Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwas: Jinx and POTN But be aware that these Manhwas are mature Yaois, which means, it is about homosexuality with explicit scenes. If you want to read more essays about Painter Of The Night, here is the link to the table of contents. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “Magic hours”
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1. A Poem A Day and Family
The trigger for this essay was the K-drama A Poem a Day which I was recently rewatching. You might not know this, but I created this blog because of my analyses about K-dramas. Funny is that through them, I discovered Manhwas. That’s how I ended up reading BL-Manhwas which became my new passion. However, during my summer vacation, I was feeling nostalgic and melancholic, thus I decided to watch this terrific story “A Poem A Day” again. Like the title is implying, the story is revolving around poetry. In each episode, they included poems which were reflecting the situation, emotions and thoughts of characters in the series. And that’s how I came across this beautiful and touching poetry
Family
by Choi Bum Young
If you can’t say you’re hurt when you feel hurt you’re not family.
If you can’t say you’re happy when you’re happy you’re not family.A sweet and soft ice cream cone isn’t enough to become a family.
Pain, happiness, and love must be shared
And you must endure all hardships in prayer until you can feel it together.
That’s how we become a family.You must be able to express your sadness
and be able to cry together to be a family.
You must be able to express your happiness
And be able to be happy for one another to be a family.
You must feel like you’re under the same blanket
No matter where you are
To be a family.
The poem gives a very good definition of family. A real family is when people share their pain, attachment and happiness. This signifies that their members have no secret, they are allowed to cry in front of others. Interesting is that the blanket, a pars pro toto for the bed, is a metaphor for the embrace. This explicates why in this image, the characters are presented as a family, as they are hugging each other. The blanket represents warmth and protection. Interesting is that this vision is rejecting the notion that men shouldn’t cry (“Cry together”). It doesn’t matter who is weeping. And now, it is time to examine more closely how this poem was illustrated in A Poem A Day.
In episode 6, Woo Bo-Young was spending the evening with her mother and her half-brother, for she needed comfort from her mother. When she was very young, her father died and left not only a huge amount of debts, but also an illegitimate son. That’s how Bo-Young and her mother discovered the existence of an affair. Despite everything, the mother decided to adopt him as her son. Because he didn’t share blood with Bo-Young’s mother, the woman made sure that he wouldn’t feel burdened or excluded. Thus she showered him with love and understanding which sometimes made Bo-Young question who was the real relative in this family. Though this jealousy is totally normal, this scene exposes their mutual affection. Simultaneously, this scene also displays the slowly drifting apart between Bo-Young and her half-brother and mother as well. At the restaurant, she didn’t share all her worries and emotions to her family. She didn’t get the comfort she had hoped. In other words, this poetry exposes her growing maturity and as such her quest to find a loved one! Yes, by finding a partner, Bo-Young will start her own family. On the other hand, this poem reflects how these 3 became a family as well.
And this drifting away is also symbolized by the birthday’s party Bo-Young organized for Lee Min-Ho. His own family had totally forgotten about his birthday. So when Bo-Young saw Min-Ho alone, she brought him to a buffet and offered him a cake. At the same time, the poem exposes the abandonment and betrayal from Lee Min-Ho’s family. He might live in comfort (“a sweet and soft ice-cream”), but he never felt part of his own family, for the parents only had eyes for the elder son. Thus they were never present for important events in his life. In other words, he could never voice his pain or share his joy and pride with them. He only caught their attention, when he caused trouble.
What caught my attention is that Choi Bum Young made a difference between “we become a family” and “be a family”. For him, family is not symbolized by sharing the same blood. The verb “become” insinuates not only change, but also something alive. Living under the same roof is not a synonym for family either (“No matter where you are”). As you can see, the house is not the symbol of a family. This means that the poem was exposing the existence of fake and true family. Under this new perspective, you comprehend why I selected such a title: The true face of family. Besides, the lyricist outlines that family is associated with hard work and trust. A family is created, when people feel safe and loved, but for that to happen, the members must open up their heart and their mind. That’s the reason why trust and respect are so vital. At the same time, the Manhwaphiles can grasp why the poet included the notion of effort. The person has to overcome the barrier, the fears. Hence it is not surprising that Choi Bum Young included the notion of struggles. Once the trust is there, the “you” is able to help the other. A real family is, when people face problems together. Therefore it is not surprising that the poetry emphasized the notion of “sharing”. The members should divulge their emotions and thoughts! Striking is the recurrence of the personal pronoun “You” which outlines the responsibility of a member. One has to share his agony or happiness to others first, if he wants to have a family. As long as the person doesn’t open up, there is no family. One has to take the first step and the others will follow. This explicates why the personal pronoun “you” turns into a WE! Thus this poem implies that Lee Min-Ho was partially responsible for his own suffering as well. He never shared his resent to his brother and parents. He should have argued with them much sooner, yet he let things happen. To conclude, family is not just made of sunshine and rainbows, but of clashes and troubles. Hence discussion is not excluded at all. To conclude, family symbolizes responsibility, faith, affection, communication, support and cover! The family is represented by the personal pronoun “we”.
As you can imagine, the moment I read this poem, I couldn’t help myself connecting it to Painter Of The Night and Jinx. Thus I decided to utilize the poetry as foundation in order to define the families in the Manhwas. Moreover, we can detect the evolution of families or we could say the loss and birth of a family. And the criteria in order to define a real family would be the embrace, the weeping and its acceptance, sharing the same cover, meals, secrets and emotions.
2. Family in Painter Of The Night
2. 1. Baek Na-Kyum’s “families”
When Na-Kyum had this dream, he was remembering his own family. 
(chapter 87) Not only the painter and the 3 noonas were sharing the same bed, but also they were taking their meals together. 
(chapter 87) They would even caress each other and laugh together. This scene oozes happiness. Consequently, it is no coincidence that during that night, they shared their honest thoughts to Baek Na-Kyum giving him good advices. But more importantly, the painter was there, when his noonas were struggling. 
(chapter 94) He cried in front of them. His tears symbolized his compassion and love for his noonas. He regarded them as his family. And it was the same for the artist. He had the noonas by his side, when he was in trouble or agony. 
(chapter 94) 
(chapter 107) However, at some point, it changed! 
(chapter 94) Jung In-Hun entered his life and consoled him. Thus I deduce that this image 
(chapter 68) represents a turning point in Baek Na-Kyum’s life. During that night, the scholar took away the young painter from Heena, hence he couldn’t help her. And now, observe the learned sir’s reaction. He didn’t allow the painter to cry. He shouldn’t share his pain. 
(chapter 70) In fact, he diverted Baek Na-Kyum’s attention from the incident to the moon. The learned sir was smiling the whole time. 
(chapter 70) He was acting, as if nothing had happened. The fact that he didn’t bear the tears from the painter exposes that the learned sir never considered him as a family. Therefore it is not surprising that he got abandoned, when the learned sir struggled: 
(chapter 75) But we have other scenes where Jung In-Hun didn’t behave like in the poem. When he discovered the truth, he had not been approached by Yoon Seungho due to his talent 
(chapter 19), he pushed away the painter. 
(chapter 19) He was mad, because Baek Na-Kyum was the cause for his sponsoring. 
(chapter 19) However, the family serves as pillar and protection. When the scholar’s pride got hurt, he rejected Baek Na-Kyum. He only approached the painter, when he needed him 
(chapter 10) 
(chapter 24) 
(chapter 35). 
(chapter 111) For me, in episode 10, he was definitely aware of the existence of a plot, thus he led the painter to the pavilion. Then in episode 24 and 35, he wanted the artist to spy on his benefactor. Finally, in episode 111, he knew that by taking away his former pupil, he would hurt Yoon Seungho, for he was aware of his affection for Baek Na-Kyum. Under this new light, it becomes comprehensible why Jung In-Hun didn’t bid farewell to the main lead in episode 44. Baek Na-Kyum’s presence was not necessary for the preparation for the civil service examination. And this brings me to the last scene between the learned sir and the painter. 
(chapter 118) He is now crying in front of him, as if he was considering him as a part of his family. He is trying to create the illusion that he shares his suffering, just like he shared his happiness during the parade. 
(chapter 111) But in the gibang, the learned sir changed his attitude towards his former pupil, for he kissed the painter. 
(chapter 117) It was, as if the former was starting his family. Baek Na-Kyum is now his “bride”. But naturally, everything is just an illusion. Why? It is because the Manhwaphiles never saw Jung In-Hun share his bed or room with the artist! 
(chapter 27) 
(chapter 38) He was also never seen taking his meals with him. This explicates why he never visited him, when the painter was sick. In fact, the learned sir is connected to the air and the courtyard. That’s the reason why he is always seen roaming around with Baek Na-Kyum (10: pavilion, 18-19-27-35-44: courtyard, countryside/city: 29-37-70 and 
) But more importantly, he is not sharing his true thoughts and emotions to the young man. 
(chapter 118) He never explained how his face got bruised! This shows that he approached Na-Kyum for one reason. He was in trouble and he needed him. But he acted, as if he was becoming responsible for him. 
(chapter 118) 
(chapter 118) He didn’t expect a rejection. Why? It is because now, he was treating the main lead as family member. Nonetheless, don‘t get me wrong. In Joseon, servants were considered as a part of the household and as such of the „family“. I don‘t believe that the teacher views Baek Na-Kyum as an equal. Yet, the latter is in reality a free man. 
(chapter 118) Thus out of fear, he made a false love confession which resembles a lot to obsession and possessiveness. His words display his worries and despair. Another important aspect is the absence of the personal pronoun “we” in their conversation. We only have “you” and “me”. 
(chapter 118) (chapter 118) There is no union. Because he didn’t take the protagonist’s feelings into consideration, this “seduction” was doomed to fail. Thus I deduce that when the learned sir trampled on Baek Na-Kyum’s heart and loyalty in the library, 
(chapter 40), the latter learned the following lesson: Jung In-Hun had never been his new family. That’s the reason why he was so wounded. Therefore it is no coincidence that his karma is to be abandoned the moment he needs Baek Na-Kyum the most. But why did he not consider the painter as a family member? It is because he came from the gibang. Moreover, he was blinded by his desire to succeed on his own, not realizing the true role of a family.
And this brings me back to Heena and the noonas. The moment Jung In-Hun meddled in the painter’s life, the relationship between the noonas and Baek Na-Kyum deteriorated! And this coincides to these nights: 
(chapter 86) 
(chapter 107) The sexual abuse is something they hid from Baek Na-Kyum! They could never share such a burden with the protagonist. But there is more to it. In fact, Byeonduck illustrated the slow deterioration of Na-Kyum’s s family in season 2, 3 and 4. First, the painter couldn’t talk to his noonas like in the past: 
(chapter 46) He was forbidden to announce his departure which indicates that Heena was hiding something from the other kisaengs. Moreover, notice that he never talked back to Heena. He listened to her, though he was in pain. 
(chapter 46) He could only express his sadness with his tears. Then when Heena reentered his life, she was seen next to his bed while hugging. by his side 
(chapter 66) This means that she would no longer share his cover. This is no coincidence that in the gibang, the noona could no longer enter her brother’s room. 
(chapter 96) Little by little, Heena got excluded from the painter’s life. She could no longer share her meals with him. 
(chapter 93) This explicates why in season 4, Baek Na-Kyum can not penetrate Heena’s room. 
(chapter 105) She is hiding more and more things from her brother: her “illness”, her involvement in the murder of nobles and her lies. On the other hand, the painter still considered her as a part of his family because of her intervention in episode 68/69: 
(chapter 68) Their argument was reflecting their trust, though here the kisaeng was questioning her brother’s maturity. Due to her concerns, Baek Na-Kyum felt that they were still a family. However, I sense a rupture, when they argued in the kisaeng house. The artist was no longer trusting Heena’s words: 
(chapter 97) Interesting is that from that moment on, Baek Na-Kyum and Heena never faced each other! She didn’t join his side during the parade. This means that their argument in the kisaeng house represents their last reunion. And what did Heena do in this scene? She cried 
(chapter 97), while the painter didn’t, though he looked disturbed. 
(chapter 97) He lost all his colors. However, such a scene could be perceived as a sign of indifference, especially for the kisaeng. And this observation made me realize why the kisaeng asked Yoon Seungho not to reveal his suspicions about Jung In-Hun’s involvement to her brother. 
(chapter 105) Here, she implied that Baek Na-Kyum would cry out of pain and shock. But she had seen that he had shared no tears, when he heard about his murder: And it happened again in the shrine.
(chapter 99) Simultaneously, the request from Heena exposes that they are no longer sharing agony and as such struggles. Moreover, this made me realize why the artist left the mansion after the nightmare. It was out of fear and obligation. For me, he had sensed that Heena liked the learned sir and as she was still part of his family, he had to make sure that this was not true. Yet, even after witnessing the faked crime scene, he still trusted Yoon Seungho. Hence I am deducing that the absence of tears is the trigger for their separation which stands in opposition to their embrace in the mansion: 
(chapter 66) 
. (chapter 68) And what was her reaction, when she saw her brother in tears and yelling at his lover?: 
(chapter 105) She remained silent, passive and rather indifferent. This impression gets reinforced, when she is lying next to her colleagues. She is not sharing her thoughts and emotions, rather pensive contrary to these kisaengs: 
(chapter 105) She is even turning her back to them. This displays the dissolution of this family. The kisaeng is no longer sharing her fears, her tears and emotions to others. Therefore she can not sense “happiness or relief” like the others.
