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Joo Jaekyung’s journey in Season 2 represents a profound transformation, one that quietly unfolds through small yet significant acts of humility, care, and self-awareness. This transformation also connects deeply to the themes of vulnerability and community 
(chapter 62), as his actions increasingly reflect a willingness to embrace his own fragility and build meaningful ties with those around him. Through his growing interactions with others and his immersion in the rhythms of town life, the champion begins to redefine his sense of identity and purpose, moving beyond dominance to discover the power of connection. From a man defined by strength, dominance, and transactional relationships 
(chapter 55), he evolves into someone deeply connected to others 
(chapter 62) 
(chapter 62) and, more importantly, to himself. 
(chapter 62) Thus in this essay I will explore the symbolic meaning behind his actions in the town, the interplay of nature and community in his transformation, and how these moments reflect his internal growth. The analysis begins with his transformative experience in the ocean during his rescue of Kim Dan 
(chapter 60), followed by his newfound attentiveness to his surroundings—jogging in silence and responding to the natural rhythms of life. 
(chapter 62) This heightened awareness paves the way for his burgeoning integration into the town through labor 
(chapter 62) and community service. His gradual acceptance of simplicity, represented by his clothing and the symbolism of cucumbers and potatoes, signals his reconnection to nature and humanity. 
(chapter 62)
The Sea: Baptism and a New Beginning
The champion’s rescue of Kim Dan in the ocean marks the starting point of his transformation. 
(chapter 60) In many ways, this moment functions as a symbolic baptism, reflecting a deeper narrative of renewal and change. In Chapter 28, Kim Dan’s immersion in water during a pool scene 
(chapter 28) was symbolic of his acceptance of intimacy, reshaping his view of sex from something “filthy” 
(chapter 20) into something natural and human. 
(chapter 29) Similarly, Joo Jaekyung’s dive into the ocean can be interpreted as his baptism into a new “religion”: love and vulnerability. 
(chapter 60) His gesture is not just about saving his loved one, but also showing care to humans in general. He can no longer be indifferent to someone in pain or in danger.
Unlike the controlled environment of the MMA ring, the ocean’s vastness forces Joo Jaekyung to confront the vulnerability of humans. (chapter 60) The ocean, much stronger than any human, compels him to accept weakness and fragility as natural parts of existence. This act of salvation, driven by instinct, becomes his first step toward embracing a new mindset—one that values care, connection, and humility over material power or dominance.
This shift also challenges his reliance on money and material success. As a wealthy and renowned athlete, Joo Jaekyung is accustomed to solving problems through financial means or physical strength. However, his time in the town and his rescue of Kim Dan underscore the futility of these tools in addressing deeper human needs like love, trust, and emotional connection. 
(chapter 62) He might complain, but in the end he accepts the presents. This change is reinforced by his willingness to accept gratitude in the form of vegetables and food rather than monetary gain, showing a newfound appreciation for simple, heartfelt exchanges over transactional relationships.
Moreover, the ocean connects to the myth of Venus’ birth, where the goddess of love emerged from the sea as a result of conflict and pain inflicted upon her parents. Similarly, Kim Dan’s plunge into the ocean stems from his own deep pain, 
(chapter 59) caused by his grandmother’s neglect, indifference and rejection. The rescue, while focused on saving Kim Dan, also represents the birth of a new understanding for Joo Jaekyung—a recognition of the transformative power of vulnerability and connection.
However, this act of salvation is not immediately transformative. Hence his wish is to bring back Kim Dan to Seoul. 
(chapter 60) At the time, his eyes were fixed solely on Kim Dan 
(chapter 60), not the natural world around him. The rescue planted a subconscious seed, setting the stage for his later behavior. When Kim Dan denies his assistance in Episode 60
(chapter 60), it’s as if the doctor erases that defining moment, refusing to acknowledge the champion’s care. Yet Joo Jaekyung does not react with anger or frustration. Instead, he takes the doctor’s rejection as challenge. 
(chapter 60) However, contrary to the past, money and influence seems to have no impact on the physical therapist’s mind and heart. He is keeping the athlete at arms-length. 
(chapter 61) The moment he moves to that little town
(chapter 61), he begins to demonstrate his growth through quiet, consistent actions—helping others without expecting gratitude in return.
Jogging Alone: A New Awareness
One of the most striking moments in Joo Jaekyung’s transformation occurs during his solitary jog at the beginning of this chapter. 
(chapter 62) For the first time, he is not merely running for fitness or competition; he is paying attention to his surroundings. (chapter 62) He notices the quiet of the town, the warmth of the sun 
(chapter 62), and the natural rhythm of life around him.
This evolution is particularly evident in his interaction with the town chief, who interrupts his jogging to engage him in conversation. 
(chapter 62) Running along the ocean, a setting that profoundly influences his state of mind, Joo Jaekyung demonstrates a newfound openness. (chapter 62) The ocean’s vastness, paired with the quiet rhythm of his steps, sets the tone for this scene. Rather than perceiving the interruption as intrusive, he pauses without hesitation, listens to the chief’s compliment, and accepts the subsequent request for help. 
(chapter 62) This moment underscores his growing ability to connect with others sincerely, without suspicion or defensiveness. His willingness to engage reflects a broader transformation—one that prioritizes meaningful connections over dominance or transactional relationships. This newfound awareness signifies a major shift in his character. His senses are becoming attuned to the world beyond himself, and he is learning to differentiate between what truly matters and what does not.
Jogging alongside the ocean, Joo Jaekyung is subtly influenced by his surroundings, a setting that begins to calm his mind and heart. (chapter 62) The image of the waves serves as a reminder of nature’s vast power, yet the author’s choice to focus only on the sound of his steps—through the onomatopoeia “tap”—emphasizes that Joo Jaekyung no longer perceives the ocean’s presence as intrusive or overwhelming. This highlights a new harmony between him and his environment, as he is learning to exist within its rhythm rather than overpowering it. This mindfulness mirrors his growing engagement with the community, where his labor and acts of service reflect his evolving priorities. His newfound attentiveness during the jog is a precursor to his willingness to contribute selflessly, signaling a transformation that blends physical discipline with emotional depth.
This heightened awareness aligns with his growing ability to say no, a skill that becomes crucial as he navigates the town’s requests and his evolving priorities within the community. (chapter 62) In the past, Joo Jaekyung never refused a challenge, whether in the ring or in life. However, his time in the town is teaching him the value of boundaries. By discerning which requests are worth his time and energy, he is preparing himself for the inevitable challenges he will face upon returning to Seoul. His refusal to blindly follow MFC’s demands would mark the ultimate culmination of this lesson, proving that his strength is no longer just physical but deeply rooted in wisdom and self-respect. This newfound discernment is also reflected in his ability to engage with meaningful interactions, as seen in his conversation with the town chief. (chapter 62) By stopping his jog and attentively listening to the chief’s compliments and requests, Joo Jaekyung demonstrates a growing openness and respect for others, reinforcing his transformation from a figure of dominance to one of genuine connection.
Helping the Town: Labor as Redemption
Joo Jaekyung’s labor in the town mirrors his “baptism” in the sea, emphasizing his shift toward humility and service. He assists the townspeople without hesitation (chapter 62), fulfilling requests that range from carrying cucumbers to harvesting potatoes or even repairing an elderly woman’s roof. (chapter 62) This latter moment marks a stark contrast to his earlier attitude in Chapter 10, where he viewed Kim Dan’s living conditions through the lens of judgment 
(chapter 10), seeing only the “overpowering stench of poverty.” 
(chapter 10) At that time, his perception was clouded by indifference and a focus on material circumstances. Now, however, his response to the elderly woman’s request reflects empathy and an awareness of human vulnerability.
The shift is visually emphasized through the contrasting color palettes. In Chapter 10, the scene in Kim Dan’s apartment is steeped in grays and blues 
(chapter 10), evoking a sense of cold detachment and judgment. In contrast, the moment where Joo Jaekyung is asked to repair the roof is bathed in daylight (chapter 62), with warm yellows and soft tones that highlight his newfound openness and humility. This visual change symbolizes his evolving perspective—he no longer sees poverty as something to disdain but rather as a context where assistance is needed and deserved. His actions are guided not by obligation but by a genuine desire to help, reflecting a significant step in his transformation.
The vegetables he receives as compensation further highlight this transformation, symbolizing a newfound appreciation for non-material rewards and mutual exchange. (chapter 62) It is clear that he rejected money, when someone else asked for his assistance. 
(chapter 62) Thus I deduce that he never accepted any kind of compensation in the end. But none of the inhabitants could accept such a generosity, therefore they brought vegetables or dishes. Unlike his previous life, defined by detachment and impermanence, these acts of community-oriented labor mark a significant shift in how he values his strength—not as a tool for control 
(chapter 62), but as a way to support and uplift others. The admiration from the inhabitants is genuine (chapter 62) contrary to the fans’. (chapter 62) His progression to harvesting potatoes, which grow hidden beneath the earth, deepens this symbolism, representing humility and a more profound engagement with nature and the people around him. This transition mirrors his personal growth: from surface-level participation to meaningful involvement in the lives of those around him. But why does he blame the doctor in the end? 
(chapter 62) One might think, he is doing all of this against his will and heart. In my opinion, it is related to his past behavior: 
(chapter 62) The champion feels really bad for his rejection after the incident with the spray. And since he believes that Kim Dan comes from that town, he thinks that he can redeem himself by helping his “community”.
A defining moment occurs (chapter 62) when he receives a bowl of potatoes as compensation for his work. This simple yet heartfelt gesture reinforces the theme of “laying down roots,” as the vegetables symbolize his growing connection to the community and his appreciation for non-material rewards. The contrast between this moment and his life in the penthouse is striking—where once his wealth isolated him, now simplicity and community nourish him both literally and figuratively. His words (chapter 62) suggest disbelief or frustration, yet the sparkling stars around the potatoes contradict his words, revealing a quiet appreciation. The absence of his mouth in this scene further emphasizes an internal conflict—his words do not fully align with his growing understanding of value beyond material wealth. This scene in front of the vegetables (chapter 62) exposes a dissonance between his mind (mouth) and his heart revealing that he is not true to himself yet.
This moment also contrasts with Kim Dan’s grandmother’s behavior. While she sold vegetables for money 
(chapter 47), she rarely prioritized Kim Dan’s nourishment. The grandmother’s actions were driven by financial survival. Joo Jaekyung, on the other hand, receives food as a form of gratitude and recognizes the significance of nourishment beyond monetary gain. (chapter 62) His words expose that he plans to use them for his meals.
These observations bring an intriguing dimension to the chapter, particularly when we contrast the actor’s perception of Joo Jaekyung 
(chapter 58) with the reality of his evolving personality and his behavior toward others. Choi Heesung’s dismissive remark that Joo Jaekyung would “flip his shit” if he knew the living conditions of Kim Dan implies a static, unchanging view of the champion, one that aligns with a superficial understanding of him as merely ruthless and violent. However, this chapter reveals the fallacy in such an interpretation, exposing the actor’s arrogance and lack of true insight into Joo Jaekyung’s character.
The actor’s words stand in stark contrast to the champion’s behavior in the town, where he demonstrates care, humility, and a willingness to engage with others. (chapter 62) This shows that if someone, like Potato, had made a genuine effort to connect with Joo Jaekyung 
(chapter 23), they could have succeeded. Potato, the youngest member of the team, embodies this missed opportunity. 
(chapter 9) His nickname, “Potato,” while intended as lighthearted and affectionate, is something he despises because he perceives it as demeaning. Yet the reality is quite the opposite—nicknames like these often carry affection and camaraderie. Yet he rejects it out of insecurity or an internalized belief in its inferiority.
