Category: Chapter 37

Painter Of The Night: How strange…🤔🧐 (second version)

~ Bébébisous33 ~ 3 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.  If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

I have to admit that when I read the chapter 50 for the first time, I was quite confused. Why would Yoon Seungho rush to the teacher’s bedchamber with a sword? Why would he comment „How strange…” at the end? (chapter 50) I tried to find answers by speculating. However, my assumptions were totally wrong due to the lack of information. Only time and new chapters helped me to understand the story much better. Thereby I could better anticipate its progression, and comprehend the reasons for the characters’ actions. Due to the constant examination, I made the following observations:

  • The story keeps repeating itself, as it is constructed like a kaleidoscope, hence we always have reflections in the characters’ words and behavior.
  • Each incident happens twice: two door incidents (16; 43); two sex sessions at the pavilion, two slaps; the incident with the sword/knife (1, 18: two servants are stabbed/26, 35) etc.
  • Each action from Yoon Seungho will be copied by the painter, or it is the reverse: Yoon Seungho caresses Baek Na-Kyum‘s cheek (18, 50), the artist reciprocates the same gesture (55, 59). What caught my attention is that each stroke on the cheek was never truly perceived by the recipient. The protagonist was either sleeping or too shocked by an incident, so that they couldn’t detect the gesture. They missed the genuineness and warmth coming from the other protagonist.
  • All the characters have reflections with others: Jihwa versus Baek Na-Kyum, Heena noona versus father Yoon; Nameless versus Kim; Jung In-Hun versus Kim but also Min and father Yoon, Baek Na-Kyum versus Kim etc. The latter is also a water element, exactly like the artist. Therefore he is often seen with a bucket of water (chapter 33) (chapter 56), and there’s always a drop of sweat on his face. However, if you pay attention, you’ll notice that the valet is never seen washing. He carries the bucket around, and that’s it, which stands in opposition to Baek Na-Kyum. The latter cleans his own underwear, but also the protagonist’s face (chapter 55).  

Yet I still had no idea what truly triggered Yoon Seungho’s anger and frustration in chapter 50. And then, while analyzing the chapter 16 in connection with the essay entitled “Desires and communication”, I made this discovery: Yoon Seungho used the same expression there: (chapter 16) Here, he was wondering how the painter was able to create the painting, while he didn’t seem to look at them the whole time. What caught my attention are two elements:

  1. The painter was actually watching, without giving the impression, he did. Yoon Seungho’s words imply a certain deception.
  2. Simultaneously, they outline a contradiction. He was not looking, yet he could recreate the position perfectly.

The noble didn’t realize that during the sex session, Jihwa described the scene to attract his friend’s attention. That’s the reasony why the artist could create the painting, as he listened to the aristocrat’s words. In other words, he was spying on them by listening to their conversation. Since there is the same expression in chapter 50, this means that the latter is a reflection of chapter 16. The manhwaphiles should remember that we have a sex session during that night. (chapter 49) The painter expressed his thoughts: he only saw the noble as a sex toy, the main lead was the one who should give pleasure to Baek Na-Kyum. Yet despite the hurt, Yoon Seungho was willing to accept this situation. They would no longer exchange their thoughts and emotions. He was already lowering his expectations. At the same time, he couldn’t help caring for the low-born. He caressed his cheek and kissed him gently at the end. (chapter 50)

Since I explained that the expression “how strange…” was connected to deception, contradiction and spying, I recognized that something similar must have happened during that night (chapter 50). Besides, we also have a time jump. Suddenly, there’s morning, and the lord has rushed to the scholar’s room with a sword. (chapter 50) And this scene reminded me of the main lead running to the scholar’s room in chapter 28/29, after witnessing the artist’s desertion. There was a time jump as well. Therefore I came to the conclusion that the night in chapter 48-49-50 has the same importance than the night with the forced sex and fellatio. This explicates why the lord has a sword again. Back then, he took the weapon due to his jealousy, hence we can definitely conclude that he is angered again due to the return of his jealousy. So chapter 50 was not only a reflection of the episode 16, but also of the episode 28-29.

Because of the connection with the painter’s escape and the incident with the opened door (chapter 16), I couldn’t help myself linking the chapter 50 to Kim and his actions in the shadow. Like I have already pointed out, Kim was observing the event of the night (25-26-27-28) in order to ensure that the protagonist wouldn’t cause too much trouble. Moreover, the manhwalovers should recall that he played a huge role in the low-born’s escape. While Deok-Jae informed Baek Na-Kyum about the scholar’s whereabouts, we have to imagine that the teacher must have talked to the butler about the destination of his trip. Jung In-Hun will always choose to talk a domestic closer to the master than to a simple guardian. Besides, Kim was the one who brought him to his room and the library (chapter 7). Therefore I am quite certain that Jung In-Hun must have mentioned to the valet where he was going. Consequently, I came to the following observation: the butler must have monitored Yoon Seungho and Baek Na-Kyum during that night (chapter 48-49).

