Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Silent Shore and The Red Flags Behind The Flowers . This is where you can read the original version The Little Mermaid from Hans Christian Andersen
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When Joo Jaekyung dives into the water to rescue Kim Dan 
(chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice 
(chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.
Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.
Far out in the ocean, where the water is as blue as the prettiest cornflower, and as clear as crystal, it is very, very deep; so deep, indeed, that no cable could fathom it: many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above. There dwell the Sea King and his subjects. We must not imagine that there is nothing at the bottom of the sea but bare yellow sand. No, indeed; the most singular flowers and plants grow there; the leaves and stems of which are so pliant, that the slightest agitation of the water causes them to stir as if they had life. Fishes, both large and small, glide between the branches, as birds fly among the trees here upon land. In the deepest spot of all, stands the castle of the Sea King. Its walls are built of coral, and the long, gothic windows are of the clearest amber. The roof is formed of shells, that open and close as the water flows over them. Their appearance is very beautiful, for in each lies a glittering pearl, which would be fit for the diadem of a queen. Quoted from http://hca.gilead.org.il/li_merma.html
However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.
The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.
his aged mother kept house for him. She was a very wise woman, and exceedingly proud of her high birth; on that account she wore twelve oysters on her tail; while others, also of high rank, were only allowed to wear six. […] ” Quoted from http://hca.gilead.org.il/li_merma.html
Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.
“Yes,” replied the old lady, “they (humans) must also die, and their term of life is even shorter than ours. We sometimes live to three hundred years, but when we cease to exist here we only become the foam on the surface of the water, and we have not even a grave down here of those we love. We have not immortal souls, we shall never live again; but, like the green sea-weed, when once it has been cut off, we can never flourish more. Human beings, on the contrary, have a soul which lives forever, lives after the body has been turned to dust. It rises up through the clear, pure air beyond the glittering stars. As we rise out of the water, and behold all the land of the earth, so do they rise to unknown and glorious regions which we shall never see.” Quoted from http://hca.gilead.org.il/li_merma.html
Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism 
(chapter 54), performance, and the longing for a deeper connection.
Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others 
(chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. 
(chapter 36) 
(chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices 
(chapter 31)
(chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.
The Fake Sun and Kim Dan’s Awakening
When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. 
(chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.
In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.
“When the sisters rose, arm-in-arm, through the water in this way, their youngest sister would stand quite alone, looking after them, ready to cry, only that the mermaids have no tears, and therefore they suffer more. ‘Oh, were I but fifteen years old,’ said she: ‘I know that I shall love the world up there, and all the people who live in it.’” Quoted from http://hca.gilead.org.il/li_merma.html
Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:
“One arranged her flower-bed into the form of a whale; another thought it better to make hers like the figure of a little mermaid; but that of the youngest was round like the sun, and contained flowers as red as his rays at sunset. She was a strange child, quiet and thoughtful; and while her sisters would be delighted with the wonderful things which they obtained from the wrecks of vessels, she cared for nothing but her pretty red flowers, like the sun.” Quoted from http://hca.gilead.org.il/li_merma.html
The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope 
(chapter 55) and hardship 
(chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: 
(chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.
Depression: Disconnection and Yearning
Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.
The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. 
(chapter 57) 
(chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors 
(chapter 21) , and even Joo Jaekyung. 
(chapter 45)
Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself 
(chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.
Joo Jaekyung: The “Prince” or The Mermaid?
Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, 
(chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. 
(chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions 
(chapter 57), only allowing him to speak when it benefits them financially.
Interestingly, Joo Jaekyung’s affinity for water 
(chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. 
(chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. 
(chapter 52) 
(chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.
(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.
In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him.
The Doctor’s Family: A Reflection of the Mermaid’s World
Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, 
(chapter 19) 
(chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.
At last she reached her fifteenth year. “Well, now, you are grown up,” said the old dowager, her grandmother; “so you must let me adorn you like your other sisters;” and she placed a wreath of white lilies in her hair, and every flower leaf was half a pearl. Then the old lady ordered eight great oysters to attach themselves to the tail of the princess to show her high rank. “But they hurt me so,” said the little mermaid. “Pride must suffer pain,” replied the old lady. Oh, how gladly she would have shaken off all this grandeur, and laid aside the heavy wreath! The red flowers in her own garden would have suited her much better, but she could not help herself […] Quoted from http://hca.gilead.org.il/li_merma.html
Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness 
(chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.
However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.
One arranged her flower-bed into the form of a whale; another thought it better to make hers like the figure of a little mermaid; but that of the youngest was round like the sun, and contained flowers as red as his rays at sunset. She was a strange child, quiet and thoughtful; and while her sisters would be delighted with the wonderful things which they obtained from the wrecks of vessels, she cared for nothing but her pretty red flowers, like the sun, excepting a beautiful marble statue. It was the representation of a handsome boy, carved out of pure white stone, which had fallen to the bottom of the sea from a wreck. Quoted from http://hca.gilead.org.il/li_merma.html
In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.
Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. 
(chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.
Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.
In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. 
(chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.
The Sisters of the Mermaid and Team Black
In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. 
(chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers 
(chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.
Gardening and Immortality
In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements 
(chapter 1), attracting others seeking the same level of fame and fortune. 
(chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.
Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation 
(chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.
Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.
The little mermaid perceived that she had a body like theirs, and that she continued to rise higher and higher out of the foam. “Where am I?” asked she, and her voice sounded ethereal, as the voice of those who were with her; no earthly music could imitate it. Among the daughters of the air,” answered one of them. “A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the power of another hangs her eternal destiny. But the daughters of the air, although they do not possess an immortal soul, can, by their good deeds, procure one for themselves. We fly to warm countries, and cool the sultry air that destroys mankind with the pestilence. We carry the perfume of the flowers to spread health and restoration. After we have striven for three hundred years to all the good in our power, we receive an immortal soul and take part in the happiness of mankind. You, poor little mermaid, have tried with your whole heart to do as we are doing; you have suffered and endured and raised yourself to the spirit-world by your good deeds; and now, by striving for three hundred years in the same way, you may obtain an immortal soul.” Quoted from Quoted from http://hca.gilead.org.il/li_merma.html
The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.
However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.
Potato’s characterization as a mixture of a “spoiled child” 
(chapter 22) and a “neglected child” 
(chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. 
(chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.
The prince said she should remain with him always, and she received permission to sleep at his door, on a velvet cushion. He had a page’s dress made for her, that she might accompany him on horseback. […] As the days passed, she loved the prince more fondly, and he loved her as he would love a little child, but it never came into his head to make her his wife; yet, unless he married her, she could not receive an immortal soul; and, on the morning after his marriage with another, she would dissolve into the foam of the sea. Quoted from http://hca.gilead.org.il/li_merma.html
This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.
This lack of empathy and the absence of tears 
(chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.
By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting 
(chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.
The Ocean: Nature as a Setting for Transformation
In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. 
(chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.
Responsibility and Guilt: The Couple’s Role
The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. 
(chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung 
(chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.
However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.
Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: 
(chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability 
(chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.
The Daughter of the Air: Kim Dan’s Transcendence
In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.
The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” 
(chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.
The “Princes” and Legacy
The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: 
(chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. 
(chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.
Conclusion: Mutual Transformation
Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.
Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.
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(chapter 57) She wondered if this nickname “MAMA” was not a spelling mistake, and that the translator might have meant “MMA fighter Joo Jaekyung.” Intrigued by this possibility, I sought clarification, and indeed, in the Japanese version 
(episode 57) the reporter introduces the main lead differently: “Next, we have news regarding Joo Jaekyung.” This subtle difference is significant for three reasons.
(chapter 52) and the suspension from their narrative highlights a calculated effort to erase inconvenient truths that could tarnish not only MFC’s reputation but also that of the medical professionals complicit in their schemes. Let’s not forget 
(chapter 41) the complicity of the doctors who cleared Joo Jaekyung to fight despite his evident injuries as another example of the corruption within this world. Moreover, by avoiding any mention of the suspension
(chapter 52) 
(chapter 52), is not only a protective measure for MFC but also shields the medical professionals who facilitated the situation. Doctors at the health center failed to report the ankle injury caused by the sabotage 
(chapter 50), further implicating them in a network of complicity and greed. Their decision to place the two fighters next to each other without proper privacy measures, such as curtains, reveals a disregard for professional ethics in favor of spectacle and profit. I would even add, the decisions from the health center’s medical staff, played a significant role in escalating the situation. By placing Joo Jaekyung and Baek Junmin next to each other post-fight, without appropriate measures like curtains to ensure separation, the health center created an environment ripe for conflict.
, (chapter 52) as the provoked champion lashed out in an unregulated setting. The decision to ignore these systemic failures and instead to suspend Joo Jaekyung suggests a deeper layer of complicity from the medical world, where doctors and nurses prioritized organizational demands and reputational interests over ethical responsibilities. Their failure to report the provocation and the ankle injury caused by the switched spray further highlights their alignment with MFC’s corrupt practices.
(chapter 47) and favored by MFC’s CEO, Baek Junmin has now been discarded, his relevance extinguished the moment he ceased to serve the organization’s agenda. 
(chapter 47) His background, combined with his visible association with MFC’s CEO, positions him as a key figure who could potentially expose the organization’s darker practices.
(chapter 49), his ultimate fate now reflects the broader cruelty and exploitation perpetuated by those in power. That’s how I realized the other signification of the cross below his left eye. The latter symbolizes his blindness in the end. The cross signifies his inability to see beyond the role he played within the system—a symbol of his naivety and misplaced confidence. Baek Junmin believed he understood the brutal reality of the fighting world, given his background in underground rings and illegal gambling. He thought his experience and cunning gave him an edge, making him untouchable or indispensable. However, his taunts to Joo Jaekyung 
(chapter 49) reveal a man who overestimated his position within the organization.
(chapter 54), it shows the athlete’s lack of reflection and insight. He hasn’t been able to discern the truth, the corruption of his “world”. This means that he needs to travel and experience a whole new world. The contrast would serve as an eye-opener for the athlete. 
(chapter 57) holds significant weight in the context of Kim Dan’s storyline, as it appears to be strategically 
(chapter 56) released shortly after the champion’s urgent request to locate him. This timing is no coincidence. Instead, it reflects a calculated effort to manipulate both the public narrative and Kim Dan’s own perception of his role and value. By introducing the anonymous person as “one of his close associates”, it implies that the champion has already moved on from the protagonist. He is not missing him at all. At the same time, it implies that within a short time, the person was able to get the athlete’s trust which stands in opposition to this scene: 
(chapter 57): his regret was not merely about using the spray but about his failure to assert himself professionally. 
(chapter 49) By complying unquestioningly with the champion’s requests, he had diminished his role, acting more like a servant than a competent physical therapist. The interview, though painful, 
(chapter 57) serves as a harsh wake-up call, forcing him to confront his own shortcomings and reevaluate his behavior.
(chapter 41), drawn boundaries, and made his expertise known. I would even add that he never felt responsible for the champion’s reputation in the media 
(chapter 36) Hence he remained passive all this time. His negligence becomes more obvious, when the media released this wave of articles: 
(chapter 52) Thus I discern a turning point in the doctor’s mentality. The last interview served as a painful wake-up call. This juxtaposition not only deepens Kim Dan’s understanding of his mistakes but also offers a model for the kind of professional he aspires to become. He can, if he wants to be in the spotlight: 
(chapter 41) In addition, while many Jinx-Philes are blaming the champion for his outburst, 
(chapter 50) rejection and
(chapter 50) accusations,
(chapter 51), the main lead is not blaming his fated partner at all. Why? It is because none of this would have happened, if he had acted as PT and trusted his own hands. He was too passive, standing by the sideline. He never became proactive. 
(chapter 47) his indifference and lack of professionalism. In the end, the grandmother is the reason for his lack of professionalism and neglect. 
(chapter 54) Unlike the newly hired PT, who likely has the backing of a hospital or organization, Kim Dan operates independently. This independence, while offering a degree of freedom, also makes him vulnerable. He lacks the institutional support that could shield him from the manipulative tactics of MFC. Moreover, his independence places him in direct contrast to the systemic corruption that permeates MFC and its associated entities. As someone who has already been victimized by two major deceptions—the drugged nutrition shake 
(chapter 37) and the switched spray 
(chapter 57) —Kim Dan stands as a figure who threatens to expose the cracks in MFC’s carefully constructed facade. Let’s not forget that the incident with the poisoned beverage was swept under the rug by framing haters.
(chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree
(chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves
(chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. 
(chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. 
(chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.
(chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: 
(chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees. 
(chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: 
(chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung 
(chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.
(chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. 
(chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.
(chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.
(chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.
(chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients. 
(chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy:
(chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: 
(chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: 
(chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: 
(chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: 
(chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power. 
(chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. 
(chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.
(chapter 47), the nursing attendant 
(chapter 21) or the reporters: 
(chapter 37) 
(chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.
(chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. 
(chapter 56) 
(chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: 
(chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this. 
(chapter 7) before she got reassured. Then she made this request 
(chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing. 
(chapter 55) and later brought the doctor’s present: 
(chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.
(chapter 19) He is not capable to take care of himself well. 
(chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: 
(chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.
(chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers 
(chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? 
(chapter 56) Male physical therapists like this one 
(chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: 
(chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.
(chapter 27) 
(chapter 27) His fine motricity and his sense of observation were not well developed, hence he selected the wrong pieces in both games. 
(chapter 27) In order to win in such games,the players need to take their time and observe. Yes, playing such games are encouraging calmness and patience. Indirectly, it is promoting peace of mind, people can forget their worries and anxieties. And because the athlete had lost all the games before, there is no doubt that he was rushing for a victory. Let’s not forget that he had bet with the doctor, he could win so easily. 
(chapter 27) In addition, because of the previous negative experiences, I believe that the champion’s belief (being jinxed) got revived. How could he explain that he would lose to such a poor and small opponent? That’s why it is necessary to question ourselves what kind of card games they were playing. 
(chapter 27) Because the latter couldn’t swim, he jumped to the conclusion that he was drowning. 
(chapter 27) He had no idea that the pool was not deep. Look at the similarities of the images, for the perspective is similar: 
(chapter 27) 
(chapter 37) Is it a coincidence that the doctor drank his drugged nutrition drink? No… The reason why both became a victim of the second scheme is that they were no longer communicating to each other. 
(chapter 47) They are no longer facing each other, the athlete was even turning his back on his precious roommate and PT. Joo Jaekyung had started keeping his distance from his soulmate because he had listened to his toxic mentor 
(chapter 46) who takes everything so seriously. In other words, he had suspected the joker to be the “wild card” to make him lose 
(chapter 27), the athlete deserted the room out of anger 
(chapter 53) and as such to change the cards, the wolf 
(chapter 53) decided to pick up the Joker on the floor and continue the game, as the round is not finished yet. His intention is to bring his Joker Kim Dan back in order to use him properly in the future. He will treat him with patience, trust, respect and care! Moreover, observe that the goal of “Chase the Joker” is to get rid of the cards. Consequently, I perceive this game as a metaphor for the champion’s future actions and decisions: he will have to get rid of certain cards like MFC manager, the Entertainment agency and the lawyer in order to become the true winner. He regains control of his own life. I am leaving out the manager and coach, for I believe that Park Namwook will stay there, but he will have a different position. 
(chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk 
(chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. 
(chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.
(chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: 
(chapter 53) The grandmother is now the master of her own life and Kim Dan’s. On the one hand, just before her death, she is learning to become accountable for her own life, even though I still have my doubts that she is really realizing the consequences of her choice. She is still chasing after after an illusion. As you already know, I am anticipating a rude awakening fron her part, as she can not escape from reality and her own mortality. On the other hand, with her request, she gets responsible for her grandchild’s career, and someone could criticize her for making him quit. She didn’t take his job’s obligations into consideration. Simultaneously, this image illustrates a relapse of Kim Dan. He is once again trapped, though he wished to be freed. Thus he wrote this to Joo Jaekyung: 
(chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. 
(chapter 53) So the athlete could come to the realization that his departure was related to the grandmother’s sickness and dying wish, a new version of episode 20 and 21. However, even if the fighter helps the grandmother, he can not entirely free the physical therapist. How so? It is because the doctor has to free himself, breaking free from conformity and his own psychological constraints (lack of confidence and as such courage). And the best evidence for his servitude mentality is the absence of his love confession to the athlete. He disguised it behind gratitude.
(Chapter 45) But how can he change his condition? I will give the answer below.
(chapter 14) Yet, the reality is that despite his wealth, he is not free at all. Actually, he reminded me of a Roman gladiator. Gladiators in ancient Rome lived under challenging and contradictory conditions. Although they were often slaves or prisoners of war, some achieved fame, wealth, and admiration comparable to modern-day sports stars. Successful gladiators could earn prizes, attract fan followings, and even enjoy certain luxuries within their restrictive lives. However, they remained under the control of their lanista (manager) or the state, with little freedom to make personal choices. They could not select their opponents or refuse combat, and each fight carried the risk of injury or death, underscoring their vulnerability and lack of autonomy despite their celebrated status. 
(chapter 40), though the gym belongs to the celebrity. But let’s return our attention to the American-German philosopher. The latter pointed out the importance of self-awareness and the rejection of materialism and social pressures (authority figures, conformity) in order to become truly free. 
(chapter 2) Therefore sex is linked to prostitution and work. Back then, this had nothing to do with pleasure, sensuality and entertaining. It was revolving around power and domination. That way, he wouldn’t appear as weak, he is not controlled by his sexual desires and emotions. That’s how it dawned on me why the champion has been denying the existence of feelings in his past relationships. Naturally, it is possible that he got his heart broken before, but it is also possible that he could never live out his own true homosexuality. Note that his father figure, Park Namwook, has no idea about his sexual life. The athlete could fear to disappoint him. This raises the question how the manager will react, when the athlete’s secret is exposed. Should he request from his boy to organize a conference and deny the allegation there, he would divulge not only his lack of loyalty, but also his hypocrisy. Why? It is because this is something he should have organized after the last match. A conference to expose the existence of schemes. But everything got swayed under the rug. On the other hand, I deduce that if the topic of sodomy is brought up in season 2, there is no ambiguity that both main leads won’t give in to conformity and external pressure (even in the form of threats). Why? It is because during season 2, both characters will come to be true to themselves. That‘s how they can become master of their own life.
(chapter 26) No wonder why he got so surprised by Kim Dan’s reaction in the locker room: 
(chapter 43), yet he added shortly this comment: : 
(chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. 
(chapter 43) 
(chapter 43) This is a sign that he was not “enjoying the present”. In my eyes, with his comments, he was actually ruining the party. Fortunately, no one paid attention to his words except the physical therapist and Yosep. By talking like that, he gives the impression that he is caring and paying attention to the fighter. Yet this is just an illusion, for he is not focused on the present. He neglected his duties, therefore the schemers were able to bring drugs to the champion’s rooms. 
(chapter 49) Notice that he was afraid of an outburst from Joo Jaekyung in the locker room, therefore they were restraining him. This was no real protection. I am suspecting that the manager is trusting MFC and its organization. In addition, his obsession with the future explains why the athlete’s mental health has been neglected by the coach and manager. As a conclusion, Park Namwook is himself trapped in his own world: money, fear of the future and the champion‘s retirement which means the end of his own career as manager and coach. Therefore he is pushing his fighter to race against time. It is only a matter until his boy gets injured!!
(chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. 
(chapter 21) to this 
(chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.
(chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.
(chapter 43) In episode 1, he gave a positive feedback
(chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: 
(chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: 
or like this: 
And what does the hand symbolize? The latter symbolizes gratitude and love! Hence the grandmother took the MMA fighter’s hand in order to thank him. 
(chapter 22) 
(chapter 45) so much and preferred organizing a charity event for his birthday . 
(chapter 41) Being on the receiving side makes him feel weak and powerless. He is reduced to become a passive man. Furthermore, we shouldn’t overlook that such presents are not entirely selfless. Companies or admirers have expectations from Joo Jaekyung, earning some money or getting his attention. At the same time, these presents are strongly connected to his title and fame as champion. Thus they are not taking into consideration about the athlete’s dislikes and likes. Thus he was offered a bottle of wine 
(chapter 12), though he is no drinker or he doesn’t eat cakes. 
(chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. 
(chapter 18) Here, he hoped to see gratitude on his fated partner’s face, but it didn’t happen like he imagined. Yet, notice that despite their argument, Joo Jaekyung proposed to the main lead to live with him in the penthouse: 
(chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. 
(chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: 
(chapter 18) He had to, because the man was now living with him. Joo Jaekyung feared that his roommate could come to take advantage of his new position and even consider this place as his own. As you can see, the champion had long discovered the power of giving to others. Yet his problem was that he couldn’t live out this principle: he was either exploited or he has no family or close friend so far.
(chapter 30) They both desire to be acknowledged and appreciated. 
(chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. 
(chapter 31) 
(Chapter 26) 
(chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? 
(Chapter 37) This last scene is terrible, for this purchase happened behind the boss’ back. Naturally, everything was bought with the company card!! In other words, Park Namwook’s generosity is fake, for he is not spending his own money. After this new realization, I started wondering if the athlete’s negative attitude towards Kim Dan is not the consequence of Park Namwook’s behavior as well who takes it for granted to spend money on the athlete’s account. Why did the champion anticipate an expectation from Kim Dan, when he received the keychain? 
(Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. 
(chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss
(Chapter 46) The tension reached its peak in that scene: 
That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay. 
(Chapter 26) The sparring in episode 26 represents the positive version of giving a punch and taking it. The fighter was not upset about his defeat, moreover he was acting like a real teacher asking the physical therapist to overcome his own fears. On the hand, the slap at the hospital embodies the opposite notions: resent, no real teaching, no reflection, no listening, the one slapping is not overcoming his own fears and vents his anger. The give and take in episode 26 was happiness, true generosity, self-awareness, while this slap displays misery, anger, ignorance: 
(Chapter 26) The contrast not only exposes Park Namwook’s fake generosity, but also his greed and selfishness. For me, he missed the opportunity, as at the gym, Kim Dan took the chance, when the athlete was distracted. Hence in my opinion, chapter 52 was the turning point in their toxic relationship. Moreover, it signifies that the manager lost his special position as hyung. Far away from the gym, Joo Jaekyung will see Kim Dan under a different light, maybe even as a true role model, for he is wearing his heart in his hand.
(chapter 7) 
(chapter 43) He needed to seclude him from the others. But where does this possessiveness come from? In my opinion, it is not just the result of his own insecurities, but also the influence of the bad role model he had: Park Namwook. First, only in chapter 45, the manager sent congratulations from his family: 
(chapter 9), the manager kept creating a bad image of the athlete: brutal, moody, maniac… but the reality is that the man is actually generous and caring, like mentioned above and the coach knew this. Hence he could lie without any remorse: he is a savior and the gym owner. Moreover, the athlete can speak well and be polite. 
(chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: 
(chapter 43) 
(chapter 7) Therefore I conclude that this possessiveness and obsession with Kim Dan is the result of the manager’s influence. Park Namwook treated him like a possession. And this brings me to my next part. How to become happy? One might reply: by loving someone. However, how can Joo Jaekyung drop his insecurities and open his heart like that? As you can see, we need another explanation.
(chapter 15), but as soon as his idol lost his title and got even suspended, he yelled and slapped his fighter: 
(chapter 22) Since his relationship with the main lead is so secure, he could claim the gym as his own. Notice how he treats the members here: he’s putting them under pressure, threatening them. Everything is revolving around competition, seriousness and greed. Why doesn’t Joo Jaekyung mess with his weight and nutrition? It is because his hyung made sure that the latter would fulfil all his expectations. He needs to be ready for the next fight. Why was the manager not present here? 
(chapter 43) This exposes his lack of engagement and indifference in the end, but this becomes even more obvious during the night: 
(chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. 
(chapter 43) But the best evidence for this interpretation is this image: 
(chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money. 
(chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight 
(chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. 
(chapter 40) in the States and even at the gym? 
(Chapter 43) It is because he doesn’t view the uke as a possession contrary to his „boy“. Why? It is because the young man doesn’t bring money or contribute to boast the manager’s self-esteem. In fact, Kim Dan is an expensive PT and the manager is aware of his high salary. Moreover, contrary to the hamster, Park Namwook was never seen in the penthouse, and the celebrity refused to invite the members. This is a clue that the champion could have refused to invite his coach there. The doctor’s stay at the penthouse is something Park Namwook discovered by accident. 
(Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. 
(Chapter 53) Here his gestures and words should be judged as lip-services. He can even rationalize his departure: bad luck, they save a lot of money, for the next PT will have a lower salary. In addition, Kim Dan was treated as the celebrity’s possession, therefore he used him as a tool in order to compensate the actor. The manager is definitely imagining that once the break ends, things will work like before. 
(chapter 17)
(chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „
(Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her:
(chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: 
(chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? 
(chapter 45) 
(chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her.
(chapter 41). He should treat the sportsman nicely (“do good”). Kim Dan is the one who should be indebted to Joo Jaekyung. However, observe what she said in front of her grandchild before: she was the one who was grateful to the main lead, and not Kim Dan!! 
(chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.
(chapter 22) 
(chapter 1) In other words, he was not passionate about his profession. This means that he didn’t define himself as PT due to his lack of engagement and low self-esteem. Besides, let’s not forget that he judges people based on their social status and seniority. I would even add, the main lead had not recognized the existence of his own skills (knowledge, genuineness and dedication). But by working for Joo Jaekyung, he came to enjoy his job. This explicates why he kept buying books. 
(chapter 53) He likes not only his job now, but also learning as such. This is no coincidence that education in the mode of “being” means that the focus is on learning and developing skills. Hence I still see a change in the hamster at the end of season 1: 
(chapter 52) In this panel, the author let us see glimpses of their motivation and thoughts. For them, the champion has nothing to teach them, since he lost his title and is injured. This shows that they are only interested in the outcome, success and as such fame, but not in the process, how to become skilled! In other words, they see “success” as a possession. He has no title, then he has nothing to offer. They are all living in the mode of having, which can only lead to misery and even self-destruction. No wonder why they were not too upset or shocked, when they heard that the game had been rigged. But what led them to make such a decision?
(chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: 
(chapter 25) and 
(chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important 
(chapter 36) than their training and career. Moreover, he kept bribing them with junk food 
(chapter 46) The latter was a new source of income and fame. Everything was revolving around money. That’s how it dawned on me why the manager got angry for the bet in episode 26: 
(chapter 26) We shouldn’t judge his words as a verity, he was just using the doctor as a false excuse. The reality is that the sparring had brought no money at all! This fight was strongly intertwined with fun. The notion of „entertaining“ stands in opposition to money. Fun means feeling emotions and being to true one’s self. In other words, Kim Dan stands for a different notion of MMA fighting: the sportsmen shouldn’t work for money, but for fun. They are artists too. This signifies that as time passed on, the members of Team Black lost their passion for fighting 
(chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.
(special episode2 ), but also Cheolmin 
(chapter 13) who likes making jokes. That‘s how I came to understand why Cheolmin appeared only one time in season 1. He will come to replace the manager: 
(chapter 13)
(Chapter 13) when the latter denied his responsibility. This shows that the man doesn’t mistrust people. He has faith in humans. And in this short scene, the doctor shows alle positive notions mentioned above: love, empathy, joy and creativity. Therefore I come to the following interpretation: he embodies the being mode. No wonder why he was not present in season 1. The main lead was definitely obsessed with work. Hence the moment Cheolmin’s path crosses Kim Dan’s, the funny doctor should become the hamster’s new role model.
(chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating.
(chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun? 
(chapter 30) Whereas the protagonist sees in a pattern a shield and protection, the other considers it as a source of danger, for the person doesn’t feel alive. 
(Chapter 30) Kim Dan had heard the conversation between the artist and his manager before offering his help and approaching him. Then when he took his hand for an examination, he was not holding it out of admiration. 
(Chapter 30) No wonder why the doctor caught his attention. The pink haired star got surprised by such an unusual treatment. The irony is that the main lead was doing nothing out of the ordinary. This shows that till this meeting, the actor had always been treated as a prince, for the latter had always been privileged. It is not surprising that Heesung found Joo Jaekyung refreshing. 
(Chapter 30) He was the only one who would not consider him as special, rather as bothersome. Yes, he was not favored by the emperor. Under his new light, it becomes comprehensible why Mingwa let the gumiho play the role of a prince wearing a purple hanbok with Potato: 
(Special episode 2) The purple hanbok is strongly connected to Joseon royalty. (For more read my essays about Painter Of The Night) In addition, while the comedian thinks, it is a fiction, he is wrong in verity. It was a reality, for he has been living like a sovereign. And now, you comprehend why Heesung praised the physical therapist to the sky. 
(Chapter 30) By treating him like an average patient, he could only appear as very professional and competent. 
(Chapter 30) He was seen as a serious and honest doctor who was not looking for favors and recognition. So I deduce that the actor felt moved by such a selflessness and care. 
(Chapter 30) We should consider this image full with stars as a metaphor for the comedian’s heart racing. To conclude, their first encounter reflected Heesung’s philosophy: his desire for novelty and genuine attention, while he is longing for normal treatment and as such for an ordinary relationship. The expression “soulmate” is implying the notion of equity. Thus because of the doctor’s actions, Heesung felt alive. Funny is that by discovering the doctor, Heesung was encouraged to accept routine. Therefore he came to the gym on a regular basis. 
(Chapter 31) This shows the inner conflict of the actor. Deep down, he dislikes being treated as a prince and would like to be seen as a man and nothing more. Normality and regularity stand in opposition to privilege and novelty. On the other side, he seems to reject averageness and commonplaceness. Therefore he likes to show off his wealth: 
(chapter 32) Through the ukes (Potato and Kim Dan), the fox is experiencing the positive aspects of ordinariness. He drinks soju while eating a cheap meal on the street to drown his sorrow 
(chapter 35) or he imagines to have sex in a barn next to a crowded place. 
(Special episode 2) As you can see, thanks to the new episode, I realized that Potato’s role is to make him give up on his special status and privileges. In the bedroom, he might become the master, but outside he will be forced to work for someone else: Potato and as such for the main couple. And this brings me to my next prediction. Look how Mingwa ended the second special episode: 
Manhwaphiles see Potato running away, because he is embarrassed. For me, it indicates that Potato will turn his back on Heesung. Yes, we should see this ending as the positive reflection from this night: 
(chapter 53) Back then, the champion didn’t imagine that the doctor had already started distancing himself. However, here it is clear that contrary to the main lead, Yoon-Gu doesn’t plan to leave the actor or to neglect him at all. He is a very mature and responsible person. Besides, he has just accepted his suggestion: he plans to visit him on the set. 
(Special episode 1) He needs to become responsible. He won’t get sick of his lover, and he is going to miss him terribly. In my eyes, Choi Heesung is about to go through the same experience than his frenemy: regret and longing. He should have paid more attention to the physical therapist and the champion
(chapter 35), as their relationship is affecting his own life. How so? It is because the young MMA fighter is a stan of Kim Dan and Joo Jaekyung! 
(Chapter 35) Let’s not forget that when Yoon-Gu helped the physical therapist in the locker room, he was indirectly assisting the star. 
(Special episode 2) Fascinating is that the expression “to have a ball” (a synonym to enjoy oneself) is related to Cinderella.
(Chapter 29) He has only lived in one so far due to his privileges. It was, as if he has lived in a fairy tale, far away from reality. Now with Potato, he is finally able to live out his fantasies, hence his fairytale-like world has just lost its reason to exist. Thanks to Kim Dan and Potato, the comedian is brought back to reality. He is discovering not only averageness, but also the true significance of routine and normality. Thanks to the latter, trust and intimacy can deepen. He found out that he can experience novelty through sex.
(Special episode 2) It was, as if he wanted Potato to switch his career. It exposes his desire to be close to the maknae. However, with the champion’s downfall and the physical therapist’s departure, I am quite certain that Yoon-Gu’s position at Team Black is about to change. The gym needs to become successful again and present new athletes. Yoon-Gu can no longer be treated as an extra!! His future is now important for Team Black and Park Namwook. Finally, he proved his worth by fighting the older and bigger fighters at the restaurant. Thus I doubt that Choi Heesung can make a deal with Park Namwook like in the past.
The moment you read this note, you can grasp why the athlete would consider the comedian as a total nuisance. It is because the former couldn’t focus on his training (other exercises: CrossFit, Gym, mostly weights). As a conclusion, the athlete had many reasons to view the artist as bothersome. On the other hand, since Heesung is on his way to adopt regularity, I deduce that the champion’s fate is to accept surprises and changes in his life. And now, you know why their first encounter ended like this: 
(chapter 1) No one had ever run away from him like that. He was used to face opponents who would challenge him or people who would admire him. Notice that the doctor is turning his back on him, which contrasts to the morning after their first sex session. There, the protagonist chose to vanish into thin air behind the champion’s back after spending the night with him. 
(Chapter 4) However, in the athlete’s mind, the doctor had not abandoned him, for he imagined that Kim Dan was motivated by his greed. He was just interested in money. As you can see, Kim Dan represents novelty and exception. Nonetheless, the problem is that till the end of season 1, the fighter never came to see novelties and sudden events as something positive.
(Chapter 43) 
(chapter 19), the athlete didn’t change his daily schedule at all. On the one hand, Manhwa-philes could judge this as a sign of his selfishness. On the other hand, it exposes his lack of sociability. He had never lived with someone else before. Since we never saw his family or heard about his parents in the first season, I assume that he is a true orphan contrasting to the physical therapist’s situation. Yet both have one common denominator: abandonment issues. The absence of family displays the difference between the two semes. While the actor embodies favoritism and nepotism which is strongly linked to family, the other represents the opposite values: indifference, meritocracy and business. Thus the Webtoonist created such a scene: 
(Chapter 31) He only gets respected, as long as he is “bringing money” to Team Black 
(Chapter 32) According to me, he never went to his training. And shortly after, he was involved in a scandal.
(chapter 53), when he saw the Wedding Cabinet in the hallway. 
(chapter 53). In episode 19, the champion really viewed the main lead as an object 
(chapter 19) he was a human. According to my theory, the coach Jeong Yosep was behind this trigger, since he is the only one at the gym with a failed relationship. 
(chapter 05) Hence he called him from the gym making sure that he had not blocked him or even vanished. Under this new light, Jinx-philes can understand why he felt the urge to have sex with Kim Dan. It was to remind him that he would belong to him. Yes, unconsciously, the athlete projected his own thoughts and fears onto his fated companion. 
(chapter 19), many Jinx-philes had been able to discern the fighter’s past (invisible) action. He had been looking for the doctor in the huge penthouse, the older version of this scene 
(chapter 19) The doctor had barely left traces in the apartment. Only the cupboard was the evidence of his presence in the flat. However, this object could be left behind… exactly like Joo Jaekyung had treated Kim Dan in this panel: 
(chapter 19) It was worthless. My point is that Joo Jaekyung must have realized in episode 19, when he returned to the penthouse that Kim Dan was different from the cupboard, he was no object at all. And now, you comprehend why the main lead said this to the doctor in the bathroom: 
(chapter 19) First, he was compared to a prostitute, then later to a baby. 
(Chapter 20) This scene proves that Joo Jaekyung was viewing his lover as a human. Additionally, the comparison to a whore was to mask his previous anxiety and thoughts. He had been looking for him. He needed to appear as strong and superior, the one with the upper hand.
(Chapter 33) Here, he tried to give pleasure to the doctor, for he saw Choi Heesung as a huge rival. The latter is known for being a better lover. It was, as if he was trying to give a reward to his companion. Moreover, I believe, the sex toy was there, because the champion feared that he wouldn’t be able to control his emotions and actions. Then in this scene, one might argue that the champion treated him as a sex doll 
(chapter 36) However, my avid readers should keep in their mind that sex was like a surrogate fight. Thus we could say that in this panel, the physical therapist is actually treated like a “fighter” and enemy. Then when the champion criticized him for his bad decision, he was finally recognizing him as a physical therapist. 
What caught my attention is that earlier in the season, the celebrity talked to doc Dan, but he was showing a certain disrespect towards his room mate. His Wedding Cabinet was garbage, he was not included in his evening training. Like mentioned above, he was treated like a furniture. Nevertheless, in chapter 47, Joo Jaekyung chose the silent treatment. It shows that he was now considering him as a member from Team Black, but because of Park Namwook’s warning, 
(chapter 47) he kept everything to himself. Indirectly, he was questioning his PT’s loyalty. This shows that the miscommunication and silence were the results of the coach’s advice and intervention. This means that due to his manager’s words, the champion started doubting the physical therapist. Thus I come to the following deduction: though the athlete asked Kim Dan to get out of his side 
(chapter 53) When the doctor left the penthouse, he disposed his halmoni’s Wedding cabinet. In other words, he treated the precious furniture as junk, turning the champion’s words into a reality. It was, as if the doctor had taken the MMA fighter’s words seriously. However, Kim Dan didn’t act that way because of the athlete’s false judgement. It is just that the doctor came to consider the wedding cabinet as a burden. Thus he treated it as junk. For him, the furniture only had a sentimental value. It symbolized the grandmother. But why would he consider it as an onus then? First, he couldn’t bring the cupboard to the West coast, too expensive and troublesome. Secondly, he wouldn’t have been able to place the Wedding cabinet in a small flat. 
(chapter 16) In addition, Kim Dan had kept it for his halmoni’s sake. 
(chapter 53) She was the one who loved it so much. But since she is trying to reconnect to her childhood and nature, she no longer values it. Yes, the halmoni is falling more and more into childhood, the closer she is to death. Thus she came to repress her marriage. As you can see, the elderly is slowly forgetting her own past and as such Kim Dan. She is trying to relive a moment from her childhood, a time when the grandchild didn’t exist. 
