Painter Of The Night/The Pawn’s Revenge: The witch and the lustful spell (part 1)

This is where you can read the manhwas. https://www.lezhinus.com/en/comic/pawn https://www.lezhinus.com/en/comic/painter But be aware that these manhwas are a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents of Painter Of The Night: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ As for The Pawn’s Revenge, this is where you can read other essays: https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

Warning: I used the German version Snow White “Schneewittchen” as basis. Hence I translated myself the quotes.

Everything started with this panel: (chapter 22) The protagonist starts viewing himself as the main character from the fairytale Snow White. Hence he comes to the conclusion that since he is Snow White, then there must be a hunter and a witch, the famous stepmother of Snow White. (chapter 22). That’s why he believes that Do Seong-Rok is the huntsman, while Jeon Hee Seong is the witch, because the former didn’t kill him. The former prostitute had planned to get rid of the young man, as he represented a source of danger for her. That’s why she ordered the killing to her lover. Soon after the release, an user asked Evy who was the Prince in this story. The author replied by denying his existence in this story.

What caught my attention is that there are more references of Snow White in this manhwa, like for example the presence of the shared apple. (chapter 24) Thanks to The Pawn’s Revenge, I came to recognize that even Painter Of The Night has so many common denominators with this fairytale. (chapter 23) That’s the reason why I decided to compare the two manhwas with Snow White. This means, I’ll also explain why they diverge. But for that, it is necessary to explain the fairytale Snow White and its functions.

1. The fairytale Snow White and its purposes

Actually, the focus of this fairytale is the daughter-mother relationship creating some rivalry and jealousy. Though there exists so many stories about this topic (for more read this article https://news.harvard.edu/gazette/story/2020/07/the-tale-of-snow-white-and-what-the-various-versions-mean-to-us/), only two are famous, the fairytale written by the brothers Grimm (19th Century) and the version from Walt Disney, “Snow White and the 7 Dwarfs” (1937).

1. 1. Grimm versus Walt Disney

But the famous psychologist Bruno Bettelheim, who considered tales as very important for the child’s development, looked down on the version from Walt Disney calling it “empty minded entertainment”, as the creators had modified too much the Grimms’ story to the point that it had softened and robbed the meaning of this fairytale. Why did he say that? It is because the darkness from the Grimms’ version had totally disappeared. The stepmother in Walt Disney’s version doesn’t eat the lever and lung of a boar boiled in salt in order to keep her beauty, or she doesn’t asphyxiate Snow White with a lacing strap. The jealousy had turned into more in a rivalry and competition because of beauty. Besides, the movie focused on fated love too, for the prince met Snow White as a child. As you can see, the prince plays a bigger role in the movie. For Bruno Bettelheim, only the Grimms’ version is the true one, as it truly deals with the oedipal complex.

The oedipal complex is when a young daughter feels jealous of her own mother, she is unconsciously attracted to her father. But since having such feelings is forbidden, she projects her own jealousy onto her mother. That’s why the daughter feels that her mother is jealous of her. The darkness from the child is now personified by the “mother”. I need to add that the German authors turned the mother into a stepmother in the second version. For Bettelheim, the fairytale helps a child to overcome the negative emotions (oedipal complex, jealousy, rivalry), it also helps him/her to understand the world around by giving him/her a meaning to life. Furthermore, it explains to the young daughters the future transformation unconsciously: it announces the adolescence and adulthood through sexuality. We have to imagine, when Snow White lives with the dwarfs, she is protected growing up in an environment free from sexuality. So when the Queen offers the apple and both are eating from the same apple, Snow White discovers sex and temptation. The apple is a reference to the bible. And now, you comprehend why I choose such a title. The Queen is a witch introducing Snow White to sexuality. As you can see, Bruno Bettelheim judged the fairytale from the point of view of a psychologist. Yet what he failed to realize is that fairytales have other functions.

1. 2. Fairytale and History

First, fairytales were not written for just children, but also for grown-ups. They were supposed to teach lessons to the adults.

They were meant to entertain adults while they were spinning, sewing, repairing tools, and doing chores late at night. John Updike tells us that fairy tales were the television and pornography of an earlier age, and a story like that is revelatory about the true uses of enchantment.” quoted from https://news.harvard.edu/gazette/story/2020/07/the-tale-of-snow-white-and-what-the-various-versions-mean-to-us/

How to deal for example, when a lord betrays or abandons a servant? Here, I would like to outline that the notion “family” is strongly connected to the house, and as such a household including the staff. Imagine that Snow White is a maid. Remember that the Queen acts as a lord, the head of the house, so when she orders Snow White’s execution, the young girl can only escape from this terrible fate thanks to the hunter’s fake generosity. This story shows that a servant or even daughter has no right, the lord can do whatever he wants. He won’t get sanctioned. And this remark leads me to the following statement. Bettelheim didn’t recognize that fairytales actually reflect history and the society of their period.

And now, you comprehend why the Disney version was less brutal, more romantic and the Dwarfs were portrayed as rich but hardworking miners. When the American author released the fairytale, marriage in America is associated to love. There exists the myth about fated love too. In addition, American society is promoting free market economy and hard work: American dream. Therefore we see the Dwarfs working so hard in the mine while singing. In the other version, it is just said casually. The parents are supposed to protect their children from any kind of violence, the children have even rights. Consequently the cruelty was removed. Moreover, motherhood is considered as sacred, while in the past, it was different. In the 18th Century and even before, parents didn’t ponder on how to raise their children properly. There were neither psychologist nor pediatrician nor educationalist. The children just needed to learn how to act and dress according to their social status. They were treated like small adults. However, slowly from the end of the 18th Century on, government and as such society started perceiving children differently, as a tool for their own politics. Napoleon created lycées (high schools) in order to increase his army. He promoted education, while in truth he misused it for propaganda and indoctrination. My point is that when the brothers Grimm published Snow White, people treated young children differently than in 1937 in the United States. In Germany, adults used fear to control the children!

Die gar traurige Geschichte mit dem Feuerzeug von Heinrich Hoffmann
This is a story from the Struwwelpeter written by Heinrich Hoffman. As you can see, the girl plays with the matches. Her disobedience leads to her death. She gets burnt. The lesson is that if you should listen to your parents’ words because if not, you can die. These lessons are quite gruesome but reflect the mentality of that period. Fear is used as a tool to get submissive students.

Secondly, violence was a way to expose the children to the brutality of their world (there were many revolutions in Germany in 19th Century). But there’s more to it. And we have a proof that Snow White from the brothers Grimm reflected the society of the 19th Century: the presence of a lacing strap.

But the old woman quickly laced and laced so tightly that Snow White lost her breath and thought she was dead.”

It was a reference to the corset. Young girls would try to lace their corset so tight that they could faint. This was one of the lessons in Snow White: “Don’t lace the corset to tight, because you could have the same fate than Snow White!” This explicates why Walt Disney didn’t include this scene in his story. The corset had vanished from fashion a long time ago. How did I realize that old fairytales are a mirror of the past? It is because when I was a P. A. of a History professor, I was asked to translate his essay about the definition of House and Foreign in late Middle Age and early modern times, and he used the fairytale “Town Musicians of Bremen” from Grimm as an example. The servants were indeed part of the House, once they were old, they would be thrown out of the mansion. The house was a synonym for family, like I mentioned above. During the Middle-Age, European cities, like Bremen, became more and more powerful leading to their emancipation from lords. Bremen like other cities became independent, hence the city councils could hire hire their own musicians. Though this fairytale was written in the 19th Century, it let transpire the social norms and mentality from a previous period. That’s why I came to the conclusion that Snow White must also reflect society from the 19th Century. I could give you another example.

In the Grimms’ version, the presence of sexuality was hidden, because it was symbolized by the apple. Since religion occupied a huge place in the 19th Century, people knew the bible. Consequently they could comprehend the message. But the moment Snow White ate the apple, she discovered sex. But note that she fell into a deep sleep right away. Once she woke up due to an accident occurring during the transportation of the coffin, Snow White had already found her husband, the prince. The latter had selected her as his bride, as he couldn’t forget her. The prince had even asked for the dwarfs’ permission.

Then he said to the dwarves, “Let me have the coffin, and I will give you what you want for it.”

