Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Watery Point Of No Return and Behind The Emp’s Shadow
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It begins with smoke.
Not the scent of flowers or the sweetness of victory, but the cold breath of a machine crossing an unnamed sky. 
(chapter 81) No airport appears, no greeting, no applause — only movement, silent noise, and distance. The scene refuses arrival. It’s as if the air itself has become unwelcoming, unsure whether to receive or reject the traveler.
Below, the earth hides beneath a shroud of cloud, half revealing, half concealing its rivers and mountains. It is broad daylight, but only those inside the plane can see the sun. Its rays strike the cloud tops, scattering into pale reflections, almost unreachable from the world below. The light is real yet detached — dazzling, but emotionally cold. The illusion of motion comes not from the aircraft itself, which cuts the sky with mechanical steadiness, but from the slow drift of the countryside beneath — a glimmering landscape that seems to slide away on its own. The plane moves horizontally, neither ascending toward promise nor descending toward rest. It hovers in between — uncertain, as if trapped inside the very act of transition. The white smoke trailing behind is not visible, as if erased by the same sky that carried it — a trace that vanishes before it can mean anything.
How is this calm sky connected to the silence of a phone line from ten years ago? 
(chapter 74) What does it mean that a man who once reached for his mother’s voice is now suspended between clouds, unreachable himself? 
(chapter 74) Why does the same stillness that once followed a farewell now fill the air around his flight?
Both moments share the same structure of emptiness: movement without arrival, connection without recognition. Yet the meaning of that emptiness deepens when we remember that death itself is often framed as a journey. 
(chapter 65) Let’s not forget that the last poster of chapter 81 
(chapter 81) echoes Joo Jaewoong’s burial in chapter 74.
(chapter 74) In that earlier scene, the smoke rises from burning incense sticks which is linked to scent — the invisible bridge between the living and the dead. Here, it reappears as the airplane’s exhaust (chapter 81), the sterile modern echo of ritual fire. In both, the same element unites mourning and motion: smoke, a symbol that drifts, fades, and carries scent.
The father’s funeral and the champion’s flight belong to one continuous breath — the same air of transition. Each ascent, whether spiritual or mechanical, leaves behind a trace that cannot last. The scent of the jinx begins here: in this meeting of incense and engine, of devotion and pollution, where grief becomes a trail of vapor across the sky.
There is another layer to this scent. Mingwa chose the wolf to embody Joo Jaekyung — an animal torn between tenderness and hunger. In many cultures, the wolf carries the paradox of motherhood and ferocity: she nurses her young yet survives through the hunt. For such a creature, scent is language, memory, and map. It marks territory, reveals threat, and preserves kinship. Like a wolf, the champion used to live by following traces — the smell of victory, of fear, of money.
Now the trail has changed. For years, the wolf used rituals not to appease his hunger but to erase his senses — to make sure he would never taste, smell, or feel again, so that his hunger for warmth and belonging would vanish. Milk 
(chapter 75), perfume 
(chapter 75), sweat and sex 
(chapter 75) became instruments of anesthesia, each meant to silence the body that once betrayed him.That betrayal did not come from the body itself but from what it carried — his father’s shadow. 
(chapter 75) Every muscle, every breath, every instinct reminded him of the man he swore never to become. The body was a mirror of lineage, and lineage meant failure. In his dreams, that failure still reached for him: black hands emerging from the dark, the father who had lost everything. 
(chapter 75) The fighter calls it a “dream,” not a nightmare, because fighting was once his father’s dream — a dream of escape, of being seen, of proving that poverty was not fate. But for the son, that same dream turned into a curse. To fight was to repeat what had already destroyed the family.
Thus, he began to punish his own flesh for its resemblance to the dead. Every ritual — milk before a match, perfume after shower, sex before fighting — became an act of denial, a way to cut the bloodline out of himself. The body that once connected him to hunger and memory had to be silenced, sterilized, erased. Yet behind every gesture of control lay the same emptiness: a child’s thirst disguised as discipline. The milk that promised fulfillment was once the prize he had to steal 
(chapter 75), the forbidden comfort that ended in scolding. 
(chapter 72) When he finally received it, it was not from a mother but from the director — a man whose gift could fill the stomach but not the heart. From that day, nourishment and submission became one.
Each ritual since then has repeated that confusion. He learned to mistake obedience for care, power for affection, control for love. The milk before a match was not about luck; it was a way to silence the body that once trembled from hunger. The perfume on his neck, the sweat of victory, even the scent of sex — all were substitutes for what he never truly received: the warmth of being wanted and accepted. 
(chapter 72) And yet every attempt at purification only buried the rot more deeply. The more he washed, the more the stain spread inward — invisible, odorless, yet consuming.
The champion’s hickeys
Now the trail has changed. What he follows is no longer the fragrance of superstition, but the faint, human odor of the doctor. When Jaekyung presses his lips against Dan’s neck 
(chapter 81) — the same spot where he once sprayed his perfume 
(chapter 40) — it is more than desire: it is instinct, possession, and search. The gesture blurs the line between hunger and recognition, as if he were trying to inhale and keep what had always eluded him. The scent he once sought in bottles and rituals now breathes through another body, one that refuses to be contained. So when Jaekyung breathes against Dan’s skin, he is no longer trying to mask the stench of loss but to find the source of something living. The doctor’s scent does not erase hunger; it answers it. For the first time, the wolf eats without devouring.
Let’s not forget that during the Summer Night’s Dream, the wolf had already answered that silent call 
(chapter 44) — nuzzling the one destined to become his anchor. Jinx-philes can observe not only the presence of steam (which is similar to smoke), but also the effect of the scent. Back then, the champion had calmed down thanks to the hamster’s scent. 
(chapter 44) To conclude, that moment, half dream and half awakening, had already begun to rewrite the map of scent. There, the fragrance from doc Dan had triggered his appetite, hence he couldn’t restrain himself during that night. 
(chapter 45)
And because of that scent, the wolf will follow his loved one 
(chapter 65) He will make sure that doc Dan doesn’t smoke again and his scent remains pure. This signifies that the wolf will pursue its source through the smoke of deception, through the perfume of luxury and corruption. The doctor becomes both compass and contrast — the pure odor that exposes every false aroma around him. Through Dan’s scent he will breathe again—through that fragile, living fragrance the wolf begins to track the truth that stinks beneath luxury and lies.
The Plane and its Scent
In order to understand the meaning of this fleeting image (chapter 81) — a plane gliding through a noiseless sky — I had to return to an earlier flight. 
(chapter 36) When the champion left South Korea for the United States in episode 36, the plane glided through a void of light. There was no sky, no earth, no horizon — only a white expanse pierced by the sun’s glare. Even the boundaries of air and space seemed dissolved. The image radiated purity but felt sterile, stripped of texture. The machine was rising, not toward a destination but away from attachment itself.
That ascent not only announced the future victory, but also represented the Emperor’s ideal: perpetual motion without roots. He was a man of altitude, not of place. The whiteness surrounding the aircraft mirrored his own self-erasure — the body emptied through fasting 
(chapter 37), the heart disinfected of need. Hence the bed became an instrument of “torture”. The upward flight marked a beginning, yet it already smelled of exhaustion and futility. A life built on departure cannot land anywhere.
Episode 81 inverts everything. The plane is now seen from above, not below. (chapter 81) Clouds and land re-emerge, spreading like a map of memory. Gray veils hang overhead; far below, blue horizon and bright rivers glint in daylight. For the first time, the world has depth again. The point of view tells us two things immediately. First, this aircraft is descending: it is approaching foreign soil, France, a country framed by water and beautiful landscapes. Secondly, the inversion foretells the champion’s own descent — the fall of the myth into the realm of the human. It already implies the existence of a scheme and his anticipated “defeat”.
The earlier plane signified departure; this one signals arrival. What had been an escape from origin becomes a forced return to reality. The hero who once vanished into whiteness now re-enters color, gravity, and consequence. I therefore deduce that Joo Jaekyung’s past will resurface after arriving in France.
(chapter 73) His origins—the father who once fought, gambled, and collapsed into addiction before dying of an overdose— will no longer remain hidden. The revelation will spread like a smell the public (Team Black) cannot ignore. Yet this descent is not disgrace alone; it is the beginning of embodiment. Exposure will give him weight. But what did the director say? 
(chapter 78) Through Hwang Byungchul’s blunt words, the Emperor finally realized that he possessed an identity of his own—one not confined by inheritance or shame. The insults that once defined him, (chapter 75) “smelly bastard,”dirty rat” have lost its power. What once clung to his name as odor now disperses into air. The fall will wash away the false scent of stigma and let the man emerge, bare but clean.
I come to the following deduction: the change of perspective is Mingwa’s quiet confession that the age of flight — of abstraction and denial — is over. The sky of episode 36 concealed both land and direction; the sky of episode 81 exposes them. (chapter 81) Beneath the clouds lie traces of the life he once ignored: the landlord who welcome him with toilet papers and invited him to dinner, the old coach who still mirrors his pain, the grandmother whose endurance defines family, and the doctor whose presence has become home itself. These human coordinates are his new geography.
The palette itself reinforces this shift. In America, everything dissolved into white, a color of anesthesia. Over France, tones mingle: gray above, blue below, gold reflected from the rivers. The air is alive, restless, and uncertain. Clouds thicken like unspoken doubts, yet the blue horizon opens a path. It dawned on me that Mingwa is painting the boundary between dream and danger. The gray warns of turbulence; the blue promises arrival. Between them hovers the aircraft, between illusion and embodiment — just like its passenger. The coexistence of colors and contrasts (light, cloud, turbulence) displays life! Life without pain, fear, struggles, is no life, but an illusion. At the same time, it implies the return of the protagonists’ agency. Their decisions will determine the outcome of this imminent match.
Time, too, changes nature. Both flights are bound to temporal formulas, but their logic diverges — and both are told through the doctor’s eyes. In episode 36, the line (chapter 36) emerges not from the champion’s mind but from Dan’s weary observation. It carries the cadence of someone watching life slip by from the margins, a spectator of discipline rather than its agent. The phrase, neutral on the surface, reveals quiet lethargy: days blending into one another, the monotony of service and the absence of urgency. This indicates the hamster’s distance and a certain emotional indifference toward his VIP patient. No wonder that, at the hostel, he chose the impersonal word “team” 
(chapter 36) instead of naming Joo Jaekyung himself. He might have stood beside the MMA fighter the entire time, yet he preferred to disappear behind collective language, as if the plural could shield him from personal involvement. It was a professional gesture, an attempt to efface the self, to stand beside the fighter without belonging to him. His role was service, not solidarity; his language confirmed distance. Thus his karma was that he got abandoned by the team after the match, while rescued by the celebrity himself!!
But in episode 81, the tone has changed. (chapter 81) The doctor’s narration “Eight days until his comeback” reveals far more than a schedule. Its tone pulses with nervous anticipation. Time, once something Dan merely endured, has regained texture. Back in chapter 36, he let the “days pass” like indistinguishable shadows — one more sign of his emotional detachment. Life moved, but he did not move with it. Now, every day counts. The number eight introduces tension, a sense of waiting and measure. He is not only aware of time; he feels it. The body trembles, breath shortens, nerves tighten. For the first time, Dan senses temporality the way athletes do: as pressure, as pulse, as future approaching.
His thought at the airport 
(chapter 81) translates that awareness into sensation. It’s no longer the passivity of a bystander but the heartbeat of someone invested. The count of days becomes a shared horizon between doctor and fighter, a bridge of feeling. 
(chapter 81) When Jaekyung exhales the same “huu,” their anxiety synchronizes, transforming fear into connection. The loop of repetition (“days passed”) has turned into a countdown of empathy (“eight days left”). Time itself has begun to belong to both of them. The same “team” has become real, but contrary to the past: there are only 2 members, Kim Dan and Joo Jaekyung. At the airport he wears the Team Black jacket, a subtle but deliberate signal that he has accepted inclusion. The jacket is not uniform; it is recognition. Both form 8, which is a symbol for balance and infinity.
Interesting is that this panel (chapter 81) looked like victory (due to the position of the plane) but smelled of vacancy. However, this trip was not, for the two protagonists, a symbol of rest — quite the opposite. Neither Jaekyung nor Dan ever got the chance to visit the city; the supposed journey abroad becomes another kind of confinement. 
(chapter 37) The others indulge in small pleasures — snacks, shopping, light rebellion — but the champion and his doctor remain trapped in routine, orbiting one another inside sterile rooms. I am suspecting that doc Dan must have bought the scarf at the airport, a small act of thoughtfulness before departure. 
(chapter 41) Yet the gesture, though sincere, carries a quiet irony. The scarf is printed with flowers, mostly roses, but as a piece of fabric it has neither scent nor warmth. It imitates life without containing it. What he gives her, in truth, is a copy of affection, not its essence — a bouquet that cannot breathe.
And now you may wonder how this connects to the scent of the jinx. 
(chapter 37) The answer lies in the contrast between the smell of life and the smell of emptiness. While others seek flavor in hot ramen or the sweetness of snacks, the champion’s room remains odorless, air-conditioned, antiseptic. Then, in the quiet of night, a faint aroma drifts toward him, the flavor of hot ramen. And now observe the progression of scents through Jinx.
| Chapter 10 | Chapter 22 | Chapter 32 |
|---|---|---|
   |   |   |
It traces the slow resurrection of a man who had unconsciously silenced his own senses. In chapter 10, the wolf first enters the doctor’s home and flinches even before inhaling. The moment his eyes register the dim light, the narrow hallway, the disorder, his hand rises to his nose — a movement so quick it feels primal. Only once in the room does he mutter, “It reeks in here. The overpowering stench of poverty.” He doesn’t smell first; he remembers first through visuals. The odor exists only because his past floods the scene. The sight of a modest room resurrects the atmosphere of his own childhood flat 
(chapter 72) — the garbage, the spoiled food, the stale air of neglect. What he truly covers is not his nose, but his fear of returning there. Later, in episode 22, when Dan cooks for him, the champion instinctively associates food with corruption: (chapter 22) Nevertheless, Jinx-philes should realize that for the first time, we had a reference to the ocean through the dishes: fish, seaweed soup. 
(chapter 22) Interesting is that here fish has a negative connotation: intrusion and thoughtlessness. This shows how detached the champion was from his true self: water and the ocean. Moreover, cooking, warmth, nourishment—all evoked garbage, the chaos of his first home.
The reason lies in his earliest environment. In that cramped room buried in trash, the boy who would become the Emperor once tried to survive on milk—an industrial liquid without smell or taste, the very opposite of maternal care. (chapter 72) His father’s addiction, the filth, the absence of real home made food—all merged into a single sensory nightmare. Odor became shame. Flavor became fear. So he began to build a life that denied every sense. And now, my avid readers can grasp the role of Kim Dan during season 1. It was not just to replace the sex ritual. Unaware, he had replaced the ritual with the glass of milk with his food. So at the beginning of season 2, Joo Jaekyung got to learn that his “glass of milk” 
(chapter 54) couldn’t nourish him. Hence he replaced it with wine for a while.
So he built a life that denied every sense. That’s why he hates flowers. However, there’s more to it. When the doctor innocently talks about a bouquet he received in episode 31 (chapter 31), Jaekyung’s reaction (chapter 31) reveals more than irritation. For him, floral scent is associated with loss. The fragrance belongs to death. The first time he truly smelled flowers was at his father’s funeral, when incense and blossoms mingled with grief.
(chapter 74) Their fragrance became the perfume of loss. To his senses, flowers never meant beauty or love or nice smell; they mean burial and as such pain. Every petal recalls the suffocating smell of the funeral room, the smoke, the artificial but painful peace of goodbye.
And that is precisely where the scent of the jinx begins to unfold. The scarf’s floral pattern recalls everything artificial in both their worlds: Jaekyung’s deodorant, the perfume of fame, the grandmother’s rehearsed kindness. Each object is meant to replace something that once had a natural smell — milk, skin, sweat, breath. The airport gift thus mirrors the champion’s life of rituals: beautiful but airless, made of gestures without fragrance.
The Location And The Fall
In season 1, Mingwa already left clues about a connection between France and South Korea. 
(chapter 32) The blue tie contains 3 striped colors: red, white and blue, which are quite similar to French flag, though the order has been switched. Secondly, Choi Heesung purchased 
(chapter 32) Hermès’ item, a French company famous its bags, scarfs and perfumes. So I am quite certain that once Jinx-philes discovered the identity of the next fighter 
(chapter 81) and saw the plane, they must have jumped to the conclusion that the next fight will take place in Paris! But France is more just than the capital. This country is called the Hexagon due to its form, and this name stands in opposition to the MMA ring, which is an octagon! 
(chapter 40) Interesting is that the team at the airport is composed of 6 people. 
(chapter 81) So we could say that despite the disadvantage being in a foreign country, they are “equal”, 6 colors against the team from the Hexagon, the blue light from the MMA ring. But let’s return our attention to Paris. The latter is widely recognized as the symbol of love, the global center for fashion, art, and stardom. The city has a deep historical connection to these fields, being the birthplace of haute couture and home to many of the world’s leading fashion houses and luxury conglomerates. Its cultural scene is equally rich, with a long history as a hub for artists and a more recent reputation for being a center for music and film stars. However, the image with the landing plane is actually revealing the truth. (chapter 81) There are no mountain close to Paris, the river La Seine is much smaller… Finally, the airport doesn’t look like Airport Paris – Charles de Gaulle, (chapter 81) for the hallway is much smaller and it is not crowded.
