Please support the authors by reading the Manhwas on the official websites. This is where you can read the Manhwa: Jinx. But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, in the first part ”Powerful Hidden Gemstones – part 1” and the previous essay about Jinx “Color Clash: Decoding MMA Posters”
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In this part, I will examine Hwang Yoon-Gu and Choi Heesung’s gemstones and their role in Jinx. Since Potato was born in August, I deduced that Choi Heesung’s birth month must be April. 
https://www.gemsociety.org/article/birthstone-chart/ According to this chart, Potato has different birthstones: Sardonyx, Peridot and Spinel, while Heesung has only one, the expensive diamond. On the other hand, Sapphire and opal were seen as birthstones for April long before the introduction of the traditional birthstone calendar.
Since this time many other gemological societies have established their own calendars, the more modern of which often refer to “alternative” or “secondary” birthstone options for certain months. Some calendars do list diamond as the only birthstone of April but this is largely a consequence of the intense marketing and popularity of this stone over the past century. Two of the four alternative April birthstones, sapphire and opal, were long established for the month of April by many ancient cultures, long before diamond. White topaz and quartz were added more recently, largely due to their physical similarity to diamond, affording eye-clean colour and scintillation (or ‘sparkle’) at much lower cost. Sapphire was recognised by the ancient Roman, Slavic, Hebrew and Arabic calendars as the April birthstone. Quoted from https://londonde.com/blogs/news/april-birthstone-is-diamond-the-only-option
Interesting is that the moment I discovered that Sapphire was connected to April too and divulged it to my follower and friend @rantofalifetime, the latter brought my attention to Saturn and gods again 😮
Yes, Saturn is not just linked to Greek and Roman gods, but also to Hinduism. As you can see, thanks to her, I could connect Heesung to Kim Dan. With this new discovery, I hope, I aroused your curiosity and interest in the gemstones and their hidden powers. But first let’s start with our lovely puppy dog, Yoon-Gu.
1. The Chow Chow’s hidden powers
1. 1. Potato as a lucky charm
Interesting is that the traditional gemstone, Sardonyx, is the oldest of the three gems. Sardonyx is composed of layers of cryptocrystalline quartz, particularly onyx and sard.
The most characteristic feature of sardonyx is its alternating bands of reddish-brown, dark orange sard and white or black onyx, creating a captivating contrast of colors. These bands can vary in intensity and pattern, ranging from subtle stripes to bold, dramatic bands that showcase the stone’s natural beauty.
Throughout history, sardonyx has held significant cultural and symbolic importance across various civilizations. In ancient Rome, sardonyx was highly prized for its durability and smooth texture, making it an ideal material for creating seals and signet rings. The Romans believed that sardonyx possessed protective properties and could ward off evil spirits, making it a popular choice for amulets and talismans.
In ancient Egypt, sardonyx was revered for its association with the goddess Ma’at, the embodiment of truth, justice, and balance. The Egyptians believed that wearing sardonyx jewelry could bring harmony and stability to one’s life, aligning with the principles of Ma’at and promoting a sense of inner peace.
The biblical references to sardonyx are found in the Book of Revelation, where the New Jerusalem is described as having walls adorned with various precious stones, including sardonyx. This symbolism suggests that sardonyx represents purity, righteousness, and divine protection, embodying the spiritual essence of the heavenly city.
Symbolically, sardonyx is associated with courage, strength, and happiness, making it a cherished gemstone for those seeking to overcome challenges and embrace positivity in their lives. It is believed to instill a sense of confidence and resilience, helping individuals navigate through adversity with grace and determination. Furthermore, Sardonyx encourages integrity and good behavior, therefore it helps to improve relationships. How so? It stands for communication.
Sardonyx is believed to be one of the stones in the High Priest’s breastplate, as referred to in the Old Testament, and to represent the strength of spiritual life. Roman soldiers wore sardonyx rings with the image of Mars carved on them for protection in battle. Today, this August birthstone is associated with courage, happiness and clear communication, bringing stability to marriage and partnerships. Quoted from https://www.gia.edu/birthstones/august-birthstones#birthstone_3
In addition to its symbolic meanings, sardonyx is also valued for its metaphysical properties, including its ability to enhance focus, promote self-discipline, and foster a sense of inner harmony. It is often used in meditation practices to ground and center the mind, allowing for clarity of thought and emotional balance.
To conclude, Sardonyx holds profound significance across cultures. Used by ancient Romans for seals and talismans, revered by Egyptians for its association with balance and truth, and mentioned in the Bible as a symbol of purity, sardonyx embodies courage, optimism, clear communication, happiness, and spirituality. As a lucky charm and a source of inner strength, sardonyx continues to inspire and uplift those who wear it, making it a timeless symbol of positivity and resilience.
Funny is that I had connected Potato to a chow-chow, when Mingwa associated him with a dog. 
(chapter 23) The fur of this animal corresponds to the color of Sardonyx. 
(chapter 23) We have here the orange shade. Moreover, he is also perceived as a lucky charm by Oh Daehyun and Kim Changmin. In many occasions, we could see that he embodies communication and can improve relationships.
First, when the maknae asked a question to the champion, the latter couldn’t help himself to reply to that innocent question, though he was still staring at his cellphone. 
(chapter 22) Compare his reaction, when Oh Daehyun was talking about his penthouse 
(chapter 22). The latter was silenced with a threat. 
(chapter 22) Then when Potato got rejected by his idol, Kim Dan felt the need to ask the young fighter why he was so upset. Therefore he left the office. 
(chapter 23) 
(chapter 23) Imagine that he didn’t show any interest in Joo Jaekyung all this time. If the chow-chow had not been hurt, the doctor would have remained in the office. Furthermore, Potato was paying attention to the couple’s interaction.
(chapter 23) A sign that he stands for connection and advice. Interesting is that right after, Joo Jaekyung listened to his sex partner in the treatment room. 
(chapter 24) Thus he gave a task to the maknae.
(chapter 24) And Jinx-philes will certainly recall what the pure fighter did during his task: he called Joo Jaekyung! 
(chapter 23) Another symbol for communication. He should voice about his desires. As you can see, his presence helped to improve the relationship between Kim Dan and his boss. Then the next morning, Potato also showed curiosity towards the physical therapist: 
(chapter 25) 
(chapter 25) Once he heard Kim Dan’s intentions, he offered his help and while practicing, both men came to exchange their thoughts and emotions. 
(chapter 25) 
(chapter 25) This explicates why Joo Jaekyung came to propose the sparring to Kim Dan. We could say that Yoon-Gu’s presence gave the doctor’s courage to accept the challenge. 
(chapter 25) Under this perspective, Manhwalovers can grasp why the main lead chose to dedicate his victory to the young maknae. 
(chapter 26) One might say that he felt sorry for Potato 
(chapter 25), yet we could see it in a different light. He felt indebted towards the maknae, because thanks to him, he got the chance to spare with the athlete. If Potato had not made the mistake, the athlete wouldn’t have noticed him! In my eyes, Potato became a source for his strength and courage, as it triggered his protective and nurturing instincts. This became visible during the couch confessions. 
(chapter 29) Even during this night, Manhwaworms could observe the potato-effect😉. Joo Jaekyung felt the need to ask why Kim Dan had made such a wish. 
(chapter 29) And now, you comprehend why the relationship between the main couple improved so much between 22 and 29, it is because of the lucky charm, the “Sardonyx chow-chow”! Thanks to his presence, he encouraged the main couple to communicate and to be more curious about each other. He stands for respect, responsibility and connection. Only through conversation, it is possible to get know someone. No wonder why he is so treasured by Team Black. (chapter 23) He embodies the notions of love from Erich Fromm: care, respect, knowledge and responsibility. Here, he was supposed to become responsible for the fighters’ success.
And the moment Choi Heesung entered their life, their dynamic got affected negatively, for the actor embodies different values, like true love, secret, privacy, tricks and insinuations. Let’s not forget that Heesung’s admiration was not truly honest. 
(chapter 31) He said that he didn’t expect anything from the doctor, but the reality is that he wanted to date him. So he had expectations. He was not direct with the physical therapist, as he initially didn’t know what he truly desired. He was just put under the charm of the angel. So what did he like in the physical therapist? His talent or his personality or his face? 
(chapter 30) Hence Kim Dan had problems to accept his appreciation as a fact. I don’t think, the artist was aware of the consequences of his behavior. Interesting is that after bumping into Potato
(chapter 31), the actor changed his tactic. He stopped offering presents, he became more direct. He proposed to hire him as his private physical therapist. 
(chapter 31) So he used work to get closer to the physical therapist, which was quite similar to the champion’s approach. Simultaneously, Yoon-Gu was able to detect Heesung’s true intentions. 
(chapter 31) He was interested in the main lead romantically and sexually. We could say that the maknae pushed the comedian to meditate and to be more honest to himself. I would even say that he has a similar effect on the physical therapist, for the latter started pondering on the champion and himself. 
(chapter 36) The fact that he took over the youngest member’s task during that evening indicates his influence. The problem is that the Sardonyx was not present, therefore his dark thoughts couldn’t be pushed away. This scene reveals the hidden power of the gemstone. But there’s more to it. Mingwa created the positive reflection from that night in the States: 
(chapter 37) Yes, Kim Dan stood up to Joo Jaekyung, by stating that they would keep eating. Kim Dan was incited to protect Potato and Oh Daehyun. As their huyng, he should become responsible for them. This scene embodies “courage, strength, happiness but also communication…”, as they were having a happy time together before the star’s interruption. Hence the athlete was so jealous of them, for he had been excluded. Because of his intervention, Yoon-Gu felt indebted towards doc Dan, therefore he was the only one who worried about his friend. 
(chapter 40) This panel stands for transparency, transmission and lucky charm. Without his intervention, Joo Jaekyung couldn’t have protected his talisman, Kim Dan. Interesting is that right after this question, Joo Jaekyung came to admit that the physical therapist was part of his team. 
(chapter 40) Once again, Potato helped the main lead to perceive the champion in a positive light. Soon after, he came to accept his feelings for the star. Under this new approach, it becomes comprehensible why after chapter 41, neither Kim Dan nor Joo Jaekyung talked to each other properly. 
(chapter 41) It is because the maknae was no longer focusing on the physical therapist. He was already under the influence of his lover, the gumiho. In addition, observe that Potato admired the owner of the gym in front of the presents, giving the impression that his affection was related to the presents, whereas it was about a charity project. From my point of view, Kim Dan was misled by this scene. 
(chapter 41)
From my perspective, it is no coincidence that after that chapter, the young semi-professional was no longer seen. His absence, especially during the birthday party,
(chapter 43) coincides with the silence between the two protagonists. There’s no doubt that the actor convinced him that he didn’t need to participate, for he predicted the rejection. In this image, we can see how Heesung’s influence is rubbing off on Potato. He is encouraged to no longer worship the celebrity. 