(Chapter 53) Thus I deduce that Kim Dan can no longer view the Wedding Cabinet like before. I believe seeing the cupboard would be painful for doc Dan, as he would be constantly reminded of his grandmother. 
(chapter 46) 
(chapter 46) In both scenes, the doctor came to resign and lower his expectation. Thus I deduce that after the final episode, the champion will come to treasure the objects left behind by the physical therapist. Notice that he didn’t throw away the letter. By keeping them, the athlete would show how much he appreciates Kim Dan. In addition, the letter is wishing him well, which no one has expressed so far. The letter oozes trust, confidentiality, admiration and closeness. Hence I deduce that at the end, Joo Jaekyung is heartbroken, though he can not clearly voice his emotions. 
(Chapter 17) Then when he brought the physical therapist to Heesung’s home, he used the GPS, a sign that he was not familiar with the route. 
(Chapter 33) Interesting is that when he heard his regular nightly disappearances, he never tried to follow him. 
(Chapter 45) Why? It is because he was always back in the morning. Furthermore, despite his exhaustion, the physical therapist was still following the daily schedule. Because Kim Dan wanted to keep it a secret, the champion was forced to feign ignorance. Thus he couldn’t question him about his whereabouts. In addition, I can also envision that he must have thought that it was related to his grandmother. Don’t forget that he experienced once how the doctor had left his side due to a phone call in the middle of the night. 
(Chapter 21) Since the athlete’s life is revolving around routine, I am quite certain that he must have jumped to conclusions based on his first experiences… the birth of prejudices. Thus I have the feeling that Park Namwook’s biased perception concerning his champion is also influenced by their first meeting and experiences. It is important, because such a mentality fixated on daily schedule represents a hindrance for the mind. Routine often leads to close-mindedness and lack of critical thinking. At the same time, this new interpretation explains why the athlete got so worked up and upset, when he received the golden chain. 
(chapter 16) He wondered why the athlete had kissed him, which made him realize that it was his first kiss. Therefore I come to the following deduction. Joo Jaekyung will be forced to discover his lover’s like and dislike which will incite him to become more honest about his own desires and passions. We have an allusion to this development in season 1: 
(chapter 27) Thanks to his companion, he remembered how much he likes swimming! He had totally repressed it. To conclude, Joo Jaekyung’s travel shouldn’t be just perceived as a journey to the West Coast and Kim Dan’s side, but as an inner journey! He is on his way to discover himself and reconnect to his childhood, or better said to his inner child. This signifies that he is actually following Shin Okja’s footsteps which is regression to childhood. 
(chapter 53) Both are connected to travel. Though both are alone, their experience is totally different. Why? It is because of the contrasts.
(Chapter 27) 
(chapter 27) Thus we should see a more gentle 
(chapter 52) the publication from KR Sports News. The journalist used a very disadvantageous picture of Joo Jaekyung which was taken at the end of the match. Why? It is to manipulate public opinion. His ugly face was to reflect his bad behavior. He was portrayed as a bad loser. The article is the reason why the members left the gym. How so? It’s because Joo Jaekyung was the face of Team Black. So by seeing his ruined image and face, the members could only come to the conclusion that the gym had no future. Moreover, by misbehaving, he would no longer embody fairness and impartiality. 
(chapter 1) Kim Dan was watching a match from the celebrity and heard the comments from the moderator. He was not only the strongest man in the world 
(chapter 1), but also a tyrant in the ring!! 
(chapter 1) And the moment I connected these two chapters together, I had another revelation. The champion’s image in the ring was also created by the media! To conclude, both medias were not portraying the athlete correctly. However, the words “a tyrant in the ring” made me realize why the celebrity lost his title and reputation at the health center. He needed to be defeated outside the ring. Thus the plotters asked the staff from the clinic to place the two fighters next to each other. 
(chapter 52), and they succeeded. This seems to corroborate my previous theory that the physical therapist from episode 1 had been wounded, because the athlete’s fears had been triggered. And now, you comprehend why the last picture resembles a lot to the one from episode 1, the “tyrant in the ring”. This shows that not only MFC doctors and nurses were involved in the scheme, but also the medias. They created the hype around the champion. Hence it dawned on me why the plotters had to remove Alfredo 
(chapter 47) and switch him with Baek Junmin. It is because it would have been impossible to ruin his image outside of South Korea. In the States, the athlete had a very good reputation. 
(chapter 51) The latter had booed after the announcementof the result. The fight was the evidence of the corruption of MFC (jury, moderator and MFC security guys). The viewers had not bought the verdict from the jury. And now, it is time to return our attention to episode 1. What was Kim Dan doing in the bus? 
(chapter 1) He had been watching videos about his future client. All his matches had been recorded. But here look at the title of the article from Korean News: 
(chapter 48), a hour, when people in South Korea are busy. This would explicate why the match was not shown on TV. And now, you comprehend why there is no mention of the tie and why all the pictures come from before or after the match 
(chapter 52) He acted, as if everything was a normality. He never questioned why incidents against the athlete would constantly take place (drug incident, the spray incident). But there’s another reason for his passivity. Since the beginning, he has always blamed the champion. 
(chapter 1) He contributed to this legend: a tyrant inside the ring. So he didn’t change his MO. 
(chapter 40) Finally, the members are acknowledging Kim Dan as a part of the team. 
(chapter 15) Fans only knew the celebrity as fighter and not as the owner of the gym. On the other hand, Kim Changmin, Oh Daehyun and Potato will be motivated to help their devastated doctor and defend their mentor and trainer’s honor. That’s how they will emerge as real fighters. 
(chapter 52) On the other hand, since Team Black was betrayed by the MFC manager and even the Entertainment agency, I assume that Team Black could decide to organize events themselves.
(chapter 36) Notice that the more he got under pressure, the more the champion trained the members, but the final game was different. 
(chapter 47) Namwook was in charge of the schedule and he did nothing to stop the new match. He simply accepted the switch. Anyway, someone will question his passivity and words. That should be Kim Dan, especially when he will notice the smear campaign he was exposed to, a new version of this situation. 
(chapter 1)
(chapter 52) Yes, the cute puppy is the new version of the main lead in episode 1. 
(chapter 51) Moreover, people saw parallels between this slap 
(chapter 7) It was, as if the coach had become the cute doctor himself or his representative. Therefore he was authorized to slap the champion. Yes, for them, Joo Jaekyung was just receiving his karma. But when he confronted the doctor, the latter did nothing, except ask a question. 
(chapter 46) He had to leave the gym, for he noticed that he would become the target of gossips. 
(chapter 46) He refused to face reality. That’s the reason why he became a traitor. He was tasked to bring members to the gym King Of MMA 
(chapter 52) so that he would become the next champion.
(chapter 52) Themselves… and their dream. They were imagining that they were one step closer to the spotlight. Through Jinx, Mingwa is criticizing our modern society and indirectly Jinx-philes who would easily jump from one ship to another. Twenty days earlier, the so-called hero was insulted for treating Kim Dan poorly. 
(chapter 50) If there are “heroes” in this story, it is the main couple. Joo Jaekyung is a protagonist and not a villain, hence the slap was not deserved. The antagonists are Choi Gilseok, Baek Junmin, Heo Manwook, Seonho and other invisible hands.
(chapter 36) The main lead was here put under immense stress due to the article. 
(chapter 36) Yet, he still took his job seriously, hence he spent time training himself the fighters despite his shoulder injury. 
(chapter 43) or chibbies. 
(chapter 47) They lack discernment and maturity. Hence they chose the easy way out, thinking that they would have a better chance to become rich and famous. 
(chapter 52) To conclude, they chose to become true thugs, while in the past, they would look like ones. But a bad decision doesn’t mean that their fate is sealed forever. They can change their opinion and redeem themselves.
(chapter 7) If you read my essay “Guilty Truth or Dare – part 1”, you know that the beating in episode 1 was in fact an anomality. In chapter 36, 45 and 52, Joo Jaekyung never utilized violence, only when he was provoked 
(chapter 46) I am not saying that he shouldn’t change. But he is a far better person than he is perceived. He is loyal, tolerant, sincere and generous. In fact, he shared his PT with the fighters. 
(chapter 47). Thus I am already anticipating a rude awakening for the sportsmen, the moment they realize that in that new gym, the law of the jungle is ruling. Moreover, they should realize that they will be used as tools to make money. Choi Gilseok will throw them under the bus, if it is necessary. They will keep rigging the matches, as now MFC has become the official ground for betting. The dark side of MFC is coming to the surface. Baek Junmin is the perfect example. Choi Gilseok and his “Shotgun” provoked the main lead on purpose. However, the fake Angel of Death never realized the consequences of his words. 
(chapter 52) Secondly, for me, the director is the epitome of cowardice. Hence he resorted to the cheap trick. Let’s not forget that in the past, he wagered on the champion’s loss with the drugged beverage. I doubt that he would repeat the same mistake. To conclude, the fighters felt good, when they left Team Black. 
(chapter 52) But reality will catch them quickly. They are the tools to make others to shine as “heroes”. Their happiness is simply short-lived. There is a huge difference between this party and the one in chapter 9. There is no welcome elixir bowl, 
(chapter 9) King Of MMA stands for the philosophy: “it’s everyone for himself”. Hence the generosity from the director is fake, he will ask for something in return! Remember how he lured the doctor to commit a crime with his “sweet temptation”. I am still expecting the usage of steroids and other tricks. Moreover, through their participation, they become involved in money laundering.
(chapter 52) What was the point of dwelling on the past? And if you compare these two images 
(chapter 21), the manager’s violation becomes more obvious. The hospital is a place where a patient needs rest. And what had Kim Dan done in the past? He had not revealed his problems to his grandmother so that she wouldn’t worry too much. He had tried to solve them on his own. Stress is not good for an ill person. In other words, the manager revealed his true face: 
(chapter 52) He is a wolf with no manner and empathy. 
(chapter 5) That’s the only moment he revealed his true thoughts and emotions to his pupil. This exposes his hypocrisy and distance. And there was another reason why I condemn his action. 
(chapter 52) But that means as well, the athlete will emancipate himself from his hyung. Furthermore, he showed him that it was okay to weep in front of others, though his weeping was short-lived. 
(chapter 52)
. )chapter 52) 
(chapter 30). He let the manager and the lawyer to push the athlete to accept the fight with Dominic Lee. When the drug incident was reported to him, he simply notified MFC security guys dropping everything on them and Kim Dan. 
(chapter 47) It is no coincidence that he delegates tasks to others. 
(chapter 36) But his passivity becomes more obvious, when you look at the news. 
(chapter 1) He was totally unpredictable in his eyes. But he didn’t ask the right question: why? He neglected his mental health. Then, later he gave himself an answer: he is just a spoiled brat.
(chapter 52) In front of this confession, Park Namwook was left speechless. The man was completely lost. Out of fear and powerlessness, he slapped the champion. 
(chapter 52) or look for Kim Dan 
. (chapter 52) or go to the authorities. Potato was the one who visited the doctor, for he repeated the same words. Oh Daehyun took care of the training and coach Yosep went to MFC and the authorities, though I fear that this could also backfire, as the weapon and crime got reported. Kim Dan could be incriminated. 
(chapter 52) But there is another reason why I don’t think, the manager met the physical therapist. Park Namwook remembers definitely that he had not sided with him in the locker room either. And that time, he could put the blame on the athlete, for he was a victim. And now, you comprehend why the manager had to put the whole blame on the athlete at the hospital. So he didn’t slap the champion, for it felt good, but out of anxiety and discomfort. He didn’t want to be confronted with the champion’s pain as well. 
(chapter 26) The reality is that MFC is strongly intertwined with the crime world. 
(chapter 48) He has been a coward, he used Joo Jaekyung to boost his ego. He relied on routine 
(chapter 5) and the emperor’s talents thinking that he could do the same with the other fighters. But that’s impossible. Each sportsman is different. One thing is sure. He hid his fears behind people. His dream was to live a life on a script, like wrestling which is impossible. But now they have all abandoned the ship, thereby it is becoming more difficult to avoid responsibility. At the same time, it explains why he is asking for the return of Kim Dan. It is his way to avoid accountability.
(chapter 52) No, because it brought only him misery afterwards. 
(chapter 52) He has to get surgery and he got suspended. 
(chapter 41) He wanted to kill the mastermind behind the plot. From my point of view, the champion is incited to discover the existence of other means to get justice. According to my theory, the fighter is a chaebol. So he has power, but he was never taught to use his power properly. As time passes on, he will realize that he has to report a crime on his own, file a lawsuit but not for himself, for others. Finally, he will come to utilize medias to expose a crime. Hence I am expecting a new version of this scene at some point 
(chapter 35), where he contacts a journalist and reveals everything with the help from his loved one. From my point of view, he became a fighter because of manipulations. That way, the truth could get buried.
