Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa:Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx„The Third Man“ (first part)
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas.Besides, I need to cover up the expenses for this blog.
As you can see, trying to discover the identity of the third man has become my new obsession. Why? It is because I am convinced that he will play a huge role in the progression of the story.
1. The men in the shadow
After releasing the first part, it dawned on me that Shim Yoon-Seok and the unknown man (chapter 37) from episode 37 could be still two different persons. However, the two of them have something in common: both are involved in creating an event, or better said in plotting!! Moreover, they participated in the last scheme. But the condition for a trick is secrecy and manipulation. And this is exactly what was happening in chapter 42. (chapter 42) The roommate acted, as if he was a ghost, as if he had vanished into thin air. He kept a low profile and never asked the green-haired to stop arguing or insulting the young doctor. As for the other, he manipulated Kim Dan to scare him off. That’s the reason why I am more than ever convinced that the next plot is on its way.
2. The discovery of the secret
My problem was that I couldn’t determine properly which secret the hidden man had discovered. Since I detected parallels between Joo Jaekyung, Kim Dan and this negative couple, I realized that the latter could also have a boss-employee relationship. Since the latter is a prostitute, (Chaoter 42) which he is no longer denying, I came to the deduction that the other is a pimp. Moreover, because I connected parallels between chapter 42 and episode 13, the doctor‘s words came to my mind: (chapter 13) The expression „the pond’s been bone dry“ implies hiring. Naturally, Cheolmin meant that it was difficult for him to find a partner, but his declaration could be understood, as if he was referring to male escorts. As you can see, there was an indirect reference to prostitution in the end. However, he was not looking for a male prostitute. And now, if you look at the members from the XY VIP club (Chapter 33), you will realize that they belong to the higher middle-class. On the other hand, Cheolmin pointed out that only desperate people would accept to be his sex partner (chapter 13). Thus I come to the conclusion that the athlete was pushed to hire prostitutes in the end, for the other VIP members would refuse such a rough sexual behavior. That’s why I have always been suspecting that this club has been dealing with whoredom behind the facade. The silent barman could be the link. Yet, notice that Heesung has a different approach at the club. (Chapter 33) He’s looking for his soulmate. This explicates why he could approach these new members so easily. Interesting is that Choi Heesung knows about his jinx and criticized him for his roughness (chapter 33), but he never reproached him to hire escort boys. Our cursed Romeo is not linked to prostitution, hence when he saw Kim Dan during that night, he didn’t see whoredom, but roughness. (Chapter 34) Therefore he was not repulsed. This explicates why he gave up on Kim Dan so easily. (Chapter 35) So imagine his reaction, when he hears that Joo Jaekyung has been treating his angel as a male prostitute. He will get upset, for Joo Jaekyung is looking down on the protagonist‘s job and his magical hands. But let‘s return our attention to episode 42. (chapter 42) Because prostitution was in the center of the argument, I am quite certain that the third person is also connected to it.
And being a pimp would fit the profile of a person who is looking for an easy and quick way to earn money. Once I made the connection between the third man and prostitution, I had another revelation. Yes, it is about the secret he had discovered. Kim Dan is working as a delivery man during the night and he is on his own! Joo Jaekyung is not protecting him. It looked, as if he had been abandoned. The author already indicated that such a night job can be dangerous, as you can meet drunk and violent people. (Chapter 42) Moreover, the third man knows how to contact the physical therapist, through the restaurant. This means, he can sell the information to someone who is looking for fresh blood.
3. New predictions
Here, we have two possibilities. First, it could be the perverted hospital director!! (Chapter 1) Or that could be Heo Manwook. Remember how the young protagonist got dragged during the day and no one intervened! (Chapter 16) People‘s passivity and indifference is finally exposed in episode 42: (chapter 42) The physical therapist got verbally attacked to the point that the main lead got scared for an instant, but the witness there remained passive and indifferent. And now, you can imagine my prediction: the mysterious man will call one of these perverted men (chapter 20) and tell them how to meet the physical therapist. Heo Manwook or the physician just needs to call the restaurant and order food! Once there, he can get dragged into a room and abused physically and sexually. And the third man would be just fine. No one would suspect his involvement, in the worst case, that would be the green-haired whore.
If you recall the content of my previous analysis, the cellphone and the drug were common denominators between all the similar scenes. When the doctor got kidnapped, he was talking over the phone. (Chapter 16) In his house, he got insulted as a whore (chapter 16). Though he accepted the insult by remaining silent, he still fought back, when the moneylender was on the verge of raping him. His minions had to help him to restrain Kim Dan. (Chapter 16) But Joo Jaekyung didn‘t realize the true crime due to his biased perspective which I had elaborated in the first part.
Our brain does not see what happens, but rather what we expect to happen, according to neuroscientists
However, this anticipatory capacity can become a double-edged sword if we do not know how to use it properly. Paying too much attention to our expectations, having preconceived ideas, and becoming too absorbed in our thoughts can cause us to lose touch with reality. By failing to take note of what is happening around us, we lose connection with others and begin to act in a maladaptive manner, which will inevitably become a source of problems and conflicts.
Therefore, it is important that we are aware of the tendencies of our predictive brain, especially in interpersonal relationships. We must ask ourselves if we are taking too many things for granted or if we are reacting more to what we expect to happen than to what is really happening. Quoted from https://psychology-spot.com/predictive-brain-we-see-what-we-want-to-see/#google_vignette
Thus it dawned on me that members from Team Black (Kwak Junbeom, Potato and Oh Daehyun) could be close to the scene and come to Kim Dan‘s rescue. Remember how I outlined the parallels between chapter 35 and 42. (chapter 35). Besides the list of similar scenes was 1, 2, 13, 24, 25, 33, 34, 35 and 37. Except the scenes in the penthouse, Jinx-philes can recognize another similarity: Potato and Heesung! That‘s how I came to the following prediction: Yoon-Gu will come to the physical therapist’s rescue. It is also possible that the actor is present as well. Nonetheless, by fighting the pervert , Yoon-Gu would become a hero! It is important, because the physical therapist would recognize that even if he doesn’t mean much to Joo JAekyung, he has found a family, TEAM BLACK! (Chapter 40) „One of his own“ would get a different meaning. And if this prediction comes true, Potato’s action could generate a buzz, he would get noticed by public opinion and they could ask for a fight. In other words, through Kim Dan’s actions, Potato’s dream would come true: being recognized as a professional MMA fighter. The bond between Yoon-Gu and Kim Dan would deepen, while the maknae would be disappointed in the champion. He is so rich, but he pushes Kim Dan to take odd jobs. He is not even allowing him to take other patients, while he is not listening to his physical therapist. He made a huge mistake, hence he would become a human in his eyes. He is truly treating the main lead like a prostitute, ruling over his life. Don’t forget that he saw how the champion poured the coke on the doctor’s head. (chapter 37) He had crossed the line, but this was unfortunately quickly forgotten. And the charity event would appear as a huge hypocrisy, for he is not helping his roommate. (Chapter 41) As for the fighters, they would come to resent Joo Jaekyung too, for Yoon-Gu and Kim Dan are so special to them. Simultaneously, the champion would be forced to meditate on his behavior and past words: (chapter 42) Joo Jaekyung will come to regret these words in the end. He might even jump to the conclusion that the main lead was taking odd jobs because he wanted to leave or to pay the cancellation fees.
„Do your goddamn job!“ But what is his job actually? A nutritionist? No, this work was a decision made by Kim Dan to show his appreciation towards the main lead. A physical therapist? Yes and no… the main purpose for his hiring was sex. (Chapter 6) Yes, the two protagonists have to discuss openly about prostitution. Because he didn’t listen to his doctor, he reduced him into a bump. He is just a tool for his jinx. He was showing no respect to his partner.
If my assumption is correct, the usage of drug will become the evidence that Kim Dan was a victim. And maybe the champion will recall the trespassing from that night and realize that he had misjudged the whole incident. (Chapter 18) Like mentioned before, the plot will affect their relationship forcing Joo Jaekyung to make a new deal. At the same time, if this truly happens, it would validate my interpretation that Kim Dan’s role is to contribute to the maknae‘s emancipation, like the wet dream implied it. The perfect Hero Joo Jaekyung would die in the puppy‘s eyes, especially when he discovers the existence of the champion‘s jinx! (Chapter 2)
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa:Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx“Trapped Butterfly in Deceit’s Web”(part 1)
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas.Besides, I need to cover up the expenses for this blog.
After publishing the first part, I had another huge revelation. Yet, instead of updating the last analysis, I decided to write a second part. And now, you are probably curious about my new discoveries. It is related to the methods I employed to examine chapter 40 which were to interpret the significance of the sun glasses and to contrast the interrogation scene with previous episodes.
1. The importance of glasses
I don’t think that my inquisitive readers have already forgotten the different meaning behind the spectacles: naivety, blindness, hypocrisy and deception. And now, let me ask you this. Who has been wearing glasses in Jinx? The first person coming to your mind would be Park Namwook. But he is not alone!! We have Cheolmin (chapter 13) who also jumped to the wrong conclusion, when he saw the doctor’s bruises. He imagined that the champion had been too rough in bed with Kim Dan. However, once he heard his testimony, he believed him. This shows that he trusted him. On the other hand, this scene reinforces my interpretation that the glasses are connected to prejudices and false perception. Moreover, observe that he was curious about the physical therapist, hence he interrogated the champion. (chapter 13) Then, observe that in the penthouse, the doctor acted too. (chapter 13) He faked to be frightened, while in reality he was having fun, which is displayed by the onomatopoeia “epp”. As you can see, the behavior of Cheolmin corroborates all my previous statement about the glasses. They are used as masks. Another important detail is that this scene contains all the same ingredients than in episode 40: a rescue, a doctor (chapter 40) and the blood test (chapter 13) and a new face!! (chapter 40) (chapter 13) And by contrasting these two scenes, I realized that it reinforced my theories. 1. There must have been a phone call!! In episode 13, the champion must have called his chingu. (chapter 13), for he couldn’t leave the main lead alone. Secondly, this phone call was to cover up a scandal. To conclude, because of a phone call, the MFC security guys had received a task. They had to cover up a scandal by framing the new face. (chapter 40) However, the moment the guard with the sun glasses got caught, he tried to act as a savior. As you can see, this comparison reinforces my theory. The MFC manager must have asked the MFC security guys to cover up the incident. If not, they would be blamed for the matter!! And now, you comprehend why they had to know everything about Kim Dan. (chapter 40) They needed to find any excuse to put the blame on the protagonist. Either he had a strong reaction because of his medication or because of a different meal… but since Kim Dan never replied to them, they had to frighten him, to coerce him to confess a crime. (chapter 13) That’s how desperate and ruthless they were in the end. While dressed like FBI agents, they were acting like thugs and criminals. No matter what… MFC should not be involved in a scandal! And this brings me to my second discovery. Who else is wearing glasses in Jinx?
2. The hidden reflections
The perverted hospital director!! (chapter 1) And he also got caught!! What did happen afterwards? (chapter 1) Kim Dan got fired, for he was a new face! (chapter 1) The wrongdoing from the higher-up had been covered up, and the staff had assisted him!! (chapter 1) The nurse had not testified in the physical therapist’s favor. She had remained silent. This door opening doesn’t symbolize true rescue… but abandonment. It stands for silence and betrayal. The reason is simple. The staff wanted to keep their job. This signifies that the hospital director used the organization to protect his reputation and cover up his crime. In a previous essay, I elaborated that the nurse had been sent to the office on purpose, for the director office had no light on. I doubt that she was allowed to enter her superior’s office like that. And this assumption got reinforced, for Park Namwook was the one mentioning the incident to Joo Jaekyung in the hallway. (chapter 40) The intrusion of Joo Jaekyung in the office was caused by Park Namwook’s revelation. And it was the same, when the champion caught Heo Manwook with his minions. (chapter 17) And what is the common denominator between the perverted hospital director (chapter 6) and the moneylender? (chapter 16) Sexual harassment and the usage of the number to achieve their goal!! These two characters could hide their crimes with the assistance of other people (thugs, staff). We could say that both used an organization. Consequently, I am assuming that the MFC manager is doing the same!! Therefore it is no coincidence that Mingwa employed the same colors: blue, white and black . (chapter 1) That’s the reason why I am suspecting that the MFC guys must have already been informed that Kim Dan might be the champion’s sex partner. (chapter 40) If the champion had admitted that Kim Dan was his boyfriend, then they could say that Kim Dan had drunk the nutrition shake by mistake, and Joo Jaekyung had actually planned to take the drug. Keep in mind that according to me, the green-haired guy, the loan shark and the MFC manager are working together. But they were assisted by the lawyer and the manager from. the Entertainment agency. Fortunately, the champion’s answer was ambiguous. (chapter 40) Is he his partner or a member of his gym? Not only he is the face of Team Black (chapter 1), but also he owns the club. This means, in chapter 40, as the team leader of Team Black, he protected Kim Dan!! It exposes that Joo Jaekyung used the organization to defend his lover and physical therapist. (chapter 40) Joo Jaekyung is behaving the opposite from the perverted hospital director, Heo Manwook and finally the MFC manager. Thus it dawned on me that the reporter from this article did the same. (chapter 35) He sought protection behind the hospital (chapter 35) and social medias (chapter 36). Thus I deduce that the agent from the Entertainment agency and that lawyer are acting the same. They believe that they are safe, for they are both working for a huge company or law firm. And guess what… the doctor Kim Miseon is also wearing glasses. (chapter 5) As you can see, thanks to the glasses, I discovered a new pattern. These schemers and helping hands are avoiding any responsibility by hiding their wrongdoings behind an institution or we could say behind a name. (chapter 7) In the last case, it would be MFC!! But the reproach from the champion (chapter 40) should have opened their eyes! Not MFC would have been involved a scandal… but only the MFC security team!! As you can see, the moment they had been informed about the incident, they should have reported the MFC manager to the highers-up! They should have never protected such a person in the end, because the latter is the reason why the organization would be involved in a scandal. That’s the reason why such people are framing others. They know how an institution works. Under this new light, it becomes comprehensible why the plotters are trying to ruin the champion’s name!! (chapter 36) (chapter 36) It is because they are projecting their own thoughts onto the champion. He is just a person. However, what they don’t realize is that behind the athlete, there is also an organization: TEAM BLACK!! (chapter 40) Because their scheme failed, there is no doubt that they will target the physical therapist, for he is much weaker. He is “new” in the team and he comes from a low social background. He has a sick and old halmoni. However, Kim Dan has almost become their true mascot!! (chapter 36) Note that Oh Daehyun and Potato tried to investigate the matter with the doctor’s illness. (chapter 38) (chapter 38) Thus I deduce that because of Kim Dan, the members from Team Black will become more proactive. They need to show to these people that Joo Jaekyung is not alone, he is the alpha of a great gym… producing many champions!! In other words, the dragon with his yeouiju will be able to remove these Deceit’s webs and purify these institutions. As you can imagine, I am suspecting that Dr. Lee must have been blamed for the article (chapter 27), for someone had to take the fall. I hope, we will see him again.
Interesting is that the Manhwaphiles have no idea about the identity of the perverted hospital director. We don’t know the name of the hospital as well. It is no coincidence. It indicates that this person is hiding behind the reputation of the hospital. This contrasts so much to Joo Jaekyung, but there is definitely a link between them. Thus my suspicions got reinforced that this man could be Seo Gichan. And we know for sure that Joo Jaekyung has connections to a hospital. (chapter 13)
3. The hidden wearers of glasses
By focusing on the glasses, I had another revelation. Joo Jaekyung is also wearing glasses. (chapter 29) However, here the item has a different signification. How so? It is because Joo Jaekyung was totally honest and was opening up to the physical therapist. (chapter 29) It seems to contradict my previous interpretation about the glasses. But no… Observe that during that whole scene, the readers could see the champion’s eyes contrary to the MFC guys (chapter 40), Park Namwook (chapter 37), Kim Miseon (chapter 21), Cheolmin (chapter 13) and the perverted hospital director (chapter 1)!! The eyes are the mirror of the soul. In Park Namwook and Cheolmin’s case, I don’t judge them as manipulators and schemers. The glasses are there to expose their flaws. But let’s return our attention to this scene. (chapter 29) Because he was wearing blue light blocking glasses, he was protected from “Agent Blue”, the positive version of episode 36 and 40!! This explicates why I consider them as a shield. He was trying to hide his vulnerability while confiding to Kim Dan.
