Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Flight 🚪 from Truth 👁️✨🧠, Fight🥊 for Fragile Peace☮️ and What about The Wolf’s 🐺First Kiss? 💋
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The Tenth Embrace – Stillness, Light, and Transformation
This image 
, released in anticipation of Chapter 70, is more than a promotional teaser. It is a moment frozen in time, yet brimming with motion—emotional, symbolic, and narrative. We see Joo Jaekyung embracing Kim Dan with both arms, pressing him tightly against his chest. There is no resistance, no distance, no tension in the frame. The palette moves from gray and brown fading into violet and pink, blooming into soft light. There is vapor, there is breath, an allusion to life. And most strikingly, there is stillness.
For my fellow Jinx-philes who have followed every bruise 
(chapter 11), every glare, and every awkward silence 
(chapter 67) between these two, this hug feels monumental. Why did the author choose this scene to announce the new chapter?
One might reply that it serves as a summary or visual recollection of the final moment in Chapter 69. And yes, it does that. But there’s more to it. The embrace is, in fact, a confession—one expressed not through speech but through touch. It may seem like a simple hug, yet it conveys something deeper and more vulnerable than any spoken admission. This is body language at its most honest: a quiet gesture that communicates all the things Jaekyung cannot articulate. Though words are absent, emotion is not. Silence, in this case, becomes a medium of connection rather than distance and lack of communication. Joo Jaekyung’s embrace reveals anxiety, tenderness, affection and the desire not to dominate, but to remain – to protect and to hold. And that is precisely why the author chose not to depict a kiss. A kiss would have shifted the tone toward romance, toward desire. But what Dan needs first is not romantic affection—he needs enduring, reliable friendship, a different form of love. Until now, he has only known fair-weather companions like Heesung or Potato. 
(chapter 58)
This embrace gestures toward something deeper: a bond built not on conditions, but on presence. Hence in this illustration, we also glimpse the athlete’s watch strapped to his wrist—a detail that may seem minor, but resonates with meaning. It subtly grounds the scene in time, discipline, and routine, reminding us of his physical life as a fighter. Back then, the wolf was always preoccupied with the future 
(chapter 29) —the constant possibility of being challenged, of losing ground, of falling from his throne. Time meant pressure. It meant movement. But now, in this image, the presence of the watch highlights how far he has come. No longer ruled by future threats, he chooses to pause, to stay grounded in the present. But in this moment, time is suspended. The watch becomes not a symbol of training, but of waiting—of calling time, of taking a breath, of choosing to be fully present for someone else. It marks a shift: he is no longer racing the clock, nor following the flow and facing the pack of challengers. He is here, holding, breathing, staying while keeping doc Dan in his sight.
This embrace is not just a recap of Chapter 69. It is a culmination. A reversal. A reflection. And above all, a threshold.
The date itself whispers symbolism. July 12. Add the digits: 1 + 2 + 7 = 10. In numerological terms, 10 signals the end of a cycle and the quiet promise of a new beginning. The “1” stands for rebirth, while the “0” opens the door to uncharted emotional space. We are no longer in the territory of possessiveness or pain. We are stepping into breath, presence, and vulnerability. It is the start of a real friendship and healing.
But how do I see all this in a single image? Naturally through reflections and comparisons. This essay will trace how this embrace reverses earlier dynamics—from the grandmother’s false comfort to the star’s previous grip of control. We will revisit the broken sandbag, the Emperor’s red backlit inner thoughts and visions (chapter 29, 55), and even the slap that echoed too loudly in the hospital. Because when Jaekyung finally hugs Dan with this kind of fragile openness, it doesn’t come from nowhere.
It comes from loss. From growth. From choosing stillness when everything in him was taught to keep running.
Revisiting the Embrace: From Control to Reciprocity
To truly grasp the emotional weight of the teaser hug , it must be examined in contrast with two pivotal earlier moments: the bathroom embrace in Chapter 68 
(chapter 68) and the public hug on the dock in Chapter 69. 
(chapter 69)
In Chapter 68, the setting is intimate and vulnerable—a dim, wet bathroom. Kim Dan is asleep in the champion’s arms. Jaekyung holds him tightly from behind, but his own posture reveals something unresolved. 
(chapter 68) He rests his chin not on Dan, but on his own hand, his arm propped on the edge of the bathtub. This detail is telling: even in a moment of supposed closeness, Jaekyung relies on himself for support, not on Dan. He is physically near but emotionally braced—still holding himself apart. His thoughts are private, tender, and possessive. In a rare moment of introspection, he confesses that 
(chapter 68) This line (“I’ll keep him right here in the palm of my hand”) is deeply revealing. The champion frames care through the language of possession. The palm is open but hierarchical; it suggests that Dan is small, fragile, and dependent on Jaekyung’s will to hold or release. He does not yet see Dan as an equal. Even as he softens, his emotional vocabulary is shaped by superiority and containment. The hug is real, the sentiment sincere, but the dynamics remain unbalanced. And since Dan is asleep—unable to reciprocate, respond, or challenge—the embrace becomes more about the wolf’s soothing himself than forming a mutual bond. Furthermore, Dan is not even facing Jaekyung. (chapter 68) His head rests in the crook of the champion’s shoulder, turned away, a spatial choice that subtly reinforces the lingering emotional distance between them. They are close—but not yet connected. Initially, Dan’s profile is visible, resting gently against Jaekyung’s chest. However, as the moment progresses, Jaekyung subtly shifts Dan’s position. 
(chapter 68) In the next panel, we see Dan’s head from behind. This small but deliberate movement suggests a dynamic effort to hold onto him more firmly—to assert closeness, perhaps, but also to reposition him as something to protect and possess. The scene is filled with motion, both physical and psychological. And this motion, this shifting, stands in direct contrast to the stillness of the teaser image. In fact, the contrast goes deeper when considering the celebrity’s body language: (chapter 68) in the bathroom, we see only one of his hands holding Dan, while the other remains out of frame. Crucially, the watch he normally wears is missing. The absence of this item—one that often symbolizes the passage of time—hints at a suspended moment, an emotional pause where time no longer governs the champion’s thoughts. This subtle omission underscores how, in that quiet resolve to ‘keep him in the palm of my hand,’ Jaekyung momentarily abandons all concern for his career, his schedule, and the ticking clock of an MMA fighter’s short-lived prime. (chapter 68) It is no coincidence that the next morning he receives a new match offer: a test of that very resolution. 
(chapter 69) Yet, when faced with renewed pressure and stress, he falters—leaving Dan behind. 
(chapter 69) The illusion of control dissipates, revealing that his earlier vow, however heartfelt, was not yet unshakable.
Under this new light, it becomes clear why Mingwa let Jaekyung make this silent resolution (chapter 68) without a witness. Had the athlete expressed his thoughts directly to Dan, they might have come off as arrogant, performative, or even hypocritical later. The quietness of his resolve shields it from judgment (chapter 68) —it’s neither a promise nor a performance, but a deeply personal moment of self-reflection. As such, it doesn’t demand perfection, only sincerity. And when Jaekyung breaks from it later, readers are invited to empathize rather than condemn. This unspoken vow belongs to him alone, and its failure stings not because of broken trust, but because we witnessed its honesty.
By Chapter 69, we see a notable progression. On a stormy night under a clouded sky, Jaekyung embraces Dan again—this time fully clothed, in public, and face-to-face. (chapter 69) The posture is protective, with Dan still clutching shopping bags. Much like the embrace in the bathroom, this one also unfolds under the moonlight and carries a strong sense of motion. Jaekyung acts on instinct and emotion, reaching out without hesitation. His gestures are protective, but still driven by impulse rather than reflection. This hug is no longer one-sided: Dan leans in, allows himself to be held. It marks a moment of shared emotional exposure. Still, it remains reactive, a response to emotional tension 
(chapter 69) rather than a moment of mutual resolution. Jaekyung offers no words, yet a silent gesture of care and vulnerability.
Notably, the watch is no longer visible in this embrace. Although we know from earlier panels 
(chapter 69) that Jaekyung is wearing it, the change in angle—viewing the hug from behind—deliberately conceals it. (chapter 69) This compositional choice signals a subtle shift in perspective. Where the teaser centers the champion’s hands, the public embrace instead centers the environment, the setting, and the societal gaze. Dan’s face and back are hidden. Jaekyung’s back is turned to the viewer, signaling that this moment, while emotionally meaningful, remains partially opaque. Yet his vulnerability is visible—not through facial expression, but through posture. The tightness of his arms, the way he bends to reach Dan, the absence of hesitation—these all speak to a man laying down his guard. He is not posturing; he is clinging. And in doing so, he exposes his attachment and dependence.
By hiding Dan’s expression and placing him at the center of the frame, the author may be pointing to a new phase. Dan becomes the emotional axis, the silent center of Jaekyung’s emotional storm. As if to say: it is now Dan’s turn to interpret, to react, and eventually—to decide. The author thus repositions agency subtly but clearly in the teaser.
The embrace in episode 69 contrasts powerfully with the teaser image, which is defined by stillness. If the embraces in Chapters 68 and 69 are guided by nighttime instincts and lunar passivity, the teaser hints at something new—a quiet morning, or the symbolic arrival of sunlight. The glow on the left side of the illustration resembles the break of dawn, suggesting not only emotional warmth but also a conscious awakening. It is no longer about impulsive action in the dark; it is about holding on to someone in the light. The embrace is no longer a reaction—it is a decision.
The teaser embrace transcends both prior instances, not only in composition but in emotional clarity. The colors purple and pink respectively symbolize enlightenment, maturity and innocent love. Unlike the bathroom scene in Chapter 67, both men are now awake, and crucially, mutually present—not just physically, but emotionally. And unlike the last hug of Chapter 69, this embrace is not reactive; it is not prompted by surprise, fear, external danger, or a crisis. It emerges from stillness, from a shared decision to remain close. Yet within that stillness, it also oozes quiet determination (holding him tight)—a commitment not only to care, but to remain. The embrace becomes an embodiment of the unspoken motto: enjoy the present. It reflects a decision to prioritize presence over performance, commitment and connection over conquest.
Jaekyung’s posture is especially telling. His arms are wrapped tightly around Dan, but more than that, his entire body curves inward, as if folding into the space between them. His head rests against Dan’s neck or shoulder, a gesture that carries vulnerability, not dominance. This is not the body language of a man in control—it is that of someone seeking emotional grounding. He is not bracing Dan against the world; he is clinging to him, quietly, with all defenses down.
Dan’s body, too, speaks volumes. His back is visible, but this time, it is not a symbol of detachment. Compare it to the champion’s thoughts in the past. 
(chapter 55) In the new illustration, the hamster’s back is no longer representing anonymity and indifference, but visibility and care, for the champion is now facing his fated partner. In other words, doc Dan’s back in the teaser stands for uniqueness and high value. He can not be replaced. Moreover, doc Dan is not walking away, nor is he asleep. His hands are not visible—an intentional choice by the author. (chapter 69) By omitting them, the scene removes any external excuse for passivity, such as the black shopping bags seen in Chapter 69. Instead, it emphasizes Dan’s quiet agency. He is not weighed down or obstructed; he is simply there, choosing to stay. His stance is soft and grounded. He accepts the embrace—not out of resignation or shock, but through silent recognition. This marks a radical departure from earlier chapters where he either endured touch or froze under its weight. This time, he receives it—not as someone overwhelmed, but as an equal participant. That’s why I see the new illustration as the positive reflection of their argument in episode 45: 
(chapter 45) Back then, the champion refused the expensive key chain, symbolizing a missed opportunity for emotional connection. Both men yearned for attention and affection, but failed to express it. Here, in contrast, the champion offers something far more meaningful than a 14,000₩ and free lodging —his unguarded embrace. And Dan, by remaining still, appreciates the moment. His quiet presence, free of obligation or material offering, affirms that emotional closeness has replaced transactional gestures.
The setting amplifies this transformation. The pink and purple tones that bathe the scene suggest warmth, serenity, and renewal. These colors have replaced the earlier palettes of red (associated with lust and violence – chapter 29) and black (linked to isolation and fear – chapter 55). The two main leads are no longer alone. This is what transpires in the new drawing. The faint mist or vapor in the air suggests breath, life, and emotional release—it is as if they are finally exhaling together after holding so much in.
This embrace, centered in the teaser, is not just a gesture of reunion—it is a visual representation of mutual recognition and emotional rebirth. It marks a turning point where neither man seeks to overpower or please the other. Instead, they allow themselves to be seen and held. The result is not control, but reciprocity—a new balance where love is no longer a struggle for dominance but a shared space of refuge. This moment also represents the birth of a true team: both are relying on each other. Dan becomes Jaekyung’s anchor, the grounding force he never knew he needed, while Jaekyung stands as Dan’s shelter, his unwavering protection. They no longer orbit each other in isolation—they have become interdependent, attuned, and quietly united.
The Hamster’s Gift: Reading The Unspoken
Dan’s stillness in the teaser illustration should not be mistaken for passivity. It is a deliberate act of emotional reception—something he was trained for from childhood. Raised by a grandmother who rarely expressed affection through words, 
(chapter 21) Dan became fluent in a silent, physical language of care. She often asked him not to cry 
(chapter 57), unable or unwilling to face his vulnerability. To her, composure meant strength, and emotion—especially in the form of tears—was something to be managed or tucked away. Her love came in the form of caresses, pats
(chapter 47) and composed embraces—gestures repeated with calm precision. These touches were predictable, rhythmic, and soothing, but they also suppressed genuine emotional exchange, the symbol of toxic positivity.
Dan learned early to interpret every small shift in touch: the rhythm of a pat,
(chapter 57) the momentary pause of a hand
(chapter 19), the direction of a gaze. Here, she was not looking at her grandchild who was talking on the phone. It was, as if she was excluding herself from the conversation. These gestures became his emotional compass—not because they were transparent, but because they were all he had.
Her hand was always in motion—patting, caressing 
(chapter 5) never still—giving the impression of involvement, of care in action. But this motion avoided vulnerability and responsibility in reality. She never clung, never trembled. Her gestures conveyed comfort but not surrender, presence but not change, and not support either. They were not truly emotionally together. (chapter 57) Dan was never permitted to break down fully—he was urged to quiet his feelings rather than explore them. Thus it is no coincidence that the halmoni has no idea about the incident with the switched spray. Moreover, later the protagonist was often the one to reach for her, 
(chapter 47) to hold her hand, to initiate closeness 
(chapter 47) 
(chapter 56). This reversal of roles placed the burden of emotional stability on his young shoulders.
And layered into this physical restraint were her verbal reassurances—”You still have me,” “Grandma will always be there for you”
(chapter 57); I’ll come back home, once I am all better”
(chapter 11) —promises that sounded protective but masked emotional denial. Her words were spoken to soothe, not to reassure with truth. These assurances were emotional illusions—comforting on the surface, but hollow in substance. They created the illusion that she was always strong, ever-present, even immortal—an anchor that would never be lost. Over time, this illusion cemented itself in Dan’s mind. She became a fixed point of emotional gravity, 
(chapter 65) a mythic figure whose emotional distance he interpreted as noble sacrifice. Her constant reassurances and carefully controlled gestures fed into this perception, convincing Dan that love meant loyalty, restraint, and silent endurance.
This formative training becomes key to understanding why he doesn’t resist Jaekyung’s embrace. He does not shrink, flinch, or cling—he simply stays. Unlike in Chapter 69, where he clutched shopping bags that might serve as a pretext for his inertia (chapter 69), in the teaser his immobility is unburdened. The absence of his visible hands and possessions symbolically removes all excuses. Dan is no longer reacting out of confusion or fear. He is choosing to be held.
This emotional acuity is especially visible in Chapter 35, when Dan observes the aftermath of Jaekyung’s violent outburst at the sandbag. 
(chapter 35) Instead of recoiling in fear or admiring his strength, Dan quietly states, “I think I really need to focus on Mr. Joo right now.” He does not focus on the strength or aggression, but on the pain beneath it. The burst sandbag, for him, is not a threat—it is a symbol of Jaekyung’s emotional unraveling. This silent recognition mirrors Dan’s interpretive skills developed in childhood. Just as he once learned to read a shift in his grandmother’s hand or the silence after a broken promise, he now interprets the damage to the sandbag as an unspoken plea for help. This sensitivity continues to define his bond with Jaekyung.
He recognizes the depth behind Jaekyung’s gesture —the trembling edge of desperation, the quiet need to be reassured. The celebrity’s grip is neither calculated nor repetitive. It is raw, clingy, and intense—each finger clutching as though Jaekyung fears losing him again. Unlike his grandmother’s composed movements, Jaekyung clings with both arms, as if to say: I need you to stay by my side. The absence of ritualized comfort, the lack of rehearsed gestures, tells Dan this is something radically different: not performance, but presence. There are no words exchanged—no hollow reassurances, no immortal promises. This is vulnerability in its purest form: exposed, messy, urgent.