But the gradual alienation between the protagonist and his noonas becomes more perceptible in season 3. In episode 93, they could share their happiness
(chapter 93), but the moment the lord joined his side, the honesty started vanishing. Notice that the painter couldn’t talk about his past (how he met Yoon Seungho and how he got abandoned by Jung In-Hun). It was reduced to “I was caught up with something”. He had so many secrets that he couldn’t share to his noonas. And it was the same for the kisaengs. 
(chapter 93) They also had secrets, hence they were seen whispering. Baek Na-Kyum could confide less to Heena. Why? He sensed that the kisaengs might show no understanding. And note how the painter reacted, when he met his noonas in episode 105. 
(chapter 105) He lied to his noona, he didn’t voice his worries. He didn’t enjoy his time spent by the kisaengs’ side. He didn’t eat with them either. This is the sign that he was moving on, he was on the verge of starting his new family. In other words, this scene 
(chapter 105) corresponds to the bird flying from the nest which was witnessed by Heena and the kisaengs. Because the painter was not sincere to his noonas, it is not surprising that they acted the same way. Here,
(chapter 105), the kisaeng’s words are a reference to loss of virginity. Yet the painter didn’t grasp the true meaning. Only in his dream and nightmare, he realized the significance of her words: 
(chapter 109) Hence I come to the conclusion that we are witnessing to the birth of Baek Na-Kyum’s new family: Yoon Seungho. 
(chapter 118) That’s the reason why the painter decided to run away with his lover. 
(chapter 118) However, in order to become a real family, the painter needs to call his husband like this: 
(chapter 72) Under this new light, it becomes comprehensible why the noonas were no longer entirely honest with Baek Na-Kyum in the gibang. They couldn’t share their thoughts and secrets to the artist, as they had played a role in the separation of the couple 
(chapter 99) and the nobles’ execution. Besides, they also had secrets which they had to hide from their donsaeng.
2. 2. Yoon Seungho’s family
He never had a family to begin with. Why? First, the mother was neglecting him because of her hatred for her husband. This is what Byeonduck revealed. From my point of view, her detachment towards Yoon Seungho was linked to the first sexual experience and that her first son would resemble her husband. As for Yoon Chang-Hyeon, the father had definitely troubles with him. 
(chapter 57) I believe that it is related to the protagonist’s sensibility and intelligence. My assumption is that Yoon Seungho is a Highly Sensitive Person.
Research also shows that a lack of parental warmth growing up may cause a child to develop high sensitivity and carry this trait into adulthood. Quoted from https://www.verywellmind.com/highly-sensitive-persons-traits-that-create-more-stress-4126393
Therefore due to his particular personality, he could not share his thoughts and emotions to Yoon Chang-Hyeon and his brother, hence he expressed his emotions through painting. Moreover, due to his ambitious father, pranks were not well perceived. Therefore it is not surprising that he was forced to face adversity on his own, for he had no protection. Interesting is that Yoon Chang-Hyeon views the ancestors 
(chapter 85), his second son and even lord Song as his family 
(chapter 116) Hence they are sharing a drink, their secrets and emotions together, though it is obvious that the man in purple is deceiving the patriarch. However, the elder master still trusts and listens to his words. 
(chapter 107)
And what about Kim, the so-called faiithful butler? Was he not his surrogate father? It is the same. The latter never considered him as his family. Don’t forget what the butler said to the painter. 
(chapter 26) The latter was not allowed to cry! Therefore the artist heard the same reproach from the main lead. 
(chapter 26) The valet disliked the tears, because he refused to share the suffering. The reason is simple. If he did, this would have increased his guilt. Furthermore, Kim never shared the cover or his meals with Yoon Seungho in the past 
(chapter 83) and in the present. Here, 
(chapter 17) he even refused to bring him his breakfast. But one might argue that Kim cried in front of the protagonist in the shed, he even expressed regrets: 
(chapter 108) So we could assume that he was starting to view the main lead as a family member. But no… for me, it is just an illusion. First, note that he never let the lord see his gaze while weeping. Besides, the noble’s heart was not moved either. They were not crying together, a sign that the two were drifting apart. Moreover, in the shed, the valet never shared the information about the fire at the shrine. 
(chapter 108) The noble had to use threat and force in order to push the butler to voice his thoughts. Finally, at the end, the valet never vowed his loyalty to Yoon Seungho, but to Baek Na-Kyum. 
(chapter 108) Moreover, like exposed above, family in the poem symbolizes trust, love, responsibility, comfort and protection, but the valet failed to fulfil his duties which he admitted in the shed. As a conclusion, the butler didn’t keep such a promise. Moreover, what did the butler do after the painter’s abduction? 
(chapter 64) 
(chapter 64) He ran away. He never saved the painter, just like he didn’t argue with his master in that moment. But he could have, since the latter had no sword by his side. Imagine that he had a heated discussion with Yoon Seungho the very next day, and in the courtyard, the protagonist had the sword in the hand. 
(chapter 68) A sign that he knew that the noble would never slay him! And in the past, the valet had not come to his rescue, shared his suffering or defended his honor. And now, you comprehend why I am more than ever convinced that the valet was never Yoon Seungho’s family: no tear, no joy or no secret shared! His expression “bird of misfortune” embodies the gap between the two characters.
And that’s how I realized why the staff never cared for the couple in the end. It is because the staff would eat together, while Yoon Seungho and Baek Na-Kyum got excluded. In season 4, Yoon Seungho was even forced to give up on his own room for the painter and the maids 
(chapter 109) The latter would even get the opportunity to eat sweets and sit in the patio
(chapter 109), while the lord was relegated to the courtyard. 
(chapter 109) And the poem mirrors perfectly the birth of Yoon Seungho’s first family. Baek Na-Kyum is his very first family. Thus he could share his pain, his fears, his resent, 
(chapter 62) and his hope to be happy for one moment: 
(chapter 63) I selected the terrible scene in the shed for two reasons. It symbolizes the verse “how to become a family”. This explicates why in season 3, the artist was slowly using the personal pronoun “we”. 
(chapter 78) This means that the two protagonists were learning how to become a true family. And one of this important step was “crying together” which occurred after the sexual abuse in the shrine, 
(chapter 102) However, Yoon Seungho had to learn the importance of “secrecy”! He kept his crime from his loved one hidden, not understanding that a real family is to “endure all hardships” together. Consequently, I judge this night 
as the finalization of their “Wedding”, though it is still not official. During this night, we have all the criteria. They share their worries
(chapter 110), their happiness 
(chapter 110), they sit together while eating
(chapter 110), they embrace each other, they share the same bed. And the lord makes the following promise: there won’t be any secret between them. He will share everything with his lover. 
(chapter 110) So when the brother gave the petition to the artist
(chapter 116), he even reinforced their bond. It was, as if they had no longer any secret between them. Thus they talked about the document in the pavilion making sure that no one would listen to their discussion. 
(chapter 117) Therefore, it is not surprising that during that same night, the couple slept under the same blanket while hugging each other. 
(chapter 117) The symbol for the new family! But a family is not made just of two members! Is Yoon Seungwon a part of Yoon Seungho’s family? Let’s not forget that he considered the artist as his brother’s wife. 
(chapter 116) What caught my attention is that Yoon Seungho was not followed by his lover, when he met his brother in the gibang. 
(chapter 118) And this reminded me of this scene: 
(chapter 37) He wished to send away the artist, but the host refused. Then if you pay attention to his behavior, you will notice that none of them were seen eating together! (chapter 118) Neither in the mansion nor in the kisaeng house. The table between them symbolizes the gap between them. Another important detail is that his brother didn’t serve him a drink which is actually a custom in Joseon. 
(chapter 118) Compare it to Black Heart’s behavior: 
(chapter 43) In fact, the two guests were drinking on their own! Yoon Seungwon had even started drinking before the protagonist’s arrival. 
(chapter 118) Moreover, exactly like the scholar, Yoon Seungwon is just employing the pronouns “you”, “I” and “father”. There is no WE at all. 
(chapter 118) Moreover, he doesn’t want to share the pain and suffering with his father. And while he shared a secret with Yoon Seungho in the past,
(chapter 118), I believe that he is hiding something from his brother again. Thus we see constantly him with a drop of sweat. 
(chapter 118) 
(chapter 118) Striking is that he is at no moment mentioning the painter, which actually represents the lord’s source of comfort and joy! He is more talking about the past than the present. He is hoping for a change of heart. That’s the reason why I come to the conclusion that Yoon Seungwon called the main lead as brother
(chapter 118), but it is only a name! In reality, he desires to use the main lead. He needs him more than ever! Let’s not forget that the patriarch could discover Yoon Seungwon’s betrayal at any moment. Finally, I would like to outline that family stands for effort and understanding, nevertheless the younger master never showed compassion or worries for his brother, who had just recovered from a stabbing. His speech was full of blame. (chapter 118) Thus I conclude that Yoon Seungwon is not a part of Yoon Seungho’s new family and his smile in the library was fake. His words were just a lip service. (chapter 116) Don’t forget that during the same night, Yoon Seungho got stabbed and the younger master knew it.
And now it is time to examine the families in Jinx.
3. Family in Jinx
3.1. Kim Dan’s family
It is clear that though the grandma moved to the hospital
(chapter 22), the physical therapist still views her as his family. This corresponds to the verse “no matter where you are”. This explains why he listened to her and started treating the champion differently. From my point of view, they became a family, because they slept under the same cover
(chapter 21), shared their agony, fears 
(chapter 5) and their happiness together, though this needs to be relativized. 
(chapter 11). I will give more details later. Another evidence that they are family is that the grandmother would often sing him songs. Then we could say that the grandmother shares her meals with the doctor, for she is often saving yoghurts for her grandson. 
(chapter 05) She is happy, when she hears good news from her grandson. 
(chapter 07) When she feels lonely or miserable, she asks for his presence. 
(chapter 21)
Furthermore, she often caresses her grandson, a different form of embrace. 
(chapter 5) Nevertheless, there exist two negative aspects. First, I noticed that she didn’t question Kim Dan about his career, only when it was necessary. 
(chapter 07) She is not that involved in his current life. 
(chapter 05) Secondly, what caught my attention is that the halmoni is not letting her grandson weep. With her attitude, she implied that he had overreacted (“Now, now none of that”). 
(chapter 21) Moreover, the poem outlined the necessity of crying together (“be able to cry together”), yet the halmoni was not upset, when she found the little Dan in tears. She didn’t understand his abandonment issues. Thus I deduce that the shared agony was only in one way! If the grandmother was scared or suffering, her grandson should feel the same. 
(chapter 5) This explicates why Kim Dan was willing to sacrifice himself for his halmoni. 
(chapter 16) It is because he knew that her grandmother disliked tears. Besides, in a previous essay, I had already outlined that such an attitude was considered as abusive, for such a young child should have been shielded from harm. However, he was exposed to violence very early on. Under this new perspective, it becomes comprehensible why Kim Dan started having secrets from her. Finally, the family portrayed in the poem implied the notion of effort and work. But the moment the grandmother refused to share his agony, she stopped putting energy in her relationship with Kim Dan. This means that as time passed on, she became more and more passive and relied more and more on the main lead. Another interesting aspect is that Kim Dan came to enjoy K-dramas because of his grandmother. 
(chapter 30) This shows that Kim Dan’s preferences are all influenced by the halmoni. We could say that he didn’t truly develop his own identity. It was, as if he had become the second version of “grandma”. And now, you comprehend why he rejected sex: 
(chapter 20)
Therefore it is not surprising that as time passes on, they are slowly drifting apart. Notice that he barely visited his grandmother. 
(chapter 30) Because the grandmother didn’t allow her grandson to share his struggles (no tears), Kim Dan has been hiding many things from his grandmother
(chapter 07): the beatings from Heo Manwook, his firing from the hospital, the sexual assault from the perverted hospital director and the moneylender, his deal with Joo Jaekyung and the fact that he moved to the penthouse. This means that little by little, the physical therapist is sharing less and less his happiness with her. I doubt that he told her about his trip to Busan, his first MMA fight as spectator 
(chapter 15) and his first sparring with Joo Jaekyung 
(chapter 26). But this is a sign that Kim Dan is maturing. Therefore it is no coincidence that after their first day off spent together, Kim Dan is already under the champion’s spell. 
(chapter 30) And at some point, the grandma will notice her little boy’s transformation and the growing distance. And Choi Heesung could be the trigger for a first quarrel (chapter 30), because the doctor feels more attracted towards the champion than the actor. I have already outlined that so far, the physical therapist’s life had been determined by the grandmother. But a discussion is not necessarily a bad thing, quite the opposite, for to be a family means to share thoughts and emotions.
3.2. Joo Jaekyung’s “families”
So far, we don’t know if the celebrity has a family. However, what caught my attention is that Team Black is a company that Joo Jaekyung created for his personal needs. Though it is an enterprise (incorporation, where he is the shareholder), I noticed that Park Namwook treats the members like a family. They share their meals together 
(chapter 22) 
(chapter 26), they get support from each other 
(chapter 14) 
(chapter 23) or they argue 
(chapter 07). Moreover, they call the older members “hyung” 
(chapter 5) 
(chapter 23) which is another evidence that Team Black functions more like a family than like a company. What caught my attention is that the doctor is not addressed as hyung 
(chapter 30) but as Doc Dan or doc. 