In other words, this fairy tale was promoting marriage of convenience and the interdiction of sex before marriage, while in the Disney version we have the opposite message. Since the prince kisses the protagonist, before he marries her, it implies that sex can occur before marriage.

Thus even if I consider that The Pawn’s revenge and Painter Of The Night are new versions of Snow-White, they can only be different. Now, sexuality, sexual education and homosexuality are no longer a taboo. That’s the reason why there is no hidden message concerning this topic. As a conclusion, the stories will reflect Korean society or modern society as such. The stories will teach lessons to the readers and give meaning to their life, but only if they decide to ponder about these stories.

This truly exposes that Grimms’ and Walt Disney’s Snow White is just a mirror of the past. But don’t get me wrong: these fairytales are still useful. First, like Bruno Bettelheim, they help children to forge their own identity and to navigate in the world as moral compass. Since the characters are black (evil) or white (good), the children can easily differentiate between right and wrong. Simultaneously, the fairytales prepare them to recognize that reality is more complex. We have the perfect example in Snow White (Grimm) with the huntsman.

1. 3. The lesson taught by the huntsman

It seems that people only remembers him as a good-hearted man, as he had pity and disobeyed the Queen’s orders. But what many don’t know or overlooked is that the huntsman embodies cowardice and selfishness. In truth, he is just a weak-hearted person and a hypocrite.

“And because she was so beautiful, the hunter took pity on her and said, “So run along, you poor child!” The wild animals will soon have eaten you, he thought, and yet he felt as if a stone had rolled from his heart, because he did not need to kill her.

He acts kind and benevolent in front of Snow White, while in reality he envisions that she will die. At no moment, he wants to save her. She survives, because he doesn’t want to feel guilty and fate is on her side. This means, he just refuses to become responsible for her death. Others will do it for him. That way, his Queen won’t notice that he disobeyed. And notice that the moment the stepmother discovered that she had been played, the huntsman’s disobedience was not punished. Why? It is because she didn’t discover it right away. She ate the lung and lever believing that these were the parts of Snow White.

As you can see, the fairytale was teaching the meaning of fake kindness, cowardice and hypocrisy. But the irony is that in the latest movies, the huntsman was turned into a hero! In addition, it also exposes the “powerlessness” of the Queen. The huntsman could fool her due to her obsession. Simultaneously, it teaches that disobedience doesn’t lead to a death sentence. Here, I would like to point out that after the end of World War II, many German soldiers or guards from camps of concentration claimed that they didn’t dare to disobey. They just followed the orders they had received as a justification for their misdeeds. The reality is that it was just a myth. Historians could prove that no one got executed or no one was forced to become a guard in a camp of concentration.

1. 4. Definition of a fairytale

Because of these parallels between The Pawn’s Revenge, Painter Of The Night and Snow White, I wondered if the manhwas could be considered as fairytales. The presence of violence or sexuality can not be judged as evidences that they can not be fairytales, for they are considered as old form of pornography, destined to adults too. So what is the definition of fairytale?

The story must contain the following elements:

  • The presence of magic and supernatural beings: witch, animals acting like humans, fairies etc.
  • The characters are seldom given a precise identity. The characters are portrayed very briefly. They are associated to features, like for example, the Queen embodies vanity, superficiality and jealousy.
  • The existence of trials, the heroine has to go through different bad experiences in order to grow and mature.
  • The place and times: They are usually not defined in order to give a timeless dimension.
  • The ending: People usually think that all the fairytales have a good ending, but this is not true. The fairytales from Andersen (The little Mermaid, the little Match girl) have often tragic ending.

According to this definition, The Pawn’s revenge can’t be considered as a fairytale, for there is no magic. But I would like to point out that The Pawn’s revenge still contains some “supernatural elements”. Lee Je-Oh compares the serial killer to a grim reaper (chapter 1) or a god. Then the characters are often associated to animals: dog, mutt, snake, horse, pig, elephant, chicken (chapter 2). Furthermore, the figures in this story are perceived as living pawns of Janggi. (chapter 12) Finally , I compared Jeon See Heong to a mermaid (chapter 6) bewitching her prey. On the other hand, the figures have a precise identity. The time and the place are quite defined. As for Painter Of The Night, it looks like the same. We know the birthdays of Yoon Seungho and Baek Na-Kyum and there’s no magic or supernatural elements. Yet, we sometimes see the presence of magic and a lustful spell. Imagine, in this scene we have the impression that the painter’s spirit summoned the Ghost Seungho to approach him. Striking is that this repressed desired got fulfilled. While he had his eyes closed, the lord approached him. Another positive aspect is that the time and space are not defined. It’s just Joseon period, but that’s it. The mention of Hanyang can not be seen as transgression, because remember that there exists the fairytale Town Musicians of Bremen. The town has no name. Byeonduck said that her manhwa was not a historical story, but she found her inspiration in History. Besides, the trials of the two protagonists are more in the center, while Lee Je-Oh and Do Seong-Rok have already struggled, before the story starts. Consequently, Painter Of The Night resembles a lot more to a fairytale than The Pawn’s revenge, though the sentence “once upon a time” is missing.

On the surface, this comparison seems pointless, yet I wanted to expose that these stories might not entirely correspond to a fairytale, they still resemble to Snow White. Just like the fairytales, the manhwas can have a deeper meaning, for they serve the same purposes: Teach lessons to adults, incite the readers to question their own society and social norms, develop a better understanding of psychology, encourage them to become more committed, less indifferent to injustice, more thoughtful and not judge people too quickly.

1. 5. The ingredients of Snow White

In order to be able to contrast the stories to the fairytale, it is necessary to list all the elements present in Snow White from the brothers Grimm. Besides, this version resembles more to the manhwas due to the sexual content. Seduction and temptation are more obvious. Nevertheless, I will not just list the characters and the relevant items present in the fairytale, but also the topics while giving some explanations:

  1. The 7 Dwarfs: owners of mines
  2. The presence of a witch (The Queen as the stepmother in the original story)
  3. The huntsman
  4. Snow White: Dark hair, white skin and red lips.
  5. The prince: a symbol for marriage
  6. The mirror of truth
  7. Arrogance and vanity: She keeps looking at her own reflection in the mirror. She feels entitled to be the most beautiful.
  8. Hidden fears and anxieties: The Queen still doesn’t believe her own eyes, hence she needs a confirmation from the mirror of Truth. In reality, the mother is full of insecurities, that’s the reason why she desires a confirmation.
  9. Reflection and critical thinking: She doesn’t ponder about the reason why the mirror of Truth is telling her that Snow White is more beautiful. She doesn’t distinguish between seeming and being.
  10. Jealousy and rivalry
  11. Oedipal complex
  12. Guilt and responsibility: Because the hunter didn’t want to feel guilty, he refused to follow the order. Yet he didn’t save her as well. Notice that the stepmother and the hunter desired to put the responsibility on others. The Queen blamed her step-daughter for her failure, whereas the huntsman desired to delegate the dirty work to others (animals). Both showed no true remorse in the end. The Queen failed in her quest, because she never reflected on her own actions. She is definitely responsible for her own failure and misery.
  13. Loyalty and betrayal: While the Queen betrays the daughter, the huntsman does the the heroine and the Queen. He is only loyal to himself and his own interests. Despite the discovery of the scheme, she doesn’t punish him, she vents her anger on the protagonist. On the other hand, Snow White still has a good impression of the huntsman.
  14. Neglect: the father seems inexistent and he doesn’t intervene.
  15. Obsession and blindness: The Queen is determined to become the fairest that she doesn’t understand what the mirror of Truth is telling her. She misunderstands the message: the mirror of Truth is telling her that “Schneewittchen” has the better personality. She is a 10000 better than the Queen, as she is more kind and selfless. The Queen doesn’t recognize her true personality.
  16. Abandonment: Notice that Snow White is sent away to woods in order to get murdered. This gesture symbolizes abandonment and betrayal. But the Queen is not the only one to blame. The father doesn’t seem to miss her disappearance as well. He neglects and abandons his daughter.
  17. Selfishness and fake altruism
  18. Death and murders
  19. Hypocrisy: Snow White never discovered the huntsman’s true personality.
  20. Cowardice
  21. The presence of justice and injustice: While the huntsman escaped a punishment, the Queen was sentenced to death: “Iron slippers had already been heated over a fire, and they were brought over to her with tongs. Finally, she had to put on the red-hot slippers and dance until she fell down dead“. This means that the real perpetrator was only caught many years after the crimes. And it is, because the huntsman had told her what the Queen had ordered him to do. She relied on his testimony. But the protagonist never discovered the true thoughts of the huntsman. Yet, like I mentioned above, the hunter was not innocent. He might have committed no big crime towards Snow White, yet he was definitely a sinner and had not a good heart. According to our actual laws, the huntsman has perpetrated a wrongdoing: non-assistance of a person in danger. The moral of this fairytale is that true justice will never happen immediately or even worse: there exists no real justice.
  22. Ambition and Greed: Her quest to be the most beautiful exposes her greed. In fact, her fight is pointless, as she can’t fight against aging. She is already doomed to failure.
  23. Unconscious/conscious: Here, I would like the readers to keep in mind that according to Bruno Bettelheim, the fairytale was speaking to children’s unconscious, while the adults can learn lessons from this story consciously.

