Jinx: The Fault in His Powerful Hands 👊

At the hospice, Joo Jaekyung admitted to Kim Dan that he was not the one responsible for the incident with the switched spray. (chapter 60) However, this revelation sheds light on a deeper issue: his unquestioned reliance on the spray over Kim Dan’s expertise. (chapter 49) This choice reflects a significant lack of trust. Even with Kim Dan as his physical therapist, someone who had already proven his skills by treating his shoulder in record time (chapter 49), Joo Jaekyung chose to rely on external medicine rather than the “power of hands” that the nurse in the hospice later praises. (chapter 56)

The Misplaced Trust in Medication

This decision is revealing. (chapter 56) Here, the nurse credits Kim Dan’s care with improving the quality of life for terminally ill patients, emphasizing the tangible results of his dedication and skill. Yet, Joo Jaekyung disregards these same qualities. Instead of trusting Kim Dan, he justified his choice with the belief that the PT “wasn’t doing his job right,” a sentiment captured in his internal monologue. (chapter 55) But why was he thinking like that? He came to this judgement for two reasons. On the one hand, he was recalling the physical therapist’s nightly desertions. The latter chose to work as a courier instead of focusing on his main job. Moreover, the fact that he hadn’t checked the spray right before using it (chapter 51) This explains why the athlete imagined that Kim Dan had resigned due to his mistake. (chapter 55) However, this assumption is not only incorrect but unjust, as Kim Dan’s quick and effective treatment of his shoulder clearly demonstrates the contrary. (chapter 49) He felt no pain in his shoulder, a sign that he had been able to recover. Moreover, keep in mind what the other PT said in episode 42: (chapter 42) Finally, note that Baek Junmin was not able to defeat the dragon despite targeting his fragile shoulder. (chapter 50) The match ended up as a tie.

Kim Dan’s Hands and Regrets

The author’s focus on Kim Dan’s hands in the panel (chapter 60) where Joo Jaekyung admits his past ignorance adds a layer of emotional depth. The close-up of Kim Dan’s hands, slowly clenching, illustrates the complex mix of emotions he is experiencing in that moment. While the champion acknowledges his mistake, the tension in Kim Dan’s hands suggests a blend of guilt, frustration, and even resentment. This visual choice underscores the weight of the emotional burden Kim Dan carries—a burden made heavier by Joo Jaekyung’s previous accusations (chapter 60) and his failure to shield Kim Dan from blame. The clenched hands symbolize the internal struggle between an internal conflict between anger, indifference and lingering hurt caused by the lack of trust. What caught my attention is the sound of his jaw, KRIK, which reminded me of the star’s behavior. (chapter 56) This jaw’s movement symbolizes the return of instincts and as such to the champion’s true nature: he is a wolf. This means that the doctor is gradually losing his gentle nature and is on the verge of becoming a “wolf”. No wonder why he mimicked like the athlete at the end of episode 60: (chapter 60) He is acting like a loner wolf, whereas in reality his true personality is a hamster and duck.

Another panel, showing Kim Dan looking at his reflection and lamenting, indicates that this regret is beginning to fester. While he has not yet voiced these thoughts directly to Joo Jaekyung, the flinching hands (chapter 60) highlight the start of a growing resent. Thus I deduce that the self-directed blame could eventually shift outward, as Kim Dan begins to connect Joo Jaekyung’s role in the decision to use the spray. These subtle visual and narrative cues show how Kim Dan’s perspective is gradually evolving, laying the groundwork for potential confrontation. The clenched hands symbolize this internal struggle, balancing regret, lingering hurt, and a desire to fully understand the truth.

Incomplete Truths and Accountability

Joo Jaekyung never revisits or questions his decision to use the spray. (chapter 60) While he eventually acknowledges that Kim Dan was not to blame for the incident, he fails to recognize his own accountability in both the situation and its emotional aftermath. This lack of self-reflection extends to his understanding of Kim Dan’s mental state. Even though he knew the identity of the true orchestrator behind the scheme, the rival team, Joo Jaekyung did nothing to alleviate Kim Dan’s guilt and shame. Instead, his silence perpetuated the doctor’s internal suffering.

In addition, when Joo Jaekyung told Kim Dan, (chapter 60) his words left more questions than answers. He never clarified that the spray had been switched or explained what had truly happened. For Kim Dan, these vague words only deepened his emotional wounds. Left in ignorance, Kim Dan remains unaware that a fighter from Choi Gilseok’s team switched the spray. (chapter 52) By failing to provide a full explanation, Joo Jaekyung created the illusion that the matter was resolved. This lack of transparency leaves Kim Dan burdened with guilt and confusion, unable to find closure.

Ironically, Joo Jaekyung himself is not entirely informed. While he assumes Baek Junmin orchestrated the scheme (chapter 54), he is unaware that The Shotgun was merely a pawn used by Choi Gilseok, who had larger, more manipulative intentions. (chapter 52) I doubt that Potato told him about the director’s bet, too upset to discover the switched spray. The fighter’s ignorance mirrors Kim Dan’s in a way, highlighting how both are victims of deceit. This conversation further reflects their lack of communication, as it seems Joo Jaekyung deliberately avoids sharing his thoughts and knowledge with Kim Dan. (chapter 60) His reluctance to fully explain the situation perpetuates the emotional distance between them, leaving both trapped in a web of incomplete truths and unresolved tensions.

Mirroring Chapter 52: The Role of Toxic Relationships

This moment (chapter 60) also mirrors a significant scene from Chapter 52 (chapter 52), where Joo Jaekyung’s team visits him after the surgery at the hospital. Notably, the team members only address him when they need him to take the blame for the situation. Through this comparison, I noticed another aspect. They were all standing at a certain distance from the star’s bed. This exposes that none of them had the intention to spend time there and to give company to the athlete. At the same time, their position divulges their arrogance, lack of empathy or worries! Yes, no one is assuming that the athlete’s career is in danger. They are all somehow expecting that he will return to the ring. No wonder why their focus is entirely on the job, ignoring his well-being. When Joo Jaekyung finally voices his frustration and unwell-being (chapter 52), he is silenced with a slap. (chapter 52) This interaction reveals the deeply flawed dynamics of his relationships and the toxic role models that shaped him. His coach’s behavior—reducing everything to money and silencing emotional expression—has profoundly influenced his inability to recognize his own uncaring attitude at the hospice. (chapter 60) Yet, there exists a huge divergence between these two scenes. The athlete is now recognizing that he is dependent on his soulmate, though he is not voicing directly to Kim Dan. The hamster can not be replaced… someone needs to remind to Joo Jaekyung that life is fragile.

Kim Dan’s Rejection and Its Consequences

This parallel between 52 and 60 explains why Joo Jaekyung does not see how his attitude might appear dismissive or hurtful to Kim Dan. (chapter 60) Having grown up in an environment where emotional needs were consistently invalidated, he is blind to the damage his actions cause. Consequently, Kim Dan’s rejection and refusal to listen to him are understandable. (chapter 60) He is no longer willing to accept anything from Joo Jaekyung, hence he removes the needle. (chapter 60) The treatment is the symbol of the champion’s generosity and rescue. However, this is no longer working. So we could say that this gesture reflects the fate of the golden key chain. (chapter 45) After being blamed in the past, Kim Dan has reached his limit and chosen to stop engaging with Joo Jaekyung. However, this reaction risks exacerbating Kim Dan’s denial of his own mental illness, as he suppresses his emotions and isolates himself further. Contrary to the keychain, he can not be replaced. If he doesn’t get treated properly, his life could be in danger. (chapter 60) Hence he leaves a trail of blood on the floor.

Medication, Time and The Hospice as a Place of Healing

Joo Jaekyung’s reliance on medication (chapter 49) and quick fixes (chapter 54) reveals a deeper issue: his belief that drugs can compensate for his mistreatment of his own body. (chapter 27) By pushing himself beyond his physical limits and refusing to allow his body to rest, he clings to the power of medication as a means to sustain his performance. The hospice setting, where medicines and drugs are not perceived as vital (chapter 56), stands in stark contrast to Joo Jaekyung’s belief that medication is the only solution for treatment. Is it a coincidence that the doctor changed his prognostics about grandmother’s life span? No. It shows that without the new medication, she is supposed to live longer. Secondly it is clear that the grandmother is living well, because she is not plagued with remorse or guilt. In my opinion, through Shin Okja, the fighter should discover the power of mental health. (chapter 60) Besides, in such a place, he has the opportunity to experience how hands and comfort can surpass medication in offering true care and healing. This environment could challenge his reliance on external solutions and emphasize the value of trust and human connection.

Conclusion

Ultimately, this moment at the hospice highlights the need for Joo Jaekyung to confront his trust issues and the ripple effects of his decisions. His inability to reflect on his own actions and communicate openly with Kim Dan not only perpetuates the emotional distance between them but also prevents both from achieving closure. For Joo Jaekyung, this environment could serve as a turning point—a place where he learns to value emotional connection over quick fixes and begins to dismantle the toxic behaviors instilled by his past relationships. Similarly, for Kim Dan, this moment has the potential to bring about healing, but only if Joo Jaekyung takes the initiative to bridge the gap of trust and misunderstanding. Until both confront their shared and individual struggles, the imbalance in their relationship will persist, leaving unresolved the guilt, mistrust, and emotional wounds that weigh heavily on them both. I have to admit that by noticing the doctor’s jaw in this image (chapter 60), I am now wondering if the physical therapist won’t punch or slap the athlete in the future again. Chapter 61 is definitely connected to 7 (chapter 7) and the number 62 mirrors the famous fight in episode 62: (chapter 26)

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Deceptive Light💡 Of Hope ❇️

Hope often implies the promise of a tomorrow, a continuation of life and opportunity. Yet in Jinx, the depiction of Kim Dan’s condition—his unconscious attempted suicide (chapter 60), deteriorating physical health (chapter 60), and the ominous setting of the hospice (chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. (chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, (chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy (chapter 53), emphasizing his vulnerability and dependence on others.

Without intervention, Kim Dan’s condition—both physical and emotional—could spiral into irreparable harm, reflecting the unnoticed demise of the puppy. 😭This essay will examine these events chronologically, beginning with Joo Jaekyung’s urgent rescue and arrival at the hospice. The narrative will then explore the symbolic meaning of the photographs, including the fifth puppy’s fleeting presence and its absence in subsequent images, as well as the profound symbolism of the room where Kim Dan is placed. This analysis will reveal how both elements intertwine to foreshadow Kim Dan’s increasingly tenuous grip on life and the unspoken realities of his condition. 

The Rescue and the Green Cross

Joo Jaekyung rushed to the hospice with Kim Dan in his arms (chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness.

Moreover, we have to imagine that while looking around for help on the beach, (chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean (chapter 60), coupled with his labored breathing as he hurried into the hospice. His question (chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. (chapter 57)

This observation invites deeper reflection on why a small town would have a hospice rather than a hospital. The answer may lie in the demographic realities of the region. The aging population is evident in scenes depicting the town’s streets, where Potato and Heesung encounter primarily elderly individuals (chapter 58), such as two older women (chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord (chapter 58) nicknamed “old man” (chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population.

These statistics underscore the challenges South Korea faces in balancing an increasing elderly population with a shrinking workforce, impacting economic growth, healthcare systems, and social services. While “Light of Hope” caters to the growing number of seniors, this approach inadvertently reinforces the exodus of younger generations. This migration from the countryside to Seoul or other major cities is subtly reflected in Jinx. Yoon-Gu, for instance, comes from the province of Gangwon-Do, embodying the trend of younger people leaving rural areas in search of opportunities. (chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. (chapter 57) This observation is further supported by the panel depicting the hospice’s exterior, which highlights its offer of free health checks. This detail suggests that the hospice is actively trying to attract new patients and has the necessary resources to conduct thorough medical examinations. For instance, when one of Kim Dan’s patients fell, the hospice staff were able to examine him properly (chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, (chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event (chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.

This stark reality mirrors Kim Dan’s mental and physical state. The trail of blood he left behind (chapter 60) —a consequence of removing his IV needle—symbolizes his quiet surrender and deteriorating health. When Kim Dan arrived at the hospice, he carried the faint hope of finding solace (chapter 56), particularly from his grandmother, who had promised to go to the beach with him. (chapter 53) However, this hope was met with disappointment (chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy (chapter 59) but also his grandmother’s diminishing expectations of him. (chapter 56) She expressed twice that she no longer needed him. (chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness (chapter 57), easy bruising (chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. (chapter 60) Is it a coincidence that a company with the green logo K was shown in different panels, like this one? (Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company.

The Room and Its Symbolism

The room (chapter 60) where Kim Dan is placed raises significant questions about its purpose within the hospice. The presence of curtains, indicating multiple beds, contrasts with the lack of personal belongings or cupboards (see as a comparison, Shin Okja’s room – episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange (chapter 56) (chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨

This interpretation becomes clearer when contrasted with the emergency room depicted in the K-drama Love Scout. In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, discovering different patients behind each one until finding the right person. This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. (chapter 56) (chapter 60) Like in Love Scout, the room in Jinx also has closed curtains, but instead of revealing activity or connection, it implies abandonment and isolation for those behind them. How so? Contrary to the transparent, automatic doors of the emergency room in Love Scout, the door in this scene is closed, manual, and opaque. Such a door symbolizes privacy and secrecy, further emphasizing the room’s association with isolation and death. In addition, the lack of anyone visibly attending to them suggests desertion. Everything is indicating that this space is not dedicated to immediate care and life-saving measures contrary to the emergency room. This contrast emphasizes that the room in Jinx symbolizes abandonment and death rather than rescue. 

But there’s more to it. In Episode 52, the curtains in the health center were removed between two patients (chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. (chapter 57) or the mysterious Park Jinchul (chapter 56) (chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. (chapter 60) The room’s atmosphere intensifies this realization, as the symbolism of abandonment permeates its design and the interactions within. Moreover, since many people could see parallels between this scene with the doctor’s situation in the locker room, (chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. (chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract (chapter 60), it signifies that it is a reflection from chapter 6: (chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: (chapter 56) Only a bedridden person on the verge of dying can express such a gratitude towards the physical therapist.