(chapter 52) shows that my interpretation was correct. Joo Jaekyung didn’t fire the doctor with his words “Get out of my sight”, he just wanted to be left alone. On the other hand, I am certain that the physical therapist took his words too literally. He imagined that he was fired. Hence I saw this argument in the hospital room as a good omen, though I was mad at the coaches and Oh Daehyun. 
(chapter 45) He had never judged him for his yelling and reproaches. He had accepted everything from him, the good and bad. 
Joo Jaekyung must have realized that Kim Dan misunderstood his words in the locker room. 
(chapter 52) He got to hear a terrible news that took him by surprise. 
(chapter 29) No matter what happened to Kim Dan, the doctor’s fate is there to teach Joo Jaekyung another important lesson. His pain is nothing compared to his loved one’s. Even if the grandmother didn’t die, one thing is sure: Kim Dan’s in a worse place than the champion. That’s how they can help each other to overcome their tragedy and face the future with confidence. For me, what will motivate Team Black is not money, but the doctor’s happiness. That’s how they come close to each other, they will all discover the importance of mental health and happiness. Being protective can be a source of a strength. 
(chapter 52) There was no second round. In fact, I only felt good, when Kim Dan succeeded in this challenge: 
(chapter 26) I can only feel good, when the two protagonists are smiling. 
(chapter 26) Both were listening to each other. 
(chapter 26) It was the happiest moment, for all the characters were genuinely cheering and smiling. 
(chapter 26) 
(chapter 36) They will no longer feel good while recalling their decision and even this evening
(chapter 140) 
(chapter 149) Both were suffering from survivor guilt. To conclude, Joo Jaekyung and Kim Dan represent the bitter medicine for their scars. I mentioned “bitter”, because through their loved one, they are forced to face painful moments. That’s how they can overcome their past and discover happiness. However, while looking for a new title, I rediscovered the first illustration 
, and it suddenly made click in my head. To conclude, I had another revelation concerning episode 50.
(chapter 51) But note that he never accused Kim Dan of assault, but of leaking information. That’s the reason why I don’t think that this inquiry “What have you done” was about seeking accountability. In that case, he wouldn’t have rejected the doctor’s offer. By letting him treat his wound, Kim Dan would have become responsible for the injury. 
(chapter 51) This means, the main lead recognized his responsibility. He should have checked the spray more carefully. The champion could perceive this excuse as a confession of his complicity. Hence he asked his lover if he was the spy. 
(chapter 51) This signifies that in episode 51, he dared to question his physical therapist’s loyalty. Yes, we have another “Truth or Dare” in episode 51.
(chapter 50) This is the face of a scarred man. Yet, contrary to the past, he is not expressing his fear through rage. That’s the reason why his emotions were controlled. Under this new light, Manhwaworms grasp why the athlete asked such a question from his soulmate: 
(chapter 51) Interesting is that he was more pained by the idea of a betrayal from Kim Dan than the tie, if you compare these two panels: 
(chapter 51) Thus Kim Dan could overcome this shocking but terrible discovery: he hadn’t earned the full trust from Joo Jaekyung yet. 
(chapter 51) As my avid readers can see, my perception about chapter 50 was confirmed with episode 51. The arguments in the locker room were reflecting the quarrel in the penthouse with Choi Heesung. What is the common denominator between these two scenes? The lack of trust from Joo Jaekyung, but his private PT failed to realize it in the penthouse. Why? It’s because he chose to trust his destined partner.
I believe you = I trust you 
(chapter 15) He told him something that he didn’t know. Note that after the terrible meeting with the actor, Joo Jaekyung couldn’t even find the answer himself: 
(chapter 35) He was still clueless about the trigger for his behavior. With this inquiry “You don’t trust me”, the hamster pushed his destined partner to face his biggest fear: trust someone and in particular him. This conversation can only incite him to meditate about their relationship. So while in episode 15, he behaved like a pouting child 
(chapter 15), in the latest episode, Jinx-philes can perceive his growth and maturity. 
(chapter 15) This painful incident was a wake-up call Thus I come to the following deduction. Kim Dan will try to earn the champion’s trust, whereas the champion will be forced to take a leap of faith towards Kim Dan. Contrary to episode 34, the champion could see the truth directly through the doctor’s gaze and voice: 
(chapter 34) As a conclusion, while the champion thought that his loved one had dared to cross the line, he was confronted with truth. He was biased and mistrusting his room mate and PT. This shows that though dare was the opposite choice of truth, the fighter ended up to be confronted with verity.
(chapter 34) These questions were all rhetorical: 
(chapter 34) This signifies that in the sauna, truth was not standing in opposition to daring. The sauna reminded me of the cavern where an imugi hides, until the latter leaves its hidden place and find his star, his yeouiju. Only then, he can turn into a dragon. To conclude, because of Heesung’s pressure, the imugi had to select between daring or lie. In other words, telling the truth became the challenge itself. Heesung knew that Joo Jaekyung would never confess. 
(Chapter 34) What Heesung wanted was actually a lie by omission or commission which would have been presented as the truth. Through this game, the actor thought that he could impose his will onto the celebrity. He anticipated the athlete’s silence. This signifies that he knew about the star’s denial and turned it against him. Besides, that way Heesung could maintain his good image: he had not stolen his partner and as such there was no cheating. No one was betraying him.
(chapter 34), but also his hand.
(chapter 34) He caught the actor by surprise, the latter never thought that the celebrity would become violent. The redness on his face was displaying that he was barely controlling his annoyance and impatience. 
(chapter 34) However, they were in a public place, the hotel’s sauna, and the actor is a celebrity. Hence he is protected by his fame and social status. That’s the reason why the champion didn’t hit his frenemy, he had learned his lesson at the gym. 
(chapter 34) Despite his words, the gumiho still got scared. The racing of his heart is an indication of his fright. Therefore he ran away more or less after ordering his trainer not to meddle in his love life. 
(chapter 34) Note that when he did this, he avoided his counterpart’s gaze. Deep down, he knew that he shouldn’t provoke his frenemy too much. Only when he was at the door, he turned around and LIED! 
(chapter 34) Yes, after that incident, he chose to give him a fake excuse for his departure. As you can see, this conversation was strongly intertwined with the notion “truth or dare”, but both ended up lying. Whereas the champion didn’t admit any feelings, the other acted, as if there was nothing wrong and he was not scared. The gumiho thought that if he were to remove the champion from the doctor’s side, the latter would be able to open up to the actor. 
(chapter 34) What does it reveal? The actor had been projecting his own thoughts onto the future dragon too. He was the one who didn’t dare to become more honest with the physical therapist. He used work to spend time with Kim Dan. One might say that Heesung failed terribly. Yet, this is just an illusion, because his “failure” pushed him to become more honest with Kim Dan. Thereby he asked to meet the doctor again. 
(chapter 34) Yet, the message is exposing that Heesung was still lying, as he kept using work as an excuse. Hence Joo Jaekyung had to intervene again: 
(chapter 34) The champion dared to challenge his rival. 
(chapter 35) Yes, by challenging the athlete because of Kim Dan, the comedian ended up telling the truth. 
(chapter 34), but his anxiety reached a new peak, the fear that he might be abandoned. Hence he used the sandbag to vent his temper. And what did the cute puppy do during that incident? He dared to offer his help to his idol: 
(chapter 34), yet he was in total denial about the reality: it was dangerous. Deep down, the champion knew that it was impossible for him to control his lover’s time, but also his body. Besides, the other problem is that the athlete is rejecting the notion of love. By denying the existence of his own feelings, he can not claim the doctor’s heart. That’s the reason why the champion got so mad and frustrated. 
(chapter 34) He was not telling the truth, when he stated that Kim Dan was his “possession”. This explicates why he couldn’t stay by the doctor’s side 
(chapter 34) in the end. He manipulated the main lead by letting him think that he had no other choice. Yet the last panel displays his trick. It was up to the doctor to decide how he should spend his free time. Nevertheless, while people were mad at the champion for his deception, many failed to realize that the champion was actually deceiving himself. So all the tricks (episode 33 and 34) were manifestations of avoidance, the fear to face the truth: his affection for Kim Dan and this due to a past betrayal. Hence these chapters stand under the sign of silence hidden by “pranks”. 
(chapter 35) On the other hand, the artist could only tell one part of the truth: the presence of feelings. However, the deceptions in the penthouse exposed something else: 
(chapter 45) or left the doctor in the locker room in episode 51. 
(chapter 50) First, the schemers’ MO corresponds to the game Truth or Dare. Choi Gilseok asked his minion to cross the line. This explicates why they are trying to use tricks and manipulations. Daring means no truth, thus someone will be framed: Kim Dan. Yet, the plotters are not aware that thanks to the cute hamster, the alpha is turned into a mirror of truth. Hence he couldn’t get deceived by the MFC security guys: 
(chapter 40) 
(chapter 36) The lawyer, the journalist and the manager pushed him to choose “dare” and not truth! That’s why there was no interview and the leak was not investigated. He had to prove his strength. 
(chapter 37) This mysterious man dared to act as a MFC manager, though my intuition is telling me that he works for MFC. The irony is that by challenging constantly the champion, the plotters are not realizing that through their game, the truth is slowly coming to the surface. How so? In the last panel, the doctor noticed his origins: He is Korean indicating that the conspiracy started in South Korea. As you can see, Kim Dan was able to perceive a glimpse of the truth. Then at the café, Choi Gilseok confessed many things to the doctor: he owns the café, he has connections to the company F Pharmaceutical. Moreover, through this game, the champion is confronted with his fears and past. That’s how he can overcome his traumas. The doctor is the mirror revealing the monsters. Hence I come to the following deduction: the succession of new characters mirrors the champion’s past and traumas. The following characters are involved in the champion’s suffering, though the order of the appearance is exposing the gravity of the involvement: Heesung, 
(chapter 29), the journalist without a face 
(chapter 42), Baek Junmin whom the champion couldn’t truly identify 
(chapter 47), then he recognized the director without naming him, 
(chapter 48) and finally the ghost from the past 
(chapter 54). These characters are all connected to “Truth or Dare”. 
(chapter 50) This scene exposed that the champion repressed a certain incident which is rather common among victims of a trauma, especially people suffering from PTSD. This shows that some traumatic event took place for quite some time, but the champion acted, as if nothing had happened. 
(Doctor Frost, chapter 140 ) That’s how the champion became a zombie, he couldn’t live properly due to his untreated scars. 
(doctor Frost, chapter 139) But thanks to his fated partner, the traumatic past is slowly coming to the surface.
(chapter 48) The director created a stage for the betrayal. That should represent the truth, while in reality it was a lie! Nevertheless, Joo Jaekyung could perceive the truth: Kim Dan had met the director from the rival gym. 
(chapter 48) Yes, he didn’t dare to tell him what had happened. No truth… no daring which reflects the games in the sauna and the living room of the penthouse. Kim Dan could have come clean the next morning, but no. This panel explains his silence. He also mistrusted his VIP patient. He had a negative perception of his lover’s mental state. On the other hand, the champion’s attitude reminded me of a parent who has not the time to listen to his child’s problem due to work.
(chapter 48) Should the athlete remember this night, he will realize that he was the one dismissing his physical therapist, although the doctor could have come clean later. At the same time, Joo Jaekyung’s attitude could be mirroring the parent or guardian’s in the past. They didn’t have the time or the inclination to listen to their son, hence the traumatic incident got buried. 
(chapter 27), hence truth comes to the surface! Kim Dan and Joo Jaekyung feel attracted to each other and have come to love each other. When they speak their mind, they feel comfortable around each other. Truth is strongly connected to communication. Hence the painful conversation in the locker room was necessary. “You don’t trust me?” also reflected the doctor’s attitude. He never tried to approach his room mate 
(chapter 47) and voice his true thoughts and emotions: 
(chapter 49) The latter didn’t even greet the director or acted, as if they didn’t know each other. He exposed the existence of a secret, an uncomfortable secret. Consequently, I believe that the champion could only jump to the conclusion that Kim Dan had been indeed acting behind his back, even coerced to do something. 
(chapter 51) Note that the star never came clean with the truth either. 
(Chapter 35) Through the doctor, the champion is encouraged to become honest to himself.
(chapter 33) Simultaneously, it exposes that the champion has a secret, which is strongly intertwined with betrayal, love, money and deceptions. I couldn’t help myself thinking of “blackmail”. Kim Dan had been coerced to do something, as the director was holding something against him. Hence we have the question: “what have you done?”. Remember how the actor chose to approach the angel. 