Joo Jaekyung’s actions in the town, contrasted with the actor’s dismissive remarks, suggest a deeper lesson about assumptions and the ability to build meaningful relationships. The young fighter’s rejection of his nickname and possible resentment toward the champion 
(chapter 52) reveal a missed opportunity for bonding. The champion, who is evolving into a more open and empathetic individual, might have been an unexpected source of support and connection had Potato not listen to others and chosen to embrace this chance instead of harboring negative assumptions.
This chapter 
(chapter 62) underscores the gap between perception and reality, showing how preconceived notions can prevent genuine relationships from forming. It also reinforces the theme of growth and transformation, as Joo Jaekyung continues to break away from the static image others have of him, proving that even the most misunderstood individuals can surprise us with their capacity for change. The interplay between the nickname “Potato” and its underlying affection further echoes the theme of finding value and beauty in simplicity—a motif central to the champion’s journey as he embraces humility and authenticity.
Sandals and Flowers Over Fangs
While Joo Jaekyung’s floral-patterned pants and hat caught the readers by surprise (chapter 62), it is important to notice that this metamorphosis began much earlier.
First, I noticed that at the hospital, he was wearing sandals without socks 
(chapter 62) , while he had put on his expensive jeans and CK tee-shirt. 
(chapter 62). This stands in opposition to the previous scene in front of the hospice: 
(chapter 61) The focus on Joo Jaekyung’s feet (chapter 62) and his choice of wearing sandals without socks, despite his otherwise branded and expensive outfit, carries deeper symbolism that extends beyond mere humbleness. It reflects his state of mind and highlights subtle aspects of his character and situation. Firstly, the exposed feet symbolize vulnerability and openness. Sandals, unlike closed shoes, leave the feet unprotected, suggesting that Joo Jaekyung is letting down his guard. This choice conveys his growing comfort or trust in the environment, particularly at the hospital, where he feels no immediate danger or need to maintain his usual defenses.
Secondly, the sandals reflect a sense of groundedness and comfort. They indicate that Joo Jaekyung feels at ease in this setting, contrasting with the stress or pressure he might experience elsewhere. 
(chapter 62) The hospital or Kim Dan’s presence may provide him with a sense of stability and calmness, allowing him to adopt a more casual and relaxed appearance. Additionally, the contrast between his expensive jeans and branded t-shirt and his unassuming sandals reveals a division between his public image and private self. While his clothing aligns with his status as a wealthy and successful individual, the casual footwear hints at a simpler, more authentic side of him that is emerging in this setting. It reflects his willingness to shed some of the societal expectations tied to his identity.
The sandals can also be seen as a symbol of transition. 
(chapter 62) Feet often represent movement or progress, and wearing casual footwear like sandals might signify that he is in a state of personal transformation. The lack of socks further emphasizes this shedding of layers—he is slowly allowing himself to be more vulnerable and introspective, stepping away from his usual, controlled persona. Finally, sandals reflect his connection to the environment. His footwear choice underscores that the hospital is a place where he feels secure and unthreatened. The focus on his feet could symbolize his groundedness in the moment, highlighting that this environment allows him to pause and reflect, rather than act or defend.
In summary, Joo Jaekyung’s sandals symbolize his vulnerability, comfort, and authenticity. They represent his transition toward a more unguarded version of himself and his growing trust in the environment and, perhaps, in Kim Dan. The author’s deliberate focus on his feet underscores this subtle but significant shift in his character.
Another detail attracted my attention: the vanishing of the cap. (chapter 62) The latte is used as a shield. He doesn’t want to be recognized. This explicates why the moment he removes the cap 
(chapter 62), he is immediately approached by the town chief. (chapter 62) This shows that the owner of the hostel had not only observed him for the past few days, but also had quite understood the significance of the cap: anonymity and distance. Consequently, when the celebrity chose to leave the hat at home, he expressed his satisfaction, safety and comfort in this place. This indicates another step in the dragon’s metamorphosis.
The champion’s floral-patterned pants and hat further illustrate his transformation (chapter 62) and his effort to integrate into the environment around him. These borrowed clothes symbolize humility and practicality, standing in stark contrast to his penthouse life 
(chapter 42), where appearances and dominance once took precedence over community and connection. 
(chapter 02) The penthouse, perched high above the city, served as a symbol of isolation and self-reliance—an ivory tower of sorts, detached from the world below. In contrast, the town’s hostel 
(chapter 62) reflects shared experiences and human connection, embodying a shift toward groundedness and humility.
The floral patterns on his clothing carry additional symbolic weight. (chapter 62) Flowers, often associated with growth, renewal, and gentleness, contrast sharply with the predatory imagery of his Season 1 leopard-print pajamas. 
(chapter 30) This evolution from animalistic aggression 
(chapter 30) to floral gentleness mirrors his inner journey—from a man who thrived on dominance to one who values connection and vulnerability. By choosing practicality over intimidation, he signals a readiness to embrace his humanity and shed the pretensions of his past. Moreover, the hat has here a different function: it serves as a real protection from the sun, hence his neck is covered.
The practicality of these clothes also signifies his growing comfort in this environment and marks a stark contrast to his previous life in the penthouse. In the penthouse, his wardrobe and lifestyle reflected detachment and a preoccupation with dominance, symbolizing isolation and self-reliance. Now, his practical and borrowed clothing embodies a shift toward humility and integration into the town’s community. No longer concerned with appearances, he prioritizes function over image, a stark departure from his previous self. The champion’s acceptance of “ridiculous” clothing highlights his willingness to shed past pretensions and integrate into the town’s rhythm of life.
A New Name, A New Identity
Another subtle but significant aspect of Joo Jaekyung’s transformation is his landlord giving him a new name: 
(chapter 62) “Jaegeng.” While this may initially appear as a simple mistake due to the landlord’s poor hearing, it holds deeper symbolic weight. This renaming can be interpreted as part of Joo Jaekyung’s rebirth in the town—a reflection of his evolving identity.
The landlord’s misnaming is especially poignant because it occurs without any knowledge of Joo Jaekyung’s fame, wealth, or status as an MMA champion. To the landlord, he is not “the Martial Emperor” or a celebrity but simply a man who has shown strength, care, and selflessness in his actions. This name, therefore, becomes a representation of how Joo Jaekyung is seen in this new environment: not for his achievements or material success, but for his intrinsic qualities and the genuine impact he has on those around him.
By giving him a new name, the landlord unknowingly affirms Joo Jaekyung’s transformation. In many cultures, names symbolize identity, belonging, and purpose. “Jaegeng” serves as a marker of his rebirth into a life that values connection over dominance, humbleness over pride. It underscores the idea that the town is becoming a place where he is recognized and appreciated for who he truly is, rather than what he has accomplished.
Furthermore, this renaming highlights the theme of visibility and acceptance. For most of his life, Joo Jaekyung has been defined by his physical prowess and public persona, often hiding his vulnerabilities behind his success. He was badmouthed by his manager Park Namwook, as an ill-tempered 
(chapter 52), spoiled rich brat: 
(chapter 7) Yet here, in the quiet simplicity of the town, he is seen not for his image but for his actions. The landlord’s care and warmth (chapter 62) further reinforce this shift, showing that true respect and recognition come from authentic relationships, not societal labels. This chapter actually proves not only the manager’s bias wrong, but also MFC’s badmouthing. 
(chapter 54) Like mentioned above, his stay in this little town is teaching him to become immune to manipulations in the end. His self-esteem is getting boosted, hence he doesn’t mind being called “Jaegeng”. (chapter 62) Notice that he never corrects his neighbor and Kim Dan’s landlord.
Laying Down Roots: A Journey Toward Stability
The phrase “laying down roots” (chapter 62) offers a profound insight into Joo Jaekyung’s character, revealing his unfamiliarity with the concepts of stability and belonging. This idiom, often associated with establishing permanence or forming deep connections, feels foreign to him, reflecting a life where such notions were neither prioritized nor experienced. Its use in this context signals his subconscious recognition of a significant internal shift.
If we interpret this phrase through the lens of Joo Jaekyung’s possible upbringing—marked by frequent relocations or a transient lifestyle—it sheds light on why this concept might feel new and even perplexing. A life of constant movement, potentially due to his parents’ careers or ambitions, would have disrupted his ability to build meaningful relationships or develop a stable sense of home. Let’s not forget that he speaks English fluently. This emotional rootlessness could explain his hyper-focus on self-reliance and his struggle with vulnerability, as he likely learned to depend solely on himself.
In contrast, Kim Dan’s rootlessness stems from neglect and exclusion, experienced while remaining in a single place 
(chapter 19). This creates a fascinating parallel between the two characters: both grapple with the idea of belonging, but from opposing starting points. While Kim Dan longs for acceptance in a community 
(chapter 56) that has continually rejected him (parents, students, hospital; Team Black), Joo Jaekyung is learning how to stop running—physically and emotionally—and to establish a sense of permanence for the first time in his life.
By choosing to “lay down roots” in the town, even if initially motivated by his desire to bring Kim Dan back to Seoul, Joo Jaekyung is unknowingly practicing an act of stability and connection. His integration into the town’s daily life, through his labor and interactions with the townspeople, marks a pivotal step in his transformation. It shows that his motivations are gradually shifting away from self-serving goals toward something more meaningful: a life enriched by mutual care and human connection.
This phrase also ties into the broader symbolism of his actions in the town. Receiving vegetables as compensation, working in the fields, and forming relationships with the locals reflect his growing connection to the earth and to others. This stands in stark contrast to his previous life in the penthouse, where he lived isolated high above the world, detached from the lives of others. Now, by grounding himself—both literally and metaphorically—Joo Jaekyung is beginning to rebuild his identity on a foundation of humility, service, and authenticity.
Ultimately, “laying down roots” becomes more than just a metaphor for his time in the town. It represents a pivotal moment in his journey of self-discovery, as he learns to create a life not defined by dominance or independence but by connection and belonging.
Kim Dan’s Limited Perspective
Kim Dan, busy with his own work, remains unaware of the full extent of Joo Jaekyung’s contributions to the town. His landlord’s comment about the champion’s back pain forces Kim Dan to confront his own biases. (chapter 62) Refusing to treat Joo Jaekyung would make him appear heartless, yet his compliance is reluctant and transactional, rooted in obligation rather than understanding. This disconnect highlights how much Kim Dan has yet to grasp about Joo Jaekyung’s transformation. He still views the champion through the lens of their past, unable to see the quiet generosity that now defines his actions.
Interestingly, the townspeople’s admiration for Joo Jaekyung’s strength and kindness contrasts with Kim Dan’s perception. While they see him as a selfless helper, Kim Dan struggles to reconcile this new image with the man he once viewed as domineering and detached. He still views the protagonist as a celebrity, and not as a man. This tension underscores the theme of hidden growth, where transformation often goes unnoticed by those closest to us.
From Civilization to Nature: The Symbolism of Cucumbers and Potatoes
The progression from helping with cucumbers to working in the potato fields represents Joo Jaekyung’s deepening connection to nature. (chapter 62) Cucumbers, as cultivated crops, symbolize his initial steps toward humility within the structured framework of human civilization. They are tied to his early efforts to integrate into the town, where his labor is still defined by external expectations and requests.
(chapter 62) Potatoes, on the other hand, grow underground, unseen until harvested. They symbolize the deeper, hidden aspects of Joo Jaekyung’s transformation—a connection to the earth that goes beyond surface-level labor. Working in the potato fields brings him closer to the raw, unrefined essence of nature, marking a significant step in his journey. However, his interaction with nature remains tied to human intervention (agriculture). He has yet to venture into the untouched wilderness of the woods, which represents the final frontier of his self-discovery. And this brings me to my next observation: 
(chapter 62) So far, the champion has not paid attention to Boksoon. He has not even looked at her, because his eyes are always directed at Kim Dan: 
(chapter 61) (chapter 61) However, her puppy has been buried next to the forest: 
(chapter 59) Hence I have the impression, she could be the one leading him there, if not Kim Dan. Let’s not forget that the doctor’s deepest wish is to go on a walk through the woods: 
(chapter 47) Another interesting aspect is that the trip to the forest is connected to rest in the physical therapist’s mind. Striking is that though the champion helped the community, he still worked. So technically, he has never had a day’s rest either. But this is what he said to the landlord: (chapter 61) He came here for his recovery.