And this interpretation got reinforced with Choi Heesung. (chapter 35) The Jinx-Philes could see his eyes too. He had come to the café with them to hide his identity, but in reality his action had the opposite effect. People noticed the actor. (chapter 35) Striking is that as soon as the actor removed them, he got honest with the doctor. He revealed his intentions, but he got rejected. As you can see, the glasses can have a positive function. Consequently, I came to develop a theory which was triggered by the glasses. Kim Dan envisioned the athlete in a suit (chapter 32), then he imagined him with the sun glasses (chapter 35) Thus I come to the conclusion, Kim Dan will be the one turning the athlete into a star, a real celebrity! But he won’t be reduced to his body and face (chapter 30) People will notice his qualities and talents so that he doesn’t need to prove his strength and power in the ring. The celebrities often use sun glasses to protect their anonymity. And Mingwa already implied that the champion’s birthday is around the corner. (chapter 40) So he could offer the sun glasses to his savior. If this prediction comes true, then it means that Kim Dan will become the rival of the manager from the agency. Besides, it was the manager’s job to develop a strategy how to change the netizens’ opinion. But he chose to put the whole responsibility on his athlete. (chapter 36) He could have shown that Joo Jaekyung was the owner of Team Black and he was training other athletes. It is important, because it shows that certain people hide their laziness behind the organization or a name. That’s the reason why I am expecting that Choi Heesung will play a role in the demise of the bad manager at the agency. (chapter 33) Since he has sun glasses, he is already connected to spying. Don’t forget that he tried to determine the true nature of their relationship before giving up on his angel. (chapter 32) Finally, I have the feeling that Team Black will come to act like the security guys in episode 40, investigate the matter why the champion and the doctor became the targets of malicious rumors and bad articles.
Thus I came to the final conclusion, though Cheolmin and Park Namwook are wearing glasses, they are the positive reflections of the other doctors. They will change for the better contrary to Kim Miseon and the perverted hospital director! Meeting the physical therapist, the blue butterfly, will affect their life forever… you know all the butterfly effect…🦋 A simple gesture from him is like a magic touch (chapter 31) and they are under his spell.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/jinx_en But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwasHere are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “High Five!” (Locked)
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas.Besides, I need to cover up the expenses for this blog.
This is my first time doing a podcast. I am quite in a hurry, because I am about to travel due to my job. Therefore I won’t have the time to write about episode 24 till the release of the new episode. I am coming back from abroad on 12th June. Moreover, I would like to finish the analysis “The bright calamity” like announced.
It is definitely lacking, for I had not the time to write the text. I just took notes, hence I had to speak freely. Nonetheless, my thoughts are still structured. It would be great, if you leave a comment. The feedback will help me to know if I can repeat such an action. If it is terrible, then I won’t do it ever again or even remove it. Sorry for the hesitations and my French accent.
Furthermore, I realized that this intercourse is still simply sex for the champion, because he still employs such an expression. (chapter 24) So for me, their sexual interactions will push the champion to speak differently about their intercourse again… like in the bathroom! (chapter 20) That’s why I am convinced that for the champion, the doctor is still like a fuck buddy, while in reality his interactions with him prove that he is committed to Kim Dan. Thus he listens to his requests. On the other hand, this intercourse will push the athlete to switch his sexual position in the future. He will prefer facing Kim Dan, because he noticed that he could get closeness with his lover while facing him!!
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Tumblr- Reddit-Instagram-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas.Besides, I need to cover up the expenses for this blog.
I have to admit that chapter 109 left me wanting more, for the story barely moved on. Technically, only a few minutes elapse between the end of episode 108 and 109. The former begins with the painter’s arrival in the library and the latter ends with Yoon Seungho’s shocked expression: (chapter 109) He discovers that Baek Na-Kyum has already prepared himself, as he is longing for him. (chapter 109) He never expected such a reaction. The reason why the evolution of Painter Of The Night is flowing at a snail’s pace is that season 4 is now focusing more on the past. First, Byeonduck needs to divulge the lord’s suffering and its causes. And this can only happen, if memories are brought up. Hence in episode 109, the painter’s memories stood in the center. Why? It is because he is trying to understand why his loved one is now avoiding him. Thus he is remembering what happened just before. The readers are actually put in the same situation than the artist. On the one hand, the focus on recollection is a method to unveil how the young master was turned into a “sodomite and pariah”, for the painter is going through the same experience than his partner. In episode 109, he is isolated from his “lover” and as such from his family, for he has now maids by his side. The latter are supposed to be his new “family”. On the other hand it helps the manhwaphiles to anticipate the future main events,. as the progression is in slow motion. This means, the Webtoonist left all the elements in the previous seasons in order to decode the past, the present and the future. That way, the manhwalovers are capable to unveil the mystery. Besides, the author has to answer all the questions the beholders had while reading the previous seasons, like this one: (chapter 27) What book was the scholar looking for? Up to now, we have no clue, though I had developed the following theory: Jung In-Hun was a Christian and had a bible.
1. The mystery behind the book
What caught my attention in chapter 109 is the falling book! (chapter 109) How did this happen? One might reply that the book fell from the shelf, when the painter kissed his lover. (chapter 109) This interpretation can be easily refuted, for the noble stood next to the shelf and not in front of it. Besides, the counter stands on the noble’s left, while the ledger was on his right. However, one detail caught my notice, the beholder can not see Yoon Seungho’s hands!! That’s how I realized that the book came from the protagonist! He had carried it hidden in his right sleeve. This explicates why the book stands on the right side. (chapter 109) Besides, contrary to the previous panel, now the lord’s hand is visible! This is no coincidence. But if he was hiding the copy from Baek Na-Kyum, I deduce that it is related to the painter. But there is another person associated to manuscripts in this story, Jung In-Hun!! But what have the low-born and the scholar in common then? The erotic publications! (chapter 34) Note that in the background, there’s a book open on the desk, and it has the exact opposite position than in episode 109! And now, you comprehend why Yoon Seungho rejected the painter’s company next to his table. He didn’t want him to see the publication, for he feared that the painter would be reminded of Jung In-Hun. In the lord’s mind, the young artist still treasures his former teacher. He heard his confession on the bridge next to the pavilion. (chapter 94) However, Yoon Seungho is suspecting that the learned sir was behind the trick in the shaman’s house due to the glasses Min had in his hand before dying. (chapter 102) Hence he doesn’t want to break the main lead’s heart and mind. In other words, the main lead is determined to hide the past from Baek Na-Kyum so that the latter’s memory and agony won’t be triggered. The book could definitely remind the low-born of all the events which led to the massacre in the shaman’s shrine. Besides, I feel that the noble must feel guilty as well. If only he hadn’t admired the erotic publications which led to Baek Na-Kyum’s stay in his mansion. Consequently, I think that the noble is also in agony because of the work.
2. The identification of the volume
So far, I didn’t prove that the copy was an erotic publication. This is just a speculation from my part. But like mentioned in the introduction, the clues are all left in the previous seasons, for the story is constructed like a kaleidoscope. That’s why I included it in the illustration. However, there exist two reasons why I came to this deduction. I detected similarities with the first encounter between Yoon Seungho and his nemesis in the scholar’s home and the painter’s kisses.
2. 1. The scholar’s book in episode 6
First, let’s start with a comparison with episode 6. Here, the lord was holding a book while interrogating the learned sir. (chapter 6) Both were standing in front of the cupboard, while the learned sir suddenly took away the copy and closed it to put it back on the cupboard. This made the protagonist smirk. Due to the characters’ reaction, (chapter 6), I had assumed that the protagonist was making fun of Jung In-Hun. He had played a prank on the host, especially after asking about his occupation. I have always wondered about the content of the volume. Therefore I had developed the idea that this could be the bible. However, it was clear that the book was not for children which is visible due to the writing. (chapter 6) In fact, the learned sir should have the manual Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì Wén), also known as the Thousand Character Text.
“The Thousand Character Classic has been used as a primer for learning Chinese characters for many centuries. It is uncertain when the Thousand Character Classic was introduced to Korea.” Quoted from https://en.wikipedia.org/wiki/Thousand_Character_Classic [I usually avoid wikipedia, but here I was not able to find another source mentioning Joseon and classic book]
The main lead was holding the evidence for Jung In-Hun’s hypocrisy. That’s the reason why the learned sir was forced to admit that he wasn’t dedicated to his job. (chapter 6) In reality, he wasn’t teaching them reading and writing at all. But Yoon Seungho had feigned ignorance with this discovery. With his indifference and praises, the false teacher had the impression that he was supporting his attitude. This scene is relevant, because the learned sir had lied to the protagonist about the painter’s education. (chapter 6) This means that the book represents the evidence of learned sir’s betrayal and abandonment. He is responsible for his illiteracy. To conclude, this scene contains the following elements: a prank, a lie, a confession which was triggered by a book that Yoon Seungho had picked up by chance. But wait… it could be the book from the scholar’s home! (chapter 06) But this image can be used to refute this theory. How so? It is because this book has a title, hence there is a white rectangle!! However, take a closer look at the copy on the floor. (chapter 109) There is no white rectangle and as such no title! Why? It is because the publication is illegal, for sodomy was condemned by Joseon society and traditions. According to me, the tailor was involved in the erotic publications. Besides, compare it to the manuscripts in the learned sir’s bedroom! (chapter 50) Finally, I would like the readers to keep in mind that they could only see the content of the books (chapter 1), but they never got the chance to see the cover.
Now it is time to return to our contrast between chapter 6 and 109. Since the scene in the library from episode 109 represents the positive reflection from chapter 6, this signifies that the characters must have behaved the opposite way. And what did the noble do in the library? He made sure that the painter wouldn’t come close to the table, while in episode 6, the host did the exact opposite. (chapter 6) He proposed him to sit and have a cup of tea to divert his attention from the books on the cupboard. Besides, I would like to outline the huge contrast between these two scenes. The scholar needed the assistance of the prestigious family Yoon, while the protagonist replied this to his loved one: (chapter 109) Needed versus not necessary!
Finally, in the same chapter, the scholar admitted that he had scolded Baek Na-Kyum, but he never revealed what he had truly done and why. (chapter 6) He was here very vague (“bizarre and vulgar”), he spoke of a scolding, but never of rejection and abandonment!! This is important, because Yoon Seungho also experienced something similar in the shed: (chapter 77) Back then, the butler’s words must have wounded him terribly, he must have felt dirty either. Under this new perspective, it becomes comprehensible why I came to this conclusion that the book is related to the learned sir and to the erotic publication. But this doesn’t end here. In my eyes, episode 109 clearly outlined the importance of the library in the protagonists’ life. This is the place where both main leads got betrayed and abandoned. (chapter 40) When the scholar wounded the artist with his words, he implied that the artist was responsible for his lack of education. With the idiom “I thought, you could be educated”, he gave the impression that he had put some effort, but due to the artist’s disposition, he had failed. We had another scene where the learned sir was blaming Baek Na-Kyum. (chapter 70) He would fall asleep instead of studying. And who knows about the learned sir’s hypocrisy? Yoon Seungho!! That’s the reason why the goddess Byeonduck let them meet in the library. It is to heal their wounds. In this room, Yoon Seungho’s suffering started and later, the painter got betrayed by his former teacher, someone whom he viewed as his “family and mentor”.
2. 2. The painting and the kisses
But like mentioned above, I identified the publication thanks to the painter’s kisses as well. That’s the reason why these kisses are in the center of the illustration, where I chose a kaleidoscope in the background. When Yoon Seungho got kissed by the painter (chapter 109), he got surprised, and he had the same gaze and facial expression than the one during the First wedding night , in the gibang and in the study (chapter 42), though here the artist kissed his companion twice! (chapter 49) And what had these scenes in common? Paintings and the artist’s confession. And now, you comprehend how I made the connection between the book and painting.
In episode 19, the artist had been asked to show his latest creation to the guests, and Min was present. (chapter 19) This scene could only break the artist’s heart, because he was reminded of the learned sir’s reaction: his rejection. The latter got angry and jealous that the low-born would be treated as someone special. Furthermore, Jung In-Hun had only got the noble’s sponsorship thanks to Baek Na-Kyum and not thanks to his own talent! In verity, the learned sir had been the tool to submit Baek Na-Kyum. Shortly after the exposition, the protagonist went to the study. There he got confused for Jung In-Hun, hence he received a wonderful confession (chapter 19) before getting kissed and embraced!
In episode 42, the lord noticed the artist’s agony, but he blamed the learned sir. (chapter 42) Yet, the artist was unable to explain the situation, for he had internalized Jung In-Hun’s criticism. (chapter 42) So we could say that the yangban tried to get a confession from the painter, but he failed. Hence they had just sex. The artist’s heartbreak was the reason why he never got to confess the truth! And what had happened in the study after the painter kissed the main lead? The lord saw the inauguration illustration and got jealous of Jung In-Hun (chapter 42)
Then in season 2, the painter had voiced his perception of his sex partner (chapter 48), and the painting had exposed the main lead’s uneasiness and pain. The drawing was not refined, barely finished. (chapter 47) The behavior from the painter and the new painting had not only wounded the main lead, but also pushed the lord to discover why the artist was behaving this way. After the rough sex session, the artist had made a confession: he was dropping the rules he had been raised. (chapter 49) He was admitting his sexual orientation and his own pleasure, but he still kept his distance from Yoon Seungho. Why? It is because he was reminded of the learned sir’s fake embrace and betrayal. (chapter 49)
Finally, in the kisaeng house, the noonas had shown the artist’s paintings (chapter 94) which incited the artist to recall his childhood. That’s how he came to unveil his past and confess his love to the noble! (chapter 94) And what do have all these kissing scenes in common?
A painting triggering souvenirs and as such emotions (sadness, jealousy, pain, nostalgia)
A confession
SEX
The direct or indirect meddling of Min: the wine (chapter 19), the parties after the separation (chapter 51), his visit in the gibang and his tricks (chapter 96). In episode 109, the painter confused Yoon Seungho’s shadow with Black Heart’s. In his nightmare, he was brought back to the shaman’s house and the lord’s smile was similar to Min’s. (chapter 109) (chapter 99) Besides, let’s not forget that during that terrible night, Black Heart never touched the artist himself, as if he didn’t want to touch a trinket sullied by another man”. On Twitter, the author revealed that Min would help Yoon Seungho. Through this comparison, the beholder can confirm this. Thanks to Black Heart, the couple got closer in the end.
The meddling of the maids, as the latter are responsible for the kitchen! The stolen wine (chapter 19), the spying on the painter – though here it appears like a good thing – (chapter 41), the stones in the rice (chapter 47) and the words from the maid who repeated the noona’s principle (chapter 109). Here, the maid was triggering the painter’s memory and as such fears. That’s the reason why the readers can see the laugh of someone outside the building (chapter 109). She was acting, as if Baek Na-Kyum was not present, but in reality she knew that he could listen to her. How do I know this? The evidence are the sweets on the windowsill. (chapter 109) They never encouraged the tormented boy to eat the sweets!! Besides, this episode confirmed my interpretation about the complicity of the maids. As their role is to comfort Baek Na-Kyum, the readers should question themselves about their absence. (chapter 108) Why is the room dark? Where are the maids during that night, as they are supposed to sleep next to the painter? (chapter 109) The absence of the light is truly noticeable, an indicator that they are not in the bedchamber. Moreover, I had detected that the brown bed cover symbolizes the meddling of Kim. [For more read the essay “The riddle with the bed cover”] Finally, this scene contrasts to the painter’s dream with the noonas: (chapter 87) Sincerity versus fake concern; own choice versus manipulation, happiness versus sadness. Under this perspective, you comprehend why I view the maids as traitors. But since season 1, the women were never punished. Hence they felt free to badmouth Yoon Seungho or Baek Na-Kyum. So while he was preparing himself, where were the ladies-in-waiting? I doubt, the painter would give them orders. The painter was left alone on purpose. Finally, the manhwalovers should question why there is a bottle of oil in the bedchamber. So far, Yoon Seungho utilized it once (chapter 20) and it was during the first Wedding Night. And oil comes from the kitchen, the lord had fetched it from that room!! Naturally, there is an exception, and it is the kiss in the gibang. Yet, here the kisaengs had just replaced the maids. In other words, they had played a role in the confession. And this explains why the noona’s words are superposed with the maids. (chapter 109) This exposes that the couple has enemies not only in the mansion, but also in the kisaeng house, though I don’t think that the noonas have truly ill intentions.
