This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/
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1. Laziness or not?
When the final episode of the main story was released, many Manhwa-philes were laughing about Yoon Seungho’s work attitude as governor. The latter had left his seat in order to return to his lover’s side. 
(chapter 131) Hence the police officers found the governor’s seat deserted. 
(chapter 131) By contrasting the statement from the governor and the panel, the readers could easily catch his lie. He was a lazy governor, preferring to keep his lover company rather than attend to his official duties. On the one hand, it exposes the main lead’s true mind-set. He is not longing for power or glory. To conclude, he has no ambition. This implies that he is not determined to gain attention either. One might add that he selected this region on purpose. No one would willingly go to that place. The norm was that officials would go there, because they were demoted. 
(episode 129) Thus I deduce that Yoon Seungho made the opposite choice to his father. The latter longed for a high position at the government so that the family’s reputation would become famous and powerful again. 
(chapter 86) It is because Yoon Chang-Hyeon was thinking of getting the attention or support from noble families. What he truly wanted was to get recognition from people among his own social class. But with such a decision (join the painter’s side), Yoon Seungho seems to have turned the former patriarch’s nightmare into a reality. Yoon Seungho is about to ruin the family. The name “Yoon” is destined to become forgotten, right? However, I believe that this interpretation is not correct. How so? Let me ask you this.
Why is this region regarded as “backwater”? It is because there are no powerful families like in the town, where the Yoons used to live. There are no huge store or doctor either. The new governor is surrounded by “peasants”, commoners. In other words, it is not a place you can earn a lot of money or gain power, especially for an official. This signifies that buying the governor, like Yoon Chang-Hyeon did, won’t happen. 
(chapter 127) No one has such a wealth! That’s the reason why no official would select such a place. Yes, Jung In-Hun’s words from chapter 6 
(chapter 6) (chapter 131) are reflected in the final episode. Peasants are poor und uneducated, and this will not change overnight. Hence they represent ignorance and naivety. This raises the following question. Why did the officers bring these two men? What was their crime? One might reply that it is impossible to figure it out. Nevertheless, I think, Byeonduck left clues in her story. Painter Of The Night is composed of reflections. In each season, certain scenes or elements resurface with slight changes.. Thus I developed the following theory concerning these two commoners.
My hypothesis is that these two men were innocent. In season 1, we have a similar scene: 
(chapter 37). It is about a crime, treason. In season 4, we know that the plot was true and there was an evidence, the paper with the signatures from lord Yoon and lord Song. Since in season 1 the wrongdoing was true and heavy, I deduce that it is not the case in the final chapter. Because there is an evidence of the crime in the past, I can’t help myself thinking that in the final chapter, there was no evidence. Additionally, I feel the need to expose my other interpretation about this man: 
(chapter 37) I have always stated that this man couldn’t be a servant, for he was smoking a pipe and we saw a glimpse of his memory. No commoner would be allowed to enter the courtyard, when three noblemen are tortured and interrogated. Moreover, notice that in both scenes (37 and 131), the magistrate is absent. That’s how it dawned on me that this nameless man could have been a former “governor” who lost his position.
But if the two commoners are rather innocent, why did the officers bring them to Yoon Seungho then? My idea is that they imagined that the new governor wanted to make a statement so that he wouldn’t be looked down by the locals. Or even worse. The guards desired to get protection money from them!! Yes, because this region is not well perceived, the guards thought that the governor would act like his predecessor. Since it is a poor region, it signifies that the officials are not well recognized and well paid. (chapter 131) First evidence that the last image is not symbolizing justice, but corruption, is the behavior from the guards. They are caught by surprise, when they arrive in front of the empty stool. Yet, they are not gesticulating or panicked. If a real crime had taken place, they would be looking for their superior. And this observation leads me to this image. (chapter 131) In this picture, we can detect the governor’s office in the background. It is the yellow building with the multicolor decorations. That’s where the empty stool is!! In other words, if they truly needed him, they just had to go to the other side of the wall. Third evidence for this hypothesis was left in season 3: 
(chapter 94) Here, the officers went to the mansion before visiting him at the gibang. 
(chapter 97) Back then, it was about the death of a commoner, a servant. If there’s an urgency, they would look for him. The comparison exposes that the “wrongdoing” from the peasants in the final chapter was no huge deal. Yet, many readers already condemned them due to the guards and the protagonist’s behavior. Funny is that the lord was portrayed as a huge liar, but not “the officers”. (chapter 131) But it could have been the reverse. Officers could have abused their authority. Furthermore, let’s not forget that Min indicated that guards could be bribed easily. 
(chapter 101) His statement displays another aspect: the governor and the guards are not working together. Jihwa would have been sent to jail without being able to talk to the superior, similar to this scene: 
(chapter 126) The guards’ own interests are not necessarily aligned with the governor’s. And now, take a closer look at this scene: 
(chapter 127) The official received the patriarch in his office alone. The reason is simple. That way, he wouldn’t have to share the money with others.
But since the guards never went to the lord’s mansion, they must have realized that this man was not like his predecessor. He was not frustrated or demoted. He was indeed not after power or money. They couldn’t rely on his protection either. In fact, they could get blamed for disturbing his privacy. I would even add that since Yoon Seungho comes from a wealthy family, he doesn’t need to rely on bribe at all. In other words, the guards can only come to the conclusion that treating him well can only benefit them. His wealth was already implied with his arrival: 
(chapter 129). He was not sitting on a horse with a few musicians contrary to Jung In-Hun. He was carried by four men, and other people were announcing his arrival with flags and music. 
(chapter 111) Moreover, Yoon Seungho had a inauguration banquet organized, where the local inhabitants could join. 
(chapter 129) There was no social exclusion at all. This stands in such opposition to the lord’s statement in season 1, where he distinguished between nobles and commoners.
But let’s return our attention to the two suspects. What happened to them then? (chapter 131) In my opinion, they were released. Why? For the simple reason that in this place, Yoon Seungho expected no huge duty! Yes, his words were not just exposing a lie, but also the truth. Nothing was supposed to happen. People are peaceful and helpful to each other. 
(chapter 129) This signifies that the arrest could lead to trouble to the guards too. So was the lord lazy in the end? 
(chapter 131) Yes and no… By acting that way, he put an end to the abuse of authority in that place!! Thus I deduce that the governor is destined to gain recognition and admiration from the local inhabitants. He is generous (inauguration banquet where anyone could join), humble, loyal (he is not forgetting his lover) 
(chapter 131), but also well organized! He had planned to join this place a long time ago. The peach trees were planted about 3 years ago. He is no longer making any distinction between nobles and commoners, and that’s how he will get the respect from the peasants. As a conclusion, we should envision that the lord will become famous. Therefore the son didn’t turn the father’s nightmare into a reality. He didn’t contribute to the family’s ruin at all. Yet, there exists a huge divergence. Yoon Seungho is about to make a name on his own. It is not about the Yoons. On the one hand, the father’s dream was illusory and superficial, especially due to the treason
(chapter 86). Since Lord Song had been forced to resign, there’s no doubt that the man would resent the Yoons to become successful again. This explicates why lord Song saw Yoon Seungwon as a problem 
(chapter 107) and tried to tarnish the younger son’s reputation. But let’s return our attention to the patriarch. His vision was based on Confucianism. However, he had a very narrow-minded perception of it.
“There is government, when the prince is prince, and the minister is minister; when the father is father, and the son is son.”- The Analects, Book XII, Yen Yuan, Chapt XI Quoted from https://www.chinausfocus.com/society-culture/confucius-more-individualistic-than-you-think
He expected not only blind obedience from his son, but also absolute devotion for the family. The individual steps aside for the community, and as such for the Yoons. This explicates why the main lead’s relative has no name in episode 6, he is simply reduced to a grandfather. 
(chapter 7) This shows that the tradition was to “vanish behind the family name, the Yoons”. Under this new light, my avid readers can grasp why the main lead was destined to suffer immensely 
(chapter 57). His reputation was already outshining his father’s. Secondly, by being stigmatized as a homosexual, he was endangering this principle. His role was to continue the lineage and as such produce a heir.
As you can see, Yoon Seungho is breaking the tradition and even dropping Confucianism, as the latter rejects homosexuality. The main lead embodies other values: Modernity, Individualism, true Love and Humbleness. Yoon Seungho is no longer judging people based on their social status and relationship. This signifies that at the end of the story, the new governor symbolizes true justice. He put an end to corruption and malpractice. He is not influenced by people’s opinions and prejudices either. He is only listening to his heart and conscious. He makes sure to keep all his promises and not to say any empty words. He is a reformed man through and through.
However, we shouldn’t forget that the protagonist did kill many people before. Hence my other interpretation is that Yoon Seungho as a sinner is not “allowed” to become a judge himself. (chapter 131) How could he condemn others, when his hands had been soiled with blood? Thus I deduce that through her work, Byeonduck exposed the corruption of human justice in Joseon. It was impossible to get true and fair justice from anyone, let alone from the authorities. The latter were ruled by greedy and arrogant nobles who used law enforcements for their own needs. That’s why the patriarch 
(chapter 116) or even Min could commit crimes in the open. They felt safe, for they knew that the authorities belonged to the same social class than them. However, this could only work, as long as the nobles would cover for each other. Should a yanbang denunciate a noble family, it was a different story. Therefore I assume that lord Lee was the one who reported the treason to the authorities (the painting in the bedroom was the evidence). But such a painting couldn’t represent a proof. However, since human justice was corrupted, the gods decided to give justice to the protagonists. That’s how Yoon Seungho became the hand of justice. Everyone involved in the protagonists’ suffering had to pay for their crimes. 
(chapter 102) That’s the reason why Baek Na-Kyum’s martyrdom was strongly intertwined with the young master’s. Yoon Seungho only received this power through Baek Na-Kyum, the character embodying fairness, sincerity, hard work, home and equity. This was particularly perceptible in this scene: 
(chapter 27) The lord couldn’t kill anyone randomly.
Yet, considering the scene in the shrine as a trial from the “gods”, can appear weird, for the main lead attacked Min and his friend under the influence of his unconscious past. 
(chapter 102) However, I consider it as a first step to the lord’s emancipation and life lesson. The latter is indirectly learning not to pay attention to status and power. That’s why the author portrayed him as blind and deaf to their plea and special status. While his behavior in the shrine was rather impulsive and influenced by deeply rooted fears, we should consider lord Song’s execution as a true act of justice. 
(chapter 123) 
(chapter 123) The latter had confessed all his crimes: the ones from the past (the lies in order to fool the father) 
(chapter 123) and the painter’s murder. Funny is that lord Song didn’t feel threatened by the young master at all despite the sword. 
(chapter 123) Why? It is because he feels, he is the one with the upper hand. First, he has the petition, hence he is already projecting himself in the future (he can get a high position again). Secondly, he thinks, Yoon Seungho is outnumbered. He is surrounded by 4 guards. But more importantly, he views himself superior to the main character due to his age. He is an elder. That’s the reason why he calls “my dear boy”. This implies that he is underestimating the main figure. The latter would never dare to raise his hand against a senior!! However, true justice is also blind to age. 
(chapter 123) His smile at the end of the episode should be perceived as a reflection from Min’s vanishing. 
(chapter 103) One might even add that the lord’s action could have been seen as self-defense. However, don’t forget that we are here in Joseon, where a commoner’s life means nothing. Because of this new association, I came to the following deduction: lord Song was the one behind lord Shin’s death. 
(chapter 103) The latter couldn’t imagine that an elderly yanbang, an official, would raise the sword against another noble. After this new realization, it dawned on me why Yoon Seungho had to get separated from his loved one. 
(chapter 126) This humiliation made Yoon Seungho realize that he needed to have his power on his own. He learned through the hard way that he was not just a Yoon, but Seungho. Yes, this helped him to differentiate himself from his father and to become stronger mentally. His religion was now his lover, Baek Na-Kyum, whom he needed to protect. But he could only do it, if he had himself a powerful position. But he needed to witness the corruption of the authorities to realize that in Joseon, there exists no justice. (chapter 127) That’s the reason why I deduce that Yoon Seungho is not destined to become a lazy or unfair governor. He learned through the hard way how important it is to give proper justice. (chapter 131) Should these two men know the artist, the latter could encourage his lover to listen to their testimonies and not judge them based on their status.
Under this new light, it becomes comprehensible why I don’t perceive the main lead as a lazy governor. Just because he appears as one in this scene (chapter 131), we shouldn’t generalize such a behavior. By paying no attention to power and fame, the protagonist learned what true justice is. Moreover, he realized the true source of happiness: love and simplicity. He made sure to keep all his promises to his loved one. Moreover, the artist is there to remind Yoon Seungho of his duties: (chapter 131) Hence I can’t help myself imagining the couple strolling through the village and listening to the people. Thanks to the artist, Yoon Seungho can only get recognition and acceptance from the autochtones. Besides, Baek Na-Kyum is even giving painting lessons to children, so I doubt that he will drop everything for his lover’s sake. We should envision the opposite behavior from the scholar: 
(chapter 6): neglect and indifference towards the commoners. And this new observation brings me to my other topic, Jung In-Hun.
2. The real sinners: the hidden hustlers and workhorses
In the first part of this essay, I compared the arrival of the lord in his new jurisdiction with the scholar’s Jung In-Hun.
| YoOn Seungho | Jung In-Hun |
|---|---|
| |
Through this comparison. I had a huge revelation. Manhwaphiles can notice not only the absence of flags and the palaquin, but also the absence of uniforms. The two men in black leading the horse were simply wearing black hanboks and not blue and white costumes. Then it dawned on me that after this cortege on the street, there was no banquet after his success. Hence I deduce that he had not really succeeded at the civil service examination. First, he had not finished top place 
(chapter 129), therefore he couldn’t select one position contrary to the main lead. This means that when he celebrated his “victory” in episode 111, it was not official. He had no post. I would even add, his name had not been announced on the official board, like we could witness it in this scene. 
(chapter 121) Here, he is informed that he didn’t pass the exam, for his name was not written there. We can detect this, because people are congratulating each other. His name was left out due to the intervention from lord Song. This means that when Yoon Seungho made him this offer 
(chapter 7), these were not empty words. He did help the learned sir to pass the civil service exam. But the scholar didn’t succeed like anticipated. The absence of his success explicates why Jung In-Hun received such an offer from lord Song later. 
(chapter 117) He had no post, he couldn’t choose it, for he was not the best. Thus I deduce that the scholar had just proven his mediocrity. He was just an average man. That’s how it dawned on me that the ceremony in the street was more a simulacre! (chapter 111) Yes, it was fake, for there was no banquet, no sedan chair, no flag and just civilians were surrounding the former teacher. The painting from Baek Na-Kyum can even serve as another evidence that a palanquin and flags are attributes to a ceremony of inauguration. 
(chapter 44) Only one thing was real: Jung In-Hun was wearing an official uniform, that way no one would doubt his “victory”. Moreover, observe that lord Song only approached the learned sir after the parade. So he was not behind the parade. Besides, keep in mind that the main couple was informed about the parade through the tailor 
(chapter 111) and not from the official board. His reaction shows not only his displeasure, but also his ignorance. If he had known about the cortege, he would have avoided the place in the first place. Thus I suspect that the tailor had been encouraged to leak this information in front of the couple. Let’s not forget, as a tailor, he was definitely involved in the cortege. It is no coincidence that he informed Yoon Seungho about this “sudden parade”. At the same time, I come to the following deduction: someone must have paid for this spectacle, and it was not Yoon Seungho, for he had been kept in the dark until the last moment. I doubt that the learned sir had the connections and money for this. This new perception corroborates my previous interpretation: the show was sponsored by someone, and it was definitely inspired by the drawing (the hat and the green uniform). 
