This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/
I was surprised to discover that in chapter 75 Lezhin had changed the translation in two different panels. From 
it became
, while 
turned into 
. For the readers who can’t read the original, it is truly frustrating, because we are relying on the translation. Since I pay attention to each word, it definitely changes the interpretation. And here, the painter’s new words give a different impression. In the first translation, he is reproaching his lover his fickle nature. Therefore when he claims that he doesn’t expect the lord to change, it outlines Baek Na-Kyum’s despair and frustration, because expectation is a synonym for hope. On the other hand, “I won’t weep over you” signifies that his affection for the lord is not that deep, if Yoon Seungho were to abandon him due to his fickle nature. Strictly speaking, with the new translation, Baek Na-Kyum is describing his own feelings implying that he can move on and change. He might have drunk today because he felt sad, yet he won’t be too sad, if the lord moves on. Even in his last moments, he won’t express any regret or sadness. Nevertheless, both translations contain the same message: it is definitely a love confession, but full of denial. Their relationship will fail due to the lord’s fickle nature and contrary to his past love for Jung In-Hun, the painter won’t miss him and shed a tear. The reason is simple: the lord is responsible for the failure of their relationship due to his bad personality, whereas in the learned sir’s case, Baek Na-Kyum was to blame for the separation and abandonment. He committed a sin, hence Jung In-Hun can only resent him.
This panel was important for another reason. Since the readers have got used to the artist’s habit to say the opposite of his real thoughts in chapter 75, his last words exposed his fear that he would get hurt and betrayed again, exactly like the scholar did to him in the past. Why? For the painter, this abandonment would be caused by Yoon Seungho’s fickle nature. Baek Na-Kyum was definitely afraid that his lover would move on. And this thought is already perceptible much earlier: 
Hence the artist is definitely stating that he is not investing too much affection and hope. And this message is quite similar to the words He won’t miss him, if the lord were to forget him or move on to a new interest. The nuance is that in the first translation, Baek Na-Kyum was indirectly asking Yoon Seungho not to move on to a new interest, while with “I won’t weep over you”, the painter gives the impression that he is certain that his feelings are not deep. He doesn’t give any hope to his lover.
Nevertheless what caught my attention is the following: . He gets drunk because of the noble and right before this, the artist had stated 
He felt awful and sad, because he couldn’t let got of the feelings in his heart 
. The reason was that he could no longer paint. Remember how I pointed out that in reality the passion was more connected to painting than to the scholar, as the latter had never asked him to give up on his love or admiration for him. Nonetheless, the fact that he had to renounce his passion (painting) caused him so much pain that he needed to numb his heart and hand. And with this new translation, I realized another important aspect: the trigger for Baek Na-Kyum to paint. I have already stated that the scholar was the artist’s muse, so when he was vowed to never paint, it meant that he had to give up on his muse. So when Yoon Seungho dragged him to his mansion, he forced him to paint. It was a work, he had to do, nonetheless note that the first paintings revealed the artist’s repressed sexual desires, which explains why they were so lewd and beautiful. Intentionally, the artist’s passion was awakened again, hence he had this wet dream. However, as time passed on, the lord became more fixated on the artist so that the pictures became irrelevant. Moreover, the artist was still thinking about the scholar, hence he couldn’t detect how slowly his affection was changing. The manhwaphiles certainly recall the huge amount of pictures Baek Na-Kyum produced in chapter 41.
The latter were no longer reflecting sensuality and warmth, just pure sex. He was painting like a robot, he was working like requested.
But there was no passion. And during the second season, the readers could detect that the artist’s emotional state had an influence on his works:
- chapter 47
: Both protagonists were portrayed as prostitutes - chapter 52:
In this picture, the artist was confessing how much pleasure he felt during this session. That’s why Min has the impression that the artist is only interested in sex. Baek Na-Kyum hadn’t still found his new muse.
However, in chapter 75, Baek Na-Kyum is finally confessing that he feels awful and sad, because he can not paint, although he blames the main lead for this. His heart is so full, but if he were to create a new picture, the latter would reveal how much he already loves Yoon Seungho. So far, Baek Na-Kyum has never painted for Yoon Seungho, because he felt the need to. Until now, he did it out of obligation (chapter 47 and 52) which would justify his stay at the mansion. He is there to create pictures. Furthermore, the noble is now just asking Baek Na-Kyum not to push him away. 
At no moment, Yoon Seungho has been requesting a picture from him. As you can observe, the new translation made me realize why Baek Na-Kyum is reluctant to confess. His “feelings” are strongly connected to painting and he has not entirely grasped that Yoon Seungho will become his new muse, something I had already announced much earlier. Since they are not making love, there’s no inspiration and only frustration. However, the artist has his heart full of emotions which he can’t express, neither physically nor on the paper. On the other hand, Baek Na-Kyum made the main lead remember that he painted an orchid 
which was connected to sex. And we know for sure that the protagonist tried to paint their Wedding night in order to trigger the artist’s memory: 
That’s why I come to the conclusion that the noble could be the one who creates a painting in order to prove to the artist that his affection won’t fade away and that he is his source of inspiration and strength. We shouldn’t forget that in chapter 36, the noble was definitely exhausted, yet frustrated too, because the painter was keeping his distance from him. 
Baek Na-Kyum was pushing him away with his silence and lack of motivation to create a painting. And now, you understand why there’s a connection between chapter 36 and 75. The roles have been switched: Baek Na-Kyum is frustrated, he feels the need to create a picture in reality, but he has not recognized it. Therefore I deduce that we are at a turning point. Baek Na-Kyum is on the verge to realize that he has already found his new muse and source of inspiration. However, this recognition is delayed by Heena’s intervention. The manhwaphiles are well aware that she was the one who kept reminding Baek Na-Kyum that the latter only loved the scholar 
and his feelings for the learned sir were not so trivial. 
Why is she so certain? It’s because she knows that the scholar has always been the artist’s muse, and when Kim showed her the painting with the learned sir
, she can only see it as a confirmation. For her, Baek Na-Kyum’s love was expressed through the picture and it will never change. However, the kisaeng is making a huge mistake, because such an adoration can change. Furthermore, this painting doesn’t represent reality, only the artist’s hope. Finally this admiration vanished, the moment the idol revealed his true face. In other words, this picture doesn’t represent “eternal love”, but “illusion”. Striking is that the painter couldn’t forget Yoon Seungho’s painting on his body
, although this picture has not be immortalized, as it was not created on paper. It disappeared, when the painter washed himself. It’s because for the first time, someone painted something for him. Baek Na-Kyum was not only the muse but also the recipient of the painting. He was the lord’s canvas
, his source of inspiration. This was totally new for Baek Na-Kyum, no one had ever done such a thing for him. Both works contrast so much, yet the orchid left a deeper impression on Baek Na-Kyum than the picture with the inauguration, as the latter had already become meaningless. Remember what I wrote about memories: they are stored, the moment they become meaningful. This explicates why the artist felt the need to lie to the scholar the next day. This so-called punishment had deeply impressed the artist in reality, which I only realize now. The lord had painted so quickly on a shivering body, yet the result was really good and the artist could perceive it. And this displays the lord’s true talent. There’s no doubt that the artist will admire Yoon Seungho’s skills later.
Moreover, I believe that the artist’s prediction will become untrue for two reasons:
- The lord will paint again for Baek Na-Kyum, which could definitely move the painter to tears.
- Exactly like in chapter 60, the artist will remember Yoon Seungho and cry for him, when he is facing Min. We shouldn’t forget that in the pavilion, the low-born cried in front of the main lead
and later called for his learned sir, who didn’t come for his rescue: 
As you can imagine, I am expecting a different outcome in the second abduction. The main lead will save him, as he already failed the first time. Maybe that’s the reason why the translation was changed, although I have to confess that I preferred the first one. Nonetheless, I have now come to this realization. The readers should be happy and just imagine that Baek Na-Kyum confessed this to his lover:
“Now, I get drunk and cry because of you, my lord”
“I don’t expect you to change. Hence I won’t weep over you, my lord, even if I were to die”
In other words, we got to read more than the Korean version 😉😂
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He tried to silence the main lead with guilt and fear. Note how the poor boy has to beg for the servant’s mercy, which reminds us of the physician’s reaction in the same chapter: 
Both characters are grabbing the valet’s clothes. This exposes that both were put in the same situation: their innocence and ignorance were used against them, making them speechless. However, Kim was not the rapist himself, he was just the helping hand of the perpetrator. [Imagine how my first essay about Kim “The helping hand” fits his personality so perfectly, although I had portrayed him in a good light]. I have to admit that after writing the analysis “Interpretation of a nightmare”, I kept thinking about the identity of the culprit. 
. However, this is not correct, because Yoon Seungho is suffering from memory loss, hence he can not be connecting lord Song to his first sexual assault rather to the second rape and betrayal. Therefore I come to the conclusion that the main lead and his friend have been misled that only lord Song is responsible for the protagonist’s suffering. That’s why the main lead associates his suffering to lord Song. Yet, he has repressed the first sexual assault in the domestic quarters. 
(chapter 74) On the other hand, the manhwaphiles should remember how scared Kim was
, when he heard about a meeting between lord Song and Yoon Seungho. He definitely didn’t want them to meet 
for the simple reason that if the main character had encountered his so-called enemy, lord Song could have been able to defend himself and claim that he was not responsible. Since according to my theory, lord Song is the king and has been hiding his identity, it is possible that the real meeting would have revealed the lies told by Kim. But there’s another reason why I am suspecting two perpetrators responsible for Yoon Seungho’s suffering. The manhwaphiles shouldn’t forget that Baek Na-Kyum has attracted the attention of two nobles: the main lead and Black Heart. The former did rape the painter 
(chapter 25) and the second aristocrat planned to assault the artist sexually too.
(chapter 56). So we have two perpetrators in my opinion. There’s no doubt that the main culprit is the king, nevertheless I believe that the first culprit is as guilty as the monarch, for after that incident, father Yoon chose to train his son as prostitute. The manhwaphiles will certainly recall that after the artist’s rape, the scholar brought back the low-born with the intention of treating him as a spying prostitute. 
(chapter 29) That’s why I came to realize that we should look for two old bearded men. 
He was rather old and had a beard. Because Yoon Seungho was just a teenager, old should be relativized. It just meant that the man was already married and had his own family. Thereby none of the single aristocrats around Yoon Seungho and Min have a beard. 
They are not married, so they are still considered as young. To sum up, the man with a beard was acquainted with father Yoon, hence he had the opportunity to meet the young prodigy and started lusting after him. 
And then I had suddenly this revelation. We already met an old bearded man: 
(chapter 67) Yes, father Lee! 😱 First, Lee Jihwa was a childhood friend from the main lead, which means that father Lee and father Yoon were close. Moreover, the man must have brought his son to the mansion and used this as an excuse to watch the young man from afar. Besides, the second lead is someone who used to sneak in the main lead’s propriety.
