Please support the authors by reading the manhwas on the official websites. I am also using doctor Frost as reference again. This is where you can read the manhwas: Jinx and Doctor Frost. But be aware that the first Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “Angels of Death: Shadows versus Serenity (second version)“
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. The prince S and his negative reflection
In the first part, I examined Kim Dan’s mentality more closely. There, I portrayed the physical therapist as someone suffering from Dependent Personality Disorder. Moreover, I underlined that so far, Kim Dan had been raised under the influence of toxic positivity. Therefore he was constantly denying his own pain and struggles. Because of these two characteristics, I came to the following interpretation: the physical therapist was raised like a princess, and by meeting Joo Jaekyung, he got confronted with reality. Hence the argument with his fated partner incited him to change his mind-set. First, he was pushed to acknowledge the existence of his broken heart. Then from that moment on, he would no longer rely on the champion.
(chapter 46) On the other hand, chapter 47 exposes that the doctor didn’t lose his interest and attention towards his boss.
(chapter 47) This exposes that Kim Dan didn’t choose resent or indifference towards Joo Jaekyung despite the inflicted pain. On the other hand, why did I write that the celebrity is Kim Dan’s reflection? Why is the athlete the doctor’s mirror of truth? It is because Joo Jaekyung embodies his negative reflection: independency and toxic negativity. But what is the latter exactly?
Interesting is that I connected the physical therapist to Dependent Personality Disorder thanks to the case of “Tears of Princess Pyeonggang” from the Manhwa Doctor Frost. When the patient Sihyun met Doctor Frost, the latter explained to her why her last relationship was doomed to failure. How so?
(chapter 31) It is because when the psychologist met the patient with her boyfriend for the first time, he paid attention to his micro-expressions, and more particularly to his mouth. He saw his smirk. Here, I feel the need to give an explanation how these micro-expressions were discovered. 
(chapter 30) As my avid readers can detect, the expression from the boyfriend’s mouth displeased the white-haired psychologist. He could recognize his emotion, though such facial expressions are very short-lived
.(chapter 30) So what was the “jerk” feeling, when he was conversing with Sihyun? Cynicism.
(chapter 31) And the reason why he stated that as soon as cynicism or scorn was present in a relationship, the couple would end up breaking up is because of John Gottham’s observations and conclusions.
(chapter 31) And now, you are wondering how this is related to Joo Jaekyung. It is because the famous sportsman is full of cynicism
(chapter 45) We could sense it in different scenes, though I would say that his cynicism was slowly vanishing:
(chapter 3)
(chapter 40) This is the so-called toxic negativity. Therefore it was to expect that the champion would reject the doctor’s present. He could only doubt the sincerity behind his gesture. How so? Remember how the team desired to celebrate his birthday: a surprise party. They bought a cake…
(chapter 43) but what happened afterwards? Yosep spoke in the name of the gym’s owner: the latter would pay for the dinner (beef restaurant)
(chapter 43) So technically, they offered a cheap cake and got in exchange a super expensive dinner. One might say that this was just a joke. But cynical people are taking things very seriously. This is what the champion learned from this experience, the cake in exchange for a super expensive meal … and now imagine that the next morning, he received an „expensive“ present from Kim Dan which was similar to the gifts from fans (exchange of favors). It is normal that he doubted the genuineness from his doctor, not only because of his past experiences, but also because of the parties before. But there exists another reason why he had to refuse the gift: Cynicism… the end of relationship. Thus dating for the athlete was impossible.
(chapter 45) He is not ready yet. But was it Cynicism exactly and how does it represent a hindrance for a healthy relationship?
2. The cynic dog-wolf
First, I would like to present the philosophy of Cynicism in order to outline certain positive aspects of such a mind-set. The latter, originating in ancient Greece, is often associated with the notion of living a life of simplicity, virtue, and independence. The term “Cynic” comes from the Greek words “kynikos,” meaning “dog-like,” and “kyôn,” meaning “dog.” While the origins of this name are not entirely clear, there are two popular beliefs regarding its origin:
Firstly, it is believed that the Cynics were called dogs because the first Cynic, Antisthenes, began teaching in the Cynosarges gymnasium in Athens. “Cynosarges” translates to “the place of the white dog,” hence the association with canines. Another possible origin for the term “dog” in Cynicism is attributed to Diogenes of Sinope, one of the most famous Cynic philosophers. Diogenes famously lived in a large ceramic jar (known as a “pithos”) and embraced a lifestyle of extreme simplicity and disregard for social conventions. He would reportedly wander the streets of Athens with a lantern in broad daylight, searching for an honest man.
Cynic ethics revolve around the principles of freedom, parrhesia (frank speech or fearless expression), living according to nature, and rejection of societal norms and conventions. Cynics believed that true happiness and virtue could only be attained by living in accordance with nature and rejecting the desires and comforts of society. They often practiced asceticism, eschewing material possessions and living a life of self-sufficiency.
The Cynics emphasized the importance of living in accordance with one’s true nature, rather than conforming to societal expectations or pursuing external desires. They criticized authorities and traditions, they valued self-reliance, resilience, and inner strength, believing that true freedom could only be achieved by freeing oneself from the constraints of society and material wealth. In addition to their rejection of societal norms and conventions, Cynics also challenged the traditional notion of family and social hierarchies. They believed that attachments to family and social status were sources of unnecessary suffering and constraint on individual freedom.
Cynics advocated for a radical form of individualism, promoting self-sufficiency and independence from familial ties and obligations. They viewed the traditional family structure as a hindrance to living a virtuous and authentic life, arguing that it often led to conflicts of interest, attachment to material possessions, and moral compromise. Instead of relying on familial relationships for support and identity, Cynics encouraged individuals to cultivate relationships based on mutual respect and philosophical kinship. They believed that true friendship and community could only be found among those who shared their commitment to living a life of simplicity, virtue, and freedom from societal constraints.
By rejecting the traditional notion of family, Cynics sought to liberate themselves from the expectations and obligations imposed by social norms and hierarchies. They embraced a lifestyle of radical individualism and self-sufficiency, prioritizing personal autonomy and philosophical integrity above all else.
Central to Cynic philosophy was the concept of parrhesia, or fearless expression of truth. Cynics advocated for speaking openly and honestly, even if it meant challenging social norms or offending others. They believed that by speaking truth to power and living authentically, individuals could cultivate inner freedom and achieve true happiness.
In summary, Cynicism is a philosophical school that advocates for living a simple, virtuous life in accordance with nature, free from societal constraints and material desires. It emphasizes the importance of parrhesia, self-sufficiency, and fearless expression of truth as essential elements of living a truly fulfilling and authentic life.
After reading this short presentation, Jinx-philes can sense some similarities between the athlete and this philosophical movement. First, he rejects norms and conventions. He is behaving like an animal, compared to a wolf.
(chapter 7) This approach also gives us an explanation how Joo Jaekyung came to develop such an exhibitionistic sexual behavior: sex in the shower room
(chapter 8), in the office, in the car, in front of a mirror, in front of Heesung in the living room… Don’t forget that Diogenes would even masturbate in public.
Additionally, he doesn’t see Team Black as “family”, but as a place to learn toughness and endurance. That’s where he could experience “freedom”. Thus his honesty is brutal.
(chapter 46)
(chapter 46) Consequently, he never tried to get close to his members either. In fact, he is expecting from the staff to follow his lead. Potato could only get rejected with such a request.
(chapter 23) The latter had to act like a true disciple and follow the champion’s recommendation.
(chapter 23) The gym is like his sacred temple. Yet, the gym is just a simulacre of “nature”, as it is in the middle of Seoul. Therefore I realized why after their argument, Joo Jaekyung avoided the penthouse and Kim Dan in the end.
(chapter 47) It is because deep down, the champion sensed that his flat had become a home. He wanted to ensure that the penthouse was still a workplace or a hotel room. Thus he refused to eat the breakfasts prepared from his PT. In his eyes, these meals must have appeared as a violation of his self-imposed discipline. It was more than self-sufficiency. Under this new light, Jinx-philes can grasp why he rejects presents and prefers donating money.
(chapter 41) He is looking for freedom and self-sufficiency, detached from any material need. This explains why the golden keychain from Kim Dan could only offend him.
(chapter 45) It symbolized everything he hates: a reminder of wealth, superficiality, attachment, secrecy and silence. It also exposed the huge difference in their mind-set. Kim Dan is not his disciple! He imagined that he had found a kindred spirit, especially after that night:
(chapter 39) The reason is simple. The champion had finally found someone who accepted his roughness in bed and could match his stamina.
As you can imagine, Joo Jaekyung is naturally a fake Cynic, for he is not giving up on his comfort.
(chapter 10) He is not resigning on designer clothes.
(chapter 42) His dress room is the evidence of his hypocrisy. He might have encouraged Kim Dan to have sex in “public places”, yet he is still hiding his sexual orientation. Furthermore, his jinx is the evidence of his dishonesty.
(chapter 2) He needs someone to have sex. This stands in opposition to Diogenes’ masturbation. Besides, he had to pay the goblin and Kim Dan in order to have a sex partner. Hence he needs to be confronted with truth as well. Manhwaworms can grasp the rage from the athlete, when he heard the doctor’s justification:
(chapter 45) He might advocate autonomy and self-sufficiency, the reality is that he likes luxury. Hence he is unable to live in harmony with nature. This shows that the fighter is in denial and is living in an illusion. Thus he can not find true happiness, for his freedom is not real. He is attached to the gym which is also strongly connected to his career as the Emperor.
(chapter 46) With his brutal attitude, he is doing himself a disservice. Exactly like Kim Dan, he is even ruining his career and own reputation. Not only he lost 4 athletes (I am including Seonho), but also his loyal admirers are calling him a thug now:
(chapter 47) Even Potato announcing the gradual Coming-Of-Age from his admirer. However, like Dr. Frost mentioned it, humans are social beings.
No one can survive on his own. This explicates why Cynics had disciples in the end. And now, you comprehend the role of Kim Dan in Joo Jaekyung’s life. It is to remind him of his true nature. He is a human and not a dog-wolf. Thus the champion recommended his PT to live elsewhere, a sign that he was indeed a human.
(chapter 10)
Yet, pure cynicism is not the way to find happiness. We have the perfect example with Diogenes:
He was so devoted to living a Cynic way of life that, upon seeing a child drinking water with his hands, he threw away his cup, stating that a child had beaten him to living a simple life. Quoted from https://www.orionphilosophy.com/stoic-blog/the-philosophy-of-cynicism
He had the impression that it was never enough, and the pure action from the child caught him by surprise. He seems to have been obsessed with his theory.
3. The cynic emperor
However, in the first part, I mentioned Cynicism from a psychological perspective. So now, it is time to examine what Cynicism means for psychologists.
Cynicism is a philosophical and psychological attitude characterized by skepticism and a general distrust of the motives and sincerity of others. Cynics tend to view human behavior as selfish and driven by self-interest, often dismissing conventional social norms and values as hypocritical or insincere.
This worldview is rooted in the belief that people act primarily to fulfill their own desires, without genuine concern for others or higher principles. Cynics may adopt a critical and sarcastic demeanor as a defense mechanism against perceived deception and disingenuousness in the world. Read more here: https://mind.help/topic/cynicism/

In other words, they have no trust in human beings. Hence Cynicism is undermining relationships. They judge people as selfish hypocrites. Therefore they use Cynicism as a way to keep people at a certain distance.
(chapter 2) This explicates why the champion was crossing his arms while confronting the goblin. He was on the defensive. That’s how it dawned on me why the celebrity fell in love with Kim Dan at first sight, and why he enjoyed their first night together. The “hamster’s fear” was genuine. His desertion displayed respect towards the celebrity. He was recognizing his strength and power.
(chapter 1) Then the micro-expressions from Kim Dan exposed his lie
(chapter 3) On the one hand, the champion’s worldview about humans got reinforced, on the other hand the doctor’s deception symbolized his purity. He was a virgin, which was contradicting his “theory” too.
But wait… the title of this essay is Prince S and Emperor and not wolf or dog. Interesting is that the notion of an emperor or ruler could indeed symbolize cynicism, especially in the context of power and authority. Here’s why:
Skepticism and Distrust: Cynicism often involves skepticism and a general distrust of motives and intentions. An emperor or ruler, representing authority, may be associated with a cynical outlook on the motives of others, assuming that actions are driven by self-interest. This explicates why the champion assumed another intention behind the doctor’s present.
(chapter 45) He imagined that the doctor had ulterior motives. This explicates why he felt no empathy, when Kim Dan asked for an advance.
(chapter 11) He even looked like a ruler abusing his authority.
(chapter 11)
Negative Interpretation of Intentions: Cynicism often leads to a negative interpretation of others’ actions. An emperor or ruler, when used symbolically, can represent someone who interprets the actions of others with suspicion, assuming that individuals are motivated primarily by personal gain.
Lack of Idealism: It tends to reject idealism and a positive view of human nature.
(chapter 11) Here, the champion thought that Kim Dan had been gambling. An emperor or ruler, especially one characterized by a lack of idealism, may embody the cynical belief that individuals are primarily driven by self-interest and that altruistic motives are rare. Therefore the celebrity rejects the notion of soulmate
(chapter 33) or even the idea of friendship
(chapter 30) Heesung was not just taking advantage of his reputation, he was also teasing the sportsman. Joo Jaekyung has such a negative perception of humans.
(chapter 33) Hence he looks down on poor people.
(chapter 10): Gamblers, laziness, no sense of hygiene etc. Consequently, he is not capable to understand the worries from Kim Dan
(chapter 42), Park Namwook
(chapter 46) and Jeon Yosep. He feels like they are questioning his success. It was, as if they had other motives. He only relies on himself, he is not “truly” listening to others… though it is not correct. He is getting manipulated by his “counselors”.
(chapter 36)
Use of Power: An emperor or ruler traditionally holds significant power, and cynicism may be associated with the idea that those in power are inherently self-serving. This aligns with the cynical perspective that individuals act in their own interest, particularly when they hold positions of authority. Thus the protagonist is selfish and abused his position during their first night together:
(chapter 2)
On a personal level, cynicism can have several impacts. While it may provide a form of self-protection against exploitation or disappointment, chronic cynicism can also contribute to stress, alienation, chronic pessimism, hopelessness, depression and anxiety. It may inhibit personal relationships and lead to a reduced sense of life satisfaction or happiness. Though the champion is rich and even famous, he is far from being happy, as his negative perception of humans represents a hindrance to his inner freedom and peace of mind. He rejects society, yet he needs people to fight and spare with. And now, you comprehend the origins of his inner passivity and emptiness.
(chapter 26) He is standing in front of a dilemma. Fighting is the expression of nature and self-reliance, yet his fights serve as entertainment for MMA lovers. MMA is strongly intertwined with business and money.
That’s the reason why he was condemned to loneliness, until he met the physical therapist. As time passed on, he had the impression that he had found a kindred spirit, his real new disciple. But the present which was bought in secret ruined everything. What Joo Jaekyung failed to realize is that the golden keychain
(chapter 45) was showing the doctor’s golden heart. He was just judging his lover based on his past experiences and his negative worldview. And this brings me to list the cause for Cynicism:
Experts researching into what causes cynicism point to the following developmental factors:
Negative past experiences or betrayals
Observing dishonesty or hypocrisy in others
Feeling disconnected or disillusioned with society
Perceiving pervasive corruption or unethical behavior
Exposure to cynicism from influential figures or media
Psychological defense mechanism against vulnerability
Lack of trust-building experiences or positive relationships
Personal feelings of powerlessness or lack of control
Cultivation of critical thinking without balance in perspective Read more here: https://mind.help/topic/cynicism/
Manhwaworms can grasp why the athlete is a control-freak, why he hates to expose his vulnerability
(chapter 45) He fears to be taken advantage. There is no ambiguity that his negative mind-set is definitely influenced by his childhood and family. I would even say that he must have been exposed to emotional blackmail. I came to this hypothesis, because I detected that the champion had been using “blackmail” as MO in order to control Kim Dan.
