Please support the authors by reading the Manhwas on the official websites. This is where you can read the manhwa: Jinx. But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “Dire Youth Mystery Unraveling“
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
1. Why Anguish?
Feel like dropping Jinx? Perhaps you’ve reached chapter 50, and the weight of the narrative feels too heavy to bear. Yet, despite the urge to abandon ship, you shouldn’t. Why? One might say, that’s how life is: harsh, painful and unfair. On the other side, others might argue about this perception, as people can experience happiness too. Besides, anyone knows the idiom “to look on the bright side”. Nonetheless, people can only enjoy life to its fullest, when they experience sadness and agony either.
The popularization and misinterpretation of Positive Psychology has led us to praise positive emotions and try to escape negative feelings at all costs. However, in our emotional universe everything is important and has a reason for being. As Carl Jung wrote: “The word happiness would lose its meaning if it were not balanced by sadness.” A study conducted at Colorado State University, for example, revealed that experiencing feelings that we wouldn’t exactly classify as positive actually promotes psychological well-being. […]
These results indicate that we are often not affected as much by the situation and the primary emotion it triggers as by our response to it (the secondary emotion). It’s like feeling stressed for being stressed or feeling depressed about being sad. If we believe that we should not experience negative emotions, we will reject, ignore or repress them, which will end up reinforcing them since we will not understand the message they are trying to convey to us, so the discomfort they generate will continue latent within us. […]
Sadness, like the rest of the emotions, brings with it a message, so we must try to understand it. Recognizing our emotions and accepting pain as part of the human condition is essential to achieve the balance essential to growth. Sadness is a natural self-regulation mechanism, something we are born with and that we do not consciously choose. We don’t wake up thinking: “Today is a great day to be sad!” It is a perfectly adaptive response to something that has happened to us, usually a loss, something we wanted to have, or a situation that hurt us emotionally. Quoted from https://psychology-spot.com/it-is-good-to-be-sad-benefits-occasional-sadness/
This article explains why sadness and heartache are necessary in life. And this rule also applies in the world of Jinx, especially since the Webtoonist is promoting Positive Psychology. Chapter 50 was so painful for both Joo Jaekyung 
(chapter 50) and Kim Dan. While the former was tormented by his challenger directly 
(chapter 50) and indirectly, the other had to witness how the members from Team Black turned their back on him in the locker room. 
(chapter 50) Interesting is that on X, hamster Dan received more affection and attention than the champion. Though I have always pointed out the doctor’s flaws, in episode 50, I couldn’t help myself being upset and heartbroken for Doc Dan too, until I had a revelation. Many readers were disappointed or mad, when they saw him in this panel. 
(chapter 50) They could put themselves in his shoes: he was left behind. On the other hand, the reaction from Joo Jaekyung was totally understandable. 
(chapter 50) He acted on instinct. Moreover, he had a match, therefore they had no time to discuss or investigate the matter. 
(chapter 50) And everyone knows this saying: Time is money. Yes, the hyungs didn’t decide to postpone the fight, because they would have to pay huge fees, and this could have affected the Emperor’s reputation. It exposes that the fight as such the show was more important than the well-being of their star. As a conclusion, money played a huge role in their decision. On the other side, the annulation would have brought more trouble to Kim Dan, as it would have caught the attention from journalists and fans, though it can still happen later. Under this new perspective, it becomes comprehensible why they left the locker room and didn’t argue with Kim Dan. They were under pressure. Nevertheless, the readers had a different reaction, for they knew the truth: Doc Dan was the victim of a new scheme. Therefore they judged the whole situation as unfair. Some were mad at the manager for yelling at the physical therapist. 
(chapter 50) Yet, we shouldn’t allow our emotions cloud our judgement, for this image displays the doctor’s metamorphosis. Notice that he talked back. Though his sentence is still not complete, the thickness of the writing and the point of exclamation are indicating that he was not whispering. He was speaking loudly and clearly. He was talking back firmly. Moreover, he was not avoiding his counterpart’s gaze contrary to the argument in the penthouse. 
(chapter 45) In other words, the scene in chapter 50 exposes the doctor’s growing strength and resilience. That’s the second reason why anguish is necessary in Jinx. Through their suffering, the characters can change, and Jinx-philes have the opportunity to witness their growing maturity. At the same time, the author is able to underline the other figures’ flaws thanks to torment. Between the essay “My hero (full version)” and chapter 22, my perception of Park Namwook changed totally. While in the beginning, I judged him as a hero, I came to consider him as a naïve and blind man. Chapter 50 proved my interpretation correct. In episode 50, his superficiality and hypocrisy became so obvious that he was resented by Dan’s stans. On the other hand, his behavior didn’t surprise me at all. The irony is that his behavior is actually improving too 😮, though the manager is still far from being a hero. Episode 50 represents an evidence. To sum up, Mingwa is using anguish for three reasons:
- The characters should accept sadness, agony and anger in order to be able to enjoy life and discover happiness.
(chapter 44) Now, the doctor is no longer associating sex with prostitution and corruption, but with love. - Through painful events, the characters are encouraged to face their fears and overcome their trauma. Anguish helps them to metamorphose.
- Finally, terrible incidents serve as a tool to expose the characters’ true personality and as such their flaws.
Interesting is that I had selected the title “Effective Anguish” even before the release from episode 50! My follower and friend @Milliformemes can vouch for it. How come? It is because I discovered two patterns.
2. Pain and wounds
2. 1. The painful awakening of the dragon
First, I noticed that the champion’s wounds are coming to the surface. In the beginning, the injury on his shoulder could only be detected thanks to Magnetic resonance imaging (MRI). 
(chapter 27) But only Dr. Lee and Kim Dan got to see the results
(chapter 27), not Park Namwook. He just overviewed the medical file quickly. But for that, the manager needs to be capable of understanding medical terms. Thus I doubt, he could visualize the seriousness of the situation. 
(chapter 27) Then, after the match in the States, the manager asked his “boy” how his shoulder was. 
(chapter 40) Here, he chose to rely on the celebrity’s words, 
(chapter 40) while the manager had witnessed how Dominic Hill had targeted his shoulder. He should have realized that his star’s shoulder had been damaged. Nevertheless, we shouldn’t overlook that the athlete’s statement was corroborated by the medical checkup from MFC. That’s how he got fooled. Hence there was no treatment. However, doc Dan could detect the champion’s lie not only through observations
(chapter 41) but also through touching.
(chapter 41) As you can see, the wound was slowly coming to the surface. Thus I consider the incident in episode 43 as a metaphor for the shoulder injury. 
(chapter 43) It was exposing the damage in his body. Consequently, when the champion’s foot got wounded by the pepper spray, 
(chapter 49), I realized what was happening. Mingwa is forcing the Emperor to admit his suffering. Hence his wounds are becoming more and more visible.
| Chapter 40 | Chapter 41 | Chapter 42 | Chapter 49 | Chapter 50 |
|---|---|---|---|---|
 |  |  |  | |
First, he let transpire his pain more through his grimaces. Secondly, his moans are getting louder and louder. The point of exclamation and the facial expressions are indicating the increasing pain. But why? Don’t forget that in the past, the champion used to reject any assistance from a physical therapist,. 
(chapter 5) for he was simply relying on the prostitutes due to his jinx. Thus I consider this argument in the penthouse as a huge step for the athlete: 
(chapter 45) He can not win, if he is not receiving the help from a PT. That’s the reason why he didn’t mention the jinx at all. Under this new light, it becomes comprehensible why the athlete is suffering more and more. The goddess of Jinx is cornering the athlete: the latter has to admit that he doesn’t just need the assistance of any PT 
(chapter 45), but the help from the angel Dan.
Finally, during the fight with Baek Junmin, the athlete’s foot is bleeding. 
(chapter 50) So far, he just had a cut above his eye, nothing serious. 
(Chapter 40) However, the wound on the foot is different, for his skin is damaged. The recovery will take longer. It is relevant, because Park Namwook can no longer feign ignorance about his star’s wounds. He is less susceptible to manipulations.
On the other side, through the injuries, the champion’s mental health gets boosted. He can sense his own strength and appreciate all the punches he could give to his opponent despite his injuries. 
(chapter 50) That’s the reason why he turned into a dragon at the end of the chapter. [For more read the essay “Color Clash: Decoding MMA Posters] The blue is exposing that he is not controlled by his emotions (rage, anger or fears), he is totally rational. As the suffering pushed him to become the better version of himself, his victory can only appear even sweeter than before. In other words, the easier his victories were, the more he came to doubt his talent. 
(chapter 5) And now, you comprehend why he got so nervous and angry, when he imagined that Kim Dan had blocked him. 
(chapter 5) This shows that his belief in his jinx had been reinforced after his first night with Kim Dan.
On the other hand, Kim Dan could be held responsible for his injuries, similar to this scene. 
(chapter 31) He could take the fall for everything. The main lead is put in such a position so that he has no other choice: he needs to clear his name! 
(chapter 1) He shouldn’t accept his fate like in the past, but fight for his rights and reputation. In other words, the painful incident serves another purpose: Kim Dan is incited to develop a fighter’s spirit. That’s the reason why the situation is quite similar to the past.
On the other hand, we should question why the champion felt a pain in his ankle during that morning. 
(chapter 50) From my perspective, this is the result of the overexerting. 
(Chapter 50) Even the coach is noticing that the athlete is overtraining himself. Remember that the athlete refused to listen to his PT. 
(chapter 42) In addition, he would return home late, a sign that he would train even more than before. 
(chapter 48) Finally, we shouldn’t overlook the fact that after his match in the States, he never visited the hospital due to the law suit. 
(chapter 41) According to me, the MFC medical checkup was not reflecting the verity. Hence he never got a real check-up and MFC could definitely say that the athlete was definitely fine. 
(chapter 41) This shows that the more the champion refuses to his PT’s advice, the more injuries he will substain. That’s how it dawned on me why Joo Jaekyung is now getting more and more wounded during the fights. It forces him to take a rest! However, in the past, he had a reason not to listen: he got barely injured. He needed to treat his body roughly in order to prove his effort and strength. This observation reinforces my conviction that there is a second group manipulating the champion’s matches: MFC itself. For me, Heo Manwook and Choi Gilseok are rather puppets. How so? It is because someone knew about the champion’s sexual habits, hence he was supposed to take an aphrodisiac in the States. But neither the loan shark nor the director from King Of MMA are aware of this. To conclude, the champion’s anguish is necessary to expose the deceptions and the schemers as well.
2. 2. The pleasant Park Namwook, Tolstoy and pain
What caught my attention is that in the locker room, the manager didn’t make the decision for the fight. (chapter 50) How? Through a question, he let the coach Jeong Yosep give the answer. Through their words and actions, Jeong Yosep and Joo Jaekyung called shots, and Park Namwook just followed. The darkness around his forehead and the drop of sweat indicate his torment. But he can not voice his suffering, for it is nothing compared to the star’s. Hence if something were to happen to the celebrity, I can already predict that the manager will put the blame on others. Mingwa already left many clues about his lack of responsibility. First, the manager 
(chapter 27) refused to force the champion to take a day-off by saying that the protagonist would never listen anyway. With such a statement, he pushed Kim Dan to make the decision and announce it to his VIP client. Moreover, the manager didn’t stop his “boy” from exposing his injured shoulder to the public. 
(chapter 41) However, by doing so, he was exposing his vulnerability to his opponents, though I am still suspecting that MFC leaked information too. So far, the headlines are not indicating which shoulder is wounded. Yet, the moderator knew which one: 
(chapter 50) So why was the manager so shocked with such an attack? 
(chapter 50) It was clear that during such a match, the challenger would use the opponent’s weakness. What did he expect in the end? The panel exposes his stupidity and his immaturity. He should have anticipated such a move. These observations lead me to the following conclusion: the champion needs to realize that his hyung will never recognize his suffering, as long as Joo Jaekyung is in denial. Until now, he hasn’t been protecting Joo Jaekyung’s interests, rather his own comfort. His MO was to put the whole responsibility on the athlete. But it was his duty as his manager not to accept the new challenge. 
(chapter 41) Observe that he is just asking questions once again, when he voices his doubts. He is not making a statement. However, the manager is changing. While in the past, the manager was not treating the celebrity like real family, though he was called hyung, I detected a switch, when Park Namwook sent messages from his family for his birthday. 
(Chapter 45) In other words, his loyalty towards the star is improving. 
(chapter 46)
On the other hand, the nature of their relationship is still rather like a boss or employee. Thus he is his advisor or superior. It depends on the situation. I noticed the ambiguity of Park Namwook’s position. First, he introduces himself as the star’s manager 
(Chapter 9) and coach for Team Black, but he acts like the director of Team Black.
(Chapter 49) This explains why he claimed that Team Black was his gym, 
(chapter 22) yet the reality is that this power comes from the champion, as the latter is the real owner of Team Black. Therefore the captain warned the two hyungs. 
(Chapter 46) Thus I deduce that the role between the star and his hyung must be redefined because of Kim Dan’s presence. But wait… the heading is referring to the Russian author Leo Tolstoy. So what is his connection to the manager from Team Black?
The reason is that I found an interesting article about Tolstoy entitled: “How to live with purpose: Leo Tolstoy’s 5 secrets after his existential crisis”. The Russian writer noticed the existence of 4 different types of people: Ignorance, Epicureanism, Strength and Energy and Weakness. The moment I read his descriptions, I couldn’t help myself connecting these types to characters from Jinx: Park Namwook, Halmoni, Joo Jaekyung and Kim Dan. Interesting is that Tolstoy suffered immensely before he was able to give a meaning to his life.
1. Understand that reason has limits (…)
2. Search within yourself (…)
3. Find spirituality (…)
4. Learn to accept (…)
5. Embrace simplicity (…) Quoted from https://psychology-spot.com/how-to-live-with-purpose-according-to-leo-tolstoj/
The latter advice reminded me of the champion’s philosophy. He definitely preferred the breakfasts 
(chapter 41) to the golden keychain. 
(Chapter 45) As you can see, the famous writer is connected to Positive Psychology, for he was also promoting meditation and experiences. This fits our story, as both main characters are on their way to give a meaning to their life and as such to find happiness. But let’s return our attention to the manager Park Namwook as a representative of “ignorance”.
1. Ignorance. In this group, the writer placed people who chose not to know and not to understand, those who embraced what could be called “motivated ignorance.” They were those who preferred to close their eyes to the basic questions of existence and settled comfortably in ignorance. Quoted from https://psychology-spot.com/how-to-live-with-purpose-according-to-leo-tolstoj/
This description corresponds to Park Namwook’s mentality, as the latter is always seeking the easiest way out. He is always avoiding discomfort. Hence not only he closed an eye to the doctor’s wounds in episode 11
(chapter 11), but also he never tried to correct the star’s false conclusion. 
(Chapter 11) He just got angry giving the impression that he was siding with Kim Dan. But the reality is that he did nothing for the poor doctor at all. He remained passive and silent. His “ignorance” explains as well why he is not questioning events and his athlete’s success. 
(chapter 43) Through the two examples, Manhwaphiles can sense that his “ignorance” is a mixture of willingness to close an eye and real naivety. Under this new approach, it dawned on me why the manager used to beat his star so brutally. 
(Chapter 7) 
(Chapter 31) It is his way how to deal with uncomfortable situations. He stands for social norms and conformity. It is not surprising that the manager proposed to use Kim Dan as compensation for Heesung’s fake injury. 
(chapter 32) Furthermore, he forced Joo Jaekyung to take the blame without investigating the matter. (chapter 31) That way, he avoided to get into trouble. Under this new light, it becomes comprehensible why he is gentle and polite, when he is not under stress. 
(chapter 43) The latter triggers his anxiety and nervousness. Thus when there is a problem, his MO is either to threaten, (chapter 22), to scold
(chapter 36) or to let others make decisions. I would even add, he often delegates things to others: the manager from the Entertainment company (chapter 27), the MFC manager, the lawyer, the advisors, coach Jeong Yosep
(chapter 46), Kim Dan [f. ex. He should accept the bad mood from his VIP client] 
(chapter 36) However, he is not trying to solve the problem himself. Yet, he can not keep such an attitude in the long run, for his passivity and blindness are the reasons why the main couple can be targeted so easily. Park Namwook is failing to protect his champion and his team. However, I detected a positive change despite the heartache in episode 50. He stopped using violence after episode 31. He learned that he needed to treat the champion’s body more kindly, hence we have this confession: 
(chapter 43) Furthermore, compare his behavior towards the celebrity and the doctor:
(chapter 46) and (chapter 50) Mingwa didn’t use any red in the last picture, a sign that the manager’s anger was controlled. So he is trusting the physical therapist. Consequently, his words at the bar were not empty. (chapter 43) Nevertheless, I am expecting Park Namwook’s effective anguish at some point. He needs to be confronted with his biggest fears and pain. And who will act as his mirror of truth?
While Park Namwook stands for ignorance, the champion embodies fire!
3. Strength and energy. They are people who “burn” life. These are exceptionally strong and resilient people who, although they perfectly understand the problems of human existence, prefer to live quickly, burning through stages and opting for drastic solutions without reflecting too much on the consequences since they are convinced that it is better to put life into the years that add years to life. Quoted from https://psychology-spot.com/how-to-live-with-purpose-according-to-leo-tolstoj/
This description reflects the fighter’s mentality. Therefore, it is normal that he is suffering. Under this new light, readers can grasp the severity of the star’s situation. Kim Dan is there to save him from self-destruction. I would even say, the hamster’s love represents his safety belt and salvation. As for Kim Dan, the latter is destined to suffer, as he has always considered himself as powerless. And until he realized his grandmother’s mortality, he acted, as if she was his goddess. Hence he was willing to sacrifice himself for her sake. 
(chapter 16)
4. Weakness. “It consists in seeing the truth of the situation and yet clinging to life,” Tolstoy wrote. These types of people wait for a kind of divine rescue to occur or for an escape route to open up before them as if by magic. Although they do not find meaning in life and do not feel satisfied, they continue forward on autopilot. In fact, that was the position with which the writer himself identified. Tolstoy felt lost and powerless. Quoted from https://psychology-spot.com/how-to-live-with-purpose-according-to-leo-tolstoj/
And now, you know why the doctor had not projected himself into the future. He was simply surviving. Though the champion had paid off his debts, Kim Dan had not dropped his life principles: money was important, and it should be spent as quickly as possible, as if there was no tomorrow. Why? It is because he had internalized that his earnings would immediately get wired to a different bank account. That’s why he needed to be confronted his biggest fears: the loss of his job as PT. The incident would not only ruin his career, but also turn the efforts of his grandmother into meaninglessness! Don’t forget that she supported him to become a PT! He was her pride and reward! 
(chapter 47) And what was the halmoni’s wish? He should give his all to Joo Jaekyung, 
(chapter 41) and he should assist him during his matches! 
(chapter 41) Therefore I believe that in the locker room, Kim Dan must have recalled her words. She became his source of strength once again. That’s why we have parallels between these three scenes: 
(chapter 21: he was criticized by Kim Miseon, he feared to lose his halmoni) 
(chapter 47) and finally 
(chapter 50) That’s the reason why Kim Dan could become a star. Contrary to Joo Jaekyung, we didn’t assist to the birth of the yeouiju. It is no coincidence that birth is connected to pain and happiness. Mothers forget the suffering of the delivery, as their child can procure them a lot of joy and happiness.
3. The Overman Kim Dan
Striking is that Psychology and Literature are not the only fields advocating negative emotions and suffering. I have to confess that while reading Painter Of The Night, I noticed parallels between Friedrich Nietzsche’s philosophy and the Manhwa. And since Mingwa’s writing is very similar to Byeonduck’s, I am not surprised that the readers are exposed to heartache and misery. Friedrich Nietzsche, a German philosopher from the 19th Century, developed complex ideas about pain and suffering, as well as the concept of the “Übermensch”, or “Overman.”