Let’s not forget that the story keeps repeating itself, hence this means technically that the father could have done the same. He chose to trespass the propriety in order to taste the young man. Like father, like son. With such a description, it signifies that father Leee was exactly like Min, who felt that he had been bewitched by Yoon Seungho 
(chapter 43) and could no longer resist this temptation. 
(chapter 57) Thus father Lee could no longer use Jihwa as a justification for his visitations. Moreover, it looks like the young boy was imprisoned in the servants’ quarter. 
and later tried to engage a discussion with the main lead and the painter because of a painting
. Strictly speaking, father Lee utilized his son to approach the protagonist. From my point of view, the culprit is definitely similar to Black Heart, because the latter has the impression that he has been bewitched, that he just needs to taste him and after that, his thirst will be satisfied. 
(chapter 33) So it is definitely possible that father Lee was attracted to Yoon Seungho’s face
. But the rape triggered the opposite reaction in Yoon Seungho. Hence the culprit’s lust vanished. And this would represent the only divergence with Min, for the latter was not bothered by Baek Na-Kyum’s shocked expression with the kiss.
Moreover, the enemies and betrayers are often the one closest to the main characters, see for example the scholar who backstabbed and abandoned Baek Na-Kyum on many occasions. Kim did the same to his master Yoon Seungho. He even created false memories. Moreover, we have Heena who hurt her brother through her words and actions, just like Jihwa did to his childhood friend. The two characters wounded the protagonists out of love. So why not father Lee betraying his acquaintance, the eldest master Yoon?
and the head of the family was not the target. Yoon Seungho was even quite respectful towards father Lee. One might say that he was shaking out of anger due to the uproar. However, the father even yelled before. Moreover, his discomfort kept increasing despite the calm words from the main lead. First, a drop of a sweat appeared on his face
, then his face was getting redder and redder. 
The father could have a similar reaction. He had totally forgotten the incident, until he saw his face again. What caught my attention is the following panel:
How could the protagonist sully the Lee family name any further? This means that there could be more than the ruckus he created. And since the aristocrat spoke before about a business he had to deal with Jihwa, father Lee could have interpreted it differently. It could definitely be related to father Lee’s wrongdoing. Yoon Seungho could reveal the father’s crime. Besides, since the eldest master was well aware of this son’s relationship with the main lead
Nonetheless, his unconscious is telling him that he should remember the culprit’s face. Note that he is here only looking at one person. Besides, since Kim had a brief recollection of the rape just before father Lee’s appearance, it could be perceived as a clue that the culprit had a similar experience. And both tried to repress it. So imagine this: Father Lee used the main lead’s terrible reputation to keep his distance from him, asking from his son to never meet the protagonist in order to maintain their respectability. Consequently, Lee Jihwa had to hide his relationship from his father, but the father didn’t care. He had the perfect excuse to avoid the main lead. However, the real reason for this escapism was the following. He still feared that the young boy could remember, and now Yoon Seungho has definitely power due to his wealth and connections to officials. In addition, the main lead is no longer under the control of father Yoon. 
(chapter 67) In other words, once there’s no secrecy any longer, the lord could retaliate again father Lee and use Jihwa’s misdeeds to punish the father for his crime. And since the father is a coward, he will act like father Yoon, who abandoned his son. Father Lee will turn his back on his own son. The manhwaphiles shouldn’t forget the principle: Jihwa is going to suffer, exactly like the painter and as such Yoon Seungho. Both were betrayed and abandoned by their fathers. In other words, the second lead would pay for the father’s sin, it would be his karma. At the same time he will experience what Yoon Seungho went through, and no longer claim that he truly knows. Envision this: the second lead would be punished for his father’s crime, however Yoon Seungho would use the painter’s kidnapping and Deok-Jae’s death as an excuse for the authorities’ intervention. He might have had a bad reputation, yet Yoon Seungho is a noble and he has definitely some connections to the authorities. Finally, even the noble with the mole pointed out that the artist’s death could have serious consequences. 
So does this theory plausible or not? One thing is sure: the fathers are portrayed in a terrible light: coward, selfish, hypocrite and stupid… and father Lee is no exception. Hence he could have definitely committed a crime, but as a noble he got away, because for the eldest master Yoon, the protagonist was like a commoner, he had no worth at all. That’s why he lived in the servants’ quarter and received a straw mat beating. 
(chapter 40) 
(chapter 75: repetition from chapter 74)
(chapter 40) versus 
(chapter 75)
(chapter 40) versus 
(chapter 75)
(chapter 40) versus 
(chapter 40) versus 
(Chapter 75) And this made me realize two things: Baek Na-Kyum embodies memories, hence we got many flashbacks from the painter (chapter 2, 11, 23, 34, 38, 40, 41, 46, 56, 57, 60, 66, 74, 75), whereas Yoon Seungho embodies truth. Note that unlike the artist, Byeonduck showed us only a few memories from the aristocrat (chapter 19, 25, 48, 55, 74 with the nightmare). Moreover, the latter is always confronting the painter with his questions and observations. The noble wants him to be true to himself and question his own motivation. 
(chapter 29) Thanks to the memories, the low-born had gathered courage and faced his teacher. However, this discussion led to a tragedy. Baek Na-Kyum got hurt, because his learned sir chose to destroy him in the worst possible way. With his words, he showed his true thoughts 
(chapter 40) and in order to reinforce his statement, he made sure that Baek Na-Kyum would perceive his real gaze: cold and ruthless. 
(chapter 41) But more striking is that the scholar used memories (the kisaeng house) to define the painter’s identity: he was born to be a prostitute despite his “lessons”. He puts the whole responsibility and blame on the commoner. As a conclusion, the memories served in the conflict to identify Baek Na-Kyum. Who was he really to the scholar? Was he his helping hand, like the low-born claimed, or was he just a “prostitute” according to the scholar? 
(Chapter 75), an indication that his short-term memory was defective due to his lack of sleep.
(chapter 36) Therefore I come to the conclusion that Yoon Seungho’s short-term memory is not working properly. Imagine, he could remember one incident from his childhood, but he couldn’t remember painting the orchid. Hence I believe that the lord can’t even reminisce the drawings in chapter 8 
and 23 
(Chapter 68) He mixed facts with lies in order to confuse his master’s judgement and memory. That’s the reason why it is important now to recall my initial statement: without any memory, there’s no identity. This signifies that in chapter 68, when Kim tried to give him memories, he desired to give him a certain identity: he was similar to his father. The latter would punish or imprison the boy and not release him. Giving a false reflection and identity is something Kim had never done before in front of his master, as he knew that his master feared his own image. However, he never imagined that Yoon Seungho would react differently. Instead of pushing away the painter, he let the artist choose his fate. 
(Chapter 18) In my opinion, this shows that Yoon Seungho had no true memory in reality. He knew that they had sex together, but that was it. It was more like “the night is long and I need to kill time so that dawn can come faster.” Note that he never mentions their childhood together. With this interpretation, it becomes comprehensible that the main lead could act, as if nothing had happened between Jihwa and himself after the topknot incident. 
From my point of view, he had literally forgotten the incident, yet for Jihwa, it meant that he had been forgiven. 
(Chapter 59) And this explicates why Yoon Seungho barges in the mansion in chapter 67: he makes it clear that he won’t forget what happened. 
(Chapter 67) The real forgiveness occurred in chapter 59: Despite the caused pain, Yoon Seungho was willing to overlook the terrible action
(Chapter 1) Striking is that when Baek Na-Kyum confronts him with his poor image (“man consumed by lust”)
(chapter 4), the lord is bothered. He is forced to ponder why he is described like that, hence he has to recall events from the past. At the same time, when the lord read the poem, he was encouraged to recall the original sijo. This shows that at some point, Yoon Seungho rediscovered literature. Words and paintings helped to create memories. Thus if you pay attention, you’ll notice that the more time passes on, the more memories the lord has. They are strongly intertwined with the paintings. The latter helped him to reminisce the sex sessions and his past. He can’t forget how the painter masturbated behind the door. He is even getting more and more good memories. 
(chapter 18) Then in chapter 19, he reminisces the painter’s facial expressions which puts him in a good mood. 
(Chapter 19) This explicates why Yoon Seungho was so moved by the painter’s confession during their Wedding night. For the first time, he experienced warmth and love, he even heard a love confession. This could only be stored as a wonderful memory. At the same time, he hoped, the artist would create a picture of this night in order to ensure that this memory was real. Moreover, note that in chapter 58, 
he externalized how much this night meant to him. 
(Chapter 58)
(Chapter 75) His feelings will fade away just like memories. He will forget him. What the painter doesn’t realize is the following: this date is actually an important moment in Yoon Seungho’s life. For the first time, he gets to discover the painter’s memories and past, which now the noble can store as his own. He will never forget this day, especially when he heard that the painter would cry because of him 
(a new version of chapter 21: 
(chapter 21) , but here out of concern. In other words, Baek Na-Kyum would like to be remembered. Hence he complains that the lord didn’t call for him. And this can only make the lord happy, because he can detect through the painter’s words that the latter is longing for his presence and care. From my perspective, Yoon Seungho has finally grasped why the artist is not truly honest with him. Therefore he can only tease his lover pushing him to make the first step. Let’s not forget that right now, the master is now treating his lover as his new lord. So the latter has to call for him. 
(Chapter 75) Here, the protagonist clearly displays that he has never forgotten his companion. Their date is so important for two reasons. It allows the noble to gather more information about the commoner, and get a really good memory before the next tragedy. 
(Chapter 60) and could cope with the kidnapping much better. Note that he has no nightmare afterwards. And this detail is important, because we have to envision that while Yoon Seungho was exposed to physical and sexual abuse for a decade, he had no good memory at all in order to remain sane. Moreover, he never felt loved. Consequently, he couldn’t even think of anyone in a positive way. That’s why he was so damaged in the end. (Chapter 57)
The presence of a loved one is necessary in order to cope with traumatic childhood abuse. 
(Chapter 58) This signifies that he is unsure if what he is experiencing is real or not. From my point of view, the memory loss and his life as ghost affected his brain and the way to encode and store information. Hence he has no real recollection of the incident with Deok-Jae (chapter 30 and 53). That’s why he is not asking for his whereabouts. However, I believe to see a turning point in chapter 75. By giving the lord the opportunity to have a real date, where he could hear and see that Baek Na-Kyum was definitely affected by him, the noble will react differently compared to the first abduction and after the painter’s first flashback. He will not lose his mind blinded by his emotions and insecurities, he knows that the artist chose him. And he won’t blame himself like for the first flashback. Remember that in chapter 66, he never called the physician. Why? Because someone told him that the painter needed the presence of a loved one to recover. Kim made sure that Yoon Seungho would feel guilty. Deep down, Yoon Seungho knew that he was responsible for the panic attack.
