Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx 🕊️🦆Voyage, Voyage 🌏🌌 (locked) and Unseen 👀 Savior🦸🏼♂️ : The Birth Of Jaegeng (locked)
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining Manhwas. Besides, I need to cover up the expenses for this blog.
Following up on the analysis in Unseen Savior🦸🏼♂ : The Birth Of Jaegeng (locked), it is now time to dive into the symbolic and narrative weight of the meeting between Joo Jaekyung, Park Namwook, the CEO, and the mysterious woman in red. That earlier essay depicted the offer extended during this encounter as the devil’s temptation. In this piece, we will take a step back and ask an important question that may have gone unnoticed by most readers: Was this truly a lunch meeting? 😮
Lunch or “Kaffee und Kuchen”?
.
(chapter 69)
At first glance, the setting may imply a formal lunch: a round table in a private room, a well-lit ambiance, and Western-style plating. Moreover, some Jinx-philes might have been reminded of the lunch between Choi Heesung and Kim Dan that took place in a similar location: 
(chapter 32) Yet upon closer inspection, certain oddities stood out to me. (chapter 69) The most telling is the absence of water glasses—normally present during a full meal. Then, there are untouched knives and forks placed beside the plates, suggesting that they were arranged for formality rather than function. For cakes, such utensils are unnecessary, so they should have been removed. In contrast, the only utensils that should be used are dessert spoons. These subtle visual cues point to an unusual conclusion: this was not a full meal, but rather a dessert meeting.
This observation is further supported by a humorous yet significant moment from Chapter 43. 
(chapter 43) In that scene, Kim Dan poured soju into his water cup to pace himself during a drinking session. 
(chapter 43) Joo Jaekyung, unaware, mistakes it for his own and angrily reacts upon drinking it. This moment shows how closely water glasses are associated with Korean dining culture—even in casual or alcohol-heavy settings. Hence during a meal, the characters always have 
(chapter 32) two glasses on the table. In South Korea, it is customary for restaurants to provide a glass of water to every diner, regardless of the meal’s formality or complexity. This small gesture reflects hospitality, attentiveness, and the expectation of proper nourishment. The absence of water glasses, therefore, subtly communicates indifference or even disrespect—signaling that the recipient is not truly welcome to enjoy a full meal or rest. When applied to the “dessert meeting,” this detail becomes all the more striking: a cultural standard is ignored, revealing the performative nature of the gesture. Their absence at the “dessert meeting” feels deliberate, a symbol of superficiality and arrogance. (chapter 69)
Birthday Party or Not?
Funny is that the moment I paid attention to the table and made a connection between the gatherings in episode 43 and 69, I made a huge discovery concerning the champion’s birthday party. 
(chapter 43) The reason for his mistake was that they had only placed a spoon and sticks.😮 He had no glass for himself. It was, as if they had forgotten him. In other words, he was not supposed to eat and drink at his own birthday party!! 😂 (chapter 43) The absence of a rice bowl, plate, and glass in front of Joo Jaekyung, despite the presence of utensils, indeed suggests that he wasn’t expected to truly participate in the meal. In my opinion, the manager expected that the fighter would behave like in episode 9: 
(chapter 9) It reflects a pattern: the champion is present but not included in the communal or emotional aspects of the gathering. His spoon and chopsticks function like a prop, much like the untouched knives and forks at the dessert meeting. 
(chapter 69)
Symbolically, this reinforces the idea that Park Namwook sees him not as a person with needs or preferences, but as a role—a figure to be paraded, not fed. It’s also a strong indicator of the superficial hospitality offered by Team Black. The same way MFC served only dessert as a façade of generosity, here Park Namwook maintains the appearance of inclusion without the substance of care. One might wonder if the person behind this dessert meeting is not the manager in the end. However, I can refute this hypothesis. But I will explain my reasoning elsewhere.
Why Coffee and Cake?
This revelation casts the entire interaction in a new light. Desserts traditionally symbolize sweetness, pleasure, and reward—a closing gesture in a meal meant to satisfy or celebrate. Yet here, they are served in isolation, with no nourishment preceding them. It reflects the hollowness of the offer being made to the champion. Symbolically, the sweets are fake nutrition: surface-level compensation meant to placate and divert attention. Their isolated presence, without the customary water or a full course, also exposes a certain stinginess and greed—lavish in appearance but lacking genuine generosity or investment. There is no genuine sustenance here, only an illusion of care and abundance. At the same time, it is clear that the champion avoids cakes, thus for his birthday, he only ate the strawberry. Ordering desserts indicates the indifference toward the former „Emperor“.
To further contrast the deeper meaning, it’s worth considering the German tradition of Kaffee und Kuchen. This custom involves sitting down in the late afternoon with friends or family to enjoy coffee and cake—a sincere gesture of rest, connection, and shared time. (chapter 69) The Black Forest cake served to Joo Jaekyung connects directly to this tradition, yet its context here is anything but restful. It was through observation that I noticed the dessert’s identity—its distinctive shape and cherry decoration evoking the iconic Schwarzwälder Kirschtorte (A reminder: I live in Germany). However, this symbolic dessert becomes a tool of irony: rather than promoting genuine connection or relaxation, it masks a veiled demand. The setting in Jinx is not about togetherness or leisure but manipulation under the guise of civility. Instead of offering a break, this “dessert meeting” is designed to signal the end of the champion’s rest. It pressures him to return to fighting, weaponizing the illusion of hospitality to serve a corporate agenda. This signifies that this dessert becomes a symbol not of comfort, but of interruption. It marks the end of the champion’s rest and the return to duty. Far from being an act of care, it is a veiled command.
This scene around a round table mirrors another pivotal moment 
(chapter 48), the meeting between Choi Gilseok and Kim Dan. The former invited him for coffee. 
(chapted 48) At first, the gesture seemed generous—he offers a home, a car, 
(chapter 48) and the promise to help doc Dan to get a new treatment for the grandmother. 
(chapter 48) But this so-called kindness is conditional: in exchange, Kim Dan must betray Joo Jaekyung. Striking is that director Choi only ordered coffee. But a coffee without a dessert is no real break, but a stimulant—fuel for continued work. In both this meeting and the previous one with Choi Gilseok, the core remains the same: “work”, stinginess and greed wrapped in the guise of generosity. Every sweet drink or dessert lies a hidden price. This comparison highlights that the current meeting is not for the athlete’s sake—it is meant to serve Park Namwook and the CEO, who share different but aligned goals.
In this scene, every detail is meticulously crafted to portray the illusion of equity, civility, and generosity—when in fact, it is manipulation cloaked in civility.
The Round Table and Directional Symbolism
The round table is a reference to King Arthur’s court (chapter 69), where knights would gather as equals. This allusion conjures a sense of idealized unity and fairness—values that stand in stark contrast to the characters’ actual motivations in this scene. Whereas the original Round Table emphasized equality and noble purpose, the meeting in Jinx distorts these ideals, using the circular table as a facade to mask manipulation, hierarchy, and hidden agendas, as there are no clear sides and perspectives. The characters gather not to collaborate or share truth and knowledge, but to impose control, push self-serving narratives, and pressure the champion under the guise of courtesy. Yet, the illusion of equality is shattered when we examine the seating arrangement and the design beneath the table.
The floor beneath the table is made of black marble. Black marble traditionally symbolizes sophistication, power, and mystery—often linked to wealth and elite status. In this context, it reflects the polished surface of MFC’s operation, hiding its manipulative and corrupt core. The marble’s reflective nature serves as a mirror for distorted truths, hinting at concealed motives. Interestingly, even though the floor contains no design contrary to the lunch with the actor (chapter 32), I detected a reference to the yin-yang through the clothes. (chapter 69) A symbolic balance is still conveyed through the color palette of the characters’ clothing: black and white on one side (CEO and Park Namwook), and red and blue on the other (the woman and Joo Jaekyung). This contrast references yin and yang—light and dark, passive and active, East and West. It captures the ideological and emotional tension between the characters gathered at the table, exposing how appearances veil a struggle for control, identity, and allegiance.
Each guest occupies a cardinal point based on their clothing colors, which reflect traditional Korean symbolism:
- Joo Jaekyung, wearing a dark blue shirt with black shades, represents the East (청, Cheong), associated with the color blue/green, spring, the element of wood, rebirth, and emotional clarity—but also with tradition and conformism. Ironically, though he embodies the East, he now lives on Korea’s western coastline, which emphasizes his internal conflict and transition.
- Park Namwook, in white, embodies the West (백, Baek), symbolizing the color white, the element of metal, autumn, endings, coldness, and judgment. This perfectly reflects his role as the fading, cold manager—emotionally distant and aligned with institutional power. His upcoming downfall and loss of power are foreshadowed by this placement.
- The woman in red signifies the South (적, Jeok),
(chapter 66) linked to fire, summer (hence the reference to the trip in the States), passion, performance, and vitality—ironically twisted here into cold professionalism and superficial seduction. Her position contrasts with her symbolic warmth, highlighting the emptiness of her care. This explains why she is portrayed eyeless. She sold her “soul” to money and as such to the “devil”. - The CEO,
(chapter 69) wearing black, aligns with the North (흑, Heuk), associated with the color black, winter, water, authority, secrecy, and hidden control. It was, as if he was representing the missing glass of water. His position as the initiator of the meeting and his location near the window reinforce his dominance and detachment.
A second interpretation is based on physical orientation. The CEO sits in front of the window, suggesting he leads the direction of the conversation—reinforcing his alignment with the North. This would position:
- Joo Jaekyung in the South, the symbolic realm of sincerity, renewal, and emotional strength.
- Park Namwook in the East, which then implies the potential for change, growth, and conflict with the West.
- The woman in red in the West, making her Park Namwook’s symbolic counterpart and challenger.
Both readings emphasize an important underlying theme: the meeting is not just about strategy, but also about the clash of symbolic forces—tradition vs. transformation, control vs. sincerity, illusion vs. truth. These opposing tensions reflect the champion’s current state of evolution and foreshadow his rebellion against the system that once defined him. This arrangement paints a coherent symbolic tableau grounded in Korean cardinal point philosophy. Not only do the colors align (black for North, white for West, blue/green for East, red for South), but so do the personalities: the CEO as cold and calculating authority, the woman as sharp and composed evaluator, the manager as a conformist tool of the system, and the champion as the figure of emotional awakening and transformation. It also reflects their roles in the narrative: the CEO and the woman attempt to assert control from a place of detachment and oversight, while the star is awakening to his own truth, standing in contrast to their cold rationality.
The hosts clearly control the setting, tone, and tempo of the meeting. The choice of the round table is not accidental; it is meant to give the illusion of closeness and fairness, but the positions and body language expose the hierarchy. The CEO’s gesture (chapter 69), joining his hands in front of his chest, is subtle but telling. Combined with his seating near the window (symbolizing clarity or enlightenment), this gesture indicates control, restrain, self-protection and finally judgment. He’s calmly evaluating the situation and others at the table, implying a power dynamic. Bringing the hands in front of the chest can form a subconscious barrier—suggesting he is guarding himself, possibly from confrontation or uncomfortable truths, while it helps him to give a composed and confident posture. The CEO positioned near the light, faces outward, and dominates. Behind the champion is an abstract green painting 
(chapter 69), which evokes confusion and corruption. This artistic backdrop continues the theme from Voyage, Voyage (life is a journey), positioning Jaekyung as mentally “adrift” within this orchestrated trap. At the same time, the green might reference the “Black Forest”—a literal and metaphorical journey ahead. Like Hansel and Gretel, he is being lured with sweets into the forest. But unlike the fairy tale, the athlete’s breadcrumb trail will not lead him home—it will lead him to Kim Dan. On the other hand, by making this connection, I couldn’t help myself thinking that exactly like Hansel and Gretel, doc Dan and his fated partner will cross the witch’s path on their journey to independence and happiness.
Color Symbolism and Character Portrayal
The characters’ clothes also reflect deeper symbolism. The CEO wears a black shirt and dark blue jeans—dark, imposing, and utilitarian, suggesting control, power, and hidden motives. 
(chapter 69) Notably, this outfit marks a shift from his previous appearances: during his public pose with Baek Junmin 
(chapter 47), he wore a formal black suit with a white shirt, signaling polished professionalism. When he met the champion in the States, his full black outfit resembled a manager’s uniform and a badge, signaling humbleness and authority but also a hands-on, corporate role. 
