Jinx: Fickle Jinx 🐈‍⬛, Faded Past

Introduction: The Evolution of the Jinx

Joo Jaekyung’s perception of his ‘jinx’ has undergone a significant transformation since the beginning of Jinx. Initially, he believed that his routine (chapter 2) —having sex the night before a match—was a necessary ritual to maintain his champion title. However, by Episode 62, his view of the jinx had subtly shifted. (chapter 62) He now includes his entire routine with Kim Dan—not just sex, but also his physical therapy and treatment—as part of this so-called jinx. This shift is crucial because it implies an unconscious recognition of Kim Dan’s significance in his life. What once was purely about his career and success has now expanded to include a specific person and their role in his well-being.

Kim Dan, however, misinterprets Jaekyung’s words. First, the athlete employed the expression “usual pre-match routine” which is quite ambiguous. What was he referring to “usual pre-match routine”? The sex or the treatment he was receiving from Kim Dan: the tasty breakfasts, his company on his way to the gym (chapter 46), the stretching and massage at the gym? The problem is that the champion never complimented the “hamster” for his good work directly. So it was, as if his dedication was nonexistent. Without the champion’s genuine gratitude and appreciation expressed so openly, the physical therapist couldn’t perceive the true message behind the champion’s. Joo Jaekyung’s statement was actually an acknowledgment—a sign that the fighter values their routine, not just for performance but as an integral part of his life. So when the star mentioned his jinx (chapter 62), the doctor’s memory got triggered. Because of his past experiences, he has long associated the jinx exclusively with sex. This contrast in understanding highlights both Jaekyung’s lack of self-awareness and Kim Dan’s tendency to filter reality through his own expectations and trauma. However, the deeper significance lies in Jaekyung’s evolving perception of dependency. His jinx is no longer just a superstition tied to his performance in bed. It now subtly acknowledges that his success has been intertwined with Kim Dan’s intervention. (chapter 62). At the same time, his skills in the ring become more relevant. This explicates why the champion talked about it on the treatment table. The location is not anodyne. This implies that the champion’s torment is moving away from the bed and bedroom. This is not the first time the celebrity has recognized Kim Dan’s good work (chapter 61) By entrusting his care to Kim Dan, he was insinuating that the main lead was trustworthy and competent, yet his inability to verbally express appreciation keeps the doctor unaware of his true feelings. This struggle resurfaced in front of the hospice, where Jaekyung could only bring himself to admit that Kim Dan was not responsible for the incident with the switched spray. (chapter 62) His reluctance to openly acknowledge his gratitude suggests a deeper internal conflict—one that hints at a growing but unspoken emotional reliance on Kim Dan. 

Another cause for this inner struggle stems from his difficulty to separate his professional and personal life. While he continues to frame his reliance on Kim Dan as part of his career routine (chapter 62), his subconscious attachment tells a different story. The jinx, once strictly confined to his fights, has now extended beyond the ring, blurring the lines between necessity and emotional dependency. His hesitation to verbalize his appreciation reveals a man grappling with an unfamiliar vulnerability—one that he may not yet be ready to confront. 

The champion’s past: fixed foundation or distorted memory?

As you know, articles from Dr. Jennifer Delgado often assist me to grasp better the couple’s personality and issues. Funny is that her articles often coincide with the progression of Jinx. In her recent article, You Are Not Your Experiences, the author explains how people often mistakenly identify themselves with their past experiences, believing that their traumas, failures, or successes define who they are. She argues that while past experiences shape our perspectives, they do not have to dictate our future choices.

This means that people need to break free from their past. However, in order to achieve this goal, they have to recognize past experiences as a reference rather than a destiny—something to learn from, but not something that confines personal growth.

Emotional Traps: Fear and Avoidance

One of the most common ways people become trapped by their past is through fear-driven decision-making. Those who have faced failures, disappointments, or trauma may avoid opportunities for change out of fear of repeating past mistakes. This avoidance does not create true freedom but rather reinforces a cycle of limitation.

Conversely, others may become so deeply attached to their past choices that they justify and cling to them, believing that changing direction would undermine their previous efforts. This mindset prevents self-reflection and the possibility of meaningful transformation.

The Power of Choice

True autonomy comes from self-awareness and intentional decision-making. Instead of reacting based on past fears or past justifications, individuals can reclaim control over their future by making choices that align with their present values and aspirations. The ability to consciously choose a path forward, rather than following patterns dictated by past experiences, is what ultimately leads to growth, fulfillment, and personal freedom. I am quite certain that my avid readers could recognize the main characters in these descriptions. It becomes obvious that Joo Jaekyung belongs to the second category. His perspective on time is one of continuity and justification. He sees the past as an unchangeable foundation (chapter 62) that naturally determines the future, a mindset that enables him to move forward without regret. Hence he is sure that he will regain his title and can separate ways with Kim Dan. (chapter 62) It was, as if he was warding off bad luck by repeating the last match. For him, past choices are justified by their results—he has built a successful career through sheer discipline and sees no reason to question his trajectory. His mentality reflects the belief that one’s past is a stable structure upon which the present and future rest. This perception explains his resistance to self-reflection and emotional vulnerability; admitting a mistake would mean disrupting the stability he relies upon.

His refusal to listen to emotional advice, especially concerning Kim Dan’s well-being, can be traced back to his survival-driven upbringing (chapter 54), where emotions were likely dismissed as obstacles. Instead, he follows only what aligns with his success: the advice of figures like Park Namwook and Yosep, who reinforce his pre-existing beliefs about strength, control, and endurance. Hence he was pushed to fight despite his ankle injury. (chapter 50)

However, as recent events unfold, his foundation is beginning to show cracks—particularly with Kim Dan’s absence, forcing him into a state of emotional confrontation that he has never encountered before. His departure made him feel not only lonely, but also cold and stressed. And because his past determines his future, it signifies that Joo Jaekyung is caught in a cycle where his past successes and struggles dictate his present mindset. (chapter 61) This rigid perception prevents him from questioning his past choices or embracing change, reinforcing the illusion that repeating past patterns will restore stability. However, as his reliance on Kim Dan grows, the boundaries between his personal and professional life blur, challenging his belief that he can control his future by clinging to his past.  (chapter 61)

But what happens when the past is not remembered correctly? When Jaekyung convinces himself that everything was fine before his tie with Baek Junmin (chapter 62), he is unknowingly rewriting his own history. This distortion is further reinforced by external voices —MFC (chapter 57) and Park Namwook (chapter 54), who claim that Jaekyung ‘lost’ the fight, when in reality, it was a tie. The very way people around him are framing the event warps his perception, creating a false narrative where his struggles seem to stem solely from this supposed ‘loss.’ His belief in a stable past provides him with a sense of security, but that illusion is fragile. In addition, if his struggles predated his championship loss (chapter 29), then reclaiming his title cannot be the solution he believes it to be. Finally, what happens when he is forced to confront the reality that some of his past choices were mistakes – ones that he can no longer attribute to the jinx or external circumstances, (chapter 13) because they affected the doctor’s life? (chapter 41) In one case, he refused to listen to his friend’s advice, whereas he trusted the words from MFC, MFC doctors and his hyung. When the foundation he has relied upon begins to crack, Jaekyung’s entire mindset is shaken, forcing him to question whether his past truly holds the answers he seeks. We could say, the athlete needs to be betrayed by his own past in order to throw his old belief. The latter is strongly intertwined with the organization MFC and authorities in general. Questioning his past equals challenging the company MFC and his past “guardians”: the terrifying ghost and even his two hyungs.

As my avid Jinx-philes can sense, the champion is actually going through a similar path than his lover. Joo Jaekyung has a distorted perception of his past. In Episode 61 (chapter 61), he expresses the belief that reclaiming his championship title will rid him of his headaches, nightmares, and sleepless nights. However, the reality is different—he was already suffering from insomnia long before he lost his title. (chapter 29) The origins of his struggles existed before his recent failures, suggesting that his belief in a simple solution—reclaiming his title—is an illusion. This disconnect reveals how deeply his professional and personal life are entangled; his need for control in the ring has masked his deeper emotional vulnerabilities. He isn’t merely striving for victory—he is chasing the illusion of stability, believing that his success is the sole factor that determines his well-being. (chapter 54) But as his nightmares and frustration intensified, it becomes clear that his problem is not the loss of his title, but the erosion of the identity he has built upon it. This means that the longer he stays away from the gym, the more the fighter is learning about himself. He is more than just a MMA champion. To conclude, he is on his way to redefine himself, to discover his humanity.

  • The very fact that he associates (chapter 61) the headache and nightmares only with his loss suggests that he has rewritten his own history, convincing himself that he was completely fine before his tie with The Shotgun.
  • This distortion reflects his habit of suppressing personal struggles—a conditioned mindset that prioritizes his image and career over his mental and emotional well-being.
  • His unconscious rewriting of events serves a psychological function: blaming the championship loss allows him to avoid deeper introspection. Under this new light, you comprehend why he is not investigating the matter with the switched spray and the rigged game.

This pattern extends to his changing interpretation of the jinx. Originally, his pre-match ritual was about control. It was a way to ensure consistency and maintain a sense of power over his performance. However, by integrating Kim Dan into this ritual, he unknowingly shifts its meaning—it is no longer solely about control, but also about dependence. But there is more to it. The moment you contrast this recollection and belief (chapter 61) with the champion’s rejection in the bedroom with this excuse (chapter 29), you will realize that alone in his penthouse, Joo Jaekyung was actually admitting the importance of sleep and rest. His earlier belief in relentless training as the key to success now clashes with his realization that exhaustion is affecting him. This shift signifies an unconscious admission that his well-being is not just tied to physical endurance but also to recovery and relaxation—something he previously dismissed. This realization subtly parallels his growing dependence on Kim Dan, reinforcing the theme of blurring lines between his professional and personal life. And what had occurred after this magical blue night in the penthouse? (chapter 30) The athlete woke up later than usual. In fact, he was rather late, for he was still wearing his pajamas, while the doctor had already taken his shower. But back then, observe how he opened the door! Like a clumsy beast, grump leopard! Why? In the past, I explained that he was seeking the champion’s closeness, but didn’t know how to approach his partner. I am now adding another aspect. He was actually annoyed, because he had not been following his daily routine!! Under this new light, it becomes comprehensible why the champion had such a “angry” facial expression, while deep down he was happy. The older version of this scene: (chapter 44) However, this means that in episode 30, he never acknowledged his dependency on the physical therapist for his rest loudly. On the other hand, it explains why the champion felt threatened, when the actor approached his “lavender-tinted pillow” or “sleeping pill”. (chapter 31) In fact, he used guilt to create a link between him and his roommate. That’s the reason why I am more than ever convinced that the champion will sleep better after this lavender-tinted night. (chapter 63) But contrary to the past, the athlete should come to recognize his lover’s great sleeping power officially. This made me laugh, imagining Kim Dan’s reaction, when the latter sees that his wish (chapter 62) won’t come true at all. 😉 He will stay longer and ask for Kim Dan’s presence during the night.

Kim Dan: The Past as a Lesson to Escape

Dr. Jennifer Delgado’s assertion that the past should be a reference, not a destiny directly applies to Kim Dan. Although the physical therapist believes he is actively shaping his future by rejecting his past, in reality, his decisions are still dictated by fear—fear of repeating past mistakes, fear of attachment, and ultimately, fear of abandonment. He belongs to the first case described above. He regrets to have developed feelings for the champion, therefore he wants to relive their first night together. (chapter 62)

Fear and Avoidance Dictate His Choices

Rather than truly choosing his future, Kim Dan structures his life around avoiding his past. (chapter 56) His childhood and early adult experiences, marked by financial hardship, emotional neglect, abandonment, betrayal and powerlessness, have conditioned him to associate attachment with suffering. Because of this, he withdraws from relationships (chapter 56) and opportunities that could offer him security, convincing himself that he is protecting his independence when, in truth, he is reacting to past trauma rather than making an intentional choice.

This aligns with Delgado’s concept of emotional traps, where individuals believe they are exercising free will when they are actually making fear-based decisions that keep them stuck. Kim Dan’s reluctance to let Jaekyung back into his life is not just about his personal preferences—it is an extension of his attempt to escape a future that resembles his painful past. (chapter 46) (chapter 46)

The Illusion of Control: Running Instead of Choosing

Delgado emphasizes that true freedom comes from conscious decision-making, not reactionary avoidance. Kim Dan, however, has yet to reach this level of autonomy. By pushing people away, he believes he is exercising control over his life—but in reality, his choices are being made for him by his unresolved fears. He resembles a lot to the athlete in season 1. He is not moving toward something new; he is merely fleeing from what once hurt him. This means that he is imitating his grandmother as well. And now you comprehend why both liked each other immediately. Both could recognize in each other. But living like his halmoni has terrible consequences, for unhealed wounds of the mind fester beneath the surface, seeping into the body like cracks spreading through glass—until even the strongest foundation begins to break. (chapter 19) She became terribly sick, while the other had to get surged and risked his career. There is no doubt that the halmoni is hiding her pain as well. Kim Dan’s declining physical and emotional state further reflects the consequences of living in avoidance. (chapter 61) He is endangering his life. Instead of taking action to improve his well-being, he isolates himself, refusing help even when it is necessary. His reluctance to accept care—be it medical, emotional, or relational—mirrors the very trap Delgado describes: mistaking survival for true agency.

The Turning Point: Breaking Free from the Past

For Kim Dan to truly reclaim his future, he must stop defining himself by what he is running from and start choosing based on what he genuinely wants. Someone needs to remind him of these feelings: (chapter 62) If he continues making decisions based on past fears, he will remain trapped in the same cycle, unable to experience true growth or emotional fulfillment.

Delgado’s article suggests that the key to breaking free lies in self-awareness—Kim Dan must first recognize that his past does not define him before he can truly take control of his life. That’s the reason why I perceive the doctor’s suggestion in a positive light: (chapter 62) Here, he is actually facing his past which he has strongly connected to regret and remorse. Don’t forget that after this night, he is expecting Joo Jaekyung’s departure. (chapter 62) That way, he can move on. But what the “hamster” fails to recognize is that the Jinx was brought up in a different location. (chapter 62) Unlike in the past, this conversation takes place in the living room indicating transition from transactional interactions to genuine connection. Unlike the bedroom (chapter 3), which has been the setting of power imbalances, physical dominance, and silence, the living room represents a shared space—a place where dialogue and openness can exist. But why is the bedroom linked to silence? It is because of the TV, the third invisible companion! (chapter 48) Hence during that night, none of the protagonists talked sincerely to each other. And now pay attention to the living room at the hostel: (chapter 62) The TV is not switched on!! That’s how it dawned on me why Mingwa made Joo Jaekyung live alone for a while. (chapter 54) He needed to get rid of this poor habit: watching TV or cellphone. He had to realize that the TV or cellphones were never real companions and never brought him peace of mind! This was the invisible “love” triangle. Back then, the athlete deceived himself by thinking that he was truly self-reliant, while in verity he was dependent on his cellphone and the TV.

In Episode 62, (chapter 62) the shift to the living room for their conversation about the jinx is significant because it suggests that Jaekyung and Kim Dan’s relationship is evolving beyond purely physical interactions. The living room is typically associated with comfort, social interaction, and daily life, meaning that their dynamic is subtly moving towards something less confined, more integrated into reality. Jaekyung and Kim Dan are neither strangers nor true partners, and the living room reflects this in-between state of their relationship.

For Jaekyung, this space signifies a growing familiarity and trust, as he now acknowledges Kim Dan’s presence in his routine beyond sex. For Kim Dan, however, it is still a space of unease—his perception of their relationship remains tied to his initial trauma, making it difficult for him to see the fighter’s shift in behavior.

Secondly, I would like Jinx-philes to compare Joo Jaekyung’s behavior on the treatment table between episode 62 and the previous scenes where patients received Kim Dan’s treatment:

ChapTER 1Chapter 27Chapter 34Chapter 37Chapter 43Chapter 61

Kim Dan doesn’t talk to his patients in general, unless he feels that it is necessary. In addition, all his comments were work-related. His silence is oozing indifference and neglect. This observation exposes his lack of professionalism. Thus no patient is chatting with him and thanking him for his good treatment. On the other hand, thanks to Joo Jaekyung, the “hamster” is also learning not to get too attached to his “patients” as well. A natural distance is still required. Under this new light, it becomes comprehensible why Kim Dan doesn’t feel his job as physical therapist not rewarding and why he felt differently in the past. (chapter 62) Right now, he is not receiving any compliment from his patients, for he is acting like a robot. However with the gym, it was different, for he felt recognized by members from Team Black. They would give him some positive feedback. (chapter 37) And all this started because Kim Dan had taken the initiative. (chapter 7) But now, it is no longer fulfilling for him, because his relationship with them didn’t go beyond their work.

So by relocating the champion’s new confession to the living room (chapter 62), Mingwa is announcing a change in their relationship. The living room acts as a threshold—a place between past and future, where the lines between professional and personal, dominance and dependence, jinx and reality begin to blur. (chapter 03) At the same time, I am also sensing that the treatment table could become the place where Kim Dan starts initiating conversations with his patients so that he can become an active listener and advisor.

To conclude, this confession marks a turning point not only for the champion, but also for the doctor. Both affect each other. Though Kim Dan didn’t grasp that Joo Jaekyung was emphasizing his role in his overall routine, I am quite certain that unconsciously, the “hamster” learned a lesson: the importance of listening and conversing with his patient. Let’s not forget that too focused on his own guilt due to his past trauma, he came to hurt one of his patients. (chapter 59) Striking is that here the doctor didn’t apologize to the elderly man, but only to the family. (chapter 59)

While Joo Jaekyung now sees Kim Dan’s care as part of what sustains him, even if he does not consciously acknowledge it as emotional attachment, the champion is not realizing that life is about to teach him a lesson. Past can not be a source of strength, but of torment, pushing him to throw over the board his belief about the past and jinx. (chapter 62) While he focused too much on his “loss”, he overlooked the importance of the incident with the switched spray on the doctor’s soul. Only through his conversation, he recalled his initial reaction (chapter 62) – which is quite understandable in my eyes. The ones who failed the couple were the two other hyungs from my perspective. The past affected the doctor so much that he views himself and his feelings as “trash” now, yet it is clear that neither Park Namwook nor the coach are suffering from guilt or remorse. The star’s follow-up statement, (chapter 62) further reinforces that Kim Dan has become an integral part of his preparation. Although Jaekyung does not yet frame this as emotional reliance, his words betray an unconscious attachment—one that Kim Dan himself does not recognize. Moreover, by including him in his jinx, the champion is only one step closer to include him in his “success”. Should the doctor be the target of malicious comments, the star will consider it as a personal assault or as his responsibility.

The Ghosts That Surface in Absence

A striking aspect of Jaekyung’s evolution is the way his subconscious reacted to Kim Dan’s absence. (chapter 54) The moment Kim Dan left, nightmares came to the surface The ghosts of his past—his insomnia, his unresolved emotions, his hidden fears—made its entrance revealing that the champion had a false perception of his own past. It was, as if he had erased his time before becoming the champion. This suggests that Kim Dan’s presence was acting as a stabilizing force, even if Jaekyung was unaware of it. He had become his “home”, which Joo Jaekyung forgot due to his intoxication. (chapter 43) Someone needs to remind the athlete of his own “statement”. Simultaneously, since the doctor never got curious about the fighter’s past and family, his presence could only be seen as a bandage covering a rotten body. In order to heal completely, he needs to expose his traumatic past and vulnerabilities.

This aligns with his distorted memory (chapter 61)—he tried to convince himself that everything would return to normal once he regained his title. However, reality proves otherwise:

  • The insomnia that he attributed to his championship loss existed in the past. Thus if the sportsman doesn’t change his life style, his sleeping problems should still be present after the recovery of his title.
  • The emptiness in his life remains, unaffected by his standing in the MMA world.
  • His frustration and irritability increased, indicating that his struggles were never truly about the title (chapter 56), but about something deeper. Here he felt the need to see his beloved “companion” again.
  • His instinctive blaming of Kim Dan at first is a defense mechanism—an attempt to deny that his life had already changed far more than he was willing to admit.

To conclude, as long as the champion doesn’t expose his past relationship with Baek Junmin and his childhood to Kim Dan, the athlete can not find inner peace and become his true self.

A New Kind of Jinx: The Unconscious Shift in Priorities

At the beginning of Jinx, Jaekyung’s only goal was to maintain his championship title. His ‘jinx’ was a superstition, a tool to reinforce his absolute focus on his career. However, by Episode 62, the nature of this jinx has evolved. (chapter 62)

  • It is no longer just about winning—it now includes a person.
  • By extending the jinx to include Kim Dan’s role in his routine, Jaekyung unconsciously acknowledges that his well-being is tied to someone outside himself. He was dropping his past conviction: self-reliance. This explicates why during the same episode, he was seen helping others in the village.
  • This suggests a new, hidden priority—a source of stability that extends beyond his career.

Whether Joo Jaekung realizes it or not, Kim Dan is now part of his happiness, even if the fighter has yet to define it that way. And if you contrast this to his previous definition of well-being, you will notice that it was defined by the absence of physical and mental pain. (chapter 61) We could summarize his statement with “peace of mind” which is a synonym for “happiness”. This confirms my previous interpretation that in the past, his abuse towards his own body was his way to express his emotional and mental suffering. (chapter 27) At the same time, this confession displays that his past was far from being perfect, the evidence of a distorted memory. After working so hard for the community, he came to receive a treatment from Kim Dan: (chapter 62) This means that he is now treasuring his own body. No wonder why he smiled. (chapter 62) That’s why I come to the following conclusion: The athlete must have felt happy in the living room, for he felt comfortable and safe. (chapter 62) But why did he show his back? One might say that he desired to hide his “satisfaction” and his “reliance” on his fated partner. Or he didn’t feel the need to watch the doctor’s facial reaction, when he would confide his new intentions and the transformation of his jinx. He didn’t expect the physical therapist to mock him for his absurd belief contrary to episode 2: (chapter 2) He trusted the doctor. Yet, in my opinion, there exists a bigger reason behind this change. It is related to his manager: The doctor is treating the star (chapter 62) where Park Namwook used to punish him physically. He is receiving his “sweet” and “reward”. Thus I interpret the sportsman’s admission in the living room as the moment where the manager is losing his influence over the champion. On the other hand, it is clear that the athlete has not realized it yet. Through the massage, the doctor is recognizing that the champion worked hard in his life.

The Convergence: A Future Defined by Choice, Not Circumstance

The irony in their opposing perceptions of time is that they both remain equally bound by their pasts—Jaekyung by his refusal to question it, and Kim Dan by his refusal to acknowledge its lingering control. However, the unfolding of their relationship is gradually pushing both toward transformation. Jaekyung, for the first time, is being forced to fight for something that is not guaranteed by his status, money or power, and Kim Dan is being forced to recognize that fear-based decisions are not true freedom.

Park Namwook exhibits a mindset similar to Jaekyung, where the past dictates his present and future actions. Unlike Jaekyung, however, he is entirely reliant on the champion’s success, living vicariously through him. He positions himself as a figure of authority, even claiming to be the gym owner (chapter 22) when he is not, using his seniority and past influence to assert dominance. His attitude is related to his past decision: from his perspective, he saved the athlete from turning into a criminal. (chapter 26) His dependence on Jaekyung’s achievements makes him resistant to any shift in the fighter’s trajectory (chapter 40), as it threatens his own stability. Rather than acknowledging change, he reacts negatively to it and shifts blame onto Jaekyung, avoiding responsibility for his own shortcomings.

Park Namwook’s reaction to Kim Dan’s presence highlights his discomfort with anything that disrupts his established control. He loves delegating tasks to others. He initially praised Kim Dan’s skills (chapter 43), but when confronted with a serious incident, he failed to take responsibility or make a decisive choice (chapter 50), allowing others to step in instead. Later, rather than addressing his inaction, (chapter 52) he deflected blame onto Jaekyung, holding him accountable for his own passivity and incompetence. Instead of facing the consequences of past mistakes, the coach and manager prefers to erase them entirely, bringing in a new physical therapist (chapter 53), as if the past never happened. By doing so, he reinforces Jaekyung’s belief in his so-called ‘jinx,’ manipulating the fighter’s perception of events and contributing to a distorted memory of reality. Meanwhile, the manager must face the reality that change is inevitable and that Jaekyung’s evolution does not mean his own irrelevance. However, his position must change.

Thus I am still expecting that the doctor will fall very sick. All of these men can not act, as if the past was like the future. They are not immortal. Kim Dan’s worsening condition would force the couple to reconsider their perceptions of time—Jaekyung in terms of regret, and Kim Dan in terms of embracing a future not defined by resignation and fear. I would even add that so far, the doctor has never confessed to the champion that he feels his life jinxed as well. (chapter 59)

The Fickle Nature of Jinx and the Power to Reclaim the Future

And now, you are wondering why I chose to focus on chapter 62 again, where I examined chapter 63 only one time. My reasoning is the following. In season 1, after his first night with Kim Dan, Joo Jaekyung made a terrific experience. (chapter 5) He felt so empowered that he won very quickly. (chapter 5) But this good vibe was attributed to the sex with Kim Dan and unfortunately linked to his match. The reality was that he had slept better and longer. So by recreating the past, Kim Dan places the athlete in front of a choice. What matters in his life? His title or his peace of mind? He is correcting the champion’s distorted memory. Kim Dan is the reason why he can rest properly and not the title. Don’t forget that he was suggesting to go separate ways during the massage. But if he sleeps better before gaining his title, he won’t feel the urge to return quickly to the ring. In the living room, he was still acting as the celebrity, but in the bed chamber he is now gradually pushed to leave his title out of the bedroom. Now, in the bedroom he becomes a man and can almost make a mistake as a lover. (chapter 63)

This analysis Fickle Jinx, Faded Past, encapsulates not only the essence of this transformation, but also outlines the existence of a crossroad. A jinx is something unpredictable, unstable—like Jaekyung’s belief in controlling his own path without interference. But just as a jinx can turn against its owner, his sense of certainty is now in flux. At the same time, relying on a certain person signifies taking a leap of faith. He is taking a new road. Meanwhile, Kim Dan’s faded past represents his attempt to erase what has shaped him, but fading does not mean disappearing—it lingers, influencing every step he takes. He can not erase the death of the poor puppy: (chapter 59) However, he needs to realize that his physical and mental recovery can only happen, if he truly wishes it. From my perspective, the doctor has to sense that he is not on his own, he has someone by his side who supports him emotionally and mentally.

Ultimately, both must reach a point where their decisions are no longer dictated by their pasts but by conscious choice. They need to recognize that freedom does not come from escaping the past or justifying it, but from choosing to move beyond it. However, this can only happen, when both meditate and become true to themselves. At the same time, both must become more curious about their partner and past life. Only then, they will be able to listen to each other and understand each other.

PS: I am still waiting for a confession outside, close to nature: in the woods and in front of the ocean.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Body’s 👂🏻 Worth 💵 ❤️‍🩹

The Commodification of the Body

Throughout Jinx, the concept of value is inextricably linked to the body. (chapter 27) This aspect becomes particularly evident in Kim Dan’s perception of himself and his interactions with Joo Jaekyung. (chapter 62) In episode 62, Kim Dan reproached the champion for only being interested in his body, reflecting his own inability to see his body as something valuable. Hence he never wondered about the true cause for such a huge bruise. (chapter 61) While with his words, he implied that his fated partner was a man obsessed with sex, his complaint reveals his mindset. First, he is the one longing for human warmth (chapter 59), hence he felt terrible sleeping alone. Secondly, he does not attribute worth to his own physical being beyond its utility for others. This explains why he has consistently neglected himself—avoiding food, disregarding his own injuries, and refusing to seek medical help when necessary.