Finally, observe the vocabulary of the manager: “breeze” 
(chapter 81) and “splash” (chapter 81). They let transpire the presence of wind and water suggesting the presence of the sea. Thus, I deduce that they landed near the sea. And if one looks again at the image of the plane (chapter 81), the blue at the horizon seems to confirm this intuition: the aircraft is gradually descending toward the coast, not the capital. So for me, the destination is not Paris — the city of revolution and political upheaval representing popular sovereignty, as the schemers are planning a counter-revolution. They stand for conservatism and money. My theory is that this plane is arriving in the South of France, most likely Cannes, where spectacle and wealth converge. But there exists another reason for this assumption. Do you remember where the physical therapist witnessed the match between the Emperor and Randy Booker? It was in Busan, a city situated in the South of South Korea, a city closed to the ocean. 
(chapter 14) Here, exactly like in the States, his trip to Busan never gave him the opportunity to visit the city and the beach, exactly like the athlete. The next airport to Cannes is Nice- Côte d’Azur and it looks more like the one in the Manhwa. Furthermore, the South of France has a milder climate in the fall, hence it is still possible to swim in September. Besides, in my last essay, I had connected the champion to Bruce Lee and water: 
Finally, Naturally, here I could be wrong with Cannes. Nevertheless, Cannes, with its glittering shorelines and film festival glamour, symbolizes the marriage of money (millionaires, yachts) and illusion — the theater of appearances. It is where contracts are made, where bodies are displayed, traded, and consumed through the gaze, the very economy that has always governed the champion’s existence. The wolf, once born among garbage and hunger, now finds himself surrounded by luxury, in a world perfumed with artificial success. Yet beneath the surface of that “breeze” and “splash” lingers the scent of corruption. The coastal light hides what the smoke once revealed: exploitation, manipulation, and the unspoken violence of commerce.
And yet, the irony is striking. The Côte d’Azur, world-famous for its vivid palette and sensual abundance — the lavender fields, the herbs of Provence, the shimmer of olive trees, the salt air heavy with Mediterranean fragrance — stands in perfect contrast to the sterile, monochrome world the two protagonists once inhabited in the seaside town. There, the ocean had no scent 
(chapter 59); silence had replaced air; life was drained of flavor. None of them truly enjoyed the nature: the ocean or the mountain. The seaside town was strongly intertwined with work 
(chapter 77) or danger. Then, when they returned to that place, their time was limited to visit the grandmother and the landlord. 
(chapter 81) They had no time to walk through the woods or visit the hills. They had no time for themselves. Consequently, I believe that in The French Riviera, the two of them will discover “savoir vivre”. Everything breathes, glows, and stirs. It is a land overflowing with color, aroma, and taste — precisely the senses that the wolf had long sought to erase through ritual. Doc Dan had led a similar life too, dedicated to his grandmother and work. If they are close to the sea, they might decide to walk on the beach together.
And if my theory is correct, then the choice of Cannes would not be accidental but allegorical. While on one hand, it marks a return to the emperor’s original curse — being admired and used at the same time, it announces an imminent change: his emancipation, for the villains have planned to destroy him. The private match organized there recalls the old underground fights from the Shotgun arc, only now cloaked in legitimacy and wealth. The arena has changed, but the principle remains: rich spectators watching a man’s body perform until exhaustion, while those in charge profit from his pain. And because of his lineage, they could still look down on him. Despite his fame and fortune, the champion does not truly belong among them. To the powerful, he is entertainment — a body to be wagered upon, not an equal at the table.
Look again at this panel. First, you can detect behind the champion the reflection of water, another clue that the protagonist will shine next to the sea. Moreover, it also indicates that doc Dan’s dream is related to water. Furthermore it is not a costume he wears, but an image imagined for him (chapter 32) — the doctor’s vision of what the wolf could become. He doesn’t see the origins of the athlete, but his success: he is not only a self-made man but an artist, a star. The three-striped tie, reminiscent of American designer Thom Browne’s refined style, evokes order, discipline, and self-respect: qualities the doctor unconsciously longs to see replace the chaos of ritual and fight. In that imagined world, Jaekyung is not an object but a person, an artist, a real VIP — no longer the Emperor of violence, but a man capable of standing among other celebrities without fear or shame.
And here, I couldn’t help myself thinking of the movie The French Connection, the parallel deepens. The French Connection (1971) is a crime thriller directed by William Friedkin, inspired by real events. It follows two New York detectives, led by the obsessive Jimmy “Popeye” Doyle, as they uncover an international heroin-smuggling operation linking France and the United States. The film contrasts gritty realism with moral ambiguity, exposing how obsession and corruption blur the line between justice and criminality. That film, too, revolved around illusion and desire — the traffic between authenticity and disguise. The “connection” was both criminal and psychological, exposing how corruption travels unseen beneath surfaces of elegance. Here, the same word gains new meaning: the false connections built on money and fame will give way to a human one, forged through care, scent, and trust.
And now, the reason for setting the match in France becomes clearer. The CEO could no longer exploit the United States 
(chapter 69); the scandal there had linked the previous incident to the infiltration of a Korean gang. The American branch was compromised, its credibility tainted. France, on the other hand, offers a mask of neutrality — refinement, culture, and distance from scandal. By choosing it, they manufacture the illusion of glamour and innocence, pretending that Baek Junmin and his former hyungs have nothing to do with the coming event.
But the choice of France also hides a darker lineage. One only has to look back to Thailand 
(chapter 69), where Baek Junmin once fought for the championship belt. Thailand in Jinx is not a paradise but a mirror of corruption — the place where victory turns into prostitution, where the body becomes currency. There, the Shotgun won a crown but not respect; his triumph was drenched in manipulation, spectacle, and moral decay. He was admired by no one, celebrated by ghosts.
Thailand thus stands as the antithesis of recognition. It is the kingdom of false applause, the shadow-market of sport where the price of glory is humiliation. If France embodies elegance masking corruption, Thailand embodies corruption stripped of its mask. Both belong to the same chain of deceit — one refined, the other raw. Between them stretches the moral geography of Jinx: America (illusion of success), Thailand (the sale of the body), and now France (the stage of reckoning). Baek Junmin, out of jealousy, wants Joo Jaekyung to make a worse experience, to be exploited, humiliated,, discarded and forgotten, just as he once was. His wish is not for justice but for repetition: the recycling of pain. Despite his title in Thailand, he still feels unrecognized. He now wants the Emperor to taste the same degradation under the polished surface of France. What he endured in the raw heat of corruption, Jaekyung must suffer in the refined chill of sophistication. He needs to be reminded of his true origins.
Junmin’s resentment is not born merely from defeat but from invisibility. His triumph brought no admiration, no genuine acknowledgment. The crowd that watched him fight was faceless, bought, indifferent. Hence he is not named as “champion” at the restaurant. 
(chapter 69) He was crowned, yet unseen. In his bitterness, he mistakes vengeance for validation. If Jaekyung falls publicly, perhaps the Shotgun’s own shame will finally be understood. Thus, France becomes his stage of revenge — not through direct confrontation, but through orchestration. The game he once lost in Thailand, he now rewrites from the shadows.
But this repetition will not go as he imagines. The irony of the French Connection lies precisely there: the traffickers think they control the route, unaware that the real transformation is happening within the travelers themselves. The wolf, who once lived by rituals of survival, will now breathe a different air — one that carries both danger and redemption.
While the schemers imagine they are about to succeed and ruin the champion for good, I am expecting the opposite, as they form now a team. Immersed in an environment so rich in colors, fragrances, and tastes (which would be similar to Thailand), Joo Jaekyung and doc Dan may come to enjoy the very senses they both buried to survive. The air of the Riviera — fragrant, tangible, and alive — could become the breath that finally releases him from his gilded cage and fulfills, at last, the doctor’s unspoken vision.
The Airport as threshold
In episode 36 
(chapter 36), the transition from flight to arrival unfolds with seamless precision: no airport, no customs, no luggage — only the honk of city traffic and the flags fluttering over a hotel entrance. Everything about that journey screams logistics. It was a corporate trip, arranged, timed, and contained. The athletes passed through invisible gates, their movement stripped of individuality. The champion, like cargo, was transported rather than welcomed. His arrival, though triumphant (chapter 36), was sterile — as if success itself had been reduced to a schedule.
By contrast, episode 81 opens the gates. The author deliberately inserts an airport scene (chapter 81). Airports are spaces of suspension, places where one stands between departure and arrival, past and future. They symbolize journeys, transitions, and connections, representing not only physical travel but also the passage between inner states of being. They are gateways to new experiences, opportunities, and, at times, spiritual awakenings.
That is precisely why we find the champion pausing in quiet reflection. (chapter 81) For a brief moment, he seems to meditate — neither fighter nor celebrity, simply a man caught in the stillness of transition. The gesture of breathing, the soft “Huu,” carries profound significance. It evokes purification, the act of expelling the stale air of superstition, trauma, and fear. What leaves his lungs are not only bad thoughts but remnants of the “jinx” itself — the invisible poison that once ruled his life.
The absence of his gaze does not denote blindness but introspection. His closed eyes signal a shift from vigilance to awareness, from the need to control to the capacity to feel. For the first time, the Emperor does not seek omens outside himself; he listens inwardly, acknowledging uncertainty, fragility, and the quiet pulse of change. In that single exhale, the wolf begins to shed his curse — not through combat or conquest, but through the simplest act of all: breathing. That’s why he looks so determined after this short break. 
(chapter 81)
And amid that uncertainty, one sound cuts through the sterile air: rattle.
(chapter 81) The suitcase becomes the true protagonist of this threshold. In that small vibration lies all the instability the white air once denied. It is his portable home, his compressed past, the fragile proof that he finally has something to lose. In the earlier arc, he could have vanished mid-flight and no one would have noticed; now, if the suitcase disappears, another heart will break. That difference measures his evolution. Yet it also marks new vulnerability: any hand can touch what he carries.
Like the wardrobe 
(chapter 41) and the wedding cabinet
(chapter 80) before it, the suitcase belongs to the same symbolic lineage. It is the container of intimacy — filled with clothes, precious items like pictures or books, with the silent evidence of presence. But unlike its predecessors, it moves. The wardrobe once stood still, rooted in the domestic; the wedding cabinet invited intrusion within a private world, as it was once discarded. The suitcase, however, carries that vulnerability into the public realm. It is exposure on wheels — the private made portable. (chapter 81)
The object that symbolizes belonging also invites trespass. It holds what makes a person recognizable — garments, scents, textures — yet it can be opened, inspected, or stolen. That possibility haunts the scene. The suitcase is both protection and temptation, security and risk. Its rattle echoes the heartbeat of transition itself: the trembling awareness that what is finally one’s own can still be taken away. And here comes my next question: Whose suitcase is it? One might say, the champion’s naturally. If so, this signifies that in the suitcase, he placed the birthday card and the key chain
(chapter 81) 
(chapter 81) and Kim Dan has still no idea that the athlete has kept them like cherished relics. He might have placed the notebook from Hwang Byungchul as well. However, the person carrying the suitcase is the manager: (chapter 81), while Yosep is pushing a card with the other luggage. By separating one suitcase from the others, the beholder can detect that Park Namwook is separating not only himself from the team, but also his “boy”, if he is indeed carrying his suitcase.
In that sense, the airport does not replace the hotel as a site of intrusion but extends it. If the manager were to open the suitcase by mistake and discover the physical therapist’s birthday card 
(chapter 55), where he expressed his desire to work for Joo Jaekyung for a long time. What would be the manager’s reaction, when he recalls this incident with the switched spray and Doc Dan’s sudden departure? Moreover, we have here “erased words”: to be ho… The timing of the discovery is really important. This could generate some tension and confrontation between the manager and the physical therapist. Besides, such a birthday card could generate negative feelings (like jealousy), Kim Dan is gradually taking more and more place in the athlete’s life. The violation that once occurred behind closed doors (the penthouse) now could happen in plain sight. The line between private and public collapses, just as the boundary between success and loss blurs.
Secondly, the scene at the airport could actually announces that the team will have some trouble at the hotel… Let’s not forget that in the States, Joo Jaekyung had to argue with one of the local coaches, probably because they needed a place to train: 
(chapter 37). So when the manager says this, (chapter 81), he is thinking, everything has been well planned and prepared. He has nothing to do, he can relax… and as such he is on “vacation” like in the States. Thus I deduce that the airport has a different signification for the manager: he is about to get confronted with reality.
The Birth of New Rituals
Until now, the champion’s rituals had been prisons disguised as protection. Each one — milk, perfume, sweat, sex — served to silence what his senses once knew. They were mechanical repetitions of comfort that had long since lost their source. But episode 81 quietly introduces a new vocabulary of intimacy: paper, metal, ink, and touch. The birthday card and the key chain, two small, ordinary gifts, begin to form a new scripture (chapter 81) — a Bible of another kind, not written in divine authority but in human handwriting. They contain no promise of victory, only the trace of another person’s care. His words represent now his motivation to win doc Dan’s heart.
The card is a voice materialized, the first object that speaks about dreams and wishes without demanding. IT is not about making history. When he opens it, he does not perform a ritual; he reads. And that simple act of reading — eyes moving line by line across words written for him — marks a profound shift. For the first time, his energy moves inward, not outward. Reading requires stillness, patience, trust that meaning will come. It is an act of surrender disguised as concentration. What once was sweat and breath now becomes quiet and language.
And this scene reminded me of the hyung’s comment: 
(chapter 75) While he was sick, he could recall this scene. 
(chapter 75) where the fighter could stay focused, though he was surrounded by noise and people. The advice had seemed trivial, when first given. Now it re-emerges as revelation. The emperor, once incapable of rest, now reads 
(chapter 81) beside someone who represents safety. The book becomes a bridge between wakefulness and sleep, a ritual that does not erase consciousness but calms it. Where his earlier practices sought to block sensation, this one restores it.
The birthday card and key chain together form a new kind of talisman. They do not protect him through superstition but through memory. One he carries near his heart; the other, in his hand. The materials themselves — paper and metal — symbolize fragility and endurance. 
(chapter 81) The paper bends, absorbs scent, bears traces of fingers and warmth; the metal resists, reflects light, carries weight. Together they represent the balance between tenderness and strength — precisely what his life has lacked. In contrast to the mechanical milk and odorless perfume, these objects are human, imperfect, touchable.
It dawned on me that these small tokens might become the new Bible for Joo Jaekyung. A Bible not of laws but of gestures, recording moments of real connection. Every page, every object carries a commandment: Breathe. Dream. Gratitude. Trust. Through them, the wolf learns to replace fear with curiosity, repetition with attention.
What makes this transformation more poignant is that it grows in the shadow of the oldest absence — the mother. For years, the wolf’s hunger had another name: longing for a touch that never truly existed. The embrace of the mother 
(chapter 73), which should have offered nourishment, attention and peace, had been replaced by absence and deceit. Her warmth was an illusion, a posture mimicked but never felt.
That embrace — the promise of milk, scent, warmth and safety — is the first lie he ever believed. The hug is strongly linked to the breast and breastfeeding. I doubt, his mother ever did such a thing. Thus it is no coincidence that later he had to steal milk to feed himself. Later, the director’s milk replaced hers: tasteless, industrial, stripped of scent. It filled the stomach but not the soul. From that moment on, he learned that comfort was conditional and care transactional. He mistook control for love because that was all love had ever resembled.
Joo Jaekyung doesn’t even remember his mother has ever bought clothes for him. 
(chapter 80) And here, I had imagined that the mother had offered this t-shirt as a birthday present.
Behind the father’s ghost, therefore, hides the true phantom — the mother. Her absence shaped his rage more than her presence ever could have. Let’s not forget that Joo Jaewoong’s resent and mockery toward the champion were triggered by the betrayal of the wife. Secondly, when the father died, she showed no feelings or concerns for Joo Jaekyung. He was the only one who was forced to carry the memory of his father and family. With her abandonment, she pushed him to never “forget” the father. However, since Joo Jaewoong had always been harsh and resentful toward his son, the latter could only repress him. The mother had withdrawn not only her body but also her sincerity. She had long cut off ties with Joo Jaekyung, but deceived him by giving him a phone number. Her last gesture was a symbol of infinite delay — a connection that could ring but never answer. 
(chapter 72) Each call was a prayer cast into emptiness, the sound of longing echoing against the wall of indifference. She taught him to expect nothing from tenderness. she had implied that she was weak, a victim of the husband’s tyranny, while she pushed the young boy to become a parent: cleaning the house, working, earning money. Her “warmth” had been performance; her concern, deception.
I come to the following deduction: she never gave him a teddy bear or any toy. The reason is not poverty but intention. The child himself had become her only comfort, her shield and excuse against the husband’s failure and disillusion. Instead of protecting her little boy, she used his body as a barrier, turning him into both witness and defense. This explains why, in his later memories, the room contains no bed of his own, no trace of play, not even a corner that belongs to him. 
(chapter 72) He did not sleep like a child but like an object kept near for safety. The woman lying beside him was a mother in name only — emotionally distant, physically present. No stroke, no kiss, hence the boy had to clinch onto her. (chapter 73) Her warmth was strategic, not maternal.The child might have slept next to her in the same room, she was like a stranger to him, similar to this: 
(chapter 78), without the good night! That missing intimacy was not a void but a distortion — a tenderness twisted into survival. The mother’s touch, meant to console, existed only to protect herself. She kept the child close not out of affection but out of anxieties and resent, turning him into a living barrier between her and the man she resented. What he experienced as warmth was, in truth, defense and rejection; what seemed like closeness was the choreography of avoidance. Hence she never looked at her child. The body that should have been cradled for its own sake was held as cover, its value defined by its usefulness.
From that confusion emerged the adult’s crisis: he could no longer tell care from control. The gestures of intimacy, once poisoned by self-interest, became impossible to trust. Every caress felt like potential deceit, every act of closeness a prelude to betrayal. This is why, later, the man built his life upon rituals — not to find comfort, but to contain danger. Each ritual became a kind of armor, repeating the same logic his mother had taught him: proximity without safety, touch without love.
