The Pawn’s Revenge: A perfect plan?🔞 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE.  Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

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When the episode 24 was released, I couldn’t help myself connecting this panel with the following one (chapter 21) As you can detect, both have so many similarities: a memory, an open area, the blue sky with clouds, two people close to each other, a very confidential conversation, a plan and a clear view. When I analyzed the second panel [read for that the essay “Hope” https://bebebisous33analyses.com/2021/07/13/the-pawns-revenge-hope-%f0%9f%94%9e/], I described that this image represented a dream and as such a hope. Kang Hyeon-Jong explained his plan to his younger brother, and envisioned that an open space was the perfect place for secrecy. In a park, no one would ever suspect them to have such a project (getting rid of corruption among the police and its connection to the red-light district). However, we all know that the police officer’s dream got ruined, for he went missing. There’s no doubt that he got killed, because he got betrayed.

As you can imagine, this image oozes the same atmosphere. Do Seong-Rok and the former prostitute are “hoping” that everything will go well with their plan. By killing Jeon Hee-Seong’s enemies, the serial killer has the impression that he will free her so that they can be together. Because of the parallels, the manhwaphiles can already sense that their dream is doomed to failure, since Kang Hyeon-Jong’s vision never came true. This signifies that their “dream” is in fact just an illusion. Why? I believe that first we can get some answers by comparing both panels again. Yet this time I will focus on the divergences. Then in the second part, I will elaborate their “perfect” project more concretely.

1. Comparison between the detective and the prostitute’s project

1. 1. The beach

First, the place diverges. The protagonist is with Jeon Hee-Seong at the beach. This is no coincidence, as the beach symbolizes new beginning. The reason is simple. It’s because the water washes away the sand and allows the sand underneath to have its new beginning on top. This means that the moment their project is finished, the couple is supposed to start their life anew.

1. 2. The ocean

Secondly, both are facing the ocean, while the brothers were facing the city. It was, as if the couple desired to leave the civilization and to return to nature. They would leave everything behind, as there exists nothing else next to them. They are alone and carrying no possession. On the other hand, the detective’s wish was to clean the city with his brother’s support. We have the impression that the protagonist and his companion have no real aspiration except escaping from their “prison”, whereas the detective, associated to the mountain, is full of idealism and ambition. Imagine that he plans to purge the whole organization alone, a huge task for a simple human. But as you know, the villainess Jeon Hee-Seong is actually far from being contented and humble. Like the author has already revealed it, her flower is snapdragon embodying greed and ambition. This aspect is even reinforced with the choice of color, purple.

Purple: “pompous and arrogant, fraudulent and corrupt, delusions of grandeur and the social climber.” Quoted from https://www.empower-yourself-with-color-psychology.com/color-purple.html

And this truly shows that the chosen place for the confidence, the beach, is actually a deception planned by the former prostitute.

Striking is that the ocean is a symbol of power, strength, life, mystery, hope and truth. It is also referred to as being the tears, or sorrow, of God. These associations can be perceived with the following legend. Aphrodite, the Greek goddess of beauty and love, was born from the ocean and its foam, as a drop of blood and semen fell from the sky into the ocean. The titan Cronus had severed his father’s genitals and flung them into the sea. Her birth reflects life, mystery but also power and strength.

Simultaneously, the ocean is also related to chaos. Remember that the goddess’ birth is linked to blood and violence. But the chaos is also explainable, as the ocean is boundless and ungovernable. This signification is important, for it already announces the prostitute’s huge mistake. She thinks, the beach is the perfect place to manipulate her lover, making him believe that they have a future together: they are facing the limitless ocean, a symbol for freedom. But she is overlooking one aspect: the ocean can be a synonym for destruction represented by hurricanes and tsunamis. That’s why I come to the conclusion that the ocean embodies Do Seong-Rok. Remember how Lee Je-Oh viewed him as a god and admired his force. (chapter 1) I would like the reader to keep in their mind that even in Janggi, the protagonist is acting as a cannon, hence he is definitely no ordinary pawn. For her, the young man is still an innocent and pure lamb, easily manipulated, that’s why she said this to her ally Ahn: (chapter 11) In her mind, he is just a worker and not a boyfriend. She is unaware that by turning him into a killer, she will change his nature. He can no longer be a lamb or even a simple pawn. That’s why he gets an erection while strangling Ma Jong-Seok. (chapter 18) He has become a weapon, and as the ocean, she can never control him. As you can see, if you interpret such an image, you can already anticipate the evolution of the story and realize the villain’s errors. Besides, pay attention to the place of the biggest cloud. It stands next to the main lead. The cloud often represents hope, but it also embodies danger, because it covers the view. And now if we combine the ocean with the cloud, we have a hurricane, the chaos!! This observation really outlined the villain’s mistake one more time. She is not realizing her lover’s true nature. And we have another clue for Do Seong-Rok’s dangerousness: The color yellow! This pigment is often associated to positive features like optimism, cheerfulness, logic and wisdom. [For more information: https://www.empower-yourself-with-color-psychology.com/color-yellow.html] But what is less known is that this shade is the color of deception, physical illness (jaundice, malaria, pestilence) and caution. That’s why we have the yellow signal light for example and the yellow tape for a crime scene: (chapter 1) This negative association comes from the Middle-Age in Europe, where Jews and prostitutes were forced to wear some yellow on their clothes reflecting their social status. This pigment was a warning, and this justifies why in French (yellow=jaune) and in English there exist many negative expressions with yellow: “rire jaune” (two-faced laugh) or “jaune cocu” (cuckold yellow) or “yellow belly” (coward). Therefore yellow represents deception, betrayal, adultery, arrogance, vanity and jealousy. And note that Do Seong-Rok is indeed committing adultery with the main lead, (chapter 18) though now the roles have been switched. In episode 25, Lee Je-Oh is already treating Do Seong-Rok as his boyfriend and has the impression that his lover will cheat on him with Jeon Hee-Seong. That’s why he gets upset. And now, you comprehend why the femme fatale’s dream is an illusion. She thought, she was deceiving her pawn, while in reality she didn’t recognize her own misjudgment. Her delusion of grandeur is the cause for her future defeat.

1. 3. Their position

Another difference is their position. (chapter 24) The villainess and her pawn are standing, while the brothers are sitting. This is relevant, for it indicates that the detective and his Kang Hyeon-Woo are resting. By confiding to his brother, the future victim is taking a break, trying to release his stress and getting some comfort and support from his relative. On the other hand, the couple is standing indicating a certain tension. They are attempting to relax, but they can’t due to the pressure. They are about to start their project.

Another divergence is that the main characters are touching each other, their physical intimacy is even reinforced, as both are holding hands (chapter 24), while the brothers are just sitting next to each other with a certain distance. (chapter 21) However, this doesn’t reflect the real nature of their relationship. The siblings are indeed very close, as Kang Hyeon-Jong is confessing his true desire and wish. That’s why his brother mostly remained silent, this was his way to express his support. (chapter 21) And when he spoke, he expressed his concern for his brother. This signifies that safety mattered more than his dream back then.

Now, you can grasp why there exists this physical intimacy between the former prostitute and the future serial killer. It serves a purpose: to mask their distance, which is actually perceptible through their words. On the surface, it looks like they are working together in this, however this is just an illusion. Note that the killer is bearing the whole burden (“It’s something that only I can do” and repetition of the personal pronoun I), while the femme fatale is supposed to risk her life by using something. In other words, she only needs to do one thing. This interpretation is even reinforced by her fake concern in the next image. (chapter 24) Her so-called comforting words truly display that only Do Seong-Rok is getting his life in danger, as he will be the only one prosecuted. This means, the serial killer will divert the attention of the investigation and the prosecution office from Jeon Hee-Seong. The woman’s gentle gesture is actually masking the high expectation she has from her “lover”.

1. 4. The sky

What caught my attention is the presence of darkness in the blue sky, while the black was only present as a frame in the other picture. This announces that their plan has nothing pure, for it is related to murders and as such death. Secondly, I interpret that this darkness indicates the presence of manipulation. The red-haired man is actually deceived by his lover, it was, as if the magician had created a fake vision of their hope and dream, while behind the blue sky and clouds the reality is waiting for the future murderer. He will become a scapegoat, but he is not realizing it.

1. 5. Their clothes

What caught my attention is that the villainess and the deceased police officer’s pullover has the same color: beige. Yet, this is not visible from behind, for she is wearing a black jacket. The appearance of beige is no coincidence, because this color is associated to loyalty and responsibility.

“Beige: is practical and reliable, conservative, constant, unchanging and loyal”. Quoted from https://www.empower-yourself-with-color-psychology.com/color-brown.html

Here, I would like the manhwaphiles to pay attention to the femme fatale’s clothes. Her choice of color is never random, they always reflect her intentions. She uses the colors to mask her true thoughts and deceive her counterparts. That’s why she was dressed like that in chapter 25: Her bun and her clothes gave the impression that she was just an average married woman, but when she visited her so-called boyfriend, she had dressed up. Her long hair was left in the open, an important sign for seduction, just like the white shirt exudes purity and innocence. (chapter 25) At the same time, the black skirt embodies mystery and seduction.

But let’s return our attention to the clothes she was wearing at the beach. So when she had the beige pullover on, she wanted to exude reliability and fidelity. That’s the reason why she asks her companion to trust her, just like she trusts him. In addition, beige is a devirated shade from brown, and brown symbolizes sincerity, warmth and protection. However, brown and beige can serve as deception and can definitely be associated to hypocrisy and fakeness. And now, you understand why the scene at the beach was just a vision, and not a real wish. The villainess used her body (the hand and her clothes) to convince Do Seong-Rok to set the plan in motion. The former prostitute had the impression, she had developed the perfect plan. She would get her freedom, but she would be able to achieve her dream: getting power and wealth, (chapter 23), while she would let the young man take the fall.

2. Jeon Hee-Seong’s perfect plan

Actually, she is well aware that she will become the prime suspect. Even Koo Jeong-Moo was already suspecting her after Choi Yeong-Gil’s disappearance. (chapter 11) That’s why she is well aware that she needs to find someone to become her scapegoat. But who would be so stupid to do her dirty work and even trust her? Only a person blinded by her intelligence, her terrible situation (a fragile prostitute who got forced to get married to an abusive husband) and by his thirst for affection and warmth: Do Seong-Rok.

2. 1. Truth

What caught my attention is that her manipulations are based on truth. She told him for example that her life was so terrible that from now on, she would do anything for her own sake, she would use every trick, and even the main lead. (chapter 16) And observe that the future assassin was willing to accept this terrible situation (chapter 16) He would be her tool. And don’t forget that in that scene, she was trembling on her knees, a sign of huge vulnerability, which could only move his heart. He felt that she needed him, that’s why he accepted to follow her plan. I could use another evidence that truth is her MO. She confided to him this (chapter 23). For the pure man, her words sounded normal and natural. She didn’t desire to be stigmatized as a prostitute, she just wanted to be part of the society. However, in truth, she meant something else. By climbing up the ladder, she was aiming at a higher position: becoming the king of the red-light district. That’s why it is important to even question people’s intention, when they speak the truth. Nevertheless, when he decided to follow her perfect plan, he had one request: she was the only one who could save him, if it became too hard for him.

And now, it becomes understandable what he meant with this promise. It is related to her plan. (chapter 24) Once he has been prosecuted and he is proven innocent, he can’t be charged with the same crime. But just because this rule exists, this doesn’t mean that this will be applied in this case.

2. 2. Evidences and witnesses

And now, you comprehend why he killed Lee Soon-Cheol first. The latter was in possession of the videos compromising Jeon Hee-Seong. (chapter 24) These videos were her weaknesses, therefore the main lead needed to find and erase them. We don’t know for sure that he was tasked with this request as well. That’s my assumption, because she stated that she wanted to erase her past, and the footage was part of her terrible past. Once her husband was removed, she would be able to get rich thanks to the property situated in the redevelopment.

And now, you are wondering what the former prostitute was supposed to use. She just needed to keep a paper showing that she rented a car for Do Seong-Rok. She anticipated that the detectives involved in the investigations might look for a lover. (chapter 24) She desired to lead the detective to Do Seong-Rok and the pieces of Janggi left on the body would serve as a clue for his involvement in the assassinations. This explicates why Lee Je-Oh wondered about the reason for leaving evidence next to the victims an. (chapter 13) The femme fatale has power over his life, because she could reveal the truth. That’s her promise, if his situation worsens, she can save him implying that she has an evidence that could prove Do Seong-Rok’s innocence. However, she knew that once her husband dies, she will become a suspect. Thus she needed the main lead to divert the attention from her. Her plan was to redirect the investigation towards the red-haired man.

But as you can imagine, she has already planned to throw him away, once she got rid of all her enemies. When she stated (chapter 24), she implied that she was risking her life. On the other hand, she was actually lying. She is not truly compromising herself, as renting a car for a person doesn’t represent a crime. Yet, the true intention is to incriminate the young man.

Do Seong-Rok is becoming a serial murder, because he has already eliminated three people. Striking is that the former prostitute could say that he is just a delusional lover and even a psychopath, and the pieces of Janggi would serve as an evidence. Besides, she has Ahn by her side serving as protection, so her plan is still perfect.

2. 3. Far from perfection

But she made many huge mistakes, like I had already mentioned in the first part. But I will include other errors. First, she never told her lover how to eliminate the targets, that’s how the protagonist got aware of the killer’s presence. He could have been arrested much sooner, if Lee Je-Oh had revealed his observations. Secondly, she showed her true face, when she yelled at Do Seong-Rok. She declared that now, the main lead was on his own… something she had always planned. That’s how the assassin started mistrusting her and relying on Lee Je-Oh. Since the latter has recognized her identity(chapter 25), and has even realized her true goal thanks to Do Seong-Rok’s confession (chapter 23), he will change the game and do anything to protect his lover and weapon. (chapter 23) Unlike the female prostitute, the young man made the terrible experience by scheming very early on. He learned that he shouldn’t underestimate the killer’s strength and strong will. Hence he came to realize that he should treat his ally with respect. (chapter 12) Do Seong-Rok might not be clever, but he is not weak either. Actually, his major flaw is his innocence, for he is not cunning enough. And remember what I wrote above: she misjudge her lover’s true personality. Therefore she will recognize her error too late.

Furthermore, now the protagonist Lee Je-Oh represents a source of threat for Jeon Hee-Seong. He is an important witness and could testify against her.

Moreover, she is also making another mistake: she is underestimating emotions and affection. Her power over the serial killer was strong, for the latter was in love with her. But as soon as his admiration and affection vanish, her manipulations are no longer effective, and she loses her control over him. Their relationship is already falling apart. First, the main lead is forced to lie to her on different occasions. She even believes that the male prostitute has been removed. Secondly, their alienation is already announced with the following panel: (chapter 25). Notice the color of the sky: it is evening twilight, a huge symbol for a doomed relationship. And we have the presence of dark clouds and the presence of yellow… everything is signalizing the presence of a danger. Her perfect plan is on the verge of getting ruined, as the male prostitute will discover her identity. Because of him, her relationship with Seong-Rok can only be doomed.

Finally, since she is just judging her lover as a worker and pawn, she is not viewing him as a part of her life. He is just an accessory, whereas the male prostitute has a different perception of Do Seong-Rok. He considers him not just as a weapon, but also as a real boyfriend. I have to admit that I view the two protagonists as an entity. Lee Je-Oh is slowly becoming the brain (chapter 23), while the serial killer will become his arm and hand! Besides, don’t forget my recent interpretation. Do Seong-Rok is linked to the ocean, and the manhwalovers will certainly remember how the male prostitute viewed himself: (chapter 1) A fish!! I am well aware that a goldfish is not living in the ocean, but I doubt that the male prostitute could ever afford himself an expensive fish from the ocean. Besides, in the essay “The goldfish and the lamb – part 1”, I had already explained that for me, the young main lead reminded me a lot of the devil firefish / common lionfish.

This image has an empty alt attribute; its file name is pexels-photo-8029749.jpeg
Photo by Ayman Zaki on Pexels.com

As you can see, my previous interpretation seems to be confirmed. Since Lee Je-Oh is a common lionfish and the other is the ocean, they are a perfect match.

In addition, both protagonists have a similar disposition. They are starving for affection and have a huge sense of justice… Lee Je-Oh truly perceived Do Seong-Rok’s intentions behind the murders: liberation from slavery, whereas Jeon Hee-Seong used Do Seong-Rok’s empathy and generosity for her own dream: power and wealth! Due to the young main lead’s past experience and cunningness, Lee Je-Oh will be able to anticipate the villainess’ “perfect plan” and protect his boyfriend. Thereby, the femme fatale will slowly realize that this dream of her was just an illusion, and she was a victim of her own delusion.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Twitter and Yoon Seung-Won

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

Yesterday, the author generated a poll on Twitter. She was asking if people would like if Yoon Seung-Won got abducted and wounded, implying that he would suffer the same fate than his elder brother’s.

In order to make sure that I didn’t misunderstand the content, I even used the app papago and it didn’t diverge at all. As you can observe, most participants agreed to this idea. This means that the author is planning an abduction and sequestration for Yoon Seung-Won. However, when the poll was still active, some users were saying that the author was asking if the readers wanted to have a happy ending or not. As you can see, the twitter generated rumors about the evolution of the story. Striking is that only 20% refused the idea of a kidnapping, because Yoon Seung-Won is handsome and he looks so innocent. They didn’t want another character to suffer again.

