Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Words The Fireworks Stole and The Sweetest Downfall Ever
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Introduction — Dream, Magic, or Something Else?
Many Jinx-lovers were genuinely happy watching how the champion interacted with Doc Dan during that night. He was caring 
(chapter 86), gentle, attentive 
(chapter 86) — asking questions instead of imposing answers 
(chapter 64). For Joo Jaekyung’s unconditional stans (and I count myself among them), such an attitude 
(chapter 86) can easily be read as proof that the protagonist’s good heart has always been existent, but it was barely visible. Compared to earlier chapters, the contrast is now undeniable. And yet, I would like to pause you right there.
Because focusing solely on the champion’s behavior risks missing the most decisive movement of this night. Joo Jaekyung’s transformation did not begin in episode 86. Long before that, he had already started changing — sometimes suddenly 
(chapter 61), sometimes awkwardly 
(chapter 80), sometimes inconsistently 
(chapter 79), but unmistakably 
. (chapter 83) Tenderness, concern, even a certain form of devotion had appeared earlier 
(chapter 40), albeit in ways that were often overlooked, 
(chapter 18) misunderstood or poorly timed. This night 
(chapter 86) does not initiate his metamorphosis.
So what, then, makes it feel so different?
When confronted with a night filled with stars 
(chapter 86), sparks 
(chapter 86), and softness, many Jinx-philes might instinctively describe it as magical. The imagery invites such a reading. After all, we have seen similar nights before. The night in the States shimmered with illusion 
(chapter 39); words were spoken, confessions made — only to dissolve with memory. 
(chapter 41) The penthouse night echoed A Midsummer Night’s Dream 
(chapter 44), suspended between intoxication and desire, intense yet fragile. Both nights felt unreal, and both were later reframed as mistakes 
(chapter 41) — moments to be erased rather than carried forward.
(chapter 45). This raises an essential question. Is episode 86 
(chapter 86) a renewal of those nights? Another dream layered over the past? A repetition disguised as healing? Or, on the contrary, is this the first night that resists enchantment altogether?
This question matters because in Jinx, nights are never judged by themselves. Their true meaning is revealed afterward — in the morning 
(chapter 4), in the return of light 
(chapter 66), in what remains once the sparks fade. A dream dissolves with daylight. Reality does not.
This is why it would be misleading to read episode 86 primarily as evidence of the champion’s improved behavior. Such a perspective encloses the night within its warmth and risks mistaking tenderness 
(chapter 86) for final transformation. The real shift occurs elsewhere — more quietly, and perhaps more unsettlingly. To grasp the nature of this night, we must follow more importantly the doctor and his interaction with his fated partner.
What changes here is not only what Joo Jaekyung does, but how Kim Dan perceives 
(chapter 86), processes, and responds to it. How he hesitates 
(chapter 86), reflects, and allows himself to reconsider what this moment can mean — and what it can lead to. (chapter 86) It is through this inner recalibration that we can begin to determine whether this night belongs to the realm of dream, repetition, or reality. Only by tracing the doctor’s perception can we understand what truly starts flowing here.
To approach this question, the analysis will move through several successive angles. It will begin with the symbolic and mythological references that frame episode 86, before turning to earlier nights that echo visually or emotionally within it. From there, attention will shift to forms of communication, considering how speech, silence, and gesture are arranged across these scenes. The analysis will then examine repeated actions and how their placement within the narrative differs from one moment to another. Only with such a progression can the nature of this night be reconsidered.
From Solar Heat to Electric Current
Many Jinx-lovers instinctively read episode 86 as a romantic turning point because the night looks “magical”: stars 
(chapter 86), sparks, that strange shimmer that seems to hang in the air 
(chapter 86). Why? It was, as if their dream had come true. However, is it correct? Is it not wishful thinking? What if this night is not magical at all? What if its true signature is not enchantment, but electricity—a current that interrupts, tests, and resets? 😮
To grasp this, we must first return to the symbolic regime that used to govern the champion’s presence. In earlier chapters (think of the awe and distance around chapters 40–41 and again later), Joo Jaekyung often appears as a solar figure 
(chapter 40) in Kim Dan’s perception: overwhelming, radiant, dominant, a heat-source that does not negotiate. 
(chapter 41) The sun can be admired, feared, and endured—but it cannot be questioned. 
(chapter 58) It simply shines, and the one who stands in its light adapts. This explicates why the physical therapist would choose silence and submission over communication. 
(chapter 48)
The Invisible Energy
Nevertheless, the excursion in episode 83 and 84 begins to dismantle this solar grammar, though at the time, its meaning is easy to miss. 
(chapter 83)
The shift away from solar symbolism does not announce itself loudly. It is embedded in the setting itself, almost too obvious to be noticed. An amusement park functions entirely on electricity. 
(chapter 83) Every ride, every light, every scream suspended in midair depends on current: motors accelerating and braking, circuits opening and closing, energy stored, released, and cut off. 
(chapter 83) Roller coasters do not move by heat, charisma, or sheer physical force; they move because electricity flows through them. The Viking ship swings 
(chapter 83) because current allows it to swing. The Ferris wheel ascends 
(chapter 83) because circuits hold — and descends because they release.
And yet, precisely because this energy is expected, it becomes invisible.
Neither the characters nor most Jinx-philes initially register electricity as a symbol. It is too familiar, too infrastructural. Electricity does all the work, but it remains background noise. This invisibility is not accidental. Unlike the sun — which imposes itself visually, hierarchically, almost tyrannically — electricity operates silently, relationally, conditionally. It does not dominate the scene; it enables it. It exists only as long as connections hold.
When Electricity Fails
This distinction matters, because electricity only becomes perceptible when it fails. 
(chapter 84)
The Ferris wheel breakdown in episode 84 is therefore not a minor technical inconvenience but a crucial narrative rupture. The moment the current cuts out, movement stops. Height becomes dangerous. Time suspends. Panic enters the frame. The announcement that “the earlier technical issues have been resolved” 
(chapter 84) explicitly names what had previously gone unspoken: the rides function only because current flows. When it disappears, the illusion of effortless motion collapses.
And it is precisely at this moment — when artificial motion halts — that Joo Jaekyung becomes active in an unexpected way. 
(chapter 84) The Ferris wheel has stopped. The current is gone. The carefully regulated system that lifted, rotated, and sustained them is no longer in control. Yet movement does not disappear entirely. It mutates. When the champion shifts his weight, grips the structure, reacts instinctively, the cabin begins to shake. Panels emphasize instability: creak, swish, ack. The motion is no longer generated by electricity but by the body itself.
This moment is crucial. The shaking exposes a hierarchy reversal. Human strength now surpasses mechanical control. The ride no longer dictates sensation; the occupant does. And this excess of physical force — uncontrolled, unmediated — becomes unsettling rather than triumphant. Kim Dan immediately responds by asking him to sit down, to stop moving, to restore balance. Stillness, not action, becomes the condition for safety.
From Motion to Speech
What follows is telling. Deprived of the park’s mechanical rhythm, Joo Jaekyung does not compensate by acting more. He compensates by speaking. 
(chapter 84) Stranded above ground, stripped of the park’s mechanical rhythm, he apologizes. 
(chapter 84) Not theatrically, not performatively, but awkwardly, haltingly. His body exposes his discomfort 
(chapter 84) and fears. He avoids the doctor’s gaze, crosses his arms 
(chapter 84) or squeezes his arm 
(chapter 84). The cessation of electrical motion coincides with a shift in his own mode of action. Where the park depended on current to keep things moving, he now moves without it. The absence of electricity forces something else to surface: responsibility, attention, presence. Additionally, this sequence anticipates what will later unfold more fully. Proactivity is no longer expressed through force or motion, but through articulation. Words stand for action and have weight. The champion’s future action is announced here, quietly: he will no longer push forward by shaking the structure. He will move by sharing thought, by naming feeling, by allowing himself to be affected.
The interruption of electricity does not merely stop the ride. It forces a change in how agency is exercised. Under this new light, my avid readers can grasp the true life lesson the athlete received at the amusement park, the importance of communication and attentiveness.
As a first conclusion, the amusement park juxtaposes two forms of energy: mechanical electricity and human vitality. The first is regulated, automated, predictable — until it fails. The second is volatile, embodied, responsive. When the Ferris wheel stops, the mechanical system collapses, and a different kind of current emerges: emotional, relational, biological.
Yet, only in retrospect does this moment reveal its deeper logic. I am quite certain my followers are wondering how I came to pay attention to electricity which led to new observations and interpretations. It is related to the “electrical night” in the hotel!
Electricity and Sex
What strikes immediately in episode 86 is not tenderness, nor explicit care, nor even novelty of behavior — but density. The night is saturated with sparks 
(chapter 86), 
(chapter 86) jolts, sudden contractions of the body 
(chapter 86). Kim Dan is repeatedly shown convulsing, gasping, losing linear thought, and it is the same for the MMA fighter. Panels insist on interruption: jolt, tingle, broken breath, aborted sentences. The doctor’s body behaves as if struck, especially in this image. 
(chapter 86) It is at this point that a phrase surfaced in my mind — instinctively, almost involuntarily. A phrase we use in French when something intangible yet decisive occurs between two people: Le courant passe. Literally, the current passes. Idiomatic meaning: they are on the same wavelength, something connects, communication flows. However, here, the current is not the product of civilization, but of nature. Two people interacting with each other. And it is precisely because of the unusually high frequency of sparks and jolts in the illustrations that a belated realization imposes itself: nature, too, produces electricity — through storms, through thunder.
Joo Jaekyung’s Day and the Thunder
This raises a necessary question: where was the thunder before, as Jinx is working like a kaleidoscope?
One might be tempted to point to episode 69. 
(chapter 69) A storm was announced back then. And yet, upon closer inspection, no thunder was ever shown there. There was tension, there was excess, there were dark clouds 
(chapter 69) — but there was no strike, no discharge, no interruption. The imagery remained continuous, fluid, enclosed within the logic of escalation rather than rupture.
The thunder appears in the amusement park. 😮 One detail initially seems insignificant, almost too mundane to merit attention: the day itself.
The excursion in episodes 83–84 takes place on a Thursday. At first glance, this appears to be nothing more than a scheduling detail. And yet, Thursday is not a neutral day. Linguistically and mythologically, it carries a charge. Thursday is Thor’s day. This latent mythology quietly materializes through two objects, the drakkar (Viking boat) (chapter 83) and the hammer 
(chapter 83). In Roman terms, Thursday corresponds to dies Iovis — Jupiter’s day — the god of thunder. Both gods are strongly connected to thunder and as such current.
The narrative does not underline this fact. It does not name the god, invoke mythology, or frame the excursion as symbolic. The reference remains dormant. But dormancy is not absence. It is latency. This is where the symbolism stops being latent and becomes functional.
The reference to Thor and Jupiter (which was already palpable in earlier episodes 
-chapter 67-; for more read my analysis Star-crossed lovers 🌕) is not decorative mythology; it introduces a dual model of power that the narrative begins to test on Joo Jaekyung himself. Thor (chapter 83) is the son: impulsive, embodied, excessive, a god who discharges energy through impact. Jupiter, by contrast, is the father (chapter 83): regulating, sovereign, stabilizing, the god who governs the sky rather than striking it. Thunder belongs to both, but it manifests differently depending on position in the lineage. What matters is not which god the champion “is,” but that he oscillates between them. This oscillation becomes legible through the hammer.
The hammer game appears after the champion’s moment of physical discomfort and jealousy.
(chapter 83). Before striking anything, he is already unwell: angry overstimulated and complaining, visually reduced to a childlike register. This matters. The hammer does not create excess — it receives it. (chapter 83) It offers a sanctioned outlet for surplus energy that has nowhere else to go. However, contrary to the past, the physical therapist becomes the beneficiary of the athlete’s greed and jealousy. He receives a teddy bear. The hamster doesn’t witness the punching incident, he only sees the result: care and affection. (chapter 83)
Unlike boxing, unlike punching a sandbag 
(chapter 34), the hammer gesture is not confrontational, for the machine is immobile. There is no opponent. (chapter 83) The arm rises and comes down. The movement is vertical, not horizontal. It does not engage another body; it obliterates resistance. This is not combat but discharge.
In that moment, Joo Jaekyung performs Thor. Not metaphorically, but structurally. He channels excess into a single, downward strike. The absurd score — 999 — is not triumph; it is overload. 
(chapter 83) Too much energy released at once. The system registers it, but cannot contain it. This means, the record won’t be registered and as such “remembered”. In fact what mattered here was the prize, the teddy bear, and restored self-esteem of the athlete. He could offer a present to doc Dan which the latter accepted without any resistance. (chapter 83) The pink heart indicates the presence of affection and gratitude. And crucially, this act restores balance. After the hammer, the champion is no longer visibly overwhelmed. He has expelled what needed to leave. This shows that the champion is learning to manage his jealousy differently.
This prepares the next transition. Once the excess is discharged, he can shift position. The childlike Thor-state gives way to something else: regulation, provision, containment. This is where Jupiter enters — not as domination, but as adaptive authority. The same character who was dazed now intervenes calmly, mediates interaction, hands over the teddy bear, anticipates need. Son and father coexist not as contradiction, but as sequence.
This duality is essential for what follows. Because thunder is not continuous like the sun. It interrupts. It breaks a state, resets a system, and allows a new configuration to emerge. That is its narrative function here. This means that the athlete’s attitude can no longer be generalized, as such reproaches or description wouldn’t reflect reality. But let’s return our attention to the thunder causing a short circuit and reset.
The Ferris wheel breakdown completes the logic. When electricity fails, mechanical motion stops. When motion stops, the champion’s bodily excess becomes dangerous. When excess becomes dangerous, restraint is required. And when restraint is required, speech replaces force. The apology does not come despite the breakdown, but because of it. The system has been reset. This is why the amusement park is not merely foreshadowing but training.
The champion learns, physically and symbolically, that energy must circulate differently depending on context. Sometimes it must be discharged. Sometimes it must be restrained. (chapter 86) Sometimes it must be transmitted through words rather than bodies. This is not moral growth; it is adaptive intelligence.
Doc Dan and the Thunder
And this is precisely what reappears in episode 86. (chapter 86)
There, thunder returns — no longer as mechanical failure, but as biological event. The sparks and jolts saturating the panels are not just erotic embellishment. They reproduce the same logic of interruption and reset as well. Kim Dan’s body reacts as if struck by current. Thought fragments. Linear continuity breaks. “I can’t think straight” is not poetic confusion; it is systemic overload. I would even say, we are witnessing a short circuit which can only lead to a reset.
A thunderstorm does not persuade. It forces a reboot. In other words, this night stands under the sign of reality despite the sparks. Electricity is real and even natural.
The crucial difference is that this time, the current does not come from machines, nor from spectacle, nor from a game. It emerges between two bodies. This is why le courant passe becomes more than metaphor. The current does not dominate; it circulates. It requires two terminals. It only exists because both are present and conductive. And now, you comprehend why the champion was attentive (chapter 86) and asked questions to his sex partner. The current stands for communication. 
(chapter 86) Therefore it is not surprising that doc Dan starts looking at his fated lover. Imagine what it means for the athlete, when the “hamster” is staring at him, though he is a little embarrassed. Finally, he is truly looking at him. The champion loves his gaze. And now, you comprehend why the “wolf” listened to the “cute hamster” and stopped leaving marks.
In this sense, the hammer returns one last time — transformed. (chapter 86)
What struck metal in the amusement park now strikes the psyche. Not as violence, not as domination, but as reset. The phallus functions here exactly as the hammer did earlier: a tool of discharge that interrupts an old state and makes a new configuration possible. The result is not surrender, not illusion, but recalibration. Joo Jaekyung is once again releasing his “energy” 
(chapter 85), but this time, its nature has changed. It is no longer jealousy or anger, but love and desire. Hence the current is not colored in red, but white and pink. (chapter 86) It is not a flame like here 
, but a thunder and as such it is still restrained and regulated.