- Pain and Suffering: Nietzsche believed that pain and suffering were inherent aspects of human existence. Nonetheless, he did not view them solely as negative experiences to be avoided. Instead, he argued that ache and hardship could serve as sources of growth, strength, and self-discovery. Nietzsche famously stated, “That which does not kill us makes us stronger,” suggesting that overcoming adversity can lead to personal development and resilience.
- Transcend Conventional Morality: Nietzsche critiqued conventional morality and values, arguing that they often inhibit individual freedom and self-expression. He described it as herd mentality. “Madness is rare in individuals – but in groups, parties, nations, and ages it is the rule.” This quote highlights Nietzsche’s critique of herd mentality, suggesting that individuals are less prone to madness or irrational behavior when acting alone, but when they become part of a collective group, they are more likely to adopt the behaviors and beliefs of the group, even if they are irrational or detrimental. To find one’s real self, he suggested transcending societal norms and conditioning, questioning traditional beliefs, and forging one’s own path based on personal values and principles. As he provocatively declared, “God is dead. God remains dead. And we have killed him.”
- Strive for Self-Overcoming and Übermensch (Overman): The concept of the Übermensch is central to Nietzsche’s philosophy. The Übermensch represents an idealized individual who transcends conventional morality and societal norms. Nietzsche saw the Übermensch as someone who creates their own values, embraces life’s challenges with courage and creativity, and strives for self-mastery and self-realization. The Übermensch is free from the constraints of traditional morality and embraces the full spectrum of human experience, including joy, suffering, and struggle. In relation to pain, Nietzsche believed that the Übermensch would not shy away from pain and suffering but would instead confront them head-on as part of the process of self-overcoming. By embracing pain and integrating it into their existence, the Übermensch achieves a higher state of being and transcends the limitations of ordinary human existence. Nietzsche wrote, “I teach you the overman. Man is something that shall be overcome.”
- Embrace Individuality: Nietzsche celebrated the uniqueness and individuality of each person, urging individuals to embrace their authentic selves without conformity or compromise. By embracing one’s individuality and embracing one’s unique strengths, weaknesses, and experiences, individuals can cultivate a deeper sense of self-awareness and authenticity. Nietzsche emphasized, “Become who you are.“
- Create Meaning and Values: According to Nietzsche, individuals have the power to create their own meaning and values in a world devoid of inherent meaning. By engaging in creative expression, pursuing passions and interests, and embracing life’s challenges with courage and resilience, individuals can discover and affirm their real selves. Nietzsche famously proclaimed, “He who has a why to live can bear almost any how.”
In essence, Nietzsche’s philosophy offers a provocative perspective on finding one’s real self in the face of suffering, pain, and adversity. This reminds us of the famous sparring in episode 26.
(Chapter 26) By embracing misfortune, transcending conventional morality, striving for self-overcoming, embracing individuality, and creating meaning and values, individuals can embark on a journey of self-discovery and self-actualization, ultimately becoming the architects of their own lives. At the heart of Nietzsche’s vision lies the concept of the Übermensch, or Overman, who embodies the pinnacle of human potential and serves as a beacon of courage, creativity, and self-mastery. Through the pursuit of the Übermensch ideal, individuals can transcend their limitations, confront their fears, and forge their own destinies, thereby finding their true selves in the process.
If you watched the video, then you know why doc Dan 
(chapter 5) or Heesung drank alcohol 
(chapter 35). Both were trying to numb their pain, though they shouldn’t have according to the German philosopher. The soju stopped them from becoming the better version of themselves. I am suspecting that doc Dan copied this poor habit from his grandmother, who drank in secret. Don’t forget that in all the memories, the halmoni is smiling (chapter 47), though she must have struggled a lot. Her smile is a sign that she tried not to burden her grandson. However, her toxic positivity had the opposite effect.
And now, you are wondering how chapter 50 is linked to Overman and Kim Dan. From my perspective, when we look at this scene, ‘ (chapter 50) we shouldn’t see it as a betrayal, rather as an opportunity for Kim Dan. He is not following the herd, because he needs to reflect on the incident. (chapter 50) The latter forced the doctor to question his identity and his desires. What does he want to be in life? Let’s not forget that he selected PT because of his grandmother. 
(chapter 47) In other words, he had selected this job, as he was following traditions and expectations. Only in episode 47, he realized that she was his real motivation. Yet, he discovered shortly after that she is about to die. Thus he needs to find a new motivation for his job, or better said, he needs to question himself about his profession. Does he truly want to be a physical therapist? Since the beginning of the story, doc Dan has never identified himself as a physical therapist. Thus he accepted to be judged as a whore 
(chapter 16) or as a tool for the jinx, therefore he mopped the floor
(chapter 36), acting like an errand boy. Then he doubted Heesung’s words and admiration 
(chapter 31) 
(chapter 31). Furthermore, he took a side gig in order to buy the champion’s present and finally, he rejected Choi Gilseok’s praise and offer. 
(chapter 48) He was always diminishing himself as a doctor. Therefore in the locker room, he was confronted with his biggest fear: is he really a physical therapist? 
(chapter 50) He injured his patient. The spray is there to let him see that he has power in his hands. He should trust himself and his magical hands. Don’t forget that this request was made by Joo Jaekyung. (Chapter 49) He never asked him for his expertise and advice. He practiced self-medication in the end. Thus his karma was to be betrayed by the drug, since he keeps mistrusting people. In other words, because of the switch, Kim Dan is encouraged to become brave, to see his job as a great chance: his power is in his hands and nothing else. Heesung described it as magical touch. Doc Dan is talented and he is the champion’s private physical therapist 
(chapter 50) And from my point of view, the locker room became the doctor’s new temple. There, he must have recalled his grandmother’s wishes. She would like to see him on TV. For me, the light over his head symbolizes Enlightenment. He has become the champion’s yeouiju. Thus I deduce that Kim Dan is on the verge of proving his worth to Team Black. I am anticipating, he will approach the ring, and even treat him during a break, something he denied to his halmoni. (chapter 41) This signifies that he has to become strong and determined, for he has to impose himself in front of the other hyungs. By intervening, he would not only prove his innocence, but also earn his right to be viewed as a hyung! So far, the doctor was always excluded from the meetings, though the manager and advisors should have asked for his opinion. Don’t forget that till episode 42, he relied on the recommendations from other physicians and therapists. If this theory comes true, Joo Jaekyung would show to the public that he is trusting him. This would stand in contrast to this image. (chapter 50). Let’s not forget that MFC doctors can not intervene during a match, but only before or after. Like in the video above, I am expecting that Kim Dan will distinguish himself from the others! PArk Namwook only appeared in the spotlight after his boy’s victories. 
(chapter 5) 
(chapter 40) I am expecting a surprise in the next episode. Kim Dan will no longer stand in the shadow, he will no longer follow the “herd”. But there is another reason why I am hoping for such an intervention. It is because neither Baek Junmin nor Choi Gilseok are not expecting the intervention of the physical therapist during the fight, for it never happened before. Besides, the demon could see that their trick had worked. 
(chapter 50) It is relevant, because through such an intervention, hamster Dan would teach the champion an important lesson. He is not alone in the ring, the doctor is watching his physical condition and helping him. 
For me, chapter 50 announces a new start! Interesting is that the number 50 is associated with the planet Mercury which stands for poison but also medicine! And now, you comprehend why I consider the painful chapter as treatment sessions. The two protagonists are forced to redefine themselves. Joo Jaekyung might be injured, but he no longer sees himself jinxed! (chapter 50) And keep in mind that the poster was portraying the two fighters looking at hamster Dan (as Dan means red and sweet in Korean). 
(chapter 48) So the moment you perceive this moment )chapter 50) as something positive, Kim Dan is on the verge of turning over a new leaf, similar to the one in episode 19, 
(chapter 19), this signifies that Potato was acting like a true friend in the locker room. (chapter 50) He had truly grasped what Kim Dan was going through, and he was giving him a good advice. He was not abandoning his hyung, he was taking care of Kim Dan in his own way. His words were actually showing genuine care and true interest. To conclude, anguish is there to turn Kim Dan into a hero! But so far, he was standing in the shadow! 
(chapter 37) 
(chapter 40) 
(chapter 42) In the first part of Jinx, the doctor was the star’s companion of the night, but since the incident with the birthday present, he stopped being the night partner. Now, he is about to become the famous private physical therapist acknowledged by the public and media. In other words, his destiny contrasts to Baek Junmin’s, a shooting star, it will last longer. Why? It is because the main lead is Saturn! He brings fortune and karma to the evildoers. This interpretation corresponds to Übermensch from Nietzsche, which is sometimes translated as “Superman”. Under this new light, you comprehend why I added the protagonist’s pink angel wings. It was an allusion to his transformation, he is destined to become an “Overman” or Superman. 
And this brings me to my next observation. The doctor’s pain is exposing his recovery! Weird, right?
4. Healing
But discomfort and pain are strongly intertwined with healing. What? Another video! Yes, watch this while thinking of Kim Dan and Joo Jaekyung.
I have to admit that I will use mostly Kim Dan as an illustration in order to prove his recovery, as the essay is already getting very long.
1. You allow yourself to feel your emotions. In chapter 47, the doctor accepted his halmoni’s imminent death 
(chapter 47) and his agony. He was no longer under the influence of toxic positivity. While he cried, he admitted his flaws making him realize that he had never been abandoned by his grandmother. 
(chapter 47) That’s how he overcame his abandonment issues.
2. You’re getting better at expressing and maintaining boundaries. I could use the following panels as illustrations that Kim Dan is getting better at setting boundaries. 
(chapter 27) For the first time, he rejected a suggestion from his lover and even slapped his hand. 
(chapter 37) He wanted the party to continue. It shows that he was having a good time with Oh Daehyun and Potato. He has no problem to stop kissing his soulmate, when the latter shows his discomfort. 
(chapter 44)
3. You accept that you’ve been through difficult experiences 
. (chapter 36)
4. You’re less reactive and more responsive. Before the incident took place, he made sure that everything was fine. He was meticulous and proactive. 
(chapter 49) He didn’t wait for an order from PArk Namwook or the champion.
5. You realize that healing is not linear. Therefore it is normal that the relationship between the two protagonists is progressing or regressing. 
(chapter 50) They are trying to find themselves, therefore they must constantly adapt to each other. While the image gives the impression that the trust between them is vanishing, it is in reality an illusion. People should pay attention to the color of the speech bubble. It is white, there is no point of explanation. It reveals that the champion is not raising his voice. He is rather calm. In reality, the champion was not truly mad at Kim Dan. He was restraining himself. Jinx-philes should compare this image to the following two panels: 
(chapter 34) (chapter 45) As you can see, Joo Jaekyung is not glaring at the poor doctor. He didn’t yell at his lover too, and he never took the spray away from his lover and threw it like the golden medal! 
(chapter 45) And now, you comprehend why I stated earlier that he acted rather instinctively. For me, he still trusts the physical therapist.
6. You begin to step out of your comfort zone. Despite the rejection, he didn’t run away. He still went to the arena. (chapter 50)
7. You easily accept disappointments and take them in stride. Though he was scared and hurt, he answered to Namwook. He never apologized for the incident. 
(chapter 50) He is no longer blaming himself. He refused to admit his wrongdoing. He didn’t commit any mistake.
8. You have more inner peace. (chapter 44)
9. You welcome help and support. In this scene, he accepted the assistance of Potato. (chapter 49) After watching the video, I realized what Kim Dan’s next step should be: asking for help! In the beginning of Jinx, he was always relying on himself. He rejected any help. 
(chapter 18) When the champion paid off his debts, he saw it as meddling. Interesting is that he came to accept the champion’s support, but he never asked for Joo Jaekyung’s help directly. In addition, Jinx-philes should notice that in the interrogation room, he thought just about the champion and not himself. 
(chapter 40) It never came to his mind that he should ask for assistance. Finally, observe that after he got drugged in the States, he let the champion deal with the problem. 
(chapter 41) He accepted the statement from his boss. Nevertheless, doc Dan was the real victim. He should have become more involved in the matter. Besides, he was a witness. And this brings me to my next thought: if Kim Dan gets into trouble, he should remember Heesung’s words: he should give him a call! 
(chapter 35) For me, the incident is there to teach Kim Dan that he can ask for help! This would show him that he is no longer alone. He wouldn’t appear weak at all. That’s how he would end up to gain his first friends. Let’s not forget that Heesung’s relationship with the doctor is no longer tainted by money or by lust or greed. In fact, thanks to him, he found his soulmate. What unites Kim Dan and Heesung is the heart and the desire to help. Heesung stands for brotherhood, so he could be the one outlining the problems to Team Black. Finally since Potato likes Doc Dan very much, there is no doubt that Heesung and Potato will work together to assist the main lead. This image still exposed doc Dan’s loneliness. He needs to have a true friend. And Heesung would be the perfect person, for he is cunning and quite perceptive about people’s true nature. In fact, he already possesses certain features that Nietzsche admires. He is disregarding social norms 
(chapter 33). He is not hiding his sexual orientation, he is greedy, but in a good way. Hence he tried to win the doctor’s heart. He never gave up, till he was properly rejected by the doctor. 
(Chapter 35) Interesting is that after his confession, he still chose to come clean with the doctor. He revealed the truth to Kim Dan, though he could have lost the protagonist’s respect. He admitted his lie and manipulation, 
(Chapter 35), but Kim Dan’s reaction was not to scold his future friend. In fact, he appreciated his honesty. In front of Kim Dan, he could show his true self. He was not entirely a good guy, but he didn’t get rejected. But so far, the actor is not present in the arena. Therefore Potato could be the first person Kim Dan asks for help. He shares some similarities with his soulmate. He doesn’t fear people’s gaze, hence he raised his voice under the tent. 
(chapter 35) he doesn’t represent the herd mentality, for he never thinks and acts like others. 
(chapter 31) While the fighters all liked the actor, he judged him in a different light. Then he was not present during the champion’s birthday. Therefore he possesses all the qualities to become a hero. He could cause a scandal, 
(chapter 49) similarly to his idol and hero in the States. He noticed the issue right away: the security didn’t do his job properly. To sum up, Potato would follow his foot steps and that’s how he would get noticed by MFC!
But there exists another evidence that the cute hamster is healing. For the first time, he asked WHY! 
(chapter 50) The word is displaying that the doctor is not accepting the incident simply like that. It is showing that the doctor is slowly losing his naivety. Before the incident with the spray took place, he still trusted the words from people. 
(chapter 49) Naturally, he can not get rid of his naivety totally, for keeping a certain purity is necessary in life too. On the other hand, it becomes clear that his naivety is the result from his education. The halmoni is herself quite too trusting. Hence she ended up being harassed by loan sharks. On the other hand, the incident was like an eye-opener for the physical therapist. He should stop judging people based on their words (chapter 43) but on their actions.
- 1. Recognize When People Are Manipulating you.
- 2. Learn to Say No. Politely but firmly
- 3. Don’t Be an Open book.
- 4. Trust Your instincts.
- 5. Don’t Assume Everyone Has Good intentions.
- 6. Pay Attention to People’s Actions, Not Just Their Words.
- 7. Guard Your Time and Don’t Be a People-pleaser.
(Chapter 32) - 8. Don’t Loan Money or Co-Sign Loans for People You Barely know.
- 9. Don’t Believe Everything You’re told.
- 10. Look for Actions, Not Just words.
- 11. Question Everything
- Conclusion Quoted from https://www.believeinmind.com/mindset/how-to-stop-being-naive/
The vanishing of his naivety is caused by his constant suffering. Because he got deceived twice 
(chapter 1) 
(chapter 1) by bosses, it becomes comprehensible why he didn’t fall into the trap a third time. 
(Chapter 48) He is pushed to question impressions and people’s motivations. As a conclusion, anguish is a tool to push people to become wiser and happier. And this leads me to my final part.
5. Painful pattern und fortunetelling
I discovered another pattern, which is strongly intertwined with suffering and purpose. For the first match, Joo JAekyung, his coach and his manager left to Busan without him. However, due to a pain, Kim Dan had to join them. Thus he came running. 
(chapter 14) But back then, Kim Dan didn’t mind staying in Seoul. 
(chapter 13) Furthermore, after having sex in the locker room, Kim Dan was left behind. 
(chapter 15) And notice that this pattern was the same in the States. For the second match, Team Black left without him, hence Kim Dan arrived late. 
(chapter 40) Therefore he was running once again. However, back then, no readers felt angry at the team, though it could also be perceived as a betrayal and abandonment! Kim Dan was not perceived as necessary, neither for Joo Jaekyung nor for Park Namwook. Hence the bedroom could be judged as the place of the betrayal: “
(chapter 40) That’s how I realized why the Webtoonist never showed the athlete’s caring gesture. He moved him in the middle of the bed! It is because the celebrity was still not treating his soulmate as a physical therapist. The second reason for the absence of anger is that Kim Dan had been drugged and as such was not fit. In addition, he needed to rest after having sex for the whole night. And now, you comprehend why the doctor could get dragged away by the MFC security guards, and no one from Team Black intervened. 
(chapter 40) It was to outline their previous disregard and betrayal! Thanks to Potato, Joo Jaekyung got informed, hence he could rescue the physical therapist. 
(chapter 40) But he never revealed the hamster’s role in the team! This explains why Kim Dan was used by Choi Gilseok. He needs to expose his role in Team Black to the world. He is the champion’s private PT!
| Chapter 13-14-15 | Chapter 40/41 | Chapter 49-50 |
|---|---|---|
| 1. Match: Randy Booker | 2. Match with Dominic Hill | 3. Match with Baek Junmin |
| They left without him | They left without him | They left without him |
| He arrived late to the arena. He had to run. | He arrived late to the arena. Hence he had to run , but no one was expecting him except Potato.  | He arrived late in the arena. Contrary to the two previous fights, the match has already started, when the doctor reaches the stadium. Thus he didn’t see the shoulder injury. But this time, he is not running. Once again, only Potato is expecting him: “Take your time, doc Dan”. |
| He was left behind in the locker room. | He was left in the bedroom behind.  | He was left behind in the locker room |
He has no uniform of Team Black, hence Joo JAekyung gave him his own jacket. But the latter was taken away later  He has just his blue uniform. | He has now his own jacket which he is carrying with the blue uniform. | He has the jacket and uniform |
He was interrogated by a MFC security guard  | He is interrogated by MFC security guys and they are framing.  | |
There was a checkup from MFC doctors , for both characters. (chapter 41) | Joo Jaekyung went to the MFC medical center  Hence he could get into trouble! The MFC could report the incident to the authorities! |
Since I detected similarities between the three matches, I can’t help myself thinking that Kim Dan will be interrogated again. He could end up dragged away after the match. But this time, the champion can not save him, as he is himself badly injured. Therefore expect another anguish in the next episode! Since my theory is that MFC doctors are corrupted, there’s a high chance that the doctors will frame Kim Dan. And now, you comprehend why Kim Dan needs more than ever a friend who can help him! Potato is the witness of the doctor’s innocence 
(chapter 49) in both cases! He was present, when Kim Dan drank the drugged beverage. 
(chapter 38) To conclude, it was not in Kim Dan’s interest to run away or hide! This would have been judged as a sign of his culpability and complicity. He needs to face the problems so that he can shape his destiny with his own hands and not remain the playball of dark forces! Yes, this chapter announces a huge change at Team Black, the start of a real friendship between two puppies. 😉
I hope, this long essay gave you the strength to keep reading this terrific Manhwa! Let’s us become a better version of ourselves and embrace the pain, as it means that we are not indifferent and even changing.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 48) Why did the Webtoonist gave us the time, when the next episode starts another day? On the one hand, it exposes that the schemers knew about the champion’s nightly activities. He wouldn’t sleep much and he would keep his cellphone next to him. 