(Chapter 66) But the real cause for all this was the butler’s silence and complicity. That’s why he remained by his side, until the artist had recovered. Thus I had predicted that after meeting Nameless, Baek-Na-Kyum would get a panic attack.
(Chapter 75)
(Chapter 76) He didn’t take his words seriously, for he believed that he had discovered the truth. Therefore the lord never investigated the circumstances of the kidnapping. Since he thought, he knew the truth, he had no reason to question this. Why did the Joker scare the painter so much? Thus the lord didn’t take the memories from the painter seriously. How could he, since he had been already informed? However, the revelation from Min had diverted Yoon Seungho’s attention from the real problem: the involvement of the helping hands (Kim, Deok-Jae, No-Name) and of the mastermind behind this. 
(Chapter 6) They can not escape their conditions. Thus the gods chose to punish him the following way: he could never escape his own situation. He would remain a man with no wealth and connection. Thus no matter what he did, it ended with a failure. Therefore it is not surprising that he came to resent the painter, for he caught the attention of a powerful noble and this at least twice. The scholar was offered a position, but due to the incident in the gibang, the sponsor changed his mind. Hence he blamed Baek Na-Kyum for not securing a post. It was, as if he had stolen it from him. I think, Jung In-Hun published poetry, but couldn’t get recognition. Therefore he used the incident (discovery of the erotic pictures) in order to punish him and force him to give up on painting. He couldn’t allow that a commoner was more successful than him. At the same time, it was the reason why there was a ruckus in the gibang too. But now, we have to wonder why Baek Na-Kyum talked about his past. From my point of view, an important detail played a huge role at the inn: 
(Chapter 74) Observe that the woman has a similar hair dress than his noona. That’s why I believe that when he saw her, he must have been reminded of her. Note that when he speaks about the leftovers, he describes leaving food as a sin,
(Chapter 41) He didn’t eat all the sweets or even skipped meals. 
(Chapter 41) In other words, he didn’t eat everything and committed a sin. This indicates a certain hypocrisy, simultaneously Baek Na-Kyum’s lack of critical thinking, when it comes to his noona. Moreover, he says the opposite of what he thinks. In chapter 74, he claims that the lord has changed
(chapter 74), in episode 75, he claims that he has not improved his behavior. The painter’s memories clearly reveal Heena’s strong influence, which explains why he doesn’t make the first step in the end. He would like the lord to become responsible for him. But Yoon Seungho would like the opposite, because that way, the low-born can never claim that he was forced or pressured by him. In my eyes, Baek Na-Kyum still fears to be perceived as a man consumed by lust, if he makes the first move. 
The lord was definitely expressing his joy and excitement. For the first time he truly desired that the night would be long to enjoy this moment where he was accepted. Unfortunately, the night ended so abruptly due to the painter’s exhaustion. 
The power of the climax and the sex marathon from the previous night were too much for his frail body. Knowing that the artist liked his bed, the lord let his lover rest in the bed and chose to sleep far away from him. 
And the readers should wonder why, especially after witnessing how in chapter 38, they lied next to each other. 
Back then, he didn’t put the painter on the bed, but covered him with his beautiful hanbok. Since he abhors his own mattress, he believed that the artist would judge his bed the same way after the terrible night (the assault and the interrupted gangrape). However, he didn’t stay by the artist’s side unlike in chapter 38. For the lord, the night after the eviction of the nobles must have been very long. That’s why there are bottles of wine next to him. He sat there drinking in order to kill time. The readers have to envision that he was sitting the whole night without being able to open the window or the door, as Baek Na-Kyum was not sleeping under a real cover. He was scared that the pure man would catch a cold. Moreover, I believe that he kept watching over his lover out of fear that the artist might have a nightmare to the terrible event from the previous night. This explicates why in chapter 74, he went to rest in the next room in front of the opened window. 
He knew that the commoner would sleep peacefully. However, the chapter 74 gave us the final clues why Yoon Seungho has always had nightly activities in the past and why he avoids his bed. Remember how Jihwa in his love confession underlined the connection between the sexual activities and the importance of the nightmares
(chapter 57) which exposes that the nightly torment is related to his phobia of the bed and to his insomnia. I come to the conclusion that his nightly activities helped him to get through the night, because he couldn’t even lie down in his bed. They helped him to kill time. This is what Jihwa even witnessed. 
The beholder views how the main lead pushes his friend away with his arm. Why? One might say that as soon as he sleeps, he has a nightmare. However, as you can imagine, there’s more to it.
That’s why the lord has to sleep in the cold, outside the cover 
Here, he could barely speak.
. This gives us the answer to why the artist had such a disheveled hair the next morning in chapter 38: 
On the one hand, the headband represents a hindrance for the lord, on the other hand it was removed even before he spent the night with Yoon Seungho. From my point of view, touching the artist’s hair has a calming effect indicating that the lord truly needed Baek Na-Kyum’s assistance that night. The night spent by the painter’s side helped him to go through the night, therefore he felt more refreshed the next morning. However, he must have had a panic attack, hence he left the bed before the painter woke up. I believe, the artist’s regular and deep breathing has a calming effect for Yoon Seungho. Therefore in chapter 74, he lied down next to Baek Na-Kyum 
and looked at his face. Like I pointed out the last time, the noble is in a fetal position which is a clue that he is relaxing. The panic attack vanished so quickly thanks to Baek Na-Kyum. Now, you understand why the lord is visiting the artist from time to time during the night. 
That’s when he has a panic attack and the sleeping face of his lover with his normal breathing helps him to recover quickly. He doesn’t want to trouble his lover. We could even say that when the main lead kisses the artist, it is to express his gratitude. Thanks to him, the night doesn’t seem so long now. That’s why he can smile more often 
and becomes cheerful again. 
, I could make a connection with the bed. 
This picture comes from Gyeongbokgung palace and note how the colors of the bed and seats are similar to the one from the protagonist’s. Besides, I am sure that people have already watched sageuks, historical korean dramas, where the king is dressed with a red hanbok adorned with golden embroidery, where you can see a dragon like this one: 
(chapter 57). In this scene, the noble attempted to kill himself. Striking is that he had just lost his hair revealing that this had happened after the public humiliation with the topknot. I come to the conclusion that the bed itself triggered his anxiety and has so far represented a source of his panic attacks. Back then, it was so strong that he desired to end his own agony. Moreover, observe how the valet is forcing him to remain on the bed. The manhwaphiles certainly recall how I described that this picture actually illustrated the lord’s captivity. He was treated like a prisoner. Now that we know that his phobia of the bed is linked to sexual abuse and to the king, you can comprehend why Yoon Seungho desired to end his life here. As soon as he saw the bed, he was reminded of his time with the king and the sexual abuse. There’s no ambiguity that the main lead was held captive in the palace. Since the butler stopped him from committing suicide, the manhwaphiles had the impression that Kim truly cared for his master. On the other hand, for we are aware of the signification of the bed and its colors, the manhwaphiles should question why the master has such a bed. First, in this manhwa, nothing is random. For the lord was not in the capacity to choose his bed, someone had to pick the bed. As you can imagine, the butler made the choice and from my point of view, he did it on purpose. He made sure that the lord would always be reminded of his traumatic past. That way, he would remain trapped in the past. In my opinion, he must have accompanied the young master to the palace. Therefore he knew that the poor man was traumatized and chose to take advantage of it. Note that when the physician visited the painter’s study, he noticed that Baek Na-Kyum was lying on a bed reserved for nobles. 
Even the physician thought, it was Yoon Seungho’s bed which shows that technically the lord could have had such a bed. But no, the yellow-red bed was never changed. Since Yoon Seungho was mentally sick, I doubt that he could choose his own bed after returning from the palace. As for father Yoon, when he went into exile, I don’t think that he left his own mattress and cover behind. Moreover, if you pay attention to father Yoon’s bedchamber
, you’ll detect that the father prefers blue due to the bed and the background. That’s the reason why his sons were both dressed in blue: 
Kim made sure that Yoon Seungho would go down that road. Yoon Seungho is even wondering why he started living like that. This truly exposes that he never made the decision consciously. Therefore I come to the conclusion that the red and yellow bed represents the source of his misery, making sure that he never relaxes.
the cover is turned over. Yoon Seungho never did it even with Baek Na-Kyum. 
(chapter 31) and (chapter 73) 
, so he had defeat his opponent and enemy, forcing him to surrender. However, when the latter didn’t fight him back and showed no sign of resistance
, he was bothered. Deep down, he felt that he still hadn’t truly won the war. Strangely is that the painter started conquering the yellow-red bed to the point that in chapter 72 the low-born preferred making love on the bed.
Hence the lord followed his request. Since here, he was making love to Baek Na-Kyum, his mind was not focusing on the bed. All his attention was directed to his lover, hence he could lie down for the first time. That’s why I come to the deduction that the lord should buy a new bed or put the painter’s bed in his bedchamber. The lord will only be able to overcome his nocturn panic attacks, when he has the painter by his side. But more importantly, he should talk about it to Baek Na-Kyum. The latter would definitely give him the comfort and reassurance that he is safe next to him. However, as long as Kim is working at the mansion, I fear, the bedchamber will never be a safe place. 
(chapter 43), Deok-Jae 
and the physician 
. This explains why The Joker could denunciate the second lead’s crime
, although Nameless and Kim had made sure to give the impression that the painter had run away due to the footprints. 
However, there were traces of a kidnapping and sequestration: the wounds on the painter’s face 
(chapter 61) and wrists 
(chapter 66). But back then, the lord, too blinded by his own insecurities and fears, didn’t notice these. As you can observe, it was not a perfect crime, because Yoon Seungho got to discover the truth due to Min’s revelation. But if the lord had investigated it properly, he could have discovered the crime. First, the physician was a witness and he could have seen the bruises. On the other hand, strictly speaking it can be considered as a perfect crime so far, as the culprit (Jihwa) was not arrested and prosecuted. His only punishment was that the lord chose to cut ties with his childhood friend officially. That’s why the main lead visited the Lees’ mansion, he wanted to warn the father. If something strange were to happen again, the lord Lee would have to assume his responsibilities. He wouldn’t just go after Jihwa, but also after the father. 
(chapter 33)
(Min, chapter 52). Nonetheless, people can change and as such they can change their habits. In chapter 74, the painter notes the lord’s transformation. 
As you can observe, they have developed a routine. What caught my attention is the following aspect: the lord’s nightly visits. Only Baek Na-Kyum and the readers know what the lord does there. He gazes at his lover and he gives him a good night kiss at the end. Yet, we shouldn’t forget that the study was the place, where they often had sex. Moreover, the manhwalovers will certainly recall this important sex session in chapter 48-49.