Now, for the first time, another presence enters that space. That’s doc Dan. He had to replace not only the father, but the mother. Thus the champion sucked his nipples: 
(chapter 29) which reminds us of breastfeeding. And now, look at the embrace in the swimming pool: 
(chapter 80). The hamster was imitating the behavior of the little Jaekyung in the past, clinching onto the “parent” like his life depended on him. But how did the athlete react to this embrace? He looked at his fated partner 
(chapter 80) and got all warm and fuzzy by looking at him: 
(chapter 81) A sign that the mother had never reacted the way her son is doing now, the feel to kiss the loved one! The problem is that in the swimming pool, the doctor’s scent and taste are covered by chlorine. (chapter 81) The doctor’s nearness on the couch recreates the missing scene — not through erotic intensity but through quiet continuity. 
(chapter 81) The wolf falls asleep next to someone, not on top of or apart from them. That small preposition — next to — carries the weight of redemption. The couch, once a site of violation 
(chapter 61) or solitude, becomes again what it was meant to be: a place of rest and tenderness. Thus he touches his fated partner’s legs over the cover, showing his care and respect. 
(chapter 81)
By acting like a responsible adult and mother full of gentleness and attention 
(chapter 81), he can recognize the false nature of his mother’s affection. What she offered was conditional, deceptive and self-centered; what the doctor gives is ordinary and consistent. No grand gestures, no promises — only presence. The doctor does not rehearse concern; he lives it through routine. And this ordinariness, paradoxically, becomes sacred. It was, as if the athlete was treating his own inner child through the physical therapist.
Touch, once an instrument of domination, turns back into a language of reassurance. The warmth of proximity (chapter 81) reactivates a sensory world the fighter had buried: the rustle of sheets, the rhythm of another person’s breathing, the faint scent of human skin. All the senses that the old rituals sought to erase now return — not as overwhelming floods but as quiet reminders that he is alive and no longer alone.
The breathing motif continues here. The earlier “Huu” (chapter 81) that marked his introspection at the airport now finds completion in shared respiration. (chapter 81) Two lungs exhale into the same night; the air that once poisoned him becomes communal. The act of breathing, once an attempt to purge, turns into a sign of harmony.
From this point on, every ritual he creates will carry an echo of this night. (chapter 81) — of reading, of calm, of nearness. The objects (card, keychain, book) become extensions of that experience. They are reminders that comfort does not depend on superstition but on memory and connection. They mark the rebirth of ritual as choice, not compulsion. Moreover, the couch becomes a place for rest and intimacy, the opposite to this scene: 
(chapter 37)
And this brings me back to the nameless and faceless mother. In a bitter twist, Joo Jaewoong was right in one aspect: 
(chapter 73): she thought she could become somebody else, but she never truly left. The woman may have escaped the home physically and socially, but she remains chained to it in spirit. How so? Because she cannot erase the child who once called her eomma. No matter how far she runs, Joo Jaekyung’s existence anchors her to the very life she tried to abandon.
Every denial she utters — every silence, every unanswered call — only deepens that chain. Hence she made this request: 
(chapter 74) At this moment, the page itself turns black, veined with smoky whorls of gray — as though her words had burned into the air rather than spoken. “I can’t live with you… please understand… let’s just go our separate ways.” The sentences rise like vapors, leaving behind the faint residue of a scent that refuses to vanish. This visual texture — half smoke, half ink — captures her true condition: she dissolves herself with every attempt at escape.
The mother’s rejection does not erase her presence; it transforms it into something atmospheric — invisible, invasive, impossible to contain. She becomes the ghost that still clings to the son’s breath, the odor that lingers in every space he enters. In that sense, her words are not final but volatile: they fill the air like perfume and smoke, leaving behind confusion between comfort and suffocation. The same element that once linked incense to mourning now binds her denial to memory. Her refusal to recognize him is not freedom but recoil; it keeps her frozen in the same emotional geography as the husband she despised. By cutting ties, she believed she could reinvent herself, but her disappearance became another form of captivity — the captivity of guilt, of fear, of unresolved motherhood. Under this light, you comprehend why I added a woman with clothes in the illustration. 
France itself mirrors her — beautiful, perfumed, wrapped in silk and secrecy. She definitely climbed the social ladders through her second marriage, hence she could offer toys to her second son. The nation of couture and fragrance becomes the stage for the mother’s unmasking. Once the name of Joo Jaewoong rises again, questions about her will inevitably follow. And here, she can no longer hide behind silence or excuses. The myth of refinement — both hers and France’s — collapses under the weight of exposure.
The woman who once fled to preserve her image (a victim of abuse, who couldn’t accept her husband’s choices) will now confront the reflection she abandoned: the son who embodies everything she tried to forget. France, the country of elegance, is also the country of appearances. In the 18th Century, the king and the nobility barely took baths, they relied on scent to mask their dirtiness. It is the perfect mirror for her story — beauty masking decay, luxury concealing guilt. The garbage left in the home is a heritage from the mother 
(chapter 72)
She carries Joo Jaekyung’s name in absence. The facelessness that once belonged to the child now belongs to her. In that reversal, the curse continues: both are trapped by the same invisibility, mother and son reflecting each other’s wounds across distance. And when he next confronts the ghost of his mother, the recognition will be complete. He will finally understand that the real betrayal was not abandonment alone, but false love — the performance of care without its substance. Thanks to his fated partner, he is learning to understand his feelings better and to improve his vocabulary. So he will be able to call things by its true name. Moreover, I am suspecting that doc Dan’s mother will serve as a counter-example. In discovering this truth, Joo Jaekyung will be able to free himself from this so-called love. He will no longer chase the illusion of her warmth; he will cease mistaking submission for affection. The warmth he sought was never hers to give. He will be able to move on and create his own home.
Doc Dan’s presence redefines it. His calm attention, his patience, his refusal to dramatize care — all these form a new maternal rhythm, one that heals without pretending to. Through the doctor, the wolf experiences what the mother only feigned: the safety of reciprocity. (chapter 73) And in that exchange, the jinx finally begins to dissolve.
Thus, new rituals are born — quiet, tangible, human. They don’t require smoke, nor scent, nor spectacle. Only the soft flick of a page, the weight of a key chain, the memory of someone’s voice and embrace. In those gestures, Joo Jaekyung rediscovers the senses his trauma had silenced. He no longer erases the world; he learns to breathe it in.
PS: Since the match takes place in 8 days (chapter 81) , it signifies that doc Dan and Joo Jaekyung won’t be able to visit the landlord and the halmoni like they did in the past. Moreover, I am expecting a new incident. All this could affect the grandmother’s health.
Feel free to comment. If you have any suggestion for topics or Manhwa, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 75), the perfume 
(chapter 75), the nights of sex before a fight 
chapter 75) that suddenly appeared on his body 
(chapter 75), for example, were left unmentioned — proof that silence still surrounds him.
(chapter 75) Why fight as though every match were a matter of life and death? Why keep repeating the same acts, long after survival was secured? 
.(chapter 75) They are the product of a long chain of humiliations, betrayals, and systemic exploitation, each layering onto the next until a young man’s raw talent was encased in a carapace of compulsions. To understand the jinx is to understand how the protagonist’s life collapsed around the word loser, and how the fighting industry transformed his private shame into public myth.
(chapter 72) Even before stepping into a professional cage, his life had been a series of trials to prove he was not worthless. 
(chapter 74) Hunger, poverty, bullying, insults— each branded his body with a language of violence. Among them came his father’s words, spat like a curse: loser. 
(chapter 73) That insult crystallized everything. The young boy absorbed it as truth, so much so that every later fight would be less about victory and more about silencing that single syllable. 
(chapter 75)
(chapter 69)
(chapter 75) — a boy who fought with the desperation of someone who had nothing else. Victory after victory gave him the illusion that he had escaped his father’s shadow. As long as he was winning, he could suppress the pain, bury the insult loser, and silence the memory of that cursed night when his father died and his mother abandoned him. Triumph became his shield, proof that he was not what he had said he was.
(chapter 75) 
(chapter 75) To them, a fighter’s struggles had only one explanation: weakness. Park Namwook and the other coach dismissed his losses as nerves 
(chapter 75), as if the only measure of worth were what happened under the spotlight. They never thought to ask what kind of weight he was carrying, what kind of nights he was surviving before he entered the cage. While the other fighters were well aware of the champion’s insomnia 
(chapter 75), Park Namwook still has no idea of the champion’s struggles. This shows how disconnected he is from his “boy”.
(chapter 74) bodies to be tested, pushed, and discarded if they broke. Where Jaekyung’s defeat cracked open childhood trauma, they saw only performance failure. What he lived as suffocation and despair 
(chapter 75) Even before his first loss, Jaekyung fought like a cornered animal, pouring every ounce of strength into proving he could not be beaten. That’s why he rose so fast. But why? The reason is that all his opponents were reflections of his “father”. 
(chapter 29) Hence all the challengers have empty eyes and a smirk on their face, just like Joo Jaewoong. 
(chapter 75) Consequently, his matches always looked like life-and-death struggles. He wasn’t strategizing against a specific fighter; he was exorcising a ghost. That’s why he never refused a challenge. His opponent never mattered. Besides, as long as he could win, it didn’t matter. 
(chapter 75), the more the cracks showed — and the ghosts of his father and mother made every fight feel like a replay of abandonment and accusation. The five losses 
(chapter 75) were not just setbacks in his career; they were the repeated reopening of a wound that would never heal. Each one confirmed his father’s curse. Each one reinforced the sense that he was marked, that no matter how high he climbed, he would always be dragged down again.
(chapter 73) To the boy, it was a cry for pain and survival — an instinctive urge to escape despair and criticism. To the father, it was betrayal. Already emasculated by failure and drink, he was reminded of his wife’s discontent, the specter of another abandonment. He lashed out the only way he knew: 
(chapter 73), and that the man’s final judgment on him would never be undone. Love and hatred, longing and guilt fused in that moment. He loved his father despite the abuse. And yet he would forever wonder if leaving — even just threatening to leave — had killed him. Worse, because death came so suddenly, there was no time left. 
(chapter 66) — speaking not with fists or insults but with tears and an embrace. 
(chapter 66) His sleepwalking reacting to a simple touch 
(chapter 65), his dissociative pleas 
(chapter 66) give Jaekyung the words his father could not say. Where the father’s unconscious leaked out in aggression, Dan’s unconscious offers gentleness and honesty. Both men speak from a place deeper than reason; one chained Jaekyung to guilt, the other opens the possibility of release. In Dan’s trembling body, Jaekyung sees the tender reflection of his father’s hidden plea 
(chapter 74) With no parents, no siblings, and eventually no wife, he had nothing to fall back on and saw in the criminal world another form of “family”. The family he created became his one fragile shelter — and when that shelter cracked, there was nothing left to hold him.
(chapter 72) His violence expressed his powerlessness. And when his son shouted his desire to leave the “dump of a house,” 
(chapter 57) Violence and insult became his only idiom. “Loser” was not simply an accusation, but the displaced confession of his own defeat: I was abandoned. I failed. I have nothing.
(chapter 73) The boy’s boxing talent was a source of pride — proof of strength — but also a threat. Strength meant escape. Escape meant abandonment. The father, who had already lost his wife and his dignity, projected onto his son the terror of losing everything once again. His resentment was not born of disappointment alone but of recognition (unconsciously): you are me, and you will leave me too.
(chapter 65) The absence is not an oversight but a theme. Jaekyung comes from severed roots: no grandparents, no siblings, no extended family to lean on. Hence he was alone at the funeral. 
(chapter 74) His father may have been an orphan, just like his mother too. Therefore the latter was emotionally unavailable, and so he inherited not only trauma but also silence. By contrast, Dan has at least one surviving figure — flawed as she is — who keeps the family thread intact. That contrast makes Jaekyung’s bond with Dan all the more significant: it is not just romance, but an attempt to build a family line that never existed before him.
(chapter 73), while keeping Jaewoong’s own origins shrouded. Hwang had someone by his side — gentle, quiet, but present — while Jaewoong had no one, as according to me, the mother was counting on her “husband”‘s success and dream. The director’s stability, however fragile, was rooted in that maternal figure. Jaewoong had no such guide, and without it, he simply made the wrong choice.
(chapter 74), she never once spoke to her son about it, never asked what he felt. She did not grieve with him, nor allow him to grieve. Besides, the main lead’s words were ambiguous: Was the father dead or had he abandoned his son too? The fact that she never asked exposes that it didn’t matter to her. She was not interested in the truth, her only concern was herself — her new life, her fear of losing it. Where the father left him branded, the mother left him erased. 
(chapter 75) One condemned him, the other abandoned him, and between them Jaekyung was left with neither recognition nor belonging.
(chapter 73); every triumph, by the echo of rejection
(chapter 73). To win was to prove his father wrong, but to stand alone in victory was to prove his mother right. Success and emptiness became inseparable.
(chapter 56), seemingly fragile and dependent. But unlike her, he stays. Where the mother left, Dan endures. He only left because of the champion’s final words: 
(chapter 51) 
(chapter 73) mirrors what the director later whispers to Jaekyung: 
(chapter 75) Both men — the broken father and the regretful coach — carry the same hidden insight: that fighting cannot be the whole of life, and that reducing yourself to fists and violence only leads to ruin.
(chapter 75) This is the wolf’s ritual in front of the tender mirror: the fighter who lived by curses and silence finally meeting their reflection transformed into gentleness and endurance.
(chapter 75) If ritual could bend fate, he would build his own. But where the Bible fighter had a single, unifying story — scripture, God, fellowship — Jaekyung had nothing to draw on. No faith to lean on, no parental blessing to inherit, no safe home to return to. Instead, he began to stitch together a mosaic of rituals, each one disguising a different childhood wound. To outsiders it looked obsessive, neurotic, almost superstitious. To him, it was survival. Each gesture was both repression and remembrance, a scar disguised as armor. And this is the paradox: the rituals made him strong enough to survive, but too broken to live. 
(chapter 75) By using another body, he cleared his head, numbed the loneliness, and convinced himself he was in control. But it was also a grim reenactment of abandonment: he could take without being left, dominate rather than risk being deserted. At the same time, he considered his sex partners as toys in order to avoid guilt. A toy can not die, it can be “thrown away”.
(chapter 27) , self-punishment, the willingness to suffer endlessly for the cage. He didn’t fear pain. Their sudden appearance 
(chapter 75), a reminder that he had entered a machine in motion, a system that swallowed fighters whole and spat out statistics. From that point, the acceleration was merciless: by April, he was in the 272nd bout against Randy Booker 
(chapter 14); by June, the 293rd against Dominic Hill 
(chapter 50) 
(chapter 75), he had not merely “built” a career, he had been consumed by one. There was no time to recover from injuries, no space to process victory, no room to integrate defeat. No wonder why his shoulders were in bad shape. 
(chapter 75) Every fight blurred into the next, every opponent older, stronger, more experienced. And yet Jaekyung fought them all with the same desperate, survival-driven ferocity.
(chapter 71) and Dr. Lee 
(chapter 27) still called him an athlete — someone whose body required balance, protection, recovery. But MFC and KO-FC never did. For them, the main lead or his colleagues were addressed as 
(chapter 14) “The Emperor”, “a crazy bastard”
(chapter 40), “my boy”, 
(chapter 47) “a potential star.” Not a person, not even a professional, but branding material — a body to be consumed by audiences and discarded once spent. The absence of the word athlete marks what he lost: recognition as a human being. And guess what? 
(chapter 41) Only doc Dan at the gym saw the fighters as athletes!
(chapter 47). Thus only doctors are allowed to do them officially. But Jaekyung’s rise shifted that meaning. As “The Emperor,” he normalized tattoos for the new generation of fighters, transforming what once marked marginality into a badge of visibility. This is why even Oh Daehyun, one of his admirers and members of Team Black, now carries one: 
(chapter 8) The celebrity’s suffering literally redefined the aesthetic of the sport. His body, turned billboard, became part of the league’s branding.
(chapter 14) ripping open the scar of his father’s “loser” and his mother’s absence and silent parentification. Not long after, an article exposed his shoulder injury 
(chapter 35), reducing years of discipline to a liability on the page. Later came the suspension narrative 
(chapter 54), his temper framed not as the product of exploitation and scheme but as proof of unfitness, as if his rage were a crime instead of a symptom. 
(chapter 54) Even the match with Baek Junmin was twisted against him — accepted under pressure, then reframed as recklessness. To the system, his crown had been too secure, his presence too dominant. He had been champion for “too long.”
(chapter 5) the name Seo Gichan appeared here for the first time… a faceless name!
(chapter 69) The danger lay in the very identity of his next challenger. If they pitted him against a newcomer who had rocketed through the ranks as quickly as Baek Junmin once did 
(chapter 47), questioning the selection of Baek Junmin, is so crucial. It shows that the manipulation of opponents was no accident — it was systemic. Matches were not about fair combat but about narrative management: making sure the emperor’s story served the company’s balance sheet.
(chapter 51) On paper, it was a draw. In practice, it was soon reframed as a loss 
(chapter 57). By late August, Jaekyung had slipped to third place. 
(chapter 75) Here, it looks like a mirror, but naturally it is a fake one. It was not earned with fists alone; it could be stripped, reassigned, reshaped at will. One tie, one whisper, one adjustment in the rankings, and the Night Emperor was dethroned without ceremony.
(chapter 75), not for intimacy but to clear his head and stave off loneliness, emptiness and his abandonment issues.
(chapter 75) must be read in this light. It is not a relapse into the system’s treadmill, nor a blind return to the pitfall laid before him. Notice that he does not say he will fight in the fall, nor does he mention the upcoming match that everyone else is waiting for. 
(chapter 71) Instead, he frames his goal with a word that changes everything: reclaim.
(chapter 73), but he lost his father and his mother abandoned him. 
