Jinx: Bruised 🩸 by Choices, Bound By Sacrifice 😭

Exploring Kim Dan’s Psyche

In the complex narrative of Jinx, Kim Dan’s psyche is an intricate web woven from his upbringing, life experiences, and conditioned beliefs. Episode 61 serves as a focal point for understanding his internal struggles, particularly through the symbolic appearance of a bruise on his arm. (Chapter 61) However, this moment is not isolated—it reflects patterns in his personality that have appeared throughout the series. (Chapter 11) (chapter 18) This essay delves into the significance of Kim Dan’s physical and emotional bruises, examining how they symbolize his suffering, internal conflict and transformation. I will examine Kim Dan’s conflicted emotions surrounding gratitude and debt, contrasting his interactions with Joo Jaekyung and his grandmother, Shin Okja. Additionally, I will explore how Kim Dan’s conditioned identity as a caregiver drives his choices, even in his current living situation with the landlord, where he unconsciously replicates past dynamics. Ultimately, I will elaborate how Kim Dan’s newfound awareness could reshape his identity and relationships moving forward.

By comparing Episode 61 to earlier scenes, we can uncover recurring themes of sacrifice and rejection of help, shedding light on how Kim Dan’s mindset continues to perpetuate his suffering. This essay aims to unravel his internal contradictions, demonstrating how his struggles with gratitude, self-perception, and consent are deeply rooted in his past and manifest in his present relationships.

Bruised Flesh, Silent Cries

The bruise on Kim Dan’s arm in episode 61 (chapter 61) serves as a profound symbol of his neglect, overexertion, and silent suffering. More than just a physical injury, it reflects his exhaustion, malnutrition, and inability to recognize his own limits. Despite being a visible mark of his struggles, it goes unnoticed, until the champion, Joo Jaekyung, becomes the first to see it. (Chapter 61) His unexpected reaction catches Kim Dan off guard, further emphasizing how disconnected the doctor has become from his own well-being. However, contrary to the past (chapter 11), Kim Dan is truly responsible for the contusion. He caused the injury by removing the needle from the drip. (chapter 60) By taking this action, he absolved Joo Jaekyung of any responsibility for the injury, but this is merely a superficial conclusion. (Chapter 61) On the hand the circumstances surrounding the bruise, where Kim Dan removed the needle on his own, provide insight into his psyche. The deeper cause of the bruise lies in Kim Dan’s declining health, which is intrinsically connected to his malnutrition and the neglect he faces from those around him. It is important to recall that Joo Jaekyung was explicitly informed that Kim Dan needed rest (chapter 60). Yet, with his insistence, (chapter 61), he forced the physical therapist to keep working, adding even more strain than before. Though the physical therapist attempted to voice his disapproval, (chapter 61), he ultimately had no choice but to comply, as his order came from the hospice director. (Chapter 61) And why did the director override Kim Dan’s need for rest? Money and free PR. Joo Jaekyung’s influence secured the director’s approval, disregarding the doctor’s well-being in favor of business interests. This conversation at the director’s office makes one thing clear: words hold no power against profit. An d that realization led me to another connection—every one of Kim Dan’s bruises is linked to exploitation, whether by authority, obligation, or financial influence.

Chapter 11Chapter 18Chapter 43

To summarize, all his bruises were linked to money. In episode 11 and 18, it was related to the debts and the loan shark Heo Manwook. Then in episode 43 it was because of the expensive present Kim Dan wanted to offer to his boss and idol. However, notice that just before making the decision to offer a birthday gift, Kim Dan had been encouraged by his grandmother to show his generosity and gratitude towards the athlete. (Chapter 41) It is clear that she was inciting him to work harder than before. This displays that Kim Dan was not allowed to rest. During this encounter, she didn’t ask him about his well-being either. And what is the link between these 3 episodes? The grandmother and her poverty. The latter was responsible for the loan.

And because of money, Kim Dan never went on his own to the hospital in order to get treated. That’s how it dawned on me how the halmoni’s neglect could be exposed. No hospital or doctor has a file about Kim Dan as patient. When Shin Okja was transferred to the hospice, the hospice director and doctor received her patient file, hence he could make the following prognostics: she didn’t have much time to live. (chapter 56) Kim Dan has only visited the hospital once, and this was solely due to Joo Jaekyung’s intervention. The latter needed medical attention himself (chapter 18) and took Kim Dan along, ensuring he was seen as an emergency patient. However, this visit was brief and lacked any comprehensive medical examination—no blood samples were taken, and his underlying health concerns remained undiagnosed. This omission further underscores the neglect Kim Dan has suffered, as even in a medical setting, his long-term health issues were overlooked.

In other words, the moment the main lead’s health condition worsens and he is brought to the hospice, it is likely that the medical staff will seek details regarding his medical history. Given that he has never received proper care, they may turn to his grandmother, Shin Okja, for information about his past treatments and health status. And what did the old woman confess to the gentle and kind celebrity? (chapter 21) He had never been healthy and strong. Moreover, when he joined them, at no moment the senior asked if he had gone to the doctor, though he had been sick before. (chapter 21) But back then, the champion didn’t pay too much attention to it. In my opinion, her response will likely reflect her established pattern of emotional detachment and deflection of responsibility. Rather than admitting her lack of concern for his well-being, she may shift blame onto the staff or Kim Dan himself (chapter 57). In the last case, she will downplay the severity of his condition, insisting that he has always been stubborn and independent. She could even mention her conversation, when she tried to convince Kim Dan to return to Seoul, but the latter refused to listen to her.

Shin Okja might express surprise or even mild indignation at the idea that Kim Dan has been suffering in silence. She could feign ignorance, claiming that he never shared his struggles with her or that she assumed he was capable of handling his own affairs. Her response may also reveal an attempt to protect her own image, deflecting any potential criticism of her negligence. At the same time, she might subtly imply that Kim Dan’s health issues are the result of his own choices—his insistence on working tirelessly, his rejection of her past attempts to offer him food (chapter 5), or his general reluctance to ask for help. He rejected the athlete’s help and concern. (chapter 60) In addition, Jinx-philes should recall how the nurse 1 reacted to doc Dan’s dizziness and workaholism (chapter 57). She blamed the main lead, because she imagined that Shin Okja would worry about him. However, it becomes clear that the halmoni is not worried about her grandson at all. She is acting like a fan in front of the athlete. (chapter 61) One might argue that based on this scene, the grandmother didn’t see him with the bruise on his arm. (chapter 61) He only remained at the door. However, observe that there was a cut between this image (chapter 61) and the conversation between the main couple in front of the hospice. (chapter 61) So he could have made his presence known to his relative before asking Joo Jaekyung to follow him because of his treatment. To conclude, I believe that she had the time and occasion to see her grandchild and his bruise.

This confrontation with the hospice staff may serve as a pivotal moment, not only in exposing the extent of Kim Dan’s suffering but also in highlighting the grandmother’s true nature. If the medical professionals press further, requesting past medical records or details of where he had been treated, it will become evident that there is little to no documented history. She had never been worried about his health, since he was young. This realization could solidify the perception of Kim Dan as someone who has been neglected for years, forcing those around him—especially Joo Jaekyung—to reevaluate their understanding of his struggles.

And now, you know why Cheolmin is so important. (chapter 13) He is the only doctor who has ever examined the protagonist so closely and even paid attention to his fingernails! (chapter 13) At the same time, the chingu from the club was the first one pointing out that his wounds were never treated!! Furthermore, I realized that the doctor’s lies from episode 11 (chapter 11) could appear in a different light: he was not beaten by Heo Manwook, but he truly tripped on the stairs due to his weak constitution, a new version of this scene: (chapter 59) He would space out and even fall asleep at any moment.

Secondly, by contrasting these bruises, I noticed a pattern. First, it was the doctor’s left eye, then the right eye. The bruises on the eyes symbolized the doctor’s blindness. The latter had been avoiding reality. At the same time, the purple eyes exposed people’s sightlessness and indifference. Later the physical therapist injures his hands and knee, but no one intervened again. (chapter 43) They imagined that rest was the best solution, something the champion had heard from Cheolmin before. That’s why he listened to his manager’s suggestion. He let him sleep instead of urging him to eat something. He had heard that rest was crucial forgetting that Kim Dan was suffering from malnutrition. (chapter 13) The latter was the cause for the severe exhaustion. However, like mentioned above, the doctor is not blameless either, because he never questioned why his wounds on the hand were bleeding again. (chapter 43) He thought, it was related to the massage, yet the reality was that this incident showed that he had coagulation issues. To conclude, all the bruises could have always been noticed by people due to their locations (eyes, hands, arm)! (chapter 11) While the manager and Kwak Junbeom saw the injury and accepted the “excuse”, the nurses are now no longer paying attention to Kim Dan’s well-being contrary to the past. The bruise on the doctor’s arm reflects the staff’s neglect: they are not helping him. They are now more obsessed with handsome guys (chapter 61) and his relationship with Joo Jaekyung. (chapter 61) That’s how I recognized why these women’s warm welcome and curiosity about Kim Dan were rather superficial. (chapter 56) His arrival stands for novelty and a breath of fresh air at the institution. However, with this change, the female staff is forgetting their original duty: they need to pay attention to their colleagues. They are behaving like the grandmother (chapter 61): fangirling over the handsome guys visiting their little town. That’s why Mingwa drew flowers in the last two images. No wonder why no one around Kim Dan is observing the bruise and his deteriorating condition. Moreover, since the physical therapist has a relative at the hospice, the staff is envisioning that Shin Okja is doing “her work”, she is paying attention to Kim Dan’s mental and physical conditions. On the other hand, there is no doubt that the grandmother has already delegated her own responsibility onto others, Kim Dan and the hospice. It is a medical institution, therefore they should pay attention to his working conditions. In other words, since no one feels responsible for the protagonist’s health, no one is worried about Kim Dan at all. At the end of episode 61, he is even so pale and breathless (chapter 61) that I am anticipating a terrible incident leading to a rude awakening for everyone.

Furthermore, the bruise (chapter 61) also reflects Kim Dan’s personality—marked by his selflessness, deep-seated low self-esteem and sacrificing tendencies. His inability to prioritize his own well-being is a recurring theme throughout the story, and it is intrinsically linked to his perception of self-worth. Conditioned by his upbringing, he has internalized the belief that his existence is burdensome, reinforcing his tendency to endure pain in silence. The fact that he was never taken to a doctor only strengthened his negative self-perception—medical care was seen as an expense he was unworthy of, a burden his grandmother should not have to bear.

The doctor’s bruise and Shin Okja’s education

In reality, Shin Okja’s supposed sacrifices were not genuine acts of selflessness but a carefully maintained illusion. While Kim Dan grew up believing she had given up so much for him, the truth was that she consistently prioritized herself, shaping his perception of responsibility and guilt. By neglecting his health, she subtly ingrained in him the notion that he was undeserving of care, further reinforcing his compulsion to sacrifice himself for others. This duality—the physical fragility of his health and the emotional scars of a neglected childhood—underscores the profound symbolic weight of the bruise, marking not just his external injuries but also the wounds inflicted upon his psyche.

Furthermore, in Chapter 61, (chapter 61) Shin Okja offers her yogurt to Joo Jaekyung, expressing concern over his weight loss. This small act of care stands in stark contrast to her treatment of Kim Dan, who has visibly suffered from weight loss and paleness too. In season 2, she no longer asked him if he would eat or if he desired to eat the yogurts.

Her neglect does not merely stem from past interactions, such as when Kim Dan dismissed her offerings, claiming he was no longer a child. It is rooted in a deeper belief that her responsibilities toward him have ended. (chapter 47) For Shin Okja, raising him to adulthood marked the completion of her duty, and his current struggles are no longer her concern. This perspective becomes evident in her words from Chapter 57, where she tells him, he can’t stay here forever, and it’s not like he’ll stick around after she dies. (chapter 57) By declaring that Kim Dan is now responsible for his own life, she emotionally detaches herself, absolving herself of any accountability for his deteriorating condition. However, she is forgetting (chapter 56) that she is still relying on him, as he is the one paying her hospice bills. Besides, she still doesn’t know that the loan is no longer existent. It was, as if he had to clean up her mess before her death. At no moment, she asks about the loan or the doctor’s future. She is not thinking about his future at all.

Moreover, Shin Okja’s earlier acknowledgment of Kim Dan’s worsening health condition (chapter 57) —coupled with his refusal to heed her concerns (chapter 57) — reinforces her conviction that she has fulfilled her role. In her mind, his rejection of her advice places the burden of care entirely on him, allowing her to dismiss any further involvement. This emotional withdrawal directly connects to the symbolism of the bruise: (chapter 61) it signifies not only Kim Dan’s physical neglect but also the absence of meaningful support from those who should care for him. The bruise becomes a manifestation of his grandmother’s abdication of responsibility, leaving him to bear the weight of his sacrifices alone, even as his health visibly deteriorates.

The bruise also holds significance in the context of the debts. (chapter 18) In episode 18, when Joo Jaekyung confronts Kim Dan about the loan, the doctor has a bruise on his left eye, symbolizing his entrapment and helplessness. This earlier injury highlights how Kim Dan has been conditioned to view himself as responsible for burdens that are not his own, perpetuating a cycle of sacrifice and self-neglect. And a new bruise appeared just after the athlete reminded the physical therapist of his past promise: (chapter 61) His grandmother’s disregard for his well-being amplifies the injustice of this situation; she allowed him to shoulder the debt despite knowing it was never truly his to bear. The bruise becomes a recurring motif, a visual representation of how others have imposed their responsibilities on Kim Dan, leaving him physically and emotionally scarred.

Shin Okja’s role in Kim Dan’s life is pivotal in understanding his psyche. Her methods of control were often passive-aggressive, characterized by guilt-tripping and emotional manipulation. In flashbacks, we see her imposing adult responsibilities on Kim Dan at a young age, reinforcing the idea that he must grow up quickly to alleviate her burdens. This dynamic is exemplified in Chapter 47, where she remarks, “You still have a lot of growing up to do, don’t you?” (chapter 47) In Chapter 57, Shin Okja’s detachment becomes more evident as she advises Kim Dan to leave the hospice. (chapter 57) These words strip Kim Dan of any sense of belonging or familial connection, further isolating him. Her suggestion that he move on reflects her mental and emotional withdrawal from him, leaving him adrift. This detachment, however, creates an opportunity for Joo Jaekyung to step into her place. As Shin Okja relinquishes her hold over Kim Dan, Joo Jaekyung’s role in his life becomes increasingly significant. The question remains whether Joo Jaekyung will rise to the occasion, offering Kim Dan the emotional support and respect he has long been denied.

The Symbolism of the Setting

The hospice, Light of Hope, serves as a symbolic backdrop for Kim Dan’s journey. It represents both a place of healing and a stark reminder of his sacrifices (chapter 60). The juxtaposition of the vibrant environment with Kim Dan’s deteriorating health underscores the neglect he faces. The hospice is meant to be a sanctuary, yet it becomes a space where Kim Dan is further burdened by the champion and his grandmother’s expectations (chapter 61) and the weight of his past.

The setting also reflects the champion’s role in Kim Dan’s life. Joo Jaekyung’s presence at the hospice symbolizes a potential turning point (chapter 61), where Kim Dan might finally confront his suppressed emotions and begin to heal. However, the pivotal detail lies in where Joo Jaekyung first notices the bruise on Kim Dan’s arm—not within the hospice but outside, in front of the building. This distinction is significant, as it suggests that Kim Dan’s true healing will not occur within the confines of the hospice itself, but in the broader expanse of nature, away from the constructed sanctuary. It hints at a deeper connection to the natural world as a source of renewal and recovery, a theme subtly woven into Kim Dan’s earlier reflections.

The imagery ties back to Kim Dan’s own words about Joo Jaekyung: (chapter 55) This line “I finally feel like I can breathe again”, written by Kim Dan, reveals a subconscious acknowledgment that his relationship with the champion represents a breath of fresh air, a chance to escape the suffocating expectations and burdens he has carried for so long. The bruise, a physical manifestation of his struggle, signals the breaking point of his role as a selfless caregiver. It challenges the illusion of invulnerability that Kim Dan has maintained and forces those around him to confront his vulnerability.

Furthermore, this notion of healing outside the hospice aligns with the setting of Kim Dan’s unconscious cry for help—the beach. His suicidal disposition in that scene reflects a desperate need for release, a yearning for an escape that the structured environment of the hospice cannot provide. (chapter 60) The beach, with its open and untamed expanse, symbolizes freedom and a return to the self. It foreshadows that Kim Dan’s true journey toward healing will require him to step outside the roles and confines imposed upon him, finding solace not in what is expected but in what feels authentic and liberating.

The Burden of Debts and Sacrifice

Kim Dan’s relationship with the debts encapsulates his conditioned belief that he must bear burdens alone. (chapter 18) His grandmother, Shin Okja, played a significant role in this mindset by fostering the illusion that hard work and sacrifice would erase the debts. However, as revealed in episode 18, this was a lie. Shin Okja made the choice to take on the loan and not to seek help (chapter 5), yet she burdened Kim Dan with it, using his sense of duty and gratitude against him. Her statement in episode 57 (chapter 57) —“This place isn’t your hometown, and you don’t have any ties here”—further reinforces the emotional distance she has always maintained, treating him more as an obligation than family. However, she is forgetting that as a senior, she still has obligations towards her grandson.

Joo Jaekyung’s decision to pay off the loan (chapter 18) in Episode 18 introduces the theme of gratitude (chapter 18) —or, more accurately, the lack thereof. The champion’s actions were motivated by a desire to help (chapter 18), hence the star was waiting for a smile from Kim Dan. Yet the latter perceived it as meddling. His immediate response (chapter 18) —shock, disbelief, and rejection—revealed his inability to accept help. This reaction stems from his upbringing, where he was conditioned to equate self-worth with self-reliance. Even after moving into Joo Jaekyung’s penthouse, Kim Dan insisted on repaying the loan (chapter 53), leaving a note when he moved out that promises to settle the debt. However, by Episode 61, Kim Dan is no longer mentioning the debt, signaling a shift in his priorities and a possible breaking point in his adherence to his grandmother’s expectations. (chapter 61)

Kim Dan’s lack of gratitude toward Joo Jaekyung also stems from a deeper existential crisis. When the champion repaid the loan, he unknowingly deprived Kim Dan of what had become his sole purpose in life: assisting his grandmother. (chapter 47) The physical therapist’s entire existence had revolved around fulfilling her needs, from managing the debt to taking care of her health. With her now approaching death and actively pushing him away, Kim Dan is left grappling with a profound sense of meaninglessness. (chapter 60) He had never been given the opportunity to develop dreams or ambitions of his own, as his life was entirely defined by his grandmother’s circumstances. This lack of agency further explains his rejection of Joo Jaekyung’s generosity in Episode 18 and his later promise to reimburse the loan. Clinging to this promise was Kim Dan’s way of creating purpose and meaning in a life that had otherwise been dictated by others. It highlights how deeply entrenched his self-sacrificing tendencies are, as even his attempts to assert independence are rooted in his conditioned need to serve others. That’s why I come to the following prediction. Kim Dan needs to get confronted with illness and death (he could lose his life) so that his will for life comes to the surface. Right now, he imagines that since he is young, he will outlive his relative, but the death of the puppy was a warning to him that youth is no guarantee for a long life. (chapter 59) Death can take away anyone and at any moment. In my eyes, if Joo Jaekyung uses his own body to save the doctor again (like for example blood transfusion and CPR), this time Kim Dan would feel truly grateful towards the champion. So far, the doctor has not recognized the star as his savior yet. By removing the needle, he denied the protagonist’s intervention on the beach: (chapter 60) Hence his arm got bruised. The contusion was a reminder that something had happened during that night, but Kim Dan chose to ignore the incident. He never questioned why he was on the beach, he acted, as if Joo JAekyung had lied. (chapter 60)

The Hypocrisy of Gratitude

Kim Dan’s inability to express gratitude towards Joo Jaekyung is rooted in the hypocrisy of his situation. (chapter 18) Deep down, Kim Dan knows that the debt was never truly his responsibility, making it difficult for him to view the champion’s actions as a genuine act of kindness. This inner conflict is compounded by his suicidal disposition, which renders the concept of repaying the debt meaningless.

Additionally, Kim Dan’s relationship with gratitude is further complicated by his grandmother’s influence. Shin Okja used pity (chapter 53) and guilt to manipulate Kim Dan into fulfilling her wishes, framing his sacrifices as acts of love and duty. Her neglect and disregard for his well-being, even as he deteriorates physically and emotionally, highlight her selfishness. Through his past memories, readers can get a glimpse of his misery. (chapter 59) He worked so hard, was even beaten, but he could never voice his torment. (chapter 59) Why? It is because the grandmother was no longer by his side and she never talked to him either. The absence of communication indicates her lack of interest in Kim Dan. And it becomes comprehensible why during that night, he felt the need to go to the ocean and drown himself. It is because he was gradually realizing his loneliness. With his relative’s death, he would only keep living a terrible life determined by work and nothing else.

And because Kim Dan made the promise to the champion to reimburse him, it is clear why the fighter reminded him of the “unpaid debt” after their reunion. (chapter 60) (chapter 60) Since Kim Dan had not accepted the fighter’s generosity and even reaffirmed the need to pay back the “loan”, Joo Jaekyung imagined that his fated partner was very principled about money. The latter was used to drive an edge between them. However, the MMA fighter made a terrible mistake at the hospice. With his remark (chapter 60), he created the impression that he was impatient, expecting to be paid back, and as such his past generosity was in truth fake. He never desired to assist the doctor with this problem. And note that from that night on, the physical therapist is no longer bringing up the topic of the unpaid debts. (chapter 61) In my opinion, the physical therapist has now internalized that he is not responsible for the unpaid debts. It is only a matter of time, until Kim Dan confronts the fighter with his biased prejudices (chapter 11) and even uses his own words against him: (chapter 22) The loan was the result of his grandmother’s decision. He never helped him, rather his grandmother.

The dynamic between Kim Dan and Joo Jaekyung also reveals the former’s hypocrisy. Despite feeling trapped and powerless, Kim Dan had choices. He could reveal the truth to the athlete, when he begged for his help: (chapter 11) However, he never explained his circumstances to the generous athlete. By keeping him in the dark, he reinforced his negative disposition about the doctor. And chapter 61 exposes this reality. His suffering was the result of his own decision. (chapter 61) Do you recognize the room? That was the doctor’s (chapter 19) (chapter 53) His decision to allow Joo Jaekyung into his bedroom in episode 61 demonstrates that he consented to the relationship, even if begrudgingly. (chapter 61) However, his reaction afterward (regret) suggests that he struggles to take ownership of his choices. The fact that he recalled this sex scene in the restroom divulges a certain resent towards the athlete. The latter abandoned him right after their interaction. Hence I come to the following deduction. In reality, he is projecting his frustrations onto Joo Jaekyung, masking his true feelings about his grandmother, who is the root cause of his conditioned self-sacrifice. And this observation brings to my next remark. People wondered when this intercourse took place. One might think that this took place rather early in the story because of the way Joo Jaekyung acted. He didn’t remove his pants (chapter 61) and acted like in episode 6. (chapter 6) or 8 (chapter 8) where he would abandon the protagonist right after the climax and not care about his partner’s conditions and feelings: (chapter 61) I might be wrong, but for me, it took place much later in the story, around the time the athlete was about to face Alfredo. Why? First notice that they had sex in the doctor’s bedroom. This means that Kim Dan was already living in the penthouse. The words from the champion implied that he would return to his own bedroom, where the doctor’s thoughts implied that he was standing close to his bed. However, so far, they only had sex in the champion’s bedroom, when it was the evening before the match: (chapter 13) Since the doctor mentioned that a match was right around the corner (chapter 61) It leaves us four possibilities. Randy Booker, Dominic Hill, Alfredo (chapter 47) and Baek Junmin. However, for the intercourse took place in the doctor’s bedroom (he wished to be carried to his own bed) (chapter 61), I am already excluding Randy Booker. Secondly, this sex session can not have taken place before his match with Dominic Hill (chapter 36), for they had sex every day. However, in episode 53, we discover their night before the match against the Shotgun (chapter 53) So this scene can only have taken place in chapter 47, when the match with Angelo got canceled and Kim Dan had been confronted with the terrible news about his terminally ill grandmother. (chapter 47) In the previous part of this essay, my avid readers could see the strong parallels between 61 and 47. But there exists another reason why I am inclining to think that the sex scene took place later in the story. It is because during that “magical night” (44), Kim Dan learned the notion of “consent”. (chapter 44) During that blue hour, Kim Dan discovered that he could say no! And notice that in his memory, he clearly thought that he could have rejected the athlete’s advances. (chapter 61) The other reason for this theory is Park Namwook’s advice at the gym: (chapter 46) He should mistrust the members from the gym and keep his distance from people. So during that time, Joo Jaekyung did follow his hyung’s advice (chapter 47), yet I can’t imagine that this man could become abstinent like in episode 19. Hence at some point, he must have felt the urge to possess Kim Dan, a mixture of fear and dominance. He imagined that way that he could impose his will onto the doctor and control his “loyalty”. With this submission, he would force the doctor to remain by his side. But naturally, this sex as “power play” could increase the gap between the main leads.