This is why episode 86 does not feel “magical”, once the structure is visible. Magic enchants without consequence. Thunder alters systems. After a strike, nothing resumes exactly as before.
And that is the point.
The champion is no longer a sun that burns from a distance. He has become a figure capable of switching modes — son and father, Thor and Jupiter, discharge and containment. And Kim Dan, having undergone the reset, is no longer operating on inherited assumptions 
(chapter 86) or second-hand data. New information must now be gathered. New meanings must be negotiated. Because Joo Jaekyung acts differently (son-father), the doctor is incited to discuss with his fated lover and not to generalize. He is pushed to become curious about the main lead and even adapt himself in the end.
The system has rebooted. What follows will not be repetition — because the thunder forced a reset. What follows will be movement and reciprocity — because current has begun to pass from one side to the other and the reverse. A new circle has been created.
Dream Nights and Drugged Time: Why Chapters 39 and 44 Could Not Last
If episode 86 confronts us with electricity as reset, then we must return to the earlier nights that failed — not because desire was absent, but because time itself was compromised.
Many Jinx-lovers remember the night in the States 
(chapter 39) and the penthouse night 
(chapter 44) as emotionally charged, intense, even pivotal. Confessions were made. Bodies responded. Vulnerability appeared to surface. And yet, both nights collapsed almost immediately afterward. What was felt (chapter 44) did not endure. What was said did not bind. What was shared did not accumulate into change.
Why?
The simplest answer would be to blame the champion’s behavior. But this explanation is insufficient — and, in fact, misleading. The deeper issue is not ethical failure alone, but structural impossibility. These nights were built on illusion. And illusion, by definition, cannot sustain time.
Let us begin with the night in the States.
In chapter 39, Kim Dan experiences desire 
(chapter 39), arousal, and emotional exposure under the influence of a drugged beverage. His body reacts strongly, almost violently. His speech loosens. He confesses. (chapter 39) He voices feelings that he has never dared to articulate consciously. Many readers interpreted this moment as a breakthrough — the first time the doctor allowed himself to want.
And yet, the morning after reveals the fatal flaw: he does not remember. 
(chapter 40)
Memory loss is not a narrative convenience here. It is the core of the scene’s meaning. Without memory, desire cannot transform into intention. Without intention, intimacy cannot become choice. What remains is sensation without authorship.
In other words, the confession existed — but outside time.
The body spoke, but the self could not claim it. The night produced intensity, not continuity. More importantly, it denied Kim Dan the possibility of return. Because he did not remember, he could not revisit the moment, reinterpret it, or choose it anew. Desire occurred — but never became decision. The night passed through him without granting him authorship. At the same time, Joo Jaekyung made sure with his joke (chapter 41) that doc Dan shouldn’t remember that night. This remark left a deep wound on doc Dan’s soul and mind, thus he hoped not to look like a fool in episode 86. 
(chapter 86) In this panel, we should glimpse a reference to the night in the States as well, and not just to the night in the penthouse.
The intensity of that night is why the champion’s later obsession with recreating that night is so telling. (chapter 64) Deep down, he hoped that such a night had been real. That’s why he asked shortly after their return about this particular night. (chapter 41) The event floats, unmoored, like a dream recalled only by one participant. I would even add, the amnesia from the doctor even afflicted a wound on the main lead. This explains why in Paris, he keeps asking doc Dan if the later is well and is not suffering from a fever. (chapter 86) He wants to ensure that his fated lover won’t forget this night. He is doing everything to avoid a repetition from that “dream or fake night”, where the physical therapist acted as the perfect lover, but forgot it. However, observe that here, the champion is touching doc Dan’s forehead, a sign that he is making sure that doc Dan is not “lying” by coercion or submission. At the same time, such a gesture reinforces my interpretation: thanks to the “thunder”, heat is generated. “Le courant passe” (the current passes) through physical contact, that’s how they create intimacy and understanding.
The penthouse night in chapter 44 follows a similar structure, though its emotional register differs.
Here, it is Joo Jaekyung who is intoxicated. 
(chapter 44) The setting is elevated, luxurious, almost theatrical. The doctor is brought into a space of power that is not his own. 
(chapter 44) By acting that way, the athlete created a false impression of himself, as if he was still rational and clear-minded. Again, desire unfolds. 
(chapter 44) 
(chapter 44) Again, closeness occurs. And again, the aftermath reveals the same fracture.
The champion does not remember fully 
(chapter 45) and later wants to even forget it. (chapter 45) Why? It is because contrary to the night in the States, the MMA fighter left traces on doc Dan’s body 
(chapter 45) and he can not deny his own involvement and actions. Hence the doctor is left alone. Only he can recall this “dream”. 
(chapter 44) But memory alone is not power. Remembering without the other’s participation transforms recollection into isolation. Kim Dan cannot confront, confirm, or renegotiate what happened, exactly like the champion did in the past. Meaning freezes instead of evolving. Striking is that he came to associate feelings with addiction. 
(chapter 46) No wonder why later doc Dan had no problem to reject the athlete. And for him, the next morning became a cruel reality, even a nightmare. It wounded doc Dan’s heart and soul so much that he learned the following lesson: to not get deceived by impressions. Hence in Paris, Doc Dan tries to explain the change of the champion’s attitude with drunkenness. (chapter 86)
What matters is not simply abandonment, but asymmetry of consciousness. While Joo Jaekyung remembers the night in the States, the other remembers the night in the penthouse: 
(chapter 44) One participant is altered. The other must carry the weight of meaning alone. The night does not end in shared reflection, but in silence and absence.
In both cases, the problem is not sex. It is not even exploitation or ignorance— though both are present. The problem is that time cannot flow forward from these nights.
Why? Because drugs suspend causality.
Under intoxication, actions do not generate obligation. Words do not demand response. Feelings do not require follow-up. The night becomes sealed — intense within itself, but cut off from before and after. This is why these encounters feel dreamlike in retrospect. Not romantic dreams, but dissociative ones.
And Jinx insists on this reading visually.
In both chapters, speech is unstable. 
(chapter 44) Words blur, vanish, or are forgotten. Even gestures go unnoticed: a kiss, an embrace or a patting. Memory fractures. The morning after is defined not by continuity but by confusion. The body has moved forward, but the narrative has not.
This logic culminates in the fireworks scene of chapter 84 
(chapter 84)
Fireworks are often read as romance. But here, they function as warning. Fireworks illuminate the sky briefly, brilliantly — and then disappear. They leave no trace. And crucially, during this display, words are literally blurred. 
(chapter 84) Speech bubbles lose clarity. Confessions are obscured. The reader is denied access to meaning. Fireworks, like drugs, produce intensity without duration.
This is the crucial distinction that Part I prepared us for: heat versus current. Heat lingers. It can smother. It can burn. But it does not require connection. Current, by contrast, only exists if two points remain linked.
Chapters 39 and 44 are nights of heat. Bodies respond. Desire flares. But no circuit closes. No loop remains intact long enough for time to resume. This is why these nights are doomed — not morally, but structurally.
And this brings us to a crucial observation that many readers overlook.
In both of these earlier nights, questions are absent.
No one asks: “Are you okay?” 
(chapter 39) 
(chapter 44) It was as if these nights could only exist under altered states — as if clarity on either side would have made them impossible.
No one asks: “Do you remember?”
No one asks: “Why are you doing it?” “What does that mean to you?”
Speech exists, but it is not dialogic. It does not seek the other’s subjectivity. It spills, confesses, demands, judges or disappears. But it does not circulate. This is why, despite their intensity, these nights do not move the story forward. They collapse inward.
Episode 86, by contrast, will confront us with something radically different: a night that asks questions. 
(chapter 86)
But before we get there, we must acknowledge what these dream-nights leave behind.
They teach Kim Dan that desire is dangerous when it appears without agency. That closeness can dissolve overnight. That bodily truth does not guarantee recognition or even knowledge. And perhaps most importantly: that remembering alone is a burden. 
(chapter 86) This is why, when electricity returns in episode 86, it does not revive heat. It interrupts it. 
(chapter 86) That’s the reason why the athlete stops for a moment and asks doc Dan, if he needs a break. 
(chapter 86) This question is important because doc Dan admits his confusion and ignorance. He confesses to himself that he “knows nothing” not only about himself, but also about his fated lover. (chapter 86) The night is no longer sealed. It is permeable. Time resumes. (chapter 86) This signifies that thanks to the “champion’s thunder”, doc Dan was able to leave the vicious circle of “depression”. At the same time, such a confession implies that doc Dan’s present is no longer determined by the past and prejudices. And that is precisely why it matters.
From Drugged Time to Embodied Presence
If the earlier nights failed because time itself was compromised, then the question that naturally follows is this: what allows time to resume?
Chapters 39 and 44 taught us that intensity alone is not enough. Desire flared, bodies responded, confessions surfaced — and yet nothing endured. Not because feeling was false, but because consciousness was fractured. Words existed, but they did not circulate. Memory existed, but it was asymmetrical. Each night collapsed into silence the moment it ended.
Episode 86 emerges precisely at this fault line.
At first glance, it might seem quieter. Less dramatic. Less overtly confessional. And yet, this apparent restraint is deceptive. What changes here is not the presence of desire, but the medium through which meaning passes. What circulates between them in this night is not nostalgia, not projection, not even hope — but presence.
The sparks that punctuate episode 86 are not metaphorical excess. 
(chapter 86) They function as temporal markers. A spark exists only now. It has no duration. It cannot be stored, recalled, or anticipated. It appears — and vanishes. In this sense, electricity becomes the perfect visual language for the present moment itself.
Unlike heat, which lingers and can smother, current demands simultaneity. It requires two points to be active at the same time. The moment one withdraws, the circuit breaks. Sparks therefore signify not passion remembered or desired, but attention shared. This is why the night in episode 86 feels radically different from earlier encounters. At the end of episode 86, Kim Dan is no longer trapped in the past — replaying humiliation, abandonment or knowledge (as such arrogance). Nor is he projecting into the future at the end — fearing consequences, punishment, or loss. (chapter 86) For once, his thought does not spiral backward or forward. It halts. He decides to follow his heart again. (chapter 86)
The phrase carpe diem applies here not as romantic indulgence, but as psychological fact. To seize the day is not to ignore reality; it is to suspend temporal distortion. (chapter 86) In this night, neither character is reliving an old wound nor rehearsing a future defense. They are not remembering a dream. They are not trying to recreate one. They are simply there.
Electricity makes this visible. The body jolts. Thought fragments. Linear narration breaks. But unlike the drugged nights, this fragmentation does not produce amnesia. It produces grounding. Kim Dan’s repeated confusion — “I can’t think straight” — is not dissociation. (chapter 86) It is the absence of rumination.
This is what distinguishes presence from illusion. Illusion detaches the body from time. Presence anchors the body in time.
The sparks, then, do not represent chaos, rather emancipation and liberation. (chapter 86) Therefore the “hamster” can not control his voice and body. The sparks represent contact without temporal displacement. Both characters inhabit the same instant, without substitution, without rehearsal, without erasure. The present is no longer something to escape or survive. It becomes something that can be shared. That’s the reason why the two main leads are talking to each other.
And this is precisely why meaning finally begins to circulate.
If the first part (From Solar Heat to Electric Current) and second part ( Dream Nights and drugged time) traced how electricity replaces heat, and how illusion breaks time, then the next part turns to the most unsettling shift of all: the disappearance of words — and the emergence of the kiss as language.
No Words, But a Kiss: When Communication Changes Form
One of the most striking features of my illustration for episode 86 is the near absence of visible speech bubbles — even when Joo Jaekyung is clearly speaking. His mouth is open, his body leans in, his posture is attentive, and yet language is visually de-emphasized. Words are present, but they no longer dominate the frame.
By contrast, the star with the cut-off speech bubble appears elsewhere — suspended, incomplete. Language has not disappeared; it has lost its authority. It exists, but it is no longer imposed, no longer unilateral, no longer protected by distance.
This visual shift matters. (chapter 86) In earlier chapters, words often preceded erasure: confessions spoken under intoxication 
(chapter 10), statements blurred by drugs 
(chapter 43), sentences remembered by only one side. (chapter 39) Language functioned as exposure without continuity. Here, the narrative refuses that pattern. (chapter 86) It withholds verbal dominance so that something else can emerge. Kim Dan’s answer does not come in words. It comes as a kiss. (chapter 86) This gesture must not be misread as avoidance (silencing) or impulsivity. It is neither silence born of fear nor surrender to sensation. It is embodied communication — a mode forged by a history in which words were unsafe, unreliable, or followed by disappearance. The kiss articulates what cannot yet be stabilized in language without being lost again.
It says: I am here. And more importantly: I accept this moment. Not the future. Not the consequences. The present. But this action catches the MMA fighter by surprise, as in the athlete’s mind, Doc Dan has never initiated a kiss before except in the States, but the doctor doesn’t remember it. At the same time, it is clear that the athlete has not been confronted by his own amnesia concerning the night of his birthday: doc Dan had kissed him there too, thus the celebrity had been able to make doc Dan smile 
(chapter 44) and even laugh…. if only he could remember that night…
Crucially, this act in episode 86 (chapter 86) cannot be neutralized by Joo Jaekyung’s habitual reflexes — the “it’s nothing” 
(chapter 79), the “never mind”, 
(chapter 84) or it is a mistake, the easy erasure that once dissolved meaning after the fact. The kiss interrupts that mechanism. It produces a pause that cannot be talked over. It forces reflection. (chapter 86) Joo Jaekyung will have to ponder on the signification of such a kiss.
For the first time, meaning does not vanish once contact is made.
The kiss therefore marks a decisive transformation in how communication functions between them. Words are not rejected; they are postponed. Language is no longer the condition for intimacy, but its consequence. What circulates first is presence.
And this is why the kiss belongs structurally to the logic of current introduced earlier. Current does not explain itself. It passes — or it does not. It requires proximity, consent, and mutual contact. Once established, it cannot be undone by denial. Hence the champion reciprocates the gesture. (chapter 86) He is even kissing with open eyes, as though he desired not forget this wonderful night. In episode 86, communication no longer seeks to protect itself through speech. It risks itself through embodiment. And that risk, precisely because it is accepted rather than anticipated, changes everything.
First Conclusion — When Conditions Change
With the symbolic framework established, the earlier nights revisited, and the forms of communication closely examined, the analysis has already progressed far enough to reconsider the nature of the night in episode 86.
By moving through these successive angles — from mythological and elemental references, to nights compromised by illusion, to the transformation of how meaning is exchanged — one point becomes clear: this night is not just defined by intensity, tenderness, or redemption. It is also defined by changed conditions.
When electricity replaces heat (chapter 86), power ceases to be unilateral and becomes relational (sky and earth). Thunder does not linger or dominate; it strikes, interrupts, and resets. The champion is no longer read as a solar figure imposing force from above, but as a conductor within a circuit that requires reciprocity.
When the earlier nights are reexamined, their failure appears not as emotional insufficiency but as structural impossibility. Desire existed, but time could not flow. Drugs suspended causality, fractured memory, and sealed each encounter inside itself. What remained were dream-nights — vivid, intense, and ultimately unsustainable. Yet, they left wounds. (chapter 86) At the same time, it becomes clear that this moment in Paris embodies the convergence of two memories and two nights which helps them to recreate a new night marked by desires and communication. So this night will generate new memories and push them to redefine their relationship.
Finally, when attention shifts to communication itself, episode 86 reveals a decisive reconfiguration. (chapter 86) Meaning no longer relies on speech that can be blurred, forgotten, or denied. It circulates through presence. The kiss interrupts fear without abolishing clarity. Kim Dan does not forget the future; he accepts the risk of setting it aside. For the first time, current passes while both remain conscious, present, and aware.