If this interpretation is correct, the room’s symbolism is intertwined with death rather than rescue, then it conveys a sense of abandonment, as though the staff had already given up on Kim Dan. Furthermore, the decision not to place Kim Dan near his grandmother suggests an effort to keep the incident hidden from her (if she is not in the room), emphasizing the isolation surrounding his condition. On the other hand, the champion’s presence in that room could represent a chance for the athlete as well. This could represent the moment of his “rebirth”. Through a honest but painful conversation, the fighter would be encouraged to judge Kim Dan in a different light and nurture his maternal instincts. Moreover, he could give some comfort to a dying patient, similar to this scene: (chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient.

And if my deductions based on observations are true, this signifies that the brochure from Light Of Hope (chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone.

Between Lies and Misconceptions

Kim Dan’s interaction with Joo Jaekyung in this room is marked by lies and unspoken truths, which define the fragile dynamic between them. Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか?” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response (chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team.

Kim Dan’s body language mirrors this emotional disconnection. (chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. (chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. (chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. (chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. (chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: (chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.

Jaekyung, for his part, struggles with acknowledging his dependency on Kim Dan. (chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner.

This dynamic is further emphasized when comparing their positions in Episode 6 and Episode 60. In Episode 6, Kim Dan was standing while Jaekyung sat (chapter 6), reflecting the power imbalance between them. Kim Dan momentarily held the upper hand by negotiating his terms, but once Jaekyung agreed, their positions shifted (chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other (chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: (chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, (chapter 60) it is Jaekyung who has become emotionally reliant on him. Kim Dan’s stubbornness to push through his fragility mirrors the fighter’s own traits, exposing an ironic role reversal that neither of them fully acknowledges.

Despite his outward confidence, (chapter 60) his refusal to engage truthfully exposes his internal conflict and fear of reliance. But why does he fear so much closeness and dependency? Naturally, Jinx-philes should keep in their mind his terrible childhood where he suffered emotional abuse. Moreover, he had been taken advantage from his previous sex partners. (chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: (chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations (chapter 60), as he did in episode 6. (chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: (chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: (chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic (chapter 60) underscores his desire for a deeper, more meaningful connection—something Jaekyung is unable to see due to his own emotional barriers.

But there is another reason why he got rejected. Fate wanted to punish the athlete for putting his own selfish desires over the doctor’s. He had seen the physical therapist in a dangerous situation (chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: (chapter 60). Yet, the first thing he talked about with the doctor was work (chapter 60), once Kim Dan asked him for the reason of his visit: (chapter 60) In other words, with his request, he implied that he had not been longing for Kim Dan’s company. With his attitude, he could only give the impression that he was not interested in the man Kim Dan, rather in the physical therapist, and that’s not what the main lead truly desires. To conclude, his behavior and words generated the impression that the fighter was only superficially interested in him. It was, as if his rescue on the beach had never taken place. He was definitely undermining his own “good deed”.

Their interaction becomes a poignant dance of unspoken fears and withheld truths, illustrating how deeply both characters are entrenched in their insecurities. From the very start, the conversation is undermined by these concealed emotions, dooming it to failure and highlighting the isolation each character feels despite their physical proximity.

Potato’s Role and the Symbolism of Photos

Potato’s involvement adds another layer to the narrative. While the readers can notice the photo of Kim Dan in front of the hospice, they also detect the pictures of the puppies, which were captured later. (chapter 60) These images reveal that Potato visited the old man’s house to bid farewell to the animals. Among the photos, only one shows the fifth puppy—a small, brown one on the left—who appears less active than the others, symbolizing its declining condition. This shows that he was present, when the puppy was showing signs of being sick, but he did nothing. He was too focused on the moment cheering these animals on (chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? (chapter 60) He blamed himself.

Additionally, Potato’s farewell request to treat Kim Dan to a meal if he ever returns to Seoul reveals his underlying doubt. (chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. (chapter 60) This lack of sensitivity and focus on celebrities, flowers, or the puppies instead of his friend underscores the growing emotional distance between them. Interestingly, while Potato returned to the old man’s house to bid farewell to the puppies, he has no intention of returning to the hospice. This contrast highlights how his farewell request serves as an acknowledgment that they are unlikely to meet again. This detachment mirrors Jaekyung and Heesung’s superficial connections, emphasizing how work relationships often overshadow genuine bonds.

Lies, Betrayal, and Ignorance

Potato’s secret visit concerning the puppies and his silence regarding Kim Dan’s whereabouts reveal his growing resemblance to Heesung. (chapter 60) When he got caught with his silence, Mingwa never showed us Potato’s justification. Yet, it becomes clear that the young fighter decided to give the following explanation: he respected Kim Dan’s wish to remain undiscovered (chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts (chapter 60) He deliberately avoided revealing that Potato was the one who disclosed Kim Dan’s location, shielding Potato’s role and perhaps attempting to protect the fragile connection they all share. This omission reflects Jaekyung’s misguided belief that ignorance might shield Kim Dan from further pain or complications. However, claiming he respected Kim Dan’s wish to remain undiscovered—was a lie, as his true motivation was Heesung’s request. (chapter 58) Therefore it is not surprising that through this omission, the main couple got affected. The lie from the chow chow had consequences for it increased the gap between the two protagonists. That’s how it dawned on me why Mingwa revealed the photo library of Potato. (chapter 60) The latter would serve as an evidence of his passivity and blindness towards Kim Dan, for the 5th puppy was still alive back then. The latter represents the fate of the doctor’s. These layers of deception highlight how characters like Potato become increasingly absorbed in their own worlds, blinded by their focus on superficial priorities.

This theme of being “too late” is also mirrored in Kim Dan’s experience with the puppy’s fate (chapter 59) and Joo Jaekyung’s rescue of Kim Dan. (chapter 59) In the case of the puppy, Kim Dan arrived too late to save the small animal, reflecting his self-doubt and hesitance to trust his abilities. Conversely, Joo Jaekyung arrived just in time to rescue Kim Dan from the ocean, demonstrating his decisive action. However, his failure to keep Kim Dan in a safe environment afterward suggests a broader inability to provide sustained support, echoing the narrative’s overarching theme of fragility and impermanence. (chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan.

The imagery of the fifth puppy serves as a poignant commentary on the consequences of neglect and inaction. The puppy’s decline—evident but unaddressed—parallels Kim Dan’s own struggles. Just as the fifth puppy’s fading presence is overshadowed by the activity of its siblings, (chapter 60) Kim Dan’s vulnerability risks being overlooked amid the chaos of the narrative. The missing puppy becomes a haunting reminder of what happens when fragility is ignored: a slow, quiet decline that ultimately goes unnoticed until it is too late. With too late comes regrets and remorse: (chapter 57) Cheolmin already warned his friend in episode 13: (chapter 13) But the man refused to listen to his advice, and now Kim Dan is leaving a trail of blood on the floor (chapter 60) indicating that his blood is not coagulating correctly. The last comment from the athlete implies that he is now accepting the challenge, he will do anything to have Kim Dan come back to him. Nevertheless, there exists one problem in my opinion: he is running out of time due to Kim Dan‘s physical and emotional deterioration, while he needs time to regain the physical therapist‘s trust.

Conclusion: The Fragility of Hope

The title, “The Deceptive Light of Hope,” encapsulates the essence of these intertwined narratives. The hospice’s name promises healing and solace, yet it masks the harsh reality of end-of-life care. On the other hand, since the couple reunited there, their relationship can be built on better foundations. They are surrounded by people who are definitely more attentive and less passive than at the gym. Moreover, the athlete has been living as a zombie all this time, the latter needs to die in order to be reborn as a human being. But it is the same for Kim Dan who has been living as a ghost for the last one and half month. On the other hand, rebirth is strongly intertwined with suffering, which reinforces my conviction that something bad to Kim Dan will happen. Since a beating heart is the symbol for humanity, it signifies that both will have to open up and confess their feelings. Similarly, the brightly lit hospital room, symbolizing purity, conceals the lies and unspoken truths exchanged between Jaekyung and Kim Dan. Potato’s photographs, seemingly innocent, betray a certain selfishness, ignorance and detachment, symbolized by the missing puppy. Each element contributes to the overarching theme: the fragile and often deceptive nature of hope in a world where appearances rarely align with reality. It is only a matter of time, until the wrongdoers realize their mistakes and apologize properly.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Luminous Kiss 😘💋 Amid Shadows 🫂

In Jinx, the evolution of Joo Jaekyung and Kim Dan’s relationship can be traced through the symbolic use of kisses [for more listen to Kiss Me], specifically the one in the locker room (Chapter 15) and the life-saving kiss on the beach (Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.

Selfishness vs. Selflessness

The kiss in Chapter 14 and 15 was performed under the pretense of care but was marked by a sense of urgency and concern. Joo Jaekyung, lost in his thoughts and experiencing a form of derealization (chapter 14), acted particularly rough with Kim Dan (chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. (chapter 14) This moment of realization, coupled with the doctor’s tears and plea (chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation (chapter 14) of using foreplay and gentler methods, such as a kiss. While the kiss reflected care in the moment (chapter 14), selfish motives lingered in the shadows, as Joo Jaekyung sought to prevent causing visible harm that could lead to questions or even a scandal. It was, as if he wanted to silence his partner. Moreover, this decision was influenced by external suggestions, particularly from his friend, and not entirely by his own intentions. It was a calculated action to prevent immediate harm but lacked genuine emotional depth.

Interesting is that Kim Dan never dared to question Joo Jaekyung for this sudden kiss. (chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. (chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist (chapter 15), because for the first time, Kim Dan made a request. With his remark, he implied that the kiss was strongly associated with emotions. However, exactly like Joo Jaekyung pointed out (chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach.

In contrast, the kiss in Episode 60 (chapter 60) was executed purely for Kim Dan’s sake. It was a spontaneous, instinctive act of CPR to save his life, demonstrating selflessness and true concern. Unlike the locker room kiss, which carried both urgency and selfish motives, the beach kiss was entirely devoid of emotional connection, functioning solely as a technical gesture. Kim Dan was unconscious and unaware of the act, which stripped it of any emotional reciprocity. Here, Joo Jaekyung saw Kim Dan as a human being—detached from his social background and circumstances. This shift in perception is reflected in the location: the openness and natural beauty of the beach stand in stark contrast to the confined, artificial environment of the locker room. Joo Jaekyung’s willingness to perform this act in the open signifies a progression in his character—a gradual dismantling of his secrecy about his sexuality and his connection to Kim Dan. This shift from selfishness to selflessness illustrates not only Joo Jaekyung’s emotional growth but also the deepening of his bond with Kim Dan.

Secrecy vs. Openness

The locker room serves as a metaphorical closet (chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club (chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift. (chapter 60) Moreover, in the past, the locker room (chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room, (chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, (chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan. (chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured (chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind (chapter 50) in the locker room twice (chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: (chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression.

Moreover, keep in mind what the grandmother used to say constantly to her grandson: “Don’t cry” (chapter 57) Shin Okja must have felt uncomfortable with his tears and pain, therefore the doctor internalized not to show his struggling and burdens in front of his grandmother. This explicates why he denied his weeping in front of her first. (chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: (chapter 60) The absence of tears or a trembling body from the main leads indicate that both are hiding their emotions from each other. (chapter 60)

And because Kim Dan came to symbolize the fighter’s intimacy and privacy, it is no coincidence that their relationship ended in the locker room. There, the champion exposed his true thoughts about the doctor: his lack of professionalism, (chapter 51), his lack of loyalty, his greed and obsession for money. (chapter 51) Here, they were totally honest to each other: (chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. (chapter 51) Despite living together in the penthouse, he didn’t trust his room mate. After divulging his mistrust and anger to the physical therapist in the locker room, the former left Kim Dan behind and went to the health center with his hyungs. (chapter 51) What he didn’t realize is that the doctor stood for secrecy and closeness, so by leaving his side, he was destined to be exposed. (chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after.

Through these events, the kiss in the locker room becomes full of symbolism. It not only marked a moment of urgency but also served as an emotional awakening for Joo Jaekyung (chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

By contrast, the couple on the beach in episode 60 (chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them. (chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. (chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. . (chapter 60) The latter has now darker circles, and he lost a lot of weight. (chapter 49) His muscles are less pronounced. He is also wasting away.

This progression also ties to the concept of nature vs. artifice. The natural setting of the beach—the waves, the open sky—contrasts sharply with the sterile, artificial environment of the locker room. Nature brings out authenticity and raw emotion, whereas the locker room and the emergency room (chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach (chapter 14) (chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. (chapter 15) The kiss in Chapter 15 became a moment where Joo Jaekyung discovered not only physical pleasure but also positive emotions, which acted like a sweet candy, a reward for his hard work. (chapter 15) It gave him emotional support. It symbolized a rare moment of relief and connection amidst the overwhelming demands of his environment. Joo Jaekyung’s actions in these settings highlight his gradual move from a place of concealment to one of openness and authenticity. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. (chapter 60) The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

Lies and Miscommunication

Another layer of complexity is revealed when examining the two kisses. From that wonderful night (chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye. (chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: (chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now (chapter 60) , though there is no doubt that the doctor is still in love with him. At the hospice, this mistrust resurfaces. The parallel conversations—in the locker room and the emergency room—highlight the ongoing cycle of miscommunication and emotional disconnect. Both characters, in their own way, lie to themselves and each other. Joo Jaekyung sees Kim Dan through the lens of poverty and greed (chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. (chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened.

The beach, however, offers a stark contrast. There, in the midst of the emergency, Joo Jaekyung’s perception of Kim Dan shifts. For the first time, he sees him as a human being—vulnerable and in need of genuine care. (chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness (chapter 60) and inability to fully comprehend the seriousness of Kim Dan’s mental and physical state.

