Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Red Flags Behind The Flowers and The Painful Mermaid’s Aspiration. This is where you can read the original version The Little Mermaid from Hans Christian Andersen
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Hans Christian Andersen’s The Little Mermaid offers a nuanced exploration of love, conditional relationships, and the struggle for independence. In a previous essay, The Painful Mermaid’s Aspiration, I explored parallels between Andersen’s tale and Jinx, focusing on themes of sacrifice and transformation. However, deeper analysis has revealed additional layers to these parallels, particularly in the dynamics of conditional love, independence, and the pursuit of dreams, which merit further exploration here. The little mermaid’s yearning is expressed poignantly in her dialogue with her grandmother:
“So I shall die,” said the little mermaid, “and as the foam of the sea I shall be driven about never again to hear the music of the waves, or to see the pretty flowers nor the red sun. Is there anything I can do to win an immortal soul?” Quoted from http://hca.gilead.org.il/li_merma.html
This statement reflects the mermaid’s desperation and her willingness to sacrifice everything for her dream. The old woman’s response highlights the impossibility of her aspiration without absolute devotion from the prince:
“No, unless a man were to love you so much that you were more to him than his father or mother; and if all his thoughts and all his love were fixed upon you, and the priest placed his right hand in yours, and he promised to be true to you here and hereafter, then his soul would glide into your body and you would obtain a share in the future happiness of mankind. He would give a soul to you and retain his own as well; but this can never happen.” Quoted from http://hca.gilead.org.il/li_merma.html
The unattainable condition imposed by the old woman underscores the imbalance in the mermaid’s love. The grandmother’s description of the prince’s hypothetical love suggests it would transcend familial bonds, symbolizing a selflessness so profound that he would give a part of himself to his partner. However, this ideal of love contrasts sharply with the mermaid’s sacrifices, as in verity her yearning for the prince is intertwined with her desire for an immortal soul. Her physical attributes, cherished in her own world, are deemed unattractive on land, symbolizing the rejection of her true self. Her conditional love requires her to give up her voice, her identity, and even endure physical pain. This duality—a love that demands selflessness yet is rooted in conditional aspiration—reveals the inherent imbalance in her quest for acceptance and fulfillment. The matriarch’s final remark—“Let us be happy and dart and spring about during the three hundred years that we have to live, which is really quite long enough; after that we can rest ourselves all the better”—urges the mermaid to embrace her current existence rather than chase an impossible dream. However, if she had followed her grandmother’s advice, she wouldn’t have truly lived at all, for she has always been feeling miserable deep inside.
This tension between illusion, aspiration and self-acceptance mirrors the emotional struggles in Jinx, particularly the relationships between Heesung, Potato, and Kim Dan. Moreover, as I delved deeper into the story, I realized that Andersen’s fairy tale carries an even more poignant message: dreams, while often a source of aspiration, can also be illusions that shatter upon collision with harsh realities, like for example the broken promise (“The prince said she should remain with him always“) from the prince who denied the existence of death in their life. This essay builds on these reflections, delving deeper into the overlooked dimensions of dependency and conditional love, revealing how these dynamics shape the characters’ paths toward independence and self-realization. The little mermaid’s yearning, intertwined with her desire for an immortal soul and as such for her own identity, mirrors the characters’ pursuit of validation and dreams, often at the cost of their individuality. Like the mermaid, these characters grapple with the conflict between their dreams and the realities of conditional relationships. While Andersen’s tale portrays the little mermaid’s yearning for the prince and the human world as both a source of aspiration and tragedy, Jinx reinterprets these themes through the lens of modern relationships, showing how dependency and idealization can hinder self-discovery and fulfillment. The parallels extend further, as each character’s journey reveals deeper truths about love, independence, and personal growth.
The Illusion of the Prince: Joo Jaekyung and Potato
In The Little Mermaid, the prince represents the little mermaid’s idealized dream of the human world. However, her love for him is deeply intertwined with her desire for an immortal soul. This duality—a mix of genuine affection and conditional aspiration—renders her relationship with the prince inherently unbalanced.
As the days passed, she loved the prince more fondly, and he loved her as he would love a little child, but it never came into his head to make her his wife; yet, unless he married her, she could not receive an immortal soul; and, on the morning after his marriage with another, she would dissolve into the foam of the sea. Quoted from
Similarly, Joo Jaekyung serves as an illusion in Potato’s life. 
(chapter 23) Potato initially admires the champion, aspiring to be like him 
(chapter 23) and dreaming of recognition as his sparring partner. 
(chapter 23) Joo Jaekyung, much like the prince in Andersen’s story, projects an image that masks the reality of his life. His success, while celebrated, represents years of hard work and immense personal sacrifices. At the gym, Park Namwook undermines these efforts by slapping the athlete 
(chapter 7) and calling him “my boy,” 
(chapter 40) effectively denying Joo Jaekyung the acknowledgment he deserves for his achievements. Potato is misled by this fabricated image (chapter 23), drawn to the champion’s public persona rather than understanding the struggles beneath it. Moreover, Joo Jaekyung can also be viewed as a mixture of both the prince and the mermaid, embodying the illusion of grandeur while simultaneously bearing the silent pain of sacrifice and transformation. This duality deepens the parallels between Andersen’s tale and Jinx, highlighting the complexities of admiration, dependency, and self-realization. To conclude, this admiration is rooted in superficial qualities: Joo Jaekyung’s public persona, his success, and the light he projects to the world. Furthermore, Potato’s physical differences—his smaller frame and lighter weight category—highlight the impossibility of truly becoming like Joo Jaekyung. (chapter 23) This realization mirrors the little mermaid’s struggle to reconcile her nature as a seductress of the sea with her dream of becoming human.
Potato, drawn to this carefully curated public persona, aspires to emulate the champion 
(chapter 23) without understanding the profound struggles beneath his image, failing to perceive Joo Jaekyung’s unhappiness, struggles, and loneliness. Like the image is exposing it, Potato views the athlete as a companion as well whose efforts should serve to keep him company. This dynamic mirrors the little mermaid’s conditional love for the prince, as Potato’s idealization is rooted in his own aspirations rather than genuine understanding. Just as the prince remains oblivious to the mermaid’s sacrifices, Potato overlooks the reality of Joo Jaekyung’s burdens, emphasizing a dependency that hinders true recognition and connection. Once his reputation as a champion is tarnished 
(chapter 52), the amateur starts distancing himself from his former idol. This exposes the fragility of Potato’s dream. Therefore it is not surprising that he starts taking a different path: acting, though I still think, it is temporary. However, behind the glamorous facade of the show business, there exists a dark side as well. 
(chapter 59) Heesung’s fate is similar to the champion’s. Despite his popularity, the actor is deeply unhappy. He feels lonely, for people only know the actor and not the man behind the mask. That’s the reason why he is looking for his soulmate. 
(chapter 33) That’s how I realized why Potato and Heesung are destined to be together. They are both self-centered, dishonest and blind, but more importantly they are chasing after an illusion which is strongly intertwined with immortality. In addition, my avid readers should keep in mind what Potato truly expressed, when Mingwa introduced this “chow chow”. 
(chapter 23). In reality, he wanted to use the athlete as his servant. The closeness 
(chapter 23) he was seeking was self-serving. While the amateur and the actor are searching for the “perfect companion”, the other couple has no expectation from others. They both have no longer any dream or hope. That’s the reason why Kim Dan was putting this vision of Joo Jaekyung behind a veil: 
(chapter 58) He was giving up on his dream expressed in the birthday card, 
(chapter 55) though I believed that he had another bigger wish, but due to his low self-esteem, he didn’t dare to express it: 
(chapter 55) My newest theory is that he wanted Joo Jaekyung to teach him fighting, but not for himself, but in order to help the fighters and in particular to protect the champion’s body: 
(chapter 25) 
(chapter 25) To develop a training where injuries are minimized. In season 2, it is clear that Joo Jaekyung and Kim Dan have reached the bottom. Both feel empty and exhausted. They were crushed by harsh reality, and they had no one by their side to listen to their pain. Therefore it is not astonishing why the doctor could not confide to the actor and the amateur fighter. They arrived too late. 
(chapter 58) Their presence definitely diverted the doctor’s attention, lessening his pain.
Initially, Potato views the champion as an infallible figure, a symbol of success and strength. However, his perception begins to shift as he confronts the realities of the MMA world and his own identity. Potato’s loss of innocence is closely tied to the discovery of secrets. In Episode 25, 
(chapter 25) he learns the true nature of the relationship between Kim Dan and Joo Jaekyung. This revelation forces him to confront his own repressed feelings, as he unconsciously realizes his attraction to the fighter. 
(Chapter 25) Heesung’s involvement further complicates matters, as Potato confesses his love for Joo Jaekyung 
(chapter 35) while simultaneously vowing to sacrifice his feelings for the sake of the couple’s happiness. This act demonstrates Potato’s pure and selfless definition of love, 
(chapter 35) contrasting with the conditional love depicted in Andersen’s tale.
