Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx Between A Squeeze And A Crack – part 2 and the Birth of A Flower (part 1)
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Sorry for the delay, but I am getting surged soon, thus I was busy preparing lessons for the time during my absence.
The Beginning of the End
The audience sensed it before it could fully articulate why: Jinx is nearing an irreversible threshold. Not an ending yet, not a climax in the conventional sense, but a point beyond which the story cannot return to its original configuration. 
(chapter 89) Episode 89 does not rely on spectacle, confrontation, or confession. Instead, it performs something far more unsettling. It turns back toward the beginning 
(chapter 89) and begins to unravel what was once deliberately sealed.
What makes this episode feel decisive is not merely a rearrangement of power, but the return of elements that were present from the very first chapter —elements whose meanings were never in doubt, yet whose consequences were never allowed to surface. 
(chapter 1) At the start of Jinx, the readers were not ignorant. We knew that Kim Dan had been sexually harassed. 
(chapter 1) We knew there was a witness. We knew that what happened was not ambiguous in moral terms.
What was ambiguous was power.
A hospital director fired Kim Dan not because the truth was unclear, but precisely because it was clear—and dangerous. Using institutional authority, he covered the scandal, protected himself, and quietly ensured that Kim Dan would never be able to work as physical therapist and even speak again. (chapter 1) The outcome was not accidental, but Kim Dan didn’t experience it as a calculated purge or a conspiracy that must be fought. He accepted the loss of his job almost as a given, even as he recognized the injustice of it. What unsettled him was not the fear that others would disbelieve him, but the realization that responsibility stopped with him. He lost a prestigious hospital position and the professional future attached to it, while the hospital director faced no consequence at all. Kim Dan did not protest or seek redress; instead, he turned his attention inward, wondering what was said about him afterward, in rooms or institutes he was not allowed to enter. The truth was known, yet it changed nothing, because Kim Dan was silenced. No one listened to him or defended him, while the perpetrator alone was given the authority to determine the truth. The witness stayed silent, the institution spoke elsewhere, and Kim Dan was removed from his own story. And that’s how the asymmetry became something he quietly carried as his own burden.
This is why Episode 89 does not feel like escalation—it feels like unsealing.
The return of the perverted hospital director 
(chapter 1) is not a revelation of new information. It is the resurfacing of a figure who once proved that truth alone was insufficient. His reappearance signals that what was buried at the beginning of the story—harassment, witness, cover-up, professional erasure—is no longer content to remain inert. The silence that once protected the hospital director is beginning to fray, unwinding slowly, like a gift ribbon pulled loose thread by thread. What was known but unspeakable is approaching exposure not through confession, but through loss of insulation.
This return is mirrored by another, quieter but equally significant absence: the grandmother.
In Episode 89, she is no longer shown directly. 
(chapter 89) Instead, the narrative offers a bird’s-eye view of the hospice Light of Hope as Joo Jaekyung’s car leaves the parking lot. The implication is unmistakable. Her death is imminent. But just as importantly, she is transitioning from presence to spectral force—no longer intervening, no longer negotiating, but lingering over the narrative as memory and obligation.
This, too, echoes the beginning of Jinx. 
(chapter 1) Readers did not meet the grandmother until Episode 5. 
(chapter 5) Before that, her existence was inferred rather than seen: through debt, through responsibility, through the ruined house Kim Dan inhabited. Absence structured the story before presence ever did. The grandmother was a force long before she was a character.
Now the movement reverses. Presence recedes back into absence. But unlike in the beginning, Kim Dan’s life is no longer centered on her care. That responsibility has been entrusted elsewhere, and her absence no longer governs his choices. In Episode 89, the hospice is no longer framed as a home, but as a stop along the way. 
(chapter 89) When Joo Jaekyung speaks of “the way home,” 
(chapter 89) and Kim Dan repeats the phrase without hesitation, the shift is unmistakable. Home has been reassigned. It is no longer the place where Kim Dan endures obligation or where his grandmother is 
(chapter 56), but the place where he lives in the present: the penthouse. The grandmother’s influence has not vanished; yet it has been reduced to a short visit, while he spends time with his fated partner a long time on the road. Her absence no longer anchors him to a life of quiet survival. He is now enjoying life, hence he is seen smiling and talking informal to the athlete. 
(chapter 89)
This mirroring is not cosmetic. It is structural. The story returns to the conditions of its origin—sexual violence handled institutionally, professional precarity 
(chapter 1), unseen decisions made about Kim Dan without his consent (chapter 1) — but it does so in a transformed landscape. 
(chapter 89) Debts have been paid. Contracts are finite. A witness exists, though he doesn’t believe in the “angel”. 
(chapter 89) Kim Dan is no longer isolated in his knowledge, nor alone in bearing its consequences. Joo Jaekyung detected the presence of a “predator”. 
(chapter 89)
That is why Episode 89 feels like the beginning of the end. Not because everything is resolved, but because the story has reached the point where truth no longer needs to beg for permission to exist. What was once survivable only through silence can now be named, contested, and reclaimed.
By folding the opening of Jinx back into its present, the author signals that the love story between Kim Dan and Joo Jaekyung is approaching its final test. No longer a story of endurance under constraint, it is becoming a story about emancipation under scrutiny—about what happens when love, guilt, responsibility, and institutional memory are finally forced into the same frame, by those who were once excluded from it.
The Beginning of the End is not an announcement of tragedy. It is the moment when the story turns back on itself and says: now the truth can move.
Seeing Is Not Knowing
Episode 89 does not introduce this logic; it exposes it by repetition. From the very first chapter, Joo Jaekyung’s relationship with his former physical therapist already functioned as a negative prefiguration of Kim Dan’s own trajectory. 
(chapter 1) The readers never saw what caused the unknown therapist’s departure. Instead, the incident is relayed second-hand, through Park Namwook’s narration—an account that reduces the event to temperament, friction, and inevitability. The physical therapist is said to have “rubbed him the wrong way.” An incident occurred and the athlete was exposed as the problem. The job was framed as undesirable. The departure was normalized.
Crucially, Joo Jaekyung accepted this explanation without investigation. He was surprised that the therapist quit 
(chapter 1), but he did not question the narrative offered to him. He never tried to justify his own action either. Park Namwook, as manager, occupied the position of authority: the one who explained, interpreted, and closed the case. He never checked the facts, like for example “rubbing him the wrong way”. He acted as the prosecutor, judge and lawyer at the same time. What happened before remained unseen, and therefore unexamined. The truth did not need to be falsified; it only needed to be summarized.
Crucially, the manager also treated resignation as resolution. Once the physical therapist left, the problem appeared solved. Replacement substituted for accountability, and the consequences of this closure were never considered. The difficulty in filling the position 
(chapter 1), the reluctance of applicants, and the need to recruit Kim Dan through informal channels all suggested that something else had already been circulating: a reputation formed in absence, not through evidence.
Like Kim Dan after him, Joo Jaekyung is first not confronted with accusations 
(chapter 9), explanations, and silence. Only after the “hamster’s arrival”, the athlete is gradually exposed to gossip, badmouthing 
(chapter 47) and exclusion. This reached its peak with the famous slap at the hospital. 
(chapter 52) It shows that like doc Dan, the celebrity bears the effects of a narrative he did not author, one that no longer requires verification and questioning because it has already been administratively settled.
Episode 89 reactivates this same structure—but from another angle.
Heesung believes he knows the truth because he has seen something. 
(chapter 89) He witnessed a kiss between Kim Dan and Joo Jaekyung, and from that single image, he constructs a complete narrative: a kiss is turned into something raw and sexual. For him, intimacy replaces training, desire replaces discipline, and the explanation Kim Dan gives becomes, in his eyes, a lie. (chapter 89)
Yet this is where the episode quietly undermines Heesung’s certainty. Kim Dan is not just fabricating an alibi. He is not inventing a cover story. They were indeed training. 
(chapter 88) The kiss does not erase what preceded it; it merely interrupts it. Kim Dan’s explanation is therefore neither wholly true nor wholly false. It is a partial truth, shaped by shyness, by a desire to protect, and by shame. Hence he is sweating, when he explains his presence to Potato. (chapter 89) To know the “whole truth” would require access not only to events, but to intentions, emotional thresholds, and timing—access no single witness ever has. Only gods have such power.
And that’s how Choi Heesung views himself. He considers himself as the “perfect lover”, thus his dream has always been to find his soulmate, another “perfect lover”. 
(chapter 33) That’s the reason why he was attracted to Kim Dan in the first place. He is an angel 
(chapter 30), as the latter is quiet, self-effacing. selfless, attentive, humble and absorbs blame instead of projecting it. Kim Dan initially fits the fantasy of the perfect lover — someone who would not disrupt Heesung’s self-image. Hence he doesn’t need to do anything. 
(chapter 31) By siding with doc Dan and acting as the angel’s advocate 
(chapter 89), the comedian can appear as a saint.
But the reality is that the “fox” is overestimating himself. He is just a human like Joo Jaekyung and as such a sinner. The actor’s error is not merely that he lies, but that he lies by omission 
(chapter 89) and generalization. Because he saw one thing, he believes he knows everything. Because he believes he already knows Joo Jaekyung —his temper, his reputation, his past, his belief 
(chapter 32)— he believes that he can judge the celebrity. However, he does not consider that something else might have happened before the moment he witnessed. The kiss becomes totalizing. Training is retroactively erased.
This is precisely the same epistemic shortcut Park Namwook took in Season 1.
In both cases:
- authority or proximity substitutes for inquiry,
- a partial observation becomes a total explanation,
- and investigation is deemed unnecessary because the observer believes he already understands the subject.
- Crucially, judgment in these moments is driven not by facts, but by emotion. Resentment, jealousy, fear, and wounded pride shape perception long before evidence is considered. What presents itself as moral clarity is, in reality, affective certainty.
Yet justice—whether institutional or interpersonal—cannot emerge from emotion. It requires distance. It requires restraint. It requires a form of deliberate indifference: not apathy, but neutrality. The refusal to let feeling stand in for truth. Therefore a judge will always listen both sides (defendant, plaintiff). Neither Park Namwook 
(chapter 52) nor Heesung exercises this control. Both act from positions of perceived authority, and both mistake emotional coherence for factual accuracy. Their confidence does not only arise from what they know, but also from how strongly they feel. The strength of conviction replaces the labor of verification.
This failure becomes especially visible in Heesung’s interpretation of Kim Dan’s departure. 
(chapter 58) He imagines a simple narrative: Kim Dan must have left because of Joo Jaekyung’s temper, his rudeness, his violence, probably due to the “defeat”. A quarrel, therefore, naturally leads to separation. From this assumption follows a paternalistic conclusion: the “hamster” must be hidden from the athlete for his own good. Protection becomes justification; concealment becomes virtue.
Heesung delivers this judgment 
(chapter 89) while smoking—a detail the episode insists on repeating, and one that should not be aestheticized. The cigarette does not merely accompany his words; it alters the air in which they are spoken. 
(chapter 89) Smoke replaces oxygen. What should be a space for clarification becomes a polluted environment where nothing clean can circulate. His speech is not only corrosive; it is toxic, dispersing blame without responsibility and judgment without accountability.
This is not the violence of a raised fist, but of contamination. Heesung does not attack Joo Jaekyung directly; he saturates the space with inevitability. His words do not argue—they suffocate. By framing Jaekyung as fundamentally unlovable (“after everything you’ve done”), he does not describe a reality; he reinscribes a conviction that already haunts the champion: that love is structurally inaccessible to him, that intimacy is something he can only damage, never deserve.
In this sense, Heesung’s intervention is not corrective but punitive. It does not open a future; it seals one. The smoke signals this closure. There is no fresh air, no possibility of reconfiguration—only the quiet assertion that the past defines the present absolutely. And because Heesung speaks from a posture of apparent control, he mistakes pollution for moral clarity. He leaves believing he has spoken the truth, while what he has done is reinforce the most destructive lie Joo Jaekyung already believes about himself.
What Heesung never questions is whether this narrative is complete—or even accurate. He doesn’t know about the incident with the switched spray, about doc Dan’s mental and emotional suffering, he has no idea about doc Dan’s past as well. It was, as if the young man had no past or no trouble before his interaction with the sportsman. He does not ask why Kim Dan stayed as long as he did, why he returned, or how the relationship itself has transformed. He doesn’t look at the physical therapist at all, thus he can see no change. (chapter 89) The possibility that Kim Dan acted with agency, discernment, or desire is excluded in advance. Kim Dan is reduced to a fragile and innocent object of care rather than a subject capable of choice. He doesn’t know what is good for himself. (chapter 89)
What Jinx exposes here is not dishonesty, but epistemic arrogance: the conviction that seeing grants mastery over meaning.
The irony, of course, is that Joo Jaekyung once occupied this very position. (chapter 1) He accepted Park Namwook’s account of the former physical therapist because it aligned with what he believed he knew about himself and others. Now, in Episode 89, he becomes the object of the same logic—reduced, explained, and judged by someone who believes that proximity equals comprehension. This repetition matters.
It shows that truth in Jinx is never neutral. It is filtered through:
- authority (Park Namwook),
- jealousy and wounded pride (Heesung),
- reputation and past violence (Joo Jaekyung),
- and self-effacing silence (Kim Dan).
To know the full truth is impossible—not because the truth is unknowable, but because every character approaches it already shaped by prior experience. What changes in Episode 89 is not the existence of bias, but the story’s willingness to expose it as bias.
Heesung believes he knows the truth because he has seen something. A kiss. A single image, isolated from its sequence, elevated into certainty. From that moment on, everything else becomes irrelevant. And because he saw this before 
(chapter 58), he reinterprets the kiss as “fuck” and not as the expression of love and tenderness. In other words, he is witnessing “true love”, but he rejects it. This exposes that he has no true notion of real love. In his mind, Joo Jaekyung abused his position as “employer”. (chapter 89)
Heesung presents himself as morally superior because he does not resort to physical violence. 
(chapter 89) But this distinction is hollow. Harm does not require raised fists. It can be inflicted through trick, insinuation, through speaking about someone rather than to them, through occupying the role of moral arbiter while denying the other person a voice. (chapter 89) Kim Dan has always disliked this — being spoken for, spoken over, spoken around. Episode 1 and 57 established this clearly. Episode 89 simply mirrors it back.
What makes Heesung especially dangerous is that he uses Kim Dan as a shield. He claims to defend him, but only in his absence. By positioning himself as Kim Dan’s advocate, he grants himself authority while quietly stripping Kim Dan of agency. His concern is not what Kim Dan wants, but what Heesung believes Kim Dan deserves. In doing so, he protects his own wounded pride — the pride of someone who cannot accept that Kim Dan rejected him.
This refusal is key. Heesung cannot bear the idea that Kim Dan would choose Joo Jaekyung, even date him. 
(chapter 89) His comment “You’re not ….” implies the expectation of a confirmation. Both are not dating. What Joo Jaekyung is actually doing exceeds the category Heesung understands. This is not casual dating. It is not secrecy. It is not consumption. It is preparation. Continuity. A future. Symbolically, Joo Jaekyung is already a step beyond “dating”: he is moving toward marriage — toward public, accountable union. He is closer to commitment than the cursed “Romeo”. That’s the reason why the author included such a reference at the store: 
(chapter 89).
And this is where the contrast becomes stark. Heesung, who performs moral responsibility, is not dating Potato openly. He keeps relationships provisional, deniable, suspended in ambiguity. He treats the young fighter more like a puppy or servant than as an equal partner. Joo Jaekyung, who is accused of being reckless and violent, does the opposite. He assumes responsibility. He spends time with doc Dan by teaching him swimming and fighting, he pays debts. He limits contracts. He buys a suit not for himself, but for Kim Dan’s future. He does not erase the past; he integrates it into a shared trajectory.
In this sense, Heesung is not the opposite of institutional power — he is its echo. He speaks confidently, withdraws responsibility, and leaves consequences to others. He does not strike, but he silences. He does not coerce, but he defines reality from a position Kim Dan never consented to.
The tragedy is not that Heesung lies consciously. It is that he is convinced he is telling the truth.
Not Seeing but Knowing
Episode 89 ends not with confrontation, but with a visual verdict. 
(chapter 89)
At one table sits the former hospital director. His presence is quiet, restrained, and deeply uncomfortable. Nothing about him suggests ease. His coat remains on, his tie loosened but not removed — a body prepared to leave rather than settle. He did not come to linger. He did not come to enjoy himself. His posture signals transience, not belonging.
The drink in front of him reinforces this distance. Whisky on the rocks is not a drink of sharing or unfolding; it is a drink of insulation. Cold, undiluted, contained. It is consumed alone, meant to harden rather than open. Even when accompanied, the director remains isolated. The person across from him seems to be talking to him 
(chapter 89), yet the antagonist does not engage him. Conversation fails to circulate. Responsibility, like dialogue, stops at the rim of the glass.
This matters because the director is not merely observing Kim Dan — he is being corrected by him.
For a long time, the director believed he knew how Kim Dan’s story had ended. Fired, blacklisted, erased — a life quietly ruined by institutional power. That belief allowed him to move on without consequence. Silence had done its work. The trick had succeeded.
What sustained this belief was secrecy. Not ignorance, but managed invisibility. Power, in Jinx, does not primarily operate through open coercion, but through control of circulation 
(chapter 48): who is seen, who is spoken about, and who is allowed to speak at all. By removing Kim Dan from institutional spaces and ensuring that the story of his dismissal was settled elsewhere, the director did not merely punish him — he rendered him socially invisible. Thus no one knew about doc Dan, when the athlete looked for him. 
(chapter 56) As long as Kim Dan remained unseen, power could continue to “know” without ever needing to verify.
The episode makes this collapse of power visible through contrast, not moral correction. In the flashbacks, the hospital director appears with controlled dominance 
(chapter 89) rather than exposed guilt. His posture is upright, leaning in. His hand rests on Kim Dan’s shoulder without hesitation—uninvited yet unchallenged. His face shows satisfaction, not doubt. He smiles while Kim Dan sweats and is attempting to stop him. (chapter 1)
This is not the memory of a man who feared consequences. It is the memory of someone operating comfortably inside a system designed to protect him. (chapter 89) His confidence is instrumental, not emotional: the calm of someone who knows where authority lies and how silence will function afterward. The grayscale of the flashback does not condemn him; it preserves his former certainty. In memory, he is still the predator—not because he is crueler there, but because the environment still belongs to him: the hospital.
What has changed in Episode 89 is not his nature, but the terrain. (chapter 89)
In the restaurant, his stare freezes (chapter 1) not because he feels guilt, but because his old script no longer applies. He is no longer positioned above Kim Dan—neither institutionally, socially, nor visually. He cannot initiate contact without exposing himself. He is no longer buffered by uniforms, corridors, professional hierarchies, or closed rooms where truth can be settled elsewhere. The architecture that once enabled him—white coats, administrative silence, procedural opacity—is gone. And he can not confide to his colleague either, hence he keeps starring the main couple. 
(chapter 89)
Predators rely on asymmetry and enclosure. Here, both have dissolved. This is why his reaction is not anger. Anger presumes leverage. What we see instead is hesitation: the moment a predator realizes the habitat that sustained him no longer exists. His disorientation is not ethical; it is strategic. He is recalculating risk. There is no redemption here, no moral awakening. He does not look ashamed. He looks uncertain—stripped of guarantees, not conscience. (chapter 89)
This makes the contrast with Kim Dan and Joo Jaekyung even sharper. Their interaction is openly intimate, casual, and socially legible. 
(chapter 89) They do not require shadows, isolation, or ambiguity to touch. Their closeness does not depend on secrecy or hierarchy. Where the director’s former power depended on institutional opacity, hierarchical distance, and Kim Dan’s vulnerability, Joo Jaekyung’s present intimacy depends on none of these. And no one seems to pay attention to the “main couple” at all. 
(chapter 89)
That is the true reversal the episode stages. Power has not disappeared; it has migrated. The table of the hamster and wolf is placed higher than the one where the perverted director is seated. (chapter 89) It no longer operates through enclosure and silence, but through visibility and mutual presence. What once required corridors and closed doors now unfolds in the open air of a shared table. And this, finally, is what the director is forced to see. (chapter 89)
What unsettles the director is not confrontation, but visibility: the realization that secrecy can no longer protect the knowledge he once mistook for truth. His wrongdoing can now get exposed, for doc Dan is now standing close to the “spotlight”. Joo Jaekyung is not just a face, but also a voice. Thus the latter could sue a hospital. 
(chapter 42) This raises the following question: was the wolf suing the hospital where doc Dan got his first “gig”,?
What the nameless director sees now contradicts that certainty. (chapter 89) Kim Dan is not diminished. He is not withdrawn, anxious, or broken. He is smiling. Relaxed. Present. He laughs. He blushes. His body no longer carries the posture of someone living under constant threat. And he is not alone. He is sitting with a famous athlete — not as an accessory or subordinate, but as an equal. But more importantly, he is not pushing away the gentle gesture from the famous MMA fighter, while the “old creep” couldn’t forget doc Dan’s rejection. (chapter 89)
This is the shock. (chapter 89)
The director did not anticipate survival. He did not imagine joy. He certainly did not expect visibility.
Across the restaurant, a different table breathes. (chapter 89)
Kim Dan has removed his jacket. His body is at ease in the space. He is not preparing to leave; he is inhabiting the moment. The drink shared here — red wine — is not incidental. 
(chapter 89) Wine is relational. It opens, breathes, changes with time. It is meant to be shared, discussed, returned to. It presupposes duration. Where whisky seals, wine circulates.
