Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Lavender -Tinted Pillow Talk (locked) and Fickle Jinx, Faded Past
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Revisiting the Symbolism of Intimacy
In the first part of Lavender-Tinted Pillow Talk, the focus was on Kim Dan’s subconscious struggle with intimacy, as reflected in his body language, verbal hesitations, and use of physical barriers such as the pillow. It explored how his journey toward rejecting touch and emotional closeness paralleled his growing bond with Joo Jaekyung. He fears attachment out of pain. 
(Chapter 63) The presence—or absence—of clothing during their encounters symbolized the gradual dismantling of their emotional walls. Now, shifting the perspective to the champion, another layer of complexity emerges. Joo Jaekyung’s evolving approach to intimacy is not just a reflection of his growing feelings but also a silent, deeply ingrained struggle with dependence and control.
His behavior in Episode 63, particularly his decision to remain in his black boxer briefs while on the bed, invites a closer look. Given the kaleidoscopic storytelling of Jinx, where patterns and motifs repeat with shifting meanings, this small yet significant detail connects to previous moments of exposure and concealment. What does Jaekyung’s retention of his underwear reveal? 
(chapter 63) Why does he hesitate to strip entirely, even as he succumbs to desire? Notice that he released his erected phallus before removing his cloth. 
(chapter 63) To answer this, a comparative analysis of earlier sex scenes is necessary, unraveling the hidden dialogue between physical exposure and emotional vulnerability.
The Hidden Shame: Dependency Veiled in Fabric
A key parallel can be drawn to an early scene featuring Kim Dan’s embarrassment in the bathroom when confronted by the wolf. 
(chapter 30) The doctor instinctively tried to cover his gray boxer shorts with his t-shirt, prompting the champion to question his reaction: 
(chapter 30) In Episode 63, this dynamic appears subtly reversed. 
(chapter 63) The champion, despite holding the dominant role, is now the one retaining a piece of clothing. This suggests an unconscious act of concealment—not of shame in the traditional sense, but of a growing dependency on Kim Dan.
In addition, the star’s arousal in Episode 62 was heavily emphasized by the author, 
(chapter 62) with a zoom-in shot on his erection still hidden by gray sweatpants. Striking is that on the one hand he let the doctor feel his reaction to his naked body, when he embraced the doctor: 
(chapter 62) The “hamster” could sense with his leg the excitement. On the other hand, these pants were only removed once he entered the bedroom and was on the bed 
(chapter 63), reinforcing the idea that vulnerability, for him, is confined to this private space. Moreover, the choice of attire in Episode 62 
(chapter 62) —ridiculous floral-patterned pants—serves as an indirect reference to shame (in a good way), an unfamiliar emotion for the undefeated fighter. This pattern culminates in Episode 63, where Jaekyung’s thoughts confirm his internal battle: (chapter 63) Only at this point does he fully expose himself. Yet, observe that during the intercourse, he is not looking at his companion. 
(chapter 63) Thus I deduce that exactly like the presence of the black underwear, the athlete’s low self-esteem hasn’t been removed completely. He still expects fear and rejection.
A Mirror to Episode 12: The Champion’s “Lucky Night”
Joo Jaekyung has always been a man of control. In the ring, in his career, and especially in his personal relationships, he has dictated the terms, ensuring that he is never in a position of vulnerability. Throughout Jinx, his approach to intimacy has been no different—he takes without giving 
(chapter 63), dominates without seeking connection 
(chapter 55), and ensures that every encounter follows his carefully constructed narrative. However, in Episode 63, a subtle but undeniable shift occurs. For the first time, Jaekyung’s actions reflect something deeper than mere desire or dominance. They reveal his growing emotional investment in Kim Dan, exposing a side of him that even he does not fully comprehend. 
(chapter 63)
This transformation becomes even more evident when comparing Episode 63 to the infamous “lucky day” scene from Episode 12. 
(chapter 12) In the earlier encounter, Jaekyung presented himself as a generous partner, offering Kim Dan a so-called privilege—an opportunity to enter a whole new world, thanks to him. However, his so-called generosity was nothing more than a facade, a way to conceal his inexperience in genuine intimacy. The tool he used was not just an object of pleasure but a mask for his own shortcomings as a lover. He did not know how to pleasure Kim Dan, nor did he care to learn. His focus was not on Kim Dan’s enjoyment but on reinforcing his own power and dominance.
In stark contrast, Episode 63 presents a very different Joo Jaekyung. 
(chapter 63) Here, he no longer portrays himself as the benevolent provider of an experience. (chapter 63) Instead, he openly admits his inexperience in giving pleasure, stating that he has never been on the giving end before. This moment of self-awareness is crucial because it marks a departure from his earlier arrogance and lack of honesty. No longer does he assume that his presence alone is a gift—he is beginning to recognize that intimacy is a two-way street. Moreover, unlike in Episode 12, where his so-called generosity was partially performative 
(chapter 12) – seeking both to display dominance and to elicit validation 
(chapter 12) —this time, in Episode 63, he prioritizes Kim Dan’s pleasure without explicitly expecting anything in return. (chapter 63) However, there remains an unspoken desire for recognition, as he unconsciously longs for Kim Dan to acknowledge his efforts in a way that he was once too proud to admit. I believe that this night is there to make him discover the power of giving.
Additionally, the impact of rejection in this scene cannot be ignored. 
(chapter 63) Up until this point, Jaekyung has never truly faced rejection. 
(chapter 63) His wealth, power, and physical prowess have ensured that people comply with his desires. However, in Episode 63, Kim Dan does not simply comply—he resists on an emotional level. While he consents to sex, he actively rejects any deeper connection. He avoids eye contact, creates physical distance, and refuses to acknowledge Jaekyung beyond the act itself. This rejection unsettles Jaekyung because, for the first time, his usual methods of control no longer work. He cannot use money to bridge the emotional gap, nor can he rely on his dominance to make Kim Dan want him. 
(chapter 63) This moment forces him to confront an uncomfortable truth: power and status cannot buy emotional intimacy.
What makes this shift even more significant is how Jaekyung reacts to Kim Dan’s rejection. In the past, his response to resistance was often intimidation 
(chapter 03) or passive-aggressive remarks. 
(chapter 6) However, in this moment, he does not react with anger or coercion. 
(chapter 63) While he does voice his frustration, he does so without force, showing an unprecedented level of emotional regulation. Instead of demanding compliance, he chooses a different approach—he focuses on Kim Dan’s pleasure, attempting to bridge the emotional gap through physical intimacy 
(chapter 63) rather than control. This decision is not merely about sex; it is an unconscious attempt to regain Kim Dan’s attention, to re-establish a connection that he does not yet fully understand but deeply craves.
Furthermore, his desire to see Kim Dan’s face highlights another key development. In earlier episodes, Jaekyung reduced their relationship to mere physical pleasure, going so far as to state that 
(chapter 29) This remark exemplified his detachment, his refusal to acknowledge Kim Dan as a person rather than just a body. Once again, the intercourse was linked to achievement and work. However, in Episode 63, he actively seeks Kim Dan’s gaze, subtly pleading for recognition. 
(chapter 63) This reversal is crucial because it indicates that he no longer sees Kim Dan as just a means to an end. However, his desire for recognition still lingers beneath the surface—just as he once sought validation through dominance, he now seeks it through Kim Dan’s acknowledgment. He wants something more, though he cannot yet articulate what that is, and his actions reflect a subconscious craving for emotional reassurance.