That’s why I come to the conclusion, that for an outsider observing the lord’s moves, it looks like the painter still has sex with his master, when the latter wishes it. After the deal is done, then he leaves the study. And if someone heard the lord’s words in the bathroom, he could definitely get a false impression: 
This means that their routine can now change. Baek Na-Kyum can start painting again. And since I demonstrated in my previous analysis that the protagonist has finally decided to face his own feelings, I come to the deduction that right after his return, he will decide to create a new painting displaying his affection for Yoon Seungho. This signifies that there will be a change in the routine. In my opinion, the painter won’t feel hungry, too focused on his work. Imagine that in chapter 40, he even didn’t eat the sweets. 
Here, the physician is asking if the painter is feeling well. Why? It can’t be related to his past testimony, because he shows no sign of real discomfort. This means that he must have heard that Baek Na-Kyum was not feeling alright. As you can anticipate, from my perspective, he must have received Kim’s visit, a new version of chapter 65. Remember that this story is always repeating situations from season 1 and 2. However, this time the butler didn’t frighten the doctor, he must have faked his concern for the artist. The latter had a flashback and now he has sleeping problems due to the kidnapping. He must have also confessed how the commoner was treated by his master after his return. Therefore he needed to give him some drug against insomnia, then the physician must have reply: 
. Consequently, the valet repeated this: 
But since the lord is already taking medicine for his insomnia, like it was mentioned in chapter 55, the doctor must have questioned the butler why he would buy the same medicine, when master Yoon already has his own:
(chapter 33). In season 1, Kim could give the medicine to the maid saying that it was for his health, while in reality it was to give the painter an aphrodisiac. As you can see, the valet is now determined to drug the painter a second time, but this time he should fall asleep so that he can be taken away in his sleep. Kim can’t give the medicine from master Yoon’s, because the maids would question the butler’s intention and they could mention it to the lord. However, it becomes a different story, if he says that it was ordered by lord Yoon due to the flashback, which one of the maids witnessed. As you can see, this is Kim’s MO. He uses people’s ignorance and trust.
The physician is truly a good man, but a stupid and dangerous doctor. Actually, he should realize that with his actions he is committing a crime (negligence) and he knows this, but his doubts are always removed by Kim’s magical word: the lord’s authority. Note that in both episodes 33 
and 65
, the valet abused his position and threatened the doctor, but Yoon Seungho didn’t notice it in chapter 33, as he was too worried about Baek Na-Kyum. But observe that he never threatened the man himself. 
He dismisses this contradiction, insinuating that he doesn’t even trust his own judgement and eyes. That’s how deceitful the butler is and naïve the doctor is.
(chapter 55) However, since Baek Na-Kyum is totally unpredictable, their plan won’t go like expected. The painter won’t be sleeping during that night, because he didn’t eat his dinner. 
(chapter 74) and the following panel. 
(chapter 71) I believe, Byeonduck already gave us a clue with this picture. Here, we have a waning crescent, while in chapter 70/71 the painter looked at a waxing crescent: 
(chapter 70). Therefore this implied that these were two different nights. That’s why I believe that the first panel announces the second abduction. The change of the moon gives us a clue how many days have between their Wedding and the second kidnapping: 14 days, enough for the painter’s wrist to recover. Moreover, remember my analysis of this image: all the elements (water, fire, air and earth) were in harmony
So in my opinion, the butler is looking at his master’s chamber. He needs to confirm if the lord is indeed asleep, before the second kidnapping can take place.
She would justify her action that she is saving her brother. Let’s not forget that in chapter 69, she never recognized her wrongdoing in front of Yoon Seungho. 
Therefore she can definitely repeat such a misdeed, as she legitimates her action out of love. Note that she doesn’t fear Joseon justice system, only divine retribution
Consequently, I am expecting a new version of chapter 65, but this time the kisaeng will trespass the property during the night soundless. It’s possible that Kim visits Baek Na-Kyum’s chamber and realizes that the plan with the drug failed so that he can’t carry him to gate. The manhwaphiles should reminisce that the butler once carried the painter from the study to the lord’s chamber in chapter 33/34.
Thus there should be a new version of this trick. Therefore, once the butler recognizes that drugging the commoner was a failure, he can only ask Heena noona to pay a visitation to her brother in order to deceive him. For the butler, this is actually perfect, as he can manage to maintain his image as loyal and caring servant. When she meets her brother, she questions him if he wants to leave the propriety, but he will again reject the offer. Therefore she will use her guards to take away her brother. On the other hand, in order to achieve her goal, she will deceive her brother asking him to accompany her to the door. She will justify her appearance that the lord threatened her, hence she can only see him during the night. Full of trust, Baek Na-Kyum will follow her and once at the gate, a hand will grab his chin and drag him away. 
, Min, impersonating Jihwa, incites Heena by telling her this: 
It is definitely possible that Min describes himself as a great admirer of her brother’s work and even shows her that he owns many publications. That’s why she will be persuaded by The Joker. The latter will never be rude and violent, exactly like the scholar Jung In-Hun. Let’s not forget that in chapter 43, Min justified the murder by portraying the second lead as a savior. He needed to remove the painter, as his friend was in danger in front of a “witch”. However, this time the “witch” will be Yoon Seungho in the kisaeng’s eyes. 
(a new version of this panel). In addition, the warning from the servant reinforced her hatred towards the aristocrat, therefore when Kim opens the door gate that night, she will thank him for his “kindness”. 
The latter seems so gentle and selfless. Now, you are probably thinking that I must resent the kisaeng for developing such a prediction. But no. She is just a flawed character. Besides, the manhwaworms should recall that she was already responsible for the artist’s misery in the past. She might have justified her action that she wanted to protect her brother and did it out of love, yet she never asked for Baek Na-Kyum’s consent. There is this saying: “The road to hell is paved with good intentions”. This quote embodies perfectly Heena’s mentality and role in Baek Na-Kyum’s life. And her terrible choices led to the artist’s misery. Not only he lost his home, but also he lost his passion and confidence. He was exposed to physical and emotional abuse. The result was that he became a drunk after all. So when she says 
, I believe that her words are actually reflecting her own role: she is the one bringing her adoptive brother misfortune. However, she was never confronted by Baek Na-Kyum, and the manhwaphiles shouldn’t overlook the fact that for almost one and half year, she never tried to contact her brother!! Sure, she is not doing it, because she needs his help, but due to her stubbornness and blindness, she is not realizing that she has been abusing her position as a noona towards Baek Na-Kyum. Besides, I’ve got another reason why I am expecting such a development. The painter’s destiny is to go through the same experiences than Yoon Seungho’s and the latter experienced abandonment and betrayal by his own brother. This explicates why the protagonist had huge trust issues, which is a normal reaction for people suffering from PTSD. So far, the painter has not experienced the sister’s betrayal, only the abandonment… but he chose to overlook it, as she showed great concern and care after their reunion. That’s why this second abduction can never be a perfect crime. The artist will realize that he can no longer trust Heena and the divine retribution she has always feared will be to lose her brother’s trust and support. Moreover, in chapter 40, 
, she lets her guards abduct her brother, and goes to the location recommended by Min. In my opinion, he will ask her to bring the artist to the mansion of the noble with the mole. Why? There’s no ambiguity that he will try to erase every evidence leading to him. He has definitely planned that Jihwa and the kisaeng will become his scapegoats. Secondly, the noble with the mole is Jihwa’s friend. Besides, when the first conspiracy took place, it was at a pavilion: 
, It’s not just a secluded place, but also the place where the artist was raped. For the low-born has created a new work, the new image will be brought to Min. Remember how the painting was the trigger for Yoon Seungho to kiss the protagonist at the pavilion which led to a rejection and confession… the result was that the main lead forced himself on the painter. 
Note that the brushes are still full of ink, although he had finished with the picture. Even if the valet cleaned the brushes, they would be still wet the next day. That’s why he writes a letter in Baek Na-Kyum’s name. He explains why he decided to leave: the lord was still a man obsessed with sex and would even tie him up. There’s no doubt that the butler will use expressions that he heard while spying. As you can see, I haven’t changed my mind about this aspect: there will be a fake letter. 
(chapter 74) 
(chapter 71)
(chapter 69) 
(chapter 59)
(chapter 53) 
(chapter 52) 
He can’t just beat his staff. From my point of view, the person mentioning the noise of the door will be the head-maid. First, in chapter 11, a maid revealed her observation to her master, when the painting got ruined. 
Then remember how the head-maid walked through the courtyard, when the butler was looking at the lord’s bedchamber. 
Besides, in chapter 63, Kim ignored her question and left her behind, he never justified why he was going outside.
I can imagine that the butler will come up with an excuse, he entered the lord’s chamber in order to know if his master needed something. Then he did the same with the painter. This would explicate why the author created such a panel in chapter 71: 
I have the feeling that unlike in chapter 30, the domestics will betray the butler and abandon him revealing how they acted on his order. They trusted him and thought, he was acting on Yoon Seungho’s order. I would like to remind the readers that in that chapter 30, Deok-Jae never revealed the butler’s involvement, although he could have. He definitely remained loyal, yet he got the worst punishment. He definitely hoped that both would share the responsibility of Baek Na-Kyum’s disappearance
(chapter 29), yet Kim let him take the fall. That’s why the vicious servant called him a bastard later. He had finally perceived the valet’s true personality. And that’s how the kisaeng will be connected to the incident. 
finding the authorities! Who would ask for the authorities’ help? Now, I have a clue how we would have a repetition of this scene. From my point of view, Yoon Seungho as a transformed man will decide to seek help from the authorities, something he never did before. And like I mentioned it before, the schemers will be defeated, because they disregarded human nature and the possibility of change. You might not know but people suffering from PTSD have huge trust issues and view the authorities as incompetent and untrustworthy, as the latter failed to protect them. In our case, it becomes comprehensible why the noble would avoid authorities, as they represented the source of his misery (the father, the king and the officials). However, if we consider that now Yoon Seungho has become the painter’s servant and Na-Kyum is a lord, he has technically no power to use his staff. That’s how the purge will start. The kisaeng will be interrogated and her temerity, which many confused with courage, will let her think that she is protecting her brother’s interest. She will never reveal anything, until the main lead reveals to her Baek Na-Kyum’s secret: he can’t write and read, because the scholar never taught him. I believe that once she recognizes this as truth, she will mention Jihwa leading to his arrest.