This cyclical pattern suggests that Kim Dan’s actions are not just self-sacrificial but deeply ingrained behaviors passed down from his upbringing. Mingwa’s decision to portray Kim Dan’s declining health is crucial. (chapter 60) It underscores the reality that without his body, he cannot work. In this way, his physical deterioration forces him to confront an undeniable truth: (chapter 59) his body is not just a tool for others, but the very foundation of his survival. I would even so far to say that his sick and stressed body would question his identity as PT and caregiver.

As my avid readers can sense, the doctor is going through a similar path than the celebrity’s. Both Kim Dan and Joo Jaekyung struggle with their own worth, but their journeys take vastly different paths. While the champion has learned to commodify his body, turning strength into currency and dominance into power, he has also been conditioned to disregard his own well-being. MFC viewed him as a commodity, using him as long as he remained valuable in the ring. Once his body is worn out (chapter 43), they will replace him with a new ‘doll.’ This exploitation shaped his relationship with his own body—one that prioritized its use over its care.

Unconsciously, Joo Jaekyung projected this treatment onto his partners (chapter 2), using sex as an extension of combat, mirroring the way MFC dehumanized him. His encounters were never about intimacy but about exerting control, reinforcing the notion that his body—and by extension, others’—only mattered as long as it served a purpose. Under this new light, Jinx-philes can grasp why the identity of the sex partner didn’t matter in the past too, for the champion avoids to fight against the same opponent in the ring.

Kim Dan, on the other hand, internalized a different form of self-neglect, seeing his body as an instrument of service rather than a source of personal value. As I analyzed Jinx, I noticed striking parallels between episodes 26 (chapter 26) and 62 (chapter 62) that highlighted a crucial shift in how each of them perceives their own worth—and, more importantly, each other’s. The mirroring of these two episodes suggests a deliberate narrative structure that showcases their evolving dynamic, with each character taking on a role the other once held. This realization led me to explore how their perspectives on strength, vulnerability, and agency transform over time.

Episode 26: The Submission and the Challenge

Episode 26 presents a crucial turning point in Kim Dan’s journey, one that lays the groundwork for the mirrored themes in episode 62. Several common denominators connect these two episodes: the imbalance of power, the nature of the challenge faced, the poor health condition of the doctor (chapter 26) (chapter 62), Kim Dan’s smile (genuine versus fake) and the characters’ shifting roles in confrontation and protection. The numerical structure of this episode—where Joo Jaekyung (2) represents dominance (chapter 26) and Kim Dan (6) embodies the nurturing, protective role—establishes a foundation for their evolving dynamics. (chapter 26)

But there’s a reason why I connected these two episodes together. Beyond the nature of their respective battles, another common denominator is Joo Jaekyung’s implicit care for Kim Dan, which is evident in both episodes despite his usual harsh demeanor. In episode 26, this care is symbolized by the red protective gear Joo Jaekyung gives Kim Dan before their sparring session. (chapter 26) This small yet significant act reveals that the champion does not see Kim Dan merely as a ‘sex doll’ but as someone worth protecting, even when challenging him. The protective gear is a contrast to Joo Jaekyung’s usual treatment of his one-night stands, reflecting an unconscious distinction between how he views Kim Dan versus his other partners. Finally, this sparring day exposes the doctor’s biased perception about the athlete in episode 62 once again. (chapter 62) Though he is portrayed as an arrogant man who had no respect for Kim Dan as doctor, he was only invited for sex services. (chapter 62) It was, as if he had no real talent. But let’s return our attention to the safety gears. The latter underline the high sense of responsibility of the champion, which readers could detect in episode 62. With the red accessories, Joo Jaekyung was showing his respect to the doctor as a man. In that scene, Kim Dan could choose his destiny. It is clear that “the hamster” has long forgotten this happy day (chapter 26) – he was smiling genuinely here- , and has reduced his time spent with Joo Jaekyung to sex:

One of the clearest parallels lies in the nature of the trial each character undergoes. In episode 26, Kim Dan was pushed to face his biggest fear (chapter 26) —a powerful, intimidating man who mirrors the threat of Heo Manwook (chapter 16) and his minions. At the beginning of the fight, the doctor was not fighting for himself but for someone else, reinforcing his deep-seated belief that his worth was tied to service and sacrifice. However, during the match of the century, there was a short change. Kim Dan was reminded of his own past and fears. Thus, I deduce that in episode 62, it is Joo Jaekyung who must face his own greatest challenge—not a physical opponent, but the emotional vulnerability that comes with loss and uncertainty. Though he helped others, his generosity remained unnoticed by Kim Dan. Hence the latter was still unwilling to return to Seoul. (chapter 62) On the surface, it looks like Joo Jaekyung lost. (chapter 62) More importantly, Kim Dan’s words (chapter 62 push Joo Jaekyung to confront his deepest fear—his own self-perception. Kim Dan has depicted him as a ruthless, inconsiderate man who views him purely as an object, reducing him to someone fixated on sex and control. This challenges Joo Jaekyung’s fragile self-worth, compelling him to question the unsettling possibility that this is how others and in particular Kim Dan see him. That’s why it was important for the champion to help the inhabitants during that day. The genuine admiration and constant requests from the community could only boost his ego. Thus he remained calm, when he heard the doctor’s blame. If Kim Dan’s accusations hold truth, then Joo Jaekyung has indeed been embodying the ‘spoiled brat’ Kim Dan claims he is (chapter 62) —exploiting people without genuine regard. This reckoning is not solely about emotional vulnerability but about identity itself. If Joo Jaekyung wants to validate his worth beyond his physical abilities, he must present his authentic self, proving his depth not just through his body, but through his emotional sincerity.

And what happened in the ring? The celebrity talked to Kim Dan, (chapter 26), was happy to demonstrate his talents and kept smiling all the time: (chapter 26) For the first time, fighting had become a source of joy for the athlete. He felt not only good, but confident about his skills, as a teacher and fighter. In both instances, this moment serves as a turning point, pushing each character to redefine their role and perception of self.

Though in episode 26, Kim Dan took on a maternal role toward Joo Jaekyung and Potato, prioritizing another’s well-being over his own, it is important to recall that the starting point for the challenge was “envy”. (chapter 25) Kim Dan was interested to know more about this sport for the protagonist’s sake, whereas Potato was jealous of Kim Dan’s closeness to the star. How did the celebrity react, when he heard the doctor’s desire to learn fighting moves? He was totally pleased, hence he lowered himself smiling (chapter 25) before returning to the ring: (chapter 25). Notice that he employed the word “happy” here. This shows that the athlete liked to be a teacher and mentor to a novice.

Later, Kim Dan knelt before Joo Jaekyung (chapter 26), reinforcing his belief that his worth lies in service, and he requests an opportunity for someone else. The physical challenge that followed, in which the champion invited him into the ring, was meant to teach Kim Dan to overcome fear, though the original idea was to learn jujitsu moves for the champion’s sake. As you can see, there was a switch in the intentions for the “lesson”. This moment also highlights Joo Jaekyung’s approach to the body—power, physicality, and dominance, which will later be subverted in episode 62 when emotional resilience becomes the true test of strength.

However, Joo Jaekyung forced Kim Dan to step into the ring, forcing him to confront this fear head-on. (chapter 26) Though the doctor was initially immobile and passive, the experience became a significant lesson: fear was something that could be faced and overcome. From that moment on, he became more proactive (chapter 26), though he lacked speed, strength and endurance. (chapter 26) This is a moment of physical initiation for Kim Dan, teaching him resilience. Nonetheless, he was still fighting for someone else, still locked in his pattern of self-neglect.

To conclude, though Kim Dan was taught an important lesson, he didn’t drop his belief that his body existed for others. His actions were still revolving around providing care, whether for his grandmother or, in this case, for Joo Jaekyung or Potato.

Episode 62: The Reversal of Roles

Episode 62 inverts the roles established in episode 26. Here, Kim Dan (2) and Joo Jaekyung (6) switch positions, with the champion now assuming a protective and caring role (chapter 62), although he has yet to fully recognize the reason behind his behavior. He is now imitating the doctor, as if his body is there to provide assistance and care for others. The people of the small town rely on Joo Jaekyung, placing him in an unfamiliar caretaker position. (chapter 62) This shift highlights a deeper irony: while Joo Jaekyung has always prided himself on his physical strength, he is now being tested in a way that cannot be resolved with fists.

Unlike episode 26, where Kim Dan was forced to confront his greatest fear, Joo Jaekyung must now face his own test: emotional resilience and identity. Just as Kim Dan had to fight an opponent he thought he could never defeat, Joo Jaekyung is confronted with a battle he cannot physically win—the fear of loss, rejection, and self-worth. His low self-esteem is linked to the ghost from the past, something he has not revealed to anyone yet. (chapter 54)

(chapter 62) Joo Jaekyung is caught by surprise with such a comment, because he always saw himself as a victim of “exploitation”. People approaching him were only interested in his money or status. More than just vulnerability, this moment exposes a deeper layer of his insecurities. Until now, his body has been admired for its strength (chapter 34), wealth (chapter 42) and title (chapter 55), not for its attractiveness or desirability. His reputation in bed has been poor; (chapter 33), he was never seen as a man with sex appeal or sensuality, but merely as a fighter who could endure. Sex was another form of exertion, a display of control and dominance rather than a pursuit of pleasure.

Now, Kim Dan’s words and request introduce a shift in perspective. (chapter 62) By implying that Joo Jaekyung can ‘use’ him as a sex doll, Kim Dan indirectly introduces the idea of sensuality—foreplay, caresses, enjoyment rather than performance. Sex is no longer work, but fun and entertainment. It is not for the doctor’s sake (chapter 13), but for his own pleasure. The defy incites the fighter to make a conscious choice contrary to the day, when both main leads took the day off: (chapter 27) (chapter 29) On the other hand, this suggestion challenges Joo Jaekyung’s previous experiences, forcing him to realize that he has never had to woo or seduce anyone before. This was the only time, where Jinx-philes could see him using his sex-appeal- (chapter 34) He got confident, because he had played a trick on his room mate. His physicality has always been his defining trait, but for the first time, he is being confronted with the question: does he have more to offer beyond brute strength and money? If he wants to prove his worth, he must do more than rely on his body—he must reveal his true self.

On the other side, Kim Dan’s actions reinforce this dynamic shift. No longer seeking validation through self-sacrifice, he is finally fighting for himself. He does not kneel (chapter 26); he stands. (chapter 62) He does not plead; he challenges. This reversal is significant because it places Joo Jaekyung in the uncomfortable position of emotional uncertainty. In episode 26, the champion was confident in his control over the situation. In episode 62, he is on the verge of losing control—not over a fight, but over a person. Hence he can no longer control his erection. (chapter 62)

The problem is that his “doctor” and partner has a rather negative opinion about him. This means that the star needs to change his mind and heart. In addition, money is now used against him: (chapter 62). Even if they have sex, he can not expect feelings or attachment from Kim Dan – though it is clear that the doctor is deceiving himself. Through this suggestion, the physical therapist is not realizing that he is learning how to love properly: unconditional love. Having feelings without any expectation. He won’t give anything to Joo Jaekyung, he will be passive and actually receive affection. But naturally, here it just represents the first step to unconditional affection. To conclude, through the challenge, Joo Jaekyung is incited to question the nature of his feelings for Kim Dan. (chapter 61) Why does he want him to return to Seoul? Is he really looking for a physical therapist or something else? It is clear that he is longing for companionship.

This shift reinforces the idea that true strength is not just physical but emotional. In episode 26, Kim Dan learned how to face his fears. Now, in episode 62, it is Joo Jaekyung’s turn to confront his own weaknesses. The outcome of this “fight” remains uncertain, but one thing is clear: for the first time in his life, Joo Jaekyung is facing an opponent he cannot simply overpower—his own emotions and past believes.

But there exists a huge difference between 26 and 62: the location. Whereas the physical therapist entered the ring for the first time (chapter 26), which represents the MMA fighter’s world, the wolf is now the one penetrating Kim Dan’s world: the treatment table! (chapter 62) (chapter 62) The latter was brought to the hostel. I know, here I am more speculating about the next episode. However, keep in mind that the hamster brought up the past to his destined partner. (chapter 62) He mentioned their first night together forgetting their first true interaction at the gym. (chapter 1) The blue treatment table is the witness and proof that the champion never saw Kim Dan as a sex doll. So far, they never had sex on it, a sign that he respected not only Kim Dan as PT, but also the profession as such (chapter 27) Here, the champion suggested to have sex at home, and not on the table. On the other hand, Jinx-philes will certainly recall this scene where the doctor begged on his knees for money: (chapter 11) That’s how I discovered a strong connection between this item and sexuality. First, the one fantasying about the champion’s body on the treatment table had been Kim Dan (chapter 1). (chapter 1) The massage must have felt like caresses to Joo Jaekyung. So when the main lead made this mistake (chapter 1), it is very clear that Joo Jaekyung could have interpreted it as a sign for seduction later. Moreover, don’t forget the mysterious incident concerning the previous physical therapist: (chapter 1) It is no coincidence that Park Namwook’s words have a sexual connotation reviving my theory that a doctor might have made sexual advances there. Here, I feel the need to add another observation which came to my mind, the moment I focused on the blue treatment table. (chapter 37) In the States, the athlete received his treatment on the floor, a sign of a disrespect for that profession from the manager and even MFC. They somehow knew that the fighter had brought his “sex partner” for his jinx, but they had no idea about his identity. By paying attention to the blue treatment table, I realized that this item stands for power, secret, courage and vulnerability.

It is important for the two characters to clear up the misunderstandings from the past, especially if you recall the champion’s reaction, when he heard the doctor’s reproach: (chapter 62) According to my interpretation, Joo Jaekyung had interpreted the mistake for some advances and keep in mind that the fighter felt also attracted to the physical therapist. (chapter 56) In other words, he projected his own desires onto the “hamster”. But since he was still with the green-haired guy, he needed to mask his true intention: (chapter 1) -thus he asked for a treatment. He was about to drop the man.

So if they don’t move to a different location or remove the treatment table, the latter will serve as a place for a new experiment. Joo Jaekyung could become a “PT” and Kim Dan is the “patient” who receives a full body massage. (chapter 1) However, contrary to their first encounter, the champion would be talking to his neighbor. While the doctor is thinking, he will relive his first night in the penthouse, the other might reproduce his first treatment, though it should be certainly combined with the intercourse on the couch: . (chapter 29)

Finally, since the doctor brought up sex in front of the treatment table (chapter 62), it actually reveals the doctor’s lack of respect for his own profession and low self-esteem. I believe that he has the impression that he never improved the champion’s form and skills. He came to this perception because the athlete has expressed the following wish: once he wins back his title, they go separate ways. (chapter 62) But he made such an offer, because he thought, he was respecting the doctor’s wish. This shows that the athlete needs to converse properly with the doctor and not just make assumptions (MO from his manager). Moreover, the star has never expressed his gratitude and admiration towards Kim Dan concerning his talents and efforts openly. The problem is that he can not compliment him yet, because Joo Jaekyung is trying to “forget” the past and as such he is repressing the fight with Baek Junmin. I feel like the champion is on his way to discover the medical world and chapter 62 represents a prelude.

The Importance of Balance

Just before his suicide attempt, the doctor was plagued with regrets and remorse. He felt guilty because of his grandmother’s illness. (chapter 57) He should have sent her to the hospital and ensure that she received treatment. Notably, after the sea incident, Joo Jaekyung took Kim Dan to the hospital, but the latter rejected the champion’s advice and help. (chapter 60) Later, when Joo Jaekyung expressed concern over his bruise, Kim Dan once again pushed him away. (chapter 61) Should Kim Dan eventually fall ill, he cannot place blame on his fated partner—he is ultimately responsible for his own well-being. On the other hand, through his own circumstances, Kim Dan may come to understand that he was never responsible for Shin Okja’s health issues as well. As an adult, she should have taken responsibility for her own medical care, rather than relying entirely on him.

However, Kim Dan would not be truly responsible for his illness, because the physical therapist doesn’t know about Cheolmin’s intervention and recommendation. (chapter 13) So it dawned on me that if the doctor gets sick, Joo Jaekyung will be fueled with regrets and guilt, as he didn’t listen to Cheolmin’s advice. So this could lead him to apologize to Kim Dan. On the other hand, his illness could serve as a reminder to the fighter that he needs to treat his physical therapist and friend better. He only sent for the doctor because of “sex”. To conclude, both would be responsible for this terrible situation, a balance of responsibility.

I have to admit that thanks a student, I had a huge revelation. I discovered that human body has 6 senses in reality: hearing, sight, touch, taste, smell and finally sense of balance. That’s how I realized that a crucial theme in Jinx is the sense of balance, both physically and metaphorically. Kim Dan’s dizziness (chapter 57) is not just a symptom of overwork and lack of sleep—it symbolizes the deep imbalance in his life. His world consists only of work (chapter 62), without fun, rest, or emotional fulfillment. He has no hobby, no personal joy, and no real human connections. He is suffering from depression. Interestingly, the sense of balance is directly tied to the ear, which aligns with his emotional “deafness”—his lack of true contact with others. (chapter 61) His mind and heart are no longer listening; he is trapped in his own darkness. His dizziness and fainting spells mirror this imbalance, making his physical weakness a reflection of his emotional detachment.

Similarly, Joo Jaekyung experiences his own imbalance, reflected through his headaches (chapter 54) and drinking habits. (chapter 54) His entire life has been dedicated to work and physical prowess, leaving no space for genuine happiness or emotional well-being. His drinking is not just an escape—it is a manifestation of his need to silence his thoughts and emotions. In episode 44, when Kim Dan expressed admiration for his body, he patted his head (chapter 44), he caressed his cheeks (chapter 44) and kissed his ear (chapter 44) —a moment that could be seen as an attempt to restore balance, to bring warmth to the parts of Joo Jaekyung that had been ignored emotionally. However, during that night, Joo Jaekyung was drunk, further disconnecting himself from reality.

After Kim Dan’s departure, Joo Jaekyung instinctively turned to drinking. (chapter 54) His headaches intensified, and he isolated himself, mirroring Kim Dan’s earlier state of detachment. His drinking hadn’t just become a habit—it was mourning, a sign of his internal loss. It was, as if deep down he wanted to forget this intoxicating feeling of happiness from that night in the penthouse. The departure of Kim Dan caused both of them to lose their already fragile balance, reinforcing the idea that their dynamic, as unhealthy as it had been, was stabilizing them in ways they never acknowledged.

Joo Jaekyung’s needs and desires

While the doctor said such words (chapter 62) to his fated partner, the celebrity was turning his back to the doctor. He was not looking at his physical therapist. However, if you recall his request to the manager, he expressed the desire to see Kim Dan’s face. (chapter 56) It was, as if the champion no longer needed to see his former room mate. Note that he even waited for the evening before approaching doc Dan again. (chapter 62) How do we explain this evolution?

Though in episode 56, he claimed to Park Namwook that just seeing Kim Dan’s face would be enough, the moment he saw the doctor’s visage in the photo (chapter 60), he immediately went to the town. This contradiction reveals that mere visual presence was never sufficient—what he truly longed for was something deeper. And as soon as he saw him, he felt much better, (chapter 61) hence he could remove his splint. That’s how powerful drug Kim Dan is. 😉

Secondly, his experience at the hospice solidified his need for companionship. (chapter 61) While undergoing treatment, he saw Kim Dan every day, yet he remained unsatisfied due to the silent treatment. It was not enough to simply observe him; what Joo Jaekyung truly craved was conversation, interaction, and recognition. This explains his decision to move into the town, settling near Kim Dan as his neighbor. (chapter 61) It also sheds light on why, during their latest encounter, he chose to turn his back on Kim Dan—he no longer needed to ‘see his face,’ he wanted acknowledgment and his return to the penthouse. He has not grasped it yet, but he already views the protagonist as his family and home.

The problem is that the champion has never had a companion before. Besides, Park Namwook in that aspect is no role model. (chapter 46) He is full of prejudices and not willing to listen to his boss. Therefore Joo Jaekyung doesn’t know that in order to become close, conversations must never be one-sided and have to be free from prejudices and assumptions. Joo Jaekyung needs to listen and show an interest in his partner. And now, observe the communication between the two main leads in the room. (chapter 62) He only talks about himself and his future. This stands in opposition to the doctor’s exchange in front of the hospice: (chapter 62) He asked a question, while the other did not! He just made assumptions from his part, hence he suggested “separate ways”. It was naturally his way of being considerate. That’s why I have the feeling that two words could move Kim Dan’s heart: “HOME” and “HYUNG”. If he calls him that way, the doctor is now recognized as a family member, even as a senior. Hence he needs to be treated with respect.

Inside the room, Joo Jaekyung is compelled to admit a truth (chapter 62) he had previously ignored—he is undeniably attracted to Kim Dan’s body, particularly his nipples, which have repeatedly (chapter 27) triggered strong reactions in him. (chapter 62) This moment directly ties back to Kim Dan’s earlier reproach: ‘You only want me for my body.’ However, the irony is that this confession forces Joo Jaekyung to recognize that his attachment is not just physical. His actions—moving closer, watching over Kim Dan, seeking his presence—reveal a much deeper longing. In acknowledging his attraction, he also faces the realization that his desires are no longer as simple as they once were. He is no longer in control of his body, he has now become dependent on Kim Dan physically and emotionally. And now, you comprehend why I connected this episode to chapter 29 too: (chapter 29) That’s the moment he expressed his interest in the doctor’s nipples for the first time. This even became a habit: (chapter 44). And what did the doctor whisper during that magical night? (chapter 44) He wanted him to treasure his body!! In my eyes, Kim Dan’s suggestion in episode 62 is hiding another intention, though it is definitely unconscious: (chapter 44) He wants to relive that night (chapter 44), though in his mind, he desires to have a bad experience so that he can erase him from his mind. Finally, what do the nipples symbolize? Motherhood and nurturing. (chapter 57)

Emotional Growth and the Concept of Losing

The ultimate irony is that while Joo Jaekyung has spent his life proving his worth through his body, Kim Dan is the one who now forces him to confront what lies beyond it. Episode 26 showed that losing a bet was no great tragedy; it is about timing and seizing the opportunity. (chapter 26) Moreover, it was thanks to a trick that Kim Dan won: (chapter 26)

Thus I deduce that it is now the champion’s turn to bite the bullet. If he wants to understand his sex partner, he needs to talk to him and ask questions. And this brings me back to episode 26. Back then, the fighter’s comments were full of bias. (chapter 26) He felt superior and strong, whereas his rival was weak. Moreover, he imagined that Kim Dan would ask for money for the bet. (chapter 26) That’s why I believe that in the next episode, the roles should be switched. Kim Dan always saw himself morally superior and caring to the star, but in truth, his care was rather superficial, for he also showed no interest in the champion’s past and family. Thus I come to the following deduction that episode 62 suggests that arguing is not about losing or winning, but about listening. The champion has unknowingly become a caretaker, not only to the people of the town but, potentially, to Kim Dan himself. The question remains whether he will recognize that Kim Dan’s provocation is not just another fight lost (cutting off ties) —it is a seductive challenge to redefine his understanding of worth and their relationship. What are they to each other? A client and a prostitute? A fighter and a doctor? Or simply two men who are longing for the same: belonging and love. Nevertheless, due to their past, they are unable to detect the true source of their misery: their lack of reflection, own bias and anxieties.

The Path Toward Mutual Understanding

Kim Dan’s trembling fist (chapter 62), his voice speaking up for himself, his refusal to negotiate his body’s worth (chapter 62) —these are not just acts of defiance but of transformation. He is becoming proactive sexually (initiative, seduction). By stepping away from Joo Jaekyung, he forces the champion to consider whether strength and money alone are enough to hold onto what truly matters. And in this, Jinx presents its most profound challenge yet: can a man who has spent his entire life fighting with his body learn to fight for something greater?

PS: I am expecting in episode 63 reflections from episode 29, 36, 39 among others.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Blooming 🌸🌹🌻Muscles 🦾

Joo Jaekyung’s journey in Season 2 represents a profound transformation, one that quietly unfolds through small yet significant acts of humility, care, and self-awareness. This transformation also connects deeply to the themes of vulnerability and community (chapter 62), as his actions increasingly reflect a willingness to embrace his own fragility and build meaningful ties with those around him. Through his growing interactions with others and his immersion in the rhythms of town life, the champion begins to redefine his sense of identity and purpose, moving beyond dominance to discover the power of connection. From a man defined by strength, dominance, and transactional relationships (chapter 55), he evolves into someone deeply connected to others (chapter 62) (chapter 62) and, more importantly, to himself. (chapter 62) Thus in this essay I will explore the symbolic meaning behind his actions in the town, the interplay of nature and community in his transformation, and how these moments reflect his internal growth. The analysis begins with his transformative experience in the ocean during his rescue of Kim Dan (chapter 60), followed by his newfound attentiveness to his surroundings—jogging in silence and responding to the natural rhythms of life. (chapter 62) This heightened awareness paves the way for his burgeoning integration into the town through labor (chapter 62) and community service. His gradual acceptance of simplicity, represented by his clothing and the symbolism of cucumbers and potatoes, signals his reconnection to nature and humanity. (chapter 62)

The Sea: Baptism and a New Beginning

The champion’s rescue of Kim Dan in the ocean marks the starting point of his transformation. (chapter 60) In many ways, this moment functions as a symbolic baptism, reflecting a deeper narrative of renewal and change. In Chapter 28, Kim Dan’s immersion in water during a pool scene (chapter 28) was symbolic of his acceptance of intimacy, reshaping his view of sex from something “filthy” (chapter 20) into something natural and human. (chapter 29) Similarly, Joo Jaekyung’s dive into the ocean can be interpreted as his baptism into a new “religion”: love and vulnerability. (chapter 60) His gesture is not just about saving his loved one, but also showing care to humans in general. He can no longer be indifferent to someone in pain or in danger.

Unlike the controlled environment of the MMA ring, the ocean’s vastness forces Joo Jaekyung to confront the vulnerability of humans. (chapter 60) The ocean, much stronger than any human, compels him to accept weakness and fragility as natural parts of existence. This act of salvation, driven by instinct, becomes his first step toward embracing a new mindset—one that values care, connection, and humility over material power or dominance.

This shift also challenges his reliance on money and material success. As a wealthy and renowned athlete, Joo Jaekyung is accustomed to solving problems through financial means or physical strength. However, his time in the town and his rescue of Kim Dan underscore the futility of these tools in addressing deeper human needs like love, trust, and emotional connection. (chapter 62) He might complain, but in the end he accepts the presents. This change is reinforced by his willingness to accept gratitude in the form of vegetables and food rather than monetary gain, showing a newfound appreciation for simple, heartfelt exchanges over transactional relationships.

Moreover, the ocean connects to the myth of Venus’ birth, where the goddess of love emerged from the sea as a result of conflict and pain inflicted upon her parents. Similarly, Kim Dan’s plunge into the ocean stems from his own deep pain, (chapter 59) caused by his grandmother’s neglect, indifference and rejection. The rescue, while focused on saving Kim Dan, also represents the birth of a new understanding for Joo Jaekyung—a recognition of the transformative power of vulnerability and connection.

