Protected: Jinx: The Song 🎼Of Life 🌳🪲

September 20, 2025November 12, 2025 ~ Bébébisous33

Jinx: You’re right 👨‍⚖️🤝

September 12, 2025November 12, 2025 ~ Bébébisous33 ~ Leave a comment

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx I Love You and The Wolf’s Ritual in front of the Tender Mirror

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining Manhwas. Besides, I need to cover up the expenses for this blog.

My avid readers might have been wondering why I haven’t released a single analysis yet. The reason is simple. I had a lot of stress at school (many staff meetings, school trips to plan etc), hence I had no energy left for Jinx. However, I want to publish one before the release of episode 77. Why? It is because this number is magical.

The release of chapter 77 comes charged with symbolic weight. In numerology, seven resonates with truth and inner searching and as such spiritual awakening; doubled, as in 77, it points to equity and communication — two forces balancing, two voices meeting. It is precisely this symmetry that hovers at the close of chapter 76, when Joo Jaekyung, long defined by victory, utters for the first time: “I lost.” (chapter 76) This admission is no mere reversal of pride. It gestures toward something Jaekyung has never known: an exchange that does not end in domination or silence, but in dialogue. For Kim Dan, too, it marks a turning point. (chapter 76) For the first time, he uses the expression you’re right in front of his fated partner. He seems to concede with this idiom. Yet this apparent submission hides a deeper reversal. By admitting Jaekyung never asked for his help, he redirects the exchange toward his own truth: the loneliness of having no one to care for you. (chapter 76) What unfolds in the kitchen is not a quarrel about porridge but a fragile recognition. Dan’s “You’re right” acknowledges Jaekyung’s perspective without bitterness, while Jaekyung’s “I lost” (chapter 76) is his clumsy way of saying the same. Both, in their own idiom, admit the other is right — without denying their own truth. And tellingly, they deliver these words without facing each other. The absence of direct confrontation allows something new: not a fractured dialogue, but the first exchange built on respect. The opposite to these “challenges”: (chapter 9) (chapter 45)

Chapter 77 therefore promises not another contest of wills, but a true sharing of thoughts. The future episode, with its doubled sevens, embodies equity and communication: two truths, mirrored, balancing, a new version of the champion’s nightmare: (chapter 76) The kitchen scene closes one cycle and announces another. (chapter 76) What follows is an attempt to untangle why Jaekyung has always spoken in the language of winning and losing, how Dan has always yielded ground with his refrain “you’re right,” and why their exchange over porridge finally reverses the logic. The rest of the essay will trace how this “loss” becomes the champion’s first victory in love.

The Weight of Arguments in the wolf’s Life

Victory and loss — where does such a vocabulary come from? Such a mind-set seems almost natural for an athlete, whose life is measured in wins and defeats, belts and rankings. It is tempting, then, for Jinx-philes to assume it is Jaekyung’s own invention — the stubborn creed of a fighter who admits in chapter 76 that he was “single-minded about winning.” (Chapter 76) In this view, his fixation would be the product of ambition, pride, or ego: the expected cost of survival in a cage where only victory pays.

But that confession, full of sweat and self-loathing, risks being misunderstood if we take it at face value. The truth is revealed in the next panels: he never formed deep connections (chapter 76), because the adults in his life cut them off before they could exist. Winning became his only mode of survival because every formative argument in his youth ended in defeat, and not the kind decided by a referee. With his father, mother, coach, and manager, words never led to recognition — only to insult, silence, utility, or obedience. He learned early that dialogue could not protect him; only victory could. His victories were not chosen freely, but forced into being by guardians who made him feel like a burden, until relationships themselves became burdens.

Joo Jaewoon and laughs

With his father, argument was domination. Every interaction or exchange ended in violence or insult, the cruelest of which was the comparison to his mother: (chapter 73) He was a loser because of his mother. To lose meant humiliation and rejection; to speak at all meant to invite contempt. The only possible rebuttal was victory — to prove through strength that he was not the pathetic, worthless child his father saw in him. Winning became his sole argument against a man who would never listen, the only way to resist being branded a loser.

This logic crystallized on the morning (dawn) of their last confrontation. Bleeding but defiant, the boy hurled back the father’s words: “(chapter 73). It was not just defiance; it was a vow that victory would silence abuse once and for all. When he returned with the trophy, he shouted triumphantly, (chapter 73) ready at last to claim, “I was right.” Yet reality betrayed him. His father’s death denied him the only acknowledgment he had sought. (chapter 73) The words “I was right” died in his throat. He had proved himself, yet there was no one left to recognize it. His own prediction — that his father’s death would mean nothing — proved false. The absence cut deeper than the insults had, leaving Jaekyung not with triumph but with the bitter aftertaste of self-loathing. Victory had silenced his father, but it also silenced the son. He had proved himself, yet there was no one left to hear it. (chapter 74) At the funeral he remained dry-eyed, his face locked in shame (ch. 74). No one saw his guilt, but it consumed him: the one man he needed to hear “I was right” from could no longer answer. At the same time, his smile and laugh were also linked to misery. For Jaekyung, laughter was never the sound of joy, but the echo of mockery and rejection due to the father. Just as tears became tied to betrayal and abandonment through his mother, so too did his father twist laughter into a weapon (chapter 73) — every laugh at his expense reinforcing the verdict that he was weak, pathetic, a loser. In Jaekyung’s childhood vocabulary, neither laughter nor tears could carry warmth. Both were stripped of comfort and redefined as signs of humiliation and pain.

From then on, the champion’s victories were haunted. Each belt raised was a mute confession to a dead man, proof delivered into silence. What looked like arrogance from the outside was in fact self-loathing: every triumph reminded him of the futility of winning arguments when no one was left to listen.

The nameless mother and tears

With his mother, argument was absence disguised as care. Unlike his father, she did not break him with fists or insults but with promises and justifications that placed the burden on him. (chapter 72) To the boy, she was not silent at first: she must have definitely told him to become strong, to endure, to wait. She gave him her number, leaving the illusion that her departure was not abandonment but necessity. Victory and wealth became her conditions for love. That is why he swore over the payphone to work hard (chapter 72) and “make money” so she could return, and why after his father’s death he still hoped for her homecoming. (chapter 74) But when the calls went unanswered, her silence became the sharpest weapon of all. Her eventual reply (chapter 74) confirmed that his effort had never mattered. For the first time, he cried (chapter 74), his tears expressed not just grief but the recognition of betrayal. From then on, tears themselves became equated with loss, weakness, and abandonment. This is why, in the wolf’s nightmare, Dan’s crying form (chapter 76) appears: the sight of tears recalls the moment he unconsciously realized that even his mother’s “you’re right” was a lie. At the same time, those tears function as a mirror. The champion projects onto Dan the very weakness he has always forbidden himself to show. (chapter 76) That’s why they are facing each other. This vision confirmed my previous interpretation, the physical therapist is the athlete’s tender reflection.

Yet the nightmare reveals even more. Notice their positions: Jaekyung faces Dan as though locked in an argument, but the words he utters — “Where are you going?” — strike at the heart of his own abandonment. As a child, he had no right to question his mother’s departure; he could only trust her excuse. Now, in the dream, Dan becomes the mirror of every adult: the father who could not cry, the mother who perhaps cried but still left silently (chapter 76), the boy he once was who longed to weep but had to swallow it down. At the same time, Jaekyung himself occupies the place of the “adult” — (chapter 76) the sinner, the one guilty of causing tears. This double vision displays his self-loathing. Thus I deduce that before meeting doc Dan, in the wolf’s psyche, tears were not simply weakness but hypocrisy, a performance that masks betrayal. How do I come to this interpretation? It is because during their last phone call, the mother shed no tears (chapter 74), she only made requests! (chapter 74) Hence the wolf’s tears were quickly replaced by rage and violence. (chapter 74)

Yet the nightmare does more than replay old pain. (chapter 76) It stages his first fragile attempt at connection. The positioning is crucial: though Jaekyung stands opposite Dan as though in an argument, he shows an interest in his fated partner. He is curious and worried about him. For the boy who once believed strength and silence were the only defenses against humiliation, this hesitant query is revolutionary. He is no longer trying to win, but to reach. Hence he attempts to stop doc Dan from leaving. (chapter 76) His trembling hand upon waking (chapter 76) shows the yearning to be held, comforted, reassured — something he never received from either parent. He is not entirely responsible for the physical therapist’s suffering. And here lies the difference: Dan’s tears are not manipulative or hypocritical , like the ones Jaekyung suspects from his mother, but unfiltered honesty. He expressed his emotions, not just through tears, but also through body language! (chapter 1) He was shaking, he was bowing and asking for forgiveness! Dan embodies a form of vulnerability that is real, legible, and forgiving contrary to the mother. When the teenager heard his mother’s voice after such a long time, the latter never brought up her past action. She never asked him for forgiveness.

In this sense, the nightmare foreshadows Jaekyung’s confession in the kitchen. (chapter 76) By following him and acknowledging Dan’s suffering and sincerity, he begins to dismantle his old associations of tears with betrayal. Facing Dan means facing his inner child: the boy who once begged his mother to return, and who still waits to be told that his effort mattered. In this way, apologizing to Dan becomes a form of apologizing to himself — a step out of self-loathing and into the possibility of communication.

Hwang Byungchul and it’s not too late

If Jaekyung’s father embodied domination and his mother abandonment, Hwang Byungchul represented blindness and passivity disguised as authority. His flaw was not cruelty but compliance: he never questioned the “mothers” in his life — not his own (chapter 74), whose quiet devotion and silence kept the gym alive, nor Jaekyung’s, whose absence he accepted without challenge. (chapter 72) In fact, his own mother’s submission reinforced this flaw: her blind trust in her son, her refusal to question his choices and the boxing world, taught him that authority need not be examined, only endured or seen as trustworthy. For him, hierarchy was unquestionable, and so he perpetuated it. Thus he stands for lack of critical thinking. This is why, with Hwang, the vocabulary of “right” and “wrong” was never about dialogue but about obedience. No wonder why he became so violent at the police station. (chapter 74) Unlike Jaewoon’s domination or the mother’s evasive silence, Hwang cloaked his authority in the language of advice — yet beneath it lay a black-and-white dualism: winners and losers, villains and victims. Thus Joo Jaewoon was blamed for becoming a thug (chapter 74), while the wolf’s mother was a victim. He viewed her as a selfless and caring mother: (chapter 74)And observe how he provoked the main lead. (chapter 74) When Hwang sneers, “What, am I wrong? Come on, answer me!” he is not inviting dialogue — he is staging a trap. The question is rhetorical, a demand for submission. Let’s not forget that he had witnessed the phone call in front of the funeral hall, but back then he had done nothing. And when the boy hesitates (chapter 74), unable to answer, Hwang strikes him in the chest. (chapter 74)and justifies his action behind social norms. (chapter 74) In that instant, he takes the role of judge, referee, and executioner, collapsing “argument” into violence. The very words “Am I wrong?” contain the irony: the coach is less interested in truth than in reasserting his own authority. Silence is treated as guilt, hesitation as defeat.

When Jaekyung bowed to him (chapter 74), he effectively admitted “you’re right” to the coach. Yet this wasn’t simply genuine agreement — it was submission, respect mixed with survival. The director misread it as validation of his worldview. This only reinforced his certainty, encouraging him never to reconsider his role. (chapter 74) When the protagonist finally left, the director could declare with satisfaction: t(chapter 74).

Crucially, his phrasing matters: he does not say “I’m right,” nor does he grant the fighter subjectivity with “you’re right.” Instead, “that’s right” casts Jaekyung himself as the object of judgment — a boy who fits into Hwang’s pre-set narrative of failure. At the same time, this word “that” could be seen as a reference to social norms. The words externalize responsibility: “that” is what defines the relationship between the director and the main lead. They are not a team or a family. The director of the boxing studio was forced to become “responsible” for the teenager, because the police had called him, not because of choice or empathy. He had become his guardian from a moral and social perspective. (chapter 74) The reality was that the old man had never truly become the star’s home and family, which explains why he constantly leaned on other adults, the mother or the father, to provide the guidance he himself refused to give. At the same time, I come to the following deduction: he must have lost his boxing studio, and with its vanishing, the elder was forced to face “reality”: loneliness, sickness and absence of happiness in his life!

And even decades later, his mentality hadn’t changed. Speaking to Dan, he cast the same black-and-white judgment: (chapter 70) Once again, Jaekyung is reduced to “that bastard” — a label, not a person — while Dan is framed as the pitiable victim. The old coot remains the righteous observer, untouched by guilt, protected by a rhetoric that always shifts responsibility elsewhere.

But the champion’s visit changed everything. The boy he once pushed away, the “bastard” he never claimed, still remembered him and returned. (chapter 75) He was happy again, though he initially tried to hide it. We have to envision that before the wolf’s visit, the elder had to face what his own life outside the gym looked like: sickness, solitude, the collapse of the studio that had sustained him and came to resent the main lead. Yet, Joo Jaekyung’s behavior changed everything: (chapter 71) (chapter 71) Only during the champion’s visit, did his words alter.On the rooftop of the hospice, he finally tells Jaekyung: (chapter 75) This shift did not come from wisdom gained in the ring but from loss — the loss of health, the loss of the gym, the loss of illusions — and from Jaekyung’s loyalty, which pierced through his blindness. Interesting is that this time, he doesn’t give the answer to the athlete. He stops thinking “I’m right, you’re wrong”. He treats him as an adult, as a mature and thoughtful person. Through that fidelity, Hwang glimpsed at last what he had denied both himself and Jaekyung for decades: that victory alone cannot sustain a life.

This is where the contrast with Dan becomes stark. Hwang’s “that’s right” (chapter 74) avoids accountability, treating Jaekyung as an object who merely confirms the coach’s worldview. Dan’s later (chapter 76), by contrast, acknowledges the other as a subject. It respects Jaekyung’s perspective without erasing his own. To conclude, the director’s change of attitude signals that—even for the wolf—change is possible. (chapter 76) It is not too late. The question “Am I too late?” is the consequence of Hwang byungchul’s words and it gradually indicates the switch in the champion’s mentality. It is no longer about being right or wrong. However, the nightmare reveals another aspect: the world is not black and white, but grey. (chapter 76) Imagine for one week, the champion has been staying in bed sick and no one paid him a visit and took care of him. Not even doc Dan, who knew that the man was sick… an important detail which he didn’t reveal to his landlord. (chapter 76) Hence he remained silent and avoided his gaze. But like the director showed it, it is never too late: (chapter 76)

The Manager and His Hidden Disability

Park Namwook is often shown eyeless, as the latter are concealed behind his glasses. (chapter 69) Thus my avid readers might jump to the conclusion that his biggest flaw is blindness, similar to the director. Besides, I had often criticized him for his blindness and ignorance. However, this is just a deception. The manager’s real defect is actually his deafness. How so? He does not hear Jaekyung’s words (chapter 17) at all. The verity is that he refuses to listen to his thoughts and emotions (chapter 31) in good (chapter 45) or in bad times. It goes so far, he does not take his silences seriously, and does not register his pain. This explicates why the manager saw in the champion’s silence at the restaurant as an agreement for a new fight! (chapter 69) His role is not to guide or protect, but to extract: money, victories, publicity. (chapter 75) In my opinion, he is fighting against oblivion through the star. This hidden disability explains why the coach can never truly connect with the champion. He listens instead to other voices – the CEO of MFC (chapter 69), the rumors among the directors (chapter 46), the media (chapter 52), the sponsors (chapter 41), the spectators or “authorities”(chapter 36) — and reacts to them, even violently, as in chapter 52, when public criticism painted Jaekyung in a negative light. (chapter 52) The slap was less about Jaekyung’s behavior than about Namwook’s own fear of outside judgment. He was not listening to the man in front of him but to the noise around him. He feared losing control in the end, especially after the athlete’s words let transpire his true position at the gym: (chapter 52) His question is not mere anger. It is a confession of position — an inadvertent acknowledgment that he knows he is the true backbone of the gym. He is the one responsible, the one carrying the burden that Namwook refuses to admit. These words crack the illusion: the fighter is not subordinate, but owner. The gym lives because of him.

Namwook’s reaction is immediate and violent. He slaps Jaekyung, not to correct him, but to silence him. The blow is the physical embodiment of his deafness: he refuses to hear the truth, so he strikes to reassert control. In that moment, Namwook reveals his greatest fear — that the fragile hierarchy could collapse if the fighter’s voice were truly recognized. And this interpretation gets validated right after: he appears as the one dependent on the athlete. (chapter 52) He acted as a child, faked “tears” in order to use empathy to his advantage.

For Namwook, dialogue is irrelevant: he expects obedience, nothing more, similar to the director. However, there’s a difference between them. Hwang Byungchul felt pity for the little boy in the past (chapter 71), hence he tried to help in his own way. On the other hand, Park Namwook shows clearly no sign to be interested in the private life of his boss. He is preferring ignorance over “knowledge and connection”. (chapter 66) Despite the incident, the manager hasn’t changed yet. He clinched onto the past, thinking that everything will be like before, as soon as the athlete enters the ring. He images a return to normality with the next match.

And yet, signs of change creep in. In chapter 66, standing in the silence of his own wardrobe, the star repeats Namwook’s words to himself: (chapter 66) For years, he had accepted his manager’s judgments out of habit, mistaking silence for consent. But here, for the first time, the repetition feels deliberate — not resignation, but reflection (“though”). The phrase becomes a question more than an agreement: is he truly right? He is admitting this out of habit.

By chapter 69, the cracks widen. Driving alone, he clenches the wheel and admits inwardly: (chapter 69) His silence has shifted from obedience to suffocation. The weight of Namwook’s deaf authority is no longer bearable. And yet, even here, his confession is muted, confined to the private space of his car. He is not yet ready to speak the words aloud — not until someone appears who will listen.

Park Namwook’s hidden disability, then, is not that he cannot hear, but that he refuses to. Hence he becomes blind as well because of his greed and vanity. His authority depends on silencing Jaekyung’s voice, keeping him in the role of the commodity who produces money but never speaks truth. The moment that silence is broken, his position collapses. And the wardrobe and the car foreshadow this collapse — places of solitude where Jaekyung begins, at last, to hear himself. And here I feel the need to add another observation: (chapter 48) This scene was observed by Kwak Junbeom, so the latter could have reported it to the coach. If it truly happened, this would expose the coach’s deafness and cowardice. He chose passivity instead of confronting the doctor or the champion. That way, he avoided responsibility. And this brings me to my final conclusion concerning the deaf manager. His main way to contact the celebrity is the cellphone: (chapter 66) It is both his mask and his crutch — a tool for barking orders, never for dialogue. The moment the line goes dead, his authority collapses, for he has no other means of contact. His power depends on Jaekyung’s reception, not his own strength. In truth, the manager’s disability is exposed here: deaf to Jaekyung’s voice, he has trained himself to hear only the ring of a phone. A fragile authority built on silence, ready to crumble the instant Jaekyung decides to switch it off.

Conclusions: The true origins of the champion’s mind-set

From these four figures, Jaekyung inherited a devastating binary. Argument meant violence, silence, utility, or stubbornness and selfishness — never recognition. No wonder why the champion became so selfish. He never had the last word. They were all right, he was always wrong… while the verity is that they all failed him as elders. And beneath the silence grew self-loathing: every failure, every moment of doubt confirmed the voices of his past. If he was not winning, he was worthless. That is why his reflection here (chapter 76) must be read not as pride, but as a desperate shield against annihilation. In other words, in episode 76, the athlete is too harsh on himself, though I am not saying that he is innocent either. He only thought of himself because he had taught to behave that way. He was just mirroring the adults surrounding him who hid their weaknesses and wrongdoings behind “lies, social norms and hierarchy”.

Kim Dan and “You’re right”

Kim Dan’s world mirrors this in reverse. Where Jaekyung was forced to fight for survival, Dan was taught to yield. (chapter 57) With his grandmother and with every authority he encountered — doctors, employers, even predators — he believed unquestioningly that others were right and he was wrong. Hence he trusted others blindly. He was trained to accept decisions made for him or against him. (chapter 70) Thus he accepts criticism with defending his own interest. He was not taught how to fight back or resist or even argue. (chapter 1) He never tried to seek justice. His “you’re right” was not recognition but submission, the language of someone who could not afford to resist. In season one, this made their relationship combustible: Jaekyung spoke only in victory and as such submission, while Dan accepted every loss as natural. He also adopted this mind-set. On the other hand, because their initial interaction was based on a contract, (chapter 6), both were forced to discuss with each other about the “content of the agreement”. That’s where the champion was trained to communciate with the physical therapist. Thanks to the champion, because of this victory/loss mentality, the doctor learned gradually to argue and “reply” with his “boss. However, due to his childhood, he couldn’t totally drop his old principles like for example “saying no”. (chapter 34) To conclude, before their fateful meeting, neither man had learned how to argue as equals. But in the kitchen in front of the stove, this changed: both are right and wrong! (chapter 76)

The Wolf’s Defeat in front of the Hamster

In the kitchen of chapter 76, Jaekyung does the unthinkable. (chapter 76) He lowers his head, leans against the wall, and mumbles words that would once have been inconceivable: “I lost. This is my undisputed defeat.” The phrasing is awkward, almost clumsy — the language of the ring awkwardly transplanted into the language of intimacy. But precisely because it sounds “wrong,” the moment feels real. For the first time, Jaekyung has no script to fall back on.

The body betrays what the words alone cannot carry. His feet are angled awkwardly, as if he does not quite know how to stand in this unfamiliar territory. His ears burn red, the involuntary flush of shyness. His voice is muffled, half-swallowed, the tone of a man who is both embarrassed and afraid. This is not the bold, aggressive fighter who has silenced others with insults or blows. This is Jaekyung stripped bare, caught between self-loathing and vulnerability. This is the child Jaekyung, the “cute cat”.

Self-loathing is essential to this moment. His confession is not a triumphant recognition of Dan’s worth, but a hesitant, guilty murmur: “I lost” is heavy with the weight of “I mistreated you, I don’t deserve you.” (chapter 76) He speaks like someone expecting rejection. Hence he keeps his distance. Yet the very fact that he says it at all signals change. Where once he would have doubled down — by barking an order, by firing Dan, by retreating into silence — he now admits defeat. The vocabulary of winning and losing, inherited from his father and reinforced by every adult in his life, collapses in the presence of Dan’s quiet honesty.

And paradoxically, this “defeat” is liberating. For Jaekyung, losing has always meant humiliation — the sneer of his father, the silence of his mother, the slap of his coach, the deafness of his manager. But here, losing does not bring scorn. It does not end in abandonment. It opens a space for recognition: losing to Dan means acknowledging that his heart has been touched, that someone else’s truth has entered his world and survived. In defeat, he is finally allowed to stop fighting.

This admission comes after a night of trembling restraint (chapter 76), where he literally grasps his own shoulder as though seeking the comfort of an embrace. The champion who once sneered at tears now reveals what he secretly longed for all along: to be reassured, to be held, to be forgiven. His “tap” against the wall is a silent gesture of surrender (chapter 76) — an acknowledgment that he can no longer keep his walls intact. He is now willing to rely on doc Dan exclusively.

The flashbacks frame this shift: (chapter 76). His confession reveals not strength but guilt. Kim Dan’s suffering was the price of his victories, and he knows it. “On the other hand, his mea culpa should be relativized, for both were the targets of a plot! (chapter 76) These words expose both responsibility and shame: he had prioritized survival over connection, career over compassion. What boils under his skin is not pride but remorse.

And yet, within this defeat lies recognition: the fragile physical therapist, weak in constitution and endlessly battered by life, possesses a heart larger than his own. “When he not only failed to fulfill that role, but even showed me a weak side to him, it got my blood boiling” (chapter 76). The anger masked envy. Dan’s ability to remain soft, to cry openly, to keep caring despite his own pain — that is a form of strength Jaekyung never had. (chapter 76) The star’s thoughts in the kitchen are actually mirroring the ones in the bathroom: (chapter 68) In the bathtub, he still saw himself as the one in control, with the upper hand… but this is no longer the case in the kitchen. Through the physical therapist, the wolf is learning that even being in a vulnerable state doesn’t mean that this person is powerless. It is just that his “strength” lies elsewhere. In other words, someone struggling can also give comfort to another person in pain.

In front of the stove, (chapter 76) his words to Dan are clumsy and his tone hesitant, but the meaning is clear: this is the clean start of their relationship. He will no longer measure life by wins and losses, but by the courage to stand unguarded before another human being.

Thus the kitchen becomes a battlefield turned sanctuary. (chapter 76) The stove glows, not as an opponent’s spotlight, but as a hearth. The man who could never say “you’re wrong” to his father, mother, or coach finally confesses it in his own way: “I lost.” And in that defeat, Jaekyung discovers what victory in love looks like — not domination, but the freedom to lean, blush, and be weak without fear.

The bed, the table and the champion

If the table in Jaekyung’s childhood home was cluttered with ramen packs and soju bottles — (chapter 72) a place of solitary consumption rather than shared meals, the bed was the place where the little boy would drink his milk. (chapter 72) It is interesting that actually, Doc Dan wanted to bring the porridge to Joo Jaekyung to his bed during that full moon night, thus the latter made the following request: (chapter 76) But the wolf didn’t understand the hamster’s intention and followed his “hyung” to the kitchen. That’s how a misunderstanding was born which is also reflected in this interaction: (chapter 76) Here, what the wolf wanted was not to be a burden to the physical therapist. But he realized right away that his words could be misinterpreted. (chapter 76) However, doc Dan agreed to this, he remained calm. (chapter 76) Yet, the misunderstanding is not totally out of the room. Hence the doctor imagines that he has to leave the place right after the porridge is finished. However, what caught my attention is that in this brief scene, there was no table between them (chapter 76) contrary to the past, in particular in the penthouse. (chapter 41) The latter actually represented a hindrance between them, it marked their relationship: boss and “employee” (servant). Moreover, since the table in the champion’s childhood was linked to one person (the father), it is clear that the champion has never shared a table with someone. And this aspect brings me to my other observation.

The table under Park Namwook’s watch was no better. It was never about eating together as family, but about transactions. (chapter 22) Whether in meetings, weigh-ins, or dinners with the CEO (chapter 69), the table served as the stage for contracts, discipline, and deals. Even in chapter 36, where Namwook barked at him in front of guests, or in chapter 46, where he sat beside him during business discussions, the surface between them was never for intimacy. (chapter 46) It was a place where others dictated terms, while Jaekyung’s silence was mistaken for consent. And now, you comprehend why the two main leads could get closer in front of the stove in the kitchen. This place stands for warmth, care and family. (chapter 76) He lost, because there was no table… there is no contract, silence … this is no longer work, but home!

And this brings to my final observation. You certainly remember how the champion offered the doctor (chapter 13) a meal after his collapse. He refused to bring a meal to the bed, he asked him to join in the dining room and sit at the table. And what did they do there? The champion talked about his career, his fight etc… (chapter 13) the champion has long associated the table to business and not “care”. That’s why it is important for him to remember the significance of the bed in his childhood. It was the place where he could feel comfortable and safe, where he would eat! (chapter 72)

To conclude, the table represents the ultimate emblem of selfishness and deafness: a place where Jaekyung’s words and silences alike carry no weight and he is treated like an object.

Against this backdrop, the kitchen scene in chapter 76 shines with quiet revolt. (chapter 76) There, no table separates him from Dan, no manager is present to misread his silence. Both stand shoulder to shoulder by the stove, and what unfolds is not a deal but an exchange — fragmented, yes, but genuine. The kitchen, unlike the boardroom, is not a place of deafness but of listening, even in misunderstanding. In admitting “I lost,” Jaekyung finally answers an argument not with fists or silence, but with vulnerability. The table collapses, and with it the authority of all those who once claimed to know what was best for him.

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Jinx: The Truth 🕵🏼‍♂️ Behind The Oath Of Hippocrates ⚕️

April 3, 2025November 12, 2025 ~ Bébébisous33 ~ Leave a comment

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Perfect👼🏼 Defect and The Secret Doctor’s Jinx

The Hippocratic Oath, one of the oldest binding documents in history, originates from Ancient Greece and has long been regarded as the ethical foundation of Western medicine. Traditionally attributed to Hippocrates, often called the ‘Father of Medicine’, the oath originally included commitments to treat the sick to the best of one’s ability, to preserve patient confidentiality, and to pass on medical knowledge without demanding payment.

The text of the Hippocratic Oath (c. 400 bc) provided below is a translation from Greek by Francis Adams (1849).

I swear by Apollo the physician, and Aesculapius, and Health, and All-heal, and all the gods and goddesses, that, according to my ability and judgment, I will keep this Oath and this stipulation—to reckon him who taught me this Art equally dear to me as my parents, to share my substance with him, and relieve his necessities if required; to look upon his offspring in the same footing as my own brothers, and to teach them this Art, if they shall wish to learn it, without fee or stipulation; and that by precept, lecture, and every other mode of instruction, I will impart a knowledge of the Art to my own sons, and those of my teachers, and to disciples bound by a stipulation and oath according to the law of medicine, but to none others. I will follow that system of regimen which, according to my ability and judgment, I consider for the benefit of my patients, and abstain from whatever is deleterious and mischievous. I will give no deadly medicine to any one if asked, nor suggest any such counsel; and in like manner I will not give to a woman a pessary to produce abortion. With purity and with holiness I will pass my life and practice my Art. I will not cut persons laboring under the stone, but will leave this to be done by men who are practitioners of this work. Into whatever houses I enter, I will go into them for the benefit of the sick, and will abstain from every voluntary act of mischief and corruption; and, further from the seduction of females or males, of freemen and slaves. Whatever, in connection with my professional practice or not, in connection with it, I see or hear, in the life of men, which ought not to be spoken of abroad, I will not divulge, as reckoning that all such should be kept secret. While I continue to keep this Oath unviolated, may it be granted to me to enjoy life and the practice of the art, respected by all men, in all times! But should I trespass and violate this Oath, may the reverse be my lot! Quoted from https://www.britannica.com/topic/Hippocratic-oath

Over centuries, this oath has undergone numerous revisions to reflect the changing nature of medicine and ethics in society. While its core values—non-maleficence, beneficence, and fidelity—remain intact, modern versions are more secular and inclusive, often omitting archaic references to gods or master-apprentice hierarchies. The intention behind the oath has always been clear: to put the well-being of the patient first and to uphold the dignity and responsibility of the medical profession. These noble intentions raise important questions in today’s context. To what extent are they still fulfilled? Do contemporary medical professionals act in the spirit of this oath? And can structural realities—limited time, profit-driven care, burnout—undermine a physician’s ability to live up to its promise?

These critical perspectives crystallized while reading Chapter 67 of Jinx, and triggered a thought-provoking exchange between my friend @Milliformemes2024 and me. Our diverging interpretations of the sleep specialist in chapter 67 helped to shed new light on the enduring relevance—but also the limitations—of the Hippocratic tradition. What began as a discussion about a single consultation evolved into a broader reflection on symbolic language, institutional care, and the ethical cost of modern medicine. In truth, both perspectives hold merit. Our conversation mirrored a larger dialogue between Idealism and Reality: one of us defending the emotional depth and symbolic resonance in care, the other grounded in the necessity of boundaries and pragmatism. This essay unfolds in three parts: first, a symbolic analysis of the sleep specialist and the contrasting figure of Cheolmin; second, a comparison of institutional care and how financial motives shape medical ethics; and third, a visual exploration of hospitals and their architectural relationship to nature.

The Sleep Specialist and the Invisible Patient

Our discussion began with differing impressions of the sleep specialist in Chapter 67. My friend viewed her approach as textbook (chapter 67): the brief diagnosis, the recommendation for weekly visits, the specialist’s tentative attribution of Kim Dan’s condition to either alcohol or a possible psychological cause, emphasizing the need for continued observation and weekly visits before offering a definitive diagnosis —all standard responses. For her, this was a doctor following routine procedure without overstepping professional boundaries. However, I perceived her behavior very differently. I saw someone who remained emotionally detached and almost absent, reducing the complexity of Kim Dan’s condition to simplistic surface-level causes without genuine inquiry.

This divergence in opinion hinged on what each of us prioritized. My friend appreciated the clinical neutrality, interpreting it as a mark of competence. I, however, found it troubling—too minimal, the possible psychological cause was only mentioned. The symbolism in her appearance intensified my reaction. She is portrayed eyeless, a metaphor for her blindness—not in vision, but in perception. Her gaze is absent; her diagnostic process relies not on what she sees but on what others report, most notably, Joo Jaekyung. (chapter 67) Rather than forming an independent assessment, she accepts the narrative of a third party, which introduces bias and limits her understanding. One might argue about that, because she is looking at a paper, probably result of a blood test which seems to corroborate the guardian’s statement. Hence the sleep specialist concludes that Kim Dan is suffering from insomnia, alcohol addiction and sleepwalking. The problem is that his statement is based on external observations (halmoni and the landlord) and their limited knowledge. Moreover, Jinx-philes should keep in mind two important aspects: (chapter 61) The champion had been himself suffering from similar symptoms which could be seen as a projection on his loved one. Additionally, based on previous observations, I have interpreted Kim Dan’s nightly walks not merely as sleepwalking, but as dissociative episodes—likely triggered by overwhelming guilt, unresolved trauma, and a chronic sense of disconnection from his body and surroundings. But how could the champion know about this? He’s not a doctor himself. In order to have a more accurate picture of the whole situation, she should have talked to the patient himself. But by relying on papers and the guardian’s testimony, she not only distances herself from the patient physically and emotionally, but also delegates the responsibility of interpretation. She is using the eyes of others.

She wears an open white coat, (chapter 67) revealing a light green pullover layered over a white shirt—clothing that clearly belongs to her private wardrobe. This visual detail suggests a separation between her personal identity and her professional role. It’s as if donning the coat is enough to signal her authority, without requiring emotional engagement. The coat becomes a badge, not a commitment.

Yet one could argue that this very distinction is essential. The boundary between self and profession is what prevents the physician from becoming emotionally overwhelmed. Without such a barrier, the practitioner might absorb too much of the patient’s pain—leading not only to fatigue but to burnout. (chapter 57) Perhaps the doctor’s detachment is not indifference, but a survival mechanism in a healthcare system that demands efficiency over intimacy.

The white coat in this scene does not function as a symbol of care (chapter 67): it becomes an emblem of role-playing. What caught my attention is that she doesn’t directly address the patient, she doesn’t ask him any question either. She is not curious at all. If she had, she would have heard this: (chapter 67) indicating that his alcohol addiction is not the real reason for his insomnia. Then she fails to examine Kim Dan physically, the desk is between them. Therefore she can not detect his visible malnourishment.

Both insomnia and malnutrition are quite common and can cause similar negative consequences, such as falls, depression, and cognitive impairment in older adults, but there is no study investigating the relationship between the 2. The aims were to investigate relationships between insomnia/insomnia severity and Mini Nutritional Assessment (MNA) score and serum nutrient levels. […] There is a close relationship between MNA scores and insomnia or insomnia severity in older adults. Therefore, when evaluating an older patient with insomnia, malnutrition should be evaluated, or insomnia should also be questioned in an older patient with malnutrition. Thus, more effective management of the 2 can be possible. Quoted from https://pubmed.ncbi.nlm.nih.gov/31109907/

But she couldn’t see it, as she relied on second-hand testimony (Joo Jaekyung’s words). The irony is that the latter failed to notice it. Each time he saw the doctor’s body, he got aroused. (chapter 62) Moreover, both the landlord and the grandmother never brought up this aspect, though Shin Okja had observed this terrible transformation: (chapter 57)

And this raises the following question. Why did the sleep specialist not question the main lead directly and relied on other sources? (chapter 66) It is because the physical therapist is just a number (2) and as such a file. Therefore the doctor is not seeing the patient as a human. I can not blame the woman either, for she has so many patients to treat during the day. And now look at the building of the hospital: (chapter 66). It is huge reminding me of a factory. This “modern hospital” with its sleek architecture, expansive buildings, and impressive specialization exudes a sense of advancement and trustworthiness. Yet beneath this polished surface lies a business-oriented structure, one that prizes efficiency, reputation, and patient turnover over genuine patient connection. This “modern hospital” (chapter 67) functions like one factory: patients are numbers in a queue, doctors are overloaded, and individual care becomes secondary to systemic goals. The very design of the building reflects this: towering facades and compartmentalized departments, where nature and warmth are pushed to the background. In such an environment, the Hippocratic Oath—rooted in ideals of empathy, presence, and personal responsibility—is reduced to ritual, overshadowed by institutional pragmatism and economic demands. Hence she is simply treating his symptoms: insomnia and “sleepwalking”! She is prescribing him “sleeping pills”. (chapter 67) She is doing exactly what Shin Okja wanted: (chapter 65) (chapter 65) It is as though thanks to the drug, the odd behavior from Kim Dan would simply vanish. (chapter 67) That’s the reason why Mingwa didn’t give the doctor a name. She has become a soulless doctor, like a robot. On the one hand, the absence of her name implies that she is not trying to seek fame like Kim Miseon (chapter 5) with the new medicine. On the other hand, it implies that the light-brown haired woman is doing her job for her paycheck which reminds me of Cheolmin’s statement: (chapter 13): “Oh no, no. That won’t do. My precious paycheck!”.

This “namelessness” is not a coincidence. It mirrors how large hospitals treat their staff: as interchangeable parts of a system that prioritizes efficiency and profit over personalized care. (chapter 67) The sleep specialist becomes a faceless figure in an institution where doctors are overworked, underpaid, and pressured to diagnose quickly. Her task is not to heal, but to manage—preferably in under 10 minutes. This reminds me of a confession I received from my own osteopath-orthopedist-chiropractor. He once told me that in hospitals (Germany), proper care is nearly impossible. Due to pressure and time constraints, most doctors are given no more than two or three minutes per patient. As a result, many end up recommending surgery as the default solution—not necessarily because it’s the best, but because it’s fast and system-approved.

Disillusioned by this assembly-line approach, he eventually left the hospital and opened his own private practice. There, he devotes at least one full hour to each new patient—first to examine, then to diagnose, and finally to treat them himself. I remain deeply grateful to him, because he was the only one able to resolve my long-standing shoulder and neck pain. While others focused on symptoms—treating the neck in isolation—he identified the true origin: spinal blockages further down the column. What struck me even more is that he once recognized signs of depression in a patient—not through tests or charts, but simply by observing how the symptoms would worsen or improve. He talks to his patients while treating them, listening not only to their words, but also to their bodies. This interaction allows him to adjust the treatment in real-time and to notice subtle signs others might miss. That’s what makes him a true healer. He doesn’t rush; he takes his time and creates space for the patient to be seen and heard. In doing so, he provides something that modern hospitals often fail to offer: attention without judgment, and care without hurry.

On the other hand, he also confided in me that he has learned to select his patients. Some individuals came to him with fixed expectations, treating him like a service provider rather than a medical expert. They arrived with their own self-diagnoses and requests, expecting him to execute treatment plans they had already designed in their minds. In those cases, he had to draw a line—because healing, in his view, depends on trust and dialogue, not on fulfilling demands. A doctor, he reminded me, is not a technician carrying out orders, but someone who must observe, assess, and guide with discernment. This dynamic reminded me of Joo Jaekyung, who often treated both Dr. Lee and Kim Dan (chapter 27) (chapter 49) as mere service providers. Whether it was brushing off medical advice with “Don’t push it, I know my body better than anyone else” (chapter 27) or demanding instant pain relief to continue training (chapter 49), the champion positioned himself as the ultimate authority over his own treatment. Since his attitude echoed the confession of my osteopath, it is understandable why my osteopath-orthopedist began to select his patients carefully. This mirrors Kim Dan’s evolution, when the latter chose to reject the champion’s offer. Indirectly, he is “learning” to select his job and not take them by opportunism. He is also learning to select his “patients”. Striking is that Shin Okja has a similar attitude than the athlete. (chapter 7) She desired to have a treatment with less side effects and less painful. And the moment she was confronted with reality, this painful new treatment only brought pain and nothing more, she chose to leave this institution and move elsewhere. (chapter 53) Therefore it is not surprising that she is treating the protagonist the same way: she knows what is the best for him. (chapter 57) She is treating him like a service-provider, she is now rejecting that he has lost his “usefulness”. His pay here is not high, …

But let’s return our attention to the anonymous sleep specialist. The latter has just become a victim of this terrible health system. She is not engaging with Kim Dan’s trauma, nor investigating his psyche, for she doesn’t have the time for it. Her task is not to heal deeply, but to manage efficiently. Secondly, she is specialized in sleep medicine, so she is no psychologist or psychiatrist. Therefore it is not surprising that she is focusing on certain aspects. But sending him to a different department would mean that she would lose her „new patient“. If you have ever watched series about hospitals, you are aware of the competition between departments. Here I can recommend the K-drama LIFE. Since she is more treating him in such a short time, it is not astonishing that doc Dan is doubting her words, (chapter 67) and not even following her recommendation. (chapter 67) He felt misjudged and misunderstood; reduced to a file number, not seen as a complex human being.

However, there’s more to it. Two details stood out to me in particular. First, consider what the anonymous doctor told Joo Jaekyung (chapter 67) and second, what Kim Dan actually received as treatment: (chapter 67) pills in a plastic bag marked with a standard instruction: “Take with food”. These two panels capture more than a routine prescription, they reveal the institutional deflection of responsibility and the impersonal mechanics of care.

By printing the instruction on the packaging rather than saying it aloud, the doctor shields herself from accountability. If something goes wrong, she can point to the label. She doesn’t have to engage, explain, or ensure understanding. It’s a subtle but calculated transfer of responsibility—from physician to patient, and even more so, to the guardian. Now it’s not just Kim Dan who’s expected to monitor himself, but Joo Jaekyung as well. The burden of care is silently offloaded onto those least equipped to manage it.

What makes it worse is that Joo Jaekyung is never shown holding or reading the bag. The implication? He likely never noticed the fine print at all. No one is actively guiding the treatment. No one is watching over Kim Dan.

Her verbal emphasis is even more revealing. Instead of discussing the food requirement or giving Kim Dan any personal advice, she delivers a single, sweeping command: “Drinking is off-limits.” It’s not just vague—it’s scolding. The patient’s alcoholism isn’t treated; it’s sidelined. The system checks the boxes—and moves on. It frames her as an authority figure who cares more about issuing warnings than offering help. There’s no nuance, no tailored support, no effort to build trust. What Kim Dan hears is not empathy, but judgment. He’s treated as a risk to be managed, not a human being to be helped. She can only reinforce his low self-esteem: he‘s a burden.

This is what deepens his sense of being misdiagnosed, as if the doctor was painting his condition so negatively in order to scare him. He doesn’t receive insight or compassion—he receives protocol. And in a healthcare system ruled by efficiency and liability protection, the doctor’s priority becomes covering herself—not ensuring the well-being of her patient.