Where the director’s table is suspended in cold certainty, Kim Dan and Joo Jaekyung’s table exists in a shared present. Air moves. Attention moves. When Joo Jaekyung looks at Kim Dan, he does not define him or speak for him. He responds to him. Kim Dan is not summarized. He is addressed. And observe that doc Dan is gradually imposing himself as the senior. He is now the athlete’s hyung. (chapter 89)
The contrast is not moralistic. It is structural.
The director represents a mode of power that knows without seeing. He once decided truth behind closed doors, believing outcomes were sufficient proof. Even now, his presence is shaped by that same logic: observe without engaging, remember without reckoning, drink without sharing. The irony is that he is exactly like Heesung. He thinks, what he sees is the truth. He believes to know. Because he is a hidden homosexual, he can only interpret such a gesture as the expression of love, (chapter 89) but also as commitment. In his eyes, they are dating, they are a couple. The irony is that he is only partially correct. They are not an official couple, but they act like one. Moreover, they are working together. So they are more than just a couple. Finally, this happy moment doesn’t indicate what doc Dan went through in the past, the switched spray, the drugged beverage and a huge depression.
Joo Jaekyung represents something else entirely. Not innocence, not purity, but responsibility. He does not deny the past; he incorporates it. He does not insulate himself from consequence; he assumes it. The space he shares with Kim Dan is not free of history, but it is no longer governed by silence. In fact, now their “history” is full of funny stories. 
(chapter 89) But more importantly, he doesn’t hide his affection and attraction to doc Dan, while the other did it behind closed doors. Finally, thanks to doc Dan, Joo Jaekyung is learning to pay attention to his surrounding. That’s how he sensed the gaze from the perverted hospital director. (chapter 89)
This is why Episode 89 feels decisive without resolving anything.
The director’s return does not promise immediate punishment or exposure. It signals displacement. The world he once controlled through erasure no longer centers him. The person he believed he had reduced to nothing is not only alive, but visible — and no longer alone. He is even happy.
Power that relied on not seeing has lost its authority. What replaces it is not revenge, but relation.
And this is what marks The Beginning of the End, the final emancipation of Doc Dan. The latter does not arrive through confrontation or declaration, but through legibility. In the fitting room, the suit is not a costume of aspiration or disguise; it is a confirmation that he can now be seen without being reduced. He looks back, not down. He asks, 
(chapter 89) not as a plea for permission, but as an invitation into a shared future. The pause of the older man watching him echoes a different kind of professionalism: not predatory authority, not performative control, but quiet recognition. Furthermore the doctor’s suit reminded me of the doctor in episode 13, Cheolmin (pattern, colors). 
(chapter 13) The visual resemblance to Cheolmin is not accidental. It aligns Kim Dan’s future not with power that operates through secrecy, but with practice grounded in fun, care and responsibility. Earlier, suits belonged to those who decided outcomes behind closed doors (chapter 89); here, the suit becomes a sign of re-entry without erasure. 
(chapter 89) Bought by Joo Jaekyung but chosen by Kim Dan, it marks the return of agency. What was once a symbol of exclusion now signals continuity. Kim Dan is no longer preparing to survive. He is preparing to live. Hence his birthday is approaching.
Not because justice has been delivered, but because those who once “knew” without seeing are finally forced to see—
and discover that their knowledge and power were never secure, only temporarily protected by illusion.
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(chapter 88), and the final panel hinting at an imminent confrontation with Choi Heesung. 
(chapter 88) Discussions largely revolved around physical proximity, discipline, and anticipation — around bodies in motion and the promise of conflict to come. At first glance, the episode seemed to oscillate between intimacy and tension 
(chapter 88), between preparation 
(chapter 88) and interruption 
(chapter 88).
(chapter 88) are structured around restraint 
(chapter 88), delayed, or redirected. Words are measured, authority is redistributed, and decisions are deferred 
(chapter 88) rather than imposed. What initially appears as physical intensity and narrative suspense begins to reveal a deeper reconfiguration of roles, responsibility, and choice.
(chapter 70)—most likely in November— in late autumn. 
(chapter 88) This temporal setting is visually reinforced by the environment itself: in the opening sequence marked “a few weeks later,” the tree is already bare, its leaves gone. Nature offers no spontaneous image of growth or renewal. If a flower were to appear in this chapter, it couldn’t belong to the season. It must be cultivated, protected, and sustained in a green house—something that emerges not from natural abundance, but from deliberate care. So where does this idea of a flower come from?
: a closed circuit which we could witness once again in the training room: 
(chapter 88) There are once again sparks between them. The number 8 is not just related to doc Dan [for more read 
(chapter 58) Two trajectories —long separated, repeatedly missing one another—intersect at last. When two eights overlap, they form neither a loop nor a knot, but a new shape: a flower-like figure, suggestive of opening rather than closure. This crossing does not resolve everything; instead, it creates the conditions for growth for all the characters. 
(chapter 88), white 
(chapter 88) purple 
(chapter 88), blue, gray, 
, (chapter 88) red 
(chapter 88) Pink frames tenderness and mutual awkwardness; purple marks embarrassment and heightened awareness; red signals suppressed anger and looming confrontation; black absorbs fear, silence, and unresolved tension.
(chapter 88) are dressed in green 
(chapter 19), where green and floral elements once functioned as a silent language of care and containment. The repetition is not accidental. By wearing a similar tone in the present, Kim Dan does not merely revisit the past; he carries it forward. 
(chapter 35), which tend to assert a singular message (love, passion, beauty), hydrangeas communicate multiplicity and emotional ambivalence; they speak in clusters rather than declarations. This visual language mirrors Kim Dan’s inner world at the time 
(chapter 31). Here, the symbolism shifts. Pink roses convey affection and admiration, while baby’s breath suggests innocence and fragility. Yet the arrangement is excessive, overwhelming, and mismatched to its recipient. The bouquet does not listen; it speaks at Kim Dan rather than with him. Significantly, Heesung comes to associate Kim Dan himself with the flower—something delicate, beautiful, and deserving of protection, but also something to be handled, displayed, and possessed. 
(chapter 88) Kim Dan’s green training clothes—visually echoing the green shirt he wore in the photograph with his grandmother—signal continuity rather than regression. This is not a retreat into childhood dependency, but the reappearance of an inner child now disentangled from obligation and fear. The flower that reemerges here is not gifted, not arranged, not imposed—it grows. In this sense, episode 88 introduces a missing element in the dynamic between the two protagonists: not desire, not care, but communication. And it is here that Choi Heesung becomes central—not as a rival or antagonist, but as a structural bridge, as in reality he represents the rose, “La vie en rose” 
. He embodies speech, playfulness, and visibility, yet also reveals their limits when they are severed from responsibility and respect. I will elaborate about this more below.
(chapter 88), but the moment in which the conditions for happiness are finally put into place. And now let me ask you this. What is the symbol of happiness? Smiles and laughs. During the training session, Kim Dan smiles. These moments are brief 
(chapter 88) and goes unnoticed by him 
(chapter 83) What is striking is that neither of them recognizes this fulfillment. 
(chapter 31)
(chapter 88) What appears at first glance as coercion 
(chapter 88) or discipline is in fact a negotiation shaped by habit, fear of burdening the other, and an inability—on both sides—to articulate desire outside professional roles.
(chapter 88), a space that is never neutral in Jinx. A car has one driver, one direction, one authority. By placing the conversation there, Mingwa signals that the relationship is still structurally asymmetrical at this point: Joo Jaekyung leads, Kim Dan follows.
(chapter 88) Secondly, such a training suggests that the athlete is gradually remembering this scene of the almost-rape. 
(chapter 17) Therefore it is not surprising that instead of asking permission or explaining concern, he imposes the idea—because that is how he has learned to act as a captain, a fighter, and later a manager. Authority precedes dialogue. 
(chapter 88) In other words, the request from Joo Jaekyung appears as a memory from the physical therapist. Why? 
(chapter 88) Because Mingwa refuses the “clean” sequence in which an order is issued and immediately executed. The narration inserts a gap—an interval of off-panel time that we are forced to reconstruct from Kim Dan’s recall. 
(chapter 88) Instead Kim Dan no longer insists on his own sufficiency. He no longer says “I can manage., but doc Dan admits not only his own lacking. 
(chapter 88), but also his own desire. He finally expresses his desire to improve, to learn more. 
(chapter 88) creates a temporal bridge that enables this recognition. Only once change is named from the outside can Kim Dan cautiously acknowledge it from within.
(chapter 88) The problem is that his form of care was influenced by his own mindset and emotions: his physical limitations.
(chapter 88)
(chapter 88). He teases. 
(chapter 88)
(chapter 88), not rest. Thus the doctor mistakes the embrace for a technique and not the expression of love. 
(chapter 88) And observe that the athlete still refuses to express the true meaning of his hug. His explanation still remains technical, defensive, and strategically framed:
(chapter 88) This sentence is crucial. It reduces contact to function. The closeness of bodies, the pressure of weight, the proximity of breath are translated into instruction. What could be acknowledged as reassurance or care is instead displaced into pedagogy. Joo Jaekyung does not deny intimacy; he relabels it. 
(chapter 88) of breath held too long, of proximity charged with something unnamed. The technical explanation arrives after that awareness, not before it. This confirms that the instructional language functions as a shield — not against intimacy itself, but against having to speak it.
(chapter 88) Directly after warning against lowering one’s guard, Joo Jaekyung kisses him.
(chapter 26) Back then, Doc Dan had accepted the challenge due to Potato, though deep down he desired to have the champion as his teacher. 
(chapter 25) That’s how it dawned on me that doc Dan has gradually taken over Yoon-Gu’s previous place at the gym. He is an “unofficial member” of Team Black. Thus he mops the floor and Yoon-Gu is not there to stop him or reclaim this position. 
(chapter 88) Yoon-Gu’s position within the gym has improved. He is now considered as a real fighter. 
(chapter 88) 
(chapter 87) For him, this trip was related to work, while in reality it was a date in disguise. 
(Chapter 88) The answer restores hierarchy without acknowledging the transformation that has already occurred. Secondly, the answer closes the future by appealing to a supposedly objective limit. Yoon-Gu can never be his sparring partner. The best he can do is hold the mitts and nothing more. The fox is using his seniority and body to have the final say. 
(chapter 88) Under that framework, Yoon-Gu is not disqualified; he is qualified. He has trained. He belongs. So technically, Yoon-Gu could indeed beat the actor, as the “puppy” has trained for a long time at Team Black. 
(special episode 1) He knows people’s patterns. 
(special episode 1) He knows how relationships fail. 
(chapter 33) He knows what he does not want. His language is saturated with judgment shaped by past experiences: lovers who become “too clingy,” attachments that turn inconvenient, people who should remain “better off” elsewhere 
(chapter 33) Heesung’s orientation is never toward what is unfolding, but toward what might be better elsewhere—another partner, another configuration, another future. His repeated invocation of a “soulmate” is revealing: it displaces intimacy into a hypothetical horizon. By looking at the grass, he is overlooking the flower. Love, for him, is something to be found later, once the conditions are ideal. What exists now is always provisional, always lacking, always subject to replacement. He needs the “perfect” lover, and in his eyes, Potato doesn’t meet his conditions: too innocent and too young. 
(special episode 1) This explicates why the young fighter is only considered as “fuck buddy”. 
(special episode 1) 
(special episode 1), he is present, available, even emotionally invested—but he is never treated as sufficient. He is smaller 
(chapter 58) Heesung’s use of the pronoun “we” is, on the surface, inclusive. Linguistically, it frames his relationship with Potato as mutual, shared, and consensual. But pragmatically, it does the opposite. The “we” is spoken over Potato’s head, not with him. Thus Potato is physically present but discursively absent. He does not confirm, nuance, or reciprocate the statement verbally. The pronoun thus becomes a rhetorical appropriation rather than a sign of partnership. 
(chapter 31) He denies the existence of feelings and attachment. 
(special episode 1) or humiliate the other. 
(chapter 34) Heesung, by contrast, is fluent. He can name, joke, insinuate. What he lacks is restraint and responsibility. His ease with words does not signal emotional intelligence; it signals control.
(special episode 2), corrected. 
(chapter 34) Heesung enters fully aware of what he is likely to witness. He is not naïve, nor totally surprised. Hence he doesn’t flee right away. Yet instead of acknowledging the reality before him, Doc Dan is not someone the fighter fucks, until he passes out, 
(chapter 34) Joo Jaekyung becomes the problem, the one who “deserves to suffer.” 
(chapter 25), accepts deferral. Later, he is displaced entirely. Unlike Kim Dan, who gradually moves from imposed participation to earned agency, Potato is never given a space where effort leads to recognition. 
(chapter 85) However, this panel implies that the young man has already been able to enter competition. Striking is that his promise at the seaside sounds like commitment 
(chapter 59), but the reality diverges. It only binds doc Dan. If the latter returns to Seoul, he has to promise to train with Potato. The reason is simple. He is already committed to the actor, he is already at his beck and call. Potato’s promise echoes the earlier promise forced upon Kim Dan by his grandmother: a future-oriented vow that justifies present sacrifice while guaranteeing nothing in return. 
(chapter 11)
(chapter 78), he didn’t remind doc Dan of his promise. At the same time, observe that none of the fighters apologized or promised something. When they hugged the doctor, they didn’t pay attention to the physical therapist’s reaction: his passivity and silence. The “laugh” lacked genuineness and felt wrong at the time. 
(chapter 78) 
(Chapter 88) This is how it dawned on me why Mingwa recreated such a situation for Heesung. Observe his reaction, when he opened the door. He never answered the question to Potato. In fact, he slammed the door and kept his thoughts to himself. 
(chapter 32), Yoon-Gu now provides unpaid labor and institutional access under the guise of familiarity and generosity 
(chapter 35). In both cases, Heesung benefits from proximity without assuming responsibility for the other person’s risk. Silence, here, is not neutral—it is the mechanism by which that asymmetry is maintained.
(chapter 88) Forgiveness, responsibility, and mutual recognition—central to the arc unfolding elsewhere—are entirely absent from his conduct. Where Joo Jaekyung begins to redistribute choice and accountability, Heesung consolidates control by refusing to speak.
(chapter 52) about the switched spray, but he only reported one thing: Kim Dan is innocent. So while insight is present, responsibility is systematically deferred. Without responsibility, respect cannot follow. And without respect, what appears as connection is merely use, quietly sustained by silence.
(chapter 88) The irony is that the actor didn’t realize this. He had the impression to be exposed to a similar scene than in the penthouse. 
(chapter 35) And now, pay attention to the logo on the doctor’s t- shirt. 
(chapter 88) First, it appears on the left side, positioned close to the hamster’s heart. Moreover, it looks like an orange eye. Orange is not only the color of Heesung the fox 
(chapter 34), but also of friendship and social communication and interaction. 
(chapter 79) Besides, it is the same logo than when Yoon-Gu was spying behind the closed door.
(chapter 23) That’s the moment Potato realized the truth about the couple: they were intimate. That’s the reason why I am convinced that Heesung will play the role of the messenger and mediator between the wolf and the hamster.
(chapter 81) No airport appears, no greeting, no applause — only movement, silent noise, and distance. The scene refuses arrival. It’s as if the air itself has become unwelcoming, unsure whether to receive or reject the traveler.
(chapter 74) What does it mean that a man who once reached for his mother’s voice is now suspended between clouds, unreachable himself? 
(chapter 74) Why does the same stillness that once followed a farewell now fill the air around his flight?
(chapter 65) Let’s not forget that the last poster of chapter 81 
(chapter 81) echoes Joo Jaewoong’s burial in chapter 74.
(chapter 74) In that earlier scene, the smoke rises from burning incense sticks which is linked to scent — the invisible bridge between the living and the dead. Here, it reappears as the airplane’s exhaust 
(chapter 75), perfume 
(chapter 75), sweat and sex 
(chapter 75) became instruments of anesthesia, each meant to silence the body that once betrayed him.That betrayal did not come from the body itself but from what it carried — his father’s shadow. 
(chapter 75) Every muscle, every breath, every instinct reminded him of the man he swore never to become. The body was a mirror of lineage, and lineage meant failure. In his dreams, that failure still reached for him: black hands emerging from the dark, the father who had lost everything. 
(chapter 75) The fighter calls it a “dream,” not a nightmare, because fighting was once his father’s dream — a dream of escape, of being seen, of proving that poverty was not fate. But for the son, that same dream turned into a curse. To fight was to repeat what had already destroyed the family.
(chapter 75), the forbidden comfort that ended in scolding. 
(chapter 72) When he finally received it, it was not from a mother but from the director — a man whose gift could fill the stomach but not the heart. From that day, nourishment and submission became one.
(chapter 72) And yet every attempt at purification only buried the rot more deeply. The more he washed, the more the stain spread inward — invisible, odorless, yet consuming.
(chapter 81) — the same spot where he once sprayed his perfume 
(chapter 40) — it is more than desire: it is instinct, possession, and search. The gesture blurs the line between hunger and recognition, as if he were trying to inhale and keep what had always eluded him. The scent he once sought in bottles and rituals now breathes through another body, one that refuses to be contained. So when Jaekyung breathes against Dan’s skin, he is no longer trying to mask the stench of loss but to find the source of something living. The doctor’s scent does not erase hunger; it answers it. For the first time, the wolf eats without devouring. 
(chapter 44) — nuzzling the one destined to become his anchor. Jinx-philes can observe not only the presence of steam (which is similar to smoke), but also the effect of the scent. Back then, the champion had calmed down thanks to the hamster’s scent. 
(chapter 44) To conclude, that moment, half dream and half awakening, had already begun to rewrite the map of scent. There, the fragrance from doc Dan had triggered his appetite, hence he couldn’t restrain himself during that night. 
(chapter 45) 
(chapter 65) He will make sure that doc Dan doesn’t smoke again and his scent remains pure. This signifies that the wolf will pursue its source through the smoke of deception, through the perfume of luxury and corruption. The doctor becomes both compass and contrast — the pure odor that exposes every false aroma around him. Through Dan’s scent he will breathe again—through that fragile, living fragrance the wolf begins to track the truth that stinks beneath luxury and lies.
(chapter 36) When the champion left South Korea for the United States in episode 36, the plane glided through a void of light. There was no sky, no earth, no horizon — only a white expanse pierced by the sun’s glare. Even the boundaries of air and space seemed dissolved. The image radiated purity but felt sterile, stripped of texture. The machine was rising, not toward a destination but away from attachment itself.
(chapter 37), the heart disinfected of need. Hence the bed became an instrument of “torture”. The upward flight marked a beginning, yet it already smelled of exhaustion and futility. A life built on departure cannot land anywhere.
(chapter 73) His origins—the father who once fought, gambled, and collapsed into addiction before dying of an overdose— will no longer remain hidden. The revelation will spread like a smell the public (Team Black) cannot ignore. Yet this descent is not disgrace alone; it is the beginning of embodiment. Exposure will give him weight. But what did the director say? 
(chapter 78) Through Hwang Byungchul’s blunt words, the Emperor finally realized that he possessed an identity of his own—one not confined by inheritance or shame. The insults that once defined him, 
(chapter 36) instead of naming Joo Jaekyung himself. He might have stood beside the MMA fighter the entire time, yet he preferred to disappear behind collective language, as if the plural could shield him from personal involvement. It was a professional gesture, an attempt to efface the self, to stand beside the fighter without belonging to him. His role was service, not solidarity; his language confirmed distance. Thus his karma was that he got abandoned by the team after the match, while rescued by the celebrity himself!! 
(chapter 81) translates that awareness into sensation. It’s no longer the passivity of a bystander but the heartbeat of someone invested. The count of days becomes a shared horizon between doctor and fighter, a bridge of feeling. 
(chapter 81) When Jaekyung exhales the same “huu,” their anxiety synchronizes, transforming fear into connection. The loop of repetition (“days passed”) has turned into a countdown of empathy (“eight days left”). Time itself has begun to belong to both of them. The same “team” has become real, but contrary to the past: there are only 2 members, Kim Dan and Joo Jaekyung. At the airport he wears the Team Black jacket, a subtle but deliberate signal that he has accepted inclusion. The jacket is not uniform; it is recognition. Both form 8, which is a symbol for balance and infinity. 
(chapter 37) The others indulge in small pleasures — snacks, shopping, light rebellion — but the champion and his doctor remain trapped in routine, orbiting one another inside sterile rooms. I am suspecting that doc Dan must have bought the scarf at the airport, a small act of thoughtfulness before departure. 
(chapter 41) Yet the gesture, though sincere, carries a quiet irony. The scarf is printed with flowers, mostly roses, but as a piece of fabric it has neither scent nor warmth. It imitates life without containing it. What he gives her, in truth, is a copy of affection, not its essence — a bouquet that cannot breathe.
(chapter 37) The answer lies in the contrast between the smell of life and the smell of emptiness. While others seek flavor in hot ramen or the sweetness of snacks, the champion’s room remains odorless, air-conditioned, antiseptic. Then, in the quiet of night, a faint aroma drifts toward him, the flavor of hot ramen. And now observe the progression of scents through Jinx. 
(chapter 72) — the garbage, the spoiled food, the stale air of neglect. What he truly covers is not his nose, but his fear of returning there. Later, in episode 22, when Dan cooks for him, the champion instinctively associates food with corruption: 
(chapter 22) Interesting is that here fish has a negative connotation: intrusion and thoughtlessness. This shows how detached the champion was from his true self: water and the ocean. Moreover, cooking, warmth, nourishment—all evoked garbage, the chaos of his first home.