However, this act of salvation is not immediately transformative. Hence his wish is to bring back Kim Dan to Seoul. (chapter 60) At the time, his eyes were fixed solely on Kim Dan (chapter 60), not the natural world around him. The rescue planted a subconscious seed, setting the stage for his later behavior. When Kim Dan denies his assistance in Episode 60 (chapter 60), it’s as if the doctor erases that defining moment, refusing to acknowledge the champion’s care. Yet Joo Jaekyung does not react with anger or frustration. Instead, he takes the doctor’s rejection as challenge. (chapter 60) However, contrary to the past, money and influence seems to have no impact on the physical therapist’s mind and heart. He is keeping the athlete at arms-length. (chapter 61) The moment he moves to that little town (chapter 61), he begins to demonstrate his growth through quiet, consistent actions—helping others without expecting gratitude in return.

Jogging Alone: A New Awareness

One of the most striking moments in Joo Jaekyung’s transformation occurs during his solitary jog at the beginning of this chapter. (chapter 62) For the first time, he is not merely running for fitness or competition; he is paying attention to his surroundings. (chapter 62) He notices the quiet of the town, the warmth of the sun (chapter 62), and the natural rhythm of life around him.

This evolution is particularly evident in his interaction with the town chief, who interrupts his jogging to engage him in conversation. (chapter 62) Running along the ocean, a setting that profoundly influences his state of mind, Joo Jaekyung demonstrates a newfound openness. (chapter 62) The ocean’s vastness, paired with the quiet rhythm of his steps, sets the tone for this scene. Rather than perceiving the interruption as intrusive, he pauses without hesitation, listens to the chief’s compliment, and accepts the subsequent request for help. (chapter 62) This moment underscores his growing ability to connect with others sincerely, without suspicion or defensiveness. His willingness to engage reflects a broader transformation—one that prioritizes meaningful connections over dominance or transactional relationships. This newfound awareness signifies a major shift in his character. His senses are becoming attuned to the world beyond himself, and he is learning to differentiate between what truly matters and what does not.

Jogging alongside the ocean, Joo Jaekyung is subtly influenced by his surroundings, a setting that begins to calm his mind and heart. (chapter 62) The image of the waves serves as a reminder of nature’s vast power, yet the author’s choice to focus only on the sound of his steps—through the onomatopoeia “tap”—emphasizes that Joo Jaekyung no longer perceives the ocean’s presence as intrusive or overwhelming. This highlights a new harmony between him and his environment, as he is learning to exist within its rhythm rather than overpowering it. This mindfulness mirrors his growing engagement with the community, where his labor and acts of service reflect his evolving priorities. His newfound attentiveness during the jog is a precursor to his willingness to contribute selflessly, signaling a transformation that blends physical discipline with emotional depth.

This heightened awareness aligns with his growing ability to say no, a skill that becomes crucial as he navigates the town’s requests and his evolving priorities within the community. (chapter 62) In the past, Joo Jaekyung never refused a challenge, whether in the ring or in life. However, his time in the town is teaching him the value of boundaries. By discerning which requests are worth his time and energy, he is preparing himself for the inevitable challenges he will face upon returning to Seoul. His refusal to blindly follow MFC’s demands would mark the ultimate culmination of this lesson, proving that his strength is no longer just physical but deeply rooted in wisdom and self-respect. This newfound discernment is also reflected in his ability to engage with meaningful interactions, as seen in his conversation with the town chief. (chapter 62) By stopping his jog and attentively listening to the chief’s compliments and requests, Joo Jaekyung demonstrates a growing openness and respect for others, reinforcing his transformation from a figure of dominance to one of genuine connection.

Helping the Town: Labor as Redemption

Joo Jaekyung’s labor in the town mirrors his “baptism” in the sea, emphasizing his shift toward humility and service. He assists the townspeople without hesitation (chapter 62), fulfilling requests that range from carrying cucumbers to harvesting potatoes or even repairing an elderly woman’s roof. (chapter 62) This latter moment marks a stark contrast to his earlier attitude in Chapter 10, where he viewed Kim Dan’s living conditions through the lens of judgment (chapter 10), seeing only the “overpowering stench of poverty.” (chapter 10) At that time, his perception was clouded by indifference and a focus on material circumstances. Now, however, his response to the elderly woman’s request reflects empathy and an awareness of human vulnerability.

The shift is visually emphasized through the contrasting color palettes. In Chapter 10, the scene in Kim Dan’s apartment is steeped in grays and blues (chapter 10), evoking a sense of cold detachment and judgment. In contrast, the moment where Joo Jaekyung is asked to repair the roof is bathed in daylight (chapter 62), with warm yellows and soft tones that highlight his newfound openness and humility. This visual change symbolizes his evolving perspective—he no longer sees poverty as something to disdain but rather as a context where assistance is needed and deserved. His actions are guided not by obligation but by a genuine desire to help, reflecting a significant step in his transformation.

The vegetables he receives as compensation further highlight this transformation, symbolizing a newfound appreciation for non-material rewards and mutual exchange. (chapter 62) It is clear that he rejected money, when someone else asked for his assistance. (chapter 62) Thus I deduce that he never accepted any kind of compensation in the end. But none of the inhabitants could accept such a generosity, therefore they brought vegetables or dishes. Unlike his previous life, defined by detachment and impermanence, these acts of community-oriented labor mark a significant shift in how he values his strength—not as a tool for control (chapter 62), but as a way to support and uplift others. The admiration from the inhabitants is genuine (chapter 62) contrary to the fans’. (chapter 62) His progression to harvesting potatoes, which grow hidden beneath the earth, deepens this symbolism, representing humility and a more profound engagement with nature and the people around him. This transition mirrors his personal growth: from surface-level participation to meaningful involvement in the lives of those around him. But why does he blame the doctor in the end? (chapter 62) One might think, he is doing all of this against his will and heart. In my opinion, it is related to his past behavior: (chapter 62) The champion feels really bad for his rejection after the incident with the spray. And since he believes that Kim Dan comes from that town, he thinks that he can redeem himself by helping his “community”.

A defining moment occurs (chapter 62) when he receives a bowl of potatoes as compensation for his work. This simple yet heartfelt gesture reinforces the theme of “laying down roots,” as the vegetables symbolize his growing connection to the community and his appreciation for non-material rewards. The contrast between this moment and his life in the penthouse is striking—where once his wealth isolated him, now simplicity and community nourish him both literally and figuratively. His words (chapter 62) suggest disbelief or frustration, yet the sparkling stars around the potatoes contradict his words, revealing a quiet appreciation. The absence of his mouth in this scene further emphasizes an internal conflict—his words do not fully align with his growing understanding of value beyond material wealth. This scene in front of the vegetables (chapter 62) exposes a dissonance between his mind (mouth) and his heart revealing that he is not true to himself yet.

This moment also contrasts with Kim Dan’s grandmother’s behavior. While she sold vegetables for money (chapter 47), she rarely prioritized Kim Dan’s nourishment. The grandmother’s actions were driven by financial survival. Joo Jaekyung, on the other hand, receives food as a form of gratitude and recognizes the significance of nourishment beyond monetary gain. (chapter 62) His words expose that he plans to use them for his meals.

These observations bring an intriguing dimension to the chapter, particularly when we contrast the actor’s perception of Joo Jaekyung (chapter 58) with the reality of his evolving personality and his behavior toward others. Choi Heesung’s dismissive remark that Joo Jaekyung would “flip his shit” if he knew the living conditions of Kim Dan implies a static, unchanging view of the champion, one that aligns with a superficial understanding of him as merely ruthless and violent. However, this chapter reveals the fallacy in such an interpretation, exposing the actor’s arrogance and lack of true insight into Joo Jaekyung’s character.

The actor’s words stand in stark contrast to the champion’s behavior in the town, where he demonstrates care, humility, and a willingness to engage with others. (chapter 62) This shows that if someone, like Potato, had made a genuine effort to connect with Joo Jaekyung (chapter 23), they could have succeeded. Potato, the youngest member of the team, embodies this missed opportunity. (chapter 9) His nickname, “Potato,” while intended as lighthearted and affectionate, is something he despises because he perceives it as demeaning. Yet the reality is quite the opposite—nicknames like these often carry affection and camaraderie. Yet he rejects it out of insecurity or an internalized belief in its inferiority.

Joo Jaekyung’s actions in the town, contrasted with the actor’s dismissive remarks, suggest a deeper lesson about assumptions and the ability to build meaningful relationships. The young fighter’s rejection of his nickname and possible resentment toward the champion (chapter 52) reveal a missed opportunity for bonding. The champion, who is evolving into a more open and empathetic individual, might have been an unexpected source of support and connection had Potato not listen to others and chosen to embrace this chance instead of harboring negative assumptions.

This chapter (chapter 62) underscores the gap between perception and reality, showing how preconceived notions can prevent genuine relationships from forming. It also reinforces the theme of growth and transformation, as Joo Jaekyung continues to break away from the static image others have of him, proving that even the most misunderstood individuals can surprise us with their capacity for change. The interplay between the nickname “Potato” and its underlying affection further echoes the theme of finding value and beauty in simplicity—a motif central to the champion’s journey as he embraces humility and authenticity.

Sandals and Flowers Over Fangs

While Joo Jaekyung’s floral-patterned pants and hat caught the readers by surprise (chapter 62), it is important to notice that this metamorphosis began much earlier.

First, I noticed that at the hospital, he was wearing sandals without socks (chapter 62) , while he had put on his expensive jeans and CK tee-shirt. (chapter 62). This stands in opposition to the previous scene in front of the hospice: (chapter 61) The focus on Joo Jaekyung’s feet (chapter 62) and his choice of wearing sandals without socks, despite his otherwise branded and expensive outfit, carries deeper symbolism that extends beyond mere humbleness. It reflects his state of mind and highlights subtle aspects of his character and situation. Firstly, the exposed feet symbolize vulnerability and openness. Sandals, unlike closed shoes, leave the feet unprotected, suggesting that Joo Jaekyung is letting down his guard. This choice conveys his growing comfort or trust in the environment, particularly at the hospital, where he feels no immediate danger or need to maintain his usual defenses.

Secondly, the sandals reflect a sense of groundedness and comfort. They indicate that Joo Jaekyung feels at ease in this setting, contrasting with the stress or pressure he might experience elsewhere. (chapter 62) The hospital or Kim Dan’s presence may provide him with a sense of stability and calmness, allowing him to adopt a more casual and relaxed appearance. Additionally, the contrast between his expensive jeans and branded t-shirt and his unassuming sandals reveals a division between his public image and private self. While his clothing aligns with his status as a wealthy and successful individual, the casual footwear hints at a simpler, more authentic side of him that is emerging in this setting. It reflects his willingness to shed some of the societal expectations tied to his identity.

The sandals can also be seen as a symbol of transition. (chapter 62) Feet often represent movement or progress, and wearing casual footwear like sandals might signify that he is in a state of personal transformation. The lack of socks further emphasizes this shedding of layers—he is slowly allowing himself to be more vulnerable and introspective, stepping away from his usual, controlled persona. Finally, sandals reflect his connection to the environment. His footwear choice underscores that the hospital is a place where he feels secure and unthreatened. The focus on his feet could symbolize his groundedness in the moment, highlighting that this environment allows him to pause and reflect, rather than act or defend.

In summary, Joo Jaekyung’s sandals symbolize his vulnerability, comfort, and authenticity. They represent his transition toward a more unguarded version of himself and his growing trust in the environment and, perhaps, in Kim Dan. The author’s deliberate focus on his feet underscores this subtle but significant shift in his character.

Another detail attracted my attention: the vanishing of the cap. (chapter 62) The latte is used as a shield. He doesn’t want to be recognized. This explicates why the moment he removes the cap (chapter 62), he is immediately approached by the town chief. (chapter 62) This shows that the owner of the hostel had not only observed him for the past few days, but also had quite understood the significance of the cap: anonymity and distance. Consequently, when the celebrity chose to leave the hat at home, he expressed his satisfaction, safety and comfort in this place. This indicates another step in the dragon’s metamorphosis.

The champion’s floral-patterned pants and hat further illustrate his transformation (chapter 62) and his effort to integrate into the environment around him. These borrowed clothes symbolize humility and practicality, standing in stark contrast to his penthouse life (chapter 42), where appearances and dominance once took precedence over community and connection. (chapter 02) The penthouse, perched high above the city, served as a symbol of isolation and self-reliance—an ivory tower of sorts, detached from the world below. In contrast, the town’s hostel (chapter 62) reflects shared experiences and human connection, embodying a shift toward groundedness and humility.

The floral patterns on his clothing carry additional symbolic weight. (chapter 62) Flowers, often associated with growth, renewal, and gentleness, contrast sharply with the predatory imagery of his Season 1 leopard-print pajamas. (chapter 30) This evolution from animalistic aggression (chapter 30) to floral gentleness mirrors his inner journey—from a man who thrived on dominance to one who values connection and vulnerability. By choosing practicality over intimidation, he signals a readiness to embrace his humanity and shed the pretensions of his past. Moreover, the hat has here a different function: it serves as a real protection from the sun, hence his neck is covered.

The practicality of these clothes also signifies his growing comfort in this environment and marks a stark contrast to his previous life in the penthouse. In the penthouse, his wardrobe and lifestyle reflected detachment and a preoccupation with dominance, symbolizing isolation and self-reliance. Now, his practical and borrowed clothing embodies a shift toward humility and integration into the town’s community. No longer concerned with appearances, he prioritizes function over image, a stark departure from his previous self. The champion’s acceptance of “ridiculous” clothing highlights his willingness to shed past pretensions and integrate into the town’s rhythm of life.

A New Name, A New Identity

Another subtle but significant aspect of Joo Jaekyung’s transformation is his landlord giving him a new name: (chapter 62) “Jaegeng.” While this may initially appear as a simple mistake due to the landlord’s poor hearing, it holds deeper symbolic weight. This renaming can be interpreted as part of Joo Jaekyung’s rebirth in the town—a reflection of his evolving identity.

The landlord’s misnaming is especially poignant because it occurs without any knowledge of Joo Jaekyung’s fame, wealth, or status as an MMA champion. To the landlord, he is not “the Martial Emperor” or a celebrity but simply a man who has shown strength, care, and selflessness in his actions. This name, therefore, becomes a representation of how Joo Jaekyung is seen in this new environment: not for his achievements or material success, but for his intrinsic qualities and the genuine impact he has on those around him.

By giving him a new name, the landlord unknowingly affirms Joo Jaekyung’s transformation. In many cultures, names symbolize identity, belonging, and purpose. “Jaegeng” serves as a marker of his rebirth into a life that values connection over dominance, humbleness over pride. It underscores the idea that the town is becoming a place where he is recognized and appreciated for who he truly is, rather than what he has accomplished.

Furthermore, this renaming highlights the theme of visibility and acceptance. For most of his life, Joo Jaekyung has been defined by his physical prowess and public persona, often hiding his vulnerabilities behind his success. He was badmouthed by his manager Park Namwook, as an ill-tempered (chapter 52), spoiled rich brat: (chapter 7) Yet here, in the quiet simplicity of the town, he is seen not for his image but for his actions. The landlord’s care and warmth (chapter 62) further reinforce this shift, showing that true respect and recognition come from authentic relationships, not societal labels. This chapter actually proves not only the manager’s bias wrong, but also MFC’s badmouthing. (chapter 54) Like mentioned above, his stay in this little town is teaching him to become immune to manipulations in the end. His self-esteem is getting boosted, hence he doesn’t mind being called “Jaegeng”. (chapter 62) Notice that he never corrects his neighbor and Kim Dan’s landlord.

Laying Down Roots: A Journey Toward Stability

The phrase “laying down roots” (chapter 62) offers a profound insight into Joo Jaekyung’s character, revealing his unfamiliarity with the concepts of stability and belonging. This idiom, often associated with establishing permanence or forming deep connections, feels foreign to him, reflecting a life where such notions were neither prioritized nor experienced. Its use in this context signals his subconscious recognition of a significant internal shift.

If we interpret this phrase through the lens of Joo Jaekyung’s possible upbringing—marked by frequent relocations or a transient lifestyle—it sheds light on why this concept might feel new and even perplexing. A life of constant movement, potentially due to his parents’ careers or ambitions, would have disrupted his ability to build meaningful relationships or develop a stable sense of home. Let’s not forget that he speaks English fluently. This emotional rootlessness could explain his hyper-focus on self-reliance and his struggle with vulnerability, as he likely learned to depend solely on himself.

In contrast, Kim Dan’s rootlessness stems from neglect and exclusion, experienced while remaining in a single place (chapter 19). This creates a fascinating parallel between the two characters: both grapple with the idea of belonging, but from opposing starting points. While Kim Dan longs for acceptance in a community (chapter 56) that has continually rejected him (parents, students, hospital; Team Black), Joo Jaekyung is learning how to stop running—physically and emotionally—and to establish a sense of permanence for the first time in his life.

By choosing to “lay down roots” in the town, even if initially motivated by his desire to bring Kim Dan back to Seoul, Joo Jaekyung is unknowingly practicing an act of stability and connection. His integration into the town’s daily life, through his labor and interactions with the townspeople, marks a pivotal step in his transformation. It shows that his motivations are gradually shifting away from self-serving goals toward something more meaningful: a life enriched by mutual care and human connection.

This phrase also ties into the broader symbolism of his actions in the town. Receiving vegetables as compensation, working in the fields, and forming relationships with the locals reflect his growing connection to the earth and to others. This stands in stark contrast to his previous life in the penthouse, where he lived isolated high above the world, detached from the lives of others. Now, by grounding himself—both literally and metaphorically—Joo Jaekyung is beginning to rebuild his identity on a foundation of humility, service, and authenticity.

Ultimately, “laying down roots” becomes more than just a metaphor for his time in the town. It represents a pivotal moment in his journey of self-discovery, as he learns to create a life not defined by dominance or independence but by connection and belonging.

Kim Dan’s Limited Perspective

Kim Dan, busy with his own work, remains unaware of the full extent of Joo Jaekyung’s contributions to the town. His landlord’s comment about the champion’s back pain forces Kim Dan to confront his own biases. (chapter 62) Refusing to treat Joo Jaekyung would make him appear heartless, yet his compliance is reluctant and transactional, rooted in obligation rather than understanding. This disconnect highlights how much Kim Dan has yet to grasp about Joo Jaekyung’s transformation. He still views the champion through the lens of their past, unable to see the quiet generosity that now defines his actions.

Interestingly, the townspeople’s admiration for Joo Jaekyung’s strength and kindness contrasts with Kim Dan’s perception. While they see him as a selfless helper, Kim Dan struggles to reconcile this new image with the man he once viewed as domineering and detached. He still views the protagonist as a celebrity, and not as a man. This tension underscores the theme of hidden growth, where transformation often goes unnoticed by those closest to us.

From Civilization to Nature: The Symbolism of Cucumbers and Potatoes

The progression from helping with cucumbers to working in the potato fields represents Joo Jaekyung’s deepening connection to nature. (chapter 62) Cucumbers, as cultivated crops, symbolize his initial steps toward humility within the structured framework of human civilization. They are tied to his early efforts to integrate into the town, where his labor is still defined by external expectations and requests.

(chapter 62) Potatoes, on the other hand, grow underground, unseen until harvested. They symbolize the deeper, hidden aspects of Joo Jaekyung’s transformation—a connection to the earth that goes beyond surface-level labor. Working in the potato fields brings him closer to the raw, unrefined essence of nature, marking a significant step in his journey. However, his interaction with nature remains tied to human intervention (agriculture). He has yet to venture into the untouched wilderness of the woods, which represents the final frontier of his self-discovery. And this brings me to my next observation: (chapter 62) So far, the champion has not paid attention to Boksoon. He has not even looked at her, because his eyes are always directed at Kim Dan: (chapter 61) (chapter 61) However, her puppy has been buried next to the forest: (chapter 59) Hence I have the impression, she could be the one leading him there, if not Kim Dan. Let’s not forget that the doctor’s deepest wish is to go on a walk through the woods: (chapter 47) Another interesting aspect is that the trip to the forest is connected to rest in the physical therapist’s mind. Striking is that though the champion helped the community, he still worked. So technically, he has never had a day’s rest either. But this is what he said to the landlord: (chapter 61) He came here for his recovery.

Conclusion: The Path to True Grounding

Joo Jaekyung’s transformation in the town unfolds through symbolic milestones: his baptism in the ocean, his labor in the fields, his floral clothing, and his connection to nature. Each moment represents a step away from power, control and isolation toward modesty and service. He is gradually moving away from MFC world. Yet, his journey is incomplete. The untouched woods remain a metaphorical frontier—one he has yet to explore fully.

Kim Dan’s limited awareness of this change highlights how transformation often goes unnoticed by those closest to us. This limited perspective mirrors Kim Dan’s own internal struggles, as he grapples with feelings of inadequacy and a worldview shaped by past trauma. His inability to fully recognize Joo Jaekyung’s growth underscores a poignant contrast—while Joo Jaekyung is learning to connect and embrace change, Kim Dan remains constrained by his guarded nature and lingering doubts about his worthiness of care and community. He considers himself as a waste of time: (chapter 62) Ultimately, Joo Jaekyung’s journey is not just one of self-improvement but a quiet challenge to societal values. True strength is not about control, but about the ability to grow, connect, and embrace change. Blooming muscles signifies not just physical power, but a strength nourished by care, community, and the courage to evolve. Finally, I would like my readers to pay attention to the sky, when the champion approached his fated lover: (chapter 62) It was a mixture of white, purple, pink and orange, a sign that not only the champion’s life has become more colorful, but also the night stands under the sign of love, enlightenment and life. At the same time, it reminded me of the night when the puppy was buried: (chapter 59) Thus I am expecting another huge transformation in the next episode.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Wolf’s 🐺 Cure ⚕️ Among The Sheep 🐑

Introduction

The second season of Jinx promises to delve deeper into the lives of its main characters, transitioning from the confines of the gym (chapter 54) and penthouse (chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” (chapter 56) in a small town on the West Coast (chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged (chapter 16) (chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, (chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information (chapter 48) and using Shin Okja as a guinea pig for trial treatments (chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: (chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion (chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. (chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, (chapter 57) who no longer appears in the news.

Contrasting the Hospice and MFC

The hospice, Light of Hope, does not offer healing in the traditional sense, as its patients are no longer hoping to be cured. Instead, it provides a space for those burdened by emotional scars to wait for death in a positive way, (chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating (chapter 36) (chapter 35) (chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives (chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. (chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: (chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony (chapter 57) which contrasts so much to the mentality at the gym. There, no one paid attention to the well-being of Kim Dan or the athlete. The latter had to burden everything on his own. The hospice’s focus on teamwork and selflessness mirrors the qualities of the sheep—often symbols of conformity but also of communal support and altruism.

On the other hand, the grandmother believes she has found her “family” and “roots” at the hospice (chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: (special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets.

The MFC, in contrast, represents the worst of hierarchical power dynamics. It stands as a symbol of industrialization, producing ‘champions’ not for their personal growth or well-being but for monetary gain. Fighters are treated as commodities, molded and exploited for profit in a system that prioritizes output over humanity. As an organization, it prioritizes profit over the well-being of its fighters, fostering a culture of exploitation and blind obedience. Joo Jaekyung’s realization of these flaws will likely spur his transformation into the true owner of the gym, imposing his values of loyalty, care, and protection.

Defining the Cure: Reconnecting with the True Self

For Joo Jaekyung, the “cure” lies in reconnecting with his true self and rediscovering his childish side, something he could only experience twice in season 1. He had fun with Kim Dan by his side (chapter 26) (chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.

Central to this transformation is his relationship with Kim Dan. Taking care of Kim Dan—physically, emotionally, and mentally—becomes a pathway for Joo Jaekyung to rediscover his own humanity and generosity. However, it becomes evident that the one truly dying a slow death is Kim Dan. His negative change, marked by physical and emotional decline, should make the champion realize that Kim Dan has been identifying himself with the athlete. The last incident appears to have “killed” the physical therapist’s spirit, leaving him a shadow of his former self. (chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: (chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.

Education also stands at the center of Season 2, exemplified by Boksoon (chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean (chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water (chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.

Moreover, the professional dynamic between them shifts significantly in Season 2. With Joo Jaekyung hiring a new physical therapist (chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.

The Role of Mirrors and Mentors

Key secondary characters at the hospice serve as mirrors and mentors to the main leads. The landlord (chapter 57) and the yelling patient (chapter 57), represented as an ibex, embody qualities that challenge Joo Jaekyung and Kim Dan to confront their past traumas and current flaws. The ibex’s defiance contrasts with the sheep-like conformity of the hospice patients, encouraging Potato, Kim Dan and Joo Jaekyung to question the blind obedience that has shaped their relationship with figures like Park Namwook. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

Nurses 1 and 2, previously conceptualized as (chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself (chapter 57), she was able to note that he was suffering mentally and emotionally. She diagnosed it as burn-out. Then in the latest chapter, a new nurse appeared. With her green hair and glasses (chapter 57), she reminded me of the champion’s friend: (chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.

The Symbolism of Wolves, Sheep, and the Illustration

The wolf symbolizes love, family, and protection, qualities that Joo Jaekyung begins to embody as he nurtures Kim Dan and confronts his own vulnerabilities. The illustration visually represents this duality: the wolf in sheep clothes, walking towards the hospice, embodies Joo Jaekyung’s fierce yet diminished and protective nature, while the broken tree—representing Kim Dan—signals his fragile state and the need for healing. Together, the wolf and the sun symbolize Joo Jaekyung’s journey toward self-discovery and redemption, as he draws strength from the tree’s shade, embodying Kim Dan’s care and quiet support.

Meanwhile, the sheep represent conformity and selflessness, but the presence of the ibex disrupts this harmony, standing as a challenge to blind obedience. I have to admit that the patient’s reaction (chapter 57) reminded me a lot of Yoon-Gu’s (chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.

Wolves also represent loyalty and teamwork, values that stand in stark contrast to the selfishness and manipulation he experienced at the MFC. Meanwhile, the sheep, often dismissed as symbols of conformity, carry a deeper meaning at the hospice. They embody gentleness, warmth (due to their wool), selflessness and community, traits that Joo Jaekyung learns to appreciate and emulate. That’s how the wolf will learn how to give warmth and comfort to his fated partner. The hamster can only feel grateful towards his benefactor pushing him to reciprocate the attitude. Then the moon, embodied by the doctor, will become the guardian of the champion so that the latter can little by little recover from his insomnia and recurrent nightmares.

A Journey of Transformation

In a world where individuals are on the verge of death, Joo Jaekyung discovers his own senses: his humanity and generosity. The hospice provides a space for him to reconnect with his true self, guided by the lessons he learns from Kim Dan, the nurses, and the “mirrors” of the landlord and the ibex. This transformation not only redefines his relationship with Kim Dan but also prepares him to reclaim his rightful place as the leader of the gym, imbuing it with values of care and protection. Furthermore, the hospice teaches Joo Jaekyung the value of rest and relaxation (chapter 57), concepts he had previously dismissed as “laziness.” (chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.