3. The scholar and sodomy
But I have left the most important common denominator, Jung In-Hun!! He was always present, before, during and after the kiss and the sex session! However, the last episode represents the exception. At no moment, the artist thought about the teacher for one moment! All his thoughts were revolving about Yoon Seungho (chapter 109) That’s the reason why I am convinced that the book is strongly connected to the learned sir. In my eyes, it can only be the erotic publication of sodomy!! Why? It is because it represents the painter’s biggest wound. It explains his low self-esteem. Consequently, I am expecting the appearance of this panel: (tweet) The teacher told him “It’s dirty”, and wounded him the most with his gaze full of hatred, the symbol of rejection! Note that in episode 109, the painter always focused on the mouth and not the gaze, (chapter 109) (chapter 109) (chapter 109), because he fears to meet such a resentful gaze. This observation leads me to the following conclusion. In season 1, the painter’s memory got triggered due to the lord’s behavior, as the latter wanted to see a painting of their Wedding Night, but he got something else. (chapter 25) Moreover, during that night, we have the same elements: a painting, a confession, sex, a book that the scholar was looking for. From my point of view, in chapter 34, Baek Na-Kyum only recalled the beating from Jung In-Hun. (chapter 34) Moreover, observe that the artist was covering his eyes, a sign that he was trying to deny the existence of the hateful and cold gaze from the learned sir. As if he wanted to forget it. However, in chapter 34, the artist never realized that this incident had triggered his abandonment issues. And now, in the library, the painter is about to get confronted with his biggest fear: he is not lovable, for he is dirty. Moreover, he is not educated, because he is just a low-born. And this can only be triggered by an image, an erotic painting of sodomy, like in the artist’s nightmare from episode 34: (chapter 34) But like I wrote above, this place is also where Yoon Seungho got betrayed and in my opinion, the schemers are planning to use this place to ruin the protagonist!!
4. Sex or not?
So what is the trick? Naturally, this can only be a conjecture… yet my prediction is based on observations and deductions. My method is to compare the scenes containing parallels. And what have all the scenes mentioned above in common? SEX!! That’s the reason why I am now expecting that the couple won’t have sex, but they will have a painful and long discussion. Yes… this is the true night of revelation. Thus I believe that Yoon Seungho will talk about his own past to Baek Na-Kyum…. as the former also feels guilty and dirty. Remember that he views himself as the bird of misfortune. The couple has been separated for one week on purpose… it is to push the painter to have sex with Yoon Seungho. Why? The purpose is to prove that Yoon Seungho is guilty of sodomy. Yes, it is because in Joseon, it is a crime. Homosexuality had to happen behind closed doors. The father had never reported it to the authorities in order to protect his reputation. In the street, the gossiping women were complaining about the depravity of noblemen who would have sex with women and men. (chapter 106) (chapter 106) And if Yoon Seungho gets caught having sex with the painter and he has an erotic publication of sodomy, he can be framed for the murder of lord Shin and the other nobles. He will be guilty by association. Thus I deduce that the schemers needed the father to report him to the authorities. (chapter 107) That way, he can prove that his son is a depraved lunatic and regain the control of the mansion. (chapter 86) And if they are not caught having sex, the schemers are hoping for an argument between the two main leads because of the separation. This was planned to incite Baek Na-Kyum to resent his lover, to accuse him of „abandonment and betrayal“, a new version of this scene. (Chapter 105) As you can see, the staff had encouraged the lord to keep his distance from his companion on purpose, to create a misunderstanding… they used the painter’s anxieties. Why? That way, the artist would be more inclined to betray his lover, if the latter was in difficulty. He could put the blame on him. In my opinion, the book was planted there on purpose. Remember how the artist denied that he was the author of the erotic publications. (Chapter 1) Besides, there is no doubt that the father refuses to take any responsibility in his son’s suffering. And now, you comprehend why this copy was put on the lord’s desk. He was supposed to be the owner of the erotic book and even the author! I am suspecting that he was accused of the „same crime“ in the past. Then this observation raises the following question. Which erotic publication is it? The original (chapter 1) or the copy (chapter 1)? For me, it can only be the original. I have two reasons to think so. First, the painter had only painted such pictures, because he had no other choice, or better said he was asked by someone close. (chapter 1) This would stand in opposition to the scholar’s rejection (dirty), as the artist was just the helping hand. Besides, there is no ambiguity that Yoon Seungho blames himself due to the erotic book. If he had not brought the painter to his mansion, none of this would have happened. But the painter’s confession would make him realize that his misery started long before he met Yoon Seungho. And how did the puppetmaster come up with such an idea? From my point of view, this plan was inspired by the learned sir. (chapter 27) Notice that he has a drop of sweat on his face, a sign that the book is really important and could be even dangerous. He was diminishing the value. In the past, I had already pointed out that the learned sir had planned to backstab the main lead and denunciate him to the authorities (my first theory was the bible or the the absence of jesa in the mansion). But the erotic publications of sodomy would fit the profile.
Secondly, the schemers believe that with the original, they can ensure Yoon Seungho’s culpability. If they are caught having sex and there is this publication, then both can only be sentenced. They would even kill two birds with one stone, as the painter is in reality the real target of the scheme. That’s the reason why the painter was left alone in the bedchamber. The maids needed to give him space so that he would make a move and seduce his lover. Thus I deduce that during that night, Kim won’t spy on the couple. He has no need to, for he “knows” what is going to happen. He definitely views them as people consumed by lust. However, the gods are on the couple’s side. Hence the book fell on the ground.
And who could have the right to barge in the mansion followed by officers? A family member… and this can only be Yoon Seungwon… who had been a witness of his brother’s sodomy. (chapter 37) Back then, he imagined that the man hidden under the green hanbok was the learned sir, but he was mistaken. Both father and son believes to have seen the relative’s sodomy. Besides, the brother mentioned letters and these usually are written on a desk and as such in the library. Yes, this night should trigger the lord’s memory… his brother’s betrayal and abandonment. I am still waiting for this picture. Yoon Seungwon had definitely tattled on his brother out of jealousy in the past. Don’t forget this flashbulb. (chapter 55) Finally, Heena could serve as a witness, for she did hear their conversation in the annex and saw their intercourse: (chapter 96) She would tell the truth… yet it wouldn’t serve her, because she reported it too late. She could be perceived as pathological liar. Besides, she was not supposed to be in the kisaeng house. Moreover, note that all the erotic paintings the painter created vanished. There is no evidence that the artist is the author of the erotic publications of sodomy, as his notebook contains images of nature. (chapter 84) Finally, the childhood paintings could be used as an evidence. But what about the book in the library? Both could decide to burn it…
Chapter 35: the burned letter
Chapter 103: the shrine
And now it is time to conclude this essay. I would like to remind the role of the painter’s kiss in this story. It is to emulate his lover, to trigger emotions and thoughts in him, to open up. Hence he is caught by surprise all the time. While in chapter 49, the artist kissed his partner to silence him (chapter 49) so that he wouldn’t argue with him (being his sex toy), I view the kiss in the library as the opposite, it is liberating Yoon Seungho. (chapter 109) Note that there is no rejection from the lord, just surprise and shock. Besides, in the kisaeng house, the artist’s confession had led the main lead to confess as well. (chapter 96) Striking is that he had hidden his gaze from the artist first. As if love was a sin…Hence I am expecting a confession from Yoon Seungho in that very room too, something he has never done before! Why? It is because he was not the owner of his own past. Kim acted, as if he possessed his memories. Finally, the moment the painter divulges this incident to his companion, (tweet), the latter can only come to the conclusion that the scholar would have no problem to hurt Baek Na-Kyum and even get revenge on the artist, for he received the favors from the protagonist. Yoon Seungho would no longer feel obliged to respect Heena’s wish, for her words wouldn’t reflect reality. (chapter 105) And it was Yoon Seungho’s luck, when the book fell from his sleeve! (chapter 27) contrary to the night of the rape. (chapter 27) The goddess Byeonduck is on their side. But the problem is that the readers have the impression that both are followed by misfortune due to their misery. The reality is that they are both victims of manipulations and tricks. That’s their tragedy. But by repeating that the two figures are “birds of misfortune”, the accomplices are trying to deny their own involvement and as such responsibility. The maids are the perfect example. They blame Baek Na-Kyum for his own illness. He eats like a bird and he would hide his illness. (chapter 108) To sum up, he was responsible for his own suffering, for he was in denial and the maids could do nothing to help. But the lord can see the truth, when he touches his lover’s butt. (chapter 109) He lost weight in such a short time. And their presence by Baek Na-Kyum’s side was supposed to help him. They were responsible for his well-being, but the women never realized it.
I have to admit that I am always anticipating the story due to the slow progression of the story. We are all waiting for the time, when Yoon Seungho and Baek Na-Kyum can have a date properly. One thing is sure. The storm is coming during this night… and it will affect the life of many people, the schemers and accomplices! The question is now how long this night will last (how many episodes).
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
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After seeing the illustration, it becomes clear that one topic of this essay is to outline the huge contrast between Kim Dan and Joo Jaekyung’s life.
1. The top and the bottom
While the latter lives at the top of the building , (chapter 2) the other sleeps in one room apartment in a small house. (chapter 5) (chapter 1) This signifies that while the champion is at the top of Korean society, the other is at the bottom. This is no coincidence that their social status is mirrored in their relationship. While the athlete owns an expensive car (chapter 9), the other uses public transportation. (chapter 1) As a conclusion, one character embodies wealth, while the other stands for poverty.
2. Pictures and status
Under this new light, the manhwalovers can comprehend why the author created such pictures. (chapter 1) (chapter 3) (chapter 9) Their position was reflecting not only their respective social status, but also the social gap, as they were not standing side by side. Since the champion belongs to the high society, Kim Dan had to look up at the celebrity initially. This was not just a question of height. Striking is that in the first two pictures, the protagonists were facing each other at a certain distance, they had nothing linking them together, indicating that the two main leads were living in two different worlds. However, there was a first change, when Kim Dan (chapter 2) grabbed the champion’s robe. Striking is that he barely held the cloth, as if he didn’t dare to touch the jacket. He was looking down, a sign of humbleness and resignation. I would even add, his attitude reminded the viewers more of a beggar, pleading for leniency and generosity. This panel truly displayed the power relationship between Kim Dan and Joo Jaekyung. Money was in the center of this couple and this is what brought them together initially! The poor needs the assistance of the rich. On the other hand, this gesture also announced a change. For the first time, Kim Dan was not only interacting with someone belonging to the top, but also was relying on someone else. Yet, this was more prostitution than work in the beginning, until Joo Jaekyung revealed his dependency on Kim Dan through the missed calls and the job offer. That’s the reason why the physical therapist was no longer imploring the champion, but now making requests. (chapter 6) Hence the main lead was positioned much lower than the doctor first.
Another important aspect is that in this scene, (chapter 9) the man of the hour was not Joo Jaekyung, but the physician contrary to these two other scenes. (chapter 1) (chapter 3) This explicates why during the welcome party, Kim Dan stands on the other side while holding a bowl. The latter resembles a lot to a cup due to the form and color!. (chapter 9) Kim Dan is now at the top, as all the boxers are looking at him cheering him up. (chapter 9) It even looks like manager Park Namwook was also recording this event. Striking is that for the first time, both main leads are interacting together in front of others. The drink is supposed to bring Kim Dan closer to the team and as such closer to Joo Jaekyung, which indeed happens afterwards. The latter is forced to enter Kim Dan’s world, and discover a new face of reality. (chapter 9)
Furthermore, the bowl (chapter 9) is a metaphor for the future link between the two protagonists. The doctor is there to help the athlete to win competitions, or like I had mentioned before, he is his reward and prize for his long and painful career. I would even add,, they will bond through sport, just like it occurred in the shower room. (chapter 8) Thus we had the challenge with the cup full of alcohol. (chapter 9)
3. Two worlds and sport
The irony is that Joo Jaekyung never realized that by provoking the young doctor with this description “delicate”, he pushed the young man to prove his strength. At the end, he won the bet and received the admiration of the members from Black Team. (chapter 9) This is important, because the doctor has truly earned the respect from Black Team, he is definitely accepted as one of them. Thus from that moment on, neither money nor the contract can have an influence on the relationship between the physician and the fighters. Observe that they keep calling him “doc”, which shows that they respect him not only due to his seniority but also due to his education. He studied hard to become a physical therapist. Hence Oh Daehyung refuses that Kim Dan acts as a servant, it is not his role and place to fetch ice cream for the boxers. (chapter 9) He is no errand boy. They don’t judge him based on his social class, but on his college degree. As you can see, sport is a place that can bring people from different social classes together. This explicates why we have famous sport events like Olympic games or World cups. Here, people from different countries are competing against each other, but it is the same principle. These events were created to generate friendship and avoid military conflicts. In tournaments, talents matter more than money and social status, though this statement has to be relativized, for “poorer countries” offer less chances to develop talented sportsmen. Hence some athletes decide to change their citizenship. Nevertheless, we can definitely state that sport generates bonds among the different social classes and as such serve to reduce the gap between the top and bottom.
4. The purpose of the contrast
On the other hand, I don’t think that Joo Jaekyung became rich thanks to his successful career, though this is not what Kim Dan is thinking.. (chapter 2) He is only famous in Korea according to the protagonist. Thus, for me, Kim Dan is quite naïve. Why do I come to this deduction? Simply through the contrast! The existence of two worlds indicates that Kim Dan is the “negative” reflection of Joo Jaekyung, though there is no ambiguity that they share some similarities: both take their job seriously, and are really hard-working. The champion never misses his training.
And this leads me to the following observation: Joo Jaekyung might belong to the upper-class, yet he never went to university. Since the doctor worked hard to get a good job, I conclude that it was the opposite for the champion. He was not talented for studies, he was more an athletic person. Now, I would like my avid readers to take a look at this table
Joo Jaekyung
Kim Dan
rich
poor
car
No car
famous
insignificant
Huge penthouse
One-room flat
College degree
Only one family member: halmoni
rich neighborhood
poor neighborhood
Under this new perspective, people can understand why I came to this deduction. Since Kim Dan’s family consists of two members, himself and his grandmother, I am assuming that Joo Jaekyung still has an intact family, but they are not close. We have many evidences for this interpretation. In the athlete’s penthouse, there are no family pictures or items reminding of a loved one contrary to the physician. (chapter 5) His place feels too empty and clean. (chapter 6) Secondly, there was no one by his side except his hyung, Park Namwook, when he won his fight. (chapter 5) Finally, this theory got reinforced, when I saw this panel. (chapter 9), which contrasts so much to this image. (chapter 2) However, these two scenes have something in common: “redevelopment!”. The skyscrapers are new buildings. This means that the district got redeveloped. That’s the reason why I believe that Joo Jaekyung’s family must be involved in the construction field or at least in the redevelopment of the city.
I would like to point out that many houses have a red cross on their wall (chapter 9) This indicates that the buildings were sold to a construction company. That’s the reason why the district looks so deserted and ruined, though there exists opposition visible thanks to the banner. Thus I deduce that this construction company and politicians are pressuring inhabitants to sell their home and this for a cheap price. The problem is that the moment the district is totally empty and gets redeveloped, the price for rent will increase considerably so that people with a low income can no longer live there. And if you are familiar with K-dramas or other manhwas (Under The Green Light for example), you are well aware that construction companies are often linked to Korean mafia! Consequently, I am suspecting that Joo Jaekyung is related to a construction company and as such to the mafia. This would explicate why he can live in the penthouse, why he has tattoos and finally why his family didn’t pay too much attention to his education. Finally, I had already pointed out the absence of a mother in his childhood. Only money and power matter in such a world. Hence this would not be surprising that the athlete has such a terrible mind-set, though I believe that there exist other causes for his aggressiveness and selfishness. Besides, this would explicate why he associates sex to prostitution and sponsoring. And if my theory is correct, this signifies that by meeting Kim Dan, he is forced to face reality, the true origins of his wealth: exploitation and ruthlessness. In the first version, I was even wondering if he is not one of the owners of “Black Team”, as he brought the company card to the restaurant. Chapter 16 proved my suspicion right. Kim Dan was paid in advance from the company „Black Team“, a sign that Joo Jaekyung has a saying about the expenses of the club. On the other hand, he was not always lucky in his career, for his ears are really damaged. That’s the other reason why I am thinking that his fortune is not entirely self-made. At the same time, his encounter with Kim Dan can only bring a change in his life. For the doctor symbolizes integrity, responsibility and selflessness, the champion will come to slowly internalize these values.
This is not surprising that at the end of the contest, Joo Jaekyung is forced to become responsible for Kim Dan’s drunkenness. . (chapter 9) We could also say that it was his karma, for abandoning him before in the shower. Because the main lead had to bring the doctor home, he discovered a new world which left him speechless. (chapter 9) He couldn’t even imagine that someone would live there. Thus he got skeptical. (chapter 9) This discovery can only puzzle him. He gave him so much money, yet he still lives in such a neighborhood. He can only wonder where the money went. It is now only a matter of time, until he gets aware that his salary is spent for someone else! Furthermore, the manhwaphiles should question if the champion is willing to enter such a deserted district. If he does, there is no ambiguity that he will meet the loan sharks. If not, he could decide to bring him home. One thing is sure: this discovery caught the champion’s notice and this can only intrigue the boxer. It’s not random that the moment he became responsible for Kim Dan, he was faced with reality. Responsibility and reality go hand in hand.