However, Potato’s understanding of love remains naive. He fails to grasp the distinction between love and physical relationships, unaware of the darker realities of one-night stands and transactional connections. (Special episode 1) His discovery of sports gambling 
(chapter 52) and the switched spray the 
(chapter 52) which is strongly intertwined with the departure of disloyal members from Team Black marks another step in his journey toward disillusionment. While Potato initially views this as an isolated incident, it exposes the broader corruption within the MMA world, including the betrayal, greed, and lack of loyalty that undermine its integrity. While he views himself as loyal to doc Dan and Team Black, for he remained at the gym, his heart was not. He is becoming like his hyungs, Park Namwook and Heesung. In Andersen’s tale, the mermaid’s journey to the sea witch represents a pivotal moment of transformation. By sacrificing her voice and enduring physical pain, she gains entry into the human world, but at the cost of her identity. Similarly, Potato’s journey is marked by painful discoveries that force him to confront uncomfortable truths. Through Kim Dan, he will begin to see his own flaws before he is able to recognize them in those he once trusted.
Heesung and Conditional Love
In the fairy tale, the prince represents the mermaid’s idealized dream—a vision of love and immortality. However, the prince’s love is conditional and superficial. While he admires the mermaid’s devotion and affection, he remains blind to her true identity and sacrifices. This dynamic is epitomized in his words:
“Yes, you are dear to me, for you have the best heart, and you are the most devoted to me; you are like a young maiden whom I once saw, but whom I shall never meet again.”
The prince’s affection is rooted in comparison and memory, not in genuine understanding. And that’s exactly how the actor is thinking. He compared his sex partners to his ideal.
Heesung embodies the concept of conditional love in Jinx. (chapter 33) He can only love his soulmate, and the latter has to be perfect. By seeking perfection in his “soulmate”, he doesn’t realize that he is exposing his darkness and inhumanity. How so? It is because imperfection defines humans. He is denying the existence, error is human. Funny is that his fated partner embodies mistake and imperfection! 
(chapter 23) 
(chapter 25) 
(chapter 35) The latter doesn’t mind breaking social norms by yelling or causing a fight at a restaurant. But let’s return to the actor’s confession at a bar. It’s not surprising that Heesung appears indifferent to the affection of those who cared for him. The last partner was described as too clingy. This means that Heesung places himself as the judge. In addition, it was, as if he was a god destined to live forever. He is forgetting his human condition, just like his partner’s. And that’s exactly how the prince in The Little Mermaid views life.
“The prince said she should remain with him always, […] I must see this beautiful princess; my parents desire it; but they will not oblige me to bring her home as my bride. I cannot love her; she is not like the beautiful maiden in the temple, whom you resemble.” Quoted from http://hca.gilead.org.il/li_merma.html
For him, it looks like death or change don’t exist, though he doesn’t realize that his fate got changed through the intervention of the mermaid. Had she not rescued him, he wouldn’t have been able to have a companion and a wife. His perfect happiness is paid by the efforts and sacrifices of others. He is surrounded by beautiful slaves who have no voice and as such no freedom:
Beautiful female slaves, dressed in silk and gold, stepped forward and sang before the prince and his royal parents: […] The slaves next performed some pretty fairy-like dances, to the sound of beautiful music. Then the little mermaid raised her lovely white arms, stood on the tips of her toes, and glided over the floor, and danced as no one yet had been able to dance. […] The prince said she should remain with him always, and she received permission to sleep at his door, on a velvet cushion. Quoted from http://hca.gilead.org.il/li_merma.html
Through this quote, readers can grasp why the prince didn’t see the mermaid as a possible love interest. She was not his equal socially. Therefore it is not surprising that he chose to have an arranged marriage. I would even add that her voicelessness is viewed as a sign of stupidity, because she can not express her opinion. She is forced to follow the prince’s requests. The prince’s failure to recognize the mermaid’s true nature and the depth of her sacrifices underscores the fragility of dreams built on illusions. His promises, though well-meaning, are symbolic of fleeting ideals that crumble under societal and familial pressures. We could say that in the end, he refuses to become responsible for the mermaid.
And this remark brings me back to Heesung and his relationship with Potato: 
(special episode 1) With this request, he implies that he will never become responsible for the amateur fighter. Therefore he can hide his homosexuality behind the young fighter. He used Potato’s mistake to his advantage. 
(special episode 1) By asking Potato to take care of all his needs and desires, Heesung placed himself in a position where he had power and could control Potato. That’s how the young fighter made a dangerous deal with the gumiho. No wonder why his sex role play was a prince interacting with a guard. 
(special episode 2) Hwang Yoon-Gu didn’t realize that by taking responsibility for the actor, he lost his freedom and as such his voice. Is it a coincidence that Mingwa portrayed the young maknae as someone who would raise his voice due to his emotions in the past? (chapter 25) (chapter 35) No, and it becomes obvious that when he is reunited with Kim Dan, 
(chapter 58) his behavior is totally different than with the actor: 
(chapter 58) Tears, touch, raising his voice with Kim Dan, but not with the comedian. With the actor, he looks more calm, distant and mature. Heesung’s selfishness is evident in his treatment of Potato, whom he manipulates into becoming an extension of his own image. Hence he is no longer wearing shorts and tee-shirts. 
(chapter 59) One might say that he is gradually elevating Potato’s status through his suggestions.
(special episode 2) By encouraging Potato to work as an actor and shaping him into a version of himself, Heesung prioritizes his own desires over Potato’s individuality. He is not asking what Potato’s true dream is. But this was his dream originally: (chapter 23) The problem is that in the past, he was too passive, waiting for the right opportunity. 
(chapter 23) Why? It was due to his low self-esteem. 
(chapter 23) He was not confident enough, for he was the only one with such a weight-category.
And why did the prince suggest Potato to become an extra? On the one hand, it was an easy way to make money, on the other hand, Heesung didn’t want to reveal his true thoughts. He desired a companion by his side too. However, giving him the opportunity to be an extra, Potato could get criticized that he got this acting job through connections. And this reminds me of the little mermaid, who received people’s admiration and the prince’s superficial admiration, yet in reality, the latter had no one by her side to talk about her pain. She was never given a name or a status, her position was defined by her relationship with the prince.
Potato’s growing dependency on Heesung reflects the little mermaid’s surrender of her voice and identity for the prince. In both cases, the individual sacrifices their true self for a love that is neither reciprocal nor nurturing. The prince might have developed an affection for the mermaid, but he never recognized her as worthy to be his bride. I believe that this gesture 
(special episode 2) played a huge influence in Potato’s decision to take the offer as an extra. It was, as if one of his dreams had come true. But is this what he truly wanted?
Heesung’s refusal to wait for Potato after leaving Kim Dan 
(chapter 58) underscores his indifference, symbolizing the unbalanced dynamic in their relationship. Like the prince, Heesung offers no genuine commitment, leaving Potato to grapple with the consequences of his dependency. Thus I perceive Potato’s tears 
(chapter 59) as a signal that he is not truly happy. 
(chapter 58) However, this is about to change. Heesung who likes novelty and change is not realizing that his wish is becoming true. The picture with his last work announces the end of his “friendship” with Potato. How so? (chapter 58) The actor chose to become responsible for hiding information from Joo Jaekyung. And he used the mermaid Kim Dan for his decision. He created the impression that he truly cared for the main lead. And how did the prince react to the vanishing of the mermaid? He got caught by surprise and definitely hurt.
“On the ship, in which she had left the prince, there were life and noise; she saw him and his beautiful bride searching for her; sorrowfully they gazed at the pearly foam, as if they knew she had thrown herself into the waves. “ quoted from Quoted from http://hca.gilead.org.il/li_merma.html
He realized too late that his marriage could have consequences with his relationship with the voiceless mermaid. Through her vanishing, she actually revealed her independence and expressed her thoughts. She was not the prince’s eternal companion. She was an independent human being.
Kim Dan: A Mirror to the Little Mermaid
Kim Dan’s experiences parallel the little mermaid’s journey in profound ways. Raised in an environment defined by conditional love, 
(chapter 53) Kim Dan learned to prioritize the needs of others over his own. His grandmother’s reliance on him mirrored the traditions and expectations imposed on the mermaid by her underwater world. Just as the little mermaid longed for the human world’s light and freedom, Kim Dan yearned for an escape from his oppressive circumstances.
The death of a puppy in Jinx adds another symbolic layer to these parallels. 
(chapter 59) Kim Dan once referred to Potato as a puppy 
(chapter 29), drawing a connection between the character’s innocence and loyalty. 