(chapter 6)
Emotional blackmail within parent-child relationships can have particularly damaging effects on the child’s emotional development and well-being. Here’s how emotional blackmail may manifest in the context of a parent raising a child:
- Threats of abandonment or punishment: A parent may use threats of abandonment, punishment, or withdrawal of love to manipulate their child into compliance. For example, a parent might threaten to stop loving their child or to send them away if they do not behave according to the parent’s expectations. This can instill fear and insecurity in the child, leading them to comply with the parent’s demands out of fear of losing their love or approval.
- Guilt-tripping: A parent may use guilt-tripping tactics to make their child feel responsible for the parent’s emotions or actions. For instance, a parent might say things like, “You’re making me so unhappy by not doing what I want,” or “If you really loved me, you would do as I say.” This can create feelings of guilt and shame in the child, causing them to prioritize the parent’s needs and desires over their own.
- Victim-blaming: In some cases, parents may engage in victim-blaming by attributing their negative emotions or behavior to their child’s actions. For example, a parent might blame their child for causing them stress, frustration, or disappointment, even when the child is not at fault. This can lead the child to internalize feelings of guilt and self-blame, eroding their self-esteem and sense of worth.
- Withholding affection or approval: Parents may withhold affection, attention, or approval as a form of punishment or manipulation. For instance, a parent might give their child the silent treatment or withdraw affection when the child fails to meet their expectations or challenges their authority. This can leave the child feeling unloved, unworthy, and desperate for the parent’s validation and approval.
- Emotional manipulation: Emotional blackmail often involves subtle forms of manipulation aimed at undermining the child’s autonomy, self-esteem, and emotional well-being. For example, a parent might use gaslighting techniques to distort the child’s perception of reality or invalidate their feelings and experiences. This can lead the child to doubt themselves and their own emotions, making them more susceptible to the parent’s control and manipulation.
This would explain why Joo Jaekyung fears and even rejects any affection and relationships. This is the lesson he learned through his bad experiences. No attachment and no love is freedom, as love is synonym for vulnerability, That’s why he chose independency, rejection of norms and brutal honesty. He sees relationships as a source of danger and vulnerability. I am quite certain that no one would suspect the emotional abuse from his family. Hence he came to view people as selfish hypocrites. The absence of his “family” for his birthday is the proof of their bad education and “abuse”.
That’s how I realized why Joo Jaekyung chose MMA fighting as career too. It was not just a mere coincidence.
(chapter 26)
Cynical depression may be the most common form of the many-faceted disorder.
It’s usually masked by energizing or sedating coping habits.
Sufferers don’t feel depressed; they use adrenaline to raise their mood or illusions to numb it.
The adrenaline mask takes the form of risky behavior, chronic resentment, anger, chronic envy, dogmatic zealotry, or abuse of loved ones. Sufferers don’t look or feel depressed; the adrenaline militates out of depressed mood. It gives a surge of temporary energy and confidence, manifested in facial expressions and body language. https://www.psychologytoday.com/intl/blog/anger-in-the-age-entitlement/202205/your-partner-may-be-suffering-cynical-depression
The adrenaline from the training and fighting is diverting his attention from his misery. He can mask his depression behind his anger and his fighting. It was to numb his negative thoughts and emotions. Hence he can not “meditate”. But he knows that Kim Dan is fragile, he can not treat him like the others.
(chapter 2) He learned through Cheolmin that he could kill him. This shows his good nature in verity. Hence he resorted to such gestures, when his cynical depression resurfaced: 
(chapter 32)
(chapter 36)
(chapter 37)
(chapter 45) As you can see, little by little, the champion is learning to control his rage and “cynicism”. During the last argument, he didn’t touch the physical therapist at all. He still allows him to stay at his place and he is shown as caring later.
(chapter 46) The irony is that Joo Jaekyung is not recognizing his own transformation. The most obvious evidence for his metamorphosis is the absence of his jealousy towards the doctor.
(chapter 47) It shows a certain trust. One might argue about this interpretation. This could be seen as indifference. However, I believe that his altercation with Seonho must have been quite an eye-opening for the champion.
(chapter 46) It is because Kim Dan had not talked back to Joo Jaekyung during their argument. He had accepted his criticism silently contrary to Seonho. Right now, he has the impression that he still has the upper hand, but he couldn’t be more wrong.
Since the champion has such a long mistrust in people, Jinx-philes can grasp why the champion believes in the power of money.
(chapter 26) He has the impression that he can control people, since he is wealthy. Yet, he is not realizing that he can get stabbed because of money as well. We have two perfect examples. Because of the drug incident, the MFC security guys betrayed him, as they protected the organization
(chapter 40) Then in episode 47, the emperor got manipulated by his so-called loyal advisors.
(chapter 47) First, I would like to outline that neither the manager from the Entertainment agency nor his acolyte brought up the underground fighting ring and Baek Junmin’s dubious success.
(chapter 47) With their video, they presented him as an average and reliable fighter.
(chapter 47) Observe the divergence between the advisors’ words and the members’ from Team Black. 
(chapter 47) The latter portrayed Baek Junmin as dangerous, for he would use any mean to win the fight. He doesn’t stand for fairness and responsibility. The champion didn’t get to hear anything about these rumors.
And how can the champion change his cynical view of life? Naturally, through pain… as he needs to be confronted by his fears. Nonetheless, I believe that the halmoni next to Kim Dan has a huge role in his healing as well. Since the latter is so weak and gentle, he doesn’t fear danger from her.
(chapter 21) Moreover, the grandmother’s mortality could serve as a reminder for the champion that he is also a human… just like the others he condemns. Besides, she embodies true selflessness and gratitude. Hence she took the champion’s hand to thank him
(chapter 22) This is what psychologists recommend to overcome Cynicism:
Practice self-awareness and recognize cynical thoughts and attitudes.
Challenge negative assumptions and beliefs about others’ motives.
Seek support from friends, family, or a therapist to discuss and process emotions.
Engage in activities that foster positive emotions and a sense of well-being.
Cultivate empathy and understanding by considering others’ perspectives.
Focus on building positive and genuine relationships with trustworthy individuals.
Limit exposure to excessively negative media or influences.
Practice gratitude and focus on the positive aspects of life.
Adopt a more balanced and realistic perspective on human behavior.
Set realistic expectations for others while acknowledging imperfections. Read more here: https://mind.help/topic/cynicism/
As you can see, COMPASSION, GRATITUDE, MEDITATION and CONVERSATION play a huge role in changing the mind-set. So far, the couple never shared their fears and own thoughts. They still kept secrets from each other and they didn’t converse a lot. Moreover, the problem was that Kim Dan had acted in secrecy for the gift, which could only reinforce the fighter’s negative disposition. That’s the reason why I believe that Joo Jaekyung needs to learn through a positive experience that not all people are selfish and have ill intentions. He has to discover his own bias through the doctor’s reflection. He needs to receive unconditional love and respect:
(chapter 41) He never heard her recognition. In addition, until now, Kim Dan spoke in the name of others or didn’t defend his own point. Team Black’s loyalty would be the evidence that it is dangerous to judge people based on prejudices and past experiences. He needs to reflect on his own actions as well. If the Emperor heard “his members”, he would realize that MFC as an organization is corrupted and is even involved with criminality. He is already sensing something, but he can not identify the problem.
(chapter 47) Should Kim Dan divulge Baek Junmin’s connections to the underground fighting ring or simply show him the message,
(chapter 47), he would prove his faithfulness and sincerity to the fighter. And the vicious circle would be broken. Though he is broke, he would give up on an opportunity to earn some money easily. To conclude, as long as the champion is still a cynical character, he can not enter a relationship with Kim Dan. For that, he needs to open up his heart and third eye so that he can recognize his partner’s selflessness and honesty. Finally, he will realize that he needs the assistance of others in order to be able to keep his reputation intact (witnesses, supporters). There is no doubt that the Emperor will be badmouthed again.

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(chapter 46) I had even truly perceived his motivations:
(chapter 46) He desired to get revenge on the celebrity. But from my point of view, there exist other reasons for his trick. He was seeking validation for his statement:
(chapter 17) Such fights are fake. The irony was that his perception got discredited once again. And now, we know why he thought like this. He is involved with the underground sports gamblers.
(Chapter 46) His computer screen is indicating that Heo Manwook is gambling himself.
(Chapter 46)
(chapter 46)
(chapter 46), their work relations are not official. Yes, they are bound to each other by an oral contract and as such by loyalty. And how do I know this? Mingwa left two important clues: Mr Choi is using his wireless telephone, though there is a normal telephone on his desk.
(chapter 46) This shows that this call is private and even secret. No one should know about his connection to the thug. From my point of view, Mr. Choi doesn’t want to interact with Heo Manwook too often, as this could expose the true origins of his wealth and fame. He is not a real self-made man, rather a criminal who could climb the social ladders thanks to his cunningness and connections.
(chapter 16) And this raises the following question again.
(chapter 17) To which account did the champion send the money? Heo Manwook’s or a different one? If this is the second case, this signifies that Heo Manwook has been embezzling money from Mr. Choi through the poor physical therapist. The latter was sending the money to his personal account.
(chapter 16) This would explain why Heo Manwook would harass the main lead, though he had paid the interests on time.
(chapter 1) Under this new light, it dawned on me why the moneylender interrogated Kim Dan later.
(chapter 11) It is because the doctor had paid a huge amount making it impossible for the loan shark to filch it. And now take a closer look at the infuriated thug: he employed the expression “laundering money”! He was projecting his own fears onto Kim Dan. For me, this scene exposes the true nature between Mr. Choi and Heo Manwook. He is laundering money for Mr. Choi. This explicates why their work relations is not official, as they are engaged in illegal activities. Thus their labor relations can not be known to others. On the other hand, if the champion paid the loan to the same account
(chapter 46) He had to convince him to bet on Joo Jaekyung’s defeat. The thug could use the interference of the champion on his side business, as this secret “laundering money” could come to the surface. His actions prove us that his “respect” towards his boss is just superficial. He is prioritizing his own interests. Hence he could have definitely taken advantage of his own position to earn more money through side “hustles”.
(chapter 45) Yes, the negative reflection from the physical therapist’s. So should the broker indeed have embezzled money, that would be the end between him and Mr Choi. He would be abandoned. However, since my assumption is that the moneylender is laundering money for Mr. Choi, it signifies that the latter is dependent on him as well. However, he could choose to replace him. We could detect through the years that the thugs were switched.
(Chapter 5)
(chapter 1) Thus I come to the following conclusion: We are assisting to the gradual disintegration of their secret relationship. I am already envisaging that Heo Manwook could end up not only losing Mr. Choi’s favor, but also getting switched by this man.
(Chapter 37) And the starting point of their estrangement is the suggestion made by Heo Manwook which led to the loss of the bet. Mr. Choi trusted his „underground assistant“, hence he wagers a huge amount of money.
(Chapter 46) The sum reflects the faith he had in Heo Manwook. Yet, the conversation displays the increasing mistrust between them. Note that the usurer is not taking responsibility for the failure of his scheme: „on their end“.
(chapter 46). Secondly, since Mr. Choi is now taking the matter into his own hands, this signifies that the criminal won’t be involved in the next scheme, so he won‘t gain anything.
(chapter 46) That’s the reason why the thug had hired the man himself. This confirms that this man
(chapter 40). How so? It is because Heo Manwook doesn’t explain how the plot failed!!
(chapter 45) Their reason for not sharing their secrets is simple: they don’t want to expose their vulnerabilities, mistakes and problems. That’s the reason why their plots can only fail in the end. They didn’t possess all the information. Simultaneously, it displays their cowardice, for they are acting in the shadow, behind people’s back.
(chapter 5), thus I doubt that Mr. Choi is aware of the connection between the physical therapist and Heo Manwook. The curriculum vitae sent to him certainly doesn’t contain any information about Kim Dan’s past financial situation.
(chapter 23) Back then, he initially denied the existence of intimacy between them, until he was confronted with reality.
(chapter 25) Hence he envied the doctor for his closeness with the celebrity.
(chapter 25) Thus from my point of view, Mr. Choi must have come to a different perception than the maknae:
(chapter 45): sincere congratulations from a family, as he showed his kids to the celebrity. Finally, observe that during the phone conversation, Mr. Choi refused to listen to his minion.
(chapter 37) However, the man with the cap couldn’t determine Kim Dan’s true identity based on his uniform. Who was he exactly? A fighter? Or a coach? He could jump to the false conclusion that it is an uniform for the members of Team Black and not for the physical therapist. The unknown man could only recognize him by his face and hair. That’s how he got denunciated to the MFC security guys
(chapter 40) Therefore you comprehend why the “fake” agents for order tried to determine his identity.
(chapter 40) But the champion’s response couldn’t give them any satisfaction:
(chapter 40) He only declared that he was part of his team. They had no idea who the person actually was. However, Joo Jaekyung didn’t realize that through his action, he was bringing attention to the company “TEAM BLACK”. That’s what the criminal saw on the uniform and the jacket! Thus I come to the following deduction: the hired man will report to Heo Manwook the existence of Team Black and its connection with Joo Jaekyung.
(chapter 16)
(chapter 16) Thus there’s a high chance that they will try to ruin the champion by tarnishing his company. It is a hidden brothel. Imagine Park Manwook’s reaction, when he gets to hear that his gym is a whorehouse.
(chapter 46) But here is the thing:
(chapter 31) That’s how the actor’s reputation would get affected. As you can see, the actor and Mr. Choi share the same family name. So are they related or not?
(chapter 43) Besides, on his desk, there were photos of the protagonists. But in my eyes, these two persons are totally different. How so?
(chapter 33) He employed the personal pronoun “our” (even in the Korean version), a sign that he was identifying himself with the owner. From my point of view, Mr Choi and Choi Heesung are related, I would even say father and son. I know, when I presented my theory on X, people argued about this, for in South Korea, Choi is a common surname, just like Kim Miseon is not related to Kim Dan.
(Chapter 5) Yet, I can refute their objections with the following points. Jinx is about emancipation and maturity, the leads are encouraged to become responsible and mature men. This signifies that they need to cut off ties with their parents and become strong mentally and emotionally.
(chapter 29) Note that the comedian is promoting himself with Heesung and not his surname.
(chapter 30) It was, as if he didn’t want to be connected to this Mr. Choi. Moreover, contrary to the mysterious director, readers could see his face and identify his “job”: an actor!
(chapter 29) Yes, the Webtoonist introduced the actor the opposite way. However, in this scene, Jinx-Philes were intrigued by him, as they had no way to determine his role in the story: antagonist or second lead? His personality was quite mysterious which stands in opposition to Mr. Choi. Readers can already judge him as a bad guy. The latter oozes ruthlessness, greed and dishonesty. His words are represented by the color “dark grey”.
(chapter 31) The latter hates conventions, discipline and even control.
(chapter 33) In addition, Grey embodies boredom, neutrality and compromise, while the actor is always trying to “take a side”, to earn people’s admiration. As you can see, through this contrast, it becomes obvious that these two characters are related. The darkness from the relative rubbed off on the actor, for he is able to scheme. Moreover, Mingwa still created some similarities: both faces were first covered.
(chapter 29)
(chapter 33) Green, whose negative features are greed, jealousy and envy. And what had Heesung done during that day? A prank at the champion’s expense. He wanted to have the doctor for himself. Furthermore, we can grasp why Heesung’s manager complained about this:
(chapter 31) His words expose the greed and selfishness of the CEO from the agency. They are accountable for Heesung’s actions. In my eyes, this condition was made in order to control Heesung, so that the latter would feel responsible for his manager and other employees. It was to push him to „work“. Under this new approach, it dawned on me why Heesung would sponsor lunches to the members from Team Black,
(chapter 30). It was his way to get acceptance and recognition. From my point of view, he occupies a special position at the agency, as if his moves are supervised there. Hence he asked from his manager that the latter would keep the fake injury a secret.