Conclusion: The Path to True Grounding
Joo Jaekyung’s transformation in the town unfolds through symbolic milestones: his baptism in the ocean, his labor in the fields, his floral clothing, and his connection to nature. Each moment represents a step away from power, control and isolation toward modesty and service. He is gradually moving away from MFC world. Yet, his journey is incomplete. The untouched woods remain a metaphorical frontier—one he has yet to explore fully.
Kim Dan’s limited awareness of this change highlights how transformation often goes unnoticed by those closest to us. This limited perspective mirrors Kim Dan’s own internal struggles, as he grapples with feelings of inadequacy and a worldview shaped by past trauma. His inability to fully recognize Joo Jaekyung’s growth underscores a poignant contrast—while Joo Jaekyung is learning to connect and embrace change, Kim Dan remains constrained by his guarded nature and lingering doubts about his worthiness of care and community. He considers himself as a waste of time: 
(chapter 62) Ultimately, Joo Jaekyung’s journey is not just one of self-improvement but a quiet challenge to societal values. True strength is not about control, but about the ability to grow, connect, and embrace change. Blooming muscles signifies not just physical power, but a strength nourished by care, community, and the courage to evolve. Finally, I would like my readers to pay attention to the sky, when the champion approached his fated lover: 
(chapter 62) It was a mixture of white, purple, pink and orange, a sign that not only the champion’s life has become more colorful, but also the night stands under the sign of love, enlightenment and life. At the same time, it reminded me of the night when the puppy was buried:
(chapter 59) Thus I am expecting another huge transformation in the next episode.
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(chapter 57). Similarly, when Joo Jaekyung faced his opponent Randy Booker, he was also verbally harassed 
(chapter 14) which visibly destabilized the champion. Then in chapter 49, Team Black failed to perceive the duality of appearances and reality: 
(chapter 49) the surface shows two athletes seemingly engaged in a normal, even friendly interaction – they are shaking hands -, while the panels reveal a darker undercurrent of verbal harassment and manipulation. 
(Chapter 49) 
(chapter 61), while Joo Jaekyung represses his emotions and thoughts through “physical activities”. 
(chapter 55) This essay will explore how their experiences in the restroom space serve as a mirror to their past and reveal the psychological scars that shape their behaviors.
(chapter 14) 
(chapter 38) 
(chapter 47) However, in Season 2, the lavatory appears isolated for the first time, reinforcing a shift in symbolic meaning. This distinction helps to explain why restrooms (toilets/water closets) hold different meanings for the two protagonists. [for more read 
(chapter 19) —a space where one is free to confront their inner selves without external pressures. In Jinx, the use of the restroom emphasizes the external pressures and the characters’ reactions to their environments, reinforcing their struggles with exposure and control. But how did I come to this realization?
(chapter 61) The wolf reminded me of a stalker. 
(chapter 34), vulnerabilities are exposed, and participants are pushed to their limits. In the essay 
(chapter 33) This would explain why Heesung was determined to hide the physical therapist’s whereabouts. 
(chapter 58) He saw in him a bully and even a stalker. His judgment was based on these two incidents: 
(chapter 58) He imagined that Kim Dan had been coerced to it, while the physical therapist always had the choice to refuse. Joo Jaekyung would never hurt the doctor. 
(chapter 59) The imminent death of his grandmother triggered his repressed fears.
(chapter 57) Without her, he is now left with no protection. Stalking, in contrast, occurs later in life but evokes the same psychological distress—trapping victims in a cycle of hyper-awareness, helplessness, and anxiety. What makes stalking even more insidious is that it often mimics past experiences of bullying, dragging the victim back into a state of learned helplessness.
(chapter 61), reacts with pursuit. His behavior mirrors the tendencies of a stalker—not out of malice, but because his entire life was shaped by the belief that to be ignored is to be erased and forgotten. 
(chapter 55) In childhood, he learned that only strength could secure attention 
(chapter 26) 
(chapter 54), so when Kim Dan refuses to yield to him, Jaekyung instinctively fights back. 
(chapter 61) Deep down, he wants to be part of his life. Hence he moves next to Kim Dan’s house as his final attempt. 
(chapter 57) and cornered, leading him to associate confined spaces with protection. The restroom was his only escape from ridicule, his sanctuary where he could momentarily regain control. This explains why he went crying there, when he heard the terrible news about his grandmother. 
(chapter 61) Since he can not escape the champion, he decides to ignore him. 
(chapter 55) – the mirror is very low -, Kim Dan retreats into memories to rationalize his pain. Instead of processing his suffering, he shifts blame to Jaekyung, using the restroom space to wall himself off emotionally. The restroom in Jinx thus acts as a metaphor for entrapment—whether through self-isolation or forced exposure, neither character is truly free from their past. 
(chapter 38) So he could faint there or hurt himself and he would have no one by his side. Don’t forget that this place stands for seclusion and privacy. 
(chapter 57), it is clear that the kids were not thinking of sex or using the restroom to assault the little boy. However, we should question ourselves how this rumor about Kim Dan being an orphan started. 
(chapter 54) bears a striking resemblance to this boy, leading to the possibility that this new character could be Kim Dan’s childhood bully. Given Jinx’s themes of positive psychology and confronting past demons, it is plausible that Kim Dan will encounter this schoolmate again. Such an interaction could force Kim Dan to address his unresolved trauma and reexamine his perceptions of strength and vulnerability. Moreover, don’t forget that the doctor in green saw the champion in a terrible shape who had admitted that he had drunk the night before. 
(chapter 54) And in episode 61, the main lead announced to Park Namwook that he had to fire the physical therapist. 
(chapter 61) I sense some retaliation here. 
(chapter 08) It is because in his mind, this place is associated with toilets in general. That’s how it dawned on me that the athlete could have been harassed at school, but contrary to the physical therapist, it took place later. The leader was Baek Junmin who hid behind the “mob”. 
(chapter 49) Because he utilized the expression “how you were as a kid”, it signifies that the MMA fighter was not only older, but also an adult, whereas the champion must have been a teenager. And now, you comprehend why Baek Junmin acted like a friendly athlete in front of the public: 
(chapter 49) People could discern his true personality: he was nothing more than a thug. Moreover, he would be perceived as a cheater, because he used others and his seniority to torment a child or teenager. At the same time, since Joo Jaekyung became a victim of bully later, the content about the mobbing should have been different. I am suspecting that he could have been targeted because of his homosexuality. 
(Chapter 14) 
(chapter 55), he showed no reaction. In fact, his headache got even worse than before. 
(chapter 55) The champion’s passivity and migraine could be the symptoms of the athlete’s past suffering. His pain worsened in that place because of the past, but he didn’t realize it, for he was so focused on his soulmate. Secondly, the moment he was about to get kissed 
(chapter 55), he pushed the uke away and left the place
(chapter 55).In this place, he could show vulnerability, yet he experienced that nothing bad happened to him. This explicates why after this experience is willing to remember and even reconnect with the doctor. 
(chapter 61) In my opinion, the departure of Kim Dan forced the champion to be confronted with his repressed past. 
(chapter 54) While he calls his former rival and tormentor’s name and recollects his beating, he is not plagued with a migraine. This means that the real cause for Joo Jaekyung’s suffering (his headache linked to his repressed memories) is triggered by the attitude of his guardian. That’s the reason why he had a nightmare with the ghost of the past. 
(Chapter 54) There is no ambiguity that Randy Booker‘s insults had triggered the athlete‘s repressed memories and fears. Joo Jaekyung’s avoidance of mirrors suggests a fear of self-recognition—an unwillingness to face the vulnerability he tries so hard to suppress. His reaction mirrors the response of someone who has internalized a rigid sense of masculinity, where showing emotion is equated with weakness. The restroom, then, becomes a battleground where he unconsciously fights his past conditioning, yet he is unable to overcome it. 
(chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice 
(chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.
(chapter 54), performance, and the longing for a deeper connection.
(chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. 
(chapter 36) 
(chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices 
(chapter 31)
(chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.
(chapter 55) and hardship 
(chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: 
(chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.
(chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors 
(chapter 21) , and even Joo Jaekyung. 
(chapter 45) 
(chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.
(chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. 
(chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions 
(chapter 57), only allowing him to speak when it benefits them financially.
(chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. 
(chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire 
(chapter 52) 
(chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.
(chapter 19) 
(chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm. 
(chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.
(chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.
(chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.
(chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers 
(chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.
(chapter 1), attracting others seeking the same level of fame and fortune. 
(chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.
(chapter 22) and a “neglected child” 
(chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. 
(chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. 
(chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.
(chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.
(chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.
(chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung 
(chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.
(chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability 
(chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.
(chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.
(chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. 
(chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts. 
(chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious 
(chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. 
(chapter 59) embodies the negative reflection of Joo Jaekyung’s purposeful arrival. We can detect the divergences: day versus night, work versus break, healthy versus unhealthy etc. Through the juxtaposition of images and situations, Mingwa provides profound insight into the characters’ thoughts, desires, and intentions. The photograph’s role becomes pivotal: while it marks the end of Heesung and Potato’s visit
(chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.
(chapter 59) —each of whom had interacted with Kim Dan 
(chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture 
(chapter 58), ignorance and superficiality 
(chapter 58), becomes the shadowed reflection of the proactive search by Joo Jaekyung. This interplay of light and dark is central to unraveling how fate unfolded.
(chapter 58), came to the same conclusion: they should not reveal Kim Dan’s whereabouts to Joo Jaekyung. Heesung argued that Kim Dan was better off in his secluded life, away from the chaos of Joo Jaekyung. Potato, deeply trusting his lover’s seniority and judgment, chose to follow Heesung’s lead. Their decision reflects not only their loyalty to Kim Dan’s expressed wishes but also their passive adherence to the belief that avoiding intervention was a form of help which reminds us of Potato’s former principle: 
(chapter 35) This shows that despite the last incident, Yoon-Gu didn’t drop this terrible principle. Notice that he is advocating the same philosophy than Shin Okja. Heesung justified his stance by claiming that it was in Kim Dan’s best interests 
(chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets 
(chapter 59) 
(chapter 8) 
(chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. 
(Chapter 48) Nonetheless, there exist significant points against this theory. Despite their fondness for the actor 
(chapter 30) and their interactions with Heesung and Potato 
(chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday 
(chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . 
(chapter 58) His “redness” indicates that he doesn’t want to expose his special relationship with Heesung. Therefore I believe that he didn’t mention this trip to other members. Consequently, I doubt that the members were looking for Potato in such a photograph. Furthermore, from my perspective, members of Team Black are still left in the dark about Joo Jaekyung’s struggles. They are unaware of his drinking habits 
(chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and 
(chapter 57) the interview suggested that Joo Jaekyung was taking a break to recover from his injury, leaving no indication of his active search for Kim Dan. However, Yoon-Gu got informed through Heesung that Joo Jaekyung was desperately looking for him: 
(chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information. 
(chapter 50) 
(chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog 
(chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. 
(chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.
(chapter 13) The latter knew the PT’s face, 
(chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. 
(chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge 
(chapter 13), the death of a man and finally urgency. Moreover, remember what his friend told him before: the importance of rest and 
(chapter 13) He should send him to the hospital for tests, but the fighter refused. Why? It is because the latter feared his “chingu”. The doctor seemed rather interested in Kim Dan, therefore he feared that the PT might dump him for a “colleague”. That’s why Heesung was sent later to his gym. Karma was punishing him for not listening to his friend’s advice. Finally, it is important to recall his advice: 
(chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. 
(chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, 
(Chapter 13), it is also possible that he could have heard about the last incident in the restroom with doc Dan’s replacement. Since Cheolmin found Dan cute, it is very likely that he was also drawn to the surrogate „Dan“. But I don‘t think, this was enough to intervene, as Joo Jaekyung didn‘t ask for his help.
and to Neptune 
and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision 
(Chapter 19) and the group photograph at the hospice
(chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene 
(chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. 
(chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater. 
(chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents. 
(chapter 5) Thus she offered him two sweet yogurts. 
(chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. 
(chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, 
(chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: 
(chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. 
(chapter 57) On the other hand, the expression “wasting away” displays her realization. She is seeing how Kim Dan is losing weight!! To conclude, she is not totally blind. Her grandson is not eating properly. But why is she not questioning her grandson about his meals? It is because he is working at the hospice where lunches are provided to the staff. 
(chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. 
(chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist 
(chapter 57) This shows that Kim Dan had become a ghost at the hospice for the last few days, and no one paid attention to him. He was invisible because it was his way to be “accepted” and not stigmatized as “bun” or “orphan”. People only noticed him, until he created some ruckus at the institution. However, this means that the man must have spent the night with his grandmother. Yet, at no moment she sent him away or even shared her meals with him. This shows her indifference and egoism. She contrasts so much to the protagonist’s landlord.
(chapter 57) He noticed right away that he was missing. Why? It is because his room was empty. 
(chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? 
(chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. 
(chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. 
(chapter 53) And now pay attention to the PT’s departure on the day he was sent back: 
(chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. 
(chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: 
(chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. 
(chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard 
(chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness 
(chapter 57), night and death. 
(chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: 
(chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. 
(chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.
, (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: 
(chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying 
(chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : 
He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: 
(chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: 
(chapter 56) in Jinx serves as a powerful symbol and narrative device, encapsulating the themes of observation, communication, and truth, as reflected in the title “Unspoken Gifts, Unveiled Truths in the Light of Hope.” Its name evokes images of enlightenment and clarity, which stand in stark contrast to the gym Team Black and the grandmother’s internal state of denial and her rejection of responsibility. This tension between the hospice’s symbolic essence and the grandmother’s actions deepens the narrative’s exploration of personal accountability and transformation.
(chapter 35), where people’s actions and words can go unnoticed, the hospice fosters an environment of close-knit relationships and mutual observation. 
(chapter 56) In this communal setting, actions carry weight, and behaviors are scrutinized. Thus the door to the meeting room is made of translucent glass. 
(chapter 56) While in the previous essay, I pointed out that this door reflected Kim Dan’s emotional entanglement—he is physically present but emotionally excluded from his grandmother’s world, highlighting the imbalance in their relationship -, in verity this transparent door offers an opportunity for the main lead. How so? The glass door stands not only for transparency, but also for “emotional distance”. The glass allows visibility but creates a barrier, symbolizing a balance between openness and detachment. This is essential in a hospice environment, where the focus is on providing care and support without becoming overly attached to the inevitable outcome: death. For the staff, maintaining a degree of detachment is necessary for their well-being, as becoming too attached could make the emotional toll of their work unbearable. Therefore I am suspecting that the two nurses 
(chapter 56) will become the physical therapist and champion’s mentors and advisors. Why? It is because the nurse with the brown hair embodies those values. Her emotional distance is already perceptible in her conversation with her colleague: 
(chapter 56) She is projecting herself in his shoes. Why? IT is because she got influenced by the comment from her colleague. That’s how I realized that together, they represent the balance of heart and mind, their unity and understanding forming a cohesive whole. That’s how both are able not to become indifferent or too much attached. This coincides to the dualism of their profession: care but also detachment. Under this new perspective, it becomes comprehensible why the second nurse is not referring to facts, but to impressions and imagination. Her words are strongly intertwined with rumors: “with his experience”. So far, the main lead had barely experience in his field, as his first big gig ended up in a fiasco. He didn’t stay that long at the hospital and it is the same for the champion. He only worked at the gym for three months. The dark haired woman might have seen Kim Dan’s resume and the last employer, but she didn’t notice his name (Joo Jaekyung). This is her MO for „detachment“, she doesn’t pay attention to names. Moreover, she didn’t detect that he had barely worked as a PT before indicating that she has no notion of „time“. The discrepancy between her thoughts and reality can be easily explained. She also recognized the transformation in the patients, and could link it to the doctor’s skills. The reference to “famous athlete” and the doctor’s skills created a false perception, and this had an influence on her colleague: “You’re telling me!”.
(chapter 56) Her hypocrisy, particularly in her treatment of Kim Dan, remains hidden behind the guise of socially acceptable behavior. Within the hospice, residents maintain a positive opinion of her, which enables her to mask her neglect and selfishness effectively. But since the two nurses are sharing their thoughts and working as a team, it signifies that Shin Okja’s wrongdoings could be detected this time. Or better said, they will realize the true suffering from the protagonist. Nurse Heart and nurse Mind will do their best to protect their new mascot and give him what he truly needs: 
(chapter 5) And the other laughed. Then the coach seems to have no cellphone. Maybe he believes to have no need for it, for he goes to the gym every day. This signifies that he expects to be informed by his hyung Namwook. However, like mentioned in the previous essay, I believe that the manager has been sweeping under the rug the terrible condition of his “boy” from the coach and the team members. To sum up, Team Black embodies the opposite of the hospice’s values. There is no transparency, because the conversation took place not outside, but behind closed door. The door might be translucent, the reality is that they sent away all the members. 
(chapter 36) The gym, while ostensibly a team environment, is ruled by indifference, anonymity, and a lack of genuine camaraderie. The heart and the mind are not working together. Why? It is because the coach is trusting the manager, as he views him as the heart of the gym. What he fails to see, is that Park Namwook is neither the heart nor the mind, for he is more reflecting his surroundings: money. Secondly, the manager is easily influenced and is using conformity and social norms to avoid responsibility. He fears making decisions and lets others become proactive. Joo Jaekyung, the leader, relies exclusively on Park Namwook, the manager, who undermines team spirit by fostering distrust and misinformation. 
(chapter 46) The member’s loyalty got questioned, but the irony is that they had the real insight. 
(chapter 47) Thus rumors about Baek Junmin being an illegal fighter never reached Jaekyung’s ears. That’s why the author made fun of the main lead here: 
(chapter 47) His ear seemed to have caught their badmouthing, but not the real information. But why did he not listen to the members? It is because Namwook had encouraged the champion to keep his distance from others. He had even planted seeds of distrust among the team with his badmouthing about the champion. He has a bad temper and is a spoiled child, so no one needs to pay attention to him and his moods. The slap was the evidence of his disrespect and hypocrisy. 
(chapter 52) The man acted, as if he had been the biggest victim. Moreover, Namwook’s actions often reflect a lack of genuine loyalty, as seen in 
(chapter 22) episode 22, when he falsely claims ownership of the gym and again in episode 56 when he reminds the champion of his absence from the gym, behaving as though he were the boss. 
(chapter 56) Hence he is seen talking over the phone and not face to face, unlike the nurse. He knows that his boy is struggling, but he acts, as if he didn’t know. This contrast validates my previous interpretation of the manager. His question “Is everything okay with you?” exposes his lack of genuine concern. He uses work not to praise his “boy”, but to blame him for his “negligence”. He downplays the champion’s struggles while still recovering from surgery. This lack of care creates an atmosphere of apathy, anonymity, and selfish expectation, sharply contrasting with the hospice’s values of dignity and communal care. But how do we explain this huge divergence? First, the main principles of the hospice are dignity and care, and not primarily money. Therefore the institution offers free health check once a month: 
(chapter 56) This contrasts with the gym, where fighting is treated as entertainment and sport, emphasizing the physical aspect while neglecting the mental health of its athletes. Ironically, even the physical treatment of its members was neglected at the gym from the very beginning, like we could see it in two occasions: 
(chapter 1) The fighter with the head injury received treatment from the members (self-medication) and Kim Changming had a shoulder injury which got neglected. 
(chapter 7) These incidents reflect the gym’s underlying indifference and mismanagement. This disparity explains why Jaekyung’s mental health suffered under Namwook’s leadership, as the gym lacked the supportive and transparent environment required to nurture emotional resilience. Jaekyung’s stay at the hospice is likely to open his eyes to this overlooked aspect, prompting him to reconsider his leadership style and the values governing Team Black. But it is the same for Kim Dan, especially if he sees how weak and neglected the fighter looks: 
(chapter 56) he has already become a shadow of himself. 
(chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.
(chapter 16) Despite its substantial value, the grandmother never sold the cabinet to pay off the debts, prioritizing its preservation over the survival of her home and family. On the one hand, this reveals her immaturity and selfishness, as she put up with her grandson’s suffering. On the other hand, her decision created the impression to Kim Dan that this belonging had just a sentimental value and nothing more. So when the champion saw that huge Wedding cabinet, he judged it as „junk“ and that’s how the doctor got this perception validated. 
(Chapter 53) Finally during her move to the Light Of Hope, she did not ask about the whereabouts of her belonging which could only reinforce the impression that this item had no real value. It had even lost its sentimental value, as she was no longer thinking of her former home. Her ignorance and forgetfulness are once again outlining her superficiality, self-centeredness and lack of empathy. The sentimental value of her Wedding Cabinet was rather shallow. But the tragedy is that when the furniture was moved the penthouse, the champion noticed this item for the first time and came to associate this cupboard with the doctor. 
(Chapter 41) as she employs the expression „spoil to death“. By wearing the scarf with flowers, she appears wealthy, but also vain! Since I detected that Kim Dan likes pink flowers, my interpretation is that this gift mirrors the doctor’s taste indicating that he was slowly regaining his identity and confidence.. 
(chapter 31) And notice that the bouquet of pink roses pushed Kim Dan to talk to Joo Jaekyung about his taste. That’s how I detected a strong connection between presents and communication. Notice that on the champion’s birthday, the manager sent a message while the presents were delivered. 
(chapter 45) This aspect gets even validated with the doctor’s keychain. The latter not only caused an argument between the two room mates
(chapter 45), but also encouraged the doctor to convey his thoughts and expectations in the card. On the other hand, he didn’t expose the whole truth 
(chapter 55) Another interesting aspect lies in the doctor’s shaking hands which the champion noticed, when he offered the present: 
(chapter 55) This scene reminded me of their first encounter: 
(Chapter 56) So the man must have recognized the doctor‘s fear, which explains why the champion could voice his anger later. But back then, he never wondered why the doctor‘s hands were shaking like leaves. It is because the doctor feared rejection. The present had the following meaning for the physical therapist: recognition and acceptance. The gift was the symbol for „conditional affection“ which he had long internalized due to his grandmother. But this doesn‘t end here. The shaking hands appeared in a different scene: 
(chapter 49) The common denominator between these three scenes is the mistake. Kim Dan feared to have made a mistake with the present, because he was afraid of the champion‘s reaction: will he accept him or not? But let‘s return our attention to the gifts from the doctor. 
(chapter 31)
(chapter 55) implies that as soon as the main couple meet each other, they will have to discuss this matter. To sum up, a gift encourages the couple to communicate, yet contrary to season 1, both should be more honest to each other at the Light Of Hope. Every word and action will appear in a different light. Another aspect is that none of them takes things for granted, which stands in opposition to hyung Namwook and the grandmother. This explicates why the latter have no problem to spend money.
(chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree
(chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves
(chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. 
(chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. 
(chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: 
(chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees. 
(chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: 
(chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung 
(chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.
(chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. 
(chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.
(chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.
(chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients. 
(chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy:
(chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: 
(chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: 
(chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: 
(chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. 