Interesting is that in episode 53 (chapter 53) doc Dan was copying the champion’s behavior from episode 61. Right after the sex, he would leave the bed and return to his bedroom. How did Joo Jaekyung recall this night? (chapter 53) He saw his attitude as a sign of disloyalty and “abandonment”. And that’s how Kim Dan is feeling in the restroom: (chapter 61) The darkness around the eyes is a metaphor for his resent and anger. And the moment you contrast the two memories (53 and 61), you can detect the hypocrisy of the two main leads. They only recall scenes where they were hurt and felt betrayed. However, in reality, they were both victims and perpetrators, because none of them chose to open up and talk to each other. Why? It is because both chose to listen to their “guardian” and their “favor”. Like mentioned before, in a quarrel, no one is right and wrong. The purpose of an argument is to listen to the counterpart and view incidents from their perspective. Finally, the physical therapist’s recollection serves as an important evidence that he had never been powerless and helpless. He could have refused all the time because their deal was never official.He could have used the contract as a shield. But the best evidence of Kim Dan’s power is this rejection: (chapter 61) I had already pointed out the increasing resistance and resilience from Kim Dan in episode 60: (chapter 61) My prediction came true. In the past, he could have denied the existence of the deal, Joo Jaekyung was free to seek another physical therapist. He never realized that he had some leverage. Yet he still followed the athlete’s requests. He saw himself bound by obligations. However, this was just an illusion. Hence in episode 61, we see him legitimating his consent that there was an imminent fight. (chapter 61) This shows that he always used others to justify his choices. That way, he could portray himself as a dutiful and loving person, while his sacrifices would all go unnoticed.

The doctor’s fate: a reflection of Joo Jaekyung’s life

Kim Dan’s bruises are more than just marks of exhaustion and overexertion; they symbolize the way his body is used for the benefit of others. (chapter 61) He is expected to work despite his declining health, his suffering dismissed by those around him. (chapter 61) His well-being is secondary to business interests, whether it be the hospice director valuing money and PR over his need for rest or Joo Jaekyung imposing additional strain despite knowing better. Every bruise on Kim Dan’s body is a reflection of a system that prioritizes productivity over humanity.

This, however, mirrors Joo Jaekyung’s own existence. (chapter 40) He is paid to receive bruises, to push his body past its limits (chapter 50), to endure pain while the public watches and profits are made. His suffering is entertainment, a spectacle that fuels the business of MMA. Though he is a champion, he is still a commodity, expected to perform regardless of his condition. (chapter 61) He understands, better than anyone, what it means to be physically used for the sake of others, yet he remains blind to the fact that he has placed Kim Dan in the same position. While one has no file about his health condition, the other has many files, but they are not studied, because this would push the manager to question his decision and even ruin the business: (chapter 17) I doubt that Park Namwook studied them, and notice that the recently hired PT didn’t ask for the champion’s files first: (chapter 54) Thus I deduce that the champion’s files are in reality a subterfuge. They give the impression that the doctors and Park Namwook truly care for his well-being, but it is not correct. They are only interested in his body because of wealth and reputation. But let’s return our attention to episode 61 and the champion’s attitude towards Kim Dan.

The hypocrisy is undeniable. (chapter 61) Joo Jaekyung pressures Kim Dan to work through his pain, (chapter 61) despite living a life where he is forced to do the same. He became what he despised—someone who forces another to sacrifice their well-being for business. (chapter 60) The reality is, both of them exist in a world where their worth is determined by what their bodies can endure. Kim Dan’s value is measured by his ability to work, just as Jaekyung’s is determined by his ability to fight. They are both trapped in a system that demands their suffering for profit, used by those in power who see them as tools rather than individuals.

If Joo Jaekyung fails to recognize this parallel, he will only perpetuate the very cycle that has shaped his own pain. But if he does, it could be the key to not only freeing Kim Dan from this exploitation but also breaking himself out of the same cycle. The question remains: will he see the truth before it’s too late? (chapter 54) It is clear that the manager wants Joo Jaekyung to return to the ring as soon as possible to erase the last “debacle”. In my opinion, the doctor’s illness could serve Joo Jaekyung as an excuse to delay his return to the ring and even not to accept the next challenge.

A Caregiver’s Identity

Kim Dan’s choice to rent from an elderly landlord (chapter 57) is another manifestation of his conditioned role as a caregiver. By living with an older man, he creates the illusion of a familial bond, mirroring the dynamic he shared with his grandmother. This decision highlights his struggle to break free from the identity imposed on him—one defined by servitude and selflessness. He assumes that he should take care of the landlord, offering to cook and expressing guilt for not fulfilling this perceived duty. Yet, the landlord subtly challenges this narrative. By inviting Kim Dan to eat breakfast (chapter 57) and dismissing his apologies, the landlord treats him as an equal rather than a caretaker. This dynamic forces Kim Dan to confront his false perception of himself.

The landlord’s care, though understated, contrasts sharply with Kim Dan’s expectations. In Episode 57, the landlord observes Kim Dan’s declining health and attempts to address his drinking habits. (chapter 57) Despite this, Kim Dan rejects the advice, demonstrating his resistance to being cared for. This moment underscores his internal conflict—he craves independence yet clings to the role of the selfless provider. The landlord’s actions expose the fallacy of Kim Dan’s identity, revealing that his caregiving is not always necessary or effective.

Kim Dan’s Transformation: From Self-Sacrifice to Self-Awareness

Chapter 61 marks a significant shift in Kim Dan’s psyche—he begins to view himself with self-pity. That’s why he recalled the sex in the restroom. (chapter 61) He was not feeling well, yet the champion still demanded to have sex with him. (chapter 61) However, like pointed out above, he could have objected and even explained the situation. But no… he chose silence and submission in the end. This exposes the long internalized belief that Joo Jaekyung is stubborn and won’t listen or even get angry. Moreover, it is related to the grandmother’s education which privileged money, obedience, silence and taboo. However, the recollection (chapter 61) is indicating the increasing resent and anger towards the star. Joo Jaekyung is no longer seen as a celebrity and idol, but as a inconsiderate man. This transformation is subtle but meaningful, as it reflects his burgeoning awareness of his own worth and the unjust treatment he has endured. For the first time, Kim Dan acknowledges himself as pitiful (chapter 61), a clear departure from his habitual role of unquestioned self-sacrifice. This moment signals the emergence of a new identity, where Kim Dan starts “treasuring” himself, even if only as someone who deserves more respect than he has been given. In his recollection, he has a wish: to have a companion who would take care of him.

Kim Dan’s realization that he was not respected by Joo Jaekyung (chapter 61) parallels the emotional and mental detachment of Shin Okja. While his grandmother had long imposed the role of a caregiver upon him, (chapter 61) her current disregard for his health and well-being forces him to confront the fragility of his own existence. His bruised arm and poor health serve as physical manifestations of this awakening—he is no longer the tireless, invincible caregiver but a vulnerable human being who could fall gravely ill (chapter 61) or even abandon others first. (chapter 53)

The Emotional Transition: Joo Jaekyung’s Role in Kim Dan’s Life

This transformation in Kim Dan reflects a deeper narrative shift in Jinx: the exploration of self-worth and emotional reciprocity. It signals that relationships should not be defined by obligation and sacrifice alone but also by mutual respect and care. As Kim Dan begins to recognize his own worth, the dynamics of his relationships with both Shin Okja and Joo Jaekyung are poised to change dramatically. (chapter 61) This chapter sets the stage for a redefinition of Kim Dan’s identity (chapter 61), no longer bound by the roles others have imposed on him but shaped by his own choices and growing self-respect.

Shin Okja’s emotional detachment opens a door for Joo Jaekyung to step into her place, but this transition is contingent on Joo Jaekyung admitting his feelings for Kim Dan. (chapter 61) The physical reminder of Kim Dan’s poor health is not only a wake-up call for Joo Jaekyung but also for Kim Dan himself. It emphasizes that caregiving cannot define his identity entirely, and he too needs care and consideration.

This dynamic creates a powerful opportunity for growth in their relationship. If Joo Jaekyung is to fill the void left by Shin Okja, he must evolve from a figure of dominance to one of emotional support and genuine affection. Similarly, Kim Dan must shed the remnants of his belief that his only worth lies in what he can do for others. His growing self-awareness, catalyzed by his deteriorating health, paves the way for this mutual transformation.

The Role of Health as a Narrative Reminder

Kim Dan’s health, deteriorating as it is, serves a dual purpose. For Joo Jaekyung, it is a stark reminder of the consequences of his past neglect (chapter 13) and the fragility of Kim Dan’s existence. For Kim Dan, it challenges his self-perception as an indestructible caregiver. This realization could lead him to an inevitable conclusion: his own needs and well-being are just as important as those of others.

Ironically, this reversal also suggests a possibility that Kim Dan could be the one to abandon his grandmother first—not out of malice but as a natural consequence of his newfound understanding of his humanity. He wants to live, he doesn’t want to die now. His physical limitations and emotional exhaustion could compel him to prioritize his own survival over the expectations imposed on him, marking a definitive break from his past.

To conclude, Kim Dan’s deteriorating health presents a pivotal moment in his journey, marking a potential shift from mere survival to truly embracing life. His identity, long defined by caregiving and sacrifice, could face a profound challenge if his condition worsens, forcing him into a role of dependency. Joo Jaekyung’s role in this transformation could be equally transformative. Witnessing Kim Dan’s vulnerability might inspire the champion to step into the role of a true caregiver, fostering a deeper emotional connection between them. This shift would starkly contrast Kim Dan’s relationship with his grandmother, where care was one-sided and manipulative. Instead, it could establish a foundation of mutual respect and shared responsibility, breaking the cycle of transactional relationships that have defined Kim Dan’s past.

Ultimately, Kim Dan’s illness could become a catalyst for healing—not just physically but emotionally—for both him and Joo Jaekyung. It sets the stage for a relationship rooted in genuine care and respect, underscoring the broader theme of personal growth and the rediscovery of self-worth.

Conclusion

“Bruised by Choices, Bound by Sacrifice” encapsulates the complexities of Kim Dan’s character and his relationships. The recurring motif of the bruise serves as a powerful symbol of his struggles, reflecting both his physical pain and the emotional scars left by his upbringing. The debts, gratitude, and the hospice setting further illustrate how Kim Dan’s sacrifices have shaped his identity, forcing him to navigate a path filled with contradictions and unspoken resentments.

This examination also underscores the profound link between silence and sacrifice in Kim Dan’s journey. His suffering largely went unnoticed not just due to external neglect but because of his own choice to remain silent. Kim Dan never expressed his thoughts or emotions, choosing instead to endure in silence to avoid burdening his grandmother. Ironically, this silence was unnecessary, as Shin Okja herself was blinded by his youth, assuming that his vitality ensured he would outlive her. This assumption prevented her from recognizing his vulnerabilities, highlighting yet another layer of neglect in their relationship.

Through this lens, Kim Dan’s journey becomes a poignant exploration of the cost of selflessness and the courage it takes to reclaim one’s agency. His silence, once a symbol of sacrifice, now stands as a barrier he must overcome to truly heal and redefine his life on his own terms. By breaking free from the constraints of unspoken expectations and misplaced gratitude, Kim Dan’s transformation holds the promise of a future where his choices are guided by self-respect and a newfound understanding of his worth.

In earlier chapters, such as Chapter 57, Kim Dan’s landlord invited him to share breakfast, showing a degree of care and concern. However, Kim Dan deflected this gesture, maintaining his self-imposed role as a caregiver. In Chapter 58, despite sitting at a table with Heesung, Potato, and the landlord, Kim Dan’s disengagement from the meal—leaving most of the chicken untouched and avoiding the rice wine—highlighted his hidden struggles with both malnutrition and alcoholism. His deliberate avoidance of the rice wine reflects an effort to conceal his drinking habits, adding another layer to his isolation.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Deceptive Light💡 Of Hope ❇️

Hope often implies the promise of a tomorrow, a continuation of life and opportunity. Yet in Jinx, the depiction of Kim Dan’s condition—his unconscious attempted suicide (chapter 60), deteriorating physical health (chapter 60), and the ominous setting of the hospice (chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. (chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, (chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy (chapter 53), emphasizing his vulnerability and dependence on others.

Without intervention, Kim Dan’s condition—both physical and emotional—could spiral into irreparable harm, reflecting the unnoticed demise of the puppy. 😭This essay will examine these events chronologically, beginning with Joo Jaekyung’s urgent rescue and arrival at the hospice. The narrative will then explore the symbolic meaning of the photographs, including the fifth puppy’s fleeting presence and its absence in subsequent images, as well as the profound symbolism of the room where Kim Dan is placed. This analysis will reveal how both elements intertwine to foreshadow Kim Dan’s increasingly tenuous grip on life and the unspoken realities of his condition. 

The Rescue and the Green Cross

Joo Jaekyung rushed to the hospice with Kim Dan in his arms (chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness.

Moreover, we have to imagine that while looking around for help on the beach, (chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean (chapter 60), coupled with his labored breathing as he hurried into the hospice. His question (chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. (chapter 57)

This observation invites deeper reflection on why a small town would have a hospice rather than a hospital. The answer may lie in the demographic realities of the region. The aging population is evident in scenes depicting the town’s streets, where Potato and Heesung encounter primarily elderly individuals (chapter 58), such as two older women (chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord (chapter 58) nicknamed “old man” (chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population.

These statistics underscore the challenges South Korea faces in balancing an increasing elderly population with a shrinking workforce, impacting economic growth, healthcare systems, and social services. While “Light of Hope” caters to the growing number of seniors, this approach inadvertently reinforces the exodus of younger generations. This migration from the countryside to Seoul or other major cities is subtly reflected in Jinx. Yoon-Gu, for instance, comes from the province of Gangwon-Do, embodying the trend of younger people leaving rural areas in search of opportunities. (chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. (chapter 57) This observation is further supported by the panel depicting the hospice’s exterior, which highlights its offer of free health checks. This detail suggests that the hospice is actively trying to attract new patients and has the necessary resources to conduct thorough medical examinations. For instance, when one of Kim Dan’s patients fell, the hospice staff were able to examine him properly (chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, (chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event (chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.

This stark reality mirrors Kim Dan’s mental and physical state. The trail of blood he left behind (chapter 60) —a consequence of removing his IV needle—symbolizes his quiet surrender and deteriorating health. When Kim Dan arrived at the hospice, he carried the faint hope of finding solace (chapter 56), particularly from his grandmother, who had promised to go to the beach with him. (chapter 53) However, this hope was met with disappointment (chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy (chapter 59) but also his grandmother’s diminishing expectations of him. (chapter 56) She expressed twice that she no longer needed him. (chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness (chapter 57), easy bruising (chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. (chapter 60) Is it a coincidence that a company with the green logo K was shown in different panels, like this one? (Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company.

The Room and Its Symbolism

The room (chapter 60) where Kim Dan is placed raises significant questions about its purpose within the hospice. The presence of curtains, indicating multiple beds, contrasts with the lack of personal belongings or cupboards (see as a comparison, Shin Okja’s room – episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange (chapter 56) (chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨

This interpretation becomes clearer when contrasted with the emergency room depicted in the K-drama Love Scout. In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, discovering different patients behind each one until finding the right person. This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. (chapter 56) (chapter 60) Like in Love Scout, the room in Jinx also has closed curtains, but instead of revealing activity or connection, it implies abandonment and isolation for those behind them. How so? Contrary to the transparent, automatic doors of the emergency room in Love Scout, the door in this scene is closed, manual, and opaque. Such a door symbolizes privacy and secrecy, further emphasizing the room’s association with isolation and death. In addition, the lack of anyone visibly attending to them suggests desertion. Everything is indicating that this space is not dedicated to immediate care and life-saving measures contrary to the emergency room. This contrast emphasizes that the room in Jinx symbolizes abandonment and death rather than rescue. 

But there’s more to it. In Episode 52, the curtains in the health center were removed between two patients (chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. (chapter 57) or the mysterious Park Jinchul (chapter 56) (chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. (chapter 60) The room’s atmosphere intensifies this realization, as the symbolism of abandonment permeates its design and the interactions within. Moreover, since many people could see parallels between this scene with the doctor’s situation in the locker room, (chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. (chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract (chapter 60), it signifies that it is a reflection from chapter 6: (chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: (chapter 56) Only a bedridden person on the verge of dying can express such a gratitude towards the physical therapist.

If this interpretation is correct, the room’s symbolism is intertwined with death rather than rescue, then it conveys a sense of abandonment, as though the staff had already given up on Kim Dan. Furthermore, the decision not to place Kim Dan near his grandmother suggests an effort to keep the incident hidden from her (if she is not in the room), emphasizing the isolation surrounding his condition. On the other hand, the champion’s presence in that room could represent a chance for the athlete as well. This could represent the moment of his “rebirth”. Through a honest but painful conversation, the fighter would be encouraged to judge Kim Dan in a different light and nurture his maternal instincts. Moreover, he could give some comfort to a dying patient, similar to this scene: (chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient.

And if my deductions based on observations are true, this signifies that the brochure from Light Of Hope (chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone.

Between Lies and Misconceptions

Kim Dan’s interaction with Joo Jaekyung in this room is marked by lies and unspoken truths, which define the fragile dynamic between them. Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか?” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response (chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team.

Kim Dan’s body language mirrors this emotional disconnection. (chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. (chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. (chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. (chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. (chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: (chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.

Jaekyung, for his part, struggles with acknowledging his dependency on Kim Dan. (chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner.

This dynamic is further emphasized when comparing their positions in Episode 6 and Episode 60. In Episode 6, Kim Dan was standing while Jaekyung sat (chapter 6), reflecting the power imbalance between them. Kim Dan momentarily held the upper hand by negotiating his terms, but once Jaekyung agreed, their positions shifted (chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other (chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: (chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, (chapter 60) it is Jaekyung who has become emotionally reliant on him. Kim Dan’s stubbornness to push through his fragility mirrors the fighter’s own traits, exposing an ironic role reversal that neither of them fully acknowledges.

Despite his outward confidence, (chapter 60) his refusal to engage truthfully exposes his internal conflict and fear of reliance. But why does he fear so much closeness and dependency? Naturally, Jinx-philes should keep in their mind his terrible childhood where he suffered emotional abuse. Moreover, he had been taken advantage from his previous sex partners. (chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: (chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations (chapter 60), as he did in episode 6. (chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: (chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: (chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic (chapter 60) underscores his desire for a deeper, more meaningful connection—something Jaekyung is unable to see due to his own emotional barriers.

But there is another reason why he got rejected. Fate wanted to punish the athlete for putting his own selfish desires over the doctor’s. He had seen the physical therapist in a dangerous situation (chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: (chapter 60). Yet, the first thing he talked about with the doctor was work (chapter 60), once Kim Dan asked him for the reason of his visit: (chapter 60) In other words, with his request, he implied that he had not been longing for Kim Dan’s company. With his attitude, he could only give the impression that he was not interested in the man Kim Dan, rather in the physical therapist, and that’s not what the main lead truly desires. To conclude, his behavior and words generated the impression that the fighter was only superficially interested in him. It was, as if his rescue on the beach had never taken place. He was definitely undermining his own “good deed”.

Their interaction becomes a poignant dance of unspoken fears and withheld truths, illustrating how deeply both characters are entrenched in their insecurities. From the very start, the conversation is undermined by these concealed emotions, dooming it to failure and highlighting the isolation each character feels despite their physical proximity.

Potato’s Role and the Symbolism of Photos

Potato’s involvement adds another layer to the narrative. While the readers can notice the photo of Kim Dan in front of the hospice, they also detect the pictures of the puppies, which were captured later. (chapter 60) These images reveal that Potato visited the old man’s house to bid farewell to the animals. Among the photos, only one shows the fifth puppy—a small, brown one on the left—who appears less active than the others, symbolizing its declining condition. This shows that he was present, when the puppy was showing signs of being sick, but he did nothing. He was too focused on the moment cheering these animals on (chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? (chapter 60) He blamed himself.

Additionally, Potato’s farewell request to treat Kim Dan to a meal if he ever returns to Seoul reveals his underlying doubt. (chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. (chapter 60) This lack of sensitivity and focus on celebrities, flowers, or the puppies instead of his friend underscores the growing emotional distance between them. Interestingly, while Potato returned to the old man’s house to bid farewell to the puppies, he has no intention of returning to the hospice. This contrast highlights how his farewell request serves as an acknowledgment that they are unlikely to meet again. This detachment mirrors Jaekyung and Heesung’s superficial connections, emphasizing how work relationships often overshadow genuine bonds.

Lies, Betrayal, and Ignorance

Potato’s secret visit concerning the puppies and his silence regarding Kim Dan’s whereabouts reveal his growing resemblance to Heesung. (chapter 60) When he got caught with his silence, Mingwa never showed us Potato’s justification. Yet, it becomes clear that the young fighter decided to give the following explanation: he respected Kim Dan’s wish to remain undiscovered (chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts (chapter 60) He deliberately avoided revealing that Potato was the one who disclosed Kim Dan’s location, shielding Potato’s role and perhaps attempting to protect the fragile connection they all share. This omission reflects Jaekyung’s misguided belief that ignorance might shield Kim Dan from further pain or complications. However, claiming he respected Kim Dan’s wish to remain undiscovered—was a lie, as his true motivation was Heesung’s request. (chapter 58) Therefore it is not surprising that through this omission, the main couple got affected. The lie from the chow chow had consequences for it increased the gap between the two protagonists. That’s how it dawned on me why Mingwa revealed the photo library of Potato. (chapter 60) The latter would serve as an evidence of his passivity and blindness towards Kim Dan, for the 5th puppy was still alive back then. The latter represents the fate of the doctor’s. These layers of deception highlight how characters like Potato become increasingly absorbed in their own worlds, blinded by their focus on superficial priorities.

This theme of being “too late” is also mirrored in Kim Dan’s experience with the puppy’s fate (chapter 59) and Joo Jaekyung’s rescue of Kim Dan. (chapter 59) In the case of the puppy, Kim Dan arrived too late to save the small animal, reflecting his self-doubt and hesitance to trust his abilities. Conversely, Joo Jaekyung arrived just in time to rescue Kim Dan from the ocean, demonstrating his decisive action. However, his failure to keep Kim Dan in a safe environment afterward suggests a broader inability to provide sustained support, echoing the narrative’s overarching theme of fragility and impermanence. (chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan.

