Tag: Psychology

The Pawn’s Revenge: Promising break and broken promises 🔞

~ Bébébisous33 ~ 4 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/pawn  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Besides, this manhwa is categorized as HARDCORE.  Here is the link, if you are interested in more analyses about this manhwa and others https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

Feel free to make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. It would also cover my expenses for the blog.

(chapter 34) In episode 34, the criminal Do Seong-Rok announced to his partner Lee Je-Oh that he was releasing him. He was free to go, he could return to his true home. But why did the red-haired man push away his lover? Anyone reading the manhwa will certainly reply that he did it to protect the prostitute. He had just received a message from Jeon Hee-Seong telling him that the police would arrest him soon (chapter 33). This explanation is naturally correct, but as you can imagine, the main lead‘s choice is far more complex. I would say that he was not truly aware of the motivations behind his behavior. This will be in the center of this analysis. But for that, I need to elaborate the reasons how Do Seong-Rok came to trust Jeon Hee-Seong in the first place. In the essay “The goldfish and the lamb – part 2“ I had portrayed Do Seong-Rok as naïve, but now I can explicate more precisely why the main lead came to trust the witch first. The author Evy gave us more insight at the end of season 1 and in season 2. As the title lets it transpire, promise stands in the center of this essay.

1. Empty words

What caught my attention is that the red-haired man had been abandoned in an orphanage with the following message: (chapter 12) The father employed the idiom “promise“ which is a synonym for hope. By leaving such a note behind, not only he gave hope to his son, he would come back to fetch him, but also he gave the impression that he was very serious about his intention. Why? It is because the message was written. It was, as if he had written a contract, where he committed to keep his promise. The note became the symbol for hope and commitment. At the same time, this signified that the note would contradict the expression “empty words“. Therefore it is not surprising that Seong-Rok kept thinking about his biological family, and had many questions. (chapter 38) He was clinching onto this promise. He was not an orphan, he had just been entrusted to the orphanage for the time being. Thus he waited. The problem is that this “contract“ had no name, hence it was void. The main lead never realized it. But as time passed on, the pressure on him kept increasing, as his family had not appeared yet. Slowly, he was cornered. If he had spent more than 12 years without his family, then he was truly an orphan. That’s the reason why he pressured the director of the orphanage and discovered the identity of his father. The latter had definitely sponsored the orphanage in order to lessen his guilt. That’s the reason why the woman knew about the identity of the relative. So when he saw where his father was living, he recognized the falsehood of the note, but he was in denial, till he saw his father. The latter saw his son as a threat, thus he showed his displeasure. (chapter 38) But to silence him, the relative approached him and begged him to keep his distance from him and his family, for he could hurt innocent people (his wife and his younger son). The father’s behavior exposed to Do Seong-Rok that he had been truly abandoned, and this right from the start, as he was an illegitimate son. His father had married into a wealthy family. His merely existence embodied shame and guilt. (Chapter 38) This is important, for it destroyed the main lead’s self-esteem in a certain way. He didn’t feel needed at all. It was, as if his existence had no meaning. This impression got reinforced, when the father gave him money to send him away. (Chapter 27) He had only got to his side to push him away. When the father returned to his family, the young boy could sense that he had no one by his side. Not even the orphanage, which had covered up for the father’s cowardice.

From that moment on, he had no goal in his life. (chapter 27) The hope had kept him alive, but now without any hope, what could he expect from life? Nothing… he was not wanted or needed.

And now, the manhwaphiles are probably wondering why the father left such a note in the first place. Why did he give hope to his son, when he never had the intention to return? In my eyes, the father did it to lessen his remorse. That way, he would create a fake image about himself. He was not a bad person, he had never meant to hurt or abandon his son. Consequently, he had made sure that his son would live in comfort. However, the result was that the man ruined Do Seong-Rok’s life, for the message created the illusion that he had indeed a family waiting for him. This explicates why the protagonist said this: (chapter 27) He was still hoping, but his despair was always present. Since water is a synonym for life, this means that as an orphan he could live in comfort (exoneration), but he was still missing warmth and affection. There’s no ambiguity that he must have kept thinking about them the whole time. Therefore it is not surprising that for his birthday, he wished a family (chapter 27) and not a console or video game. Furthermore, for the son, it meant that he would never be adopted! How could Do Seong-Rok get adopted, if he had been left with such a note? To conclude, the promise in the note was in reality fake. It stood for empty words. Simultaneously, it ruined the main lead’s life, for it pushed him to question his own existence. Why was he born in the first place, if he was not loved or needed? The son got traumatized, when his relative turned his back on him after begging him to vanish from his life. It was, as if he had been abandoned a second time. Do Seong-Rok felt lost, his existence had no meaning at all. Hence it is not surprising that he chose to destroy the letter. (chapter 27) It was, as if he was cutting ties with his biological father. In addition, since Do Seong-Rok associated the paper to a promise, this means that he came to the idea that a promise should be expressed in words and not written. At the same time, he learned a terrible lesson: (chapter 38) He would never make an empty promise. If he can’t keep a promise, then it was better to never promise, for it would create an illusion and disappoint the person who was clinching onto the promise.

2. Do Seong-Rok’s “promising“ meeting with the femme fatale

What caught my attention is that as a soldier, he got abandoned by his comrades too. (Chapter 16) He was also left behind, and contrary to the past, this time he was saved by Jeon Hee-Seong. (Chapter 16) She protected him from committing a wrongdoing. She talked to him, and showed an interest in him. (Chapter 16) She even gave him her address to contact her after he had left the army. (Chapter 16) This panel even stands in opposition to this one: (chapter 27) As the manhwalovers can sense, the femme fatale behaved the exact opposite of the father. She didn‘t push the main lead away at all. She even recognized him after the separation, so he had left an impression on her. Thus we could say that she gave a meaning to the protagonist‘s life. She even paid an expensive hotel for their encounter. He felt recognized first, then appreciated before feeling needed. Therefore it is not surprising that Do Seong-Rok desired to protect her, (chapter 16) and was even willing to risk his life for her. (Chapter 16) He was by her side in the street, and he didn’t mind being seen with her. She only pushed him away, when she was cornered implying that she had no other choice. She had to marry Choi Yeong-Gil if she wanted to escape prostitution. In other words, we could say that she never rejected the main lead. She insinuated that he was her source of joy in her life. (chapter 16) So technically, she announced that she was leaving him officially, but not emotionally. That way she pushed the main lead to remain by her side, while giving the impression that she was leaving him behind against her own will. She had no other choice. Striking is that in that scene, the prostitute spoke the truth, when she portrayed herself as ruthless. Her justification was that she was a poor victim. (Chapter 16) She would do anything to save herself, even use him for her own benefits. The latter didn’t mind, for in his eyes, he was helping himself. (chapter 16) She was still giving a meaning to his life. He would act like a knight in shining armor who needed to defeat his enemies. (chapter 16) However, when she suggested the murder, the main lead put a condition on his assistance. (Chapter 06) But striking is when the main lead asked her this, he never requested from her that she signed a paper or a contract. This promise was just oral. This was related to his trauma: the left note with the fake promise.

3. The siren’s fake promises

On the other hand, similar to his father, Jeon Hee-Seong left a short message. (Chapter 9) Contrary to the father, she confessed her love to him. That way, she created the illusion that her love was sincere. As you can sense it, the fake love confession had the same function than the father‘s message. It gave hope to the main lead. This is no coincidence that the protagonist was acting, as if he was waiting for the return of his lover. (Chapter 9) But exactly like in the other message, the love confession contained no name at all. It was totally anonymous, therefore the love confession was fake too. In my eyes, Do Seong-Rok learned the following lesson: a love confession should never be written too. That’s the reason why he cried after he realized that she was already betraying him. (chapter 16)

In other words, Do Seong-Rok was put in the same situation 10 years later. The only difference is that this time, the love confession was the motivation for the main lead, while the promise of rescue had been just exchanged orally in the bar. He naturally believed that her affection was genuine, this was the implied condition for his help. The main lead never requested a contract for the promise due to his traumatic past. He had already made the experience that such a promise could be like empty words. But naturally, the protagonist was not entirely stupid. He had strongly internalized that a person can only make a promise, if the latter can keep it! Hence Jeon Hee-Seong was forced to give him an insurance. This was the recorded phone call from Seo Sang-Joon proving that he had been responsible for Lee Soon-Cheol’s death. (chapter 40) However what the criminal didn’t know is that he had been played by the femme fatale and her lover. That’s the reason why the protagonist was by her side, when she received Sang-Joon’s call. (chapter 40) Another evidence for this theory is that the man with a short temper had the car which actually belonged to Do Seong-Rok. The woman knew about the convict’s bad temper and anticipated his reaction. He was supposed to wound or kill Lee Soon-Cheol, then Do Seong-Rok’s task was to eliminate the others before putting the whole blame on the convict. That’s the reason why the murderer used a stone to assassinate the witch’s husband. Their plan was to frame Seo Sang-Joon, well aware that the red-haired man would become a murder suspect in order to redirect the investigation from her. Both were aware that she would get suspected first, for she had a strong motive.

What caught my attention is that the woman is often seen by the main lead’s side. (chapter 16) (chapter 24) (chapter 40) This is important, for it corresponds to the main lead’s biggest wish. (chapter 27) If she was by his side, she would never turn her back on him. But thanks to Lee Je-Oh, he discovered that her presence by his side was just an illusion, for she was rarely by his side. He had warned him before. (chapter 9) He kept reminding him that the woman was not reliable or even trustworthy. (chapter 28)

Striking is that after having sex with him, she never faced the young man. She turned her back on him, a sign that she was not honest at all. Her facial expressions would have betrayed her, while her words would reflect her true thoughts. (Chapter 16) Her words in the bed were actually ambiguous: a reproach or a compliment? That‘s the reason why the protagonist couldn‘t detect her deceptive nature. She was speaking the truth the entire time. And after meeting Lee Je-Oh, the red-haired man was forced to face reality. Hence his past with the woman came to haunt him. Gradually, his unconscious forced him to see the reality of his choices and actions. He had been manipulated and become a killer. In his first nightmare, the woman was portrayed without eyes (chapter 6) while revealing her intentions. (Chapter 6) Then when Sang-Joon called the femme fatale, she might have been sitting next to him (chapter 40), but observe the gap between them. She was still not facing him. Besides, I would like the readers to pay attention to the window in the background. The frame symbolized their separation. They were not really together, as there existed a thin wall between them. Moreover, the prostitute was even talking to the convict, so in reality she was not focusing on Do Seong-Rok. Therefore, it is not surprising that Do Seong-Rok saw the truth on the sofa, while he was facing her. (chapter 27) He was forced to face reality, she was only feeling compassion for him. When she visited him in the mansion, he looked at her properly for the first time: (chapter 27) She had the same facial expressions than his father. She was abandoning him. This is no coincidence that right after he questioned her about the depth of her affection. (chapter 27) He was testing her. He could detect her deception, for she never replied to his interrogation. (chapter 27) She attempted to divert his attention by criticizing him, something which sounded so natural. And her departure (chapter 27) reminded him of his own father’s desertion. As a conclusion, after rescuing Lee Je-Oh, the main lead discovered his lover‘s true personality. She wouldn‘t keep her promise, for she had never loved him. He realized that her promises were always fake, just like her insurance. The former prostitute had never committed herself to him, she had never been by his side, while he had helped her this entire time.

