Jinx: A Luminous Kiss 😘💋 Amid Shadows 🫂

In Jinx, the evolution of Joo Jaekyung and Kim Dan’s relationship can be traced through the symbolic use of kisses [for more listen to Kiss Me], specifically the one in the locker room (Chapter 15) and the life-saving kiss on the beach (Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.

Selfishness vs. Selflessness

The kiss in Chapter 14 and 15 was performed under the pretense of care but was marked by a sense of urgency and concern. Joo Jaekyung, lost in his thoughts and experiencing a form of derealization (chapter 14), acted particularly rough with Kim Dan (chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. (chapter 14) This moment of realization, coupled with the doctor’s tears and plea (chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation (chapter 14) of using foreplay and gentler methods, such as a kiss. While the kiss reflected care in the moment (chapter 14), selfish motives lingered in the shadows, as Joo Jaekyung sought to prevent causing visible harm that could lead to questions or even a scandal. It was, as if he wanted to silence his partner. Moreover, this decision was influenced by external suggestions, particularly from his friend, and not entirely by his own intentions. It was a calculated action to prevent immediate harm but lacked genuine emotional depth.

Interesting is that Kim Dan never dared to question Joo Jaekyung for this sudden kiss. (chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. (chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist (chapter 15), because for the first time, Kim Dan made a request. With his remark, he implied that the kiss was strongly associated with emotions. However, exactly like Joo Jaekyung pointed out (chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach.

In contrast, the kiss in Episode 60 (chapter 60) was executed purely for Kim Dan’s sake. It was a spontaneous, instinctive act of CPR to save his life, demonstrating selflessness and true concern. Unlike the locker room kiss, which carried both urgency and selfish motives, the beach kiss was entirely devoid of emotional connection, functioning solely as a technical gesture. Kim Dan was unconscious and unaware of the act, which stripped it of any emotional reciprocity. Here, Joo Jaekyung saw Kim Dan as a human being—detached from his social background and circumstances. This shift in perception is reflected in the location: the openness and natural beauty of the beach stand in stark contrast to the confined, artificial environment of the locker room. Joo Jaekyung’s willingness to perform this act in the open signifies a progression in his character—a gradual dismantling of his secrecy about his sexuality and his connection to Kim Dan. This shift from selfishness to selflessness illustrates not only Joo Jaekyung’s emotional growth but also the deepening of his bond with Kim Dan.

Secrecy vs. Openness

The locker room serves as a metaphorical closet (chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club (chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift. (chapter 60) Moreover, in the past, the locker room (chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room, (chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, (chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan. (chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured (chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind (chapter 50) in the locker room twice (chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: (chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression.

Moreover, keep in mind what the grandmother used to say constantly to her grandson: “Don’t cry” (chapter 57) Shin Okja must have felt uncomfortable with his tears and pain, therefore the doctor internalized not to show his struggling and burdens in front of his grandmother. This explicates why he denied his weeping in front of her first. (chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: (chapter 60) The absence of tears or a trembling body from the main leads indicate that both are hiding their emotions from each other. (chapter 60)

And because Kim Dan came to symbolize the fighter’s intimacy and privacy, it is no coincidence that their relationship ended in the locker room. There, the champion exposed his true thoughts about the doctor: his lack of professionalism, (chapter 51), his lack of loyalty, his greed and obsession for money. (chapter 51) Here, they were totally honest to each other: (chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. (chapter 51) Despite living together in the penthouse, he didn’t trust his room mate. After divulging his mistrust and anger to the physical therapist in the locker room, the former left Kim Dan behind and went to the health center with his hyungs. (chapter 51) What he didn’t realize is that the doctor stood for secrecy and closeness, so by leaving his side, he was destined to be exposed. (chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after.

Through these events, the kiss in the locker room becomes full of symbolism. It not only marked a moment of urgency but also served as an emotional awakening for Joo Jaekyung (chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

By contrast, the couple on the beach in episode 60 (chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them. (chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. (chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. . (chapter 60) The latter has now darker circles, and he lost a lot of weight. (chapter 49) His muscles are less pronounced. He is also wasting away.

This progression also ties to the concept of nature vs. artifice. The natural setting of the beach—the waves, the open sky—contrasts sharply with the sterile, artificial environment of the locker room. Nature brings out authenticity and raw emotion, whereas the locker room and the emergency room (chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach (chapter 14) (chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. (chapter 15) The kiss in Chapter 15 became a moment where Joo Jaekyung discovered not only physical pleasure but also positive emotions, which acted like a sweet candy, a reward for his hard work. (chapter 15) It gave him emotional support. It symbolized a rare moment of relief and connection amidst the overwhelming demands of his environment. Joo Jaekyung’s actions in these settings highlight his gradual move from a place of concealment to one of openness and authenticity. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. (chapter 60) The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

Lies and Miscommunication

Another layer of complexity is revealed when examining the two kisses. From that wonderful night (chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye. (chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: (chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now (chapter 60) , though there is no doubt that the doctor is still in love with him. At the hospice, this mistrust resurfaces. The parallel conversations—in the locker room and the emergency room—highlight the ongoing cycle of miscommunication and emotional disconnect. Both characters, in their own way, lie to themselves and each other. Joo Jaekyung sees Kim Dan through the lens of poverty and greed (chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. (chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened.

The beach, however, offers a stark contrast. There, in the midst of the emergency, Joo Jaekyung’s perception of Kim Dan shifts. For the first time, he sees him as a human being—vulnerable and in need of genuine care. (chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness (chapter 60) and inability to fully comprehend the seriousness of Kim Dan’s mental and physical state.

Kim Dan as Joo Jaekyung’s Reflection

Episode 60 also underscores the parallels between Kim Dan and Joo Jaekyung. Both characters are struggling and mistreating their bodies, albeit in different ways. Kim Dan’s rejection of help and his deteriorating condition mirror Joo Jaekyung’s past behavior of ignoring medical advice and pushing himself to extremes. This dynamic serves as a reflection, forcing the champion to confront his own flaws. Kim Dan’s condition becomes a metaphorical mirror, showing Joo Jaekyung the consequences of neglecting physical (chapter 27) and mental well-being. (chapter 27) When Kim Dan removed the needle carelessly (chapter 60), he was actually copying his lover’s behavior.

The dissociation and derealization evident in Kim Dan’s behavior further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, , his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. (chapter 60) That’s why I can’t shake the feeling that the physical therapist is still in danger. The trail of blood on the floor could be interpreted as a bad omen. (chapter 60) Many Jinx-philes saw parallels between the champion’s departure from the locker room with the final image from chapter 60, (chapter 51) However, in the last image, the athlete had left the room to go to the health center, while Kim Dan is now leaving the treatment room, a sign that he is not just rejecting the champion’s help, but also the hospice’s intervention. (chapter 60) So he could get into trouble in his profession.

This moment becomes a turning point for Joo Jaekyung, as he is about to grasp the gravity of Kim Dan’s mental illness. However, his focus on money and material solutions (chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.

As long as Joo Jaekyung hides his vulnerability and hides his true self to achieve his goal, Kim Dan will mirror his actions. He will deceive him too. However, we shouldn’t see their separation (chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: (chapter 51) He never wished to never see Joo Jaekyung again. Moreover, he never regretted their meeting either. (chapter 60) And now, pay attention to his hand, he is slightly clenching his fist, a sign that he is pained while saying this: “Have a safe trip home!” The word “home” and his gesture display that deep down, he was happy to see him. He is longing for home, but he can not express his true desire. Thus I deduce that Joo JAekyung’s words in front of the restaurant must have moved his heart: (chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: (chapter 44)

On the other hand, by utilizing the word “home”, he is implying that the fighter doesn’t belong here. The doctor is actually mimicking his own grandmother. (chapter 57) (chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along.

And because of the doctor’s words, it is clear that Joo Jaekyung won’t return to Seoul. He just needs to stay by his side in order to gain his trust. The longer the fighter stays in that place, the longer he will be able to detect the deceptions surrounding the doctor: (chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame.

One thing is sure. Because of the doctor, Joo Jaekyung will be forced to admit that home is where the physical therapist is. With his goodbye, Kim Dan was challenging his former boss , (chapter 60) a new version of this scene. (chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.

Conclusion

The kisses in Jinx are more than just physical acts; they are symbolic markers of Joo Jaekyung’s emotional journey and his evolving relationship with Kim Dan. The locker room (chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss (chapter 60) signifies selflessness, openness, and recognition. However, both kisses, initiated by Joo Jaekyung, were not truly expressions of deep love or genuine emotional pleasure. As technical gestures borne out of urgency and care, they left no lasting emotional trace in their relationship.

This lack of emotional permanence highlights the characters’ ongoing struggles. While Joo Jaekyung shows signs of growth, he has yet to fully understand or confront the complexities of Kim Dan’s mental and emotional state. Similarly, Kim Dan’s passivity and silence in earlier moments underline the barriers that remain between them. Trapped in his own misery, he fails to see the physical deterioration from his former idol. The juxtaposition of these kisses serves to illustrate the fragility of their bond and the slow, uneven process of their personal and relational evolution. Through these moments, the author masterfully portrays the intersection of urgency, care, and miscommunication, ultimately crafting a nuanced exploration of healing and connection amidst shadows. Once again, it exposes the importance of honesty and clear communication in a couple.

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Jinx: The Mermaid’s🧜‍♂️🧜‍♀️ Illusion of Love 💝 (second version)

Hans Christian Andersen’s The Little Mermaid offers a nuanced exploration of love, conditional relationships, and the struggle for independence. In a previous essay, The Painful Mermaid’s Aspiration, I explored parallels between Andersen’s tale and Jinx, focusing on themes of sacrifice and transformation. However, deeper analysis has revealed additional layers to these parallels, particularly in the dynamics of conditional love, independence, and the pursuit of dreams, which merit further exploration here. The little mermaid’s yearning is expressed poignantly in her dialogue with her grandmother:

This statement reflects the mermaid’s desperation and her willingness to sacrifice everything for her dream. The old woman’s response highlights the impossibility of her aspiration without absolute devotion from the prince:

The unattainable condition imposed by the old woman underscores the imbalance in the mermaid’s love. The grandmother’s description of the prince’s hypothetical love suggests it would transcend familial bonds, symbolizing a selflessness so profound that he would give a part of himself to his partner. However, this ideal of love contrasts sharply with the mermaid’s sacrifices, as in verity her yearning for the prince is intertwined with her desire for an immortal soul. Her physical attributes, cherished in her own world, are deemed unattractive on land, symbolizing the rejection of her true self. Her conditional love requires her to give up her voice, her identity, and even endure physical pain. This duality—a love that demands selflessness yet is rooted in conditional aspiration—reveals the inherent imbalance in her quest for acceptance and fulfillment. The matriarch’s final remark—“Let us be happy and dart and spring about during the three hundred years that we have to live, which is really quite long enough; after that we can rest ourselves all the better”—urges the mermaid to embrace her current existence rather than chase an impossible dream. However, if she had followed her grandmother’s advice, she wouldn’t have truly lived at all, for she has always been feeling miserable deep inside.

This tension between illusion, aspiration and self-acceptance mirrors the emotional struggles in Jinx, particularly the relationships between Heesung, Potato, and Kim Dan. Moreover, as I delved deeper into the story, I realized that Andersen’s fairy tale carries an even more poignant message: dreams, while often a source of aspiration, can also be illusions that shatter upon collision with harsh realities, like for example the broken promise (“The prince said she should remain with him always“) from the prince who denied the existence of death in their life. This essay builds on these reflections, delving deeper into the overlooked dimensions of dependency and conditional love, revealing how these dynamics shape the characters’ paths toward independence and self-realization. The little mermaid’s yearning, intertwined with her desire for an immortal soul and as such for her own identity, mirrors the characters’ pursuit of validation and dreams, often at the cost of their individuality. Like the mermaid, these characters grapple with the conflict between their dreams and the realities of conditional relationships. While Andersen’s tale portrays the little mermaid’s yearning for the prince and the human world as both a source of aspiration and tragedy, Jinx reinterprets these themes through the lens of modern relationships, showing how dependency and idealization can hinder self-discovery and fulfillment. The parallels extend further, as each character’s journey reveals deeper truths about love, independence, and personal growth.

The Illusion of the Prince: Joo Jaekyung and Potato

In The Little Mermaid, the prince represents the little mermaid’s idealized dream of the human world. However, her love for him is deeply intertwined with her desire for an immortal soul. This duality—a mix of genuine affection and conditional aspiration—renders her relationship with the prince inherently unbalanced.

Similarly, Joo Jaekyung serves as an illusion in Potato’s life. (chapter 23) Potato initially admires the champion, aspiring to be like him (chapter 23) and dreaming of recognition as his sparring partner. (chapter 23) Joo Jaekyung, much like the prince in Andersen’s story, projects an image that masks the reality of his life. His success, while celebrated, represents years of hard work and immense personal sacrifices. At the gym, Park Namwook undermines these efforts by slapping the athlete (chapter 7) and calling him “my boy,” (chapter 40) effectively denying Joo Jaekyung the acknowledgment he deserves for his achievements. Potato is misled by this fabricated image (chapter 23), drawn to the champion’s public persona rather than understanding the struggles beneath it. Moreover, Joo Jaekyung can also be viewed as a mixture of both the prince and the mermaid, embodying the illusion of grandeur while simultaneously bearing the silent pain of sacrifice and transformation. This duality deepens the parallels between Andersen’s tale and Jinx, highlighting the complexities of admiration, dependency, and self-realization. To conclude, this admiration is rooted in superficial qualities: Joo Jaekyung’s public persona, his success, and the light he projects to the world. Furthermore, Potato’s physical differences—his smaller frame and lighter weight category—highlight the impossibility of truly becoming like Joo Jaekyung. (chapter 23) This realization mirrors the little mermaid’s struggle to reconcile her nature as a seductress of the sea with her dream of becoming human.

Potato, drawn to this carefully curated public persona, aspires to emulate the champion (chapter 23) without understanding the profound struggles beneath his image, failing to perceive Joo Jaekyung’s unhappiness, struggles, and loneliness. Like the image is exposing it, Potato views the athlete as a companion as well whose efforts should serve to keep him company. This dynamic mirrors the little mermaid’s conditional love for the prince, as Potato’s idealization is rooted in his own aspirations rather than genuine understanding. Just as the prince remains oblivious to the mermaid’s sacrifices, Potato overlooks the reality of Joo Jaekyung’s burdens, emphasizing a dependency that hinders true recognition and connection. Once his reputation as a champion is tarnished (chapter 52), the amateur starts distancing himself from his former idol. This exposes the fragility of Potato’s dream. Therefore it is not surprising that he starts taking a different path: acting, though I still think, it is temporary. However, behind the glamorous facade of the show business, there exists a dark side as well. (chapter 59) Heesung’s fate is similar to the champion’s. Despite his popularity, the actor is deeply unhappy. He feels lonely, for people only know the actor and not the man behind the mask. That’s the reason why he is looking for his soulmate. (chapter 33) That’s how I realized why Potato and Heesung are destined to be together. They are both self-centered, dishonest and blind, but more importantly they are chasing after an illusion which is strongly intertwined with immortality. In addition, my avid readers should keep in mind what Potato truly expressed, when Mingwa introduced this “chow chow”. (chapter 23). In reality, he wanted to use the athlete as his servant. The closeness (chapter 23) he was seeking was self-serving. While the amateur and the actor are searching for the “perfect companion”, the other couple has no expectation from others. They both have no longer any dream or hope. That’s the reason why Kim Dan was putting this vision of Joo Jaekyung behind a veil: (chapter 58) He was giving up on his dream expressed in the birthday card, (chapter 55) though I believed that he had another bigger wish, but due to his low self-esteem, he didn’t dare to express it: (chapter 55) My newest theory is that he wanted Joo Jaekyung to teach him fighting, but not for himself, but in order to help the fighters and in particular to protect the champion’s body: (chapter 25) (chapter 25) To develop a training where injuries are minimized. In season 2, it is clear that Joo Jaekyung and Kim Dan have reached the bottom. Both feel empty and exhausted. They were crushed by harsh reality, and they had no one by their side to listen to their pain. Therefore it is not astonishing why the doctor could not confide to the actor and the amateur fighter. They arrived too late. (chapter 58) Their presence definitely diverted the doctor’s attention, lessening his pain.

Initially, Potato views the champion as an infallible figure, a symbol of success and strength. However, his perception begins to shift as he confronts the realities of the MMA world and his own identity. Potato’s loss of innocence is closely tied to the discovery of secrets. In Episode 25, (chapter 25) he learns the true nature of the relationship between Kim Dan and Joo Jaekyung. This revelation forces him to confront his own repressed feelings, as he unconsciously realizes his attraction to the fighter. (Chapter 25) Heesung’s involvement further complicates matters, as Potato confesses his love for Joo Jaekyung (chapter 35) while simultaneously vowing to sacrifice his feelings for the sake of the couple’s happiness. This act demonstrates Potato’s pure and selfless definition of love, (chapter 35) contrasting with the conditional love depicted in Andersen’s tale.

However, Potato’s understanding of love remains naive. He fails to grasp the distinction between love and physical relationships, unaware of the darker realities of one-night stands and transactional connections. (Special episode 1) His discovery of sports gambling (chapter 52) and the switched spray the (chapter 52) which is strongly intertwined with the departure of disloyal members from Team Black marks another step in his journey toward disillusionment. While Potato initially views this as an isolated incident, it exposes the broader corruption within the MMA world, including the betrayal, greed, and lack of loyalty that undermine its integrity. While he views himself as loyal to doc Dan and Team Black, for he remained at the gym, his heart was not. He is becoming like his hyungs, Park Namwook and Heesung. In Andersen’s tale, the mermaid’s journey to the sea witch represents a pivotal moment of transformation. By sacrificing her voice and enduring physical pain, she gains entry into the human world, but at the cost of her identity. Similarly, Potato’s journey is marked by painful discoveries that force him to confront uncomfortable truths. Through Kim Dan, he will begin to see his own flaws before he is able to recognize them in those he once trusted.

Heesung and Conditional Love

In the fairy tale, the prince represents the mermaid’s idealized dream—a vision of love and immortality. However, the prince’s love is conditional and superficial. While he admires the mermaid’s devotion and affection, he remains blind to her true identity and sacrifices. This dynamic is epitomized in his words:

The prince’s affection is rooted in comparison and memory, not in genuine understanding. And that’s exactly how the actor is thinking. He compared his sex partners to his ideal.

Heesung embodies the concept of conditional love in Jinx. (chapter 33) He can only love his soulmate, and the latter has to be perfect. By seeking perfection in his “soulmate”, he doesn’t realize that he is exposing his darkness and inhumanity. How so? It is because imperfection defines humans. He is denying the existence, error is human. Funny is that his fated partner embodies mistake and imperfection! (chapter 23) (chapter 25) (chapter 35) The latter doesn’t mind breaking social norms by yelling or causing a fight at a restaurant. But let’s return to the actor’s confession at a bar. It’s not surprising that Heesung appears indifferent to the affection of those who cared for him. The last partner was described as too clingy. This means that Heesung places himself as the judge. In addition, it was, as if he was a god destined to live forever. He is forgetting his human condition, just like his partner’s. And that’s exactly how the prince in The Little Mermaid views life.

For him, it looks like death or change don’t exist, though he doesn’t realize that his fate got changed through the intervention of the mermaid. Had she not rescued him, he wouldn’t have been able to have a companion and a wife. His perfect happiness is paid by the efforts and sacrifices of others. He is surrounded by beautiful slaves who have no voice and as such no freedom:

Through this quote, readers can grasp why the prince didn’t see the mermaid as a possible love interest. She was not his equal socially. Therefore it is not surprising that he chose to have an arranged marriage. I would even add that her voicelessness is viewed as a sign of stupidity, because she can not express her opinion. She is forced to follow the prince’s requests. The prince’s failure to recognize the mermaid’s true nature and the depth of her sacrifices underscores the fragility of dreams built on illusions. His promises, though well-meaning, are symbolic of fleeting ideals that crumble under societal and familial pressures. We could say that in the end, he refuses to become responsible for the mermaid.

And this remark brings me back to Heesung and his relationship with Potato: (special episode 1) With this request, he implies that he will never become responsible for the amateur fighter. Therefore he can hide his homosexuality behind the young fighter. He used Potato’s mistake to his advantage. (special episode 1) By asking Potato to take care of all his needs and desires, Heesung placed himself in a position where he had power and could control Potato. That’s how the young fighter made a dangerous deal with the gumiho. No wonder why his sex role play was a prince interacting with a guard. (special episode 2) Hwang Yoon-Gu didn’t realize that by taking responsibility for the actor, he lost his freedom and as such his voice. Is it a coincidence that Mingwa portrayed the young maknae as someone who would raise his voice due to his emotions in the past? (chapter 25) (chapter 35) No, and it becomes obvious that when he is reunited with Kim Dan, (chapter 58) his behavior is totally different than with the actor: (chapter 58) Tears, touch, raising his voice with Kim Dan, but not with the comedian. With the actor, he looks more calm, distant and mature. Heesung’s selfishness is evident in his treatment of Potato, whom he manipulates into becoming an extension of his own image. Hence he is no longer wearing shorts and tee-shirts. (chapter 59) One might say that he is gradually elevating Potato’s status through his suggestions. (special episode 2) By encouraging Potato to work as an actor and shaping him into a version of himself, Heesung prioritizes his own desires over Potato’s individuality. He is not asking what Potato’s true dream is. But this was his dream originally: (chapter 23) The problem is that in the past, he was too passive, waiting for the right opportunity. (chapter 23) Why? It was due to his low self-esteem. (chapter 23) He was not confident enough, for he was the only one with such a weight-category.