(chapter 23), though the manager Park Namwook had introduced him as hyung. 
(chapter 07) The reason behind this different title is the champion. The latter addressed him like that: 
(chapter 22) It exposes that the physical therapist occupies a particular position at the gym. On the one hand, it could be interpreted that he has not been entirely adopted as a family member. On the other hand, the physical therapist didn’t exclude that he could have other clients. 
(chapter 25) This means that his “adoption” is not definitive and official. Nevertheless, I would like to outline that though Team Black’s structure resembles a lot to a family, we can not say that it is a true family. Why? It is because Joo Jaekyung is hiding many things from his hyungs and members. He is not sharing his problems to his coach (his insomnia, his jinx, his sexual orientation, his insecurities eg). Imagine that he preferred deceiving his admirer 
(chapter 15) than admitting that his shoulder had been plaguing him. And it is the same for Potato. He didn’t talk about the incident with the office room and the sofa. 
(chapter 25) According to me, Jeong Yosep knows about the true relationship between the physical therapist and the alpha black wolf. But he kept this information to himself as well. However, like pointed out before, family stands for communication and not secrecy! Moreover, so far, we only saw the fighters share their happiness. And what about their struggles or defeat? To conclude, Jinx is actually showing us the transformation of Team Black as company into a family. How they “become” a WE! Park Namwook does consider Team Black as his gym, but he has his own family. However, this is not the case for Jeong Yosep or Joo Jaekyung, who lives as a loner wolf! In my opinion, Team Black will turn into a real family, the moment Kim Dan loses his halmoni. Remember the quote from the poem: “If you can’t say you’re hurt when you feel hurt you’re not family“. Kim Dan won’t be able to hide his sadness and broken heart. In the beginning of the story, he lied to the coach and Kwak Junbeom about the reason for his injuries: 
(chapter 11), because he considered them as superior and colleagues. In other words, the fighters will share their pain with doc Dan helping him to overcome the loss. But this change can only happen, when the owner of Team Black has a change of heart himself as well. Remember how he pushed Oh Daehung and the other members away. 
(chapter 22) He didn’t want them to come to his house. 
(chapter 22) So far, he didn’t want people to cross the line, but thanks to the physical therapist, this will change. That’s how both protagonists will come to view more and more Team Black as a family. They will share their struggles and happy moments together. I have one evidence that Kim Dan is the key to turn Team Black into a real family. It is because Joo Jaekyung came to the gathering
(chapter 9), though he had been avoiding such events in the past.
But in chapter 30, the Manhwalovers could discover that the champion belongs to an Entertainment agency as well. 
(chapter 30) But he is there an employee. Thus I am suspecting that the talent agency is working differently from Team Black. If there is a scandal, I doubt that the company would side with the star in trouble or they would try to find ways to get rid of the issue, like finding a scapegoat in order to bury the truth. As a conclusion, I am expecting to see companies run differently so that the readers can perceive Team Black as a family company, although it is an incorporation.
Naturally, there is no doubt that Kim Dan will become the champion’s real family. The author let us see such a scene. Right after their First Night together, the champion shared his bed with Kim Dan. 
(chapter 4) This was a reference to the blanket in the poem, though here Kim Dan slept in a cocoon. This was a sign that he didn’t feel safe. However, as time passed on, I detected a change in Kim Dan’s sleeping position. He is lying on his back and even in the middle of the bed. 
(chapter 29) It is because Joo Jaekyung always put him there! This exposes that the champion is still thinking that he represents a disturbance to the Sleeping beauty. One thing is sure: Joo Jaekyung will become the blanket taking over the grandmother’s past role: (chapter 21) At the same time, this signifies that Kim Dan will have a similar function in the champion’s life either. Thanks to his presence and embrace, the boxer will be able to relax and to fall asleep.
Another important detail is the doctor’s tears. When Kim Dan met the celebrity for the first time, the former started crying, when he thought hat he would get punished. 
(chapter 1) This was the reaction from the champion: 
(chapter 1) He questioned the cause for the tears. He was naturally annoyed (“the hell”), but he didn’t make fun of the doctor. And now, pay attention to the memory Joo Jaekyung had from their first night. He remembered his tears which had moved him deeply: 
(chapter 6) This shows that the celebrity is not judging the physical therapist as weak due to his tears. In episode 28, he even showed concerns, when he heard the doctor crying. 
(chapter 28) 
(chapter 28) He questioned the doctor once again, why he was in tears. However, he didn’t ask the doctor to stop weeping or to wipe his tears. He wanted to understand him. This exposes the fighter’s tolerance and interest in Kim Dan. For me, it reveals that Joo Jaekyung is willing to share the pain or fears with Kim Dan. Therefore it is not surprising that Kim Dan is remembering this moment! 
(chapter 30) He was allowed to express his emotions. Interesting is that this image is now connected to red, not to grey/black. (chapter 20) or orange/pink 
(chapter 30) The switch of color indicates the doctor’s increasing feelings and sensuality for Joo Jaekyung. That’s the reason why I am expecting that one day, the two protagonists will cry together, something that the grandma hasn’t done until now.
But let’s return our attention to the poem and its illustration in Jinx. A sweet and soft ice cream cone isn’t enough to become a family. Just because they shared one meal together
(chapter 13), it doesn’t signify that they are a family now. And it is the same for the penthouse. 
(chapter 18) They might share the same flat, but the penthouse is so huge that they can technically live apart. Joo Jaekyung and Kim Dan are slowly spending more and more time together, either because the champion feels like it 
(chapter 19) or it is necessary 
. (chapter 27) During the day off, they shared their thoughts,, their emotions 
(chapter 27) 
(chapter 27), their happiness 
(chapter 28) and their fears 
(chapter 27) 
(chapter 29) Because Joo JAekyung confessed his fears and health issues to Kim Dan, it shows that he was trusting him. For me, this night represents another step how to become a true family. “If you can’t say you’re hurt when you feel hurt you’re not family.” This day and night were so magical that it affected the protagonists’ life forever. From that moment on, Kim Dan is feeling more attracted to the champion, hence he is peeping at him. 
(chapter 30) And it is the same for the champion. Now, he is slowly regretting that they live in two different rooms and they have their own bathroom. Therefore he came to the doctor’s bathroom under the fake excuse that he had run out of toothpaste. 
(chapter 30) What was so funny is that he had opened the door like a huge bear. Why? It is because he was so annoyed how to explain his intrusion. 
(chapter 30) This shows that little by little, the champion is regretting his words to Kim Dan in the master’s room. 
(chapter 29) For me, he will be forced to recognize that work is not bringing him closer to Kim Dan, especially after Choi Heesung met the main lead. 
(chapter 30) For me, this scene is the bathroom represents another step how to become a true family. 
(chapter 30) However, like Mingwa voiced it, they have a long way to go, for Joo Jaekyung and Kim Dan are hiding their true thoughts and emotions from each other. 
(chapter 30) Kim Dan had to hide his blushing, while the champion had to lie for his appearance. Moreover, the fact that he tried to hide his underwear 
(chapter 30) indicates that their intimacy has not reached its peak. He doesn’t feel comfortable around the athlete to be seen in underwear. Moreover, the champion is also hiding his jealousy and possessiveness towards the main character. 
(chapter 30) But like I said, they need to open up their hearts and mind in order to become a true family. From my point of view, the halmoni could play a huge role in their union. How so? It is because she entrusted her grandson to Joo Jaekyung. The latter also conversed with her 
(chapter 21) and even paid her hospital bills. She even took his hand 
(chapter 22) and gave him a yoghurt.
(chapter 21) So the moment the grandma vanishes, it could also wound the champion’s heart, especially when his sex partner is so heartbroken. It would be interesting if the champion came to voice his feelings about her. If you can’t say you’re hurt when you feel hurt you’re not family.“
And because the champion saved Kim Dan, paid off the debts and gave him a house and a place to feel safe, he embodies responsibility, trust, support and protection which is the true face of family. That’s the reason why the physical therapist is slowly transforming, developing his own interests and as such his own identity. But the closer the doctor gets to the champion, the bigger gap becomes between him and his grandma which can represent a source of conflict. And now, Choi Heesung met Kim Dan, thus he could disrupt the fragile harmony between Kim Dan, the grandma and Joo Jaekyung. Don’t forget that the grandmother is a huge fan of the actor and she is actually suffering from Peter Pan Syndrome. To conclude, Jinx is exactly like Painter Of The Night. We are witnessing the start of a new family breaking boundaries and taboos. Yet, both “families” are real and true, for they embody selflessness, honesty and trust.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 28) and his attitude 
(chapter 28) Hence he grabbed the doctor and brought him back to the swimming pool 
(chapter 28) He wanted to make sure that Kim Dan wouldn’t escape from him and ruin the flow. 
(chapter 28) He was taking advantage of his fear of the water! For certain readers, the champion had not changed at all. He was still rude and selfish. However, these manhwaphiles were overlooking two important aspects. First, the athlete’s selfish attitude was necessary! How so? It was to teach Kim Dan to become more selfish! Don’t forget that Mingwa is applying the philosophy yin and yang. Secondly, certain manhwaworms took all the champion’s words at face-value! I would like to point out if the doctor had truly hurt him with his teeth, his phallus would no longer be erected!! Moreover, he wouldn’t have some precum on his phallus 
(chapter 28) From my perspective, he needed an excuse to stop the fellatio, as he could no longer wait for the penetration. Thus he asked if the doctor was already loose right after. 
(chapter 28) He wanted more. Finally, observe that he had kissed the doctor and asked for a blow-job before. Why? It is because he had experienced Kim Dan’s rejection at the gym! 
(chapter 27) Back then, he had grabbed his butt directly. Therefore he had learned that he couldn’t go for a penetration right away. This stands in opposition to the sex sessions at the gym, where there was no time for foreplay! 
(chapter 8)
(chapter 24) As you can see, the different intercourses expose the fighter’s transformation. He is getting gentler despite his roughness. Exactly like I had anticipated in the previous essay, the couple is now facing each other while having sex. And Joo Jaekyung prefers facing his lover 
(chapter 28) in the end despite this statement. 
(chapter 28). He gets a climax each time he sees his partner oozing sensuality and pleasure. In other words, Joo Jaekyung learned an important lesson in the swimming pool, he might be enjoying such a view 
(chapter 28), yet he favors this position
(chapter 27), Kim Dan always appears as calm and indifferent towards him. Hence he keeps rejecting him or he is passive during the intercourses. That’s the reason why the champion asked from the doctor to become more active next to the swimming pool. 
(chapter 28) This shows that the boxer has sensed that Kim Dan has not truly accepted him. It is no coincidence that the physical therapist chose to turn his back to the champion, when he was on his lap. 
(chapter 28) This made his heart race! 
(chapter 28) Too overwhelmed by such a view, he decided to show his back to the champion. He wanted to remain level-headed. This was the negative version of this panel: 
(chapter 27) 
(chapter 28) The idiom “mess around with foreplay” divulges the champion’s deficiency. He is really bad at foreplay. He knows about his lack of dexterity and gentleness! Hence he asked the doctor to prepare himself! 
(chapter 28) However, Joo Jaekyung got impatient 
(chapter 22) This explicates why he decided to sacrifice his night and day off for the champion. 
(chapter 27) One might say that this had been suggested by the fighter. 
(chapter 27) What we were witnessing is a new version of the past with the halmoni. Because she had adopted him, he felt obligated to dedicate his whole life for her! Everything in his life was evolving around her: his career, his emotions, his home, his meals, his money, his time eg. By putting the whole burden on her grandchild, Kim Dan internalized this pattern. Hence the moment the “goddess” praised the protagonist to her grandson 
(chapter 21) and the champion made his grandmother smile
chapter 22), the doctor felt also indebted towards the athlete. He could see the generosity from Joo Jaekyung. The consequence was that he acted the same way with the athlete than with his halmoni. He would cook for Joo Jaekyung without eating with him 
(chapter 22), he would sacrifice his day-off for the champion etc. Selflessness was repaid by selflessness. However, this means that he is still neglecting his own life and as such his own desires and needs. It is not by chance that this expression from episode 22 
(chapter 22) appears in episode 28: look alive! 
(chapter 28) This exposes that he was still in denial about his own life! And because the athlete acted like a selfish person, the doctor is encouraged to behave the same way. Consequently, I conclude that this scene at the swimming pool corresponds to the doctor’s spiritual awakening. He is alive, he is a man on his own! He is now making choices for himself. Like my friend @becalmandhappy_1111 realized, this scene 
(chapter 28) at the swimming pool corresponds to the moment the imoogi is grabbing the yeouiju! 
or enjoys kissing his partner. Observe that the swimming pool is situated in the penthouse which is close to the sky. And exactly like I had predicted in the essay “The duck and the dragon in the bathroom”, in this scene Manhwa lovers could assist to a new metamorphosis of the protagonists. Another spiritual awakening! Their true self comes back to the surface! On the other hand, this signifies that the characters are slowly moving away from their old believes! Hence I come to the conclusion that chapter 28 announces the slow emergence of a new religion. Therefore the character went under the water 3 times: 
(chapter 28) It was, as if he got baptized! Don’t get me wrong: the new religion is not truly developed yet. But where was the transformation of the couple visible? We could detect a change in these two panels 
(chapter 28) 
(chapter 28)
(chapter 4) 
(chapter 7)
(chapter 12) 
(chapter 20) Joo Jaekyung never wanted to stop after one round! However, after his first climax, he wishes Kim Dan to leave his side. This is a true novelty! The moment I detected this modification, I began wondering why the fighter would ask Kim Dan this: 
(chapter 28) One might argue that the doctor is unconscious! However, I don’t think that he has truly fainted yet. The evidences for this interpretation are the way he is holding onto the fighter. Observe that he has already moved his head, as we can see his hair now, whereas before his head was resting on the champion’s shoulder 
(chapter 12) In fact, his arms would relax and he would fall in the water. Finally, he was thinking, when he was in the boxer’s embrace: 
(chapter 2) That’s how his time was defined. He would only think in a short term, one fight after another! 