From my point of view, Kim was standing behind the door, and he must have heard the low-born’s words.(chapter 49) , reminding us of the “spying” in chapter 16 (listening to their conversation). Because the confession gave the commoner the upper hand in the relationship, and the main lead had not protested, this meant that Baek Na-Kyum was getting closer to Yoon Seungho. He was almost on the verge of becoming the official partner, while the protagonist was resigning to his fate: he would never be able to converse with the artist. Since I demonstrated that the butler was spying on them in chapter 58 (chapter 58), as the presence of the butler is perceptible through the bucket of hot water and the readers can hear the low-born’s moaning, we have another clue that the valet was listening to their conversation in chapter 50.

In my perspective, the butler had every reason to spy on them. First, the invitation to share his meal with the artist was already announcing that the latter was getting more and more favored to the point that he was almost treated as the noble’s official partner. And now, you understand why Kim revealed the incident between Jung In-Hun and Baek Na-Kyum the next morning. He needed to separate the couple, and he used lie by omission and truth in order to achieve his goal. But this doesn’t explain why Yoon Seungho who was tender and humble during the night became a wounded fury the next morning. The hanbok clearly indicates that the protagonist’s heart is bleeding. (chapter 50) What had triggered his fury and jealousy?

For we have another incident with the sword in the first season (chapter 35), where Kim manipulated the master to witness a conversation between the teacher and his former pupil, in order to provoke his jealousy. We have to imagine that in chapter 50, the butler made a similar move. He let the main lead discover something reminding him of the painter’s love for Jung In-Hun. We have three possibilities: he let Yoon Seungho see

  • the scholar’s poem
  • or the picture of the teacher’s inauguration
  • Deok-Jae’s insult: Baek Na-Kyum was a whore so that Kim could bring up the conversation in the library

What caught my attention is this panel: (chapter 21). The paper in the book is very similar to the poem in chapter 4. Remember the theory I exposed in the essay “hypotheses about the second season”: Yoon Seungho had not returned the original poem, but given the artist his own poetry. So if he didn’t give back the scholar’s poem, then what did he do with it? I doubt that he would have kept it, hence I deduce that he must have asked his assistant to throw it away, exactly like the painter in chapter 44. However, Kim must have read it and kept it, well aware that this could be of use later. From my point of view, the butler must have entrusted it to the teacher with the hope that he would leave the mansion. And I can imagine that when Jung In-Hun left his room, he didn’t take it with him. That’s why it ended up again in the butler’s hand. However, if the lord discovered that the poem had not be thrown away, he would have realized that Kim had disobeyed him. That’s why I came to rule out the first possibility.

So what about the second possibility? Since the painting with the scholar appeared in two chapters during the first season (41-44), the readers should expect that this picture will be used twice during the second season. Because I already exposed that Heena noona recognized the painter’s presence due to the inauguration painting (chapter 65), it is definitely possible that Kim planted the picture in such a way that Yoon Seungho’s jealousy would get triggered, a new version of the panel from episode 41. Let’s not forget that the aristocrat was not present, when Baek Na-Kyum decided to discard the drawing. Kim was quite clever with this move. As he knew that the noble had now just a purely physical relationship, he could only get infuriated, when he saw the picture. He had already sensed the painter’s admiration in the drawing: the image oozes pure adoration and spiritual admiration, something Yoon Seungho has always been longing. Hence the noble could only get wounded with this terrible experience. I can imagine that Kim could have praised the picture in front of his master (a new version of chapter 44), then added that Baek Na-Kyum had trusted him with the picture to give to Jung In-Hun. Kim hoped with this intervention not only to separate the couple, but even to have the painter killed by the main lead, a new version of chapter 35. But what he didn’t expect is that the noble would rush to the teacher’s room, and not to the study. However, his delay could be explained differently. He had been busy giving the sentence to Deok-Jae, the straw mat beating. And this leads me to the following observation: denunciation. In chapter 28, Deok-Jae covered up for Kim’s betrayal, for he hoped that Kim would come to protect him. (chapter 28) Observe that Deok-Jae’s treacherous action in chapter 47 (the spoiled rice) had not been exposed to the lord! Thus I am deducing that Kim must have tattled on Deok-Jae about the insult, and told to the vicious servant that Baek Na-Kyum had complained to his lover! He had denunciated him! This would also explain why Deok-Jae resented so much the painter later. (chapter 51) The man believed the butler, because he had not covered up for him about the prank with the spoiled rice. Finally, I discovered that this expression “how strange” was used by someone else: (chapter 37) It was the fake servant who had mentioned the purge! This means that someone had betrayed the Yoons, tattled on them! At the same time, the words from the old bearded man implied that the patriarch Yoon had been the denunciator. Thus he could expect the purge. (Chapter 37) As a conclusion, the expression “how strange” is connected to denunciation and deception! I have two other evidences for this interpretation. Jihwa had also spoken like that, when he had heard from the amateur spy that his master had a change of heart! Here again, we have spying activities and denunciation. (chapter 13) Finally, observe that in season 3, Baek Na-Kyum is portrayed and stigmatized as a traitor. (chapter 91) The maid’s statement (“I’m surprised…”) truly exposes that the painter had such a reputation among the staff. The so-called treacherous nature of the painter served as a justification for Kim’s punishment. The butler’s kindness had been used against him. He had been sentenced to the straw mat beating, because he had allowed the noona to enter the mansion for the painter’s sake! In that scene, the maids had been tasked to leak a certain information to the couple: the existence of the kisaeng’s letters. That way, the painter could accuse his lover of his deception. He had kept away the letters from his noonas. However, the separation didn’t take place, because the painter didn’t hear the comment from the maid. He was no spy! (chapter 91) But Yoon Seungho is one, for he is the surrogate son of the butler… who listens to conversations in the shadow! (chapter 77) His presence was undetected in the courtyard, until Bongyong wounded the painter. Here, he came out of the shadow! (chapter 78)