(chapter 37) Now, Joo Jaekyung mirrors this casual dark attire (chapter 69), which points to a lack of reverence or ceremonial respect from the CEO. The diminishing formality in the CEO’s wardrobe reveals a gradual unmasking of his character—less the respectable businessman and more the manipulative broker. His clothing now mirrors more than that of a loan shark or exploiter, revealing the raw ambition and control beneath his once-slick exterior.
The woman in red wears a vivid red suit, a clear visual signifier of power, respectability, and Western flamboyance. However, unlike a red dress—which often symbolizes femininity, seduction, and traditional gender expectations—the red suit strips away that softness and replaces it with authority and androgyny. It underscores her ambiguity as a character: she is commanding and polished, yet emotionally distant. Her attire blends masculine-coded professionalism with a bold, attention-grabbing palette, reflecting both her status within MFC and her detachment from nurturing roles. She appears calm and calculating, and her positioning and expressions make her seem less like an accessory to the meeting and more like a silent strategist. Symbolically, she represents MFC’s security system, (chapter 69) the eye that sees but does not act, like a cold and distant mother figure whose role is to supervise, protect, and feed. Yet, the dessert served to the champion feels like an affront, a form of care without understanding—especially given that Joo Jaekyung usually avoids sweets and alcohol altogether. The Black Forest contains kirschwasser, a cherry liqueur.
Park Namwook mimics the CEO with a white shirt—a deliberate act of mimicry that exposes his lack of individuality and herd mentality. (chapter 69) But the white shirt has layered meaning: it also symbolizes his ignorance and naivety. He believes the meeting is a gesture of goodwill, a “favor” from the top, and fails to question the power dynamics at play. The irony is that Park Namwook is not actually an MFC agent—he works for Joo Jaekyung as his manager. His neutrality is superficial. His grey pants further signal his moral ambiguity and lack of integrity. Far from being a righteous figure, he embodies passivity, complicity, and indifference.
Joo Jaekyung, however, wears a blue shirt darkened by shades of black 
(chapter 69) —a signal of inner turmoil and his transition from his former life. Blue stands for loyalty, thought, and calm, while black alludes to his troubled past. He is evolving but not yet free.
Knights, Sweets, and Illusions
The round table conjures the Knights of the Round Table, but these “warriors” are not pursuing spiritual quests. Their prize is not the Holy Grail but money, rank, and relevance. 
(chapter 69) In this world, ideals are hollow, and tradition is co-opted to mask self-interest.
The desserts themselves are symbols: 
(chapter 69) the strawberry fraisier (chosen by the woman) stands for surface sweetness and seduction; the layered chocolate cake (perhaps a feuilleté) represents indulgence and opulence. Joo Jaekyung alone chose a square Black Forest cake—a form traditionally associated with structure, truth, and boundaries. Because the cake contains kirschwasser, subtly referencing the athlete’s brief brush with alcohol, it becomes clear that Park Namwook was not the one behind this order. Imagine this: under his very own eyes, the champion is encouraged to taste a strong alcohol. In my opinion, they must know that the star has been drinking. Yet, it was through Kim Dan’s presence that he stopped drinking, making this dessert an unconscious mirror of both his struggle and strength. Meanwhile, Park Namwook, ever the follower, selects the same dessert as the CEO and the same drink as the woman, revealing his pretense and pastiche once more. Since the manager has always bought junk food (chicken
– chapter 26, hamburgers, ramen 
– episode 37), it becomes clear that the hyung simply has no idea about Western food in general and in particular expensive French or German dishes. That’s why he didn’t ask about the dish or questioned the champion if he should eat the deadly sweet cake. (chapter 69) The alcohol was masked by the sweetness. Moreover, let’s not forget that these “Kaffee and Kuchen” were offered by the CEO. However, the paradox is that the star didn’t fall for this trick. He chose to drink the coca while staring at the cake. (chapter 69) At no moment he felt tempted by the dish. The angel Kim Dan was protecting him from a distance. The athlete longs for homemade food: 
(chapter 22)
A Meeting Built on Fear
Since I detected some similarities with the manipulative coffee meeting between Kim Dan and Choi Gilseok, another difference stood out to me. Though doc Dan had been approached in front of the gym 
(chapter 48), their meeting was not supposed to be secretive. On the other hand, because the scene was photographed 
(chapter 48), it created the illusion of “betrayal” as it looked like a secret meeting”. In episode 69, the meeting is hidden from the public. In contrast to the earlier public appearance alongside Baek Junmin for the cameras (chapter 47), —where the CEO posed proudly and visibly as a form of promotional endorsement—this encounter is cloaked in secrecy. According to Park Namwook, the CEO only stopped by South Korea specifically to meet the champion, as if offering him a special privilege. 
(chapter 69) This framing is deceptive: far from being a gesture of goodwill, it reveals the urgency and opportunism driving the meeting. However, this gesture is carefully staged: the CEO and the woman in red are the ones who selected the time and location of the encounter, placing the athlete in a reactive position where he must adjust his schedule to their convenience. It reinforces the illusion of privilege while concealing a dynamic of control. The meeting is designed to appear personalized, but it reflects MFC’s ethos that ‘time is money’—a business-centered logic that prioritizes efficiency over empathy. The CEO’s urgency to schedule a match, despite Jaekyung’s unclear health status, further exposes the commodification of the athlete. Notably, the proposed match is not even a title bout. 
(chapter 69) This strategic omission likely serves to shield the organization from scrutiny, as a title match would demand full transparency around the champion’s ranking and physical condition—areas that may not withstand public examination. In truth, the meeting is not about offering the protagonist an opportunity, but about maintaining MFC’s narrative control while exploiting his fame. This framing is deceptive: far from being a gesture of goodwill, it reveals the urgency and opportunism driving the meeting. To conclude, the discreet setting implies that MFC is not interested in publicizing their dealings with the star, possibly to avoid scrutiny or backlash. The lack of transparency underscores the manipulative nature of this so-called “favor,” which ultimately serves the organization’s agenda, not the athlete’s interests. The problem is that this meeting is heard by doc Dan 
(chapter 69), hence the “future match” is no longer a secret. 
(chapter 69)
The core motivation behind this encounter is fear. First, due to this phone conversation, Jinx-worms could sense that the celebrity was not moving on from the past, he was still pressuring MFC to investigate the matter concerning the switched spray. 
(chapter 67) He was not dropping the case. That’s the reason why the fighter is offered a match in the fall. If he is busy, then he might forget the “case”, especially since fall is right around the corner. He would be occupied training. Like mentioned in previous essays, my theory is that the CEO is involved in the scheme. This assumption got reinforced with this meeting. Striking is that the focus of the “chief of security” was the incident in the States. 
(chapter 69) By stating that the criminal belonged to a Korean gang in the States, she implied that this man had no direct connection in South Korea. In addition, with this statement, she claims that he is still in the States and the champion is safe. However, if the “fake manager” had been living in the States for a long time, he wouldn’t have spoken in Korean automatically. 
(chapter 37) In other words, she is trying to place the mastermind in South Korea. 
(chapter 69) This means that she is attempting to erase the involvement of MFC in the scheme. That’s why they are now offering an apology, which is naturally fake: (chapter 69) However, I believe that there’s more to it. First, the CEO is planning a schedule in the fall, but he hasn’t selected the opponent yet, a sign that they are rushing things. (chapter 69) Besides, don’t forget that the game in Seoul was rigged, hence the result was a tie. Because the cakes were all from Europe, I am suspecting that his match should take place abroad, in Europe. Moreover, since I sensed parallels between chapter 69 and 42 
(chapter 42), it dawned on me that MFC is actually treating the Emperor like a “cash cow”, they imagine that they can keep milking him. I could say, this encounter is exposing the reality to the athlete: Joo Jaekyung is treated like any other fighter. Hence there is no longer mention of Baek Junmin in the news. On the other hand, they have to vouch for Baek Junmin’s integrity (chapter 69), for the CEO had declared him that the Shotgun had that star quality. (chapter 69) In other words, they are trying to bury the case, thinking that giving him an opportunity will stop the champion from pressuring them any further.
As for Park Namwook, the latter has a similar interest. Since the athlete has been avoiding the gym, he imagines that organizing an imminent fight will push the champion to return to the gym. However, the reality is that Joo JAekyung can train anywhere, he has never needed Park Namwook by his side. Besides, he has another hidden motivation for supporting this match: his fear of being forgotten. (chapter 69) For him, the title of “champion” is not Jaekyung’s alone—it is part of his identity. Without the champion, Park Namwook is no one. His aim is to push the athlete back into the gym, to keep the wheels turning. With his words, he created the illusion that the Emperor would lose his special status and title, if he doesn‘t return to the ring soon.
But his plan is flawed. First, Jaekyung is still recovering. No one mentions his health. Unlike Chapter 41, where he referred to the MFC’s medical clearance, 
(chapter 41) here the topic is avoided altogether—possibly due to the lack of actual clearance. Should a third-party hospital intervene, the match could be canceled. Secondly, Park Namwook assumes control of the timeline: a match in the fall means training now. But the champion is no longer dancing to his tune. He is meditating, admitting his exhaustion. 
(chapter 69) His priorities have changed: Kim Dan. This chapter announces a turning point of the Emperor, he is getting liberated from his “role” as Champion. Besides, if he were to lose the game, they can blame the athlete for his bad decision: he returned to the ring too soon. That’s the reason why the meeting and offer from the CEO was not revealed to the public.
One notable moment in the meeting is the aborted (fake) apology from the CEO (chapter 69) —an empty gesture blocked by Park Namwook, who clearly fears the emotional consequences of honesty. His interruption signals an unwillingness to address the past and a desperate attempt to reframe the narrative. Besides, a senior is lowering himself to a younger man, this stands in opposition to social norms, especially for the manager’s. One might say that there is a fake apology, because Joo Jaekyung is a star and champion. However, it is important to recall that he is in truth the head of Team Black. He is the true owner of the gym. He is also a head of a small company, 
(chapter 69) So Joo JAekyung is more than a fighter and the apology (interrupted by the manager) is the evidence for this. Under this new light, Jinx-philes can understand Park Namwook’s interruption and embarassement. Not only he doesn‘t want to be reminded of his past mistakes (passivity, failure of his job, the slap), but also this apology serves as a mirror and reminder that he is not the true owner of the gym.
At the same time, the CEO and woman in red are not realizing that by acting this way (chapter 69), they were recognizing Kim Dan as a part of “Joo Jaekyung’s team”. He is no longer alone, he is on his way to develop his own “team”, far away from Park Namwook’s influence. Finally, since Mingwa made constantly references to scenes from chapter 40, we should see this meeting in front of a round table as a new version of “the interrogation scene” where Kim Dan was pressured to admit a crime and as such to say yes. Yet, at no moment the main lead said anything. On the surface, he remained silent, patient and obedient (chapter 69), but in reality his mind was elsewhere: on doc Dan! 
(chapter 69) He is his unseen savior. Thanks to Kim Dan, the star remained silent and calm giving the impression that he had fallen for MFC’s trick.
There exists two other reasons why I am comparing this secret meeting (chapter 69) with the interrogation room in the States. First, he use of English throughout the entire conversation (indicated by blue speech bubbles) reinforces their arrogance and detachment. It exposes their view of Jaekyung as merely a fighter lacking education, whose linguistic skills might not allow full comprehension. 
(chapter 40) This echoes Kim Dan’s confusion in Chapter 40 when interrogated in English. It also conveniently hides their ties to local authorities—acting as foreigners with no responsibility or rootedness in Korea. But this is what director Choi Gilseok confessed to the angel: 
(chapter 48) The business is rooted in the USA.