The invisible doctor and the visible patient

Cheolmin (chapter 13), in contrast, enters the story with no white coat at all. He carries only a doctor’s bag, dressed in a green pullover and a beige checkered shirt. (chapter 13) Despite this informal attire, he immediately recognizes Kim Dan’s symptoms and engages both the guardian and the patient. He doesn’t need institutional support to assert authority; his presence and diagnostic clarity define him. While his clothes might elsewhere be read as conservative or emotionally restrained, here they highlight that care can come outside rigid systems.

Previously, we interpreted Cheolmin’s clothing as a reflection of a certain emotional reserve. The beige checkered shirt, covered by the green pullover, suggests a guarded personality; someone who perhaps maintains a protective layer between his professional and emotional worlds. And yet, this emotional caution doesn’t hinder his ability to act with warmth and competence. (chapter 13) Quite the opposite. He doesn’t hide behind his distance; he manages it. His approach is practical and grounded, but never cold. He doesn’t wear a white coat, yet he brings with him a doctor’s case and an unshakable sense of responsibility. His tools are simple (his own body), (chapter 13) his posture relaxed, and his tone—often sprinkled with humor—adds a human touch that the eyeless doctor sorely lacks. And what is the cause for this huge difference? It is because the “famous sleep specialist” is relying on her institution (nurses, blood tests, drugs). She is following a procedure, as the visit took place at the hospital.

Unlike Cheolmin, who uses his emotional detachment constructively, the sleep specialist disappears behind it. She neither touches nor addresses the patient directly. She offers no humor, no effort to ease the atmosphere—only sterile authority and detached warnings.

Ironically, while Cheolmin may seem less emotionally expressive at first glance, he is far more emotionally present. His humor isn’t just a personal trait—it’s a therapeutic tool. (chapter 13) It bridges the gap between roles, making the patient feel seen rather than categorized. There’s no judgement in their relationship. The eyeless doctor may appear neutral, but in truth, she is hollow. Cheolmin appears reserved, yet his actions speak with empathy. Where she recites guidelines, he initiates dialogue. (chapter 13) Where she avoids involvement, he offers engagement.

In short, Cheolmin’s clothes reflect thoughtful distance—not absence. He remains attentive, responsive, and subtly warm. His restraint is a choice, not a flaw. And it is precisely this contrast that reveals what the Hippocratic Oath should still mean today: presence, humility, and care; and not money, drug and efficiency.

The positions between my friend and me reflect a core conflict between reality and idealism. She values adherence to clinical norms and sees the specialist’s behavior as a rational expression of professional boundaries. Emotional distance, she argued, is often necessary—not just to ensure objectivity, but also to protect healthcare professionals from burnout, especially in overburdened systems. I agreed in principle, but maintained that detachment becomes damaging to the patients and the doctors. It affects the relationship between them, because it prevents accurate diagnosis or erases the patient’s voice entirely or the patient starts seeing himself as a “client” and the doctor as his “service provider”. A middle ground must be found—where presence doesn’t equate to over-involvement, but where empathy still has space. My orthopedist found his solution: open a small office where he tries to help his patients to avoid surgeries. He told me: “The first surgery in his field is always an option, the second one will always be a necessity.”

Moreover, our analysis acknowledged the limitations the doctor faces. The specialist likely juggles a tight schedule. A queue of patients, like the one displayed before Kim Dan’s session, signals the industrial rhythm of care. In such a system, she may not have time for deeper engagement. But for patients like Kim Dan—vulnerable, undernourished, spiraling emotionally—this neglect can reinforce their invisibility. In contrast, Joo Jaekyung receives deferential treatment, because he is famous. The medical world depicted in Jinx bends toward prestige, not need.

This contrast reveals something vital: in medicine, presence matters. The specialist hides behind procedures. Cheolmin shows up. The white coat, then, becomes a mirror: does it reflect a vocation or disguise institutional distance?

Institutions and Ideals—Comparing the Medical World of Jinx

In Jinx, medical care unfolds within a tapestry of institutions—anonymously vast hospitals (chapter 61) (chapter 67), the Light of Hope hospice (chapter 61), the sleek University hospital dedicated to research (chapter 5), and more intimate yet modern facilities like this one.(Chapter 27) Each medical setting not only has its own architecture but also its own moral blueprint. In the essay “Doctor Romantic 3 (locked)“, I had already compared doctor Lee’s workplace and behavior to the “beautiful Kim Miseon” from the University Hospital. Season 2 introduced us to new institutions. Each place claims authority through professional codes and visual symbols, but the deeper narrative explores how care is either embodied or abandoned. Mingwa uses attire, body language, and structure to draw sharp distinctions between appearance and intent.

Kim Miseon (chapter 5) from Sallim University Seongshim Hospital: This research-driven university hospital is connected to Kim Miseon, the doctor who prescribed a new experimental treatment for the grandmother. (chapter 5) Despite the pristine exterior of the building and the promise of scientific advancement, her actions raise ethical concerns. She dilvuged information in the hallway. (chapter 21) Then the treatment’s failure is attributed either to the grandmother’s frailty or Kim Dan’s late arrival and absence, subtly shifting blame. (chapter 21) Like mentioned before, this treatment wasn’t even properly recorded in the patient file raising the suspicion of deliberate concealment. (chapter 56) It appears as “pain killers”. Her open white coat (chapter 21), worn over a green uniform resembling surgical scrubs, aligns her visually with institutional authority, while her eyeless portrayal emphasizes detachment. (chapter 21) Her motivation seems driven not by compassion but ambition: a pursuit of recognition and success through experimental medicine, regardless of consequence. It seems that this new therapy didn’t bring her the results she hoped, and strangely later director Choi Gilseok (chapter 48) got aware of Shin Okja’s conditions, implying that patient confidentiality had been breached.

Park Junmin (Chapter 61): In contrast, Park Junmin (chapter 61) represents the polished face of a business-oriented clinic. While his office projects sleekness and personalized care, his comments betray his priorities. He praises Joo Jaekyung’s fame and urges a return to the ring—not out of medical concern, but because it would guarantee the champion’s return as a paying patient. He wants to retain a high-profile client. His friendliness is strategic. (chapter 61) He does not embody the Hippocratic Oath but rather a service model. The coat becomes a costume that sells recovery. It is clear that he is promoting his own hospital. Joo Jaekyung, however, surprises him by refusing (chapter 61), highlighting that the athlete has become aware of what genuine care should look like. When the champion calmly declares, “I’ll be receiving rehabilitation services in another hospital,” Junmin answers with a stunned “Sorry?”. But this is not confusion. It’s a reflexive mask for shock. He did not expect to lose control of the situation. Beneath that one-word response lies disbelief, disappointment, and veiled panic. He’s losing a lucrative patient—and more importantly, a public endorsement. The moment exposes how fragile his authority truly is when faced with a patient asserting autonomy. Let’s not forget that when the champion was facing a mental and emotional breakdown, the latter offered no other support than “rest”. He even avoided his gaze. (chapter 54) The athlete was left on his own.

Light of Hope Director (Chapter 59): At first glance, the hospice appears to be underfunded and outdated. (chapter 61) However, its director breaks expectations. Unlike the smooth-talking or indifferent doctors at larger institutions, he is directly involved in patient care. (chapter 56) He informs the physical therapist about the grandmother’s condition, works late at night (chapter 60), criticizes people for their rude behavior (chapter 59) or actively disciplines staff (chapter 59) when mistakes are made. Though he also flatters the champion (chapter 61) and sees promotional potential, he never exploits patients. (chapter 61) The juxtaposition of humility and responsibility in his demeanor, combined with his stunned reactions to sudden events, suggests an overworked and understaffed environment—but not one without moral grounding. His white coat and blue medical uniform echo the nurses’ attire, subtly promoting a sense of equity among staff. Despite being a director, he doesn’t separate himself from frontline caregivers. His uniform also contrasts with the green worn by Kim Miseon or Park Miseon, suggesting a focus on practical responsibility over prestige. By blending in with the team, he fosters a culture of shared accountability, not rigid hierarchy. Among all institutional figures, he comes closest to balancing authority with integrity.

Hospital Director (Chapter 6): While this figure appears authoritative (chapter 1), the details of his attire tell another story. Wearing a suit beneath his coat implies professionalism, but here it also suggests a business-driven mindset. The coat becomes a sleek outer layer masking deeper intentions. His charming demeanor conceals a more sinister reality—he weaponizes authority for personal gain. His use of professional attire isn’t about respectability but manipulation. Beneath the surface, profit, control, and coercion drive his actions. (chapter 1) The white coat, in his case, is not a symbol of healing but a façade for exploitation. drives his authority. The coat becomes a literal cover for abuse—harassment disguised under professionalism. His entire persona is a façade: calculated, charming on the surface, but predatory and morally bankrupt beneath.

The Sleep Specialist (Chapter 67): (chapter 67) Eyeless and detached, the sleep doctor treats Kim Dan without any emotional or physical engagement. Her absence of a name symbolizes depersonalization. She doesn’t speak directly to Kim Dan, doesn’t examine him, and only echoes what she heard from Joo Jaekyung. The prescription she offers is another layer of critique. The instruction “Take with food” appears only in print—never verbally stressed—thus shifting liability. If Kim Dan suffers side effects or mixes medication with alcohol, responsibility falls on him or his guardian. This is institutional medicine in its most risk-averse form: impersonal, quick, and shielded from consequence.

Dr. Lee (Chapter 27): Dr. Lee is the only named and truly visible doctor. (chapter 27) His gray shirt signals a more relaxed approach, (chapter 27) and his facial expression conveys a certain empathy—though his words also betray resignation. He sits beside the patient, not opposite, visually erasing the typical hierarchical divide between doctor and athlete. His recommendation that Joo Jaekyung rest is gently delivered, but he knows it will likely be ignored. He represents the tension between medical idealism and the pressures of athletic performance. He is trying his best to protect Joo Jaekyung’s career. (chapter 27) Notably, he doesn’t chase fame or loyalty—he’s realistic, yet still rooted in care. (chapter 27) His clinic, with open blinds and wide windows, stands for transparency and modern ethics.

Cheolmin (Chapter 13): (chapter 13) Finally, Cheolmin exists outside the hospital system. He wears no white coat, but his behavior mirrors a true physician’s. He diagnoses accurately, gives immediate advice, and engages both patient and guardian. His attire—a shirt layered under another—might suggest emotional restraint, but it doesn’t interfere with his actions. He jokes and teases, breaking through tension and inviting trust. He acts not because protocol demands it, but because someone needs help. That’s enough.

This comparative tableau reveals that white coats do not guarantee compassion—and their absence doesn’t negate it. In Jinx, only those who break institutional molds offer real help. The rest follow protocols, serve systems, and sometimes cause harm through inaction or self-interest. It exposes that doctors are simply humans and not gods.

Furthermore, the financial aspect underpins all these interactions. Hospitals in Jinx are not purely charitable; they’re businesses. The emphasis on new medicine, fame, or facility branding often outweighs the patient’s actual condition. Misdiagnoses, evasions, and moral compromises follow from this reality.

Kim Dan’s journey through these institutions underscores how vulnerable patients are when medicine is transactional. Blame is subtly shifted. Responsibility is diffused. And yet, in emergencies, the expectation remains: doctors should act.

Nature, Architecture, and the Illusion of Healing

A striking feature in Jinx is the architectural integration of nature into hospital design. (chapter 67) Trees and greenery appear in every facility—but their placement and symbolism vary. These visual cues subtly reveal each institution’s philosophy of care.

At the university hospital where Kim Miseon works, (chapter 41) nature is neatly confined. Rooftop gardens and structured greenery exist, but more as visual accessories than lived environments. The hospital is a towering research center, representing scientific advancement—but also bureaucratic coldness. Here, nature exists to impress, not to comfort. This artificial balance between concrete and green reflects a clinical detachment: nature is curated, not embraced. It aligns perfectly with Kim Miseon’s demeanor—professional, pristine, but ultimately distant and ambition-driven.the environment feels controlled. (chapter 41)

In the rain-drenched hospital (chapter 54) where Joo Jaekyung receives treatment, the rooftop greenery appears remote and ornamental, disconnected from patient care. (chapter 61) Nature is present but removed, almost symbolic of lost ideals. The building is imposing, gray, and bureaucratic, which is quite similar to the university hospital.

In the sleep therapy hospital (chapter 67), the setting amplifies this detachment. Trees do appear, but they are overwhelmed by massive, impersonal structures. The greenery seems almost trapped, overshadowed by glass and steel. This mirrors the interaction with the sleep specialist, who issues warnings and prescriptions without genuine communication. In this environment, nature is not a partner in healing—it is background noise, a symbolic performance of care in a place that prioritizes liability and speed over connection.

By contrast, the Light of Hope hospice (chapters 61) is embedded in a hillside, its architecture low to the ground, surrounded by untamed, organic greenery. The trees are not ornamental—they embrace the building, echoing a kind of natural protection. Nature here is not only real, but alive. It reflects the ethos of the institution: flawed, underfunded, but grounded in human presence. The hospital director may wear a coat, but his modest blue uniform aligns him visually with the nurses, suggesting equity and participation rather than hierarchy. Just like the unpolished trees, he is there not to be admired but to serve.

A fourth setting appears with Dr. Lee’s clinic (chapter 27). The building is smaller, (chapter 18) modern, and set among scattered trees. (chapter 18) Large windows suggest openness and transparency—the very qualities Dr. Lee brings to his interaction. This is a space that, while modest, is genuinely attentive. Here, nature doesn’t impress, it is integrated in the landscape. The park is not surrounded by huge buildings.

Through these varied landscapes, Jinx critiques the illusion of healing as something that can be staged through architecture. It exposes how hospitals, like people, can hide behind appearances. Trees and plants, like white coats and professional titles, can be used to mask indifference just as easily as they can accompany real care. Healing does not bloom in greenery alone—it flourishes through presence, attentiveness, and trust.

Yet these visual patterns also contain hope. The presence of even small parks and rooftop gardens within institutional designs reflects an underlying truth: nature matters. (chapter 41) These green spaces acknowledge, even if superficially, that human beings do not heal through medicine alone. They need sunlight, air, softness—a sense of rhythm beyond fluorescent lights and steel corridors. Nature grounds. It breathes.

The science of the healing power of nature

There are numerous studies that support the healing power of nature. A study of 20,000 people found that those who spend at least 120 minutes per week in nature, whether in a local park or other natural environment, were more likely to report better health and well-being.

The World Health Organization recently released a report called Green and Blue Spaces and Mental Health, which shows that time in nature, including urban areas, improves moods, mindsets and mental health. Furthermore, research suggests that exposure to forests, parks, gardens or coastlines can help mitigate the psychological impact of climate change, promote physical activity and provide opportunities for social interaction. Quoted from https://www.uc.edu/news/articles/2023/08/the-healing-power-of-nature.html

That is why the small town, (chapter 65) nestled in the countryside and far from institutional rigidity, emerges as a space of true potential. In returning there, Joo Jaekyung and Kim Dan are not just escaping their past—they are moving toward a form of healing that modern hospitals imitate but rarely achieve. Closer to nature, they are closer to themselves. If hospitals imitate forests, the village becomes the forest. And in that simplicity, Jinx suggests, real happiness might grow.

Conclusions

From open to closed, from crisp to wrinkled, the white coat becomes a symbol of ideology. Some wear it like armor, others like a mask—and some not at all. But it is not just the coat that deceives. Buildings too wear their own uniforms. Grand glass hospitals draped in rooftop gardens and courtyard trees promise healing, yet often fail to deliver. Nature becomes another costume—just like the coat.

But Jinx reminds us: real care cannot be faked. It is revealed not through polished surfaces or institutional prestige, but in action—staying late, listening carefully, protecting the vulnerable. The doctors who truly heal are those who treat the person, not the file.

And why, then, do so few doctors recommend sunlight, trees, or quiet walks? The answer is simple: nature costs nothing. It cannot be patented or billed. And yet, its presence in every hospital design is a silent confession that healing lies outside the system. That, in the end, true recovery begins where profit ends. This is precisely what Jinx shows through Joo Jaekyung’s arc: once he leaves the sterile confines of the gym and begins spending time outdoors, (chapter 62) surrounded by greenery, animals, and people who don’t treat him as a product—his health improves. His muscles may still ache, but mentally and emotionally, he is lighter. Research confirms what the story suggests: sunlight and time in nature significantly boost mental health. In that way, his borrowed floral pants and farmwork reflect something deeper—a return to balance. Nature becomes not just a background, but a remedy.

The Hippocratic Oath promised to do no harm. But in a medical world where patients are reduced to symptoms, empathy is replaced by protocol, and care becomes a product, harm happens quietly—disguised in good intentions and sealed with institutional polish.

And yet, what the Oath once embodied still exists—just not in the systems that claim it. It lives in a shared meal, a walk under trees, a quiet moment in the sun. (chapter 57) It lives where no one is watching and no one is billing. In Jinx, the real medicine lies outside the chart—in the dirt on borrowed floral pants, in sweat earned under open skies. Nature becomes the unspoken vow that systems forgot.

The coat may still be white. The walls may be green. But healing comes not from the symbols, but from the soil.

That’s the truth behind the Oath of Hippocrates.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: 𓇢𓆸 Prove Me Wrong Again 💢😂

March 19, 2025November 12, 2025 ~ Bébébisous33 ~ 2 Comments

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Wheels 🛞 and Waves 🌊〰 -part 1 and Wheels 🛞 and Waves 〰🌳 – p️art 2 (locked)

When you look at the illustration, your eyes are immediately drawn to the broken mirror at its center. As you can imagine, the cracked reflection, fragmented and distorted, is essentially referring to our protagonist Kim Dan. The broken mirror echoes Kim Dan’s shattered self-esteem. It is a visual representation of his inner dialogue: the doubts, fears, and insecurities that have long dictated his life. His reluctance to assert himself (chapter 36), his tendency to retreat rather than challenge his own doubts (chapter 36), and his overwhelming fear of disappointing others (chapter 51) are all reflections of these internalized obstacles. Recognizing them as external impositions rather than intrinsic truths is the first step to breaking free. That’s the reason why in the reflection of the broken mirror, you can detect an open window in the background. By focusing too much on his reflection, the physical therapist is trapped in his own negative world. One could perceive it as the opposite version of Narcissus. Yet rather than falling in love with his image, he sees only his flaws, reinforcing his belief that he is unworthy. The open window suggests an escape, a possibility for change, but the problem is that the main lead is too fixated on his shattered self-perception to pay attention to his surroundings. Hence he comes to neglect his own body and people next to him.

The Weight of Unseen Chains: Mental Barriers

The mental obstacles we impose upon ourselves can be some of the most difficult to overcome. In the article “The mental obstacles you put on yourself to stop moving forward” Jennifer Delgado explains that these barriers often originate from the voices of significant figures in our past. They can be parents, teachers, or even childhood bullies who shaped how we see ourselves.

‘If you pay attention to some of the phrases you say to yourself when this inner dialogue is triggered, you will realize that these phrases do not belong to you and, if you look into your past, you will find their true owner. Quoted from The mental obstacles you put on yourself to stop moving forward”

Kim Dan’s struggles reflect this reality, just as Joo Jaekyung’s nightmare (chapter 54) suggests he too is haunted by such internalized voices. Under this new light, you comprehend why I wrote in the introduction that the broken mirror was mostly alluding to the doctor. Both protagonists are suffering from mental hurdles, trapped in a psychological prison. The significant difference is that while Kim Dan is consciously recognizing his self-doubt (chapter 62), Joo Jaekyung does not. The evidence for this interpretation is the champion’s nightmare: (chapter 54) Instead of realizing the words stem from an external source, an abuser from his past, he sees them as a reflection of his own fears and inadequacies. This explicates why he chose to drink. This terrible vision illustrates how internalized criticism functions: it feels personal, nonetheless its origins lie in past experiences. Both Kim Dan and Joo Jaekyung are trapped in cycles of learned helplessness, shaped by voices that do not truly belong to them. Their self-doubt was not inherent; it was shaped by the expectations and criticisms of those around them. Striking is that Mingwa let us see how these mental obstacles are born. Observe that (chapter 18) the doctor (chapter 36) repeated the exact same words than his boss. This means that , the doctor internalized these limiting beliefs, thinking that he was not in a position to speak up or assert himself. This explicates why he had to convince himself that he was just a tool to the athlete. This explicates why at the end, he returned the champion’s jacket. The athlete never recognized him as a stan either. Simultaneously, the athlete was also the physical therapist’s emancipator, because he encouraged him to improve his skills and knowledge (chapter 25) Therefore the physical therapist bought books. Moreover, we should consider this argument (chapter 45) as a revocation of the star’s statement in episode 18. Kim Dan was no longer perceived as a tool, but as a real physical therapist. On the one hand, this request boosted the “angel’s ego”, on the other hand, he was put under immense pressure, for he was compared to his colleagues. (chapter 45) Since in Seoul, Kim Dan has only been hired because of sex (Joo Jaekyung, the perverted hospital director) (chapter 6), he came to accept that he was not truly talented. The champion had no trust in him and later, the word jinx triggered a repressed bad memory. (chapter 62) Due to his bad past experiences, he concluded deep down that his CV was not reflecting the truth. (chapter 56) That’s the reason why he was devaluing himself and as such not looking for a high position.

In her article, the psychologist outlines three primary mental barriers that keep individuals from moving forward:

It’s not the right time – The belief that circumstances must be perfect before taking action, leading to perpetual hesitation.
I’m not an expert – A sense of inadequacy that prevents people from trying, despite having the capability to learn and grow.
I will surely fail – A deeply ingrained fear of failure that discourages risk-taking and reinforces insecurities,

Striking is that in season 1, we could detect these three mental obstacles in the physical therapist’s life.

His unwillingness to defy Joo Jaekyung’s dismissal in episode 48 (chapter 48) exemplifies this pattern: (chapter 48) It was not the right time. He assumed his voice held no weight, reflecting years of learned helplessness. It shows how Kim Dan internalizes responsibility for things beyond his control. He thinks that withholding information is an act of protection rather than avoidance. Yet in doing so, he denies himself agency in his own life.

This aligns with Delgado’s argument—these limiting beliefs were not inherent truths but external influences that he internalized, preventing him from asserting himself. Thus I deduce that Kim Dan has unknowingly adopted his grandmother’s behavior—withholding information under the justification of “protecting” others. Therefore it is not astonishing that her grandson treated her the same way. He already concealed many things from her in order to protect her, and she was his only role model. Just as she concealed things from him (like her true feelings, the absence of the parents or even the way she spoke about him behind his back), Kim Dan did the same to Joo Jaekyung in episode 48. His rationale in this scene mirrors her method of control through omission.

Season two of Jinx only intensifies these self-imposed constraints. I noticed that the switched spray incident (chapter 62) completely devastated Kim Dan’s already fragile self-esteem. (chapter 62) First, he considers himself as waste. While in the past, he was at least a tool, he is now garbage. Hence his feelings are “trash”. (chapter 62) This means that in episode 62, he felt worse than in episode 18! The idioms “trash” and “waste” revealed the doctor’s own self-perception in episode 62: he saw himself as totally useless. He belonged to the “wastebasket”, just like the golden key chain. (chapter 46) Thus I deduce that the fate of this item echoes the doctor’s.

But let’s return our attention to his transformation in season 1. He was making progress thanks to Joo Jaekyung’s trust, but that one moment undid everything. (chapter 51) When he realized that the champion didn’t put his faith in him, he lost his motivation. This observation reminded me of the main lead’s previous statement. (chapter 47) He had selected this profession because of her. This shows that until now, he has never developed any ambition on his own. The loss of faith from someone he relied on for motivation made him feel completely worthless. This reinforces that his confidence and sense of direction were never self-sustained: they depended on others’ recognition. This pattern suggests that Kim Dan has never truly asked himself what he wants. His entire existence has revolved around meeting expectations, whether from his grandmother, Joo Jaekyung, or even his profession. His current crisis—feeling like waste—stems from the realization that without someone to validate his worth, he sees himself as nothing.

One might question this statement because of this scene: (chapter 59) However, observe that he is using the expressions “do” and “now”. This has nothing to do with the future and dreams. It is not a reflection on his own desires but rather an immediate reaction to his circumstances. His mindset is still trapped in survival mode, seeking a course of action rather than contemplating what he truly wants. His words reflect an urgency to act rather than an opportunity to dream. This highlights that he has spent his entire life making decisions based on necessity rather than personal fulfillment. Even when faced with uncertainty, he does not ask himself what he wants—only what he must do next. His transformation will only be complete when he begins to question not just how to survive, but how to live on his own terms. That’s how I realized why Mingwa put this question in front of the window covered with Venetian blinds [which made me think of this scene (chapter 39 – Venice, a travel to Italy]. The window with the Venetian blinds represents a metaphor for the doctor’s trapped dreams. This interpretation made me recognize another aspect. Kim Dan is pushed to meditate, when he is front of a window or better said close to the sky! Hence the hamster started thinking about his own future in the penthouse (chapter 19) or when he looked at the sun and sky: (chapter 41) (chapter 41) And the best evidence for this interpretation and expectation is doc Dan’s cellphone screen display. (chapter 38) My avid readers will certainly recall that clouds embody dreams! Why? It is because in verity, doc Dan is a dreamer, an ambitious man. What caught my attention is that his contact Joo Jaekyung was not saved with a picture!! And what had motivated Kim Dan in the past? (chapter 47) The picture from his childhood: himself with his grandmother. (chapter 66) But the latter was not related to work, but to fun and nature. Striking is that Joo Jaekyung has an empty phone screen display indicating that he has no real dream on his own either: (chapter 38) No wonder why he questioned the meaning of his champion title: (chapter 54). He saw the belt as something rather “meaningless”.

To conclude, for the couple to break free from their terrible mindset, they need to find purpose within themselves rather than constantly seeking external validation. But let’s focus more on doc Dan again. This also ties into the broader theme of meaningful praise—instead of being recognized for what he does, he needs to be valued for who he is. How can this take place? By taking a picture together! (chapter 43) This would boost the doctor’s self-esteem. He is not trash, but an acknowledged fan and friend. The picture would encourage the physical therapist to develop his own ambitions. As soon as I made this discovery, another detail caught my notice: (chapter 66) The celebrity has no picture of Park Namwook in his contacts divulging the superficiality of their relationship.

Then in her article, the psychologist mentioned two other mental barriers. “I’m not an expert”. That’s the reason why in episode 42, doc Dan used his colleague to voice his own thoughts. (chapter 42) The problem is that the athlete took this recommendation personally. He felt as if his job as fighter was questioned. (chapter 42) As you can see, the doctor’s hesitations were exposing his mental obstacles, which was reflected in the champion’s attitude. No wonder why doc Dan chose to become a courier as a second job instead of finding a new VIP client. While the interaction between the athlete and Kim Dan in front of the hospice display the return of doc Dan’s past mental hurdles:

I’m not an expert (chapter 62)

It’s not the right time: (chapter 62) According to the main lead, the champion is “wasting his time here”.
I will surely fail: (chapter 62)

The only difference to the past is that now the athlete could detect the presence of his partner’s negative thoughts. Nevertheless, by examining closely the statements from the main lead, I noticed other mental barriers that people place on themselves, which Delgado did not mention but are still strongly related to the other three:

Overthinking – Kim Dan fixates on past mistakes, questioning every action and thought. (chapter 62) Therefore the athlete tried to persuade his fated partner to accept his offer by saying this: “Don’t overthink” (chapter 62)
Catastrophizing – He assumes the worst possible outcome, believing another mistake could destroy his credibility entirely. The reality is that he expressed his regret of having used the spray: (chapter 57) Hence it is clear that in the future, the physical therapist would refuse to use any kind of spray. On the other hand, it is important to recall that back then, Joo Jaekyung had made the request himself: (chapter 49) So in the doctor’s mind, if he agreed to the champion’s request, he would be treated like in the past. He would have to simply to follow the athlete’s lead. That’s why he is imagining that he might be put in a similar situation than in the past. But there exists another reason why he refused the champion’s offer right from the start. It is because he has always perceived himself as “hands” which stand for selflessness and generosity. The latter defined doc Dan. Hence he looked at them, when he declared himself as a tool: (chapter 36) Under this new light, it occurred to me why the hamster had to reject the star’s offer right from the start. It is because he came to identify himself as the “spray”. Hence Mingwa created such panels, where Kim Dan’s terrible memories (chapter 57) (chapter 62) are combining the doctor’s hands with the spray. Then a spray is an item destined to be discarded. Is it a coincidence that Kim Dan “switched” places (chapter 1) with a previous PT like the spray? No wonder why he called himself “trash” in the end.
Preferring the comfort zone – To avoid failure, he tells himself he should step back (chapter 62) and let others handle things, rather than risk making another mistake. His patients at the hospice are all terminally ill, therefore they don’t have high expectations from him.

His belief that others are ‘wasting their time’ on him echoes a deeper conviction—that he himself is waste. By equating attention and care with wasted effort, he subconsciously devalues his own existence, reducing himself to something disposable, like the “poisoned spray”. This mindset aligns with the toxic inner dialogue shaped by years of neglect and emotional suppression. It was the one thing helping him grow, yet now, he questions whether he deserves it at all.

The Dandelion and Praise: A Fragile Symbol

Returning to the illustration , people might wonder why I selected dandelions as a frame for the selected.. It’s clear that the dandelions aren’t just there for aesthetic balance. Their symbolism is profound. Dandelions are often associated with childhood innocence, wishes, and fleeting moments of beauty, yet they also wither quickly, easily scattered by the wind. In the context of Jinx, they represent a transitory force—something that struggles to take root, much like the intangible and fleeting elements in Kim Dan’s life. But there’s more to it. Before delving into deeper analysis, consider this: what is the common denominator in all these scenes?

The answer is compliments. However, here it is important to make a distinction. In most of the selected scenes, the physical therapist is the one getting praised. In the actor’s eyes, he is not only an angel, but also the best. But why did he say that? One might say that Kim Dan offered his services for free. LOL! (chapter 31: I will explain this further below) Besides, the manager is saying that the champion’s performance has improved thanks to his presence. Halmoni is describing her grandson as a diligent and hard-working physical therapist. The nurse expressed a similar praise than the comedian. He is the best! All the support he received was linked to his job as physical therapist. (chapter 37) Therefore it is not surprising that the main lead couldn’t view the members as friends in the end.

Striking is that I picked up three scenes where the “wolf” came to be praised. In chapter 15, for the first time, the doctor voiced his admiration to the athlete: “You were amazing!” to which the champion responded: “Tell me something I don’t know!” But why did he say this? It is because his manager always complimented him for his performance in the ring: (chapter 40) And now, my avid readers can sense a parallel between Joo Jaekyung’s reply and the title of this essay: “Prove me wrong again!”

Hollow Words: The Illusion of Praise

If we examine the praises Kim Dan receives throughout the series, we could see that these nice words never reached Kim Dan’s soul and heart. But why didn’t they help him to boost his ego? Delgado’s second article, Praise That Completely Destroys Children’s Self-Esteem, offers valuable insight into why:

Focus on Ability, Not Effort – Compliments like “You’re the best” or “You have amazing care” (chapter 56) emphasize innate talent rather than the effort he puts in. This means that when he fails, he interprets it as proof that he was never truly capable to begin with.
Exaggeration – The over-the-top gestures, like the coffee truck, feel inflated and insincere. This makes it harder for Kim Dan to genuinely believe in the praise he receives. Besides, there’s no picture of him there.
Pressure, Not Motivation – Instead of building him up , these compliments raise expectations to an unattainable level, reinforcing his belief that he’s a fraud who will inevitably disappoint.

And now, you comprehend how I came to associate dandelion seeds to empty flatteries. The connection between dandelion seeds and hollow praise lies in their fleeting, weightless nature. Just as dandelion seeds are easily carried away by the wind, hollow compliments—those that are vague, exaggerated, or disconnected from genuine effort—disperse without truly taking root in the person they are meant to uplift. They may seem pleasant in the moment, but they fail to provide real nourishment or stability for self-esteem. Hence Potato’s admiration couldn’t move the athlete’s heart and mind: (chapter 41) And now, you comprehend why Joo Jaekyung has always disliked his birthday and the “congratulations” from people in general. The gifts and words were like poisoned praises to his soul. They were pushing him to live like a “god”.

Dandelions are often associated with impermanence, a plant that thrives briefly before its seeds scatter, lost to the wind. Similarly, the praise Kim Dan receives—“You’re the best,” “You’re amazing,”—floats around him but never lands deep enough to strengthen his self-worth. It is momentary validation, gone as quickly as it appears, leaving him feeling just as uncertain and fragile as before.

This is why the illustration places hollow praise within the dandelion blooms—it highlights the transient, superficial nature of these compliments. Instead of fostering deep confidence, they merely swirl around him, reinforcing his feeling of disconnect between others’ perception of him and his own self-image.

That’s how I came to the first following conclusion. Dandelions and photographs serve as opposing symbols in Jinx. The dandelion seeds represent fleeting, empty compliments—words that drift away with the wind, never taking root. Conversely, photographs preserve meaningful moments (chapter 66), cementing their value over time. Unlike dandelion seeds, which scatter meaninglessly, photographs stand for memory, permanence, and proof of (genuine) human connection. (chapter 45) Kim Dan’s only adult photograph, taken with Choi Heesung and Potato, ties into his professional world, reinforcing how his identity has always been defined by what he does rather than who he is. (chapter 59) While this photography was not a personal and intimate picture, it also symbolizes his first root in the little community: Light of Hope Hospice. He is part of the staff and as such of the little town. On the other side, we could say, he is gradually entering the scene as a PT. Note the contrast to the food truck: (chapter 31) There was no picture of “Angel Dan”!! It was, as if the comedian was using doc Dan’s image to promote himself 😮, similar to this scene: (chapter 30) In other words, it exposes the actor’s hypocrisy and wrongdoings. And now, you understand why I wrote genuine in parentheses above [proof of (genuine) human connection]. Photography in Jinx also represents the evidence of wrongdoing (chapter 48) and deception: (chapter 66) This picture is not just the symbol of innocence and joy, it is strongly intertwined with the vanishing of the parents. There is a secret behind this picture. Yet, for Joo Jaekyung’s, it looks like Halmoni was enough for Kim Dan, as she could make him smile once. The photography, the emblem of civilization, can be traced back, and as such exposes the identity of the perpetrators and accomplices: (chapter 46) The exact opposite of the dandelions.

Joo Jaekyung’s act of bringing Kim Dan to the sleep specialist is the embodiment of actions over words. (chapter 66) It is a direct contradiction to the hollow praise doc Dan has received all his life. (chapter 53) He was treasurable, for he did favors to his grandmother all the time. Instead of simply saying that Kim Dan matters, the champion proves it. He challenges the physical therapist’s own perception of himself, demonstrating that he is not just useful—he is precious. Secondly by justifying his action for the doctor’s sake, (chapter 66) he contradicts not only Kim Dan’s self-perception, but also his past accusations: (chapter 66) that he was merely a tool for Joo Jaekyung’s success. By taking him to the sleep specialist, the champion proves something that Kim Dan had refused to see: he matters beyond his utility. This moment mirrors Joo Jaekyung’s past words— (chapter 15) into an action that Kim Dan never expected, an undeniable truth he can no longer ignore. And keep in mind that this reply was linked to doc Dan’s praise concerning his recent fight: (chapter 15) What Joo Jaekyung wants to hear from doc Dan is that he is a good person outside the ring, he wants to be praised for his good actions too. (chapter 62) This shows that deep down, he desires to obtain doc Dan’s gratitude. No wonder why he got so upset after hearing the displeased comment from Kim Dan. (chapter 66)

Moreover, the key chain’s presence in the dressing room (chapter 66) reveals Kim Dan’s elevation in the champion’s life. The dressing room symbolizes privacy and closeness. No longer seen as a mere tool, Kim Dan has become an integral part of Joo Jaekyung’s world, not because of what he can do but because of who he is. (chapter 66) Therefore the champion is holding the expensive gift with his whole hand contrary to the past: (chapter 55) As a conclusion, by bringing him to the sleep specialist, the star proved doc Dan’s words wrong! He told him something that doc Dan didn’t know: he is precious. He needs to pay attention to his health and body.

On the other hand, actions are not enough, in particular for both protagonists. The past words have to be erased, and this can only become effective with encouragement and good compliment. So how should compliments be in order to help the children? For praise to be meaningful, it must be like a deeply rooted plant, not a dandelion seed—grounded in reality, tied to effort rather than ability, and capable of fostering real growth. Moreover, the words have to be specific. Third, the person has to avoid exaggeration and give some motivation, like for example the picture!

The power of words

Mingwa gave us an illustration for a good appreciation: (chapter 66) The champion was praised for doing paperwork. “Good work” was specific, simple and related to an effort. Joo Jaekyung has been patient, diligent and docile in the office. For once, Joo Jaekyung was validated for something outside the ring 😉—something that had nothing to do with his physical strength or his ability to fight. That compliment planted a seed of recognition: his value is not solely tied to his role as a champion. This scene made me laugh because by giving such a flattery, the coach was not realizing that he was pushing his “boy” to take care of administrative tasks. This means that the main lead is destined to become a “white-collar”, a manager!! Kim Dan’s vision should become a reality. (chapter 32) And now, you comprehend why the athlete didn’t fall for Park Namwook’s manipulations afterwards.

When Park Namwook tells Joo Jaekyung, (chapter 66) “I don’t know what you’ve been up to lately…”, it carries an accusatory undertone, subtly suggesting that the champion has been avoiding him. By framing it this way, Park Namwook is not just asking about Joo Jaekyung’s well-being—he is asserting his discontent over losing control. His follow-up suggestion, “Instead of being alone all the time, why not come to the gym?”, reinforces the idea that he sees the gym as a tether, a way to keep Joo Jaekyung within his domain of influence. In addition, he is suggesting that the athlete has been using his injury as an excuse to avoid training. There’s an undertone of doubt and accusation, as if he does not fully believe the champion’s recovery process is valid or necessary. Instead of expressing genuine concern, Park Namwook is subtly framing Joo Jaekyung’s absence as a sign of laziness or avoidance. The small compliment from the manager (“good work”) represents a turning point in the athlete’s life. Park Namwook can no longer treat the athlete like in the past.

But there’s more to it. What caught my attention is that days before, Kim Dan had expressed a huge reproach to the athlete: (chapter 66) This criticism represents the negative version of the manager’s flattery. However, Kim Dan’s words left a huge impact in the champion’s mind and heart for one reason. Through his reproach, he reminded the star that he had a life outside the spotlight and ring. One might say that he was blamed for his bad behavior. Nonetheless his words implied that he viewed the celebrity as an adult, accountable for his actions! Jinx-philes will certainly recall that Park Namwook chastised the celebrity as a spoiled child (chapter 7) (chapter 52) Joo Jaekyung was portrayed as someone with a bad temper and personality. The manager was focusing on the ability, was exaggerating and put pressure on him by using his hand! That’s how it dawned on me why Joo Jaekyung could become resistant to Park Namwook’s short and superficial appreciation. Doc Dan’s harsh words served as an antidote to the manager’s tactics. How so? First, Doc Dan brought up the existence of feelings which Joo Jaekyung has been denying all this time. Then he blamed the champion for his actions and not for his character contrary to the manager!! Therefore he left room for Joo Jaekyung to improve himself. The idiom “always” served as a motivation for the athlete. Here, he could change. That’s why Joo Jaekyung, though hurt and angry, didn’t leave doc Dan’s side. (chapter 65) At the same time, such a disapproval (chapter 64) implies the existence of past hope and expectations. This means that the star has the possibility to revive these buried expectations and hopes by acting differently. By portraying the main lead as a maniac or bad-tempered person, Joo Jaekyung had the impression that he could never change Park Namwook’s perception no matter what he did! The only way to please him was to be in the ring. This was an “immutable truth” which stands in opposition to doc Dan’s criticism (“change”, private life). As you can see, a person can change for the better not because of compliments, but also because of criticisms, a new version of this scene: (chapter 45)

The Impact: A Growing Divide

Striking is that Kim Dan was praised by the protagonist after their first meeting. The champion’s appreciation followed the principles outlined by Delgado: it was specific, effort-based, and motivating. (chapter 1) However, this recognition went completely unnoticed by Kim Dan for three key reasons. First, he was not directly mentioned in the praise, making it difficult for him to associate it with himself. Secondly, Joo Jaekyung didn’t look at him either. Then the star’s phrasing included two negative notions (“not” and “bad”) which subtly diluted the apparent respect behind his words. Rather than perceiving it as validation, Kim Dan likely dismissed it as neutral or indifferent. Finally, it is also important that doc Dan had just made a mistake before (chapter 1), hence his true desire was to run away from that place. For praise to be effective, the recipient must be open to receiving it, either by looking forward to feedback or having expectations of validation. Since Kim Dan was in a state of distress, he was unable to internalize the champion’s words, reinforcing his long-standing belief that he was invisible or unworthy of acknowledgment. That’s how the champion’s praise became a dandelion seed in the end.

Another important detail caught my attention are the grandmother’s praises. (chapter 53) (chapter 61) They are rather inconsistent and conditional. In front of Joo Jaekyung, she commends Kim Dan for his diligence and productivity, emphasizing his value based on his ability to work and fulfill responsibilities. However, when speaking about him in private or when displeased, she reduces him to his supposed vices—calling him a drinker (chapter 65) or a smoker, hiding his sacrifices and the true causes for his struggles. Her words reinforce the idea that Kim Dan is only as good as his usefulness, that love and recognition are earned through labor, not freely given.

With such a mindset imposed on him from childhood, it becomes evident why Kim Dan does not allow himself to take breaks or seek joy for himself. Rest is seen as unearned indulgence rather than a necessity, and self-care is overshadowed by the guilt of not doing enough. His grandmother’s approval was never unconditional; it fluctuated based on how well he served her expectations. This pattern of conditional compliment shaped his self-worth, making him feel unworthy of being cared for unless he was constantly proving himself through actions. What makes this even more striking is that the praise Kim Dan receives from others follows the same pattern as his grandmother’s. Whether it’s his colleagues, the actor, the nurses, or even Park Namwook, their compliments are always tied to his work and productivity—his ability to heal, to endure (chapter 36), or to meet expectations. None of these affirmations recognize him as a person, only as a professional fulfilling a role.

Rather than boosting Kim Dan’s self-esteem, these empty praises widen the gap between how others perceive him and how he sees himself. His inner voice, shaped by years of self-doubt, tells him that he is undeserving of these accolades. Without specific, effort-based recognition, he is unable to recognize his own progress, leaving him trapped in an endless cycle of self-doubt.

