Jinx: The Deceptive Light💡 Of Hope ❇️

Hope often implies the promise of a tomorrow, a continuation of life and opportunity. Yet in Jinx, the depiction of Kim Dan’s condition—his unconscious attempted suicide (chapter 60), deteriorating physical health (chapter 60), and the ominous setting of the hospice (chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. (chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, (chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy (chapter 53), emphasizing his vulnerability and dependence on others.

Without intervention, Kim Dan’s condition—both physical and emotional—could spiral into irreparable harm, reflecting the unnoticed demise of the puppy. 😭This essay will examine these events chronologically, beginning with Joo Jaekyung’s urgent rescue and arrival at the hospice. The narrative will then explore the symbolic meaning of the photographs, including the fifth puppy’s fleeting presence and its absence in subsequent images, as well as the profound symbolism of the room where Kim Dan is placed. This analysis will reveal how both elements intertwine to foreshadow Kim Dan’s increasingly tenuous grip on life and the unspoken realities of his condition. 

The Rescue and the Green Cross

Joo Jaekyung rushed to the hospice with Kim Dan in his arms (chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness.

Moreover, we have to imagine that while looking around for help on the beach, (chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean (chapter 60), coupled with his labored breathing as he hurried into the hospice. His question (chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. (chapter 57)

This observation invites deeper reflection on why a small town would have a hospice rather than a hospital. The answer may lie in the demographic realities of the region. The aging population is evident in scenes depicting the town’s streets, where Potato and Heesung encounter primarily elderly individuals (chapter 58), such as two older women (chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord (chapter 58) nicknamed “old man” (chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population.

These statistics underscore the challenges South Korea faces in balancing an increasing elderly population with a shrinking workforce, impacting economic growth, healthcare systems, and social services. While “Light of Hope” caters to the growing number of seniors, this approach inadvertently reinforces the exodus of younger generations. This migration from the countryside to Seoul or other major cities is subtly reflected in Jinx. Yoon-Gu, for instance, comes from the province of Gangwon-Do, embodying the trend of younger people leaving rural areas in search of opportunities. (chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. (chapter 57) This observation is further supported by the panel depicting the hospice’s exterior, which highlights its offer of free health checks. This detail suggests that the hospice is actively trying to attract new patients and has the necessary resources to conduct thorough medical examinations. For instance, when one of Kim Dan’s patients fell, the hospice staff were able to examine him properly (chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, (chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event (chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.

This stark reality mirrors Kim Dan’s mental and physical state. The trail of blood he left behind (chapter 60) —a consequence of removing his IV needle—symbolizes his quiet surrender and deteriorating health. When Kim Dan arrived at the hospice, he carried the faint hope of finding solace (chapter 56), particularly from his grandmother, who had promised to go to the beach with him. (chapter 53) However, this hope was met with disappointment (chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy (chapter 59) but also his grandmother’s diminishing expectations of him. (chapter 56) She expressed twice that she no longer needed him. (chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness (chapter 57), easy bruising (chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. (chapter 60) Is it a coincidence that a company with the green logo K was shown in different panels, like this one? (Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company.

The Room and Its Symbolism

The room (chapter 60) where Kim Dan is placed raises significant questions about its purpose within the hospice. The presence of curtains, indicating multiple beds, contrasts with the lack of personal belongings or cupboards (see as a comparison, Shin Okja’s room – episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange (chapter 56) (chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨

This interpretation becomes clearer when contrasted with the emergency room depicted in the K-drama Love Scout. In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, discovering different patients behind each one until finding the right person. This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. (chapter 56) (chapter 60) Like in Love Scout, the room in Jinx also has closed curtains, but instead of revealing activity or connection, it implies abandonment and isolation for those behind them. How so? Contrary to the transparent, automatic doors of the emergency room in Love Scout, the door in this scene is closed, manual, and opaque. Such a door symbolizes privacy and secrecy, further emphasizing the room’s association with isolation and death. In addition, the lack of anyone visibly attending to them suggests desertion. Everything is indicating that this space is not dedicated to immediate care and life-saving measures contrary to the emergency room. This contrast emphasizes that the room in Jinx symbolizes abandonment and death rather than rescue. 

But there’s more to it. In Episode 52, the curtains in the health center were removed between two patients (chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. (chapter 57) or the mysterious Park Jinchul (chapter 56) (chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. (chapter 60) The room’s atmosphere intensifies this realization, as the symbolism of abandonment permeates its design and the interactions within. Moreover, since many people could see parallels between this scene with the doctor’s situation in the locker room, (chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. (chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract (chapter 60), it signifies that it is a reflection from chapter 6: (chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: (chapter 56) Only a bedridden person on the verge of dying can express such a gratitude towards the physical therapist.

If this interpretation is correct, the room’s symbolism is intertwined with death rather than rescue, then it conveys a sense of abandonment, as though the staff had already given up on Kim Dan. Furthermore, the decision not to place Kim Dan near his grandmother suggests an effort to keep the incident hidden from her (if she is not in the room), emphasizing the isolation surrounding his condition. On the other hand, the champion’s presence in that room could represent a chance for the athlete as well. This could represent the moment of his “rebirth”. Through a honest but painful conversation, the fighter would be encouraged to judge Kim Dan in a different light and nurture his maternal instincts. Moreover, he could give some comfort to a dying patient, similar to this scene: (chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient.

And if my deductions based on observations are true, this signifies that the brochure from Light Of Hope (chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone.

Between Lies and Misconceptions

Kim Dan’s interaction with Joo Jaekyung in this room is marked by lies and unspoken truths, which define the fragile dynamic between them. Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか?” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response (chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team.

Kim Dan’s body language mirrors this emotional disconnection. (chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. (chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. (chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. (chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. (chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: (chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.

Jaekyung, for his part, struggles with acknowledging his dependency on Kim Dan. (chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner.

This dynamic is further emphasized when comparing their positions in Episode 6 and Episode 60. In Episode 6, Kim Dan was standing while Jaekyung sat (chapter 6), reflecting the power imbalance between them. Kim Dan momentarily held the upper hand by negotiating his terms, but once Jaekyung agreed, their positions shifted (chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other (chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: (chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, (chapter 60) it is Jaekyung who has become emotionally reliant on him. Kim Dan’s stubbornness to push through his fragility mirrors the fighter’s own traits, exposing an ironic role reversal that neither of them fully acknowledges.

Despite his outward confidence, (chapter 60) his refusal to engage truthfully exposes his internal conflict and fear of reliance. But why does he fear so much closeness and dependency? Naturally, Jinx-philes should keep in their mind his terrible childhood where he suffered emotional abuse. Moreover, he had been taken advantage from his previous sex partners. (chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: (chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations (chapter 60), as he did in episode 6. (chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: (chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: (chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic (chapter 60) underscores his desire for a deeper, more meaningful connection—something Jaekyung is unable to see due to his own emotional barriers.

But there is another reason why he got rejected. Fate wanted to punish the athlete for putting his own selfish desires over the doctor’s. He had seen the physical therapist in a dangerous situation (chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: (chapter 60). Yet, the first thing he talked about with the doctor was work (chapter 60), once Kim Dan asked him for the reason of his visit: (chapter 60) In other words, with his request, he implied that he had not been longing for Kim Dan’s company. With his attitude, he could only give the impression that he was not interested in the man Kim Dan, rather in the physical therapist, and that’s not what the main lead truly desires. To conclude, his behavior and words generated the impression that the fighter was only superficially interested in him. It was, as if his rescue on the beach had never taken place. He was definitely undermining his own “good deed”.

Their interaction becomes a poignant dance of unspoken fears and withheld truths, illustrating how deeply both characters are entrenched in their insecurities. From the very start, the conversation is undermined by these concealed emotions, dooming it to failure and highlighting the isolation each character feels despite their physical proximity.

Potato’s Role and the Symbolism of Photos

Potato’s involvement adds another layer to the narrative. While the readers can notice the photo of Kim Dan in front of the hospice, they also detect the pictures of the puppies, which were captured later. (chapter 60) These images reveal that Potato visited the old man’s house to bid farewell to the animals. Among the photos, only one shows the fifth puppy—a small, brown one on the left—who appears less active than the others, symbolizing its declining condition. This shows that he was present, when the puppy was showing signs of being sick, but he did nothing. He was too focused on the moment cheering these animals on (chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? (chapter 60) He blamed himself.

Additionally, Potato’s farewell request to treat Kim Dan to a meal if he ever returns to Seoul reveals his underlying doubt. (chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. (chapter 60) This lack of sensitivity and focus on celebrities, flowers, or the puppies instead of his friend underscores the growing emotional distance between them. Interestingly, while Potato returned to the old man’s house to bid farewell to the puppies, he has no intention of returning to the hospice. This contrast highlights how his farewell request serves as an acknowledgment that they are unlikely to meet again. This detachment mirrors Jaekyung and Heesung’s superficial connections, emphasizing how work relationships often overshadow genuine bonds.

Lies, Betrayal, and Ignorance

Potato’s secret visit concerning the puppies and his silence regarding Kim Dan’s whereabouts reveal his growing resemblance to Heesung. (chapter 60) When he got caught with his silence, Mingwa never showed us Potato’s justification. Yet, it becomes clear that the young fighter decided to give the following explanation: he respected Kim Dan’s wish to remain undiscovered (chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts (chapter 60) He deliberately avoided revealing that Potato was the one who disclosed Kim Dan’s location, shielding Potato’s role and perhaps attempting to protect the fragile connection they all share. This omission reflects Jaekyung’s misguided belief that ignorance might shield Kim Dan from further pain or complications. However, claiming he respected Kim Dan’s wish to remain undiscovered—was a lie, as his true motivation was Heesung’s request. (chapter 58) Therefore it is not surprising that through this omission, the main couple got affected. The lie from the chow chow had consequences for it increased the gap between the two protagonists. That’s how it dawned on me why Mingwa revealed the photo library of Potato. (chapter 60) The latter would serve as an evidence of his passivity and blindness towards Kim Dan, for the 5th puppy was still alive back then. The latter represents the fate of the doctor’s. These layers of deception highlight how characters like Potato become increasingly absorbed in their own worlds, blinded by their focus on superficial priorities.

This theme of being “too late” is also mirrored in Kim Dan’s experience with the puppy’s fate (chapter 59) and Joo Jaekyung’s rescue of Kim Dan. (chapter 59) In the case of the puppy, Kim Dan arrived too late to save the small animal, reflecting his self-doubt and hesitance to trust his abilities. Conversely, Joo Jaekyung arrived just in time to rescue Kim Dan from the ocean, demonstrating his decisive action. However, his failure to keep Kim Dan in a safe environment afterward suggests a broader inability to provide sustained support, echoing the narrative’s overarching theme of fragility and impermanence. (chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan.

The imagery of the fifth puppy serves as a poignant commentary on the consequences of neglect and inaction. The puppy’s decline—evident but unaddressed—parallels Kim Dan’s own struggles. Just as the fifth puppy’s fading presence is overshadowed by the activity of its siblings, (chapter 60) Kim Dan’s vulnerability risks being overlooked amid the chaos of the narrative. The missing puppy becomes a haunting reminder of what happens when fragility is ignored: a slow, quiet decline that ultimately goes unnoticed until it is too late. With too late comes regrets and remorse: (chapter 57) Cheolmin already warned his friend in episode 13: (chapter 13) But the man refused to listen to his advice, and now Kim Dan is leaving a trail of blood on the floor (chapter 60) indicating that his blood is not coagulating correctly. The last comment from the athlete implies that he is now accepting the challenge, he will do anything to have Kim Dan come back to him. Nevertheless, there exists one problem in my opinion: he is running out of time due to Kim Dan‘s physical and emotional deterioration, while he needs time to regain the physical therapist‘s trust.

Conclusion: The Fragility of Hope

The title, “The Deceptive Light of Hope,” encapsulates the essence of these intertwined narratives. The hospice’s name promises healing and solace, yet it masks the harsh reality of end-of-life care. On the other hand, since the couple reunited there, their relationship can be built on better foundations. They are surrounded by people who are definitely more attentive and less passive than at the gym. Moreover, the athlete has been living as a zombie all this time, the latter needs to die in order to be reborn as a human being. But it is the same for Kim Dan who has been living as a ghost for the last one and half month. On the other hand, rebirth is strongly intertwined with suffering, which reinforces my conviction that something bad to Kim Dan will happen. Since a beating heart is the symbol for humanity, it signifies that both will have to open up and confess their feelings. Similarly, the brightly lit hospital room, symbolizing purity, conceals the lies and unspoken truths exchanged between Jaekyung and Kim Dan. Potato’s photographs, seemingly innocent, betray a certain selfishness, ignorance and detachment, symbolized by the missing puppy. Each element contributes to the overarching theme: the fragile and often deceptive nature of hope in a world where appearances rarely align with reality. It is only a matter of time, until the wrongdoers realize their mistakes and apologize properly.

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Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Craving Mama’s 👩‍👦Shine ☀️ – part 2

Mama or Joo Jaekyung?

After reading the first part, my follower and avid reader @rantofalifetime brought my attention to this panel. (chapter 57) She wondered if this nickname “MAMA” was not a spelling mistake, and that the translator might have meant “MMA fighter Joo Jaekyung.” Intrigued by this possibility, I sought clarification, and indeed, in the Japanese version (episode 57) the reporter introduces the main lead differently: “Next, we have news regarding Joo Jaekyung.” This subtle difference is significant for three reasons.

Fighter Joo Jaekyung and its implications

First, it shifts the tone of the news. By omitting the nickname “MAMA” and using a more neutral phrasing, the journalist appears more professional and unbiased. This deliberate neutrality lends credibility to the report, giving viewers the impression that the information presented is factual and untainted by bias. Second, this choice strategically conceals the existence of any underlying manipulation or conspiracy, aligning with the larger narrative tactics observed throughout the interviews. The omission of the nickname highlights the calculated nature of MFC’s media strategy, showcasing how tone and language are carefully curated to influence public perception. Finally, like my friend noticed it, something was missing in this introduction: the nickname Emperor. The omission of the nickname “The Emperor” in the second interview is a subtle yet significant detail. It not only signals a shift in how Joo Jaekyung is perceived but also reveals a deliberate effort to undermine his status. As my friend keenly observed, this change in language demotes the champion from his previously exalted position. While he was once heralded as “The Emperor,” the absence of this title in the current narrative exposes an underlying strategy of manipulation and control. It is as though his stature is being diminished step by step, aligning with MFC’s broader agenda to distance themselves from his achievements and frame his struggles as personal failings. This seemingly minor detail becomes a glaring indicator of the deception at play, further underscoring the calculated nature of the interviews. On the other hand, they are not using the suspension as an excuse for the loss of his title. (chapter 57) And what does it mean?