(chapter 54) couldn’t nourish him. Hence he replaced it with wine for a while.
(chapter 74) Their fragrance became the perfume of loss. To his senses, flowers never meant beauty or love or nice smell; they mean burial and as such pain. Every petal recalls the suffocating smell of the funeral room, the smoke, the artificial but painful peace of goodbye.
(chapter 32) The blue tie contains 3 striped colors: red, white and blue, which are quite similar to French flag, though the order has been switched. Secondly, Choi Heesung purchased 
(chapter 32) Hermès’ item, a French company famous its bags, scarfs and perfumes. So I am quite certain that once Jinx-philes discovered the identity of the next fighter 
(chapter 81) and saw the plane, they must have jumped to the conclusion that the next fight will take place in Paris! But France is more just than the capital. This country is called the Hexagon due to its form, and this name stands in opposition to the MMA ring, which is an octagon! 
(chapter 40) Interesting is that the team at the airport is composed of 6 people. 
(chapter 81) So we could say that despite the disadvantage being in a foreign country, they are “equal”, 6 colors against the team from the Hexagon, the blue light from the MMA ring. But let’s return our attention to Paris. The latter is widely recognized as the symbol of love, the global center for fashion, art, and stardom. The city has a deep historical connection to these fields, being the birthplace of haute couture and home to many of the world’s leading fashion houses and luxury conglomerates. Its cultural scene is equally rich, with a long history as a hub for artists and a more recent reputation for being a center for music and film stars. However, the image with the landing plane is actually revealing the truth. 
(chapter 81) and “splash” 
(chapter 14) Here, exactly like in the States, his trip to Busan never gave him the opportunity to visit the city and the beach, exactly like the athlete. The next airport to Cannes is Nice- Côte d’Azur and it looks more like the one in the Manhwa. Furthermore, the South of France has a milder climate in the fall, hence it is still possible to swim in September. Besides, in my last essay, I had connected the champion to Bruce Lee and water: 
Finally, Naturally, here I could be wrong with Cannes. Nevertheless, Cannes, with its glittering shorelines and film festival glamour, symbolizes the marriage of money (millionaires, yachts) and illusion — the theater of appearances. It is where contracts are made, where bodies are displayed, traded, and consumed through the gaze, the very economy that has always governed the champion’s existence. The wolf, once born among garbage and hunger, now finds himself surrounded by luxury, in a world perfumed with artificial success. Yet beneath the surface of that “breeze” and “splash” lingers the scent of corruption. The coastal light hides what the smoke once revealed: exploitation, manipulation, and the unspoken violence of commerce.
(chapter 59); silence had replaced air; life was drained of flavor. None of them truly enjoyed the nature: the ocean or the mountain. The seaside town was strongly intertwined with work 
(chapter 77) or danger. Then, when they returned to that place, their time was limited to visit the grandmother and the landlord. 
(chapter 81) They had no time to walk through the woods or visit the hills. They had no time for themselves. Consequently, I believe that in The French Riviera, the two of them will discover “savoir vivre”. Everything breathes, glows, and stirs. It is a land overflowing with color, aroma, and taste — precisely the senses that the wolf had long sought to erase through ritual. Doc Dan had led a similar life too, dedicated to his grandmother and work. If they are close to the sea, they might decide to walk on the beach together.
(chapter 69); the scandal there had linked the previous incident to the infiltration of a Korean gang. The American branch was compromised, its credibility tainted. France, on the other hand, offers a mask of neutrality — refinement, culture, and distance from scandal. By choosing it, they manufacture the illusion of glamour and innocence, pretending that Baek Junmin and his former hyungs have nothing to do with the coming event.
(chapter 69), where Baek Junmin once fought for the championship belt. Thailand in Jinx is not a paradise but a mirror of corruption — the place where victory turns into prostitution, where the body becomes currency. There, the Shotgun won a crown but not respect; his triumph was drenched in manipulation, spectacle, and moral decay. He was admired by no one, celebrated by ghosts.
(chapter 69) He was crowned, yet unseen. In his bitterness, he mistakes vengeance for validation. If Jaekyung falls publicly, perhaps the Shotgun’s own shame will finally be understood. Thus, France becomes his stage of revenge — not through direct confrontation, but through orchestration. The game he once lost in Thailand, he now rewrites from the shadows.
(chapter 36), the transition from flight to arrival unfolds with seamless precision: no airport, no customs, no luggage — only the honk of city traffic and the flags fluttering over a hotel entrance. Everything about that journey screams logistics. It was a corporate trip, arranged, timed, and contained. The athletes passed through invisible gates, their movement stripped of individuality. The champion, like cargo, was transported rather than welcomed. His arrival, though triumphant 
(chapter 81)
(chapter 81) The suitcase becomes the true protagonist of this threshold. In that small vibration lies all the instability the white air once denied. It is his portable home, his compressed past, the fragile proof that he finally has something to lose. In the earlier arc, he could have vanished mid-flight and no one would have noticed; now, if the suitcase disappears, another heart will break. That difference measures his evolution. Yet it also marks new vulnerability: any hand can touch what he carries.
(chapter 41) and the wedding cabinet
(chapter 80) before it, the suitcase belongs to the same symbolic lineage. It is the container of intimacy — filled with clothes, precious items like pictures or books, with the silent evidence of presence. But unlike its predecessors, it moves. The wardrobe once stood still, rooted in the domestic; the wedding cabinet invited intrusion within a private world, as it was once discarded. The suitcase, however, carries that vulnerability into the public realm. It is exposure on wheels — the private made portable. 
(chapter 81) 
(chapter 81) and Kim Dan has still no idea that the athlete has kept them like cherished relics. He might have placed the notebook from Hwang Byungchul as well. However, the person carrying the suitcase is the manager: 
(chapter 55), where he expressed his desire to work for Joo Jaekyung for a long time. What would be the manager’s reaction, when he recalls this incident with the switched spray and Doc Dan’s sudden departure? Moreover, we have here “erased words”: to be ho… The timing of the discovery is really important. This could generate some tension and confrontation between the manager and the physical therapist. Besides, such a birthday card could generate negative feelings (like jealousy), Kim Dan is gradually taking more and more place in the athlete’s life. The violation that once occurred behind closed doors (the penthouse) now could happen in plain sight. The line between private and public collapses, just as the boundary between success and loss blurs.
(chapter 37). So when the manager says this, 
(chapter 75) While he was sick, he could recall this scene. 
(chapter 75) where the fighter could stay focused, though he was surrounded by noise and people. The advice had seemed trivial, when first given. Now it re-emerges as revelation. The emperor, once incapable of rest, now reads 
(chapter 81) beside someone who represents safety. The book becomes a bridge between wakefulness and sleep, a ritual that does not erase consciousness but calms it. Where his earlier practices sought to block sensation, this one restores it.
(chapter 81) The paper bends, absorbs scent, bears traces of fingers and warmth; the metal resists, reflects light, carries weight. Together they represent the balance between tenderness and strength — precisely what his life has lacked. In contrast to the mechanical milk and odorless perfume, these objects are human, imperfect, touchable.
(chapter 73), which should have offered nourishment, attention and peace, had been replaced by absence and deceit. Her warmth was an illusion, a posture mimicked but never felt.
(chapter 80) And here, I had imagined that the mother had offered this t-shirt as a birthday present. 
(chapter 72) Each call was a prayer cast into emptiness, the sound of longing echoing against the wall of indifference. She taught him to expect nothing from tenderness. she had implied that she was weak, a victim of the husband’s tyranny, while she pushed the young boy to become a parent: cleaning the house, working, earning money. Her “warmth” had been performance; her concern, deception.
(chapter 72) He did not sleep like a child but like an object kept near for safety. The woman lying beside him was a mother in name only — emotionally distant, physically present. No stroke, no kiss, hence the boy had to clinch onto her. 
(chapter 78), without the good night! That missing intimacy was not a void but a distortion — a tenderness twisted into survival. The mother’s touch, meant to console, existed only to protect herself. She kept the child close not out of affection but out of anxieties and resent, turning him into a living barrier between her and the man she resented. What he experienced as warmth was, in truth, defense and rejection; what seemed like closeness was the choreography of avoidance. Hence she never looked at her child. The body that should have been cradled for its own sake was held as cover, its value defined by its usefulness.
(chapter 29) which reminds us of breastfeeding. And now, look at the embrace in the swimming pool: 
(chapter 80). The hamster was imitating the behavior of the little Jaekyung in the past, clinching onto the “parent” like his life depended on him. But how did the athlete react to this embrace? He looked at his fated partner 
(chapter 80) and got all warm and fuzzy by looking at him: 
(chapter 81) A sign that the mother had never reacted the way her son is doing now, the feel to kiss the loved one! The problem is that in the swimming pool, the doctor’s scent and taste are covered by chlorine. 
(chapter 81) The wolf falls asleep next to someone, not on top of or apart from them. That small preposition — next to — carries the weight of redemption. The couch, once a site of violation 
(chapter 61) or solitude, becomes again what it was meant to be: a place of rest and tenderness. Thus he touches his fated partner’s legs over the cover, showing his care and respect. 
(chapter 81)
(chapter 81), he can recognize the false nature of his mother’s affection. What she offered was conditional, deceptive and self-centered; what the doctor gives is ordinary and consistent. No grand gestures, no promises — only presence. The doctor does not rehearse concern; he lives it through routine. And this ordinariness, paradoxically, becomes sacred. It was, as if the athlete was treating his own inner child through the physical therapist. 
(chapter 37)
(chapter 73): she thought she could become somebody else, but she never truly left. The woman may have escaped the home physically and socially, but she remains chained to it in spirit. How so? Because she cannot erase the child who once called her eomma. No matter how far she runs, Joo Jaekyung’s existence anchors her to the very life she tried to abandon.
(chapter 74) At this moment, the page itself turns black, veined with smoky whorls of gray — as though her words had burned into the air rather than spoken. “I can’t live with you… please understand… let’s just go our separate ways.” The sentences rise like vapors, leaving behind the faint residue of a scent that refuses to vanish. This visual texture — half smoke, half ink — captures her true condition: she dissolves herself with every attempt at escape.
France itself mirrors her — beautiful, perfumed, wrapped in silk and secrecy. She definitely climbed the social ladders through her second marriage, hence she could offer toys to her second son. The nation of couture and fragrance becomes the stage for the mother’s unmasking. Once the name of Joo Jaewoong rises again, questions about her will inevitably follow. And here, she can no longer hide behind silence or excuses. The myth of refinement — both hers and France’s — collapses under the weight of exposure.
(chapter 72) 
(chapter 26) They have watched his fights 
(chapter 23), memorized his moves and titles, and repeated the anecdotes told in gyms and on TV. They’ve heard how he was “saved” by sports from a darker path, and cheered for him as the “Emperor” — the handsomest fighter, the man who broke the arcade’s punching machine 
(chapter 26), the champion who stands above the rest. But if the champion’s life is already an open book, why did Mingwa wait so long to reveal his childhood and family? The answer is simple. It is because Joo Jaekyung has been called the Emperor till his fight against Baek Junmin! These public portraits — the friendly banter in the gym, the theatrical ring intros — show us the merchandise, not the man. They are the carefully polished surface presented to fans and fellow fighters alike, repeated so often that even those closest to him believe them. Yet behind this image 
(chapter 30) lies a past left unspoken, a silence so complete that his own history became an empty space others could fill as they wished. This essay brings these two “stories” together — the Emperor and the boy. And now, you may be wondering how I came to connect the champion’s trauma to his future career as an MMA fighter. The answer lies in Joo Jaekyung’s own voice. 😮
(chapter 70) To him, it looked as though Jaekyung had made the reckless choice to return to the ring so soon. That was the trap: the headline and phrasing were designed to make it appear that the decision was the fighter’s own. The opening line alone 
(Chapter 70) created the illusion that this break had been perceived as a punishment, and that Jaekyung was eager to prove himself once again. No wonder the director assumed he had given his consent.
(chapter 69) By erasing these details, the public sees only two players: the Emperor and his anonymous “team.” 
(chapter 69) It was as if the main lead, backed by his team, had personally approached MFC to request the match — an illusion strengthened by the opening line, “MFC’s former champion Joo Jaekyung will be returning to the ring this fall after serving his suspension.” This way, if the decision draws criticism, the CEO can retreat behind the fighter and his team, like they did in the past. 
(Chapter 54) Back then, the champion had not reacted to this comment. Even in the worst case, the CEO can hide behind one of the MFC match managers or doctors. 
(chapter 41) But that excuse would be a fiction: Jaekyung hasn’t even met those doctors or talked to the MFC match manager 
(chapter 05). He has been chasing after his fated partner. Finally, he hasn’t even signed any paper or agreed at the meeting. In fact, he remained silent for the most part of the time and the reason for this urgent meeting was his request for proper investigation concerning the switched spray: 
(chapter 67) That’s the reason why this suggestion from the CEO appeared the very next day. 
(chapter 69) 
(chapter 61), it was paired with a recommendation for rehabilitation — not an immediate return to competition. This was actually a condition for his total recovery. On the other hand, the doctor imagined or suggested that his patient wished to return to the ring so soon. No medical professional ever signed off on an autumn fight. Yet the date is already set, and the headlines frames it as a confident comeback without any medical backup. The Emperor’s name is splashed everywhere, but none of the words belong to him.
(chapter 57) with one of his close associates — a man whose face was hidden, speaking as though he were the athlete’s voice. That interview was accompanied by a familiar victory image 
(chapter 57), a stock photo already used in other press pieces. This picture comes from after the fight in the States: 
(chapter 41), while the image released with the fall match announcement was the one from when he first won his champion title. 
(chapter 14) seems to radiate absolute power — the kind of authority that commands armies, bends laws, and answers to no one. It is meant to ooze charisma and control, a name that suggests the bearer acts on his own will. Yet, in truth, emperors have rarely ruled alone. Behind every throne stand ministers, advisors, generals, and family factions, each shaping decisions from the shadows. An emperor who ignores these forces risks losing his crown.
(chapter 17) He was blamed for his popularity. The man inside the crown does not act or speak freely; his words are filtered, scripted, or replaced entirely.
(chapter 12), never mind that he hardly drinks. The gesture fits the fantasy they’ve built around him, not the reality of a man who rejects alcohol due to his addicted father, a reminder that even the tokens of admiration are shaped by the image, not the truth. So who is this so-called close associate or “Joo Jaekyung’s team” exactly that decides for him, speaks for him, and hides behind his title? Besides, why did the journalist change from “one of his close associates” to “Joo Jaekyung’s team”?
(chapter 57) The nickname, played for entertainment value, was another way of turning the champion into a caricature — a marketable, amusing persona instead of a man with a past and agency. It is quite telling that Park Namwook’s interview aired immediately after the anchor referred to Jaekyung as “Mama Joo Jaekyung Fighter.” This was not the lofty “Emperor” title repeated in gyms and ring intros — it was more a mocking nickname, a deliberate jab meant to provoke. In that moment, the Emperor was verbally pulled down from his pedestal, yet the images shown alongside the segment told a different story: carefully chosen shots of him as a champion, a visual echo of his marketable persona. The dissonance was striking.
. (chapter 54) In my opinion, the man is trying to return to the past, thinking that his “popularity” can come back, not realizing that he is being manipulated himself. On the contrary, he stepped into the role of spokesperson without hesitation, speaking as if he were Jaekyung’s voice while keeping his own face and name hidden. He only speaks, when he feels safe. He can not be responsible for the champion’s recovery. 
(Chapter 52) This framing lets him claim the prestige of leadership while leaving himself room to withdraw if things go wrong. Yosep was the one notifying MFC and reporting the incident to the police, Potato explaining his discovery to Joo Jaekyung and blaming the star. 
(Chapter 36) He should tolerate the celebrity’s moods and put up with everything. The manager didn’t mind, as long as he didn’t get affected. But what is the consequence of such a passive tolerance? An individual’s self-esteem can slowly erode, leading to a gradual loss of their sense of self. They may stop recognizing their own desires, needs, and rights, often without even realizing this is happening. This is because emotional exhaustion often develops subtly over time, rather than appearing as a sudden, dramatic event. 
(chapter 31) when punished. In this light, Park Namwook embodies the very dynamic the article warns against: a figure who benefits from another’s compliance, maintaining control not through open dialogue, but through unspoken rules and the threat of exclusion.
(chapter 73), by becoming a boxer, the champion wouldn’t make a lot of money. With this comment, he implied that boxing in South Korea had been losing popularity 10 years ago. This explicates why gradually, the members from Hwang Byungchul left the studio. And it was likely the same in the illegal fighting circuit. 
(chapter 73) The popularity of MMA in the States gave them the opportunity to revive fighting sports, a figure who could draw crowds and sponsors, making such events fashionable again.
(chapter 72) instead of “hard-working,” a man who “chose sports over a dark path.” Yet if you look closely, this celebrated “ascension” 
(chapter 72) isn’t tied to the director’s boxing studio at all — it’s linked to the arcade’s punching machine incident. 
(chapter 72), the scars of his family history, and the years of survival before the cage. This is history rewritten, his boxing past and family erased. Why? His origins could expose the ugly verity: the link between criminality and boxing (as such fighting sports). Secondly, because his real story, though moving, lacked the glamorous allure needed to market him. His real story would have revealed that to rise to the top, you need relentless work, not a miraculous moment. That version was never going to sell as well as the “genius” myth.
(chapter 46) Most of them thought that by staying close to him, they could benefit from his popularity. To conclude, for many of them proximity to the Emperor wasn’t about learning discipline or technique; it was about absorbing his fame by osmosis. Hence they complained and accepted the gifts and money so easily. 
(chapter 41) Observe how the manager is acting here. He is speaking, touching the star like his prize and possession. The Emperor became the merchandise, the illusion, the bait to draw both viewers and fighters. However, being “labeled as genius” can only push desperate fighters to take a short-cut: bribes and drugs. Hence Seonho couldn’t last a whole round. 
(chapter 46) And, like any product, once it was seen as damaged, its value plummeted. The moment he “lost” his title and suffered injury (chapter 52), the dream began to unravel. 
(chapter 52) This panel captures this shift perfectly: two fighters casually dismiss him over dinner. In those words, the Emperor isn’t a mentor, a champion, or even a man — he’s a broken commodity, no longer worth the investment. The same people who once fed off his popularity are the first to abandon him when the promise of easy gain disappears.
(chapter 22) He is even disposable. He is gradually giving more rights to his “boy”, the real director of Team Black. And the moment you perceive the manager as the main lead’s voice, you can grasp the true significance of the slap at the hospital: 
(chapter 52) For the first time, the main lead had voiced his own thoughts and emotions. He had used his real “voice”, revealed his unwell-being: 
(chapter 52) To this outburst, Park Namwook slapped Jaekyung in front of others (chapter 52). 
(chapter 52) He chose silence, and later avoidance, staying away from the gym. That silence was not weakness, but choice: he would listen less and less to his hyung. 
(chapter 70) and more like a product: something to be displayed, sold, and, when necessary, handled roughly to keep in line. The shift in labels is just another layer of that merchandising process — a packaging change to suit the current market, not a recognition of the man inside. To conclude, the champion has always been voiceless all this time, even here: 
(chapter 36) All he needed to do was to fight: 
(chapter 36)
(chapter 73) — unfiltered, unmarketed, unprotected. It was raw, dangerous honesty, and it came at a cost: the loss of his voice!
(chapter 73) Six years earlier, however, his voice had already been battered by silence. After his mother’s abandonment at age six, the only connection he retained with her was a phone number —
(chapter 72) We don’t know how many times he called, but each time we see him do it, his face is injured. 
(chapter 72) The phone calls are therefore intertwined with the boxing studio, as though pain itself pushed him toward her. At ten, he picked up the receiver and let it ring only a few times before hanging up. The next time, in the dead of winter, he finally spoke, promising that if she returned, he would protect her from his father and make enough money to keep her safe. 
(chapter 73) that he was born a loser, that his dream was a joke. Here, the voice met not silence but resistance, mockery, and humiliation. And unlike with his mother, Jaekyung did not retreat — he cursed back. 
(chapter 55) 
(chapter 2) — a space where he could act without having to speak. In the bedroom, as in the ring, the body could carry the conversation. Here, he could dominate, control, and release tension without the risk of verbal damage. His partners became surrogate opponents: sparring substitutes in a non-lethal match. Treating them as “toys” wasn’t only objectification; it was a form of control that, in his mind, protected both sides. Toys don’t demand answers, don’t talk back, and don’t leave you cursed with regret. They remain safely outside the territory where his voice had once done harm.
(chapter 1) He embodies innocence and as such lack of experiences. Moreover, he talks, makes suggestions for the champion’s sake 
(chapter 27), spent time with him, asks questions, confronts, and refuses to be reduced to a body in the room. He breaks the rule of silence. With him, Jaekyung can no longer hide behind the physical alone; he is forced to speak, to explain, to voice desires and fears. He pushes Jaekyung to engage in ways he’s spent years avoiding. In this way, Kim Dan becomes the first real threat to the system the champion built after those two curses — and possibly the first person who could prove that words can be safe again. And now, you comprehend why Joo Jaekyung was moved by the birthday card
(chapter 62) To most, it might look like a simple gesture, but for him, it was a rare and precious thing — a voice that had taken the time to shape itself into words just for him. 
(chapter 55) The “spell” to break it is not some grand external event, but the simple, sustained act of honest communication — something that has been denied to him since childhood.