(chapter 47), the nursing attendant 
(chapter 21) or the reporters: 
(chapter 37) 
(chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.
(chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. 
(chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: 
(chapter 7) before she got reassured. Then she made this request 
(chapter 55) and later brought the doctor’s present: 
(chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.
(chapter 19) He is not capable to take care of himself well. 
(chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: 
(chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.
(chapter 56) Male physical therapists like this one 
(chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.
(chapter 56) and 
(chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto. 
(chapter 56) 
(chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: 
These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. 
(chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. 
(chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. 
(chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.
(chapter 42) And what was his attitude there? He would not listen to his passenger. Moreover, he would separate his job from his roommate’s. It looked like they were living in two different worlds, though they were sharing the car. This scene exposes miscommunication, lack of faith, stubbornness and prejudices. The fighter was not willing to accept the physical therapist’s doubts and chose to go through with the training and match. 
(chapter 2) 
(chapter 37) with arrogance and weakness, but this is not true. [For more read this 
(chapter 54) 
(chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. 
(chapter 53) They should have brought him home. They stand for neglect and indifference due to their passivity and routine. In my eyes, they are happy at the gym, the latter represents their second family. So they imagine that it is the same for their boss. In other words, they projected their own thoughts and feelings onto the celebrity. They embody silence and lack of communication and this is actually palpable in the car. In episode 5, the manager and the MMA fighters lied to each other: 
(chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy”
(chapter 49). Yet, he revealed his true thoughts at the hospital: 
(chapter 37) He was using the landline telephone. This observation is relevant, because it exposes the coach’s dependency on Park Namwook. The latter’s task is to keep in touch with his boss and champion, for he has his cellphone number. Nevertheless, how do we explain the absence of the coach’s cellphone? I have the feeling that this could be related to his divorce. 
(chapter 19) Thus this observation made me think that the coach could have something in common with Kim Dan. And that’s how the champion will demonstrate his strength to his hyung. Contrary to him, he didn’t accept the divorce so “easily”. In fact, he is fighting for the doctor in his own way. The problem is that he is his own worst enemy.
(chapter 49), Jinxphiles could never view the driver. 
(chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. 
(chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection 
(chapter 5), no money 
(chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5.
(chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, 
(chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere. 
(chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: 
(chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image 
(chapter 7) 
(chapter 32) 
(chapter 37) 
(chapter 40) 
(chapter 43) 
(chapter 45) 
(chapter 46) 
(chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away 
(Chapter 54) This nightmare exposed his regret which he tried to deny and bury. At the same time, I have the feeling that his secret desire was to wipe away his tears as well. Nevertheless the problem is that such a love is rather superficial, for people’s body deteriorate over time. What matters in love is a good personality and a good heart. According to Erich Fromm, love is knowledge, respect, care and responsibility. Hence this separation became a necessity for the fighter. Fate had to force him to admit this: 
(chapter 21) and almost got shocked 
(chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.
(chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. 
(chapter 17) and 
(chapter 11). In season 1, the athlete stands for golden hour, whereas Heo Namwook embodies blue hour. “Entre chien et loup” is the time of day when the light is such that is becomes difficult to distinguish between a dog and a wolf, between friend and foe, between known and unknown. Hence I am thinking that if the next episode represents a continuation of that nightfall, it signifies that the champion is on his way to meet someone from the past. Moreover, I detected that the pavement is the same than in front of the gym: 
(chapter 48) As you can see, this detail made me realize that the next chapter should contain reflections from episode 35 and 48, the meeting with an old/new acquaintance. I am writing new and old together on purpose, for Director Choi Gilseok had been the halmoni’s loan shark, but the “hamster” had no idea. Choi Gilseok is the boss of Heo Manwook. If this encounter takes place, it signifies that on the one hand, it will cause pain and suffering to the athlete, on the other hand, this incident will become a “blessing in disguise”, for it will push the champion to reflect and mature. That’s how I had the following revelation. Why did the author ensure that the MMA fighter’s shoulder would get badly injured? 
(chapter 52) It is because this exposes the champion’s bad coping mechanism. The champion always uses his fists, therefore he doesn’t reflect and as such analyze his emotions. 
(chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. 
(chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: 
(chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. 
(chapter 5) It was not worrisome in his eyes, because his day would consist of training and punching the sandbag. The problem is that the fighter is no longer coming to the gym and he is not even calling him: 
(chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? 
(chapter 48) He got manipulated by his eyes! They used a trick to deceive the athlete: delivering the truth in delay. Joo Jaekyung didn’t confront Kim Dan, because he saw the pictures as proofs! He never tried to hear his side from the story. And now, you comprehend why I am expecting that the champion will suffer another “blow” in the next episode. In my opinion, he will hear an important information. The fire in the illustration is there to indicate “Tabula Rasa”, a clean state. Joo Jaekyung has to lose all his principles and his bias about doc Dan. But for that he needs to face his own past and mistakes. Only through this effective anguish, he can become a better man, a new man.
(chapter 11) and indirectly the persons involved in the redevelopment. However, I have to admit that I have a different explanation. 
(chapter 11) Let’s not forget that in Jinx-Fandom, many Jinx-addicts calls him a “red flag”. Here, he was abusing his position. Furthermore, this theory could be seen as validated with the first episode with this image: 
(chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: 
(chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!
(chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water 
(chapter 1) Note the contrast to his “boy”. The red is not coming from Joo Jaekyung’s body 
(chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: 
(chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: 
(chapter 17) or in episode 46 
(chapter 46) He represents regression or the hurdle to overcome. 
(chapter 11) 
(chapter 9) or other events like this one: 
(chapter 37) Buying in secret junk food.
(chapter 1)
(chapter 1) But it is the same for the champion who got his “gym” stolen from his hyung: 
I came to this revelation thanks to this article:
. (chapter 46) This would explain the champion’s emptiness and darkness: 
(chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.
(chapter 53) Only the logo is red. 
(chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. 
(chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again: 
(chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: 
MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. 
(chapter 46) 
(chapter 37) He never complimented him for his hard work at all. 
(chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members. 
(chapter 18), until the champion confronted the protagonist with reality. 
(chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: 
(chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible. 
(chapter 1) 
(chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.
(chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: 
(chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. 
(chapter 18) In this episode, both main leads refuse the assistance from the other. Kim Dan is bothered that Joo Jaekyung paid off the debts, while the other dismissed the worries from the PT: 
(chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: 
(chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: 
(chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 
, (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, 
(chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: 
(chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:
The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.
(chapter 9) This gesture oozes humility and respect. This contrasts so much to Park Namwook’s behavior during their first meeting: no bowing and no shaking hands. 
(chapter 1)
(chapter 5) 
(chapter 40) Yes, at no moment Jinx-philes can detect his presence. The bearded man embodies humbleness. As you can observe, this man doesn’t mind standing in the champion’s shadow. He already knows that fame and success are no guarantee for happiness, as he lost his wife. In fact, he knows that success means rather loneliness. This remark brings me back to his confession in the office. 
(chapter 53) So when he tried to call her, she blocked his calls. One of the causes for their failed marriage is that they had stopped talking to each other. [As for the other reason, I will expose it below] That’s the other reason why I developed the theory that the coach Yosep was behind this phone call. 
(chapter 22) This observation is relevant, for it indicates that the former champion must have listened to his manager as well. He never questioned the responsibility of his former coach or manager or organization. I am suspecting that he might have already been working with Park Namwook in the past, which would explain their closeness. For his divorce, Jeong Yosep chose to take the whole blame. Hence he kept his failure to himself. However, observe the manager’s attitude concerning this revelation. 
(chapter 40) Interesting is that the idiom “boy” has historically been used to mean “servant” or “attendant” in certain contexts, particularly in colonial or hierarchical settings. For instance, it was often used during the colonial era to refer to male domestic workers, typically in a demeaning or racially charged manner. No wonder why though Yosep is the sparring partner of the Emperor, 
(chapter 37) he acts more like a servant. In my eyes, the last image displays the manager’s three “boys”: Yosep, Kim Dan and Joo Jaeykung. They are the former wrestler’s servants, while he can stand on the sideline and watch as a superior and guardian. 
(chapter 37)
(chapter 36). He even agrees to everything the man says and decides. 
(chapter 36) Yet, I see a turning point in the States. For the first time, he is seen talking on the phone, which indicates a certain responsibility. 
(chapter 49) 
(chapter 40) In the States, he was not visible at all, he would even walk behind Oh Daehyun next to Yoon-Gu. In my opinion, he felt the need to be next to the maknae. However, in South Korea, he is standing right behind the protagonist. Moreover, note how Joo Jaekyung entrusted him with the charity event, another indication that the main lead was trusting more and more his sparring partner: 
(chapter 41) In addition, in the locker room, he is the one who made the decision to let the Emperor fight against Baek Junmin. 
(chapter 50) For the first time, he voiced his own opinion, yet his choice lets transpire the great influence from his “hyung” and MFC. His decision was influenced by money. Naturally, the high peak of his action is, when he announces to the main lead that he went to different authorities 
(chapter 47) He let his “hyung” and the other “experts” who were never in the ring do the talking. 
(chapter 47) Why did he let it happen? It is simply because he just views himself as a “sportsman”. The others act with their title (managers, advisors), as if they had more knowledge than the sparring partner from the Emperor. Another mistake from him is that he never looked at his sparring partner’s files. He let Park Namwook take care of this, thinking that he would pay attention to their star’s health and security. 
(chapter 52) Since he lost his wife and as such has no family, it is clear that this former champion views Team Black as a family. Therefore he participated in the surprise party. 
(chapter 43) Consequently, I come to the following conclusion that the last scheme made him realize his own wrongdoing. He didn’t protect his sparring partner correctly. He failed him. However, like pointed out in a previous Daily Jinx Advent Insight, Yosep was manipulated from his colleague. Therefore the coach didn’t meet Kim Dan in the office and couldn’t talk him out of it. This discovery exposes that one of the protagonist’s problem is that he was following his sparring partner’s lead as well. Because Yosep trusted blindly Namwook, his “pupil” did the same. And this remark leads me to the confrontation in episode 46. The true owner of Team Black warned his both hyungs: 
(chapter 53). Because the latter is slowly vanishing into the light, it looks like the champion will have difficulties to find his soulmate. However, if you pay attention to this picture, you will perceive that Kim Dan’s shadow is huge. In fact, we have to envision that the closer he gets to the “sun”, the bigger his shadow becomes. This metaphor is implying that the cute hamster is leaving a trail behind. This represents the traces he left in Joo Jaekyung’s life and heart. The farer he is, the clearer the fighter can only realize the importance of his roommate in his life. However, I believe that though Kim Dan is about to become a ghost, the huge shadow is implying that Joo Jaekyung will be able to find him quickly. 
(chapter 47) You might find it strange, but everything started with the following question: where is the grandmother’s cellphone? One might argue that as an elderly woman, she doesn’t possess one. I can only reply that all the seniors I know (even my grandmother who is much older than Shin Okja) have one. Besides, let’s not forget that according to me, this image or this one 
(chapter 47) represent moments where pictures were taken. I doubt that the grandmother had a camera. Then in the last picture, Kim Dan was definitely too young to have on his own cellular telephone. Finally, observe that in this panel 
(chapter 47) Before he was practically inexistent, only famous in the underground fighting ring 
(chapter 47).Interesting is that disappearing without traces implies the notion of “the right to be forgotten”. But why would people make such a decision? Either they want to escape from their environment (abusive husband, debts, …) or they desire starting a new life afresh. So when we look back at Shotgun, it becomes clear that his new identity is to mask his dark past. 
(chapter 47) It was, as if this man had not existed before. That’s how a star got born, or better said, he was a new-born man. 