And now, it is time to analyze how similar the manhwas are to Snow White.

2. The Pawn’s revenge

As this essay is already long and to outline the similarities, I will put the common denominators to bold. Simultaneously, I will follow the list developed above by examining the main figures.

2. 1. The 7 Dwarves

Since the 7 Dwarves are owners of mines and seem to be very rich, I couldn’t help myself connecting these supernatural creatures to the following characters: Contrary to the fairytale, they embody not innocence, generosity, selflessness and chastity, but the opposite: sex, hypocrisy, corruption, selfishness, ruthlessness and immorality. They are not owners of mines, but they possess brothels which reminded me of chicken farms . They don’t live surrounded by nature and among animals, but in the city. The animals are the humans, they are treated like chickens. In other words, they stand in opposition to the dwarves of the fairytales: corruption, urbanization, poverty and misery. They don’t work themselves, but let others work for them like slaves. Yet they act, as if they were normal citizens abiding laws. This explicates why Ma Jong-Seok hides his affection from Snow White. He can’t be labelled as homosexual. The dwarfs, associated to different vices, symbolize the negative aspects of free market economy and the problems, when the government is not strong enough or too corrupt to stop such an evolution. I could even say, we have here the negative reflection of Snow White and the 7 Dwarves from Walt Disney. Motherhood is no longer sacred, the kids are exposed to any kind of abuse. Snow White is now held captive in the mansion of the dwarves! He is exposed to exploitation, the perverted version of Grimes’ version. In the fairytale, the young girl was supposed to take care of the house in exchange of protection, here we have the opposite: Enslavement. The male prostitute has no choice. But what they didn’t realize is that the witch would betray them. Hence I consider the apple as the tool the witch used to get rid of her rivals! The fruit served as a diversion, she was busy listening to their affairs so that she could develop her plan to climb the social ladders.

2. 2. The witch

Since Jeon Hee Seong was the one who introduced Do Seong-Rok to sex, she can definitely be seen as the witch and evil queen. She seduced him with her experience and insight. She could read him like an open book. She knew that he was so pure and innocent, hence she compared him to a lamb. Her resemblance to the evil mother explains why she is seen with the apple. However, unlike the fairytale, the fruit doesn’t symbolize sexuality, but betrayal. She is actually spying on the boss of the red light district and his minions. She behaves exactly like the Queen, as she is not longing for warmth and love. But her wish is still different, as she wishes power and wealth. Yet, they resemble each other, as both felt somehow powerless. In the fairytale, the absence or passivity of the king, Snow White’s father, gives me the impression that the evil Queen could have been a neglected wife, and the lord selected her as his new wife, out of convenience. He needed to have a wife by his side, and couldn’t remain as a widower. She was treated like a trophy explaining his absence. But because he married her for her beauty, it signifies that she had no power. Her appearance was her source of strength, and now you comprehend why she became obsessed with her image. If she lost her beauty, she would become even more powerless than before. She had nothing else to do. Jeon Hee Seong was forced to marry Choi, and while the Queen from Snow White was neglected, the witch was abused by her husband. So both were unhappy in their marriage and life. This explains their desire to get power in their own way. As the manhwaphiles can detect, both witches have something in common: ambition and greed, though Jeon See Heong uses her beauty differently. She is aware of her own attraction and has no fear or insecurities. She doesn’t need a mirror to tell her how beautiful she is. Her body is her tool, not the mirror. Yet both have another aspect in common: they try not to do the dirty work themselves. Both hire a killer, the only difference is that due to the huntsman’s betrayal, the Queen learned her lesson. She had to do it herself, if she wanted to get rid of her rival. And this leads me to the following observation. The witch from The Pawn’s revenge has two reasons to use others for her dirty work. First, she is no queen, hence she could get charged with murders. Secondly, if we use the fairytale as a parallel, she could have a similar mindset than the huntsman. She doesn’t want to feel burdened by guilt, notice that she is never facing the consequences of her order and decisions. She didn’t see the corpse of her dead husband and the gambler Lee Soon-Cheol. She just communicates through a cellphone. Besides, even Do Seong-Rok felt uncomfortable after killing two people. Hence I perceive Jeon Hee Seong as less bloodthirsty than she appears to be. She could be more of a coward.

On the other hand, in the manhwa the witch is still relying on her lover, Do Seong-Rok. She got angry, when she realized that he had disobeyed her and let him become responsible for Lee Je-Oh. However, it is just a matter of time, until she gets aware that Do Seong-Rok is no longer bewitched by her. In chapter 26, he can no longer have sex with her. Hence we have a parallel with the fairytale: the allusion of aging and change. The woman is no longer attractive to him, because he has perceived her true nature. She manipulated him and he got aware that she was fake. With this, we would another similarity with the fairytale, the distinction between seeming and being. He realizes, that her promises were all an illusion. In this scene, the manhwaphiles can sense her witchcraft.

And since Jeon Hee Seong has already chosen Ahn Jae Oh as her official partner due to his social position, it becomes understandable why her relationship with Do Seong-Rok was doomed to failure. I would say, since the police officer is on the verge to become a congressman, the protagonist could only appear weak to her. His strength were his loyalty and blinded trust. Consequently Ahn reminds me of the king from the fairytale, while I perceive Do Seong-Rok not just as the huntsman, but also as a second Snow White. First, he had dark hair and a white skin like the protagonist. Secondly, he was as pure as Snow White. But since he was neglected and had abandonment issues, he longed for maternal warmth and love. In the Korean version, we see his father promising to come back, an indication that he had no mother. Hence I judge, Do Seong-Rok’s relationship with the witch was a form of an oedipal complex. She served as a surrogate mother, that’s how much he longed for a mother and family. The manhwaphiles will realize the common denominators: neglect and abandonment perceptible in the beginning of the fairytale. Secondly, note that Do Seong-Rok had changed the color of his hair, when he met her again. That’s why I deduce that the card she gave him should be perceived as the apple from the fairytale. (chapter 16) With her appearance, her words and this card, she casted a spell on him. That’s why he was so full of lust during their second encounter. The red hair could be judged as the indication of the lustful spell. Simultaneously, this color implies the loss of virginity and the beginning of adulthood. The most fascinating is that in the bedroom, two colors are prevailing: red and white, which coincidences to the red and white side of the poisoned apple from Snow White. The witch’s beauty was so strong that he had to transform himself. (chapter 16) This was his desire to resemble her, to get closer to her. Since he was a man, the witch didn’t see him as a rival. This explicates why she didn’t feel jealous at all. But for me, there’s no ambiguity that she filled the void left by the missing mother. Hence, since he was having sex with a surrogate mother, this can not be considered as the real discovery of sex. I conclude that when he met Lee Je-Oh, he discovered real sexuality. That’s the reason why he can no longer have any erection with the Queen. If we judge The Pawn’s revenge as a fairytale, then it teaches, homosexuality is a normality. He didn’t know about this, until he saw the male prostitute having sex with the pimp and felt aroused.

