Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Scent Behind The Jinx and Breathless in the Light – part 1
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Since today, a new chapter will be released, this second part can not be long. Yet, I wanted to share my latest observations before the publication of chapter 83.
In the first part, I focused on the origins of the champion’s breathlessness and its cure: the amusement park. However, the air was not the only important element in episode 82. Let’s take another look at this image: 
(chapter 81) The plane soars not only above the Alps, but also above a vast river (probably the Rhône)— two landscapes that silently echo the dual composition of breath itself. Breath is made of air and water: oxygen and vapor, wind and moisture. 
(chapter 82) In that sense, the clouds surrounding the aircraft are not mere weather; they are the perfect union of the two elements that sustain life.
Joo Jaekyung’s breathlessness, then, is not simply a physiological lack of oxygen — it is the absence of water, the missing element of tenderness and flow. The champion has spent his life breathing air devoid of moisture, surviving on discipline, pride, and control — a dry atmosphere where emotion cannot condense. 
(chapter 82) That’s why, when Potato offers him a bottle of Evian, he doesn’t even look. He doesn’t need the water from the mountain and as such the world; he needs the water of the body — the intimacy, the shared moisture that reconnects him to life itself. What he truly longs for is Kim Dan’s saliva, the living trace of water transformed into affection, into care, into exchange. 
(chapter 81) He is longing for his lips and as such a kiss.
Only through that bodily element — through the return of water inside air — can he breathe again fully. Dan’s body literally rehydrates him. The vapor that once escaped his lungs returns as mist, as breath shared between two beings. At the same time, it teaches him how to breathe properly, the reverse of this scene in the locker room. 
(chapter 15)
And this elemental union anticipates the next landscape: the amusement park, where the air is filled with laughter, humidity, and movement. 
(chapter 82) Many attractions — the Ferris wheel, the fountain rides, the water park zones — combine air and water, height and spray, just like breath itself. And now, you understand why the champion got wounded with the spray 
(chapter 49) It corresponds to the negative version of the “breath”.
Another possibility is that they first share the same drink or the same ice cream 
(epilogue), because doc Dan wants to ensure that the drink or the ice cream is okay. 
(chapter 82) When Jaekyung and Dan enter the funfair, they’re not simply having fun; they’re reliving the chemistry of respiration and affection — the inhalation of joy, the exhalation of fear, the splash of renewal. The park becomes an externalized lung, a circular world of rides where water and air, play and life, are finally reconciled.
The Castle as Fairy-Tale Threshold
In the amusement park, the castle (chapter 82) stands as a replica of every child’s first dream: a place where danger ends, where curses lift, where the beast becomes human. In this new setting, the ring is replaced by an amusement park — a space where joy is no longer born from suffering. 
(chapter 15) The arena that once fed on pain, blood, and hierarchy gives way to a landscape of shared laughter, circular motion, and renewal. Here, entertainment is not built upon the exhaustion of bodies but upon their liberation. The crowd no longer watches to see who will fall; they rise and descend together. 
(chapter 82) People are more focused on their own emotions and experiences.
For Joo Jaekyung, this shift marks a fundamental redefinition of performance itself. The fighter who once turned agony into spectacle now experiences movement as play. The wolf who fought to survive in the ring learns to live among rides, fountains, and lights — spaces where the body moves not to conquer, but to feel.
Thus, the amusement park becomes his anti-ring — a sanctuary of reciprocity, where elevation and descent belong to everyone, and no one bleeds to entertain the rest. For Joo Jaekyung, who has spent his life trapped in the cycle of competition and rage, walking into that space with Kim Dan is an act of symbolic initiation. He brings the doctor — his witness and healer — into a world he has always avoided: fantasy, gentleness, illusion.
The wolf who once prowled in underground gyms now enters a castle built for children, and in doing so he accepts the possibility of becoming a fairy-tale prince — not by winning, but by transforming.
Why the “First Kiss” Matters Here
A fairy tale’s turning point is always the kiss — the moment when the spell breaks. And you might recall that I came to associate Kim Dan with Sleeping Beauty and in the illustration of that analysis, I 
I placed the doctor’s birthday. And that’s how I remembered here the boy’s huge smile and joy. 
(chapter 11) And now, pay attention to the number of the next episode: 83! The two numbers combined together make 11! As you can see, the amusement park is the most natural setting for a smile and kiss. Joo Jaekyung could even speak about his first kiss, an intimate secret that even Kim Dan doesn’t know. Confessing it there would align his personal myth with the fairy-tale architecture around him. This would make doc Dan realize that he is special contrary to the green-haired ex-lover. 
(chapter 42). But there’s more to it. In episode 81, Doc Dan rejects the champion’s advance — he turns his head away
(chapter 81) letting the lips slip past him like water. Yet, in the very same scene, he allows a kiss on the neck, a place where breath, warmth, and pulse converge. 
(chapter 81) He never pushes him back. The doctor resists with the face — with speech, with identity — but not with the body. (chapter 81) And so, at the end, the athlete moves upward, trying to reach the mouth, trying to taste what remains forbidden. But he fails.
(chapter 81) Why? Because the lips are not mere flesh; for Doc Dan, they are the visible border between desire and love. Jinx-lovers will remember his quiet request in the locker room (chapter 15): he links the lips to the heart — and through it, to the notion of consent. 
(chapter 15) To kiss him there is to ask for entry not into his body, but into his feeling.
That is why the scene at the pool stops at the threshold. The champion can touch his skin, but not yet his soul. 
(chapter 81) The water envelops them both — fluid, intimate — yet the final element is still missing: agreement, the meeting of air and will. Until Jaekyung learns to ask, to replace taking with invitation, the kiss will remain suspended, like a breath held underwater, waiting to surface into love. And now, you comprehend why he couldn’t achieve his goal in the swimming pool. It was, as if he was trying to recreate the situation in season 1. In other words, I deduce that there will be a confession before a kiss happens!!
From Wolf To Prince
A Jinx-lover noticed the similarities between this scene 
(chapter 17) and the one in front of the amusement park: 
(chapter 82) The two scenes mirror each other like opposite poles of Joo Jaekyung’s evolution. In both, he is dressed in black — a color that once signified anonymity and danger, but later becomes the mark of calm confidence.
In episode 17, the champion hides behind darkness. The cap pulled low conceals his eyes, his face is half-shadowed, and his clothes absorb light rather than reflect it. 
(chapter 17) When he intervenes to save Kim Dan from the loan sharks, he is first mistaken for one of them — a predator among predators. The irony is sharp: the man who comes to rescue looks indistinguishable from those who harm. The fighters’ world has taught him that power and fame must be hidden; he was encouraged to hide, as if the fans would attack him. He chose anonymity, unaware that this would not only isolate him but also make him appear as a thug. And don’t forget how the manager called him initially: 
(chapter 75) He is a monster. It was, as if the manager wanted to hide the “wolf” from people out of fear that he might attack people randomly. But the problem is that by dressing like that, he was no different from Heo Manwook. Therefore his heroism passes unnoticed, interpreted as violence and intrusion. 
(chapter 18) Like Batman, he moves in secrecy, protecting without ever being thanked. The outfit explains why his good deed leaves no trace of gratitude — the savior looks like the aggressor.
By episode 82, the transformation is complete. 
(chapter 82) He still wears black, but the darkness no longer hides him. The cap now sits higher, revealing his eyes and mouth — the organs of emotion and speech. A necklace gleams at his throat, a quiet emblem of openness. He walks beside Kim Dan in daylight, not to fight but to share joy. The man who once lurked in alleys now stands beneath the sky of the amusement park, where black absorbs light rather than extinguishes it.
The contrast encapsulates the metamorphosis of the wolf into a prince. And how did Heo Manwook call him? 
(chapter 17) A princeling! He was mocking him, because he knew that the fights were actually rigged. That’s why he called him fake. 
(chapter 17) This new connection reinforces my theory that the schemers are anticipating the Emperor’s demise. 
(chapter 82) Thus Arnaud Gabriel’s words are full of irony. There’s no luck in this match. However, the antagonists are not anticipating a metamorphosis. The wolf hides and strikes; the prince reveals and protects. The wolf saves without witnesses; the prince loves in full view. In the ring’s darkness he fought to survive; in the park’s brightness he learns to live and love. And the moment Joo Jaekyung is freed from his curse and can breathe, his next game will be different. Why? It is because the champion has another reason to make doc Dan’s wish to come true: they should work together for a long time! And observe the power of Doc Dan’s angel on the Emperor after spending his first night with his “bride”. He was full of energy! 
Where his earlier anonymity made his goodness invisible, his new transparency makes tenderness possible. The same man, once mistaken for a criminal, now smiles like a fairy-tale hero. The cap lifted from his eyes symbolizes the lifting of his own blindness — he can finally see and be seen.
The Floating Duck Syndrome
However, contrary to the Sleeping Beauty or the Mermaid, we have two men as protagonists. So there is no princess. It is important because it signifies that we should expect two metamorphosis at the amusement park. That’s why it is difficult to say who will confess first. Nevertheless, this weekend, I discovered the following article: Floating Duck Syndrome. Psychologists use the expression floating duck syndrome to describe people who appear serene on the surface while paddling frantically beneath the water to keep themselves afloat. The image is both graceful and tragic: calm above, exhaustion below. It captures the condition of those who have learned to survive through composure — who equate love with performance and stability with silence.
Emotional exhaustion. Pretending everything is fine, constantly feigning calm and serenity, requires enormous energy. The mind remains in a state of constant tension, trying to control gestures, words, and emotions to conceal what’s really happening inside. Over time, this inner vigilance generates a profound exhaustion that even physical rest can’t alleviate.
Anxiety and perfectionism. Trying to ensure everything is always in order and goes according to plan fuels a constant fear of failure. Many people who suffer from “floating duck syndrome” live in fear of being “found out,” feeling as if they are playing a role that isn’t theirs. As a result, they tend to scrutinize every step they take and exaggerate every stumble. This level of self-demand doesn’t drive excellence, but rather anxiety, because nothing ever seems good enough.
Great frustration. A study conducted at the University of Cambridge revealed that people who experience the “floating duck syndrome” often develop enormous frustration. The problem is that, being aware of the effort they are making, they tend to expect greater rewards and recognition. However, since they project a more carefree image, this recognition often doesn’t materialize, leading to frustration and resentment.
Fragile self-esteem. When we believe our worth depends on projecting an image of success and serenity, any mistake is experienced as a threat. Self-image becomes a facade that must be protected at all costs, relegating authenticity to a secondary role. Consequently, external recognition replaces self-knowledge, weakening self-esteem, as researchers from UIN Walisongo Semarang have found.
Emotional disconnection. Pretending to be okay for too long ends up disconnecting us from our emotions. In the long run, we lose the ability to recognize what we feel and why, which prevents us from properly managing that discomfort. The result is often a kind of emotional numbness that seems like protection, but in reality, it prevents us from healing. Quoted from https://psychology-spot.com/floating-duck-syndrome/
This is Kim Dan’s illness in miniature. Ever since childhood he has floated through life without showing the effort beneath. The grandmother’s silence taught him that visible pain is shameful; the bullying taught him that vulnerability invites attack. So he learned to glide — polite, deferential, self-effacing — while his legs beat desperately under the surface. His smiles are survival reflexes, not joy. His stillness is not peace but tension. And we should see the picture of Kim Dan with his grandmother as a reflection of this Syndrome. 
(chapter 65) so he is not standing on his own two feet. And remember that according to me, Shin Okja stands for shore. He is smiling as if everything is fine, but the reality is different. When Dan sits on her lap wearing the duck shirt, he seems safe, grounded, “held.” Yet the shore (the halmoni) isn’t truly stable — it’s brittle earth pretending to resist erosion. She gives him the illusion of safety, not the reality of it. The hydrangeas stand for temporality. The body contact replaces emotional transparency. What he learns in that moment is: “If I stay still and quiet, she’ll hold me.” Thus, his first emotional rule becomes immobility and silence. That is how the floating duck is born — not by moving freely in water, but by learning to suppress movement to preserve attachment.
The floating duck explains why he could live beside death for so long — the dying grandmother, the dying puppy, the dying parts of himself — without ever asking for help. He confuses endurance with dignity. When the champion first meets him, he sees only the surface: the quiet doctor, calm as water. 
(chapter 56) He doesn’t yet see the storm and suffering beneath.
Parallel Currents: The Prince and the Duck
As Joo Jaekyung rises from wolf to prince, he travels from hidden aggression to open affection. And by doing so, he encourages to see activities as something fun. So far, Kim Dan sees such a day more as a burden and not as a source of joy. Why? It is because he still views himself as the champion’s physical therapist and nothing more. 
(chapter 82) But in such a place, it is, as if time was stopped. Thanks to the many emotions and sensations, his body and heart will be revived. Through fun, the duck will change. As Kim Dan ascends from floating duck to swimmer and to a flying duck, he moves from hidden suffering to open breath. Thus the Ferris Wheel will have definitely an impact on him. Both arcs revolve around air and water — the two elements that make up breath and emotion. Don’t forget that the doctor embodies the clouds as well, while the athlete stands for steam.
In the early episodes, Dan’s relationship to water is defensive: he stays afloat but never dives. He cannot trust the element that once carried his grief. Jaekyung, conversely, dominates air — he owns every breath in the ring but cannot breathe freely outside it.
When the champion teaches him to swim and later to have fun, their roles merge: the man of air brings air to the man of water. Dan’s first genuine strokes are also his first act of rebellion against quiet despair. He is no longer a duck faking serenity; he is a swimmer choosing motion. Thus he can start flying. And now, you comprehend my illustration. 
From Survival to Freedom
The floating duck syndrome ends the moment visibility becomes safe. For Kim Dan, that safety arrives when Jaekyung learns to play — when the arena turns into an amusement park, when life stops demanding perfection and begins inviting joy. Play, after all, is what ducks do when they are no longer afraid of drowning: they splash.
Thus both men’s journeys converge.
- The wolf learns tenderness.
- The duck learns courage. Hence he has the strength to fly on his own and can join the clouds.
- The air learns moisture.
- The water learns breath.
Together they compose the complete lung of the story — two halves finally synchronizing. The one who once hid in darkness now walks in light; the one who once floated in silence now swims toward sound. And this can only happen, when both feel grateful toward each other. 
(chapter 45)
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(chapter 53), yet she kept her distance. Observe that she only talked about one time experience. She sensed its danger and built her life on the solid ground of caution, duty, and control. In other words, she belongs to the world of the shore 
(chapter 28) and learn that not everything can be postponed or entrusted to someone else. Water, in this sense, rejects fatalism. It calls for motion, for risk, for personal responsibility.
(chapter 80) And that intuition resurfaced and was confirmed in episode 80, when another day off brings the couple back to the pool. This time, the doctor steps into the water willingly. 
(chapter 80) He is no longer the man waiting to be rescued; he is the man learning how to swim. The champion’s words 
(chapter 80) distill the new doctrine: don’t wait for salvation 
(chapter 80), create your own buoyancy. Between the first swim 
(chapter 27) and this second lies the true point of no return—where superficial judgment turns into reflection, dependency into self-trust 
(chapter 80) and the rejection of powerlessness, 
(chapter 28) into the first stirrings of love 
(chapter 80).
(chapter 53) Safety lay in patience and dependence. Even when she later spoke with the champion by the sea, she avoided mentioning the ocean —as if to deny that any movement beyond her control could exist.
