Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Fabric of Silence and The missed Party
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Chapter 79 proved my previous interpretation correct: the number 9 announces the end of a circle.
(chapter 79) However, let me ask you this. What kind of circle ends in episode 79? Moreover, how is this ending different from the past? Interesting is that episode 79 of Jinx doesn’t end with conflict, but with an awakening. For the first time, Joo Jaekyung does not rise to fight, command, or perform — he wakes up to a realization: “This can’t go on.” In the Korean version, his words carry an unusual clarity. It is not fate that changes, but choice. The champion, who once lived as if enslaved by habit and haunted by ghosts, now chooses transformation. The circle that has defined his life — power, silence, guilt, and repression — finally begins to close.
The decision is quiet but monumental: he will no longer live in a cycle of fear and self-loathing.
(chapter 79) Until now, Jaekyung has moved through life as if carrying a curse — the belief that he is unworthy of care and love.
(chapter 78) Every match, every order, every touch was an act of penance. Yet, in this episode, that belief dissolves. What vanishes in chapter 79 is not his strength, but the compulsion to suffer for it. Through the unconscious confession from Doc Dan, the wolf discovers that despite his wrongdoings, he is not hated by the “hamster”.
(chapter 79)The words carry the same emotional weight as
(chapter 39) from the magical night in the States. Both moments unfold in half-darkness, both break through inhibition, and both blur the line between consciousness and surrender. The verbal difference hides a deeper sameness:
(chapter 79) is not remorse alone — it is an act of love, an instinctive reaching-out toward the other’s pain.
Mingwa mirrors the composition of these two scenes to stress their equivalence. The parted lips, the contrast between the heavy breath and the mumbling, the closeness of skin — all visual echoes that turn guilt into a language of tenderness. In chapter 39, the confession was drug-induced, raw and unfiltered, but afterward Jaekyung dismissed it with a laugh:
(chapter 41) What could have been a moment of truth was repressed through mockery. His body language was betraying him: his closed arms reveal that he was on the defensive. By trivializing love, he protected himself from suffering and as such from facing his own capacity for harm. Behind the joke hid an immense self-loathing: to accept the confession as real would have required believing himself worthy of it. To trust himself…. he is not a loser, a nobody!
Chapter 79 reverses that denial. This time, the athlete cannot turn away or make light of what he hears.
(chapter 79) The doctor’s voice — faint, sleep-bound, and sincere — forces him to listen. The “mistake” returns, transformed into absolution. Where laughter once erased meaning, silence now restores it. The champion finally grasps that Dan’s words, whether “I love you” or “I’m sorry,” spring from the same place: care that persists despite injury.
This is why the “blue night” cannot be read as accident or madness. It is revelation. The wolf sees, perhaps for the first time, that he can be forgiven — that love, for Dan, includes compassion for his flaws. The “I’m sorry” becomes the mirror image of the earlier “I love you,” not a repetition but a correction. What Jaekyung once labeled a mistake now stands as proof of connection, as if fate itself were rewriting the joke into a prayer.
The End of a Circle
Each chapter ending in nine has marked emotional completion: chapter 9’s first gesture of care
(chapter 9), 29’s confession on the couch
(chapter 29), 69’s first expression of feelings in the dark
(chapter 69). In chapter 79, the circle closes once more. The night’s palette tells the story — deep blue softens into violet
(chapter 64)
(chapter 79), the color born from the fusion of blue (Dan’s sorrow) and red (Jaekyung’s intensity). For the first time, in the penthouse the color of their relationship is not pain but balance. And now, you comprehend why in the hallway, the purple had almost vanished:
(chapter 79) The light purple – lavender that once filled their world turns
(chapter 66)
(chapter 79) fades into the cold blue of the night. The light shifts — not toward warmth, but toward fragility. The purple, symbol of fusion, nearly disappears, leaving behind the dominant blue of isolation and fear.
(chapter 79) This chromatic regression visualizes what happens next: in the hallway, both men are still haunted by their separate pain. Dan, drawn by the pull of despair and self-loathing, almost falls over the railing. Jaekyung, still guided by fear, rushes to catch him.
(chapter 79)
The blue in this scene is not mere sadness — it is the residue of old wounds resurfacing. It unites them through pain rather than peace, yet this unity marks the turning point. The absence of purple is what propels the wolf to make a decision: he is about to drop his routine and as such his past believes, like for example, his life is still his first priority or he is just a shackle. He realizes that color — the life and warmth in Dan — is fading.
(chapter 79) To restore it, he will have to speak, to act, and ultimately, to smile again.
What truly ends here is the Emperor’s old language. The vocabulary of orders —
(chapter 79) gives way to the silent recognition of fear. When the champion admits,
(chapter 79), it is a confession disguised as complaint. For the first time, he voiced his dependency and vulnerability more clearly, as his body language is no longer expressing hesitation and shyness. Imagine that so far, he had lived following the principle of “self-reliance”. Yet when Dan asks, “What?” the champion retreats:
(chapter 79) His feelings collapse into the void between words. Above them, the spiral chandelier glows — the perfect symbol of their unfinished circle. His unspoken fear hangs suspended, waiting to be voiced because of someone else’s actions: the doctor’s grin
(chapter 79) and fall
(chapter 79) That retreat exposes a deeper fear — not of rejection, but of mockery. The man who once endured his father’s contempt and smirks
(chapter 54) still equates vulnerability with humiliation.
(chapter 73) In the past, every sign of weakness was punished or laughed at; even longing arrived through ridicule. Hence the “grinning” Dan of his nightmare
(chapter 79) should be perceived as a distorted echo of the father’s cruel smile. And now, Jinx-philes can grasp why the wolf woke up from this “dream”.
(chapter 79) The vision forces him to confront the origin of his shame. He realizes, instinctively, that the real Kim Dan would never smile at his pain — and through that recognition, he begins to separate present from past. He has already experienced a silent, but warm gaze
(chapter 77) from his fated partner after admitting his defeat:
(chapter 76)
In silencing or voicing his fear, Jaekyung crosses the boundary between guilt and growth. He is no longer haunted by his father’s accusations like “you’re just trash” or
(chapter 73) but by a new, fragile dread: the possibility of losing the one person who would never say it. What vanishes in episode 79 is not his strength, but the belief that to need someone is to be weak.
That completion arrives at night. In his sleep, Kim Dan murmurs,
(chapter 79) The two halves of their dialogue finally meet: the fear Jaekyung silenced finds its answer in the apology Dan utters unconsciously. One speaks awake but retracts; the other speaks asleep but reveals. The night itself becomes their interpreter — turning “nothing” into meaning.
Until now, Jaekyung’s remorse had lived without a voice.
(chapter 78) He has long recognized his wrongdoings — the pressure, the harshness, the selfishness
(chapter 76) — but guilt without self-forgiveness remains sterile. What is the point of apologizing to someone when you cannot forgive yourself? His silence, then, is not arrogance but self-condemnation. Beneath his strength lies a man who believes that no apology can redeem him, because no one ever offered him one first. His father’s mockery, his coach’s reproaches
(chapter 74) and expectations, his mother’s betrayal
(chapter 74), his manager’s slap at the hospital
(chapter 52) — none of them ever voiced regret and said “I’m sorry.”
Fighting became his substitute for repentance.
(chapter 73) Every punch was an act of self-erasure, every victory a brief anesthesia against the echo of his own self-loathing and regrets. He mistook exhaustion for atonement. But when Kim Dan whispers
(chapter 79) in his sleep, something shifts. The word that once chained him to guilt now sounds different — tender, not accusatory. For the first time, he experiences apology as care, not as confession.
That is why this night matters. It teaches the champion what he was never taught: that forgiveness is not granted by punishment, but by connection and communication. Through Kim Dan’s unconscious words, he senses that he can be forgiven — that love does not vanish because of fault. He is still accepted despite his wrongdoings, not because he hides them. For the first time, Joo Jaekyung begins to believe that being loved and being imperfect can coexist. And in that fragile belief, change truly begins.
The Fall of the Angel
The dream of the wolf is not punishment — it is confession. It becomes the space where Jaekyung’s unconscious dares to speak what he hides from waking life.
(chapter 79) His vision of Kim Dan’s false grin is not a taunt from the other
(chapter 79), but a message from within: You shouldn’t have hidden your fear. You should have trusted me. What appears as irony is, in truth, the echo of a moment that had once wounded him — the doctor’s trembling question,
(chapter 51) The dream revives that unspoken answer, revealing that what Jaekyung perceived as danger was, in fact, an offer of trust. In trying to protect himself from mockery, he denied the very connection that could have saved him. The dream reconstructs the very morning he had dismissed his vulnerability
(chapter 79)— the breakfast scene
(chapter 79) , the casual
(chapter 79) By replaying it in this distorted form, his mind stages a confrontation with his own denial.
The wolf’s remorse takes the shape of fear. In his dream, Jaekyung finally admits that he cannot bear to lose the one person who makes him feel human
(chapter 79) — yet even there, his confession is shadowed by dread.
(chapter 79) The grin that startles him awake is his own projection of unhappiness and shame, the echo of the mockery he once received from his father. But the truth beneath it is different: his soul is telling him that vulnerability is not ridicule, that he must stop silencing himself.
The resemblance between dream and reality is deliberate. The kitchen reappears, the same domestic warmth, the same silence. The unconscious replays what the conscious has failed to complete — the moment he turned away instead of speaking his fear aloud. His body wakes before his mind does, moving instinctively toward redemption. When he finds Kim Dan by the railing
(chapter 79), it is as if he is saving not only his partner but the part of himself that used to give up. He was living like a ghost denying his own emotions.
A few days before, the champion had called Dan’s drowning “an accident.”
(chapter 78) That word revealed his blindness — the refusal to acknowledge pain that does not announce itself through wounds. The new incident at the railing shatters that illusion. It was never an accident, but the expression of mental illness
(chapter 79) Both events spring from the same silent cry for help, the same exhaustion he once ignored. This time, he sees it for what it is: suffering, not weakness. The shock of recognition becomes his wake-up call — not to fight harder, but to understand deeper. The problem is that so far the champion never had a true companion, hence he has not learned how to share thoughts and emotions to others. This explicates why doc Dan is actually the one initiating the conversation.
(chapter 77)
(chapter 80) Each time, the physical therapist shows concerns for the athlete’s well-being. He perceives this change of behavior as the expression of unwell-being.
Symbolically, the near fall
(chapter 80) represents the danger of repeating inherited unhappiness and despair — the impulse toward surrender that has haunted the doctor. Both the ocean
(chapter 69), and the balcony
(chapter 79) embody the same impulse — escape — yet they reveal two distinct forms of suffocation. In the sea, Kim Dan moves toward the element that promises oblivion through absorption: water swallows, erases boundaries, and offers rest through dissolution. It is the drowning of exhaustion, of someone who wishes to return to the womb of stillness. On the balcony, however, the element shifts to air — the emptiness between life and death. Falling from a high place is the asphyxiation: the lungs collapse not by immersion but by void. Both gestures — walking into the waves and leaning over the railing — spring from the same inner logic: the unbearable weight of pain and expectation. But if water and air unite, they create clouds
(chapter 38) — the very image that defines Kim Dan’s being. The clouds on his phone screen are not incidental; they reflect his essence. A cloud has no home, no fixed form, forever moving, dissolving, reforming — just like the doctor’s life, endlessly displaced and redefined by others’ expectations. Clouds embody both dream and danger: they promise transcendence but conceal the storm. Besides, a cloud can fall as rain, return to the ocean, or vanish into the sky — an image of the soul that oscillates between grounding and escape.
As soon as I made this connection, I couldn’t help myself thinking of the painting in the background of chapter 37:
(chapter 37) Behind the champion, the Golden Gate Bridge stands as a silent witness — a place where many have ended their lives by leaping into the void between air and water. The bridge fuses both symbols: it is where drowning and falling meet. Moreover, the bridge embodies the connection of two worlds. This backdrop, unnoticed by the protagonists themselves, prefigures the later arcs. Joo Jaekyung is the one standing between the bridge and the physical therapist. It was, as if the author was already announcing the huge depression doc Dan would face in the future. At the same time, I came to wonder if the unconscious suicidal attempts from Doc Dan were actually revealing the biggest secret in his life: the suicide of his parents and their death could be linked to a bridge. Striking is that while the members of Team Black were partying
(chapter 37), death was standing behind the celebrity and this reminded me of the champion’s last genuine smile
(chapter 73) before he discovered Joo Jaewoong’s corpse. The bridge thus becomes a metaphor for invisible grief: joy and pain occurring simultaneously, one masking the other. And keep in mind that according to my theory, the picture of Dan with his grandmother is hiding a tragedy. This would explain why doc Dan is so obsessed with this picture:
(chapter 47) The smiles here are hiding the past reality.
But let’s return our attention to the champion’s vision in episode 79. In that same duality (water/air) lies salvation.
(chapter 79) The dream that wakes Jaekyung is not a nightmare but a revelation. He senses that the smirk is not the reality, but also the mask hiding misery. The greeting from the smiling Dan
(chapter 79) — so unlike his real, exhausted self — is a vision of peace, of love unburdened by fear, while this grin exposes the truth. The dream, the realm of clouds, becomes a stage where the wolf shows and learns tenderness. The dream’s fear and indirect self-reproach
(chapter 79) becomes action; remorse
(chapter 79) turns into rescue.
That’s how I noticed that so far, the champion never greeted his room mate with a good morning and smile in the morning.
(chapter 41) In other words, the dream is giving him clues as well how to behave: not only greeting, but also talking. What caught my attention is that during their two last breakfasts together
(chapter 68), they didn’t talk at all
(chapter 79) which contrasts to the star’s vision.
In the dream, he had fallen to his knees — a gesture of humility and unspoken remorse. Yet in reality, the fall takes a gentler form.
(chapter 79) He does not kneel; he sits, his body settling softly against the floor as he catches Dan in his arms. The man once associated with dominance becomes a cushion, a pillow, a living anchor. His strength, once used to impose weight, now exists to absorb it. The fall is not toward repentance through pain, but toward tenderness through stillness.
This inversion transforms descent into grounding. The wolf who once incited Dan to kneel
(chapter 11) now becomes the one who receives the collapse.
(chapter 79) His body — no longer an instrument of violence — turns into safety itself. In that moment, he is neither fighter nor emperor, but a quiet surface where another can rest. The fall that once signified defeat now marks awakening: the champion’s muscles, built for battle, finally serve their true purpose — to hold, not to harm; to bear, to protect, not to break.
The Mercy Of The False Saint
That’s how I detected another pattern. Kim Dan’s speech is tethered to touch — every genuine confession or plea emerges only when he is held. Physical contact functions as emotional permission: the body grants what words alone cannot. His first “I love you”
(chapter 39) escapes him in an embrace; his
(chapter 66)
(chapter 66) trembles out against Jaekyung’s chest; his
(chapter 79) is whispered while clinging to the same body. Even as a child
(chapter 57), he could only confide while being physically comforted. The grandmother’s embrace in chapter 57 becomes the prototype of this pattern — the last instance of safety tied to voice. Yet, crucially, that embrace was conditional and silencing. She soothed him but redirected his pain:
(chapter 57) Instead of validating his pain and terrible experience, she absorbed it into her own narrative of endurance. The physical comfort coexisted with emotional invalidation — he was held but not heard.
And this interpretation (the touch is triggering the doctor’s desire for communication) got even corroborated by the latest episode.
(chapter 80) The moment the star was holding doc Dan’s hands, the latter started voicing more his emotions (fears, displeasure).
(chapter 80) When Jaekyung takes his hands in the swimming pool, the gesture revives this primal language of reassurance. For the first time, the touch is neither coercive nor desperate; it’s sustaining. The handhold reverses the earlier dynamic — instead of silencing him, it gives him permission to speak. Furthermore, the champion is pointing out that he can rely on two things, the champion’s hands and the kickboard belt. This stands in opposition to the fake promise of Shin Okja.
(chapter 57)
(chapter 57) In other words, he is inciting the doctor to trust himself more and become independent.
(chapter 80)
(chapter 80) The champion’s words — “If you ever end up in the water, you can come back to shore as long as you know how to swim” — stand in quiet but radical opposition to the grandmother’s old reassurance: “You still have me.”
Both statements aim to comfort, yet they embody two entirely different philosophies of love. Shin Okja’s version of care was possession and control disguised as protection. Her “You still have me” offers solace by denying reality — her own mortality and it erased the boy’s suffering and loss and his capacity to cope. It promises stability but at the cost of autonomy: he is safe only through her. Love, in her logic, means dependence. Jaekyung’s line, by contrast, offers trust instead of control.
(chapter 80) His comfort does not deny danger — he acknowledges the possibility of falling into the water — but he links survival to skill, not assistance and dependency. His statement affirms Dan’s agency: he can save himself. Once he can swim, he is strong enough. Where the grandmother sought to replace the absent parents
(chapter 65), the champion seeks to restore the missing confidence.
This is why the swimming lesson in chapter 80 carries so much symbolic weight. It is not only about overcoming fear of water, but about learning to float between love and self-sufficiency.
(chapter 80) He just needs to learn and trust his own body and skills. For the first time, someone tells Kim Dan that he doesn’t need to cling to live. The wolf’s hands do not promise eternal rescue; they teach assurance and confidence.
Through this opposition, Mingwa traces the transformation of care in Jinx: from the grandmother’s pitying dependency to Jaekyung’s empowering faith. The very moment the wolf steadies his trembling fingers, the doctor begins to voice his worries and fears, words that previously only surfaced through sleepwalking or half-conscious murmurs. That’s why I believe that this embrace
(chapter 80) in the swimming pool carries transformative potential. It is not merely a gesture of survival, but an initiation into honesty. Surrounded by water, both men are stripped of pretense. And observe that Joo Jaekyung is not rejecting the physical embrace
(chapter 80) contrary to the past.
(chapter 28)
(chapter 69) The wolf, who once relied on dominance and silence, is now allowing his fated partner to hug him.
(chapter 80) He accepts his vulnerability and struggles. In the swimming pool, the athlete is also learning to reassure instead of command. Dan, who has long associated touch with consolation and suppression, begins to experience it as safety and trust.
In that moment, their bodies speak what their words still resist: trust me.
(chapter 80) The embrace might become the very impulse that pushes them toward verbal honesty — toward saying what they have long hidden. For Dan, it means learning to voice his needs and desires without shame; for Jaekyung, it means acknowledging his feelings without fear of losing control or strength.
But let’s return our attention to the physical therapist’s childhood.
(chapter 57) Dan came later to associate love with contradiction: touch equals permission to speak, yet speaking never brings resolution. His psyche learned that disclosure leads nowhere — the listener (the grandmother) offers affection, not change. That’s the reason why he came to suppress his thoughts and emotions and project onto his grandmother. Her way of dealing with pain was denial, rooted in her own fear of trouble and probably social judgment. From my point of view, it is related to the secrecy surrounding the family’s past.
Furthermore, for the hamster, the embrace is more than comfort — it is survival.
(chapter 21) From childhood onward, being held becomes the only assurance that the world still contains care. When he woke crying and was taken into his grandmother’s arms (chapter 21), the patting gesture did not merely quiet his fear; it taught him that consolation requires contact. Yet this early lesson carried a hidden cost: it trained him to associate peace with submission and silence, and affection with dependency. Therefore the swimming lesson contains another important life lesson: it is about choice! Joo Jaekyung wants to be “chosen” by the physical therapist, hence he wants to conquer his heart.
(chapter 80) That’s the reason why he can not change doc Dan’s heart and mind with the new clothes. For that, he needs to reveal his “weakness” to the physical therapist.
When the puppy died, Dan instinctively tried to recreate that lost safety.
(chapter 59) His hand resting on Boksoon’s fur repeats the same motion — the pat once given to him, now returned to another being in pain. What he offers the animal is precisely what he has always longed for: warmth without judgment, touch without condition.
This explains why every later confession — “I love you,” “Don’t leave me,” “I’m sorry” — is born inside an embrace. Speech emerges only when his body feels that safety again. Yet, until now, the wolf’s touch has never been a true confession. The wolf initially held him through instinct
(chapter 4), not intention: a reflex of possession, not communication. As time passed on, it changed, yet in the bathtub (chapter 68), Dan fell asleep against him so that he could never experience the athlete’s care
(chapter 68); in the morning, Jaekyung acted as though nothing had happened. Then on the dock, Joo Jaekyung expressed his relief
(chapter 69), yet he never explained the reason behind his behavior. Besides, he removed himself from Doc Dan very quickly. There was no continuity between touch and word, no bridge from body to heart. The embrace between them was marked by silence.
Only now, in the night of chapter 79, does that change.
(chapter 79) The embrace that once silenced finally begins to speak. Dan’s trembling body against Jaekyung’s chest reactivates all those buried associations — fear, need, longing — but this time, the silence is attentive. The champion listens. The gesture that once merely soothed now confesses.
When Shin Okja finally apologizes
(chapter 53), she frames her guilt in terms of debt, not grief. What she cannot say is: “I’m sorry your parents are gone, and I buried the truth.” Her compassion never touches the core wound. Instead, she redirects her remorse into pity
(chapter 65), a safer, one-sided emotion that keeps her in control. Pity allows her to appear virtuous while avoiding responsibility. It transforms shared pain into hierarchy: she the giver, he the grateful recipient.
This emotional economy defines Kim Dan’s childhood. He was loved through guilt, not through recognition. Every tender gesture — the pat on the head
(chapter 57), the hug after bullying — carries the unspoken message: “You’re unfortunate, but you still have me.” That is not empathy; as she is not showing any sign of distress and pain. In my eyes, it is containment. It keeps the child dependent, silent, and bound by gratitude.
Hence, her confession to the celebrity
(chapter 65) reveal the same mechanism. The focus remains on her heart, her pain, her goodness, not on his loss. She centers herself within his tragedy. Pity becomes a mask for unacknowledged guilt — perhaps linked to the parents’ disappearance or to choices she justified under social pressure. Her “mercy” is, in truth, a way to maintain her moral purity at the cost of his emotional autonomy.
Through this lens, it becomes clear why Dan needs reciprocal touch to speak. Pity silenced him; touch, when offered without pity, finally frees his voice. This is why the doctor’s embrace in episode 79 marks such a decisive turning point: it is the first time doc Dan is holding someone and that person is taking his words and pain seriously. The champion does not silence or reinterpret what he hears; he simply receives it. For the first time, Dan’s trembling voice is met not with pity, denial, or instruction — but with presence.
(chapter 79)
Finally, this moment also exposes Jaekyung’s awakening. Until now, he had followed the grandmother’s advice as if it were gospel:
(chapter 65); “bring him to a big hospital so that he can take pills”
(chapter 65)
(chapter 65) He trusted her words and advises. I would even add that he believed that compliance equaled real care. Yet the night by the balcony teaches him otherwise.
(chapter 79) Despite doing everything the “saintly” grandmother prescribed, Dan is still suffering. The illusion collapses: her mercy never healed, it merely concealed. Interesting is that she never brought up to the athlete the doctor’s loss of weight in front of the ocean. Yet, she had noticed it.
(chapter 57). Everything evolved around his lack of sleep and his dependency on her.
(chapter 65) However, in episode 79, for the first time, the champion notices it.
(chapter 79) It is important because very early on, the doctor Cheolmin had already detected his malnutrition:
(chapter 13) In other words, the physical therapist’s depression and eating disorder were already existent before meeting the “wolf”. And what did the mysterious friend tell to the “wolf”? He shouldn’t wait out of fear that he might regret it later!
(chapter 13) As you can see, “sorry” is the link between the two doctors and the celebrity.
Thus, the “wolf” realizes that love cannot be delegated to duty.
(chapter 79) What Dan needs is not obedience to the old woman’s script, but presence, dialogue, and trust. The champion must now do what she never did — look at pain without denial, listen without pity, and finally speak from the heart. This means that after that night, the wolf will gradually change not only his vocabulary, but also his tone and gestures.
His metamorphosis will be complete with the birth of the kind and sweet Joo Jaekyung!
(chapter 21) Imagine that I had written this part before the release of episode 80!
The secret behind doc Dan’s room
Another detail caught my attention in episode 79 which was confirmed with the publication of episode 80. Doc Dan’s bedroom has always been associated with illness and as such rest! 
(chapter 21)
(chapter 29)
(chapter 61) Hence it is no coincidence that while sleeping in his own bedroom, the physical therapist had a relapse.
(chapter 79) Because the champion had come to the conclusion that his own bedchamber was linked to sex
(chapter 78) and as such “wrongdoings”, the next day, he must have suggested to doc Dan to sleep together in his bed. This explicates why both main leads are sleeping in doc Dan’s bedroom at the end of episode 78:
(chapter 78) This shows that the star is listening more and more to his fated partner
(chapter 78) And though he had another “accident”, the former is never bringing it up to doc Dan. There’s no blame or accusation. The athlete is keeping these accidents as secrets. However, pay attention that he is making sure that doc Dan is resting.
(chapter 80) Notice that he joined him later, acting as if they had not shared the same bed. Gradually, the champion is giving back doc Dan’s freedom and privacy. He is guiding him to take care better of himself by using his own words.
(chapter 27) Striking is that the champion always chose the left side of the bed
(chapter 79), while he came to sleep much better, when he slept on the other side of the bed:
(chapter 66) Thus I deduce that doc Dan is destined to take over his grandmother’s position in the bed:
(chapter 21) And this observation seems to be validated by chapter 80.
(chapter 80) The star was sitting on the right side of the bed while watching his sleeping partner. Why? It is because he can see his face. But by lying on the left side, doc Dan came to turn his back to him.
(chapter 78) But if they switch places, the wolf should be able to watch his partner’s face. And now, pay attention to the way Mingwa placed the new embrace in the swimming pool:
(chapter 80) Doc Dan is placed on the left side…. and that’s where the heart is placed. Doc Dan’s racing heart is displaying not only the revival of his repressed affection for the champion, but also his desire to live. He is not truly suicidal, as all his attempts were unconscious choices.
The second “accident”
I have to admit that after reading this image
(chapter 78), it was clear to me that the doctor would make a new suicidal attempt during his sleep walking. I was already anticipating him to go to the rooftop, thus the new incident didn’t catch me by surprise. Yet, chapter 79 gave us an important clue about doc Dan’s dissociative state (sleepwalking). They were all triggered:
(chapter 79) Because of the champion’s cold gaze, doc Dan felt rejected and even hated.
(chapter 79) He had the impression that he wouldn’t meet his “expectations”. Observe the parallels between the champion’s dream
(chapter 79) and the doctor’s reply in front of Shin Okja:
(chapter 57) We have the doctor’s fake smile which is strongly linked to rejection
(chapter 57) and expectations. And what is the other common denominator? His self-loathing and immense guilt. He has the feeling that he is not lovable. In my opinion, doc Dan is suffering because no one is listening to him at all. So far, they all projected their own thoughts onto him. The reality is that doc Dan already had a hard time before moving to the seaside town,
(chapter 11) yet she failed to notice it or refused to face his struggles, as they were related to their poverty.
Because he lived alone for a long time without any physical touch
(chapter 5), he lost his voice and became a ghost. It is no coincidence that in this scene, doc Dan was silent despite the caress. He was avoiding any topic that could trouble his grandmother. He accepted to remain a little boy in her eyes. But thanks to the wolf, doc Dan is learning to become strong and independent so that he can decide about his life. The swimming lesson is pushing him to overcome his abandonment issues.
The Songs of Change
While I was on my way to visit my son ( a 6 hours trip), I listened to an old CD from French singer Jean-Louis Aubert entitled Ideal Standard. While listening to the music, three songs — “On vit d’amour,” “On aime comme on a été aimé,” and “Parle-moi” caught my attention. They reminded me a lot of the main couple.
If the previous night (chapter 79) marked the end of a circle, then the next day announces a new rhythm — one that no longer follows the tempo of fighting or guilt, but of tenderness. These 3 songs form a hidden soundtrack to this transformation. They mirror, with startling precision, the inner journey of the champion and his fated companion.
1. “On vit d’amour” — Living on Love
On vit d’amour / Et d’eau fraîche / On vit d’amour, de rien du tout…
We live on love and fresh water / We live on love, on almost nothing at all.
| On vit d’amour French | We live on Love English |
| On vit d’amour Dans le regard des autres On vit d’amour Dans le mien et le votre On vit d’amour Quand il n’y a plus d’eau fraiche On vit d’amour Tout au fond de la dèche Laisse le briller Éclairer Laisse le venir Laisse le aller Car on vit d’amour On vit d’amour Sous le bong et les pluies On vit d’amour Dans la boue et la suie On vit d’amour Jusqu’au bout de la nuit Laisse le briller Éclairer Laisse le venir Laisse le aller Laisse lui vivre sa vie d’amour Car on vit d’amour On vit d’amour Je mens, j’aime tant ta main On vit d’amour Et je bois à ta bouche On vit d’amour On vit d’amour Toujours Laisse le briller Éclairer Laisse le venir Laisse le aller Laisse à l’amour sa liberté On vit d’amour On vit d’amour On vit d’amour On en vivra Toujours (2*) Laisse le briller Éclairer Laisse le venir Laisse le aller Laisse lui vivre sa vie d’amour | We live on love In the eyes of others We live on love In mine and in yours We live on love When there’s no more fresh water We live on love At the very depth of poverty Let it shine, Let it light, Let it come, Let it go. For we live on love, We live on love Under the bong and the rain, We live on love In the mud and the soot, We live on love All the way through the night. Let it shine, Let it light, Let it come, Let it go, Let it live its own life of love, For we live on love, We live on love. I lie — I so love your hand, We live on love, And I drink from your mouth, We live on love, We live on love, Forever. Let it shine, Let it light, Let it come, Let it go, Let love have its freedom. (We Live on love, we Live on love, we Live on love, And we’ll live on it Forever.) |
This refrain captures the quiet revelation at the heart of Jinx: love is sustenance.
Until now, Jaekyung has lived on adrenaline, duty, and pride — mistaking physical dominance for vitality. His meals with Dan were about nutrition
(chapter 79), not communion; his affection, an extension of performance
(chapter 79). Yet as the doctor grows thinner and more exhausted, the wolf begins to understand what “starvation” truly means.
(chapter 79) Dan’s body becomes a metaphor for their shared deficiency — not of food, but of warmth. Although the athlete’s actions were all well-meant, he failed to touch doc Dan’s heart due to the way he spoke to his loved one:
(chapter 79)
In On vit d’amour, Aubert contrasts material survival with emotional survival. “We live on love and almost nothing” rejects the capitalist or competitive logic that defines Jaekyung’s world (MFC, rankings, contracts). The line speaks instead to the simplicity of presence — the kind of nourishment that Dan quietly provides through care, routine, and wordless understanding. No wonder why the athlete failed to move doc Dan’s heart by offering so many clothes in episode 80.
This song thus signals the first shift: Jaekyung begins to eat differently — not just at the table, but emotionally. The wolf who once devoured life is gradually learning to taste it through love.
2. “On aime comme on a été aimé” — We Love as We Have Been Loved
| On aime comme on a été aimé | We love as we have been loved. English translation |
| On n’invente pas un sentiment Les baisers donnent l’alphabet L’amour nous griffe Ouvre ses plaies L’amour nous soigne L’amour nous fait On aime comme on a été aimé C’est cela qui nous fait courir De reproduire et faire grandir Ce qui nous a été donné Sans jamais pouvoir en parler On aime comme on a été aimé C’est dans les mains de nos parents C’est dans les coeurs de nos amants Regard aimé, regard aimant C’est le plus clair de notre temps Le plus obscur de nos tourments On n’apprend pas un sentiment Même si on veut faire autrement On aime comme on a été aimé On dit les chiens n’font pas des chats Et que l’on est que c’qu’on connait Qu’on désire ce qu’on n’connait pas Un autre chien, un autre chat On aime comme on a été aimé Toutes ces secondes de tendresse Dérobées à l’emporte-pièce Toutes les claques, les maladresses Pour que ça dure, pour que ça cesse On aime comme on a été aimé C’est dans les mains de nos parents C’est dans les bras de nos amants C’est dans les yeux de nos enfants C’est le plus clair de notre temps Le plus obscur de nos tourements On n’invente pas un sentiment Même si on veut faire autrement On aime comme on a été aimé Et j’aime comme tu m’as aimé | We don’t invent a feeling. Kisses give us the alphabet. Love scratches us, Opens its wounds, Love heals us, Love makes us. We love as we have been loved. That’s what makes us run — To reproduce and to grow What was once given to us, Without ever being able to speak of it. We love as we have been loved. It’s in the hands of our parents, It’s in the hearts of our lovers. A loved gaze, a loving gaze — It’s the clearest part of our days, The darkest part of our torment. You don’t learn a feeling, Even when you want to do otherwise. We love as we have been loved. They say dogs don’t make cats, And that we are only what we know, That we desire what we do not know — Another dog, another cat. We love as we have been loved. All those fleeting seconds of tenderness, Stolen in haste, All the slaps, all the clumsy gestures — So that it lasts, or so that it ends. We love as we have been loved. It’s in the hands of our parents, It’s in the arms of our lovers, It’s in the eyes of our children. It’s the clearest part of our days, The darkest part of our torment. We don’t invent a feeling, Even when we want to do otherwise. We love as we have been loved. And I love as you have loved me. |
On aime comme on a été aimé / On hait comme on a été haï…
We love as we have been loved / We hate as we have been hated.
This lyric exposes the chain both men must break. The author’s line suggests that love is not spontaneous but inherited — modeled through wounds and care. In his childhood, Jaekyung learned rather hatred and misguided affection as domination, silence, lies and endurance, while Dan learned it as sacrifice and appeasement in his grandmother’s care. Both were taught that affection or recognition was not free — through obedience, perfection, or pain.
Throughout Jinx, each reenacts the love they received: the champion demands submission, the therapist offers self-effacement. Yet chapter 79 introduces a turning point — they begin to unlearn this inheritance.
(chapter 79) The unconscious apology “I’m sorry, Mr. Joo” is not submission; it is vulnerability freely given. The wolf’s fears in his sleep are not weakness
(chapter 79); they are an echo of the love and tenderness he never received.
In this sense, Aubert’s line becomes prophetic: to love differently, they must be loved differently first. This means that b spending time with each other, they will learn how to love each other properly. This is the essence of growth: transforming the very grammar of intimacy they once feared. The story becomes a re-education of the heart — the rewriting of emotional syntax. And episode 80 is the perfect illustration for this change. In love we can make mistakes, but it is important to detect them and learn from them.
3. “Parle-moi” — Talk to Me
Parle-moi, parle-moi de toi / Qu’est-ce que tu veux, qui tu es, où tu vas…
Talk to me, talk to me about yourself / What do you want, who are you, where are you going…Parle-moi, parle-moi de nous / Tous les deux, qu’est-ce qu’on veut, qu’est-ce qu’on fout…
Talk to me, talk to me about us / The two of us, what do we want, what are we doing…
| Parle-moi | Talk to Me |
| Parle-moi Ce qui nous vient Nous vient de loi Ce qui nous tient Jamais ne nous appartient vraiment Ce qui nous tue Gagné, perdu Ce qu’on a cru On en a perdu la vue vraiment Parle-moi, parle-moi de toi Qu’est-ce tu veux, qui tu es Où tu vas Parle-moi, parle-moi de toi Qu’est-ce tu dis, fais entendre Ta voix Ce qu’on nous vend Ce qu’on nous prend Mais qu’est-ce qui nous prend On dirait qu’on a plus l’ temps A rien Perdu de vue Perdu tout court Peau tendre, coeur pur On dirait qu’on a plus l’ goût A rien Parle-moi, parle-moi de toi Parle-moi de tes doutes de tes choix Parle-moi, parle-moi de toi Qu’est-ce tu dis, plus fort J’entends pas Parle-moi de toi Alors parle-moi, parle-moi de nous Tous les deux, qu’est-ce qu’on veut Qu’est-ce qu’on fout Parle-moi, parle-moi de nous Avec toi j’irai n’importe où Parle-moi de toi | What comes to us Comes from afar. What holds us Never truly belongs to us. What kills us — Won or lost, What we once believed — We’ve truly lost sight of it. Talk to me, talk to me about you. What do you want, who are you, Where are you going? Talk to me, talk to me about you. What do you say? Let me hear your voice. What they sell us, What they take from us — But what’s gotten into us? It feels like we no longer Have time for anything. Lost from sight, Lost altogether — Tender skin, pure heart. It feels like we no longer Have the taste for anything. Talk to me, talk to me about you. Talk to me about your doubts, your choices. Talk to me, talk to me about you. What are you saying? Louder — I can’t hear you. Talk to me about you. So talk to me, talk to me about us — The two of us, what do we want, What are we doing? Talk to me, talk to me about us. With you, I’d go anywhere. Talk to me about you. |
This is the anthem of the new cycle — the song of conversation.
In the beginning, Jaekyung’s language was pure command: “
(chapter 38)
(chapter 79) ,” eat”
. (chapter 79) His speech created hierarchy, not connection. Aubert’s plea, “Parle-moi”, reverses this logic: it is a call to dialogue, to mutual self-revelation. It embodies exactly what Jaekyung’s dream anticipates — the moment when he will learn to speak with Dan, not at him.
When, in the vision, Dan smiles and says
(chapter 79) the tone has changed entirely. The greeting is not fearful or dutiful; it is gentle, open, normal — the image of domestic peace. The dream thus becomes prophetic: language, once the instrument of control, will become a bridge.
Aubert’s words — “Parle-moi de tes doutes, de tes choix” — invite the very vulnerability Jaekyung has never practiced. The wolf who only barked commands must now learn to whisper doubts. The day he speaks softly — “Parle-moi” — will be the day his transformation is complete. Moreover, observe that his repeated plea, “Parle-moi” (“Talk to me”), moves from singular to plural — from me to us. The pronoun shift is decisive: it marks the passage from individual solitude to the possibility of relationship. As long as the “me” dominates, there is distance; only when they learn to say “us” can love begin to exist as dialogue, not projection.
This last strophe, where me dissolves into nous, mirrors precisely where Jaekyung and Dan now stand. They share space, touch, even breath — but not yet language. They might be sharing the same bed, but they don’t talk really to each other and confide to each other.
(chapter 80) So far, the nights were full of gestures, yet empty of conversation. Jaekyung would often command and Dan accept everything. Words, when spoken, were often either wounds or vanished into silence. Thus, Aubert’s refrain becomes prophetic: as long as they do not talk, they cannot become a couple.
The line “Avec toi j’irai n’importe où” (“With you, I’d go anywhere”) contains both promise and condition. It imagines a future that depends on mutual speech. To “go anywhere” is not to flee, but to move together — something the two protagonists have never managed. Their shared journey remains suspended in the present, circling between misunderstanding and longing. The dream in chapter 79 — where Dan finally greets him with a smile and a “Good morning, Mr. Joo” —
(chapter 79) is the first glimpse of this future tense, a promise that conversation will one day replace command. Strangely, this observation was confirmed the new episode:
For now, the song stands as both prophecy and warning: without dialogue, they remain me and you, parallel solitudes orbiting the same pain. There’s still no “we” between them yet.
Only when Jaekyung learns to parler — not shout, not order, but truly speak — will me become us, and their love find a voice strong enough to last.
A Chanson of Renewal
Taken together, the three songs form a triptych of metamorphosis:
- “On vit d’amour” teaches Jaekyung that love is nourishment and a source of happiness, not distraction.
- “On aime comme on a été aimé” forces both men to face the ghosts of their past and their abandonment/trust issues so that they can love their partner properly.
- “Parle-moi” charts the path forward — communication as redemption.
They are not merely songs; they are stages of awakening.
From hunger to empathy, from repetition to reinvention, from silence to speech — Aubert’s lyrics sketch the same arc that Jinx now traces.
If Jaekyung once fought to dominate the world, he now fights to pronounce gentleness correctly. And when he finally dares to speak — not as a champion, but as a man who listens — he will fulfill the promise implicit in Aubert’s refrain:
“Avec toi j’irai n’importe où” — With you, I’d go anywhere.
The biggest wish doc Dan has is to go on a trip and walk through the woods with a loved one. The old circle closes; the new begins — not with a punch, but with a word.