And why did the prince suggest Potato to become an extra? On the one hand, it was an easy way to make money, on the other hand, Heesung didn’t want to reveal his true thoughts. He desired a companion by his side too. However, giving him the opportunity to be an extra, Potato could get criticized that he got this acting job through connections. And this reminds me of the little mermaid, who received people’s admiration and the prince’s superficial admiration, yet in reality, the latter had no one by her side to talk about her pain. She was never given a name or a status, her position was defined by her relationship with the prince.

Potato’s growing dependency on Heesung reflects the little mermaid’s surrender of her voice and identity for the prince. In both cases, the individual sacrifices their true self for a love that is neither reciprocal nor nurturing. The prince might have developed an affection for the mermaid, but he never recognized her as worthy to be his bride. I believe that this gesture (special episode 2) played a huge influence in Potato’s decision to take the offer as an extra. It was, as if one of his dreams had come true. But is this what he truly wanted?

Heesung’s refusal to wait for Potato after leaving Kim Dan (chapter 58) underscores his indifference, symbolizing the unbalanced dynamic in their relationship. Like the prince, Heesung offers no genuine commitment, leaving Potato to grapple with the consequences of his dependency. Thus I perceive Potato’s tears (chapter 59) as a signal that he is not truly happy. (chapter 58) However, this is about to change. Heesung who likes novelty and change is not realizing that his wish is becoming true. The picture with his last work announces the end of his “friendship” with Potato. How so? (chapter 58) The actor chose to become responsible for hiding information from Joo Jaekyung. And he used the mermaid Kim Dan for his decision. He created the impression that he truly cared for the main lead. And how did the prince react to the vanishing of the mermaid? He got caught by surprise and definitely hurt.

He realized too late that his marriage could have consequences with his relationship with the voiceless mermaid. Through her vanishing, she actually revealed her independence and expressed her thoughts. She was not the prince’s eternal companion. She was an independent human being.

Kim Dan: A Mirror to the Little Mermaid

Kim Dan’s experiences parallel the little mermaid’s journey in profound ways. Raised in an environment defined by conditional love, (chapter 53) Kim Dan learned to prioritize the needs of others over his own. His grandmother’s reliance on him mirrored the traditions and expectations imposed on the mermaid by her underwater world. Just as the little mermaid longed for the human world’s light and freedom, Kim Dan yearned for an escape from his oppressive circumstances.

The death of a puppy in Jinx adds another symbolic layer to these parallels. (chapter 59) Kim Dan once referred to Potato as a puppy (chapter 29), drawing a connection between the character’s innocence and loyalty. (chapter 59) However, Potato’s departure reveals an underlying superficiality and disloyalty—he merely asks Kim Dan to call him when he visits Seoul, failing to acknowledge the depth of their bond. This reminded me of the prince’s fake promise:

He is here actually mimicking Heesung’s behavior who had made a similar offer to the physical therapist: (chapter 35) This shows that Heesung has long internalized this pattern: assistance will be only given, if he is called. That’s why he has no true friend in the end. He shows no interest in others. But by doing so, he is putting the whole responsibility on his counterpart. Through the actor and the manager’s behavior, the former errand boy has long adopted this pattern. Hence he didn’t call Kim Dan in the end. He waited for a signal from his part. This behavior mirrors the little mermaid’s sisters, who only realize her absence when it is almost too late to act. Similarly, Potato’s casual farewell highlights a betrayal of Kim Dan’s friendship, further emphasizing Potato’s struggle with emotional awareness. That’s why I mentioned above that Potato is about to discover his true nature: he is also a sinner. This growth parallels the biblical narrative of Adam and Eve, where the acquisition of knowledge leads to the loss of innocence. Heesung, like Eve, introduces Potato to a new world of experiences, including his sexual orientation. However, this newfound knowledge comes with its own burdens, as Potato must reconcile his identity with the harsh realities of the world around him.

This raises the following question: what if Potato blocks Heesung’s phone number after their break up or argument? (chapter 5) Heesung could no longer express his needs and desires.

The death of the puppy, occurring shortly after Potato’s departure, symbolizes a loss of innocence and marks his transition into adulthood. Yoon-Gu is slowly becoming a new version of Joo Jaekyung, he hides things from Oh Daehyun and the other hyungs. He is blinded by the smiles and gentle gestures of the gumiho. Naturally, there’s no doubt that Heesung is falling in love with the maknae. The latter has become the perfect lover, but his dream is about to get crashed by reality. (chapter 58) Just because one is happy, this doesn’t mean that the other is. For that to happen, communication and honesty are necessary.

(chapter 59) This event underscores the contrasting paths of Joo Jaekyung and Potato. While Joo Jaekyung is forced to give up his principle of “self-reliance,” (chapter 59) Potato’s journey is to discover and embrace the principle of “self-reliance” and autonomy. Only when Potato becomes independent in his thoughts and decisions, can he truly help the main couple.

So far, Potato has relied heavily on the guidance and judgment of others: his hyungs, Park Namwook, Yosep, and Heesung. This dependency is evident when contrasting his behavior in episodes 47 (chapter 47) and 52. Initially, he believed in his hyungs’ description of Joo Jaekyung as a thug, but later he criticized the same fighters for abandoning the athlete (chapter 52), accusing them of lacking loyalty and dismissing their claim that they had nothing to learn from him. Yet, in episode 52, Potato does not reproach Park Namwook or Yosep for their passivity and naivety, (chapter 52) instead solely blaming Joo Jaekyung for not trusting Kim Dan and causing his departure. This selective criticism reveals that Potato still views the older men as inherently good and fails to recognize his own shortcomings. In this way, he mirrors Park Namwook’s superficial loyalty, further emphasizing his dependence on external validation.

Another significant detail is Potato’s absence during the birthday party, where Park Namwook expressed gratitude toward Kim Dan. (chapter 43) This absence highlights how Potato has missed key moments of reflection and acknowledgment, which are essential for his growth. It suggests that Potato is destined to detect the flaws in his hyungs—Park Namwook, Yosep and Heesung’s superficiality, passivity, hypocrisy and selfishness—before he can achieve true independence and contribute meaningfully to the lives of Joo Jaekyung and Kim Dan.

Kim Dan’s attentiveness to Potato’s emotions (chapter 23) —taking over his tasks and noticing his unhappiness (chapter 25) —demonstrates his capacity for genuine care. This contrasts sharply with Heesung’s selfishness and serves as a reminder of the value of mutual support in relationships. Potato’s potential return to the place where he met Kim Dan could symbolize a rediscovery of authentic connections, marking the beginning of his path toward independence and self-realization.

Independence and Rediscovery of Dreams

The little mermaid’s transformation into a daughter of the air signifies her liberation from heartbreak and physical pain. While she loses the prince, she gains something far more significant: a purpose independent of him. Her ascension represents the realization that true fulfillment comes from within, not from external validation. (chapter 58) Notice that Potato is embarrassed here, a sign that he is not happy. And he has a reason for that. Neither Heesung nor Yoon-Gu are coming out, they are still following social norms which reminds us of the prince’s marriage. Furthermore, when the actor is complimenting on Potato’s acting, the latter doesn’t acknowledge it, because deep down he knows that he got this gig through Heesung and their relationship (chapter 58) And like mentioned above, this could become a serious problem for Yoon-Gu. He could be perceived as someone selling himself for a gig. And Heesung is not even realizing the consequences of his intervention and meddling. That’s why it is important for Yoon-Gu to become independent. This lesson resonates with Potato’s journey in Jinx. By recognizing Heesung’s selfishness and breaking free from his influence, Potato has the potential to rediscover his own dreams and individuality. Like Erich Fromm mentioned it, true love is respect, care, knowledge and responsibility. However, Heesung has no idea about the importance of these notions, as everything is evolving around his own needs and dreams.

Besides, if Potato’s dream is still to seek wealth and fame like in the past (chapter 23), he should be aware of the danger in the MMA world, like for example death and bad injuries. Moreover, if we take into consideration that he wanted to be like his role model, it signifies that Yoon-Gu associates fortune and celebrity with happiness which is a real illusion, like Heesung and Joo Jaekyung’s hidden misery and loneliness expose it. But I doubt that the actor ever talked about Yoon-Gu about it.

Finally, Yoon-Gu hasn’t met his former idol yet, so he was not able to see his suffering: (chapter 58) That’s how it dawned on me that little by little Yoon-Gu had been losing his senses: (chapter 31), his smell, then his ears (chapter 52) and finally his eyes: (chapter 58) He forgot the danger coming from Heesung’s words, he could not hear the suffering from the champion due to his bias, and finally he couldn’t see Kim Dan’s distress due to his own feelings and prejudices. We could say that because of the influence from others, he was no longer able to see reality. However, like mentioned before, I sense the return of Potato’s senses in the following panel: (chapter 59) His silence and hesitation shows that he detected something was wrong, but he couldn’t determine that this was related to the actor’s cold and distant goodbye.

In my opinion, Kim Dan has always helped Yoon-Gu to mature and voice his own thoughts and desires. If Potato were to return to the place where he met Kim Dan or learn about Kim Dan’s struggles, it could serve as a pivotal moment in his transformation. Reconnecting with Kim Dan, who genuinely cared for him, might inspire Potato to forge a new path. This could parallel the little mermaid’s ultimate realization that her dreams and identity are separate from the prince.

The Role of the Number Six and Maternal Symbolism

Another significant layer in Andersen’s fairy tale is the little mermaid’s identity as the sixth child. The number six, often associated with motherhood and the heart, highlights her nurturing qualities and selflessness. Her distinctiveness among her siblings is reflected in her unique garden, designed in the shape of the sun, symbolizing her longing for light and individuality. Despite these efforts, no one paid attention to her garden, mirroring how her inner world and emotions were overlooked. And this coincides with my observation about the numbers in Jinx. 6 announces the beginning of a new relationship.

This parallels Kim Dan’s experience in Jinx, where his well-being and emotions are ignored by those around him. He, too, acts as a maternal figure, selflessly caring for others while receiving little in return. This maternal role further emphasizes the weight of his sacrifices and his struggle to be seen as an individual.

The death of the puppy (chapter 59), coinciding with Potato’s departure, underscores this theme of overlooked emotions and unreciprocated care. As Joo Jaekyung reflects on Kim Dan’s comparison of Potato to a puppy, it may catalyze a pivotal shift, prompting him (chapter 29) to adopt a puppy for the doctor’s sake and bring him to their new home.

Conclusion: Love, Dependency, and the Pursuit of Dreams

The Little Mermaid and Jinx both explore the complexities of love, conditional relationships, and the search for independence. Andersen’s tale warns against losing oneself in the pursuit of another’s love, emphasizing the importance of self-discovery and personal growth. In Jinx, these themes are echoed through the dynamics between Heesung, Potato, and Kim Dan. Joo Jaekyung, as an illusionary prince, represents the dangers of idolization, while Heesung’s selfishness highlights the pitfalls of conditional love. Ultimately, the journeys of these characters underscore the importance of finding one’s own voice, embracing individuality, and pursuing dreams on one’s own terms.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Snapshot 🖼️ of Fate’s🧵 Hands 🫶

Introduction

The journey of Joo Jaekyung finding Kim Dan (chapter 59) is a masterful interplay of symbolism, reflection, and narrative breadcrumbs laid out by Mingwa. Central to this exploration is a photograph (chapter 59) —an innocent request by the nurses at the hospice (chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious (chapter 59) led him to the shore, driven by despair and suicidal intent, the MMA fighter’s journey stands as its opposite: (chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. (chapter 59) This deliberate action underscores the contrast between their emotional states and sets the stage for their eventual reunion. The stay of Heesung and Potato (chapter 59) embodies the negative reflection of Joo Jaekyung’s purposeful arrival. We can detect the divergences: day versus night, work versus break, healthy versus unhealthy etc. Through the juxtaposition of images and situations, Mingwa provides profound insight into the characters’ thoughts, desires, and intentions. The photograph’s role becomes pivotal: while it marks the end of Heesung and Potato’s visit (chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.

At first glance, the photograph (chapter 59) features key individuals such as Heesung, Potato, the green-haired nurse, and the director of the hospice (chapter 59) —each of whom had interacted with Kim Dan (chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture (chapter 59), if the nurses had not insisted (chapter 59), or if the photograph (chapter 59) had remained entirely private (only Kim Dan, Potato and Heesung together), the chain of events might not have unfolded. Each of these “ifs” reflects the delicate interplay of fate and intervention, where seemingly small actions cumulatively wove the threads that guided Joo Jaekyung to Kim Dan. This demonstrates how intentional and unintentional acts alike can influence the larger narrative, ultimately intertwining lives in unexpected ways. The “if” becomes a recurring symbol of fate and intervention. Through a process of deduction and analysis, the photograph emerges as the link that sets fate into motion, guiding Joo Jaekyung to his lover. The stay of Heesung and Potato, defined by inaction, lies (chapter 58) (chapter 58) (chapter 58), ignorance and superficiality (chapter 58), becomes the shadowed reflection of the proactive search by Joo Jaekyung. This interplay of light and dark is central to unraveling how fate unfolded.

Potato, Heesung, and the Decision to Stay Silent

Heesung (chapter 58) and Potato, despite their contrasting motivations (chapter 58), came to the same conclusion: they should not reveal Kim Dan’s whereabouts to Joo Jaekyung. Heesung argued that Kim Dan was better off in his secluded life, away from the chaos of Joo Jaekyung. Potato, deeply trusting his lover’s seniority and judgment, chose to follow Heesung’s lead. Their decision reflects not only their loyalty to Kim Dan’s expressed wishes but also their passive adherence to the belief that avoiding intervention was a form of help which reminds us of Potato’s former principle: (chapter 35) This shows that despite the last incident, Yoon-Gu didn’t drop this terrible principle. Notice that he is advocating the same philosophy than Shin Okja. Heesung justified his stance by claiming that it was in Kim Dan’s best interests (chapter 58), implying that the relationship between Kim Dan and Joo Jaekyung was toxic. However, his reasoning revealed a deeper selfishness: Heesung harbored resentment and sought to see his frenemy suffer as payback for the humiliation and damages he had endured. (chapter 58) This hidden motivation underscores the complexity of his actions and casts doubt on his proclaimed concern for Kim Dan.

This decision persisted throughout their ten-day stay at the hospice. (chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets (chapter 59) (chapter 59) —suggests that Joo Jaekyung arrived only two days after Heesung and Potato left. This indicates that neither Potato nor Heesung leaked the information to Joo Jaekyung, as the champion would have sought Kim Dan immediately if informed by them. Instead, this photograph—seemingly public rather than private—became the clue he needed. Moreover, since the two friends knew where Kim Dan lived, I am assuming that he would have gone right to the doctor‘s rented room. But he did not. He went to the beach. Since the nurses didn‘t notice that Kim Dan was a friend of Potato and Heesung and mistook him for a fan, I am assuming that only the two friends know his address.

The Photograph as the Catalyst

The photograph holds immense symbolic and narrative weight. It was not meant to expose Kim Dan (chapter 59); it was requested by the nurses as a keepsake for their time with the visiting celebrities. Initially intended as a simple memento, the photograph transformed into the thread that connected Joo Jaekyung to Kim Dan. Importantly, the identities of Heesung, Potato, the green-haired nurse, and the hospice director all become relevant, as each had interacted with Kim Dan during his time at Light of Hope.

This public nature of the photograph underscores the idea of “hiding in plain sight.” Kim Dan was among a crowd, blending into the background, not anticipating that anyone would recognize him. However, this picture became the critical link for someone who initially focused on Heesung, Potato, or the green-haired nurse or the hospice director. The person looking at the picture was not searching for Kim Dan but discovered him by accident, making the revelation both unexpected and serendipitous. This discovery highlights how fate operates through chance and unintentional connections. It serves as a prelude to exploring the contrasting dynamics of intervention, from misguided actions to purposeful assistance, which will be further examined in the comparative analysis.

Thus it is unlikely that the information came from members of Team Black, in particular from Oh Daehyun and Kwank Junbeom. Initially, I envisaged them as potential candidates, for Oh Daehyun has always had sharp eyes (he has an eagle as tattoo) (chapter 8) (chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. (Chapter 48) Nonetheless, there exist significant points against this theory. Despite their fondness for the actor (chapter 30) and their interactions with Heesung and Potato (chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday (chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . (chapter 58) His “redness” indicates that he doesn’t want to expose his special relationship with Heesung. Therefore I believe that he didn’t mention this trip to other members. Consequently, I doubt that the members were looking for Potato in such a photograph. Furthermore, from my perspective, members of Team Black are still left in the dark about Joo Jaekyung’s struggles. They are unaware of his drinking habits (chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and (chapter 57) the interview suggested that Joo Jaekyung was taking a break to recover from his injury, leaving no indication of his active search for Kim Dan. However, Yoon-Gu got informed through Heesung that Joo Jaekyung was desperately looking for him: (chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information.

This leaves only the green-haired nurse and the hospice director as plausible sources of assistance. However, the hospice director can be ruled out, as he did not make the request for the photograph. His lack of direct involvement in this key moment suggests that his role in connecting Joo Jaekyung to Kim Dan was minimal, leaving the nurse as the final candidate.

The green-haired nurse (chapter 59), while not pivotal in initiating the photograph (chapter 59) —this was driven by her colleagues’ request—holds a central position in the narrative due to her placement next to Kim Dan in the picture. Although quiet, observant (chapter 57) and unassuming (chapter 57), her positioning reflects Mingwa’s deliberate storytelling, emphasizing her subtle yet crucial role in connecting the threads of fate. She is also unlikely to have directly contacted Joo Jaekyung. As an average nurse living far from Seoul, she would not have access to the champion’s contact information or knowledge of his search for Kim Dan. However, this does not exclude her influence entirely. My idea is that she shared the photograph with someone close to her—a family member or friend—turning what was initially a public image into a private clue. Through this intermediary, the picture may have reached someone who recognized Kim Dan and understood his connection to the MMA fighter. This chain of events underscores the role of chance and intervention in the narrative and suggests that another, yet unknown, individual helped guide Joo Jaekyung to his destination.

In season 1, both Joo Jaekyung and Kim Dan became victims of schemes (chapter 50) (chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog (chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. (chapter 59) Symbolically, their request took place on the road, metaphorically paving the way for the reunion between Joo Jaekyung and Kim Dan. This act of intervention can also be compared to the three fairies in Sleeping Beauty (chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.

Comparative Analysis: Bad Help vs. Real Help

And now it is time to show the table with the comparative analysis which helped me to determine the identity of the “decisive helper”.

AspectHeesung and Potato (Bad Help)The Anonymous Helper and Joo Jaekyung (Real Help)
MotivationCoincidence – They visited Kim Dan for unrelated reasons and deferred to his expressed wishes to stay hidden.Purposeful – Joo Jaekyung actively searched for Kim Dan, aided by the helper’s deeper insight.
Driving ForceHeesung dominated decision-making; Potato followed blindly out of trust.Collaborative – The helper actively supported Joo Jaekyung with information and empathy.
Knowledge of Kim DanLimited to surface-level observations, unaware of his deeper struggles (derealization, isolation).Comprehensive understanding of Kim Dan’s physical and emotional state, possibly worsened by isolation.
Knowledge of Joo JaekyungNone; they did not factor in Joo Jaekyung’s struggles or his importance to Kim Dan.Awareness of Joo Jaekyung’s emotional repression, suffering and need for reconciliation.
Action TakenChose not to reveal Kim Dan’s whereabouts, leaving him isolated and misunderstood.Proactively helped Joo Jaekyung locate Kim Dan, recognizing their interdependence.
Impact on Kim DanReinforced his isolation and emotional detachment, respecting his wish to remain hidden but worsening his condition.Facilitated a reunion, offering support and an opportunity for Kim Dan to heal through connection.
Encounter TimingDuring the day, casual and detached, focused on surface-level interactions.At night, intimate and deliberate, focused on reconnecting and providing real help.
Interaction DepthMinimal – They barely talked to Kim Dan and misunderstood his deeper needs.Profound The helper’s understanding of both characters allowed for meaningful assistance.
Emotional ToneMisguided loyalty, passive adherence to Kim Dan’s expressed wishes without deeper consideration.Empathy-driven, with active efforts to address both Kim Dan’s and Joo Jaekyung’s struggles.
Identity of the HelperHeesung and Potato: Superficial understanding, driven by friendship and blind trust.Anonymous Helper: Likely someone who knows both Kim Dan’s struggles and Joo Jaekyung’s challenges
Motivated ByFear of “making things worse” by interfering, leading to inaction. Heesung sees Joo Jaekyung as a violent, drunk and selfish ruffian So the other person should stand for the opposite notions: Genuine care and understanding of the importance of reconnection for both parties.
OutcomeLeft Kim Dan emotionally isolated and neglected Joo Jaekyung’s need to help him.Enabled Joo Jaekyung to find Kim Dan, fostering potential healing and growth for both.

Portrait of the Anonymous Helper

The anonymous helper stands out as a figure of quiet significance, bridging the emotional and practical divide between Joo Jaekyung and Kim Dan. Acting out of genuine care and empathy, this individual demonstrated a nuanced understanding of the connection between the two protagonists. While they may not have known all the details of Kim Dan’s struggles or Joo Jaekyung’s emotional turmoil, their insight and actions played a pivotal role. By recognizing the doctor in the photograph and ensuring it reached the athlete, who could act upon it, the helper catalyzed the reunion. Their ability to intervene discreetly and purposefully exemplifies the transformative power of small, compassionate gestures. This role, often unnoticed in its quiet execution, serves as a symbol of how intentional yet modest actions can shape the course of fate.