Rewriting the past

The organization’s deliberate omission of the health center incident (chapter 52) and the suspension from their narrative highlights a calculated effort to erase inconvenient truths that could tarnish not only MFC’s reputation but also that of the medical professionals complicit in their schemes. Let’s not forget (chapter 41) the complicity of the doctors who cleared Joo Jaekyung to fight despite his evident injuries as another example of the corruption within this world. Moreover, by avoiding any mention of the suspension (chapter 52) (chapter 57), which stems from Joo Jaekyung’s actions at the health center, MFC ensures that questions surrounding the incident—such as the switched spray and the deliberate injury to his ankle—are never raised. This allows both the organization and the doctors involved to escape scrutiny.

By neglecting to use the suspension as a justification for the champion’s alleged fall from grace, MFC subtly frames the athletes as solely responsible for their setbacks, deflecting attention away from systemic corruption. The erasure of the health center brawl, where Baek Junmin provoked Joo Jaekyung, (chapter 52), is not only a protective measure for MFC but also shields the medical professionals who facilitated the situation. Doctors at the health center failed to report the ankle injury caused by the sabotage (chapter 50), further implicating them in a network of complicity and greed. Their decision to place the two fighters next to each other without proper privacy measures, such as curtains, reveals a disregard for professional ethics in favor of spectacle and profit. I would even add, the decisions from the health center’s medical staff, played a significant role in escalating the situation. By placing Joo Jaekyung and Baek Junmin next to each other post-fight, without appropriate measures like curtains to ensure separation, the health center created an environment ripe for conflict.

This negligence directly contributed to Baek Junmin’s severe injuries , (chapter 52) as the provoked champion lashed out in an unregulated setting. The decision to ignore these systemic failures and instead to suspend Joo Jaekyung suggests a deeper layer of complicity from the medical world, where doctors and nurses prioritized organizational demands and reputational interests over ethical responsibilities. Their failure to report the provocation and the ankle injury caused by the switched spray further highlights their alignment with MFC’s corrupt practices.

The vanishing of the shooting star

This complicity extends to Baek Junmin’s trajectory as a fighter. Once celebrated as a rising star with “star quality” (chapter 47) and favored by MFC’s CEO, Baek Junmin has now been discarded, his relevance extinguished the moment he ceased to serve the organization’s agenda. (chapter 57) His involvement in the underground fighting circuit and illegal gambling adds a layer of complexity to his role. (chapter 47) His background, combined with his visible association with MFC’s CEO, positions him as a key figure who could potentially expose the organization’s darker practices.

Rather than remaining a simple antagonist to Joo Jaekyung, Baek Junmin’s evolving role shifts him toward that of a pivotal witness. His potential testimony against figures like Choi Gilseok and the corrupt medical professionals could unravel the facade that MFC has worked so hard to maintain. This transformation invites readers to reconsider the hierarchy of villains and victims within the narrative. While Baek Junmin’s earlier provocations painted him as an adversary (chapter 49), his ultimate fate now reflects the broader cruelty and exploitation perpetuated by those in power. That’s how I realized the other signification of the cross below his left eye. The latter symbolizes his blindness in the end. The cross signifies his inability to see beyond the role he played within the system—a symbol of his naivety and misplaced confidence. Baek Junmin believed he understood the brutal reality of the fighting world, given his background in underground rings and illegal gambling. He thought his experience and cunning gave him an edge, making him untouchable or indispensable. However, his taunts to Joo Jaekyung (chapter 49) reveal a man who overestimated his position within the organization.

His role as a fighter in the shadows, bound by corrupt systems and ruthless practices, prevented him from recognizing his true dispensability. MFC’s abandonment of him after his injuries and the lack of media attention further underline this. Baek Junmin, who once took pride in being part of such a system, failed to realize that he, like Joo Jaekyung, was merely a pawn in a game controlled by higher powers. The cross, therefore, becomes a stark reminder of his ignorance—not just of his own situation but also of the shared plight of those exploited within this system.

This blindness also extends to his inability to see himself as part of a larger narrative of manipulation. His dismissal by MFC, after being paraded as the next rising star, parallels the broader exploitation of fighters, making him not just a villain but also a victim. The irony is that while he mocked Joo Jaekyung’s perceived vulnerabilities, he was equally, if not more, vulnerable to the same forces that ultimately discarded him. (chapter 52) Thus he is erased from the news.

Between Fiction and Reality

This dynamic highlights the dehumanizing nature of the combat sports world portrayed in the story. Fighters are reduced to pawns, manipulated through orchestrated narratives, and discarded when they are no longer useful. The inclusion of Baek Junmin as a potential whistle-blower not only reveals the systemic corruption within MFC but also foreshadows a potential turning point. His decision to expose the illegal activities he has witnessed, including the complicity of the doctors, could serve as the catalyst for dismantling the network of exploitation controlling the fighters’ lives. His evolution from a rival to a reluctant ally, shaped by shared experiences of manipulation and abandonment, would underscore the collective struggle of those ensnared in the system. This would emphasize the need for unity among the exploited in confronting the forces of greed and corruption that dominate their lives. On the other hand, since in episode 54, the champion is blaming Baek Junmin once again (chapter 54), it shows the athlete’s lack of reflection and insight. He hasn’t been able to discern the truth, the corruption of his “world”. This means that he needs to travel and experience a whole new world. The contrast would serve as an eye-opener for the athlete.

Mingwa’s storytelling in Jinx is layered with sharp social commentary, and the narrative’s critique of organizations like MFC can certainly be seen as a mirror to real-life entities such as the UFC. By delving into the corrupt underpinnings of MFC, Mingwa exposes the dehumanizing aspects of combat sports, where fighters are reduced to commodities rather than respected athletes. Through characters like Joo Jaekyung and Baek Junmin, the story critiques the exploitation, systemic manipulation, and lack of accountability within these organizations.

The parallels are striking. Just as MFC uses fighters for profit and discards them when they’re no longer useful, real-life organizations in the fighting industry have faced criticism for their treatment of athletes—be it inadequate healthcare, manipulated narratives to boost viewership, or prioritizing financial gain over the fighters’ well-being. The absence of transparency, as seen in the suspension’s omission in Jinx, reflects a calculated attempt to control the narrative and avoid scrutiny, a tactic not uncommon in corporate sports environments.

Silencing the Outsider: MFC’s Strategy Against Kim Dan

The second interview (chapter 57) holds significant weight in the context of Kim Dan’s storyline, as it appears to be strategically (chapter 56) released shortly after the champion’s urgent request to locate him. This timing is no coincidence. Instead, it reflects a calculated effort to manipulate both the public narrative and Kim Dan’s own perception of his role and value. By introducing the anonymous person as “one of his close associates”, it implies that the champion has already moved on from the protagonist. He is not missing him at all. At the same time, it implies that within a short time, the person was able to get the athlete’s trust which stands in opposition to this scene: (chapter 51) Thus I conclude that the interview serves a dual purpose: to emotionally undermine Kim Dan and to cement his estrangement from Joo Jaekyung.

First, the interview subtly shifts the blame for the champion’s so-called “loss” onto external factors, including his struggles with recovery and mental well-being. (chapter 57) While it does not explicitly mention Kim Dan, the implications are clear. As someone who was deeply involved in Joo Jaekyung’s health and recovery during the lead-up to the match, Kim Dan is indirectly made to feel responsible for the champion’s struggles. This psychological manipulation creates a sense of guilt, making him question his capabilities as a physical therapist and his influence on the champion’s performance. However, they fail to achieve their goal, because his subsequent reflections reveal a deeper realization (chapter 57): his regret was not merely about using the spray but about his failure to assert himself professionally. (chapter 49) By complying unquestioningly with the champion’s requests, he had diminished his role, acting more like a servant than a competent physical therapist. The interview, though painful, (chapter 57) serves as a harsh wake-up call, forcing him to confront his own shortcomings and reevaluate his behavior.

The introduction of the new physical therapist further amplifies this shift in perspective. If the new PT indeed represents a professional eager to stand in the spotlight and claim authority, their presence acts as a stark contrast to Kim Dan’s former passivity. It highlights the missed opportunities in Kim Dan’s past—instances where he could have spoken up (chapter 41), drawn boundaries, and made his expertise known. I would even add that he never felt responsible for the champion’s reputation in the media (chapter 36) Hence he remained passive all this time. His negligence becomes more obvious, when the media released this wave of articles: (chapter 52) Thus I discern a turning point in the doctor’s mentality. The last interview served as a painful wake-up call. This juxtaposition not only deepens Kim Dan’s understanding of his mistakes but also offers a model for the kind of professional he aspires to become. He can, if he wants to be in the spotlight: (chapter 41) In addition, while many Jinx-Philes are blaming the champion for his outburst, (chapter 50) rejection and (chapter 50) accusations, (chapter 51), the main lead is not blaming his fated partner at all. Why? It is because none of this would have happened, if he had acted as PT and trusted his own hands. He was too passive, standing by the sideline. He never became proactive. (chapter 57) Therefore I deduce that the doctor should be gradually become aware of his grandmother’s wrongdoings: her passivity in front of bullying and ostracism is one of the reasons for his low self-esteem. Besides, we should keep in mind his other confession which outlines (chapter 47) his indifference and lack of professionalism. In the end, the grandmother is the reason for his lack of professionalism and neglect.

But let’s return our attention to the second interview. The latter, while deeply manipulative and likely intended to isolate both Kim Dan and Joo Jaekyung, inadvertently sparks a positive transformation. It forces Kim Dan to grapple with the realities of his role and recognize that his value as a physical therapist lies in his ability to assert his knowledge and make independent decisions. What was meant to discredit him 😉 becomes the catalyst for his growth, paving the way for him to reclaim his agency and redefine his identity within the professional and personal dynamics surrounding Joo Jaekyung. I would even add that it pushes him to separate private life from professional matters.

At the same time, the interview appears to diminish Kim Dan’s importance by omitting any reference to him altogether. (chapter 57) This omission sends a message: the champion is being “taken care of” by others, including the newly hired physical therapist, whose role is subtly elevated through the term “close associate.” By erasing Kim Dan from the narrative, MFC effectively undermines his connection to Joo Jaekyung and makes it seem as though his presence and contributions are no longer required. The implicit rejection is a cruel strategy designed to isolate him further and ensure that he stays away from the champion.

Kim Dan’s status as a freelancer further highlights the precariousness of his position. (chapter 54) Unlike the newly hired PT, who likely has the backing of a hospital or organization, Kim Dan operates independently. This independence, while offering a degree of freedom, also makes him vulnerable. He lacks the institutional support that could shield him from the manipulative tactics of MFC. Moreover, his independence places him in direct contrast to the systemic corruption that permeates MFC and its associated entities. As someone who has already been victimized by two major deceptions—the drugged nutrition shake (chapter 37) and the switched spray (chapter 57) —Kim Dan stands as a figure who threatens to expose the cracks in MFC’s carefully constructed facade. Let’s not forget that the incident with the poisoned beverage was swept under the rug by framing haters.

By keeping Kim Dan away from Joo Jaekyung, MFC is not only ensuring that he does not return to support the champion but also protecting their own interests. Kim Dan’s presence could potentially disrupt their narrative, especially if his proximity to Joo Jaekyung allowed him to uncover further instances of manipulation or corruption. His removal from the equation eliminates a wildcard that MFC cannot afford to tolerate.

Furthermore, the interview’s implicit targeting of Kim Dan underscores the predatory nature of the organization. Rather than openly addressing the champion’s request or the realities of his situation, MFC and the Entertainment agency opt to manipulate the individuals surrounding him to maintain control. The release of this interview ensures that Kim Dan feels alienated, unneeded, and even complicit in the champion’s struggles, thereby neutralizing him as a potential ally.

In sum, the second interview is as much about silencing Kim Dan as it is about reshaping the narrative around Joo Jaekyung. By targeting Kim Dan’s emotional vulnerabilities and professional independence, MFC and their accomplices seek to isolate him while protecting their interests. This calculated strategy highlights the organization’s ruthless nature and its willingness to exploit anyone—even those on the periphery—to maintain its grip on the narrative.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Starving 🍬 For Light ☀️ – part 2

After the release of Starving for Light, I made very important discoveries and as such new connections between Kim Dan’s eating disorder, his workaholism and the grandmother’s neglect. However, since the original essay was already very long, I decided to add a second part. According to my observations, Kim Dan is suffering from ARFID (Avoidant/Restrictive Food Intake Disorder). The latter is an eating disorder characterized by an extreme avoidance or restriction of food, leading to nutritional deficiencies, weight loss, or dependence on supplements. Unlike other eating disorders, ARFID is not related to concerns about body image or weight but instead stems from factors such as sensory sensitivities, fear of choking or vomiting, or a lack of interest in eating. It often begins in childhood and can significantly impact physical health, social functioning, and emotional well-being. Treatment typically involves therapy, nutritional counseling, and addressing underlying causes of food avoidance.

Evidences of the grandmother’s neglect

In the first part, this is what I wrote:

This suspicion got confirmed while rereading the story. Shin Okja has never shared a meal with Kim Dan together. One might argue about this statement because of his memory concerning his birthday. (chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene (chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. (chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater.

Moreover, I would like my avid readers to keep in mind that Kim Dan was eating his snacks alone, when she was standing next to him: (chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents.

But let’s return our attention to the scene in episode 5. (chapter 5) Notice that she only asked him if he had already eaten after hearing his question. In other words, if Kim Dan had never inquired about her meals, she would have never shown an interest in his meals. Only after hearing that he would eat later, she got worried: (chapter 5) Thus she offered him two sweet yogurts. (chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. (chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, (chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: (chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. (chapter 57) On the other hand, the expression “wasting away” displays her realization. She is seeing how Kim Dan is losing weight!! To conclude, she is not totally blind. Her grandson is not eating properly. But why is she not questioning her grandson about his meals? It is because he is working at the hospice where lunches are provided to the staff. (chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. (chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist (chapter 57) for his attitude and is now siding with the grandmother. They assume “burn out”, while the reality is that he is suffering from different traumas. But notice that he was only sent away, after Kim Dan got dizzy. (chapter 57) This shows that Kim Dan had become a ghost at the hospice for the last few days, and no one paid attention to him. He was invisible because it was his way to be “accepted” and not stigmatized as “bun” or “orphan”. People only noticed him, until he created some ruckus at the institution. However, this means that the man must have spent the night with his grandmother. Yet, at no moment she sent him away or even shared her meals with him. This shows her indifference and egoism. She contrasts so much to the protagonist’s landlord.