(chapter 48) It shows once again that the traitor is close to the athlete, for he knows about his way of life. Furthermore, the unknown person could text to the champion, hence this means that his cellphone number got leaked by a person close to him. On the other hand, I am quite certain, the Webtoonist desired to fool her readers making them anticipate a confrontation between the two protagonists. However, nothing happened indicating that Joo Jaekyung didn’t react, like the plotters had anticipated it. Thus they had to create a new scheme. First, let’s not forget that they had used a similar method in the past. 
(chapter 35) This made me think of Painter of The Night and No-Name’s advice: 
(chapter 76) “A deed once foiled has no chance of success the second time around”.The criminal was referring to learning through experience. After going through such an event once, the athlete is no longer caught by surprise. We could say that he learned not to jump to conclusions and control his emotions. That’s the reason why in episode 48 he remained level-headed. Because the champion didn’t get angry, he could be more attentive. 
(chapter 48) Secondly, 
(Chapter 48) The irony is that the doctor had been able to treat the star’s injury. For me, the Summer Night’s Dream played a huge role, as during that night, Joo Jaekyung felt treasured and loved. Therefore the pictures could only expose the duplicity of the director of King of MMA. Under this new light, it becomes understandable why the celebrity didn’t fall into their trap and why they had to turn doc Dan into a traitor by giving him a weapon without his knowledge. Finally, I believe that Joo Jaekyung had another reason not to confront the physical therapist. How so? It is because he had sent away his soulmate, while the latter had approached him. 
(chapter 48) He had missed the opportunity.
(chapter 30) Here, he wished to seek the doctor’s closeness. Nonetheless, if he had gone to Kim Dan’s bedroom during that night, he would have achieved the opposite: he would have created distance and caused an argument. The latter could have told him that he was looking out for himself, for Joo Jaekyung had threatened to fire him. Through these observations, it becomes visible why the athlete couldn’t ask Kim Dan at all. Consequently, I come to the conclusion that the clock 
(chapter 2) He is not jinxed, but his failures are the result of his bad choices, like for example trusting the wrong people or not listening to the trustworthy ones or keeping secrets. Or we could say that he is just the product of his education and childhood. He is cursed, for he was not properly raised. He refused to listen to his PT, when the latter wished to tell him something. 
(chapter 47) Under this new light, Manhwa-lovers can comprehend why he looked annoyed in the hallway. 
(chapter 49) The gaze displays not only worry and anxiety, but also regret. It was too late to ask the doctor. For me, he chose silence, for he was regretting his reactions in the penthouse. He feared to ask Kim Dan, because if he brought up the meeting with Choi Gilseok, this could push the hamster to quit his job. However, thanks to Kim Dan, the star’s condition improved greatly. That’s how it dawned on me why the champion became a beast and why he is hiding his past:
(chapter 26) It is because the man is full of regrets and resent. But by creating new regrets, the champion is incited to focus more on the present so that he stops missing the timing. Because of his immense regrets and frustration, he was still trapped in the past. So he was unable to move on. To conclude, Kim Dan and Baek Junmin pushed him to face his youth and the source of his own unhappiness. His biggest suffering is a secret, because he would appear as weak and pitiful which would ruin his image as the strongest man in the world.
(chapter 12) the couple was supposed to reach Nirvana, but the athlete failed terribly. Under this new light, it becomes comprehensible why the protagonist chose not to confront Kim Dan in episode 48. It was, as if the champion was closer to the heavens. This represents the champion’s leap of faith. Don’t forget that the star got scared for one moment
(chapter 48), when he noticed doc Dan’s presence too late. But nothing happened to him, that’s how he got incited to trust Kim Dan. The latter wouldn’t backstab him. Under the blue light, the champion got transformed. 
(chapter 48) On the other side, the fact that the champion is always targeted during the night is a sign that the villains desired to approach him, when he was isolated. So they know not only about his insomnia, but also about his solitude. I would even add that the plotters are aware of his association between the night and danger. Remember how he described relaxation: he would give an opportunity to his enemies to attack him 
(chapter 29) This new observation reinforces my past theory: he would be suffering from Somniphobia due to traumas. [For more read 
(chapter 13) It is important, because through this terrible experience, Joo Jaekyung came to internalize the connection between sex and danger. This would explain why he has been so rough in bed before. He came to see it as a normality, a sign that his perception of sex had been negatively influenced. And this can only come from bad experiences. It had nothing to do with “enjoying the moment”, until the protagonist met the shy hamster. We can see his gradual transformation. In episode 12, he definitely saw the night as “carpe diem” 
(chapter 49) In the previous essay, I had mentioned the theory that the champion might have been raped and even gangraped which would fit the criteria (sex, danger and urgency). Finally, the recurrence of “delicacy” during the night is an indication that the athlete must have been like Kim Dan in the past! Vulnerable and alone!
(chapter 21) Furthermore, the champion exposed why he could never relax: 
and 48: 
(chapter 19) or a new request like swallowing the sperm 
(chapter 39) or kissing the champion’s ruined ears 
(chapter 44)
(chapter 30) He was rough and used the toothpaste as an excuse. 
(Chapter 29)
(Chapter 40) That’s the moment he stopped considering the hamster as a prostitute, while from chapter 2 to 18, he viewed Kim Dan as a tool, as a talisman against his jinx. However, I detected a transition after he kissed the physical therapist. From that moment on, the doctor was connected to food and sweetness. 
(Chapter 18) And now, observe that during the night in the bathroom, doc Dan was associated with a baby receiving food:
(chapter 20) As you can see, here the champion started viewing him as a human being. It exposes that little by little, his perception of the physical therapist improved. So from chapter 30 to 39, Joo Jaekyung was forced to question the nature of his relationship with Kim Dan: a PT or a prostitute or a pet? 
(Chapter 34) Here, he was in denial, he described the main lead as a possession, but he couldn’t fool the actor. Under this new light, it becomes comprehensible why the nights in chapter 19, 29 and 39 were so magical, they announced a transition or better the end of viewing Kim Dan as an object (tool for his jinx) and possession. From 41 to 49, the champion was cornered to recognize Kim Dan as a physical therapist and not just as a member from Team Black. Don’t forget his attitude in the car, when the main lead suggested him not to train. 
(Chapter 42) He rejected his advice, a sign that he was doubting doc Dan’s skills and competences. That’s the reason why I come to the conclusion that with the pictures, the champion was pushed to admit that Kim Dan is his physical therapist 
(Chapter 49) 
(chapter 34), then the fake star Baek Junmin
(chapter 49). These meetings are not random at all, a sign that someone knows about the athlete’s hidden suffering very well. Observe that both characters challenged the celebrity by giving him an order: 
(chapter 34) “Don’t get in the way” and “make sure you give her a good polish”. 
(chapter 49) The sportsman is viewed as a hindrance to their dreams, he should clear the way for them. I deduce that in his youth, people must have treated him the same way. He represented an obstacle, therefore these two figures must have challenged him in the past too. Their confidence comes from their past experiences with the athlete. Both must have defeated Joo Jaekyung, but naturally they must have tricked him. 
(chapter 33) 
(chapter 49) Then I noticed another parallel between the two plots: the presence of a scapegoat, and the involvement of a third person. Heesung faked his injury by putting the blame on the athlete, while he asked Kim Dan as compensation. In the second plot, the roles are switched. Kim Dan is now the perpetrator, while the athlete is the victim! Baek Junmin is the beneficiary of this scheme. And what do these plots have in common? Joo Jaekyung is the victim of a trick, though Heesung’s manipulation was rather benign. First, he acted on his own. 
(Chapter 31) Moreover, he utilized the genuine concern and innocence of his surroundings. In other words, he used his image as a good and honest man to his advantage. Thus I come to the conclusion that the artist’s sin in their youth was rather minor, as the artist tends to violate social norms. So though it was no illegal, the actor’s wrongdoing definitely left scars on the protagonist’s heart. 
(chapter 29) Probably, Heesung utilized Joo Jaekyung’s innocence to his advantage in order to maintain his good reputation, like for example he was not supposed to be smoking or he took away a friend from him, as the topic of their conversation was about the theft of a person 
(chapter 30), because it always makes him appear as a well-mannered and honest man. He gets fun at his frenemy’s expense. In addition, he could play tricks without getting caught… and the other would appear as the bad guy and take the blame, like we could observe at the gym with the manager’s judgement. 
(Chapter 30) Another common denominator between The Shotgun and Heesung is their envy and greed. 
(chapter 46) could be seen as a reflection from the arcade and the star’s past. And since Kim Dan wounded Joo Jaekyung in the locker room 
(chapter 49), I deduce that such an action must have happened in the champion’s youth. He got not only hurt by people, but also betrayed by a friend. There exists many reasons for this hypothesis.
(Chapter 04) and be rude towards others. 
(Chapter 7) 
(chapter 37) But Mingwa left many clues that the celebrity’s personality shouldn’t be judged by impressions. During their first night together, Manhwa-lovers could see books next to the bed. 
(Chapter 3) Some of them are not written in Korean or English. Moreover, the Webtoonist revealed that one of his hobbies is reading. This explains why he can talk prettily. 
(chapter 22) This shows that his behavior mirrors the counterpart’s. Consequently, it is not surprising that the champion is rough with his own body, as Park Namwook is not treating him like a delicate child. 
(Chapter 40) Compare Kim Dan’s English skills in the same scene: 
(chapter 40) Besides, Jinx-philes should question why Mingwa is not divulging his scores as a student contrary to Kim Dan or Jinwon from BJ Alex. It is because she wants to create a certain image about the champion: he is a bad boy. In my eyes, she is playing with prejudices about MMA fighters. People often imagine, they lack social manners and education. They chose this path, for they could do nothing else. And this brings me to my next remark. We know that Kim Dan selected PT because of his halmoni. 
(chapter 26) Joo Jaekyung was also an amateur in the past, but his motivations were his rage and resent. On the other hand, contrary to his soulmate, the athlete likes sports as well. His other hobbies are jogging and swimming. Thus I am suspecting that Joo Jaekyung might have been part of a swimming club in the past. Striking is that he forgot his passion due to his career as a MMA champion. 
(chapter 27) I see a contrast between these two sports: swimming which is related to relaxation, pleasure and fun and MMA fighting which stands for challenge, pain and seriousness. This contrast is even more present in the following panel: 
(chapter 49) Is it a coincidence that this Enlightenment took place under the shower? For me, no! I see a strong link between water, swimming and the champion’s job. It looked like swimming represents a source of danger for the athlete’s job, as it is an entertainment! Hence I can’t shake the feeling that in the past, Joo Jaekyung might have shown aptitude for becoming a natation athlete! Let’s not forget that for the calendar 2024, the champion was seen carrying swimming googles and not “MMA gloves”. This detail caught my attention and made me wonder why Mingwa selected these items. 
(chapter 49) He is a hyena, hence his color is brown. 
(Chapter 48) And The Shotgun has a similar attitude: 
(chapter 49) Interesting is that his description of the challengers fits the situation in the new plot perfectly. The Shotgun imagines that he will fight against a diminished champion. His shoulder is injured and they have planned to add a new injury. The hyena stands for balance and cleansing as their task is to remove the weak ones.
(chapter 49) As an old man, Choi Heesung is revealing vulnerability and senility. Due to his old age, he could be replaced by another hyena, a younger hyena!
(chapter 5), as he is the only person who has not appeared yet, though the champion has his cellphone number. And this remark brings me back to the present and the night messages and the hyenas.
(chapter 36) which could only affect the members from Team Black. Their loyalty could waver. Then he got to hear bad comments from the Internet
(chapter 36), creating the illusion that he was losing popularity. That’s how the lawyer could convince the champion to accept a new match in such a short-time. Finally he got reprimanded for his outburst. 
(chapter 36) Under this new perception, Manhwaphiles can grasp why the MFC manager offered him a new defy right away. They needed to exploit his injury! 
(chapter 13) This could have ended badly. Another wrongdoing could be the rejection of his birthday present and his harsh reaction. 
(chapter 48) Through them, the champion is learning that hunting weak and pitiful creatures is not only a sin, but also a crime! In the first case, he could be accused of hurting an innocent.
(chapter 11) He wished to receive attention and to have a normal conversation. Consequently, I assume that the champion has been copying his role model. That’s how he was pushed to grow up too quickly. For me, he had no childhood at all, hence when he met Kim Dan, he was encouraged to develop his inner child!
(chapter 26) For the first time, he had fun sparring. Hence he kept smiling. It is no coincidence that soon after he chose to accept to take a day-off, when Kim Dan made the suggestion. 
(chapter 27) That’s how he remembered that he liked swimming and he could play a prank on his lover. 
(chapter 27) Here, he could smile, because it was fun and there was no real expectation. It was not truly connected to money. 
(chapter 35) and not in episode 48. It is because Kim Dan had paid him a visit during that night, a sign that he was thinking of him as his patient and VIP client. 
(Chapter 48) On the other hand, I am inclined to think that when a terrible incident in his youth occurred, he couldn’t contact his family or guardian. Hence he keeps his cellphone by his side constantly. Yes, I was thinking of the doctor’s assault in the street and his failed rape: 
(Chapter 16) Heo Namwook’s minions had confiscated his cellphone. Hence it was impossible for him to call for help. And now take a closer look at this scene:
(Chapter 16) Though he had been on the phone and it was daylight, no one stopped the thugs from kidnapping the main lead or reported the incident to the police. Hence I am also suspecting that Joo Jaekyung must have faced a similar situation: he was surrounded by malicious people and no one had assisted him. So he could have been targeting at school due to his grads or his social status. And his isolation at home could push to seek company outside, to look for friends at school. 
(chapter 37) 
(chapter 49) And the anonymous person on the other side of the phone was definitely calling in order to be updated about Joo Jaekyung, for his coach asked him about his physical conditions. 
(chapter 49) That could be the hidden guardian who has not showed up yet, I am thinking of Seo Gichan. And now it is time to close this long essay. 
(chapter 49) Under this new light, my inquisitive readers can understand the title of this composition. My focus will be the infamous sportsman and his interactions with the main lead, in the past and present. Consequently, the composition will contain theories about the champion’s past. Nevertheless, since I am examining the present, it signifies that I will explain Baek Junmin’s role in the new scheme too. So who is Baek Junmin in the end? In the essay “
(chapter 49) It exposes his duplicity. Because of his sobriquet and his color, I assume that the schemers consider the boxer as a weapon. His role is to kill the Emperor, and probably in one blow. He is the executioner of the invincible legend. It should be a quick, merciless “death”. From that fight, Baek Junmin has to ensure that Joo Jaekyung can never come back to the ring. How is it possible? 
(chapter 49) It is because they know about his injured shoulder. That’s the reason why Baek Junmin is patting him on his left shoulder. Remember what the sports doctor told to the physical therapist: 
(chapter 42) He was on the verge of getting surgery. Besides, it is important what the manager suggested to his “boy”: 
(chapter 47) He should make the fight last in order to tire his opponent out. So the plotters thought that during the fight, Joo Jaekyung would ask for a relief spray on his injured shoulder. That would be the end for him. Kim Dan would even deliver him the victory on a silver plate. He would be framed as an anti-fan. The irony is that Kim Dan could heal his VIP client within a short time. Here, the champion looks relaxed and not concerned with his shoulder. 
(chapter 49) He has now taken over the manager’s place. This reflects the doctor’s rising within Team Black. At the same time, this expression lets us perceive the role of Baek Junmin at King Of MMA gym. He is the protector of Choi Gilseok, the “old man”. On the other hand, his position also insinuates his passivity, as he is not the driver, like here. 
(chapter 49) The director had to suffer a great humiliation for this trick, while a helping hand had to switch the spray. For me, the expression “The Shotgun” displays the inaction from Baek Junmin. He was catapulted to the top thanks to the assistance of others: Mr Choi thanks to his money and connections with the media and with the CEO of MFC. Then the members from his gym had to gathered intel about his opponents. This was truly palpable in the description from the moderator. 
(chapter 47) Where did I find the evidence for this? It is because Seok (from Gilseok) can signify “brass”! As you can see, thanks to two different notions “shotgun”, I could give a better portrait of the fake star. But this is far from being finished. Funny is that “Shotgun ” can also refer to a position in American football.
(chapter 49) It was, as if the team of King of MMA had scored a goal by bringing the pepper spray to the other side and switching it with the relief spray. 
(chapter 49) And what is the common denominator between the meaning “firearm” and “American football position”? Attack! But there’s more to it. As adjective, “shotgun” is indicating coercion and duress. And this corresponds to Choi Gilseok and Baek Junmin’s tactics. The director tried to put the physical therapist under pressure, when he met him in the café: 
(chapter 49) By meeting Kim Dan there, 
(chapter 49) he tried to sow seeds of doubt and even discord between the couple. It was to give the impression, they were working together. But the champion didn’t fall for it. The reason is that his fated partner was able to heal his injured shoulder. As a hypocrite and arrogant fighter, he utilized his small talk to threaten Joo Jaekyung. 
(chapter 49) Interesting is that “shotgun” can also refer to a flat. 
(chapter 10)
(chapter 10) And what was the couple’s reaction during that night? While Kim Dan wept, as he was longing for his grandma 
(chapter 10), exposing his abandonment issues, the other looked down first on the physical therapist 
(chapter 10) before he had a change of heart. Kim Dan’s plea had moved his heart. 
(chapter 43) He could recognize the alcohol, a sign that he must have tasted it before. His threat and anger were masking his fears. For me, he had a terrible experience with alcohol. And this brings me to the last signification of “Shotgun”: SEX! This was already brought up with the quote above, but I am quite sure that people have already heard the expression “Shotgun wedding”. Then I also found this description “Shotgun Sex”:
(chapter 6), when Kim Dan had accepted the deal from the main lead. The erected phallus looks like a weapon and Kim Dan also made the connection, when he saw his huge anaconda with the sex toy: 
(Chapter 12) The idiom “shotgun sex” suggests a situation where sexual intercourse occurs hastily and impulsively. It has nothing to do with love and warmth. It is something done quickly or without much forethought, which corresponds to the scene in chapter 6. 
(chapter 6) And what do we see here? Submission! 
(chapter 17) Don’t forget that during that night, the soju was present as well. 
(chapter 17) Because of his nickname and the reflections from episode 10 and 17, I deduce that Baek Junmin was present, but he didn’t help the athlete. He turned a blind eye to the situation. 
(chapter 11) Though Joo Jaekyung despised the doctor and called him pathetic, he still accepted his request. But let’s return our attention to The Shotgun. Moreover, the fact that he employed the expression “kid” insinuates that Baek Junmin is older than the athlete. So he could have the same age than Kim Dan. I feel like the physical therapist is slowly taking over Baek Junmin’s place. He is on the verge to shine like a star. With the theory of a gangrape or rape (phallus as a weapon), we would have the explanation why the criminal insulted the athlete with “A little bitch ass punk”. He was describing him as a poser and “douchebag”, whereas in verity, he is the coward. Hence he resorts to tricks to achieve his goal. And now, you comprehend why the champion felt the need to clean his hair after meeting the fake star. 
(chapter 49) He usually takes a shower in the morning, however this scene took place in the evening. Under this new light, it becomes comprehensible as well why Joo Jaekyung couldn’t remember the criminal 
(chapter 49). It is related to a painful but short experience which scarred the athlete’s heart and soul.
(chapter 49) It is because the latter had repressed his traumatic past. The other reason he didn’t remember him is that the latter had betrayed him. He was not worthy of being remembered and being noticed. Would you remember a poser and coward? No, not really. In my opinion, Baek Junmin stands for immaturity, betrayal, irresponsibility and false manhood.