To conclude, Kim Dan is the champion’s medicine, he pushes him to witness the other side of the coin!! Money can reinforce social iniquities, so that it is difficult to break free from the vicious circle. Health is also strongly connected to income. It is well known that residents of impoverished communities are at increased risk for mental illness, chronic disease, higher mortality, and lower life expectancy. Just because poor people have no money, this doesn’t signify that they are less worth. Joo Jaekyung can only recognize the importance of health. Only a healthy lover can give him what he needs.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas.Besides, I need to cover up the expenses for this blog.
After reading this title, anyone will think that my essay will focus essentially on Kim Dan.
1. Kim Dan a hero?
In my previous analysis „Precious punk and wimp“, I had explained that the physical therapist was far from being a wimp, for he would be able to take Joo Jaekyung‘s anaconda. 😉And this perception was confirmed, when the manhwalovers were able to see the boxer‘s phallus in his aroused state. (chapter 3) It was really huge to the point that Kim Dan got scared and was on the verge to break the deal. (chapter 3) However, real heroism occurs, when someone is risking his life for the sake of another person. I am now quoting the criteria for being considered as a true hero:
Heroism is characterized by:
Acting voluntarily for the service of others who are in need, whether it is for an individual, a group, or a community
Performing actions without any expectation of reward or external gain
So this was not entirely the case, when he accepted the first offer. Back then, it was more about his debts and his fear of the loan sharks. Yet, it is a different story, when he proposes the deal to Joo Jaekyung later: 14.000 dollars a month in exchange for his services. (chapter 6) Here, he does it to save his halmoni (grand-mother) (chapter 6), as her illness is requiring an expensive treatment. In order to assist her, he is willing to do something he loathes, for he had perceived his first sex session with the fighter as hell. (Chapter 5) It took him a whole week to recover from this encounter. (Chapter 5) He was physically and mentally wounded. His behavior fits all the criteria in chapter 6. He is totally selfless and is risking his life emotionally, physically and mentally. He definitely sees the champion as a „criminal“, since he keeps comparing him to the director from the hospital. (chapter 6) He has indeed become a true hero, hence he received the admiration and love from all the readers.
2. Joo Jaekyung’s “heroism”
On the other hand, by listing the characteristics of a true hero, people get aware that Joo Jaekyung is a fake hero, though he is celebrated as one in the story! (Chapter 5) At no moment, in the ring, he risked his life, for this fight is controlled by a ref and both boxers are required to follow certain rules. But the seme has not realized this yet. Like I had pointed out before, he takes everything too seriously. He views his games as a matter of life or death. One might think that he has never had a strong opponent so far, but we have two indications that his career wasn’t always smooth. . (chapter 1) The legend is implying that this was not like that in the past (“the streak continues”). Secondly, he has cauliflower ears (chapter 1), a typical consequence for fighting. [Here I would like to thank @delune_art for her observation]
Couture has cauliflower ear, a relatively common affliction among fighters, wrestlers and other contact-sport athletes. Years of being pulled, punched and torn can create blood clots in the ear and damage the tissue. Over time, blood and pus become trapped in the gnarled cartilage of a damaged ear, often causing the lobes to morph into hardened balloons. Like pimples that have crusted into permanent scars, Couture’s ears are blue-and-red deformities that hover on the sides of his head — creviced, bulging and so noticeable that they’ve helped inspire a movement. Whether they wanted to or not, Couture and other elite fighters have turned cauliflower ear into a coveted badge of honor in wrestling, boxing and MMA. What was once an unsightly injury has now become a living trophy that commands respect. Quoted from https://www.espn.com/mma/story/_/id/9630617/ufc-fighter-randy-couture-famous-cauliflower-ears-espn-magazine
This means that he must have also received punches or other injuries on the ears in the past. As you can see, though the readers never saw any defeat so far, the reality is that he had to work hard for his success. This explicates why he is taking things very seriously. On the other hand, the presence of his cauliflowers could indicate as well that the sportsman is proud of his job and success, as they are not removed. That’s how I realized why the champion became superstitious. He explained his “defeats” from the past with jinx. As you can see, I am already sensing that something must have happened to him in the past which pushed him to have sex before a match. What caught my attention is that he underlined that it didn’t matter who his partner was: “No matter what happens, I need to have sex the night before a match, it doesn’t matter who my partner is…” (chapter 2) Therefore I come to the conclusion that it is definitely related to a betrayal from a loved one, someone close to him. The other evidence for this theory is that all the bottoms he selected resemble each other, though he claims the opposite: (chapter 5) The lover and Kim Dan have the same hair dress and the same height, they are both muscular, yet slender. (chapter 2) In other words, Joo Jaekyung favors a certain type, but he is not aware of it. Hence he claims that all his sex partners were different. And now, you have the explanation why he views people he has sex with as tools and even whores. He used money as a protection, a wall to keep his distance from people. This is not surprising why he was happy, when Kim Dan asked for financial support. That way, there was no string attached.: “So it was just the money, after all”. (chapter 6) But naturally, he is deluding himself, because observe that he is now changing his sexual habits! (chapter 6) It is no longer linked to his jinx, because he is asking Kim Dan to have sex no matter the time or place. This little detail makes a huge difference, the start of his new obsession.
On the other hand, we shouldn‘t overlook that his source of strength is founded on his belief that no sex before a match means no victory. (Chapter 2) What if he can’t have sex like he wished? What if his sex partner is not satisfying him enough? What if Kim Dan no longer needs his money, as the expensive treatment for his grandma is no longer necessary? These questions outline the precarity of his “faith”, everything is a matter of luck. And with the new condition, Joo Jaekyung is becoming even more dependent on the physical therapist. So imagine that he cuts ties with the fighter, for he no longer needs to play the hero for his halmoni. The fighter’s world would break down. The way the sportsman thinks represents a huge weakness, which the “lover” could already perceive with the “jinx”. His superstition actually exposes his own insecurities. He has not recognized yet that this bad luck is undermining his confidence in the long run. Hence I come to the conclusion that he is still driven by his past struggling and anxieties.
On the other hand, this scene exposes that Joo Jaekyung is definitely strong and shouldn‘t be underestimated, like the lover did: (chapter 2) The latter imagined that due to their past relationship, he was protected. Thus he thought, he could mock the main lead. What caught my attention is that he even imagined that he knew Joo Jaekyung very well. Hence he voiced his discontent first, then tried to woo him with his sex appeal: “You know I’ve got the technique, baby. I’ll suck you off so good, you won’t know what hit you… So just don’t say it’s over, hmm? Pretty please, sugar?”(Chapter 2) But the truth is quite the opposite, for he never anticipated that he would become the target of the man‘s violence. In my eyes, since he knew about the boxer‘s superstition, he came to perceive the fighter as weak. He even came to believe that he had the upper hand in the relationship. But he was totally wrong, for the boxer was not satisfied with him, but he had never let it transpire. We shouldn’t overlook the fact that the champion had sex with the former physical therapist before (chapter 1) and this quite recently. Yet, the athlete had maintained his relationship with the uke for quite some time (chapter 2) The lover’s words in this panel expose his arrogance and error of judgement. To conclude, he overestimated his position in their relationship due to Joo Jaekyung‘s „jinx“. As you can imagine, Joo Jaekyung is not a real hero, yet he is more than just a violent and selfish boxer either. He also had to struggle to achieve his “dream”. Naturally, Kim Dan can not see it from this perspective, which is comprehensible, for he is the one suffering the most from it right now.
Nevertheless, the reason why I entitled this analysis “my hero” is that there exists another “hero” in this story which I think many readers are neglecting.
3. Hyung
Striking is that the athlete called his manager “hyung” (chapter 5) [which means like older brother in Korean]. This name is revealing that the boxer is respecting the manager a lot. We could say that he considers him as a part of his family. At no moment, the champion uses his force against him. Compare his attitude towards the physical therapist (chapter 1) before and after the arrival of the manager. The tone changed immediately. (chapter 1) He simply listened to his huyng. This means that they have a long history together, Joo Jaekyung trusts him. We could say that the athlete views him as his “hero”, hence he is so courteous and calm in front of him. The latter also admires his athlete so much that he joined him on the ring to celebrate his victory (chapter 5) I doubt that his joy and smile were fake. Imagine that right after the victory, the hyung watched the match again. He was so impressed that he wondered how Joo Jaekyung could improve so much. (chapter 5) And this image exposes that the sportsman has kept something important from his hyung, his so-called “jinx”. The manager is left in the dark!! This indicates that his sex sessions were always done behind his back. The other evidence for this interpretation is the man’s request to his manager: “That new physical therapist I wanna hire him as my private physio” (chapter 5) He is not honest here. Hence I am now wondering if the pressure to remain victorious all this time is not linked to the manager. The champion doesn’t want to disappoint him. Furthermore, I am wondering if the start of the athlete’s “jinx” was not caused by words from the caring and honest manager. Remember what he said to the protagonist: “Good luck” (chapter 1) His expression exposes that the hyung believes in jinx and luck. And now, you comprehend why the main lead would act behind his “hyung’s back”. Thus I am imagining that the main lead’s mind, could have thought that the hyung would reject him, if he were to discover the existence of his “jinx”. Another possibility is that he fears the manager’s rejection because of his sexual orientation. Being a homosexual in such a world would cause a huge scandal. Nonetheless, I believe that the hyung is not the only cause for the high expectations Joo Jaekyung has for himself. Like in real life, many factors and people contributed for his overactive superego.
Since the manager is always smiling, gentle and shows a certain understanding, I am assuming that he will play a huge role in the couple’s relationship. In the beginning of the story, he acted as a mediator between the two protagonists. (chapter 1) Then when his athlete wondered why he had not heard from Kim Dan, the manager not only took Kim Dan’s side, but also criticized his athlete. First, when he said that the main lead had asked him like a million times, (chapter 5), he was implying that he had bothered him a lot. Then (chapter 5) the idiom “something” is a reference to the sportsman’s behavior. He reproached him in a calm manner that he would nag constantly. Yet, at no moment, the boxer felt insulted. That’s why I couldn’t help myself judging him as a “hero”. He could tame his sportsman and turn him into an obedient “puppy”. The latter is always well-mannered in front of him and never showing his frustration.
This scene made me particularly laugh. (Chapter 5) He got caught by surprise by this point. He never imagined that Kim Dan would reject or even block him, as he is considered as a “champion”, a hero!! But the moment he turned his back from the manager, he couldn’t control his frustration and anger. Thus he smashed the punching bag with such a force. (chapter 5) On the other hand, he couldn’t control his gaze, when he heard that he could get blocked. (chapter 5) This whole scene displayed the respect Joo Jaekyung had for the manager and his friend. At the door, he never exploded. But why is it so? Like mentioned above, he views the man as his family. And we have another proof for this: “block us” was turned into “block me”. As you can see, the personal pronoun “us” indicates that Joo Jaekyung considers the man with the red shirt as an unit, a home.
This explicates why Joo Jaekyung is relying a lot on his “hyung”. Therefore it is not surprising that when he saw that Kim Dan was not reacting to his calls, he went straight to the man in the red shirt. (chapter 5) Hence I judge the main character’s deceptions to the hyung as “white lies”. There is another proof that Joo Jaekyung is trying not to deceive his “brother” with bad intentions. He told him about the incident with the previous physical therapist. (chapter 1), yet he used an ambiguous expression. For the manager, it sounded like the champion had beaten him, while the sexual insinuation was present. His choice of expressions indicates that he desired to stay as close as possible to the truth. This shows that the main lead has no real intention to manipulate his “hyung”. He is not doing it out of malevolence, rather out of fear in my eyes. This is also perceptible in this scene. (chapter 5) Joo Jaekyung was frank enough to voice his dissatisfaction about the physical therapists. For me, this image exposes that the boxer is not just a violent and selfish man, he is still capable to have a normal relationship. He respects his peer and never vents his rage towards him. Under this new approach, you can grasp why I selected “my hero” as a title. I wished to outline the good influence the manager has on Joo Jaehyunk. The former will definitely take the physical therapist’s side, like we could sense in chapter 1 and 5!! I am looking forward for the interaction between Kim Dan and the manager, because it will definitely affect the relationship between the hyung and the champion!
In the beginning of this paragraph, I had outlined that the hyung could be considered as Joo Jaekyung’s hero. But I had not discovered the reason for his blinded trust in his coach and manager. But today, I had a huge revelation, Look at the hyung’s ears: (chapter 1) He also has cauliflower ears! Hence I can deduce that he was himself an athlete and probably a champion too. That’s how he got the protagonist’s admiration. Under this new light, I can grasp why the manager’s name was not introduced yet. It indicates that his fame vanished and he is no longer recognized as a hero! This indicates that glory is quite temporary.
4. The halmoni the neglected heroine 😍
While many manhwaphiles were focusing on Joo Jaekyung and Kim Dan’s interactions, I couldn’t help myself feeling so much admiration for the strong woman. She raised her grandson on her own which must have been difficult, for she came from a low social class. (chapter 5) This is perceptible due to her clothes and her basket. She was more or less a “peasant”, living in the countryside. And the young child could sense her struggle. She dedicated her life to raise Kim Dan properly so that he could get an education. She was so selfless and caring that she protected her grandchild from the loan sharks’ brutality. (chapter 5) With this scene, the manhwalovers could discover that Kim Dan’s debts existed, even before he became an adult. This means that this was the heritage from his parents. Hence I am suspecting that one of a parent deserted the family in order to escape from the loan sharks and left the debts to the halmoni and Kim Dan. And if you recall the criteria for heroism, you will recognize the halmoni is a true heroine. Hence you comprehend why the young protagonist is willing to do anything for his grandma. He is trying to repay his “debts”, since she had to suffer so much in the past. There is no ambiguity that the young man feels responsible for her. And if you observe the chapters I quoted the most so far, this was episode 5 where the manager and the halmoni were introduced properly for the first time!!
To conclude, the manager and the halmoni have become my “little heroes”. 🤠 Thus I desired to dedicate this essay to them!
If you want to read another essay about Jinx, then you need to leave a comment. If not, I will write about another manhwa next time.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
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Announcement: Shocking discoveries has been updated again.
1. The caress on the child’s foot
The author released this picture on Twitter yesterday, and naturally this made many people happy, for Jung In-Hun was stroking Baek Na-Kyum’s foot gently. How could people identify the characters, though we don’t see their faces? Simply by the clothes! The manhwaphiles remember the painter’s grey pants and the learned sir’s favorite color, lavender, (chapter 19) (chapter 68). While many manhwalovers found this image cute , something else came to my mind. A question. Why did Byeonduck create such a panel? One might say that she is showing us the painter’s past. Here, he is a young boy, for his foot is so small. He is carried on the learned sir’s shoulders like a little boy. Due to the presence of the light bubbles, refraction, I deduce that this picture represents a happy memory from the artist. He felt loved and warm in that moment.
2. The strolls
However, what caught my attention is that the young scholar was strolling through the countryside with the boy. In the background, you can see the fields and trees. This means that this scene embodies the positive reflection of this night: (chapter 70) The manhwalovers can immediately detect the contrasts: the visages of the protagonists versus the hand and the foot, day versus night, sun versus moon. That’s the reason why I came to the deduction that this image embodies a happy memory of the painter: sadness versus happiness.