Under this new light, it becomes now understandable why Kim decided to reveal the incident at the library to his master. (chapter 50) That way, he could separate the couple. Due to their last sex session, he had discovered that the protagonists were getting closer to each other. He made sure to utilize Yoon Seungho’s hatred for prostitution. And keep in mind observations with the comment “How strange…”: we had spying, deception, contradiction and denunciation. The spiritual love stands in opposition to prostitution.

And now it becomes more understandable why Yoon Seungho had a relapse. How strange is it that the moment he gets closer to the painter, he experiences a setback? No, it is, because there is someone interfering in his life. Kim was determined to sabotage their relationship, he didn’t want the painter to become the lord’s official partner. But what was his motivation? First, it was to preserve his own position, for he is the unofficial lord of the mansion. Secondly, he could justify his action by saying that he was helping the mysterious “lord Song”. The latter is supposed to be Yoon Seungho’s unofficial partner. That’s the reason why Kim kept calling Baek Na-Kyum a favored servant. The butler was hoping that this would fuel Deok-Jae’s jealousy and greed. At the same time, he hoped that Yoon Seungho would get tired of him. However, since time was not helping him, then he needed to take things into his own hands. Yet, for that he could only act in the shadow, exactly like in the terrible night during the first season. And now, the manhwalovers comprehend why there’s the return of the headband in chapter 52. The butler’s scolding in chapter 52 triggered the artist to act like a servant, whereas the butler didn’t consider him as a servant in chapter 23, another evidence for the valet’s hypocrisy.

And now if I examine the last panel again with this new approach, I come to a new interpretation: The lord’s real spirit has not been perceived by the painter yet, just his body, hence he is embodied by a shadow. This doesn’t really represent his true self. Besides, the lord is associated to a shadow, because he is the puppet of his own butler, who keeps working in the dark. At the same time, he is a shadow, for his fate is to learn from his surrogate father, Kim’s spying activities. He hears conversations behind the door (chapter 68) or the window. This is important, because that way, he is getting prepared to fight against his biggest opponent, lord Song who stands behind Kim. However, there exists one huge difference between Kim, Yoon Seungho and Baek Na-Kyum. The protagonists are no secret agents, they are both detectives. They want to understand their partner and their past, but since both were victims of crimes, this means that their role is unveil the truth so that both can get justice.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and the support, particularly, I would like to thank all the new followers and people recommending my blog.   

Painter Of The Night: Absence

~ Bébébisous33 ~ 11 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

The chapter 67 caught me by surprise, because it proved me wrong in one aspect: Lee Jihwa is not like Baek Na-Kyum, in the sense that he is no orphan. The red-haired aristocrat has a father, an old-bearded man. (chapter 67) My first thought was: “Where were you all this time?”

I couldn’t help myself laughing, when Yoon Seungho barged into Lee’s mansion in chapter 67, because I immediately connected it to chapter 3, when the protagonist visited his childhood friend early in the morning. Back then, he barged with an erected phallus (chapter 3) and had sex with Jihwa at the pavilion, where both were not quiet at all. The red-haired noble kept even moaning. (chapter 3) Their intercourse was noticeable, but at no moment father Lee interrupted them. And now, the erected phallus was switched to a sword, and unlike in chapter 3, where the second lead was eager to meet his sex partner, the master chose to hide behind a windscreen. (chapter 67) However, this time father Lee intervened. Why all of the sudden? For the first time, his son caused a real trouble, because someone entered his house with a sword: a huge scandal! Furthermore, he must have realized that his son’s life was in danger, hence he had to intervene. The domestics couldn’t deal with such a powerful noble. And now, you understand why I couldn’t restrain myself from smiling, because the father Lee’s reproach sounded so hypocrite. (chapter 67) Where was he, when Yoon Seungho had sex at the pavilion? Why didn’t he intervene, especially if he sees the main lead as responsible for his son’s debauchery?

Because of this question, I was reminded of the song called “Papaoutai” from Stromae, a French speaking singer from Belgium. I am posting the video with the english subtitles.

In this song, the singer outlines the importance of fathers for children. However, he does it by criticizing their absence (Papaoutai = Papa où tu es?/ Papa, where are you?). Although this represents his main message, he also questions the role played by fathers in our modern societies. He points out that’s easy to become a father biologically, but being a father symbolizes responsibilities. He explains it, men don’t become fathers naturally, since it is a work process: “nobody knows how to make Papas” / Mister “know-it-all” would’ve inherited it, is that it? Does it come from sucking our thumbs, or what”. Moreover, for him many fathers don’t take their role seriously (“Genitors or genius, tell us who gives birth to irresponsibles”). The author exposes that a father needs to think a lot about his role as father. As a conclusion, the singer would like men to become more responsible for raising their children.