On the other hand, Jeon Hee-Seong was well aware that Do Seong-Rok was very sensitive to lies, thus she never used lies by commission. That’s the reason why she never replied to his question about her affection for him. Her manipulations were different. Either she lied by omission or she used paltering, revealing the truth in delay or she mixed a truth with a lie (chapter 27). As a reminder, commissioner Ahn is not the leader of the enemy, he has already abandoned the group leaded by Koo. The witch is hiding the fact that she is representing the third party. But let’s return to our main point, the instruments of Jeon Hee-Seong’s manipulations.

I also think that the messages from the cellphone played a huge role in the deceptions as well. Do Seong-Rok had the impression that he was still close to her, as he was still in contact with her. (chapter 11) Therefore Lee Je-Oh stopped his lover to respond to her phone calls. He was well aware of the signification of the phone calls. Note that after the kidnapping of Lee Je-Oh, he tried to text her. This is important for two reasons: the texts could hide the true emotions and thoughts of the characters. If Do Seong-Rok had called her during that night, his voice would have revealed his emotions and hesitation, the phone call would have betrayed him. The femme fatale had adopted such an attitude a long time ago. She preferred texting him so that her manipulations wouldn‘t be detected. She wouldn’t be forced to act, her strength was to remain as natural and genuine as possible in front of the red-haired man. Hence her words were often connected to criticisms. (chapter 27) But because of Lee Je-Oh‘s presence, the red-haired man was put in a situation where he had to deceive Jeon Hee-Seong, and that‘s how he discovered the truth little by little. She was throwing him away, for Ahn Jae-Oh could offer her wealth and power, while he had nothing to propose to her: (chapter 38) This scene is important, for it indicates that the killer has adopted Jeon Hee-Seong’s mind-set! Life is like Janggi, and he is just a pawn in the big game.

4. Lee Je-Oh’s promises

The irony is that the prostitute had a totally different childhood. He had been neglected and pushed away by his father constantly! (chapter 9) He had strongly internalized the slap on the hand as a sign of rejection. Therefore it is not surprising that Do Seong-Rok’s words in episode 9 brought him back to his childhood reliving a certain trauma. Moreover, because the father was neglecting him, the young boy was left to his own devices. Thus he stole the knight in the shop. He learned through his father, that he needed to become proactive, and not wait for someone’s help. If he desired to have his wish fulfilled, he needed to act on his decisions. Furthermore, if he had accepted his father’s reproaches, then he would have become suicidal. Who can bear hearing constantly that you are a “shithead”, a “bastard”? No one… the insults from the father encouraged Lee Je-Oh to reject such insults and to retaliate in the end. He never accepted his living conditions. (chapter 26) This explicates why Lee Je-Oh fought against Ma Jong-Seok either. He might have been aware that the pimp had developed an affection for him, but he could clearly see his dishonesty and hypocrisy, for he was not helping him at all. The latter took advantage of the situation. Thus he could detect the falsehood of Jong-Seok’s promise right away in the prison. (chapter 10) Consequently, I come to the deduction that Lee Je-Oh was raised to make up his mind. He learned through his bad experiences that life was cruel, and he should never expect anything from anyone. On the other hand, in order to live properly, he needed to have goals in a short-term, and once he made his choice, he would stick to it. Yes, he stands for real promises, but not for illusion or dreams. His words are never empty and never written. He embodies reality. Under this new light, the manhwaphiles can grasp why Lee Je-Oh perceived the murderer as a god. (chapter 4) Only a god could show pity and assistance towards a prostitute, not humans.

But let’s return our focus on the prostitute’s promises. You see Lee Je-Oh making deals all the time. He is always serious. It started with this: (chapter 6) He would be his ally. (chapter 12) He promised that he would never betray him again. Then later, he declared himself that he was Do Seong-Rok’s business partner. (chapter 28) Then he put conditions to this deal: (chapter 28) And once he met the convict Sang-Joon, he introduced himself as his boyfriend. (chapter 29)

But why would he clinch onto the killer like that? The latter had indeed saved him, freed him from his condition as a prostitute. He had viewed him as a human before anything. He had not forgotten the man’s words in front of the pimp: (chapter 3) He had been the first person who had helped him. He would even feed him and take care of him. He would cook for him, dry his hair or give him a bed. For the first time in his life, he felt appreciated and treasured. He discovered gentleness, concern and warmth. Not even Ma Jong-Seok would treat him like that. (chapter 21) He could sense that Do Seong-Rok was on his side, though the latter still had a girlfriend. That’s the reason why Lee Je-Oh refused the rejection from Do Seong-Rok in front of the mansion. He knew deep down that the man had a reason to act this way. Even when he had treated him roughly in the car, he was well aware that the man was not entirely himself. Therefore it is not surprising that Lee Je-Oh announced his determination to snatch the killer from Ms. Jeon away, for the red-haired man had not respected their deal, their promise. (chapter 34) He had broken his promise, hence Lee Je-Oh would turn his words into a reality.

One might wonder why Do Seong-Rok didn’t explicate his situation before, why he didn’t ask the main lead for help. He had two reasons for this: (chapter 33) In his eyes, the protagonist wouldn’t be able to keep his promises. All these words were empty. How could he take Lee Je-Oh seriously, when the young man had been living in a cage for so long? He had no idea that Jeon Hee-Seong had played a huge role in the man’s misery. (chapter 26) Through this wrong choice, Lee Je-Oh discovered the treacherous side of this woman. Because of her, he suffered a lot. He was trapped in hell for 3 years. (chapter 26) She had deceived him with a fake dream, as if he could liberate himself by stabbing the pimp. So since the prostitute was strongly connected to Ma Jong-Seok, Do Seong-Rok could witness how miserable Lee Je-Oh’s life was. (chapter 7) Though the character claimed to have fought back, he never viewed it. Thus in his mind, the prostitute was powerless. That’s the reason why he didn’t trust the man’s statement: (chapter 32)

Besides, Do Seong-Rok couldn’t protect his lover, thus how could he keep Lee Je-Oh by his side? He would put him in danger, thereby he couldn’t make any promise at all. (chapter 32) He didn’t desire to generate hope. And now, you comprehend why Lee Je-Oh chose to accept the break-up after hearing his lover’s explanation. (chapter 34) He knew that Do Seong-Rok was thinking of Lee Je-Oh’s best interest. (chapter 34) The protagonist needed to show Do Seong-Rok that every words he had said to him were true and genuine. He was a man of his word, he would assist him. He would keep his promises. Though he left his side physically, he was still thinking about him. And it was the same for the suspected murderer. This break was necessary for Do Seong-Rok to perceive the main lead’s strength and power. He was intelligent and even cunning enough. He was forced to face the reality of his situation. Jeon Hee-Seong would never visit him in jail, for this would be seen as a sign for her involvement.

Through his past experience with Jeon Hee-Seong, the black-haired man knew that the woman was a scammer. He proved his oppa that he would protect him no matter what. (chapter 39) And he finally did it. He is now Do Seong-Rok’s boyfriend, and the latter is now called “oppa” in front of others. Though they are now separated by the window, they are in verity standing on the same side. (chapter 39) They are taking care of each other. He brought him new clothes, while the other offers to pay the fine. Their attachment reached its peak, when the main lead stroke his lover’s hair. (chapter 39) He could feel the warmth and affection despite the presence of the glass. He might have debts and no connection, yet with his cunningness, he was still able to ruin Jeon Hee-Seong’s plan. So a pawn still has a value. Each piece in Janggi is indeed important. And now, you are probably wondering how Lee Je-Oh ruined her “perfect crime”?

In my opinion, her intention was to let Seo Sang-Joon and Do Seong-Rok to take the fall. That way, she would be left out of the equation. The two men had worked together. That’s the reason why she asked her future husband Ahn to manipulate the file. (chapter 36) What she doesn’t know is that a promise was the cause for the destruction of her plan. How so? (chapter 31) If Seo Sang-Joon had not made a move on Lee Je-Oh and caused trouble, the prostitute would have never seen this scene: (chapter 31) The convict was scared of jail! He was really distressed in front of Lee Je-Oh. (chapter 31) The prostitute is well aware that this man just needed to get scared and cornered, then he will commit suicide. As you can see, the femme fatale’s promises are all linked to illusion and downfall, while the dark-haired man embodies reality and real promises.

Thus I couldn’t help myself smirking, when I read Lee Je-Oh’s following promise: (chapter 16) 😉I believe that he is wrong. His reaction was natural. He had never seen a man crying before. He only had met dishonest, angry and violent men. Note that Lee Je-Oh never said what he had on his mind. He kept his thoughts to himself, hence his words never became a reality. He still embraced the man. This means that he will fall for this kind of moronic love!! 😎 He was already getting more and more jealous towards Jeon Hee-Seong. Though the young man keeps describing Do Seong-Rok as his weapon (chapter 21), he still values him as a human. Without him, he has no protection. He is the new knife the femme fatale chose to dump, the new version of this scene (chapter 26). The only difference is that back then, she won, while now it is the opposite. To sum up, Lee Je-Oh embodies actions, promises and reality, whereas Jeong Hee-Seong stands for the opposite values. She will never get involved herself directly.