Moreover, Park Namwook’s physical placement in the room (chapter 69) reinforces his symbolic role in this dynamic. He is seated directly in front of the door, characterized by its striking orange-black motif. Rather than standing as a guardian or ally, his position evokes that of a gatekeeper—someone who controls access and restricts transparency. This is especially poignant when contrasted with Chapter 40, where Joo Jaekyung had burst into an interrogation room to protect Kim Dan 
(chapter 40), effectively opening the metaphorical door to truth and protection. In this meeting, however, Park Namwook serves to contain and silence, not to defend. His placement underscores his complicity and fear—not just of the CEO or MFC, but of confronting the consequences of his own failures. But the manager is on his way for a rude awakening, he will be taught a lesson: don’t judge a book by its cover. The athlete won’t be the depressed, anxious, submissive and passive “boy” any longer. Moreover, he listened carefully to the chief of security: (chapter 69), so at some point he will remember their statement and discover the deception.
Metamorphosis and Reorientation
The square cake (chapter 69) signifies the champion’s true nature: disciplined, resilient, seeking truth. Its rigid, geometric shape symbolizes structure, balance, and clarity—reflecting his desire to make sense of his chaotic circumstances and reclaim control over his life. Unlike the circular or layered desserts of the others, the square form suggests a grounded and introspective mindset. It serves as a metaphor for his ongoing transformation: moving away from being a tool for others and toward becoming a fully autonomous individual with his own moral compass and emotional center. Kim Dan, symbolized by a circle, represents softness, unity, emotion. In Chapter 69, we see Jaekyung internalize this through the reflection in his pupil—a circular form. His new “center” is no longer the belt, the rank, or the applause. 
(chapter 69) It is Kim Dan.
This shift is not just emotional but philosophical. Unlike the CEO and Park Namwook, who treat time as currency and rush through everything, Jaekyung is now learning to be present. He no longer wants to fight to survive or prove something. The ring, once a battleground, could become a place of meaning again—but only if he fights for something real.
Geography and Time
Symbolism blends into geography. Jaekyung now lives in a small town on the northwest coast of South Korea. His journey from Seoul takes hours— 
(chapter 69) he leaves during the day and arrives by night. 
(chapter 69) This spatial detachment echoes his emotional separation from MFC and its toxic grip. Distance, both literal and figurative, is now his strength. The fact that he chose to return to the little town outlines that he is now considering that place as his “home” and not the penthouse. He is not realizing that his true home is doc Dan.
Conclusion
The Sweet Curse of the Round Table is a tale of control masquerading as diplomacy. The round table offers no true equality; it is a trap dressed as tradition. But Jaekyung, scarred yet evolving, is no longer fooled. His eyes have found a new center—not in gold belts or rankings, but in the quiet presence of someone who sees him as human.
And as the “blue knight,” he may one day bring other fighters to a new table—not to be ruled, but to share in a dream grounded in truth, not gold.
Interestingly, visual foreshadowing appears as early as Chapter 32. 
(chapter 32) During Kim Dan’s lunch with Choi Heesung, the floor beneath their round table shows a twelve-petal flower motif—evocative of the legendary Knights of the Round Table, who were said to sit twelve strong. That earlier scene featured Heesung testing Dan, much like the fake round table later hosts a veiled test for Joo Jaekyung. The repetition of round tables masks exclusion and betrayal. These early “false” tables pave the way for a true table—one that Jaekyung might one day forge with fighters like Heesung, Potato, Oh Daehyun, and others, where loyalty and respect, not manipulation, define the bond.
For now, he eats dessert with devils. But he no longer hungers for their approval.
PS: I am suspecting that the proposed “fight” will take in Europe, but not in Italy, rather in Germany or France. Angelo should appear later as the last match.
Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 66) they saw it as further confirmation of their perception—reinforcing the idea that he is terribly flawed. However, a deeper analysis suggests that this term reflects not just his character but also his evolving mindset and struggle with emotional vulnerability. This essay will explore the paradox at the heart of their dynamic—how both men refuse to acknowledge the emotional weight of their relationship, leading to a cycle of denial and misperception. It will examine how the concept of the jinx evolves, the continued influence of Park Namwook’s manipulations on Joo Jaekyung, and the role that mutual ingratitude plays in their emotional stagnation.
(chapter 2) This belief system dictated that, no matter what, he had to have sex with a man before every match—reinforcing the illusion that he could manipulate fate through repetition. The identity of his partner was irrelevant; what mattered was the act itself, which he perceived as a necessity rather than a choice. This routine provided him with a sense of control, but it also underscored a fundamental reliance on external factors rather than his own abilities. In Chapter 65, however, a subtle shift occurs. While the champion has not dropped his belief yet: 
(chapter 65), the nature of his principle has changed: 
(chapter 65)The athlete is admitting his dependency on doc Dan. The jinx is now directly tied to Kim Dan, not just as a concept but as a tangible element of Joo Jaekyung’s career stability. The second switch is that sex is no longer a condition to ward off bad luck. In fact, the celebrity is recognizing the importance of his daily training and, as such, his hard work. 
(chapter 65) The inner thoughts of the sportsman reveal that the champion is feeling less powerless than before. His champion status is no longer reliant on superstition but on tangible efforts—his “old routine” and, crucially, Kim Dan’s expertise as a physical therapist. This marks a significant transformation in his perception of Kim Dan, whom he now values for his professional skills rather than as a mere tool for maintaining a ritual. Thus, Joo Jaekyung should be less inclined to request Doc Dan’s sexual services. Then, in episode 66, a new change became visible.
(chapter 11), a tool to generate money and maintain the gym’s reputation. Hence he blames him, when members leave the gym. 
(chapter 46) The manager used the incident with Seonho to justify the desertion of the other athletes. However, it is clear that some left the gym because they didn’t become successful like Joo Jaekyung. However, their lack of success is explained by their lack of talent 
(chapter 46) exposing the lack of ambition and commitment from the two hyungs. It is clear that Joo Jaekyung’s wealth and fame was used to attract the sportsmen creating a myth that they could experience the same success. Nevertheless, as time passed on, the fighters were confronted with reality. It was, as if the athlete’s achievement had become a curse for Team Black. Nonetheless, neither the manager nor the coach can admit it, the champion’s bad temper is utilized to cover the mismanagement within the gym. Striking is that by portraying the protagonist as a person with a bad temper and personality 
, (chapter 9) the manager and his colleague described their boss as defective. The contrast between Joo Jaekyung’s perception of ‘defect’ and the coach’s view of him as a ‘maniac’ is particularly telling. When the protagonist refers to Kim Dan as having a defect, there is an implicit acknowledgment that something can be repaired or improved. In contrast, Park Namwook’s statement about ‘handling that maniac’ suggests that the star is beyond fixing—someone who must be tolerated and controlled rather than understood or helped. This fundamental difference in perspective reveals how deeply the manager has shaped the champion’s self-perception, reinforcing the idea that he is nothing more than a force to be managed rather than a person who can change or grow.
(chapter 54) 
(chapter 66) His presence is necessary to maintain the “myth” alive. 
(chapter 66) In calling Kim Dan ‘defect,’ Joo Jaekyung is unknowingly projecting his own self-perception onto him. The term suggests something broken but also something that can be repaired, reflecting an unconscious shift in his perspective. Instead of simply using Kim Dan as part of a superstition, he is beginning to see his vulnerability, perhaps even recognizing a parallel to his own struggles. His choice of words also reveals his deeply ingrained belief in self-reliance. 
(chapter 66) Kim Dan’s nighttime distress contradicts this principle, as it suggests an inability to be alone. This mirrors Joo Jaekyung’s own realization in the garden 
(chapter 66) Nevertheless, the idiom (“he’s got a defect”) reveal that Joo Jaekyung is still under the manager’s influence. This means that this shift is not immediate or conscious; it is restrained by his continued loyalty to Park Namwook and his ingrained avoidance of emotional vulnerability.
(chapter 60) This scene represents the exception. For the most part of the time, the star only visited the gym because Park Namwook had contacted him. 
(chapter 54) 
(chapter 66) Striking is that by each meeting, the champion was alone with the manager. The latter was no longer followed by coach Yosep. It was, as if Park Namwook wanted to have some privacy with the celebrity. However, through this contrast, Jinx-lovers can detect a certain MO from the manager: he is isolating the champion, limiting his interactions with other members. This explicates why he remains a pivotal force in Joo Jaekyung’s stagnation. 
(chapter 66) Yet, just moments later, he tells him that he can take more time to rest, as if feigning concern. This contradiction is striking because it exposes his underlying agenda: he wants Joo Jaekyung back in the gym but doesn’t want to appear forceful. Instead, he makes it seem like Joo Jaekyung is the one making the decision, fostering guilt by implying that his long absence is unnatural.
(chapter 52) His sudden shift—acting as though the champion is no longer himself—reveals his inconsistency. When Joo Jaekyung was compliant, he was simply a reckless athlete with an attitude. Now that he is exhibiting autonomy, Park Namwook implies that something is wrong with him. It was, as though he was missing the old version of the champion. 😂 But this is what he complained about him in the past: he was a workaholic! 
(chapter 27) This double standard highlights Park Namwook’s true role: he is not a supportive figure but a handler, ensuring that Joo Jaekyung remains under control and fulfilling his duties as a fighter. His words are not meant to provide genuine support but to keep Joo Jaekyung tethered to a system where his worth is defined solely by his success in the ring. 
(chapter 54) or (un)favorable interviews about the athlete. 
(chapter 54) 
(Chapter 57) As a manager, Park Namwook’s role involves overseeing Joo Jaekyung’s career, securing contracts, and ensuring his reputation remains intact. Yet, as seen in Chapter 66, his actual concerns seem remarkably narrow in scope. 
(chapter 50), preferring instead to remain passive so that any negative outcomes can be blamed on the champion. At the same time, this passivity helps him maintain control—as if Joo Jaekyung, without his guidance, would be left ‘alone’ and directionless. In this way, the man with the glasses sustains a dynamic in which the champion feels dependent on his presence, even as he is subtly undermined. By neglecting to inform him of these events, Park Namwook ensures that the champion remains unaware of external factors that could influence his choices. This pattern reinforces the possibility that Park Namwook was aware of the meeting with Choi Gilseok and deliberately ignored it, likely expecting that Joo Jaekyung would take care of it, while absolving himself of responsibility. 
(chapter 66) This hesitation stems from deeply ingrained beliefs about relationships and fidelity. His loyalty to Park Namwook prevents him from fully confronting the possibility that his manager may not have his best interests at heart. Moreover, his own emotional repression makes it difficult for him to recognize his evolving dependency on Kim Dan as something beyond physical necessity. 
(chapter 22) They had heard about his place, for the manager must have talked about it. The protagonist is not someone who will talk about his private life to others. The manager must have dangled promises in front of them, making them believe that if they’re lucky enough, they too could live like the champion. However, their reactions reveal something crucial—they are not motivated by greed but by genuine admiration. They simply want to experience the luxury once in a while, reinforcing that their bond with Joo Jaekyung is rooted in camaraderie rather than material envy. This further highlights the contrast between Park Namwook’s manipulation and the sincere regard his teammates have for him. This scene is important, because it exposes the manager’s prejudices and lack of discernment. 
(chapter 46) Not everyone is the same and more importantly like him! It is clear that the man is projecting his own principles onto others and in particular onto the champion. 
(chapter 66) Neither of them fully understands how to acknowledge care or support. Just as Joo Jaekyung struggles to recognize his actions as stemming from concern 
(chapter 66) rather than routine, Kim Dan fails to see Joo Jaekyung’s interventions as genuine help. This mutual misunderstanding deepens the emotional rift between them, ensuring that both remain trapped in their own perceptions of obligation rather than connection. In Chapter 66, he openly expresses frustration, stating, 
(chapter 66). This moment highlights a rare glimpse of honesty: he is not acting purely out of self-interest, but he frames it as an obligation rather than a choice. From my point of view, such a statement could only reach the physical therapist’s mind, for in the latter’s eyes, the champion has always been a “demon”: self-centered and inconsiderate. Observe the absence of reply from the “hamster”. He couldn’t contradict the star, as the latter was using this negative image: bad tempered and selfish.
. The reason is simple. He was portrayed as someone who would do favors to people constantly: his grandmother 
(chapter 53), the manager 
(chapter 7) and even Choi Heesung. Hence the latter called him like that: 
(chapter 30) Kim Dan’s perception of himself as an “angel” has long shaped the way he interprets his relationship with Joo Jaekyung. Reinforced by his upbringing and Park Namwook’s subtle manipulation 
(chapter 36), he has unconsciously placed himself in a position of moral superiority. He is the patient, understanding figure, while Joo Jaekyung, in contrast, is violent 
(chapter 1), selfish, and emotionally stunted. However, this self-perception is deeply flawed. By believing himself to be inherently better 
(chapter 64) than the champion, Kim Dan avoids confronting his own emotional repression, his weaknesses, and his own form of “defectiveness.” He fails to see that he is just as human—just as fragile—as the man he silently judges. 