(chapter 68), a kiss, a pat, a caress or by simply holding hands
. In this way, the curse that began when his voice was silenced and his hands were weaponized will only be broken when those same hands learn to speak tenderness. Look how doc Dan reacted to his public embrace: 
(chapter 71) He saw affection in the hug, but he still doubted the champion’s action. 
Until now, the design’s images have played a secondary role, yet the answer lies in a single scene from chapter 41. 
(chapter 41) Under the bright sunlight, Kim Dan reached out toward the leaves, his hand open and unguarded, as he silently thought of the man he loved. This gesture, so simple yet so revealing, became the unspoken confession that marked the start of a different kind of freedom—the freedom to feel. 
(chapter 53) The glass was an invisible barrier, offering the illusion of freedom while keeping him trapped in the moment of his unresolved trauma. The closer he stood to it, the further he was from true release, his gaze fixed outward to avoid looking inward. That’s why he had no eye in that scene: 
(chapter 55) 
(chapter 73) reveals why that reading was correct: the penthouse window is not just a symbolic device of the present — it is the direct heir of a far older image burned into his memory. Here, as a teenager, he stands before a small barred window in the room where his father’s corpse lies. The resemblance is not visual coincidence but emotional continuity. Both windows let in light without granting escape; both present the outside world as something visible yet forever out of reach.
(chapter 71)
(chapter 70) the night can also be alive, communicative, protective. In that moment, the moon becomes more than a distant light in the sky: it is a patient witness, a calm listener in the stillness, reflecting the truth he has yet to voice. 
(chapter 70) Its soft glow contrasts with the blinding glare of the cage lights, suggesting that under the moon, there is space for gentleness, for hearing one’s own heartbeat and another’s words. Just as the moon guides travelers through darkness, it can guide him toward a night that does not suffocate him with loss, but offers orientation and connection.
(chapter 60) they were his own form of therapy. In saving someone else in the night, 
(chapter 65) he could prove to himself he was not powerless, he was valuable, capable of protecting what mattered. 
(chapter 69) He was not too late either. And the moment doc Dan discovers what the silent hero has done for him so many times, the former will realize that he has always been special to the Emperor. Moreover, the latter had never abandoned him in the end.
(chapter 13) Observe that this name is a combination between Hwang Byungchul and Baek Junmin! Under this light, my avid readers can grasp why the athlete kept his existence in the dark for so long! It is because the latter belongs to his past and knows the truth behind the Emperor! He was aware of his suffering. For him, he is not just a fighter, but someone who needed FUN in his life! 
(chapter 69) 
(chapter 32) Yet upon closer inspection, certain oddities stood out to me. 
(chapter 43) In that scene, Kim Dan poured soju into his water cup to pace himself during a drinking session. 
(chapter 43) Joo Jaekyung, unaware, mistakes it for his own and angrily reacts upon drinking it. This moment shows how closely water glasses are associated with Korean dining culture—even in casual or alcohol-heavy settings. Hence during a meal, the characters always have 
(chapter 32) two glasses on the table. In South Korea, it is customary for restaurants to provide a glass of water to every diner, regardless of the meal’s formality or complexity. This small gesture reflects hospitality, attentiveness, and the expectation of proper nourishment. The absence of water glasses, therefore, subtly communicates indifference or even disrespect—signaling that the recipient is not truly welcome to enjoy a full meal or rest. When applied to the “dessert meeting,” this detail becomes all the more striking: a cultural standard is ignored, revealing the performative nature of the gesture. Their absence at the “dessert meeting” feels deliberate, a symbol of superficiality and arrogance. 
(chapter 43) The reason for his mistake was that they had only placed a spoon and sticks.😮 He had no glass for himself. It was, as if they had forgotten him. In other words, he was not supposed to eat and drink at his own birthday party!! 😂 
(chapter 9) It reflects a pattern: the champion is present but not included in the communal or emotional aspects of the gathering. His spoon and chopsticks function like a prop, much like the untouched knives and forks at the dessert meeting. 
(chapter 69) 
(chapter 48), the meeting between Choi Gilseok and Kim Dan. The former invited him for coffee. 
(chapted 48) At first, the gesture seemed generous—he offers a home, a car, 
(chapter 48) and the promise to help doc Dan to get a new treatment for the grandmother. 
(chapter 48) But this so-called kindness is conditional: in exchange, Kim Dan must betray Joo Jaekyung. Striking is that director Choi only ordered coffee. But a coffee without a dessert is no real break, but a stimulant—fuel for continued work. In both this meeting and the previous one with Choi Gilseok, the core remains the same: “work”, stinginess and greed wrapped in the guise of generosity. Every sweet drink or dessert lies a hidden price. This comparison highlights that the current meeting is not for the athlete’s sake—it is meant to serve Park Namwook and the CEO, who share different but aligned goals.
(chapter 66) linked to fire, summer (hence the reference to the trip in the States), passion, performance, and vitality—ironically twisted here into cold professionalism and superficial seduction. Her position contrasts with her symbolic warmth, highlighting the emptiness of her care. This explains why she is portrayed eyeless. She sold her “soul” to money and as such to the “devil”.
(chapter 69) wearing black, aligns with the North (흑, Heuk), associated with the color black, winter, water, authority, secrecy, and hidden control. It was, as if he was representing the missing glass of water. His position as the initiator of the meeting and his location near the window reinforce his dominance and detachment.
(chapter 69) Notably, this outfit marks a shift from his previous appearances: during his public pose with Baek Junmin 
(chapter 47), he wore a formal black suit with a white shirt, signaling polished professionalism. When he met the champion in the States, his full black outfit resembled a manager’s uniform and a badge, signaling humbleness and authority but also a hands-on, corporate role. 
(chapter 37) Now, Joo Jaekyung mirrors this casual dark attire 
(chapter 69) —a signal of inner turmoil and his transition from his former life. Blue stands for loyalty, thought, and calm, while black alludes to his troubled past. He is evolving but not yet free.
(chapter 69) the strawberry fraisier (chosen by the woman) stands for surface sweetness and seduction; the layered chocolate cake (perhaps a feuilleté) represents indulgence and opulence. Joo Jaekyung alone chose a square Black Forest cake—a form traditionally associated with structure, truth, and boundaries. Because the cake contains kirschwasser, subtly referencing the athlete’s brief brush with alcohol, it becomes clear that Park Namwook was not the one behind this order. Imagine this: under his very own eyes, the champion is encouraged to taste a strong alcohol. In my opinion, they must know that the star has been drinking. Yet, it was through Kim Dan’s presence that he stopped drinking, making this dessert an unconscious mirror of both his struggle and strength. Meanwhile, Park Namwook, ever the follower, selects the same dessert as the CEO and the same drink as the woman, revealing his pretense and pastiche once more. Since the manager has always bought junk food (chicken
– chapter 26, hamburgers, ramen 
(chapter 22)
(chapter 48), their meeting was not supposed to be secretive. On the other hand, because the scene was photographed 
(chapter 48), it created the illusion of “betrayal” as it looked like a secret meeting”. In episode 69, the meeting is hidden from the public. In contrast to the earlier public appearance alongside Baek Junmin for the cameras
(chapter 69) This framing is deceptive: far from being a gesture of goodwill, it reveals the urgency and opportunism driving the meeting. However, this gesture is carefully staged: the CEO and the woman in red are the ones who selected the time and location of the encounter, placing the athlete in a reactive position where he must adjust his schedule to their convenience. It reinforces the illusion of privilege while concealing a dynamic of control. The meeting is designed to appear personalized, but it reflects MFC’s ethos that ‘time is money’—a business-centered logic that prioritizes efficiency over empathy. The CEO’s urgency to schedule a match, despite Jaekyung’s unclear health status, further exposes the commodification of the athlete. Notably, the proposed match is not even a title bout. 
(chapter 69), hence the “future match” is no longer a secret. 
(chapter 37) In other words, she is trying to place the mastermind in South Korea. 
(chapter 69) This means that she is attempting to erase the involvement of MFC in the scheme. That’s why they are now offering an apology, which is naturally fake: 
(chapter 42), it dawned on me that MFC is actually treating the Emperor like a “cash cow”, they imagine that they can keep milking him. I could say, this encounter is exposing the reality to the athlete: Joo Jaekyung is treated like any other fighter. Hence there is no longer mention of Baek Junmin in the news. On the other hand, they have to vouch for Baek Junmin’s integrity 
(chapter 69) His priorities have changed: Kim Dan. This chapter announces a turning point of the Emperor, he is getting liberated from his “role” as Champion. Besides, if he were to lose the game, they can blame the athlete for his bad decision: he returned to the ring too soon. That’s the reason why the meeting and offer from the CEO was not revealed to the public. 
(chapter 69) So Joo JAekyung is more than a fighter and the apology (interrupted by the manager) is the evidence for this. Under this new light, Jinx-philes can understand Park Namwook’s interruption and embarassement. Not only he doesn‘t want to be reminded of his past mistakes (passivity, failure of his job, the slap), but also this apology serves as a mirror and reminder that he is not the true owner of the gym. 
(chapter 69) He is his unseen savior. Thanks to Kim Dan, the star remained silent and calm giving the impression that he had fallen for MFC’s trick. 
(chapter 40) This echoes Kim Dan’s confusion in Chapter 40 when interrogated in English. It also conveniently hides their ties to local authorities—acting as foreigners with no responsibility or rootedness in Korea. But this is what director Choi Gilseok confessed to the angel: 
(chapter 40), effectively opening the metaphorical door to truth and protection. In this meeting, however, Park Namwook serves to contain and silence, not to defend. His placement underscores his complicity and fear—not just of the CEO or MFC, but of confronting the consequences of his own failures. But the manager is on his way for a rude awakening, he will be taught a lesson: don’t judge a book by its cover. The athlete won’t be the depressed, anxious, submissive and passive “boy” any longer. Moreover, he listened carefully to the chief of security: 
(chapter 69) It is Kim Dan.
(chapter 69) he leaves during the day and arrives by night. 
(chapter 69) This spatial detachment echoes his emotional separation from MFC and its toxic grip. Distance, both literal and figurative, is now his strength. The fact that he chose to return to the little town outlines that he is now considering that place as his “home” and not the penthouse. He is not realizing that his true home is doc Dan. 
(chapter 32) During Kim Dan’s lunch with Choi Heesung, the floor beneath their round table shows a twelve-petal flower motif—evocative of the legendary Knights of the Round Table, who were said to sit twelve strong. That earlier scene featured Heesung testing Dan, much like the fake round table later hosts a veiled test for Joo Jaekyung. The repetition of round tables masks exclusion and betrayal. These early “false” tables pave the way for a true table—one that Jaekyung might one day forge with fighters like Heesung, Potato, Oh Daehyun, and others, where loyalty and respect, not manipulation, define the bond.
(chapter 36), his tendency to retreat rather than challenge his own doubts 
(chapter 36), and his overwhelming fear of disappointing others 
(chapter 51) are all reflections of these internalized obstacles. Recognizing them as external impositions rather than intrinsic truths is the first step to breaking free. That’s the reason why in the reflection of the broken mirror, you can detect an open window in the background. By focusing too much on his reflection, the physical therapist is trapped in his own negative world. One could perceive it as the opposite version of Narcissus. Yet rather than falling in love with his image, he sees only his flaws, reinforcing his belief that he is unworthy. The open window suggests an escape, a possibility for change, but the problem is that the main lead is too fixated on his shattered self-perception to pay attention to his surroundings. Hence he comes to neglect his own body and people next to him.
(chapter 54) suggests he too is haunted by such internalized voices. Under this new light, you comprehend why I wrote in the introduction that the broken mirror was mostly alluding to the doctor. Both protagonists are suffering from mental hurdles, trapped in a psychological prison. The significant difference is that while Kim Dan is consciously recognizing his self-doubt 
(chapter 62), Joo Jaekyung does not. The evidence for this interpretation is the champion’s nightmare: 
(chapter 18) the doctor 
(chapter 25) Therefore the physical therapist bought books. Moreover, we should consider this argument 
(chapter 45) as a revocation of the star’s statement in episode 18. Kim Dan was no longer perceived as a tool, but as a real physical therapist. On the one hand, this request boosted the “angel’s ego”, on the other hand, he was put under immense pressure, for he was compared to his colleagues. 
(chapter 45) Since in Seoul, Kim Dan has only been hired because of sex (Joo Jaekyung, the perverted hospital director)
(chapter 6), he came to accept that he was not truly talented. The champion had no trust in him and later, the word jinx triggered a repressed bad memory. 
(chapter 62) Due to his bad past experiences, he concluded deep down that his CV was not reflecting the truth. 
(chapter 56) That’s the reason why he was devaluing himself and as such not looking for a high position.
(chapter 48) exemplifies this pattern: 
(chapter 48) It was not the right time. He assumed his voice held no weight, reflecting years of learned helplessness. It shows how Kim Dan internalizes responsibility for things beyond his control. He thinks that withholding information is an act of protection rather than avoidance. Yet in doing so, he denies himself agency in his own life.
(chapter 62) completely devastated Kim Dan’s already fragile self-esteem. 
(chapter 62) First, he considers himself as waste. While in the past, he was at least a tool, he is now garbage. Hence his feelings are “trash”. 
(chapter 62) This means that in episode 62, he felt worse than in episode 18! The idioms “trash” and “waste” revealed the doctor’s own self-perception in episode 62: he saw himself as totally useless. He belonged to the “wastebasket”, just like the golden key chain. 
(chapter 46) Thus I deduce that the fate of this item echoes the doctor’s. 
(chapter 47) He had selected this profession because of her. This shows that until now, he has never developed any ambition on his own. The loss of faith from someone he relied on for motivation made him feel completely worthless. This reinforces that his confidence and sense of direction were never self-sustained: they depended on others’ recognition. This pattern suggests that Kim Dan has never truly asked himself what he wants. His entire existence has revolved around meeting expectations, whether from his grandmother, Joo Jaekyung, or even his profession. His current crisis—feeling like waste—stems from the realization that without someone to validate his worth, he sees himself as nothing.
(chapter 59) However, observe that he is using the expressions “do” and “now”. This has nothing to do with the future and dreams. It is not a reflection on his own desires but rather an immediate reaction to his circumstances. His mindset is still trapped in survival mode, seeking a course of action rather than contemplating what he truly wants. His words reflect an urgency to act rather than an opportunity to dream. This highlights that he has spent his entire life making decisions based on necessity rather than personal fulfillment. Even when faced with uncertainty, he does not ask himself what he wants—only what he must do next. His transformation will only be complete when he begins to question not just how to survive, but how to live on his own terms. That’s how I realized why Mingwa put this question in front of the window covered with Venetian blinds [which made me think of this scene 
(chapter 39 – Venice, a travel to Italy]. The window with the Venetian blinds represents a metaphor for the doctor’s trapped dreams. This interpretation made me recognize another aspect. Kim Dan is pushed to meditate, when he is front of a window or better said close to the sky! Hence the hamster started thinking about his own future in the penthouse 
(chapter 19) or when he looked at the sun and sky: 
(chapter 41) 
(chapter 41) And the best evidence for this interpretation and expectation is doc Dan’s cellphone screen display. 
(chapter 38) My avid readers will certainly recall that clouds embody dreams! Why? It is because in verity, doc Dan is a dreamer, an ambitious man. What caught my attention is that his contact Joo Jaekyung was not saved with a picture!! And what had motivated Kim Dan in the past? 
(chapter 47) The picture from his childhood: himself with his grandmother. 
(chapter 66) But the latter was not related to work, but to fun and nature. Striking is that Joo Jaekyung has an empty phone screen display indicating that he has no real dream on his own either: 
(chapter 38) No wonder why he questioned the meaning of his champion title: 
(chapter 54). He saw the belt as something rather “meaningless”. 
(chapter 43) This would boost the doctor’s self-esteem. He is not trash, but an acknowledged fan and friend. The picture would encourage the physical therapist to develop his own ambitions. As soon as I made this discovery, another detail caught my notice: 
(chapter 66) The celebrity has no picture of Park Namwook in his contacts divulging the superficiality of their relationship. 
(chapter 42) The problem is that the athlete took this recommendation personally. He felt as if his job as fighter was questioned. 
(chapter 42) As you can see, the doctor’s hesitations were exposing his mental obstacles, which was reflected in the champion’s attitude. No wonder why doc Dan chose to become a courier as a second job instead of finding a new VIP client. While the interaction between the athlete and Kim Dan in front of the hospice display the return of doc Dan’s past mental hurdles:
(chapter 62) According to the main lead, the champion is “wasting his time here”. 
(chapter 62)
(chapter 57) Hence it is clear that in the future, the physical therapist would refuse to use any kind of spray. On the other hand, it is important to recall that back then, Joo Jaekyung had made the request himself: 
(chapter 49) So in the doctor’s mind, if he agreed to the champion’s request, he would be treated like in the past. He would have to simply to follow the athlete’s lead. That’s why he is imagining that he might be put in a similar situation than in the past. But there exists another reason why he refused the champion’s offer right from the start. It is because he has always perceived himself as “hands” which stand for selflessness and generosity. The latter defined doc Dan. Hence he looked at them, when he declared himself as a tool: 
(chapter 57) 
, people might wonder why I selected dandelions as a frame for the selected.. It’s clear that the dandelions aren’t just there for aesthetic balance. Their symbolism is profound. Dandelions are often associated with childhood innocence, wishes, and fleeting moments of beauty, yet they also wither quickly, easily scattered by the wind. In the context of Jinx, they represent a transitory force—something that struggles to take root, much like the intangible and fleeting elements in Kim Dan’s life. But there’s more to it. Before delving into deeper analysis, consider this: what is the common denominator in all these scenes?
(chapter 37) Therefore it is not surprising that the main lead couldn’t view the members as friends in the end. 
(chapter 41) And now, you comprehend why Joo Jaekyung has always disliked his birthday and the “congratulations” from people in general. The gifts and words were like poisoned praises to his soul. They were pushing him to live like a “god”. 
(chapter 45) Kim Dan’s only adult photograph, taken with Choi Heesung and Potato, ties into his professional world, reinforcing how his identity has always been defined by what he does rather than who he is. 
(chapter 59) While this photography was not a personal and intimate picture, it also symbolizes his first root in the little community: Light of Hope Hospice. He is part of the staff and as such of the little town. On the other side, we could say, he is gradually entering the scene as a PT. Note the contrast to the food truck: 
(chapter 30) In other words, it exposes the actor’s hypocrisy and wrongdoings. And now, you understand why I wrote genuine in parentheses above [proof of (genuine) human connection]. Photography in Jinx also represents the evidence of wrongdoing 
(chapter 46) The exact opposite of the dandelions.
(chapter 66) It is a direct contradiction to the hollow praise doc Dan has received all his life. 
(chapter 53) He was treasurable, for he did favors to his grandmother all the time. Instead of simply saying that Kim Dan matters, the champion proves it. He challenges the physical therapist’s own perception of himself, demonstrating that he is not just useful—he is precious. Secondly by justifying his action for the doctor’s sake, 
(chapter 66) he contradicts not only Kim Dan’s self-perception, but also his past accusations: 
(chapter 66) that he was merely a tool for Joo Jaekyung’s success. By taking him to the sleep specialist, the champion proves something that Kim Dan had refused to see: he matters beyond his utility. This moment mirrors Joo Jaekyung’s past words— 
(chapter 62) This shows that deep down, he desires to obtain doc Dan’s gratitude. No wonder why he got so upset after hearing the displeased comment from Kim Dan. 
(chapter 66)
(chapter 66) reveals Kim Dan’s elevation in the champion’s life. The dressing room symbolizes privacy and closeness. No longer seen as a mere tool, Kim Dan has become an integral part of Joo Jaekyung’s world, not because of what he can do but because of who he is. 
(chapter 66) Therefore the champion is holding the expensive gift with his whole hand contrary to the past: 
(chapter 55) As a conclusion, by bringing him to the sleep specialist, the star proved doc Dan’s words wrong! He told him something that doc Dan didn’t know: he is precious. He needs to pay attention to his health and body.
(chapter 66) “I don’t know what you’ve been up to lately…”, it carries an accusatory undertone, subtly suggesting that the champion has been avoiding him. By framing it this way, Park Namwook is not just asking about Joo Jaekyung’s well-being—he is asserting his discontent over losing control. His follow-up suggestion, “Instead of being alone all the time, why not come to the gym?”, reinforces the idea that he sees the gym as a tether, a way to keep Joo Jaekyung within his domain of influence. In addition, he is suggesting that the athlete has been using his injury as an excuse to avoid training. There’s an undertone of doubt and accusation, as if he does not fully believe the champion’s recovery process is valid or necessary. Instead of expressing genuine concern, Park Namwook is subtly framing Joo Jaekyung’s absence as a sign of laziness or avoidance. The small compliment from the manager (“good work”) represents a turning point in the athlete’s life. Park Namwook can no longer treat the athlete like in the past.
(chapter 7) 
(chapter 65) At the same time, such a disapproval 
(chapter 1), hence his true desire was to run away from that place. For praise to be effective, the recipient must be open to receiving it, either by looking forward to feedback or having expectations of validation. Since Kim Dan was in a state of distress, he was unable to internalize the champion’s words, reinforcing his long-standing belief that he was invisible or unworthy of acknowledgment. That’s how the champion’s praise became a dandelion seed in the end.
(chapter 65) or a smoker, hiding his sacrifices and the true causes for his struggles. Her words reinforce the idea that Kim Dan is only as good as his usefulness, that love and recognition are earned through labor, not freely given.