Ultimately, The Wolf’s Cure Among the Sheep is a story of healing through connection, a reminder that even in a world marked by competition and death, humanity and generosity can flourish when the heart is truly in it.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 17 📆 0️⃣1️⃣9️⃣The Shadows Cast By Numbers

In the composition The Magic Of Numbers I demonstrated the strong link between numbers, characters and situations. This led me to focus on the number 7 and its signification in Jinx. [For more read Magic 7 : Navigating between Jinx and Luck]. Is it a coincidence that number has for synonym “figure”, which is also an equivalent for “character”, person”? I don’t think so. However, the biggest discovery has not been revealed yet. Thus if my avid readers look carefully at the new illustration now, they will detect the digit 1, 0 and 9. What do they mean in Jinx? I will answer to this in the following analysis.

Numbers and Characters

For that, it is important to look at the following chapters and their digits:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

What do these episodes have in common? The number 10 or better said 1 and 0. Let me give different examples. 11; 37 : 3+7= 10; 46: 4+6=10; 4+7= 11. What caught my attention is that the number 1 and 0 are strongly intertwined with the villains.

Before going any further, it is relevant to define a villain.

A villain in literature is a character who represents evil or opposing moral values and often creates conflict with the protagonist. Villains typically display malicious intent, seeking to harm, dominate, or oppose others for personal gain or twisted ideals. Examples include:

  • Darth Vader (Star Wars): A dark lord driven by a desire to impose order through domination.
  • Hannibal Lecter (The Silence of the Lambs): A brilliant but psychopathic serial killer.
  • Voldemort (Harry Potter): A dark wizard seeking immortality and control​

This means that villains in Jinx are people resenting the main leads, they wish to harm or even ruin them. But let’s return our attention to my interpretation. The digit 1 announces the presence of a villain. One might argue about this perception, for number 48, 49 or 20 doesn’t mirror this theory. Nevertheless, Jinx-philes shouldn’t keep in mind that 8 embodies Kim Dan. Moreover, we should see it like that: 47= 4+7= 11, then 48=: 47 (Baek Junmin) + 1 Director Choi. Additionally, in 49, we have 4 persons involved in the scheme to kill the champion with Shotgun: (chapter 49) These 3 men and The Shotgun have to be seen as a team. Moreover, 4 is a synonym for death. Then, observe that the image from episode 20 contains two villains, the loan shark and the perverted hospital director. 1 +1 = 2. So when we see the number 10, 11, 16, 17 and 18, we could perceive it as an allusion to Heo Namwook, the villain.

However, another objection could be raised. What about episode 47? If you add the digits together, you have 11. So where are the two “villains”? It is clear that one is referring to the Shotgun, as for the other we could say, it is an allusion to the invisible involvement of Choi Gilseok. Then what about 11? One possible answer would be to say that the other villain in episode 11 was the representative of the association (chapter 11) and indirectly the persons involved in the redevelopment. However, I have to admit that I have a different explanation.

1 and antagonists

And this brings me to my other observation. In my eyes, the digit is not just referring to villains, but also to antagonists. You might ask about the difference between a villain and an antagonist.

An antagonist, by contrast, is any force or character that opposes the protagonist, creating conflict. They act as barriers to the protagonist’s growth or objectives, embodying stagnation or forces that resist transformation. Unlike villains, antagonists are not necessarily evil. For example:

The Party (1984): The oppressive government represents the antagonist but is not embodied by a single “villainous” character. The party embodies immobility through oppressive control, rejecting individuality or societal progress. It acts as a hurdle for Winston Smith, who seeks freedom and truth.

Miss Havisham in Great Expectations:: She is trapped in her heartbreak, she resists emotional healing and inadvertently thwarts Pip’s development.

As for Captain Ahab in Moby-Dick:, though a protagonist in his own story, Ahab’s obsessive immobility (revenge on the whale) becomes an antagonist force against his crew and their survival.

In other words, they create tension by opposing the protagonist’s goals. They test the main character’s resolve, adaptability, and resourcefulness. By clinging to outdated systems, ideologies, or personal fears, they symbolize forces that resist progress. Many antagonists refuse change, either out of fear, selfishness, or a belief in their own superiority. This refusal often highlights the protagonist’s drive for transformation or growth. To conclude, they embody hurdles to overcome, immobility, intern and extern conflict, resistance and regression.

Therefore for episode 11, one might think that the other 1 was referring to Joo Jaekyung, for the latter appears like a barrier which the young physical therapist needs to overcome. (chapter 11) Let’s not forget that in Jinx-Fandom, many Jinx-addicts calls him a “red flag”. Here, he was abusing his position. Furthermore, this theory could be seen as validated with the first episode with this image: (chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: (chapter 20). Sex is not dirty, he is not an old creep. He is just 29 years old. He is pure and innocent like a baby. Hence we should see this discussion (chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. (chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!

On the other hand, there is no denial that the athlete shares some similar traits with an antagonist: his selfishness, the use of threats and an ideology (his jinx). Consequently, one might still contest my interpretation. Nonetheless, this hesitation can be removed easily, when we return our attention to chapter 1 again. (chapter 1) This image was not reflecting reality, but Kim Dan’s vision!! The following panel is the unbiased truth: (chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water (chapter 27) or the ocean. It is because he was under the influence of his hyung Park Namwook which explains why Mingwa introduced him like this: (chapter 1) Note the contrast to his “boy”. The red is not coming from Joo Jaekyung’s body (chapter 1), but more from the side which stands in opposition to the coach.

Thus I came to the following deduction. In episode 1, the MMA fighter appears as an antagonist, but he is not the real one, it is his coach and manager. The latter only shows his true colors at the end of season 1. This interpretation gets corroborated with episode 11: (chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: (chapter 1) There is a spider on his t-shirt, which represents the manager’s personality and behavior. (chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: Daily Jinx Advent Insight 12. This shows that the main lead had been copying his mentor’s behavior for a while. And the moment you associate 1 with Park Namwook, it becomes more comprehensible why he argued with his pupil in 17 (chapter 17) or in episode 46 (chapter 46) He represents regression or the hurdle to overcome.

However, we should consider the first episode as a combination of 1 and 0: 01. And who was missing in this chapter? Naturally, Shin Okja, the doctor’s grandmother. She is the other antagonist for our beloved couple: (chapter 11) (chapter 11) And I can prove my statement by showing the episode where she appears:

Chapter 5Chapter 7Chapter 10Chapter 11Chapter 19Chapter 20Chapter 21

Chapter 22Chapter 30Chapter 41Chapter 47Chapter 48Chapter 53


Here, we should see as a continuation of episode 47.

By looking at the numbers carefully, I suddenly realized what the halmoni’s true number could be. It is 11 which actually makes 2. Hence we have 20, 21 and 22 where she plays a huge role. One might argue for this hypothesis, for she appears in episode 5 and 7. However, combine these two numbers together, then you have 12. A combination of 2 and 1, which is similar to 11 and 2. Under this new light, it becomes comprehensible why the Webtoonist made her appear again, when Baek Junmin (the criminal embodies 5) entered the spotlight: 5 *2 = 10 or 47 = 11. But what does the number 1 and 0 mean.

1: Isolation, Ego, and Domination

The number 1 is often associated with leadership, individuality, and beginnings. However, its negative side can symbolize isolation, self-centeredness, and authoritarianism.

  1. Isolation and Loneliness
    • As a singular entity, 1 can represent someone who stands alone, often by choice or force, cutting themselves off from others. Park Namwook has always excluded the athlete from the “parties” (chapter 9) or other events like this one: (chapter 37) Buying in secret junk food.
    • This isolation can stem from arrogance or a belief in their superiority, which distances them from meaningful relationships. (chapter 52) Hence he shouldn’t be seen as a true friend of the champion. He views himself as the better one: manners, temper and decisions. The reality is that he is never making any decision.
    • In Jinx, the antagonistic figures, such as the surrogate parents, could embody this isolation by choosing control over connection, leaving the leads emotionally detached and alienated. Hence the grandmother keeps asking favors from her grandchild (chapter 11) (chapter 47)
  2. Selfishness and Ego
    • Negatively, 1 reflects the “me-first” mentality, where the individual prioritizes their needs, desires, and ambitions at the expense of others.
    • In villains, this could manifest as manipulative behavior or exploitation, as they treat others as tools rather than equals. (chapter 1)
  3. Domination and Tyranny
    • In its extreme, 1 represents absolute power—one ruler, one decision-maker—leading to oppressive or dictatorial behavior. Hence Kim Dan could never get a job as PT at a hospital. (chapter 1) But it is the same for the champion who got his “gym” stolen from his hyung: (chapter 22) He is acting here like a tyrant.
    • This can parallel the way antagonists in Jinx drain others emotionally and physically, exercising control in a way that leaves the protagonists powerless and diminished. They feel jinxed. That’s the reason why I added bats on the illustration. I came to this revelation thanks to this article:

The hidden vampires in Jinx

And naturally, these two descriptions reminded me of the manager from Team Black. He slaps or yells at the champion, each time he is frustrated. Then he trusts no one (chapter 52), spreading rumors, mistrust and doubts. (chapter 46) This would explain the champion’s emptiness and darkness: (chapter 29) As for the halmoni, she embodies the last type of emotional vampire:

This description reminded me of the last conversation between the doctor and his grandmother. (chapter 53) The request for another sacrifice and promise. It is also possible that she represents a combination of another type, though we didn’t see her complaining too much in season 1:

Maybe the phone call during the night, her repetitive requests the next morning (chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.

11: The false spiritual guide

The number 11 in numerology is often referred to as a “Master Number,” carrying profound spiritual energy and potential for enlightenment. However, its heightened sensitivity and intense energy can also manifest negatively. While they are visionaries, individuals influenced by 11 sometimes struggle to transform their dreams into reality. Their focus on idealism or spirituality may distract them from practical implementation. People influenced by 11 may feel overwhelmed by their internal energy, leading to high levels of stress and emotional instability. Their sensitivity to external stimuli can make them prone to chaotic thoughts and anxiety when life feels out of balance. The number’s dual nature can create internal conflict, making it difficult for individuals to find stability. They may oscillate between extremes—hope and despair, inspiration and doubt. Despite their innate strength, they may overly depend on others for validation or support, sometimes at the expense of their own goals. This arises from their deep need to connect and help others, which can leave them emotionally exhausted or vulnerable to exploitation​ [for more read Numerologist.com​ ] Being a master number, 11 carries an intense energy that can be difficult to manage. People influenced by it might feel an excessive burden to achieve greatness, leading to burnout or feelings of inadequacy. This can prevent them from realizing their full potential, as they fear taking risks or making mistakes. This can lead them to remain passive. ​[Building Beautiful Souls] Finally, the number 11 would also explain why she is only focusing on herself. Emotional intensity, indecisiveness, imbalance and duality, overwhelm and pressure reflects the grandmother’s personality, as the latter always avoids conflicts and prefers running away from reality.

And that’s how I came to the following conclusion. Season 1 stands under the color of red. Note that the halmoni is always seen wearing red or dark pink clothes in the past (chapter 48), just like Park Namwook is wearing a red t-shirt with Team Black on it. These were the vampires who were draining out their “boys”. However, in the last episode, Park Namwook is no longer wearing the red t-shirt, but a blue one. (chapter 53) Only the logo is red. (chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. (chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

you will realize that the villains’ shades are blue, black and green. (chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. (chapter 46)

0: Emptiness, Neglect, and Obliteration

The number 0, often associated with nothingness and potential, has a shadowy counterpart that embodies destruction, void, and futility.

  1. Emptiness and Neglect
    • 0 represents a void—a lack of presence, empathy, or nurturing. Antagonists or villains embodying this aspect may not just harm directly but leave a gaping hole in the lives of those they affect. (chapter 10) Here, the manager showed no empathy or understanding in front of the champion. (chapter 37) He never complimented him for his hard work at all.
    • In Jinx, this could reflect the emotional neglect or apathy the antagonists or villains show, as their actions drain the main leads of energy, motivation, and a sense of self-worth.
  2. Annihilation and Destruction
    • As the symbol of “nothingness,” 0 can represent obliteration. It suggests an absence of growth, hope, or meaning, as antagonists and villains tear down rather than build up. (chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members.
    • The destructive aspect of 0 mirrors how the surrogate parents or antagonists in Jinx consume and drain the leads, leaving them emotionally barren and mentally fragmented. (chapter 10)
  3. Cycles of Futility
    • As a closed loop, 0 suggests an endless cycle, often one of despair or entrapment.
    • In the Korean Manhwa, this seems to symbolize how the protagonists are trapped in abusive dynamics with antagonists and villains (the loan sharks, director Choi, MFC and the way they treat their athletes like pawns) who repeatedly exploit and manipulate them, making escape seem impossible. The grandmother created the illusion that Kim Dan would be able to pay off the debts by working hard (chapter 18), until the champion confronted the protagonist with reality.

And if we analyze the number 46 (as a representative of 10), this is what we have:

46: Cycles of Dependence and Exploitation

  • 4 (Stability/Control) combined with 6 (Responsibility/Dependence) often represents a dynamic of obligation and control, but when tied to antagonism, it takes on a darker tone: a cycle where the protagonist is trapped in an exploitative relationship, unable to break free due to misplaced responsibility or imposed stability. Thus in episode 46 from jinx, the champion tried to express his expectations about the manager and coach (chapter 46), however Park Namwook refused to accept such a behavior from his boss. Therefore he put his pupil under pressure.
    • The surrogate parent attempted to enforce a toxic sense of responsibility (6) on the athlete, ensuring control (4) over his actions and emotions. However, the champion tried to escape from this by running away: (chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: (chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible.

Since I linked season 1 to red, it dawned on me why Cheolmin or the perverted hospital director didn’t appear in that season. (chapter 1) (chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.

Number 9 and its significance

This number stands for “change and help”. In this part, I will only focus on the following numbers: 9, 18, 19, 27, 29, 36, 39, 45 and 49. In episode 9, the champion was asked to take care of Doc Dan. The latter needed help, for he was too drunk to return home on his own. (chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: (chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. (chapter 18) In this episode, both main leads refuse the assistance from the other. Kim Dan is bothered that Joo Jaekyung paid off the debts, while the other dismissed the worries from the PT: (chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: (chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: (chapter 19) Then in episode 27, Kim Dan offers his assistance. (chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 , (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, (chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. (chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: (chapter 45). Without him, he can not do it. But here is the thing. In the locker room, the champion chose himself to treat his pain, he selected the pain relief spray over the doctor’s hands. (chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:

Chapter 6Chapter 26Chapter 36Chapter 42Chapter 46

The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.

Kim Dan is overcoming his fears. It is an allusion to Heo Manwook and his minions. On the other hand, the champion can not play with Kim Dan.

The end of a peaceful cohabitation, the return of fears from Joo Jaekyung (his jinx)
the presence of a scheme

The return of the mint-goblin, and as such the doctor’s fears (low self-esteem) At the same time, we shouldn’t overlook the presence of a third person in that flat who could appear in season 2.

The villains are exposed: they are now targeting Team Black and in particular Kim Dan.

The number 6 is strongly intertwined with regression, negative influence, schemes, antagonists and villains. Moreover, I detected a link between 6 and green/grey. That’s the reason why I am expecting more than ever in season 2, the fight between two green: nature versus money, fun versus seriousness, justice versus crimes/schemes. But in order to take place, the main couple needs to reflect about their own true desires in their life. What do they want exactly? A PT or a friend, a lover or a partner, a family or a company, justice or a scapegoat, fame or happiness?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 10 📆 🤬❤️🖤

If you pay attention to the illustration, you will notice that I switched the pictures in the photography album. However, assuming that you read all my previous daily insight compositions, you should recognize that I didn’t examine all the panels. The reason why I created a new illustration is that the topic for today was not related to the previous selected images.

The trigger for the new examination is the recently published article from Jennifer Delgado entitled Keinshorm Effect: why do we reject the ideas of those we can’t stand?

And now, you are probably wondering what Keinshorm effect is. The latter describes a cognitive bias where individuals reject ideas simply because they come from people they dislike. This emotional response clouds judgment, leading to a refusal to consider the content’s merits objectively. It often stems from the “horn effect,” where a single negative trait is extended to the entire person, or from cognitive dissonance when new information challenges deep-seated beliefs. This effect can lead to polarization, impeding constructive dialogue and personal growth. Who do you think is suffering from Keinshorm effect in Jinx?

Naturally Park Namwook. He is constantly silencing his boy with his words (chapter 36), slaps (note) and punches. But how do psychologists explain this creation?

As you can see, it is strongly linked to negative first impressions and as such to appearances. Mingwa let us know how the manager met the protagonist from Jinx: (chapter 26) He would destroy the arcade’s punching machines constantly, which led him to become blacklisted. This means that for the coach from Team Black, the young man was just a brutal and thoughtless thug and nothing more. He judged him based on his appearance and actions. Since he had money in order to open his own gym, he became a spoiled rich brat in the former wrestler’s eyes. But notice that the article is pointing out that the person suffering from Keinshorm Effect rejects any discussion from their counterpart because in truth, they actually dislike this person. This exposes the truth about Park Namwook: he actually resents the main lead. He only accepts him because of his success and fame. At the same time, this biased perception incites him to view himself superior to his pupil.

Under this new light, it becomes comprehensible why Park Namwook slapped his boy after the surgery. It symbolizes the summit of the Heinshorm Effect and as such the manager’s dislike towards the champion. Additionally, it is important to recall the trigger which led to such a reaction: (chapter 45) The Emperor had voiced his thoughts and emotions. This shows that he was trying to have a discussion with his hyung. He desired to be heard too: he voiced his powerlessness and questioned the coach’s intention behind his previous reproach.

That’s how I realized that we should see this argument as the negative version from this discussion at the penthouse: (chapter 45) While some readers still judge the athlete as a red flag and bad guy, they fail to realize that in a discussion, it is not about right and wrong. They are probably under the effect of the Heinshorm Effect due to the first bad impressions. 😉 In this discussion, both made valid points, yet both were in the wrong too. In reality, in a discussion, it is relevant to listen to the counterpart’s opinion and words. And that’s exactly what both did, though it hurt them too. But there is more to it.

First, it exposes that the manager never checked the facts about his own “boy”. (chapter 52) Why would he destroy the punching machines constantly? Hence I come to the conclusion that he has no idea about the past from Joo Jaekyung: (chapter 49) Like mentioned in a previous essay, I am suspecting that the athlete was a target of bullying and the perpetrators used his weakness and isolation to their own advantage. In other words, Park Namwook only saw the young man, once the latter had started training in order to protect himself. If he could ruin the machine, then it means that he had developed some strength. Thus I deduce that he never saw the future champion crying. At the same time, his negative perception led him to think that it was not possible to reason with him. He would only understand the power of the fists and nothing else. And this brings me to my next point.

Kim Dan represents the manager’s positive perception. That’s the reason why Mingwa created situations where both would argue. But because the hyung is much smaller and weaker, Joo Jaekyung was encouraged to voice his thoughts and emotions. Through their discussions (heated or not), they developed a mutual respect, which deepened their understanding of each other over time. Therefore I came to perceive these two scenes as a positive and negative reflections.

Chapter 36Chapter 42

Though both hyungs have the same attitude concerning violence, their response diverges. Kim Dan is not condemning his boss openly. His emotional reaction is more moderate, there is no yelling and threatening. He is teaching gently not to use his fists. With such an attitude, he displays acceptance and tolerance. Thus I come to the following interpretation. The relationship between Park Namwook and Joo Jaekyung was not bad right from the start. Yet as time passed on, the Keinshorm Effect reinforced the negative perception from the manager leading him to silence his star and as such to disrespect him.

Hence at the end, he chose not to communicate with him anymore. This explains why the manager didn’t inform him about the desertion of the last PT. (chapter 1) The champion was confronted with this new fact, when he saw Kim Dan for the first time. It signifies that when the story starts, the Keinshorm Effect is already deeply rooted. No wonder why there’s only one message from the hyung during the whole season (chapter 45) This was the sign of a poor connection between these two characters. Whereas the gap between them grew bigger and bigger, the opposite happened between the two protagonists. Under this new perspective, Jinx-philes can grasp why Mingwa created so many scenes with arguments between the two main leads. They should be seen as reflections from the past.

However with the manager, the latter had less patience and understanding right from the start. Therefore he came to choose his hands to turn the sportsman into a “passive and obedient” doll. That’s the reason why I see a connection between these two images:

Chapter 52Chapter 53

The letter is the highest form for communication. Putting thoughts into words means that the writer took his time to communicate with his counterpart. It stands for rationality and respect which contrasts to the manager’s slap. The latter acted on his negative emotions (anger, fears). The author from the article pointed out that Heinshorm Effect is nowadays widely spread. Why?

The moment I read this passage, it made me think of Choi Heesung and his k-drama: Extreme Worlds (chapter 29) (chapter 30) In the past, I used to think that this title were referring to the existence of two worlds: celebrity versus criminal world. But now I am thinking that these extreme worlds should be seen as “emotions” versus “reason” and “love versus hate” too. Idols are exposed to such extreme emotions (stalking, adoration versus hate). (chapter 36) In the second case, Joo Jaekyung could experience it twice during the first season. Whereas he got upset with the article from Shim Yoon-Seok (chapter 35), in the second one he was more composed. (chapter 52) He was already learning that the media were not reflecting verity. He was already distancing himself from social media. He had slowly realized that his image as star was not his true identity. At the same time, the letter contrasts with the short messages from haters. It outlines that Kim Dan’s admiration and recognition is sincere and deep. He didn’t get influenced by the media.

Hence I come to the conclusion that Park Namwook’s passivity and slap were triggered by the Heinshorm Effect. Yes, he was thinking like the media which distinguishes him from the cute “hamster”. (chapter 52) For him, Joo Jaekyung deserved to be suspended… he had punched his opponent at the hospital. Imagine the irony of the situation. Later, the manager used violence too, but it was excusable: (chapter 52) Consequently, it is understandable why Park Namwook didn’t fight against the suspension or organize a conference in order to save his star’s reputation. He had the same view about his boy. In addition, it exposes the shortsightedness and lack of reflection from Park Namwook. That’s why he shouldn’t be allowed to be the star’s manager. While he accuses his pupil of being hot-tempered, the former never checked the facts either: (chapter 52) Why was Baek Junmin place next to his opponent? Someone will have to confront this man for his negligence, unfairness, stupidity and incompetence.

But there exists another evidence for the presence of the Keinshorm Effect: (chapter 1) Due to his words, Kim Dan came to perceive the Emperor as a brutal and brainless man: (chapter 1) However, despite his biased perception about the athlete, he came to overcome all his prejudices about his boss and came to truly love the fighter. And this brings me back to this comparison:

Chapter 52Chapter 53

The champion’s reaction made laugh many readers. He was so calm. However, the moment you contrast this image with the one from episode 53, you will realize that his reaction is exposing his final detachment from Park Namwook. He is not upset, but this means that he is no longer seeking his admiration and recognition. The slap puts an end to their ambiguous and toxic relationship. For me, the manager lost his position as his hyung and as such his “family”. This explains why he listened to his coach, and said nothing. (chapter 53) However, later the champion thought otherwise: (chapter 53) This shows that he is now making his own decisions and this in the absence of his mentor. It somehow implies that the champion also stops communicating to Park Namwook. Finally, notice how he reacted after reading the letter: he truly felt bad. He was already attached emotionally and mentally to Kim Dan. As a conclusion, the season ends with the switch of the position between Kim Dan and Park Namwook. The former has already come to replace the manager. Indifference versus guilt and pain.

After making this discovery, it dawned on me why Kim Dan was not included in the discussions concerning the imminent fights. (chapter 36) He wouldn’t have been allowed to voice his opinion. He would have been even suspected of spying and leaking information (lawyer and manager from the Entertainment agency). Kim Dan needed to realize and admit his love and admiration for the athlete. first in order to stop Keinshorm Effect. He needed to be a confident and competent PT and become a friend for the protagonist. Since Kim Dan stands for communication, tolerance, respect and openminded-ness, the former hyung embodies the opposite notions: silence, dislike, clouded judgement and mental rigidity. Thus I deduce that in the future, the discussions about fights will take place differently. Involvement from all the members, opening listening and Kim Dan as a PT will have the decisive right for allowing a fight or not.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Loves me, loves me not 📆 ❤️ 💔 – part 1 (Daily Jinx Advent Insight 6)

Before starting writing the series “Daily Jinx Advent Insight”, I had already announced to release this essay. However, since my time is limited and I desire to keep my promise, I chose to combine these two series together. Hence the analysis “Loves me, loves me not” will have many parts. I can’t compose long essays each day.

During the first season, some Jinx-philes used to contact me and ask me the following question. Does Joo Jaekyung already love Kim Dan and if yes, when did he fall in love with him? As you can imagine, I will try to give an accurate answer in this series “Loves me, loves me not”. On the other hand, it is necessary to keep in mind that here, I will focus more on the emotional side of “love” than the one defined by Erich Fromm. Love is care, respect, knowledge and responsibility. Nevertheless, this raises the following question. How can we measure or notice his affection for the physical therapist? What are the signs for love? For that, we need to return to the beginning of the story Jinx.

The strawberry hamster and the mint goblin

What did Joo Jaekyung incite to drop the green-haired guy for the physical therapist? (Chapter 1) Imagine that he was in the middle of an intercourse. Yet he felt the need to have someone else by his side. It was, as if the grass on the other side was looking greener. 😉 Yes, in this scene, I detect parallels between Choi Heesung and Joo Jaekyung. (Chapter 33) On the one hand, the celebrity felt attracted to Kim Dan, on the other hand he had already sensed that the green-haired uke was greedy and even too passive. He was letting the celebrity fuck him. Yet there was neither real interaction nor sensuality between them. Hence the athlete could call Kim Dan during their sex. Funny is that the other didn’t mind at all, or in the worst case he didn’t even notice it. This shows not only the deafness and blindness of the mint goblin, but also the absence of communication and understanding in their “couple”. It was, as though the green-haired uke had submitted himself of becoming a sex toy. So by recalling the doctor, there is no doubt that the athlete couldn’t have voiced this change verbally. Why was he thinking of someone else during the intercourse? He was just simply not feeling it, the “great fuck”. In other words, Joo Jaekyung was attracted to Kim Dan by lust! In my previous analysis entitled Daily Jinx Advent Insight 3, I had pointed out the importance of “lust” in a relationship, as the latter represents the first step of love. As a source for this statement, I used this video:

Lust and love, though both powerful forces, differ significantly in how they manifest and endure. Lust primarily centers on physical attraction and thrives on fantasy, often fueled by an idealized version of the person rather than a grounded, realistic connection. While lust can feel intense initially, it typically weakens over time as the novelty fades. Love, in contrast, deepens with shared experiences, evolving into a bond built on emotional connection and mutual understanding. Unlike lust’s pursuit of excitement and thrill, love seeks stability, turning a romantic partner into a lifelong friend. Finally, love is selfless, focusing on the well-being and happiness of the other person, whereas lust tends to be more self-centered, driven by personal desires rather than a lasting commitment.

Since the green-haired uke only saw the athlete as a cash cow (“milking”) (chapter 42), it becomes clear why the athlete’s lust for the mint goblin couldn’t last. The latter was only interested in his money and not even in his body. Thus he didn’t try to bring thrill into their relationship or even seduce him. And now, you comprehend why Mingwa let us see such a scene in the beginning of the story. (chapter 2) He had never done it before. As for the champion, Manhwa-lovers can grasp that since their relationship was purely physical (not even accompanied with romanticism due to the athlete’s jinx), the lust from the champion’s side could only weaken overtime. When the athlete met the actor, he had not met the green-haired man before. Hence the sportsman was sitting at the bar looking more or less for a new partner. (chapter 33) So the relationship between the “prostitute” and the fighter must have lasted around 3 months, the same amount of time than with the physical therapist. The uke had put no effort, for in verity he was relying on the athlete’s jinx. The latter just needed him, and no one was willing to experience such a rough sex session. The reason why I gave the green-haired uke the nickname “mint goblin” is the following. He brought some fresh breathe in the athlete’s life, for contrary to his past lovers, this one didn’t run away. However, as time passes on, the mint taste couldn’t mask his corrupted mind and heart. He was passive and rotten deep inside. But there’s more to it. Thanks to the mint goblin, the athlete learned an important lesson. It was possible that someone could match his strength in bed. Yes, the latter wasn’t passing out like the others. Deep down, the star could sense that he was no monster, a criticism he had received from the actor.