(chapter 65) 
(chapter 80) Yet her absence from the pool scene is precisely what reveals her theology of avoidance. The pool was never her domain because her life revolves around work, not pleasure. She has no notion of rest without guilt, no concept of joy detached from utility. For her, swimming would appear frivolous—something “unnecessary” as long as one stays on solid ground. Jinx-philes should keep in mind that she never gave such a task to Joo Jaekyung. Her instructions to him were always practical, delegating care outward: take him back to Seoul, bring him to a big hospital and make sure he’s safe. 
(chapter 65) When she sees them together, her first reaction is not pride or relief but mild reproach— doc Dan should have left already. 
(chapter 78) The subtext is unmistakable: she expected obedience, efficiency, not attachment. Furthermore, her final instruction—“Make sure you see a doctor regularly”— 
(chapter 78) sounds like ordinary concern, yet it hides her familiar logic of blame. It is as if she were implying that Joo Jaekyung has failed to fulfill her favor because Kim Dan has resisted care. In her eyes, the grandson is still the one responsible for trouble; the athlete’s role remains that of the dependable proxy who must “fix” him. What makes this moment striking is her tone of urgency, so unlike her habitual fatalism. The woman who once repeated “I’m the same as always” 
(chapter 65) suddenly speaks as though time is running out. 
(chapter 77), respect and care. What she calls delay is, in truth, meditation and transformation.
(chapter 80) It was her graduation gift, yet it had nothing to do with his new profession or status. In contrast, the first episode already shows Kim Dan in a blue therapist’s uniform, name tag neatly pinned — a garment he must have purchased himself. 
(chapter 1) Traditionally, a graduation present helps the recipient embark on a career — like for example, a watch, a suit, or even a briefcase — symbols of adult entry into the job market. By offering him a hoodie instead, she unconsciously devalued her grandson’s professional worth. The garment belongs to the domestic sphere, not the workplace; it wraps him in comfort rather than readiness. In a moment meant to celebrate his arrival into public life, she reinscribes him into the private one — the house, the caretaker role, the obedient child. He doesn’t look like someone who went to university. 
(chapter 47) There was no curiosity about his career, no acknowledgment of his competence—only the quiet satisfaction that through her endurance, she had produced a “doctor.” In the graduation photo, she even wears the mortarboard herself, smiling with the pride of someone who believes the diploma justifies a lifetime of sacrifice. Her grandson’s success confirms her own virtue; his “adulthood” validates her survival. This question to the athlete exposes her lack of interests in his profession: 
(chapter 65)
(chapter 41) While dying, she reduces love to an equation of productivity: “Dan, it’s important to give back as much as you take.” The verb do anchors her worldview — love must be measurable, visible, earned through action. To do good by someone means to labor for them, not to rest beside them. What caught my attention is that neither doctor 
(chapter 27) nor the champion employs the expression “vacation” or “break”. 
(chapter 80) Why? It is because they never experienced a break. We have to envision that the “hamster” must have followed his grandmother, when he was not busy studying or working. Both main leads never experienced a real vacation. They say a day off, as if the day itself didn’t really exist, as if it were a temporary pause between “real” time. In their inherited logic, only work gives time its value; everything else evaporates. The grandmother’s way of loving has turned rest into an absence, something unworthy of being named. However, observe that there’s a gradual change in doc Dan’s vocabulary: 
(chapter 80) The problem is that for the hamster, only the athlete is worthy of getting his rest. It still doesn’t belong to his world.
(chapter 5) the focus remains mechanical. Eating is fuel; sleep is maintenance. But rest, in the sense of surrender, stillness, or joy, is foreign to her lexicon.
(chapter 47) is, in truth, a legend she wrote about herself. When Kim Dan recalls that “she’s never had a day’s rest,” the statement reveals more about his belief than about her reality. The woman who claimed endless labor also knew the comfort of “weekends” 
(chapter 30) — she watched The Fine Line, the very drama that made Choi Heesung famous. The detail seems trivial, yet it exposes everything: she had leisure 
(chapter 30), she simply refused to call it that. Watching television was permitted because it was passive, solitary, and could be rationalized as recuperation, not pleasure. In contrast, genuine rest — time shared, chosen, or joyful — never existed in her vocabulary. What she denied was not the existence of rest but the act of resting with him. She kept her downtime to herself, as if peace were a private possession. For her, love meant providing, not accompanying. Yet true care requires presence — sharing is caring, as the saying goes. [For more read this essay: 
(chapter 65) displays that she perceives her grandson’s exhaustion not as suffering but as malfunction, as if the human were a device that could be recalibrated through work and pills. That’s why her favors revolves about living conditions, but not about his “happiness”. Perhaps she genuinely hoped that the drugs and the stability of a “regular job” with the champion would realign him, as though routine alone could fix what grief and deprivation had unbalanced.
(chapter 65) Her constant bookkeeping—every favor tallied, every gift framed as trouble—betrays a hidden fear: that if she stops keeping score, she will lose him. Rather than grant him autonomy, she entrusts him to another caretaker. Sending him to the champion is not an act of faith but of resignation, a way to offload responsibility while maintaining the illusion of control.
(chapter 11), scarf tied under her chin, carrying a single sweet bun. She doesn’t need to say she “went out of her way”—her action already proclaims it. The effort is the gift. 
(chapter 11) That simple walk to the store becomes a moral event, proof of affection through fatigue. 
(chapter 11) Even the smallest purchase is framed as sacrifice. The sweet bread itself—a cheap red bean bun—is less nourishment than testimony: “Look what I endured for you.” If he had followed her, he would have seen that it didn’t take so much effort and money to buy the “present”. Finally, he had to share the sweet bread with his grandmother.
(chapter 53) —perhaps the signing of the loan. “You’re a doctor now; you’ll pay it off quickly.” 
(chapter 80) In her eyes, generosity always justified expectation. The flowers were for display; the hoodie was the contract.
(chapter 65) and the future 
(chapter 65), what he would one day repay 
(chapter 47). The present moment existed only as a bridge between past sacrifice and future obligation. The embrace is conditional — a rehearsal for independence, not tenderness. In that instant, love is already an investment waiting for return. The teddy bear pressed between them, once a symbol of innocence and comfort, becomes collateral in this emotional economy: the pledge that he will someday “grow up,” earn, and pay back the care that raised him. Even at the graduation, she treated the day not as fulfillment but as record keeping. 
(chapter 41) When Dan gifts his grandmother an expensive scarf, he hides its true price — “I got it for a bargain” — repeating her own pattern of disguised generosity. She sees through the lie, teasing him for “spoiling” her, yet she accepts the luxury without feeling guilty. The scarf becomes her version of the hoodie: a fabric trophy of moral worth. But its later disappearance is revealing. In season two, she wears it 
(chapter 56) shortly after her arrival at the hospice, never again. When she greets Joo Jaekyung, the scarf is gone 
(chapter 61). Why? One might reply that the scarf lost its value, especially since she is living next to the director’s room. I doubt that such men would pay attention to such an object. Another possibility is that she fears its brightness might betray her neglect, for the champion has lived with her grandson for a while. How could she display silk while her grandson owns almost nothing? 
(chapter 80) The missing scarf thus exposes both her superficiality and exaggerated generosity. Her affection, like her pride, is short-lived — decorative rather than enduring. Should Heesung ever visit her, 
(chapter 80) The gesture that once symbolized love now feels like pain and loss. The signification of the gift has changed. What once wrapped him in safety now weighs like absence — the fabric retains the shape of someone who is about to vanish. His silence is not understanding but hurt, a wordless awareness that affection can curdle into memory. The audience, not the character, perceives that with the grandmother’s approaching death, her ledger is about to close. The gray fabric, once proof of her sacrifice, will lose its moral weight; her “gesture” will expire with her. Yet Kim Dan may not yet realize that this very ending could one day free him. The book-keeping dies with the bookkeeper.
(chapter 31) When Heesung offers flowers “to get closer,” Kim Dan’s face mirrors the same unease: affection presented as transaction, intimacy disguised as generosity. What the actor calls closeness, the doctor feels as imbalance — the same emotional distance that Shin Okja’s presents once produced. Her gifts, meant to bind, isolated him instead; they built a hierarchy where gratitude replaced equality. Each present widened the gap between giver and receiver. To be cared for was to be indebted.
(chapter 31) and tries to refuse it. 
(chapter 31) 
(chapter 67), loses sleep, or pays a price. He interprets Joo Jaekyung’s concern as “trouble,” Heesung’s gifts as “too much.” In his mind, affection is inseparable from cost:
(chapter 80) “I’ll stay in the background.” His self-worth depends on not burdening others. His words let transpire that he has never been Shin Okja’s first priority in the end. The hoodie reinforces that psychology—it is not a professional outfit like a suit or briefcase would have been, but a teenager’s garment, meant for the domestic space rather than the adult world. It literally arrests his growth, keeping him in the house and under her logic. Thus it is not surprising that after receiving his diploma, he still took part-time jobs. 
(chapter 80) is the site of its quiet destruction. His act of giving reverses every law the grandmother ever taught. First, he does not “go out of his way.” The clothes are delivered effortlessly, without fanfare or moral accounting. 
(chapter 80) There is no speech about sacrifice, no self-congratulation. 
(chapter 80) By erasing the gesture of “effort,” he removes the emotional price tag that once accompanied every gift.
(chapter 80) If the grandmother’s motto was “I went through so much for you,” the champion’s is “It’s no big deal.” Generosity becomes invisible, unburdened, and therefore trustworthy.
(chapter 80) The row of garments invites choice — a concept absent from Shin Okja’s universe, where love came in single doses and with strings attached. Here, the doctor is asked to select what he likes, to exercise taste, to inhabit preference. The abundance of options grants him agency, dignity, and the right to refuse.
(chapter 22) 
(chapter 30) becomes unexpectedly true here. The wardrobe bridges the distance that the grandmother’s gifts had always created.
(chapter 80) This is why his hesitant and embarrassed gratitude, framed against a background of dissolving gray waves, feels so transformative. The air behind him ripples as if washing away the residue of his old faith.
(chapter 80); they mark the passing of days, the return of seasons, the rediscovery that not every morning has to look the same. Variety itself becomes a form of freedom. When the wolf once complained that all his shirts looked identical, he was unknowingly naming what both of them lacked: differentiation, spontaneity, change. Through this act, he restores color not only to the doctor’s wardrobe but to his emotional world — a quiet resurrection through fabric.
(chapter 80) The “hamster” had instinctively turned to the only person who had ever offered him help without cost.
— the luminous, wish-granting jewel said to contain both wisdom and life energy. The dragon’s power is not innate; it is completed and elevated by the jewel. Without the yeouiju, it cannot ascend to the heavens — strength without meaning, force without direction.
(chapter 80), the myth reverses. The dragon—once feared, untouchable, wrapped in rage and solitude—is suddenly embraced by the very being he once believed too fragile for his world. The power dynamic inverts: the human shelters the beast.
(chapter 75) —this embrace is nothing short of salvation. The man who once fought to wash off shame through endless training now finds himself accepted in his unguarded state. He doesn’t need to mask his trauma with perfume 
(chapter 75), the imagined smell, or cleanse his skin of battle; he is held and, therefore, purified. Through Dan’s arms, he rediscovers his value and humanity—the dragon touched and not destroyed. He is worth of being embraced, even if he is already so old! 
(chapter 79) This is one part of the new circle. Jealousy is the residue of imbalance — the echo of the 7 within the 8. In the numerology of Jinx, the 7-chapters, like for example episode 7 
(chapter 7), episode 18, where the champion had sex because of this statement 
(chapter 18),episode 34 with Choi Heesung 
(chapter 34) or episode 52, where the former members of Team Black and expressed their disdain and jealousy toward the main lead 
(chapter 52)
(chapter 79), the final test before the circle closes for good.
(chapter 47) and 8 lies that invisible hinge: the death of the old economy of love and the birth of a new one.
(chapter 61) and Heesung’s residual rivalry and resent. Each acts as a different face of control: the woman binds through guilt, the manager through hierarchy acting as the owner of the athlete’s time, the actor through charm and deceptions. Together they form the triad that tries to reopen the circle closed in the pool. Let’s not forget that the athlete chose to take a day off on his own accord 
(chapter 80), but he had just returned to the gym. It is no longer the same training and routine.
(chapter 78) Their noisy excitement — hugs, wishes, smiles, jokes, even talk of meat — gave the impression of a long-awaited reunion. Yet the suggestion was cut short by Jaekyung, who rejected it like this: 
(chapter 78) In other words, a party was “missed.” At first glance, this might appear to be an exception, a rare moment of denial in a story otherwise filled with shared rituals. Readers might recall the welcome party
(chapter 9) in episode 9, the champion’s birthday dinner 
(chapter 43) in episode 43, the talk of hospital get-togethers 
(chapter 61), or the festive tone of fighters after director Choi Gilseok’s victory 
(chapter 52).
(chapter 41) Why did they not organize a party in Seoul to celebrate his victory in the States? Dan devotes himself to work, but his departures are marked by silence 
(chapter 53) rather than farewell. 
(chapter 1) The few rituals that do occur — a premature birthday cake, a noisy hug, puppies chasing after a car — 
(chapter 78) always miss their mark, either hollow in substance or unseen by the very people who should be honored.
. (Chapter 43) Even the “dragon’s” birthday, supposedly a day of personal celebration, is reduced to an awkward dinner at his expense, with a cake arriving a day too early 
(chapter 43) or gifts from sponsors and fans he never wanted. 
(Chapter 41) In Germany, it is considered as a bad omen to celebrate a birthday too soon. Rituals that should affirm intimacy instead expose distance and lack of respect.
(Chapter 52) 
(chapter 56) However, this is just an illusion. What caught my attention is that the nurses wondered themselves why such a skilled therapist would come to a small-town hospital.
(chapter 56) They speak about him, as though he had no reason to stay there, as if he were a stranger passing through. Right from the beginning, he was treated unconsciously as temporary, someone whose presence required explanation rather than welcome. Finally, no party was held for him, no ritual of inclusion was offered. His distance and their detachment mirrored each other, producing the silence that would later define his departure. 
(chapter 78)
(chapter 5) It ends either in the car or in the locker room. 
(chapter 15) The high peak of his celebrated victories takes place at the gym where Park Namwook gather the fighters in front of the Emperor congratulating himself for his “good work” and the spectators for belonging to a winning team. 
(chapter 53) For him, the physical therapists were just tools and as such replaceable.
(chapter 43) A birthday, especially in Korea, is typically a family-centered celebration, held at home or among close friends. Yet Jaekyung’s “party” takes place in a restaurant, under Yosep’s casual announcement that they would be having a “dinner party.” 
(chapter 45) By keeping Dan in the dark about the “surprise,” the fighters created another problem. Their silence pushed him to offer his own present on the same day as the gifts from sponsors and fans — exactly the kind of attention Jaekyung resented. He had already said he did not want those presents, and now Dan’s sincere gesture was placed in the same category, indistinguishable from the flood of unwanted offerings. What could have been a private, meaningful moment was absorbed into the hollow ritual of the group. Hence the champion never got to read his card! 
(Chapter 1) His stay had been so brief as well. Besides, his absence was engineered to be total, as though he had never existed. The very ritual that should have affirmed his contributions instead became a ritual of erasure.
(Chapter 50) Then later the athlete questioned the physical therapist’s actions and told him this 
(chapter 51) out of fear and pain, the physical therapist thought, he was fired. Once again, he left in silence, unacknowledged. No one stood up for him, no one tried to reintegrate him, no farewell was offered. 
(chapter 74) The silence of his grandmother on this point suggests that even the most basic ritual of mourning was denied him.
(Chapter 59) Only Dan and the landlord marked the event with a quiet burial. Since no one knew about it, it left the ritual incomplete. For Dan, the small act was meaningful, but its invisibility to the larger community echoed his own life: recognition always hidden, always partial, never public.