1. The reason behind the brother’s kidnapping

But what people failed to see is that none of the figures in Painter Of The Night is free from flaws and sins, not even Baek Na-Kyum! The latter was a liar in the beginning and is still one. This explicates why I still consider him as a hypocrite to a certain extent. (chapter 74) In this panel, he is showing a certain admiration for his lover, while he reproaches the “change” in the next panel. (chapter 75). As you can observe, change is linked to improvement in the first case, and to instability in the second. The manhwaphiles can still sense that the painter is not honest to his partner and to himself. Besides, let’s not forget that he is still not admitting his feelings for Yoon Seungho. Furthermore, he prefers the lord becoming responsible for him so that their love sessions would be legitimated by the master’s requests. This coincides with Heena’s intervention and influence, which shows how big her influence on Baek Na-Kyum was. The latter was raised to have prejudices and follow social norms. In other words, the painter’s flaws and sins are caused by his education. And for each sin (even white lies), he will suffer. Contrary to Christian philosophy, the characters in Painter Of The Night will not pay for their wrongdoings in their afterlife, but in their actual life. All the figures will meet their karma. That’s why Byeonduck already warned the readers that they should brace themselves for heartache in the beginning of season 3. And observe that “handsomeness” and “looking innocence” can not be an excuse for the absence of suffering, since the painter didn’t escape his karma. Therefore, Yoon Seung-Won can’t be spared just because of his beautiful face and his naivety.

And this leads me to the following conclusion. It is perfectly logical to plan an abduction for Yoon Seung-Won, and even to let him go a similar path than the main lead, though it will be much shorter. Why? It is, because the younger master resembles the painter in certain areas. He is also a hypocrite and a liar. And he became like that because of his father, just like Baek Na-Kyum’s flaws (ignorance, prejudices, hypocrisy and lies) are the result of Heena’s raising. Nevertheless, there exists a huge difference between them. The kisaeng acted like that out of selflessness. She always imagined, she was acting in her brother’s best interests, while in reality she was not recognizing that her actions actually were all selfish. On the other hand, the younger master learned from his own father that his own interest mattered the most. He witnessed how his father used and even abused his brother, therefore he started copying father Yoon’s MO and adopted his mentality. Yoon Seung-Won used his father’s authority to scare his brother and to impose his will onto him. (chapter 35) First, he “faked” a letter saying that it was from the former official (chapter 35) , then he mentioned their relative in front of Yoon Seungho. (chapter 37) He definitely knew that his brother got hurt and scared by the mere mention of father Yoon. In the chapter 37, we could sense the young master’s lies and dishonesty. His goal was to obtain his brother’s help and sponsor. I believe that he desired to stay at his brother’s mansion in the capital too. But with his visitation, he failed, therefore he retaliated and gave the ruined painting on purpose to their father. He feigned ignorance, while in truth he hoped that his father would intervene. (chapter 44) But his scheme failed for two reasons. First, he forgot that his lie had consequences. Valet Kim took his words as face-value: “The letter was from the eldest master”. So the butler envisioned that father Yoon was indeed requesting his eldest son’s help. That’s why he played the trick by giving the ruined painting. He anticipated that the former official would perceive the gesture as insubordination and retaliate. However, Kim didn’t realize that when father Yoon created the scandal and cut off Yoon Seungho’s topknot, he was indeed abandoning his son for real. There’s no doubt that such a man who pays so much attention to his own image and reputation, would like to be associated to the infamous sodomite. That’s why the lord remained passive in chapter 44 and could only clench his fist out of rage. As you can see, the rumors have become Yoon Seungho’s protection. Now, he is out of reach for father Yoon and I believe, it is the same for the king. But so far, Yoon Seung-Won didn’t truly suffer due to his lies. As a conclusion, he will have to meet his karma in the future. How? The abduction would be the answer.

2. Predictions

Then shortly after, the author released this picture on Twitter, asking the users to ponder the cause for Yoon Seung-Won’s embarrassment. The young master seems to feel uncomfortable, as there’s a drop of sweat on his face. Moreover, he is thinking the following: “There are so many twisted-minded people in the world…”. So what happened?

We have two possibilities. Either he lied or he just used his brother’s name to get some recognition, just like he used his father’s authority in the first season. Remember how he utilized Yoon Seungho’s name to explicate why father Yoon didn’t bid farewell properly, we have to expect a new version of this. But if he lied, we would have two possibilities again. Either he said that he was sponsored by his brother or he acted, as if his family hadn’t cut ties with Yoon Seungho officially. He acted, as if the incident with the topknot had not occurred or as if their alienation had been finally removed. The manhwaphiles shouldn’t forget that in chapter 37, Yoon Seung-Won was seen visiting his brother’s mansion and he was accepted. He even got a letter from his brother delivered by Kim. Yoon Seung-Won could use this scene as a deception. One thing is sure: Seung-Won’s desire to get a high office through his brother is definitely the cause for this incident, as the young master has learned from his father that Yoon Seungho was just a tool for their family. And his dishonesty will lead to the abduction. But the new panel released by the author represents Yoon Seung-Won’s karma. He is now paying the price for his sins (selfishness, vanity and superficiality)

3. Explanations

Let’s not forget that until he left for the capital, he lived secluded in the countryside. Therefore he was never confronted with the gossips about the topknot incident and his brother as hell-raiser directly. He might be well aware of the “prostitution” and exclusion, but he was too young to realize the real consequences of such an action. Since his father has always paid attention to their good image, the young master never envisioned the real significance of the gesture: betrayal and abandonment. The latter just judged it as banishment. That’s why he suggested to his brother to pay a visit to their father. (chapter 37) He thought that the topknot incident could be erased with a simple visitation. This truly exposes that Yoon Seung-Won has not honestly grasped the signification of the terrible event and its impact on his brother. I am even now wondering if he really knows about the extent of his bad reputation. This would explain why he couldn’t understand the presence of the fellow. In his mind, the elder brother was still following their father’s rules, and as such was still acting on behalf of the Yoons: Having sex in exchange for favors. (chapter 37) But he would lie a low profile just like in the past, when father Yoon hid his crime (prostitution) behind closed doors. Let’s not forget that Kim tried to stop him from entering the room, giving the impression that Yoon Seungho was somehow paying attention to his notoriety: sodomy would only occur behind closed doors.

So once arrived in the capital, he lets people know that he is Yoon Seungho’s brother. I can’t help myself thinking about the scholar who wanted to use the protagonist’s notoriety in order to attract attention. (chapter 44) I believe Yoon Seung-Won could have a similar idea. Yet, the moment he acts like that, he detects how people start looking at him strangely, just like (chapter 01) Baek Na-Kyum reacted, when he recalled the protagonist’s identity. The young master will witness people’s disdain and shock, or they will approach him believing that he is like his brother. For me, “There are so many twisted-minded people in the world…” is referring to the gossips. Yoon Seung-Won will become guilty by association. That’s why he will feel uncomfortable, as he will realize what it means to be associated to such a brother. They believe that he is like Yoon Seungho, a sodomite, who is looking for favors. But Yoon Seung-Won has already internalized that sex with men is done behind closed doors.

While the father only thought about himself, when he used his eldest son as scapegoat in order to divert from his loss of power and banishment, he never realized that he ruined Yoon Seungwon’s chances for a career, especially after he served as a role model for his second son. Because the young master has learned from his own father that he can gain power and attention by utilizing Yoon Seungho, he copied his method. He learned from him the easy way how to become an important official, he never saw his father working hard. Father Yoon didn’t anticipate that his younger son would copy him and end up being stigmatized due to Yoon Seungho. Slowly, the young master will realize the father’s hypocrisy and flaws. Only through karma, Yoon Seung-Won can recognize his wrongdoings so that he can ask for his brother’s forgiveness.

Since I detect some parallels between this image and the one from chapter 1, I believe that the author will use certain elements from episode 1. That’s why I came to the idea that Yoon Seung-Won could have been lying too. (chapter 1). It’s possible that Yoon Seung-Won lies about his brother’s support (he says “YES”) in the hope of getting connections and help. Or he acts, as if he had rekindled his relationship with his brother. But what happens is that people push him away or start looking down on him. Then the manhwaphiles will certainly recall how the artist got abducted in that scene. (chapter 1)

But if he attracts attention from people by using his brother’s name, this signifies that he will get the attention from Joseon’s ruler. It is definitely possible that the king is behind the brother’s abduction. One thing is sure: the person orchestrating the kidnapping values family and traditions, imagining that if the brother gets abducted, Yoon Seungho will intervene and rescue his brother. Therefore the mastermind has no idea of the impact of the topknot on Yoon Seungho’s mentality. Naturally, Min, the scholar, Heena and father Lee could be involved, as they all pay attention to social norms and notoriety too.

So when the young master arrives in Hanyang, he announces the Yoons’ return which can not escape the king’s notice. That’s how he gets abducted by the king. Since I have already portrayed the monarch as obsessive and abusive, there’s no doubt that he could never forget Yoon Seungho. By abducting the brother, the king is hoping that the brother will intervene and rescue his brother, just like he sacrificed himself in the past for his family. However, what happens is that Yoon Seungho will ignore the kidnapping, for he no longer views Yoon Seung-Won as his brother. Simultaneously, such an abduction and sequestration would help Yoon Seung-Won to recognize his father’s selfishness, greed and ruthlessness. The latter could make a similar deal with the ruler so that father Yoon can make a comeback.

In the monarch’s mind, Yoon Seungho didn’t desire to take the exam in order to keep his distance from him. But the return of the Yoons coincides with the scholar’s sponsoring, and the king could view these two elements that Yoon Seungho has regained his sanity, and is determined to use the learned sir and the family Yoon to get power over the officials and protect himself from the ruler. It is also possible that the scholar doesn’t get noticed by the ruler, for the rumors circulating about him only appeared in the countryside. (chapter 52) That’s why it is likely that the king only pays attention to the brother’s arrival and overlooks the learned sir. Let’s not forget that he passed the first exam in the town and not in the capital. The difference between the grapevines in the countryside and the capital explicates why the monarch has not heard of Yoon Seungho’s metamorphosis yet. As a conclusion, Yoon Seung-Won’s exam will be seen as a signal that Yoon Seungho is now sane in his mind, especially if the former acts, as if he was close to his brother.

There’s no doubt that the king hasn’t forgotten him at all, but since the noble was definitely suicidal and crazy, (chapter 57)

the ruler didn’t desire to face the consequences of his wrongdoings, and entrusted his lover to the so-called loyal butler Kim. This would explicate why Yoon Seungho became the owner of the Yoons’ proprieties in the countryside and in the capital. The king felt sorry and thought that by acting generous, he would make his crimes go away. Remember that Yoon Seungho chose to turn Baek Na-Kyum into a noble for his wrongdoings. (chapter 71) The monarch could have done the same, making Yoon Seungho the true lord of the Yoons. That’s why father Yoon chose to ruin his son’s reputation out of resent and hatred. The latter had “won”, while father Yoon was sent into exile!!

At the same time, this signifies that the valet was a double agent, he was supposed to take care of the young master, until he had recovered. (older version of chapter 33) And under this new light, it would explain Kim’s philosophy: lie low and feign ignorance. He had to incite Yoon Seungho to fall into debauchery (chapter 55), that way the lord wouldn’t get the king’s attention. The latter would think, the young man was still traumatized. On the other hand, father Yoon thought that Kim was following his order: create a scandal and live in debauchery in order to divert attention from the purge of noble families close to the Yoons and father Yoon’s loss of power. Nevertheless the king was still hoping that with time, the young man would recover. So if he abducts Yoon Seung-Won, it is his way to approach his ex-lover. Since the young master is supported by his brother, the Joseon king has the impression that Yoon Seungho is avoiding him. He wants the protagonist to rekindle their relationship. And if this theory is correct, then this means that we would have a new version of the painter’s abduction in the second season. Remember that Lee Jihwa desired to get closer to Yoon Seungho by taking away the artist.

As a conclusion, the brother’s abduction definitely fits the story. In my opinion, it would even speed up the progression of the story. Simultaneously, this terrible situation would be an eye-opener for Yoon Seung-Won. Put in the same place than Yoon Seungho, he would be forced to recognize his sins and his father’s. He would recognize that lying and dishonesty are sins and as such can have terrible consequences. Remember that in the first episode, the painter’s lie caused the death of a servant, and in case of a new repetition, Yoon Seung-Won would pay his sin by getting tormented. Besides, he would be reminded of his past and recognize that back then he also betrayed and abandoned his brother. (chapter 55) He might have been stopped by the father here. Yet if he had lied before, he didn’t assume his responsibility by not revealing the truth. There’s no ambiguity that the young master was jealous of his brother in his youth, and must have lied about his brother. We already have a clue thanks to the episode from Alternative Universe: (special episode 2)

Sure, he never anticipated such a reaction from his father, yet the moment he remained silent, he became guilty. And since the sinners are always confronted with a similar situation, this means that Yoon Seung-Won will lie for the third time. This time, he will be caught and suffer the consequences of his dishonesty. He might look handsome, but he is far from being perfect. He is just a human, while father Yoon is a monster. Consequently, the young brother has the chance to redeem himself contrary to father Yoon. Why am I am so hopeful? It is because of the shoes!! The younger master removed his shoes before approaching the door of the host’s bedchamber. With this gesture, he showed a certain respect towards his brother. He imitated his brother in this aspect 😉, though he was not aware of this. (chapter 37) (chapter 53) Notice that Deok-Jae didn’t even remove his shoes, when he ransacked the painter’s study. Imagine, this detail only caught my attention today! That’s why I am predicting that we should see the kidnapping in a good way. Through pain, only the good persons will acknowledge their mistakes and express regrets.

That’s why this manhwa is called “PAIN”ter Of The Night, the suffering will bring enlightenment to the victims.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-Instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Mad Place: Smiling ghost 👻 and sinful priest

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/madplace_en  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link, if you are interested in more analyses about other manhwas https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

After reading such a title, readers familiar with this story will wonder how I came to select such a headline, because it gives the impression that this manhwa contains supernatural elements, while in reality the story is a mystery, or more precisely a crime novel. Besides, the illustration of Mad Place is clearly reflecting this situation. The Korean prosecutor, Gu Sehyuk, has handcuffed and trapped in his arms the suspect Ha Ideun, while holding the keys of the handcuffs in one hand. But if you pay attention to the scenery, you will notice that the district attorney is also trapped, hugged by the chaebol Ha Ideun. Yet, at no moment there‘s a presence of a ghost or a priest.

However, the manhwaphiles should look carefully at the way the two protagonists are introduced and even portrayed. Only through a meticulous analysis, they will realize that both characters are more than just a prosecutor and a chairman‘s son.

1. Ha Ideun: the smiling ghost

And now, it is time to focus on Ha Ideun. (Chapter 7) After viewing such a panel, the readers can only judge him as weird, but funny. Though the main lead is now a murder suspect, he keeps smiling while making requests, and as you can see, his main condition is sex. Because of such a behavior, he can not look trustworthy in the attorney district’s eyes, rather obsessed with sex. It was, as if he was amused by this situation. That‘s even how Gu Sehyuk views him in the beginning of this story. Nonetheless, this is just a deception. The man is actually using the situation for his own benefit. Why? First, his first request is quite serious. He is asking for an investigation. (Chapter 2) This signifies that he needs Gu Sehuyk’s help and power as district prosecutor. And this observation leads me to the following conclusion. He created such an opportunity to approach his target, Gu Sehyuk. How did I come to such a conclusion?

1. 1. The true relationship between Ha Ideun and Gu Sehyuk

The author gave us clues on different occasions. First, he knows the code for the house. (Chapter 12) I doubt that the main lead gave it to the „suspect“, since the latter is under investigation. Secondly, he knows the prosecution officer’s life so well. Observe that he is the one telling the young detective how long Gu Sehuyk will stay at work. (Chapter 12) Moreover, he knows about the death of Gu Sehyuk’s brother and the circumstances of his assassination. That’s why he sent him a picture of the killer, Yoon Gyuho, who had committed suicide right after. Then, the manhwaworms can witness him kissing the prosecutor’s wrist tenderly, a sign of affection. He might have introduced himself as his biggest fan (chapter 2), yet such a gentle kiss expresses more than just admiration. Moreover, I would like to point out the absence of the eyes in the last picture, a sign that the protagonist is here wearing a mask and not entirely honest.

All these elements truly expose that he is well informed about the district attorney‘s life. But since the latter has no idea how he is connected to the „suspect“, the first assumption would be that Ha Ideun has been spying on him like a shadow. A second possibility would be that he was an acquaintance of Gu Sihwan, the assassinated brother, but the prosecutor was left in the ignorance. Yet, I have to admit that I have a different theory. I am actually more inclined to perceive him as a ghost from Gu Sehyuk‘s past, but the latter has no recollection due to his trauma. This means that he would have ghosted Ha Ideun. This theory would also explain why he proposes the deal: sex in exchange for information. That way, he would restore their past relationship. As you can detect, for me the sex scenes in a really good manhwa are not just created for entertainment, they always have a purpose (see Painter Of The Night, The Pawn’s revenge etc.) Moreover, we could perceive the ghost’s behavior in episode 18 as an evidence for this thesis. (Episode 18) Notice that in this scene, the „suspect“ is blushing and hiding his gaze with his hand, while he admits that he did it because of him. In addition, he reminds the attorney district of their actual situation. One sex session means the divulgation of intel. Here, Gu Sehyuk had the impression that he was the only one who got carried away, whereas Ha Ideun was still able to remain rational and calm. Yet, due the blushing and the covering of his eyes, it becomes obvious that the „suspect“ was definitely moved. Besides, Ha Ideun justifies his action with the prosecutor. It is for him or his brother. Then he begs him for his trust. Yet, this is just a theory of mine and you have every right to think otherwise. But one thing is sure: the young man is definitely more close to Gu Sehyuk than the latter is aware.