Thanks to this new perception, it dawned on me why the athlete felt the need to reveal this secret to the mint goblin. Note that “lust” is strongly intertwined with “fantasy and as such romanticism”. So by exposing his odd belief, he desired to mask even his own attraction, so that the goblin wouldn’t notice that he was lusting after him. No one should know his type, his true weakness. Simultaneously, this revelation helped him to conceal and protect his own heart. He wouldn’t be exploited. With his jinx, he didn’t see himself as totally vulnerable, for he was actually denying the existence of a future close relationship. The uke could get replaced, he just needed someone and that was it. In other words, the revelation of the jinx was like a death sentence to their liaison. (chapter 2) There would be nothing left in the future, it was a work relationship. Under this new light, it becomes comprehensible why Kim Dan had to end their relationship at the end of the season. Because of his confession, their relationship was doomed to fail. It stood under the sign of “jinx”. We could say that the champion was receiving his karma for treating people like sex toys or surrogate fighters.

Joo Jaekyung and lust

The moment I made a connection between Choi Heesung and the green-haired guy, I had another revelation. Joo Jaekyung had criticized the actor for switching his partners constantly (chapter 33). The irony is that as soon as he saw Kim Dan (chapter 1), he got attracted to this pretty and cute new face. However, contrary to the comedian, he didn’t realize this, for the athlete is not someone who thinks deeply. He acts rather on his emotions, exactly like his mentor Park Namwook. Since lust is the first stage of love, the recipient of his “attraction” needed to give him a signal that he was interested in him. I doubt that the celebrity would have made a move on him, if the doctor had not made this mistake (chapter 1). Naturally, grabbing his phallus was the expression of the doctor’s masked sexual desires. This signifies that when the couple met for the first time, the grass appeared greener on the other side (medical world) for the first time. Since we have the first step of love in their relationship, we could say that the athlete was already in love with Kim Dan. While “lust” only represents the first stage in a love relationship, I decided to examine their relationship on this aspect.

Sex toy and lust

Since in the beginning of the story, the athlete was using his partners as sex toys, I detected a huge progression in chapter 33. This episode stands under the sign of LUST. The presence of the dildo is exposing the switch of the doctor’s position. The physical therapist is now treated like a human who can have his own pleasure. Under this new light, one might conclude that the actor was rather acting under the influence of “lust” in the car scene: (chapter 33) We have the novelty aspect (bringing thrill into their relationship) and the champion’s selfishness. The sex toy was utilized as a “punishment”, for the athlete was upset due to his jealousy. However, this perception is still too short-sighted. You will laugh, as soon as you read my new interpretation.

When Kim Dan started spending time with Choi Heesung, Joo Jaekyung feared that the actor could appear as the “greener grass”. He was generous, smiling and would compliment the young man. But more importantly, the fighter was tormented, because he didn’t know his soulmate’s type. He feared that the actor was totally the hamster’s type. The champion was exposing his insecurities, for he didn’t know if Kim Dan was actually attracted to him or not. Remember how the cute hamster kept rejecting his advances (chapter 8) (chapter 27) Consequently, the man had to bring up the deal constantly. Besides, their relationship started because of money. Finally, I would like Jinx-lovers to keep in mind the doctor’s lie: he had previous relationships with men. (chapter 3) As you know, I am quite certain that the athlete had sensed his lie (thus he utilized no condoms later). Yet, Kim Dan never came out with the truth either. This is relevant, for there could be lingering doubts from the MMA star’s side. Since the athlete had no idea about the doctor’s taste and physical attraction, Joo Jaekyung worried that his partner would start fantasizing the gumiho. Under this light, my avid readers can grasp why in episode 33, it was important for the champion to use the sex toy first. Initially it was to exhaust the doctor so that the latter would no longer feel attracted to Choi Heesung. Yes, it was to kill in him “lust”. Moreover, the moment the young man asked for his assistance (chapter 33), Joo Jaekyung had the impression that he was needed. Finally, don’t forget how this scene ended. Kim Dan was finally admitting that he was really sensitive to him: (chapter 33) However, this desire was accompanied with rejection and denial too. This explicates why the champion didn’t know how to interpret Kim Dan’s thoughts and emotions. (chapter 33) Was Kim Dan feeling the same way than him or not? Did Kim Dan desire him or not? And this leads me to the next sex session: (chapter 34) For the first time, the athlete was divulging his physical attraction and desire towards the doctor. He seduced him with his own body. Yet, in order to keep the upper hand in their relationship, he was the one who was determining how they would have sex: (chapter 34) As you can see, during season 1, it took a long time for the athlete to admit “lust and physical attraction” towards the doctor. One might reply that the celebrity had already admitted this to the physical therapist: (chapter 29) However, this confession is connected to the anus, and not to the doctor’s face and as such identity. Thus I don’t consider it as an admission that Kim Dan was his type. One might object too that he had already wooed the doctor before next to the swimming pool. (chapter 27) The divergence between these two chapters is that in the first scene, the athlete had not planned this. He was acting on his instincts and emotions, while in the living room, he was seducing the doctor on purpose. (chapter 34) I would even add that he gave more freedom to Kim Dan to decide if he would accept his offer or not. As you can see, Joo Jaekyung was learning to internalize the notion “consent and respect”. Here, the doctor could have refused… the evidence is his reaction at the gym, the slap on the athlete’s hand. That’s how I realized the strong connection between the athlete’s ignorance about his soulmate’s taste (partner type) and his consent. Respecting the doctor’s boundary meant to trust that the doctor was attracted to him and accepted him as a partner.

The signification behind the forgotten confession

And this brings me to my final thought. When Kim Dan confessed this in the States (chapter 39), this could only make the athlete happy first. He had the impression that he had finally discovered his soulmate’s taste and secret: he was also feeling the same… LUST. Yes, I am not writing love, but lust on purpose. Why? The irony is that the athlete was not recognizing that he was feeling more than lust for Kim Dan. He was already in love. 😉 However, so far he had only been busy focusing on Kim Dan’s type. Was the man also lusting after him or not? Under this new perspective, Manhwa-lovers can grasp why Joo Jaekyung asked this to Kim Dan in the dining room: (chapter 41) He didn’t expect a love confession He wanted to know if Kim Dan was finally accepting him as his partner, if he desired him too. Yes, gradually the possibility of dating was slowly emerging. Like mentioned in the introduction, lust is just the beginning of love. So should Kim Dan have remembered this night in the hotel room, he would have come not only to deny his feelings for the athlete, but also he would have reduced this “I love you” to lust, just a physical reaction due to the drug. A new version of the blue night, the only difference is that that night he kept his thoughts to himself.

In my eyes, it was important for the star not to know if the doctor was attracted to him, for the latter was making the same mistake than his frenemy: confusing lust with love. That way, their relationship wouldn’t have improved, as time passed on. They would have remained simply “fuck buddies”. Nevertheless, that’s not what the fighter truly desires deep down. He is also looking for companionship. Hence Mingwa confronted him with reality and forced him to make a choice: (chapter 45) What did the athlete imagine here? A fake love confession from Kim Dan, a stan trying to live out a fantasy. He was expecting “dating”, a notion he couldn’t accept, for he was confusing “lust” with “love”. That’s the reason why he couldn’t accept Doc Dan’s present and “gratitude”. They sounded like fake, especially since he was showing respect to the celebrity and not to the man himself! Yes, even in that scene, the PT was still hiding his own true emotions and attraction towards the handsome man. Joo JAekyung has no idea that Kim Dan views him as “perfect” (chapter 1) despite his injured shoulder: the muscles, the skin, the handsome face. He has never voiced such thoughts in front of his VIP client.He always kept them to himself.

That’s how I recognized why these two men stopped having sex after that time. Joo Jaekyung needed to learn how to distinguish love from lust. This explicates why the star got more upset with this departure (chapter 53) than with this one: (chapter 53) He let him go, for he anticipated that the latter would remain by his side. In addition, he didn’t feel the need to have sex the whole night, as his affection had already moved to the next stage. There was more than physical attraction and desire.

That’s it for today. In the next part, I will expose how we can see the champion falling in love. I will divulge the signs helping to identify that the wolf is under the spell of the cute hamster.


Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Sound Of Water 🏖️ (third version)

The countdown for season 2 is running. The author and Lezhin announced that chapter 54 will be released on November 22nd. 🎉 Almost exactly one year after the start of the first season.

A great thank you to @Rin_de_eegana who provided me with the original Haikus. Hence the English translation was changed.

Initially, I desired to release this essay , but as always I didn’t anticipate the effort and energy involved in the composition. Thus I decided to publish the essay “Sound Of Water” first, as it is much easier to write (less literature to read). The trigger for this essay are Haikus which I discovered in a recently published French Book entitled “Le bruit de l’eau” (Sound of water). And now, you know the origin for this essay. As you can see, the collection of Haikus is focusing on the topic “Water”. Since I only possess the French version of Haikus, I could only give you my own English translation. Fortunately, my friend @Rin_de_eegana was able to find the original version, Japanese. Therefore in the second version, I am giving a second English translation whích gave me new insight once again. Anyway, the thing is that as soon as I read certain poems, it made me think of Jinx and the characters. This shows my obsession for this terrific Manhwa.

1. Haikus and nature

On the other hand, you might be wondering how the Korean Manhwa is connected to Haikus and to water as well. In order to answer to this question, it is first necessary to present the characteristics of a Haiku.

1. 1. Characteristics of a Haiku:

  1. Syllable Structure: Traditionally, a haiku consists of three lines following a 5-7-5 syllable pattern. This means the first line has 5 syllables, the second line 7, and the third line 5. However, in modern haiku, especially in non-Japanese contexts, this structure can be more flexible.
  2. Seasonal Reference (Kigo): Classic haikus often include a reference to nature or a specific season, known as a kigo. This ties the poem to the natural world and evokes a sense of time or environment.
  3. Juxtaposition (Kireji): There is typically a contrast or shift in perspective, often marked by a cutting word (kireji) in Japanese. This brings two images or ideas into sharp focus, inviting the reader to connect them in a meaningful way.
  4. Present Moment (Awareness): Haikus capture a single moment in time with brevity and clarity. The poet seeks to express the essence of an experience, often related to nature, through minimalistic yet vivid language.
  5. Subjectivity and Simplicity: The poem is usually personal, expressing the poet’s direct experience or observation in a simple, unsentimental manner.

If you read all my previous analyses about Jinx, you are already aware that in this story, Mingwa has been portraying the city as a place full of corruption and estrangement. Yet the main leads are slowly reconnecting to their own true nature thanks to each other. Furthermore, the Webtoonist is stating through Jinx that fame or wealth are no real source of happiness, rather love and fulfilment. Thus the champion is suffering from depression, insomnia and anger issues. Finally, through her characters, it becomes clear that they need to learn how to “enjoy the moment”. That’s how they will come to love life and stop living like ghosts. That’s how they will learn how to live a good life. And that’s exactly what a Haiku is conveying too. The latter is often linked to the concept of “enlightenment” and “carpe diem” (seizing the day), though not always in an overt way. Many haikus emphasize the fleeting nature of life or the ephemeral beauty of a single moment—key elements of the carpe diem philosophy. The seasonal references, especially to autumn or falling leaves, often remind readers of life’s transience (ephemerality) encouraging an appreciation of the present moment before it passes. For example, a haiku may evoke the beauty of cherry blossoms in spring (a symbol of both renewal and impermanence) or describe the changing of seasons to highlight the inevitability of change and decay, which can be interpreted as a quiet call to embrace life while we can.

In essence, haikus share with carpe diem the philosophy of mindfulness—appreciating the now because it is fleeting. And now, you comprehend why the French book about Haikus is containing poems about water. Since the illustration is showing the sea, , anyone will think immediately of the ocean. But where is the sea in Jinx?

1. 2. Blue and Boundary

It was implied in chapter 14/15 with the doctor’s trip to Busan, a city which is situated on the Southern coast. (chapter 14) Yet, the main lead never got the chance to see it. Then the ocean is only mentioned directly at the end of the first season. The halmeoni was expressing her wish to return to the West Coast (chapter 53) where she hoped to see a beautiful ocean one more time. (chapter 53) When she was 10 years old, she was moved by how the ocean changed colors with the beautiful sunset. It was no longer blue or grey, but yellow, red, pink, orange and purple. This wonderful but brief moment left such a deep impression on her that she could never forget it. (chapter 53) She never came to regret her walk to the beach, because this souvenir also became her source of strength. This memory created in her the desire to see it again, thus she kept postcards with views of the ocean. (chapter 17)

In addition, I believe that the mesmerizing view also made her forget everything: her worries or her family. (chapter 53) Hence she remained immobile and silent in front of the amazing view. We could say, she felt totally engulfed by the ocean in fire, forgetting herself in the brilliant glow of the sunset as if she were becoming one with the view. This interpretation reinforces my perception about the intention behind the halmeoni’s wish: escapism from reality. She believes that with such a view, she will forget her terminal disease and even her pain, as though it will help her to live longer.

But there is another reason why she was so affected which I discovered with this Haiku written by Santoka:

French EnglishJapanese
“Me voilà
là où le bleu de la mer
est sans limite.”
“Here I am,
where the blue of the sea
knows no bounds.”
New translation:
I am here now,
in the boundless blue
of the sea.”
われ今ここに
海の青さのかぎりなし

The Haiku evokes a profound sense of openness and freedom, often reflecting a Zen-inspired approach to nature and self-awareness. Since the ocean embodies infinity and timelessness, the observer “Here I am” is remembering through the beautiful view of the ocean of his own limit: mortality. At the same time, the contrast encourages the “Here I am “ not only to meditate. It also motivates the person to grow, to push away his own limits. Why? It is because the boundless blue sea symbolizes both the vastness of nature and the limitless potential of the self, inviting reflection on life’s expansive and uncontainable aspects. The sea here represents a place beyond the limits of ordinary concerns, not as a void but as openness and infinite potential. This limitless “blue” suggests an escape from the mundane, a place for self-discovery, and the eternal flow of time, reminiscent of the Buddhist idea of impermanence. As a conclusion, this haiku captures a moment of complete presence within the vastness of nature. The poet stands before the limitless blue of the sea, feeling both awe and a sense of unity with its expansiveness. The phrase “I am here now” grounds the poet in the present (ephemerality), whereas “boundless blue” emphasizes the sea’s infinite reach, a powerful symbol for freedom, mystery, or eternity. The haiku suggests an experience of feeling both small and deeply connected within the immense, unending beauty of the natural world.

As you can sense, this poem captures the “now,” encouraging readers to embrace a moment as fleeting as the sea’s endless horizon, thus aligning with “carpe diem.” Shin Okja must have felt free, peaceful and powerful in that moment. As you can imagine, as soon as I saw this picture with the poem, I couldn’t help myself thinking about Kim Dan. In front of the sea, the PT should find his true self: no boundary… like the sea! In front of the sea, he could get more self-awareness and realize that he is also strong. In season 1, people could sense his low self-esteem. So by being next to nature (sea, trees), he could regain his self-confidence. In other words, I believe that his journey to the sea will affect him deeply too, though he has no expectation at all.

Is it a coincidence that his silhouette (chapter 53) is glowing blue? I don’t think so. Let’s not forget that blue symbolizes wood for Koreans. The sea (water) and a tree (chapter 41) are the doctor’s true elements. Under this new light, it becomes comprehensible why under the tree, he came to acknowledge his feelings for the athlete. In addition, if Kim Dan gets close to water, this signifies that he will get replenished and truly nourished. And notice that during season 1, he never ate properly.

But this doesn’t end here. The poem also reminded me of Joo Jaekyung: (chapter 53) He is standing in front of the blue city. But he doesn’t feel free and powerful. Why? There is a window in front of him. The window is showing him his own boundaries. His penthouse is like a cage, and he is not truly dominating the city. In reality, he is isolated. To conclude, the panel stands in opposition to the Japanese poem and the grandmother’s vision: alienation, regret and powerlessness. So we should write the haiku like this, from the champion’s perspective:

“Here I am,
where the blue of the city
knows my limits.”

In Seoul, he is now portrayed as a thug and loser. Since the image contradicts the original haiku from Santoka, this means that the moment in front of the window embodies not self-awareness, but the opposite: obliviousness, ignorance, or even self-deception. These terms imply a lack of insight into his own thoughts, feelings, or actions, which led him misunderstand or misjudge Kim Dan. Similarly, the opposite of peace of mind can be described as anxiety, distress, or turmoil, which are states marked by worry, unease, or mental unrest, often resulting from unresolved conflicts or lack of clarity. Thus the fighter can not express his emotions and thoughts properly. (chapter 53) Together, these opposites suggest a state of inner turmoil or confusion, where a person lacks clarity about both themselves and the world around them, which can inhibit personal growth and well-being. And this is exactly how the main lead feels in the final panel of season 1.

Thus it dawned on me that both characters could make a beautiful experience in front of the ocean in fire. How so? I realized that the grandmother never shared this experience with her grandson before. She kept this beautiful moment as a secret (chapter 53) which is the exact opposite to Santoka. By writing the haiku, the author desired to share his thoughts and emotions, and encourage his readers to meditate and to feel this freedom and peacefulness. Thus I am expecting that both characters will go to the ocean together and that’s how the latter will get closer to each other. Their intimacy will improve not just through clear and direct communication, but also through shared experiences. However, we shouldn’t imagine that they will make the exact same experience than Shin Okja, as each person is different. Furthermore, they could go there to a divergent season or time, hence the nature of the ocean could be different:

Like this Haiku from Amari Ôki

French EnglishJapanese
Loin d’être
aussi calme qu’un mort
la mer hivernale !
“Far from being
as calm as the dead,
the winter sea!”
New translation:
There is no ease of death
in the winter sea.
死ぬといふ やすらぎ
冬の海になし

The French version of this haiku contrasts the common image of calmness with the intense energy of the winter sea. By comparing it to the dead, the poet suggests that even in the cold and desolate season, the sea is dynamic, restless, and alive—defying the stillness and finality of death. This evokes a sense of nature’s persistent vitality, even in winter’s harshest state. The constant, unrelenting waves of the winter sea indeed suggest an image of persistence and ceaseless motion contrasting with the sleeping nature in winter. This naturally made me think of the grandmother’s death, who might have vanished, but she remains present in the heart and mind of the main leads. In front of a changing and vigorous sea, the beholder is also reminded of his own life and mortality.

However, the Japanese version and the second English translation gives a totally different interpretation. The « winter sea » conveys a vision of death that is neither gentle nor peaceful, but rather restless and intense, like the winter sea itself. In this image, the cold, churning waters of winter contrasts with the idea of a calm, serene end. The winter sea embodies a relentless, almost haunting energy, where waves are constantly breaking and crashing, echoing a sense of turmoil rather than tranquility.

This interpretation suggests that, just as the winter sea is harsh and unyielding, so too might death be something that doesn’t bring the expected ease or comfort. It reflects an unsettling vision of nature and existence, where peace is elusive and even death holds an enduring, untamed force. This means that once the halmeoni is facing the ocean, the latter could scare her, because she is reminded of her own death. She would be confronted with her own powerlessness and mortality, this can only reinforce her fears about death. Another possibility is that Kim Dan is triggered by this vision (don’t forget that he fears water: (chapter 27) Like mentioned above, the beholder in front of the ocean can have a different experience than the young girl.

2. The grandmother’s confession

Let’s return our attention to Shin Okja’s childhood and magical moment once again. (chapter 53) What caught my attention is the vocabulary employed to describe her past life is revolving around “chaos”, “urgency” and “race against time: “to evacuate” and “so hectic”. (chapter 53) Thus I deduce that in that moment, she must have felt at peace. This explains why she could never forget this magic moment. However, her confession displays a deep regret as well: she couldn’t go back to the ocean. I would even add that she is portraying herself as a person who had no control over her life. It was either « we » or « life ». Through her words, we can sense her passivity, but also her victim mentality. It was not her fault that she couldn’t go back to the ocean. She never had the opportunity to do so!! She never had missed her chance. She is denying the existence of a missed chance or timing. After reading the description of her past life, I am quite certain that my avid readers can recognize the similarities between the athlete and the halmeoni’s destiny. Until his defeat, Joo Jaekyung had no time either. He was also racing against time. However, there exists one divergence between them: the chance to make the right decision. This means that the champion has now the opportunity to take a break. Furthermore, he also has one chance to get back the doctor, but he shouldn’t miss it.

This quote underlines the importance of awareness and self-knowledge in seizing opportunities and making meaningful choices. Fromm frequently discussed how individuals miss chances for genuine self-fulfillment because they are distracted by external pressures or conformist habits, thereby losing touch with the pivotal moments that could bring change and growth. Thus I deduce that Shin Okja is not truly honest to herself and her grandchild. She must have had a chance at some point, but she made the wrong decision. Thus she portrays herself as a victim of circumstances. There is no doubt that contrary to Shin Okja, the athlete won’t miss his second chance and will change for the better.

However, we shouldn’t forget that with her request, the grandmother is making a rush decision in reality. She is not taking her time to reflect if her desire to go to the West coast is a good thing. Like I wrote in the previous analysis Click : Between Fleeting illusions and Enduring Realities, she got definitely deceived by this brochure: (chapter 53) Furthermore, she is imagining that she can make the same experience again. But this is just an illusion, like the Greek philosopher Heraclitus explained it:

Heraclitus uses the river as a metaphor to show that everything is in constant flux. Just as the water in a river is always moving, flowing from one place to another, everything in life is always changing—from our thoughts, feelings, and bodies to the external world. This idea (“everything flows”) points to his belief that nothing remains static or permanent.

Yes, Shin Okja is no longer the 10 years old child. She needs someone by her side to go to the beach. (chapter 53) Secondly, I doubt that the beautiful view could make her forget her suffering. Finally, let’s not forget that for one single moment, she will spend many days in a hospice, where she will be surrounded by dying people. Furthermore, the image of the ocean could generate a different feeling: torment like mentioned above. She is expecting to make the same experience, but the opposite could happen. She gets terrified and tormented. Therefore I have the impression that the grandmother might come to regret her past decision. But contrary to the past, she can not blame the others (« we ») or life, as it was her own choice and request! Therefore I deduce that in the past, she let others make decisions for herself, like we could see it with her expensive treatment. She listened to Kim Dan and the oncologist. (Chapter 7) And we could see that Joo Jaekyung had a similar attitude in season 1, he would listen to his hyungs and the people working for MFC. Consequently, I come to the following deduction: this time, the fighter will make the decision on his own. He won’t follow Park Namwook’s advice: (chapter 53) The latter is asking him to simply wait and to rely on him. Joo Jaekyung will take the matter into his own hands, the exact opposite attitude to the beginning of season 1.

3. Regret and Water

As you can see, thanks the first two haikus, I got a much better understanding of the characters from Jinx. However, the biggest revelation came with another haiku. Water comes under different forms, like a river, a waterfall or rain. Therefore the book contains the following haiku written by Ryokan Taigu.

French EnglishJapanese
Jour après jour
Tombe la bruine –
La vieillesse me saisit
“Day after day
The misty rain falls—
Old age grips me.”
New translation based on the Japanese version:
Day by day,
as the winter rain falls,
people grow old.”
日々日々に
時雨の降れば
人老いぬ (Thanks to @rinsan)

This haiku reflects the passage of time and the inevitability of aging, with the winter rain symbolizing the steady, unstoppable rhythm of nature that mirrors life’s transient nature. The imagery of rain falling “day by day” emphasizes the gradual, almost unnoticed progress of time that ultimately leads to aging. Despite the slight change in the translation, it doesn’t affect my revelation and new interpretation. Thanks to this poem, I had suddenly realized two aspects. First, the fall and winter in Jinx symbolize the dying Shin Okja. The seasons are mirroring the aging and the changes. This means that we should expect her death either in fall or in winter. I am opting more for fall due to the rain, though the poem from Amari Ôki is connecting death to winter. Why? Striking is that in season 1, Mingwa always showed us a beautiful weather. The sun was always present following the main lead, (chapter 1) (chapter 47) (chapter 47) even when the doctor was confronted with the truth about his terminally ill grandmother. The sun was always shining brightly. Since in the haiku from Ryokan Taigu, the rain is associated with old-age and fall (misty), it dawned on me that the rain should be associated with the grandmother’s death. If this comes true, it was, as though the sky and gods were weeping for her vanishing. Additionally, the first season took place in Spring and Summer, thus I deduce that season 2 will take place around late summer, fall and winter. This means that the weather should change. And this remark led to my second revelation. I started looking for South Korea’s climates, particularly I was curious about the climate on the West Coast.

Should they move to the beige region on the West coast, this signifies that it will rain more often, especially in the Summer. 😮

As you can see, late Summer and fall in South Korea are strongly linked to rain and even typhoons😨. And we would have a possible explanation about the circumstances for the vanishing of Kim Dan’s parents and his fear of water. Imagine this. By returning to the West Coast and as such by reconnecting to her past, the doctor’s past and his parents’ vanishing will certainly come back to the surface. Don’t forget that his parents were never brought up in season 1.

But let’s return our attention to my previous observation. The weather and as such nature could decide not to fulfil her wish. Due to the rain or a tempest, she is not able to go to the beach. She didn’t take the season into consideration, a sign that she didn’t truly ponder on her decision. This would explain why we had no bad weather in season 1, for her grandchild was fulfilling all her desires. Moreover, since the halmeoni lived for quite some time at the hospital, there is no ambiguity that she came to forget the seasons. She only remembers the ocean on a beautiful day. And now, look at the following picture: (chapter 19) the presence of pink and purple hydrangeas indicates that it was taken in Summer. This new approach reinforces my perception that the grandmother is about to get confronted with harsh reality despite her attempts to escape from it. Her wish can not be fulfilled so easily, like she is imagining it. In addition, Manhwa-philes should keep in their mind that weather has a great influence on elderly people’s health.

It is not just about heat or cold, even rain can increase their pain (arthritis for example) or bring them infections. Here, I found an article showing the great impact of the monsoon on seniors. https://www.patientsengage.com/healthy-living/managing-older-adults-health-rains-monsoon

This observation leads me to even conclude that her move to the West Coast could in reality accelerate her death. 😮And now, I am adding the picture which was placed next to the haiku from Ryokan.

We have an elderly man walking through the rain in front of the blue sea. The latter is accompanied with a Waka-poem from Yoshihiro (which was not translated). According to my Japanese friend @Rin_de_eegana (飯乞ふと 里にも出でず この頃は 時雨の雨の 間なくし降れば), this phrase describes a situation where one cannot even go out to the village to beg for alms due to the long rain. Here, we have the topic of poverty linked to old-age and rain. Yes, the pages of this book reminded me of Shin Okja, a poor elderly woman who is so sick. And like mentioned above, the rain could be the reason why the woman doesn’t go to the beach. The two poems are underlining one important aspect: the powerlessness of humans in front of nature. No one can stop aging, just like no one can control the weather. At the same time, it outlines the importance for a senior to be surrounded by people, so that they don’t end up dying from dehydration, from a cold or hypothermia.