(chapter 66) The expression “Really…?” is not just about disbelief but also about a moment of confrontation with reality. Up until this point, Kim Dan has been dismissing his own suffering, suppressing his struggles, and functioning on autopilot. However, hearing a professional confirm that he is indeed sick forces him to acknowledge what he has been denying.
(chapter 60) or exaggerations. 
(chapter 66) It also forces him to consider that others—especially Joo Jaekyung—were right to be concerned, which in turn may lead to a shift in his perception of the champion’s actions.
(chapter 20) with shame, something impure that should be avoided or hidden. This internalized belief made it difficult for him to separate his own experiences from moral judgment. When he encountered the champion —who treated sex as nothing more than a professional ritual 
(chapter 66) He assumed once again that the star had taken advantage of his “drunkenness”, something Kim Dan had done himself in the past.
(chapter 65) Symbolically, this reflects their respective journeys. The demon (Joo Jaekyung) is slowly leaving the underworld of detachment and blind routine, stepping toward vulnerability. Meanwhile, the angel (Kim Dan) is descending from his idealized, self-righteous perception of himself, recognizing his own flaws, desires, and limitations. Both must step away from their extremes—Kim Dan from his unconscious moral superiority and passive victimhood, and Joo Jaekyung from his emotional repression and transactional mindset.
(chapter 40) , while Kim Dan, conditioned by years of emotional neglect, sees gratitude as a transactional exchange rather than an expression of genuine appreciation. 
(chapter 66) because Kim Dan does not recognize his efforts, while Kim Dan cannot see past his own survival instincts to notice that Joo Jaekyung’s actions are slowly shifting from obligation to care. Kim Dan, conditioned by years of neglect and survival-driven thinking, does not see Joo Jaekyung’s actions as genuine care. 
(chapter 66) And the latter can see beyond the appearances. 
(chapter 36), his tendency to retreat rather than challenge his own doubts 
(chapter 36), and his overwhelming fear of disappointing others 
(chapter 51) are all reflections of these internalized obstacles. Recognizing them as external impositions rather than intrinsic truths is the first step to breaking free. That’s the reason why in the reflection of the broken mirror, you can detect an open window in the background. By focusing too much on his reflection, the physical therapist is trapped in his own negative world. One could perceive it as the opposite version of Narcissus. Yet rather than falling in love with his image, he sees only his flaws, reinforcing his belief that he is unworthy. The open window suggests an escape, a possibility for change, but the problem is that the main lead is too fixated on his shattered self-perception to pay attention to his surroundings. Hence he comes to neglect his own body and people next to him.
(chapter 54) suggests he too is haunted by such internalized voices. Under this new light, you comprehend why I wrote in the introduction that the broken mirror was mostly alluding to the doctor. Both protagonists are suffering from mental hurdles, trapped in a psychological prison. The significant difference is that while Kim Dan is consciously recognizing his self-doubt 
(chapter 62), Joo Jaekyung does not. The evidence for this interpretation is the champion’s nightmare: 
(chapter 18) the doctor 
(chapter 25) Therefore the physical therapist bought books. Moreover, we should consider this argument 
(chapter 45) as a revocation of the star’s statement in episode 18. Kim Dan was no longer perceived as a tool, but as a real physical therapist. On the one hand, this request boosted the “angel’s ego”, on the other hand, he was put under immense pressure, for he was compared to his colleagues. 
(chapter 45) Since in Seoul, Kim Dan has only been hired because of sex (Joo Jaekyung, the perverted hospital director)
(chapter 6), he came to accept that he was not truly talented. The champion had no trust in him and later, the word jinx triggered a repressed bad memory. 
(chapter 62) Due to his bad past experiences, he concluded deep down that his CV was not reflecting the truth. 
(chapter 56) That’s the reason why he was devaluing himself and as such not looking for a high position.
(chapter 48) exemplifies this pattern: 
(chapter 48) It was not the right time. He assumed his voice held no weight, reflecting years of learned helplessness. It shows how Kim Dan internalizes responsibility for things beyond his control. He thinks that withholding information is an act of protection rather than avoidance. Yet in doing so, he denies himself agency in his own life.
(chapter 62) completely devastated Kim Dan’s already fragile self-esteem. 
(chapter 62) First, he considers himself as waste. While in the past, he was at least a tool, he is now garbage. Hence his feelings are “trash”. 
(chapter 62) This means that in episode 62, he felt worse than in episode 18! The idioms “trash” and “waste” revealed the doctor’s own self-perception in episode 62: he saw himself as totally useless. He belonged to the “wastebasket”, just like the golden key chain. 
(chapter 46) Thus I deduce that the fate of this item echoes the doctor’s. 
(chapter 47) He had selected this profession because of her. This shows that until now, he has never developed any ambition on his own. The loss of faith from someone he relied on for motivation made him feel completely worthless. This reinforces that his confidence and sense of direction were never self-sustained: they depended on others’ recognition. This pattern suggests that Kim Dan has never truly asked himself what he wants. His entire existence has revolved around meeting expectations, whether from his grandmother, Joo Jaekyung, or even his profession. His current crisis—feeling like waste—stems from the realization that without someone to validate his worth, he sees himself as nothing.
(chapter 59) However, observe that he is using the expressions “do” and “now”. This has nothing to do with the future and dreams. It is not a reflection on his own desires but rather an immediate reaction to his circumstances. His mindset is still trapped in survival mode, seeking a course of action rather than contemplating what he truly wants. His words reflect an urgency to act rather than an opportunity to dream. This highlights that he has spent his entire life making decisions based on necessity rather than personal fulfillment. Even when faced with uncertainty, he does not ask himself what he wants—only what he must do next. His transformation will only be complete when he begins to question not just how to survive, but how to live on his own terms. That’s how I realized why Mingwa put this question in front of the window covered with Venetian blinds [which made me think of this scene 
(chapter 39 – Venice, a travel to Italy]. The window with the Venetian blinds represents a metaphor for the doctor’s trapped dreams. This interpretation made me recognize another aspect. Kim Dan is pushed to meditate, when he is front of a window or better said close to the sky! Hence the hamster started thinking about his own future in the penthouse 
(chapter 19) or when he looked at the sun and sky: 
(chapter 41) 
(chapter 41) And the best evidence for this interpretation and expectation is doc Dan’s cellphone screen display. 
(chapter 38) My avid readers will certainly recall that clouds embody dreams! Why? It is because in verity, doc Dan is a dreamer, an ambitious man. What caught my attention is that his contact Joo Jaekyung was not saved with a picture!! And what had motivated Kim Dan in the past? 
(chapter 47) The picture from his childhood: himself with his grandmother. 
(chapter 66) But the latter was not related to work, but to fun and nature. Striking is that Joo Jaekyung has an empty phone screen display indicating that he has no real dream on his own either: 
(chapter 38) No wonder why he questioned the meaning of his champion title: 
(chapter 54). He saw the belt as something rather “meaningless”. 
(chapter 43) This would boost the doctor’s self-esteem. He is not trash, but an acknowledged fan and friend. The picture would encourage the physical therapist to develop his own ambitions. As soon as I made this discovery, another detail caught my notice: 
(chapter 66) The celebrity has no picture of Park Namwook in his contacts divulging the superficiality of their relationship. 
(chapter 42) The problem is that the athlete took this recommendation personally. He felt as if his job as fighter was questioned. 
(chapter 42) As you can see, the doctor’s hesitations were exposing his mental obstacles, which was reflected in the champion’s attitude. No wonder why doc Dan chose to become a courier as a second job instead of finding a new VIP client. While the interaction between the athlete and Kim Dan in front of the hospice display the return of doc Dan’s past mental hurdles:
(chapter 62) According to the main lead, the champion is “wasting his time here”. 
(chapter 62)
(chapter 57) Hence it is clear that in the future, the physical therapist would refuse to use any kind of spray. On the other hand, it is important to recall that back then, Joo Jaekyung had made the request himself: 
(chapter 49) So in the doctor’s mind, if he agreed to the champion’s request, he would be treated like in the past. He would have to simply to follow the athlete’s lead. That’s why he is imagining that he might be put in a similar situation than in the past. But there exists another reason why he refused the champion’s offer right from the start. It is because he has always perceived himself as “hands” which stand for selflessness and generosity. The latter defined doc Dan. Hence he looked at them, when he declared himself as a tool: 
(chapter 57) 
(chapter 1) with a previous PT like the spray? No wonder why he called himself “trash” in the end. 
, people might wonder why I selected dandelions as a frame for the selected.. It’s clear that the dandelions aren’t just there for aesthetic balance. Their symbolism is profound. Dandelions are often associated with childhood innocence, wishes, and fleeting moments of beauty, yet they also wither quickly, easily scattered by the wind. In the context of Jinx, they represent a transitory force—something that struggles to take root, much like the intangible and fleeting elements in Kim Dan’s life. But there’s more to it. Before delving into deeper analysis, consider this: what is the common denominator in all these scenes?
(chapter 37) Therefore it is not surprising that the main lead couldn’t view the members as friends in the end. 
(chapter 41) And now, you comprehend why Joo Jaekyung has always disliked his birthday and the “congratulations” from people in general. The gifts and words were like poisoned praises to his soul. They were pushing him to live like a “god”. 
(chapter 45) Kim Dan’s only adult photograph, taken with Choi Heesung and Potato, ties into his professional world, reinforcing how his identity has always been defined by what he does rather than who he is. 
(chapter 59) While this photography was not a personal and intimate picture, it also symbolizes his first root in the little community: Light of Hope Hospice. He is part of the staff and as such of the little town. On the other side, we could say, he is gradually entering the scene as a PT. Note the contrast to the food truck: 
(chapter 30) In other words, it exposes the actor’s hypocrisy and wrongdoings. And now, you understand why I wrote genuine in parentheses above [proof of (genuine) human connection]. Photography in Jinx also represents the evidence of wrongdoing 
(chapter 46) The exact opposite of the dandelions.
(chapter 62) This shows that deep down, he desires to obtain doc Dan’s gratitude. No wonder why he got so upset after hearing the displeased comment from Kim Dan. 
(chapter 66) reveals Kim Dan’s elevation in the champion’s life. The dressing room symbolizes privacy and closeness. No longer seen as a mere tool, Kim Dan has become an integral part of Joo Jaekyung’s world, not because of what he can do but because of who he is. 
(chapter 66) Therefore the champion is holding the expensive gift with his whole hand contrary to the past: 
(chapter 55) As a conclusion, by bringing him to the sleep specialist, the star proved doc Dan’s words wrong! He told him something that doc Dan didn’t know: he is precious. He needs to pay attention to his health and body.
(chapter 32) And now, you comprehend why the athlete didn’t fall for Park Namwook’s manipulations afterwards.
(chapter 7) 
(chapter 65) At the same time, such a disapproval 
(chapter 1), hence his true desire was to run away from that place. For praise to be effective, the recipient must be open to receiving it, either by looking forward to feedback or having expectations of validation. Since Kim Dan was in a state of distress, he was unable to internalize the champion’s words, reinforcing his long-standing belief that he was invisible or unworthy of acknowledgment. That’s how the champion’s praise became a dandelion seed in the end.
(chapter 65) or a smoker, hiding his sacrifices and the true causes for his struggles. Her words reinforce the idea that Kim Dan is only as good as his usefulness, that love and recognition are earned through labor, not freely given.
(chapter 18) 
(chapter 45) 
(chapter 64) 
(chapter 66) Is this a joke? 
(chapter 40) However, Kim Dan has never realized it. Either he was sleeping or totally out of it (fear of sex) 
(chapter 27) It is important to recall the importance of the receiver’s mind-set. The latter has to perceive the sincerity from the speaker. Hence I come to the following deduction: The moment Kim Dan notices Joo Jaekyung’s smile and laugh, then he should come to the conclusion that he matters to the protagonist. I would even say, the two protagonists are destined to make each other laugh and smile: 
(chapter 44) This would be the best “compliment” for both of them. With Kim Dan by his side, Joo Jaekyung desires to make “jokes”. 