1. 2. The traces of a spirit

As you could see, I used in two opportunities the idiom „ghost“, when I described his relationship with the prosecutor:

  • to ghost someone one: (slang) to ignore someone, until they go away. This phrase is often applied to failed love relationships.
  • a ghost from (one‘s) past: the reappearance in the present of someone or something unsettling from one‘s past. Quoted from idioms.thefreedictionnary.com

Yet, at no moment I elaborated why I couldn‘t help myself connecting the chaebol‘s son to a phantom. First, the protagonist is presented as Gu Sihwan‘s shadow (chapter 6), exposing that both characters are similar and in fact related. Furthermore, what caught my attention is that the face of the chairman’s third son is never revealed to citizens, when his arrest is mentioned in the news. In fact, we only get to see a white television screen. (Chapter 1) But this doesn‘t stop here. Later, when the attorney district meets the deputy prosecutor general Na Joohwan, the latter reveals that during a search concerning the existence of a slush fund, he noticed that Ha Ideun’s room was devoid of life. (chapter 8). There was no picture and no cloth. It was, as if the owner of the room was a phantom. Besides, note that we have the presence of white again. The manhwaphiles certainly know the expressions „white as a sheet“, „pale/white like a ghost“. As you can see, these panels reflect these idioms. That’s how I connected the chaebol’s son to a ghost.

Furthermore, if the manhwalovers recall how the young man is described, they will notice that neither the detective and the prosecutors can truly perceive his identity. He is rumored to be consumed by sex (chapter 7), he is not working and he doesn’t own any apartment. In other words, he is living in the shadow, for he has no possession and is not interacting with people. His sexual habits are presented as hearsay. And now, you comprehend why I made this association. That‘s why it is not surprising that at the end of episode 18, Gu Sehyuk wondered about Ha Ideun‘s true personality.

And note again that the young man appears quite emotional, once he is alone in front of the mirror. This truly exposes that their last sex session definitely affected him and he was controlling himself, when he made new revelations.

Another parallel is his words addressed to Gu Sehyuk. First, he confesses to him that he knows the truth. (Chapter 5), while the district attorney is only aware of facts. (Chapter 4) There’s no doubt that the suspect is telling the truth. He is not blinded by agony, like Gu Sehyuk who suffered a lot from his brother’s loss. I will explain the difference between truth and facts more in details later. Besides, let‘s not forget that a spirit is able to see more than humans, because they are detached from the physical world. They can move from one place to another very easily. Therefore they can gain more insight than mortals. As a ghost, he is able to spy and discover new clues.

1. 3. The spirit’s light

Since Ha Ideun is related to the color white, a symbol for purity, wisdom, knowledge and light, it becomes obvious that the young man is in reality more than just a hedonistic and carefree person. Observe this scenery: (chapter 2) The light oozing from the television stands in the protagonist’s back and illuminates the prosecutor. It was, as if Ha Ideun was bringing light into the main lead’s darkness. With his knowledge, he will be able to help to unveil the mystery of his brother’s death. For me, there’s no ambiguity that he has long planned to approach the prosecutor and he knows very well, why Gu Sihwan was murdered. But he can‘t reveal everything at once, because the latter would never believe him. Besides, he needs to prepare the protagonist to face the truth and exactly for this reason, the young man has to investigate himself. Only by becoming the investigator, Gu Sehyuk can discover and accept the verity. Moreover, Ha Ideun has to gain the prosecutor‘s trust. And now the manhwaphiles can comprehend why he is asking for the prosecution officer‘s confidence. (Chapter 15) Therefore he is willing to be investigated and questioned by Gu Sehyuk. He has no problem to get tested. Since he is clean, he has nothing to fear. On the other hand, he is not releasing much information, because he is well aware that his knowledge could generate suspicions among the prosecution office. Observe that once caught in the CCTV, he was immediately turned into a murder suspect. Words can be misinterpreted, hence he is very reluctant to speak so freely. The readers should keep in their mind that each information he gave was related to a concrete evidence (the picture, the bag full of drugs and the knife), (Chapter 15) something that can not be tampered, as long as the district attorney is supervising the investigation. In other words, he is guiding the district attorney to unveil the mystery.

1. 4. The reason for the ghost‘s appearance

And now, you might be wondering why he approached the prosecutor after two years. In my opinion, it is related to his good notoriety. Gu Sehyuk has become famous as a hardliner, as a serious and integer prosecutor. He made sure that the accused would always receive a harsh sentence. Nonetheless, there exists another reason from my perspective. Since Ha Ideun is a „ghost“, this signifies that he is powerless. I suspect that the absence of his life and presence is related to his other brother Ha Sungjoon. (Chapter 2) After analyzing so many manhwas, I discovered that many characters wearing glasses were hypocrites, often manipulative and ruthless. Hence I am suspecting that everything is related to Hasung Group. I believe that Ha Ideun’s powerlessness is related to Ha Sungjoon. Note that in that scene, the main lead showed a disdain towards his brother, when the latter appeared on television. There exists a rivalry and Ha Ideun‘s bad reputation (lazy, consumed by sex) is definitely playing into Ha Sungjoon‘s hands. Simultaneously, it could be a diversion from the main lead‘s part, that way he could deceive his brother and investigate his crimes. The manhwaworms shouldn‘t forget the existence of a slush fund and the sudden increase of benefits from Hasung Group.

Finally, by approaching the district attorney, Ha Ideun is slowly revealing his existence to the outside world. For the first time, his name becomes public. This means, he can no longer be hidden. This is no coincidence that he allows the NFS to take his hair and blood, because that way he can prove his existence. I have to confess that Ha Ideun sounds similar to „hide“. From my perspective, it looks like the protagonist was forced to live in the shadow. And now, with this interpretation, it becomes more understandable why he would make the request to have sex. Through sexual encounters, he has the impression to feel alive. It was his only way to prove his existence. Furthermore, it would give him the perfect excuse to hide his true intentions. He needs Gu Sehyuk’s strength and trust, and through intimacy, he can get his faith and as such justice.

2. Gu Sehyuk: The sinful priest

Now, the manhwaphiles are wondering about the origin of this interpretation. What caught my attention is the protagonist’s behavior. First, he lives like a hermit, keeping his distance from his coworkers and totally disinterested in worldly pleasures. This explicates why after his victory at the trial he refuses to celebrate with his colleague. (Chapter 1) His whole life is revolving around his work as prosecutor, a life full of dedication, humbleness and chastity. He is actually not truly living, just determined to keep his vows. He is making sure that the defendants are all receiving harsh sentence. (Chapter 1) What the other district attorney calls as obsession, is in my eyes the protagonist’s religion.

2. 1. Gu Sehyuk‘s cult

The way I portrayed the main lead reminds me of a priest, and more precisely of a monk: seclusion, modesty, abstinence of worldly pleasure, hard work and virtue are the features corresponding to a ascetic. His cult is to make sure that culprits are receiving their punishment, since he failed to do it with his brother. It was, as if he was trying to absolve his sin towards Gu Sihwan. But if Gu Sehyuk is a priest, then he needs to have a shrine. (Chapter 3) The pictures on the cupboard are representing his „idol“ or „saint“. Since Gu Sihwan got assassinated, he became a martyr and his brother turned him into a „saint“. And now, you comprehend why Ha Ideun is not allowed to touch his deceased brother’s belonging. They are sacred relics. Therefore it is not surprising that the brother’s bedroom is associated to white as well: It was, as if his bedroom was a crypt. That’s why I came to the following interpretation. The mansion, which Gu Sehyuk described as „frozen in time“, is his tempel. Consequently, his residence is intemporal. Because this is a sacred place, he can’t live properly there. At the same time, he feels the intrusion of a stranger as a sacrilege. Therefore the manhwaphiles can grasp why Gu Sehyuk cleaned the house after the ghost‘s visit. (Chapter 3) The tempel had lost his purity. The reason for his transformation is naturally his brother’s murder. The latter suffered so much from it, that he couldn’t move on. This is no coincidence that once he is confronted with the culprit’s face, he gets a flashback, a panic attack. (Chapter 3) But since he is so trapped in his past, he starts suffering, once he encounters Ha Ideun, for the latter forces him to remember his repressed memories.

2. 2. Truth versus facts

Because he lived as a monk, he never got the occasion to get emotional. However, once the „ghost“ touched his wounds from the past, the prosecutor could only get infuriated and upset, and as such became a sinner. This is not surprising that he even got violent. And now, it is time to explain what Ha Ideun meant with this:

(Chapter 4) The hard working man witnessed Gu Sihwan’s murder and caught the culprit at the crime scene. Hence he could never forget his face. But the problem is that memories are never objective. They are definitely influenced by the subject‘s past experiences, emotions and mentality. What Gu Sehuyk saw here could be viewed differently. He views a murderer in this image, while I detect the killer‘s despair and angst through the eyes. From my point of view, the man was not lusting for blood, though he stabbed him 7 times, a sign for rage and madness. And notice that after the crime, Gu Sehuyk investigated the matter from the culprit‘s perspective. Why would he stab his brother 7 times? Why would he do this? In other words, he tried to find out his motivations. But like Ha Ideun pointed out, he was missing something important there: the victim. (Chapter 4) Because he was close to his brother, he had the impression that he knew his brother: he was a smiling and cheerful person with no secret. The picture of his idol exposes Gu Sehyuk‘s blindness. And now, you comprehend why the „ghost“ put it down in the end. This was not the truth, Gu Sihwan hid things from his brother. And this leads me to the following conclusion. Because the prosecutor idolized his brother so much, he couldn‘t discover the truth. Moreover, he acted like every district attorney. They just need to catch the culprit and the case is closed. However, there‘s a huge difference between truth and identifying the perpetrator‘s identity. There was definitely a conspiracy, but the protagonist failed to see this, as he was too obsessed with the assassin. Here I would like to mention my other essay called „Truth and memories: Memorist, Nobody knows, Find me in your memories and The King“, where I elaborated the problematic of unveiling the truth through memories.

Under this new light, it becomes comprehensible, why Ha Ideun switched on the light in the prosecutor‘s residence, which caught the district attorney by surprise. This has a methaphorical signification. He brings the prosecutor closer to the truth, he enlightens him. This explicates too why the spirit entered Gu Sihwan‘s room and grabbed his book. He was violating the sacred place for one reason. He wanted Gu Sehyuk to leave the darkness of his temple and fight for his brother’s rights. (Chapter 4) Why did he have to die? Ha Ideun needs to transform the deceased brother into a human so that Gu Sehyuk decides to look into his brother’s past life.

2. 3. Mad Place

However, Ha Ideun has to change the prosecutor’s way of life as well. He needs to force him to become sinful so that he stops being a monk and the house is no longer perceived as a shrine. That’s another reason why the „suspect“ requests sex as an exchange for information. He is inciting the main lead to become a sinner. That way, the main lead is pressured to drop his role as an ascetic. By turning him into a sinful priest, the latter is forced to question himself. Hence the main lead gets violent enraged in the episode 3 and 4, signs of wrongdoings. Besides, this is exactly what is happening in episode 18. For the first time, he discovers pleasures and is taken by surprise. He wonders why he acted like this. (Chapter 18) In my eyes, this scene indicates that Gu Sehyuk is slowly coming back to life. But the problem is that the main lead has lived like that for two years, therefore he won’t change right away. From my point of view, his „temple“ will become a mad place, because he commits a sin in a sacred place. (Chapter 1) Ha Ideun won’t be able to remove the prosecutor’s religion despite their sex sessions, as long as the truth is not totally unveiled. This is my explanation why Junah chose such a title.

And now, you comprehend why both protagonists are trapped in each other‘s embrace. Both need each other in order to unveil the whole truth. Ha Ideun is definitely lacking power, as he has always lived in the shadow. He needs to become a human in order to get justice, just like Gu Sihwan.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Tears and predictions 😉

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

Now, you might wonder if I have not developed an obsession with the tears. This is already the fourth essays about this topic, if I include the analysis about Baek Na-Kyum’s tears. However, remember that in the composition entitled “Tears and characters – part 1”, I had explained that Min’s tear had inspired me.

And now, it is time to reveal my theory. For the first time in the manhwa, we had a combination between tears and humor. Furthermore, just after Nameless had mentioned the intercourse between him and Jihwa, the latter had punched him in the stomach. However, as you can imagine, the lord’s punch didn’t hurt the criminal at all. But since Nameless didn’t desire to embarrass his former sexual partner, he acted, as if he had been hurt. In other words, he wasn’t actually honest, when he said this: “That hurt, my lord”. (chapter 76) For the readers, the situation was transformed into a joke and comedy, exactly like Black Heart pointed out right after. Yet, for the villain, it was a serious situation: “Jihwa had fallen so deeply into sodomy that he had reached to a low-born!” Besides, Min hadn’t been able to taste himself the painter.

And this combination between humor and tears made me realize that at the end of the story, the readers should expect that Baek Na-Kyum or Jihwa will cry out of laughing. Byeonduck’s fanarts are already indicating this, because the artist is always seen laughing with an open mouth. This signifies that Yoon Seungho and Nameless will make jokes and tease their partners. In this picture, the noble is biting the artist’s finger. Let’s not forget that both ukes are always crying so much, when they are sad, angry and pained. It displays that they tear up easily.

Besides, Painter Of The Night indeed contains many jokes and pranks, but there are not perceptible right away. Let me give you another example. (Chapter 67) Nameless excused his roughness with his lack of experiences. But the readers are well aware that The Joker did it from the back with the kisaeng in episode 51 and he has quite a reputation. And when I combined the low-born’s excuse with Jihwa’s reaction, I couldn’t help myself laughing. The latter was so innocent here, for he believed the man. He wasn’t able to recognize why Nameless rubbed him so raw. His description reflected the butcher’s passionate desires. The latter couldn’t restrain himself. His heart had been moved by the aristocrat’s remorse and tears. The criminal could sense his purity despite his horrible intentions. The young master imagined that for the criminal had never done it with a man before, he would be more careful. Moreover, if he had done it with women before, in his eyes, it signified, the lover was quite delicate and tender. In other words, Nameless hid his sexual desires and affection behind a false excuse. We have another indication that the low-born did more than rubbing. He left many hickeys on his sex partner, a sign of possession and passion. For the first time, Jihwa experienced what a love session is, but didn’t recognize it. 😉 Nameless is well aware that the aristocrat has no real affection for him, therefore he has to hide his true emotions behind a joke.

In addition, we have Yoon Seungho who keeps playing pranks (chapter 16: , 74 and teasing his lover (chapter 23) (chapter 75). Nevertheless the latter hasn’t truly recognized his master’s sense of humor due to social norms.

Baek Na-Kyum is always worried about his doctrines and appearances. In chapter 16, he was fighting against his arousal and didn’t want to get caught. In episode 23, he tried to hide the fact that he had stolen the bottle of wine. Then in chapter 39, he was uncomfortable, because the tailor could see the nature of their relationship. In episode 75, he is still in denial that he is hoping for more. Therefore he refuses to admit the truthfulness of his lover’s words. Baek Na-Kyum could only blush, each time he was teased. Consequently I come to the conclusion that the protagonist will only shed tears out of laughing, when he has been able to overcome the social norms. That’s why the moment the artist won’t feel flustered any longer, he can pay attention to his lover’s words and behavior and grasp his intentions. From that moment on, he will sense the main lead’s sense of humor. On the other hand, this can only happen rather late in the story. Furthermore, since Jihwa is very similar to Baek Na-Kyum, for both are trying to follow traditions and are influenced by their peers (Min- Heena), it signifies that the young master will have a similar evolution.

As a conclusion, I am predicting that at the end of the story, the jokers Nameless and Yoon Seungho will make their respective partner laugh so much with their words and gestures that tears will come out. However, so far none of the ukes could enjoy the pranks and comical situations. Both were always very serious, because they are influenced by humorless and austere people: Min, Heena and Jung In-Hun.

Now, I will explain why I perceive them as unhumorous persons. The kisaeng lives in an environment, where she needs to entertain the rich and powerful nobles. That’s the reason why jokes are a synonym for work for the sister. In other words, humor is linked to seriousness. Besides, I think, she has never experienced fun with lightness. She was trained to make the clients laugh. Moreover, I would like to remind that Black Heart is no real jester, as his pranks are always aiming at hurting others, he wants to be entertained in detriment of others. This villain’s humor stands for Schadenfreude which is no real humor. As for the scholar, he is only focused on his dream: getting a high position, that’s why he never interacts with people. He only meets commoners, when he needs them. In other words, he is always very serious and doesn’t understand humor at all. This explicates why he failed to recognize the lord’s sarcasm in chapter 6. He took the compliments as face-value, but if he had paid attention to the tone of the voice and the smirk from the protagonist, he would have realized the situation: he was seen as a joke by Yoon Seungho. 😂

The presence of jokes and pranks truly shows that Painter Of The Night is not just a heavy drama and romance, the story contains humor as well. But the problem is that the jokes are and were never obvious. (see for example the scene with the book in episode 6) Only attentive readers can catch these little details. I have to admit that one of my favorite chapters from the first season is indeed the episode 6 due to the lord’s teasing and cynical remark. It’s because I laughed so much that I fell in love with this character. His sense of irony revealed his intelligence. My readers will certainly remember that my first essays were always about the infamous sodomite, who was greatly misunderstood by the manhwaphiles. And now you know why.

So my question is: Do you like the idea? Do you want to see Baek Na-Kyum and Jihwa crying out laughing?🤣 This would be a perfect ending for me, because this would compensate the readers for the long agony experienced while reading this manhwa. Besides, this would explain why Byeonduck created such happy fanarts.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Tears and characters – part 2 (Version with 10 different pictures) – second version

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

Now, it is time to focus on Black Heart and his famous tear.  (chapter 76) Contrary to Baek Na-Kyum and Jihwa’s crying, the villain is shedding one single tear while laughing. It looks like he’s having fun and entertained. But if you replace the scene in the whole context, you’ll come to a different conclusion.

1. The context of Min’s tear

He is actually far from enjoying this “joke”. First, he had to witness before that he had been defeated by his rival Yoon Seungho.  He couldn’t separate them. He was so annoyed and upset by the situation that he vomited. In other words, he was green of envy and simultaneously he was green (sickly)🤢🤮 due to his opium consumption. This signifies that he was definitely not in the best mood.