(chapter 111). Yet this was just a cheap trick, for the person didn’t send a sedan chair with carriers. Under this new light, I realized why Jung In-Hun ended up stigmatized as a criminal. 
(chapter 127) It was his karma, for he had deceived the painter with his lies. His success was not his own. 
(chapter 111) He realized that even after passing the exam, he needed the assistance of people, a sponsor for the spectacle, a noble with connections. Besides, when in season 1, the painter was accused of a crime (ruining the picture), the learned sir did nothing at all. He didn’t protect his student, for he desired to keep his sponsor. When the latter was sick, he neglected him as well. He wouldn’t have sent a doctor for him. Hence in season 4, the sponsor Na-Kyum decides to end his “sponsorship” for the learned sir. We could say that the former teacher is confronted with a similar situation. He ends up being abandoned and framed for a crime, which he didn’t commit. Yet, contrary to his pupil, he is not entirely blameless, for he played a huge role in the death of the nobles lord Song, lord Shin, lord Min and others. Because Baek Na-Kyum embodies hard work, justice, equity, love and honesty, I deduce that his surrogate father embodies the negative notions: laziness, corruption, partiality, hierarchy, ambition and hypocrisy. That’s why his face ended up on the official board, while the painter’s accusation just remained rumors. 
: (chapter 125) versus (chapter 127) His fate reflects Joseon’ society and authorities, especially when the latter are closer to the capitale.
At the same time, the poster of the scholar exposes that the scholar’s dream had always been to see his name on the official board. (chapter 121) However, the notice was not associated with glory and honor, but with the opposite value. He was an immoral and brutal man. (chapter 127) which was actually reflecting his true personality. We should see the parade in episode 111 as an illusion due to the absence of an official document. And who had paid for this charade? One might think lord Song. However, don’t forget that he approached the man much later. I feel like someone else was involved as well. For me, it was Heena. She was seen with the tailor in season 2, and she had seen the painting from her brother. Finally, she had tried in season 2 and 3 to separate the couple. So she should have repeated the same action, because her resent towards nobles runs deeply, just like her admiration for Jung In-Hun is strong. She knew that her donsaeng was no longer listening to her and his new lover. He was determined to remain by his lover’s side. Thus she didn’t intervene here. 
(chapter 105) IMO, she had to use another mean in order to achieve her goal: the scholar. Let’s not forget that the artist had confided to her this: 
(chapter 68) He was simply waiting for the learned sir’s return. And she was present during the cortege. 
(chapter 111)
Naturally, Jung In-Hun ended up being accused of murder, because not only he had lied, but also he had contributed to the death of lord Min and the others. By giving the spectacles, he was also responsible for their death. Finally, by hurting Baek Na-Kyum and giving him to lord Song 
(chapter 121), he put the painter in a position which led him to take for the fall for his loved one. It was like framing an innocent. Exactly like in season 3
(chapter 99), Yoon Seungho had been forced to take the sword because of the scholar. And the trigger for the massacre 
(chapter 124) was always Jung In-Hun. And now, you comprehend why Jung In-Hun became the scapegoat for the last incident. But there’s more to it.
The sexual and physical assault, playing a trick on multiple occasions and the lies are the reasons why the learned sir ended being labelled as a dangerous bandit. (chapter 127) The paper reflects the transformation of the former teacher. He is no longer a honest man. He lost everything: his home, his name and even his life, killed by lord Song’s minions. 
(chapter 121) His final lesson was to learn that he was exactly like the others: he is just a human despite his education. All humans are equal in front of death. In fact, during his confrontation with lord Song, he came to give up on his integrity. His true face came to the surface: he was just an opportunist, a lazy scholar who relied on fate and his arrogance. 
(chapter 6) This brings me to my next interpretation. Jung In-Hun learned through the hard way that there is nothing like fate (“right time”), but life is the result of decisions. However, because the scholar always regretted all his past choices, he decided to blame others for his wrong choices. That’s the reason why he ends up to take the whole crime. We should see this paper (chapter 127) as a reflection from the poem in episode 4: 
The author from this sijo was the poet and official Wang Bang-Yeon who is said to have lived in the time of Joseon’s sixth king Danjong (1441-1457) and his successor king Sejo (1417-1468). As the official of the state tribunal, he followed the young king Danjong into his exile and gave him poison to drink by royal command. Yes, both are symbols of power, corruption, partiality and injustice. Yet, there exists one divergence. While Wang Bang-Yeon left a poem revealing his yearning for the king, the learned sir had no deep attachment towards the artist. Hence it is no wonder why the paper “Wanted” is not connected to affection. It really reflects the emotions and thoughts of Baek Na-Kyum. Due to the last incident, the latter no longer cares for this man.
Jung In-Hun should have realized much sooner that happiness is not a synonym for power and admiration. In reality, he was living quite well in the small village. (chapter 6) He had a roof over his head, and he was surrounded by children, who liked him. (chapter 121) But the problem is that he was consumed by entitlement and greed. How so? It is because of his education. He saw himself superior to others morally and mentally. Hence he didn’t feel the genuine admiration from the children. 
(chapter 6) He couldn’t enjoy it at all. It is no coincidence that the synonyms for ambitious person are “busy person” and “workhorse”. Yes, this mirrors the expression “laziness”. A true ambitious person is actually proactive and not really relying on sponsors and bribes. So when we see the learned sir on the horse (chapter 111), he is acting like a workhorse. The reality is that he is lazy, as he saw himself destined to achieve greatness. He had the impression that no one had recognized his true value. On the horse, he is just waving his hand and smiling. Later, he confesses this to the artist: (chapter 111) As you can see, his success is not the result of his hard work, but rather of his connections!! Though he didn’t kill lord Song himself, Jung In-Hun had to receive his due punishment for all his lies and sins.
3. The brother’s punishment
This brings me to the next interpretation: Yoon Seungwon and his success.
(chapter 107) Though he passed the civil service exam too, he is not able to fulfil his father’s wish either. (chapter 86) They lack support now because of the treason. The families close to the Yoons got executed. But there’s more to it. The youngest son had first betrayed his father by giving the petition to Yoon Seungho, 
(chapter 118) His intention was to protect not only his brother, but also their family. It was to ensure that lord Song would get blackmailed. That’s how this investigation (chapter 37) got stopped in the end, and the Yoons escaped any punishment. However, by doing so, Yoon Seungwon turned his brother into a blackmailer. Thanks to him, Yoon Seungwon could keep his reputation intact. In fact he never lost his father’s trust. However, in season 4, we can witness a change of heart in the brother. 
(chapter 118) It is because he knows that with the petition in his brother’s hands, lord Song represents a hindrance to his own career. The latter can only see the Yoons as a threat. Besides, he can only resent the family, if they are able to gain reputation and power, while he can not return to Hanyang and occupy a high position. As you can see, the young master’s success can only irritate lord Song. You can sense a rivalry between Seungwon and lord Song Haseon 
(chapter 116) in this scene: 
(chapter 116) The latter has already sensed that the traitor is sitting next to them, thus he raised this question. That’s why I come to the following conclusion that the young master must have realized that he also needed his brother’s assistance. First, if Yoon Seungho returns the petition to the father, the investigation about the traitor in the mansion would be no longer necessary. Secondly, Yoon Seungwon needs to create new connections in Hanyang, but he can only achieve it with his elder brother. Under this new light, you comprehend why Seungwon asked his relative to move on from the past and as such “forgive their father”
. (chapter 118) In other words, the young man embodies the notion of “fake forgiveness, fake promise, fake understanding”. He is an opportunist, exactly like the scholar. Yet, there exists a huge divergence between them. His affection for Yoon Seungho was not fake. He is feeling sympathy for his brother. But that’s it. This explains why he didn’t help his brother before. In my eyes, Seungwon represents a different notion of family: bloodline. In my eyes, he embodies traditions and Confucianism. His goal is to turn his father’s dream and life motto into a reality: glory and power for the Yoons. Besides, he must have experienced himself the downfall for the family. And this observation leads to my next interpretation. This means that Yoon Seungwon must have lied to his father by omission as well. (chapter 86) In my opinion, he must have promised to fulfil the patriarch’s wish, but reality made him realize that this was not possible. He couldn’t do it alone. However, I doubt that he confronted the elder with reality.
Let’s not forget that he is only the second son. So he can not inherit the family’s properties. Remember that once the main lead succeeded the civil service exam, he received many marriage proposals. 
(chapter 128) What about Yoon Seungwon then? Though he succeeded too, there is no mention about engagement or marriage proposals. However, it is clear that this achievement is connected with adulthood and marriage, therefore the elder Song Haseon brought up the topic sex!
(chapter 107) It is because Yoon Seungho is the first son who will inherit the title and properties. Yoon Seungwon’s success can only work with his brother’s presence. This means that thanks to the last episode, I could finally find the answer from Byeonduck’s question: 
What was the reason for Yoon Seungwon’s embarrassment? First, it is because his brother selected the backward place, though he had passed the exam with flying colors. Yoon Seungwon imagined that once his brother had passed the exam, he would get married and establish new connections. That way, Seungwon would be able to get married with a properous and famous family. In other words, Yoon Seungho would turn the father’s dream into a reality: the return of the Yoons’ glory and power. And Seungwon would benefit a lot from this. So in the gibang, his advices might have sounded well meant, (chapter 118), in verity he was also motivated by his own desires. He wanted to get the help from his older brother. This means that the moment the main lead lost his father, Seungwon’s words became true. Yoon Seungho followed his advice: he cut off ties with his past and as such with his family. He was no longer obliged to fulfil the family traditions and the father’s dream. This means that Yoon Seungwon is now on his own. I find it funny that he blamed his brother for his debauchery, but what did he do during this time? Nothing… he waited, until he received pressure from his own father. Moreover, since Yoon Seungwon didn’t help the artist and allowed him to take the fall for the massacre 
(chapter 126), his karma is not only to end up alone, but also not to receive any support from his brother.
To conclude, Yoon Seungwon tried to convince his brother to change his behavior 
(chapter 117), because his career was still insecure due to lord Song’s influence. He needed his brother’s help in the end. At the same time, Seungwon had already long internalized the values from his father: Yoons’ honor and reputation were top priorities. In other words, the younger brother stands for social norms and fake righteousness. He desires to maintain his perfect image (loyalty, filial piety),
(chapter 118), hence he left the document at the mansion. He wanted his brother to return the papers on his own so that his past action would remain undetected. Returning the paper was like an admission that he had stolen it in the first place. Yet he still barged in his brother’s house twice. 
(chapter 117) Here, he exposed the existence of the “petition” to Baek Na-Kyum for one reason. The latter should be used as a way to pressure the main lead to give up on the paper. Notice that this topic was brought up in the gibang: 
(chapter 119) However, the reality is that Seungwon is not just trying to fulfil his father’s dream, but also he has his own ambition. He wants to make a name on his own. That’s why he confessed this to his brother: 
(chapter 119) He doesn’t associate himself with the father and his sins. In his eyes, he is blameless. The reality is that he is guilty like his father, for he failed to care for Yoon Seungho. He failed to listen to him and his suffering. He didn’t try to understand him. Like mentioned above, he only sympathized with him and that’s it. Thus he condemned him for his debauchery in the gibang, but this was no longer the case.
When the father confronted his own son with reality (he had no power without him), Yoon Seungwon was once again absent!! The latter is the evidence of his “neglect”. It is important, because when the main lead bowed in front of the patriarch,
(chapter 127) 
(chapter 127) the former only made a promise to his father and not to the brother. With his death, Yoon Seungho is no longer bound by a promise. Since the main lead had been living properly for 3 years and even passed the civil service exam, it is clear that for the brother, Yoon Seungho must have forgotten his past lover. He must have judged his brother based on appearances, just like he was behaving himself. However, this was just a subterfuge. He was waiting for the right time too. He had no change of heart, he had just been copying his brother’s behavior.
To conclude, the main lead abandoned Yoon Seungwon in the end for his loved one. It happened, when he not only rejected the marriage proposals, but also moved to that “poor region”. The sibling received his punishment for his lack of loyalty and his dishonesty. Funny is that the main lead actually followed his brother’s advices: 8chapter 118) He cut off ties with the past and the family!! This means that his words in the lord’s bedchamber came true: 
(chapter 78) Let’s not forget that at the gibang, Yoon Seungwon never revealed his true intentions towards his brother. The latter always said that his advices were for his best interests. He should become involved in the government. But everything was for the Yoons, or better said, for Yoon Seungwon’s sake. And there exists another reason why the sibling must have been embarrassed: This marriage! 
To conclude, Yoon Seungwon embodies the opposite values of Baek Na-Kyum and Yoon Seungho: ambition, corruption, forgetfulness, hierarchy/social norms, traditions and reality versus understanding, forgiveness, simplicity, closeness, modern family and happiness. Selfishness versus Selflessness. This explicates why the main lead gave up his success for the artist. However, though it looks like an exile, the reality is that he will gain popularity and admiration among the inhabitants. Why? It is because he is no longer making distinctions between nobles and commoners, he doesn’t see this place as a punishment, but as a heaven and as such he has a better perception of humans in general. In my eyes, he is bringing progress and change in the region. Baek Na-Kyum is already teaching the kids how to draw… so it is only a matter of time, until his lover takes care of the education for these children. This means that these words will become a reality: 
(chapter 6) He will think of the futures of those children because of his lover.
PS: Tell me, if you are interested in another essay. The question would be: how did lord Yoon die? Was he poisoned or not?
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 126) to another 
(chapter 126). He allowed his father to humiliate and abuse him 
(Chapter 126) once again. It was, as if the story was back to square one and the protagonist had learned nothing at all. Under this perception, my avid readers can comprehend why I selected such a title. However, instead of thinking that the author was a bad writer, I decided to ponder on the following question. Why did the author choose such an evolution? 
(chapter 7) Like Baek Na-Kyum, he rushed to his loved one’s side. However, he was first stopped 
(chapter 125), but he never followed him to the bureau of investigation. And the same happened later. Why didn’t he go to his shed, when he was trapped there? Where was he, when the eldest son visited the father? 
(chapter 126) His absence exposed his passivity and betrayal. However, at no moment, Yoon Seungho noticed this. To conclude, Yoon Seungho was so worried for the painter that he didn’t pay attention to his surroundings, just like the painter didn’t see the learned sir’s disdain expressed through the cold gaze. 
(chapter 07) Therefore Yoon Seungho didn’t notice the presence of a civilian next to the governor. 
(chapter 126). Striking is that the governor knew about Yoon Seungho’s whereabouts before his arrival: the coast. As you can see, I am detecting a link between the governor and the younger master Seungwon. Yet, it was disguised as a rumor behind the expression “I had heard”. My assumption is that Seungwon came from the bureau of investigation in order to inform his brother. Therefore it is not surprising that Seungho was invited by his brother to visit the prison during the night. 
(chapter 126) And the moment I perceived the protagonist as a fool in love, I realized that chapter 126 is a reflection of episode 7, 29 
(chapter 29) and 40 
(chapter 40). Here, the painter was trying his best to protect Jung In-Hun’s interests (life, high position). Moreover, in episode 40, the painter had a dream, when he saw the announcement for the civil service examination. He smiled, for he was looking forward for the future. 