A Different Kind of Praise

This is why, as I reflected on these observations, I realized that Joo Jaekyung’s praise must be different. It shouldn’t be about Kim Dan’s work at all. It shouldn’t be another generic statement about how great he is at his job. Instead, it should focus on:

Personal Qualities – His resilience, kindness, or courage, rather than his medical skills.
Emotional Impact – Expressing how Kim Dan’s presence affects Joo Jaekyung on a deeper level.
Small Acts – Noticing the little things Kim Dan does—how he cares, how he listens, how he perseveres.

Joo Jaekyung saying something as simple as “I missed your presence in the penthouse” would mean more than a thousand empty compliments. It would tell Kim Dan that he is wanted as a person, not just needed. That he matters beyond his function as a doctor. This is the type of praise that could truly help Kim Dan break free from his cycle of self-doubt.

And what is the favorite expression which comes to the champion’s mind, when he observes doc Dan’s behavior? (chapter 18) (chapter 45) (chapter 64) (chapter 66) Is this a joke?

Jinx-philes can notice that the champion is associating doc Dan to a JOKE! The problem is that so far the athlete used this idiom in a rather negative context. Kim Dan made the champion smile and laugh! (chapter 40) However, Kim Dan has never realized it. Either he was sleeping or totally out of it (fear of sex) (chapter 27) It is important to recall the importance of the receiver’s mind-set. The latter has to perceive the sincerity from the speaker. Hence I come to the following deduction: The moment Kim Dan notices Joo Jaekyung’s smile and laugh, then he should come to the conclusion that he matters to the protagonist. I would even say, the two protagonists are destined to make each other laugh and smile: (chapter 44) This would be the best “compliment” for both of them. With Kim Dan by his side, Joo Jaekyung desires to make “jokes”. (chapter 61) No wonder why Shin Okja preferred the champion’s company to her own grandson’s. The latter would ooze such negativity and suffering that his presence reinforced her guilty conscience. His grandmother’s mood got spoiled. On the other hand, Mingwa exposed the existence of fake happiness and fun like in this scene: (chapter 58) The friends ignored the main lead’s emotions and struggles. In order to be able to have fun, both main leads must be freed from their past and low self-esteem.

Conclusion: Breaking the Cycle

The title “Prove Me Wrong Again” takes on multiple meanings. On one level, it reflects how Kim Dan’s struggles with self-worth repeatedly override any praise he receives. No matter how much others try to uplift him, his mind tells him otherwise. But on another level, it is a challenge—an opportunity for someone, particularly Joo Jaekyung, to show him that true validation comes from being seen, not just being useful.

Kim Dan does not need grand gestures or overblown words. He needs consistency, sincerity, and reminders that his worth extends beyond his profession. The broken mirror in the illustration reflects the damage done to his self-esteem, but the dandelions? Perhaps they represent the possibility of change—of words that, rather than fading, finally take root. Because the doctor is suffering from depression right now, it is now Joo Jaekyung’s turn to make doc Dan happy, to make him smile and laugh.

Jinx: Lavender-Tinted 🪻Pillow Talk 🛏️ – Part 2

February 22, 2025February 22, 2025 ~ Bébébisous33 ~ Leave a comment

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Lavender -Tinted Pillow Talk (locked) and Fickle Jinx, Faded Past

Revisiting the Symbolism of Intimacy

In the first part of Lavender-Tinted Pillow Talk, the focus was on Kim Dan’s subconscious struggle with intimacy, as reflected in his body language, verbal hesitations, and use of physical barriers such as the pillow. It explored how his journey toward rejecting touch and emotional closeness paralleled his growing bond with Joo Jaekyung. He fears attachment out of pain. (Chapter 63) The presence—or absence—of clothing during their encounters symbolized the gradual dismantling of their emotional walls. Now, shifting the perspective to the champion, another layer of complexity emerges. Joo Jaekyung’s evolving approach to intimacy is not just a reflection of his growing feelings but also a silent, deeply ingrained struggle with dependence and control.

His behavior in Episode 63, particularly his decision to remain in his black boxer briefs while on the bed, invites a closer look. Given the kaleidoscopic storytelling of Jinx, where patterns and motifs repeat with shifting meanings, this small yet significant detail connects to previous moments of exposure and concealment. What does Jaekyung’s retention of his underwear reveal? (chapter 63) Why does he hesitate to strip entirely, even as he succumbs to desire? Notice that he released his erected phallus before removing his cloth. (chapter 63) To answer this, a comparative analysis of earlier sex scenes is necessary, unraveling the hidden dialogue between physical exposure and emotional vulnerability.

The Hidden Shame: Dependency Veiled in Fabric

A key parallel can be drawn to an early scene featuring Kim Dan’s embarrassment in the bathroom when confronted by the wolf. (chapter 30) The doctor instinctively tried to cover his gray boxer shorts with his t-shirt, prompting the champion to question his reaction: (chapter 30) In Episode 63, this dynamic appears subtly reversed. (chapter 63) The champion, despite holding the dominant role, is now the one retaining a piece of clothing. This suggests an unconscious act of concealment—not of shame in the traditional sense, but of a growing dependency on Kim Dan.

In addition, the star’s arousal in Episode 62 was heavily emphasized by the author, (chapter 62) with a zoom-in shot on his erection still hidden by gray sweatpants. Striking is that on the one hand he let the doctor feel his reaction to his naked body, when he embraced the doctor: (chapter 62) The “hamster” could sense with his leg the excitement. On the other hand, these pants were only removed once he entered the bedroom and was on the bed (chapter 63), reinforcing the idea that vulnerability, for him, is confined to this private space. Moreover, the choice of attire in Episode 62 (chapter 62) —ridiculous floral-patterned pants—serves as an indirect reference to shame (in a good way), an unfamiliar emotion for the undefeated fighter. This pattern culminates in Episode 63, where Jaekyung’s thoughts confirm his internal battle: (chapter 63) Only at this point does he fully expose himself. Yet, observe that during the intercourse, he is not looking at his companion. (chapter 63) Thus I deduce that exactly like the presence of the black underwear, the athlete’s low self-esteem hasn’t been removed completely. He still expects fear and rejection.

A Mirror to Episode 12: The Champion’s “Lucky Night”

Joo Jaekyung has always been a man of control. In the ring, in his career, and especially in his personal relationships, he has dictated the terms, ensuring that he is never in a position of vulnerability. Throughout Jinx, his approach to intimacy has been no different—he takes without giving (chapter 63), dominates without seeking connection (chapter 55), and ensures that every encounter follows his carefully constructed narrative. However, in Episode 63, a subtle but undeniable shift occurs. For the first time, Jaekyung’s actions reflect something deeper than mere desire or dominance. They reveal his growing emotional investment in Kim Dan, exposing a side of him that even he does not fully comprehend. (chapter 63)

This transformation becomes even more evident when comparing Episode 63 to the infamous “lucky day” scene from Episode 12. (chapter 12) In the earlier encounter, Jaekyung presented himself as a generous partner, offering Kim Dan a so-called privilege—an opportunity to enter a whole new world, thanks to him. However, his so-called generosity was nothing more than a facade, a way to conceal his inexperience in genuine intimacy. The tool he used was not just an object of pleasure but a mask for his own shortcomings as a lover. He did not know how to pleasure Kim Dan, nor did he care to learn. His focus was not on Kim Dan’s enjoyment but on reinforcing his own power and dominance.

In stark contrast, Episode 63 presents a very different Joo Jaekyung. (chapter 63) Here, he no longer portrays himself as the benevolent provider of an experience. (chapter 63) Instead, he openly admits his inexperience in giving pleasure, stating that he has never been on the giving end before. This moment of self-awareness is crucial because it marks a departure from his earlier arrogance and lack of honesty. No longer does he assume that his presence alone is a gift—he is beginning to recognize that intimacy is a two-way street. Moreover, unlike in Episode 12, where his so-called generosity was partially performative (chapter 12) – seeking both to display dominance and to elicit validation (chapter 12) —this time, in Episode 63, he prioritizes Kim Dan’s pleasure without explicitly expecting anything in return. (chapter 63) However, there remains an unspoken desire for recognition, as he unconsciously longs for Kim Dan to acknowledge his efforts in a way that he was once too proud to admit. I believe that this night is there to make him discover the power of giving.

Additionally, the impact of rejection in this scene cannot be ignored. (chapter 63) Up until this point, Jaekyung has never truly faced rejection. (chapter 63) His wealth, power, and physical prowess have ensured that people comply with his desires. However, in Episode 63, Kim Dan does not simply comply—he resists on an emotional level. While he consents to sex, he actively rejects any deeper connection. He avoids eye contact, creates physical distance, and refuses to acknowledge Jaekyung beyond the act itself. This rejection unsettles Jaekyung because, for the first time, his usual methods of control no longer work. He cannot use money to bridge the emotional gap, nor can he rely on his dominance to make Kim Dan want him. (chapter 63) This moment forces him to confront an uncomfortable truth: power and status cannot buy emotional intimacy.

What makes this shift even more significant is how Jaekyung reacts to Kim Dan’s rejection. In the past, his response to resistance was often intimidation (chapter 03) or passive-aggressive remarks. (chapter 6) However, in this moment, he does not react with anger or coercion. (chapter 63) While he does voice his frustration, he does so without force, showing an unprecedented level of emotional regulation. Instead of demanding compliance, he chooses a different approach—he focuses on Kim Dan’s pleasure, attempting to bridge the emotional gap through physical intimacy (chapter 63) rather than control. This decision is not merely about sex; it is an unconscious attempt to regain Kim Dan’s attention, to re-establish a connection that he does not yet fully understand but deeply craves.

Furthermore, his desire to see Kim Dan’s face highlights another key development. In earlier episodes, Jaekyung reduced their relationship to mere physical pleasure, going so far as to state that (chapter 29) This remark exemplified his detachment, his refusal to acknowledge Kim Dan as a person rather than just a body. Once again, the intercourse was linked to achievement and work. However, in Episode 63, he actively seeks Kim Dan’s gaze, subtly pleading for recognition. (chapter 63) This reversal is crucial because it indicates that he no longer sees Kim Dan as just a means to an end. However, his desire for recognition still lingers beneath the surface—just as he once sought validation through dominance, he now seeks it through Kim Dan’s acknowledgment. He wants something more, though he cannot yet articulate what that is, and his actions reflect a subconscious craving for emotional reassurance.

And since Episode 63 is mirroring Chapter 12 and the champion declared back then that it was Kim Dan’s lucky day, I come to the following deduction that in episode 63, it was the champion’s lucky night. He felt comfortable despite the doctor’s coldness. At the same time, it implies that Kim Dan’s lucky Day is about to come!! My avid readers should keep in mind that in the penthouse, the athlete was actually lying, (chapter 12) because this intimacy was taking place under the moon. However, notice that the next day, the doctor’s dream came true: he could rest, eat a warm home-made meal from the champion. (chapter 13)

The Wolf’s Shifting Approach to Intimacy: A Chronological Exploration

From the outset, the celebrity’s insistence on keeping his clothing on during intimate moments reveals a deep-seated struggle with emotional exposure. In Episode 2, (chapter 62) the sportsman welcomes the physical therapist in blue pajamas and a robe—an overt attempt to maintain distance and control. Even as the encounter begins, he leaves his pajamas on (chapter 3), removing them only (chapter 3) – this image marks the change) when the doctor’s back is turned. Then in Episode 8, during the shower, he continues wearing shorts and underwear (chapter 8), and his choice of the doggy style further reinforces his desire to avoid direct, face-to-face vulnerability.

Like mentioned above, in Episode 12, Jaekyung was not entirely naked. First, he was wearing his black briefs, (chapter 12) before removing it and adding the pink sex toy. (chapter 12) His erection was deliberately obscured by a sex toy, while Kim Dan, despite being partially undressed, was still concealing his injuries with a black pullover and a swollen eye. The layers of fabric and obstruction in this earlier scene signified emotional and physical distance. (chapter 12) Their bodies might have been close, but their minds remained divided. That’s why he couldn’t detect the huge bruises on his companion’s body. (chapter 12) This guarded approach is further underlined in Episode 20 (chapter 20), where even in the midst of nakedness, the athlete deliberately positions the doctor in the dog stance. At the same time, he uses another MO: the darkness of the room to hide himself. This calculated arrangement maintains an emotional buffer, allowing him to remain physically exposed yet emotionally detached—a recurring theme in his behavior.

A notable turning point occurs in Episode 29. Here, the champion initiates sex on the couch (chapter 29) while still cloaked in his familiar blue robe and pajamas. Interesting is that the room is not totally dark like in episode 20, the bedroom is illuminated by the huge TV screen. Importantly, this episode marks the first time they face each other in the bedroom, signaling a significant shift in their dynamic and announcing a switch in position. This newfound mutual visibility lays the groundwork for later developments.

Episode 33 deepens the narrative further. In this instance, the sportsman parks his car next to a light (chapter 33) —a deliberate act imbued with symbolism. Unlike earlier encounters, the champion remains fully clothed throughout this episode, (chapter 33) contrasting sharply with previous moments of exposure. The car scene, where they are now facing each other, reinforces the announced switch in intimacy; the light not only illuminates the scene but also serves as a metaphorical spotlight on his desire to see the doctor’s face and body (chapter 33) —a silent assertion that only he can truly satisfy the physical therapist. Let’s not forget that before having sex together, the fighter resorted to a dildo (chapter 33) rather direct physical intimacy, because he felt insecure after witnessing the actor’s advances toward Kim Dan. His goal? To reaffirm his dominance and make Kim Dan admit that he needed him for pleasure. It is important because it exposes that deep down, the champion views himself as a bad lover. There is no doubt that Heesung‘s criticism resonated with him. (chapter 33)

In Episode 39, another instance of calculated concealment unfolds. (chapter 39) While receiving fellatio, the champion keeps his t-shirt on, only removing it later when he invites the doctor into bed. (chapter 39) Maintaining the doggy style during this phase, he uses such intimate acts to mask his true longing and attraction—an effort to control the encounter while keeping his emotions under wraps. Then I noticed that they switched positions, when doc Dan asked for a break. (chapter 39) The wolf chose to lie down on the bed: (chapter 39) As you can see, through the different intercourses, we can see the different methods the star used to conceal himself, to hide his “weakness”, his growing feelings for the doctor.

A poignant recollection surfaces in Episode 61. (chapter 61) The physical therapist remembers an encounter bathed in bright light, where they stood before a couch: the doctor had removed his pants while the champion remained fully clothed, positioned behind him. (chapter 61) After both reached climax, the sportsman swiftly departed—a stark demonstration of his habitual retreat into distance and fear, even as he ensures the doctor’s pleasure. (chapter 61) This calculated “running away” underscores the return of old insecurities and the persistent need to assert control. Since the doctor was still living in the penthouse and as such was still working as the star’s physical therapist, it becomes comprehensible why the athlete could only resort to strength to keep his fated companion by his side. He had rejected his “gratitude” and “emotions” before.

Finally, in Episode 63, the dynamic evolves once more. (chapter 63) Now lying on the bed facing each other, the pair’s physical closeness appears more genuine. Yet, even in this seemingly intimate configuration, they avoid locking eyes during penetration. This subtle divergence speaks volumes: despite their newfound positioning, the champion’s reluctance to engage in mutual gaze highlights an enduring emotional barrier—a lingering fear of fully exposing his inner self. Simultaneously, pay attention that (chapter 63) the champion’s torso is not resting on his partner’s body, revealing the existence of the remaining huge gap between them. Finally, the star views this sex session as an action, and not as a moment of peace. Finally, though Kim Dan is now completely bare, yet he shielded himself with a pillow before, maintaining a psychological barrier. Meanwhile, Jaekyung retains his black briefs until the final moment, symbolizing an invisible boundary he has yet to overcome—his reluctance to fully embrace Kim Dan, not just physically but emotionally. This evolving pattern of clothed versus unclothed intimacy highlights how their relationship is progressing beyond a mere transaction into something neither of them fully understands yet.

Taken together, these episodes chart a complex evolution in the champion’s approach to intimacy. His behavior oscillates between acts of control—whether through maintaining a layer of clothing or strategically using light—and moments that hint at a deep-seated desire for connection. Each carefully choreographed encounter, from the early defensive postures in Episodes 2 and 20 to the conflicted displays in Episodes 29, 33, 39, 61, and 63, reveals an ongoing inner conflict: a yearning for closeness intertwined with a persistent fear of vulnerability.

The Meaning of the Black Underwear: Distance and Disguise

The black underwear Jaekyung clings to is not just a remnant of concealment—it is also a recurring symbol of his emotional armor. A significant clue can be found in the way he wakes up after sleeping with Kim Dan. In Episode 4 (chapter 4), we do not see whether he is wearing anything the morning after. After their “magic night” in the United States (Episode 39), the next morning, he is only shown taking a shower (chapter 40) —meaning the audience never sees him leaving the bed. However, in Episode 45, the author deliberately includes a shot of Jaekyung leaving the bed while still wearing his black boxer briefs. (chapter 45)

His reaction in this scene is telling. He expresses regret: (chapter 45). This is just a rhetorical question, as he clearly remembers the night. (chapter 45) In reality, he was wondering why he had acted this way. This contradiction—pretending to forget while consciously recalling their time together—reflects his internal denial. His next thought, (chapter 45) is a transparent excuse to avoid confronting his emotions. The presence of the black underwear in this scene confirms that he had not fully lowered his guard; he still maintained a psychological barrier between himself and Kim Dan.

Shame, Expectations, and the Invisible Chains of Control

Joo Jaekyung has built his entire existence on the foundation of invulnerability—physical, emotional, and psychological. The champion’s ability to endure, to dominate, and to suppress any sign of weakness is not merely a personality trait but a deeply ingrained survival mechanism. Unlike Kim Dan, who was shaped by guilt and self-sacrifice (chapter 53), Jaekyung was conditioned through shame and rigid expectations. His worth was not inherent but conditional, entirely dependent on his performance. (chapter 54) If he was not good enough, if he did not win, he was nothing.

This belief system did not emerge in a vacuum. (chapter 54) The specter that haunts him—an unnamed figure whose words still echo in his nightmares—was the architect of his relentless pursuit of strength. Striking is that in his nightmare, he is facing the mysterious ghost, a sign that he saw hatred and rejection in his counterpart’s eyes. While Kim Dan’s halmoni took his hand and provided warmth (chapter 22), Jaekyung’s guardian likely did the opposite. (chapter 54) The presence of the champion’s hand in his nightmare while recalling the parent’s words is telling. The contrast implies that in his youth, there was no comforting touch, no guiding hold—only harsh words and the looming specter of failure. He was left to fend for himself, to prove his worth in a world where physical prowess was the only currency. I came to this interpretation for two other reasons. First, in the doctor’s memory, we see Shin Okja holding her grandchild’s hand, while she is going to work (chapter 5) This represented a source of support for the elderly woman. Secondly, during the intercourse in the lavender-tinted bedroom, neither the champion nor the doctor are trying to take each other’s hand: (chapter 63) In the beginning, the champion grabbed doc Dan’s wrist. This shows that the athlete was not used to touch Kim Dan’s hand. And notice how the “hamster” reacted (chapter 63), when he felt his lover’s hand approaching his own: (chapter 63) He pushed it away. This means that taking the doctor’s hand represents the biggest challenge for Joo Jaekyung right now. In addition, the last panel indicates the champion’s transformation, he is now willing to seek the doctor’s closeness. It also implies the vanishing influence from his past guardian.

The guardian’s influence was likely tied to the world of sports or medicine, a figure who saw Jaekyung not as a child to be nurtured, but as a body to be molded, a tool to be sharpened. His physique was shaped to meet the guardian’s standards, his every action dictated by an unrelenting expectation of excellence. (chapter 54) There was no room for imperfection, no tolerance for hesitation. Thus I deduce that the champion’s choice of career could have been decided by the guardian, similar to the grandmother’s attitude with Kim Dan. Remember that he loves water and swimming. (chapter 27) Under this new light, it could explain why the fighter forgot his passion. They made sure that he would train restlessly. In this environment, vulnerability was a defect to be eradicated, not a human trait to be acknowledged. This description reminded me think of Park Namwook and his family. The manager is a former national wrestler who is married to an athlete too.

The manager’s dream of opening the gym to children may appear as a strategic business decision (that’s where the money is), but it also raises an ethical concern. Will these children truly be nurtured, or will they be trained with the same rigid expectations that shaped Jaekyung? Parents who have achieved a level of success in sports—or, conversely, those who failed to reach their own aspirations—often project their dreams onto their children. This creates an environment where a child’s worth is tied not to their happiness or well-being but to their ability to perform and meet external standards.

This concept aligns with Jaekyung’s upbringing and could suggest that his guardian was someone deeply involved in the athletic world, someone who saw him not as a child but as a future champion, an extension of their own ambitions. The emphasis on performance, endurance, and strength suggests that Jaekyung was never given the option to define his own path—he was molded into what was expected of him.

This perspective also adds another dimension to the conflict with Park Namwook. If Jaekyung’s guardian resembled the manager in some way—someone deeply embedded in the sports industry and medical world, someone who placed performance above emotional well-being—it would explain why Jaekyung instinctively resists authority figures like him. (chapter 5) At the same time, it would highlight the potential danger of Park Namwook’s vision for the gym: an institution that might perpetuate the same cycle of control, shame, and expectation rather than fostering true passion and individuality in young athletes. That’s how I realized why the manager slapped his “boy” after the funny sparring: (chapter 26) He explained that the main lead was just a doctor. However, I am quite certain, underneath, the manager thought that doc Dan was not fit to spare: so small and weak. He doesn’t fit the criteria to become a sparring partner. Look at his reaction, when Seonho faced the champion: (chapter 46) Under this new light, it becomes comprehensible why Potato was also neglected by the manager. The young maknae belongs to a different weight category. There is this invisible rule that only strong people can become member from the gym. However, the purpose of such an institution shouldn’t be reduced to titles, strong and muscular men or boys. The gym should be opened to anyone who desires to have fun and improve their health.

This rigid conditioning is reflected in Jaekyung’s relationship with his own body and sexuality. He was formed into this model. I don’t think, the champion was able to perceive his own beauty in the past, (chapter 1), until he received the doctor’s massage in chapter 1. His attitude toward sex mirrors his training in the gym—focused on endurance, performance, and control. His body is a tool, a machine honed for efficiency. (chapter 63) Pleasure is secondary; the real goal is lasting, enduring, proving his stamina. Even in his most intimate moments, he is competing against an invisible opponent—his own ingrained fear of inadequacy.

And yet, despite this carefully maintained control, the cracks are beginning to show. In Episode 63, Jaekyung’s actions reveal a subconscious desire for validation, (chapter 63) for something beyond mere physicality. He wants Kim Dan to see him, to acknowledge him beyond his strength. But the conflict remains—his very conditioning tells him that intimacy is a weakness, that emotional attachment is a liability. This is why he hesitates by keeping his black briefs (chapter 63), why he keeps barriers between himself and Kim Dan, even when his body betrays his true desires.

The contrast between Jaekyung and Kim Dan is striking. The doctor grew up with an abundance of emotional connection but was shackled by guilt, while Jaekyung had all the resources necessary for success but was starved of love. Both were conditioned by their pasts, but where Kim Dan was shaped by an overbearing sense of duty, Jaekyung was forged in an environment that equated worth with winning. Hence he is still thinking of his title: (chapter 62)

In the end, Jaekyung’s rejection of vulnerability is not a sign of strength but a deeply ingrained fear. The unseen guardian may no longer be present, but their influence lingers in every step he takes, in every fight he wins, in every moment he suppresses his true emotions. He is still proving himself—to a ghost, to a voice that once told him he was never good enough.

Conclusion: The Last Invisible Barrier

Jaekyung’s struggle with exposure, mirrored through his gradual abandonment of clothing, speaks to the deeper conflict he faces. In the early days of their relationship, (chapter 4) nudity was a tool of dominance, a means of asserting control. Now, it has become a sign of submission—not in the physical sense, but in the way he is slowly relinquishing the emotional armor he has always relied upon. (chapter 44) His decision to keep his underwear on for as long as possible in Episode 63 is not a sign of detachment (chapter 63), but of his silent battle against the vulnerability he is beginning to feel.

The presence of fabric in their most intimate moments is not incidental; it is a subconscious language of distance and closeness. With each layer removed, Jaekyung is forced to confront an uncomfortable truth: for the first time, his body does not just crave release—it craves Kim Dan himself. Under this new light, it becomes comprehensible why the champion rejected this wonderful night in the penthouse: (chapter 44) He had violated all his rules: rather passive and submissive, light was on, while he was totally naked. Then he was facing the doctor. He could only justify his odd attitude with the alcohol.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Protected: Jinx: 💢Only Wanted Me For My Body 👄🤑

February 5, 2025February 12, 2025 ~ Bébébisous33

Jinx: Bruised 🩸 by Choices, Bound By Sacrifice 😭

February 1, 2025February 1, 2025 ~ Bébébisous33 ~ 1 Comment

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Fault in His Powerful Hands and A Clueless One-Way Street to Kim Dan

Exploring Kim Dan’s Psyche

In the complex narrative of Jinx, Kim Dan’s psyche is an intricate web woven from his upbringing, life experiences, and conditioned beliefs. Episode 61 serves as a focal point for understanding his internal struggles, particularly through the symbolic appearance of a bruise on his arm. (Chapter 61) However, this moment is not isolated—it reflects patterns in his personality that have appeared throughout the series. (Chapter 11) (chapter 18) This essay delves into the significance of Kim Dan’s physical and emotional bruises, examining how they symbolize his suffering, internal conflict and transformation. I will examine Kim Dan’s conflicted emotions surrounding gratitude and debt, contrasting his interactions with Joo Jaekyung and his grandmother, Shin Okja. Additionally, I will explore how Kim Dan’s conditioned identity as a caregiver drives his choices, even in his current living situation with the landlord, where he unconsciously replicates past dynamics. Ultimately, I will elaborate how Kim Dan’s newfound awareness could reshape his identity and relationships moving forward.

By comparing Episode 61 to earlier scenes, we can uncover recurring themes of sacrifice and rejection of help, shedding light on how Kim Dan’s mindset continues to perpetuate his suffering. This essay aims to unravel his internal contradictions, demonstrating how his struggles with gratitude, self-perception, and consent are deeply rooted in his past and manifest in his present relationships.

Bruised Flesh, Silent Cries

The bruise on Kim Dan’s arm in episode 61 (chapter 61) serves as a profound symbol of his neglect, overexertion, and silent suffering. More than just a physical injury, it reflects his exhaustion, malnutrition, and inability to recognize his own limits. Despite being a visible mark of his struggles, it goes unnoticed, until the champion, Joo Jaekyung, becomes the first to see it. (Chapter 61) His unexpected reaction catches Kim Dan off guard, further emphasizing how disconnected the doctor has become from his own well-being. However, contrary to the past (chapter 11), Kim Dan is truly responsible for the contusion. He caused the injury by removing the needle from the drip. (chapter 60) By taking this action, he absolved Joo Jaekyung of any responsibility for the injury, but this is merely a superficial conclusion. (Chapter 61) On the hand the circumstances surrounding the bruise, where Kim Dan removed the needle on his own, provide insight into his psyche. The deeper cause of the bruise lies in Kim Dan’s declining health, which is intrinsically connected to his malnutrition and the neglect he faces from those around him. It is important to recall that Joo Jaekyung was explicitly informed that Kim Dan needed rest (chapter 60). Yet, with his insistence, (chapter 61), he forced the physical therapist to keep working, adding even more strain than before. Though the physical therapist attempted to voice his disapproval, (chapter 61), he ultimately had no choice but to comply, as his order came from the hospice director. (Chapter 61) And why did the director override Kim Dan’s need for rest? Money and free PR. Joo Jaekyung’s influence secured the director’s approval, disregarding the doctor’s well-being in favor of business interests. This conversation at the director’s office makes one thing clear: words hold no power against profit. An d that realization led me to another connection—every one of Kim Dan’s bruises is linked to exploitation, whether by authority, obligation, or financial influence.

To summarize, all his bruises were linked to money. In episode 11 and 18, it was related to the debts and the loan shark Heo Manwook. Then in episode 43 it was because of the expensive present Kim Dan wanted to offer to his boss and idol. However, notice that just before making the decision to offer a birthday gift, Kim Dan had been encouraged by his grandmother to show his generosity and gratitude towards the athlete. (Chapter 41) It is clear that she was inciting him to work harder than before. This displays that Kim Dan was not allowed to rest. During this encounter, she didn’t ask him about his well-being either. And what is the link between these 3 episodes? The grandmother and her poverty. The latter was responsible for the loan.

And because of money, Kim Dan never went on his own to the hospital in order to get treated. That’s how it dawned on me how the halmoni’s neglect could be exposed. No hospital or doctor has a file about Kim Dan as patient. When Shin Okja was transferred to the hospice, the hospice director and doctor received her patient file, hence he could make the following prognostics: she didn’t have much time to live. (chapter 56) Kim Dan has only visited the hospital once, and this was solely due to Joo Jaekyung’s intervention. The latter needed medical attention himself (chapter 18) and took Kim Dan along, ensuring he was seen as an emergency patient. However, this visit was brief and lacked any comprehensive medical examination—no blood samples were taken, and his underlying health concerns remained undiagnosed. This omission further underscores the neglect Kim Dan has suffered, as even in a medical setting, his long-term health issues were overlooked.

In other words, the moment the main lead’s health condition worsens and he is brought to the hospice, it is likely that the medical staff will seek details regarding his medical history. Given that he has never received proper care, they may turn to his grandmother, Shin Okja, for information about his past treatments and health status. And what did the old woman confess to the gentle and kind celebrity? (chapter 21) He had never been healthy and strong. Moreover, when he joined them, at no moment the senior asked if he had gone to the doctor, though he had been sick before. (chapter 21) But back then, the champion didn’t pay too much attention to it. In my opinion, her response will likely reflect her established pattern of emotional detachment and deflection of responsibility. Rather than admitting her lack of concern for his well-being, she may shift blame onto the staff or Kim Dan himself (chapter 57). In the last case, she will downplay the severity of his condition, insisting that he has always been stubborn and independent. She could even mention her conversation, when she tried to convince Kim Dan to return to Seoul, but the latter refused to listen to her.

Shin Okja might express surprise or even mild indignation at the idea that Kim Dan has been suffering in silence. She could feign ignorance, claiming that he never shared his struggles with her or that she assumed he was capable of handling his own affairs. Her response may also reveal an attempt to protect her own image, deflecting any potential criticism of her negligence. At the same time, she might subtly imply that Kim Dan’s health issues are the result of his own choices—his insistence on working tirelessly, his rejection of her past attempts to offer him food (chapter 5), or his general reluctance to ask for help. He rejected the athlete’s help and concern. (chapter 60) In addition, Jinx-philes should recall how the nurse 1 reacted to doc Dan’s dizziness and workaholism (chapter 57). She blamed the main lead, because she imagined that Shin Okja would worry about him. However, it becomes clear that the halmoni is not worried about her grandson at all. She is acting like a fan in front of the athlete. (chapter 61) One might argue that based on this scene, the grandmother didn’t see him with the bruise on his arm. (chapter 61) He only remained at the door. However, observe that there was a cut between this image (chapter 61) and the conversation between the main couple in front of the hospice. (chapter 61) So he could have made his presence known to his relative before asking Joo Jaekyung to follow him because of his treatment. To conclude, I believe that she had the time and occasion to see her grandchild and his bruise.

This confrontation with the hospice staff may serve as a pivotal moment, not only in exposing the extent of Kim Dan’s suffering but also in highlighting the grandmother’s true nature. If the medical professionals press further, requesting past medical records or details of where he had been treated, it will become evident that there is little to no documented history. She had never been worried about his health, since he was young. This realization could solidify the perception of Kim Dan as someone who has been neglected for years, forcing those around him—especially Joo Jaekyung—to reevaluate their understanding of his struggles.

And now, you know why Cheolmin is so important. (chapter 13) He is the only doctor who has ever examined the protagonist so closely and even paid attention to his fingernails! (chapter 13) At the same time, the chingu from the club was the first one pointing out that his wounds were never treated!! Furthermore, I realized that the doctor’s lies from episode 11 (chapter 11) could appear in a different light: he was not beaten by Heo Manwook, but he truly tripped on the stairs due to his weak constitution, a new version of this scene: (chapter 59) He would space out and even fall asleep at any moment.

Secondly, by contrasting these bruises, I noticed a pattern. First, it was the doctor’s left eye, then the right eye. The bruises on the eyes symbolized the doctor’s blindness. The latter had been avoiding reality. At the same time, the purple eyes exposed people’s sightlessness and indifference. Later the physical therapist injures his hands and knee, but no one intervened again. (chapter 43) They imagined that rest was the best solution, something the champion had heard from Cheolmin before. That’s why he listened to his manager’s suggestion. He let him sleep instead of urging him to eat something. He had heard that rest was crucial forgetting that Kim Dan was suffering from malnutrition. (chapter 13) The latter was the cause for the severe exhaustion. However, like mentioned above, the doctor is not blameless either, because he never questioned why his wounds on the hand were bleeding again. (chapter 43) He thought, it was related to the massage, yet the reality was that this incident showed that he had coagulation issues. To conclude, all the bruises could have always been noticed by people due to their locations (eyes, hands, arm)! (chapter 11) While the manager and Kwak Junbeom saw the injury and accepted the “excuse”, the nurses are now no longer paying attention to Kim Dan’s well-being contrary to the past. The bruise on the doctor’s arm reflects the staff’s neglect: they are not helping him. They are now more obsessed with handsome guys (chapter 61) and his relationship with Joo Jaekyung. (chapter 61) That’s how I recognized why these women’s warm welcome and curiosity about Kim Dan were rather superficial. (chapter 56) His arrival stands for novelty and a breath of fresh air at the institution. However, with this change, the female staff is forgetting their original duty: they need to pay attention to their colleagues. They are behaving like the grandmother (chapter 61): fangirling over the handsome guys visiting their little town. That’s why Mingwa drew flowers in the last two images. No wonder why no one around Kim Dan is observing the bruise and his deteriorating condition. Moreover, since the physical therapist has a relative at the hospice, the staff is envisioning that Shin Okja is doing “her work”, she is paying attention to Kim Dan’s mental and physical conditions. On the other hand, there is no doubt that the grandmother has already delegated her own responsibility onto others, Kim Dan and the hospice. It is a medical institution, therefore they should pay attention to his working conditions. In other words, since no one feels responsible for the protagonist’s health, no one is worried about Kim Dan at all. At the end of episode 61, he is even so pale and breathless (chapter 61) that I am anticipating a terrible incident leading to a rude awakening for everyone.

Furthermore, the bruise (chapter 61) also reflects Kim Dan’s personality—marked by his selflessness, deep-seated low self-esteem and sacrificing tendencies. His inability to prioritize his own well-being is a recurring theme throughout the story, and it is intrinsically linked to his perception of self-worth. Conditioned by his upbringing, he has internalized the belief that his existence is burdensome, reinforcing his tendency to endure pain in silence. The fact that he was never taken to a doctor only strengthened his negative self-perception—medical care was seen as an expense he was unworthy of, a burden his grandmother should not have to bear.

The doctor’s bruise and Shin Okja’s education

In reality, Shin Okja’s supposed sacrifices were not genuine acts of selflessness but a carefully maintained illusion. While Kim Dan grew up believing she had given up so much for him, the truth was that she consistently prioritized herself, shaping his perception of responsibility and guilt. By neglecting his health, she subtly ingrained in him the notion that he was undeserving of care, further reinforcing his compulsion to sacrifice himself for others. This duality—the physical fragility of his health and the emotional scars of a neglected childhood—underscores the profound symbolic weight of the bruise, marking not just his external injuries but also the wounds inflicted upon his psyche.

Furthermore, in Chapter 61, (chapter 61) Shin Okja offers her yogurt to Joo Jaekyung, expressing concern over his weight loss. This small act of care stands in stark contrast to her treatment of Kim Dan, who has visibly suffered from weight loss and paleness too. In season 2, she no longer asked him if he would eat or if he desired to eat the yogurts.

Her neglect does not merely stem from past interactions, such as when Kim Dan dismissed her offerings, claiming he was no longer a child. It is rooted in a deeper belief that her responsibilities toward him have ended. (chapter 47) For Shin Okja, raising him to adulthood marked the completion of her duty, and his current struggles are no longer her concern. This perspective becomes evident in her words from Chapter 57, where she tells him, he can’t stay here forever, and it’s not like he’ll stick around after she dies. (chapter 57) By declaring that Kim Dan is now responsible for his own life, she emotionally detaches herself, absolving herself of any accountability for his deteriorating condition. However, she is forgetting (chapter 56) that she is still relying on him, as he is the one paying her hospice bills. Besides, she still doesn’t know that the loan is no longer existent. It was, as if he had to clean up her mess before her death. At no moment, she asks about the loan or the doctor’s future. She is not thinking about his future at all.

Moreover, Shin Okja’s earlier acknowledgment of Kim Dan’s worsening health condition (chapter 57) —coupled with his refusal to heed her concerns (chapter 57) — reinforces her conviction that she has fulfilled her role. In her mind, his rejection of her advice places the burden of care entirely on him, allowing her to dismiss any further involvement. This emotional withdrawal directly connects to the symbolism of the bruise: (chapter 61) it signifies not only Kim Dan’s physical neglect but also the absence of meaningful support from those who should care for him. The bruise becomes a manifestation of his grandmother’s abdication of responsibility, leaving him to bear the weight of his sacrifices alone, even as his health visibly deteriorates.

The bruise also holds significance in the context of the debts. (chapter 18) In episode 18, when Joo Jaekyung confronts Kim Dan about the loan, the doctor has a bruise on his left eye, symbolizing his entrapment and helplessness. This earlier injury highlights how Kim Dan has been conditioned to view himself as responsible for burdens that are not his own, perpetuating a cycle of sacrifice and self-neglect. And a new bruise appeared just after the athlete reminded the physical therapist of his past promise: (chapter 61) His grandmother’s disregard for his well-being amplifies the injustice of this situation; she allowed him to shoulder the debt despite knowing it was never truly his to bear. The bruise becomes a recurring motif, a visual representation of how others have imposed their responsibilities on Kim Dan, leaving him physically and emotionally scarred.

Shin Okja’s role in Kim Dan’s life is pivotal in understanding his psyche. Her methods of control were often passive-aggressive, characterized by guilt-tripping and emotional manipulation. In flashbacks, we see her imposing adult responsibilities on Kim Dan at a young age, reinforcing the idea that he must grow up quickly to alleviate her burdens. This dynamic is exemplified in Chapter 47, where she remarks, “You still have a lot of growing up to do, don’t you?” (chapter 47) In Chapter 57, Shin Okja’s detachment becomes more evident as she advises Kim Dan to leave the hospice. (chapter 57) These words strip Kim Dan of any sense of belonging or familial connection, further isolating him. Her suggestion that he move on reflects her mental and emotional withdrawal from him, leaving him adrift. This detachment, however, creates an opportunity for Joo Jaekyung to step into her place. As Shin Okja relinquishes her hold over Kim Dan, Joo Jaekyung’s role in his life becomes increasingly significant. The question remains whether Joo Jaekyung will rise to the occasion, offering Kim Dan the emotional support and respect he has long been denied.

The Symbolism of the Setting

The hospice, Light of Hope, serves as a symbolic backdrop for Kim Dan’s journey. It represents both a place of healing and a stark reminder of his sacrifices (chapter 60). The juxtaposition of the vibrant environment with Kim Dan’s deteriorating health underscores the neglect he faces. The hospice is meant to be a sanctuary, yet it becomes a space where Kim Dan is further burdened by the champion and his grandmother’s expectations (chapter 61) and the weight of his past.

The setting also reflects the champion’s role in Kim Dan’s life. Joo Jaekyung’s presence at the hospice symbolizes a potential turning point (chapter 61), where Kim Dan might finally confront his suppressed emotions and begin to heal. However, the pivotal detail lies in where Joo Jaekyung first notices the bruise on Kim Dan’s arm—not within the hospice but outside, in front of the building. This distinction is significant, as it suggests that Kim Dan’s true healing will not occur within the confines of the hospice itself, but in the broader expanse of nature, away from the constructed sanctuary. It hints at a deeper connection to the natural world as a source of renewal and recovery, a theme subtly woven into Kim Dan’s earlier reflections.

The imagery ties back to Kim Dan’s own words about Joo Jaekyung: (chapter 55) This line “I finally feel like I can breathe again”, written by Kim Dan, reveals a subconscious acknowledgment that his relationship with the champion represents a breath of fresh air, a chance to escape the suffocating expectations and burdens he has carried for so long. The bruise, a physical manifestation of his struggle, signals the breaking point of his role as a selfless caregiver. It challenges the illusion of invulnerability that Kim Dan has maintained and forces those around him to confront his vulnerability.

Furthermore, this notion of healing outside the hospice aligns with the setting of Kim Dan’s unconscious cry for help—the beach. His suicidal disposition in that scene reflects a desperate need for release, a yearning for an escape that the structured environment of the hospice cannot provide. (chapter 60) The beach, with its open and untamed expanse, symbolizes freedom and a return to the self. It foreshadows that Kim Dan’s true journey toward healing will require him to step outside the roles and confines imposed upon him, finding solace not in what is expected but in what feels authentic and liberating.

The Burden of Debts and Sacrifice

Kim Dan’s relationship with the debts encapsulates his conditioned belief that he must bear burdens alone. (chapter 18) His grandmother, Shin Okja, played a significant role in this mindset by fostering the illusion that hard work and sacrifice would erase the debts. However, as revealed in episode 18, this was a lie. Shin Okja made the choice to take on the loan and not to seek help (chapter 5), yet she burdened Kim Dan with it, using his sense of duty and gratitude against him. Her statement in episode 57 (chapter 57) —“This place isn’t your hometown, and you don’t have any ties here”—further reinforces the emotional distance she has always maintained, treating him more as an obligation than family. However, she is forgetting that as a senior, she still has obligations towards her grandson.