Then in the shed, he hears from Nameless that Jihwa had sex with the criminal behind his back.  Though it looks like this secret puts him back in a good mood, I noticed two details:

  1. His eyes are always closed, especially when the tear comes out
  2. Secondly, his laugh is very short-lived.

2. The closed eyes and the tear

The manhwaphiles should wonder why the Joker has his eyes closed. It can’t be explained with the laughing, as his laugh comes to an quick end (only 2 HAHA), and he is already talking to Jihwa and the commoner. But observe that while mocking his puppet, he avoids eye contact. So why does he have closed eyes? In order to get an answer, I tried to compare it to the previous situations, when he laughed. That’s how I realized that Byeonduck never let the readers see his gaze, when he was laughing.

  • chapter 19: 
  • Chapter 43 
  • Chapter 53: 
  • Chapter 54: 
  • Chapter 69: 

The absence of his face (19, 43, 54, 69) and of his eyes (chapter 53) is an indication that he is actually wearing a mask. That’s why I deduce that the Joker is actually closing his eyes in front of the second leads, for he is attempting to hide his pain and vulnerability. After seeing how Baek Na-Kyum escaped from all his traps (the wine, the sex orgy, the murder, the kidnapping, the gangrape, the rape, the sex at the kisaeng house), he has to discover that he is also losing control over his puppet Jihwa. This can only increase his stress and bad mood. The manhwaphiles should remember how much Black Heart loves using his power and influence over Yoon Seungho’s childhood friend. That way, he feels powerful. This explicates why he punished him in chapter 67. He made sure to scare and humiliate him so that the latter would become obedient again:  .

But during that night, he hears that Jihwa had even violated social norms. His disciple had sex with a commoner. Let’s not forget that the second lead had declared this in chapter 18: 

Jihwa: “Yoon Seungho has fallen into sodomy that he is now reaching for a low-born”.

In my eyes, the red-haired aristocrat was just repeating what Min and the other nobles were advocating. This sexual encounter between the second leads could only infuriate Black Heart, as the latter in reality follows traditions blindly out of fear.

3. Fear and laugh

Here, I need to elaborate the signification of Min’s laugh. In truth, his laugh is not a signal for pleasure and excitement, but the opposite. It reveals his discomfort and anxieties. This means, his laugh is linked to negative emotions and nervousness, which the character tries to mask from the others. Why do I interpret it so? I could use the situation from chapter 53. He has just been punched by Yoon Seungho and he fell onto the ground. This was definitely painful. But notice that though he is laughing, he is hiding his mouth with his hand, a sign that he is masking his true thoughts and emotions. In this panel, the readers are seeing Min the clown as his best. The covered mouth and the absence of the eyes are strong indications that he is not honest at all here. Since he is laughing, we have to imagine, he is feeling the opposite: scared and hurt. But he has to grin and bear it. That’s his MO in my eyes. Furthermore, there exists this famous study organized by Yale University psychologist Stanley Milgram that revealed people often laughed nervously in uncomfortable situations. People in his study were asked to give electric shocks to a stranger, with the shocks becoming increasingly powerful (up to 450 volts). The higher the shocks, the more the participants were laughing in order to mask their embarrassment and fear. They did it to reassure themselves and give the impression to others that this was normal.

One might argue that in episode 43, Black Heart had no reason to feel discomfort. He was truly making fun of Jihwa’s hypocritical behavior.  But even so, this truly outlines that while he was truly mocking Jihwa in episode 43, the new version of this scene (chapter 76) has to be different. Why? It is because this time, Jihwa didn’t act, like Min had anticipated. In chapter 36, The Joker had made sure that the second lead wouldn’t stick to his promise. He had manipulated him to visit Yoon Seungho’s mansion. In chapter 76, Min has to discover that nothing he had planed worked out. The assassination didn’t take place immediately, then he never involved Min like requested. Finally, Jihwa had even sex with the criminal. That’s why this comparison even reinforced my interpretation that Min’s laugh is more often a sign of stress, anxieties and negative emotions than real pleasure and enjoyment. Consequently I believe that the tear and the laugh are in truth a sign of discomfort, pain and stress.

4. The tear and Black Heart’s comment

But there’s another clue why I believe that his tear is the result of negative emotions.

What caught my attention is the presence of an oxymoron: a comedy of errors. While comedy stands for fun and lightness, error embodies gravity and seriousness. The contradiction indicates the presence of emotions, the noble is definitely torn apart by this revelation. Besides, notice the idiom “you found yourself in” which portrays Jihwa as weak and rather stupid. The words imply that the disciple is a puppet. According to Min, he had sex, because Nameless convinced his disciple to this. He was a victim of circumstances in Min’s eyes. That’s why his words truly exposes a huge reproach. Black Heart’s words reflect that he is very serious in that moment, he is even talking about money.

If I had to rephrase his true thoughts, this would be the result: “How could he let himself be so manipulated to make such a mistake? Is this a joke?” That’s why I believe that Min is not shedding a tear out of joy or out of laughing, rather because he is frustrated and pained. That’s the reason why in the same scene he will lose his temper in front of Nameless, and shows his true face: nasty, violent and arrogant.  And note the contrast of the mouth. The lips are positioned in the opposite way than when he smiles. And now, you understand why Min had his eyes closed. He was hiding his true emotions from the others, as the eyes are the mirror of the soul. Yet during that night he could no longer keep his mask as the Joker.

5. The signification of the tear

Another huge divergence is that unlike all the other characters weeping, he only sheds one tear which is quite significant. This shows that Min’s heart has been wounded, yet due to his true personality, he can’t cry buckets. Let’s not forget that I had already diagnosed him as someone suffering from ASPD (Antisocial Personality Disorder). His lack of empathy is the explanation of his lack of tears.

One might say that this is just a crocodile tear.

This is definitely correct in the sense that the lord fakes his happiness and pleasure, while in my opinion he is masking his hurt, frustration and stress. In that panel, he is definitely a hypocrite, nonetheless I doubt that his emotions are insincere. It is just that he is a crocodile himself, therefore he has never shed a tear before.

As you can perceive, the appearance of the tear is important in my eyes. We have to imagine that until the appearance of the painter Min felt bored to death or better said bored to tears.

“bored to death/bored to tears”: extremely bored to the point of distraction, frustration or irritation. quoted from https://idioms.thefreedictionary.com/bore+to+death%2ftears%2c+to

That’s why he kept looking for fun and entertainment.  (chapter 66) Striking is that when the lord found Baek Na-Kyum in a terrible situation, he looked excited. In my opinion, the situation was pleasing to his eyes for two reasons. Min could see how Yoon Seungho had mistreated the painter, therefore he sensed that he could have an opportunity to approach the artist. Since Yoon Seungho was not willing to share his lover to others,. Min had only one possibility left: separate the couple. That’s why he found it entertaining. He imagined that his chances to taste the low-born had increased. This explicates why he takes pleasure in the misery of others. He is able to profit from the suffering of others. In other words, he never had to put a lot of effort. Everything was always delivered to him on a silver plate.

But since he was using others to play his games, this means that Min never had to work either. I am quite certain, the readers remember this idiom:

blood, sweat and tears”: a huge amount of effort, dedication and hard work. quoted from https://idioms.thefreedictionary.com/blood%2c+sweat%2c+and+tears

That’s another explanation why he couldn’t shed a tear. Note that during the first season, he made requests to Yoon Seungho (chapter 19, 33). The latter had to bring the painter to the bedchamber in order to show the pictures or to bring him to the sex orgy. Then he asked the same thing during the second season. The host had to fetch his artist. Then he incited Jihwa to hire Nameless and gave him the information about the criminal. Nonetheless he never went there himself. Striking is that the more he lusted after Baek Na-Kyum, the more he became proactive. In chapter 56, he visited his “student” on his own, and made the request to be involved: “Let me in on it”. Then he visited the protagonist’s mansion on his own in chapter 66, this signifies that he was more and more walking around. In chapter 69, we see him waiting at the kisaeng house. He hoped to meet the artist there, thinking that Baek Na-Kyum would want to run away from Yoon Seungho. The fact that Byeonduck portrayed Min walking in so different scenes (52, 56, 66, 76) is an indication that Min is becoming more and more active. In poetry and literature, the walk is often a metaphor for life. That’s why I come to the conclusion that the tear symbolizes Min’s revival. Hence this picture truly mirrors Min’s life before his meeting with Baek Na-Kyum. (quoted from https://9gag.com/gag/awXAwnW) This image is inspired by the song “Beautiful” written by Eminem, because the latter referred to the presence of a mask and act by singing “hide behind the tears of a clown”.

As you can observe, Black Heart is making a similar experience than Yoon Seungho. He is starting to live his true life and as such dropping his disguise: The Joker. And this picture truly mirrors Min’s life before his meeting with Baek Na-Kyum. But old habits are hard to die.  

Min: “What if I said I could have you killed?” (chapter 76)

He threatened the criminal to have him eliminated. His words expose that Black Heart wouldn’t still do it himself, but he would use others. On the other hand, his remark displays a transformation, for Min is now taking responsibility for a person’s death. By becoming more active, he is no longer running away from accountability. This signifies that at some point, he will be responsible for his own actions and words and won’t be able to put the blame on others. Simultaneously, this situation forces him to show his true colors. However, there’s a huge difference between the wealthy main lead and Black Heart. Instead of transforming into a phoenix and shine, Black Heart will turn into a monster, a zombie. Since Min can now feel pain, this indicates that he is alive. I can’t help myself associating him to rotting flesh due to the opium and his nausea. Because of the connection between work and tears, I am expecting that Min will begin to show an interest in the officials and get in touch with Jung In-Hun.

6. The tear and the clown

To summarize, the Joker was always hiding his true self from others. He played The Joker in order to cover up his own anxieties, emotions and thoughts. Then he never had to make any effort. Finally, he always felt entitled due to his social status. Thereby I come to the conclusion that Black Heart was quite similar than Yoon Seungho in the end. He was also living like a ghost, yet he was different at the same time. Since he fears to break social norms, yet resents them deeply, he learned that he had to hide his true self behind a mask. Therefore he became a clown, a Joker who would use others as his puppets and as such toys. But as a clown, he couldn’t show his true emotions, for it was not his “function”.

tears of a clown: A phrase used to describe a person who appears joyful and chipper around people but is actually emotionally distraught. Usually this results from heartbreak or a severely stubbed toe.  https://www.urbandictionary.com/define.php?term=tears%20of%20a%20clown

This expression corresponds totally to the image from chapter 76: , the clown was in really distressed and wounded, but he had to grin and bear it. He had to keep playing his role of the Joker, until his position as the puppet master got threatened by Nameless’ intervention. This explicates why The Joker had to stop Nameless from talking. The Joker realized that the commoner could have a huge influence over the second lead.

Min: “Such insolence from a filthy, lowly cutthroat…. How dare you, a worthless peasant, question your superior? You’d do well to bite your tongue and keep playing your tricks, jester.” (chapter 76)  

He attempted to humiliate him through insults, but nothing worked on the commoner. In this scene, Min was defeated for the first time, though he managed to keep the red-haired noble by his side.

7. The tear and Min’s obsession

Since I elaborated that Min and Yoon Seungho had so many similarities, the Joker’s tear is another indication that the main lead will also come to cry. Yet, contrary to Black Heart, I am expecting the lord crying a river. In addition, this means that the reason for the appearance of Min’s tear is caused by Baek Na-Kyum, though it happened in front of Lee Jihwa. On the other hand, the manhwaphiles shouldn’t forget that the latter is a different version of Baek Na-Kyum. Therefore we have to imagine that in the past Min became interested in the second lead due to his closeness to Yoon Seungho too. That’s the reason why Min chose to snatch Jihwa from Yoon Seungho. Remember the main lead’s words in chapter 55:

Yoon Seungho: “I brought you here as a new plaything, that’s all…” (chapter 55)

Because the main character and Min are similar, this image is in my eyes an evidence that Min considered Jihwa as his plaything too. First, the protagonist showed an interest in painting, so did Min. The former was close to his childhood friend, therefore Black Heart desired the same relationship between Jihwa and himself. And now, you comprehend why he is determined to taste the painter. Yoon Seungho’s gaze revealed that he was sexually attracted to the painter, and the latter had a similar reaction. Hence Min feels the need to lust after Baek Na-Kyum. But he is making a huge mistake: for he sensed sexual attraction in their gaze, he believes that this is the real foundation of the relationship between the two main leads. Yet, it becomes obvious that Black Heart has fallen in love with the painter, but unlike Yoon Seungho, the Joker is not willing to admit this. He fears the consequences: to be laughed.

But why is Min so obsessed with the main lead? It is, because he envies the protagonist for his way of life. On the one hand, he lives above social norms and doesn’t pay attention to rumors and traditions, hence he has a bad reputation. On the other hand, the nobles keep seeking his company despite everything. Yoon Seungho is attracting attention, therefore the clown can only judge Yoon Seungho as a rival. However, people are mocking him behind his back. That’s why Min can’t truly take the main lead’s place and can only copy him. In my opinion, Min is longing for freedom too, but in a more destructive way.

And now, you comprehend why Jihwa became his disciple. Min was able to earn his trust, which explains why Jihwa admires Min’s relationship with the noble with the mole in chapter 59.

Jihwa: “We have seen each other in the most wretched of states. Of course our relationship is not the same as yours.”

 From my point of view, Min was motivated to take away Jihwa from Yoon Seungho and have the same influence over Jihwa than Yoon Seungho. But even here, Min failed in one aspect. The red-haired noble was always faithful to his childhood friend, therefore their relationship never turned into a sexual relationship. It is possible that first Min was aiming to have him as a sexual partner, until he realized that Jihwa only had eyes for Yoon Seungho. That’s why in the end, Black Heart played with the second lead’s naivety.

However, Min’s obsession over Yoon Seungho is slowly changing. I would say that he is now getting obsessed with Baek Na-Kyum. This would explicate why Min shed one tear in the shed after witnessing the embrace.  He definitely felt agony in that moment, thereby he felt the need to vomit. But since Jihwa’s tears are famous, I can’t restrain myself thinking that Min’s tear was provoked by Jihwa’s betrayal. It was the straw that broke the camel’s back. And this leads me to the following conclusion:

Min has now discovered that his influence over Jihwa is in danger, then this means that he has to pay more attention to his student. It is definitely possible that the “mentor” torments Jihwa more than before. But it could backfire on him. At the same time, his obsession for the painter is increasing, therefore I am expecting that Min will be forced to make a choice at the end: who is more important in his eyes? Jihwa or Baek Na-Kyum? And the moment Black Heart selects the painter, the second lead can only recognize Min’s hypocrisy and false preaching. One thing is sure: Min will shed more tears in the future… he will be more and more tormented which will be his karma.

As a conclusion, Min’s tear was a sign of his revival. The tear was triggered due to pain and stress. The puppet master experienced how little control he had over people. However, the master attempted to hide his heartache by masking with a laugh.

There will be a third part. 😉

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

The Pawn’s Revenge: Janggi and life 🔞

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞  Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

In chapter 6, Jeon Hee-Seong compared Janggi (Korean chess) to real life. For her, humans resemble to the pieces of the chess board, where the weakest are doomed to disappear. Striking is that many chess players have a similar approach than her. They all see many similarities between real life and chess.

Benjamin Franklin: Chess teaches foresight, by having to plan ahead; vigilance, by having to keep watch over the whole chess board; caution, by having to restrain ourselves from making hasty moves; and finally, we learn from chess the greatest maxim in life – that even when everything seems to be going badly for us we should not lose heart, but always hoping for a change for the better, steadfastly continue searching for the solutions to our problems. or from the same author: “Life is a kind of Chess, with struggle, competition, good and ill events.”

Charles Buxton: “In life, as in chess, forethought wins.” quoted from https://www.ichess.net/blog/chess-quotes/

Allan Rufus: Life is like a game of chess. To win you have to make a move. Knowing which move to make comes with IN-SIGHT and knowledge, and by learning the lessons that are accumulated along the way. We become each and every piece within the game called life!

1. Jeon Hee-Seong’s perception about Janggi and life

What caught my attention is these men have a different mindset than the character from The Pawn’s Revenge. They have a rather optimistic attitude, whereas the former prostitute seems only to see death. It is a dog-eat-dog world, and if you want to survive, then you need to become ruthless as well. This negative attitude is really palpable, if you contrast it to Allan Rufus’ quote. The latter views the game and life as a place, where people gain knowledge through experiences. Thanks to the practice and increasing maturity, the person is capable to change or anticipate the next moves. In other words, with the training, people can make a different decision. Furthermore Benjamin Franklin, who has a similar approach, adds that even bad events should be considered as lessons and as such a source of motivation to improve the situation. Both authors promote hope, whereas the femme fatale advocates disillusion and defeatism. Hence, for the Korean figure, life is perceived as an endless battle and nothing more. This signifies that in her eyes, life contains no happy moment and has nothing to offer. Since she compares it to a constant war, this signifies that only power matters, as it guarantees survival. I would like to point out that EVY confirmed in a tweet that the femme fatale plans to become a king. This truly reveals that for the former prostitute, dominance is her ultimate goal in life. In her mind, strength symbolizes life. Thereby for her, love has no meaning. Moreover, I also think, she doesn’t believe in values like affection, friendship or respect. The evidence for this the following. Note how many times she utilizes the idiom “kill”, while the male authors outline the importance of insight (“insight”, “foresight”, “forethought” “vigilance”) and wisdom (“knowledge”, “knowing”, “insight”). In other words, while Jeon Hee-Seong is focusing more on action (killing), the other players (Franklin, Buxton, Rufus) privilege pondering and reflection. She is already aiming directly at her final goal: removing the former king and replacing him.

Her pessimistic mindset is particularly perceptible, when she describes the role played by the pawn. (chapter 6) In her eyes, it has no value at all (“the most useless”), whereas the protagonist and student Seong-Rok views the soldier differently: (chapter 13). The latter can be influential, but it depends on its position and the way the general uses it. Sense the contrast between these two descriptions outlining her narrow-mindedness in the end.