(chapter 47) The problem is that the actor has such a biased view about the champion, overlooking his own flaws. But let’s return our attention to the Sardonyx. Don’t forget that according to me, Kim Dan also stands for communication due to his gemstones. This explicates why the chow-chow and the hamster felt a certain closeness to each other. In my eyes, Potato’s power is to reveal Kim Dan’s true personality (communication, truth, tranquility). Doc Dan is brave, and he likes interacting with people. Thanks to the Sardonyx, he could discover the importance of dialogue. The chow-chow’s reappearance corresponds to the doctor’s change of attitude as well, though this time, the physical therapist had a different opinion: (chapter 47) Notice that he never agreed to this statement. The reason is simple. Kim Dan had already come to view the main lead as a great professional. 
(chapter 40) Under this new light, it becomes comprehensible why the hamster accepted the harsh criticism from his employer in the penthouse. 
(chapter 45)
Consequently, I see the presence of the chow-chow in chapter 47 as a good omen. How so? It is because 
(chapter 47) thanks to him, one fighter spoke up and revealed his knowledge about Baek Junmin and the underground fighting ring. 
(chapter 47) Hence I have the feeling that Potato could play once again a vital role in ruining the next scheme, for he stands for righteousness, truth, harmony and communication. Don’t forget that Choi Gilseok’s meeting with Kim Dan took place in front of Kwak Junbeom, and the latter is just an “unknown” member of Team Black. 
(chapter 48) He could observe that Kim Dan had been approached by the other director, and not the reverse. Finally, Potato had almost become the doctor’s confident (chapter 25 and chapter 37: 
.
As you could sense, I left out the most important scene: the discussion between Heesung and Potato. 
(chapter 35) His presence encouraged the comedian to question himself and his expectations. We could say that thanks to him, Heesung was incited to meditate and not to fall back into his old bad habits. Note that Heesung was actively listening to Potato’s words. 
(chapter 35) He was opening his mind and heart truly to the Sardonyx. This scene stands in opposition to the conversation at the VIP club, where both seme showed their selfishness, disdain and intolerance towards each other. 
(chapter 33) Solitude, Unhappiness, Judgement and arrogance versus modesty 
(chapter 35), happiness, selflessness, empathy and understanding. And now pay attention to the colors in this image: 
(chapter 35) The shades corresponds to the gemstones onyx (black/white jacket), sard and sardonyx (brown-dark orange), then we have the Peridot (the green bottles of soju) and finally blue (Sapphire)! Under this new approach, my avid readers can sense why these characters were fated to fall for each other during that night. This was the power of the magical hidden gemstones.
1. 2. Heesung’s solace
And now, it is time to focus on the Peridot. The latter, is known for its vibrant green hue reminiscent of lush meadows and summer foliage. Formed from olivine, a mineral found deep within the Earth’s mantle, peridot has long been cherished for its unique beauty and mystical properties.
Throughout the ages, peridot has been associated with various meanings and beliefs. In ancient Egypt, it was called the “gem of the sun” and was believed to protect its wearer from nightmares and evil spirits. Interesting is that the chow-chow had a nightmare after discovering the couple’s secret.
(chapter 25) It is because he was acting against his own nature: communication and transparency. That’s the reason why he didn’t shine the next morning. Another interpretation is that Kim Dan as Lapis Lazuli 
confronted him with the truth. He should admit to himself that he was sexually attracted to the celebrity.
Then the Romans revered peridot as a symbol of prosperity and good fortune, often adorning their jewelry with this radiant gemstone. This coincides with the intervention of the maknae, when the latter played a role in the destruction of the scheme in the States. 
(chapter 38) He was the one making the connection between the doctor’s sudden illness and the nutrition booster.
Peridot is also representing vitality, growth, and renewal. Its vibrant green color is said to evoke feelings of harmony, balance, and inner peace, making it a popular choice for those seeking to connect with nature and find solace in times of stress or uncertainty.
Beyond its aesthetic appeal, peridot is believed to possess healing properties, promoting physical and emotional well-being. It is thought to cleanse negative energy and promote positive vibrations, fostering a sense of clarity and rejuvenation.
The symbolism of peridot extends across cultures and civilizations. In the Maghreb, it represents fraternity, joy, and luck, often offered as an offering during ceremonies related to the invisible world. In Israel and Christianity, peridot is associated with the spirit of the Divine, glory, power, and authority. It is mentioned in the Bible as one of the twelve stones on Aaron’s breastplate and has been found in ornaments in churches, including Cologne Cathedral.
Alchemists ascribe virtues of refocusing, purification, and protection to peridot, while in Hawaii, it symbolizes the tears of the goddess Pelé. Olivine, from which peridot is derived, is associated with the nourishing and purifying properties of olive oil, adding to the gemstone’s allure and significance.
I am sure that after reading this short description, Jinx-addicts could recognize the direct reference to Peridot in the Manhwa. First, we see Heesung eating a green olive
(chapter 33), while stating that he is willing to steal someone, if it is necessary. Yes, we could see it as an allusion to the Peridot, for the gemstone has a nurturing property like the olive. So we could say that during the night under the tent (chapter 35), the artist snatched away the Peridot from Joo Jaekyung, while the members from Team Black saw him just as a Potato! Then note that the athlete offered his services to console the actor, 
(chapter 35) which made me think of this description “find solace in times of stress and uncertainty“. Potato stands for physical and emotional well-being which corresponds to the fighter’s self-confidence and optimism. 
(chapter 25) Interesting is that this gemstone is quite fragile and needs to be treated very carefully.
With a hardness of 6.5 to 7 on the Mohs scale of harness, peridot is softer than many gems and cannot take hard wear, so it is not recommended for daily use in a ring. This August birthstone can also be damaged by some acids and even by long-term exposure to acidic perspiration. Cleaning peridot is a delicate process. Never use a steam or ultrasonic cleaner, as your peridot birthstone is vulnerable to thermal shock. It is safest to use a s0ft-bristle brush with a mild dish soap in warm water. Peridot should be stored with care to avoid scratching by gems with greater hardness. Quoted fromhttps://www.gia.edu/birthstones/august-birthstones#birthstone_3
This would fit the character’s personality perfectly, as he oozes innocence and purity. Kim Dan desired to protect him, he shouldn’t discover the athlete’s sexual orientation. (chapter 24) Hence I see the green bottles of soju as an allusion to the gemstone. The latter pushed the young maknae to open up his heart and mind to Heesung, but contrary to his soulmate, he has no darkness in his heart. (chapter 35) He taught him that true love stands for selflessness and humbleness. Because he is also connected to truth like Kim Dan, I come to develop the following theory. Potato will work together with the physical therapist and Heesung in order to solve the mystery behind the champion’s jinx!! The artist possesses a part of the verity, for he is aware of the existence of the curse. 
(chapter 32)
1. 3. The “Great Impostor”
Red spinel has long been confused with Ruby, like for example the centerpiece of Britain’s Imperial Royal Crown. The so-called Black Prince’s Ruby is in fact a large Spinel. Hence this gemstone was called the Great Impostor. Striking is that Red Spinel embodies qualities of hope, resilience, and healing. Believed to aid in the recovery from trauma and illness, spinel serves as a potent symbol of renewal and rejuvenation.
This beautiful stone is known to stimulate all chakras and all meridians in the body. Spinel is said to help in recovery from trauma and illness. It is a re-energizing stone that gives one new hope and inspiration and victory. In The Book of Stones, Robert Simmons says it helps with “thinking outside the box”. One can see how this could inspire us to eliminate negative thinking and get creatively inspired to succeed in whatever endeavor or project they are working on. Spinel is also known to rejuvenate, refresh, reduce fatigue and stress, and detoxify. It is especially good for Type A personalities and workaholics by serving as a balm to calm their energies and central nervous systems. By the same token, these same qualities are excellent to assist those with PTSD, anxiety, depression and stress. Quoted from https://ntrocks.com/blog/august-birthstone-spinel-stone-of-immortality
As a re-energizing stone, spinel infuses its wearer with a sense of new hope and inspiration, empowering them to overcome adversity and emerge victorious. Thus Spinel is called “stone of immortality”. And now take a closer look at this scene: 
(chapter 26) The red protection gear incited the athlete to see this sparring as a game, it helped him to rejuvenate and rediscover fun. Thus he was smiling. 
(chapter 26) But it had the same effect on Kim Dan. The latter was forced to overcome his trauma, the physical abuse from that terrible night with the loan shark. 
(chapter 26) And don’t forget that this challenge was triggered by Potato’s intervention and mistake: 
(chapter 25)
With its vibrant red hue, red spinel radiates warmth and vitality, awakening the spirit and invigorating the soul. It is thought to stimulate the flow of energy throughout the body, revitalizing the mind, body, and spirit. In times of challenge or struggle, red spinel offers a beacon of hope, reminding its wearer of their inner strength and resilience.
Diamonds are the gemstone most people associate first with love, but perhaps red spinel should be. Spinel gems are said to help set aside egos and become devoted to another person. Like most fiery red stones, spinel is believed to encourage great passion, devotion and longevity. Spinel is associated with the root Chakra, making it effective in increasing physical energy and stamina. It seems spinel also has an effect on mental stamina as it is said to reduce forgetfulness and boost intellectual power. Quoted from https://www.firemountaingems.com/resources/encyclobeadia/gem-notes/gmstnprprtsspnl#:~:text=Spinel%20Metaphysical%20Properties&text=Spinel%20gems%20are%20said%20to,increasing%20physical%20energy%20and%20stamina.
This fits the portrait of Potato whom I associated with the goddess Venus. He symbolizes love and devotion. 
(chapter 34) Red spinel’s association with the month of August further enhances its significance as a symbol of rebirth and renewal. As the summer months wane and the promise of autumn beckons, red spinel serves as a reminder of the cyclical nature of life and the inherent potential for growth and transformation.
Whether worn as a precious adornment or kept as a talisman of hope, red spinel embodies the power of perseverance and the promise of new beginnings. This explicates why Heesung could invite Potato to his home. 
(chapter 35) He could smile again and move on from his past failure. It encourages its wearer to embrace life’s challenges with courage and determination, knowing that they possess the inner strength to overcome any obstacle and emerge victorious in the end. My avid readers can grasp why red spinel shares some similarities with Sardonyx: courage and strength.
What caught my attention is that the champion’s memory from the Summer Night’s dream was tainted with similar shades: 
(chapter 45) This is a sign that the champion had liked that night, but exactly like doc Dan in the past, he chose to lie to himself out of fear. How is this related to Potato? Don’t forget that he was not present at the birthday party, but more importantly he was no longer acting as a supportive friend and confident. Because Yoon-Gu’s philosophy is not to intervene and to admire from afar, he is not realizing that he is actually abandoning Kim Dan and even Joo Jaekyung. (chapter 35) As a rather selfish person, Heesung would see no problem in such a passive attitude. It is because Potato is bringing him happiness. But what about the doctor’s suffering? No one is suspecting about the physical therapist’s suffering: the rejection from Joo Jaekyung and the imminent death of his grandma. In verity, this passivity helps him to lie low and keep his relationship with Potato a secret.
