Jinx: The Deceptive Light💡 Of Hope ❇️

Hope often implies the promise of a tomorrow, a continuation of life and opportunity. Yet in Jinx, the depiction of Kim Dan’s condition—his unconscious attempted suicide (chapter 60), deteriorating physical health (chapter 60), and the ominous setting of the hospice (chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. (chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, (chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy (chapter 53), emphasizing his vulnerability and dependence on others.

Without intervention, Kim Dan’s condition—both physical and emotional—could spiral into irreparable harm, reflecting the unnoticed demise of the puppy. 😭This essay will examine these events chronologically, beginning with Joo Jaekyung’s urgent rescue and arrival at the hospice. The narrative will then explore the symbolic meaning of the photographs, including the fifth puppy’s fleeting presence and its absence in subsequent images, as well as the profound symbolism of the room where Kim Dan is placed. This analysis will reveal how both elements intertwine to foreshadow Kim Dan’s increasingly tenuous grip on life and the unspoken realities of his condition. 

The Rescue and the Green Cross

Joo Jaekyung rushed to the hospice with Kim Dan in his arms (chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness.

Moreover, we have to imagine that while looking around for help on the beach, (chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean (chapter 60), coupled with his labored breathing as he hurried into the hospice. His question (chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. (chapter 57)

This observation invites deeper reflection on why a small town would have a hospice rather than a hospital. The answer may lie in the demographic realities of the region. The aging population is evident in scenes depicting the town’s streets, where Potato and Heesung encounter primarily elderly individuals (chapter 58), such as two older women (chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord (chapter 58) nicknamed “old man” (chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population.

These statistics underscore the challenges South Korea faces in balancing an increasing elderly population with a shrinking workforce, impacting economic growth, healthcare systems, and social services. While “Light of Hope” caters to the growing number of seniors, this approach inadvertently reinforces the exodus of younger generations. This migration from the countryside to Seoul or other major cities is subtly reflected in Jinx. Yoon-Gu, for instance, comes from the province of Gangwon-Do, embodying the trend of younger people leaving rural areas in search of opportunities. (chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. (chapter 57) This observation is further supported by the panel depicting the hospice’s exterior, which highlights its offer of free health checks. This detail suggests that the hospice is actively trying to attract new patients and has the necessary resources to conduct thorough medical examinations. For instance, when one of Kim Dan’s patients fell, the hospice staff were able to examine him properly (chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, (chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event (chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.

This stark reality mirrors Kim Dan’s mental and physical state. The trail of blood he left behind (chapter 60) —a consequence of removing his IV needle—symbolizes his quiet surrender and deteriorating health. When Kim Dan arrived at the hospice, he carried the faint hope of finding solace (chapter 56), particularly from his grandmother, who had promised to go to the beach with him. (chapter 53) However, this hope was met with disappointment (chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy (chapter 59) but also his grandmother’s diminishing expectations of him. (chapter 56) She expressed twice that she no longer needed him. (chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness (chapter 57), easy bruising (chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. (chapter 60) Is it a coincidence that a company with the green logo K was shown in different panels, like this one? (Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company.

The Room and Its Symbolism

The room (chapter 60) where Kim Dan is placed raises significant questions about its purpose within the hospice. The presence of curtains, indicating multiple beds, contrasts with the lack of personal belongings or cupboards (see as a comparison, Shin Okja’s room – episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange (chapter 56) (chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨

This interpretation becomes clearer when contrasted with the emergency room depicted in the K-drama Love Scout. In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, discovering different patients behind each one until finding the right person. This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. (chapter 56) (chapter 60) Like in Love Scout, the room in Jinx also has closed curtains, but instead of revealing activity or connection, it implies abandonment and isolation for those behind them. How so? Contrary to the transparent, automatic doors of the emergency room in Love Scout, the door in this scene is closed, manual, and opaque. Such a door symbolizes privacy and secrecy, further emphasizing the room’s association with isolation and death. In addition, the lack of anyone visibly attending to them suggests desertion. Everything is indicating that this space is not dedicated to immediate care and life-saving measures contrary to the emergency room. This contrast emphasizes that the room in Jinx symbolizes abandonment and death rather than rescue. 

But there’s more to it. In Episode 52, the curtains in the health center were removed between two patients (chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. (chapter 57) or the mysterious Park Jinchul (chapter 56) (chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. (chapter 60) The room’s atmosphere intensifies this realization, as the symbolism of abandonment permeates its design and the interactions within. Moreover, since many people could see parallels between this scene with the doctor’s situation in the locker room, (chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. (chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract (chapter 60), it signifies that it is a reflection from chapter 6: (chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: (chapter 56) Only a bedridden person on the verge of dying can express such a gratitude towards the physical therapist.

If this interpretation is correct, the room’s symbolism is intertwined with death rather than rescue, then it conveys a sense of abandonment, as though the staff had already given up on Kim Dan. Furthermore, the decision not to place Kim Dan near his grandmother suggests an effort to keep the incident hidden from her (if she is not in the room), emphasizing the isolation surrounding his condition. On the other hand, the champion’s presence in that room could represent a chance for the athlete as well. This could represent the moment of his “rebirth”. Through a honest but painful conversation, the fighter would be encouraged to judge Kim Dan in a different light and nurture his maternal instincts. Moreover, he could give some comfort to a dying patient, similar to this scene: (chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient.

And if my deductions based on observations are true, this signifies that the brochure from Light Of Hope (chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone.

Between Lies and Misconceptions

Kim Dan’s interaction with Joo Jaekyung in this room is marked by lies and unspoken truths, which define the fragile dynamic between them. Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか?” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response (chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team.

Kim Dan’s body language mirrors this emotional disconnection. (chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. (chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. (chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. (chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. (chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: (chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.

Jaekyung, for his part, struggles with acknowledging his dependency on Kim Dan. (chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner.

This dynamic is further emphasized when comparing their positions in Episode 6 and Episode 60. In Episode 6, Kim Dan was standing while Jaekyung sat (chapter 6), reflecting the power imbalance between them. Kim Dan momentarily held the upper hand by negotiating his terms, but once Jaekyung agreed, their positions shifted (chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other (chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: (chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, (chapter 60) it is Jaekyung who has become emotionally reliant on him. Kim Dan’s stubbornness to push through his fragility mirrors the fighter’s own traits, exposing an ironic role reversal that neither of them fully acknowledges.

Despite his outward confidence, (chapter 60) his refusal to engage truthfully exposes his internal conflict and fear of reliance. But why does he fear so much closeness and dependency? Naturally, Jinx-philes should keep in their mind his terrible childhood where he suffered emotional abuse. Moreover, he had been taken advantage from his previous sex partners. (chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: (chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations (chapter 60), as he did in episode 6. (chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: (chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: (chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic (chapter 60) underscores his desire for a deeper, more meaningful connection—something Jaekyung is unable to see due to his own emotional barriers.

But there is another reason why he got rejected. Fate wanted to punish the athlete for putting his own selfish desires over the doctor’s. He had seen the physical therapist in a dangerous situation (chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: (chapter 60). Yet, the first thing he talked about with the doctor was work (chapter 60), once Kim Dan asked him for the reason of his visit: (chapter 60) In other words, with his request, he implied that he had not been longing for Kim Dan’s company. With his attitude, he could only give the impression that he was not interested in the man Kim Dan, rather in the physical therapist, and that’s not what the main lead truly desires. To conclude, his behavior and words generated the impression that the fighter was only superficially interested in him. It was, as if his rescue on the beach had never taken place. He was definitely undermining his own “good deed”.

Their interaction becomes a poignant dance of unspoken fears and withheld truths, illustrating how deeply both characters are entrenched in their insecurities. From the very start, the conversation is undermined by these concealed emotions, dooming it to failure and highlighting the isolation each character feels despite their physical proximity.

Potato’s Role and the Symbolism of Photos

Potato’s involvement adds another layer to the narrative. While the readers can notice the photo of Kim Dan in front of the hospice, they also detect the pictures of the puppies, which were captured later. (chapter 60) These images reveal that Potato visited the old man’s house to bid farewell to the animals. Among the photos, only one shows the fifth puppy—a small, brown one on the left—who appears less active than the others, symbolizing its declining condition. This shows that he was present, when the puppy was showing signs of being sick, but he did nothing. He was too focused on the moment cheering these animals on (chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? (chapter 60) He blamed himself.

Additionally, Potato’s farewell request to treat Kim Dan to a meal if he ever returns to Seoul reveals his underlying doubt. (chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. (chapter 60) This lack of sensitivity and focus on celebrities, flowers, or the puppies instead of his friend underscores the growing emotional distance between them. Interestingly, while Potato returned to the old man’s house to bid farewell to the puppies, he has no intention of returning to the hospice. This contrast highlights how his farewell request serves as an acknowledgment that they are unlikely to meet again. This detachment mirrors Jaekyung and Heesung’s superficial connections, emphasizing how work relationships often overshadow genuine bonds.

Lies, Betrayal, and Ignorance

Potato’s secret visit concerning the puppies and his silence regarding Kim Dan’s whereabouts reveal his growing resemblance to Heesung. (chapter 60) When he got caught with his silence, Mingwa never showed us Potato’s justification. Yet, it becomes clear that the young fighter decided to give the following explanation: he respected Kim Dan’s wish to remain undiscovered (chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts (chapter 60) He deliberately avoided revealing that Potato was the one who disclosed Kim Dan’s location, shielding Potato’s role and perhaps attempting to protect the fragile connection they all share. This omission reflects Jaekyung’s misguided belief that ignorance might shield Kim Dan from further pain or complications. However, claiming he respected Kim Dan’s wish to remain undiscovered—was a lie, as his true motivation was Heesung’s request. (chapter 58) Therefore it is not surprising that through this omission, the main couple got affected. The lie from the chow chow had consequences for it increased the gap between the two protagonists. That’s how it dawned on me why Mingwa revealed the photo library of Potato. (chapter 60) The latter would serve as an evidence of his passivity and blindness towards Kim Dan, for the 5th puppy was still alive back then. The latter represents the fate of the doctor’s. These layers of deception highlight how characters like Potato become increasingly absorbed in their own worlds, blinded by their focus on superficial priorities.

This theme of being “too late” is also mirrored in Kim Dan’s experience with the puppy’s fate (chapter 59) and Joo Jaekyung’s rescue of Kim Dan. (chapter 59) In the case of the puppy, Kim Dan arrived too late to save the small animal, reflecting his self-doubt and hesitance to trust his abilities. Conversely, Joo Jaekyung arrived just in time to rescue Kim Dan from the ocean, demonstrating his decisive action. However, his failure to keep Kim Dan in a safe environment afterward suggests a broader inability to provide sustained support, echoing the narrative’s overarching theme of fragility and impermanence. (chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan.

The imagery of the fifth puppy serves as a poignant commentary on the consequences of neglect and inaction. The puppy’s decline—evident but unaddressed—parallels Kim Dan’s own struggles. Just as the fifth puppy’s fading presence is overshadowed by the activity of its siblings, (chapter 60) Kim Dan’s vulnerability risks being overlooked amid the chaos of the narrative. The missing puppy becomes a haunting reminder of what happens when fragility is ignored: a slow, quiet decline that ultimately goes unnoticed until it is too late. With too late comes regrets and remorse: (chapter 57) Cheolmin already warned his friend in episode 13: (chapter 13) But the man refused to listen to his advice, and now Kim Dan is leaving a trail of blood on the floor (chapter 60) indicating that his blood is not coagulating correctly. The last comment from the athlete implies that he is now accepting the challenge, he will do anything to have Kim Dan come back to him. Nevertheless, there exists one problem in my opinion: he is running out of time due to Kim Dan‘s physical and emotional deterioration, while he needs time to regain the physical therapist‘s trust.

Conclusion: The Fragility of Hope

The title, “The Deceptive Light of Hope,” encapsulates the essence of these intertwined narratives. The hospice’s name promises healing and solace, yet it masks the harsh reality of end-of-life care. On the other hand, since the couple reunited there, their relationship can be built on better foundations. They are surrounded by people who are definitely more attentive and less passive than at the gym. Moreover, the athlete has been living as a zombie all this time, the latter needs to die in order to be reborn as a human being. But it is the same for Kim Dan who has been living as a ghost for the last one and half month. On the other hand, rebirth is strongly intertwined with suffering, which reinforces my conviction that something bad to Kim Dan will happen. Since a beating heart is the symbol for humanity, it signifies that both will have to open up and confess their feelings. Similarly, the brightly lit hospital room, symbolizing purity, conceals the lies and unspoken truths exchanged between Jaekyung and Kim Dan. Potato’s photographs, seemingly innocent, betray a certain selfishness, ignorance and detachment, symbolized by the missing puppy. Each element contributes to the overarching theme: the fragile and often deceptive nature of hope in a world where appearances rarely align with reality. It is only a matter of time, until the wrongdoers realize their mistakes and apologize properly.

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Jinx: A Luminous Kiss 😘💋 Amid Shadows 🫂

In Jinx, the evolution of Joo Jaekyung and Kim Dan’s relationship can be traced through the symbolic use of kisses [for more listen to Kiss Me], specifically the one in the locker room (Chapter 15) and the life-saving kiss on the beach (Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.