The landlord in the doctor’s life

Though the latter doesn’t know him that well, he is paying attention to his every move: (chapter 57) He noticed right away that he was missing. Why? It is because his room was empty. (chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? (chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. (chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. (chapter 53) And now pay attention to the PT’s departure on the day he was sent back: (chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. (chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: (chapter 57) In my opinion, this man doesn’t know the real profession of Kim Dan. Notice that he is talking about “work” in general. He can not understand why his tenant would work for days so much. Another evidence for his ignorance is that he never went to the hospice to ask if the physical therapist was there. I would even add that this man is also ignorant about the existence of Kim Dan’s grandmother. How did I come to this deduction? It is simply that the old man is anticipating the doctor’s departure. Who would move to that little town with only two bags? It is important because despite his mistakes (chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. (chapter 57) I would even add that with this advice, she was restraining him from becoming close to people in this hometown. It is her place, not his… In other words, she was forbidding him to make friends here and have a good relationship with the staff. Finally, when the grandmother says Kim Dan has no ties here,” it mirrors the hurtful stigmatization he faced as a child when he was labeled as an orphan, a “bum.” (chapter 57) Her words inadvertently repeat the narrative of abandonment and lack of belonging that has followed Kim Dan throughout his life. It feels as though she’s repeating those same accusations, reinforcing the idea that he is rootless, unworthy, and out of place. Instead of acknowledging the sacrifices Kim Dan has made for her, the grandmother dismisses him as someone without meaningful ties, perpetuating the feelings of invisibility and worthlessness he’s battled since childhood. So with this declaration “This place isn’t your hometown and you don’t have any ties here” she was triggering his abandonment issues and low self-esteem. This outlines her lack of empathy, self-centeredness and ignorance. Thus I have to admit that I am even wondering if he has not been adopted by Shin Okja.

And because the halmoni claims to be part of this hometown and the landlord belongs to the same community, I can’t help myself thinking that once he hears about Kim Dan’s true job and his halmoni, he will go to the hospice and meet her. Let’s not forget that no one recognizes or remembers her. Why? My explanation is simple. This is the place where her maiden family has been buried, but like her words display it: she never went to the hometown to visit the graves of her ancestors. The grandmother is projecting her own history of not “sticking around” for her deceased relatives onto Kim Dan. Just as she distanced herself from her family in the past (e.g., after their deaths), she now assumes that Kim Dan will do the same to her, reflecting her awareness of how such disconnection has defined her relationships. We could say, she “forgot” them, but once she is about to die, she wants to be remembered as a part of this community. This shows that this woman values tradition and the past, but in a superficial manner.

However, since the doctor has become the symbol of her past suffering, she would like to send him away. She is refusing to be burdened by worries and a guilty conscience. To conclude, she is rejecting her past and as such her responsibilities. She is now advocating “self-reliance”, while in the past, she used to ask him for favors. (chapter 53) On the other hand, the landlord embodies the opposite notions: (chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard (chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness (chapter 57), night and death.

The sequels of traumas

Since I detected symptoms of ARFID, it occurred to me the significance of the drugged beverage. (chapter 37) Kim Dan has never associated food with pleasure, love and happiness. Yet, for the first time, someone paid attention to his eating habits and suggested him to drink this nutrition shake. So the food became “poison” to him, this could only reinforce his negative disposition about eating. Is it a coincidence that soon after, he is seen sleeping and skipping meals? (chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: (chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. (chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.

And what is the common denominator between the switched spray and the drugged beverage? They reinforced his mental issues: ARFID, his depression and his low self-esteem. But the problem is that MFC , (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: (chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying (chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: (chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: (chapter 57) Because of ostracism and bullying, invisibility became his copying mechanism and the absence of shared meals could only reinforce his negative perception of himself. At the same time, the grandmother’s existence became his only source of life. So his meeting with Potato and Heesung is to remind him that he is not alone. (chapter 57) He was not forgotten, he left traces in their life. He was their sunlight, their angel.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Unspoken Gifts 🎁, Unveiled Truths🪩 in the Light of Hope 💚

The hospice named “Light of Hope” (chapter 56) in Jinx serves as a powerful symbol and narrative device, encapsulating the themes of observation, communication, and truth, as reflected in the title “Unspoken Gifts, Unveiled Truths in the Light of Hope.” Its name evokes images of enlightenment and clarity, which stand in stark contrast to the gym Team Black and the grandmother’s internal state of denial and her rejection of responsibility. This tension between the hospice’s symbolic essence and the grandmother’s actions deepens the narrative’s exploration of personal accountability and transformation.

Closeness and Observation

Unlike the anonymity of the city (chapter 35), where people’s actions and words can go unnoticed, the hospice fosters an environment of close-knit relationships and mutual observation. (chapter 56) In this communal setting, actions carry weight, and behaviors are scrutinized. Thus the door to the meeting room is made of translucent glass. (chapter 56) While in the previous essay, I pointed out that this door reflected Kim Dan’s emotional entanglement—he is physically present but emotionally excluded from his grandmother’s world, highlighting the imbalance in their relationship -, in verity this transparent door offers an opportunity for the main lead. How so? The glass door stands not only for transparency, but also for “emotional distance”. The glass allows visibility but creates a barrier, symbolizing a balance between openness and detachment. This is essential in a hospice environment, where the focus is on providing care and support without becoming overly attached to the inevitable outcome: death. For the staff, maintaining a degree of detachment is necessary for their well-being, as becoming too attached could make the emotional toll of their work unbearable. Therefore I am suspecting that the two nurses (chapter 56) will become the physical therapist and champion’s mentors and advisors. Why? It is because the nurse with the brown hair embodies those values. Her emotional distance is already perceptible in her conversation with her colleague: (chapter 56) “Apparently” indicates a certain reservation suggesting that the speaker is relying on logic or observation rather than direct emotional involvement. That’s how the readers in the English version got finally to discover the grandmother’s name: Shin Okja. The latter has a name and a room number. While her description about the grandmother oozes objectivity and facts, she shows a different attitude towards the main lead later. Here, she is speaking from her heart: (chapter 56) She is projecting herself in his shoes. Why? IT is because she got influenced by the comment from her colleague. That’s how I realized that together, they represent the balance of heart and mind, their unity and understanding forming a cohesive whole. That’s how both are able not to become indifferent or too much attached. This coincides to the dualism of their profession: care but also detachment. Under this new perspective, it becomes comprehensible why the second nurse is not referring to facts, but to impressions and imagination. Her words are strongly intertwined with rumors: “with his experience”. So far, the main lead had barely experience in his field, as his first big gig ended up in a fiasco. He didn’t stay that long at the hospital and it is the same for the champion. He only worked at the gym for three months. The dark haired woman might have seen Kim Dan’s resume and the last employer, but she didn’t notice his name (Joo Jaekyung). This is her MO for „detachment“, she doesn’t pay attention to names. Moreover, she didn’t detect that he had barely worked as a PT before indicating that she has no notion of „time“. The discrepancy between her thoughts and reality can be easily explained. She also recognized the transformation in the patients, and could link it to the doctor’s skills. The reference to “famous athlete” and the doctor’s skills created a false perception, and this had an influence on her colleague: “You’re telling me!”.

The grapevines, both literal and figurative, symbolize the interconnectedness of the residents and the flow of information that can subtly reveal hidden truths. The grandmother, who once thrived under the city’s indifference, now finds herself navigating the attentive and watchful gaze of the hospice community. (chapter 56) Her hypocrisy, particularly in her treatment of Kim Dan, remains hidden behind the guise of socially acceptable behavior. Within the hospice, residents maintain a positive opinion of her, which enables her to mask her neglect and selfishness effectively. But since the two nurses are sharing their thoughts and working as a team, it signifies that Shin Okja’s wrongdoings could be detected this time. Or better said, they will realize the true suffering from the protagonist. Nurse Heart and nurse Mind will do their best to protect their new mascot and give him what he truly needs: (chapter 56) Comfort and even a home! It is important, because this evolution represents a contradiction to the athlete’s past: Park Namwook portrayed himself as Joo Jaekyung’s savior and family. (chapter 26) The reality is that he still has no idea why the champion was acting that way. He tried to explain his odd behavior by jumping to conclusions (prejudices: a spoiled child) and by listening to others. He never used his heart and mind, rather his ears and eyes. And this brings me to my next part.

Team Black‘s heart and mind

The partnership between the two nameless nurses contrasts sharply with the fractured dynamic between Park Namwook and Jeong Yosep in Team Black, where miscommunication and hidden motives reign. Observe that only in episode 5, the champion and the manager heard about the coach’s divorce and its circumstances. (chapter 5) And the other laughed. Then the coach seems to have no cellphone. Maybe he believes to have no need for it, for he goes to the gym every day. This signifies that he expects to be informed by his hyung Namwook. However, like mentioned in the previous essay, I believe that the manager has been sweeping under the rug the terrible condition of his “boy” from the coach and the team members. To sum up, Team Black embodies the opposite of the hospice’s values. There is no transparency, because the conversation took place not outside, but behind closed door. The door might be translucent, the reality is that they sent away all the members. (chapter 36) The gym, while ostensibly a team environment, is ruled by indifference, anonymity, and a lack of genuine camaraderie. The heart and the mind are not working together. Why? It is because the coach is trusting the manager, as he views him as the heart of the gym. What he fails to see, is that Park Namwook is neither the heart nor the mind, for he is more reflecting his surroundings: money. Secondly, the manager is easily influenced and is using conformity and social norms to avoid responsibility. He fears making decisions and lets others become proactive. Joo Jaekyung, the leader, relies exclusively on Park Namwook, the manager, who undermines team spirit by fostering distrust and misinformation. (chapter 46) The member’s loyalty got questioned, but the irony is that they had the real insight. (chapter 47) Thus rumors about Baek Junmin being an illegal fighter never reached Jaekyung’s ears. That’s why the author made fun of the main lead here: (chapter 47) His ear seemed to have caught their badmouthing, but not the real information. But why did he not listen to the members? It is because Namwook had encouraged the champion to keep his distance from others. He had even planted seeds of distrust among the team with his badmouthing about the champion. He has a bad temper and is a spoiled child, so no one needs to pay attention to him and his moods. The slap was the evidence of his disrespect and hypocrisy. (chapter 52) He was not willing to listen to the fighter’s suffering, because he didn’t want to be burdened. In fact, the opposite happened. (chapter 52) The man acted, as if he had been the biggest victim. Moreover, Namwook’s actions often reflect a lack of genuine loyalty, as seen in (chapter 22) episode 22, when he falsely claims ownership of the gym and again in episode 56 when he reminds the champion of his absence from the gym, behaving as though he were the boss. (chapter 56) In reality, the true owner of the gym is the “wolf,” and Namwook’s behavior underscores his disregard for loyalty and responsibility. In fact, his words mirror the nurse’s at the hospice: (chapter 56) Since she approached the physical therapist to get closer to him and used work to create a connection, people can see the similarities between her and the manager. While she represents honesty, curiosity, care but also “ignorance”,, it means that Park Namwook embodies the opposite values: indifference and a certain dishonesty. (chapter 56) Hence he is seen talking over the phone and not face to face, unlike the nurse. He knows that his boy is struggling, but he acts, as if he didn’t know. This contrast validates my previous interpretation of the manager. His question “Is everything okay with you?” exposes his lack of genuine concern. He uses work not to praise his “boy”, but to blame him for his “negligence”. He downplays the champion’s struggles while still recovering from surgery. This lack of care creates an atmosphere of apathy, anonymity, and selfish expectation, sharply contrasting with the hospice’s values of dignity and communal care. But how do we explain this huge divergence? First, the main principles of the hospice are dignity and care, and not primarily money. Therefore the institution offers free health check once a month: (chapter 56) Then they don’t pay attention to drugs and treatment, as they are useless there. Therefore they are less prone to corruption and greed contrary to the hospitals in Seoul. This means that this institution should become the main support for the main couple. Let’s not forget that Joo Jaekyung is suing a reputable hospital, but there’s no doubt that all the institutions are siding with the medical world and not the fighter.

Furthermore, though Light Of Hope and Team Black are strongly intertwined with fighting, their focus diverges significantly. The hospice prioritizes mental well-being, addressing the emotional and psychological needs of patients who have already relinquished hope for physical recovery. (chapter 56) This contrasts with the gym, where fighting is treated as entertainment and sport, emphasizing the physical aspect while neglecting the mental health of its athletes. Ironically, even the physical treatment of its members was neglected at the gym from the very beginning, like we could see it in two occasions: (chapter 1) The fighter with the head injury received treatment from the members (self-medication) and Kim Changming had a shoulder injury which got neglected. (chapter 7) These incidents reflect the gym’s underlying indifference and mismanagement. This disparity explains why Jaekyung’s mental health suffered under Namwook’s leadership, as the gym lacked the supportive and transparent environment required to nurture emotional resilience. Jaekyung’s stay at the hospice is likely to open his eyes to this overlooked aspect, prompting him to reconsider his leadership style and the values governing Team Black. But it is the same for Kim Dan, especially if he sees how weak and neglected the fighter looks: (chapter 56) he has already become a shadow of himself.

Gifts, communication and Truth

Light, a recurring symbol of enlightenment and awareness, serves different functions in the hospice and Team Black. In the hospice, light represents the revelation of truths previously hidden by denial and pretense. (chapter 56) The nurses might come to wonder how the grandmother can happily chat and smile when her relative is barely eating and spending all his time at the hospice. For the grandmother, this light exposes her selfishness and misguided belief that she can evade accountability. (chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.

The idea of gifts further underscores the theme of communication and truth, as gifts convey a message and reveal the nature of the relationship between the giver and the receiver. For instance, Park Namwook treats the gym as though it were a “gift” bestowed upon him, despite this being far from the truth. (chapter 22) Rather than acknowledging the champion’s suffering and generosity, he exploits his position thanks to his seniority, treating the gym as his personal domain. This false sense of ownership leads to his manipulative behavior and disregard for loyalty, as he capitalizes on Jaekyung’s trust and struggles.

Similarly, the grandmother’s wedding cabinet, made of mother-of-pearl, was a symbol of her dowry and seems to hold sentimental value for her. (chapter 19) However, for Kim Dan, this object represented a burden rather than a gift. He had troubles to find a new place to stay because of her „treasure“: (chapter 16) Despite its substantial value, the grandmother never sold the cabinet to pay off the debts, prioritizing its preservation over the survival of her home and family. On the one hand, this reveals her immaturity and selfishness, as she put up with her grandson’s suffering. On the other hand, her decision created the impression to Kim Dan that this belonging had just a sentimental value and nothing more. So when the champion saw that huge Wedding cabinet, he judged it as „junk“ and that’s how the doctor got this perception validated. (Chapter 19) Hence it is not surprising that at the end, he chose to abandon this huge cupboard. (Chapter 53) Finally during her move to the Light Of Hope, she did not ask about the whereabouts of her belonging which could only reinforce the impression that this item had no real value. It had even lost its sentimental value, as she was no longer thinking of her former home. Her ignorance and forgetfulness are once again outlining her superficiality, self-centeredness and lack of empathy. The sentimental value of her Wedding Cabinet was rather shallow. But the tragedy is that when the furniture was moved the penthouse, the champion noticed this item for the first time and came to associate this cupboard with the doctor. (chapter 19) Thus I am suspecting that this Wedding Cabinet created a false impression about the doctor: Joo Jaekyung thought that Kim Dan had many clothes in this cupboard, the negative version of this scene, (chapter 42) This explicates why the athlete didn’t pay attention to his soulmate’s clothes. And now, observe that the doctor is only wearing his PT uniform. (chapter 56) Thus I am predicting a huge awakening for the champion. Without the cupboard, the champion can see that the physical therapist almost has no cloth. Thus he can only admit his humbleness and benevolence. However, the moment he hears that this furniture belonged to the grandmother, the champion can only perceive the relative in a different light. Yes, the gift should expose her true personality. At the same time, Shin Okja never gave her Wedding Cabinet to Kim Dan, so should she discover that she lost her gift or the latter ended up in the athlete’s hands, she could protest and reclaim it. My point is that this legacy serves as a tool to expose the grandmother’s childish and shallow nature.