Joo Jaekyung’s decision to pay off the loan (chapter 18) in Episode 18 introduces the theme of gratitude (chapter 18) —or, more accurately, the lack thereof. The champion’s actions were motivated by a desire to help (chapter 18), hence the star was waiting for a smile from Kim Dan. Yet the latter perceived it as meddling. His immediate response (chapter 18) —shock, disbelief, and rejection—revealed his inability to accept help. This reaction stems from his upbringing, where he was conditioned to equate self-worth with self-reliance. Even after moving into Joo Jaekyung’s penthouse, Kim Dan insisted on repaying the loan (chapter 53), leaving a note when he moved out that promises to settle the debt. However, by Episode 61, Kim Dan is no longer mentioning the debt, signaling a shift in his priorities and a possible breaking point in his adherence to his grandmother’s expectations. (chapter 61)

Kim Dan’s lack of gratitude toward Joo Jaekyung also stems from a deeper existential crisis. When the champion repaid the loan, he unknowingly deprived Kim Dan of what had become his sole purpose in life: assisting his grandmother. (chapter 47) The physical therapist’s entire existence had revolved around fulfilling her needs, from managing the debt to taking care of her health. With her now approaching death and actively pushing him away, Kim Dan is left grappling with a profound sense of meaninglessness. (chapter 60) He had never been given the opportunity to develop dreams or ambitions of his own, as his life was entirely defined by his grandmother’s circumstances. This lack of agency further explains his rejection of Joo Jaekyung’s generosity in Episode 18 and his later promise to reimburse the loan. Clinging to this promise was Kim Dan’s way of creating purpose and meaning in a life that had otherwise been dictated by others. It highlights how deeply entrenched his self-sacrificing tendencies are, as even his attempts to assert independence are rooted in his conditioned need to serve others. That’s why I come to the following prediction. Kim Dan needs to get confronted with illness and death (he could lose his life) so that his will for life comes to the surface. Right now, he imagines that since he is young, he will outlive his relative, but the death of the puppy was a warning to him that youth is no guarantee for a long life. (chapter 59) Death can take away anyone and at any moment. In my eyes, if Joo Jaekyung uses his own body to save the doctor again (like for example blood transfusion and CPR), this time Kim Dan would feel truly grateful towards the champion. So far, the doctor has not recognized the star as his savior yet. By removing the needle, he denied the protagonist’s intervention on the beach: (chapter 60) Hence his arm got bruised. The contusion was a reminder that something had happened during that night, but Kim Dan chose to ignore the incident. He never questioned why he was on the beach, he acted, as if Joo JAekyung had lied. (chapter 60)

The Hypocrisy of Gratitude

Kim Dan’s inability to express gratitude towards Joo Jaekyung is rooted in the hypocrisy of his situation. (chapter 18) Deep down, Kim Dan knows that the debt was never truly his responsibility, making it difficult for him to view the champion’s actions as a genuine act of kindness. This inner conflict is compounded by his suicidal disposition, which renders the concept of repaying the debt meaningless.

Additionally, Kim Dan’s relationship with gratitude is further complicated by his grandmother’s influence. Shin Okja used pity (chapter 53) and guilt to manipulate Kim Dan into fulfilling her wishes, framing his sacrifices as acts of love and duty. Her neglect and disregard for his well-being, even as he deteriorates physically and emotionally, highlight her selfishness. Through his past memories, readers can get a glimpse of his misery. (chapter 59) He worked so hard, was even beaten, but he could never voice his torment. (chapter 59) Why? It is because the grandmother was no longer by his side and she never talked to him either. The absence of communication indicates her lack of interest in Kim Dan. And it becomes comprehensible why during that night, he felt the need to go to the ocean and drown himself. It is because he was gradually realizing his loneliness. With his relative’s death, he would only keep living a terrible life determined by work and nothing else.

And because Kim Dan made the promise to the champion to reimburse him, it is clear why the fighter reminded him of the “unpaid debt” after their reunion. (chapter 60) (chapter 60) Since Kim Dan had not accepted the fighter’s generosity and even reaffirmed the need to pay back the “loan”, Joo Jaekyung imagined that his fated partner was very principled about money. The latter was used to drive an edge between them. However, the MMA fighter made a terrible mistake at the hospice. With his remark (chapter 60), he created the impression that he was impatient, expecting to be paid back, and as such his past generosity was in truth fake. He never desired to assist the doctor with this problem. And note that from that night on, the physical therapist is no longer bringing up the topic of the unpaid debts. (chapter 61) In my opinion, the physical therapist has now internalized that he is not responsible for the unpaid debts. It is only a matter of time, until Kim Dan confronts the fighter with his biased prejudices (chapter 11) and even uses his own words against him: (chapter 22) The loan was the result of his grandmother’s decision. He never helped him, rather his grandmother.

The dynamic between Kim Dan and Joo Jaekyung also reveals the former’s hypocrisy. Despite feeling trapped and powerless, Kim Dan had choices. He could reveal the truth to the athlete, when he begged for his help: (chapter 11) However, he never explained his circumstances to the generous athlete. By keeping him in the dark, he reinforced his negative disposition about the doctor. And chapter 61 exposes this reality. His suffering was the result of his own decision. (chapter 61) Do you recognize the room? That was the doctor’s (chapter 19) (chapter 53) His decision to allow Joo Jaekyung into his bedroom in episode 61 demonstrates that he consented to the relationship, even if begrudgingly. (chapter 61) However, his reaction afterward (regret) suggests that he struggles to take ownership of his choices. The fact that he recalled this sex scene in the restroom divulges a certain resent towards the athlete. The latter abandoned him right after their interaction. Hence I come to the following deduction. In reality, he is projecting his frustrations onto Joo Jaekyung, masking his true feelings about his grandmother, who is the root cause of his conditioned self-sacrifice. And this observation brings to my next remark. People wondered when this intercourse took place. One might think that this took place rather early in the story because of the way Joo Jaekyung acted. He didn’t remove his pants (chapter 61) and acted like in episode 6. (chapter 6) or 8 (chapter 8) where he would abandon the protagonist right after the climax and not care about his partner’s conditions and feelings: (chapter 61) I might be wrong, but for me, it took place much later in the story, around the time the athlete was about to face Alfredo. Why? First notice that they had sex in the doctor’s bedroom. This means that Kim Dan was already living in the penthouse. The words from the champion implied that he would return to his own bedroom, where the doctor’s thoughts implied that he was standing close to his bed. However, so far, they only had sex in the champion’s bedroom, when it was the evening before the match: (chapter 13) Since the doctor mentioned that a match was right around the corner (chapter 61) It leaves us four possibilities. Randy Booker, Dominic Hill, Alfredo (chapter 47) and Baek Junmin. However, for the intercourse took place in the doctor’s bedroom (he wished to be carried to his own bed) (chapter 61), I am already excluding Randy Booker. Secondly, this sex session can not have taken place before his match with Dominic Hill (chapter 36), for they had sex every day. However, in episode 53, we discover their night before the match against the Shotgun (chapter 53) So this scene can only have taken place in chapter 47, when the match with Angelo got canceled and Kim Dan had been confronted with the terrible news about his terminally ill grandmother. (chapter 47) In the previous part of this essay, my avid readers could see the strong parallels between 61 and 47. But there exists another reason why I am inclining to think that the sex scene took place later in the story. It is because during that “magical night” (44), Kim Dan learned the notion of “consent”. (chapter 44) During that blue hour, Kim Dan discovered that he could say no! And notice that in his memory, he clearly thought that he could have rejected the athlete’s advances. (chapter 61) The other reason for this theory is Park Namwook’s advice at the gym: (chapter 46) He should mistrust the members from the gym and keep his distance from people. So during that time, Joo Jaekyung did follow his hyung’s advice (chapter 47), yet I can’t imagine that this man could become abstinent like in episode 19. Hence at some point, he must have felt the urge to possess Kim Dan, a mixture of fear and dominance. He imagined that way that he could impose his will onto the doctor and control his “loyalty”. With this submission, he would force the doctor to remain by his side. But naturally, this sex as “power play” could increase the gap between the main leads.

Interesting is that in episode 53 (chapter 53) doc Dan was copying the champion’s behavior from episode 61. Right after the sex, he would leave the bed and return to his bedroom. How did Joo Jaekyung recall this night? (chapter 53) He saw his attitude as a sign of disloyalty and “abandonment”. And that’s how Kim Dan is feeling in the restroom: (chapter 61) The darkness around the eyes is a metaphor for his resent and anger. And the moment you contrast the two memories (53 and 61), you can detect the hypocrisy of the two main leads. They only recall scenes where they were hurt and felt betrayed. However, in reality, they were both victims and perpetrators, because none of them chose to open up and talk to each other. Why? It is because both chose to listen to their “guardian” and their “favor”. Like mentioned before, in a quarrel, no one is right and wrong. The purpose of an argument is to listen to the counterpart and view incidents from their perspective. Finally, the physical therapist’s recollection serves as an important evidence that he had never been powerless and helpless. He could have refused all the time because their deal was never official.He could have used the contract as a shield. But the best evidence of Kim Dan’s power is this rejection: (chapter 61) I had already pointed out the increasing resistance and resilience from Kim Dan in episode 60: (chapter 61) My prediction came true. In the past, he could have denied the existence of the deal, Joo Jaekyung was free to seek another physical therapist. He never realized that he had some leverage. Yet he still followed the athlete’s requests. He saw himself bound by obligations. However, this was just an illusion. Hence in episode 61, we see him legitimating his consent that there was an imminent fight. (chapter 61) This shows that he always used others to justify his choices. That way, he could portray himself as a dutiful and loving person, while his sacrifices would all go unnoticed.

The doctor’s fate: a reflection of Joo Jaekyung’s life

Kim Dan’s bruises are more than just marks of exhaustion and overexertion; they symbolize the way his body is used for the benefit of others. (chapter 61) He is expected to work despite his declining health, his suffering dismissed by those around him. (chapter 61) His well-being is secondary to business interests, whether it be the hospice director valuing money and PR over his need for rest or Joo Jaekyung imposing additional strain despite knowing better. Every bruise on Kim Dan’s body is a reflection of a system that prioritizes productivity over humanity.

This, however, mirrors Joo Jaekyung’s own existence. (chapter 40) He is paid to receive bruises, to push his body past its limits (chapter 50), to endure pain while the public watches and profits are made. His suffering is entertainment, a spectacle that fuels the business of MMA. Though he is a champion, he is still a commodity, expected to perform regardless of his condition. (chapter 61) He understands, better than anyone, what it means to be physically used for the sake of others, yet he remains blind to the fact that he has placed Kim Dan in the same position. While one has no file about his health condition, the other has many files, but they are not studied, because this would push the manager to question his decision and even ruin the business: (chapter 17) I doubt that Park Namwook studied them, and notice that the recently hired PT didn’t ask for the champion’s files first: (chapter 54) Thus I deduce that the champion’s files are in reality a subterfuge. They give the impression that the doctors and Park Namwook truly care for his well-being, but it is not correct. They are only interested in his body because of wealth and reputation. But let’s return our attention to episode 61 and the champion’s attitude towards Kim Dan.

The hypocrisy is undeniable. (chapter 61) Joo Jaekyung pressures Kim Dan to work through his pain, (chapter 61) despite living a life where he is forced to do the same. He became what he despised—someone who forces another to sacrifice their well-being for business. (chapter 60) The reality is, both of them exist in a world where their worth is determined by what their bodies can endure. Kim Dan’s value is measured by his ability to work, just as Jaekyung’s is determined by his ability to fight. They are both trapped in a system that demands their suffering for profit, used by those in power who see them as tools rather than individuals.

If Joo Jaekyung fails to recognize this parallel, he will only perpetuate the very cycle that has shaped his own pain. But if he does, it could be the key to not only freeing Kim Dan from this exploitation but also breaking himself out of the same cycle. The question remains: will he see the truth before it’s too late? (chapter 54) It is clear that the manager wants Joo Jaekyung to return to the ring as soon as possible to erase the last “debacle”. In my opinion, the doctor’s illness could serve Joo Jaekyung as an excuse to delay his return to the ring and even not to accept the next challenge.

A Caregiver’s Identity

Kim Dan’s choice to rent from an elderly landlord (chapter 57) is another manifestation of his conditioned role as a caregiver. By living with an older man, he creates the illusion of a familial bond, mirroring the dynamic he shared with his grandmother. This decision highlights his struggle to break free from the identity imposed on him—one defined by servitude and selflessness. He assumes that he should take care of the landlord, offering to cook and expressing guilt for not fulfilling this perceived duty. Yet, the landlord subtly challenges this narrative. By inviting Kim Dan to eat breakfast (chapter 57) and dismissing his apologies, the landlord treats him as an equal rather than a caretaker. This dynamic forces Kim Dan to confront his false perception of himself.

The landlord’s care, though understated, contrasts sharply with Kim Dan’s expectations. In Episode 57, the landlord observes Kim Dan’s declining health and attempts to address his drinking habits. (chapter 57) Despite this, Kim Dan rejects the advice, demonstrating his resistance to being cared for. This moment underscores his internal conflict—he craves independence yet clings to the role of the selfless provider. The landlord’s actions expose the fallacy of Kim Dan’s identity, revealing that his caregiving is not always necessary or effective.

Kim Dan’s Transformation: From Self-Sacrifice to Self-Awareness

Chapter 61 marks a significant shift in Kim Dan’s psyche—he begins to view himself with self-pity. That’s why he recalled the sex in the restroom. (chapter 61) He was not feeling well, yet the champion still demanded to have sex with him. (chapter 61) However, like pointed out above, he could have objected and even explained the situation. But no… he chose silence and submission in the end. This exposes the long internalized belief that Joo Jaekyung is stubborn and won’t listen or even get angry. Moreover, it is related to the grandmother’s education which privileged money, obedience, silence and taboo. However, the recollection (chapter 61) is indicating the increasing resent and anger towards the star. Joo Jaekyung is no longer seen as a celebrity and idol, but as a inconsiderate man. This transformation is subtle but meaningful, as it reflects his burgeoning awareness of his own worth and the unjust treatment he has endured. For the first time, Kim Dan acknowledges himself as pitiful (chapter 61), a clear departure from his habitual role of unquestioned self-sacrifice. This moment signals the emergence of a new identity, where Kim Dan starts “treasuring” himself, even if only as someone who deserves more respect than he has been given. In his recollection, he has a wish: to have a companion who would take care of him.

Kim Dan’s realization that he was not respected by Joo Jaekyung (chapter 61) parallels the emotional and mental detachment of Shin Okja. While his grandmother had long imposed the role of a caregiver upon him, (chapter 61) her current disregard for his health and well-being forces him to confront the fragility of his own existence. His bruised arm and poor health serve as physical manifestations of this awakening—he is no longer the tireless, invincible caregiver but a vulnerable human being who could fall gravely ill (chapter 61) or even abandon others first. (chapter 53)

The Emotional Transition: Joo Jaekyung’s Role in Kim Dan’s Life

This transformation in Kim Dan reflects a deeper narrative shift in Jinx: the exploration of self-worth and emotional reciprocity. It signals that relationships should not be defined by obligation and sacrifice alone but also by mutual respect and care. As Kim Dan begins to recognize his own worth, the dynamics of his relationships with both Shin Okja and Joo Jaekyung are poised to change dramatically. (chapter 61) This chapter sets the stage for a redefinition of Kim Dan’s identity (chapter 61), no longer bound by the roles others have imposed on him but shaped by his own choices and growing self-respect.

Shin Okja’s emotional detachment opens a door for Joo Jaekyung to step into her place, but this transition is contingent on Joo Jaekyung admitting his feelings for Kim Dan. (chapter 61) The physical reminder of Kim Dan’s poor health is not only a wake-up call for Joo Jaekyung but also for Kim Dan himself. It emphasizes that caregiving cannot define his identity entirely, and he too needs care and consideration.

This dynamic creates a powerful opportunity for growth in their relationship. If Joo Jaekyung is to fill the void left by Shin Okja, he must evolve from a figure of dominance to one of emotional support and genuine affection. Similarly, Kim Dan must shed the remnants of his belief that his only worth lies in what he can do for others. His growing self-awareness, catalyzed by his deteriorating health, paves the way for this mutual transformation.

The Role of Health as a Narrative Reminder

Kim Dan’s health, deteriorating as it is, serves a dual purpose. For Joo Jaekyung, it is a stark reminder of the consequences of his past neglect (chapter 13) and the fragility of Kim Dan’s existence. For Kim Dan, it challenges his self-perception as an indestructible caregiver. This realization could lead him to an inevitable conclusion: his own needs and well-being are just as important as those of others.

Ironically, this reversal also suggests a possibility that Kim Dan could be the one to abandon his grandmother first—not out of malice but as a natural consequence of his newfound understanding of his humanity. He wants to live, he doesn’t want to die now. His physical limitations and emotional exhaustion could compel him to prioritize his own survival over the expectations imposed on him, marking a definitive break from his past.

To conclude, Kim Dan’s deteriorating health presents a pivotal moment in his journey, marking a potential shift from mere survival to truly embracing life. His identity, long defined by caregiving and sacrifice, could face a profound challenge if his condition worsens, forcing him into a role of dependency. Joo Jaekyung’s role in this transformation could be equally transformative. Witnessing Kim Dan’s vulnerability might inspire the champion to step into the role of a true caregiver, fostering a deeper emotional connection between them. This shift would starkly contrast Kim Dan’s relationship with his grandmother, where care was one-sided and manipulative. Instead, it could establish a foundation of mutual respect and shared responsibility, breaking the cycle of transactional relationships that have defined Kim Dan’s past.

Ultimately, Kim Dan’s illness could become a catalyst for healing—not just physically but emotionally—for both him and Joo Jaekyung. It sets the stage for a relationship rooted in genuine care and respect, underscoring the broader theme of personal growth and the rediscovery of self-worth.

Conclusion

“Bruised by Choices, Bound by Sacrifice” encapsulates the complexities of Kim Dan’s character and his relationships. The recurring motif of the bruise serves as a powerful symbol of his struggles, reflecting both his physical pain and the emotional scars left by his upbringing. The debts, gratitude, and the hospice setting further illustrate how Kim Dan’s sacrifices have shaped his identity, forcing him to navigate a path filled with contradictions and unspoken resentments.

This examination also underscores the profound link between silence and sacrifice in Kim Dan’s journey. His suffering largely went unnoticed not just due to external neglect but because of his own choice to remain silent. Kim Dan never expressed his thoughts or emotions, choosing instead to endure in silence to avoid burdening his grandmother. Ironically, this silence was unnecessary, as Shin Okja herself was blinded by his youth, assuming that his vitality ensured he would outlive her. This assumption prevented her from recognizing his vulnerabilities, highlighting yet another layer of neglect in their relationship.

Through this lens, Kim Dan’s journey becomes a poignant exploration of the cost of selflessness and the courage it takes to reclaim one’s agency. His silence, once a symbol of sacrifice, now stands as a barrier he must overcome to truly heal and redefine his life on his own terms. By breaking free from the constraints of unspoken expectations and misplaced gratitude, Kim Dan’s transformation holds the promise of a future where his choices are guided by self-respect and a newfound understanding of his worth.

In earlier chapters, such as Chapter 57, Kim Dan’s landlord invited him to share breakfast, showing a degree of care and concern. However, Kim Dan deflected this gesture, maintaining his self-imposed role as a caregiver. In Chapter 58, despite sitting at a table with Heesung, Potato, and the landlord, Kim Dan’s disengagement from the meal—leaving most of the chicken untouched and avoiding the rice wine—highlighted his hidden struggles with both malnutrition and alcoholism. His deliberate avoidance of the rice wine reflects an effort to conceal his drinking habits, adding another layer to his isolation.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Clueless 🫨❓One Way Street to Kim Dan 🐹

January 25, 2025January 26, 2025 ~ Bébébisous33 ~ 2 Comments

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Deceptive Light Of Hope and The Fault in His Powerful Hands

In Jinx, the relationship between Joo Jaekyung and Kim Dan takes center stage as a transformative journey, marked by unexpected decisions and evolving dynamics. This journey is not only metaphorical but also visual, as emphasized in episode 61 through the recurring imagery of Joo Jaekyung’s car. Mingwa dedicates numerous panels (chapter 61) to the champion’s expensive car (chapter 61), which symbolizes his personal and emotional odyssey. The car embodies a dual symbolism: on one hand, it represents his quest for happiness, freedom, and purpose; on the other, it signifies civilization and his disconnection from nature. Each frame highlights not just his physical travel but the deeper changes he undergoes along the way.

The car’s prominence underscores the champion’s life of privilege and control, yet it also signifies his yearning for something more meaningful. The zoom on the screeching wheel in Episode 61 (chapter 61) marks a pivotal moment: his journey reaches its destination at the hospice. This “final stop” symbolizes his decision to live closer to Kim Dan and find a sense of rest and belonging. However, the screeching wheel also represents an unconscious choice by the fighter. At this stage, he perceives his visit as temporary, limited to his rehabilitation. (chapter 61) This explains why, later, the athlete is shown honking at Kim Dan while driving in the opposite direction, illustrating that his mindset had not yet shifted fully. (chapter 61) In the final scene, the car is no longer present, symbolizing the completion of his journey, as he settles near Kim Dan and redefines his purpose. By settling near Kim Dan (chapter 61), Joo Jaekyung shifts his focus from external accomplishments to internal growth and emotional connection.

At its core, the essay “A Clueless One-Way Street to Kim Dan” explores how Joo Jaekyung’s choices, initially rooted in habit (chapter 61) and superficial assumptions (chapter 61), lead him into uncharted emotional territory. This essay examines the pivotal moments that highlight his progression—from the conversation with the manipulative orthopedic surgeon to his introspective thoughts in his penthouse, his trip to the small town, and, ultimately, his realization of the permanence of his new path. By analyzing these stages, it becomes evident that Joo Jaekyung’s seemingly routine actions mark a profound and irreversible change in his life, especially as his relationship with Kim Dan shifts from a boss-employee dynamic to a pure doctor-patient bond before becoming neighbors.

The Surgeon’s Manipulation: A Subtle Push

The orthopedic surgeon, (chapter 61) Park Junmin, displays a striking lack of empathy and a clear focus on self-interest in his interactions with Joo Jaekyung across two pivotal chapters. In Episode 54, he highlights Joo Jaekyung’s prolonged recovery, urging him to rest but failing to show genuine concern for his well-being. (chapter 54) (chapter 61) By Episode 61, his attitude becomes overtly transactional, reflecting a focus on securing Joo Jaekyung’s rehabilitation at his hospital to boost its reputation. During their first consultation, Park Junmin avoided eye contact, using the computer as a shield to mask his detachment and avoid accountability. In their second conversation, however, he looks directly at Joo Jaekyung and even smiles, attempting to project warmth. This shift underscores his passive and opportunistic nature: he subtly blames Joo Jaekyung’s body for the slow recovery but later seeks credit for the champion’s improvement. His behavior dehumanizes Joo Jaekyung, treating his body as merchandise to enhance the hospital’s prestige, as evidenced by his manipulative remark, (chapter 61) This statement reflects his agenda rather than any genuine concern for the champion’s future.

The lack of empathy in Park Junmin’s approach is further emphasized by his name, a combination of “Park,” the manager, and “Baek Junmin,” the last fighter. This naming convention may signify a deliberate connection to figures who have exploited or controlled the main lead for their own gain. Park Junmin’s behavior mirrors these themes, reducing Joo Jaekyung to a tool for professional prestige rather than treating him as a person with multifaceted needs. While the manager saw in the fighter a “boy” (chapter 40), the other considered him as a baby. (chapter 49) And what is the other common denominator between these three characters? (chapter 54) (chapter 49) (chapter 61) They expressed not only urgency, but also their desire to see the champion prove his “value” in the ring. This shows that none of them are seeing the main lead as a man, even as an adult. For them, he is just a fighter and he has no private life. Park Junmin’s pseudo-suggestion (chapter 61) , which masquerades as encouragement but subtly imposes his own agenda, reminds me of the behavior of Park Namwook (chapter 56), the lawyer, and the manager from the entertainment agency, who all used similar tactics. (chapter 36) They all had expectations on him.

What is striking here is Joo Jaekyung’s response. (chapter 61) While we do not see his gaze, his expression oozes dissatisfaction, revealing that he is fully aware of the manipulation at play. This moment mirrors his reaction in Chapter 6 (chapter 6), where he recognized how Kim Dan like the others were exploiting him for his money and reputation. However, this time, his awareness reflects growth: thanks to the doctor’s polite refusal (chapter 60), Joo Jaekyung now knows about the sincerity and humility of Kim Dan in contrast to those who treat him like a commodity. Thanks to Kim Dan, he is able to reject the pseudo-suggestion and instead prioritize a more genuine and respectful dynamic. He instinctively rejects the offer by stating that he will receive treatment elsewhere, a decision that catches the surgeon off guard and further showcases Joo Jaekyung’s resistance to being controlled. Turning away from the hospital, Joo Jaekyung unknowingly embarks on a journey shaped by his emotional needs, though he remains unaware of the full implications of this decision.

The Penthouse Reflections: Clinging to the Past

Joo Jaekyung’s return to his penthouse (chapter 61) marks a period of superficial introspection (chapter 61) where he begins to rationalize his actions. (chapter 61) He imagines the situation as analogous to his past—using fame, money, and connections to achieve his goals. (chapter 61) In his mind, this scenario is nothing new; he is simply leveraging his resources to secure treatment from Kim Dan (chapter 61), much like he has done countless times before in other contexts. However, this rationalization obscures a critical difference: he is no longer in control of the dynamic.

The transformation of their relationship into a pure doctor-patient dynamic represents a significant departure from their previous interactions. This new dynamic is marked by mutual respect and the absence of the power imbalances that once defined their connection. (chapter 61) Joo Jaekyung’s decision to seek treatment from Kim Dan, rather than the hospital recommended by Park Junmin, signals his growing trust in Kim Dan’s abilities and judgment. It also reflects an implicit acknowledgment of the positive impact Kim Dan has had on his life, even though Kim Dan has not yet treated him.

What makes this transition particularly compelling is Joo Jaekyung’s gradual awareness of the emotional implications of this shift. (chapter 61) As he adjusts to a life dictated by Kim Dan’s schedule, he begins to recognize the limitations of his previous reliance on fame, money, and connections. This realization is not immediate but unfolds as he navigates the challenges of adapting to a new way of life. The loss of his VIP status becomes a catalyst for personal growth, forcing him to confront his vulnerabilities and redefine his sense of self beyond his achievements. This implies that the balance of power is moving closer to equity, though it is not achieved yet. Kim Dan’s refusal to return to the gym compels Joo Jaekyung to adapt to his terms, diminishing the power dynamic that previously defined their relationship. Kim Dan is now the one controlling the champion’s time. This shift signifies the erosion of the transactional nature of their relationship. No longer a boss commanding an employee, Joo Jaekyung becomes a patient seeking help from a professional. (chapter 61) That’s why Kim Dan can leave his side right away after the treatment. Moreover, the main lead feels no longer obliged to talk to his fated partner. He interacts as little as possible with the MMA fighter. (chapter 61) The champion is confronted with silence and emotional distance revealing that Joo Jaekyung is looking for something else. I would even add that he needed to experience this new approach as failure in order to force himself to change his MO and mind-set. This loss of status as a VIP underscores a larger theme in the narrative: the futility of relying on external markers of success to navigate personal relationships.

The Illusion of Separation Versus Reality

During his penthouse reflections, Joo Jaekyung envisions a future (chapter 61) where he receives treatment from Kim Dan and then parts ways, as if their connection could be neatly severed. This imagined scenario reveals his reluctance to acknowledge the depth of their bond. Influenced by Park Junmin and Park Namwook’s words (chapter 61), Joo Jaekyung begins to internalize the idea that his relationship with Kim Dan is purely functional and temporary. However, this perception is far from reality.

The juxtaposition of this imagined separation with the scene of Joo Jaekyung honking his car horn behind Kim Dan highlights the disconnect between fiction and reality. (chapter 61) In the image with the car, Joo Jaekyung is following Kim Dan, unaware of the symbolic significance of his actions. He thought that by driving towards the doctor, the latter would notice him and ask for a ride. However, in this small town, the physical therapist doesn’t need any transportation. I would even add, because of this experience (chapter 32) (chapter 32), the “hamster” learned to be cautious about such “generous offers”. 😂 That’s why the physical therapist is rejecting any assistance from the athlete. Because of this reminder (chapter 60), Joo Jaekyung lost all his credibility in the doctor’s eyes. From that moment on, Kim Dan is perceiving any offer or genuine concern as a trick and fake assistance with selfish intentions. Hence the hamster can no longer see the celebrity’s genuine and selfless action, like this one: (chapter 61) Each time Kim Dan turns his back on him (chapter 61), it reinforces Joo Jaekyung’s subconscious pursuit. The honking scene represents reality—Joo Jaekyung knows what he wants (here his attention) and continues to follow Kim Dan, yet he does not recognize the emotional dependency forming through these actions.

Contrastingly, in his imagined separation, Joo Jaekyung places himself and Kim Dan as individuals moving in opposite directions, as though their paths can diverge without consequence. (chapter 61) This contrast emphasizes the deeper truth: their positions in the honking scene reflect their emotional states and goals in life. Joo Jaekyung is grounded, determined, and focused (initially thinking of his title), whereas Kim Dan is aimless, lost, and struggling with suicidal thoughts. The honking car scene becomes a metaphor for their intertwined fates—Joo Jaekyung’s persistence and clarity must ultimately provide direction and purpose to Kim Dan’s life. At the same time, it implies that the athlete also needs to change his goal now. He can no longer keep thinking of his title, if he desires to get the doctor’s attention and closeness. He needs to become less self-centered and selfish. In other words, the honking scene marks a pivotal turning point in the champion’s life, signifying a path of no return. And the evidence is that right after this image, the car not only vanishes, but also is replaced with this little house which was remodeled into a hostel before. (chapter 61)

Moving to the Little Town: A New Reality

Joo Jaekyung’s decision to move to the small town marks a significant turning point in his journey. (chapter 61) This transition is not just physical but deeply symbolic, contrasting his former life of isolation and detachment in the penthouse with a new environment characterized by community and connection.

The white penthouse, towering above the city, reflects Joo Jaekyung’s loneliness and separation from others. (chapter 61) Its luxurious yet cold atmosphere symbolizes his exclusion and lack of roots. It is a sterile world. (chapter 35) Living above everyone else, like a god, further emphasizes his disconnection from the world around him. Seoul itself, as a city of anonymity, amplifies this isolation. The penthouse’s grandeur and emptiness serve as a stark reminder of his solitary existence, where material success failed to provide fulfillment. (chapter 61) The panel where he reflects on his “confusing feelings” encapsulates this sense of emotional emptiness. Standing alone in the grand yet sterile space, he recognizes the hollowness of his success and his growing need to confront and process his emotions. This moment becomes the catalyst for his move, symbolizing his readiness to leave behind the detachment of his past.

In contrast, his new house in the small town represents a shift toward belonging and grounding. (chapter 61) The presence of neighbors, a garden with plants, the refraction and fresh air signify his move toward a more connected, colorful and harmonious life. He is now closer to nature. (chapter 61) The T-shirt he wears, emblazoned with “Fair of God Essentials,” subtly reflects his evolving mindset. The phrase evokes themes of humility and essentialism, aligning with his journey from a life defined by material excess to one centered on genuine connection and simplicity. The notion of “being neighbors” further emphasizes his integration into the community—a stark contrast to his isolated existence in the penthouse. The house is no longer just a space but a reflection of his evolving priorities.

Another layer of this transformation is revealed through Joo Jaekyung’s interactions with Shin Okja, Kim Dan’s grandmother. (chapter 61) Drawing from past experiences, the champion believed that treating Shin Okja well would win Kim Dan’s favor. In earlier episodes, Kim Dan expressed gratitude with a gentle smile (chapter 22) when Joo Jaekyung made efforts to bring a smile to his grandmother’s face, even going so far as to cook him breakfast afterward. (chapter 22) Having missed Kim Dan’s meals and the intimacy they symbolized, Joo Jaekyung unconsciously imagines that this approach will recreate that connection.

However, this strategy backfires. (chapter 61) The doctor is showing his disappointment with his mouth. Kim Dan, burdened by his own painful experiences with his grandmother, has come to see their relationship as fractured. (chapter 57) Shin Okja’s rejection of Kim Dan, telling him he was a stranger and should return to Seoul, further deepened the divide. In a significant moment, Shin Okja uses for the champion the phrase “our little town,” (chapter 61) which gives the impression that she is including Kim Dan in her sense of community. However, in Episode 57 she had expressed the exact opposite. For her, home is deeply tied to family and childhood, while Kim Dan, who spent most of his time in Seoul, represents a disconnection from that shared history. So when she utilized this idiom, she was referring to the community in general.

This expression, “our little town,” is relevant because it shapes Joo Jaekyung’s perception of Kim Dan. He begins to think that Kim Dan belongs to the town and came there in order to get support (chapter 60), unaware of the rejection Kim Dan experiences from his grandmother. Joo Jaekyung may even believe that the old man in the town is a relative of Kim Dan, further solidifying his misunderstanding. Note that he doesn’t investigate Kim Dan’s life, he judges him based on impressions and appearances, especially since he can no longer talk to him. These interactions underline a crucial misalignment: while Joo Jaekyung interprets Shin Okja’s words as inclusive and warm, Kim Dan can only be reminded of his exclusion and estrangement. Shin Okja’s conversation with Joo Jaekyung will undoubtedly play a significant role in the future: a point of no return.

When Shin Okja offers her affection to Joo Jaekyung (chapter 61) —taking his hand and even offering him yogurts (chapter 61), gestures she denied her own grandson in season 2 —it can only exacerbate Kim Dan’s feelings of alienation. The zoomed panel of their hands (chapter 61) is laden with significance, suggesting that Kim Dan is observing this moment with jealousy and pain. Instead of fostering closeness, Joo Jaekyung’s well-intentioned efforts inadvertently drive a wedge between himself and Kim Dan, making the latter feel as though his grandmother’s affection is being taken away. In fact, this scene outlines the grandmother’s selfishness and neglect towards Kim Dan. She expresses her worries for the champion’s loss of weight (chapter 61), but seems to have forgotten that Kim Dan is in a similar situation. (chapter 57) By moving to that place, the athlete can say that he belongs to that place and can claim his closeness to the grandmother.

It raises an intriguing question: did he rent or buy this place? Based on his actions and growing attachment to Kim Dan, it seems more likely that he purchased the house, though his intentions may not be to stay forever in the beginning. (chapter 61) Instead, the house symbolizes a period of rest and healing, as he himself acknowledges that this space is intertwined with the idea of taking a break. Naturally, his statement is a mixture of truth and lie. He has to hide his true intentions from the “old man”.

This comparison between the penthouse and the new house highlights Joo Jaekyung’s transformation. The penthouse’s sterile opulence contrasts sharply with the warmth and potential for growth in his new surroundings. By choosing to leave behind the isolation of his previous life, Joo Jaekyung takes a step toward a future where he is no longer defined by material success but by his ability to connect with others and nurture meaningful relationships.

At the same time, the move underscores the irony of his situation. While Joo Jaekyung initially imagined that his actions would lead to gratitude and closeness (chapter 61), the reality is far more complex. Kim Dan’s insistence on maintaining professional boundaries forces Joo Jaekyung to confront the limitations of his influence and the necessity of respecting Kim Dan’s autonomy. The daily routine of seeking treatment (chapter 61) becomes a metaphor for the gradual dismantling of his old ways of thinking, paving the way for personal growth and a deeper understanding of their evolving bond.

But why did he move? We have to envision that till his move to that place, he must have traveled each day from Seoul. Imagine the time he spent on the road!! (chapter 61) And each time, his treatment sessions were so short and didn’t fulfill the champion’s expectations. 😂 His motivations for this move stem from his realization that Kim Dan was drawing a clear line between them, one defined strictly by their doctor-patient relationship. Despite Joo Jaekyung’s attempts to recreate the dynamics of their past interactions, he begins to understand that Kim Dan’s boundaries are unyielding. (chapter 61) He can no longer hide his special relationship behind work. (chapter 61) This means that his move announces a change in their relationship: privacy. They are neighbors and as such acquaintances.

The move signifies Joo Jaekyung’s willingness to adapt to this new reality, even if it challenges his sense of control and comfort. By relocating, he not only physically places himself closer to Kim Dan but also symbolically acknowledges the shift in their relationship. (chapter 61) This decision highlights his growing dependency on Kim Dan’s presence and care, even as he struggles to navigate the limitations imposed by the doctor-patient dynamic.

Awakening Maternal Instincts in the champion

Interestingly, the number 6 itself is often associated with themes of motherhood, care, harmony, and the ability to foster deep emotional connections. It embodies community, home, and a sense of togetherness, qualities that Joo Jaekyung begins to embody as his transformation unfolds, reinforcing the symbolic depth of this arc.

The number 6 is associated with beauty, harmony, charisma, and the ability to experience deep love. Under the influence of Venus, individuals resonating with number 6 possess a magnetic charm and an effortless ability to attract others. They are often sensual and excel at flirting, exuding a natural allure. The 6 values home life, comfort, and a harmonious atmosphere. It embodies caring qualities, enjoys tranquility, and upholds traditions. With its presence, the 6 can create a positive mood and vibe within a community, fostering a sense of togetherness. Quote from https://www.numerologistpro.com/numerology-numbers/numerology-number-6-meaning/

That’s why I come to the following deduction. Episodes 60 to 69 represent a significant arc in Joo Jaekyung’s character development, particularly as he awakens to his nurturing, almost maternal instincts. This shift is first revealed in his immediate concern upon noticing the large bruise on Kim Dan’s arm. (chapter 61) Despite working in a hospice surrounded by trained nurses (chapter 61), no one else notices or comments on this obvious injury. It was, as if the staff including the director were all blinded by the celebrity’s status and wealth. (chapter 61) This detail underscores Joo Jaekyung’s unique focus on Kim Dan, contrasting the indifference or detachment of those around him. (chapter 61) However, there exist other reasons for their neglect. Like the director of this hospice pointed out, this institution is focused on elderly people and cancer. (chapter 61) So unconsciously, they came to develop the following belief: only elderly people can get sick. This explicates why the doctor and the nurse recommended rest to Joo Jaekyung (chapter 60). They imagined that Kim Dan was simply suffering from a burnout. (chapter 57) However, in real life, young people can become ill too. Secondly, cancer is not the only disease in the world, just like burnout is not the only mental issue. There exists so many disorders and diseases that it is important that a hospital doesn’t focus too much on one illness. Why? It is because the hospice or hospital will lose its patients in the long run. No wonder why the institution in this little town is not modernized. (chapter 61) Therefore with the arrival of Joo Jaekyung at the hospice, it becomes clear that this institution will be forced to change its strategy and even its name. From a hospice to a hospital… It is no coincidence that the director of the movie called it a hospital (chapter 59). He didn’t make the distinction in the end.

But let’s return our attention to the celebrity and his shocking discovery. (chapter 61) Joo Jaekyung’s sincere concern, however, is short-lived for two reasons. (chapter 61) First, Kim Dan rejects his assistance (chapter 61), creating an emotional barrier that Joo Jaekyung respects (chapter 61), even if begrudgingly. Secondly, Joo Jaekyung quickly connects the bruise to the removal of a needle (chapter 61), which absolves him of any perceived responsibility for Kim Dan’s injury. This logical deduction, while correct, also highlights the limits of his emotional insight at this stage. Although he recognizes the physical signs of distress, he does not yet fully grasp the emotional struggles underlying them and the danger behind this huge bruise.

This moment is pivotal because it reveals Joo Jaekyung’s potential to care deeply for others, even as he struggles to navigate the boundaries imposed by Kim Dan. It marks the beginning of a shift from seeing Kim Dan as merely his doctor to recognizing the vulnerabilities and needs of the person behind the professional role.

Another key figure in this transformation is Boksoon, the dog, (chapter 61) who serves as a symbol of motherhood and nature. Boksoon’s own experiences, including the loss of a puppy (chapter 59), highlight the impact of nurturing and loss, shaping her behavior toward both her puppies and humans. She should become more attentive and reliant on humans, notifying them if something is wrong. Her heightened sensitivity positions her as a potential bridge between Kim Dan and Joo Jaekyung, subtly training the champion’s nurturing instincts. Hence in front of the house, she stands between the main couple. (chapter 61)

The landlord, who owns Boksoon, also plays a crucial role in this dynamic. Initially, the grandfather denies responsibility for the puppy’s death (chapter 59), attributing it to the natural order and failing to take proactive steps like seeking veterinary care. (chapter 57) This missed opportunity underscores the consequences of neglect, in contrast to Boksoon’s increased attentiveness. On the other side, the old man paid attention to Kim Dan’s odd behavior (his alcoholism – chapter 57 -, his workaholism – chapter 57 ) Hence I am assuming that he will be a source of information for the champion. And now pay attention to their position in front of the house: (chapter 61) The landlord and Boksoon together create a link between the two protagonists, building a bridge of shared responsibility and care. Joo Jaekyung’s proximity to Kim Dan, the landlord, and Boksoon demands that he earn their trust and favor. This interconnected relationship encourages him to focus not just on Kim Dan but also on the community around him, further cultivating his maternal instincts and sense of responsibility. With the vanishing of his car, he is not using his status to demonstrate his superiority. With his attitude, he is trying to create a genuine relationship with his “neighbors”. Naturally, he has not dropped his “selfishness” entirely yet. Hence his smile is a mixture of sincerity and calculation: (chapter 61)

A Shared Goal: Standing Side by Side

The contrasting images—the honking car (chapter 61) and the imagined separation (chapter 61) —underscore the emotional stakes of Joo Jaekyung’s journey. The honking car scene captures the reality of their relationship: Joo Jaekyung’s determined pursuit of Kim Dan, despite the latter’s emotional distance and struggles. The imagined separation, on the other hand, reflects Joo Jaekyung’s initial misunderstanding of their bond as something temporary and transactional.

For Joo Jaekyung to truly help Kim Dan, he must realize that their goals must align. Kim Dan’s suicidal tendencies and lack of direction require more than professional care; they need emotional support and a new sense of purpose.

(chapter 61) By changing his approach, Joo Jaekyung can become a source of stability and meaning in Kim Dan’s life. The narrative suggests that the ultimate resolution lies in their ability to stand side by side, as equals, sharing a common goal and mutual understanding. This alignment is foreshadowed in the final scene, where their positions symbolize unity and a shared future. However, their hands are not joined. In my opinion, the last image announces the birth of a real team. And this brings me back to his imagined separation. Even in his superficial pondering and rationalized thoughts, the champion is always seen alone. (chapter 61) There is no real Team Black and team spirit. In that small town, he will discover the power of a team.

The Road of No Return

Joo Jaekyung’s decision to seek treatment from Kim Dan ultimately represents a turning point that reshapes his life in ways he could not have anticipated. This choice, though seemingly minor at the time, sets him on a path of no return, where his time, priorities, and emotional well-being become increasingly intertwined with Kim Dan’s presence. (chapter 61) The daily travel for treatment serves as a metaphor for this new reality, where Joo Jaekyung’s life is no longer dictated by his own terms but by the needs and schedules of another.

This shift highlights the inevitability of change and the limitations of attempting to control every aspect of one’s life. Joo Jaekyung’s journey underscores the importance of embracing vulnerability and relinquishing control, even in the face of uncertainty. By choosing to prioritize his well-being over external markers of success, he begins to forge a new path that is defined not by what he has achieved but by who he is becoming. (chapter 61) He is now a citizen of that small community, hence he is bound by social norms and traditions. So the move symbolizes that Joo Jaekyung has begun to internalize the notion of respect. Moreover, this internalization of laws and boundaries is essential for developing true bravery, as it requires understanding and respecting limits to navigate relationships and challenges meaningfully. [For more read my essay Cowardice versus courage: innate or learnable?] In order to expose his true self and as such his vulnerabilities, he needs to become courageous and as such to cross the line. By choosing to settle in a small town, he acknowledges the need to adhere to norms and laws. This environment, which values community and accountability, highlights the shift in his mindset. Unlike before, where his wealth and status allowed him to bypass consequences (chapter 37), Joo Jaekyung now operates within a framework where he must respect boundaries and take responsibility for his actions. This transition signifies his understanding that money cannot shield him from the realities of interpersonal relationships and the consequences of his past behavior. To conclude, he can no longer cross the line and return to his old self.