The Angel’s Intervention

And all these clues led me to Cheolmin! (chapter 13) The latter knew the PT’s face, (chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. (chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge (chapter 13), the death of a man and finally urgency. Moreover, remember what his friend told him before: the importance of rest and (chapter 13) He should send him to the hospital for tests, but the fighter refused. Why? It is because the latter feared his “chingu”. The doctor seemed rather interested in Kim Dan, therefore he feared that the PT might dump him for a “colleague”. That’s why Heesung was sent later to his gym. Karma was punishing him for not listening to his friend’s advice. Finally, it is important to recall his advice: (chapter 13) His recommendation makes him a clear supporter of the couple which stands in opposition to the second couple: Heesung and Potato. That’s why I am suspecting that the actor is about to receive his own punishment!! Who is standing next to Kim Dan? (chapter 59) The Cute Potato! The actor is about to get a rival. But let’s return our attention to Cheolmin. Though in episode 13, he remained unaware of Kim Dan’s true identity and personal struggles, I have the impression that he got updated by the athlete later. (chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. (chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, (Chapter 13), it is also possible that he could have heard about the last incident in the restroom with doc Dan’s replacement. Since Cheolmin found Dan cute, it is very likely that he was also drawn to the surrogate „Dan“. But I don‘t think, this was enough to intervene, as Joo Jaekyung didn‘t ask for his help.

However, this must have changed, when Cheolmin came across the photograph and recognized Kim Dan, his prior connection to both men could have inspired him to act. Moreover, since he had examined Kim Dan before, as a detailed -oriented physician, he could have detected the pale face of Kim Dan. (Chapter 59) Moreover, if he talked with the green-haired nurse, he could have heard about his unusual tiredness and spacing out. This would reflect the theme of fate weaving unlikely connections into the narrative. Cheolmin’s invisible intervention would also underscore the contrast between those who act out of genuine care and those who avoid involvement due to fear or inaction. However, since the champion came at the right time, it is likely that Joo Jaekyung will feel deeply grateful to the person who informed him. This gratitude may pave the way for Joo Jaekyung to trust others more fully and recognize the value of relying on others’ judgment.

Finally, I would like to remind my readers about my previous portrait of the mysterious doctor Cheolmin: I compared him to an archangel and to Neptune and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision (chapter 13), not to listen to his true friend, the one who was not called (chapter 56), but who reached to him, when Joo Jaekyung needed assistance the most. He was the only one who was accepting the fighter’s struggling, whereas Park Namwook chose to bury the truth.

Contrasting the Two Photographs

The two significant photographs in Jinx—one of Kim Dan and his grandmother (Chapter 19) and the group photograph at the hospice

(chapter 59) (Chapter 59)—serve as visual metaphors for Kim Dan’s emotional state and his evolving journey. However, their contrast is best understood through an analysis of key aspects: location, subjects, feelings, and the importance of memory.

Location: The first photograph, taken in a garden filled with vibrant flowers, symbolizes life and nature. This imagery conveys warmth and innocence, yet in reality, it reflects ephemerality and death due to the flowers. Moreover, it is ironically undercut by the secrecy surrounding the picture, as it was hidden from view. That’s why the readers can not identify the location and occasion for this image too. In contrast, the hospice setting of the second photograph can be more easily identified and located. In addition, it represents a more clinical and structured environment. On the other hand, it contains a common denominator with the first image: death and temporality. This means that The “Light of Hope” sign in the background casts a dual shadow. On the one hand, it signifies the grandmother’s oppressive influence but also hints at the possibility of healing and reconnection. Someone else will take over her place.

Subjects: The first photograph features only Kim Dan and his grandmother, emphasizing their private and familial bond. This simplicity, however, underscores Kim Dan’s isolation and dependency on a single flawed relationship. The group photograph, on the other hand, is crowded with people: nurses, hospice staff, and celebrities. The collective setting reflects a growing sense of community, albeit one where Kim Dan remains on the periphery. His inclusion in this photograph marks the beginning of a tentative integration into a broader social circle.

Feelings of Kim Dan: In the first photograph, Kim Dan’s childlike happiness is genuine, hence I am suspecting that the halmoni’s smile was not sincere. How so? It is because in the hospice photograph, Kim Dan’s outward expressions appear subdued, reflecting discomfort and reluctance. Everyone is happy except him, but no one noticed it. Hence I believe that in the first picture, Kim Dan has been idealizing his grandmother’s happiness. However, since he is now struggling, I see this new picture as a good sign. This juxtaposition highlights his transition from stagnation and idealization to a fragile but growing acceptance of connection and support.

Importance of Memory: The childhood photograph was hidden, suggesting that it served more as a relic of the past than a tool for connection. For Kim Dan, it embodied a memory of his grandmother’s love, but for her, it likely held no such significance—highlighting her emotional distance. In contrast, the hospice photograph, initially intended as a lighthearted memento, became a pivotal clue in reuniting Kim Dan with Joo Jaekyung. Its transformation from public to private use underscores the power of shared memories in forging connections. Furthermore, since the second picture announces the future reunion of the protagonists, I am connecting the first picture to a future „separation“. On the other hand, the second image was taken just before they departed, so both photographs are linked to separation and departure.

Photographer’s Identity: The identity of the photographer adds another layer of contrast. The hospice photograph was taken by Heesung’s manager, someone connected to work and external responsibilities. In contrast, the photographer of the childhood image remains unknown, shrouding the moment in secrecy. This anonymity, combined with the hidden nature of the photograph, reinforces its association with private pain and toxic positivity. Both images carry “ghosts”—the grandmother’s influence and the silent presence of the anonymous photographer—highlighting the themes of temporality and loss in Kim Dan’s journey.

Through these comparisons, it becomes evident that the first photograph symbolizes stagnation, secrecy, and unspoken pain, while the second reflects progression, albeit hesitant, toward community and healing. These images serve as mirrors of Kim Dan’s journey, reinforcing Mingwa’s use of visual storytelling to depict the interplay of isolation, connection, and fate. This comparison serves another purpose as well. Keep in mind that the one who desired to have a private picture was Potato (chapter), he wanted to have a good memory of his stay there with Heesung and Potato. However, this is how it looked like in the end: (chapter 59) It became the synonym for “work” and “fame”. So should the news about Kim Dan’s action reach Potato’s ears, he can only get shocked. What he thought to be a happy memory, was not, because he was unable to detect his friend’s suffering. He was not a true friend. As you can see, I have the feeling that this image will drive an edge between the second couple in the end. Let’s not forget that the actor is now using friendship and work to hide his true relationship with Yoon-Gu. So far, he has not been honest to the chow chow. He used his innocence to his advantage. However, the doctor’s attempted suicide announces the loss of Potato’s real innocence.

Conclusion: A Green Thread Among the Red

Through the photograph and the green-haired nurse’s inadvertent intervention, Joo Jaekyung was led to Kim Dan. The story’s thematic underpinnings—fate, connection, and the contrast between isolation and community—culminate in this reunion. Joo Jaekyung’s journey was not simply guided by one person but by many, each playing a small but significant role in weaving the threads of fate. If Potato had not asked for the photograph, if the nurses had not encouraged its capture, or if someone like Cheolmin had not acted upon it, the outcome could have been vastly different. These small moments of intervention underscore the story’s larger theme: the quiet power of collective action. However, keep in mind that Kim Dan met the actor and the „puppy“ by coincidence. So in their meeting, fate still played a role: the beach. As you already know, my theory is that Joo Jaekyung recognized Kim Dan‘s back from the road, as the latter is higher than the beach. And where did the nurses asked for the picture with Heesung? (Chapter 59) They were standing on the road. On his way to the hospice, he arrived by the coast, from there he could see the ocean. Nature (sea) brought them together, just like the dog Boksoon let Kim Dan reunite with his friends.

Interestingly, (chapter 59) Kim Dan’s ocean scene—a night devoid of moonlight—symbolized his emotional turmoil and loss in the darkness which marks the end of the grandmother‘s power over her grandson‘s life. By contrast, Joo Jaekyung’s intervention represents the light of hope rekindled (chapter 59), offering Kim Dan a chance for healing and reconnection. He embraces him, something his grandmother has not been able to provide lately, Through this journey, Joo Jaekyung also learns to trust others and realize that self-reliance, bolstered by money alone, is insufficient. His disillusionment with Park Namwook, who failed to act on his requests, should further cement this realization. Gradually, Joo Jaekyung comes to value genuine support and collaborative effort, paving the way for both his and Kim Dan’s growth.

This narrative progression, captured through time, characters, and symbolism, ultimately reveals that Joo Jaekyung’s journey to finding Kim Dan was not simply one of chance. It was a testament to the interconnectedness of lives and the quiet power of actions—a snapshot of fate’s many hands.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Wolf’s 🐺 Cure ⚕️ Among The Sheep 🐑

Introduction

The second season of Jinx promises to delve deeper into the lives of its main characters, transitioning from the confines of the gym (chapter 54) and penthouse (chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” (chapter 56) in a small town on the West Coast (chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged (chapter 16) (chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, (chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information (chapter 48) and using Shin Okja as a guinea pig for trial treatments (chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: (chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion (chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. (chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, (chapter 57) who no longer appears in the news.

Contrasting the Hospice and MFC

The hospice, Light of Hope, does not offer healing in the traditional sense, as its patients are no longer hoping to be cured. Instead, it provides a space for those burdened by emotional scars to wait for death in a positive way, (chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating (chapter 36) (chapter 35) (chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives (chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. (chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: (chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony (chapter 57) which contrasts so much to the mentality at the gym. There, no one paid attention to the well-being of Kim Dan or the athlete. The latter had to burden everything on his own. The hospice’s focus on teamwork and selflessness mirrors the qualities of the sheep—often symbols of conformity but also of communal support and altruism.

On the other hand, the grandmother believes she has found her “family” and “roots” at the hospice (chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: (special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets.

The MFC, in contrast, represents the worst of hierarchical power dynamics. It stands as a symbol of industrialization, producing ‘champions’ not for their personal growth or well-being but for monetary gain. Fighters are treated as commodities, molded and exploited for profit in a system that prioritizes output over humanity. As an organization, it prioritizes profit over the well-being of its fighters, fostering a culture of exploitation and blind obedience. Joo Jaekyung’s realization of these flaws will likely spur his transformation into the true owner of the gym, imposing his values of loyalty, care, and protection.

Defining the Cure: Reconnecting with the True Self

For Joo Jaekyung, the “cure” lies in reconnecting with his true self and rediscovering his childish side, something he could only experience twice in season 1. He had fun with Kim Dan by his side (chapter 26) (chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.

Central to this transformation is his relationship with Kim Dan. Taking care of Kim Dan—physically, emotionally, and mentally—becomes a pathway for Joo Jaekyung to rediscover his own humanity and generosity. However, it becomes evident that the one truly dying a slow death is Kim Dan. His negative change, marked by physical and emotional decline, should make the champion realize that Kim Dan has been identifying himself with the athlete. The last incident appears to have “killed” the physical therapist’s spirit, leaving him a shadow of his former self. (chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: (chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.

Education also stands at the center of Season 2, exemplified by Boksoon (chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean (chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water (chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.

Moreover, the professional dynamic between them shifts significantly in Season 2. With Joo Jaekyung hiring a new physical therapist (chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.

The Role of Mirrors and Mentors

Key secondary characters at the hospice serve as mirrors and mentors to the main leads. The landlord (chapter 57) and the yelling patient (chapter 57), represented as an ibex, embody qualities that challenge Joo Jaekyung and Kim Dan to confront their past traumas and current flaws. The ibex’s defiance contrasts with the sheep-like conformity of the hospice patients, encouraging Potato, Kim Dan and Joo Jaekyung to question the blind obedience that has shaped their relationship with figures like Park Namwook. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

Nurses 1 and 2, previously conceptualized as (chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself (chapter 57), she was able to note that he was suffering mentally and emotionally. She diagnosed it as burn-out. Then in the latest chapter, a new nurse appeared. With her green hair and glasses (chapter 57), she reminded me of the champion’s friend: (chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.

The Symbolism of Wolves, Sheep, and the Illustration

The wolf symbolizes love, family, and protection, qualities that Joo Jaekyung begins to embody as he nurtures Kim Dan and confronts his own vulnerabilities. The illustration visually represents this duality: the wolf in sheep clothes, walking towards the hospice, embodies Joo Jaekyung’s fierce yet diminished and protective nature, while the broken tree—representing Kim Dan—signals his fragile state and the need for healing. Together, the wolf and the sun symbolize Joo Jaekyung’s journey toward self-discovery and redemption, as he draws strength from the tree’s shade, embodying Kim Dan’s care and quiet support.

Meanwhile, the sheep represent conformity and selflessness, but the presence of the ibex disrupts this harmony, standing as a challenge to blind obedience. I have to admit that the patient’s reaction (chapter 57) reminded me a lot of Yoon-Gu’s (chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life.

The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.

Wolves also represent loyalty and teamwork, values that stand in stark contrast to the selfishness and manipulation he experienced at the MFC. Meanwhile, the sheep, often dismissed as symbols of conformity, carry a deeper meaning at the hospice. They embody gentleness, warmth (due to their wool), selflessness and community, traits that Joo Jaekyung learns to appreciate and emulate. That’s how the wolf will learn how to give warmth and comfort to his fated partner. The hamster can only feel grateful towards his benefactor pushing him to reciprocate the attitude. Then the moon, embodied by the doctor, will become the guardian of the champion so that the latter can little by little recover from his insomnia and recurrent nightmares.

A Journey of Transformation

In a world where individuals are on the verge of death, Joo Jaekyung discovers his own senses: his humanity and generosity. The hospice provides a space for him to reconnect with his true self, guided by the lessons he learns from Kim Dan, the nurses, and the “mirrors” of the landlord and the ibex. This transformation not only redefines his relationship with Kim Dan but also prepares him to reclaim his rightful place as the leader of the gym, imbuing it with values of care and protection. Furthermore, the hospice teaches Joo Jaekyung the value of rest and relaxation (chapter 57), concepts he had previously dismissed as “laziness.” (chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.

Ultimately, The Wolf’s Cure Among the Sheep is a story of healing through connection, a reminder that even in a world marked by competition and death, humanity and generosity can flourish when the heart is truly in it.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Unspoken Gifts 🎁, Unveiled Truths🪩 in the Light of Hope 💚

The hospice named “Light of Hope” (chapter 56) in Jinx serves as a powerful symbol and narrative device, encapsulating the themes of observation, communication, and truth, as reflected in the title “Unspoken Gifts, Unveiled Truths in the Light of Hope.” Its name evokes images of enlightenment and clarity, which stand in stark contrast to the gym Team Black and the grandmother’s internal state of denial and her rejection of responsibility. This tension between the hospice’s symbolic essence and the grandmother’s actions deepens the narrative’s exploration of personal accountability and transformation.

Closeness and Observation

Unlike the anonymity of the city (chapter 35), where people’s actions and words can go unnoticed, the hospice fosters an environment of close-knit relationships and mutual observation. (chapter 56) In this communal setting, actions carry weight, and behaviors are scrutinized. Thus the door to the meeting room is made of translucent glass. (chapter 56) While in the previous essay, I pointed out that this door reflected Kim Dan’s emotional entanglement—he is physically present but emotionally excluded from his grandmother’s world, highlighting the imbalance in their relationship -, in verity this transparent door offers an opportunity for the main lead. How so? The glass door stands not only for transparency, but also for “emotional distance”. The glass allows visibility but creates a barrier, symbolizing a balance between openness and detachment. This is essential in a hospice environment, where the focus is on providing care and support without becoming overly attached to the inevitable outcome: death. For the staff, maintaining a degree of detachment is necessary for their well-being, as becoming too attached could make the emotional toll of their work unbearable. Therefore I am suspecting that the two nurses (chapter 56) will become the physical therapist and champion’s mentors and advisors. Why? It is because the nurse with the brown hair embodies those values. Her emotional distance is already perceptible in her conversation with her colleague: (chapter 56) “Apparently” indicates a certain reservation suggesting that the speaker is relying on logic or observation rather than direct emotional involvement. That’s how the readers in the English version got finally to discover the grandmother’s name: Shin Okja. The latter has a name and a room number. While her description about the grandmother oozes objectivity and facts, she shows a different attitude towards the main lead later. Here, she is speaking from her heart: (chapter 56) She is projecting herself in his shoes. Why? IT is because she got influenced by the comment from her colleague. That’s how I realized that together, they represent the balance of heart and mind, their unity and understanding forming a cohesive whole. That’s how both are able not to become indifferent or too much attached. This coincides to the dualism of their profession: care but also detachment. Under this new perspective, it becomes comprehensible why the second nurse is not referring to facts, but to impressions and imagination. Her words are strongly intertwined with rumors: “with his experience”. So far, the main lead had barely experience in his field, as his first big gig ended up in a fiasco. He didn’t stay that long at the hospital and it is the same for the champion. He only worked at the gym for three months. The dark haired woman might have seen Kim Dan’s resume and the last employer, but she didn’t notice his name (Joo Jaekyung). This is her MO for „detachment“, she doesn’t pay attention to names. Moreover, she didn’t detect that he had barely worked as a PT before indicating that she has no notion of „time“. The discrepancy between her thoughts and reality can be easily explained. She also recognized the transformation in the patients, and could link it to the doctor’s skills. The reference to “famous athlete” and the doctor’s skills created a false perception, and this had an influence on her colleague: “You’re telling me!”.

The grapevines, both literal and figurative, symbolize the interconnectedness of the residents and the flow of information that can subtly reveal hidden truths. The grandmother, who once thrived under the city’s indifference, now finds herself navigating the attentive and watchful gaze of the hospice community. (chapter 56) Her hypocrisy, particularly in her treatment of Kim Dan, remains hidden behind the guise of socially acceptable behavior. Within the hospice, residents maintain a positive opinion of her, which enables her to mask her neglect and selfishness effectively. But since the two nurses are sharing their thoughts and working as a team, it signifies that Shin Okja’s wrongdoings could be detected this time. Or better said, they will realize the true suffering from the protagonist. Nurse Heart and nurse Mind will do their best to protect their new mascot and give him what he truly needs: (chapter 56) Comfort and even a home! It is important, because this evolution represents a contradiction to the athlete’s past: Park Namwook portrayed himself as Joo Jaekyung’s savior and family. (chapter 26) The reality is that he still has no idea why the champion was acting that way. He tried to explain his odd behavior by jumping to conclusions (prejudices: a spoiled child) and by listening to others. He never used his heart and mind, rather his ears and eyes. And this brings me to my next part.

Team Black‘s heart and mind

The partnership between the two nameless nurses contrasts sharply with the fractured dynamic between Park Namwook and Jeong Yosep in Team Black, where miscommunication and hidden motives reign. Observe that only in episode 5, the champion and the manager heard about the coach’s divorce and its circumstances. (chapter 5) And the other laughed. Then the coach seems to have no cellphone. Maybe he believes to have no need for it, for he goes to the gym every day. This signifies that he expects to be informed by his hyung Namwook. However, like mentioned in the previous essay, I believe that the manager has been sweeping under the rug the terrible condition of his “boy” from the coach and the team members. To sum up, Team Black embodies the opposite of the hospice’s values. There is no transparency, because the conversation took place not outside, but behind closed door. The door might be translucent, the reality is that they sent away all the members. (chapter 36) The gym, while ostensibly a team environment, is ruled by indifference, anonymity, and a lack of genuine camaraderie. The heart and the mind are not working together. Why? It is because the coach is trusting the manager, as he views him as the heart of the gym. What he fails to see, is that Park Namwook is neither the heart nor the mind, for he is more reflecting his surroundings: money. Secondly, the manager is easily influenced and is using conformity and social norms to avoid responsibility. He fears making decisions and lets others become proactive. Joo Jaekyung, the leader, relies exclusively on Park Namwook, the manager, who undermines team spirit by fostering distrust and misinformation. (chapter 46) The member’s loyalty got questioned, but the irony is that they had the real insight. (chapter 47) Thus rumors about Baek Junmin being an illegal fighter never reached Jaekyung’s ears. That’s why the author made fun of the main lead here: (chapter 47) His ear seemed to have caught their badmouthing, but not the real information. But why did he not listen to the members? It is because Namwook had encouraged the champion to keep his distance from others. He had even planted seeds of distrust among the team with his badmouthing about the champion. He has a bad temper and is a spoiled child, so no one needs to pay attention to him and his moods. The slap was the evidence of his disrespect and hypocrisy. (chapter 52) He was not willing to listen to the fighter’s suffering, because he didn’t want to be burdened. In fact, the opposite happened. (chapter 52) The man acted, as if he had been the biggest victim. Moreover, Namwook’s actions often reflect a lack of genuine loyalty, as seen in (chapter 22) episode 22, when he falsely claims ownership of the gym and again in episode 56 when he reminds the champion of his absence from the gym, behaving as though he were the boss. (chapter 56) In reality, the true owner of the gym is the “wolf,” and Namwook’s behavior underscores his disregard for loyalty and responsibility. In fact, his words mirror the nurse’s at the hospice: (chapter 56) Since she approached the physical therapist to get closer to him and used work to create a connection, people can see the similarities between her and the manager. While she represents honesty, curiosity, care but also “ignorance”,, it means that Park Namwook embodies the opposite values: indifference and a certain dishonesty. (chapter 56) Hence he is seen talking over the phone and not face to face, unlike the nurse. He knows that his boy is struggling, but he acts, as if he didn’t know. This contrast validates my previous interpretation of the manager. His question “Is everything okay with you?” exposes his lack of genuine concern. He uses work not to praise his “boy”, but to blame him for his “negligence”. He downplays the champion’s struggles while still recovering from surgery. This lack of care creates an atmosphere of apathy, anonymity, and selfish expectation, sharply contrasting with the hospice’s values of dignity and communal care. But how do we explain this huge divergence? First, the main principles of the hospice are dignity and care, and not primarily money. Therefore the institution offers free health check once a month: (chapter 56) Then they don’t pay attention to drugs and treatment, as they are useless there. Therefore they are less prone to corruption and greed contrary to the hospitals in Seoul. This means that this institution should become the main support for the main couple. Let’s not forget that Joo Jaekyung is suing a reputable hospital, but there’s no doubt that all the institutions are siding with the medical world and not the fighter.