Kim Dan as Joo Jaekyung’s Reflection

Episode 60 also underscores the parallels between Kim Dan and Joo Jaekyung. Both characters are struggling and mistreating their bodies, albeit in different ways. Kim Dan’s rejection of help and his deteriorating condition mirror Joo Jaekyung’s past behavior of ignoring medical advice and pushing himself to extremes. This dynamic serves as a reflection, forcing the champion to confront his own flaws. Kim Dan’s condition becomes a metaphorical mirror, showing Joo Jaekyung the consequences of neglecting physical (chapter 27) and mental well-being. (chapter 27) When Kim Dan removed the needle carelessly (chapter 60), he was actually copying his lover’s behavior.

The dissociation and derealization evident in Kim Dan’s behavior further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, , his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. (chapter 60) That’s why I can’t shake the feeling that the physical therapist is still in danger. The trail of blood on the floor could be interpreted as a bad omen. (chapter 60) Many Jinx-philes saw parallels between the champion’s departure from the locker room with the final image from chapter 60, (chapter 51) However, in the last image, the athlete had left the room to go to the health center, while Kim Dan is now leaving the treatment room, a sign that he is not just rejecting the champion’s help, but also the hospice’s intervention. (chapter 60) So he could get into trouble in his profession.

This moment becomes a turning point for Joo Jaekyung, as he is about to grasp the gravity of Kim Dan’s mental illness. However, his focus on money and material solutions (chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.

As long as Joo Jaekyung hides his vulnerability and hides his true self to achieve his goal, Kim Dan will mirror his actions. He will deceive him too. However, we shouldn’t see their separation (chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: (chapter 51) He never wished to never see Joo Jaekyung again. Moreover, he never regretted their meeting either. (chapter 60) And now, pay attention to his hand, he is slightly clenching his fist, a sign that he is pained while saying this: “Have a safe trip home!” The word “home” and his gesture display that deep down, he was happy to see him. He is longing for home, but he can not express his true desire. Thus I deduce that Joo JAekyung’s words in front of the restaurant must have moved his heart: (chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: (chapter 44)

On the other hand, by utilizing the word “home”, he is implying that the fighter doesn’t belong here. The doctor is actually mimicking his own grandmother. (chapter 57) (chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along.

And because of the doctor’s words, it is clear that Joo Jaekyung won’t return to Seoul. He just needs to stay by his side in order to gain his trust. The longer the fighter stays in that place, the longer he will be able to detect the deceptions surrounding the doctor: (chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame.

One thing is sure. Because of the doctor, Joo Jaekyung will be forced to admit that home is where the physical therapist is. With his goodbye, Kim Dan was challenging his former boss , (chapter 60) a new version of this scene. (chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.

Conclusion

The kisses in Jinx are more than just physical acts; they are symbolic markers of Joo Jaekyung’s emotional journey and his evolving relationship with Kim Dan. The locker room (chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss (chapter 60) signifies selflessness, openness, and recognition. However, both kisses, initiated by Joo Jaekyung, were not truly expressions of deep love or genuine emotional pleasure. As technical gestures borne out of urgency and care, they left no lasting emotional trace in their relationship.

This lack of emotional permanence highlights the characters’ ongoing struggles. While Joo Jaekyung shows signs of growth, he has yet to fully understand or confront the complexities of Kim Dan’s mental and emotional state. Similarly, Kim Dan’s passivity and silence in earlier moments underline the barriers that remain between them. Trapped in his own misery, he fails to see the physical deterioration from his former idol. The juxtaposition of these kisses serves to illustrate the fragility of their bond and the slow, uneven process of their personal and relational evolution. Through these moments, the author masterfully portrays the intersection of urgency, care, and miscommunication, ultimately crafting a nuanced exploration of healing and connection amidst shadows. Once again, it exposes the importance of honesty and clear communication in a couple.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Mermaid’s🧜‍♂️🧜‍♀️ Illusion of Love 💝 (second version)

Hans Christian Andersen’s The Little Mermaid offers a nuanced exploration of love, conditional relationships, and the struggle for independence. In a previous essay, The Painful Mermaid’s Aspiration, I explored parallels between Andersen’s tale and Jinx, focusing on themes of sacrifice and transformation. However, deeper analysis has revealed additional layers to these parallels, particularly in the dynamics of conditional love, independence, and the pursuit of dreams, which merit further exploration here. The little mermaid’s yearning is expressed poignantly in her dialogue with her grandmother:

This statement reflects the mermaid’s desperation and her willingness to sacrifice everything for her dream. The old woman’s response highlights the impossibility of her aspiration without absolute devotion from the prince:

The unattainable condition imposed by the old woman underscores the imbalance in the mermaid’s love. The grandmother’s description of the prince’s hypothetical love suggests it would transcend familial bonds, symbolizing a selflessness so profound that he would give a part of himself to his partner. However, this ideal of love contrasts sharply with the mermaid’s sacrifices, as in verity her yearning for the prince is intertwined with her desire for an immortal soul. Her physical attributes, cherished in her own world, are deemed unattractive on land, symbolizing the rejection of her true self. Her conditional love requires her to give up her voice, her identity, and even endure physical pain. This duality—a love that demands selflessness yet is rooted in conditional aspiration—reveals the inherent imbalance in her quest for acceptance and fulfillment. The matriarch’s final remark—“Let us be happy and dart and spring about during the three hundred years that we have to live, which is really quite long enough; after that we can rest ourselves all the better”—urges the mermaid to embrace her current existence rather than chase an impossible dream. However, if she had followed her grandmother’s advice, she wouldn’t have truly lived at all, for she has always been feeling miserable deep inside.

This tension between illusion, aspiration and self-acceptance mirrors the emotional struggles in Jinx, particularly the relationships between Heesung, Potato, and Kim Dan. Moreover, as I delved deeper into the story, I realized that Andersen’s fairy tale carries an even more poignant message: dreams, while often a source of aspiration, can also be illusions that shatter upon collision with harsh realities, like for example the broken promise (“The prince said she should remain with him always“) from the prince who denied the existence of death in their life. This essay builds on these reflections, delving deeper into the overlooked dimensions of dependency and conditional love, revealing how these dynamics shape the characters’ paths toward independence and self-realization. The little mermaid’s yearning, intertwined with her desire for an immortal soul and as such for her own identity, mirrors the characters’ pursuit of validation and dreams, often at the cost of their individuality. Like the mermaid, these characters grapple with the conflict between their dreams and the realities of conditional relationships. While Andersen’s tale portrays the little mermaid’s yearning for the prince and the human world as both a source of aspiration and tragedy, Jinx reinterprets these themes through the lens of modern relationships, showing how dependency and idealization can hinder self-discovery and fulfillment. The parallels extend further, as each character’s journey reveals deeper truths about love, independence, and personal growth.

The Illusion of the Prince: Joo Jaekyung and Potato

In The Little Mermaid, the prince represents the little mermaid’s idealized dream of the human world. However, her love for him is deeply intertwined with her desire for an immortal soul. This duality—a mix of genuine affection and conditional aspiration—renders her relationship with the prince inherently unbalanced.

Similarly, Joo Jaekyung serves as an illusion in Potato’s life. (chapter 23) Potato initially admires the champion, aspiring to be like him (chapter 23) and dreaming of recognition as his sparring partner. (chapter 23) Joo Jaekyung, much like the prince in Andersen’s story, projects an image that masks the reality of his life. His success, while celebrated, represents years of hard work and immense personal sacrifices. At the gym, Park Namwook undermines these efforts by slapping the athlete (chapter 7) and calling him “my boy,” (chapter 40) effectively denying Joo Jaekyung the acknowledgment he deserves for his achievements. Potato is misled by this fabricated image (chapter 23), drawn to the champion’s public persona rather than understanding the struggles beneath it. Moreover, Joo Jaekyung can also be viewed as a mixture of both the prince and the mermaid, embodying the illusion of grandeur while simultaneously bearing the silent pain of sacrifice and transformation. This duality deepens the parallels between Andersen’s tale and Jinx, highlighting the complexities of admiration, dependency, and self-realization. To conclude, this admiration is rooted in superficial qualities: Joo Jaekyung’s public persona, his success, and the light he projects to the world. Furthermore, Potato’s physical differences—his smaller frame and lighter weight category—highlight the impossibility of truly becoming like Joo Jaekyung. (chapter 23) This realization mirrors the little mermaid’s struggle to reconcile her nature as a seductress of the sea with her dream of becoming human.

Potato, drawn to this carefully curated public persona, aspires to emulate the champion (chapter 23) without understanding the profound struggles beneath his image, failing to perceive Joo Jaekyung’s unhappiness, struggles, and loneliness. Like the image is exposing it, Potato views the athlete as a companion as well whose efforts should serve to keep him company. This dynamic mirrors the little mermaid’s conditional love for the prince, as Potato’s idealization is rooted in his own aspirations rather than genuine understanding. Just as the prince remains oblivious to the mermaid’s sacrifices, Potato overlooks the reality of Joo Jaekyung’s burdens, emphasizing a dependency that hinders true recognition and connection. Once his reputation as a champion is tarnished (chapter 52), the amateur starts distancing himself from his former idol. This exposes the fragility of Potato’s dream. Therefore it is not surprising that he starts taking a different path: acting, though I still think, it is temporary. However, behind the glamorous facade of the show business, there exists a dark side as well. (chapter 59) Heesung’s fate is similar to the champion’s. Despite his popularity, the actor is deeply unhappy. He feels lonely, for people only know the actor and not the man behind the mask. That’s the reason why he is looking for his soulmate. (chapter 33) That’s how I realized why Potato and Heesung are destined to be together. They are both self-centered, dishonest and blind, but more importantly they are chasing after an illusion which is strongly intertwined with immortality. In addition, my avid readers should keep in mind what Potato truly expressed, when Mingwa introduced this “chow chow”. (chapter 23). In reality, he wanted to use the athlete as his servant. The closeness (chapter 23) he was seeking was self-serving. While the amateur and the actor are searching for the “perfect companion”, the other couple has no expectation from others. They both have no longer any dream or hope. That’s the reason why Kim Dan was putting this vision of Joo Jaekyung behind a veil: (chapter 58) He was giving up on his dream expressed in the birthday card, (chapter 55) though I believed that he had another bigger wish, but due to his low self-esteem, he didn’t dare to express it: (chapter 55) My newest theory is that he wanted Joo Jaekyung to teach him fighting, but not for himself, but in order to help the fighters and in particular to protect the champion’s body: (chapter 25) (chapter 25) To develop a training where injuries are minimized. In season 2, it is clear that Joo Jaekyung and Kim Dan have reached the bottom. Both feel empty and exhausted. They were crushed by harsh reality, and they had no one by their side to listen to their pain. Therefore it is not astonishing why the doctor could not confide to the actor and the amateur fighter. They arrived too late. (chapter 58) Their presence definitely diverted the doctor’s attention, lessening his pain.

Initially, Potato views the champion as an infallible figure, a symbol of success and strength. However, his perception begins to shift as he confronts the realities of the MMA world and his own identity. Potato’s loss of innocence is closely tied to the discovery of secrets. In Episode 25, (chapter 25) he learns the true nature of the relationship between Kim Dan and Joo Jaekyung. This revelation forces him to confront his own repressed feelings, as he unconsciously realizes his attraction to the fighter. (Chapter 25) Heesung’s involvement further complicates matters, as Potato confesses his love for Joo Jaekyung (chapter 35) while simultaneously vowing to sacrifice his feelings for the sake of the couple’s happiness. This act demonstrates Potato’s pure and selfless definition of love, (chapter 35) contrasting with the conditional love depicted in Andersen’s tale.

However, Potato’s understanding of love remains naive. He fails to grasp the distinction between love and physical relationships, unaware of the darker realities of one-night stands and transactional connections. (Special episode 1) His discovery of sports gambling (chapter 52) and the switched spray the (chapter 52) which is strongly intertwined with the departure of disloyal members from Team Black marks another step in his journey toward disillusionment. While Potato initially views this as an isolated incident, it exposes the broader corruption within the MMA world, including the betrayal, greed, and lack of loyalty that undermine its integrity. While he views himself as loyal to doc Dan and Team Black, for he remained at the gym, his heart was not. He is becoming like his hyungs, Park Namwook and Heesung. In Andersen’s tale, the mermaid’s journey to the sea witch represents a pivotal moment of transformation. By sacrificing her voice and enduring physical pain, she gains entry into the human world, but at the cost of her identity. Similarly, Potato’s journey is marked by painful discoveries that force him to confront uncomfortable truths. Through Kim Dan, he will begin to see his own flaws before he is able to recognize them in those he once trusted.

Heesung and Conditional Love

In the fairy tale, the prince represents the mermaid’s idealized dream—a vision of love and immortality. However, the prince’s love is conditional and superficial. While he admires the mermaid’s devotion and affection, he remains blind to her true identity and sacrifices. This dynamic is epitomized in his words:

The prince’s affection is rooted in comparison and memory, not in genuine understanding. And that’s exactly how the actor is thinking. He compared his sex partners to his ideal.

Heesung embodies the concept of conditional love in Jinx. (chapter 33) He can only love his soulmate, and the latter has to be perfect. By seeking perfection in his “soulmate”, he doesn’t realize that he is exposing his darkness and inhumanity. How so? It is because imperfection defines humans. He is denying the existence, error is human. Funny is that his fated partner embodies mistake and imperfection! (chapter 23) (chapter 25) (chapter 35) The latter doesn’t mind breaking social norms by yelling or causing a fight at a restaurant. But let’s return to the actor’s confession at a bar. It’s not surprising that Heesung appears indifferent to the affection of those who cared for him. The last partner was described as too clingy. This means that Heesung places himself as the judge. In addition, it was, as if he was a god destined to live forever. He is forgetting his human condition, just like his partner’s. And that’s exactly how the prince in The Little Mermaid views life.