In my opinion, her words about the soldier truly expose that the femme fatale is acting under the influence of emotions (fear, resentment, greed). She is not just trying to arouse pity in her lover, her description about real world and Janggi reflect her true thoughts: dark, brutal and painful. That’s why the title of this manhwa is also referring to her, and not just to the two protagonists. She is a pawn and desires to get revenge by becoming powerful. Striking is that many famous intellectuals associate revenge to weak people.

Juvenal: “Revenge is always the weak pleasure of a little and narrow mind” (Roman poet from 2nd Century AD)

Albert Einstein: “Weak people revenge. Strong people forgive. Intelligent people forget.”

Since I described Jeong Hee-Seong as disenchanted and pessimistic, I can’t help myself judging the femme fatale as a weak person in the end. She is definitely short-sighted, as she can no longer be moved by genuineness and affection. Besides, in her eyes, love can not procure protection and power. I have the impression, she views affection as a vulnerability. Let’s not forget that she was backstabbed, hence I deduce that she has become immune to loyalty. All this would explain why she manipulates the red-haired innocent man and why she plans to betray him too.

Her desire to become powerful and as such to get rid of her former “colleagues” is stronger than anything else, therefore Lee Seon-Cheol (chapter 1), her husband, Ma Jong-Seok (chapter 18) are removed within a short time. This explicates why the detective Kang Hyeon-Woo suspects her right away. (chapter 8) But why is the femme fatale neglecting reflection, knowledge and foresight in Janggi?

2. The causes for her negative attitude about Janggi and life

From my point of view, the former prostitute has the impression that she knows everything about life. Through her bad experiences, she believes that she has already understood how life works. I would like to point out that Do Seong-Rok got mesmerized by her due to her insight. She could recognize his personality (chapter 16) and his occupation within a few minutes, when they met for the first time. In his eyes, she appeared as an intelligent woman full of wisdom and experiences. This explicates why he listened to her explanations so carefully, when she was about to manipulate him to kill for her. (chapter 16) And that’s how she definitely views herself too.

3. The consequences

But her attitude is the reason why she will fail. First, she has never heard about the concept of “lifelong learning”. Life is always teaching lessons to people till their death. Secondly, she is overestimating her abilities. Because she understands humans due to her observation skills, she believes that her manipulations will always be effective. However, she is misjudging the importance of love and loyalty, as she is just a disillusioned woman. And pieces from Janggi are different from humans, for the latter have emotions and can think on their own. The pieces in the game board will never switch sides and as such betray their general and king. In real life, it is different. People can change. From my perspective, she is diminishing the significance of change. Do Seong-Rok was an obedient puppy, for he imagined that she loved him. However, once she lost her temper (chapter 12) and showed no loyalty towards him (chapter 12), the young man could only recognize that she was lying to him. (chapter 12) She has no idea about Do Seong-Rok’s past experience (the fake promise and abandonment).

To sum up, because she thinks, she knows everything about men and life, in her mind, she no longer needs to gain more insight, and as such be more prudent. For she has internalized that weak people are just pawns that can be easily discarded, she is already viewing her lover Do Seong-Rok as such. For her, he is just a tool, and once he has fulfilled its functions, she can sacrifice him. That’s why she describes him in a very rational way to her second lover officer Ahn. (chapter 11) The red-haired man is perfect for her plan, as his eyes and hands are focused on the game. But what the female character failed to realize is that in Janggi, there exists different pieces: the elephant, the horse, the general/king, the pawns, the chariot and the cannon. Do Seong-Rok is not a pawn in reality.

3. The pieces of Janggi

Striking is that the black-haired woman describes herself as a pawn to her lover Do Seong-Rok. (chapter 6) This means, she portrays herself as vulnerable, implying she needs the protection of a more powerful piece. However, since she gives Do Seong-Rok instructions(chapter 13), this signifies that her true role in Janggi is different. She is the player. Consequently, she is sitting on the one side and takes the pieces. (chapter 6) That’s why I come to the conclusion that in the game itself, she represents the general/king and Do Seong-Rok’s part is to protect her and help her to defeat her opponent. In her eyes, he is her pawn and she is the player. But like I mentioned above, in Korean chess, we have more than just the pawn: the horse, the elephant, the counselor/the guard, the chariot and the cannon (chapter 13). That’s why I tried to identify the killer’s true role in the game board.

3. 1. Do Seong-Rok in the game board

In my opinion, he is the cannon, while his girlfriend is the player. First, since the cannon represents a weapon, it fits Seong-Rok’s role perfectly: he is a killer. Secondly, the cannon in Janggi is the only piece that can jump over other pieces. That’s the reason why it becomes useless, if there are no other pieces to skip over. And this function (jumping over) reminds me of the kidnapping. The killer abducted Lee Je-Oh and Ma Jong-Seok, though the latter was his real target. This kidnapping resembles a lot to jumping over, especially after Lee Je-Oh got spared. And note that the black-haired man is now considered as an ally to the killer. In addition, Do Seong-Rok plans a second abduction: Koo Jeong-Mo. (chapter 13) The moment the protagonist has eliminated all her targets, he will become useless. Consequently, I deduce that when Jeon Hee-Seong plays chess, she is the “king” and Do Seong-Rok is the cannon.

3. 2. Jeon Hee-Seong’s team

As for officer Ahn, I believe, he is her chariot, because he is the one who will procure her connections and power, the moment he becomes a politician. Compare it to the description about the chariot. (chapter 13) Because officer Park is working under officer Ahn, this signifies that he is definitely one of her pieces too: I am inclined to judge him as the horse, though there’s no real guarantee that this is correct. Why? It is, because Park is covering up for Jeon Hee-Seong by giving information to officer Ahn. Besides, the latter mentioned this: (chapter 11). “Some of my guys” is a reference to the lieutenant Park. And remember that the role of the horse is to create a bridge for the cannon. Let’s not forget that Park Gwang-Soo is not really trying to investigate the whole matter, as the victims are all involved in the red-light-district. A real investigation would lead to unveil the corruption among Mijeong police.

I have to admit that I am not very familiar with Janggi, hence my comparison could be lacking. EVY😉😘 might even correct my interpretations, since she has always read my essays and given me information. But one thing is sure. Though the former prostitute calls herself a pawn, she is definitely not acting like one. That’s why she abandons her boyfriend Do Seong-Rok. He is now on his own, since he didn’t follow her instructions correctly, though later she tries to diminish her words by renewing her previous promise: she would ensure to save him. (chapter 12) The beginning of the alienation between the red-haired man and his girlfriend is important, because this announces the creation of a third party. While the head manager of Hongok-Dong Red Light District jumps to the false conclusion that Jeon Hee-Seong represents the third party, he is not realizing that she is just trying to replace the first team. Jeon Hee-Seong plans to maintain the collaboration between Mijeong police and the red light district, yet the involved parties will be changed.

3. 3. The first team

As the victims represent different pieces of the Janggi, this means that they are embodying a team. Koo is the horse, Ma is the elephant, Choi the guard and Lee Soon-Cheol the pawn. However, two pieces are missing in this team: the chariot and the cannon. Since the the head manager of Hongok-Dong Red Light District meets officer Ahn in order to beg for his support(chapter 11), this signifies that Ahn has been working for this team too. In my opinion, he plays the same role than in the other team: he is the chariot. As for the cannon, I will unveil his identity below. But since we have a whole team, this signifies that there’s a general. Consequently, there exists someone behind the victims, the king and player of the game board. To sum up, Jeon Hee-Seong is playing against a person, whose identity has not been revealed yet. How ironic is that when I was writing this essay, the special episode confirmed my theory: The “not yet” is the player using Koo Jeong-Mo and the others as his pieces. Jeon Hee-Seong entered the game and started a war against the first team. She could win over officer Ahn by appealing to his feelings. She revealed the injustice she was exposed too. That’s why Ahn asks Koo Jeong-Moo about the reason for targeting him. (chapter 11) Ahn could understand her motivation. However, she disguises from him that she is stimulated by her greed and ambition too.

3. 4. Do Seong-Rok’s future team

The irony is that the moment Do Seong-Rok took an initiative, his role in the board game got affected. Though Jeon Hee-Seong gave him instructions, she never gave him any concrete indication how to remove her enemies. In other words, the protagonist was more than just a cannon. Striking is that in the beginning, the male prostitute associated him to a god (chapter 2) and a grim reaper, and this connection is no coincidence. This exposes that Do Seong-Rok became himself a player, when he started acting on his girlfriend’s behalf. He had to ponder how to approach and attack his victims. Hence in my eyes, the main lead represents a king/general too.

That’s why we see him facing Jeon Hee-Seong in chapter 6. Note that she asked him to kill in her name and if he did, he would be able to remain by her side. (chapter 6) It was, as if with the killing, he would go to her side, as in that scene he was facing her.

From my point of view, this scene in chapter 6 is important, as it somehow announces that they will become rivals and fight against each other. One might argue, the fact that the killer was sitting in front of his girlfriend is just random and has no real signification. Nevertheless, I would like to point out that right in the beginning, the murderer placed people like on a board game. For me, this is another clue that Do Seong-Rok is not just a cannon, but a player himself. (chapter 1). It was, as if he was observing a game and predicting moves. Furthermore, he observed Lee Je-Oh for a long time and questioned his role in this team. This truly shows that the main lead was pondering a lot. I would like the readers to keep in mind the advices given from the chess players: foresight, forethought, prudence and vigilance. Moreover, there exists a interrogation point in the image of the male prostitute, which shows that the main character was thinking about Lee Je-Oh’s role in that game. Furthermore, the former could impose himself through his strength in front of Lee Je-Oh. (chapter 12) The latter made the mistake to overestimate his situation and his skills. He imagined with his observation skills and schemes he could prove his superiority and loyalty, but the red-haired protagonist punished him for his “betrayal” and “arrogance”. The red-haired man embodies physical power and is the final authority. Finally, if you observe the way Do seong-Rok taught his new ally Lee Je-Oh about the game, you’ll sense that their position reflects the actual situation: they are sitting on the same side in front of the game. (chapter 13) which contrasts so much to the scene with the former prostitute in episode 6. Since Lee Je-Oh is giving advice to the young criminal (like not leaving any evidence (chapter 13) or not answering Jeon’s calls, I view him as a guard and counsellor. At the same time, he is offering his help to capture the pimp Koo. Hence I consider him as Do Seong-Rok’s horse too. As you can observe, the red-haired man and his lover will play different roles in Janggi. However, right now the two main characters are still working for the femme fatale, but it is only a matter of time, until they build their own team and work for their own survival and ultimate goal.

Besides, let’s not forget that I have already predicted a revolution (chapter 1) from the male prostitute, for the latter has still a strong sense of justice. He has never forgotten the victims of Ma Jong-Seok. (chapter 18) And strangely, Benjamin Franklin was also involved in American Revolution:

War is when the government tells you who the bad guy is. Revolution is when you decide that for yourself”. (Benjamin Franklin)

With this quote, it becomes obvious that at some point, Do Seong-Rok will realize that his girlfriend is no angel either and the so-called bad guys (Koo, Ma, Lee and Choi) aren’t the only ones responsible for the existence of the Red Light District. (chapter 8)

3. 5 The special role played by the lieutenant Kang Hyeon-Woo

This is the only character I haven’t mentioned so far. However, I believe, he will play a major key role in the story. Why do I think so? My reasoning is that the young police officer doesn’t belong to any team. He represents a source of danger for officer Ahn, hence the latter got worried, when he heard about his presence. (chapter 11) According to his reaction, the manhwaphiles can deduce that the detective has lived himself in the city before moving out to Seoul. In other words, he is coming back to Mijeong and is determined to remove corruption in the city and police. Since Player 1 (Not Yet) will be aware that officer Ahn has already sided with Jeon Hee-Seong, there’s no doubt that he will try to use Kang Hyeon-Woo to target Jeon Hee-Seong and her helpers. An investigation about the murders in the city is definitely necessary for the player 1. However, since the lieutenant chose to leave the city in the past, this signifies that he suffered himself some injustice in the past and as such was a victim of the king from team 1. Therefore Kang Hyeon-Woo has to ensure that he needs to unveil the whole truth.

Simultaneously, I have the impression that Do Seong-Rok and Lee Je-Oh might use the detective for their own advantage too. Let’s not forget that Ahn judges the lieutenant as a threat. (chapter 11) It is even possible that the femme fatale decides to use the detective for her benefit too, when she believes that it’s time to get rid of Do Seong-Rok. That’s why I believe, the detective will be the lose cannon in the board game. From my perspective, each time they will try to take advantage of his desire for truth and justice in order to divert the attention from their own crimes and wrongdoings.

And now, it is time to summarize the discoveries/interpretations I made about the different teams:  

Player/GeneralNot YetJeon Hee-SeongDo Seong-Rok
HorseKoo Jeong-MoPark Gwang-SooLee Je-Oh
ElephantMa Jong-Seok? 
Guard/counselorChoi Yeong-Gil?Lee Je-Oh
Chariot? (Officer Ahn)Officer Ahn 
Cannon(Kang Hyeon-Woo)Do Seong-Rok (Kang Hyeon-Woo) Do Seong-Rok (Kang Hyeon-Woo) 
PawnLee Seon-Chool Lee Je-Oh (lure Koo) 

As you can notice, the team members can definitely switch sides and the characters can play different roles in the board game. From my perspective, the readers will witness the rise of Lee Je-Oh, his influence over Do Seong-Rok will keep increasing.

I am predicting this due to the character’s personality: he is observant, intelligent and can react quickly to new situations. Therefore he can anticipate moves from the others. As a conclusion, both original pawns, Do Seong-Rok and Lee Je-Oh, will take revenge on the persons responsible for their suffering. That’s why EVY chose this picture as an illustration for her story: And at the end, they will “destroy” this world, just like in the picture. Their reason is simple. They are not aiming at gaining power and wealth. For them, freedom and love matter more.

PS: Dear @EVY, if there are some errors, you can notify me. I tried to fill the blanks.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

The Pawn’s revenge: “Femme fatale”🔞

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞 Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

As you can imagine, in this essay, I’ll focus on Jeon Hee-Seong corresponding perfectly to the portrait of “femme fatale”. But what does it mean? The idiom comes from French and means “lethal/deadly woman”. In addition, if the manhwaphiles look up, this is what they will find:

Femme fatale: a woman who is very attractive in a mysterious way, usually  leading men into danger or causing their destruction quoted from https://dictionary.cambridge.org/dictionary/english/femme-fatale

To sum up, a femme fatale is a sexually attractive woman who uses her female body as a weapon to defeat her male opponents exposing them to danger and their own destruction. However, the characters are not realizing their own situation, and when they become aware of her true nature, it is already too late for them.

Their fate is already sealed: death. Striking is that a synonym for femme fatale is siren. Why? It is related to the famous Greek story “Odysseus” from Homer, where the sirens tried to lure the protagonist Ulysses and his sailors to their death with their beautiful singing. With their voice, they would incite the sailors to jump into the sea so that the latter would drown.

  1. Jeon Hee-Seong: a new version of the siren from Odysseus

And this leads me to the following observation. A femme fatale is not just seducing men with her sex appeal, but also with her voice and words. In “The Pawn’s revenge” Jeon Hee-Seong is even presented as a siren, when she asks her lover to kill for her sake. (chapter 6) Note how she manipulates him. First, she diminishes her own position. (chapter 6) She is just a pawn, mistreated by men. Besides, they are living in a dog-eat-dog world, hence it is necessary to become ruthless, if they want to survive. (chapter 6) As she is powerless, she needs his help. Alone, she won’t be able to change her position. And with her description, she achieves to move the protagonist’s heart. He is willing to dirty his hands, if it signifies that he will be able to remain by her side. With her request, she is implying that he will find happiness by her side. Nonetheless, the innocent man is still hesitating, thereby he would like a confirmation from her. They will be together, if he follows her suggestion. Yet, she doesn’t answer to his question directly. As the manhwaphiles can detect, a femme fatale is strongly connected to the fake vow of pleasure and enjoyment.

The femme fatale entices, promises and eludes. […] [She] fascinates with her beauty and the inherent promise of happiness […]. At the same time, however, she is perceived as threatening. The danger emanates from the sexuality embodied in her and the involvement in a story full of intrigue.” quoted from Carola Hilmes, Die Femme fatale. Ein Weiblichkeitstypus in der nachromantischen Literatur. Stuttgart 1990“. (translated by me)

In my eyes, the former prostitute’s argumentation resembles to the beautiful singing of the sirens. And when the femme fatale grabs his hand (chapter 6), it was, as if a siren was grabbing the innocent man’s hand in order to drag him into the sea and as such into the darkness. (chapter 6) Moreover, observe the position of her legs, it definitely reminds us of a siren, as her legs resemble to a fishtail. Moreover, if I include the following panel, this perception gets reinforced. Her hair on the bed makes me think of hair under water. Sure, in this panel, she appears in Do Seong-Rok’s nightmare. However, we have to imagine that this situation truly happened. The main lead is realizing in his sleep that he has been tempted and is now in danger. This scene represents a turning point in Do Seong-Rok’s life, as he is slowly recognizing that his lover won’t keep her vow: she would save him, if he needed assistance. He wanted her to become his safety net and comfort. (chapter 16) And now, if you connect this promise with the siren’s temptation, you’ll realize what the abandonment signifies in truth: he will drown and die. He will lose his life and soul. 