(chapter 27) Furthermore, I would like to underline this expression “I barely have enough time to train” which contrasts to Park Namwook 
(chapter 27) and Dr. Lee’s statement
(chapter 27) As you can see, Joo Jaekyung had the impression that he was always running out of time. He always feared his jinx and as such the night before the fight, as he needed to have sex with someone! Moreover, I would like to outline that Kim Dan as his mirror and teacher is constantly referring to time: day, week, saturday, minute, second. 
(chapter 27) 
(chapter 28) 
(chapter 28) Why? It is because Joo Jaekyung has no life outside the gym! All his days looked the same, until the protagonist entered his life! Besides, if you’ve already read my essay 
(chapter 05) The words “Today and something special” from Park Namwook triggered the champion’s memory: the presence of Kim Dan at his penthouse. 
(chapter 5) And right after, he expressed this wish: 
(chapter 5) Interesting is that there exists a strong link between time, time perspective and self-esteem! Someone with no notion of time and no time perspective has a poor self-esteem! Therefore it is not surprising that the athlete doesn’t trust his own talent. Hence I deduce that this sex session played a huge importance in the champion’s life. He could see with all his senses (touch, sight, hearing, taste) that he had pleased Kim Dan! 
This signifies that he will treat Joo Jaekyung as a lone wolf and Kim Dan will keep acting as a hamster, whereas he has already turned into a real duck! But why? It is because the doctor has been advocating pure love so far. Loving someone more than yourself yet in return not expecting anything is pure love. Hence the Webtoonist had mentioned 🤍 in the tweet too. But by saying this
(chapter 28) Then he complained about his lack of competence in bed 
(chapter 28), he was marking him as his lover! His decision is contradicting his own actions! It is because he still fears sex! 
(chapter 10) And remember that after this embrace, Joo Jaekyung brought the doctor to his penthouse, for his heart got moved!! From my point of view, the athlete’s heart is little by little warming up to the idea of affection! In other words, he is slowly adopting the doctor’s philosophy (love)! 
(chapter 25) Kim Dan would be on the champion’s lap, the latter would long for his lips, and the doctor would hug his companion. It was announcing how Kim Dan would get the upper hand in the relationship! 
(chapter 28) Don’t forget that according to the champion’s belief, the sex sessions are all like surrogate fights. By putting the doctor on his lap, he was admitting his inferiority! This shows that he is moving on from his fake faith. Thus I deduce that we should have a new version of this position in the future which will reflect the doctor’s increasing power over the fighter and his gradual transformation. 
(chapter 20) Here, the champion was comparing the doctor’s hole to a baby! 
(chapter 20) Consequently, I came to the following deduction. Kim Dan will try to find a new partner for Joo Jaekyung! 
(chapter 19) His reasoning is the following. The champion likes having sex and he has been treating him more or less like a sex toy, the doctor will try to find a subterfuge to divert attention from himself. Because I detected many similarities between episode 12/13
(chapter 13) and episode 28 
(chapter 13) 
(chapter 11) And that’s how Kim Dan will discover the existence of the club!! 
(chapter 13) Hence my impression is that he will suggest to Joo Jaekyung to go to the club with the hope that his friend will find a new partner! He just needs to say that the champion likes to go there. The day off, Saturday, would be the perfect excuse. However, since the doctor is so innocent, he will not realize that by going there, he will become the target of other guests! This uke could resurface! 
(chapter 2)There is not ambiguity that the champion will never bring the physical therapist to the club on his own. He has already marked the doctor as his partner. And the result can only be that Joo Jaekyung declares Kim Dan as his boyfriend! The emoji 💙 would get a new meaning: the heart of the dragon! This means that the doctor’s decision in episode 28 will push Joo Jaekyung to question his fake belief: the jinx, the existence of a line and the rejection of love in his life. Keep in mind that the champion always makes decisions by instincts, he never ponders on things like the doctor! Similar to this scene, where he paid off the doctor’s debts.
(chapter 109) He discovers that Baek Na-Kyum has already prepared himself, as he is longing for him. 
(chapter 109) He never expected such a reaction. The reason why the evolution of Painter Of The Night is flowing at a snail’s pace is that season 4 is now focusing more on the past. First, Byeonduck needs to divulge the lord’s suffering and its causes. And this can only happen, if memories are brought up. Hence in episode 109, the painter’s memories stood in the center. Why? It is because he is trying to understand why his loved one is now avoiding him. Thus he is remembering what happened just before. The readers are actually put in the same situation than the artist. On the one hand, the focus on recollection is a method to unveil how the young master was turned into a “sodomite and pariah”, for the painter is going through the same experience than his partner. In episode 109, he is isolated from his “lover” and as such from his family, for he has now maids by his side. The latter are supposed to be his new “family”. On the other hand it helps the manhwaphiles to anticipate the future main events,. as the progression is in slow motion. This means, the Webtoonist left all the elements in the previous seasons in order to decode the past, the present and the future. That way, the manhwalovers are capable to unveil the mystery. Besides, the author has to answer all the questions the beholders had while reading the previous seasons, like this one: 
(chapter 27) What book was the scholar looking for? Up to now, we have no clue, though I had developed the following theory: Jung In-Hun was a Christian and had a bible. 
(chapter 109) How did this happen? One might reply that the book fell from the shelf, when the painter kissed his lover. 
(chapter 109) This interpretation can be easily refuted, for the noble stood next to the shelf and not in front of it. Besides, the counter stands on the noble’s left, while the ledger was on his right. However, one detail caught my notice, the beholder can not see Yoon Seungho’s hands!! That’s how I realized that the book came from the protagonist! He had carried it hidden in his right sleeve. This explicates why the book stands on the right side. 
(chapter 109) Besides, contrary to the previous panel, now the lord’s hand is visible! This is no coincidence. But if he was hiding the copy from Baek Na-Kyum, I deduce that it is related to the painter. But there is another person associated to manuscripts in this story, Jung In-Hun!! But what have the low-born and the scholar in common then? The erotic publications! 
(chapter 34) Note that in the background, there’s a book open on the desk, and it has the exact opposite position than in episode 109! And now, you comprehend why Yoon Seungho rejected the painter’s company next to his table. He didn’t want him to see the publication, for he feared that the painter would be reminded of Jung In-Hun. In the lord’s mind, the young artist still treasures his former teacher. He heard his confession on the bridge next to the pavilion. 
(chapter 94) However, Yoon Seungho is suspecting that the learned sir was behind the trick in the shaman’s house due to the glasses Min had in his hand before dying. 
(chapter 102) Hence he doesn’t want to break the main lead’s heart and mind. In other words, the main lead is determined to hide the past from Baek Na-Kyum so that the latter’s memory and agony won’t be triggered. The book could definitely remind the low-born of all the events which led to the massacre in the shaman’s shrine. Besides, I feel that the noble must feel guilty as well. If only he hadn’t admired the erotic publications which led to Baek Na-Kyum’s stay in his mansion. Consequently, I think that the noble is also in agony because of the work.
However, there exist two reasons why I came to this deduction. I detected similarities with the first encounter between Yoon Seungho and his nemesis in the scholar’s home and the painter’s kisses. 
(chapter 6) Both were standing in front of the cupboard, while the learned sir suddenly took away the copy and closed it to put it back on the cupboard. This made the protagonist smirk. Due to the characters’ reaction, 
(chapter 6), I had assumed that the protagonist was making fun of Jung In-Hun. He had played a prank on the host, especially after asking about his occupation. I have always wondered about the content of the volume. Therefore I had developed the idea that this could be the bible. However, it was clear that the book was not for children which is visible due to the writing. 
(chapter 6) In fact, the learned sir should have the manual Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì Wén), also known as the Thousand Character Text.
(chapter 6) In reality, he wasn’t teaching them reading and writing at all. But Yoon Seungho had feigned ignorance with this discovery. With his indifference and praises, the false teacher had the impression that he was supporting his attitude. This scene is relevant, because the learned sir had lied to the protagonist about the painter’s education. 
(chapter 6) This means that the book represents the evidence of learned sir’s betrayal and abandonment. He is responsible for his illiteracy. To conclude, this scene contains the following elements: a prank, a lie, a confession which was triggered by a book that Yoon Seungho had picked up by chance. But wait… it could be the book from the scholar’s home! 
(chapter 06) But this image can be used to refute this theory. How so? It is because this book has a title, hence there is a white rectangle!! However, take a closer look at the copy on the floor. 
(chapter 50) Finally, I would like the readers to keep in mind that they could only see the content of the books 
(chapter 1), but they never got the chance to see the cover. 
(chapter 6) He proposed him to sit and have a cup of tea to divert his attention from the books on the cupboard. Besides, I would like to outline the huge contrast between these two scenes. The scholar needed the assistance of the prestigious family Yoon, while the protagonist replied this to his loved one: 
(chapter 109) Needed versus not necessary! 
(chapter 6) He was here very vague (“bizarre and vulgar”), he spoke of a scolding, but never of rejection and abandonment!! This is important, because Yoon Seungho also experienced something similar in the shed: 
(chapter 77) Back then, the butler’s words must have wounded him terribly, he must have felt dirty either. Under this new perspective, it becomes comprehensible why I came to this conclusion that the book is related to the learned sir and to the erotic publication. But this doesn’t end here. In my eyes, episode 109 clearly outlined the importance of the library in the protagonists’ life. This is the place where both main leads got betrayed and abandoned. 
(chapter 40) When the scholar wounded the artist with his words, he implied that the artist was responsible for his lack of education. With the idiom “I thought, you could be educated”, he gave the impression that he had put some effort, but due to the artist’s disposition, he had failed. We had another scene where the learned sir was blaming Baek Na-Kyum. 
(chapter 70) He would fall asleep instead of studying. And who knows about the learned sir’s hypocrisy? Yoon Seungho!! That’s the reason why the goddess Byeonduck let them meet in the library. It is to heal their wounds. In this room, Yoon Seungho’s suffering started and later, the painter got betrayed by his former teacher, someone whom he viewed as his “family and mentor”. 
When Yoon Seungho got kissed by the painter 
(chapter 109), he got surprised, and he had the same gaze and facial expression than the one during the First wedding night 
, in the gibang 
and in the study 
(chapter 42), though here the artist kissed his companion twice! 
(chapter 49) And what had these scenes in common? Paintings and the artist’s confession. And now, you comprehend how I made the connection between the book and painting. 
(chapter 19) This scene could only break the artist’s heart, because he was reminded of the learned sir’s reaction: his rejection. The latter got angry and jealous that the low-born would be treated as someone special. Furthermore, Jung In-Hun had only got the noble’s sponsorship thanks to Baek Na-Kyum and not thanks to his own talent! In verity, the learned sir had been the tool to submit Baek Na-Kyum. Shortly after the exposition, the protagonist went to the study. There he got confused for Jung In-Hun, hence he received a wonderful confession 
(chapter 19) before getting kissed and embraced! 
(chapter 42) Yet, the artist was unable to explain the situation, for he had internalized Jung In-Hun’s criticism. 
(chapter 42) So we could say that the yangban tried to get a confession from the painter, but he failed. Hence they had just sex. The artist’s heartbreak was the reason why he never got to confess the truth! And what had happened in the study after the painter kissed the main lead? The lord saw the inauguration illustration and got jealous of Jung In-Hun 
(chapter 48), and the painting had exposed the main lead’s uneasiness and pain. The drawing was not refined, barely finished. 
(chapter 47) The behavior from the painter and the new painting had not only wounded the main lead, but also pushed the lord to discover why the artist was behaving this way. After the rough sex session, the artist had made a confession: he was dropping the rules he had been raised. 
(chapter 49) He was admitting his sexual orientation and his own pleasure, but he still kept his distance from Yoon Seungho. Why? It is because he was reminded of the learned sir’s fake embrace and betrayal. 
(chapter 49) 
(chapter 94) which incited the artist to recall his childhood. That’s how he came to unveil his past and confess his love to the noble! 
(chapter 94) And what do have all these kissing scenes in common? 
(chapter 19), the parties after the separation 
(chapter 51), his visit in the gibang and his tricks 
(chapter 96). In episode 109, the painter confused Yoon Seungho’s shadow with Black Heart’s. In his nightmare, he was brought back to the shaman’s house and the lord’s smile was similar to Min’s.