For him, it looks like death or change don’t exist, though he doesn’t realize that his fate got changed through the intervention of the mermaid. Had she not rescued him, he wouldn’t have been able to have a companion and a wife. His perfect happiness is paid by the efforts and sacrifices of others. He is surrounded by beautiful slaves who have no voice and as such no freedom:

Through this quote, readers can grasp why the prince didn’t see the mermaid as a possible love interest. She was not his equal socially. Therefore it is not surprising that he chose to have an arranged marriage. I would even add that her voicelessness is viewed as a sign of stupidity, because she can not express her opinion. She is forced to follow the prince’s requests. The prince’s failure to recognize the mermaid’s true nature and the depth of her sacrifices underscores the fragility of dreams built on illusions. His promises, though well-meaning, are symbolic of fleeting ideals that crumble under societal and familial pressures. We could say that in the end, he refuses to become responsible for the mermaid.

And this remark brings me back to Heesung and his relationship with Potato: (special episode 1) With this request, he implies that he will never become responsible for the amateur fighter. Therefore he can hide his homosexuality behind the young fighter. He used Potato’s mistake to his advantage. (special episode 1) By asking Potato to take care of all his needs and desires, Heesung placed himself in a position where he had power and could control Potato. That’s how the young fighter made a dangerous deal with the gumiho. No wonder why his sex role play was a prince interacting with a guard. (special episode 2) Hwang Yoon-Gu didn’t realize that by taking responsibility for the actor, he lost his freedom and as such his voice. Is it a coincidence that Mingwa portrayed the young maknae as someone who would raise his voice due to his emotions in the past? (chapter 25) (chapter 35) No, and it becomes obvious that when he is reunited with Kim Dan, (chapter 58) his behavior is totally different than with the actor: (chapter 58) Tears, touch, raising his voice with Kim Dan, but not with the comedian. With the actor, he looks more calm, distant and mature. Heesung’s selfishness is evident in his treatment of Potato, whom he manipulates into becoming an extension of his own image. Hence he is no longer wearing shorts and tee-shirts. (chapter 59) One might say that he is gradually elevating Potato’s status through his suggestions. (special episode 2) By encouraging Potato to work as an actor and shaping him into a version of himself, Heesung prioritizes his own desires over Potato’s individuality. He is not asking what Potato’s true dream is. But this was his dream originally: (chapter 23) The problem is that in the past, he was too passive, waiting for the right opportunity. (chapter 23) Why? It was due to his low self-esteem. (chapter 23) He was not confident enough, for he was the only one with such a weight-category.

And why did the prince suggest Potato to become an extra? On the one hand, it was an easy way to make money, on the other hand, Heesung didn’t want to reveal his true thoughts. He desired a companion by his side too. However, giving him the opportunity to be an extra, Potato could get criticized that he got this acting job through connections. And this reminds me of the little mermaid, who received people’s admiration and the prince’s superficial admiration, yet in reality, the latter had no one by her side to talk about her pain. She was never given a name or a status, her position was defined by her relationship with the prince.

Potato’s growing dependency on Heesung reflects the little mermaid’s surrender of her voice and identity for the prince. In both cases, the individual sacrifices their true self for a love that is neither reciprocal nor nurturing. The prince might have developed an affection for the mermaid, but he never recognized her as worthy to be his bride. I believe that this gesture (special episode 2) played a huge influence in Potato’s decision to take the offer as an extra. It was, as if one of his dreams had come true. But is this what he truly wanted?

Heesung’s refusal to wait for Potato after leaving Kim Dan (chapter 58) underscores his indifference, symbolizing the unbalanced dynamic in their relationship. Like the prince, Heesung offers no genuine commitment, leaving Potato to grapple with the consequences of his dependency. Thus I perceive Potato’s tears (chapter 59) as a signal that he is not truly happy. (chapter 58) However, this is about to change. Heesung who likes novelty and change is not realizing that his wish is becoming true. The picture with his last work announces the end of his “friendship” with Potato. How so? (chapter 58) The actor chose to become responsible for hiding information from Joo Jaekyung. And he used the mermaid Kim Dan for his decision. He created the impression that he truly cared for the main lead. And how did the prince react to the vanishing of the mermaid? He got caught by surprise and definitely hurt.

He realized too late that his marriage could have consequences with his relationship with the voiceless mermaid. Through her vanishing, she actually revealed her independence and expressed her thoughts. She was not the prince’s eternal companion. She was an independent human being.

Kim Dan: A Mirror to the Little Mermaid

Kim Dan’s experiences parallel the little mermaid’s journey in profound ways. Raised in an environment defined by conditional love, (chapter 53) Kim Dan learned to prioritize the needs of others over his own. His grandmother’s reliance on him mirrored the traditions and expectations imposed on the mermaid by her underwater world. Just as the little mermaid longed for the human world’s light and freedom, Kim Dan yearned for an escape from his oppressive circumstances.

The death of a puppy in Jinx adds another symbolic layer to these parallels. (chapter 59) Kim Dan once referred to Potato as a puppy (chapter 29), drawing a connection between the character’s innocence and loyalty. (chapter 59) However, Potato’s departure reveals an underlying superficiality and disloyalty—he merely asks Kim Dan to call him when he visits Seoul, failing to acknowledge the depth of their bond. This reminded me of the prince’s fake promise:

He is here actually mimicking Heesung’s behavior who had made a similar offer to the physical therapist: (chapter 35) This shows that Heesung has long internalized this pattern: assistance will be only given, if he is called. That’s why he has no true friend in the end. He shows no interest in others. But by doing so, he is putting the whole responsibility on his counterpart. Through the actor and the manager’s behavior, the former errand boy has long adopted this pattern. Hence he didn’t call Kim Dan in the end. He waited for a signal from his part. This behavior mirrors the little mermaid’s sisters, who only realize her absence when it is almost too late to act. Similarly, Potato’s casual farewell highlights a betrayal of Kim Dan’s friendship, further emphasizing Potato’s struggle with emotional awareness. That’s why I mentioned above that Potato is about to discover his true nature: he is also a sinner. This growth parallels the biblical narrative of Adam and Eve, where the acquisition of knowledge leads to the loss of innocence. Heesung, like Eve, introduces Potato to a new world of experiences, including his sexual orientation. However, this newfound knowledge comes with its own burdens, as Potato must reconcile his identity with the harsh realities of the world around him.

This raises the following question: what if Potato blocks Heesung’s phone number after their break up or argument? (chapter 5) Heesung could no longer express his needs and desires.

The death of the puppy, occurring shortly after Potato’s departure, symbolizes a loss of innocence and marks his transition into adulthood. Yoon-Gu is slowly becoming a new version of Joo Jaekyung, he hides things from Oh Daehyun and the other hyungs. He is blinded by the smiles and gentle gestures of the gumiho. Naturally, there’s no doubt that Heesung is falling in love with the maknae. The latter has become the perfect lover, but his dream is about to get crashed by reality. (chapter 58) Just because one is happy, this doesn’t mean that the other is. For that to happen, communication and honesty are necessary.

(chapter 59) This event underscores the contrasting paths of Joo Jaekyung and Potato. While Joo Jaekyung is forced to give up his principle of “self-reliance,” (chapter 59) Potato’s journey is to discover and embrace the principle of “self-reliance” and autonomy. Only when Potato becomes independent in his thoughts and decisions, can he truly help the main couple.

So far, Potato has relied heavily on the guidance and judgment of others: his hyungs, Park Namwook, Yosep, and Heesung. This dependency is evident when contrasting his behavior in episodes 47 (chapter 47) and 52. Initially, he believed in his hyungs’ description of Joo Jaekyung as a thug, but later he criticized the same fighters for abandoning the athlete (chapter 52), accusing them of lacking loyalty and dismissing their claim that they had nothing to learn from him. Yet, in episode 52, Potato does not reproach Park Namwook or Yosep for their passivity and naivety, (chapter 52) instead solely blaming Joo Jaekyung for not trusting Kim Dan and causing his departure. This selective criticism reveals that Potato still views the older men as inherently good and fails to recognize his own shortcomings. In this way, he mirrors Park Namwook’s superficial loyalty, further emphasizing his dependence on external validation.

Another significant detail is Potato’s absence during the birthday party, where Park Namwook expressed gratitude toward Kim Dan. (chapter 43) This absence highlights how Potato has missed key moments of reflection and acknowledgment, which are essential for his growth. It suggests that Potato is destined to detect the flaws in his hyungs—Park Namwook, Yosep and Heesung’s superficiality, passivity, hypocrisy and selfishness—before he can achieve true independence and contribute meaningfully to the lives of Joo Jaekyung and Kim Dan.

Kim Dan’s attentiveness to Potato’s emotions (chapter 23) —taking over his tasks and noticing his unhappiness (chapter 25) —demonstrates his capacity for genuine care. This contrasts sharply with Heesung’s selfishness and serves as a reminder of the value of mutual support in relationships. Potato’s potential return to the place where he met Kim Dan could symbolize a rediscovery of authentic connections, marking the beginning of his path toward independence and self-realization.

Independence and Rediscovery of Dreams

The little mermaid’s transformation into a daughter of the air signifies her liberation from heartbreak and physical pain. While she loses the prince, she gains something far more significant: a purpose independent of him. Her ascension represents the realization that true fulfillment comes from within, not from external validation. (chapter 58) Notice that Potato is embarrassed here, a sign that he is not happy. And he has a reason for that. Neither Heesung nor Yoon-Gu are coming out, they are still following social norms which reminds us of the prince’s marriage. Furthermore, when the actor is complimenting on Potato’s acting, the latter doesn’t acknowledge it, because deep down he knows that he got this gig through Heesung and their relationship (chapter 58) And like mentioned above, this could become a serious problem for Yoon-Gu. He could be perceived as someone selling himself for a gig. And Heesung is not even realizing the consequences of his intervention and meddling. That’s why it is important for Yoon-Gu to become independent. This lesson resonates with Potato’s journey in Jinx. By recognizing Heesung’s selfishness and breaking free from his influence, Potato has the potential to rediscover his own dreams and individuality. Like Erich Fromm mentioned it, true love is respect, care, knowledge and responsibility. However, Heesung has no idea about the importance of these notions, as everything is evolving around his own needs and dreams.

Besides, if Potato’s dream is still to seek wealth and fame like in the past (chapter 23), he should be aware of the danger in the MMA world, like for example death and bad injuries. Moreover, if we take into consideration that he wanted to be like his role model, it signifies that Yoon-Gu associates fortune and celebrity with happiness which is a real illusion, like Heesung and Joo Jaekyung’s hidden misery and loneliness expose it. But I doubt that the actor ever talked about Yoon-Gu about it.

Finally, Yoon-Gu hasn’t met his former idol yet, so he was not able to see his suffering: (chapter 58) That’s how it dawned on me that little by little Yoon-Gu had been losing his senses: (chapter 31), his smell, then his ears (chapter 52) and finally his eyes: (chapter 58) He forgot the danger coming from Heesung’s words, he could not hear the suffering from the champion due to his bias, and finally he couldn’t see Kim Dan’s distress due to his own feelings and prejudices. We could say that because of the influence from others, he was no longer able to see reality. However, like mentioned before, I sense the return of Potato’s senses in the following panel: (chapter 59) His silence and hesitation shows that he detected something was wrong, but he couldn’t determine that this was related to the actor’s cold and distant goodbye.

In my opinion, Kim Dan has always helped Yoon-Gu to mature and voice his own thoughts and desires. If Potato were to return to the place where he met Kim Dan or learn about Kim Dan’s struggles, it could serve as a pivotal moment in his transformation. Reconnecting with Kim Dan, who genuinely cared for him, might inspire Potato to forge a new path. This could parallel the little mermaid’s ultimate realization that her dreams and identity are separate from the prince.

The Role of the Number Six and Maternal Symbolism

Another significant layer in Andersen’s fairy tale is the little mermaid’s identity as the sixth child. The number six, often associated with motherhood and the heart, highlights her nurturing qualities and selflessness. Her distinctiveness among her siblings is reflected in her unique garden, designed in the shape of the sun, symbolizing her longing for light and individuality. Despite these efforts, no one paid attention to her garden, mirroring how her inner world and emotions were overlooked. And this coincides with my observation about the numbers in Jinx. 6 announces the beginning of a new relationship.

This parallels Kim Dan’s experience in Jinx, where his well-being and emotions are ignored by those around him. He, too, acts as a maternal figure, selflessly caring for others while receiving little in return. This maternal role further emphasizes the weight of his sacrifices and his struggle to be seen as an individual.

The death of the puppy (chapter 59), coinciding with Potato’s departure, underscores this theme of overlooked emotions and unreciprocated care. As Joo Jaekyung reflects on Kim Dan’s comparison of Potato to a puppy, it may catalyze a pivotal shift, prompting him (chapter 29) to adopt a puppy for the doctor’s sake and bring him to their new home.

Conclusion: Love, Dependency, and the Pursuit of Dreams

The Little Mermaid and Jinx both explore the complexities of love, conditional relationships, and the search for independence. Andersen’s tale warns against losing oneself in the pursuit of another’s love, emphasizing the importance of self-discovery and personal growth. In Jinx, these themes are echoed through the dynamics between Heesung, Potato, and Kim Dan. Joo Jaekyung, as an illusionary prince, represents the dangers of idolization, while Heesung’s selfishness highlights the pitfalls of conditional love. Ultimately, the journeys of these characters underscore the importance of finding one’s own voice, embracing individuality, and pursuing dreams on one’s own terms.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Craving Mama’s 👩‍👦Shine ☀️ – part 2

Mama or Joo Jaekyung?

After reading the first part, my follower and avid reader @rantofalifetime brought my attention to this panel. (chapter 57) She wondered if this nickname “MAMA” was not a spelling mistake, and that the translator might have meant “MMA fighter Joo Jaekyung.” Intrigued by this possibility, I sought clarification, and indeed, in the Japanese version (episode 57) the reporter introduces the main lead differently: “Next, we have news regarding Joo Jaekyung.” This subtle difference is significant for three reasons.