4. Tears and rain

In the part above, I presented the following expectation: the day of the grandmother’s death is strongly intertwined with the rain. The drops from the sky should be seen as a metaphor for tears. But I have another evidence for this prediction. My avid readers should keep in their mind that Mingwa’s story is written like a kaleidoscope, like an eternal circle. Thus scenes are always reflecting each other. This means, the author left traces of the rain in season 1. And where were they? In the bathroom (chapter 47) (chapter 49) Both main leads went to the restroom in order to hide their emotional turmoil and suffering. They used flowing water (in Joo Jaekyung’s case the shower) in order to cover the sound of their weeping: SHAAA. Yes, the tears are making sound… so the rain should make sound as well. And this brings me to my next remark. (chapter 53) When she mentioned this beautiful experience to Kim Dan, she was only focusing on the mesmerizing view: a colorful ocean. Thus the author zoomed on her eyes and blushing cheeks. However, she didn’t pay attention to the sound of the ocean. Yes, the waves are making sound. Thus the author zoomed on her eyes and blushing cheeks, but her ears are not really visible. Moreover, her memory is presented without a sound. (chapter 53) There is only silence, whereas in reality, this is how the ocean sounds:

If you pay attention to the title of this video, you will see that sea waves are used to help people to relax and to fall asleep!! Thus I am inclined to think that the champion will discover the true power of nature in front of the Yellow sea. The sound of the waves will help him to overcome his insomnia. In season 1, the author implied the existence of a connection between the sea waves and his insomnia in the champion’s life : (Chapter 29) Remember how I had described this panel. The fighter feared to be swallowed by the darkness, to drown because of the many opponents. The fighters are placed like waves. Thus the celebrity could decide to change his career (to become a fighter like Dominic Hill who selects his own fighters) and move to the countryside in order to live a better life. And this brings me to my last haiku composed by Suéko Fujii

French English
Le bruit de l’eau
éclairé par la lune
plus intense
“The sound of water
illuminated by the moon—
more intense.”

In this haiku, the poet highlights how moonlight not only illuminates but enhances perception, sharpening the experience of nature’s sounds. The moonlight doesn’t physically alter the water, but it creates an atmosphere that heightens the beholder’s awareness, making the sound seem richer or more intense. This effect reveals the power of the night and the way natural elements interact, transforming something ordinary into something profound. The haiku suggests a quiet moment of immersion where the listener becomes deeply attuned to the surrounding world, connecting to the peaceful yet amplified rhythm of nature. As a conclusion, the poet becomes engulfed by the moon’s illumination and the ocean’s sound, as if fully absorbed into this heightened sensory experience. The moonlight and the intensified sound draw the poet into a deep, almost meditative state, where each element—the visual of the moon and the sound of the water—merges, enveloping him completely. This poem represents a reflection of the grandmother’s experience, though the latter diverges slightly. She didn’t focus on the sound. And look at the drawing next to the haiku. We have a room with a view! Under this new light, it becomes comprehensible why I am already envisaging that Joo Jaekyung moves to the countryside. As you can envision it, the Haiku from Suéko Fujii triggered my imagination.

Joo Jaekyung is getting his enlightenment during the night in front of the sea, and who is standing in front of the ocean? Naturally, it can only be Kim Dan who stands for the moon!! A new version of these two blue nights: (chapter 29) (chapter 35) The blue would be a reference to the ocean. After that couch confession night, the athlete got a certain enlightenment, hence he tried to get closer to Kim Dan the next morning . (chapter 30) In episode 35, the night stands for ignorance and self-deception, for the doctor was not present. Joo Jaekyung reverted to his old self. However, don’t forget that the haiku was not just about the moon light, but also about the sound of the waves. All the senses are awakened which represents a better experience than the grandmother’s. Moreover, since I am anticipating the presence of Kim Dan, this means that Kim Dan embodies not only the light in the dark, but also sound of water. This interpretation brings me to the following remark. In season 1, the athlete had already associated his fated partner to “sound”, though in the beginning he viewed it as noise (chapter 18) and as a source of stress and worries. (chapter 45) This means that the night view of the ocean should make him discover the beauty of the sound of water. He will come to associate the sound of the sea waves with Kim Dan. That’s how he will be able to fall asleep. In other words, I am expecting a new version of this scene: (chapter 47) To conclude, Joo Jaekyung will also have an Enlightenment in front of the ocean, but contrary to the grandmother, this experience will be associated with the night, the sound and a person: his soulmate Kim Dan.

That’s it. I hope you enjoyed reading this composition. If yes, let me know if I should write a similar essay with haikus which are focusing on a different topic, like for example flowers, food etc.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: La Vie En Rose 🌹💖

1. A World in 3 colors: Pink, Black and Orange

Like the illustration is revealing it, for me, two colors were dominant in the special episode: pink and black. Yet, if you pay more attention to the self-made picture, you will notice a third shade: orange which is represented by the Chow-chow and the comedian’s robe. Since the latter plays a minor role in the last chapter, it is normal to examine this pigment first. Moreover, its explanation is even necessary to grasp the significance of the other colors: pink and black.

1. 1. The predator is showing his true colors

First, Choi Heesung was wearing an orange bathrobe. (Special episode) Then he cooked a spicy ramen for the young fighter. (Special episode) This color contrasts so much to the pigments from the artist’s flat: black and white. (Special episode) Grey is a combination of black and white. One might think that tangerine appeared for the first time in episode 35 (chapter 35), but it is just a deception. In fact, there were traces of this pigment, when Choi Heesung was introduced for the first time. (chapter 29) Yes, we should perceive beige as a washed-out orange. So what does it mean? First, the cursed Romeo was not true to himself. Let’s not forget that in my eyes, Choi Heesung is a fox, and the fur of this animal is orange which is similar to the chow chow’s pigment. This means that both second leads would have a color in common: orange. Moreover, from my perspective, the comedian is a nine-tailed fox, a gumiho. In case, you didn’t read the analysis “Calculated Craziness (locked)“, I am giving a short explanation about this Korean mythical creature again. The nine-tailed fox, has a complex personality due to his dual nature. He is fighting between its animalistic instincts and its human aspirations.

  1. Shape-shifting Ability: The gumiho can transform into a beautiful woman, often to seduce or deceive humans.
  2. Predatory Nature: Traditionally, it is depicted as malevolent, preying on humans, sometimes consuming their hearts or livers to survive or gain power.
  3. Longevity: The gumiho is often considered immortal or possesses an extremely long lifespan.
  4. Desire for Humanity: Some stories depict the gumiho as striving to become human, which it can achieve through various means, such as abstaining from consuming human flesh for a certain period or performing good deeds.
  5. Ambiguity: The nature of the gumiho can vary from malevolent to benevolent, depending on the story. In modern adaptations, the gumiho is sometimes portrayed more sympathetically, struggling with its dual nature.

Then I noticed another detail. From a clear white t-shirt (chapter 29), it became a white-off shirt (chapter 30), before becoming beige. (chapter 31) This observation helped me to recognize that the more Heesung appeared, the more colorful his clothes became. So this discovery exposes that (chapter 35), white is not his true color! Whereas Potato represents black outside and white inside, his partner embodies the opposite values: white outside and black inside. In addition, the switch of colors indicates not only his transformation, but also that his world is becoming more colorful and as such less boring. Yes, Mingwa was applying the principle: clothes make the man. To conclude, the colors beige and orange are mirroring his gradual maturity.

Furthermore, Manhwaworms can observe that the switch of beige to orange is strongly connected to honesty. The darker the color is, the more the artist opens up. When the celebrity met the physical therapist in the café (chapter 53), beige had become darker and as such more pronounced, compared to the scene in the van (episode 29). Therefore, it is no coincidence that in front of the “angel”, he decided to divulge his true intentions. He desired to date the main lead. Then he admitted his trick and confessed to the innocent doctor that the champion had developed feelings for him. (chapter 35) To conclude, the darker beige is and as such the closer it is to orange, the more sincere Heesung is.

Interesting is that the actor selected different types of beige: Pale taupe combined with sand (chapter 31), peach (chapter 31) and finally camel (chapter 35) Here, I added a screenshot of 57 different types of beige. https://artincontext.org/beige-color/ It exposes more than the character’s personality, it divulges his fear!! 😮 How did I come to this interpretation? It is important to keep in mind that beige is considered as neutral.

His flat and clothes are indicating that the actor is leading a bland and insipid life. No wonder why the actor is often feeling bored. (chapter 29) From my point of view, he doesn’t desire to stand out, to make a statement. Therefore it is not astonishing why he hides behind sunglasses, a hat and a mask. (chapter 35) He didn’t want to be recognized. One might argue about this perception (not standing out), for he is writing a vlog (chapter 30) and giving lunches to the fighters. Besides, he is a celebrity. But notice that he is not delivering the meals to the members of Team Black himself, just like he is not interacting with fans directly too. (chapter 30) The social medias serve as a way to control his image and keep people at arms’ length, exactly like his frenemy Joo Jaekyung. (special chapter) Therefore he is sleeping while hugging a beige and pastel pink pillow. This exposes his need for warmth and support. On the other hand, he is not realizing that he is his own enemy, for the pillow represents a hindrance. He is not allowing people to get closer to him. It looks like he fears embraces in the end. (chapter 33) Thus he would voice such a reproach: too clingy!

Moreover, I also noticed his preference for pastel colors: (chapter 31) (chapter 32, the lavender suits) This observation reinforces my previous statement. Heesung is looking for neutrality.

He is avoiding conflict. At the same time, I believe that Heesung is simply trying to imitate people. He is simply seeking conformity which stands in opposition to his own mind-set: (chapter 33) He is amoral and to a certain extent immoral. We could say that he is a free spirit, but fears rejection. Hence he faked an injury and lied to people. The pastel colors are not reflecting his true mind and choices. We have the perfect example in this scene: (chapter 31) While he was wearing a peach jacket, his manager had put a vivid green with dark black pants. Shortly after, the comedian was seen with this beige/khaki shirt and grey shorts. (chapter 31) Interesting is that his hair shade reflects my previous remarks perfectly. He chose pink which indicates his desire to break social norms, on the other hand, his pink is so faded that it almost looks like beige. He wishes to be “neutral” and somehow “conformist”. Yes, his pink hair mirrors his inner conflict: trying to break free from social norms, yet not standing out too much. The antonym for neutrality is “commitment”, an indication why he was not capable of being committed in a relationship in the end.

To conclude, with such colors (beige and pastel colors), he is trying to validate the image of a friendly, sensitive and gentle celebrity. Hence I was not surprised why he came to deceive himself. I come to the following conclusion. The moment the actor started wearing the orange bathrobe, he chose not only to be true to himself, but also to give up gradually on neutrality. This signifies that he is one step closer of getting committed and as such responsible. Moreover, it means too that in the next future, he won’t be avoiding conflict and drama. This represents a huge step in his emancipation from his “family” and as such “agency”. He will have to stand up for his own values and love life: homosexuality, his younger partner Potato and even BDSM. But I will elaborate the last point further below.

1. 2. Pink, orange and soulmate

Now, let’s return our attention to the scene at the café with the beige shades. (chapter 35) Striking is that the pattern on the wallpaper were roses. The latter has for synonym “pink”. As you can see, the color orange (beige = faded orange) is strongly connected to “pink”. And this leads me to my next observation. When the celebrity interacted with Kim Dan, Mingwa had already combined pink with the artist (chapter 30). However, if you compare the pink from (chapter 30) episode 30 and 31 (chapter 31) (chapter 31) to the ones from the special episode (special chapter), you will notice a huge change in the shade. While in the past, the Webtoonist selected pastel pink or coral, in the special episode, we have now fuchsia as pigment. This is no coincidence that the color is now more pronounced, exactly like with beige/orange.

It shows that Heesung’s emotions are stronger compared to the past. This pink night corresponds to his union with his soulmate. In addition, the shade insinuates that Heesung could act more freely with Potato. Let’s not forget that the former had stated that he would become responsible for the sexual initiation (“leave everything to me”). (special episode) Consequently, it is not astonishing that he wore an orange bathrobe the next morning. It liberated him from his hidden fears. On the other hand, the transition of the pink indicates that the more Heesung interacted with the main leads and Potato, the more his feelings came to the surface. As time passed on, his true personality came to light. Under this new light, it becomes understandable why honesty played a bigger role, the more the comedian interacted with the main characters from Jinx. Consequently, in the special episode he is more honest to himself than before. Therefore by wearing the orange bathrobe, he is indicating that he is finally accepting his true nature. Simultaneously, Jinx-philes can grasp why in the dining room, he is finally admitting that so far, he had been playing with his sex partners. (special episode) While in the past, he told his sex partners, he was looking for his soulmate (chapter 33), in reality he just viewed them as his fuck buddies or sex toys. For me, he was not just deceiving his companions, but also himself. This explicates why after getting rejected by the physical therapist, he didn’t give up on his dream and ambition: to find his soulmate. (chapter 35) This shows how important it was for him to have a lover. He fears of being abandoned and being alone. Therefore he asked this from his new lover: (special episode) Notice that he is smiling with open eyes, a sign that his joy is genuine. He is imagining that he is in control of this relationship. Under this perspective, it becomes comprehensible, that (chapter 35) he started thinking about a soulmate, as soon as he got rejected by Kim Dan. He needed to keep this goal in order not to feel despaired and scared. Simultaneously, his reaction shows that his feelings towards the doctor were not that deep. Additionally, his statement (“whatever they’ll figure it out”) stands for “neutrality”. As you can see, he is refusing to assist the main couple.

That’s how I detected another connection: noninterference and soulmate. The artist rejected to help the doctor and the champion. We could perceive such an attitude at the restaurant. (chapter 32) Not only he didn’t want to be confronted with the champion’s anger, but also he didn’t care if the doctor had to suffer because of him! To conclude, Heesung prefers watching from the side line with the excuse: he is seeking his soulmate. (chapter 32) It is not his “problem”. Hence he was totally absent, when the scandal with Joo Jaekyung broke out. His AWOL corresponds to his passivity and even indifference. However, there is no doubt that this incident will affect his relationship with Potato greatly. (chapter 52) The latter looks not only sad, but also frustrated. Let’s not forget that Potato fought against MMA artists from a different gym. (chapter 52) Besides, Yoon-Gu embodies the opposite notions: loyalty and meddling. He doesn’t fear argument and criticism! (chapter 52) Heesung’s indifference and selfishness contrast so much to his new lover’s interest and selflessness. This shows that the young maknae is superior to the actor despite his lack of experience and ignorance. How do we explicate this divergence? It is because Potato had been showered with support and love at the gym. Kim Dan was even willing to risk his safety for him, a sign that he was lovable and worthy. Hence he is a confident man which is not the actor’s case. That’s the reason why the young man stated that he would become responsible for Heesung. (special episode) Thus I sense that Potato will force the actor to drop all his past believes: passivity, indifference, irresponsibility and as such betrayal. We could witness this in the special episode partially. (special episode) When he discovered how young his lover was, he got shocked for one reason. He could get into trouble, for his relationship could be vilified like this: an adult seduced a minor, a virgin! This late realization forces him to become responsible for their relationship. He has to ensure secrecy, he can no longer ask his manager to assist him. (chapter 31) That’s how he is encouraged to separate private life from his work and public life. Thus he is pushed to distinguish between “idolization” and “love”.

Moreover, through the previous remarks, I came to develop the following prediction: Heesung’s karma will be to be neglected by Potato. Since the actor didn’t care for the doctor and fighter, though he knows that Kim Dan has feelings for the celebrity, and the former left, I believe that Potato won’t have the time and motivation to become responsible for Heesung’s needs. Moreover, Heesung will quickly realize that Potato is not contacting him on his own!! Heesung is in reality the needy one!! Expect a new version of episode 5: (chapter 5) This is just another trick from goddess Mingwa to push him to become more responsible for his new relationship. My idea is that in order to discover that Potato is his soulmate, Heesung needs to help Potato and as such the main couple to be together. Only when the doctor and the champion are an item, he will have his partner.

However, after spending one night with the young fighter, (special episode) Manhwaphiles can notice a change in the actor’s mentality. He is more focused on the moment (special episode), which contrasts so much to the idea of soulmate. The latter embodies eternity and destiny. The celebrity is describing his relationship with Potato as momentary and deliberate. It is his own choice and not the work of “gods” playing with humans. In other words, he is dropping his old principle: “soulmate”. He’s enjoying the present, he is not really thinking about the future. In fact, he is expecting that at some point, Yoon-Gu will get tired of him and leave his side. He is lowering his “expectations”. He has the impression that he has the upper hand in this relationship. (special episode)

While many Jinx-philes saw the celebrity as the better lover compared to Joo Jaekyung, I had a different impression. They are equals. We should compare the intercourse in the special episode (special episode) with the one from episode 39 (chapter 39), as the shades are very similar. Heesung was as rough and selfish as the fighter. Notice that this whole sex session was focused on the actor’s needs and desires, (special episode) exactly like with the champion. He needed “comfort”, as he was in a depressed mood. (special episode) It was not about giving love and warmth to Yoon-Gu either. Thus the gumiho thrusted quite roughly, he removed the fighter’s hand suddenly, he didn’t caress his butt, but grabbed it. (special episode) The champion has a similar habit: (chapter 36) Besides, note that Yoon-Gu’s buttocks are red, a sign that the comedian focused on them!! The irony is that Potato felt pleasure right away, hence he had more climaxes than Heesung. (special episode) Yoon-Gu embodies honesty exactly his role model: Joo Jaekyung. That’s how the gumiho gets affected in the end. Though the latter is here smiling in the last picture, his words are divulging his discontentment. For me, the actor’s smile is not the symbol of happiness and sincerity, rather dissatisfaction and duplicity. Contrary to the physical therapist, the other uke is more genuine about his physical reactions and body. Hence he showed curiosity and not fear to this new experience. (special episode) This panel is interesting, because it shows that Potato was not focusing on Heesung at all. It was all about himself and his own pleasure. He was not recognizing that he was actually mirroring the actor’s thoughts and desires. Yes, from my perspective, the young man was in truth treating the actor as his sex toy or fuck buddy. There was no string attached, this explains why Heesung had to ask this to Yoon-Gu: (special chapter) He desired to be recognized by Yoon-Gu. Besides, he is not selfless enough to become the comedian’s fun toy. There’s a reason for that. MMA fighting means a lot to him. Moreover, he will only assist people who showed him kindness and care: Kim Dan and Joo Jaekyung.

That’s how it dawned on me what was Heesung’s major flaw. He is behaving similarly to the main lead, Joo Jaekyung. While the latter treated sex as a surrogate fighting in the past, the gumiho is thinking that life is a stage, therefore he is acting all the time. His pastel colored clothes are his disguises. He is totally immersed in the role: Choi Heesung the celebrity. Therefore I believe that in his mind, love is like in a romantic movie (chapter 29: black and white movie!!) and fairy tale: the end shows their blissed union and they lived happily ever after. This explicates why the comedian compared Kim Dan to an angel… (chapter 30) The latter stands for eternity and immortal love. But this is just an illusion, for humans are mortals. They are destined to die. And this leads me to my following remark. Why was black so present in the special episode? It is because this pigment often represents DEATH!

To conclude, his increasing honesty allowed him to divulge more his true emotions and thoughts. However, while Manhwaworms can discover the actor’s duplicity in the special episode, Potato is left in the dark concerning Heesung’s true intentions. The alcohol helped Heesung to show his amorality and selfishness, yet the maknae was too overwhelmed by his own sensuality and tipsiness to notice the comedian’s hypocrisy and selfishness. (special episode) His ignorance helped him not to get wounded. In my eyes, Yoon-Gu’s suffering is strongly connected with Team Black’s fate. That’s why he is spared by not knowing the gumiho’s true thoughts. Finally, there’s no doubt that these selfish thoughts will change very quickly.

1. 3. The mystery behind black

Since Choi Heesung mentioned the champion’s jinx, this shows that he is aware of its existence. (chapter 32) So what does it indicate? Initially, I thought that he could know about the involvement of others behind the jinx. Let’s not forget that he is working for the same agency, and based on the English translation, the Entertainment company seems to belong to his family. (chapter 33). He can also hear rumors there. Moreover, for me, the actor stands for power, control and as such knowledge… hence he was able to pull tricks on the star on multiple occasions. He is able to make the athlete angry, he can arrange a meeting without Joo Jaekyung’s consent.(chapter 34) or make a deal at his expense (chapter 32.). Interesting is that these values (influence, dominion, competence and insight) are associated with the shade black!

That’s why I thought that he could know the truth behind the jinx. Nevertheless, since I portrayed him as passive and noncommittal, I deduce that Choi Heesung could have heard about the jinx and never investigated the matter. It was not his problem anyway. In other words, I feel like Heesung might know a part of the truth, but not everything. Since his career is not directly linked to MMA, I doubt that the actor felt the need to question the origins of the jinx and the role of the agency. Thus the color “black” could symbolize ignorance and negligence as well, which is reflected in the idiom “left in the dark”. Besides, he doesn’t need to know the whole truth, some information is already enough to “get a glimpse of the verity”. Because of this interpretation, I was even wondering if this trick (chapter 35) was not a punishment against Joo Jaekyung for the actor’s injury which happened with the support of MFC. (chapter 31) Officially, he had wounded the actor, therefore his physical therapist had to take care of his treatment. Besides, I believe that MFC desired to corner the champion in order to force him to give up on his new lover. He was no longer hiring a prostitute. As you can see, black is an ambiguous color: it can symbolize knowledge as well ignorance. Thus this shade represents mystery. Thus it is no coincidence that the past and family of Joo Jaekyung, who is also associated with black, remain a riddle

So far, obsidian was only implied with Heesung’s personality, as darkness can symbolize evilness or guilt. (chapter 31) While Joo Jaekyung condemned him for his deception and constant switching of partners (chapter 33), his manager accepts him despite his messy love life and flaws. (chapter 31) Funny is that he just considers this as a curse. Interesting is that Potato sensed his dark side too, but he has no idea about his past love life. While people mistakes Choi Heesung for a Samaritan, in reality, he is cunning, selfish and even ruthless, for he is a gumiho.

And now, you are wondering where black was present in the special episode. He was exposing his dark side to the readers. In truth, he is also a “selfish jerk”, a name that many Jinx-philes would use for the main lead. (special chapter) Potato is a sex toy, just like the doctor was a tool against the champion’s jinx. Secondly, the artist discovered a whole new world thanks to Potato’s purity and ignorance (special episode). Yes, the black color related to the universe is visualizing the actor’s own “ignorance”. He can not predict the maknae’s next moves and thoughts. It was, as if a big bang had just happened. 😂 Potato’s pure innocence could only disarm and even defeat the slick comedian. Hence the latter was left totally speechless. Finally, since Potato embodies the shade “black”, we have to envision that his role during the night was to absorb the actor’s negative energy.

Choi Heesung was definitely depressed after experiencing the main lead’s rejection. His drinking (chapter 35) reminded me of Kim Dan who used to drink in order to numb his pain. By meeting the black and yellow Chow-Chow, the fox was able to see light in his sorrow. Potato could absorb his negative thoughts and even enlighten his night. Therefore it is not surprising that Heesung made such a statement: (special episode). That’s how it dawned on me why the artist could move on so quickly after dumping his last companion in chapter 33. (chapter 33) First, the VIP club is painted with dark colors. Secondly, the athlete was wearing a dark brown jacket with a black pullover. For me, Choi Heesung’s true personality comes to light in the dark!! We could say that he shines in a black room. Surrounded by darkness, he feels more protected. Thus at the club, he revealed his immorality and hypocrisy… He didn’t stand out. The more white the room is, the less the actor is honest! His preference for neutral colors expresses his need for “conformity and passivity”. They are an evidence for his hypocrisy and acting. Under this perspective, Manhwaworms can grasp why the mysterious man has a hidden dark room! [I am assuming that Mingwa didn’t change the flat] Only there, he exposes his true nature: BDSM. In my eyes, there he can voice all his desires and thoughts. His true self can come to the surface. I saw another evidence for this hypothesis (BDSM) in this expression: “kick him to the curb” (Special episode). This expression exposes the second lead’s hidden ruthlessness, selfishness and disregard. Naturally, since BDSM focuses on power dynamics, role-playing, and the exchange of control, often incorporating physical restraints, sensory stimulation, and psychological techniques, it signifies that consent, communication, and safety are paramount in BDSM relationships and activities. Hence if this expectation is correct, I deduce that such a sex session can only happen, when both are on the same wave length.

Finally, the reference to Black was palpable in this comment: (special episode): DEATH! This notion contrasts to the actor’s belief: soulmate! What is Potato’s goal in life? So far, it was to follow Joo Jaekyung’s foot steps! He wants to be a MMA fighter. He is destined to fight and as such to be exposed to danger. In the ring, he can die. He already fought for the physical therapist’s sake. (chapter 52) This means, he is already one step closer to the MMA arena. With the last incident, the young fighter must have caught the attention of opponents. He created himself “enemies”. Therefore he could become the next target for a plot as a revenge. In other words, with such a companion, Heesung is confronted with reality. His destined partner can be wounded and even die. Thus he has to ensure his safety. He can no longer be indifferent and passive. As you can see, Heesung will be put in a similar position than the physical therapist: (chapter 40) And this observation leads me to my second part, the explanation for the title: La Vie En Rose.

2. Heesung and La Vie En Rose

While reading the special episode from Jinx, I couldn’t help myself connecting the actor Choi Heesung to the expression “La Vie En Rose”. (special episode) (special episode) I am not sure if anyone is familiar with this French expression. The latter means “life in pink” or “life through rose-colored glasses.” It is a philosophy that emphasizes finding beauty, joy, and positivity in every aspect of life. This philosophy encourages a mindset that focuses on gratitude, mindfulness, and the appreciation of both the small and significant moments. As you can see, it is strongly connected to the heart and as such to love.

But where does this idiom come from? The expression “La Vie En Rose” originates from the famous French song of the same name by Edith Piaf in 1947. Piaf co-wrote the lyrics with Louis Guglielmi, who composed the music.

Interesting is that this song is associated with the rose and the colors black and white. First, the flower and shade in French have the same name. Moreover, back then colored pictures and videos were inexistent. After reading my first part, Jinx-philes can recall that the second lead, Heesung, is strongly connected to pink, black and white too.

But why did Edith Piaf write such a song? “La Vie en Rose” was released at a time, when France was recovering from the devastation of World War Two. The song quickly became a symbol of hope and resilience.