(chapter 43) This was the real heart of the evening, the only moment where ritual turned into intimacy. And yet even this was missed by Potato, who was absent at that crucial moment, lingering elsewhere with Heesung. The party’s form was there, but its essence — the recognition of Jaekyung’s loneliness and Dan’s importance — was overlooked by the two men at its center due to the presence of alcohol.
(Chapter 78) To them, departure is not tragedy but play, a noisy farewell parade. Their barking and chasing become a spontaneous party, a joyous ritual of attachment. 
(Chapter 78) Striking is that here, doc Dan is making a promise to Boksoon and her puppies, but the latter have no idea. Therefore imagine this. On the weekend, the moment the car approaches the landlord’s house, the puppies will recognize them and celebrate their return! And this time, both characters will witness this welcome party: 
(chapter 78)
(Chapter 78) But this “reset” is an illusion. Dan is only contracted for two matches. Interesting is that no one is capable of perceiving the truth, as the main lead’s explanation is ambiguous.
(Chapter 78) He doesn’t limit the number of matches, only that he will focus on the “wolf”. So for them, his return is not limited in time. Nevertheless, his paleness and dark circles speak louder than their words: he is exhausted, fragile, still haunted.
(Chapter 78) They are more worried about another possible departure than about his condition, as though his leaving again would be a greater tragedy than his ongoing suffering. This exposes that the members are not totally oblivious and their reunion is not a repetition of the past. On the other hand, warm words and a noisy welcome are enough for them. They take his generosity for granted, just as they always have. Therefore they ask for his magic hands. 
(chapter 9), and abstaining from drink often means being excluded from group belonging. Yet Dan, on medication, cannot drink. His doctor’s recommendation makes it impossible for him to participate in such “public” rituals. Even the customary sharing of a huge bowl — a symbol of intimacy and unity — must be avoided. For Jaekyung, who once used alcohol to dull his own struggles, 
(chapter 54) this becomes another reason to refuse such parties: they risk exposing Dan to temptation and harm. Park Namwook, knowing Jaekyung’s history of drinking, has no interest in promoting such events either. 
(Chapter 78) Hence the latter has no interest to organize a welcome party and even maintain the ritual with the bowl!! What might appear to others as grumpiness or stinginess is in fact a form of protection.
(Chapter 78) Having missed Dan most deeply during his absence, he now wishes to spend as much time as possible with his hyung. His longing shows that no party with Heesung and the landlord — no noisy drinking night — 
(chapter 58) could fill the hole left by Dan’s departure. But his form of attachment is still caught in the ritual of surface-level affection. What Potato craves is real closeness, hence he keeps hugging the physical therapist, 
(chapter 9) 
(chapter 26), or allowed whether welcome parties or surprise celebrations or pre-match meals 
(chapter 22). These events were never about genuine recognition but about maintaining power and appearances, boosting morale, or reminding the fighters of their dependence on the team structure he managed. The “surprise” birthday party in chapter 43 bore his fingerprints, 
(chapter 43) This absence is revealing: Namwook preferred to avoid direct conflict with Jaekyung’s visible displeasure, leaving the awkward burden of paying and performing to the champion himself to Yosep. In other words, his parties were tools of control, not gifts of belonging. By chapter 78, however, the balance has shifted. 
(chapter 78) Standing in the back, Namwook watches as Dan returns and is embraced by the fighters. He notices a “different vibe” between the two leads, but fails to grasp what it means. Doc Dan is actually free and has the upper hand in their relationship. Hence he can no longer ask this from doc Dan: 
(chapter 36) Doc Dan should put up with everything. What he cannot admit is that Dan is no longer replaceable. 
(chapter 69) Yet unlike all the hollow celebrations that came before, this missed event would finally have meaning. It would not be absence through neglect, but absence as recognition: proof that Dan’s life matters more than ritual, profit, or performance.
(chapter 78) This delay suggests a split loyalty: while the team is already celebrating, Potato is likely still tied to Heesung, perhaps even speaking to him on the phone. His tardiness betrays how his heart is pulled in two directions — caught between the actor’s orbit and the gym’s renewed center around Dan. Yet the embrace of the fighter, and his tearful reaction at seeing Dan again, show that his real place lies with Team Black.
(chapter 59) Potato had made a promise to treat Dan to a meal if he ever returned, squeezing his hand with the sincerity of a puppy. That promise, innocent as it seemed, carried a hidden trap: in Korea, such “treats” almost always involve alcohol. And he could try to recreate the party on the coast. Potato, unaware of Dan’s medical restrictions, may offer him exactly what he must refuse. Only Jaekyung knows the truth of Dan’s fragile health; only he can act as his shield against such misplaced affection. Secondly, Potato possesses pictures of the puppies 
(chapter 60), which he took on the day one of them died! 
(chapter 58), and his presence ties alcohol directly to the champion’s vulnerability. At the same time, Potato’s loyalty is beginning to shift. He once orbited Heesung like a hidden lover, but Dan’s return rekindles his attachment to the gym and as such will affect his relationship with the gumiho. 
(chapter 78) Sitting stiffly in his hospital bed, he waves away any possibility of affection. His body language, arms crossed, his words reduced to commands about training, erase the emotional bond that might have connected him to Jaekyung. Where halmoni’s silence is passive, Byungchul’s is active — he refuses intimacy, replacing it with obligation. For both figures, farewell becomes an empty form, stripped of the recognition that makes partings bearable. In these moments, the absence of a hug, the denial of tenderness, is more devastating than the loudest rejection. It is a party that never begins, a rite of passage left unspoken.
(chapter 22) 
(chapter 13) a breakfast in silence 
(chapter 68), the embraces in the dark 
(chapter 66) (the wordless recognition of suffering) — these become the true celebrations of Jinx. They lack alcohol, noise, or spectacle, but they carry sincerity. They reveal that belonging can be built not through grand gestures but through repetition, through the transformation of fleeting kindness into ritual. This implies the existence of conscious and choice. And yet, these moments remain fragile. After their return to the penthouse, there is no shared meal, no laughter, only nostalgia and sadness. 
(chapter 78) Even Jaekyung is troubled by the reminder that Dan’s stay is temporary, as if the very walls of the penthouse resist turning into a home.
(chapter 78) In other words, the wolf’s task is no longer to win battles in the ring but to protect these fragile celebrations — to make Dan feel at home, to turn missed hugs into embraces, missed parties into warm meals, missed gestures into habits of care. Only then can the cycle of exclusion be broken. Only then can “The Missed Party” become, at last, a real one.
(chapter 68), the shared meal 
(chapter 78). For me, it is no coincidence that the senior followed them to the street and waved at them! 
(chapter 78) He expressed not only his genuine feelings, but also his longing: he hoped to see them soon. He had come to appreciate their presence which is not related to their work. The Missed Party becomes not a single absence, but the haunting rhythm of the entire narrative: recognition always arriving too late, always seen by the wrong eyes. And perhaps the story’s promise lies here — that one day, the real party will finally be held, not in karaoke bars or gym halls, but in the unbreakable bond of two men who learn what true friendship and belonging mean. This means, the more the champion and his fated partner develop new routines, the more it will affect the gym and as such Park Namwook, which can only feel more and more excluded.
(chapter 78)
(chapter 72) —and not with fists, but with fabric. 
(chapter 72) 
(chapter 66): a source of comfort, loyalty, and belonging. To follow the teddy bear is to trace this emotional path—from abandonment to connection, from injury to intimacy, from being held once to being held again. 
(chapter 47), and then claimed, just like his teddy bear. The fate of doc Dan’s toy bear reflects the boy’s. The former was pushed outside the embrace and bed before disappearing. 
(chapter 21) That’s how the toy bear vanished from the little boy’s life. Thus I deduce that the teddy bear on the pajamas was the last traces of his “childhood”.
To follow the teddy bear is to trace this journey back to tenderness: the long path from abandonment to being held again.
(chapter 72) The shirts are not only outgrown 
(chapter 72) but also replaced with t-shirts without any design alluding to the vanishing of their identity and forced maturity. 
(chapter 57) For Jaekyung, the beanie-wearing bear with its wounded arm and wise glasses is the last trace of comfort before reality hardens. What remains is not the child, but the instinct to survive. From the moment the bear vanishes, a new figure begins to emerge—not one held, but one who fights. The boy with the teddy bear becomes the man who can’t rest, who equates existence with usefulness, and usefulness with victory.
(Chapter 72) This subtle insertion suggests that the gym wasn’t just his workplace—it was his whole life, his identity, and even his home. Therefore it is not surprising that his name was not mentioned by doc Dan or the other patients. His stay at the Light of Hope implies the loss of his “home”, the gym and as such his identity. At the same time, this image reveals that Jinx-philes should examine each panel very closely, that there’s more than meets the eye.
(Chapter 72) This episode doesn’t just show how Jaekyung became a self-made man 
(chapter 72) 
(chapter 72) —it makes one thing heartbreakingly clear: he wasn’t raised by a pack of wolves; he raised himself. 
(chapter 7) The cliché used by Park Namwook in chapter 7 is revealed to be not only ignorant, but cruel. Jaekyung had no home, no real guardian, no one to defend or guide him. He didn’t grow up in the wild—he grew up alone, navigating between violence (abuse and bullying), hunger, and neglect without true protection. This reframes the champion’s identity: not as someone untamable, but as someone who was never tamed because no one cared enough to try. What we witness is not savagery, but simple survival. Thus he had no friend. 
(chapter 71), performative masculinity and high expectations of Park Namwook, and the explosive violence of his father. 
(chapter 72) 
(chapter 5) His behaviors—his hot temper, cold demeanor, blunt speech, and instrumental approach to others—were not innate traits. They were learned strategies, adapted from men who had likewise buried their vulnerability beneath strength or stoicism or brutality. Hence he brought no present to the patient at the hospice. 
(chapter 71) He became a wolf because he was surrounded by wolves—but deep down, his true nature is closer to a cat’s. This contrast becomes visible in Chapter 72, where his external persona appears as a shy, quiet, more sensitive self. 
(Chapter 72) Much earlier, in the summer night’s dream (Chapter 44), Kim Dan sensed that hidden nature: not the predator, but the man longing to be held.
(Chapter 44) Doc Dan had sensed the real person behind the legend.
(chapter 45) and respects boundaries. He listens. 
(chapter 29) And so, like a child learning a new language, Jaekyung begins to mimic him too. 
(chapter 62) The change is gradual but visible: helping the townspeople, accepting rest, asking to stay close, even touching and speaking more gently. 
(chapter 71) With Kim Dan, the fighter who once only mirrored power begins to echo tenderness.
(chapter 62) 
(chapter 68). These are not just words—they’re the building blocks of intimacy, borrowed from the only person who ever saw through his armor. From mimicking strength, Jaekyung has begun to mimic care. 
(Chapter 72) The tragedy is that Hwang Byungchul misread that hunger. When he first met the boy, he saw dirty feet, an empty stomach—literal poverty. 
(chapter 72) So he fed him. But he never saw the deeper hunger: the absence of love, of being wanted. The coach assumed the problem was solved with food—because he had never gone without care. 
(chapter 72) He lived with his mother. He was never truly alone. And so he projected stability onto the boy’s silence.
(Chapter 27) because the body, from the very start, was only a tool for survival.
(Chapter 72) Instead, he redirects the situation: 
(chapter 22) There is no joy in eating, no comfort at the table. His body becomes a tool, and pain becomes the currency he pays to keep it running.
(Chapter 26) This is how he enters adulthood, though he was still a child: not through love, but through function. The moment he steps into the ring, he’s no longer a child. He becomes, in the eyes of the adults around him, a product. 
(Chapter 72) This explicates why Hwang Byungchul never confronted the father or called the cops or the social services. The fact that he asked the little boy 
(chapter 72) The expression (“But reality was like a punch to the gut”) suggests that even the coach himself was struck by how wrong or harsh the outcome turned out to be, but that realization came too late. Yet he blamed the young boy instead of convincing the young boy to postpone the fight. This scene shows that the man’s form of “help” was not rooted in empathy or protection—it was rooted in opportunity and perhaps even short-sighted hope for glory through the boy’s talent. He turned pain into performance.
(chapter 71) why Joo Jaekyung never visited him or expressed his gratitude towards the boxing coach more openly. 
(Chapter 71) He became successful thanks to his own hard work. It was, as if he had followed the advice to the letter—make it on your own. I am suspecting that the charity event is linked to poor neighborhoods and children, so he didn’t totally erase the man from his memory, he just repressed him. However, it is not astonishing why the director is resentful and even bitter towards Joo Jaekyung. It was, as if he had never helped him. While he blames the man, the coach never recognized his own shortcomings. He didn’t see that his assistance was actually conditional. 
(chapter 72) They are all rivals. But from my perspective, there exists another reason why the main lead didn’t keep in touch with Hwang Byungchul exposing the director’s blindness. The adult Joo Jaekyung admits that seeing the director’s face brings back “old memories”—not of comfort, but of trauma. 
(Chapter 71) The implication is unmistakable: Hwang Byungchul reminds him of his father and the abuse. And the latter is strongly intertwined with the mother’s abandonment.
(chapter 72) The other is Jaekyung himself. How can we tell? Because the scene of the phone call contains no narration, no framing voice. 
(Chapter 72) It’s a raw memory—silent and personal—untouched by the coach’s perspective. .
(chapter 72) Thus I deduce that the other scenes are a combination of the champion and director’s memories. This would explain such scenes, where Hwang Bung-Chul is not present. 
(chapter 72) 
(Chapter 71) But here, doc Dan was making a huge mistake: he was just projecting his own feelings and relationship with him onto theirs. But he was behaving exactly like the former director: simplification. 
(chapter 9) Instead of listening, we assume. We choose clear lines—strong or weak, good or bad, useful or useless—over the tangled, uncomfortable truth that everyone is both hurting and trying. This refusal to reflect doesn’t just distort reality—it perpetuates it. When we simplify, we don’t heal; we reenact.
(chapter 52), 
(chapter 69) Namwook’s failure is a professional one, but it’s also deeply emotional: he simplified Jaekyung into a product or spoiled child. And when the product malfunctioned—when pain erupted from silence—he didn’t ask why, he suggested how to make it stop. This is simplification in its most insidious form: not out of malice, but out of discomfort with emotional reality.
(chapter 65) Then someone stronger should carry him. That “someone” becomes Jaekyung. The doctor should take pills and that’s it.
(chapter 65) Her logic is deeply utilitarian—Jaekyung is rich, strong, and dependable. Therefore, he must be fine. She does not consider whether he is emotionally stable, available, or even willing to carry such a weight. The haunted look in his eyes that Hwang Byungchul noticed in Chapter 72 
(chapter 72) is invisible to her. She sees a man who has succeeded—and assumes that means he is thriving.
(chapter 65) This is totally naive, because certain parents like Joo Jaewoong are not capable of offering love and support. In Chapter 57, when Kim Dan was a child, bullied and humiliated, she told him: “They don’t know what they’re talking about. You still have me.” 
(chapter 57) This line, though comforting on the surface, is an act of simplification. She makes herself the sole solution to Dan’s complex emotional wounds. Her message: You don’t need justice, friends, or understanding. You need me. That’s how doc Dan was taught not to argue and not to fight back. He just needed to accept the situation.
(chapter 65) she doesn’t know anything about his life. That’s the price of simplification: you get a clean answer, but not the truth.
(chapter 70), as though he chose freely, overlooking how coercion and image control operate in their world. He accuses him of ruining his career with the suspension, even though it was orchestrated by others. 