Furthermore, though Light Of Hope and Team Black are strongly intertwined with fighting, their focus diverges significantly. The hospice prioritizes mental well-being, addressing the emotional and psychological needs of patients who have already relinquished hope for physical recovery. (chapter 56) This contrasts with the gym, where fighting is treated as entertainment and sport, emphasizing the physical aspect while neglecting the mental health of its athletes. Ironically, even the physical treatment of its members was neglected at the gym from the very beginning, like we could see it in two occasions: (chapter 1) The fighter with the head injury received treatment from the members (self-medication) and Kim Changming had a shoulder injury which got neglected. (chapter 7) These incidents reflect the gym’s underlying indifference and mismanagement. This disparity explains why Jaekyung’s mental health suffered under Namwook’s leadership, as the gym lacked the supportive and transparent environment required to nurture emotional resilience. Jaekyung’s stay at the hospice is likely to open his eyes to this overlooked aspect, prompting him to reconsider his leadership style and the values governing Team Black. But it is the same for Kim Dan, especially if he sees how weak and neglected the fighter looks: (chapter 56) he has already become a shadow of himself.

Gifts, communication and Truth

Light, a recurring symbol of enlightenment and awareness, serves different functions in the hospice and Team Black. In the hospice, light represents the revelation of truths previously hidden by denial and pretense. (chapter 56) The nurses might come to wonder how the grandmother can happily chat and smile when her relative is barely eating and spending all his time at the hospice. For the grandmother, this light exposes her selfishness and misguided belief that she can evade accountability. (chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.

The idea of gifts further underscores the theme of communication and truth, as gifts convey a message and reveal the nature of the relationship between the giver and the receiver. For instance, Park Namwook treats the gym as though it were a “gift” bestowed upon him, despite this being far from the truth. (chapter 22) Rather than acknowledging the champion’s suffering and generosity, he exploits his position thanks to his seniority, treating the gym as his personal domain. This false sense of ownership leads to his manipulative behavior and disregard for loyalty, as he capitalizes on Jaekyung’s trust and struggles.

Similarly, the grandmother’s wedding cabinet, made of mother-of-pearl, was a symbol of her dowry and seems to hold sentimental value for her. (chapter 19) However, for Kim Dan, this object represented a burden rather than a gift. He had troubles to find a new place to stay because of her „treasure“: (chapter 16) Despite its substantial value, the grandmother never sold the cabinet to pay off the debts, prioritizing its preservation over the survival of her home and family. On the one hand, this reveals her immaturity and selfishness, as she put up with her grandson’s suffering. On the other hand, her decision created the impression to Kim Dan that this belonging had just a sentimental value and nothing more. So when the champion saw that huge Wedding cabinet, he judged it as „junk“ and that’s how the doctor got this perception validated. (Chapter 19) Hence it is not surprising that at the end, he chose to abandon this huge cupboard. (Chapter 53) Finally during her move to the Light Of Hope, she did not ask about the whereabouts of her belonging which could only reinforce the impression that this item had no real value. It had even lost its sentimental value, as she was no longer thinking of her former home. Her ignorance and forgetfulness are once again outlining her superficiality, self-centeredness and lack of empathy. The sentimental value of her Wedding Cabinet was rather shallow. But the tragedy is that when the furniture was moved the penthouse, the champion noticed this item for the first time and came to associate this cupboard with the doctor. (chapter 19) Thus I am suspecting that this Wedding Cabinet created a false impression about the doctor: Joo Jaekyung thought that Kim Dan had many clothes in this cupboard, the negative version of this scene, (chapter 42) This explicates why the athlete didn’t pay attention to his soulmate’s clothes. And now, observe that the doctor is only wearing his PT uniform. (chapter 56) Thus I am predicting a huge awakening for the champion. Without the cupboard, the champion can see that the physical therapist almost has no cloth. Thus he can only admit his humbleness and benevolence. However, the moment he hears that this furniture belonged to the grandmother, the champion can only perceive the relative in a different light. Yes, the gift should expose her true personality. At the same time, Shin Okja never gave her Wedding Cabinet to Kim Dan, so should she discover that she lost her gift or the latter ended up in the athlete’s hands, she could protest and reclaim it. My point is that this legacy serves as a tool to expose the grandmother’s childish and shallow nature.

But I believe that we should combine this present from the past with the scarf she received from her grandson: (chapter 56) She is wearing it daily and is proud of it. Deep down, she knows the true value of the scarf: it was expensive (Chapter 41) as she employs the expression „spoil to death“. By wearing the scarf with flowers, she appears wealthy, but also vain! Since I detected that Kim Dan likes pink flowers, my interpretation is that this gift mirrors the doctor’s taste indicating that he was slowly regaining his identity and confidence.. (chapter 31) And notice that the bouquet of pink roses pushed Kim Dan to talk to Joo Jaekyung about his taste. That’s how I detected a strong connection between presents and communication. Notice that on the champion’s birthday, the manager sent a message while the presents were delivered. (chapter 45) This aspect gets even validated with the doctor’s keychain. The latter not only caused an argument between the two room mates (chapter 45), but also encouraged the doctor to convey his thoughts and expectations in the card. On the other hand, he didn’t expose the whole truth (chapter 55) Another interesting aspect lies in the doctor’s shaking hands which the champion noticed, when he offered the present: (chapter 55) This scene reminded me of their first encounter: (Chapter 56) So the man must have recognized the doctor‘s fear, which explains why the champion could voice his anger later. But back then, he never wondered why the doctor‘s hands were shaking like leaves. It is because the doctor feared rejection. The present had the following meaning for the physical therapist: recognition and acceptance. The gift was the symbol for „conditional affection“ which he had long internalized due to his grandmother. But this doesn‘t end here. The shaking hands appeared in a different scene: (chapter 49) The common denominator between these three scenes is the mistake. Kim Dan feared to have made a mistake with the present, because he was afraid of the champion‘s reaction: will he accept him or not? But let‘s return our attention to the gifts from the doctor.

And what is the huge divergence between the champion and the grandmother? The latter has always accepted doc Dan’s gifts, and even kept them, though she is well aware that her grandson is broke. He might have no longer any debts, but she doesn’t know it. So should the main lead meet the grandmother wearing the beautiful and expensive scarf, he should realize the value of the cloth. He should notice that the spoiled and greedy child is the halmoni, and not his fated partner. (chapter 41) Her words at the hospital are going to come back to bite her. She should have refused them in order to save some money. To conclude, the gifts serve to expose the truth about the receivers’ personality, like we could observe in another occasion: (chapter 31)

Funny is that her Wedding Cabinet was never intended as a gift for Kim Dan but as a reflection of her own past. Similarly, the scarf becomes a symbolic extension of this dynamic, illustrating the disparity in how gifts are perceived and valued. Through these gifts, the true nature of the relationships and the inherent imbalances are exposed. The cabinet, meant to represent care and love, becomes a mirror of her selfishness and refusal to take responsibility for Kim Dan’s sacrifices. These gifts underscore the imbalance in relationships where one party takes advantage of the other’s kindness or generosity. So paying back the fighter should be seen as a reflection to the scene, where the champion rejected the keychain. Simultaneously, the money transfer (chapter 55) implies that as soon as the main couple meet each other, they will have to discuss this matter. To sum up, a gift encourages the couple to communicate, yet contrary to season 1, both should be more honest to each other at the Light Of Hope. Every word and action will appear in a different light. Another aspect is that none of them takes things for granted, which stands in opposition to hyung Namwook and the grandmother. This explicates why the latter have no problem to spend money.

The Symbolism of Light

Light, a recurring symbol of enlightenment and awareness, serves different functions in the hospice and Team Black. In the hospice, light represents the revelation of truths previously hidden by denial and pretense. (chapter 56) The nurses might come to wonder how she can happily chat and smile, when her relative is barely eating and even spending his whole time at the hospice. For the grandmother, this light exposes her selfishness and misguided belief that she can evade accountability. (chapter 56) Her actions, such as allowing Kim Dan to stay by her side and covering him, contrast sharply with her earlier attempts to push him away. In this scene, a caretaker might pass through the rooms to ensure everything is in order, noticing the doctor present. To an outsider, the visible outcome suggests that she accepts her grandchild’s relentless care without protest. It was, as if she had said nothing at all. Yet, this perceived acceptance masks her internal struggle and the discomfort of being dependent on Kim Dan, reflecting her conflicted emotions. These moments of vulnerability and acceptance highlight the gradual erosion of her denial under the hospice’s symbolic light.

In contrast, Team Black’s symbolic “darkness” represents ignorance, despair, and unhappiness. The gym’s lack of transparency and trust fosters a culture of disconnection and secrecy. This explicates why Kim Dan and Joo Jaekyung got betrayed and abandoned by the staff. Though they were both victims, no one sided with them. No one went to fetch them either or to call them. The name “Team Black” itself evokes these negative qualities, further emphasizing the divergence from the hospice’s values of clarity and interconnectedness. On the other hand, one origin of this problem is that the gym was founded for the athlete’s own needs. That means that the company must change its philosophy and in my opinion, it is related to Kim Dan. The latter embodies other values like family, dedication and selflessness. Work is not linked to money, but to self-worth. Like mentioned before, the doctor is about to conquer the gym and as such he is the true game changer.

For Jaekyung, the hospice’s light serves as a metaphorical mirror, reflecting the shortcomings of his leadership and his failure to build a true sense of community within Team Black. By entering this environment, he begins to see the value of actions over appearances and the importance of genuine relationships, which contrasts with the superficial and transactional nature of his gym.

A Catalyst for Transformation

The hospice’s name also reflects its role as a catalyst for transformation. While it offers hope and care to its residents, it also demands honesty and responsibility. The grandmother’s journey within this space is marked by a slow but inevitable confrontation with her own hypocrisy. Her interactions with Kim Dan and the hospice community challenge her to embrace the very principles that the “Light of Hope” embodies—truth, responsibility, and genuine care.

Similarly, Jaekyung’s time at the hospice serves as a turning point. Surrounded by people who value authenticity over status, he begins to shed his reliance on Park Namwook and reevaluates his treatment of Team Black. The hospice helps him uncover buried traumas and understand the impact of his actions on others, including Kim Dan. This newfound awareness sets the stage for his transformation as a leader and as a person.

Conclusion

The hospice “Light of Hope” is not merely a setting in Jinx; it is a microcosm of the story’s broader themes. It stands as a beacon of enlightenment, forcing characters like the grandmother and Joo Jaekyung to confront uncomfortable truths and redefine their relationships with themselves and others. While the grandmother initially resists this process, the hospice’s environment and its symbolic “light” gradually guide her toward self-awareness and accountability. For Jaekyung, the hospice provides an opportunity to recognize the flaws in his leadership and to embrace a more empathetic and authentic approach to life. In doing so, the “Light of Hope” becomes a place where denial fades, truths are revealed, and the potential for transformation is realized.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Burning Up🔥, Losing Control 🛞

Behind the wheel

In episode 56, we could see Joo Jaekyung losing his cool, the more he tried to find Kim Dan. This huge transformation can be detected, when Jinx-philes compare these two following images. (chapter 56) and (chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto.

As you can see, the latter stands for success, wealth, authority and domination. (chapter 56) (chapter 56) Even if the main lead is moving among other cars, people can recognize that the owner of such a car is rich and probably famous due to the brand and design. On the other hand, by roaming in the street, the champion blends into the background and as such to the mass. (chapter 56) Because Joo Jaekyung doesn’t want to be recognized, he is wearing a mask and a cap. This gesture stands for anonymity, hence no one is paying attention to him. Contrary to his frenemy at the cafe (chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: (chapter 55) It is no coincidence as well that the author showed us the star’s back, when the latter called his hyung Park Namwook. (chapter 56) Moreover, the shades are quite similar: red/orange and brown. Without his car, he is like everyone else: a human with his flaws and imperfections.

I have to admit that when I read episode 56, I couldn’t restrain myself connecting episode 56 to chapter 33 and in particular due to my essay called: These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. (chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. (chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. (chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.

Secondly, it was the wolf’s way to keep the doctor in check, to control the situation. He is behind the wheel, hence he takes the lead and had the saying in their relationship, like we could observe it in another situation: (chapter 42) And what was his attitude there? He would not listen to his passenger. Moreover, he would separate his job from his roommate’s. It looked like they were living in two different worlds, though they were sharing the car. This scene exposes miscommunication, lack of faith, stubbornness and prejudices. The fighter was not willing to accept the physical therapist’s doubts and chose to go through with the training and match.

Thus I deduce that the vanishing of his car is indicating that the athlete is now ready to LISTEN! He is no longer cut off from the world, he is moving among humans. His penthouse and his car were the reasons why he kept people at arms-length and why he preached self-reliance. They were the symbols of his success and identity: (chapter 2) (chapter 32) So by leaving them behind, it indicates that Joo Jaekyung is transforming and as such maturing. But why is he so desperate to control his life and even Kim Dan’s by leaving no room to change or “surprise”? I believe to have found the answer: chronic abuse. I know that the quote is quite long, but in this description, Jaekyung-addicts can recognize their beloved character:

After reading this, my avid readers can grasp why the champion’s past has been kept in the dark by the author and why the athlete dislikes it, when his past is mentioned: (chapter 26) First, he repressed it, but thanks to doc Dan, he is encouraged to face his traumatic past. But for that, he needs to trust someone, a person who wouldn’t judge him and would show understanding. He came to associate “pity” (chapter 37) with arrogance and weakness, but this is not true. [For more read this https://psyche.co/ideas/pity-is-an-emotion-easy-to-scorn-but-central-to-our-humanity]

This new discovery reinforces my previous hypothesis that the main lead was exposed to chronic abuse (emotional abuse, parental criticism and probably bullying), which remained undetected. So by “losing his car”, he is gradually giving up on his control issues. At the same time, it gives him the opportunity to redefine his own life. What does he want from life and his career as MMA fighter? Consequently, I come to the deduction that Joo Jaekyung is about to become the true owner of his time and as such of his own life. Let’s not forget that even in season 2, his manager is still the one “controlling” his time. (chapter 54) (chapter 56) This signifies that the champion is about to discover that in reality, he was not truly free. While he thought, he was controlling his life behind the wheel, in verity, he was just a puppet, for his decisions were influenced by his fears and past. I would even add that the loss of his routine announces his willingness to accept changes and surprises in his life. The latter are no longer perceived as a threat.

The champion’s car and his hyungs

Because Joo Jaekyung connects car with power and leadership, I came to realize why the champion trusts so much coach Jeong Yosep and his other hyung: (chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. (chapter 53) They should have brought him home. They stand for neglect and indifference due to their passivity and routine. In my eyes, they are happy at the gym, the latter represents their second family. So they imagine that it is the same for their boss. In other words, they projected their own thoughts and feelings onto the celebrity. They embody silence and lack of communication and this is actually palpable in the car. In episode 5, the manager and the MMA fighters lied to each other: (chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy” (chapter 49). Yet, he revealed his true thoughts at the hospital: (chapter 52) He has no real trust in the athlete. Finally, my avid readers should notice that we never heard coach Jeong Yosep speaking up or exchanging his thoughts to the other members there. To conclude, I interpret the car as a symbol for censorship, silence, miscommunication, stubbornness and deafness. In other words, this place is also polluted. (chapter 53) So when the champion returned home on his own after the surgery, it displays the high peak of the censorship and uncommunicativeness from the two hyungs. They didn’t bring up the eventuality that Kim Dan might have moved from the penthouse. They kept doc Dan’s departure under wraps and waited for the right opportunity. But the best evidence for this interpretation is the absence of Jeong Yosep after episode 52. From that moment on, he is no longer present in the star’s life. But there’s more to it. I noticed the absence of Jeong Yosep’s phone number. At no moment, we see him contacting the protagonist through the phone. (chapter 52) Imagine that he only reported his investigation and actions afterwards. Then on the athlete’s birthday, he didn’t send any private message as well. (chapter 45) It gives the impression that he owns no cellphone, especially if Jinx-philes recall this situation in the States: (chapter 37) He was using the landline telephone. This observation is relevant, because it exposes the coach’s dependency on Park Namwook. The latter’s task is to keep in touch with his boss and champion, for he has his cellphone number. Nevertheless, how do we explain the absence of the coach’s cellphone? I have the feeling that this could be related to his divorce. (chapter 5) When his wife suddenly blocked him, he got shocked and hurt. And don’t forget that we have another person traumatized with a phone call: Kim Dan, who got abandoned during that day. (chapter 19) Thus this observation made me think that the coach could have something in common with Kim Dan. And that’s how the champion will demonstrate his strength to his hyung. Contrary to him, he didn’t accept the divorce so “easily”. In fact, he is fighting for the doctor in his own way. The problem is that he is his own worst enemy.

Interesting is that each time the MMA star was seen in the backseat(chapter 49), Jinxphiles could never view the driver. (chapter 5) According to my theory, this should be the coach. And the latter lost his wife despite his success. Now, Jinxphiles can grasp the discrepancy. Though the coach is the driver, he is not the one with the upper hand. In reality, he is putting his faith and trust in his passenger, Park Namwook. How so? It is because he is viewed as the counselor and expert. And how is the manager reacting to the fighter’s change of behavior? (chapter 56) He doesn’t look worried, scared or despaired. In fact, he is pretty calm, the opposite to this scene: (chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. (chapter 56) Finally, his comment is full of hidden criticism: “I haven’t heard from you…; You haven’t been coming…”. He is reproaching his star to neglect his work, though he is still in recovery. I have to confess that Park Namwook’s short scene drove me hot and crazy 🔥😂 One thing is sure: Despite the outcome of the last match, the hyung has not made up his mind to change his routine at all. But he is not realizing that this phone call represents a turning point in their relationship. How so? It is because if the champion switches his phone number (chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection (chapter 5), no money (chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5. (chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, (chapter 56) just like the doctor tried to show his appreciation to Joo Jaekyung with the gift: (chapter 55) The physical therapist hoped to get recognition, gratitude and acceptance from his soulmate. That’s the reason why I perceive this conversation over the phone as a reflection from that scene: (chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere.

But let’s return our attention to the champion. In episode 46, he denied the importance of intel on the impact of a match. Hence I deduce that with the doctor’s vanishing, he is learning another tough life lesson. It is important to get to know his roommate and even to converse with him. This is something he didn’t do in the past. I will explain below why. On the other hand, the contrast between 46 and 56 reinforces my conviction that one of the schemers knows about the champion’s fears and past. Thus the fighter was more and more confronted with the past thanks to doc Dan. So by unlocking his past, the fighter not only gets released from his mental prison, but also will be able to detect his enemies in the future.

To conclude, the car and the phone in Jinx symbolized not only the champion’s powers, but also his “identity”. When he was driving his auto, he thought, he was independent and as such the owner of his “life”. He thought, he was controlling his life. He was the famous and rich MMA fighter. Yet, this was just an allusion. The routine was there to make him forget his painful childhood. So by seeing him alone in the street (chapter 56), I feel like he is about to lose everything. Destruction is necessary so that the sportsman can rebuild a new life. The vanishing of his routine was also a necessity, because the athlete needs to include Kim Dan in his life. That’s the real definition of “living together”.

Back, silence and prejudices

Though the athlete is appearing lost and weak on the street, his mind-set oozes the opposite. Determination!! He knows what he wants: (chapter 56) He wants to meet his companion again. He already describes him as a need. This implies that the hamster has almost become a “necessity ” for the celebrity. On the other hand, these words expose that the fighter is still not ready to meet his fated partner. How so? It is because his words divulge the absence of “conversation”. In the beginning, he wished to talk about his feelings to Kim Dan so that he could get closure. (chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: (chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image (chapter 55) as a reflection from the one in episode 22. Nevertheless, this represents the sportsman’s prejudices about the doctor. But contrary to doc Dan in episode 22, the wolf wanted to forget him. In other words, he refused to become curious about doc Dan. This means that he initially regressed, as he made the wrong decision. However, it was a necessary step for the fighter, for the latter has always put himself under pressure: he was such a perfectionist. That’s the reason why I interpret the following image (chapter 56) as a mini-confession from the manager. He is gradually admitting that he doesn’t know his boy that well. Yet, he still puts the blame on the main lead. On the other hand, I believe that the manager in this picture should be seen as a reflection from the champion’s mind: (chapter 56) He believes to know his hyung, that’s why he trusts him so much. Hence he is willing to expose his vulnerability and despair: (chapter 56) He expects no contempt or shock from him. He anticipates acceptance and tolerance. But is this man willing to overthrow his conscience and integrity for his “champion’s sake”? Since he is portrayed as eyeless, it implies the champion’s prejudice and blindness. He doesn’t know his manager that well either: the man is rather a coward and a child than a mature father. Thus I started wondering how Park Namwook would react to this request. Will he accept it? Keep in mind that the main lead is not saying that he wants to hire doc Dan, it is only about seeing him. And this aspect made me realize why Joo Jaekyung got so upset and scared in the past: (chapter 7) (chapter 32) (chapter 37) (chapter 40) (chapter 43) (chapter 45) (chapter 46) (chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away (chapter 37) or the shocked and wounded doctor’s visage: (chapter 51) Kim Dan’s face which had become his secret source of joy, became a weapon suddenly! It brought him pain. And what did he say afterwards to the doctor in the locker room? (chapter 51) He wished not to see his “face”. The latter had become his “addiction”. Thus his face in tears came to haunt him. (Chapter 54) This nightmare exposed his regret which he tried to deny and bury. At the same time, I have the feeling that his secret desire was to wipe away his tears as well. Nevertheless the problem is that such a love is rather superficial, for people’s body deteriorate over time. What matters in love is a good personality and a good heart. According to Erich Fromm, love is knowledge, respect, care and responsibility. Hence this separation became a necessity for the fighter. Fate had to force him to admit this: (chapter 56) He needs to see his face. A picture won’t be enough or even hear a report about him. Furthermore, he imagines that if he sees Kim Dan doing well, he can get closure and move on. That’s the reason why I think that Joo Jaekyung needs to get a new insight about the doctor or about himself before meeting him. He needs to admit his ignorance and bias. So far, he felt more “pity” and showed more understanding towards the grandmother than towards Kim Dan. The evidences for this perception are the way he behaved towards her: he was gentle, he paid her bills (chapter 21) and almost got shocked (chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.