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(chapter 78) Their noisy excitement — hugs, wishes, smiles, jokes, even talk of meat — gave the impression of a long-awaited reunion. Yet the suggestion was cut short by Jaekyung, who rejected it like this:
(chapter 78) In other words, a party was “missed.” At first glance, this might appear to be an exception, a rare moment of denial in a story otherwise filled with shared rituals. Readers might recall the welcome party
(chapter 9) in episode 9, the champion’s birthday dinner
(chapter 43) in episode 43, the talk of hospital get-togethers
(chapter 61), or the festive tone of fighters after director Choi Gilseok’s victory
(chapter 52).
(chapter 41) Why did they not organize a party in Seoul to celebrate his victory in the States? Dan devotes himself to work, but his departures are marked by silence
(chapter 53) rather than farewell.
(chapter 1) The few rituals that do occur — a premature birthday cake, a noisy hug, puppies chasing after a car —
(chapter 78) always miss their mark, either hollow in substance or unseen by the very people who should be honored.
. (Chapter 43) Even the “dragon’s” birthday, supposedly a day of personal celebration, is reduced to an awkward dinner at his expense, with a cake arriving a day too early
(chapter 43) or gifts from sponsors and fans he never wanted.
(Chapter 41) In Germany, it is considered as a bad omen to celebrate a birthday too soon. Rituals that should affirm intimacy instead expose distance and lack of respect.
(Chapter 52)
(chapter 56) However, this is just an illusion. What caught my attention is that the nurses wondered themselves why such a skilled therapist would come to a small-town hospital.
(chapter 56) They speak about him, as though he had no reason to stay there, as if he were a stranger passing through. Right from the beginning, he was treated unconsciously as temporary, someone whose presence required explanation rather than welcome. Finally, no party was held for him, no ritual of inclusion was offered. His distance and their detachment mirrored each other, producing the silence that would later define his departure.
(chapter 78)
(chapter 5) It ends either in the car or in the locker room.
(chapter 15) The high peak of his celebrated victories takes place at the gym where Park Namwook gather the fighters in front of the Emperor congratulating himself for his “good work” and the spectators for belonging to a winning team.
(chapter 53) For him, the physical therapists were just tools and as such replaceable.
(chapter 43) A birthday, especially in Korea, is typically a family-centered celebration, held at home or among close friends. Yet Jaekyung’s “party” takes place in a restaurant, under Yosep’s casual announcement that they would be having a “dinner party.”
(chapter 45) By keeping Dan in the dark about the “surprise,” the fighters created another problem. Their silence pushed him to offer his own present on the same day as the gifts from sponsors and fans — exactly the kind of attention Jaekyung resented. He had already said he did not want those presents, and now Dan’s sincere gesture was placed in the same category, indistinguishable from the flood of unwanted offerings. What could have been a private, meaningful moment was absorbed into the hollow ritual of the group. Hence the champion never got to read his card!
(Chapter 11) One might think, this celebration embodies a perfect birthday party. However, observe the absence of friends. It took place during the night too, a sign that his birthday was not celebrated properly. Everything implies his social exclusion. This made me wonder if this memory represents the only birthday party he ever had with Shin Okja. His life is a sequence of departures without ritual, absences without acknowledgment. Each time he leaves a place of work or community, he slips out like a ghost, denied the closure that parties are meant to provide.
(Chapter 1) His stay had been so brief as well. Besides, his absence was engineered to be total, as though he had never existed. The very ritual that should have affirmed his contributions instead became a ritual of erasure.
(Chapter 50) Then later the athlete questioned the physical therapist’s actions and told him this
(chapter 51) out of fear and pain, the physical therapist thought, he was fired. Once again, he left in silence, unacknowledged. No one stood up for him, no one tried to reintegrate him, no farewell was offered.
(chapter 74) The silence of his grandmother on this point suggests that even the most basic ritual of mourning was denied him.
(Chapter 59) Only Dan and the landlord marked the event with a quiet burial. Since no one knew about it, it left the ritual incomplete. For Dan, the small act was meaningful, but its invisibility to the larger community echoed his own life: recognition always hidden, always partial, never public.
(chapter 43) This was the real heart of the evening, the only moment where ritual turned into intimacy. And yet even this was missed by Potato, who was absent at that crucial moment, lingering elsewhere with Heesung. The party’s form was there, but its essence — the recognition of Jaekyung’s loneliness and Dan’s importance — was overlooked by the two men at its center due to the presence of alcohol.
(Chapter 78) To them, departure is not tragedy but play, a noisy farewell parade. Their barking and chasing become a spontaneous party, a joyous ritual of attachment.
(Chapter 78) Striking is that here, doc Dan is making a promise to Boksoon and her puppies, but the latter have no idea. Therefore imagine this. On the weekend, the moment the car approaches the landlord’s house, the puppies will recognize them and celebrate their return! And this time, both characters will witness this welcome party:
(chapter 78)
(Chapter 78) But this “reset” is an illusion. Dan is only contracted for two matches. Interesting is that no one is capable of perceiving the truth, as the main lead’s explanation is ambiguous.
(Chapter 78) He doesn’t limit the number of matches, only that he will focus on the “wolf”. So for them, his return is not limited in time. Nevertheless, his paleness and dark circles speak louder than their words: he is exhausted, fragile, still haunted.
(Chapter 78) They are more worried about another possible departure than about his condition, as though his leaving again would be a greater tragedy than his ongoing suffering. This exposes that the members are not totally oblivious and their reunion is not a repetition of the past. On the other hand, warm words and a noisy welcome are enough for them. They take his generosity for granted, just as they always have. Therefore they ask for his magic hands.
(chapter 9), and abstaining from drink often means being excluded from group belonging. Yet Dan, on medication, cannot drink. His doctor’s recommendation makes it impossible for him to participate in such “public” rituals. Even the customary sharing of a huge bowl — a symbol of intimacy and unity — must be avoided. For Jaekyung, who once used alcohol to dull his own struggles,
(chapter 54) this becomes another reason to refuse such parties: they risk exposing Dan to temptation and harm. Park Namwook, knowing Jaekyung’s history of drinking, has no interest in promoting such events either.
(Chapter 78) Hence the latter has no interest to organize a welcome party and even maintain the ritual with the bowl!! What might appear to others as grumpiness or stinginess is in fact a form of protection.
(Chapter 78) Having missed Dan most deeply during his absence, he now wishes to spend as much time as possible with his hyung. His longing shows that no party with Heesung and the landlord — no noisy drinking night —
(chapter 58) could fill the hole left by Dan’s departure. But his form of attachment is still caught in the ritual of surface-level affection. What Potato craves is real closeness, hence he keeps hugging the physical therapist,
(chapter 9)
(chapter 26), or allowed whether welcome parties or surprise celebrations or pre-match meals
(chapter 22). These events were never about genuine recognition but about maintaining power and appearances, boosting morale, or reminding the fighters of their dependence on the team structure he managed. The “surprise” birthday party in chapter 43 bore his fingerprints,
(chapter 43) This absence is revealing: Namwook preferred to avoid direct conflict with Jaekyung’s visible displeasure, leaving the awkward burden of paying and performing to the champion himself to Yosep. In other words, his parties were tools of control, not gifts of belonging. By chapter 78, however, the balance has shifted.
(chapter 78) Standing in the back, Namwook watches as Dan returns and is embraced by the fighters. He notices a “different vibe” between the two leads, but fails to grasp what it means. Doc Dan is actually free and has the upper hand in their relationship. Hence he can no longer ask this from doc Dan:
(chapter 36) Doc Dan should put up with everything. What he cannot admit is that Dan is no longer replaceable.
(chapter 69) Yet unlike all the hollow celebrations that came before, this missed event would finally have meaning. It would not be absence through neglect, but absence as recognition: proof that Dan’s life matters more than ritual, profit, or performance.
(chapter 78) This delay suggests a split loyalty: while the team is already celebrating, Potato is likely still tied to Heesung, perhaps even speaking to him on the phone. His tardiness betrays how his heart is pulled in two directions — caught between the actor’s orbit and the gym’s renewed center around Dan. Yet the embrace of the fighter, and his tearful reaction at seeing Dan again, show that his real place lies with Team Black.
(chapter 59) Potato had made a promise to treat Dan to a meal if he ever returned, squeezing his hand with the sincerity of a puppy. That promise, innocent as it seemed, carried a hidden trap: in Korea, such “treats” almost always involve alcohol. And he could try to recreate the party on the coast. Potato, unaware of Dan’s medical restrictions, may offer him exactly what he must refuse. Only Jaekyung knows the truth of Dan’s fragile health; only he can act as his shield against such misplaced affection. Secondly, Potato possesses pictures of the puppies
(chapter 60), which he took on the day one of them died!
(chapter 58), and his presence ties alcohol directly to the champion’s vulnerability. At the same time, Potato’s loyalty is beginning to shift. He once orbited Heesung like a hidden lover, but Dan’s return rekindles his attachment to the gym and as such will affect his relationship with the gumiho.
(chapter 78) But she does not return the gesture, as she might believe that he is just holding her straight. Her arms remain still, her body heavy with silence. Instead she talks, urging her grandson to leave the place as quickly as possible. So she doesn’t enjoy this moment. What should have been a small celebration of love — a hug of recognition, a party for two — dissolves into emptiness. Halmoni, who had always claimed to be his anchor, fails to give him the ritual of belonging he craves. The one gesture that could have affirmed their bond is withheld, turning tenderness into yet another missed ceremony.
(chapter 78) Sitting stiffly in his hospital bed, he waves away any possibility of affection. His body language, arms crossed, his words reduced to commands about training, erase the emotional bond that might have connected him to Jaekyung. Where halmoni’s silence is passive, Byungchul’s is active — he refuses intimacy, replacing it with obligation. For both figures, farewell becomes an empty form, stripped of the recognition that makes partings bearable. In these moments, the absence of a hug, the denial of tenderness, is more devastating than the loudest rejection. It is a party that never begins, a rite of passage left unspoken.
(chapter 22)
(chapter 13) a breakfast in silence
(chapter 78) Even Jaekyung is troubled by the reminder that Dan’s stay is temporary, as if the very walls of the penthouse resist turning into a home.
(chapter 78) In other words, the wolf’s task is no longer to win battles in the ring but to protect these fragile celebrations — to make Dan feel at home, to turn missed hugs into embraces, missed parties into warm meals, missed gestures into habits of care. Only then can the cycle of exclusion be broken. Only then can “The Missed Party” become, at last, a real one.
(chapter 78). For me, it is no coincidence that the senior followed them to the street and waved at them!
(chapter 78) He expressed not only his genuine feelings, but also his longing: he hoped to see them soon. He had come to appreciate their presence which is not related to their work. The Missed Party becomes not a single absence, but the haunting rhythm of the entire narrative: recognition always arriving too late, always seen by the wrong eyes. And perhaps the story’s promise lies here — that one day, the real party will finally be held, not in karaoke bars or gym halls, but in the unbreakable bond of two men who learn what true friendship and belonging mean. This means, the more the champion and his fated partner develop new routines, the more it will affect the gym and as such Park Namwook, which can only feel more and more excluded.