Conclusion

Joo Jaekyung’s journey in episode 61 reveals the transformative power of vulnerability, frustration, connection, and the willingness to confront one’s own limitations. His evolution from a detached and transactional figure to a character who values genuine relationships underscores a broader theme of self-discovery and personal growth. Each pivotal moment—be it the manipulative pseudo-suggestions of Park Junmin, his reflections in the penthouse, or his interactions with Shin Okja—serves as a step along the road to change.

The move to the small town symbolizes more than a change in location; it reflects his internalization of respect, the importance of boundaries, and the understanding that true bravery arises from accepting and operating within those limits. The shift from isolation in his penthouse to embracing a community-oriented life highlights his desire to integrate into a world defined by accountability and care, rather than wealth and privilege.

His bond with Kim Dan serves as the emotional core of this transformation. Initially rooted in a hierarchical dynamic, their relationship evolves into one of mutual dependency and growth. Joo Jaekyung’s recognition of Kim Dan’s sincerity and resilience pushes him to challenge his own assumptions and adapt to a new reality. However, this journey is not without its missteps, as seen in his interactions with the director and Shin Okja, which inadvertently deepen Kim Dan’s feelings of alienation.

Ultimately, Joo Jaekyung’s story is a testament to the complexities of human connection. It demonstrates how seemingly small decisions—whether it’s choosing to move, rejecting manipulative advice, or taking notice of another’s pain—can ripple into profound changes. By embracing vulnerability and relinquishing control, Joo Jaekyung steps onto a path that is defined not by external achievements but by the authenticity of his relationships and his willingness to grow. His journey highlights that true transformation often requires navigating a one-way street, leaving behind the familiar and embracing the uncertainty of what lies ahead.

Jinx: The Deceptive Light💡 Of Hope ❇️

January 18, 2025January 19, 2025 ~ Bébébisous33 ~ Leave a comment

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Mermaid’s Illusion of Love and A Luminous Kiss Amid Shadows This is where you can watch the K-drama Love Scout

Hope often implies the promise of a tomorrow, a continuation of life and opportunity. Yet in Jinx, the depiction of Kim Dan’s condition—his unconscious attempted suicide (chapter 60), deteriorating physical health (chapter 60), and the ominous setting of the hospice (chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. (chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, (chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy (chapter 53), emphasizing his vulnerability and dependence on others.

Without intervention, Kim Dan’s condition—both physical and emotional—could spiral into irreparable harm, reflecting the unnoticed demise of the puppy. 😭This essay will examine these events chronologically, beginning with Joo Jaekyung’s urgent rescue and arrival at the hospice. The narrative will then explore the symbolic meaning of the photographs, including the fifth puppy’s fleeting presence and its absence in subsequent images, as well as the profound symbolism of the room where Kim Dan is placed. This analysis will reveal how both elements intertwine to foreshadow Kim Dan’s increasingly tenuous grip on life and the unspoken realities of his condition.

The Rescue and the Green Cross

Joo Jaekyung rushed to the hospice with Kim Dan in his arms (chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness.

Moreover, we have to imagine that while looking around for help on the beach, (chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean (chapter 60), coupled with his labored breathing as he hurried into the hospice. His question (chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. (chapter 57)

This observation invites deeper reflection on why a small town would have a hospice rather than a hospital. The answer may lie in the demographic realities of the region. The aging population is evident in scenes depicting the town’s streets, where Potato and Heesung encounter primarily elderly individuals (chapter 58), such as two older women (chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord (chapter 58) nicknamed “old man” (chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population.

People aged 65 and older took up nearly 20 percent of South Korea’s population this year amid rapid aging and the ultra-low birthrate, data showed Thursday.

The number of senior citizens stood at 9.94 million in 2024, accounting for 19.2 percent of the country’s 51.75 million population, according to the data from Statistics Korea.

The proportion is forecast to surpass 20 percent in 2025, which will make South Korea a “super-aged society,” and is to rise further to 30 percent in 2036 and over 40 percent in 2050. Quoted from https://en.yna.co.kr/view/AEN20240926004100320?utm_source=chatgpt.com

Concurrently, the country recorded the world’s lowest fertility rate, with an average of 0.72 births per woman in 2023. This demographic trend is anticipated to continue, with projections indicating that by 2072, the population could decline by 30%, reducing the current 51.7 million to approximately 36.2 million. Quoted from https://time.com/6488894/south-korea-low-fertility-rate-trend-decline/?utm_source=chatgpt.com

These statistics underscore the challenges South Korea faces in balancing an increasing elderly population with a shrinking workforce, impacting economic growth, healthcare systems, and social services. While “Light of Hope” caters to the growing number of seniors, this approach inadvertently reinforces the exodus of younger generations. This migration from the countryside to Seoul or other major cities is subtly reflected in Jinx. Yoon-Gu, for instance, comes from the province of Gangwon-Do, embodying the trend of younger people leaving rural areas in search of opportunities. (chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. (chapter 57) This observation is further supported by the panel depicting the hospice’s exterior, which highlights its offer of free health checks. This detail suggests that the hospice is actively trying to attract new patients and has the necessary resources to conduct thorough medical examinations. For instance, when one of Kim Dan’s patients fell, the hospice staff were able to examine him properly (chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, (chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event (chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.

This stark reality mirrors Kim Dan’s mental and physical state. The trail of blood he left behind (chapter 60) —a consequence of removing his IV needle—symbolizes his quiet surrender and deteriorating health. When Kim Dan arrived at the hospice, he carried the faint hope of finding solace (chapter 56), particularly from his grandmother, who had promised to go to the beach with him. (chapter 53) However, this hope was met with disappointment (chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy (chapter 59) but also his grandmother’s diminishing expectations of him. (chapter 56) She expressed twice that she no longer needed him. (chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness (chapter 57), easy bruising (chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. (chapter 60) Is it a coincidence that a company with the green logo K was shown in different panels, like this one? (Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company.

The Room and Its Symbolism

The room (chapter 60) where Kim Dan is placed raises significant questions about its purpose within the hospice. The presence of curtains, indicating multiple beds, contrasts with the lack of personal belongings or cupboards (see as a comparison, Shin Okja’s room – episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange (chapter 56) (chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨

This interpretation becomes clearer when contrasted with the emergency room depicted in the K-drama Love Scout. In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, discovering different patients behind each one until finding the right person. This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. (chapter 56) (chapter 60) Like in Love Scout, the room in Jinx also has closed curtains, but instead of revealing activity or connection, it implies abandonment and isolation for those behind them. How so? Contrary to the transparent, automatic doors of the emergency room in Love Scout, the door in this scene is closed, manual, and opaque. Such a door symbolizes privacy and secrecy, further emphasizing the room’s association with isolation and death. In addition, the lack of anyone visibly attending to them suggests desertion. Everything is indicating that this space is not dedicated to immediate care and life-saving measures contrary to the emergency room. This contrast emphasizes that the room in Jinx symbolizes abandonment and death rather than rescue.

But there’s more to it. In Episode 52, the curtains in the health center were removed between two patients (chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. (chapter 57) or the mysterious Park Jinchul (chapter 56) (chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. (chapter 60) The room’s atmosphere intensifies this realization, as the symbolism of abandonment permeates its design and the interactions within. Moreover, since many people could see parallels between this scene with the doctor’s situation in the locker room, (chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. (chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract (chapter 60), it signifies that it is a reflection from chapter 6: (chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: (chapter 56) Only a bedridden person on the verge of dying can express such a gratitude towards the physical therapist.

If this interpretation is correct, the room’s symbolism is intertwined with death rather than rescue, then it conveys a sense of abandonment, as though the staff had already given up on Kim Dan. Furthermore, the decision not to place Kim Dan near his grandmother suggests an effort to keep the incident hidden from her (if she is not in the room), emphasizing the isolation surrounding his condition. On the other hand, the champion’s presence in that room could represent a chance for the athlete as well. This could represent the moment of his “rebirth”. Through a honest but painful conversation, the fighter would be encouraged to judge Kim Dan in a different light and nurture his maternal instincts. Moreover, he could give some comfort to a dying patient, similar to this scene: (chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient.

And if my deductions based on observations are true, this signifies that the brochure from Light Of Hope (chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone.

Between Lies and Misconceptions

Kim Dan’s interaction with Joo Jaekyung in this room is marked by lies and unspoken truths, which define the fragile dynamic between them. Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか？” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response (chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team.

Kim Dan’s body language mirrors this emotional disconnection. (chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. (chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. (chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. (chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. (chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: (chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.

Jaekyung, for his part, struggles with acknowledging his dependency on Kim Dan. (chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner.

This dynamic is further emphasized when comparing their positions in Episode 6 and Episode 60. In Episode 6, Kim Dan was standing while Jaekyung sat (chapter 6), reflecting the power imbalance between them. Kim Dan momentarily held the upper hand by negotiating his terms, but once Jaekyung agreed, their positions shifted (chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other (chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: (chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, (chapter 60) it is Jaekyung who has become emotionally reliant on him. Kim Dan’s stubbornness to push through his fragility mirrors the fighter’s own traits, exposing an ironic role reversal that neither of them fully acknowledges.

Despite his outward confidence, (chapter 60) his refusal to engage truthfully exposes his internal conflict and fear of reliance. But why does he fear so much closeness and dependency? Naturally, Jinx-philes should keep in their mind his terrible childhood where he suffered emotional abuse. Moreover, he had been taken advantage from his previous sex partners. (chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: (chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations (chapter 60), as he did in episode 6. (chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: (chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: (chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic (chapter 60) underscores his desire for a deeper, more meaningful connection—something Jaekyung is unable to see due to his own emotional barriers.

But there is another reason why he got rejected. Fate wanted to punish the athlete for putting his own selfish desires over the doctor’s. He had seen the physical therapist in a dangerous situation (chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: (chapter 60). Yet, the first thing he talked about with the doctor was work (chapter 60), once Kim Dan asked him for the reason of his visit: (chapter 60) In other words, with his request, he implied that he had not been longing for Kim Dan’s company. With his attitude, he could only give the impression that he was not interested in the man Kim Dan, rather in the physical therapist, and that’s not what the main lead truly desires. To conclude, his behavior and words generated the impression that the fighter was only superficially interested in him. It was, as if his rescue on the beach had never taken place. He was definitely undermining his own “good deed”.

Their interaction becomes a poignant dance of unspoken fears and withheld truths, illustrating how deeply both characters are entrenched in their insecurities. From the very start, the conversation is undermined by these concealed emotions, dooming it to failure and highlighting the isolation each character feels despite their physical proximity.

Potato’s Role and the Symbolism of Photos

Potato’s involvement adds another layer to the narrative. While the readers can notice the photo of Kim Dan in front of the hospice, they also detect the pictures of the puppies, which were captured later. (chapter 60) These images reveal that Potato visited the old man’s house to bid farewell to the animals. Among the photos, only one shows the fifth puppy—a small, brown one on the left—who appears less active than the others, symbolizing its declining condition. This shows that he was present, when the puppy was showing signs of being sick, but he did nothing. He was too focused on the moment cheering these animals on (chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? (chapter 60) He blamed himself.

Additionally, Potato’s farewell request to treat Kim Dan to a meal if he ever returns to Seoul reveals his underlying doubt. (chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. (chapter 60) This lack of sensitivity and focus on celebrities, flowers, or the puppies instead of his friend underscores the growing emotional distance between them. Interestingly, while Potato returned to the old man’s house to bid farewell to the puppies, he has no intention of returning to the hospice. This contrast highlights how his farewell request serves as an acknowledgment that they are unlikely to meet again. This detachment mirrors Jaekyung and Heesung’s superficial connections, emphasizing how work relationships often overshadow genuine bonds.

Lies, Betrayal, and Ignorance

Potato’s secret visit concerning the puppies and his silence regarding Kim Dan’s whereabouts reveal his growing resemblance to Heesung. (chapter 60) When he got caught with his silence, Mingwa never showed us Potato’s justification. Yet, it becomes clear that the young fighter decided to give the following explanation: he respected Kim Dan’s wish to remain undiscovered (chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts (chapter 60) He deliberately avoided revealing that Potato was the one who disclosed Kim Dan’s location, shielding Potato’s role and perhaps attempting to protect the fragile connection they all share. This omission reflects Jaekyung’s misguided belief that ignorance might shield Kim Dan from further pain or complications. However, claiming he respected Kim Dan’s wish to remain undiscovered—was a lie, as his true motivation was Heesung’s request. (chapter 58) Therefore it is not surprising that through this omission, the main couple got affected. The lie from the chow chow had consequences for it increased the gap between the two protagonists. That’s how it dawned on me why Mingwa revealed the photo library of Potato. (chapter 60) The latter would serve as an evidence of his passivity and blindness towards Kim Dan, for the 5th puppy was still alive back then. The latter represents the fate of the doctor’s. These layers of deception highlight how characters like Potato become increasingly absorbed in their own worlds, blinded by their focus on superficial priorities.

This theme of being “too late” is also mirrored in Kim Dan’s experience with the puppy’s fate (chapter 59) and Joo Jaekyung’s rescue of Kim Dan. (chapter 59) In the case of the puppy, Kim Dan arrived too late to save the small animal, reflecting his self-doubt and hesitance to trust his abilities. Conversely, Joo Jaekyung arrived just in time to rescue Kim Dan from the ocean, demonstrating his decisive action. However, his failure to keep Kim Dan in a safe environment afterward suggests a broader inability to provide sustained support, echoing the narrative’s overarching theme of fragility and impermanence. (chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan.

The imagery of the fifth puppy serves as a poignant commentary on the consequences of neglect and inaction. The puppy’s decline—evident but unaddressed—parallels Kim Dan’s own struggles. Just as the fifth puppy’s fading presence is overshadowed by the activity of its siblings, (chapter 60) Kim Dan’s vulnerability risks being overlooked amid the chaos of the narrative. The missing puppy becomes a haunting reminder of what happens when fragility is ignored: a slow, quiet decline that ultimately goes unnoticed until it is too late. With too late comes regrets and remorse: (chapter 57) Cheolmin already warned his friend in episode 13: (chapter 13) But the man refused to listen to his advice, and now Kim Dan is leaving a trail of blood on the floor (chapter 60) indicating that his blood is not coagulating correctly. The last comment from the athlete implies that he is now accepting the challenge, he will do anything to have Kim Dan come back to him. Nevertheless, there exists one problem in my opinion: he is running out of time due to Kim Dan‘s physical and emotional deterioration, while he needs time to regain the physical therapist‘s trust.

Conclusion: The Fragility of Hope

The title, “The Deceptive Light of Hope,” encapsulates the essence of these intertwined narratives. The hospice’s name promises healing and solace, yet it masks the harsh reality of end-of-life care. On the other hand, since the couple reunited there, their relationship can be built on better foundations. They are surrounded by people who are definitely more attentive and less passive than at the gym. Moreover, the athlete has been living as a zombie all this time, the latter needs to die in order to be reborn as a human being. But it is the same for Kim Dan who has been living as a ghost for the last one and half month. On the other hand, rebirth is strongly intertwined with suffering, which reinforces my conviction that something bad to Kim Dan will happen. Since a beating heart is the symbol for humanity, it signifies that both will have to open up and confess their feelings. Similarly, the brightly lit hospital room, symbolizing purity, conceals the lies and unspoken truths exchanged between Jaekyung and Kim Dan. Potato’s photographs, seemingly innocent, betray a certain selfishness, ignorance and detachment, symbolized by the missing puppy. Each element contributes to the overarching theme: the fragile and often deceptive nature of hope in a world where appearances rarely align with reality. It is only a matter of time, until the wrongdoers realize their mistakes and apologize properly.

Jinx: Sweet 🍬 Redemption or Sweet Poison ☠️? The Price of Desire

December 15, 2024December 16, 2024 ~ Bébébisous33 ~ 4 Comments

Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Echoes of a Blue Friend (locked) and Illumination in the Tiled Sanctuary (locked)

Headache, Poison and Addiction

In the previous essay, I focused on the symbolism of the rooms in the champion’s life. Therefore I came to neglect the champion’s headache in the restroom. (chapter 55) One might think that the causes for his throbbing head are his depression and insomnia. On the other hand, I am quite certain that many readers had a different explanation for his migraine. He is missing his lover, Kim Dan, as the color red symbolizes the headache and the physical therapist’s name is strongly intertwined with this pigment which was once again confirmed in episoe 56. (chapter 56) So it is true that his migraine are caused by the doctor’s absence. It was, as if the main lead was suffering from withdrawal symptoms. The fighter has a love addiction, but he is not aware of the existence of this “sweet poison”. But there’s more to it.

Very early on, I had associated the “hamster” to a drug, but more precisely to a sweet candy and even a strawberry, like my different illustrations of analyses are displaying it Thus I consider this image, where the champion is seen (chapter 43) eating a strawberry with cream as the announcement of the magical night between Kim Dan and his fated partner. The fruit with the cream represented a violation to his strict diet.

The wolf’s coping mechanisms

So the moment Joo Jaekyung was left alone, he tried to cope with the withdrawal symptoms by replacing with other drugs, like for example alcohol (chapter 55) or the medicine against migraine. (chapter 54) However, in episode 55, we can observe a huge change in the champion. (chapter 55) The latter is finally admitting the inefficiency of the medicine. In other words, in this scene, he was giving up on them. This represents an important step on his way to enlightenment. For me, it signifies that he is stopping relying on pharmaceutical products. Let’s not forget that in the past, he rejected the PT and even neglected them. Why? It is because he trusted more sprays and other medicines than people. (chapter 49) Therefore the switch of the spray had to occur. He needed to question his prejudices and attitude. But let’s return our attention to the champion and his throbbing head. One detail in this panel caught my notice. (chapter 55) Interesting is that Mingwa portrayed him with closed eyes. It is not anodyne in my opinion, for the author was referring to the star’s third eye. Here, the protagonist was using it. That’s the reason why I interpret this image as a metamorphosis in the fighter.

Headache and alcohol

And what about alcohol? When the cleaning lady with her colleagues removed all the empty bottles of wine, she made the following comment: (chapter 55). This means that she had not seen the mess in the master room before: (chapter 55) And now, pay attention to the number of the bottles in his room: (chapter 55) I count 12 bottles of wine exactly like in the last image from chapter 54. Thus I came to the following deductions:

The cleaning staff only comes once a week and it is on Mondays!!
This signifies that a week had passed between the moment the fighter started drinking (chapter 54) and the appearance of the staff in chapter 55. It indicates that Jinx-philes can witness time deceleration in season 2. From one month in one chapter, then a week in the next episode, finally we have a reference to a day: Monday. Thus I deduce that in episode 56, only 2 or 3 days elapsed. I have already announced that the couple should meet each other around 25th: (chapter 56), for the day Kim Dan wired his money to his “loved one” took place after 10th of the month: XX = two digits. (chapter 55)

Then, the fact that this woman questioned the fighter’s behavior before removing the bottle, (chapter 55), indicates her surprise. She can not explain his huge change of behavior (messy and dirty room). She is trying to find an explanation: maybe a party with friends? The woman’s comment about the champion’s drinking habits seems to carry a dual tone. On one hand, it could be interpreted as playful or ironic banter, potentially lightheartedly teasing him about drinking heavily or having an active social life. On the other hand, it could also function as a reminder or critique, subtly pointing out the extent of his drinking and perhaps hinting at concern or judgment. For me, she was showing concern for her boss. The other evidence for this interpretation is that she brought the gift with the card: (chapter 55) Consequently, I judge the cleaning lady as the positive version of Park Namwook. Though she uses social norms, she doesn’t use them against her employee. She didn’t condemn him, it is a mixture of teasing and reminder. At the same time, her intervention implies that she must have noticed changes in her boss after the arrival of Kim Dan in the flat and his departure. That’s the reason why I have the impression that this image is announcing another turning point in the champion’s life either: (chapter 55) He won’t drink like before. However, I don’t think that he will behave like in the past: reject any alcohol entirely.

Migraine and the power of love

Moreover, I would like to point out that the moment the champion masturbated himself, (chapter 55), his migraine vanished. Though he is holding his head the next morning and hiding his gaze (chapter 55) (chapter 55), the Webtoonist didn’t add any red or “throb” as an indication for a migraine. As you can see, his headache is strongly intertwined with repressing the physical therapist and as such locking away memories. However, there exists another cause. What had the doctor done in the past? (chapter 44) Yes, the main lead had patted his lover’s head, while the champion had his eyes close. In my opinion, his unconscious had registered this gesture and loved it. However, the champion had not seen it himself. He was drunk and had his eyes closed. This stroke on the head symbolizes appreciation, affection and recognition. (chapter 23) That’s how little kids are admired and loved. This stands in opposition to the abuser’s behavior: (chapter 54) parental criticism and absence of contact. And how did Choi Heesung express his “love” to Yoon Gu? (chapter special 2) The same way than Kim Dan with the patting! In other words, the champion is deep down longing for such a gesture, but he has not realized it yet. Nevertheless, I believe that he just needs a trigger.

And what was he doing it here? (chapter 55) Stroking himself his head!! On the one hand, it stands for self-reliance, on the other hand it symbolizes his growing maturity. He is somehow attempting to be gentler with himself. Thus I interpret this image as the symbol of growth and insight, whereas I judge the scene in the bathroom as its negative reflection. How was the champion drawn under the shower?

(chapter 55) With his left opened eye!! The exact opposite from this picture: (chapter 55) This signifies that under the shower, he made the opposite decision: no insight and clairvoyance. He chose to bury the doctor again. The problem is that it was already too late. And what is the other difference between these two panels? The absence of the migraine! As long as the athlete thinks about Kim Dan, he has no throbbing head. This explicates why at the end, of episode 55, he was no longer suffering from a migraine. (chapter 55) This observation got confirmed in episode 56, though I couldn’t expose it before the release of the new chapter. (chapter 56) As long as the fighter thinks of his fated partner, he is not plagued with a throbbing head. This shows that it has something to do with repressing memories. However, his physical condition is still not improving: (chapter 56) He even looks worse than before: exhausted and malnourished. There is no one by his side taking care of him: his only interaction with his manager is through the phone. At no moment, the guy felt the need to pay a visit to his boss and champion. (chapter 56) Because I discovered the connection between memories and the physical therapist, it is important to examine the interaction between the main lead and the new uke.

Migraine and the placebo

Yes, I am comparing the new uke to a placebo, a fake “medicine”.

The placebo effect is when a person’s physical or mental health appears to improve after taking a placebo or ‘dummy’ treatment. Placebo is Latin for ‘I will please’ and refers to a treatment that appears real, but is designed to have no therapeutic benefit. A placebo can be a sugar pill, a water or salt water (saline) injection or even a fake surgical procedure. Quoted from https://www.betterhealth.vic.gov.au/health/conditionsandtreatments/placebo-effect

Funny is the original meaning of placebo: “I will please”. Who is pleasing whom at the club? I would say, the celebrity is like a sweet reward to the bottom. Hence the latter is smiling, when he starts talking to the fighter. (chapter 55) This signifies that in reality, the uke is the one benefiting more from this relationship, while the “Gucgi guy” is a placebo for Joo Jaekyung. He can not replace the true medicine: Dan’s love. But Joo Jaekyung chose to close an eye to the truth forgetting his “insight” from chapter 2: (chapter 2) However, back then, he had just stated it in order to get rid of the mint-goblin. He needed a justification for switching his partner. In other words, this was reflecting more the protagonist’s corrupted mind and heart. Therefore he is designed eyeless, the symbol for ignorance, lies and blindness.

What caught my attention is that the author zoomed on Joo Jaekyung’s gaze and notice that the zoom was more on his right eye. (chapter 55) And where did he have his migraine exactly? (chapter 55) It was on the right side and eye! It truly exposes that Joo Jaekyung was getting punished for his attitude. He is not allowed to bury and forget Kim Dan. The star’s open eyes in this episode symbolize denial, lack of self-awareness and as such the absence of insight. He is also punished for his lies in episode 2. His words might have reflected the truth, but his words didn’t expose a change of heart. He was taking advantage of this situation as well. So when the pain intensified pushing him to close his right eye, we should consider this image as a short moment of reflection and realization. In the restroom, he was forced to admit that only Kim Dan could kiss him. Is it a coincidence that just before Mingwa presented this image (chapter 55), she designed her characters eyeless? (chapter 55) Naturally no, she was mirroring the attitude of both figures: both were in denial!! Notice that though the star had no reaction in front of the “replacement”, the latter chose not to give up at all. This man was not expecting a rejection, in fact he was in total denial as well. He didn’t notice the star’s passivity and silence.(chapter 55) He was just standing there and avoiding his gaze. (chapter 55) By such a lethargy and the absence of an erection, the uke should have recognized that the fighter was not into him at all! But no, this man chose to close his eyes to the truth. Why? Because of his greed and selfishness. This explains his shocked reaction, when the athlete pushes him away and leaves: (chapter 55) How can the MMA fighter reject him? This displays his huge confidence or arrogance. There’s no doubt that he will put the blame on Joo Jaekyung. At the same time, I believe that his blindness was also caused by his greed. (chapter 55) He knew that the protagonist was rich and famous.

But let’s return our attention to the athlete. Since the champion’s headache is located on the right side, Jinx-philes should pay attention to the place the doctor patted him: the left side! (chapter 44) This shows that he would like to be patted on his whole head, exactly like Potato. And he had received it in episode 5: (chapter 5) Therefore he was in a happy mood after that match. A simple gesture with a lot of power! He has been missing this hand or better said this gesture. This action was the main lead’s true motivation. (chapter 54) Don’t forget that Dominic Hill had expressed his admiration in a similar way, patting on the back: (chapter 40) No wonder why he felt so lost and empty after the last fight. (chapter 5) But whose hand is this? Park Namwook or coach Jeong Yosep? Because I saw connections between chapter 43-44 and 55, I deduce that (chapter 43) this was the coach’s hand. In other words, the athlete felt more close to the coach than to the manager. This would explain why he would listen to the coach and even entrust him with huge tasks like the charity event. Strangely, in season 1, we can observe how more or more he is distancing himself from the fighter. Probably related to his secret relationship with Kim Dan. According to my theory, the coach is aware of their relationship. They are more than just boss and employee. As you can see, I don’t think that the champion is right now just missing the doctor’s sweet lips. Deep down, he would like to be patted by his loved one, exactly like Potato. (chapter 23) (special episode 2) But this is what he received after the last match: (chapter 52) Nevertheless, Joo Jaekyung is lost as well, because he needs to face his old and fake belief: he is jinxed. But in order to remove this persistent superstition, it is important to study the origins of the athlete’s sexuality. How can I do this?

The origins for the wolf’s excitement

I have always stated that the champion’s libido was strongly intertwined with his aggressiveness. His intercourses were like surrogate fights in the bed. This explicates why the mint-goblin didn’t put much effort to “seduce” him and only touched his sex, when he was on the verge of losing his biggest income: (chapter 2) The champion’s reaction is quite telling. He is not easily swayed. But we have another bigger evidence that his intercourses were replacement for “fights”. In The States, the fighter asked Kim Dan to join him at 11:00. (chapter 38) He needed to prepare himself mentally, to visualize how he would screw his opponent Dominic Hill. He was just taking the expression “fuck/screw” too literally. The latter idiom has the following synonyms: to cheat, oppress, bleed, coerce, wrest and to tighten. Just before the doctor came to his door, what was the athlete doing? He was watching a video from his challenger: (chapter 38) Therefore it is not surprising that he rejected Kim Dan’s request first. (chapter 39) He didn’t feel like it, because he was not aroused at all. Imagine that he needed two hours for that erection, a sign that during that night, Kim Dan was in reality a replacement for the American fighter. (chapter 39) Even when the doctor rubbed his hand against his sex, he had no reaction. (chapter 38) In fact, he needed a fellatio to get an erection, and he only started getting excited, when he saw the doctor’s gaze. That’s the reason why he remembered this image under the shower: (chapter 55) However, the more time the champion spent time with his physical therapist, the more he came to violate his own rules and principles: It started with their first meeting, when he crossed the line by mixing private and professional life together: (chapter 56) Here, Jinx-philes should detect a change, for the champion used the idiom “play”, which is strongly intertwined with fun and entertainment. Then the second violation took place, when the main lead suggested this deal. (chapter 6), Sex was no longer linked to matches, but to his own desires. To conclude, for the first time, the fighter connected sex to pleasure and desires and not “work and fighting”. Because of the deal and Joo Jaekyung’s strange behavior (sex shower scene, …) the PT had the impression that his boss was a man obsessed with sex.

However, this connection between sex and fight was not truly severed at the end of season 1, as the athlete didn’t give up on his biggest rule: to have sex before a match. This observation brings me to the last intercourse between the doctor and Joo Jaekyung. (chapter 53) The latter didn’t feel the need to have more sex with Kim Dan, he let his partner leave the place. Why? This contrasts so much to their First Wedding Night: (chapter 4) (chapter 53) Pay attention to the behavior from the fighter during their last night together. He is looking away, he is not paying attention to his fated companion. His mind was elsewhere, focused on Baek Junmin! In my opinion, during that night, the champion had been able to differentiate between the physical therapist and his opponent. Fighting was more important than sex and as such his sex partner. To conclude, the physical therapist had been able to win Joo Jaekyung’s belief and heart. He was no longer a replacement at all. He had become a person close the fighter.

This signifies as well, the sex before the match had lost its true purpose, and this change occurred in the bathroom, when the athlete made the following resolve: (chapter 49) he wanted to screw Baek Junmin for real. In this image, the athlete oozes confidence and strength. This means that he was no longer dependent on the good fuck before the match. (chapter 53) However, the main lead never realized this huge change, he kept his old belief as a tradition out of habit. This explicates why the fighter tried to replace with a new uke (chapter 55), but here the sex was longer connected to a match, rather to fun. Finally, observe how the champion is now blaming his PT for his ruined match: (chapter 56). I don’t think, he was referring to the spray incident, rather to their night before the match. The doctor had not behaved like a real opponent, he had admitted his “defeat” quite easily. He had left the ring before procuring him a good fuck. He was blaming his partner for violating his rule: (chapter 2) But here is the thing. Kim Dan had just accepted the deal because of his grandmother. Secondly, he learned an important lesson during that magical night: consent! (chapter 44) Sex is a synonym for love and as such it is about giving pleasure and affection to his partner. It is a two-way street. And this is something that the champion has to admit and accept. Thus I deduce that the fighter still has a long way to go before dropping all his fake principles. Like mentioned before, he needs to ponder on the following question: what matters to him the most? His championship or his happiness? Or what is sex to him? Why does he think that he is jinxed? He needs to face his own painful past and remember the face of his tormentor.

However, so far, I didn’t elaborate why Joo Jaekyung came to link fight and sex together. So where does it come from? The answer is simple. The origins of his anger and belligerence were linked to the ghosts from the past: (chapter 49) Baek Junmin and the abusive parent. (chapter 54) Deep down, he wants to punish them. Back then, he must have felt powerless, therefore he chose to erase them from his memories.In both cases, the athlete succeeded to forget them, but he didn’t truly move on with his life. The sufferings they brought upon him were still lingering in his heart and mind. Many readers could detect that the fighter had masturbated on the couch, as he left two tissues on the table: (chapter 54) But I doubt that he had been thinking about the doctor during that time, as Kim Dan only emerged in his nightmare: (chapter 54) But the masturbation had taken place before. So who did he have in mind, when he was jerking off? I might shock my avid readers, but I would say: Baek Junmin. (chapter 54) However, this gesture had the opposite signification: rage, resent… but also sweet revenge! He must have recalled the Shotgun’s face. (chapter 52) There’s no doubt that thanks to the doctor, the champion will learn that he can get “justice” and satisfaction through other means. He can defeat the ghosts from the past, not just thanks to his fists and hard work, but also thanks to his surroundings and knowledge. Lawsuit and media!

The Price Of Desire

Before meeting the doctor again, Joo Jaekyung has to mature and reflect on his way of life. That’s why I included “Sweet Redemption” in the title. The latter mirrors the transformative influence of Kim Dan, who acts as the “cure” to Jaekyung’s toxic patterns, helping him grow emotionally and morally. Kim Dan is sweet like a strawberry, but it signifies that his lover needs to violate his own old “rules”. As for “Sweet Poison”, it ties into the lingering struggles, like the headaches and the karmic weight of his past actions, symbolizing how this transformation isn’t without pain and challenge.

Kim Dan’s influence is a blessing or a painful process of reckoning (or both). It is not surprising that Joo Jaekyung is cursing him. It also balances the themes of suffering (his headaches, physical changes) and healing (learning to separate aggression from intimacy, and focusing on his true battles). It perfectly mirrors the push and pull of his internal conflict. He needs to give up on his false principles, like self-reliance or jinx. In fact, Mingwa already exposed the message of Jinx in the first episode: (chapter 1) The physical therapist is not only his reward and price, but also his “second shoulder” and as such his pillar. The new PT won’t be able to replace him. Joo Jaekyung is not just a champion, but also a team: Kim Dan as his PT and his lover. As for Kim Dan, the celebrity is his “energy drink”, his source of comfort and joy. He is also his home, for he is the first one who invited him to stay with him! Yes, the grandmother didn’t invite her grandson to live with her, he was just dumped at her place. And because the celebrity is like a home and family, it explicates why the doctor is once again “living like a ghost”. (chapter 56) He feels lonely, but contrary to his fated partner, he is not truly looking for replacement. He might use work to divert his mind, yet he is not erasing Joo Jaekyung from his memory due to his promise: he needs to repay him. So his MO is slightly different. He is just using work and his halmoni to survive. Yes, he is also suffering from depression. In other words, when both main leads will meet each other again, they should have reached the bottom so that they can see each other’s misery and both are willing to listen to each other.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Protected: Jinx: The Fragile Child Within 👶😭 – part 1

November 24, 2024December 6, 2024 ~ Bébébisous33

Painter Of The Night: Lazy Hand ✌of Justice ⚔ ?

September 8, 2024September 8, 2024 ~ Bébébisous33 ~ 3 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. Laziness or not?

When the final episode of the main story was released, many Manhwa-philes were laughing about Yoon Seungho’s work attitude as governor. The latter had left his seat in order to return to his lover’s side. (chapter 131) Hence the police officers found the governor’s seat deserted. (chapter 131) By contrasting the statement from the governor and the panel, the readers could easily catch his lie. He was a lazy governor, preferring to keep his lover company rather than attend to his official duties. On the one hand, it exposes the main lead’s true mind-set. He is not longing for power or glory. To conclude, he has no ambition. This implies that he is not determined to gain attention either. One might add that he selected this region on purpose. No one would willingly go to that place. The norm was that officials would go there, because they were demoted. (episode 129) Thus I deduce that Yoon Seungho made the opposite choice to his father. The latter longed for a high position at the government so that the family’s reputation would become famous and powerful again. (chapter 86) It is because Yoon Chang-Hyeon was thinking of getting the attention or support from noble families. What he truly wanted was to get recognition from people among his own social class. But with such a decision (join the painter’s side), Yoon Seungho seems to have turned the former patriarch’s nightmare into a reality. Yoon Seungho is about to ruin the family. The name “Yoon” is destined to become forgotten, right? However, I believe that this interpretation is not correct. How so? Let me ask you this.

Why is this region regarded as “backwater”? It is because there are no powerful families like in the town, where the Yoons used to live. There are no huge store or doctor either. The new governor is surrounded by “peasants”, commoners. In other words, it is not a place you can earn a lot of money or gain power, especially for an official. This signifies that buying the governor, like Yoon Chang-Hyeon did, won’t happen. (chapter 127) No one has such a wealth! That’s the reason why no official would select such a place. Yes, Jung In-Hun’s words from chapter 6 (chapter 6) (chapter 131) are reflected in the final episode. Peasants are poor und uneducated, and this will not change overnight. Hence they represent ignorance and naivety. This raises the following question. Why did the officers bring these two men? What was their crime? One might reply that it is impossible to figure it out. Nevertheless, I think, Byeonduck left clues in her story. Painter Of The Night is composed of reflections. In each season, certain scenes or elements resurface with slight changes.. Thus I developed the following theory concerning these two commoners.

My hypothesis is that these two men were innocent. In season 1, we have a similar scene: (chapter 37). It is about a crime, treason. In season 4, we know that the plot was true and there was an evidence, the paper with the signatures from lord Yoon and lord Song. Since in season 1 the wrongdoing was true and heavy, I deduce that it is not the case in the final chapter. Because there is an evidence of the crime in the past, I can’t help myself thinking that in the final chapter, there was no evidence. Additionally, I feel the need to expose my other interpretation about this man: (chapter 37) I have always stated that this man couldn’t be a servant, for he was smoking a pipe and we saw a glimpse of his memory. No commoner would be allowed to enter the courtyard, when three noblemen are tortured and interrogated. Moreover, notice that in both scenes (37 and 131), the magistrate is absent. That’s how it dawned on me that this nameless man could have been a former “governor” who lost his position.

But if the two commoners are rather innocent, why did the officers bring them to Yoon Seungho then? My idea is that they imagined that the new governor wanted to make a statement so that he wouldn’t be looked down by the locals. Or even worse. The guards desired to get protection money from them!! Yes, because this region is not well perceived, the guards thought that the governor would act like his predecessor. Since it is a poor region, it signifies that the officials are not well recognized and well paid. (chapter 131) First evidence that the last image is not symbolizing justice, but corruption, is the behavior from the guards. They are caught by surprise, when they arrive in front of the empty stool. Yet, they are not gesticulating or panicked. If a real crime had taken place, they would be looking for their superior. And this observation leads me to this image. (chapter 131) In this picture, we can detect the governor’s office in the background. It is the yellow building with the multicolor decorations. That’s where the empty stool is!! In other words, if they truly needed him, they just had to go to the other side of the wall. Third evidence for this hypothesis was left in season 3: (chapter 94) Here, the officers went to the mansion before visiting him at the gibang. (chapter 97) Back then, it was about the death of a commoner, a servant. If there’s an urgency, they would look for him. The comparison exposes that the “wrongdoing” from the peasants in the final chapter was no huge deal. Yet, many readers already condemned them due to the guards and the protagonist’s behavior. Funny is that the lord was portrayed as a huge liar, but not “the officers”. (chapter 131) But it could have been the reverse. Officers could have abused their authority. Furthermore, let’s not forget that Min indicated that guards could be bribed easily. (chapter 101) His statement displays another aspect: the governor and the guards are not working together. Jihwa would have been sent to jail without being able to talk to the superior, similar to this scene: (chapter 126) The guards’ own interests are not necessarily aligned with the governor’s. And now, take a closer look at this scene: (chapter 127) The official received the patriarch in his office alone. The reason is simple. That way, he wouldn’t have to share the money with others.

But since the guards never went to the lord’s mansion, they must have realized that this man was not like his predecessor. He was not frustrated or demoted. He was indeed not after power or money. They couldn’t rely on his protection either. In fact, they could get blamed for disturbing his privacy. I would even add that since Yoon Seungho comes from a wealthy family, he doesn’t need to rely on bribe at all. In other words, the guards can only come to the conclusion that treating him well can only benefit them. His wealth was already implied with his arrival: (chapter 129). He was not sitting on a horse with a few musicians contrary to Jung In-Hun. He was carried by four men, and other people were announcing his arrival with flags and music. (chapter 111) Moreover, Yoon Seungho had a inauguration banquet organized, where the local inhabitants could join. (chapter 129) There was no social exclusion at all. This stands in such opposition to the lord’s statement in season 1, where he distinguished between nobles and commoners.

But let’s return our attention to the two suspects. What happened to them then? (chapter 131) In my opinion, they were released. Why? For the simple reason that in this place, Yoon Seungho expected no huge duty! Yes, his words were not just exposing a lie, but also the truth. Nothing was supposed to happen. People are peaceful and helpful to each other. (chapter 129) This signifies that the arrest could lead to trouble to the guards too. So was the lord lazy in the end? (chapter 131) Yes and no… By acting that way, he put an end to the abuse of authority in that place!! Thus I deduce that the governor is destined to gain recognition and admiration from the local inhabitants. He is generous (inauguration banquet where anyone could join), humble, loyal (he is not forgetting his lover) (chapter 131), but also well organized! He had planned to join this place a long time ago. The peach trees were planted about 3 years ago. He is no longer making any distinction between nobles and commoners, and that’s how he will get the respect from the peasants. As a conclusion, we should envision that the lord will become famous. Therefore the son didn’t turn the father’s nightmare into a reality. He didn’t contribute to the family’s ruin at all. Yet, there exists a huge divergence. Yoon Seungho is about to make a name on his own. It is not about the Yoons. On the one hand, the father’s dream was illusory and superficial, especially due to the treason (chapter 86). Since Lord Song had been forced to resign, there’s no doubt that the man would resent the Yoons to become successful again. This explicates why lord Song saw Yoon Seungwon as a problem (chapter 107) and tried to tarnish the younger son’s reputation. But let’s return our attention to the patriarch. His vision was based on Confucianism. However, he had a very narrow-minded perception of it.

“There is government, when the prince is prince, and the minister is minister; when the father is father, and the son is son.”- The Analects, Book XII, Yen Yuan, Chapt XI Quoted from https://www.chinausfocus.com/society-culture/confucius-more-individualistic-than-you-think

He expected not only blind obedience from his son, but also absolute devotion for the family. The individual steps aside for the community, and as such for the Yoons. This explicates why the main lead’s relative has no name in episode 6, he is simply reduced to a grandfather. (chapter 7) This shows that the tradition was to “vanish behind the family name, the Yoons”. Under this new light, my avid readers can grasp why the main lead was destined to suffer immensely (chapter 57). His reputation was already outshining his father’s. Secondly, by being stigmatized as a homosexual, he was endangering this principle. His role was to continue the lineage and as such produce a heir.

As you can see, Yoon Seungho is breaking the tradition and even dropping Confucianism, as the latter rejects homosexuality. The main lead embodies other values: Modernity, Individualism, true Love and Humbleness. Yoon Seungho is no longer judging people based on their social status and relationship. This signifies that at the end of the story, the new governor symbolizes true justice. He put an end to corruption and malpractice. He is not influenced by people’s opinions and prejudices either. He is only listening to his heart and conscious. He makes sure to keep all his promises and not to say any empty words. He is a reformed man through and through.