(chapter 70) He judges him without knowing the circumstances. This projection is not new. In the past, he blamed the father, 
(chapter 17), it becomes clear that there exists a recurring link between athletic decline and criminal paths. The man fails to notice this connection. He sees these outcomes as individual moral failings, not systemic failures. 
(chapter 40) Kim Dan saw the result and got fascinated. And what we’re left with now is a man whose pain and exhaustion are almost unseen 
(chapter 64) He reproached him about being used and abandoned. But he was forgetting his own actions. He had also used the athlete, he had also left the bed in a hurry the next morning. Yes, he, too, simplified Jaekyung. That night, he said nothing. And in doing so, he confirmed the belief Jaekyung had internalized: I’m not someone who gets cared for. I’m someone who is tolerated, used, replaced. Like mentioned above, his mind-set was strongly influenced by Shin Okja. On the other hand, I noticed that the protagonist embodies complexity. How so? On the surface, he appears simple: obedient, quiet, weak, submissive, passive. 
(chapter 70) But beneath that surface lies a dense emotional world— love, grief, guilt, exhaustion, intelligence, empathy and moral clarity — that few characters in Jinx truly perceive. He stands for the heart! And everyone knows that “the heart has its reasons, of which reason knows nothing.” (Blaise Pascal) Because he acts from a place that defies the cold logic of power, hierarchy, and survival, he operates on emotional intelligence 
(chapter 71) —unspoken understanding, silent resistance, instinctive empathy. It’s no coincidence that his presence disrupts every system he enters: the gym, the hospital, the champion’s life.
(chapter 70), and starts being a person. The racing heart… which has already happened. And this observation leads me to this scene: 
(chapter 58) Kim Dan was erasing this memory, he wanted to forget the star The Emperor. This act of forgetting wasn’t an escape from pain; it’s an active rejection of a myth that was keeping him emotionally paralyzed. As long as Jaekyung remained “The Emperor,” he could not be touched, questioned, or truly known. By forcing himself to forget that image, Kim Dan was making space for something more vulnerable and human to emerge. To conclude, thanks to this painful decision, he was able to perceive Joo Jaekyung the man. That’s why he acted so fiercely in front of him later. So by meeting the director, doc Dan is now able to see the child or the “cat” in his fated partner. That’s how it dawned on me why Mingwa let doc Dan suffer from addiction, depression and insomnia. Because these afflictions defy simplification. They resist instant solutions (pills). They demand patience, presence, and a refusal to look away.
(chapter 72), his bruises 
(chapter 72) and asked for his name. This exposes his priorities and his blindness. He didn’t truly perceive the child in him, he was seeing him through the lenses of a boxer and director. Hence he underestimated the absence and abandonment of the mother. 
(chapter 72) The boy didn’t have a blanket. He slept beside garbage. His father lay drunk and sprawled out, blind to his child’s needs. There was no teddy bear, no shared bed, no real cover. 
(chapter 21) Unlike Kim Dan, who grew up falling asleep next to his grandmother, accustomed to someone sharing his blanket, Jaekyung was emotionally and physically on his own from the start. Moreover, observe that the little boy had toys 
(chapter 53) He is a physical therapist. He had also arranged his books together: 
(chapter 53) And what did the hamster think while gathering his belongings? 
(chapter 53) So I deduce that the woman left them behind because she didn’t need them, she had enough or she no longer cared. But there is more to it!
(chapter 72), there are parcels stacked on the commode and table—some of them are wrapped and seemingly untouched. Their presence is striking. Unlike the strewn bottles and plastic bags, these boxes don’t speak of decay, but of intention. They hint at a moment when someone had plans—however fleeting. And yet, their sealed state raises unsettling questions: Who were these parcels for? And why were they never opened?
(chapter 27) There are no toys, no supplies for a child—just quiet evidence of a woman focused on herself, her escape perhaps already underway.
(chapter 53) The jacket… Because of these parallels, I come to develop the following theory. Joo Jaekyung knew his age, because he had just celebrated his birthday. This scene definitely took place in the summer. 
(chapter 53) must have triggered the champion’s abandonment issues. He had the impression to relive the past. The mother had left him behind in the dark unexpectedly.
(chapter 53) Thus Joo Jaekyung started drinking and recalling his repressed traumas. This explains why he didn’t look for doc Dan at first and why he hates his birthday and presents. 
(chapter 45) And now, you comprehend why I wrote above that I was not giving up on the idea that the champion could belong to a different world too. She was not accustomed to take care of a household. She wasn’t used to cook either. She would order food, hence we have the empty bowls. 
(chapter 72) Remember how the champion reacted, when he tasted his cooking for the first time? 
(chapter 72). In other words, the mother was already emotionally absent long before she physically vanished. The bandaged bear thus becomes a silent accusation: you saw, and you left. Therefore it is not astonishing that Joo Jaekyung made such a mistake: 
(chapter 68) His mistakes concerning doc Dan are the evidences that he was not taught how to take care of someone. His errors indicates his innocence and purity.
(chapter 44) before he was abandoned. Jaekyung was never treated properly before. He was not claimed at all. It is important because the champion mentioned the word “home” 
(chapter 43) And it is linked to his birthday. This resembles a lot to this scene: 
(chapter 37) 
(chapter 49) Is it the mother or someone acting as an invisible guardian who knows the champion’s past? What do you think?
(chapter 72) Joo Jaewoong—whose name literally evokes the bear (웅, 雄 or 熊)—was not a gentle protector, but a violent alcoholic and drug addicted, a man who “strayed from the straight and narrow” 
(chapter 72) The bear here is not a comforting toy but a dangerous beast. He loomed large over the child’s life not as a shield, but as a shadow. It is important because doc Dan is hearing for the second time that fighting has connections to the underworld. 
(chapter 47)
(chapter 54) —Team Black—bears symbolic weight. Unlike other athletes who proudly attach their names to their legacy, Joo Jaekyung avoids personal branding. He doesn’t call it “Jaekyung’s Gym” or “Joo Athletics.” Instead, he opts for anonymity, for darkness. It’s as if he’s building a fortress rather than a legacy, a space that offers power and protection, but no trace of where he came from.
(chapter 71) I am quite certain that her vanishing must have pained him. She embodies the only good motherly role model in his life which explains why Joo JAekyung has a soft heart for Shin Okja. He knew to speak prettily and gently because of her. It is clear that the director influenced his dream, creating a gym where his mother would be part of it. 
(chapter 65) corresponds to the release of Jinx Chapter 70, which marked the series’ return after a three-month hiatus. This observation is more than clever numerology—it mirrors the manhwa’s deeper message: the past always haunts the present, and at times, it even foreshadows the future. And that’s exactly what I will do in this essay. I propose that the key to understanding the protagonists and characters’ evolving identities lies in the overlooked architectural and administrative details—especially the house numbers, door placements, and legal ownership of space. These seemingly minor visual cues are in fact loaded with meaning, offering insight into how home, memory, and identity are fragmented and reassigned across time and place.
(chapter 57) The landlord’s house has the number 33-3. Why do two neighboring houses bear such disconnected numbers: 7-12 and 33-3? 
(chapter 61) For readers unfamiliar with Korea, this looks quite bizarre. In most European and American countries, street addresses follow a linear order; house number 12 would typically be located between 10 and 14. But in Korea, especially in rural areas, many towns use the older jibeon (지번) land-lot numbering system. Here, numbers are based not on street sequence but on the chronological order of land registration and subsequent subdivisions.
(chapter 62), newer developments, or administrative restructuring rather than deep-rooted inheritance. In this context, a higher subdivision number implies not only later division, but also the erosion of legacy and the weakening of kinship-based territorial claims—an erosion especially poignant in the context of Confucian traditions that once emphasized multi-generational cohabitation and patrilineal inheritance. In classical Korean society, a home was not merely a shelter but a physical emblem of familial continuity, with ancestral rites often performed within the same household across generations. As addresses fragment and land parcels divide, so too does the symbolic structure of the family unit. The once-cohesive ideal of the extended household dissolves into isolated, rented spaces, reflecting not only economic realities but also the fraying of intergenerational bonds and filial authority.
(chapter 61) Though Jaekyung is a wealthy celebrity, he inhabits a parcel of land that speaks to impermanence and anonymity. Meanwhile, Dan shares space with someone who quietly represents legacy and transparency.
(chapter 62) However, this “dynamic” (distinction) began to shift the moment Jaekyung started working for the local residents. 
(chapter 62) No longer just a “guest” or a “tourist,” he earned their recognition and acceptance through acts of service and humility. 
(chapter 62) As he helped them with manual tasks—such as lifting goods or assisting the elderly—they started seeing him not as an outsider, but as one of their own. However, it is important to note that these gestures of inclusion occurred while Jaekyung was outside the blue gate 
(chapter 62) —beyond the formal boundary of the rental property. 
(chapter 62) In this way, the gate truly functioned as a symbolic threshold: only once he crossed it through action and humility, the community began to approach him. This change in perception was symbolized, when he received vegetables from the townspeople, a traditional gesture of inclusion and local acknowledgment. 
(chapter 62) Nevertheless, the best sign that he has been accepted by the community is when he received traditional welcome gifts: the toilet paper and detergent. 
(chapter 69) [For more read 
(chapter 65), the elderly neighbor chose to open the blue gate shortly after: 
(chapter 69) Thus I deduce that the blue gate lost its purpose. The champion definitely saw the advantages of the absence of a gate by his neighbor. He could arrive there at any moment 
(chapter 62) and the landlord never rejected him. In fact, he was always welcome. 
(chapter 66)
(chapter 59), and townspeople instinctively report Dan’s behavior to him. 
(chapter 69) I would like to point out that the kind man said “villagers” and not “villager”, a sign that he was contacted by many people. Such recognition is reserved for those woven into the community’s long memory.
(chapter 61) Given that the rural address system is based on the older jibeon model—and most GPS systems now rely on the newer road-based address format— it is unlikely that Jaekyung could have located Dan’s home through navigation alone. 
(chapter 61) That’s the reason why the author included this scene. Even if someone had disclosed Dan’s address, the GPS in Jaekyung’s luxury car would not have been able to guide him there. Like mentioned above, the streets have no names, and the numbering lacks logical sequence. Thus, we have to envision how the Emperor followed Dan on foot, observing where he went. In doing so, he not only located the general vicinity. Afterwards, he must have contacted a local and requested for a vacant house close to 33-3. That’s how he found the “hostel” right next door. 
– chapter 69) and walking through the confusion himself.
(chapter 65) Though she insists this seaside town is where she “grew up,” she never identifies a lot number, street, or ancestral parcel. In a rural system where numbers are more than logistical—they are signs of rootedness and intergenerational presence—her vagueness stands out. Everyone else is connected to a numbered gate, a registry, or a mailbox. She alone floats in narrative space, clinging to emotional claims without material proof: no concrete location is brought up. 
(chapter 57) The contrast becomes sharper when she refers to Seoul only in generic terms. She never mentions a district, 
(chapter 56), a neighborhood, or specific location. This lack of detail, especially when juxtaposed with the specificity of the rural jibeon system (where even a subdivision number implies lineage and ownership), exposes her rootlessness. It reinforces the idea that her ties to place are performative rather than grounded. Even her nostalgia for Seoul is flattened 
(chapter 17) As Jinx-lovers can detect, next to the entrance of her apartment, there is no blue house number plate or street name. How is that possible in a metropolis where every residence should be digitally registered? And now, pay attention to the house where the “goddess” and her “puppy” lived. 
(chapter 1) The building had not only two doors, but also the plaque is placed next to the other door. It is also partially visible in this image: 
(chapter 1) 
(chapter 11), we naturally assume he is returning home—entering the same shared space he and his grandmother inhabit. But is that actually the case? A closer look reveals he is using the other entrance. On his right side, we see the electricity meter, the mailbox, and the window—the signs of an inhabited and administratively recognized unit. This suggests that Kim Dan’s official residence is behind this second door. Once again, I am showing the view of the same building from a different perspective, 
(chapter 57) where the mail box and the electricity meter are. But I have another evidence for this observation. During that night, the hamster got assaulted by Heo Manwook and his minions. 
(chapter 11) And keep in mind that after getting beaten by the Emperor, anyone could recognize the grandmother’s place from outside due to the broken window. 
(chapter 19) The moment I made this discovery, I couldn’t help myself wondering why doc Dan would go to the other door and not to the halmoni’s room.
(chapter 11) The voice on the phone reveals something legally crucial
(chapter 11): Kim Dan is the last remaining resident in that building. That one line reframes everything. This suggests that Kim Dan’s official residence is behind this second door. 😮 In fact, the building features 
(chapter 5) When the loan shark came to collect the interest of the debts during Kim Dan’s childhood, he went straight to her door 
(chapter 5) —the door that, at the time, likely bore the blue house number plaque. 
(chapter 5) the door associated with Kim Dan in later episodes—particularly the one through which the champion entered during the confrontation with the thugs —opens inward and is placed in the corner of the right wall. The interior layouts and door directions don’t match, though the furniture is similar. This strongly suggests that these are two different units within the same building, exactly like I had observed before. The “goddess” and the hamster’s house had two doors and as such two units. 
(chapter 19) had a recollection of this moment, when he was about to leave this humble dwelling. 
(chapter 65) and Kim Dan the immature child, whereas according to my observations, she is legally dependent on the “hamster”. She is just a household member. As you can see, I detected a contradiction between her words and “hidden actions”, all this triggered because of the closed door. By transferring the address and registration to the physical therapist, she made it possible for him to inherit not just the space, but also the liability. That’s why he’s now the only registered person.
(chapter 11) When he says “home,” he is referring not just to a physical place, but also to a legal and emotional placeholder—a registration number that ties him to bureaucratic existence, familial duty, and emotional manipulation. With her promise to return in that home, Shin Okja is essentially demanding he remains the legal anchor—the one who stays behind, the one who remains registered, the one who continues to carry the official burdens, even as she herself fades into invisibility. That’s how she became a “carefree” ghost in the end. It wasn’t just a promise of care, but a submission to being tethered—not to belonging, but to obligation masked as love. The irony is that by remaining legally “present,” Dan was emotionally erased.
(chapter 65) In this panel, her words in English were ambiguous, while in the Korean version, the grandmother exposes that she was well aware that her grandson and the emperor would live together. 
(chapter 65), in the eyes of the system, merely lodging in his shadow. She is indeed a ghost. 
(chapter 65) Joo Jaekyung is almost her grandson!! It was, as if she was about to adopt him. Let’s not forget that he embodies all her ideals and dreams: strong, healthy, rich, famous, generous, polite and gentle! And according to my observations, she knows that the athlete owns a flat in Seoul, big enough to take a room mate. 
(chapter 16) He even showed the amount Kim Dan owned with his cellphone to the Emperor 
(chapter 17) That’s how the champion internalized that the hamster was the one with debts. This theory explicates why doc Dan is not blaming his grandmother for the debts in the end, as he signed himself loans. And now, you can imagine what happened in the past. Once he became 17 years old, she asked him to get a resident registration number. With this, he could apply for a loan in order to reimburse the grandmother’s debts. This must be one of her favors from the past: 
(chapter 5) His words imply that he had done something in the past for her. And that would be to become her guardian and take her debts. This hypothesis explicates why only in episode 11, Doc Dan was comparing the progression of the interests with a snowball system, something unstoppable. 
(chapter 11) His thoughts reflect a rather late realization that he is trapped in a system and he can not get out of it. In other words, this image oozes a certain innocence. This also explained why Joo Jaekyung had to confront him with reality in front of the hospital. 