In episode 54, the criminal killed the servant, because he represented a threat to Jihwa. Since Baek Na-Kyum’s fate is now strongly intertwined with Jihwa’s, the second Joker will repeat the same action than in episode 54: defend Jihwa and as such lord Na-Kyum’s interest. Moreover, in the past the criminal refused to enter the mansion and do the deed for the following reason: 
. Therefore imagine that the painter is now at a pavilion, a secluded and restricted area, exactly like Nameless prefers it. However, I doubt that Nameless will kill the Joker with a knife, because this would leave traces of a crime. Remember that I always said that Black Heart would die suffocating. With Nameless’ help, the painter would be saved. Therefore the conspiracy could be finally revealed: the physician’s negligence and Jihwa’s silence who knew long ago that Min was lusting for the artist. I am still expecting that the lord’s words from chapter 11 will come true: 
No one will ever suspect that Min died due to Yoon Seungho in the end. As for Kim, his fate is almost sealed
. The moment he drugs the protagonists, he can no longer let others take the blame, although there’s no doubt that he will try to incriminate the maid. The lord will finally be free from the last remain of darkness. However, as you can imagine, the moment father Yoon hears about his loyal butler’s death, the latter will decide to become proactive and retaliate against his rebellious son. As for the painter, there’s no doubt that first he will confront The Joker and defend his lover. It is definitely possible that he calls for his help, but this time, it will be: 
And this love confession will be heard by Nameless who was also present, when the painter was calling for his help the first time. He will detect that their relationship is truly genuine. Imagine, how beautiful it would be for Nameless to finally get an identity, because he saved Baek Na-Kyum. This would truly show Yoon Seungho’s generosity and prove the commoner that there still exist pure and nice people among commoners and nobles. 
(chapter 74), exactly like in the past.
(Chapter 40) That’s why after pondering, the artist visited his teacher and expressed his wish for the first time that he would like Jung In-Hun to become responsible for him, like the former had promised. As you can see, the red dot and the questions did cause an Awakening. But it was a brutal waking up, as the painter discovered how the learned sir truly viewed him: a prostitute and nothing more. 
Imagine, the commoner was walking right behind him, yet Baek Na-Kyum was not mentally and emotionally present. His thoughts were directed at the scholar. This is not surprising that Yoon Seungho resented his lover. In the aristocrat’s mind, this signified that the painter was not even enjoying his time with him. He preferred thinking about the learned sir than talking or looking at his lover. In other words, he was standing behind the lord absentminded. And the lord sensed it, hence he looked behind
. How did he notice it? It is because the artist didn’t keep asking about the date.
Note that with such a comment, the noble is not interested in initiating a conversation, he already knows what the low-born is thinking. And if you contrast this to the scene in episode 74, you’ll detect a huge difference. Although the artist is absentminded as well, he is already meditating about his lover 
(chapter 74) is the trigger for him to ponder. And this shows the noble’s increasing influence on Baek Na-Kyum. Meditating is definitely the lord’s favorite occupation so far. In addition, this shows how much the aristocrat means to him. All his thoughts are now directed at Yoon Seungho. Therefore we have to imagine this. While Baek Na-Kyum is walking, the lord notices that he is just walking lost in his thoughts. Hence he throws him the hat as a joke. On the one side, he definitely wants him to be present mentally and emotionally, like in the past. On the other hand, note that unlike in the past, there’s no reproach, in truth he desires to discover what the artist is thinking. 
(chapter 49) The lord always felt the need to share what was in their mind. Now, I can truly grasp why it’s a dream for Yoon Seungho. Remember when I described how the lord lived for so many years in the darkness. He only knew that he existed through his mind and thoughts. But during this whole time, he could never communicate his thoughts to anyone, he felt terribly lonely. This explicates why he had such a huge desire to communicate with the painter. He felt closeness in their soul, which he could detect in the art. As you can see, although the noble detected that his lover was lost in his thoughts, he no longer reprimands him. In fact, he voices curiosity. Moreover, he is no longer claiming that Baek Na-Kyum is transparent contrary to chapter 40. There’s a reason for that. The artist has changed so much as well. He is indeed applying his lover’s philosophy: introspection and meditation. And this leads me to the next observation. There is a huge difference between these two scenes: the chronology.
And this truly exposes that now the roles have been switched. The so-called foolish one is Yoon Seungho, but the latter has long forgotten his own words. On the other hand, Baek Na-Kyum is the one wishing more, he is definitely not content with a kiss from time to time, while Yoon Seungho is thinking like the artist in the past: 
(chapter 74) versus 
. He still had that dream, this explicates why he mentioned Jihwa. He envisioned that the artist would get jealous. But the artist remained silent. Then he confessed twice (“I adore you” and 
) in order to push the protagonist to reply to his confession. He definitely dreamed that if he confessed, the painter would feel pressured to return the affection. That’s why the painter was trapped under the noble and the latter was grabbing the painter’s hand. 
(Chapter 58) His gestures illustrated the pressure made on the artist. But the master never got a reply. Thus it elucidates why the noble got infuriated after the painter’s disappearance. He might have admitted his defeat, nevertheless he hoped for a confession, as a new form of allegiance. That way, Baek Na-Kyum was obliged by his words. However, in chapter 74, the only desire the noble has is to exchange their thoughts. He has truly given up on his dream. When in chapter 49 the master voiced this wish for the first time, he was lowering his expectations. That’s why I believe that this indicates that Yoon Seungho is no longer hoping for more. He is so in love, and the past Yoon Seungho would call him: a fool! 
(chapter 68), which is a similar attitude to the past Yoon Seungho. The latter was confusing the heart with the mind, however the low-born has been just afraid of admitting his affection. 
(Chapter 74) The repetition of “nothing more” is an evidence for the painter’s longing for more. There’s no doubt that his wish is physical intimacy, because for the artist sex is a synonym for love. Consequently, he stands up during the night in order to look at the lord’s bedchamber from far away or he is awake
, (chapter 74) when the noble visits his study. All this exposes that he is longing for the lord’s warmth. A simple kiss is enough to make the painter blush, but not enough to satisfy his “thirst” for affection. 
That’s why his eyes are bigger than before, like in this panel. 
(Chapter 74) He is literally glowing. He is enjoying this moment with the noble, hence he stares at him so intensively. And this represents the biggest contrast to the chapter 40. Back then he didn’t truly enjoy the walk with the master. He was either embarrassed or thinking about the scholar. At the end, he was even called “a fool”. 
. (Chapter 7) Secondly, as the lord is the mirror of the artist and the former once expressed the wish to see the painter’s smile
(chapter 63), I deduce that Baek Na-Kyum has a similar mentality. As long as he can make someone happy, he is really touched and thankful. The manhwaphiles should reminisce that the painter has always felt as a burden and had abandonment issues. But there’s another important reason for Baek Na-Kyum to be so affected by Yoon Seungho. For the first time, someone is wishing to know his thoughts. 
(chapter 10) or silenced him with a caress
. Heena noona had a similar atttitude, she never asked for his opinion, when she sent him away. 
(Chapter 46) The painter is realizing that the only one who is treating with great respect is the noble. First, the lord eats his meals with the artist in his room, giving the impression that Baek Na-Kyum is the host and the lord his guest. Secondly, the lord allows him to speak freely. Thus the painter is so moved to the point that he is about to recognize his affection for Yoon Seungho. But then he remembers Heena’s words: 
(chapter 74) he would be a fool, if he followed his instinct and heart. This leads me to the conclusion that Baek Na-Kyum restrains himself in the last moment and doesn’t reveal his true thoughts. When he recalls his sister’s warning, I interpret that he is refusing to have a leap of faith. However, he is not recognizing that he has already changed. He might deny his attachment to the master, yet the tailor is not blind: 
(Chapter 54) And in the first version, it came to my mind that we could have a new version of this scene 
The lord’s hug gave Baek Na-Kyum a certain comfort and safety. The existential fear could slowly disappear. 
(Chapter 102) He knows the perpetrator, he is himself the murderer, but what he doesn’t know is how it came to this. The painter’s question is actually inciting the main lead to investigate the matter, and as such to discover the helping hands. Lee Jihwa blamed Min, and the latter reproached the red-haired master. But the Joker asked him this: 
(chapter 102) How come that Black Heart had the learned sir’s glasses? He has now to prove his reliability and trustworthiness towards his partner. He should become more proactive, if he wants to protect his loved one better. My final conclusion is that in chapter 74, we don’t have one fool in love, but two! 
If he hadn’t thought too much about Yoon Seungho due to the separation and been surprised by Min, he would have realized that his life was in danger. Both protagonists are so in love that they don’t realize that their special relationship represents a threat to others, especially to people who stand for social norms and traditions. Simultaneously, their scandalous relationship is a source of envy for others, as Baek Na-Kyum and Yoon Seungho were able to break free from the shackles of social customs and hierarchical society. The couple becomes a symbol of liberty and true love … no wonder why The Joker is so envious. Because both were two fools in love, they couldn’t detect the enemies around them and the existence of the plot. On the other hand, the last tragedy brought back the two lovers to reality. They needed to pay more attention to their surroundings. 
(chapter 55), therefore he imagined that the painter would run away, too shocked by the obscurity of his inner world. And this signifies that until chapter 55, the lord’s soul and body were trapped in the darkness. Now, you might come to the conclusion that he was in a similar situation than Jihwa. Because the latter was figuratively deaf and blind, he had the impression to live trapped in a dark room, separated from the outside world. 
However, this is just a false perception. Jihwa was still in possession of his body, he could feel through his hands. Consequently, he could detect the presence of others. There’s no doubt that he felt lonely and was also lacking for warmth, however the protagonist was in the worst possible situation. He had been literally swallowed by the darkness. 
(chapter 74)
(chapter 1) 
They were the reason why he could see glimpses of light in the darkness of his world. And since he became trapped in the blackness due to hands of scholars and officials, it is not surprising why Baek Na-Kyum’s hands are healing him. Therefore, when the painter touched his chest with his hand
(chapter 73), he purified his heart. This explicates why in chapter 74, the noble is no longer interested in sex. The hand liberated his heart and allowed him to express his affection differently. At the same time, the loving gaze in the painter is the reason why the lord feels warmth in the end. All he ever wanted was to see light, but he truly discovered it through the painter’s embrace. 
(chapter 2) that he was handsome and attractive. That’s why he could experience his sexual emancipation afterwards. A part of his self-hatred disappeared. However, in order to liberate the lord entirely from his darkness, he needed to drop his fathers’ doctrines, which represented the biggest problem. His healing process got delayed due to Kim’s interventions and the painter’s own indoctrination. Striking is that Baek Na-Kyum was entirely healed by the lord, even before the latter has properly recovered from his own traumas. This clearly outlines his selflessness in the end.
(chapter 38) I doubt that in chapter 38 and 59, he saw images. Due to the darkness of his inner world, he came to repress the horror he was exposed to. Thus it is not surprising that Yoon Seungho is not sleeping next to the painter, even after that night. 