For Dan, who was trained to perceive the emotional weight of silence and motion, the difference is staggering. The wolf’s embrace does not soothe from above—it clings from within. He doesn’t place himself above Dan like a guardian or caretaker. He reveals himself as someone who needs Dan’s presence, someone who trusts Dan with his own fragility.
This moment reshapes Dan’s emotional experience. In the past, stillness came from suppression. Now, it emerges from choice. In the past, he was the one to reach out 
(chapter 47), to stabilize the person meant to support him. Now, he is receiving without shame or hesitation. The Emperor’s silent desperation, his refusal to hide behind ritual or false strength, creates the space for Dan to feel treasured—not pitied, but wanted.
Dan was conditioned to listen with his eyes, to decipher emotion from gesture. That gift has become the foundation of their bond. This time, silence is not loneliness—it is intimacy. Jaekyung’s embrace asks for nothing and gives everything. It is not a gesture of power or protection—it is a surrender. And the master, for the first time, accepts it as his own. Jaekyung and Dan do not need to pretend. They offer presence, not perfection. And Dan, trained to hear meaning in silence, receives the hug as something more profound than any spoken vow. It is not just a sign of Jaekyung’s attachment—it is an invitation, which Dan, for the first time, accepts freely.
Letting Go of the Guardians: From Slap to Embrace
The teaser leaves no room for misunderstanding: this embrace belongs to no one but them. There is no space for a third party to intervene, mediate, or translate. The intimacy captured in the image signals not only mutual acceptance, but also a decisive boundary—an exclusion of external authority. With this embrace, the narrative quietly removes the former guardians—Shin Okja and Park Namwook—from the emotional core. Their time as intermediaries 
(chapter 65) or stand-ins 
(chapter 36) for affection has ended. The spotlight now belongs solely to Jaekyung and Dan, who no longer require mediation to reach one another. This shift becomes particularly evident when contrasting the teaser with earlier moments of evasion, silence, and misplaced dominance—especially through the lens of Park Namwook’s slap and Jaekyung’s own past deflections.
In Chapter 29, Jaekyung is depicted as a hunted predator (chapter 29), constantly pursued by younger fighters—“a pack of hyenas” nipping at his heels. Yet beneath this portrayal of endless motion is a deeper emotional truth: Jaekyung is running not just from competitors, but from his own solitude. That night, he refused to rest 
(chapter 29), ignoring Dan’s presence and concern. His rejection of the doctor’s offer of comfort or companionship underscores not only his emotional detachment but also the absence of true support from his supposed team. The manager, Park Namwook, is nowhere to be seen, (chapter 29) and Jaekyung operates in isolation—more fighter than partner, more machine than man. No man is watching his “back”. It is precisely this disconnection that prevents him from relaxing or recharging. He is trapped in a cycle of movement without relief, because he lacks the emotional foundation of trust and interdependence that the teaser illustration later comes to embody. In other words, behind this image of motion (chapter 29) lied an emotional stagnation. The champion was running from something internal, not just external. When Dan attempted to ask questions or reached out, Jaekyung frequently shut him down 
(chapter 42) or offered silence in return. He had no teamwork ability in the end contrary to the hamster who “assisted” his grandmother. But it is not surprising, since Park Namwook has always relied on his boy. 
(chapter 40) Each time, they faced a problem, the athlete had to resolve it. He was the problem and the solution for everything. 
(chapter 17)
This emotional avoidance culminates in a pivotal rupture: Park Namwook’s slap in Chapter 52. 
(chapter 52) Surrounded by others, the manager attempted to discipline Jaekyung not with understanding, but through force. The slap was not an act of care—it is an assertion of dominance. It reduced Jaekyung to a volatile asset and spoiled child, not a man in pain. Striking is that this gesture actually exposed the manager’s weakness and anxiety. He was the one reacting as a spoiled child, for he masked his wrongdoing with tears. 
(chapter 52) The reason is that he couldn’t face the terrible outcome and his own responsibility. He needed a scapegoat. Thus he blamed the champion for everything. But by doing so, he refused to share the burden and the athlete’s unwell-being. Striking is that this slap served as a wake-up for the athlete. From that moment on, he stopped relying entirely on his “hyung”. He was pushed to make decisions on his own. This harsh gesture mirrors Shin Okja’s attitude toward Kim Dan, (chapter 57) who was often comforted only when he concealed his distress. Both guardians acted as strong persons, while in reality they were hiding their own helplessness and anxiety. Both suppressed vulnerability 
(chapter 52), seeing it as disruptive or shameful. Their guidance demanded emotional control, not emotional honesty.
Yet while the manager relied on open scolding and explosive gestures, Shin Okja’s strategy was the opposite: she smothered emotional crises with fake promises and quiet patting. Where Park Namwook used confrontation and order, Shin Okja relied on evasion and emotional sedative. Both mechanisms served the same purpose—denying the “boy” the freedom to feel and process complex emotions. Both were forced to deny the existence of “evil” in the end. “They don’t know” or “because of your temper”… Both guardians expected their wards to be functional rather than fragile. The reason is that they were expecting blind loyalty and submission. Naturally, since the grandmother was more gentle, her actions created an invisible chain between her “puppy” and her, while the slap from the manager caused an invisible riff between him and the Emperor. Park Namwook can no longer raise his voice 
(chapter 66) or use violence to “tame the wolf”. That’s the reason why he is accepting the offer from the CEO of MFC. He is pushing the Emperor to return to the ring, but the problem is now that doc Dan was officially recognized as a member from Black Team. 
(chapter 69)
Herein lies the most profound contrast with the teaser embrace. The slap (chapter 52) is loud, performative, and corrective—a punishment wrapped in hierarchy. It takes place in a closed space—a hospital, ironically a place meant for healing. And yet, this act of violence is anything but restorative. Though members of Team Black are present, the moment remains confined, unspoken beyond its walls—a private humiliation masked as internal discipline. It does not foster intimacy or catharsis; instead, it isolates Jaekyung, stripping him of dignity both as an athlete and as a patient. In contrast, the embrace in Chapter 69 (chapter 69) occurs on a public street, before any audience. Its openness transforms what could have been a moment of embarrassment into a declaration. Jaekyung’s vulnerability becomes visible and valid—an indirect public confession that replaces the secrecy of the slap with the courage of connection. In fact, this scene displays the irrelevance of PArk Namwook in the “champion’s life”. He was never seen in the little town following his MMA fighter. So in the eyes of the inhabitants of this remote town, the doctor becomes a VIP. The embrace, by contrast, is quiet and egalitarian—a gesture of shared vulnerability and mutual respect. Where the slap severs emotional expression, the embrace enables it. Jaekyung does not mask his emotions or deflect responsibility with aggression; he leans into them, exposing his dependency and yearning without shame. This moment oozes closeness and intimacy, while indirectly their “secret” is exposed. They are important to each other.
This quiet exposure reverses the legacy of his guardians. Jaekyung does not slap, silence, or manage. He holds. And by doing so, he invites Dan to remain—no longer as a passive caretaker, but as someone who matters. The embrace thus becomes an answer to years of silencing: an offering of closeness where there was once only control.
By staging this gesture in full view—yet focused only on the pair—the teaser signals that no outsider can step in to define or distort their relationship anymore. Guardians are no longer needed. The embrace is their language now. Through the touch, both are feeling the warmth from each other. They are now friends and even family. Let’s not forget that the landlord saw them as “friends” 
(chapter 66) the moment the Emperor carried away doc Dan. This looks like an “embrace”. 
(chapter 66)
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(chapter 14) For the physical therapist, this moment would later be confirmed. 
(chapter 16) —haltingly and with a trace of disbelief visible thanks to the points of suspension —as his first kiss ever. His stunned reaction and eventual admission offer a compelling lens through which to explore the symbolism of kissing in Jinx, but also the emotional landscape the two men must navigate. 
(chapter 55) Still, some readers have theorized the existence of a “special lover” in his past 
(chapter 2), someone who might have earned a different kind of intimacy. One cause for this hypothesis is that in the champion’s first memory, he was facing his partner, which contrasts so much to the way he had sex with his partners (from behind). This possibility casts the locker room kiss in a new light. 
(chapter 14) If it was his first, the gesture carries a far deeper meaning than either man realizes in the moment. And if it wasn’t, then why does this kiss—with Kim Dan—resonate so differently?
(chapter 15) she showed more than the physical therapist’s confusion with the interrogation marks, she added his inner thoughts. This question (“What’s this?”) already hinted that he had never experienced a kiss before. The ambiguity of his reaction suggested that the moment was unfamiliar, and not immediately recognizable as a kiss at all. 
(chapter 30) Recognizing his face, Dan mentions that his grandmother used to watch the drama A Fine Line, and that he had seen it with her. 
(chapter 30) The author even includes a framed shot from the fictional show, depicting Heesung as the smiling son-in-law in a multigenerational family. This visual insert is subtle, but telling: it wasn’t the story that stayed with Dan, but the faces—the aesthetics of family structure and polite emotional decorum.
(chapter 16) it frightened him. The kiss broke an invisible boundary—one his upbringing had silently enforced. That’s the reason why he wasn’t sure if he could do it again.
(chapter 30) He blushes and wonders why. 
(chapter 30) It’s a telling moment: Dan isn’t used to feeling attraction and desire, let alone recognizing it. He never bought posters of celebrities, never fantasized. That world—the glamorous world of affection, attention, and beauty—was never his. 
(chapter 30) —despite already having been seen naked by Jaekyung 
(chapter 30) —suggests something deeper than modesty. When he rushes to hide his underwear and blushes merely at brushing his teeth next to someone 
(chapter 30), it becomes evident: Dan is not accustomed to physical closeness or shared domestic spaces. These are not reactions of a man with just sexual trauma—they point to someone raised without the warmth of daily intimacy.
(chapter 5) He had to take care of himself, dressed on his own. He had to act like an adult, as his role was to assist his grandmother: 
(chapter 65) This raises the possibility that someone else—most likely his mother—was his primary caregiver in early childhood. She would have changed his diapers, held him close, and kissed him gently. 
(chapter 65) This hypothesis and interpretation gets reinforced with the champion’s first kiss on his cheek 
(chapter 44) and ear 
(chapter 44) For me, without realizing it, Dan reproduced those gestures. These actions can not come from Shin Okja, as we only see her caressing or patting her grandson. The progression is striking. It moves away from eroticism (kiss from the lips) 
(chapter 44) and toward something far more intimate and protective. These are not the kisses of seduction, but of affection—almost maternal in their tone. Hence the MMA fighter got patted later: 
(chapter 44) They suggest care, comfort, and emotional presence. This is crucial, because it reveals that for Dan, a kiss is not about arousal or conquest. It is a language of love. They carry the flavor of instinct. These are the kinds of kisses a child might have once received, or given, in moments of safety and connection.
(chapter 44) is a behavior shared by felines and wolves alike: a subtle act of comfort, trust, and bonding. Wolves nuzzle to soothe and reassure. Leopards nudge to display affection without threatening dominance. Dan’s pecks 
(chapter 57) (chapter 57)—licking them not out of instinct alone, but to reassure and bond. 
(chapter 57) During that summer night’s dream, Dan’s body mirrored this wordless care. That’s why he could laugh so genuinely like a child after witnessing his “pet’s reaction”. 
(chapter 44) 
(chapter 14) Therefore the physical therapist astonishment, “What’s this?” was not naïve; it was disoriented. Somewhere deep within, Dan had internalized a different model of kissing: one that reflected comfort, not conquest; affection, not arousal. The kiss he received was too strange, too fierce—it violated a definition he didn’t even know he had. His body knew how to kiss, but it remembered a different type of kiss altogether. The latter stands for love and as such emotions. Under this new light, my avid readers can comprehend why the physical therapist made the following request from his fated partner: 
(chapter 15) He needed to be “warned” in order to control his “heart”. As you can see, doc Dan had an innocent definition of the kiss. Therefore it is not astonishing that the wolf’s first kiss confused him so deeply: it shattered the only blueprint he had for intimacy.
(chapter 14) Jaekyung repeated such a gesture, as seen in chapters 24
(chapter 24), and again in 64 
(chapter 64). These gestures were not expressions of tenderness, but acts of dominance, mirroring how the celebrity was taught to treat intimacy: not as an exchange, but as an imposition. His behavior echoes Cheolmin’s earlier suggestion 
(chapter 13) where a little touch was functional. On the other hand, the suggestion framed “affection” as a form of fun and entertainment, meant to soften the experience and shift the focus toward the partner. While Cheolmin’s comment was not malicious—in fact, it encouraged Jaekyung to become gentler and more attentive—it still fell short of true emotional connection. Why? It was a medical suggestion, meant to protect Dan’s fragile state. The kisses in episodes 14 were to protect the physical therapist. They were initially functional, a mean to achieve a goal before becoming a habit.
(chapter 63) Fun is not the same as love, and this distinction matters deeply for someone like Kim Dan, who associates kissing with emotional safety and love, not performance or play. This explicates why he refused to be kissed in episode 63: 
(chapter 63) 
(chapter 44), Dan’s were soft, exploratory, almost reverent. His lips touched not just his lover’s mouth, but his cheek and ear—tender sites that bypass eroticism in favor of emotional intimacy. These weren’t prolonged, devouring kisses. They were pecks, small and deliberate. They mirrored affection, not possession. 
(chapter 3) —it forces the wolf to ponder on the meaning of a kiss and his relationship with the physical therapist.
In that iconic artwork, the man does not kiss the woman on the mouth, the traditional locus of erotic desire. Instead, his lips are placed upon her cheek—a gesture that suggests reverence, not possession; vulnerability, not domination.
(chapter 44) 
(chapter 45)
(chapter 54) When he was young, he had to face an abuser. Notice that the man’s face was very close to the champion’s 
(chapter 54). Thus I interpret that for the champion, the face represents not only his vulnerability, but also a source of danger. That’s the reason why he couldn’t hide his displeasure and frustration, when he faced this “lover”. 
(chapter 44) He couldn’t hide his joy by the champion’s funny reaction and laughed. And how did the protagonist react to this? Not only his face expressed his dissatisfaction, but also he silenced his partner with a kiss right away: 
(chapter 44) Joo Jaekyung is leading the kiss, he is regaining control over their relationship. It reinforces the idea that the wolf’s kiss was not merely about passion, but about reclaiming dominance and halting a shift in power. Just moments earlier, Kim Dan’s laughter had opened a space of emotional intimacy and lightness, which the champion was not prepared to face. The kiss, now prolonged and intensified, becomes the sportsman’s way of reasserting control over a situation that was slipping into unfamiliar emotional territory.
(chapter 45) The marks on the doctor’s body were evidence that he was no longer in control. They weren’t just signs of a physical encounter—they were witnesses to something far more threatening: vulnerability, softness, and reciprocity. In the night, swept up by instinct and unspoken longing, the wolf had allowed himself to be touched—not just physically, but emotionally. But by morning, the spell was broken. His gaze didn’t linger on Kim Dan with affection—it darted instead to the bruises and scratches as though they were accusations.
(chapter 45) wasn’t just the pain he might have inflicted—it was the realization that the balance of power had subtly shifted. The man who had always dictated the terms of their relationship had surrendered to something unfamiliar: tenderness, emotional closeness, and shared desire. The fact that Kim Dan initiated affection, even kissed him voluntarily, shattered Jaekyung’s script. For someone who conflated feelings with threat, and dominance with safety, this reversal was unbearable.
(chapter 45) —and that he, in turn, had wanted Dan back. This terrified him more than any bruise ever could.
(chapter 37), and kissing becomes his emotional brake pedal. It’s not simply an act of love, but a means to regulate, or even drown out, what he cannot yet name or accept: that he is being loved. It is not random that I included the scene from episode 37: he heard laughs from the other room. For him, such a noise must have sounded like a disrespect and mockery, triggering his past trauma. And he was not entirely wrong in the sense that they were eating behind his back 
(chapter 37) It was, as if they were mocking him because of his forced “diet”. No wonder why the champion is barely seen laughing and prefers seriousness. At the same time, I can grasp why the athlete feels close to Park Namwook, as the latter stands for these exact notions: work, money and seriousness. Fun is not part of his world and vocabulary, therefore he punished Joo Jaekyung for sparring with doc Dan.
(chapter 2) Though his face was close to the star’s, he didn’t attempt to kiss him. In fact, he proposed him a fellatio, a sign that the champion had never allowed anyone to get close to his “face”. Finally, observe how he reacted, when the uke in episode 55 attempted to kiss him: 
(chapter 55) Not only he rejected him, but also he pushed him violently so that the latter was on the floor. 