(chapter 40) And what have these episodes more in common? A betrayal, abandonment from a loved one and a paper (painting, poem). Hence I am more than ever convinced that the petition will resurface very soon and play a huge role in the downfall of the schemers and haters. Besides, chapter 40 represents the negative reflection of the conversation in the prison. 
(chapter 126) Though they are in a tough situation, Yoon Seungho is not leaving his side contrary to episode 40. 
(chapter 40) There is neither disdain nor mockery. The mentioned scenes are similar, for the present resembles the past. And this brings me to the second reason for the Webtoonist’s decision.
(chapter 123), Yoon Chang-Hyeon considered Yoon Seungho as a human, for he employed the personal pronoun “he”. He was still his son. Then in episode 77, he judged him as a slave 
(chapter 77), hence he was submitted to the straw mat beating and was held captive. He even refused to send for a physician. 
(chapter 83) Here, the father is denying his humanity, he is just an animal. In their next confrontation, he describes him as a monster, hence he wished that he had never been born.
(chapter 86) However, his words exposed that he was still viewing him as a living being. Therefore it is not surprising that he accepted lord Song’s request to order the murder of his son! In the gibang, he decided to no longer acknowledge Yoon Seungho as his son. 
(chapter 107) The tragedy is that the protagonist still viewed the Yoons as his family because of Yoon Seungwon, who keeps calling him “brother”. This explicates why Yoon Seungho sponsored his brother to have an official position. 
(chapter 115) Therefore it is not surprising that he followed Yoon Seungwon’s advice again. 
(chapter 120). He would bring the petition to his own father. This means that he is acting like the painter who listened to his noona Heena so well. 
(chapter 46) But now, Yoon Chang-Hyeon believes to have the petition. 
(chapter 125) This explicates why the patriarch is now calling the main lead “nothing”. 
(chapter 126) It was, as if he had become a merchandise. Or we could say that the elder master had been using him as a tool, which he can now abandon. 
(chapter 126) Interesting is that the idiom “plaything” has for antonyms tool, implement, instrument and utensil. And this brings me to the following remark. The father’s words are reflecting the last scheme. Yoon Seungho was used as the sword to get rid of an enemy, lord Song. It was, as if someone had decided to get rid of lord Song, for he represented a danger or threat. It also mirrors the trick in the shrine. Min and the others got killed, because Lee Jihwa went to his childhood friend. And who had seen the main lead using this sword, when he was enraged? Father Lee! 
(chapter 67) But let’s return our attention to the patriarch and his son. Yoon Seungho is no longer recognized as a Yoon member. Therefore I come to the conclusion that Yoon Seungho will make the following decision: to become an orphan. And this is symbolized by the loss of hair. I am expecting him to cut off his hair, something the painter has been doing for a long time. That’s why Byeonduck showed us the lord without a topknot. 
(chapter 126) This would coincide with my previous statement. The lord is going through the same experience than his loved one. However, people will come to the conclusion that this was done by the father. How so? Remember how each rumor became a reality. 
(chapter 1) I had already demonstrated that Yoon Seungho was not a fiend for sodomy with no regard for time and place, until he met Baek Na-Kyum. But once a deed is done, it can never be repeated. 
(chapter 101) So should Father Lee claim that he has long disowned Jihwa by cutting off his topknot, no one will believe him, for the young master was still seen with a topknot after confessing his feelings in public. 
(chapter 57) In other words, the topknot incident at the kisaeng would be brought up. It is impossible for 2 fathers to act the same way. Besides, the loss of the topknot has another signification: Yoon Seungho would cut off ties with valet Kim, for the latter was the one who gave him the topknot. And episode 126 reflected one more time his position: 
(chapter 126) He is the one dressing him. It was, as if he was the pope.
(chapter 116) It is because someone had reported to him the conversation between lord Song and the painter. 
(chapter 122) There was a spy listening to their conversation. Since all the guards died 
(chapter 124) 
(chapter 125: I am assuming that the survivor got executed), I am suspecting the scholar. Moreover, why would Yoon Chang-Hyeon accuse his son to have abandoned Baek Na-Kyum? It is related to this departure of the staff and Yoon Seungho. 
(chapter 120) And who was present there? Jung In-Hun! But there is more to it. Since leaving Baek Na-Kyum behind is considered as an abandonment, it means that the patriarch abandoned his son too. 
(chapter 27) By speaking to Yoon Seungho, the elder master Yoon didn’t realize that he was admitting his own wrongdoings. Actually, he had abandoned him many times… like here for example 
(chapter 87) Therefore his words will come back to bite him. But these words are also exposing the valet’s betrayal and abandonment towards Yoon Seungho!! How so?
(chapter 122), then he should have been at the patriarch’s house. The absence of the valet is the evidence of his treason. For me, he is now working for Jung In-Hun which explains why he never mentioned his presence in the mansion, only lord Song. Besides, keep in mind that once deed done can not be repeated. In episode 27, the lord was too angry and busy to notice the learned sir’s spying activities. 
(Chapter 27) Moreover, Kim didn’t report the interrogation to his master. This means that the butler covered up for the teacher’s wrongdoing. But here is the deal: 
(chapter 120) The library was ransacked, hence this crime is bound to be discovered. Finally, his intervention in the shed is exposing his deception. 
(chapter 83) That’s why I am convinced that these words 
(chapter 126) He is no longer suicidal, in fact he is full of hope! Though he was sent back to hell for a short moment, he came out of this as a winner. My evidence is that the lord has now become a believer. 
(chapter 126) Yes, episode 126 exposes the return of his faith! And where could we see the atheism of Yoon Seungho in the story? In chapter 92! 
(chapter 92) He didn’t believe in the spring poetry to ward off bad luck! That’s why he was sent back to the past. He needed to lose everything in order to find hope! In his darkest moment, he expressed a wish: to meet his loved one! And where did he pray to the gods? In the shed! 
(chapter 126) Observe how he is kneeling in direction of the bars. He is hoping to meet Baek Na-Kyum again. As you can see, though this scene 
(chapter 126) He was showing resistance and anger towards his father. Moreover, he was no longer shaking in front of the patriarch or the guards. 
(chapter 86) Thus I deduce that though he was mistreated and insulted like in the past, he was no longer suffering from his traumas. He is healed. His will is now really strong, supported by his new found faith. 
(chapter 62) Even if they were hugging, they were not close emotionally and mentally. This stands in opposition to the scene in the jail. They might be separated by the bars, but they are touching each other tenderly. 
(chapter 126) They are able to see each other. 
(chapter 126) Try Meditation 
(chapter 126) or Prayer 
(chapter 126) 
(chapter 126) Quoted from 
(chapter 126) It is relevant, because light represents knowledge and truth. He is now the bearer of the truth. And he got his blessing from Baek Na-Kyum, when he touched his hands. 
(chapter 120) Yes, chapter 126 mirrors 92! This somehow confirms my theory that the butler was the one hiding under the purple hanbok. 
(chapter 92) Moreover, we have another reference to this episode, the pouring of alcohol! 
(chapter 92) 
(chapter 126) It was, as if someone wanted the lord to pay for Min’s insult! That’s the reason why I come to the following conclusion: Yoon Seungho is now opening up to Baek Na-Kyum. He is confessing to the painter about his wishes. 
(chapter 85) The manhwaphiles should keep in mind that the request from the artist in the study was strongly connected to forgiveness. And Baek Na-Kyum could also confess what happened in the past: his guilt and regret asking for the lord’s forgiveness. Right now, both are blaming themselves for the incidents, although they got fooled by many schemers. Because the lord proved his loyalty and blinded trust in the painter, I see the scene in the jail as a new version of this confession: 
(chapter 75) Thus I consider the prison cell as a sacred place, where both characters are about to be freed from their guilt! 
(chapter 11) thus he could escape justice! 
(Chapter 11) Simultaneously, the first definition of life lie corresponds to Yoon Chang-Hyeon. The latter blames his eldest son for the downfall of the Yoons. 
(chapter 125). They fail their duty, for they allowed the main lead to barge in the room. 
(Chapter 126) Finally, observe how they keep apologizing without giving any explication. 
(Chapter 125) Their apology is fake. As you can see, the patriarch is living in an allusion. He is powerless, and the best evidence is that he doesn’t have the petition. 
(Chapter 126) He is actually encouraging his son to hate himself and indirectly his own father! However, the son made the exact opposite decision: love!! Hence I am more than certain that the elder master is about to experience a harsh awakening. 
(chapter 101) Thus they got punished. And now, the two main leads are about to face human justice. 
(chapter 65) But strangely, the painter is showing no fear at all. 
(chapter 126) He is ready to sacrifice himself. So why was Yoon Seungho dressed up in the end? One might say that with the topknot and the hanbok, the abuse from the patriarch got covered up. That way, Baek Na-Kyum wouldn’t detect Yoon Chang-Hyeon’s lies and abandonment! 
(chapter 125) The latter brainwashed him to take the fall for everything, implying that way, his loved one would be protected! However, I am suspecting that if the lord were to leave the prison, he could meet someone in the office. That way, this person is not confronted with the reality: the main lead was “abused”. According to the butler, he was supposed to meet his brother at the office. 
(Chapter 92) In episode 92, we have a mysterious man in the background dressed in black, but he is not wearing his gat. Besides, I would like my avid readers to remember this image from the trailer: 
which reminds us of the office: 
(chapter 98) This place symbolizes power and strength. And because episode 126 is a reflection of chapter 7, 11, 29 and 40, I think, Yoon Seungho is about to receive a deal, for these episodes are focusing on the deal between the painter and the protagonist: protection from the father and punishment in exchange for entertainment. He would appear as a fake savior in the end. Remember what in episode 11 the artist said in front of his fated partner:
(chapter 11) He would do anything except painting!! He was not willing to give up on this principle, which reminds us of faith. So when Yoon Seungho faced his father, he experienced powerlessness for one reason. 
(Chapter 105) Then in episode 122, 
we discover that lord Song employed the pipe to beat the painter. Moreover, I detected a progression. In season 2, Yoon Seungho was still smoking. 
(Chapter 74) But once the painter showed that he didn’t like smoking, Yoon Seungho stopped taking the drug. This explicates why in season 3, he was no longer seen with the item in his hand. Even under stress, he chose to hunt instead of smoking in front of the window. We have two scenes where the pipe is present. One is when the lord is throwing it out of anger,:
(chapter 86) which reminded me of the incident with the music box.
(Chapter 85) This shows that this item had no value to the protagonist. Then the pipe appeared in the gibang on the table. 
(Chapter 96) However, here the lord had only eyes for the painter or Heena. Hence I have the impression that the pipe could resurface and serve as an tool to identify the perpetrator, just like the glasses were used to recognize the scholar. 
(Chapter 102) Finally, since the pipe appeared in the gibang twice, it indicates that this hobby is linked to the kisaeng house!! And this brings me to my final observation: the pipe is connected to paper
(Chapter 1) 
(chapter 1) However, there exists two books!! And one has no PIPE! This coincides with the decision of the painter to stop drawing erotic pictures! Yes… dropped amusement! At the same time, Yoon Seungho has long lost his interest for erotic publications. He also dropped this hobby. On the other hand, the books were dropped in front of the painter. 
(Chapter 1) Finally, the petition was dropped in front of lord Song 
(chapter 123) which announced his death sentence. To conclude, the papers have a strong connection to punishment and death. 
(Chapter 126) Yoon Seungho went to the father’s mansion, and it didn’t take him that long! As you can see, I consider this trip with Yoon Seungwon as a diversion. 
(Chapter 121) So why didn’t the elder master return to his old home? It is to drive the Yoons out of their propriety. In other words, the lies from the past are becoming a reality exposing the liars in the end. Their life lies will be ruined.
(chapter 106) strolling through town, they jumped to the conclusion that this must be lord Song! They remembered the recollection from Lee Jihwa. 
(Chapter 83) However, since I have been examining Painter Of The Night so closely, I learned to pay attention to details. Consequently, I recognized very quickly that Yoon Seungho was not chasing one ghost, but he was running after 3 different people 
(chapter 106) impersonating „lord Song“ 
(chapter 106) If you look very attentively at the hanboks, you will realize the slight differences. First, the shade of the cloth diverges, then one cloth has a pattern, the other hanbok none. The form of the gat is also a little different, just like the color of the hair diverges. Besides, the readers should keep in their mind that in season 3, we had at least 3 bodies, though I am suspecting 4 corpses: 
(chapter 94) 
(chapter 97) 
(chapter 97) and 
(chapter 101) Thus I come to the following conclusion that these 3 persons wearing the purple hanbok are not the “real lord Song”, the one who tormented the protagonist. In my eyes, he was watching the protagonist from the tower! 
(chapter 106) Let’s not forget that each scene is reflected in each season! And in episode 37, we had this memory from the fake servant: 
(chapter 37) The empty street was the indication that the monarch was present in the city. And now pay attention to the situation in episode 105: 
(chapter 105) Why is the street empty, when it was not the case during the night in episode 69? 
(chapter 69) For me, the pedophile was in the kisaeng house. But let’s return our attention to episode 37. 
(chapter 106) To sum up, for me, the 4th “lord Song” was present in this scene, but the protagonist couldn’t detect his presence, for the other “shadows” were there to divert his attention.
(Chapter 106) As you can see, they used a prank to wound the artist. Their goal was to incite the painter to return to the kisaeng house. He should cut ties with the main lead, as the latter is a man with a fickle nature. Yes, episode 106 was the negative version of chapter 75. 
(chapter 75) That’s the reason why the couple was sent to the same inn. However, I don’t think that they had expected the painter’s fainting. 
(chapter 106) For me, this is a blessing in disguise.
(Chapter 106) The latter had to be informed not to send the new clothes to the kisaeng house, but to his own mansion. That’s the reason why Baek Na-Kyum asked this question to the butler. 
(chapter 106) That’s how the schemer and his accomplices knew for sure that their original plan had not worked out. And if you read my previous analyses, you are aware that I had discovered the existence of two tailors!! 
(chapter 45) and 74
(chapter 74) This tailor is wearing the scarf the same way than the artist‘s. Finally, in episode 64, the manhwalovers could see the face of the second tailor. : 
(chapter 64) In the past, I had already outlined the divergences in the body shape and the clothes, but the most visible evidence is the scarf!! Finally, I would like my avid readers to detect that the tailor from chapter 64 has been calling the main lead master Yoon, and not lord Yoon Seungho. This shows that this man is involved not only in the recent prank, but also in the main lead‘s suffering. He is not recognizing Yoon Seungho as a real lord. The usage of different hanboks is the proof that the tailor is an accomplice in the latest trick. But this also explicates why the tricksters had not planned the artist’s fainting. First, he had been able to run after his lover. 
(chapter 105) Besides, this is how Baek Na-Kyum acted, when he saw his lord looking at him: 
(chapter 106) The fake smile from Baek Na-Kyum was hiding his true condition, he was still suffering from PTSD. Nonetheless, for the tailor and the other witnesses, it looked like the artist was strong. Nonetheless, since the main lead had learned in the past to fake his smile, he could detect that his lover was far from feeling well. 
(chapter 106) But there is another reason why they had not predicted such an outcome: the doctor!! They had to ensure that the lord’s path never crosses the physician’s! That’s the reason why the manhwaphiles never saw him in episode 106. He was like a ghost. But there is more to it. 