Joo Jaekyung, a human, a dog or a wolf?

Nonetheless, we could see his wandering in a positive light: (chapter 56) Joo Jaekyung is slowly turning into a real human. At its core, to be “human” involves:

  • Emotional Vulnerability: Humans are not perfect; they experience pain, fear, despair, and helplessness. And that’s how the champion feels in that moment.
  • Complexity and Depth: A human being is defined not only by their achievements but also by their struggles, flaws, and relationships. Interesting is that the reproach from the manager doesn’t get noticed by the champion, as he is too obsessed with doc Dan.
  • Empathy and Connection: Becoming human often involves acknowledging one’s need for others and accepting imperfection.

For Joo Jaekyung, being a star or fighter meant embodying strength, invincibility, and control. These traits distanced him from others, presenting him as more of an ideal or symbol rather than a person. Despair often marks a catharsis or turning point in literature and character arcs. It is the moment when a person realizes their limitations and confronts their authentic self. By experiencing despair on the street, Joo Jaekyung steps away from his constructed image and embraces his real identity. He is no longer just “the fighter” or “the star”; he is a man who can lose, suffer, and feel deeply. This coincides with the dropping of his routine and the neglect of his duties. His life is now chaotic, as the protagonist started forgetting his title and career. The manager could think, his boy lost his sight on what truly matters. The reality is that his life has always been meaningless and aimless. He always felt emptiness, but the title masked this emotions. His obsession with the doctor is bringing to the surface his hidden struggles and fake believes.

However, I don’t think that the man has reached the bottom yet. How so? It is because he is still relying on his “hyung”, money and power: (chapter 56) Moreover, by utilizing the expression “by whatever means necessary”, he is asking his hyung to disregard morality and laws. It was, as if he was encouraging the manager to throw over board his conscience and integrity. It looks like he is encouraging his manager to behave like Director Choi Gilseok: spies and connections. (chapter 46) But the hyung stands for “conformity and social norms”. Moreover, observe that Joo Jaekyung is turning his search of Kim Dan into a manhunt “Track him down”. His vocabulary evokes a predatory, almost feral quality, suggesting desperation and a lack of integrity. Readers know why he became obsessed with doc Dan, but is it the same for the manager? The main lead’s words reminded me of the loan shark Heo Manwook, which could let his enemies misunderstand the athlete. He resents the PT and wants to put the blame on him. This moment highlights a significant shift in his character: rather than adhering to rationality, morality, or compassion, he is overtaken by raw instinct, much like a wolf hunting its prey. This explicates why the author created such a panel: (chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. (chapter 56) In this moment, Jaekyung’s words highlight his transformation into someone governed by instinct (desperation to find the doctor at all costs), which challenges the notion of his humanity. His inability to address the situation with trust or compassion reinforces his struggle to act as a “real human” with integrity. The latter is defined as adherence to moral principles and honesty. Jaekyung’s behavior here reveals an absence of both, exposing a darker, corrupted side of his personality. He looks more like a wolf. (chapter 56) This means that he is not showing his true self. And now pay attention to the time and sunlight: (chapter 56) It is the golden hour or better said, between dog and wolf (“Entre chien et loup”). This idiom refers to “at dusk, twilight, nightfall”. At the same time, this idiom evokes this image of transformation and duality, two natures fighting against each other. Is the champion a “dog” or a “wolf”, when it comes to Kim Dan? I had already outlined the huge signification of this time in the following essay: “Magical Hours“. Back then, I had outlined the difference between “golden hour” and “blue hour”: (chapter 17) and (chapter 11). In season 1, the athlete stands for golden hour, whereas Heo Namwook embodies blue hour. “Entre chien et loup” is the time of day when the light is such that is becomes difficult to distinguish between a dog and a wolf, between friend and foe, between known and unknown. Hence I am thinking that if the next episode represents a continuation of that nightfall, it signifies that the champion is on his way to meet someone from the past. Moreover, I detected that the pavement is the same than in front of the gym: (chapter 56) (chapter 35) (chapter 48) As you can see, this detail made me realize that the next chapter should contain reflections from episode 35 and 48, the meeting with an old/new acquaintance. I am writing new and old together on purpose, for Director Choi Gilseok had been the halmoni’s loan shark, but the “hamster” had no idea. Choi Gilseok is the boss of Heo Manwook. If this encounter takes place, it signifies that on the one hand, it will cause pain and suffering to the athlete, on the other hand, this incident will become a “blessing in disguise”, for it will push the champion to reflect and mature. That’s how I had the following revelation. Why did the author ensure that the MMA fighter’s shoulder would get badly injured? (chapter 52) It is because this exposes the champion’s bad coping mechanism. The champion always uses his fists, therefore he doesn’t reflect and as such analyze his emotions. (chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. (chapter 56) However, he is not talking about love and gratitude yet. Without his left shoulder, he is forced to use his brain and as such his third eye. It is important, because it implies that the fighter is gradually learning how to control his emotions. Compare his attitude on the street (chapter 5) to the one at the gym from episode 5: (chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: (chapter 56) That’s the reason why I believe that in the next episode, the fighter won’t act on his feelings like in the past. But there exists another common denominator between episode 5 and 56. The athlete’s request mirrors the situation in episode 5. (chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. (chapter 5) It was not worrisome in his eyes, because his day would consist of training and punching the sandbag. The problem is that the fighter is no longer coming to the gym and he is not even calling him: (chapter 56) While the contrast between episode 5 and 56 reflects their growing gap and gradual separation, it seems to indicate that Park Namwook will follow the athlete’s request. He would have two reasons for this: money and hope that this would give some closure to his boy so that the latter can focus on his “training” again. But by following his request, he could expose his “connection” which is linked to the champion’s past. But I could be wrong. He could refuse it, for this request sounds so scary and immoral. Notice that the author didn’t let her readers hear his answer. We will see. Finally, it is important to recall that the fighter is dressed differently and he is more on the mode “listening” than “seeing”, as he had to hear the answers from his investigation: (chapter 56) Notice that even at the end, readers were not even able to see the PT’s faces: (chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? (chapter 48) He got manipulated by his eyes! They used a trick to deceive the athlete: delivering the truth in delay. Joo Jaekyung didn’t confront Kim Dan, because he saw the pictures as proofs! He never tried to hear his side from the story. And now, you comprehend why I am expecting that the champion will suffer another “blow” in the next episode. In my opinion, he will hear an important information. The fire in the illustration is there to indicate “Tabula Rasa”, a clean state. Joo Jaekyung has to lose all his principles and his bias about doc Dan. But for that he needs to face his own past and mistakes. Only through this effective anguish, he can become a better man, a new man.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Sweet 🍬 Redemption or Sweet Poison ☠️? The Price of Desire

Headache, Poison and Addiction

In the previous essay, I focused on the symbolism of the rooms in the champion’s life. Therefore I came to neglect the champion’s headache in the restroom. (chapter 55) One might think that the causes for his throbbing head are his depression and insomnia. On the other hand, I am quite certain that many readers had a different explanation for his migraine. He is missing his lover, Kim Dan, as the color red symbolizes the headache and the physical therapist’s name is strongly intertwined with this pigment which was once again confirmed in episoe 56. (chapter 56) So it is true that his migraine are caused by the doctor’s absence. It was, as if the main lead was suffering from withdrawal symptoms. The fighter has a love addiction, but he is not aware of the existence of this “sweet poison”. But there’s more to it.

Very early on, I had associated the “hamster” to a drug, but more precisely to a sweet candy and even a strawberry, like my different illustrations of analyses are displaying it Thus I consider this image, where the champion is seen (chapter 43) eating a strawberry with cream as the announcement of the magical night between Kim Dan and his fated partner. The fruit with the cream represented a violation to his strict diet.

The wolf’s coping mechanisms

So the moment Joo Jaekyung was left alone, he tried to cope with the withdrawal symptoms by replacing with other drugs, like for example alcohol (chapter 55) or the medicine against migraine. (chapter 54) However, in episode 55, we can observe a huge change in the champion. (chapter 55) The latter is finally admitting the inefficiency of the medicine. In other words, in this scene, he was giving up on them. This represents an important step on his way to enlightenment. For me, it signifies that he is stopping relying on pharmaceutical products. Let’s not forget that in the past, he rejected the PT and even neglected them. Why? It is because he trusted more sprays and other medicines than people. (chapter 49) Therefore the switch of the spray had to occur. He needed to question his prejudices and attitude. But let’s return our attention to the champion and his throbbing head. One detail in this panel caught my notice. (chapter 55) Interesting is that Mingwa portrayed him with closed eyes. It is not anodyne in my opinion, for the author was referring to the star’s third eye. Here, the protagonist was using it. That’s the reason why I interpret this image as a metamorphosis in the fighter.

Headache and alcohol

And what about alcohol? When the cleaning lady with her colleagues removed all the empty bottles of wine, she made the following comment: (chapter 55). This means that she had not seen the mess in the master room before: (chapter 55) And now, pay attention to the number of the bottles in his room: (chapter 55) I count 12 bottles of wine exactly like in the last image from chapter 54. Thus I came to the following deductions:

  • The cleaning staff only comes once a week and it is on Mondays!!
  • This signifies that a week had passed between the moment the fighter started drinking (chapter 54) and the appearance of the staff in chapter 55. It indicates that Jinx-philes can witness time deceleration in season 2. From one month in one chapter, then a week in the next episode, finally we have a reference to a day: Monday. Thus I deduce that in episode 56, only 2 or 3 days elapsed. I have already announced that the couple should meet each other around 25th: (chapter 56), for the day Kim Dan wired his money to his “loved one” took place after 10th of the month: XX = two digits. (chapter 55)

Then, the fact that this woman questioned the fighter’s behavior before removing the bottle, (chapter 55), indicates her surprise. She can not explain his huge change of behavior (messy and dirty room). She is trying to find an explanation: maybe a party with friends? The woman’s comment about the champion’s drinking habits seems to carry a dual tone. On one hand, it could be interpreted as playful or ironic banter, potentially lightheartedly teasing him about drinking heavily or having an active social life. On the other hand, it could also function as a reminder or critique, subtly pointing out the extent of his drinking and perhaps hinting at concern or judgment. For me, she was showing concern for her boss. The other evidence for this interpretation is that she brought the gift with the card: (chapter 55) Consequently, I judge the cleaning lady as the positive version of Park Namwook. Though she uses social norms, she doesn’t use them against her employee. She didn’t condemn him, it is a mixture of teasing and reminder. At the same time, her intervention implies that she must have noticed changes in her boss after the arrival of Kim Dan in the flat and his departure. That’s the reason why I have the impression that this image is announcing another turning point in the champion’s life either: (chapter 55) He won’t drink like before. However, I don’t think that he will behave like in the past: reject any alcohol entirely.

Migraine and the power of love

Moreover, I would like to point out that the moment the champion masturbated himself, (chapter 55), his migraine vanished. Though he is holding his head the next morning and hiding his gaze (chapter 55) (chapter 55), the Webtoonist didn’t add any red or “throb” as an indication for a migraine. As you can see, his headache is strongly intertwined with repressing the physical therapist and as such locking away memories. However, there exists another cause. What had the doctor done in the past? (chapter 44) Yes, the main lead had patted his lover’s head, while the champion had his eyes close. In my opinion, his unconscious had registered this gesture and loved it. However, the champion had not seen it himself. He was drunk and had his eyes closed. This stroke on the head symbolizes appreciation, affection and recognition. (chapter 23) That’s how little kids are admired and loved. This stands in opposition to the abuser’s behavior: (chapter 54) parental criticism and absence of contact. And how did Choi Heesung express his “love” to Yoon Gu? (chapter special 2) The same way than Kim Dan with the patting! In other words, the champion is deep down longing for such a gesture, but he has not realized it yet. Nevertheless, I believe that he just needs a trigger.

And what was he doing it here? (chapter 55) Stroking himself his head!! On the one hand, it stands for self-reliance, on the other hand it symbolizes his growing maturity. He is somehow attempting to be gentler with himself. Thus I interpret this image as the symbol of growth and insight, whereas I judge the scene in the bathroom as its negative reflection. How was the champion drawn under the shower?

(chapter 55) With his left opened eye!! The exact opposite from this picture: (chapter 55) This signifies that under the shower, he made the opposite decision: no insight and clairvoyance. He chose to bury the doctor again. The problem is that it was already too late. And what is the other difference between these two panels? The absence of the migraine! As long as the athlete thinks about Kim Dan, he has no throbbing head. This explicates why at the end, of episode 55, he was no longer suffering from a migraine. (chapter 55) This observation got confirmed in episode 56, though I couldn’t expose it before the release of the new chapter. (chapter 56) As long as the fighter thinks of his fated partner, he is not plagued with a throbbing head. This shows that it has something to do with repressing memories. However, his physical condition is still not improving: (chapter 56) He even looks worse than before: exhausted and malnourished. There is no one by his side taking care of him: his only interaction with his manager is through the phone. At no moment, the guy felt the need to pay a visit to his boss and champion. (chapter 56) Because I discovered the connection between memories and the physical therapist, it is important to examine the interaction between the main lead and the new uke.

Migraine and the placebo

Yes, I am comparing the new uke to a placebo, a fake “medicine”.

Funny is the original meaning of placebo: “I will please”. Who is pleasing whom at the club? I would say, the celebrity is like a sweet reward to the bottom. Hence the latter is smiling, when he starts talking to the fighter. (chapter 55) This signifies that in reality, the uke is the one benefiting more from this relationship, while the “Gucgi guy” is a placebo for Joo Jaekyung. He can not replace the true medicine: Dan’s love. But Joo Jaekyung chose to close an eye to the truth forgetting his “insight” from chapter 2: (chapter 2) However, back then, he had just stated it in order to get rid of the mint-goblin. He needed a justification for switching his partner. In other words, this was reflecting more the protagonist’s corrupted mind and heart. Therefore he is designed eyeless, the symbol for ignorance, lies and blindness.

What caught my attention is that the author zoomed on Joo Jaekyung’s gaze and notice that the zoom was more on his right eye. (chapter 55) And where did he have his migraine exactly? (chapter 55) It was on the right side and eye! It truly exposes that Joo Jaekyung was getting punished for his attitude. He is not allowed to bury and forget Kim Dan. The star’s open eyes in this episode symbolize denial, lack of self-awareness and as such the absence of insight. He is also punished for his lies in episode 2. His words might have reflected the truth, but his words didn’t expose a change of heart. He was taking advantage of this situation as well. So when the pain intensified pushing him to close his right eye, we should consider this image as a short moment of reflection and realization. In the restroom, he was forced to admit that only Kim Dan could kiss him. Is it a coincidence that just before Mingwa presented this image (chapter 55), she designed her characters eyeless? (chapter 55) Naturally no, she was mirroring the attitude of both figures: both were in denial!! Notice that though the star had no reaction in front of the “replacement”, the latter chose not to give up at all. This man was not expecting a rejection, in fact he was in total denial as well. He didn’t notice the star’s passivity and silence.(chapter 55) He was just standing there and avoiding his gaze. (chapter 55) By such a lethargy and the absence of an erection, the uke should have recognized that the fighter was not into him at all! But no, this man chose to close his eyes to the truth. Why? Because of his greed and selfishness. This explains his shocked reaction, when the athlete pushes him away and leaves: (chapter 55) How can the MMA fighter reject him? This displays his huge confidence or arrogance. There’s no doubt that he will put the blame on Joo Jaekyung. At the same time, I believe that his blindness was also caused by his greed. (chapter 55) He knew that the protagonist was rich and famous.

But let’s return our attention to the athlete. Since the champion’s headache is located on the right side, Jinx-philes should pay attention to the place the doctor patted him: the left side! (chapter 44) This shows that he would like to be patted on his whole head, exactly like Potato. And he had received it in episode 5: (chapter 5) Therefore he was in a happy mood after that match. A simple gesture with a lot of power! He has been missing this hand or better said this gesture. This action was the main lead’s true motivation. (chapter 54) Don’t forget that Dominic Hill had expressed his admiration in a similar way, patting on the back: (chapter 40) No wonder why he felt so lost and empty after the last fight. (chapter 5) But whose hand is this? Park Namwook or coach Jeong Yosep? Because I saw connections between chapter 43-44 and 55, I deduce that (chapter 43) this was the coach’s hand. In other words, the athlete felt more close to the coach than to the manager. This would explain why he would listen to the coach and even entrust him with huge tasks like the charity event. Strangely, in season 1, we can observe how more or more he is distancing himself from the fighter. Probably related to his secret relationship with Kim Dan. According to my theory, the coach is aware of their relationship. They are more than just boss and employee. As you can see, I don’t think that the champion is right now just missing the doctor’s sweet lips. Deep down, he would like to be patted by his loved one, exactly like Potato. (chapter 23) (special episode 2) But this is what he received after the last match: (chapter 52) Nevertheless, Joo Jaekyung is lost as well, because he needs to face his old and fake belief: he is jinxed. But in order to remove this persistent superstition, it is important to study the origins of the athlete’s sexuality. How can I do this?

The origins for the wolf’s excitement

I have always stated that the champion’s libido was strongly intertwined with his aggressiveness. His intercourses were like surrogate fights in the bed. This explicates why the mint-goblin didn’t put much effort to “seduce” him and only touched his sex, when he was on the verge of losing his biggest income: (chapter 2) The champion’s reaction is quite telling. He is not easily swayed. But we have another bigger evidence that his intercourses were replacement for “fights”. In The States, the fighter asked Kim Dan to join him at 11:00. (chapter 38) He needed to prepare himself mentally, to visualize how he would screw his opponent Dominic Hill. He was just taking the expression “fuck/screw” too literally. The latter idiom has the following synonyms: to cheat, oppress, bleed, coerce, wrest and to tighten. Just before the doctor came to his door, what was the athlete doing? He was watching a video from his challenger: (chapter 38) Therefore it is not surprising that he rejected Kim Dan’s request first. (chapter 39) He didn’t feel like it, because he was not aroused at all. Imagine that he needed two hours for that erection, a sign that during that night, Kim Dan was in reality a replacement for the American fighter. (chapter 39) Even when the doctor rubbed his hand against his sex, he had no reaction. (chapter 38) In fact, he needed a fellatio to get an erection, and he only started getting excited, when he saw the doctor’s gaze. That’s the reason why he remembered this image under the shower: (chapter 55) However, the more time the champion spent time with his physical therapist, the more he came to violate his own rules and principles: It started with their first meeting, when he crossed the line by mixing private and professional life together: (chapter 56) Here, Jinx-philes should detect a change, for the champion used the idiom “play”, which is strongly intertwined with fun and entertainment. Then the second violation took place, when the main lead suggested this deal. (chapter 6), Sex was no longer linked to matches, but to his own desires. To conclude, for the first time, the fighter connected sex to pleasure and desires and not “work and fighting”. Because of the deal and Joo Jaekyung’s strange behavior (sex shower scene, …) the PT had the impression that his boss was a man obsessed with sex.

However, this connection between sex and fight was not truly severed at the end of season 1, as the athlete didn’t give up on his biggest rule: to have sex before a match. This observation brings me to the last intercourse between the doctor and Joo Jaekyung. (chapter 53) The latter didn’t feel the need to have more sex with Kim Dan, he let his partner leave the place. Why? This contrasts so much to their First Wedding Night: (chapter 4) (chapter 53) Pay attention to the behavior from the fighter during their last night together. He is looking away, he is not paying attention to his fated companion. His mind was elsewhere, focused on Baek Junmin! In my opinion, during that night, the champion had been able to differentiate between the physical therapist and his opponent. Fighting was more important than sex and as such his sex partner. To conclude, the physical therapist had been able to win Joo Jaekyung’s belief and heart. He was no longer a replacement at all. He had become a person close the fighter.

This signifies as well, the sex before the match had lost its true purpose, and this change occurred in the bathroom, when the athlete made the following resolve: (chapter 49) he wanted to screw Baek Junmin for real. In this image, the athlete oozes confidence and strength. This means that he was no longer dependent on the good fuck before the match. (chapter 53) However, the main lead never realized this huge change, he kept his old belief as a tradition out of habit. This explicates why the fighter tried to replace with a new uke (chapter 55), but here the sex was longer connected to a match, rather to fun. Finally, observe how the champion is now blaming his PT for his ruined match: (chapter 56). I don’t think, he was referring to the spray incident, rather to their night before the match. The doctor had not behaved like a real opponent, he had admitted his “defeat” quite easily. He had left the ring before procuring him a good fuck. He was blaming his partner for violating his rule: (chapter 2) But here is the thing. Kim Dan had just accepted the deal because of his grandmother. Secondly, he learned an important lesson during that magical night: consent! (chapter 44) Sex is a synonym for love and as such it is about giving pleasure and affection to his partner. It is a two-way street. And this is something that the champion has to admit and accept. Thus I deduce that the fighter still has a long way to go before dropping all his fake principles. Like mentioned before, he needs to ponder on the following question: what matters to him the most? His championship or his happiness? Or what is sex to him? Why does he think that he is jinxed? He needs to face his own painful past and remember the face of his tormentor.