(chapter 59) However, Potato’s departure reveals an underlying superficiality and disloyalty—he merely asks Kim Dan to call him when he visits Seoul, failing to acknowledge the depth of their bond. This reminded me of the prince’s fake promise:
I must travel,” he had said to her; “I must see this beautiful princess; my parents desire it; but they will not oblige me to bring her home as my bride. I cannot love her; she is not like the beautiful maiden in the temple, whom you resemble. If I were forced to choose a bride, I would rather choose you, my dumb foundling, with those expressive eyes.” And then he kissed her rosy mouth, … Quoted from http://hca.gilead.org.il/li_merma.html
He is here actually mimicking Heesung’s behavior who had made a similar offer to the physical therapist: 
(chapter 35) This shows that Heesung has long internalized this pattern: assistance will be only given, if he is called. That’s why he has no true friend in the end. He shows no interest in others. But by doing so, he is putting the whole responsibility on his counterpart. Through the actor and the manager’s behavior, the former errand boy has long adopted this pattern. Hence he didn’t call Kim Dan in the end. He waited for a signal from his part. This behavior mirrors the little mermaid’s sisters, who only realize her absence when it is almost too late to act. Similarly, Potato’s casual farewell highlights a betrayal of Kim Dan’s friendship, further emphasizing Potato’s struggle with emotional awareness. That’s why I mentioned above that Potato is about to discover his true nature: he is also a sinner. This growth parallels the biblical narrative of Adam and Eve, where the acquisition of knowledge leads to the loss of innocence. Heesung, like Eve, introduces Potato to a new world of experiences, including his sexual orientation. However, this newfound knowledge comes with its own burdens, as Potato must reconcile his identity with the harsh realities of the world around him.
This raises the following question: what if Potato blocks Heesung’s phone number after their break up or argument? 
(chapter 5) Heesung could no longer express his needs and desires.
The death of the puppy, occurring shortly after Potato’s departure, symbolizes a loss of innocence and marks his transition into adulthood. Yoon-Gu is slowly becoming a new version of Joo Jaekyung, he hides things from Oh Daehyun and the other hyungs. He is blinded by the smiles and gentle gestures of the gumiho. Naturally, there’s no doubt that Heesung is falling in love with the maknae. The latter has become the perfect lover, but his dream is about to get crashed by reality. 
(chapter 58) Just because one is happy, this doesn’t mean that the other is. For that to happen, communication and honesty are necessary.
(chapter 59) This event underscores the contrasting paths of Joo Jaekyung and Potato. While Joo Jaekyung is forced to give up his principle of “self-reliance,” 
(chapter 59) Potato’s journey is to discover and embrace the principle of “self-reliance” and autonomy. Only when Potato becomes independent in his thoughts and decisions, can he truly help the main couple.
So far, Potato has relied heavily on the guidance and judgment of others: his hyungs, Park Namwook, Yosep, and Heesung. This dependency is evident when contrasting his behavior in episodes 47 
(chapter 47) and 52. Initially, he believed in his hyungs’ description of Joo Jaekyung as a thug, but later he criticized the same fighters for abandoning the athlete 
(chapter 52), accusing them of lacking loyalty and dismissing their claim that they had nothing to learn from him. Yet, in episode 52, Potato does not reproach Park Namwook or Yosep for their passivity and naivety, 
(chapter 52) instead solely blaming Joo Jaekyung for not trusting Kim Dan and causing his departure. This selective criticism reveals that Potato still views the older men as inherently good and fails to recognize his own shortcomings. In this way, he mirrors Park Namwook’s superficial loyalty, further emphasizing his dependence on external validation.
Another significant detail is Potato’s absence during the birthday party, where Park Namwook expressed gratitude toward Kim Dan. 
(chapter 43) This absence highlights how Potato has missed key moments of reflection and acknowledgment, which are essential for his growth. It suggests that Potato is destined to detect the flaws in his hyungs—Park Namwook, Yosep and Heesung’s superficiality, passivity, hypocrisy and selfishness—before he can achieve true independence and contribute meaningfully to the lives of Joo Jaekyung and Kim Dan.
Kim Dan’s attentiveness to Potato’s emotions 
(chapter 23) —taking over his tasks and noticing his unhappiness 
(chapter 25) —demonstrates his capacity for genuine care. This contrasts sharply with Heesung’s selfishness and serves as a reminder of the value of mutual support in relationships. Potato’s potential return to the place where he met Kim Dan could symbolize a rediscovery of authentic connections, marking the beginning of his path toward independence and self-realization.
Independence and Rediscovery of Dreams
The little mermaid’s transformation into a daughter of the air signifies her liberation from heartbreak and physical pain. While she loses the prince, she gains something far more significant: a purpose independent of him. Her ascension represents the realization that true fulfillment comes from within, not from external validation. (chapter 58) Notice that Potato is embarrassed here, a sign that he is not happy. And he has a reason for that. Neither Heesung nor Yoon-Gu are coming out, they are still following social norms which reminds us of the prince’s marriage. Furthermore, when the actor is complimenting on Potato’s acting, the latter doesn’t acknowledge it, because deep down he knows that he got this gig through Heesung and their relationship 
(chapter 58) And like mentioned above, this could become a serious problem for Yoon-Gu. He could be perceived as someone selling himself for a gig. And Heesung is not even realizing the consequences of his intervention and meddling. That’s why it is important for Yoon-Gu to become independent. This lesson resonates with Potato’s journey in Jinx. By recognizing Heesung’s selfishness and breaking free from his influence, Potato has the potential to rediscover his own dreams and individuality. Like Erich Fromm mentioned it, true love is respect, care, knowledge and responsibility. However, Heesung has no idea about the importance of these notions, as everything is evolving around his own needs and dreams.
Besides, if Potato’s dream is still to seek wealth and fame like in the past (chapter 23), he should be aware of the danger in the MMA world, like for example death and bad injuries. Moreover, if we take into consideration that he wanted to be like his role model, it signifies that Yoon-Gu associates fortune and celebrity with happiness which is a real illusion, like Heesung and Joo Jaekyung’s hidden misery and loneliness expose it. But I doubt that the actor ever talked about Yoon-Gu about it.
Finally, Yoon-Gu hasn’t met his former idol yet, so he was not able to see his suffering: 
(chapter 58) That’s how it dawned on me that little by little Yoon-Gu had been losing his senses: 
(chapter 31), his smell, then his ears 
(chapter 52) and finally his eyes: 
(chapter 58) He forgot the danger coming from Heesung’s words, he could not hear the suffering from the champion due to his bias, and finally he couldn’t see Kim Dan’s distress due to his own feelings and prejudices. We could say that because of the influence from others, he was no longer able to see reality. However, like mentioned before, I sense the return of Potato’s senses in the following panel: (chapter 59) His silence and hesitation shows that he detected something was wrong, but he couldn’t determine that this was related to the actor’s cold and distant goodbye.
In my opinion, Kim Dan has always helped Yoon-Gu to mature and voice his own thoughts and desires. If Potato were to return to the place where he met Kim Dan or learn about Kim Dan’s struggles, it could serve as a pivotal moment in his transformation. Reconnecting with Kim Dan, who genuinely cared for him, might inspire Potato to forge a new path. This could parallel the little mermaid’s ultimate realization that her dreams and identity are separate from the prince.
The Role of the Number Six and Maternal Symbolism
Another significant layer in Andersen’s fairy tale is the little mermaid’s identity as the sixth child. The number six, often associated with motherhood and the heart, highlights her nurturing qualities and selflessness. Her distinctiveness among her siblings is reflected in her unique garden, designed in the shape of the sun, symbolizing her longing for light and individuality. Despite these efforts, no one paid attention to her garden, mirroring how her inner world and emotions were overlooked. And this coincides with my observation about the numbers in Jinx. 6 announces the beginning of a new relationship.
This parallels Kim Dan’s experience in Jinx, where his well-being and emotions are ignored by those around him. He, too, acts as a maternal figure, selflessly caring for others while receiving little in return. This maternal role further emphasizes the weight of his sacrifices and his struggle to be seen as an individual.
The death of the puppy 
(chapter 59), coinciding with Potato’s departure, underscores this theme of overlooked emotions and unreciprocated care. As Joo Jaekyung reflects on Kim Dan’s comparison of Potato to a puppy, it may catalyze a pivotal shift, prompting him (chapter 29) to adopt a puppy for the doctor’s sake and bring him to their new home.
Conclusion: Love, Dependency, and the Pursuit of Dreams
The Little Mermaid and Jinx both explore the complexities of love, conditional relationships, and the search for independence. Andersen’s tale warns against losing oneself in the pursuit of another’s love, emphasizing the importance of self-discovery and personal growth. In Jinx, these themes are echoed through the dynamics between Heesung, Potato, and Kim Dan. Joo Jaekyung, as an illusionary prince, represents the dangers of idolization, while Heesung’s selfishness highlights the pitfalls of conditional love. Ultimately, the journeys of these characters underscore the importance of finding one’s own voice, embracing individuality, and pursuing dreams on one’s own terms.
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(chapter 54) and penthouse 
(chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” 
(chapter 56) in a small town on the West Coast 
(chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged 
(chapter 16) 
(chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, 
(chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information 
(chapter 48) and using Shin Okja as a guinea pig for trial treatments 
(chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: 
(chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion
(chapter 57), reflection, and healing, the MFC epitomizes exploitation, indifference and neglect. 
(chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, 
(chapter 57) who no longer appears in the news. 
(chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating 
(chapter 36) 
(chapter 35) 
(chapter 36) his shoulder injury or potential career loss with “death.” At the hospice, he will encounter people who are truly facing the end of their lives 
(chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. 
(chapter 29) This realization will help him distinguish between his life as a fighter and his life as a person, setting the stage for his transformation. It provides a stark contrast to the MFC, which is riddled with manipulation and greed. At the hospice, Joo Jaekyung is likely to encounter individuals whose lives are defined not by competition but by care and connection, like Mingwa implied it with the comment of the nurse: 
(chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony 
(chapter 57), yet her exclusion of Kim Dan reveals her flawed understanding of family, which she associates solely with a location. This behavior aligns her with the symbolism of the black sheep: a disruptive force within the community whose selfishness and inability to nurture genuine familial bonds isolate her. Her neglect of Kim Dan, despite his evident suffering, exposes her as prioritizing her personal comfort over the well-being of her own grandson. The arrival of the wolf—Joo Jaekyung—will challenge her perception, forcing her to confront the flaws in her thinking and her selfishness. His presence, along with interactions with other characters such as Potato and Heesung, who possesses the perceptiveness of a gumiho, will expose her true nature to the community. This confrontation will push her toward an overdue reckoning with her actions and their impact on Kim Dan. I also realized that since this woman is suffering from Peter Pan Syndrome, her true enemy is youth which is embodied by Yoon-Gu. The latter stands for the opposite values: innocence and responsibility. So his ignorance and purity could lead her to experience unpleasant truths, like for example: Potato asks her about the whereabouts of Kim Dan’s parents, a new version of this scene: 
(special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets. 
(chapter 26)
(chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.
(chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: 
(chapter 13)- The act of nurturing Kim Dan is symbolic: it aligns Joo Jaekyung with the wolf, an animal deeply associated with love, family, and protection. Through this connection, he learns to balance his ferocity with tenderness, becoming not just a fighter but a protector.
(chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean 
(chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water 
(chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.
(chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.
(chapter 57) and the yelling patient
(chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself
(chapter 57), she reminded me of the champion’s friend: 
(chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.
(chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life. 
The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.
(chapter 13) This newfound appreciation allows him to form fond memories of the place, associating it with peace and renewal despite the grandmother’s inevitable passing. By metaphorically taking over her place at the hospice, Joo Jaekyung symbolically builds his family there, grounding himself in the values of compassion and community. These lessons ultimately empower him to take over the gym with a renewed perspective, ready to lead with strength and empathy. Finally, I deduce that the main couple will initially navigate between the Light of Hope Hospice and the doctor’s rented room before visiting other places (like the beach and the mountain) The more places they will visit together, the more they will become true to themselves, inciting them to open their mind and heart to each other. Surrounded by nature, all the characters will get purified and discover the true source of happiness.
(chapter 31) 
(chapter 31) They look more like the light pink rose: Innocence and admiration. However, keep in mind that back then, the gumiho was already love bombing the physical therapist with presents, a sign that he was already thinking of dating the main lead. While the bouquet of flowers was not reflecting his intentions, in verity it exposes his true thoughts unconsciously. He was simply impressed and desired to express gentleness, grace, and gratitude. This observation made me realize that the actor couldn’t identify his emotions in the end. In other words, he doesn’t know what LOVE is! That’s his curse. He mistook his feelings for love, while in reality, it was simply LUST. 😉 While the latter is important in a relationship, it only represents the first stage of love. So not overcoming this first stage, means that the relationship is doomed to fail.
(chapter 30) “The angel speaks” outlines that he is creating a false image of the main lead. It was, as if he was living a dream which corresponds to the third characteristic. This is no coincidence that Heesung was seeing a lot of stars, when he looked at the “hamster’s face”. 
(chapter 30) 
(chapter 33), each time he faced someone he felt attracted to. We could say, he was under the spell of his “type”. At the same time, this discovery reinforces my previous interpretation about Kim Dan’s role. The actor needed to experience rejection in order to learn that lust can not always lead to love. We could say that the doctor was the angel who freed Heesung from his terrible lust spell. 
(chapter 35) Since the actor has always confused lust with love, it was necessary for him not to feel “lust” in front of Potato first. In that scene, the man was moved, not by the uke’s touch like with Kim Dan 
(chapter 30), but by Yoon-Gu’s words. 
(chapter 35) The latter was offering him some help without expecting anything in return. Yes, he got attracted by his beautiful mind and heart. Through their conversation, they got to know each other. In other words, for the actor it was necessary to not experience lust, as a first stage of “love”, but to develop an emotional connection first! In addition, it becomes comprehensible why the artist suggested Potato to work as an actor. 
(chapter special 1) By preparing some ramen, he acted as a selfless person, though his thoughts revealed his dark side. Nevertheless, what matters the most are the actions and not the thoughts.
(chapter 41) He bought it during his trip to the States. Interesting is that the young man chose not to bring pink roses to his grandmother. Why has he never brought flowers to his halmeoni? Chapter 31 gives us the answer: 
(chapter 31) The flowers stand for “ephemerality”, for they are destined to wilt in a very short time. Yes, this shows that deep down, Kim Dan knew how his grandmother is trying to escape from reality. He knows her likes for flowers and roses as pattern because of the bed sheets 
(chapter 5)
(chapter 11) or bouquets of flowers for his school career. 
(chapter 47) Hence she generated guilt, indebtedness and obligation in her grandson. Because he was able to travel to the States, he must have felt somehow guilty, as the latter was trapped in her hospital room. Therefore he felt the need to compensate his grandmother with an expensive present.
(chapter 41) The two flowers have the following meanings:
(chapter 19) But this will be the topic for the next Daily Jinx Advent Insight! 😉
(special episode 1) The actor chose to use the black-haired sportsman as “Friends with Benefits”. But what would be Potato’s benefits then? Support and connections, like we could see it in special episode 2: 
(chapter 35) Because he is famous and wealthy, he is expecting a similar reaction from the chow-chow. At some point, he will appear too clingy, hence he will perceive his relationship as burdensome. This is no longer fun.
(special episode 1) With his words, the sportsman implied that he had taken advantage of the actor, while in reality the opposite had happened. Heesung had taken advantage of Potato’s drunkenness 
(special episode 1), ignorance and purity
(special episode 1).The confession of Yoon-Gu’s wrongdoing could only shock the actor. 
(chapter 35) With his behavior, the fox gave the impression that his affection for Kim Dan was running deep. Under the tent, he was drowning his sorrow with soju. Hence in the maknae’s mind, Heesung was still in love with the physical therapist. Yes, the irony is that the chow-chow was also projecting his own thoughts onto the comedian. Let’s not forget that when the young fighter discovered the true nature of the relationship between the doctor and the emperor, he didn’t give up on his admiration and affection for Joo Jaekyung. 
(chapter 35) His description for a partner and as such love doesn’t correspond to the definition of true love: care, respect, knowledge and responsibility (Definition from Erich Fromm, for more read “
(chapter 32) He didn’t try to protect him from the athlete’s fury. He never clearly stated his true desire, he wished to date the doctor, until he was cornered (threatened).
(chapter 45). This means when the MMA amateur fighter decided to become responsible and as such to make up for his mistake, 
(chapter 41) In other words, both second leads are on the same wavelength despite the misunderstanding. Both have the same expectations: Friends With Benefits. Yet, they are not equal in their relationship, as Potato feels indebted towards the actor so that the latter has “Zero regrets”. In other words, he is bound by a debt and a contract. He has to please his partner, he can not refuse to his demands. That’s why Heesung said this 
(special episode 2) He is put in a similar situation than his role model Kim Dan. He can not say no to Heesung. 
(special episode 2) However, he is not entirely powerless, like I mentioned in the first part. He is not forced to admit that he had fun after the intercourse. 
(special episode 2) In other words, he is not obliged to say YES either! It is funny because thanks to this examination, I realized that Yes and No have “become” like taboo words. Yoon-Gu is avoiding these idioms by using the expression “I don’t know”. Hence I am suspecting that Heesung will become obsessed with the word “yes”! 😂 Only Heesung can procure him fun and pleasure, and no one else. He is getting disarmed by the sentence “I don’t know”.
(chapter 23) The reason is simple. This was not patting, but rubbing. Neither Oh Daehyun nor Kim Changmin did it to express gratitude, rather for selfish reasons. They wanted luck on their side. Potato didn’t feel recognized and accepted, rather used as a tool. Hence he was bothered. Under this new light, it becomes comprehensible how Heesung can win Yoon-Gu’s heart in the long run. It is not because of his sexual performances, but thanks to his selfless gratitude and generosity!! We have the perfect example in these two scenes: 
(chapter 26) The main lead had taken a risk for him. He could win his heart by turning his dream into reality. He would be able to spar with the emperor. Then observe how Potato was full of admiration, when the champion decided to organize a charity event for his birthday. 