(chapter 109) 
(chapter 99) Besides, let’s not forget that during that terrible night, Black Heart never touched the artist himself, as if he didn’t want to touch a trinket sullied by another man”. On Twitter, the author revealed that Min would help Yoon Seungho. Through this comparison, the beholder can confirm this. Thanks to Black Heart, the couple got closer in the end. 
(chapter 19), the spying on the painter – though here it appears like a good thing – 
(chapter 41), the stones in the rice 
(chapter 47) and the words from the maid who repeated the noona’s principle 
(chapter 109). She was acting, as if Baek Na-Kyum was not present, but in reality she knew that he could listen to her. How do I know this? The evidence are the sweets on the windowsill. 
(chapter 108) Why is the room dark? Where are the maids during that night, as they are supposed to sleep next to the painter? 
(chapter 109) The absence of the light is truly noticeable, an indicator that they are not in the bedchamber. Moreover, I had detected that the brown bed cover symbolizes the meddling of Kim. [For more read the essay 
(chapter 20) and it was during the first Wedding Night. And oil comes from the kitchen, the lord had fetched it from that room!! Naturally, there is an exception, and it is the kiss in the gibang. Yet, here the kisaengs had just replaced the maids. In other words, they had played a role in the confession. And this explains why the noona’s words are superposed with the maids. 
(chapter 109) That’s the reason why I am convinced that the book is strongly connected to the learned sir. In my eyes, it can only be the erotic publication of sodomy!! Why? It is because it represents the painter’s biggest wound. It explains his low self-esteem. Consequently, I am expecting the appearance of this panel: 
(tweet) The teacher told him “It’s dirty”, and wounded him the most with his gaze full of hatred, the symbol of rejection! Note that in episode 109, the painter always focused on the mouth and not the gaze, 
(chapter 109) 
(chapter 109) 
(chapter 25) Moreover, during that night, we have the same elements: a painting, a confession, sex, a book that the scholar was looking for. From my point of view, in chapter 34, Baek Na-Kyum only recalled the beating from Jung In-Hun. 
(chapter 34) But like I wrote above, this place is also where Yoon Seungho got betrayed and in my opinion, the schemers are planning to use this place to ruin the protagonist!!
(chapter 106) 
(chapter 106) And if Yoon Seungho gets caught having sex with the painter and he has an erotic publication of sodomy, he can be framed for the murder of lord Shin and the other nobles. He will be guilty by association. Thus I deduce that the schemers needed the father to report him to the authorities. 
(chapter 86) And if they are not caught having sex, the schemers are hoping for an argument between the two main leads because of the separation. This was planned to incite Baek Na-Kyum to resent his lover, to accuse him of „abandonment and betrayal“, a new version of this scene. 
(Chapter 105) As you can see, the staff had encouraged the lord to keep his distance from his companion on purpose, to create a misunderstanding… they used the painter’s anxieties. Why? That way, the artist would be more inclined to betray his lover, if the latter was in difficulty. He could put the blame on him. In my opinion, the book was planted there on purpose. Remember how the artist denied that he was the author of the erotic publications. 
(Chapter 1) Besides, there is no doubt that the father refuses to take any responsibility in his son’s suffering. And now, you comprehend why this copy was put on the lord’s desk. He was supposed to be the owner of the erotic book and even the author! I am suspecting that he was accused of the „same crime“ in the past. Then this observation raises the following question. Which erotic publication is it? The original 
(chapter 1) or the copy
(chapter 1) This would stand in opposition to the scholar’s rejection (dirty), as the artist was just the helping hand. Besides, there is no ambiguity that Yoon Seungho blames himself due to the erotic book. If he had not brought the painter to his mansion, none of this would have happened. But the painter’s confession would make him realize that his misery started long before he met Yoon Seungho. And how did the puppetmaster come up with such an idea? From my point of view, this plan was inspired by the learned sir. 
(chapter 27) Notice that he has a drop of sweat on his face, a sign that the book is really important and could be even dangerous. He was diminishing the value. In the past, I had already pointed out that the learned sir had planned to backstab the main lead and denunciate him to the authorities (my first theory was the bible or the the absence of jesa in the mansion). But the erotic publications of sodomy would fit the profile.
I am still waiting for this picture. Yoon Seungwon had definitely tattled on his brother out of jealousy in the past. Don’t forget this flashbulb. 
(chapter 55) Finally, Heena could serve as a witness, for she did hear their conversation in the annex and saw their intercourse: 
(chapter 84) Finally, the childhood paintings could be used as an evidence. But what about the book in the library? Both could decide to burn it…
the burned letter
the shrine
(chapter 109) Note that there is no rejection from the lord, just surprise and shock. Besides, in the kisaeng house, the artist’s confession had led the main lead to confess as well. 
(chapter 96) Striking is that he had hidden his gaze from the artist first. As if love was a sin…Hence I am expecting a confession from Yoon Seungho in that very room too, something he has never done before! Why? It is because he was not the owner of his own past. Kim acted, as if he possessed his memories. Finally, the moment the painter divulges this incident to his companion, 
(tweet), the latter can only come to the conclusion that the scholar would have no problem to hurt Baek Na-Kyum and even get revenge on the artist, for he received the favors from the protagonist. Yoon Seungho would no longer feel obliged to respect Heena’s wish, for her words wouldn’t reflect reality. 
(chapter 27) The goddess Byeonduck is on their side. But the problem is that the readers have the impression that both are followed by misfortune due to their misery. The reality is that they are both victims of manipulations and tricks. That’s their tragedy. But by repeating that the two figures are “birds of misfortune”, the accomplices are trying to deny their own involvement and as such responsibility. The maids are the perfect example. They blame Baek Na-Kyum for his own illness. He eats like a bird and he would hide his illness. 
(chapter 108) To sum up, he was responsible for his own suffering, for he was in denial and the maids could do nothing to help. But the lord can see the truth, when he touches his lover’s butt. 
(chapter 109) He lost weight in such a short time. And their presence by Baek Na-Kyum’s side was supposed to help him. They were responsible for his well-being, but the women never realized it.
(chapter 105) Imagine that despite his rush, he was clear-minded enough to take the yellow scarf, a present that the noble had just bought him before. 😢 The item had more value than the mituri (shoes). Thus he was running in socks. His gesture displayed how much the lord means to the painter. He cherishes everything the lord does for him. At the same time, it indicates his heartache. He was so desperate and scared, for he felt that he was about to get abandoned one more time. 
(chapter 105) According to my follower @katamins, in the Korean version, this is what Baek Na-Kyum yells: 
(chapter 105) it works like a spell or a prayer. The artist is clinching onto this phrase hoping that the noble is remembering his promise. The irony is that the low-born was smiling like a fool, 
(chapter 105) masking his anxieties and huge pain… out of fear that Yoon Seungho would still reject him. He acted, as if nothing had happened: he had not hurt his hand, and the lord had done nothing wrong. The smile became the symbol of his agony which reminds us of Yoon Seungho’s. 
(chapter 83)
(chapter 85) This means that Baek Na-Kyum was put in the same situation than his lover who wished to keep the artist by his side, but feared to open up to him out of self-hatred and guilt. The painter could get burdened or horrified by his revelations. Hence the painter’s reaction at the end mirrors the yangban’s in the study. Both were or are pleading the partner to stay by their side,. 
(chapter 85) 
(chapter 105) Nevertheless, their behavior diverges so much. The aristocrat couldn’t raise his voice or become violent by using his hand, because he could scare the artist and as such break his previous promise. Finally, by destroying the music box, he had already witnessed that he had pushed his lover further away. 
(chapter 85) At the same time, since he had been taught that no noble should lower himself in front of commoners, it is normal that he couldn’t beg Baek Na-Kyum on his knees. To sum up, the noble had to restrain himself extremely, his face and words were the only way to show his emotions and despair. And the artist sensed it, though the lord was not weeping. The proof is that when the father appeared, the artist changed his mind. He was no longer willing to leave, in fact he chose to look for his lover. 
(chapter 87) This shows that through communication, the lord had been able to affect the painter‘s mind and heart. On the other hand, we shouldn’t underestimate the lord’s flashback and Na-Kyum’s conversation with the butler which played a huge part in the artist‘s decision to vow loyalty to Yoon Seungho despite the secret.
(chapter 105) Why did he change his mind? Is he responsible for this? As you can see, the painter came to voice his guilt and the remains of his deeply rooted self-hatred. 
(chapter 105) He must have committed a wrongdoing, he is responsible for the situation. He feels like a burden, for the lord had to take care of him each night. 
(chapter 104) They are no longer sharing the same bed, the lord is sitting by his side comforting him, when the young man has a nightmare. Under this new light, it becomes comprehensible that the artist was working in the backyard. 
(chapter 104) He wished to help, that way he wouldn’t be seen as a spoiled child. He has to justify his presence in the mansion. Who is he exactly that he is sleeping in the lord’s bed? I am suspecting that there is a rumor circulating within the propriety, a new version of this scene: 
(chapter 38) which I will explain more in details below. Thus the artist is making sure to cause no trouble to Yoon Seungho and the staff, especially the maids. Hence he folds the cover and clean the bedroom. 
(chapter 104) Then he washes clothes. He makes sure that he is no burden to anyone. Yet, my impression is that the staff is taking advantage of the artist’s goodness. That’s how they fuel his guilt and shame. 
(chapter 104) This intention was again verbalized in the gibang. 
(chapter 105) In the Korean version, this is what Heena says: 
(chapter 104) He was told not to question what he had heard… he should simply consider everything like a nightmare. However, this method is actually wrong. 
(chapter 07) 
(chapter 104) Not only he knows about the lord’s traumatic past, but it is the same for the painter. In addition, we have another explanation for Yoon Seungho’s insomnia and dissociative state. 
(chapter 57) Not only the latter was turned into the scapegoat for the downfall of the Yoons, but also he was not allowed to reveal the incident, the so-called treason. Why? It is because if he had spoken, the truth would have come to the surface. He was simply a victim. And now, the schemers and accomplices are repeating the same MO. Who suggested to Yoon Seungho to say this to his lover? 
(chapter 104) Naturally, Kim, because he is now the only one in the mansion who knows his past. Besides, why do you think that the lord’s past is coming to the surface as a nightmare? It is because he was incited to repress everything. But since the painter is going through the same experiences, this is not surprising that the noble’s memory is triggered and the past emerges again.
(chapter 27) Put yourself in the young man’s shoes. You suddenly witness how the whole family is moving houses and leaving you behind! This must have been terrible for Yoon Seungho. One might argue that Kim stayed by his side, so he was not alone. But it is false for 2 reasons. The white bearded servant had been working in the mansion
(chapter 27), when the other domestics left the propriety. This was his memory. Besides, like the servant confessed to Jung In-Hun, a huge part of the staff got replaced. This means that the lord was suddenly surrounded by people he didn’t know. Because my theory is that the young man was treated as a male kisaeng, this signifies that the new staff could never view the main lead as a noble. Besides, despite the betrayal, the elder master and Yoon Seungwon were his real family. Finally, Yoon Seungho had no saying in this, and I can imagine that the reason for this decision was not explained immediately. This must have been a huge blow for him as well. He must have felt lost and homeless. The result was that from that moment on, he became more dependent on the butler. And we have to question ourselves what the butler did with this huge responsibility, when the elder master moved to the second house.
Since this phrase appears in connection with the staff (maids and servants) in the courtyard, I come to the conclusion that the authors of this gossip are in the domain. “Fellows” indicate that they are speaking among themselves. But I have two more clues proving that the traitors are the domestics. First, observe how they call the protagonist: Young Master Yoon. 
So far, people in town only calls the protagonist lord Yoon 
(chapter 45) 
(chapter 45) or lord Yoon Seungho 
(chapter 39) or my lord. 
(chapter 76) Only the staff addresses him as “young master”. 
(chapter 103) 
(chapter 103), and this since season 3. This coincides with the meddling of the Yoons. The servants treat him, as if he was not an adult, no real lord. But they are wrong, because he is wearing the topknot with the gat. Hence he is a lord. Finally, only people close to the couple could know about the painter’s tragedy. 
, because in the village and town, there exists another gossip: 
(chapter 104) Thus I conclude that the gossip from the trailer is spread among the staff on purpose. They wished Baek Na-Kyum to hear it so that he will feel responsible, especially after hearing this. 
He is responsible for the lord’s lunacy. Under this new perspective, it explains why the painter is leaving the bed and working. He wishes to prove the words wrong. On the other hand, I think that Yoon Seungho also heard a grapevine in the domain, but a different one: 
(trailer). “He has many enemies”. How did I come to this idea? It is because he is addressed as Yoon Seungho! By underlining the painter as his weakness, the author of this rumor wishes to separate the couple. If he were to place the painter elsewhere, not only the latter would no longer be targeted, but also the lord would have no longer any weakness. Since there is always a reflection within the same chapter, I conclude that a second grapevine was spread in episode 104. This happened, while the lord was away. Thus the painter smiled like a “fool”, when he saw the lord: 
(chapter 104) As you can imagine, for me the maids were the perpetrators, a new version of episode 79
(here, the woman implied that the artist was responsible for Yoon Seungho’s insomnia, thus the painter has a drop of sweat on his face, a sign for shame) and chapter 98 
. To conclude, I don’t believe that the artist is ignorant. Besides, it is possible that he saw the trace of blood on his lover’s face, then remember what the servants told their master in the courtyard: 
(chapter 103) Finally, the staff has every reason to get rid of the artist, for he is the witness of their wrongdoings. They definitely played a major role in the “prank”. They didn’t learn their lesson.