Before closing this essay, I would like to reveal a thought I had concerning the evolution of this story: Do Seong-Rok has a wealthy father (chapter 38) but neither Lee Je-Oh nor Jeon Hee-Song are aware of this. Back then, the father tried to buy his son’s silence with a few bucks … but technically, he could blackmail his father to get some money in order to pay his lover’s huge debts!! By doing so, he would be able to help his lover to escape from Koo’s claws. On the other hand, I believe that Do Seong-Rok and Lee Je-Oh are fighting the injustice and prostitution in this city, as they are now on the verge of becoming the femme fatale’s enemies.

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Painter Of The Night / Payback: “Innocent or not guilty?“⚖️

~ Bébébisous33 ~ 2 Comments

This is where you can read these manhwas. Payback: https://www.lezhinus.com/en/comic/payback_en Painter Of The Night: https://www.lezhinus.com/en/comic/painter But be aware that these manhwas are mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents concerning Painter Of The Night:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ Here, you can find more analyses about other manhwas: https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

Feel free to make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. It would also cover my expenses for the blog.

In daily life, people view the idioms “innocent” and “not guilty” as synonyms. However, from a legal standpoint, there exists a difference. Innocent signifies that a person did not commit the crime, whereas not guilty means that the prosecution could not prove “beyond a reasonable doubt” that a person committed the crime. Therefore, the court does not pronounce a defendant as “innocent” but rather “not guilty”. Thus the prosecution’s task is to bring up as many evidences as possible to prove the guilt of the accused. At the same time, I would like the manhwalovers to keep in their mind that that innocence stands in opposition to sin and not just to crime! So technically, someone might have not committed a wrongdoing, but he can have acted reprehensively. This signifies that we are dealing here with moral and social norms. Thus a sin is not judged by the court, but by gods and people. This explicates why the legal system never says “innocent”, but “not guilty”. This nuance could be perceived in two different manhwas, Payback and Painter Of The Night. Some readers might question the purpose for such a study. In my eyes, it helps us to perceive the characters under a different light.

1. Lee Yoohan, innocent or not guilty?

In the story Payback, the main lead Lee Yoohan had a dark past. He had dropped out of school (chapter 1), and he was no longer living with his single mother and brother Lee Hansoo. He described himself as a small but confident delinquent, as he used to work for a loan shark in order to earn money very easily. (chapter 1) And one day, his brother Lee Hansoo met him in order to ask him for money. Their mother was sick and they needed to pay the hospital bills. Lee Yohan agreed to help, thus under pressure, he chose to threaten a debtor’s son. Observe that the main lead chose to use a knife and take the child as hostage. He was walking on a thin line between legality and crime. As you can see, Lee Yohan was no saint. But it didn’t matter to him so far, for he had no faith at all. He refused to believe in karma. (chapter 1) He was definitely a disillusioned teenager, therefore he was not thinking about the future. However, the fact that he became totally reckless during that day indicates that he still valued his family. He might not have been close to them, but he still cared for them. That’s the reason why he agreed to accept the brother’s request. We can sense his worry here. (chapter 1) When the borrower was confronted with such a ruthless behavior, he warned the main lead: (chapter 1) However, since he had given up on his dreams and had no hope, Yohan didn’t take the threat seriously, until he was confronted with reality. (chapter 1) The same man killed his brother Lee Hansoo in front of the main character. The man had acted like that, for he had lost everything: his home and as such his family. I would add that he had failed to protect his son. Out of despair and anger, he decided to retaliate, to make the young man suffer, like he had been hurt before. An eye for an eye, a tooth for a tooth. The assassination was like a wake-up call for Lee Yohan. From that moment on, he turned a new leaf. (chapter 1)Why? He considered himself as the murderer of his own brother. (chapter 2) In his eyes, it was, as if he had killed himself the brother and his own mother! (chapter 27) He recognized that his actions had been the trigger for the debtor’s crime! At no moment in the manhwa, the main lead blamed the real culprit, not even his own mother who had given up on him. He admitted that in the end, it had always been his own choice to live like a thug! Striking is that he considers himself as responsible for his mother’s death, as because of his terrible way of life, he had caused her worries. As you can see, Lee Yoohan could not be considered as guilty for his relatives’ death, but he had definitely his share of responsibility in his family’s suffering.

Striking is that the young man paid off all his debts, as he saw them as his way to atone for his sins. Thus he never allowed himself to rest. How could he enjoy life, when he was a sinner? In his mind, he needed to suffer, but at the same time, he could never grief for the loss of his mother and brother. He had not the time for that. That’ the reason why Yoon Jae’s best friend asked him this: (chapter 27) No, he didn’t cry, hence the owner of the club wept for him. (chapter 27) He could sense Lee Yohan’s agony. He had lost his family at such a young age, he might have been a sinner, but anyone could sense his affection and conscience! He might have lived like a thug, but he was not a bad person per se. It is just that he had made wrong choices, just like the man who had stabbed his brother. In the main lead’s eyes, it was not karma, like the culprit said: (chapter 1) This means that Lee Yohan still refused to believe in divine punishment. Therefore it is not surprising that the protagonist punished himself so hard, and accepted his suffering without objection. He was not allowed to feel warmth and affection. (chapter 15) Thus he rejected the advances from Yoon Jae. In chapter 15, we could sense that the main character was preoccupied about the existence of god. Was there a divine punishment or not? (chapter 15) And Yoon Jae denied such a thing, but added then: (chapter 15) But is it not the same? Yes and no… For Yoon Jay, if someone acts badly towards another person, the former will be treated the same way. On the other hand, each kindness will be returned. But one might argue that the gods can interact through humans and use them as pawns to give people their karma. And this is what we are discovering in Payback. Lee Yohan helped Yoon Jae and even showed him a crying man. The famous director Yoon got moved by the main lead’s tears (chapter 15) proving that not all humans were cold and distant. They could express regret and admit their mistake. For the first time, Yoon Jae discovered warmth and sensitivity.

Lee Yohan would have kept punishing himself and putting a distance between himself and others, if his path had not crossed the famous actor Song Myungshin again! One day, he overheard a conversation between the artist Song Myungshin and his manager, and discovered the truth about the whole incident. The actor had been himself threatened by the debtor, so in order to save his own skin, he designated the younger brother to the future murderer. (chapter 1) The most terrible thing is that the actor had been helped constantly by the protagonist. Since the former had a dream of becoming an actor, the “thug” was generous to help him financially and emotionally. The assassination worked for Song Myungshin, for he had planned to steal the money from Lee Yohan. (chapter 1) That’s the reason why he didn’t even call the police. The murder would divert the main lead’s attention from the theft. When Lee Yohan heard this confession, he got upset for two reasons. Song Myungshin showed no remorse and a total indifference towards Lee Hansoo and the main lead. (chapter 1) But most importantly, he never suffered any karma. In fact, he could benefit from his sins and crimes. This could only reinforce his impression that there was no god out there giving punishment to the sinners. The actor took pride of his bad action, as he decided to take Song Yohan as his stage name! Yohan was a reminder that thanks to him, he could enter the entertainment scene. As a conclusion, karma hasn’t punished the actor Song Myungshin yet. Therefore Lee Yohan was determined to take his revenge. What he didn’t realize is that his first encounter with the other main lead would help him to achieve his goal: to give “punishment” to Song Myunshin. So he didn’t know yet that the gods were aware of this injustice, thus they let him meet the famous director Yoon Jay. (chapter 15) On the other hand, the existence of Lee Yohan gave the director hope, he could smile again and as such find happiness. The rabbit announced the return of innocence in Yoon Jae’s life. In other words, the two main leads were quite similar in their disposition: both had been wounded by their past, and had no hope. And thanks to the famous and powerful director Yoon Jay, the main lead is slowly starting living again. Little by little, he is interacting with people again, helping others, though he never does it openly. The best example is the actor Lee Hansoo who has the same name than his own brother. (chapter 6) In this scene, he refused to be addressed as hyung, as in his eyes, he didn’t deserve such a title. He had not acted like a hyung to his true little brother.

To sum up, Lee Yohan is a sinner, and he is not denying his responsibility for the loss of his family. For me, he punished himself too harshly. He never believed in karma, he saw that everything was related to his own choices. He had trusted the wrong persons in the end. And now, the gods are rewarding Lee Yohan’ for his remorse and new leaf. What made me smile while reading this manhwa is that when the former thug met Yoon Jay, he was wearing a rabbit costume with Jihwaha! (chapter 14) I couldn’t myself thinking of the antagonist Lee Jihwa, for he was put in a similar situation.

2. Lee Jihwa, a criminal or a sinner?

When in chapter 101 Lee Jihwa heard the report from Seokdae, he said that he had done nothing wrong, as he had never committed such crimes: (chapter 101) Indirectly, he was claiming his innocence. Thus the servant suggested to the young master to go to the police bureau in order to clear his name, but the young master refused to do so. Why? The problem is that Lee Jihwa couldn’t prove his innocence. And deep down, the childhood friend knew this. How could he prove that he was not involved in the scheme, when Min visited him (chapter 100) on different occasions, and both went to the scholar’s home together? Yes, this time Min’s threat had become a reality. (chapter 76) He could no longer back out. He couldn’t put the whole blame on the Joker, because this means that he would have to admit his own complicity. Yes, Lee Jihwa was trapped. He could sense that he had been framed by Black Heart, but the former couldn’t claim his innocence because of his knowledge! That’s how I realize why the young man was punished this way. Remember how he had blamed his childhood friend for his misery, and had used his knowledge as a proof for his reproach! (chapter 57) (chapter 57) Thanks to his knowledge, he was above any reproach, while it was not the same for Yoon Seungho. The latter was indeed ignorant, for he had forgotten many things. Consequently, the gods chose to punish Lee Jihwa for his arrogance and passivity. Now, he knows, but this doesn’t help him at all. Hence he decided to forget! This means that he behaved like Yoon Seungho, who repressed everything. The only difference is that contrary to the childhood friend, the main lead had been a real victim the entire time. Thus the second lead imagines that once he forgets and runs away, he will be able to escape punishment. However, he is wrong, for by choosing oblivion and desertion, he has to give up on his name Lee and identity. He can still be addressed as Jihwa, like you could see above. Yet, we have to question this. Is Lee Jihwa truly innocent like he claims it?