(special episode 2) He was attempting to hide his growing affection for the comedian. He feared that his feelings for him could become a burden for the comedian. In his eyes, Heesung should remain faithful to the physical therapist. He shouldn’t expect any affection from the actor either. 
(chapter 13) And the moment I read this expression, I couldn’t help myself thinking of a leash as a new sex toy. 
(chapter 34) In this scene, the physical therapist looked like attached to his owner. In the first part of “Passions in Purple: Jealousy and Joy”, I made the following prediction. Heesung would order a sex toy 
(special episode 2) out of annoyance and jealousy
(special episode 2), for Potato had run away from him. He needs to put him on a leash to feel in control, to obtain his chow chow’s attention. Naturally, there is no guarantee that this prediction is correct. Yet since according to my examination, Potato is thinking that Heesung is in love, it signifies that Heesung is already attached to Kim Dan. Hence he won’t do anything to ruin this attachment… therefore Heesung can only be put in front of a dilemma. How can he make Potato look at him? He could reveal the truth to Yoon-Gu, but by doing so, he would ruin his image as a good and caring guy. Moreover, since he has lived for a long time deceiving himself and others, it is very unlikely that the actor might change his behavior so suddenly. Old habits are hard to die. Therefore for me, honesty won’t be his initial choice, rather acting. He will express his thoughts and emotions behind a new role-play and sex.
(episode 43) Yoon-Gu must have gone to the set, like promised! 
(chapter 43) He would have perceived this statement differently from the others, as he knew about the true nature of their relationship. On the other hand, his absence was necessary. Why? It is because the young fighter needed to learn to distinguish between himself and his idol. Yes, in my opinion, Yoon-Gu’s motivation to bring back Kim Dan to Team Black won’t be just for the athlete’s sake! It will be Potato’s own desire to bring him back. He is missing the physical therapist. Through the last incident, Potato must have realized how much Kim Dan meant to him. His departure left him so heartbroken. 
(chapter 52). In the past, Heesung saw Joo Jaekyung as a rival, hence he made sure that Potato didn’t participate in the champion’s surprise party. So I believe that he was not upset about Joo Jaekyung’s downfall. In fact, he could have envisioned that this could help him to gain Potato’s attention. However, what he didn’t realize is that since feelings and affection can change, this could also happen towards other persons: the physical therapist. Potato’s attachment towards the doctor deepened, as time passed on, especially since they spent some time together in the States. Therefore I conclude that the departure of the doctor will not only affect the relationship between Potato and the comedian, but also force them to follow the main couple to the West coast. Mingwa left many clues for this prediction. Where?
(chapter 35) 
(chapter 53). In this scene, the halmoni was shown as a young child, just before she left this region. Her departure announces the future loss of her innocence. This explicates why she desires to return to her roots. It was, as though she was trying to escape her fate. Moreover, by reconnecting to her childhood, she is actually denying the existence of her grandchild. It was, as if she was trying to erase the time between her departure and return. On the other hand, this scene announces her imminent death as well… it was, as if she wanted to be swallowed by nature (sea, sun). And death is strongly connected to birth. No one can die, if they were not “born” before. Hence I am suspecting that the birth of a new star, the Bantam Fighter Yoon-Gu, is associated with the halmoni’s vanishing. Finally, any reader can notice the two main colors in this image: yellow and red!! And you know that Potato’s colors are yellow and red. From my point of view, Potato is destined to go to the West Coast and naturally Heesung will follow him there. He has to because of the saying “Out Of Sight, Out Of Mind”. Let’s not forget that Heesung treated Kim Dan that way. As soon as he stopped seeing the doctor, he stopped thinking about him. He could fear to lose his soulmate, as the latter forgets him. The gumiho’s fate is to be the “clingy one”.
There, I included two gemstones, the Bloodstone and the Aquamarine! Choi Heesung, born on 21st March, is represented by these birthstones! In this composition 
(chapter 30) And what was he wearing in the poster? A blue pale suit which is close to Aquamarine and even to light purple ! The color is no coincidence. I have the impression that thanks to the weak woman, Heesung will become a part of the “new family”. If you look at the sunset again, you will detect glimpses of purple in the sky. As for the second image which came to my mind is this: the actor swimming in the ocean. When the bloodstone is put in water, it changes the color of the sun: red for love. Yes, we should expect a new version of this scene: 
(chapter 28) which I had interpreted as a baptism, a purification. If the actor bathes in the Yellow Sea, he will be purified and as such his true self will come to the surface. That’s how he will recognize his love for Potato, but also his friendship for the doctor. So far, the man has no real friend, but he has been longing for one. At the same time, the metaphor (the sun turning red) could be a reference to the interaction between the actor and the emperor, the former helps the latter to recognize his true feelings for the physical therapist. As a conclusion, we should expect to see Heesung under the sunset and next to the ocean or water. There, he should ponder and have a realization.
(chapter 30) After getting enlightened, he would know what he truly desires. He would have no interest to get on the champion’s nerves. Potato would be the one bringing him happiness and novelty. Athletes and those seeking to enhance physical endurance often turn to bloodstone for its reputed ability to increase stamina and energy. This signifies that thanks to Heesung’s presence, the champion’s training won’t appear as a torture. Yes, expect a new version of this scene: 
(chapter 37) Here each fighter was on his own, they were not really training together. The champion was the leader due to his imminent match, he put the others under pressure, as he was himself stressed. But with his suspension, he is no longer racing against time. In other words, the training routine should be different. They will help each other, encouraging each other to become better. The presence of Heesung should help them to see the training under a different light. But for that, he has to reconnect to his true nature: bloodstone and aquamarine.
(chapter 37) or the switch of medicine. Unfortunately, the gumiho was not present both times, hence Kim Dan and Joo Jaekyung became the targets of revenge. On the other hand, the author stated that in season 2, the focus would be more on emotions, which means that there shouldn’t be many plot. Nevertheless, my avid readers should keep in mind my previous interpretation about the “beautiful” Kim Miseon 
(chapter 21) I had criticized her on many occasions, like disculssing a case in a hallway. Before, she had proposed an expensive treatment, well aware of the grandmother’s age and her weak condition. Moreover, I had suspected her to have leaked information to the director Choi Gilseok. Thus I hope that season 2 will expose her misdeeds and the corruption of the medical world. This was already present in episode 1. But let’s return our attention to the gemstone and its symbolism. In medieval Europe, the stone was deeply linked to the crucifixion of Jesus Christ, believed to have formed when drops of His blood fell to the earth. As you can see, the gumiho is strongly connected to selflessness, sacrifice, death and rebirth. This reinforces my expectation that his encounter with the grandmother will have a huge impact in his life, like for example the “neglect and indifference from his parents”. Exactly like the other main characters, he has abandonment issues. Bloodstone is commonly associated with the root chakra, which governs grounding, stability, and physical well-being.
(chapter 34) Here, he forced the champion to claim the doctor as his possession. However, in season 1, the main lead came to regret his actions (34, 43), for he has never been honest to himself. And now, it is time to focus on the second gemstone. 
Green and jade! Yes, we should expect his return in season 2. The way he treated the star shows that he viewed the main lead more as a friend than as a patient or client. 
(chapter 31) They were green. He is attracted to “green”, his origin self. Nevertheless, in episode 31, this was rather a khaki version due to his corruption. No wonder why he played a trick on the champion. And this observation brings me back to the doctor’s clothes. What was he wearing, when he was young? 
(chapter 19) A green t-shirt!! No wonder why Heesung felt a connection towards Kim Dan. They have something in common. Moreover, the doctor is a “duck”, so Heesung’s role is to help the doctor to recognize and accept his true self. Hence, the former helped him, when he confessed this to Kim Dan: 
(chapter 35) At the same time, it explains why Heesung changed for the better thanks to the physical therapist. Thus I assume that Heesung is destined to become an aquamarine, bringing all these characters closer to each other: Potato, Cheolmin, Kim Dan, Joo Jaekyung. However, contrary to the past, he won’t use his money to help people to become happier. His smile and happiness should affect the others: 
(special episode 1) Since the elderly woman confided to Joo Jaekyung, we can assume that she could do the same with the gumiho, as soon as she sees her idol. It is important, because he could grasp the physical therapist’s suffering and low self-esteem. 
(chapter 48), but the actor would be replacing the fake director. We had a sunset here, dark water (the coffee), the symbol for corruption. Then notice that he is wearing a blue t-shirt (but two colors, a symbol of his hypocrisy)!! This reinforces my expectation that we should witness the actor’s awakening, the exact opposite of the other Choi, who chose revenge and manipulations. But there is more to it. Thanks to the comment of @Milliformemes24, I had another revelation. The latter wrote that places of knowledge and self-awareness are related not only to the ocean, but also to the mountains. It is normal, as the hill is closer to the sky and as such closer to the gods. Notice that Heesung’s new home is situated on the top of a hill, surrounded by a forest. 
In other words, Heesung could get enlightened on a mountain too, during a stroll for example. And the moment I read this from my friend, this image came to my mind: 
(chapter 41) The huge tree at the hospital!! The latter is even strongly connected to a stroll. In that scene, the doctor thought of his lover, as he associated him with the sun. 
