chapter 71) He saw affection in the hug, but he still doubted the champion’s action. 
Until now, the design’s images have played a secondary role, yet the answer lies in a single scene from chapter 41. 
(chapter 41) Under the bright sunlight, Kim Dan reached out toward the leaves, his hand open and unguarded, as he silently thought of the man he loved. This gesture, so simple yet so revealing, became the unspoken confession that marked the start of a different kind of freedom—the freedom to feel. 
(chapter 53) The glass was an invisible barrier, offering the illusion of freedom while keeping him trapped in the moment of his unresolved trauma. The closer he stood to it, the further he was from true release, his gaze fixed outward to avoid looking inward. That’s why he had no eye in that scene: 
(chapter 55) 
(chapter 73) reveals why that reading was correct: the penthouse window is not just a symbolic device of the present — it is the direct heir of a far older image burned into his memory. Here, as a teenager, he stands before a small barred window in the room where his father’s corpse lies. The resemblance is not visual coincidence but emotional continuity. Both windows let in light without granting escape; both present the outside world as something visible yet forever out of reach.
(chapter 71)
(chapter 70) the night can also be alive, communicative, protective. In that moment, the moon becomes more than a distant light in the sky: it is a patient witness, a calm listener in the stillness, reflecting the truth he has yet to voice. 
(chapter 70) Its soft glow contrasts with the blinding glare of the cage lights, suggesting that under the moon, there is space for gentleness, for hearing one’s own heartbeat and another’s words. Just as the moon guides travelers through darkness, it can guide him toward a night that does not suffocate him with loss, but offers orientation and connection.
(chapter 60) they were his own form of therapy. In saving someone else in the night, 
(chapter 65) he could prove to himself he was not powerless, he was valuable, capable of protecting what mattered. 
, (chapter 9) as if the champion’s volatility were a quirk (the actions of a spoiled child) to be managed rather than a wound to be healed. It is because he never talked to the champion or investigated his past. It was only about money and glory. The manufactured image of the erratic, temperamental fighter served Namwook well; it excused rough handling, justified bad press, and kept Joo Jaekyung dependent. Once the Emperor can name the truth of that night, the fiction collapses — and with it, Namwook’s control. He can only be judged as a liar and even a traitor, but we know that Joo Jaekyung has a big heart. He could love his father despite the abuse. Now, the missing link is Cheolmin! 
(chapter 13) Observe that this name is a combination between Hwang Byungchul and Baek Junmin! Under this light, my avid readers can grasp why the athlete kept his existence in the dark for so long! It is because the latter belongs to his past and knows the truth behind the Emperor! He was aware of his suffering. For him, he is not just a fighter, but someone who needed FUN in his life! 
(chapter 27) Where and how did he learn swimming? Moreover, observe that he connected it to relaxation and fun. “This feels good”. This contrasts so much to the interaction between Hwang Byungchul and the little boy with the teddy bear. 
(Chapter 72) The man doesn’t know that the athlete can swim, he only knows the boxer, as he was only able to see him on TV. 
(chapter 71) Interesting is that Jinxphiles followed Kim Dan’s school career 
(chapter 47) 
(chapter 47), yet the latter can not swim! 
(Chapter 47) 
(Chapter 72) Nevertheless, with this panel, Mingwa indicates that the protagonist was visiting the Elementary school. The neighborhood he grew up in — as described by Hwang Byungchul — was “cutthroat.” 
(Chapter 60) These aren’t casual skills. They’re not the product of school curriculum or street wisdom, especially not in a neighborhood described as “cutthroat.” These are taught skills — and not by someone who saw Jaekyung merely as a fighter. Swimming and first aid reflect something else entirely: a commitment to preparedness, not just for survival, but for helping others.
(chapter 72) this unnamed figure offered a radically different message: you have value not just in your fists, but in your capacity to protect life. And contrary to Hwang Byungchul, this person stands for “shadow and humbleness” and not “spotlight or wealth”! 
(Chapter 27) That Jaekyung carries this knowledge — and uses it without hesitation — reveals a deeper emotional structure. 
(Chapter 13) His vocabulary revolves around water: “pond”, “fish”! Besides, I have already connected to him Poseidon, the god of the ocean. Moreover, this man is strongly intertwined with fun, a notion that doesn’t belong in Hwang Byungchul’s world! And now, you understand why this man could touch Joo Jaekyung’s shoulder 
(Chapter 13) He knew about the existence of the Teddy Bear inside the champion. And is it a coincidence that both men have the same name “Chul=Cheol”, though the order diverges: Cheolmin versus Byungchul? And both are connected to the color “green”. 
(chapter 72)
(chapter 60) There was no witness, no coast guard, no institutional figure involved in his rescue. He was alone, only saved by one person. His generation was expected to take responsibility — to succeed, to repay debts, to endure hardship — but they were given no tools to survive when crisis struck. They were neither protected nor prepared.
(chapter 65) So teaching him how to swim will help him to reconnect with his true self and to find a meaning to his life. 
(chapter 14) which led the protagonist to seek refuge in the bathroom, but here he couldn’t relax. 
(chapter 14) That’s how I realized that water is an element linked to childhood and as such motherhood! 
(chapter 45) And this brings me to my final thought: Kim Dan had to meet Hwang Byungchul for an important reason: to learn how to survive on his own, as he is still depressive. He is lectured how to become independent and how to find a real goal in his life. By confessing the terrible youth about the Emperor, the physical therapist gets to hear that he wasn’t the only one abandoned and in pain!! 
(chapter 72) 
(chapter 56) Moreover, he gets the opportunity to understand why “usefulness” became so important in the MMA fighter’s life. Through this confession, the other teddy bear gets to perceive that he has so many things in common with his fated partner. Both experienced abandonment, loss, poverty, bullying and only worked in their life too! They never got the opportunity to enjoy life to the fullest.
(chapter 14) For the physical therapist, this moment would later be confirmed. 
(chapter 16) —haltingly and with a trace of disbelief visible thanks to the points of suspension —as his first kiss ever. His stunned reaction and eventual admission offer a compelling lens through which to explore the symbolism of kissing in Jinx, but also the emotional landscape the two men must navigate. 
(chapter 14) If it was his first, the gesture carries a far deeper meaning than either man realizes in the moment. And if it wasn’t, then why does this kiss—with Kim Dan—resonate so differently?
(chapter 15) she showed more than the physical therapist’s confusion with the interrogation marks, she added his inner thoughts. This question (“What’s this?”) already hinted that he had never experienced a kiss before. The ambiguity of his reaction suggested that the moment was unfamiliar, and not immediately recognizable as a kiss at all. 
(chapter 30) Recognizing his face, Dan mentions that his grandmother used to watch the drama A Fine Line, and that he had seen it with her. 
(chapter 30) The author even includes a framed shot from the fictional show, depicting Heesung as the smiling son-in-law in a multigenerational family. This visual insert is subtle, but telling: it wasn’t the story that stayed with Dan, but the faces—the aesthetics of family structure and polite emotional decorum.
(chapter 16) it frightened him. The kiss broke an invisible boundary—one his upbringing had silently enforced. That’s the reason why he wasn’t sure if he could do it again.
(chapter 30) He blushes and wonders why. 
(chapter 30) It’s a telling moment: Dan isn’t used to feeling attraction and desire, let alone recognizing it. He never bought posters of celebrities, never fantasized. That world—the glamorous world of affection, attention, and beauty—was never his. 
(chapter 30) —despite already having been seen naked by Jaekyung 
(chapter 30) —suggests something deeper than modesty. When he rushes to hide his underwear and blushes merely at brushing his teeth next to someone 
(chapter 30), it becomes evident: Dan is not accustomed to physical closeness or shared domestic spaces. These are not reactions of a man with just sexual trauma—they point to someone raised without the warmth of daily intimacy.
(chapter 5) He had to take care of himself, dressed on his own. He had to act like an adult, as his role was to assist his grandmother: 
(chapter 65) This raises the possibility that someone else—most likely his mother—was his primary caregiver in early childhood. She would have changed his diapers, held him close, and kissed him gently. 
(chapter 65) This hypothesis and interpretation gets reinforced with the champion’s first kiss on his cheek 
(chapter 44) and ear 
(chapter 44) For me, without realizing it, Dan reproduced those gestures. These actions can not come from Shin Okja, as we only see her caressing or patting her grandson. The progression is striking. It moves away from eroticism (kiss from the lips) 
(chapter 44) and toward something far more intimate and protective. These are not the kisses of seduction, but of affection—almost maternal in their tone. Hence the MMA fighter got patted later: 
(chapter 44) They suggest care, comfort, and emotional presence. This is crucial, because it reveals that for Dan, a kiss is not about arousal or conquest. It is a language of love. They carry the flavor of instinct. These are the kinds of kisses a child might have once received, or given, in moments of safety and connection.
(chapter 57) (chapter 57)—licking them not out of instinct alone, but to reassure and bond. 
(chapter 57) During that summer night’s dream, Dan’s body mirrored this wordless care. That’s why he could laugh so genuinely like a child after witnessing his “pet’s reaction”. 
(chapter 14) Therefore the physical therapist astonishment, “What’s this?” was not naïve; it was disoriented. Somewhere deep within, Dan had internalized a different model of kissing: one that reflected comfort, not conquest; affection, not arousal. The kiss he received was too strange, too fierce—it violated a definition he didn’t even know he had. His body knew how to kiss, but it remembered a different type of kiss altogether. The latter stands for love and as such emotions. Under this new light, my avid readers can comprehend why the physical therapist made the following request from his fated partner: 
(chapter 15) He needed to be “warned” in order to control his “heart”. As you can see, doc Dan had an innocent definition of the kiss. Therefore it is not astonishing that the wolf’s first kiss confused him so deeply: it shattered the only blueprint he had for intimacy.
(chapter 65) with success and fortune take on a new, darker meaning. Her restraint around love and sexuality wasn’t only generational—it was strategic. She reinforced a worldview in which success, debt repayment, and self-denial were Dan’s only legitimate currencies. For her, love, on the other hand, was frivolous, indulgent, even dangerous. She only treasures the relationship between the protagonists, as such a friendship is useful. It serves her interests, that way she can still control doc Dan’s fate. In other words, she only views relationship as transactional. The smiling family in A Fine Line 
(chapter 14) Jaekyung repeated such a gesture, as seen in chapters 24
(chapter 24), and again in 64 
(chapter 64). These gestures were not expressions of tenderness, but acts of dominance, mirroring how the celebrity was taught to treat intimacy: not as an exchange, but as an imposition. His behavior echoes Cheolmin’s earlier suggestion 
(chapter 63) Fun is not the same as love, and this distinction matters deeply for someone like Kim Dan, who associates kissing with emotional safety and love, not performance or play. This explicates why he refused to be kissed in episode 63: 
(chapter 63) 
(chapter 44), Dan’s were soft, exploratory, almost reverent. His lips touched not just his lover’s mouth, but his cheek and ear—tender sites that bypass eroticism in favor of emotional intimacy. These weren’t prolonged, devouring kisses. They were pecks, small and deliberate. They mirrored affection, not possession. 
(chapter 3) —it forces the wolf to ponder on the meaning of a kiss and his relationship with the physical therapist.
In that iconic artwork, the man does not kiss the woman on the mouth, the traditional locus of erotic desire. Instead, his lips are placed upon her cheek—a gesture that suggests reverence, not possession; vulnerability, not domination.
(chapter 44) 
(chapter 45)
(chapter 54) When he was young, he had to face an abuser. Notice that the man’s face was very close to the champion’s 
(chapter 54). Thus I interpret that for the champion, the face represents not only his vulnerability, but also a source of danger. That’s the reason why he couldn’t hide his displeasure and frustration, when he faced this “lover”. 
(chapter 44) He couldn’t hide his joy by the champion’s funny reaction and laughed. And how did the protagonist react to this? Not only his face expressed his dissatisfaction, but also he silenced his partner with a kiss right away: 
(chapter 44) Joo Jaekyung is leading the kiss, he is regaining control over their relationship. It reinforces the idea that the wolf’s kiss was not merely about passion, but about reclaiming dominance and halting a shift in power. Just moments earlier, Kim Dan’s laughter had opened a space of emotional intimacy and lightness, which the champion was not prepared to face. The kiss, now prolonged and intensified, becomes the sportsman’s way of reasserting control over a situation that was slipping into unfamiliar emotional territory.