Moreover, by sleeping with him, Jeon Hee-Seong somehow committed a sin. Let’s not forget that she was already married. The woman embodies evil, for she promotes cheating, betrayal, murder, selfishness and avidity. Her ambition is to become the Queen of the red light district. This means, the readers are witnessing the raising of the evil mother, who is on the verge of becoming the Queen! But due to her greed and ambition, she doesn’t realize her own blindness. Her arrogance makes her overlook the male prostitute, Lee Je-Oh. She trusts too much her beauty, and believes to be smarter than others. Thus her arrogance is the reason why she will fail in the end. She showed her true face to Do Seong-Rok too soon, when she showed her anger, because the huntsman had disobeyed her order. The man could see a glimpse of her true personality. Due to his past experience, he had learned his lesson. In addition, she is underestimating the power of love. Thus she had planned to betray and abandon her lover, but she doesn’t anticipate the killer’s betrayal. Exactly like the stepmother, she is not reflecting on her own actions. She didn’t pay too much attention to her words over the phone and the consequences. The absence of critical thinking will be another reason why she is doomed to fail: too obsessed to reach the top. She has the impression, she is almost there, the presence of the ring offered by Ahn is the proof of her success. And now, you can see why I saw so many parallels with the fairytale.

2. 3. Snow White and the huntsman

Naturally, this is not surprising that Lee Je-Oh considers Do Seong-Rok as the huntsman. The latter’s actions resemble to the ones from Snow White. Yet, unlike the hunter, the red-haired man has not a weak heart, but a good heart. He is not a coward or a hypocrite. He can feel pity, and doesn’t fear to dirty his hands. On the other hand, he has nightmares, as his unconscious is telling him that he made the wrong choice. And in this scene, we have the presence of conscious and unconscious. He shouldn’t have listened to his lover’s suggestions, but he is still in denial. That’s the reason why he keeps starring and looking at the letter with a fake confession. Hence I believe that contrary to the hunter, he feels some remorse, as he senses that he has been tricked. In my opinion, by sleeping with her, Do Seong-Rok got tainted by her darkness. This explicates why when he strangled Ma Jeong-Sok, he had an erection. And remember that in the Grimms’ version, we had the presence of a lace in connection to Snow White. And this reinforces my interpretation that the killer is actually more a combination of both characters: the huntsman and Snow White. He has become the “perverted version” due to the Queen’s influence, he is her step-son. Striking is that Lee Je-Oh is giving him another interpretation of his wrongdoings: he liberated him from his prison and misery.

2. 4. Snow White and the mirror of Truth

Since Jeong Hee-Seong resembles a lot to Lee Je-Oh, he appears to be indeed the real Snow White. Exactly like Do Seong-Rok and Snow White, he has dark hair, a white skin and red cheeks. Moreover, similar to the Grimms’ version, the main lead has been neglected and abandoned by his father.

Their fate seems similar, yet there is a huge difference. The male prostitute learned not to rely on others. When he tried to free himself, he didn’t ask for help, he stabbed Ma Jong-Seok himself. However, he was encouraged to use the knife by the witch, that’s how he discovered her true personality. Her beauty can no longer bewitch him. Striking is that he could already perceive her true personality, even before knowing her true identity.

In my opinion, Lee Je-Oh is actually a combination of the mirror of Truth and Snow White. Through his comments, he is confronting Do Seong-Rok and forcing him to reflect on his actions, questioning his relationship with the witch. But notice that he has a similar attitude with other characters. He confronts Choi Yeong-Gil with his hypocrisy and negative attitude. Just before the pimp is killed, he confronts him with his true personality and sins. He is responsible for the misery and death of many people. Once cornered, the “dwarf” is forced to confess his affection to Lee Je-Oh. Both dwarves had something in common: hypocrisy. Hence you can comprehend why I come to the conclusion, Lee Je-Oh is the mirror of truth. He embodies honesty and loyalty, just like the protagonist, he longed for a home and family.

Hence the huntsman’s “jail” corresponds more to the house of the dwarfs from the fairy tale. It’s the place where love, trust and innocence are protected. Since I have already predicted a revolution, I believe, Lee Je-Oh will give another sense to Do Seong-Rok’s murders. They will try to destroy this corrupted world full of selfishness and greed. That’s how Lee Je-Oh will become the witch’s rival. He will ruin her plan due to his sense of justice. The manhwaphiles will certainly remember that the fairytale is centered on jealousy, rivalry and competition. The young boy was already jealous that he felt the need to steal the killer. Right after having sex with him, he considers Do Seong-Rok as his boyfriend. He compliments him and caresses him, giving him the warmth and affection the killer had been longing.

What also caught my attention is that both Snow Whites are “corrupted”. While the one kills, the other lies, schemes and steals. This stands in opposition to “Schneewittchen” from the Grimms’ version. It is comprehensible, because both protagonists got tainted by their parents. Lee Je-Oh’s father was selfish and had no sense of responsibility, while Jeon Hee Seong desired to use the main lead’s weaknesses (isolation, lack of experience and innocence) to her advantage. This signifies, both are the products of bad parenting and a ruthless and selfish society. So if the two Snow Whites start working together and keep killing others in order to clean society, what will happen to this city? Chaos. But Lee Je-Oh would see it as delayed justice.

2. 5. The absence of the Prince

Why did Evy say that there was no prince in this story? My explanation is the following. Since the prince embodies “marriage” and in South Korea, homosexual marriage is not allowed, there can’t be a prince. Secondly, since I have already portrayed that the two protagonists have two functions, this signifies that both could also be perceived as the prince. They both free each other, as they give each other what they need. In the episode 27, Lee Je-Oh decided to lie to Kang Hyeon-Jong in order to protect his lover. He gave him an alibi and used the video as an evidence. This means that from now on, he is now responsible for Do Seong-Rok, just like the latter is now accountable for Lee Je-Oh’s survival. And since there’s no justice in this world, I believe that the prostitute Snow White will take matters into his own hands and give justice to others. Remember that Snow White sentenced her stepmother to death! This signifies that she gave justice herself.

As a first conclusion, though The Pawn’s Revenge doesn’t correspond to the definition of a fairytale, the manhwa and Snow White are really similar due to the topics and characters. It truly shows that such stories are a great source of inspiration. Then the readers should question themselves why the city and its inhabitants are portrayed in such a negative light. From my point of view, it is related to the huge political scandals South Korea had to face like for example with the president Park Geun-hye, and the economical boom with the development of new districts which doesn’t lead to a diminution of poverty. Then, there was the Sewol ferry incident, where many students died, while the captain and the crew abandoned them. This terrible event caused a huge mistrust in the authorities and the adults’ hypocrisy and selfishness. As the manhwaphiles can detect, I view this story as a mirror of our modern society: the failure of parents as role model, the disintegration of families… Simultaneously, it teaches the same lessons: recognize hypocrisy, selfishness and the importance of reflection. Lee Je-Oh could become the killer’s ally, the moment he recognized his own mistake. He imagined his intelligence made him superior, he underestimated the huntsman’s strong will. He might have felt pity, but he was not a fool, rather a dangerous man because of his strength. He mistook his innocence for stupidity. That’s why Snow White is superior to the witch.

As you can imagine, I won’t write the comparison with the Painter Of The Night here, for the analysis is already so long, however I would like the readers now to ponder on the following question: Who is the witch with her lustful spell, Snow White, the mirror of truth, the 7 dwarves, the huntsman and the prince in Byeonduck’s work?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-Instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

The Pawn’s Revenge: Janggi and life 🔞

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞  Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

In chapter 6, Jeon Hee-Seong compared Janggi (Korean chess) to real life. For her, humans resemble to the pieces of the chess board, where the weakest are doomed to disappear. Striking is that many chess players have a similar approach than her. They all see many similarities between real life and chess.

Benjamin Franklin: Chess teaches foresight, by having to plan ahead; vigilance, by having to keep watch over the whole chess board; caution, by having to restrain ourselves from making hasty moves; and finally, we learn from chess the greatest maxim in life – that even when everything seems to be going badly for us we should not lose heart, but always hoping for a change for the better, steadfastly continue searching for the solutions to our problems. or from the same author: “Life is a kind of Chess, with struggle, competition, good and ill events.”