However, so far, I didn’t elaborate why Joo Jaekyung came to link fight and sex together. So where does it come from? The answer is simple. The origins of his anger and belligerence were linked to the ghosts from the past: (chapter 49) Baek Junmin and the abusive parent. (chapter 54) Deep down, he wants to punish them. Back then, he must have felt powerless, therefore he chose to erase them from his memories.In both cases, the athlete succeeded to forget them, but he didn’t truly move on with his life. The sufferings they brought upon him were still lingering in his heart and mind. Many readers could detect that the fighter had masturbated on the couch, as he left two tissues on the table: (chapter 54) But I doubt that he had been thinking about the doctor during that time, as Kim Dan only emerged in his nightmare: (chapter 54) But the masturbation had taken place before. So who did he have in mind, when he was jerking off? I might shock my avid readers, but I would say: Baek Junmin. (chapter 54) However, this gesture had the opposite signification: rage, resent… but also sweet revenge! He must have recalled the Shotgun’s face. (chapter 52) There’s no doubt that thanks to the doctor, the champion will learn that he can get “justice” and satisfaction through other means. He can defeat the ghosts from the past, not just thanks to his fists and hard work, but also thanks to his surroundings and knowledge. Lawsuit and media!

The Price Of Desire

Before meeting the doctor again, Joo Jaekyung has to mature and reflect on his way of life. That’s why I included “Sweet Redemption” in the title. The latter mirrors the transformative influence of Kim Dan, who acts as the “cure” to Jaekyung’s toxic patterns, helping him grow emotionally and morally. Kim Dan is sweet like a strawberry, but it signifies that his lover needs to violate his own old “rules”. As for “Sweet Poison”, it ties into the lingering struggles, like the headaches and the karmic weight of his past actions, symbolizing how this transformation isn’t without pain and challenge.

Kim Dan’s influence is a blessing or a painful process of reckoning (or both). It is not surprising that Joo Jaekyung is cursing him. It also balances the themes of suffering (his headaches, physical changes) and healing (learning to separate aggression from intimacy, and focusing on his true battles). It perfectly mirrors the push and pull of his internal conflict. He needs to give up on his false principles, like self-reliance or jinx. In fact, Mingwa already exposed the message of Jinx in the first episode: (chapter 1) The physical therapist is not only his reward and price, but also his “second shoulder” and as such his pillar. The new PT won’t be able to replace him. Joo Jaekyung is not just a champion, but also a team: Kim Dan as his PT and his lover. As for Kim Dan, the celebrity is his “energy drink”, his source of comfort and joy. He is also his home, for he is the first one who invited him to stay with him! Yes, the grandmother didn’t invite her grandson to live with her, he was just dumped at her place. And because the celebrity is like a home and family, it explicates why the doctor is once again “living like a ghost”. (chapter 56) He feels lonely, but contrary to his fated partner, he is not truly looking for replacement. He might use work to divert his mind, yet he is not erasing Joo Jaekyung from his memory due to his promise: he needs to repay him. So his MO is slightly different. He is just using work and his halmoni to survive. Yes, he is also suffering from depression. In other words, when both main leads will meet each other again, they should have reached the bottom so that they can see each other’s misery and both are willing to listen to each other.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 17 📆 0️⃣1️⃣9️⃣The Shadows Cast By Numbers

In the composition The Magic Of Numbers I demonstrated the strong link between numbers, characters and situations. This led me to focus on the number 7 and its signification in Jinx. [For more read Magic 7 : Navigating between Jinx and Luck]. Is it a coincidence that number has for synonym “figure”, which is also an equivalent for “character”, person”? I don’t think so. However, the biggest discovery has not been revealed yet. Thus if my avid readers look carefully at the new illustration now, they will detect the digit 1, 0 and 9. What do they mean in Jinx? I will answer to this in the following analysis.

Numbers and Characters

For that, it is important to look at the following chapters and their digits:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

What do these episodes have in common? The number 10 or better said 1 and 0. Let me give different examples. 11; 37 : 3+7= 10; 46: 4+6=10; 4+7= 11. What caught my attention is that the number 1 and 0 are strongly intertwined with the villains.

Before going any further, it is relevant to define a villain.

A villain in literature is a character who represents evil or opposing moral values and often creates conflict with the protagonist. Villains typically display malicious intent, seeking to harm, dominate, or oppose others for personal gain or twisted ideals. Examples include:

  • Darth Vader (Star Wars): A dark lord driven by a desire to impose order through domination.
  • Hannibal Lecter (The Silence of the Lambs): A brilliant but psychopathic serial killer.
  • Voldemort (Harry Potter): A dark wizard seeking immortality and control​

This means that villains in Jinx are people resenting the main leads, they wish to harm or even ruin them. But let’s return our attention to my interpretation. The digit 1 announces the presence of a villain. One might argue about this perception, for number 48, 49 or 20 doesn’t mirror this theory. Nevertheless, Jinx-philes shouldn’t keep in mind that 8 embodies Kim Dan. Moreover, we should see it like that: 47= 4+7= 11, then 48=: 47 (Baek Junmin) + 1 Director Choi. Additionally, in 49, we have 4 persons involved in the scheme to kill the champion with Shotgun: (chapter 49) These 3 men and The Shotgun have to be seen as a team. Moreover, 4 is a synonym for death. Then, observe that the image from episode 20 contains two villains, the loan shark and the perverted hospital director. 1 +1 = 2. So when we see the number 10, 11, 16, 17 and 18, we could perceive it as an allusion to Heo Namwook, the villain.

However, another objection could be raised. What about episode 47? If you add the digits together, you have 11. So where are the two “villains”? It is clear that one is referring to the Shotgun, as for the other we could say, it is an allusion to the invisible involvement of Choi Gilseok. Then what about 11? One possible answer would be to say that the other villain in episode 11 was the representative of the association (chapter 11) and indirectly the persons involved in the redevelopment. However, I have to admit that I have a different explanation.

1 and antagonists

And this brings me to my other observation. In my eyes, the digit is not just referring to villains, but also to antagonists. You might ask about the difference between a villain and an antagonist.

An antagonist, by contrast, is any force or character that opposes the protagonist, creating conflict. They act as barriers to the protagonist’s growth or objectives, embodying stagnation or forces that resist transformation. Unlike villains, antagonists are not necessarily evil. For example:

The Party (1984): The oppressive government represents the antagonist but is not embodied by a single “villainous” character. The party embodies immobility through oppressive control, rejecting individuality or societal progress. It acts as a hurdle for Winston Smith, who seeks freedom and truth.

Miss Havisham in Great Expectations:: She is trapped in her heartbreak, she resists emotional healing and inadvertently thwarts Pip’s development.

As for Captain Ahab in Moby-Dick:, though a protagonist in his own story, Ahab’s obsessive immobility (revenge on the whale) becomes an antagonist force against his crew and their survival.

In other words, they create tension by opposing the protagonist’s goals. They test the main character’s resolve, adaptability, and resourcefulness. By clinging to outdated systems, ideologies, or personal fears, they symbolize forces that resist progress. Many antagonists refuse change, either out of fear, selfishness, or a belief in their own superiority. This refusal often highlights the protagonist’s drive for transformation or growth. To conclude, they embody hurdles to overcome, immobility, intern and extern conflict, resistance and regression.

Therefore for episode 11, one might think that the other 1 was referring to Joo Jaekyung, for the latter appears like a barrier which the young physical therapist needs to overcome. (chapter 11) Let’s not forget that in Jinx-Fandom, many Jinx-addicts calls him a “red flag”. Here, he was abusing his position. Furthermore, this theory could be seen as validated with the first episode with this image: (chapter 1) The main lead appears as a beast, triggering the doctor’s fears. He seems to be like an antagonist. However, I believe that it is just a deception. First, Mingwa has clearly stated that the champion is the protagonist of Jinx. As such, he can be neither a villain nor an antagonist. Secondly, though he seems to serve as a barrier, the reality is that Kim Dan is incited to mature and overcome his own fears. In fact, the celebrity represents the opposite notions of “conformity” and “immobility”. He embodies verity, maturity, transformation and progression. The evidence of this perception is the gradual transformation of Kim Dan as an inexperienced PT to a very professional and performant physical therapist. According to my interpretation, the Emperor works as the mirror of truth. He confronts the delusional physical therapist with his mental and emotional issues, like here: (chapter 20). Sex is not dirty, he is not an old creep. He is just 29 years old. He is pure and innocent like a baby. Hence we should see this discussion (chapter 45) as a good trigger for the 29 years old man to turn into a good PT. From that moment on, he only focused on the sportsman, and stopped asking the help from colleagues or listening to them. (chapter 42) He only relied on his hands. He was forced to become a serious and confident PT!!

On the other hand, there is no denial that the athlete shares some similar traits with an antagonist: his selfishness, the use of threats and an ideology (his jinx). Consequently, one might still contest my interpretation. Nonetheless, this hesitation can be removed easily, when we return our attention to chapter 1 again. (chapter 1) This image was not reflecting reality, but Kim Dan’s vision!! The following panel is the unbiased truth: (chapter 1) The star was just waiting, and not threatening the doctor. As you can see, Joo Jaekyung doesn’t appear like a threat or a monster. But this doesn’t end here. One detail caught my interest. The champion is associated with blue. It is his true color, whereas Kim Dan is “red”, like a sweet strawberry. So why does this young man ooze a red aura, when his true shade is blue like water (chapter 27) or the ocean. It is because he was under the influence of his hyung Park Namwook which explains why Mingwa introduced him like this: (chapter 1) Note the contrast to his “boy”. The red is not coming from Joo Jaekyung’s body (chapter 1), but more from the side which stands in opposition to the coach.

Thus I came to the following deduction. In episode 1, the MMA fighter appears as an antagonist, but he is not the real one, it is his coach and manager. The latter only shows his true colors at the end of season 1. This interpretation gets corroborated with episode 11: (chapter 11) The coach is yelling for Joo Jaekyung’s comment, yet the reality is that the manager didn’t treat Kim Dan at all. In fact, he feigned ignorance. Moreover, look at the champion’s t-shirt: (chapter 1) There is a spider on his t-shirt, which represents the manager’s personality and behavior. (chapter 26) In this composition, I compared the MMA star with a leopard and Park Namwook to a spider: Daily Jinx Advent Insight 12. This shows that the main lead had been copying his mentor’s behavior for a while. And the moment you associate 1 with Park Namwook, it becomes more comprehensible why he argued with his pupil in 17 (chapter 17) or in episode 46 (chapter 46) He represents regression or the hurdle to overcome.

However, we should consider the first episode as a combination of 1 and 0: 01. And who was missing in this chapter? Naturally, Shin Okja, the doctor’s grandmother. She is the other antagonist for our beloved couple: (chapter 11) (chapter 11) And I can prove my statement by showing the episode where she appears:

Chapter 5Chapter 7Chapter 10Chapter 11Chapter 19Chapter 20Chapter 21

Chapter 22Chapter 30Chapter 41Chapter 47Chapter 48Chapter 53


Here, we should see as a continuation of episode 47.

By looking at the numbers carefully, I suddenly realized what the halmoni’s true number could be. It is 11 which actually makes 2. Hence we have 20, 21 and 22 where she plays a huge role. One might argue for this hypothesis, for she appears in episode 5 and 7. However, combine these two numbers together, then you have 12. A combination of 2 and 1, which is similar to 11 and 2. Under this new light, it becomes comprehensible why the Webtoonist made her appear again, when Baek Junmin (the criminal embodies 5) entered the spotlight: 5 *2 = 10 or 47 = 11. But what does the number 1 and 0 mean.

1: Isolation, Ego, and Domination

The number 1 is often associated with leadership, individuality, and beginnings. However, its negative side can symbolize isolation, self-centeredness, and authoritarianism.

  1. Isolation and Loneliness
    • As a singular entity, 1 can represent someone who stands alone, often by choice or force, cutting themselves off from others. Park Namwook has always excluded the athlete from the “parties” (chapter 9) or other events like this one: (chapter 37) Buying in secret junk food.
    • This isolation can stem from arrogance or a belief in their superiority, which distances them from meaningful relationships. (chapter 52) Hence he shouldn’t be seen as a true friend of the champion. He views himself as the better one: manners, temper and decisions. The reality is that he is never making any decision.
    • In Jinx, the antagonistic figures, such as the surrogate parents, could embody this isolation by choosing control over connection, leaving the leads emotionally detached and alienated. Hence the grandmother keeps asking favors from her grandchild (chapter 11) (chapter 47)
  2. Selfishness and Ego
    • Negatively, 1 reflects the “me-first” mentality, where the individual prioritizes their needs, desires, and ambitions at the expense of others.
    • In villains, this could manifest as manipulative behavior or exploitation, as they treat others as tools rather than equals. (chapter 1)
  3. Domination and Tyranny
    • In its extreme, 1 represents absolute power—one ruler, one decision-maker—leading to oppressive or dictatorial behavior. Hence Kim Dan could never get a job as PT at a hospital. (chapter 1) But it is the same for the champion who got his “gym” stolen from his hyung: (chapter 22) He is acting here like a tyrant.
    • This can parallel the way antagonists in Jinx drain others emotionally and physically, exercising control in a way that leaves the protagonists powerless and diminished. They feel jinxed. That’s the reason why I added bats on the illustration. I came to this revelation thanks to this article:

The hidden vampires in Jinx

And naturally, these two descriptions reminded me of the manager from Team Black. He slaps or yells at the champion, each time he is frustrated. Then he trusts no one (chapter 52), spreading rumors, mistrust and doubts. (chapter 46) This would explain the champion’s emptiness and darkness: (chapter 29) As for the halmoni, she embodies the last type of emotional vampire:

This description reminded me of the last conversation between the doctor and his grandmother. (chapter 53) The request for another sacrifice and promise. It is also possible that she represents a combination of another type, though we didn’t see her complaining too much in season 1:

Maybe the phone call during the night, her repetitive requests the next morning (chapter 21) and Kim Miseon’s reproach to Kim Dan could be seen as an indirect allusion. And if my interpretation about her number is correct, then we would have a good explanation why Kim Dan was unable to perceive her true nature, but also why she is so selfish.

11: The false spiritual guide

The number 11 in numerology is often referred to as a “Master Number,” carrying profound spiritual energy and potential for enlightenment. However, its heightened sensitivity and intense energy can also manifest negatively. While they are visionaries, individuals influenced by 11 sometimes struggle to transform their dreams into reality. Their focus on idealism or spirituality may distract them from practical implementation. People influenced by 11 may feel overwhelmed by their internal energy, leading to high levels of stress and emotional instability. Their sensitivity to external stimuli can make them prone to chaotic thoughts and anxiety when life feels out of balance. The number’s dual nature can create internal conflict, making it difficult for individuals to find stability. They may oscillate between extremes—hope and despair, inspiration and doubt. Despite their innate strength, they may overly depend on others for validation or support, sometimes at the expense of their own goals. This arises from their deep need to connect and help others, which can leave them emotionally exhausted or vulnerable to exploitation​ [for more read Numerologist.com​ ] Being a master number, 11 carries an intense energy that can be difficult to manage. People influenced by it might feel an excessive burden to achieve greatness, leading to burnout or feelings of inadequacy. This can prevent them from realizing their full potential, as they fear taking risks or making mistakes. This can lead them to remain passive. ​[Building Beautiful Souls] Finally, the number 11 would also explain why she is only focusing on herself. Emotional intensity, indecisiveness, imbalance and duality, overwhelm and pressure reflects the grandmother’s personality, as the latter always avoids conflicts and prefers running away from reality.

And that’s how I came to the following conclusion. Season 1 stands under the color of red. Note that the halmoni is always seen wearing red or dark pink clothes in the past (chapter 48), just like Park Namwook is wearing a red t-shirt with Team Black on it. These were the vampires who were draining out their “boys”. However, in the last episode, Park Namwook is no longer wearing the red t-shirt, but a blue one. (chapter 53) Only the logo is red. (chapter 53) It is important, because it announces the manager’s resignation. He doesn’t want to become responsible for the mess. Unconsciously, he is no longer claiming to be the owner of the gym. Furthermore, notice that the grandmother desires to return to the West Coast in order to see an ocean of “fire”. (chapter 53) This shows that she is longing for warmth and red colors. Yet, the color of the sea is rather green or blue. As you can see, everything is pointing out that the couple had to overcome the antagonists from season 1, the emotional vampires, who were so close to them than none of them realized that they were the origins of their suffering. And now, if you look at my table again:

Chapter 1Chapter 1Chapter 10Chapter 11Chapter 16Chapter 17Chapter 20
Loan SharksPerverted Hospital DirectorHeo Namwook/ the loan shark and his minionsHeo Namwook and minionsHeo Namwook and minionsHeo NamwookLoan Shark and Perverted Hospital Director
Chapter 37Chapter 46Chapter 46Chapter 47Chapter 48Chapter 49
Mysterious MFC agentHeo Namwook and minionsFirst appearance of Choi GilseokBaek Junmin’s first appearanceChoi Gilseok meeting Kim DanBaek Junmin meeting Joo Jaekyung and Director Choi switching the spray thanks to his minions

you will realize that the villains’ shades are blue, black and green. (chapter 35) In episode 16 and 17, the presence of the sun is a reference to the MMA fighter, it is announcing his arrival. This corresponds to the color I had detected with the first scheme: MFC with the blue “ring” embodies this pigment, just like the ocean. In other words, blue should be the dominant color in season 2, and in Taoism blue stands for YIN! On the other hand, Kim Dan also represents red with his name. Moreover, if you look at the numbers of the quoted episodes again, you will realize that the villains are strongly connected to the number 10 and as such one and zero. Thus Director Choi Gilseokf’s phone number is 010-1…. (chapter 46)

0: Emptiness, Neglect, and Obliteration

The number 0, often associated with nothingness and potential, has a shadowy counterpart that embodies destruction, void, and futility.

  1. Emptiness and Neglect
    • 0 represents a void—a lack of presence, empathy, or nurturing. Antagonists or villains embodying this aspect may not just harm directly but leave a gaping hole in the lives of those they affect. (chapter 10) Here, the manager showed no empathy or understanding in front of the champion. (chapter 37) He never complimented him for his hard work at all.
    • In Jinx, this could reflect the emotional neglect or apathy the antagonists or villains show, as their actions drain the main leads of energy, motivation, and a sense of self-worth.
  2. Annihilation and Destruction
    • As the symbol of “nothingness,” 0 can represent obliteration. It suggests an absence of growth, hope, or meaning, as antagonists and villains tear down rather than build up. (chapter 46) With these words, the manager creates a negative atmosphere, therefore there is no longer any trust and loyalty among the members.
    • The destructive aspect of 0 mirrors how the surrogate parents or antagonists in Jinx consume and drain the leads, leaving them emotionally barren and mentally fragmented. (chapter 10)
  3. Cycles of Futility
    • As a closed loop, 0 suggests an endless cycle, often one of despair or entrapment.
    • In the Korean Manhwa, this seems to symbolize how the protagonists are trapped in abusive dynamics with antagonists and villains (the loan sharks, director Choi, MFC and the way they treat their athletes like pawns) who repeatedly exploit and manipulate them, making escape seem impossible. The grandmother created the illusion that Kim Dan would be able to pay off the debts by working hard (chapter 18), until the champion confronted the protagonist with reality.

And if we analyze the number 46 (as a representative of 10), this is what we have:

46: Cycles of Dependence and Exploitation

  • 4 (Stability/Control) combined with 6 (Responsibility/Dependence) often represents a dynamic of obligation and control, but when tied to antagonism, it takes on a darker tone: a cycle where the protagonist is trapped in an exploitative relationship, unable to break free due to misplaced responsibility or imposed stability. Thus in episode 46 from jinx, the champion tried to express his expectations about the manager and coach (chapter 46), however Park Namwook refused to accept such a behavior from his boss. Therefore he put his pupil under pressure.
    • The surrogate parent attempted to enforce a toxic sense of responsibility (6) on the athlete, ensuring control (4) over his actions and emotions. However, the champion tried to escape from this by running away: (chapter 46) He avoided a confrontation. This number symbolizes how the lead feels burdened by obligations imposed by his oppressor, who positions himself as provider of “stability” while actually fostering dependence and draining his victim. And naturally, in the same chapter, we have a similar interaction between Heo Manwook, the minion and his hyung, the real boss: (chapter 46) Here, the director was reminding him of his mistakes and obligations. However, this time the boss chose to become proactive and responsible.

Since I linked season 1 to red, it dawned on me why Cheolmin or the perverted hospital director didn’t appear in that season. (chapter 1) (chapter 13) They are strongly intertwined with the color green and as such blue. In literature, art, and psychology, the color blue often represents calmness, loyalty, and introspection.This fits to the description made by the author concerning season 2. The latter would focus more on emotions and thoughts than on the plot. And now, it is time to reveal why in the illustration I added the number 9.