(chapter 45) wasn’t just the pain he might have inflicted—it was the realization that the balance of power had subtly shifted. The man who had always dictated the terms of their relationship had surrendered to something unfamiliar: tenderness, emotional closeness, and shared desire. The fact that Kim Dan initiated affection, even kissed him voluntarily, shattered Jaekyung’s script. For someone who conflated feelings with threat, and dominance with safety, this reversal was unbearable.
(chapter 45) —and that he, in turn, had wanted Dan back. This terrified him more than any bruise ever could.
(chapter 37), and kissing becomes his emotional brake pedal. It’s not simply an act of love, but a means to regulate, or even drown out, what he cannot yet name or accept: that he is being loved. It is not random that I included the scene from episode 37: he heard laughs from the other room. For him, such a noise must have sounded like a disrespect and mockery, triggering his past trauma. And he was not entirely wrong in the sense that they were eating behind his back 
(chapter 37) It was, as if they were mocking him because of his forced “diet”. No wonder why the champion is barely seen laughing and prefers seriousness. At the same time, I can grasp why the athlete feels close to Park Namwook, as the latter stands for these exact notions: work, money and seriousness. Fun is not part of his world and vocabulary, therefore he punished Joo Jaekyung for sparring with doc Dan.
(chapter 2) Though his face was close to the star’s, he didn’t attempt to kiss him. In fact, he proposed him a fellatio, a sign that the champion had never allowed anyone to get close to his “face”. Finally, observe how he reacted, when the uke in episode 55 attempted to kiss him: 
(chapter 55) Not only he rejected him, but also he pushed him violently so that the latter was on the floor. 
(chapter 55) The celebrity even ran away: a sign that the allowing someone approaching his face is perceived as something uncomfortable and threatening. At the same time, that moment exposes the kiss as something sacred—one that cannot be duplicated without emotional violation. This shows that for the champion, the meaning of a smooch has evolved. It is no longer perceived as a source of fun and a mean to gain something.
(chapter 55) He couldn’t forget doc Dan’s face, the latter excited him, a sign that for the champion, the face in general has been a source of pain, yet thanks to doc Dan, the latter has become a source of “comfort and joy”. 
(chapter 66) When he saw his face for the first time, he didn’t realize that he was already under the hamster’s spell. Striking is that he even focused on his chin and lips, a sign that he desired to kiss them. One thing is sure. The champion treasured the doctor’s face. After their separation, it is not surprising that the wolf felt the need to see his face. 
(chapter 39) before requesting a fellatio: 
(chapter 39) The main lead’s head was very close to the champion’s face, thus he must have felt uncomfortable. Secondly by acting this way, the doctor was gradually gaining power over their relationship. For the wolf, dominance is everything, an indication that in his past he felt defenseless and weak. His “opponent”, the mysterious ghost, had the upper hand. Moreover, the fellatio created a distance between them, where the fighter could expose his superiority. And note how doc Dan behaved under the influence of the drug: 
(chapter 39) He caught his fated partner by surprise, when he suddenly kissed him, mirroring the champion’s past behavior. This panel corroborates that for the doctor, a kiss is the symbol of love. The champion was not happy with this kiss too, for the latter meant that he was no longer controlling their relationship. Yet, after hearing the doctor’s confession during that night, the athlete no longer resisted his partner’s kisses. 
(chapter 39) For the first time, he accepted Dan’s initiative—both physically and emotionally. Compare it to his attitude before: 
(chapter 39) here, he still has his eyes wide open, a sign of vigilance. These kisses from doc Dan 
(chapter 39) mark a turning point in Jaekyung’s arc: he begins to lower his defenses, allowing Dan not only into his personal space but also into a position of gentle agency within their relationship. The kiss no longer represents a threat; it becomes an opening and a sign of trust. 
(chapter 55) These memories represent the moment where the athlete felt strong and had the upper hand in their relationship. These images reveal that Joo Jaekyung hasn’t realized the signification of the kiss yet. For him, they don’t seem important. This exposes that the athlete has not associated kiss with love and affection yet. At the same time, we have to envision that a smooch is strongly intertwined with equity and trust. 
(chapter 28) And in episode 14, it was clear that the star still felt superior to his companion, therefore the kiss had no special meaning. As you can see, everything is pointing out that Joo Jaekyung had never been kissed before. And what does a kiss symbolize? Not only attachment, but also purity and innocence. 
(chapter 42) According to him, doc Dan was not different from him. However, he was wrong. It is because the champion had kissed him!! Moreover, the celebrity had allowed doc Dan to kiss him as well. Besides, how did the champion name his past lovers? They were toys… normally people don’t kiss playthings. And now, imagine that doc Dan were to discover that Joo Jaekyung had his first kiss with him. This revelation would not only make him realize that Joo Jaekyung loves him, but also he could be wondering why the athlete had never done such a thing before, though he had past lovers. YES, the “first kiss” could be the trigger for both characters to question their respective past and perceive their fated partner correctly. 
(chapter 15) 
(chapter 3), based on Dan’s vague claim of prior partners. Yet Dan has never kissed anyone before. The kiss becomes his true moment of loss, a quiet confession through action. Conversely, Jaekyung’s own discomfort shows that he, too, is untouched in this particular way. When Dan tries to kiss Jaekyung again, and he instinctively rejects it, it reveals just how unprepared he is for affection. They are both unaware that the other is emotionally “pure” in this regard, and that makes the kiss a shared revelation.
(chapter 67), Jaekyung must reinvent his approach. He cannot rely on dominance, strength, or sexual performance to win Dan’s heart. If he wants true connection, he must learn a new language—one built on gestures of affection, softness, and presence. This process also involves separating his public persona from his private longing. Joo Jaekyung, the champion, cannot seduce with spectacle. But Jaegeng, the man, might learn to express love through a simple touch, or a well-timed kiss. The redefinition of seduction is not just about Dan’s healing; it is about the wolf’s reclaiming his own right to feel and give love. And in my opinion, that process has already started: 
(chapter 69) That moment was devoid of lust, stripped of performance, and free from power dynamics. Jaekyung didn’t lean in for a kiss; he didn’t touch Dan’s lips or body with any sexual intent. Instead, he wrapped his arms around the physical therapist in silent reassurance, tucking his face against Dan’s shoulder as though hiding from the world. This was not a champion claiming a prize—it was a man expressing affection. The embrace exposes that doc Dan belongs to his “world” and he trusts him. In this light, the embrace becomes a prelude to a kiss—not a literal one, but an emotional kiss: a meeting place of vulnerability and longing.
(chapter 65) nor his past partners provided him with genuine and affectionate touch, Jaekyung must look elsewhere. 
(chapter 29: note that he did not select this scene to rekindle with the doctor, but the other scene) He will learn it from life, from watching how the innocent express care without shame or purpose.
(chapter 27) In Jaekyung’s past, laughter had been a weapon—an expression of ridicule and cruelty from an abuser. 
(chapter 47) and denial for strength 
(chapter 61), Park Namwook 
(chapter 53) all operate within survival mechanisms shaped by trauma, guilt, and fear. They choose the illusion of control or calm over genuine healing. But as the story unfolds, these strategies begin to unravel. Each character must confront the truth behind their emotional habits, learning that happiness isn’t the absence of pain—it’s the result of confronting it with clarity and purpose. 
(chapter 54) He could only express his pain and resent through the hand. This moment encapsulates the core of his trauma: as a child, he learned to survive through silence and compliance, not resistance. Yet deep down, the resentment festered—toward himself, and toward the abuser. That psychological pain was redirected into becoming a fighter, as if to prove the abuser wrong. 
(chapter 34) 
(chapter 1) Thus for the first time, Jaekyung had to develop a new strategy in order to meet him again: one that doesn’t rely on intimidation, but on communication. The problem is that since he saw the physical therapist running away after their first session 
(chapter 1), he knew that he needed to lure him with something: money 
(chapter 1). Under this new light, my avid readers can grasp why the athlete played a trick on the phone, though we have to envision that here the celebrity’s thoughts were strongly influenced by his bias and prejudices. He imagined that Doc Dan had made a move on him.
(chapter 5) That retreat doesn’t mean failure—it can be an act of self-preservation. However, the champion experienced that he needed to speak with doc Dan in order to keep him by his side. This lesson became a turning point. Jaekyung started to speak more. 
(chapter 18) Therefore it is no coincidence that in episode 18, right after the celebrity spoke, Kim Dan’s reply was strongly intertwined with flight: 
(chapter 18) The denial of kindness from the champion made the doctor uncomfortable, the latter felt the need to leave the penthouse as soon as possible. The lesson for the star was to realize that words are powerful and can affect people. But Joo Jaekyung didn’t grasp it, as he chose to use sex to „submit“ his fated partner. 
(Chapter 18) Nevertheless, as time passes on, the wolf asks more and more questions. He reacts to emotional discomfort not only with physicality but with hesitation, introspection. He is no longer reacting as the ghost once taught him; he is arguing and as such adapting, growing. Thus we could say, he is less passive.
(chapter 3) or table, in showers 
(chapter 7), against doors, or walls 
(chapter 34). On the surface, it may seem like a gesture of dominance or desire, but symbolically, it reflects silencing.
(chapter 51) They stand in the middle of the room—an open space—symbolizing emotional emancipation. When Dan questions the celebrity 
(chapter 51), the words from doc Dan pierce the champion’s emotional defenses. Thus Joo Jaekyung is destabilized. 
(chapter 51). The latter tries to reassert control 
(chapter 51), but this time, when he lashes out, he is the one who leaves. This is cognitive dissonance at work: the fighter cannot reconcile his fear of vulnerability with his emerging need for connection and his perfectionism. So he defaults to a performance of control, even as he runs from it. And while one might mistake this for weakness or regression, it actually displays a progression. First, Jaekyung had finally revealed his thoughts and fears to Dan. 
(chapter 51) Secondly, he left the place which was a new MO for the fighter. His act of fleeing is no longer an escape from confrontation —it follows a moment of emotional vulnerability. It shows that he had finally dared to speak, even if he wasn’t yet ready to stay and endure the emotional aftermath.
(chapter 69) That silence could easily be mistaken for submission, for the same old performance of the compliant athlete. 
(chapter 69) But that would be a misreading. His silence is no longer a symptom of fear or control. It is a deliberate withholding—a sign that he no longer plays by their emotional rules. He is starting distancing himself from MFC, Park Namwook and the fight-centered identity they crafted for him.
(chapter 69) After all, to those still invested in dominance hierarchies, leaving the capital after a public defeat seems like the behavior of someone who’s been defeated mentally as well. But the truth is the opposite. This “retreat” is actually an act of autonomy. For the first time, Jaekyung is giving himself space—not to run, but to reflect. 
(chapter 69) He is no longer blindly performing the role of the fighter, nor desperately trying to maintain control over the narrative. 
(chapter 69) He is beginning to think critically about his past behavior, his future, and the systems that have defined his identity and life.
(chapter 69) with “no audience” (he ignores people), no pressure, no script. And in that openness, he lets go—not just physically, but psychologically. 
(chapter 7) and flight 
(chapter 36), or MFC’s decisions. 
(chapter 25: here the protagonist was replacing Yosep and Park Namwook), hires professionals to manage damage 
(chapter 47), and hides behind administrative actions. 
(chapter 66) But he never takes full responsibility. This blame-displacement strategy works—until the champion flees to the West Coast. 
(chapter 66) that cornered the manager. 
(chapter 66) As long as the champion was nearby, Park Namwook could project blame onto him, framing him as unstable, disobedient, or temperamental. But once „his boy“ vanished from Seoul, the hyung was left exposed. Striking is that he is not seen watching over the training of the remaining members. 