2. A siren without eyes  

But let’s return our attention to the picture from chapter 6. Her mysterious appearance is reinforced with the absence of her eyes. In this picture, the protagonist got scared, as he was sensing that the beautiful woman was not like she appeared to be. For me, the black background and the absence of her eyes makes her look like a seductive monster. Simultaneously, it also reveals her fakeness, for the gaze is perceived as the mirror of the soul. Therefore, the panel illustrates that the character without eyes has in reality her own agenda. On the other hand, her words represent a warning, because they are actually reflecting reality. Notice the contrast between the expression “look at the state” and the absence of Jeon Hee-Seong’s eyes. Since there exists no gaze, it means that the main lead can’t see his own reflection in her eyes. With her words, he is reminded that he should use his own eyes in order to recognize his true state and feelings. He shouldn’t rely on the reflection of her gaze. And now, you understand why the killer got scared. For the first time, he was seeing his true self: he was a murderer due to her manipulations. Yet, in chapter 6, he is still in denial after the nightmare. That’s the reason why he rejects Lee Je-Oh’s offer to be his ally. (chapter 6)

This shows that the former prostitute could seduce the young and naïve man with her deceptive gaze, like the readers could witness it in this picture. She gave him the impression that she was admiring him, she would love him. Hence EVY drew such an image: while making love to her, the main lead could see a very positive image about himself. He imagined that he was seeing affection in her gaze and facial expressions (blushing), while in truth it was just a sexual reaction. Consequently, I deduce that a femme fatale is using her eyes to manipulate her preys and victims. The men are projecting their own emotions and desires onto the femme fatale. Moreover, this projection is often linked to fear. The male characters fear that they might lose control of the situation. That’s why officer Ahn gets nervous and doubts her relationship with Do Seong-Rok. (chapter 11) They are puppets of the femme fatale. This angst is truly palpable in chapter 6. Do Seong-Rok got scared, because before he had met detectives looking for Lee Je-Oh, Ma Jong-Seok and Choi Yeong-Gil and couldn’t get in touch with his lover. He felt totally vulnerable. He needed her presence in order to stay calm and find a solution to his problem: the existence of a witness.

3. Victim or perpetrator?

After reading the first two parts of this analysis, the readers have the impression that this is just a rhetorical question, because the answer seems evident. A femme fatale is a perpetrator. However, in truth this is far more complex. Let me give you an example. The first famous femme fatale is Eva. Why? It is, because after listening to the snake, Eva encouraged Adam to eat the apple from the Tree of knowledge. In other words, she “seduced” him to commit a sin. Since the original sin is perceived as a metaphor for sexuality, the woman will lure men thanks to her beautiful body. This explicates why during the Middle-Age, Church looked down on women, as they were judged as the descendant of Eva. In the clergy’s eyes, they were responsible for the eviction of paradise. That’s the reason why from 1450 to 1750, many women were condemned as witches. All the different Churches (Protestant, Catholic, eg.) saw in the female body a source of witchcraft. Let’s not forget that women can give birth and procreation was very mysterious to people back then. That’s why this is no coincidence that the former prostitute calls herself a witch. (chapter 16) Yet, if you pay attention to Eva’s role, she was herself a victim, for she listened to the snake and got tempted to eat the fruit.

3. 1. Jeon Hee-Seong: the snake or Eva?

In the manhwa, this character is compared to a snake, a symbol for evil and sin. This comparison seems to be correct due to her behavior in chapter 6 and 16. Striking is that in this image, the femme fatale seems to be associated to the Tree of knowledge, for she is hidden by the plant. It gives the feeling, both have somehow connected, as if she came from the plant. Here, she is explaining him about the game, a metaphor for the real world. They are living in a ruthless world, where the weak ones will get killed (social Darwinism). Since she is teaching him her knowledge, she appears to be the snake. On the other hand, if the manhwaphiles remember the detective’s words, they will realize that Jeon Hee-Seong became a prostitute, because she was forced. (chapter 9) Imagine, she had to sell her body, yet she would never be able to escape from this “chicken farm”, for the debts would always keep increasing. Koo Jeong-Mo calls her a snake, but he is a hypocrite. He might have not killed her, nevertheless he did something terrible to her. (chapter 11) He justifies his crime by saying that he just attempted to run his business. Just like his foe, he is diminishing his sin. On the other hand, his words truly outline his immorality and wrongdoing. If it was not murder, then what did he do to her? He calls her a snake, because she betrayed him. However, he was the one who backstabbed her first. There’s no doubt that she was forced to marry Choi Yeong-Gil, a violent man. (chapter 9) The former pimp suspects her for being the mastermind behind the murders. Nevertheless, the manhwalovers should keep in mind that she is his competitor too. She is now running her own business. If she was caught and accused, he would get rid of his rival. Since he backstabbed her in the past, it truly exposes that his comparison is only partially correct. As the former prostitute is not just a perpetrator, but also a victim, I come to the conclusion that the female character resembles more to Eva than to the snake.

4. A comparison of femmes fatales

I came to this aspect after looking for other “femmes fatales”. So far, I compared the figure from The Pawn’s revenge with persons from the bible and Odysseus. Both stories are very old. This is the list of “femmes fatales” I selected, though I could mention more:

  1. Carmen from Prosper Mérimée (19th Century)
  2. Nana from Emile Zola (End of 19th Century)
  3. Madame de Merteuil from “Dangerous liaisons” written by Choderlos de Laclos (18th Century)
  4. Lulu from Frank Wedekind (the theater plays are called: Earth Spirit and Pandora’s box) – End of 19th/Begin of 20th Century
  5. Brigid O’Shaughnessy from The Maltese Falcone written by Dashiell Hammett (20th Century)

4. 1. Vulnerability and Dependency

What do have these women in common? They are all weak and powerless. Vulnerability doesn’t necessarily mean that they are all poor. Madame de Merteuil belongs to old aristocracy and is as such wealthy. Brigid O’ Shaughnessy isn’t truly poor either. However, they are all living in a world ruled by hypocrite and violent men. I would even say that these female figures are all trapped. They have either no rights or are still caught in the past. Madame de Merteuil asks Vicomte de Valmont, her confident, to get revenge on her behalf. She wants to humiliate an ex-lover who has decided to marry someone who stands in opposition to Madame de Merteuil’s personality: chaste and innocent. The Marquise is well aware that her former lover is actually following social norms. Women shouldn’t feel sexual pleasure and should be submissive to their spouse. As you can see, the female noble hates her condition. As a woman, she is not able to live freely, as she has to rely on men. Furthermore, she has to hide her true self from others in order to maintain her good reputation. A woman’s reputation was vital back then. That’s why she seduces men in the end. With her sex appeal, she feels powerful and independent. At the same time, through her unusual behavior, she is able to fascinate men. However, none of her ex-lovers desire to break taboo, except her friend Vicomte de Valmont, for her sex partners will always choose social norms (faithful wife etc.)

And if you compare her to Jeon Hee-Seong, you’ll notice the similarities. The latter wants to break free too. She would like to become truly independent, that’s why she is just using Do Seong-Rok, though she is well aware of his innocent and genuine side. She behaves exactly like Brigid. Both are women trying to make her way through a world run by ruthless, vicious men. So maybe manipulating is the only trick up their sleeve that they can use to survive this masculine, aggressive society. The only huge difference is that the Korean woman is using truth to manipulate her lover. (chapter 16) Note that she announces to the future criminal that she will be ruthless, selfish and she might even betray him in order to achieve her goal. To sum up, she is more paltering than lying by commission.

Then by comparing these femmes fatales, I recognized another pattern. Carmen, Nana and Lulu are powerless, as they belong to the lowest social class. Nana and Lulu are even prostitutes. Nana was somehow neglected and abandoned by her parents. She even ended up becoming a teenager mother. The famous French novelist wanted to outline through his main character that heredity and social circumstances would predestine her to become a femme fatale. She learnt through harsh experiences that sex is the power of the poor and weak. Once she discovered that she could use sensuality and erotic in order to get admiration and money, she internalized this rule. Nana was not truly calculative, as she kept making debts, while driving men to their death or ruin. She could no longer change her way of life. And Lulu had also a similar fate. The only huge difference is that she got married thanks to her backer. Lulu was married off to two men in turn by Dr. Schön, her mentor and lover. Both husbands tried to mold her in their image, and due to Lulu’s affairs, they both died. Lulu shot Dr. Schön and lived in Paris and London with his son Alwa, a writer. She began to sell her body again and ended up falling victim to the serial killer Jack the ripper. Note that the marriage doesn’t offer any liberty and protection to Lulu. Her husbands tried to form her. They projected their own desires and expectations onto her. This was the same case for Madame de Merteuil and Carmen. All the men in these stories expect from the femme fatale to be faithful, caring, genuine and loyal, while at the same time, they try to maintain their reputation intact. Schön was Lulu’s lover, yet he tried to marry a honorable daughter. As you can see, he felt that Lulu was not proper enough to become his wife.

This projection of sexual desires is quite recurrent. Therefore it is not surprising that officer Ahn questions her relationship to the killer. (chapter 11) He would like her to be faithful. There’s no ambiguity that he considers himself as her real partner. Yet, I don’t think that she is with him, because she is in love with him. She is treating him as her ally and support, as long as he helps her to get powerful and rich. Let’s not forget that he is trying to become a politician. I had already perceived the Korean prostitute as someone who was trying to climb the social ladder. For her, freedom means being powerful and wealthy. But she wants to be independent. And this interpretation was confirmed by the author herself. She told me that Jeon Hee-Seong desired to become a king!

Furthermore, there exists another parallel with Lulu. Jeon Hee-Seong was also imprisoned in her marriage. Not only she was forced to marry her violent husband, but also she couldn’t escape from this abusive relationship. Lulu kills herself her second husband Schön, while the latter tried to pressure her to commit suicide. Brigid also got rid of her “enemies”. Only death can liberate them. And this leads me to the following statement: their body might be used as a weapon, but not all of these femmes fatales are willing and capable to dirty their own hands. The Eva from “The Pawn’s revenge” prefers to delegate this to her lover. There’s a reason for that: it is more difficult to prove her culpability. Furthermore, she won’t feel remorse, as she was not directly involved.

4.2. The reason behind the existence of femmes fatales

The femme fatale is often connected to emancipation of women. The works from the 18th and 19th Century expose the conflict between sex drive and social constraints. At the same time, all the stories outline the hypocrisy of society and its patriarchalism. Men are allowed to have affairs, but for women it is out of question. I doubt that officer Ahn is single and intents to marry the former prostitute. They meet at a hotel, which represents a clue that they have more a sexual relationship than just a partnership. However, the problem is that all these women have learned that they need to act like men in order to survive: ruthless, selfish and immoral. None of them are able to recognize true love due to their sexual experiences. Consequently, I think that even if they are manipulative, these women shouldn’t be judged as entirely calculative. They are still led by their impulses. Therefore Nana keeps making debts, Lulu can’t stop having affairs and Madame de Merteuil ruins her only ally and accomplice due to her jealousy.

And now you comprehend why the Korean femme fatale used Do Seong-Rok. His innocence, his selflessness and empathy made him the perfect tool for her goal. At the same time, she is overlooking the male prostitute Lee Je-Oh. Since none of her targets has ever resisted her, she can’t imagine that Do Seong-Rok will distance himself from her.

4. 3. Their fate

And now, it is time to conclude this essay. The final common point of these femmes fatales is that they are all doomed to fail. This is particularly perceptible in the theater plays from Wedekind, the spectators can witness the rise and downfall of the protagonist. And if you compare their fate, you’ll notice that they all end in tragedy:

  1. Carmen and Lulua get killed
  2. Nana and Madame Merteuil become ill and lose their beauty. Nana even dies at the end. Madame de Merteuil is forced to go into exile.
  3. Brigid O’Shaughnessy is delivered to the police.

Since Ma Jong-Seok told Lee Je-Oh, he would eventually get some STD, it is possible that the femme fatale could face such an adversity. Moreover, the detective Kang Hyeon-Woo is already suspecting her and the latter is not corrupt, it is possible that she gets arrested, for officer Ahn was not able to protect her or even abandoned her. The final possibility is that she gets murdered, as she represents a witness and accomplice of Do Seong-Rok’s crimes. While examining her, I recognized another pattern: her scenes contrasts to Lee Je-Oh’s. In chapter 6, the manhwaphiles discover how she persuaded the red-haired man to dirty his hand, and in the same episode the male prostitute has a similar behavior. He is attempting to seduce Do Seong-Rok with his words and body. He even suggests to become his ally. And this observation truly reinforces my former statement: Jeon Hee-Seong and Lee Je-Oh will become rivals. One thing is sure: because the former prostitute is a femme fatale, she won’t get what she truly wants.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

The Pawn’s Revenge: The goldfish and the lamb – part 2 🔞 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞 Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

Feel free to make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. It would also cover my expenses for the blog.

In the second part Do Seong-Rok’s personality will be in the center of the analysis. Therefore it is necessary to study his relationship with the other characters, especially with Jeon Hee-Seong and Lee Je-Oh. Furthermore, I will compare the red-haired man’s behavior to Lee Je-Oh’s, because through the contrast the manhwaphiles can get more details about the murderer’s character. Moreover, I will give a possible explanation why the man with dyed hair saved Lee Je-Oh in the end. Let’s not forget the synopsis: “Why he rescued Je-oh is unclear, but a slick-talking manwhore was definitely not part of anyone’s plan.” Like it is mentioned, by letting the prostitute survive, Do Seong-Rok affected the game of Janggi, which neither Officer Ahn nor Jeon Hee Seong anticipated. The young man could only view the killer as his savior and feel indebted. Consequently, both protagonists got closer to the point that they became first allies and finally real sex partners.

1. The introduction of Do Seong-Rok

What caught my attention is the way Evy introduced Do Seong-Rok. Note that he is slowly inserted. First, we only see his foot, then his leg and hand. This is relevant, because it already outlines his mysterious nature. This is not just a question of anonymity. Notice that during the whole introduction, he barely talks so that the readers can’t perceive his thoughts. Moreover, he only speaks on two occasions. First, he calls Ms. Jeon and later he describes the actual situation: he has removed the first target: (chapter 1) Therefore this is no coincidence that the reason why the murderer didn’t eliminate the prostitute is obscure. In other words, the main figure is an enigma per se, and the readers are asked to discern his personality, whereas Lee Je-Oh’s character is so easily exposed.

Since the former has no face and no identity in the beginning, the manhwaphiles are wondering not only about the situation, but also about the person with gloves and his motivation. And observe that the author showed first his back (chapter 1), even before unveiling his face. It was, as if he was a ghost and he only materializes the moment (chapter 1), he uses the cellphone to call his lover, the mastermind of this murder. This explains why his face is only revealed, when he uses the pronoun “I”. (chapter 1) That’s the moment he starts existing. He only lives, when he is in contact with Ms. Jeon. Yet through his words, the readers can detect the nature of their relationship. Ms. Jeon is his superior and mentor (he calls her “teacher”/Seonsangnim/ in the Korean version), whereas in the killer’s mind she is his lover.

2. The true nature of Jeon Hee-Seong’s relationship with the killer

But this is only unveiled much later, when the manhwaphiles see a letter which ends with a love confession (chapter 8) But if you pay attention, you’ll detect the emptiness of this declaration of affection. First, there’s no name attached to the “I love you”. It is so anonymous. Furthermore, the love confession is at the bottom of the letter, totally separated from the content of the letter. The first scene in chapter 1 already illustrated the gap between these two characters, for Do Seong-Rok was speaking to her formally. The absence of the informal speech is a clue that they are not intimate and close in truth. And now, if you combine this with the “love letter”, you can only come to the conclusion that Ms. Jeon is the one keeping the protagonist at a certain distance. All this truly exposes Jeon Hee-Seong’s true thoughts. She’s using Do Seong-Rok’s naivety and innocence. With a few words and a letter, she could manipulate the protagonist to commit assassinations. What caught my attention is that the main lead was incapable to see through her lies. In chapter 6, she stated that she was willing to dirty her hands in order to survive, yet the next minute she asked her lover if he would kill for her sake. (chapter 6) This displays her hypocrisy. She is not willing to kill in reality and prefers someone else to take the fall. And this contradiction truly exposes her talent in manipulation, but also Do Seong-Rok’s lack of discernment. Because she is his superior, it explicates why the red-haired man is always the one calling her first (chapter 1 and 6). She only contacted him, when she realized the kidnapping of the male prostitute, exposing that she has the upper hand in their relationship, whereas the killer would like to get her support.

And now you comprehend why she compared him to a lamb, when they first met. (chapter 16) Right from the start, she could notice his inexperience with women and in life as well. She portrayed him as naïve and maladroit. (chapter 16) In that scene, she acted as a righteous and kind person which gave a false first impression to the future assassin. She made sure that he wouldn’t be caught with a prostitute, for he was still a soldier. In other words, she behaved like his savior. She was full of integrity despite her job. Consequently, the readers can grasp why the main lead got attached to her. Since she had showed respect towards him and had helped him, he felt gratitude. At the same time, she was able to impress the young soldier due to her social competences and discernment. She could judge him correctly: he had been living in a bubble so far, therefore he was lacking experiences (“too much discipline”). Besides, he got so mesmerized by her. (chapter 16) This panel exposes the man’s genuineness and purity, as he revealed his true thoughts so easily. I would say that he was easy to read like an open book. So he was seduced by her intelligence and her beautiful body. From my point of view, she wooed him by taking his side in this incident despite her criticisms. Let’s not forget that his colleagues not only were looking down on him, when he refused to follow them, (chapter 16), but they also left him behind. Then, when Jeon Hee-Jeong put the card in his hand, she gave him the impression that he had the freedom to come back to her. He had a place to return, when he had finished his mandatory service. (chapter 16) In other words, she didn’t abandon him, though she left him behind too. And this is important in my opinion, for it explains why the main lead chose to seek her company. She was the first person who accepted him with his flaws, but she didn’t truly leave his side. And this leads me to the following conclusion: Do Seong-Rok has abandonment issues.