(chapter 56)
(chapter 11) And now, it is time to return our attention to my illustration for the essay: 
As my avid readers can observe, the panel with the champion facing the blue door comes from episode 69, while the one with doc Dan comes from chapter 11. These scenes are mirroring each other. It is about concern and danger! While in episode 69, the athlete got worried, as he imagined that doc Dan’s life was in danger, in episode 11, the hamster was about to face an old threat: Heo Manwook and his minions! 
(chapter 11) But back then, he was on his own and no one paid attention to his health. Not even Shin Okja… He was truly abandoned, while the episode 69 exposes the opposite. Society in this little town takes care of people in general. 
(chapter 11), he jumped to the conclusion that Dan was either prostituting himself or laundering funds. Why? It is because he had taken odd jobs, until he got hired by the dragon, Joo Jaekyung, and had such a huge income. Under this new light, it becomes comprehensible why Heo Manwook knew how to use the old lady in order to threaten doc Dan. 
(chapter 16) Like I wrote in a different analysis, I doubt that the grandma would have signed a loan by Heo Manwook. This reveals how Dan entered the contract in obscurity, without recognition or protection. He did it for Shin Okja’s sake to repay her for her support and “love”. 
(chapter 65) No wonder why Shin Okja never mentions the loans when speaking to Joo Jaekyung, thus erasing her responsibility. And imagine this: Doc Dan is now living with an elderly man who is a farmer. She might suspect that the senior is trying to take advantage from her “grandsons”. If this is true, then she would just be projecting her own thoughts and fears onto the landlord. Since she connects the city to success and money, I am quite certain that she doesn’t judge farmers in a positive light. For her, doctors or celebrities are much more recommendable persons.
(chapter 57) Therefore I am expecting an argument between the halmoni and the inhabitants of 33-3. The landlord embodies the opposite values of Shin Okja. 
(chapter 16) Dan repeatedly calls it his grandmother’s and even dreamed of finding a new place that could house it—a gesture that underscores how much he believed she treasured the object, even though she herself never mentions it. But she never once references it, not even when returning from the hospital. The absence of interest is striking. What if the cabinet didn’t belong to her at all? Its size suggests that it predates the division of the house. Besides, according to my observation, she used to live in the other unit and I can not imagine, the halmeoni moving this furniture from one unit to the other. Perhaps it once belonged to Dan’s mother—a remnant of the original household, now misattributed to the woman who unofficially took over.
(chapter 19) onto the object just as he projects loyalty and gratitude onto his guardian. But the silence around the cabinet speaks volumes: it is not treasured by Shin Okja, only by Dan. Much like his name on the loan, or the house number on the door, it could be a misplaced inheritance. At the same time, such an item could serve to identify doc Dan’s true origins, if the Wedding Cabinet belonged to his true family.
(chapter 66) Changing his registration would mean stepping outside of the institution’s control and surveillance. 
(chapter 62) Without Dan, Seoul held no meaning. But if he remains in the town past the statutory threshold, it would imply that he is ready to leave behind the world of contracts and competitions. It would mean he is now rooted—not by career, but by choice. Not by obligation, but by emotional truth.
, released in anticipation of Chapter 70, is more than a promotional teaser. It is a moment frozen in time, yet brimming with motion—emotional, symbolic, and narrative. We see Joo Jaekyung embracing Kim Dan with both arms, pressing him tightly against his chest. There is no resistance, no distance, no tension in the frame. The palette moves from gray and brown fading into violet and pink, blooming into soft light. There is vapor, there is breath, an allusion to life. And most strikingly, there is stillness.
(chapter 11), every glare, and every awkward silence 
(chapter 67) between these two, this hug feels monumental. 
(chapter 29) —the constant possibility of being challenged, of losing ground, of falling from his throne. Time meant pressure. It meant movement. But now, in this image, 
(chapter 68) and the public hug on the dock in Chapter 69. 
(chapter 69) 
(chapter 68) He rests his chin not on Dan, but on his own hand, his arm propped on the edge of the bathtub. This detail is telling: even in a moment of supposed closeness, Jaekyung relies on himself for support, not on Dan. He is physically near but emotionally braced—still holding himself apart. His thoughts are private, tender, and possessive. In a rare moment of introspection, he confesses that 
(chapter 68) This line (“I’ll keep him right here in the palm of my hand”) is deeply revealing. The champion frames care through the language of possession. The palm is open but hierarchical; it suggests that Dan is small, fragile, and dependent on Jaekyung’s will to hold or release. He does not yet see Dan as an equal. Even as he softens, his emotional vocabulary is shaped by superiority and containment. The hug is real, the sentiment sincere, but the dynamics remain unbalanced. And since Dan is asleep—unable to reciprocate, respond, or challenge—the embrace becomes more about the wolf’s soothing himself than forming a mutual bond. Furthermore, Dan is not even facing Jaekyung. 
(chapter 69) The illusion of control dissipates, revealing that his earlier vow, however heartfelt, was not yet unshakable. 
(chapter 69) rather than a moment of mutual resolution. Jaekyung offers no words, yet a silent gesture of care and vulnerability.
(chapter 69) that Jaekyung is wearing it, the change in angle—viewing the hug from behind—deliberately conceals it. 
(chapter 55) In the new illustration, the hamster’s back is no longer representing anonymity and indifference, but visibility and care, for the champion is now facing his fated partner. In other words, doc Dan’s back in the teaser stands for uniqueness and high value. He can not be replaced. Moreover, doc Dan is not walking away, nor is he asleep. 
(chapter 21) Dan became fluent in a silent, physical language of care. She often asked him not to cry 
(chapter 47) and composed embraces—gestures repeated with calm precision. These touches were predictable, rhythmic, and soothing, but they also suppressed genuine emotional exchange, the symbol of toxic positivity.
(chapter 57) the momentary pause of a hand
(chapter 5) never still—giving the impression of involvement, of care in action. But this motion avoided vulnerability and responsibility in reality. She never clung, never trembled. Her gestures conveyed comfort but not surrender, presence but not change, and not support either. They were not truly emotionally together. 
(chapter 47) to hold her hand, to initiate closeness 
(chapter 47) 
(chapter 56). This reversal of roles placed the burden of emotional stability on his young shoulders.
(chapter 57); I’ll come back home, once I am all better”
(chapter 35) Instead of recoiling in fear or admiring his strength, Dan quietly states, “I think I really need to focus on Mr. Joo right now.” He does not focus on the strength or aggression, but on the pain beneath it. The burst sandbag, for him, is not a threat—it is a symbol of Jaekyung’s emotional unraveling. This silent recognition mirrors Dan’s interpretive skills developed in childhood. Just as he once learned to read a shift in his grandmother’s hand or the silence after a broken promise, he now interprets the damage to the sandbag as an unspoken plea for help. This sensitivity continues to define his bond with Jaekyung.
(chapter 47), to stabilize the person meant to support him. Now, he is receiving without shame or hesitation. The Emperor’s silent desperation, his refusal to hide behind ritual or false strength, creates the space for Dan to feel treasured—not pitied, but wanted.
(chapter 65) or stand-ins 
(chapter 29), ignoring Dan’s presence and concern. His rejection of the doctor’s offer of comfort or companionship underscores not only his emotional detachment but also the absence of true support from his supposed team. The manager, Park Namwook, is nowhere to be seen, 
(chapter 42) or offered silence in return. He had no teamwork ability in the end contrary to the hamster who “assisted” his grandmother. But it is not surprising, since Park Namwook has always relied on his boy. 
(chapter 40) Each time, they faced a problem, the athlete had to resolve it. He was the problem and the solution for everything. 
(chapter 17) 
(chapter 52) The reason is that he couldn’t face the terrible outcome and his own responsibility. He needed a scapegoat. Thus he blamed the champion for everything. But by doing so, he refused to share the burden and the athlete’s unwell-being. Striking is that this slap served as a wake-up for the athlete. From that moment on, he stopped relying entirely on his “hyung”. He was pushed to make decisions on his own. This harsh gesture mirrors Shin Okja’s attitude toward Kim Dan, 
(chapter 52), seeing it as disruptive or shameful. Their guidance demanded emotional control, not emotional honesty.
(chapter 66) or use violence to “tame the wolf”. That’s the reason why he is accepting the offer from the CEO of MFC. He is pushing the Emperor to return to the ring, but the problem is now that doc Dan was officially recognized as a member from Black Team. 
(chapter 69)
(chapter 66)
(chapter 2) his ritualistic sex before fights, his fear of losing control, 
(chapter 5) his reliance on routine. Yet there is another jinx in this story, one far less visible and perhaps even more tragic: Kim Dan’s.
(chapter 1) was seen as the core expression of a man who believed he was doomed.
(chapter 21) It weaves together absence, silence, and the specter of loss. What’s striking is that the nightmare surfaces, not when he’s alone in the present, but after he has just returned from watching over his hospitalized grandmother. 
(chapter 21) He lies on the couch and dreams of a night when she vanished from their shared bed. 
(chapter 21) This reveals how, in Kim Dan’s subconscious, the night and an empty bed have become synonymous with death. The trauma is deeply embedded, where even temporary absence is tied to the irreversibility of loss. For Kim Dan, solitude at night 
(chapter 67) is not mere loneliness—it is abandonment, it is death, it is the erasure of home. It is repressed, hidden beneath his quiet demeanor and years of survival-based behavior. Rather than a rational belief, it is a subconscious wound that only surfaces in moments of extreme vulnerability—especially at night. 
(chapter 2), the doctor’s is secret and involuntary. His actions—his fearful expressions 
(chapter 57), his pattern of emotional detachment 
(chapter 67), and his obsessive loyalty to his grandmother 
(chapter 10) signal a suppressed conviction: that he is destined to be left behind. What seemed like devotion now appears as coping; what appeared stoic was survival. And with the impending death of his grandmother, the anchor holding this hidden jinx in place is slipping away.
(chapter 2), the trembling kiss 
(chapter 44) in Chapter 44, the complete breakdown 
(chapter 66) in Chapter 66, or the transactional submission 
(chapter 67) in Chapter 67, nighttime becomes the stage for his unresolved trauma. These nights mirror one another and suggest an origin story that predates them all: a night when Kim Dan was abandoned by his mother.
(chapter 57) A puppy needs at least eight weeks with its mother to grow emotionally secure. By drawing this parallel 
(chapter 59), the story tells us: Kim Dan was separated too soon. He was not ready.
(chapter 53)
(Chapter 56) he tucks her in. Their roles are reversed. He behaves like a parent, whereas in truth, he is reverting emotionally to a child terrified of being alone. This reversal highlights the internal dissonance between his outward behavior and emotional reality. Though he was forced to grow up quickly 
(chapter 65), he still carries the emotional wounds of a child. And from my point of view, the grandmother knows it, therefore she treats him as a child. And this observation led me to the following question: why does she still view him as a “boy”, though he has been working since his youth? It is because he can not sleep alone! What caught my attention is that she never stated, when the doctor started smoking or drinking. 
(chapter 67) This reinforces my hypothesis that his bad drinking habits are related to the absence of a loved one next to him. 
(chapter 29) That’s how it dawned on me why Shin Okja was so determined to send back her grandson to Seoul.
(chapter 19) The latter is obsessed with work, while he is suffering from insomnia. 
(chapter 65)
(chapter 44) These gestures suggest he had once received such kisses, most likely from his mother. It means he remembers love, even if he doesn’t know how to process its loss.
(Chapter 39), the moment is tainted. It occurred under the influence of an aphrodisiac, intertwining love with sex. Furthermore, he has never voiced this sentiment to his grandmother—perhaps because she never said it to him. It was never modeled. While others might judge Kim Dan’s emotional restraint, I desire to stay neutral. He is not an emotionally stunted adult by choice—he is a product of emotional neglect. That’s the reason why Mingwa has associated him with an angel. 
He is carrying the sins of “adults”. By likening him to an angel, Mingwa frames his pain not as weakness, but as unjust burden. He embodies purity, sacrifice, and resilience, not because he was allowed to thrive, but because he endured. The angel metaphor becomes even more striking when you think about traditional symbolism: angels don’t belong to Earth, yet they walk among the living, often suffering in silence and helping others. That’s exactly Kim Dan — out of place, bearing the consequences of others’ choices, carrying guilt, debt, and unspoken grief that were never his to begin with.
(chapter 29) —not because of physical intimacy with Joo Jaekyung, but because he felt safe. For a time, the place became his illusion of home. But when the champion showed mistrust, the illusion shattered. 
(chapter 51) The penthouse was never truly his. It was borrowed space. This explicates his refusal to spend the night there. 
(Chapter 67) Observe how Joo Jaekyung called the penthouse: not home, but his place. Due to the last altercation, the emotional safety collapsed. This experience reactivated his fear of abandonment and solidified the belief that he has no home. 
(chapter 65) Even the family photo (where and by whom it was taken is unclear) emphasizes the fragility and incompleteness of his sense of belonging.
(chapter 61) that he must sacrifice his “needs” and identity to be accepted. 
(chapter 66) Therefore it is not surprising that he laughes like a little child during that night. 
(Chapter 44) Chapter 66 represents its negative reflection, the emotional climax of this regression: 
(chapter 66) he cries, begs, 
(chapter 66) and desperate pleas are not about romance—they’re about survival, longing and regret. Deep down, he wished, he had hold onto his “mother” in the past, stopped her from leaving him. Is it a coincidence that this gesture from that night mirrors the one during their first night? 
(chapter 2) He wanted the champion to keep his promise. From my point of view, the parent’s vanishing is strongly intertwined with a broken promise… And that’s exactly what the grandmother did to her own grandson: she didn’t keep her words either. 
(chapter 53)
(chapter 67), but this time, with eerie detachment. He kneels before Joo Jaekyung like a servant, 
(chapter 67) his arousal betrays a loss of emotional control. Though he is on his knees, it is Joo Jaekyung who is emotionally yielding. His body betrays his composure, responding to Kim Dan’s touch and gaze. Kim Dan, watching the tremble in the fighter’s expression and the rising heat in his body, feels the shift. His soft blush is not simply one of affection or embarrassment—it’s a flicker of recognition. 
(chapter 67) He senses that the one usually in control is now unraveling. Appearances deceive: beneath this scene lies a quiet reversal of power. The blush on his cheeks is a trace of a brief moment of clarity: he sees that the person who once held all the control is now faltering.
(chapter 66), his body is still a vessel for mourning. Hence there is no kiss during that blue night. Each night carries the residue of that first trauma: the night he was left alone. Whether his mother disappeared or passed away in the night, the result is the same—nighttime became synonymous with loss.
(chapter 63) His so-called jinx is not some irrational superstition. It’s a scar. It’s the quiet belief that the people he loves will vanish the moment he lets his guard down.
(chapter 67), it’s resignation. Hence he is not expecting to be cured with the pills. 
(chapter 67) he offers sex to “settle up,” citing his own preparations like a transaction. 
(chapter 67) while he drank alcohol with the medicine. 
(Chapter 67) Until now, the champion has a blind faith in drugs, just like the grandmother. 
(chapter 7), while Kim Dan becomes a child during the night.
(Chapter 66) 
(chapter 47), when the “wolf” was portrayed as a thug, though the latter had assisted him on multiple occasions.
(chapter 66) they saw it as further confirmation of their perception—reinforcing the idea that he is terribly flawed. However, a deeper analysis suggests that this term reflects not just his character but also his evolving mindset and struggle with emotional vulnerability. This essay will explore the paradox at the heart of their dynamic—how both men refuse to acknowledge the emotional weight of their relationship, leading to a cycle of denial and misperception. It will examine how the concept of the jinx evolves, the continued influence of Park Namwook’s manipulations on Joo Jaekyung, and the role that mutual ingratitude plays in their emotional stagnation.