According to our modern legal system, he would be accused of complicity and of non-assistance to a person in danger, and this in four cases! First, when he arrived in front of Jung In-Hun’s house, he saw the painter wounded. (chapter 99) But what did he do? Nothing. Secondly, he witnessed how the kisaeng was dragged away to get killed, though it was staged. Here again, he did nothing. (chapter 99) I would even say that he even faked ignorance, because he was lying. The drop of sweat is the clue for this interpretation, besides Min contradicted his testimony in the shaman’s house later. (chapter 100) He had contacted the antagonist on many occasions, so he had heard from Black Heart before. It was never out of the blue. He knew about the existence of the plot and its goal: Taste the painter and kill him. He had been informed a long time ago. Then in the shaman’s house, he saw the painter dead in his vision, hence he pushed The Joker away and fled. (chapter 100) He turned his back on Baek Na-Kyum. But that means that he abandoned the artist once more time. In three occasions, he was well aware what was happening and he could have intervened. Yet, he let it happen. Besides, he handed over the drugs and dildo to Min. As you can see, he was never an innocent person, but not just a sinner. He was an accomplice. And he knew this, thus he couldn’t go to the bureau of investigation. Min was well aware of this. (chapter 101) Naturally, his crime was nothing compared to Min’s.

On the other hand, since he didn’t participate actively in the plot, he never hurt the painter or Heena himself, Lee Jihwa views himself as innocent. But inaction is still action. Thus I still don’t think that the antagonist recognized his own sins. Why? It’s because he called himself a victim later. (chapter 101) He didn’t see why he should die, when in his eyes, he had done nothing! And the antagonist’s prophecy became a reality. (chapter 50) By fleeing, he didn’t stop his friend from committing a murder. Thus he is responsible for their deaths. And he knew that Min and the other nobles would die. (chapter 101) He chose to save his own skin instead of saving their life, though here he was more fearing the king‘s reaction. During the same night, Lee Jihwa got tested 4 times, and each time, he refused to help. That’s the reason why the gods chose to punish him by making lose his title and name. He will become the culprit of a mass murder, he killed Black Heart and the other two nobles. And this would reflect the truth, for the red-haired master didn’t intervene. He could have acted like Baek Na-Kyum (chapter 53) and even follow his friend. And this distinguishes him from Lee Yohan so much. The latter recognized that each decision he made had consequences. And note that the idiom “choice” was connected to silence and assistance. (chapter 76)

As you already know, for me, Lee Jihwa had already imagined that the artist was dead. Because Yoon Seungho trusted the childhood friend, he came to believe the same. The gods were showing the red-haired master the future: he would become a huge sinner, he would have blood on his own hands, though he never did the deed himself. (chapter 50) It was, as if he had murdered the nobles himself. The gods were teaching him a lesson: Knowledge and passivity are crimes. In other words, Lee Jihwa became a sinner and a criminal because of this night. And this because he refused to face reality.

One might refute this perception, for the young master had been left in the dark concerning Min’s plan. (chapter 83) But was he really ignorant here? I came to a different interpretation recently. How? First, why does the second lead have a drop of sweat in the last picture? This is an indication for a lie. But there exist stronger proofs. Don’t forget the following rules: there’s always a reflection within the same chapter, and each chapter is reflected in the next. In the antagonist’s memory, Lee Jihwa was portrayed as someone who would disobey his father! (chapter 83) He would trespass the house of the Yoons and enter the shed, even the lord’s bedchamber! (chapter 83) As you can see, Lee Jihwa was acting as a rebellious son in the past. He was not respecting social norms and the elders. This signifies that we have the exact opposite in the present. Observe the seasons: summer versus winter. Thus I come to the following deduction. He is following the order from his father, he is not dragged (chapter 83), but he brought Min there. Why would Min say this? (chapter 83) Why would he come to see the mess? His words are indicating that someone must have told him about the scholar’s death. Since we saw this, (chapter 83) we thought that when the plotters came, Min was leading the way. But if we take into consideration chapter 76, we realize that back then the childhood friend brought Min to Nameless’ barn. (chapter 76) Thus it could have been the same! Lee Jihwa had brought Min to the scholar’s house, then Min was the one giving the signal to leave the humble dwell, just like in chapter 76. The red-haired master let Min meet The Joker, before Min was the one asking Lee Jihwa to follow him, when he realized that Nameless refused to help him. (chapter 76) So when we view this, (chapter 83), we should envision that the roles were switched, when they went to Jung In-Hun’s house. Besides, keep in mind that in season 1, Black Heart had been the one giving the information to Lee Jihwa. (chapter 43), so from my point of view, we could have a similar situation, someone had asked him to bring lord Min to that mansion! It can not be Min… From my point of view, Lee Jihwa was acting on his father’s orders. That’s the reason why Lee Jihwa never entered the mansion, and he told Min the story about the incident in the bedchamber. Father Lee had been the one who brought it up first. (chapter 82) Why would Lee Jihwa suddenly mention this story to Black Heart, when he had remained silent the entire time? Even Min wondered about this! (chapter 83) Another clue for this signification is the vocabulary of Black Heart. The latter is speaking like father Lee: lunacy (chapter 82) (chapter 83), Baek Na-Kyum is called as a peasant (chapter 82) (chapter 92). Finally, don’t forget what Min said about Yoon Seungho. (chapter 83) This shows that Black Heart stands for social norms: respecting the elders. But he never realized that in verity he was getting fooled by the Lees. We saw where the main lead was living in the shed, but did Lee Jihwa say this to Min? No, I don’t think, he mentioned it… he was left in the dark about this, just like the readers were not informed, when lord Song was mentioned by Lee Jihwa. (chapter 83) But Min was not naive like Jihwa, he knew that once involved, someone had to pay for the subterfuge and crime.

As you can see, Lee Jihwa was repeating his wrongdoings from the past, he was betraying not only his childhood friend, but also Min and as such lord Song, for he revealed his identity. The only difference is that Min had indeed manipulated and betrayed first. But this doesn’t change the fact that Lee Jihwa stands fake loyalty. It is just the result of his education. He was influenced to follow his father’s instruction. Yes, the story is repeating itself, and father Lee was trying to use someone in order to cover up his son’s crime. One thing is sure: Min was well aware that Jung In-Hun had been killed, but he was informed that the crime scene in the scholar’s room had been staged. In my eyes, Black Heart never realized that he had become the pawn of Kim and the Lees. Father Lee’s goal was to turn Yoon Seungho into a murderer, but he had no idea that Kim had himself planned to have Lee Jihwa killed. Father Lee thought that he could recreate the situation from the past, when the Yoons were framed of treason. Back then, the main lead got blamed, but now everything is different. How so? The noble didn’t act like planned. He never used violence against the kisaengs (chapter 93) (chapter 99), the servant Seokdae or even his son Lee Jihwa. The loss of hair was the proof of his leniency. (chapter 101) Each time he spared them. How can father Lee claim that the main lead is behind the murder in the shaman’s house? Secondly, his own son vanished which will be considered as a sign of culpability. Finally, lord Shin is a survivor and his last image is that he got unconscious, when he spoke to Lee Jihwa. This means, Lee Jihwa will become a criminal! Because of this situation, I am hoping that the red-haired master will reflect on his own actions and decisions. He followed the elders’ advice blindly and paid a huge price for this. He would never get loved by the main lead. He came to lose everything: his home, family and title. He is now a commoner. From my point of view, father Lee will be forced to cut ties with his son in order to save his own skin, but it is also possible that he even loses the mansion. (chapter 82)

To conclude, Lee Yohan and Lee Jihwa are both sinners, yet the red-haired master is an accomplice of a murder, for he never intervened himself. While the thug still has a “clean record”, it is not the same for the second lead. Moreover, the main lead from Payback has a better understanding of sin and crime, but this is also normal, for he is growing up in a different environment. In Joseon, the sons had definitely less choices. Due to the big influence of Taoism and Confucianism, the juniors were asked to follow the orders from the elders blindly. Black Heart thought that he was really smart and cunning, while he was not. In truth, he was the perfect reflection of Joseon nobility and society: following social norms blindly and never questioning the elders. Thus he copied their behavior. He obviously listened too much to Kim and other adults, therefore it is not surprising that at the end, he paid for his wrongdoings with his life. All the schemers in this party were too arrogant and miscalculated.

As you can imagine, I prefer Lee Yohan known under the name of Lee Baekwon, for he never denied his responsibility. (chapter 27) On the other hand, contrary to Lee Jihwa, he grew up in a poor environment, thus he had to work in order to live. He could never live carefree like the spoiled only son of the Lees. Finally, I would like my readers to question themselves this: Will Lee Jihwa come to admit his responsibility in the death of the nobles and in Yoon Seungho’s suffering? I have to admit that I am hoping for his return, for the two friends need to have a proper talk, and according to me, Lee Jihwa apologized or at least expressed regret in front of his friend, thus he got spared. Yet, I would like very much to see such an apology to the main lead. But before his departure, he still viewed himself as a poor victim who had been wrongly framed exposing that he had not grasped the true nature of his wrongdoings. (chapter 101) So working for a living will teach him how to become responsible and strong!

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Steel Under Silk: The Power of the Dog ⚔️

~ Bébébisous33 ~ 2 Comments

This is where you can read the manhwa.https://www.lezhinus.com/en/comic/steel_silk But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays about this manhwa and others, here is the link to the table of contents: https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/ Here you can read the second analysis about Steel Under Silk:  https://bebebisous33analyses.com/2022/05/11/steel-under-silk-painter-of-the-night-the-lotus-%f0%9f%8c%b8-and-the-snake%f0%9f%90%8d/

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Anyone reading chapter 12 comes to the conclusion that Kwon Hee-Ryang has the upper hand, and Lee Yeonjo has been defeated. (chapter 12) The governor gives orders to the slave, and the latter can only obey. Secondly, the official only reveals to his counterpart at the end that he knows about his identity. (chapter 12) He is the son of the right state councilor, the man he killed with his own hands 5 years ago. By unveiling the truth, the man shows that Lee Yeonjo won‘t be able to deceive him. He can see through his heart and gaze which are filled with rage. (chapter 12) Thus the uke won’t be able to get his revenge. However, in my eyes, this confrontation in jail outlines the opposite. The dominant is not Kwon Hee-Ryang, but Lee Yeonjo. For me, the governor made a huge mistake in the jail, but it is barely perceptible. It becomes more obvious through a detailed examination. Striking is that in my previous analysis, I had compared the uke to the purple lotus flower due to his name, but the young man is also associated to the dog. (chapter 9) (chapter 10) (chapter 10) And now, you comprehend why I chose such a title. This will be the topic of my essay. I will elaborate why and how Lee Yeonjo is powerful, though he views himself as weak and powerless. (chapter 10) I am quite certain that you are wondering about this. How is it possible that the uke is not in a disadvantageous position? Everything is pointing out the opposite: his condition as a slave, his situation (he is imprisoned for a crime), he is the talk of rumors and Kwon Hee-Ryang has already identified him as an enemy.