Charles Buxton: “In life, as in chess, forethought wins.” quoted from https://www.ichess.net/blog/chess-quotes/

Allan Rufus: Life is like a game of chess. To win you have to make a move. Knowing which move to make comes with IN-SIGHT and knowledge, and by learning the lessons that are accumulated along the way. We become each and every piece within the game called life!

1. Jeon Hee-Seong’s perception about Janggi and life

What caught my attention is these men have a different mindset than the character from The Pawn’s Revenge. They have a rather optimistic attitude, whereas the former prostitute seems only to see death. It is a dog-eat-dog world, and if you want to survive, then you need to become ruthless as well. This negative attitude is really palpable, if you contrast it to Allan Rufus’ quote. The latter views the game and life as a place, where people gain knowledge through experiences. Thanks to the practice and increasing maturity, the person is capable to change or anticipate the next moves. In other words, with the training, people can make a different decision. Furthermore Benjamin Franklin, who has a similar approach, adds that even bad events should be considered as lessons and as such a source of motivation to improve the situation. Both authors promote hope, whereas the femme fatale advocates disillusion and defeatism. Hence, for the Korean figure, life is perceived as an endless battle and nothing more. This signifies that in her eyes, life contains no happy moment and has nothing to offer. Since she compares it to a constant war, this signifies that only power matters, as it guarantees survival. I would like to point out that EVY confirmed in a tweet that the femme fatale plans to become a king. This truly reveals that for the former prostitute, dominance is her ultimate goal in life. In her mind, strength symbolizes life. Thereby for her, love has no meaning. Moreover, I also think, she doesn’t believe in values like affection, friendship or respect. The evidence for this the following. Note how many times she utilizes the idiom “kill”, while the male authors outline the importance of insight (“insight”, “foresight”, “forethought” “vigilance”) and wisdom (“knowledge”, “knowing”, “insight”). In other words, while Jeon Hee-Seong is focusing more on action (killing), the other players (Franklin, Buxton, Rufus) privilege pondering and reflection. She is already aiming directly at her final goal: removing the former king and replacing him.

Her pessimistic mindset is particularly perceptible, when she describes the role played by the pawn. (chapter 6) In her eyes, it has no value at all (“the most useless”), whereas the protagonist and student Seong-Rok views the soldier differently: (chapter 13). The latter can be influential, but it depends on its position and the way the general uses it. Sense the contrast between these two descriptions outlining her narrow-mindedness in the end.

In my opinion, her words about the soldier truly expose that the femme fatale is acting under the influence of emotions (fear, resentment, greed). She is not just trying to arouse pity in her lover, her description about real world and Janggi reflect her true thoughts: dark, brutal and painful. That’s why the title of this manhwa is also referring to her, and not just to the two protagonists. She is a pawn and desires to get revenge by becoming powerful. Striking is that many famous intellectuals associate revenge to weak people.

Juvenal: “Revenge is always the weak pleasure of a little and narrow mind” (Roman poet from 2nd Century AD)

Albert Einstein: “Weak people revenge. Strong people forgive. Intelligent people forget.”

Since I described Jeong Hee-Seong as disenchanted and pessimistic, I can’t help myself judging the femme fatale as a weak person in the end. She is definitely short-sighted, as she can no longer be moved by genuineness and affection. Besides, in her eyes, love can not procure protection and power. I have the impression, she views affection as a vulnerability. Let’s not forget that she was backstabbed, hence I deduce that she has become immune to loyalty. All this would explain why she manipulates the red-haired innocent man and why she plans to betray him too.

Her desire to become powerful and as such to get rid of her former “colleagues” is stronger than anything else, therefore Lee Seon-Cheol (chapter 1), her husband, Ma Jong-Seok (chapter 18) are removed within a short time. This explicates why the detective Kang Hyeon-Woo suspects her right away. (chapter 8) But why is the femme fatale neglecting reflection, knowledge and foresight in Janggi?

2. The causes for her negative attitude about Janggi and life

From my point of view, the former prostitute has the impression that she knows everything about life. Through her bad experiences, she believes that she has already understood how life works. I would like to point out that Do Seong-Rok got mesmerized by her due to her insight. She could recognize his personality (chapter 16) and his occupation within a few minutes, when they met for the first time. In his eyes, she appeared as an intelligent woman full of wisdom and experiences. This explicates why he listened to her explanations so carefully, when she was about to manipulate him to kill for her. (chapter 16) And that’s how she definitely views herself too.

3. The consequences

But her attitude is the reason why she will fail. First, she has never heard about the concept of “lifelong learning”. Life is always teaching lessons to people till their death. Secondly, she is overestimating her abilities. Because she understands humans due to her observation skills, she believes that her manipulations will always be effective. However, she is misjudging the importance of love and loyalty, as she is just a disillusioned woman. And pieces from Janggi are different from humans, for the latter have emotions and can think on their own. The pieces in the game board will never switch sides and as such betray their general and king. In real life, it is different. People can change. From my perspective, she is diminishing the significance of change. Do Seong-Rok was an obedient puppy, for he imagined that she loved him. However, once she lost her temper (chapter 12) and showed no loyalty towards him (chapter 12), the young man could only recognize that she was lying to him. (chapter 12) She has no idea about Do Seong-Rok’s past experience (the fake promise and abandonment).

To sum up, because she thinks, she knows everything about men and life, in her mind, she no longer needs to gain more insight, and as such be more prudent. For she has internalized that weak people are just pawns that can be easily discarded, she is already viewing her lover Do Seong-Rok as such. For her, he is just a tool, and once he has fulfilled its functions, she can sacrifice him. That’s why she describes him in a very rational way to her second lover officer Ahn. (chapter 11) The red-haired man is perfect for her plan, as his eyes and hands are focused on the game. But what the female character failed to realize is that in Janggi, there exists different pieces: the elephant, the horse, the general/king, the pawns, the chariot and the cannon. Do Seong-Rok is not a pawn in reality.

3. The pieces of Janggi

Striking is that the black-haired woman describes herself as a pawn to her lover Do Seong-Rok. (chapter 6) This means, she portrays herself as vulnerable, implying she needs the protection of a more powerful piece. However, since she gives Do Seong-Rok instructions(chapter 13), this signifies that her true role in Janggi is different. She is the player. Consequently, she is sitting on the one side and takes the pieces. (chapter 6) That’s why I come to the conclusion that in the game itself, she represents the general/king and Do Seong-Rok’s part is to protect her and help her to defeat her opponent. In her eyes, he is her pawn and she is the player. But like I mentioned above, in Korean chess, we have more than just the pawn: the horse, the elephant, the counselor/the guard, the chariot and the cannon (chapter 13). That’s why I tried to identify the killer’s true role in the game board.

3. 1. Do Seong-Rok in the game board

In my opinion, he is the cannon, while his girlfriend is the player. First, since the cannon represents a weapon, it fits Seong-Rok’s role perfectly: he is a killer. Secondly, the cannon in Janggi is the only piece that can jump over other pieces. That’s the reason why it becomes useless, if there are no other pieces to skip over. And this function (jumping over) reminds me of the kidnapping. The killer abducted Lee Je-Oh and Ma Jong-Seok, though the latter was his real target. This kidnapping resembles a lot to jumping over, especially after Lee Je-Oh got spared. And note that the black-haired man is now considered as an ally to the killer. In addition, Do Seong-Rok plans a second abduction: Koo Jeong-Mo. (chapter 13) The moment the protagonist has eliminated all her targets, he will become useless. Consequently, I deduce that when Jeon Hee-Seong plays chess, she is the “king” and Do Seong-Rok is the cannon.

3. 2. Jeon Hee-Seong’s team

As for officer Ahn, I believe, he is her chariot, because he is the one who will procure her connections and power, the moment he becomes a politician. Compare it to the description about the chariot. (chapter 13) Because officer Park is working under officer Ahn, this signifies that he is definitely one of her pieces too: I am inclined to judge him as the horse, though there’s no real guarantee that this is correct. Why? It is, because Park is covering up for Jeon Hee-Seong by giving information to officer Ahn. Besides, the latter mentioned this: (chapter 11). “Some of my guys” is a reference to the lieutenant Park. And remember that the role of the horse is to create a bridge for the cannon. Let’s not forget that Park Gwang-Soo is not really trying to investigate the whole matter, as the victims are all involved in the red-light-district. A real investigation would lead to unveil the corruption among Mijeong police.