(chapter 76) For the first time, he uses the expression you’re right in front of his fated partner. He seems to concede with this idiom. Yet this apparent submission hides a deeper reversal. By admitting Jaekyung never asked for his help, he redirects the exchange toward his own truth: the loneliness of having no one to care for you.
(chapter 76) What unfolds in the kitchen is not a quarrel about porridge but a fragile recognition. Dan’s “You’re right” acknowledges Jaekyung’s perspective without bitterness, while Jaekyung’s “I lost”
(chapter 9)
(chapter 45)
(chapter 76) The kitchen scene closes one cycle and announces another.
(Chapter 76) In this view, his fixation would be the product of ambition, pride, or ego: the expected cost of survival in a cage where only victory pays.
(chapter 76), because the adults in his life cut them off before they could exist. Winning became his only mode of survival because every formative argument in his youth ended in defeat, and not the kind decided by a referee. With his father, mother, coach, and manager, words never led to recognition — only to insult, silence, utility, or obedience. He learned early that dialogue could not protect him; only victory could. His victories were not chosen freely, but forced into being by guardians who made him feel like a burden, until relationships themselves became burdens.
“(chapter 73). It was not just defiance; it was a vow that victory would silence abuse once and for all. When he returned with the trophy, he shouted triumphantly,
(chapter 73) ready at last to claim, “I was right.” Yet reality betrayed him. His father’s death denied him the only acknowledgment he had sought.
(chapter 73) The words “I was right” died in his throat. He had proved himself, yet there was no one left to recognize it. His own prediction — that his father’s death would mean nothing — proved false. The absence cut deeper than the insults had, leaving Jaekyung not with triumph but with the bitter aftertaste of self-loathing. Victory had silenced his father, but it also silenced the son. He had proved himself, yet there was no one left to hear it.
(chapter 74) At the funeral he remained dry-eyed, his face locked in shame (ch. 74). No one saw his guilt, but it consumed him: the one man he needed to hear “I was right” from could no longer answer. At the same time, his smile and laugh were also linked to misery. For Jaekyung, laughter was never the sound of joy, but the echo of mockery and rejection due to the father. Just as tears became tied to betrayal and abandonment through his mother, so too did his father twist laughter into a weapon
(chapter 72) To the boy, she was not silent at first: she must have definitely told him to become strong, to endure, to wait. She gave him her number, leaving the illusion that her departure was not abandonment but necessity. Victory and wealth became her conditions for love. That is why he swore over the payphone to work hard
(chapter 72) and “make money” so she could return, and why after his father’s death he still hoped for her homecoming.
(chapter 74) But when the calls went unanswered, her silence became the sharpest weapon of all. Her eventual reply
(chapter 74) confirmed that his effort had never mattered. For the first time, he cried
(chapter 74), his tears expressed not just grief but the recognition of betrayal. From then on, tears themselves became equated with loss, weakness, and abandonment. This is why, in the wolf’s nightmare, Dan’s crying form
(chapter 76) appears: the sight of tears recalls the moment he unconsciously realized that even his mother’s “you’re right” was a lie. At the same time, those tears function as a mirror. The champion projects onto Dan the very weakness he has always forbidden himself to show.
(chapter 76), the boy he once was who longed to weep but had to swallow it down. At the same time, Jaekyung himself occupies the place of the “adult” —
(chapter 74)
(chapter 76) His trembling hand upon waking
(chapter 76) shows the yearning to be held, comforted, reassured — something he never received from either parent. He is not entirely responsible for the physical therapist’s suffering. And here lies the difference: Dan’s tears are not manipulative or hypocritical , like the ones Jaekyung suspects from his mother, but unfiltered honesty. He expressed his emotions, not just through tears, but also through body language!
(chapter 1) He was shaking, he was bowing and asking for forgiveness! Dan embodies a form of vulnerability that is real, legible, and forgiving contrary to the mother. When the teenager heard his mother’s voice after such a long time, the latter never brought up her past action. She never asked him for forgiveness.
(chapter 74), whose quiet devotion and silence kept the gym alive, nor Jaekyung’s, whose absence he accepted without challenge.
(chapter 72) In fact, his own mother’s submission reinforced this flaw: her blind trust in her son, her refusal to question his choices and the boxing world, taught him that authority need not be examined, only endured or seen as trustworthy. For him, hierarchy was unquestionable, and so he perpetuated it. Thus he stands for lack of critical thinking. This is why, with Hwang, the vocabulary of “right” and “wrong” was never about dialogue but about obedience. No wonder why he became so violent at the police station.
(chapter 74) Unlike Jaewoon’s domination or the mother’s evasive silence, Hwang cloaked his authority in the language of advice — yet beneath it lay a black-and-white dualism: winners and losers, villains and victims. Thus Joo Jaewoon was blamed for becoming a thug
(chapter 74), while the wolf’s mother was a victim. He viewed her as a selfless and caring mother:
(chapter 74)And observe how he provoked the main lead.
(chapter 74) When Hwang sneers, “What, am I wrong? Come on, answer me!” he is not inviting dialogue — he is staging a trap. The question is rhetorical, a demand for submission. Let’s not forget that he had witnessed the phone call in front of the funeral hall, but back then he had done nothing. And when the boy hesitates
(chapter 74), unable to answer, Hwang strikes him in the chest.
(chapter 74)and justifies his action behind social norms.
(chapter 74) In that instant, he takes the role of judge, referee, and executioner, collapsing “argument” into violence. The very words “Am I wrong?” contain the irony: the coach is less interested in truth than in reasserting his own authority. Silence is treated as guilt, hesitation as defeat.
(chapter 74), he effectively admitted “you’re right” to the coach. Yet this wasn’t simply genuine agreement — it was submission, respect mixed with survival. The director misread it as validation of his worldview. This only reinforced his certainty, encouraging him never to reconsider his role.
(chapter 74) When the protagonist finally left, the director could declare with satisfaction:
t(chapter 74).
(chapter 74) The reality was that the old man had never truly become the star’s home and family, which explains why he constantly leaned on other adults, the mother or the father, to provide the guidance he himself refused to give. At the same time, I come to the following deduction: he must have lost his boxing studio, and with its vanishing, the elder was forced to face “reality”: loneliness, sickness and absence of happiness in his life!
(chapter 70) Once again, Jaekyung is reduced to “that bastard” — a label, not a person — while Dan is framed as the pitiable victim. The old coot remains the righteous observer, untouched by guilt, protected by a rhetoric that always shifts responsibility elsewhere.
(chapter 75) He was happy again, though he initially tried to hide it. We have to envision that before the wolf’s visit, the elder had to face what his own life outside the gym looked like: sickness, solitude, the collapse of the studio that had sustained him and came to resent the main lead. Yet, Joo Jaekyung’s behavior changed everything:
(chapter 71)
(chapter 71) Only during the champion’s visit, did his words alter.On the rooftop of the hospice, he finally tells Jaekyung:
(chapter 75) This shift did not come from wisdom gained in the ring but from loss — the loss of health, the loss of the gym, the loss of illusions — and from Jaekyung’s loyalty, which pierced through his blindness. Interesting is that this time, he doesn’t give the answer to the athlete. He stops thinking “I’m right, you’re wrong”. He treats him as an adult, as a mature and thoughtful person. Through that fidelity, Hwang glimpsed at last what he had denied both himself and Jaekyung for decades: that victory alone cannot sustain a life.
(chapter 76) It is not too late. The question “Am I too late?” is the consequence of Hwang byungchul’s words and it gradually indicates the switch in the champion’s mentality. It is no longer about being right or wrong. However, the nightmare reveals another aspect: the world is not black and white, but grey.
(chapter 76) Hence he remained silent and avoided his gaze. But like the director showed it, it is never too late:
(chapter 76)
(chapter 69) Thus my avid readers might jump to the conclusion that his biggest flaw is blindness, similar to the director. Besides, I had often criticized him for his blindness and ignorance. However, this is just a deception. The manager’s real defect is actually his deafness. How so? He does not hear Jaekyung’s words
(chapter 17) at all. The verity is that he refuses to listen to his thoughts and emotions
(chapter 31) in good
(chapter 45) or in bad times. It goes so far, he does not take his silences seriously, and does not register his pain. This explicates why the manager saw in the champion’s silence at the restaurant as an agreement for a new fight!
(chapter 69) His role is not to guide or protect, but to extract: money, victories, publicity.
(chapter 75) In my opinion, he is fighting against oblivion through the star. This hidden disability explains why the coach can never truly connect with the champion. He listens instead to other voices – the CEO of MFC
(chapter 46), the media
(chapter 52), the sponsors
(chapter 41), the spectators or “authorities”
(chapter 36) — and reacts to them, even violently, as in chapter 52, when public criticism painted Jaekyung in a negative light.
(chapter 52) His question is not mere anger. It is a confession of position — an inadvertent acknowledgment that he knows he is the true backbone of the gym. He is the one responsible, the one carrying the burden that Namwook refuses to admit. These words crack the illusion: the fighter is not subordinate, but owner. The gym lives because of him.
(chapter 52) He acted as a child, faked “tears” in order to use empathy to his advantage.
(chapter 71), hence he tried to help in his own way. On the other hand, Park Namwook shows clearly no sign to be interested in the private life of his boss. He is preferring ignorance over “knowledge and connection”.
(chapter 66) Despite the incident, the manager hasn’t changed yet. He clinched onto the past, thinking that everything will be like before, as soon as the athlete enters the ring. He images a return to normality with the next match.
(chapter 66) For years, he had accepted his manager’s judgments out of habit, mistaking silence for consent. But here, for the first time, the repetition feels deliberate — not resignation, but reflection (“though”). The phrase becomes a question more than an agreement: is he truly right? He is admitting this out of habit.
(chapter 69) His silence has shifted from obedience to suffocation. The weight of Namwook’s deaf authority is no longer bearable. And yet, even here, his confession is muted, confined to the private space of his car. He is not yet ready to speak the words aloud — not until someone appears who will listen.
(chapter 48) This scene was observed by Kwak Junbeom, so the latter could have reported it to the coach. If it truly happened, this would expose the coach’s deafness and cowardice. He chose passivity instead of confronting the doctor or the champion. That way, he avoided responsibility. And this brings me to my final conclusion concerning the deaf manager. His main way to contact the celebrity is the cellphone:
(chapter 66) It is both his mask and his crutch — a tool for barking orders, never for dialogue. The moment the line goes dead, his authority collapses, for he has no other means of contact. His power depends on Jaekyung’s reception, not his own strength. In truth, the manager’s disability is exposed here: deaf to Jaekyung’s voice, he has trained himself to hear only the ring of a phone. A fragile authority built on silence, ready to crumble the instant Jaekyung decides to switch it off.
(chapter 76) must be read not as pride, but as a desperate shield against annihilation. In other words, in episode 76, the athlete is too harsh on himself, though I am not saying that he is innocent either. He only thought of himself because he had taught to behave that way. He was just mirroring the adults surrounding him who hid their weaknesses and wrongdoings behind “lies, social norms and hierarchy”.
(chapter 70) Thus he accepts criticism with defending his own interest. He was not taught how to fight back or resist or even argue.
(chapter 6), both were forced to discuss with each other about the “content of the agreement”. That’s where the champion was trained to communciate with the physical therapist. Thanks to the champion, because of this victory/loss mentality, the doctor learned gradually to argue and “reply” with his “boss. However, due to his childhood, he couldn’t totally drop his old principles like for example “saying no”.
(chapter 34) To conclude, before their fateful meeting, neither man had learned how to argue as equals. But in the kitchen in front of the stove, this changed: both are right and wrong!
(chapter 76) He speaks like someone expecting rejection. Hence he keeps his distance. Yet the very fact that he says it at all signals change. Where once he would have doubled down — by barking an order, by firing Dan, by retreating into silence — he now admits defeat. The vocabulary of winning and losing, inherited from his father and reinforced by every adult in his life, collapses in the presence of Dan’s quiet honesty.
(chapter 76) — an acknowledgment that he can no longer keep his walls intact. He is now willing to rely on doc Dan exclusively.
(chapter 76). His confession reveals not strength but guilt. Kim Dan’s suffering was the price of his victories, and he knows it. “On the other hand, his mea culpa should be relativized, for both were the targets of a plot!
(chapter 76) These words expose both responsibility and shame: he had prioritized survival over connection, career over compassion. What boils under his skin is not pride but remorse.
(chapter 76) The star’s thoughts in the kitchen are actually mirroring the ones in the bathroom:
(chapter 68) In the bathtub, he still saw himself as the one in control, with the upper hand… but this is no longer the case in the kitchen. Through the physical therapist, the wolf is learning that even being in a vulnerable state doesn’t mean that this person is powerless. It is just that his “strength” lies elsewhere. In other words, someone struggling can also give comfort to another person in pain.
(chapter 72) a place of solitary consumption rather than shared meals, the bed was the place where the little boy would drink his milk.
(chapter 72) It is interesting that actually, Doc Dan wanted to bring the porridge to Joo Jaekyung to his bed during that full moon night, thus the latter made the following request:
(chapter 76) But the wolf didn’t understand the hamster’s intention and followed his “hyung” to the kitchen. That’s how a misunderstanding was born which is also reflected in this interaction:
(chapter 76) However, doc Dan agreed to this, he remained calm.
(chapter 46) It was a place where others dictated terms, while Jaekyung’s silence was mistaken for consent. And now, you comprehend why the two main leads could get closer in front of the stove in the kitchen. This place stands for warmth, care and family.
(chapter 13) a meal after his collapse. He refused to bring a meal to the bed, he asked him to join in the dining room and sit at the table. And what did they do there? The champion talked about his career, his fight etc…
(chapter 13) the champion has long associated the table to business and not “care”. That’s why it is important for him to remember the significance of the bed in his childhood. It was the place where he could feel comfortable and safe, where he would eat! 