(chapter 18) and why both have no notion of “rape”. Joo Jaekyung must have been told that he was “responsible” for his misery, just like in this scene: “You did this”.
(chapter 6) He brought him upon himself. He shouldn’t have drunk or taken drugs, he shouldn’t have been weak, he shouldn’t have been there that night… I see his statement there as an evidence for manipulations
(chapter 18) If they are criminals, then the authorities should be informed, because the latter need to stop them, to make things worse for them. It was, as if he was advocating loansharking, though it is illegal. One might argue about this theory, for I deduced it simply from the name The Shotgun and its different reflections. However, Mingwa left us two other clues for this hypothesis.
(chapter 20) But contrary to the physical therapist, the champion had never denied the existence of his body. He didn’t need to look at his reflection to see any change. The pondering was triggered by The Shotgun’s words. Baek Junmin saw the protagonist in a different light: weak and pitiful. 
(chapter 49) and not looking at his own reflection. Here we were witnessing the birth of the champion’s third eye. In addition, this scene corresponds to the one in episode 3: 
(chapter 3) As you can see, the moment you connect these two scenes, it becomes clear that there was no sex. In episode 3, the doctor was fetched and had to have sex, while in episode 49, the PT waited for a signal from his boss, but it never came. Furthermore, the bathroom is the only place where the athlete doesn’t bring his cellphone! And the latter represents a huge hindrance to his meditation, like Jin-philes could observe it in chapter 35: 
Gradually, Kim Dan came to accept the truth: his grandmother couldn’t keep her promise, as she would never recover from her illness. He went on his knees, too devastated by the terrible news. However, he didn’t question the doctor’s action and behavior. Nonetheless, he was able to move on. He was forced to mature and become more independent. 
(chapter 49) without getting disturbed. But don’t misunderstand me. I am not saying that the athlete was weeping. What I meant is that he was admitting the existence of his pain and suffering. This represents an important step to treat his own body with kindness. 
(chapter 28) Because of this special day and night, Kim Dan came to accept sex and sensuality in his life. 
(chapter 29) 
(chapter 36) As you can see, all the scenes reflecting the bathroom scene in episode 49 contain SEX. Hence I see it as another evidence that the sex during that night had a different meaning: it was more a habit than a real need. And don’t forget that in the States, he had already complained about the timing. 
(chapter 39) He didn’t feel like “fucking” and it must have been the same during that night before the match. And if he had been sexually assaulted, anyone would comprehend why he didn’t feel any desire. Under this new light, Manhwaworms can understand why the title is “Embracing change”. 
The star is gradually dropping his old belief. He is one step closer to realize that he is not jinxed, he is strong enough to win the next fight. My avid readers should keep in their mind that when the couple argued on his birthday
(chapter 49) which was used for the sex session at the gym. 
(chapter 24) Moreover, he even took an ointment in case his anus would tear, for they didn’t have sex for a long time. 
(chapter 49) But Baek Junmin was not alone in this. Due to his traumatic past, Joo Jaekyung came to resent and mistrust humans, for he never got the chance to get justice from his tormentors. That’s the reason why he rejected social norms. As time passed on, he repressed the incident and buried the identity of the persons responsible for his wounds, whereas his pain couldn’t vanish. Hence he was still boiling inside and his anger was directed at anyone. It would come to the surface at the slightest provocation or rejection. That’s why he was still trapped in the past. He had the impression, he could get assaulted at any time. Therefore he needed to prove his strength. And this brings me back to the whispered confession: 
(chapter 37) When the athlete saw the doctor’s reaction, the latter was looking away, 
(chapter 37) the VIP client got so angry that he sent Kim Dan away. And now, take a closer look to this image. 
(chapter 14) Interesting is that this image represented a distorted memory from the main lead, and it happened again after meeting his old “acquaintance”. 
(chapter 49), whereas The Shotgun was relegated to fight in the shadow! He was fighting in the underground fighting ring, but since it was illegal, he couldn’t become famous and rich. He couldn’t be exposed to the spotlight. This shows that deep down, Baek Junmin was also trapped in the past. He came to resent the protagonist, for the latter had been able to rise the ranks. That’s why he couldn’t forget him contrary to the celebrity. The latter was not only successful professionally, but also admired as a hero. It looked like he had been able to move on from the past, whereas for The Shotgun, it was the exact opposite. He became more and more involved in crimes. Don’t forget that he is helping the director from the King of MMA gym to launder money. Thus I deduce that Baek Junmin is underestimating his opponent. 
(chapter 51) they had never planned to turn the new comer into a champion, people would have questioned the outcome. The real intention was to tarnish the champion’s reputation, to isolate him, to make him lose his stans. And they almost achieved it. Baek Junmin never realized his true position. He was just a middle-man, a hit-man that they would discard right after his “victory”. Hence he is no longer in the media, because his name is now linked with the incident with the switched spray. 
(chapter 119), they got worried and nervous, as they considered the expression „as long as I live“ as a clue for a sad ending. Why? It is because the lord was referring to his own death. Under this light, it becomes comprehensible why I selected „heavenly“ in the title. I was naturally alluding to the afterlife. However, I perceived his words in a positive light. He expressed his desire to live. He is no longer suicidal, he wishes to live a long life next to the painter and treasure his moments with him. That’s the reason why the author included the refraction in the scene. A dream had come true, the lord was finally able to escape the darkness. 
(Chapter 119) He is now truly alive. This explicates either why he smiled and laughed at the end. But why was he so happy? It is because Baek Na-Kyum had just confessed that he loved him not for his wealth or power, but for himself. 
(Chapter 119) He even described him as a treasure. Yoon Seungho had finally achieved his goal: to win the painter’s heart. His presence and love bring happiness to Baek Na-Kyum which stands in opposition to his reputation as bird of misfortune. Moreover, this description contrasts so much to Jung In-Hun 
(Chapter 119) and Yoon Seungwon’s. 
(Chapter 118) where both portrayed the main lead as a man consumed by lust and revenge. In other words, he was presented as a huge sinner. This implies that he stands so far away from heaven. But all these words were erased the moment the painter confessed his love for Yoon Seungho once again. What Baek Na-Kyum didn’t realize is that his love confession is pushing the protagonist to fight for the painter.
(chapter 102) In episode 102, he was renouncing on everything (life, mansion, wealth and connection), because he imagined that the artist had died. Consequently, I deduce that in episode 119, the painter’s life is attached to the lord’s for good. If the artist got into trouble, Yoon Seungho would side with him and the reverse. Thereby, I come to the conclusion that this moment in the kitchen represents their union, as they are no longer tied to the mansion. They are now a family no matter where they are. Let’s not forget that the painter expressed his wish to run away with his lover. 
(Chapter 119) It is important, because such a departure symbolizes that the bird “Yoon Seungho” is leaving the nest. He is now starting a family on his own. 
(chapter 85) and put a glass and that was it. This exposes the father’s hypocrisy, ignorance and greed. By acting on his own, he was exposing his true mindset. He views himself as the family. The sons are just the extension of himself, for they are his reflections. 
(Chapter 45) On the other hand, Yoon Seungwon is his golden child, for he represents his positive reflection. 
(chapter 86), whereas he put the other on a pedestal
(chapter 86). Thus I created this illustration.
Under this new light, it becomes comprehensible why the father could only reject the offer from lord Song in the gibang. Doubting Yoon Seungwon’s sexuality meant to question about the father’s sexual orientation. At the same time, it is not surprising why the elder master would blame Yoon Seungho for everything, for he couldn’t admit his responsibility for the purge. Consequently, the Manhwaphiles can grasp why Yoon Chang-Hyeon came alone to the shrine. If he had brought Yoon Seungwon, the father would have been reminded of the elder son, as both can not be separated. This explicates why the younger master asked his elder brother to submit to his father.
(Chapter 119) I couldn’t help myself smirking when the brother attempted to make him believe that.
(Chapter 119) the protagonist could ever gain the father’s favor. Yoon Seungwon was definitely playing with his brother’s feelings, as if he could hope that their father would change. 
(Chapter 118) It is because as a golden child, he is also suffering, but it is naturally nothing compared to Yoon Seungho’s position who could have died. 
(Chapter 77)
(Chapter 119) First, by returning the petition to the father, Yoon Seungho would become the culprit. He was not only a traitor, but also a blackmailer of the Yoons and lord Song.
(Chapter 107), for he had stolen the petition. Yoon Seungwon would hide his wrongdoing, he betrayed their father. 
(Chapter 118) There is no doubt that Kim played a role in this as well. In other words, the brother and the valet would bury the truth by diverting the attention of the patriarch towards the main lead, if Yoon Seungho followed this suggestion. 
(Chapter 116) The elder master would no longer seek the truth, similar to the kidnapping in season 2 which was turned into a desertion and later Lee Jihwa’s abduction occulting the instigator and the helping hands. Simultaneously, Yoon Seungwon needs his brother as scapegoat, because the pressure coming from the patriarch and lord Song must have definitely increased. 
(Chapter 83) This shows that the young master wants to sacrifice his brother once again. Out of selfishness and cowardice, he is trying to convince Yoon Seungho that this is the right thing to do! 
(Chapter 37) He is even implying that he needs to sacrifice himself in order to protect Baek Na-Kyum!! Moreover, he is distorting the reality, because he implies that his father is still powerful. 
(chapter 37) like the memories from episode 37 are exposing it. It becomes clear that if Yoon Seungho returned the petition, he would die. 
(Chapter 116) Thus I come to the conclusion that the meeting between the brothers in the gibang represents an offering. For the Yoons’ sake, Yoon Seungho should admit his wrongdoings 
(Chapter 55) People had played with his hopes and longing for acceptance and recognition. Interesting is that offerings is a synonym for atonement and sacrifice. But why is Yoon Seungwon so sure that he can repeat the same action from the past? It is because Kim and Yoon Seungwon have known for a long time that Yoon Seungho was longing for acceptance and love from his family, just like the scholar knew about the painter’s love for him. 
(Chapter 119) But everything changed, when the painter met the lord. So who is worse here? Jung In-Hun who tried to rape the painter or Yoon Seungwon who is sentencing his elder brother to death? Let’s say that the valet convinced the younger master to suggest this solution, this doesn’t diminish Seungwon’s responsibility at all. He knows that his father abused his elder brother. In my opinion, he is copying his father, like the former tried to diminish the responsibility of the patriarch. 
(Chapter 119) Yoon Seungho got hurt because of lord Song and not because of Yoon Chang-Hyeon. This means that the younger master was denying the existence of the patriarch’s choice and the helping hands. And if the brother listened to his advise and the father hurt or killed the main lead afterwards, the younger master could put the blame on the elder master, for the decision and responsibility belonged to the patriarch. Moreover, he heard from lord Song that killing Yoon Seungho was just a matter of time. 
(Chapter 119) So technically, this situation could have triggered the protagonist’s insecurities like in season 1 
(chapter 28), 2
(chapter 60) and 3 
(chapter 98). However, through these constant exposures, Yoon Seungho came to learn not to jump to conclusions and to have faith in Baek Na-Kyum. He knew that he would return to the mansion. Hence he ran to the bedchamber first. 
(Chapter 119) Another important detail is that we don’t see any staff in the courtyard or in the kitchen. It was, as if the propriety had been deserted. 
(Chapter 119) This implies that at no moment, he relied on the domestics’ testimonies which contrasts to the following scenes: 
(chapter 104) 
(chapter 107) and 
(chapter 116) However, observe that in episode 116, Yoon Seungho had witnessed how his lover had taken care of him, while he was unconscious. Furthermore, the petition had been handed over to the painter and not Kim, a sign that the artist had become the protagonist‘s confident. As you can see, as time passed on, the main protagonist learned the following lessons: he should stop relying on servants, he should only trust his partner. I would even add that he was taught the following principle: “If you want something done right, you have to do it yourself”. In my eyes, 
(Chapter 103) Here, they never expected the return of Yoon Seungho and the painter. The staff ‘s absence in episode 119 is the evidence of their desertion! Moreover, I consider Yoon Seungho’s search for his lover as a new version from episode 28/29/30: 
(chapter 28) Back then, they feigned ignorance, but they never anticipated a punishment from Yoon Seungho.
(chapter 115) And now you are wondering how the painter’s gesture can be considered as an offering. It is because the kitchen hearth is considered as sacred due to the fire. First, in shamanism, there exists the god of fire named Jowangshin. 
(Chapter 115)
(Chapter 59)
(Chapter 98)
(Chapter 115) 
(Chapter 47)
(chapter 102) who was a traitor, for he had tattled on Black Heart and his friends to Yoon Seungho. And now, you comprehend why I connected the shrine to the kitchen hearth. Both places are considered as sacred, for they are connected to gods and spirits. 
(Chapter 85) The absence of his sons and of food as offerings reveals that he was not showing true respect to his ancestors. He used religion and social norms to hide his true intentions. He wanted to take over the mansion. Hence the black guards were standing at the entrance of the sacred house. Their presence symbolizes violence. Therefore it is not surprising that the gods chose to punish the elder master through Yoon Seungho. The former was not received properly 
(chapter 86): no bow, no food and no seat. 
(Chapter 86) Let’s not forget that the elder master had entered the lord’s chambers without the permission of his owner. No wonder why he was left speechless. And now, you are wondering if I am not drifting away from the topic, as these chapters from season 3 don’t seem to be connected to episode 119. However, it is important to realize that these chapters have many common denominators
Here, we could detect the suicidal tendencies of the protagonist. He wouldn’t fight back.
The seat looks like a throne.
The courtyard is empty! No one is defending their master.
Baek Na-Kyum freed himself. 
(Chapter 85) The study is even close to the gate. 
(Chapter 51) He could have reached the study before the father entered the shrine. Finally, observe that the patriarch even arrived to the bedchamber before Yoon Seungho, 
(Chapter 117) The painter wants to leave everything behind too. 
(Chapter 119) Thus I am deducing that the authorities will be involved very soon. 
(chapter 119) They are not expecting the lord‘s resistance, for he remained passive all this time (season 2 and 3). The scholar has now the means to do so, and the necessary motivation. Imagine that he got wounded and humiliated by the couple! Besides, we have this broken promise due to Yoon Seungwon 
(Chapter 115) exposing the younger master’s lies and Yoon Chang-Hyeon’s delusions. Without the protagonist’s help, the younger brother would not be „successful“. Furthermore, the absence of food and fire in episode 86 indicates that this house was neglected and even not protected. 
(Chapter 94) The gibang is connected to money, power, pleasure, artificiality, sensuality and lack of privacy. 
(Chapter 96) I am sure that you can detect all the contrasts (night, door close, spies, confession outside and inside, no fire, only light). Thus I am deducing that the painter’s words in the kitchen were not heard by others. As you can see, this scene in the kitchen is full of symbolism. In my previous essay “The true face of family”, I had already pointed out that sharing meals represented a criteria to define a real family. Therefore I had demonstrated that Yoon Seungho and Baek Na-Kyum were excluded from the mansion, for they wouldn’t eat their meals in the kitchen like the staff. 
(Chapter 17) Moreover, the hearth doesn’t just provide warmth, but also light! The latter embodies knowledge and as such Enlightenment. 
(Chapter 119) Hence they were clueless about the wrongdoings from the staff. Only in the kitchen, the lord could finally grasp the depth of Baek Na-Kyum’s love for him. It is an unconditional love contrary to Yoon Seungwon’s. The latter would only recognize him, if he listened to him. And he only seeks his assistance, when he needs him. It shows that Yoon Seungho is only approached, when he has power. 
(Chapter 118)
(Chapter 119) I would like to outline that during their conversation, Yoon Seungwon remained calm and indifferent, when he talked about the assassination attempt from Yoon Chang-Hyeon.
(Chapter 116) But the biggest difference is the absence of fire in the kisaeng house. 
(chapter 78) Furthermore, he tried to leave before 
(Chapter 104) 
(chapter 105) Finally, we saw him in the courtyard standing next to a horse and a servant indicating that he had given him a task, and the latter needed to leave. 
(Chapter 108) Hence you comprehend why I am full of optimism in the end. Yoon Seungho has already made some preparations in my opinion. On the other hand, I am quite certain that their love will be tested. Can they face together trouble? Yes, because through their pain, they learned their lessons and changed. 
(Chapter 119) It is because in the past, he was never allowed to join the kitchen hearth. This place was either beneath him or he was not worthy of entering the place. Thus he employed the expression scullery boy to Yoon Seungho. 
(Chapter 47) Here, I would like to outline that when the protagonist was held in the shed, someone brought him food . 
(Chapter 83) That‘s how I realized that the shed is connected to the kitchen! 
The maid had just brought water to the couple.
During that night, Baek Na-Kyum had been held captive in a shed. 
(chapter 38) Yoon Seungho remained outside on the door step. Consequently, I started comparing scenes where the kitchen hearth appeared and that’s how I discovered a pattern:
(Chapter 46) 
(chapter 47) 
(Chapter 110) 
(Chapter 77) 
(chapter 38) 
(chapter 59) 
(chapter 119)
(chapter 38) 
(chapter 47)
(chapter 77) 
( Chapter 110) 
(chapter 119) 
(chapter 47) 
(Chapter 77) For me, Kim must have looked down on the other domestics. I consider this scene as the best example what Kim should have done in the past. 
(Chapter 119) 
(Chapter 98) One door leads to the backyard and the other to the smaller courtyard. And this scene confirms my previous assumption
(Chapter 87) Baek Na-Kyum is there to prove him wrong. He had other opportunities, like giving him a good meal. 
(Chapter 63) He should have sided with his master and even remained by his side. This signifies that this scene 
(chapter 7) the artist is not only cleansing the kitchen, but also cutting off ties with the scholar. The latter is no longer protected. The spirits will intervene through chance. As a conclusion, the hearth has a spiritual and healing power, for it is connected to „Heaven“. Yoon Seungho‘s paradise is to have a family.
(chapter 109) He discovers that Baek Na-Kyum has already prepared himself, as he is longing for him. 
(chapter 109) He never expected such a reaction. The reason why the evolution of Painter Of The Night is flowing at a snail’s pace is that season 4 is now focusing more on the past. First, Byeonduck needs to divulge the lord’s suffering and its causes. And this can only happen, if memories are brought up. Hence in episode 109, the painter’s memories stood in the center. Why? It is because he is trying to understand why his loved one is now avoiding him. Thus he is remembering what happened just before. The readers are actually put in the same situation than the artist. On the one hand, the focus on recollection is a method to unveil how the young master was turned into a “sodomite and pariah”, for the painter is going through the same experience than his partner. In episode 109, he is isolated from his “lover” and as such from his family, for he has now maids by his side. The latter are supposed to be his new “family”. On the other hand it helps the manhwaphiles to anticipate the future main events,. as the progression is in slow motion. This means, the Webtoonist left all the elements in the previous seasons in order to decode the past, the present and the future. That way, the manhwalovers are capable to unveil the mystery. Besides, the author has to answer all the questions the beholders had while reading the previous seasons, like this one: 
(chapter 27) What book was the scholar looking for? Up to now, we have no clue, though I had developed the following theory: Jung In-Hun was a Christian and had a bible. 
(chapter 109) How did this happen? One might reply that the book fell from the shelf, when the painter kissed his lover. 
(chapter 109) This interpretation can be easily refuted, for the noble stood next to the shelf and not in front of it. Besides, the counter stands on the noble’s left, while the ledger was on his right. However, one detail caught my notice, the beholder can not see Yoon Seungho’s hands!! That’s how I realized that the book came from the protagonist! He had carried it hidden in his right sleeve. This explicates why the book stands on the right side. 
(chapter 109) Besides, contrary to the previous panel, now the lord’s hand is visible! This is no coincidence. But if he was hiding the copy from Baek Na-Kyum, I deduce that it is related to the painter. But there is another person associated to manuscripts in this story, Jung In-Hun!! But what have the low-born and the scholar in common then? The erotic publications! 