(chapter 58) The friends ignored the main lead’s emotions and struggles. In order to be able to have fun, both main leads must be freed from their past and low self-esteem. 
(chapter 65) At first glance, the grandmother’s wheelchair and the ocean seem to represent opposing forces, yet they also reveal a complex relationship between power and vulnerability. Thus in this analysis, I will explore how these elements, rather than simply contradicting each other, might actually reflect a struggle to find balance between dependency and independence.
(chapter 65), yet her portrayal of him seems unexpectedly harsh—emphasizing his flaws (smoking, drinking). 
(chapter 65) This description stands in opposition to the gumiho’s statement: he was an angel. 
(chapter 65) Is she genuinely worried for him, or is there a hidden motive behind her request to send him back to Seoul? And why does Joo Jaekyung, usually so straightforward, respond with silence and hesitation 
(chapter 65) or with shock? 
(chapter 65)
(chapter 65) His bare feet on the cold ground 
(chapter 65) suggest a longing for freedom, yet the direction of his steps remains uncertain. Whereas these walks reveal about his inner struggle, they don’t reveal the destination of his nightly strolls. Where was he going during that night? Was he going to the ocean—vast and untamed— like in episode 59, 
(chapter 65) or had his destination changed? These questions will be answered in the second part. 
(chapter 65) This destination reflects the athlete’s desire and mind-set. He likes this place because it is quiet. 
(chapter 62) From my perspective, the man has now internalized the beach to nature and privacy. Striking is the way Mingwa introduced the scenery. First, she focused on the wheel and Joo Jaekyung’s feet. 
(chapter 65) The contrast between the creaking wheels of the grandmother’s wheelchair and the steady steps of the champion immediately establishes the theme of control versus freedom. The wheelchair’s wheels represent civilization, immobility, passivity, and the grandmother’s obsession with control—over her own fate 
(chapter 65) In fact, she is just looking ahead of her. The “nice little town” is reduced to the pathway next to the beach. This observation exposes her narrow-mindedness. Because she is not truly admiring the place, I feel like she is praising the town more based on her childhood memories. This explains why she mentions her youth afterwards. Moreover, the fact that she employed the expression “isn’t it” with her description, reveals her tendency to lead the conversation. It was, as if she pushed the young man to agree to her claim. The irony is that she didn’t even wait for his reply. She explained why she was so fond of the place: her childhood memories. In her eyes, because her companion didn‘t spend his youth here, he can not connect to this town, overlooking that people can create new memories anywhere. Moreover, they are not obliged to live in the same town their whole life or to live where they spent their childhood. In other words, this frail lady has no real notion of time as such. I would even say, her gaze is not truly directed in the present or the future, she is rather obsessed with the past.
(chapter 59) The contrast between these two images—one of the halmoni accompanied by Joo Jaekyung and the other of Kim Dan sitting alone by the ocean—exposes the stark difference in their emotional worlds and the dynamics of control and isolation that define their lives.
(chapter 65) The sunlight high in the sky bathes the scene in brightness, suggesting a façade of warmth and clarity. This lighting aligns with the halmoni’s belief that she can influence Kim Dan through the champion, using Joo Jaekyung as an intermediary to extend her authority. The fact that she is in a wheelchair, however, subtly contradicts this impression of power, revealing her true state of passivity and reliance on others to act on her behalf. The ocean, tamed by the pathway, symbolizes her attempt to domesticate nature— 
(chapter 65) just as she tries to domesticate Kim Dan’s emotions and decisions. At the same time, it exposes that the champion is still far away from his true self, but he is getting closer to become “reborn”. 
(chapter 65) the same illusion that the high sun implies. The latter can not shine if there are clouds. 
(chapter 59)
(chapter 57) By telling him that he had no ties here, she effectively erased their shared past and portraying him as a stranger in the very place she calls home. Thus I deduce that she is aware that she is racing against time. The longer the athlete stays in that place, the lower are the chances that her grandson will leave this town. She has to ensure that Joo Jaekyung doesn’t feel like settling here. I don’t think, she heard about the athlete’s involvement in the little town, for her only source of information comes from the staff 
(chapter 65) and the residents from the hospice. She has no connection to the town chief and other inhabitants. This exposes how small her world is and little her knowledge is. However, her ignorance doesn’t make her an innocent “lady”, quite the opposite. – Don’t get me wrong, I don’t see her as a malicious person, just as a selfish person suffering from Peter Pan Syndrome. 
(chapter 65) Here, she claims that she only knows about the sportsman’s job thanks to the patient next door. However, she is lying, because she watched his match in the States. 
(chapter 41) The irony is that she is not realizing that she is showing her true colors. 
(chapter 21) In episode 21, the halmoni’s description of the champion as a “good friend” was, in hindsight, a superficial and self-serving characterization. At that time, she likely saw Joo Jaekyung as someone who could be beneficial for Kim Dan’s financial situation without truly caring about who he was as a person. Her interest in him was more about what he represented—a source of money and stability—rather than any genuine appreciation of his character or the impact of his presence in Kim Dan’s life. Thus she said this in front of the ocean: 
(chapter 65) If he was a good friend, then why didn’t she show more interest in him before? It is because she needs him now. Yes, this woman is a good-weather friend in the end. The term “good-weather friend” refers to someone who shows interest, support, or kindness only when it is convenient for them or when they stand to gain something. Hence she goes outside, when the sun shines. This perfectly encapsulates the grandmother’s attitude towards Joo Jaekyung. But it is the same with the champion. He only visited her, 
(chapter 61) Yes, the conversation at the beach played an important role, for Shin Okja’s behavior serves as a distorted mirror to Joo Jaekyung’s actions and mindset, exposing the flaws and contradictions in both. When she voiced this wish 
(chapter 22) he acted out of a simplistic view of good deeds—believing that financial support alone could resolve problems and fulfill his moral obligations. His subsequent failure to visit her again reflects his tendency to distance himself emotionally once he has performed what he sees as his duty. This is reminiscent of his behavior towards Kim Dan: helping him materially but avoiding deeper emotional involvement or responsibility.
(chapter 65), much like how Joo Jaekyung likely saw himself when paying her bills—believing that fulfilling a material need is equivalent to showing genuine concern. Park Namwook is a representative of this mind-set too.
(chapter 65) is a way to offload responsibility for doc Dan while maintaining an image of concern. Both display a form of care that lacks true depth.
(chapter 62) Both avoid the emotional accountability that comes with their actions, preferring to distance themselves once a material obligation (debts)
(chapter 60) is fulfilled.
(chapter 22)
(chapter 57) This displays that she is not entirely honest. She is not reaching out to Kim Dan in the end. Her excuse is that he refused to see a doctor
(chapter 65), but so far we never saw her making such a suggestion. It is possible that she jumped to this conclusion because she heard about this incident: 
(chapter 60) If my assumption is correct, the woman didn’t realize that this rejection was linked to Joo Jaekyung’s intervention. So if she had talked to her grandchild himself, she could have had an impact… But they are actually avoiding each other. One thing is sure: the absence of communication and avoidance between these two family members reinforced the doctor’s suffering. Imagine the consequences of her request: she is preferring locking him up in a hospital receiving drugs than giving what doc Dan has been longing: warmth, love and a home. 
(chapter 65) where both were happily smiling. The picture is the evidence that she could make Kim Dan smile despite their poverty. Moreover, it is important to recall that she introduced Kim Dan as an orphan from birth: 
(chapter 65) According to my hypothesis, this image 
(chapter 19) is linked to the doctor’s abandonment and betrayal. I have to admit that her attitude and words reminded me a lot of the director Choi Gilseok’s offer. 
(chapter 48). Both the halmoni and Choi Gilseok embody betrayal and the theme of acting behind the back 
(chapter 48) mask a deeper betrayal. His real aim was never to assist but to control, using offers of support as bait to tie Kim Dan into a powerless position. The parallel between his proposition to Kim Dan—promising a better life in exchange for leaking information and compliance—and the halmoni’s push for Seoul’s hospitals underlines their shared strategy: make the target believe they have a choice, while the outcome is already decided. The fact that Heo Manwook, who collects Kim Dan’s debts, called Choi Gilseok “hyung” further hints at a deeper conspiracy, suggesting that the offer might have been a tool to ensnare Kim Dan from the start. He would have committed a crime (illegal drugs).
(chapter 62) That’s the reason why he was seeking the grandmother’s support. He was hoping that she could influence him. But what he hears, shocks him: 
(chapter 29) He had even advised to think of himself first. As you can see, the fact that the two characters were just sitting next to each other reinforces my previous interpretation about the conversation. The grandmother was the one who had been leading the conversation, there is no real exchange of thoughts. In episode 29, the champion refused to accept the doctor’s help and suggestion. That’s the reason why I am more than ever convinced that the star won’t listen to the grandmother.
(chapter 53) and watch the ocean with her grandson 
(chapter 53), but they never did it. Why? One might respond that she refused to do it. 
(chapter 57) But it is only partially correct. The doctor only suggested this walk to the ocean much later, when he was already suffering emotionally. This means that the grandmother would have not been able to enjoy this walk. Yes, the timing played a huge role. In fact, she confessed her crime to the star: 
(chapter 53) She never had any intention to spend some time with him. Notice the personal pronoun “we” vanished. It is only about her request: “I wanted to see the ocean”. This means that at the hospital, she never had any intention to keep Kim Dan by her side. She employed the “with you, we” in order to achieve her goal. She acted, as if they were a family. She used her illness for her own advantage. In my opinion, her request was an excuse to avoid to return to the old broken home. For her, home is a place and not a person. Therefore she couldn’t love Kim Dan properly. Her “I’m so sorry” was actually fake. She had only thought of herself… She never thought of her grandson’s future at all. This observation corroborates my previous statement: she is unable to plan for the future. What only matters to her is the past or the present. Why? It is because she doesn’t want to be plagued by remorse or regrets. And now, she is doing it again with the champion. Using emotions and fragility for her own benefits. The paradox is that this is something Joo Jaekyung has always feared his whole life. Nonetheless, he doesn’t react so violently like in the past: rejection or outburst. One might say the reason is that she is weak and terminally ill.
(chapter 65) However, I believe that her words reached the champion’s third eye. The latter was not focusing on the grandmother, but on his fated companion. He was trying to understand why he had changed. This question was already on his mind before: 
(chapter 62) And notice that the words from the grandmother 
(chapter 62) Once he has achieved his goal (reclaim his champion title), they will depart from each other. He would treat the doctor the same way than the grandmother! No wonder why doc Dan is getting angry and rejecting the offers from his destined partner. IT is only about his own selfish desires and not about doc Dan’s future and desires. Both have a similar mind-set: they don’t know what doc Dan plans to do with his life and the future…. And it shows that Joo Jaekyung was imitating the grandmother, though this suggestion was born from the following thought. Since Doc Dan was no reluctant to work for him, he imagined that maybe he would still accept to work for him for a limited time. But that’s not what Kim Dan is looking. He is longing for a home and at the same time for freedom.
(chapter 65) The points of suspension are indicating that he is meditating on her words and suggestions. This stands in opposition to his past behavior where he got manipulated so easily. 
(chapter 36) The reason for this huge metamorphosis is that because of the lavender-tinted night, he learned to control his emotions. 
(chapter 65) According to her, Kim Dan has never introduced her to any of his friends. The celebrity would be the exception! But she is lying here. How so? Joo Jaekyung introduced himself to her on his own. It is because he answered a call from the nurse. 
(chapter 21) It happened behind doc Dan’s back in the end. The latter was sick, but the old lady didn’t seem concerned. The second lie is this statement which is exposed with the memory:
(chapter 65) Here, note that the little boy is wearing the same clothes than in the doctor’s nightmare. 
(chapter 57) She claims her ignorance why the little boy acted like an adult at such a young age. The reality is that she hasn’t forgotten the incident at all. This explicates why she confessed this to the “wolf”: 
(chapter 30) a sign that she was never a source of embarrassment for him. 