1. The fight in the bedchamber

Let‘s start with their first sexual encounter. We shouldn’t forget that Kwon Hee-Ryang had already been eyeing Lee Yeonjo (chapter 8), and he was already thinking how to approach him. However, he was caught by surprise, when the servant was sent to his staff. He had the impression that the main lead had been delivered on a silver plate. Imagine this. He didn‘t need to do anything. Due to the bite on his neck, the governor knew that the young man had sex with another man. So in his mind, he was not rejecting sodomy. Secondly, he just had to make the request that Lee Yeonjo should serve him, and that was it. Once in the bedchamber, he could taste him. He envisioned that with his position, the slave wouldn‘t reject his advances. At the same time, we could sense that initially Kwon Hee-Ryang tried to woo him. He asked for his name (chapter 7), then he showed concern for his wounded finger before touching his hand in order to seduce him. Honestly, as the governor, he was in a position where he could have just ordered Lee Yeonjo around, and the latter would have been forced to obey. He only mentioned his power, the moment he sensed the protagonist’s resistance. (chapter 8) As you can see, first the official chose a more delicate approach. Simultaneously, he mentioned that he was aware of the existence of the request from Headman Choi. Lee Yeonjo should spy for Choi. By unveiling this secret, Kwon Hee-Ryang wanted to be perceived as a generous man, even as a savior, for he was giving an opportunity for the slave to escape such a terrible fate: being accused of spying in case something went wrong. He was implying that he knew that Lee Yeonjo was acting here against his will, the governor was believing in his innocence. He just needed to become his lover, and that was it. The reproach of spying would never be brought up against him. But note that his words had the opposite effect, it even scared Lee Yeonjo more. At the end, the lord had to remind the slave of his precarious situation, he was in no position to refuse his advances. (chapter 8) Because he didn’t threaten the servant right away, this indicates that he was not just seeking sensual pleasure, he was hoping to gain the lotus’ attention and trust. But this doesn’t end here. What caught my attention is that Kwon Hee-Ryang decided to restrain himself, he was controlling his sexual desires, a sign that he was very considerate towards Lee Yeonjo. (chapter 9) The usage of the foreplay displays that the noble was not rushing things. He wanted to ensure that this wouldn’t be painful for the uke. Because he thought that with his power, he had been able to tame the “dog”, he got caught by surprise by the man’s sudden rejection. He got slapped so hard that he lost the cover of his topknot with the hairpin. (chapter 9) This scene was full of symbolism. The slap symbolizes humiliation and castration. It was, as if the young boy had disarmed his adversary. (chapter 9), for the hairpin represents the governor’s blade. Lee Yeonjo went so far that he wanted to commit suicide with the main lead’s hairpin. (chapter 9) This signifies that he had defeated Kwon Hee-Ryang by taking his hairpin. He was revealing the governor’s powerlessness. The official couldn’t obtain what he desired, but also his authority had been defied. Neither his advances nor his strength had been able to overcome the man’s defiance and resistance. And now, you comprehend why the “beast” was so furious and sent the servant to jail. (chapter 9) As a powerful man, he had not been able to prevent such a humiliation.

This shows that Kwon Hee-Ryang desired to earn the trust from Yeonjo. He thought that with his gentle gestures, his reassuring and praising words and his position, the slave would accept him right away. So he was not just aiming to have the boy’s body, and that was it. He definitely desired more, he had no problem to make him his official lover, which distinguishes him from lord Chang. Their sex session displays that Kwon Hee-Ryang was considerate towards Lee Yeonjo, but the latter was not realizing it, for his mind was too focused on his own physical reaction. (chapter 9) He is still denying his own sensuality.

2. In jail

Once in prison, he received the visit from headman Choi. And even here, he had no problem to talk back to his superior. He went so far to insult the headman. (chapter 11) He refused to kill himself in order to cover up the man’s sins. He might be a slave, but he was not stupid or desperate enough to give up on his own life. But the bearded man didn’t take the servant’s warning seriously, which had terrible consequences for Choi. He ended up losing his position and life, for he was caught red-handed by the governor. We could say that thanks to Lee Yeonjo, the official could get rid of a nuisance. Headman Choi had served the hojok instead of the governors. (chapter 11) The uke played a huge role in Choi’s demise, which people could detect, as afterwards that night, Yeonjo was blamed for Choi’s vanishing. His resignation happened the same day of Yeonjo’s imprisonment. That way, Kwon Hee-Ryang’s true personality and goal were still kept in the dark.

Though the slave witnessed another bloodbath, the main lead still begged Kwon Hee-Ryang not to send him away. This means that his desire for revenge was stronger than his fear. (chapter 11) In this panel the readers can detect the former noble’s scare due to his trembling. Yet the moment the governor wished to send him outside the court, the main character realized the real consequence of his past action. He wouldn’t be able to approach his enemy again. (chapter 11) Thus he faked obedience and regret. (chapter 11) But Kwon Hee-Ryang was no fool, he could perceive the uke’s hypocrisy. Why? It is because he is also himself an actor, he is the “blade hiding behind the smile”. He can detect when people are acting. Only Lee Yeonjo knows his true nature. No one will ever suspect that as a high ranking official, he would dirty his own hands. This explains why the uke considered their first sex session as a hunt. (chapter 9) Kwon Hee-Ryang was a beast cornering a little puppy. But let’s return to the scene in the prison. What caught my attention is that once the slave pleaded for the lord’s leniency, the latter asked not only for privacy but also for a fire place! (chapter 11) This little detail unveils that the main character has already a soft spot for Lee Yeonjo. I would even go so far to say that the absence of penetration (again) in the prison is an indication that Kwon Hee-Ryang is not controlling the situation at all. He complained that the uke had a climax before him (chapter 12), that he had poor skills… (chapter 12) yet, note that he was the one suggesting the masturbation. It was also his own decision to masturbate Lee Yeonjo too. This shows that he still took the uke’s own sensuality into consideration. Besides, he was totally bothered that the uke was rejecting him. (chapter 12) He was also annoyed that Lee Yeonjo was not paying attention to him. He could even sense that his mind was elsewhere. (chapter 12) Exactly like in the bedchamber, the manhwalovers can sense that the main lead was longing for more, but after realizing the true identity of Lee Yeonjo, he is well aware that he can never obtain the slave’s heart, as he is the one who killed his father. (chapter 12) And now, you comprehend why he is sending away Lee Yeonjo, he is hoping that once out of his sight, he will be able to forget him. But like I had outlined in my introduction, the governor made a huge mistake by confronting Lee Yeonjo. (chapter 12) He divulged that his body language was betraying him. He couldn’t act, as his facial expressions and actions were showing how he hated his touch and presence. This means that if Lee Yeonjo takes the main lead’s reproaches to heart, he can have an advantage. The governor encouraged the uke to become a better actor. He just needs to learn how to control his reactions. One might say that he just needs to learn acting, but there’s more to it. In reality his defiance is strongly connected to his loathing about sodomy. Hence the moment the slave accepts his homosexuality and admits feeling pleasure, it will be more difficult for the counterpart to judge if Lee Yeonjo’s affection and sensuality is genuine or fake, especially if he becomes more proactive in the seduction. So far, the former noble was the one on the receiving hand, when he was with Kwon Hee-Ryang. So if he changes his attitude and becomes an expert how to please Kwon Hee-Ryang, the latter will lose more and more control of the situation.

Notice that in the bedchamber, Lee Yeonjo spoke of attachment (chapter 8), which could be viewed as a vulnerability. This is not surprising that Kwon Hee-Ryang worded his attraction differently: (chapter 8) The slave was just a pet, a plaything, nothing more. But biting was showing that he was claiming him as a his possession. Thus I deduce that Lee Yeonjo will take a different path in order to seek revenge on his father’s murderer. The author already left a clue with this panel: (chapter 9) He dreamed of killing him, but he doesn’t have the strength. Nevertheless, he can torment Kwon Hee-Ryang in a different way. He could use lord Chang for that. Under this new light, the manhwaphiles can comprehend why snob added the tag love triangle. From my point of view, the fact that the governor initiated a kiss with Yeonjo indicates his increasing attraction for the protagonist. (chapter 8) The lord was treating the other ukes differently, they were more indeed sex toys. (chapter 2) (chapter 4), for penetration was in the center of these intercourses. But with Lee Yeonjo, the strategist and warrior behaved in a more seductive way: there were caresses, kisses and embraces. The governor did his best to seduce the slave. Yet the lord didn’t succeed, thereby he was not even able to taste the uke.

3. Yeonjo’s deal

In the second part, I had mentioned that Yeonjo could employ lord Chang to torment the governor, the two persons he loathed the most. First, he has already used him, when he asked him for this favor. (chapter 2) Here he was lying to the administrator.

What caught my attention is that though Yeonjo was just a slave, he didn’t beg lord Chang for a favor in the shed, but he proposed a deal. (chapter 10) The idiom is important, for this term implies that the two sides are equal. This made me laugh, for the simple reason that the slave made this suggestion, though in reality he was in an disadvantageous situation. As a slave, he has no right at all, he can never be the lord’s equal. Striking is that when he said this, he was sitting on his knees, whereas the administrator was standing. Their position reflected their actual social status. On the other hand, a gentle kiss and stroke were strong enough for the ruthless and selfish lord Chang to accept the deal. This shows that here the servant was acting. He faked submission and acceptance. And notice that Yeonjo has been playing passive-aggressive with the administrator. (chapter 1) He could taste his body, but that was it. In truth, lord Chang was longing for more, he hoped to become his lover, when he asked him to send him to the court. As you can detect, Lee Yeonjo was able to control the administrator. Therefore it is no coincidence that he refuses to follow lord Chang who desires to remove him from the court (chapter 15). He hates the man, as much as he loathes the murderer of his family. People are wondering why. This is quite simple. Lee Yeonjo resents the administrator, for he abused his position. In chapter 10, he showed his true face. He portrayed himself as a generous man (chapter 10) The verity is that he never gave everything without expectations. His “kindness” was fake, he desired to have sex with Yeonjo. That’s the reason why the noble was rejected the first time. And note that during this meeting, the administrator felt the need to remind Lee Yeonjo of his superiority. (chapter 10) In my eyes, the official did nothing to change the protagonist’s situation, in fact he used the main lead’s despair. Real kindness is always free which was not the case here. However, he was caught by surprise as well, when the uke took his hand and kissed it. On the surface, Lee Yeonjo was acting as if he was submitting to lord Chang, but the reality was different. He still had the upper hand, which explains why the uke could show him the cold shoulder or even reject him in the beginning of the story. (chapter 1) I believe that the slave will use a similar strategy with the governor, but there will exist a slight nuance. Why? It is because Kwon Hee-Ryang is not hiding his homosexuality. (chapter 10) He doesn’t care about his image. The other reason is that he is still connecting him to the night where he saw him killing his father. He has internalized this fear. That’s the reason why he was reminded of that night during their first sexual interaction. (chapter 9) He knows that Kwon Hee-Ryang is a predator (chapter 10), thus he can not be approached like lord Chang. He is more dangerous and perceptive than lord Chang.(chapter 10) His fear and anger are hindering him to act properly. Due to his trembling and his anxiety, he has not grasped yet that he has already the upper hand: the governor’s attachment.