(chapter 26) They have watched his fights
(chapter 23), memorized his moves and titles, and repeated the anecdotes told in gyms and on TV. They’ve heard how he was “saved” by sports from a darker path, and cheered for him as the “Emperor” — the handsomest fighter, the man who broke the arcade’s punching machine
(chapter 26), the champion who stands above the rest. But if the champion’s life is already an open book, why did Mingwa wait so long to reveal his childhood and family? The answer is simple. It is because Joo Jaekyung has been called the Emperor till his fight against Baek Junmin! These public portraits — the friendly banter in the gym, the theatrical ring intros — show us the merchandise, not the man. They are the carefully polished surface presented to fans and fellow fighters alike, repeated so often that even those closest to him believe them. Yet behind this image
(chapter 30) lies a past left unspoken, a silence so complete that his own history became an empty space others could fill as they wished. This essay brings these two “stories” together — the Emperor and the boy. And now, you may be wondering how I came to connect the champion’s trauma to his future career as an MMA fighter. The answer lies in Joo Jaekyung’s own voice. 😮
(chapter 70), Hwang Byungchul’s anger fell squarely on the champion.
(chapter 70) To him, it looked as though Jaekyung had made the reckless choice to return to the ring so soon. That was the trap: the headline and phrasing were designed to make it appear that the decision was the fighter’s own. The opening line alone
(Chapter 70) created the illusion that this break had been perceived as a punishment, and that Jaekyung was eager to prove himself once again. No wonder the director assumed he had given his consent.
(chapter 69) By erasing these details, the public sees only two players: the Emperor and his anonymous “team.”
(chapter 69) It was as if the main lead, backed by his team, had personally approached MFC to request the match — an illusion strengthened by the opening line, “MFC’s former champion Joo Jaekyung will be returning to the ring this fall after serving his suspension.” This way, if the decision draws criticism, the CEO can retreat behind the fighter and his team, like they did in the past.
(Chapter 54) Back then, the champion had not reacted to this comment. Even in the worst case, the CEO can hide behind one of the MFC match managers or doctors.
(chapter 41) But that excuse would be a fiction: Jaekyung hasn’t even met those doctors or talked to the MFC match manager
(chapter 05). He has been chasing after his fated partner. Finally, he hasn’t even signed any paper or agreed at the meeting. In fact, he remained silent for the most part of the time and the reason for this urgent meeting was his request for proper investigation concerning the switched spray:
(chapter 67) That’s the reason why this suggestion from the CEO appeared the very next day.
(chapter 61), it was paired with a recommendation for rehabilitation — not an immediate return to competition. This was actually a condition for his total recovery. On the other hand, the doctor imagined or suggested that his patient wished to return to the ring so soon. No medical professional ever signed off on an autumn fight. Yet the date is already set, and the headlines frames it as a confident comeback without any medical backup. The Emperor’s name is splashed everywhere, but none of the words belong to him.
(chapter 57) with one of his close associates — a man whose face was hidden, speaking as though he were the athlete’s voice. That interview was accompanied by a familiar victory image
(chapter 57), a stock photo already used in other press pieces. This picture comes from after the fight in the States:
(chapter 41), while the image released with the fall match announcement was the one from when he first won his champion title.
(chapter 14) seems to radiate absolute power — the kind of authority that commands armies, bends laws, and answers to no one. It is meant to ooze charisma and control, a name that suggests the bearer acts on his own will. Yet, in truth, emperors have rarely ruled alone. Behind every throne stand ministers, advisors, generals, and family factions, each shaping decisions from the shadows. An emperor who ignores these forces risks losing his crown.
(chapter 12), never mind that he hardly drinks. The gesture fits the fantasy they’ve built around him, not the reality of a man who rejects alcohol due to his addicted father, a reminder that even the tokens of admiration are shaped by the image, not the truth. So who is this so-called close associate or “Joo Jaekyung’s team” exactly that decides for him, speaks for him, and hides behind his title? Besides, why did the journalist change from “one of his close associates” to “Joo Jaekyung’s team”?
(chapter 57) The nickname, played for entertainment value, was another way of turning the champion into a caricature — a marketable, amusing persona instead of a man with a past and agency. It is quite telling that Park Namwook’s interview aired immediately after the anchor referred to Jaekyung as “Mama Joo Jaekyung Fighter.” This was not the lofty “Emperor” title repeated in gyms and ring intros — it was more a mocking nickname, a deliberate jab meant to provoke. In that moment, the Emperor was verbally pulled down from his pedestal, yet the images shown alongside the segment told a different story: carefully chosen shots of him as a champion, a visual echo of his marketable persona. The dissonance was striking.
. (chapter 54) In my opinion, the man is trying to return to the past, thinking that his “popularity” can come back, not realizing that he is being manipulated himself. On the contrary, he stepped into the role of spokesperson without hesitation, speaking as if he were Jaekyung’s voice while keeping his own face and name hidden. He only speaks, when he feels safe. He can not be responsible for the champion’s recovery.
(Chapter 52) This framing lets him claim the prestige of leadership while leaving himself room to withdraw if things go wrong. Yosep was the one notifying MFC and reporting the incident to the police, Potato explaining his discovery to Joo Jaekyung and blaming the star.
(chapter 73), by becoming a boxer, the champion wouldn’t make a lot of money. With this comment, he implied that boxing in South Korea had been losing popularity 10 years ago. This explicates why gradually, the members from Hwang Byungchul left the studio. And it was likely the same in the illegal fighting circuit.
(chapter 73) The popularity of MMA in the States gave them the opportunity to revive fighting sports, a figure who could draw crowds and sponsors, making such events fashionable again.
(chapter 72) instead of “hard-working,” a man who “chose sports over a dark path.” Yet if you look closely, this celebrated “ascension”
(chapter 72) isn’t tied to the director’s boxing studio at all — it’s linked to the arcade’s punching machine incident.
(chapter 72), the scars of his family history, and the years of survival before the cage. This is history rewritten, his boxing past and family erased. Why? His origins could expose the ugly verity: the link between criminality and boxing (as such fighting sports). Secondly, because his real story, though moving, lacked the glamorous allure needed to market him. His real story would have revealed that to rise to the top, you need relentless work, not a miraculous moment. That version was never going to sell as well as the “genius” myth.
(chapter 46) Most of them thought that by staying close to him, they could benefit from his popularity. To conclude, for many of them proximity to the Emperor wasn’t about learning discipline or technique; it was about absorbing his fame by osmosis. Hence they complained and accepted the gifts and money so easily.
(chapter 46) And, like any product, once it was seen as damaged, its value plummeted. The moment he “lost” his title and suffered injury (chapter 52), the dream began to unravel.
(chapter 52) To this outburst, Park Namwook slapped Jaekyung in front of others (chapter 52).
(chapter 52) He chose silence, and later avoidance, staying away from the gym. That silence was not weakness, but choice: he would listen less and less to his hyung.
(chapter 70) and more like a product: something to be displayed, sold, and, when necessary, handled roughly to keep in line. The shift in labels is just another layer of that merchandising process — a packaging change to suit the current market, not a recognition of the man inside. To conclude, the champion has always been voiceless all this time, even here:
(chapter 36)
(chapter 73) Six years earlier, however, his voice had already been battered by silence. After his mother’s abandonment at age six, the only connection he retained with her was a phone number —
(chapter 72) We don’t know how many times he called, but each time we see him do it, his face is injured.
(chapter 72) The phone calls are therefore intertwined with the boxing studio, as though pain itself pushed him toward her. At ten, he picked up the receiver and let it ring only a few times before hanging up. The next time, in the dead of winter, he finally spoke, promising that if she returned, he would protect her from his father and make enough money to keep her safe.
(chapter 55)
(chapter 2) — a space where he could act without having to speak. In the bedroom, as in the ring, the body could carry the conversation. Here, he could dominate, control, and release tension without the risk of verbal damage. His partners became surrogate opponents: sparring substitutes in a non-lethal match. Treating them as “toys” wasn’t only objectification; it was a form of control that, in his mind, protected both sides. Toys don’t demand answers, don’t talk back, and don’t leave you cursed with regret. They remain safely outside the territory where his voice had once done harm.
(chapter 27), spent time with him, asks questions, confronts, and refuses to be reduced to a body in the room. He breaks the rule of silence. With him, Jaekyung can no longer hide behind the physical alone; he is forced to speak, to explain, to voice desires and fears. He pushes Jaekyung to engage in ways he’s spent years avoiding. In this way, Kim Dan becomes the first real threat to the system the champion built after those two curses — and possibly the first person who could prove that words can be safe again. And now, you comprehend why Joo Jaekyung was moved by the birthday card
(chapter 62) To most, it might look like a simple gesture, but for him, it was a rare and precious thing — a voice that had taken the time to shape itself into words just for him.
(chapter 55) After years of associating speech with either silence or harm, receiving a long-winded, carefully written message felt almost unreal. He saw the effort behind it, the deliberate choice to put thoughts and emotions into language instead of letting them fade away or turn into weapons. In that card, Kim Dan offered something neither of his parents had managed: a voice that reached him without wounding. No silence, no insult. For the champion, it wasn’t just a card — it was proof that words could be built into a gift, not a curse. The latter expressed his dreams and gratitude. Thus I deduce that the Emperor’s curse will be broken by a spell: words!
(chapter 55) The “spell” to break it is not some grand external event, but the simple, sustained act of honest communication — something that has been denied to him since childhood.
(chapter 71) He saw affection in the hug, but he still doubted the champion’s action.
Until now, the design’s images have played a secondary role, yet the answer lies in a single scene from chapter 41.
(chapter 41) Under the bright sunlight, Kim Dan reached out toward the leaves, his hand open and unguarded, as he silently thought of the man he loved. This gesture, so simple yet so revealing, became the unspoken confession that marked the start of a different kind of freedom—the freedom to feel.
(chapter 53) The glass was an invisible barrier, offering the illusion of freedom while keeping him trapped in the moment of his unresolved trauma. The closer he stood to it, the further he was from true release, his gaze fixed outward to avoid looking inward. That’s why he had no eye in that scene:
(chapter 55)
(chapter 71)
(chapter 70) the night can also be alive, communicative, protective. In that moment, the moon becomes more than a distant light in the sky: it is a patient witness, a calm listener in the stillness, reflecting the truth he has yet to voice.
(chapter 70) Its soft glow contrasts with the blinding glare of the cage lights, suggesting that under the moon, there is space for gentleness, for hearing one’s own heartbeat and another’s words. Just as the moon guides travelers through darkness, it can guide him toward a night that does not suffocate him with loss, but offers orientation and connection.
(chapter 60) they were his own form of therapy. In saving someone else in the night,
(chapter 65) he could prove to himself he was not powerless, he was valuable, capable of protecting what mattered.
(chapter 69) He was not too late either. And the moment doc Dan discovers what the silent hero has done for him so many times, the former will realize that he has always been special to the Emperor. Moreover, the latter had never abandoned him in the end.
, (chapter 9) as if the champion’s volatility were a quirk (the actions of a spoiled child) to be managed rather than a wound to be healed. It is because he never talked to the champion or investigated his past. It was only about money and glory. The manufactured image of the erratic, temperamental fighter served Namwook well; it excused rough handling, justified bad press, and kept Joo Jaekyung dependent. Once the Emperor can name the truth of that night, the fiction collapses — and with it, Namwook’s control. He can only be judged as a liar and even a traitor, but we know that Joo Jaekyung has a big heart. He could love his father despite the abuse. Now, the missing link is Cheolmin!
(chapter 13) Observe that this name is a combination between Hwang Byungchul and Baek Junmin! Under this light, my avid readers can grasp why the athlete kept his existence in the dark for so long! It is because the latter belongs to his past and knows the truth behind the Emperor! He was aware of his suffering. For him, he is not just a fighter, but someone who needed FUN in his life! 

(chapter 72) —and not with fists, but with fabric.
(chapter 11) Each boy is introduced wearing a shirt adorned with a teddy bear, a symbol that quietly carries the emotional weight of the entire narrative.
(chapter 72)
(chapter 47), and then claimed, just like his teddy bear. The fate of doc Dan’s toy bear reflects the boy’s. The former was pushed outside the embrace and bed before disappearing.
(chapter 21) That’s how the toy bear vanished from the little boy’s life. Thus I deduce that the teddy bear on the pajamas was the last traces of his “childhood”.
To follow the teddy bear is to trace this journey back to tenderness: the long path from abandonment to being held again.
(chapter 72) The shirts are not only outgrown
(chapter 72) but also replaced with t-shirts without any design alluding to the vanishing of their identity and forced maturity.
(chapter 57) For Jaekyung, the beanie-wearing bear with its wounded arm and wise glasses is the last trace of comfort before reality hardens. What remains is not the child, but the instinct to survive. From the moment the bear vanishes, a new figure begins to emerge—not one held, but one who fights. The boy with the teddy bear becomes the man who can’t rest, who equates existence with usefulness, and usefulness with victory.
(Chapter 72) This episode doesn’t just show how Jaekyung became a self-made man
(chapter 7) The cliché used by Park Namwook in chapter 7 is revealed to be not only ignorant, but cruel. Jaekyung had no home, no real guardian, no one to defend or guide him. He didn’t grow up in the wild—he grew up alone, navigating between violence (abuse and bullying), hunger, and neglect without true protection. This reframes the champion’s identity: not as someone untamable, but as someone who was never tamed because no one cared enough to try. What we witness is not savagery, but simple survival. Thus he had no friend.
(chapter 71), performative masculinity and high expectations of Park Namwook, and the explosive violence of his father.
(chapter 72)
(chapter 5) His behaviors—his hot temper, cold demeanor, blunt speech, and instrumental approach to others—were not innate traits. They were learned strategies, adapted from men who had likewise buried their vulnerability beneath strength or stoicism or brutality. Hence he brought no present to the patient at the hospice.
(Chapter 72) Much earlier, in the summer night’s dream (Chapter 44), Kim Dan sensed that hidden nature: not the predator, but the man longing to be held.
(Chapter 44) Doc Dan had sensed the real person behind the legend.
(chapter 45) and respects boundaries. He listens.
(chapter 29) And so, like a child learning a new language, Jaekyung begins to mimic him too.
(chapter 62) The change is gradual but visible: helping the townspeople, accepting rest, asking to stay close, even touching and speaking more gently.
(chapter 71) With Kim Dan, the fighter who once only mirrored power begins to echo tenderness.
(chapter 62)
(chapter 68). These are not just words—they’re the building blocks of intimacy, borrowed from the only person who ever saw through his armor. From mimicking strength, Jaekyung has begun to mimic care.
(Chapter 72) The tragedy is that Hwang Byungchul misread that hunger. When he first met the boy, he saw dirty feet, an empty stomach—literal poverty.
(chapter 72) So he fed him. But he never saw the deeper hunger: the absence of love, of being wanted. The coach assumed the problem was solved with food—because he had never gone without care.
(chapter 72) He lived with his mother. He was never truly alone. And so he projected stability onto the boy’s silence.
(Chapter 27) because the body, from the very start, was only a tool for survival.
(Chapter 72) Instead, he redirects the situation:
(chapter 22) There is no joy in eating, no comfort at the table. His body becomes a tool, and pain becomes the currency he pays to keep it running.
(Chapter 72) This explicates why Hwang Byungchul never confronted the father or called the cops or the social services. The fact that he asked the little boy
(chapter 72) The expression (“But reality was like a punch to the gut”) suggests that even the coach himself was struck by how wrong or harsh the outcome turned out to be, but that realization came too late. Yet he blamed the young boy instead of convincing the young boy to postpone the fight. This scene shows that the man’s form of “help” was not rooted in empathy or protection—it was rooted in opportunity and perhaps even short-sighted hope for glory through the boy’s talent. He turned pain into performance.
(chapter 71) why Joo Jaekyung never visited him or expressed his gratitude towards the boxing coach more openly.
(Chapter 71) He became successful thanks to his own hard work. It was, as if he had followed the advice to the letter—make it on your own. I am suspecting that the charity event is linked to poor neighborhoods and children, so he didn’t totally erase the man from his memory, he just repressed him. However, it is not astonishing why the director is resentful and even bitter towards Joo Jaekyung. It was, as if he had never helped him. While he blames the man, the coach never recognized his own shortcomings. He didn’t see that his assistance was actually conditional. 
(chapter 72) They are all rivals. But from my perspective, there exists another reason why the main lead didn’t keep in touch with Hwang Byungchul exposing the director’s blindness. The adult Joo Jaekyung admits that seeing the director’s face brings back “old memories”—not of comfort, but of trauma.
(Chapter 71) The implication is unmistakable: Hwang Byungchul reminds him of his father and the abuse. And the latter is strongly intertwined with the mother’s abandonment.
(chapter 72) The other is Jaekyung himself. How can we tell? Because the scene of the phone call contains no narration, no framing voice.
(chapter 72)
(Chapter 71) But here, doc Dan was making a huge mistake: he was just projecting his own feelings and relationship with him onto theirs. But he was behaving exactly like the former director: simplification.
(chapter 61) In the panel where he sighs, “Haa… I have no idea what’s going on in that guy’s head,” he unintentionally exposes the shallowness of his approach. He imagines that by looking at Jaekyung’s brain—by cracking his psychology—he’ll “understand” him. That way, he can regain control. But this isn’t curiosity. It’s a veiled form of control-seeking. Namwook doesn’t want to know Jaekyung as a person—he wants him to be predictable, manageable, marketable. That line doesn’t reflect concern. It reflects frustration that the human being in front of him refuses to fit the role he’s been assigned. Hence it is logical that his solution to force Joo Jaekyung to return to the gym is to accept a new match.
(chapter 65) Her mindset follows a consistent logic: one problem, one person, one solution. Kim Dan is overworked and sick?
(chapter 72) is invisible to her. She sees a man who has succeeded—and assumes that means he is thriving.
(chapter 65) she doesn’t know anything about his life. That’s the price of simplification: you get a clean answer, but not the truth.
(chapter 70) He judges him without knowing the circumstances. This projection is not new. In the past, he blamed the father,
(chapter 17), it becomes clear that there exists a recurring link between athletic decline and criminal paths. The man fails to notice this connection. He sees these outcomes as individual moral failings, not systemic failures.
(chapter 40) Kim Dan saw the result and got fascinated. And what we’re left with now is a man whose pain and exhaustion are almost unseen
(chapter 64) He reproached him about being used and abandoned. But he was forgetting his own actions. He had also used the athlete, he had also left the bed in a hurry the next morning. Yes, he, too, simplified Jaekyung. That night, he said nothing. And in doing so, he confirmed the belief Jaekyung had internalized: I’m not someone who gets cared for. I’m someone who is tolerated, used, replaced. Like mentioned above, his mind-set was strongly influenced by Shin Okja. On the other hand, I noticed that the protagonist embodies complexity. How so? On the surface, he appears simple: obedient, quiet, weak, submissive, passive.
(chapter 70) But beneath that surface lies a dense emotional world— love, grief, guilt, exhaustion, intelligence, empathy and moral clarity — that few characters in Jinx truly perceive. He stands for the heart! And everyone knows that “the heart has its reasons, of which reason knows nothing.” (Blaise Pascal) Because he acts from a place that defies the cold logic of power, hierarchy, and survival, he operates on emotional intelligence
(chapter 71) —unspoken understanding, silent resistance, instinctive empathy. It’s no coincidence that his presence disrupts every system he enters: the gym, the hospital, the champion’s life.
(chapter 70), and starts being a person. The racing heart… which has already happened. And this observation leads me to this scene:
(chapter 58) Kim Dan was erasing this memory, he wanted to forget the star The Emperor. This act of forgetting wasn’t an escape from pain; it’s an active rejection of a myth that was keeping him emotionally paralyzed. As long as Jaekyung remained “The Emperor,” he could not be touched, questioned, or truly known. By forcing himself to forget that image, Kim Dan was making space for something more vulnerable and human to emerge. To conclude, thanks to this painful decision, he was able to perceive Joo Jaekyung the man. That’s why he acted so fiercely in front of him later. So by meeting the director, doc Dan is now able to see the child or the “cat” in his fated partner. That’s how it dawned on me why Mingwa let doc Dan suffer from addiction, depression and insomnia. Because these afflictions defy simplification. They resist instant solutions (pills). They demand patience, presence, and a refusal to look away.
(chapter 72), his bruises
(chapter 72) and asked for his name. This exposes his priorities and his blindness. He didn’t truly perceive the child in him, he was seeing him through the lenses of a boxer and director. Hence he underestimated the absence and abandonment of the mother.
(chapter 72) The boy didn’t have a blanket. He slept beside garbage. His father lay drunk and sprawled out, blind to his child’s needs. There was no teddy bear, no shared bed, no real cover.
(chapter 53) He is a physical therapist. He had also arranged his books together:
(chapter 53) And what did the hamster think while gathering his belongings?
(chapter 53) So I deduce that the woman left them behind because she didn’t need them, she had enough or she no longer cared. But there is more to it!
(chapter 27) There are no toys, no supplies for a child—just quiet evidence of a woman focused on herself, her escape perhaps already underway.
(chapter 53) The jacket… Because of these parallels, I come to develop the following theory. Joo Jaekyung knew his age, because he had just celebrated his birthday. This scene definitely took place in the summer.
(chapter 53) must have triggered the champion’s abandonment issues. He had the impression to relive the past. The mother had left him behind in the dark unexpectedly.
(chapter 45) And now, you comprehend why I wrote above that I was not giving up on the idea that the champion could belong to a different world too. She was not accustomed to take care of a household. She wasn’t used to cook either. She would order food, hence we have the empty bowls.
(chapter 72). In other words, the mother was already emotionally absent long before she physically vanished. The bandaged bear thus becomes a silent accusation: you saw, and you left. Therefore it is not astonishing that Joo Jaekyung made such a mistake:
(chapter 68) His mistakes concerning doc Dan are the evidences that he was not taught how to take care of someone. His errors indicates his innocence and purity.
(chapter 44) before he was abandoned. Jaekyung was never treated properly before. He was not claimed at all. It is important because the champion mentioned the word “home”
(chapter 43) And it is linked to his birthday. This resembles a lot to this scene:
(chapter 37)
(chapter 49) Is it the mother or someone acting as an invisible guardian who knows the champion’s past? What do you think?
(chapter 72) Joo Jaewoong—whose name literally evokes the bear (웅, 雄 or 熊)—was not a gentle protector, but a violent alcoholic and drug addicted, a man who “strayed from the straight and narrow”
(chapter 72) The bear here is not a comforting toy but a dangerous beast. He loomed large over the child’s life not as a shield, but as a shadow. It is important because doc Dan is hearing for the second time that fighting has connections to the underworld.
(chapter 47)
(chapter 54) —Team Black—bears symbolic weight. Unlike other athletes who proudly attach their names to their legacy, Joo Jaekyung avoids personal branding. He doesn’t call it “Jaekyung’s Gym” or “Joo Athletics.” Instead, he opts for anonymity, for darkness. It’s as if he’s building a fortress rather than a legacy, a space that offers power and protection, but no trace of where he came from.
(chapter 71) I am quite certain that her vanishing must have pained him. She embodies the only good motherly role model in his life which explains why Joo JAekyung has a soft heart for Shin Okja. He knew to speak prettily and gently because of her. It is clear that the director influenced his dream, creating a gym where his mother would be part of it. 