(chapter 47) Her refusal to address these deeper issues reveals that her sacrifices were less about genuine care and more about maintaining her self-image as a righteous guardian. 
(chapter 18) What caught my attention in her revelation is her lack of enthusiasm for her own grandson. 
(chapter 65) “Is he that good?” exposes a lack of faith in her grandchild, a remark which caught the athlete by surprise. For me, he unconsciously sensed this negative aspect. 
(chapter 65) While this image is actually humorous, the grandmother’s words don’t match her body language. She is not showing any joy or smile. Therefore I comprehend why Kim Dan was so hurt by the champion’s behavior: 
(chapter 65) I am suspecting that deep down, she wants him to shine for her own peace of mind. 
(chapter 61) Finally, it is important that the athlete never agreed to her “demand” or suggestion. 
(chapter 62) He now includes his entire routine with Kim Dan—not just sex, but also his physical therapy and treatment—as part of this so-called jinx. This shift is crucial because it implies an unconscious recognition of Kim Dan’s significance in his life. What once was purely about his career and success has now expanded to include a specific person and their role in his well-being.
(chapter 62), the doctor’s memory got triggered. Because of his past experiences, he has long associated the jinx exclusively with sex. This contrast in understanding highlights both Jaekyung’s lack of self-awareness and Kim Dan’s tendency to filter reality through his own expectations and trauma. However, the deeper significance lies in Jaekyung’s evolving perception of dependency. His jinx is no longer just a superstition tied to his performance in bed. It now subtly acknowledges that his success has been intertwined with Kim Dan’s intervention. 
(chapter 61) By entrusting his care to Kim Dan, he was insinuating that the main lead was trustworthy and competent, yet his inability to verbally express appreciation keeps the doctor unaware of his true feelings. This struggle resurfaced in front of the hospice, where Jaekyung could only bring himself to admit that Kim Dan was not responsible for the incident with the switched spray. 
(chapter 54), where emotions were likely dismissed as obstacles. Instead, he follows only what aligns with his success: the advice of figures like Park Namwook and Yosep, who reinforce his pre-existing beliefs about strength, control, and endurance. Hence he was pushed to fight despite his ankle injury. 
(chapter 61) This rigid perception prevents him from questioning his past choices or embracing change, reinforcing the illusion that repeating past patterns will restore stability. However, as his reliance on Kim Dan grows, the boundaries between his personal and professional life blur, challenging his belief that he can control his future by clinging to his past. 
(chapter 57) and Park Namwook 
(chapter 29), then reclaiming his title cannot be the solution he believes it to be. Finally, what happens when he is forced to confront the reality that some of his past choices were mistakes – ones that he can no longer attribute to the jinx or external circumstances,
(chapter 13) because they affected the doctor’s life? 
(chapter 41) In one case, he refused to listen to his friend’s advice, whereas he trusted the words from MFC, MFC doctors and his hyung. When the foundation he has relied upon begins to crack, Jaekyung’s entire mindset is shaken, forcing him to question whether his past truly holds the answers he seeks. We could say, the athlete needs to be betrayed by his own past in order to throw his old belief. The latter is strongly intertwined with the organization MFC and authorities in general. Questioning his past equals challenging the company MFC and his past “guardians”: the terrifying ghost and even his two hyungs. 
(chapter 61), he expresses the belief that reclaiming his championship title will rid him of his headaches, nightmares, and sleepless nights. However, the reality is different—he was already suffering from insomnia long before he lost his title. 
(chapter 29) The origins of his struggles existed before his recent failures, suggesting that his belief in a simple solution—reclaiming his title—is an illusion. This disconnect reveals how deeply his professional and personal life are entangled; his need for control in the ring has masked his deeper emotional vulnerabilities. He isn’t merely striving for victory—he is chasing the illusion of stability, believing that his success is the sole factor that determines his well-being. 
(chapter 29), you will realize that alone in his penthouse, Joo Jaekyung was actually admitting the importance of sleep and rest. His earlier belief in relentless training as the key to success now clashes with his realization that exhaustion is affecting him. This shift signifies an unconscious admission that his well-being is not just tied to physical endurance but also to recovery and relaxation—something he previously dismissed. This realization subtly parallels his growing dependence on Kim Dan, reinforcing the theme of blurring lines between his professional and personal life. And what had occurred after this magical blue night in the penthouse? 
(chapter 30) The athlete woke up later than usual. In fact, he was rather late, for he was still wearing his pajamas, while the doctor had already taken his shower. But back then, observe how he opened the door! Like a clumsy beast, grump leopard! Why? In the past, I explained that he was seeking the champion’s closeness, but didn’t know how to approach his partner. I am now adding another aspect. He was actually annoyed, because he had not been following his daily routine!! Under this new light, it becomes comprehensible why the champion had such a “angry” facial expression, while deep down he was happy. The older version of this scene: 
(chapter 44) However, this means that in episode 30, he never acknowledged his dependency on the physical therapist for his rest loudly. On the other hand, it explains why the champion felt threatened, when the actor approached his “lavender-tinted pillow” or “sleeping pill”. 
(chapter 31) In fact, he used guilt to create a link between him and his roommate. That’s the reason why I am more than ever convinced that the champion will sleep better after this lavender-tinted night. 
(chapter 63) But contrary to the past, the athlete should come to recognize his lover’s great sleeping power officially. This made me laugh, imagining Kim Dan’s reaction, when the latter sees that his wish 
(chapter 62) won’t come true at all. 😉 He will stay longer and ask for Kim Dan’s presence during the night.
(chapter 62)
(chapter 56) His childhood and early adult experiences, marked by financial hardship, emotional neglect, abandonment, betrayal and powerlessness, have conditioned him to associate attachment with suffering. Because of this, he withdraws from relationships 
(chapter 56) and opportunities that could offer him security, convincing himself that he is protecting his independence when, in truth, he is reacting to past trauma rather than making an intentional choice.
(chapter 46) 
(chapter 46)
(chapter 19) She became terribly sick, while the other had to get surged and risked his career. There is no doubt that the halmoni is hiding her pain as well. Kim Dan’s declining physical and emotional state further reflects the consequences of living in avoidance. 
(chapter 61) He is endangering his life. Instead of taking action to improve his well-being, he isolates himself, refusing help even when it is necessary. His reluctance to accept care—be it medical, emotional, or relational—mirrors the very trap Delgado describes: mistaking survival for true agency.
(chapter 62) If he continues making decisions based on past fears, he will remain trapped in the same cycle, unable to experience true growth or emotional fulfillment.
(chapter 62) Here, he is actually facing his past which he has strongly connected to regret and remorse. Don’t forget that after this night, he is expecting Joo Jaekyung’s departure. 
(chapter 3), which has been the setting of power imbalances, physical dominance, and silence, the living room represents a shared space—a place where dialogue and openness can exist. But why is the bedroom linked to silence? It is because of the TV, the third invisible companion! 
(chapter 48) Hence during that night, none of the protagonists talked sincerely to each other. And now pay attention to the living room at the hostel: 
(chapter 54) He needed to get rid of this poor habit: watching TV or cellphone. He had to realize that the TV or cellphones were never real companions and never brought him peace of mind! This was the invisible “love” triangle. Back then, the athlete deceived himself by thinking that he was truly self-reliant, while in verity he was dependent on his cellphone and the TV. 
(chapter 59) Striking is that here the doctor didn’t apologize to the elderly man, but only to the family. 
(chapter 59) 
(chapter 62) – which is quite understandable in my eyes. The ones who failed the couple were the two other hyungs from my perspective. The past affected the doctor so much that he views himself and his feelings as “trash” now, yet it is clear that neither Park Namwook nor the coach are suffering from guilt or remorse. The star’s follow-up statement, 
(chapter 62) further reinforces that Kim Dan has become an integral part of his preparation. Although Jaekyung does not yet frame this as emotional reliance, his words betray an unconscious attachment—one that Kim Dan himself does not recognize. Moreover, by including him in his jinx, the champion is only one step closer to include him in his “success”. Should the doctor be the target of malicious comments, the star will consider it as a personal assault or as his responsibility.
(chapter 43) Someone needs to remind the athlete of his own “statement”. Simultaneously, since the doctor never got curious about the fighter’s past and family, his presence could only be seen as a bandage covering a rotten body. In order to heal completely, he needs to expose his traumatic past and vulnerabilities. 
(chapter 56), but about something deeper. Here he felt the need to see his beloved “companion” again. 
(chapter 27) At the same time, this confession displays that his past was far from being perfect, the evidence of a distorted memory. After working so hard for the community, he came to receive a treatment from Kim Dan: 
(chapter 62) This means that he is now treasuring his own body. No wonder why he smiled. 
(chapter 62) That’s why I come to the following conclusion: The athlete must have felt happy in the living room, for he felt comfortable and safe.
(chapter 62) But why did he show his back? One might say that he desired to hide his “satisfaction” and his “reliance” on his fated partner. Or he didn’t feel the need to watch the doctor’s facial reaction, when he would confide his new intentions and the transformation of his jinx. He didn’t expect the physical therapist to mock him for his absurd belief contrary to episode 2: 
(chapter 2) He trusted the doctor. Yet, in my opinion, there exists a bigger reason behind this change. It is related to his manager: 
The doctor is treating the star 
(chapter 22) when he is not, using his seniority and past influence to assert dominance. His attitude is related to his past decision: from his perspective, he saved the athlete from turning into a criminal. 
(chapter 26) His dependence on Jaekyung’s achievements makes him resistant to any shift in the fighter’s trajectory 
(chapter 50), allowing others to step in instead. Later, rather than addressing his inaction, 
(chapter 53), as if the past never happened. By doing so, he reinforces Jaekyung’s belief in his so-called ‘jinx,’ manipulating the fighter’s perception of events and contributing to a distorted memory of reality. Meanwhile, the manager must face the reality that change is inevitable and that Jaekyung’s evolution does not mean his own irrelevance. However, his position must change.
(chapter 59)
(chapter 5) He felt so empowered that he won very quickly. 
(chapter 5) But this good vibe was attributed to the sex with Kim Dan and unfortunately linked to his match. The reality was that he had slept better and longer. So by recreating the past, Kim Dan places the athlete in front of a choice. What matters in his life? His title or his peace of mind? He is correcting the champion’s distorted memory. Kim Dan is the reason why he can rest properly and not the title. Don’t forget that he was suggesting to go separate ways during the massage. But if he sleeps better before gaining his title, he won’t feel the urge to return quickly to the ring. In the living room, he was still acting as the celebrity, but in the bed chamber he is now gradually pushed to leave his title out of the bedroom. Now, in the bedroom he becomes a man and can almost make a mistake as a lover. 
(chapter 59) However, he needs to realize that his physical and mental recovery can only happen, if he truly wishes it. From my perspective, the doctor has to sense that he is not on his own, he has someone by his side who supports him emotionally and mentally.
(chapter 55), he evolves into someone deeply connected to others 
(chapter 62) 
(chapter 62) and, more importantly, to himself. 
(chapter 62) Thus in this essay I will explore the symbolic meaning behind his actions in the town, the interplay of nature and community in his transformation, and how these moments reflect his internal growth. The analysis begins with his transformative experience in the ocean during his rescue of Kim Dan 
(chapter 60), followed by his newfound attentiveness to his surroundings—jogging in silence and responding to the natural rhythms of life. 
(chapter 62) and community service. His gradual acceptance of simplicity, represented by his clothing and the symbolism of cucumbers and potatoes, signals his reconnection to nature and humanity. 
(chapter 62)
(chapter 60) In many ways, this moment functions as a symbolic baptism, reflecting a deeper narrative of renewal and change. In Chapter 28, Kim Dan’s immersion in water during a pool scene 
(chapter 28) was symbolic of his acceptance of intimacy, reshaping his view of sex from something “filthy” 
(chapter 29) Similarly, Joo Jaekyung’s dive into the ocean can be interpreted as his baptism into a new “religion”: love and vulnerability. 
(chapter 60) His gesture is not just about saving his loved one, but also showing care to humans in general. He can no longer be indifferent to someone in pain or in danger.
(chapter 62) He might complain, but in the end he accepts the presents. This change is reinforced by his willingness to accept gratitude in the form of vegetables and food rather than monetary gain, showing a newfound appreciation for simple, heartfelt exchanges over transactional relationships.