(chapter 60) 
(chapter 60), a sign that he is neglecting the other members. The absence of his star fighter removed his most convenient scapegoat, forcing him to face the consequences of his own mismanagement—though he is not yet ready to truly question it and change his mindset, denial, and dependency. This was not just a geographical disappearance—it was a strategic psychological rupture, meant to destabilize Park’s illusion of authority.
(chapter 57) Secondly, the vanishing of his parents were also swept under the carpet. That’s how he internalized powerlessness. Fleeing 
(chapter 1), deflecting, and disappearing became natural. With the grandmother, with doctors 
(chapter 1), with institutions—he obeyed. He accepted his fate as a fatality. But with Jaekyung, a new pattern emerged. Slowly, he began to resist: he set boundaries, raised his voice, argued with his boss, even used physical gestures to assert himself. 
(chapter 7) For a moment, he was fighting.
(chapter 67) Moreover, in contrast to Season 1, Kim Dan is no longer the invisible caregiver or obedient grandson. Thanks to Joo Jaekyung’s presence—disruptive and painful as it was—he began to form an independent identity
(chapter 57), one no longer shaped entirely by duty or guilt. The grandmother, however, is blind to this change. She continues to speak to him as if he’s the same self-sacrificing boy 
(chapter 57) —it is a rejection of the belief that he exists only to serve. In Season 2, Dan says “no” repeatedly:
(chapter 60) 
(chapter 67)
(chapter 58) 
(chapter 57)
(chapter 53) Unlike Park Namwook who uses blame and delegation in professional settings, she applies emotional avoidance in private and familial spaces. Much like the manager, she outsources responsibility, asking others to step in 
(chapter 53) 
(chapter 65) Her silence is not protective—it is evasive.
(chapter 5) Her illness becomes a metaphor for her mindset. She relies on external systems: her grandson 
(chapter 7), medication, comfort 
(chapter 21), and other people (nurse, Joo Jaekyung) —to maintain her emotional balance. But as doc Dan himself once observed, she is ultimately on her own in her battle. No system can fight it for her.
(chapter 7) His grandmother was not truly abandoned; she simply equated his physical absence with neglect, ignoring the emotional and financial burden he already carried. Like Park Namwook, she prefers others to carry the discomfort while maintaining a façade of suffering and sacrifice. 
(chapter 65)
(chapter 47) , and her narrative of selflessness becomes another form of emotional pressure. She does not yell, she does not accuse directly, but her avoidance is equally powerful in shaping Dan’s self-image as a burden. Doc Dan came to internalize that she suffered because of him.
(chapter 65), protected, comforted. Surrounded by nurses, medication, and routine, she finds temporary peace in an environment that simulates safety. The hospice does not cure her illness, but it cushions it. This illusion allows her to smile again, to relax—but only up to a point. Kim Dan’s gradual deterioration 
(chapter 57) —his visible exhaustion, disconnection, and quiet suffering—becomes a thorn in her eye, a reminder that her peace is not whole. As long as he suffers, she cannot entirely escape the shadow of her own regrets. Sending him away to Seoul represents a new of flight. Out of sight means out of mind. That way the grandmother wouldn‘t have to worry about doc Dan, as he has been entrusted to the athlete. 
(chapter 163) and supported by the article on confirmation bias, human survival was deeply dependent on mental shortcuts. Biases were not flaws, but adaptive tools — heuristics that helped our ancestors make quick decisions under threat. Faced with a potential predator, they could not afford the luxury of curiosity or debate. Run first, think later. 
(chapter 163) In this sense, biases were effective precisely because they increased the chance of survival.
(chapter 41) he recommends the opposite at the restaurant because the idea comes from the CEO! 
(chapter 65) It was her decision to settle down at the hospice. 
(chapter 67) His survival bias told him: “Don’t trust a man who once treated you violently.” or “Doctors are ignorant, they don’t know me“. It was easier to discredit the source than to weigh the merit of the message. Likewise, in Season 1, the champion dismissed doc Dan’s medical opinions 
(chapter 40) who needs to fight to prove himself, yet likely doesn’t treat his own family this way. 
(chapter 65) or a support network. It is not her fault, if she never met doc Dan’s friends in the past while hiding the fact that he had been bullied by his peers. Her request for him to return to Seoul, a place he has no roots, only furthers his habit of isolation. Similarly, when she asked Jaekyung to bring him to Seoul and have him diagnosed, she implicitly discouraged any shared decision-making. Like Park Namwook, she bypassed dialogue in favor of directive control, reinforcing the habit of emotional withdrawal.
(chapter 67) That shift marks a turning point from survival to conscious thought. The mind cannot reflect when it believes it is under attack. The tragedy is not that these characters are irrational — it’s that they were taught fear before they were taught trust. Thus I come to the following conclusion. As soon as both are curious about each other 
(chapter 69), they are now free from their bias and prejudices. 
(chapter 69). For the first time in this story, we as readers were allowed to hear Joo Jaekyung’s heart 
— not in battle, not in passion, not in rage — but in that suspended instant when he imagined Kim Dan missing, possibly forever. Since the author linked the BADUM with doc Dan 
(chapter 69) 
(chapter 69), she created the illusion that the physical therapist was embodying the MMA fighter’s heart. This scene resonated with me long after I closed the chapter.
(chapter 69) Suddenly, the pieces clicked: the heartbeat in Jinx is not just a narrative sound effect. 
(chapter 14)— yet no heartbeat is heard. One might think, the absence of the heart racing implies the lack of fear. His emotions are real, but they do not connect him to life or to others. Why?
(chapter 14) — GUOOO, metal dented, yet no pain. Yet, Jinx-philes can see Badum Badum in that picture. Nevertheless it is connected to the physical therapist’s heart: he is scared of the athlete’s strength. On the surface, the champion’s gesture appears reckless — an act of a man who does not care for his body. But this is not pure “fearlessness.” In truth, the celebrity’s anger is masking deeper fear and suffering.
(chapter 44) BADUM BADUM from Kim Dan’s heart as Jaekyung makes a move on him. His blushing face, wide eyes, and parted lips all signal that this is not fear — it is love, excitement, and emerging attachment. 
(chapter 44) and tried new things. He gave his lover pecks on his cheeks and ear 
(chapter 45) He chose silence, unable yet to confess what that heartbeat had awakened.
(chapter 34), we see the actor’s confidence gradually vanishing. His mask begins to crack. In that moment, he realizes that in the VIP spa his celebrity status offers no protection. No manager, no Park Namwook, no audience is present. He is utterly exposed to the raw force of the champion’s anger and fist — and the physical threat is real.
(chapter 34) The confrontation repeats — Jaekyung threatens once more. Yet, there is no visible BADUM, BADUM here. Why? Don’t forget that just before, the actor gulped and blushed 
(chapter 34) — a clear sign of excitement, not fear. And still, his heart remains silent. This raises the question. Why was the actor not afraid of the MMA fighter? Because even if the words echo the previous threat, the perceived danger has changed. With doc Dan standing between them 
(chapter 34), the actor subconsciously knows: “He will not attack me here.” The champion made it clear that the physical therapist shouldn’t detect the actor’s presence. Doc Dan acts as an emotional shield, preventing true panic. The body no longer signals mortal danger — and so, no BADUM sounds.
(chapter 43) Here, the doctor feared the celebrity’s rejection. This scene was actually announcing that doc Dan was already in love with the “wolf”. 
(chapter 21) — a sound of comfort and life. But it was a distant memory, not part of his adult world.
(chapter 21) — having a nightmare. It is only when the grandmother returned to the bed and began to sing that his body calmed. 
(chapter 21)
(chapter 21) — one that later echoes in his adult struggles with attachment and loss.
(chapter 58) — vibrant, alive. But Dan sits apart. He is disconnected — his inner state does not resonate with the music. At that moment, he is preparing to abandon Jaekyung.
(chapter 58) “I am happy and at ease, but… why does my heart feel so heavy?” — it is as if the external music has replaced his internal rhythm. The joyous sound outside contrasts painfully with his own muted emotions. The music underscores his emotional disconnection and the inner weight he carries.
(chapter 65) finds his way back to the man he cares for.
(chapter 65) is more than noise. It’s a resonant signal — not unlike the heartbeat. When she barks, it alerts Jaekyung to Dan’s trance. 
(Chapter 65) Moreover, the dog is capable of expressing her „worries and pain“. And for the first time, the champion follows a sound not of the crowd, not of a bell, but of life calling to life. 
(Chapter 65) Her bark anchors him, just as Dan once did. And it marks the moment Jaekyung becomes emotionally receptive not only to Dan, but to care itself — puppies, vulnerability, connection. In other words, her presence foreshadows Jaekyung’s emotional readiness to care for others beyond the ring. Having rediscovered and embraced his own vulnerability, his heart is gradually open to softness — to animals, to dependency, to affection.
(chapter 58) During the happy party with the actor and Potato, Dan remembers his past lover — and we see the champion’s image under a black-and-white veil. It was, as if the sun was vanishing from his life. In that moment, Dan decided to detach himself from Jaekyung, to forget him. The champion is emotionally “dead” — unreachable, lost to him.
(chapter 59), the reality is that work has long lost its meaning. He has no goal in his life in the end. The emotional gravity of his loss regarding Jaekyung is palpable, though the physical therapist is not realizing it. Jinx-philes should keep in their mind that in season 1, the protagonist used his grandmother as a shield to justify his transactional relationship with the celebrity — and here, perhaps again, she becomes a cover for deeper pain.
(chapter 69) 
(chapter 69) His body speaks what the panel leaves unsaid — a visceral resonance of surprise, longing, and fragile hope.
(chapter 45), his heart raced. But he mistook this for irritation 
(chapter 45) — not attachment. That is why he threatened to hire another doctor the next morning: he feared dependency and as such vulnerability. 
(chapter 45)
(chapter 55) In his mind, people leave — they live elsewhere — life goes on. He never imagined irretrievable loss.
(chapter 29) moving through the world, but without true inner life. Hence his eyes were “empty”. 
(chapter 26) 
(chapter 67), Jaekyung could only remain silent. 
(chapter 67) He could not yet admit his worries, his vulnerabilities — not even to himself. To confess would be to risk blackmail, to risk being seen again as that helpless child. 
(chapter 65)
(chapter 64), and the language of touch—their dynamic undergoes a profound shift. This moment is not just about desire but about power, communication, and the fight for control. It is in this intimate space that both men are confronted with their vulnerabilities 
(chapter 64) and the evolving nature of their relationship. During this lavender-tinted night, their intimacy is no longer just a matter of physicality—it becomes a language of contradictions. Through grasping, biting, and kissing, their touch oscillates between control and vulnerability, rejection and longing. This moment encapsulates the shifting power dynamics between them, where Jaekyung’s physical presence no longer guarantees submission 
(chapter 64), and Kim Dan begins to push back, not with force, but with emotional detachment. He avoids his gaze, hides his moaning and as such remains silent. This night is a pivotal moment, signaling the champion’s awakening to his emotions and Kim Dan’s assertion of his autonomy. 
(chapter 63) it is a stark contrast to the usual aggressive or mechanical physicality of their past encounters. Let’s not forget that when the athlete kissed the doctor for the first time 
(chapter 14) in the locker room, he not only used his hand 
(chapter 14) This comparison outlines that their first kiss was more the result of conscious and tactical decisions than of passion and desire. It was not only to protect the hamster’s life, but also to be able to fight against Randy Booker. In other words, their first kiss was strongly intertwined with work and absence of consent. He had not informed Doc Dan before.
(chapter 63), until the latter finally opened his mouth. This gesture reminded me of a wolf licking his progeniture in order to show affection. My avid readers will certainly recall my analysis of their “love session” at the penthouse in Episode 44: there were traces of “animalistic behavior” 
(chapter 15) 
(chapter 63) represented the next step of his “generosity”. Yet, the divergence is that the star had done the French Kiss by instincts, whereas the fellatio was more a calculated move. He selected this new approach based on his own likes and experiences. In other words, this magical night represents the birth of a “lover” and “boyfriend”. 
(chapter 62) The celebrity could do anything he wanted. In other words, he had clearly giving him his consent to be kissed and the doctor could not refuse as such. 