(chapter 41) That’s the moment when he realized his feelings for the fighter. As you can see, Mingwa used the tree and as such nature as a source to spirituality. And now let me ask you this question. Since the story is written with reflections, the tree should have appeared before and after. Where was it then? First, the first plant to appear was the bouquet. The roses from Heesung 
(chapter 37) However, the first time, the tree appeared as such was in the States, and this on two occasions: 
(chapter 47) Kim Dan imagined going on a trip with his grandmother, totally delusional, as he was in denial about his grandmother’s deteriorating health conditions. However, the vision shows the desire to become closer to his relative, to become more proactive as well. His words (“She’s been so busy raising me, she’s never had a day’s rest”) imply the presence of reflection. It indicates his gradual transformation and maturity. But this doesn’t end here. The tree was also present in the special episode 2: 
(special episode 2) Yes, the barn!! The tree had been transformed into a home. However, don’t forget that this was just a fantasy from Heesung. However, during this intercourse, he came to expose his jealousy and growing attachment towards his soulmate. Yes, the last two mentioned scenes have two common denominators: a mixture of fantasy and Enlightenment. Nature is strongly intertwined with meditation and communication. To conclude, we should expect the presence of woods and trees in season 2 as well. And this hypothesis got reinforced, when Mingwa released this image on X: 
We have a sunset, a palm tree and purple in the sky… Joo Jaekyung is wearing a similar shirt than Heesung: 
(chapter 34) I consider this as an allusion that the actor will be by the fighter’s side. On the other hand, since the shirt is open, I interpret as the star’s emancipation. The latter has been able to escape from his mental prison and suffering. In his cage, he was racing against time. Now, he is able to relax and enjoy time. At the same time, since the champion in the image from X is seen wearing rings with stones, it somehow confirmed my interpretation about the role of birthstones in Jinx. 
as a new version of the image from season 1. The fighter’s hand is a mirror of the tree. He is giving support and protection. Hence I am assuming that the champion will be also reminded of Kim Dan in a particular place. 
(special episode 2). This pigment is a combination of blue and red/pink. And now pay attention to the last panel. Potato is blushing while wearing dark-green clothes, his lover is standing in front of the blue sky and his skin is rather pale. His hanbok has purple and white shades. As you can see, this wonderful night represents their union: white meets black, blue meets red and yellow (hence purple and green). The light from outside contrasts to the darkness of the shelter. That’s how purple came to shine. On the other hand, since Heesung is acting as the master, and the maknae is relegated to the role of a male servant, the actor is exposing his inner darkness. He is longing for dominance and possession. 
(special episode 2) To conclude, Heesung is gradually showing his true colors: the hidden black spot behind his perfect white skin. However, dark shouldn’t be reduced to evil, for in Taoism, black has another signification. It represents yin, the feminine energy. This means that thanks to that night, Heesung could display his motherly and caring side. Therefore he kissed, hugged Yoon-Gu and stroke his cheek. But this doesn’t end here. After the intercourse, he caressed his lover’s head. 
(special episode 2). One might argue that in the last picture, he was not entirely honest, for his eyes were closed. Besides, he was just paying him a compliment. Nevertheless, this gesture is still exposing that the actor is opening up his mind and heart to the chow-chow. He is no longer indifferent like in the past! This stands in opposition to his gifts to the members from Team Black and Kim Dan. 
(chapter 31) The latter reflected his superficiality and detachment. How so? It is because he had bought them. Moreover, his manager was tasked to carry the presents. 
(chapter 31) It was, as if the manager was cursing him and his gifts. As you can see, there was no direct contact between him and the beneficiaries of his generosity. Money was between them in the end: Heesung, the manager and the members from Team Black. This could only corrupt their relationship. However, the pat on the head between the two second leads symbolizes genuineness and real gratitude. 
(special episode 2) The young fighter and his lover are slowly discovering the existence of a double life (public/professional versus private life). This signifies that Potato is learning to distinguish between image (hero) and reality. In fact, he only knows the MMA fighter Joo Jaekyung and not the private man with his troubled past. As for the actor, with his blog 
(chapter 30), pictures and sponsoring 
(chapter 31) he never drew a line between his private and professional life either. He acted, as though he had no secret. That’s the reason why his manager knew about his tragic love life. This explicates as well why he used the “deal” with Park Namwook to go on a date with Kim Dan. 
(chapter 32) The gumiho never felt the need to hide his sexual orientation, it was never a taboo. It indicates that he felt safe among his colleagues and agency. Therefore the manager could talk so freely about his love life in front of others. 
(chapter 30) There was no secrecy and privacy. Manhwaphiles should keep in their mind that homosexuality in MMA world and boxing is a huge taboo. So if Potato’s homosexuality were to be exposed to the netizens, this could ruin his career. This is also valid for Joo Jaekyung. Other fighters could question their manhood. And this brings me back to that night. Purple is strongly connected to yin and as such to the moon, like you can detect in the illustrations below.
(chapter 20) the main pigments were yellow, rosa, red and orange, whereas on the bed, the roles and topics were switched. Kim Dan’s feminine side was the dominant one. His motherly and caring instincts were so strong that he had no problem to challenge his sex partner. 
(chapter 21) Here, black and purple were the dominant pigments, similar to the sex scene from the special episode. The moon stands for softness, quietness, but also mystery and receptiveness. And during the night of episode 21, the doctor taught to Joo Jaekyung the importance of family. Besides, the athlete discovered a secret from the physical therapist. Though the former was pushed away, he didn’t react violently. Joo Jaekyung remained passive. This was the influence of Kim Dan’s yin. 
(chapter 21) And the next morning, the emperor chose to show his motherly and caring side to Kim Dan and the halmeoni. 
(chapter 21)
(special episode 2) Potato is literally glowing, while the other is just wearing a purple hanbok (disguise). One might wonder why. The answer is simple. Potato stands for innocence, reflection and ignorance. Contrary to his new role model (Kim Dan), he has no real prejudices against sex. He doesn’t view it as dirty. This explicates why Potato is always surprised by his own pleasure and always claims his ignorance. 
(special episode 1) 
(special episode 2) That’s why the actor was glowing like a star after their passionate role-play. The presence of “stars” indicates his excitement and joy. His heart is racing, hence he is full of joy and feels rejuvenated. Moreover, the Webtoonist already implied the link between Potato and purple in the following scenes: 
(chapter 23) Don’t forget that his family name is Hwang which means yellow in Chinese. That’s the reason why I don’t think, the purple towel is random. One might argue that the towel belongs to the gym, and they got changed later: 
(chapter 36) Park Namwook selected black towels, a sign that he was taking over the gym. But the purple towel announces the moment, where the doctor and Potato gets closer to each other. 
(chapter 23) For the first time, the young fighter showed a certain curiosity towards the physical therapist: the beginning of “Enlightenment” and friendship. Under this new light, Manhwaworms can grasp why Heesung was under Potato’s spell during this intercourse. 
(special episode 2) But we have another evidence that Heesung has always been looking for a “purple” person. It is because he picked up a purple suit for Kim Dan.
(chapter 32) This means that this night stands under the sign of Yoon-Gu! The latter came to shine to the point that he affected his lover… that’s how the actor blushed more and more. 
(special episode 2) This observation brings me to my next interpretation.
Dark red… full of passion. The actor could expose his possessiveness and jealousy, though he masked it behind a role-play. 
(special episode 2) 
(special episode 2) With that, I am implying that the actor imagined a scene from a historical drama (Joseon, hierarchical society and the shed). It was interesting, because for the first time, the author allowed us to penetrate Heesung’s mysterious inner world. It shows his “creativity”, inspired by his last shooting 
(special episode 2) and his own desires. As you can see, the sex session is a mixture of dream and reality which is reflected in the color purple.
(special episode 2) He is blushing, he is enjoying this moment with his partner. He has the impression that his dream has come true. In his mind, he was breaking rules. A prince has sex not only with a man, but with a guard, a commoner. Secondly, they were having sex in the shed, hence they could get caught. He felt like he was playing with fire. This shows that the man enjoys thrilling situations. This explains his blushing in this scene: 
(chapter 34) He was not shocked or disgusted, when he saw Kim Dan having sex with the champion 
(chapter 33) Under this new light, his visit in the sauna appears like an intrusion. 
(chapter 34) He knew about the emperor’s schedule, a sign that he was somehow “monitoring” the main lead’s moves. Here, I feel the need to include this video exposing Heesung’s dark side.
(chapter 35) 
(special episode 1). Then he still chose to have sex with Potato, though he knew that the young sportsman was drunk. 
(special episode 1) There’s a huge gap, he appears as a “seductive” wolf like in the fairy tale “The Little Red Riding Hood” That’s how it dawned on me why Heesung will have problems in his relationship with Potato. It is related to his dishonesty and mistrust which he projects onto others. This explicates why he doubted about Yoon-Gu’s virginity. 