(chapter 18) 
(chapter 45) 
(chapter 64) 
(chapter 66) Is this a joke? 
(chapter 40) However, Kim Dan has never realized it. Either he was sleeping or totally out of it (fear of sex) 
(chapter 27) It is important to recall the importance of the receiver’s mind-set. The latter has to perceive the sincerity from the speaker. Hence I come to the following deduction: The moment Kim Dan notices Joo Jaekyung’s smile and laugh, then he should come to the conclusion that he matters to the protagonist. I would even say, the two protagonists are destined to make each other laugh and smile: 
(chapter 44) This would be the best “compliment” for both of them. With Kim Dan by his side, Joo Jaekyung desires to make “jokes”. 
(chapter 61) to the champion’s expensive car 
(chapter 61), which symbolizes his personal and emotional odyssey. The car embodies a dual symbolism: on one hand, it represents his quest for happiness, freedom, and purpose; on the other, it signifies civilization and his disconnection from nature. Each frame highlights not just his physical travel but the deeper changes he undergoes along the way.
(chapter 61) marks a pivotal moment: his journey reaches its destination at the hospice. This “final stop” symbolizes his decision to live closer to Kim Dan and find a sense of rest and belonging. However, the screeching wheel also represents an unconscious choice by the fighter. At this stage, he perceives his visit as temporary, limited to his rehabilitation. 
(chapter 61) This explains why, later, the athlete is shown honking at Kim Dan while driving in the opposite direction, illustrating that his mindset had not yet shifted fully. 
(chapter 61) In the final scene, the car is no longer present, symbolizing the completion of his journey, as he settles near Kim Dan and redefines his purpose. By settling near Kim Dan
(chapter 61), Joo Jaekyung shifts his focus from external accomplishments to internal growth and emotional connection.
(chapter 61) and superficial assumptions 
(chapter 54) 
(chapter 61) This statement reflects his agenda rather than any genuine concern for the champion’s future. 
(chapter 49) And what is the other common denominator between these three characters? 
(chapter 54) 
(chapter 56), the lawyer, and the manager from the entertainment agency, who all used similar tactics. 
(chapter 61) While we do not see his gaze, his expression oozes dissatisfaction, revealing that he is fully aware of the manipulation at play. This moment mirrors his reaction in Chapter 6 
(chapter 6), where he recognized how Kim Dan like the others were exploiting him for his money and reputation. However, this time, his awareness reflects growth: thanks to the doctor’s polite refusal 
(chapter 60), Joo Jaekyung now knows about the sincerity and humility of Kim Dan in contrast to those who treat him like a commodity. Thanks to Kim Dan, he is able to reject the pseudo-suggestion and instead prioritize a more genuine and respectful dynamic. He instinctively rejects the offer by stating that he will receive treatment elsewhere, a decision that catches the surgeon off guard and further showcases Joo Jaekyung’s resistance to being controlled. Turning away from the hospital, Joo Jaekyung unknowingly embarks on a journey shaped by his emotional needs, though he remains unaware of the full implications of this decision.
(chapter 61) marks a period of superficial introspection 
(chapter 61) where he begins to rationalize his actions. 
(chapter 61) In his mind, this scenario is nothing new; he is simply leveraging his resources to secure treatment from Kim Dan 
(chapter 61), much like he has done countless times before in other contexts. However, this rationalization obscures a critical difference: he is no longer in control of the dynamic.
(chapter 61) As he adjusts to a life dictated by Kim Dan’s schedule, he begins to recognize the limitations of his previous reliance on fame, money, and connections. This realization is not immediate but unfolds as he navigates the challenges of adapting to a new way of life. The loss of his VIP status becomes a catalyst for personal growth, forcing him to confront his vulnerabilities and redefine his sense of self beyond his achievements. This implies that the balance of power is moving closer to equity, though it is not achieved yet. Kim Dan’s refusal to return to the gym compels Joo Jaekyung to adapt to his terms, diminishing the power dynamic that previously defined their relationship. Kim Dan is now the one controlling the champion’s time. This shift signifies the erosion of the transactional nature of their relationship. No longer a boss commanding an employee, Joo Jaekyung becomes a patient seeking help from a professional. 
(chapter 61) That’s why Kim Dan can leave his side right away after the treatment. Moreover, the main lead feels no longer obliged to talk to his fated partner. He interacts as little as possible with the MMA fighter. 
(chapter 61) The champion is confronted with silence and emotional distance revealing that Joo Jaekyung is looking for something else. I would even add that he needed to experience this new approach as failure in order to force himself to change his MO and mind-set. This loss of status as a VIP underscores a larger theme in the narrative: the futility of relying on external markers of success to navigate personal relationships.
(chapter 32) 
(chapter 32), the “hamster” learned to be cautious about such “generous offers”. 😂 That’s why the physical therapist is rejecting any assistance from the athlete. Because of this reminder 
(chapter 60), Joo Jaekyung lost all his credibility in the doctor’s eyes. From that moment on, Kim Dan is perceiving any offer or genuine concern as a trick and fake assistance with selfish intentions. Hence the hamster can no longer see the celebrity’s genuine and selfless action, like this one: 
(chapter 61) Each time Kim Dan turns his back on him 
(chapter 61), it reinforces Joo Jaekyung’s subconscious pursuit. The honking scene represents reality—Joo Jaekyung knows what he wants (here his attention) and continues to follow Kim Dan, yet he does not recognize the emotional dependency forming through these actions.
(chapter 61) This transition is not just physical but deeply symbolic, contrasting his former life of isolation and detachment in the penthouse with a new environment characterized by community and connection.
(chapter 61) Its luxurious yet cold atmosphere symbolizes his exclusion and lack of roots. It is a sterile world. 
(chapter 35) Living above everyone else, like a god, further emphasizes his disconnection from the world around him. Seoul itself, as a city of anonymity, amplifies this isolation. The penthouse’s grandeur and emptiness serve as a stark reminder of his solitary existence, where material success failed to provide fulfillment.
(chapter 61) The T-shirt he wears, emblazoned with “Fair of God Essentials,” subtly reflects his evolving mindset. The phrase evokes themes of humility and essentialism, aligning with his journey from a life defined by material excess to one centered on genuine connection and simplicity. The notion of “being neighbors” further emphasizes his integration into the community—a stark contrast to his isolated existence in the penthouse. The house is no longer just a space but a reflection of his evolving priorities.
(chapter 61) Drawing from past experiences, the champion believed that treating Shin Okja well would win Kim Dan’s favor. In earlier episodes, Kim Dan expressed gratitude with a gentle smile 
(chapter 22) when Joo Jaekyung made efforts to bring a smile to his grandmother’s face, even going so far as to cook him breakfast afterward. 
(chapter 22) Having missed Kim Dan’s meals and the intimacy they symbolized, Joo Jaekyung unconsciously imagines that this approach will recreate that connection. 
(chapter 61) The doctor is showing his disappointment with his mouth. Kim Dan, burdened by his own painful experiences with his grandmother, has come to see their relationship as fractured. 
(chapter 57) Shin Okja’s rejection of Kim Dan, telling him he was a stranger and should return to Seoul, further deepened the divide. In a significant moment, Shin Okja uses for the champion the phrase “our little town,” 
(chapter 61) which gives the impression that she is including Kim Dan in her sense of community. However, in Episode 57 she had expressed the exact opposite. For her, home is deeply tied to family and childhood, while Kim Dan, who spent most of his time in Seoul, represents a disconnection from that shared history. So when she utilized this idiom, she was referring to the community in general. 
(chapter 60), unaware of the rejection Kim Dan experiences from his grandmother. Joo Jaekyung may even believe that the old man in the town is a relative of Kim Dan, further solidifying his misunderstanding. Note that he doesn’t investigate Kim Dan’s life, he judges him based on impressions and appearances, especially since he can no longer talk to him. These interactions underline a crucial misalignment: while Joo Jaekyung interprets Shin Okja’s words as inclusive and warm, Kim Dan can only be reminded of his exclusion and estrangement. Shin Okja’s conversation with Joo Jaekyung will undoubtedly play a significant role in the future: a point of no return.
(chapter 61), gestures she denied her own grandson in season 2 —it can only exacerbate Kim Dan’s feelings of alienation. The zoomed panel of their hands 
(chapter 61), but seems to have forgotten that Kim Dan is in a similar situation. 
(chapter 57) By moving to that place, the athlete can say that he belongs to that place and can claim his closeness to the grandmother. 
(chapter 61), the reality is far more complex. Kim Dan’s insistence on maintaining professional boundaries forces Joo Jaekyung to confront the limitations of his influence and the necessity of respecting Kim Dan’s autonomy. The daily routine of seeking treatment 
(chapter 61) He can no longer hide his special relationship behind work.
(chapter 61) This means that his move announces a change in their relationship: privacy. They are neighbors and as such acquaintances. 
(chapter 61) Despite working in a hospice surrounded by trained nurses 
(chapter 61), no one else notices or comments on this obvious injury. It was, as if the staff including the director were all blinded by the celebrity’s status and wealth. 
(chapter 61) So unconsciously, they came to develop the following belief: only elderly people can get sick. This explicates why the doctor and the nurse recommended rest to Joo Jaekyung 
(chapter 60). They imagined that Kim Dan was simply suffering from a burnout. 
(chapter 57) However, in real life, young people can become ill too. Secondly, cancer is not the only disease in the world, just like burnout is not the only mental issue. There exists so many disorders and diseases that it is important that a hospital doesn’t focus too much on one illness. Why? It is because the hospice or hospital will lose its patients in the long run. No wonder why the institution in this little town is not modernized. 
(chapter 59). He didn’t make the distinction in the end.
(chapter 61) Joo Jaekyung’s sincere concern, however, is short-lived for two reasons. 
(chapter 61), creating an emotional barrier that Joo Jaekyung respects 
(chapter 61), even if begrudgingly. Secondly, Joo Jaekyung quickly connects the bruise to the removal of a needle 
(chapter 61), which absolves him of any perceived responsibility for Kim Dan’s injury. This logical deduction, while correct, also highlights the limits of his emotional insight at this stage. Although he recognizes the physical signs of distress, he does not yet fully grasp the emotional struggles underlying them and the danger behind this huge bruise.
(chapter 61) who serves as a symbol of motherhood and nature. Boksoon’s own experiences, including the loss of a puppy 
(chapter 59), highlight the impact of nurturing and loss, shaping her behavior toward both her puppies and humans. She should become more attentive and reliant on humans, notifying them if something is wrong. Her heightened sensitivity positions her as a potential bridge between Kim Dan and Joo Jaekyung, subtly training the champion’s nurturing instincts. Hence in front of the house, she stands between the main couple. 
(chapter 59), attributing it to the natural order and failing to take proactive steps like seeking veterinary care. 
(chapter 57) This missed opportunity underscores the consequences of neglect, in contrast to Boksoon’s increased attentiveness. On the other side, the old man paid attention to Kim Dan’s odd behavior (his alcoholism
– chapter 57 -, his workaholism 
– chapter 57 ) Hence I am assuming that he will be a source of information for the champion. And now pay attention to their position in front of the house: 
(chapter 37), Joo Jaekyung now operates within a framework where he must respect boundaries and take responsibility for his actions. This transition signifies his understanding that money cannot shield him from the realities of interpersonal relationships and the consequences of his past behavior. To conclude, he can no longer cross the line and return to his old self.
(chapter 56) and 
(chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto. 
(chapter 56) 
(chapter 56) Even if the main lead is moving among other cars, people can recognize that the owner of such a car is rich and probably famous due to the brand and design. On the other hand, by roaming in the street, the champion blends into the background and as such to the mass.
(chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: 
(chapter 55) It is no coincidence as well that the author showed us the star’s back, when the latter called his hyung Park Namwook. 
These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. 
(chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. 
(chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. 
(chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.
(chapter 2) 
(chapter 37) with arrogance and weakness, but this is not true. [For more read this 
(chapter 54) 
(chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. 
(chapter 53) They should have brought him home. They stand for neglect and indifference due to their passivity and routine. In my eyes, they are happy at the gym, the latter represents their second family. So they imagine that it is the same for their boss. In other words, they projected their own thoughts and feelings onto the celebrity. They embody silence and lack of communication and this is actually palpable in the car. In episode 5, the manager and the MMA fighters lied to each other: 
(chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy”
(chapter 49). Yet, he revealed his true thoughts at the hospital: 
(chapter 52) Imagine that he only reported his investigation and actions afterwards. Then on the athlete’s birthday, he didn’t send any private message as well.
(chapter 5) When his wife suddenly blocked him, he got shocked and hurt. And don’t forget that we have another person traumatized with a phone call: Kim Dan, who got abandoned during that day. 
(chapter 19) Thus this observation made me think that the coach could have something in common with Kim Dan. And that’s how the champion will demonstrate his strength to his hyung. Contrary to him, he didn’t accept the divorce so “easily”. In fact, he is fighting for the doctor in his own way. The problem is that he is his own worst enemy.
(chapter 49), Jinxphiles could never view the driver. 
(chapter 56) He doesn’t look worried, scared or despaired. In fact, he is pretty calm, the opposite to this scene: 
(chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. 
(chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection 
(chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5.
(chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, 
(chapter 55) The physical therapist hoped to get recognition, gratitude and acceptance from his soulmate. That’s the reason why I perceive this conversation over the phone as a reflection from that scene: 
(chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere. 
(chapter 56) He wants to meet his companion again. He already describes him as a need. This implies that the hamster has almost become a “necessity ” for the celebrity. On the other hand, these words expose that the fighter is still not ready to meet his fated partner. How so? It is because his words divulge the absence of “conversation”. In the beginning, he wished to talk about his feelings to Kim Dan so that he could get closure. 
(chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: 
(chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image 
(chapter 7) 
(chapter 32) 
(chapter 37) 
(chapter 40) 
(chapter 43) 
(chapter 45) 
(chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away 
(chapter 51) He wished not to see his “face”. The latter had become his “addiction”. Thus his face in tears came to haunt him. 
(Chapter 54) This nightmare exposed his regret which he tried to deny and bury. At the same time, I have the feeling that his secret desire was to wipe away his tears as well. Nevertheless the problem is that such a love is rather superficial, for people’s body deteriorate over time. What matters in love is a good personality and a good heart. According to Erich Fromm, love is knowledge, respect, care and responsibility. Hence this separation became a necessity for the fighter. Fate had to force him to admit this: 
(chapter 21) and almost got shocked 
(chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.
(chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. 
(chapter 17) and 
(chapter 11). In season 1, the athlete stands for golden hour, whereas Heo Namwook embodies blue hour. “Entre chien et loup” is the time of day when the light is such that is becomes difficult to distinguish between a dog and a wolf, between friend and foe, between known and unknown. Hence I am thinking that if the next episode represents a continuation of that nightfall, it signifies that the champion is on his way to meet someone from the past. Moreover, I detected that the pavement is the same than in front of the gym: 
(chapter 35) 
(chapter 48) As you can see, this detail made me realize that the next chapter should contain reflections from episode 35 and 48, the meeting with an old/new acquaintance. I am writing new and old together on purpose, for Director Choi Gilseok had been the halmoni’s loan shark, but the “hamster” had no idea. Choi Gilseok is the boss of Heo Manwook. If this encounter takes place, it signifies that on the one hand, it will cause pain and suffering to the athlete, on the other hand, this incident will become a “blessing in disguise”, for it will push the champion to reflect and mature. That’s how I had the following revelation. Why did the author ensure that the MMA fighter’s shoulder would get badly injured? 
(chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. 
(chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: 
(chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. 
(chapter 5) It was not worrisome in his eyes, because his day would consist of training and punching the sandbag. The problem is that the fighter is no longer coming to the gym and he is not even calling him: 
(chapter 56) Notice that even at the end, readers were not even able to see the PT’s faces: 
(chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? 
(chapter 31)
(chapter 31) As you can see, as soon as the actor was lying on the floor, the manager was already blaming his “boy”. This exposes that the man was not interested in the truth in the end. He had already given the judgement. But notice that Park Namwook chastised the protagonist for blocking the tackle. He reproached his star that he should have absorbed the comedian’s tackle. 
(chapter 31) He used his whole weight and strength to take down his counterpart. This corresponds to a low-speed car accident and Mingwa let us see the effect of this terrible impact: 
(chapter 31) His facial expression was betraying him: he was in pain. This means that in verity the one who had caused an injury was not the champion, but Heesung. But there is more to it. 
(chapter 46) If the manager had been that worried, why didn’t he confront the fighters from Team Black directly? Instead, he sent Yosep on an errand. In other words, he did nothing. 
(chapter 37) Look at this:
In the second case, the athlete had to change his strategy, for he was already wounded. In other words, Kim Dan’s mistake was to teach Joo Jaekyung to trust his instincts and as such himself. He needs to stop using his body as a shield, but as a weapon, like he did in the doctor’s home: become proactive and anticipate his opponent’s moves. 
(chapter 25) in order to understand the involvement of the muscles and the possible consequences on the body. This scene displays the lack of expertise from Park Namwook. How did he become a manager and even a coach? Perhaps a crash course organized by MFC 
(chapter 22), but the latter is definitely influenced by the criminal underworld. This new observation reinforces my previous theory that Kim Dan will come to replace the manager and coach’s position. What distinguishes them from each other is their attitude to knowledge. Kim Dan keeps learning, reading and watching, whereas the other has the impression, he already knows everything. I guess, he has never heard from the concept “lifelong learning”.The latter promotes the idea of continuously acquiring knowledge and skills throughout a person’s life. This approach values education beyond formal schooling, emphasizing that learning can happen in various settings 
(chapter 42), including personal, professional, and community experiences. The goal is to adapt to changes, meet evolving job requirements, and stay mentally engaged. In Germany and other countries, lifelong learning is promoted to foster personal growth, social inclusion, and employability, especially as technology and society rapidly evolve. I am myself a follower from this concept. Hence I am still looking for new things (learning new cultures, new languages, reading about psychology, …). 
(chapter 27) Yet, he was chastised. I had always stated the coach’s responsibility before, but I had only found indirect evidences for this interpretation. Since he should have absorbed the impact, it implies that the latter should accept the pain as a normality. However by blocking Heesung’s assault, the athlete had tried to protect his own body. Thanks to Kim Dan, the fighter was learning how to treasure his own body. Moreover, it displays another flaw from Park Namwook: his risky attitude by making a bad recommendation. I would even add that his slap on the fighter’s neck is revealing his recklessness and thoughtlessness. 
(chapter 32) Joo Jaekyung was finally receiving his treatment for his injury, the consequence of Heesung’s tackle. No one checked on his body, just because the other was faking his injury. While writing this, I can’t stop my blood from boiling out of anger. To conclude, I am confirming once again that Park Namwook is a bad coach and manager. He shouldn’t be allowed to become one for the other fighters. He would treat them like toys or even “punching bags”. Imagine that he would also recommend such a strategy to Potato as fighter. That would be very dangerous. In addition, why was he treating his star so badly and privileging the actor? It is because the latter brings money forgetting that the champion is the source of his own income! And this brings me back to the initial picture:
(chapter 43) Interesting is the idiom is a synonym for deceitfulness. And this brings me to my next observation. Why did he add “whatever other compensation you need”? The moment I asked myself this question, I couldn’t restrain myself from thinking that the manager might have known about the true intention from Choi Heesung. Is it a coincidence that Kim Dan was used as compensation for the athlete’s mistake? Moreover, the latter was supposed to meet the actor on a Saturday, his own day-off. 
(chapter 31) in the hallway, next to the meeting room and office. So technically, Park Namwook could have heard them talking behind the door, a new version of this scene: 
(chapter 36) Was he truly ignorant about the actor’s intentions with all this wooing and sponsoring? 
(chapter 30) Just because we didn’t see this, it doesn’t mean that it didn’t happen. And maybe that’s the other reason why he was more than willing to use Kim Dan. The latter was bringing a huge client to the gym. 
(chapter 31) He would come on a regular basis. Naturally, I have no more proof for this theory than the remark “whatever other compensation you need” and its timing. Nevertheless, one thing is sure. Kim Dan was treated the exact same way than Joo Jaekyung, a doll and servant at his disposal. 
(chapter 37) It is because Park Namwook had become his voice. And we can observe this with the apology at the gym: 
(chapter 37) are just lip-services because at the end, he has no problem to replace Kim Dan. 
(chapter 53) That’s the reason why I have been wondering if the last incident was not the trigger for the coach to drop his “boy” and find a new “star and champion”. Since he is so obsessed with money and fame, I can’t help myself wondering if he will take a new pupil and torment him so that the latter only becomes a shadow of himself. Let me know what you think about this.
(chapter 35) Because he is famous and wealthy, he is expecting a similar reaction from the chow-chow. At some point, he will appear too clingy, hence he will perceive his relationship as burdensome. This is no longer fun.
(special episode 1) With his words, the sportsman implied that he had taken advantage of the actor, while in reality the opposite had happened. Heesung had taken advantage of Potato’s drunkenness 
(special episode 1), ignorance and purity
(special episode 1).The confession of Yoon-Gu’s wrongdoing could only shock the actor. 
(special episode 1) How did Yoon-Gu come to this reasoning, when he admitted in the same breath that he was drunk? It is because the night before, Heesung had confided that he was heartbroken due to Kim Dan’s rejection. 