(chapter 106) Yet, in the Spanish version, the butler informs them that it’s soon their turn. This means that they are next to the medicine store. But let’s return to our main observation. Why was the couple pushed to „eat“? For the painter had wounded his hand, the first priority would have been to ask for an immediate treatment. Since the valet mentioned that it was about time to go to the medicine story, the manhwalovers should wonder why it was time. Thanks to the Spanish version, we know that according to the valet, the doctor had been treating other people before indicating that lord Yoon could not receive special treatment.
(chapter 57) Yes in the kitchen of the physician! Then in a different image, you can the kitchen with the stool and the circle with the shamanism drawing right behind the lord’s back. 
(chapter 106) We assumed that the couple was eating in an inn, but it is true? Finally, in the shelves, the manhwalovers can see small packages hanging around, 
(chapter 106), they look exactly like the medicine Kim fetched in episode 55. 
(chapter 55) Because of these parallels, I started wondering if the couple and the readers had not been fooled in the end. They were actually sitting in the medicine store, but due to the butler’s words and episode 75, the manhwalovers had the impression that the couple was in an inn. And the Spanish version seems to confirm my suspicion. I had already outlined that the furniture and shelves in the library had been switched. So it could be the same with the doctor’s office. Besides, the form of the building reminded me a lot of the house from the physician’s. 
(chapter 106) 
(chapter 74) Once you remove the cupboard from the side, you have a patio where you can eat. Under this new light, it explains why Yoon Seungho would say this to the butler: 
(chapter 106) It is because they were already there! And this would explain why the painter went to the restroom! 
(chapter 106) This coincides to the night of the abduction executed by No-Name! 
(chapter 59) To conclude, there was another ghost in episode 106, the invisible doctor. No matter what, the couple was not supposed to see the physician. Why? It is because he would have noticed the existence of two different doctors. That’s the reason why Kim acted as a mediator! 
(chapter 106) This was not to help his master and the painter at all. Quite the opposite. He had to cover up his own wrongdoings and help the schemer. Therefore it is not surprising that the valet was confronted with the artist’s fainting! 
(chapter 106) The latter had played a mean prank on Baek Na-Kyum!! Yes, you are reading it correctly. Now, you are wondering when the valet fooled the pure painter. Observe that Kim had joined his master 
(chapter 106) He had barely moved… maybe run for 4 meters! How could he be out of breath? Besides, why would he scream like that, when the lord was standing next to him? 
(chapter 106) It is because he needed Baek Na-Kyum to hear his lover’s departure!! Because we see this panel, we assume that the valet was left in the dark, especially after witnessing such a scene. 
(chapter 106) Our brain is trying to fill the blanks. But the moment you realize that Kim didn’t run such a long distance to be out of breath, you will realize that this “abandonment” was staged. This was the reflection of chapter 85, another fake run! 
(chapter 85) 
(chapter 86) Thus the butler got punished for his acting. He has now to take care of an unconscious painter. 
(chapter 106) Besides, I have another evidence that the painter got fooled by the valet. According to my observation, there is always a reflection within the same episode. Since the lord got fooled and was incited to follow the man with the purple hanbok, the artist had to experience the same. However, while the one got scared out of abandonment issues, the other got worried because of “lord Song”‘s obsession! Besides, because neither the butler nor the physician got punished for their crimes (passivity, silence, lies and disobedience), both need to receive their “punishment”. Let’s not forget what Yoon Seungho had said to the artist back then: 
(chapter 58) Kim had usurped his authority, he had made a decision without his master’s permission. 
(chapter 24) The gate serves as the indication. 
(chapter 24) And in that episode, the artist got dragged twice. 
(chapter 24) First, it was the scholar, then the butler. However, in that scene, the butler had lied to the artist, for the noble had never requested to meet the artist in the pavilion. From my point of view, he was still hunting in the woods. As you can see, episode 24 contained all the elements of an abduction, though it was not perceptible. That’s the reason why I am suspecting that Yoon Seungho might think that his lover has been kidnapped again, especially after hearing such horrible gossips. Nonetheless, since the painter fainted, the valet will be forced to take care of Baek Na-Kyum. In addition, observe that the butler brought back the unconscious painter to the mansion, though the doctor was right next to them! This shows that Kim and the physician had not the artist‘s best interests in heart. He should have been treated right away. 
(Chapter 76) Coincidence versus trick! They wished to scare Yoon Seungho, to let him think that „lord Song“ knew about his crime and was about to denunciate him. Yes, in my eyes, the man with the purple hanbok embodies treason and was the reason why Yoon Seungho got arrested and tortured in the past!! Under this new light, it becomes comprehensible why the lord would get so mad at his childhood friend. 
(Chapter 59) But the moment Yoon Seungho’s mother killed herself, it became clear that her son had been unfairly arrested and tormented. So someone had to take the fall for the injustice, the real lord Song. 
the (chapter 82) Nonetheless, there is no ambiguity that in reality the one behind the denunciation was father Lee. But the purple hanbok is connected not only to the arrest and torture, but also to the sexual abuse. Thus the painter had such a memory in the gibang: 
(chapter 102), Lee Jihwa was behind the scheme… and what had Lee Jihwa done in the past? He had sent a letter in his name. 
(chapter 59) Back then, Yoon Seungho assumed that his childhood friend knew nothing… but now, he is seeing the ghost lord Song circulating in town. So he could jump to the conclusion that the Lees have been helping lord Song. Finally, the manhwaworms will certainly recall the red-haired master’s confession, he knew everything!!. 
(chapter 57)
(chapter 106) And this scene is a reflection of episode 64, where the two women were ignorant about the incident of the previous night. 
(chapter 64) Once again, this proves that the tailor is involved in the scheme. 
(chapter 106) The Spring Poem is actually reflected in this scenery: 
(chapter 106), she contradicted her statement right after. 
(chapter 106) If nobles were involved in this, why did they kill the son of lord Shin? Besides, let’s not forget that Yoon Seungho never ordered the fire in the shrine and he never killed lord Shin! This means that he is innocent. That’s the reason why I come to the conclusion that contrary to their expectation, the lord won’t decide to leave the painter behind because of the imminent misfortune! From my point of view, Yoon Seungho could ask his lover to paint a lucky charm on their house, the tiger! 
(chapter 103) Why are such rumors circulating in town and who are the witnesses? 
(chapter 103) As you can see, the schemers are no longer able to control Yoon Seungho and his lover, for both are supported by the gods. Chance stands on their side! 
(chapter 100) 
(chapter 104) Though there is a manhunt, where is he? 
(chapter 106) 
(chapter 98) To conclude, while the schemers thought that due to his crime, Yoon Seungho would lie low and cut ties with his lover, due to their meddling, they achieved the opposite. The lord will request an investigation… something he has never done before. He could even denunciate Lee Jihwa 
(chapter 67), that way he can escape punishment. This means that Black Heart’s last confession (and lie) could help the lord to protect himself and his lover. Finally, if Yoon Seungho were to mention the purple hanbok to his lover, the latter’s memory could get triggered and he could remember this night: 
(chapter 16) that he received new ones. 
(Chapter 16) The worst is that this would have never happened, if his path had not crossed Heo Manwook’s. Yes, the loan shark has finally a name!! 
(chapter 16) Moreover, in that moment the loan shark had to hear that Kim Dan was moving out!! 
(Chapter 16) Two bad lucks in one go! It was, as if Kim Dan’s life was jinxed! Because the young man is so pure, the manhwaphiles’ heart could only be broken, when they witnessed the abuse from Heo Manwook and his minions. 
(chapter 16) and Painter Of The Night 
(chapter 101) Both ukes and semes are put in a similar situation. That’s the reason why many are hoping that Joo Jaekyung punches the villains and makes them suffer so much that they decide to keep their distance from Kim Dan. But by making a connection to Painter Of The Night, the manhwalovers didn’t realize that they had found the reason why Mingwa is making her protagonist suffer. 😲 Nevertheless, I wouldn’t like to be misunderstood. I am not saying that the author copied Painter Of The Night. Far from it… It’s just that both works are inspired by the same philosophies, Buddhism and Taoism, which are deeply rooted in Korean society. In Painter Of The Night, Baek Na-Kyum had to suffer for two reasons. Through pain, he was forced to drop all the doctrines he had internalized. This means, he learned to become more honest, to face truth… At the same time, by making him suffer like Yoon Seungho, Byeonduck wanted the lord to be confronted with his repressed traumas! As you can see, pain and suffering are not gratuitous. They have a function. 
(Chapter 16) Sure, his anus had been wounded, but notice that the cream was given for the bruises on his face. 
(Chapter 16) That’s the reason why he thought of the cream after seeing the fading of his black eye. However, the champion had never punched him!! This was the work of the loan shark and his minions. As you can see, chapter 16 was built exactly like episode 11. Kim Dan was hopeful again, and was viewing his relationship with the champion as the worst thing in his life. Compare this scene 
(Chapter 11) with this statement: 
(Chapter 16). He still portrays the athlete’s actions as terrible. Striking is that he saw the kiss as something negative, while the fighter had actually listened to his plea: 
(Chapter 14) If the physician had to reproach something to the boxer, it should be the rough sex before and not the kiss. The boxer had done it, because he had realized how fragile Kim Dan was. This was for Kim Dan’s sake. Yet, thanks to the kiss, Joo Jaekyung discovered that he could get pleasure and provoke pleasure much quicker. But according to Kim Dan’s words, it looked as though the kiss was the worse, hence Mingwa chose to confront him with reality: 
(chapter 16) At the same time, these words are strangely similar to the ones in the athlete’s bedroom. 
(Chapter 13) This is not random. Back then, he was denying his own pleasure. In episode 16, Kim Dan is now facing cruel reality. Moreover, the readers could detect the doctor’s pleasure, when he got eaten up by Joo Jaekyung. 
(Chapter 15) To sum up, Kim Dan is not only dishonest to himself, but also rather ungrateful towards Joo Jaekyung. The latter is definitely no angel, but he is changing for the doctor’s sake. The latter doesn’t recognize the sportsman as his savior yet. Let’s not forget that without his money, he couldn’t finance the halmoni’s treatment at all. Naturally, he is not totally oblivious to the fighter’s generosity. 
(Chapter 16) However, exactly like in episode 11, he was forgetting that the real source of his misery is Heo Manwook with his minions. Their encounter was a reminder, and Kim Dan has now the chance to see Joo Jaekyung as his “knight in armor”. 
(chapter 16) This was the first time he showed curiosity about the champion and his motivations. The problem is that he stopped pondering on this question. Hence “karma” retaliated. As you can see, the doctor has to learn to pay attention to the athlete’s personality (question the motivation behind his actions) so that he can discover his mental issues. Like in real life, no human is perfect, Kim Dan has his faults. The problem is that because he is a victim of violence, his mistakes are less noticeable. 
(Chapter 16) This corresponds to their first sex session. Why didn’t he think of the latest intimacy? It is because he is slowly accepting his relationship with the champion. However, this night represents the loss of his virginity, which was accompanied with pain and anxieties. For me, this night symbolizes the “prostitution” as its best, because if he had not done it, he would have never been paid. But now, he has signed a contract with Black Teams, which doesn’t include the sex services. Everything is off the record and Kim Dan offers other services (massages, physical consultation etc). This explicates why the word prostitution triggered this image. This also exposes that Kim Dan is gradually accepting it as one part of his job, the champion’s physical therapist. This explicates why he had this sudden thought: 
(chapter 16) This truly exposes that he had the upper hand in their relationship. That’s the reason why Kim Dan gets confronted by his own fears and reality: 
(chapter 16) Is his relationship with Joo Jaekyung really prostitution or more a boss-employee relationship? 
(chapter 10) Hence he never explained his situation to Joo Jaekyung which created a misunderstanding. On the other hand, I would like the manhwaphiles to keep in their mind that Kim Dan never had a real friend, which is different from Joo Jaekyung. While many view the boxer as a terrible man, they are forgetting that despite his roughness, he is able to maintain a good relationship with Park Namwook, coach Jeong Yosep. 
(Chapter 16) and the gay doctor. One might say that it is related to his money. Episode 16 confirmed my previous suspicion that Joo Jaekyung owns Black Teams. 
(Chapter 16) How could Joo Jaekyung decide the amount of the salary and even send the salary in advance without consulting his manager? Since Team Black Inc. transferred the money, it implies that the fighter has a saying in the expenses, transactions and the income. He is not an employee of the club. However, imagine that Joo Jaekyung let his coach admonish him 
(Chapter 7) Hence his true position among Black Teams is not obvious. He doesn’t act like the club owner. But I have another evidence for this interpretation. Heo Manwook represents his negative version. Thus the author created similar images: 
(Chapter 16) Though the man is famous and powerful, he is not using his position to delegate tasks to others. I would even say, in Black Teams, there exists no hierarchy. Hence Park Namwook appears as “the head” of Black Teams, yet he was not involved in the discussion about the expenses (salary, advance). He takes care of the paper work (contracts, uniforms). This displays that in reality, the celebrity is not “arrogant” per se. He shows humbleness in different situations. He cooked for the doctor, and brought him to his penthouse. Since Kim Dan had no person close to him except his grandmother, it is not surprising that the young doctor is not confiding to the athlete. From my point of view, Joo Jaekyung is Kim Dan’s jinx and lucky charm. As long as he doesn’t trust the sportsman, he will suffer. 
(chapter 16) This scene mirrors the one from episode 10: 
(chapter 10) Nevertheless, observe what the loan shark did to Kim Dan. He stepped on the doctor’s hand with his foot. 
(chapter 16) Thus I deduce that when the champion notices that his physician has been wounded, he could cause trouble to the loan shark. But Heo Manwook will refuse to admit this, and could put the blame on his minions. There’s no ambiguity that he will never take responsibility for his actions, the opposite to Joo Jaekyung who didn’t deny his wrongdoing. 
(chapter 13) That’s the reason why Heo Manwook uses minions in the end. They are his helping hands so that he doesn’t need to do much. Finally, Heo Manwook is the one suggesting the rape. 
(chapter 16) What caught my attention is that the money was transferred to his private account: 
(chapter 16) Thus his karma should be that money becomes his jinx! He gets into trouble because of money! 😂 I have to admit that I was even thinking about a complaint against Heo for hurting his own physical therapist (compensation for the damages). Anyway, going after the company Heo means ruining Heo’s life!! On the other hand, I believe that first the athlete wishes to keep a low profile. One of my followers @jaeekyung_ had even the impression that this panel was announcing the arrival of the champion. If so, this means that he heard them calling his company a whorehouse. 
(Chapter 16) As the owner, he can only feel insulted. But we don’t know if he heard this comment. We will see. 
(chapter 16) This is more than just theft or burglary. Remember what Joo Jaekyung had said during their first encounter: 
(chapter 4) Now, he is discovering the ugly side of sex and even “prostitution”: the sexual abuse. The protagonist can’t misjudge the situation, for the doctor is bleeding and bruised. 