And it is time to return our attention to Painter Of The Night. Byeonduck utilizes her work to show the importance of fathers in sons’ life, as she exposes different types of negative behavior of fathers.

First, we have Father Lee. He only appeared after 66 episodes. His absence had given the impression that he was inexistent and Jihwa was an orphan. We could describe father Lee as ghost. And now, you understand why I chose such a title: Absence. What does it mean for children, when their father is not by their side?

Absence of parents is a synonym for parental neglect. What is child neglect exactly? There are 6 different types of child neglect:

  1. Physical Neglect or Deprivation of Needs Neglect
  2. Medical Neglect
  3. Educational Neglect
  4. Emotional Neglect
  5. Supervisory Neglect
  6. Environmental Neglect from https://www.kaplanco.com/ii/six-types-of-neglect

Many people think that this situation only happens in families with a low income, because it is related to physical and supervisory neglect which is more visible. However reality is different. We find neglected children in wealthy families. How so? The affluent children live in comfort, but they are often starved of love and affection (Emotional Neglect). This happens, when parents are too busy to spend time with their children. Therefore they hire personal to take care of their children or send them to boarding school. As you can imagine, Lee Jihwa is a child suffering from supervisory, emotional and educational neglect.

Since Father Lee relies on his servants to take care of his son, they are not qualified or responsible enough to care for him (supervisory neglect). Due to their lower status, they are not allowed to teach him or reprimand him. That’s why in chapter 9, only the servant asked Jihwa where he was going so early at dawn. Jihwa had not to justify his departure to his father. Then in chapter 41, one domestic finds the young man sleeping on the street, while looking for him. (chapter 41) He spent the whole night drinking and his father never asked about his whereabouts. He never showed any concern, as he has his staff to take care of him. In other words, he put the whole responsibility on the domestics. After confessing to Yoon Seungho in public, no servant shows up and takes care of him indicating that neither father Lee nor the staff heard about the scandal. Nameless was the one who was asked by the inn owner, if he could take care of the young noble. (chapter 59) He even gave him a dry robe and a home for the night. Since the servant only showed up the next morning in chapter 41 and he didn’t even appear during the night in chapter 59, it illustrates that the staff is more attached to the mansion than to the impulsive noble himself in truth.

This is not surprising that in chapter 67, the servant does his best to protect his master. Despite his rude behavior in chapter 50 (chapter 50), he is even willing to risk his life . (chapter 67) He simply follows his master’s request, as he feels, that’s his duty and lord Lee could ask for his accountability. (chapter 67) Amazing, when you compare it to Kim’s behavior. We could say that the staff does feel responsible for their young master to a certain extent. Why? I believe, they all know that father Lee doesn’t pay attention to his young son and they are now responsible for him. On the other hand, their care is limited, because they are domestics to the mansion. They are not obliged to give him the emotional comfort and the education he needs. As long as there’s no real scandal, then everything is fine in father Lee and the staff’s mind. Remember that in chapter 45, the town folks described the second lead as the “mistress”, showing that even they had noticed the lord’s movements, whereas father Lee has no knowledge about it. (chapter 45) That’s how isolated the father is cut off from reality and world. This is not surprising that his son resembles him, he also lives in his own world.

But what are the consequences of emotional neglect? I would like to quote a passage from a website in French (translated)

It can also be so because a lack of love and human contact hinders its development. In some cases, neglect traps the child in sensory isolation, slowly and continuously undermining his or her mind to the point where there is little desire to connect with others and explore the world. Thus, parental neglect is a terrible absence. http://educationsante.be/article/la-negligence-parentale-est-une-terrible-absence/

Remember how I had described the red-haired noble, before Nameless helped him to become more responsible: I compared him to a blind and deaf person , which corresponds to the expression “sensory isolation”. Back then, I had imagined that he had been abused as well. I was wrong, since it was just neglect which I had already detected. However, the consequences of such a severe neglect are as terrible as abuse. Consequently, abuse and neglect are often considered the same.

Now, I will list how neglect affects the child’s personality (I won’t add to each characteristic a picture):

  1. Extremely low tolerance for frustration (chapter 13) (chapter 13); aggression (chapter 17)
  2. Sense of entitlement (chapter 51)
  3. Lack of appropriate guilt (chapter 59) In chapter 56, Jihwa sent a fake letter reminding Yoon Seungho of his trauma, yet he acts as if the other is to blame and shows no remorse. That’s why many children suffering from emotional neglect have problems with rules and laws.
  4. Lack of coping skills: Jihwa is unable to accept any rejection or criticism. We could observe this in chapter 5, when the lord sent him away. He didn’t pay attention to the reason why Yoon Seungho couldn’t focus on him.
  5. Boredom (chapter 9)
  6. Lack of purpose: This explicates why Jihwa was so obsessed to obtain his friend’s love. Since he has been neglected by his own father, the main lead became his “surrogate” father, who gave him attention because he criticized him and even punished him.
  7. Blaming others (chapter 57)
  8. Reduced empathy
  9. Poor planning skills: When he enters Yoon Seungho’s mansion in chapter 17, he is not able to hide his frustration and starts assaulting the painter so that he creates a ruckus. That’s how Jihwa is caught. As for the kidnapping and murder, he left the whole responsibility on the commoner. He never paid attention to his actions and whereabouts. He believed the criminal and that was it. Sure, Nameless didn’t take advantage from Jihwa, but this shows that he relies too much on others. This is not surprising that the second lead listens to Min’s words and manipulation (chapter 67), although he had lied to him in the past.
  10. Difficulties with competition: this explains why he uses tricks to act behind the painter’s back.
  11. Problems withstanding peer pressure quoted from https://www.paracelsus-recovery.com/blog/affluent-neglect/
  12. depression
  13. Anxiety (chapter 67)
  14. Low self-esteem
  15. substance misuse (chapter 50)
  16. shunning emotional closeness or intimacy: That’s why Jihwa kept waiting for the main lead’s confession. https://www.healthline.com/health/mental-health/childhood-emotional-neglect#symptoms-in-children