(chapter 47) and denial for strength
(chapter 61), Park Namwook
(chapter 53) all operate within survival mechanisms shaped by trauma, guilt, and fear. They choose the illusion of control or calm over genuine healing. But as the story unfolds, these strategies begin to unravel. Each character must confront the truth behind their emotional habits, learning that happiness isn’t the absence of pain—it’s the result of confronting it with clarity and purpose.
(chapter 54), Joo Jaekyung is cornered by a faceless, overpowering ghost. He is unable to fight or flee; only obedience and silence remain.
(chapter 54) He could only express his pain and resent through the hand. This moment encapsulates the core of his trauma: as a child, he learned to survive through silence and compliance, not resistance. Yet deep down, the resentment festered—toward himself, and toward the abuser. That psychological pain was redirected into becoming a fighter, as if to prove the abuser wrong.
(chapter 14) But ironically, he became exactly what the abuser desired: a powerful, obedient puppet. His fame, discipline, and aggression were not signs of freedom, but evidences of emotional and mental captivity. That’s why the past from the champion is surrounded by darkness and mystery.
(chapter 36) His language was dominance, not dialogue. He didn’t process his emotions through words—he suppressed them, until they erupted in violence or withdrawal.
(chapter 34)
(chapter 1) Thus for the first time, Jaekyung had to develop a new strategy in order to meet him again: one that doesn’t rely on intimidation, but on communication. The problem is that since he saw the physical therapist running away after their first session
(chapter 1), he knew that he needed to lure him with something: money
(chapter 1). Under this new light, my avid readers can grasp why the athlete played a trick on the phone, though we have to envision that here the celebrity’s thoughts were strongly influenced by his bias and prejudices. He imagined that Doc Dan had made a move on him.
(chapter 5) That retreat doesn’t mean failure—it can be an act of self-preservation. However, the champion experienced that he needed to speak with doc Dan in order to keep him by his side. This lesson became a turning point. Jaekyung started to speak more.
(chapter 18) Therefore it is no coincidence that in episode 18, right after the celebrity spoke, Kim Dan’s reply was strongly intertwined with flight:
(chapter 18) The denial of kindness from the champion made the doctor uncomfortable, the latter felt the need to leave the penthouse as soon as possible. The lesson for the star was to realize that words are powerful and can affect people. But Joo Jaekyung didn’t grasp it, as he chose to use sex to „submit“ his fated partner.
(Chapter 18) Nevertheless, as time passes on, the wolf asks more and more questions. He reacts to emotional discomfort not only with physicality but with hesitation, introspection. He is no longer reacting as the ghost once taught him; he is arguing and as such adapting, growing. Thus we could say, he is less passive.
(chapter 3) or table, in showers
(chapter 7), against doors, or walls
(chapter 34). On the surface, it may seem like a gesture of dominance or desire, but symbolically, it reflects silencing.
(chapter 51) They stand in the middle of the room—an open space—symbolizing emotional emancipation. When Dan questions the celebrity
(chapter 51). The latter tries to reassert control
(chapter 51) Secondly, he left the place which was a new MO for the fighter. His act of fleeing is no longer an escape from confrontation —it follows a moment of emotional vulnerability. It shows that he had finally dared to speak, even if he wasn’t yet ready to stay and endure the emotional aftermath.
(chapter 69) That silence could easily be mistaken for submission, for the same old performance of the compliant athlete.
(chapter 69) But that would be a misreading. His silence is no longer a symptom of fear or control. It is a deliberate withholding—a sign that he no longer plays by their emotional rules. He is starting distancing himself from MFC, Park Namwook and the fight-centered identity they crafted for him.
(chapter 69) After all, to those still invested in dominance hierarchies, leaving the capital after a public defeat seems like the behavior of someone who’s been defeated mentally as well. But the truth is the opposite. This “retreat” is actually an act of autonomy. For the first time, Jaekyung is giving himself space—not to run, but to reflect.
(chapter 69) He is no longer blindly performing the role of the fighter, nor desperately trying to maintain control over the narrative.
(chapter 69) with “no audience” (he ignores people), no pressure, no script. And in that openness, he lets go—not just physically, but psychologically.
(chapter 36), or MFC’s decisions.
(chapter 25: here the protagonist was replacing Yosep and Park Namwook), hires professionals to manage damage
(chapter 47), and hides behind administrative actions.
(chapter 66) But he never takes full responsibility. This blame-displacement strategy works—until the champion flees to the West Coast.
(chapter 66) that cornered the manager.
(chapter 60)
(chapter 60), a sign that he is neglecting the other members. The absence of his star fighter removed his most convenient scapegoat, forcing him to face the consequences of his own mismanagement—though he is not yet ready to truly question it and change his mindset, denial, and dependency. This was not just a geographical disappearance—it was a strategic psychological rupture, meant to destabilize Park’s illusion of authority.
(chapter 47) Finally, he can testify not only as a fighter, but as a representative of the institution they tried to exploit. That elevates his voice: from a disposable athlete to a legal opponent with organizational standing.
(chapter 1), deflecting, and disappearing became natural. With the grandmother, with doctors
(chapter 7) For a moment, he was fighting.
(chapter 67) Moreover, in contrast to Season 1, Kim Dan is no longer the invisible caregiver or obedient grandson. Thanks to Joo Jaekyung’s presence—disruptive and painful as it was—he began to form an independent identity
(chapter 57) —it is a rejection of the belief that he exists only to serve. In Season 2, Dan says “no” repeatedly:
(chapter 60)
(chapter 67)
(chapter 58)
(chapter 57)
(chapter 65) She uses his past flaws to outline his immaturity and need of guidance. However, she is not taking into consideration the transformation in the doctor due to the recent incidents (switched spray). He is no longer the same than he was 6 months ago or 2 years old. He changed thanks to the athlete and because of unfortunate events (sexual harassment from the hospital director, switched spray). But the halmoni has no idea about such incidents.
(chapter 53) Unlike Park Namwook who uses blame and delegation in professional settings, she applies emotional avoidance in private and familial spaces. Much like the manager, she outsources responsibility, asking others to step in
(chapter 5) Her illness becomes a metaphor for her mindset. She relies on external systems: her grandson
(chapter 7), medication, comfort
(chapter 21), and other people (nurse, Joo Jaekyung) —to maintain her emotional balance. But as doc Dan himself once observed, she is ultimately on her own in her battle. No system can fight it for her.
(chapter 7) His grandmother was not truly abandoned; she simply equated his physical absence with neglect, ignoring the emotional and financial burden he already carried. Like Park Namwook, she prefers others to carry the discomfort while maintaining a façade of suffering and sacrifice.
(chapter 65)
(chapter 47) , and her narrative of selflessness becomes another form of emotional pressure. She does not yell, she does not accuse directly, but her avoidance is equally powerful in shaping Dan’s self-image as a burden. Doc Dan came to internalize that she suffered because of him.
(chapter 5) Hence he made sure to shield her from any pain.
(chapter 65), protected, comforted. Surrounded by nurses, medication, and routine, she finds temporary peace in an environment that simulates safety. The hospice does not cure her illness, but it cushions it. This illusion allows her to smile again, to relax—but only up to a point. Kim Dan’s gradual deterioration

(chapter 163) and supported by the article on confirmation bias, human survival was deeply dependent on mental shortcuts. Biases were not flaws, but adaptive tools — heuristics that helped our ancestors make quick decisions under threat. Faced with a potential predator, they could not afford the luxury of curiosity or debate. Run first, think later.
(chapter 163) In this sense, biases were effective precisely because they increased the chance of survival.
(chapter 41) he recommends the opposite at the restaurant because the idea comes from the CEO!
(chapter 67) His survival bias told him: “Don’t trust a man who once treated you violently.” or “Doctors are ignorant, they don’t know me“. It was easier to discredit the source than to weigh the merit of the message. Likewise, in Season 1, the champion dismissed doc Dan’s medical opinions
(chapter 40) who needs to fight to prove himself, yet likely doesn’t treat his own family this way.
(chapter 65) or a support network. It is not her fault, if she never met doc Dan’s friends in the past while hiding the fact that he had been bullied by his peers. Her request for him to return to Seoul, a place he has no roots, only furthers his habit of isolation. Similarly, when she asked Jaekyung to bring him to Seoul and have him diagnosed, she implicitly discouraged any shared decision-making. Like Park Namwook, she bypassed dialogue in favor of directive control, reinforcing the habit of emotional withdrawal.
(chapter 67) That shift marks a turning point from survival to conscious thought. The mind cannot reflect when it believes it is under attack. The tragedy is not that these characters are irrational — it’s that they were taught fear before they were taught trust. Thus I come to the following conclusion. As soon as both are curious about each other
(chapter 69), they are now free from their bias and prejudices.
(chapter 69) They will be able to communicate which will help them to discover the truth about MFC. Yes, their ability to ponder will lead them to unmask the villains and defeat their opponents. By fighting for justice, both will discover true peace of mind. This hardship at the end of season 1 was necessary to reset their heart and mind: what is the true meaning of life? Money? Work? Duty? Sacrifice?… The answer is happiness which is strongly intertwined with love and selflessness. 


(chapter 66) they saw it as further confirmation of their perception—reinforcing the idea that he is terribly flawed. However, a deeper analysis suggests that this term reflects not just his character but also his evolving mindset and struggle with emotional vulnerability. This essay will explore the paradox at the heart of their dynamic—how both men refuse to acknowledge the emotional weight of their relationship, leading to a cycle of denial and misperception. It will examine how the concept of the jinx evolves, the continued influence of Park Namwook’s manipulations on Joo Jaekyung, and the role that mutual ingratitude plays in their emotional stagnation.
(chapter 65), the nature of his principle has changed:
(chapter 65)The athlete is admitting his dependency on doc Dan. The jinx is now directly tied to Kim Dan, not just as a concept but as a tangible element of Joo Jaekyung’s career stability. The second switch is that sex is no longer a condition to ward off bad luck. In fact, the celebrity is recognizing the importance of his daily training and, as such, his hard work.
(chapter 65) The inner thoughts of the sportsman reveal that the champion is feeling less powerless than before. His champion status is no longer reliant on superstition but on tangible efforts—his “old routine” and, crucially, Kim Dan’s expertise as a physical therapist. This marks a significant transformation in his perception of Kim Dan, whom he now values for his professional skills rather than as a mere tool for maintaining a ritual. Thus, Joo Jaekyung should be less inclined to request Doc Dan’s sexual services. Then, in episode 66, a new change became visible.
(chapter 11), a tool to generate money and maintain the gym’s reputation. Hence he blames him, when members leave the gym.
(chapter 46) exposing the lack of ambition and commitment from the two hyungs. It is clear that Joo Jaekyung’s wealth and fame was used to attract the sportsmen creating a myth that they could experience the same success. Nevertheless, as time passed on, the fighters were confronted with reality. It was, as if the athlete’s achievement had become a curse for Team Black. Nonetheless, neither the manager nor the coach can admit it, the champion’s bad temper is utilized to cover the mismanagement within the gym. Striking is that by portraying the protagonist as a person with a bad temper and personality
(chapter 54)
(chapter 66) In calling Kim Dan ‘defect,’ Joo Jaekyung is unknowingly projecting his own self-perception onto him. The term suggests something broken but also something that can be repaired, reflecting an unconscious shift in his perspective. Instead of simply using Kim Dan as part of a superstition, he is beginning to see his vulnerability, perhaps even recognizing a parallel to his own struggles. His choice of words also reveals his deeply ingrained belief in self-reliance.
(chapter 66) Nevertheless, the idiom (“he’s got a defect”) reveal that Joo Jaekyung is still under the manager’s influence. This means that this shift is not immediate or conscious; it is restrained by his continued loyalty to Park Namwook and his ingrained avoidance of emotional vulnerability.
(chapter 54)
(chapter 27) This double standard highlights Park Namwook’s true role: he is not a supportive figure but a handler, ensuring that Joo Jaekyung remains under control and fulfilling his duties as a fighter. His words are not meant to provide genuine support but to keep Joo Jaekyung tethered to a system where his worth is defined solely by his success in the ring.
(chapter 54) or (un)favorable interviews about the athlete.
(chapter 50), preferring instead to remain passive so that any negative outcomes can be blamed on the champion. At the same time, this passivity helps him maintain control—as if Joo Jaekyung, without his guidance, would be left ‘alone’ and directionless. In this way, the man with the glasses sustains a dynamic in which the champion feels dependent on his presence, even as he is subtly undermined. By neglecting to inform him of these events, Park Namwook ensures that the champion remains unaware of external factors that could influence his choices. This pattern reinforces the possibility that Park Namwook was aware of the meeting with Choi Gilseok and deliberately ignored it, likely expecting that Joo Jaekyung would take care of it, while absolving himself of responsibility.
(chapter 22) They had heard about his place, for the manager must have talked about it. The protagonist is not someone who will talk about his private life to others. The manager must have dangled promises in front of them, making them believe that if they’re lucky enough, they too could live like the champion. However, their reactions reveal something crucial—they are not motivated by greed but by genuine admiration. They simply want to experience the luxury once in a while, reinforcing that their bond with Joo Jaekyung is rooted in camaraderie rather than material envy. This further highlights the contrast between Park Namwook’s manipulation and the sincere regard his teammates have for him. This scene is important, because it exposes the manager’s prejudices and lack of discernment.
(chapter 66) Neither of them fully understands how to acknowledge care or support. Just as Joo Jaekyung struggles to recognize his actions as stemming from concern
(chapter 66) rather than routine, Kim Dan fails to see Joo Jaekyung’s interventions as genuine help. This mutual misunderstanding deepens the emotional rift between them, ensuring that both remain trapped in their own perceptions of obligation rather than connection. In Chapter 66, he openly expresses frustration, stating,
(chapter 66). This moment highlights a rare glimpse of honesty: he is not acting purely out of self-interest, but he frames it as an obligation rather than a choice. From my point of view, such a statement could only reach the physical therapist’s mind, for in the latter’s eyes, the champion has always been a “demon”: self-centered and inconsiderate. Observe the absence of reply from the “hamster”. He couldn’t contradict the star, as the latter was using this negative image: bad tempered and selfish.
. The reason is simple. He was portrayed as someone who would do favors to people constantly: his grandmother
(chapter 7) and even Choi Heesung. Hence the latter called him like that:
(chapter 30) Kim Dan’s perception of himself as an “angel” has long shaped the way he interprets his relationship with Joo Jaekyung. Reinforced by his upbringing and Park Namwook’s subtle manipulation
(chapter 1), selfish, and emotionally stunted. However, this self-perception is deeply flawed. By believing himself to be inherently better
(chapter 66) The expression “Really…?” is not just about disbelief but also about a moment of confrontation with reality. Up until this point, Kim Dan has been dismissing his own suffering, suppressing his struggles, and functioning on autopilot. However, hearing a professional confirm that he is indeed sick forces him to acknowledge what he has been denying.
(chapter 60) or exaggerations.
(chapter 66) It also forces him to consider that others—especially Joo Jaekyung—were right to be concerned, which in turn may lead to a shift in his perception of the champion’s actions.
(chapter 20) with shame, something impure that should be avoided or hidden. This internalized belief made it difficult for him to separate his own experiences from moral judgment. When he encountered the champion —who treated sex as nothing more than a professional ritual
(chapter 66) He assumed once again that the star had taken advantage of his “drunkenness”, something Kim Dan had done himself in the past.
(chapter 65) Symbolically, this reflects their respective journeys. The demon (Joo Jaekyung) is slowly leaving the underworld of detachment and blind routine, stepping toward vulnerability. Meanwhile, the angel (Kim Dan) is descending from his idealized, self-righteous perception of himself, recognizing his own flaws, desires, and limitations. Both must step away from their extremes—Kim Dan from his unconscious moral superiority and passive victimhood, and Joo Jaekyung from his emotional repression and transactional mindset.
(chapter 66) because Kim Dan does not recognize his efforts, while Kim Dan cannot see past his own survival instincts to notice that Joo Jaekyung’s actions are slowly shifting from obligation to care. Kim Dan, conditioned by years of neglect and survival-driven thinking, does not see Joo Jaekyung’s actions as genuine care.
(chapter 66) And the latter can see beyond the appearances. 