Number 9 and its significance

This number stands for “change and help”. In this part, I will only focus on the following numbers: 9, 18, 19, 27, 29, 36, 39, 45 and 49. In episode 9, the champion was asked to take care of Doc Dan. The latter needed help, for he was too drunk to return home on his own. (chapter 9) The leopard agreed and that’s how they came to argue about his home the next morning: (chapter 10)- So from 9 to 18, the story is focusing on the doctor’s home. In episode 18, Joo Jaekyung invites the poor physical therapist to his home. (chapter 18) In this episode, both main leads refuse the assistance from the other. Kim Dan is bothered that Joo Jaekyung paid off the debts, while the other dismissed the worries from the PT: (chapter 18) Then in episode 19, Joo JAekyung is not asking for his “help”, until he calls him. But even here, he is refusing to prepare his partner: (chapter 19) As for Kim Dan, the latter doesn’t feel truly needed as PT, hence he is already thinking about taking another job: (chapter 19) Then in episode 27, Kim Dan offers his assistance. (chapter 27) He encourages his VIP client to take a break by remaining by his side. However, this attempt fails, as in episode 29 , (chapter 29) the champion rejects the idea of resting for a day. Then after the incident with the article, at no moment Kim Dan offers his assistance to help the champion. He remains totally passive, (chapter 36) it shows his passivity and neglect. He doesn’t feel responsible for the champion’s career or safety. His concerns earlier were rather superficial. This explicates why he is also treated like a doll. Then in episode 39, for the first time, the doctor is requesting his help and assistance. (chapter 39) The problem is that it is related to a drug and sex. This has nothing to do with his job or career. Interesting is that in episode 45, for the first time, Joo Jaekyung voiced his needs to have him as a PT: (chapter 45). Without him, he can not do it. But here is the thing. In the locker room, the champion chose himself to treat his pain, he selected the pain relief spray over the doctor’s hands. (chapter 49) This means that in that scene, Joo Jaekyung refused to let Kim Dan treat him out of doubts and mistrust which were triggered by the manager’s words and the pictures. As you can see, the number 9 is strongly intertwined with help, but also with a change. The beginning of a new circle. Thus I am expecting in the new season, chapter 54, that for the first time, Joo Jaekyung will ask for help and support. But he can not ask Park Namwook or others from Team Black… he has only one true friend and that would be Cheolmin, unless he finds the protagonist immediately. At the same time, I would like to point out another observation. What is the opposite of 9? Naturally 6, which represents the end of a circle. And now, look at this:

Chapter 6Chapter 26Chapter 36Chapter 42Chapter 46

The end of Joo Jaekyung’s torment. He doesn’t need to chase after him.

Kim Dan is overcoming his fears. It is an allusion to Heo Manwook and his minions. On the other hand, the champion can not play with Kim Dan.

The end of a peaceful cohabitation, the return of fears from Joo Jaekyung (his jinx)
the presence of a scheme

The return of the mint-goblin, and as such the doctor’s fears (low self-esteem) At the same time, we shouldn’t overlook the presence of a third person in that flat who could appear in season 2.

The villains are exposed: they are now targeting Team Black and in particular Kim Dan.

The number 6 is strongly intertwined with regression, negative influence, schemes, antagonists and villains. Moreover, I detected a link between 6 and green/grey. That’s the reason why I am expecting more than ever in season 2, the fight between two green: nature versus money, fun versus seriousness, justice versus crimes/schemes. But in order to take place, the main couple needs to reflect about their own true desires in their life. What do they want exactly? A PT or a friend, a lover or a partner, a family or a company, justice or a scapegoat, fame or happiness?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 14 📆 🧶 🥔

The topic of this essay is coach Jeong Yosep. It came to my mind that I had a little neglected this side character, though in a previous essay, I predicted that he could become a couple with Cheolmin. In the following panel (chapter 9), we discover the origin for Yoon-Gu’s nickname, Potato. The coach and sparring partner from Joo Jaekyung is the one behind it. However, this connection reveals a lot about the divorced man. He is actually a soft and tender man. Yes, in my opinion, Yosep’s nickname should be Potato.

Yosep, the real Potato

Is it a coincidence that this vegetable, when connected to a man, often symbolizes simplicity, resilience, and humility? Another important detail caught my attention in episode 9. He bowed to Kim Dan, when he was introduced: (chapter 9) This gesture oozes humility and respect. This contrasts so much to Park Namwook’s behavior during their first meeting: no bowing and no shaking hands. (chapter 1)

Potatoes, as staple foods, represent sustenance and practicality, embodying someone who is grounded, dependable, and essential in their environment. In literature or culture, a man compared to a potato might be seen as unpretentious, nourishing in spirit, or deeply rooted in their values and traditions. At the same time, the potato can represent love. This stems from its association with sustenance and nurturing qualities. Potatoes are hearty, versatile, and grow underground, symbolizing grounded-ness and resilience. Gifting potatoes can convey love, as they represent providing for someone’s well-being. The healing aspect comes from their nourishing properties, historically sustaining populations through hardship. This dual symbolism ties potatoes to the ideas of enduring care, connection, and renewal in relationships or life challenges. Jinx-philes could detect his caring nature right from the start: (chapter 1) He came right away, whereas the manager was busy with his phone-call and never asked later about the incident.

To conclude, potatoes are linked to earthy, “everyman” qualities—hardy, adaptable, and silently enduring through life’s challenges. This description fits the coach perfectly. Only in chapter 5, he exposed the circumstances of his divorce: (chapter 5) At no moment, he claims the champion as his boy or tries to attract attention from people for being the Emperor’s sparring partner. Thus each time the protagonist wins, he doesn’t appear in the ring contrary to Park Namwook. (chapter 5) (chapter 40) Yes, at no moment Jinx-philes can detect his presence. The bearded man embodies humbleness. As you can observe, this man doesn’t mind standing in the champion’s shadow. He already knows that fame and success are no guarantee for happiness, as he lost his wife. In fact, he knows that success means rather loneliness. This remark brings me back to his confession in the office. (chapter 5) If you read my previous analysis, you are aware of the strong connection between the cellphone and vanishing. So why did the ex-wife act like that? I suppose that Jeong Yosep led a similar life than the Emperor. He was racing against time, and was only in touch with his family through the phone. Thus I can imagine that one day, the former champion must have returned home and found his house empty, an older version of this scene: (chapter 53) So when he tried to call her, she blocked his calls. One of the causes for their failed marriage is that they had stopped talking to each other. [As for the other reason, I will expose it below] That’s the other reason why I developed the theory that the coach Yosep was behind this phone call. (chapter 19) He definitely knew about his relationship with Kim Dan, as he was the only one who was not surprised by this revelation. (chapter 22) This observation is relevant, for it indicates that the former champion must have listened to his manager as well. He never questioned the responsibility of his former coach or manager or organization. I am suspecting that he might have already been working with Park Namwook in the past, which would explain their closeness. For his divorce, Jeong Yosep chose to take the whole blame. Hence he kept his failure to himself. However, observe the manager’s attitude concerning this revelation. (chapter 5) He laughed, which indicates a lack of empathy. And if the man was working for Yosep before, then it exposes his neglect, ignorance and indifference. Secondly, he called the former champion “boy”, a sign that the manager feels superior to him. One might reply that the manager is just one year older than Yosep. For me, the scene exposes the true nature of their relationship. Park Namwook has the upper hand. Hence he can claim Joo Jaekyung as his boy (chapter 40) Interesting is that the idiom “boy” has historically been used to mean “servant” or “attendant” in certain contexts, particularly in colonial or hierarchical settings. For instance, it was often used during the colonial era to refer to male domestic workers, typically in a demeaning or racially charged manner. No wonder why though Yosep is the sparring partner of the Emperor, (chapter 37) he acts more like a servant. In my eyes, the last image displays the manager’s three “boys”: Yosep, Kim Dan and Joo Jaeykung. They are the former wrestler’s servants, while he can stand on the sideline and watch as a superior and guardian. (chapter 37)

Therefore such a remark “my boy” (chapter 5) is exposing the man’s arrogance and delusion. With these words, he is actually denying the hard work from Jeong Yosep and the Emperor himself. That’s how it dawned on me that this man doesn’t embody Teamwork at all. He is trying to steal the spotlight and success from others. On the other hand, the absence of reaction from Yosep shows the sparring partner’s lack of critical thinking. Yes, he is also very passive, just like the champion.

Yosep’s gradual maturity

And now, if you pay attention to Yosep’s evolution, you will notice a gradual transformation. He is getting more and more involved. First, he follows Park Namwook’s lead (chapter 26) (chapter 36). He even agrees to everything the man says and decides. (chapter 36) Yet, I see a turning point in the States. For the first time, he is seen talking on the phone, which indicates a certain responsibility. (chapter 37) However, till this scene, Yosep was treated like a “boy”, which I outlined above. The gradual transition can be perceived if you contrast the two following images (chapter 49) (chapter 40) In the States, he was not visible at all, he would even walk behind Oh Daehyun next to Yoon-Gu. In my opinion, he felt the need to be next to the maknae. However, in South Korea, he is standing right behind the protagonist. Moreover, note how Joo Jaekyung entrusted him with the charity event, another indication that the main lead was trusting more and more his sparring partner: (chapter 41) In addition, in the locker room, he is the one who made the decision to let the Emperor fight against Baek Junmin. (chapter 50) For the first time, he voiced his own opinion, yet his choice lets transpire the great influence from his “hyung” and MFC. His decision was influenced by money. Naturally, the high peak of his action is, when he announces to the main lead that he went to different authorities (chapter 52). However, it is important to recall that putting the whole blame on the manager and coach is not right either. How so? As a former athlete, he has more experiences and he should have realized that he should not just trust people blindly. Yes, I believe that his major flaw is that he is too trusting and doesn’t ponder deeply why his relationship with his wife failed. As you can see, he embodies the opposite notions of Park Namwook: faith in authorities and people. This explicates why in chapter 47, he didn’t say anything in the conference room. (chapter 47) He let his “hyung” and the other “experts” who were never in the ring do the talking. (chapter 47) Why did he let it happen? It is simply because he just views himself as a “sportsman”. The others act with their title (managers, advisors), as if they had more knowledge than the sparring partner from the Emperor. Another mistake from him is that he never looked at his sparring partner’s files. He let Park Namwook take care of this, thinking that he would pay attention to their star’s health and security.

That’s the reason why I believe that Kim Dan’s departure must have saddened him a lot. (chapter 52) Since he lost his wife and as such has no family, it is clear that this former champion views Team Black as a family. Therefore he participated in the surprise party. (chapter 43) Consequently, I come to the following conclusion that the last scheme made him realize his own wrongdoing. He didn’t protect his sparring partner correctly. He failed him. However, like pointed out in a previous Daily Jinx Advent Insight, Yosep was manipulated from his colleague. Therefore the coach didn’t meet Kim Dan in the office and couldn’t talk him out of it. This discovery exposes that one of the protagonist’s problem is that he was following his sparring partner’s lead as well. Because Yosep trusted blindly Namwook, his “pupil” did the same. And this remark leads me to the confrontation in episode 46. The true owner of Team Black warned his both hyungs: (chapter 46) This led the manager to give a task to the coach Jeong. (chapter 46) Why did he delegate it to the former athlete? Simply because that way, he could avoid responsibility. If something wrong happened, then “Potato” would take the blame. The hot potato was passed around. I am using this term on purpose. The reason is that “Potato” embodies harmlessness. And because Yosep comforted the manager and didn’t criticize him for his outburst and slap, it displays that the coach has not questioned the manager’s integrity yet. He is not doubting his trustworthiness. This explains why Joo Jaekyung returned home on his own, though he had an injured shoulder. (chapter 53) So we could say that Jeong Yosep is not entirely free from the negative influence from the manager. However, I have still hope for a true change in this gentle and caring man. How so? (chapter 26) It is because he is wearing a bird on his jacket. And what is the natural enemy of the spider which represents Park Namwook? The bird and the fish. For me, this animal announces his future liberation and transformation. According to me, Cheolmin is associated with fish and water (chapter 13) Interesting is that these two hyungs are linked to a similar color: dark green. This shade embodies hope and nature. However, since they are still living in the city and working for corrupted organisation (hospitals, MFC), they are not true themselves.

Consequently, I have the feeling that the cute doctor could help Yosep to emancipate himself from Park Namwook’s shadow. The latter stands for fun, joy and joke, which stands in opposition to the values MFC is promoting: wealth, fame and money at the cost of the own safety. Interesting is that Yosep’s hobby is knitting which he never showed to others. Knitting often symbolizes motherhood, as it evokes the nurturing and protective act of creating clothing or blankets for loved ones. It can also represent patience, creativity, and connection, as the intricate process of weaving yarn mirrors the effort required to build relationships or maintain traditions. Additionally, in literature and art, knitting can symbolize fate or destiny, as seen in mythological references like the Fates weaving the threads of life. Knitting is also associated with healing and comfort, offering a meditative and restorative activity. That’s the reason why I couldn’t help myself comparing Yosep to an obedient wife. This new connection explains why Yosep remained in the shadow of Park Namwook, whom appears so manly, caring and confident in front of others. In addition, this feminine side from Jeong Yosep made me realize that if Yosep came to marry one of his admirers, the wife might have grasped that she had not married a famous fighter, but a gentle and caring potato. In other words, through the marriage, the wife discovered the huge discrepancy between the image of a “hero and champion” and the true self of Yosep: caring, gentle and humble. She might have had other expectations: more strength, charisma and decisiveness. Under this new light, it becomes comprehensible why the coach chose to remain in the shadow after ending his career as “champion”. He experienced the negative aspects of “fame”: loneliness, illusion and superficiality. However, he didn’t lose hope. He still remained an optimistic person which explains why he trusts people so easily.

Therefore I come to the following conclusion: Team Black can only become a true family and team, the moment Jeong Yosep, Kim Dan, Joo Jaekyung and all the others are working together, protecting each other. Only that way, the “owner of Team Black” can be dethroned. He can no longer treat others as boys or tools. From that moment, they would be all equal, the opposite of this situation: (chapter 7) Note the absence of Yosep in that panel, a sign that his work and position were minimized. Nevertheless, this was just the consequence of his own decision. He chose to minimize his own value and to rely on his hypocrite partner.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 13 📆👮‍♂️🕵️‍♂️

In this essay, I will talk about vanishing without leaving any traces. Anyone might think that the trigger for this analysis was the doctor’s departure in this panel (chapter 53). Because the latter is slowly vanishing into the light, it looks like the champion will have difficulties to find his soulmate. However, if you pay attention to this picture, you will perceive that Kim Dan’s shadow is huge. In fact, we have to envision that the closer he gets to the “sun”, the bigger his shadow becomes. This metaphor is implying that the cute hamster is leaving a trail behind. This represents the traces he left in Joo Jaekyung’s life and heart. The farer he is, the clearer the fighter can only realize the importance of his roommate in his life. However, I believe that though Kim Dan is about to become a ghost, the huge shadow is implying that Joo Jaekyung will be able to find him quickly.

The ghost in Kim Dan’s life

Funny is that the topic “Vanishing without leaving traces” came to my mind with a different panel, more precisely with this one: (chapter 47) You might find it strange, but everything started with the following question: where is the grandmother’s cellphone? One might argue that as an elderly woman, she doesn’t possess one. I can only reply that all the seniors I know (even my grandmother who is much older than Shin Okja) have one. Besides, let’s not forget that according to me, this image or this one (chapter 47) represent moments where pictures were taken. I doubt that the grandmother had a camera. Then in the last picture, Kim Dan was definitely too young to have on his own cellular telephone. Finally, observe that in this panel (chapter 47), people were taking pictures with a cellphone. However, since Kim Dan only recalled this moment in the bathroom, it exposes that the young man couldn’t look at the picture, as he desired it. In other words, he didn’t own this picture, but the grandmother did. And now, you are wondering how cellphone and vanishing are linked to each other. The reason is simple. Nowadays, the cellphone has almost become part of our own identity. If you watch the following videos

you will realize the importance of the cellphone and as such of social media. The best example for this connection in Jinx is Baek Junmin. (chapter 47) Before he was practically inexistent, only famous in the underground fighting ring (chapter 47), and notice that the champion had even forgotten him. (chapter 47).Interesting is that disappearing without traces implies the notion of “the right to be forgotten”. But why would people make such a decision? Either they want to escape from their environment (abusive husband, debts, …) or they desire starting a new life afresh. So when we look back at Shotgun, it becomes clear that his new identity is to mask his dark past. (chapter 47) It was, as if this man had not existed before. That’s how a star got born, or better said, he was a new-born man.

But let’s return our attention to the grandmother and her cellphone. One might reply that the elderly woman had a fixed-line telephone, like I detected in this image (red circle): (chapter 19) Nevertheless, since the readers are unable to see the cable, it signifies that the latter was coming from the front. I am deducing that the phone was placed on the small table. And now, look at the following images:

(chapter 10) (chapter 21) There is no landline telephone. Its absence seems to indicate that the senior switched to a different phone. She had to have one because of the authorities (school for Kim Dan, etc.). I would even go so far to say that the elderly woman changed her phone number. But why would she change her phone?

According to my theory, the fixed-line phone call symbolizes the moment the little boy was abandoned. As you can see, the phone call is linked to the vanishing of Kim Dan’s parents. (chapter 19) Not only it left a wound on the young boy’s heart and mind, but also on the halmoni’s as well. My assumption is that she internalized the phone with betrayal and abandonment. Moreover, my avid readers should keep in mind the remark from Joo Jaekyung: (chapter 22) He doubted her existence. Why? It is because he never heard Kim Dan talking with his grandmother over the phone. He had only mentioned her in his drunken state. (chapter 10) Finally, he didn’t see the picture from her on the night table, for the doctor had not placed the image there yet. In other words, she appeared like a ghost to the champion. Is it a coincidence that readers only know this terminally ill woman unter the name “grandma” in Jinx (English version). I am calling her Shin Okja, because the Japanese version revealed a name. Nevertheless, by having no name in Jinx, it reinforces the impression that this woman is like a ghost.

And this remark brings me back to the starting question: where was the grandmother’s cellphone? Notice that Kim Dan only received phone calls from the hospital (chapter 21) Thus I deduce that the elderly woman must have got rid of it. One might say that at the hospital, she no longer needed it. Nevertheless, such a reasoning is too superficial and simple. I am convinced that the grandmother had other motivations as well. First, that way she was putting the whole responsibility on her grandchild. Why do you think the association called him and not the grandmother? (chapter 11) There is no ambiguities that she was registered there as a resident. But if she got rid of her phone, the authorities are forced to call her closest relative. Secondly, observe that Kim Dan used the cellphone to pay bills and have a look at his bank account: (chapter 11) In other words, by refusing to have any phone, she dropped all the debts on her grandchild. He was now responsible for their household and expenses. Yes, the question with the grandmother’s phone led me to the following observation. Little by little, Shin Okja was vanishing which reminded me of the action from Kim Dan’s parents. At the same time, with no cellphone, she forced her grandchild to visit her, to keep in touch with her. Hence I can’t stop restraining myself from feeling that the grandmother used the hospital and the nurse to control her grandchild’s moves. No wonder why Kim Miseon complained to Kim Dan about his neglect (chapter 21) The senior could express her distress to the doctor, for she couldn’t see her grandchild so often. That way, Shin Okja wouldn’t appear as a whiny person. If my perception is correct, this means that the elderly woman utilized social norms and conventions to achieve her goal. The absence of a cellphone made her dependable on her grandson. Under this perspective, Jinx-philes can grasp why I am suspecting that her behavior is strongly intertwined with the abandonment in chapter 19. There is no doubt that with her illness, she could feel like she had become a burden herself to Kim Dan, and the latter could decide to leave her too. If you read all my previous analyses, you are aware of the existence of two theories concerning the parents:

  • They ran away after leaving the amount of debts, because they didn’t want to face the consequences. Moreover by being raised by such an immature mother, there is no ambiguity that the child could learn how to become selfish and immature as well.
  • They died by committing suicide.

No matters what their fate is, they definitely vanished into thin air. Therefore the male figure never tried to search for them.

How to Legally Vanish Without Leaving Traces: A Comprehensive Guide

Building a new identity requires careful planning and lawful actions. Here’s a detailed guide to achieving this while addressing all aspects of personal information.

1. Understand Your Current Identity

Your identity is made up of:

  • Personal Information: Social Security Number (SSN), date of birth, gender, and education.
  • Contact Details: Phone numbers, email addresses, and residential address.
  • Relationships: Ties to relatives, friends, and professional contacts.

These details define how companies and institutions recognize you. Begin by auditing your digital and physical presence to understand where their traces exist. This aspect is important, because Park Namwook will be forced to admit his ignorance about Joo Jaekyung’s private life. He might know where he lives, and have his cellphone number, but he never brought up his family and social background. On the other hand, Joo Jaekyung can find Kim Dan through the halmoni because he knows her name, probably her date of birth and her SSN!! (chapter 22) Yes, by paying the bills, he got access to this information. However, for that he needs a person who can have access to such information: (chapter 13) Cheolmin who is also a doctor. Medical professionals often use the Resident Registration Number (RRN) or equivalent patient IDs provided by hospitals to manage medical records. Access to sensitive personal data like RRNs is restricted and regulated under South Korean privacy laws such as the Personal Information Protection Act (PIPA). This ensures that sensitive data is protected and only accessed when absolutely necessary for healthcare purposes. Only a doctor could detect the move to the Hospice “Light Of Hope”.

2. Inform Trusted Individuals

Before embarking on this journey, it is necessary to notify a few close friends or relatives about this decision. Without doing so, they might mistakenly report the person missing, which could lead to unwanted legal and social complications. The purpose is to prevent unnecessary investigations and keeps trusted contacts informed. This aspect made me wonder if this phone call (chapter 19) was not just announcing the abandonment, but also a request not to file a missing report. Maybe they “promised” that they would come back soon. And don’t forget that during the last incident, coach Jeong Yosep reported a crime to the authorities. (chapter 52) If the champion doesn’t return to the gym and moves to the place where Kim Dan is without informing Team Black, they could fear the worst. The champion is the target of criminals. Finally, it is important to recall that Heo Manwook only knew how to contact Kim Dan with his address. (chapter 1) He didn’t have his cellphone number at all. That’s the reason why he would come to his house to harass him. This explicates why he disliked so much the idea of Kim Dan’s move: (chapter 16)

3. Relocate and Start Fresh

  • Move to a different city or town, ideally a place where you have no connections.
  • Change your mailing address and inform relevant institutions confidentially.