One image quietly condenses this transformation. (chapter 86)
Kim Dan almost sits on Joo Jaekyung’s lap. (chapter 86) Earlier in the narrative, this posture belonged to another body. 
(chapter 19) The grandmother’s lap structured Kim Dan’s understanding of safety, endurance, and knowledge. Sitting there meant being held — but also being taught how to survive through sacrifice, silence, and self-effacement. That worldview sustained him, but it also confined him.
In episode 86, the posture is almost repeated — but the figure has changed.
This is not a romantic substitution. It is a symbolic shift. The body that now supports Kim Dan does not transmit inherited rules or fixed certainties. It asks questions. It pauses. It waits for response. He is actually more sitting between his legs or on his arms. In this moment, Kim Dan is no longer receiving knowledge about how to endure the world; he is participating in how to inhabit it.
From this point, a first answer to the guiding question emerges.
Episode 86 is neither illusion nor culmination. It does not redeem the past, nor does it erase it. It alters the framework within which meaning can circulate. Time resumes not because wounds have healed, but because they are no longer governing the present by default.
What remains unresolved — and what now demands further attention — is what follows from this shift.
If communication has changed form, how does unpredictability change meaning? If presence has been established, how does recognition operate without erasing the past? And if two nights once marked by failure now converge within the same moment, what does that convergence produce?
These questions open the next stage of the analysis.
The following sections will therefore turn away from possibility and toward consequence: how agency is reclaimed, how repetition acquires new ethical weight, and how two previously incompatible trajectories finally begin to add rather than cancel each other out.
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(chapter 84) Readers have replayed the blurred panel again and again, straining to decipher the muffled shapes of his mouth. Some are convinced that this is the confession, the moment the wolf finally says aloud what his body has been whispering for months. One Jinx-phile, 
just enough to match the Korean 좋아해 김단 (jo-a-hae Kim Dan)—“I like you, Kim Dan.”
(chapter 84) —especially Japanese summer festivals where boys and girls, dressed in yukata, confess beneath crackling skies. Fireworks symbolize joy, romance, fleeting courage. It is no wonder many readers assumed that Mingwa was drawing on this cultural grammar: purple night sky, glowing lights, two lonely figures suspended above the world. A confession seems almost inevitable. And if it truly was a love declaration, then the champion’s refusal to repeat himself 
(chapter 62) 
(chapter 77) Why does Joo Jaekyung speak exactly when the fireworks begin, as if choosing the one moment when he is guaranteed to be drowned out? 
(chapter 84) Was he truly confessing love—or was he trying to verbalize something far more raw, far more primitive, far more difficult?
(chapter 76) and 79 
(chapter 79), where he “speaks” only when the other man cannot truly hear him. At the hostel, the mumbling was barely audible: yet according to my observation and deduction, doc Dan seems to have caught something. as later we discover this scene from the champion’s memory: 
(chapter 77) He already knew that the athlete was standing next to him. However, observe that this vision focused on the doctor’s gaze was accompanied with silence. This means, doc Dan acted, as if he had heard nothing. So if he heard, what did the physical therapist catch exactly in the kitchen? “I lost…”, but it was devoid of any context. Doc Dan had no idea what the director Hwang Byungchul had advised to his former student. 
(chapter 75) He could not know that “I lost” referred to something far more intimate: Jaekyung losing control over his own emotional detachment, he was totally vulnerable in front of doc Dan. His heart was stronger than his “mind and fists”. Naturally, if Kim Dan interpreted the phrase at all, he would connect it to the only “loss” he understood: the tie with Baek Junmin. A humiliating defeat. A source of shame. This misinterpretation perfectly explains why in the cabin, the hamster immediately assumes that the champion is once again determined to regain his title: 
(chapter 84) He is taking the champion’s words at face-value. 
(chapter 77) He trusts the explanation Jaekyung himself gave under the tree. And here lies the deeper revelation: Kim Dan’s misunderstanding exposes the true meaning of the tree confession. Why did Jaekyung suddenly accept the match? Why frame it entirely in terms of “I need you for these two fights”?
(chapter 84) A deadline designed to keep Kim Dan close without revealing the depth of the emotional dependency underneath. Finally, before we even analyze posture or timing, we must acknowledge the ghost that is sitting inside the cabin with them — Jaekyung’s own admission of dishonesty. Just minutes earlier, the narrative revealed again a thought he had never dared to voice aloud: 
(chapter 84) This is the language of surrender — not to defeat, but to vulnerability and selflessness. The champion who once insisted on keeping Kim Dan “one way or another” (chapter 84) now articulates the opposite impulse: the willingness to release him, to give him a choice. 
(chapter 84) Thus for me, in the cabin the champion became, for a moment, the boy with no mother’s gaze, no father’s protection, no safe place to rest. He must have said something cheesy, something a young person would say. Purity returns before experience does. Honesty returns before articulation. And in that moment inside the cabin, Mingwa makes a decisive artistic choice: we do not see Jaekyung’s eyes. 
(chapter 84) This pigment stands for innocence, purity, new beginnings and even equity. 
(chapter 84) Because they were not yet meant to be received, only meant to be released. The fireworks allow him to finally attempt a more honest sentence, but in conditions where it cannot reach its target.
(chapter 81) Yet this is also the limit of what he can say.
(chapter 79) Thus he could see the athlete’s mouth moving and hear sound. Nevertheless, observe that the moment the wolf reached to the doctor’s words, he bowed his head and looked down. From this 
(chapter 79) to this 
(chapter 79) However, he doesn’t fear coldness, but ridicule and mockery, the father’s gaze: 
(chapter 73) Under this light, people can grasp why Joo Jaekyung was not facing doc Dan directly in the cabin. To conclude, the mechanism is identical, but amplified. 
(chapter 73) Besides, the head of her position is indicating that she was not looking at her son, the boy was hiding his face from Joo Jaewoong and his mother. Then his father mocked him, degraded him, and used resemblance as an insult: “
(chapter 74) or his mother (a poor but good mother), he was not seen for whom he was: a child, a boy. Jinx consistently links sight with recognition, and recognition with love. 
(chapter 53) Jaekyung has never been granted either. 
(Chapter 45) Thus when he got upset with the present, he indirectly expressed the wish to be « looked at ». Moreover, in his visions or memories, this is what he keeps seeing: 
(chapter 54) 
(chapter 75) Doc Dan’s gaze!
(chapter 51) And for the first time, Jaekyung freezes. 
(chapter 51) His breath catches; his eyes widen. It is the moment he realizes his mistake. He never thought that doc Dan had been trusting him. That moment marks the first rupture in his emotional armor, not only because it hurt, but because it revealed. He realizes with terror that he wants to be seen by Kim Dan, but when he faced such a gaze, he could only feel guilty and bad. Thus it is not surprising that later, his nightmare let transpire his guilty conscience. 
(chapter 82), as the champion has always used his surroundings as a source of inspiration. 
(Chapter 29) It would also fit with 5 syllabes in Korean. And it would be cheesy too. Yet, I have my doubts about this theory which I will explain further below. Nevertheless, one thing is sure. The champion loves the doctor’s eyes and they have the power to move not only his heart but also his mouth. He is encouraged to verbalize his emotions. 
(chapter 84) The gaze under the fireworks triggers emotions in him. Thus he blurted out something. But for me, he does not know how to say “I love you.” He cannot even say “I like you.” Those sentences belong to someone who has matured emotionally — someone who can identify feelings properly, but so far he keeps saying: “to stay by his side” and his « affection declarations » were all linked to negativity.. Thus my idea was that Joo Jaekyung could have said this: “I want to hold you!” (안고 싶어 너). Let’s not forget that so far, the champion had never expressed such a longing before; a warm embrace. He would always follow his instincts: 
(chapter 4) 
(chapter 69) The hug represents a metaphor for “staying by his side, for home and to be seen”. Moreover, in French embrasser can mean kiss and hug. And strangely, I noticed that the protagonists were never looking at each other during an embrace. 
(chapter 65) It is for “babies”. No wonder why he retracted immediately.
(chapter 84) Here, the doctor looks sad and wounded. His eyes are unfocused — he is not seeing the present. The water running down his eyelashes gives the impression of tears, even though he is not crying. His gaze is distant, fixed on something internal. His mouth looks tense, almost trembling. The mouth especially is a clue: Kim Dan’s emotions always gather there when something from the past resurfaces.This is the expression of someone thrown into an involuntary flashback. He is inside a memory. This explicates why this scene is similar to the champion’s shower after the latter had met Baek Junmin: 
(chapter 49) 
(chapter 49) Both scenes show a man pulled violently into a buried memory. Thus, my assumption is simple: the champion said something that pierced straight into Kim Dan’s oldest wound and brought his trauma to the surface. And this brings me to my next observation. Inside the cabin, there are not two people — there are three: the champion, the therapist, and the Teddy Bear. 
(chapter 84) Furthermore, we have a window. We have a phone (dead, but present). We have a childlike toy — symbol of stolen innocence.
(chapter 84) And now, look again at episode 19: 
(chapter 19) A window with no view. Three figures: halmoni, the boy, and the phone placed between them like a knife. And the sound structure is identical, but reversed:
(chapter 84) It is not a fashion choice. It marks the moment when innocence collapses and the past reopens.
(chapter 56) In other words, wearing black is more than just a change of personality or mourning. It becomes the color of mystery, the beginning of descent into truth. 
(chapter 84) However, observe that doc Dan is holding, even squeezing the teddy bear’s hand, a sign that he is rekindling with his lost childhood. We are getting closer to the revelation behind the photograph — the day doc Dan has never willingly shown to Joo Jaekyung.
(chapter 79) on the night table. 
(chapter 21) and 
(chapter 47). Dan once had toys — proof that once, someone loved him enough to give him gifts which contrasts to the wolf’s childhood. 
(chapter 84) Every time innocence is ripped away, a teddy bear disappears from the story.
(chapter 82) will happen linked to the protagonists’ past (recent and childhood). Let’s not forget that doc Dan still has no idea what Joo Jaekyung went through after his departure: the slap, the drinking, the headache and the indifference of Team Black, just like the athlete has no idea about the blacklisting and bullying in the physical therapist’s past. 
(chapter 84) So by wearing black, doc Dan indicates that he is gradually becoming responsible for Team Blackand Joo Jaekyung the athlete. 
(Chapter 63) The presence—or absence—of clothing during their encounters symbolized the gradual dismantling of their emotional walls. Now, shifting the perspective to the champion, another layer of complexity emerges. Joo Jaekyung’s evolving approach to intimacy is not just a reflection of his growing feelings but also a silent, deeply ingrained struggle with dependence and control.
(chapter 63) Why does he hesitate to strip entirely, even as he succumbs to desire? Notice that he released his erected phallus before removing his cloth. 
(chapter 63) To answer this, a comparative analysis of earlier sex scenes is necessary, unraveling the hidden dialogue between physical exposure and emotional vulnerability.
(chapter 30) The doctor instinctively tried to cover his gray boxer shorts with his t-shirt, prompting the champion to question his reaction: 
(chapter 30) In Episode 63, this dynamic appears subtly reversed. 
(chapter 63) The champion, despite holding the dominant role, is now the one retaining a piece of clothing. This suggests an unconscious act of concealment—not of shame in the traditional sense, but of a growing dependency on Kim Dan.
(chapter 62) with a zoom-in shot on his erection still hidden by gray sweatpants. Striking is that on the one hand he let the doctor feel his reaction to his naked body, when he embraced the doctor: 
(chapter 62) The “hamster” could sense with his leg the excitement. On the other hand, these pants were only removed once he entered the bedroom and was on the bed 
(chapter 63), reinforcing the idea that vulnerability, for him, is confined to this private space. Moreover, the choice of attire in Episode 62 
(chapter 62) —ridiculous floral-patterned pants—serves as an indirect reference to shame (in a good way), an unfamiliar emotion for the undefeated fighter. This pattern culminates in Episode 63, where Jaekyung’s thoughts confirm his internal battle: 
(chapter 63) Thus I deduce that exactly like the presence of the black underwear, the athlete’s low self-esteem hasn’t been removed completely. He still expects fear and rejection.
(chapter 63), dominates without seeking connection 
(chapter 55), and ensures that every encounter follows his carefully constructed narrative. However, in Episode 63, a subtle but undeniable shift occurs. For the first time, Jaekyung’s actions reflect something deeper than mere desire or dominance. They reveal his growing emotional investment in Kim Dan, exposing a side of him that even he does not fully comprehend. 
(chapter 63)
(chapter 12) In the earlier encounter, Jaekyung presented himself as a generous partner, offering Kim Dan a so-called privilege—an opportunity to enter a whole new world, thanks to him. However, his so-called generosity was nothing more than a facade, a way to conceal his inexperience in genuine intimacy. The tool he used was not just an object of pleasure but a mask for his own shortcomings as a lover. He did not know how to pleasure Kim Dan, nor did he care to learn. His focus was not on Kim Dan’s enjoyment but on reinforcing his own power and dominance.
(chapter 63) Here, he no longer portrays himself as the benevolent provider of an experience. 
(chapter 12) – seeking both to display dominance and to elicit validation 
(chapter 12) —this time, in Episode 63, he prioritizes Kim Dan’s pleasure without explicitly expecting anything in return. 
(chapter 63) Up until this point, Jaekyung has never truly faced rejection. 
(chapter 63) His wealth, power, and physical prowess have ensured that people comply with his desires. However, in Episode 63, Kim Dan does not simply comply—he resists on an emotional level. While he consents to sex, he actively rejects any deeper connection. He avoids eye contact, creates physical distance, and refuses to acknowledge Jaekyung beyond the act itself. This rejection unsettles Jaekyung because, for the first time, his usual methods of control no longer work. He cannot use money to bridge the emotional gap, nor can he rely on his dominance to make Kim Dan want him. 
(chapter 63) This moment forces him to confront an uncomfortable truth: power and status cannot buy emotional intimacy.
(chapter 03) or passive-aggressive remarks. 
(chapter 6) However, in this moment, he does not react with anger or coercion. 
(chapter 63) While he does voice his frustration, he does so without force, showing an unprecedented level of emotional regulation. Instead of demanding compliance, he chooses a different approach—he focuses on Kim Dan’s pleasure, attempting to bridge the emotional gap through physical intimacy 
(chapter 63) rather than control. This decision is not merely about sex; it is an unconscious attempt to regain Kim Dan’s attention, to re-establish a connection that he does not yet fully understand but deeply craves.
(chapter 29) This remark exemplified his detachment, his refusal to acknowledge Kim Dan as a person rather than just a body. Once again, the intercourse was linked to achievement and work. However, in Episode 63, he actively seeks Kim Dan’s gaze, subtly pleading for recognition. 
(chapter 63) This reversal is crucial because it indicates that he no longer sees Kim Dan as just a means to an end. However, his desire for recognition still lingers beneath the surface—just as he once sought validation through dominance, he now seeks it through Kim Dan’s acknowledgment. He wants something more, though he cannot yet articulate what that is, and his actions reflect a subconscious craving for emotional reassurance. 
(chapter 13)
(chapter 62) the sportsman welcomes the physical therapist in blue pajamas and a robe—an overt attempt to maintain distance and control. Even as the encounter begins, he leaves his pajamas on 
(chapter 3), removing them only 
(chapter 3) – this image marks the change) when the doctor’s back is turned. Then in Episode 8, during the shower, he continues wearing shorts and underwear 
(chapter 8), and his choice of the doggy style further reinforces his desire to avoid direct, face-to-face vulnerability. 
(chapter 12) before removing it and adding the pink sex toy. 