(chapter 63) It is clear that Kim Dan had anticipated a different approach: a renewal of their First wedding night. The irony is that the French kiss and the fellatio became the evidence that the star was not treating the doctor as a doll per se. Why? The star has changed a lot due to the main lead’s influence. He had gained knowledge and confidence. Nevertheless, their interaction here forces a confrontation not just between them, but within themselves—Jaekyung, who has always relied on physical dominance to maintain control, is confronted with a newfound uncertainty, while Kim Dan, whose silence once reinforced Jaekyung’s belief in his own power, now wields that same silence as a weapon.
(chapter 61) or exhaustion—has his tongue metaphorically freed by this act. 
(chapter 63) The significance of this kiss becomes evident when, later that night, he finally speaks up, voicing everything he has suppressed. 
(chapter 64) It is, as though Jaekyung has unknowingly opened a door within the hamster. Yet, despite this newfound ability to speak, Kim Dan still bites his lip at times, revealing his continued hesitation. He is not yet ready to embrace vulnerability fully, but this moment marks the beginning of that journey.
(chapter 64), the scent in the air 
(as seen through the presence of scent sticks in the background), and the vision and sensation of the man beneath him. Unlike the previous intimate moment in Chapter 44, where he was inebriated, this time he is conscious. 
(chapter 64) This is the rebirth of Jaekyung—not as the infallible champion but as a man experiencing intimacy in a new way.
(chapter 64) It indicates that the star was actually revealing his attraction toward his companion. We could say that with this attitude, he was gradually lowering his guard. But there’s more to it. Just before he “was going to finish inside”, he chose to kiss his partner. 
(chapter 64) This privileged position indicates that the main lead was not ready to face Kim Dan’s gaze during an orgasm. In other words, he had not entirely lowered his guard in front of the doctor. The reason is simple. While he was giving pleasure to his partner, this is what he was forced to see: 
(chapter 64) rejection, anger and resentment. This was not a gaze full of love, the remains from the “surrogate fights”. His facial expression was reminding him that his fated partner was more a prostitute than a lover, for he saw this sex session not as a source of pleasure. That’s why he thought like this: 
(chapter 64) Under this new light, I deduce that the champion was not aware of the true motivations behind his actions. He was actually longing for the doctor’s love and embrace. 
(chapter 64) His act of biting his lips in Chapter 64 is not just a nervous tic; it expresses not only physical manifestation of his restraint, but also his suicidal tendencies. He doesn’t mind hurting himself. This shows that he still doesn’t value and treasure his own body.
(chapter 64) The lip bite signifies hesitation but also resistance. It reflects his internal struggle: he does not want to engage, but something within him still reacts. He still has feelings for the athlete. This small gesture encapsulates his frustration—not just with Jaekyung, but with himself.
(chapter 57) and overworks himself. That’s the reason why I couldn’t truly rejoice when Kim Dan rejected the champion. In fact, he selected work and pain over “joy and pleasure”. And why? Because of the past and the athlete’s actions.
(chapter 64) Further by licking his lip, he is acting like his doctor and guardian. But there’s more to it. Observe the comment from the champion: he was holding back. This means that by biting his lips, the doctor reminded Joo Jaekyung of his own weak constitution. Thus I interpret that the champion came to associate the kiss with vulnerability and affection. 
(chapter 15) and touches were purely acts of dominance—ways to assert ownership over Kim Dan. However, the ear lick, which almost looks like a bite, in Chapter 64 carries a different weight. 
(chapter 64) He refused to see and listen to others and to the athlete, because he was trying to deny the existence of his love. The reason is simple. He is trapped in his own world, full of darkness. He was trying to clinch onto the past, where he portrayed himself as a victim and doll of the champion. But the reality is that doc Dan treated himself as a doll or servant, for he didn’t value his own body. Hence he didn’t eat properly and drank soju to drown his pain. 
(chapter 5) This is a habit he had before he met Joo Jaekyung. Moreover the latter was living in abstinence, until he drank alcohol by mistake because of him.
(chapter 24) of Season 1. Instead, there is waiting and hesitation, an unspoken question in the way he leans in. For the first time, it seems as though he is searching for something more—perhaps a response, a reciprocation, or even just an acknowledgment from Kim Dan. This shift underscores Jaekyung’s internal transformation; he is gradually internalizing Kim Dan’s values and beginning to approach intimacy differently, even if he himself is not yet fully aware of it.
(chapter 64). He thought, using strength could still help him to conquer Kim Dan’s heart, though it is just an unconscious attempt. 
(chapter 8) 
(chapter 15) 
(chapter 61) That’s the reason why during this lavender-tinted night, Mingwa used reflections of all sex sessions from season 1. Let’s not forget that Joo Jaekyung was never seen cleaning up “the mess” he made. Doc Dan had to clean himself, which is the reason why he made the following request: 
(chapter 29) Not washing his partner implies his refusal of becoming responsible. The problem is that since it was a first for him, he has no idea about its true meaning. Besides, due to his own traumas and fears, he didn’t pay attention to his PT’s emotions and well-being. Striking is that Joo Jaekyung compared himself to fire during that night. 
(chapter 63) And what is the opposite to fire? WATER!! Thus this image came to my mind. How do you kill desires and passion? One might say by becoming ice-cold! However, my answer is this: by pouring a glass of cold water on the champion’s face! Yes… 
(chapter 37) This means that Joo Jaekyung is getting punished for this gesture. Let’s not forget that he mentioned their stay in the States to bring back good memories. But I have another reference for this interpretation. 
(chapter 64) This panel is a reflection from that particular day: 
(chapter 27) And where did he go to calm down? In the swimming pool… 
(chapter 27) And now, you comprehend why I came to see this scene 
(chapter 57). Similarly, when Joo Jaekyung faced his opponent Randy Booker, he was also verbally harassed 
(chapter 49) the surface shows two athletes seemingly engaged in a normal, even friendly interaction – they are shaking hands -, while the panels reveal a darker undercurrent of verbal harassment and manipulation. 
(Chapter 49) 
(chapter 61), while Joo Jaekyung represses his emotions and thoughts through “physical activities”. 
(chapter 55) This essay will explore how their experiences in the restroom space serve as a mirror to their past and reveal the psychological scars that shape their behaviors.
(chapter 38) 
(chapter 47) However, in Season 2, the lavatory appears isolated for the first time, reinforcing a shift in symbolic meaning. This distinction helps to explain why restrooms (toilets/water closets) hold different meanings for the two protagonists. [for more read 
(chapter 19) —a space where one is free to confront their inner selves without external pressures. In Jinx, the use of the restroom emphasizes the external pressures and the characters’ reactions to their environments, reinforcing their struggles with exposure and control. But how did I come to this realization?
(chapter 61) The wolf reminded me of a stalker. 
(chapter 34), vulnerabilities are exposed, and participants are pushed to their limits. In the essay 
(chapter 33) This would explain why Heesung was determined to hide the physical therapist’s whereabouts. 
(chapter 58) He saw in him a bully and even a stalker. His judgment was based on these two incidents: 
(chapter 58) He imagined that Kim Dan had been coerced to it, while the physical therapist always had the choice to refuse. Joo Jaekyung would never hurt the doctor. 
(chapter 59) The imminent death of his grandmother triggered his repressed fears.
(chapter 60) He tracks him down, calls him repeatedly 
(chapter 61) Deep down, he wants to be part of his life. Hence he moves next to Kim Dan’s house as his final attempt. 
(chapter 61) To Jaekyung, dominance and control are how relationships function, yet due to the doctor’s silent treatment, he is incited to change his approach. But to Kim Dan, these actions trigger memories of past tormentors, reviving the very feelings that once sent him running to the restroom for solace. The same space that shielded him as a child now becomes his only escape from Jaekyung. 
(chapter 57) and cornered, leading him to associate confined spaces with protection. The restroom was his only escape from ridicule, his sanctuary where he could momentarily regain control. This explains why he went crying there, when he heard the terrible news about his grandmother. 
(chapter 61) Since he can not escape the champion, he decides to ignore him. 
(chapter 55) – the mirror is very low -, Kim Dan retreats into memories to rationalize his pain. Instead of processing his suffering, he shifts blame to Jaekyung, using the restroom space to wall himself off emotionally. The restroom in Jinx thus acts as a metaphor for entrapment—whether through self-isolation or forced exposure, neither character is truly free from their past. 
(chapter 38) So he could faint there or hurt himself and he would have no one by his side. Don’t forget that this place stands for seclusion and privacy. 
(chapter 57), it is clear that the kids were not thinking of sex or using the restroom to assault the little boy. However, we should question ourselves how this rumor about Kim Dan being an orphan started. 
(chapter 54) bears a striking resemblance to this boy, leading to the possibility that this new character could be Kim Dan’s childhood bully. Given Jinx’s themes of positive psychology and confronting past demons, it is plausible that Kim Dan will encounter this schoolmate again. Such an interaction could force Kim Dan to address his unresolved trauma and reexamine his perceptions of strength and vulnerability. Moreover, don’t forget that the doctor in green saw the champion in a terrible shape who had admitted that he had drunk the night before. 
(chapter 61) I sense some retaliation here. 
(chapter 08) It is because in his mind, this place is associated with toilets in general. That’s how it dawned on me that the athlete could have been harassed at school, but contrary to the physical therapist, it took place later. The leader was Baek Junmin who hid behind the “mob”. 
(chapter 49) People could discern his true personality: he was nothing more than a thug. Moreover, he would be perceived as a cheater, because he used others and his seniority to torment a child or teenager. At the same time, since Joo Jaekyung became a victim of bully later, the content about the mobbing should have been different. I am suspecting that he could have been targeted because of his homosexuality. 
(Chapter 14) 
(chapter 55), he showed no reaction. In fact, his headache got even worse than before. 
(chapter 55) The champion’s passivity and migraine could be the symptoms of the athlete’s past suffering. His pain worsened in that place because of the past, but he didn’t realize it, for he was so focused on his soulmate. Secondly, the moment he was about to get kissed 
(chapter 61) In my opinion, the departure of Kim Dan forced the champion to be confronted with his repressed past. 
(chapter 54) While he calls his former rival and tormentor’s name and recollects his beating, he is not plagued with a migraine. This means that the real cause for Joo Jaekyung’s suffering (his headache linked to his repressed memories) is triggered by the attitude of his guardian. That’s the reason why he had a nightmare with the ghost of the past. 
(Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.
(chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. 
(chapter 14) This moment of realization, coupled with the doctor’s tears and plea 
(chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation 
(chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. 
(chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist 
(chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach. 
(chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club 
(chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift. 
(chapter 60) Moreover, in the past, the locker room 
(chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, 
(chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured 
(chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind 
(chapter 50) in the locker room twice 
(chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: 
(chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression. 
(chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: 
(chapter 60) The absence of tears or a trembling body from the main leads indicate that both are hiding their emotions from each other. 
(chapter 60) 
(chapter 51), his lack of loyalty, his greed and obsession for money. 
(chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. 
(chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after. 
(chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.
(chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them. 
(chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. 
(chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. 
(chapter 49) His muscles are less pronounced. He is also wasting away. 
(chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach 
(chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. 
(chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye. 
(chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: 
(chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now 
(chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. 
(chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened. 
(chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness 
(chapter 27) and mental well-being. 
(chapter 27) When Kim Dan removed the needle carelessly 
further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, 
, his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. 
(chapter 60) So he could get into trouble in his profession. 
(chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.
(chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: 
(chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: 
(chapter 44) 
(chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along. 
(chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame. 
(chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.
(chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss 
(chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk 
(chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. 
(chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.
(chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: 
(chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. 
(chapter 53) So the athlete could come to the realization that his departure was related to the grandmother’s sickness and dying wish, a new version of episode 20 and 21. However, even if the fighter helps the grandmother, he can not entirely free the physical therapist. How so? It is because the doctor has to free himself, breaking free from conformity and his own psychological constraints (lack of confidence and as such courage). And the best evidence for his servitude mentality is the absence of his love confession to the athlete. He disguised it behind gratitude.