However, we shouldn’t forget that the protagonist did kill many people before. Hence my other interpretation is that Yoon Seungho as a sinner is not “allowed” to become a judge himself. (chapter 131) How could he condemn others, when his hands had been soiled with blood? Thus I deduce that through her work, Byeonduck exposed the corruption of human justice in Joseon. It was impossible to get true and fair justice from anyone, let alone from the authorities. The latter were ruled by greedy and arrogant nobles who used law enforcements for their own needs. That’s why the patriarch (chapter 116) or even Min could commit crimes in the open. They felt safe, for they knew that the authorities belonged to the same social class than them. However, this could only work, as long as the nobles would cover for each other. Should a yanbang denunciate a noble family, it was a different story. Therefore I assume that lord Lee was the one who reported the treason to the authorities (the painting in the bedroom was the evidence). But such a painting couldn’t represent a proof. However, since human justice was corrupted, the gods decided to give justice to the protagonists. That’s how Yoon Seungho became the hand of justice. Everyone involved in the protagonists’ suffering had to pay for their crimes. (chapter 102) That’s the reason why Baek Na-Kyum’s martyrdom was strongly intertwined with the young master’s. Yoon Seungho only received this power through Baek Na-Kyum, the character embodying fairness, sincerity, hard work, home and equity. This was particularly perceptible in this scene: (chapter 27) The lord couldn’t kill anyone randomly.

Yet, considering the scene in the shrine as a trial from the “gods”, can appear weird, for the main lead attacked Min and his friend under the influence of his unconscious past. (chapter 102) However, I consider it as a first step to the lord’s emancipation and life lesson. The latter is indirectly learning not to pay attention to status and power. That’s why the author portrayed him as blind and deaf to their plea and special status. While his behavior in the shrine was rather impulsive and influenced by deeply rooted fears, we should consider lord Song’s execution as a true act of justice. (chapter 123) (chapter 123) The latter had confessed all his crimes: the ones from the past (the lies in order to fool the father) (chapter 123) and the painter’s murder. Funny is that lord Song didn’t feel threatened by the young master at all despite the sword. (chapter 123) Why? It is because he feels, he is the one with the upper hand. First, he has the petition, hence he is already projecting himself in the future (he can get a high position again). Secondly, he thinks, Yoon Seungho is outnumbered. He is surrounded by 4 guards. But more importantly, he views himself superior to the main character due to his age. He is an elder. That’s the reason why he calls “my dear boy”. This implies that he is underestimating the main figure. The latter would never dare to raise his hand against a senior!! However, true justice is also blind to age. (chapter 123) His smile at the end of the episode should be perceived as a reflection from Min’s vanishing. (chapter 103) One might even add that the lord’s action could have been seen as self-defense. However, don’t forget that we are here in Joseon, where a commoner’s life means nothing. Because of this new association, I came to the following deduction: lord Song was the one behind lord Shin’s death. (chapter 103) The latter couldn’t imagine that an elderly yanbang, an official, would raise the sword against another noble. After this new realization, it dawned on me why Yoon Seungho had to get separated from his loved one. (chapter 126) This humiliation made Yoon Seungho realize that he needed to have his power on his own. He learned through the hard way that he was not just a Yoon, but Seungho. Yes, this helped him to differentiate himself from his father and to become stronger mentally. His religion was now his lover, Baek Na-Kyum, whom he needed to protect. But he could only do it, if he had himself a powerful position. But he needed to witness the corruption of the authorities to realize that in Joseon, there exists no justice. (chapter 127) That’s the reason why I deduce that Yoon Seungho is not destined to become a lazy or unfair governor. He learned through the hard way how important it is to give proper justice. (chapter 131) Should these two men know the artist, the latter could encourage his lover to listen to their testimonies and not judge them based on their status.

Under this new light, it becomes comprehensible why I don’t perceive the main lead as a lazy governor. Just because he appears as one in this scene (chapter 131), we shouldn’t generalize such a behavior. By paying no attention to power and fame, the protagonist learned what true justice is. Moreover, he realized the true source of happiness: love and simplicity. He made sure to keep all his promises to his loved one. Moreover, the artist is there to remind Yoon Seungho of his duties: (chapter 131) Hence I can’t help myself imagining the couple strolling through the village and listening to the people. Thanks to the artist, Yoon Seungho can only get recognition and acceptance from the autochtones. Besides, Baek Na-Kyum is even giving painting lessons to children, so I doubt that he will drop everything for his lover’s sake. We should envision the opposite behavior from the scholar: (chapter 6): neglect and indifference towards the commoners. And this new observation brings me to my other topic, Jung In-Hun.

2. The real sinners: the hidden hustlers and workhorses

In the first part of this essay, I compared the arrival of the lord in his new jurisdiction with the scholar’s Jung In-Hun.

Through this comparison. I had a huge revelation. Manhwaphiles can notice not only the absence of flags and the palaquin, but also the absence of uniforms. The two men in black leading the horse were simply wearing black hanboks and not blue and white costumes. Then it dawned on me that after this cortege on the street, there was no banquet after his success. Hence I deduce that he had not really succeeded at the civil service examination. First, he had not finished top place (chapter 129), therefore he couldn’t select one position contrary to the main lead. This means that when he celebrated his “victory” in episode 111, it was not official. He had no post. I would even add, his name had not been announced on the official board, like we could witness it in this scene. (chapter 121) Here, he is informed that he didn’t pass the exam, for his name was not written there. We can detect this, because people are congratulating each other. His name was left out due to the intervention from lord Song. This means that when Yoon Seungho made him this offer (chapter 7), these were not empty words. He did help the learned sir to pass the civil service exam. But the scholar didn’t succeed like anticipated. The absence of his success explicates why Jung In-Hun received such an offer from lord Song later. (chapter 117) He had no post, he couldn’t choose it, for he was not the best. Thus I deduce that the scholar had just proven his mediocrity. He was just an average man. That’s how it dawned on me that the ceremony in the street was more a simulacre! (chapter 111) Yes, it was fake, for there was no banquet, no sedan chair, no flag and just civilians were surrounding the former teacher. The painting from Baek Na-Kyum can even serve as another evidence that a palanquin and flags are attributes to a ceremony of inauguration. (chapter 44) Only one thing was real: Jung In-Hun was wearing an official uniform, that way no one would doubt his “victory”. Moreover, observe that lord Song only approached the learned sir after the parade. So he was not behind the parade. Besides, keep in mind that the main couple was informed about the parade through the tailor (chapter 111) and not from the official board. His reaction shows not only his displeasure, but also his ignorance. If he had known about the cortege, he would have avoided the place in the first place. Thus I suspect that the tailor had been encouraged to leak this information in front of the couple. Let’s not forget, as a tailor, he was definitely involved in the cortege. It is no coincidence that he informed Yoon Seungho about this “sudden parade”. At the same time, I come to the following deduction: someone must have paid for this spectacle, and it was not Yoon Seungho, for he had been kept in the dark until the last moment. I doubt that the learned sir had the connections and money for this. This new perception corroborates my previous interpretation: the show was sponsored by someone, and it was definitely inspired by the drawing (the hat and the green uniform). (chapter 111). Yet this was just a cheap trick, for the person didn’t send a sedan chair with carriers. Under this new light, I realized why Jung In-Hun ended up stigmatized as a criminal. (chapter 127) It was his karma, for he had deceived the painter with his lies. His success was not his own. (chapter 111) He realized that even after passing the exam, he needed the assistance of people, a sponsor for the spectacle, a noble with connections. Besides, when in season 1, the painter was accused of a crime (ruining the picture), the learned sir did nothing at all. He didn’t protect his student, for he desired to keep his sponsor. When the latter was sick, he neglected him as well. He wouldn’t have sent a doctor for him. Hence in season 4, the sponsor Na-Kyum decides to end his “sponsorship” for the learned sir. We could say that the former teacher is confronted with a similar situation. He ends up being abandoned and framed for a crime, which he didn’t commit. Yet, contrary to his pupil, he is not entirely blameless, for he played a huge role in the death of the nobles lord Song, lord Shin, lord Min and others. Because Baek Na-Kyum embodies hard work, justice, equity, love and honesty, I deduce that his surrogate father embodies the negative notions: laziness, corruption, partiality, hierarchy, ambition and hypocrisy. That’s why his face ended up on the official board, while the painter’s accusation just remained rumors. : (chapter 125) versus (chapter 127) His fate reflects Joseon’ society and authorities, especially when the latter are closer to the capitale.

At the same time, the poster of the scholar exposes that the scholar’s dream had always been to see his name on the official board. (chapter 121) However, the notice was not associated with glory and honor, but with the opposite value. He was an immoral and brutal man. (chapter 127) which was actually reflecting his true personality. We should see the parade in episode 111 as an illusion due to the absence of an official document. And who had paid for this charade? One might think lord Song. However, don’t forget that he approached the man much later. I feel like someone else was involved as well. For me, it was Heena. She was seen with the tailor in season 2, and she had seen the painting from her brother. Finally, she had tried in season 2 and 3 to separate the couple. So she should have repeated the same action, because her resent towards nobles runs deeply, just like her admiration for Jung In-Hun is strong. She knew that her donsaeng was no longer listening to her and his new lover. He was determined to remain by his lover’s side. Thus she didn’t intervene here. (chapter 105) IMO, she had to use another mean in order to achieve her goal: the scholar. Let’s not forget that the artist had confided to her this: (chapter 68) He was simply waiting for the learned sir’s return. And she was present during the cortege. (chapter 111)

Naturally, Jung In-Hun ended up being accused of murder, because not only he had lied, but also he had contributed to the death of lord Min and the others. By giving the spectacles, he was also responsible for their death. Finally, by hurting Baek Na-Kyum and giving him to lord Song (chapter 121), he put the painter in a position which led him to take for the fall for his loved one. It was like framing an innocent. Exactly like in season 3 (chapter 99), Yoon Seungho had been forced to take the sword because of the scholar. And the trigger for the massacre (chapter 124) was always Jung In-Hun. And now, you comprehend why Jung In-Hun became the scapegoat for the last incident. But there’s more to it.

The sexual and physical assault, playing a trick on multiple occasions and the lies are the reasons why the learned sir ended being labelled as a dangerous bandit. (chapter 127) The paper reflects the transformation of the former teacher. He is no longer a honest man. He lost everything: his home, his name and even his life, killed by lord Song’s minions. (chapter 121) His final lesson was to learn that he was exactly like the others: he is just a human despite his education. All humans are equal in front of death. In fact, during his confrontation with lord Song, he came to give up on his integrity. His true face came to the surface: he was just an opportunist, a lazy scholar who relied on fate and his arrogance. (chapter 6) This brings me to my next interpretation. Jung In-Hun learned through the hard way that there is nothing like fate (“right time”), but life is the result of decisions. However, because the scholar always regretted all his past choices, he decided to blame others for his wrong choices. That’s the reason why he ends up to take the whole crime. We should see this paper (chapter 127) as a reflection from the poem in episode 4: The author from this sijo was the poet and official Wang Bang-Yeon who is said to have lived in the time of Joseon’s sixth king Danjong (1441-1457) and his successor king Sejo (1417-1468). As the official of the state tribunal, he followed the young king Danjong into his exile and gave him poison to drink by royal command. Yes, both are symbols of power, corruption, partiality and injustice. Yet, there exists one divergence. While Wang Bang-Yeon left a poem revealing his yearning for the king, the learned sir had no deep attachment towards the artist. Hence it is no wonder why the paper “Wanted” is not connected to affection. It really reflects the emotions and thoughts of Baek Na-Kyum. Due to the last incident, the latter no longer cares for this man.

Jung In-Hun should have realized much sooner that happiness is not a synonym for power and admiration. In reality, he was living quite well in the small village. (chapter 6) He had a roof over his head, and he was surrounded by children, who liked him. (chapter 121) But the problem is that he was consumed by entitlement and greed. How so? It is because of his education. He saw himself superior to others morally and mentally. Hence he didn’t feel the genuine admiration from the children. (chapter 6) He couldn’t enjoy it at all. It is no coincidence that the synonyms for ambitious person are “busy person” and “workhorse”. Yes, this mirrors the expression “laziness”. A true ambitious person is actually proactive and not really relying on sponsors and bribes. So when we see the learned sir on the horse (chapter 111), he is acting like a workhorse. The reality is that he is lazy, as he saw himself destined to achieve greatness. He had the impression that no one had recognized his true value. On the horse, he is just waving his hand and smiling. Later, he confesses this to the artist: (chapter 111) As you can see, his success is not the result of his hard work, but rather of his connections!! Though he didn’t kill lord Song himself, Jung In-Hun had to receive his due punishment for all his lies and sins.

3. The brother’s punishment

This brings me to the next interpretation: Yoon Seungwon and his success. (chapter 107) Though he passed the civil service exam too, he is not able to fulfil his father’s wish either. (chapter 86) They lack support now because of the treason. The families close to the Yoons got executed. But there’s more to it. The youngest son had first betrayed his father by giving the petition to Yoon Seungho, (chapter 118) His intention was to protect not only his brother, but also their family. It was to ensure that lord Song would get blackmailed. That’s how this investigation (chapter 37) got stopped in the end, and the Yoons escaped any punishment. However, by doing so, Yoon Seungwon turned his brother into a blackmailer. Thanks to him, Yoon Seungwon could keep his reputation intact. In fact he never lost his father’s trust. However, in season 4, we can witness a change of heart in the brother. (chapter 118) It is because he knows that with the petition in his brother’s hands, lord Song represents a hindrance to his own career. The latter can only see the Yoons as a threat. Besides, he can only resent the family, if they are able to gain reputation and power, while he can not return to Hanyang and occupy a high position. As you can see, the young master’s success can only irritate lord Song. You can sense a rivalry between Seungwon and lord Song Haseon (chapter 116) in this scene: (chapter 116) The latter has already sensed that the traitor is sitting next to them, thus he raised this question. That’s why I come to the following conclusion that the young master must have realized that he also needed his brother’s assistance. First, if Yoon Seungho returns the petition to the father, the investigation about the traitor in the mansion would be no longer necessary. Secondly, Yoon Seungwon needs to create new connections in Hanyang, but he can only achieve it with his elder brother. Under this new light, you comprehend why Seungwon asked his relative to move on from the past and as such “forgive their father”. (chapter 118) In other words, the young man embodies the notion of “fake forgiveness, fake promise, fake understanding”. He is an opportunist, exactly like the scholar. Yet, there exists a huge divergence between them. His affection for Yoon Seungho was not fake. He is feeling sympathy for his brother. But that’s it. This explains why he didn’t help his brother before. In my eyes, Seungwon represents a different notion of family: bloodline. In my eyes, he embodies traditions and Confucianism. His goal is to turn his father’s dream and life motto into a reality: glory and power for the Yoons. Besides, he must have experienced himself the downfall for the family. And this observation leads to my next interpretation. This means that Yoon Seungwon must have lied to his father by omission as well. (chapter 86) In my opinion, he must have promised to fulfil the patriarch’s wish, but reality made him realize that this was not possible. He couldn’t do it alone. However, I doubt that he confronted the elder with reality.

Let’s not forget that he is only the second son. So he can not inherit the family’s properties. Remember that once the main lead succeeded the civil service exam, he received many marriage proposals. (chapter 128) What about Yoon Seungwon then? Though he succeeded too, there is no mention about engagement or marriage proposals. However, it is clear that this achievement is connected with adulthood and marriage, therefore the elder Song Haseon brought up the topic sex! (chapter 107) It is because Yoon Seungho is the first son who will inherit the title and properties. Yoon Seungwon’s success can only work with his brother’s presence. This means that thanks to the last episode, I could finally find the answer from Byeonduck’s question: What was the reason for Yoon Seungwon’s embarrassment? First, it is because his brother selected the backward place, though he had passed the exam with flying colors. Yoon Seungwon imagined that once his brother had passed the exam, he would get married and establish new connections. That way, Seungwon would be able to get married with a properous and famous family. In other words, Yoon Seungho would turn the father’s dream into a reality: the return of the Yoons’ glory and power. And Seungwon would benefit a lot from this. So in the gibang, his advices might have sounded well meant, (chapter 118), in verity he was also motivated by his own desires. He wanted to get the help from his older brother. This means that the moment the main lead lost his father, Seungwon’s words became true. Yoon Seungho followed his advice: he cut off ties with his past and as such with his family. He was no longer obliged to fulfil the family traditions and the father’s dream. This means that Yoon Seungwon is now on his own. I find it funny that he blamed his brother for his debauchery, but what did he do during this time? Nothing… he waited, until he received pressure from his own father. Moreover, since Yoon Seungwon didn’t help the artist and allowed him to take the fall for the massacre (chapter 126), his karma is not only to end up alone, but also not to receive any support from his brother.

To conclude, Yoon Seungwon tried to convince his brother to change his behavior (chapter 117), because his career was still insecure due to lord Song’s influence. He needed his brother’s help in the end. At the same time, Seungwon had already long internalized the values from his father: Yoons’ honor and reputation were top priorities. In other words, the younger brother stands for social norms and fake righteousness. He desires to maintain his perfect image (loyalty, filial piety),

(chapter 118), hence he left the document at the mansion. He wanted his brother to return the papers on his own so that his past action would remain undetected. Returning the paper was like an admission that he had stolen it in the first place. Yet he still barged in his brother’s house twice. (chapter 117) Here, he exposed the existence of the “petition” to Baek Na-Kyum for one reason. The latter should be used as a way to pressure the main lead to give up on the paper. Notice that this topic was brought up in the gibang: (chapter 119) However, the reality is that Seungwon is not just trying to fulfil his father’s dream, but also he has his own ambition. He wants to make a name on his own. That’s why he confessed this to his brother: (chapter 119) He doesn’t associate himself with the father and his sins. In his eyes, he is blameless. The reality is that he is guilty like his father, for he failed to care for Yoon Seungho. He failed to listen to him and his suffering. He didn’t try to understand him. Like mentioned above, he only sympathized with him and that’s it. Thus he condemned him for his debauchery in the gibang, but this was no longer the case.

When the father confronted his own son with reality (he had no power without him), Yoon Seungwon was once again absent!! The latter is the evidence of his “neglect”. It is important, because when the main lead bowed in front of the patriarch, (chapter 127) (chapter 127) the former only made a promise to his father and not to the brother. With his death, Yoon Seungho is no longer bound by a promise. Since the main lead had been living properly for 3 years and even passed the civil service exam, it is clear that for the brother, Yoon Seungho must have forgotten his past lover. He must have judged his brother based on appearances, just like he was behaving himself. However, this was just a subterfuge. He was waiting for the right time too. He had no change of heart, he had just been copying his brother’s behavior.

To conclude, the main lead abandoned Yoon Seungwon in the end for his loved one. It happened, when he not only rejected the marriage proposals, but also moved to that “poor region”. The sibling received his punishment for his lack of loyalty and his dishonesty. Funny is that the main lead actually followed his brother’s advices: 8chapter 118) He cut off ties with the past and the family!! This means that his words in the lord’s bedchamber came true: (chapter 78) Let’s not forget that at the gibang, Yoon Seungwon never revealed his true intentions towards his brother. The latter always said that his advices were for his best interests. He should become involved in the government. But everything was for the Yoons, or better said, for Yoon Seungwon’s sake. And there exists another reason why the sibling must have been embarrassed: This marriage! To conclude, Yoon Seungwon embodies the opposite values of Baek Na-Kyum and Yoon Seungho: ambition, corruption, forgetfulness, hierarchy/social norms, traditions and reality versus understanding, forgiveness, simplicity, closeness, modern family and happiness. Selfishness versus Selflessness. This explicates why the main lead gave up his success for the artist. However, though it looks like an exile, the reality is that he will gain popularity and admiration among the inhabitants. Why? It is because he is no longer making distinctions between nobles and commoners, he doesn’t see this place as a punishment, but as a heaven and as such he has a better perception of humans in general. In my eyes, he is bringing progress and change in the region. Baek Na-Kyum is already teaching the kids how to draw… so it is only a matter of time, until his lover takes care of the education for these children. This means that these words will become a reality: (chapter 6) He will think of the futures of those children because of his lover.

PS: Tell me, if you are interested in another essay. The question would be: how did lord Yoon die? Was he poisoned or not?

Protected: Jinx: Illusory Reset 🔁

April 19, 2024November 2, 2024 ~ Bébébisous33

Jinx / Doctor Frost / BJ Alex : Guilty Truth or Dare ⚖️ (part 1) – second version

March 26, 2024February 1, 2025 ~ Bébébisous33 ~ 1 Comment

Please support the authors by reading the Manhwas on the official websites. I am also using doctor Frost and Bj Alex as references. This is where you can read the Manhwas: Bj Alex, Jinx and Doctor Frost. But be aware that the first three Manhwas are mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first analysis about BJ Alex, and the previous essay about Jinx “Precious Puppy Pals“

1. Return to the past

The trigger for this title was initially chapter 34. 😮 When the latter was released, this title came to my mind, but I never got the time and chance to write about it, for people were too upset about the champion’s behavior. He had broken the doctor’s trust by exposing their relationship to Choi Heesung. Back then, many Jinx-philes were upset to the point that I chose to focus on the author’s decisions for such an outcome. Thus I wrote the essay “Why?“. Since the whole story hasn’t been completed yet, I could only present assumptions. Hence that analysis contains some errors, though the main interpretation was correct. The relationship between the two main leads helps them to heal each other so that they can find happiness. This reminded of Doctor Frost, where the psychiatrist in charge of Doctor Baek tried to treat his PTSD by encouraging him to treat another patient suffering from the same disorder. (chapter 140) (chapter 149) Both were suffering from survivor guilt. To conclude, Joo Jaekyung and Kim Dan represent the bitter medicine for their scars. I mentioned “bitter”, because through their loved one, they are forced to face painful moments. That’s how they can overcome their past and discover happiness. However, while looking for a new title, I rediscovered the first illustration , and it suddenly made click in my head. To conclude, I had another revelation concerning episode 50.

2. “What have you done?”

I could connect my illustration to episode 50 and in particular to this image: . (chapter 50) At first glance, the champion is blaming Kim Dan for the wound. He betrayed him. However, his words could have a different signification. Don’t forget that a message always has 4 sides according to Schulz von Thun. Consequently, while many saw this question as a “factual information” and as such as an accusation, the reality is that it gave us an insight about the sender too. The sportsman was not using the personal pronoun “I” or “me” in his inquiry. As you can see, the absence of the personal pronoun is indicating that Joo Jaekyung was in reality not referring to him and his wounds. He is not prioritizing himself, rather the doctor and his action. So this question could be prompted by curiosity or a desire to understand the person’s recent activities. Thus I deduce that the champion was asking his lover to tell him the truth. He should come clean. He desired a honest explanation. His attitude reminded me of an adult confronting his child.

Finally, the expression “What have you done?” (chapter 50) is strongly intertwined with the notion “crossing the line” or “daring”. It was, as if the physical therapist had dared to do something… Thus I believe that Joo Jaekyung must have perceived the gesture as the game “Truth or Dare” and not as betrayal. How is it possible? Don’t forget the absence of the personal pronoun “I” or “me”. He was focusing on the action itself. However, after the match which ended with a tie, he needed to find an explanation for his “failure”. (chapter 51) But note that he never accused Kim Dan of assault, but of leaking information. That’s the reason why I don’t think that this inquiry “What have you done” was about seeking accountability. In that case, he wouldn’t have rejected the doctor’s offer. By letting him treat his wound, Kim Dan would have become responsible for the injury. (Chapter 50) It becomes comprehensible why the Emperor refused the offer. The rejection was the symbol of his “trust” in Kim Dan unconsciously. Astonishing, right, though people and Kim Dan had the opposite impression. Yet, because of the “tie”, Kim Dan felt responsible for the incident, therefore he apologized. (chapter 51) This means, the main lead recognized his responsibility. He should have checked the spray more carefully. The champion could perceive this excuse as a confession of his complicity. Hence he asked his lover if he was the spy. (chapter 51) This signifies that in episode 51, he dared to question his physical therapist’s loyalty. Yes, we have another “Truth or Dare” in episode 51.

3. Truth or Dare in the locker room

But why would the athlete think of the game “Truth or Dare” in the locker room? It is because the star has long internalized this “mind-set”. From my perspective, this game played a huge role in his traumas. My theory is that he is suffering from different traumas, and one of them is BETRAYAL Trauma, which I will elaborate further below. But let’s return our attention to the two protagonists. My avid readers will certainly recall that I had long detected the existence of “challenges” between Kim Dan and Joo Jaekyung. [For more read the essay Delicate challenge]. However, this game became truly obvious in episode 34 with Choi Heesung. It is important, because truth plays an important part in overcoming mental illness (abandonment issues, trust issues). The patients need to face verity and as such they need to cross the line: return to the painful past. Thus I come to the conclusion that in episode 50, the champion was not able to face his biggest fear: betrayal. (chapter 50) This is the face of a scarred man. Yet, contrary to the past, he is not expressing his fear through rage. That’s the reason why his emotions were controlled. Under this new light, Manhwaworms grasp why the athlete asked such a question from his soulmate: (chapter 50) He was afraid of confronting his physical therapist. His inquiry was ambiguous contrary to the one in episode 51. The problem is that he had to hear that he had not won. (chapter 51) Interesting is that he was more pained by the idea of a betrayal from Kim Dan than the tie, if you compare these two panels: (chapter 51) He imagined that Kim Dan had dared to cross the line because of money. (chapter 51) But note that at no moment, he is accusing him of an assault. Because of this confrontation, Joo Jaekyung and Kim Dan had a honest conversation. The doctor asked him a painful question (chapter 51) which the emperor needed to hear. He has trust issues. And the moment he saw the doctor’s facial expression, he could only get shocked and hurt. (chapter 51) He could sense the wound in doc Dan’s voice and gaze. It is important, because the sentence “You don’t trust me?” is actually constructed like a statement and not like a question. It only becomes a question through the tone. Through the latter, the champion could detect his partner’s genuine pain. The wounded tone could only move the champion’s heart. Kim Dan dared with a single question to shake the fighter’s confidence. No wonder why he reacted badly. (chapter 51) On the other hand, don’t let yourself get fooled by this rude request. The reality is that the alpha didn’t chase away the doctor, in truth he was the one running away. (chapter 51) Thus Kim Dan could overcome this shocking but terrible discovery: he hadn’t earned the full trust from Joo Jaekyung yet. (chapter 51) As my avid readers can see, my perception about chapter 50 was confirmed with episode 51. The arguments in the locker room were reflecting the quarrel in the penthouse with Choi Heesung. What is the common denominator between these two scenes? The lack of trust from Joo Jaekyung, but his private PT failed to realize it in the penthouse. Why? It’s because he chose to trust his destined partner.

And this brings me to the following remark. In the locker room, through the question “You don’t trust me?” Kim Dan was actually fulfilling the athlete’s wish: (chapter 15) He told him something that he didn’t know. Note that after the terrible meeting with the actor, Joo Jaekyung couldn’t even find the answer himself: (chapter 35) He was still clueless about the trigger for his behavior. With this inquiry “You don’t trust me”, the hamster pushed his destined partner to face his biggest fear: trust someone and in particular him. This conversation can only incite him to meditate about their relationship. So while in episode 15, he behaved like a pouting child (chapter 15), in the latest episode, Jinx-philes can perceive his growth and maturity. (chapter 51) His gaze is softer, he is no longer hiding his emotional wound and he is able to ask a painful question. (chapter 15) This painful incident was a wake-up call Thus I come to the following deduction. Kim Dan will try to earn the champion’s trust, whereas the champion will be forced to take a leap of faith towards Kim Dan. Contrary to episode 34, the champion could see the truth directly through the doctor’s gaze and voice: (chapter 51) This scene stands for honesty and forthrightness, whereas the encounter in the penthouse symbolizes acting, artificiality and self-deception. (chapter 34) As a conclusion, while the champion thought that his loved one had dared to cross the line, he was confronted with truth. He was biased and mistrusting his room mate and PT. This shows that though dare was the opposite choice of truth, the fighter ended up to be confronted with verity.

4. The daring but coward imugi and gumiho

And now, it is time to present my observations about episode 34 which I couldn’t present before. Choi Heesung dared to challenge the Emperor by forcing him to deny the truth. He had no feelings for doc Dan. (chapter 34) These questions were all rhetorical: (chapter 34) This signifies that in the sauna, truth was not standing in opposition to daring. The sauna reminded me of the cavern where an imugi hides, until the latter leaves its hidden place and find his star, his yeouiju. Only then, he can turn into a dragon. To conclude, because of Heesung’s pressure, the imugi had to select between daring or lie. In other words, telling the truth became the challenge itself. Heesung knew that Joo Jaekyung would never confess. (Chapter 34) What Heesung wanted was actually a lie by omission or commission which would have been presented as the truth. Through this game, the actor thought that he could impose his will onto the celebrity. He anticipated the athlete’s silence. This signifies that he knew about the star’s denial and turned it against him. Besides, that way Heesung could maintain his good image: he had not stolen his partner and as such there was no cheating. No one was betraying him.

On the other hand, though the protagonist was silent, he couldn’t repress his emotions: Anger! Readers could observe that his rage was coming to the surface. Not only his gaze exposed his emotions (chapter 34), but also his hand. (chapter 34) He caught the actor by surprise, the latter never thought that the celebrity would become violent. The redness on his face was displaying that he was barely controlling his annoyance and impatience. (chapter 34) However, they were in a public place, the hotel’s sauna, and the actor is a celebrity. Hence he is protected by his fame and social status. That’s the reason why the champion didn’t hit his frenemy, he had learned his lesson at the gym. (chapter 34) Despite his words, the gumiho still got scared. The racing of his heart is an indication of his fright. Therefore he ran away more or less after ordering his trainer not to meddle in his love life. (chapter 34) Note that when he did this, he avoided his counterpart’s gaze. Deep down, he knew that he shouldn’t provoke his frenemy too much. Only when he was at the door, he turned around and LIED! (chapter 34) Yes, after that incident, he chose to give him a fake excuse for his departure. As you can see, this conversation was strongly intertwined with the notion “truth or dare”, but both ended up lying. Whereas the champion didn’t admit any feelings, the other acted, as if there was nothing wrong and he was not scared. The gumiho thought that if he were to remove the champion from the doctor’s side, the latter would be able to open up to the actor. (chapter 34) What does it reveal? The actor had been projecting his own thoughts onto the future dragon too. He was the one who didn’t dare to become more honest with the physical therapist. He used work to spend time with Kim Dan. One might say that Heesung failed terribly. Yet, this is just an illusion, because his “failure” pushed him to become more honest with Kim Dan. Thereby he asked to meet the doctor again. (chapter 34) Yet, the message is exposing that Heesung was still lying, as he kept using work as an excuse. Hence Joo Jaekyung had to intervene again: (chapter 34) The champion dared to challenge his rival. (chapter 34) Should he cross the line and steal his “possession”, the other would retaliate and as such cross the line. The dragon pushed the comedian to come clean!! (chapter 35) Yes, by challenging the athlete because of Kim Dan, the comedian ended up telling the truth.

However, we can not say that Joo Jaekyung won the defy either. After the first challenge, he might have controlled his temper (chapter 34), but his anxiety reached a new peak, the fear that he might be abandoned. Hence he used the sandbag to vent his temper. And what did the cute puppy do during that incident? He dared to offer his help to his idol: (chapter 34), yet he was in total denial about the reality: it was dangerous. Deep down, the champion knew that it was impossible for him to control his lover’s time, but also his body. Besides, the other problem is that the athlete is rejecting the notion of love. By denying the existence of his own feelings, he can not claim the doctor’s heart. That’s the reason why the champion got so mad and frustrated. (chapter 34) Thus he had to play a trick. Because this nightly meeting represents another round of “Truth or Dare”, (chapter 34) I deduce that he chose lie in the end, for he dared to expose his relationship to Heesung. (chapter 34) He was not telling the truth, when he stated that Kim Dan was his “possession”. This explicates why he couldn’t stay by the doctor’s side (chapter 35) after the actor’s departure. He had been acting in front of Heesung. This confession could only kill any desire. Would you feel attracted to a tool or possession? No… Under this new light, it becomes comprehensible why Joo Jaekyung had to cover his lover’s eyes and ears. The celebrity knew deep down that if the doctor were to hear his confession, he would be shocked and feel betrayed and hurt. Besides, don’t forget that the protagonist serves as the mirror of truth for Kim Dan. Thereby Jinx-philes can grasp why the visit from Heesung could only remain a secret. He should only hear the truth. Joo Jaekyung chose avoidance and deceptions (chapter 34) in the end. He manipulated the main lead by letting him think that he had no other choice. Yet the last panel displays his trick. It was up to the doctor to decide how he should spend his free time. Nevertheless, while people were mad at the champion for his deception, many failed to realize that the champion was actually deceiving himself. So all the tricks (episode 33 and 34) were manifestations of avoidance, the fear to face the truth: his affection for Kim Dan and this due to a past betrayal. Hence these chapters stand under the sign of silence hidden by “pranks”.

Interesting is that Kim Dan chose to trust his partner blindly. (Chapter 34) To conclude, he chose TRUTH! The words “I believe you” were important, because the athlete was in the position where he could violate and break that trust. He became the “traitor” which Heesung and readers witnessed. And through that experience, Joo Jaekyung came to trust Kim Dan more, as the latter had put his fate in his hands. Yes, he was encouraged to mirror his attitude. Finally, despite his lies and tricks, the gumiho was able to perceive the truth: (chapter 35) On the other hand, the artist could only tell one part of the truth: the presence of feelings. However, the deceptions in the penthouse exposed something else: (chapter 34) his mistrust towards the cute “hamster” and his abandonment issues. He had to deceive him. Under this new light, Manhwaphiles can see why the champion made such a threat to Kim Dan (chapter 45) or left the doctor in the locker room in episode 51. (chapter 51) He wished not only to keep the upper hand in their relationship, but also to keep Kim Dan by his side. That’s how it dawned on me why Joo Jaekyung didn’t mention the jinx in the dining room and why he started treating him as his real PT. (chapter 45) It is because by denying his affection, he needs to justify his presence next to him. He is his PT… forcing his enemies to portray the doctor as a traitor or a bad PT. However, they failed, as the champion is not doubting the doctor’s innocence concerning his wound on the foot. Nevertheless, the incident is not closed, as the culprit has not been brought to justice.

5. The schemers and Truth or Dare

There exists another cause why episode 34 is related to the wound in the locker room. (chapter 50) First, the schemers’ MO corresponds to the game Truth or Dare. Choi Gilseok asked his minion to cross the line. This explicates why they are trying to use tricks and manipulations. Daring means no truth, thus someone will be framed: Kim Dan. Yet, the plotters are not aware that thanks to the cute hamster, the alpha is turned into a mirror of truth. Hence he couldn’t get deceived by the MFC security guys: (chapter 40)

And it was the same with the first attempt. What did the manager from the Entertainment agency ask to his client? “You think you can do it?” (chapter 36) The lawyer, the journalist and the manager pushed him to choose “dare” and not truth! That’s why there was no interview and the leak was not investigated. He had to prove his strength. (chapter 36) And exactly like at the sauna, daring became a synonym for verity. No wonder why the fighter is never rejecting the challenge. It corresponds to his past attitude: he has been burying the truth and as such the past. But let’s return our attention to the plotters.

Because of dare, in the States, the antagonists had planned to trick the champion with the drug. (chapter 37) This mysterious man dared to act as a MFC manager, though my intuition is telling me that he works for MFC. The irony is that by challenging constantly the champion, the plotters are not realizing that through their game, the truth is slowly coming to the surface. How so? In the last panel, the doctor noticed his origins: He is Korean indicating that the conspiracy started in South Korea. As you can see, Kim Dan was able to perceive a glimpse of the truth. Then at the café, Choi Gilseok confessed many things to the doctor: he owns the café, he has connections to the company F Pharmaceutical. Moreover, through this game, the champion is confronted with his fears and past. That’s how he can overcome his traumas. The doctor is the mirror revealing the monsters. Hence I come to the following deduction: the succession of new characters mirrors the champion’s past and traumas. The following characters are involved in the champion’s suffering, though the order of the appearance is exposing the gravity of the involvement: Heesung, (chapter 29), the journalist without a face (chapter 35), the “fake” MFC agent (chapter 37), the invisible man in the flat (chapter 42), Baek Junmin whom the champion couldn’t truly identify (chapter 47), then he recognized the director without naming him, (chapter 48) and finally the ghost from the past (chapter 54). These characters are all connected to “Truth or Dare”. (chapter 50) This scene exposed that the champion repressed a certain incident which is rather common among victims of a trauma, especially people suffering from PTSD. This shows that some traumatic event took place for quite some time, but the champion acted, as if nothing had happened. (Doctor Frost, chapter 140 ) That’s how the champion became a zombie, he couldn’t live properly due to his untreated scars. (doctor Frost, chapter 139) But thanks to his fated partner, the traumatic past is slowly coming to the surface.

The moment you link the game Truth or Dare to the locker room, it is necessary to include chapter 48. Since the doctor rejected the option “Dare”, he should betray his boss and lover, Choi Gilseok chose to play a trick on Kim Dan and expose him as a traitor. (chapter 48) The director created a stage for the betrayal. That should represent the truth, while in reality it was a lie! Nevertheless, Joo Jaekyung could perceive the truth: Kim Dan had met the director from the rival gym. (chapter 48) Interesting is that Kim Dan didn’t take the risk to bring up the topic to him. (chapter 48) Yes, he didn’t dare to tell him what had happened. No truth… no daring which reflects the games in the sauna and the living room of the penthouse. Kim Dan could have come clean the next morning, but no. This panel explains his silence. He also mistrusted his VIP patient. He had a negative perception of his lover’s mental state. On the other hand, the champion’s attitude reminded me of a parent who has not the time to listen to his child’s problem due to work. (chapter 48) Should the athlete remember this night, he will realize that he was the one dismissing his physical therapist, although the doctor could have come clean later. At the same time, Joo Jaekyung’s attitude could be mirroring the parent or guardian’s in the past. They didn’t have the time or the inclination to listen to their son, hence the traumatic incident got buried.

But let’s return our attention to our alpha and his hamster. Both share the responsibility for the miscommunication: silence, no risk, but as such no communication and no truth. Yes, when they are together, they dare things (chapter 27), hence truth comes to the surface! Kim Dan and Joo Jaekyung feel attracted to each other and have come to love each other. When they speak their mind, they feel comfortable around each other. Truth is strongly connected to communication. Hence the painful conversation in the locker room was necessary. “You don’t trust me?” also reflected the doctor’s attitude. He never tried to approach his room mate (chapter 47) and voice his true thoughts and emotions: (chapter 45) He lied, when he portrayed himself as grateful. He was avoiding his gaze either. No wonder why the fighter got even more mad and threatened to fire him. Such an attitude could only increase the celebrity’s mistrust, as the latter could discern a certain dishonesty.

So when Choi Gilseok encountered the “puppy” in the hall, the celebrity could notice the doctor’s discomfort. (chapter 49) The latter didn’t even greet the director or acted, as if they didn’t know each other. He exposed the existence of a secret, an uncomfortable secret. Consequently, I believe that the champion could only jump to the conclusion that Kim Dan had been indeed acting behind his back, even coerced to do something. (chapter 50) We shouldn’t overlook the usage of present perfect in the question, a sign that the champion was referring to the past as well. Consequently, it is no coincidence that there was a trick. That way, the verity would come to the surface. He was a “traitor”, but the irony is that Park Namwook’s words and blindness stopped the dragon from blaming his soulmate for his injury. (chapter 51) Note that the star never came clean with the truth either. (Chapter 35) Through the doctor, the champion is encouraged to become honest to himself.

What are the common denominators between these three chapters (34/50/51): SECRET, BETRAYAL and CHEATING! The latter is not just a reference to infidelity, but also to dishonesty. Choi Gilseok used the spray to weaken the emperor and bought the referees and moderator. Keep in mind that in the sauna, the actor desired to come clean with the fighter by divulging his intention. This signifies that the gumiho was actually dropping this principle for the doctor’s sake. (chapter 33) Simultaneously, it exposes that the champion has a secret, which is strongly intertwined with betrayal, love, money and deceptions. I couldn’t help myself thinking of “blackmail”. Kim Dan had been coerced to do something, as the director was holding something against him. Hence we have the question: “what have you done?”. Remember how the actor chose to approach the angel. (chapter 31) He tricked his boss by faking an injury. He put the gym under pressure, as this incident could be leaked to the outside. The whole situation reminded me of blackmail. If he did not follow his request, there could be a scandal. That’s the reason why I believe that the champion’s past is linked to blackmail as well. How is it possible? It is because of the game “truth or dare”! The latter is strongly intertwined with divulging information and crossing the line!! To sum up, this game embodies trauma, secret, leaking information, trust and overstepping a boundary or rule. This observation brings me to my next point.

6. The true face of “Truth or Dare”

First, this game is often played with friends. Therefore many are thinking that this game is harmless, yet it is far from the truth.

Even though the game is meant to be fun to challenge a dare to our friends and watch them face awkward situations, most of us know when to STOP and are aware about the Do’s and Don’ts and acknowledge the need to maintain rationality in our action. But sometimes we do cross the line into making it a psychological trauma for some. Quoted from http://www.stopbullyingsystem.com/blog/truth-or-dare

The author is pointing out that such a game can cause traumas. First, one problem lies with the limit. Secondly, truth signifies that people are disclosing personal information. Hence TRUST is essential. Without “trust”, the honest confession can be used against them later. Another important aspect is that this fun is strongly intertwined with peers and alcohol! We have the perfect example with this defy: (chapter 9) And what did happen after they left the restaurant? The champion discovered the truth: (chapter 10) (chapter 10) Kim Dan was terribly poor, but he was also on his own, missing his grandmother.

Under this new light, it becomes comprehensible why the athlete avoided the gatherings, before the doctor entered his life. For me, he must have been exposed to the game “Truth or Dare” which led him to suffer greatly. Moreover, look at the reaction of the champion, when he heard about the comedian’s intentions: (chapter 34) “Are you drunk?” With this question, the protagonist revealed something about himself. He associates dating and love confession with drunkenness. He implies the existence of a lie. But a confession is strongly associated with verity and sincerity. On the other hand, for the sportsman, no one in his right mind would admit to be in love and in our case to love another man. For me, one part of the problem is that the champion is afraid of admitting his homosexuality. The latter is still a stigma in South Korean society. But there’s more to the game Truth or Dare. If you paid attention to the origin of the last quote, you will realize that this fun is linked to bullying and even hazing.