(chapter 12) Their bodies might have been close, but their minds remained divided. That’s why he couldn’t detect the huge bruises on his companion’s body. 
(chapter 12) This guarded approach is further underlined in Episode 20 
(chapter 20), where even in the midst of nakedness, the athlete deliberately positions the doctor in the dog stance. At the same time, he uses another MO: the darkness of the room to hide himself. This calculated arrangement maintains an emotional buffer, allowing him to remain physically exposed yet emotionally detached—a recurring theme in his behavior.
(chapter 29) while still cloaked in his familiar blue robe and pajamas. Interesting is that the room is not totally dark like in episode 20, the bedroom is illuminated by the huge TV screen. Importantly, this episode marks the first time they face each other in the bedroom, signaling a significant shift in their dynamic and announcing a switch in position. This newfound mutual visibility lays the groundwork for later developments.
(chapter 33) —a deliberate act imbued with symbolism. Unlike earlier encounters, the champion remains fully clothed throughout this episode, 
(chapter 33) contrasting sharply with previous moments of exposure. The car scene, where they are now facing each other, reinforces the announced switch in intimacy; the light not only illuminates the scene but also serves as a metaphorical spotlight on his desire to see the doctor’s face and body 
(chapter 33) —a silent assertion that only he can truly satisfy the physical therapist. Let’s not forget that before having sex together, the fighter resorted to a dildo 
(chapter 33) rather direct physical intimacy, because he felt insecure after witnessing the actor’s advances toward Kim Dan. His goal? To reaffirm his dominance and make Kim Dan admit that he needed him for pleasure. It is important because it exposes that deep down, the champion views himself as a bad lover. There is no doubt that Heesung‘s criticism resonated with him. 
(chapter 33)
(chapter 39) While receiving fellatio, the champion keeps his t-shirt on, only removing it later when he invites the doctor into bed. 
(chapter 39) Maintaining the doggy style during this phase, he uses such intimate acts to mask his true longing and attraction—an effort to control the encounter while keeping his emotions under wraps. Then I noticed that they switched positions, when doc Dan asked for a break. 
(chapter 39) The wolf chose to lie down on the bed: 
(chapter 39) As you can see, through the different intercourses, we can see the different methods the star used to conceal himself, to hide his “weakness”, his growing feelings for the doctor.
(chapter 61) The physical therapist remembers an encounter bathed in bright light, where they stood before a couch: the doctor had removed his pants while the champion remained fully clothed, positioned behind him. 
(chapter 61) After both reached climax, the sportsman swiftly departed—a stark demonstration of his habitual retreat into distance and fear, even as he ensures the doctor’s pleasure. 
(chapter 61) This calculated “running away” underscores the return of old insecurities and the persistent need to assert control. Since the doctor was still living in the penthouse and as such was still working as the star’s physical therapist, it becomes comprehensible why the athlete could only resort to strength to keep his fated companion by his side. He had rejected his “gratitude” and “emotions” before. 
(chapter 63) Now lying on the bed facing each other, the pair’s physical closeness appears more genuine. Yet, even in this seemingly intimate configuration, they avoid locking eyes during penetration. 
(chapter 4), we do not see whether he is wearing anything the morning after. After their “magic night” in the United States (Episode 39), the next morning, he is only shown taking a shower 
(chapter 40) —meaning the audience never sees him leaving the bed. However, in Episode 45, the author deliberately includes a shot of Jaekyung leaving the bed while still wearing his black boxer briefs. 
(chapter 45) 
(chapter 45) In reality, he was wondering why he had acted this way. This contradiction—pretending to forget while consciously recalling their time together—reflects his internal denial. His next thought, 
(chapter 45) is a transparent excuse to avoid confronting his emotions. The presence of the black underwear in this scene confirms that he had not fully lowered his guard; he still maintained a psychological barrier between himself and Kim Dan.
(chapter 53), Jaekyung was conditioned through shame and rigid expectations. His worth was not inherent but conditional, entirely dependent on his performance. 
(chapter 54) If he was not good enough, if he did not win, he was nothing.
(chapter 54) The specter that haunts him—an unnamed figure whose words still echo in his nightmares—was the architect of his relentless pursuit of strength. Striking is that in his nightmare, he is facing the mysterious ghost, a sign that he saw hatred and rejection in his counterpart’s eyes. While Kim Dan’s halmoni took his hand and provided warmth 
(chapter 22), Jaekyung’s guardian likely did the opposite. 
(chapter 5) This represented a source of support for the elderly woman. Secondly, during the intercourse in the lavender-tinted bedroom, neither the champion nor the doctor are trying to take each other’s hand: 
(chapter 63) In the beginning, the champion grabbed doc Dan’s wrist. This shows that the athlete was not used to touch Kim Dan’s hand. And notice how the “hamster” reacted 
(chapter 63) He pushed it away. This means that taking the doctor’s hand represents the biggest challenge for Joo Jaekyung right now. In addition, the last panel indicates the champion’s transformation, he is now willing to seek the doctor’s closeness. It also implies the vanishing influence from his past guardian.
(chapter 54) There was no room for imperfection, no tolerance for hesitation. Thus I deduce that the champion’s choice of career could have been decided by the guardian, similar to the grandmother’s attitude with Kim Dan. Remember that he loves water and swimming. 
(chapter 27) Under this new light, it could explain why the fighter forgot his passion. They made sure that he would train restlessly. In this environment, vulnerability was a defect to be eradicated, not a human trait to be acknowledged. This description reminded me think of Park Namwook and his family. The manager is a former national wrestler who is married to an athlete too. 
(chapter 5) At the same time, it would highlight the potential danger of Park Namwook’s vision for the gym: an institution that might perpetuate the same cycle of control, shame, and expectation rather than fostering true passion and individuality in young athletes. That’s how I realized why the manager slapped his “boy” after the funny sparring: 
(chapter 26) He explained that the main lead was just a doctor. However, I am quite certain, underneath, the manager thought that doc Dan was not fit to spare: so small and weak. He doesn’t fit the criteria to become a sparring partner. Look at his reaction, when Seonho faced the champion: 
(chapter 46) Under this new light, it becomes comprehensible why Potato was also neglected by the manager. The young maknae belongs to a different weight category. There is this invisible rule that only strong people can become member from the gym. However, the purpose of such an institution shouldn’t be reduced to titles, strong and muscular men or boys. The gym should be opened to anyone who desires to have fun and improve their health.
(chapter 1), until he received the doctor’s massage in chapter 1. His attitude toward sex mirrors his training in the gym—focused on endurance, performance, and control. His body is a tool, a machine honed for efficiency. 
(chapter 63) Pleasure is secondary; the real goal is lasting, enduring, proving his stamina. Even in his most intimate moments, he is competing against an invisible opponent—his own ingrained fear of inadequacy.
(chapter 63), why he keeps barriers between himself and Kim Dan, even when his body betrays his true desires.
(chapter 62) 
(chapter 4) nudity was a tool of dominance, a means of asserting control. Now, it has become a sign of submission—not in the physical sense, but in the way he is slowly relinquishing the emotional armor he has always relied upon. 
(chapter 63), but of his silent battle against the vulnerability he is beginning to feel. 
(chapter 55) One might think that the causes for his throbbing head are his depression and insomnia. On the other hand, I am quite certain that many readers had a different explanation for his migraine. He is missing his lover, Kim Dan, as the color red symbolizes the headache and the physical therapist’s name is strongly intertwined with this pigment which was once again confirmed in episoe 56. 
(chapter 56) So it is true that his migraine are caused by the doctor’s absence. It was, as if the main lead was suffering from withdrawal symptoms. The fighter has a love addiction, but he is not aware of the existence of this “sweet poison”. But there’s more to it.
Thus I consider this image, where the champion is seen 
(chapter 43) eating a strawberry with cream as the announcement of the magical night between Kim Dan and his fated partner. The fruit with the cream represented a violation to his strict diet. 
(chapter 55) or the medicine against migraine. 
(chapter 54) However, in episode 55, we can observe a huge change in the champion. 
(chapter 55) The latter is finally admitting the inefficiency of the medicine. In other words, in this scene, he was giving up on them. This represents an important step on his way to enlightenment. For me, it signifies that he is stopping relying on pharmaceutical products. Let’s not forget that in the past, he rejected the PT and even neglected them. Why? It is because he trusted more sprays and other medicines than people. 
(chapter 49) Therefore the switch of the spray had to occur. He needed to question his prejudices and attitude. But let’s return our attention to the champion and his throbbing head. One detail in this panel caught my notice. 
(chapter 55). This means that she had not seen the mess in the master room before: 
(chapter 55) And now, pay attention to the number of the bottles in his room: 
(chapter 55) I count 12 bottles of wine exactly like in the last image from chapter 54. Thus I came to the following deductions:
(chapter 54) and the appearance of the staff in chapter 55. It indicates that Jinx-philes can witness time deceleration in season 2. From one month in one chapter, then a week in the next episode, finally we have a reference to a day: Monday. Thus I deduce that in episode 56, only 2 or 3 days elapsed. I have already announced that the couple should meet each other around 25th: 
(chapter 56), for the day Kim Dan wired his money to his “loved one” took place after 10th of the month: XX = two digits. 
(chapter 55)
(chapter 55) Consequently, I judge the cleaning lady as the positive version of Park Namwook. Though she uses social norms, she doesn’t use them against her employee. She didn’t condemn him, it is a mixture of teasing and reminder. At the same time, her intervention implies that she must have noticed changes in her boss after the arrival of Kim Dan in the flat and his departure. That’s the reason why I have the impression that this image is announcing another turning point in the champion’s life either: 
(chapter 55) He won’t drink like before. However, I don’t think that he will behave like in the past: reject any alcohol entirely.
(chapter 55), his migraine vanished. Though he is holding his head the next morning and hiding his gaze 
(chapter 55), the Webtoonist didn’t add any red or “throb” as an indication for a migraine. As you can see, his headache is strongly intertwined with repressing the physical therapist and as such locking away memories. However, there exists another cause. What had the doctor done in the past? 
(chapter 44) Yes, the main lead had patted his lover’s head, while the champion had his eyes close. In my opinion, his unconscious had registered this gesture and loved it. However, the champion had not seen it himself. He was drunk and had his eyes closed. This stroke on the head symbolizes appreciation, affection and recognition. 
(chapter 23) That’s how little kids are admired and loved. This stands in opposition to the abuser’s behavior: 
(chapter special 2) The same way than Kim Dan with the patting! In other words, the champion is deep down longing for such a gesture, but he has not realized it yet. Nevertheless, I believe that he just needs a trigger.
(chapter 55) With his left opened eye!! The exact opposite from this picture: 
(chapter 55) This observation got confirmed in episode 56, though I couldn’t expose it before the release of the new chapter. 
(chapter 56) As long as the fighter thinks of his fated partner, he is not plagued with a throbbing head. This shows that it has something to do with repressing memories. However, his physical condition is still not improving: 
(chapter 56) He even looks worse than before: exhausted and malnourished. There is no one by his side taking care of him: his only interaction with his manager is through the phone. At no moment, the guy felt the need to pay a visit to his boss and champion. 
(chapter 56) Because I discovered the connection between memories and the physical therapist, it is important to examine the interaction between the main lead and the new uke.
(chapter 55) This signifies that in reality, the uke is the one benefiting more from this relationship, while the “Gucgi guy” is a placebo for Joo Jaekyung. He can not replace the true medicine: Dan’s love. But Joo Jaekyung chose to close an eye to the truth forgetting his “insight” from chapter 2: 
(chapter 2) However, back then, he had just stated it in order to get rid of the mint-goblin. He needed a justification for switching his partner. In other words, this was reflecting more the protagonist’s corrupted mind and heart. Therefore he is designed eyeless, the symbol for ignorance, lies and blindness. 
(chapter 55) And where did he have his migraine exactly? 
(chapter 55) It was on the right side and eye! It truly exposes that Joo Jaekyung was getting punished for his attitude. He is not allowed to bury and forget Kim Dan. The star’s open eyes in this episode symbolize denial, lack of self-awareness and as such the absence of insight. He is also punished for his lies in episode 2. His words might have reflected the truth, but his words didn’t expose a change of heart. He was taking advantage of this situation as well. So when the pain intensified pushing him to close his right eye, we should consider this image as a short moment of reflection and realization. In the restroom, he was forced to admit that only Kim Dan could kiss him. Is it a coincidence that just before Mingwa presented this image 
(chapter 55) Naturally no, she was mirroring the attitude of both figures: both were in denial!! Notice that though the star had no reaction in front of the “replacement”, the latter chose not to give up at all. This man was not expecting a rejection, in fact he was in total denial as well. He didn’t notice the star’s passivity and silence.
(chapter 55) He was just standing there and avoiding his gaze. 
(chapter 55) How can the MMA fighter reject him? This displays his huge confidence or arrogance. There’s no doubt that he will put the blame on Joo Jaekyung. At the same time, I believe that his blindness was also caused by his greed. 
(chapter 5) Therefore he was in a happy mood after that match. A simple gesture with a lot of power! He has been missing this hand or better said this gesture. This action was the main lead’s true motivation. 
(chapter 54) Don’t forget that Dominic Hill had expressed his admiration in a similar way, patting on the back: 
(chapter 40) No wonder why he felt so lost and empty after the last fight. 
(chapter 43) this was the coach’s hand. In other words, the athlete felt more close to the coach than to the manager. This would explain why he would listen to the coach and even entrust him with huge tasks like the charity event. Strangely, in season 1, we can observe how more or more he is distancing himself from the fighter. Probably related to his secret relationship with Kim Dan. According to my theory, the coach is aware of their relationship. They are more than just boss and employee. As you can see, I don’t think that the champion is right now just missing the doctor’s sweet lips. Deep down, he would like to be patted by his loved one, exactly like Potato. 
(chapter 23) 
(special episode 2) But this is what he received after the last match: 
(chapter 52) Nevertheless, Joo Jaekyung is lost as well, because he needs to face his old and fake belief: he is jinxed. But in order to remove this persistent superstition, it is important to study the origins of the athlete’s sexuality. How can I do this?
(chapter 2) The champion’s reaction is quite telling. He is not easily swayed. But we have another bigger evidence that his intercourses were replacement for “fights”. In The States, the fighter asked Kim Dan to join him at 11:00. 
(chapter 38) He needed to prepare himself mentally, to visualize how he would screw his opponent Dominic Hill. He was just taking the expression “fuck/screw” too literally. The latter idiom has the following synonyms: to cheat, oppress, bleed, coerce, wrest and to tighten. Just before the doctor came to his door, what was the athlete doing? He was watching a video from his challenger: 
(chapter 38) Therefore it is not surprising that he rejected Kim Dan’s request first. 
(chapter 39) He didn’t feel like it, because he was not aroused at all. Imagine that he needed two hours for that erection, a sign that during that night, Kim Dan was in reality a replacement for the American fighter. 
(chapter 39) Even when the doctor rubbed his hand against his sex, he had no reaction. 
(chapter 38) In fact, he needed a fellatio to get an erection, and he only started getting excited, when he saw the doctor’s gaze. That’s the reason why he remembered this image under the shower: 
(chapter 55) However, the more time the champion spent time with his physical therapist, the more he came to violate his own rules and principles: It started with their first meeting, when he crossed the line by mixing private and professional life together: 
(chapter 53) The latter didn’t feel the need to have more sex with Kim Dan, he let his partner leave the place. Why? This contrasts so much to their First Wedding Night: 
(chapter 4) 
(chapter 53) Pay attention to the behavior from the fighter during their last night together. He is looking away, he is not paying attention to his fated companion. His mind was elsewhere, focused on Baek Junmin! In my opinion, during that night, the champion had been able to differentiate between the physical therapist and his opponent. Fighting was more important than sex and as such his sex partner. To conclude, the physical therapist had been able to win Joo Jaekyung’s belief and heart. He was no longer a replacement at all. He had become a person close the fighter.