(chapter 21) There is no landline telephone. Its absence seems to indicate that the senior switched to a different phone. She had to have one because of the authorities (school for Kim Dan, etc.). I would even go so far to say that the elderly woman changed her phone number. But why would she change her phone?
(chapter 22) He doubted her existence. Why? It is because he never heard Kim Dan talking with his grandmother over the phone. He had only mentioned her in his drunken state. 
(chapter 11) There is no ambiguities that she was registered there as a resident. But if she got rid of her phone, the authorities are forced to call her closest relative. Secondly, observe that Kim Dan used the cellphone to pay bills and have a look at his bank account: 
(chapter 11) In other words, by refusing to have any phone, she dropped all the debts on her grandchild. He was now responsible for their household and expenses. Yes, the question with the grandmother’s phone led me to the following observation. Little by little, Shin Okja was vanishing which reminded me of the action from Kim Dan’s parents. At the same time, with no cellphone, she forced her grandchild to visit her, to keep in touch with her. Hence I can’t stop restraining myself from feeling that the grandmother used the hospital and the nurse to control her grandchild’s moves. No wonder why Kim Miseon complained to Kim Dan about his neglect 
(chapter 22) Yes, by paying the bills, he got access to this information. However, for that he needs a person who can have access to such information: 
(chapter 16) 
(chapter 16) is an incorporated business. This means that Joo Jaekyung is the shareholder. So he is hiding his true power and identity behind Team Black. And since the Emperor was the victim of a hatred campaign in the media 
(chapter 52), his vanishing wouldn’t be surprising at all. It would be actually a normal reaction to be fed up of being online, and of being defined by the last match. What the schemers didn’t realize is that they pushed indirectly Joo Jaekyung to make the opposite decision than Baek Junmin. To disappear from the spotlight. But this can only lead him to create a whole new identity. 
(chapter 53) It signifies that Joo Jaekyung has a way to track him down. On the other hand, should the MMA use the black card, 
(chapter 24), his relative could detect his whereabouts and moves. That’s why it is important if you desire to avoid of being detected, you need to use cash or prepaid cards to limit traceable transactions. That way, it reduces the risk of financial links to your old identity. 
(chapter 21) Back then, many readers wondered about the content of their conversation. However, I believe, whatever it was, the champion didn’t forget her words. Furthermore, by joining Kim Dan’s side, the star will be forced to drop his routine and change his habits. And that’s how he will change. 
. He is wearing piercing, jewels and rings, and his clothes don’t look like designer clothes. Finally, remember how Kim Dan imagined his soulmate: 
(chapter 32) Yes, clothes make the man, and as such through new clothes and hair dress, you can appear as a different person. That’s how it dawned on me why the Webtoonist created such a scene: 
(chapter 35) Choi Heesung made a terrible mistake, he attracted the attention from the guests at the café by covering his face. In order not to be detected as a star, the athlete has to act and dress like an average person: no fancy dress or car. And this leads me to my final point: using public transportation or the bike would represent a huge change for the Emperor. Once again, no one would suspect that a biker is a celebrity, similar to this scene: 
(chapter 53) Nevertheless, this parallel emphasizes Kim Dan’s inclination to bear burdens and deny his own needs for others’ sake. In this chapter, he seems to be undergoing a form of penance, sacrificing himself repeatedly as if to atone for the perceived guilt of being a burden to those around him. His actions reflect deep-seated feelings of responsibility and self-blame, shaping his interactions with both his grandmother and Joo Jaekyung in his life. While he admits his responsibility for the last disaster with the injury and the tie, he was made feel guilty by his own grandmother. With this statement 
(chapter 53), she implied that she never got the chance to go to the West Coast because of him. It was, as if he had been a burden in her life (“life got so hectic”). This expression made me realize why Kim Dan came to live like a ghost. He embodies “life” for the grandmother: burden, responsibility, missed chance. It exposes her delusional mind-set. She is definitely chasing after an illusion. On the other hand, I detected that despite her words, she was not able to move her grandson’s heart. The latter was actually unwilling to leave the penthouse. 
(chapter 53) His decision was strongly connected to filial duty and not to “love”. Moreover, by fulfilling her request, he is one step closer to become free from self-blame and accountability.
(chapter 53) Neither for the doctor nor for his “boy”. 
(chapter 40) Though he lacked awareness in the States, for he was not present in the interrogation room, he can no longer claim to be oblivious. He knows about Kim Dan’s innocence. But why didn’t he call the physical therapist then? 
(chapter 53) Notice that before leaving the penthouse, the main lead was holding the resignation in his hand. This means that the young man had not informed Park Namwook yet. This gesture exposes that Kim Dan was convinced that the manager was his boss, the master of Team Black. Nevertheless, Jinx-lovers should detect that the “hamster” left the flat during the evening. This signifies that the PT handed out his abdication the next morning, I can’t imagine that it happened during the night, for the man has a family with kids. 
(chapter 53). This signifies that he must have spent some time at the office. To conclude, the young man didn’t vanish quickly from the gym like a ghost, similar to the PT from episode 1. 
(chapter 1) 
(chapter 53) He gave the impression that he was telling the truth. This incident was used to explain the doctor’s resignation. But here is the thing. If the doctor spent some time at the office in order to organize the files, why didn’t Potato stop him or tried to talk him out of it? That’s how I came to the following deduction. When Kim Dan came to the gym, the latter was empty, only the manager was there!! A new version of this scene: 
(chapter 23) Thus I deduce that all the members from Team Black were busy due to the discovery of the scheme: 
(chapter 50) Moreover, he could be blamed for the spray incident, for he failed to protect his own athlete. That’s why there was no apology from his side. 
(chapter 53) He took his words to heart. Thus I come to the following deduction: Park Namwook already knew about the physical therapist’s innocence, but he chose to keep the truth from his boss to mask his own wrongdoings: his passivity and negligence. The reason is that the discovery of the scheme took place in the evening, and Kim Dan gave his letter in the morning. Moreover, some days had passed, when they showed up at the hospital. Potato’s vanishing injuries are the evidence. They waited for the right time to announce the terrible news, something similar to this: 
(chapter 48) “If we tell him now, it will only throw him off his recovery or his surgery”. Once again, he chose silence and inactivity. Thus no one called the champion or the doctor. 
(chapter 50) And what did the manager say to the protagonist? 
(chapter 52) He should have checked the facts. The letter is exposing the manager’s lie. He is expecting that Kim Dan vanished like the previous PT. However, contrary to the previous one, the “hamster” lived with the celebrity. Thus he left a letter to Jaekyung in the penthouse, and the manager had no way to know the existence of this message. And now, you comprehend why Kim Dan never received any phone call from Park Namwook. It is because he would have to inform him about the existence of the scheme. There was no emergency from his side, for he desired to hide his own wrongdoings (negligence, blindness and stupidity).
(chapter 36). No wonder why the man is passive. But his inactivity is the result of his indecisiveness (I had portrayed him as someone suffering from Decidophobia). Interesting is that making no decision is the worst people can do. Why?
(chapter 19) This comparison outlines the PT’s metamorphosis. Not only his perception of Joo Jaekyung changed, but also he has become a responsible and dedicated physical therapist. He defines himself as a PT too. Hence he didn’t leave a mess behind with the files (chapter 53). His decision exposes that this was not an escape.
(chapter 53) It is because for Kim Dan saying goodbye over the phone is not proper. The reason is simple. He experienced it himself as a child. 
(chapter 53) Even more than before!! Joo Jaekyung needs assistance and protection. From that moment on, he can grasp that his sacrifice was not the best for both of them, why his sacrifice was in reality pointless. He should have been more selfish and more confident.
(chapter 44) He stroke his soulmate’s face, kissed his cheeks and finally his ears. His actions triggered a singular reaction in the star: 
(chapter 44) This made the physical therapist’s laugh. 
(chapter 44) shows that in that moment, the physical therapist rediscovered his youth again. I would even add that Jinx-philes were witnessing in this panel how Kim Dan reconnected with his inner child. 
(chapter 44) The blushing is an indication of life and innocence. But if this young man’s childish nature was brought to the surface, who was Tinker Bell during this night? Naturally Joo Jaekyung. Under the influence of soju, the man could no longer hide his true nature. He has a childish side too. In other words, he was lowering his guard. Anyone has already heard from the quote “In wine, there’s truth” (the original quote comes from Latine: “in vino veritas”). As you can see, this beautiful night corresponds to this one: 
(chapter 10) Under this light, it becomes comprehensible why Kim Dan’s beautiful night became a dream, an illusion. The young doctor had done something wrong from a moral point of view. However, because the young man had treated the champion so well before, his reward was to experience what love is. 
(chapter 44) Thanks to Tinker Bell, he could fly: he was brought to Nirvana. 
(chapter 44) The problem is that the physical therapist was reducing love to sex (“making love”). True love has to be expressed in a lot of different ways (spiritual intimacy, experiential closeness, responsibility etc) and not just through sex.
(chapter 43) Interesting is that in that scene, the protagonist couldn’t see his lover’s face. He couldn’t detect the glimpse of a smile and his warm gaze. 
(chapter 11)
(chapter 47) By saying that he was a puppy dog, she was implying that she would be responsible for him. Keep in mind that pet are linked to care and accountability. However, her wish is strongly connected to one single moment: 
(chapter 53) She is not thinking about the future at all. For her, it doesn’t matter, for her time is limited. Dog can be abandoned in the end, especially when the responsibility becomes a burden. That’s the reason why I believe that in verity, she was treating the protagonist more like an object than like an animal. Moreover, Jinx-philes should keep in their mind she used to describe him as a little boy, which also represents responsibility and care. Therefore I conclude that this scene didn’t stand for Kim Dan’s true home, it was just an illusion. 
(chapter 44), though the communication failed, for Joo Jaekyung was drunk. Moreover, Kim Dan kept most of his thoughts to himself, a sign that he was still guarded. Hence while Doc Dan felt at home during that night, it didn’t last long. The next morning, they became once again boss and employee. 
(chapter 19) They were no deep lingering feelings towards the grandmother’s house. In fact, before leaving, he remembered an incident, a mysterious phone call which I consider as the moment, which broke the boy’s soul and heart. For me, he was almost glad to leave this place behind.
(chapter 19), very territorial and disliking surprises. In literature, leopards often symbolize strength, courage, agility, and stealth. They are seen as solitary and powerful hunters, often representing independence or mystery. In totemic traditions, the leopard can symbolize resilience, adaptability, and personal power, often embodying a person’s inner strength and ability to face challenges. 
(chapter 26) One might argue that he laughed with Potato and Oh Daehyun in the States. But are you sure? We never saw him laughing. Only Joo JAekyung heard their laughs, but did it also belong to the hamster? 
(chapter 37) Moreover, observe that during that terrible night, the athlete was wearing an t-shirt with a feline on it: 
(chapter 37) Puma was designed on it. As you can see, everything is pointing out that this man is a leopard which was mistaken to a sulky cat or a puma. 
(chapter 44) So since the champion was naked during this night, we could say that his true nature was slowly coming to the surface. As a predator, his annoyance to the strokes and kisses appears more normal and understandable: 
(chapter 44) Kim Dan is teaching him how to control his strength and discover playfulness. And now, imagine Kim Dan patting a leopard 😉
(chapter 44) and the leopard fighting a wounded and isolated hyena: 
(chapter 52) Eye-contact! Making direct eye contact with a leopard can be dangerous. Leopards may interpret prolonged eye contact as a threat or challenge, triggering an aggressive response. In the wild, they rely on stealth and avoid open confrontation, so they may react defensively if they feel they are being stared at. This behavior is common among many predators, as eye contact often signals dominance or confrontation. It’s generally advised to avoid direct eye contact and back away slowly if you encounter a leopard in close proximity. Baek Junmin had totally underestimated the true nature of his opponent. This could explain as well why Park Namwook is wearing his glasses all the time and even avoiding eye-contact with the emperor.