(Chapter 16) His body is even restrained. As a boxer, the champion is used to judge quickly the seriousness of the situation. In his mind, “prostitution” was not connected to violence and exploitation, he always saw it as a win-win situation. Thus this encounter lets him see reality. Yes, Joo Jaekyung is also put in a similar situation than the doctor, following the Taoism’ principle, the harmony between yin and yang. His believes and prejudices are slowly removed as well. In his mind, poor people are responsible for their own misery, for they lack strength, knowledge and good judgement. When he first met the doctor, he called him a ”wimp”, for he was trembling and in tears in front of him. But now he can grasp why Kim Dan would have such a reaction. He was beaten by three people. This scene can only prove the champion’s bias all wrong! Here, Kim Dan is suffering because of others!! He is not keeping his promise, 
(chapter 16) not because he is not reliable, but because he is sequestrated. Though the fighter was upset and complained, 
(chapter 16) he still chose to fetch the young man! Any other employer would have fired Kim Dan for such an incident, but the main lead chose to discover the reason for his absence. We don’t know how much the champion listened to their conversation, but one thing is sure. He intervened, the moment Heo Manwook and his minions were about to commit a crime. They can not say that Kim Dan is a prostitute, or the latter has to pay his debts as excuse, for this doesn’t justify their action. That’s the reason why he asked them this: 
(chapter 16), when he sees that his lover’s body is once again covered with bruises. Besides, he has definitely not forgotten the doctor’s warning: 
(chapter 13) 
(chapter 10) this new situation can only make him realize how wrong he was. He will believe that he couldn’t move out due to the loan shark. 
(Chapter 9) and Potato. 
(Chapter 9) Thus I am expecting the visit of the loan shark with his minions to the club Black Team!! One of the minions had threatened to break Kim Dan’s knees, thus his karma 😈 
(Chapter 16) should be … As you can see, we just need to wait for „divine retribution“. You caught me in act… I am already imagining all sorts of punishments for these 3 guys: beating, trouble with justice, loss of money, abandonment and betrayal of the minions or 😈 Joo Jaekyung sets a trap. They “become members” of Black Team! While these three men imagine, they are going to a whorehouse, the moment they realize that due to their membership, they can get punched by the members of Black Teams, they come to regret to have signed the papers!! Similar to the loan! 
(chapter 98), although he was wearing clothes similar to the learned sir’s. What caught my attention is the expression Yoon Seungho employed: “pretending”. With such an idiom, he was implying that the servant had not only violated social norms, but also he had been acting. As you can sense, these two situations have one common denominator: playing a role and the clothes served as a disguise. It was, as if both victims of a murder had been playing in a theater play. This explicates why in the fanart, the author is portraying Baek Na-Kyum and Yoon Seungho as actors who are working in a sageuk. 
And this made me think of the famous poem from Shakespeare who describes life as a stage, where a person plays different roles all along his life: an infant, a school boy, a lover, a soldier, etc., until he dies, which is symbolized by an eternal sleep. 
(chapter 98) Why? From my point of view, they were trying to scare the main lead, to remind him that he could never replace Jung In-Hun in the painter’s heart, to shake his belief. But the problem is that the schemers had missed the right timing, for the artist had already confessed his love for Yoon Seungho and this twice. Therefore the latter couldn’t doubt his lover’s words, and mistake it for an illusion. As a conclusion, the clothes were used tools to trick the couple, they had become costumes!! However, because the author is using karma as poetic justice, this signifies that the hanboks and shirts can serve as a clue to perceive the truth too. The ones who tried to deceive the protagonists with clothes and words, should be fooled by their own manipulations. 
were different from the head-maid and her colleague? 
(chapter 98) What was the painter wearing on his way to the bedchamber? White pants with his Mountbatten pink jacket. But how did he show up at the learned sir’s home? 
(chapter 98) He was dressed differently. 😮 He had changed his pants, put on his scarf and hat. But when he went to the lord’s study, he was not carrying them!! How do we explain the difference? The answer is quite simple. He had returned to his room in order to fetch his clothes. And since Baek Na-Kyum took the lord’s clothes, this signifies that he had the intention to return to the domain. The readers will certainly recall the artist’s behavior, when he had threatened the main lead to leave Yoon Seungho. He had switched his clothes, and put on his old clothes. 
(chapter 98) Thus if the lord had gone to the study, he would had realized that the painter had not deserted the propriety, for he had not taken his belongings with him. The hat and scarf were signalizing that Baek Na-Kyum considered himself as a member of the Yoons‘ household.
(chapter 98), I assume that later he did the opposite (rule 2). He met the maids on purpose. Why? He let them know about his intentions. He was going out in order to visit the learned sir’s home. Finally, remember what he had thought on his way to the mansion. 
(rule 3) If only Yoon Seungho had left a word… The servants served as his messenger. Hence I am convinced that Baek Na-Kyum must have talked to the maids and told them where he was going!! He copied his lover, yet contrary to him, he must have given a precise information. (Rule 5) This means that he had informed the staff about his departure!! Moreover, in chapter 98, the maids acted, as if they had not detected the painter’s presence while badmouthing Yoon Seungho. 
(chapter 98) Hence they were portrayed without eyes and with a drop of sweat on their face, a sign for deception. So the negative reflection would be that Baek Na-Kyum had informed the maids, and he had gone to the kitchen for that reason. From my point of view, when he met them, he was already wearing his hat and scarf. To sum up, the artist had never left the maids in the dark. And the clothes are the evidence of the staff’s lie. 
(chapter 99) Then the scarf was no longer present, when the painter woke up. Then the nobles removed his shirt, socks and pants in the shrine. 
(chapter 100) And now observe that after Lee Jihwa’s departure, the artist’s clothes except the white shirt vanished too. 
(chapter 102) Where did they go? The readers saw Black Heart leaving the building, but we should question this: WHY? He never went there to fetch lord Shin, since he abandoned him outside. We all imagined that he left the room empty-handed. But it is true? Now, I don‘t think so. He had to get rid of the clothes in order to mislead the main lead!! A new version of chapter 61 
and
(chapter 101) Because the readers could detect the presence of a shadow in episode 102 
, I am now envisioning that Min was not alone outside during that night. In fact, someone had misled Black Heart telling him that lord Jihwa had ran away. However, the unconscious lord Shin should have made him think that Lee Jihwa had fought back… Hence he had not fled, rather betrayed them. Moreover, he was not looking at the direction of the entrance and gate. In fact, he was turning his gaze in the direction to the shrine. 
(chapter 98) They were waiting for his return to fake their anger and search. And now, you comprehend why the servants mentioned the kisaeng in front of Yoon Seungho. It was to stop him from going to the study… to divert his attention. Under this new approach, the artist’s last words get a new meaning. 
(chapter 102) Since he had informed Yoon Seungho through the maids about his whereabouts, Baek Na-Kyum was expecting that he would come to his side. I would like the manhwalovers to keep in their mind that the artist was not conscious, when he moved to the shaman’s house. So in his mind, he was not far away from the learned sir’s house. Finally, since he had informed the maids, he could anticipate that the lord wouldn’t get mad at him, and wouldn‘t imagine that he had abandoned him 
(chapter 101) He trusted his lover’s heart in the end. That’s the reason why Black Heart’s superficial promise had no effect on Baek Na-Kyum. The latter truly believed that Yoon Seungho had been informed. But how could they play such a trick on the couple?
This is an indication of their involvement, though we need to discern the head-maid from the women in chapter 98. That’s the reason why the moment the maid appears, observe her clothes and try to discern her identity. Is this the head-maid or one maid from season 3? The preview displayed the arrival of the doctor. 
(chapter 103) 
The form of the beard is also similar. But now, I have another evidence that this doctor from season 4 is not the physician from season 2!!! 
(chapter 63) The shoes are also different! That’s the reason why in the trailer, the beholders are seeing the physician’s shoes!! 
He doesn’t possess mituri like the other. Moreover, he is wearing a hanbok under his apron 
, while the other is dressed more like a commoner, a shirt with pants. And note that in chapter 33, we had the following combination: Min’s party, the visit of the doctor, Baek Na-Kyum’s illness, the maids and Yoon Seungho who “ran away” after his mistake. (rule 1 and 4) 
(chapter 33) And what had Kim done during his examination? He had not only threatened the physician 
(chapter 33), afterwards he had even badmouthed him, for he had not given the correct diagnosis. 
(chapter 33) However, here the butler had simply lied to hide his own wrongdoings: his passivity and silence. And note the doctor’s words addressed to the “beholder”: 
(chapter 57) The latter was introduced to Yoon Chang-Hyeon through the butler. The protagonist must have had a doctor in the past. Can you imagine a life without a doctor for 13 years? And this assumption was proven correct after the release. But let’s return our attention to the physician from season 4. 
(chapter 33) (rule 1-2-3) But why would he do such a thing? Simply, because he had been helping Min. He needed the protection of a powerful lord, since Kim had abused his position by threatening him. After seeing the new pictures from chapter 103, I had this sudden revelation. What did Min do after getting beaten by Yoon Seungho? 
(chapter 54) He certainly didn’t let his wounds untreated. Thus the next morning his face 
(chapter 56) looked much better. He had no swelling and the redness was already vanishing. From my point of view, he asked for the doctor’s assistance and that’s how the both came to an understanding. But since Min is now dead, the physician could get into trouble, for he helped the lord and now he is dead. But why am I so sure that the physician is about to run away? Look at all these images: 
(chapter 44) 
(chapter 44) 
(chapter 45) 
(chapter 100) 
They are all carrying the white bag on their back… and they are about to depart! Kim wished to leave the propriety with his master under the pretense that he was bringing misfortune to the painter. All this proves that the doctor is far from being innocent. Hence he wishes to run away. However, if he does this, this means that he exits the “play”. So he could die. Moreover, how did he know that the lord would return to the mansion with the wounded painter? I can not answer to this question with certainty. However, I would like to point out that since Min talked to someone in the shadow, it is very likely that this person had long planned Black Heart and his friend’s demise. Nonetheless, the schemers had not foreseen two three elements: 
(chapter 61) [For more read the essay “No matter what… Baek Na-Kyum must vanish”]
(chapter 59) Lord Jang had disguised himself as Black Heart’s friend, the hanboks looked very similar. 
(chapter 99) 
(chapter 59) The schemers mistook him for the noble with the mole.
(chapter 76) And this observation leads me to present the following theory: father Lee is definitely involved in this new trick! The drama has not ended yet. Why? According to my theory, these domestics didn’t belong to Yoon Seungho’s staff 
(chapter 61), for the colors grey-white off are only seen at the Lee’s. 
(chapter 9) 
(chapter 18, Lee Jihwa’s spy) 
(chapter 41) 
(chapter 50) 
(chapter 100) And now compare these servants to the staff from chapter 97: 
(chapter 33) Yet, the painter survived, hence the doctor has every reason to run away. His complicity could come to light… on the other hand, the moment he leaves Yoon Seungho’s side, he is no longer protected. The reason is simple. He owns a part of the truth, and what the schemers are attempting to do is the exact opposite: burying the truth so that their act is not discovered. And now who participated in this huge “drama”? The list of the suspects is quite long… Father Lee 
(chapter 82), lord Yoon Chang-Hyeon
(chapter 74), “lord Song” 
(chapter 83), the “fake servant” alias the king (for me) 
He is on the ground, his face bruised and bloody, while he is asking an anonymous man for help. He is mentioning the shrine. As he is wearing the same hanbok, we can definitely assume that this scene takes place during the same night. The irony is that each time Byeonduck offers a new piece of a puzzle, she also creates a new riddle or mystery. How did the young master get wounded in the first place? And who is the person facing lord Shin? 
(Chapter 59)
(chapter 66) The size and length of the protections and the cords around the pants were different. Besides, the masks were also different due to the form of the mouth.. 
(Chapter 61) 
(chapter 61) Finally, I had also detected his presence next to the barn because of a time jump. First, the manhwaphiles saw Lee Jihwa sitting on the floor, 
(Chapter 60), then shortly after he was standing at the entrance of the storage room holding a fireplace poker! 
(chapter 60) His position indicated that the young master had shortly left the building. However, the readers had not witnessed his move, for the author had diverted their attention by exposing the character‘s inner thoughts. He was recollecting the past, while talking to himself. 
(chapter 60) However, how did the fire poker end up in his own hand? The last time this tool was seen, it was in the kitchen. 
(chapter 60) As you can see, each image has its importance! However, I doubt that the upset aristocrat had this sudden idea and returned to the kitchen and take the fire iron. His mind and heart were definitely elsewhere, while such an action exposes the intention of hurting someone. Jihwa was acting, as if he was in trance, the moment he saw the hickey and heard the painter’s scream. His long lasting stupor was visible in this image. 
(chapter 60) That’s the reason why I had developed the theory that someone was hiding in the shadow, next to the barn and observing the evolution of the event. [For more read the essay “
(chapter 57) It is because they serve as a clue for unveiling the truth. 
(chapter 62) It is the same furnace! 😨We all assume that the lord prepared the fireplace, because he put his clothes on his lover. But is it true? We were all jumping to this conclusion, but actually we never saw it. Our brain was led to fill the blanks. 
(chapter 61) Finally, the readers were all assuming that the butler had never entered the storage room due to this image and his action before.
(chapter 61) But is it true? He could have opened the door before, and go to the lord in order to explain his intervention. Faking his concerns for the painter. Why would he place the fireplace there? He wished that the warmth from the fire would wake up the painter. Hence he remained close to the gate of the storage room. That way, he had a reason to visit his master. Moreover, the author exposed that the valet had been keeping an eye on his master for a while too. 
(chapter 62) Because the valet went to his master, we got the impression that the valet had followed his master’s instructions. 
(chapter 61) In fact, this request could be perceived differently. The lord had seen the butler’s intervention, hence he expressed this wish. From my point of view, the butler must have brought the fireplace to the barn, and he left the poker there on purpose. I am quite certain that some people will think that I am again exaggerating. But why did the butler put a fireplace with a fire iron in the lord’s room, when the coal was not properly lit? 
(chapter 86) Compare the fire to this one: 
(chapter 88) Consequently, I am suspecting that Kim had expected an outburst from Yoon Seungho. The latter could hurt his father with the fire iron. But none of this happened, for the lord preferred playing a comedy. 
(chapter 65) He had expected that the lord would hurt the main lead. But how was he supposed to harm Baek Na-Kyum in the end? With the fire iron… This signifies that he had been present in the barn during the abduction, and even knew the place of the sequestration. Thus he took the furnace and the fire iron to the shed. 
Compare his face to the painter’s who got wounded by wooden sticks. 
(chapter 99) Besides, this theory also explains why the shrine is set on fire. 
(chapter 103) The fire iron is connected to a stove. Finally, I would like to outline the absence of the furnace in the shrine, though it was very cold outside. 
(chapter 99) So when the lord said this to his lover
(chapter 88), we could interpret it the following way. It was once again a vision from the future, he was seeing from lord Shin’s perspective the betrayal. 
(chapter 60) 
(chapter 60) At no moment, he was told that his childhood friend had been brought to the physician’s. He just heard him leaving. Moreover, the joker never mentioned the place where the couple was fooling around. 
(chapter 60) He didn’t even admit that he had seen them himself. These were memories from someone else! One might assume that these could represent the criminal’s recollection, but I don’t think so. He arrived much later to the physician’s house. If he had been present right from the start, he could have kidnapped Baek Na-Kyum on his way to the restroom. 
(chapter 43) Here, he had visited the place, hence he could imagine what had happened, though he never saw their encounter according to me. [For more read the essay “
(chapter 58) He had left the bucket of water in the patio! But note that when the painter left the room, the item had simply vanished. 
(chapter 59) The painter was not supposed to detect his presence.