(Chapter 31) As you can see, I sense that Heesung had an ambivalent relationship with his „father“. On the one hand, he rejects him due to his cold-heartedness and high expectations, on the other hand, he was still relying on him and his connections through the agency. In my eyes, he will be forced to choose between love or money in the end.
(chapter 33) My initial theory was that he had been stalked. But he could have left the family house after a huge quarrel. And Mr. Choi is indeed acting like a stalker, though he did not do it himself: the pictures!
(chapter 33) This was the “stalker” working on Mr. Choi’s account. So it dawned on me that Heesung might have been living with his father in the huge building
(chapter 32), until he chose to move out and live on his own. And now, we have the perfect explanation why his house is so clean and impersonal:
(chapter 33) It is because his father probably meddled in his life constantly. I have the impression that he must know about his father’s past and the true origin of their wealth. The fact that he introduces himself as “Heesung” is a sign that he wants to deny his origins, Choi.
(Chapter 33) He had been missing love and warmth too because of his family, exactly like the champion. Both came to a similar conclusion: fame served as a replacement. It was to get recognition and „affection“. The problem is that this type of attachment is rather superficial and temporary, as none of their „admirers“ or „fans“ has to become responsible for them. Moreover, their fortune played a huge role to undermine their relationship.
The house stands for power and propriety. But Choi has another signification.
(Chapter 32) Note that when he was conversing with the celebrity at the bar, he never brought up his jinx.
(Chapter 43) His success felt almost unreal, as it was too beautiful to be true. And this would coincide with the signature of the contract between the athlete and the Entertainment agency. The lucky streak is to cover up the illegal activities. He is already envisaging an injury, because he was convinced that this is the fate of such celebrities.
(Chapter 43) However, if he pondered a little more, he would realize that it is a lie. How so? Coach Jeon Yosep is the evidence that not all athletes are destined to end their career because of an injury. Yosep is still a fighter.
(chapter 43) The package arrived right on time.
(chapter 1) I doubt that the incident with the perverted hospital director was leaked to the outside world, so the main lead must have been badmouthed. So if this rumor about Kim Dan reached Mr- Choi’s ears, then he will definitely see in him the perfect scapegoat for covering up his own involvement. He would even appear as a righteous person. According to me, he is the CEO from the Entertainment agency and the latter had pushed the champion to press charges against the hospital.
(chapter 42) That way, the agency would divert attention from its own responsibility and even receive support from the clinic. Then we have this rumor circulating that people are sending spies to gyms.
(chapter 46) Is it a coincidence that this terrible gossip reached the blind manager Park Manwook at this moment? No, nothing is random in this story. They could frame the physical therapist as someone who tried to “leak” information in order to rig a game. He could be portrayed as a gambler. Yet, Mr Choi is not aware that Kim Dan offered a golden keychain to the champion and even risked his health to buy the expensive present.
, (chapter 36), he must have wagered too and lost money. This would explain why he asked the doctor from MFC to give it a go right after. He needed to create a new game in order to cover up the last losses. The problem is that since Mr. Choi wasn’t informed about the incident with the security guys from MFC, I don’t think, he is truly aware of the celebrity’s physical conditions. If he knew about the real diagnosis, he wouldn’t need to investigate Kim Dan. He would rely on time… within such a short time, Joo Jaekyung wouldn’t be able to recover. In fact, he would even bet on the athlete’s defeat once again. Since he saw these pictures, I am quite certain that he is misjudging the relationship between the two protagonists. They are close, hence he needs to sow discord and even plant a seed of doubts on the athlete’s mind.
(chapter 35) The athlete was pushed to prove the “wrongfulness” of this article by accepting a fight.
(chapter 36) Hence I am suspecting that one of Mr. Choi’s intentions is to portray Kim Dan as a fraud, as a bad and immoral PT. They could even question his skills and competences, for MFC authorized the fight and the champion is now no longer treated by the famous hospital. They could imply that the main lead isolated the athlete on purpose and even aggravated his injury. But like mentioned above, Mr. Choi only knows half of the story. He has no idea about the connection between Cheolmin and the athlete and the former assisted him. Besides, he judges the poor uke based on his prejudices and past experiences. Exactly like the loan shark, Mr. Choi is also projecting his own thoughts onto the doctor. If the latter sent his CV, it signifies that the CEO imagines that Kim Dan is ready to “betray” the champion. Yet, the doctor doesn’t resent the main lead. In addition, from my point of view, the mysterious “general” received the résumé through connections.
(Chapter 5) Imagine the consequences for the manager. The latter would not only lose his job, but also face a lawsuit for breaching the contract. There’s no ambiguity that Mr. Choi would feign ignorance. Finally, since Mingwa is using karma as punishment, the readers should expect that Mr. Choi’s papers will get leaked too. Heo Manwook plotted out of revenge and greed, the result was that he lost a lot: his boss‘ trust, his money and his „sanity“. Since Mr. Choi is now taking matters into his own hands, we have to envision that his actions will affect his company… and as such Heesung. The latter could become suspected as „spy“ or in the worse case as theft, he is „stealing talents“. All his past actions would appear in a different light: his generosity was fake.
(Chapter 31) Yes, appearances would now play in Heesung‘s disfavor. Finally, an incident with the agency would push Heesung to fight against his relative… and to regain control over his life.

(chapter 14) On the other hand, some readers might wonder why I am connecting Kim Dan to princess (Prince S). I have many reasons for this association.
(chapter 30) This woman, named Sihyun, is suffering from Dependent Personality Disorder. And the author of the Webtoon Doctor Frost called her story: “The tears of Princess Pyeonggang”. Due to her personality, she was linked to the famous “princess”. She would do everything for her companions, yet she kept getting dumped. What caught my attention is that both women defined themselves through their partner. Their ultimate goal in life is to assist them, to make the other happy or recognized. But how is it a problem?


(chapter 33) What appeared as caring turned out to be a load, for the partners were all forced to be responsible for her and in every aspect of her life. They definitely felt asphyxiated, hence they could only get sick of her. Interesting is that this person would find shortly after the separation a new boyfriend, a sign that she could not live on her own.
(chapter 33) And now, you are wondering how Sihyun is similar to Kim Dan, who only had one person in his life before he met the champion. It is related to traumas in their childhood.
(Doctor Frost, chapter 39) After reading this, Jinx-philes can realize that Kim Dan is also suffering from Dependent Personality Disorder, though it is less obvious. He got abandoned by his parents making him feel insecure.
(chapter 21) We could detect his low self-esteem
(chapter 25)
(chapter 46) and his overprotectiveness
(chapter 16)
(chapter 26)
(chapter 42) on many occasions. He was risking his livelihood and health for the sake of others (his halmoni, Potato and Joo Jaekyung). His selflessness is actually the sign of his DPD. He had no purpose or ambition in his life… That’s why he is not able to project himself in the future. Until chapter 45, his life and future was determined by the celebrity,
(chapter 42) and before it was by his halmoni’s fate.
(chapter 19) However, here please don’t get me wrong. For me, the athlete is the physical therapist’s emancipator. This huge argument in the dining room pushed him to differentiate himself from the champion. In my eyes, Kim Dan would have returned to his old bad habits… relying on someone else, sacrificing himself for someone’s else sake. He would have neglected his career in the end.
(chapter 27)
(chapter 31) Here, we get an explanation why he couldn’t detect the trick from Choi Heesung. He feared to make a diagnosis on his own, as he didn’t desire to question the words from the comedian. The hospital seems to be the sacred place in the doctor’s eyes.
(chapter 41) There, nothing can go wrong. But by entrusting his patients to hospitals, he didn’t realize that he was appearing as untrustworthy or even “incompetent”. His lack of confidence and hesitation explicate why the athlete replied to his suggestion like this:
(chapter 41) How could he question the doctor from MFC, when he kept hiding behind a hospital or the words from other physicians? That’s how the physical therapist got silenced. He couldn’t confront the athlete with his diagnosis. Interesting is that he never gave him the file later!
(chapter 42) Consequently, it is not surprising why the champion complained about the doctor’s negligence. The latter was avoiding any responsibility in the end. On the other hand, the report is the symbol of his hard work, but also of his knowledge. That’s the reason why I am still considering the dispute in chapter 45 as a good omen for the physical therapist. He needs to develop his own identity. They are two different people. He needs to live for himself, to give a meaning to his life and not:
(chapter 27) That’s how it dawned on me why the doctor reverted to his old habits (not participating to the meeting, taking odd jobs, not voicing his own judgment, relying on others) after the night, when he was treated as sex toy. However, in my eyes, the trigger for this switch was the release of the tabloid article.
(chapter 27) It is because his self-esteem had been boosted by Dr. Lee. The latter had complimented him which didn’t fall on deaf ears. However, the relationship between the respectable hospital and the athlete went sour due to his article.
(chapter 35) Imagine what it meant for Kim Dan. He could only remain passive, as he is called “doctor”. He views himself as a member from the medical field. Furthermore, observe what the sports therapist told him during the treatment session:
(chapter 29) Hence he jumped to the conclusion that his patient would not listen to him anyway.
(chapter 46) This is not surprising that Mingwa zoomed on his feet.
(chapter 46) It is full of symbolism. For the first time, he is standing on his own feet. His walk in direction to the trash bin illustrates his choice.
(chapter 46) Besides, he is using the personal pronoun “I”.
(chapter 46) It is his Coming-Of-Age. He is on the verge to become independent. On the other hand, he didn’t fight back verbally against his boss. He accepted his reproach.
(chapter 46) He was just a physical therapist and nothing more. This shows his lack of criticism. He is still not mentally strong enough to question the champion’s words and argue back. In the past, he could do it, for he was identifying himself with his grandmother and her values.
(chapter 18) This signifies that he needs to develop his own philosophy and values. What does he treasure in his life?
(chapter 42) The latter was also dependent on the champion, but his “addiction” was money and not love or recognition. Therefore he picked up the money before leaving the flat
(chapter 2), while the other threw away the expensive keychain
(chapter 46). This scene exposes the return of Kim Dan’s dignity. This comparison reinforces my interpretation that the champion misjudged the doctor’s present and actions. He imagined that Kim Dan had been acting like his “previous sex-partners” or stans. They would offer him some gifts in exchange of favors. Another contrast with the goblin is the absence of a fight and discussion.
(chapter 2) I would even add that contrary to the green-haired guy, the doctor is not judging his patient’s personality, he is blaming himself.
(Doctor Frost, chapter 32) Interesting is that doctor Frost revealed to her later that her condition made her an easy target, as she kept relying on others.
(Doctor Frost, chapter 39) And this observation brings me to my next conclusion: he will be approached by really bad guys, the mysterious Mr. Choi!
(chapter 1)
(chapter 1) He even needs to learn the difference between good guy and nice guy, but this remark applies to the grandmother.
(chapter 21), yet their actions were not truly selfless.
(chapter 44) He found fulfilment in sex, which stands in opposition to the recommendation of zackbeach. Moreover, I would like to underline that the doctor reduced knowledge to sex:
(chapter 44) How could he get to know the champion better, when the latter was supposed to be drunk and they would have sex? Getting closer to someone means communication and not really sensuality. Hence his happiness could only be short-lived and illusory. He didn’t take the reality into consideration. Thus I see the physical therapist’s tears as a therapy session:
(chapter 46) He allows himself to cry, to grieve and to admit his pain and loneliness.
(chapter 46) It helps him to face reality. He is on his own, he needs to stop relying on others. I would even say, he is encouraged to make decisions and as such to become responsible for his own life. It is important, because this means that he will have to fight back, if he wants to survive. He can not make any desperate and hasty decisions, like this one:
(chapter 1) However, since he listened to the champion’s reproach and became submissive again, their relationship seems to have returned to normality. They even appear as close.
(chapter 41) reminded me of the ending of a fairy tale: they lived happily ever after. But the doctor was forgetting that life doesn’t end after the match in the States. Life ends with death. In verity, the champion is destined to be challenged, until he retires. What the doctor saw was not the end. This exposes his naivety. How could he have such a view? It is influenced by his grandmother.
(chapter 10) At no moment he pondered about himself. Happiness was never his goal, exactly like in fairy tales. Sleeping Beauty is rather passive. She sleeps, until the prince charming appears and kisses her. After that, they have kids. Interesting is that they don’t get married right away, so that the princess initially has the status of a mistress or concubine. Once the prince can secure his position, he marries her. Then the moment her husband leaves her side for war, she is tormented by her mother-in-law, the ogress. She can only escape death thanks to the intervention of her husband. We could say that happiness fell on her lap. Sleeping Beauty stands for passivity, dependence on her parents and husband and lack of critical thinking. Why? It is because the princess in fairy tales, in particular Sleeping Beauty, embodies toxic positivity.
(chapter 21) She rejected her grandson’s fear and tears. She didn’t allow him to express his abandonment issues. She diminished his anxiety by questioning his behavior: “It’s okay, grandma was just in the kitchen getting a glass of water.” Then in the present, we could use his visit at the hospital:
(chapter 41) While the halmoni didn’t mention her suffering, the doctor gave expensive gifts to the nurse and his grandmother. He acted, as if money was no longer a problem… as if everything was fine, as if she would recover soon. Yet, he never mentioned his problems with the champion during his stay in the States (no drug incident, the humiliation, the harsh words). He is never voicing his problems to his grandmother. Both are putting smiles on their face. And the moment, I connected Kim Dan to Toxic positivity, I had another revelation. The best example for this negative attitude is actually his own birthday. 😱 

(chapter 11) Imagine that the grandmother had left the house without her grandchild. He was left behind in the house. Though she meant it well, for the child, this must have been a real torment, as he constantly feared to be abandoned. However, he knew that he was not allowed to cry or to complain. Hence when he saw her returning, he put a huge smile on his face. Moreover, this is what they had for dinner: a sweet bread and two yoghurts. The grandmother must have been hungry. Both acted, as if nothing was wrong.
(chapter 45) With this contrast, the fear from the champion becomes more palpable. Joo Jaekyung got angry, for he had been put in the same situation. But the latter was never influenced by Toxic Positivity. Besides, he was fighting against his own inner demons. Nevertheless, this new interpretation of the birthday made me recognize why the author chose this chronology concerning Kim Dan’s past:


(chapter 1) However, he could never confide to his grandmother about the physical abuse from the loan shark. However, the moment his hope got up
(chapter 11), as he imagined that he could pay off the debts, he recalled his birthday. He had a nice “souvenir”… convincing himself that everything was fine. He would be able to do it, like his grandmother had told him.
(chapter 18) Nevertheless, the moment he was forced to move out, he couldn’t help himself to recall how he got abandoned by his parents. And the moment he saw his halmoni fighting for her life, his abandonment issues resurfaced. Hence this terrible memory came through a nightmare. The betrayal from the parents is what had been deeply buried by the grandmother’s philosophy. The fact that the halmoni never allowed Kim Dan to talk about his parents and the circumstances of his arrival to the humble mansion, is the evidence of Toxic Positivity. In my eyes, the relative was already struggling herself, for she had also been left behind. But here it is important not to mix Toxic Positivity with Gaslighting.
(chapter 12) Therefore I understand why the doctor didn’t fight back against Heo Manwook and his minions.
(chapter 11) But the moneylender and his minions are no honest bankers, but criminals. They enjoy using their strength, that makes them feel powerful. It boosts their ego. 