Selfishness vs. Selflessness

The kiss in Chapter 14 and 15 was performed under the pretense of care but was marked by a sense of urgency and concern. Joo Jaekyung, lost in his thoughts and experiencing a form of derealization (chapter 14), acted particularly rough with Kim Dan (chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. (chapter 14) This moment of realization, coupled with the doctor’s tears and plea (chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation (chapter 14) of using foreplay and gentler methods, such as a kiss. While the kiss reflected care in the moment (chapter 14), selfish motives lingered in the shadows, as Joo Jaekyung sought to prevent causing visible harm that could lead to questions or even a scandal. It was, as if he wanted to silence his partner. Moreover, this decision was influenced by external suggestions, particularly from his friend, and not entirely by his own intentions. It was a calculated action to prevent immediate harm but lacked genuine emotional depth.

Interesting is that Kim Dan never dared to question Joo Jaekyung for this sudden kiss. (chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. (chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist (chapter 15), because for the first time, Kim Dan made a request. With his remark, he implied that the kiss was strongly associated with emotions. However, exactly like Joo Jaekyung pointed out (chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach.

In contrast, the kiss in Episode 60 (chapter 60) was executed purely for Kim Dan’s sake. It was a spontaneous, instinctive act of CPR to save his life, demonstrating selflessness and true concern. Unlike the locker room kiss, which carried both urgency and selfish motives, the beach kiss was entirely devoid of emotional connection, functioning solely as a technical gesture. Kim Dan was unconscious and unaware of the act, which stripped it of any emotional reciprocity. Here, Joo Jaekyung saw Kim Dan as a human being—detached from his social background and circumstances. This shift in perception is reflected in the location: the openness and natural beauty of the beach stand in stark contrast to the confined, artificial environment of the locker room. Joo Jaekyung’s willingness to perform this act in the open signifies a progression in his character—a gradual dismantling of his secrecy about his sexuality and his connection to Kim Dan. This shift from selfishness to selflessness illustrates not only Joo Jaekyung’s emotional growth but also the deepening of his bond with Kim Dan.

Secrecy vs. Openness

The locker room serves as a metaphorical closet (chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club (chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift. (chapter 60) Moreover, in the past, the locker room (chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room, (chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, (chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan. (chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured (chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind (chapter 50) in the locker room twice (chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: (chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression.

Moreover, keep in mind what the grandmother used to say constantly to her grandson: “Don’t cry” (chapter 57) Shin Okja must have felt uncomfortable with his tears and pain, therefore the doctor internalized not to show his struggling and burdens in front of his grandmother. This explicates why he denied his weeping in front of her first. (chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: (chapter 60) The absence of tears or a trembling body from the main leads indicate that both are hiding their emotions from each other. (chapter 60)

And because Kim Dan came to symbolize the fighter’s intimacy and privacy, it is no coincidence that their relationship ended in the locker room. There, the champion exposed his true thoughts about the doctor: his lack of professionalism, (chapter 51), his lack of loyalty, his greed and obsession for money. (chapter 51) Here, they were totally honest to each other: (chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. (chapter 51) Despite living together in the penthouse, he didn’t trust his room mate. After divulging his mistrust and anger to the physical therapist in the locker room, the former left Kim Dan behind and went to the health center with his hyungs. (chapter 51) What he didn’t realize is that the doctor stood for secrecy and closeness, so by leaving his side, he was destined to be exposed. (chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after.

Through these events, the kiss in the locker room becomes full of symbolism. It not only marked a moment of urgency but also served as an emotional awakening for Joo Jaekyung (chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

By contrast, the couple on the beach in episode 60 (chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them. (chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. (chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. . (chapter 60) The latter has now darker circles, and he lost a lot of weight. (chapter 49) His muscles are less pronounced. He is also wasting away.

This progression also ties to the concept of nature vs. artifice. The natural setting of the beach—the waves, the open sky—contrasts sharply with the sterile, artificial environment of the locker room. Nature brings out authenticity and raw emotion, whereas the locker room and the emergency room (chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach (chapter 14) (chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. (chapter 15) The kiss in Chapter 15 became a moment where Joo Jaekyung discovered not only physical pleasure but also positive emotions, which acted like a sweet candy, a reward for his hard work. (chapter 15) It gave him emotional support. It symbolized a rare moment of relief and connection amidst the overwhelming demands of his environment. Joo Jaekyung’s actions in these settings highlight his gradual move from a place of concealment to one of openness and authenticity. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. (chapter 60) The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

Lies and Miscommunication

Another layer of complexity is revealed when examining the two kisses. From that wonderful night (chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye. (chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: (chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now (chapter 60) , though there is no doubt that the doctor is still in love with him. At the hospice, this mistrust resurfaces. The parallel conversations—in the locker room and the emergency room—highlight the ongoing cycle of miscommunication and emotional disconnect. Both characters, in their own way, lie to themselves and each other. Joo Jaekyung sees Kim Dan through the lens of poverty and greed (chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. (chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened.

The beach, however, offers a stark contrast. There, in the midst of the emergency, Joo Jaekyung’s perception of Kim Dan shifts. For the first time, he sees him as a human being—vulnerable and in need of genuine care. (chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness (chapter 60) and inability to fully comprehend the seriousness of Kim Dan’s mental and physical state.

Kim Dan as Joo Jaekyung’s Reflection

Episode 60 also underscores the parallels between Kim Dan and Joo Jaekyung. Both characters are struggling and mistreating their bodies, albeit in different ways. Kim Dan’s rejection of help and his deteriorating condition mirror Joo Jaekyung’s past behavior of ignoring medical advice and pushing himself to extremes. This dynamic serves as a reflection, forcing the champion to confront his own flaws. Kim Dan’s condition becomes a metaphorical mirror, showing Joo Jaekyung the consequences of neglecting physical (chapter 27) and mental well-being. (chapter 27) When Kim Dan removed the needle carelessly (chapter 60), he was actually copying his lover’s behavior.

The dissociation and derealization evident in Kim Dan’s behavior further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, , his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. (chapter 60) That’s why I can’t shake the feeling that the physical therapist is still in danger. The trail of blood on the floor could be interpreted as a bad omen. (chapter 60) Many Jinx-philes saw parallels between the champion’s departure from the locker room with the final image from chapter 60, (chapter 51) However, in the last image, the athlete had left the room to go to the health center, while Kim Dan is now leaving the treatment room, a sign that he is not just rejecting the champion’s help, but also the hospice’s intervention. (chapter 60) So he could get into trouble in his profession.

This moment becomes a turning point for Joo Jaekyung, as he is about to grasp the gravity of Kim Dan’s mental illness. However, his focus on money and material solutions (chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.

As long as Joo Jaekyung hides his vulnerability and hides his true self to achieve his goal, Kim Dan will mirror his actions. He will deceive him too. However, we shouldn’t see their separation (chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: (chapter 51) He never wished to never see Joo Jaekyung again. Moreover, he never regretted their meeting either. (chapter 60) And now, pay attention to his hand, he is slightly clenching his fist, a sign that he is pained while saying this: “Have a safe trip home!” The word “home” and his gesture display that deep down, he was happy to see him. He is longing for home, but he can not express his true desire. Thus I deduce that Joo JAekyung’s words in front of the restaurant must have moved his heart: (chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: (chapter 44)

On the other hand, by utilizing the word “home”, he is implying that the fighter doesn’t belong here. The doctor is actually mimicking his own grandmother. (chapter 57) (chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along.

And because of the doctor’s words, it is clear that Joo Jaekyung won’t return to Seoul. He just needs to stay by his side in order to gain his trust. The longer the fighter stays in that place, the longer he will be able to detect the deceptions surrounding the doctor: (chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame.

One thing is sure. Because of the doctor, Joo Jaekyung will be forced to admit that home is where the physical therapist is. With his goodbye, Kim Dan was challenging his former boss , (chapter 60) a new version of this scene. (chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.

Conclusion

The kisses in Jinx are more than just physical acts; they are symbolic markers of Joo Jaekyung’s emotional journey and his evolving relationship with Kim Dan. The locker room (chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss (chapter 60) signifies selflessness, openness, and recognition. However, both kisses, initiated by Joo Jaekyung, were not truly expressions of deep love or genuine emotional pleasure. As technical gestures borne out of urgency and care, they left no lasting emotional trace in their relationship.

This lack of emotional permanence highlights the characters’ ongoing struggles. While Joo Jaekyung shows signs of growth, he has yet to fully understand or confront the complexities of Kim Dan’s mental and emotional state. Similarly, Kim Dan’s passivity and silence in earlier moments underline the barriers that remain between them. Trapped in his own misery, he fails to see the physical deterioration from his former idol. The juxtaposition of these kisses serves to illustrate the fragility of their bond and the slow, uneven process of their personal and relational evolution. Through these moments, the author masterfully portrays the intersection of urgency, care, and miscommunication, ultimately crafting a nuanced exploration of healing and connection amidst shadows. Once again, it exposes the importance of honesty and clear communication in a couple.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Snapshot 🖼️ of Fate’s🧵 Hands 🫶

Introduction

The journey of Joo Jaekyung finding Kim Dan (chapter 59) is a masterful interplay of symbolism, reflection, and narrative breadcrumbs laid out by Mingwa. Central to this exploration is a photograph (chapter 59) —an innocent request by the nurses at the hospice (chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious (chapter 59) led him to the shore, driven by despair and suicidal intent, the MMA fighter’s journey stands as its opposite: (chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. (chapter 59) This deliberate action underscores the contrast between their emotional states and sets the stage for their eventual reunion. The stay of Heesung and Potato (chapter 59) embodies the negative reflection of Joo Jaekyung’s purposeful arrival. We can detect the divergences: day versus night, work versus break, healthy versus unhealthy etc. Through the juxtaposition of images and situations, Mingwa provides profound insight into the characters’ thoughts, desires, and intentions. The photograph’s role becomes pivotal: while it marks the end of Heesung and Potato’s visit (chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.

At first glance, the photograph (chapter 59) features key individuals such as Heesung, Potato, the green-haired nurse, and the director of the hospice (chapter 59) —each of whom had interacted with Kim Dan (chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture (chapter 59), if the nurses had not insisted (chapter 59), or if the photograph (chapter 59) had remained entirely private (only Kim Dan, Potato and Heesung together), the chain of events might not have unfolded. Each of these “ifs” reflects the delicate interplay of fate and intervention, where seemingly small actions cumulatively wove the threads that guided Joo Jaekyung to Kim Dan. This demonstrates how intentional and unintentional acts alike can influence the larger narrative, ultimately intertwining lives in unexpected ways. The “if” becomes a recurring symbol of fate and intervention. Through a process of deduction and analysis, the photograph emerges as the link that sets fate into motion, guiding Joo Jaekyung to his lover. The stay of Heesung and Potato, defined by inaction, lies (chapter 58) (chapter 58) (chapter 58), ignorance and superficiality (chapter 58), becomes the shadowed reflection of the proactive search by Joo Jaekyung. This interplay of light and dark is central to unraveling how fate unfolded.

Potato, Heesung, and the Decision to Stay Silent

Heesung (chapter 58) and Potato, despite their contrasting motivations (chapter 58), came to the same conclusion: they should not reveal Kim Dan’s whereabouts to Joo Jaekyung. Heesung argued that Kim Dan was better off in his secluded life, away from the chaos of Joo Jaekyung. Potato, deeply trusting his lover’s seniority and judgment, chose to follow Heesung’s lead. Their decision reflects not only their loyalty to Kim Dan’s expressed wishes but also their passive adherence to the belief that avoiding intervention was a form of help which reminds us of Potato’s former principle: (chapter 35) This shows that despite the last incident, Yoon-Gu didn’t drop this terrible principle. Notice that he is advocating the same philosophy than Shin Okja. Heesung justified his stance by claiming that it was in Kim Dan’s best interests (chapter 58), implying that the relationship between Kim Dan and Joo Jaekyung was toxic. However, his reasoning revealed a deeper selfishness: Heesung harbored resentment and sought to see his frenemy suffer as payback for the humiliation and damages he had endured. (chapter 58) This hidden motivation underscores the complexity of his actions and casts doubt on his proclaimed concern for Kim Dan.

This decision persisted throughout their ten-day stay at the hospice. (chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets (chapter 59) (chapter 59) —suggests that Joo Jaekyung arrived only two days after Heesung and Potato left. This indicates that neither Potato nor Heesung leaked the information to Joo Jaekyung, as the champion would have sought Kim Dan immediately if informed by them. Instead, this photograph—seemingly public rather than private—became the clue he needed. Moreover, since the two friends knew where Kim Dan lived, I am assuming that he would have gone right to the doctor‘s rented room. But he did not. He went to the beach. Since the nurses didn‘t notice that Kim Dan was a friend of Potato and Heesung and mistook him for a fan, I am assuming that only the two friends know his address.