(chapter 62), as his actions increasingly reflect a willingness to embrace his own fragility and build meaningful ties with those around him. Through his growing interactions with others and his immersion in the rhythms of town life, the champion begins to redefine his sense of identity and purpose, moving beyond dominance to discover the power of connection. From a man defined by strength, dominance, and transactional relationships
(chapter 62)
(chapter 62) and, more importantly, to himself.
(chapter 62) Thus in this essay I will explore the symbolic meaning behind his actions in the town, the interplay of nature and community in his transformation, and how these moments reflect his internal growth. The analysis begins with his transformative experience in the ocean during his rescue of Kim Dan
(chapter 60), followed by his newfound attentiveness to his surroundings—jogging in silence and responding to the natural rhythms of life.
(chapter 62) This heightened awareness paves the way for his burgeoning integration into the town through labor
(chapter 62) and community service. His gradual acceptance of simplicity, represented by his clothing and the symbolism of cucumbers and potatoes, signals his reconnection to nature and humanity.
(chapter 62)
(chapter 60) In many ways, this moment functions as a symbolic baptism, reflecting a deeper narrative of renewal and change. In Chapter 28, Kim Dan’s immersion in water during a pool scene
(chapter 28) was symbolic of his acceptance of intimacy, reshaping his view of sex from something “filthy”
(chapter 29) Similarly, Joo Jaekyung’s dive into the ocean can be interpreted as his baptism into a new “religion”: love and vulnerability.
(chapter 60) His gesture is not just about saving his loved one, but also showing care to humans in general. He can no longer be indifferent to someone in pain or in danger.
(chapter 62) He might complain, but in the end he accepts the presents. This change is reinforced by his willingness to accept gratitude in the form of vegetables and food rather than monetary gain, showing a newfound appreciation for simple, heartfelt exchanges over transactional relationships.
(chapter 59) caused by his grandmother’s neglect, indifference and rejection. The rescue, while focused on saving Kim Dan, also represents the birth of a new understanding for Joo Jaekyung—a recognition of the transformative power of vulnerability and connection.
(chapter 60) At the time, his eyes were fixed solely on Kim Dan
(chapter 60), not the natural world around him. The rescue planted a subconscious seed, setting the stage for his later behavior. When Kim Dan denies his assistance in Episode 60
(chapter 60), it’s as if the doctor erases that defining moment, refusing to acknowledge the champion’s care. Yet Joo Jaekyung does not react with anger or frustration. Instead, he takes the doctor’s rejection as challenge.
(chapter 60) However, contrary to the past, money and influence seems to have no impact on the physical therapist’s mind and heart. He is keeping the athlete at arms-length.
(chapter 61) The moment he moves to that little town
(chapter 61), he begins to demonstrate his growth through quiet, consistent actions—helping others without expecting gratitude in return.
(chapter 62) For the first time, he is not merely running for fitness or competition; he is paying attention to his surroundings.
(chapter 62), and the natural rhythm of life around him.
(chapter 62) Running along the ocean, a setting that profoundly influences his state of mind, Joo Jaekyung demonstrates a newfound openness.
(chapter 62) This moment underscores his growing ability to connect with others sincerely, without suspicion or defensiveness. His willingness to engage reflects a broader transformation—one that prioritizes meaningful connections over dominance or transactional relationships. This newfound awareness signifies a major shift in his character. His senses are becoming attuned to the world beyond himself, and he is learning to differentiate between what truly matters and what does not.
(chapter 10), seeing only the “overpowering stench of poverty.”
(chapter 10) At that time, his perception was clouded by indifference and a focus on material circumstances. Now, however, his response to the elderly woman’s request reflects empathy and an awareness of human vulnerability.
(chapter 10), evoking a sense of cold detachment and judgment. In contrast, the moment where Joo Jaekyung is asked to repair the roof is bathed in daylight
(chapter 62) Thus I deduce that he never accepted any kind of compensation in the end. But none of the inhabitants could accept such a generosity, therefore they brought vegetables or dishes. Unlike his previous life, defined by detachment and impermanence, these acts of community-oriented labor mark a significant shift in how he values his strength—not as a tool for control
(chapter 62), but as a way to support and uplift others. The admiration from the inhabitants is genuine
(chapter 62) The champion feels really bad for his rejection after the incident with the spray. And since he believes that Kim Dan comes from that town, he thinks that he can redeem himself by helping his “community”.
(chapter 47), she rarely prioritized Kim Dan’s nourishment. The grandmother’s actions were driven by financial survival. Joo Jaekyung, on the other hand, receives food as a form of gratitude and recognizes the significance of nourishment beyond monetary gain.
(chapter 58) with the reality of his evolving personality and his behavior toward others. Choi Heesung’s dismissive remark that Joo Jaekyung would “flip his shit” if he knew the living conditions of Kim Dan implies a static, unchanging view of the champion, one that aligns with a superficial understanding of him as merely ruthless and violent. However, this chapter reveals the fallacy in such an interpretation, exposing the actor’s arrogance and lack of true insight into Joo Jaekyung’s character.
(chapter 23), they could have succeeded. Potato, the youngest member of the team, embodies this missed opportunity.
(chapter 9) His nickname, “Potato,” while intended as lighthearted and affectionate, is something he despises because he perceives it as demeaning. Yet the reality is quite the opposite—nicknames like these often carry affection and camaraderie. Yet he rejects it out of insecurity or an internalized belief in its inferiority.
(chapter 52) reveal a missed opportunity for bonding. The champion, who is evolving into a more open and empathetic individual, might have been an unexpected source of support and connection had Potato not listen to others and chosen to embrace this chance instead of harboring negative assumptions.
(chapter 62) underscores the gap between perception and reality, showing how preconceived notions can prevent genuine relationships from forming. It also reinforces the theme of growth and transformation, as Joo Jaekyung continues to break away from the static image others have of him, proving that even the most misunderstood individuals can surprise us with their capacity for change. The interplay between the nickname “Potato” and its underlying affection further echoes the theme of finding value and beauty in simplicity—a motif central to the champion’s journey as he embraces humility and authenticity.
(chapter 62) , while he had put on his expensive jeans and CK tee-shirt.
(chapter 62). This stands in opposition to the previous scene in front of the hospice:
(chapter 61) The focus on Joo Jaekyung’s feet
(chapter 62) The hospital or Kim Dan’s presence may provide him with a sense of stability and calmness, allowing him to adopt a more casual and relaxed appearance. Additionally, the contrast between his expensive jeans and branded t-shirt and his unassuming sandals reveals a division between his public image and private self. While his clothing aligns with his status as a wealthy and successful individual, the casual footwear hints at a simpler, more authentic side of him that is emerging in this setting. It reflects his willingness to shed some of the societal expectations tied to his identity.
(chapter 62) Feet often represent movement or progress, and wearing casual footwear like sandals might signify that he is in a state of personal transformation. The lack of socks further emphasizes this shedding of layers—he is slowly allowing himself to be more vulnerable and introspective, stepping away from his usual, controlled persona. Finally, sandals reflect his connection to the environment. His footwear choice underscores that the hospital is a place where he feels secure and unthreatened. The focus on his feet could symbolize his groundedness in the moment, highlighting that this environment allows him to pause and reflect, rather than act or defend.
(chapter 62), he is immediately approached by the town chief.
(chapter 42), where appearances and dominance once took precedence over community and connection.
(chapter 02) The penthouse, perched high above the city, served as a symbol of isolation and self-reliance—an ivory tower of sorts, detached from the world below. In contrast, the town’s hostel
(chapter 62) reflects shared experiences and human connection, embodying a shift toward groundedness and humility.
(chapter 30) This evolution from animalistic aggression
(chapter 30) to floral gentleness mirrors his inner journey—from a man who thrived on dominance to one who values connection and vulnerability. By choosing practicality over intimidation, he signals a readiness to embrace his humanity and shed the pretensions of his past. Moreover, the hat has here a different function: it serves as a real protection from the sun, hence his neck is covered.
(chapter 62) “Jaegeng.” While this may initially appear as a simple mistake due to the landlord’s poor hearing, it holds deeper symbolic weight. This renaming can be interpreted as part of Joo Jaekyung’s rebirth in the town—a reflection of his evolving identity.
(chapter 19). This creates a fascinating parallel between the two characters: both grapple with the idea of belonging, but from opposing starting points. While Kim Dan longs for acceptance in a community
(chapter 56) that has continually rejected him (parents, students, hospital; Team Black), Joo Jaekyung is learning how to stop running—physically and emotionally—and to establish a sense of permanence for the first time in his life.
(chapter 62) So far, the champion has not paid attention to Boksoon. He has not even looked at her, because his eyes are always directed at Kim Dan:
(chapter 61)
(chapter 62) Ultimately, Joo Jaekyung’s journey is not just one of self-improvement but a quiet challenge to societal values. True strength is not about control, but about the ability to grow, connect, and embrace change. Blooming muscles signifies not just physical power, but a strength nourished by care, community, and the courage to evolve. Finally, I would like my readers to pay attention to the sky, when the champion approached his fated lover:
(chapter 62) It was a mixture of white, purple, pink and orange, a sign that not only the champion’s life has become more colorful, but also the night stands under the sign of love, enlightenment and life. At the same time, it reminded me of the night when the puppy was buried:
(Chapter 15) and the life-saving kiss on the beach
(Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.
(chapter 14), acted particularly rough with Kim Dan
(chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling.
(chapter 14) This moment of realization, coupled with the doctor’s tears and plea
(chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation
(chapter 14) of using foreplay and gentler methods, such as a kiss. While the kiss reflected care in the moment
(chapter 14), selfish motives lingered in the shadows, as Joo Jaekyung sought to prevent causing visible harm that could lead to questions or even a scandal. It was, as if he wanted to silence his partner. Moreover, this decision was influenced by external suggestions, particularly from his friend, and not entirely by his own intentions. It was a calculated action to prevent immediate harm but lacked genuine emotional depth.
(chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan.
(chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist
(chapter 15), because for the first time, Kim Dan made a request. With his remark, he implied that the kiss was strongly associated with emotions. However, exactly like Joo Jaekyung pointed out
(chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach.
(chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club
(chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift.
(chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room,
(chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door,
(chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan.
(chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured
(chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind
(chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time:
(chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression.
(chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words:
(chapter 60)
(chapter 51), his lack of loyalty, his greed and obsession for money.
(chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know.
(chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after.
(chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.
(chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them.
(chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”.
(chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss.
(chapter 49) His muscles are less pronounced. He is also wasting away.
(chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed.
(chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye.
(chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist:
(chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now
(chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room.
(chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened.
(chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness
(chapter 27) and mental well-being.
, his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma.
(chapter 60) So he could get into trouble in his profession.
(chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.
(chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this:
(chapter 44)
(chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along.
(chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame.
(chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss 


(chapter 27)
(chapter 13) He is definitely sure that this man won’t betray him. He is not judging him for his job or “sexual preferences”. He embodies fairness, tolerance and impartiality. And since in his cellphone, Doctor Cheolmin is registered under the name Cheolmin hyung, it exposes his closeness with this cute doctor. He is like a “brother”.
(chapter 13) This gesture with the hand implied not only that he was just looking forward to meeting him again, but also generosity. And if there was a request from Cheolmin, it was just about an information:
(chapter 13) It had nothing to do with money and promoting his hospital.
(chapter 33) According to me, the man was calling his friend Cheolmin, because he truly believed that the actor had been hurt. The fact that he went to the rooftop in order to call the person is indicating that he desires to hide his contact from Park Namwook and Jeong Yosep. In other words, he was seeking secrecy, exactly like the actor. As you can see, the dragon and the gumiho had a similar attitude. They thought that the rooftop was the perfect place to hide a secret. So by calling Cheolmin who is working at a hospital, the MMA fighter was making sure that there would be no scandal. However, when he called him, he discovered the truth. Choi Heesung had faked his injury. Therefore how could he use his connection with Cheolmin, when there was no emergency? In his eyes, he would have abused his busy friend’s generosity. That’s the reason why the star chose not to intervene. If he had revealed the truth and as such accused the actor of deception, he would have no one by his side to prove the truth. It was one man against two. Secondly, by revealing his presence on the rooftop, he would have been forced to mention his close friend: Cheolmin hyung. His connection with the athlete would have raised some question. And because he didn’t utilize the Joker in that situation, he became a victim of a trick. It is important, because the champion’s decision to hide Cheolmin’s existence from Jeong Yosep and Park Namwook is a sign that deep down, he is not trusting his two other hyungs. In my eyes, it is related to his homosexuality. But there could be other reasons as well, for example he met this doctor, before he became a celebrity.
(chapter 43) They didn’t even bother to wait for him to arrive before drinking and eating, though the man was the birthday child. He was actually the guest of honor.
(chapter 43) This exposes violation of social norms and even the disrespect towards Joo Jaekyung. He is just seen as a cash cow, hence there was no thank you from them or even a short invitation for him, like Park Namwook and Kim Changmin had done it in episode 9.
(chapter 9)
(chapter 9) In fact, Joo Jaekyung was totally neglected at the restaurant, no one even paid attention to his actions. Under this light, I recognized why Mingwa created this incident:
(chapter 43) It was not just to bring the two main leads closer, but also to expose the wrongdoers. If they had waited for him, the champion wouldn’t have drunk some soju from the glass of water, for Kim Dan couldn’t have used his glass.
(chapter 43) That’s why the manager got red, a sign of embarrassment. He realized that they should have all waited for the birthday child. Moreover, don’t forget that the star was even paying the bill. And now, you are wondering if I didn’t diverge from my original topic, the Joker and Cheolmin hyung. No, as this new interpretation helped me to understand why Joo Jaekyung talked to his hyung in front of others. He already sensed that no one was observing him or waiting for him.
(chapter 41) Because I detected ingratitude, selfishness and rudeness from Team Black, I couldn’t help myself thinking that the other person must have behaved differently, which put the young man in a good mood. Therefore he overlooked the incident with the switch of glass:
(chapter 13) Here we have a threat from the champion to which Cheolmin replied with a joke. Here, we have the same situation: a threat, but people got scared
(chapter 43) before Park Namwook tried to relativize the incident.
(chapter 13). Hence I believe that the other reason why our cute PT didn’t meet Cheolmin in season 1 is that he was not ready to interact with him. Kim Dan needed to mature, to free himself from social norms in order to accept such a man as a “role model”. That’s the reason why I am expecting the return from this mysterious doctor in season 2. In my opinion, he will play a central role in dethroning the king Park Namwook at Team Black, but also in helping Kim Dan to obtain justice. Keep in mind that according to me, the protagonist was a victim of many crimes committed by doctors. (The hospital director, Kim Miseon, MFC doctors)
(chapter 35) He offered his assistance, but at no moment the main lead thought of even asking for his help.
(chapter 46) If he had voiced his struggle to Heesung, the latter would have understood him and “talked” some sense to the dragon. And it is the same for Potato. In the locker room, when Kim Dan was criticized for his sloppiness,
(chapter 50) he didn’t ask from Potato to vouch for him. He could have reached to him, requesting from him to testify in his favor. Yes, I believe that not only the actor and the maknae are to blame for their passivity, the physical therapist is also responsible for his own suffering. He is not seeing that he has already gained two friends. However, he didn’t treat them properly. No wonder why Kim Dan ended up alone at the end of season 1. At no moment, he confided to Potato or other members about his struggles, he kept everything to himself which is similar to his soulmate.
(chapter 30). Here, I am excluding the scene with his drunkenness. Nevertheless, from his words, Heesung couldn’t detect that he was raised by a single grandmother. He already had a hard time to “accept” the champion’s benevolence
(chapter 18) He was brainwashed to rely only on himself. Why? It is related to his halmeoni and his childhood. The elderly woman gave the impression that she raised him without any help. She did everything on her own which is only partially true. The young boy was forced very early on to help her.
(chapter 47) Hence he was taught cooking. In addition, we can already envision that when he was a high school student, he had to take a part-time job. She definitely minimized his assistance, creating a debt towards her.
(chapter 7) and
(chapter 23), he just acted as their “PT” and nothing more. In other words, he acted, as if they only had a professional relationship. This explicates why Kim Dan never talked about himself, in other words he never shared any information with them. However, I doubt that he just considered them as his “patients”. He was happy to give his assistance. For me, the fact that he never lowered his guard is a sign of his low-esteem. So they had a strictly professional relationship, except with Potato.
(chapter 26) However, even here, Kim Dan never shared his cellphone number with the maknae. If Potato had it, he would have tried to contact him immediately. To conclude, though I criticized Yoon-Gu and Heesung for their indifference and neglect, I feel that Kim Dan is partially responsible for this too. He didn’t take the first step to improve their relationship. Friendship is a two-way Street!

(chapter 9) This gesture oozes humility and respect. This contrasts so much to Park Namwook’s behavior during their first meeting: no bowing and no shaking hands.
(chapter 1)
(chapter 1) He came right away, whereas the manager was busy with his phone-call and never asked later about the incident.
(chapter 5) At no moment, he claims the champion as his boy or tries to attract attention from people for being the Emperor’s sparring partner. Thus each time the protagonist wins, he doesn’t appear in the ring contrary to Park Namwook.
(chapter 5)
(chapter 40) Yes, at no moment Jinx-philes can detect his presence. The bearded man embodies humbleness. As you can observe, this man doesn’t mind standing in the champion’s shadow. He already knows that fame and success are no guarantee for happiness, as he lost his wife. In fact, he knows that success means rather loneliness. This remark brings me back to his confession in the office.
(chapter 19) He definitely knew about his relationship with Kim Dan, as he was the only one who was not surprised by this revelation.
(chapter 22) This observation is relevant, for it indicates that the former champion must have listened to his manager as well. He never questioned the responsibility of his former coach or manager or organization. I am suspecting that he might have already been working with Park Namwook in the past, which would explain their closeness. For his divorce, Jeong Yosep chose to take the whole blame. Hence he kept his failure to himself. However, observe the manager’s attitude concerning this revelation.
(chapter 37) he acts more like a servant. In my eyes, the last image displays the manager’s three “boys”: Yosep, Kim Dan and Joo Jaeykung. They are the former wrestler’s servants, while he can stand on the sideline and watch as a superior and guardian.
(chapter 37)
(chapter 36). He even agrees to everything the man says and decides.
(chapter 40) In the States, he was not visible at all, he would even walk behind Oh Daehyun next to Yoon-Gu. In my opinion, he felt the need to be next to the maknae. However, in South Korea, he is standing right behind the protagonist. Moreover, note how Joo Jaekyung entrusted him with the charity event, another indication that the main lead was trusting more and more his sparring partner:
(chapter 52). However, it is important to recall that putting the whole blame on the manager and coach is not right either. How so? As a former athlete, he has more experiences and he should have realized that he should not just trust people blindly. Yes, I believe that his major flaw is that he is too trusting and doesn’t ponder deeply why his relationship with his wife failed. As you can see, he embodies the opposite notions of Park Namwook: faith in authorities and people. This explicates why in chapter 47, he didn’t say anything in the conference room.
(chapter 47) Why did he let it happen? It is simply because he just views himself as a “sportsman”. The others act with their title (managers, advisors), as if they had more knowledge than the sparring partner from the Emperor. Another mistake from him is that he never looked at his sparring partner’s files. He let Park Namwook take care of this, thinking that he would pay attention to their star’s health and security.
(chapter 52) Since he lost his wife and as such has no family, it is clear that this former champion views Team Black as a family. Therefore he participated in the surprise party.
(chapter 43) Consequently, I come to the following conclusion that the last scheme made him realize his own wrongdoing. He didn’t protect his sparring partner correctly. He failed him. However, like pointed out in a previous Daily Jinx Advent Insight, Yosep was manipulated from his colleague. Therefore the coach didn’t meet Kim Dan in the office and couldn’t talk him out of it. This discovery exposes that one of the protagonist’s problem is that he was following his sparring partner’s lead as well. Because Yosep trusted blindly Namwook, his “pupil” did the same. And this remark leads me to the confrontation in episode 46. The true owner of Team Black warned his both hyungs:
(chapter 46) This led the manager to give a task to the coach Jeong.
(chapter 46) Why did he delegate it to the former athlete? Simply because that way, he could avoid responsibility. If something wrong happened, then “Potato” would take the blame. The hot potato was passed around. I am using this term on purpose. The reason is that “Potato” embodies harmlessness. And because Yosep comforted the manager and didn’t criticize him for his outburst and slap, it displays that the coach has not questioned the manager’s integrity yet. He is not doubting his trustworthiness. This explains why Joo Jaekyung returned home on his own, though he had an injured shoulder.
(chapter 53) So we could say that Jeong Yosep is not entirely free from the negative influence from the manager. However, I have still hope for a true change in this gentle and caring man. How so?
(chapter 7) Note the absence of Yosep in that panel, a sign that his work and position were minimized. Nevertheless, this was just the consequence of his own decision. He chose to minimize his own value and to rely on his hypocrite partner.
(chapter 27)
(chapter 43) The moment this expression “darker path” grabbed my interest, I wondered why the manager and coach would employ such an expression. It implies that he still saw the athlete’s career as a dark path.
(chapter 49), it signifies that Joo Jaekyung could have become involved in this type of games:
(chapter 46) In this picture, I detected a contradiction from the hyung. If the star is bringing a lot of money, why would he become a target? In fact, people would rather bet on the man, as his victory seems more probable than his defeat. No one has an interest to bet against him, unless the schemers are malicious and malevolent. The word “target” is not random, it implies the existence of a scheme. Hence the manager should have been even more prudent concerning his star’s safety. Yet, he allowed him to return home alone during the night and he had no guard by his side.
(chapter 48) This remark outlines the manager’s neglect. His boy has no protection, though he had already become the target of a “malicious fan” according to the “fake investigation”. Moreover, in the office, Park Namwook is finally admitting the existence of illegal gambling, a topic which was never brought up before.
(chapter 46) He is explaining this, as if that was something new. However, even the members from TEAM Black already knew about them.
(chapter 49) The drop of his face is not only indicating his discomfort, but also his lie. It is because if he had met the director from King Of MMA, he could have been suspected of being a traitor or a spy. Thus I come to the following theory: Park Namwook knew about the meeting between the director of Choi Gilseok and Kim Dan. Let’s not forget that the physical therapist encountered the villain right in front of the gym and Kwak Junbeom was a witness of their meeting.
(chapter 48) It is difficult to say, but this incident is revealing the manager’s complicity. How so? It is his job as a manager to protect his boy from the public. No personal information should be so easily accessible. He has to make sure that his cellphone number is not given to any random guy. Yes, his cellphone number was leaked not only to journalists, but also to rival gyms. I am suspecting that the leaking could be linked to „favors“ and free PR. One might say that the Entertainment agency could be behind the leak. However, my avid readers shouldn’t forget that the person who pushed Joo Jaekyung to sign a contract with the agency was Park Namwook.
(Painter Of The Night, chapter 7) Jung In-Hun from Painter Of The Night is the perfect illustration. The latter had the impression to be superior to others due to his knowledge. He imagined to have fooled Yoon Seungho. Thus he envisioned that he had been able to manipulate the main lead, whereas the opposite had happened. Finally, the scholar had the tendency to dream big, which led him to his doom. On the other hand, since Matthew Rayner
from Under The Green Light decided to wear spectacles in order to avoid rejection and fear, I deduce that Park Namwook represents a combination of both metaphors. On the one hand, he is hiding his true thoughts behind the spectacles. He also has high ambitions and he is not entirely honest to his “boss”, like I exposed it in the last composition. On the other hand, there is no doubt that the man is also motivated by fears.
(chapter 53) They serve him as shield literally and figuratively. No one would punch or slap a man wearing glasses. Furthermore, he is protecting his own heart and mind that way. It was, as if he was closing his eyes to reality. That’s the other reason why I believe that the coach is not entirely ignorant about the existence of corruption in MFC. Yet, I couldn’t help myself noticing the absence of Park Namwook’s eyes, especially at the end of the season 1. Jinx-philes could only see them, when he voiced his anger towards his “champion”:
(chapter 52) After that outburst, they vanished behind the glasses.
(chapter 26) The shadow is eyeless, mirroring his mentor’s mentality. In other words, the man with glasses symbolizes emptiness and lack of compassion and even morality.
(Chapter 52) By putting them back, he is displaying that he is acting again. His hidden eyes may also hint at an emotional or moral blindness, as though he either cannot or chooses not to see the deeper consequences of his actions or the corruption around him. And now, you comprehend why he stands for fake gratitude and fake compassion. His mouth is not reflecting his mind.