(chapter 29) This time, the one smiling like a fool 
(chapter 29) was Jung In-Hun who acted, as if he knew nothing and had seen nothing. 
(chapter 29) However, I have already pointed out that he was present, when the rape took place, for he knew where Yoon Seungho would meet the artist: the pavilion. And what have all these episodes in common? The first thought would be to say: abandonment and betrayal. The painter in front of the gibang felt “betrayed” and abandoned, but what shocked the lord so much was when the artist started blaming himself: 
(chapter 105) We have to imagine that the painter wanted to say that he regretted to have opened his heart to the protagonist. Thus he said this: 
(chapter 105) “I had known, I would have never confessed” Nonetheless, he never finished his phrase, for in reality, he had no regret!! He was sure that he had made the right decision. It is because he had pondered a long time about this. He had observed his lover. That’s the reason why he mentioned their mutual love confession and as such their promise to stay together. And this brings me to the next observation. All these scenes have another common denominator: BAD DECISIONS!! The lord had made the wrong decision to entrust the painter to the kisaengs. Thus he came to regret this. He had made his lover cry, and even wounded him, though he desired to do the opposite. Therefore it is not surprising that he apologized to his lover. 
(chapter 105) This shows that the painter is showing him what true love and loyalty are. Moreover, he is teaching to make good decisions.
(chapter 246), I realized why Yoon Seungho suffered so much. Self-made decision implies a conscious choice. It is made deliberately and thoughtfully, considers and includes all relevant factors, is consistent with the individual’s philosophy and values. As you can see, it implies knowledge. This definition exposes that making a choice for the sake of another person without his consent or knowledge can never be a good decision. One might argue about this, because children are too young to make decisions. In Doctor Frost, this man 
(Doctor Frost 246) decided to support a terror attack, and justified this by saying that this was for his daughter’s sake. But like the counterpart pointed out, he questioned his decision. Was it truly his choice, or was he simply following the leader’s suggestion? As you can see, the daughter was used as an excuse, it was never for her sake. This shows that children are the exception, besides they are often raised by two parents. Thus they are making deliberations together. But like the author revealed in Twitter, Yoon Seungho’s mother hated her husband so much that she neglected her eldest son. The patriarch made decisions on his own, but observe that it was always for the Yoons’ sake. This means that the father never took his son’s well-being into consideration, he never asked him about his opinion. He imposed his will, but he listened to others, like we could see in different occasions. 
(chapter 57) He fed his son with the drug prescribed by the physician, though the latter stated that he had no idea about the illness. Then he listened to father Lee’s complains and reproaches. He never questioned the intentions behind his actions and words. 
(chapter 82) Here, the red-haired bearded man was encouraging the elder master Yoon to return to the mansion and claim his rights. Finally, the young master admitted this to the messenger: 
(chapter 80) If someone stroke his ego, he would follow their advice and never doubt their words. 
(chapter 77) Since it backfired, then the protagonist was responsible for everything. And this is what Kim has always been preaching in season 1, 2 and 3: it was the best for Yoon Seungho, or Baek Na-Kyum etc. Nonetheless, since he let others make the decision, he was able to escape “responsibility”, thus the elder master Yoon was blamed for everything. 
(chapter 86) 
(chapter 104) But he simply employed reverse psychology. 
(Chapter 85) Yoon Seungho was coerced to open up. If he did not, he wouldn’t be forgiven. Naturally, the painter meant it well, yet the main lead was pressured to reveal his „bad action“. The main lead feared his negative judgement and rejection. We could say that the artist had made this request for the lord’s sake, however this was not a conscious and long deliberated decision. And now, you comprehend why the main leads suffered both so much!! Yoon Seungho’s mother neglected her eldest son, but she kept her distance from her husband. They never talked to each other, and as such never made decisions together. And it was the same for the painter. The kisaeng Heena was the one who made the decision without the noonas’ consent and her brother‘s opinion. 
(chapter 105) She is still viewing the painter’s decision as a bad choice. But she is simply wrong, for the painter listened to her advice and after deliberations, he chose to open his heart. His confession was not made in the heat of the moment. 
(chapter 62) The lord’s vision 
(chapter 62) became a reality
(chapter 63) Because the painter has always been betrayed and abandoned himself too, such words could only move the artist. There was someone willing to be by his side and to give him a home. Therefore it is no coincidence that the artist brought up these words from that night. 
(chapter 99) and her “fake death”, but as you already know, I think, he heard her during that night. Note that the painter didn’t meet his noona Heena during that day. Since Heena and the staff played tricks so that Baek Na-Kyum ended up going to the scholar’s house, it is not surprising why the staff is putting the whole blame on the painter. However, who is responsible for this? Naturally, the staff, Kim and Heena. The latter made bad choices blinded by her arrogance and prejudices. Thus I deduce that Yoon Seungho learned a good lesson in front of the gibang. He should never make a decision without consulting his partner. 
(chapter 105) This signifies that the noble will decide not to follow the noona’s advice: 
(chapter 105) with the noona’s statement, the painter looks happy with Yoon Seungho despite the tears, it looks like the noona is slowly coming to terms with her brother’s relationship. But I have to admit that I believe that her “decision” is just short-lived. First, in season 2, the noona had accepted to let her brother stay at the Yoons’ 
(chapter 69) But then she had changed her mind after hearing the menace from the servant. However, I have three other reasons to expect a change of heart from the head-kisaeng. First, Heena is the younger reflection of the butler. The manhwaphiles shouldn’t forget that the valet had almost come to terms with the painter’s presence
(chapter 65), but the ruckus caused by the kisaeng had provoked a change of heart in the valet. Then, the lord had made the following condition to the kisaeng: 
(chapter 105) The lord is keeping his lover by his side, as long as nothing happens to him. So if he gets into trouble… she could achieve her goal, the painter is returned to her. But the most important clue is for me the bowl! 
(chapter 105) While many jumped to the conclusion that this was the medicine sent by the physician, I had a totally different impression. For me, this bowl was used to write a letter!! First, the color is different from the normal “medicine”. 
(chapter 23) Most of them look dark brown and not black. 
(chapter 36)
(chapter 77) Besides, it never leaves traces on the edge. 
(chapter 36) The points on the border are the traces left by the brush. She wrote a letter. And I have another evidence for this: 
(chapter 36) The painter used white bowls while painting. On the other hand, the lord wrote a letter during that time. As you can see, in episode 36, we have the combination of painting, seduction (touching) and medicine… exactly like in episode 105. The artist tried to paint a lucky charm, a tiger, but he didn’t finish it. He got interrupted… which is very similar than in chapter 36. So the letter should represent another common denominator. 
(chapter 105) onto Yoon Seungho. Will she come to regret her action or not? One thing is sure, the painter accepted the sincere apology from his lover. How could he not forgive him after calling „Nakyumah“ and embracing him! 
(chapter 105) Both left the gibang together, while the artist was removing his tears. And this leads me to the final observation.
(Chapter 76) By making the same decisions, it is not surprising that the same deed can never succeed. It was not a real self-made decision. They simply followed a pattern. 
of season 4 for this essay, though my focus is the past, and more precisely Yoon Seungho’s suffering. It is because the darkness surrounding the protagonist not only refers to his tragic youth, but also it reflects the situation of the manhwalovers. The latter are still in the dark concerning his torment. His terrible secrets have not been totally unveiled. So far, the author allowed the readers to see glimpses of his past, like f. ex. the gangrape or the suicide of his mother. But these were just small pieces of the puzzle, thus it is still impossible to have a complete picture of his martyrdom. There are many reasons for this. The main victim never testified about his suffering, he refused to open up to Baek Na-Kyum. 
(chapter 84) Then many witnesses vanished 
(chapter 86) or the ones alive preferred telling lies in order to hide their own wrongdoings or are simply in denial about their own culpability. Finally, the victim, the perpetrators and accomplices had no idea about the whole truth. They only know or knew certain facts, because many of them were deceived as well. What exactly happened to Yoon Seungho? How could this take place, though he belonged to one of the most powerful noble families? Now, you are probably expecting that I will give you answers to all these questions, and recreate the past. But I have to admit that it is not possible, for I don’t know the whole chronology. Consequently, I added “shadowy” in the title. To conclude, my real intention is more to offer new pieces from the riddle than create a whole new “story”. The main source for this new insight is the painter’s fate which is a reflection from the noble’s past and torment. This means that Byeonduck left traces in season 1, 2 and 3! That’s how I discovered that he had been abandoned and betrayed by everyone, kidnapped, treated as a male kisaeng, robbed, abused, raped and even gangraped at least twice, tortured and finally drugged! But like mentioned above, it is difficult to give the proper order and the persons truly involved in the crimes. On the other hand, what I can guarantee is that Yoon Seungho’s nightmare is linked to conspiracies. I came to this conclusion, because if you compare all the seasons, you will detect the presence of plots. There exists at least 3 main plots in each season, though there definitely exist more. The conspiracies are all connected to incidents. 
(chapter 9), so that the latter visited Lee Jihwa to arouse his jealousy. It was to push him to commit a crime so that Baek Na-Kyum would be removed from the main lead’s side. As you can see, there were 3 people involved, though the readers only saw the result. 
(chapter 12) They had the impression that the red-haired master had acted on his own. However, he had been manipulated, incited to commit a crime. But my point is not to diminish his wrongdoing, rather to expose the involvement of the schemers. Hence at the end of season 1, the author unveiled their true role and as such their identities. 
(chapter 43) However, observe that when Lee Jihwa went to the pavilion, the noble with the mole had other guests. 2 nobles left the place, as they refused to participate in a murder. 
(chapter 43) Funny is that they are now witnesses of Min’s crime. This can have repercussions in season 4. Black Heart had been the one who had suggested the assassination to Lee Jihwa. And the aristocrats were still there, when he had made this proposition. 
(chapter 91) and the servants 
(chapter 97). Thus I deduce that in the past, the same must have happened. Many people were involved in the downfall of Yoon Seungho and his family. But who was the real target in the end? It is difficult to say with 100% certainty. 
(chapter 8) Thus in season 2, he came to this resolution: 
(chapter 56) He had planned to rape him before having him eliminated. This shows his inner conflict. From my point of view, the painter’s death is connected to the incident in the gibang. 
(chapter 1) Baek Na-Kyum was a witness of Min’s wrongdoing, just like the painter was a witness and victim of his crimes in the shrine. (chapter 99) One thing is sure: Min was full of greed and jealousy. He was determined to harm and ruin Yoon Seungho. Hence I come to the deduction that the real target of the conspiracy in the past was Yoon Chang-Hyeon. And his son was used against him. 
(chapter 16) This doesn’t look like a crime. However, it is one! It was done on purpose, to separate the couple. Someone had intervened in order to interrupt this session, and as such someone had been spying on them. Deok-Jae only revealed his spying activity from chapter 16 in season 2: 
(chapter 53) Yet, the one opening the door had been Kim. This gesture can be considered as trespassing and invasion of privacy, the new version of this scene. 
(chapter 16) But instead of revealing the truth, the butler sided with Lee Jihwa, and allowed him to trespass the propriety again. In my eyes, the butler thought 
(chapter 17) that Yoon Seungho would come to perceive the painter as a man consumed by lust. He imagined that he would caught them fooling around. As you can see, this ruckus was also a plot, though it doesn’t look like one. Why would the maids gossip in the courtyard? 
(chapter 18) From my point of view, the valet expected that the lord would fear people’s gaze and a scandal. Thus he would send away the painter to protect his “reputation”, but the opposite happened. Under this perspective, the manhwalovers can grasp why it is difficult to calculate accurately the number of plots and accomplices. Besides, some were naïve pawns, others not. And since I examined the first season more closely, it is necessary to analyze the vanishing of Jung In-Hun. His disappearance is strongly intertwined with Yoon Seungho’s secret. How so? The learned sir was determined to find the lord’s vulnerability and as such secret. 
(chapter 88) Thus many readers jumped to the conclusion that the learned sir had already switched sides and was plotting against the main lead. They had his following words in their mind: 
(chapter 29) Thus many concluded that he had participated in the prank, faking his death. On the other hand, the manhwalovers believed to have seen Heena’s death! 
(chapter 99) However, observe that we never saw her corpse. She was still alive in this panel. I had already pointed out that her murder was actually faked. Her mouth was not covered, hence she could have screamed, but she remained silent (blank speech bubble). Secondly, she never moved her legs… contrary to Yoon Seungho’s behavior in the gibang. 
(chapter 37) who is the king in my eyes. [For more read the essay “
(chapter 86) However, in reality, he was relying on the king’s help and intervention. And this confession to the “fake shaman” represents the learned sir’s karma. He had asked the painter to act like a spy 
(chapter 24), not realizing that he could be spied himself! He didn’t grasp that he exposed his weakness to the commoner: the civil service examination. Thus the man had constantly drops of sweat
on his face and interrogated Jung In-Hun. 
(chapter 29) The girl was there to create a certain closeness. He was acting like Kim, asking why! But the stupid and arrogant learned sir thought that because the man was a commoner, he was ignorant and could be manipulated like the painter! 