The imagery of the fifth puppy serves as a poignant commentary on the consequences of neglect and inaction. The puppy’s decline—evident but unaddressed—parallels Kim Dan’s own struggles. Just as the fifth puppy’s fading presence is overshadowed by the activity of its siblings, (chapter 60) Kim Dan’s vulnerability risks being overlooked amid the chaos of the narrative. The missing puppy becomes a haunting reminder of what happens when fragility is ignored: a slow, quiet decline that ultimately goes unnoticed until it is too late. With too late comes regrets and remorse: (chapter 57) Cheolmin already warned his friend in episode 13: (chapter 13) But the man refused to listen to his advice, and now Kim Dan is leaving a trail of blood on the floor (chapter 60) indicating that his blood is not coagulating correctly. The last comment from the athlete implies that he is now accepting the challenge, he will do anything to have Kim Dan come back to him. Nevertheless, there exists one problem in my opinion: he is running out of time due to Kim Dan‘s physical and emotional deterioration, while he needs time to regain the physical therapist‘s trust.

Conclusion: The Fragility of Hope

The title, “The Deceptive Light of Hope,” encapsulates the essence of these intertwined narratives. The hospice’s name promises healing and solace, yet it masks the harsh reality of end-of-life care. On the other hand, since the couple reunited there, their relationship can be built on better foundations. They are surrounded by people who are definitely more attentive and less passive than at the gym. Moreover, the athlete has been living as a zombie all this time, the latter needs to die in order to be reborn as a human being. But it is the same for Kim Dan who has been living as a ghost for the last one and half month. On the other hand, rebirth is strongly intertwined with suffering, which reinforces my conviction that something bad to Kim Dan will happen. Since a beating heart is the symbol for humanity, it signifies that both will have to open up and confess their feelings. Similarly, the brightly lit hospital room, symbolizing purity, conceals the lies and unspoken truths exchanged between Jaekyung and Kim Dan. Potato’s photographs, seemingly innocent, betray a certain selfishness, ignorance and detachment, symbolized by the missing puppy. Each element contributes to the overarching theme: the fragile and often deceptive nature of hope in a world where appearances rarely align with reality. It is only a matter of time, until the wrongdoers realize their mistakes and apologize properly.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Wolf’s 🐺 Cure ⚕️ Among The Sheep 🐑

Introduction

The second season of Jinx promises to delve deeper into the lives of its main characters, transitioning from the confines of the gym (chapter 54) and penthouse (chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” (chapter 56) in a small town on the West Coast (chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged (chapter 16) (chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, (chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information (chapter 48) and using Shin Okja as a guinea pig for trial treatments (chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: (chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion (chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. (chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, (chapter 57) who no longer appears in the news.

Contrasting the Hospice and MFC

The hospice, Light of Hope, does not offer healing in the traditional sense, as its patients are no longer hoping to be cured. Instead, it provides a space for those burdened by emotional scars to wait for death in a positive way, (chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating (chapter 36) (chapter 35) (chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives (chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. (chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: (chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony (chapter 57) which contrasts so much to the mentality at the gym. There, no one paid attention to the well-being of Kim Dan or the athlete. The latter had to burden everything on his own. The hospice’s focus on teamwork and selflessness mirrors the qualities of the sheep—often symbols of conformity but also of communal support and altruism.

On the other hand, the grandmother believes she has found her “family” and “roots” at the hospice (chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: (special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets.

The MFC, in contrast, represents the worst of hierarchical power dynamics. It stands as a symbol of industrialization, producing ‘champions’ not for their personal growth or well-being but for monetary gain. Fighters are treated as commodities, molded and exploited for profit in a system that prioritizes output over humanity. As an organization, it prioritizes profit over the well-being of its fighters, fostering a culture of exploitation and blind obedience. Joo Jaekyung’s realization of these flaws will likely spur his transformation into the true owner of the gym, imposing his values of loyalty, care, and protection.

Defining the Cure: Reconnecting with the True Self

For Joo Jaekyung, the “cure” lies in reconnecting with his true self and rediscovering his childish side, something he could only experience twice in season 1. He had fun with Kim Dan by his side (chapter 26) (chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.

Central to this transformation is his relationship with Kim Dan. Taking care of Kim Dan—physically, emotionally, and mentally—becomes a pathway for Joo Jaekyung to rediscover his own humanity and generosity. However, it becomes evident that the one truly dying a slow death is Kim Dan. His negative change, marked by physical and emotional decline, should make the champion realize that Kim Dan has been identifying himself with the athlete. The last incident appears to have “killed” the physical therapist’s spirit, leaving him a shadow of his former self. (chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: (chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.

Education also stands at the center of Season 2, exemplified by Boksoon (chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean (chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water (chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.

Moreover, the professional dynamic between them shifts significantly in Season 2. With Joo Jaekyung hiring a new physical therapist (chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.

The Role of Mirrors and Mentors

Key secondary characters at the hospice serve as mirrors and mentors to the main leads. The landlord (chapter 57) and the yelling patient (chapter 57), represented as an ibex, embody qualities that challenge Joo Jaekyung and Kim Dan to confront their past traumas and current flaws. The ibex’s defiance contrasts with the sheep-like conformity of the hospice patients, encouraging Potato, Kim Dan and Joo Jaekyung to question the blind obedience that has shaped their relationship with figures like Park Namwook. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

Nurses 1 and 2, previously conceptualized as (chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself (chapter 57), she was able to note that he was suffering mentally and emotionally. She diagnosed it as burn-out. Then in the latest chapter, a new nurse appeared. With her green hair and glasses (chapter 57), she reminded me of the champion’s friend: (chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.

The Symbolism of Wolves, Sheep, and the Illustration

The wolf symbolizes love, family, and protection, qualities that Joo Jaekyung begins to embody as he nurtures Kim Dan and confronts his own vulnerabilities. The illustration visually represents this duality: the wolf in sheep clothes, walking towards the hospice, embodies Joo Jaekyung’s fierce yet diminished and protective nature, while the broken tree—representing Kim Dan—signals his fragile state and the need for healing. Together, the wolf and the sun symbolize Joo Jaekyung’s journey toward self-discovery and redemption, as he draws strength from the tree’s shade, embodying Kim Dan’s care and quiet support.

Meanwhile, the sheep represent conformity and selflessness, but the presence of the ibex disrupts this harmony, standing as a challenge to blind obedience. I have to admit that the patient’s reaction (chapter 57) reminded me a lot of Yoon-Gu’s (chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.

Wolves also represent loyalty and teamwork, values that stand in stark contrast to the selfishness and manipulation he experienced at the MFC. Meanwhile, the sheep, often dismissed as symbols of conformity, carry a deeper meaning at the hospice. They embody gentleness, warmth (due to their wool), selflessness and community, traits that Joo Jaekyung learns to appreciate and emulate. That’s how the wolf will learn how to give warmth and comfort to his fated partner. The hamster can only feel grateful towards his benefactor pushing him to reciprocate the attitude. Then the moon, embodied by the doctor, will become the guardian of the champion so that the latter can little by little recover from his insomnia and recurrent nightmares.

A Journey of Transformation

In a world where individuals are on the verge of death, Joo Jaekyung discovers his own senses: his humanity and generosity. The hospice provides a space for him to reconnect with his true self, guided by the lessons he learns from Kim Dan, the nurses, and the “mirrors” of the landlord and the ibex. This transformation not only redefines his relationship with Kim Dan but also prepares him to reclaim his rightful place as the leader of the gym, imbuing it with values of care and protection. Furthermore, the hospice teaches Joo Jaekyung the value of rest and relaxation (chapter 57), concepts he had previously dismissed as “laziness.” (chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.

Ultimately, The Wolf’s Cure Among the Sheep is a story of healing through connection, a reminder that even in a world marked by competition and death, humanity and generosity can flourish when the heart is truly in it.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Starving 🍬 For Light ☀️ – part 2

After the release of Starving for Light, I made very important discoveries and as such new connections between Kim Dan’s eating disorder, his workaholism and the grandmother’s neglect. However, since the original essay was already very long, I decided to add a second part. According to my observations, Kim Dan is suffering from ARFID (Avoidant/Restrictive Food Intake Disorder). The latter is an eating disorder characterized by an extreme avoidance or restriction of food, leading to nutritional deficiencies, weight loss, or dependence on supplements. Unlike other eating disorders, ARFID is not related to concerns about body image or weight but instead stems from factors such as sensory sensitivities, fear of choking or vomiting, or a lack of interest in eating. It often begins in childhood and can significantly impact physical health, social functioning, and emotional well-being. Treatment typically involves therapy, nutritional counseling, and addressing underlying causes of food avoidance.

Evidences of the grandmother’s neglect

In the first part, this is what I wrote:

This suspicion got confirmed while rereading the story. Shin Okja has never shared a meal with Kim Dan together. One might argue about this statement because of his memory concerning his birthday. (chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene (chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. (chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater.

Moreover, I would like my avid readers to keep in mind that Kim Dan was eating his snacks alone, when she was standing next to him: (chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents.

But let’s return our attention to the scene in episode 5. (chapter 5) Notice that she only asked him if he had already eaten after hearing his question. In other words, if Kim Dan had never inquired about her meals, she would have never shown an interest in his meals. Only after hearing that he would eat later, she got worried: (chapter 5) Thus she offered him two sweet yogurts. (chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. (chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, (chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: (chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. (chapter 57) On the other hand, the expression “wasting away” displays her realization. She is seeing how Kim Dan is losing weight!! To conclude, she is not totally blind. Her grandson is not eating properly. But why is she not questioning her grandson about his meals? It is because he is working at the hospice where lunches are provided to the staff. (chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. (chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist (chapter 57) for his attitude and is now siding with the grandmother. They assume “burn out”, while the reality is that he is suffering from different traumas. But notice that he was only sent away, after Kim Dan got dizzy. (chapter 57) This shows that Kim Dan had become a ghost at the hospice for the last few days, and no one paid attention to him. He was invisible because it was his way to be “accepted” and not stigmatized as “bun” or “orphan”. People only noticed him, until he created some ruckus at the institution. However, this means that the man must have spent the night with his grandmother. Yet, at no moment she sent him away or even shared her meals with him. This shows her indifference and egoism. She contrasts so much to the protagonist’s landlord.

The landlord in the doctor’s life

Though the latter doesn’t know him that well, he is paying attention to his every move: (chapter 57) He noticed right away that he was missing. Why? It is because his room was empty. (chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? (chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. (chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. (chapter 53) And now pay attention to the PT’s departure on the day he was sent back: (chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. (chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: (chapter 57) In my opinion, this man doesn’t know the real profession of Kim Dan. Notice that he is talking about “work” in general. He can not understand why his tenant would work for days so much. Another evidence for his ignorance is that he never went to the hospice to ask if the physical therapist was there. I would even add that this man is also ignorant about the existence of Kim Dan’s grandmother. How did I come to this deduction? It is simply that the old man is anticipating the doctor’s departure. Who would move to that little town with only two bags? It is important because despite his mistakes (chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. (chapter 57) I would even add that with this advice, she was restraining him from becoming close to people in this hometown. It is her place, not his… In other words, she was forbidding him to make friends here and have a good relationship with the staff. Finally, when the grandmother says Kim Dan has no ties here,” it mirrors the hurtful stigmatization he faced as a child when he was labeled as an orphan, a “bum.” (chapter 57) Her words inadvertently repeat the narrative of abandonment and lack of belonging that has followed Kim Dan throughout his life. It feels as though she’s repeating those same accusations, reinforcing the idea that he is rootless, unworthy, and out of place. Instead of acknowledging the sacrifices Kim Dan has made for her, the grandmother dismisses him as someone without meaningful ties, perpetuating the feelings of invisibility and worthlessness he’s battled since childhood. So with this declaration “This place isn’t your hometown and you don’t have any ties here” she was triggering his abandonment issues and low self-esteem. This outlines her lack of empathy, self-centeredness and ignorance. Thus I have to admit that I am even wondering if he has not been adopted by Shin Okja.

And because the halmoni claims to be part of this hometown and the landlord belongs to the same community, I can’t help myself thinking that once he hears about Kim Dan’s true job and his halmoni, he will go to the hospice and meet her. Let’s not forget that no one recognizes or remembers her. Why? My explanation is simple. This is the place where her maiden family has been buried, but like her words display it: she never went to the hometown to visit the graves of her ancestors. The grandmother is projecting her own history of not “sticking around” for her deceased relatives onto Kim Dan. Just as she distanced herself from her family in the past (e.g., after their deaths), she now assumes that Kim Dan will do the same to her, reflecting her awareness of how such disconnection has defined her relationships. We could say, she “forgot” them, but once she is about to die, she wants to be remembered as a part of this community. This shows that this woman values tradition and the past, but in a superficial manner.

However, since the doctor has become the symbol of her past suffering, she would like to send him away. She is refusing to be burdened by worries and a guilty conscience. To conclude, she is rejecting her past and as such her responsibilities. She is now advocating “self-reliance”, while in the past, she used to ask him for favors. (chapter 53) On the other hand, the landlord embodies the opposite notions: (chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard (chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness (chapter 57), night and death.

The sequels of traumas

Since I detected symptoms of ARFID, it occurred to me the significance of the drugged beverage. (chapter 37) Kim Dan has never associated food with pleasure, love and happiness. Yet, for the first time, someone paid attention to his eating habits and suggested him to drink this nutrition shake. So the food became “poison” to him, this could only reinforce his negative disposition about eating. Is it a coincidence that soon after, he is seen sleeping and skipping meals? (chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: (chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. (chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.

And what is the common denominator between the switched spray and the drugged beverage? They reinforced his mental issues: ARFID, his depression and his low self-esteem. But the problem is that MFC , (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: (chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying (chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: (chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: (chapter 57) Because of ostracism and bullying, invisibility became his copying mechanism and the absence of shared meals could only reinforce his negative perception of himself. At the same time, the grandmother’s existence became his only source of life. So his meeting with Potato and Heesung is to remind him that he is not alone. (chapter 57) He was not forgotten, he left traces in their life. He was their sunlight, their angel.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 17 📆 0️⃣1️⃣9️⃣The Shadows Cast By Numbers

In the composition The Magic Of Numbers I demonstrated the strong link between numbers, characters and situations. This led me to focus on the number 7 and its signification in Jinx. [For more read Magic 7 : Navigating between Jinx and Luck]. Is it a coincidence that number has for synonym “figure”, which is also an equivalent for “character”, person”? I don’t think so. However, the biggest discovery has not been revealed yet. Thus if my avid readers look carefully at the new illustration now, they will detect the digit 1, 0 and 9. What do they mean in Jinx? I will answer to this in the following analysis.

Numbers and Characters

For that, it is important to look at the following chapters and their digits:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

What do these episodes have in common? The number 10 or better said 1 and 0. Let me give different examples. 11; 37 : 3+7= 10; 46: 4+6=10; 4+7= 11. What caught my attention is that the number 1 and 0 are strongly intertwined with the villains.

Before going any further, it is relevant to define a villain.

A villain in literature is a character who represents evil or opposing moral values and often creates conflict with the protagonist. Villains typically display malicious intent, seeking to harm, dominate, or oppose others for personal gain or twisted ideals. Examples include:

  • Darth Vader (Star Wars): A dark lord driven by a desire to impose order through domination.
  • Hannibal Lecter (The Silence of the Lambs): A brilliant but psychopathic serial killer.
  • Voldemort (Harry Potter): A dark wizard seeking immortality and control​

This means that villains in Jinx are people resenting the main leads, they wish to harm or even ruin them. But let’s return our attention to my interpretation. The digit 1 announces the presence of a villain. One might argue about this perception, for number 48, 49 or 20 doesn’t mirror this theory. Nevertheless, Jinx-philes shouldn’t keep in mind that 8 embodies Kim Dan. Moreover, we should see it like that: 47= 4+7= 11, then 48=: 47 (Baek Junmin) + 1 Director Choi. Additionally, in 49, we have 4 persons involved in the scheme to kill the champion with Shotgun: (chapter 49) These 3 men and The Shotgun have to be seen as a team. Moreover, 4 is a synonym for death. Then, observe that the image from episode 20 contains two villains, the loan shark and the perverted hospital director. 1 +1 = 2. So when we see the number 10, 11, 16, 17 and 18, we could perceive it as an allusion to Heo Namwook, the villain.

However, another objection could be raised. What about episode 47? If you add the digits together, you have 11. So where are the two “villains”? It is clear that one is referring to the Shotgun, as for the other we could say, it is an allusion to the invisible involvement of Choi Gilseok. Then what about 11? One possible answer would be to say that the other villain in episode 11 was the representative of the association (chapter 11) and indirectly the persons involved in the redevelopment. However, I have to admit that I have a different explanation.

1 and antagonists

And this brings me to my other observation. In my eyes, the digit is not just referring to villains, but also to antagonists. You might ask about the difference between a villain and an antagonist.

An antagonist, by contrast, is any force or character that opposes the protagonist, creating conflict. They act as barriers to the protagonist’s growth or objectives, embodying stagnation or forces that resist transformation. Unlike villains, antagonists are not necessarily evil. For example:

The Party (1984): The oppressive government represents the antagonist but is not embodied by a single “villainous” character. The party embodies immobility through oppressive control, rejecting individuality or societal progress. It acts as a hurdle for Winston Smith, who seeks freedom and truth.

Miss Havisham in Great Expectations:: She is trapped in her heartbreak, she resists emotional healing and inadvertently thwarts Pip’s development.

As for Captain Ahab in Moby-Dick:, though a protagonist in his own story, Ahab’s obsessive immobility (revenge on the whale) becomes an antagonist force against his crew and their survival.

In other words, they create tension by opposing the protagonist’s goals. They test the main character’s resolve, adaptability, and resourcefulness. By clinging to outdated systems, ideologies, or personal fears, they symbolize forces that resist progress. Many antagonists refuse change, either out of fear, selfishness, or a belief in their own superiority. This refusal often highlights the protagonist’s drive for transformation or growth. To conclude, they embody hurdles to overcome, immobility, intern and extern conflict, resistance and regression.

Therefore for episode 11, one might think that the other 1 was referring to Joo Jaekyung, for the latter appears like a barrier which the young physical therapist needs to overcome. (chapter 11) Let’s not forget that in Jinx-Fandom, many Jinx-addicts calls him a “red flag”. Here, he was abusing his position. Furthermore, this theory could be seen as validated with the first episode with this image: (chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: (chapter 20). Sex is not dirty, he is not an old creep. He is just 29 years old. He is pure and innocent like a baby. Hence we should see this discussion (chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. (chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!

On the other hand, there is no denial that the athlete shares some similar traits with an antagonist: his selfishness, the use of threats and an ideology (his jinx). Consequently, one might still contest my interpretation. Nonetheless, this hesitation can be removed easily, when we return our attention to chapter 1 again. (chapter 1) This image was not reflecting reality, but Kim Dan’s vision!! The following panel is the unbiased truth: (chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water (chapter 27) or the ocean. It is because he was under the influence of his hyung Park Namwook which explains why Mingwa introduced him like this: (chapter 1) Note the contrast to his “boy”. The red is not coming from Joo Jaekyung’s body (chapter 1), but more from the side which stands in opposition to the coach.

Thus I came to the following deduction. In episode 1, the MMA fighter appears as an antagonist, but he is not the real one, it is his coach and manager. The latter only shows his true colors at the end of season 1. This interpretation gets corroborated with episode 11: (chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: (chapter 1) There is a spider on his t-shirt, which represents the manager’s personality and behavior. (chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: Daily Jinx Advent Insight 12. This shows that the main lead had been copying his mentor’s behavior for a while. And the moment you associate 1 with Park Namwook, it becomes more comprehensible why he argued with his pupil in 17 (chapter 17) or in episode 46 (chapter 46) He represents regression or the hurdle to overcome.

However, we should consider the first episode as a combination of 1 and 0: 01. And who was missing in this chapter? Naturally, Shin Okja, the doctor’s grandmother. She is the other antagonist for our beloved couple: (chapter 11) (chapter 11) And I can prove my statement by showing the episode where she appears:

Chapter 5Chapter 7Chapter 10Chapter 11Chapter 19Chapter 20Chapter 21

Chapter 22Chapter 30Chapter 41Chapter 47Chapter 48Chapter 53


Here, we should see as a continuation of episode 47.

By looking at the numbers carefully, I suddenly realized what the halmoni’s true number could be. It is 11 which actually makes 2. Hence we have 20, 21 and 22 where she plays a huge role. One might argue for this hypothesis, for she appears in episode 5 and 7. However, combine these two numbers together, then you have 12. A combination of 2 and 1, which is similar to 11 and 2. Under this new light, it becomes comprehensible why the Webtoonist made her appear again, when Baek Junmin (the criminal embodies 5) entered the spotlight: 5 *2 = 10 or 47 = 11. But what does the number 1 and 0 mean.

1: Isolation, Ego, and Domination

The number 1 is often associated with leadership, individuality, and beginnings. However, its negative side can symbolize isolation, self-centeredness, and authoritarianism.

  1. Isolation and Loneliness
    • As a singular entity, 1 can represent someone who stands alone, often by choice or force, cutting themselves off from others. Park Namwook has always excluded the athlete from the “parties” (chapter 9) or other events like this one: (chapter 37) Buying in secret junk food.
    • This isolation can stem from arrogance or a belief in their superiority, which distances them from meaningful relationships. (chapter 52) Hence he shouldn’t be seen as a true friend of the champion. He views himself as the better one: manners, temper and decisions. The reality is that he is never making any decision.
    • In Jinx, the antagonistic figures, such as the surrogate parents, could embody this isolation by choosing control over connection, leaving the leads emotionally detached and alienated. Hence the grandmother keeps asking favors from her grandchild (chapter 11) (chapter 47)
  2. Selfishness and Ego
    • Negatively, 1 reflects the “me-first” mentality, where the individual prioritizes their needs, desires, and ambitions at the expense of others.
    • In villains, this could manifest as manipulative behavior or exploitation, as they treat others as tools rather than equals. (chapter 1)
  3. Domination and Tyranny
    • In its extreme, 1 represents absolute power—one ruler, one decision-maker—leading to oppressive or dictatorial behavior. Hence Kim Dan could never get a job as PT at a hospital. (chapter 1) But it is the same for the champion who got his “gym” stolen from his hyung: (chapter 22) He is acting here like a tyrant.
    • This can parallel the way antagonists in Jinx drain others emotionally and physically, exercising control in a way that leaves the protagonists powerless and diminished. They feel jinxed. That’s the reason why I added bats on the illustration. I came to this revelation thanks to this article:

The hidden vampires in Jinx

And naturally, these two descriptions reminded me of the manager from Team Black. He slaps or yells at the champion, each time he is frustrated. Then he trusts no one (chapter 52), spreading rumors, mistrust and doubts. (chapter 46) This would explain the champion’s emptiness and darkness: (chapter 29) As for the halmoni, she embodies the last type of emotional vampire:

This description reminded me of the last conversation between the doctor and his grandmother. (chapter 53) The request for another sacrifice and promise. It is also possible that she represents a combination of another type, though we didn’t see her complaining too much in season 1:

Maybe the phone call during the night, her repetitive requests the next morning (chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.

11: The false spiritual guide

The number 11 in numerology is often referred to as a “Master Number,” carrying profound spiritual energy and potential for enlightenment. However, its heightened sensitivity and intense energy can also manifest negatively. While they are visionaries, individuals influenced by 11 sometimes struggle to transform their dreams into reality. Their focus on idealism or spirituality may distract them from practical implementation. People influenced by 11 may feel overwhelmed by their internal energy, leading to high levels of stress and emotional instability. Their sensitivity to external stimuli can make them prone to chaotic thoughts and anxiety when life feels out of balance. The number’s dual nature can create internal conflict, making it difficult for individuals to find stability. They may oscillate between extremes—hope and despair, inspiration and doubt. Despite their innate strength, they may overly depend on others for validation or support, sometimes at the expense of their own goals. This arises from their deep need to connect and help others, which can leave them emotionally exhausted or vulnerable to exploitation​ [for more read Numerologist.com​ ] Being a master number, 11 carries an intense energy that can be difficult to manage. People influenced by it might feel an excessive burden to achieve greatness, leading to burnout or feelings of inadequacy. This can prevent them from realizing their full potential, as they fear taking risks or making mistakes. This can lead them to remain passive. ​[Building Beautiful Souls] Finally, the number 11 would also explain why she is only focusing on herself. Emotional intensity, indecisiveness, imbalance and duality, overwhelm and pressure reflects the grandmother’s personality, as the latter always avoids conflicts and prefers running away from reality.