(chapter 55) The celebrity even ran away: a sign that the allowing someone approaching his face is perceived as something uncomfortable and threatening. At the same time, that moment exposes the kiss as something sacred—one that cannot be duplicated without emotional violation. This shows that for the champion, the meaning of a smooch has evolved. It is no longer perceived as a source of fun and a mean to gain something.
(chapter 55) He couldn’t forget doc Dan’s face, the latter excited him, a sign that for the champion, the face in general has been a source of pain, yet thanks to doc Dan, the latter has become a source of “comfort and joy”. 
(chapter 66) When he saw his face for the first time, he didn’t realize that he was already under the hamster’s spell. Striking is that he even focused on his chin and lips, a sign that he desired to kiss them. One thing is sure. The champion treasured the doctor’s face. After their separation, it is not surprising that the wolf felt the need to see his face. 
(chapter 39) before requesting a fellatio: 
(chapter 39) The main lead’s head was very close to the champion’s face, thus he must have felt uncomfortable. Secondly by acting this way, the doctor was gradually gaining power over their relationship. For the wolf, dominance is everything, an indication that in his past he felt defenseless and weak. His “opponent”, the mysterious ghost, had the upper hand. Moreover, the fellatio created a distance between them, where the fighter could expose his superiority. And note how doc Dan behaved under the influence of the drug: 
(chapter 39) He caught his fated partner by surprise, when he suddenly kissed him, mirroring the champion’s past behavior. This panel corroborates that for the doctor, a kiss is the symbol of love. The champion was not happy with this kiss too, for the latter meant that he was no longer controlling their relationship. Yet, after hearing the doctor’s confession during that night, the athlete no longer resisted his partner’s kisses. 
(chapter 39) For the first time, he accepted Dan’s initiative—both physically and emotionally. Compare it to his attitude before: 
(chapter 39) here, he still has his eyes wide open, a sign of vigilance. These kisses from doc Dan 
(chapter 39) mark a turning point in Jaekyung’s arc: he begins to lower his defenses, allowing Dan not only into his personal space but also into a position of gentle agency within their relationship. The kiss no longer represents a threat; it becomes an opening and a sign of trust. 
(chapter 55) These memories represent the moment where the athlete felt strong and had the upper hand in their relationship. These images reveal that Joo Jaekyung hasn’t realized the signification of the kiss yet. For him, they don’t seem important. This exposes that the athlete has not associated kiss with love and affection yet. At the same time, we have to envision that a smooch is strongly intertwined with equity and trust. 
(chapter 28) And in episode 14, it was clear that the star still felt superior to his companion, therefore the kiss had no special meaning. As you can see, everything is pointing out that Joo Jaekyung had never been kissed before. And what does a kiss symbolize? Not only attachment, but also purity and innocence. 
(chapter 42) According to him, doc Dan was not different from him. However, he was wrong. It is because the champion had kissed him!! Moreover, the celebrity had allowed doc Dan to kiss him as well. Besides, how did the champion name his past lovers? They were toys… normally people don’t kiss playthings. And now, imagine that doc Dan were to discover that Joo Jaekyung had his first kiss with him. This revelation would not only make him realize that Joo Jaekyung loves him, but also he could be wondering why the athlete had never done such a thing before, though he had past lovers. YES, the “first kiss” could be the trigger for both characters to question their respective past and perceive their fated partner correctly. 
(chapter 15) 
(chapter 52) In that context, a kiss could never be affection, but vulnerability. A risk.
(chapter 3), based on Dan’s vague claim of prior partners. Yet Dan has never kissed anyone before. The kiss becomes his true moment of loss, a quiet confession through action. Conversely, Jaekyung’s own discomfort shows that he, too, is untouched in this particular way. When Dan tries to kiss Jaekyung again, and he instinctively rejects it, it reveals just how unprepared he is for affection. They are both unaware that the other is emotionally “pure” in this regard, and that makes the kiss a shared revelation.
(chapter 67), Jaekyung must reinvent his approach. He cannot rely on dominance, strength, or sexual performance to win Dan’s heart. If he wants true connection, he must learn a new language—one built on gestures of affection, softness, and presence. This process also involves separating his public persona from his private longing. Joo Jaekyung, the champion, cannot seduce with spectacle. But Jaegeng, the man, might learn to express love through a simple touch, or a well-timed kiss. The redefinition of seduction is not just about Dan’s healing; it is about the wolf’s reclaiming his own right to feel and give love. And in my opinion, that process has already started: 
(chapter 65) nor his past partners provided him with genuine and affectionate touch, Jaekyung must look elsewhere. 
(chapter 29: note that he did not select this scene to rekindle with the doctor, but the other scene) He will learn it from life, from watching how the innocent express care without shame or purpose.
(chapter 27) In Jaekyung’s past, laughter had been a weapon—an expression of ridicule and cruelty from an abuser. 
(chapter 62) If someone had laughed in front of him and made fun of him, this would have reopened his old wounds.
(chapter 47) and denial for strength 
(chapter 61), Park Namwook 
(chapter 69), and Shin Okja 
(chapter 53) all operate within survival mechanisms shaped by trauma, guilt, and fear. They choose the illusion of control or calm over genuine healing. But as the story unfolds, these strategies begin to unravel. Each character must confront the truth behind their emotional habits, learning that happiness isn’t the absence of pain—it’s the result of confronting it with clarity and purpose. 
(chapter 54) He could only express his pain and resent through the hand. This moment encapsulates the core of his trauma: as a child, he learned to survive through silence and compliance, not resistance. Yet deep down, the resentment festered—toward himself, and toward the abuser. That psychological pain was redirected into becoming a fighter, as if to prove the abuser wrong. 
(chapter 26) 
(chapter 36) His language was dominance, not dialogue. He didn’t process his emotions through words—he suppressed them, until they erupted in violence or withdrawal. 
(chapter 34) 
(chapter 1) And crucially, he didn’t leave right away either despite his embarrassment and fears. 
(chapter 1) Thus for the first time, Jaekyung had to develop a new strategy in order to meet him again: one that doesn’t rely on intimidation, but on communication. The problem is that since he saw the physical therapist running away after their first session 
(chapter 1), he knew that he needed to lure him with something: money 
(chapter 1). Under this new light, my avid readers can grasp why the athlete played a trick on the phone, though we have to envision that here the celebrity’s thoughts were strongly influenced by his bias and prejudices. He imagined that Doc Dan had made a move on him.
(chapter 5) That retreat doesn’t mean failure—it can be an act of self-preservation. However, the champion experienced that he needed to speak with doc Dan in order to keep him by his side. This lesson became a turning point. Jaekyung started to speak more. 
(chapter 18) Therefore it is no coincidence that in episode 18, right after the celebrity spoke, Kim Dan’s reply was strongly intertwined with flight: 
(chapter 18) The denial of kindness from the champion made the doctor uncomfortable, the latter felt the need to leave the penthouse as soon as possible. The lesson for the star was to realize that words are powerful and can affect people. But Joo Jaekyung didn’t grasp it, as he chose to use sex to „submit“ his fated partner. 
(Chapter 18) Nevertheless, as time passes on, the wolf asks more and more questions. He reacts to emotional discomfort not only with physicality but with hesitation, introspection. He is no longer reacting as the ghost once taught him; he is arguing and as such adapting, growing. Thus we could say, he is less passive.
(chapter 3) or table, in showers 
(chapter 7), against doors, or walls 
(chapter 34). On the surface, it may seem like a gesture of dominance or desire, but symbolically, it reflects silencing.
(chapter 51) They stand in the middle of the room—an open space—symbolizing emotional emancipation. When Dan questions the celebrity 
(chapter 51), the words from doc Dan pierce the champion’s emotional defenses. Thus Joo Jaekyung is destabilized. 
(chapter 51). The latter tries to reassert control 
(chapter 51), but this time, when he lashes out, he is the one who leaves. This is cognitive dissonance at work: the fighter cannot reconcile his fear of vulnerability with his emerging need for connection and his perfectionism. So he defaults to a performance of control, even as he runs from it. And while one might mistake this for weakness or regression, it actually displays a progression. First, Jaekyung had finally revealed his thoughts and fears to Dan. 
(chapter 51) Secondly, he left the place which was a new MO for the fighter. His act of fleeing is no longer an escape from confrontation —it follows a moment of emotional vulnerability. It shows that he had finally dared to speak, even if he wasn’t yet ready to stay and endure the emotional aftermath.
(chapter 69) That silence could easily be mistaken for submission, for the same old performance of the compliant athlete. 
(chapter 69) But that would be a misreading. His silence is no longer a symptom of fear or control. It is a deliberate withholding—a sign that he no longer plays by their emotional rules. He is starting distancing himself from MFC, Park Namwook and the fight-centered identity they crafted for him.
(chapter 69) After all, to those still invested in dominance hierarchies, leaving the capital after a public defeat seems like the behavior of someone who’s been defeated mentally as well. But the truth is the opposite. This “retreat” is actually an act of autonomy. For the first time, Jaekyung is giving himself space—not to run, but to reflect. 
(chapter 69) He is no longer blindly performing the role of the fighter, nor desperately trying to maintain control over the narrative. 
(chapter 69) He is beginning to think critically about his past behavior, his future, and the systems that have defined his identity and life.
(chapter 7) and flight 
(chapter 36), or MFC’s decisions. 
(chapter 25: here the protagonist was replacing Yosep and Park Namwook), hires professionals to manage damage 
(chapter 47), and hides behind administrative actions. 
(chapter 66) But he never takes full responsibility. This blame-displacement strategy works—until the champion flees to the West Coast. 
(chapter 66) As long as the champion was nearby, Park Namwook could project blame onto him, framing him as unstable, disobedient, or temperamental. But once „his boy“ vanished from Seoul, the hyung was left exposed. Striking is that he is not seen watching over the training of the remaining members. 
(chapter 60) 
(chapter 60), a sign that he is neglecting the other members. The absence of his star fighter removed his most convenient scapegoat, forcing him to face the consequences of his own mismanagement—though he is not yet ready to truly question it and change his mindset, denial, and dependency. This was not just a geographical disappearance—it was a strategic psychological rupture, meant to destabilize Park’s illusion of authority.
(chapter 69) He continues to speak as though the champion’s future is intact, as if the title is still within reach. But the organization’s actions speak louder: Jaekyung is no longer a contender — he is being gradually abandoned, not promoted. Secondly, Park Namwook assumes that Jaekyung will win the next fight, as if victory is still within his grasp. But this trust is misplaced — not only because the fighter is recovering from surgery, but because the schemers may have already designed this match as a final blow. Another fight right after a surgery, a staged defeat, or a quiet elimination would neatly push Jaekyung out without public controversy. By assigning him a marginal, delayed match, they are not offering redemption — they are orchestrating his exit.
(chapter 47) Finally, he can testify not only as a fighter, but as a representative of the institution they tried to exploit. That elevates his voice: from a disposable athlete to a legal opponent with organizational standing.
(chapter 1), deflecting, and disappearing became natural. With the grandmother, with doctors 
(chapter 1), with institutions—he obeyed. He accepted his fate as a fatality. But with Jaekyung, a new pattern emerged. Slowly, he began to resist: he set boundaries, raised his voice, argued with his boss, even used physical gestures to assert himself. 
(chapter 7) For a moment, he was fighting.
(chapter 67) Moreover, in contrast to Season 1, Kim Dan is no longer the invisible caregiver or obedient grandson. Thanks to Joo Jaekyung’s presence—disruptive and painful as it was—he began to form an independent identity
(chapter 57), one no longer shaped entirely by duty or guilt. The grandmother, however, is blind to this change. She continues to speak to him as if he’s the same self-sacrificing boy 
(chapter 57) —it is a rejection of the belief that he exists only to serve. In Season 2, Dan says “no” repeatedly:
(chapter 60) 
(chapter 67)
(chapter 58) 
(chapter 57)
(chapter 65) She uses his past flaws to outline his immaturity and need of guidance. However, she is not taking into consideration the transformation in the doctor due to the recent incidents (switched spray). He is no longer the same than he was 6 months ago or 2 years old. He changed thanks to the athlete and because of unfortunate events (sexual harassment from the hospital director, switched spray). But the halmoni has no idea about such incidents. 
(chapter 53) Unlike Park Namwook who uses blame and delegation in professional settings, she applies emotional avoidance in private and familial spaces. Much like the manager, she outsources responsibility, asking others to step in 
(chapter 53) 
(chapter 65) Her silence is not protective—it is evasive.
(chapter 5) Her illness becomes a metaphor for her mindset. She relies on external systems: her grandson 
(chapter 7), medication, comfort 
(chapter 21), and other people (nurse, Joo Jaekyung) —to maintain her emotional balance. But as doc Dan himself once observed, she is ultimately on her own in her battle. No system can fight it for her.
(chapter 7) His grandmother was not truly abandoned; she simply equated his physical absence with neglect, ignoring the emotional and financial burden he already carried. Like Park Namwook, she prefers others to carry the discomfort while maintaining a façade of suffering and sacrifice. 
(chapter 65)
(chapter 47) , and her narrative of selflessness becomes another form of emotional pressure. She does not yell, she does not accuse directly, but her avoidance is equally powerful in shaping Dan’s self-image as a burden. Doc Dan came to internalize that she suffered because of him.
(chapter 65), protected, comforted. Surrounded by nurses, medication, and routine, she finds temporary peace in an environment that simulates safety. The hospice does not cure her illness, but it cushions it. This illusion allows her to smile again, to relax—but only up to a point. Kim Dan’s gradual deterioration 
(chapter 57) —his visible exhaustion, disconnection, and quiet suffering—becomes a thorn in her eye, a reminder that her peace is not whole. As long as he suffers, she cannot entirely escape the shadow of her own regrets. Sending him away to Seoul represents a new of flight. Out of sight means out of mind. That way the grandmother wouldn‘t have to worry about doc Dan, as he has been entrusted to the athlete. 
(chapter 163) and supported by the article on confirmation bias, human survival was deeply dependent on mental shortcuts. Biases were not flaws, but adaptive tools — heuristics that helped our ancestors make quick decisions under threat. Faced with a potential predator, they could not afford the luxury of curiosity or debate. Run first, think later. 
(chapter 163) In this sense, biases were effective precisely because they increased the chance of survival.
(chapter 9) But once Joo Jaekyung became the target of criticism and scandals, his fear response activated. 
(chapter 41) he recommends the opposite at the restaurant because the idea comes from the CEO! 
(chapter 65) It was her decision to settle down at the hospice. 
(chapter 67) His survival bias told him: “Don’t trust a man who once treated you violently.” or “Doctors are ignorant, they don’t know me“. It was easier to discredit the source than to weigh the merit of the message. Likewise, in Season 1, the champion dismissed doc Dan’s medical opinions 
(chapter 41), trusting instead in MFC and his agency — despite the fact that those institutions are overtly motivated by money. His bias protected his ego, but at the cost of his health and relationships.
(chapter 45) His double standard is not conscious hypocrisy — it’s a form of selective laziness. He does not challenge his beliefs because doing so would unravel the identity he’s built as a competent, authoritative manager.
(chapter 65) or a support network. It is not her fault, if she never met doc Dan’s friends in the past while hiding the fact that he had been bullied by his peers. Her request for him to return to Seoul, a place he has no roots, only furthers his habit of isolation. Similarly, when she asked Jaekyung to bring him to Seoul and have him diagnosed, she implicitly discouraged any shared decision-making. Like Park Namwook, she bypassed dialogue in favor of directive control, reinforcing the habit of emotional withdrawal.
(chapter 67) That shift marks a turning point from survival to conscious thought. The mind cannot reflect when it believes it is under attack. The tragedy is not that these characters are irrational — it’s that they were taught fear before they were taught trust. Thus I come to the following conclusion. As soon as both are curious about each other 
(chapter 69), they are now free from their bias and prejudices. 
(chapter 69) They will be able to communicate which will help them to discover the truth about MFC. Yes, their ability to ponder will lead them to unmask the villains and defeat their opponents. By fighting for justice, both will discover true peace of mind. This hardship at the end of season 1 was necessary to reset their heart and mind: what is the true meaning of life? Money? Work? Duty? Sacrifice?… The answer is happiness which is strongly intertwined with love and selflessness. 
(chapter 69) it is a harbinger of disruption. A radio broadcast delivers the warning: skies turning cloudy, strong winds forecasted at 20 to 25 meters per second. This is no ordinary breeze. It signals the arrival of a whole gale—powerful enough to topple trees, strip rooftops, and fracture routines. 