La Vie En Rose Edith Piaf – Original versionTranslation
Des yeux qui font baisser les miens
Un rire qui se perd sur sa bouche
Voilà le portrait sans retouche
De l’homme auquel j’appartiens

Quand il me prend dans ses bras
Il me parle tout bas
Je vois la vie en rose
Qu’il me dit des mots d’amour
Des mots de tous les jours
Et ça me fait quelque chose
Il est entré dans mon cœur
Une part de bonheur
Dont je connais la cause
C’est lui pour moi
Moi, pour lui, dans la vie
Il me l’a dit, l’a juré pour la vie

Et dès que je l’aperçois
Alors, je sens en moi
Mon cœur qui bat

Des nuits d’amour à ne plus en finir
Un grand bonheur qui prend sa place
Des ennuis, des chagrins, s’effacent
Heureux, heureux à en mourir

Quand il me prend dans ses bras
Il me parle tout bas
Je vois la vie en rose
Il me dit des mots d’amour
Des mots de tous les jours
Et ça me fait quelque chose
Il est entré dans mon cœur
Une part de bonheur
Dont je connais la cause

C’est toi pour moi
Moi, pour toi, dans la vie
Il me l’a dit, l’a juré pour la vie

Et dès que je t’aperçois
Alors, je sens dans moi
Mon cœur qui bat
Eyes that make mine lower
A laugh that is lost on his lips
This is the unretouched portrait
Of the man to whom I belong

When he takes me in his arms
He speaks softly to me
I see life in pink
He tells me words of love
Everyday words
And it does something to me
He’s entered my heart
A piece of happiness
The cause of which I know
It’s him for me
Me for him, in life
He told me, he swore it for life

And as soon as I see him
Then I feel inside me
My heart beating

Nights of endless love
Great happiness takes its place
Troubles and sorrows fade away
Happy, happy to death

When he takes me in his arms
He speaks softly to me
I see life in pink
He tells me words of love
Everyday words
And it does something to me
He’s entered my heart
A piece of happiness
The cause of which I know

It’s you for me
Me for you in life
He told me, he swore it for life

And as soon as I see you
Then I feel inside me
My heart beating

The lyrics describe a state of bliss brought on by being in love, where everything seems beautiful and radiant. If you read the analysis “The Art Of Loving”, you will realize that the author is advocating the same ideas than the German-American philosopher and psychologist Erich Fromm’: love leads to happiness. At the same time, the verse “my heart beating” is referring to the notion of “life”. The fictive narrator feels alive and full of energy thanks to his affection. This interpretation brings me to my next observation. Choi Heesung has a similar mind-set. Without love, he feels that he is not existing. That’s why he keeps looking for his soulmate. (chapter 33) I can comprehend how he came to develop this mentality. It is related to his work. He is an actor. If he was not famous, he couldn’t work. He is relying on fans and their admiration. However, this kind of affection is superficial, for the stans only know the face and the man as actor. To conclude, his definition of love is linked to his job and as such veneration. That’s the reason why his “soulmate” has to be perfect (“perfect in every way”). His words imply that his companion has to be a celebrity himself as well. Why? It is because humanity embodies imperfection, but not a star. And the moment a celebrity’s flaws are exposed, the latter loses his special status as “star” and “god”. He is now just a human. (chapter 36) That’s what the athlete experienced at the end of season 1. I could describe the fans’ devotion and appreciation as idolization and veneration which can have terrible consequences.

  1. Loss of Objectivity: Idolization can lead to a lack of critical thinking about the idolized person or thing, making it difficult to see their faults or mistakes.
  2. Unrealistic Expectations: Placing someone on a pedestal can create unrealistic expectations that the idolized figure may ultimately fail to meet, leading to disappointment.
  3. Dependency: Excessive idolization can result in emotional dependency, where an individual’s sense of self-worth or happiness is tied to the actions or opinions of the idolized figure.

In this panel (chapter 33), we could see a reference to dependency. The comedian dumped his last boyfriend, for the latter had become too clingy. His words (“perfect in every way”) also display that Heesung’s love life was affected by unrealistic expectations. After he got rejected by Kim Dan, the comedian opened up to Potato and confessed this: (chapter 35) Either he would break up, as he felt no excitement for his boyfriend, or when he would finally reveal his true side, the latter would leave him. Why? Both were disappointed, neither of them would fit the portrait they had from each other. The smiling and generous actor is in fact selfish, childish and probably apathetic. I am even suspecting that he has been suffering from depression too. Not only the choice of his colors indicates blandness, boringness and lifelessness, but also his body language. He is often seen resting his head on his hand. (special episode) (chapter 33) or sighing, the symbols for boredom. Thus I have the feeling that his job as actor is not procuring him any joy. That’s how I realized why Heesung is the champion’s frenemy. While the latter stands for training and routine (he hates surprises and novelties), the other embodies the exact opposite notions: he loves adventure, spontaneity and variations. (chapter 33) This explicates why he became an actor, why he moved from the building, but at the same time why his job is not truly fulfilling too. There is still a routine and there is no real thrill. This remark brings me to my next observation: Heesung must believe that affection is an emotion and sensation. He is reducing it to “thrill, excitement and butterflies in the stomach”. Thus it is normal that he felt bored with his sex partners quickly. In addition, since Heesung selected neutral colors for his clothing and apartment, I deduce that until he met Kim Dan and Potato, he was avoiding emotions. Yes, in the end, he was similar to his frenemy. He was refusing to open his heart to others out of fear. Yes, he was afraid of getting wounded and broken. And now, you comprehend why his path had to cross the physical therapist’s first! The latter stands for selflessness and gratitude. He is the perfect “worshiper” (Halmoni and Joo Jaekyung). Heesung couldn’t be mad at Kim Dan for his rejection. He understood why the man could not reciprocate his feelings. Yes, the doctor taught him to respect his counterpart. Hence there was no resent from Choi Heesung contrary to the other Choi: (chapter 48) As you can see, the main lead announced a turning point in the gumiho’s life. Exactly like his frenemy, he was taught that money and fame can not buy affection. Moreover, for the first time, the young man learned the existence of boundary and respect.

In my opinion, Heesung only feels alive, when he is provoking reactions and emotions in his counterpart. He needs them, as he has been controlling his own heart this entire time. That’s why he likes being with the champion (chapter 30) or having sex with someone! He is reducing love to lust and physical responses. Under this new light, it becomes clear why his bedroom was colored with pink colors: (special episode) (special episode) He felt his heart beating, and sensed so many emotions. Without LOVE, his world becomes colorless and insipid again: black or white. Here, he was following the flow.

Because Heesung hates boredom and as such routine, this signifies that he enjoys novelties, trips and adventures. And now, the actor is destined to fall in love with the sweet “Potato”! It is because each time, the chow chow is able to “surprise and even scare” the keen second lead. Observe his reactions each time Yoon-Gu voices his thoughts: (chapter 35) (special episode) (special chapter) (special chapter) He is constantly caught by surprise! (special episode) That’s why he is often left speechless and paralyzed. He can not use his skills like with other people. Hence his interactions with Potato remain memorable. And now look at this memory: (special chapter) He sees Yoon-Gu as fun! Simply because he is allowing himself to express his emotions. He is never hiding his thoughts and emotions, the exact opposite of Heesung. He is so transparent, on the other hand, totally unpredictable. Yes, in the end, Yoon-Gu represents a huge riddle for Heesung. What caught my attention is how Yoon-Gu didn’t mind to yell his affection and admiration in front of people. He doesn’t mind people’s judgement and gaze. He is strong enough to bear this kind of attention… the exact opposite of the actor. He is not afraid of committing, making a different statement, he can diverge from majority. Hence he left the restaurant in front of others. (chapter 52) He can make his own judgement and choice. To conclude, though Yoon-Gu is the younger one, he has so much to teach his fated partner who chose conformity and ended up bored and half-dead!

And this brings me to my next remark. How did these two meet? By coincidence!! They bumped into each other. (chapter 31) We could say, their meeting was like a big bang, an explosion! Caught by surprise and annoyed by such an incident, the actor couldn’t help himself voicing his thoughts about Potato: (chapter 31) For a short moment, he dropped his mask and expose his true personality. And for the first time, he received such a gaze: 8chapter 31) Yoon-Gu glared at him, which left a deep impression on the actor. (special episode) That’s how both ended up creating unforgettable moments. Under this perspective, my attentive and patient readers can grasp why I created such an illustration for this essay: The pink in the middle symbolizes the collisions of two stars, spontaneity, shock, surprise, the birth of love and life… So the moment the actor will recall their first meeting, he can only remember it as “fate”. If Potato hadn’t crossed his path, he would have never met his soulmate… I come to the deduction that the actor was not able to find his soulmate, for he always picked up guys similar to him. They would prefer normality, social norms and “conformity”. With Potato, he is taking a risk. (special episode)

But let’s return our attention to the song “La Vie En Rose”. Notice that the lyrics are also referring to death: “happy to death”. What does it mean? Edith Piaf’s “La Vie en Rose” captures the essence of seeing life through love and beauty, a perspective that can also apply to how we view death. Embracing this philosophy can help us approach death with peace, acceptance, and appreciation. Recognizing the finite nature of life enhances our appreciation of each moment and encourages mindful living. Accepting death as a natural part of life reduces fear and transforms it into a peaceful transition. This perspective also inspires us to create meaningful legacies and honor the memories of those who have passed. Practical steps include setting meaningful goals, savoring everyday moments, having open conversations about death, and engaging in end-of-life planning. Celebrating the lives of deceased loved ones and performing acts of kindness in their memory keeps their spirit alive. Integrating the “Vie en Rose” philosophy with our understanding of death brings a profound sense of peace and appreciation to both life and mortality, allowing us to live with love, gratitude, and positivity. And now, you comprehend why this chapter appeared after the separation of the main couple. Joo Jaekyung and Kim Dan are on their way to practice this philosophy La Vie En Rose” (chapter 53), for the grandmother’s death is imminent.

The egocentrism from the crazy fox was truly palpable in the special episode. (special episode 1) Here, he made sure that Yoon-Gu wouldn’t reject him and leave him. (special episode) In the second picture, he believes to have the upper hand. He imagines that he will keep the maknae by his side, as long as he feels like it. However, keep in mind that Heesung hates routine and normality. But if Yoon-Gu becomes a star and MMA fighter, his life will never be “normal”, as he is risking his health and life. Besides, the young maknae admires other people, Kim Dan and Joo Jaekyung, so he has other interests. Heesung needs to learn that not everything is revolving around him. In order to catch Yoon-Gu’s interests, he will have to change his mind-set and way of life. He will be forced to “catch his attention”, do things out of ordinary and as such to make a committment.

But there’s one detail that caught my attention: (special episode) He described Potato as easy”, a sign that Heesung is linking love to conquest. And now, you comprehend why Heesung had no problem to woo someone in a relationship. (chapter 33) He saw it as a challenge… he enjoyed the thrill to earn the prey’s heart. But once they were together, the second lead got bored, as there was no longer this tension and fever. In other words, he confused excitement and lust with love. However, according to Erich Fromm, love is care, knowledge, respect and responsibility. That’s the reason why Heesung had to drop this belief of “soulmate” first! This principle helped him to avoid responsibility in the end. Secondly, with Potato, Heesung has lowered his expectations. (special episode) Moreover, he is not lying to Potato with fake promises and illusions: fated love etc. (special chapter)

The character from Jinx reminded me a lot of Edith Piaf, for the latter is famous of having many lovers. Moreover, she had a terrible childhood which explains why she tried through her lovers to overcome her traumatic childhood. Moreover, it makes one wonder if the artist hadn’t false perception of love too, similar to Heesung. There is no doubt that the latter fears commitment and as such responsibility. But there’s more to it. Edith Piaf fell in love with Marcel Cerdan, a French-Algerian boxer. Marcel Cerdan tragically died in a plane crash on October 28, 1949, while flying from Paris to New York City. His death deeply affected Edith Piaf, and she mourned him for the rest of her life. And now, you comprehend why I couldn’t help myself connecting Heesung with the French singer. This is what Edith Piaf sang 3 years before her death:

Je ne regrette rien from Edith Piaf – Original versionTranslation

Non, rien de rien
Non, je ne regrette rien
Ni le bien qu’on m’a fait
Ni le mal
Tout ça m’est bien égal
Non, rien de rien
Non, je ne regrette rien
C’est payé, balayé, oublié
Je me fous du passé
Avec mes souvenirs
J’ai allumé le feu
Mes chagrins, mes plaisirs
Je n’ai plus besoin d’eux
Balayé les amours
Avec leurs trémolos
Balayé pour toujours
Je repars à zéro
Non, rien de rien
Non, je ne regrette rien
Ni le bien qu’on m’a fait
Ni le mal
Tout ça m’est bien égal
Non, rien de rien
Non, je ne regrette rien
Car ma vie
Car mes joies
Aujourd’hui
Ça commence avec toi
No, nothing
No, I do not regret anything
Nor the good that was done to me
Nor the evil, all that doesn’t matter to me!
No, nothing
No, I do not regret anything
It is paid, swept away, forgotten
I don’t care about the past!
With my memories
I started the fire
my sorrows, my pleasures
I do not need them anymore!
Swept away the loves
With their tremolos
Swept away forever
I go back to zero
No, nothing
No, I do not regret anything
Nor the good that was done to me
Nor the evil, all that doesn’t matter to me!
No, nothing
No, I do not regret anything
Because my life, because my joys
Today, it begins with you!
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And that’s exactly what Choi Heesung will think about this night and their relationship! Life begins with Yoon-Gu!

PS: There will be a new essay about the special chapter.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Jinxed: Behind The Scenes 🎬

My avid readers might have been wondering why I haven’t released any new essay since “Kiss me”, not even a podcast, though Mingwa has already published the special episode about Heesung and Potato. The reason is simple. I was taking a break too. Imagine that since 2020 I have been releasing essays non-stop while working as a teacher. I counted 649 analyses from 2020 to 2024. Exactly like Mingwa and Byeonduck, I was exhausted.

1. The protagonists’ jinx in the beginning

But now, it is time to focus on the topic of this essay, the protagonists and their bad luck. In the beginning of the story, Kim Dan and Joo Jaekyung believed both that their life was cursed.

1. 1. Kim Dan’s curse

For the doctor, his misfortune was linked to his familial and financial situation. Since the physical therapist had to reimburse the debts, he was working non-stop giving all his money to Heo Manwook or to the hospital. Hence he could never rest. Because he was physically and mentally harassed and exploited by the loan shark, he became obsessed with money and his grandmother to the point that he came to forget himself. That’s how he became a ghost. It was his way to cope with the violence from the loan shark and the thugs. Naturally, it was impossible for him not to feel pain, hence he wished this: (chapter 1) The problem is that Kim Dan blamed himself for his suffering, as he must have often not paid the interests on time. That’s the reason why he got surprised, when he saw his enemy in front of his humble home. (chapter 1) Due to the lack of rest and time, he didn’t have the opportunity to ponder on his life and even have dreams on his own. Therefore he had no ambition. At the same time, he couldn’t become energetic and proactive due to his low self-esteem and his abandonment issues.

1. 2. Joo Jaekyung’s misfortune

As for Joo Jaekyung, though successful, the latter imagined that his victories were the result of his sexual performances in bed before the match. This shows that he didn’t attribute his success to his team, talent and hard work, but to chance and misfortune. This shows not only his lack of confidence, but also the division and disharmony at Team Black. Hence he developed a ritual, the pre-match sex session, but it was in his home. That’s how his professional life got mixed with his private life. Sex was work. In his mind, no one could help him, that’s why the identity of his sex partner didn’t even matter. Because he was working constantly, he didn’t have to reflect on his life either.

1. 3. The real significance of their jinx

Despite their different backgrounds, both main leads had something in common: their self-loathing and the absence of meditation. And what is the synonym for jinx and bad luck? Misery and unhappiness. In other words, both main leads were unhappy men. But they couldn’t voice their negative thoughts and emotions, as they had no one by their side to listen to their hidden pain and give them some advice. And now, you know why I selected the picture in the background for the illustration.

It was to display not only the absence of happiness, but also the absence of the sun! The latter embodies life and joy. In the selected image, the clouds are covering the sky and as such the sun. It indicates that both characters were not able to give a meaning to their life. Hence they hadn’t found the source for their happiness yet. In other words, the shades (grey, black and white) and the clouds illustrate danger, depression and suffering for our main leads. It shows how their life was before Kim Dan and Joo Jaekyung interacted with each other. (chapter 1) (chapter 2) I selected these two images, because they refer to their respective past and jinx. Both represent bad and painful memories, hence they contain a grey veil. While one is hurt physically, the other is suffering emotionally.

2. The origins for Joo Jaekyung’s misfortune

One might argue about the second panel, for the fighter is represented in a brown color. It indicates that he is somehow alive. However, we should see it as a reference to a rotten body. The main character is acting like a zombie. Therefore he has no eyes and the corners of his mouth are showing displeasure. So we could say that Jinx is the love story between a zombie and ghost. The MMA fighter’s emptiness and corrupted body became truly visible during the couch confession: (chapter 29) The vision about his opponents is mirroring his own reflection. That’s how he views himself. He is surrounded by enemies who will attack him, as soon as he exposes any weakness. Thus it is normal that he is always on the alert. Episode 29 divulged that he was on survival modus. Consequently, it is not surprising that he could trust no one. Should one get too close to him, the former could become a traitor in the last moment. Moreover, this interpretation explicates why he has been so rough on his own body. First, he considered pain as a normality, the side effect of his profession and as such his corruption. In addition, he didn’t have the time to take care of his wounds, for he could get “killed” at any moment. Surrounded by this wave of “rotten bodies”, he imagined that once defeated, he would be swallowed by darkness and literally vanished. This vision displays another important aspect of the athlete’s philosophy. His job is not connected to fun and dream, but to work and nightmare. And now, you comprehend why I selected this panel in the middle of the illustration. (chapter 26) This represents the highlight for the first season. For the first time, both characters had fun together. That’s how they got one step closer to each other. The fighter was enjoying this moment, as he was teaching Kim Dan to become more proactive and fight for himself. The sparring represents the opposite version of the athlete’s vision (chapter 29). He felt safe next to Kim Dan. In fact, his presence boosted his confidence. (chapter 25) It is no coincidence that he employed that expression in front of his fated partner. To conclude, chapter 26 stands for life and happiness, proving that their life is not cursed per se. Consequently, red was the dominant color of this chapter. This pigment stands for love and life. Both felt alive during that day. Moreover, we could see glimpses of the sportsman’s true psyche as well, when he proposed to spar with the main lead. He desired to help the doctor himself. Hence he acted as his mentor and teacher in the ring. There, we could see his generosity, interest and open-mindedness. He wasn’t looking down on the doctor, he saw him as a true member from Team Black.

According to Mingwa, episode 29 displayed the champion’s true personality the best. He is not only vulnerable, but also lonely and isolated. (chapter 29) He has no one by his side. And this observation leads me to my next interpretation. The existence of Joo Jaekyung’s belief is exposing Park Namwook’s neglect and bad management and coaching. We could say that he is partially responsible for the champion’s misery and bad luck. Therefore it is no coincidence that the sparring took place during his absence. (chapter 26)

Remember how I stated above that their unhappiness was the result of their isolation and silence. They could not reveal their suffering, for they had no one by their side who was willing to listen to them. Park Namwook has no idea about his “boy'”s insomnia or his traumas from the past: (chapter 49) But why hasn’t the athlete confided to his manager yet? First, homosexuality is definitely a taboo among boxers and MMA fighters. Their masculinity and strength are questioned. Secondly, his coach views him as a spoiled brat. (chapter 7) Thus he keeps beating the celebrity. (chapter 26) (chapter 31) (chapter 52) The author epitomized the first season with this panel: This shows that Park Namwook has no real respect for the champion. According to my theory, the athlete comes from a wealthy family, hence he is labeled as “spoiled kid”. Due to his social status, the manager can only judge the main lead as “lucky”. Besides, he is successful, for he earns a lot of money and has many fans. He embodies the “American Dream” perfectly. He has everything to be happy in the manager’s eyes. Therefore he couldn’t comprehend the bad mood from the champion. Moreover, Park Namwook embodies social norms and prejudices, and he has many about his star. Not only the latter has a bad temper, but also he is a stubborn workaholic. (chapter 27) But by portraying him like that, the coach gave us a justification why he wouldn’t converse with the gym owner. Why should he talk or listen to Joo Jaekyung, if the latter is stubborn and obsessed with his work? It is pointless. And such an attitude could only get reinforced in this scene: (chapter 46) Yet, according to my interpretation, the main character’s departure was not the sign of stubbornness, but rather of fear and avoidance. Since the manager doesn’t know his star that well, he judges him based on appearances. Moreover, I believe that he has the tendency to generalize, just like certain readers. Since the athlete beat a doctor and was quite brutal with a fighter, he is stigmatized as “thug” or a “spoiled kid”. I am suspecting that the way the hyung met the celebrity affected his perception about the young fighter. (Chapter 26) Oh Daehyun repeated this story, because he had heard it from someone and that can only be from the manager and coach. And it is the same for Kim Changmin either, for the two aren’t long members from the gym. They are not close enough to know the celebrity’s past. These stories must have been spread by the hyung. In my eyes, Park Namwook views himself as Joo Jaekyung’s savior, because Joo Jaekyung (chapter 26) could have become a criminal. Nonetheless, it is an illusion, for MFC is connected to the underworld.

Furthermore, Manhwaphiles should keep in their mind that in chapter 46, Joo Jaekyung had been encouraged to mistrust people. (chapter 46) Despite his attitude, Joo Jaekyung still listened to his hyung’s warning, for from that moment on, he kept his distance from everyone, including the physical therapist. But there’s more to it. Park Namwook keeps associating his star with “good luck”. (chapter 1) (chapter 27) This represents the exact opposite of the star’s jinx. It shows that he is not trying to understand his celebrity. With such a mind-set, it is normal that the champion wouldn’t trust his manager. And the absence of the manager in this panel (chapter 29) represents the evidence that the coach is involved in the champion’s suffering as well. Besides, observe that Park Namwook had the tendency to slap the fighter’s back, a sign that the former was not watching his back at all. In fact, his gesture (chapter 31) stands more for backstabbing.

The author made sure to expose the huge gap between the manager and the celebrity by contrasting their relationship with the interaction between Choi Heesung and his own manager. (chapter 33) The latter truly worries for his star, although he is well aware of his shortcomings. (chapter 30) In addition, he knows about his private life and love life. (chapter 31) Despite his struggles, he accepts his actor. This is the symbol for unconditional love and support. Therefore it is not surprising that Choi Heesung confessed his trick. He was sure that his right-hand wouldn’t betray him. What about the champion? When the latter discovered the verity (chapter 33), he didn’t report it to his hyung. He also kept it a secret. That way, he was not only protecting Kim Dan’s misdiagnosis, but also Park Namwook’s misjudgment. On the other hand, he acted as a real boss, for the comedian is an important client.

In this video, the MMA fighter Myles Jury described what a good MMA manager is.

He declared that honesty and integrity are essential in order to be a good manager. There’s no doubt that the protagonist’s coach is not a corrupted person per se. He is not involved in the schemes targeting his star. (chapter 40) However, he is far from being a honest man. How so? First, he describes himself as the owner of the gym which is not true. (chapter 22) He is just the director of the company. In addition, he is talking big, but he never delivers. But keeping his word is an important condition for a good manager in Myles Jury’s opinion. Park Namwook threatens the members, but in the end, no one is fired by him. He is not following through what he says, he doesn’t keep his promises. I will give you a few more examples. (chapter 23) He promised the fighters that they would win, but the reality is that they failed terribly. (chapter 47) Therefore he bought chicken for them. Instead of showing compassion and understanding for his hungry and miserable champion, he allowed Potato and Oh Daehyun to buy junk food behind the celebrity’s back. (chapter 37) This shows their lack of mental and emotional support. For me, Park Namwook symbolizes ignorance and blindness. Therefore he is portrayed with no eyes.

Additionally, Myles Jury clearly said that a good manager needs to speak the painful truth, like for example, he has to expose the fighters’ flaws which Park Namwook never did. No one informed Potato that his basic posture needed improvement. (chapter 23) He never confronted the members with the truth. They lack skills (chapter 46) or endurance. I would even say that neither Park Namwook nor Jeong Yosep had high expectations for the other members from Team Black (chapter 46). It was, as if they didn’t have the goal to create a new champion. How come? It is because the gym was initially created for Joo Jaekyung’s needs. And now, Jinx-lovers comprehend the dilemna. Team Black needs to redefine itself and its purpose. Moreover, Park Namwook’s true wish is to open the gym for “kids”. And that’s how he treated the staff from Team Black, like little kids. No wonder why many left the gym in the end. They didn’t feel truly supported by the manager and coach. Jeong Yosep and Park Namwook didn’t put any real effort to turn the members into professional fighters. That’s the reason why none of them had a MMA manager, only a coach and nothing more.

For me, Park Namwook’s dishonesty was the most palpable in this scene: (chapter 49) He claimed to trust the champion, but the reality is the opposite. (chapter 52) He blamed Joo Jaekyung for everything: the tie, the doctor’s departure, the suspension and as such the loss of his good reputation. However, even if the champion had vented his anger onto the physical therapist wrongly, he had reasons to doubt Kim Dan. He had not only received the pictures, but he had been warned by the coach himself to doubt the members’ loyalty. There was a spy and a traitor among Team Black. One detail in the last panel caught my attention is the idiom “facts”. It is in plural and not in singular. Fact could be seen as a reference to his own warning, he had not checked the fact either (rumor, suspected disloyalty), yet this is not what he meant. Potato had exposed only one fact to the group: the switch of the spray organized by Choi Gilseok. (chapter 52) So what other fact was Park Namwook referring to? The fighter Baek Junmin and director of King Of MMA had paid Kim Dan. This shows that he had heard the conversation between the two protagonists. (chapter 52) And what did the manager do, after the champion had left the room? He abandoned Kim Dan, followed by the other men. At no moment, he asked Oh Daehyun or Yoon-Gu to take care of the physical therapist. But by following the celebrity or remaining passive, they had implicitly supported Joo Jaekyung’s decision. They had taken his side. And now, you comprehend why all these men chose to put the whole blame on the celebrity. (chapter 52) It is because they didn’t want to feel responsible for doc Dan’s departure. Their admiration and trust in the celebrity is superficial. In other words, they are following the hyung’s lead. Hence there is no regret, only reproaches.

Another important criterion for a good manager is his connections. Therefore the latter is often on the phone (50 or 100 calls a day in order to find sponsors). Nevertheless, we barely saw Park Namwook talking over the phone: (chapter 1) (chapter 49) He should be responsible for his contracts, yet the reality is that the Entertainment agency is the one managing the champion’s career. (chapter 30) This shows that Park Namwook doesn’t have a lot of connections. He should be the one organizing the fights, but no… others are making the propositions (MFC matchmaker and agency). Consequently, the ex-wrestler often voices doubts about the matches. (chapter 41) However, as his manager, it is his duty to protect his star, as the career of a MMA fighter is rather short. Imagine, he let Joo Jaekyung fight three times within 3 months (April- June- July). It is definitely too much. To conclude, he is not doing his job properly, as he is trying to put a lot of responsibility on others (Kim Dan- Joo Jaekyung – the Entertainment agency). According to Mingwa, Kim Dan had been taking care of administrative tasks. However, as the director of Team Black, he should be the one handling it. After the incident at the health center, Park Namwook didn’t contact the press to explain the whole situation. (chapter 52) (chapter 52) The article is indicating that the champion was quickly judged and this within a few days. The article implies the non-intervention of a lawyer or his manager. No one sided with the celebrity. They are not even contacting the media. (chapter 52) Park Namwook never tried to correct this negative reflection, for this is how the manager perceives the man himself. He is an ill-mannered child. This explicates why Park Namwook could slap the patient in his bed. So we should judge the argument between the fighter and his manager (chapter 52) as the negative reflection from that blue night. (chapter 29) He is not standing next to the main lead, but he is facing him. He is like an opponent. Another divergence is that Kim Dan was alone, whereas Park Namwook utilizes Potato and the others from Team Black to corner Joo Jaekyung. The doctor was willing to listen to him, whereas the other gets upset, when the other admits his suffering. Since the gym is facing a crisis, the patient should find a solution to the problem. (chapter 52) The hospital is a place for reconvalescence, rest and not work and pressure. Indirectly, it shows the coach’s lack of respect for the medical world. The champion was right to criticize his hyung, for blaming him was totally pointless. He couldn’t turn back time. The manager desired to hear from the champion (chapter 52) that he regretted his decision and outburst. By admitting his mistake, he would have become responsible for the whole mess. Funny is that he asked compassion from Joo Jaekyung, whereas he showed none to the patient. And what was Kim Dan thinking during that night? (chapter 29) He wondered if he could help him to overcome a defeat. He sensed that the latter could become really depressed. Therefore it becomes comprehensible why the doctor resigned. His decision was influenced by his low self-esteem. However, his departure had a different signification than the other members: it was his way to assist the champion, as he saw himself as not worthy. (Chapter 53) Moreover, he had not earned his patient’s trust. Kim Dan was the only one paying attention to his injured shoulder.