(chapter 28) And in this panel
(chapter 74) Slowly, the lord is getting rid of the blackness. He is turning his light to the Earth, the painter, mistaking his lover for a sun. Their blossoming love will definitely bring the artist to improve his talent and creativity. But it will have the same effect on the noble. The longer Yoon Seungho is spending his time with Baek Na-Kyum, the better the lord can perceive the colors and light. Through art, the noble will rediscover his lost passion: painting and even poetry. And in my opinion, in order to reconnect to painting, the lord needs to sense the colors for real. The painting in his nightmare was made of black ink and nothing more. 
(chapter 69) Moreover, the new headgear, reserved for women, is a sign that Baek Na-Kyum is accepting his marriage officially. 
(chapter 7) 
(chapter 25) 
(chapter 35), now he is connected more to the backyard. 
(chapter 65) 
(chapter 74). Another important progression is the presence of the wall and border. The more time passes on, the more the valet is backed up against the wall. Note that in the last panel, the space between the building and the fence is so narrow that only one person can stand there. The pictures outline the valet’s loss of power. Besides, he has now even taken over Deok-Jae’s role. 
and 65 
for example. However, if you pay attention to the last panel, you’ll detect that the butler was not supposed to do such a work due to the maid’s remark. This exposes that as the master’s right-hand, the staff expected from him another attitude. This truly reveals the valet’s worries and cowardice. He is now hiding in the backyard, as if it was the only place where he could find a refuge. And his world is getting smaller and smaller to the point that he looks like trapped between the wall and the fence. 
That’s why I feel, he sees himself as a bird of misfortune. However, what the valet didn’t expect either is that Baek Na-Kyum wouldn’t push away the protagonist. When he sent the artist to the bathroom through the male servant, Kim imagined that the artist would still judge Yoon Seungho as a man consumed by lust. Imagine another sex session after the rough sex marathon.
However nothing happened like Kim anticipated, because they were making love. This trick even solidified their relationship. This was the ultimate defeat for the butler, that’s why he is now waiting for Black Heart’s intervention. What Kim fails to recognize is the significance of love. Remember that a coward is avoiding emotions in order not feel guilt and pain. That’s why he doesn’t comprehend the notion of love, giving us a clue why the butler never showered his young master with real affection. Because the painter asked him to help him to have an orgasm and he witnessed how the artist felt extremely pleasure, Yoon Seungho no longer needs to mark Baek Na-Kyum’s body as his. He is now truly wooing the painter, aiming at his heart, but I am not sure, if it is a conscious choice. This explicates why Yoon Seungho no longer feels the need for sex. He has learned to make the difference between love and sex. This explicates his change of behavior. Because of his love for the painter, Yoon Seungho is now sharing his days with Baek Na-Kyum. He eats with him
Thus he smiles so easily. Moreover, he always keeps the artist close to him, he never truly leaves his side, only during the night. 
The moment the host appeared with a hanbok containing a pattern, Min had a similar hanbok, yet it definitely looked less refined. And when Black Heart saw him at his mansion, Yoon Seungho was dressed with a beautiful black hanbok 
. That’s why The Joker is dressed with a black hanbok. Moreover, we have another clue due to the presence of the tailor. Let’s not forget that in the first season, Min mentioned the tailor with his loose lips. 
Since chapter 74 is a new version of chapter 39-40, where our cute couple goes on a date 
(chapter 40) and fears people’s gaze. Observe the contrast between chapter 40 
and 74 
The latter had been able to get the lord’s attention and admiration. In other words, the person looking at the couple must be dying of jealousy. And this can only be Min. Why not Jihwa? First, when the second lead decided to send back the painter to his childhood friend, this gesture meant that he was resigning. He would no longer feel jealous. And when Black Heart visited his “pupil” Jihwa, he never mentioned the painter in order to arouse jealousy in the red-haired aristocrat. In chapter 67. he just used the noble’s fear for death and punishment. 
But there is another clue why I am convinced that
He is mocking the main character, hoping that the latter would deny his feelings for the low-born. However, this exposes Min’s own anxiety. Hence he insulted Jihwa as a sodomite
, although his words sound absurd. He is no different in reality, since he has sex with other men too. He feels now so attracted to the painter that he can’t forget him. He justifies his obsession by saying that this is just sexual… although there’s no ambiguity that the moment he “tasted” the painter, he longed for more. The kiss is definitely an evidence
He justifies his action that he had imagined the artist differently. However, the manhwaphiles should realize that he would have become the source of the new gossip, if he had invited such a painter to his propriety. People would have talked and said that he had fallen so deep into sodomy that he was now asking a painter to work for him. The final evidence is the conversation in the woods (chapter 41). 
As you can see, Min is using rumors in order to embarrass Yoon Seungho, asking him to pay more attention to social codex. This truly exposes Min’s fear… on the one hand, he is a nihilistic person, on the other hand he can’t act like he would like to, because he fears people’s gaze. That’s the reason why the noble is so attracted by the painter in the end. The latter never hid his sexual desires in his face or in the painting. He definitely showed his carefree side. As the new “Jihwa”, Min is no different from his pupil: 
He is fiery in his jealousy, because he can’t give up, but also weak at heart, because he is not brave enough to face people’s judgement. Therefore The Joker acts like the valet after all. Both are two peas in a pot in this aspect. So since the lord doesn’t leave the painter’s side outside the mansion, it means that Black Heart has to develop a new strategy. He can no longer use the second lead, as the latter’s crime has been revealed. Moreover, the red-haired noble will stay far away from his childhood friend out of fear. And if you compare The Joker’s situation to the butler’s, you’ll note that they are both in a similar situation. They have no pawn to employ like in the past. That’s why I have the impression that Min could decide to enter Yoon Seungho’s mansion with Kim’s complicity. Let’s not forget that the latter works in the backyard… so there could be a small gate. Besides we shouldn’t forget that during the first season, Jihwa trespassed the house twice (chapter 10
-17
), which was discovered by the owner. Then he came unannounced once (chapter 12
) and visited officially twice (1-5). And if you recall Black Heart’s visit, he came as a guest twice (8-52), arrived unannounced once (chapter 66
), but he never trespassed the lord’s propriety. That’s why I come to the deduction: The Joker could definitely enter the mansion without the lord’s knowledge and Kim would have to open himself the door. Since Kim is sweeping the snow alone, I interpreted that he has no power over the servants. Note that time has passed on and since the painter’s return, the domestics had an easy life. There was no party and no trouble. Both protagonists led a peaceful and quiet life. Hence for the servants, it looks like “paradise” now. The lord seems to be always in a good mood. Now, you comprehend why I think that cornered and with no pawn left, both villains have to dirty their own hands. So my idea is that Black Heart will try to abduct the painter during the night again…
(episode 64) When the butler sees the painter being treated like a sex toy, the valet doesn’t interfere at all. The manhwaphiles can even observe how Kim is so paralyzed before speaking.
Then he acts, as if nothing was happening in front of him. He bows in front of his lord, not out of respect but out of fear.
Then he gives an excuse for his interruption before taking to his heels, leaving the artist behind to his misery. Striking is that this attitude didn’t occur just once, but twice… as it is revealed in the next episode that Kim witnessed a similar scene. He heard how Yoon Seungho got assaulted, but he did nothing. He literally abandoned him too. 
and he didn’t mind the valet watching them. In other words, Yoon Seungho was not threatening Kim’s life. Now, someone might argue that these points above were just developed by me and we never saw any “cognitive dissonance” from the butler, which I can immediately refute. Byeonduck made the readers see what “cognitive dissonance” is:
: Why should I feel guilty, if it doesn’t concern me? It is not my problem, why should I have helped the painter?
: Why should I feel guilty, because the sex session proved clearly that the lord wouldn’t hurt the painter? If I had intervened, this could have had terrible consequences. 
And imagine, the painter protected a criminal, as Deok-Jae had assaulted him before, whereas Baek Na-Kyum was always respectful towards Kim. He always calls him “sir”, and even takes his words to heart. 
This might sound anodyne, but the psychiatrist truly outlined the importance of this development stage. This explicates why Yoon Seungho would behave like a spoiled child in chapter 30: 
and observe how it is strongly connected to his fear and abandonment issues. However, the moment he made a real decision and showed strong will by allowing the painter to choose his own fate, he becomes brave. It means that he is overcoming his huge fear. His strong will and big heart are the reasons why Yoon Seungho could transform into a phoenix. 
(chapter 33) in the past. He ran away, too afraid of facing the consequences of his misdeed or of getting too much into trouble with his peers. His role model was himself like that. As you can see, the rebirth of the phoenix means that Yoon Seungho is now learning to become brave and he will become a real and strong fighter, like it was perceptible during the first season. His conversation with the scholar in chapter 6 gave us a glimpse of the lord’s real values. 
Here, he was mocking the teacher. The former doesn’t care for social norms and treats commoners as humans in truth. He doesn’t think that peasants should remain peasants and peoples’ fate is already determined. 
He knew from her behavior, she wouldn’t leave Baek Na-Kyum in that mansion due to the way she attempted to reach the lord’s bedchamber.
, meaning that he wasn’t a part of the Yoon household right from the start. He was raised elsewhere. The author from the following website (
The irony is that the moment the domestic finally accepts the painter as his master’s lover (“let’s keep it this way”) implying that he will stop with his tricks, Heena noona barges in the mansion and creates a scandal, which he can only considers as a threat. Therefore the valet changes his mind. But more importantly, this scene is important for another reason. 
and the head-maid describes him as a charlatan. 
This projection is implied with the following quote: ” he will support you and love you surprisingly in the same combinations as you “. However, this will never reflect his true emotions and thoughts, as a coward’s attitude is to avoid emotions. “Not feeling means not suffering”. That’s why Kim gives his master the following advice: Don’t take it to heart. 
Under this new approach, you understand why Yoon Seungho had a relapse. He was encouraged not to feel anything and as such not to face his fear… He never confronted the painter. 
Let’s not forget that he lets Deok-Jae take the fall for the painter’s escape
. By using the personal pronoun “we”, the jealous servant wanted the butler to become responsible as well, but Kim remained silent and even kept his distance from Yoon Seungho. That’s why I come to the deduction that Kim was really content with his life, until the painter showed up. First, he was the real master of the courtyard, but he never had to take any responsibility, as Yoon Seungho as a master would take the whole blame: he was a sodomite, a violent and bad master etc… On the other hand, Kim could dress outside as a noble
, as he represented the lord. But if there was any trouble, then his master was the one responsible officially. Besides, if Yoon Seungho was changing, the butler would make sure that Jihwa would control his master. As you can see, he never had to assume any responsibility. And this leads me to the following observation, the lord started becoming brave thanks to his affection for the painter much earlier. He truly desired to become responsible for him. 