The effects of neglect are such that it leaves sequels on so many levels: socially, emotionally, intellectually and psychologically. Children exposed to neglect are at a greater risk of developing conduct disorders and of participating in delinquent behavior, which is visible in the red-haired figure: he trespasses proprieties, ruins a painting, he even had the painter kidnapped. Due to his scheme, the vicious servant Deok-Jae was killed. Then their knowledge and cognitive capacities are diminished, which is also perceptible in the young man. The latter is not able to recognize evil at all, hence he can’t detect hypocrisy and manipulations. And this leads me to the following observation: Byeonduck chose the monkey as an animal for Jihwa. The manhwaphiles can see the singe in the windscreen. (red circle). Because of the character’s previous deafness and blindness, I immediately connected it to the wise 3 monkeys:

The Three Wise Monkeys Royalty Free Cliparts, Vectors, And Stock Illustration. Image 35588575.

In Asia, the monkeys are considered as wise, because they represent proper behavior. Confucius says:

“Look not at what is contrary to propriety, listen not what is contrary to propriety and finally speak not what is contrary to propriety.”

In other words, the 3 monkeys serve as role model. One should behave properly by avoiding any form of evil. Since Min is the Joker, also visible in the windscreen (yellow circle), it explains why Jihwa has become such a bully in the end. Min became his role model replacing the father. Consequently, the red-haired aristocrat can’t recognize evil. That’s why Lee Jihwa appeared as a spoiled child with a delinquent behavior in the end. Byeonduck is displaying the extreme consequences of a father’s the absence. And this leads me to the next question: what is the role of a father in the end?

“The function of the father is to separate the child from the mother. He must intervene between the mother and the child to allow the child to develop his identity outside the maternal symbiosis” from https://www.psycho-ressources.com/bibli/fonction-pere.html

And now, the manhwaphiles comprehend why the red-haired noble has such a low self-esteem. (chapter 67) This is is visible in this panel. The character can’t even stand. Min, the Joker and surrogate father, treats Jihwa as his servant and punishes him, because he had not followed his order. Jihwa has not entirely developed his identity, since he has always lived in his own limited world. A father has not only to provide security and comfort, he helps the child to learn self-control and boundaries. A father is associated to rules and should teach his child how to channel aggressivity. In other words, he serves as a role model for the child. But with the absence of a father, this is impossible. And since the domestics belong to the lower social class, Lee Jihwa always had the upper hand and could do anything: his father never appeared, when Jihwa was destroying his room with his sword in chapter 21. Besides, father Lee never paid attention to the friends his son had. He blames Yoon Seungho for his son’s debauchery, yet at no moment he intervened in the past. The main lead is correct to blame the father and put his son in a different light. (chapter 67) And now, the readers can understand the role Nameless is slowly taking over: he will be the father and lover teaching him how to recognize evil and even think critically. We saw Jihwa rejecting Min’s advice (chapter 67), but it was short-lived due to Yoon Seungho’s appearance. We have to assume that Yoon Seungho played the role of the father after the former had been abandoned by his own father. However, he could never assume this function properly, as he was suffering himself and couldn’t give him the emotional and educational comfort Jihwa needed. Let’s not forget that the protagonist chose to ignore his own feelings, to even numb them. Hence it was impossible for them to connect emotionally.

After discerning Father Lee’s behavior, I could easily portray father Yoon, who stands in opposition to father Lee. He is a controlling father using his sons as his pawns and tools for his own career. Here, I gathered the characteristics for a controlling parent:

  1. Interfering in nearly every aspect of the child’s life.
  2. Criticizing any choice a child tries to make independently.
  3. High, truly unattainable standards.
  4. Conditional love.
  5. Rigid (and unrealistic) rules.
  6. Lack of empathy and respect.
  7. Unreasonably harsh punishment. 8. 
  8. Lack of appreciation for the child’s individuality.
  9. Expecting the child to act like a parent.
  10. Manipulation through gifts.
  11. Playing on guilt and/or shame. https://www.mindbodygreen.com/articles/signs-of-controlling-parents-and-how-to-cope-as-adult