(chapter 69) Hence he is still wearing his dark blue shirt, pants and an expensive watch. But more importantly, he is now driving his white sports car. This means before meeting his hyung and the CEO, he went to the penthouse and changed not only his outfit but also his vehicle. He selected the white car, 
(chapter 69) Since the latter is a high-performance luxury model, it symbolizes wealth, speed, and prestige. That’s how he wanted to appear in front of the CEO. However, now he is going to the place where the storm will be the most violent. Because the star is still dressed in his dark blue shirt and expensive watch, I came to the following interpretation. This is not the champion in training clothes, but a man who now owns time
(chapter 60) 
(chapter 61) No longer is he defined by his cellphone or his car, but by a reclaimed sense of agency. 
(chapter 38) or his car 
(chapter 69). Hence the manager can no longer be in touch with him. 
(chapter 66) 
(chapter 69) might be damaged or lost to the tempest—a symbolic stripping away of status which reminded me of the way doc Dan treated the halmoni’s Wedding Cabinet. 
(chapter 53) Both instances symbolize a relinquishing of material attachments (he leaves his huge penthouse for a rented little “hostel”) and a profound shift toward emotional growth. For Jaekyung, the potential loss of his prized possession is not just about property—it marks the beginning of relying on others, accepting vulnerability, and letting go of his rigid, self-reliant identity. Similarly, the doctor’s decision to leave behind the Wedding Cabinet signals a break from the past and a readiness to build something new, no longer defined by inherited burdens or emotional debts. In both cases, possessions lose meaning. With nothing left to prove, the champion accepts vulnerability. He is no longer above asking for help, nor afraid of stillness. And that realization could only emerge under pressure. 
(chapter 57) This initial depiction – of the sparkling blue sea, the gentle rhythm of waves (shaaa), the birds in the sky, the beautiful sunset 
(chapter 59) and 
(chapter 58) daily life in slow motion—sets up a stark contrast to the approaching storm. All these images and including the elderly proclaiming 
, (chapter 65) “It’s a nice little town, isn’t it?”, lulled both the characters and readers into a false sense of permanence. But beauty is ephemeral. Storms, by nature, contradict stability. They sweep away trees, roofs—and with them, pipe dreams. 
(chapter 53) That’s why Mingwa zoomed on her gaze, but “cut” her ears, a symbol for her “deafness”. Hence she didn’t hear and feel the wind during her stroll with the champion. 
(chapter 53), bathed in the orange glow of a perfect sunset, reflected her toxic positivity—her tendency to ignore pain and erase any negative memories, including a life marked by hardship in Seoul. It encapsulated her attempt to embellish the past and project into the present 
(chapter 17), where the walls were decorated with actual postcards of beaches she had never visited. These were not souvenirs, but illusions—windows into an idealized elsewhere that helped her ignore the hardship around her.
(chapter 56), her illusions of control. This is not poetic justice, but poetic truth. She cannot walk. 
(chapter 65) She cannot escape. The wind howling outside her window will no longer be ambient noise—it is a reminder that she has no dominion here. 
(chapter 47), symbolizing distance from reality. In the hospice, it is placed next to the window 
(chapter 61), revealing trees and the sky—nature encroaching. By her second stroll with Jaekyung, the image of the window reappears 
(chapter 65), subtly reminding readers of its fragility. Now, as the storm rolls in, the trees outside become potential hazards, and the window that once offered a view might shatter. Should this happen, then it will rupture her illusion of control and all her repressed fears should come to the surface.
(chapter 56) But he misjudged her case for two reasons. First, the file had been tampered: she had received a new treatment. Secondly, he did not know her. What he saw as acceptance was actually a mix of comfort, avoidance and unresolved fear. The gale will expose the limits of both clinical assumptions and self-deception. The woman who once believed she could choose the time and manner of her death now faces nature’s blunt reminder: she is not in control of life and time—nor of anything else. 
(chapter 56) —it is a layered terrain of symbolism and vulnerability. Perched on what appears to be a peninsula 
(chapter 65) in a bay 
(chapter 60) ; the docks, roads, and shops follow at level 1 
(chapter 62) 
(chapter 69); and the town proper stretches up with retaining walls
(chapter 59) (Light of Hope) overlook the coast and the landlord’s house 
(chapter 57) almost stands on the top of the hills. These heights offer a commanding view—but they also expose the buildings to the full brunt of the western tempest.
(chapter 57). I came to this deduction, as the champion could see the building from the beach, when he rescued doc Dan. 
(chapter 61) Like pointed out before, his name is misleading, for hope implies “rescue”. However, a stay in that place means that their “inhabitants” are all destined to die due to cancer. There’s no real cure there. In other words, the tempest will bring to light its true nature. The hope, just like its comfort, are illusory. 
(chapter 57), fields and close to two power masts 
(chapter 61), so it is quite vulnerable as well. Therefore one might think that the champion’s hostel is similarly exposed to potential outages or structural damage. 
(chapter 69) is so built that you don’t need to leave the building in order to “enter” a different room (kitchen, bathroom) contrary to the landlord’s. 
(chapter 62) There’s no doubt that the dogs will be invited to his home, as her place is right under a tree and power mast. 
(chapter 57) and wisdom, finds herself outmatched—not by age, but by wind. Her idea of safety is shattered. Like pointed out before, the storm embodies present. So if they come to enjoy this time of respite together, they will realize that this “tragedy” for others represented a “blessing” for them. 
(chapter 69) would be left outside, symbolizing that this “sport” has become less central and vital in the main lead’s life. This is the first true pause in their relationship. Jaekyung, used to immediate gratification and external control, must slow down. And for the first time, he will see what he always overlooked: that meals take effort, that conversation has value, as it can help to get closer to another person. He doesn’t need the grandmother to get “through Kim Dan”. 
(chapter 66) Jaekyung, who has never seen the puppies, might discover them now. That discovery mirrors his gradual awareness of fragility and caretaking. For Kim Dan, nurturing the puppies symbolizes reclaiming his capacity for love and responsibility—free from obligation.
(chapter 21) and needed company. 
(chapter 21) The doctor would drop everything and rush to her side overlooking his own health. But now, with blocked roads and dangerous winds, Kim Dan cannot come—even if he wants to. He is no longer her servant or safety net. Nature has intervened where he could not set a boundary.
(chapter 5) Thus his anxieties should reach a new peak. His grip on the boy he used to control is gone. The storm draws a line between who remains—and who fades.
(chapter 61) Therefore I perceive him as the eye of the storm. 
(chapter 66) quietly shapes the emotional core of the episode. At first, this detail may appear insignificant, but its narrative timing and visual prominence suggest a deeper meaning. The sudden flight of the sparrows 
(chapter 66) mirrors the situation of the main characters, as the latter are about to depart for Seoul. Striking is that Mingwa draws our attention away from the champion grabbing doc Dan, but focused on the birds. Why? It is because the author desires her readers to notice the world of subtle symbolism. Far from being a random detail, the presence—and sudden flight—of the sparrows echoes the characters’ inner transitions, raising questions about home, communication, critique, and the complicated process of change. To understand the richness of this scene, it’s crucial to consider not only the sparrow’s traditional meanings but also the narrative choices the Webtoonist makes in what is shown and what is left unseen, especially regarding the role of witnesses and the power of perception. To fully appreciate the layers of meaning in this moment, it is essential to consider not only the universal symbolism of sparrows but also their role in classic fables, Korean culture, and even modern pop culture—where the sparrow’s voice becomes a catalyst for both belonging and change.
(chapter 69) —who serve as stand-ins for the broader community. In this way, their union is not just a private matter but becomes public and recognized, affirming their bond within the social fabric of the town.
(chapter 64) or inspire the group to change its direction. In the context of Jinx, the sparrows’ existence 
(chapter 62). It took place in the morning. The harmony doc Dan hoped to find is momentarily lost, replaced by anxiety and a sense of being unmoored. 
(chapter 62), therefore the young man didn’t pay attention to his arrival contrary to the quoted panel above. Moreover, it is clear that the “hamster” felt safe in the presence of the landlord. Back then, he had only accepted the champion’s request after hearing the landlord’s remark: 
(chapter 62) The champion’s abruptness is the result of Kim Dan’s past rejection and stubbornness, the athlete is expecting resistance. However, he can not ignore doc Dan’s exhaustion and fragility. Besides, he feels motivated and justified, as he is following Shin Okja’s request.
(chapter 69), while Joo Jaekyung must confront the impact of his actions and learn new ways to show support. The challenges that follow—the physical setback for Kim Dan and the champion’s new professional demands—reinforce that their journey is full of hurdles. Still, these hindrances serve a higher purpose: to remind them that they are not alone, that they need each other’s protection and backing, and that the bonds forming in this little town can become sources of true resilience.
(chapter 27) a playful prank occurs without any third-party observer. The context is unambiguous: both the characters and the reader understand the action as harmless and mutually accepted, so no external framing is required.
(chapter 69) Here,the Korean Webtoonist directs the focus to the characters themselves, depicting the champion’s rough handling of doc Dan with striking directness: we see the moment Jaekyung grabs Dan by the t-shirt 
(chapter 69) and throws him outside 
(chapter 69), the action punctuated by dramatic motion lines and the sounds of impact. Yet, despite the force of the act, the landlord—who witnesses the scene in real time—remains silent, choosing not to intervene, criticize, or even question Jaekyung’s motives. 
(chapter 69) His composed presence in the background 
(chapter 69) 
(chapter 69) Moreover, I am sensing that the elderly man might feel terrible, for he asked for the athlete’s assistance in the middle of the night. But let’s not forget that the main lead had driven 4 times within 2 days the distance from the little town to Seoul.
(chapter 62) he brings his belongings 
(chapter 66) gradually into his new environment, creating a personal nest. 
(chapter 66) a sign that this gift has now a sentimental value for the athlete. Just as sparrows persistently build and rebuild, so do the characters in Jinx adapt, settle, and grow—sometimes through trial and error, sometimes in fits and starts, but always moving toward a deeper sense of home. By moving to a smaller house, he is encouraged to select what truly matters to him. This evolution has not reached its end: the champion will keep moving his possessions to the little town. Moreover, I am more than ever convinced that we should expect the arrival of the Wedding Cabinet in that small town. 
(chapter 19) To conclude, we should see the chapters from 62 to 69 as the creation of the couple’s nest and as such “home”. 
(chapter 13), who had been awakened by the champion, though contrary to the fairy tale, this arising was associated with pain. [For more read the analysis 
(chapter 60) But how did they ended up both cursed by the same spell? The reason is simple. They were either halted by guilt and self-loathing or distorted by the desperate need to escape a traumatic past. Yet, amidst this stasis, small cracks are beginning to appear, suggesting that the flow of time cannot be denied forever. The past can not be repeated 
(chapter 64) or become the present or future. At the heart of this struggle lie symbols of doors, windows, and reflections—metaphors for how both characters perceive their realities and their chances of breaking free.
(chapter 44), he still does not fully include himself in this awareness. His concern was limited to his grandmother’s limited time 
(chapter 59), reflecting his selfless role as a caregiver. As someone who has long allowed others to define his time—whether as a physical therapist or as a prostitute—Kim Dan has yet to acknowledge his own mortality. Even during the lavender-tinted night, while he determined the length 
(chapter 64) and nature of the encounter 
(chapter 62), he did so for the sake of debts, not for himself. 
(chapter 64) The recent death of the puppy serves as a stark reminder 
(chapter 59) that he is not exempt from time’s reach, that he too is aging and vulnerable. But the doctor failed to recognize this warning. He only viewed it as a sign of his own powerlessness, reducing it from his own perception. He overlooked the fragility of life as such. 
(chapter 35), he created an illusion of freedom that only masked his deeper confinement—his glass prison. When Kim Dan closed the door and left 
(chapter 64), the illusion shattered, revealing the reality of his loneliness. The jinx, 
(chapter 55) The view created an illusion of openness and freedom, masking the reality of his confinement. Glass, by its very nature, is transparent—a barrier that is invisible yet unbreakable, creating a false sense of freedom. The window’s clarity hid the fact that it was, in truth, an impassable wall that confined him, turning the promise of escape into a cruel irony. By focusing on the horizon, he could avoid looking inward, denying the unresolved trauma left by his anonymous abuser. 
(chapter 54) were designed to create the illusion of eternity—as if time itself was under the phantom’s control. This assertion not only sought to freeze Joo Jaekyung in a perpetual state of inadequacy but also to distort his perception of change as impossible. Trapped in a cycle of hatred and self-loathing, the athlete’s vision of freedom was limited to the false infinity of the horizon. 
(chapter 53) And now, you comprehend why the champion chose not to look for Kim Dan after his departure. He was so close to the window, making him think that he had a “choice”. That’s how I realized that the closer he would stand to the window, the less he would get Enlightenment. Hence he is portrayed eyeless here. 
(chapter 53) Ironically, the window—symbol of escape—became his glass prison, a barrier that reflected the endlessness of his struggle rather than a path to liberation. 
(chapter 19) —a window that offered no view of the outside world. This reflected his entrapment in a life defined by guilt and sacrifice, unable to envision a future beyond repaying debts and fulfilling duties. The window’s visible cracks and makeshift repairs represent not only the physical deterioration of their environment but also the psychological fragmentation within Kim Dan himself. By choosing to patch the window rather than replace it, Shin Okja’s actions reflect a mentality of denial and resignation—an unwillingness to confront the full extent of their impoverishment and suffering.
(chapter 19) suggests a deeper symbolic resistance to change or moving forward. In a sense, the grandmother’s decision to live with the broken window mirrors her acceptance of a life defined by limitations and unspoken grief. 
(chapter 51) Observe how the “hamster” is once again turning his back to the door. However, the bloody footprints became an evidence for Kim Dan that he had been abandoned and left behind. And now, you comprehend why the main lead took the athlete’s request seriously and literally. It is because the door in the past was the symbol of betrayal and abandonment. This explicates why he is so sensitive to the sound of a closing door and could recognize it, even if his ears and eyes were covered. 
(chapter 35) 
(chapter 21) Consequently, I interpret the following scene like this: 
(chapter 19) When he was standing here, he must have sensed it as a betrayal against his own grandmother. Hence he employed the expression “goodbye” and not “farewell” to diminish his guilt. No wonder why he chose to hide his move from his relative and bring the Wedding Cabinet to the penthouse. Under this new perspective, my avid readers can grasp why Kim Dan’s nightmares in season 2 were linked to the opened door: 
(chapter 57) His unconscious was telling him this: Shin Okja had broken her promise. She was about to abandon him. He had the impression that he was reliving the past. That’s the reason why he was scared and suffering. 
(chapter 57) In addition, I believe that his unconscious was pushing him to come clean with the past, to reveal the changes in his life. It was impossible for both of them to keep such unreal promises. 
(chapter 56) revealed the existence of a past trauma. It highlighted his own fear of abandonment and rejection—an emotion he had long denied. The door, a supposed barrier against the outside world, now stood as a reminder of all he had pushed away, including his own need for connection. Therefore he never left his door open in the penthouse: 
(chapter 55) That’s why I perceive this scene as an important step for Kim Dan himself: 
(chapter 64) By opening and closing the door, he is overcoming his abandonment issues. He becomes the ruler of his own life (time and relationship). He is freeing himself from the mental torment which readers could witness in earlier episodes. 
(chapter 24) The physical therapist has kept his past trauma a secret. And what is the synonym for “secret”? Key! So when the main lead leaves the champion behind 
(chapter 24), yet the latter didn’t get fooled at all. He found out the true nature of their relationship. 
(chapter 19) the Wedding Cabinet in Kim Dan’s home functioned both as a mirror and a false window, preserving an illusion of timelessness. 
(chapter 19) Unlike the rest of the dilapidated house 
(chapter 10), the cabinet remained pristine, suggesting a futile attempt to halt the passage of time and maintain the status quo. 
(chapter 1) to the point that I called him “Mister Mistake”. 
(chapter 43) On the other hand, his missteps are there to teach the fighter to drop his perfectionism and to bring the notion of entertainment in his fated partner’s life. Kim Dan is funny in his own way. 
(chapter 64) He doesn’t respect humans in general. The irony is that by criticizing Joo Jaekyung, the doctor is overlooking his own nature. He is also a sinner. 
(chapter 57) Is it a coincidence that the doctor’s cold attitude takes place in chapter 60 -64? 
(chapter 61) No, as the number 6 sounds similar to sex. Moreover, don’t forget that Satan’s number is strongly associated with 6 (666 or 616). From my point of view, the “hamster” is on his way to become an adult and as such a sinner as well. The physical therapist’s stubbornness reminded me of the behavior of a teenager who believes to know everything about life, while in verity, such people lack experiences. And what did the nurse say about the main lead? 
(chapter 57) He should nurse himself for his halmoni’s sake so that the latter wouldn’t worry. From my point of view, if doc Dan gets sick, he could be the catalysator for her deteriorating health. But now, it is time to return our attention to the “champion”. 