But I believe that we should combine this present from the past with the scarf she received from her grandson: (chapter 56) She is wearing it daily and is proud of it. Deep down, she knows the true value of the scarf: it was expensive (Chapter 41) as she employs the expression „spoil to death“. By wearing the scarf with flowers, she appears wealthy, but also vain! Since I detected that Kim Dan likes pink flowers, my interpretation is that this gift mirrors the doctor’s taste indicating that he was slowly regaining his identity and confidence.. (chapter 31) And notice that the bouquet of pink roses pushed Kim Dan to talk to Joo Jaekyung about his taste. That’s how I detected a strong connection between presents and communication. Notice that on the champion’s birthday, the manager sent a message while the presents were delivered. (chapter 45) This aspect gets even validated with the doctor’s keychain. The latter not only caused an argument between the two room mates (chapter 45), but also encouraged the doctor to convey his thoughts and expectations in the card. On the other hand, he didn’t expose the whole truth (chapter 55) Another interesting aspect lies in the doctor’s shaking hands which the champion noticed, when he offered the present: (chapter 55) This scene reminded me of their first encounter: (Chapter 56) So the man must have recognized the doctor‘s fear, which explains why the champion could voice his anger later. But back then, he never wondered why the doctor‘s hands were shaking like leaves. It is because the doctor feared rejection. The present had the following meaning for the physical therapist: recognition and acceptance. The gift was the symbol for „conditional affection“ which he had long internalized due to his grandmother. But this doesn‘t end here. The shaking hands appeared in a different scene: (chapter 49) The common denominator between these three scenes is the mistake. Kim Dan feared to have made a mistake with the present, because he was afraid of the champion‘s reaction: will he accept him or not? But let‘s return our attention to the gifts from the doctor.

And what is the huge divergence between the champion and the grandmother? The latter has always accepted doc Dan’s gifts, and even kept them, though she is well aware that her grandson is broke. He might have no longer any debts, but she doesn’t know it. So should the main lead meet the grandmother wearing the beautiful and expensive scarf, he should realize the value of the cloth. He should notice that the spoiled and greedy child is the halmoni, and not his fated partner. (chapter 41) Her words at the hospital are going to come back to bite her. She should have refused them in order to save some money. To conclude, the gifts serve to expose the truth about the receivers’ personality, like we could observe in another occasion: (chapter 31)

Funny is that her Wedding Cabinet was never intended as a gift for Kim Dan but as a reflection of her own past. Similarly, the scarf becomes a symbolic extension of this dynamic, illustrating the disparity in how gifts are perceived and valued. Through these gifts, the true nature of the relationships and the inherent imbalances are exposed. The cabinet, meant to represent care and love, becomes a mirror of her selfishness and refusal to take responsibility for Kim Dan’s sacrifices. These gifts underscore the imbalance in relationships where one party takes advantage of the other’s kindness or generosity. So paying back the fighter should be seen as a reflection to the scene, where the champion rejected the keychain. Simultaneously, the money transfer (chapter 55) implies that as soon as the main couple meet each other, they will have to discuss this matter. To sum up, a gift encourages the couple to communicate, yet contrary to season 1, both should be more honest to each other at the Light Of Hope. Every word and action will appear in a different light. Another aspect is that none of them takes things for granted, which stands in opposition to hyung Namwook and the grandmother. This explicates why the latter have no problem to spend money.

The Symbolism of Light

Light, a recurring symbol of enlightenment and awareness, serves different functions in the hospice and Team Black. In the hospice, light represents the revelation of truths previously hidden by denial and pretense. (chapter 56) The nurses might come to wonder how she can happily chat and smile, when her relative is barely eating and even spending his whole time at the hospice. For the grandmother, this light exposes her selfishness and misguided belief that she can evade accountability. (chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.

In contrast, Team Black’s symbolic “darkness” represents ignorance, despair, and unhappiness. The gym’s lack of transparency and trust fosters a culture of disconnection and secrecy. This explicates why Kim Dan and Joo Jaekyung got betrayed and abandoned by the staff. Though they were both victims, no one sided with them. No one went to fetch them either or to call them. The name “Team Black” itself evokes these negative qualities, further emphasizing the divergence from the hospice’s values of clarity and interconnectedness. On the other hand, one origin of this problem is that the gym was founded for the athlete’s own needs. That means that the company must change its philosophy and in my opinion, it is related to Kim Dan. The latter embodies other values like family, dedication and selflessness. Work is not linked to money, but to self-worth. Like mentioned before, the doctor is about to conquer the gym and as such he is the true game changer.

For Jaekyung, the hospice’s light serves as a metaphorical mirror, reflecting the shortcomings of his leadership and his failure to build a true sense of community within Team Black. By entering this environment, he begins to see the value of actions over appearances and the importance of genuine relationships, which contrasts with the superficial and transactional nature of his gym.

A Catalyst for Transformation

The hospice’s name also reflects its role as a catalyst for transformation. While it offers hope and care to its residents, it also demands honesty and responsibility. The grandmother’s journey within this space is marked by a slow but inevitable confrontation with her own hypocrisy. Her interactions with Kim Dan and the hospice community challenge her to embrace the very principles that the “Light of Hope” embodies—truth, responsibility, and genuine care.

Similarly, Jaekyung’s time at the hospice serves as a turning point. Surrounded by people who value authenticity over status, he begins to shed his reliance on Park Namwook and reevaluates his treatment of Team Black. The hospice helps him uncover buried traumas and understand the impact of his actions on others, including Kim Dan. This newfound awareness sets the stage for his transformation as a leader and as a person.

Conclusion

The hospice “Light of Hope” is not merely a setting in Jinx; it is a microcosm of the story’s broader themes. It stands as a beacon of enlightenment, forcing characters like the grandmother and Joo Jaekyung to confront uncomfortable truths and redefine their relationships with themselves and others. While the grandmother initially resists this process, the hospice’s environment and its symbolic “light” gradually guide her toward self-awareness and accountability. For Jaekyung, the hospice provides an opportunity to recognize the flaws in his leadership and to embrace a more empathetic and authentic approach to life. In doing so, the “Light of Hope” becomes a place where denial fades, truths are revealed, and the potential for transformation is realized.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 17 📆 0️⃣1️⃣9️⃣The Shadows Cast By Numbers

In the composition The Magic Of Numbers I demonstrated the strong link between numbers, characters and situations. This led me to focus on the number 7 and its signification in Jinx. [For more read Magic 7 : Navigating between Jinx and Luck]. Is it a coincidence that number has for synonym “figure”, which is also an equivalent for “character”, person”? I don’t think so. However, the biggest discovery has not been revealed yet. Thus if my avid readers look carefully at the new illustration now, they will detect the digit 1, 0 and 9. What do they mean in Jinx? I will answer to this in the following analysis.

Numbers and Characters

For that, it is important to look at the following chapters and their digits:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

What do these episodes have in common? The number 10 or better said 1 and 0. Let me give different examples. 11; 37 : 3+7= 10; 46: 4+6=10; 4+7= 11. What caught my attention is that the number 1 and 0 are strongly intertwined with the villains.

Before going any further, it is relevant to define a villain.

A villain in literature is a character who represents evil or opposing moral values and often creates conflict with the protagonist. Villains typically display malicious intent, seeking to harm, dominate, or oppose others for personal gain or twisted ideals. Examples include:

  • Darth Vader (Star Wars): A dark lord driven by a desire to impose order through domination.
  • Hannibal Lecter (The Silence of the Lambs): A brilliant but psychopathic serial killer.
  • Voldemort (Harry Potter): A dark wizard seeking immortality and control​

This means that villains in Jinx are people resenting the main leads, they wish to harm or even ruin them. But let’s return our attention to my interpretation. The digit 1 announces the presence of a villain. One might argue about this perception, for number 48, 49 or 20 doesn’t mirror this theory. Nevertheless, Jinx-philes shouldn’t keep in mind that 8 embodies Kim Dan. Moreover, we should see it like that: 47= 4+7= 11, then 48=: 47 (Baek Junmin) + 1 Director Choi. Additionally, in 49, we have 4 persons involved in the scheme to kill the champion with Shotgun: (chapter 49) These 3 men and The Shotgun have to be seen as a team. Moreover, 4 is a synonym for death. Then, observe that the image from episode 20 contains two villains, the loan shark and the perverted hospital director. 1 +1 = 2. So when we see the number 10, 11, 16, 17 and 18, we could perceive it as an allusion to Heo Namwook, the villain.

However, another objection could be raised. What about episode 47? If you add the digits together, you have 11. So where are the two “villains”? It is clear that one is referring to the Shotgun, as for the other we could say, it is an allusion to the invisible involvement of Choi Gilseok. Then what about 11? One possible answer would be to say that the other villain in episode 11 was the representative of the association (chapter 11) and indirectly the persons involved in the redevelopment. However, I have to admit that I have a different explanation.

1 and antagonists

And this brings me to my other observation. In my eyes, the digit is not just referring to villains, but also to antagonists. You might ask about the difference between a villain and an antagonist.

An antagonist, by contrast, is any force or character that opposes the protagonist, creating conflict. They act as barriers to the protagonist’s growth or objectives, embodying stagnation or forces that resist transformation. Unlike villains, antagonists are not necessarily evil. For example:

The Party (1984): The oppressive government represents the antagonist but is not embodied by a single “villainous” character. The party embodies immobility through oppressive control, rejecting individuality or societal progress. It acts as a hurdle for Winston Smith, who seeks freedom and truth.

Miss Havisham in Great Expectations:: She is trapped in her heartbreak, she resists emotional healing and inadvertently thwarts Pip’s development.

As for Captain Ahab in Moby-Dick:, though a protagonist in his own story, Ahab’s obsessive immobility (revenge on the whale) becomes an antagonist force against his crew and their survival.

In other words, they create tension by opposing the protagonist’s goals. They test the main character’s resolve, adaptability, and resourcefulness. By clinging to outdated systems, ideologies, or personal fears, they symbolize forces that resist progress. Many antagonists refuse change, either out of fear, selfishness, or a belief in their own superiority. This refusal often highlights the protagonist’s drive for transformation or growth. To conclude, they embody hurdles to overcome, immobility, intern and extern conflict, resistance and regression.

Therefore for episode 11, one might think that the other 1 was referring to Joo Jaekyung, for the latter appears like a barrier which the young physical therapist needs to overcome. (chapter 11) Let’s not forget that in Jinx-Fandom, many Jinx-addicts calls him a “red flag”. Here, he was abusing his position. Furthermore, this theory could be seen as validated with the first episode with this image: (chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: (chapter 20). Sex is not dirty, he is not an old creep. He is just 29 years old. He is pure and innocent like a baby. Hence we should see this discussion (chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. (chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!

On the other hand, there is no denial that the athlete shares some similar traits with an antagonist: his selfishness, the use of threats and an ideology (his jinx). Consequently, one might still contest my interpretation. Nonetheless, this hesitation can be removed easily, when we return our attention to chapter 1 again. (chapter 1) This image was not reflecting reality, but Kim Dan’s vision!! The following panel is the unbiased truth: (chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water (chapter 27) or the ocean. It is because he was under the influence of his hyung Park Namwook which explains why Mingwa introduced him like this: (chapter 1) Note the contrast to his “boy”. The red is not coming from Joo Jaekyung’s body (chapter 1), but more from the side which stands in opposition to the coach.

Thus I came to the following deduction. In episode 1, the MMA fighter appears as an antagonist, but he is not the real one, it is his coach and manager. The latter only shows his true colors at the end of season 1. This interpretation gets corroborated with episode 11: (chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: (chapter 1) There is a spider on his t-shirt, which represents the manager’s personality and behavior. (chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: Daily Jinx Advent Insight 12. This shows that the main lead had been copying his mentor’s behavior for a while. And the moment you associate 1 with Park Namwook, it becomes more comprehensible why he argued with his pupil in 17 (chapter 17) or in episode 46 (chapter 46) He represents regression or the hurdle to overcome.

However, we should consider the first episode as a combination of 1 and 0: 01. And who was missing in this chapter? Naturally, Shin Okja, the doctor’s grandmother. She is the other antagonist for our beloved couple: (chapter 11) (chapter 11) And I can prove my statement by showing the episode where she appears:

Chapter 5Chapter 7Chapter 10Chapter 11Chapter 19Chapter 20Chapter 21

Chapter 22Chapter 30Chapter 41Chapter 47Chapter 48Chapter 53


Here, we should see as a continuation of episode 47.

By looking at the numbers carefully, I suddenly realized what the halmoni’s true number could be. It is 11 which actually makes 2. Hence we have 20, 21 and 22 where she plays a huge role. One might argue for this hypothesis, for she appears in episode 5 and 7. However, combine these two numbers together, then you have 12. A combination of 2 and 1, which is similar to 11 and 2. Under this new light, it becomes comprehensible why the Webtoonist made her appear again, when Baek Junmin (the criminal embodies 5) entered the spotlight: 5 *2 = 10 or 47 = 11. But what does the number 1 and 0 mean.

1: Isolation, Ego, and Domination

The number 1 is often associated with leadership, individuality, and beginnings. However, its negative side can symbolize isolation, self-centeredness, and authoritarianism.