(chapter 31) He tricked his boss by faking an injury. He put the gym under pressure, as this incident could be leaked to the outside. The whole situation reminded me of blackmail. If he did not follow his request, there could be a scandal. That’s the reason why I believe that the champion’s past is linked to blackmail as well. How is it possible? It is because of the game “truth or dare”! The latter is strongly intertwined with divulging information and crossing the line!! To sum up, this game embodies trauma, secret, leaking information, trust and overstepping a boundary or rule. This observation brings me to my next point.
(chapter 9) And what did happen after they left the restaurant? The champion discovered the truth: 
(chapter 10) 
(chapter 10) Kim Dan was terribly poor, but he was also on his own, missing his grandmother.
(chapter 34) “Are you drunk?” With this question, the protagonist revealed something about himself. He associates dating and love confession with drunkenness. He implies the existence of a lie. But a confession is strongly associated with verity and sincerity. On the other hand, for the sportsman, no one in his right mind would admit to be in love and in our case to love another man. For me, one part of the problem is that the champion is afraid of admitting his homosexuality. The latter is still a stigma in South Korean society. But there’s more to the game Truth or Dare. If you paid attention to the origin of the last quote, you will realize that this fun is linked to bullying and even hazing.
(chapter 49) Furthermore, bullying is never done alone, but in groups. 
(chapter 41) It is the champion’s choice to refuse or not the matches. The moment I associated the game with parties, peer groups and bullying, I had many revelations.
(chapter 37) Interesting is the athlete described this night as a party which made me think of a students’ party. Therefore I couldn’t help myself wondering if the champion didn’t go to college, but due to an incident, he was forced to drop out. And the latter could be related to a party organized by students. The latter chose to cover up the incident by remaining silent. I would like to outline that the doctor got fired, though he was actually sexually harassed by his superior. The nurse never testified in his favor, she chose to close an eye to the crime. 
(chapter 1) The main lead never considered her behavior as betrayal and abandonment. In fact, he never considered the crime as a betrayal from an institution. 
(chapter 47) 
(chapter 47), Manhwalovers can see that Kim Dan was a loner. Therefore I doubt that he had friends during his college years. The only person he knew from his school was his mentor: 
(chapter 1) It is important, because it implies that Kim Dan avoided to socialize and participate in gatherings. Interesting is that in season 2, Jinx-philes discover that Kim Dan had been bullied in the past. 
(chapter 9), yet Park Namwook made sure that the physical therapist wouldn’t be abandoned drunk. Thus he tasked his boss to bring him home. And as for Potato, it is clear that Oh Daehyun would take care of him, as he was sleeping in the dormitory next to him. In other words, no one was left behind drunk. But this scene contrasts so much to episode 43. First, no one was missing Potato. No one asked about his absence. Secondly, pay attention that the fighters invited Kim Dan to join them for another round, while they were neglecting their boss, though it was his birthday party. 
(chapter 43) Moreover, they never wondered about his physical condition. Was he drunk or not? Funny is that the intoxicated character was the one who forced Kim Dan to go home. 
(chapter 43) That’s what a friend is supposed to do.
(chapter 35) So the auntie could keep an eye on the judo fighter, and it was only a matter of time, until his friend would return. Nevertheless, this scene is implying a certain problem: a drunken person shouldn’t be left unguarded. Thus imagine that during a party, an unconscious person is brought to a room and left there unguarded, as the friend desires to keep partying, similar to this scene: 
(chapter 37) The person could get sexually assaulted, and no one would notice it. Secondly, I would like to outline that the hazing party from the article reminded me a lot to bullying. These freshmen were humiliated, and the perpetrator excused her behavior behind traditions and social norms. So the champion could have been betrayed by a friend, as the latter would have justified his action similarly. So instead of admitting his mistake, he could have justified the incident like this: the victim was responsible for his misery, because he was at the wrong place at the wrong time. It was just his misfortune or better said his jinx. Yes, for me, the jinx is indicating that people responsible for the champion’s traumas were denying their wrongdoings.
(chapter 8) From my point of view, this place is not just symbolizing purification and reflection, but also indicating the presence of a wound. As soon as I connected the bathroom and as such water to pain, all the champion’s past behavior appeared in a different light. In episode 3, when he went there, he was wearing his pajamas. 
(chapter 3) Neither Kim Dan nor the protagonist were seen both naked in the shower room. 
(chapter 8) 
(chapter 20) 
(chapter 30) Therefore I perceive the champion’s last comment as relevant. In my opinion, Kim Dan’s gesture reflected the champion’s mind-set. So by saying this, Joo Jaekyung was forced to admit the absurdity of such an attitude. Therefore Manhwalovers can understand Joo Jaekyung’s annoyance at the sauna. He imagined that he would be alone there. 
(chapter 34) He feels uncomfortable naked around people… As soon as you connect this place to a wound, my avid readers can finally better interpret the champion’s irritation in episode 36: 
(chapter 36) Kim Dan’s entrance could be perceived as a violation, for the champion was naked. This intrusion caught him off-guard. But since his gaze was covered, his anxiety masked behind his anger was diminished. On the other hand, this led him to leave the bathtub undressed and have sex in the kitchen. 
(chapter 27) Under this new perspective, I don’t think that it is a coincidence that the champion felt the need to take a shower after meeting Baek Junmin and recalling the past. 
(chapter 49) This helped him to overcome his trauma and past wound. 
(chapter 49) Yet, keep in mind that the athlete’s wounded soul is not the result of one traumatic incident, but of many anguishes. 
(chapter 8) they dared to have sex next to Oh Daehyun and the other fighter. However, note that in all these scenes, neither the doctor nor the champion were honest. They were both lying… not only to their counter-part, but also to themselves. 
(chapter 51) doesn’t represent the final moment where both main leads opened up their heart and mind to each other. They were not truly honest to themselves and to each other. There was no water… and according to me, the spray was a pepper spray, so the champion’s ankle should have been cleaned and not simply covered. For me, both characters need to prove their trust and loyalty to each other. But they are moving in the right direction, for Joo Jaekyung divulged a huge information to Kim Dan. 
(chapter 7) 
(chapter 70) His sexual orientation was exposed in high school, his friends were behind the rumor 
(chapter 70), although we have to envision that his crush played a huge part in it. Why? It is because he didn’t want to be associated with homosexuality. 
(chapter 70) Not only he cut off ties with him, but also he made sure to isolate the main lead from other students. The worst is that this person acted, as if this ostracizing had never occurred. 
(chapter 69), as if he had done nothing wrong. For me, it shows that the traitor never grasped the significance of his actions. Hence Park Sung-Woong could forget Dong-Gyun, while the latter could never forget him at all. The result from this huge betrayal was that the cute uke decided to keep his distance from people. 
(chapter 70) He could no longer trust people, he avoided meetings. In order to outline how severe betrayal trauma can be, the Webtoonist showed us the immediate effects of betrayal trauma: physical and emotional reactions 
(chapter 70) 
(chapter 70) and the long term effects: 
(chapter 69) he is trembling so much, he can not look at his former friend. Readers shouldn’t underestimate the issue. Betrayal trauma is so severe that it is comparable to being hit by a white truck. The pain is so great that it affects the brain functioning and as such personality.
(chapter 9), trust issues 
(chapter 05) Then when he stayed at home,
(chapter 33) Interesting is that this trauma resembles a lot to PTSD.
(chapter 49), the latter was not loved, as he didn’t reach the first place like his older brother. Then we have Interpersonal with Nam Dong-Gyun and his high school friend. However, since the rumor circulated at school, and no adults intervened, we could see it as a reference to Institutional betrayal. Finally, Mingwa presented the last type (partner) with Hweemin. 
(chapter 51) But why is betrayal trauma so severe? It is because everything appears as a lie, as an illusion. All the memories become tainted. The victim can only question his own senses and judgment. How could he not detect the lies? Since PTSD and betrayal trauma share some common points, it is not surprising that such persons come to blame themselves and develop huge self-loathing. 
(doctor Frost, chapter 139). And now, it is time to expose my latest observation: 
(BJ Alex, chapter 51) Ahn Jiwon caught his first lover cheating on him at a club. Interesting is that the new lover resembles a lot to Joo Jaekyung! Mingwa said that characters from BJ Alex will only appear, but Jinx is not connected to her previous work. Note that they were kissing in a public place. Moreover, the club is a location where students not only meet, but also drink alcohol together. However, once Jiwon saw Hweemin, he dragged him outside so that they could talk. In other words, the “new lover” was left behind. Thus I come to the following conclusion. Joo Jaekyung has been suffering from betrayal trauma exactly like Ahn Jiwon. He was betrayed by his guardian 
(BJ Alex, chapter 51). If this theory is true, then Mingwa would finally outline the devastating effects of Betrayal trauma on people, something she barely touched in her previous work.
(chapter 51)
(chapter 49) Under this new light, my inquisitive readers can understand the title of this composition. My focus will be the infamous sportsman and his interactions with the main lead, in the past and present. Consequently, the composition will contain theories about the champion’s past. Nevertheless, since I am examining the present, it signifies that I will explain Baek Junmin’s role in the new scheme too. So who is Baek Junmin in the end? In the essay “
(chapter 49) It exposes his duplicity. Because of his sobriquet and his color, I assume that the schemers consider the boxer as a weapon. His role is to kill the Emperor, and probably in one blow. He is the executioner of the invincible legend. It should be a quick, merciless “death”. From that fight, Baek Junmin has to ensure that Joo Jaekyung can never come back to the ring. How is it possible? 
(chapter 49) It is because they know about his injured shoulder. That’s the reason why Baek Junmin is patting him on his left shoulder. Remember what the sports doctor told to the physical therapist: 
(chapter 42) He was on the verge of getting surgery. Besides, it is important what the manager suggested to his “boy”: 
(chapter 49) Here, he is almost smiling. He was telling the truth, when he said that he was fine contrary to the States. 
(chapter 40) I would like the difference between the two statements. He is now utilizing the personal pronoun “I” and not “it’s”. It indicates that the champion’s condition is good. But now let’s return our attention to The Shotgun”
(chapter 49) He has now taken over the manager’s place. This reflects the doctor’s rising within Team Black. At the same time, this expression lets us perceive the role of Baek Junmin at King Of MMA gym. He is the protector of Choi Gilseok, the “old man”. On the other hand, his position also insinuates his passivity, as he is not the driver, like here. 
(chapter 42) In my eyes, it reflects his laziness. He lets other people do the dirty tricks, like we could observe it with the incident in the locker room. 
(chapter 49) The director had to suffer a great humiliation for this trick, while a helping hand had to switch the spray. For me, the expression “The Shotgun” displays the inaction from Baek Junmin. He was catapulted to the top thanks to the assistance of others: Mr Choi thanks to his money and connections with the media and with the CEO of MFC. Then the members from his gym had to gathered intel about his opponents. This was truly palpable in the description from the moderator. 
(chapter 49) It was, as if the team of King of MMA had scored a goal by bringing the pepper spray to the other side and switching it with the relief spray. 
(chapter 49) And what is the common denominator between the meaning “firearm” and “American football position”? Attack! But there’s more to it. As adjective, “shotgun” is indicating coercion and duress. And this corresponds to Choi Gilseok and Baek Junmin’s tactics. The director tried to put the physical therapist under pressure, when he met him in the café: 
(chapter 48) For that, he utilized the grandmother. I feel the need to add here that this scene confirmed my previous interpretation about Baek Junmin and Shin Okja. [For more read 
(chapter 49) By meeting Kim Dan there, 
(chapter 10)
(chapter 10) And what was the couple’s reaction during that night? While Kim Dan wept, as he was longing for his grandma 
(chapter 10) before he had a change of heart. Kim Dan’s plea had moved his heart. 
(chapter 10) The problem is that the doctor couldn’t remember this scene due to his drunkenness. This scene leads us to another meaning of Shotgun.
(chapter 31) And this leads me to the following theory that Baek Junmin’s sin towards Joo Jaekyung was linked to drugs. Don’t forget that Mr. Choi is himself symbolizing “drug” due this image: 
(chapter 48) And both are working together. My hypothesis is that Baek Junmin was involved in drugging the athlete. The sportsman admitted that The Shotgun had schemed against him. 
(chapter 49) This would explain why Joo Jaekyung would never join the team’s dinner and why he reacted that way, when he drank a glass of soju: 
(chapter 43) He could recognize the alcohol, a sign that he must have tasted it before. His threat and anger were masking his fears. For me, he had a terrible experience with alcohol. And this brings me to the last signification of “Shotgun”: SEX! This was already brought up with the quote above, but I am quite sure that people have already heard the expression “Shotgun wedding”. Then I also found this description “Shotgun Sex”:
(chapter 6), when Kim Dan had accepted the deal from the main lead. The erected phallus looks like a weapon and Kim Dan also made the connection, when he saw his huge anaconda with the sex toy: 
(Chapter 12) The idiom “shotgun sex” suggests a situation where sexual intercourse occurs hastily and impulsively. It has nothing to do with love and warmth. It is something done quickly or without much forethought, which corresponds to the scene in chapter 6. 