And since Episode 63 is mirroring Chapter 12 and the champion declared back then that it was Kim Dan’s lucky day, I come to the following deduction that in episode 63, it was the champion’s lucky night. He felt comfortable despite the doctor’s coldness. At the same time, it implies that Kim Dan’s lucky Day is about to come!! My avid readers should keep in mind that in the penthouse, the athlete was actually lying, (chapter 12) because this intimacy was taking place under the moon. However, notice that the next day, the doctor’s dream came true: he could rest, eat a warm home-made meal from the champion. 
(chapter 13)
The Wolf’s Shifting Approach to Intimacy: A Chronological Exploration
From the outset, the celebrity’s insistence on keeping his clothing on during intimate moments reveals a deep-seated struggle with emotional exposure. In Episode 2, 
(chapter 62) the sportsman welcomes the physical therapist in blue pajamas and a robe—an overt attempt to maintain distance and control. Even as the encounter begins, he leaves his pajamas on 
(chapter 3), removing them only 
(chapter 3) – this image marks the change) when the doctor’s back is turned. Then in Episode 8, during the shower, he continues wearing shorts and underwear 
(chapter 8), and his choice of the doggy style further reinforces his desire to avoid direct, face-to-face vulnerability.
Like mentioned above, in Episode 12, Jaekyung was not entirely naked. First, he was wearing his black briefs, 
(chapter 12) before removing it and adding the pink sex toy. (chapter 12) His erection was deliberately obscured by a sex toy, while Kim Dan, despite being partially undressed, was still concealing his injuries with a black pullover and a swollen eye. The layers of fabric and obstruction in this earlier scene signified emotional and physical distance. 
(chapter 12) Their bodies might have been close, but their minds remained divided. That’s why he couldn’t detect the huge bruises on his companion’s body. 
(chapter 12) This guarded approach is further underlined in Episode 20 
(chapter 20), where even in the midst of nakedness, the athlete deliberately positions the doctor in the dog stance. At the same time, he uses another MO: the darkness of the room to hide himself. This calculated arrangement maintains an emotional buffer, allowing him to remain physically exposed yet emotionally detached—a recurring theme in his behavior.
A notable turning point occurs in Episode 29. Here, the champion initiates sex on the couch 
(chapter 29) while still cloaked in his familiar blue robe and pajamas. Interesting is that the room is not totally dark like in episode 20, the bedroom is illuminated by the huge TV screen. Importantly, this episode marks the first time they face each other in the bedroom, signaling a significant shift in their dynamic and announcing a switch in position. This newfound mutual visibility lays the groundwork for later developments.
Episode 33 deepens the narrative further. In this instance, the sportsman parks his car next to a light 
(chapter 33) —a deliberate act imbued with symbolism. Unlike earlier encounters, the champion remains fully clothed throughout this episode, 
(chapter 33) contrasting sharply with previous moments of exposure. The car scene, where they are now facing each other, reinforces the announced switch in intimacy; the light not only illuminates the scene but also serves as a metaphorical spotlight on his desire to see the doctor’s face and body 
(chapter 33) —a silent assertion that only he can truly satisfy the physical therapist. Let’s not forget that before having sex together, the fighter resorted to a dildo 
(chapter 33) rather direct physical intimacy, because he felt insecure after witnessing the actor’s advances toward Kim Dan. His goal? To reaffirm his dominance and make Kim Dan admit that he needed him for pleasure. It is important because it exposes that deep down, the champion views himself as a bad lover. There is no doubt that Heesung‘s criticism resonated with him. 
(chapter 33)
In Episode 39, another instance of calculated concealment unfolds. 
(chapter 39) While receiving fellatio, the champion keeps his t-shirt on, only removing it later when he invites the doctor into bed. 
(chapter 39) Maintaining the doggy style during this phase, he uses such intimate acts to mask his true longing and attraction—an effort to control the encounter while keeping his emotions under wraps. Then I noticed that they switched positions, when doc Dan asked for a break. 
(chapter 39) The wolf chose to lie down on the bed: 
(chapter 39) As you can see, through the different intercourses, we can see the different methods the star used to conceal himself, to hide his “weakness”, his growing feelings for the doctor.
A poignant recollection surfaces in Episode 61. 
(chapter 61) The physical therapist remembers an encounter bathed in bright light, where they stood before a couch: the doctor had removed his pants while the champion remained fully clothed, positioned behind him. 
(chapter 61) After both reached climax, the sportsman swiftly departed—a stark demonstration of his habitual retreat into distance and fear, even as he ensures the doctor’s pleasure. 
(chapter 61) This calculated “running away” underscores the return of old insecurities and the persistent need to assert control. Since the doctor was still living in the penthouse and as such was still working as the star’s physical therapist, it becomes comprehensible why the athlete could only resort to strength to keep his fated companion by his side. He had rejected his “gratitude” and “emotions” before.
Finally, in Episode 63, the dynamic evolves once more. 
(chapter 63) Now lying on the bed facing each other, the pair’s physical closeness appears more genuine. Yet, even in this seemingly intimate configuration, they avoid locking eyes during penetration. This subtle divergence speaks volumes: despite their newfound positioning, the champion’s reluctance to engage in mutual gaze highlights an enduring emotional barrier—a lingering fear of fully exposing his inner self. Simultaneously, pay attention that (chapter 63) the champion’s torso is not resting on his partner’s body, revealing the existence of the remaining huge gap between them. Finally, the star views this sex session as an action, and not as a moment of peace. Finally, though Kim Dan is now completely bare, yet he shielded himself with a pillow before, maintaining a psychological barrier. Meanwhile, Jaekyung retains his black briefs until the final moment, symbolizing an invisible boundary he has yet to overcome—his reluctance to fully embrace Kim Dan, not just physically but emotionally. This evolving pattern of clothed versus unclothed intimacy highlights how their relationship is progressing beyond a mere transaction into something neither of them fully understands yet.
Taken together, these episodes chart a complex evolution in the champion’s approach to intimacy. His behavior oscillates between acts of control—whether through maintaining a layer of clothing or strategically using light—and moments that hint at a deep-seated desire for connection. Each carefully choreographed encounter, from the early defensive postures in Episodes 2 and 20 to the conflicted displays in Episodes 29, 33, 39, 61, and 63, reveals an ongoing inner conflict: a yearning for closeness intertwined with a persistent fear of vulnerability.
The Meaning of the Black Underwear: Distance and Disguise
The black underwear Jaekyung clings to is not just a remnant of concealment—it is also a recurring symbol of his emotional armor. A significant clue can be found in the way he wakes up after sleeping with Kim Dan. In Episode 4 
(chapter 4), we do not see whether he is wearing anything the morning after. After their “magic night” in the United States (Episode 39), the next morning, he is only shown taking a shower 
(chapter 40) —meaning the audience never sees him leaving the bed. However, in Episode 45, the author deliberately includes a shot of Jaekyung leaving the bed while still wearing his black boxer briefs. 
(chapter 45)
His reaction in this scene is telling. He expresses regret: 
(chapter 45). This is just a rhetorical question, as he clearly remembers the night. 
(chapter 45) In reality, he was wondering why he had acted this way. This contradiction—pretending to forget while consciously recalling their time together—reflects his internal denial. His next thought, 
(chapter 45) is a transparent excuse to avoid confronting his emotions. The presence of the black underwear in this scene confirms that he had not fully lowered his guard; he still maintained a psychological barrier between himself and Kim Dan.
Shame, Expectations, and the Invisible Chains of Control
Joo Jaekyung has built his entire existence on the foundation of invulnerability—physical, emotional, and psychological. The champion’s ability to endure, to dominate, and to suppress any sign of weakness is not merely a personality trait but a deeply ingrained survival mechanism. Unlike Kim Dan, who was shaped by guilt and self-sacrifice 
(chapter 53), Jaekyung was conditioned through shame and rigid expectations. His worth was not inherent but conditional, entirely dependent on his performance. 