(chapter 61) But why did he want to return to the past? It is because of the ghost’s criticism 
(chapter 64) 
(chapter 64) That’s why the door 
(chapter 64) Hence the author focused on his wide opened gaze. Kim Dan’s intervention was painful but necessary, because through this reflection, the athlete’s motivation to fight is bound to change. In the future, the fight won’t be deadly serious like before, he won’t act like a tyrant in the ring where he couldn’t control his rage. 
(chapter 1) He will see his opponent as an artist too. 
(chapter 21) with her, because he felt treasured. 
(chapter 61) 
(chapter 63) —no matter how reluctantly—represents the second turn. With the doctor’s cold rejection, he is forced to choose: What does he want in life? Only the champion title or something else? 
(chapter 64)
Hence the latter will become his hyung. For me, there’s no doubt that through this confrontation, the athlete’s respect for Kim Dan can only increase. 
(chapter 27), and he noticed the quietness of the ocean 
(chapter 62), I am expecting that he will go to the beach. A new version of this scene: 
(chapter 59) But this time, that would be a conscious choice. That’s how he will reconnect with his true self for good. But strangely, I am expecting that he won’t be on his own. I am quite certain that this man will make a similar experience than the grandmother: 
(chapter 47). Moreover, in season 1 and 2, the doctor was often connected to the sunset: 
(chapter 1) 
(chapter 48) This was an ominous sign for the champion’s symbolic “death” and rebirth. Sun and moon are natural tools to determine the flow of time. 
(chapter 64), and the language of touch—their dynamic undergoes a profound shift. This moment is not just about desire but about power, communication, and the fight for control. It is in this intimate space that both men are confronted with their vulnerabilities 
(chapter 64), and Kim Dan begins to push back, not with force, but with emotional detachment. He avoids his gaze, hides his moaning and as such remains silent. This night is a pivotal moment, signaling the champion’s awakening to his emotions and Kim Dan’s assertion of his autonomy. 
(chapter 63) it is a stark contrast to the usual aggressive or mechanical physicality of their past encounters. Let’s not forget that when the athlete kissed the doctor for the first time 
(chapter 14) in the locker room, he not only used his hand 
(chapter 14) This comparison outlines that their first kiss was more the result of conscious and tactical decisions than of passion and desire. It was not only to protect the hamster’s life, but also to be able to fight against Randy Booker. In other words, their first kiss was strongly intertwined with work and absence of consent. He had not informed Doc Dan before.
(chapter 63), until the latter finally opened his mouth. This gesture reminded me of a wolf licking his progeniture in order to show affection. My avid readers will certainly recall my analysis of their “love session” at the penthouse in Episode 44: there were traces of “animalistic behavior” 
(chapter 15) 
(chapter 63) represented the next step of his “generosity”. Yet, the divergence is that the star had done the French Kiss by instincts, whereas the fellatio was more a calculated move. He selected this new approach based on his own likes and experiences. In other words, this magical night represents the birth of a “lover” and “boyfriend”. 
(chapter 62) The celebrity could do anything he wanted. In other words, he had clearly giving him his consent to be kissed and the doctor could not refuse as such. 
(chapter 63) It is clear that Kim Dan had anticipated a different approach: a renewal of their First wedding night. The irony is that the French kiss and the fellatio became the evidence that the star was not treating the doctor as a doll per se. Why? The star has changed a lot due to the main lead’s influence. He had gained knowledge and confidence. Nevertheless, their interaction here forces a confrontation not just between them, but within themselves—Jaekyung, who has always relied on physical dominance to maintain control, is confronted with a newfound uncertainty, while Kim Dan, whose silence once reinforced Jaekyung’s belief in his own power, now wields that same silence as a weapon.
(chapter 61) or exhaustion—has his tongue metaphorically freed by this act. 
(chapter 63) The significance of this kiss becomes evident when, later that night, he finally speaks up, voicing everything he has suppressed. 
(chapter 64), the scent in the air 
(as seen through the presence of scent sticks in the background), and the vision and sensation of the man beneath him. Unlike the previous intimate moment in Chapter 44, where he was inebriated, this time he is conscious. 
(chapter 64) This is the rebirth of Jaekyung—not as the infallible champion but as a man experiencing intimacy in a new way.
(chapter 64) It indicates that the star was actually revealing his attraction toward his companion. We could say that with this attitude, he was gradually lowering his guard. But there’s more to it. Just before he “was going to finish inside”, he chose to kiss his partner. 
(chapter 64) This privileged position indicates that the main lead was not ready to face Kim Dan’s gaze during an orgasm. In other words, he had not entirely lowered his guard in front of the doctor. The reason is simple. While he was giving pleasure to his partner, this is what he was forced to see: 
(chapter 64) rejection, anger and resentment. This was not a gaze full of love, the remains from the “surrogate fights”. His facial expression was reminding him that his fated partner was more a prostitute than a lover, for he saw this sex session not as a source of pleasure. That’s why he thought like this: 
(chapter 64) Under this new light, I deduce that the champion was not aware of the true motivations behind his actions. He was actually longing for the doctor’s love and embrace. 
(chapter 64) His act of biting his lips in Chapter 64 is not just a nervous tic; it expresses not only physical manifestation of his restraint, but also his suicidal tendencies. He doesn’t mind hurting himself. This shows that he still doesn’t value and treasure his own body.
(chapter 64) The lip bite signifies hesitation but also resistance. It reflects his internal struggle: he does not want to engage, but something within him still reacts. He still has feelings for the athlete. This small gesture encapsulates his frustration—not just with Jaekyung, but with himself.
(chapter 57) and overworks himself. That’s the reason why I couldn’t truly rejoice when Kim Dan rejected the champion. In fact, he selected work and pain over “joy and pleasure”. And why? Because of the past and the athlete’s actions.
(chapter 64) Further by licking his lip, he is acting like his doctor and guardian. But there’s more to it. Observe the comment from the champion: he was holding back. This means that by biting his lips, the doctor reminded Joo Jaekyung of his own weak constitution. Thus I interpret that the champion came to associate the kiss with vulnerability and affection. 
(chapter 15) and touches were purely acts of dominance—ways to assert ownership over Kim Dan. However, the ear lick, which almost looks like a bite, in Chapter 64 carries a different weight. 
(chapter 64) He refused to see and listen to others and to the athlete, because he was trying to deny the existence of his love. The reason is simple. He is trapped in his own world, full of darkness. He was trying to clinch onto the past, where he portrayed himself as a victim and doll of the champion. But the reality is that doc Dan treated himself as a doll or servant, for he didn’t value his own body. Hence he didn’t eat properly and drank soju to drown his pain. 
(chapter 5) This is a habit he had before he met Joo Jaekyung. Moreover the latter was living in abstinence, until he drank alcohol by mistake because of him.
(chapter 24) of Season 1. Instead, there is waiting and hesitation, an unspoken question in the way he leans in. For the first time, it seems as though he is searching for something more—perhaps a response, a reciprocation, or even just an acknowledgment from Kim Dan. This shift underscores Jaekyung’s internal transformation; he is gradually internalizing Kim Dan’s values and beginning to approach intimacy differently, even if he himself is not yet fully aware of it.
(chapter 64). He thought, using strength could still help him to conquer Kim Dan’s heart, though it is just an unconscious attempt. 
(chapter 8) 
(chapter 15) 
(chapter 61) That’s the reason why during this lavender-tinted night, Mingwa used reflections of all sex sessions from season 1. Let’s not forget that Joo Jaekyung was never seen cleaning up “the mess” he made. Doc Dan had to clean himself, which is the reason why he made the following request: 
(chapter 29) Not washing his partner implies his refusal of becoming responsible. The problem is that since it was a first for him, he has no idea about its true meaning. Besides, due to his own traumas and fears, he didn’t pay attention to his PT’s emotions and well-being. Striking is that Joo Jaekyung compared himself to fire during that night. 
(chapter 63) And what is the opposite to fire? WATER!! Thus this image came to my mind. How do you kill desires and passion? One might say by becoming ice-cold! However, my answer is this: by pouring a glass of cold water on the champion’s face! Yes… 
(chapter 37) This means that Joo Jaekyung is getting punished for this gesture. Let’s not forget that he mentioned their stay in the States to bring back good memories. But I have another reference for this interpretation. 
(chapter 27) And where did he go to calm down? In the swimming pool… 
(chapter 62) He now includes his entire routine with Kim Dan—not just sex, but also his physical therapy and treatment—as part of this so-called jinx. This shift is crucial because it implies an unconscious recognition of Kim Dan’s significance in his life. What once was purely about his career and success has now expanded to include a specific person and their role in his well-being.
(chapter 46), the stretching and massage at the gym? The problem is that the champion never complimented the “hamster” for his good work directly. So it was, as if his dedication was nonexistent. Without the champion’s genuine gratitude and appreciation expressed so openly, the physical therapist couldn’t perceive the true message behind the champion’s. Joo Jaekyung’s statement was actually an acknowledgment—a sign that the fighter values their routine, not just for performance but as an integral part of his life. So when the star mentioned his jinx 
(chapter 62), the doctor’s memory got triggered. Because of his past experiences, he has long associated the jinx exclusively with sex. This contrast in understanding highlights both Jaekyung’s lack of self-awareness and Kim Dan’s tendency to filter reality through his own expectations and trauma. However, the deeper significance lies in Jaekyung’s evolving perception of dependency. His jinx is no longer just a superstition tied to his performance in bed. It now subtly acknowledges that his success has been intertwined with Kim Dan’s intervention. 
(chapter 61) By entrusting his care to Kim Dan, he was insinuating that the main lead was trustworthy and competent, yet his inability to verbally express appreciation keeps the doctor unaware of his true feelings. This struggle resurfaced in front of the hospice, where Jaekyung could only bring himself to admit that Kim Dan was not responsible for the incident with the switched spray. 
(chapter 62) His reluctance to openly acknowledge his gratitude suggests a deeper internal conflict—one that hints at a growing but unspoken emotional reliance on Kim Dan. 
(chapter 62) It was, as if he was warding off bad luck by repeating the last match. For him, past choices are justified by their results—he has built a successful career through sheer discipline and sees no reason to question his trajectory. His mentality reflects the belief that one’s past is a stable structure upon which the present and future rest. This perception explains his resistance to self-reflection and emotional vulnerability; admitting a mistake would mean disrupting the stability he relies upon.
(chapter 50) 
(chapter 57) and Park Namwook 
(chapter 54), who claim that Jaekyung ‘lost’ the fight, when in reality, it was a tie. The very way people around him are framing the event warps his perception, creating a false narrative where his struggles seem to stem solely from this supposed ‘loss.’ His belief in a stable past provides him with a sense of security, but that illusion is fragile. In addition, if his struggles predated his championship loss 
(chapter 13) because they affected the doctor’s life? 
(chapter 41) In one case, he refused to listen to his friend’s advice, whereas he trusted the words from MFC, MFC doctors and his hyung. When the foundation he has relied upon begins to crack, Jaekyung’s entire mindset is shaken, forcing him to question whether his past truly holds the answers he seeks. We could say, the athlete needs to be betrayed by his own past in order to throw his old belief. The latter is strongly intertwined with the organization MFC and authorities in general. Questioning his past equals challenging the company MFC and his past “guardians”: the terrifying ghost and even his two hyungs. 
(chapter 61), he expresses the belief that reclaiming his championship title will rid him of his headaches, nightmares, and sleepless nights. However, the reality is different—he was already suffering from insomnia long before he lost his title. 
(chapter 29) The origins of his struggles existed before his recent failures, suggesting that his belief in a simple solution—reclaiming his title—is an illusion. This disconnect reveals how deeply his professional and personal life are entangled; his need for control in the ring has masked his deeper emotional vulnerabilities. He isn’t merely striving for victory—he is chasing the illusion of stability, believing that his success is the sole factor that determines his well-being. 
(chapter 29), you will realize that alone in his penthouse, Joo Jaekyung was actually admitting the importance of sleep and rest. His earlier belief in relentless training as the key to success now clashes with his realization that exhaustion is affecting him. This shift signifies an unconscious admission that his well-being is not just tied to physical endurance but also to recovery and relaxation—something he previously dismissed. This realization subtly parallels his growing dependence on Kim Dan, reinforcing the theme of blurring lines between his professional and personal life. And what had occurred after this magical blue night in the penthouse? 
(chapter 30) The athlete woke up later than usual. In fact, he was rather late, for he was still wearing his pajamas, while the doctor had already taken his shower. But back then, observe how he opened the door! Like a clumsy beast, grump leopard! Why? In the past, I explained that he was seeking the champion’s closeness, but didn’t know how to approach his partner. I am now adding another aspect. He was actually annoyed, because he had not been following his daily routine!! Under this new light, it becomes comprehensible why the champion had such a “angry” facial expression, while deep down he was happy. The older version of this scene: 
(chapter 44) However, this means that in episode 30, he never acknowledged his dependency on the physical therapist for his rest loudly. On the other hand, it explains why the champion felt threatened, when the actor approached his “lavender-tinted pillow” or “sleeping pill”. 
(chapter 31) In fact, he used guilt to create a link between him and his roommate. That’s the reason why I am more than ever convinced that the champion will sleep better after this lavender-tinted night. 
(chapter 63) But contrary to the past, the athlete should come to recognize his lover’s great sleeping power officially. This made me laugh, imagining Kim Dan’s reaction, when the latter sees that his wish 
(chapter 62) won’t come true at all. 😉 He will stay longer and ask for Kim Dan’s presence during the night.
(chapter 62)
(chapter 56) and opportunities that could offer him security, convincing himself that he is protecting his independence when, in truth, he is reacting to past trauma rather than making an intentional choice.
(chapter 46) 
(chapter 46)
(chapter 62) If he continues making decisions based on past fears, he will remain trapped in the same cycle, unable to experience true growth or emotional fulfillment.
(chapter 3), which has been the setting of power imbalances, physical dominance, and silence, the living room represents a shared space—a place where dialogue and openness can exist. But why is the bedroom linked to silence? It is because of the TV, the third invisible companion! 
(chapter 48) Hence during that night, none of the protagonists talked sincerely to each other. And now pay attention to the living room at the hostel: 
(chapter 54) He needed to get rid of this poor habit: watching TV or cellphone. He had to realize that the TV or cellphones were never real companions and never brought him peace of mind! This was the invisible “love” triangle. Back then, the athlete deceived himself by thinking that he was truly self-reliant, while in verity he was dependent on his cellphone and the TV. 
(chapter 37) And all this started because Kim Dan had taken the initiative. 
(chapter 7) But now, it is no longer fulfilling for him, because his relationship with them didn’t go beyond their work. 
(chapter 59) Striking is that here the doctor didn’t apologize to the elderly man, but only to the family. 
(chapter 59) 
(chapter 62) – which is quite understandable in my eyes. The ones who failed the couple were the two other hyungs from my perspective. The past affected the doctor so much that he views himself and his feelings as “trash” now, yet it is clear that neither Park Namwook nor the coach are suffering from guilt or remorse. The star’s follow-up statement, 
(chapter 62) further reinforces that Kim Dan has become an integral part of his preparation. Although Jaekyung does not yet frame this as emotional reliance, his words betray an unconscious attachment—one that Kim Dan himself does not recognize. Moreover, by including him in his jinx, the champion is only one step closer to include him in his “success”. Should the doctor be the target of malicious comments, the star will consider it as a personal assault or as his responsibility.
(chapter 43) Someone needs to remind the athlete of his own “statement”. Simultaneously, since the doctor never got curious about the fighter’s past and family, his presence could only be seen as a bandage covering a rotten body. In order to heal completely, he needs to expose his traumatic past and vulnerabilities. 
(chapter 56), but about something deeper. Here he felt the need to see his beloved “companion” again. 
(chapter 27) At the same time, this confession displays that his past was far from being perfect, the evidence of a distorted memory. After working so hard for the community, he came to receive a treatment from Kim Dan: 
(chapter 62) That’s why I come to the following conclusion: The athlete must have felt happy in the living room, for he felt comfortable and safe.
(chapter 62) But why did he show his back? One might say that he desired to hide his “satisfaction” and his “reliance” on his fated partner. Or he didn’t feel the need to watch the doctor’s facial reaction, when he would confide his new intentions and the transformation of his jinx. He didn’t expect the physical therapist to mock him for his absurd belief contrary to episode 2: 
(chapter 2) He trusted the doctor. Yet, in my opinion, there exists a bigger reason behind this change. It is related to his manager: 
The doctor is treating the star 
(chapter 22) when he is not, using his seniority and past influence to assert dominance. His attitude is related to his past decision: from his perspective, he saved the athlete from turning into a criminal. 