On the other hand, these two situations have something in common: the learned sir is wearing the same clothes (a lavender hanbok) and he is walking through the countryside. But why? In order to get an answer to this, it is important to remember why the painter was forced to follow the learned sir during the night. It is because the artist had witnessed Yoon Seungho’s sequestration and abuse, whereas he thought that his noona had been mistreated. . (chapter 68) This means that Baek Na-Kyum was removed, because he was a witness and could generate a scandal. He is beloved by the kisaengs. However, back then, he got misled due to Heena’s indoctrination and false impressions. When he saw this, he was only looking at his noona, hence he didn’t pay attention to the actions of the black guard. Moreover, he had no idea why Heena and Yoon Seungho were behaving like that. So when the painter recalled Jung In-Hun from that night, he was no longer heartbroken, because the stroll with the scholar came to his mind. (chapter 70). The trigger for this recollection was his farewell to Heena. This time, he could say goodbye to Heena properly by embracing her and giving her a scarf so that she would remember him. In the painter’s mind, after that night, he would never see her again. (chapter 69) In other words, this night represented a closure for Baek Na-Kyum, the end of his abandonment issues. In episode 70, Jung In-Hun had consoled him, he had tried to cheer him up. Thus the learned sir was smiling. Yet, this couldn’t cover the painter’s scar. He felt that he had betrayed Heena, for he had not been able to protect her. It was, as if he had run away. Nevertheless, when this incident occurred, the learned sir had not run away from the gibang, because you could see that Baek Na-Kyum was wearing socks and shoes. (chapter 70) The man had put the shoes on the child, as in the building, the painter only had his socks on. Because of the presence of the socks, (chapter 68), I deduce that this walk must have taken place in a colder season (fall) while in this picture, Jung In-Hun was carrying the painter on his shoulders in the summer. No one would question why the artist had no sock or no shoe, and the manhwalovers can see the shadow of leaves from the trees on the hanbok. One might object to this distinction between fall and summer, because (chapter 70) the trees in the background still have their leaves. This point can be easily refuted, for in South Korea you can find typical evergreen broad-leaved species like camellias and camphor trees. But there exists another reason why I am associating this scene to fall and not spring or winter. It is because this image
represents the reflection from another episode: (chapter 102) In both scenes, the main lead is seen with bare feet. He is also carried by his loved one. But here, it is snowing, hence this signifies that it is winter. On the other hand, the manhwalovers can detect the presence of a purple flower on the right side. This signifies that Spring is on its way. That’s how I came to realize why Baek Na-Kyum is now recalling the learned sir’s gesture from the past.
He felt loved because of the learned sir’s caress, but in my opinion, this affection was superficial, as the warmth was coming more from the sun than from the learned sir.
In reality, this scene was actually exposing the teacher’s fleeting and superficial affection. But how do I come to this conclusion? By simply contrasting this scene with the one from chapter 102. Now imagine the situation in your mind. Both main leads are walking in the mountain (chapter 102) where it is even colder than in the valley, secondly it is snowing and there is no sun, only the moonlight. So the moment Yoon Seungho witnessed that Baek Na-Kyum was alive, he must have recognized the seriousness of the situation. Since Baek Na-Kyum had only a hanbok on, he could die of hypothermia. What he had imagined for himself, death, had terrible consequences. He could be the reason for the painter’s curtains. So in my opinion, he must have warmed the painter’s feet with his hands, a new version of this scene: Through the comparison, the artist can only sense the lord’s selflessness and deep love for Baek Na-Kyum. He will do anything for him. And now, you comprehend why the painter was reminded of the past. Yoon Seungho is slowly taking over the scholar’s role. But this doesn’t end here.
By comparing these two scenes, another contrast come to the surface. Yoon Seungho went to the mountain to bury the painter and to commit his suicide. This means that this stroll is associated to death, while the walk with the learned sir embodies the opposite: life and joy. However, as you can imagine, this is just an illusion. Because the moment the lord realized that his lover was still alive, he made the opposite decision. He is now fighting to remain alive. The painter has become the lord’s source of strength. Without him, Baek Na-Kyum can die and can even become the target of filthy and violent nobles. This means that after this stroll, the lord is forced to give up on his suicidal thoughts for good. Hence I deduce that in this image, the opposite must have happened to the painter. There was a change too: Here, he felt happy and loved… yet at the end, he must have felt guilty. Why? It is related to Heena. According to me, in this scene, she had used the painter as a shield. (chapter 94) His presence was to divert the attention from these men so that she wouldn’t be asked to have sex with them. And since I have already detected that each time, the painter suffered, karma would retaliate, the logical consequence is that Heena got punished for her wrong action. This signifies that while the painter was following the learned sir, his noona was abused in the kisaeng house. This would explicate why later she had no remorse to turn Yoon Seungho into a victim. And don’t forget that the painter was much younger than in this scene. (chapter 68) However, since the painter’s legs are longer than in the image from chapter 94, , I deduce that the scholar went for a walk with the painter, the latter was a little older. And this brings me to the following observation: the scholar’s walks were never random. They had a purpose which stands in opposition to Yoon Seungho’s behavior. (chapter 45) (chapter 75) The latter would let his partner walk through town in order to please him. He would even follow the painter. In other words, it was always for the painter’s sake, and in the mountain, it was the same. But it was not the same for Jung In-Hun, it was for his own benefit. We have the best example in chapter 10: (chapter 10) Here, he desired to separate the couple. Baek Na-Kyum should refuse to paint erotic pictures.
That’s how I come to the deduction that Jung In-Hun had taken away the artist from the gibang on purpose, to separate Baek Na-Kyum from his noona Heena. Hence I am assuming that during that day, something must have happened in the gibang. Like mentioned above, she could have been hurt during the painter’s absence. That’s the reason why the painter developed self-hatred. But there exists another possibility. Since this scene took place during the day, I think that the learned sir didn’t mind of being seen contrary to his attitude in town: (chapter 29) He could definitely meet peasants in the countryside. As you can see, Baek Na-Kyum is wearing clothes for low-borns, hence no one will question why he has no socks and no shoes. The learned sir looks like a generous and humble scholar, who doesn’t care about social status and origins, for he is carrying the painter. This stands in opposition to the stroll during the night: (chapter 70): The artist is dressed with good clothes, he looks more like a young master than a commoner, only the shoes are indicating that he is a commoner. That’s the reason why I believe that during that night, the learned sir was avoiding people. They could have wondered why the young boy was carried in his night clothes outside. From my point of view, this scene is strongly connected to Heena and the suffering in the kisaeng house. The other reason for this theory is that this panel is strongly intertwined with episode 29, where the learned sir had gone on a walk too, but this time without the painter. Here, he had a girl on his laps. (chapter 29) He had already been seen with a girl before who seems to like him either. (chapter 6) Thus I couldn’t help myself wondering if the learned sir was not directly involved in prostitution, bringing girls to the gibang and even covering up for the sexual child abuse. We shouldn’t forget that the pedophile was portrayed as a man consumed by lust who would never pay attention to the time and the hour. (chapter 1) Hence the painter had to leave the gibang during the day as well.
To conclude, though this panel seems to ooze happiness and warmth, I believe in the opposite. It is connected to pain and suffering. That’s the reason why I am convinced that this recollection will help the painter to move on from his self-hatred as well. He won’t feel guilty towards his noona, for she definitely manipulated him, especially at the end of season 3. And this would mirror the lord’s transformation, both are overcoming their traumas: self-loathing and abandonment issues.
3. The learned sir’s hanboks
At the same time, since I realized that the painter embodies memories and is the witness of the lord’s downfall and lord Song’s crimes, I came to the following theory: Jung In-Hun was involved in the torment of people in the gibang, but Heena never realized it. She preferred blaming nobles. Jung In-Hun’s role was to ensure the absence of scandal. Under this new light, it becomes comprehensible why the learned sir’s karma was to die incognito. Since he had contributed to cover up and ensure that there was no witness and ruckus, he should suffer the same way. On the other hand, since he contributed to the painter’s happiness, as he was his only friend, I believe that at some point, his death will cause a huge scandal. And before closing this essay, I would like the readers to remind that the teacher didn’t wear all the time a lavender hanbok!! When he first met the main lead, his clothes were rather light green. (chapter 6) (chapter 7) (chapter 7) This change is not random in my eyes. I had already associated the learned sir to a chameleon. This change of color seems to validate my theory that Jung In-Hun had been sponsored by Min, hence we have the light green. Black Heart is symbolized by green. However, the light pigment reflects that he had been abandoned and betrayed. Nonetheless, when he encountered Yoon Seungho, the latter was wearing a purple hanbok. (chapter 6) That’s how the man got influenced and chose to wear his lavender hanboks again. But he never realized that behind the young noble, there was standing the pedophile, someone he had helped in the past. From my point of view, the change of the learned sir’s hanbok was the indication of his betrayal. According to me, the old bearded man (chapter 37) was not a former servant, but the pedophile. So he could have recognized the learned sir thanks to his hanbok… just like the readers did with this picture:
The purple hanbok is the common denominator between the mysterious lord Song (chapter 83), the topknot incident (chapter 1) and the couple. (chapter 102) At the end of season 3, both are now wearing a purple hanbok, though their pigment is slightly different. And what have all these chapters in common?
4. Love and feet
The main leads are bare feet. (chapter 83) According to me, in the painter’s vision from episode 1, the braided man is Yoon Seungho. The absence of shoes and socks was in truth an indication of neglect and abuse, but the warmth and gentleness from that scene deceived the painter: If the learned sir had been so caring, he should have let him wear shoes or socks. Here he was forced to rely on the learned sir. The latter should have ensured for the painter’s education either. He didn’t read a book with him during that day. In reality, the author let us see what true adoration and affection is: (chapter 73) From my point of view, the intimacy in the bedchamber stands in opposition to the teacher’s gesture in the countryside. His caress was just a casual gesture with no real deep meaning in the end. This explicates why he could betray and abandon the artist on so many occasions in season 1 (chapter 11, 24, 25, 29, 35, 40). The learned sir had always prioritized his own interests.
And if my prediction is correct by contrasting this memory to this scene (chapter 102), the painter should realize the difference. (chapter 68) Yoon Seungho’s love is deep and real, it is never changing. And the embrace in the snow confirmed it. (chapter 102) The lord let the painter cry, (chapter 70) talk and ask questions before apologizing and hugging him. The lord never acted, as if nothing had happened, (chapter 102) This was true love and Baek Na-Kyum’s feet always reflect his emotions: (chapter 58) (chapter 80) So now, imagine how the painter must feel if the lord took his feet in his hands! This is no coincidence that there is this saying:
Your feet will bring you to where your heart is.
And now, you comprehend the importance of the foot prints (chapter 100) (chapter 102) and the zooms on the feet: (chapter 53) The couple was following their heart!! But this was not the case with the scholar. Baek Na-Kyum had no other choice than to follow Jung In-Hun.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas.Besides, I need to cover up the expenses for this blog.
Announcement: The essay “The secret behind curry, apple and butter” has been updated.
Here, I would like to thank my friend Luzyla for her latest observations which made me realize the existence of a new connection!! Before elaborating my new discoveries, I would like to repeat the following principles on which the story was developed:
There is always a reflection within the same chapter.
The next episode is mirroring the previous one, naturally with slight changes.
Each season is reflected in the previous and the future one.
The author is working on positive and negative reflections.
Thus the story is going in circle.
Thus the lord’s destiny is reflected in the painter’s.
That’s the method I am using to unveil the mystery behind Yoon Seungho’s past and as such behind the painter’s.
1. Baek Na-Kyum’s apology
Everything started with this panel. (Chapter 5) Baek Na-Kyum was apologizing for his past behavior. He had insulted the main lead because of the poem. And his words sounded really similar to the butler’s in the library, for they both employed the same expressions: “That day” and “I spoke out of”. (Chapter 77) Striking is that the painter employed the expression “hand”, while the valet talked about “turn”. Why did they do that? It is because when Kim was caught committing a crime, he turned his head! (chapter 68) Thus in the library, the butler excused himself in front of the lord by using the following expression: “spoke out of turn”!! On the other hand, the painter had used his hand, (chapter 4), therefore he described his wrongdoing with the following expression “out of hand”. In my eyes, his words indicate the interference of the butler. Furthermore, the two men had a drop of sweat, a sign that they were not truly honest. (chapter 77) Both were apologizing, as they had wronged the noble. As you can imagine, the similarity in the excuse is no coincidence. The proof that both incidents are reflections is that they have another point in common. The wrongdoings of the low-borns had taken place in front of a gate. The butler had disobeyed his master (chapter 68), and the painter had assaulted the lord by trying to retrieve the poetry. (Chapter 4) Because both characters had violated social norms, showing disrespect towards a noble, (chapter 04) the consequence was that two people were pushed down, the black guard and Baek Na-Kyum. (Chapter 4) In other words, since Yoon Seungho had punished the butler due to the incidents in episode 67/68, I deduce that episodes 67/68 were reflections of episode 4/5 as well!! This corresponds to the rule 2 and 3.
1. 1. Yoon Seungho, the commoners and the Lees
But this doesn’t end here. When the lord caught Kim’s wrongdoing, he was returning from the Lees’ mansion (chapter 68). Since this is the positive reflection, I am deducing that in chapter 4, Yoon Seungho was actually returning to the domain of the Lees, as it should mirror the opposite. (chapter 4) Let’s not forget that just before the great entrance of Black Heart and the protagonist in chapter 67, this was what the author showed us: (chapter 67) And now compare the building to this one from chapter 1: (chapter 1) Under this light, my theory that Yoon Seungho was living with the Lees in the beginning of the story gets reinforced and even validated. In season 1, Yoon Seungho had sex with his friend in the pavilion so that the father and the staff could see the truth: the young master Jihwa was a sodomite. But since we saw Yoon Seungho in that building in episode 1, we jumped to the wrong conclusion that this was his house. But actually, from chapter 12 on, the author was showing us that we had been deceived. This was the lord’s house, and note that there is no building in the big courtyard contrary to the domain from chapter 67 and 1. (Chapter 12) (For more read the essay “Lee Jihwa’s special relationship with Yoon Seungho”) Then in season 2, the main lead forced the elder Lee to hear what he had been denying all this time (Chapter 67), while in chapter 3, he could only witness it from the patio. On the other hand, Yoon Seungho had been proactive during their sexual encounter, hence the father could only blame the main lead for his son’s debauchery. The intimacy in the pavilion was in verity hiding Yoon Seungho’s huge traumas. But due to Lee Jihwa’s confession in the inn, the red-haired master’s reputation got ruined in town and this must have definitely reached the father’s ears. Striking is that when Yoon Seungho confronted Lee Jihwa with his crime (abduction of a person from his household), the red-haired master ran away and hid behind the folding shield. Thus he never apologized to his friend. And it was the same with the elder Lee. The latter knew about his son’s wrongdoing, for he accused the intruder immediately. (Chapter 67) As you can see, the absence of the excuse from the uke and his father outlines that chapter 67 is a reflection of episode 5 and 77. I detect a pattern, chapter 5 contains a superficial apology, chapter 67 no apology and chapter 77 a fake excuse again. Furthermore the manhwalovers can recognize that in the same episode (episode 5), the antagonist Jihwa had indeed wounded the painter with his insult too, a reflection of episode 4. (Chapter 5) This confirms that chapter 5 is connected not only to episode 77, but also to chapter 67/68. We have the same elements: an incident linked to a door (chapter 67), insults towards the main leads, a wrongdoing, the allusion to love (chapter 67), a punishment, but also the absence or presence of an apology. But all of these episodes have other similarities: hypocrisy and arrogance. The Lees were looking down on Baek Na-Kyum and Yoon Seungho (chapter 5-67), while in episode 77, it was the butler who yelled and criticized the noble. (chapter 77) By detecting a reflection between these chapters, I had a new revelation.
1. 2. The lord and the papers
In addition, if the manhwaphiles compare the scene with the painter’s excuse (chapter 5) to the scene with the butler’s (chapter 77), they can detect the fourth parallel: Yoon Seungho’s correspondence. 😮 How is it possible, as in episode 5, the noble never wrote a letter? In fact, he gave the poem to the black guard for the investigation. On the other hand, it looked, as though Yoon Seungho had written a letter (chapter 5), while it was not the case. As you can see, anyone seeing the black guard leaving the owner’s study could have had the impression that the lord had written a letter. This means that this mistake must have taken place later again due to the rule 2! The manhwalovers could discover the deception in chapter 37/38!! (chapter 38) That’s how Jung In-Hun got misled. (chapter 38) Yoon Seung-Won had never received a letter, but the ruined painting. The readers only discovered the trick in the final episode, when the father was looking at the picture. And this connection between a letter and a painting was reflected in season 2. While Min stole the painter’s last creation (chapter 56), Jihwa sent a forged letter (chapter 56). Striking is that the butler was the one who received the paper before delivering it to his sick master. These two scenes (38-56) indicate that the valet is related to the correspondence. Moreover, he was seen delivering the message to Yoon Seungho in the courtyard. (chapter 35)
All this proves that in chapter 5, the butler had seen the black guard departing from the study with the paper in the hand, and he had jumped to the wrong conclusion that his master had written a letter. Therefore right after this conversation, the lord’s table vanished. (chapter 5) It was, as if he was not allowed to write any letter. So where did the table go? To the study!! What caught my attention is that after the first painting (chapter 2), the table had been removed from the study, just like the papers. (chapter 4) This was no coincidence. It had been sent to the lord’s bedroom, but after the lord had tasked the black guard, it was no longer there. This is the indication that someone was interfering with Yoon Seungho’s habit to take a brush. And this can only be Kim. As you can see, the appearance and the vanishing of the small table is the element which was reflected in chapter 1, 2, 3, 4 and 5. And now, look at the scene where Lee Jihwa met Min. (chapter 67) The table had also disappeared. And when did it happen? (chapter 21) The noble had ransacked his own room with his sword. And what did we see in that episode? A paper folded in a book. (chapter 21) In other words, the First Wedding night is also a reflection from these chapters (4/5, 67/68, 77), for it contains the same elements: (chapter 20) an incident with a door, someone is pushed down, a wrongdoing committed against Yoon Seungho (theft), an apology (episode 19) and the importance of the table. According to me, the valet had put the expensive wine on the painter’s table on purpose. To conclude, I see a connection between episode 4/5, 19/20/21, 67/68 and 77.