  1. Isolation and Loneliness
    • As a singular entity, 1 can represent someone who stands alone, often by choice or force, cutting themselves off from others. Park Namwook has always excluded the athlete from the “parties” (chapter 9) or other events like this one: (chapter 37) Buying in secret junk food.
    • This isolation can stem from arrogance or a belief in their superiority, which distances them from meaningful relationships. (chapter 52) Hence he shouldn’t be seen as a true friend of the champion. He views himself as the better one: manners, temper and decisions. The reality is that he is never making any decision.
    • In Jinx, the antagonistic figures, such as the surrogate parents, could embody this isolation by choosing control over connection, leaving the leads emotionally detached and alienated. Hence the grandmother keeps asking favors from her grandchild (chapter 11) (chapter 47)
  2. Selfishness and Ego
    • Negatively, 1 reflects the “me-first” mentality, where the individual prioritizes their needs, desires, and ambitions at the expense of others.
    • In villains, this could manifest as manipulative behavior or exploitation, as they treat others as tools rather than equals. (chapter 1)
  3. Domination and Tyranny
    • In its extreme, 1 represents absolute power—one ruler, one decision-maker—leading to oppressive or dictatorial behavior. Hence Kim Dan could never get a job as PT at a hospital. (chapter 1) But it is the same for the champion who got his “gym” stolen from his hyung: (chapter 22) He is acting here like a tyrant.
    • This can parallel the way antagonists in Jinx drain others emotionally and physically, exercising control in a way that leaves the protagonists powerless and diminished. They feel jinxed. That’s the reason why I added bats on the illustration. I came to this revelation thanks to this article:

The hidden vampires in Jinx

And naturally, these two descriptions reminded me of the manager from Team Black. He slaps or yells at the champion, each time he is frustrated. Then he trusts no one (chapter 52), spreading rumors, mistrust and doubts. (chapter 46) This would explain the champion’s emptiness and darkness: (chapter 29) As for the halmoni, she embodies the last type of emotional vampire:

This description reminded me of the last conversation between the doctor and his grandmother. (chapter 53) The request for another sacrifice and promise. It is also possible that she represents a combination of another type, though we didn’t see her complaining too much in season 1:

Maybe the phone call during the night, her repetitive requests the next morning (chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.

11: The false spiritual guide

The number 11 in numerology is often referred to as a “Master Number,” carrying profound spiritual energy and potential for enlightenment. However, its heightened sensitivity and intense energy can also manifest negatively. While they are visionaries, individuals influenced by 11 sometimes struggle to transform their dreams into reality. Their focus on idealism or spirituality may distract them from practical implementation. People influenced by 11 may feel overwhelmed by their internal energy, leading to high levels of stress and emotional instability. Their sensitivity to external stimuli can make them prone to chaotic thoughts and anxiety when life feels out of balance. The number’s dual nature can create internal conflict, making it difficult for individuals to find stability. They may oscillate between extremes—hope and despair, inspiration and doubt. Despite their innate strength, they may overly depend on others for validation or support, sometimes at the expense of their own goals. This arises from their deep need to connect and help others, which can leave them emotionally exhausted or vulnerable to exploitation​ [for more read Numerologist.com​ ] Being a master number, 11 carries an intense energy that can be difficult to manage. People influenced by it might feel an excessive burden to achieve greatness, leading to burnout or feelings of inadequacy. This can prevent them from realizing their full potential, as they fear taking risks or making mistakes. This can lead them to remain passive. ​[Building Beautiful Souls] Finally, the number 11 would also explain why she is only focusing on herself. Emotional intensity, indecisiveness, imbalance and duality, overwhelm and pressure reflects the grandmother’s personality, as the latter always avoids conflicts and prefers running away from reality.

And that’s how I came to the following conclusion. Season 1 stands under the color of red. Note that the halmoni is always seen wearing red or dark pink clothes in the past (chapter 48), just like Park Namwook is wearing a red t-shirt with Team Black on it. These were the vampires who were draining out their “boys”. However, in the last episode, Park Namwook is no longer wearing the red t-shirt, but a blue one. (chapter 53) Only the logo is red. (chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. (chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

you will realize that the villains’ shades are blue, black and green. (chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. (chapter 46)

0: Emptiness, Neglect, and Obliteration

The number 0, often associated with nothingness and potential, has a shadowy counterpart that embodies destruction, void, and futility.

  1. Emptiness and Neglect
    • 0 represents a void—a lack of presence, empathy, or nurturing. Antagonists or villains embodying this aspect may not just harm directly but leave a gaping hole in the lives of those they affect. (chapter 10) Here, the manager showed no empathy or understanding in front of the champion. (chapter 37) He never complimented him for his hard work at all.
    • In Jinx, this could reflect the emotional neglect or apathy the antagonists or villains show, as their actions drain the main leads of energy, motivation, and a sense of self-worth.
  2. Annihilation and Destruction
    • As the symbol of “nothingness,” 0 can represent obliteration. It suggests an absence of growth, hope, or meaning, as antagonists and villains tear down rather than build up. (chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members.
    • The destructive aspect of 0 mirrors how the surrogate parents or antagonists in Jinx consume and drain the leads, leaving them emotionally barren and mentally fragmented. (chapter 10)
  3. Cycles of Futility
    • As a closed loop, 0 suggests an endless cycle, often one of despair or entrapment.
    • In the Korean Manhwa, this seems to symbolize how the protagonists are trapped in abusive dynamics with antagonists and villains (the loan sharks, director Choi, MFC and the way they treat their athletes like pawns) who repeatedly exploit and manipulate them, making escape seem impossible. The grandmother created the illusion that Kim Dan would be able to pay off the debts by working hard (chapter 18), until the champion confronted the protagonist with reality.

And if we analyze the number 46 (as a representative of 10), this is what we have:

46: Cycles of Dependence and Exploitation

  • 4 (Stability/Control) combined with 6 (Responsibility/Dependence) often represents a dynamic of obligation and control, but when tied to antagonism, it takes on a darker tone: a cycle where the protagonist is trapped in an exploitative relationship, unable to break free due to misplaced responsibility or imposed stability. Thus in episode 46 from jinx, the champion tried to express his expectations about the manager and coach (chapter 46), however Park Namwook refused to accept such a behavior from his boss. Therefore he put his pupil under pressure.
    • The surrogate parent attempted to enforce a toxic sense of responsibility (6) on the athlete, ensuring control (4) over his actions and emotions. However, the champion tried to escape from this by running away: (chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: (chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible.

Since I linked season 1 to red, it dawned on me why Cheolmin or the perverted hospital director didn’t appear in that season. (chapter 1) (chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.

Number 9 and its significance

This number stands for “change and help”. In this part, I will only focus on the following numbers: 9, 18, 19, 27, 29, 36, 39, 45 and 49. In episode 9, the champion was asked to take care of Doc Dan. The latter needed help, for he was too drunk to return home on his own. (chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: (chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. (chapter 18) In this episode, both main leads refuse the assistance from the other. Kim Dan is bothered that Joo Jaekyung paid off the debts, while the other dismissed the worries from the PT: (chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: (chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: (chapter 19) Then in episode 27, Kim Dan offers his assistance. (chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 , (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, (chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. (chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: (chapter 45). Without him, he can not do it. But here is the thing. In the locker room, the champion chose himself to treat his pain, he selected the pain relief spray over the doctor’s hands. (chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:

Chapter 6Chapter 26Chapter 36Chapter 42Chapter 46

The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.

Kim Dan is overcoming his fears. It is an allusion to Heo Manwook and his minions. On the other hand, the champion can not play with Kim Dan.

The end of a peaceful cohabitation, the return of fears from Joo Jaekyung (his jinx)
the presence of a scheme

The return of the mint-goblin, and as such the doctor’s fears (low self-esteem) At the same time, we shouldn’t overlook the presence of a third person in that flat who could appear in season 2.

The villains are exposed: they are now targeting Team Black and in particular Kim Dan.

The number 6 is strongly intertwined with regression, negative influence, schemes, antagonists and villains. Moreover, I detected a link between 6 and green/grey. That’s the reason why I am expecting more than ever in season 2, the fight between two green: nature versus money, fun versus seriousness, justice versus crimes/schemes. But in order to take place, the main couple needs to reflect about their own true desires in their life. What do they want exactly? A PT or a friend, a lover or a partner, a family or a company, justice or a scapegoat, fame or happiness?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 15 📆🃏♦️♥️

If you pay attention to the title, you might have noticed the joker, diamond and the heart as emojis. This signifies that I will examine this panel once again. (chapter 27)

The 3 cards and its significance

Yes, a thought occurred to me, while I was writing the last analysis about this scene. In Daily Jinx Advent Insight 7, I interpreted that Joo Jaekyung had been in reality on the verge of winning the game, but due to the Joker, a wild card, he thought, he had already lost. Then I had added that the Joker card could be perceived as a metaphor for Kim Dan. The champion had lost his last game, for he didn’t utilize his PT properly. He mistrusted him, therefore he didn’t talk with him about his meeting with director Choi Gilseok. In addition, he did nothing to protect him from the public eyes. He never realized that this man was the synonym for secrecy and information. The protagonist knows everything about the athlete’s health and injuries (not just his bad joints, but also his insomnia). Therefore he should have been guarded and protected, making sure that nothing would be leaked. However, I believe that the Joker could represent another character from Jinx. The moment I saw these cards (Joker, 3 Diamond, 3 Heart) as a symbol for a character, I suddenly realized that both main leads were defeated by their enemies, because both didn’t use their cards properly.

The other person behind the Joker

And now, you might be wondering about the identity of the other Joker. The fact that Joo Jaekyung is holding the Joker in his hand implies that he has this person on his side. He is close to him. In my eyes, it is the mysterious doctor from chapter 13. According to me, it is Cheolmin hyung. The fact that he called him, when the celebrity desired to avoid the headlines with a scandal, is a sign that he is trusting this man. (chapter 13) He is definitely sure that this man won’t betray him. He is not judging him for his job or “sexual preferences”. He embodies fairness, tolerance and impartiality. And since in his cellphone, Doctor Cheolmin is registered under the name Cheolmin hyung, it exposes his closeness with this cute doctor. He is like a “brother”. (chapter 13) The conversation between these two characters in episode 13 shows that Cheolmin is not only a reliable person, but also a good friend. He assisted the star in a time of needs without expecting anything in return. There was no exchange of favors, hence Mingwa showed us his hand, when he said his goodbye. (chapter 13) This gesture with the hand implied not only that he was just looking forward to meeting him again, but also generosity. And if there was a request from Cheolmin, it was just about an information: (chapter 13) It had nothing to do with money and promoting his hospital.

As soon as I came to associate the Joker with Cheolmin Hyung, Joo Jaekyung’s only true friend, I suddenly realized why this mysterious doctor no longer showed up in season 1. He was treated like the Joker in episode 27. He was not used properly, and this in two occasions. (chapter 33) According to me, the man was calling his friend Cheolmin, because he truly believed that the actor had been hurt. The fact that he went to the rooftop in order to call the person is indicating that he desires to hide his contact from Park Namwook and Jeong Yosep. In other words, he was seeking secrecy, exactly like the actor. As you can see, the dragon and the gumiho had a similar attitude. They thought that the rooftop was the perfect place to hide a secret. So by calling Cheolmin who is working at a hospital, the MMA fighter was making sure that there would be no scandal. However, when he called him, he discovered the truth. Choi Heesung had faked his injury. Therefore how could he use his connection with Cheolmin, when there was no emergency? In his eyes, he would have abused his busy friend’s generosity. That’s the reason why the star chose not to intervene. If he had revealed the truth and as such accused the actor of deception, he would have no one by his side to prove the truth. It was one man against two. Secondly, by revealing his presence on the rooftop, he would have been forced to mention his close friend: Cheolmin hyung. His connection with the athlete would have raised some question. And because he didn’t utilize the Joker in that situation, he became a victim of a trick. It is important, because the champion’s decision to hide Cheolmin’s existence from Jeong Yosep and Park Namwook is a sign that deep down, he is not trusting his two other hyungs. In my eyes, it is related to his homosexuality. But there could be other reasons as well, for example he met this doctor, before he became a celebrity.

As for the second occasion, it took place at the restaurant. (chapter 33) For me, the doctor was the person Joo Jaekyung was talking to. Interesting is that contrary to episode 33, he didn’t leave the inn in order to talk to his acquaintance. In fact, he did it in front of the door. By acting that way, he didn’t attract the attention from the members. No one questioned the celebrity why he was talking on the phone for quite some time. They just imagined that it was work-related due to the selfie with a stan. (chapter 43) They didn’t even bother to wait for him to arrive before drinking and eating, though the man was the birthday child. He was actually the guest of honor. (chapter 43) This exposes violation of social norms and even the disrespect towards Joo Jaekyung. He is just seen as a cash cow, hence there was no thank you from them or even a short invitation for him, like Park Namwook and Kim Changmin had done it in episode 9. (chapter 9) (chapter 9) In fact, Joo Jaekyung was totally neglected at the restaurant, no one even paid attention to his actions. Under this light, I recognized why Mingwa created this incident: (chapter 43) It was not just to bring the two main leads closer, but also to expose the wrongdoers. If they had waited for him, the champion wouldn’t have drunk some soju from the glass of water, for Kim Dan couldn’t have used his glass. (chapter 43) That’s why the manager got red, a sign of embarrassment. He realized that they should have all waited for the birthday child. Moreover, don’t forget that the star was even paying the bill. And now, you are wondering if I didn’t diverge from my original topic, the Joker and Cheolmin hyung. No, as this new interpretation helped me to understand why Joo Jaekyung talked to his hyung in front of others. He already sensed that no one was observing him or waiting for him. (chapter 43) Moreover, it is possible that the mysterious caller desired to congratulate for his birthday or even to thank for his donation. Let’s not forget that just before his real birthday, the celebrity organized a charity event, and it could be related to Cheolmin’s work place. (chapter 41) Because I detected ingratitude, selfishness and rudeness from Team Black, I couldn’t help myself thinking that the other person must have behaved differently, which put the young man in a good mood. Therefore he overlooked the incident with the switch of glass: (chapter 13) Here we have a threat from the champion to which Cheolmin replied with a joke. Here, we have the same situation: a threat, but people got scared (chapter 43) before Park Namwook tried to relativize the incident. (chapter 43) Thus it dawned on me why Cheolmin was not introduced to Kim Dan in season 1. He didn’t belong to Joo Jaekyung’s inner circle, his only true friend. He didn’t trust him enough to introduce him to this peculiar doctor. And now let me ask you this? What is a joker?

The Joker has held various roles throughout history, rooted in society’s need for humor, critique, and balance. Historically, the Joker or court jester was a figure in royal courts who entertained through wit, music, or physical comedy. Yet, their symbolic role extended beyond entertainment; they served as a unique voice of truth, able to mock power and question authority without punishment. Their ability to navigate sensitive topics under the guise of humor made them essential figures for revealing societal flaws.