(chapter 24), Oh Daehyun the eagle…
(chapter 9) 
(chapter 16) the loan shark and the old lady. He knew where she was (hospital), and notice that her grandson had been paying the loan from his own account and cellphone. 
(chapter 16) As you can see, the debt was strongly connected to the grandmother’s house. But who had moved out from the small dwelling? The grandmother. Interesting is that this district was about to get redeveloped. The thugs could have noticed it… there were everywhere banners announcing the new construction. 
(chapter 9) But who was not aware of the redevelopment? The grandmother… She had been living at the hospital for 3 years. I came to this deduction because of Choi Heesung’s remark about his k-drama: 
(chapter 30) As you can see, I have the feeling that Shin Okja is not so innocent either. She must have known that her grandson was exposed to violence. In my eyes, her MO is always to leave her mess behind and let others take the burden. 
(chapter 30) She was not working non-stop. Another important aspect is that such persons are passive, because they are waiting for the right time or for the outside help. They somehow imagine that a prince charming will suddenly appear and remove all their problems. Consequently, I conclude that the elderly woman views herself as “Sleeping Beauty”, hence the doctor adopted her mentality. The athlete must have appeared like a knight in shining armor for the grandmother that day. 
(chapter 31) 
(chapter 31) They look more like the light pink rose: Innocence and admiration. However, keep in mind that back then, the gumiho was already love bombing the physical therapist with presents, a sign that he was already thinking of dating the main lead. While the bouquet of flowers was not reflecting his intentions, in verity it exposes his true thoughts unconsciously. He was simply impressed and desired to express gentleness, grace, and gratitude. This observation made me realize that the actor couldn’t identify his emotions in the end. In other words, he doesn’t know what LOVE is! That’s his curse. He mistook his feelings for love, while in reality, it was simply LUST. 😉 While the latter is important in a relationship, it only represents the first stage of love. So not overcoming this first stage, means that the relationship is doomed to fail.
(chapter 30) “The angel speaks” outlines that he is creating a false image of the main lead. It was, as if he was living a dream which corresponds to the third characteristic. This is no coincidence that Heesung was seeing a lot of stars, when he looked at the “hamster’s face”. 
(chapter 30) 
(chapter 33) His emotions couldn’t be maintained over time, which corresponds to the second sign.. Thus he was suddenly perceiving the unknown man as clingy and the grass would always look greener 
(chapter 33), each time he faced someone he felt attracted to. We could say, he was under the spell of his “type”. At the same time, this discovery reinforces my previous interpretation about Kim Dan’s role. The actor needed to experience rejection in order to learn that lust can not always lead to love. We could say that the doctor was the angel who freed Heesung from his terrible lust spell. 
(chapter 35), though it appears rather superficial. After their separation, Choi Heesung didn’t try to stay in touch with the protagonist. 
(chapter 35) Since the actor has always confused lust with love, it was necessary for him not to feel “lust” in front of Potato first. In that scene, the man was moved, not by the uke’s touch like with Kim Dan 
(chapter 30), but by Yoon-Gu’s words. 
(chapter 35) The latter was offering him some help without expecting anything in return. Yes, he got attracted by his beautiful mind and heart. Through their conversation, they got to know each other. In other words, for the actor it was necessary to not experience lust, as a first stage of “love”, but to develop an emotional connection first! In addition, it becomes comprehensible why the artist suggested Potato to work as an actor. 
(special episode 2) It was his way to develop a longer relationship. He was trying to find the right balance between seeking thrill and pursuing stability. As a conclusion, the two special chapters display why the actor came to fall in love with Potato. 
(chapter special 1) By preparing some ramen, he acted as a selfless person, though his thoughts revealed his dark side. Nevertheless, what matters the most are the actions and not the thoughts.
(chapter 41) He bought it during his trip to the States. Interesting is that the young man chose not to bring pink roses to his grandmother. Why has he never brought flowers to his halmeoni? Chapter 31 gives us the answer: 
(chapter 31) The flowers stand for “ephemerality”, for they are destined to wilt in a very short time. Yes, this shows that deep down, Kim Dan knew how his grandmother is trying to escape from reality. He knows her likes for flowers and roses as pattern because of the bed sheets 
(chapter 5)
(chapter 41) The two flowers have the following meanings:
, but as always I didn’t anticipate the effort and energy involved in the composition. Thus I decided to publish the essay “Sound Of Water” first, as it is much easier to write (less literature to read). The trigger for this essay are Haikus which I discovered in a recently published French Book entitled “Le bruit de l’eau” (Sound of water). 
And now, you know the origin for this essay. As you can see, the collection of Haikus is focusing on the topic “Water”. Since I only possess the French version of Haikus, I could only give you my own English translation. Fortunately, my friend @Rin_de_eegana was able to find the original version, Japanese. Therefore in the second version, I am giving a second English translation whích gave me new insight once again. Anyway, the thing is that as soon as I read certain poems, it made me think of Jinx and the characters. This shows my obsession for this terrific Manhwa.
(chapter 14) Yet, the main lead never got the chance to see it. Then the ocean is only mentioned directly at the end of the first season. The halmeoni was expressing her wish to return to the West Coast 
(chapter 53) When she was 10 years old, she was moved by how the ocean changed colors with the beautiful sunset. It was no longer blue or grey, but yellow, red, pink, orange and purple. This wonderful but brief moment left such a deep impression on her that she could never forget it. 
(chapter 53) She never came to regret her walk to the beach, because this souvenir also became her source of strength. This memory created in her the desire to see it again, thus she kept postcards with views of the ocean. 
(chapter 17) 
(chapter 53) Together, these opposites suggest a state of inner turmoil or confusion, where a person lacks clarity about both themselves and the world around them, which can inhibit personal growth and well-being. And this is exactly how the main lead feels in the final panel of season 1.
(chapter 27) Like mentioned above, the beholder in front of the ocean can have a different experience than the young girl. 
(chapter 53) Furthermore, she is imagining that she can make the same experience again. But this is just an illusion, like the Greek philosopher Heraclitus explained it: 
(Chapter 7) And we could see that Joo Jaekyung had a similar attitude in season 1, he would listen to his hyungs and the people working for MFC. Consequently, I come to the following deduction: this time, the fighter will make the decision on his own. He won’t follow Park Namwook’s advice: 
(chapter 1) 
(chapter 47) 
(chapter 47) even when the doctor was confronted with the truth about his terminally ill grandmother. The sun was always shining brightly. Since in the haiku from Ryokan Taigu, the rain is associated with old-age and fall (misty), it dawned on me that the rain should be associated with the grandmother’s death. If this comes true, it was, as though the sky and gods were weeping for her vanishing. Additionally, the first season took place in Spring and Summer, thus I deduce that season 2 will take place around late summer, fall and winter. This means that the weather should change. And this remark led to my second revelation. I started looking for South Korea’s climates, particularly I was curious about the climate on the West Coast.
We have an elderly man walking through the rain in front of the blue sea. The latter is accompanied with a Waka-poem from Yoshihiro (which was not translated). According to my Japanese friend @Rin_de_eegana (飯乞ふと 里にも出でず この頃は 時雨の雨の 間なくし降れば), this phrase describes a situation where one cannot even go out to the village to beg for alms due to the long rain. Here, we have the topic of poverty linked to old-age and rain. Yes, the pages of this book reminded me of Shin Okja, a poor elderly woman who is so sick. And like mentioned above, the rain could be the reason why the woman doesn’t go to the beach. The two poems are underlining one important aspect: the powerlessness of humans in front of nature. No one can stop aging, just like no one can control the weather. At the same time, it outlines the importance for a senior to be surrounded by people, so that they don’t end up dying from dehydration, from a cold or hypothermia.
(chapter 49) Both main leads went to the restroom in order to hide their emotional turmoil and suffering. They used flowing water (in Joo Jaekyung’s case the shower) in order to cover the sound of their weeping: SHAAA. Yes, the tears are making sound… so the rain should make sound as well. And this brings me to my next remark. 
(chapter 29) 
(chapter 35) The blue would be a reference to the ocean. After that couch confession night, the athlete got a certain enlightenment, hence he tried to get closer to Kim Dan the next morning 
(chapter 18) and as a source of stress and worries. 
(chapter 47) To conclude, Joo Jaekyung will also have an Enlightenment in front of the ocean, but contrary to the grandmother, this experience will be associated with the night, the sound and a person: his soulmate Kim Dan.
(chapter 47) 
(chapter 17)
(chapter 17) They are nowhere to be seen!! I would even add that this place contains no traces of Kim Dan’s presence! 
(chapter 19) The framed photograph isn’t visible on the chests or the shelves, when Joo Jaekyung confronts the loan shark and his minions 
(chapter 19) This exposes that this “souvenir” was not put on display in this house contrary to his stay in the expensive penthouse: 
(chapter 47) Thus I conclude through the absence of his pictures and belongings that nothing was exposing the presence of Kim Dan in this small flat. We could say that he had been living as a ghost child (the piggy bank) in his halmoni’s place. It implies the existence of an invisible wall between himself and his grandmother. This perception reinforces my previous interpretation. This place was like a “cursed place, where the “Sleeping beauty” was waiting for his “prince charming”. 😉 Therefore, when the doctor removed the framed picture from the drawer, it symbolizes his own “release”. It is no coincidence that one week later, he became “a man and as such an adult”. 
(chapter 19) He was slowly detaching himself from his halmoni’s shadow. The mirror is a reflection of a photograph. Here, he is facing reality: he has a long phallus and he can have a climax.
(chapter 7) and actions.
(chapter 46) I might shock my avid readers with this hypothesis, but the fact that Kim Dan could only remember his childhood’s pictures in chapter 47 shows that he had long forgotten these moments. If he had seen the pictures constantly, he would have been confronted with reality and as such grasped that he was not alone in this world. He had his halmeoni by his side this entire time. He was cherished. Finally, keep in mind that this story is written like a kaleidoscope, so such a scene must have occurred in the past. Thanks to my chingu @@Milliformemes24, I can even be more precise. Note that in the last panel, the photos were taken with a cellphone. 
(chapter 38) 
(chapter 42) or “waiter”. As my avid readers can detect, there is a strong link between “pictures” and “pride and love”. Their absence is the expression of neglect from the grandmother, who was definitely too focused on herself and her own suffering. At the same time, it lets also transpire the low self-esteem from the grandmother. In her humble dwell, there is no picture of her as well. 
(chapter 38) Clouds are a reference to heaven and dream, while the green display displays loneliness and emptiness. They have no one by their side. Furthermore, just like Kim Dan, Joo Jaekyung has no family pictures in his house
, (chapter 19) which could be seen as a clue that he is an orphan. Or in the best case, they live, but there is a huge wall and gap between them and the fighter. I would even add that no one could even identify the owner of the penthouse. He is a famous MMA fighter, yet there exist no picture of himself in this flat! Not even this one: 
(chapter 46), his face and body are like “merchandises”. 
(chapter 43) That’s why he disliked the idea that Seonho would advertise that he was his sparring partner. The pictures in the god’s world have nothing to do with memories or love, but with work! It is about making business and getting sponsors and making his fans happy. That’s why the author included the magazines in the same chapter with the actor.
(chapter 30) Naturally, Heesung’s picture is not only related to business, they have a frenemy relationship. The photos with Joo Jaekyung stand in opposition to Kim Dan’s values: glorification, illusion, superficiality and futility. Under this new light, it becomes comprehensible why Joo Jaekyung would never put any framed picture of himself or others in his flat. His gym and the photographs are related to work. Who would like to be “reminded” of work and money in his own home? No one…
(chapter 45) 
(chapter 45) Imagine that the doctor had to work to exhaustion to give him an expensive gift! Yes, his gift was strongly intertwined with money, business and work! However, birthday is a symbol for home, pleasure, joy, simplicity and genuine gratitude. This has nothing to do with work and “replacement”. Yet, contrary to the other presents, the champion did open the hamster’s gift, for the latter had brought it personally. 