(Chapter 45) But how can he change his condition? I will give the answer below.
(chapter 50) Hence the last match was not cancelled in the last minute. The athlete is not fighting out of fun and passion, but out of obligation and survival. He is trapped in a world where money is everything. Thus he was always pushed to accept any challenger despite his injuries. That’s how I realized why the athlete always suspected Kim Dan of being greedy. It is because he projected his own thoughts onto his partner. However, this negative perception was definitely influenced by his “hyung”, we have the best example in episode 46. Due to Park Namwook, Joo Jaekyung was the one who was constantly thinking and talking about money in front of Kim Dan. 
(chapter 26) No wonder why he got so surprised by Kim Dan’s reaction in the locker room: 
(chapter 43), yet he added shortly this comment: : 
(chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. 
(chapter 43) 
(chapter 43) This is a sign that he was not “enjoying the present”. In my eyes, with his comments, he was actually ruining the party. Fortunately, no one paid attention to his words except the physical therapist and Yosep. By talking like that, he gives the impression that he is caring and paying attention to the fighter. Yet this is just an illusion, for he is not focused on the present. He neglected his duties, therefore the schemers were able to bring drugs to the champion’s rooms. 
(chapter 53). The latter announces that his “boy” can take a break. What caught my attention is his idiom. The suspension got turned into a break which sounds much more positive. Interesting is that break is not only a synonym for “rest”, but also for “opportunity, chance”. This new discovery reinforces my previous interpretation: the loss of his “title” and his suspension are in verity an escape to freedom. Why? It is because he is no longer exposed to manipulations and external pressure like in episode 36: 
(chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. 
(chapter 53) This means that the fighter was acknowledging the “uke” as an important member of Team Black. In addition, he was recognizing Kim Dan’s effort and talent as PT. Moreover, it exposes the absence of change in Joo Jaekyung’s mentality. He was still “thinking” of work and fighting. It displays that the protagonist had not realized the true signification of his suspension yet. Hence the doctor’s departure was necessary. Joo Jaekyung is forced to think about his fated partner, making him forget his work and his career. His “obsession” with Kim Dan will push him to stop being a workaholic. But there is more to it.
(chapter 21) to this 
(chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.
(chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.
(chapter 43) In episode 1, he gave a positive feedback
(chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: 
(chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: 
or like this: 
(chapter 22) 
(chapter 41) Being on the receiving side makes him feel weak and powerless. He is reduced to become a passive man. Furthermore, we shouldn’t overlook that such presents are not entirely selfless. Companies or admirers have expectations from Joo Jaekyung, earning some money or getting his attention. At the same time, these presents are strongly connected to his title and fame as champion. Thus they are not taking into consideration about the athlete’s dislikes and likes. Thus he was offered a bottle of wine 
(chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. 
(chapter 18) Here, he hoped to see gratitude on his fated partner’s face, but it didn’t happen like he imagined. Yet, notice that despite their argument, Joo Jaekyung proposed to the main lead to live with him in the penthouse: 
(chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. 
(chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: 
(chapter 30) They both desire to be acknowledged and appreciated. 
(chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. 
(chapter 31) 
(chapter 31) Furthermore, the actor gave these things for one reason: it was to obtain the doctor’s heart or to maintain his good image as a celebrity. In other words, these gestures were not selfless at all. This explains why the athlete was so weary of such “gifts”: a return of favor or a service. But the comedian is not the only one donating things. Naturally, it is the manager Park Namwook. 
(Chapter 26) 
(chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? 
(Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. 
(chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss
(Chapter 46) The tension reached its peak in that scene: 
That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay. 
(Chapter 26) The sparring in episode 26 represents the positive version of giving a punch and taking it. The fighter was not upset about his defeat, moreover he was acting like a real teacher asking the physical therapist to overcome his own fears. On the hand, the slap at the hospital embodies the opposite notions: resent, no real teaching, no reflection, no listening, the one slapping is not overcoming his own fears and vents his anger. The give and take in episode 26 was happiness, true generosity, self-awareness, while this slap displays misery, anger, ignorance: 
(Chapter 26) The contrast not only exposes Park Namwook’s fake generosity, but also his greed and selfishness. For me, he missed the opportunity, as at the gym, Kim Dan took the chance, when the athlete was distracted. Hence in my opinion, chapter 52 was the turning point in their toxic relationship. Moreover, it signifies that the manager lost his special position as hyung. Far away from the gym, Joo Jaekyung will see Kim Dan under a different light, maybe even as a true role model, for he is wearing his heart in his hand.
(chapter 7) 
(chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: 
(chapter 43) 
(chapter 43) This exposes his lack of engagement and indifference in the end, but this becomes even more obvious during the night: 
(chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. 
(chapter 43) But the best evidence for this interpretation is this image: 
(chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money. 
(chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight 
(chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. 
(chapter 40) in the States and even at the gym? 
(Chapter 43) It is because he doesn’t view the uke as a possession contrary to his „boy“. Why? It is because the young man doesn’t bring money or contribute to boast the manager’s self-esteem. In fact, Kim Dan is an expensive PT and the manager is aware of his high salary. Moreover, contrary to the hamster, Park Namwook was never seen in the penthouse, and the celebrity refused to invite the members. This is a clue that the champion could have refused to invite his coach there. The doctor’s stay at the penthouse is something Park Namwook discovered by accident. 
(Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. 
(Chapter 53) Here his gestures and words should be judged as lip-services. He can even rationalize his departure: bad luck, they save a lot of money, for the next PT will have a lower salary. In addition, Kim Dan was treated as the celebrity’s possession, therefore he used him as a tool in order to compensate the actor. The manager is definitely imagining that once the break ends, things will work like before. 
(chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „
(Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her:
(chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: 
(chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? 
(chapter 45) 
(chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her.
(chapter 41). He should treat the sportsman nicely (“do good”). Kim Dan is the one who should be indebted to Joo Jaekyung. However, observe what she said in front of her grandchild before: she was the one who was grateful to the main lead, and not Kim Dan!! 
(chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.
(chapter 22) 
(chapter 1) In other words, he was not passionate about his profession. This means that he didn’t define himself as PT due to his lack of engagement and low self-esteem. Besides, let’s not forget that he judges people based on their social status and seniority. I would even add, the main lead had not recognized the existence of his own skills (knowledge, genuineness and dedication). But by working for Joo Jaekyung, he came to enjoy his job. This explicates why he kept buying books. 
(chapter 53) He likes not only his job now, but also learning as such. This is no coincidence that education in the mode of “being” means that the focus is on learning and developing skills. Hence I still see a change in the hamster at the end of season 1: 
(chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: 
(chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important 
(chapter 36) than their training and career. Moreover, he kept bribing them with junk food 
(chapter 26) We shouldn’t judge his words as a verity, he was just using the doctor as a false excuse. The reality is that the sparring had brought no money at all! This fight was strongly intertwined with fun. The notion of „entertaining“ stands in opposition to money. Fun means feeling emotions and being to true one’s self. In other words, Kim Dan stands for a different notion of MMA fighting: the sportsmen shouldn’t work for money, but for fun. They are artists too. This signifies that as time passed on, the members of Team Black lost their passion for fighting 
(chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.
(special episode2 ), but also Cheolmin 
(chapter 13)
(Chapter 13) when the latter denied his responsibility. This shows that the man doesn’t mistrust people. He has faith in humans. And in this short scene, the doctor shows alle positive notions mentioned above: love, empathy, joy and creativity. Therefore I come to the following interpretation: he embodies the being mode. No wonder why he was not present in season 1. The main lead was definitely obsessed with work. Hence the moment Cheolmin’s path crosses Kim Dan’s, the funny doctor should become the hamster’s new role model.
(chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating.
(chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun? 
And now, you know the origin for this essay. As you can see, the collection of Haikus is focusing on the topic “Water”. Since I only possess the French version of Haikus, I could only give you my own English translation. Fortunately, my friend @Rin_de_eegana was able to find the original version, Japanese. Therefore in the second version, I am giving a second English translation whích gave me new insight once again. Anyway, the thing is that as soon as I read certain poems, it made me think of Jinx and the characters. This shows my obsession for this terrific Manhwa.
(chapter 53) where she hoped to see a beautiful ocean one more time. 
(chapter 53) When she was 10 years old, she was moved by how the ocean changed colors with the beautiful sunset. It was no longer blue or grey, but yellow, red, pink, orange and purple. This wonderful but brief moment left such a deep impression on her that she could never forget it. 
(chapter 53) She never came to regret her walk to the beach, because this souvenir also became her source of strength. This memory created in her the desire to see it again, thus she kept postcards with views of the ocean. 
(chapter 17) 
(chapter 53) is glowing blue? I don’t think so. Let’s not forget that blue symbolizes wood for Koreans. The sea (water) and a tree 
(chapter 41) are the doctor’s true elements. Under this new light, it becomes comprehensible why under the tree, he came to acknowledge his feelings for the athlete. In addition, if Kim Dan gets close to water, this signifies that he will get replenished and truly nourished. And notice that during season 1, he never ate properly. 
(Chapter 7) And we could see that Joo Jaekyung had a similar attitude in season 1, he would listen to his hyungs and the people working for MFC. Consequently, I come to the following deduction: this time, the fighter will make the decision on his own. He won’t follow Park Namwook’s advice: 
(chapter 1) 
(chapter 47) 
(chapter 47) even when the doctor was confronted with the truth about his terminally ill grandmother. The sun was always shining brightly. Since in the haiku from Ryokan Taigu, the rain is associated with old-age and fall (misty), it dawned on me that the rain should be associated with the grandmother’s death. If this comes true, it was, as though the sky and gods were weeping for her vanishing. Additionally, the first season took place in Spring and Summer, thus I deduce that season 2 will take place around late summer, fall and winter. This means that the weather should change. And this remark led to my second revelation. I started looking for South Korea’s climates, particularly I was curious about the climate on the West Coast.
(chapter 19) the presence of pink and purple hydrangeas indicates that it was taken in Summer. This new approach reinforces my perception that the grandmother is about to get confronted with harsh reality despite her attempts to escape from it. Her wish can not be fulfilled so easily, like she is imagining it. In addition, Manhwa-philes should keep in their mind that weather has a great influence on elderly people’s health.
We have an elderly man walking through the rain in front of the blue sea. The latter is accompanied with a Waka-poem from Yoshihiro (which was not translated). According to my Japanese friend @Rin_de_eegana (飯乞ふと 里にも出でず この頃は 時雨の雨の 間なくし降れば), this phrase describes a situation where one cannot even go out to the village to beg for alms due to the long rain. Here, we have the topic of poverty linked to old-age and rain. Yes, the pages of this book reminded me of Shin Okja, a poor elderly woman who is so sick. And like mentioned above, the rain could be the reason why the woman doesn’t go to the beach. The two poems are underlining one important aspect: the powerlessness of humans in front of nature. No one can stop aging, just like no one can control the weather. At the same time, it outlines the importance for a senior to be surrounded by people, so that they don’t end up dying from dehydration, from a cold or hypothermia.
(chapter 49) Both main leads went to the restroom in order to hide their emotional turmoil and suffering. They used flowing water (in Joo Jaekyung’s case the shower) in order to cover the sound of their weeping: SHAAA. Yes, the tears are making sound… so the rain should make sound as well. And this brings me to my next remark. 
(chapter 29) 
. (chapter 30) In episode 35, the night stands for ignorance and self-deception, for the doctor was not present. Joo Jaekyung reverted to his old self. However, don’t forget that the haiku was not just about the moon light, but also about the sound of the waves. All the senses are awakened which represents a better experience than the grandmother’s. Moreover, since I am anticipating the presence of Kim Dan, this means that Kim Dan embodies not only the light in the dark, but also sound of water. This interpretation brings me to the following remark. In season 1, the athlete had already associated his fated partner to “sound”, though in the beginning he viewed it as noise 
(chapter 18) and as a source of stress and worries. 