Symbolically, the Joker represents duality: humor and tragedy, order and chaos. It reflects society’s hidden truths and contradictions, often acting as a mirror to human folly. In a broader sense, the Joker embodies freedom and the subversion of norms, often challenging rigid structures or oppressive systems. This duality persists in modern interpretations, where the Joker is both a symbol of liberation and an agent of chaos, reflecting society’s shifting values and inner struggles. In other words, he rejects herd mentality and hypocrisy. He embodies seriousness, but also fun and laughs. And that’s exactly how Cheolmin appeared in chapter 13. He is a non-conformist, he treats his job seriously, but if he sees something wrong, he has no problem to voice his opinion and criticize the person: (chapter 13). Hence I believe that the other reason why our cute PT didn’t meet Cheolmin in season 1 is that he was not ready to interact with him. Kim Dan needed to mature, to free himself from social norms in order to accept such a man as a “role model”. That’s the reason why I am expecting the return from this mysterious doctor in season 2. In my opinion, he will play a central role in dethroning the king Park Namwook at Team Black, but also in helping Kim Dan to obtain justice. Keep in mind that according to me, the protagonist was a victim of many crimes committed by doctors. (The hospital director, Kim Miseon, MFC doctors)

The 3 Diamond and 3 heart

Since the Joker represents the only true friend from the Emperor, I came to the following deduction. Because Kim Dan is holding a diamond and a heart card, this means that he has two persons on his side as well. In other words, these 3 diamond and 3 heart represent the physical therapist’s friends. Anyone will immediately recognize the identity of his true friends: Choi Heesung as the diamond (due to his wealth and brillance) and Yoon-Gu as the heart. Let’s not forget that the actor was willing to intervene, if the PT needed help to “tame” the Emperor. (chapter 35) He offered his assistance, but at no moment the main lead thought of even asking for his help. (chapter 46) If he had voiced his struggle to Heesung, the latter would have understood him and “talked” some sense to the dragon. And it is the same for Potato. In the locker room, when Kim Dan was criticized for his sloppiness, (chapter 50) he didn’t ask from Potato to vouch for him. He could have reached to him, requesting from him to testify in his favor. Yes, I believe that not only the actor and the maknae are to blame for their passivity, the physical therapist is also responsible for his own suffering. He is not seeing that he has already gained two friends. However, he didn’t treat them properly. No wonder why Kim Dan ended up alone at the end of season 1. At no moment, he confided to Potato or other members about his struggles, he kept everything to himself which is similar to his soulmate.

But why does the protagonist behave like this? One might reply that he has never had any friend before. Therefore he doesn’t know how to have friends. However, I feel that there exists a deeper cause. In my eyes, it is related to his low self-esteem mixed with pride. Yes, deep down, Kim Dan feels some shame due to his social background and familial situation. This explicates why he only mentioned his grandmother once (chapter 30). Here, I am excluding the scene with his drunkenness. Nevertheless, from his words, Heesung couldn’t detect that he was raised by a single grandmother. He already had a hard time to “accept” the champion’s benevolence (chapter 18) He was brainwashed to rely only on himself. Why? It is related to his halmeoni and his childhood. The elderly woman gave the impression that she raised him without any help. She did everything on her own which is only partially true. The young boy was forced very early on to help her. (chapter 5) (chapter 47) Hence he was taught cooking. In addition, we can already envision that when he was a high school student, he had to take a part-time job. She definitely minimized his assistance, creating a debt towards her.

Observe that though he treated the fighters (chapter 7) and (chapter 23), he just acted as their “PT” and nothing more. In other words, he acted, as if they only had a professional relationship. This explicates why Kim Dan never talked about himself, in other words he never shared any information with them. However, I doubt that he just considered them as his “patients”. He was happy to give his assistance. For me, the fact that he never lowered his guard is a sign of his low-esteem. So they had a strictly professional relationship, except with Potato. (chapter 26) However, even here, Kim Dan never shared his cellphone number with the maknae. If Potato had it, he would have tried to contact him immediately. To conclude, though I criticized Yoon-Gu and Heesung for their indifference and neglect, I feel that Kim Dan is partially responsible for this too. He didn’t take the first step to improve their relationship. Friendship is a two-way Street!

To conclude, the 3 diamond and 3 heart (chapter 27) represents the PT’s friends. The moment he acknowledges that he has these two assets, he should recognize that he is not “poor”. He needs to realize that he is on his own, because he chose to. He simply ignored “people” around him.

On the other hand, it is important to relativize this aspect as well, for Shin Okja played a huge role in this mind-set. The best evidence is that the woman doesn’t have any friend. (chapter 7) She needs to pay a nurse to give her some company. Therefore she is forced to rely on her grandson. Then she doesn’t pay any attention to her grandson’s needs and circumstances, for she is only focused on her own suffering and “unhappiness” chasing after an illusion. (chapter 53) Because she has no one by her side except Kim Dan, she has no problem to move to a different place where she doesn’t know anyone. Her grandchild is her “home”. This move reminded me a lot to a uprooting. It was, as though the male lead was not allowed to settle for good. Don’t forget that her deteriorated home let transpire that she didn’t consider this place as her true home. It was just a stopping-place. Under this new light, it becomes comprehensible why Kim Dan could never get any friend. Through the cards, I could find more evidences about my past interpretation. The halmeoni is responsible for the protagonist’s self-blame, lack of confidence, suffering and isolation.

But in order to recognize the existence of true friends in his life, Kim Dan needs to find a good role model. And that would Joo Jaekyung with his hidden Joker Cheolmin.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 14 📆 🧶 🥔

The topic of this essay is coach Jeong Yosep. It came to my mind that I had a little neglected this side character, though in a previous essay, I predicted that he could become a couple with Cheolmin. In the following panel (chapter 9), we discover the origin for Yoon-Gu’s nickname, Potato. The coach and sparring partner from Joo Jaekyung is the one behind it. However, this connection reveals a lot about the divorced man. He is actually a soft and tender man. Yes, in my opinion, Yosep’s nickname should be Potato.

Yosep, the real Potato

Is it a coincidence that this vegetable, when connected to a man, often symbolizes simplicity, resilience, and humility? Another important detail caught my attention in episode 9. He bowed to Kim Dan, when he was introduced: (chapter 9) This gesture oozes humility and respect. This contrasts so much to Park Namwook’s behavior during their first meeting: no bowing and no shaking hands. (chapter 1)

Potatoes, as staple foods, represent sustenance and practicality, embodying someone who is grounded, dependable, and essential in their environment. In literature or culture, a man compared to a potato might be seen as unpretentious, nourishing in spirit, or deeply rooted in their values and traditions. At the same time, the potato can represent love. This stems from its association with sustenance and nurturing qualities. Potatoes are hearty, versatile, and grow underground, symbolizing grounded-ness and resilience. Gifting potatoes can convey love, as they represent providing for someone’s well-being. The healing aspect comes from their nourishing properties, historically sustaining populations through hardship. This dual symbolism ties potatoes to the ideas of enduring care, connection, and renewal in relationships or life challenges. Jinx-philes could detect his caring nature right from the start: (chapter 1) He came right away, whereas the manager was busy with his phone-call and never asked later about the incident.

To conclude, potatoes are linked to earthy, “everyman” qualities—hardy, adaptable, and silently enduring through life’s challenges. This description fits the coach perfectly. Only in chapter 5, he exposed the circumstances of his divorce: (chapter 5) At no moment, he claims the champion as his boy or tries to attract attention from people for being the Emperor’s sparring partner. Thus each time the protagonist wins, he doesn’t appear in the ring contrary to Park Namwook. (chapter 5) (chapter 40) Yes, at no moment Jinx-philes can detect his presence. The bearded man embodies humbleness. As you can observe, this man doesn’t mind standing in the champion’s shadow. He already knows that fame and success are no guarantee for happiness, as he lost his wife. In fact, he knows that success means rather loneliness. This remark brings me back to his confession in the office. (chapter 5) If you read my previous analysis, you are aware of the strong connection between the cellphone and vanishing. So why did the ex-wife act like that? I suppose that Jeong Yosep led a similar life than the Emperor. He was racing against time, and was only in touch with his family through the phone. Thus I can imagine that one day, the former champion must have returned home and found his house empty, an older version of this scene: (chapter 53) So when he tried to call her, she blocked his calls. One of the causes for their failed marriage is that they had stopped talking to each other. [As for the other reason, I will expose it below] That’s the other reason why I developed the theory that the coach Yosep was behind this phone call. (chapter 19) He definitely knew about his relationship with Kim Dan, as he was the only one who was not surprised by this revelation. (chapter 22) This observation is relevant, for it indicates that the former champion must have listened to his manager as well. He never questioned the responsibility of his former coach or manager or organization. I am suspecting that he might have already been working with Park Namwook in the past, which would explain their closeness. For his divorce, Jeong Yosep chose to take the whole blame. Hence he kept his failure to himself. However, observe the manager’s attitude concerning this revelation. (chapter 5) He laughed, which indicates a lack of empathy. And if the man was working for Yosep before, then it exposes his neglect, ignorance and indifference. Secondly, he called the former champion “boy”, a sign that the manager feels superior to him. One might reply that the manager is just one year older than Yosep. For me, the scene exposes the true nature of their relationship. Park Namwook has the upper hand. Hence he can claim Joo Jaekyung as his boy (chapter 40) Interesting is that the idiom “boy” has historically been used to mean “servant” or “attendant” in certain contexts, particularly in colonial or hierarchical settings. For instance, it was often used during the colonial era to refer to male domestic workers, typically in a demeaning or racially charged manner. No wonder why though Yosep is the sparring partner of the Emperor, (chapter 37) he acts more like a servant. In my eyes, the last image displays the manager’s three “boys”: Yosep, Kim Dan and Joo Jaeykung. They are the former wrestler’s servants, while he can stand on the sideline and watch as a superior and guardian. (chapter 37)

Therefore such a remark “my boy” (chapter 5) is exposing the man’s arrogance and delusion. With these words, he is actually denying the hard work from Jeong Yosep and the Emperor himself. That’s how it dawned on me that this man doesn’t embody Teamwork at all. He is trying to steal the spotlight and success from others. On the other hand, the absence of reaction from Yosep shows the sparring partner’s lack of critical thinking. Yes, he is also very passive, just like the champion.

Yosep’s gradual maturity

And now, if you pay attention to Yosep’s evolution, you will notice a gradual transformation. He is getting more and more involved. First, he follows Park Namwook’s lead (chapter 26) (chapter 36). He even agrees to everything the man says and decides. (chapter 36) Yet, I see a turning point in the States. For the first time, he is seen talking on the phone, which indicates a certain responsibility. (chapter 37) However, till this scene, Yosep was treated like a “boy”, which I outlined above. The gradual transition can be perceived if you contrast the two following images (chapter 49) (chapter 40) In the States, he was not visible at all, he would even walk behind Oh Daehyun next to Yoon-Gu. In my opinion, he felt the need to be next to the maknae. However, in South Korea, he is standing right behind the protagonist. Moreover, note how Joo Jaekyung entrusted him with the charity event, another indication that the main lead was trusting more and more his sparring partner: (chapter 41) In addition, in the locker room, he is the one who made the decision to let the Emperor fight against Baek Junmin. (chapter 50) For the first time, he voiced his own opinion, yet his choice lets transpire the great influence from his “hyung” and MFC. His decision was influenced by money. Naturally, the high peak of his action is, when he announces to the main lead that he went to different authorities (chapter 52). However, it is important to recall that putting the whole blame on the manager and coach is not right either. How so? As a former athlete, he has more experiences and he should have realized that he should not just trust people blindly. Yes, I believe that his major flaw is that he is too trusting and doesn’t ponder deeply why his relationship with his wife failed. As you can see, he embodies the opposite notions of Park Namwook: faith in authorities and people. This explicates why in chapter 47, he didn’t say anything in the conference room. (chapter 47) He let his “hyung” and the other “experts” who were never in the ring do the talking. (chapter 47) Why did he let it happen? It is simply because he just views himself as a “sportsman”. The others act with their title (managers, advisors), as if they had more knowledge than the sparring partner from the Emperor. Another mistake from him is that he never looked at his sparring partner’s files. He let Park Namwook take care of this, thinking that he would pay attention to their star’s health and security.

That’s the reason why I believe that Kim Dan’s departure must have saddened him a lot. (chapter 52) Since he lost his wife and as such has no family, it is clear that this former champion views Team Black as a family. Therefore he participated in the surprise party. (chapter 43) Consequently, I come to the following conclusion that the last scheme made him realize his own wrongdoing. He didn’t protect his sparring partner correctly. He failed him. However, like pointed out in a previous Daily Jinx Advent Insight, Yosep was manipulated from his colleague. Therefore the coach didn’t meet Kim Dan in the office and couldn’t talk him out of it. This discovery exposes that one of the protagonist’s problem is that he was following his sparring partner’s lead as well. Because Yosep trusted blindly Namwook, his “pupil” did the same. And this remark leads me to the confrontation in episode 46. The true owner of Team Black warned his both hyungs: (chapter 46) This led the manager to give a task to the coach Jeong. (chapter 46) Why did he delegate it to the former athlete? Simply because that way, he could avoid responsibility. If something wrong happened, then “Potato” would take the blame. The hot potato was passed around. I am using this term on purpose. The reason is that “Potato” embodies harmlessness. And because Yosep comforted the manager and didn’t criticize him for his outburst and slap, it displays that the coach has not questioned the manager’s integrity yet. He is not doubting his trustworthiness. This explains why Joo Jaekyung returned home on his own, though he had an injured shoulder. (chapter 53) So we could say that Jeong Yosep is not entirely free from the negative influence from the manager. However, I have still hope for a true change in this gentle and caring man. How so? (chapter 26) It is because he is wearing a bird on his jacket. And what is the natural enemy of the spider which represents Park Namwook? The bird and the fish. For me, this animal announces his future liberation and transformation. According to me, Cheolmin is associated with fish and water (chapter 13) Interesting is that these two hyungs are linked to a similar color: dark green. This shade embodies hope and nature. However, since they are still living in the city and working for corrupted organisation (hospitals, MFC), they are not true themselves.

Consequently, I have the feeling that the cute doctor could help Yosep to emancipate himself from Park Namwook’s shadow. The latter stands for fun, joy and joke, which stands in opposition to the values MFC is promoting: wealth, fame and money at the cost of the own safety. Interesting is that Yosep’s hobby is knitting which he never showed to others. Knitting often symbolizes motherhood, as it evokes the nurturing and protective act of creating clothing or blankets for loved ones. It can also represent patience, creativity, and connection, as the intricate process of weaving yarn mirrors the effort required to build relationships or maintain traditions. Additionally, in literature and art, knitting can symbolize fate or destiny, as seen in mythological references like the Fates weaving the threads of life. Knitting is also associated with healing and comfort, offering a meditative and restorative activity. That’s the reason why I couldn’t help myself comparing Yosep to an obedient wife. This new connection explains why Yosep remained in the shadow of Park Namwook, whom appears so manly, caring and confident in front of others. In addition, this feminine side from Jeong Yosep made me realize that if Yosep came to marry one of his admirers, the wife might have grasped that she had not married a famous fighter, but a gentle and caring potato. In other words, through the marriage, the wife discovered the huge discrepancy between the image of a “hero and champion” and the true self of Yosep: caring, gentle and humble. She might have had other expectations: more strength, charisma and decisiveness. Under this new light, it becomes comprehensible why the coach chose to remain in the shadow after ending his career as “champion”. He experienced the negative aspects of “fame”: loneliness, illusion and superficiality. However, he didn’t lose hope. He still remained an optimistic person which explains why he trusts people so easily.