(chapter 51) When his world threatened to collapse again — the tie with Baek Junmin, the looming humiliation — he erupted in rage. He screamed at Dan, he let the words spill out violently, breaking the silence that had once shackled him. It was an act of defiance against the curse: if he could not silence the nightmare, he would shout it down.
“Don’t you trust me?” (chapter 54) That moment reverses the old script entirely. Where his father’s last word was condemnation, Dan’s is invitation. Where his father’s voice ended the dialogue forever, Dan opens one. Where his father made trust impossible, Dan asks for it. Besides, the latter encouraged him to reflect on himself. 
(chapter 51) The mirror is clear: the cycle can be broken, but only if he dares to answer the question that was never asked of him before. Therefore it is not surprising that the physical therapist’s question appeared in the champion’s vision: 
(chapter 54) His unconscious was telling him to have faith in his “doctor”. Thus later, the champion told the director of the hospital this: 
(chapter 61) He was acknowledging the main lead as a real physical therapist. 
(chapter 62)— and even to those closest to his body — it looks like nothing more than sex. That was all the uke from chapter 2 saw, and it was enough for him to sneer:
(chapter 2) The insult landed with devastating familiarity, not as a new wound but as an echo of his father’s curse: “loser.” Both words reduced Jaekyung to nothing — not a man, not an athlete, just a fraud kept alive by crutches.
(chapter 2) In slamming his former partner against the wall, he was not merely silencing a lover’s cruelty. He was fighting the ghost of his father, the voice that had branded him weak, cursed, unworthy. The jinx that kept him alive was being twisted into proof of his failure, and he could not bear it. 
(chapter 2)
(chapter 62), Dan recoiled. 
(chapter 62) To him, “jinx” meant objectification, a reduction of their bond to sex. 
(chapter 62) but as a therapist he trusted. His words about wanting to return to the “usual pre-match routine” 
(chapter 62) were, in his mind, a way of saying: I need you to bring back wholeness, to help me steady myself again. But because Dan only knew fragments of the jinx, the message landed with devastating distortion. 
(chapter 41) but not the others. He had never seen how layered and fragmented Jaekyung’s survival system truly was: the shower and perfume, the milk, the tattoos, the obsessive fight schedule. Thus, when Jaekyung invoked the jinx, Dan heard only objectification: you want me for my body. However, this is not what the “wolf” meant. Thus he got surprised by such a statement. 
(chapter 62) For Jaekyung, the plea was about coherence; for Dan, it sounded like reduction.
(chapter 22) He cooks breakfast for Jaekyung, offering something warm, homemade, human — a substitute for the cold, industrial glass of milk. 
(chapter 22) or cry out of joy.
(chapter 54) throws the plate away 
(chapter 54) But when Dan cooks, Jaekyung is surprised, even touched. For once, nourishment is not consumption but connection. The milk was always a disguised memory of deprivation; Dan’s meal becomes the antidote — food as presence. So for him, the prematch-routine was also referring to the meals prepared by his fated partner. And I feel the need to bring another aspect. Since there was no “family” in the athlete’s life, he never got the chance to discover the joy of the table. 
(chapter 22) Hence it is not surprising that he looked at his phone, while the others were eating and discussing. He never had a real conversation with a family member around the table. 
(chapter 45), whispering that he misses Jaekyung’s warmth, reveals that the champion’s natural scent is already enough. He never gets to see this — Jaekyung doesn’t know how deeply Dan treasures his smell.
(chapter 40) Here he turned around and placed his lover in the middle of the bed. He even let him rest. 
(chapter 2), and not the other rituals? Because to admit the rest would be to expose the origin of the jinx: the father’s insult, the mother’s abandonment, the hunger, the bullying. Sex was the only ritual that could be spoken without directly dragging the past into the room. It was the “safe” shorthand — though tragically, it became the most dangerous. Homosexuality is definitely a stigma among boxers and MMA fighters.
(chapter 68) In his own way, he was showing him that he did care! He was more than just a body… or even a physical therapist!!
(chapter 35) It is the steady mirror of Kim Dan.
(chapter 13) — helpless, cornered, often pleading. Thus the champion taught the doctor to overcome his fear and fight back: 
(chapter 26) This imbalance was no accident. It replayed Jaekyung’s own childhood roles: he became what his father had been to him (the better version naturally, for he is the mirror of truth), and forced Dan into the position he had once held himself. Through Dan, Jaekyung unconsciously re-enacted his trauma, reversing their positions as if to master what had once mastered him. That way, he was pushed to mature emotionally! That’s why he could connect with the main lead unconsciously. His trembling words in Chapter 51 
(chapter 71) He believes to know the truth, while he is ignorant. He is insecure, extreme in his behavior (drinking)
(chapter 71), but also selfish and questioning, still fragile yet capable of protest. He is struggling with his own emotions and thoughts. 
(chapter 71) How can he trust the athlete, when he doubts himself so much? From my point of view, he is on the verge of become “mature mentally” and as such “responsible”. At the same time, Jaekyung is revealed as the adult in crisis. His exhaustion 
(chapter 70)
(chapter 74) It is because thanks to the director’s confession, the “hamster” is able to see the champion as a “a kindred spirit“, an orphan and as such as the younger “boy”. 
(chapter 7) 
(chapter 26), because it is play, because it is chosen.
(chapter 69) It is not about treatment or jinx, but about presence. This hug reframes the meaning of strength. True strength is not the ability to fight endlessly, but the ability to hold and be held, to mirror” is like touching oneself! Let’s not forget that the mirror represents the reflection of a person. Respecting the physical therapist signifies respecting oneself!
(chapter 36) He can remain indifferent to their “provocations”, as he has long matured emotionally. 
(chapter 36) He can retaliate differently. With his money and power, he can prove to them, he is no loser! 
(chapter 47) and denial for strength 
(chapter 55). Joo Jaekyung, Kim Dan 
(chapter 61), Park Namwook 
(chapter 53) all operate within survival mechanisms shaped by trauma, guilt, and fear. They choose the illusion of control or calm over genuine healing. But as the story unfolds, these strategies begin to unravel. Each character must confront the truth behind their emotional habits, learning that happiness isn’t the absence of pain—it’s the result of confronting it with clarity and purpose. 
(chapter 54), Joo Jaekyung is cornered by a faceless, overpowering ghost. He is unable to fight or flee; only obedience and silence remain. 
(chapter 54) He could only express his pain and resent through the hand. This moment encapsulates the core of his trauma: as a child, he learned to survive through silence and compliance, not resistance. Yet deep down, the resentment festered—toward himself, and toward the abuser. That psychological pain was redirected into becoming a fighter, as if to prove the abuser wrong. 
(chapter 26) 
(chapter 14) But ironically, he became exactly what the abuser desired: a powerful, obedient puppet. His fame, discipline, and aggression were not signs of freedom, but evidences of emotional and mental captivity. That’s why the past from the champion is surrounded by darkness and mystery.
(chapter 34) 
(chapter 1) And crucially, he didn’t leave right away either despite his embarrassment and fears. 
(chapter 1) Thus for the first time, Jaekyung had to develop a new strategy in order to meet him again: one that doesn’t rely on intimidation, but on communication. The problem is that since he saw the physical therapist running away after their first session 
(chapter 1), he knew that he needed to lure him with something: money 
(chapter 1). Under this new light, my avid readers can grasp why the athlete played a trick on the phone, though we have to envision that here the celebrity’s thoughts were strongly influenced by his bias and prejudices. He imagined that Doc Dan had made a move on him.
(chapter 5) That retreat doesn’t mean failure—it can be an act of self-preservation. However, the champion experienced that he needed to speak with doc Dan in order to keep him by his side. This lesson became a turning point. Jaekyung started to speak more. 
(chapter 18) Therefore it is no coincidence that in episode 18, right after the celebrity spoke, Kim Dan’s reply was strongly intertwined with flight: 
(chapter 18) The denial of kindness from the champion made the doctor uncomfortable, the latter felt the need to leave the penthouse as soon as possible. The lesson for the star was to realize that words are powerful and can affect people. But Joo Jaekyung didn’t grasp it, as he chose to use sex to „submit“ his fated partner. 
(Chapter 18) Nevertheless, as time passes on, the wolf asks more and more questions. He reacts to emotional discomfort not only with physicality but with hesitation, introspection. He is no longer reacting as the ghost once taught him; he is arguing and as such adapting, growing. Thus we could say, he is less passive.
(chapter 3) or table, in showers 
(chapter 7), against doors, or walls 
(chapter 34). On the surface, it may seem like a gesture of dominance or desire, but symbolically, it reflects silencing.
(chapter 51) They stand in the middle of the room—an open space—symbolizing emotional emancipation. When Dan questions the celebrity 
(chapter 69) That silence could easily be mistaken for submission, for the same old performance of the compliant athlete. 
(chapter 69) But that would be a misreading. His silence is no longer a symptom of fear or control. It is a deliberate withholding—a sign that he no longer plays by their emotional rules. He is starting distancing himself from MFC, Park Namwook and the fight-centered identity they crafted for him.
(chapter 69) After all, to those still invested in dominance hierarchies, leaving the capital after a public defeat seems like the behavior of someone who’s been defeated mentally as well. But the truth is the opposite. This “retreat” is actually an act of autonomy. For the first time, Jaekyung is giving himself space—not to run, but to reflect. 
(chapter 69) He is no longer blindly performing the role of the fighter, nor desperately trying to maintain control over the narrative. 
(chapter 69) with “no audience” (he ignores people), no pressure, no script. And in that openness, he lets go—not just physically, but psychologically. 
(chapter 7) and flight 
(chapter 52), often using blame as a shield. When crisis strikes, he blames the champion’s temper, relies on Doc Dan 
(chapter 36), or MFC’s decisions. 
(chapter 69) He surrounds himself with “assistants” like coach Yosep, Kim Dan or Joo Jaekyung 
(chapter 25: here the protagonist was replacing Yosep and Park Namwook), hires professionals to manage damage 
(chapter 47), and hides behind administrative actions. 
(chapter 66) But he never takes full responsibility. This blame-displacement strategy works—until the champion flees to the West Coast. 
(chapter 66) that cornered the manager. 
(chapter 66) As long as the champion was nearby, Park Namwook could project blame onto him, framing him as unstable, disobedient, or temperamental. But once „his boy“ vanished from Seoul, the hyung was left exposed. Striking is that he is not seen watching over the training of the remaining members. 
(chapter 60) 
(chapter 60), a sign that he is neglecting the other members. The absence of his star fighter removed his most convenient scapegoat, forcing him to face the consequences of his own mismanagement—though he is not yet ready to truly question it and change his mindset, denial, and dependency. This was not just a geographical disappearance—it was a strategic psychological rupture, meant to destabilize Park’s illusion of authority.
(chapter 17) They don’t see him as someone with legal or institutional power. But that’s their fatal blind spot. Since Jaekyung co-owns or outright owns Team Black, this makes him: A partner (or even rival) in MFC’s talent pipeline; an employer and a stakeholder in fighter safety. He has the same position than Choi Gilseok. Therefore as the owner of Team Black, he can sue the gym King of MMA and Choi Gilseok. He can take action against the CEO for negligence, corruption or abuse of authority. 
(chapter 47) Finally, he can testify not only as a fighter, but as a representative of the institution they tried to exploit. That elevates his voice: from a disposable athlete to a legal opponent with organizational standing.
(chapter 57) Secondly, the vanishing of his parents were also swept under the carpet. That’s how he internalized powerlessness. Fleeing 
(chapter 1), deflecting, and disappearing became natural. With the grandmother, with doctors 
(chapter 1), with institutions—he obeyed. He accepted his fate as a fatality. But with Jaekyung, a new pattern emerged. Slowly, he began to resist: he set boundaries, raised his voice, argued with his boss, even used physical gestures to assert himself. 
(chapter 7) For a moment, he was fighting.
(chapter 67) Moreover, in contrast to Season 1, Kim Dan is no longer the invisible caregiver or obedient grandson. Thanks to Joo Jaekyung’s presence—disruptive and painful as it was—he began to form an independent identity
(chapter 57), one no longer shaped entirely by duty or guilt. The grandmother, however, is blind to this change. She continues to speak to him as if he’s the same self-sacrificing boy 
(chapter 65) who followed orders quietly and centered his life around pleasing others. Her suggestion that he “returns to Seoul” assumes he still views that as his place. But Dan refuses.
(chapter 57) —it is a rejection of the belief that he exists only to serve. In Season 2, Dan says “no” repeatedly:
(chapter 60) 
(chapter 67)
(chapter 58) 
(chapter 57)
(chapter 53) Unlike Park Namwook who uses blame and delegation in professional settings, she applies emotional avoidance in private and familial spaces. Much like the manager, she outsources responsibility, asking others to step in 
(chapter 53) 
(chapter 65) rather than engaging directly. She avoids difficult conversations, never once asking doc Dan about the nature of his work or why he followed her to the West Coast. 
(chapter 65) Her silence is not protective—it is evasive.
(chapter 5) Her illness becomes a metaphor for her mindset. She relies on external systems: her grandson 
(chapter 7), medication, comfort 
(chapter 21), and other people (nurse, Joo Jaekyung) —to maintain her emotional balance. But as doc Dan himself once observed, she is ultimately on her own in her battle. No system can fight it for her.
(chapter 7) His grandmother was not truly abandoned; she simply equated his physical absence with neglect, ignoring the emotional and financial burden he already carried. Like Park Namwook, she prefers others to carry the discomfort while maintaining a façade of suffering and sacrifice. 
(chapter 65)
(chapter 47) , and her narrative of selflessness becomes another form of emotional pressure. She does not yell, she does not accuse directly, but her avoidance is equally powerful in shaping Dan’s self-image as a burden. Doc Dan came to internalize that she suffered because of him.
(chapter 5) Hence he made sure to shield her from any pain. 
(chapter 65), protected, comforted. Surrounded by nurses, medication, and routine, she finds temporary peace in an environment that simulates safety. The hospice does not cure her illness, but it cushions it. This illusion allows her to smile again, to relax—but only up to a point. Kim Dan’s gradual deterioration 
(chapter 57) —his visible exhaustion, disconnection, and quiet suffering—becomes a thorn in her eye, a reminder that her peace is not whole. As long as he suffers, she cannot entirely escape the shadow of her own regrets. Sending him away to Seoul represents a new of flight. Out of sight means out of mind. That way the grandmother wouldn‘t have to worry about doc Dan, as he has been entrusted to the athlete. 
(chapter 163) and supported by the article on confirmation bias, human survival was deeply dependent on mental shortcuts. Biases were not flaws, but adaptive tools — heuristics that helped our ancestors make quick decisions under threat. Faced with a potential predator, they could not afford the luxury of curiosity or debate. Run first, think later. 
(chapter 163) In this sense, biases were effective precisely because they increased the chance of survival.
(chapter 9) But once Joo Jaekyung became the target of criticism and scandals, his fear response activated. 
(chapter 41) he recommends the opposite at the restaurant because the idea comes from the CEO! 
(chapter 65) It was her decision to settle down at the hospice. 
(chapter 67) His survival bias told him: “Don’t trust a man who once treated you violently.” or “Doctors are ignorant, they don’t know me“. It was easier to discredit the source than to weigh the merit of the message. Likewise, in Season 1, the champion dismissed doc Dan’s medical opinions 
(chapter 41), trusting instead in MFC and his agency — despite the fact that those institutions are overtly motivated by money. His bias protected his ego, but at the cost of his health and relationships.
(chapter 45) His double standard is not conscious hypocrisy — it’s a form of selective laziness. He does not challenge his beliefs because doing so would unravel the identity he’s built as a competent, authoritative manager.
(chapter 65) or a support network. It is not her fault, if she never met doc Dan’s friends in the past while hiding the fact that he had been bullied by his peers. Her request for him to return to Seoul, a place he has no roots, only furthers his habit of isolation. Similarly, when she asked Jaekyung to bring him to Seoul and have him diagnosed, she implicitly discouraged any shared decision-making. Like Park Namwook, she bypassed dialogue in favor of directive control, reinforcing the habit of emotional withdrawal.
(chapter 67) That shift marks a turning point from survival to conscious thought. The mind cannot reflect when it believes it is under attack. The tragedy is not that these characters are irrational — it’s that they were taught fear before they were taught trust. Thus I come to the following conclusion. As soon as both are curious about each other 
(chapter 69), they are now free from their bias and prejudices. 
(chapter 69) They will be able to communicate which will help them to discover the truth about MFC. Yes, their ability to ponder will lead them to unmask the villains and defeat their opponents. By fighting for justice, both will discover true peace of mind. This hardship at the end of season 1 was necessary to reset their heart and mind: what is the true meaning of life? Money? Work? Duty? Sacrifice?… The answer is happiness which is strongly intertwined with love and selflessness. 
(chapter 54) and penthouse 
(chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” 
(chapter 56) in a small town on the West Coast 
(chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged 
(chapter 16) 
(chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, 
(chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information 
(chapter 48) and using Shin Okja as a guinea pig for trial treatments 
(chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: 
(chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion
(chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. 
(chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, 
(chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating 
(chapter 36) 
(chapter 35) 
(chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. 
(chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony 
(chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: 
(special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets. 
(chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.
(chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.
(chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean 
(chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water 
(chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.
(chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.
(chapter 57) and the yelling patient
(chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself
(chapter 57), she reminded me of the champion’s friend: 
(chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.
(chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life. 
The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.
(chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.
(chapter 23) On the other hand, the physical therapist has always been associated with a hamster, like in this image. 
So how did I come to connect the main lead to a puppy dog? 
(chapter 47) It is because Shin Okja called her grandson “her puppy dog”.
(chapter 5), but a young dog. This signifies that in the bathroom, the main lead’s true nature came to the surface due to the bad news concerning his grandmother. 