(chapter 65), the nature of his principle has changed: 
(chapter 65)The athlete is admitting his dependency on doc Dan. The jinx is now directly tied to Kim Dan, not just as a concept but as a tangible element of Joo Jaekyung’s career stability. The second switch is that sex is no longer a condition to ward off bad luck. In fact, the celebrity is recognizing the importance of his daily training and, as such, his hard work. 
(chapter 65) The inner thoughts of the sportsman reveal that the champion is feeling less powerless than before. His champion status is no longer reliant on superstition but on tangible efforts—his “old routine” and, crucially, Kim Dan’s expertise as a physical therapist. This marks a significant transformation in his perception of Kim Dan, whom he now values for his professional skills rather than as a mere tool for maintaining a ritual. Thus, Joo Jaekyung should be less inclined to request Doc Dan’s sexual services. Then, in episode 66, a new change became visible.
(chapter 11), a tool to generate money and maintain the gym’s reputation. Hence he blames him, when members leave the gym. 
(chapter 46) The manager used the incident with Seonho to justify the desertion of the other athletes. However, it is clear that some left the gym because they didn’t become successful like Joo Jaekyung. However, their lack of success is explained by their lack of talent 
(chapter 46) exposing the lack of ambition and commitment from the two hyungs. It is clear that Joo Jaekyung’s wealth and fame was used to attract the sportsmen creating a myth that they could experience the same success. Nevertheless, as time passed on, the fighters were confronted with reality. It was, as if the athlete’s achievement had become a curse for Team Black. Nonetheless, neither the manager nor the coach can admit it, the champion’s bad temper is utilized to cover the mismanagement within the gym. Striking is that by portraying the protagonist as a person with a bad temper and personality 
(chapter 54) 
(chapter 66) His presence is necessary to maintain the “myth” alive. 
(chapter 66) In calling Kim Dan ‘defect,’ Joo Jaekyung is unknowingly projecting his own self-perception onto him. The term suggests something broken but also something that can be repaired, reflecting an unconscious shift in his perspective. Instead of simply using Kim Dan as part of a superstition, he is beginning to see his vulnerability, perhaps even recognizing a parallel to his own struggles. His choice of words also reveals his deeply ingrained belief in self-reliance. 
(chapter 66) Nevertheless, the idiom (“he’s got a defect”) reveal that Joo Jaekyung is still under the manager’s influence. This means that this shift is not immediate or conscious; it is restrained by his continued loyalty to Park Namwook and his ingrained avoidance of emotional vulnerability.
(chapter 60) This scene represents the exception. For the most part of the time, the star only visited the gym because Park Namwook had contacted him. 
(chapter 54) 
(chapter 66) Striking is that by each meeting, the champion was alone with the manager. The latter was no longer followed by coach Yosep. It was, as if Park Namwook wanted to have some privacy with the celebrity. However, through this contrast, Jinx-lovers can detect a certain MO from the manager: he is isolating the champion, limiting his interactions with other members. This explicates why he remains a pivotal force in Joo Jaekyung’s stagnation. 
(chapter 27) This double standard highlights Park Namwook’s true role: he is not a supportive figure but a handler, ensuring that Joo Jaekyung remains under control and fulfilling his duties as a fighter. His words are not meant to provide genuine support but to keep Joo Jaekyung tethered to a system where his worth is defined solely by his success in the ring. 
(chapter 54) or (un)favorable interviews about the athlete. 
(chapter 54) 
(Chapter 57) As a manager, Park Namwook’s role involves overseeing Joo Jaekyung’s career, securing contracts, and ensuring his reputation remains intact. Yet, as seen in Chapter 66, his actual concerns seem remarkably narrow in scope. 
(chapter 48) Back then, there was a witness, Kwak Junbeom and the latter could have reported to the “hyung”. These incidents indicate a consistent effort to control what the champion knows, raising the critical question: why?? His silence on this matter suggests not only a strategic decision to keep the star uninformed, but also an attempt to avoid responsibility. The supervisor often hesitates to make decisive choices 
(chapter 50), preferring instead to remain passive so that any negative outcomes can be blamed on the champion. At the same time, this passivity helps him maintain control—as if Joo Jaekyung, without his guidance, would be left ‘alone’ and directionless. In this way, the man with the glasses sustains a dynamic in which the champion feels dependent on his presence, even as he is subtly undermined. By neglecting to inform him of these events, Park Namwook ensures that the champion remains unaware of external factors that could influence his choices. This pattern reinforces the possibility that Park Namwook was aware of the meeting with Choi Gilseok and deliberately ignored it, likely expecting that Joo Jaekyung would take care of it, while absolving himself of responsibility. 
(chapter 66) This hesitation stems from deeply ingrained beliefs about relationships and fidelity. His loyalty to Park Namwook prevents him from fully confronting the possibility that his manager may not have his best interests at heart. Moreover, his own emotional repression makes it difficult for him to recognize his evolving dependency on Kim Dan as something beyond physical necessity. 
(chapter 22) They had heard about his place, for the manager must have talked about it. The protagonist is not someone who will talk about his private life to others. The manager must have dangled promises in front of them, making them believe that if they’re lucky enough, they too could live like the champion. However, their reactions reveal something crucial—they are not motivated by greed but by genuine admiration. They simply want to experience the luxury once in a while, reinforcing that their bond with Joo Jaekyung is rooted in camaraderie rather than material envy. This further highlights the contrast between Park Namwook’s manipulation and the sincere regard his teammates have for him. This scene is important, because it exposes the manager’s prejudices and lack of discernment. 
(chapter 46) Not everyone is the same and more importantly like him! It is clear that the man is projecting his own principles onto others and in particular onto the champion. 
(chapter 66) Neither of them fully understands how to acknowledge care or support. Just as Joo Jaekyung struggles to recognize his actions as stemming from concern 
(chapter 66) rather than routine, Kim Dan fails to see Joo Jaekyung’s interventions as genuine help. This mutual misunderstanding deepens the emotional rift between them, ensuring that both remain trapped in their own perceptions of obligation rather than connection. In Chapter 66, he openly expresses frustration, stating, 
(chapter 66). This moment highlights a rare glimpse of honesty: he is not acting purely out of self-interest, but he frames it as an obligation rather than a choice. From my point of view, such a statement could only reach the physical therapist’s mind, for in the latter’s eyes, the champion has always been a “demon”: self-centered and inconsiderate. Observe the absence of reply from the “hamster”. He couldn’t contradict the star, as the latter was using this negative image: bad tempered and selfish.
(chapter 7) and even Choi Heesung. Hence the latter called him like that: 
(chapter 30) Kim Dan’s perception of himself as an “angel” has long shaped the way he interprets his relationship with Joo Jaekyung. Reinforced by his upbringing and Park Namwook’s subtle manipulation 
(chapter 1), selfish, and emotionally stunted. However, this self-perception is deeply flawed. By believing himself to be inherently better 
(chapter 66) The expression “Really…?” is not just about disbelief but also about a moment of confrontation with reality. Up until this point, Kim Dan has been dismissing his own suffering, suppressing his struggles, and functioning on autopilot. However, hearing a professional confirm that he is indeed sick forces him to acknowledge what he has been denying.
(chapter 60) or exaggerations. 
(chapter 66) It also forces him to consider that others—especially Joo Jaekyung—were right to be concerned, which in turn may lead to a shift in his perception of the champion’s actions.
(chapter 20) with shame, something impure that should be avoided or hidden. This internalized belief made it difficult for him to separate his own experiences from moral judgment. When he encountered the champion —who treated sex as nothing more than a professional ritual 
(chapter 66) He assumed once again that the star had taken advantage of his “drunkenness”, something Kim Dan had done himself in the past.
(chapter 65) Symbolically, this reflects their respective journeys. The demon (Joo Jaekyung) is slowly leaving the underworld of detachment and blind routine, stepping toward vulnerability. Meanwhile, the angel (Kim Dan) is descending from his idealized, self-righteous perception of himself, recognizing his own flaws, desires, and limitations. Both must step away from their extremes—Kim Dan from his unconscious moral superiority and passive victimhood, and Joo Jaekyung from his emotional repression and transactional mindset.
(chapter 66) because Kim Dan does not recognize his efforts, while Kim Dan cannot see past his own survival instincts to notice that Joo Jaekyung’s actions are slowly shifting from obligation to care. Kim Dan, conditioned by years of neglect and survival-driven thinking, does not see Joo Jaekyung’s actions as genuine care. 
(chapter 62) In episode 62, Kim Dan reproached the champion for only being interested in his body, reflecting his own inability to see his body as something valuable. Hence he never wondered about the true cause for such a huge bruise. 
(chapter 61) While with his words, he implied that his fated partner was a man obsessed with sex, his complaint reveals his mindset. First, he is the one longing for human warmth 
(chapter 59), hence he felt terrible sleeping alone. Secondly, he does not attribute worth to his own physical being beyond its utility for others. This explains why he has consistently neglected himself—avoiding food, disregarding his own injuries, and refusing to seek medical help when necessary.
(chapter 60) It underscores the reality that without his body, he cannot work. In this way, his physical deterioration forces him to confront an undeniable truth: 
(chapter 59) his body is not just a tool for others, but the very foundation of his survival. I would even so far to say that his sick and stressed body would question his identity as PT and caregiver. 
(chapter 43), they will replace him with a new ‘doll.’ This exploitation shaped his relationship with his own body—one that prioritized its use over its care.
(chapter 26) and 62 
(chapter 62) that highlighted a crucial shift in how each of them perceives their own worth—and, more importantly, each other’s. The mirroring of these two episodes suggests a deliberate narrative structure that showcases their evolving dynamic, with each character taking on a role the other once held. This realization led me to explore how their perspectives on strength, vulnerability, and agency transform over time.
(chapter 26) 
(chapter 62), Kim Dan’s smile (genuine versus fake) and the characters’ shifting roles in confrontation and protection. The numerical structure of this episode—where Joo Jaekyung (2) represents dominance 
(chapter 26) 
(chapter 26) This small yet significant act reveals that the champion does not see Kim Dan merely as a ‘sex doll’ but as someone worth protecting, even when challenging him. The protective gear is a contrast to Joo Jaekyung’s usual treatment of his one-night stands, reflecting an unconscious distinction between how he views Kim Dan versus his other partners. Finally, this sparring day exposes the doctor’s biased perception about the athlete in episode 62 once again. 
(chapter 62) It was, as if he had no real talent. But let’s return our attention to the safety gears. The latter underline the high sense of responsibility of the champion, which readers could detect in episode 62. With the red accessories, Joo Jaekyung was showing his respect to the doctor as a man. In that scene, Kim Dan could choose his destiny. It is clear that “the hamster” has long forgotten this happy day 
(chapter 26) – he was smiling genuinely here- , and has reduced his time spent with Joo Jaekyung to sex: 
(chapter 26) —a powerful, intimidating man who mirrors the threat of Heo Manwook 
(chapter 16) and his minions. At the beginning of the fight, the doctor was not fighting for himself but for someone else, reinforcing his deep-seated belief that his worth was tied to service and sacrifice. However, during the match of the century, there was a short change. Kim Dan was reminded of his own past and fears. Thus, I deduce that in episode 62, it is Joo Jaekyung who must face his own greatest challenge—not a physical opponent, but the emotional vulnerability that comes with loss and uncertainty. Though he helped others, his generosity remained unnoticed by Kim Dan. Hence the latter was still unwilling to return to Seoul. 
(chapter 62) On the surface, it looks like Joo Jaekyung lost. 
(chapter 62) More importantly, Kim Dan’s words 
(chapter 26), was happy to demonstrate his talents and kept smiling all the time: 
(chapter 26) For the first time, fighting had become a source of joy for the athlete. He felt not only good, but confident about his skills, as a teacher and fighter. In both instances, this moment serves as a turning point, pushing each character to redefine their role and perception of self.
(chapter 25) Kim Dan was interested to know more about this sport for the protagonist’s sake, whereas Potato was jealous of Kim Dan’s closeness to the star. How did the celebrity react, when he heard the doctor’s desire to learn fighting moves? He was totally pleased, hence he lowered himself smiling 
(chapter 25) before returning to the ring: 
(chapter 25). Notice that he employed the word “happy” here. This shows that the athlete liked to be a teacher and mentor to a novice. 
(chapter 26), reinforcing his belief that his worth lies in service, and he requests an opportunity for someone else. The physical challenge that followed, in which the champion invited him into the ring, was meant to teach Kim Dan to overcome fear, though the original idea was to learn jujitsu moves for the champion’s sake. As you can see, there was a switch in the intentions for the “lesson”. This moment also highlights Joo Jaekyung’s approach to the body—power, physicality, and dominance, which will later be subverted in episode 62 when emotional resilience becomes the true test of strength. 
(chapter 26) Though the doctor was initially immobile and passive, the experience became a significant lesson: fear was something that could be faced and overcome. From that moment on, he became more proactive 
(chapter 26) This is a moment of physical initiation for Kim Dan, teaching him resilience. Nonetheless, he was still fighting for someone else, still locked in his pattern of self-neglect.
(chapter 62), although he has yet to fully recognize the reason behind his behavior. He is now imitating the doctor, as if his body is there to provide assistance and care for others. The people of the small town rely on Joo Jaekyung, placing him in an unfamiliar caretaker position. 
(chapter 54)
(chapter 34), wealth 
(chapter 42) and title
(chapter 55), not for its attractiveness or desirability. His reputation in bed has been poor; 
(chapter 33), he was never seen as a man with sex appeal or sensuality, but merely as a fighter who could endure. Sex was another form of exertion, a display of control and dominance rather than a pursuit of pleasure. 
(chapter 13), but for his own pleasure. The defy incites the fighter to make a conscious choice contrary to the day, when both main leads took the day off: 
(chapter 27) 
(chapter 34) He got confident, because he had played a trick on his room mate. His physicality has always been his defining trait, but for the first time, he is being confronted with the question: does he have more to offer beyond brute strength and money? If he wants to prove his worth, he must do more than rely on his body—he must reveal his true self.
(chapter 62) He does not plead; he challenges. This reversal is significant because it places Joo Jaekyung in the uncomfortable position of emotional uncertainty. In episode 26, the champion was confident in his control over the situation. In episode 62, he is on the verge of losing control—not over a fight, but over a person. Hence he can no longer control his erection. 
(chapter 62) 
(chapter 61) Why does he want him to return to Seoul? Is he really looking for a physical therapist or something else? It is clear that he is longing for companionship.
(chapter 26), which represents the MMA fighter’s world, the wolf is now the one penetrating Kim Dan’s world: the treatment table! 
(chapter 62) 
(chapter 62) The latter was brought to the hostel. I know, here I am more speculating about the next episode. However, keep in mind that the hamster brought up the past to his destined partner. 
(chapter 1) The blue treatment table is the witness and proof that the champion never saw Kim Dan as a sex doll. So far, they never had sex on it, a sign that he respected not only Kim Dan as PT, but also the profession as such 
(chapter 27) Here, the champion suggested to have sex at home, and not on the table. On the other hand, Jinx-philes will certainly recall this scene where the doctor begged on his knees for money: 
(chapter 11) That’s how I discovered a strong connection between this item and sexuality. First, the one fantasying about the champion’s body on the treatment table had been Kim Dan 
(chapter 1). 
(chapter 1) The massage must have felt like caresses to Joo Jaekyung. So when the main lead made this mistake 
(chapter 1), it is very clear that Joo Jaekyung could have interpreted it as a sign for seduction later. Moreover, don’t forget the mysterious incident concerning the previous physical therapist: 
(chapter 37) In the States, the athlete received his treatment on the floor, a sign of a disrespect for that profession from the manager and even MFC. They somehow knew that the fighter had brought his “sex partner” for his jinx, but they had no idea about his identity. By paying attention to the blue treatment table, I realized that this item stands for power, secret, courage and vulnerability.