(chapter 45) Yes, his birthday was turned into a business event, a merchandise where he even had to pay for his own birthday party. 
(chapter 43) His popularity among the staff was based on his spending: 
8chapter 35) When this article was released, the author selected a photograph exposing the champion in good health! He was raising his arm and as such using his “injured shoulder”. The content of the article contradicts so much the image which can only raise doubts among the readers. By using such a picture, they created the illusion that the athlete was hiding something. And this remark brings me to the last articles about the fallen legend: 
(chapter 52) His beaten face is exposed to destroy his “good image”: he appears not only as weak, but also as a bully. This shows how the medias are trying to manipulate the public with pictures. His face and body are damaged, therefore he has less value. This deceptive trick becomes more visible, when you include Baek Junmin. 
(chapter 33) A black car was following him. But they couldn’t take any picture, for the windows of his car were tainted.
(chapter 40) It is no coincidence. Though he had no memory of the previous night, he felt this moment as magical. He had saved him and claimed him as a part of Team Black. Then he had look at him back, though he was facing journalists. However, the journalists didn’t take a picture of such a moment, for this was not relevant to them. It shows not only the true value of “memories”, but also that both were now truly living! During that night and day, both created wonderful memories. 
(chapter 41) Kim Dan experienced that he was not alone, he was part of “Team Black”, while the other heard a love confession for the first time. This memory displays 
(chapter 17) He is relying too much on his eyes. He paid no attention to details and their words. Hence their words are not visible. In addition, the author created such a panel.
(chapter 17) in that scene.. But why is he trusting too much his eyes? It is because he adopted this poor habit from his mentor and hyung, Park Namwook. who judges people based on prejudices and impressions. When the manager faces a problem or some criticism 
or delegating responsibilities to others: 
(chapter 36) Furthermore the man with the red tee-shirt has always been by his side for a long time. The time spent together is a proof of his “loyalty”, yet if the athlete had paid more attention to his words, he should have noticed his hypocrisy, lack of empathy and disrespect: 
(chapter 27) In addition, he had to rely on the expertise of doctors, but he only trusts himself, his hyung and no others. But let’s return our attention to Kim Dan and his letter.
(chapter 53) The letter stands in opposition to the articles and photographs. Through the letter, the main lead is teaching to the wolf this important life lesson. He needs to use his mind and as such his heart to see the truth and reality. 
(chapter 26)
(chapter 26) The gym will face some changes. 
(special episode 1) The actor chose to use the black-haired sportsman as “Friends with Benefits”. But what would be Potato’s benefits then? Support and connections, like we could see it in special episode 2: 
(chapter 35) Because he is famous and wealthy, he is expecting a similar reaction from the chow-chow. At some point, he will appear too clingy, hence he will perceive his relationship as burdensome. This is no longer fun.
(special episode 1) With his words, the sportsman implied that he had taken advantage of the actor, while in reality the opposite had happened. Heesung had taken advantage of Potato’s drunkenness 
(special episode 1), ignorance and purity
(special episode 1).The confession of Yoon-Gu’s wrongdoing could only shock the actor. 
(special episode 1) How did Yoon-Gu come to this reasoning, when he admitted in the same breath that he was drunk? It is because the night before, Heesung had confided that he was heartbroken due to Kim Dan’s rejection. 
(chapter 35) With his behavior, the fox gave the impression that his affection for Kim Dan was running deep. Under the tent, he was drowning his sorrow with soju. Hence in the maknae’s mind, Heesung was still in love with the physical therapist. Yes, the irony is that the chow-chow was also projecting his own thoughts onto the comedian. Let’s not forget that when the young fighter discovered the true nature of the relationship between the doctor and the emperor, he didn’t give up on his admiration and affection for Joo Jaekyung. 
(chapter 35) My avid readers should keep in their mind that the chow-chow is famous for his strong loyalty. To sum up, Potato imagined that Heesung was still loving Kim Dan, exactly like him with the fighter… he would remain faithful and keep his one-sided love.That’s why I came to the following conclusion: their relationship started on a misunderstanding, which was also reflected in this situation: 
(special episode 1) It was, as if he had disregarded the gumiho’s feelings, he had incited the latter to commit a sin. Heesung had broken his vow of faithfulness 😂. That’s the reason why he mentioned “zero regrets”. It is important, because with such a mind-set and attitude, he is indirectly pushing the gumiho to face the truth: his dishonesty. His affection for Kim Dan was just a crush, a superficial attachment, as he knew nothing about him. In fact, he was just chasing after an illusion. He even admitted it at the restaurant: 
(chapter 35) His description for a partner and as such love doesn’t correspond to the definition of true love: care, respect, knowledge and responsibility (Definition from Erich Fromm, for more read “
(chapter 32) He didn’t try to protect him from the athlete’s fury. He never clearly stated his true desire, he wished to date the doctor, until he was cornered (threatened).
(chapter 45). This means when the MMA amateur fighter decided to become responsible and as such to make up for his mistake, 
(special episode 1) and why Potato couldn’t refuse the role-play. 
(special episode 2) He is put in a similar situation than his role model Kim Dan. He can not say no to Heesung. 
(special episode 2) However, he is not entirely powerless, like I mentioned in the first part. He is not forced to admit that he had fun after the intercourse. 
(special episode 2) In other words, he is not obliged to say YES either! It is funny because thanks to this examination, I realized that Yes and No have “become” like taboo words. Yoon-Gu is avoiding these idioms by using the expression “I don’t know”. Hence I am suspecting that Heesung will become obsessed with the word “yes”! 😂 Only Heesung can procure him fun and pleasure, and no one else. He is getting disarmed by the sentence “I don’t know”.
(special episode 2), yet in the past he had a different reaction. 
(chapter 23) The reason is simple. This was not patting, but rubbing. Neither Oh Daehyun nor Kim Changmin did it to express gratitude, rather for selfish reasons. They wanted luck on their side. Potato didn’t feel recognized and accepted, rather used as a tool. Hence he was bothered. Under this new light, it becomes comprehensible how Heesung can win Yoon-Gu’s heart in the long run. It is not because of his sexual performances, but thanks to his selfless gratitude and generosity!! We have the perfect example in these two scenes: 
(chapter 26) The main lead had taken a risk for him. He could win his heart by turning his dream into reality. He would be able to spar with the emperor. Then observe how Potato was full of admiration, when the champion decided to organize a charity event for his birthday. 
(special episode 2) He was attempting to hide his growing affection for the comedian. He feared that his feelings for him could become a burden for the comedian. In his eyes, Heesung should remain faithful to the physical therapist. He shouldn’t expect any affection from the actor either. 
(chapter 34) In this scene, the physical therapist looked like attached to his owner. In the first part of “Passions in Purple: Jealousy and Joy”, I made the following prediction. Heesung would order a sex toy 
(special episode 2) out of annoyance and jealousy
(special episode 2), for Potato had run away from him. He needs to put him on a leash to feel in control, to obtain his chow chow’s attention. Naturally, there is no guarantee that this prediction is correct. Yet since according to my examination, Potato is thinking that Heesung is in love, it signifies that Heesung is already attached to Kim Dan. Hence he won’t do anything to ruin this attachment… therefore Heesung can only be put in front of a dilemma. How can he make Potato look at him? He could reveal the truth to Yoon-Gu, but by doing so, he would ruin his image as a good and caring guy. Moreover, since he has lived for a long time deceiving himself and others, it is very unlikely that the actor might change his behavior so suddenly. Old habits are hard to die. Therefore for me, honesty won’t be his initial choice, rather acting. He will express his thoughts and emotions behind a new role-play and sex.
There, I included two gemstones, the Bloodstone and the Aquamarine! Choi Heesung, born on 21st March, is represented by these birthstones! In this composition 
(chapter 37) Here each fighter was on his own, they were not really training together. The champion was the leader due to his imminent match, he put the others under pressure, as he was himself stressed. But with his suspension, he is no longer racing against time. In other words, the training routine should be different. They will help each other, encouraging each other to become better. The presence of Heesung should help them to see the training under a different light. But for that, he has to reconnect to his true nature: bloodstone and aquamarine.
(chapter 34) Here, he forced the champion to claim the doctor as his possession. However, in season 1, the main lead came to regret his actions (34, 43), for he has never been honest to himself. And now, it is time to focus on the second gemstone. 
(chapter 31) They were green. He is attracted to “green”, his origin self. Nevertheless, in episode 31, this was rather a khaki version due to his corruption. No wonder why he played a trick on the champion. And this observation brings me back to the doctor’s clothes. What was he wearing, when he was young? 
(chapter 35) At the same time, it explains why Heesung changed for the better thanks to the physical therapist. Thus I assume that Heesung is destined to become an aquamarine, bringing all these characters closer to each other: Potato, Cheolmin, Kim Dan, Joo Jaekyung. However, contrary to the past, he won’t use his money to help people to become happier. His smile and happiness should affect the others: 
(chapter 31) However, this should no longer be superficial. The celebrity is associated with flowers, stars, fun and happiness. Because he symbolizes “Spring”, I deduce that his rebirth and as such his Enlightenment are primordial. He is there to assist the others. And the color for understanding, compassion, self-awareness and wisdom is purple:
(special episode 1) Since the elderly woman confided to Joo Jaekyung, we can assume that she could do the same with the gumiho, as soon as she sees her idol. It is important, because he could grasp the physical therapist’s suffering and low self-esteem. 
(chapter 48), but the actor would be replacing the fake director. We had a sunset here, dark water (the coffee), the symbol for corruption. Then notice that he is wearing a blue t-shirt (but two colors, a symbol of his hypocrisy)!! This reinforces my expectation that we should witness the actor’s awakening, the exact opposite of the other Choi, who chose revenge and manipulations. But there is more to it. Thanks to the comment of @Milliformemes24, I had another revelation. The latter wrote that places of knowledge and self-awareness are related not only to the ocean, but also to the mountains. It is normal, as the hill is closer to the sky and as such closer to the gods. Notice that Heesung’s new home is situated on the top of a hill, surrounded by a forest. 
In other words, Heesung could get enlightened on a mountain too, during a stroll for example. And the moment I read this from my friend, this image came to my mind: 
(chapter 41) The huge tree at the hospital!! The latter is even strongly connected to a stroll. In that scene, the doctor thought of his lover, as he associated him with the sun. 
(chapter 41) That’s the moment when he realized his feelings for the fighter. As you can see, Mingwa used the tree and as such nature as a source to spirituality. And now let me ask you this question. Since the story is written with reflections, the tree should have appeared before and after. Where was it then? First, the first plant to appear was the bouquet. The roses from Heesung 
(chapter 37) However, the first time, the tree appeared as such was in the States, and this on two occasions: 
(special episode 2) Yes, the barn!! The tree had been transformed into a home. However, don’t forget that this was just a fantasy from Heesung. However, during this intercourse, he came to expose his jealousy and growing attachment towards his soulmate. Yes, the last two mentioned scenes have two common denominators: a mixture of fantasy and Enlightenment. Nature is strongly intertwined with meditation and communication. To conclude, we should expect the presence of woods and trees in season 2 as well. And this hypothesis got reinforced, when Mingwa released this image on X: 
(chapter 34) I consider this as an allusion that the actor will be by the fighter’s side. On the other hand, since the shirt is open, I interpret as the star’s emancipation. The latter has been able to escape from his mental prison and suffering. In his cage, he was racing against time. Now, he is able to relax and enjoy time. At the same time, since the champion in the image from X is seen wearing rings with stones, it somehow confirmed my interpretation about the role of birthstones in Jinx. 
as a new version of the image from season 1. The fighter’s hand is a mirror of the tree. He is giving support and protection. Hence I am assuming that the champion will be also reminded of Kim Dan in a particular place. 
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