(chapter 34) Note that in the background, there’s a book open on the desk, and it has the exact opposite position than in episode 109! And now, you comprehend why Yoon Seungho rejected the painter’s company next to his table. He didn’t want him to see the publication, for he feared that the painter would be reminded of Jung In-Hun. In the lord’s mind, the young artist still treasures his former teacher. He heard his confession on the bridge next to the pavilion. 
(chapter 94) However, Yoon Seungho is suspecting that the learned sir was behind the trick in the shaman’s house due to the glasses Min had in his hand before dying. 
(chapter 102) Hence he doesn’t want to break the main lead’s heart and mind. In other words, the main lead is determined to hide the past from Baek Na-Kyum so that the latter’s memory and agony won’t be triggered. The book could definitely remind the low-born of all the events which led to the massacre in the shaman’s shrine. Besides, I feel that the noble must feel guilty as well. If only he hadn’t admired the erotic publications which led to Baek Na-Kyum’s stay in his mansion. Consequently, I think that the noble is also in agony because of the work.
However, there exist two reasons why I came to this deduction. I detected similarities with the first encounter between Yoon Seungho and his nemesis in the scholar’s home and the painter’s kisses. 
(chapter 6) Both were standing in front of the cupboard, while the learned sir suddenly took away the copy and closed it to put it back on the cupboard. This made the protagonist smirk. Due to the characters’ reaction, 
(chapter 6), I had assumed that the protagonist was making fun of Jung In-Hun. He had played a prank on the host, especially after asking about his occupation. I have always wondered about the content of the volume. Therefore I had developed the idea that this could be the bible. However, it was clear that the book was not for children which is visible due to the writing. 
(chapter 6) In fact, the learned sir should have the manual Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì Wén), also known as the Thousand Character Text.
(chapter 6) In reality, he wasn’t teaching them reading and writing at all. But Yoon Seungho had feigned ignorance with this discovery. With his indifference and praises, the false teacher had the impression that he was supporting his attitude. This scene is relevant, because the learned sir had lied to the protagonist about the painter’s education. 
(chapter 6) This means that the book represents the evidence of learned sir’s betrayal and abandonment. He is responsible for his illiteracy. To conclude, this scene contains the following elements: a prank, a lie, a confession which was triggered by a book that Yoon Seungho had picked up by chance. But wait… it could be the book from the scholar’s home! 
(chapter 06) But this image can be used to refute this theory. How so? It is because this book has a title, hence there is a white rectangle!! However, take a closer look at the copy on the floor. 
(chapter 50) Finally, I would like the readers to keep in mind that they could only see the content of the books 
(chapter 1), but they never got the chance to see the cover. 
(chapter 6) He proposed him to sit and have a cup of tea to divert his attention from the books on the cupboard. Besides, I would like to outline the huge contrast between these two scenes. The scholar needed the assistance of the prestigious family Yoon, while the protagonist replied this to his loved one: 
(chapter 109) Needed versus not necessary! 
(chapter 6) He was here very vague (“bizarre and vulgar”), he spoke of a scolding, but never of rejection and abandonment!! This is important, because Yoon Seungho also experienced something similar in the shed: 
(chapter 77) Back then, the butler’s words must have wounded him terribly, he must have felt dirty either. Under this new perspective, it becomes comprehensible why I came to this conclusion that the book is related to the learned sir and to the erotic publication. But this doesn’t end here. In my eyes, episode 109 clearly outlined the importance of the library in the protagonists’ life. This is the place where both main leads got betrayed and abandoned. 
(chapter 40) When the scholar wounded the artist with his words, he implied that the artist was responsible for his lack of education. With the idiom “I thought, you could be educated”, he gave the impression that he had put some effort, but due to the artist’s disposition, he had failed. We had another scene where the learned sir was blaming Baek Na-Kyum. 
(chapter 70) He would fall asleep instead of studying. And who knows about the learned sir’s hypocrisy? Yoon Seungho!! That’s the reason why the goddess Byeonduck let them meet in the library. It is to heal their wounds. In this room, Yoon Seungho’s suffering started and later, the painter got betrayed by his former teacher, someone whom he viewed as his “family and mentor”. 
When Yoon Seungho got kissed by the painter 
(chapter 109), he got surprised, and he had the same gaze and facial expression than the one during the First wedding night 
, in the gibang 
and in the study 
(chapter 42), though here the artist kissed his companion twice! 
(chapter 49) And what had these scenes in common? Paintings and the artist’s confession. And now, you comprehend how I made the connection between the book and painting. 
(chapter 19) This scene could only break the artist’s heart, because he was reminded of the learned sir’s reaction: his rejection. The latter got angry and jealous that the low-born would be treated as someone special. Furthermore, Jung In-Hun had only got the noble’s sponsorship thanks to Baek Na-Kyum and not thanks to his own talent! In verity, the learned sir had been the tool to submit Baek Na-Kyum. Shortly after the exposition, the protagonist went to the study. There he got confused for Jung In-Hun, hence he received a wonderful confession 
(chapter 19) before getting kissed and embraced! 
(chapter 42) Yet, the artist was unable to explain the situation, for he had internalized Jung In-Hun’s criticism. 
(chapter 42) So we could say that the yangban tried to get a confession from the painter, but he failed. Hence they had just sex. The artist’s heartbreak was the reason why he never got to confess the truth! And what had happened in the study after the painter kissed the main lead? The lord saw the inauguration illustration and got jealous of Jung In-Hun 
(chapter 48), and the painting had exposed the main lead’s uneasiness and pain. The drawing was not refined, barely finished. 
(chapter 47) The behavior from the painter and the new painting had not only wounded the main lead, but also pushed the lord to discover why the artist was behaving this way. After the rough sex session, the artist had made a confession: he was dropping the rules he had been raised. 
(chapter 49) He was admitting his sexual orientation and his own pleasure, but he still kept his distance from Yoon Seungho. Why? It is because he was reminded of the learned sir’s fake embrace and betrayal. 
(chapter 49) 
(chapter 94) which incited the artist to recall his childhood. That’s how he came to unveil his past and confess his love to the noble! 
(chapter 19), the parties after the separation 
(chapter 51), his visit in the gibang and his tricks 
(chapter 96). In episode 109, the painter confused Yoon Seungho’s shadow with Black Heart’s. In his nightmare, he was brought back to the shaman’s house and the lord’s smile was similar to Min’s.
(chapter 109) 
(chapter 99) Besides, let’s not forget that during that terrible night, Black Heart never touched the artist himself, as if he didn’t want to touch a trinket sullied by another man”. On Twitter, the author revealed that Min would help Yoon Seungho. Through this comparison, the beholder can confirm this. Thanks to Black Heart, the couple got closer in the end. 
(chapter 19), the spying on the painter – though here it appears like a good thing – 
(chapter 41), the stones in the rice 
(chapter 109). Here, the maid was triggering the painter’s memory and as such fears. That’s the reason why the readers can see the laugh of someone outside the building 
(chapter 109). She was acting, as if Baek Na-Kyum was not present, but in reality she knew that he could listen to her. How do I know this? The evidence are the sweets on the windowsill. 
(chapter 109) They never encouraged the tormented boy to eat the sweets!! Besides, this episode confirmed my interpretation about the complicity of the maids. As their role is to comfort Baek Na-Kyum, the readers should question themselves about their absence. 
(chapter 108) Why is the room dark? Where are the maids during that night, as they are supposed to sleep next to the painter? 
(chapter 109) The absence of the light is truly noticeable, an indicator that they are not in the bedchamber. Moreover, I had detected that the brown bed cover symbolizes the meddling of Kim. [For more read the essay 
(chapter 87) Sincerity versus fake concern; own choice versus manipulation, happiness versus sadness. Under this perspective, you comprehend why I view the maids as traitors. But since season 1, the women were never punished. Hence they felt free to badmouth Yoon Seungho or Baek Na-Kyum. So while he was preparing himself, where were the ladies-in-waiting? I doubt, the painter would give them orders. The painter was left alone on purpose. Finally, the manhwalovers should question why there is a bottle of oil in the bedchamber. So far, Yoon Seungho utilized it once 
(chapter 20) and it was during the first Wedding Night. And oil comes from the kitchen, the lord had fetched it from that room!! Naturally, there is an exception, and it is the kiss in the gibang. Yet, here the kisaengs had just replaced the maids. In other words, they had played a role in the confession. And this explains why the noona’s words are superposed with the maids. 
(chapter 109) That’s the reason why I am convinced that the book is strongly connected to the learned sir. In my eyes, it can only be the erotic publication of sodomy!! Why? It is because it represents the painter’s biggest wound. It explains his low self-esteem. Consequently, I am expecting the appearance of this panel: 
(tweet) The teacher told him “It’s dirty”, and wounded him the most with his gaze full of hatred, the symbol of rejection! Note that in episode 109, the painter always focused on the mouth and not the gaze, 
(chapter 109) 
(chapter 109) 
(chapter 25) Moreover, during that night, we have the same elements: a painting, a confession, sex, a book that the scholar was looking for. From my point of view, in chapter 34, Baek Na-Kyum only recalled the beating from Jung In-Hun. 
(chapter 34) But like I wrote above, this place is also where Yoon Seungho got betrayed and in my opinion, the schemers are planning to use this place to ruin the protagonist!!
(chapter 106) 
(chapter 106) And if Yoon Seungho gets caught having sex with the painter and he has an erotic publication of sodomy, he can be framed for the murder of lord Shin and the other nobles. He will be guilty by association. Thus I deduce that the schemers needed the father to report him to the authorities. 
(chapter 107) That way, he can prove that his son is a depraved lunatic and regain the control of the mansion. 
(Chapter 105) As you can see, the staff had encouraged the lord to keep his distance from his companion on purpose, to create a misunderstanding… they used the painter’s anxieties. Why? That way, the artist would be more inclined to betray his lover, if the latter was in difficulty. He could put the blame on him. In my opinion, the book was planted there on purpose. Remember how the artist denied that he was the author of the erotic publications. 
(Chapter 1) Besides, there is no doubt that the father refuses to take any responsibility in his son’s suffering. And now, you comprehend why this copy was put on the lord’s desk. He was supposed to be the owner of the erotic book and even the author! I am suspecting that he was accused of the „same crime“ in the past. Then this observation raises the following question. Which erotic publication is it? The original 
(chapter 1) or the copy
(chapter 1) This would stand in opposition to the scholar’s rejection (dirty), as the artist was just the helping hand. Besides, there is no ambiguity that Yoon Seungho blames himself due to the erotic book. If he had not brought the painter to his mansion, none of this would have happened. But the painter’s confession would make him realize that his misery started long before he met Yoon Seungho. And how did the puppetmaster come up with such an idea? From my point of view, this plan was inspired by the learned sir. 
(chapter 27) Notice that he has a drop of sweat on his face, a sign that the book is really important and could be even dangerous. He was diminishing the value. In the past, I had already pointed out that the learned sir had planned to backstab the main lead and denunciate him to the authorities (my first theory was the bible or the the absence of jesa in the mansion). But the erotic publications of sodomy would fit the profile.
(chapter 37) Back then, he imagined that the man hidden under the green hanbok was the learned sir, but he was mistaken. Both father and son believes to have seen the relative’s sodomy. Besides, the brother mentioned letters and these usually are written on a desk and as such in the library. Yes, this night should trigger the lord’s memory… his brother’s betrayal and abandonment. 
I am still waiting for this picture. Yoon Seungwon had definitely tattled on his brother out of jealousy in the past. Don’t forget this flashbulb. 
(chapter 96) She would tell the truth… yet it wouldn’t serve her, because she reported it too late. She could be perceived as pathological liar. Besides, she was not supposed to be in the kisaeng house. Moreover, note that all the erotic paintings the painter created vanished. There is no evidence that the artist is the author of the erotic publications of sodomy, as his notebook contains images of nature. 
(chapter 84) Finally, the childhood paintings could be used as an evidence. But what about the book in the library? Both could decide to burn it…
the burned letter
the shrine
(chapter 109) Note that there is no rejection from the lord, just surprise and shock. Besides, in the kisaeng house, the artist’s confession had led the main lead to confess as well. 
(chapter 96) Striking is that he had hidden his gaze from the artist first. As if love was a sin…Hence I am expecting a confession from Yoon Seungho in that very room too, something he has never done before! Why? It is because he was not the owner of his own past. Kim acted, as if he possessed his memories. Finally, the moment the painter divulges this incident to his companion, 
(tweet), the latter can only come to the conclusion that the scholar would have no problem to hurt Baek Na-Kyum and even get revenge on the artist, for he received the favors from the protagonist. Yoon Seungho would no longer feel obliged to respect Heena’s wish, for her words wouldn’t reflect reality. 
(chapter 105) And it was Yoon Seungho’s luck, when the book fell from his sleeve! 
(chapter 27) The goddess Byeonduck is on their side. But the problem is that the readers have the impression that both are followed by misfortune due to their misery. The reality is that they are both victims of manipulations and tricks. That’s their tragedy. But by repeating that the two figures are “birds of misfortune”, the accomplices are trying to deny their own involvement and as such responsibility. The maids are the perfect example. They blame Baek Na-Kyum for his own illness. He eats like a bird and he would hide his illness. 
(chapter 108) To sum up, he was responsible for his own suffering, for he was in denial and the maids could do nothing to help. But the lord can see the truth, when he touches his lover’s butt. 
(chapter 109) He lost weight in such a short time. And their presence by Baek Na-Kyum’s side was supposed to help him. They were responsible for his well-being, but the women never realized it.
(chapter 108) He blames himself for everything. For me, these women were lying to their master. Why do I think so? The first proof is that the painter’s fate is to go through the same experiences than his lover. And what did the valet admit in the shed? 
(chapter 108) There was not a soul in this household who was standing by his side back then and now! This signifies that there is not a soul in the mansion truly standing on the painter’s side as well!! Back then (before the massacre) and even now… Moreover, while these maids’ attachment was sincere 
(chapter 51)
(chapter 108) Yes, this woman is not the same than the one from chapter 51, for her clothes diverge despite the same pigments. She is wearing a white ribbon around her waist. 
(chapter 108), whereas the other wears the belt more around the hips, hence her skirt has a bump on her butt. 
(chapter 46) 
(chapter 74) This explicates why the artist returned the table with the porridge to the kitchen himself. 
(chapter 62) The painter had been faking his “submission”, hence the “valet” got fooled. He had trusted the artist blindly. Thus the lord got angry, and resented the butler, for he wished the opposite. He didn’t want to admit that the artist had been acting. Yet, the seed of doubt was implanted in his mind. Consequently, in episode 108, we have the exact same situation, yet contrary to the past, the lord didn’t get angry at his lover. He never condemned the painter for his dishonesty, though he was not truly lying either. To conclude, chapter 108 is a reflection from episode 62. Thus it dawned on me that the valet could have attempted to fool his master once again. The artist was a hypocrite, for he was acting in front of the lord hoping that he wouldn‘t cut ties with him. It was for his best interests to send back to the kisaeng house. Yet, nothing like that happened. 
(chapter 104), a sign that he was recovering. But due to the two incidents during that day, Baek Na-Kyum had been feeling unwell and was hiding his discomfort out of fear of getting abandoned. This means that the deceivers were trying to portray the painter’s actual disposition as something unchanging. Since the painter had trouble with eating now, his eating disorder existed in the past. And this perception got reinforced, for the lord could notice afterwards that the maids’ statement had become a reality. What they had described, truly happened afterwards. Due to worries and anxieties, the artist lost his appetite. He would fake his “happiness”. The manhwalovers could witness how the painter had slimmed down
(chapter 1) He couldn’t have a proper erection, and it was never his choice to have sex at any time and any place, because he was treated as a male kisaeng. And now, it is the painter’s turn. Gossips about him would become a verity. Yet the other difference to season 1 is that in season 4 the artist is exposed to the same “prejudices” than Yoon Seungho in the past: He is ill!! He needs to be treated and the “gibang” is the right place for that🤮. He would be with his noonas, a new version of the lord’s past. And now, you comprehend why father Yoon said this to the physician in chapter 57: 
(chapter 57) A single incident was turned into a generality, implying that it was the same in the past!! To conclude, the noble is put into the same situation than his own father, the only divergence is that Yoon Seungho has indeed the painter’s best interests in his heart. He is determined to provide him with the best!! Thus he blames himself contrary to the elder master Yoon. 
(chapter 104) This statement implies that the painter is responsible for the bloodbath, for he left the propriety. Yet, instead of confronting the painter, he was encouraged not to talk about the past. He was suggested that way, he would protect the artist’s mind and heart. Besides, his choice was influenced by his own anxieties. The lord fears argument, because the last time they had quarreled, the artist had threatened his lover to leave the place. 
(chapter 85) I would like my avid readers to keep in mind that the lord wished to keep the artist by his side, sending the artist back to the kisaeng house was just a temporary measure. 
(chapter 105) That’s how a misunderstanding was created, provoking the painter’s abandonment issues to resurface. The lord had selected secrecy and silence out of love for the artist. Therefore when the lord sensed Baek Na-Kyum’s agony, he could only jump to the conclusion that the painter was acting the same way than him. He was also hiding something from Yoon Seungho. That’s the reason why the lord didn’t argue with Baek Na-Kyum. 
(chapter 107) He imagined that the artist was doing it out of concern for the noble. He was projecting his own thoughts onto the artist. 
(chapter 68) According to this belief, the lord brings bad luck to others. This rule can only incite the main lead to doubt himself, to judge himself in a negative light, to doubt his own judgement. Moreover, the perfidy is that this principle pushes the protagonist to deny the existence of his own misery. It was, as though the lord had never suffered, only the others. This “faith” represents the biggest lie and hypocrisy. However, the main lead questioned this rule in front of Yoon Chang-Hyeon, 
(chapter 59) It was, as if Yoon Seungho feared to taint the painter by sleeping next to him. However, the artist’s biggest wish is to share the same bed than his lover. 
(chapter 97) To conclude, Yoon Seungho’s life is still influenced by a false cult, by propagandism. This faith is is based on Rene Girard’s theories about mimetic desire and scapegoat mechanism.
(chapter 250) Hence the man created the following theory which is inspired by religion. 
(Doctor Frost, chapter 250). Under this new light, it becomes comprehensible why the author from Doctor Frost utilized the image of a black sheep as the future scapegoat. IT was selected, because it stood out. And you comprehend why Yoon Seungho became the target in the end. His good reputation attracted envy and jealousy.
(chapter 57) Why? It is because each noble family aspires to the same: power and wealth! 
(chapter 107) This explicates why Yoon Seungwon was mentioned by the man with the purple hanbok. He implied that the son might have been well educated, yet he must be lacking elsewhere: his sexual education…. as his other task is to have a heir. This means that by standing out, Yoon Seungwon caught the jealousy and envy from other yangbans, though I have my doubts if he truly passed the civil service exam first. In other words, it is better not to stand out. 
(Doctor Frost, chapter 183) Since deprogramming is like brainwashing, it signifies that for the brainwashing, the victim needs to be isolated and even imprisoned too. And in order to be effective, the target of the brainwashing has to be exposed to stress and lack of sleep.
(chapter 187) Fatigue and exhaustion are necessary in order to lower the target’s defense mechanisms. This explicates why it has to take place during the night, for the night is the time for humans to rest. Therefore the place of brainwashing is called “the fox’s hole” in Doctor Frost. 
(Doctor Frost, chapter 187). 
(chapter 187) The Ganzfeld effect happens when you undergo sensory deprivation for some time, and your brain tries to make sense of what is happening. Just 15 minutes of sensory deprivation can induce vivid hallucinations, according to researchers. This process involves muffling the ears and blindfolding, so people are unable to see or hear. And note what had happened to Baek Na-Kyum during the abduction. His head had been covered 
(chapter 66), and according to me, while his head was covered, he got strangled. Hence he had this nightmare. 