(chapter 62) According to my interpretation, Joo Jaekyung had interpreted the mistake for some advances and keep in mind that the fighter felt also attracted to the physical therapist. 
(chapter 56) In other words, he projected his own desires onto the “hamster”. But since he was still with the green-haired guy, he needed to mask his true intention: 
(chapter 1) -thus he asked for a treatment. He was about to drop the man.
(chapter 1) However, contrary to their first encounter, the champion would be talking to his neighbor. While the doctor is thinking, he will relive his first night in the penthouse, the other might reproduce his first treatment, though it should be certainly combined with the intercourse on the couch: . 
(chapter 29) 
(chapter 62) But he made such an offer, because he thought, he was respecting the doctor’s wish. This shows that the athlete needs to converse properly with the doctor and not just make assumptions (MO from his manager). Moreover, the star has never expressed his gratitude and admiration towards Kim Dan concerning his talents and efforts openly. The problem is that he can not compliment him yet, because Joo Jaekyung is trying to “forget” the past and as such he is repressing the fight with Baek Junmin. I feel like the champion is on his way to discover the medical world and chapter 62 represents a prelude.
(chapter 57) He should have sent her to the hospital and ensure that she received treatment. Notably, after the sea incident, Joo Jaekyung took Kim Dan to the hospital, but the latter rejected the champion’s advice and help. 
(chapter 13) So it dawned on me that if the doctor gets sick, Joo Jaekyung will be fueled with regrets and guilt, as he didn’t listen to Cheolmin’s advice. So this could lead him to apologize to Kim Dan. On the other hand, his illness could serve as a reminder to the fighter that he needs to treat his physical therapist and friend better. He only sent for the doctor because of “sex”. To conclude, both would be responsible for this terrible situation, a balance of responsibility. 
(chapter 57) is not just a symptom of overwork and lack of sleep—it symbolizes the deep imbalance in his life. His world consists only of work 
(chapter 61) His mind and heart are no longer listening; he is trapped in his own darkness. His dizziness and fainting spells mirror this imbalance, making his physical weakness a reflection of his emotional detachment.
(chapter 54) and drinking habits. 
(chapter 54) His entire life has been dedicated to work and physical prowess, leaving no space for genuine happiness or emotional well-being. His drinking is not just an escape—it is a manifestation of his need to silence his thoughts and emotions. In episode 44, when Kim Dan expressed admiration for his body, he patted his head
(chapter 54) His headaches intensified, and he isolated himself, mirroring Kim Dan’s earlier state of detachment. His drinking hadn’t just become a habit—it was mourning, a sign of his internal loss. It was, as if deep down he wanted to forget this intoxicating feeling of happiness from that night in the penthouse. The departure of Kim Dan caused both of them to lose their already fragile balance, reinforcing the idea that their dynamic, as unhealthy as it had been, was stabilizing them in ways they never acknowledged.
(chapter 56) It was, as if the champion no longer needed to see his former room mate. Note that he even waited for the evening before approaching doc Dan again. 
(chapter 60), he immediately went to the town. This contradiction reveals that mere visual presence was never sufficient—what he truly longed for was something deeper. And as soon as he saw him, he felt much better, 
(chapter 61) hence he could remove his splint. That’s how powerful drug Kim Dan is. 😉
(chapter 61) While undergoing treatment, he saw Kim Dan every day, yet he remained unsatisfied due to the silent treatment. It was not enough to simply observe him; what Joo Jaekyung truly craved was conversation, interaction, and recognition. This explains his decision to move into the town, settling near Kim Dan as his neighbor. 
(chapter 46) He is full of prejudices and not willing to listen to his boss. Therefore Joo Jaekyung doesn’t know that in order to become close, conversations must never be one-sided and have to be free from prejudices and assumptions. Joo Jaekyung needs to listen and show an interest in his partner. And now, observe the communication between the two main leads in the room. 
(chapter 62) He asked a question, while the other did not! He just made assumptions from his part, hence he suggested “separate ways”. It was naturally his way of being considerate. That’s why I have the feeling that two words could move Kim Dan’s heart: “HOME” and “HYUNG”. If he calls him that way, the doctor is now recognized as a family member, even as a senior. Hence he needs to be treated with respect.
(chapter 62) he had previously ignored—he is undeniably attracted to Kim Dan’s body, particularly his nipples, which have repeatedly 
(chapter 27) triggered strong reactions in him. 
(chapter 29) That’s the moment he expressed his interest in the doctor’s nipples for the first time. This even became a habit: 
(chapter 44). And what did the doctor whisper during that magical night? 
(chapter 44) He wanted him to treasure his body!! In my eyes, Kim Dan’s suggestion in episode 62 is hiding another intention, though it is definitely unconscious: 
(chapter 44) He wants to relive that night
(chapter 44), though in his mind, he desires to have a bad experience so that he can erase him from his mind. Finally, what do the nipples symbolize? Motherhood and nurturing. 
(chapter 57) 
(chapter 26) Moreover, it was thanks to a trick that Kim Dan won: 
(chapter 26) 
(chapter 26) He felt superior and strong, whereas his rival was weak. Moreover, he imagined that Kim Dan would ask for money for the bet. 
(chapter 26) That’s why I believe that in the next episode, the roles should be switched. Kim Dan always saw himself morally superior and caring to the star, but in truth, his care was rather superficial, for he also showed no interest in the champion’s past and family. Thus I come to the following deduction that episode 62 suggests that arguing is not about losing or winning, but about listening. The champion has unknowingly become a caretaker, not only to the people of the town but, potentially, to Kim Dan himself. The question remains whether he will recognize that Kim Dan’s provocation is not just another fight lost (cutting off ties) —it is a seductive challenge to redefine his understanding of worth and their relationship. What are they to each other? A client and a prostitute? A fighter and a doctor? Or simply two men who are longing for the same: belonging and love. Nevertheless, due to their past, they are unable to detect the true source of their misery: their lack of reflection, own bias and anxieties.
(Chapter 61) However, this moment is not isolated—it reflects patterns in his personality that have appeared throughout the series. 
(Chapter 11) 
(chapter 18) This essay delves into the significance of Kim Dan’s physical and emotional bruises, examining how they symbolize his suffering, internal conflict and transformation. I will examine Kim Dan’s conflicted emotions surrounding gratitude and debt, contrasting his interactions with Joo Jaekyung and his grandmother, Shin Okja. Additionally, I will explore how Kim Dan’s conditioned identity as a caregiver drives his choices, even in his current living situation with the landlord, where he unconsciously replicates past dynamics. Ultimately, I will elaborate how Kim Dan’s newfound awareness could reshape his identity and relationships moving forward.
(Chapter 61) His unexpected reaction catches Kim Dan off guard, further emphasizing how disconnected the doctor has become from his own well-being. However, contrary to the past 
(chapter 11), Kim Dan is truly responsible for the contusion. He caused the injury by removing the needle from the drip. 
(chapter 60) By taking this action, he absolved Joo Jaekyung of any responsibility for the injury, but this is merely a superficial conclusion. 
(Chapter 61) On the hand the circumstances surrounding the bruise, where Kim Dan removed the needle on his own, provide insight into his psyche. The deeper cause of the bruise lies in Kim Dan’s declining health, which is intrinsically connected to his malnutrition and the neglect he faces from those around him. It is important to recall that Joo Jaekyung was explicitly informed that Kim Dan needed rest 
(chapter 61), he forced the physical therapist to keep working, adding even more strain than before. Though the physical therapist attempted to voice his disapproval, 
(chapter 61), he ultimately had no choice but to comply, as his order came from the hospice director. 
(Chapter 61) And why did the director override Kim Dan’s need for rest? Money and free PR. Joo Jaekyung’s influence secured the director’s approval, disregarding the doctor’s well-being in favor of business interests. This conversation at the director’s office makes one thing clear: words hold no power against profit. An d that realization led me to another connection—every one of Kim Dan’s bruises is linked to exploitation, whether by authority, obligation, or financial influence. 
(chapter 56) Kim Dan has only visited the hospital once, and this was solely due to Joo Jaekyung’s intervention. The latter needed medical attention himself 
(chapter 18) and took Kim Dan along, ensuring he was seen as an emergency patient. However, this visit was brief and lacked any comprehensive medical examination—no blood samples were taken, and his underlying health concerns remained undiagnosed. This omission further underscores the neglect Kim Dan has suffered, as even in a medical setting, his long-term health issues were overlooked. 
(chapter 21) He had never been healthy and strong. Moreover, when he joined them, at no moment the senior asked if he had gone to the doctor, though he had been sick before. 
(chapter 57). In the last case, she will downplay the severity of his condition, insisting that he has always been stubborn and independent. She could even mention her conversation, when she tried to convince Kim Dan to return to Seoul, but the latter refused to listen to her.
(chapter 5), or his general reluctance to ask for help. He rejected the athlete’s help and concern. 
(chapter 57). She blamed the main lead, because she imagined that Shin Okja would worry about him. However, it becomes clear that the halmoni is not worried about her grandson at all. She is acting like a fan in front of the athlete. 
(chapter 61) He only remained at the door. However, observe that there was a cut between this image 
(chapter 61) and the conversation between the main couple in front of the hospice. 
(chapter 61) So he could have made his presence known to his relative before asking Joo Jaekyung to follow him because of his treatment. To conclude, I believe that she had the time and occasion to see her grandchild and his bruise.
(chapter 13) He is the only doctor who has ever examined the protagonist so closely and even paid attention to his fingernails! 
(chapter 13) At the same time, the chingu from the club was the first one pointing out that his wounds were never treated!! Furthermore, I realized that the doctor’s lies from episode 11 
(chapter 13) The latter was the cause for the severe exhaustion. However, like mentioned above, the doctor is not blameless either, because he never questioned why his wounds on the hand were bleeding again. 
(chapter 43) He thought, it was related to the massage, yet the reality was that this incident showed that he had coagulation issues. To conclude, all the bruises could have always been noticed by people due to their locations (eyes, hands, arm)! 
(chapter 61) and his relationship with Joo Jaekyung. 
(chapter 56) His arrival stands for novelty and a breath of fresh air at the institution. However, with this change, the female staff is forgetting their original duty: they need to pay attention to their colleagues. They are behaving like the grandmother
(chapter 61): fangirling over the handsome guys visiting their little town. That’s why Mingwa drew flowers in the last two images. No wonder why no one around Kim Dan is observing the bruise and his deteriorating condition. Moreover, since the physical therapist has a relative at the hospice, the staff is envisioning that Shin Okja is doing “her work”, she is paying attention to Kim Dan’s mental and physical conditions. On the other hand, there is no doubt that the grandmother has already delegated her own responsibility onto others, Kim Dan and the hospice. It is a medical institution, therefore they should pay attention to his working conditions. In other words, since no one feels responsible for the protagonist’s health, no one is worried about Kim Dan at all. At the end of episode 61, he is even so pale and breathless 
(chapter 61) that I am anticipating a terrible incident leading to a rude awakening for everyone.
(chapter 57) — reinforces her conviction that she has fulfilled her role. In her mind, his rejection of her advice places the burden of care entirely on him, allowing her to dismiss any further involvement. This emotional withdrawal directly connects to the symbolism of the bruise: 
(chapter 61) His grandmother’s disregard for his well-being amplifies the injustice of this situation; she allowed him to shoulder the debt despite knowing it was never truly his to bear. The bruise becomes a recurring motif, a visual representation of how others have imposed their responsibilities on Kim Dan, leaving him physically and emotionally scarred. 
(chapter 60). The juxtaposition of the vibrant environment with Kim Dan’s deteriorating health underscores the neglect he faces. The hospice is meant to be a sanctuary, yet it becomes a space where Kim Dan is further burdened by the champion and his grandmother’s expectations 
(chapter 55) This line “I finally feel like I can breathe again”, written by Kim Dan, reveals a subconscious acknowledgment that his relationship with the champion represents a breath of fresh air, a chance to escape the suffocating expectations and burdens he has carried for so long. The bruise, a physical manifestation of his struggle, signals the breaking point of his role as a selfless caregiver. It challenges the illusion of invulnerability that Kim Dan has maintained and forces those around him to confront his vulnerability.
(chapter 60) The beach, with its open and untamed expanse, symbolizes freedom and a return to the self. It foreshadows that Kim Dan’s true journey toward healing will require him to step outside the roles and confines imposed upon him, finding solace not in what is expected but in what feels authentic and liberating.
(chapter 18) —or, more accurately, the lack thereof. The champion’s actions were motivated by a desire to help 
(chapter 18), hence the star was waiting for a smile from Kim Dan. Yet the latter perceived it as meddling. His immediate response 
(chapter 53), leaving a note when he moved out that promises to settle the debt. However, by Episode 61, Kim Dan is no longer mentioning the debt, signaling a shift in his priorities and a possible breaking point in his adherence to his grandmother’s expectations. 
(chapter 60) He had never been given the opportunity to develop dreams or ambitions of his own, as his life was entirely defined by his grandmother’s circumstances. This lack of agency further explains his rejection of Joo Jaekyung’s generosity in Episode 18 and his later promise to reimburse the loan. Clinging to this promise was Kim Dan’s way of creating purpose and meaning in a life that had otherwise been dictated by others. It highlights how deeply entrenched his self-sacrificing tendencies are, as even his attempts to assert independence are rooted in his conditioned need to serve others. That’s why I come to the following prediction. Kim Dan needs to get confronted with illness and death (he could lose his life) so that his will for life comes to the surface. Right now, he imagines that since he is young, he will outlive his relative, but the death of the puppy was a warning to him that youth is no guarantee for a long life. 
(chapter 59) Death can take away anyone and at any moment. In my eyes, if Joo Jaekyung uses his own body to save the doctor again (like for example blood transfusion and CPR), this time Kim Dan would feel truly grateful towards the champion. So far, the doctor has not recognized the star as his savior yet. By removing the needle, he denied the protagonist’s intervention on the beach: 
(chapter 60) Hence his arm got bruised. The contusion was a reminder that something had happened during that night, but Kim Dan chose to ignore the incident. He never questioned why he was on the beach, he acted, as if Joo JAekyung had lied. 
(chapter 18) Deep down, Kim Dan knows that the debt was never truly his responsibility, making it difficult for him to view the champion’s actions as a genuine act of kindness. This inner conflict is compounded by his suicidal disposition, which renders the concept of repaying the debt meaningless. 
(chapter 59) He worked so hard, was even beaten, but he could never voice his torment. 
(chapter 59) Why? It is because the grandmother was no longer by his side and she never talked to him either. The absence of communication indicates her lack of interest in Kim Dan. And it becomes comprehensible why during that night, he felt the need to go to the ocean and drown himself. It is because he was gradually realizing his loneliness. With his relative’s death, he would only keep living a terrible life determined by work and nothing else.
(chapter 60) 
(chapter 11) and even uses his own words against him: 
(chapter 22) The loan was the result of his grandmother’s decision. He never helped him, rather his grandmother. 
(chapter 11) However, he never explained his circumstances to the generous athlete. By keeping him in the dark, he reinforced his negative disposition about the doctor. And chapter 61 exposes this reality. His suffering was the result of his own decision. 
(chapter 61) Do you recognize the room? That was the doctor’s 
(chapter 19) 
(chapter 53) His decision to allow Joo Jaekyung into his bedroom in episode 61 demonstrates that he consented to the relationship, even if begrudgingly. 
(chapter 61) and acted like in episode 6. 