(chapter 140)
(chapter 149) Both were suffering from survivor guilt. To conclude, Joo Jaekyung and Kim Dan represent the bitter medicine for their scars. I mentioned “bitter”, because through their loved one, they are forced to face painful moments. That’s how they can overcome their past and discover happiness. However, while looking for a new title, I rediscovered the first illustration
, and it suddenly made click in my head. To conclude, I had another revelation concerning episode 50.
. (chapter 50) At first glance, the champion is blaming Kim Dan for the wound. He betrayed him. However, his words could have a different signification. Don’t forget that a message always has 4 sides according to Schulz von Thun.
Consequently, while many saw this question as a “factual information” and as such as an accusation, the reality is that it gave us an insight about the sender too. The sportsman was not using the personal pronoun “I” or “me” in his inquiry. As you can see, the absence of the personal pronoun is indicating that Joo Jaekyung was in reality not referring to him and his wounds. He is not prioritizing himself, rather the doctor and his action. So this question could be prompted by curiosity or a desire to understand the person’s recent activities. Thus I deduce that the champion was asking his lover to tell him the truth. He should come clean. He desired a honest explanation. His attitude reminded me of an adult confronting his child.
(chapter 51) But note that he never accused Kim Dan of assault, but of leaking information. That’s the reason why I don’t think that this inquiry “What have you done” was about seeking accountability. In that case, he wouldn’t have rejected the doctor’s offer. By letting him treat his wound, Kim Dan would have become responsible for the injury.
(Chapter 50) It becomes comprehensible why the Emperor refused the offer. The rejection was the symbol of his “trust” in Kim Dan unconsciously. Astonishing, right, though people and Kim Dan had the opposite impression. Yet, because of the “tie”, Kim Dan felt responsible for the incident, therefore he apologized.
(chapter 51) This means, the main lead recognized his responsibility. He should have checked the spray more carefully. The champion could perceive this excuse as a confession of his complicity. Hence he asked his lover if he was the spy.
(chapter 51) This signifies that in episode 51, he dared to question his physical therapist’s loyalty. Yes, we have another “Truth or Dare” in episode 51.
(chapter 50) This is the face of a scarred man. Yet, contrary to the past, he is not expressing his fear through rage. That’s the reason why his emotions were controlled. Under this new light, Manhwaworms grasp why the athlete asked such a question from his soulmate:
(chapter 51) Interesting is that he was more pained by the idea of a betrayal from Kim Dan than the tie, if you compare these two panels: 
(chapter 51) As my avid readers can see, my perception about chapter 50 was confirmed with episode 51. The arguments in the locker room were reflecting the quarrel in the penthouse with Choi Heesung. What is the common denominator between these two scenes? The lack of trust from Joo Jaekyung, but his private PT failed to realize it in the penthouse. Why? It’s because he chose to trust his destined partner.
I believe you = I trust you


(chapter 35) He was still clueless about the trigger for his behavior. With this inquiry “You don’t trust me”, the hamster pushed his destined partner to face his biggest fear: trust someone and in particular him. This conversation can only incite him to meditate about their relationship. So while in episode 15, he behaved like a pouting child
(chapter 15), in the latest episode, Jinx-philes can perceive his growth and maturity.
(chapter 15) This painful incident was a wake-up call Thus I come to the following deduction. Kim Dan will try to earn the champion’s trust, whereas the champion will be forced to take a leap of faith towards Kim Dan. Contrary to episode 34, the champion could see the truth directly through the doctor’s gaze and voice:
(chapter 34) As a conclusion, while the champion thought that his loved one had dared to cross the line, he was confronted with truth. He was biased and mistrusting his room mate and PT. This shows that though dare was the opposite choice of truth, the fighter ended up to be confronted with verity.
(chapter 34) These questions were all rhetorical:
(chapter 34) This signifies that in the sauna, truth was not standing in opposition to daring. The sauna reminded me of the cavern where an imugi hides, until the latter leaves its hidden place and find his star, his yeouiju. Only then, he can turn into a dragon. To conclude, because of Heesung’s pressure, the imugi had to select between daring or lie. In other words, telling the truth became the challenge itself. Heesung knew that Joo Jaekyung would never confess.
(Chapter 34) What Heesung wanted was actually a lie by omission or commission which would have been presented as the truth. Through this game, the actor thought that he could impose his will onto the celebrity. He anticipated the athlete’s silence. This signifies that he knew about the star’s denial and turned it against him. Besides, that way Heesung could maintain his good image: he had not stolen his partner and as such there was no cheating. No one was betraying him.
(chapter 34), but also his hand.
(chapter 34) He caught the actor by surprise, the latter never thought that the celebrity would become violent. The redness on his face was displaying that he was barely controlling his annoyance and impatience.
(chapter 34) However, they were in a public place, the hotel’s sauna, and the actor is a celebrity. Hence he is protected by his fame and social status. That’s the reason why the champion didn’t hit his frenemy, he had learned his lesson at the gym.
(chapter 34) Despite his words, the gumiho still got scared. The racing of his heart is an indication of his fright. Therefore he ran away more or less after ordering his trainer not to meddle in his love life.
(chapter 34) Note that when he did this, he avoided his counterpart’s gaze. Deep down, he knew that he shouldn’t provoke his frenemy too much. Only when he was at the door, he turned around and LIED!
(chapter 34) Yes, after that incident, he chose to give him a fake excuse for his departure. As you can see, this conversation was strongly intertwined with the notion “truth or dare”, but both ended up lying. Whereas the champion didn’t admit any feelings, the other acted, as if there was nothing wrong and he was not scared. The gumiho thought that if he were to remove the champion from the doctor’s side, the latter would be able to open up to the actor.
(chapter 34) What does it reveal? The actor had been projecting his own thoughts onto the future dragon too. He was the one who didn’t dare to become more honest with the physical therapist. He used work to spend time with Kim Dan. One might say that Heesung failed terribly. Yet, this is just an illusion, because his “failure” pushed him to become more honest with Kim Dan. Thereby he asked to meet the doctor again.
(chapter 34) Yet, the message is exposing that Heesung was still lying, as he kept using work as an excuse. Hence Joo Jaekyung had to intervene again:
(chapter 34) The champion dared to challenge his rival.
(chapter 35) Yes, by challenging the athlete because of Kim Dan, the comedian ended up telling the truth.
(chapter 34), yet he was in total denial about the reality: it was dangerous. Deep down, the champion knew that it was impossible for him to control his lover’s time, but also his body. Besides, the other problem is that the athlete is rejecting the notion of love. By denying the existence of his own feelings, he can not claim the doctor’s heart. That’s the reason why the champion got so mad and frustrated.
(chapter 34) He was not telling the truth, when he stated that Kim Dan was his “possession”. This explicates why he couldn’t stay by the doctor’s side
(chapter 34) in the end. He manipulated the main lead by letting him think that he had no other choice. Yet the last panel displays his trick. It was up to the doctor to decide how he should spend his free time. Nevertheless, while people were mad at the champion for his deception, many failed to realize that the champion was actually deceiving himself. So all the tricks (episode 33 and 34) were manifestations of avoidance, the fear to face the truth: his affection for Kim Dan and this due to a past betrayal. Hence these chapters stand under the sign of silence hidden by “pranks”. 
(chapter 35) On the other hand, the artist could only tell one part of the truth: the presence of feelings. However, the deceptions in the penthouse exposed something else:
(chapter 45) or left the doctor in the locker room in episode 51.
(chapter 45) It is because by denying his affection, he needs to justify his presence next to him. He is his PT… forcing his enemies to portray the doctor as a traitor or a bad PT. However, they failed, as the champion is not doubting the doctor’s innocence concerning his wound on the foot. Nevertheless, the incident is not closed, as the culprit has not been brought to justice.
(chapter 50) First, the schemers’ MO corresponds to the game Truth or Dare. Choi Gilseok asked his minion to cross the line. This explicates why they are trying to use tricks and manipulations. Daring means no truth, thus someone will be framed: Kim Dan. Yet, the plotters are not aware that thanks to the cute hamster, the alpha is turned into a mirror of truth. Hence he couldn’t get deceived by the MFC security guys:
(chapter 40)
(chapter 36) The lawyer, the journalist and the manager pushed him to choose “dare” and not truth! That’s why there was no interview and the leak was not investigated. He had to prove his strength.
(chapter 37) This mysterious man dared to act as a MFC manager, though my intuition is telling me that he works for MFC. The irony is that by challenging constantly the champion, the plotters are not realizing that through their game, the truth is slowly coming to the surface. How so? In the last panel, the doctor noticed his origins: He is Korean indicating that the conspiracy started in South Korea. As you can see, Kim Dan was able to perceive a glimpse of the truth. Then at the café, Choi Gilseok confessed many things to the doctor: he owns the café, he has connections to the company F Pharmaceutical. Moreover, through this game, the champion is confronted with his fears and past. That’s how he can overcome his traumas. The doctor is the mirror revealing the monsters. Hence I come to the following deduction: the succession of new characters mirrors the champion’s past and traumas. The following characters are involved in the champion’s suffering, though the order of the appearance is exposing the gravity of the involvement: Heesung,
(chapter 29), the journalist without a face
(chapter 35), the “fake” MFC agent
(chapter 42), Baek Junmin whom the champion couldn’t truly identify
(chapter 47), then he recognized the director without naming him,
(chapter 48) and finally the ghost from the past
(chapter 50) This scene exposed that the champion repressed a certain incident which is rather common among victims of a trauma, especially people suffering from PTSD. This shows that some traumatic event took place for quite some time, but the champion acted, as if nothing had happened.
(Doctor Frost, chapter 140 ) That’s how the champion became a zombie, he couldn’t live properly due to his untreated scars.
(doctor Frost, chapter 139) But thanks to his fated partner, the traumatic past is slowly coming to the surface.
(chapter 48) Yes, he didn’t dare to tell him what had happened. No truth… no daring which reflects the games in the sauna and the living room of the penthouse. Kim Dan could have come clean the next morning, but no. This panel explains his silence. He also mistrusted his VIP patient. He had a negative perception of his lover’s mental state. On the other hand, the champion’s attitude reminded me of a parent who has not the time to listen to his child’s problem due to work.
(chapter 48) Should the athlete remember this night, he will realize that he was the one dismissing his physical therapist, although the doctor could have come clean later. At the same time, Joo Jaekyung’s attitude could be mirroring the parent or guardian’s in the past. They didn’t have the time or the inclination to listen to their son, hence the traumatic incident got buried.
(chapter 27), hence truth comes to the surface! Kim Dan and Joo Jaekyung feel attracted to each other and have come to love each other. When they speak their mind, they feel comfortable around each other. Truth is strongly connected to communication. Hence the painful conversation in the locker room was necessary. “You don’t trust me?” also reflected the doctor’s attitude. He never tried to approach his room mate
(chapter 47) and voice his true thoughts and emotions:
(chapter 49) The latter didn’t even greet the director or acted, as if they didn’t know each other. He exposed the existence of a secret, an uncomfortable secret. Consequently, I believe that the champion could only jump to the conclusion that Kim Dan had been indeed acting behind his back, even coerced to do something.
(chapter 51) Note that the star never came clean with the truth either.
(Chapter 35) Through the doctor, the champion is encouraged to become honest to himself.
(chapter 33) Simultaneously, it exposes that the champion has a secret, which is strongly intertwined with betrayal, love, money and deceptions. I couldn’t help myself thinking of “blackmail”. Kim Dan had been coerced to do something, as the director was holding something against him. Hence we have the question: “what have you done?”. Remember how the actor chose to approach the angel.
(chapter 31) He tricked his boss by faking an injury. He put the gym under pressure, as this incident could be leaked to the outside. The whole situation reminded me of blackmail. If he did not follow his request, there could be a scandal. That’s the reason why I believe that the champion’s past is linked to blackmail as well. How is it possible? It is because of the game “truth or dare”! The latter is strongly intertwined with divulging information and crossing the line!! To sum up, this game embodies trauma, secret, leaking information, trust and overstepping a boundary or rule. This observation brings me to my next point.
(chapter 10)
(chapter 10) Kim Dan was terribly poor, but he was also on his own, missing his grandmother.
(chapter 34) “Are you drunk?” With this question, the protagonist revealed something about himself. He associates dating and love confession with drunkenness. He implies the existence of a lie. But a confession is strongly associated with verity and sincerity. On the other hand, for the sportsman, no one in his right mind would admit to be in love and in our case to love another man. For me, one part of the problem is that the champion is afraid of admitting his homosexuality. The latter is still a stigma in South Korean society. But there’s more to the game Truth or Dare. If you paid attention to the origin of the last quote, you will realize that this fun is linked to bullying and even hazing.
(chapter 49) Furthermore, bullying is never done alone, but in groups.
(chapter 57) There is one leader and the others are following the flow, the latter even become more proactive by making new bets and suggestions in order to ensure their own safety. As long as no one divulges the truth, the bullies are safe. But there’s more to it. Striking is that the way they coerced the champion to fight resembles to bullying too. He was manipulated with the articles, then with the advises from the lawyer and manager. Once in the States, they tried to drug him, which corresponds to a physical assault.
(chapter 37) Finally, note that the schemers are working in teams exactly like the bullying students. Therefore I judge Park Namwook’s attitude as the teacher’s who is closing the eye to the truth. He is rather passive and puts the whole responsibility on his “boy”.
(chapter 47)
(chapter 47), Manhwalovers can see that Kim Dan was a loner. Therefore I doubt that he had friends during his college years. The only person he knew from his school was his mentor:
(chapter 1) It is important, because it implies that Kim Dan avoided to socialize and participate in gatherings. Interesting is that in season 2, Jinx-philes discover that Kim Dan had been bullied in the past. 




(chapter 9), yet Park Namwook made sure that the physical therapist wouldn’t be abandoned drunk. Thus he tasked his boss to bring him home. And as for Potato, it is clear that Oh Daehyun would take care of him, as he was sleeping in the dormitory next to him. In other words, no one was left behind drunk. But this scene contrasts so much to episode 43. First, no one was missing Potato. No one asked about his absence. Secondly, pay attention that the fighters invited Kim Dan to join them for another round, while they were neglecting their boss, though it was his birthday party.
(chapter 43) Moreover, they never wondered about his physical condition. Was he drunk or not? Funny is that the intoxicated character was the one who forced Kim Dan to go home.
(chapter 43) That’s what a friend is supposed to do.
(chapter 35) So the auntie could keep an eye on the judo fighter, and it was only a matter of time, until his friend would return. Nevertheless, this scene is implying a certain problem: a drunken person shouldn’t be left unguarded. Thus imagine that during a party, an unconscious person is brought to a room and left there unguarded, as the friend desires to keep partying, similar to this scene:
(chapter 37) The person could get sexually assaulted, and no one would notice it. Secondly, I would like to outline that the hazing party from the article reminded me a lot to bullying. These freshmen were humiliated, and the perpetrator excused her behavior behind traditions and social norms. So the champion could have been betrayed by a friend, as the latter would have justified his action similarly. So instead of admitting his mistake, he could have justified the incident like this: the victim was responsible for his misery, because he was at the wrong place at the wrong time. It was just his misfortune or better said his jinx. Yes, for me, the jinx is indicating that people responsible for the champion’s traumas were denying their wrongdoings.
(chapter 8) From my point of view, this place is not just symbolizing purification and reflection, but also indicating the presence of a wound. As soon as I connected the bathroom and as such water to pain, all the champion’s past behavior appeared in a different light. In episode 3, when he went there, he was wearing his pajamas.
(chapter 3) Neither Kim Dan nor the protagonist were seen both naked in the shower room.
(chapter 8)
(chapter 20)
(chapter 30) Therefore I perceive the champion’s last comment as relevant. In my opinion, Kim Dan’s gesture reflected the champion’s mind-set. So by saying this, Joo Jaekyung was forced to admit the absurdity of such an attitude. Therefore Manhwalovers can understand Joo Jaekyung’s annoyance at the sauna. He imagined that he would be alone there.
(chapter 34) He feels uncomfortable naked around people… As soon as you connect this place to a wound, my avid readers can finally better interpret the champion’s irritation in episode 36:
(chapter 36) Kim Dan’s entrance could be perceived as a violation, for the champion was naked. This intrusion caught him off-guard. But since his gaze was covered, his anxiety masked behind his anger was diminished. On the other hand, this led him to leave the bathtub undressed and have sex in the kitchen.
(chapter 36) For me, everything is pointing out that one of the champion’s fears is intimacy with water. He has long internalized this association. Don’t forget that the sexual encounter in the swimming pool started with clothes, before they got completely removed. 
(chapter 27) Under this new perspective, I don’t think that it is a coincidence that the champion felt the need to take a shower after meeting Baek Junmin and recalling the past.
(chapter 49) This helped him to overcome his trauma and past wound.
(chapter 8) they dared to have sex next to Oh Daehyun and the other fighter. However, note that in all these scenes, neither the doctor nor the champion were honest. They were both lying… not only to their counter-part, but also to themselves.
(chapter 19) That’s the reason why the argument in the locker room
(chapter 7)
(chapter 70) His sexual orientation was exposed in high school, his friends were behind the rumor
(chapter 70), although we have to envision that his crush played a huge part in it. Why? It is because he didn’t want to be associated with homosexuality.
(chapter 70) Not only he cut off ties with him, but also he made sure to isolate the main lead from other students. The worst is that this person acted, as if this ostracizing had never occurred.
(chapter 69), as if he had done nothing wrong. For me, it shows that the traitor never grasped the significance of his actions. Hence Park Sung-Woong could forget Dong-Gyun, while the latter could never forget him at all. The result from this huge betrayal was that the cute uke decided to keep his distance from people.
(chapter 70) He could no longer trust people, he avoided meetings. In order to outline how severe betrayal trauma can be, the Webtoonist showed us the immediate effects of betrayal trauma: physical and emotional reactions
(chapter 70)
(chapter 70) and the long term effects:
(chapter 69) he is trembling so much, he can not look at his former friend. Readers shouldn’t underestimate the issue. Betrayal trauma is so severe that it is comparable to being hit by a white truck. The pain is so great that it affects the brain functioning and as such personality.
(chapter 9), trust issues
(chapter 30), negative intrusive thoughts
(chapter 29), withdrawal (we know nothing about his family and he dislikes going to gatherings, he is not meeting his hyung Cheolmin) and rumination: he got upset, when the hamster ignored his calls.
(chapter 32), it was clear that the doctor’s actions were constantly on his mind. He was so bothered that he had to bring him to Heesung. He made sure that Kim Dan would forget Choi Heesung in the car.
(chapter 33) Interesting is that this trauma resembles a lot to PTSD.
(chapter 49), the latter was not loved, as he didn’t reach the first place like his older brother. Then we have Interpersonal with Nam Dong-Gyun and his high school friend. However, since the rumor circulated at school, and no adults intervened, we could see it as a reference to Institutional betrayal. Finally, Mingwa presented the last type (partner) with Hweemin. 
(chapter 51) But why is betrayal trauma so severe? It is because everything appears as a lie, as an illusion. All the memories become tainted. The victim can only question his own senses and judgment. How could he not detect the lies? Since PTSD and betrayal trauma share some common points, it is not surprising that such persons come to blame themselves and develop huge self-loathing.
(doctor Frost, chapter 139). And now, it is time to expose my latest observation:
(BJ Alex, chapter 51) Ahn Jiwon caught his first lover cheating on him at a club. Interesting is that the new lover resembles a lot to Joo Jaekyung! Mingwa said that characters from BJ Alex will only appear, but Jinx is not connected to her previous work. Note that they were kissing in a public place. Moreover, the club is a location where students not only meet, but also drink alcohol together. However, once Jiwon saw Hweemin, he dragged him outside so that they could talk. In other words, the “new lover” was left behind. Thus I come to the following conclusion. Joo Jaekyung has been suffering from betrayal trauma exactly like Ahn Jiwon. He was betrayed by his guardian
(BJ Alex, chapter 51). If this theory is true, then Mingwa would finally outline the devastating effects of Betrayal trauma on people, something she barely touched in her previous work.
(chapter 51)