Fighter Joo Jaekyung and its implications

First, it shifts the tone of the news. By omitting the nickname “MAMA” and using a more neutral phrasing, the journalist appears more professional and unbiased. This deliberate neutrality lends credibility to the report, giving viewers the impression that the information presented is factual and untainted by bias. Second, this choice strategically conceals the existence of any underlying manipulation or conspiracy, aligning with the larger narrative tactics observed throughout the interviews. The omission of the nickname highlights the calculated nature of MFC’s media strategy, showcasing how tone and language are carefully curated to influence public perception. Finally, like my friend noticed it, something was missing in this introduction: the nickname Emperor. The omission of the nickname “The Emperor” in the second interview is a subtle yet significant detail. It not only signals a shift in how Joo Jaekyung is perceived but also reveals a deliberate effort to undermine his status. As my friend keenly observed, this change in language demotes the champion from his previously exalted position. While he was once heralded as “The Emperor,” the absence of this title in the current narrative exposes an underlying strategy of manipulation and control. It is as though his stature is being diminished step by step, aligning with MFC’s broader agenda to distance themselves from his achievements and frame his struggles as personal failings. This seemingly minor detail becomes a glaring indicator of the deception at play, further underscoring the calculated nature of the interviews. On the other hand, they are not using the suspension as an excuse for the loss of his title. (chapter 57) And what does it mean?

Rewriting the past

The organization’s deliberate omission of the health center incident (chapter 52) and the suspension from their narrative highlights a calculated effort to erase inconvenient truths that could tarnish not only MFC’s reputation but also that of the medical professionals complicit in their schemes. Let’s not forget (chapter 41) the complicity of the doctors who cleared Joo Jaekyung to fight despite his evident injuries as another example of the corruption within this world. Moreover, by avoiding any mention of the suspension (chapter 52) (chapter 57), which stems from Joo Jaekyung’s actions at the health center, MFC ensures that questions surrounding the incident—such as the switched spray and the deliberate injury to his ankle—are never raised. This allows both the organization and the doctors involved to escape scrutiny.

By neglecting to use the suspension as a justification for the champion’s alleged fall from grace, MFC subtly frames the athletes as solely responsible for their setbacks, deflecting attention away from systemic corruption. The erasure of the health center brawl, where Baek Junmin provoked Joo Jaekyung, (chapter 52), is not only a protective measure for MFC but also shields the medical professionals who facilitated the situation. Doctors at the health center failed to report the ankle injury caused by the sabotage (chapter 50), further implicating them in a network of complicity and greed. Their decision to place the two fighters next to each other without proper privacy measures, such as curtains, reveals a disregard for professional ethics in favor of spectacle and profit. I would even add, the decisions from the health center’s medical staff, played a significant role in escalating the situation. By placing Joo Jaekyung and Baek Junmin next to each other post-fight, without appropriate measures like curtains to ensure separation, the health center created an environment ripe for conflict.

This negligence directly contributed to Baek Junmin’s severe injuries , (chapter 52) as the provoked champion lashed out in an unregulated setting. The decision to ignore these systemic failures and instead to suspend Joo Jaekyung suggests a deeper layer of complicity from the medical world, where doctors and nurses prioritized organizational demands and reputational interests over ethical responsibilities. Their failure to report the provocation and the ankle injury caused by the switched spray further highlights their alignment with MFC’s corrupt practices.

The vanishing of the shooting star

This complicity extends to Baek Junmin’s trajectory as a fighter. Once celebrated as a rising star with “star quality” (chapter 47) and favored by MFC’s CEO, Baek Junmin has now been discarded, his relevance extinguished the moment he ceased to serve the organization’s agenda. (chapter 57) His involvement in the underground fighting circuit and illegal gambling adds a layer of complexity to his role. (chapter 47) His background, combined with his visible association with MFC’s CEO, positions him as a key figure who could potentially expose the organization’s darker practices.

Rather than remaining a simple antagonist to Joo Jaekyung, Baek Junmin’s evolving role shifts him toward that of a pivotal witness. His potential testimony against figures like Choi Gilseok and the corrupt medical professionals could unravel the facade that MFC has worked so hard to maintain. This transformation invites readers to reconsider the hierarchy of villains and victims within the narrative. While Baek Junmin’s earlier provocations painted him as an adversary (chapter 49), his ultimate fate now reflects the broader cruelty and exploitation perpetuated by those in power. That’s how I realized the other signification of the cross below his left eye. The latter symbolizes his blindness in the end. The cross signifies his inability to see beyond the role he played within the system—a symbol of his naivety and misplaced confidence. Baek Junmin believed he understood the brutal reality of the fighting world, given his background in underground rings and illegal gambling. He thought his experience and cunning gave him an edge, making him untouchable or indispensable. However, his taunts to Joo Jaekyung (chapter 49) reveal a man who overestimated his position within the organization.

His role as a fighter in the shadows, bound by corrupt systems and ruthless practices, prevented him from recognizing his true dispensability. MFC’s abandonment of him after his injuries and the lack of media attention further underline this. Baek Junmin, who once took pride in being part of such a system, failed to realize that he, like Joo Jaekyung, was merely a pawn in a game controlled by higher powers. The cross, therefore, becomes a stark reminder of his ignorance—not just of his own situation but also of the shared plight of those exploited within this system.

This blindness also extends to his inability to see himself as part of a larger narrative of manipulation. His dismissal by MFC, after being paraded as the next rising star, parallels the broader exploitation of fighters, making him not just a villain but also a victim. The irony is that while he mocked Joo Jaekyung’s perceived vulnerabilities, he was equally, if not more, vulnerable to the same forces that ultimately discarded him. (chapter 52) Thus he is erased from the news.

Between Fiction and Reality

This dynamic highlights the dehumanizing nature of the combat sports world portrayed in the story. Fighters are reduced to pawns, manipulated through orchestrated narratives, and discarded when they are no longer useful. The inclusion of Baek Junmin as a potential whistle-blower not only reveals the systemic corruption within MFC but also foreshadows a potential turning point. His decision to expose the illegal activities he has witnessed, including the complicity of the doctors, could serve as the catalyst for dismantling the network of exploitation controlling the fighters’ lives. His evolution from a rival to a reluctant ally, shaped by shared experiences of manipulation and abandonment, would underscore the collective struggle of those ensnared in the system. This would emphasize the need for unity among the exploited in confronting the forces of greed and corruption that dominate their lives. On the other hand, since in episode 54, the champion is blaming Baek Junmin once again (chapter 54), it shows the athlete’s lack of reflection and insight. He hasn’t been able to discern the truth, the corruption of his “world”. This means that he needs to travel and experience a whole new world. The contrast would serve as an eye-opener for the athlete.

Mingwa’s storytelling in Jinx is layered with sharp social commentary, and the narrative’s critique of organizations like MFC can certainly be seen as a mirror to real-life entities such as the UFC. By delving into the corrupt underpinnings of MFC, Mingwa exposes the dehumanizing aspects of combat sports, where fighters are reduced to commodities rather than respected athletes. Through characters like Joo Jaekyung and Baek Junmin, the story critiques the exploitation, systemic manipulation, and lack of accountability within these organizations.

The parallels are striking. Just as MFC uses fighters for profit and discards them when they’re no longer useful, real-life organizations in the fighting industry have faced criticism for their treatment of athletes—be it inadequate healthcare, manipulated narratives to boost viewership, or prioritizing financial gain over the fighters’ well-being. The absence of transparency, as seen in the suspension’s omission in Jinx, reflects a calculated attempt to control the narrative and avoid scrutiny, a tactic not uncommon in corporate sports environments.

Silencing the Outsider: MFC’s Strategy Against Kim Dan

The second interview (chapter 57) holds significant weight in the context of Kim Dan’s storyline, as it appears to be strategically (chapter 56) released shortly after the champion’s urgent request to locate him. This timing is no coincidence. Instead, it reflects a calculated effort to manipulate both the public narrative and Kim Dan’s own perception of his role and value. By introducing the anonymous person as “one of his close associates”, it implies that the champion has already moved on from the protagonist. He is not missing him at all. At the same time, it implies that within a short time, the person was able to get the athlete’s trust which stands in opposition to this scene: (chapter 51) Thus I conclude that the interview serves a dual purpose: to emotionally undermine Kim Dan and to cement his estrangement from Joo Jaekyung.

First, the interview subtly shifts the blame for the champion’s so-called “loss” onto external factors, including his struggles with recovery and mental well-being. (chapter 57) While it does not explicitly mention Kim Dan, the implications are clear. As someone who was deeply involved in Joo Jaekyung’s health and recovery during the lead-up to the match, Kim Dan is indirectly made to feel responsible for the champion’s struggles. This psychological manipulation creates a sense of guilt, making him question his capabilities as a physical therapist and his influence on the champion’s performance. However, they fail to achieve their goal, because his subsequent reflections reveal a deeper realization (chapter 57): his regret was not merely about using the spray but about his failure to assert himself professionally. (chapter 49) By complying unquestioningly with the champion’s requests, he had diminished his role, acting more like a servant than a competent physical therapist. The interview, though painful, (chapter 57) serves as a harsh wake-up call, forcing him to confront his own shortcomings and reevaluate his behavior.

The introduction of the new physical therapist further amplifies this shift in perspective. If the new PT indeed represents a professional eager to stand in the spotlight and claim authority, their presence acts as a stark contrast to Kim Dan’s former passivity. It highlights the missed opportunities in Kim Dan’s past—instances where he could have spoken up (chapter 41), drawn boundaries, and made his expertise known. I would even add that he never felt responsible for the champion’s reputation in the media (chapter 36) Hence he remained passive all this time. His negligence becomes more obvious, when the media released this wave of articles: (chapter 52) Thus I discern a turning point in the doctor’s mentality. The last interview served as a painful wake-up call. This juxtaposition not only deepens Kim Dan’s understanding of his mistakes but also offers a model for the kind of professional he aspires to become. He can, if he wants to be in the spotlight: (chapter 41) In addition, while many Jinx-Philes are blaming the champion for his outburst, (chapter 50) rejection and (chapter 50) accusations, (chapter 51), the main lead is not blaming his fated partner at all. Why? It is because none of this would have happened, if he had acted as PT and trusted his own hands. He was too passive, standing by the sideline. He never became proactive. (chapter 57) Therefore I deduce that the doctor should be gradually become aware of his grandmother’s wrongdoings: her passivity in front of bullying and ostracism is one of the reasons for his low self-esteem. Besides, we should keep in mind his other confession which outlines (chapter 47) his indifference and lack of professionalism. In the end, the grandmother is the reason for his lack of professionalism and neglect.

But let’s return our attention to the second interview. The latter, while deeply manipulative and likely intended to isolate both Kim Dan and Joo Jaekyung, inadvertently sparks a positive transformation. It forces Kim Dan to grapple with the realities of his role and recognize that his value as a physical therapist lies in his ability to assert his knowledge and make independent decisions. What was meant to discredit him 😉 becomes the catalyst for his growth, paving the way for him to reclaim his agency and redefine his identity within the professional and personal dynamics surrounding Joo Jaekyung. I would even add that it pushes him to separate private life from professional matters.

At the same time, the interview appears to diminish Kim Dan’s importance by omitting any reference to him altogether. (chapter 57) This omission sends a message: the champion is being “taken care of” by others, including the newly hired physical therapist, whose role is subtly elevated through the term “close associate.” By erasing Kim Dan from the narrative, MFC effectively undermines his connection to Joo Jaekyung and makes it seem as though his presence and contributions are no longer required. The implicit rejection is a cruel strategy designed to isolate him further and ensure that he stays away from the champion.

Kim Dan’s status as a freelancer further highlights the precariousness of his position. (chapter 54) Unlike the newly hired PT, who likely has the backing of a hospital or organization, Kim Dan operates independently. This independence, while offering a degree of freedom, also makes him vulnerable. He lacks the institutional support that could shield him from the manipulative tactics of MFC. Moreover, his independence places him in direct contrast to the systemic corruption that permeates MFC and its associated entities. As someone who has already been victimized by two major deceptions—the drugged nutrition shake (chapter 37) and the switched spray (chapter 57) —Kim Dan stands as a figure who threatens to expose the cracks in MFC’s carefully constructed facade. Let’s not forget that the incident with the poisoned beverage was swept under the rug by framing haters.

By keeping Kim Dan away from Joo Jaekyung, MFC is not only ensuring that he does not return to support the champion but also protecting their own interests. Kim Dan’s presence could potentially disrupt their narrative, especially if his proximity to Joo Jaekyung allowed him to uncover further instances of manipulation or corruption. His removal from the equation eliminates a wildcard that MFC cannot afford to tolerate.

Furthermore, the interview’s implicit targeting of Kim Dan underscores the predatory nature of the organization. Rather than openly addressing the champion’s request or the realities of his situation, MFC and the Entertainment agency opt to manipulate the individuals surrounding him to maintain control. The release of this interview ensures that Kim Dan feels alienated, unneeded, and even complicit in the champion’s struggles, thereby neutralizing him as a potential ally.

In sum, the second interview is as much about silencing Kim Dan as it is about reshaping the narrative around Joo Jaekyung. By targeting Kim Dan’s emotional vulnerabilities and professional independence, MFC and their accomplices seek to isolate him while protecting their interests. This calculated strategy highlights the organization’s ruthless nature and its willingness to exploit anyone—even those on the periphery—to maintain its grip on the narrative.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Starving 🍬 For Light ☀️ – part 2

After the release of Starving for Light, I made very important discoveries and as such new connections between Kim Dan’s eating disorder, his workaholism and the grandmother’s neglect. However, since the original essay was already very long, I decided to add a second part. According to my observations, Kim Dan is suffering from ARFID (Avoidant/Restrictive Food Intake Disorder). The latter is an eating disorder characterized by an extreme avoidance or restriction of food, leading to nutritional deficiencies, weight loss, or dependence on supplements. Unlike other eating disorders, ARFID is not related to concerns about body image or weight but instead stems from factors such as sensory sensitivities, fear of choking or vomiting, or a lack of interest in eating. It often begins in childhood and can significantly impact physical health, social functioning, and emotional well-being. Treatment typically involves therapy, nutritional counseling, and addressing underlying causes of food avoidance.