(chapter 100) The manhwaworms can grasp the similarities. Back then, the lord had refused to help Baek Na-Kyum, thus he was even encouraging Lee Jihwa to return to the shrine. Hence he had acted as a willing accomplice and perpetrator. Thus his karma is to be denied any assistance, he is punished the same way than his friends, Min and the other nobles. Finally, observe that the red-haired master 
(chapter 66)
(chapter 99) 
(chapter 88) Abandonment and rejection versus embrace and acceptance. And what had Yoon Seungho said during that fateful night? 
(chapter 88) 
(chapter 88) But while the painter was exposed to sexual abuse, lord Shin had indeed left his friend’s side. In my eyes, lord Shin embodies treason. As you can see, I conclude that lord Shin is about to get assassinated and from the person he expected the least. Why? It is because no one has to realize that lord Shin ran away from the shaman’s shrine. 
(chapter 60) hence in episode 102 they had to mask his escape, for this would have exposed the involvement of other people, like Lee Jihwa, the doctor with the drugs and Heena. And now, you have the explanation why the shadow hidden behind the tree had put mattresses on the soil. The desertion and survival from lord Shin should not be detected. But who is this person facing the weak lord? 
(chapter 7), 
(chapter 65) or boots 
(chapter 13) 
(chapter 77) As you can see, the wooden stocks were present during the first straw mat beating. 
(chapter 83) As you can detect, I see a strong connection between the new panel and the hunt from chapter 83. And here we have 3 people again. 
(chapter 68) She was again a witness, when her brother was tied up in the bedchamber. 
(chapter 66) Finally, when her brother was on the verge of getting abducted, she saw him lying unconscious with a bloody face. However, she never considered it as an abduction, for his hands and feet were not tied up. 
(chapter 99) That’s the reason why she blamed him with her questions. She implied that he shouldn’t have fought back. As you can see, I detect a common thread between Heena and her presence in different scenes: sequestration and a bloody face. But this doesn’t end here. When the young painter got beaten in the gibang, there was a furnace on the left side. 
(chapter 94) For me, this incident was to push the painter to leave the gibang and as such to listen to Heena’s suggestion. Furthermore, the man on the left side was wearing a white headband, though he was dressed like a noble in a hunting outfit! The hair dress and his moustache [for more read the analysis “Painful departures”] led me to the following assumption: He was just a commoner in the end, impersonating a noble.
(chapter 102) This is the evidence that someone had manipulated the crime scene. The clothes from the painter could serve as evidence of her brother’s curtains. Heena could come to the conclusion that Min had gone back on his words, and her fake death, which had definitely shocked 
(chapter 99) and bothered her, could only be perceived as real at the end. But this means that while Yoon Seungho had murdered the nobles, there was someone hiding in the shadow 
(chapter 61) And according to me 
(chapter 66) However, his new attempt to have the painter vanished failed again.
(chapter 97) It could be the same, though I have my doubts. Secondly, I suddenly got aware that the painter had 3 different grey pants at least. 
(chapter 4) This one had a cut just below the knees, though the color is much brighter. 
(chapter 84) This is the third one I detected, as the shape of the pants diverge once again. This explicates why Baek Na-Kyum chose to change his clothes before leaving the mansion. 
(chapter 97) 
(chapter 67) 
(chapter 67) Their pants have either a different pigment (white, black, khaki, or light grey) or the shape is different. That’s the reason why I am assuming that the person was wearing these trousers on purpose. A new version of this scene: 
(chapter 83) What did the lord see back then? Three shadows, two men wearing a gat and one caught in the middle with a topknot. Since I consider Yoon Seungho as a shaman, I believe that this vision was not only referring to the past and the incident in the shrine. It exposes the immutable truth, the involvement of three people, either. This is no coincidence. Thus imagine one moment that this illusion was referring to lord Shin’s murder. He is about to get murdered because of a new conspiracy. From my point of view, the man is disguising himself. However, I doubt that he is wearing the lord’s boots. The latter could be “couple boots”, just like the lord and the painter had couple hats. 
(chapter 91) And note during that day, Baek Na-Kyum was called sir due to his hat and clothes. 
(chapter 91) However, if the woman had paid attention to his shoes (mituri), she would have realized that our beloved painter is just a low-born. One might think that I view Kim as the one facing lord Shin. 
(chapter 54) But the readers should question themselves this: why did Kim dress like this in the first place? From my point of view, the schemers have already planned to frame Baek Na-Kyum for the murder of the nobles and even of Jung In-Hun. Kim is trying to separate the couple so that the artist can be arrested easily and sentenced immediately. By burning the place, the evidence that Baek Na-Kyum was a victim vanished. That’s how they can manage to turn a victim into a perpetrator. They wanted to erase every trace of the crimes, but then the return of the painter will force them to change their plan. The fire can help them to turn Baek Na-Kyum into a scapegoat. That’s the reason why the anonymous shadow is wearing clothes similar to the painter’s. No one should recognize him. Later, Baek Na-Kyum can be “identified” as the culprit. And any blood trace on his clothes could serve to incriminate the painter. They could use the resemblance of the clothes as a proof for his crime. That’s the reason why lord Shin had to die in the end. And if lord Shin never doubted this person, I am suspecting that the latter is working with the authorities. Kim is not the only suspect, for according to me, there always exist a conspiracy of 3 and even 5 people. This observation leads me to create a list of suspects. First of all, Yoon Seungho’s confession to the learned sir should help us to determine the schemers and culprits. 
(chapter 44). A synonym for old bearded men is “elders”. The latter are supposed to serve as role models. That’s the reason why the young man didn’t suspect the man. With his beard, he must have oozed “responsibility” and even “selflessness”. But who are the suspects?
from the bureau investigation is definitely involved. Thus he misled Yoon Seungho. Besides, observe that the officers are connected to fire! 
(chapter 94) Secondly, his explanation implied the involvement of a physician. 
(chapter 75) Finally, why was the doctor never brought to the mansion again after his last visit in chapter 57? And it looks like he was not there to treat Baek Na-Kyum. 
The latter is suffering from PTSD. Thus the painter had a nightmare. Hence I have the impression that the butler’s intervention and suggestion to Yoon Seungho will fail. The lord won’t be able to leave his side. Moreover, I would like the readers to recall that when Baek Na-Kyum got sick, a different physician was fetched. 
(chapter 33) Different clothes displays a different identity. From my point of view, the doctor doesn‘t want to be connected to Yoon Seungho. Finally, don‘t you find it weird that he was not by his side in chapter 57? He literally abandoned the young master in the room with the painter
(chapter 57), though the latter was a patient too. He had a wounded wrist. The physician should have controlled Yoon Seungho’s fever, brought him water and even an infusion. His absence and passivity caught my attention. So what was he doing in the kitchen? Finally, the doctor is also connected to the shaman. Not only he mentioned him, but also there is the symbol of shamanism in his kitchen. Why did the gods want our couple to have their first “true” love session at the physician’s office? Somehow, it was to confront him with the truth. Finally, don’t you find it weird how Kim reacted
(chapter 82), when the new version of Deok-Jae made the following suggestion to Kim: 
(chapter 82) Hence the doctor is not off the hook, quite the opposite.
(chapter 67), and discovered Lee Jihwa’s sodomy which was supposed to be a secret. The father is well aware that the main lead’s suffering is linked to the young master’s sexual orientation, which the father had always denied. His involvement could be detected, when he allowed one of his servants to be dragged to the gibang. 
(chapter 99) Finally, The Joker also heard father Lee’s humiliation and powerlessness. 
(chapter 101) Thus the fire could be seen as a desperate measure to cover the Lees’ culpability. 
(Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68 
, this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? 
(Chapter 56) 
(Chapter 59) 
(chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. 
(Chapter 101) Here, the lord had spared his friend’s life.
(Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. 
(chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. 
(chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. 
(chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. 
(chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. 
(chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings. 
(Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. 
(Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: 
(chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury. 
(Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host 
(chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. 
(Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 
, for he was not present, chapter 57 
in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang.
(Chapter 69) Under this new light, this panel from Twitter get a total new meaning: 
The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see. 
(chapter 59) Furthermore, he associated it to abandonment too. 
(Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. 
(Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. 
(Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. 
(Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. 
(chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy. 
(Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side. 
(chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: 
(Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. 
Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.
(chapter 23) to give him a knife: 
(chapter 23) before grabbing Woo Jang-Hon by his topknot 
(chapter 23). Hence the hair fell between the men. 
(chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. 
And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident. 
(chapter 66)
(chapter 83) 
(chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: 
(chapter 77) He had kissed him without his consent, thus he got “castrated”. Let’s not forget that the main lead was forced to become a male prostitute, an uke, for he had not been able to perform, to have an erected phallus. On the other hand, Lee Jihwa had done nothing wrong in the bedchamber 
(Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole. 
(chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. 
(chapter 57) The hair was short or not? Now, I don’t think so. The mystery of Yoon Seungho’s suffering is linked to the hair dress, yet the readers shouldn’t realize it too quickly. According to me, he still had the braid, until the doctor questioned why Yoon Seungho still had no topknot. 
(chapter 33) 
(chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, 
(chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: 
(chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers!
(chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state. 
(chapter 33) 
(chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that 
(chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! 
(chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: 
(chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband. 
(Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. 
(chapter 34) 
(Chapter 5) Baek Na-Kyum was apologizing for his past behavior. He had insulted the main lead because of the poem. And his words sounded really similar to the butler’s in the library, for they both employed the same expressions: “That day” and “I spoke out of”. 
(Chapter 77) Striking is that the painter employed the expression “hand”, while the valet talked about “turn”. Why did they do that? It is because when Kim was caught committing a crime, he turned his head! 
(chapter 68) Thus in the library, the butler excused himself in front of the lord by using the following expression: “spoke out of turn”!! On the other hand, the painter had used his hand, 
(chapter 4), therefore he described his wrongdoing with the following expression “out of hand”. In my eyes, his words indicate the interference of the butler. Furthermore, the two men had a drop of sweat, a sign that they were not truly honest. 
(chapter 77) Both were apologizing, as they had wronged the noble. As you can imagine, the similarity in the excuse is no coincidence. The proof that both incidents are reflections is that they have another point in common. The wrongdoings of the low-borns had taken place in front of a gate. The butler had disobeyed his master 
(chapter 68), and the painter had assaulted the lord by trying to retrieve the poetry. 
(Chapter 4) Because both characters had violated social norms, showing disrespect towards a noble, 
(Chapter 4) In other words, since Yoon Seungho had punished the butler due to the incidents in episode 67/68, I deduce that episodes 67/68 were reflections of episode 4/5 as well!! This corresponds to the rule 2 and 3. 
(chapter 4) Let’s not forget that just before the great entrance of Black Heart and the protagonist in chapter 67, this was what the author showed us: 
(chapter 67) And now compare the building to this one from chapter 1: 
(Chapter 12) (For more read the essay “Lee Jihwa’s special relationship with Yoon Seungho”) Then in season 2, the main lead forced the elder Lee to hear what he had been denying all this time 
(Chapter 67), while in chapter 3, he could only witness it from the patio. On the other hand, Yoon Seungho had been proactive during their sexual encounter, hence the father could only blame the main lead for his son’s debauchery. The intimacy in the pavilion was in verity hiding Yoon Seungho’s huge traumas. But due to Lee Jihwa’s confession in the inn, the red-haired master’s reputation got ruined in town and this must have definitely reached the father’s ears. Striking is that when Yoon Seungho confronted Lee Jihwa with his crime (abduction of a person from his household), the red-haired master ran away and hid behind the folding shield. Thus he never apologized to his friend. And it was the same with the elder Lee. The latter knew about his son’s wrongdoing, for he accused the intruder immediately. 
(Chapter 5) This confirms that chapter 5 is connected not only to episode 77, but also to chapter 67/68. We have the same elements: an incident linked to a door 
(chapter 67), insults towards the main leads, a wrongdoing, the allusion to love 
(chapter 67), a punishment, but also the absence or presence of an apology. But all of these episodes have other similarities: hypocrisy and arrogance. The Lees were looking down on Baek Na-Kyum and Yoon Seungho (chapter 5-67), while in episode 77, it was the butler who yelled and criticized the noble.
(chapter 77) By detecting a reflection between these chapters, I had a new revelation. 
(chapter 5), while it was not the case. As you can see, anyone seeing the black guard leaving the owner’s study could have had the impression that the lord had written a letter. This means that this mistake must have taken place later again due to the rule 2! The manhwalovers could discover the deception in chapter 37/38!! 
(chapter 38) That’s how Jung In-Hun got misled. 
(chapter 38) Yoon Seung-Won had never received a letter, but the ruined painting. The readers only discovered the trick in the final episode, when the father was looking at the picture. And this connection between a letter and a painting was reflected in season 2. While Min stole the painter’s last creation
(chapter 56), Jihwa sent a forged letter 
(chapter 56). Striking is that the butler was the one who received the paper before delivering it to his sick master. These two scenes (38-56) indicate that the valet is related to the correspondence. Moreover, he was seen delivering the message to Yoon Seungho in the courtyard. 
(chapter 35)
(chapter 5) It was, as if he was not allowed to write any letter. So where did the table go? To the study!! What caught my attention is that after the first painting
(chapter 2), the table had been removed from the study, just like the papers. 
(chapter 4) This was no coincidence. It had been sent to the lord’s bedroom, but after the lord had tasked the black guard, it was no longer there. This is the indication that someone was interfering with Yoon Seungho’s habit to take a brush. And this can only be Kim. As you can see, the appearance and the vanishing of the small table is the element which was reflected in chapter 1, 2, 
3, 4 and 5. And now, look at the scene where Lee Jihwa met Min. 
(chapter 67) The table had also disappeared. And when did it happen? 
(chapter 21) The noble had ransacked his own room with his sword. And what did we see in that episode? A paper folded in a book. 
(chapter 21) In other words, the First Wedding night is also a reflection from these chapters (4/5, 67/68, 77), for it contains the same elements: 
(chapter 20) an incident with a door, someone is pushed down, a wrongdoing committed against Yoon Seungho (theft), an apology 
(episode 19) and the importance of the table. According to me, the valet had put the expensive wine on the painter’s table on purpose. To conclude, I see a connection between episode 4/5, 19/20/21, 67/68 and 77. 
(chapter 77) He can not trust his words, especially since he views the nobles as violent liars. Why? It is because there was this huge table. This is no coincidence that right after the valet betrayed the main lead and wrote a message to the patriarch. That’s how I had another revelation. The butler is symbolized by the table! Thus he was often seen with this small table 
(chapter 11) 
(chapter 17) To conclude, when the butler saw the black guard leaving the mansion, he believed that his master had sent words to someone! That’s the reason why he removed the table and returned it to the painter’s study.
(chapter 97) written by Yoon Seungho, but he envisioned that this was the Spring poem! 
(chapter 97) We had the same situation. Black Heart had stolen the Spring poem, and the noonas had deceived the protagonists by faking admiration in front of an empty paper. 
(chapter 93) Since the paper in episode 93 was empty, I could only come to the deduction that this paper contained words!! 