He had no idea that “responsibility” was the trigger for Baek Na-Kyum to stay there. This word implied that the low-born was not perceived as a burden. In other words, cowardice is strongly related to responsibility. That’s the reason why the valet needs scapegoats (the amateur spy, Jihwa, Deok-Jae…) and lets others take the blame. He sees responsibility as a burden. Moreover, there is another reason why cowardice is linked to accountability. Scientists discovered bystander effect (in French it is called as “effet spectateur”). What is it exactly? One might think that the more people are witnessing a person in danger, the more highly the victim will be saved on time. But no… the truth is the more people are present, the less they will intervene. This is related to diffusion of liability. All the witnesses think that someone else will come and intervene. Therefore they all remain passive. This explicates why a woman could be raped in front of many people. No one felt responsible, as they waited for the intervention from the other beholders. And now, you might wonder why I am bringing this up. It is to show that courage won’t appear, if you are surrounded by people. Real courage occurs, when you have the impression that you are on your own. Let’s not forget that Kim has the support from his staff. He is even able to motivate and manipulate people with his words, hence he has definitely the power to use the staff in order to protect himself. And he actually did it. Deok-Jae was the one who suffered the most, while the butler had a bruised eye. That’s why I can’t accept Kim’s fear for his life as a justification for his cowardice. Besides, chapter 56 clearly reveals the butler’s role: 
His desire to feel loved was the reason why he could overcome his traumas. He never gave up on love, which explicates why Yoon Seungho will be able to shine as a phoenix later. On the other hand, the valet only saw love as superfluous, as it could cause trouble. Note that the butler prefers being alone which coincides with his mentality. 
First, observe that the lord is lying on his bed, although we all know that he had developed a phobia of his bed. In the past, when he was having sex with the artist. He would either sit 
(chapter 42) or lie above the painter
(chapter 45) 
But like I had demonstrated in a previous essay, it was more a false excuse, because lord Na-Kyum had been able to hug him on the bed.
(chapter 14)
(chapter 45) 
(chapter 73). However, it changes the moment the painter encourages him to help him. Note that for the first time, his shoulders are touching the bed
and from this perspective it even looks like his head is resting on the bed. This becomes more obvious, when you compare this scene with the episode 14. Note that right after the penetration, Yoon Seungho changed his position immediately. 
However, with the commoner, Yoon Seungho still remains lying on the bed, he just raises his head in order to look at his lover. This truly exposes that the lord’s discomfort and fear is slowly vanishing. 
Since he doesn’t even straighten up immediately, it exposes that the lord is finally relaxing. His deeply rooted fear has totally vanished. This was already perceptible, when I analyzed the appearance of the bed. But in my opinion, there’s another progression in chapter 73. Note, that the painter is not lying next to him, contrary to chapter 38 
or 65 
. This illustrates that thanks to the last sexual encounter, the noble has again lowered his guard. The artist’s pleasure made him feel secure. Another huge difference is that for the first time, the main lead’s face looks carefree and calm. 
. In other words, Baek Na-Kyum is already dependent on Yoon Seungho. Only him can provoke pleasure in him. In my opinion, the lord’s fear vanishes, because he feels needed. And remember that the lord stood up in order to force the commoner to hug him, so that the commoner would rely on him. As you can detect, reliance plays a huge role in the lord’s liberation. The bed is no longer feared, it has become a place that his lover likes and the latter needs his assistance to feel excitement. That’s why the noble is so relaxed. He knows due to the painter’s words and action that he is now accepted. He even saw and heard his painter’s moans revealing his pleasure. 
Yoon Seungho never judges the artist’s action or attitude. That’s why Baek Na-Kyum’s embarrassment concerning his orgasms slowly vanishes as well. First, in chapter 71 he either covered his mouth 
or even ignored a question out of shame. 
Then in the next episode, he hid an orgasm from his lover. 
However, in chapter 73, the manhwaphiles can view how the painter can voice his pleasure for the first time: 
Striking is that the moment the artist can express his thoughts and emotions, Yoon Seungho allows him to determine the space.
In other words, he incites Baek Na-Kyum to become proactive. Hence the peak is reached, when the artist confesses that he can’t get an orgasm without his lover’s help. 
Then in chapter 50, he caressed the painter’s cheek 
and kissed him tenderly. 
However, the artist never got the chance to sense his love in a different way. The lord always expressed his love through sex, even in the bathroom, he was very sensual… while in the bedroom, his kisses and caresses showed care and pure tenderness. And it happened to Yoon Seungho as well. 
, the painter was turning his back on his lover revealing a gap between them. In this position, it gave the impression that Baek Na-Kyum was rejecting Yoon Seungho. That’s why the moment the lord expresses his affection differently, it will not only move the artist, it will change their relationship. Striking is that in that sexual position, they were indeed facing each other and the noble was gazing at his lover. 
(chapter 73) Here, the relevant word is “enter”, an equivalent for invade. 
(chapter 73) Mess is a synonym for chaos and wreck. 
(chapter 73) Strangely, the word “bow” has two significations: a ribbon or a weapon. 
(chapter 73) In the fifth image, Yoon Seungho actually means seduction, yet he utilized the idiom “provocation”. Finally, we have Yoon Seungho’s favorite expression “fret”. During this night, he keeps mentioning it in connection to the painter: 
(chapter 41) Baek Na-Kyum is his prey, and the lord is trying to catch his heart through sex. However, Yoon Seungho’s attitude is not consciously done, he is not aware that he is speaking like a hunter. More astonishing is that the painter’s vocabulary mirrors his lover’s: 
(chapter 73) the target is wounded (“it hurts”) and tied up. Even Yoon Seungho’s words are referring to a wound, as if the animal was bleeding to death 
(chapter 73) , as it keeps leaking 
(chapter 73) But the lord is known as an impatient man, which seems to be confirmed here. However, in reality it took him many months to be gazed and even accepted. Now that Yoon Seungho is seeing how affected the artist is with his words, caresses and kisses, he is so happy that he calls his lover 
(chapter 73) revealing that they have no longer a lord-servant relationship. This exposes how much the main lead wishes to be intimate with the artist. Therefore, he can’t simply wait contradicting himself. 
(chapter 73) His actions prove that he is definitely in a hurry.
where I had already pointed out that the noble was deluding himself by calling the artist an easy conquest. Back then, this comment made me so laugh, because chapter 42 clearly outlined that it wasn’t even easy due to the lord’s grimace during the intercourse. 
(chapter 42) And observe that this chapter confirms my interpretation. First, the noble has a similar facial expression 
(chapter 73) showing that he was serious with his saying: Your wish is my command. In addition, he wanted to demonstrate that he hadn’t forgotten his promise: not to scare him. 
(chapter 73) The noble and Baek Na-Kyum’s desires stand in opposition to the artist’s weakened physical condition. The latter can’t physically keep up, hence he faints at the end.
(chapter 73) Yet, I doubt that this will be noticed by the aristocrat. He is definitely too shocked by the incident. His lover fainted. In my eyes, there is no ambiguity that Yoon Seungho will panic again. He has three reasons for that:
(chapter 32) He felt so remorseful and was so worried that he ran away, too scared to face the painter and assume his responsibilities. However, he made sure that a physician was fetched. This terrible experience explicates why the lord panicked in chapter 50. He envisioned for one moment that he had overdone it again. 
The noble had such huge pangs of conscience that he couldn’t forget the painter’s poor condition. Hence he desired to verify if he had recovered in the bathroom.
(chapter 72) He was worried, but the painter reassured him. In truth, the heavy breathing was caused by a climax, which the artist tried to hide from his lover. Therefore, there’s no doubt that after this chapter, the noble will question his behavior again. As a hunter, he overestimated the strength of his “prey”. Moreover he will realize that Baek Na-Kyum’s words contributed to this incident. Let’s not forget that Yoon Seungho was following the artist’s request. 
(chapter 73) This time, the painter’s exhaustion occurred due to both protagonists. That’s why Yoon Seungho will realize that he has to become more responsible and can’t just give the whole responsibility to Baek Na-Kyum. He should have paid more attention to the artist’s health and physical condition. And Kim took advantage of the situation. Thus from that night on, the lord kept his distance from his lover. From my point of view, the valet used these expressions against the main lead. He had been targeting the artist, turning him into a prey, hence the painter could not refused. Kim’s MO has always been to mix cause and consequences. Besides, since he heard such words, he could only have a negative impression. The manhwaphiles shouldn’t forget that the valet is a pessimistic person due to “fortunetelling”. [For more read the essay “Fortunetelling”] As you can see, due to this incident the main lead learned another important lesson: consent. Therefore the lord said this later 
(chapter 79) In the second case, he made sure that both were on the same page. He had felt coerced. Through this fainting, the main lead became more careful and responsible for both of them. The problem is that he was still influenced by his past experience: sex is like a battle… which was now transformed into a hunt. 
. (chapter 15) Secondly, Yoon Seungho repeats similar expressions: 
(chapter 14) And this is how I made the connection with this love session, as I was paying attention to the words. 
(chapter 14) It didn’t happen, because he was selfless… no, this was the consequence of Jihwa’s attitude who did nothing to “seduce” his friend. He refused to kiss him
(chapter 14), but like he explained, his visit was because he was giving in to Yoon Seungho’s ways. But we have to question ourselves: who wanted whom here? The second lead did visit his friend, as he was seeking his company for sex. He could have refused, as his friend never forced him, but he did not. Moreover, the lord made it clear that Jihwa was just coming for sex and nothing more, yet the childhood friend never denied it. 
, he never allowed him to see his weak side. In addition, Jihwa’s words were full of criticisms.
This is not surprising that Yoon Seungho was behaving in a similar way. He was reflecting the second lead’s behavior. In my eyes, Jihwa treated his friend like a real sex toy who was there to pleasure him, hence the fellatio is done to prepare the penetration. That’s why there’s no real exchange, the lord is very passive as well during the blowjob. He feels nothing at all 
(chapter 15) However, Jihwa never truly invested his energy and effort to woo his childhood friend’s heart. This is no longer surprising why the second lead felt so lonely, even during their intimate time. Yet the irony was that the head-kisaeng was treated like a tool for Jihwa’s pleasure, and the latter never realized that. 
(chapter 72) Baek Na-Kyum’s words and reactions are the reason why the lord is so affected. But unlike in chapter 14, the painter asks for his lover’s help showing that making love implies the involvement of two persons and not just one. Like I had written in a previous analysis, the lord is discovering that giving pleasure to his lover is also receiving. Hence he blushes and becomes more passionate.
, I realized that we would witness the lord’s spiritual death followed by his rebirth. However, I have to confess that I had no idea when it would occur. The only clue I had was that it was related to the low-born’s abduction and planned assassination. Striking is that Jihwa’s nightmare was actually announcing the lord’s spiritual death: 
(chapter 50). But if you pay attention, you’ll observe that in this terrible vision, there were two dead people: the painter and master Yoon. That’s why both characters had empty gaze. 