(chapter 26) His dependence on Jaekyung’s achievements makes him resistant to any shift in the fighter’s trajectory 
(chapter 43), but when confronted with a serious incident, he failed to take responsibility or make a decisive choice 
(chapter 50), allowing others to step in instead. Later, rather than addressing his inaction, 
(chapter 53), as if the past never happened. By doing so, he reinforces Jaekyung’s belief in his so-called ‘jinx,’ manipulating the fighter’s perception of events and contributing to a distorted memory of reality. Meanwhile, the manager must face the reality that change is inevitable and that Jaekyung’s evolution does not mean his own irrelevance. However, his position must change.
(chapter 59)
(chapter 5) He felt so empowered that he won very quickly. 
(chapter 5) But this good vibe was attributed to the sex with Kim Dan and unfortunately linked to his match. The reality was that he had slept better and longer. So by recreating the past, Kim Dan places the athlete in front of a choice. What matters in his life? His title or his peace of mind? He is correcting the champion’s distorted memory. Kim Dan is the reason why he can rest properly and not the title. Don’t forget that he was suggesting to go separate ways during the massage. But if he sleeps better before gaining his title, he won’t feel the urge to return quickly to the ring. In the living room, he was still acting as the celebrity, but in the bed chamber he is now gradually pushed to leave his title out of the bedroom. Now, in the bedroom he becomes a man and can almost make a mistake as a lover. 
(chapter 59) However, he needs to realize that his physical and mental recovery can only happen, if he truly wishes it. From my perspective, the doctor has to sense that he is not on his own, he has someone by his side who supports him emotionally and mentally.
(chapter 62) 
(chapter 62) Thus in this essay I will explore the symbolic meaning behind his actions in the town, the interplay of nature and community in his transformation, and how these moments reflect his internal growth. The analysis begins with his transformative experience in the ocean during his rescue of Kim Dan 
(chapter 60), followed by his newfound attentiveness to his surroundings—jogging in silence and responding to the natural rhythms of life. 
(chapter 62) and community service. His gradual acceptance of simplicity, represented by his clothing and the symbolism of cucumbers and potatoes, signals his reconnection to nature and humanity. 
(chapter 60) In many ways, this moment functions as a symbolic baptism, reflecting a deeper narrative of renewal and change. In Chapter 28, Kim Dan’s immersion in water during a pool scene 
(chapter 28) was symbolic of his acceptance of intimacy, reshaping his view of sex from something “filthy” 
(chapter 20) into something natural and human. 
(chapter 29) Similarly, Joo Jaekyung’s dive into the ocean can be interpreted as his baptism into a new “religion”: love and vulnerability. 
(chapter 60) His gesture is not just about saving his loved one, but also showing care to humans in general. He can no longer be indifferent to someone in pain or in danger.
(chapter 62) He might complain, but in the end he accepts the presents. This change is reinforced by his willingness to accept gratitude in the form of vegetables and food rather than monetary gain, showing a newfound appreciation for simple, heartfelt exchanges over transactional relationships.
(chapter 59) caused by his grandmother’s neglect, indifference and rejection. The rescue, while focused on saving Kim Dan, also represents the birth of a new understanding for Joo Jaekyung—a recognition of the transformative power of vulnerability and connection. 
(chapter 60), not the natural world around him. The rescue planted a subconscious seed, setting the stage for his later behavior. When Kim Dan denies his assistance in Episode 60
(chapter 60), it’s as if the doctor erases that defining moment, refusing to acknowledge the champion’s care. Yet Joo Jaekyung does not react with anger or frustration. Instead, he takes the doctor’s rejection as challenge. 
(chapter 60) However, contrary to the past, money and influence seems to have no impact on the physical therapist’s mind and heart. He is keeping the athlete at arms-length. 
(chapter 61), he begins to demonstrate his growth through quiet, consistent actions—helping others without expecting gratitude in return.
(chapter 62) For the first time, he is not merely running for fitness or competition; he is paying attention to his surroundings. 
(chapter 62), and the natural rhythm of life around him. 
(chapter 62) Running along the ocean, a setting that profoundly influences his state of mind, Joo Jaekyung demonstrates a newfound openness. 
(chapter 62) This moment underscores his growing ability to connect with others sincerely, without suspicion or defensiveness. His willingness to engage reflects a broader transformation—one that prioritizes meaningful connections over dominance or transactional relationships. This newfound awareness signifies a major shift in his character. His senses are becoming attuned to the world beyond himself, and he is learning to differentiate between what truly matters and what does not. 
(chapter 10) At that time, his perception was clouded by indifference and a focus on material circumstances. Now, however, his response to the elderly woman’s request reflects empathy and an awareness of human vulnerability.
(chapter 10), evoking a sense of cold detachment and judgment. In contrast, the moment where Joo Jaekyung is asked to repair the roof is bathed in daylight 
(chapter 62) Thus I deduce that he never accepted any kind of compensation in the end. But none of the inhabitants could accept such a generosity, therefore they brought vegetables or dishes. Unlike his previous life, defined by detachment and impermanence, these acts of community-oriented labor mark a significant shift in how he values his strength—not as a tool for control 
(chapter 62), but as a way to support and uplift others. The admiration from the inhabitants is genuine 
(chapter 62) One might think, he is doing all of this against his will and heart. In my opinion, it is related to his past behavior: 
(chapter 47), she rarely prioritized Kim Dan’s nourishment. The grandmother’s actions were driven by financial survival. Joo Jaekyung, on the other hand, receives food as a form of gratitude and recognizes the significance of nourishment beyond monetary gain. 
(chapter 58) with the reality of his evolving personality and his behavior toward others. Choi Heesung’s dismissive remark that Joo Jaekyung would “flip his shit” if he knew the living conditions of Kim Dan implies a static, unchanging view of the champion, one that aligns with a superficial understanding of him as merely ruthless and violent. However, this chapter reveals the fallacy in such an interpretation, exposing the actor’s arrogance and lack of true insight into Joo Jaekyung’s character.
(chapter 23), they could have succeeded. Potato, the youngest member of the team, embodies this missed opportunity. 
(chapter 9) His nickname, “Potato,” while intended as lighthearted and affectionate, is something he despises because he perceives it as demeaning. Yet the reality is quite the opposite—nicknames like these often carry affection and camaraderie. Yet he rejects it out of insecurity or an internalized belief in its inferiority.
(chapter 52) reveal a missed opportunity for bonding. The champion, who is evolving into a more open and empathetic individual, might have been an unexpected source of support and connection had Potato not listen to others and chosen to embrace this chance instead of harboring negative assumptions. 
(chapter 62) underscores the gap between perception and reality, showing how preconceived notions can prevent genuine relationships from forming. It also reinforces the theme of growth and transformation, as Joo Jaekyung continues to break away from the static image others have of him, proving that even the most misunderstood individuals can surprise us with their capacity for change. The interplay between the nickname “Potato” and its underlying affection further echoes the theme of finding value and beauty in simplicity—a motif central to the champion’s journey as he embraces humility and authenticity.
(chapter 62) , while he had put on his expensive jeans and CK tee-shirt. 
(chapter 62). This stands in opposition to the previous scene in front of the hospice: 
(chapter 61) The focus on Joo Jaekyung’s feet 
(chapter 62) The hospital or Kim Dan’s presence may provide him with a sense of stability and calmness, allowing him to adopt a more casual and relaxed appearance. Additionally, the contrast between his expensive jeans and branded t-shirt and his unassuming sandals reveals a division between his public image and private self. While his clothing aligns with his status as a wealthy and successful individual, the casual footwear hints at a simpler, more authentic side of him that is emerging in this setting. It reflects his willingness to shed some of the societal expectations tied to his identity.
(chapter 62) Feet often represent movement or progress, and wearing casual footwear like sandals might signify that he is in a state of personal transformation. The lack of socks further emphasizes this shedding of layers—he is slowly allowing himself to be more vulnerable and introspective, stepping away from his usual, controlled persona. Finally, sandals reflect his connection to the environment. His footwear choice underscores that the hospital is a place where he feels secure and unthreatened. The focus on his feet could symbolize his groundedness in the moment, highlighting that this environment allows him to pause and reflect, rather than act or defend.
(chapter 62), he is immediately approached by the town chief. 
(chapter 42), where appearances and dominance once took precedence over community and connection. 
(chapter 02) The penthouse, perched high above the city, served as a symbol of isolation and self-reliance—an ivory tower of sorts, detached from the world below. In contrast, the town’s hostel 
(chapter 62) reflects shared experiences and human connection, embodying a shift toward groundedness and humility.
(chapter 30) This evolution from animalistic aggression 
(chapter 62) “Jaegeng.” While this may initially appear as a simple mistake due to the landlord’s poor hearing, it holds deeper symbolic weight. This renaming can be interpreted as part of Joo Jaekyung’s rebirth in the town—a reflection of his evolving identity.
(chapter 54) Like mentioned above, his stay in this little town is teaching him to become immune to manipulations in the end. His self-esteem is getting boosted, hence he doesn’t mind being called “Jaegeng”. 
(chapter 59) Hence I have the impression, she could be the one leading him there, if not Kim Dan. Let’s not forget that the doctor’s deepest wish is to go on a walk through the woods: 
(chapter 47) Another interesting aspect is that the trip to the forest is connected to rest in the physical therapist’s mind. Striking is that though the champion helped the community, he still worked. So technically, he has never had a day’s rest either. But this is what he said to the landlord: 
(chapter 62) Ultimately, Joo Jaekyung’s journey is not just one of self-improvement but a quiet challenge to societal values. True strength is not about control, but about the ability to grow, connect, and embrace change. Blooming muscles signifies not just physical power, but a strength nourished by care, community, and the courage to evolve. Finally, I would like my readers to pay attention to the sky, when the champion approached his fated lover: 
(chapter 60), deteriorating physical health 
(chapter 60), and the ominous setting of the hospice 
(chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. 
(chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, 
(chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy 
(chapter 53), emphasizing his vulnerability and dependence on others.
(chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness. 
(chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. 
(chapter 57)
(chapter 58), such as two older women 
(chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord 
(chapter 58) nicknamed “old man” 
(chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population. 
(chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. 
(chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, 
(chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event 
(chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.
(chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy 
(chapter 59) but also his grandmother’s diminishing expectations of him. 
(chapter 57), easy bruising 
(chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. 
(Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company. 
– episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange 
(chapter 56) 
(chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨 
In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, 
discovering different patients behind each one until finding the right person. 
This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. 
(chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. 
(chapter 57) or the mysterious Park Jinchul 
(chapter 56)
(chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. 
(chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract 
(chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: 
(chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone. 
Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか？” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response 
(chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team. 
(chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. 
(chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. 
(chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. 
(chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: 
(chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.
(chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner. 
(chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other 
(chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, 
(chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: 
(chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations 
(chapter 60), as he did in episode 6. 
(chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: 
(chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: 
(chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic 
(chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: 
(chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? 
(chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. 
(chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts 
(chapter 59) and Joo Jaekyung’s rescue of Kim Dan. 
(chapter 57) Cheolmin already warned his friend in episode 13: 
(chapter 23) Potato initially admires the champion, aspiring to be like him 
(chapter 23) and dreaming of recognition as his sparring partner. 
(chapter 23) Joo Jaekyung, much like the prince in Andersen’s story, projects an image that masks the reality of his life. His success, while celebrated, represents years of hard work and immense personal sacrifices. At the gym, Park Namwook undermines these efforts by slapping the athlete 
(chapter 52), the amateur starts distancing himself from his former idol. This exposes the fragility of Potato’s dream. Therefore it is not surprising that he starts taking a different path: acting, though I still think, it is temporary. However, behind the glamorous facade of the show business, there exists a dark side as well. 
(chapter 59) Heesung’s fate is similar to the champion’s. Despite his popularity, the actor is deeply unhappy. He feels lonely, for people only know the actor and not the man behind the mask. That’s the reason why he is looking for his soulmate. 
(chapter 33) That’s how I realized why Potato and Heesung are destined to be together. They are both self-centered, dishonest and blind, but more importantly they are chasing after an illusion which is strongly intertwined with immortality. In addition, my avid readers should keep in mind what Potato truly expressed, when Mingwa introduced this “chow chow”. 
(chapter 23). In reality, he wanted to use the athlete as his servant. The closeness 
(chapter 23) he was seeking was self-serving. While the amateur and the actor are searching for the “perfect companion”, the other couple has no expectation from others. They both have no longer any dream or hope. That’s the reason why Kim Dan was putting this vision of Joo Jaekyung behind a veil: 
(chapter 58) He was giving up on his dream expressed in the birthday card, 
(chapter 55) My newest theory is that he wanted Joo Jaekyung to teach him fighting, but not for himself, but in order to help the fighters and in particular to protect the champion’s body: 
(chapter 25) 
(chapter 25) To develop a training where injuries are minimized. In season 2, it is clear that Joo Jaekyung and Kim Dan have reached the bottom. Both feel empty and exhausted. They were crushed by harsh reality, and they had no one by their side to listen to their pain. Therefore it is not astonishing why the doctor could not confide to the actor and the amateur fighter. They arrived too late. 
(chapter 25) he learns the true nature of the relationship between Kim Dan and Joo Jaekyung. This revelation forces him to confront his own repressed feelings, as he unconsciously realizes his attraction to the fighter. 
(Chapter 25) Heesung’s involvement further complicates matters, as Potato confesses his love for Joo Jaekyung 
(chapter 35) while simultaneously vowing to sacrifice his feelings for the sake of the couple’s happiness. This act demonstrates Potato’s pure and selfless definition of love, 
(chapter 52) and the switched spray the 
(chapter 52) which is strongly intertwined with the departure of disloyal members from Team Black marks another step in his journey toward disillusionment. While Potato initially views this as an isolated incident, it exposes the broader corruption within the MMA world, including the betrayal, greed, and lack of loyalty that undermine its integrity. While he views himself as loyal to doc Dan and Team Black, for he remained at the gym, his heart was not. He is becoming like his hyungs, Park Namwook and Heesung. In Andersen’s tale, the mermaid’s journey to the sea witch represents a pivotal moment of transformation. By sacrificing her voice and enduring physical pain, she gains entry into the human world, but at the cost of her identity. Similarly, Potato’s journey is marked by painful discoveries that force him to confront uncomfortable truths. Through Kim Dan, he will begin to see his own flaws before he is able to recognize them in those he once trusted. 
(chapter 23) 
(chapter 25) 
(chapter 35) The latter doesn’t mind breaking social norms by yelling or causing a fight at a restaurant. But let’s return to the actor’s confession at a bar. It’s not surprising that Heesung appears indifferent to the affection of those who cared for him. The last partner was described as too clingy. This means that Heesung places himself as the judge. In addition, it was, as if he was a god destined to live forever. He is forgetting his human condition, just like his partner’s. And that’s exactly how the prince in The Little Mermaid views life.
(special episode 1) With this request, he implies that he will never become responsible for the amateur fighter. Therefore he can hide his homosexuality behind the young fighter. He used Potato’s mistake to his advantage. 
(special episode 1) By asking Potato to take care of all his needs and desires, Heesung placed himself in a position where he had power and could control Potato. That’s how the young fighter made a dangerous deal with the gumiho. No wonder why his sex role play was a prince interacting with a guard. 
(special episode 2) Hwang Yoon-Gu didn’t realize that by taking responsibility for the actor, he lost his freedom and as such his voice. Is it a coincidence that Mingwa portrayed the young maknae as someone who would raise his voice due to his emotions in the past? 
(chapter 58) his behavior is totally different than with the actor: 
(chapter 58) Tears, touch, raising his voice with Kim Dan, but not with the comedian. With the actor, he looks more calm, distant and mature. Heesung’s selfishness is evident in his treatment of Potato, whom he manipulates into becoming an extension of his own image. Hence he is no longer wearing shorts and tee-shirts. 
(chapter 59) One might say that he is gradually elevating Potato’s status through his suggestions.
(special episode 2) By encouraging Potato to work as an actor and shaping him into a version of himself, Heesung prioritizes his own desires over Potato’s individuality. He is not asking what Potato’s true dream is. But this was his dream originally: 
(chapter 23) Why? It was due to his low self-esteem. 
(chapter 23) He was not confident enough, for he was the only one with such a weight-category.
(special episode 2) played a huge influence in Potato’s decision to take the offer as an extra. It was, as if one of his dreams had come true. But is this what he truly wanted? 
(chapter 59) as a signal that he is not truly happy. 
(chapter 58) However, this is about to change. Heesung who likes novelty and change is not realizing that his wish is becoming true. The picture with his last work announces the end of his “friendship” with Potato. How so? 