(chapter 61) But he lost notion of time and chronology, hence his nightmare is not coherent. One feature of altered states of consciousness during Ganzfeld exposure is an altered sense of time. In general, regardless of the induction method, altered states of consciousness can be characterized by changes in the sense of self and time. But this can only happen, when the brain is deprived of stimulations. 
(chapter 187) I had already outlined that Yoon Seungho had lost not only the notion of time, but also all his senses. And the nightmare is displaying the evidence of the Ganzfeld exposure. Hence the young master viewed himself flying 
(chapter 74), and at the end his eyes and ears got covered by hands and blood. 
(chapter 74) Besides, he was trapped in the dark room which looked like the servants’ quarters. Only thanks to the painter, the lord could recover his own senses, slowly he became the owner of his own body again. In addition, remember what he said to his own father: 
(chapter 62) Under this new light, it becomes comprehensible why the lord didn’t lose his whole sanity and as such didn’t fall completely into despair. The warmth and light served him as a guidance. Consequently, I deduce that in his childhood, he was trapped there in the dark for hours!! Because he was jailed in that room, he was exposed to the Ganzfeld effect. Therefore he relied on the valet’s words. 
(chapter 77) He trusted the butler, even after getting betrayed and abandoned each time. He developed blind faith in the butler. Why? It is because he was the only one “talking to him”. Though he wounded him so many times, he still remained by the lord’s side. That’s the reason why I come to the conclusion that the shed is not just a room for punishment, but also for “faith”, the place where the scapegoat was placed: “
(chapter 62); “beg”, “trust” a synonym for faith, 
“soul”, ” 
(chapter 108) Moreover, I would like to outline that the main lead was seen sitting while looking up 
(doctor Frost, chapter 191). This description fits to the shed, the lord was not only cornered mentally, but also physically. 
(chapter 98) Consequently, I deduce that when the valet got punished in season 3, he portrayed the painter as a tattler for that reason. He didn’t want to become the scapegoat in the end. 
(Chapter 77) At the same time, receiving treatment from the physician, Kim could say that the lord regretted his decision. These new discoveries reinforce my prediction that the painter is doomed to become the next scapegoat!! Yet, chance is on the couple’s side. On the other hand, this signifies that someone will have to become sacrificed!
(chapter 108) for his wrong choices, I come to the opposite interpretation. Naturally, if the manhwalovers compare the butler’s apology in the shed to the one in the library, 
(chapter 108) Nevertheless, for me, everything is an illusion, and you can only detect the manipulations, the moment you examine closely Kim’s words. 
(chapter 108) He had not told him about the shaman’s house on purpose. He had hidden the truth by omission. He justified his decision by using the “townsfolk” and their liking of creating gossips. However his real task was to protect his lord’s interest and inform him about everything. He made a decision without his lord’s permission, and as such he usurped his authority. He acted, as if he knew what was the best for Yoon Seungho. But this doesn’t end. What infuriated me the most are these two declarations:
(chapter 61) The red-haired master utilized the present perfect tense, which is a combination of the past and present!! This time reveals that the young man was about to move on. On the other hand, the butler is either referring to the past and to the future, but not to the now! This means, he has no regret right now. He is projecting himself in the future. He implies “regret”, but he is not truly admitting it. Finally, when the childhood friend came to regret his choice, he voiced it outside the barn!! 
(chapter 61) This contrast outlines that the storage room is the place of illusion or false faith. 
(chapter 108): Here, my blood was literally boiling, when I read his second “confession”, because here he was now omitting Yoon Seungho. It was, as if the protagonist was not existing. His words were actually reflecting a new betrayal towards the main lead. Here, he was vowing loyalty to Baek Na-Kyum and not to Yoon Seungho!! He insinuated that if he was taking care of the painter, he was protecting Yoon Seungho’s interests. However, the artist and the noble are two different persons. Imagine the following situation: The main lead gets arrested for “murder”, the butler could justify his vanishing, passivity and silence by saying that he needs to take away the painter from the mansion so that the latter avoids getting into trouble as well. As you can see, he would keep his promise, but he would sacrifice Yoon Seungho. With his words, he was insinuating that he only had two choices: the elder master Yoon or the painter. Besides, once the lord were to be removed, Kim could put the whole blame on the painter afterwards. If he had not left the house… That’s the reason why I viewed the last statement as the biggest treason. In reality, he was not vowing loyalty to the main lead. This scene was a reflection from episode 30, where the artist had pledged loyalty to the main lead 
(chapter 30) and this in front of people. This explicates why the butler got grabbed in the storage room 
(chapter 108) like the painter in the courtyard. 
(chapter 30) We could say that it was the butler’s karma for his past manipulation. He had been the one who had encouraged the painter to flee the mansion (chapter 29/30). But this doesn’t end here. When the artist vowed his loyalty to the protagonist in the courtyard, the latter was present, which is not the case here. The artist is left in the dark. 
(chapter 108) Where is the personal pronoun “I” here? Nowhere. Only the lord cares for the painter, this was the butler’s declaration in the end. But what about the tears? How could he fake the crying? 
(chapter 81) When the lord had wounded his lover, when he was in a dissociative state, he had perspired so much that his sweat was falling like tears!! As you can see, fear could be the reason why drops of water were falling. Let’s not forget that the main lead had treated Kim very harshly and even threatened to have him killed, something he had never done before. 
(chapter 108) Kim had reasons to get scared and to sweat.
, chapter 108, or my lord 
(chapter 108) However, the manhwalover should question this. Why did he regret that day? It is because he had revealed his true thoughts about Yoon Seungho to the painter, and he got reprimanded from the artist. Besides, according to me, he had hoped that the artist would leave the mansion due to the altercation. In addition, when he mentioned this scene, he wanted to appear as honest, because he had no idea if the artist had leaked this conversation to Yoon Seungho. Finally, just because he told the truth here, we shouldn’t judge the butler’s confession as verity. To conclude, for me, the valet was not really remorseful, he was more acting. 
(chapter 108) However, this is another illusion which can be easily refuted. 
(chapter 108) This memory is the same than the painter’s 
(chapter 108) In other words, the butler had acted on his own, and informed his master afterwards, when this information was necessary in order to protect himself. As you already know, for me, the butler had definitely acted on his own. But why does Kim need to deform reality so much? It is because he was present, when the young boy was abused sexually and he did nothing. He needs to erase the “traces” of the rape so that his culpability will not come to the surface. Just like the painter, Yoon Seungho has totally forgotten the sexual abuse. Besides, he never mentioned the incidents about the shed to the painter, only the bedchamber. 
(Chapter 87) Here, he was already hiding his guilt by turning Yoon Chang-HYeon into the main culprit. He is responsible for the lord’s suffering. 
(chapter 68), but he had heard a different story from the painter. 
(chapter 93) However, now I understand why Yoon Seungho was not able to discern the hypocrisy from the assistant. 
(chapter 188) It is related to the long brainwashing he was exposed for so many years and the lord’s low self-esteem. Thus I perceive this argument in the storage room as a new version of episode 40, a confrontation between the painter and the scholar. But who had been defeated in the shed? Yoon Seungho was still the loser, for he kept his distance from his lover afterwards. 
(chapter 108) He was making sure that no one would know that the painter was his weakness. 
(chapter 108) The new version of episode 50-51!! However, this was totally pointless, for the painter was living his bedchamber. His position was the proof that the painter was still favored, though the artist feared to be abandoned by the painter. 
(doctor Frost, chapter 187) This means that the couple has to communicate and the painter will interrogate his lover. 
(chapter 187) But this deprogramming is not pleasant, for the destruction of believes leads the victim to question everything afterwards. What caught my attention is that the painter went to the library, the symbol for “knowledge and education” which stands in opposition to the shed. This is no coincidence. Brainwashing is the antonym for insight. 
(chapter 108) In addition, the lord was dressed like in episode 36, he had the green hanbok. 
(chapter 36) Back then, the painter didn’t talk to the owner of the mansion. Finally, this episode is connected to the lord’s memories: 
(chapter 36) That’s how I had this revelation. The lord’s suffering is also linked to the library. From my perspective, the young master was dragged from the library to the shed at some point. 
(chapter 77) I had already pointed out that in episode 77, the main lead had been dragged on multiple occasions, for he was dressed differently, and the servants would be different. Because I had described that the lord’s mind had been manipulated by indoctrination and the butler had confessed, I deduce that the next episode will contain elements from episode 48/49. 
(chapter 49) That’s the moment the painter dropped the last principle from the scholar and kisaeng. For me, something similar will take place, but such a deprogramming is painful. From my point of view, Jung In-Hun will be mentioned, as in the same place, the scholar had mentioned the painter’s past and future. 
(chapter 40) Since the shed embodies the valet’s betrayal, the lord voiced his abandonment issues there. On the other hand, the library symbolizes the teacher’s abandonment. This is not random. Baek Na-Kyum can not read, the symbol of the learned sir’s negligence. Hence I am expecting a new confession from the artist, like this scene: 
Yes, when people read juicy deeds, they were already imagining that I would describe a love session like this one 
(chapter 96), because of the expression „to do the deed“: 
(chapter 87) However, the deed is not just related to intercourse, like the manhwaphiles could discover it in chapter 51. 
With „deed“, Deok-Jae was referring to murder and assassination. As you can see, deed has other meanings than sex. Thus it has for synonyms action, accomplishment and reality!! So when I selected this name for the essay, I was thinking of the relationship between action and word. And this connection came to my mind, when Byeonduck released the last picture, because the painter’s action symbolizes a conversation and as such words.
(Chapter 88) By reaching his hand, the painter was letting him know that he was no longer alone in this world. He was not only joining his side, but he was willing to try to understand the main lead. 
(Chapter 88) This gesture stands in opposition to the situation with Yoon Chang-Hyeon.
(Chapter 86) During that fateful night, the father neither talked to his son nor looked at him. He even turned his back to him, when the young master attempted to grab his father‘s hanbok. Both scenes from chapter 88 and 86 have two common denominators: an action accompanied with silence!! Yet, what distinguishes them from each other is the nature of the deed, the action. Alliance and empathy versus abandonment and estrangement! This is no coincidence that after reaching his hand, Baek Na-Kyum started confessing his thoughts and emotions to his lover: 
(Chapter 88) As you can sense, the hand gesture delivered a message, but the painter still felt the need to clarify the meaning of his hand. He was willing to remain by his side, but he was still afraid of him. He didn’t want to create a misunderstanding, like for example that he wouldn’t argue with him or that his loyalty was now unconditional or total. That way, Yoon Seungho wouldn’t come to view him as a hypocrite or as dishonest, if an argument would appear. Thus he needed words to explain his position. He would remain by his side and attempt to sympathize with him, but he still felt insecure and had doubts. In other words, his action (his hand gesture) was not truly reflecting his mind and heart. 
(Chapter 88) Later he even asked his lover not to leave his side no matter what. 
(Chapter 88) To conclude, the hand gesture in episode 88 was connected to insecurities and as such fear, yet the painter had shown no hesitation to take his hand. The anxiety was not visible.
(Chapter 30) His fingers barely grabbed his hand, so when he made the following vow, he was not entirely sincere or better said, truly determined to keep his promise. 
(Chapter 30) The words were not truly in unison with the gesture either. Therefore he once tried to leave the mansion in season 2. When he pledged loyalty, his intention was to protect his teacher. To conclude, fear has always been present, when the painter took Yoon Seungho’s hand. Even in chapter 88, but contrary to the scene in the courtyard, his hand was not shaking. 
(Chapter 82) This explicates why the artist chose to remain by his side, though the lord had broken his promise. 
(Chapter 82) On the other hand, in this scene 
(chapter 82), the lord was grabbing his lover’s hand out of fear. He was recognizing his mistake and was trying to beg for his forgiveness, though he couldn’t express it directly. Striking is that during the lord’s flashback, his hand was trembling as well, grabbing onto his partner’s body. 
(Chapter 81) It was, as if Baek Na-Kyum was his rescue buoy, helping him not to be swallowed by the darkness. Thus I came to the conclusion that the protagonists’ hand gestures are all connected to anxiety and pain. 😲 Hence I am deducing that in this scene, Baek Na-Kyum is holding his lover’s hand, 
(Chapter 102). This would have definitely scared Baek Na-Kyum, especially Yoon Seungho’s haunted gaze. On the other hand, since the painter had been himself the victim of physical and sexual abuse, the artist can only grasp why the noble reacted that way: fear, anger, despair and heartache. The artist had also been desperate, in pain and scared in the shrine, though this time, he had not screamed for his help. Since the lord had not returned to the mansion, how could he expect him to come to his rescue? 
(Chapter 98) Back then, he had been waiting for his lover‘s return and explanations. He wanted to hear him and get his reassurance and comfort. .
(Chapter 98) The latter couldn’t reassure the painter with his hand contrary to the previous night. 
(chapter 97) Exactly like mentioned above, the painter’s hand gesture is connected to fear and conversation. 
(chapter 97) Striking is that in the gibang, the lord confessed his biggest fear to his future “spouse”. He feared to lose him, though one of his biggest desires had been finally fulfilled. This means that Yoon Seungho felt even more insecure and frightened than before after receiving the artist’s love confession. That’s the reason why I believe that the new picture is standing in opposition to the scene in the gibang. The lord will feel relief after his admission. As a conclusion, the image is announcing 
(Chapter 89) While the painter was sitting on his partner’s lap
(chapter 89), he was massaging the wounded fingers. It was, as if he was treating his companion’s wound. Note that after his terrible flashback, the painter had avoided to grab his hand out of fear that he might hurt Yoon Seungho even more. 
(Chapter 84) Therefore I conclude that the new panel is an allusion to treatment. While in episode 89, the painter was acting as a doctor, in the new image, the young man is working more like a counselor or psychologist. The aristocrat’s hand might not be wounded in that scene, but this is not the case for his heart and mind. So for me, this scene is connected to mental treatment. 
(Chapter 84) However, the lord had refused to open up. This is no coincidence that the author had not created such a picture during that chapter. As the manhwalovers can detect, I believe that in that scene, 
(chapter 88), and this, although the lord is indeed a murderer. For Baek Na-Kyum, his gesture will have a different meaning: he saved his life and freed him from his torment. Secondly, if the lord reveals the circumstances of his mother’s death, the artist will definitely deny his responsibility in her death, a new version of this scene. 
(chapter 75) And because I detected a discrepancy between words and gestures, I recognized the presence of another trick from Byeonduck.✨
(chapter 91), the latter denied this with the following statement. 
(chapter 91) But when did the painter admit that he liked embracing him? In this panel! 
(chapter 88) That’s the reason why the lord got surprised and moved. As you can see, the author never revealed this whispering to the manhwalovers! The latter had the impression that the lord’s reaction was related to the loving embrace, but it was only partially correct. 
(chapter 62), when the lord had confessed to adore him. 
(chapter 62) This explicates why Yoon Seungho was so pained in season 2. He got embraced, but there were no words. Consequently, when the painter vanished during that night, the lord could only perceive the embrace as hypocrisy and fakeness. That’s how I realized that the story is developed on the contradiction between words and actions. But not only that, there exists a strong link between silence and passivity. Thus after the abduction in season 2, Baek Na-Kyum remained more or less silent
(chapter 62), and as such he was totally passive. He never stood up and begged the lord for his leniency. He stayed there on the bed giving the impression that he was indifferent. That’s the reason why Yoon Seungho got more enraged, for he felt fooled. This means that the absence of words represent inaction… This explains why Yoon Seungho had to corner the main lead in chapter 48 
(chapter 48) to say something, as he had sensed his passivity behind his „submissive attitude“. This is no coincidence that during this night, the painter felt extreme pleasure to the point that he peed. Therefore he could voice his wish to Yoon Seungho during the love session from season 2. 
(chapter 73) That’s how the lord concluded that the painter liked riding him, while in reality such a climax had appeared for the first time, when both were facing each other! 
(chapter 49) 
(chapter 4) than season 2. He was encouraged by his future partner to speak up, yet the moment he got heartbroken, he was left speechless. And note that when the lord played his prank in the bedchamber, he never said anything to his father. 
(chapter 86) Yoon Seungho had acted the opposite, he had tried to speak up, but he had been muted. I am also thinking that the young master must have attempted to converse to his father 
(chapter 77) Silence was considered as an admission. This is no hazard that the butler didn’t take care of his young master. This scene symbolizes the quote “Actions speak louder than words” 
(chapter 77) The butler had betrayed the young master’s trust, for he had not intervened. He should have defended Yoon Seungho, but no in fact he had sided with the elder master Yoon once again. Not only he had not reminded Yoon Chang-Hyeon of his promise, but also he had assisted the ruthless father by giving himself the straw mat beating! 
(chapter 98) Here, he examined the robe and questioned the officer. The problem is that he was still relying on his staff and as such Kim. Therefore it is not surprising that he could still be manipulated by the schemers. Hence I am anticipating a total change in season 4. By conversing with the painter, the lord can only become more proactive to the point that he will be able to ruin the next schemes. I am even expecting a prank from the protagonists in season 4!! But this doesn’t end here. I am deducing that in the past, Yoon Seungho suffered because one tormentor would do things and say nothing, while the other would talk a lot, but act the opposite!! For me, these descriptions fit to Kim and the pedophile. I have the impression as well, that both characters came to switch their behavior. In one circle, Kim did many things, but remained mute, but later he did the exact opposite. I would like to point out that in season 3, he acted this way. He would promise loyalty to the lord, 
(chapter 77), but backstabbed him in the shadow. Besides, we shouldn’t forget that a narcissist’s words don’t match their action, because they are pathological liars. And so far, I had portrayed father Yoon (overt), Kim (covert) and even Jung In-Hun (overt) as people suffering from NPD. And I am assuming that the mysterious lord Song is not different from them, though I am suspecting that he must be a covert type. 
(chapter 77) Besides, it also snowed, when the painter got abducted twice, a sign that actually a promise had been broken. 
(chapter 102) He is no longer following social norms. This could only happen, because the lord had just committed a huge crime. What is the point to respect laws and tradition, when he became a murderer? Any other transgression can only appear as harmless. That’s the reason why I am expecting that Yoon Seungho decides to disregard social norms from that moment on and play a prank on the “villains” of this story. 
(chapter 76) 
(chapter 53) 
(chapter 87), while the same extremity symbolizes the opposite with the villains and antagonists: violence, silence, submission 
(chapter 83), hatred and resent 
(chapter 97) Here, Heena was hurting her brother, because she wanted him to face “reality”. What caught my attention is that we never saw the father’s hand in chapter 86! 
(chapter 102) The painter had confessed too late, for the schemers were already pulling the strings in the shadow. To conclude, the main leads’ self-deceptions were connected to love and time. The importance of self-manipulation leads me to the next observation. All the antagonists and villains were liars, because they were also deceiving themselves. They refused to admit their own fears and flaws, therefore they chose to commit a wrongdoing and manipulate others in order to hide their true thoughts. This means that not only the crime was covered up with a deception, but also the manipulation was hidden by another lie. This means that the list of their sins increased. Therefore it is not surprising that the gods chose to confront the liars with the verity, as they kept refusing to admit their sins. Now, it is time to focus on the antagonists and villains’ manipulations and the scenes where they were facing the mirror of truth. However, the readers are probably wondering where the mirror of truth is. The answer is simple. The mirrors of truth are not only the two main figures, but also Kim and Min, though they are their negative reflections. Remember that in Snow White, the item led the evil Queen to her doom, for the latter refused to accept reality. At the same time, the mirror of truth was not entirely honest either, for it never explained the definition of “Beauty”. In other words, it lied by “omission”. I realized that I can not examine all the antagonists and villains in one text, as I am so detail-oriented. Consequently, I selected Lee Jihwa and Yoon Chang-Hyeon first, for both characters’ lies are strongly intertwined. 