(chapter 6) or 8 
(chapter 8) where he would abandon the protagonist right after the climax and not care about his partner’s conditions and feelings: 
(chapter 61) I might be wrong, but for me, it took place much later in the story, around the time the athlete was about to face Alfredo. Why? First notice that they had sex in the doctor’s bedroom. This means that Kim Dan was already living in the penthouse. The words from the champion implied that he would return to his own bedroom, where the doctor’s thoughts implied that he was standing close to his bed. However, so far, they only had sex in the champion’s bedroom, when it was the evening before the match: 
(chapter 13) Since the doctor mentioned that a match was right around the corner 
(chapter 61) It leaves us four possibilities. Randy Booker, Dominic Hill, Alfredo 
(chapter 47) and Baek Junmin. However, for the intercourse took place in the doctor’s bedroom (he wished to be carried to his own bed) 
(chapter 36), for they had sex every day. However, in episode 53, we discover their night before the match against the Shotgun
(chapter 53) So this scene can only have taken place in chapter 47, when the match with Angelo got canceled and Kim Dan had been confronted with the terrible news about his terminally ill grandmother. 
(chapter 47) In the previous part of this essay, my avid readers could see the strong parallels between 61 and 47. But there exists another reason why I am inclining to think that the sex scene took place later in the story. It is because during that “magical night” (44), Kim Dan learned the notion of “consent”. 
(chapter 44) During that blue hour, Kim Dan discovered that he could say no! And notice that in his memory, he clearly thought that he could have rejected the athlete’s advances. 
(chapter 46) He should mistrust the members from the gym and keep his distance from people. So during that time, Joo Jaekyung did follow his hyung’s advice 
(chapter 47), yet I can’t imagine that this man could become abstinent like in episode 19. Hence at some point, he must have felt the urge to possess Kim Dan, a mixture of fear and dominance. He imagined that way that he could impose his will onto the doctor and control his “loyalty”. With this submission, he would force the doctor to remain by his side. But naturally, this sex as “power play” could increase the gap between the main leads.
(chapter 53) doc Dan was copying the champion’s behavior from episode 61. Right after the sex, he would leave the bed and return to his bedroom. How did Joo Jaekyung recall this night? 
(chapter 53) He saw his attitude as a sign of disloyalty and “abandonment”. And that’s how Kim Dan is feeling in the restroom: 
(chapter 61) The darkness around the eyes is a metaphor for his resent and anger. And the moment you contrast the two memories (53 and 61), you can detect the hypocrisy of the two main leads. They only recall scenes where they were hurt and felt betrayed. However, in reality, they were both victims and perpetrators, because none of them chose to open up and talk to each other. Why? It is because both chose to listen to their “guardian” and their “favor”. Like mentioned before, in a quarrel, no one is right and wrong. The purpose of an argument is to listen to the counterpart and view incidents from their perspective. Finally, the physical therapist’s recollection serves as an important evidence that he had never been powerless and helpless. He could have refused all the time because their deal was never official.He could have used the contract as a shield. But the best evidence of Kim Dan’s power is this rejection: 
(chapter 61) I had already pointed out the increasing resistance and resilience from Kim Dan in episode 60: 
(chapter 61) My prediction came true. In the past, he could have denied the existence of the deal, Joo Jaekyung was free to seek another physical therapist. He never realized that he had some leverage. Yet he still followed the athlete’s requests. He saw himself bound by obligations. However, this was just an illusion. Hence in episode 61, we see him legitimating his consent that there was an imminent fight. 
(chapter 61) He is expected to work despite his declining health, his suffering dismissed by those around him. 
(chapter 40) He is paid to receive bruises, to push his body past its limits 
(chapter 50), to endure pain while the public watches and profits are made. His suffering is entertainment, a spectacle that fuels the business of MMA. Though he is a champion, he is still a commodity, expected to perform regardless of his condition. 
(chapter 61) He understands, better than anyone, what it means to be physically used for the sake of others, yet he remains blind to the fact that he has placed Kim Dan in the same position. While one has no file about his health condition, the other has many files, but they are not studied, because this would push the manager to question his decision and even ruin the business: 
(chapter 17) I doubt that Park Namwook studied them, and notice that the recently hired PT didn’t ask for the champion’s files first: 
(chapter 54) Thus I deduce that the champion’s files are in reality a subterfuge. They give the impression that the doctors and Park Namwook truly care for his well-being, but it is not correct. They are only interested in his body because of wealth and reputation. But let’s return our attention to episode 61 and the champion’s attitude towards Kim Dan.
(chapter 57) is another manifestation of his conditioned role as a caregiver. By living with an older man, he creates the illusion of a familial bond, mirroring the dynamic he shared with his grandmother. This decision highlights his struggle to break free from the identity imposed on him—one defined by servitude and selflessness. He assumes that he should take care of the landlord, offering to cook and expressing guilt for not fulfilling this perceived duty. Yet, the landlord subtly challenges this narrative. By inviting Kim Dan to eat breakfast 
(chapter 57) and dismissing his apologies, the landlord treats him as an equal rather than a caretaker. This dynamic forces Kim Dan to confront his false perception of himself.
(chapter 57) Despite this, Kim Dan rejects the advice, demonstrating his resistance to being cared for. This moment underscores his internal conflict—he craves independence yet clings to the role of the selfless provider. The landlord’s actions expose the fallacy of Kim Dan’s identity, revealing that his caregiving is not always necessary or effective.
(chapter 61) is indicating the increasing resent and anger towards the star. Joo Jaekyung is no longer seen as a celebrity and idol, but as a inconsiderate man. This transformation is subtle but meaningful, as it reflects his burgeoning awareness of his own worth and the unjust treatment he has endured. For the first time, Kim Dan acknowledges himself as pitiful 
(chapter 53) 
(chapter 13) and the fragility of Kim Dan’s existence. For Kim Dan, it challenges his self-perception as an indestructible caregiver. This realization could lead him to an inevitable conclusion: his own needs and well-being are just as important as those of others.
(chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. 
(chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents. 
(chapter 5) Thus she offered him two sweet yogurts. 
(chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: 
(chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. 
(chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. 
(chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist 
(chapter 57) He noticed right away that he was missing. Why? It is because his room was empty. 
(chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. 
(chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. 
(chapter 53) And now pay attention to the PT’s departure on the day he was sent back: 
(chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. 
(chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: 
(chapter 57) Her words inadvertently repeat the narrative of abandonment and lack of belonging that has followed Kim Dan throughout his life. It feels as though she’s repeating those same accusations, reinforcing the idea that he is rootless, unworthy, and out of place. Instead of acknowledging the sacrifices Kim Dan has made for her, the grandmother dismisses him as someone without meaningful ties, perpetuating the feelings of invisibility and worthlessness he’s battled since childhood. So with this declaration “This place isn’t your hometown and you don’t have any ties here” she was triggering his abandonment issues and low self-esteem. This outlines her lack of empathy, self-centeredness and ignorance. Thus I have to admit that I am even wondering if he has not been adopted by Shin Okja. 
(chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard 
(chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness 
(chapter 57), night and death. 
(chapter 37) Kim Dan has never associated food with pleasure, love and happiness. Yet, for the first time, someone paid attention to his eating habits and suggested him to drink this nutrition shake. So the food became “poison” to him, this could only reinforce his negative disposition about eating. Is it a coincidence that soon after, he is seen sleeping and skipping meals? 
(chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. 
(chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.
, (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: 
(chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying 
(chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : 
He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: 
(chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: 
(chapter 57) He was not forgotten, he left traces in their life. He was their sunlight, their angel.
(chapter 56) and 
(chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto. 
(chapter 56) 
(chapter 56) Even if the main lead is moving among other cars, people can recognize that the owner of such a car is rich and probably famous due to the brand and design. On the other hand, by roaming in the street, the champion blends into the background and as such to the mass.
(chapter 56) Because Joo Jaekyung doesn’t want to be recognized, he is wearing a mask and a cap. This gesture stands for anonymity, hence no one is paying attention to him. Contrary to his frenemy at the cafe 
(chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: 
These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. 
(chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. 
(chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. 
(chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.
(chapter 2) 
(chapter 37) with arrogance and weakness, but this is not true. [For more read this 
(chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. 
(chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy”
(chapter 49). Yet, he revealed his true thoughts at the hospital: 
(chapter 45) It gives the impression that he owns no cellphone, especially if Jinx-philes recall this situation in the States: 
(chapter 5) When his wife suddenly blocked him, he got shocked and hurt. And don’t forget that we have another person traumatized with a phone call: Kim Dan, who got abandoned during that day. 
(chapter 49), Jinxphiles could never view the driver. 
(chapter 56) He doesn’t look worried, scared or despaired. In fact, he is pretty calm, the opposite to this scene: 
(chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. 
(chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection 
(chapter 5), no money 
(chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5.
(chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, 
(chapter 55) The physical therapist hoped to get recognition, gratitude and acceptance from his soulmate. That’s the reason why I perceive this conversation over the phone as a reflection from that scene: 
(chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere. 
(chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: 
(chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image 
(chapter 32) 
(chapter 37) 
(chapter 40) 
(chapter 43) 
(chapter 45) 
(chapter 46) 
(chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away 
(chapter 51) Kim Dan’s face which had become his secret source of joy, became a weapon suddenly! It brought him pain. And what did he say afterwards to the doctor in the locker room? 
(Chapter 54) This nightmare exposed his regret which he tried to deny and bury. At the same time, I have the feeling that his secret desire was to wipe away his tears as well. Nevertheless the problem is that such a love is rather superficial, for people’s body deteriorate over time. What matters in love is a good personality and a good heart. According to Erich Fromm, love is knowledge, respect, care and responsibility. Hence this separation became a necessity for the fighter. Fate had to force him to admit this: 
(chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.
(chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. 
(chapter 17) and 
(chapter 35) 
(chapter 48) As you can see, this detail made me realize that the next chapter should contain reflections from episode 35 and 48, the meeting with an old/new acquaintance. I am writing new and old together on purpose, for Director Choi Gilseok had been the halmoni’s loan shark, but the “hamster” had no idea. Choi Gilseok is the boss of Heo Manwook. If this encounter takes place, it signifies that on the one hand, it will cause pain and suffering to the athlete, on the other hand, this incident will become a “blessing in disguise”, for it will push the champion to reflect and mature. That’s how I had the following revelation. Why did the author ensure that the MMA fighter’s shoulder would get badly injured? 
(chapter 52) It is because this exposes the champion’s bad coping mechanism. The champion always uses his fists, therefore he doesn’t reflect and as such analyze his emotions. 
(chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. 
(chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: 
(chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. 
(chapter 56) Notice that even at the end, readers were not even able to see the PT’s faces: 
(chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? 
(chapter 48) He got manipulated by his eyes! They used a trick to deceive the athlete: delivering the truth in delay. Joo Jaekyung didn’t confront Kim Dan, because he saw the pictures as proofs! He never tried to hear his side from the story. And now, you comprehend why I am expecting that the champion will suffer another “blow” in the next episode. In my opinion, he will hear an important information. The fire in the illustration is there to indicate “Tabula Rasa”, a clean state. Joo Jaekyung has to lose all his principles and his bias about doc Dan. But for that he needs to face his own past and mistakes. Only through this effective anguish, he can become a better man, a new man.
(chapter 49) These 3 men and The Shotgun have to be seen as a team. Moreover, 4 is a synonym for death. Then, observe that the image from episode 20 contains two villains, the loan shark and the perverted hospital director. 1 +1 = 2. So when we see the number 10, 11, 16, 17 and 18, we could perceive it as an allusion to Heo Namwook, the villain.
(chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: 
(chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. 
(chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!
(chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water 
(chapter 27) or the ocean. It is because he was under the influence of his hyung Park Namwook which explains why Mingwa introduced him like this: 
(chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: 
(chapter 9) or other events like this one: 
(chapter 37) Buying in secret junk food.
(chapter 1)
I came to this revelation thanks to this article:
(chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.
(chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. 
(chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: 
MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. 
(chapter 46) 
(chapter 37) He never complimented him for his hard work at all. 
(chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: 
(chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible. 
(chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.
(chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: 
(chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. 
(chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: 
(chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: 
(chapter 19) Then in episode 27, Kim Dan offers his assistance. 
(chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 
(chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. 
(chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: 
(chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:
The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.
(chapter 44) This made the physical therapist’s laugh. 
(chapter 44) His genuine laugh combined with the following realization 
(chapter 10) Under this light, it becomes comprehensible why Kim Dan’s beautiful night became a dream, an illusion. The young doctor had done something wrong from a moral point of view. However, because the young man had treated the champion so well before, his reward was to experience what love is. 
(chapter 44) Thanks to Tinker Bell, he could fly: he was brought to Nirvana. 
(chapter 44) The problem is that the physical therapist was reducing love to sex (“making love”). True love has to be expressed in a lot of different ways (spiritual intimacy, experiential closeness, responsibility etc) and not just through sex.
(chapter 53) She is not thinking about the future at all. For her, it doesn’t matter, for her time is limited. Dog can be abandoned in the end, especially when the responsibility becomes a burden. That’s the reason why I believe that in verity, she was treating the protagonist more like an object than like an animal. Moreover, Jinx-philes should keep in their mind she used to describe him as a little boy, which also represents responsibility and care. Therefore I conclude that this scene didn’t stand for Kim Dan’s true home, it was just an illusion. 
(chapter 44), though the communication failed, for Joo Jaekyung was drunk. Moreover, Kim Dan kept most of his thoughts to himself, a sign that he was still guarded. Hence while Doc Dan felt at home during that night, it didn’t last long. The next morning, they became once again boss and employee. 
(chapter 53) And compare his attitude to the one in chapter 19: 
(chapter 30) The pajama pattern in the image appears to resemble a leopard print, which features distinct rosette-shaped spots that are commonly associated with this type of design. He also looked like a sulky “cat”. 
(chapter 30) And what was he trying to do here? To seek closeness to his new mate!
(chapter 19), very territorial and disliking surprises. In literature, leopards often symbolize strength, courage, agility, and stealth. They are seen as solitary and powerful hunters, often representing independence or mystery. In totemic traditions, the leopard can symbolize resilience, adaptability, and personal power, often embodying a person’s inner strength and ability to face challenges. 
(chapter 37) Moreover, observe that during that terrible night, the athlete was wearing an t-shirt with a feline on it: 
(chapter 37) Puma was designed on it. As you can see, everything is pointing out that this man is a leopard which was mistaken to a sulky cat or a puma. 
(chapter 44) So since the champion was naked during this night, we could say that his true nature was slowly coming to the surface. As a predator, his annoyance to the strokes and kisses appears more normal and understandable: 
(chapter 44) Kim Dan is teaching him how to control his strength and discover playfulness. And now, imagine Kim Dan patting a leopard 😉
(chapter 52) Eye-contact! Making direct eye contact with a leopard can be dangerous. Leopards may interpret prolonged eye contact as a threat or challenge, triggering an aggressive response. In the wild, they rely on stealth and avoid open confrontation, so they may react defensively if they feel they are being stared at. This behavior is common among many predators, as eye contact often signals dominance or confrontation. It’s generally advised to avoid direct eye contact and back away slowly if you encounter a leopard in close proximity. Baek Junmin had totally underestimated the true nature of his opponent. This could explain as well why Park Namwook is wearing his glasses all the time and even avoiding eye-contact with the emperor.
(chapter 24), Oh Daehyun the eagle…
(chapter 9) 
Bebebisous33s' analyses in K-Dramaland and Manhwas 