(chapter 29), drawing a connection between the character’s innocence and loyalty. 
(chapter 35) This shows that Heesung has long internalized this pattern: assistance will be only given, if he is called. That’s why he has no true friend in the end. He shows no interest in others. But by doing so, he is putting the whole responsibility on his counterpart. Through the actor and the manager’s behavior, the former errand boy has long adopted this pattern. Hence he didn’t call Kim Dan in the end. He waited for a signal from his part. This behavior mirrors the little mermaid’s sisters, who only realize her absence when it is almost too late to act. Similarly, Potato’s casual farewell highlights a betrayal of Kim Dan’s friendship, further emphasizing Potato’s struggle with emotional awareness. That’s why I mentioned above that Potato is about to discover his true nature: he is also a sinner. This growth parallels the biblical narrative of Adam and Eve, where the acquisition of knowledge leads to the loss of innocence. Heesung, like Eve, introduces Potato to a new world of experiences, including his sexual orientation. However, this newfound knowledge comes with its own burdens, as Potato must reconcile his identity with the harsh realities of the world around him.
(chapter 5) Heesung could no longer express his needs and desires.
(chapter 58) Just because one is happy, this doesn’t mean that the other is. For that to happen, communication and honesty are necessary. 
(chapter 59) Potato’s journey is to discover and embrace the principle of “self-reliance” and autonomy. Only when Potato becomes independent in his thoughts and decisions, can he truly help the main couple.
(chapter 47) and 52. Initially, he believed in his hyungs’ description of Joo Jaekyung as a thug, but later he criticized the same fighters for abandoning the athlete 
(chapter 52), accusing them of lacking loyalty and dismissing their claim that they had nothing to learn from him. Yet, in episode 52, Potato does not reproach Park Namwook or Yosep for their passivity and naivety, 
(chapter 23) —taking over his tasks and noticing his unhappiness 
(chapter 25) —demonstrates his capacity for genuine care. This contrasts sharply with Heesung’s selfishness and serves as a reminder of the value of mutual support in relationships. Potato’s potential return to the place where he met Kim Dan could symbolize a rediscovery of authentic connections, marking the beginning of his path toward independence and self-realization. 
(chapter 58) And like mentioned above, this could become a serious problem for Yoon-Gu. He could be perceived as someone selling himself for a gig. And Heesung is not even realizing the consequences of his intervention and meddling. That’s why it is important for Yoon-Gu to become independent. This lesson resonates with Potato’s journey in Jinx. By recognizing Heesung’s selfishness and breaking free from his influence, Potato has the potential to rediscover his own dreams and individuality. Like Erich Fromm mentioned it, true love is respect, care, knowledge and responsibility. However, Heesung has no idea about the importance of these notions, as everything is evolving around his own needs and dreams. 
(chapter 58) That’s how it dawned on me that little by little Yoon-Gu had been losing his senses: 
(chapter 31), his smell, then his ears 
(chapter 58) He forgot the danger coming from Heesung’s words, he could not hear the suffering from the champion due to his bias, and finally he couldn’t see Kim Dan’s distress due to his own feelings and prejudices. We could say that because of the influence from others, he was no longer able to see reality. However, like mentioned before, I sense the return of Potato’s senses in the following panel: 
(chapter 7) indicates that she was not senile or totally oblivious of the truth. She raised her voice out of fear that Kim Dan might have signed a lease behind her back. In that case, she would have become responsible for the new debts. Note the drop of sweat on her cheek, a sign of discomfort. Since I started examining Manhwas, I noticed the strong correlation between the drop of sweat and hypocrisy. Thus I conclude that the halmeoni was living after the following principle: “What the eye does not see, the heart does not grieve over”. For me, her gentleness and smiles are masking her true personality: greedy, selfish and even heartless. 
(chapter 16) the loan shark and the old lady. He knew where she was (hospital), and notice that her grandson had been paying the loan from his own account and cellphone. 
(chapter 11) He had taken over her burden. Furthermore, my avid readers should keep in their mind that the loan shark had been angry, for he imagined that the young physical therapist was moving out. 
(chapter 16) As you can see, the debt was strongly connected to the grandmother’s house. But who had moved out from the small dwelling? The grandmother. Interesting is that this district was about to get redeveloped. The thugs could have noticed it… there were everywhere banners announcing the new construction. 
(chapter 9) But who was not aware of the redevelopment? The grandmother… She had been living at the hospital for 3 years. I came to this deduction because of Choi Heesung’s remark about his k-drama: 
(chapter 21) Her MO is to wait for some change, as if she was waiting for a miracle. It was the same with the house: the latter had mold, a broken window… not because of her, but because of life and other circumstances. It was not her fault, if the house was not well-maintained. She couldn’t change it, but the presence of the huge Wedding Cabinet exposes this lie. She could have sold it and with the money, either pay back the loan and move to a smaller but better house. Moreover, she was able to watch a K-drama during the weekend, a sign that she definitely had time. 
But be aware that this Manhwa is a Yaoi, which means, it is about homosexuality. Here is the link, if you are interested in other Manhwas: 
(chapter 3) and Tae Jihwan 
(chapter 1). But this confusion was just short-lived, as soon as I got to know these two figures. They might look similar first, yet their personality diverges so much. That’s how I came to realize why the author had selected the title “The Edge Of Ambiguity”. She is playing with turmoil, double meaning and enigma. She is confusing her readers on purpose. Why? EZ is raising the following questions. Who is normal or not, and as such who is the monster or not? Are their actions or words good or bad? However, for that, the beholder needs to have criteria for judging others. So how do we judge people in the end? Through reputation, rumors, actions, words or because of desires and interests? Through her work, the author is showing that perception is related to perspective and knowledge. 
(chapter 32) Here, Tae Jihwan’s smile looks rather creepy and manipulative so that the beholder could view him as a freak or even a psychopath. But is this judgement about the protagonist correct? On the other hand, the smirk from Jihwan was directed at Lim Gyujin
(chapter 32), who got so mad at the main character that he assaulted the protagonist. 
(chapter 32) Gyujin’s dark aura makes him look menacing and weird as well. Who is the “monster” here in the end? In order to judge these characters properly, it is important to put the whole scene into its context, and this action stands for knowledge and understanding. Therefore the Manhwaphiles can grasp why I chose “Hidden Monsters” for this essay. All her characters are moving along a thin line between normality and monstrosity. Yes, even the cute and sensitive protagonist Shin Soo-Young. 😮 
(chapter 1) In this analysis, I would like to present these “hidden monsters”. With the term “monster”, I am referring to “cruel persons” and not supernatural creatures.
(chapter 2) Why? It is because children are supposed to receive the father’s name. To conclude, his birth represents a huge anomality. This explicates why Soo-Young is not mentioning his family situation to others so easily either. Only when he faced trouble, he confided to Gyujin and Tae Jihwan. As the son of a single mother, he considers himself as a burden and stain. This explicates why he is not living with his mother. Even when they are struggling financially again, 
(chapter 23), he prefers moving to a cheaper place than returning home. Observe that he is even admitting that his mother’s place is more comfortable than his new worn out flat. 
(chapter 27) I am also assuming that since he started visiting high school, he has been living on his own. Under this new perspective, it becomes comprehensible why Soo-Young is trying to act like an adult all the time. He doesn’t desire to add more stress and responsibility on his mother. No wonder why the student is not confiding to his own mother either. 
(chapter 23) He feels that if he let her know about his struggles and problems, he would add more trouble to his parent. Because Soo-Young always sees himself as a burden to his “family” (he would cost money), he feels indebted towards them. He needs to repay them by “becoming a contributing member of society”. 
(chapter 2) This means, he has to become successful at school and get a college degree so that once he gets a job, so that he can become the mother’s pride. However, this means that he is putting himself under pressure. He promised to his family, he would enter Hankuk University, but his counselor is suggesting to apply elsewhere .
(chapter 28) On the other hand, this imposed exclusion is not entirely voluntary, for this was initially suggested by the mother and uncle. 
(chapter 2) Moreover, later he confesses that he feels very lonely. The best evidence that Soo-Young’s decisions are the result of the mother and uncle’s manipulations is their conversation at the hospital. Soo-Young didn’t desire to move away. 
(chapter 2) His shaking hand was betraying him. He was upset. But note that the mother portrayed herself as an hindrance to her son. 
(chapter 2) Moreover, the manhwaphiles should pay attention to her body language. She was closing her eyes, when she convinced her son to move out and to apply for Hankuk university. 
(chapter 2) Finally, during her visit, when her son repeated her wish: 
(chapter 23), she had a similar reaction. She turned away her head and closed her eyes 
(chapter 23) before adding this peculiar comment: 
(chapter 23) She insinuated that it was her son’s wish, yet the reality is that these wishes had come first from the mother and uncle! This explicates why she never objected to his desires. In other words, Soo-Young’s negative feelings about himself are caused by the mother and uncle’s advices and behavior. She told her son that she was a burden to him, thus the latter mirrored these feelings. He was a burden for the mother. 
(chapter 6) He is viewing homosexuality as a “stain”, for it is rejected by Korean society. He fears people’s gaze and judgement and in my opinion, this anxiety is also strongly intertwined with his origins, the son of a single mother. This explicates why he rejects to be seen as a homosexual. He doesn’t want to be touched in public or even to kiss. This fear explains also why Soo-Young misinterpreted Tae Jihwan’s words. 
(chapter 18) The latter was not rejecting homosexuality per se, rather Gyujin as partner. Yet, his words were so ambiguous that Soo-Young imagined that Jihwan was repulsed by homosexuality. But here, I have to add that Lim Gyujin played a role in this negative perception of homosexuality. 
(chapter 12) The usage of blackmail is exposing the existence of a taboo, a violation of social norms. And how did Gyujin come to this solution? It is because the latter has been hiding his own attraction to Soo-Young as well. He justified their relationship by stating that Soo-Young had a crush on him. 
(chapter 5) He went so far as to say that the main lead had been flirting with him. 
(chapter 6). That way, Gyujin was avoiding assuming any responsibility. By acting this way, Gyujin was hiding his own sexual orientation. He appears as a hypocrite and coward. No wonder why Soo-Young saw his sexual orientation as a heavy weight. But since the seme got violent with Soo-Young 
(chapter 6), the latter decided to break up with him. That’s how the blackmail started.
(chapter 6) Gyujin made sure to isolate Soo-Young. The former made the protagonist feel guilty and dirty, the moment Soo-Young pushed him away. Besides, his first sexual experiences 
(chapter 21) with Gyujin were negative, for they were associated to coercion and violence. This explicates why Soo-Young could only see homosexuality as a monstrosity. Therefore he could only view himself as bizarre. 
(chapter 1), but he convinced himself to keep his distance from him, for they were so different. 
(chapter 26) Finally, the uke’s thoughts 
(chapter 2) However, I started doubting this fact for two reasons. First, I would like to point out that Soo-Young has never met his uncle since the beginning of the story. In fact, the latter informs the main lead through the mother 
(chapter 18) or through the cell phone. 
(chapter 27) 
(chapter 23) There is no direct interaction between them. Moreover, observe that there is no picture of this relative. It was, as if he was a ghost. Additionally, the mother even asked her son to limit their communication. 
(chapter 18) Finally, Soo-Young stated that the uncle provided money to the mother 
(chapter 18) It was, as if he wanted to get rid of the boy… he was the burden. Thus I can’t help shaking the feeling that there is an ulterior motive behind the uncle’s generosity. Moreover, when Soo-Young was moving in his new apartment, none of the relatives were present. Only Tae Jihwan assisted him. The uncle faked his “support” by calling him. 
(chapter 27) Interesting that after listening to their conversation, Tae Jihwan asked him this: 
. (chapter 27) He utilized the idiom “parents”, because he thought that Soo-Young had been talking to his father. He had not paid attention to the name “uncle”. As you can see, “the uncle” is really suspicious. For me, he has always been the mother’s companion, but he hid his true identity by the title “uncle”. 
(chapter 23) He is not affectionate, he doesn’t confide to her. 
(chapter 30). He has no one to lean on. Thus the concerns from the mother and uncle appear as superficial and fake, for they are more “empty words”. Their absence in his life is the evidence of their neglect and wrongdoings. They are monsters despite their sweet words, for they are “passive”, putting the whole responsibility on Soo-Young, while they are expecting to get something in return: 
(chapter 13) the protagonist learned the following lesson: there is nothing free in this world. Thus he started questioning Tae Jihwan’s assistance. 
(chapter 33) What does Tae Jihwan want from him? He wants sex!
(chapter 22) The expression “fuck his brains out” are making the main lead look like a sex monster! 😉
(chapter 2) But the readers are left in the dark about the nature of their past relationship. It was, as if Soo-Young had been a victim of bullying and was coerced to live as an outcast. This panel illustrates his isolation perfectly. 
(chapter 2) However, the moment Guyjin witnesses the exchange of greetings between the two main leads
(chapter 2), he stayed outside the classroom. Their brief interaction had caught Gyujin by surprise. He was left paralyzed. He.feels frightened, for he has the impression that Soo-Young could escape from his control. This explicates why later he approaches Soo-Young again 
(chapter 2) He desires to separate them. What caught my attention is that his words are actually reflecting his own personality. Gyujin has a good reputation among his peers, but his interaction with Soo-Young exposes that he can not be judged by his cover. This person is very manipulative, and not just with Soo-Young, but also with other school mates, like for example with Hyunwoo. The latter is envious of rich people, especially of Tae Jihwan. 
(chapter 1) Yet he was staying close to the main lead, for he could benefit from this relationship. The girls would approach him, for he was Jihwan’s friend and he got the opportunity to party without spending any money. However, the moment Gyujin noticed that the two protagonists got closer, he chose to use Hyunwoo as his pawn. On purpose, he criticized Hyunwoo in public by siding with Tae Jihwan
(chapter 14) so that the latter would feel upset and betrayed by Tae Jihwan. 
(chapter 14) 
(chapter 14) By confronting him with the truth, he earned Hyunwoo’s trust. Gyujin utilized Hyunwoo’s resent towards Tae Jihwan to blackmail Soo-Young again. 
(chapter 21) Hyunwoo became his spy and that’s how he got the picture with the kiss. 
(chapter 20) Yes… this little monster is exactly like his mentor Gyujin, a hypocrite hiding behind social norms. Thus Hyunwoo condemns homosexuality. 
(chapter 21) and his mentor doesn’t object to this statement.
(chapter 6) In this scene, the main lead didn’t desire to drink from the can, because it would have been like an indirect kiss. That’s how the antagonist realized the main lead’s sexual orientation. But like mentioned above, he forced the young boy to kiss him 
(chapter 21) and to do him a fellatio 
(chapter 6) But why did he act this way? One reason is that Soo-Young was rather innocent and passive. He discovered his sexual orientation rather late. 
(chapter 6) Moreover, Gyujin couldn’t control his urges. Besides, he felt that he had the upper hand, for he had been helping Soo-Young financially. 
(chapter 6) And his negative attitude towards the uke becomes more obvious, when you compare his visit . 
(chapter 5) with Tae Jihwan’s. 
(chapter 10) Criticism after arriving unannounced versus no comment and planned visit. However, Gyujin was never perceived as a controlling and manipulative freak by his classmates. Why? It is because they met in secret. It was always after school.
(chapter 5) 
(chapter 5) To conclude, their relationship remained a secret. No one in their class suspected that they were friends, for they were not interacting in the open. However, everything changed the moment Tae Jihwan joined Soo-Young’s class and the former greeted the uke. Because of this small interaction, Gyujin felt insecure and approached Soo-Young again and this was caught by Tae Jihwan. 
(chapter 2) That’s how the latter realized that they were “friends” which led him to ask for Gyujin’s help. 
(chapter 3) However, the latter couldn’t refuse so openly, for the true nature of their relationship was still a secret. On the other hand, this request pushed Gyujin to act behind the back of Tae Jihwan. That’s how his hypocrisy becomes more and more obvious. However, his hideous side reached a new peak, when he trespassed Soo-Young’s house in the middle of the night and tried to rape him. 
(chapter 35) He became a real criminal, thus he covered his face with a mask. So who is he in the end? For Tae Jihwan, he is a parasite 
(chapter 35), as he has been clinging onto the poor student while guilt-tripping him. According to Gyujin, Soo-Young used him to discover his sexual orientation. His hypocrisy, manipulations and hidden brutality make him look like a psychopath, or better said as someone suffering from Antisocial Personality Disorder. But he is not, in my eyes he is closer to someone suffering from NPD (Narcissistic Personality Disorder). 
(chapter 22) To conclude, this character is an antagonist, but his monstrosity only comes to the surface, when it comes to Soo-Young. 
(chapter 1), then he forced him to smoke a cigarette
(chapter 1). Finally, he had a rather enigmatic smile. 