(chapter 119), they got worried and nervous, as they considered the expression „as long as I live“ as a clue for a sad ending. Why? It is because the lord was referring to his own death. Under this light, it becomes comprehensible why I selected „heavenly“ in the title. I was naturally alluding to the afterlife. However, I perceived his words in a positive light. He expressed his desire to live. He is no longer suicidal, he wishes to live a long life next to the painter and treasure his moments with him. That’s the reason why the author included the refraction in the scene. A dream had come true, the lord was finally able to escape the darkness.
(Chapter 119) He is now truly alive. This explicates either why he smiled and laughed at the end. But why was he so happy? It is because Baek Na-Kyum had just confessed that he loved him not for his wealth or power, but for himself.
(Chapter 119) He even described him as a treasure. Yoon Seungho had finally achieved his goal: to win the painter’s heart. His presence and love bring happiness to Baek Na-Kyum which stands in opposition to his reputation as bird of misfortune. Moreover, this description contrasts so much to Jung In-Hun
(Chapter 119) and Yoon Seungwon’s.
(Chapter 118) where both portrayed the main lead as a man consumed by lust and revenge. In other words, he was presented as a huge sinner. This implies that he stands so far away from heaven. But all these words were erased the moment the painter confessed his love for Yoon Seungho once again. What Baek Na-Kyum didn’t realize is that his love confession is pushing the protagonist to fight for the painter.
(chapter 102) In episode 102, he was renouncing on everything (life, mansion, wealth and connection), because he imagined that the artist had died. Consequently, I deduce that in episode 119, the painter’s life is attached to the lord’s for good. If the artist got into trouble, Yoon Seungho would side with him and the reverse. Thereby, I come to the conclusion that this moment in the kitchen represents their union, as they are no longer tied to the mansion. They are now a family no matter where they are. Let’s not forget that the painter expressed his wish to run away with his lover.
(Chapter 119) It is important, because such a departure symbolizes that the bird “Yoon Seungho” is leaving the nest. He is now starting a family on his own. 
(chapter 85) and put a glass and that was it. This exposes the father’s hypocrisy, ignorance and greed. By acting on his own, he was exposing his true mindset. He views himself as the family. The sons are just the extension of himself, for they are his reflections.
(Chapter 45) On the other hand, Yoon Seungwon is his golden child, for he represents his positive reflection.
(chapter 86), whereas he put the other on a pedestal
(chapter 86). Thus I created this illustration.
Under this new light, it becomes comprehensible why the father could only reject the offer from lord Song in the gibang. Doubting Yoon Seungwon’s sexuality meant to question about the father’s sexual orientation. At the same time, it is not surprising why the elder master would blame Yoon Seungho for everything, for he couldn’t admit his responsibility for the purge. Consequently, the Manhwaphiles can grasp why Yoon Chang-Hyeon came alone to the shrine. If he had brought Yoon Seungwon, the father would have been reminded of the elder son, as both can not be separated. This explicates why the younger master asked his elder brother to submit to his father.
(Chapter 119) I couldn’t help myself smirking when the brother attempted to make him believe that.
(Chapter 119) the protagonist could ever gain the father’s favor. Yoon Seungwon was definitely playing with his brother’s feelings, as if he could hope that their father would change.
(Chapter 118) It is because as a golden child, he is also suffering, but it is naturally nothing compared to Yoon Seungho’s position who could have died.
(Chapter 77)
(Chapter 119) First, by returning the petition to the father, Yoon Seungho would become the culprit. He was not only a traitor, but also a blackmailer of the Yoons and lord Song.
(Chapter 107), for he had stolen the petition. Yoon Seungwon would hide his wrongdoing, he betrayed their father.
(Chapter 118) There is no doubt that Kim played a role in this as well. In other words, the brother and the valet would bury the truth by diverting the attention of the patriarch towards the main lead, if Yoon Seungho followed this suggestion.
(Chapter 116) The elder master would no longer seek the truth, similar to the kidnapping in season 2 which was turned into a desertion and later Lee Jihwa’s abduction occulting the instigator and the helping hands. Simultaneously, Yoon Seungwon needs his brother as scapegoat, because the pressure coming from the patriarch and lord Song must have definitely increased.
(Chapter 83) This shows that the young master wants to sacrifice his brother once again. Out of selfishness and cowardice, he is trying to convince Yoon Seungho that this is the right thing to do!
(Chapter 37) He is even implying that he needs to sacrifice himself in order to protect Baek Na-Kyum!! Moreover, he is distorting the reality, because he implies that his father is still powerful.
(chapter 37) like the memories from episode 37 are exposing it. It becomes clear that if Yoon Seungho returned the petition, he would die.
(Chapter 116) Thus I come to the conclusion that the meeting between the brothers in the gibang represents an offering. For the Yoons’ sake, Yoon Seungho should admit his wrongdoings
(Chapter 55) People had played with his hopes and longing for acceptance and recognition. Interesting is that offerings is a synonym for atonement and sacrifice. But why is Yoon Seungwon so sure that he can repeat the same action from the past? It is because Kim and Yoon Seungwon have known for a long time that Yoon Seungho was longing for acceptance and love from his family, just like the scholar knew about the painter’s love for him.
(Chapter 119) But everything changed, when the painter met the lord. So who is worse here? Jung In-Hun who tried to rape the painter or Yoon Seungwon who is sentencing his elder brother to death? Let’s say that the valet convinced the younger master to suggest this solution, this doesn’t diminish Seungwon’s responsibility at all. He knows that his father abused his elder brother. In my opinion, he is copying his father, like the former tried to diminish the responsibility of the patriarch.
(Chapter 119) Yoon Seungho got hurt because of lord Song and not because of Yoon Chang-Hyeon. This means that the younger master was denying the existence of the patriarch’s choice and the helping hands. And if the brother listened to his advise and the father hurt or killed the main lead afterwards, the younger master could put the blame on the elder master, for the decision and responsibility belonged to the patriarch. Moreover, he heard from lord Song that killing Yoon Seungho was just a matter of time.
(Chapter 119) So technically, this situation could have triggered the protagonist’s insecurities like in season 1
(chapter 28), 2
(chapter 60) and 3
(chapter 98). However, through these constant exposures, Yoon Seungho came to learn not to jump to conclusions and to have faith in Baek Na-Kyum. He knew that he would return to the mansion. Hence he ran to the bedchamber first.
(Chapter 119) Another important detail is that we don’t see any staff in the courtyard or in the kitchen. It was, as if the propriety had been deserted.
(Chapter 119) This implies that at no moment, he relied on the domestics’ testimonies which contrasts to the following scenes:
(chapter 104)
(chapter 107) and
(chapter 116) However, observe that in episode 116, Yoon Seungho had witnessed how his lover had taken care of him, while he was unconscious. Furthermore, the petition had been handed over to the painter and not Kim, a sign that the artist had become the protagonist‘s confident. As you can see, as time passed on, the main protagonist learned the following lessons: he should stop relying on servants, he should only trust his partner. I would even add that he was taught the following principle: “If you want something done right, you have to do it yourself”. In my eyes,
(Chapter 103) Here, they never expected the return of Yoon Seungho and the painter. The staff ‘s absence in episode 119 is the evidence of their desertion! Moreover, I consider Yoon Seungho’s search for his lover as a new version from episode 28/29/30:
(chapter 28) Back then, they feigned ignorance, but they never anticipated a punishment from Yoon Seungho.
(chapter 115) And now you are wondering how the painter’s gesture can be considered as an offering. It is because the kitchen hearth is considered as sacred due to the fire. First, in shamanism, there exists the god of fire named Jowangshin.
(Chapter 115)
(Chapter 59)
(Chapter 98)
(Chapter 115)
(Chapter 47)
(chapter 102) who was a traitor, for he had tattled on Black Heart and his friends to Yoon Seungho. And now, you comprehend why I connected the shrine to the kitchen hearth. Both places are considered as sacred, for they are connected to gods and spirits.
(Chapter 85) The absence of his sons and of food as offerings reveals that he was not showing true respect to his ancestors. He used religion and social norms to hide his true intentions. He wanted to take over the mansion. Hence the black guards were standing at the entrance of the sacred house. Their presence symbolizes violence. Therefore it is not surprising that the gods chose to punish the elder master through Yoon Seungho. The former was not received properly
(chapter 86): no bow, no food and no seat.
(Chapter 86) Let’s not forget that the elder master had entered the lord’s chambers without the permission of his owner. No wonder why he was left speechless. And now, you are wondering if I am not drifting away from the topic, as these chapters from season 3 don’t seem to be connected to episode 119. However, it is important to realize that these chapters have many common denominators
Here, we could detect the suicidal tendencies of the protagonist. He wouldn’t fight back.
The seat looks like a throne.
The courtyard is empty! No one is defending their master.
















Baek Na-Kyum freed himself.
(Chapter 85) The study is even close to the gate.
(Chapter 51) He could have reached the study before the father entered the shrine. Finally, observe that the patriarch even arrived to the bedchamber before Yoon Seungho,
(Chapter 117) The painter wants to leave everything behind too.
(Chapter 119) Thus I am deducing that the authorities will be involved very soon.
(chapter 119) They are not expecting the lord‘s resistance, for he remained passive all this time (season 2 and 3). The scholar has now the means to do so, and the necessary motivation. Imagine that he got wounded and humiliated by the couple! Besides, we have this broken promise due to Yoon Seungwon
(Chapter 115) exposing the younger master’s lies and Yoon Chang-Hyeon’s delusions. Without the protagonist’s help, the younger brother would not be „successful“. Furthermore, the absence of food and fire in episode 86 indicates that this house was neglected and even not protected.
(Chapter 94) The gibang is connected to money, power, pleasure, artificiality, sensuality and lack of privacy.
(Chapter 96) I am sure that you can detect all the contrasts (night, door close, spies, confession outside and inside, no fire, only light). Thus I am deducing that the painter’s words in the kitchen were not heard by others. As you can see, this scene in the kitchen is full of symbolism. In my previous essay “The true face of family”, I had already pointed out that sharing meals represented a criteria to define a real family. Therefore I had demonstrated that Yoon Seungho and Baek Na-Kyum were excluded from the mansion, for they wouldn’t eat their meals in the kitchen like the staff.
(Chapter 17) Moreover, the hearth doesn’t just provide warmth, but also light! The latter embodies knowledge and as such Enlightenment.
(Chapter 119) Hence they were clueless about the wrongdoings from the staff. Only in the kitchen, the lord could finally grasp the depth of Baek Na-Kyum’s love for him. It is an unconditional love contrary to Yoon Seungwon’s. The latter would only recognize him, if he listened to him. And he only seeks his assistance, when he needs him. It shows that Yoon Seungho is only approached, when he has power.
(Chapter 118)
(Chapter 119) I would like to outline that during their conversation, Yoon Seungwon remained calm and indifferent, when he talked about the assassination attempt from Yoon Chang-Hyeon.
(Chapter 116) But the biggest difference is the absence of fire in the kisaeng house.
(chapter 78) Furthermore, he tried to leave before
(Chapter 104)
(chapter 105) Finally, we saw him in the courtyard standing next to a horse and a servant indicating that he had given him a task, and the latter needed to leave.
(Chapter 108) Hence you comprehend why I am full of optimism in the end. Yoon Seungho has already made some preparations in my opinion. On the other hand, I am quite certain that their love will be tested. Can they face together trouble? Yes, because through their pain, they learned their lessons and changed.
(Chapter 119) It is because in the past, he was never allowed to join the kitchen hearth. This place was either beneath him or he was not worthy of entering the place. Thus he employed the expression scullery boy to Yoon Seungho.
(Chapter 47) Here, I would like to outline that when the protagonist was held in the shed, someone brought him food .
(Chapter 83) That‘s how I realized that the shed is connected to the kitchen!
The maid had just brought water to the couple.
During that night, Baek Na-Kyum had been held captive in a shed.

(chapter 38) Yoon Seungho remained outside on the door step. Consequently, I started comparing scenes where the kitchen hearth appeared and that’s how I discovered a pattern:
(Chapter 46)
(chapter 47)
(Chapter 110) 
(Chapter 77)
(chapter 38) 
(chapter 59)
(chapter 119)
(chapter 38)
(chapter 47)
(chapter 77)
( Chapter 110)
(chapter 119)
(chapter 47)
(Chapter 77) For me, Kim must have looked down on the other domestics. I consider this scene as the best example what Kim should have done in the past.
(Chapter 119)
(Chapter 98) One door leads to the backyard and the other to the smaller courtyard. And this scene confirms my previous assumption
(Chapter 87) Baek Na-Kyum is there to prove him wrong. He had other opportunities, like giving him a good meal.
(Chapter 63) He should have sided with his master and even remained by his side. This signifies that this scene
(chapter 7) the artist is not only cleansing the kitchen, but also cutting off ties with the scholar. The latter is no longer protected. The spirits will intervene through chance. As a conclusion, the hearth has a spiritual and healing power, for it is connected to „Heaven“. Yoon Seungho‘s paradise is to have a family.
(chapter 108) He blames himself for everything. For me, these women were lying to their master. Why do I think so? The first proof is that the painter’s fate is to go through the same experiences than his lover. And what did the valet admit in the shed?
(chapter 108) There was not a soul in this household who was standing by his side back then and now! This signifies that there is not a soul in the mansion truly standing on the painter’s side as well!! Back then (before the massacre) and even now… Moreover, while these maids’ attachment was sincere
(chapter 51)
(chapter 108) Yes, this woman is not the same than the one from chapter 51, for her clothes diverge despite the same pigments. She is wearing a white ribbon around her waist.
(chapter 108), whereas the other wears the belt more around the hips, hence her skirt has a bump on her butt.
(chapter 108) First, when the manhwalovers saw him in the kitchen, he was eating to his heart content and enjoying his breakfast.
(chapter 46)
(chapter 74) This explicates why the artist returned the table with the porridge to the kitchen himself.
(chapter 62) The painter had been faking his “submission”, hence the “valet” got fooled. He had trusted the artist blindly. Thus the lord got angry, and resented the butler, for he wished the opposite. He didn’t want to admit that the artist had been acting. Yet, the seed of doubt was implanted in his mind. Consequently, in episode 108, we have the exact same situation, yet contrary to the past, the lord didn’t get angry at his lover. He never condemned the painter for his dishonesty, though he was not truly lying either. To conclude, chapter 108 is a reflection from episode 62. Thus it dawned on me that the valet could have attempted to fool his master once again. The artist was a hypocrite, for he was acting in front of the lord hoping that he wouldn‘t cut ties with him. It was for his best interests to send back to the kisaeng house. Yet, nothing like that happened.
(chapter 104), a sign that he was recovering. But due to the two incidents during that day, Baek Na-Kyum had been feeling unwell and was hiding his discomfort out of fear of getting abandoned. This means that the deceivers were trying to portray the painter’s actual disposition as something unchanging. Since the painter had trouble with eating now, his eating disorder existed in the past. And this perception got reinforced, for the lord could notice afterwards that the maids’ statement had become a reality. What they had described, truly happened afterwards. Due to worries and anxieties, the artist lost his appetite. He would fake his “happiness”. The manhwalovers could witness how the painter had slimmed down
(chapter 108), just like his “husband”
(chapter 1) He couldn’t have a proper erection, and it was never his choice to have sex at any time and any place, because he was treated as a male kisaeng. And now, it is the painter’s turn. Gossips about him would become a verity. Yet the other difference to season 1 is that in season 4 the artist is exposed to the same “prejudices” than Yoon Seungho in the past: He is ill!! He needs to be treated and the “gibang” is the right place for that🤮. He would be with his noonas, a new version of the lord’s past. And now, you comprehend why father Yoon said this to the physician in chapter 57:
(chapter 57) A single incident was turned into a generality, implying that it was the same in the past!! To conclude, the noble is put into the same situation than his own father, the only divergence is that Yoon Seungho has indeed the painter’s best interests in his heart. He is determined to provide him with the best!! Thus he blames himself contrary to the elder master Yoon.