3. Do Seong-Rok’s past

Exactly like Lee Je-Oh, he has been abandoned by his parents. (chapter 12) However, the father left a letter behind announcing that he would come back at some point, but it never happened. What caught my attention in this picture is the person reading the letter left by the relative. The house looks well-maintained and the woman is wearing an apron. Yet, she seems so cold and unfriendly due to the absence of a smile and the eyes. In the first version, I thought that he had not been abandoned in an orphanage, but he was confided to a particular person. However, it turned out to be wrong. The reality is that he grew up in an orphanage (chapter 27), yet the persons working there could never give what he truly wished: a family. This signifies that I had perceived the person’s attitude correctly. The personal could never give the affection and warmth he had been longing. On the other hand, From my perspective, Do Seong-Rok grew up in a family from the middle-class. This signifies that he never had to face financial struggles, on the other hand the absence of eyes in the woman exposes her displeasure. So though he received a proper education, he must have felt as a burden as well. This would explain why Do Seong-Rok lived in a bubble for a long time. Abandoned by his biological parent, he didn’t desire to annoy more people, especially the family who took him in. That’s why he felt the need to abide by laws and to be very strict. He didn’t want to stand out. For him, assimilation was a mean to get acceptance. Therefore you understand why Do Seong-Rok is a lamb, for “conformity” was like a safety net. Consequently, Lee Je-Oh and the murderer have both something in common despite the social gap: isolation, lack of warmth and acceptance. On the other hand, the huge difference in their social status explains why Do Seong-Rok is so inexperienced and naïve. He never had to struggle to survive. Thus this explicates why Lee Je-Oh is so street-smart, while the other is so clumsy. By abiding to laws, he didn’t have to use his brain properly. Furthermore, I believe that due to the abandonment he kept his distance with people… out of fear that he might appear as a burden. That’s the reason why he had no girlfriend, until he met the prostitute. Besides, it is also possible that in his childhood he could only meddle with people with a similar background, hence he never had to encounter people with terrible fates. But by entering the army, it changed, as he was forced to interact with people from other social classes and with a different mindset. This explains why Do Seong-Rok entered the red-district for the first time, when he was 22 years old.

But let’s return our attention to the conversation between the former prostitute and the future assassin. Jeon Hee-Seong created so many positive reactions in the main lead that he could only be fascinated by her. She acted the opposite to the woman in the picture with the letter (chapter 12) versus (chapter 16): smiling, willing to help and to talk to him. She was like a surrogate mother in my opinion. Their first meeting played a huge role and exposes the dynamic between these two characters. Since their initial meeting, the young man had the impression that she was a decent person whose intelligence and sensibility couldn’t shine due to her poor circumstances. That’s why he viewed her as a mentor. She knew much more about life than him. Striking is that she compared him to a lost lamb. This animal is the symbol for innocence, sociability, but also conformity (due to Panurge’s sheep) and sacrifice (the lamb embodies Jesus Christ). And if you pay attention to chapter 16, you’ll notice that Do Seong-Rok only entered the red-light district, because he was following his fellows. This truly outlines a certain compliance and obedience. On the other hand, once arrived there, he realized the purpose of their visit. Hence he refused to do the same, revealing his integrity. Thus it is no surprise that he values monogamy so much. Since he had his first sexual experience with Jeon Hee-Seong, he could only judge her as his companion and lover. Besides, when they met for the second time, she made him feel special. She was dedicating her free time to him. (chapter 16) Therefore it is not astonishing that Lee Je-Oh considers Do Seong-Rok as a dog. The animal symbolizes loyalty, unconditional love and protection. When I read the prostitute’s comment in this panel (chapter 9), I couldn’t restrain myself connecting it to Hachiko, the dog who continued to wait at the train station for over nine years for its master, though the latter had already died. And now, I would like to combine this thought with my interpretation from the first chapter. The man appeared as a ghost and only started existing, the moment he was talking to the former prostitute. Waiting is often perceived as the contrary to life. Why? While you are waiting, you are not able to make any new experience. And this reinforces my perception: the killer was not truly living while waiting for his lover. The vengeful ghost gets a voice, the moment the first task in Jeon Hee-Seong’s revenge is completed. Thus I come to the first conclusion that Do Seong-Rok’s personality is strongly attached to the ex-prostitute. In the beginning, he only speaks and acts according to her wishes. In other words, he is her pawn and puppet, which is even underlined by his words. In the crime scene, he barely talks, he doesn’t express his thoughts and emotions. Everything is revolving about her instructions.

Secondly, the manhwalovers can observe the parallels between the two introductions of the two protagonists. Both are facing a corpse (Lee Soon Cheol and a goldfish) and both characters have a similar reaction. They are neither shocked nor scared. They remain calm and indifferent. Yet what is more surprising is that in the two situations, the author let us see the corpse through their eyes. This is what Do Seong-Rok is seeing, when he looks at his victim, while the second panel represents the perception from the prostitute, when he discovers the dead goldfish. Striking is that Lee Je-Oh can’t help himself making a comment in his head, while watching the floating corpse. This is important, as it reveals his talkativeness. This explicates why we get so much information about Lee Je-Oh in the first chapter. This exposes his need of communication. The whole first episode unveils his inner thoughts and emotions. And this stands in contradiction to the serial killer. The latter doesn’t express any own thought and emotion at all. I would even say that he is not even thinking at all. Once he has put the pawn in Lee Soon Cheol’s hand, he calls his mistress in order to announce the success of the killing. It was, as if he was acting like a robot, since he only talks, if it is necessary. Moreover, his lack of empathy and coldness is particularly palpable, when he uses the pronoun “it” for the victim Lee Soon Cheol. With “it”, the murderer externalizes his view about the sufferer. He is no human, rather an object or an animal, especially if the manhwaphiles recalls Lee Je-Oh’s remark: “It’s dead”. The latter was referring to the goldfish. This pronoun “it” exposes the killer’s mentality. He doesn’t consider his action as a wrongdoing, the victim was definitely no human due to his past actions. But don’t get me wrong, the assassin is not a psychopath or a man without a conscience and heart. That’s why he didn’t kill Je-Oh, though he had planned to remove him at some point. So now, it is time to elaborate my theory about his reason for sparing the male prostitute. First, the snake was not aware of the real connection between Ma Jong-Seok and Lee Je-Oh. She only thought, the latter was just a worker (chapter 16), while in reality the usurer had some feelings for him. He needed to ensure that Je-Oh would remain by his side. That’s why the young man was constantly brought to the clients and his minions were asked to keep an eye on him. Because of this mistake, she never gave any instruction about the male prostitute. Consequently Do Seong-Rok had no idea how to deal with him. Simultaneously, when he kept an eye on him, he was reminded of Jeon Hee-Seong’s fate. He could only pity the male whore, hence he was reluctant to kill him. (chapter 1) That’s the reason why there’s an interrogation point in the picture. This explicates too why he murdered the minions in the prostitute’s absence. However, remember how the protagonist had yelled at Do Seong-Rok, imagining that the person in the car was working for Chief. This meant that the male prostitute had noticed his presence. That’s how the red-haired man noticed that the male prostitute represented a source of threat. Hence he chose to remove him. So he entered his flat and waited for his arrival, but what he didn’t expect is Ma Jong-Seok’s sudden visit. Furthermore, when he approached them, he saw that Lee Je-Oh was smiling and waiting for his entrance.(chapter 2) In other words, Lee Je-Oh could have decided to call the cops and report an intruder before entering his home, but he never did. In my eyes, all this contributed to confuse the killer. Somehow he realized that the prostitute had been helping him. Therefore he didn’t kill them in the flat. Since they were together, he had to kidnap them together. But as you can see, Do Seong-Rok had a weak spot for the main lead, but he was definitely less important than his lover Jeon Hee Seong. That’s why the main lead is not allowed to touch her belongings.

The killer with a heart felt the murder of the guard justified and this is also confirmed in chapter 2, when the male prostitute considers his death as retribution for his bad behavior. According to the belief of the red-haired man, he is removing the persons responsible for Jeon Hee-Seong’s misery. Since police didn’t protect her, while she was abused (chapter 9) and no one listened to her side of the story, he feels entitled to get rid of them. That’s why in chapter 3, Do Seong-Rok got so upset with Ma Jong-Seok’s abnegation. In my eyes, his words must have triggered Do Seong-Rok’s memories concerning his girlfriend. The former prostitute made sure to portray her husband, the chief and the pimp as dark as possible, while she made herself appear as pure and innocent as possible. She was forced to marry Choi Yeong-Gil, yet the naive lamb couldn’t detect her lies. Let’s not forget that during their first meeting, she acted as the prostitute’s superior and chased away her minion. So she was no longer a simple victim, she was reinforcing the system of exploitation. She was already higher in the hierarchy. Secondly, like I explained in the previous essay, she was already possessing a parlor, when he husband got killed. She ensured to trigger negative emotions in the young man so that the latter would feel the need to kill her so-called oppressors. (chapter 16) That’s why I believe that Koo Jeong Mo is correct about his assessment of the former prostitute. (chapter 11) She is like the snake in the Bible, hence she is wearing a black dress with a red bra (chapter 16) or a red dress with a black bra (chapter 6). These colors are not random: they are linked to evil, blood and death. She seduced the innocent and pure Do Seong-Rok to sin, a new version of the original sin. My avid readers are already aware of the signification of the Fall of Man [read the essay A new version of Fall of man https://bebebisous33analyses.wordpress.com/2020/07/19/painter-of-the-night-a-new-adaptation-of-fall-of-man/]. Eating the fruit from the tree of knowledge is a metaphor for the discovery for sex and sexuality. Hence the main lead loses his virginity with the prostitute. (chapter 16) Through her, the red-haired man discovers real life and as such pain. The manhwaworms should remember that after the expulsion from Eden, Eva and Adam discovered pain and death. And that’s exactly what is happening in the manhwa, though in my opinion Do Seong-Rok is a combination of Adam and Cain. Let’s not forget that Eva’s son killed his brother out of jealousy and resent. But since the snake views the young man as a lamb, this signifies that she has already planned to sacrifice him for her own interests. That’s why she tells officer Ahn that she has no real relationship to the murderer. (chapter 11) He is just her tool to achieve her goals: getting revenge but also getting powerful and wealthy. That’s why she didn’t give him a proper instruction how to get rid of the targets. Due to Do Seong-Rok’s lack of experience, Lee Je-Oh could notice the killer’s presence in the end. The latter has never been a schemer and a real strategist. (chapter 2) The reason for his mistakes is simple: he was an idealist lulled in an illusion, hypnotized by Ms. Jeon’s words. That’s why he had a nightmare (chapter 6), where he was slowly recognizing the true nature of her words. The nightmare was slowly bringing him back to reality making him recognize the true nature of his terrible actions. My explication is the following. He lived in an illusion, until he interacted with Lee Je-Oh. The latter represents reality and its real ugliness, while the former prostitute is viewed more like a goddess… she is an illusion. Hence the man with dyed hair treasured her belongings like sacred prizes. Furthermore, the connection between reality and the male prostitute is particularly perceptible in this image: (chapter 8) Besides, let’s not forget that after the nightmare, the protagonist gave a honest portrait of Do Seong-Rok. He is a sensitive murderer . (chapter 6). The black-haired man’s role is important, as he forces his ally to question the nature of his relationship with his girlfriend. (chapter 10) In chapter 18, he made him realize that he was now cheating on her and as such was no longer faithful. The longer Lee Je-Oh remained by his side, the more disillusioned Do Seong-Rok got about Ms. Jeon’s true nature. This is not surprising that at some point the assassin is no longer blindly trusting his goddess.

But this doesn’t mean that Do Seong-Rok has no redeeming qualities at all. He is also teaching the prostitute to value loyalty, trust and respect. Because of his blind trust and his weak heart, the black-haired man imagined that he was definitely superior to the killer due to his scheming nature. However, by playing a trick, the main lead got punished and was faced with reality too: he could get killed in the end. In other words, the murderer taught his ally to respect him too. Despite their quarrel, their trust didn’t get ruined. From my point, Lee Je-Oh will become faithful despite his past and job. Why? It is because of these words: (chapter 9) If he has a lover, then he will change his behavior. Therefore I believe that Do Seong-Rok will make the male prostitute discover that real love and selflessness still exist and are no chimera.

Since the male prostitute man embodies reality, this signifies that he forces the main lead to judge sexuality differently. He had a very romantic perception of sex and sexuality: heterosexuality and monogamy were the norms. Remember what I wrote above. He had internalized social norms in order to blend in the crowd and get acceptance. That’s why he had sex with a woman very late. But in the flat, he observes two men copulating, and slowly he gets attracted to Lee Je-Oh. This is not surprising that at some point he confuses both persons. In my opinion, this panel is important, because it explains the killer’s issues. On the one hand, he is reminded of his infidelity. Secondly, it made Do Seong-Rok slowly realize that the blush was not a sign for love, but simply for sexual arousal. He had imagined that she was in love with him with her reactions and words. But Lee Je-Oh as a mirror let him see the truth. He just had a sexual relationship with her in reality. So far, he had never questioned his own sexuality and had just followed the flow. There’s no ambiguity that Jeon Hee-Seong doesn’t envision that her pawn will prefer the male prostitute over her. She has no clue that he has already distanced himself from her. The beginning of their alienation was visible with the text containing a lie (chapter 8) and she is not even imagining that he has found an ally and is disobeying her words. She is so confident about her seductive skills and her beauty. This explains why Do Seong-Rok’s sexuality is gradually changing, though he tried to deny pleasure in the beginning. On the other side, since the prostitute has associated sex with power and violence, this is no coincidence that the killer feels aroused while strangling Ma Jong-Seok. Slowly, he is under the influence of Lee Je-Oh.

Striking is that in the manhwa, the killer is viewed either as a lamb, or as a dog, or as a god and finally as a grim reaper. What is he really? He is no god, for he makes mistakes and didn’t truly save the prostitute. (chapter For the snake, Do Seong-Rok was a lamb and her cannon. As for the dog, I find it very fascinating that Lee Je-Oh viewed himself as a dog. This shows their affinities in the end. They have something in common: both were abandoned and had no real home. Hence they lived somehow in seclusion. While the one became an outlaw (prostitution as a minor, stole a toy, stabbed Ma Jong-Seok), the other was living as a perfect citizen, following laws so that he wouldn’t get noticed and rejected. Finally, both have a conscience in the sense that they have a certain sense of justice. Both were and are seeking for a companion, both desire to feel needed and important. That’s why Do Seong-Rok got convinced to commit crimes. He thought, he could remain by her side.. he wanted to be her pillar, just like he asked her to be her savior. But she abandoned him too, when she told him this: (chapter 12), and the main lead could already sense it. In fact, she had planned a long time ago to betray him, the moment he had become useless. Remember that to her, people are like pieces of Janggi. In her eyes, Do Seong-Rok had always been the sacrificial lamb. (chapter 16)

From my point of view, Do Seong-Rok acts like a grim reaper who gives the death sentence for people who committed crimes. That’s why he is introduced as a vengeful ghost in the first chapter. This is no coincidence that he is wearing black during that night, as this figure is always painted with black clothes too.

grim reaper, death quoted from https://www.britannica.com/story/where-does-the-concept-of-a-grim-reaper-come-from

quoted from https://www.britannica.com/story/where-does-the-concept-of-a-grim-reaper-come-from

The most intriguing part is that the Grim reaper appeared, when the Black pest took place in Europe. Many people were dying and people thought that this was divine retribution for their sins. Temporal and religious authorities (King, Church) were questioned, especially the pope and its clergy. They were judged as corrupted which led to the creation of a new religious current: the floggers. They would flog themselves in order to beg for God’s mercy, but they would also commit murders and flog people, if they were judged as immoral and impious. And note the parallels between the real historical situation and the manhwa: In The pawn’s Revenge, authorities and society are portrayed in a very negative way: selfishness, greed, corruption and indifference are omnipresent. Therefore I am more convinced than ever that Lee Je-Oh will change Do Seong-Rok’s ultimate goal. This won’t be just liberation for the ex-prostitute, they will try to change the whole system in my opinion.

The fact that Do Seong-Rok is compared to different animals or figures truly displays the complexity of the character. From my point of point, the man with dyed hair has also been suffering like Lee Je-Oh, but he could never express it. This explicates why he conceal his thoughts and emotions. But due to his encounter with Lee Je-Oh, the former is slowly opening up. Hence he cries in front of the male prostitute or he confesses that he is aroused. (chapter 18) Thus I come to the conclusion that the killer was living in a similar situation than Je-Oh’s in his past: he was invisible to people and didn’t truly feel alive.

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The Pawn’s Revenge: The goldfish and the lamb 🔞 – part 1 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞 Here is the link, if you are interested in more analyses about this manhwa and others  https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

Feel free to make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. It would also cover my expenses for the blog.

As you can imagine, the title is referring to the two protagonists, Lee Je-Oh and Do Seong-Rok, for the young man viewed himself as a goldfish in chapter 1 and the other was called a lamb by his future lover Jeon Hee-Seong (chapter 16). In this essay, I am going to examine the two protagonists’ personality, though in the first part Lee Je-Oh will be in the center of the study, for there’s so much to say about him. However, this doesn’t mean that I won’t mention Do Seong-Rok at all, because I will examine how Je-Oh views the killer.

1. The aquarium and its signification

The first chapter begins with an introduction of the young prostitute. What caught my attention is this episode is the main lead had a fish as pet. (chapter 1). In this panel, the young man has the impression that he bought an aquarium, because he found the fish pretty, but notice that although they keep dying (this is the third one), he is still determined to keep a fish by his side. This is important for two reasons. It shows his loneliness and as such his need for company. Let’s not forget that Je-Oh has to reimburse the debt left by his father, so this signifies that his budget is limited. Yet each time a goldfish died, he still bought a new one revealing that he considered it at some point as a necessity to have a goldfish by his side. He is well aware that he doesn’t take care of it very well, he can’t help himself buying a new one. This incident exposes too that Je-Oh has no idea how to treat a companion properly, for he has been alone for a long time. As a conclusion, right from the start, the reader can sense the escort’s solitude and selfishness. He feels the need to detect the presence of someone by his side, yet he is not willing to invest too much time and emotions in it. A fish is the perfect solution, for the aquarium serves as boundary and a fish can’t be touched like a cat or a dog.