And that’s how I came to the following conclusion. Season 1 stands under the color of red. Note that the halmoni is always seen wearing red or dark pink clothes in the past (chapter 48), just like Park Namwook is wearing a red t-shirt with Team Black on it. These were the vampires who were draining out their “boys”. However, in the last episode, Park Namwook is no longer wearing the red t-shirt, but a blue one. (chapter 53) Only the logo is red. (chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. (chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

you will realize that the villains’ shades are blue, black and green. (chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. (chapter 46)

0: Emptiness, Neglect, and Obliteration

The number 0, often associated with nothingness and potential, has a shadowy counterpart that embodies destruction, void, and futility.

  1. Emptiness and Neglect
    • 0 represents a void—a lack of presence, empathy, or nurturing. Antagonists or villains embodying this aspect may not just harm directly but leave a gaping hole in the lives of those they affect. (chapter 10) Here, the manager showed no empathy or understanding in front of the champion. (chapter 37) He never complimented him for his hard work at all.
    • In Jinx, this could reflect the emotional neglect or apathy the antagonists or villains show, as their actions drain the main leads of energy, motivation, and a sense of self-worth.
  2. Annihilation and Destruction
    • As the symbol of “nothingness,” 0 can represent obliteration. It suggests an absence of growth, hope, or meaning, as antagonists and villains tear down rather than build up. (chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members.
    • The destructive aspect of 0 mirrors how the surrogate parents or antagonists in Jinx consume and drain the leads, leaving them emotionally barren and mentally fragmented. (chapter 10)
  3. Cycles of Futility
    • As a closed loop, 0 suggests an endless cycle, often one of despair or entrapment.
    • In the Korean Manhwa, this seems to symbolize how the protagonists are trapped in abusive dynamics with antagonists and villains (the loan sharks, director Choi, MFC and the way they treat their athletes like pawns) who repeatedly exploit and manipulate them, making escape seem impossible. The grandmother created the illusion that Kim Dan would be able to pay off the debts by working hard (chapter 18), until the champion confronted the protagonist with reality.

And if we analyze the number 46 (as a representative of 10), this is what we have:

46: Cycles of Dependence and Exploitation

  • 4 (Stability/Control) combined with 6 (Responsibility/Dependence) often represents a dynamic of obligation and control, but when tied to antagonism, it takes on a darker tone: a cycle where the protagonist is trapped in an exploitative relationship, unable to break free due to misplaced responsibility or imposed stability. Thus in episode 46 from jinx, the champion tried to express his expectations about the manager and coach (chapter 46), however Park Namwook refused to accept such a behavior from his boss. Therefore he put his pupil under pressure.
    • The surrogate parent attempted to enforce a toxic sense of responsibility (6) on the athlete, ensuring control (4) over his actions and emotions. However, the champion tried to escape from this by running away: (chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: (chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible.

Since I linked season 1 to red, it dawned on me why Cheolmin or the perverted hospital director didn’t appear in that season. (chapter 1) (chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.

Number 9 and its significance

This number stands for “change and help”. In this part, I will only focus on the following numbers: 9, 18, 19, 27, 29, 36, 39, 45 and 49. In episode 9, the champion was asked to take care of Doc Dan. The latter needed help, for he was too drunk to return home on his own. (chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: (chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. (chapter 18) In this episode, both main leads refuse the assistance from the other. Kim Dan is bothered that Joo Jaekyung paid off the debts, while the other dismissed the worries from the PT: (chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: (chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: (chapter 19) Then in episode 27, Kim Dan offers his assistance. (chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 , (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, (chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. (chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: (chapter 45). Without him, he can not do it. But here is the thing. In the locker room, the champion chose himself to treat his pain, he selected the pain relief spray over the doctor’s hands. (chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:

Chapter 6Chapter 26Chapter 36Chapter 42Chapter 46

The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.

Kim Dan is overcoming his fears. It is an allusion to Heo Manwook and his minions. On the other hand, the champion can not play with Kim Dan.

The end of a peaceful cohabitation, the return of fears from Joo Jaekyung (his jinx)
the presence of a scheme

The return of the mint-goblin, and as such the doctor’s fears (low self-esteem) At the same time, we shouldn’t overlook the presence of a third person in that flat who could appear in season 2.

The villains are exposed: they are now targeting Team Black and in particular Kim Dan.

The number 6 is strongly intertwined with regression, negative influence, schemes, antagonists and villains. Moreover, I detected a link between 6 and green/grey. That’s the reason why I am expecting more than ever in season 2, the fight between two green: nature versus money, fun versus seriousness, justice versus crimes/schemes. But in order to take place, the main couple needs to reflect about their own true desires in their life. What do they want exactly? A PT or a friend, a lover or a partner, a family or a company, justice or a scapegoat, fame or happiness?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 13 📆👮‍♂️🕵️‍♂️

In this essay, I will talk about vanishing without leaving any traces. Anyone might think that the trigger for this analysis was the doctor’s departure in this panel (chapter 53). Because the latter is slowly vanishing into the light, it looks like the champion will have difficulties to find his soulmate. However, if you pay attention to this picture, you will perceive that Kim Dan’s shadow is huge. In fact, we have to envision that the closer he gets to the “sun”, the bigger his shadow becomes. This metaphor is implying that the cute hamster is leaving a trail behind. This represents the traces he left in Joo Jaekyung’s life and heart. The farer he is, the clearer the fighter can only realize the importance of his roommate in his life. However, I believe that though Kim Dan is about to become a ghost, the huge shadow is implying that Joo Jaekyung will be able to find him quickly.

The ghost in Kim Dan’s life

Funny is that the topic “Vanishing without leaving traces” came to my mind with a different panel, more precisely with this one: (chapter 47) You might find it strange, but everything started with the following question: where is the grandmother’s cellphone? One might argue that as an elderly woman, she doesn’t possess one. I can only reply that all the seniors I know (even my grandmother who is much older than Shin Okja) have one. Besides, let’s not forget that according to me, this image or this one (chapter 47) represent moments where pictures were taken. I doubt that the grandmother had a camera. Then in the last picture, Kim Dan was definitely too young to have on his own cellular telephone. Finally, observe that in this panel (chapter 47), people were taking pictures with a cellphone. However, since Kim Dan only recalled this moment in the bathroom, it exposes that the young man couldn’t look at the picture, as he desired it. In other words, he didn’t own this picture, but the grandmother did. And now, you are wondering how cellphone and vanishing are linked to each other. The reason is simple. Nowadays, the cellphone has almost become part of our own identity. If you watch the following videos

you will realize the importance of the cellphone and as such of social media. The best example for this connection in Jinx is Baek Junmin. (chapter 47) Before he was practically inexistent, only famous in the underground fighting ring (chapter 47), and notice that the champion had even forgotten him. (chapter 47).Interesting is that disappearing without traces implies the notion of “the right to be forgotten”. But why would people make such a decision? Either they want to escape from their environment (abusive husband, debts, …) or they desire starting a new life afresh. So when we look back at Shotgun, it becomes clear that his new identity is to mask his dark past. (chapter 47) It was, as if this man had not existed before. That’s how a star got born, or better said, he was a new-born man.

But let’s return our attention to the grandmother and her cellphone. One might reply that the elderly woman had a fixed-line telephone, like I detected in this image (red circle): (chapter 19) Nevertheless, since the readers are unable to see the cable, it signifies that the latter was coming from the front. I am deducing that the phone was placed on the small table. And now, look at the following images:

(chapter 10) (chapter 21) There is no landline telephone. Its absence seems to indicate that the senior switched to a different phone. She had to have one because of the authorities (school for Kim Dan, etc.). I would even go so far to say that the elderly woman changed her phone number. But why would she change her phone?

According to my theory, the fixed-line phone call symbolizes the moment the little boy was abandoned. As you can see, the phone call is linked to the vanishing of Kim Dan’s parents. (chapter 19) Not only it left a wound on the young boy’s heart and mind, but also on the halmoni’s as well. My assumption is that she internalized the phone with betrayal and abandonment. Moreover, my avid readers should keep in mind the remark from Joo Jaekyung: (chapter 22) He doubted her existence. Why? It is because he never heard Kim Dan talking with his grandmother over the phone. He had only mentioned her in his drunken state. (chapter 10) Finally, he didn’t see the picture from her on the night table, for the doctor had not placed the image there yet. In other words, she appeared like a ghost to the champion. Is it a coincidence that readers only know this terminally ill woman unter the name “grandma” in Jinx (English version). I am calling her Shin Okja, because the Japanese version revealed a name. Nevertheless, by having no name in Jinx, it reinforces the impression that this woman is like a ghost.

And this remark brings me back to the starting question: where was the grandmother’s cellphone? Notice that Kim Dan only received phone calls from the hospital (chapter 21) Thus I deduce that the elderly woman must have got rid of it. One might say that at the hospital, she no longer needed it. Nevertheless, such a reasoning is too superficial and simple. I am convinced that the grandmother had other motivations as well. First, that way she was putting the whole responsibility on her grandchild. Why do you think the association called him and not the grandmother? (chapter 11) There is no ambiguities that she was registered there as a resident. But if she got rid of her phone, the authorities are forced to call her closest relative. Secondly, observe that Kim Dan used the cellphone to pay bills and have a look at his bank account: (chapter 11) In other words, by refusing to have any phone, she dropped all the debts on her grandchild. He was now responsible for their household and expenses. Yes, the question with the grandmother’s phone led me to the following observation. Little by little, Shin Okja was vanishing which reminded me of the action from Kim Dan’s parents. At the same time, with no cellphone, she forced her grandchild to visit her, to keep in touch with her. Hence I can’t stop restraining myself from feeling that the grandmother used the hospital and the nurse to control her grandchild’s moves. No wonder why Kim Miseon complained to Kim Dan about his neglect (chapter 21) The senior could express her distress to the doctor, for she couldn’t see her grandchild so often. That way, Shin Okja wouldn’t appear as a whiny person. If my perception is correct, this means that the elderly woman utilized social norms and conventions to achieve her goal. The absence of a cellphone made her dependable on her grandson. Under this perspective, Jinx-philes can grasp why I am suspecting that her behavior is strongly intertwined with the abandonment in chapter 19. There is no doubt that with her illness, she could feel like she had become a burden herself to Kim Dan, and the latter could decide to leave her too. If you read all my previous analyses, you are aware of the existence of two theories concerning the parents:

  • They ran away after leaving the amount of debts, because they didn’t want to face the consequences. Moreover by being raised by such an immature mother, there is no ambiguity that the child could learn how to become selfish and immature as well.
  • They died by committing suicide.

No matters what their fate is, they definitely vanished into thin air. Therefore the male figure never tried to search for them.

How to Legally Vanish Without Leaving Traces: A Comprehensive Guide

Building a new identity requires careful planning and lawful actions. Here’s a detailed guide to achieving this while addressing all aspects of personal information.

1. Understand Your Current Identity

Your identity is made up of:

  • Personal Information: Social Security Number (SSN), date of birth, gender, and education.
  • Contact Details: Phone numbers, email addresses, and residential address.
  • Relationships: Ties to relatives, friends, and professional contacts.

These details define how companies and institutions recognize you. Begin by auditing your digital and physical presence to understand where their traces exist. This aspect is important, because Park Namwook will be forced to admit his ignorance about Joo Jaekyung’s private life. He might know where he lives, and have his cellphone number, but he never brought up his family and social background. On the other hand, Joo Jaekyung can find Kim Dan through the halmoni because he knows her name, probably her date of birth and her SSN!! (chapter 22) Yes, by paying the bills, he got access to this information. However, for that he needs a person who can have access to such information: (chapter 13) Cheolmin who is also a doctor. Medical professionals often use the Resident Registration Number (RRN) or equivalent patient IDs provided by hospitals to manage medical records. Access to sensitive personal data like RRNs is restricted and regulated under South Korean privacy laws such as the Personal Information Protection Act (PIPA). This ensures that sensitive data is protected and only accessed when absolutely necessary for healthcare purposes. Only a doctor could detect the move to the Hospice “Light Of Hope”.

2. Inform Trusted Individuals

Before embarking on this journey, it is necessary to notify a few close friends or relatives about this decision. Without doing so, they might mistakenly report the person missing, which could lead to unwanted legal and social complications. The purpose is to prevent unnecessary investigations and keeps trusted contacts informed. This aspect made me wonder if this phone call (chapter 19) was not just announcing the abandonment, but also a request not to file a missing report. Maybe they “promised” that they would come back soon. And don’t forget that during the last incident, coach Jeong Yosep reported a crime to the authorities. (chapter 52) If the champion doesn’t return to the gym and moves to the place where Kim Dan is without informing Team Black, they could fear the worst. The champion is the target of criminals. Finally, it is important to recall that Heo Manwook only knew how to contact Kim Dan with his address. (chapter 1) He didn’t have his cellphone number at all. That’s the reason why he would come to his house to harass him. This explicates why he disliked so much the idea of Kim Dan’s move: (chapter 16)

3. Relocate and Start Fresh

  • Move to a different city or town, ideally a place where you have no connections.
  • Change your mailing address and inform relevant institutions confidentially.

The purpose is to breaks ties with your existing community and offers a new environment to establish yourself. That’s exactly what the grandmother is doing, she is imagining to start fresh (chapter 53)

4. Modify or Rebuild Your Digital Presence

  • Delete old email accounts, social media profiles, and cloud accounts.
  • Create new ones using pseudonyms or a new legal name if you’ve changed it.
  • Opt for encrypted communication platforms.

The goal is to prevent tracking, but also it offers better privacy. Don’t forget that Joo Jaekyung kept receiving calls from journalists and unknown persons. (chapter 48) Besides, these persons seemed to know about the champion’s habits (being awakened late, being home) I had already pointed out that “the cellphone” represents the negative side of “sharing is caring”. And now imagine that Joo Jaekyung decides to leave his cellular telephone behind or even he decides to switch his phone with the one from a friend.

5. Pursue a Legal Name Change

  • File for a name change through your local government.
  • Inform necessary agencies such as banks, employers, and the DMV.

The purpose is to establishe a lawful new identity. This aspect brings me to the champion’s identity. We know that many celebrities have a stage name, and they are hiding their true identity behind their stage name. Sure, many MMA fighters use their real name. But since they are artists as well, they can also decide to hide their true origins by using a stage name. As you can see, through this topic, I came to question Joo Jaekyung’s name as a celebrity. It is definitely possible that he took a different name because of his family background, for the relatives disliked his choice of career. Moreover, let’s not forget that the company Team Black (chapter 16) is an incorporated business. This means that Joo Jaekyung is the shareholder. So he is hiding his true power and identity behind Team Black. And since the Emperor was the victim of a hatred campaign in the media (chapter 52), his vanishing wouldn’t be surprising at all. It would be actually a normal reaction to be fed up of being online, and of being defined by the last match. What the schemers didn’t realize is that they pushed indirectly Joo Jaekyung to make the opposite decision than Baek Junmin. To disappear from the spotlight. But this can only lead him to create a whole new identity.

6. Reinvent Your Professional Life

  • Transition to a new career field or job role unrelated to your previous work. Here, I was thinking that the last crisis might lead the champion to act like the real owner of Team Black. So far, he hid behind his hyung, but in the future he could act like the director or even support Kim Dan to become a PT specialized for MMA fighters.
  • Avoid using professional references tied to your past.

The purpose of these measures is to ensures a clean slate in the professional world.

7. Build a New Social Circle

  • Engage in new hobbies, clubs, or volunteer activities to meet new people. Why? It is because if you keep the same interests, people will find you more easily. In our case, Joo Jaekyung could decide to focus on swimming, something he neglected before due to his job as MMA fighter. I had already speculated that the star might teach Kim Dan how to swim.
  • Though in reality, it is important to avoid revealing details about one’s past, I believe that in the champion’s case, the opposite would happen. He would be forced to reveal his true identity and past to the doctor. That’s how he would show his trust. As you can see, through the topic of “vanishing without leaving traces”, I came to make the connection between the champion’s vanishing and the revelation of his true identity and past. This means, Kim Dan will be the one who knows the fighter the best. As for the new social circle, everything will revolve around the physical therapist.

8. Manage Financial Privacy

  • Open new bank accounts in your new name if applicable. Kim Dan has already planned to pay back the champion and is not thinking of disappearing. (chapter 53) It signifies that Joo Jaekyung has a way to track him down. On the other hand, should the MMA use the black card, (chapter 24), his relative could detect his whereabouts and moves. That’s why it is important if you desire to avoid of being detected, you need to use cash or prepaid cards to limit traceable transactions. That way, it reduces the risk of financial links to your old identity.

9. Avoid Revisiting Old Patterns

  • Avoid traveling to places tied to your previous life. This represents another reason why the athlete can find his beloved PT’s whereabouts. Don’t forget that the athlete spent some time with the grandmother and it is possible that she talked about her youth and the West Coast. (chapter 21) Back then, many readers wondered about the content of their conversation. However, I believe, whatever it was, the champion didn’t forget her words. Furthermore, by joining Kim Dan’s side, the star will be forced to drop his routine and change his habits. And that’s how he will change.
  • “Resist contacting old acquaintances unless necessary”, Jinx-philes can already understand the person I am referring to. During his stay with the doctor, there is no ambiguity that the athlete will ignore Park Namwook and even phone calls from the Entertainment agency or MFC.

Since the purpose is to prevent accidental encounters or recognition, Joo Jaekyung will have to change his appearances so that no one will suspect him of being the Emperor. Under this light, it becomes comprehensible why Mingwa posted this image: . He is wearing piercing, jewels and rings, and his clothes don’t look like designer clothes. Finally, remember how Kim Dan imagined his soulmate: (chapter 32) Yes, clothes make the man, and as such through new clothes and hair dress, you can appear as a different person. That’s how it dawned on me why the Webtoonist created such a scene: (chapter 35) Choi Heesung made a terrible mistake, he attracted the attention from the guests at the café by covering his face. In order not to be detected as a star, the athlete has to act and dress like an average person: no fancy dress or car. And this leads me to my final point: using public transportation or the bike would represent a huge change for the Emperor. Once again, no one would suspect that a biker is a celebrity, similar to this scene: (chapter 21)

To conclude, I think that this research for Kim Dan will push the champion to vanish like thin air. Indirectly, he is following the grandmother. However contrary to her, he wouldn’t live like a ghost, quite the opposite. He would become a real man, no longer the celebrity. By acting that way, the champion would not realize that he is getting closer to his true self. That’s how Joo Jaekyung would become forgotten. That’s how I realized why Park Namwook was putting his pupil so much under stress and pressure, forcing him to race against time. It is because he is himself a “forgotten” national wrestler athlete. Naturally, I am not saying that the star will drop everything, it is just that he will take his time to take control of his life for good. Since I compared Baek Junmin with the grandmother and Joo JAekyung, I assume that Shotgun’s fame can only be short-lived, as he got terribly injured. However, there is no doubt that the Emperor will make a huge comeback exposing the truth to public.

As a final thought, I would like to underline this important aspect. The former CIA-agent pointed out how tough it is to vanish completely, as it is strongly connected with loneliness. Hence we have to envision that if Kim Dan’s parent vanished, they must have struggled too (if they are still alive). In addition, by joining the doctor, the champion won’t make such an experience, quite the opposite. He will discover the good aspects of life with a companion. The cute doctor has become his true friend and family. He can no longer live without him.

However, I am suspecting that the champion’s disappearance can not take place without any assistance. For me, people close to the protagonist will help him to find the doctor and even to take a break: Potato, Cheolmin and Choi Heesung.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 11 📆😄😾

In the last essays I studied a lot the manager and coach from Team Black. Therefore I decided to focus on a different person today. And that will be our beloved Kim Dan.🐹🦆 The starting point of this essay is the following panel:

Chapter 44

Doc Dan’s laugh and its symbolism

In my composition “A Summer Night’s Dream  I described the doctor’s smile and laugh as a magical moment. The little bubbles of light reminded me of fairies and in particular of Tinker Bell with her pixie dust. Interesting is that this character from Peter Pan and her magical powder symbolize the magic of youth, joy, and the power of belief. Her dust, which grants characters the ability to fly, represents imagination and the freedom that comes from thinking like a child, unbound by adult limitations or fears. Tinker Bell herself often embodies loyalty and playful spirit, sparking wonder and adventure. Her presence reminds characters—and viewers—of the youthful joy, innocence, and boundless possibility that magic can bring into their lives, even in challenging or serious moments.

And that’s exactly what happened during that night, the return of youth and simple joy. Kim Dan’s fears and prejudices vanished immediately. Because the champion had asked for Kim Dan’s consent, the latter discovered freedom. He felt so free that he could voice his desires sensually. (chapter 44) He stroke his soulmate’s face, kissed his cheeks and finally his ears. His actions triggered a singular reaction in the star: (chapter 44) This made the physical therapist’s laugh. (chapter 44) His genuine laugh combined with the following realization (chapter 44) shows that in that moment, the physical therapist rediscovered his youth again. I would even add that Jinx-philes were witnessing in this panel how Kim Dan reconnected with his inner child. (chapter 44) The blushing is an indication of life and innocence. But if this young man’s childish nature was brought to the surface, who was Tinker Bell during this night? Naturally Joo Jaekyung. Under the influence of soju, the man could no longer hide his true nature. He has a childish side too. In other words, he was lowering his guard. Anyone has already heard from the quote “In wine, there’s truth” (the original quote comes from Latine: “in vino veritas”). As you can see, this beautiful night corresponds to this one: (chapter 10)

Chapter 10 Chapter 44
Darkness Light
TearsLaugh and Smile
PovertyWealth
Stench Wonderful Smell
Money Free

And what was the common denominator? Drunkenness. However, back then the champion did not choose to have sex with the young physical therapist: (chapter 10) Under this light, it becomes comprehensible why Kim Dan’s beautiful night became a dream, an illusion. The young doctor had done something wrong from a moral point of view. However, because the young man had treated the champion so well before, his reward was to experience what love is. (chapter 44) Thanks to Tinker Bell, he could fly: he was brought to Nirvana. (chapter 44) The problem is that the physical therapist was reducing love to sex (“making love”). True love has to be expressed in a lot of different ways (spiritual intimacy, experiential closeness, responsibility etc) and not just through sex.

Another common point between these two scenes is the doctor’s longing for companionship. And this brings me back to the protagonist’s laugh and observation. He compared the Emperor to a sulky cat. (chapter 44) Why was he thinking of an animal? Let’s not forget that in chapter 10, the very same person was confusing the celebrity with his grandmother. (chapter 19( The comparison suggests that Kim Dan still hadn’t fully recognized or understood Joo Jaekyung’s true character. Under this new perspective, it becomes comprehensible why Kim Dan still came to misjudge and misinterpret the athlete’s words and behavior later. Yes, even this night outlines the physical therapist’s flaws. Exactly like his soulmate, he still couldn’t love his partner properly. Nevertheless, this thought (“sulky cat”) divulges the doctor’s inner child.

Kim Dan’s sulky cat

Most children desire to have a pet at home, it is often either a dog or a cat. Cats and children often share a unique bond due to their mutual curiosity and playfulness. Cats can offer children a gentle introduction to empathy and responsibility, as children learn to care for a creature with needs and boundaries. The independent nature of cats also teaches children about respect for personal space. For kids, cats provide comfort and companionship, while cats, in turn, appreciate the warmth and attention. This dynamic can foster compassion and self-awareness in children, helping them grow emotionally and socially.