(chapter 29) He thought that the low-born would buy his lie here… but in my eyes, it was the opposite. He had already perceived the learned sir’s true nature. But he acted, as if he was agreeing. In other words, the scholar fell into his own trap. He envisioned that the man was “powerless”, but he overlooked his connections. The manhwalovers can see the contradiction, for he had approached the man due to his connections! .As you can see, I am more than ever convinced that the scholar has long been murdered. He was betrayed, exactly like he had planned to abandon Yoon Seungho! The pedophile must have heard from the servant about Jung’s plan, as he had confided it to the worker!! 
(chapter 37) But this doesn’t end here. 
(chapter 37) Yoon Chang-Hyeon was portrayed as a traitor! The “fake servant” implied with his statement that there was a conspiracy, and the patriarch was involved. But in exchange to save his own skin, he had tattled on the others! He was trying to insinuate that if Jung In-Hun interacted more with the Yoons, his reputation could get tainted. He could get suspected of “treason” too, or he could get betrayed too. While the man met the learned sir during the day, the brother went to the villa in a hurry during the night. 
(chapter 36) Hence he chose a different approach: filial duty. And the brother’s observation could only corroborate the pedophile’s perception. The scholar was Yoon Seungho’s lover, but he was also a backstabber. But let’s return our attention to the “mysterious lord Song”‘s statement: Yoon Chang-Hyeon is a denunciator, not a man of honor. 
(Chapter 67) Lee Jihwa had not only been denunciated, but he had been confronted by his friend! And the traitor was right by his side. As you can see, chapter 67 was a reflection from episode 37!! These two episodes have another common denominator: the betrayer had made the following suggestion. 
(chapter 67) In exchange for his “survival”, he should help Black Heart and allow him to act on his behalf. This was the new plan. That’s how he started impersonating Lee Jihwa. That’s the reason why I come to the conclusion that in the past, the impersonation must have happened, but it took place in the beginning. Secondly, I am assuming that a traitor must have suggested to Yoon Chang-Hyeon to leave the mansion and abandon his son behind! 
(chapter 27) Someone had tattled on the Yoons in the past, but the patriarch was turned into the traitor himself which the young main lead came to believe. Thus Yoon Seungho could say this to his father: 
(chapter 86) However, I am suspecting that this is not true, someone else tattled on the powerful family and made a false accusation! As you can imagine, I am inclined to think that father Lee must have been behind this! Why? It is because he can no longer do it! Thus in season 3, he approached the patriarch Yoon. 
(chapter 82) If the lord Seungho had truly committed a crime, he should have reported it to the authorities. The stupid Yoon Chang-Hyeon never wondered why the elder Lee visited him during the night and asked for his assistance. Furthermore, the elder Lee had been allowed to enter the bedchamber and see the huge drawing which could have been perceived as a sign of treason. He was eyeing at the throne. 
(chapter 82) Note that the aristocrat mentioned “punishment” in this context. So maybe, he denunciated the patriarch so that the whole family would get punished. Father Lee was definitely played in this scene, hence I believe that someone had already anticipated his reactions. He would seek revenge. But this doesn’t end here. I had connected “rash departure” to “treason and spying”. And now, observe what Yoon Seungho said to his butler 
(chapter 50) He had sent Jung In-Hun away in order to get rid of him! However, because of the expression “I thought”, I am quite certain that this idea had been suggested to him by the valet! I would like to underline that in this episode, the valet was acting as a tattler! 
(chapter 50) But in order to hide his own crime, he portrayed it as a rumor (It may not be accurate”). This truly underlines the butler’s MO. He used information and turned it as gossips to hide his spying activities. The shadow… Simultaneously, he turned gossips into a verity!! This is no coincidence that in season 3, the same method was employed. Yoon Seungho was supposed to have murdered the scholar and Deok-Jae! My avid readers can sense the leitmotiv in all these episodes. RUMORS are turned into a reality, and as such a CRIME! Even here… 
(chapter 37)
(chapter 86) But since our beloved man started living in the bedchamber, this became a reality. That’s the other reason why Yoon Seungho was encouraged to live in debauchery and not to take the civil service examination. But this only occurred, the moment the lord returned living in the mansion and not before!! Secondly, I realized that this statement about Yoon Chang-Hyeon will become a reality for the “fake servant” himself. 
(chapter 94) This means that he acted as a traitor, tattling on his own relative. Finally, observe that once confronted with brutal reality, the father did run away. 
(chapter 87) The white bearded man’s words became a reality. However, since the fake servant, the mysterious lord Song, judges the elder master Yoon as a troublemaker and hypocrite, there is no ambiguity that the elder master Yoon will get into trouble. Since he did it in the past, he can only get suspected in the present. 
(chapter 86) But the worst would be that the painter is blamed for his assassination. He did it out of resent! But this would expose the true thoughts of the schemers, the pedophile and Kim. That’s how they act, when they feel offended and bothered. 
(chapter 44) He had given the ruined painting to his father, putting the blame on his brother, well aware that the latter would get angry. He was observing his father’s reaction. 
(chapter 44) Yet, there is a difference to the past. Here, he had been fooled! He truly believed that this was his brother’s doing, whereas in truth the butler had been the one who had fooled him. 
(chapter 38) And this is important, because when the letter was given to the brother, Jung In-Hun witnessed the wrongdoing from the butler!! 
(chapter 38) And now, you know why the learned sir had to die!! He had caught the valet in the act. He had betrayed Yoon Seungho, though he didn’t realize it. The learned sir tried to discover the content of the letter, and as such was prying on his sponsor’s weakness.
(chapter 38) Hence I come to the conclusion that KIM played a huge role in the learned sir’s death as well. I would even say that he was the one who pushed the others to have the scholar and the painter killed. Both knew about the butler’s tricks without realizing his significance. 
(chapter 37) Hence I deduce that as the story progressed, the role of the butler started changing. Now, I see him as a the main plotter, while all the others are now his pawns. We could say that the valet has gradually followed the pedophile’s path. However, there is no ambiguity that it was not the same in the past! 
(chapter 83) How can he be the same than the one from episode 37? The change of his hair color could be explained by a huge shock. But this is rather thin as a justification. Besides, now I am more inclined to think that these are two different persons, and that the main culprit is the one from episode 37. Why? It is because he smoked and utilized the same expression: “strange”. 
(chapter 37) An idiom that Yoon Seungho constantly utilized: chapter 16, chapter 21
, chapter 50, chapter 71 
(chapter 71). This means that he couldn’t understand, for he has a different way of thinking. This outlines his narrow-mindedness and his tendency to plan everything. He doesn’t like surprises. 
(chapter 69) Hence I started wondering if the mysterious man with the beard was not impersonating someone, for example “lord Song” and in reality he was just a merchant. Why merchant? It is related to the shungas and the hanboks. The king can not be involved in trading directly. However, this is what Yoon Seungho told to the learned sir: 
(chapter 22) Nevertheless, the main lead could have never been involved in commerce, for he lived as a prisoner for many years. And this is what was said about the ruler: 
(chapter 76) He is not so wealthy. How come? Yoon Seungho’s fortune must have a different origin. 
(chapter 102) Min had never predicted that the young master would run to his friend and denunciate him to Yoon Seungho. However, since Black Heart had employed the assistance of servants
(chapter 101) , the kisaengs 
(chapter 95) 
(chapter 98), No-Name, the doctor with the drugs and butler Kim, this signifies that behind the name Lee Jihwa stand many people! As you can see, the name “lord Song” doesn’t refer to one person, but many… My theory is that No-Name is the true owner of the title, but that’s how he ended up losing his home and his name! That’s the reason why I believe that in this image 
(chapter 71) 
chapter 87) and 
episode 92. The schemers in the past had definitely played with illusions and tricks. Thus I am expecting that it is now the pedophile’s turn to get fooled.
(chapter 82)
(chapter 54) and 3. 
(chapter 100) The nobles made him smoke opium or drink the aphrodisiac. The purpose of such drugs is to obtain the painter’s submission and control his mind and reactions. Striking is that each time, the perpetrators were “punished”. Kim was insulted and his plan didn’t work out. 
(chapter 37) As for the young lords, they were evicted like commoners and later the others were even killed. As you can see, each time the poison was employed, there was a retaliation. 
(chapter 47) 
(chapter 47) If the painter had not eaten with the lord, the latter would have never noticed the incident. However, he believed the maids’ words. 
(chapter 47) Hence he never investigated the matter. But this prank represented a serious issue. This could have been judged as an attempt against the owner of the mansion. 
(chapter 47) And now look at this panel: 
(chapter 83) Yoon Seungho had refused to take the drug! The bowl reminded me of the one from chapter 47! Finally, the butler had tried to give his master the drug in season 3 
(chapter 77) Kim calls the drug “medicinal tea”, truly an euphemism. It is also possible that the real target of the poisoning was Yoon Seungho, but since he was protected by the gods, someone ended up taking the “drug”. Because he was wearing a purple hanbok, the investigator mistook his identity, a royal member. Hence the Yoons were suspected of treason. Don’t forget that during this party, there was a kisaeng by their side. 
(chapter 56), he came to adopt this title in order to hide his identity and actions. Byeonduck explained in her notes that Baek Na-Kyum had no idea about Min’s name. And this is the same for Yoon Seungho. The pedophile could continue hiding behind “lord Song”, as the latter was blamed for everything. The pedophile could divert attention from his own tricks. That’s the reason why he would never write any letter to Yoon Seungho under this name. This means that at the end, the main culprit, the king, will be perceived as the main responsible for Yoon Seungho’s torment, similar to Min’s situation, just before got killed. Though many other people were involved, Yoon Seungho was able to judge the joker’s actions correctly, he was the main mastermind behind the plots. This explicates why the gods made Yoon Seungho forget the old bearded men’s face. 
(chapter 44) This was a blessing in disguise. The moment the main lead faces the king, Yoon Seungho will be able perceive the truth. The king was behind his torment, and the butler had been his helping hand all along, the professional spy planted in his family. However, I don’t think that the monarch will admit his crimes and apologize for his wrongdoings. He will need a scapegoat, and this can only be the butler, the only one who knows the truth! 
(Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68 
, this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? 
(Chapter 94) He had no parents or guardians protecting him which is true, for here he was exposed to violence. Heena, as the head-kisaeng, had not protected him at all, she must definitely have portrayed herself as powerless. Yet as a slave of the state, she was belonging to the king. So she had connections to officers and the court. In my eyes, the head-kisaeng made sure that the artist could never get a topknot, and as such he would never be able to become a “noble” or even a man. Hence Baek Na-Kyum was constantly called boy 
(Chapter 56) 
(Chapter 59) 
(chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. 
(Chapter 101) Here, the lord had spared his friend’s life.
(Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. 
(chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. 
(chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. 
(chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. 
(chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. 
(chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings. 
(Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. 
(Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: 
(chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury. 
(Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host 
(chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. 
(Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 
, for he was not present, chapter 57 
in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang.
(Chapter 69) Under this new light, this panel from Twitter get a total new meaning: 
The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see. 
(chapter 59) Furthermore, he associated it to abandonment too. 
(Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment. 
(Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. 
(Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. 
(chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder). 
(Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. 
(Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. 
(chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy. 
(Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side. 
(chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: 
(Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. 
Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.
(chapter 23) to give him a knife: 
(chapter 23) before grabbing Woo Jang-Hon by his topknot 
(chapter 23). Hence the hair fell between the men. 
(chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. 
(chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:
And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident. 
(chapter 66)
(chapter 83) 
(chapter 67) This shows that till season 3, Lee Jihwa had never been exposed to real justice. There was always someone ready to intervene for him. And now, you comprehend why the red-haired master felt no remorse to blame his friend for his humiliation in the past. He must have thought that if he had not been in his bedchamber during that night 
(chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: 
(chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies 
(Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole. 
(chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. 
(chapter 33) 
(chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, 
(chapter 77) and this one 
(chapter 83) The length was almost the same, yet 3 or 4 years had passed in the main time. Let’s not forget that this scene represents the patriarch’s abandonment 
(chapter 77) and Kim had also experienced rejection from Yoon Seungho 
(chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: 
(chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers!
(chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state. 
(chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.
(chapter 33) 
(chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that 
(chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! 
(chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: 
(chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband. 
(Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. 
(chapter 34) 
(chapter 89) The lord’s back is covered with marks. Yet, he was not brown-nosing here at all, for he was rejecting the lord’s advances. And now, it is time to take a closer look to season 1. 
(chapter 23) Baek Na-Kyum was seen holding an apple, here it looked like he was indeed polishing the fruit before eating it. Striking is that during that scene, valet Kim was interrogating him. He was acting, as if he was interested in him. It was, as if he was buttering up to Baek Na-Kyum. The purpose was to gain the artist’s trust so that at the end, he would listen to his advices.
(chapter 23) However, the reality was that the valet was actually digging for information, spying on the main lead, so that he could create a new incident. As you can see, there were two apple-polishers in that scene, the painter and the butler. This was the reflection within the same episode. While Baek Na-Kyum was literally polishing the apple, the other was just cajoling Baek Na-Kyum in a figurative way. Yet, the former was not truly sweet-talking to the artist. He gave the impression that he was totally honest. And now, it is important to recall what happened to the painter in the next chapter. Jung In-Hun was kissing the painter’s hands.