The Photograph as the Catalyst

The photograph holds immense symbolic and narrative weight. It was not meant to expose Kim Dan (chapter 59); it was requested by the nurses as a keepsake for their time with the visiting celebrities. Initially intended as a simple memento, the photograph transformed into the thread that connected Joo Jaekyung to Kim Dan. Importantly, the identities of Heesung, Potato, the green-haired nurse, and the hospice director all become relevant, as each had interacted with Kim Dan during his time at Light of Hope.

This public nature of the photograph underscores the idea of “hiding in plain sight.” Kim Dan was among a crowd, blending into the background, not anticipating that anyone would recognize him. However, this picture became the critical link for someone who initially focused on Heesung, Potato, or the green-haired nurse or the hospice director. The person looking at the picture was not searching for Kim Dan but discovered him by accident, making the revelation both unexpected and serendipitous. This discovery highlights how fate operates through chance and unintentional connections. It serves as a prelude to exploring the contrasting dynamics of intervention, from misguided actions to purposeful assistance, which will be further examined in the comparative analysis.

Thus it is unlikely that the information came from members of Team Black, in particular from Oh Daehyun and Kwank Junbeom. Initially, I envisaged them as potential candidates, for Oh Daehyun has always had sharp eyes (he has an eagle as tattoo) (chapter 8) (chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. (Chapter 48) Nonetheless, there exist significant points against this theory. Despite their fondness for the actor (chapter 30) and their interactions with Heesung and Potato (chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday (chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . (chapter 58) His “redness” indicates that he doesn’t want to expose his special relationship with Heesung. Therefore I believe that he didn’t mention this trip to other members. Consequently, I doubt that the members were looking for Potato in such a photograph. Furthermore, from my perspective, members of Team Black are still left in the dark about Joo Jaekyung’s struggles. They are unaware of his drinking habits (chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and (chapter 57) the interview suggested that Joo Jaekyung was taking a break to recover from his injury, leaving no indication of his active search for Kim Dan. However, Yoon-Gu got informed through Heesung that Joo Jaekyung was desperately looking for him: (chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information.

This leaves only the green-haired nurse and the hospice director as plausible sources of assistance. However, the hospice director can be ruled out, as he did not make the request for the photograph. His lack of direct involvement in this key moment suggests that his role in connecting Joo Jaekyung to Kim Dan was minimal, leaving the nurse as the final candidate.

The green-haired nurse (chapter 59), while not pivotal in initiating the photograph (chapter 59) —this was driven by her colleagues’ request—holds a central position in the narrative due to her placement next to Kim Dan in the picture. Although quiet, observant (chapter 57) and unassuming (chapter 57), her positioning reflects Mingwa’s deliberate storytelling, emphasizing her subtle yet crucial role in connecting the threads of fate. She is also unlikely to have directly contacted Joo Jaekyung. As an average nurse living far from Seoul, she would not have access to the champion’s contact information or knowledge of his search for Kim Dan. However, this does not exclude her influence entirely. My idea is that she shared the photograph with someone close to her—a family member or friend—turning what was initially a public image into a private clue. Through this intermediary, the picture may have reached someone who recognized Kim Dan and understood his connection to the MMA fighter. This chain of events underscores the role of chance and intervention in the narrative and suggests that another, yet unknown, individual helped guide Joo Jaekyung to his destination.

In season 1, both Joo Jaekyung and Kim Dan became victims of schemes (chapter 50) (chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog (chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. (chapter 59) Symbolically, their request took place on the road, metaphorically paving the way for the reunion between Joo Jaekyung and Kim Dan. This act of intervention can also be compared to the three fairies in Sleeping Beauty (chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.

Comparative Analysis: Bad Help vs. Real Help

And now it is time to show the table with the comparative analysis which helped me to determine the identity of the “decisive helper”.

AspectHeesung and Potato (Bad Help)The Anonymous Helper and Joo Jaekyung (Real Help)
MotivationCoincidence – They visited Kim Dan for unrelated reasons and deferred to his expressed wishes to stay hidden.Purposeful – Joo Jaekyung actively searched for Kim Dan, aided by the helper’s deeper insight.
Driving ForceHeesung dominated decision-making; Potato followed blindly out of trust.Collaborative – The helper actively supported Joo Jaekyung with information and empathy.
Knowledge of Kim DanLimited to surface-level observations, unaware of his deeper struggles (derealization, isolation).Comprehensive understanding of Kim Dan’s physical and emotional state, possibly worsened by isolation.
Knowledge of Joo JaekyungNone; they did not factor in Joo Jaekyung’s struggles or his importance to Kim Dan.Awareness of Joo Jaekyung’s emotional repression, suffering and need for reconciliation.
Action TakenChose not to reveal Kim Dan’s whereabouts, leaving him isolated and misunderstood.Proactively helped Joo Jaekyung locate Kim Dan, recognizing their interdependence.
Impact on Kim DanReinforced his isolation and emotional detachment, respecting his wish to remain hidden but worsening his condition.Facilitated a reunion, offering support and an opportunity for Kim Dan to heal through connection.
Encounter TimingDuring the day, casual and detached, focused on surface-level interactions.At night, intimate and deliberate, focused on reconnecting and providing real help.
Interaction DepthMinimal – They barely talked to Kim Dan and misunderstood his deeper needs.Profound The helper’s understanding of both characters allowed for meaningful assistance.
Emotional ToneMisguided loyalty, passive adherence to Kim Dan’s expressed wishes without deeper consideration.Empathy-driven, with active efforts to address both Kim Dan’s and Joo Jaekyung’s struggles.
Identity of the HelperHeesung and Potato: Superficial understanding, driven by friendship and blind trust.Anonymous Helper: Likely someone who knows both Kim Dan’s struggles and Joo Jaekyung’s challenges
Motivated ByFear of “making things worse” by interfering, leading to inaction. Heesung sees Joo Jaekyung as a violent, drunk and selfish ruffian So the other person should stand for the opposite notions: Genuine care and understanding of the importance of reconnection for both parties.
OutcomeLeft Kim Dan emotionally isolated and neglected Joo Jaekyung’s need to help him.Enabled Joo Jaekyung to find Kim Dan, fostering potential healing and growth for both.

Portrait of the Anonymous Helper

The anonymous helper stands out as a figure of quiet significance, bridging the emotional and practical divide between Joo Jaekyung and Kim Dan. Acting out of genuine care and empathy, this individual demonstrated a nuanced understanding of the connection between the two protagonists. While they may not have known all the details of Kim Dan’s struggles or Joo Jaekyung’s emotional turmoil, their insight and actions played a pivotal role. By recognizing the doctor in the photograph and ensuring it reached the athlete, who could act upon it, the helper catalyzed the reunion. Their ability to intervene discreetly and purposefully exemplifies the transformative power of small, compassionate gestures. This role, often unnoticed in its quiet execution, serves as a symbol of how intentional yet modest actions can shape the course of fate.

The Angel’s Intervention

And all these clues led me to Cheolmin! (chapter 13) The latter knew the PT’s face, (chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. (chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge (chapter 13), the death of a man and finally urgency. Moreover, remember what his friend told him before: the importance of rest and (chapter 13) He should send him to the hospital for tests, but the fighter refused. Why? It is because the latter feared his “chingu”. The doctor seemed rather interested in Kim Dan, therefore he feared that the PT might dump him for a “colleague”. That’s why Heesung was sent later to his gym. Karma was punishing him for not listening to his friend’s advice. Finally, it is important to recall his advice: (chapter 13) His recommendation makes him a clear supporter of the couple which stands in opposition to the second couple: Heesung and Potato. That’s why I am suspecting that the actor is about to receive his own punishment!! Who is standing next to Kim Dan? (chapter 59) The Cute Potato! The actor is about to get a rival. But let’s return our attention to Cheolmin. Though in episode 13, he remained unaware of Kim Dan’s true identity and personal struggles, I have the impression that he got updated by the athlete later. (chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. (chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, (Chapter 13), it is also possible that he could have heard about the last incident in the restroom with doc Dan’s replacement. Since Cheolmin found Dan cute, it is very likely that he was also drawn to the surrogate „Dan“. But I don‘t think, this was enough to intervene, as Joo Jaekyung didn‘t ask for his help.

However, this must have changed, when Cheolmin came across the photograph and recognized Kim Dan, his prior connection to both men could have inspired him to act. Moreover, since he had examined Kim Dan before, as a detailed -oriented physician, he could have detected the pale face of Kim Dan. (Chapter 59) Moreover, if he talked with the green-haired nurse, he could have heard about his unusual tiredness and spacing out. This would reflect the theme of fate weaving unlikely connections into the narrative. Cheolmin’s invisible intervention would also underscore the contrast between those who act out of genuine care and those who avoid involvement due to fear or inaction. However, since the champion came at the right time, it is likely that Joo Jaekyung will feel deeply grateful to the person who informed him. This gratitude may pave the way for Joo Jaekyung to trust others more fully and recognize the value of relying on others’ judgment.

Finally, I would like to remind my readers about my previous portrait of the mysterious doctor Cheolmin: I compared him to an archangel and to Neptune and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision (chapter 13), not to listen to his true friend, the one who was not called (chapter 56), but who reached to him, when Joo Jaekyung needed assistance the most. He was the only one who was accepting the fighter’s struggling, whereas Park Namwook chose to bury the truth.

Contrasting the Two Photographs

The two significant photographs in Jinx—one of Kim Dan and his grandmother (Chapter 19) and the group photograph at the hospice

(chapter 59) (Chapter 59)—serve as visual metaphors for Kim Dan’s emotional state and his evolving journey. However, their contrast is best understood through an analysis of key aspects: location, subjects, feelings, and the importance of memory.

Location: The first photograph, taken in a garden filled with vibrant flowers, symbolizes life and nature. This imagery conveys warmth and innocence, yet in reality, it reflects ephemerality and death due to the flowers. Moreover, it is ironically undercut by the secrecy surrounding the picture, as it was hidden from view. That’s why the readers can not identify the location and occasion for this image too. In contrast, the hospice setting of the second photograph can be more easily identified and located. In addition, it represents a more clinical and structured environment. On the other hand, it contains a common denominator with the first image: death and temporality. This means that The “Light of Hope” sign in the background casts a dual shadow. On the one hand, it signifies the grandmother’s oppressive influence but also hints at the possibility of healing and reconnection. Someone else will take over her place.

Subjects: The first photograph features only Kim Dan and his grandmother, emphasizing their private and familial bond. This simplicity, however, underscores Kim Dan’s isolation and dependency on a single flawed relationship. The group photograph, on the other hand, is crowded with people: nurses, hospice staff, and celebrities. The collective setting reflects a growing sense of community, albeit one where Kim Dan remains on the periphery. His inclusion in this photograph marks the beginning of a tentative integration into a broader social circle.

Feelings of Kim Dan: In the first photograph, Kim Dan’s childlike happiness is genuine, hence I am suspecting that the halmoni’s smile was not sincere. How so? It is because in the hospice photograph, Kim Dan’s outward expressions appear subdued, reflecting discomfort and reluctance. Everyone is happy except him, but no one noticed it. Hence I believe that in the first picture, Kim Dan has been idealizing his grandmother’s happiness. However, since he is now struggling, I see this new picture as a good sign. This juxtaposition highlights his transition from stagnation and idealization to a fragile but growing acceptance of connection and support.

Importance of Memory: The childhood photograph was hidden, suggesting that it served more as a relic of the past than a tool for connection. For Kim Dan, it embodied a memory of his grandmother’s love, but for her, it likely held no such significance—highlighting her emotional distance. In contrast, the hospice photograph, initially intended as a lighthearted memento, became a pivotal clue in reuniting Kim Dan with Joo Jaekyung. Its transformation from public to private use underscores the power of shared memories in forging connections. Furthermore, since the second picture announces the future reunion of the protagonists, I am connecting the first picture to a future „separation“. On the other hand, the second image was taken just before they departed, so both photographs are linked to separation and departure.

Photographer’s Identity: The identity of the photographer adds another layer of contrast. The hospice photograph was taken by Heesung’s manager, someone connected to work and external responsibilities. In contrast, the photographer of the childhood image remains unknown, shrouding the moment in secrecy. This anonymity, combined with the hidden nature of the photograph, reinforces its association with private pain and toxic positivity. Both images carry “ghosts”—the grandmother’s influence and the silent presence of the anonymous photographer—highlighting the themes of temporality and loss in Kim Dan’s journey.

Through these comparisons, it becomes evident that the first photograph symbolizes stagnation, secrecy, and unspoken pain, while the second reflects progression, albeit hesitant, toward community and healing. These images serve as mirrors of Kim Dan’s journey, reinforcing Mingwa’s use of visual storytelling to depict the interplay of isolation, connection, and fate. This comparison serves another purpose as well. Keep in mind that the one who desired to have a private picture was Potato (chapter), he wanted to have a good memory of his stay there with Heesung and Potato. However, this is how it looked like in the end: (chapter 59) It became the synonym for “work” and “fame”. So should the news about Kim Dan’s action reach Potato’s ears, he can only get shocked. What he thought to be a happy memory, was not, because he was unable to detect his friend’s suffering. He was not a true friend. As you can see, I have the feeling that this image will drive an edge between the second couple in the end. Let’s not forget that the actor is now using friendship and work to hide his true relationship with Yoon-Gu. So far, he has not been honest to the chow chow. He used his innocence to his advantage. However, the doctor’s attempted suicide announces the loss of Potato’s real innocence.