And now. you are wondering if I am not drifting away from my initial statement, the painter’s apology. However, I would like to remind the readers that in order to write a letter, a person usually needs to have a table in order to write properly. So imagine the butler’s reaction, when he hears from Yoon Seungho this: (chapter 77) He can not trust his words, especially since he views the nobles as violent liars. Why? It is because there was this huge table. This is no coincidence that right after the valet betrayed the main lead and wrote a message to the patriarch. That’s how I had another revelation. The butler is symbolized by the table! Thus he was often seen with this small table (chapter 11) (chapter 17) To conclude, when the butler saw the black guard leaving the mansion, he believed that his master had sent words to someone! That’s the reason why he removed the table and returned it to the painter’s study.
(chapter 5) However, this was just the poem!! This confusion between a letter and a poem should be reflected in season 3 according to rule 3. That’s how I came to the conclusion that when the painter returned to the annex and took the poem, he was actually taking a letter (chapter 97) written by Yoon Seungho, but he envisioned that this was the Spring poem! (chapter 97) We had the same situation. Black Heart had stolen the Spring poem, and the noonas had deceived the protagonists by faking admiration in front of an empty paper. (chapter 93) Since the paper in episode 93 was empty, I could only come to the deduction that this paper contained words!! (chapter 97) Another evidence for this theory is the color of the paper, for the second doesn’t have a shade of pink. Then I suddenly recalled that the artist had received two calligraphies, the one from his beloved and the other from the old bearded man. (chapter 92) The latter’s work was a copy of Yoon Seungho’s poetry, the repetition from chapter 4. Hence you comprehend why I deduce that the paper in the annex was different from the Spring poem. So during that night, Yoon Seungho left a note to his lover, and that’s how the butler discovered that the artist could not read Chinese, for he saw his master writing in hangeul. But there exists another evidence for this interpretation. Baek Na-Kyum had wished this: (chapter 97) The goddess was actually fulfilling his wish, when she reminded him of the Spring poem.
And that’s how I realized why Kim had suggested to his master that two servants should remain by Baek Na-Kyum’s side and bring him back to the mansion. The reason is simple. The two domestics were to divert the artist’s attention, that way the painter wouldn’t read the letter. If the domestics were present, they could give some information to the painter without revealing too much. (chapter 97) If the lord had mentioned in the letter that they had found the corpse of Deok-Jae, the painter would have believed him. However, as you can envision it, the butler and Min were determined to generate a misunderstanding, to create the illusion that the scholar had died. Consequently, the servants deceived the main lead by omitting the existence of the paper. They had not delivered the message properly.
In other words, the letter is connected to a painting and a poem, yet each time, the paper was stolen or misused. Striking is that none of the main characters noticed the switch or the vanishing. We could say that this was Yoon Seungho’s karma for stealing the painter’s belonging. (chapter 4) His own poetry got stolen. But let’s return our attention to episode 5. Since the lord had given the poem to the black guard, this signifies that the lord no longer had the sijo. Therefore he had to write the poem again in order to mask the disappearance. In my opinion, he must have copied the original poetry for the artist in order to prove that he had not been lying. Hence the paper looked different. And this brings me back to the painter’s apology in the patio. (chapter 5) Why did the painter apologize to Yoon Seungho in the end? How did he come up with such an idea? It is because this had been suggested to the artist by Kim. This explicates why he was speaking like the butler. The latter had actually made a huge error, when he advised the artist. Why? It is because he was mixing cause and consequence. In the valet’s mind, the lord had kept the message, for the painter had offended him. So if he were to confess his wrongdoing, the lord would return the poem, and after that, it was just a matter of time, until the painter would desert the propriety. However, the lord had stated this: (chapter 04) That’s the reason why he had taken it in the first place.
Since Kim had been the one suggesting to the painter to beg for forgiveness with the hope that he would get back his poetry, it is normal that Kim was present, when the poetry was returned. (chapter 7) But where is the sijo now?
In my eyes, Kim had witnessed how the paper had left the property in the past, and he had not intervened. Why? It is because of the black guard. (chapter 65) Moreover, I believe that in chapter 65, he had collaborated with the noona. He had shown her the painting of Baek Na-Kyum, while in the study there was a blank paper. As you can see, in season 2, we had again this connection between a painting and blank paper. But let’s return our attention to chapter 5. The black guard was acting on the order of someone else, Yoon Seungho was not the one hiring him. The butler hates ruckus, his MO is to lie low and act in the shadow. If he had retrieved the paper, the man could report it to the master of the black guard. On the other hand, he could have asked the warden about his master’s request. He just needed to say that he desired to assist him, similar to this situation. (chapter 82) Thus I conclude that when the lord returned the paper to Baek Na-Kyum (chapter 7), Kim must have realized his error. He had mistaken the poem for a letter!! This explains why he repeated the trick with the younger master Seung-Won. But unfortunately for him, he was caught by the teacher who asked the painter about the letter the next morning. (chapter 38) Baek Na-Kyum could have realized that the butler had acted behind his master’s back. The problem is that during that evening, the lord had indeed written a letter to his brother (chapter 36), but the moment the latter interrupted the couple (chapter 37), Yoon Seungho chose to hide it. But why is it important? It is because if the painter had mentioned the paper given to the younger master to Yoon Seungho, the latter could have noticed the valet’s meddling and wrongdoing. On the surface, it looked like Kim had written himself a letter to the younger master. In other words, in episode 37/38, the butler gave the impression that he was a spy, for he was acting without his master’s permission. He had even left the propriety, as he was standing outside in front of the gate. Don’t forget that during the meeting, the brother had mentioned that he had sent him many letters (chapter 37), and there is no ambiguity that Kim had intervened. Here, the lord had said nothing, for he imagined that Kim had done it to protect him from his family.
According to my theory, Yoon Seungho was living with the Lees, and as such Baek Na-Kyum had to trespass the propriety in order to retrieve his tools and vanish!! (Chapter 4) But on his way out, he met Yoon Seungho who had just missed the painter’s departure. But there, he discovered that the main lead had stolen his poetry. (Chapter 04) Therefore he was forced to return to the mansion. At the same time, Yoon Seungho was encouraged to come back to the propriety too. He had to keep an eye on the painter. He couldn’t be so sure that the poem was strong enough to keep Baek Na-Kyum by his side. Therefore it is not surprising that in episode 5, Yoon Seungho was seen sitting in front of the window smoking. (chapter 5) He was looking at the gate and as such making sure that the artist’s departure would be noticed. By sending the low-born to the Lees’ mansion, Kim was encouraging the painter to commit a crime: trespassing! But the artist was fortunate, for he was not caught by the lord of the mansion, who preferred hiding due to the ruckus caused by his own son. 😉 As for Yoon Seungho, he came back to the mansion and saw the empty study. Kim just needed to say that the low-born had left to the Lees’ mansion. This is important, because this indicates that in chapter 4, the couple missed each other first! And this situation was repeated in season 3, precisely in chapter 98, when the lord returned from the bureau of investigation (chapter 98)! The lord arrived just after the painter’s departure. And who was with the main lead? Kim. As you can see, the lord’s luck seems not to be on his side, for Baek Na-Kyum had just left the propriety. Once again… the lord was standing in front of the gate!! As for season 2, this time, it was Kim’s fate to miss his master. (chapter 56) The reason for this punishment is simple. He had sent away the artist to the study just before Yoon Seungho regained consciousness. The latter didn’t see that the artist had taken care of him during that night. Thus the butler’s karma was not to notice his master’s departure which stands in opposition to chapter 4 and 98. And note that all these chapters have the paper as common denominator. So imagine the butler’s surprise in episode 4, when he witnessed the artist’s return to the mansion followed by his master. He had sent away Baek Na-Kyum with the hope that the artist would desert the town for good, but no…
2. Kim’s hidden action
Kim must have been intrigued. Why did Baek Na-Kyum come back? He had witnessed the execution of a servant, then he had been abducted before getting imprisoned in the storage room. Finally, he had been threatened and forced to paint an erotic picture. Hence Kim felt the urge to discover the reasons for the painter’s behavior. In other words, he must have interrogated him, the older version of this scene: (chapter 23) The first similarity is the allusion to his bag. The butler was actually thinking that during the hunt, the painter would decide to run away. That’s the reason why he asked about his belonging, for in the past, he only wished to vanish after retrieving his tools. Naturally, the artist saw no harm in the butler’s question and answered truthfully. He must have narrated the argument in the courtyard about the poem. Yoon Seungho had kept the sijo, consequently the painter had used his hand to take it back and had by mistake removed the lord’s hat. Thus Kim must have told him that he just needed to apologize. But one might say that this is just a story imagined by me. The manhwaphiles never saw such a scene. But don’t forget the existence of the reflections. I have definitely an evidence for this theory. Since the butler had manipulated the painter in chapter 4 in order to get rid of this uninvited guest, his karma was to receive a new guest!! (chapter 7) This is not what the valet truly desired at all. He wanted to live in peace. But now, he had three new people he had to serve: Jung In-Hun, the painter and his own master Yoon Seungho who had lived for quite some time in the Lees’ mansion. He had to work!! And note that in this episode 7, we have the following elements:
The arrival of a guest, exactly like in episode 4-5; 67/68 and 77.
a paper
the library
a reference to “love”
the first appearance of Kim
The existence of a deal which is also present in chapter 4 and 77
The connection between the letter and a poem (chapter 5-77)
This truly shows that during that night (chapter 77), the valet chose to write a letter in order to denunciate the protagonist. As you already know, attack is the best defense. Exactly like in the courtyard, he badmouthed a noble, this time he must have compared Yoon Seungho to the younger brother Yoon Seung-Won. The latter would succeed with the civil service examination and bring glory to the Yoons, whereas the main lead would only live like an idle sodomite.
Through this contrast, another detail caught my attention. (chapter 7) How did Yoon Seungho know that the learned sir had no connection and was poor? Who had told him that? One might think that this can only be the butler. However, Yoon Seungho had tasked the black guard to investigate and not Kim. Yet, there is no ambiguity that the latter definitely played a role in this investigation. Why? It is because of the expressions the main lead was using: “hardly knows”, “determination”, “labor in vain” which resembles to the valet’s vocabulary, though he embodies the opposite: ignorance, hesitation and laziness. The aristocrat’s description about the teacher is actually questioning the main lead’s actions. If Jung In-Hun was portrayed as poor and powerless, why would he sponsor such a scholar? He would gain nothing. Moreover, with such a portrait, the speaker is implying that only through connections you can achieve greatness. These words are actually exposing the meaningless of the civil service examination. In other words, this description was already insinuating the existence of sodomy, sex in exchange of favors. And this negative depiction of the civil service examination was exposed once again in the gibang. (chapter 93) It was a futile dream. When I had analyzed episode 93, I had explained that the speech from the main lead was influenced by the butler. As you can see, the lord’s narration (chapter 7) was mirroring the valet’s mentality and meddling. He had tried to stop his master from visiting the learned sir the day before. However, I don’t think that Kim is only responsible for this negative characterization of Jung In-Hun in episode 7! Why? First, we never saw the return of the black guard, but when the main lead visited the learned sir’s mansion, he was followed by another one! (chapter 6) There was a switch. That’s how I had this revelation. Heena is the missing link between the learned sir and the protagonist. And observe that in episode 93, we have the same elements again:
An empty paper which is confused with the poem
The incident with the door: (chapter 93) This time, Heena is the one standing behind closed doors, while it was Yoon Seungho in chapter 77
The reference to the library:
The allusion to Kim
The presence of love and affection:
The lord got badmouthed
The fake apology: (chapter 93) In chapter 99, the noonas still lied to him.
An invitation (chapter 93), which was also present in chapter 4/5, 7 and 67/68 and finally 77 ! Since episode 93 is a reflection of episode 7, I could only come to the conclusion that Heena was the one standing behind the black guard! Besides, I had already discovered that Heena was associated to the table as well (see chapter 94 and 68). She represents the link between the butler and Jung In-Hun. She had already collaborated with the valet in episode 65. So from my point of view, she must have received the scholar’s poem with Yoon Seungho’s request. But what could she do with it? Keep it? No… her interference would have been noticed. Hence I believe that the kisaeng was not acting on her own. She was following the orders from the mysterious “lord Song”. At the same time, I think that she is also connected to the Lees. This would explicate why the black guards would change between episode 1, 5 and 6. Finally, according to me, the learned sir had connections to elder Lee, for he had seen the baby Na-Kyum at the gate. (chapter 1) [For more read the essay “Baek Na-Kyum’s origins”] There is no ambiguity that these words (chapter 7) were not reflecting the verity.
In other words, she had been working for two people, just like the butler was turning Yoon Chang-HYeon against the son and the reverse. Both stands for disloyalty. Therefore it is no coincidence that the kisaeng was seen with different black guards in chapter 64. On the other hand, the readers should keep in their mind that the black guard can be seen as a double-edged sword. They can serve as protectors, but also as “spies and as captors”. They could report Heena’s actions to the nobleman who had hired the black guards. Finally, the manhwaphiles will certainly recall the butler’s statement: (chapter 55) Who was lord Song’s contact person then? In the past, I used to think that he was the one receiving the letters. But now, I have a different opinion. I believe, it is Heena! Why? It is because Kim couldn’t identify lord Song’s writing. According to me, Yoon Seungho was sent to the gibang in order to entertain the mysterious “lord Song”. Thereby I am assuming that the kisaeng would receive a word from lord Song and have the main lead fetched from the mansion by the black guards. Heena and Yoon Chang-Hyeon are the only ones seen with black guards, I am excluding the main lead, as he was always more or less their prisoner. As you can see, there is a connection between the noona and the Yoons.
3. Heena and the letters
First, I would like to point out that the kisaeng mentioned letters twice in season 2. (chapter 68)(chapter 69) and in season 3, the noona sent messages to her brother herself. In two different chapters (chapter 91), she is related to papers. (chapter 97) Logically, the noona in connection with the letter should be present in season 1. Secondly, when the woman appeared for the first time (chapter 64), she was accompanied with 2 guards, which is quite similar to the lord’s situation in chapter 1. That’s the reason why I believe that she didn’t keep the learned sir’s poem. Her betrayal could have been noticed and this was the first time that Yoon Seungho was making such a request.
So where is the teacher’s sijo? It was received by the mysterious “lord Song”. That’s how he discovered that his ex-lover was showing an interest in the learned sir. This is important, because the poem will serve as the evidence to identify the murderer behind Jung In-Hun’s death. On the other hand, one might refute this idea, for the teacher was seen in his bedroom with the paper. (chapter 21) But if you look more closely at the paper, you will realize that it resembles a lot more to this one due to the marble effect. (chapter 7) Nevertheless, the paper looks damaged in the previous panel. But this could be the result of anger, like this. (chapter 56) This would follow rule 3. Then according to rule 2 of the kaleidoscope, elements from one episode will be constantly mirrored in the next chapters. And what did we have in episode 19? A larceny… the bottle of wine vanished. Then in episode 20, the lord stole the scholar’s identity, while he stole the painter’s virginity. Hence the lord apologized to the painter for his wrongdoings. (chapter 21) And above I had already demonstrated the connection between the First Wedding Night and chapter 5 and 77! Here the lord was imitating the pedophile’s behavior, hence you comprehend why I think that lord Song was the recipient of the poem. I would like my readers to keep in their mind that the learned sir’s sijo was referring to a painful departure, the loss of a loved one and despair! The beholder could have the impression that the author was suicidal due to the mention of the well and the torment of the mind. Thus I am now assuming that the “mysterious lord Song” will consider the sijo as a farewell, the lord chose to commit suicide and his death was related to Jung In-Hun’s curtains. Why? It is because Heena wrote letters to her brother where she accused the main lead of killing the learned sir. Moreover, Yoon Seung-Won had definitely mistaken the painter for the learned sir. (chapter 37) His position revealed that the main lead trusted the artist. It was, as if he was treating him like his wife. (chapter 97) And from my point of view, these messages were never burned. That way, Kim can put the whole blame on the kisaeng and her brother!! The butler can even reveal how Yoon Chang-Hyeon had harassed the son and tried to frame him for the death of his messenger.