4. Conclusion

Lee Yeonjo has more power than it looks like. He could defeat headman Choi who had threatened him. He could escape punishments on two occasions thanks to the official’s leniency, and he was able to deceive and control lord Chang. And by revealing his cards to Lee Yeonjo, the latter can use his gained insight to change his plan for revenge. The noble might have played with him, but unconsciously his words and actions were betraying him. He is already losing control over his heart. This is particularly perceptible, when he said this to the main lead. (chapter 13) He had envisioned for one moment to share his bed with Lee Yeonjo. The presence of Lee Yeonjo in the court will be a constant reminder for Kwon Hee-Ryang that he committed a sin. (chapter 13) Like pointed above, the uke could change his attitude. So how will the governor react, when the slave’s gushing antipathy disappears? Will the lord truly believe that the resent disappeared for good? In my opinion, the young man will come to change his approach. He could deceive the official by appealing to his pity exactly like with lord Chang. (chapter 13) This exposes that the “dog” or kitten is much more powerful. He can torment him with his guilty conscience.

Here, I would like to outline the similarities between this work and the Western movie “The Power of The Dog” which was made by Jane Campion in 2021. In that story, the strong, very masculine and bullying main character Phil Burbank got defeated by the very thin and feminine Peter. In reality, the latter was the stronger one, he was confident, thus he could resist peers pressure. The latter gave the impression that he was connecting to Phil, and they had something in common, while in truth, Peter just sought his closeness to discover his vulnerability. Phil was a repressed homosexual, who hid his sexual orientation, though it is also implied that Phil had been sexually abused by his mentor Bronco. At the end, Peter was able to kill Phil who had been harassing his mother. He viewed himself as a man, for he could protect his mother. My point is that both works are showing that masculinity and power have nothing to do with sexuality or a certain body shape. Lee Yeonjo might be thin, shaking, unable to repress his hatred, but at least he is strong-willed and honest to himself, while Kwon Hee-Ryang is already in denial about his growing attachment towards the main lead. He is definitely underestimating Lee Yeonjo’s determination and deceptive skills. The young man uses his poor condition and weak appearance to move the semes’ heart. (chapter 13) Kwon Hee-Ryang can imagine his thirst for revenge, but the problem is that he is underestimating the effect Lee Yeonjo has on him and his heart.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Dogs🐕 don’t wear pants 👖

~ Bébébisous33 ~ Leave a comment

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

The starting point of this analysis was this quote from Lee Jihwa. (chapter 12) The mention of a new toy implied the existence of an old plaything. But we know for sure that Yoon Seungho has never possessed anything. He was treated like a male kisaeng himself, for he was not allowed to refuse advances from anyone. (chapter 52) Finally, he was forced to share anything he owned to others. (chapter 52) That’s how I realized that the inner thought from Lee Jihwa was exposing his knowledge. The latter knew about Yoon Seungho’s true conditions. The latter had been treated like a plaything by the pedophile. As the red-haired noble had been raised as an filial son respecting elders, Lee Jihwa saw no reason to change the way Yoon Seungho was “trained”. (chapter 57) Besides, he could only benefit from it. Now, he could have sex to his heart content. He only started playing tricks, the moment he felt that his childhood friend was escaping from his claws.

On the other hand, the author recently explained on a live session that Yoon Seungho’s mother committed suicide, for her son was tormented. However, my problem is that I only heard about this through others. Some stans were saying that Yoon Seungho was getting abused, others would even say, he got tortured. So was it abuse or torture? There’s a slight difference between these two notions. For I was a little unsure about this, I preferred to leave it at “abuse”. But then I realized this. If he had been truly tortured, then he should have traces on his body, they used to break bones… so that they ended up crippled. The readers could witness the way the Joseon authorities tortured people in order to obtain confession. (Chapter 37) On the other hand, since the lord went to the authorities in season 3, I deduce that he must have gone there in the past too, yet not as a victim/plaintiff, but as an accused. Because of this new revelation, I made a new connection: sex and torture.

Striking is that in the father‘s eyes, he was not even a slave, he was like an animal. (Chapter 83) Why? He viewed him like a dog, for he was living in the shed. He even had no proper hanbok and no real hair dress, and the manhwaphiles can certainly remember the idiom: clothes make the man! If he was no man, then he was an animal, a dog. Even his food reminded me of dog food. But why was he living there? (Chapter 83) In this essay, I will answer to this question. As a first conclusion, the lord was not even treated like a male kisaeng in the past, but more like a dog. Consequently, I deduce that when Baek Na-Kyum met the lord in the inn (chapter 1), his status had already changed. He was slowly experiencing emancipation. He was living like a male kisaeng. Thus I conclude that Lee Jihwa contributed to his recovery to a certain extent. (chapter 59) However, don’t get me wrong. I believe that the change occurred thanks to Baek Na-Kyum’s intervention, the new version of this scene. (chapter 68) Their path crossed a second time in the gibang which led to the painter’s expulsion which affected the lord‘s living condition. But let’s return our attention to the lord’s long suffering.

In the past, while reading season 2, I started getting confused about the identity of the abuser. When in the shed (chapter 62) the lord turned into a shadow or ghost from the past, certain gestures were similar to the patriarch‘s. (chapter 57) (chapter 62) This explicates why after reading episode 62 for the first time, I had suspected the father to have raped his own son. Yet this thought was dropped shortly after. Then when episode 77 was released, I realized that in the shed the lord was also reminded of Kim’s betrayal, for the latter would always drag him to the shed. Observe the way he was “carried away“. It was like an “embrace“. (Chapter 77) In episode 77, the readers can witness 2 incidents how the lord was brought to the storage house. (Chapter 77, this is a different situation, for we have different servants except Kim) Therefore in the barn, Yoon Seungho behaved like his surrogate father Kim as well. This explicates why we have the fake embrace and the insincere apology. (chapter 62) (chapter 62) As you can see, the hug from the past was the symbol of violence and hypocrisy. It served to drag the lord to the storage room. And this new observation led me to the following conclusion: Yoon Seungho was copying the behavior from all his abusers from the past: his brutal father, the hypocrite butler and naturally the pedophile. (chapter 62) Hence the protagonist grabbed the painter by the hair. For me, the “mysterious lord Song“ used to hurt the main lead by the hair, when he got angry. How did I come to this interpretation? Note that at no moment we never saw Yoon Chang-Hyeon taking his son’s hair. First, the lord’s head was covered with a hat. (Chapter 57) Even in the bedchamber, he would either slap his son or grab him by the throat. (Chapter 83) (chapter 83) As for Kim, the latter would always restrain the main lead by the shoulders, the fake embrace. (Chapter 57) And now, you comprehend why the lord dragged the two nobles by the topknot. (chapter 8) For a long time, I have demonstrated that this gesture represented one of Yoon Seungho’s biggest traumas. But why would the pedophile do that? One might say that it is because of Yoon Seungho’s resistance and struggling. He needed to punish him for his disobedience. Note that the noble with the mole and Lee Jihwa got humiliated as sanctions. (Chapter 18) However, in my eyes there exists another explanation which I will elaborate in this analysis either. From my point of view, the shed and the humiliation are strongly intertwined. This was particularly visible, when the lord forced Baek Na-Kyum to have sex in the courtyard. (Chapter 64) But why would he do that in the end? It was to train him, to make him obedient. (Chapter 64) Remember how he had declared that the painter was now his sex toy. He should listen to his master or owner. That’s how I came to this deduction. The infamous lord Song is a sadomasochist. In the worse case, he is simply a pure sadist. I am inclined to believe more in the first view. With this, we would have the link between sex and torment. And the picture from the erotic book where you see the bearded man having a braided man on his lap outside indicates that Yoon Seungho was here getting punished. The pedophile loved seeing Yoon Seungho humiliated and in tears. (chapter 01) And now, we have the explanation why the lord could no longer cry and how he came to hate “fake apology”. This was the result of the exposure to the sexual assaults under the form of BDSM.

1. The true nature of BDSM

But what is BDSM exactly?