(chapter 24). He was flattering the painter with the hope that Baek Na-Kyum would spy on his account. But the scholar couldn’t succeed with his request. Why? It is because he only kissed the artist’s hands. He never licked his boot or his ass. We could even say that he did scratch his back, but in the wrong way: 
(chapter 24) In other words, he could never lower himself in front of the low-born. This was too much, explaining why the scholar failed with his request. 
(chapter 27) In exchange for saving Jung In-Hun’s life, Baek Na-Kyum was forced to do a fellatio. We could say that the artist was sucking up to the owner of the mansion. But the fellatio is not just an exchange of favors. It is also associated to forgiveness. At the tailor’s shop, the painter had blushed because of Yoon Seungho, The latter had embarrassed him. Thus the lord made the following suggestion:
(Chapter 39) This was his way to apologize, though here he was teasing his lover. These were the principles he had been taught, therefore it is not surprising that he applied them for the painter. And now, you comprehend why in episode 71, Yoon Seungho sucked the painter’s phallus in the bathroom, he was also currying the artist’s favors. His goal was not to be pushed away, to be accepted.
(chapter 71) He had wronged the painter so many times, that the blow-job was not enough. Thus he licked his ass in the bedchamber. He was hoping to seek his forgiveness. 
(chapter 71) It was, as if he was lowering his head, the kowtower. In this episode, the lord was on his knees in front of the painter, and this twice. One in the bathroom 
(chapter 71) and the other time in the bedchamber. 
(chapter 71) However, his nose didn’t get brown, as the painter is a pure and innocent person. 😉 That’s how I realized why Baek Na-Kyum was sent to the bathroom. His role was to divert Yoon Seungho’s attention from Kim so that the master would forget to ask for the butler’s punishment. In other words, the valet used the low-born to seek his master’s favors. This shows that Yoon Seungho had been taught that the blow-job and the ass-kissing are the means to obtain forgiveness. 
(chapter 73) He was licking the painter’s foot so that he could keep thrusting. Don’t forget that during the whole night, he behaved like a servant… the one who was “sucking up to Baek Na-Kyum”. 
(chapter 72) On the other hand, the latter scratched the lord’s back for the first time during that night. 
(chapter 72) This was the reflection within the same episode, yet the “back-scratcher” was not doing it for his personal gain at all. We couldn’t say that he was currying favor or buttering up Yoon Seungho. He believed that he was just a servant and nothing more. From the outsider’s perspective, he was treated indeed like a favored servant, though in truth Yoon Seungho viewed him more like his new master and lord.
(chapter 45) In this scene, the lord was acting like a teacher, and the painter was supposed to do a blow-job in exchange for a favor. But since the painter was heartbroken, he was doing it absent-mindedly. Thus the roles got switched. After the noble licked the painter’s ass, 
and masturbated him anal, the painter was able to confess his pleasure: 
(chapter 45) This shows that the lord was slowly “currying favors” to Baek Na-Kyum. And this is no coincidence that Kim brought the ink and brushes to the mansion. 
(chapter 45) Once again, he was acting, as if he was buttering up to Baek Na-Kyum and indirectly to the host. But the reality was that everything was done for Kim’s interest…. On the other hand, we could say that Yoon Seungho was not really different from his surrogate father, for in that scene, Yoon Seungho was more thinking about himself than the painter’s. Yet, there is a slight nuance, the lord was sensing that the painter was not himself. He was talking to him, so licking the painter’s ass was not just done in order to obtain the painter’s support. His true goal was to be noticed and looked by the painter. He desired to have a true exchange of thoughts. Interesting is that by licking briefly the painter’s ass, he indeed succeeded, Baek Na-Kyum started thinking about him afterwards. The irony is that Yoon Seungho was just applying what he had been taught. That’s how I discovered the other reason why the main lead is not suspecting the butler of treason. Contrary to Yoon Chang-Hyeon or the pedophile, Kim was never seen asking Yoon Seungho for sexual favors: no fellatio or no ass-kissing. But this is just a deception, for we could clearly see that the butler is connected to the sex parties: 
(chapter 33) 
(chapter 52) He was the one who separated the couple. Because of his intervention, the painter deserted the mansion and got sick afterwards. Then in chapter 50, he revealed the argument between Baek Na-Kyum and Jung In-Hun. Striking is that in that scene, he was standing on the lord’s left side!! 
(chapter 50) In fact, he should have “buttered up” his master and not pitied the painter. And now, you comprehend why the main lead misinterpreted Kim’s behavior. In his mind, the valet was actually “apple-polishing” to the painter. He had somehow “witnessed” it in the woods. But he had misjudged the situation, in reality he had caught Kim spying. 
(chapter 23) Unfortunately, the lord was not perceptive at all.
(chapter 80) He enjoyed seeing the painter’s facial expressions and reaction. He looked so shy and pure. 
(chapter 80) However, during that night, three people were trying to bootlick someone figuratively speaking: the new version of Deok-Jae, Kim and the messenger. Let’s not forget that before the arrival of the messenger, the painter made the following request to the butler: 
(chapter 79) One might say that he was currying favor to the butler, when he asked the butler about the music box. But what did Kim do? He brought the item to the bedchamber. 
(chapter 79) But this is not what the painter had actually requested, since the butler said this “I thought”. He had taken the initiative on his own. In my opinion, the painter had just asked that the music box should be brought back to the study. However, Kim brought the expensive present to the bedchamber for one reason. He expected the arrival of the messenger. We could say that he was “ass-kissing” the painter in order to obtain his trust. Kim definitely imagined that Yoon Seungho was sleeping. As you can see, this scene was the reflection of Yoon Seungho’s action in chapter 80. 
(chapter 80) While Kim had asked the painter’s to clean his face himself, the lord was cleaning the painter’s ass himself. Or we could say that he was polishing the painter’s apples, for he has an apple-shaped buttock. 😂 This clearly indicates that Kim has never washed Yoon Seungho himself. In other words, while Yoon Seungho was totally selfless here, this was not the case for the valet. And this is no coincidence that right after, the new version of Deok-Jae appeared in front of the door calling his master. He was faking loyalty and dedication. 
(chapter 80) Here, he was acting, as if he was sucking up to Yoon Seungho, but his gaze betrayed him. In my opinion, he had been deceived by the butler, for the latter expected that the painter would open the door. This situation was reflected within the same chapter. Notice what the messenger said to the young master in the study: 
(chapter 80) He was implying that his father had to bootlick an official in order to hide the incident. And how did the lord react to this? He not only asked the servant to do him a fellatio, but also made an allusion to the sexual favor: 
(chapter 80) He gave an order to the main lead, he threatened him. But actually, he was just a servant. He was not treating Yoon Seungho correctly. Interesting is that he showed more courtesy and respect to lord Lee than Yoon Seungho. 
(chapter 82) It was, as if the man was hoping to obtain father Lee’s support either. Another interesting aspect is that when the butler approached the wounded emissary, the former was definitely brown-nosing. 
(chapter 82), until he heard that the scholar Lee had approached father Yoon. On the other hand, his introduction didn’t fool the courier, for he was aware of Kim’s meddling. 
(chapter 82) In my opinion, Yoon Chang-Hyeon had followed the butler’s suggestion. Since the painter would always sleep in the study alone, he envisioned that the messenger would suggest to the artist to meet Heena. The man could fake that he had been sent by his noona. He was dressed up for that reason!! Observe that the color of the hanbok is similar to this one: 
(chapter 82) This means that if father Lee or Yoon Chang-Hyeon are cornered, they could be forced to “ass-kiss” the king. 
Baek Na-Kyum is now imitating his lover. He is also licking the lord’s boot/foot. However, contrary to the signification, he is actually making love to his companion. This has nothing to do with selfishness and hypocrisy. We could even say that at the end of season 3, Yoon Seungho had become the teacher’s pet, the yes-man towards Baek Na-Kyum: 
(chapter 92) He could never refuse his lover’s requests. Thus in the gibang, he encouraged the painter to stay in the gibang. 
(chapter 93) It was, as if he was seeking the kisaengs’ support. Thus he chose leniency towards these women, though the latter had insulted him. At the same time, he was not hoping to receive any flattery from the noonas. He was the one “sitting on the painter’s right side”. 
(chapter 93) To conclude, the lord had been “tamed”, he was apple-polishing Baek Na-Kyum, but not in a negative way. It is the positive reflection of Kim who will act behind people’s back, and definitely use sex for his own advantage. We have the perfect example with the 2 sex marathons. He always let the painter suffer in order to cover up his own wrongdoings. But by allowing the main lead to act this way indicates that he was not helping Yoon Seungho. What people thought as assistance was in truth “brown-nosing”.
(Chapter 95) In his eyes, the lord didn’t need it, for he was already aroused. Remember in the beginning of the story, Lee Jihwa had to prepare his lover 
(Chapter 3) Secondly, the painter was in the position not to ask for favors, to suck up to Yoon Seungho. In their relationship, the low-born had the upper hand. Finally, Baek Na-Kyum had done nothing wrong before, so he didn’t have to beg for the main lead’s forgiveness. That’s the reason why the lord was actually rejecting the blow-job!! 
(Chapter 95) It is the expression of affection and love. 
(chapter 101) The painter had to do a fellatio to lord Jang in exchange for protection. 
(chapter 101) The artist was not acting like the teacher’s pet, 
(chapter 101), hence he needed to receive some lesson. In their eyes, Baek Na-Kyum should have licked their boot, sucked up to them… due to their power and social status. Therefore, it is not astonishing that at the end, they were executed. Why? It is because Min and the others could never “curry Yoon Seungho’s favor”. 
(chapter 102) Without the painter, the lord had no reason to continue living. Baek Na-Kyum was his source of joy and of strength. Without him, he was powerless. And this leads me to the following observation. Since we have a situation of brown-nosing concerning Black Heart in the shaman’s house, this signifies that we should have a reflection earlier in season 3. And now look at this: 
(chapter 92) In that scene, Min was indeed “flattering” his ex-sexual partner, while he was rather dismissing the painter. 
(chapter 92) He was also indirectly currying the lord’s favor. This was the reflection of the night in episode 52 either. However, contrary to season 2, Yoon Seungho had the upper-hand, as the painter had already sided with him. But one might say that this perception of “apple-polishing and buttering up” stands in opposition to my previous statement: sex is like a battle, a fight where there is only one winner. But that one doesn’t exclude the other, since Min had also tried to eliminate Baek Na-Kyum before changing his mind. This truly shows that we had two different philosophies, yet both were evolving around sex. This truly outlines that someone was “consumed by lust” in the end. 
(chapter 102) On the other hand, Baek Na-Kyum is slowly sensing the valet’s disloyalty towards the aristocrat. 
(chapter 86) Since the lord could see through Jung In-hun’s true personality, I believe that it is the painter’s duty to grasp the valet’s treason. In my opinion, since he caught Kim having sex with the maid, it is only a matter of time, until he realizes his true personality. In chapter 77, valet Kim had thought that he could rekindle with the owner of the mansion, hence he brought him tea and the medicine. He envisioned that if he acted like a loyal and dedicated servant, he could regain Yoon Seungho’s support. 
(chapter 77) In other words, he was buttering up to the young master. But observe that in that scene, he never lowered himself in front of the young man. He didn’t go on his knees or he didn’t bow to him either. This attitude exposes the valet’s true personality. He considers himself better than Yoon Seungho and Baek Na-Kyum, refusing to admit any crime or mistake. In that scene, he never said YES! In fact, he kept contradicting his master. 
(chapter 77) Under this new light, the avid readers can understand why he contacted the patriarch in the end. He knew that Yoon Chang-Hyeon would listen to him, for he had been brown-nosing him for years. And the color brown of his shirt is no coincidence. Observe that when the father visited the mansion, he was wearing brown and red… 
(chapter 86) He envisioned that his elder son would return him the seat and as such he would become the owner of the family mansion again. Why? It is because of the main lead’s words in the library. His so-called respect towards the father was just fake. That’s the reason why the father imagined that he just needed to show up and he would get the mansion back. However, in reality, he should have sought his son’s support, and as such kiss his ass in order to achieve his goal. But the man has never done it himself. He has always been used to being fawned and ass-kissed that it is not surprising that he barged in the mansion. And this is the same for Yoon Seung-Won. The latter might have sent letters in order to obtain his brother’s support, but we can’t say that he was sucking up to Yoon Seungho. Thus it is no coincidence that at the end, the latter advised his brother to follow the father’s principles. 
(chapter 37) Here, he was implying that Yoon Seung-Won should do fellatios and other things in exchange for favors. 
(chapter 97) Here, she was referring to favors. Yet, shortly after she proposed this to her brother: 
(chapter 97) It is clear that the agreement was not selfless. No nobleman would spend money and energy for nothing. The noona was hiding the content of the deal to her brother, the negative reflection from season 1. And now, you comprehend why I am sensing that since her deal was to sell her brother in exchange of favors, her karma should be that she has no other mean than to sell herself in order to survive, as she is now on her own. And if this truly happen, this can only reinforce her resent and hatred towards the couple. But we will see, if Heena is the one “sucking up” in season 4.
(chapter 73). But keep in mind, this is related to the painter’s education. He had been raised not only to hide his homosexuality, but also to reject sexuality as such. Naturally, in reality a no means no and nothing else. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 