This image. (chapter 45) reminded me of Potato’s nightmare. 
(chapter 25) The latter had been repressing his homosexuality. I see some parallels between the two characters. Joo Jaekyung ‘s sexual orientation was strongly connected to his career. He could have sex with men, as it was his way to chase away bad luck. Thus I come to the following conclusion: the relationship between doc Dan and Joo Jaekyung can only improve, when Potato interacts with them. It will push him to accept his feelings for doc Dan. While the champion was jealous of him in the past 
(chapter 26), I feel like the chow-chow could become a great source of comfort for Kim Dan and also for the boss of Team Black, just like he did it with Heesung. How so? It is because he stands for courage and strength. Moreover, the moment the owner of Black Team knows about the relationship between Heesung and Potato, he won’t longer feel threatened by them. He needs to discover the existence of friendship. Besides, since Kim Dan sees the maknae as a puppy dog, (chapter 29) and the star knows this, he could ask the youngest member to guard his physical therapist, similar to this scene: 
(chapter 31) He needs to ensure that the physical therapist is not snatched away by Mr. Choi Gilseok. At the same time, I feel like Kim Dan has a good influence on the chow-chow, for thanks to doc Dan, Potato could receive more recognition from his idol. The star entrusted his Black card to Potato, when he gave him his first task
(chapter 24). Then he accepted the request from Doc Dan and announced to Potato that they would be sparring together from now on. 
(chapter 26). Finally, he was able to go to the States. 
(chapter 36) It was, as if the doctor’s presence had activated Yoon-Gu’s qualities from the Sardonyx and Red Spinel: lucky charm and communication. Note that in the States, Potato and Oh Daehyun made sure to deliver the incident with the drugged beverage to the coach and manager. 
(chapter 40) And now it’s time to examine Heesung’s gemstones: Diamond and Sapphire.
2. Saturn and Heesung
2. 1. The cursed diamond
Diamonds, revered for their exquisite beauty and enduring allure, stand as the epitome of elegance and sophistication in the realm of gemstones. Thus they are called King gems. Composed of pure carbon atoms arranged in a crystalline structure, diamonds are renowned for their exceptional hardness, making them the hardest naturally occurring substance on Earth. Therefore I consider them as a symbol for strength and resilience. Due to these qualities, diamonds also hold practical significance in various industrial applications, prized for their exceptional hardness and thermal conductivity. From cutting tools and abrasives to high-tech electronics and medical equipment, diamonds play a vital role in a diverse range of industries, showcasing their versatility and enduring value. This description made me think of the actor’s gifts 
(chapter 31), then the hospital and halmoni: 
(chapter 30) Because Choi Gilseok is connected to F Pharmaceuticals
(chapter 48), I have the feeling that the actor could also be linked to that company or another huge company.
Beyond their remarkable physical properties, diamonds hold profound symbolic significance, often associated with love, purity, and eternal commitment. As timeless symbols of romance and devotion, diamonds have long been cherished as tokens of affection and expressions of enduring love. Their dazzling brilliance and clarity mirror the radiant beauty of true love, capturing the essence of cherished relationships and unforgettable moments. This explicates why Heesung is advocating the notion of soulmate. The latter stands for eternity like diamond. 
(chapter 33) In this scene, we could see a glimpse of his diamond nature. I don’t think, it was random that in that evening, he drank a martini, as the form of a martini glass is similar to a diamond’s. 
(chapter 33)
Throughout history, diamonds have been celebrated for their rarity and unmatched brilliance, adorning crowns, jewelry, and ceremonial regalia of royalty and nobility. In ancient civilizations, diamonds were revered not only for their aesthetic beauty but also for their purported mystical and healing properties. Believed to possess the power to ward off negative energy and enhance spiritual well-being, diamonds were often worn as protective talismans and amulets.
A symbol of purity, the Diamond’s pure white light helps to bring our lives into a cohesive whole. It brings love and clarity into partnerships, bonding relationships. Diamond is a sign of commitment and fidelity, and instills trust to relationships and situations. It inspires the forces of accumulation, attracting the manifestation of abundance. Diamond is an energy amplifier. It is a stone that never requires recharging. It will bring strength and endurance to all energies and will enhance the power of other crystals. However, beware, as this means it will increase negative energy as well as positive! Excellent for blocking electromagnetic stress and for protection against cell phone emanations. Diamond imparts fearlessness, invincibility and fortitude. It clears emotional and mental pain, reducing fear and bringing about new beginnings. Stimulates creativity, inventiveness, imagination and ingenuity. It brings clarity of mind and aids enlightenment. Diamond allows the soul light to shine out. It aids spiritual evolution and reminds you of your soul’s aspirations. Quoted from https://www.charmsoflight.com/diamond-healing-properties#:~:text=Diamond
According to this quote and other sources, diamond can increase negative features. Under this new light, it becomes comprehensible why the MMA fighter became so deceptive, possessive, selfish 
(chapter 33), aggressive 
(chapter 34) and even menacing, when it came to the actor. 
(chapter 34) Deep down, the champion could sense the negative effect the King gem had on him. No wonder why he desired to keep his distance from the actor. 
(chapter 30) At the same time, we shouldn’t forget that the pearl is described as the Queen gem next to King gem. So these titles imply a certain rivalry.
Additionally, we would have an explanation why the actor was cursed in his love life. 
(chapter 31) No one had been able to perceive his true nature. By meeting the doctor, the actor came to meet the most selfless and gentle creature. 
(chapter 30) the latter treated him like a human. He could sense that his offer was not motivated by greed or admiration, for he didn’t know him that well. He was just an uncut diamond. And how is the god Saturn alias Kin Dan connected to the diamond Heesung?
It’s because on Saturn, it literally rains diamonds. Yet, contrary to the Earth, diamonds on Saturn are liquified due to the pressure and heat from the planet. In other words, Saturn’s weather creates these precious stones. This discovery made me realize the role of Kim Dan in Heesung’s life. He is the one helping the actor to become a true diamond! The darkness sensed from Potato comes definitely from his environment. I would even add, doc Dan brings light and life enrichment into his life. (Chapter 30) This panel reminded me of a rain of diamonds. Their encounter was magical making him realize how different Kim Dan is from anyone he had ever met. Furthermore, the physical therapist made him feel different, as he pushed him to discover his true nature. Hence I believe that we should see this courting from Heesung in a different light as well. 
(chapter 31) Though he was not entirely honest to Kim Dan and to himself, his generosity towards the physical therapist was still genuine. In other words, the doctor is responsible for the actor’s change. What caught my attention is that the last gift at the gym were flowers, a sign that he was trying to convey his feelings differently. He was definitely more humble. Under this new aspect, it becomes comprehensible why the actor decided to hide his presence in the penthouse and still to confess his love in the café later. He could perceive the doctor’s innocence. He never saw him as a prostitute. His attachment to Kim Dan was stronger to the point that he chose to help the physical therapist in the end. 
(chapter 35) However, the rejection from Kim Dan had a negative effect, in the sense that the comedian decided not to help any longer. 
(chapter 35) His selfishness came back to the surface. As you can see, for me, Saturn lets Heesung’s diamond heart shine. Through him, he could experience what true care and dedication is. Furthermore, he was encouraged to become more proactive. Thus he ended up challenging the athlete directly. 
(chapter 34) I had portrayed the actor as immature, deceptive and selfish in the past. This explains why after their separation, the comedian reverted to his old habits by badmouthing the champion. He chose to hide his relationship from others. His attempt was to obtain the Chow chow’s affection. But I doubt that the artist came to forget the angel. In fact, I believe that he must have felt gratitude towards doc Dan, because thanks to him, he could meet his soulmate and find a certain happiness! Yes… the famous bumping and the confession under the tent. That’s the reason why I think, Heesung will come to help the doctor, when the latter is facing adversities. He needs to confirm his earlier statement: 
(chapter 31) Since Potato and Heesung view both doc Dan as an angel, their mission should be to protect their lucky charm. And that’s how next to his soulmate, he will be able to shine as a hero… He would no longer use dirty tricks to achieve his goal. I would say, he would become responsible for Potato and Kim Dan in the end. And this brings me to the second April birthstone: Sapphire.
2. 2. Sapphire and karma
Sapphire, with its rich history and profound symbolism, holds a revered place among gemstones, revered for its celestial beauty and spiritual significance. Throughout the ages, sapphire has been associated with divine qualities and revered as a symbol of heavenly blessings.
In Hindu mythology, the sapphire holds particular significance as it is believed to adorn the head of Shani Dev, the deity associated with the planet Saturn.
As a protector and guardian, Shani Dev is often depicted wearing a sapphire on his head, symbolizing wisdom, truth, and spiritual enlightenment. The sapphire’s association with Shani Dev underscores its role as a guiding light in the journey towards self-discovery and inner peace. I have to admit that I was not familiar with this religion and its legends, @rantofalifetime was the one mentioning it to me.
Born from the union of Lord Surya, the radiant Sun god, and his first wife, Sandhya, Shani Dev’s origins are shrouded in mystery and intrigue. Some versions of the myth suggest that Shani Dev is the son of Lord Surya and Sandhya, while others propose that he is the offspring of Chhaya, Lord Surya’s second wife.
The decision for Lord Surya to take a second wife, Chhaya, arose from Sandhya’s inability to endure his intense radiance. Fearing for her well-being and seeking solace in her own spiritual journey, Sandhya created a shadow of herself, Chhaya, to stand in her place as Lord Surya’s companion. Thus, Chhaya became the mother of Shani Dev, embodying the essence of shadows and secrets amidst the celestial splendor.
Shani Dev’s upbringing under the care of Chhaya was marked by neglect and mistreatment from Lord Surya and his stepfamily. Despite the challenges, Chhaya’s unwavering love and guidance nurtured Shani Dev’s character and resilience, shaping him into the enigmatic deity associated with the planet Saturn.
The relationship between Shani Dev and his father, Lord Surya, was fraught with skepticism and suspicion. Lord Surya’s doubts about Shani Dev’s paternity cast a shadow of uncertainty over their bond, triggering significant events in Hindu mythology. Shani Dev’s piercing gaze, symbolic of his karmic nature and impartial judgment, caused Lord Surya to turn black and lose his radiance, reflecting the intricate interplay of fate and familial dynamics.