Conclusion: A Green Thread Among the Red

Through the photograph and the green-haired nurse’s inadvertent intervention, Joo Jaekyung was led to Kim Dan. The story’s thematic underpinnings—fate, connection, and the contrast between isolation and community—culminate in this reunion. Joo Jaekyung’s journey was not simply guided by one person but by many, each playing a small but significant role in weaving the threads of fate. If Potato had not asked for the photograph, if the nurses had not encouraged its capture, or if someone like Cheolmin had not acted upon it, the outcome could have been vastly different. These small moments of intervention underscore the story’s larger theme: the quiet power of collective action. However, keep in mind that Kim Dan met the actor and the „puppy“ by coincidence. So in their meeting, fate still played a role: the beach. As you already know, my theory is that Joo Jaekyung recognized Kim Dan‘s back from the road, as the latter is higher than the beach. And where did the nurses asked for the picture with Heesung? (Chapter 59) They were standing on the road. On his way to the hospice, he arrived by the coast, from there he could see the ocean. Nature (sea) brought them together, just like the dog Boksoon let Kim Dan reunite with his friends.

Interestingly, (chapter 59) Kim Dan’s ocean scene—a night devoid of moonlight—symbolized his emotional turmoil and loss in the darkness which marks the end of the grandmother‘s power over her grandson‘s life. By contrast, Joo Jaekyung’s intervention represents the light of hope rekindled (chapter 59), offering Kim Dan a chance for healing and reconnection. He embraces him, something his grandmother has not been able to provide lately, Through this journey, Joo Jaekyung also learns to trust others and realize that self-reliance, bolstered by money alone, is insufficient. His disillusionment with Park Namwook, who failed to act on his requests, should further cement this realization. Gradually, Joo Jaekyung comes to value genuine support and collaborative effort, paving the way for both his and Kim Dan’s growth.

This narrative progression, captured through time, characters, and symbolism, ultimately reveals that Joo Jaekyung’s journey to finding Kim Dan was not simply one of chance. It was a testament to the interconnectedness of lives and the quiet power of actions—a snapshot of fate’s many hands.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Craving Mama’s 👩‍👦Shine ☀️ – part 2

Mama or Joo Jaekyung?

After reading the first part, my follower and avid reader @rantofalifetime brought my attention to this panel. (chapter 57) She wondered if this nickname “MAMA” was not a spelling mistake, and that the translator might have meant “MMA fighter Joo Jaekyung.” Intrigued by this possibility, I sought clarification, and indeed, in the Japanese version (episode 57) the reporter introduces the main lead differently: “Next, we have news regarding Joo Jaekyung.” This subtle difference is significant for three reasons.

Fighter Joo Jaekyung and its implications

First, it shifts the tone of the news. By omitting the nickname “MAMA” and using a more neutral phrasing, the journalist appears more professional and unbiased. This deliberate neutrality lends credibility to the report, giving viewers the impression that the information presented is factual and untainted by bias. Second, this choice strategically conceals the existence of any underlying manipulation or conspiracy, aligning with the larger narrative tactics observed throughout the interviews. The omission of the nickname highlights the calculated nature of MFC’s media strategy, showcasing how tone and language are carefully curated to influence public perception. Finally, like my friend noticed it, something was missing in this introduction: the nickname Emperor. The omission of the nickname “The Emperor” in the second interview is a subtle yet significant detail. It not only signals a shift in how Joo Jaekyung is perceived but also reveals a deliberate effort to undermine his status. As my friend keenly observed, this change in language demotes the champion from his previously exalted position. While he was once heralded as “The Emperor,” the absence of this title in the current narrative exposes an underlying strategy of manipulation and control. It is as though his stature is being diminished step by step, aligning with MFC’s broader agenda to distance themselves from his achievements and frame his struggles as personal failings. This seemingly minor detail becomes a glaring indicator of the deception at play, further underscoring the calculated nature of the interviews. On the other hand, they are not using the suspension as an excuse for the loss of his title. (chapter 57) And what does it mean?

Rewriting the past

The organization’s deliberate omission of the health center incident (chapter 52) and the suspension from their narrative highlights a calculated effort to erase inconvenient truths that could tarnish not only MFC’s reputation but also that of the medical professionals complicit in their schemes. Let’s not forget (chapter 41) the complicity of the doctors who cleared Joo Jaekyung to fight despite his evident injuries as another example of the corruption within this world. Moreover, by avoiding any mention of the suspension (chapter 52) (chapter 57), which stems from Joo Jaekyung’s actions at the health center, MFC ensures that questions surrounding the incident—such as the switched spray and the deliberate injury to his ankle—are never raised. This allows both the organization and the doctors involved to escape scrutiny.

By neglecting to use the suspension as a justification for the champion’s alleged fall from grace, MFC subtly frames the athletes as solely responsible for their setbacks, deflecting attention away from systemic corruption. The erasure of the health center brawl, where Baek Junmin provoked Joo Jaekyung, (chapter 52), is not only a protective measure for MFC but also shields the medical professionals who facilitated the situation. Doctors at the health center failed to report the ankle injury caused by the sabotage (chapter 50), further implicating them in a network of complicity and greed. Their decision to place the two fighters next to each other without proper privacy measures, such as curtains, reveals a disregard for professional ethics in favor of spectacle and profit. I would even add, the decisions from the health center’s medical staff, played a significant role in escalating the situation. By placing Joo Jaekyung and Baek Junmin next to each other post-fight, without appropriate measures like curtains to ensure separation, the health center created an environment ripe for conflict.

This negligence directly contributed to Baek Junmin’s severe injuries , (chapter 52) as the provoked champion lashed out in an unregulated setting. The decision to ignore these systemic failures and instead to suspend Joo Jaekyung suggests a deeper layer of complicity from the medical world, where doctors and nurses prioritized organizational demands and reputational interests over ethical responsibilities. Their failure to report the provocation and the ankle injury caused by the switched spray further highlights their alignment with MFC’s corrupt practices.

The vanishing of the shooting star

This complicity extends to Baek Junmin’s trajectory as a fighter. Once celebrated as a rising star with “star quality” (chapter 47) and favored by MFC’s CEO, Baek Junmin has now been discarded, his relevance extinguished the moment he ceased to serve the organization’s agenda. (chapter 57) His involvement in the underground fighting circuit and illegal gambling adds a layer of complexity to his role. (chapter 47) His background, combined with his visible association with MFC’s CEO, positions him as a key figure who could potentially expose the organization’s darker practices.

Rather than remaining a simple antagonist to Joo Jaekyung, Baek Junmin’s evolving role shifts him toward that of a pivotal witness. His potential testimony against figures like Choi Gilseok and the corrupt medical professionals could unravel the facade that MFC has worked so hard to maintain. This transformation invites readers to reconsider the hierarchy of villains and victims within the narrative. While Baek Junmin’s earlier provocations painted him as an adversary (chapter 49), his ultimate fate now reflects the broader cruelty and exploitation perpetuated by those in power. That’s how I realized the other signification of the cross below his left eye. The latter symbolizes his blindness in the end. The cross signifies his inability to see beyond the role he played within the system—a symbol of his naivety and misplaced confidence. Baek Junmin believed he understood the brutal reality of the fighting world, given his background in underground rings and illegal gambling. He thought his experience and cunning gave him an edge, making him untouchable or indispensable. However, his taunts to Joo Jaekyung (chapter 49) reveal a man who overestimated his position within the organization.

His role as a fighter in the shadows, bound by corrupt systems and ruthless practices, prevented him from recognizing his true dispensability. MFC’s abandonment of him after his injuries and the lack of media attention further underline this. Baek Junmin, who once took pride in being part of such a system, failed to realize that he, like Joo Jaekyung, was merely a pawn in a game controlled by higher powers. The cross, therefore, becomes a stark reminder of his ignorance—not just of his own situation but also of the shared plight of those exploited within this system.

This blindness also extends to his inability to see himself as part of a larger narrative of manipulation. His dismissal by MFC, after being paraded as the next rising star, parallels the broader exploitation of fighters, making him not just a villain but also a victim. The irony is that while he mocked Joo Jaekyung’s perceived vulnerabilities, he was equally, if not more, vulnerable to the same forces that ultimately discarded him. (chapter 52) Thus he is erased from the news.

Between Fiction and Reality

This dynamic highlights the dehumanizing nature of the combat sports world portrayed in the story. Fighters are reduced to pawns, manipulated through orchestrated narratives, and discarded when they are no longer useful. The inclusion of Baek Junmin as a potential whistle-blower not only reveals the systemic corruption within MFC but also foreshadows a potential turning point. His decision to expose the illegal activities he has witnessed, including the complicity of the doctors, could serve as the catalyst for dismantling the network of exploitation controlling the fighters’ lives. His evolution from a rival to a reluctant ally, shaped by shared experiences of manipulation and abandonment, would underscore the collective struggle of those ensnared in the system. This would emphasize the need for unity among the exploited in confronting the forces of greed and corruption that dominate their lives. On the other hand, since in episode 54, the champion is blaming Baek Junmin once again (chapter 54), it shows the athlete’s lack of reflection and insight. He hasn’t been able to discern the truth, the corruption of his “world”. This means that he needs to travel and experience a whole new world. The contrast would serve as an eye-opener for the athlete.

Mingwa’s storytelling in Jinx is layered with sharp social commentary, and the narrative’s critique of organizations like MFC can certainly be seen as a mirror to real-life entities such as the UFC. By delving into the corrupt underpinnings of MFC, Mingwa exposes the dehumanizing aspects of combat sports, where fighters are reduced to commodities rather than respected athletes. Through characters like Joo Jaekyung and Baek Junmin, the story critiques the exploitation, systemic manipulation, and lack of accountability within these organizations.

The parallels are striking. Just as MFC uses fighters for profit and discards them when they’re no longer useful, real-life organizations in the fighting industry have faced criticism for their treatment of athletes—be it inadequate healthcare, manipulated narratives to boost viewership, or prioritizing financial gain over the fighters’ well-being. The absence of transparency, as seen in the suspension’s omission in Jinx, reflects a calculated attempt to control the narrative and avoid scrutiny, a tactic not uncommon in corporate sports environments.

Silencing the Outsider: MFC’s Strategy Against Kim Dan

The second interview (chapter 57) holds significant weight in the context of Kim Dan’s storyline, as it appears to be strategically (chapter 56) released shortly after the champion’s urgent request to locate him. This timing is no coincidence. Instead, it reflects a calculated effort to manipulate both the public narrative and Kim Dan’s own perception of his role and value. By introducing the anonymous person as “one of his close associates”, it implies that the champion has already moved on from the protagonist. He is not missing him at all. At the same time, it implies that within a short time, the person was able to get the athlete’s trust which stands in opposition to this scene: (chapter 51) Thus I conclude that the interview serves a dual purpose: to emotionally undermine Kim Dan and to cement his estrangement from Joo Jaekyung.

First, the interview subtly shifts the blame for the champion’s so-called “loss” onto external factors, including his struggles with recovery and mental well-being. (chapter 57) While it does not explicitly mention Kim Dan, the implications are clear. As someone who was deeply involved in Joo Jaekyung’s health and recovery during the lead-up to the match, Kim Dan is indirectly made to feel responsible for the champion’s struggles. This psychological manipulation creates a sense of guilt, making him question his capabilities as a physical therapist and his influence on the champion’s performance. However, they fail to achieve their goal, because his subsequent reflections reveal a deeper realization (chapter 57): his regret was not merely about using the spray but about his failure to assert himself professionally. (chapter 49) By complying unquestioningly with the champion’s requests, he had diminished his role, acting more like a servant than a competent physical therapist. The interview, though painful, (chapter 57) serves as a harsh wake-up call, forcing him to confront his own shortcomings and reevaluate his behavior.

The introduction of the new physical therapist further amplifies this shift in perspective. If the new PT indeed represents a professional eager to stand in the spotlight and claim authority, their presence acts as a stark contrast to Kim Dan’s former passivity. It highlights the missed opportunities in Kim Dan’s past—instances where he could have spoken up (chapter 41), drawn boundaries, and made his expertise known. I would even add that he never felt responsible for the champion’s reputation in the media (chapter 36) Hence he remained passive all this time. His negligence becomes more obvious, when the media released this wave of articles: (chapter 52) Thus I discern a turning point in the doctor’s mentality. The last interview served as a painful wake-up call. This juxtaposition not only deepens Kim Dan’s understanding of his mistakes but also offers a model for the kind of professional he aspires to become. He can, if he wants to be in the spotlight: (chapter 41) In addition, while many Jinx-Philes are blaming the champion for his outburst, (chapter 50) rejection and (chapter 50) accusations, (chapter 51), the main lead is not blaming his fated partner at all. Why? It is because none of this would have happened, if he had acted as PT and trusted his own hands. He was too passive, standing by the sideline. He never became proactive. (chapter 57) Therefore I deduce that the doctor should be gradually become aware of his grandmother’s wrongdoings: her passivity in front of bullying and ostracism is one of the reasons for his low self-esteem. Besides, we should keep in mind his other confession which outlines (chapter 47) his indifference and lack of professionalism. In the end, the grandmother is the reason for his lack of professionalism and neglect.