But what does a cat symbolize in literature and cultures? Cats have held various symbolic roles across history. In ancient Egypt, they were sacred and associated with the goddess Bastet, seen as protectors of the home and often honored in death. In medieval Europe, cats became linked to superstition and witchcraft, often seen as mysterious or foreboding. By the 19th century, authors like Carroll and Dickinson used cats as symbols of freedom and intelligence. In 20th-century literature, cats evolved to represent loyalty and companionship (for example French author Colette with The Cat). As you can see, this feline has always been associated with magic, supernatural and mystery (witchcraft, gods, death). So we could say that the cat Jaekyung was the one who helped Kim Dan to discover a lost world; his long forgotten and repressed inner child.

At the same time, cats also symbolize home and protection. This means that in that moment, Kim Dan felt truly at home. (chapter 44) For a brief moment, they were no longer in a boss-employee relationship. Hence I come to the conclusion that we should consider Kim Dan’s laugh and smile as a reflection from the champion’s hug and drunken confession: (chapter 43) Interesting is that in that scene, the protagonist couldn’t see his lover’s face. He couldn’t detect the glimpse of a smile and his warm gaze.

Another point is that he compared the fighter to a sulky cat. (chapter 44) On the one hand, this expression exposes that the main lead was not wearing any pink-tinted glasses and as such he was not delusional. On the other side, this idiom often represents independence, moodiness, and a desire for autonomy. In folklore and literature, cats that appear sullen or aloof can represent mystery, self-possession, or quiet resentment, emphasizing traits like defiance and emotional complexity. They might also convey an inner conflict or unspoken feelings, as their behavior reflects the subtle tension between closeness and detachment. This image often serves to remind us of the value of personal space, boundaries, and the instinct to guard one’s inner self. This means that with this discovery, Kim Dan was encouraged not to become clingy and depend on the athlete. Yes, I see this laugh (chapter 44) as a positive reflection from this night: (chapter 11)

The doctor’s laugh from the past and the present

By comparing both images, Manhwa-lovers can detect the differences. Kim Dan might have a wide open mouth in both pictures, yet there is no sound in the humble home. Secondly, his eyes are wide open contrary to the magical night. What does it mean? The absence of a laughing sound and a blushing are revealing that the little boy was faking his joy. He didn’t want to show his fear and sadness. Like mentioned in a previous essay, during that night, he was acting like a Teddy Bear comforting his grandmother. In other words, this memory from the main figure is exposing his delusion and suffering. A Teddy Bear doesn’t require any attention or care, as it is just an object. This explains why this toy was not treated properly (chapter 21). He was simply put on the floor. Yet small children usually treat such cuddly toys as treasures. While making this contrast, I realized why the halmeoni never took care of her grandchild properly. Observe what happened to the Wedding Cabinet and the expensive scarf she received from her grandson. They were all left behind or vanished, just like the little boy’s Teddy Bear. (chapter 53) They were literally abandoned, as they lost their sentimental value overtime. I am suspecting that they had become “useless”. Hence I am suspecting that by calling him a puppy dog, she didn’t truly mean it. (chapter 47) By saying that he was a puppy dog, she was implying that she would be responsible for him. Keep in mind that pet are linked to care and accountability. However, her wish is strongly connected to one single moment: (chapter 53) She is not thinking about the future at all. For her, it doesn’t matter, for her time is limited. Dog can be abandoned in the end, especially when the responsibility becomes a burden. That’s the reason why I believe that in verity, she was treating the protagonist more like an object than like an animal. Moreover, Jinx-philes should keep in their mind she used to describe him as a little boy, which also represents responsibility and care. Therefore I conclude that this scene didn’t stand for Kim Dan’s true home, it was just an illusion. (chapter 11) He was smiling and faking happiness in order to comfort the grandmother. That’s how he reinforced her mental issues and his own abandonment issues. Everything would be fine, as long as he acted like she expected it. At no moment she desired to be confronted with his own suffering or with reality. This was not a “magical night”, but a night where the boy got “cursed”, like Sleeping Beauty. This night is strongly connected to silence which stands in opposition to the magical night from chapter 44. On the bed, both tried to have a conversation (chapter 44), though the communication failed, for Joo Jaekyung was drunk. Moreover, Kim Dan kept most of his thoughts to himself, a sign that he was still guarded. Hence while Doc Dan felt at home during that night, it didn’t last long. The next morning, they became once again boss and employee. (chapter 45) Moreover, by comparing the Emperor to a sulky cat, he is indirectly thinking and behaving like his grandmother. A cat can be abandoned, the latter can find new owners. Nevertheless, I still think, this night left traces in Kim Dan’s heart and mind. He had grown fond of this place, almost at home. Therefore he struggled to leave the penthouse. (chapter 53) And compare his attitude to the one in chapter 19: (chapter 19) They were no deep lingering feelings towards the grandmother’s house. In fact, before leaving, he remembered an incident, a mysterious phone call which I consider as the moment, which broke the boy’s soul and heart. For me, he was almost glad to leave this place behind.

I pointed out above that one difference between these two laughs (chapter 11) (chapter 44) is the closed eyes from the main lead during the bright night. Since I interpreted the boy with wide open eyes as an allusion to deception, illusion and toxic positivity, the closed eyes should be perceived as the awakening of the third eye. Moreover, the young man’s mind and heart turned towards his inner world. Simultaneously, they also imply the absence of reality. Like mentioned above, Doc Dan is not truly perceiving the fighter for whom he is. This implies that there are aspects of Joo Jaekyung’s personality, motivations, or emotions that Kim Dan is overlooking or misinterpreting, which influenced their dynamic negatively so that they couldn’t relate to each other. However, I still think, Doc Dan was not really far from the truth. How so?

According to Mingwa, Kim Dan is a hamster and Joo Jaekyung is a wolf. So he sensed his animalistic nature. As you already know, I came to associate these two protagonists to other animals: dragon and his Yeouiju, Kim Dan as a DUCK! Hence it is possible that deep down, the celebrity has another hidden nature, like a cat.

The other nature from Joo Jaekyung

In my eyes, the champion is also a feline, more precisely a leopard. 😮 Remember the champion’s pajamas from episode 30: (chapter 30) The pajama pattern in the image appears to resemble a leopard print, which features distinct rosette-shaped spots that are commonly associated with this type of design. He also looked like a sulky “cat”. (chapter 30) And what was he trying to do here? To seek closeness to his new mate!

Leopards are wild animals and are generally not suitable for domestication. Though they are sometimes trained in captivity, they retain strong instincts and can be unpredictable and dangerous. Leopards often haul their kills up into a tree, out of reach of other carnivores, few of which can match a leopard’s climbing agility. They then leave the carcass and return at their leisure, safely enjoying a prolonged meal high up in a tree. 

This description corresponds a lot to the champion’s behavior: seeking isolation, bringing his prey to his penthouse (chapter 19), very territorial and disliking surprises. In literature, leopards often symbolize strength, courage, agility, and stealth. They are seen as solitary and powerful hunters, often representing independence or mystery. In totemic traditions, the leopard can symbolize resilience, adaptability, and personal power, often embodying a person’s inner strength and ability to face challenges.

In ancient Egyptian culture, leopards were revered, with priests wearing leopard-skin robes to signify their connection to the divine. Similarly, in African cultures, leopards are seen as symbols of royalty and protection. In the Chinese zodiac, the leopard (or panther) is associated with bravery and assertiveness, often symbolizing fierce guardianship and sharp intuition. Finally, leopards are historically associated with British royalty and heraldry, especially through their depiction as symbols of power and courage. In the British royal coat of arms, the “leopard” typically represents a stylized lion (often called a “lion passant guardant”)—a lion walking with its head turned to face the viewer. These symbols are often connected to English kings, with each “leopard” or lion reinforcing the monarchy’s strength, nobility, and bravery. This emblem has been used in military contexts as well, representing valor and leadership. To conclude, this predator is strongly intertwined with nobility and healing, as the latter was perceived to have a connection to the beyond.

That’s exactly how Joo Jaekyung has been affecting Kim Dan’s life. He is bringing luck in his life, he is healing him and the symbol for this healing is Doc Dan’s smile and laugh (chapter 44). He is the only one who can bring him joy and happiness. Note that he smiled for the first time after their first sparring: (chapter 26) One might argue that he laughed with Potato and Oh Daehyun in the States. But are you sure? We never saw him laughing. Only Joo JAekyung heard their laughs, but did it also belong to the hamster? (chapter 37) Moreover, observe that during that terrible night, the athlete was wearing an t-shirt with a feline on it: (chapter 37) Puma was designed on it. As you can see, everything is pointing out that this man is a leopard which was mistaken to a sulky cat or a puma.

And now imagine that the young man is moving to the West Coast in order to watch the sunset: (chapter 44) That’s how the champion should reconnect with his true nature. Interesting is that leopards are adaptable animals that thrive in various environments, from savannas and rainforests to mountains and deserts. They prefer areas with dense vegetation for stalking prey, as well as access to water sources for hydration. Though leopards are not as dependent on water as some animals, they will drink when it’s available. They are often active at night or during dawn and dusk, making them well-suited to both sunny and shaded habitats. Their adaptability to different climates is one reason they have such a broad geographic range. It shows that the champion will adapt himself very well in a new environment. His hamster or duck has become his lifetime companion. He can no longer live without him.

One might reply that I am overinterpreting this story, because Mingwa only associated her characters with the hamster and the wolf. But I would like to remind my avid readers that there was a reference to chapter 30: (chapter 44) So since the champion was naked during this night, we could say that his true nature was slowly coming to the surface. As a predator, his annoyance to the strokes and kisses appears more normal and understandable: (chapter 44) Kim Dan is teaching him how to control his strength and discover playfulness. And now, imagine Kim Dan patting a leopard 😉 (chapter 44) and the leopard fighting a wounded and isolated hyena: (chapter 52) But what had triggered the champion? (chapter 52) Eye-contact! Making direct eye contact with a leopard can be dangerous. Leopards may interpret prolonged eye contact as a threat or challenge, triggering an aggressive response. In the wild, they rely on stealth and avoid open confrontation, so they may react defensively if they feel they are being stared at. This behavior is common among many predators, as eye contact often signals dominance or confrontation. It’s generally advised to avoid direct eye contact and back away slowly if you encounter a leopard in close proximity. Baek Junmin had totally underestimated the true nature of his opponent. This could explain as well why Park Namwook is wearing his glasses all the time and even avoiding eye-contact with the emperor.

To conclude, Kim Dan was slowly perceiving the champion’s true nature, his feline side. However, since leopard can not be domesticated and are extremely territorial, it signifies that the carnivore will be searching for his mate and master. In my eyes, thanks to the physical therapist, Joo Jaekyung will discover his second nature: raising cubs. Potato the chow chow (chapter 24), Oh Daehyun the eagle… (chapter 9)

Leopard mothers raise their cubs with care and caution. After giving birth, they keep the cubs hidden in dense vegetation or secluded rocky areas to protect them from predators which reminded me of the gym. The latter is not famous. The mother frequently moves her young to new locations to avoid detection by other animals. Cubs rely on their mother’s milk for the first few months, after which she gradually introduces them to solid food by bringing back small prey. The mother teaches her cubs essential hunting and survival skills, often for up to two years, until they can fend for themselves. In other words, Joo Jaekyung will train the remaining members of Team Black to develop their killer instincts far away from public eyes.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 2 📆 🌺🌷🍎

Like mentioned in the last essay, I am planning to release a short analysis each day. Today, my focus will be on this scene: (chapter 52) The remaining members from Team Black were paying a visit to the recently surged athlete. One detail caught my attention.

Where are the flowers or the fruits from the visitors?

If you have ever watched any K-drama, you can observe how visitors bring flowers, nutrition drinks, a basket of fruits or ginseng to a patient recovering at a hospital. Why? Offering items like fruits, flowers, books, nutrition drinks, or ginseng to a hospital patient serves both emotional and physical purposes. Flowers and books help create a comforting environment, lifting the patient’s spirits, while fruits and nutrition drinks provide essential nutrients, aiding recovery. Ginseng, valued in traditional medicine for boosting energy and immune support, can also contribute to physical well-being. Together, these gifts show thoughtfulness, offering nourishment, distraction, and a reminder that the patient is cared for, fostering a holistic approach to healing. They are not alone, they can count on their friends or family’s support.

Since these gestures show comfort and thoughtfulness, promoting emotional well-being, the panel exposes Team Black’s true mentality. They are not taking care of the celebrity’s mental and emotional care at all. The absence reinforces my previous interpretation about this scene. Park Namwook is far from being compassionate and caring. In fact, imagine that they are talking about work in such an environment, while the fighter should focus on his recovery. Let’s not forget that he just got surged which shouldn’t be underestimated.

One might argue that Kim Dan didn’t bring a gift to his grandmother, when he visited her twice at the hospital. (chapter 5) (chapter 7) Nevertheless, the young man was struggling financially back then, he could barely buy himself some food. Nonetheless, he still took his time to visit her before going to his new work place. And this brings me back to the image from episode 22: (chapter 52) All these men are not struggling financially, hence they should have thought about a present. Moreover, observe that they didn’t bring anything during that day, but also not before. The VIP hospital room is totally empty, even sterile. The absence of items is indicating their neglect, I am even suspecting that they didn’t visit the champion for a while. Mingwa showed us that the remaining members went to the gym. (chapter 52) But there is more to it.

They didn’t send anything either: no card or message. The table and bed are clean. Moreover, my avid readers could see that Joo Jaekyung only had his cellphone and he was reading the news. This means that Joo Jaekyung didn’t receive any kind word from them either. This exposes the coldness from Park Namwook who is seen as hyung and role model for Team Black. He has spent so many years by his side, but he is unable to show any compassion towards his “boy”, To conclude, he is not a role model. Quite far from it…. And this raises the following question.

Why didn’t they even think of a small present?

They could use the birthday party as an excuse. (chapter 43) He wouldn’t have liked it. He dislikes presents anyway. However, his reaction at the surprised birthday party can not be utilized as an excuse. Why? I have two reasons for this objection. First, he saw the birthday party as a disturbance to his routine (training)! That’s why he said this to the fighters: (chapter 43) They should eat the cake quickly so that the training could start. But at the hospital, he has all the time in the world. He can not train due to his injured shoulder. Hence the gift doesn’t represent a transgression at all. As for the second reason, note that the athlete ate the strawberry with the cream, with this gesture, he was sending the signal that he was accepting their present, though he didn’t eat much. Finally, by eating the strawberry, he displays his like for fruits!!

There exists another reason why the athlete received nothing from his visitors. Let’s not forget that for the athlete, presents were always connected to favors! The donator expected something in exchange from the “receiver”. And now, you know why Park Namwook came empty-handed! He had nothing to expect from Joo Jaekyung, the latter lost his title and he can not fight for 3 months. This means that during this time, Park Namwook can not earn any money. Remember that the one racing against time is in truth the former wrestler, for he is expecting this outcome: (chapter 52) Yes, everything is revolving around money for Park Namwook. This observation leads to the following remark. The manager offered nothing to Joo Jaekyung, because he is rich. He has everything he needs. That’s how it dawned on me that so far, the coach has never offered anything to the star himself at all, not even after his victories. Just a stroke on the shoulder (chapter 5) and a compliment in the hallway (chapter 40). In fact, the one doing a favor was always Joo Jaekyung for the manager. Hence the former chose to lie about his shoulder: he is not allowed to show any sign of weakness. (chapter 40)

By noticing the absence of gifts in the hospital room, I had another revelation. I suddenly recalled this scene: (chapter 15) Here, the manager was willing to bring him “all the water the star could ever want”. And guess what? Water is supposed to be free! Naturally, he was replying to the champion’s request. However, I don’t think this remark is anodyne. In fact, “all the water you could ever want” is an indication that the champion is not allowed to be too greedy and Park Namwook is only willing to offer water and nothing else. It exposes Park Namwook‘s greed.

And now, it is time to return to the hospital room. (chapter 52) Did Park Namwook ask the athlete if he wanted to have some water? Did he offer to help him to change the position of his bed? Did he assist him to sit correctly, like the champion did with the grandmother? (chapter 21) Did he spend his time with him in order to give him some comfort? The answer is always NO. Yes, Joo Jaekyung appears as a knight in shining armor compared to Park Namwook.

Why am I so certain that he didn’t spend time with the athlete?

First, for me, there is no doubt that Park Namwook felt uncomfortable with the injured sportsman. Don’t forget that his biggest fear is that his boy gets so injured that he can no longer fight. (chapter 43) He only admires the strong and invincible fighter, not the weak man. Furthermore, he needed to announce to Joo Jaekyung that his PT had quit. Thanks to Potato’s discovery, the man had the opportunity to bring up the resignation. However, he didn’t want to be the one responsible for his resignation. Joo Jaekyung needed to take the fall. What caught my attention is that Potato’s face had cuts, but no bruised face! (chapter 52) Here, I am giving you a comparison with Kim Dan: (chapter 18) The latter had just received his treatment at the hospital. The maknae and the others had not appeared, because they had gone to the hospital in order to treat the chowchow’s wounds. This shows that some time had passed, until they chose to visit the wounded and lonely star. Besides, Jeong Yosep had contacted in the main time the authorities (police, MFC) (chapter 52) As you can see, the timing is indicating that the athlete was manipulated, for they revealed the truth to Joo Jaekyung in delay. It is called “paltering”. This new discovery reinforces my first examination. They were all selfish and cold-hearted, for they had the time to buy a present, when they went to the VIP room. Simultaneously, it corroborates my impression that Park Namwook was not truly unhappy about Kim Dan’s departure. His passivity, silence and the delayed announcement of his resignation are all revealing that Park Namwook was not truly concerned about the PT. But the best evidence is his behavior towards his own “boy”. He spent so many years by his side (chapter 15), but he didn’t offer him anything at the hospital: no book, no ginseng, no fruit…. In verity, he was the one who desired to get comfort and validation. (chapter 52) It was, as if the world had turned upside down.

That’s it for today.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: To Give🎁 or To Take? The Subtle Battle of Love ❤️ and Power 🥊 in Jinx

The trigger for this essay were quotes from “The Art Of Loving”, a book written by Erich Fromm. In my essay “The Art Of Loving” I had already introduced the German-American socio psychologist, psychoanalyst, sociologist and humanistic philosopher, where I presented his definition of love: Care, knowledge, respect and responsibility. However, notice that the title of my analysis is “To give or To Take?”, which was inspired by other books from Erich Fromm: “To Have or To Be?” and “Escape From Freedom”. The reason is simple, the quotes led me to his other theories which give explanations to the origins of unhappiness or happiness. There he outlined the problems of our modern society and gave advices how to lead a good life. This brings me back to the Korean Manhwa Jinx, where (un)happiness is in the center of the story. As the seme and uke are both really miserable despite their different social status. Both believed to be jinxed. The reality is that they were trapped, and their unhappiness was the result of their own bad choices. How would Erich Fromm explain this?

1. Masters and Slaves

In works like Escape from Freedom and The Art of Loving, Fromm suggested that humans often avoid the responsibility of true freedom by conforming to societal norms, seeking authority figures to follow, or focusing on material gains. This “escape from freedom,” as he called it, results in a loss of autonomy and self-awareness, keeping individuals from mastering their own lives. While Fromm believed we have the potential for self-mastery, he cautioned that this requires a conscious rejection of limiting social pressures and a commitment to self-discovery and personal responsibility. Under this new perspective, my avid readers can grasp my selection for the heading. Freedom defines the distinction between a master and a slave—those with freedom have agency, autonomy, and control over their choices, while those without it are subject to another’s will and have nothing to give to others. It highlights how freedom is fundamental to self-determination and power, establishing a boundary between control and subservience.

1. 1. The poor child and dog

And if you read my previous analysis “Sound Of Water “, you should have realized that Shin Okja embodies the slave who chose to escape from freedom. Thus she blamed life and others (“we”) (chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk (chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. (chapter 53) As a slave, she can not become responsible for Kim Dan and his life. However, she is wrong here again. She was not entirely powerless. She could have talked about her experience with the ocean, she could have loved her grandchild more properly so that Kim Dan wouldn’t have to suffer from abandonment issues and a low self-esteem. Yes, love is something free and no one has control over the emotions of a human being. Due to her lack of self-awareness (Peter Pan Syndrom), she influenced her grandchild negatively, and the latter became a copy of herself: trapped in the past, living in an illusion and rejecting reality. Funny is that by relying on Kim Dan constantly, she was actually teaching her grandson to become accountable and independent. She was entrusting her life into his own hands. Consequently, the main lead chose to accept the deal from Joo Jaekyung during their first night and later asked for a higher salary. Finally, at the end, he chose to leave the penthouse out of obligation (chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.

On the other hand, we shouldn’t overlook one important aspect. The halmeoni asked for a favor from Kim Dan, and her wish is actually the expression of her own will. In other words, she is making a choice and as such becomes responsible for her own destiny. She can no longer say that life or others had a saying in her desire and choice. That’s the reason why during that night, she turned Kim Dan into a puppy dog. (chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: (chapter 53) The grandmother is now the master of her own life and Kim Dan’s. On the one hand, just before her death, she is learning to become accountable for her own life, even though I still have my doubts that she is really realizing the consequences of her choice. She is still chasing after after an illusion. As you already know, I am anticipating a rude awakening fron her part, as she can not escape from reality and her own mortality. On the other hand, with her request, she gets responsible for her grandchild’s career, and someone could criticize her for making him quit. She didn’t take his job’s obligations into consideration. Simultaneously, this image illustrates a relapse of Kim Dan. He is once again trapped, though he wished to be freed. Thus he wrote this to Joo Jaekyung: (chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. (chapter 53) So the athlete could come to the realization that his departure was related to the grandmother’s sickness and dying wish, a new version of episode 20 and 21. However, even if the fighter helps the grandmother, he can not entirely free the physical therapist. How so? It is because the doctor has to free himself, breaking free from conformity and his own psychological constraints (lack of confidence and as such courage). And the best evidence for his servitude mentality is the absence of his love confession to the athlete. He disguised it behind gratitude. (Chapter 45) But how can he change his condition? I will give the answer below.

1. 2. The release of the rich slave

As you can imagine, the person I am referring behind this heading is the champion. Interesting is that in the story, he received the title “Emperor”. (chapter 14) Yet, the reality is that despite his wealth, he is not free at all. Actually, he reminded me of a Roman gladiator. Gladiators in ancient Rome lived under challenging and contradictory conditions. Although they were often slaves or prisoners of war, some achieved fame, wealth, and admiration comparable to modern-day sports stars. Successful gladiators could earn prizes, attract fan followings, and even enjoy certain luxuries within their restrictive lives. However, they remained under the control of their lanista (manager) or the state, with little freedom to make personal choices. They could not select their opponents or refuse combat, and each fight carried the risk of injury or death, underscoring their vulnerability and lack of autonomy despite their celebrated status.

This comparison between the main lead and a Roman gladiator reinforced my negative perception about Park Namwook. He acts as the owner of the athlete (chapter 40), though the gym belongs to the celebrity. But let’s return our attention to the American-German philosopher. The latter pointed out the importance of self-awareness and the rejection of materialism and social pressures (authority figures, conformity) in order to become truly free.

This aspect is really important, because the athlete Joo Jaekyung is a homosexual which represents a huge taboo in the MMA world. Remember my hypothesis that the jinx could also be an excuse in order to hide his own sexual orientation. (chapter 2) Therefore sex is linked to prostitution and work. Back then, this had nothing to do with pleasure, sensuality and entertaining. It was revolving around power and domination. That way, he wouldn’t appear as weak, he is not controlled by his sexual desires and emotions. That’s how it dawned on me why the champion has been denying the existence of feelings in his past relationships. Naturally, it is possible that he got his heart broken before, but it is also possible that he could never live out his own true homosexuality. Note that his father figure, Park Namwook, has no idea about his sexual life. The athlete could fear to disappoint him. This raises the question how the manager will react, when the athlete’s secret is exposed. Should he request from his boy to organize a conference and deny the allegation there, he would divulge not only his lack of loyalty, but also his hypocrisy. Why? It is because this is something he should have organized after the last match. A conference to expose the existence of schemes. But everything got swayed under the rug. On the other hand, I deduce that if the topic of sodomy is brought up in season 2, there is no ambiguity that both main leads won’t give in to conformity and external pressure (even in the form of threats). Why? It is because during season 2, both characters will come to be true to themselves. That‘s how they can become master of their own life.