Amidst the celestial upheaval, the presence of Sapphire, a celestial embodiment of karmic destiny and cosmic justice, looms large. Sapphire, synonymous with Saturn, embodies the relentless pursuit of truth and the inevitability of consequences. Shani Dev’s association with Sapphire underscores his role as the arbiter of karma, delivering both rewards for virtuous deeds and dispensing justice for transgressions. In other words, Shani Dev should be perceived as “lord of Karma”. And this description reminded me of Kim Dan, who made Choi Gilseok and Heo Manwook lose their money with their dirty and cheap trick. 
(chapter 46) It was their karma. But it is the same for the famous MMA fighter. The latter threatened the doctor that he could fire him
, (chapter 45) and shortly after the physical therapist was offered a new job opportunity. 
(chapter 48) Thus I deduce that the moment Kim Dan gets the support and protection from Heesung, the former could indeed become the infamous “lord of karma”. So far, Kim Dan has not been even thinking that he could press charges against Kim Miseon. 
(chapter 48) The reason is that he views himself as powerless. But like I had already announced, Heesung is a trickster himself, therefore he can perceive the deceptive nature of humans. This corrupt doctor could get into trouble because of the actor.
Under this new light, it makes sense why the halmoni suffered, when she was separated from her grandson. She might have struggled financially, but she was happy, when they were together. Her grandson represented her source of happiness. 
(chapter 48) Kim Dan as Shani Dev was pushing away evil spirits, but at his own expense. Moreover, this signify that the alliance between Heesung and Kim Dan will bring bad luck to the schemers… as Heesung is the sapphire giving power to Kim Dan. Furthermore, the myth of Shani Dev made me realize why there is no “family” and love in the penthouse. Kim Dan needs to receive the support from Potato and Heesung, because their assistance would boost his self-confidence. Since the maknae represents courage and strength, I believe that his influence will rub off on the comedian too. But because Shani Dev symbolizes karmic justice, people came to view him as a god of misfortune.
According to Hindu astrology, an individual is most in danger of bad luck when Saturn is in his or her house, and in the signs before and afterward. So once every 27 to 29 years, a believer can expect a period of bad luck lasting 7.5 years (3 times 2.5 years). Shani Mantra The Shani Mantra is used by Hindu traditional practitioners during the 7.5-year Saade Sati period, to escape the adverse effects of having Saturn in (or near) one’s astrological house. There are several Shani Mantras, but the classic one consists of chanting five epithets of Shani Bhagwan and then bowing to him. Quoted from https://www.theindianpanorama.news/hinduism/shani-dev-the-harbinger-of-bad-luck-and-retribution/
This is no coincidence that the champion became a victim of a scheme shortly after the actor’s visit. Interesting is that his visit was connected to blue too. (chapter 34) The actor’s presence turned Kim Dan into a lord of karma. I could also use this scene as illustration as well. 
(chapter 31) It was not his right to intervene in the doctor’s business. The protagonist is actually a free-lancer. Hence he should be the one to select his clients. This shows that as long as the athlete doesn’t consider the comedian as a friend and supporter, he will never achieve his goal. He needs to value human relationships and see people as precious gems and not everyone as a rival and source of danger. On the other hand, I would like my avid readers to keep in mind that Joo JAekyung still remained silent, when he discovered that the comedian had tricked him. 
(chapter 33) Why? We have different possible interpretations. It was either to avoid a scandal, or out of a certain loyalty or maybe he didn’t want to bring trouble to the manager. The latter would have been suspected. Anyway, Joo Jaekyung stands for loyalty. So he embodies similar notions than the diamond: commitment and everlasting relationship (his hyungs).
But let’s return our attention to Sapphire and its other virtues. Beyond its mythological associations, sapphire has long been cherished for its symbolic attributes and healing properties. Revered as a guardian of innocence and a promoter of good health, sapphire is believed to bring gifts of fulfillment, joy, and prosperity to those who wear it. Here, we have an explanation why he was so moved by Potato’s speech: purity and innocence. 
(chapter 35) In ancient times, travelers would often wear sapphire as a talisman for protection against illness and misfortune, seeking its benevolent energies to guide them on their journeys. The problem is that he was not present in the States, hence there is no ambiguity that if he came to hear about this incident, he would resent the athlete. 
(chapter 37) On the other hand, this description about Sapphire displays another similarity between the second leads. Both Heesung and Potato are associated with lucky charms and protection.
As a preserver of chastity and a symbol of inner peace, sapphire holds a special place in the hearts of those who seek clarity and spiritual enlightenment which reminded me of Kim Dan’s second gemstone: This would explain why Heesung felt some affinities towards doc Dan. Its serene blue hues evoke feelings of tranquility and serenity, serving as a reminder of the boundless beauty of the heavens above. Yes, through Heesung and Kim Dan, the champion is forced to face his own fears and anxieties, he is pushed to meditate and develop new strategies. 
(chapter 48) That’s the reason why I am more than ever convinced that the cheap trick played by Choi Gilseok will backfire on them. How so? The champion is not paying attention to Kim Dan, but to the other director. Moreover, keep in mind that Saturn, Shani Dev, is the lord of karma. Finally, we have a blue night… similar to the color of Sapphire
Under this new light, it becomes comprehensible why Heesung and Potato could share their thoughts and emotions next to the blue table. The latter was encouraging them to clear their mind and heart and to move on. 8chapter 35) Furthermore, the table is the symbol of the quote “sharing is caring”!
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Yes, when people read juicy deeds, they were already imagining that I would describe a love session like this one 
(chapter 96), because of the expression „to do the deed“: 
(chapter 87) However, the deed is not just related to intercourse, like the manhwaphiles could discover it in chapter 51. 
With „deed“, Deok-Jae was referring to murder and assassination. As you can see, deed has other meanings than sex. Thus it has for synonyms action, accomplishment and reality!! So when I selected this name for the essay, I was thinking of the relationship between action and word. And this connection came to my mind, when Byeonduck released the last picture, because the painter’s action symbolizes a conversation and as such words.
(Chapter 88) By reaching his hand, the painter was letting him know that he was no longer alone in this world. He was not only joining his side, but he was willing to try to understand the main lead. 
(Chapter 88) This gesture stands in opposition to the situation with Yoon Chang-Hyeon.
(Chapter 86) During that fateful night, the father neither talked to his son nor looked at him. He even turned his back to him, when the young master attempted to grab his father‘s hanbok. Both scenes from chapter 88 and 86 have two common denominators: an action accompanied with silence!! Yet, what distinguishes them from each other is the nature of the deed, the action. Alliance and empathy versus abandonment and estrangement! This is no coincidence that after reaching his hand, Baek Na-Kyum started confessing his thoughts and emotions to his lover: 
(Chapter 88) As you can sense, the hand gesture delivered a message, but the painter still felt the need to clarify the meaning of his hand. He was willing to remain by his side, but he was still afraid of him. He didn’t want to create a misunderstanding, like for example that he wouldn’t argue with him or that his loyalty was now unconditional or total. That way, Yoon Seungho wouldn’t come to view him as a hypocrite or as dishonest, if an argument would appear. Thus he needed words to explain his position. He would remain by his side and attempt to sympathize with him, but he still felt insecure and had doubts. In other words, his action (his hand gesture) was not truly reflecting his mind and heart. 
(Chapter 88) Later he even asked his lover not to leave his side no matter what. 
(Chapter 88) To conclude, the hand gesture in episode 88 was connected to insecurities and as such fear, yet the painter had shown no hesitation to take his hand. The anxiety was not visible.
(Chapter 30) His fingers barely grabbed his hand, so when he made the following vow, he was not entirely sincere or better said, truly determined to keep his promise. 
(Chapter 30) The words were not truly in unison with the gesture either. Therefore he once tried to leave the mansion in season 2. When he pledged loyalty, his intention was to protect his teacher. To conclude, fear has always been present, when the painter took Yoon Seungho’s hand. Even in chapter 88, but contrary to the scene in the courtyard, his hand was not shaking. 
(Chapter 82) This explicates why the artist chose to remain by his side, though the lord had broken his promise. 
(Chapter 82) On the other hand, in this scene 
(chapter 82), the lord was grabbing his lover’s hand out of fear. He was recognizing his mistake and was trying to beg for his forgiveness, though he couldn’t express it directly. Striking is that during the lord’s flashback, his hand was trembling as well, grabbing onto his partner’s body. 
(Chapter 81) It was, as if Baek Na-Kyum was his rescue buoy, helping him not to be swallowed by the darkness. Thus I came to the conclusion that the protagonists’ hand gestures are all connected to anxiety and pain. 😲 Hence I am deducing that in this scene, Baek Na-Kyum is holding his lover’s hand, 
(Chapter 102). This would have definitely scared Baek Na-Kyum, especially Yoon Seungho’s haunted gaze. On the other hand, since the painter had been himself the victim of physical and sexual abuse, the artist can only grasp why the noble reacted that way: fear, anger, despair and heartache. The artist had also been desperate, in pain and scared in the shrine, though this time, he had not screamed for his help. Since the lord had not returned to the mansion, how could he expect him to come to his rescue? 
(Chapter 98) Back then, he had been waiting for his lover‘s return and explanations. He wanted to hear him and get his reassurance and comfort. .
(Chapter 98) The latter couldn’t reassure the painter with his hand contrary to the previous night. 
(chapter 97) Exactly like mentioned above, the painter’s hand gesture is connected to fear and conversation. 
(chapter 97) Striking is that in the gibang, the lord confessed his biggest fear to his future “spouse”. He feared to lose him, though one of his biggest desires had been finally fulfilled. This means that Yoon Seungho felt even more insecure and frightened than before after receiving the artist’s love confession. That’s the reason why I believe that the new picture is standing in opposition to the scene in the gibang. The lord will feel relief after his admission. As a conclusion, the image is announcing 
(Chapter 89) While the painter was sitting on his partner’s lap
(chapter 89), he was massaging the wounded fingers. It was, as if he was treating his companion’s wound. Note that after his terrible flashback, the painter had avoided to grab his hand out of fear that he might hurt Yoon Seungho even more. 
(Chapter 84) Therefore I conclude that the new panel is an allusion to treatment. While in episode 89, the painter was acting as a doctor, in the new image, the young man is working more like a counselor or psychologist. The aristocrat’s hand might not be wounded in that scene, but this is not the case for his heart and mind. So for me, this scene is connected to mental treatment. 
(Chapter 84) However, the lord had refused to open up. This is no coincidence that the author had not created such a picture during that chapter. As the manhwalovers can detect, I believe that in that scene, 
(chapter 88), and this, although the lord is indeed a murderer. For Baek Na-Kyum, his gesture will have a different meaning: he saved his life and freed him from his torment. Secondly, if the lord reveals the circumstances of his mother’s death, the artist will definitely deny his responsibility in her death, a new version of this scene. 
(chapter 75) And because I detected a discrepancy between words and gestures, I recognized the presence of another trick from Byeonduck.✨
(chapter 91), the latter denied this with the following statement. 
(chapter 91) But when did the painter admit that he liked embracing him? In this panel! 