This explicates why Yoon Seungho had been longing to see admiration and love in his father’s gaze, always hoping that at some point he would get it. The existence of the rules I elaborated is a proof of this abusive parent. And now, you understand why Father Yoon described his eldest son as ill, suffering from wayward yang. (chapter 57) “wayward” is a synonym for rebellious indicating that Yoon Seungho had started questioning his father’s behavior and words. Simultaneously, I believe that the father judged his son’s behavior as too childish, thus he said that he had been suffering from an illness for a long time. The adolescence represents an important step in the child’s development. That’s the moment when a teenager decides to take his distance from his father in order to find his own identity. Since the main lead was described as intelligent, it was normal that the main character would decide to make his own decision and could sense his father’s flaws. Consequently father Yoon could only see the critical remarks as a sign of insubordination. This is not surprising that he blamed his son, when something happened due to Jihwa. (chapter 67) Since Father Lee never paid attention to his own son’s behavior, the former was more than pleased to hear that Yoon Seungho was responsible for an incident. Father Lee was following the rule:

The Three Wise Monkeys Royalty Free Cliparts, Vectors, And Stock Illustration. Image 35588575.

But unlike before, this is the Western interpretation: he acts as if he doesn’t see evil or hear evil. He will never talk badly about his son. That way, he escapes any responsibility for his son’s failures. But like Confucius wrote:

“The father who does not teach his son his duties is equally guilty with the son who neglects them”.

From my point of view, father Lee will pay a huge price for his negligence due to his son. I saw in the chapter 67 a confirmation that Jihwa will cause a huge tragedy which ends with a terrible punishment. It is getting more probable that Jihwa will lose his title as noble (chapter 67) and it is even possible that he gets a scar or a tattoo. (chapter 67) This scene was important as it represented a new version of chapter 18. This time, the lord aimed at Jihwa’s face and the servant was not harmed. The main lead put the whole responsibility on the former friend.

But since I had described the role played by the servants in the Lee mansion, it is also important to take a look at the domestic’s function, when father Yoon was the master of the house. What caught my attention is that father Yoon has been also represented like a ghost, very similar to father Lee. However, while the latter represents lack of interests for the son, the other stands in opposition to this. He is everywhere due to his servants. All of them were asked to pay attention to his children and their behavior. In other words, he is also absent. The domestics must have reported him everything. And now, you can understand why Yoon Seungho kept his distance from his staff as the lord of the mansion. He didn’t want to be observed by them, that’s why he relied more on Kim in the end. With his help, he could maintain a certain gap and escape their “monitoring”. There is another evidence for this theory: remember that Yoon Seungho asked his servants through Kim to pay a closer look at Baek Na-Kyum, but they didn’t take his request very seriously. Hence the painter could escape the mansion in chapter 29. And you all know that the artist is reliving the noble’s past. This explicates why Yoon Seungho targeted the amateur spy in chapter 18, he was reminded of his own past. He could only get furious.

However, there’s another huge difference in the role played by Father Yoon’s servants. Since they only had to report to him, that means that they didn’t need to take any responsibility, as the lord was the one who made all the decisions afterwards. And now, you understand why Kim rejects any form of responsibility by saying (chapter 65). Father Yoon put a lot of trust in valet Kim in the end, as he relied on his information. This is another evidence for me that Kim is responsible for the main lead’s suffering. Since father Yoon was relying on Kim’s eyes and ears, his perception got changed and this in a negative way. That’s how he became blind. He contributed to the terror ruling at the mansion, but since Kim was kind and caring, Yoon Seungho believed this illusion, while Kim was his biggest spy. I am quite sure that he played a major role, when Yoon Seungho got separated from Lee Jihwa and received his reeducation therapy. For me, there’s no doubt that his responsibility kept getting bigger, when he saw the main lead getting raped, and he decided to close the door and ignore the incident. He just needed to say that this was not his business. Another possibility is that he could justify his choice by saying that it was done for the main lead’s best interest. Let’s not forget that Kim was the one who presented the physician to father Yoon. (chapter 57) There’s no doubt that father Yoon put all his trust in Kim. This explicates why Kim acts, as if he had the authority to give orders. (chapter 67) He must have developed this habit, because father Yoon gave him some power. Observe that he sometimes dresses like a noble (chapter 57) due to the hat and the robe. What caught my attention is that he acts behind his lord’s back, when the latter is absent. (chapter 68) Besides, since this story is based on the principe that history keeps repeating itself, then Yoon Seungho is making the same mistake like his father. However, Yoon Seungho will realize it thanks to the painter and the head-maid. Father Yoon put all his trust in his valet, unable to recognize evil in his butler. Just a reminder:

“The only thing necessary for the triumph of evil is for good men to do nothing.” from Edmund Burke

This is not just about silence and passivity, it is also about responsibility. Note that in chapter 67, Kim voices that he has been given the permission (chapter 67), so he is not assuming anything in case something happens. And in front of Heena noona and Baek Na-Kyum, he has the same attitude: (chapter 67) if Heena noona gets caught, then they can’t put the blame on him. He will feign ignorance. He has no idea how she entered the mansion. He is also applying the saying from the three monkeys:

The Three Wise Monkeys Royalty Free Cliparts, Vectors, And Stock Illustration. Image 35588575.