(chapter 54) If he was not good enough, if he did not win, he was nothing.
This belief system did not emerge in a vacuum. 
(chapter 54) The specter that haunts him—an unnamed figure whose words still echo in his nightmares—was the architect of his relentless pursuit of strength. Striking is that in his nightmare, he is facing the mysterious ghost, a sign that he saw hatred and rejection in his counterpart’s eyes. While Kim Dan’s halmoni took his hand and provided warmth 
(chapter 22), Jaekyung’s guardian likely did the opposite. (chapter 54) The presence of the champion’s hand in his nightmare while recalling the parent’s words is telling. The contrast implies that in his youth, there was no comforting touch, no guiding hold—only harsh words and the looming specter of failure. He was left to fend for himself, to prove his worth in a world where physical prowess was the only currency. I came to this interpretation for two other reasons. First, in the doctor’s memory, we see Shin Okja holding her grandchild’s hand, while she is going to work
(chapter 5) This represented a source of support for the elderly woman. Secondly, during the intercourse in the lavender-tinted bedroom, neither the champion nor the doctor are trying to take each other’s hand: 
(chapter 63) In the beginning, the champion grabbed doc Dan’s wrist. This shows that the athlete was not used to touch Kim Dan’s hand. And notice how the “hamster” reacted (chapter 63), when he felt his lover’s hand approaching his own: 
(chapter 63) He pushed it away. This means that taking the doctor’s hand represents the biggest challenge for Joo Jaekyung right now. In addition, the last panel indicates the champion’s transformation, he is now willing to seek the doctor’s closeness. It also implies the vanishing influence from his past guardian.
The guardian’s influence was likely tied to the world of sports or medicine, a figure who saw Jaekyung not as a child to be nurtured, but as a body to be molded, a tool to be sharpened. His physique was shaped to meet the guardian’s standards, his every action dictated by an unrelenting expectation of excellence. 
(chapter 54) There was no room for imperfection, no tolerance for hesitation. Thus I deduce that the champion’s choice of career could have been decided by the guardian, similar to the grandmother’s attitude with Kim Dan. Remember that he loves water and swimming. 
(chapter 27) Under this new light, it could explain why the fighter forgot his passion. They made sure that he would train restlessly. In this environment, vulnerability was a defect to be eradicated, not a human trait to be acknowledged. This description reminded me think of Park Namwook and his family. The manager is a former national wrestler who is married to an athlete too.
The manager’s dream of opening the gym to children may appear as a strategic business decision (that’s where the money is), but it also raises an ethical concern. Will these children truly be nurtured, or will they be trained with the same rigid expectations that shaped Jaekyung? Parents who have achieved a level of success in sports—or, conversely, those who failed to reach their own aspirations—often project their dreams onto their children. This creates an environment where a child’s worth is tied not to their happiness or well-being but to their ability to perform and meet external standards.
This concept aligns with Jaekyung’s upbringing and could suggest that his guardian was someone deeply involved in the athletic world, someone who saw him not as a child but as a future champion, an extension of their own ambitions. The emphasis on performance, endurance, and strength suggests that Jaekyung was never given the option to define his own path—he was molded into what was expected of him.
This perspective also adds another dimension to the conflict with Park Namwook. If Jaekyung’s guardian resembled the manager in some way—someone deeply embedded in the sports industry and medical world, someone who placed performance above emotional well-being—it would explain why Jaekyung instinctively resists authority figures like him. 
(chapter 5) At the same time, it would highlight the potential danger of Park Namwook’s vision for the gym: an institution that might perpetuate the same cycle of control, shame, and expectation rather than fostering true passion and individuality in young athletes. That’s how I realized why the manager slapped his “boy” after the funny sparring: 
(chapter 26) He explained that the main lead was just a doctor. However, I am quite certain, underneath, the manager thought that doc Dan was not fit to spare: so small and weak. He doesn’t fit the criteria to become a sparring partner. Look at his reaction, when Seonho faced the champion: 
(chapter 46) Under this new light, it becomes comprehensible why Potato was also neglected by the manager. The young maknae belongs to a different weight category. There is this invisible rule that only strong people can become member from the gym. However, the purpose of such an institution shouldn’t be reduced to titles, strong and muscular men or boys. The gym should be opened to anyone who desires to have fun and improve their health.
This rigid conditioning is reflected in Jaekyung’s relationship with his own body and sexuality. He was formed into this model. I don’t think, the champion was able to perceive his own beauty in the past, 
(chapter 1), until he received the doctor’s massage in chapter 1. His attitude toward sex mirrors his training in the gym—focused on endurance, performance, and control. His body is a tool, a machine honed for efficiency. 
(chapter 63) Pleasure is secondary; the real goal is lasting, enduring, proving his stamina. Even in his most intimate moments, he is competing against an invisible opponent—his own ingrained fear of inadequacy.
And yet, despite this carefully maintained control, the cracks are beginning to show. In Episode 63, Jaekyung’s actions reveal a subconscious desire for validation, (chapter 63) for something beyond mere physicality. He wants Kim Dan to see him, to acknowledge him beyond his strength. But the conflict remains—his very conditioning tells him that intimacy is a weakness, that emotional attachment is a liability. This is why he hesitates by keeping his black briefs 
(chapter 63), why he keeps barriers between himself and Kim Dan, even when his body betrays his true desires.
The contrast between Jaekyung and Kim Dan is striking. The doctor grew up with an abundance of emotional connection but was shackled by guilt, while Jaekyung had all the resources necessary for success but was starved of love. Both were conditioned by their pasts, but where Kim Dan was shaped by an overbearing sense of duty, Jaekyung was forged in an environment that equated worth with winning. Hence he is still thinking of his title: 
(chapter 62)
In the end, Jaekyung’s rejection of vulnerability is not a sign of strength but a deeply ingrained fear. The unseen guardian may no longer be present, but their influence lingers in every step he takes, in every fight he wins, in every moment he suppresses his true emotions. He is still proving himself—to a ghost, to a voice that once told him he was never good enough.
Conclusion: The Last Invisible Barrier
Jaekyung’s struggle with exposure, mirrored through his gradual abandonment of clothing, speaks to the deeper conflict he faces. In the early days of their relationship, 
(chapter 4) nudity was a tool of dominance, a means of asserting control. Now, it has become a sign of submission—not in the physical sense, but in the way he is slowly relinquishing the emotional armor he has always relied upon. 
(chapter 44) His decision to keep his underwear on for as long as possible in Episode 63 is not a sign of detachment 
(chapter 63), but of his silent battle against the vulnerability he is beginning to feel.
The presence of fabric in their most intimate moments is not incidental; it is a subconscious language of distance and closeness. With each layer removed, Jaekyung is forced to confront an uncomfortable truth: for the first time, his body does not just crave release—it craves Kim Dan himself. Under this new light, it becomes comprehensible why the champion rejected this wonderful night in the penthouse: (chapter 44) He had violated all his rules: rather passive and submissive, light was on, while he was totally naked. Then he was facing the doctor. He could only justify his odd attitude with the alcohol.
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(chapter 19) However, in chapter 47, Mingwa revealed that in the past, Kim Dan had many pictures taken with his grandmother 
(chapter 47) . 