(chapter 88) That’s the reason why the lord got surprised and moved. As you can see, the author never revealed this whispering to the manhwalovers! The latter had the impression that the lord’s reaction was related to the loving embrace, but it was only partially correct. 
(chapter 62), when the lord had confessed to adore him. 
(chapter 62) This explicates why Yoon Seungho was so pained in season 2. He got embraced, but there were no words. Consequently, when the painter vanished during that night, the lord could only perceive the embrace as hypocrisy and fakeness. That’s how I realized that the story is developed on the contradiction between words and actions. But not only that, there exists a strong link between silence and passivity. Thus after the abduction in season 2, Baek Na-Kyum remained more or less silent
(chapter 62), and as such he was totally passive. He never stood up and begged the lord for his leniency. He stayed there on the bed giving the impression that he was indifferent. That’s the reason why Yoon Seungho got more enraged, for he felt fooled. This means that the absence of words represent inaction… This explains why Yoon Seungho had to corner the main lead in chapter 48 
(chapter 48) to say something, as he had sensed his passivity behind his „submissive attitude“. This is no coincidence that during this night, the painter felt extreme pleasure to the point that he peed. Therefore he could voice his wish to Yoon Seungho during the love session from season 2. 
(chapter 73) That’s how the lord concluded that the painter liked riding him, while in reality such a climax had appeared for the first time, when both were facing each other! 
(chapter 49) 
(chapter 4) than season 2. He was encouraged by his future partner to speak up, yet the moment he got heartbroken, he was left speechless. And note that when the lord played his prank in the bedchamber, he never said anything to his father. 
(chapter 83) He didn’t move as well. Why? It is because he knew that talking to his father was pointless. However, Yoon Seungho had hoped that with his prank his father would finally see the truth. He had been fooled by Lee Jihwa and father Lee!! But the stupid father never realized it. As you can see, the lord had in that scene long given up to use words, he hoped that his father would see the truth with the prank. Don’t forget that deed stands for truth and reality. He thought that “actions would speak louder than words”, but he was proven wrong. This signifies that in this scene, 
(chapter 86) Yoon Seungho had acted the opposite, he had tried to speak up, but he had been muted. I am also thinking that the young master must have attempted to converse to his father 
(chapter 77) here as well, but the lord had not listened to him. Why? It is because Kim had said nothing!! 
(chapter 77) Silence was considered as an admission. This is no hazard that the butler didn’t take care of his young master. This scene symbolizes the quote “Actions speak louder than words” 
(chapter 77) The butler had betrayed the young master’s trust, for he had not intervened. He should have defended Yoon Seungho, but no in fact he had sided with the elder master Yoon once again. Not only he had not reminded Yoon Chang-Hyeon of his promise, but also he had assisted the ruthless father by giving himself the straw mat beating! 
(chapter 98) Here, he examined the robe and questioned the officer. The problem is that he was still relying on his staff and as such Kim. Therefore it is not surprising that he could still be manipulated by the schemers. Hence I am anticipating a total change in season 4. By conversing with the painter, the lord can only become more proactive to the point that he will be able to ruin the next schemes. I am even expecting a prank from the protagonists in season 4!! But this doesn’t end here. I am deducing that in the past, Yoon Seungho suffered because one tormentor would do things and say nothing, while the other would talk a lot, but act the opposite!! For me, these descriptions fit to Kim and the pedophile. I have the impression as well, that both characters came to switch their behavior. In one circle, Kim did many things, but remained mute, but later he did the exact opposite. I would like to point out that in season 3, he acted this way. He would promise loyalty to the lord, 
(chapter 77), but backstabbed him in the shadow. Besides, we shouldn’t forget that a narcissist’s words don’t match their action, because they are pathological liars. And so far, I had portrayed father Yoon (overt), Kim (covert) and even Jung In-Hun (overt) as people suffering from NPD. And I am assuming that the mysterious lord Song is not different from them, though I am suspecting that he must be a covert type. 
(chapter 77) Besides, it also snowed, when the painter got abducted twice, a sign that actually a promise had been broken. 
(chapter 102) He is no longer following social norms. This could only happen, because the lord had just committed a huge crime. What is the point to respect laws and tradition, when he became a murderer? Any other transgression can only appear as harmless. That’s the reason why I am expecting that Yoon Seungho decides to disregard social norms from that moment on and play a prank on the “villains” of this story. 
(chapter 76) 
(chapter 53) 
(chapter 87), while the same extremity symbolizes the opposite with the villains and antagonists: violence, silence, submission 
(chapter 83), hatred and resent 
(chapter 97) Here, Heena was hurting her brother, because she wanted him to face “reality”. What caught my attention is that we never saw the father’s hand in chapter 86! 
(chapter 86) Why? It is because it reveals his powerlessness. And this leads me to the following conclusion: the deed stands for reality and honesty, while the words symbolize emptiness, illusion and deception. And now, you comprehend why this work is composed by the dichotomies: dream, words and mouth versus reality., action and the hand. This means that in season 4, the manhwaphiles should try to analyze the thoughts and emotions of the characters behind the hand gestures. At the same time, they can also verify if my interpretation is correct. Is the zoom of the protagonists’ hand connected to fear, confession, empathy and assistance? 
(Chapter 73) 
(chapter 73) This is important, because the manhwalovers can sense a connection between sex and hunt. This means that the love session in the bedchamber from season 2 should be perceived as a new version of a hunt. And this link between sex and hunting was also present, when Yoon Seungho and Min were in the woods in chapter 41: 
(chapter 41) In this scene, it looked like Black Heart was trying to make a move on Yoon Seungho, while in truth Min was more obsessed with the painter. 
(Chapter 41) The expression „spot“ belongs also to the semantic field of chase.
(Chapter 11) A murder disguised as an accident, the scholar would have been eaten by a tiger. What caught my attention is that No-Name requested from Deok-Jae that he should make the painter leave the mansion. 
(Chapter 99) First, he was rushing, but the moment he received the crucial tip from his childhood friend, he approached the den silently, just like a tiger. That‘s the reason why neither Black Heart nor lord Jang nor lord Park detected his presence. 
(Chapter 101) 
(chapter 99) and Lee Jihwa
(chapter 100), hence he had not the time to question the veracity of their claims or sense their manipulations. On the other hand, he could detect the difference between the blood in front of the scholar’s house and inside the building. 
(Chapter 100). He was following his instincts. Tigers cautiously stalk their target from the rear in attempt to get as close as possible to their unsuspecting prey. 
(chapter 102)
(chapter 48) or the chin 
(chapter 83) 
(chapter 102) Even in this panel, the sword resembles a lot to the tiger‘s fang: 
(chapter 102) Another important element is that this predator usually targets large-bodied preys like boar, deer, humans and not rabbit or pheasant. Under this new light, it becomes comprehensible why the main lead went after a boar or the aristocrats in season 3. 
(chapter 22) 
(chapter 111) than the killer in the woods 
(chapter 103), it looks like the learned sir chose to drop his own principle. And if this theory is true, then I come to the conclusion that the learned sir chose to copy the protagonist thinking that he could get away with it. 
(chapter 60) The latter belonged to the lowest ranks of Joseon’s society, because killing an animal was a disgraceful job. On the other hand, the butcher No-Name and the tiger Yoon Seungho have something in common: killing is viewed as a necessity. It is either to survive or to end the animal’s suffering or to punish the criminals. 
(Chapter 22). And when Black Heart suggested the artist’s assassination, he always kept laughing, making it sound like a game without any terrible consequence.
(Chapter 43) Lee Jihwa would remove a witch, and not a human. 
(chapter 43) Only Nameless painted it in all its cruelty and brutality. Not only the person would lose his life, but he would lose his identity. 
(Chapter 60) By removing his eyes and tongue, the victim’s face would change making him impossible to be recognized. And note that his scarf and headgear had been removed as well. It was not a game, but a deadly matter. Why would he do such a thing? The reason is simple. If no one could identify the victim, there would be no investigation. Astonishing is that hunt is a synonym for investigation and prosecution. Hence I am deducing that in season 4, the investigation should be perceived a new version of the hunt, a new version of this scene. 
(chapter 37) Because of Jung In-Hun and Min, someone will be put on the wanted list. On the other side, Mumyeong’s other job is to entertain people. To conclude, there is a strong connection between killing and entertaining which the main lead destroyed during that night. He reminded the nobles that hunting means taking away a life. 
(chapter 83) Thus I am deducing that this chase had been suggested to the main lead in order to release his tension and as such in order to divert his attention from the painter. Naturally, Kim was behind this idea faking his concern for his master. The hunt was supposed to procure pleasure to Yoon Seungho, but it couldn’t, because he was afraid of losing the painter. This explains why he selected the boar as his prey. He was fearless in front of that dangerous animal, for it meant nothing to him. He didn’t mind losing his life… revealing his suicidal disposition which resurfaced later, when the father mentioned the authorities. 
(chapter 86) 
(chapter 86) But the moment the servant reminded him to pay more attention to himself
(chapter 83), he abandoned the boar immediately. This shows that all this time, Baek Na-Kyum had been on his mind. Therefore it is no coincidence that he rushed home on his horse and looked for Baek Na-Kyum. 
(Chapter 83) He couldn’t forget that he had scared and wounded the painter in his dissociative state. This shows that the chase had not served its true purpose: entertainment. In reality, the domestics had been the ones suffering the most, for them it was definitely more work 
(Chapter 84) compared to the past. 
(chapter 23)
(chapter 41) First, I had feared that he might lose his life, then later I had realized that this death was purely symbolic. He would lose his title and family, therefore he would become a commoner. But I had also expressed my doubts that this scene could be a reference to Black Heart, as from chapter 52 on, I had sensed that he would die. Moreover, observe that during that hunt, Min had wounded the animal himself. This mirrors his own death. He became a victim of his own trick. But if the pheasant is representing two characters, The Joker and Lee Jihwa, then this means that the deer in chapter 22 
(chapter 22) embodies not only the painter, but also someone else. While in the past, I used to believe that it was Kim, now I come to the deduction that it was Jung In-Hun. Note that in this scene, the main lead left the prey and the scholar behind. Both got defeated. This means that by targeting Yoon Seungho, the scholar is not realizing that he is actually endangering his own life. Besides, by hunting the deer, the learned sir offered this prey to the tiger Yoon Seungho, and this was the painter’s case. Furthermore, the deer was carried back home on a horse
(chapter 24) reflecting the painter’s fate. 
(chapter 25) Who brought the horse to the pavilion? Kim and Deok-Jae! And when the learned sir departed from the mansion, he was followed by the vicious servant and the horse. 
(chapter 44) As you can see, Jung In-Hun is connected to the horse. This observation was even confirmed in season 4. 