(chapter 1) He was oozing danger and arrogance. We could say that he was introduced as a bad boy, for he arrived late on his first day. On the other hand, he was also described as a very good student. 
(chapter 1), thereby he got admitted to class 1, where all the students are hardworking. Another interesting aspect is that when he arrived late in the classroom, the schoolmates called him a psycho! However, only in episode 41, we discover that he is indeed suffering from Antisocial Personality Disorder. 
(chapter 41) But why is it only revealed so late? It is because the author desired the readers to get acquainted with him before discovering his illness. He should be judged based on his actions and not on this diagnosis. Through the two seasons, Tae Jihwan got the opportunity to act like the “knight in shining armor” towards Soo-Young. 
(chapter 33) First, Soo-Young got blackmailed and threatened by Gyujin and Hyunwoo with this picture: 
(chapter 21), he got slapped. 
(chapter 21) That’s when Jihwan entered the room, a sign that he was waiting for the right time. With his entrance, he was able to turn the table to his advantage. 
(chapter 22) Then when Gyujin tried to rape Soo-Young, the main lead was able to arrive on time, for they had been talking over the phone. 
(chapter 32) He chose to take advantage of the situation in order to have Gyujin expelled from school. And now, you comprehend why Jihwan smirked at the perpetrator! 
(chapter 35) His mental disorder is no secret and is even circulating among the upper-class. In my opinion, it is related to this incident. When he was younger, he attempted to strangle a playmate, Han Do-Yoon. 
(chapter 41) But why did he do this? He described this as an urge, but when you see his smile directed at his father, 
(chapter 41), it becomes obvious that this action was against the father as well. He wanted to show him that he was his true son. 
(chapter 41) How so? 
(chapter 39) With money, he had helped Choi Yoojin. However, this generosity was not for free. He wanted to obtain her love. He had coerced to marry him and to have a child with him. He imagined that if they had a child together, she would come to love the child and as such him. 
(chapter 39) Thus he made the promise to release her, once he had a child. He was hoping that time would be on his side. However, the opposite happened. The woman came to resent Tae Jihwan, as he was a constant reminder of the broken promise. Thus she strangled him on a regular basis. 
(chapter 39) Since the father knew that his love was not reciprocated, he imprisoned her. Since she was trapped, she got depressive and aggressive. The worst is that her son was the one who had to take care of his own mother. 
(chapter 39) His task was to deliver her medicine. And in order to justify her absence to others, Choi Yoojin was portrayed as a mentally sick person suffering from schizophrenia. 
(chapter 39) Seong-Jun hid his crimes behind rumors and deceptions, but his intelligent child was no fool. Yes, he is another monster, but I doubt that his new wife is aware of the true story. This situation escalated to this ultimate threat: 
(chapter 39) That’s the moment the mother chose to kill herself. 
(chapter 41) She cut her wrists in the bed, while her son was sleeping next to her. Tae Jihwan loved his mother despite her harsh treatment. It is perceptible, because he enjoyed sleeping next to her. 
(chapter 39) 
(chapter 39) And now, you comprehend why Tae Jihwan chose to provoke his father. 
(chapter 40) At the same time, his action was like a reminder to the father. He would be tormented, each time he would see him. This explicates why the father doesn’t like meeting Tae Jihwan and he is already talking about sending him to the USA. He wants him to move out, for he feels his presence as a burden, the reminder of his failure. Let’s not forget that after Yoojin’s suicide, the father cried, 
8chapter 41) but he totally neglected his son. 
(chapter 41) This shows that this child had never been the fruit of love, but a mean to control the mother. At the same time, the manhwaphiles can grasp why Tae Jihwan hates lies and hypocrisy more than anything else. 
(chapter 40) That’s the reason why he doesn’t consider people around him as friends. He knows that they are only interested in him because of his father and money. 
(chapter 2) One detail caught my attention is that his “acquaintances” sometimes call him “Taeji”! Tae is the father’s name. They want to be close to him because of his father. In other words, although he is surrounded by people, he is in reality a lonely person. He is in the same situation than Soo-Young in the end. He is abandoned too. 
(chapter 39) The scene with the abandoned cat is exposing that Tae Jihwan is not a cruel and violent person per se. He is capable of taking care of people, but by growing up in a toxic environment, he came to see “love” in a negative light. 
(chapter 39) Back then, he imagined other methods how to keep his mother by their side 
(chapter 39), but her suicide changed everything. 
(chapter 39) This made him realize his powerlessness. For me, her action taught him the following lesson: you can not force your love onto someone! This explicates why Jihwan is not coercing Soo-Young to kiss him 
(chapter 36) or to have sex with him. He wants to have his consent all the time. If the latter rejects his advances and caresses
(chapter 25), he accepts his refusal. He gives him his free space. He is trying to move at his love interest’s space. The best illustration is visible in this panel: 
(chapter 27) He wants to live with Soo-Youngas roommates, but it is not to have sex with him immediately. Though he said this to Gyujin 
(chapter 35) Tae Jihwan ruined Gyujin’s hand with the knife his mother used to cut her wrist. This shows that he was seeing his father in Gyujin. But was he a brutal monster here? Yes, because he did himself justice, he was violating the laws. 
(chapter 35) On the other hand, Gyujin didn’t get charged for the sexual assault on Soo-Young. 
(chapter ), there is no doubt that the latter would have been able to escape from punishment. Just like his father did… he trapped Yoojin, and even drugged her in order to keep her docile and no one intervened. Under this new light, it becomes comprehensible why Jihwan punished him so cruelly. He targeted his fingers, because the antagonist had put them into Soo-Young’s hole. 
(chapter 35) Jihwan couldn’t forget the uke’s fears and tears. 
(chapter 35) On the other hand, we shouldn’t overlook that Jihwan’s extreme action was actually supported by the father’s assistant, Mr. Jeong. 
(chapter 35) He was present, when Gyujin got wounded. He even obeyed the young master’s order, to fetch another tool. He was also present, when the mother got trapped and drugged. 
(chapter 37), a sign that he is not treated properly. Remember that her illness was described as “schizophrenia”. For me, this story is exposing that people shouldn’t be judged based on their reputation, social status or their “illness”. Jihwan is more an antihero, but since he helped Soo-Young so many times, he has been able to move his heart. Thus the latter started desiring to lean more on him. 
(chapter 28) Finally, in chapter 42, Tae Jihwan’s revelation about his past and mother 
(chapter 42) surprised Soo-Young. He was moved and got curious about Jihwan. 
(chapter 42) This scene is truly beautiful, because it exposes the huge contrast between Jihwan and his father. 
(chapter 16) What does he mean with this statement? In order to grasp his words, it is necessary to contextualize his assertion. In that scene, the main lead was mentioning his sister Kim Juyeong and her poor health. 
(Chapter 16) It is clear that he loves her a lot, though he calls her gorilla and doesn’t consider her as adorable. 
(Chapter 16) The reason for such a description is actually to mask his affection. For me, he has always tried to diminish his love for her through words, while in reality he is spoiling her. Why? It‘s his attempt to protect his heart, because he has always been scared to lose her. 
(Chapter 16) The hand on his gaze was not random. He wished to hide his vulnerability, heartache and anxieties. As the manhwalovers can detect, the main character has long associated love to fear and pain. 
(Chapter 16) Thus I am deducing that he wishes to keep his distance from people in order to protect himself and his heart. He doesn’t want to go through agony and the loss of a loved one, his future companion. Under this new light, the manhwaphiles understand the signification of a normal life for Kim Juhyeok. It is a life without pain, but it also implies the absence of human interaction. This coincides with his wish to leave South Korea. By leaving everything behind, he also cuts off ties with his family and friends. Striking is that when the artist wrote his statement, she used a lot of colorful bubbles, but she ended his confession with a white zone. 
(Chapter 16) For me, the panel has a metaphorical meaning. His definition of a normal life is like death. There is no emotion at all and as such no event. By avoiding love and people, Kim Juhyeok is actually burying himself alive. Therefore it is not surprising that his dream is to go to a sunny place. Hence it is not random that the main character is often put in painful but comical situations. It forces him to become emotional and to interact with others. At the same time, it is to confront him with his bias and prejudices. Since he views omegas and alphas as „categories“, his punishment is to be mistaken for an alpha or an omega. 
(Chapter 6) That way, he is encouraged to question his knowledge and perception about humans.
(Chapter 20) It is because he viewed it as an exception, as something unusual. Let’s not forget that he informed himself about alpha and omega through books and videos. 
(Chapter 1) Nonetheless, there is a certain danger by such a research. Since the books and movies are only focusing on the relationship between omegas and alphas, society is somehow occulting the interactions between betas and the other categories. Sexuality between a beta and an alpha or omega is neglected. For it is not studied or even brought up, it is not considered as a norm, rather as an anomaly. On the other hand, it becomes quite clear that Kim Juhyeok has always been attracted to men, just like he caught the attention of men, 
(chapter 19) and in particular alphas or omegas felt enamored by the protagonist.
(Chapter 20) When the protagonist detected an attraction with someone, Seol Gido deceived his friend by letting him believe that he was delusional. Imagination implies the disregard for normality. Creativity stands for exception which is an antonym for norms. Because of his lies and his ignorance, Kim Juhyeok came to internalize that a relationship between an alpha and beta can only exist as a friendship. However, there is no ambiguity that Seol Gido was marking his friend as his possession. Thus he spreads his pheromones on him while giving the fake excuse that he was just drunk. 
(chapter 20) Secondly, the actor keeps reminding the main lead of his „decision“. 
(chapter 20) He was stating it as a fact, yet contrary to the past, Juhyeok felt the need to make a rectification. In addition, when the protagonist narrated to his friend that he had received two confessions, the alpha thought that the two persons must have been betas. 
(chapter 20) Why? It is because for Seol Gido no alpha or omega would ever confess to a beta directly. He was totally relaxed, when he heard about it first. He was smiling with closed eyes, a sign that he never suspected a danger. However, this changed immediately, when he discovered the identity of the rivals: an alpha and omega. The nature of his gaze switched instantly. That’s the reason why the main lead had to defend himself. 
(chapter 20) He had already experienced such a stare. Observe that Seol Gido had to state that his friend would not date an alpha or an omega. It was, as if he was giving him an order. Furthermore, from alpha or omega it became anyone! 
(chapter 20) Why is the actor covered by the white? It is because he embodies the values Kim Juhyeok is advocating. However, there is no ambiguity that the alpha is interested and even attracted to Kim Juhyeok! Let’s not forget that Seol Gido is an actor, and as such his success is based on his fame and reputation. Secondly, in the k-dramas he is acting as an alpha falling in love with omegas! From my point of view, he has somehow internalized such values and fears that if he were the main lead’s partner, his career could suffer. That’s the reason why I am assuming that the departure to a foreign country is also influenced by his friend. No one would pay attention to the actor Seol Gido abroad. 
(chapter 20) which explains why he is not rejecting Lee Sihyeon, Seol Gido or Ha Weonyi as friends. Friendship stands in opposition to destiny and fated love. However, in the last image, the character was imagining Lee Sihyeon’s reaction, when he would see his “loved one” disregarding dress code. This vision pained him a lot… And my readers can already sense the importance of social norms in this dream. He thought that the director would come to reject him, for he had caused a ruckus with his strange attire. But what the main lead doesn’t realize is that director Lee is someone who doesn’t fear social norms! He likes the protagonist for his extraordinary behavior. He didn’t mind being seen courting the beta. Thus the whole office knows about his affection for Juhyeok. The latter is confident, but also naïve, thus he makes the boss laugh. He embodies exception and rarity, because betas are supposed to represent the norm and normality. Consequently, I deduce that the meeting between Lee Sihyeon and Seol Gido will serve as a huge wake-up call for the actor. He thought, he could mislead his friend, while waiting for the right time to confess to him. In my eyes, the actor wanted him to wait for his departure and seclusion before making a move on him. He didn’t want to jeopardize his life in the end. And this contrasts so much to the main lead’s vision. No matter what, they will end up together. And the moment, the beta discovers the truth, he can only reply that their love was not fated. But actually, the actor has another rival, and he is not even aware of his influence and existence, the second Mister K. 
(chapter 4) Mister Kang is an omega 
(chapter 2) who already has a partner. He represents the biggest threat to the alpha actor, for he embodies the opposite values. He stands for honesty and open-mindedness. He doesn’t view people based on their “sex” 
(chapter 18), he treats them all equally, for in his eyes, they are all human beings. 
(chapter 1) That’s how clueless the main lead was. But we shouldn’t overlook that his perception had been manipulated by his friend alpha for years. But there is more to it. When the alpha Lee director played a trick on Juhyeok, he revealed the truth to his co-worker. 
(chapter 6) As you can see, his actions contrast so much to Seol Gido’s. And the reason why I described him as lovely, it is because he is playing cupid. First, he tried to pair the beta with the omega Ha. 
(chapter 13) But before becoming proactive, he asked for Kim’s feelings and thoughts. The readers can also detect how observant he is. He noticed that Kim Juhyeok felt comfortable with the omega. Then when he sensed no huge resistance or denial from the main character, he made such a suggestion:: 
(chapter 13) He had already intervened before, when he had noticed Weonyi’s interest for the beta. 
(chapter 13) Then at the restaurant, he told his co-worker that a guest was interested in him. 
(chapter 18) He pushed the main lead to ponder on the question why the boss was handsome. His interrogation 
(chapter 18) contrasts so much to Seol Gido’s who tries to impose his will onto the main lead. The huge smile on his face 
(chapter 18) mirrors the actor’s cold gaze. 
(chapter 20) Thus when they returned from lunch, Mister Kang couldn’t help himself teasing the colleague. 
(chapter 19) However, his true intention was to push Kim to realize that he was not immune to the boss. 
(chapter 19) This is important, because Mister Kang is now aware of the protagonist’s thoughts and emotions, though the latter is still in denial. This explicates why he left his colleague’s side, when director Lee proposed a walk to his love interest. He was playing cupid again. 
(chapter 19) This signifies that director Lee has already won an important ally in order to win the beta’s heart. Finally, observe that the alpha actor was introduced in chapter 4 
, while the lovely omega started playing a bigger role in the same chapter! 
(chapter 18) However, note that the cute omega is still thinking that their relationship is not over, for the manager still has feelings for his “partner”. 
(chapter 18) Thus I deduce that Mister Kang is going to be the beta’s counselor in his love life. And this leads me to the following question. Why does Mister Kang feel the need to pair the beta with someone? In my eyes, the young man has already sensed his loneliness and solitude. First, he knows about his dream to move to a warm country implying that he has no “attachment” here. Besides, let’s not forget that he helped Mister Kang, when the latter had some health issue. He took over his work. 
(chapter 1) And observe that unlike all the other betas, he was the only one who viewed it as a violation of human rights. 
(chapter 1) That shows the disregard towards the omegas. They can be “mistreated”, for it is in the alphas’ nature to demonstrate their power and strength. This explicates why manager Lee listened to the beta’s advice. He shouldn’t tolerate such a mistreatment and file for a divorce. This took his companion by surprise! 
(chapter 16) He never envisioned that the manager omega would cut ties with him. He used the excuse that the other omega had released his pheromones to “justify” his cheating. He couldn’t control himself. The manhwaphiles can detect the contradiction between nature and society. Since alphas and omegas are living in a civilization, they should be able to “control” their nature. This truly points out that love between omegas and alphas are not simply fated, the partners have to work together to maintain a healthy and natural relationship. And that’s what the beta taught to the arrogant Seo. He imagined that a half-commitment was enough, and the rest would be left to nature and as such “destiny”. However, he is wrong. A true couple has to respect each other. Finally, I would like to outline that though Lee Hyeonjae is an omega, he is a manager displaying his intelligence and strength. As an omega, he doesn’t want to be reduced to his function, the partner of an alpha, and as such to become a housewife. And that’s how his former companion came to recognize how different the omega was. 
(chapter 16) Slowly, the violent and selfish manager is realizing that his marriage was not destiny. As a conclusion, the lovely beta is also playing a huge role in the love life of Lee Hyeonjae. He showed him what he should expect from his partner or not. Thus I interpret that while Mister Kang embodies love and jokes, the other Mister K. stands for reason and norms (in a positive sense contrary to Seol Gido).. The beta is the representative of hard work, pride and reality, the dark-haired omega views fun, jokes and dream. Therefore it is no coincidence that the two workers got so close to each other. 
(chapter 13) Thus he is teaching his co-worker to drop his prejudices indoctrinated from his friend Seol Gido. That’s the reason why I view Mister Kang as the “antagonist” of Seol Gido. The irony is that the alpha will only consider Lee Sihyeon as a potential rival, overlooking the power from the cute omegas, Mister Kang and Mister Ha. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 