(chapter 49) he wanted to screw Baek Junmin for real. In this image, the athlete oozes confidence and strength. This means that he was no longer dependent on the good fuck before the match. 
(chapter 53) However, the main lead never realized this huge change, he kept his old belief as a tradition out of habit. This explicates why the fighter tried to replace with a new uke 
(chapter 55), but here the sex was longer connected to a match, rather to fun. Finally, observe how the champion is now blaming his PT for his ruined match: 
(chapter 56). I don’t think, he was referring to the spray incident, rather to their night before the match. The doctor had not behaved like a real opponent, he had admitted his “defeat” quite easily. He had left the ring before procuring him a good fuck. He was blaming his partner for violating his rule: 
(chapter 2) But here is the thing. Kim Dan had just accepted the deal because of his grandmother. Secondly, he learned an important lesson during that magical night: consent! 
(chapter 44) Sex is a synonym for love and as such it is about giving pleasure and affection to his partner. It is a two-way street. And this is something that the champion has to admit and accept. Thus I deduce that the fighter still has a long way to go before dropping all his fake principles. Like mentioned before, he needs to ponder on the following question: what matters to him the most? His championship or his happiness? Or what is sex to him? Why does he think that he is jinxed? He needs to face his own painful past and remember the face of his tormentor.
(chapter 49) Baek Junmin and the abusive parent. 
(chapter 54) However, this gesture had the opposite signification: rage, resent… but also sweet revenge! He must have recalled the Shotgun’s face. 
(chapter 52) There’s no doubt that thanks to the doctor, the champion will learn that he can get “justice” and satisfaction through other means. He can defeat the ghosts from the past, not just thanks to his fists and hard work, but also thanks to his surroundings and knowledge. Lawsuit and media!
(chapter 1) The physical therapist is not only his reward and price, but also his “second shoulder” and as such his pillar. The new PT won’t be able to replace him. Joo Jaekyung is not just a champion, but also a team: Kim Dan as his PT and his lover. As for Kim Dan, the celebrity is his “energy drink”, his source of comfort and joy. He is also his home, for he is the first one who invited him to stay with him! Yes, the grandmother didn’t invite her grandson to live with her, he was just dumped at her place. And because the celebrity is like a home and family, it explicates why the doctor is once again “living like a ghost”. 
(chapter 44) 
(chapter 43) That’s how the 29 years old man learned that the face symbolizes vulnerability, care and respect. Another explanation is that the protagonist was following his own heart, because he had given his consent to his partner. 
(chapter 44) On the other hand, his words expose his previous dishonesty towards himself concerning sex. He knew deep down that sex could be the expression of love and not immorality and corruption. Sex is dirty. 
(chapter 20) His thoughts were definitely influenced by his grandmother. Secondly, observe that he is implying that this intercourse just looks like making love. On the one hand, this observation indicates the doctor’s low self-esteem. He can not imagine that the champion would make love to him. On the other hand, his words imply that Kim Dan was aware of the athlete’s drunkenness. Deep down, he knew that his soulmate was not true to himself. He was acting under the influence of the alcohol, though the readers should keep in their mind that in wine, there‘s truth. Nevertheless, the divulging of his vulnerability was not the star‘s choice. 
(chapter 3) 
(chapter 44) Interesting is that the athlete reciprocated to his partner’s animalistic gestures: 
(chapter 44) Nuzzling often evokes imagery of animals displaying affection or seeking comfort, particularly creatures like leopards, or even wolves, which use gentle contact to bond with their pack or mate. So nuzzling like a leopard suggests graceful affection, a combination of power and tenderness. It reflects a careful approach, as though the young man is testing his lover’s response while still exuding vulnerability. But if you consider the star as a wolf, then the latter do it as a sign of trust and reassurance. Wolves are seeking comfort and offering unconditional love. This comparison highlights loyalty and the young man’s desire to feel close to his partner emotionally and physically.
(chapter 44) and the ear 
(chapter 44) These kisses symbolized respect and care. However, since the other partner was drunk, Kim Dan was actually violating social norms. Above, I mentioned that he was just following his own heart, and the latter is a synonym for instincts. Yes, this sex session stood under the sign of animalistic love and not love between two humans who are equals.
(chapter 4) 
(chapter 131) Hence the police officers found the governor’s seat deserted. 
(chapter 131) By contrasting the statement from the governor and the panel, the readers could easily catch his lie. He was a lazy governor, preferring to keep his lover company rather than attend to his official duties. On the one hand, it exposes the main lead’s true mind-set. He is not longing for power or glory. To conclude, he has no ambition. This implies that he is not determined to gain attention either. One might add that he selected this region on purpose. No one would willingly go to that place. The norm was that officials would go there, because they were demoted. 
(episode 129) Thus I deduce that Yoon Seungho made the opposite choice to his father. The latter longed for a high position at the government so that the family’s reputation would become famous and powerful again. 
(chapter 86) It is because Yoon Chang-Hyeon was thinking of getting the attention or support from noble families. What he truly wanted was to get recognition from people among his own social class. But with such a decision (join the painter’s side), Yoon Seungho seems to have turned the former patriarch’s nightmare into a reality. Yoon Seungho is about to ruin the family. The name “Yoon” is destined to become forgotten, right? However, I believe that this interpretation is not correct. How so? Let me ask you this.
(chapter 127) No one has such a wealth! That’s the reason why no official would select such a place. Yes, Jung In-Hun’s words from chapter 6 
(chapter 6) 
(chapter 37). It is about a crime, treason. In season 4, we know that the plot was true and there was an evidence, the paper with the signatures from lord Yoon and lord Song. Since in season 1 the wrongdoing was true and heavy, I deduce that it is not the case in the final chapter. Because there is an evidence of the crime in the past, I can’t help myself thinking that in the final chapter, there was no evidence. Additionally, I feel the need to expose my other interpretation about this man: 
(chapter 37) I have always stated that this man couldn’t be a servant, for he was smoking a pipe and we saw a glimpse of his memory. No commoner would be allowed to enter the courtyard, when three noblemen are tortured and interrogated. Moreover, notice that in both scenes (37 and 131), the magistrate is absent. That’s how it dawned on me that this nameless man could have been a former “governor” who lost his position.
(chapter 94) Here, the officers went to the mansion before visiting him at the gibang. 
(chapter 97) Back then, it was about the death of a commoner, a servant. If there’s an urgency, they would look for him. The comparison exposes that the “wrongdoing” from the peasants in the final chapter was no huge deal. Yet, many readers already condemned them due to the guards and the protagonist’s behavior. Funny is that the lord was portrayed as a huge liar, but not “the officers”. 
(chapter 101) His statement displays another aspect: the governor and the guards are not working together. Jihwa would have been sent to jail without being able to talk to the superior, similar to this scene: 
(chapter 126) The guards’ own interests are not necessarily aligned with the governor’s. And now, take a closer look at this scene: 
(chapter 127) The official received the patriarch in his office alone. The reason is simple. That way, he wouldn’t have to share the money with others.
(chapter 129). He was not sitting on a horse with a few musicians contrary to Jung In-Hun. He was carried by four men, and other people were announcing his arrival with flags and music. 
(chapter 111) Moreover, Yoon Seungho had a inauguration banquet organized, where the local inhabitants could join. 
(chapter 129) There was no social exclusion at all. This stands in such opposition to the lord’s statement in season 1, where he distinguished between nobles and commoners.
(chapter 129) This signifies that the arrest could lead to trouble to the guards too. So was the lord lazy in the end? 
(chapter 131) Yes and no… By acting that way, he put an end to the abuse of authority in that place!! Thus I deduce that the governor is destined to gain recognition and admiration from the local inhabitants. He is generous (inauguration banquet where anyone could join), humble, loyal (he is not forgetting his lover) 
(chapter 131), but also well organized! He had planned to join this place a long time ago. The peach trees were planted about 3 years ago. He is no longer making any distinction between nobles and commoners, and that’s how he will get the respect from the peasants. As a conclusion, we should envision that the lord will become famous. Therefore the son didn’t turn the father’s nightmare into a reality. He didn’t contribute to the family’s ruin at all. Yet, there exists a huge divergence. Yoon Seungho is about to make a name on his own. It is not about the Yoons. On the one hand, the father’s dream was illusory and superficial, especially due to the treason
(chapter 86). Since Lord Song had been forced to resign, there’s no doubt that the man would resent the Yoons to become successful again. This explicates why lord Song saw Yoon Seungwon as a problem 
(chapter 107) and tried to tarnish the younger son’s reputation. But let’s return our attention to the patriarch. His vision was based on Confucianism. However, he had a very narrow-minded perception of it. 
(chapter 7) This shows that the tradition was to “vanish behind the family name, the Yoons”. Under this new light, my avid readers can grasp why the main lead was destined to suffer immensely 
(chapter 57). His reputation was already outshining his father’s. Secondly, by being stigmatized as a homosexual, he was endangering this principle. His role was to continue the lineage and as such produce a heir. 
(chapter 116) or even Min could commit crimes in the open. They felt safe, for they knew that the authorities belonged to the same social class than them. However, this could only work, as long as the nobles would cover for each other. Should a yanbang denunciate a noble family, it was a different story. Therefore I assume that lord Lee was the one who reported the treason to the authorities (the painting in the bedroom was the evidence). But such a painting couldn’t represent a proof. However, since human justice was corrupted, the gods decided to give justice to the protagonists. That’s how Yoon Seungho became the hand of justice. Everyone involved in the protagonists’ suffering had to pay for their crimes. 
(chapter 102) That’s the reason why Baek Na-Kyum’s martyrdom was strongly intertwined with the young master’s. Yoon Seungho only received this power through Baek Na-Kyum, the character embodying fairness, sincerity, hard work, home and equity. This was particularly perceptible in this scene: 
(chapter 27) The lord couldn’t kill anyone randomly. 
(chapter 102) However, I consider it as a first step to the lord’s emancipation and life lesson. The latter is indirectly learning not to pay attention to status and power. That’s why the author portrayed him as blind and deaf to their plea and special status. While his behavior in the shrine was rather impulsive and influenced by deeply rooted fears, we should consider lord Song’s execution as a true act of justice. 
(chapter 123) 
(chapter 123) The latter had confessed all his crimes: the ones from the past (the lies in order to fool the father) 
(chapter 123) and the painter’s murder. Funny is that lord Song didn’t feel threatened by the young master at all despite the sword. 
(chapter 123) Why? It is because he feels, he is the one with the upper hand. First, he has the petition, hence he is already projecting himself in the future (he can get a high position again). Secondly, he thinks, Yoon Seungho is outnumbered. He is surrounded by 4 guards. But more importantly, he views himself superior to the main character due to his age. He is an elder. That’s the reason why he calls “my dear boy”. This implies that he is underestimating the main figure. The latter would never dare to raise his hand against a senior!! However, true justice is also blind to age. 
(chapter 123) His smile at the end of the episode should be perceived as a reflection from Min’s vanishing. 
(chapter 103) One might even add that the lord’s action could have been seen as self-defense. However, don’t forget that we are here in Joseon, where a commoner’s life means nothing. Because of this new association, I came to the following deduction: lord Song was the one behind lord Shin’s death. 
(chapter 103) The latter couldn’t imagine that an elderly yanbang, an official, would raise the sword against another noble. After this new realization, it dawned on me why Yoon Seungho had to get separated from his loved one. 
(chapter 126) This humiliation made Yoon Seungho realize that he needed to have his power on his own. He learned through the hard way that he was not just a Yoon, but Seungho. Yes, this helped him to differentiate himself from his father and to become stronger mentally. His religion was now his lover, Baek Na-Kyum, whom he needed to protect. But he could only do it, if he had himself a powerful position. But he needed to witness the corruption of the authorities to realize that in Joseon, there exists no justice. 
(chapter 6): neglect and indifference towards the commoners. And this new observation brings me to my other topic, Jung In-Hun.
(chapter 129), therefore he couldn’t select one position contrary to the main lead. This means that when he celebrated his “victory” in episode 111, it was not official. He had no post. I would even add, his name had not been announced on the official board, like we could witness it in this scene. 
(chapter 121) Here, he is informed that he didn’t pass the exam, for his name was not written there. We can detect this, because people are congratulating each other. His name was left out due to the intervention from lord Song. This means that when Yoon Seungho made him this offer 
(chapter 7), these were not empty words. He did help the learned sir to pass the civil service exam. But the scholar didn’t succeed like anticipated. The absence of his success explicates why Jung In-Hun received such an offer from lord Song later. 
(chapter 117) He had no post, he couldn’t choose it, for he was not the best. Thus I deduce that the scholar had just proven his mediocrity. He was just an average man. That’s how it dawned on me that the ceremony in the street was more a simulacre! 
(chapter 44) Only one thing was real: Jung In-Hun was wearing an official uniform, that way no one would doubt his “victory”. Moreover, observe that lord Song only approached the learned sir after the parade. So he was not behind the parade. Besides, keep in mind that the main couple was informed about the parade through the tailor 
(chapter 111) and not from the official board. His reaction shows not only his displeasure, but also his ignorance. If he had known about the cortege, he would have avoided the place in the first place. Thus I suspect that the tailor had been encouraged to leak this information in front of the couple. Let’s not forget, as a tailor, he was definitely involved in the cortege. It is no coincidence that he informed Yoon Seungho about this “sudden parade”. At the same time, I come to the following deduction: someone must have paid for this spectacle, and it was not Yoon Seungho, for he had been kept in the dark until the last moment. I doubt that the learned sir had the connections and money for this. This new perception corroborates my previous interpretation: the show was sponsored by someone, and it was definitely inspired by the drawing (the hat and the green uniform). 
(chapter 111). Yet this was just a cheap trick, for the person didn’t send a sedan chair with carriers. Under this new light, I realized why Jung In-Hun ended up stigmatized as a criminal. 
(chapter 127) It was his karma, for he had deceived the painter with his lies. His success was not his own. 
(chapter 111) He realized that even after passing the exam, he needed the assistance of people, a sponsor for the spectacle, a noble with connections. Besides, when in season 1, the painter was accused of a crime (ruining the picture), the learned sir did nothing at all. He didn’t protect his student, for he desired to keep his sponsor. When the latter was sick, he neglected him as well. He wouldn’t have sent a doctor for him. Hence in season 4, the sponsor Na-Kyum decides to end his “sponsorship” for the learned sir. We could say that the former teacher is confronted with a similar situation. He ends up being abandoned and framed for a crime, which he didn’t commit. Yet, contrary to his pupil, he is not entirely blameless, for he played a huge role in the death of the nobles lord Song, lord Shin, lord Min and others. Because Baek Na-Kyum embodies hard work, justice, equity, love and honesty, I deduce that his surrogate father embodies the negative notions: laziness, corruption, partiality, hierarchy, ambition and hypocrisy. That’s why his face ended up on the official board, while the painter’s accusation just remained rumors. 
: (chapter 125) versus
(chapter 105) IMO, she had to use another mean in order to achieve her goal: the scholar. Let’s not forget that the artist had confided to her this: 
(chapter 68) He was simply waiting for the learned sir’s return. And she was present during the cortege. 
(chapter 121), he put the painter in a position which led him to take for the fall for his loved one. It was like framing an innocent. Exactly like in season 3
(chapter 99), Yoon Seungho had been forced to take the sword because of the scholar. And the trigger for the massacre 
(chapter 124) was always Jung In-Hun. And now, you comprehend why Jung In-Hun became the scapegoat for the last incident. But there’s more to it.
(chapter 121) His final lesson was to learn that he was exactly like the others: he is just a human despite his education. All humans are equal in front of death. In fact, during his confrontation with lord Song, he came to give up on his integrity. His true face came to the surface: he was just an opportunist, a lazy scholar who relied on fate and his arrogance. 