(chapter 104) This statement implies that the painter is responsible for the bloodbath, for he left the propriety. Yet, instead of confronting the painter, he was encouraged not to talk about the past. He was suggested that way, he would protect the artist’s mind and heart. Besides, his choice was influenced by his own anxieties. The lord fears argument, because the last time they had quarreled, the artist had threatened his lover to leave the place.
(chapter 85) I would like my avid readers to keep in mind that the lord wished to keep the artist by his side, sending the artist back to the kisaeng house was just a temporary measure.
(chapter 105) That’s how a misunderstanding was created, provoking the painter’s abandonment issues to resurface. The lord had selected secrecy and silence out of love for the artist. Therefore when the lord sensed Baek Na-Kyum’s agony, he could only jump to the conclusion that the painter was acting the same way than him. He was also hiding something from Yoon Seungho. That’s the reason why the lord didn’t argue with Baek Na-Kyum.
(chapter 107) He imagined that the artist was doing it out of concern for the noble. He was projecting his own thoughts onto the artist.
(chapter 68) According to this belief, the lord brings bad luck to others. This rule can only incite the main lead to doubt himself, to judge himself in a negative light, to doubt his own judgement. Moreover, the perfidy is that this principle pushes the protagonist to deny the existence of his own misery. It was, as though the lord had never suffered, only the others. This “faith” represents the biggest lie and hypocrisy. However, the main lead questioned this rule in front of Yoon Chang-Hyeon,
(chapter 59) It was, as if Yoon Seungho feared to taint the painter by sleeping next to him. However, the artist’s biggest wish is to share the same bed than his lover.
(chapter 97) To conclude, Yoon Seungho’s life is still influenced by a false cult, by propagandism. This faith is is based on Rene Girard’s theories about mimetic desire and scapegoat mechanism.
(chapter 250) Hence the man created the following theory which is inspired by religion.
(Doctor Frost, chapter 250). Under this new light, it becomes comprehensible why the author from Doctor Frost utilized the image of a black sheep as the future scapegoat. IT was selected, because it stood out. And you comprehend why Yoon Seungho became the target in the end. His good reputation attracted envy and jealousy.
(chapter 57) Why? It is because each noble family aspires to the same: power and wealth!
(chapter 107) This explicates why Yoon Seungwon was mentioned by the man with the purple hanbok. He implied that the son might have been well educated, yet he must be lacking elsewhere: his sexual education…. as his other task is to have a heir. This means that by standing out, Yoon Seungwon caught the jealousy and envy from other yangbans, though I have my doubts if he truly passed the civil service exam first. In other words, it is better not to stand out.
(Doctor Frost, chapter 183) Since deprogramming is like brainwashing, it signifies that for the brainwashing, the victim needs to be isolated and even imprisoned too. And in order to be effective, the target of the brainwashing has to be exposed to stress and lack of sleep.
(chapter 187) Fatigue and exhaustion are necessary in order to lower the target’s defense mechanisms. This explicates why it has to take place during the night, for the night is the time for humans to rest. Therefore the place of brainwashing is called “the fox’s hole” in Doctor Frost.
(Doctor Frost, chapter 187).
(chapter 187) The Ganzfeld effect happens when you undergo sensory deprivation for some time, and your brain tries to make sense of what is happening. Just 15 minutes of sensory deprivation can induce vivid hallucinations, according to researchers. This process involves muffling the ears and blindfolding, so people are unable to see or hear. And note what had happened to Baek Na-Kyum during the abduction. His head had been covered
(chapter 66), and according to me, while his head was covered, he got strangled. Hence he had this nightmare.
(chapter 61) But he lost notion of time and chronology, hence his nightmare is not coherent. One feature of altered states of consciousness during Ganzfeld exposure is an altered sense of time. In general, regardless of the induction method, altered states of consciousness can be characterized by changes in the sense of self and time. But this can only happen, when the brain is deprived of stimulations.
(chapter 187) I had already outlined that Yoon Seungho had lost not only the notion of time, but also all his senses. And the nightmare is displaying the evidence of the Ganzfeld exposure. Hence the young master viewed himself flying
(chapter 74), and at the end his eyes and ears got covered by hands and blood.
(chapter 74) Besides, he was trapped in the dark room which looked like the servants’ quarters. Only thanks to the painter, the lord could recover his own senses, slowly he became the owner of his own body again. In addition, remember what he said to his own father:
(chapter 62) Under this new light, it becomes comprehensible why the lord didn’t lose his whole sanity and as such didn’t fall completely into despair. The warmth and light served him as a guidance. Consequently, I deduce that in his childhood, he was trapped there in the dark for hours!! Because he was jailed in that room, he was exposed to the Ganzfeld effect. Therefore he relied on the valet’s words.
(chapter 77) He trusted the butler, even after getting betrayed and abandoned each time. He developed blind faith in the butler. Why? It is because he was the only one “talking to him”. Though he wounded him so many times, he still remained by the lord’s side. That’s the reason why I come to the conclusion that the shed is not just a room for punishment, but also for “faith”, the place where the scapegoat was placed: “
(chapter 77) That’s the reason why he got treated like an animal. This is no coincidence that in the storage room, the butler utilized such a religious vocabulary: “I do not believe”
(chapter 62); “beg”, “trust” a synonym for faith,
“soul”, ”
(chapter 108) Moreover, I would like to outline that the main lead was seen sitting while looking up
(doctor Frost, chapter 191). This description fits to the shed, the lord was not only cornered mentally, but also physically.
(chapter 98) Consequently, I deduce that when the valet got punished in season 3, he portrayed the painter as a tattler for that reason. He didn’t want to become the scapegoat in the end.
(Chapter 77) At the same time, receiving treatment from the physician, Kim could say that the lord regretted his decision. These new discoveries reinforce my prediction that the painter is doomed to become the next scapegoat!! Yet, chance is on the couple’s side. On the other hand, this signifies that someone will have to become sacrificed!
(chapter 108) for his wrong choices, I come to the opposite interpretation. Naturally, if the manhwalovers compare the butler’s apology in the shed to the one in the library,
(chapter 108) Nevertheless, for me, everything is an illusion, and you can only detect the manipulations, the moment you examine closely Kim’s words.
(chapter 108) He had not told him about the shaman’s house on purpose. He had hidden the truth by omission. He justified his decision by using the “townsfolk” and their liking of creating gossips. However his real task was to protect his lord’s interest and inform him about everything. He made a decision without his lord’s permission, and as such he usurped his authority. He acted, as if he knew what was the best for Yoon Seungho. But this doesn’t end. What infuriated me the most are these two declarations:
(chapter 61) The red-haired master utilized the present perfect tense, which is a combination of the past and present!! This time reveals that the young man was about to move on. On the other hand, the butler is either referring to the past and to the future, but not to the now! This means, he has no regret right now. He is projecting himself in the future. He implies “regret”, but he is not truly admitting it. Finally, when the childhood friend came to regret his choice, he voiced it outside the barn!!
(chapter 61) This contrast outlines that the storage room is the place of illusion or false faith.
(chapter 108): Here, my blood was literally boiling, when I read his second “confession”, because here he was now omitting Yoon Seungho. It was, as if the protagonist was not existing. His words were actually reflecting a new betrayal towards the main lead. Here, he was vowing loyalty to Baek Na-Kyum and not to Yoon Seungho!! He insinuated that if he was taking care of the painter, he was protecting Yoon Seungho’s interests. However, the artist and the noble are two different persons. Imagine the following situation: The main lead gets arrested for “murder”, the butler could justify his vanishing, passivity and silence by saying that he needs to take away the painter from the mansion so that the latter avoids getting into trouble as well. As you can see, he would keep his promise, but he would sacrifice Yoon Seungho. With his words, he was insinuating that he only had two choices: the elder master Yoon or the painter. Besides, once the lord were to be removed, Kim could put the whole blame on the painter afterwards. If he had not left the house… That’s the reason why I viewed the last statement as the biggest treason. In reality, he was not vowing loyalty to the main lead. This scene was a reflection from episode 30, where the artist had pledged loyalty to the main lead
(chapter 30) and this in front of people. This explicates why the butler got grabbed in the storage room
(chapter 108) like the painter in the courtyard.
(chapter 30) We could say that it was the butler’s karma for his past manipulation. He had been the one who had encouraged the painter to flee the mansion (chapter 29/30). But this doesn’t end here. When the artist vowed his loyalty to the protagonist in the courtyard, the latter was present, which is not the case here. The artist is left in the dark.
(chapter 108) Where is the personal pronoun “I” here? Nowhere. Only the lord cares for the painter, this was the butler’s declaration in the end. But what about the tears? How could he fake the crying?
(chapter 81) When the lord had wounded his lover, when he was in a dissociative state, he had perspired so much that his sweat was falling like tears!! As you can see, fear could be the reason why drops of water were falling. Let’s not forget that the main lead had treated Kim very harshly and even threatened to have him killed, something he had never done before.
(chapter 108) Kim had reasons to get scared and to sweat.
, chapter 108, or my lord
(chapter 108) However, the manhwalover should question this. Why did he regret that day? It is because he had revealed his true thoughts about Yoon Seungho to the painter, and he got reprimanded from the artist. Besides, according to me, he had hoped that the artist would leave the mansion due to the altercation. In addition, when he mentioned this scene, he wanted to appear as honest, because he had no idea if the artist had leaked this conversation to Yoon Seungho. Finally, just because he told the truth here, we shouldn’t judge the butler’s confession as verity. To conclude, for me, the valet was not really remorseful, he was more acting.
(chapter 108) However, this is another illusion which can be easily refuted.
(chapter 108) This memory is the same than the painter’s
(chapter 108) In other words, the butler had acted on his own, and informed his master afterwards, when this information was necessary in order to protect himself. As you already know, for me, the butler had definitely acted on his own. But why does Kim need to deform reality so much? It is because he was present, when the young boy was abused sexually and he did nothing. He needs to erase the “traces” of the rape so that his culpability will not come to the surface. Just like the painter, Yoon Seungho has totally forgotten the sexual abuse. Besides, he never mentioned the incidents about the shed to the painter, only the bedchamber.
(Chapter 87) Here, he was already hiding his guilt by turning Yoon Chang-HYeon into the main culprit. He is responsible for the lord’s suffering.
(chapter 68), but he had heard a different story from the painter.
(chapter 93) However, now I understand why Yoon Seungho was not able to discern the hypocrisy from the assistant.
(chapter 188) It is related to the long brainwashing he was exposed for so many years and the lord’s low self-esteem. Thus I perceive this argument in the storage room as a new version of episode 40, a confrontation between the painter and the scholar. But who had been defeated in the shed? Yoon Seungho was still the loser, for he kept his distance from his lover afterwards.
(chapter 108) He was making sure that no one would know that the painter was his weakness.
(chapter 108) The new version of episode 50-51!! However, this was totally pointless, for the painter was living his bedchamber. His position was the proof that the painter was still favored, though the artist feared to be abandoned by the painter.
(doctor Frost, chapter 187) This means that the couple has to communicate and the painter will interrogate his lover.
(chapter 187) But this deprogramming is not pleasant, for the destruction of believes leads the victim to question everything afterwards. What caught my attention is that the painter went to the library, the symbol for “knowledge and education” which stands in opposition to the shed. This is no coincidence. Brainwashing is the antonym for insight.
(chapter 108) In addition, the lord was dressed like in episode 36, he had the green hanbok.
(chapter 36) Back then, the painter didn’t talk to the owner of the mansion. Finally, this episode is connected to the lord’s memories:
(chapter 36) That’s how I had this revelation. The lord’s suffering is also linked to the library. From my perspective, the young master was dragged from the library to the shed at some point.
(chapter 77) I had already pointed out that in episode 77, the main lead had been dragged on multiple occasions, for he was dressed differently, and the servants would be different. Because I had described that the lord’s mind had been manipulated by indoctrination and the butler had confessed, I deduce that the next episode will contain elements from episode 48/49.
(chapter 49) That’s the moment the painter dropped the last principle from the scholar and kisaeng. For me, something similar will take place, but such a deprogramming is painful. From my point of view, Jung In-Hun will be mentioned, as in the same place, the scholar had mentioned the painter’s past and future.
(chapter 40)
(chapter 40) Since the shed embodies the valet’s betrayal, the lord voiced his abandonment issues there. On the other hand, the library symbolizes the teacher’s abandonment. This is not random. Baek Na-Kyum can not read, the symbol of the learned sir’s negligence. Hence I am expecting a new confession from the artist, like this scene:
(Tweet) So far, the artist has never spoken ill of the teacher. To conclude, the library is the place where both protagonists will experience a new liberation! For me, episode 108 and 109 are focused on education, responsibility, memories and truth. That’s the reason why I am suspecting that the painter’s words will trigger the lord’s memories so that the verity about his own past will come to the surface. 

(chapter 105) „Thank god, he didn’t see nor hear a thing about that awful matter“. This is what Heena said in the original version. [Here I would like to thank my follower @katamins again for her help]
(chapter 105) He desired to spare his heart. To conclude, “that awful matter” is referring to the whole prank and its consequences.
(Chapter 97) At the same time, the idiom includes the staff‘s tricks as well: the corpse in front of the gate and the maids‘ badmouthing
(Chapter 97)
(Chapter 104) However, he had been silenced by his lover, when the latter suggested to him to view everything as a nightmare. The lord made the mistake not to listen to the victim and witness.
(chapter 105) With such a contrast, the manhwalovers can detect the link between ignorance and absence of memories. To conclude, in both versions, the main lead is “lying” out of ignorance. This is the positive version of “ignorance is a blessing”. Hence the noona thinks herself safe.
(Chapter 99) It was clear that her brother would meet the noble, as their meeting didn’t surprise her. She was more upset that Baek Na-Kyum was unconscious.
(chapter 99) However, her question „What’s wrong with Na-Kyum?“ divulges her hypocrisy and acting. How could she not realize that her sibling had been beaten?
(Chapter 99) His head was bleeding, and the black guards were carrying sticks. It was clear that his state was not caused by an illness. To conclude, the calling “lord Jihwa” is the proof of her complicity, though in front of Yoon Seungho it serves as an excuse to portray herself as a victim.
(chapter 105) Thus I deduce that Heena thinks, the painter could not witness her acting in front of the scholar’s house, for his head was turned around and he was not moving. She feels secure concerning that night, while I am expecting the opposite. Nonetheless, her past behavior in the kisaeng house represents a source of danger for her. That’s the reason why she has to hide the “attempted murder” from her brother. The moment Heena mentions that she has been hurt, the painter won’t believe her. Why? It is because in the kisaeng house, he has not forgotten her words:
(chapter 97) Even if she was “fooled”, the artist can only reproach her stupidity. Remember her harsh words, she had called him stupid:
(chapter 97) She had helped Min, and she can not claim ignorance. As you can see, Yoon Seungho was encouraged to hide the “attempted murder” from Baek Na-Kyum for selfish reasons. Therefore it is no coincidence that when the lord visited Heena, he made sure that his lover wouldn‘t see Heena in bed.
(chapter 105) She has now the perfect excuse to avoid nobles. She has been hurt, hence she can not work. The lord never questioned her attitude, for he wished himself that the painter would take a rest and remain in bed.
(Chapter 104) This explicates why later the lord was hugging his lover under the cover.
(Chapter 104) Hence I conclude that Heena must have thought the same way about Yoon Seungho. „Thank god, he didn’t see or hear a thing about that awful matter“. He has no idea about her altercations with her brother in the kisaeng house. It is important, because our beloved seme has the impression that the noona has her brother’s best interests at heart, but actually he is wrong. In my opinion, the relationship between Heena and his lover serves as a mirror to his relationship with Yoon Seungwon. So far, the young noble doesn’t suspect his brother to have betrayed him. Note that he blames his father more than his younger sibling.