(chapter 47) 
(chapter 47) 
(chapter 47) One might argue about this interpretation, as these panels are presented as “memories”. However, the author left three important clues that these memories were pictures in reality. First, the perspective is not from the protagonist’s, but from an invisible third person’s. Then in the last image, in the background, you can observe a family posing for a picture in front of a person with a cellphone. This was the allusion that someone must have taken these pictures. The last evidence is the bouquet of flowers, the symbol for congratulations, but also affection!! After this realization, I couldn’t help myself wondering about the whereabouts of these photographs. Where are they? 
(chapter 17)
(chapter 17) 
(chapter 17) They are nowhere to be seen!! I would even add that this place contains no traces of Kim Dan’s presence! 
(chapter 53). And here, I feel the need to correct my past interpretation. Back then, I had assumed that this was the doctor’s repressed wish to go to the beach. It turns out that this was Shin Okja’s. Thus I deduce that the papers on the board are related to her health issues. Then in this image 
(chapter 19) The framed photograph isn’t visible on the chests or the shelves, when Joo Jaekyung confronts the loan shark and his minions 
(chapter 19) This exposes that this “souvenir” was not put on display in this house contrary to his stay in the expensive penthouse: 
(chapter 47) Thus I conclude through the absence of his pictures and belongings that nothing was exposing the presence of Kim Dan in this small flat. We could say that he had been living as a ghost child (the piggy bank) in his halmoni’s place. It implies the existence of an invisible wall between himself and his grandmother. This perception reinforces my previous interpretation. This place was like a “cursed place, where the “Sleeping beauty” was waiting for his “prince charming”. 😉 Therefore, when the doctor removed the framed picture from the drawer, it symbolizes his own “release”. It is no coincidence that one week later, he became “a man and as such an adult”. 
(chapter 19) He was slowly detaching himself from his halmoni’s shadow. The mirror is a reflection of a photograph. Here, he is facing reality: he has a long phallus and he can have a climax.
(chapter 7) and actions.
(chapter 46) I might shock my avid readers with this hypothesis, but the fact that Kim Dan could only remember his childhood’s pictures in chapter 47 shows that he had long forgotten these moments. If he had seen the pictures constantly, he would have been confronted with reality and as such grasped that he was not alone in this world. He had his halmeoni by his side this entire time. He was cherished. Finally, keep in mind that this story is written like a kaleidoscope, so such a scene must have occurred in the past. Thanks to my chingu @@Milliformemes24, I can even be more precise. Note that in the last panel, the photos were taken with a cellphone. 
(chapter 38) 
(chapter 42) or “waiter”. As my avid readers can detect, there is a strong link between “pictures” and “pride and love”. Their absence is the expression of neglect from the grandmother, who was definitely too focused on herself and her own suffering. At the same time, it lets also transpire the low self-esteem from the grandmother. In her humble dwell, there is no picture of her as well. 
(chapter 19) She was wearing the same shirt, when Kim Dan was speaking on the phone. In other words, the photo was also bringing painful memories to the grandmother. My theory is that the grandson’s parents vanished after that day. But this was not the same for the boy. He remembers the warmth from his relative. He is not making the link between this moment and his abandonment. In addition, this picture represents a frozen moment in time. It was, as if the woman desired to turn back time or hoped to stay in that moment forever. This explains why she kept the picture and continued treating her grandson as a child. For her, he was still the little boy from that time. However, at the end of season 1, it is no longer possible for her to treat Kim Dan as a child, because she needs him to move to the West coast. 
(chapter 47) Why? By acknowledging him as an adult man, she would give him a choice. He could refuse to do her a favor. As a puppy, he can not live on his own. Besides, by turning him into a dog and as such animal, she is denying him his right as a human being. She is appealing to his instinctive nature, his loyalty. And the moment I thought of a dog and death, I couldn’t help myself thinking of the famous dog Hachiko who kept waiting for his owner’s return at the train station, unaware that the latter had died a long time ago. As you can see, doc Dan’s pictures are strongly intertwined with reality and confrontation. Therefore the pictures with her grandson were not shown or treasured. The grandmother has been avoiding mirror and even pictures. As a person suffering from “Peter Pan Syndrome”, she is trying to do anything to escape “death and responsibility”. How ironic is that she just needed a picture to express her wish to move to the West Coast! 
(chapter 53) Yes, the image from the brochure is creating the illusion that the woman on the wheelchair is her. She is smiling and “looking healthy”. It looks like she will have a better life there, less painful than at the hospital. In other words, this photo represents the exact opposite: illusion and fakeness. This 
(chapter 53) is the reality. The grandmother is not looking at Kim Dan contrary to the woman on the prospect. He is reduced to his role as caretaker. He has become her “servant”. In addition, the PT is not smiling like the nurse in the photo. In verity, he doesn’t want to do it. Deep down, he wished to stay at the penthouse. 
(chapter 53) The words “I should go” displays that he is doing it out of obligation. To conclude, photographs in Jinx are also embodying dream and illusion. 
(chapter 38) Clouds are a reference to heaven and dream, while the green display displays loneliness and emptiness. They have no one by their side. Furthermore, just like Kim Dan, Joo Jaekyung has no family pictures in his house
, (chapter 19) which could be seen as a clue that he is an orphan. Or in the best case, they live, but there is a huge wall and gap between them and the fighter. I would even add that no one could even identify the owner of the penthouse. He is a famous MMA fighter, yet there exist no picture of himself in this flat! Not even this one: 
(chapter 1) That’s why I had compared the penthouse to a hotel room in a previous essay. So we could say that he also lived like a ghost. However, since he is a celebrity, he should be rather compared to a god. He has no home and privacy. Thus the penthouse contained no memories, until the doctor started living with the champion.
(chapter 43), a sign that their relationship has always been more businesslike, thought the boss somehow considered him as his “older brother”, as he keeps calling “hyung”. 
(chapter 5) The first personal video and message from his manager only appeared in chapter 43. This shows that the owner of Team Black had no family at all and not even friends. This observation brings me to my next remark. What about the gym Team Black? 
(chapter 5) There are only pictures of the champion and of no one else. Not even from Park Namwook or the ex-professional fighter Jeong Yosep. Everything is revolving around the celebrity. The absence of pictures from others is indicating neglect. The gym was not advertised as a great place to have fun! It is all about fame, wealth and glory! Therefore it is not astonishing why the rats left the sinking ship. 
(chapter 52) The champion’s image is tarnished, he will get less admiration and sponsoring. The decoration of the gym exposed the mentality of the owner, Park Namwook. The gym is about the celebrity, money, fame and sponsoring! Under this new light, it becomes comprehensible why the other members were neglected and why the athlete disliked it so much to be taken in pictures. 
(chapter 30) It is because the photographs are a synonym for “money, glory and fame”. Choi Heesung was using him to get attention. His name 
(chapter 46), his face and body are like “merchandises”. 
(chapter 43) That’s why he disliked the idea that Seonho would advertise that he was his sparring partner. The pictures in the god’s world have nothing to do with memories or love, but with work! It is about making business and getting sponsors and making his fans happy. That’s why the author included the magazines in the same chapter with the actor.
(chapter 30) Naturally, Heesung’s picture is not only related to business, they have a frenemy relationship. The photos with Joo Jaekyung stand in opposition to Kim Dan’s values: glorification, illusion, superficiality and futility. Under this new light, it becomes comprehensible why Joo Jaekyung would never put any framed picture of himself or others in his flat. His gym and the photographs are related to work. Who would like to be “reminded” of work and money in his own home? No one…
(chapter 45) 
(chapter 45) Imagine that the doctor had to work to exhaustion to give him an expensive gift! Yes, his gift was strongly intertwined with money, business and work! However, birthday is a symbol for home, pleasure, joy, simplicity and genuine gratitude. This has nothing to do with work and “replacement”. Yet, contrary to the other presents, the champion did open the hamster’s gift, for the latter had brought it personally. 