Evidences of the grandmother’s neglect

In the first part, this is what I wrote:

This suspicion got confirmed while rereading the story. Shin Okja has never shared a meal with Kim Dan together. One might argue about this statement because of his memory concerning his birthday. (chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene (chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. (chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater.

Moreover, I would like my avid readers to keep in mind that Kim Dan was eating his snacks alone, when she was standing next to him: (chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents.

But let’s return our attention to the scene in episode 5. (chapter 5) Notice that she only asked him if he had already eaten after hearing his question. In other words, if Kim Dan had never inquired about her meals, she would have never shown an interest in his meals. Only after hearing that he would eat later, she got worried: (chapter 5) Thus she offered him two sweet yogurts. (chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. (chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, (chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: (chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. (chapter 57) On the other hand, the expression “wasting away” displays her realization. She is seeing how Kim Dan is losing weight!! To conclude, she is not totally blind. Her grandson is not eating properly. But why is she not questioning her grandson about his meals? It is because he is working at the hospice where lunches are provided to the staff. (chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. (chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist (chapter 57) for his attitude and is now siding with the grandmother. They assume “burn out”, while the reality is that he is suffering from different traumas. But notice that he was only sent away, after Kim Dan got dizzy. (chapter 57) This shows that Kim Dan had become a ghost at the hospice for the last few days, and no one paid attention to him. He was invisible because it was his way to be “accepted” and not stigmatized as “bun” or “orphan”. People only noticed him, until he created some ruckus at the institution. However, this means that the man must have spent the night with his grandmother. Yet, at no moment she sent him away or even shared her meals with him. This shows her indifference and egoism. She contrasts so much to the protagonist’s landlord.

The landlord in the doctor’s life

Though the latter doesn’t know him that well, he is paying attention to his every move: (chapter 57) He noticed right away that he was missing. Why? It is because his room was empty. (chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? (chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. (chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. (chapter 53) And now pay attention to the PT’s departure on the day he was sent back: (chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. (chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: (chapter 57) In my opinion, this man doesn’t know the real profession of Kim Dan. Notice that he is talking about “work” in general. He can not understand why his tenant would work for days so much. Another evidence for his ignorance is that he never went to the hospice to ask if the physical therapist was there. I would even add that this man is also ignorant about the existence of Kim Dan’s grandmother. How did I come to this deduction? It is simply that the old man is anticipating the doctor’s departure. Who would move to that little town with only two bags? It is important because despite his mistakes (chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. (chapter 57) I would even add that with this advice, she was restraining him from becoming close to people in this hometown. It is her place, not his… In other words, she was forbidding him to make friends here and have a good relationship with the staff. Finally, when the grandmother says Kim Dan has no ties here,” it mirrors the hurtful stigmatization he faced as a child when he was labeled as an orphan, a “bum.” (chapter 57) Her words inadvertently repeat the narrative of abandonment and lack of belonging that has followed Kim Dan throughout his life. It feels as though she’s repeating those same accusations, reinforcing the idea that he is rootless, unworthy, and out of place. Instead of acknowledging the sacrifices Kim Dan has made for her, the grandmother dismisses him as someone without meaningful ties, perpetuating the feelings of invisibility and worthlessness he’s battled since childhood. So with this declaration “This place isn’t your hometown and you don’t have any ties here” she was triggering his abandonment issues and low self-esteem. This outlines her lack of empathy, self-centeredness and ignorance. Thus I have to admit that I am even wondering if he has not been adopted by Shin Okja.

And because the halmoni claims to be part of this hometown and the landlord belongs to the same community, I can’t help myself thinking that once he hears about Kim Dan’s true job and his halmoni, he will go to the hospice and meet her. Let’s not forget that no one recognizes or remembers her. Why? My explanation is simple. This is the place where her maiden family has been buried, but like her words display it: she never went to the hometown to visit the graves of her ancestors. The grandmother is projecting her own history of not “sticking around” for her deceased relatives onto Kim Dan. Just as she distanced herself from her family in the past (e.g., after their deaths), she now assumes that Kim Dan will do the same to her, reflecting her awareness of how such disconnection has defined her relationships. We could say, she “forgot” them, but once she is about to die, she wants to be remembered as a part of this community. This shows that this woman values tradition and the past, but in a superficial manner.

However, since the doctor has become the symbol of her past suffering, she would like to send him away. She is refusing to be burdened by worries and a guilty conscience. To conclude, she is rejecting her past and as such her responsibilities. She is now advocating “self-reliance”, while in the past, she used to ask him for favors. (chapter 53) On the other hand, the landlord embodies the opposite notions: (chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard (chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness (chapter 57), night and death.

The sequels of traumas

Since I detected symptoms of ARFID, it occurred to me the significance of the drugged beverage. (chapter 37) Kim Dan has never associated food with pleasure, love and happiness. Yet, for the first time, someone paid attention to his eating habits and suggested him to drink this nutrition shake. So the food became “poison” to him, this could only reinforce his negative disposition about eating. Is it a coincidence that soon after, he is seen sleeping and skipping meals? (chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: (chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. (chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.

And what is the common denominator between the switched spray and the drugged beverage? They reinforced his mental issues: ARFID, his depression and his low self-esteem. But the problem is that MFC , (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: (chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying (chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: (chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: (chapter 57) Because of ostracism and bullying, invisibility became his copying mechanism and the absence of shared meals could only reinforce his negative perception of himself. At the same time, the grandmother’s existence became his only source of life. So his meeting with Potato and Heesung is to remind him that he is not alone. (chapter 57) He was not forgotten, he left traces in their life. He was their sunlight, their angel.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Unspoken Gifts 🎁, Unveiled Truths🪩 in the Light of Hope 💚

The hospice named “Light of Hope” (chapter 56) in Jinx serves as a powerful symbol and narrative device, encapsulating the themes of observation, communication, and truth, as reflected in the title “Unspoken Gifts, Unveiled Truths in the Light of Hope.” Its name evokes images of enlightenment and clarity, which stand in stark contrast to the gym Team Black and the grandmother’s internal state of denial and her rejection of responsibility. This tension between the hospice’s symbolic essence and the grandmother’s actions deepens the narrative’s exploration of personal accountability and transformation.

Closeness and Observation

Unlike the anonymity of the city (chapter 35), where people’s actions and words can go unnoticed, the hospice fosters an environment of close-knit relationships and mutual observation. (chapter 56) In this communal setting, actions carry weight, and behaviors are scrutinized. Thus the door to the meeting room is made of translucent glass. (chapter 56) While in the previous essay, I pointed out that this door reflected Kim Dan’s emotional entanglement—he is physically present but emotionally excluded from his grandmother’s world, highlighting the imbalance in their relationship -, in verity this transparent door offers an opportunity for the main lead. How so? The glass door stands not only for transparency, but also for “emotional distance”. The glass allows visibility but creates a barrier, symbolizing a balance between openness and detachment. This is essential in a hospice environment, where the focus is on providing care and support without becoming overly attached to the inevitable outcome: death. For the staff, maintaining a degree of detachment is necessary for their well-being, as becoming too attached could make the emotional toll of their work unbearable. Therefore I am suspecting that the two nurses (chapter 56) will become the physical therapist and champion’s mentors and advisors. Why? It is because the nurse with the brown hair embodies those values. Her emotional distance is already perceptible in her conversation with her colleague: (chapter 56) “Apparently” indicates a certain reservation suggesting that the speaker is relying on logic or observation rather than direct emotional involvement. That’s how the readers in the English version got finally to discover the grandmother’s name: Shin Okja. The latter has a name and a room number. While her description about the grandmother oozes objectivity and facts, she shows a different attitude towards the main lead later. Here, she is speaking from her heart: (chapter 56) She is projecting herself in his shoes. Why? IT is because she got influenced by the comment from her colleague. That’s how I realized that together, they represent the balance of heart and mind, their unity and understanding forming a cohesive whole. That’s how both are able not to become indifferent or too much attached. This coincides to the dualism of their profession: care but also detachment. Under this new perspective, it becomes comprehensible why the second nurse is not referring to facts, but to impressions and imagination. Her words are strongly intertwined with rumors: “with his experience”. So far, the main lead had barely experience in his field, as his first big gig ended up in a fiasco. He didn’t stay that long at the hospital and it is the same for the champion. He only worked at the gym for three months. The dark haired woman might have seen Kim Dan’s resume and the last employer, but she didn’t notice his name (Joo Jaekyung). This is her MO for „detachment“, she doesn’t pay attention to names. Moreover, she didn’t detect that he had barely worked as a PT before indicating that she has no notion of „time“. The discrepancy between her thoughts and reality can be easily explained. She also recognized the transformation in the patients, and could link it to the doctor’s skills. The reference to “famous athlete” and the doctor’s skills created a false perception, and this had an influence on her colleague: “You’re telling me!”.

The grapevines, both literal and figurative, symbolize the interconnectedness of the residents and the flow of information that can subtly reveal hidden truths. The grandmother, who once thrived under the city’s indifference, now finds herself navigating the attentive and watchful gaze of the hospice community. (chapter 56) Her hypocrisy, particularly in her treatment of Kim Dan, remains hidden behind the guise of socially acceptable behavior. Within the hospice, residents maintain a positive opinion of her, which enables her to mask her neglect and selfishness effectively. But since the two nurses are sharing their thoughts and working as a team, it signifies that Shin Okja’s wrongdoings could be detected this time. Or better said, they will realize the true suffering from the protagonist. Nurse Heart and nurse Mind will do their best to protect their new mascot and give him what he truly needs: (chapter 56) Comfort and even a home! It is important, because this evolution represents a contradiction to the athlete’s past: Park Namwook portrayed himself as Joo Jaekyung’s savior and family. (chapter 26) The reality is that he still has no idea why the champion was acting that way. He tried to explain his odd behavior by jumping to conclusions (prejudices: a spoiled child) and by listening to others. He never used his heart and mind, rather his ears and eyes. And this brings me to my next part.

Team Black‘s heart and mind

The partnership between the two nameless nurses contrasts sharply with the fractured dynamic between Park Namwook and Jeong Yosep in Team Black, where miscommunication and hidden motives reign. Observe that only in episode 5, the champion and the manager heard about the coach’s divorce and its circumstances. (chapter 5) And the other laughed. Then the coach seems to have no cellphone. Maybe he believes to have no need for it, for he goes to the gym every day. This signifies that he expects to be informed by his hyung Namwook. However, like mentioned in the previous essay, I believe that the manager has been sweeping under the rug the terrible condition of his “boy” from the coach and the team members. To sum up, Team Black embodies the opposite of the hospice’s values. There is no transparency, because the conversation took place not outside, but behind closed door. The door might be translucent, the reality is that they sent away all the members. (chapter 36) The gym, while ostensibly a team environment, is ruled by indifference, anonymity, and a lack of genuine camaraderie. The heart and the mind are not working together. Why? It is because the coach is trusting the manager, as he views him as the heart of the gym. What he fails to see, is that Park Namwook is neither the heart nor the mind, for he is more reflecting his surroundings: money. Secondly, the manager is easily influenced and is using conformity and social norms to avoid responsibility. He fears making decisions and lets others become proactive. Joo Jaekyung, the leader, relies exclusively on Park Namwook, the manager, who undermines team spirit by fostering distrust and misinformation. (chapter 46) The member’s loyalty got questioned, but the irony is that they had the real insight. (chapter 47) Thus rumors about Baek Junmin being an illegal fighter never reached Jaekyung’s ears. That’s why the author made fun of the main lead here: (chapter 47) His ear seemed to have caught their badmouthing, but not the real information. But why did he not listen to the members? It is because Namwook had encouraged the champion to keep his distance from others. He had even planted seeds of distrust among the team with his badmouthing about the champion. He has a bad temper and is a spoiled child, so no one needs to pay attention to him and his moods. The slap was the evidence of his disrespect and hypocrisy. (chapter 52) He was not willing to listen to the fighter’s suffering, because he didn’t want to be burdened. In fact, the opposite happened. (chapter 52) The man acted, as if he had been the biggest victim. Moreover, Namwook’s actions often reflect a lack of genuine loyalty, as seen in (chapter 22) episode 22, when he falsely claims ownership of the gym and again in episode 56 when he reminds the champion of his absence from the gym, behaving as though he were the boss. (chapter 56) In reality, the true owner of the gym is the “wolf,” and Namwook’s behavior underscores his disregard for loyalty and responsibility. In fact, his words mirror the nurse’s at the hospice: (chapter 56) Since she approached the physical therapist to get closer to him and used work to create a connection, people can see the similarities between her and the manager. While she represents honesty, curiosity, care but also “ignorance”,, it means that Park Namwook embodies the opposite values: indifference and a certain dishonesty. (chapter 56) Hence he is seen talking over the phone and not face to face, unlike the nurse. He knows that his boy is struggling, but he acts, as if he didn’t know. This contrast validates my previous interpretation of the manager. His question “Is everything okay with you?” exposes his lack of genuine concern. He uses work not to praise his “boy”, but to blame him for his “negligence”. He downplays the champion’s struggles while still recovering from surgery. This lack of care creates an atmosphere of apathy, anonymity, and selfish expectation, sharply contrasting with the hospice’s values of dignity and communal care. But how do we explain this huge divergence? First, the main principles of the hospice are dignity and care, and not primarily money. Therefore the institution offers free health check once a month: (chapter 56) Then they don’t pay attention to drugs and treatment, as they are useless there. Therefore they are less prone to corruption and greed contrary to the hospitals in Seoul. This means that this institution should become the main support for the main couple. Let’s not forget that Joo Jaekyung is suing a reputable hospital, but there’s no doubt that all the institutions are siding with the medical world and not the fighter.