(chapter 6) This brings me to my next interpretation. Jung In-Hun learned through the hard way that there is nothing like fate (“right time”), but life is the result of decisions. However, because the scholar always regretted all his past choices, he decided to blame others for his wrong choices. That’s the reason why he ends up to take the whole crime. We should see this paper 
The author from this sijo was the poet and official Wang Bang-Yeon who is said to have lived in the time of Joseon’s sixth king Danjong (1441-1457) and his successor king Sejo (1417-1468). As the official of the state tribunal, he followed the young king Danjong into his exile and gave him poison to drink by royal command. Yes, both are symbols of power, corruption, partiality and injustice. Yet, there exists one divergence. While Wang Bang-Yeon left a poem revealing his yearning for the king, the learned sir had no deep attachment towards the artist. Hence it is no wonder why the paper “Wanted” is not connected to affection. It really reflects the emotions and thoughts of Baek Na-Kyum. Due to the last incident, the latter no longer cares for this man.
(chapter 6) He couldn’t enjoy it at all. It is no coincidence that the synonyms for ambitious person are “busy person” and “workhorse”. Yes, this mirrors the expression “laziness”. A true ambitious person is actually proactive and not really relying on sponsors and bribes. So when we see the learned sir on the horse 
(chapter 107) Though he passed the civil service exam too, he is not able to fulfil his father’s wish either. 
(chapter 118) His intention was to protect not only his brother, but also their family. It was to ensure that lord Song would get blackmailed. That’s how this investigation 
(chapter 118) It is because he knows that with the petition in his brother’s hands, lord Song represents a hindrance to his own career. The latter can only see the Yoons as a threat. Besides, he can only resent the family, if they are able to gain reputation and power, while he can not return to Hanyang and occupy a high position. As you can see, the young master’s success can only irritate lord Song. You can sense a rivalry between Seungwon and lord Song Haseon 
(chapter 116) in this scene: 
(chapter 116) The latter has already sensed that the traitor is sitting next to them, thus he raised this question. That’s why I come to the following conclusion that the young master must have realized that he also needed his brother’s assistance. First, if Yoon Seungho returns the petition to the father, the investigation about the traitor in the mansion would be no longer necessary. Secondly, Yoon Seungwon needs to create new connections in Hanyang, but he can only achieve it with his elder brother. Under this new light, you comprehend why Seungwon asked his relative to move on from the past and as such “forgive their father”
. (chapter 118) In other words, the young man embodies the notion of “fake forgiveness, fake promise, fake understanding”. He is an opportunist, exactly like the scholar. Yet, there exists a huge divergence between them. His affection for Yoon Seungho was not fake. He is feeling sympathy for his brother. But that’s it. This explains why he didn’t help his brother before. In my eyes, Seungwon represents a different notion of family: bloodline. In my eyes, he embodies traditions and Confucianism. His goal is to turn his father’s dream and life motto into a reality: glory and power for the Yoons. Besides, he must have experienced himself the downfall for the family. And this observation leads to my next interpretation. This means that Yoon Seungwon must have lied to his father by omission as well. 
(chapter 128) What about Yoon Seungwon then? Though he succeeded too, there is no mention about engagement or marriage proposals. However, it is clear that this achievement is connected with adulthood and marriage, therefore the elder Song Haseon brought up the topic sex!
What was the reason for Yoon Seungwon’s embarrassment? First, it is because his brother selected the backward place, though he had passed the exam with flying colors. Yoon Seungwon imagined that once his brother had passed the exam, he would get married and establish new connections. That way, Seungwon would be able to get married with a properous and famous family. In other words, Yoon Seungho would turn the father’s dream into a reality: the return of the Yoons’ glory and power. And Seungwon would benefit a lot from this. So in the gibang, his advices might have sounded well meant,
(chapter 126), his karma is not only to end up alone, but also not to receive any support from his brother.
(chapter 117), because his career was still insecure due to lord Song’s influence. He needed his brother’s help in the end. At the same time, Seungwon had already long internalized the values from his father: Yoons’ honor and reputation were top priorities. In other words, the younger brother stands for social norms and fake righteousness. He desires to maintain his perfect image (loyalty, filial piety),
(chapter 118), hence he left the document at the mansion. He wanted his brother to return the papers on his own so that his past action would remain undetected. Returning the paper was like an admission that he had stolen it in the first place. Yet he still barged in his brother’s house twice. 
(chapter 117) Here, he exposed the existence of the “petition” to Baek Na-Kyum for one reason. The latter should be used as a way to pressure the main lead to give up on the paper. Notice that this topic was brought up in the gibang: 
(chapter 119) However, the reality is that Seungwon is not just trying to fulfil his father’s dream, but also he has his own ambition. He wants to make a name on his own. That’s why he confessed this to his brother: 
(chapter 119) He doesn’t associate himself with the father and his sins. In his eyes, he is blameless. The reality is that he is guilty like his father, for he failed to care for Yoon Seungho. He failed to listen to him and his suffering. He didn’t try to understand him. Like mentioned above, he only sympathized with him and that’s it. Thus he condemned him for his debauchery in the gibang, but this was no longer the case.
(chapter 127) 
(chapter 127) the former only made a promise to his father and not to the brother. With his death, Yoon Seungho is no longer bound by a promise. Since the main lead had been living properly for 3 years and even passed the civil service exam, it is clear that for the brother, Yoon Seungho must have forgotten his past lover. He must have judged his brother based on appearances, just like he was behaving himself. However, this was just a subterfuge. He was waiting for the right time too. He had no change of heart, he had just been copying his brother’s behavior. 
(chapter 78) Let’s not forget that at the gibang, Yoon Seungwon never revealed his true intentions towards his brother. The latter always said that his advices were for his best interests. He should become involved in the government. But everything was for the Yoons, or better said, for Yoon Seungwon’s sake. And there exists another reason why the sibling must have been embarrassed: This marriage! 
To conclude, Yoon Seungwon embodies the opposite values of Baek Na-Kyum and Yoon Seungho: ambition, corruption, forgetfulness, hierarchy/social norms, traditions and reality versus understanding, forgiveness, simplicity, closeness, modern family and happiness. Selfishness versus Selflessness. This explicates why the main lead gave up his success for the artist. However, though it looks like an exile, the reality is that he will gain popularity and admiration among the inhabitants. Why? It is because he is no longer making distinctions between nobles and commoners, he doesn’t see this place as a punishment, but as a heaven and as such he has a better perception of humans in general. In my eyes, he is bringing progress and change in the region. Baek Na-Kyum is already teaching the kids how to draw… so it is only a matter of time, until his lover takes care of the education for these children. This means that these words will become a reality: 
(chapter 6) He will think of the futures of those children because of his lover.
(special episode 1) The actor chose to use the black-haired sportsman as “Friends with Benefits”. But what would be Potato’s benefits then? Support and connections, like we could see it in special episode 2: 
(special episode 2) So when Heesung is already envisaging to get rid of his new lover 
(chapter 35) Because he is famous and wealthy, he is expecting a similar reaction from the chow-chow. At some point, he will appear too clingy, hence he will perceive his relationship as burdensome. This is no longer fun.
(chapter 33) However, the change of Heesung’s mind-set (Friends with Benefits, no longer the search for a soulmate) is also related to Potato’s reaction after their first night together. 
(special episode 1) With his words, the sportsman implied that he had taken advantage of the actor, while in reality the opposite had happened. Heesung had taken advantage of Potato’s drunkenness 
(special episode 1), ignorance and purity
(special episode 1).The confession of Yoon-Gu’s wrongdoing could only shock the actor. 
(special episode 1) How did Yoon-Gu come to this reasoning, when he admitted in the same breath that he was drunk? It is because the night before, Heesung had confided that he was heartbroken due to Kim Dan’s rejection. 
(chapter 35) With his behavior, the fox gave the impression that his affection for Kim Dan was running deep. Under the tent, he was drowning his sorrow with soju. Hence in the maknae’s mind, Heesung was still in love with the physical therapist. Yes, the irony is that the chow-chow was also projecting his own thoughts onto the comedian. Let’s not forget that when the young fighter discovered the true nature of the relationship between the doctor and the emperor, he didn’t give up on his admiration and affection for Joo Jaekyung. 
(chapter 35) My avid readers should keep in their mind that the chow-chow is famous for his strong loyalty. To sum up, Potato imagined that Heesung was still loving Kim Dan, exactly like him with the fighter… he would remain faithful and keep his one-sided love.That’s why I came to the following conclusion: their relationship started on a misunderstanding, which was also reflected in this situation: 
(special episode 1) It was, as if he had disregarded the gumiho’s feelings, he had incited the latter to commit a sin. Heesung had broken his vow of faithfulness 😂. That’s the reason why he mentioned “zero regrets”. It is important, because with such a mind-set and attitude, he is indirectly pushing the gumiho to face the truth: his dishonesty. His affection for Kim Dan was just a crush, a superficial attachment, as he knew nothing about him. In fact, he was just chasing after an illusion. He even admitted it at the restaurant: 
(chapter 35) His description for a partner and as such love doesn’t correspond to the definition of true love: care, respect, knowledge and responsibility (Definition from Erich Fromm, for more read “
(chapter 32) He didn’t try to protect him from the athlete’s fury. He never clearly stated his true desire, he wished to date the doctor, until he was cornered (threatened).
(chapter 41) In other words, both second leads are on the same wavelength despite the misunderstanding. Both have the same expectations: Friends With Benefits. Yet, they are not equal in their relationship, as Potato feels indebted towards the actor so that the latter has “Zero regrets”. In other words, he is bound by a debt and a contract. He has to please his partner, he can not refuse to his demands. That’s why Heesung said this 
(special episode 1) and why Potato couldn’t refuse the role-play. 
(special episode 2) He is put in a similar situation than his role model Kim Dan. He can not say no to Heesung. 
(special episode 2) However, he is not entirely powerless, like I mentioned in the first part. He is not forced to admit that he had fun after the intercourse. 
(special episode 2) In other words, he is not obliged to say YES either! It is funny because thanks to this examination, I realized that Yes and No have “become” like taboo words. Yoon-Gu is avoiding these idioms by using the expression “I don’t know”. Hence I am suspecting that Heesung will become obsessed with the word “yes”! 😂 Only Heesung can procure him fun and pleasure, and no one else. He is getting disarmed by the sentence “I don’t know”.
(chapter 26) The main lead had taken a risk for him. He could win his heart by turning his dream into reality. He would be able to spar with the emperor. Then observe how Potato was full of admiration, when the champion decided to organize a charity event for his birthday. 
(special episode 2) He was attempting to hide his growing affection for the comedian. He feared that his feelings for him could become a burden for the comedian. In his eyes, Heesung should remain faithful to the physical therapist. He shouldn’t expect any affection from the actor either. 
(chapter 13) And the moment I read this expression, I couldn’t help myself thinking of a leash as a new sex toy. 
(chapter 34) In this scene, the physical therapist looked like attached to his owner. In the first part of “Passions in Purple: Jealousy and Joy”, I made the following prediction. Heesung would order a sex toy 
(special episode 2) out of annoyance and jealousy
(special episode 2), for Potato had run away from him. He needs to put him on a leash to feel in control, to obtain his chow chow’s attention. Naturally, there is no guarantee that this prediction is correct. Yet since according to my examination, Potato is thinking that Heesung is in love, it signifies that Heesung is already attached to Kim Dan. Hence he won’t do anything to ruin this attachment… therefore Heesung can only be put in front of a dilemma. How can he make Potato look at him? He could reveal the truth to Yoon-Gu, but by doing so, he would ruin his image as a good and caring guy. Moreover, since he has lived for a long time deceiving himself and others, it is very unlikely that the actor might change his behavior so suddenly. Old habits are hard to die. Therefore for me, honesty won’t be his initial choice, rather acting. He will express his thoughts and emotions behind a new role-play and sex.
(episode 43) Yoon-Gu must have gone to the set, like promised! 
(chapter 52). In the past, Heesung saw Joo Jaekyung as a rival, hence he made sure that Potato didn’t participate in the champion’s surprise party. So I believe that he was not upset about Joo Jaekyung’s downfall. In fact, he could have envisioned that this could help him to gain Potato’s attention. However, what he didn’t realize is that since feelings and affection can change, this could also happen towards other persons: the physical therapist. Potato’s attachment towards the doctor deepened, as time passed on, especially since they spent some time together in the States. Therefore I conclude that the departure of the doctor will not only affect the relationship between Potato and the comedian, but also force them to follow the main couple to the West coast. Mingwa left many clues for this prediction. Where?
(chapter 35) 
(chapter 52), the enemies, in particular Baek Junmin wrong. Even if he is injured or ends his career as MMA fighter, his life is not over. He is strong, talented and trustworthy, because Yoon-Gu chose to trust him and his career. He is no thug or spoiled child, as despite his injury, he “assisted” someone to become a new fighter.
(chapter 53). In this scene, the halmoni was shown as a young child, just before she left this region. Her departure announces the future loss of her innocence. This explicates why she desires to return to her roots. It was, as though she was trying to escape her fate. Moreover, by reconnecting to her childhood, she is actually denying the existence of her grandchild. It was, as if she was trying to erase the time between her departure and return. On the other hand, this scene announces her imminent death as well… it was, as if she wanted to be swallowed by nature (sea, sun). And death is strongly connected to birth. No one can die, if they were not “born” before. Hence I am suspecting that the birth of a new star, the Bantam Fighter Yoon-Gu, is associated with the halmoni’s vanishing. Finally, any reader can notice the two main colors in this image: yellow and red!! And you know that Potato’s colors are yellow and red. From my point of view, Potato is destined to go to the West Coast and naturally Heesung will follow him there. He has to because of the saying “Out Of Sight, Out Of Mind”. Let’s not forget that Heesung treated Kim Dan that way. As soon as he stopped seeing the doctor, he stopped thinking about him. He could fear to lose his soulmate, as the latter forgets him. The gumiho’s fate is to be the “clingy one”.
There, I included two gemstones, the Bloodstone and the Aquamarine! Choi Heesung, born on 21st March, is represented by these birthstones! In this composition 
(chapter 30) And what was he wearing in the poster? A blue pale suit which is close to Aquamarine and even to light purple ! The color is no coincidence. I have the impression that thanks to the weak woman, Heesung will become a part of the “new family”. If you look at the sunset again, you will detect glimpses of purple in the sky. As for the second image which came to my mind is this: the actor swimming in the ocean. When the bloodstone is put in water, it changes the color of the sun: red for love. Yes, we should expect a new version of this scene: 
(chapter 28) which I had interpreted as a baptism, a purification. If the actor bathes in the Yellow Sea, he will be purified and as such his true self will come to the surface. That’s how he will recognize his love for Potato, but also his friendship for the doctor. So far, the man has no real friend, but he has been longing for one. At the same time, the metaphor (the sun turning red) could be a reference to the interaction between the actor and the emperor, the former helps the latter to recognize his true feelings for the physical therapist. As a conclusion, we should expect to see Heesung under the sunset and next to the ocean or water. There, he should ponder and have a realization.
(chapter 30) After getting enlightened, he would know what he truly desires. He would have no interest to get on the champion’s nerves. Potato would be the one bringing him happiness and novelty. Athletes and those seeking to enhance physical endurance often turn to bloodstone for its reputed ability to increase stamina and energy. This signifies that thanks to Heesung’s presence, the champion’s training won’t appear as a torture. Yes, expect a new version of this scene: 
(chapter 37) Here each fighter was on his own, they were not really training together. The champion was the leader due to his imminent match, he put the others under pressure, as he was himself stressed. But with his suspension, he is no longer racing against time. In other words, the training routine should be different. They will help each other, encouraging each other to become better. The presence of Heesung should help them to see the training under a different light. But for that, he has to reconnect to his true nature: bloodstone and aquamarine.