The purpose is to breaks ties with your existing community and offers a new environment to establish yourself. That’s exactly what the grandmother is doing, she is imagining to start fresh (chapter 53)

4. Modify or Rebuild Your Digital Presence

  • Delete old email accounts, social media profiles, and cloud accounts.
  • Create new ones using pseudonyms or a new legal name if you’ve changed it.
  • Opt for encrypted communication platforms.

The goal is to prevent tracking, but also it offers better privacy. Don’t forget that Joo Jaekyung kept receiving calls from journalists and unknown persons. (chapter 48) Besides, these persons seemed to know about the champion’s habits (being awakened late, being home) I had already pointed out that “the cellphone” represents the negative side of “sharing is caring”. And now imagine that Joo Jaekyung decides to leave his cellular telephone behind or even he decides to switch his phone with the one from a friend.

5. Pursue a Legal Name Change

  • File for a name change through your local government.
  • Inform necessary agencies such as banks, employers, and the DMV.

The purpose is to establishe a lawful new identity. This aspect brings me to the champion’s identity. We know that many celebrities have a stage name, and they are hiding their true identity behind their stage name. Sure, many MMA fighters use their real name. But since they are artists as well, they can also decide to hide their true origins by using a stage name. As you can see, through this topic, I came to question Joo Jaekyung’s name as a celebrity. It is definitely possible that he took a different name because of his family background, for the relatives disliked his choice of career. Moreover, let’s not forget that the company Team Black (chapter 16) is an incorporated business. This means that Joo Jaekyung is the shareholder. So he is hiding his true power and identity behind Team Black. And since the Emperor was the victim of a hatred campaign in the media (chapter 52), his vanishing wouldn’t be surprising at all. It would be actually a normal reaction to be fed up of being online, and of being defined by the last match. What the schemers didn’t realize is that they pushed indirectly Joo Jaekyung to make the opposite decision than Baek Junmin. To disappear from the spotlight. But this can only lead him to create a whole new identity.

6. Reinvent Your Professional Life

  • Transition to a new career field or job role unrelated to your previous work. Here, I was thinking that the last crisis might lead the champion to act like the real owner of Team Black. So far, he hid behind his hyung, but in the future he could act like the director or even support Kim Dan to become a PT specialized for MMA fighters.
  • Avoid using professional references tied to your past.

The purpose of these measures is to ensures a clean slate in the professional world.

7. Build a New Social Circle

  • Engage in new hobbies, clubs, or volunteer activities to meet new people. Why? It is because if you keep the same interests, people will find you more easily. In our case, Joo Jaekyung could decide to focus on swimming, something he neglected before due to his job as MMA fighter. I had already speculated that the star might teach Kim Dan how to swim.
  • Though in reality, it is important to avoid revealing details about one’s past, I believe that in the champion’s case, the opposite would happen. He would be forced to reveal his true identity and past to the doctor. That’s how he would show his trust. As you can see, through the topic of “vanishing without leaving traces”, I came to make the connection between the champion’s vanishing and the revelation of his true identity and past. This means, Kim Dan will be the one who knows the fighter the best. As for the new social circle, everything will revolve around the physical therapist.

8. Manage Financial Privacy

  • Open new bank accounts in your new name if applicable. Kim Dan has already planned to pay back the champion and is not thinking of disappearing. (chapter 53) It signifies that Joo Jaekyung has a way to track him down. On the other hand, should the MMA use the black card, (chapter 24), his relative could detect his whereabouts and moves. That’s why it is important if you desire to avoid of being detected, you need to use cash or prepaid cards to limit traceable transactions. That way, it reduces the risk of financial links to your old identity.

9. Avoid Revisiting Old Patterns

  • Avoid traveling to places tied to your previous life. This represents another reason why the athlete can find his beloved PT’s whereabouts. Don’t forget that the athlete spent some time with the grandmother and it is possible that she talked about her youth and the West Coast. (chapter 21) Back then, many readers wondered about the content of their conversation. However, I believe, whatever it was, the champion didn’t forget her words. Furthermore, by joining Kim Dan’s side, the star will be forced to drop his routine and change his habits. And that’s how he will change.
  • “Resist contacting old acquaintances unless necessary”, Jinx-philes can already understand the person I am referring to. During his stay with the doctor, there is no ambiguity that the athlete will ignore Park Namwook and even phone calls from the Entertainment agency or MFC.

Since the purpose is to prevent accidental encounters or recognition, Joo Jaekyung will have to change his appearances so that no one will suspect him of being the Emperor. Under this light, it becomes comprehensible why Mingwa posted this image: . He is wearing piercing, jewels and rings, and his clothes don’t look like designer clothes. Finally, remember how Kim Dan imagined his soulmate: (chapter 32) Yes, clothes make the man, and as such through new clothes and hair dress, you can appear as a different person. That’s how it dawned on me why the Webtoonist created such a scene: (chapter 35) Choi Heesung made a terrible mistake, he attracted the attention from the guests at the café by covering his face. In order not to be detected as a star, the athlete has to act and dress like an average person: no fancy dress or car. And this leads me to my final point: using public transportation or the bike would represent a huge change for the Emperor. Once again, no one would suspect that a biker is a celebrity, similar to this scene: (chapter 21)

To conclude, I think that this research for Kim Dan will push the champion to vanish like thin air. Indirectly, he is following the grandmother. However contrary to her, he wouldn’t live like a ghost, quite the opposite. He would become a real man, no longer the celebrity. By acting that way, the champion would not realize that he is getting closer to his true self. That’s how Joo Jaekyung would become forgotten. That’s how I realized why Park Namwook was putting his pupil so much under stress and pressure, forcing him to race against time. It is because he is himself a “forgotten” national wrestler athlete. Naturally, I am not saying that the star will drop everything, it is just that he will take his time to take control of his life for good. Since I compared Baek Junmin with the grandmother and Joo JAekyung, I assume that Shotgun’s fame can only be short-lived, as he got terribly injured. However, there is no doubt that the Emperor will make a huge comeback exposing the truth to public.

As a final thought, I would like to underline this important aspect. The former CIA-agent pointed out how tough it is to vanish completely, as it is strongly connected with loneliness. Hence we have to envision that if Kim Dan’s parent vanished, they must have struggled too (if they are still alive). In addition, by joining the doctor, the champion won’t make such an experience, quite the opposite. He will discover the good aspects of life with a companion. The cute doctor has become his true friend and family. He can no longer live without him.

However, I am suspecting that the champion’s disappearance can not take place without any assistance. For me, people close to the protagonist will help him to find the doctor and even to take a break: Potato, Cheolmin and Choi Heesung.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 12 📆 🌃

The starting point of this composition is the following image from chapter 53:

Sacrifice and responsibility

While standing in front of the huge window, Kim Dan makes the following resolution. He is sacrificing himself for the champion’s sake. Interesting is that in the same chapter, Kim Dan displays similar self-sacrificial behavior with his grandmother, prioritizing her well-being above his own despite the personal cost. It looks like he is giving up on his career as PT for her. Yet, deep down, he is doing it because he feels like he has no other option. (chapter 53) Nevertheless, this parallel emphasizes Kim Dan’s inclination to bear burdens and deny his own needs for others’ sake. In this chapter, he seems to be undergoing a form of penance, sacrificing himself repeatedly as if to atone for the perceived guilt of being a burden to those around him. His actions reflect deep-seated feelings of responsibility and self-blame, shaping his interactions with both his grandmother and Joo Jaekyung in his life. While he admits his responsibility for the last disaster with the injury and the tie, he was made feel guilty by his own grandmother. With this statement (chapter 53), she implied that she never got the chance to go to the West Coast because of him. It was, as if he had been a burden in her life (“life got so hectic”). This expression made me realize why Kim Dan came to live like a ghost. He embodies “life” for the grandmother: burden, responsibility, missed chance. It exposes her delusional mind-set. She is definitely chasing after an illusion. On the other hand, I detected that despite her words, she was not able to move her grandson’s heart. The latter was actually unwilling to leave the penthouse. (chapter 53) His decision was strongly connected to filial duty and not to “love”. Moreover, by fulfilling her request, he is one step closer to become free from self-blame and accountability.

Then the moment you realize that “sacrifice and responsibility” stand in the center of the final episode, you will realize that there was someone who was not willing to sacrifice himself: Park Namwook. (chapter 53) Neither for the doctor nor for his “boy”. (chapter 52)

I would even add that at no moment, he even thought like this: “It would be better for both of us if I just leave”. Yet, just before he had blamed the star for everything: (chapter 52) If he is that unsatisfied with the main lead and his personality, why doesn’t he “quit”? The thing is that he can’t leave, because he claimed that he was the owner of the gym. But in that case, he could decide to fire Joo Jaekyung. However, it is impossible either, as he is not the true owner of the gym. In other words, his “departure” would expose the truth. As a conclusion, he is trapped due to his lie. He can do nothing except let others take the burden. His deception represents his livelihood in the end.

Under this light, it becomes comprehensible why he can not think like Kim Dan at all. At the same time, the contrast between these two hyungs displays the true nature of the former national wrestler. He embodies self-preservation, selfishness, greed, cowardice and deception. That’s the reason why he had no problem to replace the protagonist immediately. (chapter 53) The latter would take the fall for the incident, a new version from the drug scheme in the States: (chapter 40) Though he lacked awareness in the States, for he was not present in the interrogation room, he can no longer claim to be oblivious. He knows about Kim Dan’s innocence. But why didn’t he call the physical therapist then?

The view and the doctor’s resignation

But before answering to this question, it is necessary to focus on the timeline. (chapter 53) Notice that before leaving the penthouse, the main lead was holding the resignation in his hand. This means that the young man had not informed Park Namwook yet. This gesture exposes that Kim Dan was convinced that the manager was his boss, the master of Team Black. Nevertheless, Jinx-lovers should detect that the “hamster” left the flat during the evening. This signifies that the PT handed out his abdication the next morning, I can’t imagine that it happened during the night, for the man has a family with kids. (chapter 53) By leaving the penthouse before going to the gym, it becomes clear that Park Namwook must have realized or even was informed that the doctor would no longer live with the champion, the opposite of this scene where he was caught by surprise: (chapter 22) That’s how I detected the second lie from the manager, lying by paltering. He just mentioned that Kim Dan was quitting, but kept silent about his departure from the penthouse. As you can see, Park Namwook was trying to reduce the main couple’s relationship to a boss-employee contract, while he was trying to act like a close acquaintance and relative from Joo Jaekyung.

But let’s return our attention to the confession from Park Namwook. (chapter 53) He portrayed himself as active and helpless. Yet the reality was different, for the physical therapist took his time to organize the athlete’s files (chapter 53). This signifies that he must have spent some time at the office. To conclude, the young man didn’t vanish quickly from the gym like a ghost, similar to the PT from episode 1. (chapter 1) Kim Dan didn’t return to the office just to give his termination. He stayed there for quite some time. It exposes not only Kim Dan’s dedication for the athlete but also the manager’s deception. In verity, he didn’t do his best to stop him from quitting. He had time to talk to him, but chose not. He didn’t see it as an emergency. Hence there was no call! The latter symbolizes need and seriousness. (chapter 1) (chapter 13) (chapter 20) I selected only three scenes in order to prove my point, but I could give more examples (16, 17, 19, 35, 48). This new perspective corroborates my previous theory: the manager is not so innocent like he appears.

Moreover, the way the resignation is exposed made me realize that it reflects the doctor’s departure. First, the champion is blamed, then the coach announced Kim Dan’s desertion. However, the doctor gave the letter in delay, not right after hearing the reproaches from Joo Jaekyung in the locker room. Park Namwook used this incident, because all the members could hear the celebrity. (chapter 53) He gave the impression that he was telling the truth. This incident was used to explain the doctor’s resignation. But here is the thing. If the doctor spent some time at the office in order to organize the files, why didn’t Potato stop him or tried to talk him out of it? That’s how I came to the following deduction. When Kim Dan came to the gym, the latter was empty, only the manager was there!! A new version of this scene: (chapter 23) Thus I deduce that all the members from Team Black were busy due to the discovery of the scheme: (chapter 52) Yosep was sent to investigate, Oh Daehyun took care of Potato. In other words, they were sent on errants. Moreover, I would like to outline the absence of Kwak Junbeom in the hospital room. The latter had observed the meeting between Choi Gilseok and Kim Dan (chapter 48), he was an important witness. Yet he is missing here. (chapter 52) Under this new light, I am suspecting that Park Namwook already knew about Kim Dan’s innocence, but he never revealed it to the physical therapist. He made sure that no one from Team Black met the main protagonist Kim Dan so that no one would stop him from quitting. That’s why there was no phone call during that week. As conclusion, I believe that Park Namwook used the members from Team Black at the hospital to have the majority on his side, to hide his passivity. There is no doubt that he feared to be blamed for his behavior in the locker room. (chapter 50) Moreover, he could be blamed for the spray incident, for he failed to protect his own athlete. That’s why there was no apology from his side.

However, he made a mistake, when he manipulated his “boy”, the way he announced the doctor’s departure. First, he blamed the champion, then he revealed his desertion. Observe the athlete’s reaction to this news: (chapter 53) Why would the physical therapist quit, if he is innocent? It is because Park Namwook said that Kim Dan did it because of the champion. It was, as if the man’s pride had been hurt:. The verity is that he was actually projecting his own thoughts onto the doctor.

However, the letter addressed to the champion is exposing the truth: at no moment the main lead blamed the athlete for his harsh words!! (chapter 53) He took his words to heart. Thus I come to the following deduction: Park Namwook already knew about the physical therapist’s innocence, but he chose to keep the truth from his boss to mask his own wrongdoings: his passivity and negligence. The reason is that the discovery of the scheme took place in the evening, and Kim Dan gave his letter in the morning. Moreover, some days had passed, when they showed up at the hospital. Potato’s vanishing injuries are the evidence. They waited for the right time to announce the terrible news, something similar to this: (chapter 48) “If we tell him now, it will only throw him off his recovery or his surgery”. Once again, he chose silence and inactivity. Thus no one called the champion or the doctor.

Yet, the best evidence is that Park admitted this: “I tried to talk him out of it”. With his own words, he revealed that he was the only one who faced the physical therapist. If Potato had been there, he would have tried to stop him either, a new version of this panel: (chapter 50) And what did the manager say to the protagonist? (chapter 52) He should have checked the facts. The letter is exposing the manager’s lie. He is expecting that Kim Dan vanished like the previous PT. However, contrary to the previous one, the “hamster” lived with the celebrity. Thus he left a letter to Jaekyung in the penthouse, and the manager had no way to know the existence of this message. And now, you comprehend why Kim Dan never received any phone call from Park Namwook. It is because he would have to inform him about the existence of the scheme. There was no emergency from his side, for he desired to hide his own wrongdoings (negligence, blindness and stupidity).

The true nature of Park Namwook

This signifies that the hyung copied the behavior from MFC agent in the States. He desired to sweep under the rug his own blame and passivity. But since he is not willing to sacrifice himself and as such to leave, I can only come to the following conclusion: Joo Jaekyung will be the one leaving. It is because he will see it as his responsibility to reveal the truth to Kim Dan. That’s how he will release the young man from his low self-esteem and guilt.

But why would the coach act like this? It is because his motto is to stand on the sidelines. This mirrors his actions at the gym: (chapter 36). No wonder why the man is passive. But his inactivity is the result of his indecisiveness (I had portrayed him as someone suffering from Decidophobia). Interesting is that making no decision is the worst people can do. Why?

This reinforces my interpretation about this character, he is responsible for the champion’s emptiness and “death”. Since in my previous essay, I compared Joo Jaekyung to a leopard, let me ask you this. Which animal represents Park Namwook then? It has to be an animal that embodies gain, self-preservation, death, passivity (standing on the sideline) and selfishness. (chapter 26) Yes, the spider!! Is it a coincidence that Mingwa drew him with a grey jacket with the arachnid? The negative aspects from the spider are the following:

Fascinating is that Park Namwook acts like the spider, he does not much, but when he strikes, it is sudden and quite violent: (chapter 52) This signifies that the leopard had a spider on his back the whole time 😉. Each time the feline didn’t behave like the manager wanted, he just needed to strike him. At the same time, this metaphor explains the absence of retaliation from the athlete. A spider is so small, yet its poison can kill the heart and mind. Interesting is that the arachnid stands for balance, a sign that it rejects novelty and change. It is no coincidence that Kim Dan was encouraged to leave the gym, the place where Park Namwook spread a lot of lies and rumors about members and Joo Jaekyung: (chapter 46) In addition, this new discovery corroborates my connection between chapter 52 and 40. In my eyes, Park Namwook should be perceived as a representative of MFC. I had already compared the scheme in the States to a web and a spider, indicating that MFC is far from being a good organization. As a conclusion, the manager is an accomplice of the schemers, even if he was not involved directly. The reason is simple. With his inactivity and deceptions, he is assisting the villains. However, like explained in an earlier essay, the spider is not only connected to negative aspects. It represents wisdom, patience, creativity and even rebirth. Hence it is likely that this man will change or come to regret it at some point. Contrary to the halmoni, he has time in front of him and I am counting on the champion’s huge heart (for example like forgiveness).

The hamster and leopard’s maturity

But let’s return our attention to this panel. (chapter 53) Interesting is that this was not the first time that the doctor was standing in front of the window. (chapter 53) Look at this. Back then, he was thinking of taking another job, a sign that he was not taking his job as PT seriously. The cause for this is that he didn’t view himself as a real PT. Nevertheless, this shows that he was not judging Joo Jaekyung as a champion, but as a man obsessed with sex: (chapter 19) This comparison outlines the PT’s metamorphosis. Not only his perception of Joo Jaekyung changed, but also he has become a responsible and dedicated physical therapist. He defines himself as a PT too. Hence he didn’t leave a mess behind with the files (chapter 53). His decision exposes that this was not an escape.

And note that during the night in episode 19, the young man received a call from Joo Jaekyung: (chapter 19) Striking is that this conversation is strongly intertwined with emergency and racing against time. Back then, I had already developed the theory of the involvement of a third person in their relationship. Why would the champion think of sex suddenly after training for 10 days without any break? Jinx-philes can detect two common denominators: Break and responsibility. How so? In that chapter, Kim Dan was asked to become responsible for the “intercourse” (“I don’t feel like doing it myself, so get your ass ready”). As you can see, the contrast between these two episodes reinforces my hypothesis that the champion will be taking a break, though Park Namwook had not this in mind. The fact that he desires to hire a new PT indicates that he is already anticipating the return of Joo Jaekyung. (chapter 53) Since all the PT were treating him at the gym, I doubt that the manager has the intention to send the new doctor to the penthouse. The hiring of a physical therapist implies the return of the champion to the gym. In his mind, everything will return to normality. But he is totally wrong. The champion can’t accept the disappearance from his soulmate. And this raises the following question: Why didn’t the champion call the doctor right away, when he noticed his desertion? Why did he remain passive in front of the window? (chapter 53) It is because the doctor’s words reached his heart and mind. He must have realized that he couldn’t act like in chapter 1 (chapter 1) or (chapter 19) or (chapter 32). Here, he prioritized his own needs and desires, he rushed things. He never took his time to understand Kim Dan or discover his life. The letter made him realize that he knows nothing about his PT. He has only noticed just now that he is reliable and honest. He is trustworthy. He even listens to him, accepts his words (he took his words to heart twice: the blame for the incident and the Wedding Cabinet). The other reason why he can not use the phone is this. He also knows that he could get blocked. This means that he will ponder how to find and approach his fated partner. (chapter 53) Yes, in front of the window, the man recognized that he had misjudged his partner. The latter was not obsessed with money!! Kim Dan felt terrible, though he had become a victim of a trick. The paper let transpire his true nature: he was a lamb. Furthermore, they had more than a boss-employee relationship. Hence I come to the conclusion that the athlete must have grasped that his relationship with Kim Dan has moved to the next level, like with this doctor : (chapter 13)

The other reason for the absence of a call

I discovered another reason why during that night Kim Dan didn’t call the star. (chapter 53) It is because for Kim Dan saying goodbye over the phone is not proper. The reason is simple. He experienced it himself as a child. (chapter 19) And it hurt him terribly. I am suspecting that the person on the phone might have vanished without saying anything.

But my avid readers should go even deeper and ask themselves the following question: why did neither the champion nor the doctor contact each other? Why is there this huge silence between them? It is because Joo JAekyung had other worries: the bad PR, his injury and the tie. Secondly, he had imagined that Kim Dan would still be with the team. He was unconsciously relying on them. As for the doctor, the latter envisions that Park Namwook and the others were taking care of their athlete. Let’s not forget that he was left behind, while all the others followed the champion to the health center. So in his mind, everyone from Team Black would take care of Joo Jaekyung. He was not needed. This means, he envisioned that Team Black acted as a Team. That’s why he never asked anyone. He thought, the others would do their job properly. And now, imagine Kim Dan seeing Joo Jaekyung approaching him alone with his injured shoulder, similar to this scene: (chapter 53) He just left the hospital after a surgery and he is already carrying a heavy bag. No one is assisting him. There is no driver either. As a PT, Kim Dan can only get worried and feel bad. That’s how Kim Dan will realize that he is needed! (chapter 53) Even more than before!! Joo Jaekyung needs assistance and protection. From that moment on, he can grasp that his sacrifice was not the best for both of them, why his sacrifice was in reality pointless. He should have been more selfish and more confident.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.