But since “lord Song” was behind the scholar’s murder, he can only retaliate against Lee Jihwa and Min’s friends. Why? Because he will deny his responsibility in the crime, though he was the one who ordered it! Exactly like in the past. He had never assumed any responsibility, he always let others take the accountability. He needs to find a culprit in order to vent his fury. If they had not brought up the learned sir’s assassination, then Yoon Seungho “could have lived” in peace. To conclude, when the lord gave the paper to the black guard, the pedophile had the impression that the main character was rekindling with him, for he was asking for his help. He was far away from him. In his eyes, he had contacted him, “lord Song” alias the king!! And now, it becomes understandable why lord Song sent hanboks and asked Min to organize parties for Yoon Seungho!! It is because the pedophile believed that the main lead was no longer pushing him away or had accepted him. This is not surprising that little by little, the main lead’s hanboks became more and more beautiful. Don’t forget the following rule, the painter’s situation will be mirrored in the lord’s. Thus in chapter 34, Yoon Seungho returned with a hanbok covered with cranes (chapter 34), and shortly after the painter was sent to the tailor. But during that night, the pedophile and Yoon Seungho had missed each other due to Baek Na-Kyum. He was not dead. So when the painter received new clothes, it was the same for Yoon Seungho. Yet, the pedophile was gravely mistaken. Why? The sijo had been stolen, and as such it was never addressed to the pedophile. Furthermore, it is because the lord was suffering from memory loss. Moreover, I believe that the main lead is not aware of the true identity of his sexual abuser. In his mind, it is just lord Song. But this doesn’t end here.
According to me, the main lead wrote a letter to his lover in the gibang. This signifies that someone else must have done the same due to rule 1 and 2. The reference of the Spring poem in chapter 97 indicates the presence of a letter in the previous episode or the next! From my point of view, Min must have asked the kisaeng to contact “lord Song”!! And don’t forget that in season 2, we had a forged letter. (chapter 57) And who was behind this? Black Heart’s friend. But then it came to my mind that Black Heart had stolen the Spring poem… so he could have sent the paper to lord Song and the latter would have mistaken it as a letter from Yoon Seungho, the latter was reaching out to him. He was wishing him luck!! So imagine that when the man arrives in Jemulpo, he imagines that the main lead is waiting for him only to discover that Yoon Seungho vanished. He wished to die because of the loss of a loved one. And that’s how he will recall the poetry of the learned sir… the reflection of this night!! (chapter 94) In episode 4, the lord had laughed about the sijo, but it was no longer the case in the kisaeng house. In my eyes, the pedophile will go through the same experience. Yes, the effect of the kaleidoscope. He will perceive the learned sir’s poetry under a different perspective. Only in that moment, he will realize the suicidal tone in the sijo. He will question how Yoon Seungho could become so desperate and suicidal so suddenly. And now, you comprehend why Heena was trembling in front of her brother, and why she had planned to leave the gibang that night!! She was aware of the arrival of “lord Song”. She knows how cruel and ruthless he can be.
And Lee Jihwa’s words will become a reality. (chapter 101) Blood will flow… The proof for this expectation is that chapter 67, 77, 82 and 93 are all referring to punishment. Kim had been beaten in episode 77, while the kisaeng was imprisoned in the storage room. Moreover, we have the use of the sword in episode 21 and 67… and during these nights, the protagonists had made love to each other.
4. Father Lee’s message
Since the Lees are connected to paper in the form of the paintings and the letter, (chapter 5, 10, 15, 17, 56), I had suddenly this question! Why didn’t Lee send a word to Yoon Chang-Hyeon? Why did he have to visit him during the night? (chapter 82) (chapter 82) It is because he didn’t want to leave any evidence of his intervention. No one should notice that he had paid a visit to the patriarch either. His visit should remain a secret. He was actually afraid of getting detected. The reason is simple. He was fearing the person standing behind Yoon Seungho, lord Song. He had two reasons for this. First, he could see that Yoon Seungho was no longer treated like an animal or male kisaeng. (chapter 67) He was even better dressed than his own son. The hanbok was exposing the support from the “pedophile”. Secondly, the main lead had threatened him. (chapter 67) Here, the lord had just insinuated that if something like that happened again, he would go to the authorities. However, since this threat was rather ambiguous, the patriarch Lee could only interpret it that way. The main lead would report the incident to the “mysterious lord Song”, alias the king. And father Lee knew that he could get into trouble. Furthermore, since these elders are all hypocrites and liars, there is no doubt that father Lee feared that the protagonist wouldn’t keep his words. That’s the reason why he approached the father. He hoped that Yoon Chang-Hyeon would intervene and impose his will onto his son. He would tame the main character. In other words, episode 82 is a reflection of chapter 4/5, 19/20/21, 67/68 and 77. The first common denominator is the allusion to letters. The messenger’s words revealed that Kim had contacted the elder Yoon, for he already knew his name, though the latter had never met the domestic. Secondly, the “letters” were delivered orally: (chapter 82), and even in person: Father Lee and the emissary. Third, the elder Lee badmouthed Yoon Seungho by mentioning the incident from chapter 67, and refused the invitation of his host (chapter 82). Finally, he called Baek Na-Kyum a peasant exactly like the main lead in front of the gate: (chapter 82). But more important, the old bearded man expressed this fear: the loss of his family home! (chapter 82) And remember that I had detected the presence of the Lees’ mansion in episode 4 and it was also present in chapter 21 and 67! And what had the butler done during these chapters? He had tried to chase away the painter and as such Yoon Seungho. The latter was not supposed to live in the Yoons’ domain. And this will be the Lees’ karma to be driven out of their own house!
5. Conclusions
And now, you comprehend why the sijo from season 1 has not appeared yet. The couple will be able to identify the culprits with the “letters”, the poems. Remember the kisaeng’s words: (chapter 97) The absence of the messages was the evidence of the main lead’s wrongdoing. However, the moment the letters resurface, they will expose the noona’s lies. It doesn’t matter, if she had been deceived. She chose to trust the butler, without verifying the facts. To conclude, the poems will serve as proof for the crimes and I would even go so far to say that the papers, mistaken for letters, are the tools to expose the truth. Yoon Seungho had never contacted lord Song, for he hates him to the core. He is connected to his suffering and martyrdom, therefore he can only view the man as the bird of misfortune, while the latter had the impression that he was now getting closer to the main lead. Consequently, he considered him as his crane! But this man is exactly like Min, totally dishonest and irresponsible. I couldn’t help myself thinking of this folding shield again: (chapter 83) It vanished, and as such it was stolen. Did the mysterious lord Song take it away in order to force Yoon Seungho to paint? The older version of this scene: (chapter 4) And remember that the “paper” is also connected to paintings. However, since this is a reflection of episode 4, I am more inclined to think hat the real purpose was to take the picture and the man had never the intention to return it. Naturally, at some point, the man had a change of heart concerning the main lead, for thanks to him, he could outlive all his sexual fantasies. And this leads me to the following conclusion. The moment, Yoon Seungho sees this painting again, he will recognize the identity of the thief. To sum up, the paper is the proof of wrongdoings, thereby we have this publication: (chapter 1) The paintings were illustrating that the pedophile was having sex with a minor.
PS: I have still so much to say about the comparison between chapter 5 and 77 and the “paper” that I will write another analysis about this.
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1. Yoon Seungho the king
After the end of season 1, I had been contacted by many followers asking me about the possible ending of Painter Of The Night. Many feared for a depressing ending, as Byeonduck had declared that the protagonists would be happy on their own. In their mind, this meant that the protagonists wouldn’t end up together. My reply was that the couple would become happy without getting too dependent on each other. I meant Yoon Seungho and Baek Na-Kyum would come to give a new sense to their own life, and their love would help them to have a goal and purpose in their life. And that’s how real couples live. Thus while examining season 1 closely, I came to imagine that Yoon Seungho would become the king and Baek Na-Kyum his painter. As you can see, very early on, I connected the noble to royalty. Why? First, we had the lord outlining his powerful position in front of the painter. (chapter 11) Secondly, I had associated the main lead to the eagle which is the symbol for the kings and emperors in Europe. He was seen here flying (chapter 30), and his fingers reminded me of the eagle’s claws. (chapter 18) And this perception got even reinforced, when I saw this panel: (chapter 52) In this scene, he was sitting like a king surrounded by his “court”. The hanbok had such a design that I couldn’t help myself associating it to Joseon’s monarchy.
However, I have to admit my mistake, for this interpretation was strongly influenced by my own culture and as such European history. Yet, here we are dealing with Korean and as such with Joseon culture. Hence the symbol for Joseon’s dynasty is not the eagle, but the dragon. That’s why when I saw this new image on Twitter , I had another revelation. On the one hand, it actually confirmed that Yoon Seungho was somehow destined to become a king, yet he is not represented by the eagle or the phoenix, but by the dragon. Hence the moment I saw this image, one idiom came to my mind: Dragon king!
2. Yongwang
Because of this sudden association, I decided to look more into it. Thus imagine my surprise, when I discovered this:
Yongwang, or Dragon King, is a deity of the river or the sea, overseeing peace in the house, good health and longevity in the family, the harvest, catch and safe sailing. Yongwang is also called Yongsin (Dragon God).
Communities worshipped Yongwang as a water god, holding divine powers to control rainfall. Dragon King worship is closely related to the contemporary practice of staging rituals at village springs or wells that are believed to be dwelling places for Yongwang. Around the country there are also legends regarding dragon springs and dragon wells, created by a dragon that brought rain to repay humans by turning wasteland fertile, which shows that Yongwang is closely related to farming. […] In shamanism, Yongwang oversees not only fishing, but the souls of those who have drowned and died. In the worship of household gods, it is a deity that oversees peace in the household, good health and longevity in the family, the harvest, catch and safe sailing.
Among rituals held for Yongwang in the home by women, the most widely spread is yongwangmeogigi (feeding the dragon king), also referred to as yongsinje (dragon god ritual) and gaetje (fishing ritual). This ritual can take place in three different venues: First is a private well in the backyard; second is the communal well, where, in some cases, a spring ritual (saemje) is held, then water from the well is brought to the home and placed in the kitchen or on the sauce jar terrace for the Dragon King; […] https://folkency.nfm.go.kr/en/topic/detail/2618
The moment I read this article, I couldn’t restrain myself making the parallels between Yoon Seungho and Yongwang. First, the deity in the background reminded me of Yongwang. (chapter 100), though this deity is always accompanied with a dragon and in this picture, the readers couldn’t see one. However, it is possible that the author didn’t desire to reveal too much.
“his most distinctive traits are that his beard, moustache and eyebrows are (usually) “spiky,” protruding in sharp points, sometimes resembling coral, and his eyes are often bulging out like those of a fish. He most often holds the banya-jinju (般若眞珠, flaming pearl of wisdom, a type of ma-niju 摩尼珠), but sometimes a branch of coral or a sword.” quoted from http://www.san-shin.org/EKB-Yongwang-DragonKing.html
Secondly, we have a strong connection between rain and the main lead’s situation and emotional state. It rained, when the lord had sex with Baek Na-Kyum. (chapter 21) Why? It is because the lord was happy. These were the tears of happiness, which Yoon Seungho couldn’t express contrary to the painter. And this is no coincidence that in chapter 58, it started snowing, when the couple was making love: (chapter 58) And we had the same weather, when Yoon Seungho saved his lover. (chapter 102) The weather was expressing the main lead’s emotions: tears of happiness or sadness. We could say that the lord has the “power” to move the sky.
Furthermore, the well plays a huge role in this story. Many people are found dead in a well (chapter 97), and according to me, the messenger was drown there. (chapter 94) In addition, my theory is that Deok-Jae and/or Jung In-Hun’s body were placed in a jar in order to hide the murders. For me, the jar plays a huge role in Painter Of The Night… thus Byeonduck created such a scene in season 2 (chapter 46) and we have so many jars next to the pond: (chapter 94) [For more read the essay “The secret behind the library”]
Furthermore, this story takes place in Jemulpo, a town situated next to the sea, and Yongwang’s realm is supposed to be in the sea. (chapter 91) This is no coincidence. To conclude, all these elements (rain, jar, well, soul of a deceased), connected to the dragon king, are present in Painter Of The Night. Thus I came to the conclusion that Yoon Seungho is like Dragon king. This reinforces my conviction that the main lead is not only connected to shamanism, but also embodies royalty. So he might not be the king of Joseon, but he is powerful in his own way, though he is not aware of this. And note that the moment he wished to commit suicide by drowning in the pond, he was brought back to life. (chapter 102) Water is his true element.
In different temples, you can discover Yongwang accompanied with a woman. She is also dressed in royal clothes with a small crown. What’s unclear is if she’s another Yongwang or if she’s his wife. And this could be a reference to the painter, who will become Yoon Seungho’s bride, but his true identity will remain hidden.
What caught my attention is that the rituals concerning Yongwang are held by women, which stands in opposition to the shrine and Confucianism. (chapter 85) This means that in the Yoons’ mansion, people didn’t venerate this god. And since the aristocrat made such a statement to the elder Yoon Chang-Hyeon, (chapter 86), I have the impression that in season 4, we will assist to a real ritual to ward off evil and back luck, leading the tormenting souls to the afterlife peacefully.
And this leads me to the following observation, the dragon in Korea and Joseon is perceived as a good omen! He would bring good fortune.
Since the release, I realized that the decorated tree (chapter 100) and this altar (chapter 100) were exposing the presence of a ritual. However, my problem was that I couldn’t determine exactly the nature of the ritual. But by making the connection between the dragon and good fortune, I had now more clues. I have to admit that I can not be 100% sure for this, but this is what I found:
“Yonggyeong (Kor. 용경, Chin. 龍耕, lit. dragon’s plowing) is a custom observed on Dongji (Kor. 동지, Chin. 冬至, Winter Solstice) in which people tried to predict the outcome of farming for the upcoming year based on the direction and angle of cracks on the surface of a frozen pond. The custom is also known as yonggari (Kor. 용갈이) or yong-ui batgari (Kor. 용의 밭갈이), both meaning ‘plowing by the dragon.’ When ice covers a pond, there is often a crack that divides the ice sheet into two halves, as though a field were divided along a furrow left after plowing. This phenomenon was considered a trail left by a dragon and, therefore, interpreted as having divinatory power concerning farming success in the year ahead. […]
According to another custom referred to as dongbok (Kor. 동복, Chin. 凍卜, lit. ice fortune-telling), on the eve of the year’s first full moon (the fourteenth of the first lunar month), people left two bowls of fresh water out overnight and positioned them north and south of each other. The next morning, they examined the ice sheet that appeared in the bowls and tried to predict the success of farming in the northern and southern regions. quoted from https://folkency.nfm.go.kr/en/topic/detail/4622
The timing fits to our story, and we have the presence of bowls in front of the deity in the yard. In my eyes, the shaman had prepared a ritual for the dragon king, and was praying for the success of the farming. Don’t forget that it takes place just before Spring. Consequently, this is not surprising that the lord got connected to peasants and this very early on. (chapter 4) (chapter 6) (chapter 82)
This observation leads me to the following conclusion: Yoon Seungho, as a new version of Dragon King, will bring luck to the commoners and peasants. He will help them to improve their living conditions (education and good farming). As you already know, I consider Yoon Seungho as a representative of Sirhak. [For more information read the essay “The scholars’ fight”] And now, you comprehend why very early on, I expected that Yoon Seungho would become a king. He doesn’t need to become a real “king”, yet there is no ambiguity that his fate is to become famous as a spiritual and fair leader.
3. Dragon and imoogi
That’s the reason why I started looking for more information about the dragon. As the readers could see through the deity, this mythical animal is strongly connected to water!
What caught my attention is that the Korean dragon has no wing, yet it can still fly and he has a small beard (hair around the mouth)!! But more importantly, this creature is a combination of different animals: the body of the snake, the antlers of the deer, the forehead of the camel, the nose of a pig, the ears of the cow, the claws of the hawk, the scales of the carp, the fist of a tiger and the eyes of the rabbit! He contains all the strongest features of these animals:
luck for the pig
strength for the tiger
elegance of a deer
stubbornness and resistance of a camel
compassionate and giving nature of a cow
the constant change, the metamorphosis of a snake (cycle of death and rebirth)
the rapidity of a hawk
fertility of a carp
the abundance of the rabbit by sharing its eyes
In other sources, I read that the Korean dragon had also features of the dog, the frog and the sheep. But why does this mythical animal possess so many features from different creatures? It is because this powerful, God-like creature embodies the love and respect Korean people have for the natural world. I would even say that he represents nature, and as such he stands for harmony and justice. By being sharing features of different animals, he can understand their life. This is not surprising that the Joseon kings utilized this animal as their emblem. It symbolizes their power (omnipotence and “immortality”) while substantiating their ability to be fair and just rulers.