(Chapter 111) Thanks to episode 111, I detected another progression. First, Jung In-Hun was walking behind the horse 
(chapter 24) Thus he could take the artist away unnoticed. Then in episode 44, the learned sir is shown standing in front of the horse. Finally, the manhwaphiles can see the man riding. This reflects his social ascension. 
(Chapter 111) Like mentioned above, the shoes could be perceived as the evidence for Jung In-Hun’s crime. 
(chapter 83) The boar symbolizes not only the nobles like Jihwa, Min, Jang or Park, but also the elders Kim, Lee, Yoon Chang-Hyeon, and as such the king. And if you consider the boar as the personification of the pedophile, the ruler, this means that the moment Yoon Seungho hunted down the nobles, he defeated the ruler in a figurative way. I would even say that the nobles like Min or lord Haseon are pushing the main lead to “hunt” the monarch, for the shadows are standing behind the main lead. Due to their tricks, the “schemers” are realizing that they are contributing to give justice to the protagonists. Thus I was wondering if in the end, the main lead would hunt down a human in season 4, Kim or the king. Don’t forget the main lead’s words to the painter: 
(Chapter 103) However, since the manhunt appeared in the first episode from season 4, I deduce that we will have many manhunts in the final season, like here 
(Chapter 106) 
(chapter 106) 
(chapter 37) 
(chapter 100), the place could be interpreted differently. The inhabitant had been attacked by a tiger during the night. 
(chapter 45) the cobweb behind Deok-Jae. Imagine that this scene took place in the middle of winter, thus the spider’s web got covered by frost. However, this indicates that this room had been abandoned for quite some time. But it is close to the gate. So it should have been the place where the doorkeeper is living. Secondly, I had demonstrated that the shrine had been neglected, for the altar had been removed. 
(chapter 18) Because of the presence of the cobweb, I started wondering why the author drew it behind Deok-Jae. In my eyes, it is because he was part of the spider’s web. 
(chapter 18) That’s the reason why Yoon Seungho was not dressed properly. 
(chapter 83) If he lived in a shed and had such a simple attire, no one would ever think that he was a noble in the first place. I believe that neither the patriarch nor the ruler had an interest to reveal his true identity. However, the protagonist had to be monitored, for he could try to escape at any moment. That’s the reason why the butler was still tasked to “take care of him”. But by becoming a male night servant for the king, this meant that the other nobles could claim him as well. He had no right. However, since the main lead was a butterfly, he couldn’t get tamed. Hence violence, manipulations and drugs were used to tame the young master. And remember how the spider kills its target: he empties it of its blood. In other word, he sucks all his energy. Therefore it is not surprising that at the end the main lead had become a wreck, and had no light in his eyes. 
(chapter 57) Naturally, the purge played a huge role in the lord’s suffering reinforcing the huge rift between the pedophile and Yoon Seungho.
(chapter 57)
(chapter 101). It was not Min’s task to carry a friend… he was just a fellow puppet brought to the shaman’s house in order to entertain Black Heart. This truly exposes that Black Heart never saw in the aristocrats humans. As the red-haired master, he had been considered as the hunting dog, he had fulfilled his function. That’s why he was abandoned. He had helped Min to corner the painter and brought the kisaeng to the scholar’s home. Moreover, a hunting dog disobeying his master will be killed. Hence it is not surprising that the wild dogs ended up all dead. They were totally defenseless in front of a huge tiger. This feline is difficult to tame.
(chapter 101) They saw in the sexual violence a new form of hunting. I would even go so far to say that they desired to turn the artist into their pet fulfilling all their desires: 
(chapter 101) Thus it is not surprising that Yoon Seungho was compared to an animal by his own father in the past. 
(chapter 101) As a punishment, he was given to lord Jang and his friend. Since Min had captured the artist, he viewed himself as his owner who would give order to his pet. Yet, a deer is a shy, but wild animal, difficult to control making it difficult to be tamed. 
(chapter 99) But this was impossible, for Black Heart never treated Baek Na-Kyum as a man. Hence I come to the conclusion that by meeting the painter, Yoon Seungho rediscovered his true nature: he was a free spirit, a tiger! And guess what… In Joseon, the tiger was perceived as a good talisman to chase away the evil spirit!! 
Yoon Seungho has the impression that he could get hunted down, for he killed the nobles. The tiger is now the target of “humans”, and Jung In-Hun will play a crucial role in his prosecution
(Chapter 10) 
(chapter 34), only spiritual love was allowed 
(chapter 19)
(chapter 68). This signified that in his education, not only sex was prohibited, but also sexual desires were denied. Although love was expressed through hugs 
(chapter 66)
(chapter 68) and caresses 
(chapter 10) 
(chapter 68), they were devoid of sexuality. The painter experienced love, but was not allowed to experience sexuality. He was only authorized to paint it for the scholar’s sake. On the other side, Yoon Seungho was raised the opposite: love was not allowed, as it was a sign of submission and weakness. Sex was permitted, because it was considered as a fight in order to defeat his opponent. These were the butler’s doctrines. That way, he could still have a connection to the main lead. If he came to love someone (the pedophile), the lord could definitely abandon the valet and reveal his betrayals. In other words, he used pity as a way to tame the lord. At the same time, sex also served to gain some benefit, as it was an exchange of favors (giving versus receiving), 
(Chapter 71). I connect this philosophy to the king and indirectly to the butler. With sex, the nobles could exchange some favors. These huge divergences in the mindset explicate why there were so many misunderstandings between Yoon Seungho and Baek Na-Kyum, as their education diverged so much. 
(chapt45), as the painter had accepted him as his sexual partner, he had to realize slowly that he was wrong. He imagined that since the artist had remained by his side and was accepting to have sex with him, he had achieved what he wanted: in his unconscious it was to be loved. Yet, it was just an illusion. The painter saw himself as a whore and the master as a man consumed by lust. As you can see, the noble was forced to judge the nature of the sexual encounters differently. He had associated sex to love due to their Wedding night, therefore he imagined that the moment the painter was accepting him, the problem was solved. He would be able to relive this wonderful moment, but however nothing like that happened. He felt never satisfied, as there were no feelings at all. Hence he even had sex during the day
, believing that the artist’s lack of experience was the problem. 
(Chapter 45) While the lord became Baek Na-Kyum’s sexual emancipator, the painter became the lord’s teacher for love. This explicates why the low-born forced the lord to question his own identity and feelings. 
than a master- servant relationship, because the commoner was never treated like a domestic. He only had sex with the lord and had some privileges. 
(chapter 46) He was never asked to do other work, although the artist tried to change his situation. Since he was behaving like a whore, he felt that he had no right to express any thought and emotion. He couldn’t show any pleasure. That’s why there were no feelings in their sex encounters, and the lord could sense the difference. Consequently, when the lord realized that he was still perceived as a man consumed by sex
(chapter 48), he changed his behavior. He acted like a real client at the brothel
(chapter 48), but at the same time he cornered the painter to have multiple climaxes in order to let him experience that he liked having sex with him.
(Chapter 49), his prostitute, for he was the one procuring pleasure to Yoon Seungho. As you can see, the roles had been switched. This means that now the painter had the upper-hand in their relationship. We could even say that the noble was willing to accept his fate. 
(Chapter 49) Yet there was a difference from the past. Yoon Seungho would feel pleasure as well. This is not surprising that Kim chose to intervene and separate the couple right after. Without sex, the painter had no power over the master. That’s the reason why the butler revealed his knowledge the morning after. The protagonist had to hear from his butler the real cause for Baek Na-Kyum’s passivity and torpor: 
(chapter 50). Through this revelation, the lord was indirectly confronted by his own reflection: he was indeed asking from Baek Na-Kyum sexual favors in exchange for his stay at the mansion. That’s the reason why the lord had a “relapse“ and kept his distance from the painter. 
(chapter 52). This was important, because for the noble, it meant that he could no longer have sex with other partners. Without sex, the lord was forced to question himself and ponder on the true nature of his relationship with Baek Na-Kyum. He felt jealousy during that night, he was very protective as well. 
(Chapter 52) His sexuality had already become an expression of his love, although the main lead was still unaware of his own feelings. That’s why I come to the conclusion, chapter 52 was actually revealing Yoon Seungho’s monogamy, although it looked the opposite. And this becomes truly visible, when the gangrape was about to occur. He felt no urge, when he was with the guests, yet the moment he brought the artist to the bedchamber, he couldn’t stop himself from kissing his loved one. 
(chapter 54) He was definitely longing for his warmth. This explicates why the noble got so infuriated, when he was confronted with the consequence of his bad decision: 
(chapter 54) the artist was on the verge to be no longer monogamous, as he would be tasted by other aristocrats. In this scene, the lord would have indeed become a client and pimp, if he hadn’t chased away his guests. Although the painter was indeed upset afterwards about this incident
(chapter 55), deep down he sensed that his master had protected him. This night was important for the main lead: he was forced to admit his own feelings for the painter. Therefore, we could say that the issue with the prostitution was solved after chapter 54. Yoon Seungho thought that the moment he confessed, the painter would get scared and run away, but it didn’t happen. Why? Love among men and especially between a brutal noble and a commoner, was a taboo, like Min had underlined. Secondly, if the lord had indeed feelings for him, he had behaved like a beast during that night. He had mistreated Baek Na-Kyum. In his mind, the artist would never accept him.Besides, the painter had clearly denied the affection from the main lead. In his eyes, the painter’s words were indicating a rejection. 
(chapter 54) Thus I conclude that Yoon Seungho and Baek Na-Kyum had come to an implicit agreement: they had a master-servant relationship
(chapter 56), although Baek Na-Kyum started perceiving himself as a domestic from chapter 51 on again. He kept following the head-maid 
and Kim 
(chapter 51) in order to help them. Therefore the readers could witness the return of the white headband in chapter 52: his task was to paint for his master.
(Chapter 52) 
(chapter 63), exactly like he had wished in chapter 49. The only difference is that this time, the painter was here for the lord’s pleasure. The roles had been switched again. As the manhwaphiles can perceive, the noble and painter had a similar reaction: they both tried to deny the existence of love in their relationship. That’s the reason why the noble stopped the artist from confessing: 
(chapter 63) They just had a sexual relationship which could provoke pleasure, but that was it. But in order to ensure that the artist wouldn’t run away again, he used sex to “tame“ Baek Na-Kyum. If the main lead could procure multiple climaxes to the artist, then the latter was forced to admit that only Yoon Seungho could be his “partner“. This explicates why the noble kept pointing out how the artist would react to his lover’s body. 
(Chapter 63) 
(chapter 64) He was moaning and would ejaculate constantly thanks to the main lead. Yet, during this second marathon, the noble was actually deceiving himself. 
(Chapter 62) 
(Chapter 65) This shows that the painter had gained a new position: he was indeed a favored servant. He was allowed to spend the night in his lover’s bed and he could see the lord getting dressed. 