(chapter 45) Yes, his birthday was turned into a business event, a merchandise where he even had to pay for his own birthday party. 
(chapter 43) His popularity among the staff was based on his spending: 
(chapter 35) Such a success and glorification could only drive an edge between himself and others. In addition, the images could never boost the fighter’s low self-esteem. Yes, the absence of his own picture in his home is another important clue for his unhappiness and self-loathing. Because the doctor brought “work” home, Joo Jaekyung started avoiding the physical therapist: 
(chapter 47) It was not just because the athlete had been encouraged by his mentor to trust no one, to see relationship as a business. 
(chapter 46) This remark leads me to the following conclusion. Since the manager started sowing distrust in the champion’s heart, we can see it as another proof that this man has never truly loved “his boy”:
(chapter 40) Thus he can mistreat him, if he is not pleased.
8chapter 35) When this article was released, the author selected a photograph exposing the champion in good health! He was raising his arm and as such using his “injured shoulder”. The content of the article contradicts so much the image which can only raise doubts among the readers. By using such a picture, they created the illusion that the athlete was hiding something. And this remark brings me to the last articles about the fallen legend: 
(chapter 52) His beaten face is exposed to destroy his “good image”: he appears not only as weak, but also as a bully. This shows how the medias are trying to manipulate the public with pictures. His face and body are damaged, therefore he has less value. This deceptive trick becomes more visible, when you include Baek Junmin. 
(chapter 52) The article utilized a picture of the fake fighter taken right after the match. He is smiling and barely injured… yet, the reality is that he got so wounded by the champion that he needs a long time to recover. As you could observe, all these photographs symbolizes money, business, work, superficiality and publicity. Thus they are strongly intertwined with temporality, fake love and emptiness. No meaningful moment…
(chapter 46) The ones in this panel ooze privacy, selflessness and intimacy. The champion is seen carrying bottles and opening the door for the doctor, a sign of Joo Jaekyung’s respect for the doctor. Yes, these images expose the truth about the athlete: he really treasures his physical therapist. He is also seen listening to the doctor. This observation corroborates my previous interpretation. The pictures with the physical therapist symbolizes verity and reality. The problem is that Joo Jaekyung never got to see them, hence he didn’t realize his affection for the doctor. However, Choi Gilseok could notice it. In fact, the celebrity was delivered a different kind of truth: 
(chapter 48) Kim Dan’s meeting with director Choi Gilseok! However, note that these photographs were also a deception, for they never expose the outcome of the meeting. These pictures display the negative notions of privacy and intimacy, it is about plotting, betrayal and as such about “business”. How so? It is because they met at a café. As a conclusion, the photographs have a total different meaning in the athlete’s world. They represent coldness, superficiality, temporality, deception and work. This new interpretation reinforces my hypothesis that the main lead’s car must have been followed by a paparazzi during that night: 
(chapter 33) A black car was following him. But they couldn’t take any picture, for the windows of his car were tainted.
(chapter 53) which left him deeply impressed. Joo Jaekyung was turning around his head and looking at him! This shows that the star was paying attention to him. And what had happened in that moment? What is the light next to the protagonist? Yes, these were the flashes from the cameras! 
(chapter 40) It is no coincidence. Though he had no memory of the previous night, he felt this moment as magical. He had saved him and claimed him as a part of Team Black. Then he had look at him back, though he was facing journalists. However, the journalists didn’t take a picture of such a moment, for this was not relevant to them. It shows not only the true value of “memories”, but also that both were now truly living! During that night and day, both created wonderful memories. 
(chapter 41) Kim Dan experienced that he was not alone, he was part of “Team Black”, while the other heard a love confession for the first time. This memory displays 
(chapter 17) He is relying too much on his eyes. He paid no attention to details and their words. Hence their words are not visible. In addition, the author created such a panel.
(chapter 17) in that scene.. But why is he trusting too much his eyes? It is because he adopted this poor habit from his mentor and hyung, Park Namwook. who judges people based on prejudices and impressions. When the manager faces a problem or some criticism 
(chapter 17), he prefers blaming his “boy” 
or delegating responsibilities to others: 
(chapter 36) Furthermore the man with the red tee-shirt has always been by his side for a long time. The time spent together is a proof of his “loyalty”, yet if the athlete had paid more attention to his words, he should have noticed his hypocrisy, lack of empathy and disrespect: 
(chapter 49) 
(chapter 52) The slap is the expression of lack of faith and disrespect. Besides, he kept badmouthing him in front of the other members, creating a huge gap between the celebrity and the other members. 
(chapter 27) In addition, he had to rely on the expertise of doctors, but he only trusts himself, his hyung and no others. But let’s return our attention to Kim Dan and his letter.
(chapter 53) The letter stands in opposition to the articles and photographs. Through the letter, the main lead is teaching to the wolf this important life lesson. He needs to use his mind and as such his heart to see the truth and reality. 
(chapter 53) Thus he voiced his discomfort and annoyance. However, this time, he is not questioning the origins of his actions. He knows now that the doctor means a lot to him. He is not a waste of time. It is no coincidence that the moment he paid attention to Kim Dan’s thoughts and emotions, he opened up his own heart and mind, because according to Erich Fromm
(chapter 53) The latter might have no photograph of Kim Dan, but his face is now engraved in his memory. To conclude, the letter should be perceived as a mirror of truth to the athlete. He needed to hear the hamster’s words without seeing his face in order to see him properly. 
(chapter 26)
(chapter 26) The gym will face some changes. 
(chapter 87) Not only the painter and the 3 noonas were sharing the same bed, but also they were taking their meals together. 
(chapter 87) They would even caress each other and laugh together. This scene oozes happiness. Consequently, it is no coincidence that during that night, they shared their honest thoughts to Baek Na-Kyum giving him good advices. But more importantly, the painter was there, when his noonas were struggling. 
(chapter 94) He cried in front of them. His tears symbolized his compassion and love for his noonas. He regarded them as his family. And it was the same for the artist. He had the noonas by his side, when he was in trouble or agony. 
(chapter 94) 
(chapter 107) However, at some point, it changed! 
(chapter 94) Jung In-Hun entered his life and consoled him. Thus I deduce that this image 
(chapter 68) represents a turning point in Baek Na-Kyum’s life. During that night, the scholar took away the young painter from Heena, hence he couldn’t help her. And now, observe the learned sir’s reaction. He didn’t allow the painter to cry. He shouldn’t share his pain. 
(chapter 70) In fact, he diverted Baek Na-Kyum’s attention from the incident to the moon. The learned sir was smiling the whole time. 
(chapter 70) He was acting, as if nothing had happened. The fact that he didn’t bear the tears from the painter exposes that the learned sir never considered him as a family. Therefore it is not surprising that he got abandoned, when the learned sir struggled: 
(chapter 75) But we have other scenes where Jung In-Hun didn’t behave like in the poem. When he discovered the truth, he had not been approached by Yoon Seungho due to his talent 
(chapter 19), he pushed away the painter. 
(chapter 19) He was mad, because Baek Na-Kyum was the cause for his sponsoring. 
(chapter 19) However, the family serves as pillar and protection. When the scholar’s pride got hurt, he rejected Baek Na-Kyum. He only approached the painter, when he needed him 
(chapter 10) 
(chapter 24) 
(chapter 35). 