(chapter 47) To conclude, Joo Jaekyung will also have an Enlightenment in front of the ocean, but contrary to the grandmother, this experience will be associated with the night, the sound and a person: his soulmate Kim Dan.
(chapter 1) The problem is that Kim Dan blamed himself for his suffering, as he must have often not paid the interests on time. That’s the reason why he got surprised, when he saw his enemy in front of his humble home. 
(chapter 1) Due to the lack of rest and time, he didn’t have the opportunity to ponder on his life and even have dreams on his own. Therefore he had no ambition. At the same time, he couldn’t become energetic and proactive due to his low self-esteem and his abandonment issues.
(chapter 26) This represents the highlight for the first season. For the first time, both characters had fun together. That’s how they got one step closer to each other. The fighter was enjoying this moment, as he was teaching Kim Dan to become more proactive and fight for himself. The sparring represents the opposite version of the athlete’s vision (chapter 29). He felt safe next to Kim Dan. In fact, his presence boosted his confidence. 
(chapter 25) It is no coincidence that he employed that expression in front of his fated partner. To conclude, chapter 26 stands for life and happiness, proving that their life is not cursed per se. Consequently, red was the dominant color of this chapter. This pigment stands for love and life. Both felt alive during that day. Moreover, we could see glimpses of the sportsman’s true psyche as well, when he proposed to spar with the main lead. He desired to help the doctor himself. Hence he acted as his mentor and teacher in the ring. There, we could see his generosity, interest and open-mindedness. He wasn’t looking down on the doctor, he saw him as a true member from Team Black.
(chapter 29) He has no one by his side. And this observation leads me to my next interpretation. The existence of Joo Jaekyung’s belief is exposing Park Namwook’s neglect and bad management and coaching. We could say that he is partially responsible for the champion’s misery and bad luck. Therefore it is no coincidence that the sparring took place during his absence. 
(chapter 26)
(chapter 27) But by portraying him like that, the coach gave us a justification why he wouldn’t converse with the gym owner. Why should he talk or listen to Joo Jaekyung, if the latter is stubborn and obsessed with his work? It is pointless. And such an attitude could only get reinforced in this scene: 
(chapter 46) Yet, according to my interpretation, the main character’s departure was not the sign of stubbornness, but rather of fear and avoidance. Since the manager doesn’t know his star that well, he judges him based on appearances. Moreover, I believe that he has the tendency to generalize, just like certain readers. Since the athlete beat a doctor and was quite brutal with a fighter, he is stigmatized as “thug” or a “spoiled kid”. I am suspecting that the way the hyung met the celebrity affected his perception about the young fighter.
(chapter 46) Despite his attitude, Joo Jaekyung still listened to his hyung’s warning, for from that moment on, he kept his distance from everyone, including the physical therapist. But there’s more to it. Park Namwook keeps associating his star with “good luck”. 
(chapter 1) 
(chapter 27) This represents the exact opposite of the star’s jinx. It shows that he is not trying to understand his celebrity. With such a mind-set, it is normal that the champion wouldn’t trust his manager. And the absence of the manager in this panel 
(chapter 33) The latter truly worries for his star, although he is well aware of his shortcomings. 
(chapter 30) In addition, he knows about his private life and love life. 
(chapter 33), he didn’t report it to his hyung. He also kept it a secret. That way, he was not only protecting Kim Dan’s misdiagnosis, but also Park Namwook’s misjudgment. On the other hand, he acted as a real boss, for the comedian is an important client. 
(chapter 23) He never confronted the members with the truth. They lack skills 
(chapter 46). It was, as if they didn’t have the goal to create a new champion. How come? It is because the gym was initially created for Joo Jaekyung’s needs. And now, Jinx-lovers comprehend the dilemna. Team Black needs to redefine itself and its purpose. Moreover, Park Namwook’s true wish is to open the gym for “kids”. And that’s how he treated the staff from Team Black, like little kids. No wonder why many left the gym in the end. They didn’t feel truly supported by the manager and coach. Jeong Yosep and Park Namwook didn’t put any real effort to turn the members into professional fighters. That’s the reason why none of them had a MMA manager, only a coach and nothing more. 
(chapter 49) He claimed to trust the champion, but the reality is the opposite. 
(chapter 52) He blamed Joo Jaekyung for everything: the tie, the doctor’s departure, the suspension and as such the loss of his good reputation. However, even if the champion had vented his anger onto the physical therapist wrongly, he had reasons to doubt Kim Dan. He had not only received the pictures, but he had been warned by the coach himself to doubt the members’ loyalty. There was a spy and a traitor among Team Black. One detail in the last panel caught my attention is the idiom “facts”. It is in plural and not in singular. Fact could be seen as a reference to his own warning, he had not checked the fact either (rumor, suspected disloyalty), yet this is not what he meant. Potato had exposed only one fact to the group: the switch of the spray organized by Choi Gilseok.
(chapter 52) So what other fact was Park Namwook referring to? The fighter Baek Junmin and director of King Of MMA had paid Kim Dan. This shows that he had heard the conversation between the two protagonists. 
(chapter 52) And what did the manager do, after the champion had left the room? He abandoned Kim Dan, followed by the other men. At no moment, he asked Oh Daehyun or Yoon-Gu to take care of the physical therapist. But by following the celebrity or remaining passive, they had implicitly supported Joo Jaekyung’s decision. They had taken his side. And now, you comprehend why all these men chose to put the whole blame on the celebrity. 
(chapter 1) 
(chapter 49) He should be responsible for his contracts, yet the reality is that the Entertainment agency is the one managing the champion’s career. 
(chapter 52) The article is indicating that the champion was quickly judged and this within a few days. The article implies the non-intervention of a lawyer or his manager. No one sided with the celebrity. They are not even contacting the media. 
(chapter 52) Park Namwook never tried to correct this negative reflection, for this is how the manager perceives the man himself. He is an ill-mannered child. This explicates why Park Namwook could slap the patient in his bed. So we should judge the argument between the fighter and his manager 
(chapter 29) He is not standing next to the main lead, but he is facing him. He is like an opponent. Another divergence is that Kim Dan was alone, whereas Park Namwook utilizes Potato and the others from Team Black to corner Joo Jaekyung. The doctor was willing to listen to him, whereas the other gets upset, when the other admits his suffering. Since the gym is facing a crisis, the patient should find a solution to the problem. 
(chapter 52) that he regretted his decision and outburst. By admitting his mistake, he would have become responsible for the whole mess. Funny is that he asked compassion from Joo Jaekyung, whereas he showed none to the patient. And what was Kim Dan thinking during that night? 
(chapter 52) resembles a lot to the image with the opponents. 
(chapter 52) For the first time, the champion is no longer looking at his cellphone. He shared his thoughts to others and exposed his powerlessness 
(chapter 40) These two situations have many similarities. Both were confronted with an accusation, they were surrounded by people, who were acting as righteous and honest workers. Both were coerced to admit a wrongdoing. In addition, they are actually abandoned by Team Black members, especially the manager. No one is looking for them out of concern. The reality was that they were not their “true colleagues and even less friends. However, like mentioned in a previous essay, the men in black were actually covering up a crime in order to hide the corruption from the organization. This makes me truly wonder if Park Namwook is truly ignorant about MFC’s corruption. He could simply know about the crimes, but he chose to close an eye to the whole situation. 
(chapter 40) He had rescued him. So by slapping the champion
(chapter 19) Yes, we should see episode 53 as the negative reflection from chapter 19, the doctor’s arrival at the penthouse. 
(chapter 19) 
(chapter 53) Here, what Kim Dan saw was not the real sunset, but the lights from the cameras. Far away from the lights from the journalists, the champion will witness the beauty of a sunset, which can not be bought with money. 
(chapter 37) or sightseeing attractions. Here, I feel the need to add this French song from Daniel Balavoine (1985): “Aimer est plus fort que d’être aimé” (Loving is stronger than being loved”).
(chapter 21). By interacting with Kim Dan, he will be able to reconnect with his true self which will change him forever. Notice that after the night in the States, at no moment, the champion mentioned his jinx, but spoke about his physical health. In reality, he was including his mental health. This shows that he was already moving on from his jinx. Moreover, after the tie and the suspension, he is not mentioning or thinking about his former belief. The reason is simple. Because of the doctor, the champion was allowed to perceive glimpses of the truth: corruption and the existence of tricks. This image 
(Chapter 48) represents the medicine against the champion’s false belief. Moreover, by making him meet his former rival Baek Junmin, the athlete was incited to overcome his past and biggest fears. 
(chapter 42) This shows that his self-loathing is gradually vanishing as well. The fact that he is employing the personal pronoun “I” indicates that he is able now to distinguish himself from his grandmother. 
(chapter 35) He is still cheering the athlete on and even wishing him happiness. This exposes that the physical therapist discovered “happiness” through the celebrity. He is no longer believing in the athlete’s jinx.
(Chapter 53) Here, I feel the need to remind my avid readers that though the doctor was victim of a trick, he was not entirely innocent either. He should have come clean with the champion concerning his meeting with the director from the rival gym. His lie still played a huge role in the champion’s mistrust. But why did he not tell him later? It is because he was under the influence of the manager. 
(chapter 48) The hyung had been his mentor and advisor. Thus he copied his actions and followed blindly his recommendations. 
(chapter 44) He never told the athlete that he was so cute or handsome. He kept his thoughts and happiness to himself. The only moment they shared real intimacy was this night: 
(chapter 29) Moreover, during that sex session, the athlete employed dirty talk. 
(chapter 29) It was not to express affection.
(chapter 2) prostitution and rough sex. He never experienced true romance and the birth of “first love”. The courting and seduction were totally absent. His first kiss is connected to fighting, pain, survival and protection. 
(chapter 20) Till that moment, he lived like a ghost. He had been trying to deny the existence of his own body. And how did the athlete describe his lover in the bathroom? First, he compared him to a whore 
(chapter 19) before describing him as a baby. 
(chapter 20) However, we should expect a more pure version, where both act as innocent and inexperienced teenagers, similar gestures: 
(chapter 1) He was so attracted to him physically, hence he didn’t pay attention to his partner’s personality. In fact, he had a negative perception of his nature: 
(chapter 1) By becoming a ghost, the champion is forced to perceive the main lead as a person and as such to pay attention to his personality (dislikes, likes, qualities, career). That’s the reason why I believe that in season 2, he won’t make the same mistake again. He will study the doctor and get to know him better. That’s how he will be able to identify his feelings for the protagonist. He doesn’t love him because of his cute face and body, but because of his big heart and warmth. He is so responsible, generous and dedicated that there’s no one else like him. He embodies true kindness and loyalty. His care and worries are genuine. That’s why the champion will voice his affection differently from the past: “Secret and innocent love behind work”. Under this new light, it becomes comprehensible why both characters had to go to the seascape. Nature is the perfect place to nurture innocent and pure love. Consequently, I don’t think, the author will rush to create a new chapter full of sex… rather full of tenderness and caresses! Thus Mingwa created such panels: 
(chapter 50) and Kim Dan. While the former was tormented by his challenger directly 
(chapter 50) and indirectly, the other had to witness how the members from Team Black turned their back on him in the locker room. 
(chapter 50) They could put themselves in his shoes: he was left behind. On the other hand, the reaction from Joo Jaekyung was totally understandable. 
(chapter 50) He acted on instinct. Moreover, he had a match, therefore they had no time to discuss or investigate the matter. 
(chapter 50) Yet, we shouldn’t allow our emotions cloud our judgement, for this image displays the doctor’s metamorphosis. Notice that he talked back. Though his sentence is still not complete, the thickness of the writing and the point of exclamation are indicating that he was not whispering. He was speaking loudly and clearly. He was talking back firmly. Moreover, he was not avoiding his counterpart’s gaze contrary to the argument in the penthouse. 
(chapter 27) But only Dr. Lee and Kim Dan got to see the results
(chapter 27) Then, after the match in the States, the manager asked his “boy” how his shoulder was. 