(chapter 47) Yet, a puppy embodies innocence and inexperience. Thus it needs the guidance of a mother. On the other hand, in my essays about the doctor, I kept describing him as a person who would constantly grow and mature. So “a puppy dog” would appear as a contradiction to my previous interpretation. Nonetheless, we shouldn’t forget that this was representing the grandmother’s desire. By turning him into a puppy dog, she expects from him obedience and loyalty. She is denying his right to determine his own life. He needs to follow its master. Hence this scene announces a certain regression for Kim Dan. On the other hand, I believe that this is just temporary. What the elderly woman didn’t know is that by linking him to a dog, she was freeing Kim Dan from society as well. He is now an animal. He belongs to Nature from that moment on. This animal symbolizes freedom and independency. So when the grandmother described him as a puppy dog
(chapter 53). On the other hand, she was also cutting off ties with him symbolically. She was also liberating him from any obligation and expectation, as her favor was linked to a single moment: watching the sunset once again. The moment he does this, she can no longer ask for a new favor, especially after admitting him that she had never done anything for him. 
(chapter 48) Furthermore, Jinx-philes could observe how the doctor had followed his instincts during the conversation with Choi Gilseok in different panels, like for example in this image. 
(chapter 48) The idiom “fishy” is a reference to smell, indicating that he was relying on his own senses. But we have another evidence that the puppy dog was using all his senses to judge his counterpart: 
(chapter 48) He rejected the touch from Choi Gilseok. That’s how he could detect the director’s hypocrisy. He refused to drink the coffee from the senior, although it had been recommended. As you can imagine, all his 5 senses were on alert, and the latter are strongly intertwined with instincts. In addition, when he asked his counterpart to go to the point and speak frankly 
(chapter 48), he was urging Choi Gilseok to drop all manners. Yet, Manhwalovers should keep in mind that the synonyms for manners are etiquette and ceremony. This proves that manners stand for civilization. But what are good manners?
(Chapter 48) This means, he was disrespecting the elder. However, his disrespect didn’t start at the café, but in front of the gym. 
(chapter 48) He refused to take the card from the director. However, the moment his grandmother was brought up, he became obedient and accepted the invitation. 
(chapter 48) He acted out of loyalty and love for her. Nevertheless, the director’s offer for his halmoni served him to see the truth. His behavior during the conversation exposes the awakening of his wild and rebellious side. Thus we could say, Doc Dan showed more and more his rudeness. He left without asking permission and saying goodbye.
(Chapter 48) To conclude, the conversation displayed that Kim Dan was already following his halmoni’s advice, he was living as a dog. This made me smirk, because I could detect how Joo Jaekyung had rubbed off on Kim Dan!! 😂 
These two characters symbolize true friendship. Thus I come to the following deduction: Kim Dan is about to get truly adopted by Team Black, while it looked the opposite at the end of the season. He might have been wearing a uniform and a jacket Team Black, yet there were signs that he wasn’t truly part of the team.
(Chapter 43) He wasn’t simply left out here, when it was dinner. They never questioned the origins of his tiredness, indicating a certain neglect and disinterest. Their concern was rather superficial. He was not included as well, when Oh Daehyun and the other members prepared a surprise party. Hence he was caught by surprise. 
(chapter 43) The cause for this issue is that Kim Dan was hired as the private Physical Therapist for the champion. He occupies a special position, for he is no fighter. Yet, he did everything to integrate his new family by treating the other members, though it was never his responsibility officially. 
(chapter 47) But for the adoption to happen, he needs to prove his loyalty. How will he do it? Once again… wait for the part with the predictions. Yes, I am taunting my attentive readers.
(chapter 47) She was underlining their innocence and naivety. Thus they are still ignorant of the existence of schemes in the MFC world. They have the impression that the underground fighting ring and MFC are two different worlds. 
(Chapter 47) That’s the reason why they were not expecting that their idol would get so hurt or lose the fight. Kim Dan didn’t dare to contradict them, especially when Potato asked for his opinion.
(chapter 47) In my eyes, Doc Dan didn’t dare to ruin the maknae’s illusion about his idol, though he thought otherwise. His broken sentences and his drop of sweat are revealing his discomfort and skepticism. He was not sure about the success of his VIP client. But Kim Dan as his PT knew about the champion’s true conditions: he is not truly healthy. But why are the fighters so innocent?
(chapter 26) That’s how it dawned on me what had been happening in the past. Don’t forget that Park Namwook is the coach of Black Team. Hence he brought the fighters to the match himself and left Potato, Joo Jaekyung and Kim Dan behind. 
(chapter 23) While it looks like he has high expectations from his members, the reality is different. He offered them chicken 
(chapter 36) To sum up, he was buying their loyalty. Under this new light, it becomes comprehensible why the coach of Team Black treated Seonho so gently 
(chapter 46) and why he was worried about the desertion and betrayal from members. 
(chapter 46) It is because the success of the gym relies only on the champion’s glory and the number of members. Till the end of season 1, he has not changed his behavior yet. 
(chapter 31) It looks like I am diverting from the topic, as I am now talking about the fighters and the gym. No wonder why most of the members switched the gym, as soon as the champion lost and his reputation got tarnished. Nonetheless, keep in mind that his game with Baek Junmin ended up with a TIE. So it is not a complete defeat. In my opinion, the schemers desired to tame the Emperor, not to ruin him, as they definitely need him to make money. 
(chapter 23) Kim Dan and Yoon-Gu had no task at all. The latter were treated like playmates and nothing more. Hence the manager asked patience from the doctor. 
(chapter 36) He should keep the star company, as no one was willing to be exposed to his sour mood and roughness. To conclude, both puppies were treated the same way: like puppies and not dogs or better said as fighters.
(chapter 46), but also by his greed. He had lost so much money. He needed to refill his pockets. Thus his wish was to “kill” the emperor and as such to ruin Team Black. In other words, he had planned the destruction of the rival gym. With the victory, Baek Junmin could replace the champion, and Choi’s gym King Of MMA would attract members. And my prediction came true. With the tie, many members from Team Black went to King Of MMA hoping that they would come to get rich and famous very quickly. 
(chapter 52) And since the other fighters from Team Black had never been able to break through MFC, it is not entirely surprising why they made such a decision. With their desertion and the champion’s ruined image, the future of the gym Team Black seems to be sealed: failure. Under this new light, my avid readers can grasp the true signification of this gesture: 
(chapter 49) It was not just about Kim Dan’s fate, but also Team Black’s. Hence he can not quit or run away. This new interpretation made me perceive the entrance of Kim Dan in the arena in a new light. 
(chapter 50) Remember how I said that the locker room had become a temple. Thus I come to the conclusion that he got baptized there. He discovered the power of his hands, similar to this scene. 
(Chapter 14) So when he comes to the arena, he is still following his instincts, unaware of his own metamorphosis. He is no longer a puppy, but a dog. Deep down, he feels that he has to be there despite his agony. He needs to be there in order to protect his home. To conclude, in the locker room, the doctor reached adulthood. Interesting is the chosen perspective from Mingwa. It was, as though he was flying high in the sky, like a yeouiju. 
(chapter 40) In this image, he has to look up, whereas in the other panel, the beholder has the impression that doc Dan is rather standing on the same level than his soulmate, the alpha Jaekyung. However, since the athlete blamed him for the incident and rejected his hand, for Kim Dan, it sounded that he was no longer needed. 
(chapter 53) This exposes that the physical therapist learned through this terrible incident the huge significance of a PT. The latter is the sportsman’s protector. He is the one making sure that the athletes don’t ruin their career. 
(chapter 42) Here, it becomes obvious that he didn’t see his PT as a partner, but as an underling. 
(chapter 35) Thus it dawned on me why Joo Jaekyung reacted so violently, when he received the golden keychain. 
(chapter 45) Have you ever seen a wolf wearing a collar? No, this animal symbolizes freedom. What the champion wants from his soulmate is the following: he wished his puppy dog to follow him! 
(chapter 40) And that’s how the champion will come to realize that he can not live like before, as Kim Dan can not keep up to him. He is physically weaker. He desires his loved one to always look at him, to never leave his side, to stop living like a stray dog. 
(chapter 4) 
(chapter 48) Yes, these images represent a metaphor of a wandering dog. On the other hand, the shadow below the doctor is indicating that he is slowly turning into a human being out of flesh and blood. He is no longer living like a spirit.
(chapter 53) Observe that the doctor’s shadow is getting bigger. I interpret it as a sign of his growth, and it implies that Kim Dan is leaving traces behind inviting Joo Jaekyung to follow him. In the nature, far away from the city, the wolf should be able to reconnect with his true nature: freedom, but also loyalty and family. Home is no longer a place, but a person: 
(chapter 53) As you can see, with this new interpretation, I recognized that at the end, Joo Jaekyung stopped being under the influence of PArk Namwook. The latter hasn’t recognized the true role of a PT for an athlete yet. Hence he has no problem to hire a new one. 
(chapter 53) They are just tools and nothing more. 
(chapter 29) while all the others called Yoon-Gu as Potato. 
(chapter 9) The image divulges us the origin of this nickname: coach Jeong Yosep. Yet, this shows us the naivety from the hyung. And what did the other fighters do? They simply followed the suggestion from their elder: 
(Chapter 23) This shows that he was not infantilizing him despite judging him as a child or “puppy”.
(Chapter 49) I detected a huge contrast. He is the only one with clenched fists, ready to punch the other fighters or even Choi Gilseok, whereas the other members were trying to restrain their athlete, though the perpetrator was in reality the other director. As you can see, exactly like his hyung doc Dan and Joo Jaekyung, Potato is also disregarding good manners, when it is necessary. I could include another example for his impoliteness: 
(chapter 35) He stood up, yelled and gave an order to the artist, though he is a junior. No wonder why the other guests turned around and looked at him. But this shows his strength, as he is following his instincts and as such his heart. He has already developed his own moral codex.
(chapter 23) His desire was to become the Emperor’s companion and as such best friend. The problem is that he was projecting his own thoughts onto the protagonist. The latter is not a dog, but a wolf. Moreover, Jinx-philes can sense that in his mind, the maknae was viewing the training as a playground. However, for the Emperor, life is like a battlefield, where death can strike at any moment. It is deadly serious. So in the star’s eyes, training has nothing to do with pleasure and fun, but survival. That’s why Joo Jaekyung received punches from his soulmate, a reminder that he needed to be careful. And that’s how Kim Dan earned the athlete’s respect. 
(Chapter 8) I noticed that the champion initially only listened to violence. It was, as if he had internalized this Nature’s law: the strongest prevails. No wonder why the champion didn’t react to Potato’s admiration so positively. 
(Chapter 23)
(chapter 23) Interesting is that she cut the chibi Kim Dan in half. Why? In my opinion, the main lead had not found his true self yet. She didn’t place any puppy above his head as well, because she wanted to keep her readers in the dark. However, let’s not forget that a puppy will recognize another puppy much more easily. Therefore Potato felt jealous and resentful first. 
(chapter 25) Moreover, we should interpret his nightmare like this. The puppy doc Dan had already marked his territory: 
(chapter 25), though in his vision it looked like the roles were switched. The “dog” was the champion, whereas the doctor was the owner. That’s the other reason why Potato was so worked up. He preferred the strong man or beast.
(chapter 25) The latter was trying to learn more about MMA, as he desired to improve his skills as PT.
(Chapter 25) That’s how Potato came to offer his assistance. Interesting is that Yoon-Gu became the teacher for the physical therapist. 
(chapter 25) It is relevant, because the maknae was acting like a sunbae and not like a junior. He was given responsibility. His task was quite important compared to the coffee incident. With such a task, the cute puppy got to learn the importance of PT. This explicates why Potato always paid attention to the protagonist and his duties afterwards. Though Kim Dan had been constantly diminishing himself as physical therapist, in front of Potato he acted differently: meticulous, dedicated and caring. As you can see, this training session had huge repercussions for the chow chow.
(Chapter 25) Hence it is not surprising that Kim Dan chose to repay Potato’s kindness by fulfilling his dream. 
(chapter 26) He was following his heart and as such his instincts. That’s the reason why money was out of question.
(chapter 25), then he lowered his face like a moping mutt. 
(chapter 25) Because of his sacrifice and generosity, doc Dan became a role model in Potato’s eyes. 
(chapter 26)
(chapter 31) But how could he judge the actor as a danger? It is because he was using his senses as well. Don’t forget that they had bumped into each other 
(chapter 31) Secondly, since Yoon-Gu is a dog, this signifies that he can not be bought with money or presents either. Hence he could only mistrust the artist’s generosity. It is important to recall that before meeting the “angel”, Heesung would simply offer meals 
(chapter 30) and not expensive stuff like designer clothes or electronics. So Potato was not wrong either to mistrust the actor first, for the latter was indeed expecting affection in return despite his claim. He did want to date the doctor, but the puppy knew that the protagonists were together. He represented a threat to his new found home.
(chapter 31) Heesung described him as ugly, which is actually an insult. Note the contrast. Heesung is smiling despite his words. It is because he was voicing his annoyance at Potato. The latter represented a hindrance to his courting.
(chapter 40), the former came to appreciate the doctor much more than before. 
(chapter 40) First, he informs him about his patient’s conditions. On the other hand, it becomes obvious that he worries much more about the doctor’s health. His increasing care started with the party. 
(chapter 37) When Potato and Daehyun saw that Kim Dan was feeling down, they tried to cheer him up. Moreover, let’s not forget that when they got caught partying, the hyung tried to protect them: 
(chapter 37) Besides, Yoon-Gu witnessed the effects of the drug 
(chapter 38). Contrary to the other fighter, he touched his head. This gesture reminded me of a mother’s. And now, I know why Kim Dan saw Potato as a puppy. 
(chapter 25) On the other hand, Yoon-Gu lacks experiences, for he has never been exposed to the cruelty of this world, unlike Kim Dan or Joo Jaekyung. His fighting spirit is not developed yet.
(Chapter 40) Therefore it is not surprising why after mentioning the incident with the MFC security guys to Park Namwook.
(Chapter 40), he didn’t follow his boss despite his concern. In his eyes, it was Joo Jaekyung’s role as his soulmate to take care of his partner. Furthermore, since Potato came to value doc Dan as PT, it becomes understandable why he brought up the vanishing of Kim Dan. For him, the latter is already part of Team Black and plays an important role, as he is taking care of the physical condition of the Emperor.
(chapter 41) Thus the latter must have suggested to go out during the planned birthday party.
(chapter 52) He never questioned why the coach didn’t stop Kim Dan from quitting. On the other hand, I wondered how he came to change his mind about his idol. It can not be his brutality 
(chapter 1) and rudeness, for he didn’t criticize the athlete in the first episode or episode 7. In my eyes, the maknae lacks critical thinking. Nevertheless, we shouldn’t overlook that he followed the members’ behavior. No one from Team Black called Kim Dan and looked out for him. They all abandoned him after the match. 
(chapter 52) They only talked about the lost members, not about the physical therapist. This exposes that they didn’t treat him as one of them. To conclude, as time passes on, Yoon-Gu came to mimic and think like hyung Namwook. 
(Chapter 49) and helped him. I have to admit that the way the main lead was holding his hand reminded me a little dog. 
(chapter 49) For me, it becomes clear that the more time Potato and Kim Dan interacted together, the more the chow chow valued the job as physical therapist as significant in the career of an athlete. Besides, thanks to Kim Dan, the young puppy had the impression that he was contributing himself to his champion’s success too. It gave his presence a meaning. In other words, the puppies bonded through their jobs. That’s the reason why I am quite certain that with the recent incident, Potato will change his attitude towards Kim Dan. His vanishing made him realize how important he was to the team.
(chapter 52) Hence he looked so upset and sad. Thus I can only come to the deduction that for Kim Dan’s return, he will do anything. Moreover, after the discovery of the scheme, there is no doubt that the chowchow will become Kim Dan’s guardian. He will protect him, as he failed to do so in the locker room. At no moment, he vouched for the PT’s innocence, he chose to follow the hyungs. On the one hand, we could see glimpses of a change in the locker room. He not only gave him an advice, but he spoke loudly and clearly to his role model: 
(chapter 50) He was cheering him up! On the other hand, he still remained passive, and didn’t question the sunbaes like Park Namwook or Yosep. One thing is sure. After the last incident, he should have realized cheering someone is not truly loving someone. And this brings me to the other reason why Kim Dan was alone between 41 and 47. Yoon-Gu didn’t know doc Dan that well. He has no idea about his past and his actual situation. He can not expect the champion to act like in the States, as now the situation is different. He is already injured. Consequently, I am quite certain that it is also time for the semi-professional to reveal his true nature: he is a chow chow in verity! He sometimes acts more like a mother towards Kim Dan, though the latter is his hyung. Take the last panel as an example. Yoon-Gu is strong, extremely loyal and intelligent! His nickname Potato might be cute, but it doesn’t reflect his personality.
(Chapter 50) However, the doctor
(chapter 47) was hiding his sadness and pain behind his job. How could Potato notice his suffering? Kim Dan never let his wounds transpire. Finally, we shouldn’t overlook the fact that Kim Dan never confided to the puppy dog as well. The protagonist has always been a loner, like we could see it in his memories. 
(Chapter 47) He never had a friend before, and Joo Jaekyung was more than a friend. 
(Chapter 21) He was first of all his boss and his landlord. Yoon-Gu is not connected to the main lead because of money. The foundation of their relationship is based on trust, care and respect. Thus I deduce that Potato is on his way to become not only his first true friend, but also his second stan. He might have noticed his angelic nature in the past
(chapter 26), but his adoration for the champion was still very strong. 