Furthermore, though Light Of Hope and Team Black are strongly intertwined with fighting, their focus diverges significantly. The hospice prioritizes mental well-being, addressing the emotional and psychological needs of patients who have already relinquished hope for physical recovery. (chapter 56) This contrasts with the gym, where fighting is treated as entertainment and sport, emphasizing the physical aspect while neglecting the mental health of its athletes. Ironically, even the physical treatment of its members was neglected at the gym from the very beginning, like we could see it in two occasions: (chapter 1) The fighter with the head injury received treatment from the members (self-medication) and Kim Changming had a shoulder injury which got neglected. (chapter 7) These incidents reflect the gym’s underlying indifference and mismanagement. This disparity explains why Jaekyung’s mental health suffered under Namwook’s leadership, as the gym lacked the supportive and transparent environment required to nurture emotional resilience. Jaekyung’s stay at the hospice is likely to open his eyes to this overlooked aspect, prompting him to reconsider his leadership style and the values governing Team Black. But it is the same for Kim Dan, especially if he sees how weak and neglected the fighter looks: (chapter 56) he has already become a shadow of himself.

Gifts, communication and Truth

Light, a recurring symbol of enlightenment and awareness, serves different functions in the hospice and Team Black. In the hospice, light represents the revelation of truths previously hidden by denial and pretense. (chapter 56) The nurses might come to wonder how the grandmother can happily chat and smile when her relative is barely eating and spending all his time at the hospice. For the grandmother, this light exposes her selfishness and misguided belief that she can evade accountability. (chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.

The idea of gifts further underscores the theme of communication and truth, as gifts convey a message and reveal the nature of the relationship between the giver and the receiver. For instance, Park Namwook treats the gym as though it were a “gift” bestowed upon him, despite this being far from the truth. (chapter 22) Rather than acknowledging the champion’s suffering and generosity, he exploits his position thanks to his seniority, treating the gym as his personal domain. This false sense of ownership leads to his manipulative behavior and disregard for loyalty, as he capitalizes on Jaekyung’s trust and struggles.

Similarly, the grandmother’s wedding cabinet, made of mother-of-pearl, was a symbol of her dowry and seems to hold sentimental value for her. (chapter 19) However, for Kim Dan, this object represented a burden rather than a gift. He had troubles to find a new place to stay because of her „treasure“: (chapter 16) Despite its substantial value, the grandmother never sold the cabinet to pay off the debts, prioritizing its preservation over the survival of her home and family. On the one hand, this reveals her immaturity and selfishness, as she put up with her grandson’s suffering. On the other hand, her decision created the impression to Kim Dan that this belonging had just a sentimental value and nothing more. So when the champion saw that huge Wedding cabinet, he judged it as „junk“ and that’s how the doctor got this perception validated. (Chapter 19) Hence it is not surprising that at the end, he chose to abandon this huge cupboard. (Chapter 53) Finally during her move to the Light Of Hope, she did not ask about the whereabouts of her belonging which could only reinforce the impression that this item had no real value. It had even lost its sentimental value, as she was no longer thinking of her former home. Her ignorance and forgetfulness are once again outlining her superficiality, self-centeredness and lack of empathy. The sentimental value of her Wedding Cabinet was rather shallow. But the tragedy is that when the furniture was moved the penthouse, the champion noticed this item for the first time and came to associate this cupboard with the doctor. (chapter 19) Thus I am suspecting that this Wedding Cabinet created a false impression about the doctor: Joo Jaekyung thought that Kim Dan had many clothes in this cupboard, the negative version of this scene, (chapter 42) This explicates why the athlete didn’t pay attention to his soulmate’s clothes. And now, observe that the doctor is only wearing his PT uniform. (chapter 56) Thus I am predicting a huge awakening for the champion. Without the cupboard, the champion can see that the physical therapist almost has no cloth. Thus he can only admit his humbleness and benevolence. However, the moment he hears that this furniture belonged to the grandmother, the champion can only perceive the relative in a different light. Yes, the gift should expose her true personality. At the same time, Shin Okja never gave her Wedding Cabinet to Kim Dan, so should she discover that she lost her gift or the latter ended up in the athlete’s hands, she could protest and reclaim it. My point is that this legacy serves as a tool to expose the grandmother’s childish and shallow nature.

But I believe that we should combine this present from the past with the scarf she received from her grandson: (chapter 56) She is wearing it daily and is proud of it. Deep down, she knows the true value of the scarf: it was expensive (Chapter 41) as she employs the expression „spoil to death“. By wearing the scarf with flowers, she appears wealthy, but also vain! Since I detected that Kim Dan likes pink flowers, my interpretation is that this gift mirrors the doctor’s taste indicating that he was slowly regaining his identity and confidence.. (chapter 31) And notice that the bouquet of pink roses pushed Kim Dan to talk to Joo Jaekyung about his taste. That’s how I detected a strong connection between presents and communication. Notice that on the champion’s birthday, the manager sent a message while the presents were delivered. (chapter 45) This aspect gets even validated with the doctor’s keychain. The latter not only caused an argument between the two room mates (chapter 45), but also encouraged the doctor to convey his thoughts and expectations in the card. On the other hand, he didn’t expose the whole truth (chapter 55) Another interesting aspect lies in the doctor’s shaking hands which the champion noticed, when he offered the present: (chapter 55) This scene reminded me of their first encounter: (Chapter 56) So the man must have recognized the doctor‘s fear, which explains why the champion could voice his anger later. But back then, he never wondered why the doctor‘s hands were shaking like leaves. It is because the doctor feared rejection. The present had the following meaning for the physical therapist: recognition and acceptance. The gift was the symbol for „conditional affection“ which he had long internalized due to his grandmother. But this doesn‘t end here. The shaking hands appeared in a different scene: (chapter 49) The common denominator between these three scenes is the mistake. Kim Dan feared to have made a mistake with the present, because he was afraid of the champion‘s reaction: will he accept him or not? But let‘s return our attention to the gifts from the doctor.

And what is the huge divergence between the champion and the grandmother? The latter has always accepted doc Dan’s gifts, and even kept them, though she is well aware that her grandson is broke. He might have no longer any debts, but she doesn’t know it. So should the main lead meet the grandmother wearing the beautiful and expensive scarf, he should realize the value of the cloth. He should notice that the spoiled and greedy child is the halmoni, and not his fated partner. (chapter 41) Her words at the hospital are going to come back to bite her. She should have refused them in order to save some money. To conclude, the gifts serve to expose the truth about the receivers’ personality, like we could observe in another occasion: (chapter 31)

Funny is that her Wedding Cabinet was never intended as a gift for Kim Dan but as a reflection of her own past. Similarly, the scarf becomes a symbolic extension of this dynamic, illustrating the disparity in how gifts are perceived and valued. Through these gifts, the true nature of the relationships and the inherent imbalances are exposed. The cabinet, meant to represent care and love, becomes a mirror of her selfishness and refusal to take responsibility for Kim Dan’s sacrifices. These gifts underscore the imbalance in relationships where one party takes advantage of the other’s kindness or generosity. So paying back the fighter should be seen as a reflection to the scene, where the champion rejected the keychain. Simultaneously, the money transfer (chapter 55) implies that as soon as the main couple meet each other, they will have to discuss this matter. To sum up, a gift encourages the couple to communicate, yet contrary to season 1, both should be more honest to each other at the Light Of Hope. Every word and action will appear in a different light. Another aspect is that none of them takes things for granted, which stands in opposition to hyung Namwook and the grandmother. This explicates why the latter have no problem to spend money.

The Symbolism of Light

Light, a recurring symbol of enlightenment and awareness, serves different functions in the hospice and Team Black. In the hospice, light represents the revelation of truths previously hidden by denial and pretense. (chapter 56) The nurses might come to wonder how she can happily chat and smile, when her relative is barely eating and even spending his whole time at the hospice. For the grandmother, this light exposes her selfishness and misguided belief that she can evade accountability. (chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.

In contrast, Team Black’s symbolic “darkness” represents ignorance, despair, and unhappiness. The gym’s lack of transparency and trust fosters a culture of disconnection and secrecy. This explicates why Kim Dan and Joo Jaekyung got betrayed and abandoned by the staff. Though they were both victims, no one sided with them. No one went to fetch them either or to call them. The name “Team Black” itself evokes these negative qualities, further emphasizing the divergence from the hospice’s values of clarity and interconnectedness. On the other hand, one origin of this problem is that the gym was founded for the athlete’s own needs. That means that the company must change its philosophy and in my opinion, it is related to Kim Dan. The latter embodies other values like family, dedication and selflessness. Work is not linked to money, but to self-worth. Like mentioned before, the doctor is about to conquer the gym and as such he is the true game changer.

For Jaekyung, the hospice’s light serves as a metaphorical mirror, reflecting the shortcomings of his leadership and his failure to build a true sense of community within Team Black. By entering this environment, he begins to see the value of actions over appearances and the importance of genuine relationships, which contrasts with the superficial and transactional nature of his gym.

A Catalyst for Transformation

The hospice’s name also reflects its role as a catalyst for transformation. While it offers hope and care to its residents, it also demands honesty and responsibility. The grandmother’s journey within this space is marked by a slow but inevitable confrontation with her own hypocrisy. Her interactions with Kim Dan and the hospice community challenge her to embrace the very principles that the “Light of Hope” embodies—truth, responsibility, and genuine care.

Similarly, Jaekyung’s time at the hospice serves as a turning point. Surrounded by people who value authenticity over status, he begins to shed his reliance on Park Namwook and reevaluates his treatment of Team Black. The hospice helps him uncover buried traumas and understand the impact of his actions on others, including Kim Dan. This newfound awareness sets the stage for his transformation as a leader and as a person.

Conclusion

The hospice “Light of Hope” is not merely a setting in Jinx; it is a microcosm of the story’s broader themes. It stands as a beacon of enlightenment, forcing characters like the grandmother and Joo Jaekyung to confront uncomfortable truths and redefine their relationships with themselves and others. While the grandmother initially resists this process, the hospice’s environment and its symbolic “light” gradually guide her toward self-awareness and accountability. For Jaekyung, the hospice provides an opportunity to recognize the flaws in his leadership and to embrace a more empathetic and authentic approach to life. In doing so, the “Light of Hope” becomes a place where denial fades, truths are revealed, and the potential for transformation is realized.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Burning Up🔥, Losing Control 🛞

Behind the wheel

In episode 56, we could see Joo Jaekyung losing his cool, the more he tried to find Kim Dan. This huge transformation can be detected, when Jinx-philes compare these two following images. (chapter 56) and (chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto.

As you can see, the latter stands for success, wealth, authority and domination. (chapter 56) (chapter 56) Even if the main lead is moving among other cars, people can recognize that the owner of such a car is rich and probably famous due to the brand and design. On the other hand, by roaming in the street, the champion blends into the background and as such to the mass. (chapter 56) Because Joo Jaekyung doesn’t want to be recognized, he is wearing a mask and a cap. This gesture stands for anonymity, hence no one is paying attention to him. Contrary to his frenemy at the cafe (chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: (chapter 55) It is no coincidence as well that the author showed us the star’s back, when the latter called his hyung Park Namwook. (chapter 56) Moreover, the shades are quite similar: red/orange and brown. Without his car, he is like everyone else: a human with his flaws and imperfections.

I have to admit that when I read episode 56, I couldn’t restrain myself connecting episode 56 to chapter 33 and in particular due to my essay called: These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. (chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. (chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. (chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.

Secondly, it was the wolf’s way to keep the doctor in check, to control the situation. He is behind the wheel, hence he takes the lead and had the saying in their relationship, like we could observe it in another situation: (chapter 42) And what was his attitude there? He would not listen to his passenger. Moreover, he would separate his job from his roommate’s. It looked like they were living in two different worlds, though they were sharing the car. This scene exposes miscommunication, lack of faith, stubbornness and prejudices. The fighter was not willing to accept the physical therapist’s doubts and chose to go through with the training and match.

Thus I deduce that the vanishing of his car is indicating that the athlete is now ready to LISTEN! He is no longer cut off from the world, he is moving among humans. His penthouse and his car were the reasons why he kept people at arms-length and why he preached self-reliance. They were the symbols of his success and identity: (chapter 2) (chapter 32) So by leaving them behind, it indicates that Joo Jaekyung is transforming and as such maturing. But why is he so desperate to control his life and even Kim Dan’s by leaving no room to change or “surprise”? I believe to have found the answer: chronic abuse. I know that the quote is quite long, but in this description, Jaekyung-addicts can recognize their beloved character:

After reading this, my avid readers can grasp why the champion’s past has been kept in the dark by the author and why the athlete dislikes it, when his past is mentioned: (chapter 26) First, he repressed it, but thanks to doc Dan, he is encouraged to face his traumatic past. But for that, he needs to trust someone, a person who wouldn’t judge him and would show understanding. He came to associate “pity” (chapter 37) with arrogance and weakness, but this is not true. [For more read this https://psyche.co/ideas/pity-is-an-emotion-easy-to-scorn-but-central-to-our-humanity]

This new discovery reinforces my previous hypothesis that the main lead was exposed to chronic abuse (emotional abuse, parental criticism and probably bullying), which remained undetected. So by “losing his car”, he is gradually giving up on his control issues. At the same time, it gives him the opportunity to redefine his own life. What does he want from life and his career as MMA fighter? Consequently, I come to the deduction that Joo Jaekyung is about to become the true owner of his time and as such of his own life. Let’s not forget that even in season 2, his manager is still the one “controlling” his time. (chapter 54) (chapter 56) This signifies that the champion is about to discover that in reality, he was not truly free. While he thought, he was controlling his life behind the wheel, in verity, he was just a puppet, for his decisions were influenced by his fears and past. I would even add that the loss of his routine announces his willingness to accept changes and surprises in his life. The latter are no longer perceived as a threat.