(Chapter 65) The slight change was that now the main lead was aware of this. This truly exposes the lord’s affection for the artist. He might have treated him like a plaything in the shed, in reality he had attempted to show “his skills“ as a lover. He had licked him, bit him and the painter had felt pleasure, though he kept saying no! This is not surprising that Yoon Seungho had denied the kiss in the study. 
(Chapter 64) Because that’s how he had been deceived that night in the study. 
(Chapter 49) Baek Na-Kyum had silenced him with the kiss, as the main lead was about to protest. 
(chapter 65) What caught my attention is that the painter’s disappearance mirrored the lord’s wrongdoing. Lee Jihwa and the main lead had both kidnapped the artist. That’s why I believe that when he heard Heena’s words in the study
(chapter 68), the noble could only come to the following conclusion: he could only let the painter choose his destiny. But the moment the artist decided to remain by his side, he needed to change Baek Na-Kyum’s position in the mansion. He was no longer a servant, but a noble guest. Hence the lord tied the scarf like aristocrats did. 
(chapter 69) Consequently, we could say that the painter had a similar status than Jung In-Hun. Yet, there was a huge difference: the owner of the mansion was now acting like the painter’s servant. Hence Deok-Jae’s words came true: 
(chapter 46). 
(chapter 71). Why? It is because the lord made the decision that the painter chose him, then this means that he became his wife, though at the end of season 2, he was not thinking about marriage yet. He was not aware of this perception. By becoming his official partner, the spouse obtains the status of his husband: nobility. This explicates why the lord ate with his lover 
(chapter 74) and allowed him to smoke. Then in season 3, he gave him ladies-in-waiting in order to give him some company. 
(Chapter 78) He even gave him the music box, which was mistaken as a dowry. However, the problem is that the painter was still fighting his own feelings for the protagonist due to Heena noona’s words and past experience with the scholar. He feared that this new situation was too beautiful to be true, hence he thought that the lord’s feelings would fade away. But there was another reason for doubting the lord’s affection: there was no sex. 
(chapter 74) The painter had come to associate sex with love too. Yet, the moment he relived his trauma, he only found comfort and safety in the lord’s embrace. 
(Chapter 76) The main lead didn’t reject the painter’s urge for a hug in front of commoners. At no moment, Yoon Seungho felt embarrassment. He treated him like a special treasure. That’s how the painter came to realize that Yoon Seungho‘s love for him was true and genuine. Consequently, he decided to rely on him and to trust him. That’s why in this panel, the painter closed his eyes: 
(chapter 76) We could say that he was reminded of his own past. When he was a child, he sensed love through hugs and caresses. Since the painter could feel the lord’s genuine affection and warmth, he recognized that even when there was no sex, love was present. All his senses made him perceive the lord’s love: 
(chapter 76) His words showed his care and concern, then he bought him an expensive music box. 
(Chapter 76) 
(Chapter 80) And now, you comprehend why the painter didn‘t confess during that night. He got interrupted. The kiss was the symbol for their love. Thus it is no coincidence that just after his confession,. 
(Chapter 94) the painter initiated a long and sensual kiss with his “husband“. 
(Chapter 95) Since the painter had received caresses and embraces in his childhood, he came to view the kiss as the symbol for true love. And note that the kisses exchanged in the gibang were full of passion and love. This was the perfect combination of love and sex. 
(Chapter 95) 
(Chapter 96) This shows that Yoon Seungho has always longed for a pure and spiritual love in the first place. His sexual preferences were already palpable in the last love session (season 2): 
(chapter 72) We could say that he discovered all his sexual preferences thanks to the painter. 
(Chapter 80) But he failed due to the intervention of the butler and other schemers. Besides, the whispering of „Kyumah“ could only make his heart race. Let’s not forget that his painting in the sand 
(chapter 1) externalized his own philosophy: love and sex can’t be separated. Note that the couple is is hugging and kissing at the same time! 😍 This picture will represent the peak of their love! Striking is that when the couple confirmed their mutual affection, they did in the kisaeng house, the symbol for prostitution. This truly exposed that Yoon Seungho had been treated like a male night servant in the past. .
(chapter 72) in the next season, for the painter is still calling his lover “lord Seungho“ 
(chapter 99) 
(chapter 102) This means that he is still viewing himself as a low-born. But note that contrary to the past, Baek Na-Kum is now wearing a hanbok and he has no other clothes. Thus I am deducing that the painter’s next lesson is to drop his notion that he is a commoner. He will be taught to view himself as an equal to Yoon Seungho. Only when he has internalized that there is no gap between him and his lover, then he will be able to address him as “Seungho-YA!“ At the same time, both protagonists will come to realize that they can express their love differently. Poetry, painting and more importantly through their desire to protect their loved one. The lord will start protecting Baek Na-Kyum more actively, just like the painter will decide to show more interests in his lover’s skills and past life. Baek Na-Kyum will feel responsible for the bloodshed in the shaman’s house. In my opinion, the lord will confide to him what happened to Min and the other nobles. I am assuming this, for the lord remained silent, when the messenger of his father came to the mansion. He didn’t want to scare his lover because of his brutal outburst. 
(chapter 84)
The trigger for the change is the noble’s words. The latter keeps talking to the painter asking for an reply. Hence in my eyes, there are glimpses of love the moment Baek Na-Kyum said this: 
It sounded like a confession, hence the seme became more passionate: 
(chapter 49) An expression of love and affection, but the painter rejected it, as he mistrusted his own judgement. He couldn’t help thinking of the learned sir’s fake embrace. Striking is that despite the rejection, the painter kissed and hugged back his lover
(chapter 49), which made the lord believe that he could only get embraced by the painter, if they had sex. 
. Although the second sex marathon starts like a pure sex session, the moment the painter calls Yoon Seungho differently
, the lord’s attitude changes. The painter is turned around and faces his lover
, a sign that they are getting closer. Striking is that again through their conversation, the painter is pressured to think about his own emotions. 
However, due to his own insecurities and fear, the noble still can’t trust the artist’s words, therefore there’s no confession. 
, it is just that both main leads were in denial. 
(Chapter 58) Thus he should become responsible for him. Yoon Seungho was unconsciously trying to push the painter to reciprocate his feelings, an imitation of Lee Jihwa‘s confession. Nevertheless, the painter remained silent, therefore it meant that his love was still denied. That’s why it stands more under the sign of dream and illusion. Consequently, the night in chapter 70, 71, 72 and 73 contrasts so much to the one from chapter 58. This time, it symbolizes the lord’s pure love. As such, the sex is already a real expression of love. That’s why the lord asked to be called intimately: Seungho-Ya 
(chapter 72) On the other hand, this love session was strongly intertwined with the notion of forgiveness and punishment as well. This is important, it reveals that Yoon Seungho had internalized that sex was the expression to redeem himself. He had been tasked in the past that if he desired to obtain “forgiveness“, then he should have sex. And by comparing all these sexual encounters, I came to the following conclusion: the lord’s words definitely contributed to change the nature of the sex session, just like the hug. 
In chapter 66, he had a flashback, hence he couldn’t witness his lord’s attention and care.
But the lord discovered this kind of embrace, when he helped the painter in chapter 53: 
(Chapter 57) However, this shows that Yoon Seungho is a quick learner, because he knew what to do, when the painter was in pain and destress. At the same time, it explains why he could fake the embrace in chapter 62: 
This hug stands in opposition to the one at the end of season 3: 
(chapter 102) The artist was forgiving his lover! Love represents selflessness, tolerance, forgiveness, warmth, affection and assistance which is transmitted by the embrace. Now, you understand why Yoon Seungho was still not satisfied after the sex session in the study, he was longing for the hug. 
(Chapter 84) In his unconscious, he knew that if the artist hugged him, he would have forgiven him. But he had no idea about it, thus he couldn’t suggest this. So far, he had experienced the embrace from the artist while having sex. Deep down, he had already internalized the embrace to forgiveness. So we could say that the absence of the embrace in this scene was the lord‘s punishment for the fake hug in the shed. And the painter let him discover the true nature of a warm embrace: 
(chapter 91)
and his request for help are strong indications that Baek Na-Kyum was now accepting his affection. He was now trusting the noble, hence he revealed an important clue about the abduction. 
(chapter 41) Under this perspective, it becomes understandable why the couple neglected these pictures. They were all devoid of affection, it was more about prostitution and battle! And here is now the question? Where are these drawings? 
He wanted to communicate (“share what’s on our mind”) with the low-born, but the latter refused, because he just considered the noble as a sex toy to procure him pleasure out of fear to get hurt and deceived again. 
(Chapter 1) He expressed his genuine admiration for Baek Na-Kyum’s talent and creations. Yet, at no moment the painter noticed the compliments. He had been forced to touch the loins, which shocked him, and then he remembered the lord’s bad notoriety. Therefore all the lord’s good words fell on deaf ears. The painter was more concerned with appearances and rumors than anything else. That’s why the conversation failed. Since Baek Na-Kyum was not interested in the main lead’s feelings, he feigned ignorance first, and lied at the end. 
Striking is that their first conversation was connected to books and sex, therefore this already limited their exchange. Moreover, this first chapter clearly reveals the lord’s interest in the low-born. He not only sent a domestic for the investigation about the mysterious creator, but also asked about his recent whereabouts. And curiosity usually initiates a conversation. But there’s more to it. From my perspective, the main lead felt no longer satisfied with the erotic pictures. He wanted to share his emotions and thoughts, when he looked at them. However, he had no one to talk to, so in his mind, if he met the artist, he could come into a conversation with the creator. That’s why he wanted to invite him in the end. The painting of sex sessions would give him the perfect occasion to discuss with someone.
(Chapter 8) Observe the contrast. The main lead doesn’t reveal his anger towards the noble with the mole, it is not worthy for Yoon Seungho of giving him an explanation for the humiliation. He just smiles 
(Chapter 8) before grabbing him by the topknot. His words and behavior truly display a huge respect and a desire to exchange thoughts and observation.
(Chapter 8) This mirrors the noble’s need to talk and now, you understand why the main lead had to evict the aristocrat with the mole in the end. By requesting to send away the commoner, 
(Chapter 8) he was more or less asking from the host to remain silent. 
(Chapter 8) The latter just had to focus on the guest’s sexual desires which confirms my interpretation that the main lead is treated like a head-kisaeng. Since the noble showed him no respect, then the main character didn’t need to respect him either. But more importantly, the protagonist made sure that he would be treated the same way. He also wouldn’t listen to his words, because the noble with the mole didn’t want to hear him speaking either. Therefore the door is closed, before the man can protest. As a conclusion, the aristocrats only visited him for sex or other pleasures and nothing more, while the noble had to remain quiet. Hence we have a silent main lead in his relapse: 
(chapter 52) However, even here the manhwaphiles can notice the transformation. The guests are no longer here for sex, just for smoking opium and drink wine. That way, the noble doesn’t feel lonely.