(chapter 105) Yet, this incident was presented as Yoon Seungho’s memory. This panel could be used as an evidence that my theory, Heena was present next to the shaman’s shrine during the bloodbath, was wrong. Nonetheless, this image didn’t make me change my mind. Why? I paid attention to details and judged this rescue as “fake” again. The servants had a drop of sweat on their face, the symbol for deception. Secondly, the kisaeng was wet, while the staff’s clothes weren’t damp. How did they save her then? Besides, where are the foot prints? Moreover, where was the head cover?
(chapter 99) Finally, her hands and feet were not tied. So where did the items go? Since we saw her “execution”, we are the witnesses, and as such we know the truth about that “awful matter”, but it is not the case for the lord. This image contains so many errors, hence it can not reflect reality.
(chapter 103) Hence he could have never been outside the mansion. That’s how I realized that the author was presenting us a false memory. This means that the manhwalovers are facing an implanted memory. But how could this happen? First, false memory is quite normal and is often of no consequence. But a false memory relayed during criminal testimony might lead to the conviction of an innocent person. As the manhwalovers can detect, it represents a serious problem.
(chapter 58), it makes him particularly vulnerable to false memories.
(chapter 104), the lord and even the readers imagined to see medicine in the white bowl!
(chapter 105) Besides, the author had always connected the drug with the tray.
(chapter 23) As you can see, the readers interpreted this scene due to associations. Nonetheless, like mentioned in the previous analysis, the different color and the traces on the edge were the evidences that it was ink.
(chapter 36) Besides, Heena was in bed indicating that she was still weak. The circumstances led people to have a different perception of “verity”!! Only through the mind’s eye, the manhwalovers can detect that this scene was staged.
(chapter 103) The protagonist projected his own thoughts and emotions onto one servant: shock!
(chapter 61) This was interference by excellence. Besides, emotions can affect your memories. Since the lord was so under shock after witnessing the painter’s unconsciousness, it is not surprising that he imagined to have witnessed this scene. At the same time, when he left the shrine in trance, he could have overlooked the presence of a third person… similar to Lee Jihwa next to the shed. That’s how he doesn’t recall anything from that night except his crime. He didn’t see and hear the person by his side. Where is the sword? Where did he get the hanbok from?
(chapter 102) Therefore it is not astonishing that he imagined a similar scenery.
(chapter 1) This shows that the artist had only heard his name without seeing his face before. This explicates why the main lead’s gaze and facial expressions were similar
(chapter 1)
(chapter 1)
(chapter 103)
(chapter 104) My avid readers can certainly recall the rule I had detected: each chapter will be reflected in the next!
(chapter 105) How is it possible? Especially, when the painter said this:
(chapter 94) Furthermore, the painter is associating the learned sir to the moon and as such the night.
(chapter 94) Thus I am now suspecting that this image
is a false memory. But I have another reason to think that the painter’s idolization was more the result of “brainwashing” and as such “false memories”.
(chapter 105) How can she date this incident so precisely? The moment I read her testimony, I discovered that in episode 94 the author had never shown us the painter crying!
(chapter 94)
(chapter 94)
(chapter 94) It was, as if the noonas had never been informed about the painter’s suffering and tears. This shows that Heena has been hiding many things from her colleagues. But there is more to it! The manhwaphiles saw the artist’s tears in his childhood.
(chapter 68) But here he was much older!! Under this new perspective, I realized that the following image could have been a false memory:
(chapter 68) Heena was misremembering that night, and she was misattributing the painter’s tears. In other words, she was confusing two incidents.
(chapter 105) It is the same facial expression, though the redness around the eyes is more pronounced. This observation confirms that the noona’s memories in the kisaeng
(chapter 105) He had run after his lover in socks. While in “Baek Na-Kyum’s foot”, I thought that this memory was true, I come now to a different signification. It was a false memory in order to hide a crime related to Heena. I would like to outline that in the kisaeng’s comment, we have the notion of “shame” and as such “guilt”. First, I thought of rape, but then it could be much simpler. The painter could have witnessed his noona having sex with the learned sir. But because he was too young, he misjudged the situation… as a virgin, she had to bleed. Because he saw blood, he imagined that the learned sir had hurt Heena. This would explain why the artist was afterwards anxious around the teacher. One might think that this is not terrible. But let’s not forget that as a kisaeng, she can not have sex like that.
(chapter 105)
(chapter 96) A similar situation had happened in the past.But because of her brother’s reaction, his huge tears, she got scared.
(chapter 68) Through suggestions, she had been able to convince her brother that the learned sir was a nice person. This explicates why the caresses and hugs were used to silence the artist. By repeating to her brother, he liked Jung In-Hun, he came to develop such feelings. The kisaeng’s statement implies that the admiration for the teacher was not constant.
(chapter 46) A change of heart versus “eternity”. This shows that the painter’s decision to go to the learned sir’s house was never his choice. He had simply followed Heena’s suggestion. She was definitely distorting his past. Furthermore I detected a strong connection between love and memory.
(chapter 94) If it is a loved one, then it can only be a good memory. Therefore it is not surprising that by saying constantly saying that the painter likes the scholar, he is repressing the bad memories with the scholar (the beating in episode 34, the betrayal in chapter 29, his words in the library and his reproach about his job). So far, he only mentioned one negative incident.
(chapter 105) In the original version, this is what the artist thought:
(chapter 76) So while the painter was following his lover, the latter turned around and hugged him. Afterwards, he asked him to go to his noonas, for he needed to talk to Heena. Moreover, contrary to Yoon Seungho, Baek Na-Kyum paid attention to time. He was not lost in thoughts or had lost the sense of time
(chapter 105) But the latter acted, as if his hand was not wounded.
(chapter 105) He ignored his physical pain and heartache.
(chapter 105) This is important, because the stumbling symbolizes the intervention of the gods… We have the perfect example at the end of season 3. The lord fell on his knees in front of the scholar’s house, hence there is a hand print on the snow.
(chapter 100) That’s how he refused to view Lee Jihwa as the murderer of his lover, Baek Na-Kyum”. YES, the falling is the real manifestation of CHANCE! How so? I would like the manhwaphiles to keep in mind that chance is the antonym of trick and scheme! The latter are connected to plan and organization. Thus I come to the conclusion that the noble will decide to go to the doctor’s office in order to treat his lover’s hand.
(chapter 57) he was feverish so that he couldn’t pay attention to the physician. Besides, the man never remained by his side. Finally, in episode 74, the man never left the office!!
(chapter 74) I conclude that Yoon Seungho never saw the physician for commoners! Besides, I doubt that he remembers him from his childhood. But this is not the same, when Baek Na-Kyum was ill. He met the other doctor twice.
(chapter 33)
(chapter 103) On the other hand, the artist assumes that the man in the office is Yoon Seungho’s doctor!! He heard his confession:
(chapter 57) There exist two physicians in the city at least. That’s how a part of the truth will come to the surface! And who had fetched the doctor?
(chapter 103) The staff… I would like to outline that in this panel, Kim was no longer seen next to the couple.
(chapter 105) So where did he vanish? Probably to the mansion, for he had to warn the domestics that the artist would be returning! But if he left the couple behind, this means that he can’t witness what Yoon Seungho and Baek Na-Kyum will do next. And if they don’t go to the doctor, there is no ambiguity that the main lead will send for the doctor again. But according to me, the man disappeared.
(chapter 103) To conclude, I am expecting that Yoon Seungho will make a huge discovery in the next episode… just like the painter did in the gibang.
(chapter 105) Imagine that despite his rush, he was clear-minded enough to take the yellow scarf, a present that the noble had just bought him before. 😢 The item had more value than the mituri (shoes). Thus he was running in socks. His gesture displayed how much the lord means to the painter. He cherishes everything the lord does for him. At the same time, it indicates his heartache. He was so desperate and scared, for he felt that he was about to get abandoned one more time.
(chapter 105) According to my follower @katamins, in the Korean version, this is what Baek Na-Kyum yells:
(chapter 105) it works like a spell or a prayer. The artist is clinching onto this phrase hoping that the noble is remembering his promise. The irony is that the low-born was smiling like a fool,
(chapter 83)
(chapter 85) This means that Baek Na-Kyum was put in the same situation than his lover who wished to keep the artist by his side, but feared to open up to him out of self-hatred and guilt. The painter could get burdened or horrified by his revelations. Hence the painter’s reaction at the end mirrors the yangban’s in the study. Both were or are pleading the partner to stay by their side,.
(chapter 85)
(chapter 105) Nevertheless, their behavior diverges so much. The aristocrat couldn’t raise his voice or become violent by using his hand, because he could scare the artist and as such break his previous promise. Finally, by destroying the music box, he had already witnessed that he had pushed his lover further away.
(chapter 85) At the same time, since he had been taught that no noble should lower himself in front of commoners, it is normal that he couldn’t beg Baek Na-Kyum on his knees. To sum up, the noble had to restrain himself extremely, his face and words were the only way to show his emotions and despair. And the artist sensed it, though the lord was not weeping. The proof is that when the father appeared, the artist changed his mind. He was no longer willing to leave, in fact he chose to look for his lover.
(chapter 87) This shows that through communication, the lord had been able to affect the painter‘s mind and heart. On the other hand, we shouldn’t underestimate the lord’s flashback and Na-Kyum’s conversation with the butler which played a huge part in the artist‘s decision to vow loyalty to Yoon Seungho despite the secret.
(chapter 105) Then I noticed that contrary to his lover, the artist asked the reasons for his decision.
(chapter 105) Why did he change his mind? Is he responsible for this? As you can see, the painter came to voice his guilt and the remains of his deeply rooted self-hatred.
(chapter 105) He must have committed a wrongdoing, he is responsible for the situation. He feels like a burden, for the lord had to take care of him each night.
(chapter 104) He wished to help, that way he wouldn’t be seen as a spoiled child. He has to justify his presence in the mansion. Who is he exactly that he is sleeping in the lord’s bed? I am suspecting that there is a rumor circulating within the propriety, a new version of this scene:
(chapter 38) which I will explain more in details below. Thus the artist is making sure to cause no trouble to Yoon Seungho and the staff, especially the maids. Hence he folds the cover and clean the bedroom.
(chapter 104) Then he washes clothes. He makes sure that he is no burden to anyone. Yet, my impression is that the staff is taking advantage of the artist’s goodness. That’s how they fuel his guilt and shame.
(chapter 104) He was told not to question what he had heard… he should simply consider everything like a nightmare. However, this method is actually wrong.
(chapter 07)
(chapter 104) Not only he knows about the lord’s traumatic past, but it is the same for the painter. In addition, we have another explanation for Yoon Seungho’s insomnia and dissociative state.
(chapter 57) Not only the latter was turned into the scapegoat for the downfall of the Yoons, but also he was not allowed to reveal the incident, the so-called treason. Why? It is because if he had spoken, the truth would have come to the surface. He was simply a victim. And now, the schemers and accomplices are repeating the same MO. Who suggested to Yoon Seungho to say this to his lover?
(chapter 104) Naturally, Kim, because he is now the only one in the mansion who knows his past. Besides, why do you think that the lord’s past is coming to the surface as a nightmare? It is because he was incited to repress everything. But since the painter is going through the same experiences, this is not surprising that the noble’s memory is triggered and the past emerges again.
(chapter 27) Put yourself in the young man’s shoes. You suddenly witness how the whole family is moving houses and leaving you behind! This must have been terrible for Yoon Seungho. One might argue that Kim stayed by his side, so he was not alone. But it is false for 2 reasons. The white bearded servant had been working in the mansion
(chapter 27), when the other domestics left the propriety. This was his memory. Besides, like the servant confessed to Jung In-Hun, a huge part of the staff got replaced. This means that the lord was suddenly surrounded by people he didn’t know. Because my theory is that the young man was treated as a male kisaeng, this signifies that the new staff could never view the main lead as a noble. Besides, despite the betrayal, the elder master and Yoon Seungwon were his real family. Finally, Yoon Seungho had no saying in this, and I can imagine that the reason for this decision was not explained immediately. This must have been a huge blow for him as well. He must have felt lost and homeless. The result was that from that moment on, he became more dependent on the butler. And we have to question ourselves what the butler did with this huge responsibility, when the elder master moved to the second house.
Since this phrase appears in connection with the staff (maids and servants) in the courtyard, I come to the conclusion that the authors of this gossip are in the domain. “Fellows” indicate that they are speaking among themselves. But I have two more clues proving that the traitors are the domestics. First, observe how they call the protagonist: Young Master Yoon.
So far, people in town only calls the protagonist lord Yoon
(chapter 45)
(chapter 45) or lord Yoon Seungho
(chapter 39) or my lord.
(chapter 76) Only the staff addresses him as “young master”.
(chapter 103), and this since season 3. This coincides with the meddling of the Yoons. The servants treat him, as if he was not an adult, no real lord. But they are wrong, because he is wearing the topknot with the gat. Hence he is a lord. Finally, only people close to the couple could know about the painter’s tragedy.
, because in the village and town, there exists another gossip: 
(chapter 104) Thus I conclude that the gossip from the trailer is spread among the staff on purpose. They wished Baek Na-Kyum to hear it so that he will feel responsible, especially after hearing this.
He is responsible for the lord’s lunacy. Under this new perspective, it explains why the painter is leaving the bed and working. He wishes to prove the words wrong. On the other hand, I think that Yoon Seungho also heard a grapevine in the domain, but a different one:
(trailer). “He has many enemies”. How did I come to this idea? It is because he is addressed as Yoon Seungho! By underlining the painter as his weakness, the author of this rumor wishes to separate the couple. If he were to place the painter elsewhere, not only the latter would no longer be targeted, but also the lord would have no longer any weakness. Since there is always a reflection within the same chapter, I conclude that a second grapevine was spread in episode 104. This happened, while the lord was away. Thus the painter smiled like a “fool”, when he saw the lord:
(chapter 104) As you can imagine, for me the maids were the perpetrators, a new version of episode 79
(here, the woman implied that the artist was responsible for Yoon Seungho’s insomnia, thus the painter has a drop of sweat on his face, a sign for shame) and chapter 98
(chapter 103) Finally, the staff has every reason to get rid of the artist, for he is the witness of their wrongdoings. They definitely played a major role in the “prank”. They didn’t learn their lesson.
(chapter 29) This time, the one smiling like a fool
(chapter 29) was Jung In-Hun who acted, as if he knew nothing and had seen nothing.
(chapter 29) However, I have already pointed out that he was present, when the rape took place, for he knew where Yoon Seungho would meet the artist: the pavilion. And what have all these episodes in common? The first thought would be to say: abandonment and betrayal. The painter in front of the gibang felt “betrayed” and abandoned, but what shocked the lord so much was when the artist started blaming himself:
(chapter 105) “I had known, I would have never confessed” Nonetheless, he never finished his phrase, for in reality, he had no regret!! He was sure that he had made the right decision. It is because he had pondered a long time about this. He had observed his lover. That’s the reason why he mentioned their mutual love confession and as such their promise to stay together. And this brings me to the next observation. All these scenes have another common denominator: BAD DECISIONS!! The lord had made the wrong decision to entrust the painter to the kisaengs. Thus he came to regret this. He had made his lover cry, and even wounded him, though he desired to do the opposite. Therefore it is not surprising that he apologized to his lover.
(chapter 105) This shows that the painter is showing him what true love and loyalty are. Moreover, he is teaching to make good decisions.