(chapter 35) With his behavior, the fox gave the impression that his affection for Kim Dan was running deep. Under the tent, he was drowning his sorrow with soju. Hence in the maknae’s mind, Heesung was still in love with the physical therapist. Yes, the irony is that the chow-chow was also projecting his own thoughts onto the comedian. Let’s not forget that when the young fighter discovered the true nature of the relationship between the doctor and the emperor, he didn’t give up on his admiration and affection for Joo Jaekyung. 
(chapter 35) My avid readers should keep in their mind that the chow-chow is famous for his strong loyalty. To sum up, Potato imagined that Heesung was still loving Kim Dan, exactly like him with the fighter… he would remain faithful and keep his one-sided love.That’s why I came to the following conclusion: their relationship started on a misunderstanding, which was also reflected in this situation: 
(chapter 35) His description for a partner and as such love doesn’t correspond to the definition of true love: care, respect, knowledge and responsibility (Definition from Erich Fromm, for more read “
(chapter 32) He didn’t try to protect him from the athlete’s fury. He never clearly stated his true desire, he wished to date the doctor, until he was cornered (threatened).
(chapter 45). This means when the MMA amateur fighter decided to become responsible and as such to make up for his mistake, 
(special episode 2) He is put in a similar situation than his role model Kim Dan. He can not say no to Heesung. 
(special episode 2) However, he is not entirely powerless, like I mentioned in the first part. He is not forced to admit that he had fun after the intercourse. 
(special episode 2) In other words, he is not obliged to say YES either! It is funny because thanks to this examination, I realized that Yes and No have “become” like taboo words. Yoon-Gu is avoiding these idioms by using the expression “I don’t know”. Hence I am suspecting that Heesung will become obsessed with the word “yes”! 😂 Only Heesung can procure him fun and pleasure, and no one else. He is getting disarmed by the sentence “I don’t know”.
(special episode 2), yet in the past he had a different reaction. 
(chapter 23) The reason is simple. This was not patting, but rubbing. Neither Oh Daehyun nor Kim Changmin did it to express gratitude, rather for selfish reasons. They wanted luck on their side. Potato didn’t feel recognized and accepted, rather used as a tool. Hence he was bothered. Under this new light, it becomes comprehensible how Heesung can win Yoon-Gu’s heart in the long run. It is not because of his sexual performances, but thanks to his selfless gratitude and generosity!! We have the perfect example in these two scenes: 
(chapter 26) The main lead had taken a risk for him. He could win his heart by turning his dream into reality. He would be able to spar with the emperor. Then observe how Potato was full of admiration, when the champion decided to organize a charity event for his birthday. 
(special episode 2) He was attempting to hide his growing affection for the comedian. He feared that his feelings for him could become a burden for the comedian. In his eyes, Heesung should remain faithful to the physical therapist. He shouldn’t expect any affection from the actor either. 
(chapter 13) And the moment I read this expression, I couldn’t help myself thinking of a leash as a new sex toy. 
(chapter 34) In this scene, the physical therapist looked like attached to his owner. In the first part of “Passions in Purple: Jealousy and Joy”, I made the following prediction. Heesung would order a sex toy 
(special episode 2) out of annoyance and jealousy
(special episode 2), for Potato had run away from him. He needs to put him on a leash to feel in control, to obtain his chow chow’s attention. Naturally, there is no guarantee that this prediction is correct. Yet since according to my examination, Potato is thinking that Heesung is in love, it signifies that Heesung is already attached to Kim Dan. Hence he won’t do anything to ruin this attachment… therefore Heesung can only be put in front of a dilemma. How can he make Potato look at him? He could reveal the truth to Yoon-Gu, but by doing so, he would ruin his image as a good and caring guy. Moreover, since he has lived for a long time deceiving himself and others, it is very unlikely that the actor might change his behavior so suddenly. Old habits are hard to die. Therefore for me, honesty won’t be his initial choice, rather acting. He will express his thoughts and emotions behind a new role-play and sex.
(episode 43) Yoon-Gu must have gone to the set, like promised! 
(chapter 43) He would have perceived this statement differently from the others, as he knew about the true nature of their relationship. On the other hand, his absence was necessary. Why? It is because the young fighter needed to learn to distinguish between himself and his idol. Yes, in my opinion, Yoon-Gu’s motivation to bring back Kim Dan to Team Black won’t be just for the athlete’s sake! It will be Potato’s own desire to bring him back. He is missing the physical therapist. Through the last incident, Potato must have realized how much Kim Dan meant to him. His departure left him so heartbroken. 
(chapter 35) 
(chapter 52), the enemies, in particular Baek Junmin wrong. Even if he is injured or ends his career as MMA fighter, his life is not over. He is strong, talented and trustworthy, because Yoon-Gu chose to trust him and his career. He is no thug or spoiled child, as despite his injury, he “assisted” someone to become a new fighter.
(chapter 53). In this scene, the halmoni was shown as a young child, just before she left this region. Her departure announces the future loss of her innocence. This explicates why she desires to return to her roots. It was, as though she was trying to escape her fate. Moreover, by reconnecting to her childhood, she is actually denying the existence of her grandchild. It was, as if she was trying to erase the time between her departure and return. On the other hand, this scene announces her imminent death as well… it was, as if she wanted to be swallowed by nature (sea, sun). And death is strongly connected to birth. No one can die, if they were not “born” before. Hence I am suspecting that the birth of a new star, the Bantam Fighter Yoon-Gu, is associated with the halmoni’s vanishing. Finally, any reader can notice the two main colors in this image: yellow and red!! And you know that Potato’s colors are yellow and red. From my point of view, Potato is destined to go to the West Coast and naturally Heesung will follow him there. He has to because of the saying “Out Of Sight, Out Of Mind”. Let’s not forget that Heesung treated Kim Dan that way. As soon as he stopped seeing the doctor, he stopped thinking about him. He could fear to lose his soulmate, as the latter forgets him. The gumiho’s fate is to be the “clingy one”.
There, I included two gemstones, the Bloodstone and the Aquamarine! Choi Heesung, born on 21st March, is represented by these birthstones! In this composition 
(chapter 30) And what was he wearing in the poster? A blue pale suit which is close to Aquamarine and even to light purple ! The color is no coincidence. I have the impression that thanks to the weak woman, Heesung will become a part of the “new family”. If you look at the sunset again, you will detect glimpses of purple in the sky. As for the second image which came to my mind is this: the actor swimming in the ocean. When the bloodstone is put in water, it changes the color of the sun: red for love. Yes, we should expect a new version of this scene: 
(chapter 28) which I had interpreted as a baptism, a purification. If the actor bathes in the Yellow Sea, he will be purified and as such his true self will come to the surface. That’s how he will recognize his love for Potato, but also his friendship for the doctor. So far, the man has no real friend, but he has been longing for one. At the same time, the metaphor (the sun turning red) could be a reference to the interaction between the actor and the emperor, the former helps the latter to recognize his true feelings for the physical therapist. As a conclusion, we should expect to see Heesung under the sunset and next to the ocean or water. There, he should ponder and have a realization.
(chapter 30) After getting enlightened, he would know what he truly desires. He would have no interest to get on the champion’s nerves. Potato would be the one bringing him happiness and novelty. Athletes and those seeking to enhance physical endurance often turn to bloodstone for its reputed ability to increase stamina and energy. This signifies that thanks to Heesung’s presence, the champion’s training won’t appear as a torture. Yes, expect a new version of this scene: 
(chapter 37) Here each fighter was on his own, they were not really training together. The champion was the leader due to his imminent match, he put the others under pressure, as he was himself stressed. But with his suspension, he is no longer racing against time. In other words, the training routine should be different. They will help each other, encouraging each other to become better. The presence of Heesung should help them to see the training under a different light. But for that, he has to reconnect to his true nature: bloodstone and aquamarine.
(chapter 21) I had criticized her on many occasions, like disculssing a case in a hallway. Before, she had proposed an expensive treatment, well aware of the grandmother’s age and her weak condition. Moreover, I had suspected her to have leaked information to the director Choi Gilseok. Thus I hope that season 2 will expose her misdeeds and the corruption of the medical world. This was already present in episode 1. But let’s return our attention to the gemstone and its symbolism. In medieval Europe, the stone was deeply linked to the crucifixion of Jesus Christ, believed to have formed when drops of His blood fell to the earth. As you can see, the gumiho is strongly connected to selflessness, sacrifice, death and rebirth. This reinforces my expectation that his encounter with the grandmother will have a huge impact in his life, like for example the “neglect and indifference from his parents”. Exactly like the other main characters, he has abandonment issues. Bloodstone is commonly associated with the root chakra, which governs grounding, stability, and physical well-being.
(chapter 34) Here, he forced the champion to claim the doctor as his possession. However, in season 1, the main lead came to regret his actions (34, 43), for he has never been honest to himself. And now, it is time to focus on the second gemstone. 
(chapter 31) They were green. He is attracted to “green”, his origin self. Nevertheless, in episode 31, this was rather a khaki version due to his corruption. No wonder why he played a trick on the champion. And this observation brings me back to the doctor’s clothes. What was he wearing, when he was young? 
(chapter 31) However, this should no longer be superficial. The celebrity is associated with flowers, stars, fun and happiness. Because he symbolizes “Spring”, I deduce that his rebirth and as such his Enlightenment are primordial. He is there to assist the others. And the color for understanding, compassion, self-awareness and wisdom is purple:
(special episode 1) Since the elderly woman confided to Joo Jaekyung, we can assume that she could do the same with the gumiho, as soon as she sees her idol. It is important, because he could grasp the physical therapist’s suffering and low self-esteem. 
(chapter 48), but the actor would be replacing the fake director. We had a sunset here, dark water (the coffee), the symbol for corruption. Then notice that he is wearing a blue t-shirt (but two colors, a symbol of his hypocrisy)!! This reinforces my expectation that we should witness the actor’s awakening, the exact opposite of the other Choi, who chose revenge and manipulations. But there is more to it. Thanks to the comment of @Milliformemes24, I had another revelation. The latter wrote that places of knowledge and self-awareness are related not only to the ocean, but also to the mountains. It is normal, as the hill is closer to the sky and as such closer to the gods. Notice that Heesung’s new home is situated on the top of a hill, surrounded by a forest. 
In other words, Heesung could get enlightened on a mountain too, during a stroll for example. And the moment I read this from my friend, this image came to my mind: 
(chapter 41) The huge tree at the hospital!! The latter is even strongly connected to a stroll. In that scene, the doctor thought of his lover, as he associated him with the sun. 
(chapter 31) could be seen a mirror of the tree. The roses encourage the doctor to ponder and show an interest in his employer. 
(chapter 37) However, the first time, the tree appeared as such was in the States, and this on two occasions: 
(chapter 47) Kim Dan imagined going on a trip with his grandmother, totally delusional, as he was in denial about his grandmother’s deteriorating health conditions. However, the vision shows the desire to become closer to his relative, to become more proactive as well. His words (“She’s been so busy raising me, she’s never had a day’s rest”) imply the presence of reflection. It indicates his gradual transformation and maturity. But this doesn’t end here. The tree was also present in the special episode 2: 
(special episode 2) Yes, the barn!! The tree had been transformed into a home. However, don’t forget that this was just a fantasy from Heesung. However, during this intercourse, he came to expose his jealousy and growing attachment towards his soulmate. Yes, the last two mentioned scenes have two common denominators: a mixture of fantasy and Enlightenment. Nature is strongly intertwined with meditation and communication. To conclude, we should expect the presence of woods and trees in season 2 as well. And this hypothesis got reinforced, when Mingwa released this image on X: 
We have a sunset, a palm tree and purple in the sky… Joo Jaekyung is wearing a similar shirt than Heesung: 
(chapter 34) I consider this as an allusion that the actor will be by the fighter’s side. On the other hand, since the shirt is open, I interpret as the star’s emancipation. The latter has been able to escape from his mental prison and suffering. In his cage, he was racing against time. Now, he is able to relax and enjoy time. At the same time, since the champion in the image from X is seen wearing rings with stones, it somehow confirmed my interpretation about the role of birthstones in Jinx. 
as a new version of the image from season 1. The fighter’s hand is a mirror of the tree. He is giving support and protection. Hence I am assuming that the champion will be also reminded of Kim Dan in a particular place. 
(special episode 2). This pigment is a combination of blue and red/pink. And now pay attention to the last panel. Potato is blushing while wearing dark-green clothes, his lover is standing in front of the blue sky and his skin is rather pale. His hanbok has purple and white shades. As you can see, this wonderful night represents their union: white meets black, blue meets red and yellow (hence purple and green). The light from outside contrasts to the darkness of the shelter. That’s how purple came to shine. On the other hand, since Heesung is acting as the master, and the maknae is relegated to the role of a male servant, the actor is exposing his inner darkness. He is longing for dominance and possession. 
(special episode 2) To conclude, Heesung is gradually showing his true colors: the hidden black spot behind his perfect white skin. However, dark shouldn’t be reduced to evil, for in Taoism, black has another signification. It represents yin, the feminine energy. This means that thanks to that night, Heesung could display his motherly and caring side. Therefore he kissed, hugged Yoon-Gu and stroke his cheek. But this doesn’t end here. After the intercourse, he caressed his lover’s head. 
(special episode 2). One might argue that in the last picture, he was not entirely honest, for his eyes were closed. Besides, he was just paying him a compliment. Nevertheless, this gesture is still exposing that the actor is opening up his mind and heart to the chow-chow. He is no longer indifferent like in the past! This stands in opposition to his gifts to the members from Team Black and Kim Dan. 
(chapter 31) The latter reflected his superficiality and detachment. How so? It is because he had bought them. Moreover, his manager was tasked to carry the presents. 
(chapter 31) It was, as if the manager was cursing him and his gifts. As you can see, there was no direct contact between him and the beneficiaries of his generosity. Money was between them in the end: Heesung, the manager and the members from Team Black. This could only corrupt their relationship. However, the pat on the head between the two second leads symbolizes genuineness and real gratitude. 
(chapter 23) This signifies that the comedian fulfilled one of the young fighter’s dreams. Yet, the color in the last panel is not purple, but coral peach. Why? The reason is simple. The emperor is linked to red (anger, blood thirst), whereas the maknae embodies yellow. The pigment exposes the young stan’s ignorance, for he was not able to detect his hero’s true colors and as such his flaws. In his eyes, he was just a “god”, as he embodied perfection. Thus he had a pink version of his idol. Moreover, observe that this dream is connected to light, day and publicness, while the other is linked to darkness, night and privacy. 
(special episode 2) The young fighter and his lover are slowly discovering the existence of a double life (public/professional versus private life). This signifies that Potato is learning to distinguish between image (hero) and reality. In fact, he only knows the MMA fighter Joo Jaekyung and not the private man with his troubled past. As for the actor, with his blog 
(chapter 30), pictures and sponsoring 
(chapter 32) The gumiho never felt the need to hide his sexual orientation, it was never a taboo. It indicates that he felt safe among his colleagues and agency. Therefore the manager could talk so freely about his love life in front of others. 
(chapter 20) the main pigments were yellow, rosa, red and orange, whereas on the bed, the roles and topics were switched. Kim Dan’s feminine side was the dominant one. His motherly and caring instincts were so strong that he had no problem to challenge his sex partner. 
(chapter 21) Here, black and purple were the dominant pigments, similar to the sex scene from the special episode. The moon stands for softness, quietness, but also mystery and receptiveness. And during the night of episode 21, the doctor taught to Joo Jaekyung the importance of family. Besides, the athlete discovered a secret from the physical therapist. Though the former was pushed away, he didn’t react violently. Joo Jaekyung remained passive. This was the influence of Kim Dan’s yin. 
(chapter 21) And the next morning, the emperor chose to show his motherly and caring side to Kim Dan and the halmeoni. 
(chapter 21)
(special episode 2) Potato is literally glowing, while the other is just wearing a purple hanbok (disguise). One might wonder why. The answer is simple. Potato stands for innocence, reflection and ignorance. Contrary to his new role model (Kim Dan), he has no real prejudices against sex. He doesn’t view it as dirty. This explicates why Potato is always surprised by his own pleasure and always claims his ignorance. 
(special episode 1) 
(special episode 2) That’s why the actor was glowing like a star after their passionate role-play. The presence of “stars” indicates his excitement and joy. His heart is racing, hence he is full of joy and feels rejuvenated. Moreover, the Webtoonist already implied the link between Potato and purple in the following scenes: 
(chapter 23) Don’t forget that his family name is Hwang which means yellow in Chinese. That’s the reason why I don’t think, the purple towel is random. One might argue that the towel belongs to the gym, and they got changed later: 
(chapter 36) Park Namwook selected black towels, a sign that he was taking over the gym. But the purple towel announces the moment, where the doctor and Potato gets closer to each other. 
(chapter 23) For the first time, the young fighter showed a certain curiosity towards the physical therapist: the beginning of “Enlightenment” and friendship. Under this new light, Manhwaworms can grasp why Heesung was under Potato’s spell during this intercourse. 
(special episode 2) But we have another evidence that Heesung has always been looking for a “purple” person. It is because he picked up a purple suit for Kim Dan.
(chapter 32) This means that this night stands under the sign of Yoon-Gu! The latter came to shine to the point that he affected his lover… that’s how the actor blushed more and more. 
(special episode 2) This observation brings me to my next interpretation.
Dark red… full of passion. The actor could expose his possessiveness and jealousy, though he masked it behind a role-play. 
(special episode 2) 
(special episode 2) With that, I am implying that the actor imagined a scene from a historical drama (Joseon, hierarchical society and the shed). It was interesting, because for the first time, the author allowed us to penetrate Heesung’s mysterious inner world. It shows his “creativity”, inspired by his last shooting 
(special episode 2) and his own desires. As you can see, the sex session is a mixture of dream and reality which is reflected in the color purple.
(special episode 2) He is blushing, he is enjoying this moment with his partner. He has the impression that his dream has come true. In his mind, he was breaking rules. A prince has sex not only with a man, but with a guard, a commoner. Secondly, they were having sex in the shed, hence they could get caught. He felt like he was playing with fire. This shows that the man enjoys thrilling situations. This explains his blushing in this scene: 
(chapter 34) He was not shocked or disgusted, when he saw Kim Dan having sex with the champion 
(chapter 33) Under this new light, his visit in the sauna appears like an intrusion. 
(chapter 34) He knew about the emperor’s schedule, a sign that he was somehow “monitoring” the main lead’s moves. Here, I feel the need to include this video exposing Heesung’s dark side.
(chapter 35) 
(special episode 1) There’s a huge gap, he appears as a “seductive” wolf like in the fairy tale “The Little Red Riding Hood” That’s how it dawned on me why Heesung will have problems in his relationship with Potato. It is related to his dishonesty and mistrust which he projects onto others. This explicates why he doubted about Yoon-Gu’s virginity. 
(special episode 1) And what is the synonym for “truth”? Reality and Real World!! And now, you understand why Heesung created a historical drama in his mind for the sex session. It was his way to avoid truth and honesty. He used the role play to expose his jealousy 
(chapter 44) After this wonderful moment, Kim Dan came back down to earth. His present got rejected, he was just viewed as a physical therapist and nothing more. 
(chapter 45) We also have a refusal in the special episode. Potato initially rejected the offer from his sex partner: 
(chapter 7) who was full of jealousy here! Thus I conclude that this special night ended on a bad note, though Potato had no idea. The fox is no longer amused. Because Heesung is not happy deep down, he is planning something!! 
(special episode 2) Yes, we need to question ourselves what triggered Heesung’s fantasy for the role-play. 
(special episode 2) IT is not just because of the costumes. My hypothesis is that the guards are working as an item, you can observe this in the following two panels: 
(special episode 2) This scene triggered his envy and jealousy. He wanted to have someone by his side whom he could talk to. , 
8special episode 2), Here, he thanked everyone, yet he was standing in the middle of the scene, far away from everyone. In reality, his “gratitude” was superficial, for his thank was addressed to no one in particular. Just empty words. Under this new light, Manhwalovers can understand why he made such a suggestion after the intercourse: 
The green color corresponds to sunset or sunrise which makes me think of a moment of transition. This corresponds to the notion of change and as such growth. Moreover, it stands for balance between yin and yang, like quoted above. The shade implies an equity between female and male energy. And now, you comprehend why Mingwa used green light in the car scene: 
(chapter 33) On the one hand, it was an allusion to the emperor’s hidden jealousy. The latter had masked it as a challenge and game: 
But the shade is implying that the fighter was slowly calming down. He accepts the doctor’s embrace, he even grabs his phallus in order to give pleasure to his partner.
(chapter 33) In the end, he did show a caring side to the doctor. 
(chapter 33) He knew that his lover was sensitive to his touch. He desired to give pleasure to his companion. Yes, I see some parallels between the sex scene in the car and the one in the shed: public place, the connection between work and love life, the miscommunication, the importance to satisfy his partner sexually, a challenge, the grabbing of the phallus: 
(special episode 2), the jealousy, the possessiveness… making sure that the companion is not looking elsewhere… but more importantly, both seme are and were unaware of their growing affection towards their “fuck buddy”. Yet, there exists a huge difference between these two sex sessions: THE KISS! 
(chapter 33) The points of suspension from Joo Jaekyung are exposing his “ignorance”. He doesn’t know what to do, when he sees Kim Dan like this. 
(chapter 33) The emperor has now regained control of his emotions, but he couldn’t interpret his emotions correctly (jealousy, longing for love, insecurities). Moreover, we shouldn’t forget that he has not associated the kiss to love yet. In the locker room, he kissed the “hamster” in order to protect him. He had been simply following his friend’s advice. Then in the swimming pool, he felt attracted towards him. 