(chapter 23) On the other hand, the physical therapist has always been associated with a hamster, like in this image.
So how did I come to connect the main lead to a puppy dog?
(chapter 47) It is because Shin Okja called her grandson “her puppy dog”.
(chapter 47) Yet, a puppy embodies innocence and inexperience. Thus it needs the guidance of a mother. On the other hand, in my essays about the doctor, I kept describing him as a person who would constantly grow and mature. So “a puppy dog” would appear as a contradiction to my previous interpretation. Nonetheless, we shouldn’t forget that this was representing the grandmother’s desire. By turning him into a puppy dog, she expects from him obedience and loyalty. She is denying his right to determine his own life. He needs to follow its master. Hence this scene announces a certain regression for Kim Dan. On the other hand, I believe that this is just temporary. What the elderly woman didn’t know is that by linking him to a dog, she was freeing Kim Dan from society as well. He is now an animal. He belongs to Nature from that moment on. This animal symbolizes freedom and independency. So when the grandmother described him as a puppy dog
(chapter 53). On the other hand, she was also cutting off ties with him symbolically. She was also liberating him from any obligation and expectation, as her favor was linked to a single moment: watching the sunset once again. The moment he does this, she can no longer ask for a new favor, especially after admitting him that she had never done anything for him.
(chapter 48) Furthermore, Jinx-philes could observe how the doctor had followed his instincts during the conversation with Choi Gilseok in different panels, like for example in this image.
(chapter 48) The idiom “fishy” is a reference to smell, indicating that he was relying on his own senses. But we have another evidence that the puppy dog was using all his senses to judge his counterpart:
(chapter 48) He rejected the touch from Choi Gilseok. That’s how he could detect the director’s hypocrisy. He refused to drink the coffee from the senior, although it had been recommended. As you can imagine, all his 5 senses were on alert, and the latter are strongly intertwined with instincts. In addition, when he asked his counterpart to go to the point and speak frankly
(chapter 48), he was urging Choi Gilseok to drop all manners. Yet, Manhwalovers should keep in mind that the synonyms for manners are etiquette and ceremony. This proves that manners stand for civilization. But what are good manners?
(Chapter 48) This means, he was disrespecting the elder. However, his disrespect didn’t start at the café, but in front of the gym.
(chapter 48) He refused to take the card from the director. However, the moment his grandmother was brought up, he became obedient and accepted the invitation.
(chapter 48) He acted out of loyalty and love for her. Nevertheless, the director’s offer for his halmoni served him to see the truth. His behavior during the conversation exposes the awakening of his wild and rebellious side. Thus we could say, Doc Dan showed more and more his rudeness. He left without asking permission and saying goodbye.
(Chapter 48) To conclude, the conversation displayed that Kim Dan was already following his halmoni’s advice, he was living as a dog. This made me smirk, because I could detect how Joo Jaekyung had rubbed off on Kim Dan!! 😂
These two characters symbolize true friendship. Thus I come to the following deduction: Kim Dan is about to get truly adopted by Team Black, while it looked the opposite at the end of the season. He might have been wearing a uniform and a jacket Team Black, yet there were signs that he wasn’t truly part of the team.
(Chapter 43) He wasn’t simply left out here, when it was dinner. They never questioned the origins of his tiredness, indicating a certain neglect and disinterest. Their concern was rather superficial. He was not included as well, when Oh Daehyun and the other members prepared a surprise party. Hence he was caught by surprise.
(chapter 47) But for the adoption to happen, he needs to prove his loyalty. How will he do it? Once again… wait for the part with the predictions. Yes, I am taunting my attentive readers.
(chapter 47) She was underlining their innocence and naivety. Thus they are still ignorant of the existence of schemes in the MFC world. They have the impression that the underground fighting ring and MFC are two different worlds.
(Chapter 47) That’s the reason why they were not expecting that their idol would get so hurt or lose the fight. Kim Dan didn’t dare to contradict them, especially when Potato asked for his opinion.
(chapter 47) In my eyes, Doc Dan didn’t dare to ruin the maknae’s illusion about his idol, though he thought otherwise. His broken sentences and his drop of sweat are revealing his discomfort and skepticism. He was not sure about the success of his VIP client. But Kim Dan as his PT knew about the champion’s true conditions: he is not truly healthy. But why are the fighters so innocent?
(chapter 23) While it looks like he has high expectations from his members, the reality is different. He offered them chicken
(chapter 46) and why he was worried about the desertion and betrayal from members.
(chapter 31) It looks like I am diverting from the topic, as I am now talking about the fighters and the gym. No wonder why most of the members switched the gym, as soon as the champion lost and his reputation got tarnished. Nonetheless, keep in mind that his game with Baek Junmin ended up with a TIE. So it is not a complete defeat. In my opinion, the schemers desired to tame the Emperor, not to ruin him, as they definitely need him to make money.
(chapter 23) Kim Dan and Yoon-Gu had no task at all. The latter were treated like playmates and nothing more. Hence the manager asked patience from the doctor.
(chapter 46), but also by his greed. He had lost so much money. He needed to refill his pockets. Thus his wish was to “kill” the emperor and as such to ruin Team Black. In other words, he had planned the destruction of the rival gym. With the victory, Baek Junmin could replace the champion, and Choi’s gym King Of MMA would attract members. And my prediction came true. With the tie, many members from Team Black went to King Of MMA hoping that they would come to get rich and famous very quickly.
(chapter 52) And since the other fighters from Team Black had never been able to break through MFC, it is not entirely surprising why they made such a decision. With their desertion and the champion’s ruined image, the future of the gym Team Black seems to be sealed: failure. Under this new light, my avid readers can grasp the true signification of this gesture:
(chapter 49) It was not just about Kim Dan’s fate, but also Team Black’s. Hence he can not quit or run away. This new interpretation made me perceive the entrance of Kim Dan in the arena in a new light.
(chapter 50) Remember how I said that the locker room had become a temple. Thus I come to the conclusion that he got baptized there. He discovered the power of his hands, similar to this scene.
(Chapter 14) So when he comes to the arena, he is still following his instincts, unaware of his own metamorphosis. He is no longer a puppy, but a dog. Deep down, he feels that he has to be there despite his agony. He needs to be there in order to protect his home. To conclude, in the locker room, the doctor reached adulthood. Interesting is the chosen perspective from Mingwa. It was, as though he was flying high in the sky, like a yeouiju.
(chapter 40) In this image, he has to look up, whereas in the other panel, the beholder has the impression that doc Dan is rather standing on the same level than his soulmate, the alpha Jaekyung. However, since the athlete blamed him for the incident and rejected his hand, for Kim Dan, it sounded that he was no longer needed.
(chapter 53) This exposes that the physical therapist learned through this terrible incident the huge significance of a PT. The latter is the sportsman’s protector. He is the one making sure that the athletes don’t ruin their career.
(chapter 42) Here, it becomes obvious that he didn’t see his PT as a partner, but as an underling.
(chapter 35) Thus it dawned on me why Joo Jaekyung reacted so violently, when he received the golden keychain.
(chapter 40) And that’s how the champion will come to realize that he can not live like before, as Kim Dan can not keep up to him. He is physically weaker. He desires his loved one to always look at him, to never leave his side, to stop living like a stray dog.
(chapter 4)
(chapter 48) Yes, these images represent a metaphor of a wandering dog. On the other hand, the shadow below the doctor is indicating that he is slowly turning into a human being out of flesh and blood. He is no longer living like a spirit.
(chapter 53) Observe that the doctor’s shadow is getting bigger. I interpret it as a sign of his growth, and it implies that Kim Dan is leaving traces behind inviting Joo Jaekyung to follow him. In the nature, far away from the city, the wolf should be able to reconnect with his true nature: freedom, but also loyalty and family. Home is no longer a place, but a person:
(chapter 29) while all the others called Yoon-Gu as Potato.
(Chapter 23) This shows that he was not infantilizing him despite judging him as a child or “puppy”.
(Chapter 49) Not only he yelled, but also he protected his star by standing in the front line.
(Chapter 49) I detected a huge contrast. He is the only one with clenched fists, ready to punch the other fighters or even Choi Gilseok, whereas the other members were trying to restrain their athlete, though the perpetrator was in reality the other director. As you can see, exactly like his hyung doc Dan and Joo Jaekyung, Potato is also disregarding good manners, when it is necessary. I could include another example for his impoliteness:
(chapter 35) He stood up, yelled and gave an order to the artist, though he is a junior. No wonder why the other guests turned around and looked at him. But this shows his strength, as he is following his instincts and as such his heart. He has already developed his own moral codex.
(Chapter 8) I noticed that the champion initially only listened to violence. It was, as if he had internalized this Nature’s law: the strongest prevails. No wonder why the champion didn’t react to Potato’s admiration so positively.
(Chapter 23)
(chapter 23) Interesting is that she cut the chibi Kim Dan in half. Why? In my opinion, the main lead had not found his true self yet. She didn’t place any puppy above his head as well, because she wanted to keep her readers in the dark. However, let’s not forget that a puppy will recognize another puppy much more easily. Therefore Potato felt jealous and resentful first.
(chapter 25) Moreover, we should interpret his nightmare like this. The puppy doc Dan had already marked his territory:
(chapter 25), though in his vision it looked like the roles were switched. The “dog” was the champion, whereas the doctor was the owner. That’s the other reason why Potato was so worked up. He preferred the strong man or beast.
(chapter 25) The latter was trying to learn more about MMA, as he desired to improve his skills as PT.
(Chapter 25) That’s how Potato came to offer his assistance. Interesting is that Yoon-Gu became the teacher for the physical therapist.
(chapter 25) It is relevant, because the maknae was acting like a sunbae and not like a junior. He was given responsibility. His task was quite important compared to the coffee incident. With such a task, the cute puppy got to learn the importance of PT. This explicates why Potato always paid attention to the protagonist and his duties afterwards. Though Kim Dan had been constantly diminishing himself as physical therapist, in front of Potato he acted differently: meticulous, dedicated and caring. As you can see, this training session had huge repercussions for the chow chow.
(Chapter 25) Hence it is not surprising that Kim Dan chose to repay Potato’s kindness by fulfilling his dream.
(chapter 26) He was following his heart and as such his instincts. That’s the reason why money was out of question.
(chapter 25), then he lowered his face like a moping mutt.
(chapter 25) Because of his sacrifice and generosity, doc Dan became a role model in Potato’s eyes.
(chapter 31) But how could he judge the actor as a danger? It is because he was using his senses as well. Don’t forget that they had bumped into each other
(chapter 31) Secondly, since Yoon-Gu is a dog, this signifies that he can not be bought with money or presents either. Hence he could only mistrust the artist’s generosity. It is important to recall that before meeting the “angel”, Heesung would simply offer meals
(chapter 30) and not expensive stuff like designer clothes or electronics. So Potato was not wrong either to mistrust the actor first, for the latter was indeed expecting affection in return despite his claim. He did want to date the doctor, but the puppy knew that the protagonists were together. He represented a threat to his new found home.
(chapter 31) Heesung described him as ugly, which is actually an insult. Note the contrast. Heesung is smiling despite his words. It is because he was voicing his annoyance at Potato. The latter represented a hindrance to his courting.
(chapter 40), the former came to appreciate the doctor much more than before.
(chapter 40) First, he informs him about his patient’s conditions. On the other hand, it becomes obvious that he worries much more about the doctor’s health. His increasing care started with the party.
(chapter 37) When Potato and Daehyun saw that Kim Dan was feeling down, they tried to cheer him up. Moreover, let’s not forget that when they got caught partying, the hyung tried to protect them:
(chapter 37) Besides, Yoon-Gu witnessed the effects of the drug
(chapter 38). Contrary to the other fighter, he touched his head. This gesture reminded me of a mother’s. And now, I know why Kim Dan saw Potato as a puppy.
(chapter 25) On the other hand, Yoon-Gu lacks experiences, for he has never been exposed to the cruelty of this world, unlike Kim Dan or Joo Jaekyung. His fighting spirit is not developed yet.
(Chapter 40) Therefore it is not surprising why after mentioning the incident with the MFC security guys to Park Namwook.
(Chapter 40), he didn’t follow his boss despite his concern. In his eyes, it was Joo Jaekyung’s role as his soulmate to take care of his partner. Furthermore, since Potato came to value doc Dan as PT, it becomes understandable why he brought up the vanishing of Kim Dan. For him, the latter is already part of Team Black and plays an important role, as he is taking care of the physical condition of the Emperor.
(chapter 52) He never questioned why the coach didn’t stop Kim Dan from quitting. On the other hand, I wondered how he came to change his mind about his idol. It can not be his brutality
(chapter 52) They only talked about the lost members, not about the physical therapist. This exposes that they didn’t treat him as one of them. To conclude, as time passes on, Yoon-Gu came to mimic and think like hyung Namwook.
(Chapter 49) and helped him. I have to admit that the way the main lead was holding his hand reminded me a little dog.
(chapter 49) For me, it becomes clear that the more time Potato and Kim Dan interacted together, the more the chow chow valued the job as physical therapist as significant in the career of an athlete. Besides, thanks to Kim Dan, the young puppy had the impression that he was contributing himself to his champion’s success too. It gave his presence a meaning. In other words, the puppies bonded through their jobs. That’s the reason why I am quite certain that with the recent incident, Potato will change his attitude towards Kim Dan. His vanishing made him realize how important he was to the team.
(Chapter 50) However, the doctor
(chapter 47) was hiding his sadness and pain behind his job. How could Potato notice his suffering? Kim Dan never let his wounds transpire. Finally, we shouldn’t overlook the fact that Kim Dan never confided to the puppy dog as well. The protagonist has always been a loner, like we could see it in his memories.
(Chapter 21) He was first of all his boss and his landlord. Yoon-Gu is not connected to the main lead because of money. The foundation of their relationship is based on trust, care and respect. Thus I deduce that Potato is on his way to become not only his first true friend, but also his second stan. He might have noticed his angelic nature in the past
(chapter 26), but his adoration for the champion was still very strong.
(Chapter 33) Yes, through them, the dragon and the gumiho can become real friends. So far, they had been more frenemies. They know each other’s secret
(chapter 44). He was telling him that he was doing a good job! One might say that he treated him like a little child. The second interpretation is that he was treating him like a pet. The dog was complimenting his lover, the wolf!
(chapter 49) Respecting the elders! For me, Kim Dan will see red, when he hears the truth about the incident. From that moment on, he will start questioning not only seniors (manager Park Namwook), but also authorities (doctors).
(chapter 42)
(chapter 52) His behavior shows that he was no longer respecting social norms, respecting the elders. While in the beginning, he still followed Seonho
(chapter 52), at the end he chose to leave the restaurant on his own accord. Yes, he stopped being a follower of “herd mentality”. 

(chapter 8) Secondly, in the analysis “
(chapter 31). It is important to recall that the artist came to discover the angel, for the latter offered his assistance unrequested.
(chapter 30) As a conclusion, Joo Jaekyung is taught how to share through the doctor. This means that at some point, the champion will realize that he has to share the main lead too, if he wants to become truly happy. How so?
(chapter 7), self-centeredness, poor social skills
(chapter 7) He didn’t know Kim Dan at all. Thus he utilized the contract as reminder
(chapter 8), as he felt that he had no other tool to keep his partner by his side. In addition, in order to control his jealousy, he always employed the same method: SEX!!
(chapter 37) He was envious that they were the source of Kim Dan’s happiness, whereas he was not. Finally, when the athlete confronted them, the doctor sided with them.
(chapter 27) and smiles are an evidence that the protagonist is feeling more and more comfortable around Kim Dan.
(chapter 39) Consequently, I could observe that the athlete is gradually capable to manage his jealousy, the longer he is living with the main lead. Simultaneously, I believe that the recent transformation of the physical therapist (exhaustion, skipping dinners) incited Joo Jaekyung to observe his lover and meditate.
(chapter 43) However, I would like to outline that in this scene, he didn’t feel jealous, as Kim Dan was excluded. Hence he had no reason to claim the doctor as his. As you can see, the star’s jealousy was the trigger to change his behavior in front of the members. Thus I come to the deduction that we were witnessing the positive aspect of “jealousy”. He was not questioning the doctor’s integrity and trust. Therefore it is no coincidence that contrary to episode 7, 9, 22 and 37, he didn’t look grumpy, when he stated that Doc Dan is coming with him.
(chapter 43) It was seen as a miracle that Joo Jaekyung was showing such a care for someone. Kim Changmin, as a representative of Team Black, was not at all envious, because they are used to sharing (dinner, dormitories, etc). The boxer felt that he just witnessed a wonder. It is important, because through this scene, we have an explanation for their passivity in the States. They thought that the athlete didn’t really care for Kim Dan.
(chapter 37) I could also include the scene with the new jacket.
(chapter 36) When the sportsmen were all fighting against each other to give their new cloth to Kim Dan, the champion intervened by throwing his jacket to Kim Dan. He was not smiling at all. In fact, he gave the impression that Kim Dan was causing trouble.
(chapter 36) At no moment, Oh Daehyun and the others could detect the main lead’s jealousy. That’s how it dawned on me why Kim Dan was not informed about the surprise birthday party.
(chapter 43) He was as astonished as Joo Jaekyung. I deduce that they desired to protect him, in case the celebrity would react so negatively.
11, 36, 37), they imagined that Joo Jaekyung was treating him the same way than them: if he was not rough, then he was indifferent.
(chapter 22) When he announced to the staff that Kim Dan was cooking for him, his facial expression and words are indicating that this is no big deal! He was not smiling and voicing his admiration for doc Dan. He created the illusion that the physical therapist was just living at the penthouse for the celebrity’s comfort. It was to do his job and nothing more. But this was only partially true. That’s the reason why I come to the assumption that this miracle in episode 43 will change the dynamics at the gym. Kim Changmin, Oh Daehyun and the others know now that the celebrity not only cares for the doctor, but also has become his friend. Thus they could seek Kim Dan’s closeness in order to get his advices and assistance.
(chapter 43) So he never took the doctor’s choice into consideration. Although Joo Jaekyung is no longer dragging the doctor like in the beginning of the story, he is not truly respecting Kim Dan’s decisions. But how did this rivalry between Joo Jaekyung and his team start?
(chapter 7) He occupies a special position, for he is only working for the alpha as doctor. But note that doc Dan crossed the line, the moment he started taking care of Kim Changmin’s problematic shoulder.
(chapter 7) Thus I deduce that Kim Dan still needs to find his own place at the gym. This can only generate tension. Moreover, it dawned on me, neither the champion nor coach Jeon Yosep nor Park Namwook recognized the consequences of his arrival at the gym.
(chapter 7) First, they made the mistake not to bring Kim Dan to Busan.
(chapter 23) On the one hand, he was reminding his companion that he was only working for him, on the other hand, the uniform and the treatment from the members were giving the impression that he was also part of Team Black.
(chapter 36). Moreover, by mopping the floor, he acted like an errand boy, as if he was the lowest member. I doubt that he got consulted for the next fight too. 
(chapter 1) This indicates that the doctor has not the mind-set of an entrepreneur and free-lancer. He allowed Choi Heesung and Joo Jaekyung to determine his work.
(chapter 31)
(chapter 32) And now, you comprehend why Kim Dan chose to become a courier
(chapter 42) and didn’t look for new patients. He needs a role model as entrepreneur and doctor. In my eyes, that’s where Cheolmin comes in. The latter should become Kim Dan’s mentor. Moreover, I would like to outline that by intervening in the doctor’s life and career, the champion was blurring more and more the boundary between private life and profession.
(chapter 9) and the welcome elixir.
(chapter 9). But like pointed out above, he is actually just his private physical therapist. For Kim Dan, the famous athlete is just a VIP client.
(chapter 25) It is relevant, because the doctor is not technically involved with the other members. He is attached to them, because they are very nice to him.
(chapter 9) There exists no contract between them either. Their relationship is simply based on the goodness from the characters. And now, you comprehend why the champion had to come to this welcome party. It is because he feared that the doctor would feel closer to them than to him. His money was already competing with the heart from the fighters. Is it a coincidence that the champion felt the need to remind them that he was the one paying for the party?
(chapter 9) Funny is that for his birthday party, money was no longer rivaling with the fighters. Furthermore, he was joining the table for real.
(chapter 13), Park Namwook and Oh Daehyun are representing the other extreme: junk food (too salty, greasy, too much sugar)
(chapter 22)
(chapter 37) or fasting!! Notice that Park Namwook preferred Kim Dan resting than eating dinner with them!
(chapter 26) He proposed this idea after seeing his lover learning moves from Potato. In other words, due to his jealousy, he offered his sex partner the possibility to learn from him.
(chapter 25) This was the positive aspect of jealousy. It is not surprising that the champion smiled during this little game.
(chapter 26) It helped them to become closer. Striking is that none of the boxers noticed the true meaning of this sparring.
(chapter 26) The members didn’t recognize how gentle the celebrity was towards his partner, therefore Park Namwook imagined that Kim Dan had been coerced to spare and the punch was the expression from anger and frustration against the alpha. Thus he came to misjudge the situation. That’s how Kim Dan got excluded from the ring. And this observation brings me to the following conclusion. Till episode 43, none of the fighters realized that Kim Dan was receiving a special treatment from Joo Jaekyung. They were totally oblivious of the truth, even during this incident!
(chapter 22), because the latter was somehow neglected by the champion. They were compensating for the lack of interest from the captain. Interesting is that no one was missing Potato during that day and party except the readers. Why? It is because little by little, his adoration for the champion is vanishing. He is starting to have a life on his own. It is important, because Kim Dan could receive now more attention from the members than before, especially because he is receiving the good grace from his boss. Don’t forget that Park Namwook never protected them from his bad mood.
(chapter 36) He could become their speaker, their lawyer… a new version from this scene:
(chapter 36) or he was sitting in the office. It is not surprising that he kept his distance at the hotel, when the champion was taking his meal.
(chapter 37) But it started changing, after the athlete declared him as a part of his team.
8chapter 40) The problem is that he met the green-haired uke which reinforced his insecurities and low self-esteem. Observe that while returning home, he was only remembering all the champion’s words
(chapter 43) before his intervention with the MFC security guys. Hence I believe that this statement and embrace
(chapter 43) He should bring him home. If you read the essay “
(chapter 11), he chose to close an eye to this. Thus he remained passive.
(chapter 43) Though the doctor’s hands had been bleeding, Kim Dan chose to treat his patient first before taking care of his own wounds. His selflessness could only catch Joo Jaekyung’s notice. Doc Dan’s benevolence can only make him realize that fame can never be a source of joy and adoration is totally different from true love and warmth.