This signifies that in order to go on the past of self-mastery, the champion needs to break free from materialism (chapter 41), from his manager’s influence (father figure) and even from the MFC world (authorities) !! What is the common denominator between these three persons? MONEY! (chapter 50) Hence the last match was not cancelled in the last minute. The athlete is not fighting out of fun and passion, but out of obligation and survival. He is trapped in a world where money is everything. Thus he was always pushed to accept any challenger despite his injuries. That’s how I realized why the athlete always suspected Kim Dan of being greedy. It is because he projected his own thoughts onto his partner. However, this negative perception was definitely influenced by his “hyung”, we have the best example in episode 46. Due to Park Namwook, Joo Jaekyung was the one who was constantly thinking and talking about money in front of Kim Dan. (chapter 26) No wonder why he got so surprised by Kim Dan’s reaction in the locker room: (chapter 51) He was disarmed by a single question and a shocked and disappointed face: (chapter 51) The question implied that the doctor had been trusting him.

1. 3. The “lanista’s” chains

We had another perfect example of “Escape from Freedom” in episode 43 at the restaurant. Note that Park Namwook underlined that the fight was the champion’s decision (chapter 43), yet he added shortly this comment: : (chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. (chapter 43) (chapter 43) This is a sign that he was not “enjoying the present”. In my eyes, with his comments, he was actually ruining the party. Fortunately, no one paid attention to his words except the physical therapist and Yosep. By talking like that, he gives the impression that he is caring and paying attention to the fighter. Yet this is just an illusion, for he is not focused on the present. He neglected his duties, therefore the schemers were able to bring drugs to the champion’s rooms. (chapter 49) Notice that he was afraid of an outburst from Joo Jaekyung in the locker room, therefore they were restraining him. This was no real protection. I am suspecting that the manager is trusting MFC and its organization. In addition, his obsession with the future explains why the athlete’s mental health has been neglected by the coach and manager. As a conclusion, Park Namwook is himself trapped in his own world: money, fear of the future and the champion‘s retirement which means the end of his own career as manager and coach. Therefore he is pushing his fighter to race against time. It is only a matter until his boy gets injured!!

This means that we should see the athlete’s suspension as his moment of release. He is no longer forced to fight. He is “abandoned” by MFC, fans and even by his manager (chapter 53). The latter announces that his “boy” can take a break. What caught my attention is his idiom. The suspension got turned into a break which sounds much more positive. Interesting is that break is not only a synonym for “rest”, but also for “opportunity, chance”. This new discovery reinforces my previous interpretation: the loss of his “title” and his suspension are in verity an escape to freedom. Why? It is because he is no longer exposed to manipulations and external pressure like in episode 36: (chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. (chapter 53) This means that the fighter was acknowledging the “uke” as an important member of Team Black. In addition, he was recognizing Kim Dan’s effort and talent as PT. Moreover, it exposes the absence of change in Joo Jaekyung’s mentality. He was still “thinking” of work and fighting. It displays that the protagonist had not realized the true signification of his suspension yet. Hence the doctor’s departure was necessary. Joo Jaekyung is forced to think about his fated partner, making him forget his work and his career. His “obsession” with Kim Dan will push him to stop being a workaholic. But there is more to it.

By leaving the city behind (my prediction), the champion’s not aware that this trip will become a spiritual journey where he will discover his true self. But for that, meditation is required. In my opinion, the grandmother’s illness should serve him as a wake-up call. He spent a lot of money on her treatment, but she couldn’t be saved. It looks like he never visited her again. Should he see her again, he could get shocked. From this (chapter 21) to this (chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.

2. The ability to love

Far away from medias, public eyes, the agency and his manager, he can discover a different world: the West Coast and nature. And this brings me to a quote from Erich Fromm:

Through this statement, we have the explanation why Joo Jaekyung can love and why he couldn’t love Kim Dan properly in season 1. The fact that he lived alone in the penthouse is a proof of his independency (chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.

In addition, this quote exposes the absence of “unconditional love” from the grandmother. (chapter 53) So far, she could never be alone, she always needed the assistance of others: Kim Dan, the doctor, the nurse, Joo Jaekyung. She always relied on others (“we”, “life”). But it is also the same for Kim Dan who has always been listening to people, as his desire was to get accepted. His conformity led him to experience misery, as he lacked critical thinking. He never questioned people’s words, decisions or behaviors. Only thanks to his soulmate, he started changing. His psychological restrains were his abandonment issues and his low self-esteem. That’s the reason why their love couldn’t flourish in season 1. Nevertheless, Kim Dan still had a good disposition for being capable of loving someone, exactly like his fated partner. He could live on his own as well.This signifies that their future love relationship won’t be toxic, as they won’t be needy or dependent on each other, the exact opposite between the grandmother and Kim Dan or Joo Jaekyung and his hyung Park Namwook. However, this doesn‘t mean that they won‘t help each other.

I am quite certain that the fighter must have noticed the doctor’s low self-esteem in the letter. Therefore he felt bad for his reproaches and lack of trust. Remember that the champion never expressed a compliment or even showed gratitude towards the doctor. (chapter 43) In episode 1, he gave a positive feedback (chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: (chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: or like this: And what does the hand symbolize? The latter symbolizes gratitude and love! Hence the grandmother took the MMA fighter’s hand in order to thank him. (chapter 22) (chapter 22) As a conclusion, love and gratitude represents the key to freedom and as such to power. And now, you comprehend why The Art Of Loving can not be separated from „Escape from Freedom“.

2. 1. Love and Power

This explains why the famous author declared this:

This means that by giving, the person feels strong and powerful. Why? Fromm views the act of giving not as a depletion of oneself, but rather as a fulfillment and actualization of one’s capabilities. The productive character, according to him, doesn’t define himself by what he possesses or hoards, but rather by what he can give to others. It is his heart which defines his strength. Giving becomes a way of affirming one’s own power and abundance, showcasing that true fulfillment is found in one’s ability to be generous, creative, and life-affirming. Notice that the author contrasts generosity with passivity. By giving, the person becomes proactive and is no longer passive. In the past, I had described Joo Jaekyung as a person suffering from “inner passivity” [For more read “Couch Confession”]. As soon as I read the quote from The Art Of Loving, I realized why the champion disliked receiving presents (chapter 45) so much and preferred organizing a charity event for his birthday . (chapter 41) Being on the receiving side makes him feel weak and powerless. He is reduced to become a passive man. Furthermore, we shouldn’t overlook that such presents are not entirely selfless. Companies or admirers have expectations from Joo Jaekyung, earning some money or getting his attention. At the same time, these presents are strongly connected to his title and fame as champion. Thus they are not taking into consideration about the athlete’s dislikes and likes. Thus he was offered a bottle of wine (chapter 12), though he is no drinker or he doesn’t eat cakes. (chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. (chapter 18) Here, he hoped to see gratitude on his fated partner’s face, but it didn’t happen like he imagined. Yet, notice that despite their argument, Joo Jaekyung proposed to the main lead to live with him in the penthouse: (chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. (chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: (chapter 18) He had to, because the man was now living with him. Joo Jaekyung feared that his roommate could come to take advantage of his new position and even consider this place as his own. As you can see, the champion had long discovered the power of giving to others. Yet his problem was that he couldn’t live out this principle: he was either exploited or he has no family or close friend so far.

And now, let me ask you one question: who likes giving presents in Jinx? One might reply Kim Dan and Choi Heesung. The doctor and the actor have both something in common. (chapter 30) They both desire to be acknowledged and appreciated. (chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. (chapter 31) (chapter 31) Furthermore, the actor gave these things for one reason: it was to obtain the doctor’s heart or to maintain his good image as a celebrity. In other words, these gestures were not selfless at all. This explains why the athlete was so weary of such “gifts”: a return of favor or a service. But the comedian is not the only one donating things. Naturally, it is the manager Park Namwook. (Chapter 26) (chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? (Chapter 37) This last scene is terrible, for this purchase happened behind the boss’ back. Naturally, everything was bought with the company card!! In other words, Park Namwook’s generosity is fake, for he is not spending his own money. After this new realization, I started wondering if the athlete’s negative attitude towards Kim Dan is not the consequence of Park Namwook’s behavior as well who takes it for granted to spend money on the athlete’s account. Why did the champion anticipate an expectation from Kim Dan, when he received the keychain? (Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. (Chapter 45) Kim Dan had not only followed the stans‘ behavior, but also listened to Park Namwook‘s words constantly. ’ (chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss (Chapter 46) The tension reached its peak in that scene: (chapter 52) The manager imagined that he could act like in the past (recurring to force), for Joo Jaekyung was „used“ to take his slaps. That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay.

(Chapter 26) The sparring in episode 26 represents the positive version of giving a punch and taking it. The fighter was not upset about his defeat, moreover he was acting like a real teacher asking the physical therapist to overcome his own fears. On the hand, the slap at the hospital embodies the opposite notions: resent, no real teaching, no reflection, no listening, the one slapping is not overcoming his own fears and vents his anger. The give and take in episode 26 was happiness, true generosity, self-awareness, while this slap displays misery, anger, ignorance: (Chapter 52) True generosity, for Kim Dan had risked his health for the sake of Potato. (Chapter 26) The contrast not only exposes Park Namwook’s fake generosity, but also his greed and selfishness. For me, he missed the opportunity, as at the gym, Kim Dan took the chance, when the athlete was distracted. Hence in my opinion, chapter 52 was the turning point in their toxic relationship. Moreover, it signifies that the manager lost his special position as hyung. Far away from the gym, Joo Jaekyung will see Kim Dan under a different light, maybe even as a true role model, for he is wearing his heart in his hand.

2. 2. The wolf, the hamster and the world

But Erich Fromm wrote this about love:

For Fromm, love transcends a personal or exclusive attachment to one individual; it is a universal force that connects the self to humanity and existence as a whole. True love, in his view, is inclusive and expansive. It’s not a possessive or isolating sentiment but rather one that opens the lover to the wider world, fostering a connection to humanity and, ultimately, a deep acceptance and love for oneself.

Thus I come to the following conclusions: the moment the doctor and the champion admits their affection for their fated partner, they won’t be suffering from self-loathing or low self-esteem. But there is more to it. If you keep the quote in mind, you will realize that the champion’s affection for Kim Dan was not true love. [Like mentioned above, he couldn’t love properly] He couldn’t stand the idea of sharing his partner to others. (chapter 7) (chapter 43) He needed to seclude him from the others. But where does this possessiveness come from? In my opinion, it is not just the result of his own insecurities, but also the influence of the bad role model he had: Park Namwook. First, only in chapter 45, the manager sent congratulations from his family: (chapter 45) This means that Joo Jaekyung was never treated like a real family member. Then, due to his bad portrait of Joo Jaekyung (chapter 9), the manager kept creating a bad image of the athlete: brutal, moody, maniac… but the reality is that the man is actually generous and caring, like mentioned above and the coach knew this. Hence he could lie without any remorse: he is a savior and the gym owner. Moreover, the athlete can speak well and be polite. (chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: (chapter 43) (chapter 52) The one who raised him like that is actually him: (chapter 7) Therefore I conclude that this possessiveness and obsession with Kim Dan is the result of the manager’s influence. Park Namwook treated him like a possession. And this brings me to my next part. How to become happy? One might reply: by loving someone. However, how can Joo Jaekyung drop his insecurities and open his heart like that? As you can see, we need another explanation.

3. The guide for happiness

Erich Fromm’s philosophy in To Have or To Be? revolves around two fundamental modes of existence: the having mode and the being mode. These modes represent distinct ways of interacting with the world, structuring relationships, and understanding one’s identity.

I am posting this video which I found very well made. Funny is that the blogger used a haiku to illustrate the difference between the being mode and the having mode.

3. 1. The Having Mode

In the “having” mode, identity and value are based on possessions and control over objects, people, and even oneself. The having mode is characterized by:

  • Possession and Ownership: One’s self-worth and sense of security are derived from what one possesses—material wealth, status, knowledge, even relationships. (Chapter 40) This explicates why the manager is happy in this scene. Thanks to him, he earned a lot of money and felt recognized.
  • Security in Stability: Individuals in the having mode seek to secure their identity through accumulation, feeling stable only when they can cling to things.
  • Alienation and Objectification: Relationships and experiences become objects to be owned or controlled, reducing people and emotions to mere assets.

Fromm argues that the having mode can lead to anxiety and insecurity because possessions can always be lost or taken away. It fosters competitiveness, isolation, and a fixation on external validation, ultimately stunting genuine self-growth and connection with others. Under this light, Manhwa-philes can grasp why the athlete, pushed by his mentor, kept accepting fights after another. The champion was suffering from self-loathing, but in order to get recognition and admiration from his hyung, he needed to win. Notice how gentle and proud the man was after the victories (chapter 15), but as soon as his idol lost his title and got even suspended, he yelled and slapped his fighter: (chapter 52) Why did he not blame the cheaters who had tricked Joo Jaekyung and framed the physical therapist? If you read my previous analyses about the coach, you will certain recall about my diagnosis: he seems to suffer from decidophobia. But as you can see, the man is unhappy, for he is living in the “Having Mode”. Hence he is taking no risk and letting the athlete make decisions. Furthermore, it explains perfectly why the manager lied to the members here: (chapter 22) Since his relationship with the main lead is so secure, he could claim the gym as his own. Notice how he treats the members here: he’s putting them under pressure, threatening them. Everything is revolving around competition, seriousness and greed. Why doesn’t Joo Jaekyung mess with his weight and nutrition? It is because his hyung made sure that the latter would fulfil all his expectations. He needs to be ready for the next fight. Why was the manager not present here? (chapter 43) This exposes his lack of engagement and indifference in the end, but this becomes even more obvious during the night: (chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. (chapter 43) But the best evidence for this interpretation is this image: (chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money.

This highlights the danger of building identity around possessions and the resulting vulnerability. And how did Park Namwook define himself in his life? He was a coach, a manager, the owner of Team Black…. (chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight (chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. (chapter 43) Joo Jaekyung would have to pick himself up, Park Namwook wouldn’t be there in order to assist him. Why? It is because it represented his own fears. Don’t forget that he is a former wrestler and athlete. He must have experienced it. The end of his boy’s career represents the end of his own career. Hence I am suspecting that the real savior of Park Namwook was the fighter himself, as the latter offered him an opportunity to find a good job.

But there is more to it. Why did the coach neglect doctor Kim Dan (chapter 40) in the States and even at the gym? (Chapter 43) It is because he doesn’t view the uke as a possession contrary to his „boy“. Why? It is because the young man doesn’t bring money or contribute to boast the manager’s self-esteem. In fact, Kim Dan is an expensive PT and the manager is aware of his high salary. Moreover, contrary to the hamster, Park Namwook was never seen in the penthouse, and the celebrity refused to invite the members. This is a clue that the champion could have refused to invite his coach there. The doctor’s stay at the penthouse is something Park Namwook discovered by accident. (Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. (Chapter 53) Here his gestures and words should be judged as lip-services. He can even rationalize his departure: bad luck, they save a lot of money, for the next PT will have a lower salary. In addition, Kim Dan was treated as the celebrity’s possession, therefore he used him as a tool in order to compensate the actor. The manager is definitely imagining that once the break ends, things will work like before. (Chapter 53) Here, I feel the need to add that though I am portraying the coach in a rather pejorative light, I am not saying that he is a malicious or evil man. My point is that he needs to change and realize his wrong-doings. As long as he lives in this mode, he won’t be able to be happy: always in the fear of losing his possessions. So should a separation take place, it is possible that the distance brings more clarity and helps them to improve their relationship. However, I have to admit that I wished to witness a real argument between the hyung and his pupil. A new version of this scene: (chapter 17)

Interesting is that the sociologist stated this as well:

With this observation, it becomes comprehensible why the coach not only used violence against the athlete but also pushed the main lead to be rough with his own body. (Chapter 43) It is not random that Mingwa showed a rough manager while complaining about his star. She was implying his responsibility for mistreating his body in this scene. Park Namwook needed to prove his superiority over the celebrity to justify his position. And he used the fighter’s good heart, trust in him and social norms to manipulate his prize and possession. As a conclusion, both characters have a toxic relationship, exactly like between the halmoni and Kim Dan.

But Kim Dan was not different from the manager. He also lived in the mode of “having”. Hence once he earned money, he would buy gifts to others: (chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „Click 📸: Between Fleeting illusions and Enduring Realities“ I had outlined that all the objects in the flat would belong to the grandmother (Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her: (chapter 41) And this brings me to my next important revelation. The grandmother never said thank you to Kim Dan. She either apologizes (chapter 53 ) or makes it sound like a reproach „Spoil me to death“. There is no THANK YOU. She didn‘t give him her hand like in episode 22 with the celebrity as well. But there is another detail that caught my attention: the nurse mentioned the paid bills (chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: (Chapter 22) She didn’t express the reason for her gratefulness. She didn‘t bring up the hospital bills, but she knew about it. In other words, when she showed her gratitude, she was in reality just thanking him for his company. That‘s how Kim Dan perceived it first and we should do it as well. To conclude, the grandmother is not really thankful, when it comes to money. Exactly like the manager, she takes it for granted. In fact, she gave him the yoghurt which was offered by the hospital. (chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? (chapter 45) (chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her. (Chapter 41) Despite her rebuke she actually doesn’t meant it. She never actually told him to stop or rejected Joo Jaekyung‘s generosity. Instead, she made the following request to her grandson: (chapter 41). He should treat the sportsman nicely (“do good”). Kim Dan is the one who should be indebted to Joo Jaekyung. However, observe what she said in front of her grandchild before: she was the one who was grateful to the main lead, and not Kim Dan!! (chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.

As you can see, she delegated her “gratitude” to her relative. Hence no wonder why Kim Dan chose to work hard for the keychain. He had to “work hard” in order to repay the huge debt (the trip to the States, the hospital). That’s why I come to the conclusion that the grandmother doesn’t represent true gratitude. She is similar to her male version: putting the responsibility on others and using words as lip-services. Simultaneously, this new discovery exposes another cause for her own suffering: she was also living in the mode of „having“. As my avid readers can notice, all the characters in Jinx were living the wrong way.

And this brings me to another aspect: Kim Dan’s diploma as physical therapist. In the having mode, education is centered on acquisition and possession of information. Knowledge is seen as something to be accumulated, memorized, and quantified—often in terms of grades, certificates, or degrees. Hence the doctor thought for a brief moment to take a MMA trainer seminar. (chapter 22)

Focus on Outcomes Over Process: Success in the having mode is defined by external achievements, grades, or credentials, rather than by actual understanding or personal growth.

Competitive Learning: Students are encouraged to see education as a competitive endeavor, where success often involves outperforming others rather than cooperating or collaborating.

Dependency on External Tools: This mindset can make students more prone to relying on shortcuts like cheating or using AI to complete assignments without really engaging with the material. In this context, tools like AI might be used to bypass learning rather than deepen understanding, reducing education to a means to an end.

Lack of Internal Motivation: The focus on external validation makes intrinsic motivation scarce. This dependency on external rewards may undermine creativity, critical thinking, and the desire for genuine understanding, as students prioritize “having knowledge” over “being knowledgeable.”

Kim Dan was not a proud PT. In fact, he had no problem to take a job as a courier. For him, the diploma was just a piece of paper. Why? It is because he was not truly motivated to become a PT. His choice was influenced by his halmoni and his financial situation. He was doing it for the money: (chapter 1) In other words, he was not passionate about his profession. This means that he didn’t define himself as PT due to his lack of engagement and low self-esteem. Besides, let’s not forget that he judges people based on their social status and seniority. I would even add, the main lead had not recognized the existence of his own skills (knowledge, genuineness and dedication). But by working for Joo Jaekyung, he came to enjoy his job. This explicates why he kept buying books. (chapter 53) He likes not only his job now, but also learning as such. This is no coincidence that education in the mode of “being” means that the focus is on learning and developing skills. Hence I still see a change in the hamster at the end of season 1: (chapter 53) He is defining himself by his skills: he is a PT!! Money plays no longer a role. He is about to live in the mode of „being“.

However, there are other students in Jinx. Fromm’s explanations about human psychology made me realize why many members from Team Black left the gym soon after the champion’s loss and bad PR: (chapter 52) In this panel, the author let us see glimpses of their motivation and thoughts. For them, the champion has nothing to teach them, since he lost his title and is injured. This shows that they are only interested in the outcome, success and as such fame, but not in the process, how to become skilled! In other words, they see “success” as a possession. He has no title, then he has nothing to offer. They are all living in the mode of having, which can only lead to misery and even self-destruction. No wonder why they were not too upset or shocked, when they heard that the game had been rigged. But what led them to make such a decision?

Naturally, the manager played a huge role in this. The gym gave the impression that by being by the athlete’s side, they would become successful as well. Park Namwook contributed to this wrong evolution, for he didn’t confront the fighters with reality: he made false promises. (chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: (chapter 25) and (chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important (chapter 36) than their training and career. Moreover, he kept bribing them with junk food (chapter 26) or new jackets or towels. He was only interested in getting new members, but not in developing their skills. This explains why he treated Seonho so well: (chapter 46) The latter was a new source of income and fame. Everything was revolving around money. That’s how it dawned on me why the manager got angry for the bet in episode 26: (chapter 26) We shouldn’t judge his words as a verity, he was just using the doctor as a false excuse. The reality is that the sparring had brought no money at all! This fight was strongly intertwined with fun. The notion of „entertaining“ stands in opposition to money. Fun means feeling emotions and being to true one’s self. In other words, Kim Dan stands for a different notion of MMA fighting: the sportsmen shouldn’t work for money, but for fun. They are artists too. This signifies that as time passed on, the members of Team Black lost their passion for fighting (chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.

3. 2. The Being Mode

In contrast, the “being” mode focuses on authentic self-expression, inner fulfillment, and experience rather than ownership. Key aspects include:

Living Authentically: People in the being mode derive meaning from their experiences, creativity, and actions, rather than from acquiring or possessing. That‘s why fun is so important. And who embodies fun in Jinx? Naturally Heesung (special episode2 ), but also Cheolmin (chapter 13) who likes making jokes. That‘s how I came to understand why Cheolmin appeared only one time in season 1. He will come to replace the manager: (chapter 13)

Dynamic Engagement: This mode emphasizes growth, spontaneity, and a deep, active engagement with life. Here, identity is fluid and self-renewing, driven by inner growth rather than external gains.

Connectedness and Compassion: Fromm sees the being mode as fostering a sense of unity with others and the world, as it’s grounded in compassion, shared experience, and a true sense of community.

The being mode fosters qualities like love, empathy, joy, and creativity, enabling individuals to experience life in a richer, more meaningful way.

Cheolmin stands for understanding and trust in humans. He criticized the man first, but he didn‘t imply that he had done it with bad intentions. Secondly, he believed his sunbae, (Chapter 13) when the latter denied his responsibility. This shows that the man doesn’t mistrust people. He has faith in humans. And in this short scene, the doctor shows alle positive notions mentioned above: love, empathy, joy and creativity. Therefore I come to the following interpretation: he embodies the being mode. No wonder why he was not present in season 1. The main lead was definitely obsessed with work. Hence the moment Cheolmin’s path crosses Kim Dan’s, the funny doctor should become the hamster’s new role model.

3. 3. The Larger Philosophical Context

Fromm’s philosophy reflects a critique of modern consumerism and materialism, which, in his view, has led society towards the having mode. He argues that this mode is ultimately destructive, as it alienates individuals from their true selves and from others. The being mode, on the other hand, aligns with the principles of humanistic and existential philosophy, emphasizing the pursuit of self-actualization, meaning, and interconnectedness.