(chapter 40) Here, he chose to rely on the celebrity’s words, 
(chapter 40) while the manager had witnessed how Dominic Hill had targeted his shoulder. He should have realized that his star’s shoulder had been damaged. Nevertheless, we shouldn’t overlook that the athlete’s statement was corroborated by the medical checkup from MFC. That’s how he got fooled. Hence there was no treatment. However, doc Dan could detect the champion’s lie not only through observations
(chapter 41) but also through touching.
(chapter 41) As you can see, the wound was slowly coming to the surface. Thus I consider the incident in episode 43 as a metaphor for the shoulder injury. 
(chapter 43) It was exposing the damage in his body. Consequently, when the champion’s foot got wounded by the pepper spray, 
(chapter 49), I realized what was happening. Mingwa is forcing the Emperor to admit his suffering. Hence his wounds are becoming more and more visible.
(chapter 5) for he was simply relying on the prostitutes due to his jinx. Thus I consider this argument in the penthouse as a huge step for the athlete: 
(chapter 45) He can not win, if he is not receiving the help from a PT. That’s the reason why he didn’t mention the jinx at all. Under this new light, it becomes comprehensible why the athlete is suffering more and more. The goddess of Jinx is cornering the athlete: the latter has to admit that he doesn’t just need the assistance of any PT 
(chapter 50) So far, he just had a cut above his eye, nothing serious. 
(Chapter 40) However, the wound on the foot is different, for his skin is damaged. The recovery will take longer. It is relevant, because Park Namwook can no longer feign ignorance about his star’s wounds. He is less susceptible to manipulations. 
(chapter 50) That’s the reason why he turned into a dragon at the end of the chapter. [For more read the essay “
(chapter 5) And now, you comprehend why he got so nervous and angry, when he imagined that Kim Dan had blocked him. 
(chapter 5) This shows that his belief in his jinx had been reinforced after his first night with Kim Dan.
(chapter 31) He could take the fall for everything. The main lead is put in such a position so that he has no other choice: he needs to clear his name! 
(chapter 50) From my perspective, this is the result of the overexerting. 
(Chapter 50) Even the coach is noticing that the athlete is overtraining himself. Remember that the athlete refused to listen to his PT. 
(chapter 42) In addition, he would return home late, a sign that he would train even more than before. 
(chapter 48) Finally, we shouldn’t overlook the fact that after his match in the States, he never visited the hospital due to the law suit. 
(chapter 41) According to me, the MFC medical checkup was not reflecting the verity. Hence he never got a real check-up and MFC could definitely say that the athlete was definitely fine. 
(chapter 41) However, by doing so, he was exposing his vulnerability to his opponents, though I am still suspecting that MFC leaked information too. So far, the headlines are not indicating which shoulder is wounded. Yet, the moderator knew which one: 
(chapter 50) So why was the manager so shocked with such an attack? 
(chapter 50) It was clear that during such a match, the challenger would use the opponent’s weakness. What did he expect in the end? The panel exposes his stupidity and his immaturity. He should have anticipated such a move. These observations lead me to the following conclusion: the champion needs to realize that his hyung will never recognize his suffering, as long as Joo Jaekyung is in denial. Until now, he hasn’t been protecting Joo Jaekyung’s interests, rather his own comfort. His MO was to put the whole responsibility on the athlete. But it was his duty as his manager not to accept the new challenge. 
(Chapter 49) This explains why he claimed that Team Black was his gym, 
(chapter 41) to the golden keychain. 
(Chapter 45) As you can see, the famous writer is connected to Positive Psychology, for he was also promoting meditation and experiences. This fits our story, as both main characters are on their way to give a meaning to their life and as such to find happiness. But let’s return our attention to the manager Park Namwook as a representative of “ignorance”. 
(chapter 11), but also he never tried to correct the star’s false conclusion. 
(Chapter 11) He just got angry giving the impression that he was siding with Kim Dan. But the reality is that he did nothing for the poor doctor at all. He remained passive and silent. His “ignorance” explains as well why he is not questioning events and his athlete’s success. 
(chapter 32) Furthermore, he forced Joo Jaekyung to take the blame without investigating the matter.
(chapter 43) The latter triggers his anxiety and nervousness. Thus when there is a problem, his MO is either to threaten, 
(chapter 36) or to let others make decisions. I would even add, he often delegates things to others: the manager from the Entertainment company
(chapter 46) and 
(chapter 16) 
(chapter 47) And what was the halmoni’s wish? He should give his all to Joo Jaekyung, 
(chapter 41) Therefore I believe that in the locker room, Kim Dan must have recalled her words. She became his source of strength once again. That’s why we have parallels between these three scenes: 
(chapter 21: he was criticized by Kim Miseon, he feared to lose his halmoni) 
(chapter 50) That’s the reason why Kim Dan could become a star. Contrary to Joo Jaekyung, we didn’t assist to the birth of the yeouiju. It is no coincidence that birth is connected to pain and happiness. Mothers forget the suffering of the delivery, as their child can procure them a lot of joy and happiness.
(chapter 5) or Heesung drank alcohol 
(chapter 35). Both were trying to numb their pain, though they shouldn’t have according to the German philosopher. The soju stopped them from becoming the better version of themselves. I am suspecting that doc Dan copied this poor habit from his grandmother, who drank in secret. Don’t forget that in all the memories, the halmoni is smiling 
(chapter 47) In other words, he had selected this job, as he was following traditions and expectations. Only in episode 47, he realized that she was his real motivation. Yet, he discovered shortly after that she is about to die. Thus he needs to find a new motivation for his job, or better said, he needs to question himself about his profession. Does he truly want to be a physical therapist? Since the beginning of the story, doc Dan has never identified himself as a physical therapist. Thus he accepted to be judged as a whore 
(chapter 36), acting like an errand boy. Then he doubted Heesung’s words and admiration 
(chapter 31) 
(chapter 31). Furthermore, he took a side gig in order to buy the champion’s present and finally, he rejected Choi Gilseok’s praise and offer. 
(chapter 48) He was always diminishing himself as a doctor. Therefore in the locker room, he was confronted with his biggest fear: is he really a physical therapist? 
(chapter 50) He injured his patient. The spray is there to let him see that he has power in his hands. He should trust himself and his magical hands. Don’t forget that this request was made by Joo Jaekyung. 
(chapter 50) And from my point of view, the locker room became the doctor’s new temple. There, he must have recalled his grandmother’s wishes. She would like to see him on TV. For me, the light over his head symbolizes Enlightenment. He has become the champion’s yeouiju. Thus I deduce that Kim Dan is on the verge of proving his worth to Team Black. I am anticipating, he will approach the ring, and even treat him during a break, something he denied to his halmoni. 
(chapter 5) 
(chapter 50) It is relevant, because through such an intervention, hamster Dan would teach the champion an important lesson. He is not alone in the ring, the doctor is watching his physical condition and helping him. 
(chapter 37) 
And this brings me to my next observation. The doctor’s pain is exposing his recovery! Weird, right?
(chapter 47) and his agony. He was no longer under the influence of toxic positivity. While he cried, he admitted his flaws making him realize that he had never been abandoned by his grandmother. 
(chapter 47) That’s how he overcame his abandonment issues.
(chapter 27) For the first time, he rejected a suggestion from his lover and even slapped his hand. 
(chapter 37) He wanted the party to continue. It shows that he was having a good time with Oh Daehyun and Potato. He has no problem to stop kissing his soulmate, when the latter shows his discomfort. 
. (chapter 36) 
(chapter 49) He didn’t wait for an order from PArk Namwook or the champion.
(chapter 50) They are trying to find themselves, therefore they must constantly adapt to each other. While the image gives the impression that the trust between them is vanishing, it is in reality an illusion. People should pay attention to the color of the speech bubble. It is white, there is no point of explanation. It reveals that the champion is not raising his voice. He is rather calm. In reality, the champion was not truly mad at Kim Dan. He was restraining himself. Jinx-philes should compare this image to the following two panels: 
(chapter 34) 
(chapter 45) And now, you comprehend why I stated earlier that he acted rather instinctively. For me, he still trusts the physical therapist.
(chapter 18) When the champion paid off his debts, he saw it as meddling. Interesting is that he came to accept the champion’s support, but he never asked for Joo Jaekyung’s help directly. In addition, Jinx-philes should notice that in the interrogation room, he thought just about the champion and not himself. 
(chapter 40) It never came to his mind that he should ask for assistance. Finally, observe that after he got drugged in the States, he let the champion deal with the problem. 
(chapter 41) He accepted the statement from his boss. Nevertheless, doc Dan was the real victim. He should have become more involved in the matter. Besides, he was a witness. And this brings me to my next thought: if Kim Dan gets into trouble, he should remember Heesung’s words: he should give him a call! 
(chapter 35) For me, the incident is there to teach Kim Dan that he can ask for help! This would show him that he is no longer alone. He wouldn’t appear weak at all. That’s how he would end up to gain his first friends. Let’s not forget that Heesung’s relationship with the doctor is no longer tainted by money or by lust or greed. In fact, thanks to him, he found his soulmate. What unites Kim Dan and Heesung is the heart and the desire to help. Heesung stands for brotherhood, so he could be the one outlining the problems to Team Black. Finally since Potato likes Doc Dan very much, there is no doubt that Heesung and Potato will work together to assist the main lead. This image 
(chapter 33). He is not hiding his sexual orientation, he is greedy, but in a good way. Hence he tried to win the doctor’s heart. He never gave up, till he was properly rejected by the doctor. 
(Chapter 35) Interesting is that after his confession, he still chose to come clean with the doctor. He revealed the truth to Kim Dan, though he could have lost the protagonist’s respect. He admitted his lie and manipulation, 
(Chapter 35), but Kim Dan’s reaction was not to scold his future friend. In fact, he appreciated his honesty. In front of Kim Dan, he could show his true self. He was not entirely a good guy, but he didn’t get rejected. But so far, the actor is not present in the arena. Therefore Potato could be the first person Kim Dan asks for help. He shares some similarities with his soulmate. He doesn’t fear people’s gaze, hence he raised his voice under the tent. 
(chapter 35) he doesn’t represent the herd mentality, for he never thinks and acts like others. 
(chapter 31) While the fighters all liked the actor, he judged him in a different light. Then he was not present during the champion’s birthday. Therefore he possesses all the qualities to become a hero. He could cause a scandal, 
(chapter 49) similarly to his idol and hero in the States. He noticed the issue right away: the security didn’t do his job properly. To sum up, Potato would follow his foot steps and that’s how he would get noticed by MFC!
(chapter 50) The word is displaying that the doctor is not accepting the incident simply like that. It is showing that the doctor is slowly losing his naivety. Before the incident with the spray took place, he still trusted the words from people. 
(chapter 49) Naturally, he can not get rid of his naivety totally, for keeping a certain purity is necessary in life too. On the other hand, it becomes clear that his naivety is the result from his education. The halmoni is herself quite too trusting. Hence she ended up being harassed by loan sharks. On the other hand, the incident was like an eye-opener for the physical therapist. He should stop judging people based on their words 
(Chapter 32)
(chapter 1) by bosses, it becomes comprehensible why he didn’t fall into the trap a third time. 
(Chapter 48) He is pushed to question impressions and people’s motivations. As a conclusion, anguish is a tool to push people to become wiser and happier. And this leads me to my final part.
(chapter 13) Furthermore, after having sex in the locker room, Kim Dan was left behind. 
(chapter 40) Therefore he was running once again. However, back then, no readers felt angry at the team, though it could also be perceived as a betrayal and abandonment! Kim Dan was not perceived as necessary, neither for Joo Jaekyung nor for Park Namwook. Hence the bedroom could be judged as the place of the betrayal: “
(chapter 40) That’s how I realized why the Webtoonist never showed the athlete’s caring gesture. He moved him in the middle of the bed! It is because the celebrity was still not treating his soulmate as a physical therapist. The second reason for the absence of anger is that Kim Dan had been drugged and as such was not fit. In addition, he needed to rest after having sex for the whole night. And now, you comprehend why the doctor could get dragged away by the MFC security guards, and no one from Team Black intervened. 