(Chapter 33) Yes, through them, the dragon and the gumiho can become real friends. So far, they had been more frenemies. They know each other’s secret 
(chapter 33), hence they can talk frankly to each other. Heesung knows that he won’t be condemned for his confession. 
(Chapter 33) Thanks to him, the actor can drop all good manners and expose his true self. In the essay 
(Chapter 44) And what did the doctor do during that wonderful night? He patted his lover on his head
(chapter 44). He was telling him that he was doing a good job! One might say that he treated him like a little child. The second interpretation is that he was treating him like a pet. The dog was complimenting his lover, the wolf!
(chapter 49) Respecting the elders! For me, Kim Dan will see red, when he hears the truth about the incident. From that moment on, he will start questioning not only seniors (manager Park Namwook), but also authorities (doctors). 
(chapter 50) Therefore he is safe. And how did the main lead describe the antagonist? As a crazy person! 
(chapter 42) 
(chapter 52) His behavior shows that he was no longer respecting social norms, respecting the elders. While in the beginning, he still followed Seonho 
(chapter 52), at the end he chose to leave the restaurant on his own accord. Yes, he stopped being a follower of “herd mentality”. 
(chapter 40) I am quite certain that some readers might be shocked or call me crazy… but actually such an incident was a blessing in disguise. How so? It is because it pushed both protagonists to drop their bias and flaws. 
(chapter 50) and Kim Dan. While the former was tormented by his challenger directly 
(chapter 50) and indirectly, the other had to witness how the members from Team Black turned their back on him in the locker room. 
(chapter 50) They could put themselves in his shoes: he was left behind. On the other hand, the reaction from Joo Jaekyung was totally understandable. 
(chapter 50) He acted on instinct. Moreover, he had a match, therefore they had no time to discuss or investigate the matter. 
(chapter 50) And everyone knows this saying: Time is money. Yes, the hyungs didn’t decide to postpone the fight, because they would have to pay huge fees, and this could have affected the Emperor’s reputation. It exposes that the fight as such the show was more important than the well-being of their star. As a conclusion, money played a huge role in their decision. On the other side, the annulation would have brought more trouble to Kim Dan, as it would have caught the attention from journalists and fans, though it can still happen later. Under this new perspective, it becomes comprehensible why they left the locker room and didn’t argue with Kim Dan. They were under pressure. Nevertheless, the readers had a different reaction, for they knew the truth: Doc Dan was the victim of a new scheme. Therefore they judged the whole situation as unfair. Some were mad at the manager for yelling at the physical therapist. 
(chapter 50) Yet, we shouldn’t allow our emotions cloud our judgement, for this image displays the doctor’s metamorphosis. Notice that he talked back. Though his sentence is still not complete, the thickness of the writing and the point of exclamation are indicating that he was not whispering. He was speaking loudly and clearly. He was talking back firmly. Moreover, he was not avoiding his counterpart’s gaze contrary to the argument in the penthouse. 
(chapter 45) In other words, the scene in chapter 50 exposes the doctor’s growing strength and resilience. That’s the second reason why anguish is necessary in Jinx. Through their suffering, the characters can change, and Jinx-philes have the opportunity to witness their growing maturity. At the same time, the author is able to underline the other figures’ flaws thanks to torment. Between the essay 
(chapter 44) Now, the doctor is no longer associating sex with prostitution and corruption, but with love.
(chapter 27) But only Dr. Lee and Kim Dan got to see the results
(chapter 27) Then, after the match in the States, the manager asked his “boy” how his shoulder was. 
(chapter 40) Here, he chose to rely on the celebrity’s words, 
(chapter 40) while the manager had witnessed how Dominic Hill had targeted his shoulder. He should have realized that his star’s shoulder had been damaged. Nevertheless, we shouldn’t overlook that the athlete’s statement was corroborated by the medical checkup from MFC. That’s how he got fooled. Hence there was no treatment. However, doc Dan could detect the champion’s lie not only through observations
(chapter 41) but also through touching.
(chapter 41) As you can see, the wound was slowly coming to the surface. Thus I consider the incident in episode 43 as a metaphor for the shoulder injury. 
(chapter 43) It was exposing the damage in his body. Consequently, when the champion’s foot got wounded by the pepper spray, 
(chapter 49), I realized what was happening. Mingwa is forcing the Emperor to admit his suffering. Hence his wounds are becoming more and more visible.
(chapter 5) for he was simply relying on the prostitutes due to his jinx. Thus I consider this argument in the penthouse as a huge step for the athlete: 
(chapter 45), but the help from the angel Dan.
(chapter 50) So far, he just had a cut above his eye, nothing serious. 
(Chapter 40) However, the wound on the foot is different, for his skin is damaged. The recovery will take longer. It is relevant, because Park Namwook can no longer feign ignorance about his star’s wounds. He is less susceptible to manipulations. 
(chapter 50) That’s the reason why he turned into a dragon at the end of the chapter. [For more read the essay “
(chapter 5) And now, you comprehend why he got so nervous and angry, when he imagined that Kim Dan had blocked him. 
(chapter 5) This shows that his belief in his jinx had been reinforced after his first night with Kim Dan.
(chapter 31) He could take the fall for everything. The main lead is put in such a position so that he has no other choice: he needs to clear his name! 
(chapter 50) From my perspective, this is the result of the overexerting. 
(Chapter 50) Even the coach is noticing that the athlete is overtraining himself. Remember that the athlete refused to listen to his PT. 
(chapter 42) In addition, he would return home late, a sign that he would train even more than before. 
(chapter 48) Finally, we shouldn’t overlook the fact that after his match in the States, he never visited the hospital due to the law suit. 
(chapter 41) According to me, the MFC medical checkup was not reflecting the verity. Hence he never got a real check-up and MFC could definitely say that the athlete was definitely fine. 
(chapter 27) refused to force the champion to take a day-off by saying that the protagonist would never listen anyway. With such a statement, he pushed Kim Dan to make the decision and announce it to his VIP client. Moreover, the manager didn’t stop his “boy” from exposing his injured shoulder to the public. 
(chapter 41) However, by doing so, he was exposing his vulnerability to his opponents, though I am still suspecting that MFC leaked information too. So far, the headlines are not indicating which shoulder is wounded. Yet, the moderator knew which one: 
(chapter 50) So why was the manager so shocked with such an attack? 
(chapter 50) It was clear that during such a match, the challenger would use the opponent’s weakness. What did he expect in the end? The panel exposes his stupidity and his immaturity. He should have anticipated such a move. These observations lead me to the following conclusion: the champion needs to realize that his hyung will never recognize his suffering, as long as Joo Jaekyung is in denial. Until now, he hasn’t been protecting Joo Jaekyung’s interests, rather his own comfort. His MO was to put the whole responsibility on the athlete. But it was his duty as his manager not to accept the new challenge. 
(chapter 46)
(Chapter 9) and coach for Team Black, but he acts like the director of Team Black.
(Chapter 49) This explains why he claimed that Team Black was his gym, 
(chapter 22) yet the reality is that this power comes from the champion, as the latter is the real owner of Team Black. Therefore the captain warned the two hyungs. 
(Chapter 46) Thus I deduce that the role between the star and his hyung must be redefined because of Kim Dan’s presence. But wait… the heading is referring to the Russian author Leo Tolstoy. So what is his connection to the manager from Team Black?
(chapter 41) to the golden keychain. 
(Chapter 45) As you can see, the famous writer is connected to Positive Psychology, for he was also promoting meditation and experiences. This fits our story, as both main characters are on their way to give a meaning to their life and as such to find happiness. But let’s return our attention to the manager Park Namwook as a representative of “ignorance”. 
(chapter 11), but also he never tried to correct the star’s false conclusion. 
(Chapter 11) He just got angry giving the impression that he was siding with Kim Dan. But the reality is that he did nothing for the poor doctor at all. He remained passive and silent. His “ignorance” explains as well why he is not questioning events and his athlete’s success. 
(chapter 43) Through the two examples, Manhwaphiles can sense that his “ignorance” is a mixture of willingness to close an eye and real naivety. Under this new approach, it dawned on me why the manager used to beat his star so brutally. 
(Chapter 31) It is his way how to deal with uncomfortable situations. He stands for social norms and conformity. It is not surprising that the manager proposed to use Kim Dan as compensation for Heesung’s fake injury. 
(chapter 32) Furthermore, he forced Joo Jaekyung to take the blame without investigating the matter.
(chapter 43) The latter triggers his anxiety and nervousness. Thus when there is a problem, his MO is either to threaten, 
(chapter 36) or to let others make decisions. I would even add, he often delegates things to others: the manager from the Entertainment company
(chapter 46), Kim Dan [f. ex. He should accept the bad mood from his VIP client] 
(chapter 43) Furthermore, compare his behavior towards the celebrity and the doctor:
(chapter 46) and 
(chapter 16) 
(chapter 41) and he should assist him during his matches! 
(chapter 41) Therefore I believe that in the locker room, Kim Dan must have recalled her words. She became his source of strength once again. That’s why we have parallels between these three scenes: 
(chapter 21: he was criticized by Kim Miseon, he feared to lose his halmoni) 
(chapter 50) That’s the reason why Kim Dan could become a star. Contrary to Joo Jaekyung, we didn’t assist to the birth of the yeouiju. It is no coincidence that birth is connected to pain and happiness. Mothers forget the suffering of the delivery, as their child can procure them a lot of joy and happiness.
(Chapter 26) By embracing misfortune, transcending conventional morality, striving for self-overcoming, embracing individuality, and creating meaning and values, individuals can embark on a journey of self-discovery and self-actualization, ultimately becoming the architects of their own lives. At the heart of Nietzsche’s vision lies the concept of the Übermensch, or Overman, who embodies the pinnacle of human potential and serves as a beacon of courage, creativity, and self-mastery. Through the pursuit of the Übermensch ideal, individuals can transcend their limitations, confront their fears, and forge their own destinies, thereby finding their true selves in the process.
(chapter 5) or Heesung drank alcohol 
(chapter 35). Both were trying to numb their pain, though they shouldn’t have according to the German philosopher. The soju stopped them from becoming the better version of themselves. I am suspecting that doc Dan copied this poor habit from his grandmother, who drank in secret. Don’t forget that in all the memories, the halmoni is smiling 
(chapter 47) In other words, he had selected this job, as he was following traditions and expectations. Only in episode 47, he realized that she was his real motivation. Yet, he discovered shortly after that she is about to die. Thus he needs to find a new motivation for his job, or better said, he needs to question himself about his profession. Does he truly want to be a physical therapist? Since the beginning of the story, doc Dan has never identified himself as a physical therapist. Thus he accepted to be judged as a whore 
(chapter 16) or as a tool for the jinx, therefore he mopped the floor
(chapter 36), acting like an errand boy. Then he doubted Heesung’s words and admiration 
(chapter 31) 
(chapter 31). Furthermore, he took a side gig in order to buy the champion’s present and finally, he rejected Choi Gilseok’s praise and offer. 
(chapter 48) He was always diminishing himself as a doctor. Therefore in the locker room, he was confronted with his biggest fear: is he really a physical therapist? 
(chapter 50) He injured his patient. The spray is there to let him see that he has power in his hands. He should trust himself and his magical hands. Don’t forget that this request was made by Joo Jaekyung. 
(chapter 5) 
(chapter 50) It is relevant, because through such an intervention, hamster Dan would teach the champion an important lesson. He is not alone in the ring, the doctor is watching his physical condition and helping him. 
For me, chapter 50 announces a new start! Interesting is that the number 50 is associated with the planet Mercury which stands for poison but also medicine! And now, you comprehend why I consider the painful chapter as treatment sessions. The two protagonists are forced to redefine themselves. Joo Jaekyung might be injured, but he no longer sees himself jinxed! 
(chapter 48) So the moment you perceive this moment 
(chapter 19), this signifies that Potato was acting like a true friend in the locker room. 
(chapter 37) 
(chapter 40) 
(chapter 42) In the first part of Jinx, the doctor was the star’s companion of the night, but since the incident with the birthday present, he stopped being the night partner. Now, he is about to become the famous private physical therapist acknowledged by the public and media. In other words, his destiny contrasts to Baek Junmin’s, a shooting star, it will last longer. Why? It is because the main lead is Saturn! He brings fortune and karma to the evildoers. This interpretation corresponds to Übermensch from Nietzsche, which is sometimes translated as “Superman”. Under this new light, you comprehend why I added the protagonist’s pink angel wings. It was an allusion to his transformation, he is destined to become an “Overman” or Superman. 
And this brings me to my next observation. The doctor’s pain is exposing his recovery! Weird, right?
(chapter 47) and his agony. He was no longer under the influence of toxic positivity. While he cried, he admitted his flaws making him realize that he had never been abandoned by his grandmother. 
(chapter 47) That’s how he overcame his abandonment issues.
(chapter 27) For the first time, he rejected a suggestion from his lover and even slapped his hand. 
(chapter 44)
. (chapter 36) 
(chapter 50) They are trying to find themselves, therefore they must constantly adapt to each other. While the image gives the impression that the trust between them is vanishing, it is in reality an illusion. People should pay attention to the color of the speech bubble. It is white, there is no point of explanation. It reveals that the champion is not raising his voice. He is rather calm. In reality, the champion was not truly mad at Kim Dan. He was restraining himself. Jinx-philes should compare this image to the following two panels: 
(chapter 34) 
(chapter 45) And now, you comprehend why I stated earlier that he acted rather instinctively. For me, he still trusts the physical therapist.
(chapter 18) When the champion paid off his debts, he saw it as meddling. Interesting is that he came to accept the champion’s support, but he never asked for Joo Jaekyung’s help directly. In addition, Jinx-philes should notice that in the interrogation room, he thought just about the champion and not himself. 
(chapter 40) It never came to his mind that he should ask for assistance. Finally, observe that after he got drugged in the States, he let the champion deal with the problem. 
(chapter 41) He accepted the statement from his boss. Nevertheless, doc Dan was the real victim. He should have become more involved in the matter. Besides, he was a witness. And this brings me to my next thought: if Kim Dan gets into trouble, he should remember Heesung’s words: he should give him a call! 
(chapter 35) For me, the incident is there to teach Kim Dan that he can ask for help! This would show him that he is no longer alone. He wouldn’t appear weak at all. That’s how he would end up to gain his first friends. Let’s not forget that Heesung’s relationship with the doctor is no longer tainted by money or by lust or greed. In fact, thanks to him, he found his soulmate. What unites Kim Dan and Heesung is the heart and the desire to help. Heesung stands for brotherhood, so he could be the one outlining the problems to Team Black. Finally since Potato likes Doc Dan very much, there is no doubt that Heesung and Potato will work together to assist the main lead. This image 
(Chapter 35) Interesting is that after his confession, he still chose to come clean with the doctor. He revealed the truth to Kim Dan, though he could have lost the protagonist’s respect. He admitted his lie and manipulation, 
(Chapter 35), but Kim Dan’s reaction was not to scold his future friend. In fact, he appreciated his honesty. In front of Kim Dan, he could show his true self. He was not entirely a good guy, but he didn’t get rejected. But so far, the actor is not present in the arena. Therefore Potato could be the first person Kim Dan asks for help. He shares some similarities with his soulmate. He doesn’t fear people’s gaze, hence he raised his voice under the tent. 
(chapter 49) similarly to his idol and hero in the States. He noticed the issue right away: the security didn’t do his job properly. To sum up, Potato would follow his foot steps and that’s how he would get noticed by MFC!
(chapter 50) The word is displaying that the doctor is not accepting the incident simply like that. It is showing that the doctor is slowly losing his naivety. Before the incident with the spray took place, he still trusted the words from people. 
(chapter 49) Naturally, he can not get rid of his naivety totally, for keeping a certain purity is necessary in life too. On the other hand, it becomes clear that his naivety is the result from his education. The halmoni is herself quite too trusting. Hence she ended up being harassed by loan sharks. On the other hand, the incident was like an eye-opener for the physical therapist. He should stop judging people based on their words 
(Chapter 32)
(chapter 1) 
(chapter 1) by bosses, it becomes comprehensible why he didn’t fall into the trap a third time. 
(chapter 13) Furthermore, after having sex in the locker room, Kim Dan was left behind. 
(chapter 15) And notice that this pattern was the same in the States. For the second match, Team Black left without him, hence Kim Dan arrived late. 
(chapter 40) Therefore he was running once again. However, back then, no readers felt angry at the team, though it could also be perceived as a betrayal and abandonment! Kim Dan was not perceived as necessary, neither for Joo Jaekyung nor for Park Namwook. Hence the bedroom could be judged as the place of the betrayal: “
(chapter 40) It was to outline their previous disregard and betrayal! Thanks to Potato, Joo Jaekyung got informed, hence he could rescue the physical therapist. 
(chapter 40) But he never revealed the hamster’s role in the team! This explains why Kim Dan was used by Choi Gilseok. He needs to expose his role in Team Black to the world. He is the champion’s private PT! 
He has just his blue uniform.
Hence he could get into trouble! The MFC could report the incident to the authorities! 
(chapter 38) To conclude, it was not in Kim Dan’s interest to run away or hide! This would have been judged as a sign of his culpability and complicity. He needs to face the problems so that he can shape his destiny with his own hands and not remain the playball of dark forces! Yes, this chapter announces a huge change at Team Black, the start of a real friendship between two puppies. 😉
(chapter 27), it is clear that Joo Jaekyung’s real issue is his shoulder in bad shape. Hence we see him constantly touching his right shoulder. 
(chapter 1) Because of this contrast between title and content, the Manhwaphiles can grasp the writer’s true intentions behind the article. He was looking for sensationalism, hence he exaggerated the champion’s physical condition. But there is more to it. The columnist attempted to create the illusion of a proper and serious investigation by employing the idiom “the doctors”. With this term, he insinuated that he had consulted different doctors and they would all come to the same verdict. Moreover by including the fans, he gave the impression that this topic had been long discussed among the supporters. In reality, he was mixing the cause and consequence. The moment people will read this news, they will start speculating about his future. However, since this was a secret till this publication, I doubt that the lovers had already speculated whether the champion had reached his zenith. That’s the reason why I consider this column as a fake news. It was a hype created on a truth mixed with lies. 