(chapter 246), I realized why Yoon Seungho suffered so much. Self-made decision implies a conscious choice. It is made deliberately and thoughtfully, considers and includes all relevant factors, is consistent with the individual’s philosophy and values. As you can see, it implies knowledge. This definition exposes that making a choice for the sake of another person without his consent or knowledge can never be a good decision. One might argue about this, because children are too young to make decisions. In Doctor Frost, this man
(Doctor Frost 246) decided to support a terror attack, and justified this by saying that this was for his daughter’s sake. But like the counterpart pointed out, he questioned his decision. Was it truly his choice, or was he simply following the leader’s suggestion? As you can see, the daughter was used as an excuse, it was never for her sake. This shows that children are the exception, besides they are often raised by two parents. Thus they are making deliberations together. But like the author revealed in Twitter, Yoon Seungho’s mother hated her husband so much that she neglected her eldest son. The patriarch made decisions on his own, but observe that it was always for the Yoons’ sake. This means that the father never took his son’s well-being into consideration, he never asked him about his opinion. He imposed his will, but he listened to others, like we could see in different occasions.
(chapter 57) He fed his son with the drug prescribed by the physician, though the latter stated that he had no idea about the illness. Then he listened to father Lee’s complains and reproaches. He never questioned the intentions behind his actions and words.
(chapter 82) Here, the red-haired bearded man was encouraging the elder master Yoon to return to the mansion and claim his rights. Finally, the young master admitted this to the messenger:
(chapter 80) If someone stroke his ego, he would follow their advice and never doubt their words.
(chapter 104) But he simply employed reverse psychology.
(Chapter 85) Yoon Seungho was coerced to open up. If he did not, he wouldn’t be forgiven. Naturally, the painter meant it well, yet the main lead was pressured to reveal his „bad action“. The main lead feared his negative judgement and rejection. We could say that the artist had made this request for the lord’s sake, however this was not a conscious and long deliberated decision. And now, you comprehend why the main leads suffered both so much!! Yoon Seungho’s mother neglected her eldest son, but she kept her distance from her husband. They never talked to each other, and as such never made decisions together. And it was the same for the painter. The kisaeng Heena was the one who made the decision without the noonas’ consent and her brother‘s opinion.
(chapter46) Even in season 4, she has not changed her mind-set entirely.
(chapter 105) She is still viewing the painter’s decision as a bad choice. But she is simply wrong, for the painter listened to her advice and after deliberations, he chose to open his heart. His confession was not made in the heat of the moment.
(chapter 62) The lord’s vision
(chapter 62) became a reality
(chapter 63) Because the painter has always been betrayed and abandoned himself too, such words could only move the artist. There was someone willing to be by his side and to give him a home. Therefore it is no coincidence that the artist brought up these words from that night.
(chapter 105) This signifies that the noble will decide not to follow the noona’s advice:
(chapter 105) But by learning about the learned sir’s past, the protagonist will realize that he only knew a side about Jung In-Hun.
(chapter 105) with the noona’s statement, the painter looks happy with Yoon Seungho despite the tears, it looks like the noona is slowly coming to terms with her brother’s relationship. But I have to admit that I believe that her “decision” is just short-lived. First, in season 2, the noona had accepted to let her brother stay at the Yoons’
(chapter 69) But then she had changed her mind after hearing the menace from the servant. However, I have three other reasons to expect a change of heart from the head-kisaeng. First, Heena is the younger reflection of the butler. The manhwaphiles shouldn’t forget that the valet had almost come to terms with the painter’s presence
(chapter 65), but the ruckus caused by the kisaeng had provoked a change of heart in the valet. Then, the lord had made the following condition to the kisaeng:
(chapter 105) The lord is keeping his lover by his side, as long as nothing happens to him. So if he gets into trouble… she could achieve her goal, the painter is returned to her. But the most important clue is for me the bowl!
(chapter 36)
(chapter 77) Besides, it never leaves traces on the edge.
(chapter 36) The painter used white bowls while painting. On the other hand, the lord wrote a letter during that time. As you can see, in episode 36, we have the combination of painting, seduction (touching) and medicine… exactly like in episode 105. The artist tried to paint a lucky charm, a tiger, but he didn’t finish it. He got interrupted… which is very similar than in chapter 36. So the letter should represent another common denominator. 

(chapter 105) onto Yoon Seungho. Will she come to regret her action or not? One thing is sure, the painter accepted the sincere apology from his lover. How could he not forgive him after calling „Nakyumah“ and embracing him!
(Chapter 76) By making the same decisions, it is not surprising that the same deed can never succeed. It was not a real self-made decision. They simply followed a pattern. 
(chapter1) Or was she simply the noona?
(chapter 70) At some point, I came to realize that Heena had acted as the surrogate mother, but she had never clearly stated that she was the painter’s mother. In other words, his adoption was never official, which explicates why the main lead only considered her as his older sister. This is important, because her ambiguous status can not only generate problems, but also expose her betrayal towards Baek Na-Kyum. Note that in chapter 97, the noona treated Baek Na-Kyum as her “child” who wouldn’t listen to her
(Chapter 97), while later she implied that they were both equal, for she employed the personal pronoun “us”.
(Chapter 93) That’s the reason why the seat of the host was empty and why Yoon Seungho didn’t go there. He would have violated social norms, if he had taken her seat.. Moreover, by doing so, he would have revealed that he knew where the woman was. This could have raised questions.
(Chapter 93) This means that the figures were not sitting in the room shown in the last panel. On the other hand, their voices in the hallway exposed their location. The noonas and Heena were not far away from that door hidden by the veil. That’s how I got aware where Heena’s room was situated. In the last picture, the readers are turning their back from Heena’s study, which is right after the corner. Thus I could recognize the design of the building: ][ In the center, there is this huge hallway with the purple veils, but at its end, on each both sides, there exists a corridor perpendicular to the one with the purple curtains. What the beholder imagined as a door at the end of the hallway,
(Chapter 68) was in truth a huge window. How do I know this? First, in this scene, the scholar was hiding a huge white vase with red flowers. Hence I deduced that Jung In-Hun couldn’t have walked through that “gate”, it was just a window. Therefore I assumed that he had to walk past the flowers, either turn to the right or the left. Secondly, observe that next to the lantern on the left, there is a small white panel. This means that the view from chapter 93 was more or less taken from the right corner. Moreover, in the next chapter, Heena is not facing this “window”, when she is in the same building.
(Chapter 69) This time, the white vase with the flowers is standing in front of a wall. That’s how I deduced that Heena had to turn to the left in order to go to the hallway.
(chapter 69) On the other hand, another element caught my notice. In this picture,
(chapter 93) which is not present in episode 69.
(chapter 93) Since I came to the conclusion that Heena’s private room was on the right side after the corner, I deduce that the kisaeng was not on her way to her room. Moreover, since the kisaeng was walking in the same direction than the scholar, I can only conclude that Heena was actually approaching the entrance of the building. I believe that she had turned around, but the author didn’t reveal this. One might argue that it is possible that in chapter 68, the learned sir could have gone with the painter to Heena’s bedroom. However, back then the latter was not the head-kisaeng. We know this due to the presence of a kisaeng standing right behind Yoon Chang-Hyeon during the sexual lesson.
(chapter 70) That’s how I realized that Byeonduck had deceived the readers once again. She was playing with reflections. That’s the reason why I deduced that Heena was not talking loudly by accident in front of Black Heart.
(chapter 69) It was done on purpose!! She wished that Min would take care of her brother. Under this new light, it becomes comprehensible why the noona has a drop of sweat on her cheek. She is faking ignorance, she is acting, as if she was very protective of her brother. She uses illusion to manipulate people. In reality, she was acting here. One might argue that I am overthinking again. This is not possible, for Heena didn’t know Min at all. Hence she couldn’t manipulate him. The latter had heard of her for the first time in Yoon Seungho’s mansion.
(chapter 66) But let me ask you this. How could Heena have never met Min, when she was the head-kisaeng? Secondly, just because the servant had never heard of the noona, this doesn’t mean that it was the case for Black Heart. The domestic assumed Black Heart’s ignorance, just like the readers. Moreover, recently I had detected that Heena had been standing in front of a mansion belonging to a noble.
(chapter 67) diverge. Moreover, Min has been seen in the kisaeng house in so many chapters
, (chapter 19)
(chapter 59). Here, I would like to point out that in episode 59, Lee Jihwa had visited the kisaeng house on different occasions, for his hair was slowly growing. 
(chapter 59) Moreover, note that his visits took place during the day and not during the night. Why? It was for privacy and so far, during the day, the manhwaphiles never saw any kisaeng in the gibang.
(chapter 1)
(chapter 19) This image was showing us that Yoon Seungho was visiting the gibang. However, pay attention to the pattern of the doors in the last picture and the next:
(chapter 19) The motive diverges, it looks like the one from the hallway with the purple veils. This means that the party was not taking place in the room shown in the former picture. What caught my notice is the presence of the white vase with the red flowers in front of the building. It was present in each scene taking place in the gibang.
(chapter 93) For me, the red flowers symbolize Heena noona. This explicates why during the painter’s dream, the flowers were not present.
(chapter 87), as Heena was not included in his vision. And this image
(chapter 44) Due to the similarities, I believe that in chapter 19, Byeonduck was actually exposing the ghost head-kisaeng. Exactly like the father, she was hiding. Why? It is because she is involved in Yoon Seungho’s suffering. And now, imagine her reaction, when she hears that Black Heart has organized a feast for the main lead’s honor. The woman could only avoid the main character. And now, you have the explication why Heena as the head-kisaeng was not present during that festivity. It was deliberate.
(chapter 19) Striking is that the kisaeng had a similar hair dress than Heena, This is no coincidence. She was acting as the head-kisaeng. The manhwalovers will certainly remember that only two kisaengs had no braided bun or braids: this one
and Heena. Look at all the others:
(chapter 51)
(chapter 93)
(chapter 93)
(chapter 95) The extravagant hair dress was exposing the kisaeng’s status. And now, you comprehend why the other noona explained the disappearance of Heena during that night.
(chapter 19) But how could she sense that the noble was in a good mood? The latter was silent and not even smiling.
(chapter 19) How could she claim this? In reality she was actually spying on him. Heena had no idea why the lord would come to the gibang, especially after suffering there so much. The kisaeng’s task was to dig up information. This visitation must have bothered the head-kisaeng.
(chapter 69) She was even turning her back to him. But actually, she could have detected his presence, exactly like I had recognized him: through his laugh!!
(chapter 99) He was wearing a veiled hat, yet in chapter 69, this was not the case.
(chapter 88)
(chapter 99) He was implying that they knew each other for a long time! The irony is that the manhwaphiles had the impression that their relationship was recent, and his cynical tone contributed to it. Secondly, he called her Heena, a sign that they were close to each other. Note that Lee Jihwa never mentioned her name.
(chapter 99) His words even insinuate that Black Heart had just given the following order. The red-haired master should just fetch a kisaeng and in my opinion, Heena was waiting for Lee Jihwa’s arrival to leave the gibang. According to his words, he had no idea about the kisaeng’s identity. But is it true? I have my doubts now, and this for two reasons. Why would he ask about her identity, when he already knows that she is a kisaeng? The drop of sweat on his face is an indication that he is lying. But the problem is to determine if the deception is only referring to “I heard not a word” and to all the questions. Let’s not forget that he knew about Min’s initial intention. The moment Lee Jihwa arrived in the gibang, she just followed him. That way, they would avoid to attract attention, and with her new hair dress
(chapter 93), the gibang had lost its “leader”. This explains why this noona as her right-hand had to explain the absence of the owner.
(chapter 87) This picture stands in opposition to this one:
(chapter 93) To conclude, the surrogate mother and the patriarch made a similar experience in season 3. Both got deceived by manipulations and in both cases, letters played a huge role.
(chapter 94), definitely thinking that he was doing the right thing. He thought that he could never get into trouble. But this is just a deception in my opinion. As for the former head-kisaeng, she has to run away, for she did something wrong! In the past and in the present! She definitely plotted, and she is aware that her actions will have terrible repercussions.
(chapter 102) That’s why I come to the deduction that her murder will be questioned. Why? There is no blood contrary to the bloodbath in the shaman’s house and there is no corpse!! Since Black Heart used different corpses in order to deceive Heena and the couple, there is no ambiguity that the head-kisaeng’s curtains will be doubted. Striking is that Heena staged her death out of cowardice and selfishness, while Yoon Seungho made the opposite decision. He was resolute to commit suicide in order to follow his lover in his death. During that night, Heena and Yoon Seungho lost their “home”, but at the end, he found his true home: the painters embrace.
(chapter 96)
(chapter 96), though he is a noble. Besides, I am suspecting her of suffering from genophobia (fear of sex and intimacy) Their behavior exposes closeness and a certain trust. But how is this possible? It is because she knows that Min is a sodomite, and he is not looking for sexual favors. That’s the reason why she trusted Black Heart in my opinion. Moreover, he is smiling like Jung In-Hun. Therefore it is not surprising that she was speaking like the Joker in chapter 97. Here, the man had actually projected his own thoughts onto Yoon Seungho, and due to her own belief, Heena was more than willing to believe Black Heart.
(chapter 52) It is because Black Heart knew Heena! I even believe that he had already met the scholar. Note that the man with the black hanbok was repeating the rumors about the learned sir. And the other questioned the main lead’s action exposing that he had never heard about this grapevine before. Hence I am deducing that the one spreading this rumor could only be MIN!! That’s the reason why he just said this
(chapter 52) That means that the noble knew the teacher in the end. Therefore it is no coincidence that Min was aware where the learned sir lived!!
(chapter 83) And now, if you connect the two scenes
(chapter 52). Why? It is because there was an incident in the gibang!!
(chapter 94)
(chapter 97)
(chapter 97)
(chapter 101), and even Kim hid his face under a hanbok.
(chapter 92) That’s the reason why I believe that in season 4, the visage will play a major role! The couple will recognize people due to the face!! In my eyes, the former head-kisaeng knows the identities of all the persons involved in Yoon Seungho’s suffering.
(chapter 97) her brother is detecting her deception. 
(chapter 11) Secondly, I had associated the main lead to the eagle which is the symbol for the kings and emperors in Europe. He was seen here flying
(chapter 30), and his fingers reminded me of the eagle’s claws.
(chapter 18) And this perception got even reinforced, when I saw this panel:
(chapter 52) In this scene, he was sitting like a king surrounded by his “court”. The hanbok had such a design that I couldn’t help myself associating it to Joseon’s monarchy.
, I had another revelation. On the one hand, it actually confirmed that Yoon Seungho was somehow destined to become a king, yet he is not represented by the eagle or the phoenix, but by the dragon. Hence the moment I saw this image, one idiom came to my mind: Dragon king!
(chapter 100), though this deity is always accompanied with a dragon and in this picture, the readers couldn’t see one. However, it is possible that the author didn’t desire to reveal too much.
(chapter 21) Why? It is because the lord was happy. These were the tears of happiness, which Yoon Seungho couldn’t express contrary to the painter. And this is no coincidence that in chapter 58, it started snowing, when the couple was making love:
(chapter 58) And we had the same weather, when Yoon Seungho saved his lover.
(chapter 46) and we have so many jars next to the pond:
(chapter 94) [For more read the essay “The secret behind the library”]
(chapter 91) This is no coincidence. To conclude, all these elements (rain, jar, well, soul of a deceased), connected to the dragon king, are present in Painter Of The Night. Thus I came to the conclusion that Yoon Seungho is like Dragon king. This reinforces my conviction that the main lead is not only connected to shamanism, but also embodies royalty. So he might not be the king of Joseon, but he is powerful in his own way, though he is not aware of this. And note that the moment he wished to commit suicide by drowning in the pond, he was brought back to life. 