(chapter 27) He had acted instinctively… but in the car, his emotions were clouding his judgement. The ejaculations brought him back to reality. He had somehow achieved his goal. He had no idea what to do after the intercourse. That’s why I believe that in this panel
(chapter 33) He had admitted his defeat. However, this sex scene had the opposite effect on the champion. It didn’t bring him any Enlightenment, he was still clueless and worried, because he felt, he was losing control of his life. 
(chapter 34) As a conclusion, he came to “deny” this reality. He rejected his own emotions, until he was challenged once again in the sauna.
(special episode 2) In addition, I noticed that the fighter’s buttocks are red
(special episode 2) This means that this sex session took place during the new moon. Hence we have the color purple… This corresponds to the actor’s transformation. He is revived… he has finally found his soulmate, but he is not aware of it yet. And now, pay attention to this scene: We have the color blue, 
(chapter 53) There is no moon, only the artificial lights from the city. Hence I deduce that the couple is now entering in a new phases, there is a new moon soon. The absence of the moon corresponds to the doctor’s departure. Don’t forget that these panels took place on two different days. One thing is sure. The dominance of the blue symbolizes the dominance of Kim Dan in Joo Jaekyung’s life, but also the loss for the two characters. There is no warmth… yet calmness and softness. Joo Jaekyung is not throwing a tantrum. He is not breaking any sandbag or throwing away the letter. It shows the calming influence of Kim Dan over the champion. With his departure, he is pushing the athlete to face his own emotions and to analyze them. And now pay attention to the last panel from season 1: there are glimpses of purple: 
(chapter 53) It announces the start of Joo Jaekyung’s Enlightenment. He is on his way to recognize the source of his joy and happiness: Kim Dan as his companion. This signifies that Potato’s vision should come true in the end: 
(chapter 53) Red and yellow are strongly connected to Yang. The latter is conceived of as heaven, maleness, light, activity, and penetration..And now, you comprehend why I am expecting an Enlightenement from the athlete on the beach. Hence I am expecting that the champion will come to recognize the doctor’s true character there: he is strong, brave, manly and so selfless. He is not a baby like in the bathroom. Yes, I am expecting a new version of this scene 
(chapter 53), where both roles are switched. And now, it is your turn to reread the first season and interpret the sex scenes under the yin and yang aspects, like in this scene: : 
(chapter 39)
(Chapter 30) Kim Dan had heard the conversation between the artist and his manager before offering his help and approaching him. Then when he took his hand for an examination, he was not holding it out of admiration. 
(Chapter 30) No wonder why the doctor caught his attention. The pink haired star got surprised by such an unusual treatment. The irony is that the main lead was doing nothing out of the ordinary. This shows that till this meeting, the actor had always been treated as a prince, for the latter had always been privileged. It is not surprising that Heesung found Joo Jaekyung refreshing. 
(Special episode 2) The purple hanbok is strongly connected to Joseon royalty. (For more read my essays about Painter Of The Night) In addition, while the comedian thinks, it is a fiction, he is wrong in verity. It was a reality, for he has been living like a sovereign. And now, you comprehend why Heesung praised the physical therapist to the sky. 
(Chapter 30) He was seen as a serious and honest doctor who was not looking for favors and recognition. So I deduce that the actor felt moved by such a selflessness and care. 
(Chapter 30) We should consider this image full with stars as a metaphor for the comedian’s heart racing. To conclude, their first encounter reflected Heesung’s philosophy: his desire for novelty and genuine attention, while he is longing for normal treatment and as such for an ordinary relationship. The expression “soulmate” is implying the notion of equity. Thus because of the doctor’s actions, Heesung felt alive. Funny is that by discovering the doctor, Heesung was encouraged to accept routine. Therefore he came to the gym on a regular basis. 
(Chapter 31) This shows the inner conflict of the actor. Deep down, he dislikes being treated as a prince and would like to be seen as a man and nothing more. Normality and regularity stand in opposition to privilege and novelty. On the other side, he seems to reject averageness and commonplaceness. Therefore he likes to show off his wealth: 
(chapter 32) Through the ukes (Potato and Kim Dan), the fox is experiencing the positive aspects of ordinariness. He drinks soju while eating a cheap meal on the street to drown his sorrow 
(chapter 35) or he imagines to have sex in a barn next to a crowded place. 
(chapter 53) Back then, the champion didn’t imagine that the doctor had already started distancing himself. However, here it is clear that contrary to the main lead, Yoon-Gu doesn’t plan to leave the actor or to neglect him at all. He is a very mature and responsible person. Besides, he has just accepted his suggestion: he plans to visit him on the set. 
(chapter 35), as their relationship is affecting his own life. How so? It is because the young MMA fighter is a stan of Kim Dan and Joo Jaekyung! 
(Chapter 35) Let’s not forget that when Yoon-Gu helped the physical therapist in the locker room, he was indirectly assisting the star. 
(Chapter 49) The problem is that in season 1, he was rather distant and privileged the celebrity. Therefore he didn’t protect the physical therapist properly. Since the maknae is really sad about the doctor’s departure
(Chapter 29) He has only lived in one so far due to his privileges. It was, as if he has lived in a fairy tale, far away from reality. Now with Potato, he is finally able to live out his fantasies, hence his fairytale-like world has just lost its reason to exist. Thanks to Kim Dan and Potato, the comedian is brought back to reality. He is discovering not only averageness, but also the true significance of routine and normality. Thanks to the latter, trust and intimacy can deepen. He found out that he can experience novelty through sex.
(Special episode 2) It was, as if he wanted Potato to switch his career. It exposes his desire to be close to the maknae. However, with the champion’s downfall and the physical therapist’s departure, I am quite certain that Yoon-Gu’s position at Team Black is about to change. The gym needs to become successful again and present new athletes. Yoon-Gu can no longer be treated as an extra!! His future is now important for Team Black and Park Namwook. Finally, he proved his worth by fighting the older and bigger fighters at the restaurant. Thus I doubt that Choi Heesung can make a deal with Park Namwook like in the past.
The moment you read this note, you can grasp why the athlete would consider the comedian as a total nuisance. It is because the former couldn’t focus on his training (other exercises: CrossFit, Gym, mostly weights). As a conclusion, the athlete had many reasons to view the artist as bothersome. On the other hand, since Heesung is on his way to adopt regularity, I deduce that the champion’s fate is to accept surprises and changes in his life. And now, you know why their first encounter ended like this: 
(chapter 1) No one had ever run away from him like that. He was used to face opponents who would challenge him or people who would admire him. Notice that the doctor is turning his back on him, which contrasts to the morning after their first sex session. There, the protagonist chose to vanish into thin air behind the champion’s back after spending the night with him. 
(Chapter 4) However, in the athlete’s mind, the doctor had not abandoned him, for he imagined that Kim Dan was motivated by his greed. He was just interested in money. As you can see, Kim Dan represents novelty and exception. Nonetheless, the problem is that till the end of season 1, the fighter never came to see novelties and sudden events as something positive.
(Chapter 53) Under this new light, Manhwaphiles can grasp why the celebrity hates birthdays and surprise parties. They represent a violation to his regular schedule. 
(Chapter 43) 
(chapter 19), the athlete didn’t change his daily schedule at all. On the one hand, Manhwa-philes could judge this as a sign of his selfishness. On the other hand, it exposes his lack of sociability. He had never lived with someone else before. Since we never saw his family or heard about his parents in the first season, I assume that he is a true orphan contrasting to the physical therapist’s situation. Yet both have one common denominator: abandonment issues. The absence of family displays the difference between the two semes. While the actor embodies favoritism and nepotism which is strongly linked to family, the other represents the opposite values: indifference, meritocracy and business. Thus the Webtoonist created such a scene: 
(Chapter 32) According to me, he never went to his training. And shortly after, he was involved in a scandal.
(chapter 19) and why he got upset and scared
(chapter 53), when he saw the Wedding Cabinet in the hallway. 
(chapter 53). In episode 19, the champion really viewed the main lead as an object 
(chapter 19) he was a human. According to my theory, the coach Jeong Yosep was behind this trigger, since he is the only one at the gym with a failed relationship. 
(chapter 05) Hence he called him from the gym making sure that he had not blocked him or even vanished. Under this new light, Jinx-philes can understand why he felt the urge to have sex with Kim Dan. It was to remind him that he would belong to him. Yes, unconsciously, the athlete projected his own thoughts and fears onto his fated companion. 
(chapter 19), many Jinx-philes had been able to discern the fighter’s past (invisible) action. He had been looking for the doctor in the huge penthouse, the older version of this scene 
(chapter 19) The doctor had barely left traces in the apartment. Only the cupboard was the evidence of his presence in the flat. However, this object could be left behind… exactly like Joo Jaekyung had treated Kim Dan in this panel: 
(chapter 19) It was worthless. My point is that Joo Jaekyung must have realized in episode 19, when he returned to the penthouse that Kim Dan was different from the cupboard, he was no object at all. And now, you comprehend why the main lead said this to the doctor in the bathroom: 
(chapter 19) First, he was compared to a prostitute, then later to a baby. 
(Chapter 20) This scene proves that Joo Jaekyung was viewing his lover as a human. Additionally, the comparison to a whore was to mask his previous anxiety and thoughts. He had been looking for him. He needed to appear as strong and superior, the one with the upper hand.
(chapter 36) However, my avid readers should keep in their mind that sex was like a surrogate fight. Thus we could say that in this panel, the physical therapist is actually treated like a “fighter” and enemy. Then when the champion criticized him for his bad decision, he was finally recognizing him as a physical therapist. 
(Chapter 47) So anyone would say that he is no longer treating Kim Dan as a human. However, this is just a deception. How so? It becomes perceptible, when you contrast the last panel with this one: 
What caught my attention is that earlier in the season, the celebrity talked to doc Dan, but he was showing a certain disrespect towards his room mate. His Wedding Cabinet was garbage, he was not included in his evening training. Like mentioned above, he was treated like a furniture. Nevertheless, in chapter 47, Joo Jaekyung chose the silent treatment. It shows that he was now considering him as a member from Team Black, but because of Park Namwook’s warning, 
(chapter 47) he kept everything to himself. Indirectly, he was questioning his PT’s loyalty. This shows that the miscommunication and silence were the results of the coach’s advice and intervention. This means that due to his manager’s words, the champion started doubting the physical therapist. Thus I come to the following deduction: though the athlete asked Kim Dan to get out of his side 
(chapter 53) When the doctor left the penthouse, he disposed his halmoni’s Wedding cabinet. In other words, he treated the precious furniture as junk, turning the champion’s words into a reality. It was, as if the doctor had taken the MMA fighter’s words seriously. However, Kim Dan didn’t act that way because of the athlete’s false judgement. It is just that the doctor came to consider the wedding cabinet as a burden. Thus he treated it as junk. For him, the furniture only had a sentimental value. It symbolized the grandmother. But why would he consider it as an onus then? First, he couldn’t bring the cupboard to the West coast, too expensive and troublesome. Secondly, he wouldn’t have been able to place the Wedding cabinet in a small flat. 
(chapter 16) In addition, Kim Dan had kept it for his halmoni’s sake. 
(chapter 53) She was the one who loved it so much. But since she is trying to reconnect to her childhood and nature, she no longer values it. Yes, the halmoni is falling more and more into childhood, the closer she is to death. Thus she came to repress her marriage. As you can see, the elderly is slowly forgetting her own past and as such Kim Dan. She is trying to relive a moment from her childhood, a time when the grandchild didn’t exist. 
(Chapter 53) This image is full of symbolism. Kim Dan is now able to touch the cold Wedding Cabinet, a sign that he is accepting his grandmother’s death. By biding farewell to the furniture, he is preparing himself for the inevitable: his halmoni’s vanishing. It was, as though he was saying goodbye to his relative. That’s the reason why his smile is full of sadness, when he is pushing his relative’s wheelchair.
(Chapter 53) Her death has become a taboo. He is full of resignation. Contrary to the past, he is willing to face her death and as such to be by her side on her final moments. Yes, this panel 
(chapter 53) as a reflection of this chapter: 
(chapter 46) 
(chapter 46) In both scenes, the doctor came to resign and lower his expectation. Thus I deduce that after the final episode, the champion will come to treasure the objects left behind by the physical therapist. Notice that he didn’t throw away the letter. By keeping them, the athlete would show how much he appreciates Kim Dan. In addition, the letter is wishing him well, which no one has expressed so far. The letter oozes trust, confidentiality, admiration and closeness. Hence I deduce that at the end, Joo Jaekyung is heartbroken, though he can not clearly voice his emotions. 
(Chapter 17) Then when he brought the physical therapist to Heesung’s home, he used the GPS, a sign that he was not familiar with the route. 
(Chapter 33) Interesting is that when he heard his regular nightly disappearances, he never tried to follow him. 
(Chapter 45) Why? It is because he was always back in the morning. Furthermore, despite his exhaustion, the physical therapist was still following the daily schedule. Because Kim Dan wanted to keep it a secret, the champion was forced to feign ignorance. Thus he couldn’t question him about his whereabouts. In addition, I can also envision that he must have thought that it was related to his grandmother. Don’t forget that he experienced once how the doctor had left his side due to a phone call in the middle of the night. 
(chapter 16) He wondered why the athlete had kissed him, which made him realize that it was his first kiss. Therefore I come to the following deduction. Joo Jaekyung will be forced to discover his lover’s like and dislike which will incite him to become more honest about his own desires and passions. We have an allusion to this development in season 1: 
(chapter 27) Thanks to his companion, he remembered how much he likes swimming! He had totally repressed it. To conclude, Joo Jaekyung’s travel shouldn’t be just perceived as a journey to the West Coast and Kim Dan’s side, but as an inner journey! He is on his way to discover himself and reconnect to his childhood, or better said to his inner child. This signifies that he is actually following Shin Okja’s footsteps which is regression to childhood. 
(chapter 22) He would have the opportunity now to verify this statement. 
(Chapter 27) 
(Special episode) Then he cooked a spicy ramen for the young fighter. 
(Special episode) This color contrasts so much to the pigments from the artist’s flat: black and white. 
(chapter 35), but it is just a deception. In fact, there were traces of this pigment, when Choi Heesung was introduced for the first time. 
(chapter 29) Yes, we should perceive beige as a washed-out orange. So what does it mean? First, the cursed Romeo was not true to himself. Let’s not forget that in my eyes, Choi Heesung is a fox, and the fur of this animal is orange which is similar to the chow chow’s pigment. This means that both second leads would have a color in common: orange. Moreover, from my perspective, the comedian is a nine-tailed fox, a gumiho. In case, you didn’t read the analysis “
(chapter 30), before becoming beige. 
(chapter 31) This observation helped me to recognize that the more Heesung appeared, the more colorful his clothes became. So this discovery exposes that 
(chapter 35) Here, I added a screenshot of 57 different types of beige. 
(chapter 29) From my point of view, he doesn’t desire to stand out, to make a statement. Therefore it is not astonishing why he hides behind sunglasses, a hat and a mask. 
(chapter 35) He didn’t want to be recognized. One might argue about this perception (not standing out), for he is writing a vlog 
(chapter 30) The social medias serve as a way to control his image and keep people at arms’ length, exactly like his frenemy Joo Jaekyung. 
(special chapter) Therefore he is sleeping while hugging a beige and pastel pink pillow. This exposes his need for warmth and support. On the other hand, he is not realizing that he is his own enemy, for the pillow represents a hindrance. He is not allowing people to get closer to him. It looks like he fears embraces in the end. 
(chapter 31) 
(chapter 31) While he was wearing a peach jacket, his manager had put a vivid green with dark black pants. Shortly after, the comedian was seen with this beige/khaki shirt and grey shorts. 
(chapter 31) Interesting is that his hair shade reflects my previous remarks perfectly. He chose pink which indicates his desire to break social norms, on the other hand, his pink is so faded that it almost looks like beige. He wishes to be “neutral” and somehow “conformist”. Yes, his pink hair mirrors his inner conflict: trying to break free from social norms, yet not standing out too much. The antonym for neutrality is “commitment”, an indication why he was not capable of being committed in a relationship in the end. 
(chapter 30) episode 30 and 31
(chapter 52) Besides, Yoon-Gu embodies the opposite notions: loyalty and meddling. He doesn’t fear argument and criticism! 
(chapter 52) Heesung’s indifference and selfishness contrast so much to his new lover’s interest and selflessness. This shows that the young maknae is superior to the actor despite his lack of experience and ignorance. How do we explicate this divergence? It is because Potato had been showered with support and love at the gym. Kim Dan was even willing to risk his safety for him, a sign that he was lovable and worthy. Hence he is a confident man which is not the actor’s case. That’s the reason why the young man stated that he would become responsible for Heesung. 
(special episode) Thus I sense that Potato will force the actor to drop all his past believes: passivity, indifference, irresponsibility and as such betrayal. We could witness this in the special episode partially. 
(chapter 5) This is just another trick from goddess Mingwa to push him to become more responsible for his new relationship. My idea is that in order to discover that Potato is his soulmate, Heesung needs to help Potato and as such the main couple to be together. Only when the doctor and the champion are an item, he will have his partner.
(special episode) with the one from episode 39
(chapter 39), as the shades are very similar. Heesung was as rough and selfish as the fighter. Notice that this whole sex session was focused on the actor’s needs and desires, 
(special episode) exactly like with the champion. He needed “comfort”, as he was in a depressed mood. 
(special episode) The champion has a similar habit: 
(chapter 36) Besides, note that Yoon-Gu’s buttocks are red, a sign that the comedian focused on them!! The irony is that Potato felt pleasure right away, hence he had more climaxes than Heesung. 
(special episode) This panel is interesting, because it shows that Potato was not focusing on Heesung at all. It was all about himself and his own pleasure. He was not recognizing that he was actually mirroring the actor’s thoughts and desires. Yes, from my perspective, the young man was in truth treating the actor as his sex toy or fuck buddy. There was no string attached, this explains why Heesung had to ask this to Yoon-Gu: 
(chapter 29: black and white movie!!) and fairy tale: the end shows their blissed union and they lived happily ever after. This explicates why the comedian compared Kim Dan to an angel… 
(chapter 33). He can also hear rumors there. Moreover, for me, the actor stands for power, control and as such knowledge… hence he was able to pull tricks on the star on multiple occasions. He is able to make the athlete angry, he can arrange a meeting without Joo Jaekyung’s consent
(chapter 31) Officially, he had wounded the actor, therefore his physical therapist had to take care of his treatment. Besides, I believe that MFC desired to corner the champion in order to force him to give up on his new lover. He was no longer hiring a prostitute. As you can see, black is an ambiguous color: it can symbolize knowledge as well ignorance. Thus this shade represents mystery. Thus it is no coincidence that the past and family of Joo Jaekyung, who is also associated with black, remain a riddle
(chapter 31) While Joo Jaekyung condemned him for his deception and constant switching of partners
(chapter 33), his manager accepts him despite his messy love life and flaws. 
(special chapter) Potato is a sex toy, just like the doctor was a tool against the champion’s jinx. Secondly, the artist discovered a whole new world thanks to Potato’s purity and ignorance 
, we have to envision that his role during the night was to absorb the actor’s negative energy.
(chapter 33) First, the VIP club is painted with dark colors. Secondly, the athlete was wearing a dark brown jacket with a black pullover. For me, Choi Heesung’s true personality comes to light in the dark!! We could say that he shines in a black room. Surrounded by darkness, he feels more protected. Thus at the club, he revealed his immorality and hypocrisy… He didn’t stand out. The more white the room is, the less the actor is honest! His preference for neutral colors expresses his need for “conformity and passivity”. They are an evidence for his hypocrisy and acting. Under this perspective, Manhwaworms can grasp why the mysterious man has a hidden dark room! 
[I am assuming that Mingwa didn’t change the flat] Only there, he exposes his true nature: BDSM. In my eyes, there he can voice all his desires and thoughts. His true self can come to the surface. I saw another evidence for this hypothesis (BDSM) in this expression: “kick him to the curb” 
(chapter 52) This means, he is already one step closer to the MMA arena. With the last incident, the young fighter must have caught the attention of opponents. He created himself “enemies”. Therefore he could become the next target for a plot as a revenge. In other words, with such a companion, Heesung is confronted with reality. His destined partner can be wounded and even die. Thus he has to ensure his safety. He can no longer be indifferent and passive. As you can see, Heesung will be put in a similar position than the physical therapist: 
(chapter 40) And this observation leads me to my second part, the explanation for the title: La Vie En Rose.
(chapter 36) That’s what the athlete experienced at the end of season 1. I could describe the fans’ devotion and appreciation as idolization and veneration which can have terrible consequences.
(special episode) 
(chapter 48) As you can see, the main lead announced a turning point in the gumiho’s life. Exactly like his frenemy, he was taught that money and fame can not buy affection. Moreover, for the first time, the young man learned the existence of boundary and respect.
(special episode) 
(chapter 35) 
(special chapter) He sees Yoon-Gu as fun! Simply because he is allowing himself to express his emotions. He is never hiding his thoughts and emotions, the exact opposite of Heesung. He is so transparent, on the other hand, totally unpredictable. Yes, in the end, Yoon-Gu represents a huge riddle for Heesung. What caught my attention is how Yoon-Gu didn’t mind to yell his affection and admiration in front of people. He doesn’t mind people’s judgement and gaze. He is strong enough to bear this kind of attention… the exact opposite of the actor. He is not afraid of committing, making a different statement, he can diverge from majority. Hence he left the restaurant in front of others. 