(chapter 67) the childhood friend would only visit him during the night (“used to”). However, it changed the moment the main lead paid a visit to the red-haired noble early in the morning (chapter 3). After that, Jihwa realized that he could also go to his friend during the day (chapter 5 
and 12 
). And now, you comprehend why the lord questioned his presence in the morning and why he assumed that his visit was related to sex in the end. It looks like Jihwa never showed an interest in the lord’s thoughts and emotions too. And there exist two reasons for that. First, he had the impression he knew everything about his lover. 
(Chapter 59) 
(chapter 18) Thanks to the artist’s presence, Yoon Seungho had been able to talk and people would actually pay attention to his presence and words. They started listening to his words. Imagine, one word and the straw mat beating was stopped: 
(Chapter 13) No wonder, why he thanked the painter in chapter 18. He could only be happy, when he confronted his childhood friend, as there was a real exchange for the first time. 
(Chapter 13) Argument is also a form of communication, and it happens between people in a relationship. Not only his words were finally noticed, but also he was able to draw lines to Jihwa. 
By influencing the host with the hope, Yoon Seungho would send away the painter, the childhood friend didn’t recognize that he was attempting to turn the protagonist into a puppet, therefore he could only fail. Moreover, Jihwa had no idea that Yoon Seungho’s true desire was to get close to someone, to engage a honest conversation. Therefore the main lead could only reject the friend’s words and proposition. As a conclusion, with the painter’s arrival, the lord’s words were little by little listened, he was able to communicate more with others: Jihwa, the nobles and the staff. After scolding the maids in the kitchen 
(chapter 38), the head-maid started showing her respect to her lord. But more importantly, he gave her the order personally to bring the painter’s lunch to his study.
(Chapter 46) He could finally voice his thoughts, everything happened thanks to the painter. This explicates why Yoon Seungho kept seeking the artist’s proximity, although the latter kept rejecting him (his escape, his lies, his refusal to paint for him etc…). He had realized that his living conditions had improved despite the struggling with the low-born.
(Chapter 5) This outlines the main lead’s isolation and loneliness. Simultaneously, with this new approach, the readers grasp why Yoon Seungho couldn’t anticipate to become Min’s target in the end. He noticed Black Heart’s envious gaze 
, (chapter 8) but he didn’t envision what jealousy and greed would provoke. In my eyes, he couldn‘t identify these emotions properly.
(Chapter 4) He was not worthy to comment this poetry, as he was just a man consumed by lust. However, the commoner never asked why the noble would judge the poem so poorly. He already assumed that he was just making fun in order to humiliate the scholar, while in reality the noble wanted to reveal the author’s true personality: Jung In-Hun was just a deceiver. And since he had been hurt by the painter’s comment, he retaliated too: since he was just a commoner, he had no right to criticize the lord. 
(Chapter 2) Baek Na-Kyum was the first who made the main lead realize the existence of his body. For the first time, he felt attraction through the gaze and saw something beautiful in himself. And what was the lord‘s immediate reaction? He started talking about his thoughts, though this was more a monologue than a discussion. 
(Chapter 3)
(chapter 3) Exactly like the painter, Yoon Seungho began talking while having sex. He even formulated his first desire in front of his childhood friend: 
(chapter 3) And now, you comprehend why his relationship with Lee Jihwa was doomed to fail. The red-haired master was more focused on sex and his own sexual emancipation than his lover‘s well-being. 
(Chapter 3) He never asked him why he was behaving so differently. He didn‘t notice that the lord was more communicative.
(chapter 16) On the surface, it looks like he is sulking, the reality is that he is already fighting against his urges. The hand is trembling due the arousal. 
While you have the impression, he is bothered by Yoon Seungho, the truth is that the artist is getting more and more excited due the lord’s picturesque questions. Funny is that in this scene, the aristocrat is the more innocent one. He plays with the head-band 
and his “innocence” is truly visible through his facial expressions too: 
. What is the painter’s real sexual desire? We have the answer in this panel: 
(chapter 6) a stranger in form of a shadow enters the artist’s room. The lord’s identity is only discovered at the end. But in his fantasy, the main lead was even grabbing him by the hair. It was definitely not a tender gesture.
He was even caressing him against his will. And note that when Yoon Seungho questions when he got the most excited to the point that he had difficulties to breath, the commoner remembers this image and not the strokes. 
(chapter 12) triggered by fear. This new interpretation explains why the artist painted the sex at the pavilion in the end. 
(Chapter 41) If the forced sex had truly traumatized him, he wouldn’t have been able to do so. Furthermore, he questioned the authenticity of the lord’s affection, when he recalled the moment, he was offered to the other nobles. He was upset and offended. 
(Chapter 16) Moreover, he didn’t get angry at Yoon Seungho for touching his phallus. He got more scared that someone had seen him enjoying the masturbation and I would even say, getting grabbed by force. Therefore the lord got an erection and was so happy at the kisaeng house. Finally, he had been able to talk to the painter. He even got to receive a honest answer for the first time, where he was even called “my lord”: 
(chapter 16) To sum up, Baek Na-Kyum showed a certain respect to the main lead in this chapter. But more importantly, the master was in a good mood, because he kept thinking how he could procure pleasure to the commoner. 
(Chapter 21) The painter reveals the truth by replying that he enjoyed it very much, it felt like a dream. As you can see, chapter 21 was a reflection of the episode 16: we had a discussion, where the lord tried to initiate a conversation, tears of joy connected with pleasure, the lord asking to be called “my lord” and the realization of a dream. But we have another evidence that despite his words, he wanted the main lead to continue:
(chapter 16) The commoner’s hand is placed on the shoulder indicating that he is pushing Yoon Seungho to his side. He could have tried to remove the lord’s hand on his phallus, but he didn’t. The hand was even trembling from pleasure. That’s why the second sex marathon shouldn’t be judged as a rape in my opinion, although the painter kept saying no too. First, the painter makes the exact same expression than in chapter 16: 
(Chapter 63) And even the lord notices that the painter is getting more and more excited by the roughness. He keeps describing how the painter is reacting below
(Chapter 63) Therefore I come to the conclusion that in chapter 63, the painter is not crying, because he is really hurt and angry at the main lead. These are tears of pleasure mixed with pain, which is linked to BDSM. That’s why he keeps blushing the whole time. 
(Chapter 63) This explicates why he kept ejaculating, despite saying “no” or recognizing that there was a witness. He felt no longer scared or embarrassed, like in chapter 16, where he ran away to hide. With this new version of the sex marathon, the painter truly discovered his sexual preferences. Therefore, when we see this
(chapter 63), we shouldn’t project our own emotions into the artist: pain and disgust. Remember this: the painter felt his blood running hot, when the lord grabbed his hair violently in his wet dream. 
(Chapter 42) Yet, the noble couldn’t help himself showing tenderness and affection at the end with the passionate kiss. As a conclusion, the second sex marathon contains all these elements: sadness, pain, pleasure, anger and happiness.
(chapter 16), and in chapter 35 he accepts to be a servant or in chapter 49 a sex toy. Due their different sex sessions, he discovered that he likes being rough too. Therefore he couldn’t enjoy, when the painter was so passive. He recognized that he took pleasure, when the painter was showing resistance too.
(Chapter 48) However, since the painter ended up crying and criticizing the lord, he had the impression, he had failed. As you can see, the lord might have had a lot of sexual experiences, yet with the painter, he entered a totally new world: full of warmth and love, yet there was pain connected to pleasure as well. This explicates why he could open up and reveal that his real dream was to make the painter smile
(Chapter 79) Hence people saw the sex session in the shed as rape. Nonetheless, the manhwaphiles shouldn’t forget that Baek Na-Kyum was living in the mansion as a servant. Hence according to Joseon’s social norms, he was in no position to reject the main lead. However, for Yoon Seungho, it was different, for he was a young master. He had a title that was supposed to protect him. Consequently, the main lead can reproach the mysterious lord Song that he never asked for his consent and he would even treat him like a male kisaeng! 
(Chapter 36) While, it looked like he was protecting the painter, he was undermining their relationship. He was actually using triangulation. 
(chapter 50) Then he utilized the lord’s misconduct in the storage room. He should wait for the painter’s visit in his bedchamber. 
(Chapter 75) However, the valet could never stop the progression. The irony is that their first deep conversation took place outside the mansion. 
(Chapter 39) Once again, the lord had a teasing attitude, yet he was gentle and considerate. This is not surprising that due to their interaction, Baek Na-Kyum started listening to the lord. He took his questions and advices very seriously (chapter 40). Thus he confronted the learned sir about his future. As the painterofthenightphiles can detect, by communicating they began trusting each other more, and as such showing more curiosity and understanding to their counterpart. 
(Chapter 68) With these words, he was implying that the low-born suffered the same fate than Yoon Seungho, because it looks like that on the surface. He imagined that he would achieve his goal (sending away Baek Na-Kyum) by using his knowledge, but in my opinion the opposite happened, like I had expected. What caught my attention is that the butler only mentioned Yoon Chang-Hyeon 
(chapter 68), as he had sent the painter to the storage room like his father. Yet, at no moment he made an allusion about lord Song, though he saw the sex in the barn as sexual abuse. He was thinking of the pedophile’s crime. He couldn‘t bring up the pedophile for two reasons: As a domestic, he can‘t badmouth the king. Secondly, he has to blame the father, as his own responsibility in Yoon Seungho‘s suffering would come to the surface. Remember my theory: Kim was the one brought the young master to the king thinking that the latter would protect Yoon Seungho. 
(Chapter 88) Furthermore, the chronology is important. The painter communicated first his thoughts and wishes, before they initiated the love session. 
(Chapter 94) They had a long conversation, where the lord could ask questions. This conversation ended with a love confession. 
(Chapter 95) so that no misunderstanding would be created. Therefore it is not surprising that even during their love session, they would keep talking, and even express their desires: 
(chapter 102) Here, the painter wished to understand why they were separated for so long. This means that Yoon Seungho has to discover the circumstances which led to this tragedy. That‘s how they will realize that the enemies are close to them. The lord has to recognize that he needs to share everything, like for example the discovery of Deok-Jae’s corpse. 
(Chapter 97) As you can see, the topics of their conversation will diverge more and more. I do think that he was incited to let the painter sleep in order to „protect“ him. Yoon Seungho needs to recognize that warning and drawing lines are not enough to protect the loved one. He will have to take real measures to turn his statement (taking responsibility for the painter) into a reality: he will have to fight for his right to happiness. 
Taking the civil service examination only represents one step. Furthermore, appearances can be deceiving. The pure artist is not so “innocent” in the end. He has definitely met his match in Yoon Seungho, though I believe that his role is to heal Yoon Seungho from his PTSD and give him closure. And this can only happen, when the victim of sexual abuse confronts his perpetrators, the old bearded men!
Bebebisous33s' analyses in K-Dramaland and Manhwas 