(chapter 6) And what do we see here? Submission! 
(chapter 17) Don’t forget that during that night, the soju was present as well. 
(chapter 17) Because of his nickname and the reflections from episode 10 and 17, I deduce that Baek Junmin was present, but he didn’t help the athlete. He turned a blind eye to the situation. 
(chapter 11) Though Joo Jaekyung despised the doctor and called him pathetic, he still accepted his request. But let’s return our attention to The Shotgun. Moreover, the fact that he employed the expression “kid” insinuates that Baek Junmin is older than the athlete. So he could have the same age than Kim Dan. I feel like the physical therapist is slowly taking over Baek Junmin’s place. He is on the verge to shine like a star. With the theory of a gangrape or rape (phallus as a weapon), we would have the explanation why the criminal insulted the athlete with “A little bitch ass punk”. He was describing him as a poser and “douchebag”, whereas in verity, he is the coward. Hence he resorts to tricks to achieve his goal. And now, you comprehend why the champion felt the need to clean his hair after meeting the fake star. 
(chapter 49) He usually takes a shower in the morning, however this scene took place in the evening. Under this new light, it becomes comprehensible as well why Joo Jaekyung couldn’t remember the criminal 
(chapter 49). It is related to a painful but short experience which scarred the athlete’s heart and soul.
(chapter 18) and why both have no notion of “rape”. Joo Jaekyung must have been told that he was “responsible” for his misery, just like in this scene: “You did this”.
(chapter 6) He brought him upon himself. He shouldn’t have drunk or taken drugs, he shouldn’t have been weak, he shouldn’t have been there that night… I see his statement there as an evidence for manipulations
(chapter 18) If they are criminals, then the authorities should be informed, because the latter need to stop them, to make things worse for them. It was, as if he was advocating loansharking, though it is illegal. One might argue about this theory, for I deduced it simply from the name The Shotgun and its different reflections. However, Mingwa left us two other clues for this hypothesis.
(chapter 20) But contrary to the physical therapist, the champion had never denied the existence of his body. He didn’t need to look at his reflection to see any change. The pondering was triggered by The Shotgun’s words. Baek Junmin saw the protagonist in a different light: weak and pitiful. 
(chapter 35) But there is more to it. The departure from the restroom corresponds to the doctor’s realization at the hospital.
Gradually, Kim Dan came to accept the truth: his grandmother couldn’t keep her promise, as she would never recover from her illness. He went on his knees, too devastated by the terrible news. However, he didn’t question the doctor’s action and behavior. Nonetheless, he was able to move on. He was forced to mature and become more independent. 
(chapter 49) without getting disturbed. But don’t misunderstand me. I am not saying that the athlete was weeping. What I meant is that he was admitting the existence of his pain and suffering. This represents an important step to treat his own body with kindness. 
(chapter 28) Because of this special day and night, Kim Dan came to accept sex and sensuality in his life. 
(chapter 29) 
(chapter 36) As you can see, all the scenes reflecting the bathroom scene in episode 49 contain SEX. Hence I see it as another evidence that the sex during that night had a different meaning: it was more a habit than a real need. And don’t forget that in the States, he had already complained about the timing. 
(chapter 39) He didn’t feel like “fucking” and it must have been the same during that night before the match. And if he had been sexually assaulted, anyone would comprehend why he didn’t feel any desire. Under this new light, Manhwaworms can understand why the title is “Embracing change”. 
The star is gradually dropping his old belief. He is one step closer to realize that he is not jinxed, he is strong enough to win the next fight. My avid readers should keep in their mind that when the couple argued on his birthday
(chapter 49) which was used for the sex session at the gym. 
(chapter 24) Moreover, he even took an ointment in case his anus would tear, for they didn’t have sex for a long time. 
(chapter 49) But Baek Junmin was not alone in this. Due to his traumatic past, Joo Jaekyung came to resent and mistrust humans, for he never got the chance to get justice from his tormentors. That’s the reason why he rejected social norms. As time passed on, he repressed the incident and buried the identity of the persons responsible for his wounds, whereas his pain couldn’t vanish. Hence he was still boiling inside and his anger was directed at anyone. It would come to the surface at the slightest provocation or rejection. That’s why he was still trapped in the past. He had the impression, he could get assaulted at any time. Therefore he needed to prove his strength. And this brings me back to the whispered confession: 
(chapter 37) When the athlete saw the doctor’s reaction, the latter was looking away, 
(chapter 37) the VIP client got so angry that he sent Kim Dan away. And now, take a closer look to this image. 
(chapter 49) The characters are placed in the same position. The comparison between these two scenes reinforces my hypothesis that Baek Junmin mocked Joo Jaekyung, resented him and refused to help the younger fighter back then, as Kim Dan was looking away. On the other hand, by using the expression “baby” in English, Jinx-philes could sense parallels with the fight with Randy Booker. 
(chapter 14) Interesting is that this image represented a distorted memory from the main lead, and it happened again after meeting his old “acquaintance”. 
(Chapter 47) The names are in the middle indicating that they won’t be able to switch places. The line represents the boundary which the fighters can not cross. In addition, the color was already implying anger, but also energy and action.. In my previous analysis about the poster 
(chapter 49) On the other side, this match has another signification for The Shotgun. How so? It is because he needs to win. He claimed that he would take away his belt. He believes that since Choi Gilseok paid a lot of money, he bet on his victory. Besides, the director of the gym even got humiliated himself. However, he is deluding himself, for he was just a tool to ruin the Emperor. A shotgun is an firearm and as such it is dispensable. Furthermore, this panel displays Junmin’s jealousy towards the celebrity. 
(chapter 49), whereas The Shotgun was relegated to fight in the shadow! He was fighting in the underground fighting ring, but since it was illegal, he couldn’t become famous and rich. He couldn’t be exposed to the spotlight. This shows that deep down, Baek Junmin was also trapped in the past. He came to resent the protagonist, for the latter had been able to rise the ranks. That’s why he couldn’t forget him contrary to the celebrity. The latter was not only successful professionally, but also admired as a hero. It looked like he had been able to move on from the past, whereas for The Shotgun, it was the exact opposite. He became more and more involved in crimes. Don’t forget that he is helping the director from the King of MMA gym to launder money. Thus I deduce that Baek Junmin is underestimating his opponent. 
(chapter 51) they had never planned to turn the new comer into a champion, people would have questioned the outcome. The real intention was to tarnish the champion’s reputation, to isolate him, to make him lose his stans. And they almost achieved it. Baek Junmin never realized his true position. He was just a middle-man, a hit-man that they would discard right after his “victory”. Hence he is no longer in the media, because his name is now linked with the incident with the switched spray. 
(chapter 108) But then I changed my mind about the lord, for Yoon Seungho didn’t rely on just one testimony contrary to his father: 
(chapter 86) Finally, thanks to the argument in the shed, I had another revelation which I will explain more details below.
(chapter 108) He blames himself for everything. For me, these women were lying to their master. Why do I think so? The first proof is that the painter’s fate is to go through the same experiences than his lover. And what did the valet admit in the shed? 
(chapter 108) There was not a soul in this household who was standing by his side back then and now! This signifies that there is not a soul in the mansion truly standing on the painter’s side as well!! Back then (before the massacre) and even now… Moreover, while these maids’ attachment was sincere 
(chapter 51)
(chapter 63), this doesn’t signify that it is the same for all the female servants. This would be just another prejudice. 
(chapter 108) Yes, this woman is not the same than the one from chapter 51, for her clothes diverge despite the same pigments. She is wearing a white ribbon around her waist. 
(chapter 108), whereas the other wears the belt more around the hips, hence her skirt has a bump on her butt. 
(chapter 108) First, when the manhwalovers saw him in the kitchen, he was eating to his heart content and enjoying his breakfast. 
(chapter 38) Moreover, the painter had long stopped eating with the maids, he would share his meals with the main lead. 
(chapter 46) 
(chapter 74) This explicates why the artist returned the table with the porridge to the kitchen himself. 
(chapter 98) This means that they couldn’t witness how the artist would eat. To conclude, the statement from the staff was once again a mixture of truth and lies, for they were combining different situations together. Hence their apology was not genuine despite their gesture.
(chapter 62) The painter had been faking his “submission”, hence the “valet” got fooled. He had trusted the artist blindly. Thus the lord got angry, and resented the butler, for he wished the opposite. He didn’t want to admit that the artist had been acting. Yet, the seed of doubt was implanted in his mind. Consequently, in episode 108, we have the exact same situation, yet contrary to the past, the lord didn’t get angry at his lover. He never condemned the painter for his dishonesty, though he was not truly lying either. To conclude, chapter 108 is a reflection from episode 62. Thus it dawned on me that the valet could have attempted to fool his master once again. The artist was a hypocrite, for he was acting in front of the lord hoping that he wouldn‘t cut ties with him. It was for his best interests to send back to the kisaeng house. Yet, nothing like that happened. 
(chapter 104), a sign that he was recovering. But due to the two incidents during that day, Baek Na-Kyum had been feeling unwell and was hiding his discomfort out of fear of getting abandoned. This means that the deceivers were trying to portray the painter’s actual disposition as something unchanging. Since the painter had trouble with eating now, his eating disorder existed in the past. And this perception got reinforced, for the lord could notice afterwards that the maids’ statement had become a reality. What they had described, truly happened afterwards. Due to worries and anxieties, the artist lost his appetite. He would fake his “happiness”. The manhwalovers could witness how the painter had slimmed down
(chapter 108), just like his “husband”
. (chapter 108), a new version of episode 51. This time, the roles had been switched, the painter was sitting in the patio. To sum up, the schemers and the accomplices were creating a prejudice, a so-called universal truth. This is the negative reflection of season 1, where the gossips about Yoon Seungho were turned into a reality. In many of my previous analyses, I had outlined that these rumors about the protagonist had been false. 
(chapter 1) He couldn’t have a proper erection, and it was never his choice to have sex at any time and any place, because he was treated as a male kisaeng. And now, it is the painter’s turn. Gossips about him would become a verity. Yet the other difference to season 1 is that in season 4 the artist is exposed to the same “prejudices” than Yoon Seungho in the past: He is ill!! He needs to be treated and the “gibang” is the right place for that🤮. He would be with his noonas, a new version of the lord’s past. And now, you comprehend why father Yoon said this to the physician in chapter 57: 
(chapter 57) A single incident was turned into a generality, implying that it was the same in the past!! To conclude, the noble is put into the same situation than his own father, the only divergence is that Yoon Seungho has indeed the painter’s best interests in his heart. He is determined to provide him with the best!! Thus he blames himself contrary to the elder master Yoon. 
(chapter 104) This statement implies that the painter is responsible for the bloodbath, for he left the propriety. Yet, instead of confronting the painter, he was encouraged not to talk about the past. He was suggested that way, he would protect the artist’s mind and heart. Besides, his choice was influenced by his own anxieties. The lord fears argument, because the last time they had quarreled, the artist had threatened his lover to leave the place. 
(chapter 85) I would like my avid readers to keep in mind that the lord wished to keep the artist by his side, sending the artist back to the kisaeng house was just a temporary measure. 
(chapter 105), yet the painter had heard something different from his noona. 
(chapter 105) That’s how a misunderstanding was created, provoking the painter’s abandonment issues to resurface. The lord had selected secrecy and silence out of love for the artist. Therefore when the lord sensed Baek Na-Kyum’s agony, he could only jump to the conclusion that the painter was acting the same way than him. He was also hiding something from Yoon Seungho. That’s the reason why the lord didn’t argue with Baek Na-Kyum. 
(chapter 107) He imagined that the artist was doing it out of concern for the noble. He was projecting his own thoughts onto the artist. 
(chapter 68) According to this belief, the lord brings bad luck to others. This rule can only incite the main lead to doubt himself, to judge himself in a negative light, to doubt his own judgement. Moreover, the perfidy is that this principle pushes the protagonist to deny the existence of his own misery. It was, as though the lord had never suffered, only the others. This “faith” represents the biggest lie and hypocrisy. However, the main lead questioned this rule in front of Yoon Chang-Hyeon, 
(chapter 108) He remains seated by his side, because he is projecting his own reaction onto his loved one. Remember how Yoon Seungho reacted in the past with Lee Jihwa: he pushed his childhood friend away. 
(chapter 59) It was, as if Yoon Seungho feared to taint the painter by sleeping next to him. However, the artist’s biggest wish is to share the same bed than his lover. 
(chapter 97) To conclude, Yoon Seungho’s life is still influenced by a false cult, by propagandism. This faith is is based on Rene Girard’s theories about mimetic desire and scapegoat mechanism.