But let’s return our attention to the second interview. The latter, while deeply manipulative and likely intended to isolate both Kim Dan and Joo Jaekyung, inadvertently sparks a positive transformation. It forces Kim Dan to grapple with the realities of his role and recognize that his value as a physical therapist lies in his ability to assert his knowledge and make independent decisions. What was meant to discredit him 😉 becomes the catalyst for his growth, paving the way for him to reclaim his agency and redefine his identity within the professional and personal dynamics surrounding Joo Jaekyung. I would even add that it pushes him to separate private life from professional matters.

At the same time, the interview appears to diminish Kim Dan’s importance by omitting any reference to him altogether. (chapter 57) This omission sends a message: the champion is being “taken care of” by others, including the newly hired physical therapist, whose role is subtly elevated through the term “close associate.” By erasing Kim Dan from the narrative, MFC effectively undermines his connection to Joo Jaekyung and makes it seem as though his presence and contributions are no longer required. The implicit rejection is a cruel strategy designed to isolate him further and ensure that he stays away from the champion.

Kim Dan’s status as a freelancer further highlights the precariousness of his position. (chapter 54) Unlike the newly hired PT, who likely has the backing of a hospital or organization, Kim Dan operates independently. This independence, while offering a degree of freedom, also makes him vulnerable. He lacks the institutional support that could shield him from the manipulative tactics of MFC. Moreover, his independence places him in direct contrast to the systemic corruption that permeates MFC and its associated entities. As someone who has already been victimized by two major deceptions—the drugged nutrition shake (chapter 37) and the switched spray (chapter 57) —Kim Dan stands as a figure who threatens to expose the cracks in MFC’s carefully constructed facade. Let’s not forget that the incident with the poisoned beverage was swept under the rug by framing haters.

By keeping Kim Dan away from Joo Jaekyung, MFC is not only ensuring that he does not return to support the champion but also protecting their own interests. Kim Dan’s presence could potentially disrupt their narrative, especially if his proximity to Joo Jaekyung allowed him to uncover further instances of manipulation or corruption. His removal from the equation eliminates a wildcard that MFC cannot afford to tolerate.

Furthermore, the interview’s implicit targeting of Kim Dan underscores the predatory nature of the organization. Rather than openly addressing the champion’s request or the realities of his situation, MFC and the Entertainment agency opt to manipulate the individuals surrounding him to maintain control. The release of this interview ensures that Kim Dan feels alienated, unneeded, and even complicit in the champion’s struggles, thereby neutralizing him as a potential ally.

In sum, the second interview is as much about silencing Kim Dan as it is about reshaping the narrative around Joo Jaekyung. By targeting Kim Dan’s emotional vulnerabilities and professional independence, MFC and their accomplices seek to isolate him while protecting their interests. This calculated strategy highlights the organization’s ruthless nature and its willingness to exploit anyone—even those on the periphery—to maintain its grip on the narrative.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Burning Up🔥, Losing Control 🛞

Behind the wheel

In episode 56, we could see Joo Jaekyung losing his cool, the more he tried to find Kim Dan. This huge transformation can be detected, when Jinx-philes compare these two following images. (chapter 56) and (chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto.

As you can see, the latter stands for success, wealth, authority and domination. (chapter 56) (chapter 56) Even if the main lead is moving among other cars, people can recognize that the owner of such a car is rich and probably famous due to the brand and design. On the other hand, by roaming in the street, the champion blends into the background and as such to the mass. (chapter 56) Because Joo Jaekyung doesn’t want to be recognized, he is wearing a mask and a cap. This gesture stands for anonymity, hence no one is paying attention to him. Contrary to his frenemy at the cafe (chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: (chapter 55) It is no coincidence as well that the author showed us the star’s back, when the latter called his hyung Park Namwook. (chapter 56) Moreover, the shades are quite similar: red/orange and brown. Without his car, he is like everyone else: a human with his flaws and imperfections.

I have to admit that when I read episode 56, I couldn’t restrain myself connecting episode 56 to chapter 33 and in particular due to my essay called: These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. (chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. (chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. (chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.

Secondly, it was the wolf’s way to keep the doctor in check, to control the situation. He is behind the wheel, hence he takes the lead and had the saying in their relationship, like we could observe it in another situation: (chapter 42) And what was his attitude there? He would not listen to his passenger. Moreover, he would separate his job from his roommate’s. It looked like they were living in two different worlds, though they were sharing the car. This scene exposes miscommunication, lack of faith, stubbornness and prejudices. The fighter was not willing to accept the physical therapist’s doubts and chose to go through with the training and match.

Thus I deduce that the vanishing of his car is indicating that the athlete is now ready to LISTEN! He is no longer cut off from the world, he is moving among humans. His penthouse and his car were the reasons why he kept people at arms-length and why he preached self-reliance. They were the symbols of his success and identity: (chapter 2) (chapter 32) So by leaving them behind, it indicates that Joo Jaekyung is transforming and as such maturing. But why is he so desperate to control his life and even Kim Dan’s by leaving no room to change or “surprise”? I believe to have found the answer: chronic abuse. I know that the quote is quite long, but in this description, Jaekyung-addicts can recognize their beloved character:

After reading this, my avid readers can grasp why the champion’s past has been kept in the dark by the author and why the athlete dislikes it, when his past is mentioned: (chapter 26) First, he repressed it, but thanks to doc Dan, he is encouraged to face his traumatic past. But for that, he needs to trust someone, a person who wouldn’t judge him and would show understanding. He came to associate “pity” (chapter 37) with arrogance and weakness, but this is not true. [For more read this https://psyche.co/ideas/pity-is-an-emotion-easy-to-scorn-but-central-to-our-humanity]

This new discovery reinforces my previous hypothesis that the main lead was exposed to chronic abuse (emotional abuse, parental criticism and probably bullying), which remained undetected. So by “losing his car”, he is gradually giving up on his control issues. At the same time, it gives him the opportunity to redefine his own life. What does he want from life and his career as MMA fighter? Consequently, I come to the deduction that Joo Jaekyung is about to become the true owner of his time and as such of his own life. Let’s not forget that even in season 2, his manager is still the one “controlling” his time. (chapter 54) (chapter 56) This signifies that the champion is about to discover that in reality, he was not truly free. While he thought, he was controlling his life behind the wheel, in verity, he was just a puppet, for his decisions were influenced by his fears and past. I would even add that the loss of his routine announces his willingness to accept changes and surprises in his life. The latter are no longer perceived as a threat.

The champion’s car and his hyungs

Because Joo Jaekyung connects car with power and leadership, I came to realize why the champion trusts so much coach Jeong Yosep and his other hyung: (chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. (chapter 53) They should have brought him home. They stand for neglect and indifference due to their passivity and routine. In my eyes, they are happy at the gym, the latter represents their second family. So they imagine that it is the same for their boss. In other words, they projected their own thoughts and feelings onto the celebrity. They embody silence and lack of communication and this is actually palpable in the car. In episode 5, the manager and the MMA fighters lied to each other: (chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy” (chapter 49). Yet, he revealed his true thoughts at the hospital: (chapter 52) He has no real trust in the athlete. Finally, my avid readers should notice that we never heard coach Jeong Yosep speaking up or exchanging his thoughts to the other members there. To conclude, I interpret the car as a symbol for censorship, silence, miscommunication, stubbornness and deafness. In other words, this place is also polluted. (chapter 53) So when the champion returned home on his own after the surgery, it displays the high peak of the censorship and uncommunicativeness from the two hyungs. They didn’t bring up the eventuality that Kim Dan might have moved from the penthouse. They kept doc Dan’s departure under wraps and waited for the right opportunity. But the best evidence for this interpretation is the absence of Jeong Yosep after episode 52. From that moment on, he is no longer present in the star’s life. But there’s more to it. I noticed the absence of Jeong Yosep’s phone number. At no moment, we see him contacting the protagonist through the phone. (chapter 52) Imagine that he only reported his investigation and actions afterwards. Then on the athlete’s birthday, he didn’t send any private message as well. (chapter 45) It gives the impression that he owns no cellphone, especially if Jinx-philes recall this situation in the States: (chapter 37) He was using the landline telephone. This observation is relevant, because it exposes the coach’s dependency on Park Namwook. The latter’s task is to keep in touch with his boss and champion, for he has his cellphone number. Nevertheless, how do we explain the absence of the coach’s cellphone? I have the feeling that this could be related to his divorce. (chapter 5) When his wife suddenly blocked him, he got shocked and hurt. And don’t forget that we have another person traumatized with a phone call: Kim Dan, who got abandoned during that day. (chapter 19) Thus this observation made me think that the coach could have something in common with Kim Dan. And that’s how the champion will demonstrate his strength to his hyung. Contrary to him, he didn’t accept the divorce so “easily”. In fact, he is fighting for the doctor in his own way. The problem is that he is his own worst enemy.

Interesting is that each time the MMA star was seen in the backseat(chapter 49), Jinxphiles could never view the driver. (chapter 5) According to my theory, this should be the coach. And the latter lost his wife despite his success. Now, Jinxphiles can grasp the discrepancy. Though the coach is the driver, he is not the one with the upper hand. In reality, he is putting his faith and trust in his passenger, Park Namwook. How so? It is because he is viewed as the counselor and expert. And how is the manager reacting to the fighter’s change of behavior? (chapter 56) He doesn’t look worried, scared or despaired. In fact, he is pretty calm, the opposite to this scene: (chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. (chapter 56) Finally, his comment is full of hidden criticism: “I haven’t heard from you…; You haven’t been coming…”. He is reproaching his star to neglect his work, though he is still in recovery. I have to confess that Park Namwook’s short scene drove me hot and crazy 🔥😂 One thing is sure: Despite the outcome of the last match, the hyung has not made up his mind to change his routine at all. But he is not realizing that this phone call represents a turning point in their relationship. How so? It is because if the champion switches his phone number (chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection (chapter 5), no money (chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5. (chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, (chapter 56) just like the doctor tried to show his appreciation to Joo Jaekyung with the gift: (chapter 55) The physical therapist hoped to get recognition, gratitude and acceptance from his soulmate. That’s the reason why I perceive this conversation over the phone as a reflection from that scene: (chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere.

But let’s return our attention to the champion. In episode 46, he denied the importance of intel on the impact of a match. Hence I deduce that with the doctor’s vanishing, he is learning another tough life lesson. It is important to get to know his roommate and even to converse with him. This is something he didn’t do in the past. I will explain below why. On the other hand, the contrast between 46 and 56 reinforces my conviction that one of the schemers knows about the champion’s fears and past. Thus the fighter was more and more confronted with the past thanks to doc Dan. So by unlocking his past, the fighter not only gets released from his mental prison, but also will be able to detect his enemies in the future.

To conclude, the car and the phone in Jinx symbolized not only the champion’s powers, but also his “identity”. When he was driving his auto, he thought, he was independent and as such the owner of his “life”. He thought, he was controlling his life. He was the famous and rich MMA fighter. Yet, this was just an allusion. The routine was there to make him forget his painful childhood. So by seeing him alone in the street (chapter 56), I feel like he is about to lose everything. Destruction is necessary so that the sportsman can rebuild a new life. The vanishing of his routine was also a necessity, because the athlete needs to include Kim Dan in his life. That’s the real definition of “living together”.

Back, silence and prejudices

Though the athlete is appearing lost and weak on the street, his mind-set oozes the opposite. Determination!! He knows what he wants: (chapter 56) He wants to meet his companion again. He already describes him as a need. This implies that the hamster has almost become a “necessity ” for the celebrity. On the other hand, these words expose that the fighter is still not ready to meet his fated partner. How so? It is because his words divulge the absence of “conversation”. In the beginning, he wished to talk about his feelings to Kim Dan so that he could get closure. (chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: (chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image (chapter 55) as a reflection from the one in episode 22. Nevertheless, this represents the sportsman’s prejudices about the doctor. But contrary to doc Dan in episode 22, the wolf wanted to forget him. In other words, he refused to become curious about doc Dan. This means that he initially regressed, as he made the wrong decision. However, it was a necessary step for the fighter, for the latter has always put himself under pressure: he was such a perfectionist. That’s the reason why I interpret the following image (chapter 56) as a mini-confession from the manager. He is gradually admitting that he doesn’t know his boy that well. Yet, he still puts the blame on the main lead. On the other hand, I believe that the manager in this picture should be seen as a reflection from the champion’s mind: (chapter 56) He believes to know his hyung, that’s why he trusts him so much. Hence he is willing to expose his vulnerability and despair: (chapter 56) He expects no contempt or shock from him. He anticipates acceptance and tolerance. But is this man willing to overthrow his conscience and integrity for his “champion’s sake”? Since he is portrayed as eyeless, it implies the champion’s prejudice and blindness. He doesn’t know his manager that well either: the man is rather a coward and a child than a mature father. Thus I started wondering how Park Namwook would react to this request. Will he accept it? Keep in mind that the main lead is not saying that he wants to hire doc Dan, it is only about seeing him. And this aspect made me realize why Joo Jaekyung got so upset and scared in the past: (chapter 7) (chapter 32) (chapter 37) (chapter 40) (chapter 43) (chapter 45) (chapter 46) (chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away (chapter 37) or the shocked and wounded doctor’s visage: (chapter 51) Kim Dan’s face which had become his secret source of joy, became a weapon suddenly! It brought him pain. And what did he say afterwards to the doctor in the locker room? (chapter 51) He wished not to see his “face”. The latter had become his “addiction”. Thus his face in tears came to haunt him. (Chapter 54) This nightmare exposed his regret which he tried to deny and bury. At the same time, I have the feeling that his secret desire was to wipe away his tears as well. Nevertheless the problem is that such a love is rather superficial, for people’s body deteriorate over time. What matters in love is a good personality and a good heart. According to Erich Fromm, love is knowledge, respect, care and responsibility. Hence this separation became a necessity for the fighter. Fate had to force him to admit this: (chapter 56) He needs to see his face. A picture won’t be enough or even hear a report about him. Furthermore, he imagines that if he sees Kim Dan doing well, he can get closure and move on. That’s the reason why I think that Joo Jaekyung needs to get a new insight about the doctor or about himself before meeting him. He needs to admit his ignorance and bias. So far, he felt more “pity” and showed more understanding towards the grandmother than towards Kim Dan. The evidences for this perception are the way he behaved towards her: he was gentle, he paid her bills (chapter 21) and almost got shocked (chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.