2 . The family picture

And now, it is necessary to look into the reasons for his behavior. He has always been on his own, since his mother disappeared from his life. We still don’t know if the mother is dead or she run away, though I am more inclined to believe in the first option. (chapter 16) Thanks to the image, we can detect that Je-Oh is missing his mother. This is perceptible, for the main lead still has a framed picture of his mother. Since he is smiling, this indicates that he was happy, as long as his mother was around him. However, the moment he was left alone with his father, the latter only viewed him as trash and burden. This explicates why he removed the father’s portrait from the picture. He really hated his father. He had many reasons for his disdain.

3. The relationship between Lee Je-Oh and his father

First, the parent showed no care and concern for his young son, hence he didn’t buy the toy the son desired. In my eyes, the father prioritized his own needs, even if in this scene he just wanted to buy a bug spray. As a good parent, he should have explained why he couldn’t buy the toy. Instead, he displayed no understanding and just made the son guilty. Besides, the relative kept insulting him, calling him filthy and dirty. (chapter 9) This incident at the convenience store explains why the young boy resented so much his father.

The latter was himself no role model for the son: selfish, brutal and indifferent. Furthermore, since the boy chose to steal the toy in order to have his wish fulfilled, it explicates why the main lead will become a criminal in the end. (chapter 9) Note that the young boy was smiling after the theft, he didn’t see it as a real wrongdoing… let’s not forget that the father bought things from the supermarket and always put it on tab, but never paid back the debt immediately. (chapter 9) The young boy could only learn that it is no big crime, if he doesn’t pay the figurine. The irony is that during that incident, the father couldn’t put the bug spray on tab, as the shop owner refused to due to the huge amount of unpaid bills. This incident reveals that the father was already deeply indebted. Simultaneously, due to the harsh scolding and insult, the main character learned that he needed to act behind his father’s back in order to achieve his goal. He knew that his father would never do anything for him, since he represented a source of annoyance. For the father, Je-Oh was a burden.

Their estrangement could only increase, as time passed on. Therefore this is no surprise that the father decided to kill himself and leave the mountain of debts to his son. (chapter 1) When the main character discovered his father’s suicide, he only showed calmness and indifference. (chapter 1) The suicide was the peak of the father’s abandonment and neglect. That’s the reason why the student wasn’t shocked or upset and kept smoking in front of his father’s corpse. And now, you understand why the young boy hated his father.

He was the reason for his misery. Striking is that in the convenience store, the father predicted the boy’s future personality: he would be a jerk. Yet, these words reveal that the relative didn’t feel responsible for his education at all. With his statement, he was putting the whole blame on his own son, while in reality the man was refusing to educate the boy properly. In other words, Lee Je-Oh should be considered as a orphan who had no good role model in his youth. The manhwaphiles can grasp why he stole the toy or why he started smoking, though he was still a minor. There was no one around him who showed concern and care for him.

4. Lee Je-Oh’s fate as prostitute

But despite his harsh childhood, he was still somehow integer. When he was confronted with the debt, he begged the moneylender that he would repay the loan by taking regular jobs. (chapter 17) He was willing to be responsible for his father’s mistake, though he despised him. The reality is that he was forced by Ma Jong-Seok to sell his body. Because of this terrible experience and the indifference of people, the teenager learned that he would never receive any help. He was on his own, that’s why he tried to rebel and escape on his own from the claws of the pimp Koo Jeong Mo and the moneylender Ma many times. However, each time he failed. This exposes the main lead’s resilience and strength, but also his disillusion about society. Hence in my opinion, he bought a fish to make up for his loneliness. Besides, the goldfish was also in a similar position than the main lead’s. It also had no companion and had no one to rely on. This explicates why at the end the goldfish died, as Je-Oh was not helping it, like for example he never renewed the water from the aquarium. Consequently the water was full of dust. The fish had to learn to survive in that hostile environment, just like the main lead had to survive on his own. And now you comprehend why the prostitute viewed himself as the dead goldfish. He could never seek comfort from people, as the latter would always treat him as trash. The presence of the goldfish already implied Je-Oh’s longing for a companion. That’s why it is not surprising that he is trying to woo the serial killer. He is longing for real warmth, therefore he sought Seong-Rok’s embrace in chapter 15. Then this observation made me realize why the protagonist’s life was similar to the goldfish’s.

Unlike the prostitutes working in the red-light district, the main lead was living in a flat on his own. He would get picked up by Lee Soon Cheol or Choi Yeong-Gil or even Ma Jong-Seok and brought to his clients 3 times a day. This clearly displays that the young man had a different clientele. In my opinion, he was more working for people with money. And this explains why Jeon Hee-Seong didn’t know Lee Je-Oh’s true place in the end. In her eyes, he had the same position, as he was selling his body for money. She was surprised to hear that the loan shark would pick up himself a prostitute and wondered this situation. (chapter 16) This outlines that though the protagonist was treated like trash by his employers, he had a particular position. My explication is that Lee Je-Oh started working as a whore, when he was a minor, hence this couldn’t be exposed so openly. Secondly, his clients are mostly men(chapter 1), and since they are married, I believe that they hide their homosexuality. Furthermore, if you consider that he only had maximum three clients a day, this meant that the young man was a special escort. That’s why I believe, the main lead was sent to serve a different clientele than Jeon Hee-Seong in the end. This would elucidate why her husband asked the main character not to get caught and create a scandal. (chapter 1) Consequently, I conclude that he was definitely having sex with rich people. And if you take into consideration Chief’s behavior, you’ll notice the parallels between the “bunch of horny men” who felt guilty by having sex with the young man: Ma Jong-Seok only confessed he had some feelings for the main lead the moment he was facing death. He hid his “emotions” behind his behavior. That’s why he raped him 3 years ago and tasted him in the second episode and used a pill to achieve his goal. In my opinion, the Chief was not willing to admit his attraction to Je-Oh and used his position to sleep with him, whenever he wanted.

5. Death, sex and violence

But what caught my attention in the scene with the fish is Je-Oh’s attitude towards his pet. First, he showed not only a certain indifference, but also fascination towards the dying pet. He was neither desperate nor afraid of death, but he was not repelled by the scent of the dead fish. Furthermore, he even touched the corpse. And these gestures made me think that the main lead was very fascinated by death (chapter 1). And this led me to suspect that Je-Oh could be suffering from necrophilia. In the first chapter, he showed this tendency. Then he witnessed how Seong-Rok was strangling the usurer in episode 18, he got fascinated and aroused as well. This scene is important, for it shows that he is not a real necrophile.

“Pseudo-necrophilia was defined as “a transient attraction to a corpse, but corpses are not the object of his sexual fantasies. He prefers sexual contact with living partners. This group includes sadistic, opportunistic, and transitory cases” (p. 155). https://www.sciencedirect.com/topics/medicine-and-dentistry/paraphilia

Yet, the scene in chapter 18 confirmed my impression that Je-Oh enjoys corpse and violence, for it is a synonym for power. After living as a whore for three years, the main character has already internalized the association of sex with violence. Let’s not forget that he was raped by the moneylender, when he begged Ma Jong-Seok in the past. Then we see the latter giving Je-Oh some drug in order to make him obedient. (chapter 2) Therefore you comprehend why the main lead claimed to his kidnapper that he had been raped. (chapter 3). He wasn’t just trying to manipulate the red-haired man to get rid of his abuser, he was also telling the truth. The protagonist didn’t have sex with the usurer willingly. Thus the manhwalovers can understand why the main lead is now reacting sexually, when he sees someone getting strangled or punched. For him, violence can no longer be dissociated from sex. The only difference is that, now he is no longer the victim, hence he can enjoy this. The manhwaphiles could detect this in two occasions. First, in chapter 3 he enjoyed so much how the serial killer was punching the usurer that he got an erection. (chapter 3) Then, in episode 17 he felt excited, when the moneylender was begging for his life. His words expose the connection between pleasure and power again. The violence is present here, as Ma Jong-Seok is getting threatened and humiliated: let’s not forget that he is on the verge of losing his life. As you can observe, the main lead’s sexuality is already linked to violence and corpse. And now, you can comprehend why he is so fascinated by the serial killer Seong-Rok. He embodies everything that he likes: strength, power, violence, but also a certain sense of innocence, sensitivity and justice. (chapter 3) This explicates why the prostitute didn’t stop the moneylender from strangling him during their duel. He counted on Seong-Rok’s good heart and pity to protect him in the end.

6. Lee Je-Oh and Do Seong-Rok

We have another scene, where the young man expresses his admiration for the red-haired man. In his eyes, he was a god (chapter 2) (chapter 6), until Seong-Rok rejected this idea. I do think that the young man was honest, when he admired his “savior” for his sensitive and loyal side (chapter 6). For the first time, the young man was witnessing a person’s vulnerability, indicating that the killer needed comfort and reassurance from someone. And remember that until now, Je-Oh has only experienced selfishness and abuse from his guardians (his father, Choi Yeong-Gil, Ma Jong-Seok). No one next to him has ever showed a weakness or asked for assistance from him. Even his father, who was struggling financially, chose to act as a strong person. The latter only displayed coldness and harshness towards his son. Hence if the murderer is a sensitive person, it means for the “hostage” that Seong-Rok could need help. And observe how the prostitute tried to show his future ally how much he needed his aid. That’s why he played this trick in chapter 10 too. This was not just a question of revenge or survival, for the first time Je-Oh had the impression to have found a purpose in life. There was someone who was strong, but also vulnerable at the same time implying that the latter would have to rely on someone. Besides, Je-Oh felt indebted towards his savior. Thanks to him, he had become released from his prison. With these words, you can observe, “help” plays a huge role in Je-Oh’s mentality. That is the reason why he desires to be by Seong-Rok’s side in the end.

The killer is the only one who seems to ask for his support unconsciously. Striking is that the young man mentions “home” for the first time in front of the red-haired man. (chapter 12) From my perspective, he was not talking about his own apartment, but about the farm, where he was held captive. He wanted to leave the room, where he had been tied up. The mansion had somehow become his home, for he had the murderer by his side. And this clearly shows that the prostitute was slowly viewing Seong-Rok more and more as a relative and companion.

The manhwaphiles could witness that so far, the prostitute was just trying to survive. But after meeting Seong-Rok, his life changed. The latter saved him by killing his abusers , though the red-haired protagonist kept rejecting this role. And now, you comprehend why Je-Oh is eyeing at Seong-Rok. The latter has already shown a weak spot towards the young man. He didn’t let him die by Ma Jong-Seok’s hand (chapter 3), then he showed him a special treatment by letting him sleep in the same room. The latter could take a shower and got clothes. No one had ever paid attention to his needs before. He might say that he dislikes love, yet in front of Seong-Rok in tears, he feels himself moved. (chapter 16) Furthermore, in chapter 11 he already expressed a certain desire to have him. And this panel is interesting, as it reminds us of the scene at the convenience store. It was, as if Seong-Rok was a toy and the protagonist felt the need to steal him. Let’s not forget that he was already looking for a partner unconsciously before meeting his savior. The evidence was the goldfish. By connecting the scene with the toy and this picture, the readers can detect what the prostitute will do in the future. He will use any mean to obtain Seong-Rok as his lover. The knight on the red horse should be perceived as a metaphor for the killer. Notice the parallels: A riding knight is often linked to heroism and rescue. The main lead still views him as his savior despite their argument.

This explicates why Je-Oh is so fascinated by the killer. The latter was the only one showing pity and concern for him, while the so-called normal people were using him as a sex toy or a confessor. (chapter 9) All of them were treating him, as if he was inexistent. His clients never paid attention to his feelings, when they confessed their sins. Moreover his masters treated him like trash. And this signification makes the readers realize that the killer’s lover Ms. Jeon will become Je-Oh’s true enemy and rival, for the former will claim Seong-Rok as his own. That’s why in chapter 18, he makes the red-haired protagonist feel guilty. He knows how much Seong-Rok values loyalty and faithfulness. In my opinion, he would like him to question his feelings for Ms. Jeon. He had already attempted to undermine her loyalty and outline her selfishness, when he said this: his lover was never by his side and had somehow abandoned him. With the word “almighty”, he displayed her true nature to the red-haired man: she is no god, just a woman. These words had an effect on Seong-Rok. Thanks to the prostitute, the serial killer recognized that he had been manipulated. He could already detect her lies, when she claimed that she would rescue him at some point, for he realized the similarities between his parents’ promise and hers. And in order to get closer to the murderer, Je-Oh asked him for his name while calling “oppa”. This is important, as this conversation exposed the increasing trust between the perpetrator and the “hostage”. Seong-Rok was viewed as human with a name, and the young man introduced himself. He was definitely seeking his closeness.

7. Honesty and hypocrisy

What caught my attention is that unlike the femme fatale, the protagonist never hides his thoughts, unless he plans a trick. He is brutally honest which contrasts so much to the people surrounding him. All of them were or are hypocrites. Choi Yeong-Gil criticized the prostitute for showing no concern and sadness over the death of Lee Soon-Cheol(chapter 1), while in reality the former had showed no respect to the deceased himself too. Ma Jong-Seok claimed to have feelings for the main character (chapter 17)(chapter 17), yet until now he had mistreated Je-Oh, as if the latter was a pet. Thanks to Seong-Rok, the prostitute could feel free for the first time, though he was a hostage. Imagine the irony of the situation. This is not surprising that the prostitute rejected the usurer’s offer. The main lead was truly aware of Ma Jong-Seok’s hypocrisy. He knew that this was an empty promise, visible through the points of suspension and the question. The main lead was not naive: the loan shark would always prioritize money over Je-Oh, once he had escaped from the jail. Let’s not forget that the usurer was living a good life according to the main lead’s words.

8. Lee Je-Oh’s mistake

Due to his harsh childhood, the main lead was able to discern people’s nature: selfishness, indifference and coldness. That’s why Je-Oh became cold-hearted as well, which reminds us of the goldfish. The latter is a cold-blooded animal, it is not driven by passion which definitely fits the main lead’s personality. Even when he was hurt by Seong-Rok’s words, he didn’t retaliate under an impulse. He planned carefully the scheme making sure to manipulate the usurer properly. But here he made a huge mistake: he underestimated Seong-Rok’s determination and resent. He never imagined that the latter would punish him and could even kill him. The killer taught the young man a harsh lesson. For the first time, he truly feared for his life. (chapter 12) He realized that Seong-Rok’s words had been true. He might have felt pity for him, yet he never truly intended to save him. Simultaneously, the young man learned to respect his “ally”. He shouldn’t be looked down. He learned to show respect to his ally and partner, something totally new to him.

9. Lee Je-Oh’s true personality

Another rather positive aspect about the main lead is his intelligence and good sense of observation. Striking is that he was aware of Seong-Rok’s presence, even before Ma Jong-Seok and his assistant noticed it. (chapter 2) Both were totally blind. The usurer didn’t even recognize that the door of Je-Oh’s flat was opened. Due to his sharp senses, the main lead knew that someone was in his house, but he remained silent, as he was hoping that the murderer would help him by eliminating the loan shark. This truly shows that Je-Oh is an opportunist, he can see which situation benefits him more. Simultaneously, it also shows that the protagonist is a gambler, willing to risk his life, though he had a reason to envisage that the killer was not targeting him. Do Seong-Rok had never approached him before, while Lee Soon Cheol was already dead, yet the murderer had been observing him for a while and Je-Oh was aware of that.

As a conclusion, I deduce that the main lead is reckless, but quite street-smart. He understands humans quite well, he is patient and a good listener and planner. He knows how to manipulate people, but due to his social position, he was never able to show his qualities. And this leads me to the following deduction, the main lead is indeed similar to a goldfish. Although this type of animal is famous for having a bad memory (3 seconds), the reality is that they have a much better memory and are considered as quite intelligent. Besides, let’s not forget that a fish symbolizes freedom, as they are usually living in the ocean. But I have to admit that when I read the first chapter for the first time, I couldn’t help myself thinking if Je-Oh could be in fact a different fish. Since he had a firelight in his hand and imagined burning the world, I started associating Fire and fish, hence this came to my mind: Firefish

Photo by Ayman Zaki on Pexels.com

This is a devil firefish or called common lionfish. These creatures are actually wonderful, yet at the same time dangerous, as their sting contains a violent poison which can kill a human. But there’s another reason why I am thinking that Je-Oh resembles more a lionfish than a goldfish. First, it looks like many people in The Pawn’s revenge are fascinated by him despite treating him like trash. A lionfish will attract more people’s admiration than a simple goldfish. Notice that Ma Jong-Seok couldn’t keep his hands off from him. Even Seong-Rok is somehow mesmerized. Furthermore, the loan shark got stabbed by the prostitute, reminding us of the sting of the lionfish. The fish is not aggressive per se, yet if it feels in danger and bothered, it will retaliate. And now imagine this. If he was in truth a “lionfish”, then he would be perfect to lure the victims. Remember that he is supposed to lure Koo Jeong Mo. He would be acting like a siren. Because this type of fish is quite uncommon in an aquarium, contrary to a goldfish, it would explain why people would be seeking his services. By meeting the “lamb”, the disillusioned and realist prostitute found someone who had a heart, though he was a killer.

As a conclusion, Lee Je-Oh is more than a goldfish. He is quick-witted, patient and is sensitive enough to understand people’s attitude. Though he has never met Ms. Jeon personally, he could judge her perfectly. She was just using Seong-Rok’s emotions and naivety. He doesn’t dislike violence, as long as he is not the one suffering from it. He can manipulate people, yet he is often quite honest. Despite resenting society for its indifference and selfishness, the protagonist definitely wished deep down to find a companion. And he found one in Do Seong-Rok, who seems to be so different from him. That’s why in the second part, I’ll examine the other main lead.

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