(chapter 250) Hence the man created the following theory which is inspired by religion. 
(Doctor Frost, chapter 250). Under this new light, it becomes comprehensible why the author from Doctor Frost utilized the image of a black sheep as the future scapegoat. IT was selected, because it stood out. And you comprehend why Yoon Seungho became the target in the end. His good reputation attracted envy and jealousy.
(chapter 57) Why? It is because each noble family aspires to the same: power and wealth! 
(chapter 86) I had already detected father Lee’s jealousy and greed, just like Kim, Yoon Chang-Hyeon and Yoon Seungwon. The butler and the father might have desired the same (recognition and fame), but this could only end up in resulting in rivalry and jealousy. 
(chapter 107) This explicates why Yoon Seungwon was mentioned by the man with the purple hanbok. He implied that the son might have been well educated, yet he must be lacking elsewhere: his sexual education…. as his other task is to have a heir. This means that by standing out, Yoon Seungwon caught the jealousy and envy from other yangbans, though I have my doubts if he truly passed the civil service exam first. In other words, it is better not to stand out. 
(Doctor Frost, chapter 183) Since deprogramming is like brainwashing, it signifies that for the brainwashing, the victim needs to be isolated and even imprisoned too. And in order to be effective, the target of the brainwashing has to be exposed to stress and lack of sleep.
(chapter 187) Fatigue and exhaustion are necessary in order to lower the target’s defense mechanisms. This explicates why it has to take place during the night, for the night is the time for humans to rest. Therefore the place of brainwashing is called “the fox’s hole” in Doctor Frost. 
(Doctor Frost, chapter 187). 
(chapter 187) The Ganzfeld effect happens when you undergo sensory deprivation for some time, and your brain tries to make sense of what is happening. Just 15 minutes of sensory deprivation can induce vivid hallucinations, according to researchers. This process involves muffling the ears and blindfolding, so people are unable to see or hear. And note what had happened to Baek Na-Kyum during the abduction. His head had been covered 
(chapter 66), and according to me, while his head was covered, he got strangled. Hence he had this nightmare. 
(chapter 61) But he lost notion of time and chronology, hence his nightmare is not coherent. One feature of altered states of consciousness during Ganzfeld exposure is an altered sense of time. In general, regardless of the induction method, altered states of consciousness can be characterized by changes in the sense of self and time. But this can only happen, when the brain is deprived of stimulations. 
(chapter 187) I had already outlined that Yoon Seungho had lost not only the notion of time, but also all his senses. And the nightmare is displaying the evidence of the Ganzfeld exposure. Hence the young master viewed himself flying 
(chapter 74), and at the end his eyes and ears got covered by hands and blood. 
(chapter 74) Besides, he was trapped in the dark room which looked like the servants’ quarters. Only thanks to the painter, the lord could recover his own senses, slowly he became the owner of his own body again. In addition, remember what he said to his own father: 
(chapter 86) The darkness he was referring to is the indication of “Ganzfeld effect”. Because he was trapped in this nightmare, he lost the sense of reality. He had to rely on someone else’s senses and words. That’s how his memories got repressed and even distorted. Consequently, a new past could get recreated. That’s the reason why the lord had no memories for a long time. The valet was the “owner of the truth and as such of the time”. We could say that till the meeting with the painter, he possessed the lord’s memories. Besides, one of the side effects of scapegoating is becoming vulnerable to gaslighting. 
(chapter 62) Under this new light, it becomes comprehensible why the lord didn’t lose his whole sanity and as such didn’t fall completely into despair. The warmth and light served him as a guidance. Consequently, I deduce that in his childhood, he was trapped there in the dark for hours!! Because he was jailed in that room, he was exposed to the Ganzfeld effect. Therefore he relied on the valet’s words. 
(chapter 77) He trusted the butler, even after getting betrayed and abandoned each time. He developed blind faith in the butler. Why? It is because he was the only one “talking to him”. Though he wounded him so many times, he still remained by the lord’s side. That’s the reason why I come to the conclusion that the shed is not just a room for punishment, but also for “faith”, the place where the scapegoat was placed: “
(chapter 77) That’s the reason why he got treated like an animal. This is no coincidence that in the storage room, the butler utilized such a religious vocabulary: “I do not believe” 
(chapter 62); “beg”, “trust” a synonym for faith, 
“soul”, ” 
(chapter 108) Moreover, I would like to outline that the main lead was seen sitting while looking up 
(chapter 83) It looks like Yoon Seungho was praying, when Lee Jihwa opened the door. This means that Yoon Seungho has been treating Kim as his idol, his highest priest. Besides, doctor Frost explained why people become victims of brainwashing. 
(doctor Frost, chapter 191). This description fits to the shed, the lord was not only cornered mentally, but also physically. 
(chapter 32) What was he doing there, and why was he looking at the bedchamber? It is because he imagined that after the sex session, Yoon Seungho would send the painter to the shed as a punishment for his desertion. Let’s not forget that during the day, the whole staff had been beaten by their master. Besides, I would like to point out that the staff in season 3 viewed the painter as a spoiled brat, for he was receiving the lord’s favors. 
(chapter 98) Consequently, I deduce that when the valet got punished in season 3, he portrayed the painter as a tattler for that reason. He didn’t want to become the scapegoat in the end. 
(Chapter 77) At the same time, receiving treatment from the physician, Kim could say that the lord regretted his decision. These new discoveries reinforce my prediction that the painter is doomed to become the next scapegoat!! Yet, chance is on the couple’s side. On the other hand, this signifies that someone will have to become sacrificed!
(chapter 108) for his wrong choices, I come to the opposite interpretation. Naturally, if the manhwalovers compare the butler’s apology in the shed to the one in the library, 
(chapter 77) it really looks like Kim is sincere. He is no longer standing, he is now weeping. Finally, he is not blaming someone else (the kisaeng), but himself. 
(chapter 108) Nevertheless, for me, everything is an illusion, and you can only detect the manipulations, the moment you examine closely Kim’s words. 
(chapter 108) Kim feigned ignorance, and the lord confronted him with his lie, he admits that in reality he knew something. 
(chapter 108) He had not told him about the shaman’s house on purpose. He had hidden the truth by omission. He justified his decision by using the “townsfolk” and their liking of creating gossips. However his real task was to protect his lord’s interest and inform him about everything. He made a decision without his lord’s permission, and as such he usurped his authority. He acted, as if he knew what was the best for Yoon Seungho. But this doesn’t end. What infuriated me the most are these two declarations:
(chapter 61) The red-haired master utilized the present perfect tense, which is a combination of the past and present!! This time reveals that the young man was about to move on. On the other hand, the butler is either referring to the past and to the future, but not to the now! This means, he has no regret right now. He is projecting himself in the future. He implies “regret”, but he is not truly admitting it. Finally, when the childhood friend came to regret his choice, he voiced it outside the barn!! 
(chapter 61) This contrast outlines that the storage room is the place of illusion or false faith. 
(chapter 108): Here, my blood was literally boiling, when I read his second “confession”, because here he was now omitting Yoon Seungho. It was, as if the protagonist was not existing. His words were actually reflecting a new betrayal towards the main lead. Here, he was vowing loyalty to Baek Na-Kyum and not to Yoon Seungho!! He insinuated that if he was taking care of the painter, he was protecting Yoon Seungho’s interests. However, the artist and the noble are two different persons. Imagine the following situation: The main lead gets arrested for “murder”, the butler could justify his vanishing, passivity and silence by saying that he needs to take away the painter from the mansion so that the latter avoids getting into trouble as well. As you can see, he would keep his promise, but he would sacrifice Yoon Seungho. With his words, he was insinuating that he only had two choices: the elder master Yoon or the painter. Besides, once the lord were to be removed, Kim could put the whole blame on the painter afterwards. If he had not left the house… That’s the reason why I viewed the last statement as the biggest treason. In reality, he was not vowing loyalty to the main lead. This scene was a reflection from episode 30, where the artist had pledged loyalty to the main lead 
(chapter 30) and this in front of people. This explicates why the butler got grabbed in the storage room 
(chapter 108) like the painter in the courtyard. 
(chapter 30) We could say that it was the butler’s karma for his past manipulation. He had been the one who had encouraged the painter to flee the mansion (chapter 29/30). But this doesn’t end here. When the artist vowed his loyalty to the protagonist in the courtyard, the latter was present, which is not the case here. The artist is left in the dark. 
(chapter 108) Where is the personal pronoun “I” here? Nowhere. Only the lord cares for the painter, this was the butler’s declaration in the end. But what about the tears? How could he fake the crying? 
(chapter 81) When the lord had wounded his lover, when he was in a dissociative state, he had perspired so much that his sweat was falling like tears!! As you can see, fear could be the reason why drops of water were falling. Let’s not forget that the main lead had treated Kim very harshly and even threatened to have him killed, something he had never done before. 
(chapter 108) Kim had reasons to get scared and to sweat.
, chapter 108, or my lord 
(chapter 108) However, the manhwalover should question this. Why did he regret that day? It is because he had revealed his true thoughts about Yoon Seungho to the painter, and he got reprimanded from the artist. Besides, according to me, he had hoped that the artist would leave the mansion due to the altercation. In addition, when he mentioned this scene, he wanted to appear as honest, because he had no idea if the artist had leaked this conversation to Yoon Seungho. Finally, just because he told the truth here, we shouldn’t judge the butler’s confession as verity. To conclude, for me, the valet was not really remorseful, he was more acting. 
(chapter 108) However, this is another illusion which can be easily refuted. 
(chapter 108) This memory is the same than the painter’s 
(chapter 108) In other words, the butler had acted on his own, and informed his master afterwards, when this information was necessary in order to protect himself. As you already know, for me, the butler had definitely acted on his own. But why does Kim need to deform reality so much? It is because he was present, when the young boy was abused sexually and he did nothing. He needs to erase the “traces” of the rape so that his culpability will not come to the surface. Just like the painter, Yoon Seungho has totally forgotten the sexual abuse. Besides, he never mentioned the incidents about the shed to the painter, only the bedchamber. 
(Chapter 87) Here, he was already hiding his guilt by turning Yoon Chang-HYeon into the main culprit. He is responsible for the lord’s suffering. 
(chapter 68), but he had heard a different story from the painter. 
(chapter 93) However, now I understand why Yoon Seungho was not able to discern the hypocrisy from the assistant. 
(chapter 188) It is related to the long brainwashing he was exposed for so many years and the lord’s low self-esteem. Thus I perceive this argument in the storage room as a new version of episode 40, a confrontation between the painter and the scholar. But who had been defeated in the shed? Yoon Seungho was still the loser, for he kept his distance from his lover afterwards. 
(chapter 108) He was making sure that no one would know that the painter was his weakness. 
(chapter 108) The new version of episode 50-51!! However, this was totally pointless, for the painter was living his bedchamber. His position was the proof that the painter was still favored, though the artist feared to be abandoned by the painter. 
(doctor Frost, chapter 187) This means that the couple has to communicate and the painter will interrogate his lover. 
(chapter 187) But this deprogramming is not pleasant, for the destruction of believes leads the victim to question everything afterwards. What caught my attention is that the painter went to the library, the symbol for “knowledge and education” which stands in opposition to the shed. This is no coincidence. Brainwashing is the antonym for insight. 
(chapter 108) In addition, the lord was dressed like in episode 36, he had the green hanbok. 
(chapter 36) Back then, the painter didn’t talk to the owner of the mansion. Finally, this episode is connected to the lord’s memories: 
(chapter 36) That’s how I had this revelation. The lord’s suffering is also linked to the library. From my perspective, the young master was dragged from the library to the shed at some point. 
(chapter 77) I had already pointed out that in episode 77, the main lead had been dragged on multiple occasions, for he was dressed differently, and the servants would be different. Because I had described that the lord’s mind had been manipulated by indoctrination and the butler had confessed, I deduce that the next episode will contain elements from episode 48/49. 
(chapter 49) That’s the moment the painter dropped the last principle from the scholar and kisaeng. For me, something similar will take place, but such a deprogramming is painful. From my point of view, Jung In-Hun will be mentioned, as in the same place, the scholar had mentioned the painter’s past and future. 
(chapter 40) 
(chapter 40) Since the shed embodies the valet’s betrayal, the lord voiced his abandonment issues there. On the other hand, the library symbolizes the teacher’s abandonment. This is not random. Baek Na-Kyum can not read, the symbol of the learned sir’s negligence. Hence I am expecting a new confession from the artist, like this scene: 
(Tweet) So far, the artist has never spoken ill of the teacher. To conclude, the library is the place where both protagonists will experience a new liberation! For me, episode 108 and 109 are focused on education, responsibility, memories and truth. That’s the reason why I am suspecting that the painter’s words will trigger the lord’s memories so that the verity about his own past will come to the surface. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 