(chapter 111) For me, in episode 10, he was definitely aware of the existence of a plot, thus he led the painter to the pavilion. Then in episode 24 and 35, he wanted the artist to spy on his benefactor. Finally, in episode 111, he knew that by taking away his former pupil, he would hurt Yoon Seungho, for he was aware of his affection for Baek Na-Kyum. Under this new light, it becomes comprehensible why Jung In-Hun didn’t bid farewell to the main lead in episode 44. Baek Na-Kyum’s presence was not necessary for the preparation for the civil service examination. And this brings me to the last scene between the learned sir and the painter. 
(chapter 118) He is now crying in front of him, as if he was considering him as a part of his family. He is trying to create the illusion that he shares his suffering, just like he shared his happiness during the parade. 
(chapter 111) But in the gibang, the learned sir changed his attitude towards his former pupil, for he kissed the painter. 
(chapter 117) It was, as if the former was starting his family. Baek Na-Kyum is now his “bride”. But naturally, everything is just an illusion. Why? It is because the Manhwaphiles never saw Jung In-Hun share his bed or room with the artist! 
(chapter 27) 
(chapter 38) He was also never seen taking his meals with him. This explicates why he never visited him, when the painter was sick. In fact, the learned sir is connected to the air and the courtyard. That’s the reason why he is always seen roaming around with Baek Na-Kyum (10: pavilion, 18-19-27-35-44: courtyard, countryside/city: 29-37-70 and 
) But more importantly, he is not sharing his true thoughts and emotions to the young man. 
(chapter 118) He never explained how his face got bruised! This shows that he approached Na-Kyum for one reason. He was in trouble and he needed him. But he acted, as if he was becoming responsible for him. 
(chapter 118) 
(chapter 118) He didn’t expect a rejection. Why? It is because now, he was treating the main lead as family member. Nonetheless, don‘t get me wrong. In Joseon, servants were considered as a part of the household and as such of the „family“. I don‘t believe that the teacher views Baek Na-Kyum as an equal. Yet, the latter is in reality a free man. 
(chapter 118) Thus out of fear, he made a false love confession which resembles a lot to obsession and possessiveness. His words display his worries and despair. Another important aspect is the absence of the personal pronoun “we” in their conversation. We only have “you” and “me”. 
(chapter 118) 
(chapter 40), the latter learned the following lesson: Jung In-Hun had never been his new family. That’s the reason why he was so wounded. Therefore it is no coincidence that his karma is to be abandoned the moment he needs Baek Na-Kyum the most. But why did he not consider the painter as a family member? It is because he came from the gibang. Moreover, he was blinded by his desire to succeed on his own, not realizing the true role of a family. 
(chapter 86) 
(chapter 107) The sexual abuse is something they hid from Baek Na-Kyum! They could never share such a burden with the protagonist. But there is more to it. In fact, Byeonduck illustrated the slow deterioration of Na-Kyum’s s family in season 2, 3 and 4. First, the painter couldn’t talk to his noonas like in the past: 
(chapter 46) He was forbidden to announce his departure which indicates that Heena was hiding something from the other kisaengs. Moreover, notice that he never talked back to Heena. He listened to her, though he was in pain. 
(chapter 46) He could only express his sadness with his tears. Then when Heena reentered his life, she was seen next to his bed while hugging. by his side 
(chapter 66) This means that she would no longer share his cover. This is no coincidence that in the gibang, the noona could no longer enter her brother’s room. 
(chapter 96) Little by little, Heena got excluded from the painter’s life. She could no longer share her meals with him. 
(chapter 93) This explicates why in season 4, Baek Na-Kyum can not penetrate Heena’s room. 
(chapter 105) She is hiding more and more things from her brother: her “illness”, her involvement in the murder of nobles and her lies. On the other hand, the painter still considered her as a part of his family because of her intervention in episode 68/69: 
(chapter 68) Their argument was reflecting their trust, though here the kisaeng was questioning her brother’s maturity. Due to her concerns, Baek Na-Kyum felt that they were still a family. However, I sense a rupture, when they argued in the kisaeng house. The artist was no longer trusting Heena’s words: 
(chapter 97) Interesting is that from that moment on, Baek Na-Kyum and Heena never faced each other! She didn’t join his side during the parade. This means that their argument in the kisaeng house represents their last reunion. And what did Heena do in this scene? She cried 
(chapter 97), while the painter didn’t, though he looked disturbed. 
(chapter 97) He lost all his colors. However, such a scene could be perceived as a sign of indifference, especially for the kisaeng. And this observation made me realize why the kisaeng asked Yoon Seungho not to reveal his suspicions about Jung In-Hun’s involvement to her brother. 
(chapter 105) Here, she implied that Baek Na-Kyum would cry out of pain and shock. But she had seen that he had shared no tears, when he heard about his murder: And it happened again in the shrine.
(chapter 99) Simultaneously, the request from Heena exposes that they are no longer sharing agony and as such struggles. Moreover, this made me realize why the artist left the mansion after the nightmare. It was out of fear and obligation. For me, he had sensed that Heena liked the learned sir and as she was still part of his family, he had to make sure that this was not true. Yet, even after witnessing the faked crime scene, he still trusted Yoon Seungho. Hence I am deducing that the absence of tears is the trigger for their separation which stands in opposition to their embrace in the mansion: 
(chapter 66) 
. (chapter 68) And what was her reaction, when she saw her brother in tears and yelling at his lover?: 
(chapter 105) She remained silent, passive and rather indifferent. This impression gets reinforced, when she is lying next to her colleagues. She is not sharing her thoughts and emotions, rather pensive contrary to these kisaengs: 
(chapter 105) She is even turning her back to them. This displays the dissolution of this family. The kisaeng is no longer sharing her fears, her tears and emotions to others. Therefore she can not sense “happiness or relief” like the others. 
(chapter 93), but the moment the lord joined his side, the honesty started vanishing. Notice that the painter couldn’t talk about his past (how he met Yoon Seungho and how he got abandoned by Jung In-Hun). It was reduced to “I was caught up with something”. He had so many secrets that he couldn’t share to his noonas. And it was the same for the kisaengs. 
(chapter 93) They also had secrets, hence they were seen whispering. Baek Na-Kyum could confide less to Heena. Why? He sensed that the kisaengs might show no understanding. And note how the painter reacted, when he met his noonas in episode 105. 
(chapter 105) He lied to his noona, he didn’t voice his worries. He didn’t enjoy his time spent by the kisaengs’ side. He didn’t eat with them either. This is the sign that he was moving on, he was on the verge of starting his new family. In other words, this scene 
(chapter 105) corresponds to the bird flying from the nest which was witnessed by Heena and the kisaengs. Because the painter was not sincere to his noonas, it is not surprising that they acted the same way. Here,
(chapter 105), the kisaeng’s words are a reference to loss of virginity. Yet the painter didn’t grasp the true meaning. Only in his dream and nightmare, he realized the significance of her words: 
(chapter 109) Hence I come to the conclusion that we are witnessing to the birth of Baek Na-Kyum’s new family: Yoon Seungho. 
(chapter 118) That’s the reason why the painter decided to run away with his lover. 
(chapter 118) However, in order to become a real family, the painter needs to call his husband like this: 
(chapter 72) Under this new light, it becomes comprehensible why the noonas were no longer entirely honest with Baek Na-Kyum in the gibang. They couldn’t share their thoughts and secrets to the artist, as they had played a role in the separation of the couple 
(chapter 99) and the nobles’ execution. Besides, they also had secrets which they had to hide from their donsaeng. 
(chapter 57) I believe that it is related to the protagonist’s sensibility and intelligence. My assumption is that Yoon Seungho is a 
(chapter 85), his second son and even lord Song as his family 
(chapter 116) Hence they are sharing a drink, their secrets and emotions together, though it is obvious that the man in purple is deceiving the patriarch. However, the elder master still trusts and listens to his words. 