Therefore I come to the following conclusion: Team Black can only become a true family and team, the moment Jeong Yosep, Kim Dan, Joo Jaekyung and all the others are working together, protecting each other. Only that way, the “owner of Team Black” can be dethroned. He can no longer treat others as boys or tools. From that moment, they would be all equal, the opposite of this situation: (chapter 7) Note the absence of Yosep in that panel, a sign that his work and position were minimized. Nevertheless, this was just the consequence of his own decision. He chose to minimize his own value and to rely on his hypocrite partner.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 10 📆 🤬❤️🖤

If you pay attention to the illustration, you will notice that I switched the pictures in the photography album. However, assuming that you read all my previous daily insight compositions, you should recognize that I didn’t examine all the panels. The reason why I created a new illustration is that the topic for today was not related to the previous selected images.

The trigger for the new examination is the recently published article from Jennifer Delgado entitled Keinshorm Effect: why do we reject the ideas of those we can’t stand?

And now, you are probably wondering what Keinshorm effect is. The latter describes a cognitive bias where individuals reject ideas simply because they come from people they dislike. This emotional response clouds judgment, leading to a refusal to consider the content’s merits objectively. It often stems from the “horn effect,” where a single negative trait is extended to the entire person, or from cognitive dissonance when new information challenges deep-seated beliefs. This effect can lead to polarization, impeding constructive dialogue and personal growth. Who do you think is suffering from Keinshorm effect in Jinx?

Naturally Park Namwook. He is constantly silencing his boy with his words (chapter 36), slaps (note) and punches. But how do psychologists explain this creation?

As you can see, it is strongly linked to negative first impressions and as such to appearances. Mingwa let us know how the manager met the protagonist from Jinx: (chapter 26) He would destroy the arcade’s punching machines constantly, which led him to become blacklisted. This means that for the coach from Team Black, the young man was just a brutal and thoughtless thug and nothing more. He judged him based on his appearance and actions. Since he had money in order to open his own gym, he became a spoiled rich brat in the former wrestler’s eyes. But notice that the article is pointing out that the person suffering from Keinshorm Effect rejects any discussion from their counterpart because in truth, they actually dislike this person. This exposes the truth about Park Namwook: he actually resents the main lead. He only accepts him because of his success and fame. At the same time, this biased perception incites him to view himself superior to his pupil.

Under this new light, it becomes comprehensible why Park Namwook slapped his boy after the surgery. It symbolizes the summit of the Heinshorm Effect and as such the manager’s dislike towards the champion. Additionally, it is important to recall the trigger which led to such a reaction: (chapter 45) The Emperor had voiced his thoughts and emotions. This shows that he was trying to have a discussion with his hyung. He desired to be heard too: he voiced his powerlessness and questioned the coach’s intention behind his previous reproach.

That’s how I realized that we should see this argument as the negative version from this discussion at the penthouse: (chapter 45) While some readers still judge the athlete as a red flag and bad guy, they fail to realize that in a discussion, it is not about right and wrong. They are probably under the effect of the Heinshorm Effect due to the first bad impressions. 😉 In this discussion, both made valid points, yet both were in the wrong too. In reality, in a discussion, it is relevant to listen to the counterpart’s opinion and words. And that’s exactly what both did, though it hurt them too. But there is more to it.

First, it exposes that the manager never checked the facts about his own “boy”. (chapter 52) Why would he destroy the punching machines constantly? Hence I come to the conclusion that he has no idea about the past from Joo Jaekyung: (chapter 49) Like mentioned in a previous essay, I am suspecting that the athlete was a target of bullying and the perpetrators used his weakness and isolation to their own advantage. In other words, Park Namwook only saw the young man, once the latter had started training in order to protect himself. If he could ruin the machine, then it means that he had developed some strength. Thus I deduce that he never saw the future champion crying. At the same time, his negative perception led him to think that it was not possible to reason with him. He would only understand the power of the fists and nothing else. And this brings me to my next point.

Kim Dan represents the manager’s positive perception. That’s the reason why Mingwa created situations where both would argue. But because the hyung is much smaller and weaker, Joo Jaekyung was encouraged to voice his thoughts and emotions. Through their discussions (heated or not), they developed a mutual respect, which deepened their understanding of each other over time. Therefore I came to perceive these two scenes as a positive and negative reflections.

Chapter 36Chapter 42

Though both hyungs have the same attitude concerning violence, their response diverges. Kim Dan is not condemning his boss openly. His emotional reaction is more moderate, there is no yelling and threatening. He is teaching gently not to use his fists. With such an attitude, he displays acceptance and tolerance. Thus I come to the following interpretation. The relationship between Park Namwook and Joo Jaekyung was not bad right from the start. Yet as time passed on, the Keinshorm Effect reinforced the negative perception from the manager leading him to silence his star and as such to disrespect him.

Hence at the end, he chose not to communicate with him anymore. This explains why the manager didn’t inform him about the desertion of the last PT. (chapter 1) The champion was confronted with this new fact, when he saw Kim Dan for the first time. It signifies that when the story starts, the Keinshorm Effect is already deeply rooted. No wonder why there’s only one message from the hyung during the whole season (chapter 45) This was the sign of a poor connection between these two characters. Whereas the gap between them grew bigger and bigger, the opposite happened between the two protagonists. Under this new perspective, Jinx-philes can grasp why Mingwa created so many scenes with arguments between the two main leads. They should be seen as reflections from the past.

However with the manager, the latter had less patience and understanding right from the start. Therefore he came to choose his hands to turn the sportsman into a “passive and obedient” doll. That’s the reason why I see a connection between these two images:

Chapter 52Chapter 53

The letter is the highest form for communication. Putting thoughts into words means that the writer took his time to communicate with his counterpart. It stands for rationality and respect which contrasts to the manager’s slap. The latter acted on his negative emotions (anger, fears). The author from the article pointed out that Heinshorm Effect is nowadays widely spread. Why?

The moment I read this passage, it made me think of Choi Heesung and his k-drama: Extreme Worlds (chapter 29) (chapter 30) In the past, I used to think that this title were referring to the existence of two worlds: celebrity versus criminal world. But now I am thinking that these extreme worlds should be seen as “emotions” versus “reason” and “love versus hate” too. Idols are exposed to such extreme emotions (stalking, adoration versus hate). (chapter 36) In the second case, Joo Jaekyung could experience it twice during the first season. Whereas he got upset with the article from Shim Yoon-Seok (chapter 35), in the second one he was more composed. (chapter 52) He was already learning that the media were not reflecting verity. He was already distancing himself from social media. He had slowly realized that his image as star was not his true identity. At the same time, the letter contrasts with the short messages from haters. It outlines that Kim Dan’s admiration and recognition is sincere and deep. He didn’t get influenced by the media.

Hence I come to the conclusion that Park Namwook’s passivity and slap were triggered by the Heinshorm Effect. Yes, he was thinking like the media which distinguishes him from the cute “hamster”. (chapter 52) For him, Joo Jaekyung deserved to be suspended… he had punched his opponent at the hospital. Imagine the irony of the situation. Later, the manager used violence too, but it was excusable: (chapter 52) Consequently, it is understandable why Park Namwook didn’t fight against the suspension or organize a conference in order to save his star’s reputation. He had the same view about his boy. In addition, it exposes the shortsightedness and lack of reflection from Park Namwook. That’s why he shouldn’t be allowed to be the star’s manager. While he accuses his pupil of being hot-tempered, the former never checked the facts either: (chapter 52) Why was Baek Junmin place next to his opponent? Someone will have to confront this man for his negligence, unfairness, stupidity and incompetence.

But there exists another evidence for the presence of the Keinshorm Effect: (chapter 1) Due to his words, Kim Dan came to perceive the Emperor as a brutal and brainless man: (chapter 1) However, despite his biased perception about the athlete, he came to overcome all his prejudices about his boss and came to truly love the fighter. And this brings me back to this comparison:

Chapter 52Chapter 53

The champion’s reaction made laugh many readers. He was so calm. However, the moment you contrast this image with the one from episode 53, you will realize that his reaction is exposing his final detachment from Park Namwook. He is not upset, but this means that he is no longer seeking his admiration and recognition. The slap puts an end to their ambiguous and toxic relationship. For me, the manager lost his position as his hyung and as such his “family”. This explains why he listened to his coach, and said nothing. (chapter 53) However, later the champion thought otherwise: (chapter 53) This shows that he is now making his own decisions and this in the absence of his mentor. It somehow implies that the champion also stops communicating to Park Namwook. Finally, notice how he reacted after reading the letter: he truly felt bad. He was already attached emotionally and mentally to Kim Dan. As a conclusion, the season ends with the switch of the position between Kim Dan and Park Namwook. The former has already come to replace the manager. Indifference versus guilt and pain.

After making this discovery, it dawned on me why Kim Dan was not included in the discussions concerning the imminent fights. (chapter 36) He wouldn’t have been allowed to voice his opinion. He would have been even suspected of spying and leaking information (lawyer and manager from the Entertainment agency). Kim Dan needed to realize and admit his love and admiration for the athlete. first in order to stop Keinshorm Effect. He needed to be a confident and competent PT and become a friend for the protagonist. Since Kim Dan stands for communication, tolerance, respect and openminded-ness, the former hyung embodies the opposite notions: silence, dislike, clouded judgement and mental rigidity. Thus I deduce that in the future, the discussions about fights will take place differently. Involvement from all the members, opening listening and Kim Dan as a PT will have the decisive right for allowing a fight or not.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Loves me, loves me not 📆 ❤️ 💔 – part 1 (Daily Jinx Advent Insight 6)

Before starting writing the series “Daily Jinx Advent Insight”, I had already announced to release this essay. However, since my time is limited and I desire to keep my promise, I chose to combine these two series together. Hence the analysis “Loves me, loves me not” will have many parts. I can’t compose long essays each day.

During the first season, some Jinx-philes used to contact me and ask me the following question. Does Joo Jaekyung already love Kim Dan and if yes, when did he fall in love with him? As you can imagine, I will try to give an accurate answer in this series “Loves me, loves me not”. On the other hand, it is necessary to keep in mind that here, I will focus more on the emotional side of “love” than the one defined by Erich Fromm. Love is care, respect, knowledge and responsibility. Nevertheless, this raises the following question. How can we measure or notice his affection for the physical therapist? What are the signs for love? For that, we need to return to the beginning of the story Jinx.

The strawberry hamster and the mint goblin

What did Joo Jaekyung incite to drop the green-haired guy for the physical therapist? (Chapter 1) Imagine that he was in the middle of an intercourse. Yet he felt the need to have someone else by his side. It was, as if the grass on the other side was looking greener. 😉 Yes, in this scene, I detect parallels between Choi Heesung and Joo Jaekyung. (Chapter 33) On the one hand, the celebrity felt attracted to Kim Dan, on the other hand he had already sensed that the green-haired uke was greedy and even too passive. He was letting the celebrity fuck him. Yet there was neither real interaction nor sensuality between them. Hence the athlete could call Kim Dan during their sex. Funny is that the other didn’t mind at all, or in the worst case he didn’t even notice it. This shows not only the deafness and blindness of the mint goblin, but also the absence of communication and understanding in their “couple”. It was, as though the green-haired uke had submitted himself of becoming a sex toy. So by recalling the doctor, there is no doubt that the athlete couldn’t have voiced this change verbally. Why was he thinking of someone else during the intercourse? He was just simply not feeling it, the “great fuck”. In other words, Joo Jaekyung was attracted to Kim Dan by lust! In my previous analysis entitled Daily Jinx Advent Insight 3, I had pointed out the importance of “lust” in a relationship, as the latter represents the first step of love. As a source for this statement, I used this video:

Lust and love, though both powerful forces, differ significantly in how they manifest and endure. Lust primarily centers on physical attraction and thrives on fantasy, often fueled by an idealized version of the person rather than a grounded, realistic connection. While lust can feel intense initially, it typically weakens over time as the novelty fades. Love, in contrast, deepens with shared experiences, evolving into a bond built on emotional connection and mutual understanding. Unlike lust’s pursuit of excitement and thrill, love seeks stability, turning a romantic partner into a lifelong friend. Finally, love is selfless, focusing on the well-being and happiness of the other person, whereas lust tends to be more self-centered, driven by personal desires rather than a lasting commitment.

Since the green-haired uke only saw the athlete as a cash cow (“milking”) (chapter 42), it becomes clear why the athlete’s lust for the mint goblin couldn’t last. The latter was only interested in his money and not even in his body. Thus he didn’t try to bring thrill into their relationship or even seduce him. And now, you comprehend why Mingwa let us see such a scene in the beginning of the story. (chapter 2) He had never done it before. As for the champion, Manhwa-lovers can grasp that since their relationship was purely physical (not even accompanied with romanticism due to the athlete’s jinx), the lust from the champion’s side could only weaken overtime. When the athlete met the actor, he had not met the green-haired man before. Hence the sportsman was sitting at the bar looking more or less for a new partner. (chapter 33) So the relationship between the “prostitute” and the fighter must have lasted around 3 months, the same amount of time than with the physical therapist. The uke had put no effort, for in verity he was relying on the athlete’s jinx. The latter just needed him, and no one was willing to experience such a rough sex session. The reason why I gave the green-haired uke the nickname “mint goblin” is the following. He brought some fresh breathe in the athlete’s life, for contrary to his past lovers, this one didn’t run away. However, as time passes on, the mint taste couldn’t mask his corrupted mind and heart. He was passive and rotten deep inside. But there’s more to it. Thanks to the mint goblin, the athlete learned an important lesson. It was possible that someone could match his strength in bed. Yes, the latter wasn’t passing out like the others. Deep down, the star could sense that he was no monster, a criticism he had received from the actor.

Thanks to this new perception, it dawned on me why the athlete felt the need to reveal this secret to the mint goblin. Note that “lust” is strongly intertwined with “fantasy and as such romanticism”. So by exposing his odd belief, he desired to mask even his own attraction, so that the goblin wouldn’t notice that he was lusting after him. No one should know his type, his true weakness. Simultaneously, this revelation helped him to conceal and protect his own heart. He wouldn’t be exploited. With his jinx, he didn’t see himself as totally vulnerable, for he was actually denying the existence of a future close relationship. The uke could get replaced, he just needed someone and that was it. In other words, the revelation of the jinx was like a death sentence to their liaison. (chapter 2) There would be nothing left in the future, it was a work relationship. Under this new light, it becomes comprehensible why Kim Dan had to end their relationship at the end of the season. Because of his confession, their relationship was doomed to fail. It stood under the sign of “jinx”. We could say that the champion was receiving his karma for treating people like sex toys or surrogate fighters.

Joo Jaekyung and lust

The moment I made a connection between Choi Heesung and the green-haired guy, I had another revelation. Joo Jaekyung had criticized the actor for switching his partners constantly (chapter 33). The irony is that as soon as he saw Kim Dan (chapter 1), he got attracted to this pretty and cute new face. However, contrary to the comedian, he didn’t realize this, for the athlete is not someone who thinks deeply. He acts rather on his emotions, exactly like his mentor Park Namwook. Since lust is the first stage of love, the recipient of his “attraction” needed to give him a signal that he was interested in him. I doubt that the celebrity would have made a move on him, if the doctor had not made this mistake (chapter 1). Naturally, grabbing his phallus was the expression of the doctor’s masked sexual desires. This signifies that when the couple met for the first time, the grass appeared greener on the other side (medical world) for the first time. Since we have the first step of love in their relationship, we could say that the athlete was already in love with Kim Dan. While “lust” only represents the first stage in a love relationship, I decided to examine their relationship on this aspect.