Fromm warns that without a shift from “having” to “being,” society risks falling into moral and psychological decay, driven by the insatiable quest for possessions and power. And we can observe this in Jinx. MFC and the medical world (chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating. (Chapter 49) Thus he thought, the athlete had earned his title the same way. His fights were rigged, yet the verity is that the idol worked hard to achieve this level. The irony is that The Gunshot experienced much too late that his assumption was wrong. (Chapter 52) His shaking is exposing his fears. Like mentioned in the past, I am anticipating that The Shotgun will avoid a new fight with the celebrity.

Thus I interpret these two panels from Mingwa like this: They embody the mode of being. The hands are touching each other directly. They are not attached by money. Moreover, the hands express positive emotions and thoughts: support, gratitude, honesty, tenderness, acceptance and more importantly trust and fun. They are enjoying the present moment. Mingwa announced with these images the happy ending for these two characters who thought that they were jinxed. The reality is that they were responsible for their own misery.

This work urges a reassessment of values and priorities, where personal growth and human connection take precedence over material wealth and social status. And that’s where Joo Jaekyung is standing now. (chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Passions in Purple💜: Jealousy and Joy 😄 in Jinx – Part 1

1. Purple in Jinx

The new special episode reinforced my interpretation about colors in Jinx. The shades are not just beautiful, but also full of symbolism and insight. They indicate the characters’ personality, their mood and transformation. As my illustration is indicating it, purple was predominant in the new special chapter. (special episode 2). This pigment is a combination of blue and red/pink. And now pay attention to the last panel. Potato is blushing while wearing dark-green clothes, his lover is standing in front of the blue sky and his skin is rather pale. His hanbok has purple and white shades. As you can see, this wonderful night represents their union: white meets black, blue meets red and yellow (hence purple and green). The light from outside contrasts to the darkness of the shelter. That’s how purple came to shine. On the other hand, since Heesung is acting as the master, and the maknae is relegated to the role of a male servant, the actor is exposing his inner darkness. He is longing for dominance and possession. (special episode 2) To conclude, Heesung is gradually showing his true colors: the hidden black spot behind his perfect white skin. However, dark shouldn’t be reduced to evil, for in Taoism, black has another signification. It represents yin, the feminine energy. This means that thanks to that night, Heesung could display his motherly and caring side. Therefore he kissed, hugged Yoon-Gu and stroke his cheek. But this doesn’t end here. After the intercourse, he caressed his lover’s head. (special episode 2). One might argue that in the last picture, he was not entirely honest, for his eyes were closed. Besides, he was just paying him a compliment. Nevertheless, this gesture is still exposing that the actor is opening up his mind and heart to the chow-chow. He is no longer indifferent like in the past! This stands in opposition to his gifts to the members from Team Black and Kim Dan. (chapter 31) The latter reflected his superficiality and detachment. How so? It is because he had bought them. Moreover, his manager was tasked to carry the presents. (chapter 31) It was, as if the manager was cursing him and his gifts. As you can see, there was no direct contact between him and the beneficiaries of his generosity. Money was between them in the end: Heesung, the manager and the members from Team Black. This could only corrupt their relationship. However, the pat on the head between the two second leads symbolizes genuineness and real gratitude. (special episode 2) Therefore it is not astonishing that Potato feels so moved by such a caress that he starts blushing. His dream has always been to be patted on the head. (chapter 23) This signifies that the comedian fulfilled one of the young fighter’s dreams. Yet, the color in the last panel is not purple, but coral peach. Why? The reason is simple. The emperor is linked to red (anger, blood thirst), whereas the maknae embodies yellow. The pigment exposes the young stan’s ignorance, for he was not able to detect his hero’s true colors and as such his flaws. In his eyes, he was just a “god”, as he embodied perfection. Thus he had a pink version of his idol. Moreover, observe that this dream is connected to light, day and publicness, while the other is linked to darkness, night and privacy. (special episode 2) The young fighter and his lover are slowly discovering the existence of a double life (public/professional versus private life). This signifies that Potato is learning to distinguish between image (hero) and reality. In fact, he only knows the MMA fighter Joo Jaekyung and not the private man with his troubled past. As for the actor, with his blog (chapter 30), pictures and sponsoring (chapter 31) he never drew a line between his private and professional life either. He acted, as though he had no secret. That’s the reason why his manager knew about his tragic love life. This explicates as well why he used the “deal” with Park Namwook to go on a date with Kim Dan. (chapter 32) The gumiho never felt the need to hide his sexual orientation, it was never a taboo. It indicates that he felt safe among his colleagues and agency. Therefore the manager could talk so freely about his love life in front of others. (chapter 30) There was no secrecy and privacy. Manhwaphiles should keep in their mind that homosexuality in MMA world and boxing is a huge taboo. So if Potato’s homosexuality were to be exposed to the netizens, this could ruin his career. This is also valid for Joo Jaekyung. Other fighters could question their manhood. And this brings me back to that night. Purple is strongly connected to yin and as such to the moon, like you can detect in the illustrations below.

We have a perfect illustration of this flow of colors in Jinx. In episode 20, yang was dominant in the bathroom scene. It was about the doctor’s first ejaculation and as such about his manhood. The fighter (yang) acted like the teacher. Hence (chapter 20) the main pigments were yellow, rosa, red and orange, whereas on the bed, the roles and topics were switched. Kim Dan’s feminine side was the dominant one. His motherly and caring instincts were so strong that he had no problem to challenge his sex partner. (chapter 21) Here, black and purple were the dominant pigments, similar to the sex scene from the special episode. The moon stands for softness, quietness, but also mystery and receptiveness. And during the night of episode 21, the doctor taught to Joo Jaekyung the importance of family. Besides, the athlete discovered a secret from the physical therapist. Though the former was pushed away, he didn’t react violently. Joo Jaekyung remained passive. This was the influence of Kim Dan’s yin. (chapter 21) And the next morning, the emperor chose to show his motherly and caring side to Kim Dan and the halmeoni. (chapter 21)

And now, it is time to return our attention to the scene in the shelter. (special episode 2) First, the person associated with purple is not Heesung, but Potato. 😮 It is because we need to differentiate between interior and exterior. We can detect this in many panels during that night, (special episode 2) Potato is literally glowing, while the other is just wearing a purple hanbok (disguise). One might wonder why. The answer is simple. Potato stands for innocence, reflection and ignorance. Contrary to his new role model (Kim Dan), he has no real prejudices against sex. He doesn’t view it as dirty. This explicates why Potato is always surprised by his own pleasure and always claims his ignorance. (special episode 1) (special episode 2) He doesn’t make quick conclusions. The irony is that by expressing his ignorance and as such denying the existence of his own pleasure, he is actually challenging his gumiho. The latter is not recognized as a good lover! 😂 Moreover, it was, as though the young man had not been thrilled and excited contrary to his partner. This means that the maknae is pushing his companion to become more creative in sex. He is hoping that Potato would come to confess his joy and excitement as well. This means that Heesung has to find new ways to impress and woo his companion. Innocence and ignorance are the best weapons to tame the mythological creature. Simultaneously, it implies the actor’s underlining desire: he wishes to share his happiness with others!! As you can see, though Heesung is indeed a red flag [Further explanations are below], he shouldn’t be simply reduced to the stigma “jerk”. Exactly like the terrible emperor, he also has redeeming qualities. Moreover, this made me realize that his words are turning into a reality: (special chapter 1) Potato has become his “fuck buddy”. By developing friendship through sex, he is not realizing that he is falling for the young fighter. Thus I am suspecting that in the past, he paid too much attention to emotions and less to sex… he was not trying to give pleasure to his sex partners in the first place. Now, he is doomed to find ways to give pleasure to his “fuck buddy”. And that’s how he is learning to become a responsible person.

But there exists another reason why this night stood under the sign of purple. It is because Yoon-Gu became the actor’s perfect lover. (special episode 2) That’s why the actor was glowing like a star after their passionate role-play. The presence of “stars” indicates his excitement and joy. His heart is racing, hence he is full of joy and feels rejuvenated. Moreover, the Webtoonist already implied the link between Potato and purple in the following scenes: (special episode 1) The young sportsman’s innocent statement brought Heesung to another galaxy. It was, as if he had entered a new world. Then we see Potato carrying a purple towel, when he is alone with Kim Dan and Joo Jaekyung. (chapter 23) Don’t forget that his family name is Hwang which means yellow in Chinese. That’s the reason why I don’t think, the purple towel is random. One might argue that the towel belongs to the gym, and they got changed later: (chapter 36) Park Namwook selected black towels, a sign that he was taking over the gym. But the purple towel announces the moment, where the doctor and Potato gets closer to each other. (chapter 23) For the first time, the young fighter showed a certain curiosity towards the physical therapist: the beginning of “Enlightenment” and friendship. Under this new light, Manhwaworms can grasp why Heesung was under Potato’s spell during this intercourse. (special episode 2) But we have another evidence that Heesung has always been looking for a “purple” person. It is because he picked up a purple suit for Kim Dan. (chapter 32) This means that this night stands under the sign of Yoon-Gu! The latter came to shine to the point that he affected his lover… that’s how the actor blushed more and more. (special episode 2) This observation brings me to my next interpretation.

Thanks to Potato, Heesung became closer to his true self: a yang with a black spot. And what is the opposite to purple? Dark red… full of passion. The actor could expose his possessiveness and jealousy, though he masked it behind a role-play. (special episode 2) (special episode 2) Remember my previous analysis about the actor. The latter has always longed to be recognized and admired as a man and not as a god or star. And now, you comprehend why after this intercourse, the gumiho made the following suggestion: (special episode 2) This exposes his desire for companionship and his loneliness. Additionally, it shows that he desires to get closer to his sex partner, to include him in his life. Once again, Manhwaphiles can detect the absence of boundaries between private and professional life. However, by making such a suggestion, he is not realizing that he is ignoring the MMA fighter’s career. But wait …notice that they had sex in a shed. But this was just an illusion, for they were having sex in the actor’s white bedroom. (special episode 2)

2. Purple between dream and reality

This image (special episode 2) brought the readers back to reality. In fact, this picture indicates that all this wonderful sex session in the shelter took place in the comedian’s head. (special episode 2) With that, I am implying that the actor imagined a scene from a historical drama (Joseon, hierarchical society and the shed). It was interesting, because for the first time, the author allowed us to penetrate Heesung’s mysterious inner world. It shows his “creativity”, inspired by his last shooting (special episode 2) and his own desires. As you can see, the sex session is a mixture of dream and reality which is reflected in the color purple.

It shows that the purple from Yoon-Gu pushed Heesung to become creative and meditate. Under this new light, it becomes understandable why Heesung became more honest and genuine after that spicy night. Sincerity is strongly connected to spirituality. In addition, in my previous essay, I stated that this night corresponds to the revival of the second lead. (special episode 2) He is blushing, he is enjoying this moment with his partner. He has the impression that his dream has come true. In his mind, he was breaking rules. A prince has sex not only with a man, but with a guard, a commoner. Secondly, they were having sex in the shed, hence they could get caught. He felt like he was playing with fire. This shows that the man enjoys thrilling situations. This explains his blushing in this scene: (chapter 34) He was not shocked or disgusted, when he saw Kim Dan having sex with the champion (chapter 34). In fact, he got aroused. Hence I am suspecting that Heesung’s life lesson in this scene was to respect “privacy”, he can not meddle in people’s life and relationships, just because of his belief “soulmate” and selfish desires. (chapter 33) Under this new light, his visit in the sauna appears like an intrusion. (chapter 34) He knew about the emperor’s schedule, a sign that he was somehow “monitoring” the main lead’s moves. Here, I feel the need to include this video exposing Heesung’s dark side.

0:31 overwhelming affection – love bombing (chapter 31) 1:07 too much quality time 1:33 saying “I love you” too soon (chapter 35) 2:13 constant texting 2:49 constant monitoring (special episode 1) With this statement, he is actually taking over Potato’s schedule and life 3:19 jealousy and possessiveness (special episode 2)

And now, it is time to explain why Heesung fell under Potato’s spell. It is because Potato listened to all his requests without protesting. He allowed him to be the one leading the sex session. He made no request either. That’s why Heesung patted Potato’s head. (special episode 2) He not only had so much fun, but also he felt powerful. I believe that his possessiveness comes from his social status. His wealth comes from his family, therefore he feels like he doesn’t possess anything on his own. Everything is related to “money”.

This sex session symbolizes “transgression”, whereas in verity, it just took place in the bed. Here, my avid readers can sense the actor’s inner conflict. Though he likes transgressing social norms, he is still preferring conformity. He doesn’t want to stand out too much. [For more read the essay La Vie En Rose ] This interpretation leads me to my next statement. Their first night together also stands under the sign of “infraction”. He disliked to have sex with virgins (special episode 1). Then he still chose to have sex with Potato, though he knew that the young sportsman was drunk. (special episode 1) The irony is that though Potato had said, he was a virgin, the actor chose to ignore it. Hence he got shocked later, when he realized Potato’s age.. (special episode 1) There’s a huge gap, he appears as a “seductive” wolf like in the fairy tale “The Little Red Riding Hood” That’s how it dawned on me why Heesung will have problems in his relationship with Potato. It is related to his dishonesty and mistrust which he projects onto others. This explicates why he doubted about Yoon-Gu’s virginity. (special episode 1) And what is the synonym for “truth”? Reality and Real World!! And now, you understand why Heesung created a historical drama in his mind for the sex session. It was his way to avoid truth and honesty. He used the role play to expose his jealousy (special episode 2) and possessiveness. (special episode 2) He fears to expose his true self to others and especially to Potato. He could scare him, as he is much younger and less experienced. To conclude, this sex session was a combination of truth and lie. No wonder why Potato’s answer was “I don’t know”. (special episode 2) He was not swayed by this role-play, for he didn’t feel it genuine. He couldn’t see the vision Heesung had in his mind. On the other hand, this night exposes the emergence of feelings from the actor’s side. But contrary to his past, he is not saying “I love you” too quickly and easily. It is because his initial thought was to seek fun and entertainment and not fated love! (special episode 1)

3. Purple, Green and Rejection

At the same time, since this night (special episode 2) stands under the sign of dream and illusion, we should compare it to this love session: (chapter 44) After this wonderful moment, Kim Dan came back down to earth. His present got rejected, he was just viewed as a physical therapist and nothing more. (chapter 45) We also have a refusal in the special episode. Potato initially rejected the offer from his sex partner: (special episode 2) He refused saying that he would be “embarrassed”. However, here is the thing. When he proposed to visit his lover on set, he was running away and turning his back to him. (special episode 2) Moreover, his words were definitely spoken more softly with a lot of hesitations. Hence I am doubting that Heesung saw his offer (visit to the set) as an acceptance. From my point of view, we should envision that the comedian saw it as a rejection. Potato was actually refusing to become an actor like him, then he employed the word “embarrassment”. It was, as if he was ashamed to be seen close to the actor Heesung. Finally, we should compare the last panel with this one: (chapter 34) He was also running away after getting threatened and rejected. In other words, Potato didn’t realize that with his behavior, he had triggered Heesung’s jealousy, insecurity and anger. That’s why he has this cold gaze. (special episode 2) It is the same glaring than Joo Jaekyung’s (chapter 7) who was full of jealousy here! Thus I conclude that this special night ended on a bad note, though Potato had no idea. The fox is no longer amused. Because Heesung is not happy deep down, he is planning something!! (special episode 2) Moreover, Manhwaphiles should keep in mind that he is talking in the past: “I had a ball”.His joy was just short-lived.

Since he is displeased, I believe that this scene should be compared to this one! (chapter 33) Observe the parallels: (chapter 33) (special episode 2) Both seme are holding a cellphone in bed. While the emperor had already bought sex toys, the onomatopoeia “music note” is indicating that the gumiho sent a message. In my opinion, he must have ordered some sex toys. But why? It is because Potato brought him back to reality. Heesung has a false notion of love. Like mentioned in a previous episode, Heesung has a romanticized version of love, inspired from movies and fairy tales.

I am including this short video, because it reflects Heesung’s mentality perfectly. At the same time, it reminds us a little of Potato, though the latter is actually the positive version of the fox.

And now, you comprehend why Heesung stated, he had no problem to go after people who were in a relationship. (chapter 33) Simultaneously, Manhwaphiles can grasp why Heesung is now targeting Yoon-Gu, who only had eyes for “Joo Jaekyung”.

Potato put boundaries, when he said this: (special episode 2) He would be the one determining the type of visit. He is not giving up on his career as MMA fighter. He doesn’t want to become an extra, dependent on the actor’s generosity. (special episode 2) As you can see, Mingwa played with the contrast “dream versus reality”. And what is the color for jealousy? Green!

And when did this color appear in the special episode? It is related to the costumes of the guards. (special episode 2) Yes, we need to question ourselves what triggered Heesung’s fantasy for the role-play. (special episode 2) IT is not just because of the costumes. My hypothesis is that the guards are working as an item, you can observe this in the following two panels: (special episode 2) Two guards are following the prince Heesung. Then in this one, (special episode2), there are 4 guards working as two teams. In my opinion, Heesung noticed his loneliness which contrasts so much to the situation with the other actors. , (special episode 2) This scene triggered his envy and jealousy. He wanted to have someone by his side whom he could talk to. , 8special episode 2), Here, he thanked everyone, yet he was standing in the middle of the scene, far away from everyone. In reality, his “gratitude” was superficial, for his thank was addressed to no one in particular. Just empty words. Under this new light, Manhwalovers can understand why he made such a suggestion after the intercourse: (special episode 2) It is, because he really wanted to have someone by his side on set. He hoped to lose this sense of loneliness. He longed for companionship too. Therefore it is not surprising that the actor got upset, when Potato didn’t accept his offer so blindly. Like mentioned above, I am even doubting that he heard Potato’s suggestion. For him, it was a rejection, especially if you take his words in the shed seriously: (special episode 2) Turning his back to Heesung is like a disobedience, he is not looking at his lover.. But the color green is not just connected to negative connotations. This shade stands for growth, hope and restoration.

Note that the costume from the guard has different shades of green: dark-green, grey-green and pale green. (special episode 2) Each pigment of green has a different signification: dark green can symbolize balance, drive, money, greed and fertility, while pale green symbolizes peace.

In my opinion, the color green affected the young comedian on the set as well. He associated it with positive notions like calmness, hope, companionship and motivation. (special episode 2) That’s why the author created such a panel. Here, the color takes a bigger place than the costume itself, for you only see a part of the disguise. And this observation brings me back to Taoism and the colors. The green color corresponds to sunset or sunrise which makes me think of a moment of transition. This corresponds to the notion of change and as such growth. Moreover, it stands for balance between yin and yang, like quoted above. The shade implies an equity between female and male energy. And now, you comprehend why Mingwa used green light in the car scene: (chapter 33) On the one hand, it was an allusion to the emperor’s hidden jealousy. The latter had masked it as a challenge and game: But the shade is implying that the fighter was slowly calming down. He accepts the doctor’s embrace, he even grabs his phallus in order to give pleasure to his partner. (chapter 33) In the end, he did show a caring side to the doctor. (chapter 33) He knew that his lover was sensitive to his touch. He desired to give pleasure to his companion. Yes, I see some parallels between the sex scene in the car and the one in the shed: public place, the connection between work and love life, the miscommunication, the importance to satisfy his partner sexually, a challenge, the grabbing of the phallus: (special episode 2), the jealousy, the possessiveness… making sure that the companion is not looking elsewhere… but more importantly, both seme are and were unaware of their growing affection towards their “fuck buddy”. Yet, there exists a huge difference between these two sex sessions: THE KISS! (special episode 2) In the car scene, the champion never smooched the physical therapist. Nevertheless, Heesung knows the signification of a kiss, but since he was acting in the role-play, he didn’t pay too much attention to it. IT was part of the “game”.

Thanks to the color green, I had a new revelation. That’s why I selected this image (chapter 33) The points of suspension from Joo Jaekyung are exposing his “ignorance”. He doesn’t know what to do, when he sees Kim Dan like this. (chapter 33) The emperor has now regained control of his emotions, but he couldn’t interpret his emotions correctly (jealousy, longing for love, insecurities). Moreover, we shouldn’t forget that he has not associated the kiss to love yet. In the locker room, he kissed the “hamster” in order to protect him. He had been simply following his friend’s advice. Then in the swimming pool, he felt attracted towards him. (chapter 27) He had acted instinctively… but in the car, his emotions were clouding his judgement. The ejaculations brought him back to reality. He had somehow achieved his goal. He had no idea what to do after the intercourse. That’s why I believe that in this panel (chapter 33), we should see the older version of Potato: “I don’t know … Why did I act like that?” The color indicates a change within the figure. He had not sex like that with Kim Dan in the past (he was only focusing on his partner’s pleasure). Don’t forget that the doctor had begged him for help: (chapter 33) He had admitted his defeat. However, this sex scene had the opposite effect on the champion. It didn’t bring him any Enlightenment, he was still clueless and worried, because he felt, he was losing control of his life. (chapter 34) As a conclusion, he came to “deny” this reality. He rejected his own emotions, until he was challenged once again in the sauna.

And now, you comprehend why I am envisioning Heesung ordering sex toy in order to tame and even punish his chow-chow, similar to the scene in the car. There the pink dildo played a huge role in the car scene, a mixture of pleasure and punishment. If you read my previous essay about the second couple. you are aware of my hypothesis that Heesung enjoys BDSM deep down. And note that in the shed, Heesung talked about punishment. (special episode 2) In addition, I noticed that the fighter’s buttocks are red (special episode 2), a sign that Heesung must have grabbed and even slapped his lover’s butt: From my point of view, the actor has a different attitude than the champion on the bed: (special episode 2) He wants to renew the intercourse, he wants to prolong this fantasy…don’t forget that this man is trying to escape from reality. His belief “soulmate” is strongly intertwined with eternity. But happiness can only exist, when pain and misery are there. Without them, people wouldn’t be able to feel any joy and happiness. In other words, the actor has to internalize the notion of time and temporality as well. Humans are not eternal, thus they can get sick or even die.

5. Time and purple

Since Yin and Yang are connected to time, it signifies that colors are also connected to the moon. link Purple announces a new moon, while red symbolizes full moon. Interesting is that during that purple night, readers can’t see the moon at all. (special episode 2) This means that this sex session took place during the new moon. Hence we have the color purple… This corresponds to the actor’s transformation. He is revived… he has finally found his soulmate, but he is not aware of it yet. And now, pay attention to this scene: We have the color blue, (chapter 53) (chapter 53) There is no moon, only the artificial lights from the city. Hence I deduce that the couple is now entering in a new phases, there is a new moon soon. The absence of the moon corresponds to the doctor’s departure. Don’t forget that these panels took place on two different days. One thing is sure. The dominance of the blue symbolizes the dominance of Kim Dan in Joo Jaekyung’s life, but also the loss for the two characters. There is no warmth… yet calmness and softness. Joo Jaekyung is not throwing a tantrum. He is not breaking any sandbag or throwing away the letter. It shows the calming influence of Kim Dan over the champion. With his departure, he is pushing the athlete to face his own emotions and to analyze them. And now pay attention to the last panel from season 1: there are glimpses of purple: (chapter 53) It announces the start of Joo Jaekyung’s Enlightenment. He is on his way to recognize the source of his joy and happiness: Kim Dan as his companion. This signifies that Potato’s vision should come true in the end: (chapter 23) He will find joy by training other sportsmen, he is also longing for a “sparring” partner… He will recognize that friendship and family can be a source of joy. He needs to stop mistrusting people… And it is the same for Heesung. The latter chose dishonesty and manipulations out of fear and mistrust towards people.

Since yin and yang are connected to time, it reinforces my prediction that Joo Jaekyung will have a revelation in front of the sunset: (chapter 53) Red and yellow are strongly connected to Yang. The latter is conceived of as heaven, maleness, light, activity, and penetration..And now, you comprehend why I am expecting an Enlightenement from the athlete on the beach. Hence I am expecting that the champion will come to recognize the doctor’s true character there: he is strong, brave, manly and so selfless. He is not a baby like in the bathroom. Yes, I am expecting a new version of this scene (chapter 53), where both roles are switched. And now, it is your turn to reread the first season and interpret the sex scenes under the yin and yang aspects, like in this scene: : (chapter 39)

However, like you could see it in the title, I am planning to compose a second part… I left clues about the focus in the illustration.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Reluctant Moving 🚗🦽

1. The role of Routine in Jinx

In my last essay La Vie En Rose , I named Choi Heesung Mister Boredom, while I introduced the champion as Mister Routine explaining why the latter would reject the artist. (chapter 30) Whereas the protagonist sees in a pattern a shield and protection, the other considers it as a source of danger, for the person doesn’t feel alive.