(chapter 77) The problem is that he had been caught by the butler. Thus the door was open. The door is full of symbolism. It can represent opportunity, but also imprisonment. Simultaneously, the door embodies the passage from one world to another in religion and literature. In the analysis “The window, the door, the air and their signification”, I had explained that in Painter Of The Night, the door embodies the passage between the conscious and the unconscious. This means that when all the villains are confronted with the mirror of truth, they are standing on the doorstep. That’s why the reflection is linked to the open door. The characters are forced to face their own repressed desires and anxieties. Hence I deduce that the room symbolizes memories too, which means that we are dealing with repressed memories. In our first case, since Lee Jihwa was seen in the study, this means that when he got caught, he tried to deny his responsibility in the seduction. That’s how he started being in denial of his wrongdoing. Thus out of fear, he left his friend behind and as such he buried the incident in his unconscious. He tried to forget it. He convinced himself that he had seen the friend’s smile. This was the evidence of his “statement”, yet this was just an illusion. However, before he ran away, he lied to the butler too. He told him that the one who had kissed him had been the main lead. So not only he lied to the valet, but also to himself. That way, he was avoiding to feel guilty. There were two lies, and both were used to covered up his own wrongdoing. But the one who had been smiling, was in reality Lee Jihwa, as he had the impression that his dream had been fulfilled. Thus the author revealed the young master’s blushing, the expression of happiness. 
(chapter 77) However, since he had been caught by the valet, he was facing the butler’s visage. And what did he see in his facial expressions? Shock and horror!! That’s how Lee Jihwa realized the gravity of his sin and chose to blame his friend. Thus I imagine that he must have blushed again and this time out of shame and embarrassment. It is very possible that in that moment, he must have copied the valet’s facial expressions before leaving Yoon Seungho behind and lying to the butler. Why do I think so? It is because the butler had made such an expression in front of the barn, when he had been caught. 
(chapter 64) And what did the main lead say? 
(chapter 64) Since the painter seems to have forgotten it, I deduce that it was the reverse for Lee Jihwa which explains why he felt so guilty in the end. As for the butler, when he had barged in the study, he had committed a wrongdoing himself. He should have asked for the main lead’s permission, but he did not. Consequently, he decided to believe in Lee Jihwa’s deception. One hand washes the other. He was covering up the guest’s sin, while the latter was doing the same thing for the domestic, though I doubt that Lee Jihwa truly realized it. Simultaneously, Kim had the perfect justification to hide the violation of social norms. He had caught the main lead red-handed, hence no one would question his own action. As you already know, I associate the butler to Pilatus, therefore he is connected to the bucket. 
(chapter 13) However, in my eyes, this doesn’t represent the biggest confrontation with the mirror of truth. For me, it is the altercation in episode 17, for it took place in the same place than the aristocrat’s crime. When the red-haired master looked at the picture, he was suspecting that the painter had seduced his friend due to the insinuations by the staff. And his fear reached the peak, when he saw the painter’s reaction: 
(chapter 17) As you can see, in this episode, the gods were recreating the same situation: a servant had witnessed how the two men “were fooling around”
(chapter 16), though this was definitely not the case!! And this is exactly like in the past, Yoon Seungho was totally pure and innocent. And what was Lee Jihwa’s reaction? A slap! 
(chapter 17) This is what Yoon Seungho had experienced in the past. Yoon Chang-Hyeon had definitely abused him. 
(chapter 57) Thus the main lead’s cheek was bruised. Then exactly like in the past, Lee Jihwa accused someone else of committing a crime. In the past, it was his friend, in the present it was Baek Na-Kyum. Both were portrayed as immoral seducers. 
(chapter 17) These words were exposing the verity about the past. Lee Jihwa was admitting in front of the painter that his friend would never act like that, and as such he had not attempted to woo him in the past. Striking is that in front of the painter, the red-haired master was misinterpreting the incident. Why? It is because he was influenced by his past experiences. Since he had lied twice, he jumped to the wrong conclusion that it was the same in the present. And back then, he had even achieved to fool Kim. Therefore he couldn’t allow himself to be fooled like the butler. That’s the reason why he couldn’t imagine that someone was innocent. 
(chapter 17) He was a liar in the past, so it must be the same for the painter. Yet, this was the negative reflection from the past. Thus his karma was to get caught by his childhood friend. Striking is that this time, he was put in his friend’s place. He was turning his back to the door. Moreover, due to his anger, he didn’t hear Yoon Seungho’s steps and the opening of the door! 
(chapter 17) But the childhood friend refused to face reality in that moment, and as such to admit his guilt and responsibility. Why? It is because he had committed another crime in the past. This is related to the bedchamber incident. 
(chapter 83) However, here he had been caught by his father, hence I believe that this confrontation represents mainly the elders’ punishment. As for Lee Jihwa, despite the humiliation and abandonment in chapter 18, he refused to give up on his friend. 
(chapter 18) One might say that he was motivated by love, yet I think that it is related to his denial about his sexual orientation. And this coincides with his lack of honesty. He had not confessed his own sins and lies yet. Therefore 
(chapter 36) he presented himself as a pitiful creature, as he was sharing the protagonist’s suffering due to his knowledge. However, this was not empathy, just sympathy. The person only feeling sympathy will always put a distance between himself and the counterpart. There‘s a “I“ and “you“, but no „we“. The person might come to pity the other, yet he won‘t intervene and help. He will just understand and that‘s it.
(chapter 36) This panel is the evidence for this interpretation. Lee Jihwa never used the personal pronoun “we”, even during the abduction. 
(chapter 43) Based on this panel, Lee Jihwa had more or less barged in the study, but his presence was detected too late! One detail caught my attention in this picture, the presence of the light reflected on the door. Hence I assume that the main lead detected the presence of a witness because of the light!! 
(chapter 43) Let’s not forget that the room was dark, when they were having sex. 
(chapter 42) He was still looking at his lover’s face, when he perceived the change of the light. Hence he turned his head in direction of the light reflected on the door. My friend Luzaly brought my attention to this detail. The couple was turning their back to the door before. 
(chapter 42) The form of the light reflected on the door doesn’t come from behind the gate 
(chapter 97) And now, you comprehend why I came to the deduction that Lee Jihwa had witnessed the love session not from this door, 
(chapter 41) However, in the next episode, Byeonduck showed us a slight change. 
(chapter 42) The door was now close. This means that the butler had intervened at some point. This was the negative reflection from episode 20. 
(chapter 20) This time, the main lead had not requested for more privacy, for he had not detected the presence of his right-hand. And this leads me to the following conclusion. Since this is not the door 
(chapter 43) I am even suspecting that he didn’t view this scene at all, because logically, the light should be coming from the other side!! But on the other side, there is no door!! 
(chapter 49) But there is the window…. And now, you comprehend why Yoon Seungho never investigated the matter with the “door”. It had never been opened in the first place. But how could Lee Jihwa imagine such a scene? 
(chapter 57) However, here it is necessary to remind the readers of my previous character’s examination. I had described Lee Jihwa as trapped in a dark room, because he had lost his auditory and visual sense due to his guilt!! This was the price to pay for his sins. He had imagined to see the friend’s smile and he had lied to the butler. And since in episode 17, his visual senses were triggered (the painting, the painter’s facial expressions), I deduce that in chapter 42/43, this time Lee Jihwa was confronted with the mirror of truth through words. Through the window, he could hear the moaning of the couple, hence he couldn’t see the painter’s sadness. Moreover, this is what the painter said: 
(chapter 42). It sounded like he was indeed seducing the main lead. As for the embrace, he couldn’t hear it, but someone had heard the longing from the painter. 
(chapter 43) The gods were punishing Lee Jihwa for his lie: his friend’s smile!! But I have more evidences for this theory. First, it is important to pay attention to Min’s words, when he manipulated Lee Jihwa. First, he portrayed the painter in a pejorative light with the idiom “indecent life”. 
(chapter 43) Moreover, the noble employed the personal pronoun “we”, which is not typical for the selfish and hypocrite villain. This means that he was repeating Kim’s words. Then he added how the couple would have sex in the barn 
(chapter 43) (“vulgar roll in the hay”), but this was not true. However, this is what had happened in the past with Lee Jihwa. The latter would have sex with his childhood friend in the storage room. This explicates why Lee Jihwa came to believe in Black Heart’s words and manipulations. With such a description, he was reminded of his own past!! Therefore it is not surprising that Lee Jihwa had such a vision. 
(chapter 43) Moreover, since this night was a reflection of the first Wedding night, this means that the author left a clue there. And now, look at this… 
(chapter 21) The windows!! As you can see, the door is not the only place to spy or interrupt intimacy. Secondly, we should have reflections of the spying through the window in season 2. 
(
Chapter 49) In this episode, the light in the study had suddenly vanished, and this is what we had before: 
(Chapter 70) I had already suspected back then, that someone was listening to their conversation, and with this new discovery, Lee Jihwa hearing the love session from the window, this interpretation gets reinforced. Furthermore, in chapter 96, the main lead had explained the opening of the door with this: 
(chapter 96). This signifies that in the past, the lord had explained the sudden opening of a window and the vanishing of the candle light with the wind during the night of chapter 49.
(chapter 36) The reality is that he couldn’t cut ties with his friend. He had lied in the past, therefore he got manipulated in the present. And since he was confronted with his auditory and visual senses in season 1, he was put in a similar situation in season 2. However, there was a slight change, now the red-haired master was confronted with a real crime: murder!! 
The darkness of the room and the silence from Yoon Seungho and the painter were referring to the master’s loss of senses and his guilt. Deep down, the young master knew that the assassination was not right. And note that the aristocrat had this nightmare in his own bedroom confirming that the room is the symbol for the subconscious. Finally, in season 3, Lee Jihwa got confronted with another uncomfortable truth: his friend’s sexual abuse. Lee Jihwa had acted, as if this stolen kiss was nothing. However, due to his silence, he let his friend get raped. And he knew about this, but he chose to close an eye to this. First, Lee Jihwa refused to share his friend with the painter 
(chapter 5) Therefore it is no coincidence that in the shaman’s house, he was put in the same position than Yoon Seungho. He couldn’t select his partner
(chapter 100), he had to rape Baek Na-Kyum. This is no coincidence that the Joker was standing in front of the door. He was pushing the young man to face his repressed memories and lies. That’s the reason why exactly like in the pavilion (chapter 43), Black Heart coerced the antagonist. He used words to manipulate the second lead, but there is a huge difference. The shaman’s house was representing the young noble’s unconscious and as such his true personality, while it was not the case in the pavilion. The room in chapter 43 was more embodying the Joker’s unconscious. Why? It is because Lee Jihwa was speaking the truth in that scene. 
(chapter 43) He reproached Black Heart to have deceived him. On the other hand, the scene in the shaman’s house corroborates my interpretation that Lee Jihwa had not seen the embrace from chapter 42, for Black Heart was voicing the butler’s thoughts and emotions. 
(chapter 100) This shows that during the night of chapter 42/43, the valet had intervened. Thus Min was acting, as if he was a victim in the recent past. He had been deceived by Lee Jihwa’s lies by omission or commission. This is what had happened in the past. Besides, I realized that when the man confessed the incident in the bedchamber
(chapter 83), Min couldn’t see the whole story. He had to rely on the second lead’s words. Just because we could observe the whole scene, this doesn’t mean that this was the case for the character. It is very likely that Lee Jihwa left details out, especially as he portrayed himself as a victim. Due to the narration, Min could have been misled. He could have envisioned that the childhood friend was living in the study and had dragged his friend to the bedchamber. Hence you comprehend why I consider it as another evidence that Lee Jihwa didn’t view the love session in the study from chapter 42 with his own eyes. He had to rely on his ears and naturally Kim played a role before Black Heart’s intervention. The servant hoped that Lee Jihwa would decide to do something…. in other words, he had been gradually manipulated by Kim and Min to hire an assassin. That way, he could be blamed for the murder of the scholar. He would become guilty by association. And the one pulling the strings behind the scene can only be the mysterious lord Song, for he can no longer interfere directly, though I am certain that he was not aware of the butler’s own meddling. Why? It is because in the past, Kim had never become proactive like that. Moreover, I think that even in the past, the man was not omniscient and omnipotent either. He over-estimated his own abilities, and didn’t recognize that he had been fooled himself either. 
(chapter 100) This is no coincidence, for the sexual abuse is the reason why Yoon Seungho’s heart and soul got destroyed. This had the same effect than killing someone, especially if the person is so innocent and pure. Because he recognized the truth, he had the courage to abandon and betray Black Heart. That’s how he could redeem himself in the end. 
(chapter 100) At the same time, this is not surprising that Lee Jihwa met his friend and admitted his wrongdoing. For the first time, he didn’t remain silent and chose to intervene!! I also believe that during that night, he apologized to the protagonist before vanishing. In other words, Lee Jihwa had to face 4 different mirrors of truth, until he was able to admit the verity. He was responsible for Yoon Seungho’s suffering. He had lied, therefore he got deceived, until he had no other choice to confess his guilt and sins. 
(chapter 77) This means that he broke his promise. Striking is that the vow to the butler was introduced in connection to the patio!! When the readers hear this promise, this is what we see shortly after. 
(chapter 77) Secondly, the elder master Yoon was seen shortly after there. 
(chapter 87) Finally, there exists the flashbulb from Yoon Seungho’s memory: 
(chapter 57) It was, as if the elder master had nothing to hide, for the domestic and the butler could hear him. However, the latter got deceived. There is no ambiguity that the valet and the young master trusted him. On the other hand, the valet was the one who introduced him to the physician, like we could see here. 
(chapter 57) But what does it mean? First, it shows that Yoon Chang-Hyeon was never seen in the bedchamber!! In other words, his power was fake. This interpretation gets validated, when I use the confrontation between Heena and Yoon Seungho. 
(chapter 65) In that very same place, the protagonist had been insulted and could do nothing, for neither Kim nor his staff intervened. And this perception reinforces my perception that the patriarch has always been delusional and arrogant, over-estimating his own power. Moreover, the lord was not honest either. 
(chapter 65) This shows that the patio is connected to violence, hypocrisy, deceptions and offenses. 
(chapter 7) Then in the study, Yoon Seungho confessed that his father had been dismissed from his post which contradicts the previous statement. 
(chapter 80) But how did Yoon Chang-Hyeon obtain his office then? Then the expression “follow in his footsteps” caught my attention. That’s how I realized that the elder master never passed the civil service examination!! In truth, he failed terribly. How can I be so sure about this? First, the civil service examination consists of different tests. Secondly the idiom from Yoon Seungho indicates an gradual rise in the grandfather’s career which is not reflected in the lord’s confession to the messenger. Finally, in front of the mirror of truth, the father voiced the following wish: 
(chapter 18) Hence I have the impression that he must have acted, as if he was the king’s relative. Hence he asked to be called by a certain title. This could only infuriate the mysterious lord Song, for the latter was hiding his sodomy and debauchery behind closed doors. No one was supposed to make a connection between him and the Yoons. However, I don’t think that the elder master Yoon had planned everything from the start. He had definitely been misguided, for in season 1 and 3, we could see that he was believing blindly what people would say to him. He never doubted his son’s words, when the latter said that Yoon Seungho had given him such a paper. 
(chapter 44) And it is the same with father Lee. That’s the reason why I still think that he had been manipulated. He was pushed to sell his own son, thinking that the Yoons would benefit from it. However, this was just a delusion, as he was dependent on the monarch’s benevolence. 
(chapter 53) But Yoon Chang-Hyeon refused to admit it, it went so far that he was denying his relationship with Yoon Seungho. He was just an animal. 
The man had a view to the patio, hence he could see who could enter the bedchamber or not. And observe that when the brutal father was in the bedchamber, the main lead never replied to him. This could only reinforce the man’s delusion and greed. That’s the reason why Yoon Seungho had to live in the barn and was not dressed properly. The elder master Yoon was avoiding his son for this reason. He was closing an eye to the truth. And that’s how he could convince himself that Yoon Seungho was just a sodomite. In other words, he came to believe his own lies, while in the beginning, he had definitely been deceived himself. To sum up, his evolution stands in opposition to Lee Jihwa. Instead of suffering from guilt and shame, he came to adopt this philosophy, Yoon Seungho is responsible for everything. His hatred towards the protagonist could only increase. But reality caught up with him during the same night! He ended losing his power, as all the noble families supporting him vanished. He had promised to cure his son, he ended up as a wreck. His health deteriorated, hence he is much thinner now. 
(chapter 87) He was paying the price for his lies about the cure. Furthermore, the manhwaphiles will realize that he is no longer seen in the patio. 
(chapter 44) This explicates why he refused to bid farewell to Yoon Seung-Won from the patio. This means that he chose to live in the bedroom, totally cut off from the world. And this leads me to the following observation. Once he met his son after such a long time, he refused to accept the verity. He was responsible for the situation and for Yoon Seungho’s suffering. This shows that his self-manipulations can no longer be removed. He remained once again totally delusional, thinking that the treason was just a subterfuge! 
(chapter 87) This was another self-deception. Without the main lead, the latter would have lost everything. Note that he is living comfortably in the house in Hanyang. So if the young master were to disappear, I doubt that the mysterious lord Song will allow the father to take over the mansion. His regret implied that he shouldn’t have sent for a doctor. This is important, because this signifies that he will be punished the same way, it will be even worse. No one will be by his side to protect him and to save him… no one will request for the physician’s assistance. Similar to the broken promise in the patio: 
(chapter 87), while Yoon Seungho was compared to a monster! 
(chapter 87) He was a cruel and resentful father. Moreover, the lord’s words always become a reality. Hence the father can only be condemned as the licentious and depraved degenerate. 
(chapter 87) This shows that deep down, the man was not truly against sodomy and prostitution. The father resented the son, for he could only achieve “glory” through debauchery and sodomy. I believe that the elder master Yoon was thinking like this: “no matter what” the Yoons’ power and notoriety must increase. In the bedchamber, the man exposed his true personality, while in the patio he was just the fake image of a powerful, decent and righteous man. This explicates why it took the teenager so long to realize the father’s betrayal. 
(chapter 82) He was just an empty shell, his knowledge, experiences and possessions were just an illusion.
(chapter 11) Secondly, I had associated the main lead to the eagle which is the symbol for the kings and emperors in Europe. He was seen here flying 
(chapter 30), and his fingers reminded me of the eagle’s claws. 
(chapter 18) And this perception got even reinforced, when I saw this panel: 
(chapter 52) In this scene, he was sitting like a king surrounded by his “court”. The hanbok had such a design that I couldn’t help myself associating it to Joseon’s monarchy. 
, I had another revelation. On the one hand, it actually confirmed that Yoon Seungho was somehow destined to become a king, yet he is not represented by the eagle or the phoenix, but by the dragon. Hence the moment I saw this image, one idiom came to my mind: Dragon king!
(chapter 100), though this deity is always accompanied with a dragon and in this picture, the readers couldn’t see one. However, it is possible that the author didn’t desire to reveal too much. 
(chapter 58) And we had the same weather, when Yoon Seungho saved his lover. 
(chapter 97), and according to me, the messenger was drown there. 