I have to admit that I am not very familiar with Janggi, hence my comparison could be lacking. EVY😉😘 might even correct my interpretations, since she has always read my essays and given me information. But one thing is sure. Though the former prostitute calls herself a pawn, she is definitely not acting like one. That’s why she abandons her boyfriend Do Seong-Rok. He is now on his own, since he didn’t follow her instructions correctly, though later she tries to diminish her words by renewing her previous promise: she would ensure to save him. (chapter 12) The beginning of the alienation between the red-haired man and his girlfriend is important, because this announces the creation of a third party. While the head manager of Hongok-Dong Red Light District jumps to the false conclusion that Jeon Hee-Seong represents the third party, he is not realizing that she is just trying to replace the first team. Jeon Hee-Seong plans to maintain the collaboration between Mijeong police and the red light district, yet the involved parties will be changed.

3. 3. The first team

As the victims represent different pieces of the Janggi, this means that they are embodying a team. Koo is the horse, Ma is the elephant, Choi the guard and Lee Soon-Cheol the pawn. However, two pieces are missing in this team: the chariot and the cannon. Since the the head manager of Hongok-Dong Red Light District meets officer Ahn in order to beg for his support(chapter 11), this signifies that Ahn has been working for this team too. In my opinion, he plays the same role than in the other team: he is the chariot. As for the cannon, I will unveil his identity below. But since we have a whole team, this signifies that there’s a general. Consequently, there exists someone behind the victims, the king and player of the game board. To sum up, Jeon Hee-Seong is playing against a person, whose identity has not been revealed yet. How ironic is that when I was writing this essay, the special episode confirmed my theory: The “not yet” is the player using Koo Jeong-Mo and the others as his pieces. Jeon Hee-Seong entered the game and started a war against the first team. She could win over officer Ahn by appealing to his feelings. She revealed the injustice she was exposed too. That’s why Ahn asks Koo Jeong-Moo about the reason for targeting him. (chapter 11) Ahn could understand her motivation. However, she disguises from him that she is stimulated by her greed and ambition too.

3. 4. Do Seong-Rok’s future team

The irony is that the moment Do Seong-Rok took an initiative, his role in the board game got affected. Though Jeon Hee-Seong gave him instructions, she never gave him any concrete indication how to remove her enemies. In other words, the protagonist was more than just a cannon. Striking is that in the beginning, the male prostitute associated him to a god (chapter 2) and a grim reaper, and this connection is no coincidence. This exposes that Do Seong-Rok became himself a player, when he started acting on his girlfriend’s behalf. He had to ponder how to approach and attack his victims. Hence in my eyes, the main lead represents a king/general too.

That’s why we see him facing Jeon Hee-Seong in chapter 6. Note that she asked him to kill in her name and if he did, he would be able to remain by her side. (chapter 6) It was, as if with the killing, he would go to her side, as in that scene he was facing her.

From my point of view, this scene in chapter 6 is important, as it somehow announces that they will become rivals and fight against each other. One might argue, the fact that the killer was sitting in front of his girlfriend is just random and has no real signification. Nevertheless, I would like to point out that right in the beginning, the murderer placed people like on a board game. For me, this is another clue that Do Seong-Rok is not just a cannon, but a player himself. (chapter 1). It was, as if he was observing a game and predicting moves. Furthermore, he observed Lee Je-Oh for a long time and questioned his role in this team. This truly shows that the main lead was pondering a lot. I would like the readers to keep in mind the advices given from the chess players: foresight, forethought, prudence and vigilance. Moreover, there exists a interrogation point in the image of the male prostitute, which shows that the main character was thinking about Lee Je-Oh’s role in that game. Furthermore, the former could impose himself through his strength in front of Lee Je-Oh. (chapter 12) The latter made the mistake to overestimate his situation and his skills. He imagined with his observation skills and schemes he could prove his superiority and loyalty, but the red-haired protagonist punished him for his “betrayal” and “arrogance”. The red-haired man embodies physical power and is the final authority. Finally, if you observe the way Do seong-Rok taught his new ally Lee Je-Oh about the game, you’ll sense that their position reflects the actual situation: they are sitting on the same side in front of the game. (chapter 13) which contrasts so much to the scene with the former prostitute in episode 6. Since Lee Je-Oh is giving advice to the young criminal (like not leaving any evidence (chapter 13) or not answering Jeon’s calls, I view him as a guard and counsellor. At the same time, he is offering his help to capture the pimp Koo. Hence I consider him as Do Seong-Rok’s horse too. As you can observe, the red-haired man and his lover will play different roles in Janggi. However, right now the two main characters are still working for the femme fatale, but it is only a matter of time, until they build their own team and work for their own survival and ultimate goal.

Besides, let’s not forget that I have already predicted a revolution (chapter 1) from the male prostitute, for the latter has still a strong sense of justice. He has never forgotten the victims of Ma Jong-Seok. (chapter 18) And strangely, Benjamin Franklin was also involved in American Revolution:

War is when the government tells you who the bad guy is. Revolution is when you decide that for yourself”. (Benjamin Franklin)

With this quote, it becomes obvious that at some point, Do Seong-Rok will realize that his girlfriend is no angel either and the so-called bad guys (Koo, Ma, Lee and Choi) aren’t the only ones responsible for the existence of the Red Light District. (chapter 8)

3. 5 The special role played by the lieutenant Kang Hyeon-Woo

This is the only character I haven’t mentioned so far. However, I believe, he will play a major key role in the story. Why do I think so? My reasoning is that the young police officer doesn’t belong to any team. He represents a source of danger for officer Ahn, hence the latter got worried, when he heard about his presence. (chapter 11) According to his reaction, the manhwaphiles can deduce that the detective has lived himself in the city before moving out to Seoul. In other words, he is coming back to Mijeong and is determined to remove corruption in the city and police. Since Player 1 (Not Yet) will be aware that officer Ahn has already sided with Jeon Hee-Seong, there’s no doubt that he will try to use Kang Hyeon-Woo to target Jeon Hee-Seong and her helpers. An investigation about the murders in the city is definitely necessary for the player 1. However, since the lieutenant chose to leave the city in the past, this signifies that he suffered himself some injustice in the past and as such was a victim of the king from team 1. Therefore Kang Hyeon-Woo has to ensure that he needs to unveil the whole truth.

Simultaneously, I have the impression that Do Seong-Rok and Lee Je-Oh might use the detective for their own advantage too. Let’s not forget that Ahn judges the lieutenant as a threat. (chapter 11) It is even possible that the femme fatale decides to use the detective for her benefit too, when she believes that it’s time to get rid of Do Seong-Rok. That’s why I believe, the detective will be the lose cannon in the board game. From my perspective, each time they will try to take advantage of his desire for truth and justice in order to divert the attention from their own crimes and wrongdoings.

And now, it is time to summarize the discoveries/interpretations I made about the different teams:  

Player/GeneralNot YetJeon Hee-SeongDo Seong-Rok
HorseKoo Jeong-MoPark Gwang-SooLee Je-Oh
ElephantMa Jong-Seok? 
Guard/counselorChoi Yeong-Gil?Lee Je-Oh
Chariot? (Officer Ahn)Officer Ahn 
Cannon(Kang Hyeon-Woo)Do Seong-Rok (Kang Hyeon-Woo) Do Seong-Rok (Kang Hyeon-Woo) 
PawnLee Seon-Chool Lee Je-Oh (lure Koo) 

As you can notice, the team members can definitely switch sides and the characters can play different roles in the board game. From my perspective, the readers will witness the rise of Lee Je-Oh, his influence over Do Seong-Rok will keep increasing.

I am predicting this due to the character’s personality: he is observant, intelligent and can react quickly to new situations. Therefore he can anticipate moves from the others. As a conclusion, both original pawns, Do Seong-Rok and Lee Je-Oh, will take revenge on the persons responsible for their suffering. That’s why EVY chose this picture as an illustration for her story: And at the end, they will “destroy” this world, just like in the picture. Their reason is simple. They are not aiming at gaining power and wealth. For them, freedom and love matter more.