The champion’s car and his hyungs

Because Joo Jaekyung connects car with power and leadership, I came to realize why the champion trusts so much coach Jeong Yosep and his other hyung: (chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. (chapter 53) They should have brought him home. They stand for neglect and indifference due to their passivity and routine. In my eyes, they are happy at the gym, the latter represents their second family. So they imagine that it is the same for their boss. In other words, they projected their own thoughts and feelings onto the celebrity. They embody silence and lack of communication and this is actually palpable in the car. In episode 5, the manager and the MMA fighters lied to each other: (chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy” (chapter 49). Yet, he revealed his true thoughts at the hospital: (chapter 52) He has no real trust in the athlete. Finally, my avid readers should notice that we never heard coach Jeong Yosep speaking up or exchanging his thoughts to the other members there. To conclude, I interpret the car as a symbol for censorship, silence, miscommunication, stubbornness and deafness. In other words, this place is also polluted. (chapter 53) So when the champion returned home on his own after the surgery, it displays the high peak of the censorship and uncommunicativeness from the two hyungs. They didn’t bring up the eventuality that Kim Dan might have moved from the penthouse. They kept doc Dan’s departure under wraps and waited for the right opportunity. But the best evidence for this interpretation is the absence of Jeong Yosep after episode 52. From that moment on, he is no longer present in the star’s life. But there’s more to it. I noticed the absence of Jeong Yosep’s phone number. At no moment, we see him contacting the protagonist through the phone. (chapter 52) Imagine that he only reported his investigation and actions afterwards. Then on the athlete’s birthday, he didn’t send any private message as well. (chapter 45) It gives the impression that he owns no cellphone, especially if Jinx-philes recall this situation in the States: (chapter 37) He was using the landline telephone. This observation is relevant, because it exposes the coach’s dependency on Park Namwook. The latter’s task is to keep in touch with his boss and champion, for he has his cellphone number. Nevertheless, how do we explain the absence of the coach’s cellphone? I have the feeling that this could be related to his divorce. (chapter 5) When his wife suddenly blocked him, he got shocked and hurt. And don’t forget that we have another person traumatized with a phone call: Kim Dan, who got abandoned during that day. (chapter 19) Thus this observation made me think that the coach could have something in common with Kim Dan. And that’s how the champion will demonstrate his strength to his hyung. Contrary to him, he didn’t accept the divorce so “easily”. In fact, he is fighting for the doctor in his own way. The problem is that he is his own worst enemy.

Interesting is that each time the MMA star was seen in the backseat(chapter 49), Jinxphiles could never view the driver. (chapter 5) According to my theory, this should be the coach. And the latter lost his wife despite his success. Now, Jinxphiles can grasp the discrepancy. Though the coach is the driver, he is not the one with the upper hand. In reality, he is putting his faith and trust in his passenger, Park Namwook. How so? It is because he is viewed as the counselor and expert. And how is the manager reacting to the fighter’s change of behavior? (chapter 56) He doesn’t look worried, scared or despaired. In fact, he is pretty calm, the opposite to this scene: (chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. (chapter 56) Finally, his comment is full of hidden criticism: “I haven’t heard from you…; You haven’t been coming…”. He is reproaching his star to neglect his work, though he is still in recovery. I have to confess that Park Namwook’s short scene drove me hot and crazy 🔥😂 One thing is sure: Despite the outcome of the last match, the hyung has not made up his mind to change his routine at all. But he is not realizing that this phone call represents a turning point in their relationship. How so? It is because if the champion switches his phone number (chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection (chapter 5), no money (chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5. (chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, (chapter 56) just like the doctor tried to show his appreciation to Joo Jaekyung with the gift: (chapter 55) The physical therapist hoped to get recognition, gratitude and acceptance from his soulmate. That’s the reason why I perceive this conversation over the phone as a reflection from that scene: (chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere.

But let’s return our attention to the champion. In episode 46, he denied the importance of intel on the impact of a match. Hence I deduce that with the doctor’s vanishing, he is learning another tough life lesson. It is important to get to know his roommate and even to converse with him. This is something he didn’t do in the past. I will explain below why. On the other hand, the contrast between 46 and 56 reinforces my conviction that one of the schemers knows about the champion’s fears and past. Thus the fighter was more and more confronted with the past thanks to doc Dan. So by unlocking his past, the fighter not only gets released from his mental prison, but also will be able to detect his enemies in the future.

To conclude, the car and the phone in Jinx symbolized not only the champion’s powers, but also his “identity”. When he was driving his auto, he thought, he was independent and as such the owner of his “life”. He thought, he was controlling his life. He was the famous and rich MMA fighter. Yet, this was just an allusion. The routine was there to make him forget his painful childhood. So by seeing him alone in the street (chapter 56), I feel like he is about to lose everything. Destruction is necessary so that the sportsman can rebuild a new life. The vanishing of his routine was also a necessity, because the athlete needs to include Kim Dan in his life. That’s the real definition of “living together”.

Back, silence and prejudices

Though the athlete is appearing lost and weak on the street, his mind-set oozes the opposite. Determination!! He knows what he wants: (chapter 56) He wants to meet his companion again. He already describes him as a need. This implies that the hamster has almost become a “necessity ” for the celebrity. On the other hand, these words expose that the fighter is still not ready to meet his fated partner. How so? It is because his words divulge the absence of “conversation”. In the beginning, he wished to talk about his feelings to Kim Dan so that he could get closure. (chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: (chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image (chapter 55) as a reflection from the one in episode 22. Nevertheless, this represents the sportsman’s prejudices about the doctor. But contrary to doc Dan in episode 22, the wolf wanted to forget him. In other words, he refused to become curious about doc Dan. This means that he initially regressed, as he made the wrong decision. However, it was a necessary step for the fighter, for the latter has always put himself under pressure: he was such a perfectionist. That’s the reason why I interpret the following image (chapter 56) as a mini-confession from the manager. He is gradually admitting that he doesn’t know his boy that well. Yet, he still puts the blame on the main lead. On the other hand, I believe that the manager in this picture should be seen as a reflection from the champion’s mind: (chapter 56) He believes to know his hyung, that’s why he trusts him so much. Hence he is willing to expose his vulnerability and despair: (chapter 56) He expects no contempt or shock from him. He anticipates acceptance and tolerance. But is this man willing to overthrow his conscience and integrity for his “champion’s sake”? Since he is portrayed as eyeless, it implies the champion’s prejudice and blindness. He doesn’t know his manager that well either: the man is rather a coward and a child than a mature father. Thus I started wondering how Park Namwook would react to this request. Will he accept it? Keep in mind that the main lead is not saying that he wants to hire doc Dan, it is only about seeing him. And this aspect made me realize why Joo Jaekyung got so upset and scared in the past: (chapter 7) (chapter 32) (chapter 37) (chapter 40) (chapter 43) (chapter 45) (chapter 46) (chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away (chapter 37) or the shocked and wounded doctor’s visage: (chapter 51) Kim Dan’s face which had become his secret source of joy, became a weapon suddenly! It brought him pain. And what did he say afterwards to the doctor in the locker room? (chapter 51) He wished not to see his “face”. The latter had become his “addiction”. Thus his face in tears came to haunt him. (Chapter 54) This nightmare exposed his regret which he tried to deny and bury. At the same time, I have the feeling that his secret desire was to wipe away his tears as well. Nevertheless the problem is that such a love is rather superficial, for people’s body deteriorate over time. What matters in love is a good personality and a good heart. According to Erich Fromm, love is knowledge, respect, care and responsibility. Hence this separation became a necessity for the fighter. Fate had to force him to admit this: (chapter 56) He needs to see his face. A picture won’t be enough or even hear a report about him. Furthermore, he imagines that if he sees Kim Dan doing well, he can get closure and move on. That’s the reason why I think that Joo Jaekyung needs to get a new insight about the doctor or about himself before meeting him. He needs to admit his ignorance and bias. So far, he felt more “pity” and showed more understanding towards the grandmother than towards Kim Dan. The evidences for this perception are the way he behaved towards her: he was gentle, he paid her bills (chapter 21) and almost got shocked (chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.

Joo Jaekyung, a human, a dog or a wolf?

Nonetheless, we could see his wandering in a positive light: (chapter 56) Joo Jaekyung is slowly turning into a real human. At its core, to be “human” involves:

  • Emotional Vulnerability: Humans are not perfect; they experience pain, fear, despair, and helplessness. And that’s how the champion feels in that moment.
  • Complexity and Depth: A human being is defined not only by their achievements but also by their struggles, flaws, and relationships. Interesting is that the reproach from the manager doesn’t get noticed by the champion, as he is too obsessed with doc Dan.
  • Empathy and Connection: Becoming human often involves acknowledging one’s need for others and accepting imperfection.

For Joo Jaekyung, being a star or fighter meant embodying strength, invincibility, and control. These traits distanced him from others, presenting him as more of an ideal or symbol rather than a person. Despair often marks a catharsis or turning point in literature and character arcs. It is the moment when a person realizes their limitations and confronts their authentic self. By experiencing despair on the street, Joo Jaekyung steps away from his constructed image and embraces his real identity. He is no longer just “the fighter” or “the star”; he is a man who can lose, suffer, and feel deeply. This coincides with the dropping of his routine and the neglect of his duties. His life is now chaotic, as the protagonist started forgetting his title and career. The manager could think, his boy lost his sight on what truly matters. The reality is that his life has always been meaningless and aimless. He always felt emptiness, but the title masked this emotions. His obsession with the doctor is bringing to the surface his hidden struggles and fake believes.

However, I don’t think that the man has reached the bottom yet. How so? It is because he is still relying on his “hyung”, money and power: (chapter 56) Moreover, by utilizing the expression “by whatever means necessary”, he is asking his hyung to disregard morality and laws. It was, as if he was encouraging the manager to throw over board his conscience and integrity. It looks like he is encouraging his manager to behave like Director Choi Gilseok: spies and connections. (chapter 46) But the hyung stands for “conformity and social norms”. Moreover, observe that Joo Jaekyung is turning his search of Kim Dan into a manhunt “Track him down”. His vocabulary evokes a predatory, almost feral quality, suggesting desperation and a lack of integrity. Readers know why he became obsessed with doc Dan, but is it the same for the manager? The main lead’s words reminded me of the loan shark Heo Manwook, which could let his enemies misunderstand the athlete. He resents the PT and wants to put the blame on him. This moment highlights a significant shift in his character: rather than adhering to rationality, morality, or compassion, he is overtaken by raw instinct, much like a wolf hunting its prey. This explicates why the author created such a panel: (chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. (chapter 56) In this moment, Jaekyung’s words highlight his transformation into someone governed by instinct (desperation to find the doctor at all costs), which challenges the notion of his humanity. His inability to address the situation with trust or compassion reinforces his struggle to act as a “real human” with integrity. The latter is defined as adherence to moral principles and honesty. Jaekyung’s behavior here reveals an absence of both, exposing a darker, corrupted side of his personality. He looks more like a wolf. (chapter 56) This means that he is not showing his true self. And now pay attention to the time and sunlight: (chapter 56) It is the golden hour or better said, between dog and wolf (“Entre chien et loup”). This idiom refers to “at dusk, twilight, nightfall”. At the same time, this idiom evokes this image of transformation and duality, two natures fighting against each other. Is the champion a “dog” or a “wolf”, when it comes to Kim Dan? I had already outlined the huge signification of this time in the following essay: “Magical Hours“. Back then, I had outlined the difference between “golden hour” and “blue hour”: (chapter 17) and (chapter 11). In season 1, the athlete stands for golden hour, whereas Heo Namwook embodies blue hour. “Entre chien et loup” is the time of day when the light is such that is becomes difficult to distinguish between a dog and a wolf, between friend and foe, between known and unknown. Hence I am thinking that if the next episode represents a continuation of that nightfall, it signifies that the champion is on his way to meet someone from the past. Moreover, I detected that the pavement is the same than in front of the gym: (chapter 56) (chapter 35) (chapter 48) As you can see, this detail made me realize that the next chapter should contain reflections from episode 35 and 48, the meeting with an old/new acquaintance. I am writing new and old together on purpose, for Director Choi Gilseok had been the halmoni’s loan shark, but the “hamster” had no idea. Choi Gilseok is the boss of Heo Manwook. If this encounter takes place, it signifies that on the one hand, it will cause pain and suffering to the athlete, on the other hand, this incident will become a “blessing in disguise”, for it will push the champion to reflect and mature. That’s how I had the following revelation. Why did the author ensure that the MMA fighter’s shoulder would get badly injured? (chapter 52) It is because this exposes the champion’s bad coping mechanism. The champion always uses his fists, therefore he doesn’t reflect and as such analyze his emotions. (chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. (chapter 56) However, he is not talking about love and gratitude yet. Without his left shoulder, he is forced to use his brain and as such his third eye. It is important, because it implies that the fighter is gradually learning how to control his emotions. Compare his attitude on the street (chapter 5) to the one at the gym from episode 5: (chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: (chapter 56) That’s the reason why I believe that in the next episode, the fighter won’t act on his feelings like in the past. But there exists another common denominator between episode 5 and 56. The athlete’s request mirrors the situation in episode 5. (chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. (chapter 5) It was not worrisome in his eyes, because his day would consist of training and punching the sandbag. The problem is that the fighter is no longer coming to the gym and he is not even calling him: (chapter 56) While the contrast between episode 5 and 56 reflects their growing gap and gradual separation, it seems to indicate that Park Namwook will follow the athlete’s request. He would have two reasons for this: money and hope that this would give some closure to his boy so that the latter can focus on his “training” again. But by following his request, he could expose his “connection” which is linked to the champion’s past. But I could be wrong. He could refuse it, for this request sounds so scary and immoral. Notice that the author didn’t let her readers hear his answer. We will see. Finally, it is important to recall that the fighter is dressed differently and he is more on the mode “listening” than “seeing”, as he had to hear the answers from his investigation: (chapter 56) Notice that even at the end, readers were not even able to see the PT’s faces: (chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? (chapter 48) He got manipulated by his eyes! They used a trick to deceive the athlete: delivering the truth in delay. Joo Jaekyung didn’t confront Kim Dan, because he saw the pictures as proofs! He never tried to hear his side from the story. And now, you comprehend why I am expecting that the champion will suffer another “blow” in the next episode. In my opinion, he will hear an important information. The fire in the illustration is there to indicate “Tabula Rasa”, a clean state. Joo Jaekyung has to lose all his principles and his bias about doc Dan. But for that he needs to face his own past and mistakes. Only through this effective anguish, he can become a better man, a new man.

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