(chapter 94) In addition, my theory is that Deok-Jae and/or Jung In-Hun’s body were placed in a jar in order to hide the murders. For me, the jar plays a huge role in Painter Of The Night… thus Byeonduck created such a scene in season 2 
(chapter 46) and we have so many jars next to the pond: 
(chapter 94) [For more read the essay “The secret behind the library”]
(chapter 91) This is no coincidence. To conclude, all these elements (rain, jar, well, soul of a deceased), connected to the dragon king, are present in Painter Of The Night. Thus I came to the conclusion that Yoon Seungho is like Dragon king. This reinforces my conviction that the main lead is not only connected to shamanism, but also embodies royalty. So he might not be the king of Joseon, but he is powerful in his own way, though he is not aware of this. And note that the moment he wished to commit suicide by drowning in the pond, he was brought back to life. 
(chapter 100) and this altar 
(chapter 100) were exposing the presence of a ritual. However, my problem was that I couldn’t determine exactly the nature of the ritual. But by making the connection between the dragon and good fortune, I had now more clues. I have to admit that I can not be 100% sure for this, but this is what I found: 
(chapter 4) 
(chapter 6) 
(chapter 82) 
(chapter 83) and the deer 
(chapter 22). Then the lord compared Baek Na-Kyum’s eyes to a rabbit. 
(chapter 78) Since both resemble each other, I deduce that the main lead has the same eyes, the rabbit’s. Like mentioned above, he utilized his fingers similar to claws: 
(chapter 54) One might argue that this signification is totally impossible, for the lord doesn’t have the body of a snake. This point can be refuted very easily. What is the major characteristic of a snake is molting. A regularly recurrent event during the activity period of all snakes is the shedding of the skin. This coincides with the lord’s change of clothes. The latter reflected his downfall and rising. Furthermore, this animal is linked to death and rebirth. My avid readers are already aware that I had detected different scenes, where we could witness the lord’s spiritual death and rebirth, like for example in the shed: 
(chapter 62) When he discovered his misjudgment the next morning, he felt like dead. He no longer saw himself as a lord, but came to view the painter as his new lord : 
(chapter 66) As a conclusion, Yoon Seungho shares so many similarities with the dragon that I came to view him as one. This explicates why even after getting married, he will never wear a beard! 
(chapter 102), and thanks to the painter, Yoon Seungho’s soul was able to escape this “mental prison”. 
(chapter 45)
(chapter 55) and as such his heart and mind. 
In this scene, the characters are caught by surprise, but it becomes obvious that there is no disgust or expulsion. In fact, the fall of man took place before, for Baek Na-Kyum was sent to Joseon. In this encounter, I detect attraction and curiosity. Hence I come to the conclusion that in the original story, when this scene took place, 
(chapter 50) 
(chapter 52) This means that the mysterious lord Song was actually claiming the main lead as his wife in the last scene. Min and his friends were sent there in order to entertain the protagonist, but they failed. This explicates why the next day, Black Heart was seen with a hanbok of lower quality. 
(chapter 56) It was, as if Min had been compensated for his bruised face by the mysterious lord Song. However, for the pedophile, Black Heart was just a concubine, and not his main wife! Hence the hanbok had not such a detailed and expensive design. This would explain the villain’s jealousy. And now, if you look back at the hanboks from the main lead, you will recognize his ascent. First, he is wearing green, which is similar to Yoon Chang-Hyeon’s color. At the same time, his hat resembled a lot to Kim’s. 
(chapter 1) Then later, he is mostly wearing blue which is actually the color of the Crown prince. 
(chapter 11) Yet, his robes initially have no design. Slowly, the lord is wearing colors and designs that are actually reserved for a king: blue, red, black and purple. This constant change of hanboks symbolizes the “snake molting” and as such his transformation and rising. This is not astonishing that on the night of the bloodbath, he had such a hanbok: 
(chapter 102) Here, he was no longer acting like a noble, but as a ruler. Don’t forget that according to me, the mysterious lord Song had proclaimed the main lead as his unofficial Queen by giving him hanboks with phoenixes. However, naturally, this was never mentioned to Yoon Seungho directly. Why? It is because Kim usually selects his clothes. However, this rise was not natural, as the lord had no real saying in this matter. The real metamorphosis took place in the shaman’s house, when the lord was sent back to the past and as such the darkness. 
(chapter 44) It is because the main lead was thinking that the painter would actually run away. Thus the door was left opened, and he was wearing warm clothes. Yoon Seungho never imagined that Baek Na-Kyum would remain by his side. Yet, during the previous night, the lord had consoled his lover by embracing him. 
(chapter 71) But this can be refuted easily. First, don’t forget that during this love session, the lord was acting like a servant pleasing his new lord. So this had nothing to do with Yoon Seungho’s feelings like sadness or happiness. He was determined to keep the painter by his side, and ignoring his own feelings. He never expected the artist to reciprocate his feelings. Secondly, Yoon Seungho’s nocturne vision is not just a nightmare, but also a DREAM! Yes, you are reading this correctly. Only recently, I discovered that all the artist’s visions are a combination of 3 elements: memory, nightmare and dream! I will give you three examples as illustration, for I am slowly running out of time. 
This vision is a combination of these three elements: memory, nightmare and dream. This had happened during the First Wedding Night (memory)
(chapter 21), then we have a similar situation in chapter 49: , 
the lord becomes a ghost and confronts the painter with his biggest fears (admitting his attraction, passion for erotic paintings and homosexuality) and dream
(The painter’s true desire was that the lord would kiss him, he was deeply longing for his lips, yet he was still in denial in this vision. 
. He hoped that the lord would take care of him personally. Naturally, the “spirit” is the nightmare 
. 
(chapter 74) This had already happened, but the lord had not grasped the significance. 
(chapter 53) Besides, he had not opened the door himself. Even when he went to the scholar Lee and opened the door with the his foot, the lord still felt trapped. 
(chapter 67) Then in season 3, he could break a door, but it was thanks to the painter. 
(chapter 96) This shows that the lord’s wish to get released had not been fulfilled so far. In my eyes, it is connected to the torture Yoon Seungho suffered and as such to the purge organized by the authorities. That’s the reason why I deduce that the lord will break a door in season 4, and this won’t be by accident and it will be witnessed by many people contrary to chapter 53, 67 and 96! The broken door will reflect the lord’s rise and power, and no one will be able to stop this. In my eyes, this wish is connected to the door in the servants’ quarter. That’s how his imprisonment started.
(chapter 74) The “dragon” wished to see Kim and his father, and confront them! And this did take place in season 3. Yoon Seungho confronted the butler with his attitude and betrayal
(chapter 77), but this argument was just short-lived. He still viewed the valet as a hard-working and trustworthy person. He had just made bad decisions. Then in the bedchamber, the lord could blame the father for his suffering: 
(chapter 74) Simultaneously, the vision also displays the lord’s expulsion from “hell”, the sex orgies 
(chapter 74) Simultaneously, the dream showed that the lord wished to see this painting again, though deep down, he blames this image for his suffering. As you can see, the vision was revealing the tormented disposition of the lord. He was switching from nightmare to dream and the reverse… a mixture of anxieties and desires. 
(chapter 74) This signifies that he was approached by someone from behind, he had not noticed that the “door” had been opened. Thus he never expected his apparition. For me, this perception demonstrates that the painting is not the real cause for Yoon Seungho’s suffering. Since he had turned around, I came to recognize that this scene stands in opposition to the situation in the painter’s nightmare: 
(chapter 86) In reality, he was a dragon, who could bring luck and fortune to the person who would cherish him. This is no coincidence that the pedophile sent hanboks with the crane
(chapter 34), 
(chapter 30), but much more brutal and violent! 
(chapter 74), it is the opposite with the painter.
(chapter 55) The chapter begins in medias res
(chapter 56), which means that there’s no introduction, the story starts in the middle of the action. And now, it is important to question ourselves about the intention of the author. Why did she change her MO? I found the answer the instant I realized the importance of the two following aspects. The light… and the sound, in this case: HAA… 
(chapter 56) In the past I used to think that this scene had occurred early in the morning. But now, I am thinking otherwise. In truth, right after receiving the letter, the butler went to the bedchamber directly and woke up his master!! This signifies that this scene took place during the night. But how did he do it? He just needed to remove the light from the bed and lit other candles. That’s the reason why the candles are positioned like during the night of the brother’s visit. 
(chapter 56) Besides, the manhwaphiles should remember the way the room was enlightened, when Baek Na-Kyum was keeping company to his lover. 
(chapter 55) It was quite dark.
(chapter 55) And strangely, the main lead could sleep comfortably. He was not plagued by a nightmare. 
(chapter 55) He could even sense the artist’s presence unconsciously, therefore he confirmed his affection for the painter. And now, you can imagine what happened. Once the valet received the letter, he went to the bedchamber directly and sent Baek Na-Kyum back to his bedroom under the pretense that he would take care of his master himself. However, the moment Baek Na-Kyum had left his side, the valet lit more candles 
(chapter special episode 3) Note that there’s no candle placed next to the entrance of the lord’s bedchamber for that reason. The noble only feels comfortable, if the light is situated close to his face, because that way he won’t see any shadow. Thus we have such a scene in the first season. 
(chapter 35) The candles are always placed next to his bed. And now you comprehend why the lord moved to the patio during their first night together. 
(chapter 38) He didn’t want to disturb the painter in his sleep, for he needs light during the night, but only next to him. This explicates why Yoon Seungho woke up from his nightmare right away, when the bougie had been blown out. 
(chapter 74) But how did it happen? Was it the work from the wind or the candle was extinguished by the protagonist’s heavy breath or was Kim behind this? Because I had no answer before, I had not mentioned this observation. Fortunately, my friend Luzyla came to my rescue and gave me the answer which I totally support. Kim must have intervened during that night, because for the first time, the nightmare was becoming more precise. But how did she confirm my suspicion? It is because the butler had this image, when he tried to convince the painter that nothing would change. This panel 
(chapter 87) represented the butler’s memory. This means that the butler must have seen him from the outside. He didn’t want the painter to discover the lord’s suffering. And it worked, for the lord never let this transpire to the painter after that night. And now, you comprehend why the butler had to make sure that the couple would no longer sleep together at the end of the second season. But let’s return our attention to episode 56.
(chapter 34) The entire time he acted, as if Yoon Seungho was fine, for he was conscious. Then he gave the letter to his master and knelt far away from him while looking down. 
(chapter 86) The former has long internalized that he is scary and dirty. Yet the truth is that the butler’s gaze reflects his hatred, for he considers him as responsible for his own misery. Don’t forget that he is tormented in the presence of Yoon Seungho. The latter is a reminder of his own sins. To sum up, for Kim, the reason for his distance and avoidance is simple. He doesn’t want to be confronted with Yoon Seungho’s suffering, for he is refusing to admit his own guilt. The protagonist already knows about this unconsciously. Thus he hid his gaze the entire time. 
(chapter 56) The first “HAA” 
weren’t laughs, but the sign of a panic attack. Yes, for the first time the manhwaphiles discovered the lord’s health issue (flashback), but no one truly grasped, not even me. I had imagined that his heavy breathing was related more to pain and his illness. I only recognized the existence of the panic disorder in episode 66, though I was already aware of his PTSD. 
(chapter 86) He pretended he saw and heard nothing. But how can I be so sure that it was the night? Simply because all the windows were all closed. Thus Byeonduck drew such an image: 
(chapter 56) Besides, observe that there is more light in the bedchamber, when the butler entered the room later: 
(chapter 56) 
(chapter 56) He wanted to wash off his hands on this. The moment he conveyed the message to the master, it was no longer his responsibility. If lord Song had truly sent the missive, then Kim could say that this had been his master’s decision to refuse to follow the request, if they were confronted for their disobedience. This means that Kim was lying, when he said, “I am sure lord Song will understand”. He was just expressing an expectation, but there was no guarantee that the mysterious man would be very understanding. In addition, one idiom caught my attention: “If” This was a condition and not a real statement. Kim never said that since Yoon Seungho was ill, he could refuse the invitation. This signifies that the valet refused to confirm the noble’s illness. It was Yoon Seungho’s choice to say if he was feeling ill or not. To conclude, he refused to assume any responsibility. And now, you comprehend why Byeonduck added a drop of sweat on the butler’s face. This was showing his discomfort and deceptions. The man didn’t want to be associated to the noble and become responsible for him. 
(chapter 56) 
(chapter 56) he proposed to fetch the boy. Why? It is because the butler didn’t want to be confronted any longer with the lord’s panic attack, though he had been the one to trigger it! But he didn’t care, for his true goal was to save his own skin. Should lord Song get angry, Kim could definitely use the truth to his advantage. He had delivered the letter right away, and the noble had been well enough, since he woke up and read him the content. 
(chapter 56) 🙄 Under this new light, I couldn’t help myself shaking my head, when I read this from the butler. 
(chapter 56) His words implied that the lord had woken up on his own, whereas in reality the butler was the cause for this. Kim knew that his master would never go back to sleep after their conversation. This explicates why the candlestick was placed again at the head of the bed. 
(chapter 68), his fate was strongly intertwined with the artist’s. But it changed, when the lord heard that Baek Na-Kyum was blamed for his insomnia and he hadn’t been able to meet the artist during broad light
(chapter 79), he punished Kim. It was, as if the butler had failed to protect the artist. And because the painter‘s visit to his bedchamber had taken place during the day, it revealed his loneliness. That‘s the reason why I believe that this conversation pushed the lord to give the maids to the artist. They should become his ladies-in-waiting so that he had someone he could talk to. However, Yoon Seungho never let the butler know about the true reason for his punishment. He used the father as subterfuge. Finally, we shouldn’t overlook the valet’s pledge: he swore that he would serve the lord. 
(chapter 85) Strangely is that in that scene, we never heard any STEP, STEP, STEP like here: 
(chapter 97) There was no sound, therefore I deduced that Kim didn’t run to the study. However, observe that the butler is breathing heavily. It was, as if he was out of breath: HUFF HUFF. 
(chapter 25) 
(chapter 36) The night had already fallen, when Yoon Chang Hyeon was present in the mansion. If the butler had carried a chandelier, the painter or the noble would have sensed his presence. Thus I deduce that the butler’s function in the protagonist’s suffering was to lit the room, the moment the pedophile and other sexual abusers approached his prey. That’s the reason why his nightmares are triggered by the sound of a lit bougie and the light accompanied with shadows.
(chapter 26) This scene took place in the courtyard. This is the bathroom for the staff which you can see in the background 
(chapter 30), the grey building with grey bricks. And it happened again in episode 32
, in episode 55 
And now look what we have in the third season: 
(chapter 77) 
(chapter 82), 
(chapter 94) and 
(chapter 98) He is no longer carrying any light, not even for his master. Why? It is because he can spy without being detected. Thus he approached the messenger only after the main lead had left the study. Don’t you find it weird that he acts as if he knew nothing
(chapter 82), while he presents himself as the senior domestic in the mansion? 
(chapter 82) This represents a contradiction. If so, he should have been informed immediately. Thus I come to the conclusion that this scene reveals his incompetence and betrayal. Did he aid the messenger, when the latter got beaten? No, he only made his appearance, after the incident had occurred. And this is not surprising that the other domestic looked down on the butler. 
(chapter 82) He already knew that he had betrayed his own master through the letters. So I doubt that he viewed Kim as trustworthy. Another important element is that when the butler is seen in connection with the light, he speaks much more, while in the darkness, he remains silent. This is naturally connected to his spying activities. Simultaneously, the words coming from the butler often appear as empty. They remain quite superficial, for the butler is always putting conditions. “If there is anything I can do…”. That’s the reason why the butler doesn’t feel any real concern for the main leads in the end. This is not his business. And now, you are probably wondering why I used “quarrel” in the heading. It is because in episode 85, the butler had heard the argument between the couple. This is relevant, because the butler chose to recreate the same situation in episode 98!! 😲
(chapter 98) The light is coming from the butler’s back. How is it possible, since there is no torch next to the gate? 
(chapter 98) The women knew that the artist wasn’t feeling well. But they never sent for the doctor and gave him any true comfort. They kept criticizing him. Yes, all the servants bullied the artist. The butler never realized that through his badmouthing, the staff would imitate him. They would chatter idly and fake concern, yet Kim is actually silent in front of his master. He just says the minimum, for the most part, he has to feign ignorance. He acts, as if he was blind and deaf, but in front of the staff he behaves the exact opposite. And this huge gap makes it possible to perceive his conniving personality. However, the main lead didn’t pay attention to the insult („damn brat“), as they had faked their concern. The lord had the impression that they had indeed done their best, hence the main lead felt the need that he had to do the research on his own. 
(Chapter 99) He believed them. 
(chapter 86) So the valet had the feeling that nothing had changed. However, like I mentioned it above, he never realized that his fate was now linked to the painter’s and as such he was responsible for his well-being. Thus he got surprised with this new kind of order. For the first time, the valet was tasked to investigate outside the propriety. 
(chapter 98) Many readers, including myself, were quite confused first. However, note that there’s light coming from the building. From my point of view, this is the gate. However, this scene took place before the arrival to the mansion. I believe that this scene represents the moment, when the lord left the office of the investigator. But I can not be 100% sure. However, one thing is sure. Byeonduck wanted us to notice the importance of the light and the silence. The lord was pondering deeply, thus he didn’t pay attention to Kim. But now, the noisy domestics brought the main lead back to reality. 
(chapter 97) The painter didn’t run away immediately. He remained quite some time in the domain, therefore after the last tragedy, the lord will have the time to ponder about the painter’s question. 
(chapter 38) and he woke up in the middle of the night. 
(chapter 84) However, the lord got the opposite impression, for when he entered the study, the painter was sleeping on the floor in the dark. 
(chapter 02) This explicates why he would always extinguish the candles. 
(chapter 97) However, he never realized that the painter could only fall asleep in the dark, because he always sensed his lover’s presence. This means that when he reached the aristocrat’s hand, it also gave him some comfort. 
(chapter 97) Because the artist’s fate is similar to the noble’s, I deduced that this fear is connected to the artist’s past. Why does he fear darkness? It is linked to the vanishing of the candle light! 
(chapter 6) 
(chapter 56) In the past, the painter used to sleep with the candle night on. For him, the light gave a sense of safety. There’s no ambiguity that he wouldn’t sleep alone, though we have to imagine that the noonas would leave him behind at some point, if they had to work. Thus I came to the deduction that the candlelight was to create the illusion that he was not alone. 
(chapter 68) What made him looking for his noona? What if the bougie was blown out during his sleep and Jung In-Hun was behind this? Byeonduck said that the scholar’s attachment to the boy was genuine, nevertheless there is no doubt that the learned sir was a greedy person. Maybe he woke up, because he detected the absence of warmth, as the noonas had left his side. Hence the painter sensed the abandonment in his sleep, which made him wake up. Consequently, he started searching for his noonas and he opened the door. No one would suspect a young child opening the doors in the kisaeng house. But by opening the door, the artist caused a ruckus, people could hear a protesting child in a room. And during that scene, the artist met Yoon Seungho who was captured by the guard!! This memory represents the night of the sexual lesson. Observe that the color of the hanbok corresponds to the one lying on the floor. 
(Chapter 70) Why would he do that? He could have bring him back to his chamber!! Why walk through the countryside and for a long time? It is because he was not allowed to be in the gibang. Remember that he used to sleep in the annex. 
(chapter 29) People believed that he had already passed the exam, while it was not the case. Then I started wondering this. Why does the painter associate the learned sir to the moon? It is because the learned sir would visit him during the night. 
(chapter 94) The light from the moon comforted the artist, it became his companion, for the artist still feared the darkness. However, since the painter described that he would always cry because of his noonas, I am sensing that the scholar must have dragged the artist quite often outside the gibang. And this could coincide to the sexual abuse Yoon Seungho was exposed to. Kim said that the sexual abuse took place in the bedchamber. 
(chapter 50) Both give each other comfort and warmth so that they feel safe. Maybe the FWOP; FWOP sounded like a lullaby to the artist’s ears. 
(chapter 49) 😂 
Bebebisous33s' analyses in K-Dramaland and Manhwas 