Striking is that we have an allusion to these animals in Painter Of The Night. First, the lord was able to kill the boar (chapter 83) and the deer (chapter 22). Then the lord compared Baek Na-Kyum’s eyes to a rabbit. (chapter 78) Since both resemble each other, I deduce that the main lead has the same eyes, the rabbit’s. Like mentioned above, he utilized his fingers similar to claws: (chapter 18) He would fly like a bird, though he has no wing (chapter 30). His fists in this scene reminded me of a tiger’s: (chapter 54) One might argue that this signification is totally impossible, for the lord doesn’t have the body of a snake. This point can be refuted very easily. What is the major characteristic of a snake is molting. A regularly recurrent event during the activity period of all snakes is the shedding of the skin. This coincides with the lord’s change of clothes. The latter reflected his downfall and rising. Furthermore, this animal is linked to death and rebirth. My avid readers are already aware that I had detected different scenes, where we could witness the lord’s spiritual death and rebirth, like for example in the shed: (chapter 62) When he discovered his misjudgment the next morning, he felt like dead. He no longer saw himself as a lord, but came to view the painter as his new lord : (chapter 66) As a conclusion, Yoon Seungho shares so many similarities with the dragon that I came to view him as one. This explicates why even after getting married, he will never wear a beard! The change of dresses and hair dresses of Yoon Seungho represents the different social status in Joseon society: young master, painter, male kisaeng, slave, peasant, executioner, servant, lord, concubine, “wife”/husband” etc. Moreover, since I had detected parallels between the protagonist and the legend of Dangun, this could only reinforce my conviction that Byeonduck is referring to old tales and religions (and as such Dragon King) in her story. The author has already stated that she won’t create a story with the couple set in our time, and this becomes understandable, if she is constantly referring to old traditions and myths.
According to different sources, the Korean dragon is not born as such.
My avid readers will certainly recall my associations for the characters, Yoon Seungho was the phoenix and Baek Na-Kyum a crane. Thus we could say that their union makes them the dragon bringing justice and peace to victims. In another source, I found that the dragons were once said to be Imoogi in the beginning, a giant lizard that resembles sea serpents. They exist several different versions on how Imoogi become Dragons. One said it would take a thousand years for them to become a dragon, while another says they must catch Yeouiju (star) falling from the sky. Thus in temples and in pictures, the Korean dragon is also always represented with a ball.
“Another theory that exists and sounds the most logical to me, says that Imoogi was born in a place where living and dead intermingled. It was created in cave where thousands of people were stuck due to war in 420AD. As more and more people started to die in the cave, their intense agony and suffering led the foundation for Imoogi’s birth and therefore it symbolizes destruction and sadness. Imoogi controls the power of birth, death and rebirth. Ouroboros, a symbol of wholeness/infinity is also represented by a snake(serpent) eating its tail.” quoted from https://rtaori60.medium.com/imoogi-the-great-lizard-aca02c6c9b1e
Since it takes 1000 years for an imoogi to transform into a dragon, we have 10 years of suffering in Painter Of The Night. For me, this is not random at all. This means that after chapter 102, Yoon Seungho turned into a real dragon! This corresponds to his Coming-Of-Age. That’s the reason why I don’t think that he will be manipulated again like in season 2 and 3! My avid readers are already aware of the presence of ouroboros in this manhwa. For me, Kim symbolizes the imoogi and Ouroboros! He could never turn into a real dragon. But why does the imoogi need to wait for so long ? Some say that this is a curse, other traditions hold the idea that Imoogi are “pupae” or “larvae” of dragons. And they will become full-fledged and full-fledged dragons after being in the ocean for 1000 years. This signifies that time, experience and patience are essential for this transformation. Thus not every imoogi can become a dragon in the end, and that’s Kim’s fate. He was not able to recognize Yoon Seungho as his “yeouiji”. The shaman’s house reminds me of the cavern (chapter 102), and thanks to the painter, Yoon Seungho’s soul was able to escape this “mental prison”.
And this leads me to the following aspect: Baek Na-Kyum is the lord’s Yeouiji, his fallen star fulfilling all his wishes. That’s the reason why the dragon is never seen without his star. One might say that this is exaggerated. However, my avid readers should remember that I had associated the painter to a star, the sun, in previous essays, even before making the relation between the dragon and Yoon Seungho! This explicates why the lord is carrying his lover like his bride (chapter 45) (chapter 102), similar to the dragon in the picture above. His “star” serves as his guide, support and his source of life. Thus when the main lead confessed to the painter for the first time, the sun entered the bedchamber (chapter 55) and as such his heart and mind.
Therefore I come to the conclusion that in season 4, the readers will witness a clash between two dragons, the king and Yoon Seungho! The fight between the fake and the real dragon! Thus when the author released this panel recently, (Twitter), she was actually announcing the arrival of the monarch in Joseon. Hence you comprehend why I selected such a title, the rise of the dragon. “Lord Song” can no longer hide his true identity.
4. Dragon king and expulsion
My readers will certainly recall that the starting point of this essay was this expression “dragon king” which came to my mind, when I saw the recent publication. Why? First, the main figure was wearing the gonryongpo (곤룡포), where dragons are sewn on it. This hanbok is the everyday robe for the king which explains why the latter is always wearing the red robe all the time he appears in front of people. Hence I made this association in my mind: dragon king. When Byeonduck published this image, , she was naturally creating a new story, another Alternative Universe. The student Baek Na-Kyum who got bullied by the classmate Deok-Jae was suddenly sent back to Joseon, and appeared in front of the king’s bedchamber, Yoon Seungho.
Striking is that this panel resembles a lot to this picture which the author hasn’t used yet: The painter is sitting inside a room, while Jung In-Hun is standing outside. Nonetheless, the position of the characters are very similar. This indicates that the author’s new alternative story is actually inspired by the main story!! This can only reinforce my perception that Yoon Seungho in the main story is associated to royalty. However, since it is a reflection, I deduce that this image is the positive reflection of this scene: How did the learned sir react here? He criticized the painter by stating that this was “filthy”. In this scene, the characters are caught by surprise, but it becomes obvious that there is no disgust or expulsion. In fact, the fall of man took place before, for Baek Na-Kyum was sent to Joseon. In this encounter, I detect attraction and curiosity. Hence I come to the conclusion that in the original story, when this scene took place, , Yoon Seungho was far from being living like a king. As you already know, according to my interpretation, the protagonist was treated like a male kisaeng. That’s the reason why I believe that this scene played a huge role in Yoon Seungho’s liberation, the physical expulsion from hell in the end. Since in the parallel story, the student experienced time-travel and as such rejection and expulsion, I conclude that in the main story, Yoon Seungho must have made a similar experience! But this doesn’t end here, as the readers should keep in the mind the following rule: The painter’s destiny reflects the lord’s.
On the other hand, the manhwaphiles will complain that so far, Yoon Seungho has never appeared as a dragon. Yet, we shouldn’t overlook that the phoenix is the symbol for the Queen in Joseon. (chapter 50) (chapter 52) This means that the mysterious lord Song was actually claiming the main lead as his wife in the last scene. Min and his friends were sent there in order to entertain the protagonist, but they failed. This explicates why the next day, Black Heart was seen with a hanbok of lower quality. (chapter 56) It was, as if Min had been compensated for his bruised face by the mysterious lord Song. However, for the pedophile, Black Heart was just a concubine, and not his main wife! Hence the hanbok had not such a detailed and expensive design. This would explain the villain’s jealousy. And now, if you look back at the hanboks from the main lead, you will recognize his ascent. First, he is wearing green, which is similar to Yoon Chang-Hyeon’s color. At the same time, his hat resembled a lot to Kim’s. (chapter 1) Then later, he is mostly wearing blue which is actually the color of the Crown prince. (chapter 11) Yet, his robes initially have no design. Slowly, the lord is wearing colors and designs that are actually reserved for a king: blue, red, black and purple. This constant change of hanboks symbolizes the “snake molting” and as such his transformation and rising. This is not astonishing that on the night of the bloodbath, he had such a hanbok: (chapter 102) Here, he was no longer acting like a noble, but as a ruler. Don’t forget that according to me, the mysterious lord Song had proclaimed the main lead as his unofficial Queen by giving him hanboks with phoenixes. However, naturally, this was never mentioned to Yoon Seungho directly. Why? It is because Kim usually selects his clothes. However, this rise was not natural, as the lord had no real saying in this matter. The real metamorphosis took place in the shaman’s house, when the lord was sent back to the past and as such the darkness. (chapter 102) The moment he left the “cave”, he went to the mountain and surrounded by the wind and water, he changed into a dragon. This expulsion corresponds to the final release, the lord’s mind is finally freed from the darkness, while I believe that this scene is linked to the lord’s physical liberation. .
5. Nightmare and dream
Above, I had mentioned that the painter was the dragon’s fallen star and the love sessions were strongly connected to the weather. If so, why did it snow, when the learned sir left the mansion? (chapter 44) It is because the main lead was thinking that the painter would actually run away. Thus the door was left opened, and he was wearing warm clothes. Yoon Seungho never imagined that Baek Na-Kyum would remain by his side. Yet, during the previous night, the lord had consoled his lover by embracing him.
Furtheremore, the manhwalovers could also wonder why the lord had a nightmare in the bedchamber after their second love session? The painter’s presence should have brought relief. Moreover, during that night, there was no rain. (chapter 71) But this can be refuted easily. First, don’t forget that during this love session, the lord was acting like a servant pleasing his new lord. So this had nothing to do with Yoon Seungho’s feelings like sadness or happiness. He was determined to keep the painter by his side, and ignoring his own feelings. He never expected the artist to reciprocate his feelings. Secondly, Yoon Seungho’s nocturne vision is not just a nightmare, but also a DREAM! Yes, you are reading this correctly. Only recently, I discovered that all the artist’s visions are a combination of 3 elements: memory, nightmare and dream! I will give you three examples as illustration, for I am slowly running out of time.
Chapter 28: This vision is a combination of these three elements: memory, nightmare and dream. This had happened during the First Wedding Night (memory) (chapter 21), then we have a similar situation in chapter 49: , , but the painter was rejecting this future. Hence he considered it as a nightmare.
Chapter 34 : Memory ; nightmare the lord becomes a ghost and confronts the painter with his biggest fears (admitting his attraction, passion for erotic paintings and homosexuality) and dream (The painter’s true desire was that the lord would kiss him, he was deeply longing for his lips, yet he was still in denial in this vision.
Chapter 98: Memory, for the painter was remembering the corpse in the courtyard, a dream, as he wished the return of his loved one . He hoped that the lord would take care of him personally. Naturally, the “spirit” is the nightmare .
Since the lord’s fate and personality are similar to the painter’s, I could only come to the conclusion that the lord’s vision in the bedchamber is not just showing the past and the future horror. It also exposes the lord’s dream and hope! 😮
So where were his desires visible? First it was about breaking free from his jail… (chapter 74) This had already happened, but the lord had not grasped the significance. (chapter 53) Besides, he had not opened the door himself. Even when he went to the scholar Lee and opened the door with the his foot, the lord still felt trapped. (chapter 67) Then in season 3, he could break a door, but it was thanks to the painter. (chapter 96) This shows that the lord’s wish to get released had not been fulfilled so far. In my eyes, it is connected to the torture Yoon Seungho suffered and as such to the purge organized by the authorities. That’s the reason why I deduce that the lord will break a door in season 4, and this won’t be by accident and it will be witnessed by many people contrary to chapter 53, 67 and 96! The broken door will reflect the lord’s rise and power, and no one will be able to stop this. In my eyes, this wish is connected to the door in the servants’ quarter. That’s how his imprisonment started.
Moreover, the protagonist was voicing his thoughts, the reproach to Kim and his father! They had abandoned him. (chapter 74) The “dragon” wished to see Kim and his father, and confront them! And this did take place in season 3. Yoon Seungho confronted the butler with his attitude and betrayal (chapter 77), but this argument was just short-lived. He still viewed the valet as a hard-working and trustworthy person. He had just made bad decisions. Then in the bedchamber, the lord could blame the father for his suffering: (chapter 86) As you can see, the lord’s wishes were granted, but the nocturne vision was so difficult to grasp that neither the readers nor the main lead could interpret the message correctly immediately. Besides, the nightmare was mostly silent. But this doesn’t end here.
(chapter 74) In this image, he is floating in the air… a sign that his status is changing. At the same time, this shows that he is escaping from the hands. They are trying to drag the main lead down. Thus I come to the conclusion that the vision was announcing the lord’s transformation (into a dragon) and as such his “rise”. Note that in this image, he is still a teenager, but in the following panel the protagonist has already become an adult. (chapter 74) Simultaneously, the vision also displays the lord’s expulsion from “hell”, the sex orgies (chapter 74). the hands are trying to bring him back. This image displayed that Yoon Seungho would become powerful, and the hands wouldn’t be able to contain him any longer. The pink is a reference to the painter, and not just to the gibang! Thanks to the painter, Yoon Seungho is changing so that he will be able to face the KING, but not only him!! This is what the dream was telling him too. Thus we have this image: (chapter 74) Simultaneously, the dream showed that the lord wished to see this painting again, though deep down, he blames this image for his suffering. As you can see, the vision was revealing the tormented disposition of the lord. He was switching from nightmare to dream and the reverse… a mixture of anxieties and desires.
However, pay attention that the painting was standing behind Yoon Seungho, when the hand grabbed him (chapter 74) This signifies that he was approached by someone from behind, he had not noticed that the “door” had been opened. Thus he never expected his apparition. For me, this perception demonstrates that the painting is not the real cause for Yoon Seungho’s suffering. Since he had turned around, I came to recognize that this scene stands in opposition to the situation in the painter’s nightmare: (chapter 34) The painter had been able to witness the entrance of the ghost contrary to Yoon Seungho. The latter was caught by surprise. This image illustrates the lord’s biggest fear. That’s how I realized that his biggest nightmare is not the pedophile in my opinion, for the main lead in Baek Na-Kyum’s “nightmare” (chapter 34) stands for attraction, honesty and love… thus it should be the opposite in Yoon Seungho’s nightmare: repulsion, betrayal and resent! He fears to admit the truth, the biggest traitor is Kim, but he is still in denial. He has repressed the terrible betrayal from Kim, just like the painter’s, though I think that the biggest traitor in Baek Na-Kyum’s case is not really Jung In-Hun, but Heena. This would explain why Heena noona was not present in the terrible vision in chapter 34. This is not random that we don’t see the face of the owner’s hand. Naturally, the king was involved in this betrayal, for Yoon Seungho is caught between the hand and the painting. He was trapped between two forces.
This means that Baek Na-Kyum will help Yoon Seungho to face the truth: Kim is a traitor and the king is the pedophile. The vision is indicating that the butler will betray him again in the future, backstab him one more time… However, this time he will recognize his action. Why? Because this time, there is light in the room… as Baek Na-Kyum symbolizes the Yeouiju, the fallen star helping the dragon. If the author presents another dream from the main lead, we will definitely get new clues. And this brings me to the following conclusion:
Yoon Seungho had been portrayed as a bird of misfortune on purpose. (chapter 86) In reality, he was a dragon, who could bring luck and fortune to the person who would cherish him. This is no coincidence that the pedophile sent hanboks with the crane (chapter 34), (chapter 45) In his eyes, the main lead brought him luck, as all his wishes got fulfilled, and he was never caught committing a sacrilege or crimes. However, since the presence of Baek Na-Kyum by Yoon Seungho’s side, it looks like nothing is going like planned. The main lead is not only drifting more and more away from him, he even left everything behind. That’s the reason why I believe that the dragon, the king, will vent his anger on many people in season 4, a new version of this scene. (chapter 30), but much more brutal and violent! While this “dragon”, the king, stands for court, and as such civilization and immobility, the Korean dragon embodies nature and hope for commoners who dreamt of ascending the ranks! This is not surprising that Baek Na-Kyum is slowly ascending the ranks, while in the past Kim was acting as the unofficial lord of the Yoons’ mansion.
As a conclusion, in season 4, expect a battle between an “imoogi” and dragons. In addition, it becomes obvious that the winners will be our beloved couple. Since Yoon Seungho was turned into a “dragon”, I am more than ever convinced that he will act like in season 1: confident, perceptive, smart and cheerful! He can not longer be used like a pawn, for the “dragon” can not be tamed! And removing the falling star would signify the dragon’s death!
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