PS: Dear @EVY, if there are some errors, you can notify me. I tried to fill the blanks.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

The Pawn’s revenge: “Femme fatale”🔞

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE: 🔞 Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

As you can imagine, in this essay, I’ll focus on Jeon Hee-Seong corresponding perfectly to the portrait of “femme fatale”. But what does it mean? The idiom comes from French and means “lethal/deadly woman”. In addition, if the manhwaphiles look up, this is what they will find:

Femme fatale: a woman who is very attractive in a mysterious way, usually  leading men into danger or causing their destruction quoted from https://dictionary.cambridge.org/dictionary/english/femme-fatale

To sum up, a femme fatale is a sexually attractive woman who uses her female body as a weapon to defeat her male opponents exposing them to danger and their own destruction. However, the characters are not realizing their own situation, and when they become aware of her true nature, it is already too late for them.

Their fate is already sealed: death. Striking is that a synonym for femme fatale is siren. Why? It is related to the famous Greek story “Odysseus” from Homer, where the sirens tried to lure the protagonist Ulysses and his sailors to their death with their beautiful singing. With their voice, they would incite the sailors to jump into the sea so that the latter would drown.

  1. Jeon Hee-Seong: a new version of the siren from Odysseus

And this leads me to the following observation. A femme fatale is not just seducing men with her sex appeal, but also with her voice and words. In “The Pawn’s revenge” Jeon Hee-Seong is even presented as a siren, when she asks her lover to kill for her sake. (chapter 6) Note how she manipulates him. First, she diminishes her own position. (chapter 6) She is just a pawn, mistreated by men. Besides, they are living in a dog-eat-dog world, hence it is necessary to become ruthless, if they want to survive. (chapter 6) As she is powerless, she needs his help. Alone, she won’t be able to change her position. And with her description, she achieves to move the protagonist’s heart. He is willing to dirty his hands, if it signifies that he will be able to remain by her side. With her request, she is implying that he will find happiness by her side. Nonetheless, the innocent man is still hesitating, thereby he would like a confirmation from her. They will be together, if he follows her suggestion. Yet, she doesn’t answer to his question directly. As the manhwaphiles can detect, a femme fatale is strongly connected to the fake vow of pleasure and enjoyment.

The femme fatale entices, promises and eludes. […] [She] fascinates with her beauty and the inherent promise of happiness […]. At the same time, however, she is perceived as threatening. The danger emanates from the sexuality embodied in her and the involvement in a story full of intrigue.” quoted from Carola Hilmes, Die Femme fatale. Ein Weiblichkeitstypus in der nachromantischen Literatur. Stuttgart 1990“. (translated by me)

In my eyes, the former prostitute’s argumentation resembles to the beautiful singing of the sirens. And when the femme fatale grabs his hand (chapter 6), it was, as if a siren was grabbing the innocent man’s hand in order to drag him into the sea and as such into the darkness. (chapter 6) Moreover, observe the position of her legs, it definitely reminds us of a siren, as her legs resemble to a fishtail. Moreover, if I include the following panel, this perception gets reinforced. Her hair on the bed makes me think of hair under water. Sure, in this panel, she appears in Do Seong-Rok’s nightmare. However, we have to imagine that this situation truly happened. The main lead is realizing in his sleep that he has been tempted and is now in danger. This scene represents a turning point in Do Seong-Rok’s life, as he is slowly recognizing that his lover won’t keep her vow: she would save him, if he needed assistance. He wanted her to become his safety net and comfort. (chapter 16) And now, if you connect this promise with the siren’s temptation, you’ll realize what the abandonment signifies in truth: he will drown and die. He will lose his life and soul. 

2. A siren without eyes  

But let’s return our attention to the picture from chapter 6. Her mysterious appearance is reinforced with the absence of her eyes. In this picture, the protagonist got scared, as he was sensing that the beautiful woman was not like she appeared to be. For me, the black background and the absence of her eyes makes her look like a seductive monster. Simultaneously, it also reveals her fakeness, for the gaze is perceived as the mirror of the soul. Therefore, the panel illustrates that the character without eyes has in reality her own agenda. On the other hand, her words represent a warning, because they are actually reflecting reality. Notice the contrast between the expression “look at the state” and the absence of Jeon Hee-Seong’s eyes. Since there exists no gaze, it means that the main lead can’t see his own reflection in her eyes. With her words, he is reminded that he should use his own eyes in order to recognize his true state and feelings. He shouldn’t rely on the reflection of her gaze. And now, you understand why the killer got scared. For the first time, he was seeing his true self: he was a murderer due to her manipulations. Yet, in chapter 6, he is still in denial after the nightmare. That’s the reason why he rejects Lee Je-Oh’s offer to be his ally. (chapter 6)

This shows that the former prostitute could seduce the young and naïve man with her deceptive gaze, like the readers could witness it in this picture. She gave him the impression that she was admiring him, she would love him. Hence EVY drew such an image: while making love to her, the main lead could see a very positive image about himself. He imagined that he was seeing affection in her gaze and facial expressions (blushing), while in truth it was just a sexual reaction. Consequently, I deduce that a femme fatale is using her eyes to manipulate her preys and victims. The men are projecting their own emotions and desires onto the femme fatale. Moreover, this projection is often linked to fear. The male characters fear that they might lose control of the situation. That’s why officer Ahn gets nervous and doubts her relationship with Do Seong-Rok. (chapter 11) They are puppets of the femme fatale. This angst is truly palpable in chapter 6. Do Seong-Rok got scared, because before he had met detectives looking for Lee Je-Oh, Ma Jong-Seok and Choi Yeong-Gil and couldn’t get in touch with his lover. He felt totally vulnerable. He needed her presence in order to stay calm and find a solution to his problem: the existence of a witness.

3. Victim or perpetrator?

After reading the first two parts of this analysis, the readers have the impression that this is just a rhetorical question, because the answer seems evident. A femme fatale is a perpetrator. However, in truth this is far more complex. Let me give you an example. The first famous femme fatale is Eva. Why? It is, because after listening to the snake, Eva encouraged Adam to eat the apple from the Tree of knowledge. In other words, she “seduced” him to commit a sin. Since the original sin is perceived as a metaphor for sexuality, the woman will lure men thanks to her beautiful body. This explicates why during the Middle-Age, Church looked down on women, as they were judged as the descendant of Eva. In the clergy’s eyes, they were responsible for the eviction of paradise. That’s the reason why from 1450 to 1750, many women were condemned as witches. All the different Churches (Protestant, Catholic, eg.) saw in the female body a source of witchcraft. Let’s not forget that women can give birth and procreation was very mysterious to people back then. That’s why this is no coincidence that the former prostitute calls herself a witch. (chapter 16) Yet, if you pay attention to Eva’s role, she was herself a victim, for she listened to the snake and got tempted to eat the fruit.

3. 1. Jeon Hee-Seong: the snake or Eva?

In the manhwa, this character is compared to a snake, a symbol for evil and sin. This comparison seems to be correct due to her behavior in chapter 6 and 16. Striking is that in this image, the femme fatale seems to be associated to the Tree of knowledge, for she is hidden by the plant. It gives the feeling, both have somehow connected, as if she came from the plant. Here, she is explaining him about the game, a metaphor for the real world. They are living in a ruthless world, where the weak ones will get killed (social Darwinism). Since she is teaching him her knowledge, she appears to be the snake. On the other hand, if the manhwaphiles remember the detective’s words, they will realize that Jeon Hee-Seong became a prostitute, because she was forced. (chapter 9) Imagine, she had to sell her body, yet she would never be able to escape from this “chicken farm”, for the debts would always keep increasing. Koo Jeong-Mo calls her a snake, but he is a hypocrite. He might have not killed her, nevertheless he did something terrible to her. (chapter 11) He justifies his crime by saying that he just attempted to run his business. Just like his foe, he is diminishing his sin. On the other hand, his words truly outline his immorality and wrongdoing. If it was not murder, then what did he do to her? He calls her a snake, because she betrayed him. However, he was the one who backstabbed her first. There’s no doubt that she was forced to marry Choi Yeong-Gil, a violent man. (chapter 9) The former pimp suspects her for being the mastermind behind the murders. Nevertheless, the manhwalovers should keep in mind that she is his competitor too. She is now running her own business. If she was caught and accused, he would get rid of his rival. Since he backstabbed her in the past, it truly exposes that his comparison is only partially correct. As the former prostitute is not just a perpetrator, but also a victim, I come to the conclusion that the female character resembles more to Eva than to the snake.