Joo Jaekyung, a human, a dog or a wolf?

Nonetheless, we could see his wandering in a positive light: (chapter 56) Joo Jaekyung is slowly turning into a real human. At its core, to be “human” involves:

  • Emotional Vulnerability: Humans are not perfect; they experience pain, fear, despair, and helplessness. And that’s how the champion feels in that moment.
  • Complexity and Depth: A human being is defined not only by their achievements but also by their struggles, flaws, and relationships. Interesting is that the reproach from the manager doesn’t get noticed by the champion, as he is too obsessed with doc Dan.
  • Empathy and Connection: Becoming human often involves acknowledging one’s need for others and accepting imperfection.

For Joo Jaekyung, being a star or fighter meant embodying strength, invincibility, and control. These traits distanced him from others, presenting him as more of an ideal or symbol rather than a person. Despair often marks a catharsis or turning point in literature and character arcs. It is the moment when a person realizes their limitations and confronts their authentic self. By experiencing despair on the street, Joo Jaekyung steps away from his constructed image and embraces his real identity. He is no longer just “the fighter” or “the star”; he is a man who can lose, suffer, and feel deeply. This coincides with the dropping of his routine and the neglect of his duties. His life is now chaotic, as the protagonist started forgetting his title and career. The manager could think, his boy lost his sight on what truly matters. The reality is that his life has always been meaningless and aimless. He always felt emptiness, but the title masked this emotions. His obsession with the doctor is bringing to the surface his hidden struggles and fake believes.

However, I don’t think that the man has reached the bottom yet. How so? It is because he is still relying on his “hyung”, money and power: (chapter 56) Moreover, by utilizing the expression “by whatever means necessary”, he is asking his hyung to disregard morality and laws. It was, as if he was encouraging the manager to throw over board his conscience and integrity. It looks like he is encouraging his manager to behave like Director Choi Gilseok: spies and connections. (chapter 46) But the hyung stands for “conformity and social norms”. Moreover, observe that Joo Jaekyung is turning his search of Kim Dan into a manhunt “Track him down”. His vocabulary evokes a predatory, almost feral quality, suggesting desperation and a lack of integrity. Readers know why he became obsessed with doc Dan, but is it the same for the manager? The main lead’s words reminded me of the loan shark Heo Manwook, which could let his enemies misunderstand the athlete. He resents the PT and wants to put the blame on him. This moment highlights a significant shift in his character: rather than adhering to rationality, morality, or compassion, he is overtaken by raw instinct, much like a wolf hunting its prey. This explicates why the author created such a panel: (chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. (chapter 56) In this moment, Jaekyung’s words highlight his transformation into someone governed by instinct (desperation to find the doctor at all costs), which challenges the notion of his humanity. His inability to address the situation with trust or compassion reinforces his struggle to act as a “real human” with integrity. The latter is defined as adherence to moral principles and honesty. Jaekyung’s behavior here reveals an absence of both, exposing a darker, corrupted side of his personality. He looks more like a wolf. (chapter 56) This means that he is not showing his true self. And now pay attention to the time and sunlight: (chapter 56) It is the golden hour or better said, between dog and wolf (“Entre chien et loup”). This idiom refers to “at dusk, twilight, nightfall”. At the same time, this idiom evokes this image of transformation and duality, two natures fighting against each other. Is the champion a “dog” or a “wolf”, when it comes to Kim Dan? I had already outlined the huge signification of this time in the following essay: “Magical Hours“. Back then, I had outlined the difference between “golden hour” and “blue hour”: (chapter 17) and (chapter 11). In season 1, the athlete stands for golden hour, whereas Heo Namwook embodies blue hour. “Entre chien et loup” is the time of day when the light is such that is becomes difficult to distinguish between a dog and a wolf, between friend and foe, between known and unknown. Hence I am thinking that if the next episode represents a continuation of that nightfall, it signifies that the champion is on his way to meet someone from the past. Moreover, I detected that the pavement is the same than in front of the gym: (chapter 56) (chapter 35) (chapter 48) As you can see, this detail made me realize that the next chapter should contain reflections from episode 35 and 48, the meeting with an old/new acquaintance. I am writing new and old together on purpose, for Director Choi Gilseok had been the halmoni’s loan shark, but the “hamster” had no idea. Choi Gilseok is the boss of Heo Manwook. If this encounter takes place, it signifies that on the one hand, it will cause pain and suffering to the athlete, on the other hand, this incident will become a “blessing in disguise”, for it will push the champion to reflect and mature. That’s how I had the following revelation. Why did the author ensure that the MMA fighter’s shoulder would get badly injured? (chapter 52) It is because this exposes the champion’s bad coping mechanism. The champion always uses his fists, therefore he doesn’t reflect and as such analyze his emotions. (chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. (chapter 56) However, he is not talking about love and gratitude yet. Without his left shoulder, he is forced to use his brain and as such his third eye. It is important, because it implies that the fighter is gradually learning how to control his emotions. Compare his attitude on the street (chapter 5) to the one at the gym from episode 5: (chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: (chapter 56) That’s the reason why I believe that in the next episode, the fighter won’t act on his feelings like in the past. But there exists another common denominator between episode 5 and 56. The athlete’s request mirrors the situation in episode 5. (chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. (chapter 5) It was not worrisome in his eyes, because his day would consist of training and punching the sandbag. The problem is that the fighter is no longer coming to the gym and he is not even calling him: (chapter 56) While the contrast between episode 5 and 56 reflects their growing gap and gradual separation, it seems to indicate that Park Namwook will follow the athlete’s request. He would have two reasons for this: money and hope that this would give some closure to his boy so that the latter can focus on his “training” again. But by following his request, he could expose his “connection” which is linked to the champion’s past. But I could be wrong. He could refuse it, for this request sounds so scary and immoral. Notice that the author didn’t let her readers hear his answer. We will see. Finally, it is important to recall that the fighter is dressed differently and he is more on the mode “listening” than “seeing”, as he had to hear the answers from his investigation: (chapter 56) Notice that even at the end, readers were not even able to see the PT’s faces: (chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? (chapter 48) He got manipulated by his eyes! They used a trick to deceive the athlete: delivering the truth in delay. Joo Jaekyung didn’t confront Kim Dan, because he saw the pictures as proofs! He never tried to hear his side from the story. And now, you comprehend why I am expecting that the champion will suffer another “blow” in the next episode. In my opinion, he will hear an important information. The fire in the illustration is there to indicate “Tabula Rasa”, a clean state. Joo Jaekyung has to lose all his principles and his bias about doc Dan. But for that he needs to face his own past and mistakes. Only through this effective anguish, he can become a better man, a new man.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: To Give🎁 or To Take? The Subtle Battle of Love ❤️ and Power 🥊 in Jinx

The trigger for this essay were quotes from “The Art Of Loving”, a book written by Erich Fromm. In my essay “The Art Of Loving” I had already introduced the German-American socio psychologist, psychoanalyst, sociologist and humanistic philosopher, where I presented his definition of love: Care, knowledge, respect and responsibility. However, notice that the title of my analysis is “To give or To Take?”, which was inspired by other books from Erich Fromm: “To Have or To Be?” and “Escape From Freedom”. The reason is simple, the quotes led me to his other theories which give explanations to the origins of unhappiness or happiness. There he outlined the problems of our modern society and gave advices how to lead a good life. This brings me back to the Korean Manhwa Jinx, where (un)happiness is in the center of the story. As the seme and uke are both really miserable despite their different social status. Both believed to be jinxed. The reality is that they were trapped, and their unhappiness was the result of their own bad choices. How would Erich Fromm explain this?

1. Masters and Slaves

In works like Escape from Freedom and The Art of Loving, Fromm suggested that humans often avoid the responsibility of true freedom by conforming to societal norms, seeking authority figures to follow, or focusing on material gains. This “escape from freedom,” as he called it, results in a loss of autonomy and self-awareness, keeping individuals from mastering their own lives. While Fromm believed we have the potential for self-mastery, he cautioned that this requires a conscious rejection of limiting social pressures and a commitment to self-discovery and personal responsibility. Under this new perspective, my avid readers can grasp my selection for the heading. Freedom defines the distinction between a master and a slave—those with freedom have agency, autonomy, and control over their choices, while those without it are subject to another’s will and have nothing to give to others. It highlights how freedom is fundamental to self-determination and power, establishing a boundary between control and subservience.

1. 1. The poor child and dog

And if you read my previous analysis “Sound Of Water “, you should have realized that Shin Okja embodies the slave who chose to escape from freedom. Thus she blamed life and others (“we”) (chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk (chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. (chapter 53) As a slave, she can not become responsible for Kim Dan and his life. However, she is wrong here again. She was not entirely powerless. She could have talked about her experience with the ocean, she could have loved her grandchild more properly so that Kim Dan wouldn’t have to suffer from abandonment issues and a low self-esteem. Yes, love is something free and no one has control over the emotions of a human being. Due to her lack of self-awareness (Peter Pan Syndrom), she influenced her grandchild negatively, and the latter became a copy of herself: trapped in the past, living in an illusion and rejecting reality. Funny is that by relying on Kim Dan constantly, she was actually teaching her grandson to become accountable and independent. She was entrusting her life into his own hands. Consequently, the main lead chose to accept the deal from Joo Jaekyung during their first night and later asked for a higher salary. Finally, at the end, he chose to leave the penthouse out of obligation (chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.

On the other hand, we shouldn’t overlook one important aspect. The halmeoni asked for a favor from Kim Dan, and her wish is actually the expression of her own will. In other words, she is making a choice and as such becomes responsible for her own destiny. She can no longer say that life or others had a saying in her desire and choice. That’s the reason why during that night, she turned Kim Dan into a puppy dog. (chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: (chapter 53) The grandmother is now the master of her own life and Kim Dan’s. On the one hand, just before her death, she is learning to become accountable for her own life, even though I still have my doubts that she is really realizing the consequences of her choice. She is still chasing after after an illusion. As you already know, I am anticipating a rude awakening fron her part, as she can not escape from reality and her own mortality. On the other hand, with her request, she gets responsible for her grandchild’s career, and someone could criticize her for making him quit. She didn’t take his job’s obligations into consideration. Simultaneously, this image illustrates a relapse of Kim Dan. He is once again trapped, though he wished to be freed. Thus he wrote this to Joo Jaekyung: (chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. (chapter 53) So the athlete could come to the realization that his departure was related to the grandmother’s sickness and dying wish, a new version of episode 20 and 21. However, even if the fighter helps the grandmother, he can not entirely free the physical therapist. How so? It is because the doctor has to free himself, breaking free from conformity and his own psychological constraints (lack of confidence and as such courage). And the best evidence for his servitude mentality is the absence of his love confession to the athlete. He disguised it behind gratitude. (Chapter 45) But how can he change his condition? I will give the answer below.

1. 2. The release of the rich slave

As you can imagine, the person I am referring behind this heading is the champion. Interesting is that in the story, he received the title “Emperor”. (chapter 14) Yet, the reality is that despite his wealth, he is not free at all. Actually, he reminded me of a Roman gladiator. Gladiators in ancient Rome lived under challenging and contradictory conditions. Although they were often slaves or prisoners of war, some achieved fame, wealth, and admiration comparable to modern-day sports stars. Successful gladiators could earn prizes, attract fan followings, and even enjoy certain luxuries within their restrictive lives. However, they remained under the control of their lanista (manager) or the state, with little freedom to make personal choices. They could not select their opponents or refuse combat, and each fight carried the risk of injury or death, underscoring their vulnerability and lack of autonomy despite their celebrated status.