(chapter 92) The latter’s work was a copy of Yoon Seungho’s poetry, the repetition from chapter 4. Hence you comprehend why I deduce that the paper in the annex was different from the Spring poem. So during that night, Yoon Seungho left a note to his lover, and that’s how the butler discovered that the artist could not read Chinese, for he saw his master writing in hangeul. But there exists another evidence for this interpretation. Baek Na-Kyum had wished this: 
(chapter 97) If the lord had mentioned in the letter that they had found the corpse of Deok-Jae, the painter would have believed him. However, as you can envision it, the butler and Min were determined to generate a misunderstanding, to create the illusion that the scholar had died. Consequently, the servants deceived the main lead by omitting the existence of the paper. They had not delivered the message properly. 
(chapter 4) His own poetry got stolen. But let’s return our attention to episode 5. Since the lord had given the poem to the black guard, this signifies that the lord no longer had the sijo. Therefore he had to write the poem again in order to mask the disappearance. In my opinion, he must have copied the original poetry for the artist in order to prove that he had not been lying. Hence the paper looked different. And this brings me back to the painter’s apology in the patio. 
(chapter 04) That’s the reason why he had taken it in the first place. 
(chapter 7) But where is the sijo now? 
(chapter 65) Moreover, I believe that in chapter 65, he had collaborated with the noona. He had shown her the painting of Baek Na-Kyum, while in the study there was a blank paper. As you can see, in season 2, we had again this connection between a painting and blank paper. But let’s return our attention to chapter 5. The black guard was acting on the order of someone else, Yoon Seungho was not the one hiring him. The butler hates ruckus, his MO is to lie low and act in the shadow. If he had retrieved the paper, the man could report it to the master of the black guard. On the other hand, he could have asked the warden about his master’s request. He just needed to say that he desired to assist him, similar to this situation. 
(chapter 82) Thus I conclude that when the lord returned the paper to Baek Na-Kyum 
(chapter 7), Kim must have realized his error. He had mistaken the poem for a letter!! This explains why he repeated the trick with the younger master Seung-Won. But unfortunately for him, he was caught by the teacher who asked the painter about the letter the next morning. 
(chapter 38) Baek Na-Kyum could have realized that the butler had acted behind his master’s back. The problem is that during that evening, the lord had indeed written a letter to his brother 
(chapter 36), but the moment the latter interrupted the couple
(chapter 37), Yoon Seungho chose to hide it. But why is it important? It is because if the painter had mentioned the paper given to the younger master to Yoon Seungho, the latter could have noticed the valet’s meddling and wrongdoing. On the surface, it looked like Kim had written himself a letter to the younger master. In other words, in episode 37/38, the butler gave the impression that he was a spy, for he was acting without his master’s permission. He had even left the propriety, as he was standing outside in front of the gate. Don’t forget that during the meeting, the brother had mentioned that he had sent him many letters 
(chapter 37), and there is no ambiguity that Kim had intervened. Here, the lord had said nothing, for he imagined that Kim had done it to protect him from his family. 
(Chapter 4) But on his way out, he met Yoon Seungho who had just missed the painter’s departure. But there, he discovered that the main lead had stolen his poetry. 
(chapter 5) He was looking at the gate and as such making sure that the artist’s departure would be noticed. By sending the low-born to the Lees’ mansion, Kim was encouraging the painter to commit a crime: trespassing! But the artist was fortunate, for he was not caught by the lord of the mansion, who preferred hiding due to the ruckus caused by his own son. 😉 As for Yoon Seungho, he came back to the mansion and saw the empty study. Kim just needed to say that the low-born had left to the Lees’ mansion. This is important, because this indicates that in chapter 4, the couple missed each other first! And this situation was repeated in season 3, precisely in chapter 98, when the lord returned from the bureau of investigation
(chapter 98)! The lord arrived just after the painter’s departure. And who was with the main lead? Kim. As you can see, the lord’s luck seems not to be on his side, for Baek Na-Kyum had just left the propriety. Once again… the lord was standing in front of the gate!! As for season 2, this time, it was Kim’s fate to miss his master. 
(chapter 56) The reason for this punishment is simple. He had sent away the artist to the study just before Yoon Seungho regained consciousness. The latter didn’t see that the artist had taken care of him during that night. Thus the butler’s karma was not to notice his master’s departure which stands in opposition to chapter 4 and 98. And note that all these chapters have the paper as common denominator. So imagine the butler’s surprise in episode 4, when he witnessed the artist’s return to the mansion followed by his master. He had sent away Baek Na-Kyum with the hope that the artist would desert the town for good, but no…
(chapter 23) The first similarity is the allusion to his bag. The butler was actually thinking that during the hunt, the painter would decide to run away. That’s the reason why he asked about his belonging, for in the past, he only wished to vanish after retrieving his tools. Naturally, the artist saw no harm in the butler’s question and answered truthfully. He must have narrated the argument in the courtyard about the poem. Yoon Seungho had kept the sijo, consequently the painter had used his hand to take it back and had by mistake removed the lord’s hat. Thus Kim must have told him that he just needed to apologize. But one might say that this is just a story imagined by me. The manhwaphiles never saw such a scene. But don’t forget the existence of the reflections. I have definitely an evidence for this theory. Since the butler had manipulated the painter in chapter 4 in order to get rid of this uninvited guest, his karma was to receive a new guest!! 
(chapter 7) This is not what the valet truly desired at all. He wanted to live in peace. But now, he had three new people he had to serve: Jung In-Hun, the painter and his own master Yoon Seungho who had lived for quite some time in the Lees’ mansion. He had to work!! And note that in this episode 7, we have the following elements:
(chapter 93) It was a futile dream. When I had analyzed episode 93, I had explained that the speech from the main lead was influenced by the butler. As you can see, the lord’s narration 
(chapter 6) There was a switch. That’s how I had this revelation. Heena is the missing link between the learned sir and the protagonist. And observe that in episode 93, we have the same elements again:
(chapter 93) This time, Heena is the one standing behind closed doors, while it was Yoon Seungho in chapter 77
(chapter 93) In chapter 99, the noonas still lied to him.
(chapter 93), which was also present in chapter 4/5, 7 and 67
/68 and finally 77 
(chapter 1) [For more read the essay “Baek Na-Kyum’s origins”] There is no ambiguity that these words 
(chapter 68)
(chapter 69) and in season 3, the noona sent messages to her brother herself. In two different chapters
(chapter 91), she is related to papers. 
(chapter 97) Logically, the noona in connection with the letter should be present in season 1. Secondly, when the woman appeared for the first time 
(chapter 64), she was accompanied with 2 guards, which is quite similar to the lord’s situation in chapter 1. That’s the reason why I believe that she didn’t keep the learned sir’s poem. Her betrayal could have been noticed and this was the first time that Yoon Seungho was making such a request.
(chapter 56) This would follow rule 3. Then according to rule 2 of the kaleidoscope, elements from one episode will be constantly mirrored in the next chapters. And what did we have in episode 19? A larceny… the bottle of wine vanished. Then in episode 20, the lord stole the scholar’s identity, while he stole the painter’s virginity. Hence the lord apologized to the painter for his wrongdoings. 
(chapter 21) And above I had already demonstrated the connection between the First Wedding Night and chapter 5 and 77! Here the lord was imitating the pedophile’s behavior, hence you comprehend why I think that lord Song was the recipient of the poem. I would like my readers to keep in their mind that the learned sir’s sijo was referring to a painful departure, the loss of a loved one and despair! The beholder could have the impression that the author was suicidal due to the mention of the well and the torment of the mind. Thus I am now assuming that the “mysterious lord Song” will consider the sijo as a farewell, the lord chose to commit suicide and his death was related to Jung In-Hun’s curtains. Why? It is because Heena wrote letters to her brother where she accused the main lead of killing the learned sir. Moreover, Yoon Seung-Won had definitely mistaken the painter for the learned sir. 
(chapter 37) His position revealed that the main lead trusted the artist. It was, as if he was treating him like his wife. 
(chapter 34), and shortly after the painter was sent to the tailor. But during that night, the pedophile and Yoon Seungho had missed each other due to Baek Na-Kyum. He was not dead. So when the painter received new clothes, it was the same for Yoon Seungho. Yet, the pedophile was gravely mistaken. Why? The sijo had been stolen, and as such it was never addressed to the pedophile. Furthermore, it is because the lord was suffering from memory loss. Moreover, I believe that the main lead is not aware of the true identity of his sexual abuser. In his mind, it is just lord Song. But this doesn’t end here. 
(chapter 94) In episode 4, the lord had laughed about the sijo, but it was no longer the case in the kisaeng house. In my eyes, the pedophile will go through the same experience. Yes, the effect of the kaleidoscope. He will perceive the learned sir’s poetry under a different perspective. Only in that moment, he will realize the suicidal tone in the sijo. He will question how Yoon Seungho could become so desperate and suicidal so suddenly. And now, you comprehend why Heena was trembling in front of her brother
, and why she had planned to leave the gibang that night!! She was aware of the arrival of “lord Song”. She knows how cruel and ruthless he can be. 
(chapter 82) 
(chapter 82) It is because he didn’t want to leave any evidence of his intervention. No one should notice that he had paid a visit to the patriarch either. His visit should remain a secret. He was actually afraid of getting detected. The reason is simple. He was fearing the person standing behind Yoon Seungho, lord Song. He had two reasons for this. First, he could see that Yoon Seungho was no longer treated like an animal or male kisaeng. 
(chapter 82), and even in person: Father Lee and the emissary. Third, the elder Lee badmouthed Yoon Seungho by mentioning the incident from chapter 67, and refused the invitation of his host 
(chapter 82). Finally, he called Baek Na-Kyum a peasant exactly like the main lead in front of the gate: 
(chapter 82). But more important, the old bearded man expressed this fear: the loss of his family home!
(chapter 83) It vanished, and as such it was stolen. Did the mysterious lord Song take it away in order to force Yoon Seungho to paint? The older version of this scene: 
(chapter 89) The lord’s back is covered with marks. Yet, he was not brown-nosing here at all, for he was rejecting the lord’s advances. And now, it is time to take a closer look to season 1. 
(chapter 23) Baek Na-Kyum was seen holding an apple, here it looked like he was indeed polishing the fruit before eating it. Striking is that during that scene, valet Kim was interrogating him. He was acting, as if he was interested in him. It was, as if he was buttering up to Baek Na-Kyum. The purpose was to gain the artist’s trust so that at the end, he would listen to his advices.
(chapter 23) However, the reality was that the valet was actually digging for information, spying on the main lead, so that he could create a new incident. As you can see, there were two apple-polishers in that scene, the painter and the butler. This was the reflection within the same episode. While Baek Na-Kyum was literally polishing the apple, the other was just cajoling Baek Na-Kyum in a figurative way. Yet, the former was not truly sweet-talking to the artist. He gave the impression that he was totally honest. And now, it is important to recall what happened to the painter in the next chapter. Jung In-Hun was kissing the painter’s hands.
(chapter 24). He was flattering the painter with the hope that Baek Na-Kyum would spy on his account. But the scholar couldn’t succeed with his request. Why? It is because he only kissed the artist’s hands. He never licked his boot or his ass. We could even say that he did scratch his back, but in the wrong way: 
(chapter 24) In other words, he could never lower himself in front of the low-born. This was too much, explaining why the scholar failed with his request. 
(chapter 27) In exchange for saving Jung In-Hun’s life, Baek Na-Kyum was forced to do a fellatio. We could say that the artist was sucking up to the owner of the mansion. But the fellatio is not just an exchange of favors. It is also associated to forgiveness. At the tailor’s shop, the painter had blushed because of Yoon Seungho, The latter had embarrassed him. Thus the lord made the following suggestion:
(Chapter 39) This was his way to apologize, though here he was teasing his lover. These were the principles he had been taught, therefore it is not surprising that he applied them for the painter. And now, you comprehend why in episode 71, Yoon Seungho sucked the painter’s phallus in the bathroom, he was also currying the artist’s favors. His goal was not to be pushed away, to be accepted.
(chapter 71) He had wronged the painter so many times, that the blow-job was not enough. Thus he licked his ass in the bedchamber. He was hoping to seek his forgiveness. 
(chapter 71) It was, as if he was lowering his head, the kowtower. In this episode, the lord was on his knees in front of the painter, and this twice. One in the bathroom 
(chapter 71) and the other time in the bedchamber. 
(chapter 71) However, his nose didn’t get brown, as the painter is a pure and innocent person. 😉 That’s how I realized why Baek Na-Kyum was sent to the bathroom. His role was to divert Yoon Seungho’s attention from Kim so that the master would forget to ask for the butler’s punishment. In other words, the valet used the low-born to seek his master’s favors. This shows that Yoon Seungho had been taught that the blow-job and the ass-kissing are the means to obtain forgiveness. 
(chapter 73) He was licking the painter’s foot so that he could keep thrusting. Don’t forget that during the whole night, he behaved like a servant… the one who was “sucking up to Baek Na-Kyum”. 
(chapter 72) On the other hand, the latter scratched the lord’s back for the first time during that night. 
(chapter 72) This was the reflection within the same episode, yet the “back-scratcher” was not doing it for his personal gain at all. We couldn’t say that he was currying favor or buttering up Yoon Seungho. He believed that he was just a servant and nothing more. From the outsider’s perspective, he was treated indeed like a favored servant, though in truth Yoon Seungho viewed him more like his new master and lord.
(chapter 45) In this scene, the lord was acting like a teacher, and the painter was supposed to do a blow-job in exchange for a favor. But since the painter was heartbroken, he was doing it absent-mindedly. Thus the roles got switched. After the noble licked the painter’s ass, 
and masturbated him anal, the painter was able to confess his pleasure: 
(chapter 45) This shows that the lord was slowly “currying favors” to Baek Na-Kyum. And this is no coincidence that Kim brought the ink and brushes to the mansion. 
(chapter 45) Once again, he was acting, as if he was buttering up to Baek Na-Kyum and indirectly to the host. But the reality was that everything was done for Kim’s interest…. On the other hand, we could say that Yoon Seungho was not really different from his surrogate father, for in that scene, Yoon Seungho was more thinking about himself than the painter’s. Yet, there is a slight nuance, the lord was sensing that the painter was not himself. He was talking to him, so licking the painter’s ass was not just done in order to obtain the painter’s support. His true goal was to be noticed and looked by the painter. He desired to have a true exchange of thoughts. Interesting is that by licking briefly the painter’s ass, he indeed succeeded, Baek Na-Kyum started thinking about him afterwards. The irony is that Yoon Seungho was just applying what he had been taught. That’s how I discovered the other reason why the main lead is not suspecting the butler of treason. Contrary to Yoon Chang-Hyeon or the pedophile, Kim was never seen asking Yoon Seungho for sexual favors: no fellatio or no ass-kissing. But this is just a deception, for we could clearly see that the butler is connected to the sex parties: 
(chapter 33) 
(chapter 52) He was the one who separated the couple. Because of his intervention, the painter deserted the mansion and got sick afterwards. Then in chapter 50, he revealed the argument between Baek Na-Kyum and Jung In-Hun. Striking is that in that scene, he was standing on the lord’s left side!! 
(chapter 50) No wonder that Yoon Seungho got furious. Simultaneously, while Kim was acting, as if he was defending the painter’s interest and as such feeling sorry for the painter, this signifies that he was no longer sucking up to his own master. Therefore, it is not surprising that the lord scolded him. 
(chapter 50) In fact, he should have “buttered up” his master and not pitied the painter. And now, you comprehend why the main lead misinterpreted Kim’s behavior. In his mind, the valet was actually “apple-polishing” to the painter. He had somehow “witnessed” it in the woods. But he had misjudged the situation, in reality he had caught Kim spying. 