(special episode 1) And what is the synonym for “truth”? Reality and Real World!! And now, you understand why Heesung created a historical drama in his mind for the sex session. It was his way to avoid truth and honesty. He used the role play to expose his jealousy 
(chapter 44) After this wonderful moment, Kim Dan came back down to earth. His present got rejected, he was just viewed as a physical therapist and nothing more. 
(chapter 45) We also have a refusal in the special episode. Potato initially rejected the offer from his sex partner: 
(chapter 34) He was also running away after getting threatened and rejected. In other words, Potato didn’t realize that with his behavior, he had triggered Heesung’s jealousy, insecurity and anger. That’s why he has this cold gaze. 
(chapter 7) who was full of jealousy here! Thus I conclude that this special night ended on a bad note, though Potato had no idea. The fox is no longer amused. Because Heesung is not happy deep down, he is planning something!! 
(chapter 33) Observe the parallels: 
(chapter 33) 
(special episode 2) Yes, we need to question ourselves what triggered Heesung’s fantasy for the role-play. 
(special episode 2) IT is not just because of the costumes. My hypothesis is that the guards are working as an item, you can observe this in the following two panels: 
(special episode 2) This scene triggered his envy and jealousy. He wanted to have someone by his side whom he could talk to. , 
8special episode 2), Here, he thanked everyone, yet he was standing in the middle of the scene, far away from everyone. In reality, his “gratitude” was superficial, for his thank was addressed to no one in particular. Just empty words. Under this new light, Manhwalovers can understand why he made such a suggestion after the intercourse: 
The green color corresponds to sunset or sunrise which makes me think of a moment of transition. This corresponds to the notion of change and as such growth. Moreover, it stands for balance between yin and yang, like quoted above. The shade implies an equity between female and male energy. And now, you comprehend why Mingwa used green light in the car scene: 
(chapter 33) On the one hand, it was an allusion to the emperor’s hidden jealousy. The latter had masked it as a challenge and game: 
But the shade is implying that the fighter was slowly calming down. He accepts the doctor’s embrace, he even grabs his phallus in order to give pleasure to his partner.
(chapter 33) In the end, he did show a caring side to the doctor. 
(chapter 33) He knew that his lover was sensitive to his touch. He desired to give pleasure to his companion. Yes, I see some parallels between the sex scene in the car and the one in the shed: public place, the connection between work and love life, the miscommunication, the importance to satisfy his partner sexually, a challenge, the grabbing of the phallus: 
(special episode 2), the jealousy, the possessiveness… making sure that the companion is not looking elsewhere… but more importantly, both seme are and were unaware of their growing affection towards their “fuck buddy”. Yet, there exists a huge difference between these two sex sessions: THE KISS! 
(chapter 33) The points of suspension from Joo Jaekyung are exposing his “ignorance”. He doesn’t know what to do, when he sees Kim Dan like this. 
(chapter 33) The emperor has now regained control of his emotions, but he couldn’t interpret his emotions correctly (jealousy, longing for love, insecurities). Moreover, we shouldn’t forget that he has not associated the kiss to love yet. In the locker room, he kissed the “hamster” in order to protect him. He had been simply following his friend’s advice. Then in the swimming pool, he felt attracted towards him. 
(chapter 27) He had acted instinctively… but in the car, his emotions were clouding his judgement. The ejaculations brought him back to reality. He had somehow achieved his goal. He had no idea what to do after the intercourse. That’s why I believe that in this panel
(chapter 33) He had admitted his defeat. However, this sex scene had the opposite effect on the champion. It didn’t bring him any Enlightenment, he was still clueless and worried, because he felt, he was losing control of his life. 
(chapter 34) As a conclusion, he came to “deny” this reality. He rejected his own emotions, until he was challenged once again in the sauna.
(special episode 2) This means that this sex session took place during the new moon. Hence we have the color purple… This corresponds to the actor’s transformation. He is revived… he has finally found his soulmate, but he is not aware of it yet. And now, pay attention to this scene: We have the color blue, 
(chapter 53) 
(chapter 53) There is no moon, only the artificial lights from the city. Hence I deduce that the couple is now entering in a new phases, there is a new moon soon. The absence of the moon corresponds to the doctor’s departure. Don’t forget that these panels took place on two different days. One thing is sure. The dominance of the blue symbolizes the dominance of Kim Dan in Joo Jaekyung’s life, but also the loss for the two characters. There is no warmth… yet calmness and softness. Joo Jaekyung is not throwing a tantrum. He is not breaking any sandbag or throwing away the letter. It shows the calming influence of Kim Dan over the champion. With his departure, he is pushing the athlete to face his own emotions and to analyze them. And now pay attention to the last panel from season 1: there are glimpses of purple: 
(chapter 53) It announces the start of Joo Jaekyung’s Enlightenment. He is on his way to recognize the source of his joy and happiness: Kim Dan as his companion. This signifies that Potato’s vision should come true in the end: 
(chapter 53) Red and yellow are strongly connected to Yang. The latter is conceived of as heaven, maleness, light, activity, and penetration..And now, you comprehend why I am expecting an Enlightenement from the athlete on the beach. Hence I am expecting that the champion will come to recognize the doctor’s true character there: he is strong, brave, manly and so selfless. He is not a baby like in the bathroom. Yes, I am expecting a new version of this scene 
(chapter 53), where both roles are switched. And now, it is your turn to reread the first season and interpret the sex scenes under the yin and yang aspects, like in this scene: : 
(chapter 39)
you will notice a third shade: orange which is represented by the Chow-chow and the comedian’s robe. Since the latter plays a minor role in the last chapter, it is normal to examine this pigment first. Moreover, its explanation is even necessary to grasp the significance of the other colors: pink and black.
(Special episode) Then he cooked a spicy ramen for the young fighter. 
(Special episode) This color contrasts so much to the pigments from the artist’s flat: black and white. 
(chapter 35), but it is just a deception. In fact, there were traces of this pigment, when Choi Heesung was introduced for the first time. 
(chapter 29) Yes, we should perceive beige as a washed-out orange. So what does it mean? First, the cursed Romeo was not true to himself. Let’s not forget that in my eyes, Choi Heesung is a fox, and the fur of this animal is orange which is similar to the chow chow’s pigment. This means that both second leads would have a color in common: orange. Moreover, from my perspective, the comedian is a nine-tailed fox, a gumiho. In case, you didn’t read the analysis “
(chapter 30), before becoming beige. 
(chapter 31) This observation helped me to recognize that the more Heesung appeared, the more colorful his clothes became. So this discovery exposes that 
(chapter 31) and finally camel 
(chapter 35) Here, I added a screenshot of 57 different types of beige. 
(chapter 29) From my point of view, he doesn’t desire to stand out, to make a statement. Therefore it is not astonishing why he hides behind sunglasses, a hat and a mask. 
(chapter 30) The social medias serve as a way to control his image and keep people at arms’ length, exactly like his frenemy Joo Jaekyung. 
(special chapter) Therefore he is sleeping while hugging a beige and pastel pink pillow. This exposes his need for warmth and support. On the other hand, he is not realizing that he is his own enemy, for the pillow represents a hindrance. He is not allowing people to get closer to him. It looks like he fears embraces in the end. 
(chapter 31) 
(chapter 31) While he was wearing a peach jacket, his manager had put a vivid green with dark black pants. Shortly after, the comedian was seen with this beige/khaki shirt and grey shorts. 
(chapter 31) Interesting is that his hair shade reflects my previous remarks perfectly. He chose pink which indicates his desire to break social norms, on the other hand, his pink is so faded that it almost looks like beige. He wishes to be “neutral” and somehow “conformist”. Yes, his pink hair mirrors his inner conflict: trying to break free from social norms, yet not standing out too much. The antonym for neutrality is “commitment”, an indication why he was not capable of being committed in a relationship in the end. 
(chapter 30) episode 30 and 31
(chapter 35) This shows how important it was for him to have a lover. He fears of being abandoned and being alone. Therefore he asked this from his new lover: 
(chapter 32) It is not his “problem”. Hence he was totally absent, when the scandal with Joo Jaekyung broke out. His AWOL corresponds to his passivity and even indifference. However, there is no doubt that this incident will affect his relationship with Potato greatly. 
(special episode) Thus I sense that Potato will force the actor to drop all his past believes: passivity, indifference, irresponsibility and as such betrayal. We could witness this in the special episode partially. 
(chapter 5) This is just another trick from goddess Mingwa to push him to become more responsible for his new relationship. My idea is that in order to discover that Potato is his soulmate, Heesung needs to help Potato and as such the main couple to be together. Only when the doctor and the champion are an item, he will have his partner.
(special episode) with the one from episode 39
(chapter 39), as the shades are very similar. Heesung was as rough and selfish as the fighter. Notice that this whole sex session was focused on the actor’s needs and desires, 
(special episode) exactly like with the champion. He needed “comfort”, as he was in a depressed mood. 
(special episode) The champion has a similar habit: 
(chapter 36) Besides, note that Yoon-Gu’s buttocks are red, a sign that the comedian focused on them!! The irony is that Potato felt pleasure right away, hence he had more climaxes than Heesung. 