This comparison between the main lead and a Roman gladiator reinforced my negative perception about Park Namwook. He acts as the owner of the athlete (chapter 40), though the gym belongs to the celebrity. But let’s return our attention to the American-German philosopher. The latter pointed out the importance of self-awareness and the rejection of materialism and social pressures (authority figures, conformity) in order to become truly free.

This aspect is really important, because the athlete Joo Jaekyung is a homosexual which represents a huge taboo in the MMA world. Remember my hypothesis that the jinx could also be an excuse in order to hide his own sexual orientation. (chapter 2) Therefore sex is linked to prostitution and work. Back then, this had nothing to do with pleasure, sensuality and entertaining. It was revolving around power and domination. That way, he wouldn’t appear as weak, he is not controlled by his sexual desires and emotions. That’s how it dawned on me why the champion has been denying the existence of feelings in his past relationships. Naturally, it is possible that he got his heart broken before, but it is also possible that he could never live out his own true homosexuality. Note that his father figure, Park Namwook, has no idea about his sexual life. The athlete could fear to disappoint him. This raises the question how the manager will react, when the athlete’s secret is exposed. Should he request from his boy to organize a conference and deny the allegation there, he would divulge not only his lack of loyalty, but also his hypocrisy. Why? It is because this is something he should have organized after the last match. A conference to expose the existence of schemes. But everything got swayed under the rug. On the other hand, I deduce that if the topic of sodomy is brought up in season 2, there is no ambiguity that both main leads won’t give in to conformity and external pressure (even in the form of threats). Why? It is because during season 2, both characters will come to be true to themselves. That‘s how they can become master of their own life.

This signifies that in order to go on the past of self-mastery, the champion needs to break free from materialism (chapter 41), from his manager’s influence (father figure) and even from the MFC world (authorities) !! What is the common denominator between these three persons? MONEY! (chapter 50) Hence the last match was not cancelled in the last minute. The athlete is not fighting out of fun and passion, but out of obligation and survival. He is trapped in a world where money is everything. Thus he was always pushed to accept any challenger despite his injuries. That’s how I realized why the athlete always suspected Kim Dan of being greedy. It is because he projected his own thoughts onto his partner. However, this negative perception was definitely influenced by his “hyung”, we have the best example in episode 46. Due to Park Namwook, Joo Jaekyung was the one who was constantly thinking and talking about money in front of Kim Dan. (chapter 26) No wonder why he got so surprised by Kim Dan’s reaction in the locker room: (chapter 51) He was disarmed by a single question and a shocked and disappointed face: (chapter 51) The question implied that the doctor had been trusting him.

1. 3. The “lanista’s” chains

We had another perfect example of “Escape from Freedom” in episode 43 at the restaurant. Note that Park Namwook underlined that the fight was the champion’s decision (chapter 43), yet he added shortly this comment: : (chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. (chapter 43) (chapter 43) This is a sign that he was not “enjoying the present”. In my eyes, with his comments, he was actually ruining the party. Fortunately, no one paid attention to his words except the physical therapist and Yosep. By talking like that, he gives the impression that he is caring and paying attention to the fighter. Yet this is just an illusion, for he is not focused on the present. He neglected his duties, therefore the schemers were able to bring drugs to the champion’s rooms. (chapter 49) Notice that he was afraid of an outburst from Joo Jaekyung in the locker room, therefore they were restraining him. This was no real protection. I am suspecting that the manager is trusting MFC and its organization. In addition, his obsession with the future explains why the athlete’s mental health has been neglected by the coach and manager. As a conclusion, Park Namwook is himself trapped in his own world: money, fear of the future and the champion‘s retirement which means the end of his own career as manager and coach. Therefore he is pushing his fighter to race against time. It is only a matter until his boy gets injured!!

This means that we should see the athlete’s suspension as his moment of release. He is no longer forced to fight. He is “abandoned” by MFC, fans and even by his manager (chapter 53). The latter announces that his “boy” can take a break. What caught my attention is his idiom. The suspension got turned into a break which sounds much more positive. Interesting is that break is not only a synonym for “rest”, but also for “opportunity, chance”. This new discovery reinforces my previous interpretation: the loss of his “title” and his suspension are in verity an escape to freedom. Why? It is because he is no longer exposed to manipulations and external pressure like in episode 36: (chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. (chapter 53) This means that the fighter was acknowledging the “uke” as an important member of Team Black. In addition, he was recognizing Kim Dan’s effort and talent as PT. Moreover, it exposes the absence of change in Joo Jaekyung’s mentality. He was still “thinking” of work and fighting. It displays that the protagonist had not realized the true signification of his suspension yet. Hence the doctor’s departure was necessary. Joo Jaekyung is forced to think about his fated partner, making him forget his work and his career. His “obsession” with Kim Dan will push him to stop being a workaholic. But there is more to it.

By leaving the city behind (my prediction), the champion’s not aware that this trip will become a spiritual journey where he will discover his true self. But for that, meditation is required. In my opinion, the grandmother’s illness should serve him as a wake-up call. He spent a lot of money on her treatment, but she couldn’t be saved. It looks like he never visited her again. Should he see her again, he could get shocked. From this (chapter 21) to this (chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.

2. The ability to love

Far away from medias, public eyes, the agency and his manager, he can discover a different world: the West Coast and nature. And this brings me to a quote from Erich Fromm:

Through this statement, we have the explanation why Joo Jaekyung can love and why he couldn’t love Kim Dan properly in season 1. The fact that he lived alone in the penthouse is a proof of his independency (chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.

In addition, this quote exposes the absence of “unconditional love” from the grandmother. (chapter 53) So far, she could never be alone, she always needed the assistance of others: Kim Dan, the doctor, the nurse, Joo Jaekyung. She always relied on others (“we”, “life”). But it is also the same for Kim Dan who has always been listening to people, as his desire was to get accepted. His conformity led him to experience misery, as he lacked critical thinking. He never questioned people’s words, decisions or behaviors. Only thanks to his soulmate, he started changing. His psychological restrains were his abandonment issues and his low self-esteem. That’s the reason why their love couldn’t flourish in season 1. Nevertheless, Kim Dan still had a good disposition for being capable of loving someone, exactly like his fated partner. He could live on his own as well.This signifies that their future love relationship won’t be toxic, as they won’t be needy or dependent on each other, the exact opposite between the grandmother and Kim Dan or Joo Jaekyung and his hyung Park Namwook. However, this doesn‘t mean that they won‘t help each other.

I am quite certain that the fighter must have noticed the doctor’s low self-esteem in the letter. Therefore he felt bad for his reproaches and lack of trust. Remember that the champion never expressed a compliment or even showed gratitude towards the doctor. (chapter 43) In episode 1, he gave a positive feedback (chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: (chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: or like this: And what does the hand symbolize? The latter symbolizes gratitude and love! Hence the grandmother took the MMA fighter’s hand in order to thank him. (chapter 22) (chapter 22) As a conclusion, love and gratitude represents the key to freedom and as such to power. And now, you comprehend why The Art Of Loving can not be separated from „Escape from Freedom“.

2. 1. Love and Power

This explains why the famous author declared this:

This means that by giving, the person feels strong and powerful. Why? Fromm views the act of giving not as a depletion of oneself, but rather as a fulfillment and actualization of one’s capabilities. The productive character, according to him, doesn’t define himself by what he possesses or hoards, but rather by what he can give to others. It is his heart which defines his strength. Giving becomes a way of affirming one’s own power and abundance, showcasing that true fulfillment is found in one’s ability to be generous, creative, and life-affirming. Notice that the author contrasts generosity with passivity. By giving, the person becomes proactive and is no longer passive. In the past, I had described Joo Jaekyung as a person suffering from “inner passivity” [For more read “Couch Confession”]. As soon as I read the quote from The Art Of Loving, I realized why the champion disliked receiving presents (chapter 45) so much and preferred organizing a charity event for his birthday . (chapter 41) Being on the receiving side makes him feel weak and powerless. He is reduced to become a passive man. Furthermore, we shouldn’t overlook that such presents are not entirely selfless. Companies or admirers have expectations from Joo Jaekyung, earning some money or getting his attention. At the same time, these presents are strongly connected to his title and fame as champion. Thus they are not taking into consideration about the athlete’s dislikes and likes. Thus he was offered a bottle of wine (chapter 12), though he is no drinker or he doesn’t eat cakes. (chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. (chapter 18) Here, he hoped to see gratitude on his fated partner’s face, but it didn’t happen like he imagined. Yet, notice that despite their argument, Joo Jaekyung proposed to the main lead to live with him in the penthouse: (chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. (chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: (chapter 18) He had to, because the man was now living with him. Joo Jaekyung feared that his roommate could come to take advantage of his new position and even consider this place as his own. As you can see, the champion had long discovered the power of giving to others. Yet his problem was that he couldn’t live out this principle: he was either exploited or he has no family or close friend so far.

And now, let me ask you one question: who likes giving presents in Jinx? One might reply Kim Dan and Choi Heesung. The doctor and the actor have both something in common. (chapter 30) They both desire to be acknowledged and appreciated. (chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. (chapter 31) (chapter 31) Furthermore, the actor gave these things for one reason: it was to obtain the doctor’s heart or to maintain his good image as a celebrity. In other words, these gestures were not selfless at all. This explains why the athlete was so weary of such “gifts”: a return of favor or a service. But the comedian is not the only one donating things. Naturally, it is the manager Park Namwook. (Chapter 26) (chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? (Chapter 37) This last scene is terrible, for this purchase happened behind the boss’ back. Naturally, everything was bought with the company card!! In other words, Park Namwook’s generosity is fake, for he is not spending his own money. After this new realization, I started wondering if the athlete’s negative attitude towards Kim Dan is not the consequence of Park Namwook’s behavior as well who takes it for granted to spend money on the athlete’s account. Why did the champion anticipate an expectation from Kim Dan, when he received the keychain? (Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. (Chapter 45) Kim Dan had not only followed the stans‘ behavior, but also listened to Park Namwook‘s words constantly. ’ (chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss (Chapter 46) The tension reached its peak in that scene: (chapter 52) The manager imagined that he could act like in the past (recurring to force), for Joo Jaekyung was „used“ to take his slaps. That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay.

(Chapter 26) The sparring in episode 26 represents the positive version of giving a punch and taking it. The fighter was not upset about his defeat, moreover he was acting like a real teacher asking the physical therapist to overcome his own fears. On the hand, the slap at the hospital embodies the opposite notions: resent, no real teaching, no reflection, no listening, the one slapping is not overcoming his own fears and vents his anger. The give and take in episode 26 was happiness, true generosity, self-awareness, while this slap displays misery, anger, ignorance: (Chapter 52) True generosity, for Kim Dan had risked his health for the sake of Potato. (Chapter 26) The contrast not only exposes Park Namwook’s fake generosity, but also his greed and selfishness. For me, he missed the opportunity, as at the gym, Kim Dan took the chance, when the athlete was distracted. Hence in my opinion, chapter 52 was the turning point in their toxic relationship. Moreover, it signifies that the manager lost his special position as hyung. Far away from the gym, Joo Jaekyung will see Kim Dan under a different light, maybe even as a true role model, for he is wearing his heart in his hand.

2. 2. The wolf, the hamster and the world

But Erich Fromm wrote this about love:

For Fromm, love transcends a personal or exclusive attachment to one individual; it is a universal force that connects the self to humanity and existence as a whole. True love, in his view, is inclusive and expansive. It’s not a possessive or isolating sentiment but rather one that opens the lover to the wider world, fostering a connection to humanity and, ultimately, a deep acceptance and love for oneself.

Thus I come to the following conclusions: the moment the doctor and the champion admits their affection for their fated partner, they won’t be suffering from self-loathing or low self-esteem. But there is more to it. If you keep the quote in mind, you will realize that the champion’s affection for Kim Dan was not true love. [Like mentioned above, he couldn’t love properly] He couldn’t stand the idea of sharing his partner to others. (chapter 7) (chapter 43) He needed to seclude him from the others. But where does this possessiveness come from? In my opinion, it is not just the result of his own insecurities, but also the influence of the bad role model he had: Park Namwook. First, only in chapter 45, the manager sent congratulations from his family: (chapter 45) This means that Joo Jaekyung was never treated like a real family member. Then, due to his bad portrait of Joo Jaekyung (chapter 9), the manager kept creating a bad image of the athlete: brutal, moody, maniac… but the reality is that the man is actually generous and caring, like mentioned above and the coach knew this. Hence he could lie without any remorse: he is a savior and the gym owner. Moreover, the athlete can speak well and be polite. (chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: (chapter 43) (chapter 52) The one who raised him like that is actually him: (chapter 7) Therefore I conclude that this possessiveness and obsession with Kim Dan is the result of the manager’s influence. Park Namwook treated him like a possession. And this brings me to my next part. How to become happy? One might reply: by loving someone. However, how can Joo Jaekyung drop his insecurities and open his heart like that? As you can see, we need another explanation.

3. The guide for happiness

Erich Fromm’s philosophy in To Have or To Be? revolves around two fundamental modes of existence: the having mode and the being mode. These modes represent distinct ways of interacting with the world, structuring relationships, and understanding one’s identity.

I am posting this video which I found very well made. Funny is that the blogger used a haiku to illustrate the difference between the being mode and the having mode.