1. 1. The prince’s perception of routine

As you can see, Heesung views regularity as a synonym for death. Why? His reason is simple. He doesn’t sense his heart racing. Interesting is that when the physical therapist interacted with the actor for the first time, the former didn’t treat him as a celebrity, but as a normal patient. Choi Heesung was simply a human in the protagonist’s eyes and nothing else. (Chapter 30) Kim Dan had heard the conversation between the artist and his manager before offering his help and approaching him. Then when he took his hand for an examination, he was not holding it out of admiration. (Chapter 30) No wonder why the doctor caught his attention. The pink haired star got surprised by such an unusual treatment. The irony is that the main lead was doing nothing out of the ordinary. This shows that till this meeting, the actor had always been treated as a prince, for the latter had always been privileged. It is not surprising that Heesung found Joo Jaekyung refreshing. (Chapter 30) He was the only one who would not consider him as special, rather as bothersome. Yes, he was not favored by the emperor. Under his new light, it becomes comprehensible why Mingwa let the gumiho play the role of a prince wearing a purple hanbok with Potato: (Special episode 2) The purple hanbok is strongly connected to Joseon royalty. (For more read my essays about Painter Of The Night) In addition, while the comedian thinks, it is a fiction, he is wrong in verity. It was a reality, for he has been living like a sovereign. And now, you comprehend why Heesung praised the physical therapist to the sky. (Chapter 30) By treating him like an average patient, he could only appear as very professional and competent. (Chapter 30) He was seen as a serious and honest doctor who was not looking for favors and recognition. So I deduce that the actor felt moved by such a selflessness and care. (Chapter 30) We should consider this image full with stars as a metaphor for the comedian’s heart racing. To conclude, their first encounter reflected Heesung’s philosophy: his desire for novelty and genuine attention, while he is longing for normal treatment and as such for an ordinary relationship. The expression “soulmate” is implying the notion of equity. Thus because of the doctor’s actions, Heesung felt alive. Funny is that by discovering the doctor, Heesung was encouraged to accept routine. Therefore he came to the gym on a regular basis. (Chapter 31) This shows the inner conflict of the actor. Deep down, he dislikes being treated as a prince and would like to be seen as a man and nothing more. Normality and regularity stand in opposition to privilege and novelty. On the other side, he seems to reject averageness and commonplaceness. Therefore he likes to show off his wealth: (chapter 32) Through the ukes (Potato and Kim Dan), the fox is experiencing the positive aspects of ordinariness. He drinks soju while eating a cheap meal on the street to drown his sorrow (chapter 35) or he imagines to have sex in a barn next to a crowded place. (Special episode 2) As you can see, thanks to the new episode, I realized that Potato’s role is to make him give up on his special status and privileges. In the bedroom, he might become the master, but outside he will be forced to work for someone else: Potato and as such for the main couple. And this brings me to my next prediction. Look how Mingwa ended the second special episode: Manhwaphiles see Potato running away, because he is embarrassed. For me, it indicates that Potato will turn his back on Heesung. Yes, we should see this ending as the positive reflection from this night: (chapter 53) Back then, the champion didn’t imagine that the doctor had already started distancing himself. However, here it is clear that contrary to the main lead, Yoon-Gu doesn’t plan to leave the actor or to neglect him at all. He is a very mature and responsible person. Besides, he has just accepted his suggestion: he plans to visit him on the set. However, Heesung is about to learn important life lessons. Life never goes as planned. Furthermore, he will be forced to question his principles and his behavior. (Special episode 1) He needs to become responsible. He won’t get sick of his lover, and he is going to miss him terribly. In my eyes, Choi Heesung is about to go through the same experience than his frenemy: regret and longing. He should have paid more attention to the physical therapist and the champion (chapter 35), as their relationship is affecting his own life. How so? It is because the young MMA fighter is a stan of Kim Dan and Joo Jaekyung! (Chapter 35) Let’s not forget that when Yoon-Gu helped the physical therapist in the locker room, he was indirectly assisting the star. (Chapter 49) The problem is that in season 1, he was rather distant and privileged the celebrity. Therefore he didn’t protect the physical therapist properly. Since the maknae is really sad about the doctor’s departure (chapter 52), it becomes clear that his interest aligns with his idol’s. (Chapter 53) Therefore he can only support the champion’s decision to bring back the main lead. Yet, under the orange tent he decided to cheer them on from afar. Thus I am now inclined to think that the maknae could choose to become more proactive, when it comes to Kim Dan.

The other reason for envisioning a separation is that in the latest episode, readers could see the fox’s blushing. (Special episode 2) The latter got more pronounced, as time passed on, a sign of his rebirth or revival. He is on his way to fall deeply in love with the maknae, because he is having fun all the time. (Special episode 2) Fascinating is that the expression “to have a ball” (a synonym to enjoy oneself) is related to Cinderella.

Cinderella is a fairy tale about transformation and disguise. The young woman is able to climb socially thanks to a her godmother, a hidden sponsor!! One might think that Potato is a new version of Cinderella and Heesung is his future sponsor. Yet I believe that the actor will make the opposite experience than the original protagonist’s. Through Potato, Choi Heesung will discover a new world… MMA fighting, criminality and even misery. My avid readers should recall that when he was sent to the gym, he was reading a script entitled: EXTREME WORLDS (Chapter 29) He has only lived in one so far due to his privileges. It was, as if he has lived in a fairy tale, far away from reality. Now with Potato, he is finally able to live out his fantasies, hence his fairytale-like world has just lost its reason to exist. Thanks to Kim Dan and Potato, the comedian is brought back to reality. He is discovering not only averageness, but also the true significance of routine and normality. Thanks to the latter, trust and intimacy can deepen. He found out that he can experience novelty through sex.

Interesting is that the actor is now trying to include his lover in his professional life. (Special episode 2) It was, as if he wanted Potato to switch his career. It exposes his desire to be close to the maknae. However, with the champion’s downfall and the physical therapist’s departure, I am quite certain that Yoon-Gu’s position at Team Black is about to change. The gym needs to become successful again and present new athletes. Yoon-Gu can no longer be treated as an extra!! His future is now important for Team Black and Park Namwook. Finally, he proved his worth by fighting the older and bigger fighters at the restaurant. Thus I doubt that Choi Heesung can make a deal with Park Namwook like in the past.

1. 2. The champion’s habits and Heesung

Then in her last notes, Mingwa described Joo Jaekyung’s daily schedule. The moment you read this note, you can grasp why the athlete would consider the comedian as a total nuisance. It is because the former couldn’t focus on his training (other exercises: CrossFit, Gym, mostly weights). As a conclusion, the athlete had many reasons to view the artist as bothersome. On the other hand, since Heesung is on his way to adopt regularity, I deduce that the champion’s fate is to accept surprises and changes in his life. And now, you know why their first encounter ended like this: (chapter 1) No one had ever run away from him like that. He was used to face opponents who would challenge him or people who would admire him. Notice that the doctor is turning his back on him, which contrasts to the morning after their first sex session. There, the protagonist chose to vanish into thin air behind the champion’s back after spending the night with him. (Chapter 4) However, in the athlete’s mind, the doctor had not abandoned him, for he imagined that Kim Dan was motivated by his greed. He was just interested in money. As you can see, Kim Dan represents novelty and exception. Nonetheless, the problem is that till the end of season 1, the fighter never came to see novelties and sudden events as something positive. (Chapter 53) Under this new light, Manhwaphiles can grasp why the celebrity hates birthdays and surprise parties. They represent a violation to his regular schedule. (Chapter 43) (chapter 53) So when he refuses the doctor’s resignation, he exposes his true mind-set once again. Kim Dan has already become part of his daily routine. Thus the Webtoonist had included the doctor’s schedule in the notes. But there’s more to it.

The moment Kim Dan moved to the penthouse (chapter 19), the athlete didn’t change his daily schedule at all. On the one hand, Manhwa-philes could judge this as a sign of his selfishness. On the other hand, it exposes his lack of sociability. He had never lived with someone else before. Since we never saw his family or heard about his parents in the first season, I assume that he is a true orphan contrasting to the physical therapist’s situation. Yet both have one common denominator: abandonment issues. The absence of family displays the difference between the two semes. While the actor embodies favoritism and nepotism which is strongly linked to family, the other represents the opposite values: indifference, meritocracy and business. Thus the Webtoonist created such a scene: (Chapter 31) He only gets respected, as long as he is “bringing money” to Team Black (Chapter 52) and MFC. According to me, people from MFC had expected the athlete’s defeat in the USA so that I am quite certain that they had bet on his loss. Because of meritocracy, it is normal that Joo Jaekyung trained so hard on a regular basis. Besides, his routine outlines the importance of his work in his life. His career means everything to him. In fact, it represents his life. Thus it is not surprising that his daily schedule would center on his training. Simultaneously, Manhwa-worms can understand why the champion had no time to meditate and question his believes and way of life. He had no time for something else. Under this light, it dawned on me why the athlete expected from Kim Dan to adapt himself to his daily schedule. The latter had to develop a routine based on the champion’s training. Furthermore readers can grasp the fighter’s behavior in the following image. (Chapter 19) Joo Jaekyung is leaving for the evening training, and he is making no exception. However, as time passed on, the athlete came to make an exception for the doctor. Because of the actor, the athlete chose to neglect his training once. (Chapter 32) According to me, he never went to his training. And shortly after, he was involved in a scandal.

2. Mister Routine, Mister Change and the Wedding Cabinet

(chapter 19) Interesting is that we are witnessing the MMA fighter turning his back to the physical therapist. He is leaving his destined partner behind. From my point of view, his words (“Do what you want”) imply that he is not recognizing the doctor as a valuable and necessary PT, for he is not including him in the evening training. I would even go so far to say that Joo Jaekyung is treating the protagonist as a part of his furniture. In my eyes, the fighter came to associate him with the halmoni’s Wedding Cabinet. It was, as if in the champion’s unconscious, the doctor had become the beautiful cupboard.

This interpretation helps to grasp why the athlete neglected his lover for 10 days (chapter 19) and why he got upset and scared (chapter 53), when he saw the Wedding Cabinet in the hallway. (chapter 53). In episode 19, the champion really viewed the main lead as an object (chapter 19). Therefore he focused on his training and didn’t pay attention to Kim Dan’s whereabouts and actions. However, it changed, as soon as someone reminded him of Kim Dan’s true nature: (chapter 19) he was a human. According to my theory, the coach Jeong Yosep was behind this trigger, since he is the only one at the gym with a failed relationship. (chapter 05) Hence he called him from the gym making sure that he had not blocked him or even vanished. Under this new light, Jinx-philes can understand why he felt the urge to have sex with Kim Dan. It was to remind him that he would belong to him. Yes, unconsciously, the athlete projected his own thoughts and fears onto his fated companion. (chapter 19) Yet, with such an order, Kim Dan appears more as a sex doll than as a free human being. This scene is important, because this reminder showed him that the latter could leave the flat behind his back, he was not obliged to wait for him at his penthouse. Since the fighter was seen wearing his shoes in the bathroom (chapter 19), many Jinx-philes had been able to discern the fighter’s past (invisible) action. He had been looking for the doctor in the huge penthouse, the older version of this scene (chapter 53). Since the latter is so big, the absence of light and noise must have startled the main lead. (chapter 19) The doctor had barely left traces in the apartment. Only the cupboard was the evidence of his presence in the flat. However, this object could be left behind… exactly like Joo Jaekyung had treated Kim Dan in this panel: (chapter 19) Moreover, let’s not forget how the protagonist viewed the huge furniture. (chapter 19) It was worthless. My point is that Joo Jaekyung must have realized in episode 19, when he returned to the penthouse that Kim Dan was different from the cupboard, he was no object at all. And now, you comprehend why the main lead said this to the doctor in the bathroom: (chapter 19) First, he was compared to a prostitute, then later to a baby. (Chapter 20) This scene proves that Joo Jaekyung was viewing his lover as a human. Additionally, the comparison to a whore was to mask his previous anxiety and thoughts. He had been looking for him. He needed to appear as strong and superior, the one with the upper hand.

This interpretation raises the following question. Did he keep viewing him as a human after this episode? My answer is positive, though on the surface it looks like he reverted back to his old ways. (Chapter 33) Here, he tried to give pleasure to the doctor, for he saw Choi Heesung as a huge rival. The latter is known for being a better lover. It was, as if he was trying to give a reward to his companion. Moreover, I believe, the sex toy was there, because the champion feared that he wouldn’t be able to control his emotions and actions. Then in this scene, one might argue that the champion treated him as a sex doll (chapter 36) However, my avid readers should keep in their mind that sex was like a surrogate fight. Thus we could say that in this panel, the physical therapist is actually treated like a “fighter” and enemy. Then when the champion criticized him for his bad decision, he was finally recognizing him as a physical therapist. (Chapter 45) As Manhwaworms can observe, the room mate’s social status was improving. I would even add, the athlete was putting more and more responsibility on the main lead. A sign that despite the appearances he was trusting him more and more. On the other hand, one might argue about this analysis, for after the quarrel, the fighter started distancing himself from his PT. He would no longer talk to him and even ignore him. (Chapter 47) So anyone would say that he is no longer treating Kim Dan as a human. However, this is just a deception. How so? It becomes perceptible, when you contrast the last panel with this one: (Chapter 19) That’s why my illustration displays both pictures next to each other. What caught my attention is that earlier in the season, the celebrity talked to doc Dan, but he was showing a certain disrespect towards his room mate. His Wedding Cabinet was garbage, he was not included in his evening training. Like mentioned above, he was treated like a furniture. Nevertheless, in chapter 47, Joo Jaekyung chose the silent treatment. It shows that he was now considering him as a member from Team Black, but because of Park Namwook’s warning, (chapter 47) he kept everything to himself. Indirectly, he was questioning his PT’s loyalty. This shows that the miscommunication and silence were the results of the coach’s advice and intervention. This means that due to his manager’s words, the champion started doubting the physical therapist. Thus I come to the following deduction: though the athlete asked Kim Dan to get out of his side (chapter 51), unconsciously the star made the opposite decision: he started considering him as a real member from Team Black. Why? It is because the doctor had touched his heart and mind with this question: (chapter 51) He had broken the final wall between them. This explicates why the moment Joo Jaekyung heard about the doctor’s resignation, (chapter 53), he refused his decision. This means indirectly, he is admitting that the protagonist is a trustworthy and competent PT! His attitude contrasts so much to his coach’s who imagines that doc Dan can be replaced so easily. (Chapter 53) In my opinion, the one behind the champion’s mistrust is the manager. I even have the impression that he is also responsible for his mistrust against doctors, as they are no fighters. Either it is because he has an inferiority complex against such people or it is related to MFC. He only trusts the organization and its members, as such he only trusts doctors from MFC. To conclude, at the end of season 1, Kim Dan is recognized as a trustworthy physical therapist and as a real member from Team Black.

And now, you are wondering the signification of the cupboard in the final episode from season 1. It is time to examine more closely this scene. (chapter 53) When the doctor left the penthouse, he disposed his halmoni’s Wedding cabinet. In other words, he treated the precious furniture as junk, turning the champion’s words into a reality. It was, as if the doctor had taken the MMA fighter’s words seriously. However, Kim Dan didn’t act that way because of the athlete’s false judgement. It is just that the doctor came to consider the wedding cabinet as a burden. Thus he treated it as junk. For him, the furniture only had a sentimental value. It symbolized the grandmother. But why would he consider it as an onus then? First, he couldn’t bring the cupboard to the West coast, too expensive and troublesome. Secondly, he wouldn’t have been able to place the Wedding cabinet in a small flat. (chapter 16) In addition, Kim Dan had kept it for his halmoni’s sake. (chapter 53) She was the one who loved it so much. But since she is trying to reconnect to her childhood and nature, she no longer values it. Yes, the halmoni is falling more and more into childhood, the closer she is to death. Thus she came to repress her marriage. As you can see, the elderly is slowly forgetting her own past and as such Kim Dan. She is trying to relive a moment from her childhood, a time when the grandchild didn’t exist. (Chapter 53) Thus I deduce that Kim Dan can no longer view the Wedding Cabinet like before. I believe seeing the cupboard would be painful for doc Dan, as he would be constantly reminded of his grandmother. (Chapter 53) This image is full of symbolism. Kim Dan is now able to touch the cold Wedding Cabinet, a sign that he is accepting his grandmother’s death. By biding farewell to the furniture, he is preparing himself for the inevitable: his halmoni’s vanishing. It was, as though he was saying goodbye to his relative. That’s the reason why his smile is full of sadness, when he is pushing his relative’s wheelchair. (Chapter 53) Her death has become a taboo. He is full of resignation. Contrary to the past, he is willing to face her death and as such to be by her side on her final moments. Yes, this panel (chapter 53) exposes the doctor’s painful transformation. He is now a grown-up. Though he is forced to change, he is not upset because he is accepting his fate. However, the champion came to associate the cupboard with Kim Dan. So I assume that with the doctor’s departure, for the celebrity, the furniture has now a sentimental value. For me, Manhwaphiles should consider these two pictures (Chapter 53) (chapter 53) as a reflection of this chapter: (chapter 46) (chapter 46) In both scenes, the doctor came to resign and lower his expectation. Thus I deduce that after the final episode, the champion will come to treasure the objects left behind by the physical therapist. Notice that he didn’t throw away the letter. By keeping them, the athlete would show how much he appreciates Kim Dan. In addition, the letter is wishing him well, which no one has expressed so far. The letter oozes trust, confidentiality, admiration and closeness. Hence I deduce that at the end, Joo Jaekyung is heartbroken, though he can not clearly voice his emotions. (Chapter 53) Yet, in opposition to the doctor, he has long internalized to fight for himself. Therefore I am certain that the champion will follow the physical therapist’s trail. And that’s how he will be pushed to drop his habits and develop a new “routine”, where he is no longer the one determining the daily schedule. In my eyes, the grandmother should play a bigger role in his life, as the doctor decided to give her comfort until her final moment. That’s how I am imagining that both will come to an agreement how to redefine their life together. As you can see, by following the physical therapist, the athlete is pushed to leave not only the penthouse, but also the gym. He is on his way to discover new horizons. Since the gym represents routine and training, this signifies that the athlete can no longer follow the same daily schedule. The champion’s suspension is in reality a blessing in disguise. He has the time and the occasion to meditate about his life.

3. Traveling and rebirth

This brings me to my next aspect. In season 1, the champion often went to new places in South Korea because of Kim Dan. When Park Namwook asked his boy to take care of the doctor, the champion discovered his poverty and debts. (Chapter 17) Then when he brought the physical therapist to Heesung’s home, he used the GPS, a sign that he was not familiar with the route. (Chapter 33) Interesting is that when he heard his regular nightly disappearances, he never tried to follow him. (Chapter 45) Why? It is because he was always back in the morning. Furthermore, despite his exhaustion, the physical therapist was still following the daily schedule. Because Kim Dan wanted to keep it a secret, the champion was forced to feign ignorance. Thus he couldn’t question him about his whereabouts. In addition, I can also envision that he must have thought that it was related to his grandmother. Don’t forget that he experienced once how the doctor had left his side due to a phone call in the middle of the night. (Chapter 21) Since the athlete’s life is revolving around routine, I am quite certain that he must have jumped to conclusions based on his first experiences… the birth of prejudices. Thus I have the feeling that Park Namwook’s biased perception concerning his champion is also influenced by their first meeting and experiences. It is important, because such a mentality fixated on daily schedule represents a hindrance for the mind. Routine often leads to close-mindedness and lack of critical thinking. At the same time, this new interpretation explains why the athlete got so worked up and upset, when he received the golden chain. (Chapter 45) It is because all this time, the athlete had been worrying about the doctor and in the best case about his grandmother. Becoming a courier during the night could only give the impression that the halmoni’s health had improved and the expensive treatment was working. In my eyes, the fighter couldn’t ask his physical therapist about his relative’s physical condition either, for it was not his place to ask. He is first and all the PT’s employer. Besides, the physical therapist has always been secretive about his own private life and family, just like the fighter. Therefore I assume that he must have projected his own mind-set onto the doctor, he would not look into the physical therapist’s life. And what was the doctor thinking about the star during season 1? The more time passed on, the more he got curious. To conclude, since the beginning of the story, the celebrity never showed an interest and curiosity to his fated partner. This observation leads me to the following conclusion. In season 2, it is the athlete’s turn to become curios about his lover’s past and life. At the same time, as soon as Kim Dan paid more attention to his lover, he also reflected on his own life, like for example in this scene: (chapter 16) He wondered why the athlete had kissed him, which made him realize that it was his first kiss. Therefore I come to the following deduction. Joo Jaekyung will be forced to discover his lover’s like and dislike which will incite him to become more honest about his own desires and passions. We have an allusion to this development in season 1: (chapter 27) Thanks to his companion, he remembered how much he likes swimming! He had totally repressed it. To conclude, Joo Jaekyung’s travel shouldn’t be just perceived as a journey to the West Coast and Kim Dan’s side, but as an inner journey! He is on his way to discover himself and reconnect to his childhood, or better said to his inner child. This signifies that he is actually following Shin Okja’s footsteps which is regression to childhood. (Chapter 53) Thus my theory is that he will go to the beach and be moved by the beautiful sunset. So far, he has never paid attention to his surroundings and nature. There is another reason why I come to this expectation. I saw parallels between the last picture and this one: (chapter 53) Both are connected to travel. Though both are alone, their experience is totally different. Why? It is because of the contrasts.

The grandmother Joo Jaekyung
nature civilization
sun artificial light – night
closureemptiness
beautiful – impressed Hates this moment – sadness
Companionship – she doesn’t feel isolatedloneliness
death – departure ”death of the hero” – departure to the unknown

The view over the city is offering no comfort to the star. He feels miserable and lonely. He is finally realizing that despite his money, he has no one by his side. He is now regretting the past… exactly like the grandmother. Since both are regressing to childhood, it is very likely that the athlete will develop a certain closeness to the halmoni. Contrary to the first season, it shouldn’t be reduced to one short moment. Don’t forget that in episode 21, Kim Dan had doubted his relative’s statement: (chapter 22) He would have the opportunity now to verify this statement.

Since my hypothesis is that he will travel and follow the doctor, he will reconnect with nature. The ocean is the place where the goddess Aphrodite was born. It is the place of Love. Hence I believe that in front of the ocean, the human Joo Jaekyung will be reborn! He will no longer be the star, the champion… but simply an average human. He will not only love the doctor (admit his feelings for him), but also love himself. Mingwa has already indicated his journey to the ocean with this image:

For the champion has to learn to meditate and to identify his own emotions, it makes sense why the Webtoonist announced that season 2 would be a slow burn and would focus on emotions. Besides, he has now to pay attention to the grandmother and Kim Dan. Since it is only a matter of time, until Shin Okja dies, I associate her vanishing as a change too. Because of her, Joo Jaekyung is forced to accept novelty as something natural. Life can not be predicted… Changes can also be a source of joy… like the jokes. We have the perfect example in chapter 27: (Chapter 27) (chapter 27) Thus we should see a more gentle and humorous fighter in season 2. Since he is suspended, he can no longer associate sex with fighting! He has now time to enjoy life. He has someone by his side watching his back. He can now learn how to relax. He should come quickly to the conclusion that his career doesn’t represent his life. He could do other things. He is no longer fighting against time, as the latter has been suspended: 3 MONTHS! The god Saturn, Kim Dan, will teach him the true value of time. And that’s how Park Namwook will lose his boy to the physical therapist.

PS: I hope, this essay made you looking forward for season 2.

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