(chapter 60) At the time, his eyes were fixed solely on Kim Dan 
(chapter 60), not the natural world around him. The rescue planted a subconscious seed, setting the stage for his later behavior. When Kim Dan denies his assistance in Episode 60
(chapter 60), it’s as if the doctor erases that defining moment, refusing to acknowledge the champion’s care. Yet Joo Jaekyung does not react with anger or frustration. Instead, he takes the doctor’s rejection as challenge. 
(chapter 60) However, contrary to the past, money and influence seems to have no impact on the physical therapist’s mind and heart. He is keeping the athlete at arms-length. 
(chapter 61), he begins to demonstrate his growth through quiet, consistent actions—helping others without expecting gratitude in return.
(chapter 62) For the first time, he is not merely running for fitness or competition; he is paying attention to his surroundings. 
(chapter 62), and the natural rhythm of life around him. 
(chapter 62) Running along the ocean, a setting that profoundly influences his state of mind, Joo Jaekyung demonstrates a newfound openness. 
(chapter 62) This moment underscores his growing ability to connect with others sincerely, without suspicion or defensiveness. His willingness to engage reflects a broader transformation—one that prioritizes meaningful connections over dominance or transactional relationships. This newfound awareness signifies a major shift in his character. His senses are becoming attuned to the world beyond himself, and he is learning to differentiate between what truly matters and what does not. 
(chapter 10), seeing only the “overpowering stench of poverty.” 
(chapter 10) At that time, his perception was clouded by indifference and a focus on material circumstances. Now, however, his response to the elderly woman’s request reflects empathy and an awareness of human vulnerability.
(chapter 10), evoking a sense of cold detachment and judgment. In contrast, the moment where Joo Jaekyung is asked to repair the roof is bathed in daylight 
(chapter 62) Thus I deduce that he never accepted any kind of compensation in the end. But none of the inhabitants could accept such a generosity, therefore they brought vegetables or dishes. Unlike his previous life, defined by detachment and impermanence, these acts of community-oriented labor mark a significant shift in how he values his strength—not as a tool for control 
(chapter 62), but as a way to support and uplift others. The admiration from the inhabitants is genuine 
(chapter 47), she rarely prioritized Kim Dan’s nourishment. The grandmother’s actions were driven by financial survival. Joo Jaekyung, on the other hand, receives food as a form of gratitude and recognizes the significance of nourishment beyond monetary gain. 
(chapter 58) with the reality of his evolving personality and his behavior toward others. Choi Heesung’s dismissive remark that Joo Jaekyung would “flip his shit” if he knew the living conditions of Kim Dan implies a static, unchanging view of the champion, one that aligns with a superficial understanding of him as merely ruthless and violent. However, this chapter reveals the fallacy in such an interpretation, exposing the actor’s arrogance and lack of true insight into Joo Jaekyung’s character.
(chapter 23), they could have succeeded. Potato, the youngest member of the team, embodies this missed opportunity. 
(chapter 9) His nickname, “Potato,” while intended as lighthearted and affectionate, is something he despises because he perceives it as demeaning. Yet the reality is quite the opposite—nicknames like these often carry affection and camaraderie. Yet he rejects it out of insecurity or an internalized belief in its inferiority.
(chapter 52) reveal a missed opportunity for bonding. The champion, who is evolving into a more open and empathetic individual, might have been an unexpected source of support and connection had Potato not listen to others and chosen to embrace this chance instead of harboring negative assumptions. 
(chapter 61) The focus on Joo Jaekyung’s feet 
(chapter 62) The hospital or Kim Dan’s presence may provide him with a sense of stability and calmness, allowing him to adopt a more casual and relaxed appearance. Additionally, the contrast between his expensive jeans and branded t-shirt and his unassuming sandals reveals a division between his public image and private self. While his clothing aligns with his status as a wealthy and successful individual, the casual footwear hints at a simpler, more authentic side of him that is emerging in this setting. It reflects his willingness to shed some of the societal expectations tied to his identity.
(chapter 62), he is immediately approached by the town chief. 
(chapter 42), where appearances and dominance once took precedence over community and connection. 
(chapter 02) The penthouse, perched high above the city, served as a symbol of isolation and self-reliance—an ivory tower of sorts, detached from the world below. In contrast, the town’s hostel 
(chapter 62) reflects shared experiences and human connection, embodying a shift toward groundedness and humility.
(chapter 30) This evolution from animalistic aggression 
(chapter 62) “Jaegeng.” While this may initially appear as a simple mistake due to the landlord’s poor hearing, it holds deeper symbolic weight. This renaming can be interpreted as part of Joo Jaekyung’s rebirth in the town—a reflection of his evolving identity.
(chapter 54) Like mentioned above, his stay in this little town is teaching him to become immune to manipulations in the end. His self-esteem is getting boosted, hence he doesn’t mind being called “Jaegeng”. 
(chapter 62) So far, the champion has not paid attention to Boksoon. He has not even looked at her, because his eyes are always directed at Kim Dan: 
(chapter 59) Hence I have the impression, she could be the one leading him there, if not Kim Dan. Let’s not forget that the doctor’s deepest wish is to go on a walk through the woods: 
(chapter 47) Another interesting aspect is that the trip to the forest is connected to rest in the physical therapist’s mind. Striking is that though the champion helped the community, he still worked. So technically, he has never had a day’s rest either. But this is what he said to the landlord: 
(chapter 14) which visibly destabilized the champion. Then in chapter 49, Team Black failed to perceive the duality of appearances and reality: 
(chapter 49) the surface shows two athletes seemingly engaged in a normal, even friendly interaction – they are shaking hands -, while the panels reveal a darker undercurrent of verbal harassment and manipulation. 
(Chapter 49) 
(chapter 61), while Joo Jaekyung represses his emotions and thoughts through “physical activities”. 
(chapter 55) This essay will explore how their experiences in the restroom space serve as a mirror to their past and reveal the psychological scars that shape their behaviors.
(chapter 14) 
(chapter 38) 
(chapter 47) However, in Season 2, the lavatory appears isolated for the first time, reinforcing a shift in symbolic meaning. This distinction helps to explain why restrooms (toilets/water closets) hold different meanings for the two protagonists. [for more read 
(chapter 19) —a space where one is free to confront their inner selves without external pressures. In Jinx, the use of the restroom emphasizes the external pressures and the characters’ reactions to their environments, reinforcing their struggles with exposure and control. But how did I come to this realization?
(chapter 34), vulnerabilities are exposed, and participants are pushed to their limits. In the essay 
(chapter 33) This would explain why Heesung was determined to hide the physical therapist’s whereabouts. 
(chapter 58) He saw in him a bully and even a stalker. His judgment was based on these two incidents: 
(chapter 58) He imagined that Kim Dan had been coerced to it, while the physical therapist always had the choice to refuse. Joo Jaekyung would never hurt the doctor. 
(chapter 59) The imminent death of his grandmother triggered his repressed fears.
(chapter 57) Without her, he is now left with no protection. Stalking, in contrast, occurs later in life but evokes the same psychological distress—trapping victims in a cycle of hyper-awareness, helplessness, and anxiety. What makes stalking even more insidious is that it often mimics past experiences of bullying, dragging the victim back into a state of learned helplessness.
(chapter 61), reacts with pursuit. His behavior mirrors the tendencies of a stalker—not out of malice, but because his entire life was shaped by the belief that to be ignored is to be erased and forgotten. 
(chapter 55) In childhood, he learned that only strength could secure attention 
(chapter 26) 
(chapter 61) Deep down, he wants to be part of his life. Hence he moves next to Kim Dan’s house as his final attempt. 
(chapter 57) and cornered, leading him to associate confined spaces with protection. The restroom was his only escape from ridicule, his sanctuary where he could momentarily regain control. This explains why he went crying there, when he heard the terrible news about his grandmother. 
(chapter 61) Since he can not escape the champion, he decides to ignore him. 
(chapter 55) – the mirror is very low -, Kim Dan retreats into memories to rationalize his pain. Instead of processing his suffering, he shifts blame to Jaekyung, using the restroom space to wall himself off emotionally. The restroom in Jinx thus acts as a metaphor for entrapment—whether through self-isolation or forced exposure, neither character is truly free from their past. 
(chapter 38) So he could faint there or hurt himself and he would have no one by his side. Don’t forget that this place stands for seclusion and privacy. 
(chapter 57), it is clear that the kids were not thinking of sex or using the restroom to assault the little boy. However, we should question ourselves how this rumor about Kim Dan being an orphan started. 
(chapter 54) bears a striking resemblance to this boy, leading to the possibility that this new character could be Kim Dan’s childhood bully. Given Jinx’s themes of positive psychology and confronting past demons, it is plausible that Kim Dan will encounter this schoolmate again. Such an interaction could force Kim Dan to address his unresolved trauma and reexamine his perceptions of strength and vulnerability. Moreover, don’t forget that the doctor in green saw the champion in a terrible shape who had admitted that he had drunk the night before. 
(chapter 54) And in episode 61, the main lead announced to Park Namwook that he had to fire the physical therapist. 
(chapter 61) I sense some retaliation here. 
(chapter 08) It is because in his mind, this place is associated with toilets in general. That’s how it dawned on me that the athlete could have been harassed at school, but contrary to the physical therapist, it took place later. The leader was Baek Junmin who hid behind the “mob”. 
(chapter 49) Because he utilized the expression “how you were as a kid”, it signifies that the MMA fighter was not only older, but also an adult, whereas the champion must have been a teenager. And now, you comprehend why Baek Junmin acted like a friendly athlete in front of the public: 
(chapter 49) People could discern his true personality: he was nothing more than a thug. Moreover, he would be perceived as a cheater, because he used others and his seniority to torment a child or teenager. At the same time, since Joo Jaekyung became a victim of bully later, the content about the mobbing should have been different. I am suspecting that he could have been targeted because of his homosexuality. 
(Chapter 14) 
(chapter 55), he showed no reaction. In fact, his headache got even worse than before. 
(chapter 55) The champion’s passivity and migraine could be the symptoms of the athlete’s past suffering. His pain worsened in that place because of the past, but he didn’t realize it, for he was so focused on his soulmate. Secondly, the moment he was about to get kissed 
(chapter 55), he pushed the uke away and left the place
(chapter 55).In this place, he could show vulnerability, yet he experienced that nothing bad happened to him. This explicates why after this experience is willing to remember and even reconnect with the doctor. 
(chapter 54) While he calls his former rival and tormentor’s name and recollects his beating, he is not plagued with a migraine. This means that the real cause for Joo Jaekyung’s suffering (his headache linked to his repressed memories) is triggered by the attitude of his guardian. That’s the reason why he had a nightmare with the ghost of the past. 
(Chapter 54) There is no ambiguity that Randy Booker‘s insults had triggered the athlete‘s repressed memories and fears. Joo Jaekyung’s avoidance of mirrors suggests a fear of self-recognition—an unwillingness to face the vulnerability he tries so hard to suppress. His reaction mirrors the response of someone who has internalized a rigid sense of masculinity, where showing emotion is equated with weakness. The restroom, then, becomes a battleground where he unconsciously fights his past conditioning, yet he is unable to overcome it. 
(chapter 60), deteriorating physical health 
(chapter 60), and the ominous setting of the hospice 
(chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. 
(chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, 
(chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy 
(chapter 53), emphasizing his vulnerability and dependence on others.
(chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness. 
(chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean 
(chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. 
(chapter 57)
(chapter 58), such as two older women 
(chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord 
(chapter 58) nicknamed “old man” 
(chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population. 
(chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. 
(chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, 
(chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event 
(chapter 59) but also his grandmother’s diminishing expectations of him. 
(chapter 56) She expressed twice that she no longer needed him. 
(chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness 
(chapter 57), easy bruising 
(chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. 
(Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company. 
– episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange 
(chapter 56) 
(chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨 
In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, 
discovering different patients behind each one until finding the right person. 
This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. 
(chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. 
(chapter 57) or the mysterious Park Jinchul 
(chapter 56)
(chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. 
(chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract 
(chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: 
(chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient. 
(chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone. 
Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか？” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response 
(chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team. 
(chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. 
(chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. 
(chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. 
(chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. 
(chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: 
(chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.
(chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner. 
(chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other 
(chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: 
(chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, 
(chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations 
(chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: 
(chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: 
(chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic 
(chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: 
(chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? 
(chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. 
(chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts 
(chapter 59) and Joo Jaekyung’s rescue of Kim Dan. 
(chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan. 
(chapter 57) Cheolmin already warned his friend in episode 13: 
(chapter 23) Potato initially admires the champion, aspiring to be like him 
(chapter 23) and dreaming of recognition as his sparring partner. 
(chapter 23) Joo Jaekyung, much like the prince in Andersen’s story, projects an image that masks the reality of his life. His success, while celebrated, represents years of hard work and immense personal sacrifices. At the gym, Park Namwook undermines these efforts by slapping the athlete 
(chapter 52), the amateur starts distancing himself from his former idol. This exposes the fragility of Potato’s dream. Therefore it is not surprising that he starts taking a different path: acting, though I still think, it is temporary. However, behind the glamorous facade of the show business, there exists a dark side as well. 
(chapter 59) Heesung’s fate is similar to the champion’s. Despite his popularity, the actor is deeply unhappy. He feels lonely, for people only know the actor and not the man behind the mask. That’s the reason why he is looking for his soulmate. 
(chapter 33) That’s how I realized why Potato and Heesung are destined to be together. They are both self-centered, dishonest and blind, but more importantly they are chasing after an illusion which is strongly intertwined with immortality. In addition, my avid readers should keep in mind what Potato truly expressed, when Mingwa introduced this “chow chow”. 
(chapter 23). In reality, he wanted to use the athlete as his servant. The closeness 
(chapter 23) he was seeking was self-serving. While the amateur and the actor are searching for the “perfect companion”, the other couple has no expectation from others. They both have no longer any dream or hope. That’s the reason why Kim Dan was putting this vision of Joo Jaekyung behind a veil: 
(chapter 58) He was giving up on his dream expressed in the birthday card, 
(chapter 55) My newest theory is that he wanted Joo Jaekyung to teach him fighting, but not for himself, but in order to help the fighters and in particular to protect the champion’s body: 
(chapter 25) To develop a training where injuries are minimized. In season 2, it is clear that Joo Jaekyung and Kim Dan have reached the bottom. Both feel empty and exhausted. They were crushed by harsh reality, and they had no one by their side to listen to their pain. Therefore it is not astonishing why the doctor could not confide to the actor and the amateur fighter. They arrived too late. 
(chapter 58) Their presence definitely diverted the doctor’s attention, lessening his pain. 
(chapter 25) he learns the true nature of the relationship between Kim Dan and Joo Jaekyung. This revelation forces him to confront his own repressed feelings, as he unconsciously realizes his attraction to the fighter. 
(Chapter 25) Heesung’s involvement further complicates matters, as Potato confesses his love for Joo Jaekyung 
(chapter 35) while simultaneously vowing to sacrifice his feelings for the sake of the couple’s happiness. This act demonstrates Potato’s pure and selfless definition of love, 
(chapter 52) and the switched spray the 
(chapter 52) which is strongly intertwined with the departure of disloyal members from Team Black marks another step in his journey toward disillusionment. While Potato initially views this as an isolated incident, it exposes the broader corruption within the MMA world, including the betrayal, greed, and lack of loyalty that undermine its integrity. While he views himself as loyal to doc Dan and Team Black, for he remained at the gym, his heart was not. He is becoming like his hyungs, Park Namwook and Heesung. In Andersen’s tale, the mermaid’s journey to the sea witch represents a pivotal moment of transformation. By sacrificing her voice and enduring physical pain, she gains entry into the human world, but at the cost of her identity. Similarly, Potato’s journey is marked by painful discoveries that force him to confront uncomfortable truths. Through Kim Dan, he will begin to see his own flaws before he is able to recognize them in those he once trusted. 
(chapter 23) 
(chapter 25) 
(chapter 35) The latter doesn’t mind breaking social norms by yelling or causing a fight at a restaurant. But let’s return to the actor’s confession at a bar. It’s not surprising that Heesung appears indifferent to the affection of those who cared for him. The last partner was described as too clingy. This means that Heesung places himself as the judge. In addition, it was, as if he was a god destined to live forever. He is forgetting his human condition, just like his partner’s. And that’s exactly how the prince in The Little Mermaid views life.
(special episode 1) With this request, he implies that he will never become responsible for the amateur fighter. Therefore he can hide his homosexuality behind the young fighter. He used Potato’s mistake to his advantage. 
(special episode 1) By asking Potato to take care of all his needs and desires, Heesung placed himself in a position where he had power and could control Potato. That’s how the young fighter made a dangerous deal with the gumiho. No wonder why his sex role play was a prince interacting with a guard. 
(special episode 2) Hwang Yoon-Gu didn’t realize that by taking responsibility for the actor, he lost his freedom and as such his voice. Is it a coincidence that Mingwa portrayed the young maknae as someone who would raise his voice due to his emotions in the past? 
(chapter 58) his behavior is totally different than with the actor: 
(chapter 58) Tears, touch, raising his voice with Kim Dan, but not with the comedian. With the actor, he looks more calm, distant and mature. Heesung’s selfishness is evident in his treatment of Potato, whom he manipulates into becoming an extension of his own image. Hence he is no longer wearing shorts and tee-shirts. 
(chapter 59) One might say that he is gradually elevating Potato’s status through his suggestions.
(special episode 2) By encouraging Potato to work as an actor and shaping him into a version of himself, Heesung prioritizes his own desires over Potato’s individuality. He is not asking what Potato’s true dream is. But this was his dream originally: 
(chapter 23) Why? It was due to his low self-esteem. 
(chapter 23) He was not confident enough, for he was the only one with such a weight-category.
(special episode 2) played a huge influence in Potato’s decision to take the offer as an extra. It was, as if one of his dreams had come true. But is this what he truly wanted? 
(chapter 59) as a signal that he is not truly happy. 
(chapter 58) However, this is about to change. Heesung who likes novelty and change is not realizing that his wish is becoming true. The picture with his last work announces the end of his “friendship” with Potato. How so? 
(chapter 29), drawing a connection between the character’s innocence and loyalty. 
(chapter 35) This shows that Heesung has long internalized this pattern: assistance will be only given, if he is called. That’s why he has no true friend in the end. He shows no interest in others. But by doing so, he is putting the whole responsibility on his counterpart. Through the actor and the manager’s behavior, the former errand boy has long adopted this pattern. Hence he didn’t call Kim Dan in the end. He waited for a signal from his part. This behavior mirrors the little mermaid’s sisters, who only realize her absence when it is almost too late to act. Similarly, Potato’s casual farewell highlights a betrayal of Kim Dan’s friendship, further emphasizing Potato’s struggle with emotional awareness. That’s why I mentioned above that Potato is about to discover his true nature: he is also a sinner. This growth parallels the biblical narrative of Adam and Eve, where the acquisition of knowledge leads to the loss of innocence. Heesung, like Eve, introduces Potato to a new world of experiences, including his sexual orientation. However, this newfound knowledge comes with its own burdens, as Potato must reconcile his identity with the harsh realities of the world around him.
(chapter 5) Heesung could no longer express his needs and desires.
(chapter 58) Just because one is happy, this doesn’t mean that the other is. For that to happen, communication and honesty are necessary. 
(chapter 59) Potato’s journey is to discover and embrace the principle of “self-reliance” and autonomy. Only when Potato becomes independent in his thoughts and decisions, can he truly help the main couple.
(chapter 47) and 52. Initially, he believed in his hyungs’ description of Joo Jaekyung as a thug, but later he criticized the same fighters for abandoning the athlete 
(chapter 52), accusing them of lacking loyalty and dismissing their claim that they had nothing to learn from him. Yet, in episode 52, Potato does not reproach Park Namwook or Yosep for their passivity and naivety, 
(chapter 23) —taking over his tasks and noticing his unhappiness 
(chapter 25) —demonstrates his capacity for genuine care. This contrasts sharply with Heesung’s selfishness and serves as a reminder of the value of mutual support in relationships. Potato’s potential return to the place where he met Kim Dan could symbolize a rediscovery of authentic connections, marking the beginning of his path toward independence and self-realization. 
(chapter 58) And like mentioned above, this could become a serious problem for Yoon-Gu. He could be perceived as someone selling himself for a gig. And Heesung is not even realizing the consequences of his intervention and meddling. That’s why it is important for Yoon-Gu to become independent. This lesson resonates with Potato’s journey in Jinx. By recognizing Heesung’s selfishness and breaking free from his influence, Potato has the potential to rediscover his own dreams and individuality. Like Erich Fromm mentioned it, true love is respect, care, knowledge and responsibility. However, Heesung has no idea about the importance of these notions, as everything is evolving around his own needs and dreams. 
(chapter 58) That’s how it dawned on me that little by little Yoon-Gu had been losing his senses: 
(chapter 31), his smell, then his ears 
(chapter 52) and finally his eyes: 
(chapter 58) He forgot the danger coming from Heesung’s words, he could not hear the suffering from the champion due to his bias, and finally he couldn’t see Kim Dan’s distress due to his own feelings and prejudices. We could say that because of the influence from others, he was no longer able to see reality. However, like mentioned before, I sense the return of Potato’s senses in the following panel: 
(chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.
(chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. 
(chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices 
(chapter 31)
(chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.
(chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: 
(chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors 
(chapter 21) , and even Joo Jaekyung. 
(chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.
(chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. 
(chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. 
(chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire 
(chapter 52) 
(chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.
(chapter 19) 
(chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm. 
(chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.
(chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers 
(chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.
(chapter 1), attracting others seeking the same level of fame and fortune. 
(chapter 22) and a “neglected child” 
(chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. 
(chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.
(chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.
(chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.
(chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability 
(chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.
(chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. 
(chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious 
(chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. 
(chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.
(chapter 59) —each of whom had interacted with Kim Dan 
(chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture 
(chapter 58), ignorance and superficiality 
(chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets 
(chapter 8) 
(chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. 
(chapter 30) and their interactions with Heesung and Potato 
(chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday 
(chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . 
(chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and 
(chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information. 
(chapter 50) 
(chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog 
(chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. 
(chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.
(chapter 13) The latter knew the PT’s face, 
(chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. 
(chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge 
(chapter 13), the death of a man and finally urgency. Moreover, remember what his friend told him before: the importance of rest and 
(chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. 
(chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, 
(Chapter 13), it is also possible that he could have heard about the last incident in the restroom with doc Dan’s replacement. Since Cheolmin found Dan cute, it is very likely that he was also drawn to the surrogate „Dan“. But I don‘t think, this was enough to intervene, as Joo Jaekyung didn‘t ask for his help.
and to Neptune 
and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision 
(Chapter 19) and the group photograph at the hospice
(chapter 54) and penthouse 
(chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” 
(chapter 56) in a small town on the West Coast 
(chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged 
(chapter 16) 
(chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, 
(chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information 
(chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: 
(chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion
(chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, 
(chapter 36) 
(chapter 35) 
(chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony 
(special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets. 
(chapter 26)
(chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.
(chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: 
(chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean 
(chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water 
(chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.
(chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.
(chapter 57) and the yelling patient
(chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself
(chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.
(chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life. 
The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.
(chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene 
(chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. 
(chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater. 
(chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents. 
(chapter 5) Thus she offered him two sweet yogurts. 
(chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. 
(chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, 
(chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: 
(chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. 
(chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist 
(chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? 
(chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. 
(chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. 
(chapter 53) And now pay attention to the PT’s departure on the day he was sent back: 
(chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. 
(chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: 
(chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. 
(chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard 
(chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness 
(chapter 57), night and death. 
(chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: 
(chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.
(chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying 
(chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : 
He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: 
(chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: 
Bebebisous33s' analyses in K-Dramaland and Manhwas 