He didn’t see or hear anything. He won’t tattle too. Nonetheless, he is acting only like that, when it concerns Yoon Seungho. It is a different story, when it comes to father Yoon. That’s why Kim still keeps thinking about his previous master. (chapter 57) By examining Kim again, I have to admit that I suddenly had this question: who gave the painting to Yoon Seung-Won? Did the valet act on the lord’s order? (chapter 37) Or did he decide to act on his own? Let’s not forget that during that evening, the valet had been reprimanded by Yoon Seung-Won for lying to him. It is possible that the valet chose to give the painting in order to put the blame on Yoon Seungho, as he feared that the young master could report his lie and behavior to father Yoon. The latter might not be present at the mansion, but there’s no doubt that he asked his trusted servant to keep an eye on his eldest son, whom he considered as a troublemaker. This would explain why the main lead keeps taking the medicine. And now, you can grasp why Kim is more loyal to father Yoon than his actual master. The latter gives him more freedom, yet he expects from him more responsibility. Under the ruling of father Yoon, the butler could avoid any trouble by tattling on the young master Yoon Seungho or by faking ignorance, when it was necessary. Since father Yoon put all his trust in the valet, he was not able to see evil or hear evil in the end. Kim framed innocents or he feigned ignorance. As a conclusion, Father Yoon was put in the same situation than father Lee due to Kim’s actions.

As a final conclusion, Byeonduck’s work exposes the huge importance of a father in a child’s development. Unfortunately many people still think that mothers are much more important than fathers. This explicates why in many countries, mothers receive more often custody of their child than fathers. Yet, the judges seldom question the mother’s abilities. The irony is that mothers are not per se good mothers, exactly like Stromae described it in his song, although he only talked about fathers: “Mister “know-it-all” would’ve inherited it, is that it? Does it come from sucking our thumbs, or what”. This applies to mothers as well. Being a parent means work, dedication and affection. There’s nothing intuitive.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My tumblr-twitter account is: @bebebisous33. Thanks for reading and the support.

Painter Of The Night: Brothers (second version)

~ Bébébisous33 ~ Leave a comment

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter   But be aware that this manhwa is mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

In this analysis, I will focus on the main lead’s brother, Yoon Seung-Won, who has just appeared in three chapters since the beginning: 37, 44 and 55. On the surface, it looks like it is impossible to get much info about this character, yet this impression is incorrect for two reasons. First, I have already written two essays about this character, showing that by examining the panels and his words more closely, we could definitely analyze his personality and judge him. https://bebebisous33analyses.wordpress.com/2020/06/30/painter-of-the-night-an-accomplice-a-pawn-or-an-innocent/ and  https://bebebisous33analyses.wordpress.com/2020/07/24/painter-of-the-night-the-animal-representing-yoon-seung-won/ (Unfortunately, these compositions are the lest read essays)

Yet, back then, I had only two chapters to examine and now, we have a new panel, where the younger master appears. Secondly, the more we get to know Yoon Seungho’s past, the more we discover his family and as such the brother as well. I have already determined that Yoon Seungho’s traumatic past is not related to one incident, but he was exposed to abuse over a long period. I have even developed the idea that his father abused him sexually. Therefore, with this new knowledge, the behavior of Seung-Won needs to be reexamined. In my first analysis, I had questioned his role in the protagonist’s suffering: Was he an accomplice, an innocent or a pawn? And once again, this question will be in the center of this composition.

Back then, I had the impression that in this panel, we were seeing Yoon Seung-Won as a teenager: (chapter 55) Many readers were able to recognize the younger master trying to walk into Yoon Seungho’s direction, while the latter was lying on the ground. Why? It was, because of the brother and father’s gestures. Father Yoon stopped his younger son to join his brother’s side with his hand, while Yoon Seung-Won’s foot is moving. Due to these actions, the manhwalovers saw it as a good sign from Yoon Seung-Won’s part. The latter desired to help his brother, yet their mean and strict father requested him not to. It looks like Yoon Seung-Won had some affection for his older brother in the past, yet the father ruined their bound. However, what the manhwaworms shouldn’t forget in this panel are the two following aspects:

  1. This incident marked the beginning of Yoon Seungho’s trauma, which caused all his disorders. We should keep in our mind that when the lord confessed that he was sent back to his past, each time he saw the painter’s face expressing rejection, he was reminded of the moment, when father Yoon chose his younger son over him. This incident is strongly associated to jealousy, and the love triangle between the scholar, the artist and the protagonist was the trigger. The rejection from Baek Na-Kyum in chapter 25 made him think of the moment, when father Yoon pushed him away and even showed a disgusted face, while he could observe the father favoring Yoon Seung-Won.
  2. Father Yoon was teaching the younger master a lesson: his brother should be treated like a commoner, a servant. He had no right, hence he was just a possession. Since I have already established that Yoon Seungho was exposed to coercive persuasion and to physical abuse, this scene can serve as a proof that the young boy witnessed the violence used on his brother. Besides, the young boy saw, how the older brother was kept captive in the mansion for a long time. Even with a certain age gap (6 – 7 years), Yoon Seung-Won was old enough to understand that the father imprisoned his brother, when the latter was a teenager. (chapter 57)

Hence I can definitely state that Yoon Seung-Won was not ignorant of the harsh treatment his brother was exposed to. I believe that this panel represents the moment, when the main character lost his topknot. (chapter 55) It is also possible that during that event, the young man was punished with a straw mat beating, while the cut of the topknot represented the climax of his public humiliation and abandonment. Yoon Seung-Won looks like a teenager, since he is dressed the same way than his older brother was. (chapter 57). It was, as though father Yoon had chosen to replace Yoon Seungho with his second son, and was determined to see Yoon Seung-Won as his future heir. However, I believe, the special treatment started before this. Anyway, the younger master was old enough to witness the public humiliation and to comprehend the implication. He might have not known the whole truth behind the incident with the topknot (the plot and the purge), yet since the lord’s suffering is not connected to one incident, but happened over a long period, I doubt that Yoon Seung-Won was totally oblivious of his brother’s misery. I believe the opposite in reality.