(chapter 23) Unfortunately, the lord was not perceptive at all.
(chapter 80) He enjoyed seeing the painter’s facial expressions and reaction. He looked so shy and pure. 
(chapter 80) However, during that night, three people were trying to bootlick someone figuratively speaking: the new version of Deok-Jae, Kim and the messenger. Let’s not forget that before the arrival of the messenger, the painter made the following request to the butler: 
(chapter 79) One might say that he was currying favor to the butler, when he asked the butler about the music box. But what did Kim do? He brought the item to the bedchamber. 
(chapter 79) But this is not what the painter had actually requested, since the butler said this “I thought”. He had taken the initiative on his own. In my opinion, the painter had just asked that the music box should be brought back to the study. However, Kim brought the expensive present to the bedchamber for one reason. He expected the arrival of the messenger. We could say that he was “ass-kissing” the painter in order to obtain his trust. Kim definitely imagined that Yoon Seungho was sleeping. As you can see, this scene was the reflection of Yoon Seungho’s action in chapter 80. 
(chapter 80) While Kim had asked the painter’s to clean his face himself, the lord was cleaning the painter’s ass himself. Or we could say that he was polishing the painter’s apples, for he has an apple-shaped buttock. 😂 This clearly indicates that Kim has never washed Yoon Seungho himself. In other words, while Yoon Seungho was totally selfless here, this was not the case for the valet. And this is no coincidence that right after, the new version of Deok-Jae appeared in front of the door calling his master. He was faking loyalty and dedication. 
(chapter 80) Here, he was acting, as if he was sucking up to Yoon Seungho, but his gaze betrayed him. In my opinion, he had been deceived by the butler, for the latter expected that the painter would open the door. This situation was reflected within the same chapter. Notice what the messenger said to the young master in the study: 
(chapter 80) He was implying that his father had to bootlick an official in order to hide the incident. And how did the lord react to this? He not only asked the servant to do him a fellatio, but also made an allusion to the sexual favor: 
(chapter 80) His father must have kissed someone’s ass. But as you already know, Yoon Chang-HYeon is not someone who will do such a thing himself. And this shows that he has definitely used his son in order to obtain favors in such a way. Yoon Seungho had to do fellatios and let people lick his ass for his father’s sake, as he was a uke in the past. This is not surprising that the messenger received such a beating in the end. 
(chapter 80) He gave an order to the main lead, he threatened him. But actually, he was just a servant. He was not treating Yoon Seungho correctly. Interesting is that he showed more courtesy and respect to lord Lee than Yoon Seungho. 
(chapter 82) It was, as if the man was hoping to obtain father Lee’s support either. Another interesting aspect is that when the butler approached the wounded emissary, the former was definitely brown-nosing. 
(chapter 82) In my opinion, Yoon Chang-Hyeon had followed the butler’s suggestion. Since the painter would always sleep in the study alone, he envisioned that the messenger would suggest to the artist to meet Heena. The man could fake that he had been sent by his noona. He was dressed up for that reason!! Observe that the color of the hanbok is similar to this one: 
(chapter 82) This means that if father Lee or Yoon Chang-Hyeon are cornered, they could be forced to “ass-kiss” the king. 
Baek Na-Kyum is now imitating his lover. He is also licking the lord’s boot/foot. However, contrary to the signification, he is actually making love to his companion. This has nothing to do with selfishness and hypocrisy. We could even say that at the end of season 3, Yoon Seungho had become the teacher’s pet, the yes-man towards Baek Na-Kyum: 
(chapter 92) He could never refuse his lover’s requests. Thus in the gibang, he encouraged the painter to stay in the gibang. 
(chapter 93) It was, as if he was seeking the kisaengs’ support. Thus he chose leniency towards these women, though the latter had insulted him. At the same time, he was not hoping to receive any flattery from the noonas. He was the one “sitting on the painter’s right side”. 
(chapter 93) To conclude, the lord had been “tamed”, he was apple-polishing Baek Na-Kyum, but not in a negative way. It is the positive reflection of Kim who will act behind people’s back, and definitely use sex for his own advantage. We have the perfect example with the 2 sex marathons. He always let the painter suffer in order to cover up his own wrongdoings. But by allowing the main lead to act this way indicates that he was not helping Yoon Seungho. What people thought as assistance was in truth “brown-nosing”.
(Chapter 95) In his eyes, the lord didn’t need it, for he was already aroused. Remember in the beginning of the story, Lee Jihwa had to prepare his lover 
(Chapter 3) Secondly, the painter was in the position not to ask for favors, to suck up to Yoon Seungho. In their relationship, the low-born had the upper hand. Finally, Baek Na-Kyum had done nothing wrong before, so he didn’t have to beg for the main lead’s forgiveness. That’s the reason why the lord was actually rejecting the blow-job!! 
(Chapter 95) It is the expression of affection and love. 
(chapter 101) The artist was not acting like the teacher’s pet, 
(chapter 101), hence he needed to receive some lesson. In their eyes, Baek Na-Kyum should have licked their boot, sucked up to them… due to their power and social status. Therefore, it is not astonishing that at the end, they were executed. Why? It is because Min and the others could never “curry Yoon Seungho’s favor”. 
(chapter 102) Without the painter, the lord had no reason to continue living. Baek Na-Kyum was his source of joy and of strength. Without him, he was powerless. And this leads me to the following observation. Since we have a situation of brown-nosing concerning Black Heart in the shaman’s house, this signifies that we should have a reflection earlier in season 3. And now look at this: 
(chapter 92) In that scene, Min was indeed “flattering” his ex-sexual partner, while he was rather dismissing the painter. 
(chapter 92) He was also indirectly currying the lord’s favor. This was the reflection of the night in episode 52 either. However, contrary to season 2, Yoon Seungho had the upper-hand, as the painter had already sided with him. But one might say that this perception of “apple-polishing and buttering up” stands in opposition to my previous statement: sex is like a battle, a fight where there is only one winner. But that one doesn’t exclude the other, since Min had also tried to eliminate Baek Na-Kyum before changing his mind. This truly shows that we had two different philosophies, yet both were evolving around sex. This truly outlines that someone was “consumed by lust” in the end. 
(chapter 102) On the other hand, Baek Na-Kyum is slowly sensing the valet’s disloyalty towards the aristocrat. 
(chapter 86) Since the lord could see through Jung In-hun’s true personality, I believe that it is the painter’s duty to grasp the valet’s treason. In my opinion, since he caught Kim having sex with the maid, it is only a matter of time, until he realizes his true personality. In chapter 77, valet Kim had thought that he could rekindle with the owner of the mansion, hence he brought him tea and the medicine. He envisioned that if he acted like a loyal and dedicated servant, he could regain Yoon Seungho’s support. 
(chapter 77) In other words, he was buttering up to the young master. But observe that in that scene, he never lowered himself in front of the young man. He didn’t go on his knees or he didn’t bow to him either. This attitude exposes the valet’s true personality. He considers himself better than Yoon Seungho and Baek Na-Kyum, refusing to admit any crime or mistake. In that scene, he never said YES! In fact, he kept contradicting his master. 
(chapter 86) He envisioned that his elder son would return him the seat and as such he would become the owner of the family mansion again. Why? It is because of the main lead’s words in the library. His so-called respect towards the father was just fake. That’s the reason why the father imagined that he just needed to show up and he would get the mansion back. However, in reality, he should have sought his son’s support, and as such kiss his ass in order to achieve his goal. But the man has never done it himself. He has always been used to being fawned and ass-kissed that it is not surprising that he barged in the mansion. And this is the same for Yoon Seung-Won. The latter might have sent letters in order to obtain his brother’s support, but we can’t say that he was sucking up to Yoon Seungho. Thus it is no coincidence that at the end, the latter advised his brother to follow the father’s principles. 
(chapter 37) Here, he was implying that Yoon Seung-Won should do fellatios and other things in exchange for favors. 
(chapter 40) Moreover, according to me, she used the young master Seungho and her brother to avoid sex. Furthermore, I would like to point out that when the kisaeng argued with her brother, this is what she said to her brother: 
(chapter 97) Here, she was referring to favors. Yet, shortly after she proposed this to her brother: 
(chapter 97) It is clear that the agreement was not selfless. No nobleman would spend money and energy for nothing. The noona was hiding the content of the deal to her brother, the negative reflection from season 1. And now, you comprehend why I am sensing that since her deal was to sell her brother in exchange of favors, her karma should be that she has no other mean than to sell herself in order to survive, as she is now on her own. And if this truly happen, this can only reinforce her resent and hatred towards the couple. But we will see, if Heena is the one “sucking up” in season 4.
(chapter 73). But keep in mind, this is related to the painter’s education. He had been raised not only to hide his homosexuality, but also to reject sexuality as such. Naturally, in reality a no means no and nothing else. 
(Chapter 73) 
(chapter 73) This is important, because the manhwalovers can sense a connection between sex and hunt. This means that the love session in the bedchamber from season 2 should be perceived as a new version of a hunt. And this link between sex and hunting was also present, when Yoon Seungho and Min were in the woods in chapter 41: 
(Chapter 41) The expression „spot“ belongs also to the semantic field of chase.
o (chapter 51) It was, as if the rabbit had been chased away from its burrow or the deer had been forced to leave the woods. That way, he would become an easy target for the hunter and butcher Mumyeong. To conclude, we had two hunts in season 2 as well. 
(Chapter 99) First, he was rushing, but the moment he received the crucial tip from his childhood friend, he approached the den silently, just like a tiger. That‘s the reason why neither Black Heart nor lord Jang nor lord Park detected his presence. 
(chapter 99) and Lee Jihwa
(chapter 100), hence he had not the time to question the veracity of their claims or sense their manipulations. On the other hand, he could detect the difference between the blood in front of the scholar’s house and inside the building. 
(Chapter 100). He was following his instincts. Tigers cautiously stalk their target from the rear in attempt to get as close as possible to their unsuspecting prey. 
(chapter 102)
(chapter 48) or the chin 
(chapter 83) 
(chapter 102) Even in this panel, the sword resembles a lot to the tiger‘s fang: 
(chapter 102) Another important element is that this predator usually targets large-bodied preys like boar, deer, humans and not rabbit or pheasant. Under this new light, it becomes comprehensible why the main lead went after a boar or the aristocrats in season 3. 
(chapter 22) 
(Chapter 22). And when Black Heart suggested the artist’s assassination, he always kept laughing, making it sound like a game without any terrible consequence.
(Chapter 43) Lee Jihwa would remove a witch, and not a human. 
(chapter 43) Only Nameless painted it in all its cruelty and brutality. Not only the person would lose his life, but he would lose his identity. 
(Chapter 60) By removing his eyes and tongue, the victim’s face would change making him impossible to be recognized. And note that his scarf and headgear had been removed as well. It was not a game, but a deadly matter. Why would he do such a thing? The reason is simple. If no one could identify the victim, there would be no investigation. Astonishing is that hunt is a synonym for investigation and prosecution. Hence I am deducing that in season 4, the investigation should be perceived a new version of the hunt, a new version of this scene. 
(chapter 83) Thus I am deducing that this chase had been suggested to the main lead in order to release his tension and as such in order to divert his attention from the painter. Naturally, Kim was behind this idea faking his concern for his master. The hunt was supposed to procure pleasure to Yoon Seungho, but it couldn’t, because he was afraid of losing the painter. This explains why he selected the boar as his prey. He was fearless in front of that dangerous animal, for it meant nothing to him. He didn’t mind losing his life… revealing his suicidal disposition which resurfaced later, when the father mentioned the authorities. 
(chapter 86) 
(chapter 86) But the moment the servant reminded him to pay more attention to himself
(Chapter 83) He couldn’t forget that he had scared and wounded the painter in his dissociative state. This shows that the chase had not served its true purpose: entertainment. In reality, the domestics had been the ones suffering the most, for them it was definitely more work 
(Chapter 84) compared to the past. 
(chapter 23)
(chapter 41) First, I had feared that he might lose his life, then later I had realized that this death was purely symbolic. He would lose his title and family, therefore he would become a commoner. But I had also expressed my doubts that this scene could be a reference to Black Heart, as from chapter 52 on, I had sensed that he would die. Moreover, observe that during that hunt, Min had wounded the animal himself. This mirrors his own death. He became a victim of his own trick. But if the pheasant is representing two characters, The Joker and Lee Jihwa, then this means that the deer in chapter 22 
(chapter 22) embodies not only the painter, but also someone else. While in the past, I used to believe that it was Kim, now I come to the deduction that it was Jung In-Hun. Note that in this scene, the main lead left the prey and the scholar behind. Both got defeated. This means that by targeting Yoon Seungho, the scholar is not realizing that he is actually endangering his own life. Besides, by hunting the deer, the learned sir offered this prey to the tiger Yoon Seungho, and this was the painter’s case. Furthermore, the deer was carried back home on a horse
(chapter 24) reflecting the painter’s fate. 
(chapter 25) Who brought the horse to the pavilion? Kim and Deok-Jae! And when the learned sir departed from the mansion, he was followed by the vicious servant and the horse. 
(Chapter 103) However, since the manhunt appeared in the first episode from season 4, I deduce that we will have many manhunts in the final season, like here 
(chapter 100), the place could be interpreted differently. The inhabitant had been attacked by a tiger during the night. 
(chapter 45) the cobweb behind Deok-Jae. Imagine that this scene took place in the middle of winter, thus the spider’s web got covered by frost. However, this indicates that this room had been abandoned for quite some time. But it is close to the gate. So it should have been the place where the doorkeeper is living. Secondly, I had demonstrated that the shrine had been neglected, for the altar had been removed. 
(chapter 18) Because of the presence of the cobweb, I started wondering why the author drew it behind Deok-Jae. In my eyes, it is because he was part of the spider’s web. 
(chapter 18) That’s the reason why Yoon Seungho was not dressed properly. 
(chapter 57)
(chapter 101). It was not Min’s task to carry a friend… he was just a fellow puppet brought to the shaman’s house in order to entertain Black Heart. This truly exposes that Black Heart never saw in the aristocrats humans. As the red-haired master, he had been considered as the hunting dog, he had fulfilled his function. That’s why he was abandoned. He had helped Min to corner the painter and brought the kisaeng to the scholar’s home. Moreover, a hunting dog disobeying his master will be killed. Hence it is not surprising that the wild dogs ended up all dead. They were totally defenseless in front of a huge tiger. This feline is difficult to tame.
(chapter 101) They saw in the sexual violence a new form of hunting. I would even go so far to say that they desired to turn the artist into their pet fulfilling all their desires: 
(chapter 101) As a punishment, he was given to lord Jang and his friend. Since Min had captured the artist, he viewed himself as his owner who would give order to his pet. Yet, a deer is a shy, but wild animal, difficult to control making it difficult to be tamed. 
(chapter 99) But this was impossible, for Black Heart never treated Baek Na-Kyum as a man. Hence I come to the conclusion that by meeting the painter, Yoon Seungho rediscovered his true nature: he was a free spirit, a tiger! And guess what… In Joseon, the tiger was perceived as a good talisman to chase away the evil spirit!! 
Yoon Seungho has the impression that he could get hunted down, for he killed the nobles. The tiger is now the target of “humans”, and Jung In-Hun will play a crucial role in his prosecution
(Chapter 10) 
Bebebisous33s' analyses in K-Dramaland and Manhwas 