(chapter 27), if he changed his way of life and training. Hence he recommended rest. 
(chapter 27) Another evidence for this tabloid journalism is the reference to the hospital and the anonymous source. It was, as if the personal from that hospital was not trustworthy, for the “anonymous source” had leaked information from the files. Though the name of the hospital was not mentioned, it is clear that Dr. Lee will feel concerned, for such a divulgation to the public can endanger the champion’s career and his own reputation. He could be held responsible for the main lead. Now, his opponents know his weakness. So such an article can lead to an investigation from that hospital and the chaebol. Who is the anonymous source? Dr. Lee will certainly vouch for his employees, and that’s where Kim Dan comes in. Notice that this article was released shortly, after Kim Dan met the doctor for the first time! 
(chapter 27) Moreover, he is the only doctor who read the files! 
(chapter 17) People will start suspecting the protagonist and if his past with the perverted hospital director is exposed, 
(chapter 11) which could lead to the discovery of the debts and the loan sharks. He had financial problems and a sick halmoni. Finally, let’s not forget that the boxer is the first client of the physical therapist. So people will question the champion’s choice for picking Kim Dan as his personal physical therapist. He lacks credentials. Consequently, the doctor’s integrity and competences will be questioned by public opinion. In other words, Kim Dan could bring bad PR to Black Team and this could create some frictions between the champion, the doctor and Park Namwook. To conclude, it is clear that the target of this article is not just the athlete, but also Kim Dan. The allusion to the “anonymous source” was done on purpose, so that people would ask for his identity. He betrayed the hero and emperor! Someone violated the confidentiality clause. Nevertheless, divulging the existence of an anonymous source was to divert attention from the real issue! The real traitor is the author of this article who broke a rule. He shouldn’t have leaked this to the public! He is responsible, if Joo Jaekyung gets really injured by his opponent. But I would like to outline that the files were left in the office of Team Black and they allowed strangers to enter the gym because of Heesung! 
(chapter 30) As you can see, anyone could have access to the files, especially because the physical therapist was absent in the morning. He only joined the company much later. As the Jinx-lovers can observe, this article should be seen as a lesson for the physical therapist, Park Namwook and Joo Jaekyung. They should be more careful, due to money, this rule “bringing strangers” had not been followed. 
(chapter 1) 
(chapter 35) He is not a greedy, immoral and selfish bump. He embodies true loyalty 
(chapter 34) This shows that the doctor is slowly realizing the importance of welfare in such a career. Anger is a sign for stress. The latter is also the cause for damaged “joints”. 
(chapter 19) 😂 
(chapter 35) In his eyes, he had focused too much on Kim Dan. Like explained in the previous essay, I am expecting a relapse from the athlete, but this time, he will be stopped by the main lead, for the latter is now well acquainted with his mental and physical condition. Furthermore, since this news resembles to a challenge, I think that Joo Jaekyung will organize a match in order to prove this exclusive announcement wrong. I see parallels between chapter 35 
(chapter 20) For Kim Dan, it was back then a matter of life and death. Now during this night, Joo Jaekyung is put in the same situation. It was, as if someone was attempting to kill him. If he loses his title, he has the impression that he will die, he will vanish into thin air. But why is it so important to him? It is necessary to recall that in his childhood, the athlete was an invisible and silenced child! With this title, he has the impression to “exist”, though he is not truly living. So how will he react to this article? Rush to the hospital and throw a tantrum? Or go to Kim Dan and wake him up? 
(chapter 35) Striking is that the latter had the cellphone number from the athlete. 
(chapter 35) On the other hand, the content of the message clearly indicates that the two characters didn’t know each other. How did this reporter get the cellphone number from the champion? This shows that there is someone behind pulling the strings. Moreover, note that he was contacted during the night. Since my essay “Magic hours”, my avid readers know that this night sky 
is indicating that it is rather late. 
(chapter 35) Why did the reporter send this message and article at this hour? For me, there is no doubt that they knew that the champion wouldn’t be asleep. It was, as if they knew about his insomnia. Besides, Joo Jaekyung never leaves his cellphone behind… and a sign that they expected him to see the message very quickly. As a conclusion, this breaking news expose the involvement of people close to the champion. Moreover, notice that he was contacted directly and not through his gym, Team Black. This proves to me that there is a conspiracy in the end. Someone leaked information to this reporter. 
(chapter 30) Hence I deduce that the agency will get involved too very soon and the owner could ask for the identity of the anonymous source. Who leaked this information to the author of the article? Since Kim Dan is the newest member, he would be the biggest suspect and the perfect scapegoat, for he doesn’t belong to a hospital and he has no agency protecting him. And this brings me to the following conclusion. Romeo and Juliet is a tragic love story, because these two young people’s families were in a feud! Hence I sense the birth of a conflict between Team Black and the agency. But we have Choi Heesung who is also represented by this agency. 
(chapter 33) In the English and Korean version, the actor employed the possessive pronoun “our” and not “my”, this could be an evidence that the agency could belong to Heesung’s family. So because of this breaking fake news, Heesung would be brought in a position, where he can help the physical therapist. 
(chapter 1) The previous physical therapist!! Moreover, the latter got hurt by the athlete. One of my theories was that the man had not treated the champion properly. 
(chapter 1) Besides, he would have another interest to have Kim Dan fired. How could he get hired, when he lacked experience? By mentioning the anonymous source and the hospital, the reporter would divert attention from the real traitor. No one would suspect a former employee. The schemers are hoping that the hospital and Kim Dan would put the blame on each other. In other words, we shouldn’t forget this mysterious person. Finally, the author has to expose the truth about this incident. What had happened exactly? I doubt that Joo Jaekyung truly beat him, for the latter could have sued the man. Besides, we know now that Park Namwook is biased and has the tendency to put the blame on his star. 
(chapter 16) that he received new ones. 
(Chapter 16) The worst is that this would have never happened, if his path had not crossed Heo Manwook’s. Yes, the loan shark has finally a name!! 
(chapter 16) Moreover, in that moment the loan shark had to hear that Kim Dan was moving out!! 
(chapter 16) and Painter Of The Night 
(chapter 101) Both ukes and semes are put in a similar situation. That’s the reason why many are hoping that Joo Jaekyung punches the villains and makes them suffer so much that they decide to keep their distance from Kim Dan. But by making a connection to Painter Of The Night, the manhwalovers didn’t realize that they had found the reason why Mingwa is making her protagonist suffer. 😲 Nevertheless, I wouldn’t like to be misunderstood. I am not saying that the author copied Painter Of The Night. Far from it… It’s just that both works are inspired by the same philosophies, Buddhism and Taoism, which are deeply rooted in Korean society. In Painter Of The Night, Baek Na-Kyum had to suffer for two reasons. Through pain, he was forced to drop all the doctrines he had internalized. This means, he learned to become more honest, to face truth… At the same time, by making him suffer like Yoon Seungho, Byeonduck wanted the lord to be confronted with his repressed traumas! As you can see, pain and suffering are not gratuitous. They have a function. 
(Chapter 16) Sure, his anus had been wounded, but notice that the cream was given for the bruises on his face. 
(Chapter 16) That’s the reason why he thought of the cream after seeing the fading of his black eye. However, the champion had never punched him!! This was the work of the loan shark and his minions. As you can see, chapter 16 was built exactly like episode 11. Kim Dan was hopeful again, and was viewing his relationship with the champion as the worst thing in his life. Compare this scene 
(Chapter 11) with this statement: 
(Chapter 16). He still portrays the athlete’s actions as terrible. Striking is that he saw the kiss as something negative, while the fighter had actually listened to his plea: 
(Chapter 14) If the physician had to reproach something to the boxer, it should be the rough sex before and not the kiss. The boxer had done it, because he had realized how fragile Kim Dan was. This was for Kim Dan’s sake. Yet, thanks to the kiss, Joo Jaekyung discovered that he could get pleasure and provoke pleasure much quicker. But according to Kim Dan’s words, it looked as though the kiss was the worse, hence Mingwa chose to confront him with reality: 
(chapter 16) At the same time, these words are strangely similar to the ones in the athlete’s bedroom. 
(Chapter 13) This is not random. Back then, he was denying his own pleasure. In episode 16, Kim Dan is now facing cruel reality. Moreover, the readers could detect the doctor’s pleasure, when he got eaten up by Joo Jaekyung. 
(Chapter 15) To sum up, Kim Dan is not only dishonest to himself, but also rather ungrateful towards Joo Jaekyung. The latter is definitely no angel, but he is changing for the doctor’s sake. The latter doesn’t recognize the sportsman as his savior yet. Let’s not forget that without his money, he couldn’t finance the halmoni’s treatment at all. Naturally, he is not totally oblivious to the fighter’s generosity. 
(Chapter 16) However, exactly like in episode 11, he was forgetting that the real source of his misery is Heo Manwook with his minions. Their encounter was a reminder, and Kim Dan has now the chance to see Joo Jaekyung as his “knight in armor”. 
(chapter 16) This was the first time he showed curiosity about the champion and his motivations. The problem is that he stopped pondering on this question. Hence “karma” retaliated. As you can see, the doctor has to learn to pay attention to the athlete’s personality (question the motivation behind his actions) so that he can discover his mental issues. Like in real life, no human is perfect, Kim Dan has his faults. The problem is that because he is a victim of violence, his mistakes are less noticeable. 
(Chapter 16) This corresponds to their first sex session. Why didn’t he think of the latest intimacy? It is because he is slowly accepting his relationship with the champion. However, this night represents the loss of his virginity, which was accompanied with pain and anxieties. For me, this night symbolizes the “prostitution” as its best, because if he had not done it, he would have never been paid. But now, he has signed a contract with Black Teams, which doesn’t include the sex services. Everything is off the record and Kim Dan offers other services (massages, physical consultation etc). This explicates why the word prostitution triggered this image. This also exposes that Kim Dan is gradually accepting it as one part of his job, the champion’s physical therapist. This explicates why he had this sudden thought: 
(chapter 16) This truly exposes that he had the upper hand in their relationship. That’s the reason why Kim Dan gets confronted by his own fears and reality: 
(chapter 16) Is his relationship with Joo Jaekyung really prostitution or more a boss-employee relationship? 
(chapter 10) Hence he never explained his situation to Joo Jaekyung which created a misunderstanding. On the other hand, I would like the manhwaphiles to keep in their mind that Kim Dan never had a real friend, which is different from Joo Jaekyung. While many view the boxer as a terrible man, they are forgetting that despite his roughness, he is able to maintain a good relationship with Park Namwook, coach Jeong Yosep. 
(Chapter 16) and the gay doctor. One might say that it is related to his money. Episode 16 confirmed my previous suspicion that Joo Jaekyung owns Black Teams. 
(Chapter 16) How could Joo Jaekyung decide the amount of the salary and even send the salary in advance without consulting his manager? Since Team Black Inc. transferred the money, it implies that the fighter has a saying in the expenses, transactions and the income. He is not an employee of the club. However, imagine that Joo Jaekyung let his coach admonish him 
(Chapter 16) Though the man is famous and powerful, he is not using his position to delegate tasks to others. I would even say, in Black Teams, there exists no hierarchy. Hence Park Namwook appears as “the head” of Black Teams, yet he was not involved in the discussion about the expenses (salary, advance). He takes care of the paper work (contracts, uniforms). This displays that in reality, the celebrity is not “arrogant” per se. He shows humbleness in different situations. He cooked for the doctor, and brought him to his penthouse. Since Kim Dan had no person close to him except his grandmother, it is not surprising that the young doctor is not confiding to the athlete. From my point of view, Joo Jaekyung is Kim Dan’s jinx and lucky charm. As long as he doesn’t trust the sportsman, he will suffer. 
(chapter 10) Nevertheless, observe what the loan shark did to Kim Dan. He stepped on the doctor’s hand with his foot. 
(chapter 16) Thus I deduce that when the champion notices that his physician has been wounded, he could cause trouble to the loan shark. But Heo Manwook will refuse to admit this, and could put the blame on his minions. There’s no ambiguity that he will never take responsibility for his actions, the opposite to Joo Jaekyung who didn’t deny his wrongdoing. 
(chapter 13) That’s the reason why Heo Manwook uses minions in the end. They are his helping hands so that he doesn’t need to do much. Finally, Heo Manwook is the one suggesting the rape. 
(chapter 16) What caught my attention is that the money was transferred to his private account: 
(chapter 16) Thus his karma should be that money becomes his jinx! He gets into trouble because of money! 😂 I have to admit that I was even thinking about a complaint against Heo for hurting his own physical therapist (compensation for the damages). Anyway, going after the company Heo means ruining Heo’s life!! On the other hand, I believe that first the athlete wishes to keep a low profile. One of my followers @jaeekyung_ had even the impression that this panel was announcing the arrival of the champion. If so, this means that he heard them calling his company a whorehouse. 
(Chapter 16) As the owner, he can only feel insulted. But we don’t know if he heard this comment. We will see. 
(chapter 16) This is more than just theft or burglary. Remember what Joo Jaekyung had said during their first encounter: 
(chapter 4) Now, he is discovering the ugly side of sex and even “prostitution”: the sexual abuse. The protagonist can’t misjudge the situation, for the doctor is bleeding and bruised. 
(Chapter 16) His body is even restrained. As a boxer, the champion is used to judge quickly the seriousness of the situation. In his mind, “prostitution” was not connected to violence and exploitation, he always saw it as a win-win situation. Thus this encounter lets him see reality. Yes, Joo Jaekyung is also put in a similar situation than the doctor, following the Taoism’ principle, the harmony between yin and yang. His believes and prejudices are slowly removed as well. In his mind, poor people are responsible for their own misery, for they lack strength, knowledge and good judgement. When he first met the doctor, he called him a ”wimp”, for he was trembling and in tears in front of him. But now he can grasp why Kim Dan would have such a reaction. He was beaten by three people. This scene can only prove the champion’s bias all wrong! Here, Kim Dan is suffering because of others!! He is not keeping his promise, 
(chapter 16) not because he is not reliable, but because he is sequestrated. Though the fighter was upset and complained, 
(chapter 16) he still chose to fetch the young man! Any other employer would have fired Kim Dan for such an incident, but the main lead chose to discover the reason for his absence. We don’t know how much the champion listened to their conversation, but one thing is sure. He intervened, the moment Heo Manwook and his minions were about to commit a crime. They can not say that Kim Dan is a prostitute, or the latter has to pay his debts as excuse, for this doesn’t justify their action. That’s the reason why he asked them this: 
(chapter 16), when he sees that his lover’s body is once again covered with bruises. Besides, he has definitely not forgotten the doctor’s warning: 
(chapter 13) 
(chapter 10) this new situation can only make him realize how wrong he was. He will believe that he couldn’t move out due to the loan shark. 
(Chapter 9) and Potato. 
(Chapter 16) should be … As you can see, we just need to wait for „divine retribution“. You caught me in act… I am already imagining all sorts of punishments for these 3 guys: beating, trouble with justice, loss of money, abandonment and betrayal of the minions or 😈 Joo Jaekyung sets a trap. They “become members” of Black Team! While these three men imagine, they are going to a whorehouse, the moment they realize that due to their membership, they can get punched by the members of Black Teams, they come to regret to have signed the papers!! Similar to the loan! 
The manhwalovers could barely see Yoon Seungho’s face, for he was surrounded by darkness. When I saw it, my first thought was to associate the protagonist to “Sleeping beauty”. He had the same expression than in the bedchamber, when he was sleeping totally relaxed. 
(chapter 87) He was not tormented by a nightmare, like the painter discovered it in chapter 38: 
And the darkness reminded me of the forest of thorns and as such of the curse put on the princess. The darkness, the metaphor for the forest of thorns, is the reason why the lord felt trapped and suffocating in his torment. 
(chapter 86) This contrasts to the princess’ situation, for the latter had no idea about the existence of the prison. It only appeared, when she fell asleep. Moreover, in this picture
(chapter 63), love and happiness in his nightmare. In his darkest moment, he voiced a wish, which exposed the return of hope. This corresponds to the spark of faith, the gradual return of trust in his life. On the other side, Baek Na-Kyum came to view his lover as the moon giving him light and hope during the night again. 
(chapter 94) I would like to point out that the artist has always associated this satellite to a source of joy and love, like we can detect it here. 
(chapter 94) Finally, Talia could get liberated from her curse thanks to her children. The splinter of flax got removed from her finger, the moment the babies were sucking on them. This signifies that she got revived thanks to love and life. Moreover, she woke up, the moment the source of her pain was removed. This observation leads me to the following conclusion: the noble can only be completely freed from this darkness, the moment his suffering is removed and as such revealed!! This means that Yoon Seungho will be able to voice his misery and denunciate the crimes he was exposed to. He will be able to identify the persons responsible for his suffering. He might know a name, lord Song, but he has no idea about his true identity. That’s how his burden will be erased. Like mentioned above, the noble’s physical and sexual assault will be brought up to light. That’s the reason why the new image announcing season 4 is so dark. They represent a reflection from Yoon Seungho’s past and torment. 
(chapter 38) I thought that the couple would share the bed, thus the lord could relax. He felt protected by his lover. In other words, I was already envisioning that this scene is a reflection from chapter 97/98, for the couple had not been able to sleep together. 
(chapter 97) However, the moment Lezhin published the second panel
, I realized that this illustration was referring to a different element in the same scene: separation. Thus I deduce that the embrace during the sleep must have happened before, for the noble’s eye has no dark circle. He looks rested and relaxed. 