(chapter 100) and this altar
(chapter 100) were exposing the presence of a ritual. However, my problem was that I couldn’t determine exactly the nature of the ritual. But by making the connection between the dragon and good fortune, I had now more clues. I have to admit that I can not be 100% sure for this, but this is what I found:
(chapter 4)
(chapter 6)
(chapter 82)
(chapter 83) and the deer
(chapter 22). Then the lord compared Baek Na-Kyum’s eyes to a rabbit.
(chapter 78) Since both resemble each other, I deduce that the main lead has the same eyes, the rabbit’s. Like mentioned above, he utilized his fingers similar to claws:
(chapter 54) One might argue that this signification is totally impossible, for the lord doesn’t have the body of a snake. This point can be refuted very easily. What is the major characteristic of a snake is molting. A regularly recurrent event during the activity period of all snakes is the shedding of the skin. This coincides with the lord’s change of clothes. The latter reflected his downfall and rising. Furthermore, this animal is linked to death and rebirth. My avid readers are already aware that I had detected different scenes, where we could witness the lord’s spiritual death and rebirth, like for example in the shed:
(chapter 62) When he discovered his misjudgment the next morning, he felt like dead. He no longer saw himself as a lord, but came to view the painter as his new lord :
(chapter 66) As a conclusion, Yoon Seungho shares so many similarities with the dragon that I came to view him as one. This explicates why even after getting married, he will never wear a beard! 
(chapter 102), and thanks to the painter, Yoon Seungho’s soul was able to escape this “mental prison”.
(chapter 45)
(chapter 55) and as such his heart and mind.
He criticized the painter by stating that this was “filthy”.
In this scene, the characters are caught by surprise, but it becomes obvious that there is no disgust or expulsion. In fact, the fall of man took place before, for Baek Na-Kyum was sent to Joseon. In this encounter, I detect attraction and curiosity. Hence I come to the conclusion that in the original story, when this scene took place,
(chapter 50)
(chapter 52) This means that the mysterious lord Song was actually claiming the main lead as his wife in the last scene. Min and his friends were sent there in order to entertain the protagonist, but they failed. This explicates why the next day, Black Heart was seen with a hanbok of lower quality.
(chapter 56) It was, as if Min had been compensated for his bruised face by the mysterious lord Song. However, for the pedophile, Black Heart was just a concubine, and not his main wife! Hence the hanbok had not such a detailed and expensive design. This would explain the villain’s jealousy. And now, if you look back at the hanboks from the main lead, you will recognize his ascent. First, he is wearing green, which is similar to Yoon Chang-Hyeon’s color. At the same time, his hat resembled a lot to Kim’s.
(chapter 1) Then later, he is mostly wearing blue which is actually the color of the Crown prince.
(chapter 11) Yet, his robes initially have no design. Slowly, the lord is wearing colors and designs that are actually reserved for a king: blue, red, black and purple. This constant change of hanboks symbolizes the “snake molting” and as such his transformation and rising. This is not astonishing that on the night of the bloodbath, he had such a hanbok:
(chapter 102) Here, he was no longer acting like a noble, but as a ruler. Don’t forget that according to me, the mysterious lord Song had proclaimed the main lead as his unofficial Queen by giving him hanboks with phoenixes. However, naturally, this was never mentioned to Yoon Seungho directly. Why? It is because Kim usually selects his clothes. However, this rise was not natural, as the lord had no real saying in this matter. The real metamorphosis took place in the shaman’s house, when the lord was sent back to the past and as such the darkness.
(chapter 102) The moment he left the “cave”, he went to the mountain and surrounded by the wind and water, he changed into a dragon. This expulsion corresponds to the final release, the lord’s mind is finally freed from the darkness, while I believe that this scene
(chapter 44) It is because the main lead was thinking that the painter would actually run away. Thus the door was left opened, and he was wearing warm clothes. Yoon Seungho never imagined that Baek Na-Kyum would remain by his side. Yet, during the previous night, the lord had consoled his lover by embracing him.
(chapter 71) But this can be refuted easily. First, don’t forget that during this love session, the lord was acting like a servant pleasing his new lord. So this had nothing to do with Yoon Seungho’s feelings like sadness or happiness. He was determined to keep the painter by his side, and ignoring his own feelings. He never expected the artist to reciprocate his feelings. Secondly, Yoon Seungho’s nocturne vision is not just a nightmare, but also a DREAM! Yes, you are reading this correctly. Only recently, I discovered that all the artist’s visions are a combination of 3 elements: memory, nightmare and dream! I will give you three examples as illustration, for I am slowly running out of time.
This vision is a combination of these three elements: memory, nightmare and dream. This had happened during the First Wedding Night (memory)
(chapter 21), then we have a similar situation in chapter 49: ,
, but the painter was rejecting this future. Hence he considered it as a nightmare.
; nightmare
the lord becomes a ghost and confronts the painter with his biggest fears (admitting his attraction, passion for erotic paintings and homosexuality) and dream
(The painter’s true desire was that the lord would kiss him, he was deeply longing for his lips, yet he was still in denial in this vision.
, for the painter was remembering the corpse in the courtyard, a dream, as he wished the return of his loved one
. He hoped that the lord would take care of him personally. Naturally, the “spirit” is the nightmare
.
(chapter 74) This had already happened, but the lord had not grasped the significance.
(chapter 53) Besides, he had not opened the door himself. Even when he went to the scholar Lee and opened the door with the his foot, the lord still felt trapped.
(chapter 96) This shows that the lord’s wish to get released had not been fulfilled so far. In my eyes, it is connected to the torture Yoon Seungho suffered and as such to the purge organized by the authorities. That’s the reason why I deduce that the lord will break a door in season 4, and this won’t be by accident and it will be witnessed by many people contrary to chapter 53, 67 and 96! The broken door will reflect the lord’s rise and power, and no one will be able to stop this. In my eyes, this wish is connected to the door in the servants’ quarter. That’s how his imprisonment started.
(chapter 74) The “dragon” wished to see Kim and his father, and confront them! And this did take place in season 3. Yoon Seungho confronted the butler with his attitude and betrayal
(chapter 77), but this argument was just short-lived. He still viewed the valet as a hard-working and trustworthy person. He had just made bad decisions. Then in the bedchamber, the lord could blame the father for his suffering:
(chapter 74) Simultaneously, the vision also displays the lord’s expulsion from “hell”, the sex orgies
(chapter 74) Simultaneously, the dream showed that the lord wished to see this painting again, though deep down, he blames this image for his suffering. As you can see, the vision was revealing the tormented disposition of the lord. He was switching from nightmare to dream and the reverse… a mixture of anxieties and desires.
(chapter 74) This signifies that he was approached by someone from behind, he had not noticed that the “door” had been opened. Thus he never expected his apparition. For me, this perception demonstrates that the painting is not the real cause for Yoon Seungho’s suffering. Since he had turned around, I came to recognize that this scene stands in opposition to the situation in the painter’s nightmare:
(chapter 86) In reality, he was a dragon, who could bring luck and fortune to the person who would cherish him. This is no coincidence that the pedophile sent hanboks with the crane
(chapter 34),
(chapter 30), but much more brutal and violent! 





(Chapter 83) But what was the vision telling to the main character? The problem with visions is that their message is never clear. It is up to the fortune-teller. The beholder can interpret the hallucination differently. Here, one might say that the blood let Yoon Seungho see that one servant, in our case Kim, was working against him with 2 nobles: Min and Jihwa. It was already predicting Min’s death, for the blood pond was touching the noble on the right, while the other nobleman with the hat is not connected to the blood. The red-haired master only lost his topknot a second time. This is no coincidence. The vision showed that Black Heart would die by the hand of 2 people, Yoon Seungho the child and Yoon Seungho the adult. Thus Byeonduck created such a panel:
(Chapter 102) The lord was in a dissociative state. In his rage, the main lead was brought back to his own past, when he was a victim of gangrape.
(Chapter 101) Remember his confession in the bedchamber:
(Chapter 100) But if so, this means that the domestic will die, after his master abandoned him and ran away. Remember that the blood spurt is linked to the person without a hat.
(chapter 82)
(chapter 86) And if I consider that this vision is referring to Kim, then it already announces his doom. Another possibility of interpretation is to say that the boar embodies the king, which Yoon Seungho defeats by removing from his side Lee Jihwa and Min, both were used as tools to control and tame the main lead so that he would remain by the pedophile’s side. This means that the moment he executed Black Heart and cut off the friend’s topknot, he was finally able to escape from the ruler’s claws. And if the noblemen are referring to the elders, the message doesn’t change. The moment the main lead killed Min, he wounded the king so that the elders are affected, one more than the other. And Kim didn’t stop his young master, for the butler thought that with his suicide, he could finally free himself from his task of taking care of Yoon Seungho. With his suicide, Kim would be able to live in peace. He would no longer be tormented by the main lead’s suffering. In his mind, his suicide was the natural outcome of such a long suffering. As you can see, this hallucination can be interpreted so differently. And the more information we will get in season 4, the more precise the interpretation of this vision can become.
(Chapter 83) I have always said that Yoon Seungho and Baek Na-Kyum are shamans, but they have no idea about their true identity. This means, none of them considers himself as a fortune-teller, though both have this gift. They have no one telling them about their skills, they can predict the future and even repel evil spirits.
(Chapter 92). Keep in mind that since the lord wrote a poem in season 3, this means that he must have done it in the past too, but this twice. In season 1, he wrote one, when he switched the paper, yet it must have occurred before, for we had two circles, which corresponds to two full moons. My friend Luzyla brought my attention that in the whole story, Byeonduck only drew one full moon, and this in chapter 1. This announced the beginning of a new circle!! The third one and observe that the moon was far away, very high up in the sky, while the night sky was very dark.
(Chapter 1) There was no moon light which I consider as a reference to the painter‘s absence in Yoon Seungho‘s life. Under this perspective, the manhwaphiles understand why in episode 102, Byeonduck drew such a moon.
(chapter 102). Their trust and love had been tested, thus I am assuming that season 4 will be the beginning of the 4th circle, where the protagonist will face the main culprit for his suffering: the mysterious lord Song, the king.
(chapter 56), and it became a reality.
(Chapter 91) But the artist never accepted these visions, for he was rejecting sodomy and later he was in denial about his affection for the main lead. Yet this is no longer possible. The artist has already confessed and is determined to remain by the noble’s side, no matter what.
(chapter 50) and Baek Na-Kyum‘s nightmares in the bedchamber.
(chapter 98) How could he be with the man who killed his family (for example Heena)?
(chapter 45) Yes, in chapter 45!! How did I come to this conclusion? The first clue is the black frame.
(chapter 45) Byeonduck always uses it in order to indicate that we are dealing with a memory or a dream. Secondly, in this scene we are supposed to see Baek Na-Kyum with his lover, both kissing tenderly, yet in the same chapter, the author let us see the reality of their interaction. 
(chapter 45) The painter was more acting like a robot, he was not able to procure pleasure to Yoon Seungho. He was not talented. As you can see, the introduction allowed us to see the dream of a fortune-teller concerning Yoon Seungho and the painter. But wait…
(chapter 45) But don’t forget that we are here dealing with a premonitory dream. In my opinion, the lock of hair is implying that Baek Na-Kyum will be wearing a topknot in the future, similar to this situation:
(chapter 87) This means that the person saw in this dream that Baek Na-Kyum would become the lord’s partner, and he would even be dressed like a noble (a topknot and white pants). Don’t forget that in season 2, he was still wearing grey pants and not white.
(chapter 79) This is the same position, but from a different perspective.
(chapter 45), a rumor started that Yoon Seungho had a fiancée. Thus Kim chose to spread rumors in the village to kill the grapevines about the existence of Yoon Seungho‘s fiancée with another gossip. He used Jihwa and the incidents in the past… One might argue that it is not possible, because it looks like the rumor about the existence of Yoon Seungho’s sodomy existed before than the presence of a fiancée.

(chapter 45) The owner of the stand is sitting and he has a white scarf, but in the next panel, the person is standing, and has a red scarf.
(chapter 45) Moreover, the headcover on one player is much slightly darker. This is another indication that there could be a time jump between these two panels. But one might argue that the rumors about Yoon Seungho’s homosexuality were existing before the grapevines about the fiancée.
(chapter 45) In order to ensure that no one would take this rumor seriously, Kim made sure to spread the rumors about Lee Jihwa and Yoon Seungho’s sexuality.
(chapter 40) His joke with the red dot was not even noticed by the woman and seller of the mirror!! Both were totally indifferent. Though he had made a joke, his action had caused no wave. Besides, we should question why the man would say that even dogs would know about his homosexuality. This implies the intensity of the grapevines. It displays that someone was deliberately leaking this information to the outside. Furthermore, one witness is saying that Yoon Seungho‘s affairs used to stir up the village… when did it happen?
(chapter 45) Moreover, which affairs was he referring to? He has no idea about the masturbation in the tailor’s shop and the red dot on the painter’s face. As for Lee Jihwa’s humiliation, it was definitely not leaked to the outside as well. Besides, remember the comment from the red-haired master’s servant.
(chapter 41) Striking is that
(chapter 52) The lord had kept his distance from the artist for one week, though I believe that he still came to see him
(chapter 51),
(chapter 51) for the painter’s scarf was put on the way Yoon Seungho did in the courtyard in chapter 69.
(chapter 69) And now, you comprehend why Kim criticized the painter in the courtyard. The lord would come to see him ensuring that he was well covered. The butler had every reason to view this dream
(chapter 45) Now, I have the proof for this interpretation. The guardian was on his way back to the gate, so why did the valet ask him to bring the items to the painter’s study? Actually, Kim could have done it himself, it is not so that his master was waiting for him or had been requesting his presence.
(chapter 45) Now, you are probably thinking that this essay has reached an end. But no… Why?
(chapter 87) We could detect the presence of a stock, this means that in the bedchamber, he was physically abused. And the butler could have jumped to the wrong conclusion, exactly like in this scene.
(chapter 77) He had seen the kiss between the two boys, but because of Yoon Seungho’s smile, he had assumed that Yoon Seungho was consenting.
(chapter 77) However, like mentioned before, the protagonist was under the influence of a drug. So in his eyes, it was, as if the young boy had been the one kissing Lee Jihwa. Because of this scene, he assumed that the two boys were fooling around. He jumped to the wrong conclusion that Yoon Seungho was a sodomite, something Kim truly abhors. So my idea was that the butler could have made the same mistake concerning the bedchamber: he made an assumption, and he jumped to the wrong conclusion that Yoon Chang-Hyeon was treating his son as a prostitute for his own greed and ambition. Because of these two expressions “assumptions” and “wrong conclusion”, I started researching for this. And this is what I found:
(chapter 17) This is an expression that he would often use. We could witness this cognitive distortion (should statement) in front of the shed.
(chapter 68) But here, like I pointed out before, he was excluding himself from this incident. Let’s not forget that he had been the one dragging him to the shed.
(chapter 57) And now, imagine this. What if the purpose of the drug was to make Yoon Seungho submissive? Thus the young boy was smiling, and doesn’t remember the stolen kiss. Striking is that cognitive distortion has an impact on memory, it can create distorted memories. And this would confirm my previous assumption that here, the butler was mixing two memories together.
(chapter 65) Since the butler has always been expecting the worst unconsciously, I am suspecting that he is the one who offered Yoon Seungho to the king! That way, he imagined that his master would be protected, unaware that he had never been forced to have sex before. There’s no ambiguity that his cognitive distortions led to Yoon Seungho’s suffering. Hence the father and the king will be quite surprised when they discover the verity. Kim badmouthed the main lead calling him a bird of misfortune, though lord Song views him differently, as he keeps sending him hanboks with cranes and phoenix, asymbol for good fortune.
(chapter 87) He was talking about himself here. For the valet, there’s only one solution: “Out of sight, out of mind!” Hence he hoped that the father would take away Yoon Seungho from the mansion.