(chapter 52) He can make his own judgement and choice. To conclude, though Yoon-Gu is the younger one, he has so much to teach his fated partner who chose conformity and ended up bored and half-dead!
(chapter 31) We could say, their meeting was like a big bang, an explosion! Caught by surprise and annoyed by such an incident, the actor couldn’t help himself voicing his thoughts about Potato: 
(chapter 31) For a short moment, he dropped his mask and expose his true personality. And for the first time, he received such a gaze: 
(special episode) That’s how both ended up creating unforgettable moments. Under this perspective, my attentive and patient readers can grasp why I created such an illustration for this essay: 
(chapter 7) Kim Dan had just punched his boss. How would he react to this wrongdoing? In fact, I realized that all the episodes with the number 7 are strongly connected to an intrigue and riddle. Why? The answer lies in the number. 😉 So what does 7 symbolize in the end?
(chapter 18) He believed to see someone selling his body to a loan shark, while in reality the main lead was about to get raped. Hence we have -7! This represents the absence of reflection and even the refusal of meditation. 
(chapter 47) He didn’t get included in the conversation. This explicates why when Kwak Junbeom witnessed the encounter between Choi Gilseok and Kim Dan, the sportsman didn’t approach the PT in order to protect him or his champion’s interest. 
(Chapter 52) He will realize that he needs to select his opponent more properly. 
(chapter 5) He remained passive, because he had already an answer to his silence. He was refusing the job. He implied that his lack of reaction had been caused by the champion’s action. In addition, he reproached his boss that he was getting worked up for nothing. His behavior displays that he saw no value in Kim Dan. Moreover, Mingwa left a clue why the man has always been passive all this time. It is not just a question of fear. The other reason is that he used prejudices and superficial thoughts to explain people’s attitude. Hence he never investigated the matter why the doctor didn’t contact them. His attitude in episode 52 hasn’t changed at all.
(chapter 52) He reproaches to Joo Jaekyung his heartlessness, though Kim Dan took care of him for months. But he is forgetting that he spent himself time with the hamster too, and he is healthy contrary to the champion. So he could have reached to the doctor. His reproach is just an excuse to mask his passivity, ignorance and even indifference. His rudeness and neglect towards the doctor and athlete becomes more obvious.
(chapter 52). By mocking him, he was provoking Joo Jaekyung and he knew it. Yet, he never expected that he would be punched so violently that he would be KO. In episode 7, the champion “invited” the doctor to enter the shower room, 
(chapter 7) reminding us of the kidnapping in episode 16. Here, on the other hand, Heo Manwook must have judged his presence at doc Dan’s house as an “invitation” 
. (Chapter 16) and not trespassing. Each challenge or invitation is strongly connected to moving. Heesung had to drive through town in order to discover the secret between the two protagonists. Moreover, I distinguished another similarity: abduction and sequestration. Kim Dan was forced to stay in the shower room or his home or in the penthouse (34,43). Chapter 25 represents the exception, for it was the only case, where Kim Dan was given a real choice. 
(chapter 44) Kim Dan agreed to have sex with the fighter, because he wanted to know him better. Thus I deduce that the athlete discovered new aspects about Kim Dan’s life. 
(chapter 8) In 25 and 34, we never saw Park Namwook. He was either outside the gym or in his office. Then in episode 43, Potato was missing, but no one mentioned his absence. But I would even go further, all these chapters are strongly linked to the doctor’s vanishing. Notice that in episode 7, he got dragged to the shower room, but no one caught his disappearance, not even Park Namwook. 
(chapter 25) He received only attention, when he got strangled due to the maknae’s mistake and notice that the protagonist was too focused on training the others that he neglected his soulmate. Then in episode 34, Kim Dan was supposed to meet Choi Heesung, but he missed the appointment due to the athlete’s trick. 
(chapter 34) Since the latter had not replied, Choi Heesung assumed that Kim Dan was not free. And now, you know why the actor never contacted the angel and asked about his whereabouts. The main lead never replied and confirmed the meeting. Then in episode 43, no one missed Kim Dan at the table, when they ate their dinner. 
(chapter 52) He had been too harsh and had not investigated the matter properly. However, his words “getting the facts straight” reminded me of this scene: 
(chapter 11) So Park Namwook might have already been aware of this, which would explain why he felt uncomfortable, when he met Choi Gilseok.. 
(chapter 49) Remember that he had avoided him on purpose. And episode 49 is related to number 7. Hence we have this contrast: 
(chapter 30) In this scene, we see that the doctor made a decision on his own, as he knew that he was not needed. Park Namwook should have asked why Kim Dan would join the gym later, if he had not been informed. As you can see, through the comparison, I realized Park Namwook’s huge wrongdoing. He didn’t miss doc Dan during that time, I would even say, he didn’t look for him. But he knows where he lives and he has his cellphone number. Like mentioned in a previous analysis, the vanishing of the coach and manager at the gym was exposing a professional mistake. 
(chapter 52) And funny is that as soon as I contrasted these episodes, I had another revelation. How did Joo Jaekyung know that Kim Dan was supposed to meet the actor? 
(chapter 34) Kim Dan could refuse to go to that meeting. He was not obligated, for there was no contract between the artist and the “hamster”. They had never asked for his consent. Choi Heesung used work to meet the doctor, but the manager had also heard from the actor’s manager about the comedian’s love life 
(chapter 43) Yet, Park Namwook joined them for the dinner at the restaurant. Only through the comparison, I detected the absence of the manager which I consider as a sign of his neglect. Yosep’s gesture 
(chapter 43) represents the positive gesture from Namwook’s slap.
(chapter 41) Thanks to the chow-chow’s intervention, the champion discovered the truth. 
(chapter 7), 16 
(chapter 16) 
(chapter 16), 25 
(chapter 25) 
(episode 25) and 
(chapter 40), but also paid attention to his actions and work. 
(chapter 41) However, notice that her desire to watch the match was related to her grandson, the source of her pride and joy. As soon as I made this connection, I had another revelation. Gradually, the chow-chow’s admiration is shifting towards the doctor. 
(Chapter 25) and showed no fear to fight with stronger men. 
(chapter 52) I sense some future tension between him and coach Park Namwook, for the maknae embodies enlightenment, great intuition and open-mindedness, whereas the other stands for prejudices, ignorance and herd mentality. Naturally, the manager is changing for the better, nonetheless his metamorphosis is progressing much more slowly. Only in episode 52, he questioned why Baek Junmin was placed next to his athlete. 
(Chapter 52) Yet, he didn’t complain to the staff or to director Choi Gilseok. He remained passive contrary to the young member from Team Black. Moreover, because Kim Dan has always felt a certain closeness to Yoon-Gu, I believe that the latter will be the reason why the champion and Kim Dan can rekindle. Thanks to him, he can approach the poor doctor and convince him that Team Black is his home. 
(chapter 29) I doubt that it will be just for the athlete’s sake and recovery, for this would make him a hypocrite. He is truly interested in the doctor’s well-being. Let’s not forget that his worries in episode 43 were genuine. Moreover, since Joo Jaekyung’s name number 3 and Potato 4, we come to 7! They will work together. Joo Jaekyung will share his knowledge how to rule in the ring.
(chapter 26), his tolerance, patience, understanding 
(chapter 37), his humbleness 
(chapter 25), his dedication and meticulousness. 
(chapter 43), but also Park Namwook’s neglect. How so? First, look how Kim Dan came to offer his services to the members from Team Black. Kim Changmin had an old shoulder injury which had been neglected: 
(chapter 7) But the coach should have noticed it and advised him to go to a doctor. He was responsible for them. But no… and we have two other evidences in episode 52. First, the manager didn’t ask about Potato’s injury. Secondly, he slapped a patient, because he felt “provoked” by the outburst from Joo Jaekyung. 
(chapter 52) Why? One might say that he was worried for his star. But for me, the drop of sweat is showing a certain discomfort. How so? A surgery means that the athlete can no longer fight for a while. Without him, the coach is put under pressure, for he needs to ensure that other fighters can enter MFC. 
(chapter 47) Hence I am now wondering if his passivity and silence after the terrible incident were not deliberate. He had ran away from any responsibility out of fear (avoidance). That way, he could put the blame on others: the champion, the fighters, King Of MMA etc. Naturally, the champion is also to blame 
(chapter 43) Moreover, the cute doctor had asked him to bring doc Dan for more tests, but he did not follow his advice. 
(chapter 13) Furthermore, he heard from the grandmother that he had a weak constitution. 
(chapter 21) Finally, let’s not forget that the doctor took a drug recently, but the champion never verified how it affected his physical therapist. 
(chapter 41) That’s how it dawned on me that the news about Kim Dan could be referring to his health too. But does it mean that doctor Dan is now ill, especially when you look at Potato’s facial expression here? 
(chapter 25) Back then, his dream was to train and spare with the athlete, thus I deduce that his new dream got “crushed”. But what was his new wish? To work with doc Dan! Thus he assisted him and asked for his opinion. He trusted him blindly. Therefore I have the impression that the physical therapist stopped on his own working for Team Black. However, I don’t think, Kim Dan made this choice himself. The news definitely caught the athlete by surprise. 
(chapter 52) Either he is sick, or it could be a reference to the doctor’s mental health as well. This would mirror the champion’s unwell-being. 
(chapter 10) Let’s not forget that after his first night, the doctor numbed his physical pain with soju, while he was not eating properly. 
(chapter 5) He would spend money for soju, but not for healthy food. Not even his grandmother was aware of this habit. But by living with the champion, he could no longer live like in the past. He had stopped drinking any alcohol, but notice that it changed after the drug incident. He was encouraged to drink again: 
(chapter 43) The champion represented the doctor’s motivation and as such “sweet drug”. That’s the reason why he could always overcome the pain afflicted by his soulmate: 
(chapter 47) 
(chapter 51) And this brings me to my next observation. All the episodes are showing the champion’s weak mental condition which got even worse over time. From this 
(chapter 7) to this 
(chapter 34) and to this: 
(chapter 34) Though the celebrity was getting easily irritated, the manager never took the matter seriously. He saw it as the result of bad education, hence he never tried to change it either. 
34 and 52) is not the expression of fun, rather it indicates fear, frustration and anger. In episode 25, the maknae wounded the doctor out of jealousy and frustration unconsciously. He wished to be close to the celebrity. Interesting is that chapter 43 represents the true exception. Here, the readers could discover the champion’s true face: he was behaving like a brute and thug 
(chapter 43) To say that the athlete always has a bad temper 
(chapter 25) Why? It is because the doctor protected him by explaining the circumstances: he was learning jujitsu. He diverted the champion’s attention from Yoon-Gu. He had not been “caught”. However, when Kim Dan was offered to become the celebrity’s sparring partner, Potato got angry and voiced his anger and wish: 
(chapter 26) 
(chapter 1) His bad temper is the reason for that incident. Funny is that by admitting this, he is not realizing his own wrongdoing! He neglected the champion’s mental health and his well-being all this time. He never tried to grasp the origins of his irritability and to improve the situation. So it was only a matter of time, until this would come to the surface! To conclude, though number 7 is strongly connected to suffering, it also stands for education and teaching. Thus as time passes on, the characters are getting enlightened and more complete. Little by little, they are getting closer to the divine: the discovery of hope and as such happiness. For me, the protagonists’ main spiritual growth will take place around the episodes 70-79.
(chapter 48) Why did the Webtoonist gave us the time, when the next episode starts another day? On the one hand, it exposes that the schemers knew about the champion’s nightly activities. He wouldn’t sleep much and he would keep his cellphone next to him. 
(chapter 35) This made me think of Painter of The Night and No-Name’s advice: 
(chapter 76) “A deed once foiled has no chance of success the second time around”.The criminal was referring to learning through experience. After going through such an event once, the athlete is no longer caught by surprise. We could say that he learned not to jump to conclusions and control his emotions. That’s the reason why in episode 48 he remained level-headed. Because the champion didn’t get angry, he could be more attentive. 
(chapter 48) Secondly, 
(Chapter 48) The irony is that the doctor had been able to treat the star’s injury. For me, the Summer Night’s Dream played a huge role, as during that night, Joo Jaekyung felt treasured and loved. Therefore the pictures could only expose the duplicity of the director of King of MMA. Under this new light, it becomes understandable why the celebrity didn’t fall into their trap and why they had to turn doc Dan into a traitor by giving him a weapon without his knowledge. Finally, I believe that Joo Jaekyung had another reason not to confront the physical therapist. How so? It is because he had sent away his soulmate, while the latter had approached him. 
(chapter 30) Here, he wished to seek the doctor’s closeness. Nonetheless, if he had gone to Kim Dan’s bedroom during that night, he would have achieved the opposite: he would have created distance and caused an argument. The latter could have told him that he was looking out for himself, for Joo Jaekyung had threatened to fire him. Through these observations, it becomes visible why the athlete couldn’t ask Kim Dan at all. Consequently, I come to the conclusion that the clock 
(chapter 49) The gaze displays not only worry and anxiety, but also regret. It was too late to ask the doctor. For me, he chose silence, for he was regretting his reactions in the penthouse. He feared to ask Kim Dan, because if he brought up the meeting with Choi Gilseok, this could push the hamster to quit his job. However, thanks to Kim Dan, the star’s condition improved greatly. That’s how it dawned on me why the champion became a beast and why he is hiding his past:
(chapter 48) But why is midnight so important? It is because the number 12 carries religious, mythological and magical symbolism, generally representing perfection, entirety, or cosmic order.
(chapter 12) the couple was supposed to reach Nirvana, but the athlete failed terribly. Under this new light, it becomes comprehensible why the protagonist chose not to confront Kim Dan in episode 48. It was, as if the champion was closer to the heavens. This represents the champion’s leap of faith. Don’t forget that the star got scared for one moment
(chapter 48), when he noticed doc Dan’s presence too late. But nothing happened to him, that’s how he got incited to trust Kim Dan. The latter wouldn’t backstab him. Under the blue light, the champion got transformed. 
(chapter 48) On the other side, the fact that the champion is always targeted during the night is a sign that the villains desired to approach him, when he was isolated. So they know not only about his insomnia, but also about his solitude. I would even add that the plotters are aware of his association between the night and danger. Remember how he described relaxation: he would give an opportunity to his enemies to attack him 
(chapter 29) This new observation reinforces my past theory: he would be suffering from Somniphobia due to traumas. [For more read 
(chapter 13) It is important, because through this terrible experience, Joo Jaekyung came to internalize the connection between sex and danger. This would explain why he has been so rough in bed before. He came to see it as a normality, a sign that his perception of sex had been negatively influenced. And this can only come from bad experiences. It had nothing to do with “enjoying the moment”, until the protagonist met the shy hamster. We can see his gradual transformation. In episode 12, he definitely saw the night as “carpe diem” 
(chapter 49) In the previous essay, I had mentioned the theory that the champion might have been raped and even gangraped which would fit the criteria (sex, danger and urgency). Finally, the recurrence of “delicacy” during the night is an indication that the athlete must have been like Kim Dan in the past! Vulnerable and alone!
(chapter 21) Furthermore, the champion exposed why he could never relax: 
and 48: 
, for he had been recollecting the diagnosis from Kim Miseon and kept thinking of his grandmother. After this painful meditation, he came to recognize his selfishness and his relative’s love and generosity
(chapter 47). And what was the main lead feeling after that terrible night? Regret, for he had not been able to notice his relative’s suffering and sacrifice! 
(chapter 47)
(chapter 19) or a new request like swallowing the sperm 
(chapter 39) or kissing the champion’s ruined ears 
(chapter 44)
(chapter 30) He was rough and used the toothpaste as an excuse. 
(Chapter 40) That’s the moment he stopped considering the hamster as a prostitute, while from chapter 2 to 18, he viewed Kim Dan as a tool, as a talisman against his jinx. However, I detected a transition after he kissed the physical therapist. From that moment on, the doctor was connected to food and sweetness. 
(Chapter 18) And now, observe that during the night in the bathroom, doc Dan was associated with a baby receiving food:
(Chapter 34) Here, he was in denial, he described the main lead as a possession, but he couldn’t fool the actor. Under this new light, it becomes comprehensible why the nights in chapter 19, 29 and 39 were so magical, they announced a transition or better the end of viewing Kim Dan as an object (tool for his jinx) and possession. From 41 to 49, the champion was cornered to recognize Kim Dan as a physical therapist and not just as a member from Team Black. Don’t forget his attitude in the car, when the main lead suggested him not to train. 
(Chapter 49) 
(chapter 49). These meetings are not random at all, a sign that someone knows about the athlete’s hidden suffering very well. Observe that both characters challenged the celebrity by giving him an order: 
(chapter 33) 
(chapter 49) Then I noticed another parallel between the two plots: the presence of a scapegoat, and the involvement of a third person. Heesung faked his injury by putting the blame on the athlete, while he asked Kim Dan as compensation. In the second plot, the roles are switched. Kim Dan is now the perpetrator, while the athlete is the victim! Baek Junmin is the beneficiary of this scheme. And what do these plots have in common? Joo Jaekyung is the victim of a trick, though Heesung’s manipulation was rather benign. First, he acted on his own. 
(chapter 46) could be seen as a reflection from the arcade and the star’s past. And since Kim Dan wounded Joo Jaekyung in the locker room 
(chapter 49), I deduce that such an action must have happened in the champion’s youth. He got not only hurt by people, but also betrayed by a friend. There exists many reasons for this hypothesis.
(Chapter 04) and be rude towards others. 
(Chapter 7) 
(Chapter 3) Some of them are not written in Korean or English. Moreover, the Webtoonist revealed that one of his hobbies is reading. This explains why he can talk prettily. 
(chapter 22) This shows that his behavior mirrors the counterpart’s. Consequently, it is not surprising that the champion is rough with his own body, as Park Namwook is not treating him like a delicate child. 
(Chapter 37) Even stressed and filled with anger, he could understand and speak fluently in English. 
(Chapter 40) Compare Kim Dan’s English skills in the same scene: 
(chapter 26) Joo Jaekyung was also an amateur in the past, but his motivations were his rage and resent. On the other hand, contrary to his soulmate, the athlete likes sports as well. His other hobbies are jogging and swimming. Thus I am suspecting that Joo Jaekyung might have been part of a swimming club in the past. Striking is that he forgot his passion due to his career as a MMA champion. 
(chapter 27) I see a contrast between these two sports: swimming which is related to relaxation, pleasure and fun and MMA fighting which stands for challenge, pain and seriousness. This contrast is even more present in the following panel: 
(chapter 49) Is it a coincidence that this Enlightenment took place under the shower? For me, no! I see a strong link between water, swimming and the champion’s job. It looked like swimming represents a source of danger for the athlete’s job, as it is an entertainment! Hence I can’t shake the feeling that in the past, Joo Jaekyung might have shown aptitude for becoming a natation athlete! Let’s not forget that for the calendar 2024, the champion was seen carrying swimming googles and not “MMA gloves”. This detail caught my attention and made me wonder why Mingwa selected these items. 
(chapter 49) He is a hyena, hence his color is brown. 
(chapter 49) Interesting is that his description of the challengers fits the situation in the new plot perfectly. The Shotgun imagines that he will fight against a diminished champion. His shoulder is injured and they have planned to add a new injury. The hyena stands for balance and cleansing as their task is to remove the weak ones.
(chapter 49) As an old man, Choi Heesung is revealing vulnerability and senility. Due to his old age, he could be replaced by another hyena, a younger hyena!
(chapter 36) which could only affect the members from Team Black. Their loyalty could waver. Then he got to hear bad comments from the Internet
(chapter 13) This could have ended badly. Another wrongdoing could be the rejection of his birthday present and his harsh reaction. 
(chapter 47) At no moment, the physical therapist brought up his misdeeds and asked for an apology. His silence became the symbol for his tolerance and even forgiveness. In addition, the doctor and his halmoni embody both vulnerability and poor health, which is strangely connected to crime and scandal. 
(chapter 48) Through them, the champion is learning that hunting weak and pitiful creatures is not only a sin, but also a crime! In the first case, he could be accused of hurting an innocent.
(chapter 11) He wished to receive attention and to have a normal conversation. Consequently, I assume that the champion has been copying his role model. That’s how he was pushed to grow up too quickly. For me, he had no childhood at all, hence when he met Kim Dan, he was encouraged to develop his inner child!
(chapter 26) For the first time, he had fun sparring. Hence he kept smiling. It is no coincidence that soon after he chose to accept to take a day-off, when Kim Dan made the suggestion. 
(chapter 27) That’s how he remembered that he liked swimming and he could play a prank on his lover. 
(chapter 27) Here, he could smile, because it was fun and there was no real expectation. It was not truly connected to money. 
(chapter 35) and not in episode 48. It is because Kim Dan had paid him a visit during that night, a sign that he was thinking of him as his patient and VIP client. 
(Chapter 48) On the other hand, I am inclined to think that when a terrible incident in his youth occurred, he couldn’t contact his family or guardian. Hence he keeps his cellphone by his side constantly. Yes, I was thinking of the doctor’s assault in the street and his failed rape: 
(Chapter 16) Heo Namwook’s minions had confiscated his cellphone. Hence it was impossible for him to call for help. And now take a closer look at this scene:
(chapter 49) And the anonymous person on the other side of the phone was definitely calling in order to be updated about Joo Jaekyung, for his coach asked him about his physical conditions. 
(chapter 49) That could be the hidden guardian who has not showed up yet, I am thinking of Seo Gichan. And now it is time to close this long essay. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 