This means that in truth the manhwalovers would assist to two “spiritual deaths”, Baek Na-Kyum and Yoon Seungho’s. But wait… Only the aristocrat was wearing a hanbok with phoenixes, not the painter. But I am certain that the painterofthenight lovers will recall the robe the lord covered the commoner with in chapter 45: 
Baek Na-Kyum was linked to cranes. Therefore, this signified that the painter’s death would be different. Note that the artist’s head is bleeding just like his body indicating that there’ll be a real transformation. My explanation is that he is supposed to come back to life as a crane. This beautiful bird means good fortune, happiness and longevity. I am quite sure that my readers remember the analysis about the animals embodying the two protagonists. Back then, I had explained that the lamb represented Baek Na-Kyum perfectly: innocence and purity, but this animal is also associated to sacrifice and selflessness, because in Christianity, the lamb represents Christ as both suffering and triumphant. And now, you understand why Byeonduck made the painter suffer so much. Moreover, the artist is also associated to the butterfly 
and the latter is also a symbol for rebirth. My interpretation is that Baek Na-Kyum will transform into a crane, hence there’s blood on his head and body. He will get a new identity. Furthermore, I had elaborated that all nobles were represented by birds: Jihwa imagined himself as crane
(chapter 66) This was the new version of Jihwa’s nightmare. It looks like the lord is mourning the deceased. The black hanbok with a white collar resembles a lot to the clothes Koreans are wearing at a funeral: black with white stripes. Besides, if I add this panel
. He waited, until he saw the artist opening his eyes for a brief instant.
In that moment, the aristocrat recognized that the artist was coming back to life. That’s why he called his name. As you can see, the lord only left his side after making sure that his life was no longer in danger. That’s why the lord has no eye in this scene. 
He felt his presence, hence he was confused if what he saw in his vision was a dream or reality. In my eyes, this “dream” is important, as for the first time, his dream is less linked to desires and the future. It is strongly intertwined with the present. On the other hand, these terrible experiences made both main leads realize the importance of their lover in their life. While fearing for his death, 
Baek Na-Kyum remembered Yoon Seungho’s smile which made him scream for his help. The same occurred to the powerful noble, when he imagined that the painter would die. He thought, he would never be able to see the painter’s smile. There’s no doubt that first the aristocrat blamed himself, until Min revealed Jihwa’s crime. However, for Yoon Seungho, it was enough. Not only he hadn’t believed in his lover’s words, but also he had mistreated him. That’s why in the artist’s study, the lord died spiritually. Due to the gestures, the manhwaworms can feel the lord’s regret and heartache. 
, although he had done nothing wrong at all. His apology was sincere, and the main character had misjudged it. There’s no ambiguity that while sitting next to Baek Na-Kyum, the noble realized the painter’s true personality. Hence this is not surprising that Yoon Seungho shows such a respect towards Baek Na-Kyum later. In my opinion, when the master arrived in his mansion, he wanted to send away the kisaeng for two reasons. He had seen how weak the painter was and feared that the kisaeng would drag her brother away. We shouldn’t forget how the kisaeng managed her way to reach Yoon Seungho’s bedroom, therefore in his mind, she would act the same way. Moreover, if the painter were to disappear, the noble would never be able to redeem himself. In my eyes, he wanted to make it up to him. However, once he stood in front of the study, he recognized that he couldn’t do like nothing had happened. 
He heard the artist’s confession which was linked to fear and a certain reluctance to face the lord and his own feelings. Moreover, he realized that he had to respect the painter’s wish, he let Baek Na-Kyum take his destiny in hand. In other words, the dream of the painter presented the lord’s future action and decision. 
His words might sound confident, yet if the beholders examine more closely these, they will note the presence of a question, exposing the aristocrat’s certain hesitation. The noble is definitely lacking self-confidence due to his recent “death”. But I have to admit that for me, the real rebirth happens in the bathroom. Why?
, exposing a certain shyness. Moreover, his gestures are so gentle and precise
, because his armor melted away. Since water is associated to purification, it means that the bath represents the lord’s rebirth as a phoenix. But because the bird comes back from its own ashes, the animal returns in the form of a baby. That’s why the lord is so innocent and pure from chapter 70 on. First, he plays a prank in the tub.
Then in the bedchamber, he decides to switch roles…
, he looks and acts definitely like a playful child. This explicates why words can move him so deeply. 
At the same time, as a new born, this is not surprising that Yoon Seungho lacks maturity. Hence the painter has become the ultimate authority. 
Let’s not forget that Baek Na-Kyum transformed into a crane, which I associate to tranquility and wisdom. Just like his lover, he transformed into a crane in the tub. Water cleaned his heart and mind for good. This is not surprising that the artist is more mature than his lover. He had a different rebirth, as he reflected on his emotions and thoughts before the baptism. Thanks to Yoon Seungho’s teaching about critical thinking, the artist was able to free his heart and mind from the learned sir, and the baptism marked the final step. 
, yet this signifies that if there’s another incident, he won’t be respectful again. In my opinion, it already announces the purge. 
The lord is kneeling in front of his deity, the crane, making amends due to his “sins”. That’s why I am more than ever convinced that Yoon Seungho will create either a painting or a poem for his “god” at some point exposing his love and admiration. He is already treasuring the artist’s tongue and hand, therefore I am expecting him to recognize the artist’s true intelligence. Remember that in the past, he used to call him a fool
(“why”) and he never stopped it. This was particularly perceptible in chapter 70, when the artist remembered his past and realized that he had overcome his trauma caused by Jung In-Hun. Now, he is even applying this lesson concerning others 
He wants to know his lover’s motivation. Therefore, I come to the deduction that Baek Na-Kyum has matured so much that he will now be able to question the scholar’s words and actions. He won’t be able to be manipulated like in the past.
The crane proved him how brave, mature, strong and loyal he is…. while he was so blinded by his own fears and self-hatred. In his eyes, he is truly superior to him. Simultaneously, it is also understandable why the phoenix has problems to control himself in front of his god. 
After examining the rebirth of the phoenix and the crane, my interpretation that Jung In-Hun will become the painter’s rival seems to become more and more certain. However, thanks to the phoenix’s support, lord Na-Kyum will be able to defeat his “learned sir”. Concerning Yoon Seungho, the latter will also have to fight against his own father, and he will definitely defeat and surpass him, since he is a phoenix. This is not surprising that the protagonists fell in love with each other, as their souls are very similar: both are associated to good fortune, which could only make the fathers jealous. 
Just after facing Yoon Seungho in his bedroom with an almost kiss
, he rushes to his study. Once arrived there, he wonders why his heart is racing so much and why he feels something in his stomach: 
(chapter 35). What caught my attention is that we have a similar scene in chapter 72: the painter is also questioning the origin of his physical reaction: 
. However, there’s a huge contrast between these two situations. First, the painter employs a different expression. It feels more real and precise than “butterflies”. From my perspective, it reflects the artist’s loss of innocence, or better said, his gained maturity. Moreover, due to his sexual experiences, he has a better understanding of his own body. Secondly, the fear has totally vanished, exposing that Yoon Seungho has truly achieved his goal. Finally, the other difference is that this time he is facing the lord himself. 
Back then, he only pondered about it after leaving the lord’s bedchamber. He was sitting behind the door. And if you recall the whole scene, you’ll notice that the artist’s heart started pounding, the moment the lord entered the bedroom. Moreover, the aristocrat removed his clothes so that the artist could see his back and later his chest. Consequently, I come to the deduction that the artist was so moved by the lord’s presence that his body was reacting immediately. This shows that both protagonists are affecting each other. One gets a huge erection, and the other feels butterflies inside. But more importantly, for the first time, the artist’s conscious was sensing his own body and the sexual attraction towards Yoon Seungho. Another parallel between these two scenes is the presence of the almost kiss: 
(chapter 72). In chapter 34, he must have observed how the painter reacted, he was definitely blushing, because he repeats these gestures during their wedding night. Strangely is that when the lord approaches his mouth in chapter 72, the readers don’t witness any “butterflies”, as we can’t hear the painter’s thoughts. However, there’s no doubt that Baek Na-Kyum is excited due to the presence of his reddening and the sweat, very similar to chapter 34. Yet, I believe that the commoner doesn’t realize it yet, because all his energy is concentrated on his mouth. He has to whisper Seungho-Ya. 
First, the manhwaphiles can observe the absence of the lord’s face and penis. Then when the lord came closer, 
Baek Na-Kyum could only see the master’s face. Then the painter was able to view the lord’s phallus, 
, the chest and the face were hidden by the low-born’s body. It was, as if Yoon Seungho had been cut in parts, and Baek Na-Kyum was exposed to them. In other words, Yoon Seungho showed him parts of his body and not his whole body. The artist should accept them. However, like the noble pointed out, the artist was physically reacting to him: 
But since the artist was looking at the noble through the mirror, he never got to face the lord’s body in his entity. And imagine that back then, the artist was already aroused by the master’s parts. This signifies that the butterflies in chapter 72 are much stronger. 
that just the thought and sensation of the penetration was strong enough to have him climaxed. Note that the artist’s exclamation (“oh”) is a signal that he is already feeling an immense pleasure that he can’t control, as he said the same word during his first anal orgasm 
As a conclusion, the moment Baek Na-Kyum saw the lord’s body with his erected phallus, his sexual desires had reached a new peak. 
This divergence is comprehensible, as the lord had to find a stratagem to be accepted by the artist. The use of the mirror was a calculated move, which he had already announced the night before. Moreover, he had been hurt and enraged by the commoner’s escape, hence he couldn’t show the same affection. Finally, he had no idea about his own emotions.
, the commoner was either not looking at him or sitting in a such a position that he couldn’t see the lord in his entirety. 
Then during their love session at the physician’s, the lord was so closed to the painter that the latter was not capable to look at his lover. Moreover, he was still avoiding the aristocrat’s gaze and face. 
, then later Baek Na-Kyum was no longer facing the noble: 
(chapter 64). Moreover, when he was able to look at the lord, he was hoping for a kiss, a sign of tenderness, which was refused. Moreover, his mind and body were still influenced by fear. 
, hence the lover couldn’t view the whole body and the erected phallus. He could only sense the erection through his foot. 
Just the view and the thought of the noble’s body aroused him so much that he had to remove himself from his trance, the moment he sensed an orgasm coming. This outlines how strong his sexual desires were. But now, it is different, because he is now excited by the lord’s gaze full of warmth and love. 
And imagine what this signifies for the painter. He is able to make someone smile… to make someone happy, which he didn’t see in chapter 49. We shouldn’t forget that the painter had always felt excluded and had abandonment issues. In other words, he saw himself as a burden, but this can only change, if his life gets a new meaning. His presence, orgasms and smiles can make Yoon Seungho smile and happy, this can only give strength and joy to Baek Na-Kyum. Let’s not forget that Yoon Seungho is a reflection of the painter, just like the latter is a mirror for the lord. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 