It’s an abbreviation for bondage, discipline (or domination), sadism (or submission), masochism: sexual activity that involves, for example, tying a partner up, games in which one partner controls another, or giving and receiving pain for pleasure quoted from https://dictionary.cambridge.org/dictionary/english/bdsm

This means that BDSM is a role play, where one acts as a dominant and the other as submissive. However, in order to become an act, there must exist consent and agreement. A contract is necessary, for the dominant has to ensure the submissive’s safety. He needs to know the limit between real and fake, and as such when the pain becomes too much to bear and is no longer a synonym for pleasure. The dominant needs to know boundaries. Thus the couple has to have a safety word. Once this word is said, the “punishment or humiliation“ has to stop. This truly shows that BDSM is strongly regulated. Therefore on different websites, you can see many recommendations. One stipulated 10 rules so that BDSM would be enjoyable for the couple: 1. be patient, 2. be humble, 3. be open, 4. be honest, 5. be realistic, 6. be sensitive, 7. be genuine, 8. be healthy, 9. Communicate, 10. have fun. (https://modemworld.me/ds-essays/the-ten-rules-of-ds/) Striking is that during their last love session, the couple was already following these principles, though there was no real punishment. Don’t forget that the painter had sex in front of people behind the doors. (chapter 96) They ended up in the hallway, anyone could see them. Then in another website, I found the following principles:

„What Daddy should do for his little Prince:

1. Help me brush my hair if you’re with me.

2. Help me pick out clothes and food.

3. Take bathies with me sometimes, and showers with me most of the time if you’re here.

4. Hold my hand as often as possible.

5. Call me my preferred words: little, sweetie, prince, puppy etc.

6. Give me treats when I’m good.

7. Punish me when I’m bad.

8. Praise me when I do good. No matter how small the good thing is.

11. Don’t make threats. Punish me if I’m bad, but don’t take things away or hurt me when you’re mad.

12. Never lose your temper because your day is going bad.

13. Always go to bed and get enough rest as much as possible.

16. If I’m sad I like hugs and kisses and pets and nice words.

17. Littles need to know they are loved.

18. Always be honest with me.

19. If I’m being a brat, I want attention.”

20. Don’t ever break promises, ever.” quoted from https://www.wattpad.com/amp/492636426

2. The real and fake sadomasochist

After reading the second list of rules, the manhwaphiles will realize two important aspects. First, the main lead was slowly developing a manual of BDSM without realizing it. Note that after the coerced sex in the pavilion, he desired to take care of the painter personally. He took the horse, and if he had not met the butler on his way to the pavilion, he would have done it himself. (chapter 25) He even brought the hanbok himself. (chapter 26) The lord went so far to take his bath with his lover to clean him. (chapter 59) He made sure that his partner wouldn’t suffer. (chapter 89) Yoon Seungho knew by experience that the rest of semen in the stomach would cause him ailing. (chapter 77) This was the reason why Yoon Seungho had a fever afterwards. Don’t forget that the pedophile used Taoist sexual practices, this means the young boy had a sex marathon each time, he met the pedophile. Thus I interpret the bruise on Yoon Seungho’s eye not only as an indication of resistance, but also as a source of joy for the sexual predator. We have the reaction from lord Jang as the perfect example. (Chapter 101) He blushed, though he could see that Baek Na-Kyum was in pain, the face covered with blood. Remember what the painter did in the pavilion to the main lead: he scratched his face. (Chapter 25) Thus we have to envision that the lord must have reacted the same way and wounded his abuser. And imagine the consequence if he had wounded the king on the face. This could be seen as a reason for a punishment. (Chapter 77) Remember Black Heart‘s warning in the shaman‘s house: (chapter 102)

Under this new light, the readers can comprehend what happened. Because he was the ruler, he expected acceptance. In addition, the king never took care of his “lover” properly, for in the palace, the staff was supposed to take care of everything for him: he would receive the assistance from maids and eunuchs in order to get dressed. This signifies, he must have had the same expectations in the Yoons’ mansion. He always relied on Yoon Chang-Hyeon and the so-called loyal valet. But the father could only resent his own son, for he rejected homosexuality, as it stands in opposition to lineage. As for the valet, the latter was too much plagued by his own guilt that he resented the nobles for his own wrongdoings. He never realized that he was abandoning the young master.

Yoon Seungho learned through the hard way to take care of himself. However, because the protagonist had been traumatized by the sexual fake lesson, I doubt that he could have an erection. Thus the valet went to the physician again in order to get replenishing medicine. (chapter 33) This is an euphemism for aphrodisiac. Thus we had this confession from the physician. (chapter 57) Why did the butler visit the doctor without Yoon Chang-Hyeon? It is because he had been ordered to fetch the aphrodisiac. By feeding him with the drug, they wanted to force Yoon Seungho to accept the advances from the king, and as such to admit his sexual orientation. He was a sodomite. (chapter 65) They faked his “pleasure“ making him feel guity and dirty. That’s how he got tricked. This explicates why the main lead still has no idea of the use of the aphrodisiac.

And now, you have the answer why the king failed to “tame” Yoon Seungho. He did the exact opposite what he should have done. He never followed such rules: respect, health, etc… Lord Song never became responsible for the young boy, thus he never confessed as well. He never apologized for his mistakes or his brutality. (chapter 71) As a king, he couldn’t bow down to a noble. Observe that the roles of “dominant” and “submissive” are not clearly defined between Yoon Seungho and Baek Na-Kyum. The lord is the dominant sexually speaking, but note the vocabulary: (chapter 72) (chapter 89) If you pay attention to their interaction, the lord acts like the servant. The reason is simple. If you take into consideration the second list of recommendations, you will recognize that the roles are switched. Outside a sex session, the submissive becomes the “king“, and the dominant has to act like his servant. That way, a certain balance is created. But this was never the case between the pedophile and the teenager. The latter was always reduced to a plaything and at the end to an animal. The pedophile never called the protagonist by his name. (Chapter 1) He was just called “my boy“. And that was it. He never created a real bound with the main lead. Therefore trust was totally inexistent. And because the young noble could only fear the man, he came to hate him to the point he could die. The latter made promises which he never kept!! (Chapter 101) How could he vow to “protect or help“ Yoon Seungho, when the latter was tormented constantly and exposed to violence against his will? And this could only escalate to Yoon Seungho‘s attempt to commit suicide. (Chapter 57) What caught my attention is that Kim needed the help from the other servant to keep Yoon Seungho on the bed. This is relevant, because this reveals that Yoon Seungho had reached an age, when the bearded man was no longer strong enough to restrain the main lead. It is very likely that before killing himself, the protagonist had even tried to hurt the ruler. (Chapter 55) I had this idea, for the story is going in circle, meaning that the lord must have done it before, just like he did in season 3. The possible death from the main lead and probably his own pain must have brought the mysterious lord Song back to reality. That‘s the reason why he sent for the physician‘s assistance. He was encouraged to keep his distance from the young man, just like the latter was incited to stay away from the painter in season 1 (sickness, Min), in season 2 (the scholar‘s insult) and in season 3 (the rough sex session in chapter 81-82). Thus I deduce that the pedophile has always kept an eye on Yoon Seungho and his recovery. In my opinion, the man has not forgotten the main lead at all. Why do I think so? It is because he kept the painting… (chapter 82) a souvenir from their time together, just like Min who stole the painting in the study.

Thanks to the painter, the more time passes on, the more Yoon Seungho changed. Not only he returned to his original personality, but he slowly developed the rules how to play BDSM. He discovered the importance of “consent” after the second sex marathon. Striking is that he got reprimanded by his butler after the love session. This explicates why the main lead never requested the painter in his bedchamber, and only visited him during the night, when he was asleep. (chapter 74) Thus I am deducing that Seungho-Ya will become the safe word between the two protagonists. (Chapter 72)

While Yoon Seungho dresses the painter personally, or he cleans him with his own hands, the king imagined that the butler would take care of everything. Thus I come to the deduction that the king will discover the real reason why his relationship with Yoon Seungho was doomed, and why he could never obtain his heart. Kim had also betrayed him, for he had never revealed his knowledge at the right time. He used paltering to escape punishment. However, I would like not to be misunderstood here. Naturally, lord Song is as much responsible as the other abusers. Why? The king only focused on his own pleasure, and never paid attention to the counterpart, he was totally in denial that he was using violence. Deep down, he knew that this was wrong, for the main lead was just a boy, like the “nickname“ was revealing it. He thought, as the ruler, he could overlook social norms. However, here he had definitely crossed the line. So imagine what BDSM means for a teenager. It is indeed a torture. He must have been definitely scared. And the king must have threatened him too not to share his sexual habits to others. I am quite sure that the ruler was not willing to admit his own sexual habits to others, hence he did it in the shed. It is also possible that he didn‘t mind of Yoon Seungho being described as a licentious man. That way, the king‘s behavior wouldn‘t be criticized. But because Yoon Seungho was sent to the shed, and punished there, the “fathers“ misjudged the real “value“ of the main lead. They truly thought that the king only viewed the main lead as an animal. They took the punishments in the shed as face-value reinforcing their disregard for the protagonist.

Thus I come to the conclusion that the shed was the place where the main lead was exposed to BDSM. This explicates why Byeonduck revealed such an image in a tweet. The noble with the mole is trapped in a shed, and the color purple, a symbol for royalty, is dominant. From my point of view, the author revealed everything in this tweet. On the other hand, I would like to point out that here the man doesn’t look scared or rejecting the use of the bondage or the dildo.

This explicates why Yoon Seungho was so rough in the storage room. (Chapter 63) He was reliving his biggest trauma. Yet, he never went overboard in the shed. Note that the moment the painter called his lover “lord Seungho”, there was a switch. (chapter 63) That’s the reason why the lord changed the painter’s position and faced him. (chapter 63) The lord communicated his feelings and thoughts, and he even made a promise. (Chapter 63) This new perception reinforces my impression that there was no rape in the storage room. The painter kept saying “no“, because he was actually scared about his own reactions. Strangely he felt pleasure, thus he kept having climaxes. He was simply in denial. The irony is that the noble attempted himself to be cruel during the night of the revelation (episode 62, 63, 64), but he failed, because the night at the doctor’s house was still fresh in his memory. He couldn‘t forget the tender embrace from the painter. (Chapter 62) This explicates why he stood up during the penetration, he was forcing the artist to hug him, to clinch onto him. He wanted to relive it again.