(chapter 77) that he was doing it for the noble’s best interest. He insinuated that he was protecting him and he should trust him and his father. But this was not true, for he had not revealed the truth to Yoon Seungho, the stolen kiss. 
(chapter 88) This image was mirroring the past, someone had made the promise to the young master that he would “stay by his side”, implying that he would protect him, but he had failed to keep his words, for he had trusted more in others’ comments. 
(chapter 88) Because of the tragedies, the main figure got blamed, and as such he got cursed. He was a bird of misfortune, while in reality he was the main victim. In “Sun, Moon and Talia”, the perpetrator and the accomplices, the king and the astrologers, they all got scot-free. I am certain that it was the same in Yoon Seungho’s past. And because there are astrologers in this fairy tale, I am more than ever convinced that a shaman played a huge role in the young master’s downfall. 
(chapter 83) In Painter Of The Night, the hunts were always used to provoke a quarrel and as such a separation, but it never worked. This is important, because this shows that the couple from the Italian story had to separate. It is now time to reveal the whole quote from Milner: 
(chapter 97) Back then, the lord was scared, for he still doubted the artist’s love confession. It was too beautiful to be true! However, back then, the artist never doubted his own resolution, thus he gave comfort to his lover by giving him his hand. 
(chapter 97) 
(chapter 97) In other words, he desired that the painter would follow his requests and as such he should vow him loyalty and trust one more time. The irony is that the lord was actually the one breaking his vow, for he left his lover without saying goodbye. Thus I conclude that in this scene, 
(chapter 78) This means that the lord is smelling his partner’s hair helping him to remain strong and calm. He is now trying to memorize his lover’s odor so that he can forget this stench, a remain from the past: 
(chapter 86) This can only help him to defeat his “opponents”. Finally, in different analyses, I had already interpreted that Baek Na-Kyum was embodying memory, whereas the lord stands for truth. The image is actually a reference to recollection and as such honesty. There is no ambiguity that both men are trusting each other, but the painter is crying, for he fears for his lover’s life either. Yoon Seungho is leaving him in order to protect him in my eyes. And this leads me to the following deduction. When the lord is about to leave, Baek Na-Kyum is not left in the dark contrary to episode 97. He knows the whole truth, for the lord must have confessed to him. We could say that he is not leaving without a word 
(chapter 97). Furthermore, this signifies that the artist doesn’t need any longer to rely on the explanations from others. Thus the artist will keep his promise
(chapter 23) 
(chapter 24) In other words, this announces the return of Yoon Seungho’s passion for painting! And it is the same for the painter. The erotic picture should reflect their love for each other, created based on memories. At the same time, this can only push the noble to demonstrate his talents to others refuting all the negative rumors about him: he is intelligent and possessing his whole mind. Furthermore, this can help him to reminisce his tragic past, what led him to his downfall and suffering. This signifies that he will be able to confront his past and his memories. He will be able to identify the rape, and Kim already exposed the truth to Yoon Seungho, when the former suggested him to ensure the painter’s consent. This shows that Kim was well aware of the sexual abuse, but he chose to never divulge the verity. On the other hand, the pedophile thought in the past that the young master would never forget him due to his position, thus he had no problem to leave Yoon Seungho behind and make no real promise. Departure was never painful for him… hence this quote (“Promise me you’ll never forget me because if I thought you would, I’d never leave.”) will become a reality for the mysterious lord Song, but it is already too late. In fact, the gods punished him by making Yoon Seungho suffering from amnesia. He is not attached by loyalty to the pervert. 
(chapter 57) That’s the reason why I believe that when an incident occurred during that night 
(chapter 83), the main lead was framed. He got accused of a crime, whereas he had been the true target in reality. There is no ambiguity that the abusers doubted the protagonist’s loyalty and integrity, for they were themselves untrustworthy. They all knew that they had lied and deceived the young master at some point.
(chapter 11) However, there is no ambiguity that the painter can only fear for his lover’s life. The closed eye contradicts the haunted gaze in the shaman’s house. 
(chapter 102) Despite his closed eyes, he is now able to discern the truth, and it is the same for the painter. Their Third eye is now fully awakened. 
(chapter 21) This gesture symbolizes the epitome of the noble’s affection and the desire to give “happiness”. Then in the bedchamber, he did it in order to console his partner. 
(chapter 82) With his kiss, he was asking for his forgiveness. This means that the kiss on the eye serves as reassurance and comfort either. Thus we had this scene in the study: 
(chapter 84) The lord had kissed his lover there, because he was voicing his attachment and desire to redeem himself and to comfort the artist. As you can see, it was a combination of all the previous significations. Yet, the lord had not grasped the “gravity” of his “wrongdoing”. Thus the kiss was associated a certain playfulness in the study. As a conclusion, this image 
(chapter 94) 
(chapter 94) 
(chapter 34) 
(chapter 11) 
(chapter 19) He came to feel more safe during the night, until he met Yoon Seungho in season 1. From that moment on, his night life got slowly affected. That’s how he discovered that night could be associated to pain and agony too. Yet, deep down, he still felt safe by the noble’s side. As you can see, the new illustration 
(chapter 51). Hence the butler could perceive this promise as a betrayal from Yoon Seungho. The latter is slowly forgetting the valet, he is no longer seeking his assistance and his side. 
(chapter 52) He implied that he was behaving like a noble. This means that the valet was reminding the artist of his social status. Therefore it is not surprising that the low-born put back the white head-band. It was a reminder of his position in the mansion. On the other hand, if you pay attention to the domestic’s reprimand, you will detect the contradiction. He was encouraging the main lead to become proactive and visit the lord. However, by giving such an advice, Kim was misleading the painter, because a servant is not supposed to act on his own. He has to wait for his master’s order. And now, you comprehend why the valet could violate the main lead’s privacy in the past. He legitimated his trespassing by faking care and kindness. Therefore it is no coincidence that the artist chose during the same day to visit the lord’s bedchamber. He didn’t have a change of heart per se. He was just following the butler’s instructions. He was just a servant in the mansion, and he should act like Kim wanted him to behave: anticipate the lord’s desires. However, like pointed out before, a real servant is not supposed to think and act on his own. On the other hand, the reprimand from Kim had a positive effect, because for the first time, the artist was reminded that he should also pay attention to Yoon Seungho’s needs and wishes. Through the valet’s words, Baek Na-Kyum could realize that the noble was also a human before a lord. To sum up, he helped him to see the person Yoon Seungho behind his title. From that moment on, the low-born perceived Yoon Seungho as a man. Therefore it is not surprising that after witnessing the tongue kiss between Min and his lover, he started wondering about the motivation behind the noble’s behavior. 
(chapter 52) He began to show an interest in his master. What kind of man is his lord? Who was he exactly? 
(chapter 52) But since the butler had insinuated with his reproach that the painter should anticipate the lord’s desires and needs, the former had the impression that it was just about to provide services and nothing more. He was his duty to serve the owner of the mansion. And now, you comprehend why the painter denied the main character’s affection. 
(chapter 54) He thought that the lord’s rescue was motivated by his pride and his duties. As a lord, it was his obligation to keep his staff under control and to ensure safety. Deok-Jae was usurping Yoon Seungho’s authority. He had no right to ask the painter to leave the mansion. 
(chapter 53) As you can see, the servant perceived the artist’s attitude as a change of heart, whereas it was not right. The painter had long decided to remain in the mansion. Due to the butler’s reproach, he had been reminded that he was now a servant and as such belonged to the staff. Therefore he was bound to the main lead with his vow and as such to this household. Kim never realized that he had actually ruined his own scheme due to the contradiction of his manipulations. No wonder why Baek Na-Kyum was already loyal to Yoon Seungho. To sum up, the painter started seeing the main character not only as his real lord, but also as a man. Under this new light, I come to the conclusion that during that night, the painter had indeed a change of heart. He had truly accepted Yoon Seungho as his master. This explicates why Baek Na-Kyum didn’t get upset after the second sex marathon. It was the lord’s right to do whatever he wanted. Thus in the study, the artist perceived Deok-Jae’s bullying, Min’s kiss and insults as a violation of codex. 
(Chapter 53) The lord was the lord and host, thus he deserved respect from his staff and guest. That’s the reason why the painter didn’t stop his master, when the latter punched Black Heart or simply followed the lord to the bedchamber. He had no right to object, for he was now a servant. And because he considered himself as a part of the staff, he felt obliged to protect Deok-Jae from the lord’s anger. He was acting as a “WE“. On the other hand, he had no right to interfere in the fight between Yoon Seungho and Min. He could only try to protect his lord’s honor by denying Yoon Seungho’s affection for him. 
(chapter 27) But instinctively, the painter had sensed the main lead’s transformation. He would no longer use the sword. Since chapter 35, the artist has never seen the lord with the sword again, not even after the hunt in the third season. 
(chapter 84) Furthermore, he would rather use his hands. 
(chapter 92) To sum up, the artist never saw him carrying a weapon since season 1. 
(chapter 82) This means that Yoon Seungho’s bedchamber is not related to the sword. So he has never seen the lord wiping his weapon either. 
(chapter 1) For the painter, Yoon Seungho’s bedchamber is associated to painting, sex and books. Nothing more.
(chapter 52) I have always compared the main lead to a dormant volcano and the pipe was a sign that the lord was boiling in the inside. 
(chapter 52) Another important aspect is that the lord never threatened the nobles with a sword later, though he got mad, when he saw the painter getting touched by other men. 
(chapter 54) He threw a bottle and asked them to leave, but he didn’t evict them like the noble with the mole 
(chapter 8) and Lee Jihwa in episode 18. They were not grabbed by the topknot and dragged through the courtyard. 
(chapter 54) He simply told them to leave and the nobles followed his request. 
(chapter 54) The only thing he did towards nobles was to humiliate them, but that was it. Besides, these incidents were never leaked to the outside world.
(chapter 53), then Black Heart is punched several times 
(chapter 54) But note that Min doesn’t lose a tooth like Deok-Jae. The next morning, Min’s face is not so bruised to the point that he is not recognizable. 
(chapter 56) From my point of view, the painter taught an important lesson to Yoon Seungho during that night: 
(chapter 53) He reminded him that life is precious. Thus I consider this night as another turning point. The lord had a real change of heart, and not just a fake one like in this moment: 
(chapter 52) Here, he was simply following social norms and as such behaving like Lee Jihwa. This reveals that the main lead had no faith and as such no true conviction. As a good host, he is supposed to provide his guests with the best care and attention. Since Min was expressing his wish to taste the painter, the noble was pressured to give in. The manhwaphiles can now detect the parallels between chapter 52 and 100. 
(chapter 100) The use of social norms and peer pressure to achieve his goal. But why did he not react like in the first season, when he threw out the noble with the mole? It is because Min had not given him an order. 
(chapter 52) He had just reminded him that as a noble, he should pay attention to etiquette. If he favored Baek Na-Kyum too much, he would send a wrong signal. Furthermore, the Joker had implied that the painter’s sudden visit was a sign that the painter was longing for sex. 
(chapter 52) As you can see, Min also played with social norms. He reminded Yoon Seungho of his duties as a lord and host. Striking is that he criticized the main lead for being weak. In the past, he used to act differently. 
(chapter 52) He would share his things. It was, as if Yoon Seungho was lacking strength and determination. In other words, he implied that Yoon Seungho had a sudden change of heart. 
(chapter 53) However, all the incidents during that night forced him to admit that he was wrong. How? IT is because he saw himself in the painter. 
(chapter 54) He wanted to be seen as a human and man, but since his youth, he had been denied to live like a human. Through the reflection in the painter’s face, he rediscovered his humanity. Humanity is a synonym for benevolence. Therefore it is not surprising that the lord became a human, the moment he had accepted his heart. For he was a human, he should treasure life. This is no coincidence that the lord confessed the next morning. But because he had behaved like a beast during that night, he imagined that the painter was horrified by his violent behavior. He had treated him like an object and not like a human. Thus he anticipated that the painter would run away after his first love confession full of “contempt and pain”. However, from my point of view, he never realized that Baek Na-Kyum already viewed him as his master and as a human. He was definitely upset, when Yoon Seungho had chosen to bring him to the bedchamber and offered him as a plaything to his guests, but he didn’t throw some tantrum for one simple reason: he was just a servant in the household. It was not his right to criticize the lord. Under this new light, you comprehend the painter’s words in the bedchamber: 
(chapter 55) He had done something wrong from a moral point of view, but he had not violated social norms. Besides, the painter had not seen his violent outburst as a huge abnormality, he had protected him from Deok-Jae. Then he had defended his honor, when Min had insulted him. As a conclusion, the lord found his true heart during that night, and learned that life was precious. But Yoon Seungho’s lessons were not over. He needs to learn that even a bullying domestic didn’t deserve to die. Notice that he showed no concern for the deceased person. 
(chapter 98) This is none of his business. Min has a similar mind-set. What should he feel concerned about the death of a peasant? 
(chapter 99) 
(chapter 82) He stated that he would kill his father. But none of this happened. Therefore, I come to the following conclusion. Yoon Seungho won’t use the sword in the shrine to kill people. 
(chapter 101) The worst what could happen is that he cuts off their topknots. But I have to admit that I am more than ever convinced that he won’t do anything. I am not expecting that he will punch the nobles there, for he won’t have much time. His lover’s life looks in danger. No, like I already mentioned many times, he will take away the painter and bring him quickly to the physician. By acting like that, he will show his strength to the other nobles. He doesn’t fear people’s gaze.
(chapter 101) This expression revealed the aristocrats’ mentality. They are actually projecting their own thoughts and emotions onto the artist.
(chapter 52) One might say that he couldn’t simply wait. Yet I believe that he wanted to make sure that the host had no change of heart, once alone with the artist. However, the moment he saw the painter embrace the lord, he could only get envious. He couldn’t resist the urge to kiss his lips. 
(chapter 53) Yet, he had to pay a huge price for this. He got punched. 
(chapter 53) Thus I have the impression that Black Heart must have resented the painter for his wounds and humiliation. Notice that he bragged to his partners in crime about the kiss 
(chapter 101) Nevertheless, he also deceived his peers, because he was only beaten half to death, after mocking the painter and such his host. He was omitting to his partners in crime the insult towards the protagonist. And this shows that Min had never forgotten this incident. Naturally, he resented more the main lead, yet he definitely blamed the painter. Therefore it is not surprising that Min was actually quite rough with Baek Na-Kyum. 
(chapter 101) It was, as if he was paying back the artist for his past pain. However, what caught my attention is that he doesn’t show any pressing urge to taste the artist which stands in opposition to his past behavior. It was, as if he had a change of heart. It looked like his obsession for Baek Na-Kyum was quite superficial. He let his friends to enjoy the artist first, hence we could say that he acted as the pimp. Why? My first theory was that he was still calculating about Yoon Seungho’s arrival, though I am more and more inclined to think that this was more the butler’s plan, and Min was left in the dark. Remember my interpretation: the purpose is to prove that the main lead is a lunatic. And if he killed noblemen, he would get arrested immediately. And we know for sure that the butler resents nobles. From my point of view, Min was expecting that time would be in his favor. He imagined that he had time. However, because the painter resisted and fought back
(chapter 101), Min had to pay more attention to Baek Na-Kyum, thus he no longer paid attention to the door which he had left open. 
(chapter 101) But there’s one thing that he is not expecting: the painter might die! How so? It is because in the first season, Min had also been left in the dark about the artist’s poor physical condition. He was never informed that the artist had almost lost his life. This explains why he made such a suggestion: 
(chapter 33) He has always been taught that there exists a difference between low-born and noble, therefore he came to view commoners’ life as less precious. He never saw them as humans. They were first commoners. Their life is not fragile either, for there are much more commoners than nobles. Yes, I have the impression that Black Heart is receiving his lesson. Commoners are humans too, and not just playthings. What if Baek Na-Kyum dies? He will never be able to taste him. 
(chapter 43) The death of a commoner has to look like an accident, but in a shrine, this is no accident. Notice that he lied to Jihwa in front of the scholar’s house. 
(chapter 101) What we are witnessing is that the peasant’s life has become very precious, even to Min. He saw this whole staging as a huge prank, but now he is forced to face reality. This is no longer fun, because the artist is no longer reacting. 
(chapter 33) And what had happened during that episode? Baek Na-Kyum was seriously ill, thus the doctor was fetched. And remember what the physician had said: 
(chapter 33) For the first time, Min and his friends will learn to value a peasant’s life, because if he dies, they are all in big trouble. This time, Yoon Seungho can no longer be blamed for the wrecked state of the painter contrary to chapter 66. The noble won’t be suspected, for he created such a ruckus in the gibang and town about his lover’s disappearance that his death would get noticed immediately. From my point of view, Yoon Seungho will carry himself the painter to the doctor, he knows where the office is. And now, you are wondering that this doesn’t sound like a harsh punishment. But don’t forget that Min brought the scholar’s glasses to the shrine. Either he never questioned the origins of the glasses and never investigated if Jung In-Hun was alive. Or he discovered the truth, but it didn’t matter to him. However, now there are the glasses of the scholar in the shrine. Min was just so obsessed with Baek Na-Kyum that he viewed everything as a prank. Besides, we have to envision that if the learned sir was alive or not, it was actually none of this concern. He was just a tool for his own entertainment. Furthermore, he used a body from a commoner revealing his lack of respect for humans. 
(chapter 101) 
(chapter 56) From that moment on he could not longer give up on tasting the painter. Then in the third season, he wished to keep the artist by his side. 
(chapter 99) That’s the reason why he was no longer in rush to have sex with Baek Na-Kyum. As time passed on, the Joker gave up on the painter’s assassination. So he is getting reformed! Surprising, right? And the painter’s sickness will be a wake-up call for him! 
Bebebisous33s' analyses in K-Dramaland and Manhwas 