The school counselor entered and much to my surprise the counselor was there to talk about the game “Truth or Dare”. A fad of this game started at the beginning of the school year and apparently some students were bullied and out casted for not doing a dare. The frustration, and hurt associated with this game is not realized seriously as it should be. The students assume that it is fun to embarrass each other but it is hurtful to some who do not end up enjoying it. One word that instantly crosses my mind is “Bullying”. Some may not agree with that or may even put it in the category of peer-pressure but wherever purposeful action that causes pain and trauma comes, it automatically puts it in the same basket. The main motive of games is to create a healthy environment of fun and laughter and not stress or tension. Quoted from Quoted from http://www.stopbullyingsystem.com/blog/truth-or-dare

If you think carefully, bullying is working similarly to this game. As long as no one reports the students’ aggressive behavior to parents, teachers or authorities (“truth”), the juniors feel safe and can go to the extreme. Many beholders had the impression that Joo Jaekyung had been a victim of bullying due to Baek Junmin’s confession. (chapter 49) Furthermore, bullying is never done alone, but in groups. (chapter 57) There is one leader and the others are following the flow, the latter even become more proactive by making new bets and suggestions in order to ensure their own safety. As long as no one divulges the truth, the bullies are safe. But there’s more to it. Striking is that the way they coerced the champion to fight resembles to bullying too. He was manipulated with the articles, then with the advises from the lawyer and manager. Once in the States, they tried to drug him, which corresponds to a physical assault. (chapter 37) Finally, note that the schemers are working in teams exactly like the bullying students. Therefore I judge Park Namwook’s attitude as the teacher’s who is closing the eye to the truth. He is rather passive and puts the whole responsibility on his “boy”. (chapter 41) It is the champion’s choice to refuse or not the matches. The moment I associated the game with parties, peer groups and bullying, I had many revelations.

First, I couldn’t help myself connecting this “fun” to college and students. That’s how I found this article:

It’s no secret that excessive drinking and sometimes violent hazing happen at welcoming parties for university freshmen. The most recent case which came under the media spotlight involved Dong-A University students in Busan being soaked with makgeolli, a traditional fermented rice drink, mixed with food waste. In a photo posted on the school’s Facebook page, a group of freshmen are standing in a room, with a vinyl curtain hanging behind them. A woman in front of them is pouring makgeolli from a blue plastic bowl onto their heads. Quoted from https://www.koreatimes.co.kr/www/nation/2024/02/113_201344.html

Yes, the sophomore’s gesture reminded me of the champion’s action at the hotel: (chapter 37) Interesting is the athlete described this night as a party which made me think of a students’ party. Therefore I couldn’t help myself wondering if the champion didn’t go to college, but due to an incident, he was forced to drop out. And the latter could be related to a party organized by students. The latter chose to cover up the incident by remaining silent. I would like to outline that the doctor got fired, though he was actually sexually harassed by his superior. The nurse never testified in his favor, she chose to close an eye to the crime. (chapter 1) The main lead never considered her behavior as betrayal and abandonment. In fact, he never considered the crime as a betrayal from an institution. (chapter 1) He put the whole blame on the hospital director himself. He is a liar. Furthermore, through these pictures (chapter 47) (chapter 47), Manhwalovers can see that Kim Dan was a loner. Therefore I doubt that he had friends during his college years. The only person he knew from his school was his mentor: (chapter 1) It is important, because it implies that Kim Dan avoided to socialize and participate in gatherings. Interesting is that in season 2, Jinx-philes discover that Kim Dan had been bullied in the past. ( chapter 57) This new discovery reinforces my hypothesis that his fated partner went through a similar experience. Thus I had the following idea.

What if the champion was present at a party and had been left behind by his friend, though he was drunk? Observe the parallels:

In episode 9, both puppies were drunk, (chapter 9), yet Park Namwook made sure that the physical therapist wouldn’t be abandoned drunk. Thus he tasked his boss to bring him home. And as for Potato, it is clear that Oh Daehyun would take care of him, as he was sleeping in the dormitory next to him. In other words, no one was left behind drunk. But this scene contrasts so much to episode 43. First, no one was missing Potato. No one asked about his absence. Secondly, pay attention that the fighters invited Kim Dan to join them for another round, while they were neglecting their boss, though it was his birthday party. (chapter 43) Moreover, they never wondered about his physical condition. Was he drunk or not? Funny is that the intoxicated character was the one who forced Kim Dan to go home. (chapter 43) Actually, it should have been the opposite. The drunk champion should have been protected, but no. For me, it exposes a certain neglect from the members of Team Black, even Park Namwook and Jeong Yosep. Besides, imagine the irony. If Joo Jaekyung had not voiced his desire, triggered by his jealousy,… no one would have paid attention to the protagonist. (chapter 43) It was, as if he would have been indeed left behind. His behavior is the reason why Kim Dan chose to bring him home. (chapter 43) That’s what a friend is supposed to do.

And this observation leads me to chapter 35 which I didn’t bring up first on purpose. What caught my attention is that Mingwa placed 2 characters from BJ Alex in episode 35. (chapter 35) Nam Dong-Gyun is taking care of his drunken chingu Kim Myun-Dae. The former is showing an exemplary behavior. But what about Heesung and Potato? (chapter 35) They left Kwak Junbeom behind. Note that Oh Daehyun had gone to the bathroom, so the fighter was alone for a moment. On the other hand, Junbeom was quite safe there, for the owner of the tent knew them. (chapter 35) So the auntie could keep an eye on the judo fighter, and it was only a matter of time, until his friend would return. Nevertheless, this scene is implying a certain problem: a drunken person shouldn’t be left unguarded. Thus imagine that during a party, an unconscious person is brought to a room and left there unguarded, as the friend desires to keep partying, similar to this scene: (chapter 37) The person could get sexually assaulted, and no one would notice it. Secondly, I would like to outline that the hazing party from the article reminded me a lot to bullying. These freshmen were humiliated, and the perpetrator excused her behavior behind traditions and social norms. So the champion could have been betrayed by a friend, as the latter would have justified his action similarly. So instead of admitting his mistake, he could have justified the incident like this: the victim was responsible for his misery, because he was at the wrong place at the wrong time. It was just his misfortune or better said his jinx. Yes, for me, the jinx is indicating that people responsible for the champion’s traumas were denying their wrongdoings.

7. Truth or Dare in the bathroom

By connecting the game to bullying and coercion, a sudden question popped up. Why would Joo Jaekyung hate to share the shower room with members from Team Black? (chapter 8) From my point of view, this place is not just symbolizing purification and reflection, but also indicating the presence of a wound. As soon as I connected the bathroom and as such water to pain, all the champion’s past behavior appeared in a different light. In episode 3, when he went there, he was wearing his pajamas. (chapter 3) Neither Kim Dan nor the protagonist were seen both naked in the shower room. (chapter 8) (chapter 20) (chapter 30) Therefore I perceive the champion’s last comment as relevant. In my opinion, Kim Dan’s gesture reflected the champion’s mind-set. So by saying this, Joo Jaekyung was forced to admit the absurdity of such an attitude. Therefore Manhwalovers can understand Joo Jaekyung’s annoyance at the sauna. He imagined that he would be alone there. (chapter 34) He feels uncomfortable naked around people… As soon as you connect this place to a wound, my avid readers can finally better interpret the champion’s irritation in episode 36: (chapter 36) Kim Dan’s entrance could be perceived as a violation, for the champion was naked. This intrusion caught him off-guard. But since his gaze was covered, his anxiety masked behind his anger was diminished. On the other hand, this led him to leave the bathtub undressed and have sex in the kitchen. (chapter 36) For me, everything is pointing out that one of the champion’s fears is intimacy with water. He has long internalized this association. Don’t forget that the sexual encounter in the swimming pool started with clothes, before they got completely removed. (chapter 27) Under this new perspective, I don’t think that it is a coincidence that the champion felt the need to take a shower after meeting Baek Junmin and recalling the past. (chapter 49) This helped him to overcome his trauma and past wound. (chapter 49) Yet, keep in mind that the athlete’s wounded soul is not the result of one traumatic incident, but of many anguishes.

Another common denominator between all these scenes is that this place is also connected to a challenge: (chapter 3) Kim Dan dared to make him wait (I don’t think the athlete was truly honest here). (chapter 8) they dared to have sex next to Oh Daehyun and the other fighter. However, note that in all these scenes, neither the doctor nor the champion were honest. They were both lying… not only to their counter-part, but also to themselves. (chapter 19) That’s the reason why the argument in the locker room (chapter 51) doesn’t represent the final moment where both main leads opened up their heart and mind to each other. They were not truly honest to themselves and to each other. There was no water… and according to me, the spray was a pepper spray, so the champion’s ankle should have been cleaned and not simply covered. For me, both characters need to prove their trust and loyalty to each other. But they are moving in the right direction, for Joo Jaekyung divulged a huge information to Kim Dan. There’s a spy in the gym, hence the doctor will become more observant. He is pushing him to question people’s words and actions, even to say no to others. To conclude, I connect the champion’s trauma to water… and don’t forget that in episode 7, the athlete acted like a bullying member. (chapter 7)

8. The true significance of “Betrayal Trauma”

Because I made a connection between Betrayal trauma, truth or dare, bullying and BJ Alex, I could help myself bringing up Nam Dong-Gyun’s tragic past. The latter represents the perfect example of a person suffering from betrayal trauma. (chapter 70) His sexual orientation was exposed in high school, his friends were behind the rumor (chapter 70), although we have to envision that his crush played a huge part in it. Why? It is because he didn’t want to be associated with homosexuality. (chapter 70) Not only he cut off ties with him, but also he made sure to isolate the main lead from other students. The worst is that this person acted, as if this ostracizing had never occurred. (chapter 69), as if he had done nothing wrong. For me, it shows that the traitor never grasped the significance of his actions. Hence Park Sung-Woong could forget Dong-Gyun, while the latter could never forget him at all. The result from this huge betrayal was that the cute uke decided to keep his distance from people. (chapter 70) He could no longer trust people, he avoided meetings. In order to outline how severe betrayal trauma can be, the Webtoonist showed us the immediate effects of betrayal trauma: physical and emotional reactions (chapter 70) (chapter 70) and the long term effects: (chapter 69) he is trembling so much, he can not look at his former friend. Readers shouldn’t underestimate the issue. Betrayal trauma is so severe that it is comparable to being hit by a white truck. The pain is so great that it affects the brain functioning and as such personality.

The 7 signs of betrayal trauma are: anxiety, avoidance, trust issues, negative intrusive thoughts (shame, guilt), withdrawal and rumination.

We can see these signs in Joo Jaekyung: anxiety (chapter 34), avoidance (alcohol, gathering) (chapter 9), trust issues (chapter 30), negative intrusive thoughts (chapter 29), withdrawal (we know nothing about his family and he dislikes going to gatherings, he is not meeting his hyung Cheolmin) and rumination: he got upset, when the hamster ignored his calls. (chapter 05) Then when he stayed at home, (chapter 32), it was clear that the doctor’s actions were constantly on his mind. He was so bothered that he had to bring him to Heesung. He made sure that Kim Dan would forget Choi Heesung in the car. (chapter 33) Interesting is that this trauma resembles a lot to PTSD.

Betrayal trauma encompasses a distressing range of experiences that stem from breaches of trust and safety, often occurring within intimate relationships. This form of trauma can lead to the development of post-traumatic stress disorder (PTSD) and various emotional, psychological, and physical symptoms. The deep-seated connection between betrayal trauma and PTSD is notable, as this type of trauma can cause symptoms akin to those found in traditional PTSD. […]

Despite these differing origins, research has shown that individuals who experience betrayal trauma often exhibit symptoms and triggers that closely resemble those seen in individuals with PTSD. These shared characteristics might include intrusive thoughts, flashbacks, heightened anxiety, emotional numbness, and difficulties in establishing trust with others. Both betrayal trauma and PTSD can lead to a persistent state of hypervigilance, where the individual is constantly on alert for potential threats, even in situations that might seem safe to others.

Understanding the connection between betrayal trauma and PTSD is crucial for several reasons. Firstly, it emphasizes the profound emotional impact of betrayal on an individual’s mental well-being, potentially leading to symptoms comparable to those experienced after traditional traumatic events. Recognizing the commonality of these symptoms helps validate the experiences of those who have undergone betrayal trauma and underscores the significance of addressing their psychological needs. Quoted from https://www.evolvetherapymn.com/post/betrayal-trauma-and-ptsd

As you can see, through the game “Truth or Dare”, I could connect one cause for the champion’s suffering, betrayal trauma, and the latter was never treated. But there exists different kind of betrayal.

Parental: Children who live with abuse from their parents or guardians can experience betrayal trauma.

Institutional: This includes professional relationships and social support systems in categories such as employers and lawmakers.

Partner: Betrayal trauma can occur because of spousal abuse.

Interpersonal: Dysfunctional interactions between friends, co-workers, and family members can cause betrayal trauma. Quoted from https://www.medicalnewstoday.com/articles/betrayal-trauma#types

In BJ Alex, Mingwa presented four types of betrayal trauma: the parents with Ahn Jiwon (chapter 49), the latter was not loved, as he didn’t reach the first place like his older brother. Then we have Interpersonal with Nam Dong-Gyun and his high school friend. However, since the rumor circulated at school, and no adults intervened, we could see it as a reference to Institutional betrayal. Finally, Mingwa presented the last type (partner) with Hweemin. (chapter 51) But why is betrayal trauma so severe? It is because everything appears as a lie, as an illusion. All the memories become tainted. The victim can only question his own senses and judgment. How could he not detect the lies? Since PTSD and betrayal trauma share some common points, it is not surprising that such persons come to blame themselves and develop huge self-loathing. (doctor Frost, chapter 139). And now, it is time to expose my latest observation: (BJ Alex, chapter 51) Ahn Jiwon caught his first lover cheating on him at a club. Interesting is that the new lover resembles a lot to Joo Jaekyung! Mingwa said that characters from BJ Alex will only appear, but Jinx is not connected to her previous work. Note that they were kissing in a public place. Moreover, the club is a location where students not only meet, but also drink alcohol together. However, once Jiwon saw Hweemin, he dragged him outside so that they could talk. In other words, the “new lover” was left behind. Thus I come to the following conclusion. Joo Jaekyung has been suffering from betrayal trauma exactly like Ahn Jiwon. He was betrayed by his guardian (chapter 54) who refused to help him. If he got bullied as a kid, this signifies that he was bullied at school and the institution failed him. (chapter 49) Then if he was exposed to violence and his friend chose to close an eye to his situation imagining that he would report the incident to his own parent, the friend betrayed him too. And that could be Heesung who stands for passivity and distance. Finally, Joo Jaekyung could have been backstabbed by a lover as well and this because of money reminding us of Hweemin. (BJ Alex, chapter 51). If this theory is true, then Mingwa would finally outline the devastating effects of Betrayal trauma on people, something she barely touched in her previous work.

Finally, if the athlete was betrayed by a previous lover, Kim Dan would be forced not only to confront him, but also to claim his place. He is not interested in Joo Jaekyung for his money and for fun, but for his amazing talent and personality. Joo Jaekyung is actually very tolerant in front of the hamster: (chapter 51) No rough grabbing, no death threat, no punch … Imagine that he left the doctor in the locker room giving him privacy, while he went elsewhere. Don’t forget that he was wounded. (chapter 51)

To conclude, the game truth or dare is associated with wrongdoing, pain and deceptions. The main leads are choosing more often “daring” which stands for truth, whereas the enemies prefer daring, unaware that they are bringing truth to the surface. However, imagine that I didn’t say everything about the dangerous game “Truth or Dare”, hence I will write another part.

Jinx: Facing The Shotgun🔫: Embracing Change ☸️

March 5, 2024November 12, 2025 ~ Bébébisous33 ~ 8 Comments

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa: Jinx. But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “Reflections of Mr. Choi’s Shadow Network“

In chapter 49, Jinx-philes could finally face Baek Junmin and perceive his personality correctly. Mingwa left many clues in this episode, like for example his nickname “The Shotgun”. (chapter 49) Under this new light, my inquisitive readers can understand the title of this composition. My focus will be the infamous sportsman and his interactions with the main lead, in the past and present. Consequently, the composition will contain theories about the champion’s past. Nevertheless, since I am examining the present, it signifies that I will explain Baek Junmin’s role in the new scheme too. So who is Baek Junmin in the end? In the essay “Angel(s) of Death: Shadow versus Serenity, I had already painted him as an antagonist and as a villain. I called him a fake Angel of Death. This interpretation got reinforced with his nickname “The Shotgun”.

1. The different reflections of Shotgun

1. 1. The Shotgun’s colors and task

The moment Manhwaworms read his name, I am quite certain that they were all thinking of a firearm. It implies not only the dangerousness of Baek Junmin, but also his resilience to pain. He is as hard and cold as metal. Furthermore, the gun is associated with the shade black, which is often linked to negativity and death (chapter 49) Yet I couldn’t help myself seeing in the following image glimpses of purple (around the eyes). (chapter 49) Interesting is that this color is also associated with death.

darker shades can represent sadness and frustration. In some parts of Europe, purple is associated with death and mourning. https://www.verywellmind.com/the-color-psychology-of-purple-2795820

I have to admit that this shade even made me think of decomposed bodies or old bruises. It shows the coldness from The Angel of Death or we could say his rotten soul. However, exactly like his boss, Choi Gilseok, he is hiding his true colors. Thus I see grey as his “official” pigment. (chapter 49) It exposes his duplicity. Because of his sobriquet and his color, I assume that the schemers consider the boxer as a weapon. His role is to kill the Emperor, and probably in one blow. He is the executioner of the invincible legend. It should be a quick, merciless “death”. From that fight, Baek Junmin has to ensure that Joo Jaekyung can never come back to the ring. How is it possible? (chapter 49) It is because they know about his injured shoulder. That’s the reason why Baek Junmin is patting him on his left shoulder. Remember what the sports doctor told to the physical therapist: (chapter 42) He was on the verge of getting surgery. Besides, it is important what the manager suggested to his “boy”: (chapter 47) He should make the fight last in order to tire his opponent out. So the plotters thought that during the fight, Joo Jaekyung would ask for a relief spray on his injured shoulder. That would be the end for him. Kim Dan would even deliver him the victory on a silver plate. He would be framed as an anti-fan. The irony is that Kim Dan could heal his VIP client within a short time. Here, the champion looks relaxed and not concerned with his shoulder. (chapter 49) Here, he is almost smiling. He was telling the truth, when he said that he was fine contrary to the States. (chapter 40) I would like the difference between the two statements. He is now utilizing the personal pronoun “I” and not “it’s”. It indicates that the champion’s condition is good. But now let’s return our attention to The Shotgun”

1. 2. The secret meanings of The Shotgun

On the other hand, the idiom “shotgun” has more than the signification “firearm”. First, I am sure that anyone has ever heard the expression “ride shotgun”.

to accompany for protection, as in the front seat of a motor vehicle https://www.collinsdictionary.com/dictionary/english/ride-shotgun

This corresponds to Kim Dan’s position in the car. (chapter 49) He has now taken over the manager’s place. This reflects the doctor’s rising within Team Black. At the same time, this expression lets us perceive the role of Baek Junmin at King Of MMA gym. He is the protector of Choi Gilseok, the “old man”. On the other hand, his position also insinuates his passivity, as he is not the driver, like here. (chapter 42) In my eyes, it reflects his laziness. He lets other people do the dirty tricks, like we could observe it with the incident in the locker room. (chapter 49) The director had to suffer a great humiliation for this trick, while a helping hand had to switch the spray. For me, the expression “The Shotgun” displays the inaction from Baek Junmin. He was catapulted to the top thanks to the assistance of others: Mr Choi thanks to his money and connections with the media and with the CEO of MFC. Then the members from his gym had to gathered intel about his opponents. This was truly palpable in the description from the moderator. (chapter 49) In fact, the idiom “flying up the ranks” and “rising star” made me think of a shooting star. However, this star is just artificial, for the athlete didn’t have to prove really his strength. Beholders can even detect that the Shotgun’s muscles are less developed. Moreover, a shooting star implies that his success will be short-lived and momentary. He is destined to vanish, especially because people helped him. And this association reinforces my interpretation that Joo Jaekyung is a dragon and Kim Dan his yeouiju! As Jinx-addicts can perceive, the expression ” The Shotgun” shows his lack of humanity and cowardice. At the same time, it indicates that he is not the mastermind behind the plot, as he is just a tool. He is not a lucky charm, but bad omen. So when he whispered this to Joo Jaekyung, (chapter 49), in reality he was exposing his own personality, as he was projecting his own thoughts onto the star. Others have to do the dirty work for him (f. ex. polishing the belt, gathering intel) to prepare the battlefield for him. This contrasts so much to the champion and doctor’s attitude, for both embody hard work. Baek Junmin is imagining that the title will fall onto his lap thanks to the tricks and their insight. And now, take a closer look at the negative features of purple.

[Purple] Negative keywords include: immaturity, being impractical, cynical and aloof, pompous and arrogant, fraudulent and corrupt, delusions of grandeur and the social climber. […] Dark purple is related to higher spiritual attainment. A powerful color, it can also indicate arrogance and ruthlessness. https://www.empower-yourself-with-color-psychology.com/color-purple.html

This quote fits my description about Baek Junmin. He is corrupt, hence he feels no remorse to scheme. Then he believes that the victory is already in his pocket, as everything has been carefully planned. The way he reached the top exposes him as a social climber. And now, I can even validate my previous interpretation: his golden watch and jewels were fake! (chapter 47) Where did I find the evidence for this? It is because Seok (from Gilseok) can signify “brass”! As you can see, thanks to two different notions “shotgun”, I could give a better portrait of the fake star. But this is far from being finished. Funny is that “Shotgun ” can also refer to a position in American football.

an offensive formation in which the quarterback lines up for a snap unusually far behind the line of scrimmage Quoted from https://www.collinsdictionary.com/dictionary/english/shotgun

Interesting is that we had a similar formation in the locker room. Choi Gilseok and the other minion diverted the attention from Team Black, while the “Quarterback” could pass the frontline to bring the weapon to the other side. (chapter 49) It was, as if the team of King of MMA had scored a goal by bringing the pepper spray to the other side and switching it with the relief spray. (chapter 49) And what is the common denominator between the meaning “firearm” and “American football position”? Attack! But there’s more to it. As adjective, “shotgun” is indicating coercion and duress. And this corresponds to Choi Gilseok and Baek Junmin’s tactics. The director tried to put the physical therapist under pressure, when he met him in the café: (chapter 48) For that, he utilized the grandmother. I feel the need to add here that this scene confirmed my previous interpretation about Baek Junmin and Shin Okja. [For more read Angels of Death: Shadows versus Serenity] The latter was his enemy, and because of her request (Kim Dan should accept her death and stop the treatment), Kim Dan didn’t fall into the trap of the malicious director. Then, the dirty director of the gym reiterated his action in the hallway. (chapter 49) By meeting Kim Dan there, (chapter 49) he tried to sow seeds of doubt and even discord between the couple. It was to give the impression, they were working together. But the champion didn’t fall for it. The reason is that his fated partner was able to heal his injured shoulder. As a hypocrite and arrogant fighter, he utilized his small talk to threaten Joo Jaekyung. (chapter 49) As you can see, these “villains” were targeting both main characters mirroring another signification.

with no fixed direction or target Quoted from https://www.collinsdictionary.com/dictionary/english/shotgun

We could include the encounter between the two teams in the locker room as another illustration, for Oh Daehyun, Potato or Park Namwook were forced to become involved. (chapter 49) Interesting is that “shotgun” can also refer to a flat.

having all the rooms opening one into the next in a line from front to back Quoted from https://www.collinsdictionary.com/dictionary/english/shotgun

This made me think of the doctor’s humble home immediately. (chapter 10) (chapter 10) And what was the couple’s reaction during that night? While Kim Dan wept, as he was longing for his grandma (chapter 10), exposing his abandonment issues, the other looked down first on the physical therapist (chapter 10) before he had a change of heart. Kim Dan’s plea had moved his heart. (chapter 10) The problem is that the doctor couldn’t remember this scene due to his drunkenness. This scene leads us to another meaning of Shotgun.

Shotgunning a beer is the action of drinking an alcoholic beverage quickly by adding an additional hole to the bottom of the can. One can only say they have “shotgunned” once they have performed the griddy after. Quoted from https://www.urbandictionary.com/define.php?term=Shotgun%20%28Beer%29

This definition is not included in the Collins dictionary yet, as it is still under observation. Interesting is that ” shotgun” is not just connected to alcohol, but also to other drugs.

Doing a shotgun: a drug use practice and its relationship to sexual behaviors and infection risk There has been a rise in the frequency with which inhalational routes such as smoking are used for illicit drug use. A growing population of new inhalational drug users augments the pool of individuals at risk for transition to injection drug use. […] Shotguns may be seen as a form of drug use which has close ties to sexual behaviors, and which has both pragmatic and interpersonal motivations, combining in a single phenomenon the potential direct and indirect risk of disease transmission by sexual, blood borne and respiratory routes. Quoted from https://pubmed.ncbi.nlm.nih.gov/10369443/

Interesting is that smoking was introduced with Choi Heesung who went to rooftop in order to smoke. It was, as if he desired to keep his image clean. (chapter 31) And this leads me to the following theory that Baek Junmin’s sin towards Joo Jaekyung was linked to drugs. Don’t forget that Mr. Choi is himself symbolizing “drug” due this image: (chapter 48) And both are working together. My hypothesis is that Baek Junmin was involved in drugging the athlete. The sportsman admitted that The Shotgun had schemed against him. (chapter 49) This would explain why Joo Jaekyung would never join the team’s dinner and why he reacted that way, when he drank a glass of soju: (chapter 43) He could recognize the alcohol, a sign that he must have tasted it before. His threat and anger were masking his fears. For me, he had a terrible experience with alcohol. And this brings me to the last signification of “Shotgun”: SEX! This was already brought up with the quote above, but I am quite sure that people have already heard the expression “Shotgun wedding”. Then I also found this description “Shotgun Sex”:

“right before you are about to blow your load you cock your dick along with a cocking noise and spooge all over the face.” Quoted from https://www.urbandictionary.com/define.php?term=The%20Shotgun

the penis used to go boom pow in a girls face;aka cumm shot in the face. Quoted from https://www.urbandictionary.com/define.php?term=shotgun%20sex

And this corresponds to the champion’s action in the penthouse (chapter 6), when Kim Dan had accepted the deal from the main lead. The erected phallus looks like a weapon and Kim Dan also made the connection, when he saw his huge anaconda with the sex toy: (Chapter 12) The idiom “shotgun sex” suggests a situation where sexual intercourse occurs hastily and impulsively. It has nothing to do with love and warmth. It is something done quickly or without much forethought, which corresponds to the scene in chapter 6. (chapter 6) And what do we see here? Submission!

1. 3. The Shotgun’s possible past with the Emperor

That’s how I came to the following conclusion: Baek Junmin is involved in the champion’s sexual assault in the past. And it has something to do with drugs. I am even suspecting gambling debts, and someone used the athlete’s generosity. Imagine that by combining these elements, I came to reinforce my follower @noteadrinker’s hypothesis. The latter even thought of a gangrape, and associated it with the loan shark’s scene. (chapter 17) Don’t forget that during that night, the soju was present as well. (chapter 17) Because of his nickname and the reflections from episode 10 and 17, I deduce that Baek Junmin was present, but he didn’t help the athlete. He turned a blind eye to the situation. (chapter 49) In other words, he didn’t behave like a hero contrary to Joo Jaekyung. I can’t help myself thinking of this scene: (chapter 11) Though Joo Jaekyung despised the doctor and called him pathetic, he still accepted his request. But let’s return our attention to The Shotgun. Moreover, the fact that he employed the expression “kid” insinuates that Baek Junmin is older than the athlete. So he could have the same age than Kim Dan. I feel like the physical therapist is slowly taking over Baek Junmin’s place. He is on the verge to shine like a star. With the theory of a gangrape or rape (phallus as a weapon), we would have the explanation why the criminal insulted the athlete with “A little bitch ass punk”. He was describing him as a poser and “douchebag”, whereas in verity, he is the coward. Hence he resorts to tricks to achieve his goal. And now, you comprehend why the champion felt the need to clean his hair after meeting the fake star. (chapter 49) He usually takes a shower in the morning, however this scene took place in the evening. Under this new light, it becomes comprehensible as well why Joo Jaekyung couldn’t remember the criminal (chapter 49). It is related to a painful but short experience which scarred the athlete’s heart and soul.

No wonder why he was paralyzed after their short meeting. (chapter 49) It is because the latter had repressed his traumatic past. The other reason he didn’t remember him is that the latter had betrayed him. He was not worthy of being remembered and being noticed. Would you remember a poser and coward? No, not really. In my opinion, Baek Junmin stands for immaturity, betrayal, irresponsibility and false manhood.

Finally, we would have an explanation why the champion couldn’t identify the crime in the doctor’s house properly (chapter 18) and why both have no notion of “rape”. Joo Jaekyung must have been told that he was “responsible” for his misery, just like in this scene: “You did this”. (chapter 6) He brought him upon himself. He shouldn’t have drunk or taken drugs, he shouldn’t have been weak, he shouldn’t have been there that night… I see his statement there as an evidence for manipulations (chapter 18) If they are criminals, then the authorities should be informed, because the latter need to stop them, to make things worse for them. It was, as if he was advocating loansharking, though it is illegal. One might argue about this theory, for I deduced it simply from the name The Shotgun and its different reflections. However, Mingwa left us two other clues for this hypothesis.

2. The Jinx: the hidden line

The first one is the absence of sex. Many readers were caught by surprise. They wondered why Mingwa didn’t create any sex scene and how the couple treated each other during the sex session before the match. The answer is simple. The jinx of Joo Jaekyung had changed. It didn’t truly matter, if he had good sex or not with his physical therapist. 😮 And the evidence is this image: (chapter 49) He never loses! He sounded so confident and sure. His words contrast to his confession in his bedroom: (chapter 02) Never contradicts the idiom “I need”. He feels no need to have good sex in order to boost his ego. But how did this happen?

The reason is simple. By triggering the champion’s memories, Baek Junmin didn’t realize that he committed a huge mistake. He pushed Joo Jaekyung to meditate. The latter was silent in the car and looked through the window. (chapter 49) Secondly, once home, he went to the bathroom and the latter is the place for insight and reflection, like I explained it in the essay The duck and the dragon in the bathroom. One might argue that reflection in the bathroom is strongly intertwined with the mirror, like in this scene: (chapter 20) But contrary to the physical therapist, the champion had never denied the existence of his body. He didn’t need to look at his reflection to see any change. The pondering was triggered by The Shotgun’s words. Baek Junmin saw the protagonist in a different light: weak and pitiful. (chapter 49) In English, the MMA boxer portrayed Joo Jaekyung as a crybaby, while in the Spanish version (“Dabas much pena, miserable de mierda”) the translator referred with pena to shame, pity, sorrow and hurt. Through his words, the champion was forced to recall his past and how he was younger. He had to visualize himself, when he was a teenager. That’s the reason why in the bathroom, the champion was pondering under the shower, lost in his thoughts (chapter 49) and not looking at his own reflection. Here we were witnessing the birth of the champion’s third eye. In addition, this scene corresponds to the one in episode 3: (chapter 3) As you can see, the moment you connect these two scenes, it becomes clear that there was no sex. In episode 3, the doctor was fetched and had to have sex, while in episode 49, the PT waited for a signal from his boss, but it never came. Furthermore, the bathroom is the only place where the athlete doesn’t bring his cellphone! And the latter represents a huge hindrance to his meditation, like Jin-philes could observe it in chapter 35: (chapter 35) But there is more to it. The departure from the restroom corresponds to the doctor’s realization at the hospital.

Chapter 47	Chapter 49

In the bathroom, the doctor spent the whole night crying, recalling the conversation from the oncologist. We have the same colors in his memories than in the altercation between the two fighters. Gradually, Kim Dan came to accept the truth: his grandmother couldn’t keep her promise, as she would never recover from her illness. He went on his knees, too devastated by the terrible news. However, he didn’t question the doctor’s action and behavior. Nonetheless, he was able to move on. He was forced to mature and become more independent.	Here, the fighter must have spent a lot of time under the shower too. Nonetheless, he didn’t get devastated like his soulmate, for the simple reason that Baek Junmin had mocked him and even challenged him. This had triggered his anger.

The restroom symbolizes more than reflection, it stands for privacy, purification, transformation, transition, vulnerability and intimacy. There, he could cry internally (chapter 49) without getting disturbed. But don’t misunderstand me. I am not saying that the athlete was weeping. What I meant is that he was admitting the existence of his pain and suffering. This represents an important step to treat his own body with kindness. (chapter 43) He used his hand to protect his gaze, a sign of vulnerability. His shower in episode 49 is full of symbolism. He is cleansing himself, moving on from the past. Hence I deduce that this scene (chapter 49) corresponds to the doctor’s baptism in the swimming pool. (chapter 28) Because of this special day and night, Kim Dan came to accept sex and sensuality in his life. (chapter 29) (chapter 36) As you can see, all the scenes reflecting the bathroom scene in episode 49 contain SEX. Hence I see it as another evidence that the sex during that night had a different meaning: it was more a habit than a real need. And don’t forget that in the States, he had already complained about the timing. (chapter 39) He didn’t feel like “fucking” and it must have been the same during that night before the match. And if he had been sexually assaulted, anyone would comprehend why he didn’t feel any desire. Under this new light, Manhwaworms can understand why the title is “Embracing change”. The star is gradually dropping his old belief. He is one step closer to realize that he is not jinxed, he is strong enough to win the next fight. My avid readers should keep in their mind that when the couple argued on his birthday (chapter 45), he never brought up the jinx, a sign that he was already forgetting his old principles. This match represents a turning point in the athlete’s life, for from that moment on, he will perceive fighting differently. He is no longer pushed to take any challenge, for deep down, he felt that he was still weak and vulnerable. He was still trapped in the past.

On the other hand, Kim Dan must have been waiting for a signal from him. However, nothing happened. Hence the next morning, the physical therapist chose to take precautions! That’s why he brought the cream. (chapter 49) which was used for the sex session at the gym. (chapter 24) Moreover, he even took an ointment in case his anus would tear, for they didn’t have sex for a long time. (chapter 49) While searching for a treatment for skin irritation due to pepper spray, I discovered lidocaine topical.

Lidocaine topical (for use on the skin) is used to reduce pain or discomfort caused by skin irritations such as sunburn, insect bites, poison ivy, poison oak, poison sumac, and minor cuts, scratches, or burns. Lidocaine topical is also used to treat rectal discomfort caused by hemorrhoids. Quoted from https://www.drugs.com/mtm/lidocaine-topical.html

Hence I am suspecting that the doctor took topicals in case. Imagine that they didn’t have sex for quite some time. So what pushed the champion to overcome the shock and his suffering? It is because Baek Junmin’s words helped him to canalize his anger and rage at the right person, the one responsible for his wounds! (chapter 49) But Baek Junmin was not alone in this. Due to his traumatic past, Joo Jaekyung came to resent and mistrust humans, for he never got the chance to get justice from his tormentors. That’s the reason why he rejected social norms. As time passed on, he repressed the incident and buried the identity of the persons responsible for his wounds, whereas his pain couldn’t vanish. Hence he was still boiling inside and his anger was directed at anyone. It would come to the surface at the slightest provocation or rejection. That’s why he was still trapped in the past. He had the impression, he could get assaulted at any time. Therefore he needed to prove his strength. And this brings me back to the whispered confession: (chapter 49) Baek Junmin forced the star to recall the past and face his deepest anxieties. I see another evidence in this panel that The Shotgun must have faced a crime. How so? It is because pity has for synonyms “catastrophe, crime and sin”. But it doesn’t end here. The Shotgun’s description made me think of this scene: (chapter 37) When the athlete saw the doctor’s reaction, the latter was looking away, (chapter 37) the VIP client got so angry that he sent Kim Dan away. And now, take a closer look to this image. (chapter 49) The characters are placed in the same position. The comparison between these two scenes reinforces my hypothesis that Baek Junmin mocked Joo Jaekyung, resented him and refused to help the younger fighter back then, as Kim Dan was looking away. On the other hand, by using the expression “baby” in English, Jinx-philes could sense parallels with the fight with Randy Booker. (chapter 14) Interesting is that this image represented a distorted memory from the main lead, and it happened again after meeting his old “acquaintance”. (chapter 49) This is the sign that Joo Jaekyung repressed a terrible incident, and the expressions “baby” and “pitiful” triggered his fears and repressed memories. And by confronting him with his past, The Shotgun shot himself in the foot! 😉 The reason is that Joo Jaekyung is now drawing a line under the past, which was reflected in the red poster.

(Chapter 47) The names are in the middle indicating that they won’t be able to switch places. The line represents the boundary which the fighters can not cross. In addition, the color was already implying anger, but also energy and action.. In my previous analysis about the poster Color Clash: Decoding MMA Posters, I elaborated that the red in the eyes was the doctor’s reflection. He is facing them, but he is caught in the middle. So while Baek Junmin saw in him a tool to wound the athlete, the protagonist is not seeing Kim Dan, but The Shotgun, for Kim Dan is the mirror beyond the clouds. He exposes the monsters. This means that in the long term, they will be able to expose the schemers and cheaters. Furthermore I have another reason to believe that his past relationship with the Shotgun will affect his with Kim Dan. It is because Joo Jaekyung remembers The Shotgun’s nature, he is a cheater and traitor. (chapter 49) Anyone can see the doctor’s shock and fear. (chapter 49) On the other side, this match has another signification for The Shotgun. How so? It is because he needs to win. He claimed that he would take away his belt. He believes that since Choi Gilseok paid a lot of money, he bet on his victory. Besides, the director of the gym even got humiliated himself. However, he is deluding himself, for he was just a tool to ruin the Emperor. A shotgun is an firearm and as such it is dispensable. Furthermore, this panel displays Junmin’s jealousy towards the celebrity. (chapter 49) Joo Jaekyung has been in the spotlight for a long time (chapter 49), whereas The Shotgun was relegated to fight in the shadow! He was fighting in the underground fighting ring, but since it was illegal, he couldn’t become famous and rich. He couldn’t be exposed to the spotlight. This shows that deep down, Baek Junmin was also trapped in the past. He came to resent the protagonist, for the latter had been able to rise the ranks. That’s why he couldn’t forget him contrary to the celebrity. The latter was not only successful professionally, but also admired as a hero. It looked like he had been able to move on from the past, whereas for The Shotgun, it was the exact opposite. He became more and more involved in crimes. Don’t forget that he is helping the director from the King of MMA gym to launder money. Thus I deduce that Baek Junmin is underestimating his opponent. (chapter 49) First, he has this image of the young main lead from the past. In his eyes, he is still a little crybaby. Secondly, don’t forget that all the games from The Shotgun were rigged, so in his mind, the star must have been doing the same. He views himself as a Shotgun, in verity he is just a pepper spray, a big mouth which can lead to irritations and tears, but the wound is rather superficial. It can not cause real damages. On the other hand, the pepper spray is harmless, as long as the other can not talk. Consequently, I am expecting The Shotgun’s defeat. He won’t get scot free from this match. One reason for this positive outcome is that Joo Jaekyung has been able to free himself from that darkness. He is slowly able to see the light. Furthermore, since my hypothesis is that Kim Dan utilized a pepper spray in the locker room, I couldn’t help myself of viewing this as a talisman. Surprised, right? First, there was no witness of the incident except the members from Team Black. Hence the doctor can avoid troubles with the authorities. But there exists another reason.

Also known as OC (from Oleoresin capsicum), pepper spray produces significant eye irritation with watering, pain and temporary blindness. It is used as a crowd control agent and for personal defence. The active ingredient in pepper spray is capsaicin, which is a chemical derived from plants in the Capsicum genus, including chillies. Quoted from https://www.sciencedirect.com/topics/neuroscience/capsicum-oleoresin

As you can see, this weapon is derived from red peppers. Interesting is that in Italy, red chilly is considered as a luck charm.

Very similar to the evil eye, the good luck charm that is believed to protect its bearer from the envy and harmful intent of others, is the red chili pepper. In Italy, this traditional charm is thought to prevent the hurtful gossip of envious tongues, while also attracting good fortune to its owners. It is a belief that originated in Naples but which soon spread throughout the rest of Italy and, in time, became widely known to most Western cultures. Although the reasoning behind this charm and its protective qualities is quite obvious ―namely, that chili peppers are so hot they can prevent tongues from wagging― there is also a perplexing acronym associated with this object, the acronym RRR. For the especially inquisitive, this acronym can be broken down into its respective parts: the first R stands for the word Rosso (red), the second R for Rotto (broken) and the final R for Regalato (gift). The explanation is, therefore, that red chili peppers offer someone the gift of breaking or, rather, stopping the bad words of others who might wish to speak ill of them. Quoted from https://www.fenalie.gr/en/chili-pepper-story-symbolism-qualities/

Hence I believe that this terrible incident will remain a secret within Potato, Joo Jaekyung, Park Namwook, Jeong Yosep. As for Joo Jaekyung, the afflicted pain in the ankle can only increase the rage and resent towards the scheming, but blinded Baek Junmin. This can only reinforce Joo Jaekyung’s determination to defeat The Shotgun. The latter should realize very quickly that he is not a firearm, but a human too. He is not made of metal, but of flesh and blood. So he could cry tears of blood or even get injured. The athlete won’t show any mercy. The Shotgun is not capable to adapt himself to new circumstances. He is no all-rounder, for he adapts his tactics based on the intel. With no insight, it was, as if he had become a blind man. He lacks strategies and experiences, for he is a new comer and a cheater. This explicates why the fight ended up in a tie, (chapter 51) they had never planned to turn the new comer into a champion, people would have questioned the outcome. The real intention was to tarnish the champion’s reputation, to isolate him, to make him lose his stans. And they almost achieved it. Baek Junmin never realized his true position. He was just a middle-man, a hit-man that they would discard right after his “victory”. Hence he is no longer in the media, because his name is now linked with the incident with the switched spray.