3. 1. The Having Mode

In the “having” mode, identity and value are based on possessions and control over objects, people, and even oneself. The having mode is characterized by:

  • Possession and Ownership: One’s self-worth and sense of security are derived from what one possesses—material wealth, status, knowledge, even relationships. (Chapter 40) This explicates why the manager is happy in this scene. Thanks to him, he earned a lot of money and felt recognized.
  • Security in Stability: Individuals in the having mode seek to secure their identity through accumulation, feeling stable only when they can cling to things.
  • Alienation and Objectification: Relationships and experiences become objects to be owned or controlled, reducing people and emotions to mere assets.

Fromm argues that the having mode can lead to anxiety and insecurity because possessions can always be lost or taken away. It fosters competitiveness, isolation, and a fixation on external validation, ultimately stunting genuine self-growth and connection with others. Under this light, Manhwa-philes can grasp why the athlete, pushed by his mentor, kept accepting fights after another. The champion was suffering from self-loathing, but in order to get recognition and admiration from his hyung, he needed to win. Notice how gentle and proud the man was after the victories (chapter 15), but as soon as his idol lost his title and got even suspended, he yelled and slapped his fighter: (chapter 52) Why did he not blame the cheaters who had tricked Joo Jaekyung and framed the physical therapist? If you read my previous analyses about the coach, you will certain recall about my diagnosis: he seems to suffer from decidophobia. But as you can see, the man is unhappy, for he is living in the “Having Mode”. Hence he is taking no risk and letting the athlete make decisions. Furthermore, it explains perfectly why the manager lied to the members here: (chapter 22) Since his relationship with the main lead is so secure, he could claim the gym as his own. Notice how he treats the members here: he’s putting them under pressure, threatening them. Everything is revolving around competition, seriousness and greed. Why doesn’t Joo Jaekyung mess with his weight and nutrition? It is because his hyung made sure that the latter would fulfil all his expectations. He needs to be ready for the next fight. Why was the manager not present here? (chapter 43) This exposes his lack of engagement and indifference in the end, but this becomes even more obvious during the night: (chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. (chapter 43) But the best evidence for this interpretation is this image: (chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money.

This highlights the danger of building identity around possessions and the resulting vulnerability. And how did Park Namwook define himself in his life? He was a coach, a manager, the owner of Team Black…. (chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight (chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. (chapter 43) Joo Jaekyung would have to pick himself up, Park Namwook wouldn’t be there in order to assist him. Why? It is because it represented his own fears. Don’t forget that he is a former wrestler and athlete. He must have experienced it. The end of his boy’s career represents the end of his own career. Hence I am suspecting that the real savior of Park Namwook was the fighter himself, as the latter offered him an opportunity to find a good job.

But there is more to it. Why did the coach neglect doctor Kim Dan (chapter 40) in the States and even at the gym? (Chapter 43) It is because he doesn’t view the uke as a possession contrary to his „boy“. Why? It is because the young man doesn’t bring money or contribute to boast the manager’s self-esteem. In fact, Kim Dan is an expensive PT and the manager is aware of his high salary. Moreover, contrary to the hamster, Park Namwook was never seen in the penthouse, and the celebrity refused to invite the members. This is a clue that the champion could have refused to invite his coach there. The doctor’s stay at the penthouse is something Park Namwook discovered by accident. (Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. (Chapter 53) Here his gestures and words should be judged as lip-services. He can even rationalize his departure: bad luck, they save a lot of money, for the next PT will have a lower salary. In addition, Kim Dan was treated as the celebrity’s possession, therefore he used him as a tool in order to compensate the actor. The manager is definitely imagining that once the break ends, things will work like before. (Chapter 53) Here, I feel the need to add that though I am portraying the coach in a rather pejorative light, I am not saying that he is a malicious or evil man. My point is that he needs to change and realize his wrong-doings. As long as he lives in this mode, he won’t be able to be happy: always in the fear of losing his possessions. So should a separation take place, it is possible that the distance brings more clarity and helps them to improve their relationship. However, I have to admit that I wished to witness a real argument between the hyung and his pupil. A new version of this scene: (chapter 17)

Interesting is that the sociologist stated this as well:

With this observation, it becomes comprehensible why the coach not only used violence against the athlete but also pushed the main lead to be rough with his own body. (Chapter 43) It is not random that Mingwa showed a rough manager while complaining about his star. She was implying his responsibility for mistreating his body in this scene. Park Namwook needed to prove his superiority over the celebrity to justify his position. And he used the fighter’s good heart, trust in him and social norms to manipulate his prize and possession. As a conclusion, both characters have a toxic relationship, exactly like between the halmoni and Kim Dan.

But Kim Dan was not different from the manager. He also lived in the mode of “having”. Hence once he earned money, he would buy gifts to others: (chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „Click 📸: Between Fleeting illusions and Enduring Realities“ I had outlined that all the objects in the flat would belong to the grandmother (Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her: (chapter 41) And this brings me to my next important revelation. The grandmother never said thank you to Kim Dan. She either apologizes (chapter 53 ) or makes it sound like a reproach „Spoil me to death“. There is no THANK YOU. She didn‘t give him her hand like in episode 22 with the celebrity as well. But there is another detail that caught my attention: the nurse mentioned the paid bills (chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: (Chapter 22) She didn’t express the reason for her gratefulness. She didn‘t bring up the hospital bills, but she knew about it. In other words, when she showed her gratitude, she was in reality just thanking him for his company. That‘s how Kim Dan perceived it first and we should do it as well. To conclude, the grandmother is not really thankful, when it comes to money. Exactly like the manager, she takes it for granted. In fact, she gave him the yoghurt which was offered by the hospital. (chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? (chapter 45) (chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her. (Chapter 41) Despite her rebuke she actually doesn’t meant it. She never actually told him to stop or rejected Joo Jaekyung‘s generosity. Instead, she made the following request to her grandson: (chapter 41). He should treat the sportsman nicely (“do good”). Kim Dan is the one who should be indebted to Joo Jaekyung. However, observe what she said in front of her grandchild before: she was the one who was grateful to the main lead, and not Kim Dan!! (chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.

As you can see, she delegated her “gratitude” to her relative. Hence no wonder why Kim Dan chose to work hard for the keychain. He had to “work hard” in order to repay the huge debt (the trip to the States, the hospital). That’s why I come to the conclusion that the grandmother doesn’t represent true gratitude. She is similar to her male version: putting the responsibility on others and using words as lip-services. Simultaneously, this new discovery exposes another cause for her own suffering: she was also living in the mode of „having“. As my avid readers can notice, all the characters in Jinx were living the wrong way.

And this brings me to another aspect: Kim Dan’s diploma as physical therapist. In the having mode, education is centered on acquisition and possession of information. Knowledge is seen as something to be accumulated, memorized, and quantified—often in terms of grades, certificates, or degrees. Hence the doctor thought for a brief moment to take a MMA trainer seminar. (chapter 22)

Focus on Outcomes Over Process: Success in the having mode is defined by external achievements, grades, or credentials, rather than by actual understanding or personal growth.

Competitive Learning: Students are encouraged to see education as a competitive endeavor, where success often involves outperforming others rather than cooperating or collaborating.

Dependency on External Tools: This mindset can make students more prone to relying on shortcuts like cheating or using AI to complete assignments without really engaging with the material. In this context, tools like AI might be used to bypass learning rather than deepen understanding, reducing education to a means to an end.

Lack of Internal Motivation: The focus on external validation makes intrinsic motivation scarce. This dependency on external rewards may undermine creativity, critical thinking, and the desire for genuine understanding, as students prioritize “having knowledge” over “being knowledgeable.”

Kim Dan was not a proud PT. In fact, he had no problem to take a job as a courier. For him, the diploma was just a piece of paper. Why? It is because he was not truly motivated to become a PT. His choice was influenced by his halmoni and his financial situation. He was doing it for the money: (chapter 1) In other words, he was not passionate about his profession. This means that he didn’t define himself as PT due to his lack of engagement and low self-esteem. Besides, let’s not forget that he judges people based on their social status and seniority. I would even add, the main lead had not recognized the existence of his own skills (knowledge, genuineness and dedication). But by working for Joo Jaekyung, he came to enjoy his job. This explicates why he kept buying books. (chapter 53) He likes not only his job now, but also learning as such. This is no coincidence that education in the mode of “being” means that the focus is on learning and developing skills. Hence I still see a change in the hamster at the end of season 1: (chapter 53) He is defining himself by his skills: he is a PT!! Money plays no longer a role. He is about to live in the mode of „being“.

However, there are other students in Jinx. Fromm’s explanations about human psychology made me realize why many members from Team Black left the gym soon after the champion’s loss and bad PR: (chapter 52) In this panel, the author let us see glimpses of their motivation and thoughts. For them, the champion has nothing to teach them, since he lost his title and is injured. This shows that they are only interested in the outcome, success and as such fame, but not in the process, how to become skilled! In other words, they see “success” as a possession. He has no title, then he has nothing to offer. They are all living in the mode of having, which can only lead to misery and even self-destruction. No wonder why they were not too upset or shocked, when they heard that the game had been rigged. But what led them to make such a decision?

Naturally, the manager played a huge role in this. The gym gave the impression that by being by the athlete’s side, they would become successful as well. Park Namwook contributed to this wrong evolution, for he didn’t confront the fighters with reality: he made false promises. (chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: (chapter 25) and (chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important (chapter 36) than their training and career. Moreover, he kept bribing them with junk food (chapter 26) or new jackets or towels. He was only interested in getting new members, but not in developing their skills. This explains why he treated Seonho so well: (chapter 46) The latter was a new source of income and fame. Everything was revolving around money. That’s how it dawned on me why the manager got angry for the bet in episode 26: (chapter 26) We shouldn’t judge his words as a verity, he was just using the doctor as a false excuse. The reality is that the sparring had brought no money at all! This fight was strongly intertwined with fun. The notion of „entertaining“ stands in opposition to money. Fun means feeling emotions and being to true one’s self. In other words, Kim Dan stands for a different notion of MMA fighting: the sportsmen shouldn’t work for money, but for fun. They are artists too. This signifies that as time passed on, the members of Team Black lost their passion for fighting (chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.

3. 2. The Being Mode

In contrast, the “being” mode focuses on authentic self-expression, inner fulfillment, and experience rather than ownership. Key aspects include:

Living Authentically: People in the being mode derive meaning from their experiences, creativity, and actions, rather than from acquiring or possessing. That‘s why fun is so important. And who embodies fun in Jinx? Naturally Heesung (special episode2 ), but also Cheolmin (chapter 13) who likes making jokes. That‘s how I came to understand why Cheolmin appeared only one time in season 1. He will come to replace the manager: (chapter 13)

Dynamic Engagement: This mode emphasizes growth, spontaneity, and a deep, active engagement with life. Here, identity is fluid and self-renewing, driven by inner growth rather than external gains.

Connectedness and Compassion: Fromm sees the being mode as fostering a sense of unity with others and the world, as it’s grounded in compassion, shared experience, and a true sense of community.

The being mode fosters qualities like love, empathy, joy, and creativity, enabling individuals to experience life in a richer, more meaningful way.

Cheolmin stands for understanding and trust in humans. He criticized the man first, but he didn‘t imply that he had done it with bad intentions. Secondly, he believed his sunbae, (Chapter 13) when the latter denied his responsibility. This shows that the man doesn’t mistrust people. He has faith in humans. And in this short scene, the doctor shows alle positive notions mentioned above: love, empathy, joy and creativity. Therefore I come to the following interpretation: he embodies the being mode. No wonder why he was not present in season 1. The main lead was definitely obsessed with work. Hence the moment Cheolmin’s path crosses Kim Dan’s, the funny doctor should become the hamster’s new role model.

3. 3. The Larger Philosophical Context

Fromm’s philosophy reflects a critique of modern consumerism and materialism, which, in his view, has led society towards the having mode. He argues that this mode is ultimately destructive, as it alienates individuals from their true selves and from others. The being mode, on the other hand, aligns with the principles of humanistic and existential philosophy, emphasizing the pursuit of self-actualization, meaning, and interconnectedness.

Fromm warns that without a shift from “having” to “being,” society risks falling into moral and psychological decay, driven by the insatiable quest for possessions and power. And we can observe this in Jinx. MFC and the medical world (chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating. (Chapter 49) Thus he thought, the athlete had earned his title the same way. His fights were rigged, yet the verity is that the idol worked hard to achieve this level. The irony is that The Gunshot experienced much too late that his assumption was wrong. (Chapter 52) His shaking is exposing his fears. Like mentioned in the past, I am anticipating that The Shotgun will avoid a new fight with the celebrity.

Thus I interpret these two panels from Mingwa like this: They embody the mode of being. The hands are touching each other directly. They are not attached by money. Moreover, the hands express positive emotions and thoughts: support, gratitude, honesty, tenderness, acceptance and more importantly trust and fun. They are enjoying the present moment. Mingwa announced with these images the happy ending for these two characters who thought that they were jinxed. The reality is that they were responsible for their own misery.

This work urges a reassessment of values and priorities, where personal growth and human connection take precedence over material wealth and social status. And that’s where Joo Jaekyung is standing now. (chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun?

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