(chapter 107) 
(chapter 26) The latter was not allowed to cry! Therefore the artist heard the same reproach from the main lead. 
(chapter 26) The valet disliked the tears, because he refused to share the suffering. The reason is simple. If he did, this would have increased his guilt. Furthermore, Kim never shared the cover or his meals with Yoon Seungho in the past 
(chapter 83) and in the present. Here, 
(chapter 17) he even refused to bring him his breakfast. But one might argue that Kim cried in front of the protagonist in the shed, he even expressed regrets: 
(chapter 108) So we could assume that he was starting to view the main lead as a family member. But no… for me, it is just an illusion. First, note that he never let the lord see his gaze while weeping. Besides, the noble’s heart was not moved either. They were not crying together, a sign that the two were drifting apart. Moreover, in the shed, the valet never shared the information about the fire at the shrine. 
(chapter 108) The noble had to use threat and force in order to push the butler to voice his thoughts. Finally, at the end, the valet never vowed his loyalty to Yoon Seungho, but to Baek Na-Kyum. 
(chapter 108) Moreover, like exposed above, family in the poem symbolizes trust, love, responsibility, comfort and protection, but the valet failed to fulfil his duties which he admitted in the shed. As a conclusion, the butler didn’t keep such a promise. Moreover, what did the butler do after the painter’s abduction? 
(chapter 64) 
(chapter 64) He ran away. He never saved the painter, just like he didn’t argue with his master in that moment. But he could have, since the latter had no sword by his side. Imagine that he had a heated discussion with Yoon Seungho the very next day, and in the courtyard, the protagonist had the sword in the hand. 
(chapter 68) A sign that he knew that the noble would never slay him! And in the past, the valet had not come to his rescue, shared his suffering or defended his honor. And now, you comprehend why I am more than ever convinced that the valet was never Yoon Seungho’s family: no tear, no joy or no secret shared! His expression “bird of misfortune” embodies the gap between the two characters. 
(chapter 109) The latter would even get the opportunity to eat sweets and sit in the patio
(chapter 109), while the lord was relegated to the courtyard. 
(chapter 109) And the poem mirrors perfectly the birth of Yoon Seungho’s first family. Baek Na-Kyum is his very first family. Thus he could share his pain, his fears, his resent, 
(chapter 62) and his hope to be happy for one moment: 
(chapter 63) I selected the terrible scene in the shed for two reasons. It symbolizes the verse “how to become a family”. This explicates why in season 3, the artist was slowly using the personal pronoun “we”. 
(chapter 78) This means that the two protagonists were learning how to become a true family. And one of this important step was “crying together” which occurred after the sexual abuse in the shrine, 
(chapter 102) However, Yoon Seungho had to learn the importance of “secrecy”! He kept his crime from his loved one hidden, not understanding that a real family is to “endure all hardships” together. Consequently, I judge this night 
as the finalization of their “Wedding”, though it is still not official. During this night, we have all the criteria. They share their worries
(chapter 110), their happiness 
(chapter 110), they sit together while eating
(chapter 110), they embrace each other, they share the same bed. And the lord makes the following promise: there won’t be any secret between them. He will share everything with his lover. 
(chapter 110) So when the brother gave the petition to the artist
(chapter 116), he even reinforced their bond. It was, as if they had no longer any secret between them. Thus they talked about the document in the pavilion making sure that no one would listen to their discussion. 
(chapter 117) Therefore, it is not surprising that during that same night, the couple slept under the same blanket while hugging each other. 
(chapter 117) The symbol for the new family! But a family is not made just of two members! Is Yoon Seungwon a part of Yoon Seungho’s family? Let’s not forget that he considered the artist as his brother’s wife. 
(chapter 116) What caught my attention is that Yoon Seungho was not followed by his lover, when he met his brother in the gibang. 
(chapter 118) And this reminded me of this scene: 
(chapter 37) He wished to send away the artist, but the host refused. Then if you pay attention to his behavior, you will notice that none of them were seen eating together! 
(chapter 118) Compare it to Black Heart’s behavior: 
(chapter 43) In fact, the two guests were drinking on their own! Yoon Seungwon had even started drinking before the protagonist’s arrival. 
(chapter 118) Moreover, exactly like the scholar, Yoon Seungwon is just employing the pronouns “you”, “I” and “father”. There is no WE at all. 
(chapter 118) Moreover, he doesn’t want to share the pain and suffering with his father. And while he shared a secret with Yoon Seungho in the past,
(chapter 118), I believe that he is hiding something from his brother again. Thus we see constantly him with a drop of sweat. 
(chapter 118) 
(chapter 118) Striking is that he is at no moment mentioning the painter, which actually represents the lord’s source of comfort and joy! He is more talking about the past than the present. He is hoping for a change of heart. That’s the reason why I come to the conclusion that Yoon Seungwon called the main lead as brother
(chapter 118), but it is only a name! In reality, he desires to use the main lead. He needs him more than ever! Let’s not forget that the patriarch could discover Yoon Seungwon’s betrayal at any moment. Finally, I would like to outline that family stands for effort and understanding, nevertheless the younger master never showed compassion or worries for his brother, who had just recovered from a stabbing. His speech was full of blame. 
(chapter 22), the physical therapist still views her as his family. This corresponds to the verse “no matter where you are”. This explains why he listened to her and started treating the champion differently. From my point of view, they became a family, because they slept under the same cover
(chapter 21), shared their agony, fears 
(chapter 5) and their happiness together, though this needs to be relativized. 
(chapter 11). I will give more details later. Another evidence that they are family is that the grandmother would often sing him songs. Then we could say that the grandmother shares her meals with the doctor, for she is often saving yoghurts for her grandson. 
(chapter 05) She is happy, when she hears good news from her grandson. 
(chapter 21) 
(chapter 5) Nevertheless, there exist two negative aspects. First, I noticed that she didn’t question Kim Dan about his career, only when it was necessary. 
(chapter 07) She is not that involved in his current life. 
(chapter 05) Secondly, what caught my attention is that the halmoni is not letting her grandson weep. With her attitude, she implied that he had overreacted (“Now, now none of that”). 
(chapter 21) Moreover, the poem outlined the necessity of crying together (“be able to cry together”), yet the halmoni was not upset, when she found the little Dan in tears. She didn’t understand his abandonment issues. Thus I deduce that the shared agony was only in one way! If the grandmother was scared or suffering, her grandson should feel the same. 
(chapter 5) This explicates why Kim Dan was willing to sacrifice himself for his halmoni. 
(chapter 16) It is because he knew that her grandmother disliked tears. Besides, in a previous essay, I had already outlined that such an attitude was considered as abusive, for such a young child should have been shielded from harm. However, he was exposed to violence very early on. Under this new perspective, it becomes comprehensible why Kim Dan started having secrets from her. Finally, the family portrayed in the poem implied the notion of effort and work. But the moment the grandmother refused to share his agony, she stopped putting energy in her relationship with Kim Dan. This means that as time passed on, she became more and more passive and relied more and more on the main lead. Another interesting aspect is that Kim Dan came to enjoy K-dramas because of his grandmother. 