4. A comparison of femmes fatales

I came to this aspect after looking for other “femmes fatales”. So far, I compared the figure from The Pawn’s revenge with persons from the bible and Odysseus. Both stories are very old. This is the list of “femmes fatales” I selected, though I could mention more:

  1. Carmen from Prosper Mérimée (19th Century)
  2. Nana from Emile Zola (End of 19th Century)
  3. Madame de Merteuil from “Dangerous liaisons” written by Choderlos de Laclos (18th Century)
  4. Lulu from Frank Wedekind (the theater plays are called: Earth Spirit and Pandora’s box) – End of 19th/Begin of 20th Century
  5. Brigid O’Shaughnessy from The Maltese Falcone written by Dashiell Hammett (20th Century)

4. 1. Vulnerability and Dependency

What do have these women in common? They are all weak and powerless. Vulnerability doesn’t necessarily mean that they are all poor. Madame de Merteuil belongs to old aristocracy and is as such wealthy. Brigid O’ Shaughnessy isn’t truly poor either. However, they are all living in a world ruled by hypocrite and violent men. I would even say that these female figures are all trapped. They have either no rights or are still caught in the past. Madame de Merteuil asks Vicomte de Valmont, her confident, to get revenge on her behalf. She wants to humiliate an ex-lover who has decided to marry someone who stands in opposition to Madame de Merteuil’s personality: chaste and innocent. The Marquise is well aware that her former lover is actually following social norms. Women shouldn’t feel sexual pleasure and should be submissive to their spouse. As you can see, the female noble hates her condition. As a woman, she is not able to live freely, as she has to rely on men. Furthermore, she has to hide her true self from others in order to maintain her good reputation. A woman’s reputation was vital back then. That’s why she seduces men in the end. With her sex appeal, she feels powerful and independent. At the same time, through her unusual behavior, she is able to fascinate men. However, none of her ex-lovers desire to break taboo, except her friend Vicomte de Valmont, for her sex partners will always choose social norms (faithful wife etc.)

And if you compare her to Jeon Hee-Seong, you’ll notice the similarities. The latter wants to break free too. She would like to become truly independent, that’s why she is just using Do Seong-Rok, though she is well aware of his innocent and genuine side. She behaves exactly like Brigid. Both are women trying to make her way through a world run by ruthless, vicious men. So maybe manipulating is the only trick up their sleeve that they can use to survive this masculine, aggressive society. The only huge difference is that the Korean woman is using truth to manipulate her lover. (chapter 16) Note that she announces to the future criminal that she will be ruthless, selfish and she might even betray him in order to achieve her goal. To sum up, she is more paltering than lying by commission.

Then by comparing these femmes fatales, I recognized another pattern. Carmen, Nana and Lulu are powerless, as they belong to the lowest social class. Nana and Lulu are even prostitutes. Nana was somehow neglected and abandoned by her parents. She even ended up becoming a teenager mother. The famous French novelist wanted to outline through his main character that heredity and social circumstances would predestine her to become a femme fatale. She learnt through harsh experiences that sex is the power of the poor and weak. Once she discovered that she could use sensuality and erotic in order to get admiration and money, she internalized this rule. Nana was not truly calculative, as she kept making debts, while driving men to their death or ruin. She could no longer change her way of life. And Lulu had also a similar fate. The only huge difference is that she got married thanks to her backer. Lulu was married off to two men in turn by Dr. Schön, her mentor and lover. Both husbands tried to mold her in their image, and due to Lulu’s affairs, they both died. Lulu shot Dr. Schön and lived in Paris and London with his son Alwa, a writer. She began to sell her body again and ended up falling victim to the serial killer Jack the ripper. Note that the marriage doesn’t offer any liberty and protection to Lulu. Her husbands tried to form her. They projected their own desires and expectations onto her. This was the same case for Madame de Merteuil and Carmen. All the men in these stories expect from the femme fatale to be faithful, caring, genuine and loyal, while at the same time, they try to maintain their reputation intact. Schön was Lulu’s lover, yet he tried to marry a honorable daughter. As you can see, he felt that Lulu was not proper enough to become his wife.

This projection of sexual desires is quite recurrent. Therefore it is not surprising that officer Ahn questions her relationship to the killer. (chapter 11) He would like her to be faithful. There’s no ambiguity that he considers himself as her real partner. Yet, I don’t think that she is with him, because she is in love with him. She is treating him as her ally and support, as long as he helps her to get powerful and rich. Let’s not forget that he is trying to become a politician. I had already perceived the Korean prostitute as someone who was trying to climb the social ladder. For her, freedom means being powerful and wealthy. But she wants to be independent. And this interpretation was confirmed by the author herself. She told me that Jeon Hee-Seong desired to become a king!

Furthermore, there exists another parallel with Lulu. Jeon Hee-Seong was also imprisoned in her marriage. Not only she was forced to marry her violent husband, but also she couldn’t escape from this abusive relationship. Lulu kills herself her second husband Schön, while the latter tried to pressure her to commit suicide. Brigid also got rid of her “enemies”. Only death can liberate them. And this leads me to the following statement: their body might be used as a weapon, but not all of these femmes fatales are willing and capable to dirty their own hands. The Eva from “The Pawn’s revenge” prefers to delegate this to her lover. There’s a reason for that: it is more difficult to prove her culpability. Furthermore, she won’t feel remorse, as she was not directly involved.

4.2. The reason behind the existence of femmes fatales

The femme fatale is often connected to emancipation of women. The works from the 18th and 19th Century expose the conflict between sex drive and social constraints. At the same time, all the stories outline the hypocrisy of society and its patriarchalism. Men are allowed to have affairs, but for women it is out of question. I doubt that officer Ahn is single and intents to marry the former prostitute. They meet at a hotel, which represents a clue that they have more a sexual relationship than just a partnership. However, the problem is that all these women have learned that they need to act like men in order to survive: ruthless, selfish and immoral. None of them are able to recognize true love due to their sexual experiences. Consequently, I think that even if they are manipulative, these women shouldn’t be judged as entirely calculative. They are still led by their impulses. Therefore Nana keeps making debts, Lulu can’t stop having affairs and Madame de Merteuil ruins her only ally and accomplice due to her jealousy.

And now you comprehend why the Korean femme fatale used Do Seong-Rok. His innocence, his selflessness and empathy made him the perfect tool for her goal. At the same time, she is overlooking the male prostitute Lee Je-Oh. Since none of her targets has ever resisted her, she can’t imagine that Do Seong-Rok will distance himself from her.

4. 3. Their fate

And now, it is time to conclude this essay. The final common point of these femmes fatales is that they are all doomed to fail. This is particularly perceptible in the theater plays from Wedekind, the spectators can witness the rise and downfall of the protagonist. And if you compare their fate, you’ll notice that they all end in tragedy:

  1. Carmen and Lulua get killed
  2. Nana and Madame Merteuil become ill and lose their beauty. Nana even dies at the end. Madame de Merteuil is forced to go into exile.
  3. Brigid O’Shaughnessy is delivered to the police.

Since Ma Jong-Seok told Lee Je-Oh, he would eventually get some STD, it is possible that the femme fatale could face such an adversity. Moreover, the detective Kang Hyeon-Woo is already suspecting her and the latter is not corrupt, it is possible that she gets arrested, for officer Ahn was not able to protect her or even abandoned her. The final possibility is that she gets murdered, as she represents a witness and accomplice of Do Seong-Rok’s crimes. While examining her, I recognized another pattern: her scenes contrasts to Lee Je-Oh’s. In chapter 6, the manhwaphiles discover how she persuaded the red-haired man to dirty his hand, and in the same episode the male prostitute has a similar behavior. He is attempting to seduce Do Seong-Rok with his words and body. He even suggests to become his ally. And this observation truly reinforces my former statement: Jeon Hee-Seong and Lee Je-Oh will become rivals. One thing is sure: because the former prostitute is a femme fatale, she won’t get what she truly wants.

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