On the other hand, Park Namwook is denying the true physical condition from his athlete. He only talks about it after the slap. Then he is admitting his helplessness. He is unable to assist Joo Jaekyung mentally and emotionally, as he is himself struggling. He is unhappy due to the recent outcome. In order to feel better, he puts the blame on his athlete. (chapter 52) And the only solution he offers to the gym owner is to find a new PT during his a break. (chapter 53) I find it fascinating that the suspension becomes a synonym for “break and rest”. This shows that Park Namwook had no real intention to stop Joo Jaekyung from fighting constantly. This exposes the coach’s hypocrisy. (chapter 27) For me, he is the one obsessed with money and fame. Let’s not forget that a manager gets paid through the earnings from the MMA fighter (in percentage). The more he fights, the more Park Namwook earns money.

The scene at the hospital (chapter 52) resembles a lot to the image with the opponents. (chapter 29) The members from Team Black are surrounding the patient’s bed. But they are supposed to be his “colleagues” and as such “friends”. Let’s not forget that by making constant reproaches towards Joo Jaekyung, they showed no empathy and understanding for a patient. It was, as if they were turning the nightmarish vision into a certain reality. No one paid attention to the celebrity’s mental and emotional well-being. (chapter 52) His scream about his misery fell on deaf ears. This observation brings me back to the video. At the end, the MMA fighter described a good manager as a semi-psychiatrist. He needs to know about the private life of his fighter (drug issues, health, relationships) so that the latter can focus on his training. A MMA fighter needs mental and emotional support. But the father of three kids doesn’t know about his star’s sexual orientation, he was only informed much later that Kim Dan and the star were living together. (chapter 22) Besides, by announcing it in front of this circle, the champion divulged that there existed a certain distance between the manager and the sportsman. Finally, the fact that Park Namwook is still left in the dark about the fighter’s jinx is the evidence that he is a really bad manager. For me, it is because he is afraid of making decisions. He lets other take his burden and responsibilities. Yet, Myles jury declared that a manager needs to take a lot of responsibilities. The gathering in the break room stands in opposition to this one: (chapter 52) For the first time, the champion is no longer looking at his cellphone. He shared his thoughts to others and exposed his powerlessness (chapter 22) and misery (chapter 22), while in the breakroom, he demonstrated his power and silenced the fighters. He was the respected “patriarch”, whereas in the other scene, he is just a heartless child. (chapter 52) Moreover, in one scene, he confessed that they were living together, in the other, he had to hear that the doctor had quit. Shortly after, he discovered the hamster’s departure. This short contrast outlines the parallels and as such the negative role of the manager.

But here is the thing. The members from Team Black knew where the doctor was living. So why did they not visit him there to change his mind? They could have waited for him in front of the building, if they didn’t dare to enter the place, similar to Choi Gilseok’s action. Why did they wait, until the doctor had given his resignation and left the city? It exposes their passivity and hypocrisy. Mingwa didn’t show this, but it becomes perceptible through the mind’s eye. The wrongdoing from Park Namwook becomes even more obvious, as soon as Manhwaphiles notice the parallels between this confrontation (chapter 52) and Kim Dan’s interrogation in the States. (chapter 40) These two situations have many similarities. Both were confronted with an accusation, they were surrounded by people, who were acting as righteous and honest workers. Both were coerced to admit a wrongdoing. In addition, they are actually abandoned by Team Black members, especially the manager. No one is looking for them out of concern. The reality was that they were not their “true colleagues and even less friends. However, like mentioned in a previous essay, the men in black were actually covering up a crime in order to hide the corruption from the organization. This makes me truly wonder if Park Namwook is truly ignorant about MFC’s corruption. He could simply know about the crimes, but he chose to close an eye to the whole situation. (Chapter 46) He is already aware of the existence of illegal betting. Besides, since Joo Jaekyung is paying his taxes properly, Park Namwook could have the impression, he is doing nothing wrong. However, if he knows something and is remaining silent, he “becomes an accomplice” de facto. And what is the other common point with the interrogation from MFC security guards and the hospital visit? No lawyer and the incident was swayed under the rug. (chapter 52) In both chapters, none of the incidents were exposed to the media. And how had Joo Jaekyung reacted to this situation? He had declared the physical therapist as one of his own. (chapter 40) He had rescued him. So by slapping the champion (chapter 52), the manager displayed that the champion was different from the others. “He was not one of them, he was a sinner and wrongdoer”. On the other hand, with his suggestion (to replace the doctor), he denied the star’s previous statement in the States. Kim Dan was not one of them, as he could get easily replaced. To conclude, the slap was there to prepare the separation between Park Namwook and Joo Jaekyung. His departure from Seoul and from the gym was and is necessary. Moreover, the words from the manager could be interpreted like this: the champion doesn’t need to show up at the gym during the break. (chapter 53) He only needs to appear, once the suspension is over.

Moreover, (chapter 52) notice that when he slapped the celebrity, he utilized the personal pronoun “I” twice. It shows that the gesture was motivated by his selfishness. It was triggered by his own negative emotions. Another important element is the expression “thanks to you and your temper”!! This idiom is usually employed to express “gratitude”, yet here he is expressing the opposite. He is blaming the fighter, so the correct expression should have been “because of”. His words are exposing his true personality: he is a hypocrite and his care for the celebrity is not genuine. His gratitude is rather superficial too. Thus I deduce that episode 52 exposed Park Namwook’s true character. He is heartless and selfish, he is a bad manager and coach. Though he claims that he cares for the physical therapist, he is already planning to hire a new one. That way, he doesn’t appear as the bad guy. He is not the one who pushed Kim Dan to leave Team Black, but Joo Jaekyung. Yet, he did nothing to change the situation. For me, he is trying to save his own reputation. He is a honest and good leader, but he is not. In addition, he has another reason to replace the main lead very quickly. Kim Dan’s presence would be a constant reminder of Park Namwook’s own failures. He was not able to prevent three sabotages (I am including the incident at the health center), two members of Team Black became the target of crimes.

Another interesting aspect is that from now on, the manager can no longer threaten the remaining members to expel them from the gym. (chapter 22) They have only 4 members left. Besides, he has to ensure that they don’t mess with their weights too. He can no longer compensate their failures with “chicken and junk food” and new presents, as their income has changed. I would even say that now, the gym is forced to create new champions.

Since the bed scene at the hospital contrasts so much with the one in chapter 29, (chapter 29), I deduce that the slap had the opposite effect than this wonderful night. The gap between the hyung and the athlete got bigger. This represents the moment where Joo Jaekyung is emancipating himself from the hyung’s influence. By refusing the letter of resignation, he clearly indicates that he is rejecting Park Namwook’s suggestion. (chapter 53) He won’t hire someone else. Moreover, the morning after the couch confession, Joo Jaekyung tried to seek closeness with Kim Dan (chapter 30), but failed due to his roughness and cowardice. Hence I assume that the slap was the trigger for the champion to switch Park Namwook’s position with Kim Dan’s. The latter is finally recognized as a friend and even as a competent physical therapist. He is on the verge of becoming Joo Jaekyung’s “hyung”. So far, the athlete has been calling the physical therapist “Kim Dan”. And exactly like that wonderful night, Joo Jaekyung will attempt to seek the doctor’s closeness, resolve the misunderstandings and close the gap between them. He will follow his footsteps, but have a different attitude. Why? It is because the grandmother will be next to them.

Naturally, the champion’s jinx has other origins as well, like for example the schemers who definitely know about his jinx. From my perspective, the way Joo Jaekyung got his previous sex partners played a huge role. That’s why it didn’t matter who the athlete was sleeping with. The jinx is related to a prostitution ring. The plotters must be happy, for they seem to have achieved their goal. Kim Dan left his side. Hence he can no longer testify the involvement of this man: (chapter 37) They imagine that Joo Jaekyung’s recent demise will reinforce his former belief. The prematch-sex session with his regular partner didn’t prevent the misfortune, therefore he needs a replacement. That’s the reason why they made sure to isolate the celebrity. However, they couldn’t be more wrong, for the champion experienced the doctor’s departure as something worse than the whole scandal. (chapter 53) He doesn’t just feel like shit, but like fucking shit! And that’s how Doc Dan is helping the athlete. He is diverting his attention from MFC, his career and jinx. The latter are no longer on his mind. All his thoughts are revolving around his former roommate. (Chapter 53) This explicates why the idiom “jinx” is not even brought up, when he recalls their last sex session. He is not blaming the doctor for not procuring him a “good fuck”. The reason is simple. It is because he had already made this resolution: (chapter 49) He was no longer relying on the ritual.

As for the other cause for the athlete’s jinx, it is related to his bad choices. However, these are strongly connected to Park Namwook. Since the manager is more focused on money and titles, I deduce that the champion’s odd behavior is actually mirroring Park Namwook’s mind-set and attitude. He is rough, selfish and rude, because the other acted that way and even allowed it too. He expressed his thoughts and emotions through his fists and outbursts. (chapter 52), exactly like the athlete. (chapter 52). Did the manager express his regret or apologize towards the doctor? The answer is no. (chapter 53) That’s the reason why the champion has never apologized towards the doctor either. To conclude, the manager had a huge negative influence concerning the sportsman’s mind-set and behavior. Therefore it is necessary for the athlete to distance himself from Park Namwook. That’s how he can get purified. On the other hand, the last incident was essential for the star’s growth. Since the latter hasn’t questioned the integrity of MFC yet, he needed to be suspended in order to realize that his perception of the world was wrong. Though he lost his reputation, he is experiencing that his defeat is not the end of the world. The doctor’s departure was more painful for him. Therefore it was necessary for the champion to make a bad decision. Only through pain, the athlete can turn into a better man. Since Kim Dan left the city for the west coast, I assume that the champion will follow him there. He will reconnect with nature.

3. The champion’s belief at the end of season 1

Interesting is that though Joo Jaekyung had been informed about the protagonist’s resignation, he never anticipated that the latter would move out. This shows that he had already separated his professional life from his private life. We could say that he had already internalized Kim Dan as his friend and even “family”. But he had not realized it yet. And this brings me back to Park Namwook. The latter imagined that he could act like in the past, replace the PTs constantly. But he was forgetting that both men had lived together for 3 months. He had become part of his “home”. The problem is that Joo Jaekyung had not reflected on these changes. And when he had voiced it, he was under the influence of the soju. (chapter 43) So when he discovers the empty bedroom, he is forced to admit that he had become a part of his life. He had liked Kim Dan’s company. (chapter 53) He is now missing him, but he is not capable to express it properly. For the first time, he is confronted with reality. His penthouse feels cold, lifeless and empty. (chapter 19) Yes, we should see episode 53 as the negative reflection from chapter 19, the doctor’s arrival at the penthouse.

And this observation leads me to compare these two pictures: (chapter 19) (chapter 53) Back then, the champion didn’t pay attention to Kim Dan and turned his back to him. His job and training were more important than anything else. Hence he neglected the physical therapist. Mingwa let the doctor stand next to the sun. It is no coincidence. It indicates that Joo Jaekyung never paid attention to his surroundings and in particular to nature. He never looked at the sun. Yet, Kim Dan represents the sun in his life. In other words, he represents his source of happiness. Yet, the latter never got the opportunity to grasp it, for he never rested and took the time to enjoy the present moment. Why? It is because he was chasing after an illusion, the fake light “fame”. It is not random that the synonym for celebrity is “star”. But the brilliance of a star is artificial contrary to the moon and the sun. So when he is looking through the huge window, he is not looking at the moon or the star, but at the city. Why? It is because he has not discovered the existence of cosmos and landscape yet. He only knows one world: the city and the cage. His view of the world is limited. Moreover, the city embodies anonymity and distance. The god Joo Jaekyung needs to go down from his ivory tower and discovers the real world. I had already outlined the importance of travel in Jinx. The latter serves to broaden horizons and as such to remove prejudices. This view over Seoul can only make him feel more lonely. He is truly alone. In addition, because of the doctor’s vanishing, the fighter learned through the hard way that home is not a place, but a person. Home is a synonym for family. Hence he has to look for Kim Dan. At the same time, it pushes the champion to question all his precious believes: the importance of fighting and money, the existence of his “jinx and his traumatic past”.

For me, the doctor’s departure is pushing Joo Jaekyung to travel.And now, you understand why I added the sunlight at the end of the illustration. That represents the champion’s destination. While looking for the doctor, he will discover a new world: mortality but also the beauty of nature. So the grandmother’s wish will affect the champion in a good way. He will be able to reconnect with nature. And that’s how he will become a human. How so? It is because through this journey, he will learn to distinguish between real light and artificial glow. (chapter 53) Here, what Kim Dan saw was not the real sunset, but the lights from the cameras. Far away from the lights from the journalists, the champion will witness the beauty of a sunset, which can not be bought with money. (chapter 53) Humans can only appear as small and powerless. That’s how he could reconcile with the god of time. He will no longer fight against time. I connected nature to temporality of human life because of the grandmother. For me, his break represents a blessing in disguise. He will be able to breathe, to find joy in little things and more importantly he found a true friend and support: Kim Dan. The Webtoonist announced that season 2 would be focused more on feelings which is totally understandable. It coincides with introspection and meditation. Joo Jaekyung will have to prove that he trusts the main lead and he can only achieve this goal by entrusting him his recovery. Moreover, by doing so, he would boost the physical therapist’s confidence. While there was no real seduction in season 1 (money, jinx, treatment, bet during the confession night, drug), we have to envision that their intimacy won’t be so abrupt. It will be more subtle and gradual. The star will have to woo the doctor in order to express his love and affection. Through love, Joo Jaekyung will discover not only happiness, but also strength which will help him to defeat their “enemies” and unmask the criminals. In other words, he should realize thanks to this new journey that he is not cursed, but blessed, for he can help Kim Dan mentally, emotionally and professionally. So far, when the champion travelled, he never visited the cities (chapter 37) or sightseeing attractions. Here, I feel the need to add this French song from Daniel Balavoine (1985): “Aimer est plus fort que d’être aimé” (Loving is stronger than being loved”).

Translation:

You who know what a rampart is

You advance under the wrathful gaze

You write but on the blotter

All the words are reversed

If you speak you must know

That those who cast wrathful glances

Only want to see in the mirror

Only what suits them (These verses remind me of Park Namwook)

You who have broken the ice

Know that there’s no substitute for the truth

And that there are only two races

Or the false or the true

Love carries you through your efforts

The love of all unlocks the secret

Oh, and in the face of all those who devour you

To love is stronger than to be loved

You who know what blasphemy is

You don’t always reap what you sow

You know the supreme ambition

Of those who hate you

They would like to threaten you

To melt you into the mass and suffocate you (Reminds me of the last scheme)

But to sink the icebreaker

It would take a rock

Love carries you through your efforts

The love of all unlocks the secret

Oh, and in the face of all those who devour you

To love is stronger than to be loved

Oh, love carries you through your efforts

Love of all delivers from the secret (That’s how the athlete will reveal his past to Kim Dan, and the latter should do the same)

Oh, and in the face of all those who devour you

To love is stronger than to be loved

Oh, love carries you through your efforts…

Yes, the deceased singer advocated the same than Erich Fromm. (For more read “The Art Of Loving” ).

But let’s return our attention to this picture. (chapter 53) Back then, the champion had looked back at the physical therapist. This shows that he truly cared for the doctor. The latter was not simply his shadow, but also his protector and support. At the same time, this moment represents the doctor’s illumination. In that magic moment, he started associating the celebrity with the sun. The problem is that this light was artificial. Therefore, Kim Dan only perceived the protagonist as a star and not as a human. This explicates why he never wondered about his family. That’s why it is important for the doctor to see the fighter in a different surrounding. Far away from Park Namwook, the media and city, the sportsman can only appear as a human and even as a nobody. To conclude, I am expecting that the champion’s journey will be a journey of meditation and self-discovery. Far away from the toxicity of MFC and the spotlight, he will discover the existence of his own heart and as such his love for Kim Dan. But he can no longer approach him like in episode 1: a trick and money. He should discover the true value of the Wedding cabinet very quickly. It is no junk. Moreover, due to doc Dan’s departure and the last incident, the MMA boxer must have realized that he had totally misjudged the doctor. He is not selfish and greedy. So in season 2, the champion will show a true interest in Kim Dan and his family. He is forced to drop all his prejudices. We should see him talking prettily and gently to Kim Dan too. (chapter 21). By interacting with Kim Dan, he will be able to reconnect with his true self which will change him forever. Notice that after the night in the States, at no moment, the champion mentioned his jinx, but spoke about his physical health. In reality, he was including his mental health. This shows that he was already moving on from his jinx. Moreover, after the tie and the suspension, he is not mentioning or thinking about his former belief. The reason is simple. Because of the doctor, the champion was allowed to perceive glimpses of the truth: corruption and the existence of tricks. This image (Chapter 48) represents the medicine against the champion’s false belief. Moreover, by making him meet his former rival Baek Junmin, the athlete was incited to overcome his past and biggest fears. (chapter 49) The ritual had become obsolete, though he still did it out of routine. Yet, it had already lost its meaning and impact. That’s the reason why the champion didn’t put the blame on the doctor as a bad lover, he had no procured him a good fuck. Because of the last two incidents, the athlete discovered the existence of schemes and corruption, but he has not truly identified the real culprits yet. On the other hand, this exposes that he had already perceived the half-truth. It is just a matter of time, until the verity gets exposed and that will be a real scandal. As a conclusion, at the end of season 1, the fighter’s jinx totally vanished. How so? It is because Kim Dan revealed his self-loathing and lack of confidence to the athlete. He became the personification of the “jinx”. So by entrusting his recovery to Kim Dan, the latter’s self-esteem will be boosted. The doctor’s happiness can only make him feel good and improve his mood. That’s how their misfortune will slowly vanish.

4. Kim Dan’s transformation and jinx

Now, it is time to focus on the doctor’s jinx. How does he feel at the end of season 1? Does he still view himself as jinxed? My answer is yes and no. First, his dream didn’t come true. He wanted to remain by the fighter’s side. (chapter 53) He imagined that he should quit and leave the penthouse. To conclude, he is not entirely free. On the other, thanks to the champion, he was able to get rid of the loan. But more importantly, he was able to experience happiness for short moments.

(Chapter 44) So he was able to create good memories. Besides, he came to fall in love with Joo Jaekyung. Thanks to the latter, doc Dan could overcome his fear (chapter 26) and make others happy too. (chapter 26) He didn’t realize that he brought joy and love to the gym. (chapter 26) The more he spent time with the celebrity, the more confident he became. He was able to voice his opinion and he started becoming more passionate about his job as PT. He studied sports rehabilitation, a sign that he was taking the champion’s career seriously. So when he wrote these words to his soulmate (chapter 53), readers could sense that the doctor had gained some confidence. How so? He employed the comparative “more competent”. So he acknowledges that he has some skills. Let’s not forget that he was able to treat the injured shoulder within a month. The champion was able to fight against Baek Junmin, whereas the schemers and other doctors thought that it would be impossible. (chapter 42) This shows that his self-loathing is gradually vanishing as well. The fact that he is employing the personal pronoun “I” indicates that he is able now to distinguish himself from his grandmother. (chapter 53) Besides, with this sentence, he didn’t realize that he was actually revealing his true wish: he wanted to take care of Joo Jaekyung (“more competent”).

In addition, the word ” I hope” indicates that he is not entirely depressed. There is still “hope” and as such light in his life. Thus the smile on the doctor’s face is a mixture of resignation and peace of mind. (chapter 53) And now, you comprehend what the sunray in the illustration means for Kim Dan. It represents the last light in his life, the champion. He might have become a ghost again. Yet contrary to the beginning of the story, he has now his own identity. Thus he is employing the personal pronoun “I”. We could say that he is actually practicing Potato’s principle: (chapter 35) He is still cheering the athlete on and even wishing him happiness. This exposes that the physical therapist discovered “happiness” through the celebrity. He is no longer believing in the athlete’s jinx.

However, like mentioned above, at the end of season, he became a ghost again because of the grandmother and the last incident. That’s the reason why he appears surrounded by “white”. (Chapter 53), a color symbolizing the spiritual world and purity. But this signifies that going to see the sunset next to the ocean has a different meaning for the physical therapist than the champion. On the one hand, it is strongly connected to death, on the other hand, it also embodies rebirth. I can’t help myself thinking of the legend of Venus’ birth. The goddess of love was born in the sea. It is the reunion of the sky and water. According to me, Yoon-Gu is a representative of this deity. Thus I come to the following deduction. Kim Dan came to discover Yoon-Gu’s principle. It is possible to love someone from far away, which contradicts his past “abandonment issues”. This shows that he moved on from his past suffering. Though his grandmother is about to die, he will still love her. He won’t perceive it as a desertion and abandonment. That’s why the magic of love should take place near the sea. Both characters will meet the goddess of love there.

But let’s return our attention to my initial statement. His transformation to a ghost was caused by the halmoni’s quest. She was no longer thinking about her grandson’s career and job. Joo Jaekyung was no longer important. Only her life and wish mattered. So the champion was not wrong either to state (chapter 53) that the physical therapist had already planned to leave him. He sensed that doc Dan had already started distancing himself from him, because he was bound by this new promise: (chapter 53) Slowly, he was drawing the line between his private and professional life.

Because of the incident with the spray, it is not surprising that the doctor is blaming himself. (Chapter 53) Here, I feel the need to remind my avid readers that though the doctor was victim of a trick, he was not entirely innocent either. He should have come clean with the champion concerning his meeting with the director from the rival gym. His lie still played a huge role in the champion’s mistrust. But why did he not tell him later? It is because he was under the influence of the manager. (chapter 48) The hyung had been his mentor and advisor. Thus he copied his actions and followed blindly his recommendations. (chapter 41) At no moment, he questioned his words and honesty. He should have noticed the hypocrisy of the manager, when he witnessed such a scene. This image contradicts his claim at the restaurant: (chapter 43) How could the athlete be kinder to his own body, when his hyung was slapping him constantly? He was definitely pressured by the former wrestler. This shows that the 29 years old man is lacking critical thinking. On the other hand, we can not blame Kim Dan for trusting the man so blindly, as Joo Jaekyung was behaving the same way. Yet, the fact that Kim Dan cries, when he witnesses this scene shows that he dislikes the scene. For him, it is wrong, yet he doesn’t intervene. This shows that Kim Dan still feared to intervene and even contradict the manager. Why? It is because he thinks, he is the owner of the gym. He is “his employer”, while in reality he is just an employee. His passivity mirrors his affection for Joo Jaekyung. He is not loving him like he is loving his grandmother. He is not taking any risk, he is not ready to sacrifice himself for the athlete’s sake. This shows that he wasn’t loving the champion properly. Exactly like the other members of Team Black, he was following the hyung’s lead.

It is no coincidence that Kim Dan offered the gift at the same time than the coach’s. (chapter 45) Both knew how the champion disliked the birthday and the gifts, but they still chose to ignore the man’s feelings. He believed every word Park Namwook said about the champion in the end. Hence for me, the doctor’s decision to quit was not simply the consequence from champion’s request and reproach, but also from the manager’s indifference and ignorance. At no moment, he contacted him showing that he was necessary for Team Black. His silence and passivity could only be interpreted as a disapproval and rejection.

The other mistake Kim Dan made is that he learned a bad lesson from the celebrity. Having sex with someone is not getting to know someone better. (chapter 44) The intimacy is rather superficial, for it is limited to pleasure and sensuality. This has nothing to do with the partner’s personality. Secondly, during that night, the champion was drunk. In season 1, both protagonists only discovered physical closeness without sharing their thoughts and emotions (chapter 44) . (chapter 44) He never told the athlete that he was so cute or handsome. He kept his thoughts and happiness to himself. The only moment they shared real intimacy was this night: (chapter 29) The problem is that even there, they had sex in form of a challenge. (chapter 29) Moreover, during that sex session, the athlete employed dirty talk. (chapter 29) It was not to express affection.

This interpretation brings me to my next observation. Kim Dan discovered the existence of sex in the most brutal way: (chapter 2) prostitution and rough sex. He never experienced true romance and the birth of “first love”. The courting and seduction were totally absent. His first kiss is connected to fighting, pain, survival and protection. (chapter 14) It had nothing to do with innocent and pure love. For me, Kim Dan didn’t have the time to fall in love with the champion properly. He could even say that his affection is related to his job and he could reduce it to mutual physical chemistry. Thus I deduce that he became a ghost again for one reason. Both need to experience the innocent first love. In other words, we should expect a new version of this magical night: (chapter 20) Till that moment, he lived like a ghost. He had been trying to deny the existence of his own body. And how did the athlete describe his lover in the bathroom? First, he compared him to a whore (chapter 19) before describing him as a baby. (chapter 20) However, we should expect a more pure version, where both act as innocent and inexperienced teenagers, similar gestures: (chapter 44) There should be no drug or no time pressure!! However, there exists another reason why I have such an expectation. First, the grandmother should be close to them. Her presence should represent a hindrance, as the latter is falling back into childhood. Secondly, right from the start, Joo Jaekyung was under the spell from Kim Dan. (chapter 1) He was so attracted to him physically, hence he didn’t pay attention to his partner’s personality. In fact, he had a negative perception of his nature: (chapter 1) By becoming a ghost, the champion is forced to perceive the main lead as a person and as such to pay attention to his personality (dislikes, likes, qualities, career). That’s the reason why I believe that in season 2, he won’t make the same mistake again. He will study the doctor and get to know him better. That’s how he will be able to identify his feelings for the protagonist. He doesn’t love him because of his cute face and body, but because of his big heart and warmth. He is so responsible, generous and dedicated that there’s no one else like him. He embodies true kindness and loyalty. His care and worries are genuine. That’s why the champion will voice his affection differently from the past: “Secret and innocent love behind work”. Under this new light, it becomes comprehensible why both characters had to go to the seascape. Nature is the perfect place to nurture innocent and pure love. Consequently, I don’t think, the author will rush to create a new chapter full of sex… rather full of tenderness and caresses! Thus Mingwa created such panels: The hands are no longer fists used to express anger and resent, but they are wide open, they are expressing love and tenderness. They will convey a different message: respect, teamwork, and communication. Finally, through such gestures, both are able to reconnect. The hands are encouraging them to express their own thoughts and emotions. They are giving them reassurance and confidence. Season 2 stands for sharing, honesty and communication. Expect a revolution at the gym!

To conclude, the Sleeping Beauty is about to be released from his curse. It is just a matter of time. Kim Dan is on his way to find his true home. Through love, both will be released from their inner suffering and can find happiness, like in a fairy tale: HAPPY ENDING.

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