Sex toy and lust

Since in the beginning of the story, the athlete was using his partners as sex toys, I detected a huge progression in chapter 33. This episode stands under the sign of LUST. The presence of the dildo is exposing the switch of the doctor’s position. The physical therapist is now treated like a human who can have his own pleasure. Under this new light, one might conclude that the actor was rather acting under the influence of “lust” in the car scene: (chapter 33) We have the novelty aspect (bringing thrill into their relationship) and the champion’s selfishness. The sex toy was utilized as a “punishment”, for the athlete was upset due to his jealousy. However, this perception is still too short-sighted. You will laugh, as soon as you read my new interpretation.

When Kim Dan started spending time with Choi Heesung, Joo Jaekyung feared that the actor could appear as the “greener grass”. He was generous, smiling and would compliment the young man. But more importantly, the fighter was tormented, because he didn’t know his soulmate’s type. He feared that the actor was totally the hamster’s type. The champion was exposing his insecurities, for he didn’t know if Kim Dan was actually attracted to him or not. Remember how the cute hamster kept rejecting his advances (chapter 8) (chapter 27) Consequently, the man had to bring up the deal constantly. Besides, their relationship started because of money. Finally, I would like Jinx-lovers to keep in mind the doctor’s lie: he had previous relationships with men. (chapter 3) As you know, I am quite certain that the athlete had sensed his lie (thus he utilized no condoms later). Yet, Kim Dan never came out with the truth either. This is relevant, for there could be lingering doubts from the MMA star’s side. Since the athlete had no idea about the doctor’s taste and physical attraction, Joo Jaekyung worried that his partner would start fantasizing the gumiho. Under this light, my avid readers can grasp why in episode 33, it was important for the champion to use the sex toy first. Initially it was to exhaust the doctor so that the latter would no longer feel attracted to Choi Heesung. Yes, it was to kill in him “lust”. Moreover, the moment the young man asked for his assistance (chapter 33), Joo Jaekyung had the impression that he was needed. Finally, don’t forget how this scene ended. Kim Dan was finally admitting that he was really sensitive to him: (chapter 33) However, this desire was accompanied with rejection and denial too. This explicates why the champion didn’t know how to interpret Kim Dan’s thoughts and emotions. (chapter 33) Was Kim Dan feeling the same way than him or not? Did Kim Dan desire him or not? And this leads me to the next sex session: (chapter 34) For the first time, the athlete was divulging his physical attraction and desire towards the doctor. He seduced him with his own body. Yet, in order to keep the upper hand in their relationship, he was the one who was determining how they would have sex: (chapter 34) As you can see, during season 1, it took a long time for the athlete to admit “lust and physical attraction” towards the doctor. One might reply that the celebrity had already admitted this to the physical therapist: (chapter 29) However, this confession is connected to the anus, and not to the doctor’s face and as such identity. Thus I don’t consider it as an admission that Kim Dan was his type. One might object too that he had already wooed the doctor before next to the swimming pool. (chapter 27) The divergence between these two chapters is that in the first scene, the athlete had not planned this. He was acting on his instincts and emotions, while in the living room, he was seducing the doctor on purpose. (chapter 34) I would even add that he gave more freedom to Kim Dan to decide if he would accept his offer or not. As you can see, Joo Jaekyung was learning to internalize the notion “consent and respect”. Here, the doctor could have refused… the evidence is his reaction at the gym, the slap on the athlete’s hand. That’s how I realized the strong connection between the athlete’s ignorance about his soulmate’s taste (partner type) and his consent. Respecting the doctor’s boundary meant to trust that the doctor was attracted to him and accepted him as a partner.

The signification behind the forgotten confession

And this brings me to my final thought. When Kim Dan confessed this in the States (chapter 39), this could only make the athlete happy first. He had the impression that he had finally discovered his soulmate’s taste and secret: he was also feeling the same… LUST. Yes, I am not writing love, but lust on purpose. Why? The irony is that the athlete was not recognizing that he was feeling more than lust for Kim Dan. He was already in love. 😉 However, so far he had only been busy focusing on Kim Dan’s type. Was the man also lusting after him or not? Under this new perspective, Manhwa-lovers can grasp why Joo Jaekyung asked this to Kim Dan in the dining room: (chapter 41) He didn’t expect a love confession He wanted to know if Kim Dan was finally accepting him as his partner, if he desired him too. Yes, gradually the possibility of dating was slowly emerging. Like mentioned in the introduction, lust is just the beginning of love. So should Kim Dan have remembered this night in the hotel room, he would have come not only to deny his feelings for the athlete, but also he would have reduced this “I love you” to lust, just a physical reaction due to the drug. A new version of the blue night, the only difference is that that night he kept his thoughts to himself.

In my eyes, it was important for the star not to know if the doctor was attracted to him, for the latter was making the same mistake than his frenemy: confusing lust with love. That way, their relationship wouldn’t have improved, as time passed on. They would have remained simply “fuck buddies”. Nevertheless, that’s not what the fighter truly desires deep down. He is also looking for companionship. Hence Mingwa confronted him with reality and forced him to make a choice: (chapter 45) What did the athlete imagine here? A fake love confession from Kim Dan, a stan trying to live out a fantasy. He was expecting “dating”, a notion he couldn’t accept, for he was confusing “lust” with “love”. That’s the reason why he couldn’t accept Doc Dan’s present and “gratitude”. They sounded like fake, especially since he was showing respect to the celebrity and not to the man himself! Yes, even in that scene, the PT was still hiding his own true emotions and attraction towards the handsome man. Joo JAekyung has no idea that Kim Dan views him as “perfect” (chapter 1) despite his injured shoulder: the muscles, the skin, the handsome face. He has never voiced such thoughts in front of his VIP client.He always kept them to himself.

That’s how I recognized why these two men stopped having sex after that time. Joo Jaekyung needed to learn how to distinguish love from lust. This explicates why the star got more upset with this departure (chapter 53) than with this one: (chapter 53) He let him go, for he anticipated that the latter would remain by his side. In addition, he didn’t feel the need to have sex the whole night, as his affection had already moved to the next stage. There was more than physical attraction and desire.

That’s it for today. In the next part, I will expose how we can see the champion falling in love. I will divulge the signs helping to identify that the wolf is under the spell of the cute hamster.


Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 3 📆🌹🥀

In this essay I will talk about pink roses. (chapter 31)

1. Pink roses and their different meanings

In the composition ““Go Away, Romeo!” (locked), I explained their meaning. Pink roses generally convey innocence, gratitude, and pure affection. They are traditionally associated with gentle emotions, making them a popular choice for expressing sincere, heartfelt sentiments without the intensity of red roses or the friendship focus of yellow roses. Interesting is that in the language of flowers, the shade of pink roses convey various shades of affection and admiration:

  • Lavender Pink: Often symbolizes enchantment and fascination, making it ideal for conveying admiration that feels magical or unique.
  • Deep Pink: Expresses gratitude, appreciation, and recognition, often used to say “thank you” or show deep admiration.
  • Medium Pink: Represents joy and happiness, perfect for conveying general affection or light-hearted romance.
  • Light Pink: Symbolizes gentleness, grace, and sympathy, often given to convey gentle love or to show empathy.

As the picture is illustrating, each hue brings a different layer of signification, adding depth to the message conveyed.

2. Heesung’s curse and the pink roses

And let’s return our attention to the gift from Choi Heesung. (chapter 31) They look more like the light pink rose: Innocence and admiration. However, keep in mind that back then, the gumiho was already love bombing the physical therapist with presents, a sign that he was already thinking of dating the main lead. While the bouquet of flowers was not reflecting his intentions, in verity it exposes his true thoughts unconsciously. He was simply impressed and desired to express gentleness, grace, and gratitude. This observation made me realize that the actor couldn’t identify his emotions in the end. In other words, he doesn’t know what LOVE is! That’s his curse. He mistook his feelings for love, while in reality, it was simply LUST. 😉 While the latter is important in a relationship, it only represents the first stage of love. So not overcoming this first stage, means that the relationship is doomed to fail.

3. Lust or Love?

Here I am giving a summary of the short video. The 6 differences between lust and love are the following

  1. Physical vs Emotional
  2. Weaker vs Stronger over time.
  3. Base on Fantasy vs Reality
  4. Romantic Partner vs Lifelong friend
  5. Thrill Seeking vs Pursuit of Stability
  6. Selfish vs Selfless

After watching the video or reading the summary, my avid readers can recognize the comedian’s problem. Mingwa utilized Kim Dan as an example to divulge the origins of Heesung’s curse.

First, by offering a lot of presents, Choi Heesung didn’t try to create a real emotional connection with the physical therapist. He barely knew the doctor, he didn’t even try to get to know him at all (1st sign). The presents were quite random and came mostly from his own sponsors. His generosity was not totally genuine at all: he was trying to woo Kim Dan despite his claims (6th sign). Moreover, he already imagined that he knew him: (chapter 30) “The angel speaks” outlines that he is creating a false image of the main lead. It was, as if he was living a dream which corresponds to the third characteristic. This is no coincidence that Heesung was seeing a lot of stars, when he looked at the “hamster’s face”. (chapter 30)

Then when he confided his thoughts and emotions to Joo Jaekyung at the bar, it becomes clear that his attraction towards his past partner was always fading away. (chapter 33) His emotions couldn’t be maintained over time, which corresponds to the second sign.. Thus he was suddenly perceiving the unknown man as clingy and the grass would always look greener (chapter 33), each time he faced someone he felt attracted to. We could say, he was under the spell of his “type”. At the same time, this discovery reinforces my previous interpretation about Kim Dan’s role. The actor needed to experience rejection in order to learn that lust can not always lead to love. We could say that the doctor was the angel who freed Heesung from his terrible lust spell.

Interesting is the 4th sign. Since the doctor rejected his feelings at the café, it becomes clear that his “attraction” turned into a friendship (chapter 35), though it appears rather superficial. After their separation, Choi Heesung didn’t try to stay in touch with the protagonist.

That’s how I had the sudden revelation why Choi Heesung was doomed to fall in love with Potato. (chapter 35) Since the actor has always confused lust with love, it was necessary for him not to feel “lust” in front of Potato first. In that scene, the man was moved, not by the uke’s touch like with Kim Dan (chapter 30), but by Yoon-Gu’s words. (chapter 35) The latter was offering him some help without expecting anything in return. Yes, he got attracted by his beautiful mind and heart. Through their conversation, they got to know each other. In other words, for the actor it was necessary to not experience lust, as a first stage of “love”, but to develop an emotional connection first! In addition, it becomes comprehensible why the artist suggested Potato to work as an actor. (special episode 2) It was his way to develop a longer relationship. He was trying to find the right balance between seeking thrill and pursuing stability. As a conclusion, the two special chapters display why the actor came to fall in love with Potato. (chapter special 1) By preparing some ramen, he acted as a selfless person, though his thoughts revealed his dark side. Nevertheless, what matters the most are the actions and not the thoughts.

Thus I deduce that in the past, the artist and Joo Jaekyung had similar relationships despite their denial. Both could not create an emotional connection with their partner, for they wouldn’t talk to them. The absence of communication was the core of their problem. Moreover, both were full of prejudices, therefore they didn’t feel the need to converse with their counterpart. They would often judge their counterpart.

4. The halmoni and the pink roses

Interesting is that the light pink rose appears in a different chapter. Kim Dan selected an expensive scarf for his grandmother as a present. (chapter 41) He bought it during his trip to the States. Interesting is that the young man chose not to bring pink roses to his grandmother. Why has he never brought flowers to his halmeoni? Chapter 31 gives us the answer: (chapter 31) The flowers stand for “ephemerality”, for they are destined to wilt in a very short time. Yes, this shows that deep down, Kim Dan knew how his grandmother is trying to escape from reality. He knows her likes for flowers and roses as pattern because of the bed sheets (chapter 5)

Since the scarf has light pink roses, this signifies that the doctor was conveying a similar meaning than Choi Heesung: innocence, gratitude and gentleness. It indicates that his affection is not real love in reality. How so? It is because he bought a designer neckwear. He spent all his savings for her and the nurse, as his true intention is to get acceptance and affection from these persons. Due to his grandmother, he internalized that expressing love is strongly connected to money in the end. Because the grandmother raised him, in his mind she spent a lot of money on him. But if you look carefully, you will notice that the grandmother spent more money on herself (all the things in the flat belongs to her), while she simply offered a “sweet bread and yoghurt” for his birthday (chapter 11) or bouquets of flowers for his school career. (chapter 47) Hence she generated guilt, indebtedness and obligation in her grandson. Because he was able to travel to the States, he must have felt somehow guilty, as the latter was trapped in her hospital room. Therefore he felt the need to compensate his grandmother with an expensive present.

At the same time, the design of the scarf contains not only pink roses, but also peonies and white poppies. (chapter 41) The two flowers have the following meanings:

  1. Pink peony: represented by the larger, rounder flower with more layered petals, peonies often symbolize prosperity, romance, compassion, feminity and good fortune.
  2. White Poppy: The third flower, with a prominent yellow center and thinner petals, resembles a white poppy, which can symbolize peace, remembrance, or consolation.

Each flower has a gentle, comforting quality, reflecting themes of affection and remembrance.

This exposes that Kim Dan must have known about his grandmother’s experience concerning Korean War and her evacuation. She must have mentioned her suffering and probably complained that this was the reason for her poverty. Therefore, it dawned on me why the Webtoonist created such a pattern for the neckwear.

First, in many cultures, including South Korea, peonies, roses, and white poppies can be associated with death, funerals, or remembrance.

  • White roses often symbolize reverence, remembrance, and purity, which can be appropriate for funerals.
  • Peonies have a complex symbolism; while often representing prosperity and romance, they can also signify compassion, which is suitable for mourning contexts.
  • White poppies are strongly linked to peace and remembrance, making them common in memorials or to honor the deceased.

For me, these flowers on the scarf are announcing her imminent death, especially when you recall that flowers embody transience and temporality.

Secondly this new discovery about the white poppy confirms my previous examination: Mingwa chose to write her story like a kaleidoscope, this was the moment where war was mentioned for the first time. War was only brought up directly in chapter 53. Thus I perceive the scarf as a mirror of the grandmother’s mind-set. This reflects her inner world, the pink-tinted glasses. Whereas she imagines herself as a victim of life, she has always felt entitled for a great destiny: fortune and romance. The scarf symbolizes toxic positivity, for the main lead is avoiding an important topic: her death. But I have another clue for this interpretation in the following panel (chapter 19) But this will be the topic for the next Daily Jinx Advent Insight! 😉

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.