(chapter 30) This shows that Kim Dan’s preferences are all influenced by the halmoni. We could say that he didn’t truly develop his own identity. It was, as if he had become the second version of “grandma”. And now, you comprehend why he rejected sex: 
(chapter 20) 
(chapter 30) Because the grandmother didn’t allow her grandson to share his struggles (no tears), Kim Dan has been hiding many things from his grandmother
(chapter 07): the beatings from Heo Manwook, his firing from the hospital, the sexual assault from the perverted hospital director and the moneylender, his deal with Joo Jaekyung and the fact that he moved to the penthouse. This means that little by little, the physical therapist is sharing less and less his happiness with her. I doubt that he told her about his trip to Busan, his first MMA fight as spectator 
(chapter 15) and his first sparring with Joo Jaekyung 
(chapter 26). But this is a sign that Kim Dan is maturing. Therefore it is no coincidence that after their first day off spent together, Kim Dan is already under the champion’s spell. 
(chapter 30) And at some point, the grandma will notice her little boy’s transformation and the growing distance. And Choi Heesung could be the trigger for a first quarrel 
(chapter 22) 
(chapter 26), they get support from each other 
(chapter 14) 
(chapter 23) or they argue 
(chapter 07). Moreover, they call the older members “hyung” 
(chapter 23) which is another evidence that Team Black functions more like a family than like a company. What caught my attention is that the doctor is not addressed as hyung 
(chapter 30) but as Doc Dan or doc. 
(chapter 23), though the manager Park Namwook had introduced him as hyung. 
(chapter 07) The reason behind this different title is the champion. The latter addressed him like that: 
(chapter 22) It exposes that the physical therapist occupies a particular position at the gym. On the one hand, it could be interpreted that he has not been entirely adopted as a family member. On the other hand, the physical therapist didn’t exclude that he could have other clients. 
(chapter 25) This means that his “adoption” is not definitive and official. Nevertheless, I would like to outline that though Team Black’s structure resembles a lot to a family, we can not say that it is a true family. Why? It is because Joo Jaekyung is hiding many things from his hyungs and members. He is not sharing his problems to his coach (his insomnia, his jinx, his sexual orientation, his insecurities eg). Imagine that he preferred deceiving his admirer 
(chapter 15) than admitting that his shoulder had been plaguing him. And it is the same for Potato. He didn’t talk about the incident with the office room and the sofa. 
(chapter 25) According to me, Jeong Yosep knows about the true relationship between the physical therapist and the alpha black wolf. But he kept this information to himself as well. However, like pointed out before, family stands for communication and not secrecy! Moreover, so far, we only saw the fighters share their happiness. And what about their struggles or defeat? To conclude, Jinx is actually showing us the transformation of Team Black as company into a family. How they “become” a WE! Park Namwook does consider Team Black as his gym, but he has his own family. However, this is not the case for Jeong Yosep or Joo Jaekyung, who lives as a loner wolf! In my opinion, Team Black will turn into a real family, the moment Kim Dan loses his halmoni. Remember the quote from the poem: “If you can’t say you’re hurt when you feel hurt you’re not family“. Kim Dan won’t be able to hide his sadness and broken heart. In the beginning of the story, he lied to the coach and Kwak Junbeom about the reason for his injuries: 
(chapter 11), because he considered them as superior and colleagues. In other words, the fighters will share their pain with doc Dan helping him to overcome the loss. But this change can only happen, when the owner of Team Black has a change of heart himself as well. Remember how he pushed Oh Daehung and the other members away. 
(chapter 22) He didn’t want them to come to his house. 
(chapter 22) So far, he didn’t want people to cross the line, but thanks to the physical therapist, this will change. That’s how both protagonists will come to view more and more Team Black as a family. They will share their struggles and happy moments together. I have one evidence that Kim Dan is the key to turn Team Black into a real family. It is because Joo Jaekyung came to the gathering
(chapter 9), though he had been avoiding such events in the past. 
(chapter 30) But he is there an employee. Thus I am suspecting that the talent agency is working differently from Team Black. If there is a scandal, I doubt that the company would side with the star in trouble or they would try to find ways to get rid of the issue, like finding a scapegoat in order to bury the truth. As a conclusion, I am expecting to see companies run differently so that the readers can perceive Team Black as a family company, although it is an incorporation.
(chapter 29) It is because Joo Jaekyung always put him there! This exposes that the champion is still thinking that he represents a disturbance to the Sleeping beauty. One thing is sure: Joo Jaekyung will become the blanket taking over the grandmother’s past role: 
(chapter 1) This was the reaction from the champion: 
(chapter 1) He questioned the cause for the tears. He was naturally annoyed (“the hell”), but he didn’t make fun of the doctor. And now, pay attention to the memory Joo Jaekyung had from their first night. He remembered his tears which had moved him deeply: 
(chapter 6) This shows that the celebrity is not judging the physical therapist as weak due to his tears. In episode 28, he even showed concerns, when he heard the doctor crying. 
(chapter 28) 
(chapter 28) He questioned the doctor once again, why he was in tears. However, he didn’t ask the doctor to stop weeping or to wipe his tears. He wanted to understand him. This exposes the fighter’s tolerance and interest in Kim Dan. For me, it reveals that Joo Jaekyung is willing to share the pain or fears with Kim Dan. Therefore it is not surprising that Kim Dan is remembering this moment! 
(chapter 30) He was allowed to express his emotions. Interesting is that this image is now connected to red, not to grey/black. 
(chapter 30) The switch of color indicates the doctor’s increasing feelings and sensuality for Joo Jaekyung. That’s the reason why I am expecting that one day, the two protagonists will cry together, something that the grandma hasn’t done until now. 
(chapter 13), it doesn’t signify that they are a family now. And it is the same for the penthouse. 
(chapter 18) They might share the same flat, but the penthouse is so huge that they can technically live apart. Joo Jaekyung and Kim Dan are slowly spending more and more time together, either because the champion feels like it 
(chapter 19) or it is necessary 
. (chapter 27) During the day off, they shared their thoughts,, their emotions 
(chapter 27) 
(chapter 27), their happiness 
(chapter 28) and their fears 
(chapter 27) 
(chapter 29) Because Joo JAekyung confessed his fears and health issues to Kim Dan, it shows that he was trusting him. For me, this night represents another step how to become a true family. “If you can’t say you’re hurt when you feel hurt you’re not family.” This day and night were so magical that it affected the protagonists’ life forever. From that moment on, Kim Dan is feeling more attracted to the champion, hence he is peeping at him. 
(chapter 30) And it is the same for the champion. Now, he is slowly regretting that they live in two different rooms and they have their own bathroom. Therefore he came to the doctor’s bathroom under the fake excuse that he had run out of toothpaste. 
(chapter 30) What was so funny is that he had opened the door like a huge bear. Why? It is because he was so annoyed how to explain his intrusion. 
(chapter 30) This shows that little by little, the champion is regretting his words to Kim Dan in the master’s room. 
(chapter 29) For me, he will be forced to recognize that work is not bringing him closer to Kim Dan, especially after Choi Heesung met the main lead. 
(chapter 30) For me, this scene is the bathroom represents another step how to become a true family. 
(chapter 30) However, like Mingwa voiced it, they have a long way to go, for Joo Jaekyung and Kim Dan are hiding their true thoughts and emotions from each other. 
(chapter 30) Kim Dan had to hide his blushing, while the champion had to lie for his appearance. Moreover, the fact that he tried to hide his underwear 
(chapter 30) But like I said, they need to open up their hearts and mind in order to become a true family. From my point of view, the halmoni could play a huge role in their union. How so? It is because she entrusted her grandson to Joo Jaekyung. The latter also conversed with her 
(chapter 21) and even paid her hospital bills. She even took his hand 
(chapter 21) So the moment the grandma vanishes, it could also wound the champion’s heart, especially when his sex partner is so heartbroken. It would be interesting if the champion came to voice his feelings about her. If you can’t say you’re hurt when you feel hurt you’re not family.“
Bebebisous33s' analyses in K-Dramaland and Manhwas 