Protected: Jinx: Powerful Hidden 🦪 Gemstones 💎 – part 1

February 24, 2024March 11, 2024 ~ Bébébisous33

Jinx: 🐹Hamster’s Soulful Conquest 💪 of the Ring 💍

January 21, 2024January 22, 2024 ~ Bébébisous33 ~ 5 Comments

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “A Summer Night’s Dream”

Though the title is referring to Kim Dan, my focus will be on the interactions between the doctor, Joo Jaekyung and Team Black. I implied the gym and its members with the expression “Ring”. The latter has the following definitions:

1. a piece of jewelry that is worn usually on a finger

2. an area that is used for shows and contests and is usually surrounded by ropes or a fence

3. a group of people who are involved in some illegal or dishonest activity Quoted from https://www.britannica.com/dictionary/ring

Furthermore, in Thesaurus, the ring is described like this: “group participating together”. Thus it has for synonyms “camp”, “clan” and “organization”. (chapter 22) It shows that ring does not necessarily possess a negative connotation. To conclude, ring is a reference to marriage (Kim Dan will become the champion’s official partner), to the MMA arena, to Team Black, but also to Mafia. We had an allusion to criminality during the sparring (chapter 26) and when the champion discovered the loan shark and his minions on the verge of raping Kim Dan. (chapter 18) The doctor is unaware of this, but one of his purposes in the champion’s life is to clean the scene, MFC and its corruption. On the other hand, the illustration contains many pictures of the two main leads having sex. Why? It is because the characters are acting like fighters. At bottom left, the doctor’s embrace resembles a lot to the one he used during the sparring (see the image in the middle). Their gestures are sudden and quite abrupt, which contrasts to the image on the right bottom. The kiss from the doctor holding Joo Jaekyung’s face represents the exception from all the selected panels. This shows that this Summer Night’s Dream indicates a huge transition in the sex sessions. But let’s return our attention to the images illustrating roughness. Right from the start I detected a strong connection between fighting and sex. [For more read Precious Punk and Wimp] Joo Jaekyung would treat in bed his sex partners as challengers. This signifies that he saw the intercourse as power struggle. But wait… Since the athlete considered sexuality as a surrogate fighting unconsciously, it signifies that the champion came to develop rules in bed, as MMA fighting is strongly regulated.

1. The World in the Ring

Here, I utilized this document as basis for my summary of the regulations :

A match is presented as a challenge (chapter 14) (chapter 36)
The fighters are put in different categories based on their weight. Hence their diet is strongly regulated, just like their medication. (chapter 29)
The match is limited in time (maximum 5 rounds with a duration of 5; between each round one minute break)
The intervention of a third person is forbidden, except the referee. (chapter 15) This means that if the fighter is on his own. He can not rely on others. If he is not able to return without the assistance of spectators or his seconds, he is declared as defeated. So we could say that any interruption is condemned, as it is ruining the flow of the fight.
Each boxer is forced to wear a mouthpiece. (chapter 15) Funny is that conversation is permitted, yet mouth gear hinders the fighters to talk. Should they remove it constantly, the referee can judge it as a violation (“Timidity”), for the fighters can not fight, as long as they don’t wear the mouthpiece. This signifies that the sportsmen are encouraged to express their thoughts through the hands. (chapter 15)
The obligation of wearing hand wraps. This signifies that the fighter’s sense of touch is limited.
Their clothing is also strongly supervised: Mixed martial artists have to be shirtless and barefoot and only wear a trunk. Male mixed martial artists MMA fighters need to wear the appropriate groin protection as well.
Certain gestures are also forbidden, like for example strikes to the spine or the back of the head; Fingers outstretched toward an opponent’s face/eyes; Groin attacks of any kind; timidity (avoiding contact, or consistently dropping the mouthpiece, or faking an injury)
The fighters are getting paid for their show. In case of a victory, their fees increase. (chapter 41) To conclude, while MMA fighting is a work, it is strongly intertwined with pleasure and entertainment. Their fight is witnessed by spectators in the arena or on TV. (chapter 41) That’s the reason why Mixed Martial fighters are called artists, a synonym for actor.

As you can imagine, the moment I listed these elements, I made new discoveries concerning Joo Jaekyung’s sexual behavior.

2. The champion’s sexual habits

First, I deduced that the champion was counting coitus as a round (chapter 12). The absence of kisses and caresses can be explained with the presence of mouthpiece and hand wraps in the ring. Moreover, in the arena, there is no warning up, therefore we have the explanation why the champion never included foreplay. On the other hand, the fellatio was used as the symbol for submission. The rival was always brought to his knees. (Chapter 6) (chapter 39) I would even add that the opponent’s challenge was to overcome the long intercourse. I doubt that he gave his past partners a break while having sex. (chapter 39) At the same time, it explains why the champion didn’t take the partner’s pleasure into consideration. It was a battle in bed, which was led by the protagonist. The latter was not only acting as MMA, but also as arbiter and MFC matchmaker. With his money, he could determine the time, the location and the duration.

And the moment the doctor entered his life, the latter changed, as he represented an interruption of his rituals. I would like to outline that all the previous sex partners had targeted him due to his status: (chapter 5) Their gestures were seductive, a sign that they were not fearing the champion. The challenge was here the difference of weight. On the other hand, by approaching Joo Jaekyung, they looked confident about their skills. That’s the reason why he would have sex with them, until they passed out. (chapter 33) He was testing their stamina and as such he desired to demonstrate his superiority. He had to make them KO in bed. However, the green-haired uke represented an exception, because he managed not to pass out. That’s how he became the athlete’s regular partner. (chapter 2) This means that Joo Jaekyung failed to defeat this competitor in bed. This explicates why the “goblin” came to look down on the star. In fact, he realized that he had the upper hand. (chapter 42) That’s the reason why he no longer put any effort in this relationship. There was a certain balance, but it was based on money. That’s how it dawned on me why Mingwa included this memory in the champion’s narration: (chapter 2) I have to admit that this picture has always bothered me, because we can see that Joo Jaekyung was facing his bed partner. Yet we know that his favorite position was the doggy style. (chapter 1) (chapter 4) (chapter 8) (chapter 12) (chapter 34) (chapter 36) (chapter 39). As Jinx-philes could observe, till the night in the States, the champion privileged to have sex from behind. How do we explain the difference and when did this change occur? (chapter 2) Here, it is important to pay attention to details. The corners of his mouth are expressing displeasure and annoyance. I had already stated in the past that the champion had disliked his reflection in the partner’s gaze. The mouth is exposing that the champion was not satisfied with this intercourse. And this brings me to the following remark. When the champion revealed his secret to Kim Dan, he pointed out that he needed to feel pleasure. (chapter 2) The champion’s ecstasy served as a measurement to view himself as victorious. This statement implies that he was not only the fighter, but also the arbiter. This corroborates my previous statement. During sex, he was the fighter and the referee. He acted as the MFC matchmaker.

Consequently, I come to the following conclusion: the green-haired uke was the trigger for the switch of position. (chapter 2) I would like to underline the huge distance between Joo Jaekyung and the faceless partner. It shows not only the huge gap between them, but also the absence of kisses. Under this new light, it becomes understandable why the star called the goblin a prostitute, for the latter never kissed him. By selecting the doggy style, the champion was able to reaffirm his superiority to the goblin. That’s the subterfuge Joo Jaekyung created to run away from reality: he was dependent on the green-haired uke. And now, you comprehend why the Webtoonist created a face-off between Kim Dan and the green-haired man. (chapter 43) In my opinion, during that night (chapter 2), Joo Jaekyung must have perceived the disdain and mockery from the uke’s gaze and switched the position. (chapter 1) That’s how he adopted the doggy style. The latter was questioning his belief and as such his masculinity. (chapter 2) The goblin might have not voiced his thoughts to the celebrity before, but Joo Jaekyung could perceive his soul through the gaze and facial expressions. Hence the star’s domination was quite superficial. In fact, as time passed on, the athlete could only get bored of the goblin. (chapter 42) It is because there was no challenge. The guy was accustomed to the champion’s roughness. Hence he never feared the star. He could only judge him as weak. Because Joo Jaekyung was missing the thrill, he came to look for the “wimp”! On the one hand, the latter would treat him with respect(chapter 1), on the other hand, he would cry and tremble in his presence. Then right after the session, he left the room in a hurry. (chapter 1) That’s how I realized why during that night, the champion felt the need to call Kim Dan. (chapter 1) It is because the “hamster” had not only feared him (chapter 1), but also challenged him. (chapter 1) He had grabbed his anaconda!! But this represents a breach of rules in MMA! That’s how I realized that the doctor’s action pushed the fighter to violate many of his own rules: interruption of the flow! (chapter 1) The moment he called the physical therapist and the latter accepted his request, it was clear that he would ditch the goblin! Thus I see it as his karma, when he got interrupted in chapter 20: (chapter 21) Then after facing Heesung, he stopped the intercourse too, (chapter 35) indicating that little by little, the champion’s mind-set was changing. At the same time, it exposes his hypocrisy. But why is he forced to accept the change of flow? It is because life is trying to teach the champion that he is not god, he is not the owner of time. This explicates why the star couldn’t determine the start of their “Wedding Night”, the doctor’s suggestion represented a new challenge. (chapter 3) He was defying the champion’s authority. (chapter 3) Despite his fear, the hamster wouldn’t become submissive like the others. While the green-haired uke faked submission and the others got defeated by KO, Kim Dan remained true to himself. He embodies honesty and modesty, the opposite values of the “goblin”.

And this remark brings me to reveal the second violation of the champion’s rules: he didn’t fuck the doctor, until the latter passed out. They both fell asleep together. (chapter 4) That’s the reason why the two main leads were sleeping under the cover. This explicates why he selected the doctor as his definitive partner. I also discovered another infringement during the “Wedding Night”: the champion refused to wear any protection during sex. (chapter 2) Let’s not forget that during a match, they are supposed wear a sex gear. Interesting is that he grabbed the doctor by the hair (chapter 4). It is important, as it represents a real transgression of MMA rules indicating how powerful the doctor was. The champion needed to break rules in order to get him. Funny is that he thought that after such a long night, he had been able to submit the cute hamster, but he was totally wrong. The latter chose to ignore him. (chapter 5) It was, as if he was hiding from him. What caught my attention is that while he tried to get in touch with the physical therapist, he called MFC Match Manager at some point. Why? I believe that he had planned that after his huge success to organize another match very soon. As you can see, the intervention of Saturn, the god of time, taught the champion through the hard way, he was no real MFC Matchmaker. By refusing to answer his calls, Kim Dan was the one determining the time. (chapter 6) Under this new light, it becomes comprehensible why the athlete offered this deal to the physical therapist: (chapter 6) He was trying to regain the upper hand in their relationship. He wished to keep his position as the owner of time. But the problem is that despite this contract, he wasn’t able to control Kim Dan. The latter chose to approach Kim Changmin (chapter 7), while he kept his distance from the champion. This scene made him realize that he was still powerless. (chapter 7) Under this new light, it becomes comprehensible why in the States, the goddess Mingwa chose to send the doctor to his room much earlier. Both protagonists were fighting against each other concerning time. (Chapter 39) Hence I come to the conclusion that Kim Dan’s role in the champion’s life is to teach the champion that he doesn’t own time. The reason behind this lesson is simple. It is to show him how pointless it is to race against time. (chapter 29)

And this observation led me to recognize another pattern. Observe that each intercourse with Kim Dan was connected to thrill and test. Kim Dan was always put in front of a challenge. We have for example the sex toy (chapter 12) or having sex in front of a mirror (chapter 20) or anal masturbation in a car (chapter 32) I could mention other defies linked to sexuality, having sex without getting noticed, either in the shower room (chapter 8) or during a phone call (chapter 24). Then we have this bet concerning the doctor’s sensitivity. (chapter 29), thus the champion tried an experiment: (chapter 29) Furthermore, notice that each time they had sex, the doctor was pressured to have sex with the champion. Kim Dan felt that he could never refuse. (chapter 12) On the other hand, the athlete always met some resistance (chapter 27) Kim Dan would never agree to the champion’s requests immediately. They would fight about the time, location and position. Furthermore, note that Kim Dan went so far to punch the protagonist: (chapter 7) This could only increase the athlete’s interest and obsession for the physical therapist. Although he was getting paid, the latter would never admit submission. He thought, he had achieved his goal in that scene (chapter 11), yet the reality taught him a tough lesson. He got to hear something terrible: (chapter 12) With his words, he was telling the sportsman that he was a terrible lover. He denied any admiration for him. And since sex is a synonym for wrestling in Joo Jaekyung’s eyes, doc Dan’s declaration signified that his title as champion was questioned. Though the champion came to enjoy their intercourse (chapter 12), it was short-lived, as the doctor fainted after one round. (chapter 12) Through this examination, Manhwaphiles can grasp that at no moment the champion could control Kim Dan. Though he was supposed to be treated as a sex doll, the physical therapist never acted as one. Why? It is because he had a mind on his own. In other words, neither his mind nor his heart were focused on the celebrity. He already had a goddess: his halmoni. He literally worshipped her. But there’s more to it.

The doctor had the impression that he could never refuse these defies. First, it was related to money, for the latter implies a consent. But note that as time passed on, money became more and more irrelevant, especially since the champion paid the halmoni’s bills. That’s how I realized why consent only appeared so late in Jinx, though it plays a vital role in their relationship. This notion appeared for the first time, when the champion proposed to spare with Kim Dan. (chapter 26) Observe how the doctor reacted after the sparring took place. . (chapter 27) He rejected the suggestion from the champion. As Jinx-philes can detect, the sparring affected their relationship. However, the notion of consent represented more an exception than a habit. Thus I consider the scene in chapter 44 as a real turning point in their relationship. (chapter 44) Why? It is because this sex session will have an impact in their work, MMA. During that night, they became real fuck buddies. Sex was not related to work and fighting. But why did the notion come to the surface for the sparring? It is because MMA fight consists of challenges, which implies consent. Striking is that so far the champion never rejected a challenge. Yes, Joo Jaekyung was put in the same situation than Kim Dan in the end, but the one putting under pressure was the MFC Matchmaker and naturally the agent from Entertainment agency. Don’t forget that both are earning money thanks to events. And how did the champion got convinced by them? “You think, you can do it?” With their words, they doubted his talents (chapter 36) or questioned his title: (chapter 36) The protagonist has the impression that his masculinity and strength were questioned. Hence he could not refuse.This explains why he was in such a bad mood and looked unhappy. (chapter 41) He is treated like a doll, but he is not realizing the manipulation. How can he, when Park Namwook is not detecting it either? Under this new light, Jinx-philes can grasp the real root of the argument in the car. (chapter 42) There, the doctor tried to control the champion’s time, as he suggested him not to go to the training. No wonder why Joo Jaekyung reacted that way. On the other hand, the athlete replied with a defy. Thus I deduce that at some point, the doctor will react to these words. As you can see, the champion needs to learn to say NO to them. That’s the reason why I started suspecting that in episode 5, Joo Jaekyung might have planned a match, as he felt invincible thanks to Kim Dan. (chapter 5) But he had to back out. And now, you comprehend why the MFC Matchmaker and the other accomplices had an interest to manipulate the fights. They were sensing that the athlete was escaping their control. Besides, someone has been targeting him out of resent.

What is the other reason why his relationship with the hamster was so challenging? It is because the champion had to conquer the doctor’s body. The latter was living like a ghost. That’s the reason why he started paying more and more attention to Kim Dan’s physical reactions. He recognized that he needed to procure pleasure to his partner, if he wanted to keep him by his side. (chapter 12) The reason for this change of mentality is that the doctor feared him. (chapter 12) And because the doctor never reacted the way the champion expected it, the latter was forced to infringe more and more MMA rules, like this one (grabbing the groins is forbidden). To conclude, the doctor is there to teach the champion to distinguish between love and fighting. This explicates why the physical therapist embodies violation of MMA rules. We have the perfect example in this scene: (chapter 25) Potato made a mistake which could have made the doctor unconscious. That way, he can expose the corruption within MFC and its implication with the mob. That’s the reason why I am more than ever convinced that Kim Dan is destined to become a MMA fighter in the end. Why? It is because he is the champion’s reflection. The moment Joo Jaekyung is no longer the fighter in the ring, but the spectator or assistant, he is forced to witness how his loved one is risking his life. So far, he never showed any interest in the fights of other members. He needs to understand why Doc Dan would advise him not to fight. And this brings me to the next remark: Kim Dan is a strong believer, like we could observe it in this scene. (chapter 40) This explicates why he was willing to risk his life for his sick grandmother.

“We know from previous research that religious people might be less inclined to take risks that have immoral connotations, such as drug use, and we also know that people might feel more encouraged by God to take on risks that are morally positive, like helping a person in need,” White explains. Quoted from https://neurosciencenews.com/neurotheology-risk-taking-25367/

Hence I am more and more convinced that the doctor will take risks for his loved one again, and this means that he will enter the ring. And now, it becomes comprehensible why the doctor had to experience pain and fear during the sex sessions in the beginning. He was encouraged to overcome his anxieties and to becomes stronger and resilient. He was not realizing that he was receiving a special training from the champion. Yes, he was receiving an initiation to MMA fighting. No wonder that the physical therapist’s condition improved with time: (chapter 36)

3. Kisses and caresses in Jinx

Striking is that the sex session in chapter 44 started with the doctor’s kisses and caresses. (chapter 44) His gestures represent a transgression of MMA rules, as he had stretched his fingers towards the main lead’s face. (chapter 44) By taking the initiative, the physical therapist is teaching his “mentor” how to express love. Interesting is that during that scene, the athlete remained passive. It displays his consent and trust towards the doctor. He knows that the latter won’t hurt him. That’s how I realized that the kisses are strongly connected to consent. Let’s not forget that when Joo Jaekyung smooched the hamster for the first time, he took him by surprise. Because the latter felt uncomfortable, he made the following request: (chapter 15) This request insinuated consent. Then when the doctor smooched the champion’s ear, the latter objected to it. (chapter 44) Hence the physical therapist stopped. Consequently, I come to the deduction that the more they will kiss, the closer and the more respectful the protagonists will become, for the kiss symbolizes consent.

First, the kiss was out of necessity. (chapter 14) Then it was out of desire (chapter 24) and out of excitement and attraction. (chapter 27) However, I noticed that it is linked to their position. They face each other. In chapter 15, Kim Dan was turned around, hence they were no longer having sex from behind. (chapter 15) In chapter 24, first it was from behind, but then it changed, as the star desired to see the hamster‘s erected phallus. (chapter 24) He wanted to make sure that the doctor would enjoy this break. Yet, what caught my attention is that in chapter 39, Kim Dan initiated the kisses and embraces, because this is what he likes. (chapter 39) Here, the athlete was caught by surprise, and protested, but he got silenced very quickly. (chapter 39) Finally, so far, it was not a ritual, hence we only had smooches in chapter 14, 24, 28 and 39. This signifies that Kim Dan is the one who will introduce kisses and embraces as rituals. Moreover, if someone were to kiss one of the protagonists, the other would view this gesture as a crime against his partner.

Another detail caught my attention: the doctor started touching the champion’s neck in the hotel room. However, you already know that in MMA, strikes behind the head or on the spine are forbidden. (chapter 31) That’s how I recognized the huge importance of this scene: (chapter 32) Joo Jaekyung entrusted his neck to the doctor. The latter stroke it for a long time. And now, you comprehend the initial hesitation from Joo Jaekyung in the hotel room: (chapter 39) He was not used to be touched there (face and neck) during sex! During that night, he discovered that he could entrust his most vulnerable points to Kim Dan. (chapter 39) Therefore it becomes comprehensible why in the penthouse, he allowed his lover to approach his fingers towards his face. (chapter 44) He even accepted his hands on his back. (chapter 44) He felt safe. This explicates why he could fall asleep so easily.

4. Kim Dan’s conquest of the champion’s heart

Funny is that while the champion was training to tame Kim Dan, he never realized that he was targeting his heart. And the moment the doctor admitted pleasure during the intercourse (chapter 39), Joo Jaekyung had finally achieved his goal: he had become the winner. He was now the owner of the doctor’s heart (chapter 39). On the other hand, since the doctor was under the influence of the drug, the champion couldn’t take the confession seriously. It is important that the champion doesn’t recognize the doctor’s feelings right away, for he needs to feel insecure. That way, he is pushed to change his behavior, to become more proactive and protective of Kim Dan. Hence I consider this Summer Night (chapter 44) as the positive reflection from the sex session in the living room: (chapter 34) Yes, the meeting with the artist was a challenge, he was showing to Heesung that if he tried to take away his “fighter”, he would have to fight for real. And what did the actor do during that night? He ran away, he refused to take the defy. This position (chapter 44) contrasts so much to this one: (chapter 34) closeness, knowledge, sincerity and warmth versus distance, ignorance, artificiality and coldness. The doctor had a mouthpiece, hence we should consider him as a fighter. It shows that the champion was exposing his philosophy about sex to Heesung. He was not allowed to meddle in his “battle” with Kim Dan. During that night, the star was the MFC matchmaker, the referee and the fighter! He was also the owner of the time. This represents the best illustration of his past sexual habits. And now, you comprehend why shortly after he got to lose everything with this article. (chapter 35) The gods were punishing him for not respecting the physical therapist.

Another divergence is that Kim Dan in episode 44 was the one who selected the place of their intercourse: the landlord’s bedroom. (chapter 44), though the doctor had not sex in mind at all. He brought him there to rest. However, the presence of fighting has not vanished totally in episode 44: (chapter 44). Joo Jaekyung still provoked his lover (chapter 44), but the latter was able to reject his defy by asking a question. One might think that he did that out of habit. On the other hand, I believe that Joo Jaekyung doesn’t know his partner that well, hence he is bothered. He can never predict his actions and decisions. He was definitely worried about his recent change of behavior too. Moreover, note that Kim Dan was the one leading the intercourse, for he determined the time flow: (Chapter 44) (chapter 44) It shows that the power is shifting, Kim Dan is slwoly getting the upper hand in their relationship. He can control time and place.

And now, it is time to show you another relevant reflection: (chapter 29) The celebrity refused to have sex every day, for he considered it as work. Why? It is because he is associating it with fighting. This is what he had in his mind: (chapter 36) But their last sex session felt so comfortable and natural that Joo Jaekyung didn’t have to make many rounds. He already fell asleep around one round. (chapter 44) This means that the connection between sex and fighting is vanishing. The sportsman can actually realize that sex is leisure and resting. He had made such a suggestion in the past (chapter 27) But he got rejected by Kim Dan back then, because the physical therapist considered sexuality as shameful. As you can see, the doctor’s actions are changing the champion’s perception of sex. It is no longer fighting, but resting. On the other hand, the doctor can seize the occasion to express his love through his caresses and kisses. At the same time, he could use it as a treatment for his insomnia.

As you can see, I am sensing that the protagonists will come to a new agreement. But by cutting off the connection between fighting and sex, Kim Dan is actually removing the champion’s belief about his jinx. In my eyes, Kim Dan will come to replace fighting in the long run. Only through that way, the champion can stop living as an workaholic. His obsession for MMA is understandable, for he feels terribly lonely. It becomes clear that Joo Jaekyung always wished to have a confident. This is perceptible, as he always talked, while he was having sex with Kim Dan. (chapter 4) (chapter 12) He asked questions, though his interrogations contained the answers. This shows his poor communication skills. On the other hand, as time passed on, he started opening up. He sought his closeness, but in the beginning, he failed terribly due to his prejudices and lack of understanding. (chapter 10)

Moreover, it is important to know that heart has for synonyms courage, mind and soul!! The moment the champion owned the hamster’s heart, the latter was constantly thinking of the champion. (chapter 42) (chapter 42) Interesting is that the champion was also thinking a lot about the main lead, as the latter was worried by his exhaustion and his lack of appetite. (chapter 44) By occupying his mind, Kim Dan is winning his heart. He is reminding him of the fragility of life, but also of true courage due to his humbleness and selflessness. Hence it becomes comprehensible why I stated that the doctor would risk his life or reputation for Joo Jaekyung. He will appear as a true hero receiving the admiration from his loved one and members from Team Black. In my eyes, he will become the heart and soul of Team Black, while the champion is the face of the gym. Though the members are behaving like a family, I detected a lack of cohesion and a certain indifference. No one was missing Potato during the day of the birthday party (chapter 43), just like none of the coaches were wondering about the whereabouts of Kim Dan in the States. (chapter 40) It is important that he brings the members closer together, as there is an enemy in the shadow: the Mafia.

My final observation is the following: during this night, Joo Jaekyung got revived, hence his whole face was blushing (chapter 44) See the contrast to the night on the couch: (chapter 29) Contrary to the past (chapter 4) Joo Jaekyung is not hiding his pleasure. He is moaning loudly, as he has his mouth wide open. It exposes once again the increasing trust in Kim Dan. He no longer mistrusts him, in his eyes, he is no longer a prostitute. That’s how the doctor won the champion’ s heart. Now, his heart is truly beating for the doctor. Little by little, the hamster is taming the wolf. The latter needs to recognize that by loving the doctor, he will become powerful.

Protected: Jinx: A Summer 🌹 Night’s Dream 🧚‍♂️

January 17, 2024January 24, 2024 ~ Bébébisous33

Jinx: The Third 🥉 Man ❓- second part

December 31, 2023January 1, 2024 ~ Bébébisous33 ~ 1 Comment

As you can see, trying to discover the identity of the third man has become my new obsession. Why? It is because I am convinced that he will play a huge role in the progression of the story.

1. The men in the shadow

After releasing the first part, it dawned on me that Shim Yoon-Seok and the unknown man (chapter 37) from episode 37 could be still two different persons. However, the two of them have something in common: both are involved in creating an event, or better said in plotting!! Moreover, they participated in the last scheme. But the condition for a trick is secrecy and manipulation. And this is exactly what was happening in chapter 42. (chapter 42) The roommate acted, as if he was a ghost, as if he had vanished into thin air. He kept a low profile and never asked the green-haired to stop arguing or insulting the young doctor. As for the other, he manipulated Kim Dan to scare him off. That’s the reason why I am more than ever convinced that the next plot is on its way.

2. The discovery of the secret

My problem was that I couldn’t determine properly which secret the hidden man had discovered. Since I detected parallels between Joo Jaekyung, Kim Dan and this negative couple, I realized that the latter could also have a boss-employee relationship. Since the latter is a prostitute, (Chaoter 42) which he is no longer denying, I came to the deduction that the other is a pimp. Moreover, because I connected parallels between chapter 42 and episode 13, the doctor‘s words came to my mind: (chapter 13) The expression „the pond’s been bone dry“ implies hiring. Naturally, Cheolmin meant that it was difficult for him to find a partner, but his declaration could be understood, as if he was referring to male escorts. As you can see, there was an indirect reference to prostitution in the end. However, he was not looking for a male prostitute. And now, if you look at the members from the XY VIP club (Chapter 33), you will realize that they belong to the higher middle-class. On the other hand, Cheolmin pointed out that only desperate people would accept to be his sex partner (chapter 13). Thus I come to the conclusion that the athlete was pushed to hire prostitutes in the end, for the other VIP members would refuse such a rough sexual behavior. That’s why I have always been suspecting that this club has been dealing with whoredom behind the facade. The silent barman could be the link. Yet, notice that Heesung has a different approach at the club. (Chapter 33) He’s looking for his soulmate. This explicates why he could approach these new members so easily. Interesting is that Choi Heesung knows about his jinx and criticized him for his roughness (chapter 33), but he never reproached him to hire escort boys. Our cursed Romeo is not linked to prostitution, hence when he saw Kim Dan during that night, he didn’t see whoredom, but roughness. (Chapter 34) Therefore he was not repulsed. This explicates why he gave up on Kim Dan so easily. (Chapter 35) So imagine his reaction, when he hears that Joo Jaekyung has been treating his angel as a male prostitute. He will get upset, for Joo Jaekyung is looking down on the protagonist‘s job and his magical hands. But let‘s return our attention to episode 42. (chapter 42) Because prostitution was in the center of the argument, I am quite certain that the third person is also connected to it.

And being a pimp would fit the profile of a person who is looking for an easy and quick way to earn money. Once I made the connection between the third man and prostitution, I had another revelation. Yes, it is about the secret he had discovered. Kim Dan is working as a delivery man during the night and he is on his own! Joo Jaekyung is not protecting him. It looked, as if he had been abandoned. The author already indicated that such a night job can be dangerous, as you can meet drunk and violent people. (Chapter 42) Moreover, the third man knows how to contact the physical therapist, through the restaurant. This means, he can sell the information to someone who is looking for fresh blood.

3. New predictions

Here, we have two possibilities. First, it could be the perverted hospital director!! (Chapter 1) Or that could be Heo Manwook. Remember how the young protagonist got dragged during the day and no one intervened! (Chapter 16) People‘s passivity and indifference is finally exposed in episode 42: (chapter 42) The physical therapist got verbally attacked to the point that the main lead got scared for an instant, but the witness there remained passive and indifferent. And now, you can imagine my prediction: the mysterious man will call one of these perverted men (chapter 20) and tell them how to meet the physical therapist. Heo Manwook or the physician just needs to call the restaurant and order food! Once there, he can get dragged into a room and abused physically and sexually. And the third man would be just fine. No one would suspect his involvement, in the worst case, that would be the green-haired whore.

If you recall the content of my previous analysis, the cellphone and the drug were common denominators between all the similar scenes. When the doctor got kidnapped, he was talking over the phone. (Chapter 16) In his house, he got insulted as a whore (chapter 16). Though he accepted the insult by remaining silent, he still fought back, when the moneylender was on the verge of raping him. His minions had to help him to restrain Kim Dan. (Chapter 16) But Joo Jaekyung didn‘t realize the true crime due to his biased perspective which I had elaborated in the first part.

Our brain does not see what happens, but rather what we expect to happen, according to neuroscientists

However, this anticipatory capacity can become a double-edged sword if we do not know how to use it properly. Paying too much attention to our expectations, having preconceived ideas, and becoming too absorbed in our thoughts can cause us to lose touch with reality. By failing to take note of what is happening around us, we lose connection with others and begin to act in a maladaptive manner, which will inevitably become a source of problems and conflicts.

Therefore, it is important that we are aware of the tendencies of our predictive brain, especially in interpersonal relationships. We must ask ourselves if we are taking too many things for granted or if we are reacting more to what we expect to happen than to what is really happening. Quoted from https://psychology-spot.com/predictive-brain-we-see-what-we-want-to-see/#google_vignette

Thus it dawned on me that members from Team Black (Kwak Junbeom, Potato and Oh Daehyun) could be close to the scene and come to Kim Dan‘s rescue. Remember how I outlined the parallels between chapter 35 and 42. (chapter 35). Besides the list of similar scenes was 1, 2, 13, 24, 25, 33, 34, 35 and 37. Except the scenes in the penthouse, Jinx-philes can recognize another similarity: Potato and Heesung! That‘s how I came to the following prediction: Yoon-Gu will come to the physical therapist’s rescue. It is also possible that the actor is present as well. Nonetheless, by fighting the pervert , Yoon-Gu would become a hero! It is important, because the physical therapist would recognize that even if he doesn’t mean much to Joo JAekyung, he has found a family, TEAM BLACK! (Chapter 40) „One of his own“ would get a different meaning. And if this prediction comes true, Potato’s action could generate a buzz, he would get noticed by public opinion and they could ask for a fight. In other words, through Kim Dan’s actions, Potato’s dream would come true: being recognized as a professional MMA fighter. The bond between Yoon-Gu and Kim Dan would deepen, while the maknae would be disappointed in the champion. He is so rich, but he pushes Kim Dan to take odd jobs. He is not even allowing him to take other patients, while he is not listening to his physical therapist. He made a huge mistake, hence he would become a human in his eyes. He is truly treating the main lead like a prostitute, ruling over his life. Don’t forget that he saw how the champion poured the coke on the doctor’s head. (chapter 37) He had crossed the line, but this was unfortunately quickly forgotten. And the charity event would appear as a huge hypocrisy, for he is not helping his roommate. (Chapter 41) As for the fighters, they would come to resent Joo Jaekyung too, for Yoon-Gu and Kim Dan are so special to them. Simultaneously, the champion would be forced to meditate on his behavior and past words: (chapter 42) Joo Jaekyung will come to regret these words in the end. He might even jump to the conclusion that the main lead was taking odd jobs because he wanted to leave or to pay the cancellation fees.

„Do your goddamn job!“ But what is his job actually? A nutritionist? No, this work was a decision made by Kim Dan to show his appreciation towards the main lead. A physical therapist? Yes and no… the main purpose for his hiring was sex. (Chapter 6) Yes, the two protagonists have to discuss openly about prostitution. Because he didn’t listen to his doctor, he reduced him into a bump. He is just a tool for his jinx. He was showing no respect to his partner.

If my assumption is correct, the usage of drug will become the evidence that Kim Dan was a victim. And maybe the champion will recall the trespassing from that night and realize that he had misjudged the whole incident. (Chapter 18) Like mentioned before, the plot will affect their relationship forcing Joo Jaekyung to make a new deal. At the same time, if this truly happens, it would validate my interpretation that Kim Dan’s role is to contribute to the maknae‘s emancipation, like the wet dream implied it. The perfect Hero Joo Jaekyung would die in the puppy‘s eyes, especially when he discovers the existence of the champion‘s jinx! (Chapter 2)

Jinx: Trapped Butterfly 🦋 in Deceit’s Web 🕸️ (part 2)

November 30, 2023November 30, 2023 ~ Bébébisous33 ~ 4 Comments

After publishing the first part, I had another huge revelation. Yet, instead of updating the last analysis, I decided to write a second part. And now, you are probably curious about my new discoveries. It is related to the methods I employed to examine chapter 40 which were to interpret the significance of the sun glasses and to contrast the interrogation scene with previous episodes.

1. The importance of glasses

I don’t think that my inquisitive readers have already forgotten the different meaning behind the spectacles: naivety, blindness, hypocrisy and deception. And now, let me ask you this. Who has been wearing glasses in Jinx? The first person coming to your mind would be Park Namwook. But he is not alone!! We have Cheolmin (chapter 13) who also jumped to the wrong conclusion, when he saw the doctor’s bruises. He imagined that the champion had been too rough in bed with Kim Dan. However, once he heard his testimony, he believed him. This shows that he trusted him. On the other hand, this scene reinforces my interpretation that the glasses are connected to prejudices and false perception. Moreover, observe that he was curious about the physical therapist, hence he interrogated the champion. (chapter 13) Then, observe that in the penthouse, the doctor acted too. (chapter 13) He faked to be frightened, while in reality he was having fun, which is displayed by the onomatopoeia “epp”. As you can see, the behavior of Cheolmin corroborates all my previous statement about the glasses. They are used as masks. Another important detail is that this scene contains all the same ingredients than in episode 40: a rescue, a doctor (chapter 40) and the blood test (chapter 13) and a new face!! (chapter 40) (chapter 13) And by contrasting these two scenes, I realized that it reinforced my theories. 1. There must have been a phone call!! In episode 13, the champion must have called his chingu. (chapter 13), for he couldn’t leave the main lead alone. Secondly, this phone call was to cover up a scandal. To conclude, because of a phone call, the MFC security guys had received a task. They had to cover up a scandal by framing the new face. (chapter 40) However, the moment the guard with the sun glasses got caught, he tried to act as a savior. As you can see, this comparison reinforces my theory. The MFC manager must have asked the MFC security guys to cover up the incident. If not, they would be blamed for the matter!! And now, you comprehend why they had to know everything about Kim Dan. (chapter 40) They needed to find any excuse to put the blame on the protagonist. Either he had a strong reaction because of his medication or because of a different meal… but since Kim Dan never replied to them, they had to frighten him, to coerce him to confess a crime. (chapter 13) That’s how desperate and ruthless they were in the end. While dressed like FBI agents, they were acting like thugs and criminals. No matter what… MFC should not be involved in a scandal! And this brings me to my second discovery. Who else is wearing glasses in Jinx?

2. The hidden reflections

The perverted hospital director!! (chapter 1) And he also got caught!! What did happen afterwards? (chapter 1) Kim Dan got fired, for he was a new face! (chapter 1) The wrongdoing from the higher-up had been covered up, and the staff had assisted him!! (chapter 1) The nurse had not testified in the physical therapist’s favor. She had remained silent. This door opening doesn’t symbolize true rescue… but abandonment. It stands for silence and betrayal. The reason is simple. The staff wanted to keep their job. This signifies that the hospital director used the organization to protect his reputation and cover up his crime. In a previous essay, I elaborated that the nurse had been sent to the office on purpose, for the director office had no light on. I doubt that she was allowed to enter her superior’s office like that. And this assumption got reinforced, for Park Namwook was the one mentioning the incident to Joo Jaekyung in the hallway. (chapter 40) The intrusion of Joo Jaekyung in the office was caused by Park Namwook’s revelation. And it was the same, when the champion caught Heo Manwook with his minions. (chapter 17) And what is the common denominator between the perverted hospital director (chapter 6) and the moneylender? (chapter 16) Sexual harassment and the usage of the number to achieve their goal!! These two characters could hide their crimes with the assistance of other people (thugs, staff). We could say that both used an organization. Consequently, I am assuming that the MFC manager is doing the same!! Therefore it is no coincidence that Mingwa employed the same colors: blue, white and black . (chapter 1) That’s the reason why I am suspecting that the MFC guys must have already been informed that Kim Dan might be the champion’s sex partner. (chapter 40) If the champion had admitted that Kim Dan was his boyfriend, then they could say that Kim Dan had drunk the nutrition shake by mistake, and Joo Jaekyung had actually planned to take the drug. Keep in mind that according to me, the green-haired guy, the loan shark and the MFC manager are working together. But they were assisted by the lawyer and the manager from. the Entertainment agency. Fortunately, the champion’s answer was ambiguous. (chapter 40) Is he his partner or a member of his gym? Not only he is the face of Team Black (chapter 1), but also he owns the club. This means, in chapter 40, as the team leader of Team Black, he protected Kim Dan!! It exposes that Joo Jaekyung used the organization to defend his lover and physical therapist. (chapter 40) Joo Jaekyung is behaving the opposite from the perverted hospital director, Heo Manwook and finally the MFC manager. Thus it dawned on me that the reporter from this article did the same. (chapter 35) He sought protection behind the hospital (chapter 35) and social medias (chapter 36). Thus I deduce that the agent from the Entertainment agency and that lawyer are acting the same. They believe that they are safe, for they are both working for a huge company or law firm. And guess what… the doctor Kim Miseon is also wearing glasses. (chapter 5) As you can see, thanks to the glasses, I discovered a new pattern. These schemers and helping hands are avoiding any responsibility by hiding their wrongdoings behind an institution or we could say behind a name. (chapter 7) In the last case, it would be MFC!! But the reproach from the champion (chapter 40) should have opened their eyes! Not MFC would have been involved a scandal… but only the MFC security team!! As you can see, the moment they had been informed about the incident, they should have reported the MFC manager to the highers-up! They should have never protected such a person in the end, because the latter is the reason why the organization would be involved in a scandal. That’s the reason why such people are framing others. They know how an institution works. Under this new light, it becomes comprehensible why the plotters are trying to ruin the champion’s name!! (chapter 36) (chapter 36) It is because they are projecting their own thoughts onto the champion. He is just a person. However, what they don’t realize is that behind the athlete, there is also an organization: TEAM BLACK!! (chapter 40) Because their scheme failed, there is no doubt that they will target the physical therapist, for he is much weaker. He is “new” in the team and he comes from a low social background. He has a sick and old halmoni. However, Kim Dan has almost become their true mascot!! (chapter 36) Note that Oh Daehyun and Potato tried to investigate the matter with the doctor’s illness. (chapter 38) (chapter 38) Thus I deduce that because of Kim Dan, the members from Team Black will become more proactive. They need to show to these people that Joo Jaekyung is not alone, he is the alpha of a great gym… producing many champions!! In other words, the dragon with his yeouiju will be able to remove these Deceit’s webs and purify these institutions. As you can imagine, I am suspecting that Dr. Lee must have been blamed for the article (chapter 27), for someone had to take the fall. I hope, we will see him again.

Interesting is that the Manhwaphiles have no idea about the identity of the perverted hospital director. We don’t know the name of the hospital as well. It is no coincidence. It indicates that this person is hiding behind the reputation of the hospital. This contrasts so much to Joo Jaekyung, but there is definitely a link between them. Thus my suspicions got reinforced that this man could be Seo Gichan. And we know for sure that Joo Jaekyung has connections to a hospital. (chapter 13)

3. The hidden wearers of glasses

By focusing on the glasses, I had another revelation. Joo Jaekyung is also wearing glasses. (chapter 29) However, here the item has a different signification. How so? It is because Joo Jaekyung was totally honest and was opening up to the physical therapist. (chapter 29) It seems to contradict my previous interpretation about the glasses. But no… Observe that during that whole scene, the readers could see the champion’s eyes contrary to the MFC guys (chapter 40), Park Namwook (chapter 37), Kim Miseon (chapter 21), Cheolmin (chapter 13) and the perverted hospital director (chapter 1)!! The eyes are the mirror of the soul. In Park Namwook and Cheolmin’s case, I don’t judge them as manipulators and schemers. The glasses are there to expose their flaws. But let’s return our attention to this scene. (chapter 29) Because he was wearing blue light blocking glasses, he was protected from “Agent Blue”, the positive version of episode 36 and 40!! This explicates why I consider them as a shield. He was trying to hide his vulnerability while confiding to Kim Dan.

And this interpretation got reinforced with Choi Heesung. (chapter 35) The Jinx-Philes could see his eyes too. He had come to the café with them to hide his identity, but in reality his action had the opposite effect. People noticed the actor. (chapter 35) Striking is that as soon as the actor removed them, he got honest with the doctor. He revealed his intentions, but he got rejected. As you can see, the glasses can have a positive function. Consequently, I came to develop a theory which was triggered by the glasses. Kim Dan envisioned the athlete in a suit (chapter 32), then he imagined him with the sun glasses (chapter 35) Thus I come to the conclusion, Kim Dan will be the one turning the athlete into a star, a real celebrity! But he won’t be reduced to his body and face (chapter 30) People will notice his qualities and talents so that he doesn’t need to prove his strength and power in the ring. The celebrities often use sun glasses to protect their anonymity. And Mingwa already implied that the champion’s birthday is around the corner. (chapter 40) So he could offer the sun glasses to his savior. If this prediction comes true, then it means that Kim Dan will become the rival of the manager from the agency. Besides, it was the manager’s job to develop a strategy how to change the netizens’ opinion. But he chose to put the whole responsibility on his athlete. (chapter 36) He could have shown that Joo Jaekyung was the owner of Team Black and he was training other athletes. It is important, because it shows that certain people hide their laziness behind the organization or a name. That’s the reason why I am expecting that Choi Heesung will play a role in the demise of the bad manager at the agency. (chapter 33) Since he has sun glasses, he is already connected to spying. Don’t forget that he tried to determine the true nature of their relationship before giving up on his angel. (chapter 32) Finally, I have the feeling that Team Black will come to act like the security guys in episode 40, investigate the matter why the champion and the doctor became the targets of malicious rumors and bad articles.

Thus I came to the final conclusion, though Cheolmin and Park Namwook are wearing glasses, they are the positive reflections of the other doctors. They will change for the better contrary to Kim Miseon and the perverted hospital director! Meeting the physical therapist, the blue butterfly, will affect their life forever… you know all the butterfly effect…🦋 A simple gesture from him is like a magic touch (chapter 31) and they are under his spell.

Chapter 34/35	Chapter 51
I believe you = I trust you	Here, the doctor is forced to meditate on the reasons for the champion’s mistrust. This can only incite him to reflect on his past behavior (the silence about his meeting with Choi Gilseok)

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