As you can imagine, the infamous lord Song knew no boundary. He was simply the worst kind of sado-masochiste. First, this was never an act, the submission and as such violence were real. Why? It was because of his social position. He was the king, yet BDSM is a role play. Moreover, I would like to add the Marquis de Sade as the best illustration. The French philosopher from the 18th Century was arrested due to sexual crimes: rape, sodomy, sex with teenagers, abuses (bondage). We don’t know for sure how far he went, yet there’s no ambiguity that the libertine had definitely crossed the line. I doubt that the man knew about the necessity of rules in BDSM as well. Striking is that his „victims“ were prostitutes and people from the lower social class, while he belonged himself to the old nobility. I am suspecting that the man didn’t truly outlive his sexual fantasies with women from the same social status. Thus I came to the following conclusion: the necessity to distinguish fantasy and reality. My faithful readers will certainly recall that the protagonists had to learn to make this distinction. Consequently, I have the impression that the king didn’t make the difference in the beginning. He thought that he was finally able to outlive his sexual fantasies, not comprehending that this was just an illusion, for the “violence“ was real to Yoon Seungho. Under this new approach, we have the explanation why Yoon Seungho never paid attention to the marks left by the ties on his wrists. (Chapter 63) He had internalized the marks left by the bondage. This is no coincidence that the artist‘s wrist was covered by the bandage, the reflection from the torment in his youth. Under this new aspect, the presence of the bed in the shed was like a magical tool, which helped the lord to not turn into his tormentor. He was just a ghost from the past, and the word “lord Seungho“ worked like a magic spell, which stopped Yoon Seungho from becoming as vicious and cruel as lord Song. Moreover Lord Song sounds very similar to lord Seungho. And this new discovery confirms my interpretation that Kim was the helping hand of the king. He had to provide him with the white bands for the bondage, just like he had helped for the young master’s kidnapping in the gibang. (chapter 86) But don‘t get me wrong. The king sent the main lead to the shed, when he wished to punish him. Yes, he repeated the same actions than Yoon Chang-Hyeon. And what is the common denominator between these two circles? The valet…

Besides, he didn’t treat Yoon Seungho like a slave, but like an animal. One might say that it was not his fault, for he was not aware of the physical and emotional torment from the other abusers. However, the moment he “claimed“ Yoon Seungho as his „partner“ or “plaything“, it was his duty to ensure his safety. Besides, if he truly cared for him, he should have showed more interest in the young master. Thus he became responsible for Yoon Seungho’s suffering. Note that so far, no servant was treated like that in the mansion. Even Soongap from Bongchon Bride was treated much better, until he received his terrible punishment. Soongap was never forced to live in the shed. Under this new light, I see it as another evidence that the infamous lord Song could only be the king! He is the only person who has absolute power in Joseon, and as such knows no “real boundaries“. Furthermore, as the ruler, he is expecting no rejection from his subjects. Anyone watching sageuks (historical Korean dramas), is aware that the Joseon king was never an absolute monarch, for he was always controlled by the officials, ministers, the Queen dowager and the Queen. There were also protocols which he was forced to follow. And we have an indication about the king‘s lack of power and wealth. (Chapter 76) Thus I am assuming that the lord Song must have been frustrated about this contradiction. On the one hand, he was supposed to be the most powerful man in Joseon, on the other hand, he had to rely on the aristocracy. Hence I have the impression that the ruler vented his anger and frustration on Yoon Seungho unconsciously. That way, he could outlive his sexual fantasies, where he was powerful. But because of these terrible sexual habits, the young master could never get treated by a physician. Anyone would have recognized the sign of abuse.

But imagine what it meant for Yoon Seungho, a teenager who discovered sex through the most horrible way! He had been traumatized by the penetration between the kisaeng and the fake teacher. Striking is that the perpetrator and the other adults all reduced sex to penetration, like my friend Luzyla pointed out to me. The dildo and the comments from the nobles (chapter 92) (Chapter 101) are a proof that they never discovered the importance of kisses, embraces, caresses and words during sex. They never recognized that they were denying the existence of love, too obsessed with their heritage and their reputation. The manhwalovers will remember my previous observation. The pedophile had never kissed the main lead. The king like all the nobles had disconnected sex from love. Why? It is because sex was a duty… to continue the lineage. And now, you have the explanation why the pedophile and all the others reduced sex to penetration.

Under this new perspective, it becomes comprehensible why Heena got scared in the annex. (Chapter 96) When she heard the noise (PLOP), she was brought back to the past, when she had witnessed a scene of BDSM, though the violence was real. A similar situation to this scene: (chapter 73) The pictures from the erotic publication are the evidence for this theory. After hearing the description from the butler about the events in the shed, the noona Heena believed to know what had happened in the shed. (Chapter 68) She could see the traces on the painter’s body, and conclude that the valet was telling the truth. However, the butler had been misled himself, for his perception was biased by his past experience. (Chapter 64) The butler thought that the “no“ from the painter was truly real, while the latter was just dishonest. It was the result from the “indoctrination“ from Heena and Jung In-Hun. The valet had been deceived in the end. The humiliation and punishment were not real, for the painter did ejaculate, and back then he was not under the influence of the aphrodisiac. (Chapter 64) This was not like in the past, when the brutality was real. And now, you comprehend why Heena‘s resent towards her brother became more visible after witnessing the love session between the noble and Baek Na-Kyum. (Chapter 97) From my point of view, she had already internalized that the painter would never change, he was already too “damaged“ to change. However, since he was close to Yoon Seungho, he could become in danger, for she knew the connection between the ruler and the main lead.

3. The pants

And now, you are probably wondering why I selected such a title, when so far, I didn’t mention the pants. Nevertheless, my faithful readers will certainly recall my previous analysis “Who is wearing the pants?“ , where I had pointed out about the lord’s habit who kept his trousers for the most part of the time. (Chapter 72) He was copying the habit from the pedophile in my eyes. The latter would never remove all his clothes on his own. As the king, he was used to get undressed by his own staff. Only the teenager as the uke was undressed, unless the lord was accompanied by the other nobles, like in this scene. (Chapter 54) And because the ruler was too focused on his own pleasure, he never got to know the young noble. He only realized too late that he had made huge mistakes. (chapter 37) Because he couldn‘t accept his responsibility, he preferred blaming others: Yoon Seungho, Yoon Chang-Hyeon, the real lord Song, the 3 nobles who got tortured, etc. Thus everyone got punished. He had definitely developed feelings for Yoon Seungho, but he would never admit it, for love was not accepted among nobility and even less between 2 men. However, I don‘t think that the man should be romanticized, for he abused a young boy for almost a decade. He has to be judged as a sexual predator, who hunted down Yoon Seungho to get him. (Chapter 72) Yoon Seungho was his prey.

4. Discipline and sadism

After reading my whole explanation, the manhwaworms can comprehend why Yoon Seungho said this to his childhood friend. (Chapter 59) The main lead was supposed to meet his tormentor in a public place. Yet their relationship was based on “humiliation“! The “king“ loved to punish Yoon Seungho through humiliation and violence. This explicates why Yoon Seungho reacted that way. (Chapter 56) (chapter 57) This is what he experienced himself in the past. And observe that the childhood friend’s biggest punishment was actually his public humiliation, when he confessed and got rejected. (Chapter 59) In my eyes, the king sought to obtain Yoon Seungho’s affection, but he never realized this. He definitely confused it with submission. He definitely imagined that once the teenager would become submissive, he would have achieved his goal. But he was doomed to fail. In his mind, as the ruler no one could ever reject him. Besides, as the ruler, he was allowed to use his power and as such his strength to obtain what he desires. Don’t forget that in Joseon, people viewed all the monarchs als representatives of the gods. The latter would support them. However, since his youth Yoon Seungho had a strong opinion and mind. Therefore he had caused trouble to his father, as the latter viewed his critical thinking as a synonym for a lack of respect for traditions and the elders, the so-called illness from his childhood. Besides, I am suspecting that the lord must have had visions as well, which would contradict the father‘s dreams and expectations. (Chapter 57) Yoon Chang-Hyeon looked down on his son’s critical thinking and came to doubt his words. The author left many clues for this interpretation: (chapter 101) Lord Jang got aroused, when he saw the bloodied lips from the painter. Moreover, Black Heart had brought a huge dildo. (Chapter 101) The item was huge, therefore it could only injure the artist’s anus. (Chapter 100) (chapter 101) Even the noble said that this must have hurt. The painter disliked being bitten in the neck. (Chapter 88) Furthermore, the lord said this to the painter in the study: (chapter 85) These were the words from the pedophile. He was repeating his sexual abuser‘s words. And this proves to me again that the lord was abused in the study, but if he rejected the man, he would be sent to the shed where he would receive his punishment. In other words, Yoon Seungho was punished with sex and violence. And now, you have the explanation why he got gangraped in the end. But the readers should keep in their mind that this was no real BDSM, for the brutality was real. The king couldn’t distinguish between reality and illusion. And this coincides with all my previous interpretations.

  • The importance of acting,
  • The protagonists had to learn to distinguish between illusion and reality
  • The constant switching between lord and servant,
  • The differentiation between conscious and unconscious
  • The repetition of trials leading to punishment (an allusion to BDSM)

Naturally, the king is the biggest hypocrite in the end. He raped the boy, and he knew that. But he could always legitimate his actions with the following excuse. The young boy was a sodomite anyway, for he couldn’t do the deed with a kisaeng. He had brought him upon himself, since he had accepted his offer in the first place. He definitely used religion and philosophy (Taoism) to hide his crimes. By maintaining the harmony between the Yin and Yang, he would live healthy and live longer. But exactly like Lee Jihwa, he was attempting to fool himself and the main lead. And because he made no distinction between real and fake submission, neither father Yoon nor Kim felt obliged to view Yoon Seungho as the king’s official wife or concubine. How could they know that the man viewed the main lead more than just a plaything or a dog? This explicates why Kim had such a memory in the end. (Chapter 65) Kim had brought him to the barn, because Yoon Seungho was punished there. This could only be suggested by the butler, as I don’t think that the king would ask for the owner of the mansion for permission. This room was definitely taboo, no one was allowed to approach the study or the shed. Yoon Seungho was exposed to rough sex, and Kim knew this, like mentioned above. But he never witnessed it himself, he only discovered the aftermath. From my point of view, this scene occurred after the lord’s loss of virginity. (Chapter 65) And now, you have the explanation why he got gangraped in the end. I had always sensed that this was a punishment for Yoon Seungho.

I will stop here, for the essay is already very long. But before ending this, I would add two more aspects. I was still unable to comment about this panel, (chapter 94). Notice that violence was used against the painter to mask attraction. The “girly features“ were definitely perceived as something tantalizing. Thus I perceive this incident as a reflection from the BDSM. It was to push the artist away, to incite him to leave the gibang. Heena feared that he might catch the attention of the pedophile, and it is very likely that she was manipulated by the scholar, her idol.

As a conclusion, this new approach gave me new insight about the pedophile‘s personality. Either he will come to the city very soon or he is already in town and this for two reasons. It is related to Yoon Seungho and Black Heart. There’s no ambiguity that the death of Min who was definitely close to him will force him to intervene directly. In the past, I had developed the theory that Black Heart and his friend with the mole were the king’s new companions. In truth, he will use this incident to reenter the main lead‘s life. First, Yoon Seungho was supposed to have committed suicide. He will ask about Yoon Seungho‘s whereabouts and about the incident leading to his disappearance: the rumor about the protagonist‘s crimes (the death of the scholar and the servants)…. And that‘s how he will discover that Baek Na-Kyum is considered as the main lead‘s bride! From my point of view, he knew about the existence of the painter, yet he must have explained his “bride“‘s behavior like this: (chapter 18)

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