(chapter 37) or the switch of medicine. Unfortunately, the gumiho was not present both times, hence Kim Dan and Joo Jaekyung became the targets of revenge. On the other hand, the author stated that in season 2, the focus would be more on emotions, which means that there shouldn’t be many plot. Nevertheless, my avid readers should keep in mind my previous interpretation about the “beautiful” Kim Miseon 
(chapter 21) I had criticized her on many occasions, like disculssing a case in a hallway. Before, she had proposed an expensive treatment, well aware of the grandmother’s age and her weak condition. Moreover, I had suspected her to have leaked information to the director Choi Gilseok. Thus I hope that season 2 will expose her misdeeds and the corruption of the medical world. This was already present in episode 1. But let’s return our attention to the gemstone and its symbolism. In medieval Europe, the stone was deeply linked to the crucifixion of Jesus Christ, believed to have formed when drops of His blood fell to the earth. As you can see, the gumiho is strongly connected to selflessness, sacrifice, death and rebirth. This reinforces my expectation that his encounter with the grandmother will have a huge impact in his life, like for example the “neglect and indifference from his parents”. Exactly like the other main characters, he has abandonment issues. Bloodstone is commonly associated with the root chakra, which governs grounding, stability, and physical well-being.
(chapter 34) Here, he forced the champion to claim the doctor as his possession. However, in season 1, the main lead came to regret his actions (34, 43), for he has never been honest to himself. And now, it is time to focus on the second gemstone. 
Green and jade! Yes, we should expect his return in season 2. The way he treated the star shows that he viewed the main lead more as a friend than as a patient or client. 
(chapter 31) They were green. He is attracted to “green”, his origin self. Nevertheless, in episode 31, this was rather a khaki version due to his corruption. No wonder why he played a trick on the champion. And this observation brings me back to the doctor’s clothes. What was he wearing, when he was young? 
(chapter 35) At the same time, it explains why Heesung changed for the better thanks to the physical therapist. Thus I assume that Heesung is destined to become an aquamarine, bringing all these characters closer to each other: Potato, Cheolmin, Kim Dan, Joo Jaekyung. However, contrary to the past, he won’t use his money to help people to become happier. His smile and happiness should affect the others: 
(chapter 31) However, this should no longer be superficial. The celebrity is associated with flowers, stars, fun and happiness. Because he symbolizes “Spring”, I deduce that his rebirth and as such his Enlightenment are primordial. He is there to assist the others. And the color for understanding, compassion, self-awareness and wisdom is purple:
(special episode 1) Since the elderly woman confided to Joo Jaekyung, we can assume that she could do the same with the gumiho, as soon as she sees her idol. It is important, because he could grasp the physical therapist’s suffering and low self-esteem. 
(chapter 48), but the actor would be replacing the fake director. We had a sunset here, dark water (the coffee), the symbol for corruption. Then notice that he is wearing a blue t-shirt (but two colors, a symbol of his hypocrisy)!! This reinforces my expectation that we should witness the actor’s awakening, the exact opposite of the other Choi, who chose revenge and manipulations. But there is more to it. Thanks to the comment of @Milliformemes24, I had another revelation. The latter wrote that places of knowledge and self-awareness are related not only to the ocean, but also to the mountains. It is normal, as the hill is closer to the sky and as such closer to the gods. Notice that Heesung’s new home is situated on the top of a hill, surrounded by a forest. 
In other words, Heesung could get enlightened on a mountain too, during a stroll for example. And the moment I read this from my friend, this image came to my mind: 
(chapter 41) The huge tree at the hospital!! The latter is even strongly connected to a stroll. In that scene, the doctor thought of his lover, as he associated him with the sun. 
(chapter 31) could be seen a mirror of the tree. The roses encourage the doctor to ponder and show an interest in his employer. 
(chapter 37) However, the first time, the tree appeared as such was in the States, and this on two occasions: 
(chapter 47) Kim Dan imagined going on a trip with his grandmother, totally delusional, as he was in denial about his grandmother’s deteriorating health conditions. However, the vision shows the desire to become closer to his relative, to become more proactive as well. His words (“She’s been so busy raising me, she’s never had a day’s rest”) imply the presence of reflection. It indicates his gradual transformation and maturity. But this doesn’t end here. The tree was also present in the special episode 2: 
(special episode 2) Yes, the barn!! The tree had been transformed into a home. However, don’t forget that this was just a fantasy from Heesung. However, during this intercourse, he came to expose his jealousy and growing attachment towards his soulmate. Yes, the last two mentioned scenes have two common denominators: a mixture of fantasy and Enlightenment. Nature is strongly intertwined with meditation and communication. To conclude, we should expect the presence of woods and trees in season 2 as well. And this hypothesis got reinforced, when Mingwa released this image on X: 
We have a sunset, a palm tree and purple in the sky… Joo Jaekyung is wearing a similar shirt than Heesung: 
(chapter 34) I consider this as an allusion that the actor will be by the fighter’s side. On the other hand, since the shirt is open, I interpret as the star’s emancipation. The latter has been able to escape from his mental prison and suffering. In his cage, he was racing against time. Now, he is able to relax and enjoy time. At the same time, since the champion in the image from X is seen wearing rings with stones, it somehow confirmed my interpretation about the role of birthstones in Jinx. 
as a new version of the image from season 1. The fighter’s hand is a mirror of the tree. He is giving support and protection. Hence I am assuming that the champion will be also reminded of Kim Dan in a particular place. 
(chapter 48) Why did the Webtoonist gave us the time, when the next episode starts another day? On the one hand, it exposes that the schemers knew about the champion’s nightly activities. He wouldn’t sleep much and he would keep his cellphone next to him. 
(chapter 48) It shows once again that the traitor is close to the athlete, for he knows about his way of life. Furthermore, the unknown person could text to the champion, hence this means that his cellphone number got leaked by a person close to him. On the other hand, I am quite certain, the Webtoonist desired to fool her readers making them anticipate a confrontation between the two protagonists. However, nothing happened indicating that Joo Jaekyung didn’t react, like the plotters had anticipated it. Thus they had to create a new scheme. First, let’s not forget that they had used a similar method in the past. 
(chapter 35) This made me think of Painter of The Night and No-Name’s advice: 
(chapter 76) “A deed once foiled has no chance of success the second time around”.The criminal was referring to learning through experience. After going through such an event once, the athlete is no longer caught by surprise. We could say that he learned not to jump to conclusions and control his emotions. That’s the reason why in episode 48 he remained level-headed. Because the champion didn’t get angry, he could be more attentive. 
(chapter 48) Secondly, 
(Chapter 48) The irony is that the doctor had been able to treat the star’s injury. For me, the Summer Night’s Dream played a huge role, as during that night, Joo Jaekyung felt treasured and loved. Therefore the pictures could only expose the duplicity of the director of King of MMA. Under this new light, it becomes understandable why the celebrity didn’t fall into their trap and why they had to turn doc Dan into a traitor by giving him a weapon without his knowledge. Finally, I believe that Joo Jaekyung had another reason not to confront the physical therapist. How so? It is because he had sent away his soulmate, while the latter had approached him. 
(chapter 48) He had missed the opportunity.
(chapter 30) Here, he wished to seek the doctor’s closeness. Nonetheless, if he had gone to Kim Dan’s bedroom during that night, he would have achieved the opposite: he would have created distance and caused an argument. The latter could have told him that he was looking out for himself, for Joo Jaekyung had threatened to fire him. Through these observations, it becomes visible why the athlete couldn’t ask Kim Dan at all. Consequently, I come to the conclusion that the clock 
(chapter 45) Then in the bedroom, he had rejected all his requests (massage, conversation). It was, as if he no longer needed him. He was no longer eating his breakfasts too. 
(chapter 47) Under this new light, Manhwa-lovers can comprehend why he looked annoyed in the hallway. 
(chapter 49) The gaze displays not only worry and anxiety, but also regret. It was too late to ask the doctor. For me, he chose silence, for he was regretting his reactions in the penthouse. He feared to ask Kim Dan, because if he brought up the meeting with Choi Gilseok, this could push the hamster to quit his job. However, thanks to Kim Dan, the star’s condition improved greatly. That’s how it dawned on me why the champion became a beast and why he is hiding his past:
(chapter 26) It is because the man is full of regrets and resent. But by creating new regrets, the champion is incited to focus more on the present so that he stops missing the timing. Because of his immense regrets and frustration, he was still trapped in the past. So he was unable to move on. To conclude, Kim Dan and Baek Junmin pushed him to face his youth and the source of his own unhappiness. His biggest suffering is a secret, because he would appear as weak and pitiful which would ruin his image as the strongest man in the world.
(chapter 48) But why is midnight so important? It is because the number 12 carries religious, mythological and magical symbolism, generally representing perfection, entirety, or cosmic order.
(chapter 48), when he noticed doc Dan’s presence too late. But nothing happened to him, that’s how he got incited to trust Kim Dan. The latter wouldn’t backstab him. Under the blue light, the champion got transformed. 
(chapter 48) On the other side, the fact that the champion is always targeted during the night is a sign that the villains desired to approach him, when he was isolated. So they know not only about his insomnia, but also about his solitude. I would even add that the plotters are aware of his association between the night and danger. Remember how he described relaxation: he would give an opportunity to his enemies to attack him 
(chapter 29) This new observation reinforces my past theory: he would be suffering from Somniphobia due to traumas. [For more read 
(chapter 13) It is important, because through this terrible experience, Joo Jaekyung came to internalize the connection between sex and danger. This would explain why he has been so rough in bed before. He came to see it as a normality, a sign that his perception of sex had been negatively influenced. And this can only come from bad experiences. It had nothing to do with “enjoying the moment”, until the protagonist met the shy hamster. We can see his gradual transformation. In episode 12, he definitely saw the night as “carpe diem” 
(chapter 49) In the previous essay, I had mentioned the theory that the champion might have been raped and even gangraped which would fit the criteria (sex, danger and urgency). Finally, the recurrence of “delicacy” during the night is an indication that the athlete must have been like Kim Dan in the past! Vulnerable and alone!
(chapter 21) Furthermore, the champion exposed why he could never relax: 
and 48: 
, for he had been recollecting the diagnosis from Kim Miseon and kept thinking of his grandmother. After this painful meditation, he came to recognize his selfishness and his relative’s love and generosity
(chapter 47). And what was the main lead feeling after that terrible night? Regret, for he had not been able to notice his relative’s suffering and sacrifice! 
(chapter 47)
(chapter 19) or a new request like swallowing the sperm 
(chapter 39) or kissing the champion’s ruined ears 
(chapter 30) He was rough and used the toothpaste as an excuse. 
(Chapter 40) That’s the moment he stopped considering the hamster as a prostitute, while from chapter 2 to 18, he viewed Kim Dan as a tool, as a talisman against his jinx. However, I detected a transition after he kissed the physical therapist. From that moment on, the doctor was connected to food and sweetness. 
(Chapter 18) And now, observe that during the night in the bathroom, doc Dan was associated with a baby receiving food:
(chapter 20) As you can see, here the champion started viewing him as a human being. It exposes that little by little, his perception of the physical therapist improved. So from chapter 30 to 39, Joo Jaekyung was forced to question the nature of his relationship with Kim Dan: a PT or a prostitute or a pet? 
(Chapter 34) Here, he was in denial, he described the main lead as a possession, but he couldn’t fool the actor. Under this new light, it becomes comprehensible why the nights in chapter 19, 29 and 39 were so magical, they announced a transition or better the end of viewing Kim Dan as an object (tool for his jinx) and possession. From 41 to 49, the champion was cornered to recognize Kim Dan as a physical therapist and not just as a member from Team Black. Don’t forget his attitude in the car, when the main lead suggested him not to train. 
(Chapter 42) He rejected his advice, a sign that he was doubting doc Dan’s skills and competences. That’s the reason why I come to the conclusion that with the pictures, the champion was pushed to admit that Kim Dan is his physical therapist 
(Chapter 49) 
(chapter 49). These meetings are not random at all, a sign that someone knows about the athlete’s hidden suffering very well. Observe that both characters challenged the celebrity by giving him an order: 
(chapter 34) “Don’t get in the way” and “make sure you give her a good polish”. 
(chapter 33) 
(chapter 49) Then I noticed another parallel between the two plots: the presence of a scapegoat, and the involvement of a third person. Heesung faked his injury by putting the blame on the athlete, while he asked Kim Dan as compensation. In the second plot, the roles are switched. Kim Dan is now the perpetrator, while the athlete is the victim! Baek Junmin is the beneficiary of this scheme. And what do these plots have in common? Joo Jaekyung is the victim of a trick, though Heesung’s manipulation was rather benign. First, he acted on his own. 
(Chapter 31) Moreover, he utilized the genuine concern and innocence of his surroundings. In other words, he used his image as a good and honest man to his advantage. Thus I come to the conclusion that the artist’s sin in their youth was rather minor, as the artist tends to violate social norms. So though it was no illegal, the actor’s wrongdoing definitely left scars on the protagonist’s heart. 
(chapter 29) Probably, Heesung utilized Joo Jaekyung’s innocence to his advantage in order to maintain his good reputation, like for example he was not supposed to be smoking or he took away a friend from him, as the topic of their conversation was about the theft of a person 
(chapter 33) 
(Chapter 30) Another common denominator between The Shotgun and Heesung is their envy and greed. 
(chapter 5) Joo Jaekyung destroyed the sandbag, when he imagined that doc Dan had blocked him! This signifies that the former could no longer contact the shy hamster. Joo Jaekyung saw it as an affront, a challenge! 
(chapter 46) could be seen as a reflection from the arcade and the star’s past. And since Kim Dan wounded Joo Jaekyung in the locker room 
(chapter 49), I deduce that such an action must have happened in the champion’s youth. He got not only hurt by people, but also betrayed by a friend. There exists many reasons for this hypothesis.
(Chapter 04) and be rude towards others. 
(Chapter 7) 
(chapter 37) But Mingwa left many clues that the celebrity’s personality shouldn’t be judged by impressions. During their first night together, Manhwa-lovers could see books next to the bed. 
(Chapter 3) Some of them are not written in Korean or English. Moreover, the Webtoonist revealed that one of his hobbies is reading. This explains why he can talk prettily. 
(chapter 22) This shows that his behavior mirrors the counterpart’s. Consequently, it is not surprising that the champion is rough with his own body, as Park Namwook is not treating him like a delicate child. 
(chapter 31) But there exists another proof for his intelligence. The celebrity is capable to lead an interview in English on his own. 
(Chapter 37) Even stressed and filled with anger, he could understand and speak fluently in English. 
(Chapter 40) Compare Kim Dan’s English skills in the same scene: 
(chapter 40) Besides, Jinx-philes should question why Mingwa is not divulging his scores as a student contrary to Kim Dan or Jinwon from BJ Alex. It is because she wants to create a certain image about the champion: he is a bad boy. In my eyes, she is playing with prejudices about MMA fighters. People often imagine, they lack social manners and education. They chose this path, for they could do nothing else. And this brings me to my next remark. We know that Kim Dan selected PT because of his halmoni. 
(chapter 47) So what was the protagonist’s motivation to become a MMA fighter? In my eyes, this question represents the core of the mystery. My idea is that the suffering in his youth led him to become a boxer. It is definitely related to his experienced powerlessness and loneliness. So when he suggested the sparring to Kim Dan, we should see it as a reflection from the past: 
(chapter 26) Joo Jaekyung was also an amateur in the past, but his motivations were his rage and resent. On the other hand, contrary to his soulmate, the athlete likes sports as well. His other hobbies are jogging and swimming. Thus I am suspecting that Joo Jaekyung might have been part of a swimming club in the past. Striking is that he forgot his passion due to his career as a MMA champion. 