(special episode) This panel is interesting, because it shows that Potato was not focusing on Heesung at all. It was all about himself and his own pleasure. He was not recognizing that he was actually mirroring the actor’s thoughts and desires. Yes, from my perspective, the young man was in truth treating the actor as his sex toy or fuck buddy. There was no string attached, this explains why Heesung had to ask this to Yoon-Gu: 
(chapter 29: black and white movie!!) and fairy tale: the end shows their blissed union and they lived happily ever after. This explicates why the comedian compared Kim Dan to an angel… 
(chapter 33). He can also hear rumors there. Moreover, for me, the actor stands for power, control and as such knowledge… hence he was able to pull tricks on the star on multiple occasions. He is able to make the athlete angry, he can arrange a meeting without Joo Jaekyung’s consent
(chapter 32.). Interesting is that these values (influence, dominion, competence and insight) are associated with the shade black!
(chapter 31) Officially, he had wounded the actor, therefore his physical therapist had to take care of his treatment. Besides, I believe that MFC desired to corner the champion in order to force him to give up on his new lover. He was no longer hiring a prostitute. As you can see, black is an ambiguous color: it can symbolize knowledge as well ignorance. Thus this shade represents mystery. Thus it is no coincidence that the past and family of Joo Jaekyung, who is also associated with black, remain a riddle
(chapter 31) While Joo Jaekyung condemned him for his deception and constant switching of partners
(chapter 33), his manager accepts him despite his messy love life and flaws. 
(special chapter) Potato is a sex toy, just like the doctor was a tool against the champion’s jinx. Secondly, the artist discovered a whole new world thanks to Potato’s purity and ignorance 
, we have to envision that his role during the night was to absorb the actor’s negative energy.
(chapter 35) reminded me of Kim Dan who used to drink in order to numb his pain. By meeting the black and yellow Chow-Chow, the fox was able to see light in his sorrow. Potato could absorb his negative thoughts and even enlighten his night. Therefore it is not surprising that Heesung made such a statement: 
(chapter 33) First, the VIP club is painted with dark colors. Secondly, the athlete was wearing a dark brown jacket with a black pullover. For me, Choi Heesung’s true personality comes to light in the dark!! We could say that he shines in a black room. Surrounded by darkness, he feels more protected. Thus at the club, he revealed his immorality and hypocrisy… He didn’t stand out. The more white the room is, the less the actor is honest! His preference for neutral colors expresses his need for “conformity and passivity”. They are an evidence for his hypocrisy and acting. Under this perspective, Manhwaworms can grasp why the mysterious man has a hidden dark room! 
[I am assuming that Mingwa didn’t change the flat] Only there, he exposes his true nature: BDSM. In my eyes, there he can voice all his desires and thoughts. His true self can come to the surface. I saw another evidence for this hypothesis (BDSM) in this expression: “kick him to the curb” 
(chapter 52) This means, he is already one step closer to the MMA arena. With the last incident, the young fighter must have caught the attention of opponents. He created himself “enemies”. Therefore he could become the next target for a plot as a revenge. In other words, with such a companion, Heesung is confronted with reality. His destined partner can be wounded and even die. Thus he has to ensure his safety. He can no longer be indifferent and passive. As you can see, Heesung will be put in a similar position than the physical therapist: 
(chapter 40) And this observation leads me to my second part, the explanation for the title: La Vie En Rose.
(chapter 36) That’s what the athlete experienced at the end of season 1. I could describe the fans’ devotion and appreciation as idolization and veneration which can have terrible consequences.
(special episode) 
(chapter 48) As you can see, the main lead announced a turning point in the gumiho’s life. Exactly like his frenemy, he was taught that money and fame can not buy affection. Moreover, for the first time, the young man learned the existence of boundary and respect.
(special episode) 
(chapter 35) 
(special chapter) He is constantly caught by surprise! 
(special chapter) He sees Yoon-Gu as fun! Simply because he is allowing himself to express his emotions. He is never hiding his thoughts and emotions, the exact opposite of Heesung. He is so transparent, on the other hand, totally unpredictable. Yes, in the end, Yoon-Gu represents a huge riddle for Heesung. What caught my attention is how Yoon-Gu didn’t mind to yell his affection and admiration in front of people. He doesn’t mind people’s judgement and gaze. He is strong enough to bear this kind of attention… the exact opposite of the actor. He is not afraid of committing, making a different statement, he can diverge from majority. Hence he left the restaurant in front of others. 
(chapter 52) He can make his own judgement and choice. To conclude, though Yoon-Gu is the younger one, he has so much to teach his fated partner who chose conformity and ended up bored and half-dead!
(chapter 31) We could say, their meeting was like a big bang, an explosion! Caught by surprise and annoyed by such an incident, the actor couldn’t help himself voicing his thoughts about Potato: 
(chapter 31) For a short moment, he dropped his mask and expose his true personality. And for the first time, he received such a gaze: 
(special episode) That’s how both ended up creating unforgettable moments. Under this perspective, my attentive and patient readers can grasp why I created such an illustration for this essay: 
(chapter 53), for the grandmother’s death is imminent. 
and secondly thanks to the intervention of the cat. Coincidence is a proof that they have no control over their life and love life. It was, as if the invisible hand of gods had decided to have them met. Yet, determinism doesn’t use the idea of gods or of an exterior force leading the characters to encounter each other. If you pay attention to the way they meet, you’ll realize that their decisions, influenced by their liking and living conditions, were the reasons why they met in the street. The noble Baek Na-Kyum was strolling in that part of the town because he wanted to sell his erotic paintings. So because of his hidden hobby, he is led to go to a part of the town where commoners live. In other words, the protagonist enters Yoon Seungho’s world. On the other hand, Yoon Seungho as a low-born catches Baek Na-Kyum’s attention due to his unusual attitude. He shows neither remorse nor fear in front of the angry aristocrat. He is very defiant. That’s love at first sight. However, this is true love as sexuality is immediately included, while his affection towards Jung In-Hun was more related to the innocent and pure love of a child. Striking is that Yoon Seungho is exposed for his scandalous relationship with the son of a noble family showing that he doesn’t care about social status and distinction between nobility and commoner. It is also the same for the painter who sells his erotic paintings in order to buy glasses for his servant.
This shows that right from the start, Baek Na-Kyum has not truly internalized the hierarchical society and it is the same with the strong-willed commoner. They might not belong to the same social class but their mentality is in reality similar. Besides, they have both a strong libido and a certain sexual fantasy. Yoon Seungho is willing to have sex anywhere (f. ex. in the woodshed) 
and after meeting the impressive and attractive seme, Baek Na-Kyum becomes so inspired that he creates a threesome. 
The painting could be seen as another evidence that the painter had to create such a work. There’s no real free will in the end. However, the idea of a threesome indicates that the innocent noble has indeed a kinky side which was triggered the moment he met Yoon Seungho’s eyes. And now, it explains why Yoon Seungho was destined to meet Baek Na-Kyum outside his mansion in the original manhwa.
He had to meet him at the tavern because it was the commoner’s world and since the noble was interested in the painter, he couldn’t just send for him. The latter could refuse but in his presence, Yoon Seungho imagined that the artist would never dare to reject the offer.
In other words, Baek Na-Kyum seems to have a predisposition to follow social norms, although in his heart, he doesn’t acknowledge societal hierarchy. He lives in his own bubble in my opinion. That’s why I come to the conclusion that Baek Na-Kyum’s inner conflicts will always represent one of their problems in the evolution of their love story. The noble will suffer pressure from his family and his servant Jung In-Hun who will betray him, making the main lead discover what love truly is. But because of their affinities, they were destined to be together.
Due to his love for cats, the noble is led to a woodshed where he witnesses Yoon Seungho having sex with someone else. Note that the cat is the reason why he feels pleasure for the first time 
and why he gets caught in the end. If the cat had not appeared, then he would have never discovered the sexual intercourse. If he had never liked cats, he wouldn’t have played with him. 
Furthermore, he was strolling through the district where commoners live as he was on his way to sell his new painting. His so-called choices could only lead him to the place where the attractive seme was. This was no real coincidence again. Now, why a cat? 
, Yoon Seungho will be able to discover Baek Na-Kyum’s identity and the latter will be blackmailed. Notice that the merchant knows his true identity.
The painter will have to work for Yoon Seungho, yet the reason will diverge. The commoner has already set his eyes on the artist, since he hasn’t really forgotten him.
He remembers his face (“your eyes off”) and his words (“dirty buggery”). Their attraction was mutual and he needs to create a reason. As a conclusion, the introduction of the alternative universe makes us realize the dimension of determinism which is strongly linked to Nature (sex, cat). Baek Na-Kyum’s choice will be to acknowledge that his love for the seme is stronger than social norms, so that we can say, even if there exists determinism, there’s a certain liberty. Yet it is much more limited than it looks like as our decisions are influenced by our environment, experiences and past.
Bebebisous33s' analyses in K-Dramaland and Manhwas 