(chapter 40) It was to outline their previous disregard and betrayal! Thanks to Potato, Joo Jaekyung got informed, hence he could rescue the physical therapist. 
(chapter 40) But he never revealed the hamster’s role in the team! This explains why Kim Dan was used by Choi Gilseok. He needs to expose his role in Team Black to the world. He is the champion’s private PT! 
He has just his blue uniform.
Hence he could get into trouble! The MFC could report the incident to the authorities! 
(chapter 49) in both cases! He was present, when Kim Dan drank the drugged beverage. 
(chapter 38) To conclude, it was not in Kim Dan’s interest to run away or hide! This would have been judged as a sign of his culpability and complicity. He needs to face the problems so that he can shape his destiny with his own hands and not remain the playball of dark forces! Yes, this chapter announces a huge change at Team Black, the start of a real friendship between two puppies. 😉
(chapter 49) It exposes his duplicity. Because of his sobriquet and his color, I assume that the schemers consider the boxer as a weapon. His role is to kill the Emperor, and probably in one blow. He is the executioner of the invincible legend. It should be a quick, merciless “death”. From that fight, Baek Junmin has to ensure that Joo Jaekyung can never come back to the ring. How is it possible? 
(chapter 49) It is because they know about his injured shoulder. That’s the reason why Baek Junmin is patting him on his left shoulder. Remember what the sports doctor told to the physical therapist: 
(chapter 47) He should make the fight last in order to tire his opponent out. So the plotters thought that during the fight, Joo Jaekyung would ask for a relief spray on his injured shoulder. That would be the end for him. Kim Dan would even deliver him the victory on a silver plate. He would be framed as an anti-fan. The irony is that Kim Dan could heal his VIP client within a short time. Here, the champion looks relaxed and not concerned with his shoulder. 
(chapter 49) Here, he is almost smiling. He was telling the truth, when he said that he was fine contrary to the States. 
(chapter 49) He has now taken over the manager’s place. This reflects the doctor’s rising within Team Black. At the same time, this expression lets us perceive the role of Baek Junmin at King Of MMA gym. He is the protector of Choi Gilseok, the “old man”. On the other hand, his position also insinuates his passivity, as he is not the driver, like here. 
(chapter 42) In my eyes, it reflects his laziness. He lets other people do the dirty tricks, like we could observe it with the incident in the locker room. 
(chapter 49) The director had to suffer a great humiliation for this trick, while a helping hand had to switch the spray. For me, the expression “The Shotgun” displays the inaction from Baek Junmin. He was catapulted to the top thanks to the assistance of others: Mr Choi thanks to his money and connections with the media and with the CEO of MFC. Then the members from his gym had to gathered intel about his opponents. This was truly palpable in the description from the moderator. 
(chapter 47) Where did I find the evidence for this? It is because Seok (from Gilseok) can signify “brass”! As you can see, thanks to two different notions “shotgun”, I could give a better portrait of the fake star. But this is far from being finished. Funny is that “Shotgun ” can also refer to a position in American football.
(chapter 49) It was, as if the team of King of MMA had scored a goal by bringing the pepper spray to the other side and switching it with the relief spray. 
(chapter 49) And what is the common denominator between the meaning “firearm” and “American football position”? Attack! But there’s more to it. As adjective, “shotgun” is indicating coercion and duress. And this corresponds to Choi Gilseok and Baek Junmin’s tactics. The director tried to put the physical therapist under pressure, when he met him in the café: 
(chapter 48) For that, he utilized the grandmother. I feel the need to add here that this scene confirmed my previous interpretation about Baek Junmin and Shin Okja. [For more read 
(chapter 49) By meeting Kim Dan there, 
(chapter 49) he tried to sow seeds of doubt and even discord between the couple. It was to give the impression, they were working together. But the champion didn’t fall for it. The reason is that his fated partner was able to heal his injured shoulder. As a hypocrite and arrogant fighter, he utilized his small talk to threaten Joo Jaekyung. 
(chapter 10)
(chapter 10) And what was the couple’s reaction during that night? While Kim Dan wept, as he was longing for his grandma 
(chapter 10), exposing his abandonment issues, the other looked down first on the physical therapist 
(chapter 10) The problem is that the doctor couldn’t remember this scene due to his drunkenness. This scene leads us to another meaning of Shotgun.
(chapter 48) And both are working together. My hypothesis is that Baek Junmin was involved in drugging the athlete. The sportsman admitted that The Shotgun had schemed against him. 
(chapter 49) This would explain why Joo Jaekyung would never join the team’s dinner and why he reacted that way, when he drank a glass of soju: 
(chapter 43) He could recognize the alcohol, a sign that he must have tasted it before. His threat and anger were masking his fears. For me, he had a terrible experience with alcohol. And this brings me to the last signification of “Shotgun”: SEX! This was already brought up with the quote above, but I am quite sure that people have already heard the expression “Shotgun wedding”. Then I also found this description “Shotgun Sex”:
(chapter 6), when Kim Dan had accepted the deal from the main lead. The erected phallus looks like a weapon and Kim Dan also made the connection, when he saw his huge anaconda with the sex toy: 
(Chapter 12) The idiom “shotgun sex” suggests a situation where sexual intercourse occurs hastily and impulsively. It has nothing to do with love and warmth. It is something done quickly or without much forethought, which corresponds to the scene in chapter 6. 
(chapter 6) And what do we see here? Submission! 
(chapter 17) Don’t forget that during that night, the soju was present as well. 
(chapter 17) Because of his nickname and the reflections from episode 10 and 17, I deduce that Baek Junmin was present, but he didn’t help the athlete. He turned a blind eye to the situation. 
(chapter 11) Though Joo Jaekyung despised the doctor and called him pathetic, he still accepted his request. But let’s return our attention to The Shotgun. Moreover, the fact that he employed the expression “kid” insinuates that Baek Junmin is older than the athlete. So he could have the same age than Kim Dan. I feel like the physical therapist is slowly taking over Baek Junmin’s place. He is on the verge to shine like a star. With the theory of a gangrape or rape (phallus as a weapon), we would have the explanation why the criminal insulted the athlete with “A little bitch ass punk”. He was describing him as a poser and “douchebag”, whereas in verity, he is the coward. Hence he resorts to tricks to achieve his goal. And now, you comprehend why the champion felt the need to clean his hair after meeting the fake star. 
(chapter 49) He usually takes a shower in the morning, however this scene took place in the evening. Under this new light, it becomes comprehensible as well why Joo Jaekyung couldn’t remember the criminal 
(chapter 49). It is related to a painful but short experience which scarred the athlete’s heart and soul.
(chapter 49) It is because the latter had repressed his traumatic past. The other reason he didn’t remember him is that the latter had betrayed him. He was not worthy of being remembered and being noticed. Would you remember a poser and coward? No, not really. In my opinion, Baek Junmin stands for immaturity, betrayal, irresponsibility and false manhood.
(chapter 18) and why both have no notion of “rape”. Joo Jaekyung must have been told that he was “responsible” for his misery, just like in this scene: “You did this”.
(chapter 6) He brought him upon himself. He shouldn’t have drunk or taken drugs, he shouldn’t have been weak, he shouldn’t have been there that night… I see his statement there as an evidence for manipulations
(chapter 18) If they are criminals, then the authorities should be informed, because the latter need to stop them, to make things worse for them. It was, as if he was advocating loansharking, though it is illegal. One might argue about this theory, for I deduced it simply from the name The Shotgun and its different reflections. However, Mingwa left us two other clues for this hypothesis.
(chapter 20) But contrary to the physical therapist, the champion had never denied the existence of his body. He didn’t need to look at his reflection to see any change. The pondering was triggered by The Shotgun’s words. Baek Junmin saw the protagonist in a different light: weak and pitiful. 
(chapter 49) and not looking at his own reflection. Here we were witnessing the birth of the champion’s third eye. In addition, this scene corresponds to the one in episode 3: 
(chapter 3) As you can see, the moment you connect these two scenes, it becomes clear that there was no sex. In episode 3, the doctor was fetched and had to have sex, while in episode 49, the PT waited for a signal from his boss, but it never came. Furthermore, the bathroom is the only place where the athlete doesn’t bring his cellphone! And the latter represents a huge hindrance to his meditation, like Jin-philes could observe it in chapter 35: 
(chapter 35) But there is more to it. The departure from the restroom corresponds to the doctor’s realization at the hospital.
Gradually, Kim Dan came to accept the truth: his grandmother couldn’t keep her promise, as she would never recover from her illness. He went on his knees, too devastated by the terrible news. However, he didn’t question the doctor’s action and behavior. Nonetheless, he was able to move on. He was forced to mature and become more independent. 
(chapter 28) Because of this special day and night, Kim Dan came to accept sex and sensuality in his life. 
(chapter 29) 
(chapter 36) As you can see, all the scenes reflecting the bathroom scene in episode 49 contain SEX. Hence I see it as another evidence that the sex during that night had a different meaning: it was more a habit than a real need. And don’t forget that in the States, he had already complained about the timing. 
(chapter 39) He didn’t feel like “fucking” and it must have been the same during that night before the match. And if he had been sexually assaulted, anyone would comprehend why he didn’t feel any desire. Under this new light, Manhwaworms can understand why the title is “Embracing change”. 
The star is gradually dropping his old belief. He is one step closer to realize that he is not jinxed, he is strong enough to win the next fight. My avid readers should keep in their mind that when the couple argued on his birthday
(chapter 49) which was used for the sex session at the gym. 
(chapter 24) Moreover, he even took an ointment in case his anus would tear, for they didn’t have sex for a long time. 
(chapter 49) But Baek Junmin was not alone in this. Due to his traumatic past, Joo Jaekyung came to resent and mistrust humans, for he never got the chance to get justice from his tormentors. That’s the reason why he rejected social norms. As time passed on, he repressed the incident and buried the identity of the persons responsible for his wounds, whereas his pain couldn’t vanish. Hence he was still boiling inside and his anger was directed at anyone. It would come to the surface at the slightest provocation or rejection. That’s why he was still trapped in the past. He had the impression, he could get assaulted at any time. Therefore he needed to prove his strength. And this brings me back to the whispered confession: 
(chapter 37) When the athlete saw the doctor’s reaction, the latter was looking away, 
(chapter 37) the VIP client got so angry that he sent Kim Dan away. And now, take a closer look to this image. 
(chapter 49) The characters are placed in the same position. The comparison between these two scenes reinforces my hypothesis that Baek Junmin mocked Joo Jaekyung, resented him and refused to help the younger fighter back then, as Kim Dan was looking away. On the other hand, by using the expression “baby” in English, Jinx-philes could sense parallels with the fight with Randy Booker. 
(chapter 49) On the other side, this match has another signification for The Shotgun. How so? It is because he needs to win. He claimed that he would take away his belt. He believes that since Choi Gilseok paid a lot of money, he bet on his victory. Besides, the director of the gym even got humiliated himself. However, he is deluding himself, for he was just a tool to ruin the Emperor. A shotgun is an firearm and as such it is dispensable. Furthermore, this panel displays Junmin’s jealousy towards the celebrity. 
(chapter 49), whereas The Shotgun was relegated to fight in the shadow! He was fighting in the underground fighting ring, but since it was illegal, he couldn’t become famous and rich. He couldn’t be exposed to the spotlight. This shows that deep down, Baek Junmin was also trapped in the past. He came to resent the protagonist, for the latter had been able to rise the ranks. That’s why he couldn’t forget him contrary to the celebrity. The latter was not only successful professionally, but also admired as a hero. It looked like he had been able to move on from the past, whereas for The Shotgun, it was the exact opposite. He became more and more involved in crimes. Don’t forget that he is helping the director from the King of MMA gym to launder money. Thus I deduce that Baek Junmin is underestimating his opponent. 
(chapter 51) they had never planned to turn the new comer into a champion, people would have questioned the outcome. The real intention was to tarnish the champion’s reputation, to isolate him, to make him lose his stans. And they almost achieved it. Baek Junmin never realized his true position. He was just a middle-man, a hit-man that they would discard right after his “victory”. Hence he is no longer in the media, because his name is now linked with the incident with the switched spray. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 