(chapter 27) I see a contrast between these two sports: swimming which is related to relaxation, pleasure and fun and MMA fighting which stands for challenge, pain and seriousness. This contrast is even more present in the following panel: 
(chapter 49) He is a hyena, hence his color is brown. 
(Chapter 48) And The Shotgun has a similar attitude: 
(chapter 49) Interesting is that his description of the challengers fits the situation in the new plot perfectly. The Shotgun imagines that he will fight against a diminished champion. His shoulder is injured and they have planned to add a new injury. The hyena stands for balance and cleansing as their task is to remove the weak ones.
(chapter 49) As an old man, Choi Heesung is revealing vulnerability and senility. Due to his old age, he could be replaced by another hyena, a younger hyena!
(chapter 5), as he is the only person who has not appeared yet, though the champion has his cellphone number. And this remark brings me back to the present and the night messages and the hyenas.
(chapter 36) which could only affect the members from Team Black. Their loyalty could waver. Then he got to hear bad comments from the Internet
(chapter 36), creating the illusion that he was losing popularity. That’s how the lawyer could convince the champion to accept a new match in such a short-time. Finally he got reprimanded for his outburst. 
(chapter 36) Under this new perception, Manhwaphiles can grasp why the MFC manager offered him a new defy right away. They needed to exploit his injury! 
(chapter 41) With the pictures 
(chapter 13) This could have ended badly. Another wrongdoing could be the rejection of his birthday present and his harsh reaction. 
(chapter 47) At no moment, the physical therapist brought up his misdeeds and asked for an apology. His silence became the symbol for his tolerance and even forgiveness. In addition, the doctor and his halmoni embody both vulnerability and poor health, which is strangely connected to crime and scandal. 
(chapter 48) Through them, the champion is learning that hunting weak and pitiful creatures is not only a sin, but also a crime! In the first case, he could be accused of hurting an innocent.
(chapter 45) At no moment, the author let us see the celebrity receiving a gift or a message from a family member! It was, as if he was an orphan and had no family. Their absence and silence are the evidences of neglect. But one might argue that his parents could be dead, something I had already envisaged in the past. However, if so, as a teenager and young man, he needed to have a guardian by his side, exactly like the doctor with his halmoni. And Park Namwook is not acting as his guardian, for he doesn’t visit him in the penthouse or calls him there. So where was the guardian in episode 45? Invisible, silent and passive! Like mentioned above, I am suspecting the mysterious Seo Gichan. Thus I consider the champion’s criticism as the expression of deep scars which came to the surface: 
(chapter 11) He wished to receive attention and to have a normal conversation. Consequently, I assume that the champion has been copying his role model. That’s how he was pushed to grow up too quickly. For me, he had no childhood at all, hence when he met Kim Dan, he was encouraged to develop his inner child!
(chapter 26) For the first time, he had fun sparring. Hence he kept smiling. It is no coincidence that soon after he chose to accept to take a day-off, when Kim Dan made the suggestion. 
(chapter 27) That’s how he remembered that he liked swimming and he could play a prank on his lover. 
(chapter 27) Here, he could smile, because it was fun and there was no real expectation. It was not truly connected to money. 
(chapter 35) and not in episode 48. It is because Kim Dan had paid him a visit during that night, a sign that he was thinking of him as his patient and VIP client. 
(Chapter 48) On the other hand, I am inclined to think that when a terrible incident in his youth occurred, he couldn’t contact his family or guardian. Hence he keeps his cellphone by his side constantly. Yes, I was thinking of the doctor’s assault in the street and his failed rape: 
(Chapter 16) Heo Namwook’s minions had confiscated his cellphone. Hence it was impossible for him to call for help. And now take a closer look at this scene:
(Chapter 16) Though he had been on the phone and it was daylight, no one stopped the thugs from kidnapping the main lead or reported the incident to the police. Hence I am also suspecting that Joo Jaekyung must have faced a similar situation: he was surrounded by malicious people and no one had assisted him. So he could have been targeting at school due to his grads or his social status. And his isolation at home could push to seek company outside, to look for friends at school. 
(chapter 37) 
(chapter 49) And the anonymous person on the other side of the phone was definitely calling in order to be updated about Joo Jaekyung, for his coach asked him about his physical conditions. 
(chapter 49) That could be the hidden guardian who has not showed up yet, I am thinking of Seo Gichan. And now it is time to close this long essay. 
(chapter 18) Then in episode 22 and 41, the physical therapist stood by the side acting like a cook. 
(chapter 22) Consequently, the physical therapist has been working as the champion’s nutritionist. We could say that in episode 42, it is the same, as he is once again wearing the apron. 
(chapter 41) And the champion came to enjoy this little moment during his long day. They became a part of his routine. This signifies that the association between breakfast and work was slowly vanishing. It was gradually turning into a moment of intimacy. 
(chapter 42) Thus he couldn’t talk to Kim Dan. On the other hand, the cook had done his job, for the dishes were cooked perfectly 
(chapter 42) Hence Joo Jaekyung couldn’t complain to the physical therapist. 
(chapter 42) This means, the “intimacy” vanished, while the notion of work got reinforced. Consequently, I deduce that this little change, a tired doctor, unable to converse with him, will definitely affect the fighter in the long run. The latter will be forced to meditate about the cause for his exhaustion, but more importantly about his emotions and his real expectations from Kim Dan. Why was he annoyed, though the breakfast was made? Does he view him as a employee or a friend? This is what he stated in episode 18: 
(chapter 18) His stay was justified with work. Kim Dan had a similar reaction. He considered the breakfast as a part of his “work”. 
(chapter 22). In his eyes, it was related to his profession. However, the moment Oh Daehyun and Kwak Junbeom expressed their surprise 
(chapter 22) and their desires 
(chapter 22), Joo Jaekyung set a limit very quickly. 
(chapter 22) Why? Was it because he didn’t want to share his penthouse to members from Team Black? For me, his main reason was Kim Dan! If they had come to his place, they could get close to the physical therapist. It would be more difficult for him to “control” doc Dan. He could even experience a similar situation than in episode 7, where he was totally left out. 
(chapter 7) Oh Daehyun, Kim Changmin and the others would even get the opportunity to eat his great dishes… Notice that the boxers were using “work” in order to be able to visit the place. This means that “the breakfast” would lose his special meaning for the fighter. Kim Dan would no longer be conversing with him only. Joo Jaekyung would become like the others not realizing that by allowing them to come to his house, the nature of his relationship with the members of Team Black would change too. They would become his “friends”. Too scared of losing the doctor, the boss put an end to the discussion. Thus Joo Jaekyung was forced to use his title and position to silence them. This means, he created a wall between himself and the others. To conclude, the line between work and private life is slowly vanishing through the breakfast. The latter is gradually embodying the notion of intimacy, confidentiality and friendship. And now, you comprehend why there was sex in episode 18, though there was no Korean breakfast on the table. 
(chapter 18) Intimacy without real warmth. 
(chapter 4) His silent departure made the celebrity smile. 
(chapter 4) However, in his mind, Kim Dan had not run away, for he had spent the night in his bed. 
(chapter 4) The smile became the symbol of his miscalculation. He imagined that he was still in control of the situation. 
(Chapter 5) 
(chapter 18) , when he changed his mind and asked for sex as “breakfast”. 
(chapter 18) The trigger for his change of attitude was the following announcement from Kim Dan. 
(chapter 18) The physical therapist expressed his wish to leave the penthouse as soon as possible. Why? It is because Joo Jaekyung had drawn a line which the physical therapist shouldn’t cross. 
(chapter 18) The sportsman was denying his benevolence towards the main lead. With such a statement, the famous athlete created the impression that Kim Dan’s presence in the flat was more or less “bothering” him. 
(chapter 18) I would even add, he hates pity… exactly like Kim Dan. 
(chapter 37) That’s why he reacted so strongly in the States. In my eyes, he imagines that someone could deceive him, if he was kind or if he loved someone. That’s the reason why he is acting so tough. What an irony! He is deceived, even if he is so brutal and strong. We have the perfect example with the MFC doctors and the MFC matchmaker. To conclude, in episode 18, Joo Jaekyung made sure to protect his heart from Kim Dan out of fear. And this could only backfire. The doctor chose that it was better to leave the champion’s side. But his declaration triggered the celebrity’s hidden anxieties. 
(chapter 19) He would do it at any moment and at any place. Yet, we know for sure that the champion’s libido was different in the past. It was strongly intertwined with his matches. He considers sex as hard work and as such bothersome. 
(chapter 29) So we could say that by requesting sex as breakfast, he deceived his partner. He might be smiling and happy 
(chapter 18), but deep down, he was masking his abandonment and trust issues. For me, both characters made huge mistakes, for they were not honest to each other. Back then, Kim Dan was still rejecting sex, and as such denying the existence of his own pleasure. They could only misunderstand each other, because both were in denial about their own emotional and mental state. Hence they could only commit wrongdoings.
(chapter 22) For Joo Jaekyung, it was a mistake. Kim Dan had crossed the line. But the moment he tasted the food, he liked it so much 
(chapter 22) that it put him in a good mood. Thus he smiled. 
(chapter 22) However, observe that the champion tried to “deceive” his partner after tasting the food. 
(chapter 22) First, he hid his happiness by looking so deadly serious. He was restraining himself to expose his true emotions. Secondly, in that same picture, he is voicing his doubts. He feared that the doctor tricked him in order to impress him. He couldn’t believe that he was such a cook. As you can see, the athlete considered the first breakfast from Kim Dan as a trick and wrongdoing, before he changed his mind. Here, I would like to point out that at no moment the athlete praised Kim Dan properly. 
(chapter 22) It was reduced to a basic skills so that for him, the breakfast is still viewed as a part of his work. However, by watching the athlete enjoying his dishes each morning, Kim Dan got accustomed to observe a content man. It is quite clear that the champion is enjoying his dishes so much. 
(chapter 41) His chewing is betraying his happiness. Through his happy chewing, the doctor started perceiving the athlete differently. He was acting more like a happy child. 
(chapter 41) His expression made Joo Jaekyung smile.
(chapter 40) For me, Joo Jaekyung had enjoyed this night for many reasons. Kim Dan had been proactive. He had even accepted all the requests from the athlete 
(chapter 39). At no moment, he had rejected him. Moreover, he had voiced his pleasure 
(chapter 39) something that Joo JAekyung had been longing to hear from him. 
(Chapter 39) Finally, they had many rounds during that night. We could say, he had become the perfect lover during that night. However, the word “mistake” from Kim Dan triggered the champion’s memory. 
(chapter 39) He had thrown all his rules over board.
(chapter 39) Imagine the doctor’s embarrassment, if he got to hear that he had peed twice while having sex. 
(chapter 39) Moreover, he had challenged his sex partner by peeing on his face.
(chapter 41), it signifies that for him, it was a funny memory. I am more opting for the last option, for he was smiling like in the moment he discovered his partner’s secret talent. 
(chapter 42) He needs to demonstrate his talent to the champion in bed. And the fact that Joo JAekyung never replied to the doctor’s pleas 
(chapter 41) Joo Jaekyung has no problem to expose his rough side to the physical therapist. Interesting is that he doesn’t get scolded by the doctor, though the latter is bothered by his reaction. 
(chapter 41) That’s how I realized how the champion would affect the physical therapist forever. Through him, he will come to accept the usage of the fists. He will stop accepting the emotional, mental and physical abuse from others. 
(chapter 1) to episode 7, where he punched the champion with his elbow. 
(chapter 7) Finally, he was encouraged to punch the fighter during a sparring. 
(chapter 10) 
(chapter 18) each time his pride got hurt. Here, he was restraining himself out of anger 
(chapter 42) after getting insulted by the ex-sex partner. 
(chapter 42) Yes, his hand gesture reminded me a lot of the fighter’s: 
(chapter 37) As you can see, the protagonists are influencing each other through their conversations and interactions. And this brings me now to the final breakfast scene, chapter 42.
(chapter 42) I would even add that he is no longer following the athlete’s rule. 
(chapter 18) There is no ambiguity that the champion noticed the doctor’s dark circles. 
(chapter 21) However, since the physical therapist has been working each night behind the champion’s back, I assume that such a scene 
(chapter 1) The latter had also vanished suddenly!! According to Park Namwook, the champion had beaten him. 
(chapter 1) But I am not entirely sure about this, for the athlete was caught by surprise. So envision the athlete’s reaction, when the latter discovers an empty bedroom with the Wedding Cabinet. The latter could be seen as a reimbursement for the paid loan. Since the doctor’s abandonment issues resurfaced in the past episode
(chapter 42), I have the feeling that his partner is about to go through the same experience. With his disappearance, Joo Jaekyung would not only lose his delicious dishes, but also his only companion who was able to make him smile and laugh. 
(chapter 42) In the car, he yelled at doc Dan. He advised him not to cross the line. He was no fighter. He should stick to his job, overlooking that Kim Dan was acting as a good physical therapist. He was right to ask the celebrity to stop his training. 
(chapter 41) However, there exists one difference to the first breakfast the physical therapist put on the table. 
(chapter 22) The soup looks a lot like a seaweed soup, a typical dish offered in South Korea for a birthday. And now, you comprehend why in the illustration
, the first breakfast is facing the birthday cake 
(chapter 41) The latter stands for anonymity, professionalism and admiration, while the seaweed soup embodies closeness, home and real affection. Under this new light, it becomes comprehensible why the presents from the fans and companies are not making the celebrity happy. 
(chapter 41) We can observe that his birthday is creating such a buzz that it looks more like a marketing event. Hence at no moment, the athlete makes a joke or smile. 
(chapter 41) In fact, he is crossing his arms, as if he was putting a distance between himself and the gifts. In other words, his birthday is connected to business and artificiality which contrasts to the doctor‘s past birthday: 
(Chapter 11) This simple party made the cute boy smile making him forget his worries and fears. 
(Chapter 36) Yes, he is not allowing himself to eat „unhealthy“ food or to enjoy a „drink“. Under this new approach, it becomes understandable why the athlete got so furios, when he caught the trio having a party. First, he got upset, because he got excluded. He got jealous, because Kim Dan was laughing with the others. 
(chapter 37) But more importantly, he cannot eat like the others, 
(chapter 37). I don’t think, it was just caused by his upcoming match. Even during the first party, he never took a bite. Striking is his choice of words: stuff. It was, as if eating snacks was a synonym for overeating. Like mentioned in the essay „sharing is caring“, Joo JAekyung needs to learn to become less perfect, to allow himself a „snack“ from time to time. That way, he can enjoy life. In his eyes, he can not celebrate like the others, for his job and title are a synonym for his life. 
(Chapter 22) And this is something the champion has been missing. When he paid off his debts, he wanted to make the doctor happy, hence he was looking at his facial expressions. 
(Chapter 18) In other words, as long as Kim Dan is not laughing and smiling, the other can not find real happiness either, and I would even say, real peace of mind. But in order to make his partner happy, the latter has to cross the line. He needs to stop living like a champion all the time, and as such to become human. This implies that he needs to make mistakes, for error is human. At the same time, humanity is a synonym for benevolence and vulnerability. This corresponds to the charity event. 
(chapter 13) But for that, the champion has to change his way of life… give up little by little all his past habits (waking up, showering, jogging, then breakfast, training till late in the evening). Everything was revolving around his own life and profession. However, by allowing Kim Dan to live with him, he is forced to find new habits: cooking for each other, jogging together, sleeping together… taking care of each other. This can only happen through arguments. I would even add, it is only possible, when both are honest to each other. Right now, Joo Jaekyung only knows how to share intimacy sexually with the protagonist. He needs to learn to listen to Kim Dan and trust him.
Bebebisous33s' analyses in K-Dramaland and Manhwas 