On the other hand, it becomes comprehensible why the younger master didn’t intervene back then. He was just a teenager and had no power to protest or contest his father’s decision. (chapter 55) He was weak and vulnerable, just like his elder brother had been at the same age. He had to follow his father. Yet, this panel is important in my opinion for two reasons. It shows that Yoon Seung-Won was taught the same principles than his brother’s: strict obedience to the father and treat people like pawns and possessions, in particular Yoon Seungho. Secondly, we have to imagine that in the past, the main lead must have followed blindly his father’s orders in order to get recognition and acceptance, till he was treated like a commoner and a monstrosity, hence the dimension of the father’s abandonment and betrayal becomes significant. Imagine, he did everything in order to please his father (even prostitution), only to be left behind and treated like dirt. No wonder, why Yoon Seungho became jealous of his brother and why he felt so hurt by his father. This explains his obsession with the question mark: “why?”. Why did his father make such a decision, why did he choose Yoon Seung-Won over him?

The younger master had done nothing like him, yet he was never treated like him: captivity, abuse and prostitution. Even if the theory of the incest is wrong, there is no doubt that Yoon Seungho was exposed to a huge amount of violence from his father, like the bruised face displays it in the following panel. (chapter 57) What the protagonist failed to understand is that his father must have blamed him for the loss of his big dream. There’s no doubt that the father resented his son deeply, because he explained the source of his failure in the plot with his son’s behavior, especially if the main character became the tool for his own survival.

Finally, since I have already assumed that the main lead tried to flee the mansion once, the younger master must have heard about it as well and seen his father’s reaction. That’s why I come to the conclusion that by living by his father’s side, the younger brother became an accomplice in the end. At the same time, his thinking must have been influenced by his father’s words and behavior. Since the older brother was conditioned, then the brother must have been taught as well. Yet the methods diverged. While the one was the object of coercive persuasion, the other was a witness of that teaching. Since the main lead was treated harshly by the father, Yoon Seung-Won learnt the following lesson: his older brother is just a tool, a possession used for the family’s power.

Consequently, the lord’s words in chapter 37 mirrors the truth: (chapter 37) The younger brother was taught his father’s principles too, but unlike Yoon Seungho, the younger brother is NOT living according to their father’s rules. This means that he is living differently. And now we have to question this: how is his life different?

The first reply would be that he is no homosexual. Yet now with the new knowledge, I perceive the master’s words under a different perspective. Here, he is not just talking about sodomy, but also about prostitution. One of the father’s rules I could determine was: sex is a battle and as such an exchange of favors. That’s the reason why Yoon Seungho became the infamous hell-raiser, the biggest sodomite of Joseon. In his mind, he is applying his father’s principles to the extreme in order to humiliate his father and to point out his hypocrisy. And now, I believe that the prostitution took place in the mansion, hence the doors were closed. That’s the reason why the protagonist became a prisoner, as he could expose what was happening in the domain. The huge mansion became a brothel in the end. Envision the irony of the situation: while Baek Na-Kyum was truly raised at a brothel, where he was loved and treated like a real son, the other had to experience the opposite. On the surface, he was a noble living in comfort and surrounded by servants, in reality his position was the opposite. He was just a whore for the father’s interest. Since the father despised sodomy, the latter had another reason to act in the shadow. Now, we know for sure that the sexual abuse occurred during the nights explaining the protagonist’s insomnia. This signifies that the father didn’t abuse his son sexually, but he allowed it for his own selfish interest. One thing is sure that the young man was sexually assaulted for a long time and the perpetrator was the mysterious lord Song. Nonetheless, I am certain that the main lead’s traumas are linked to constant sexual assaults, prostitution, physical violence, and since everything happened at the mansion, there’s no doubt that the younger master knew about the existence of sex sessions and the role played by his brother. That’s why we need to take another look at the picture:

Here, he is telling the brother that it is his turn to follow their father’s doctrines. This can only be right, as Yoon Seungho as the eldest son had to live according to these doctrines first. Now, Yoon Seung-Won should become a whore, if necessary. And notice the brother’s embarrassment. He avoids his brother’s gaze. He can not deny it, for if he did, he would have to reveal the true identity of the “pedophile”. Hence the younger master is humiliated. The younger master can not argue with this point. That’s the reason why I come to the conclusion that the brother has already internalized his father’s values: Yoon Seungho should keep working for the family, like he did in the past. He should use his connection. He is truly viewing his brother as an accessory for the family’s benefit. And it is time to examine the chapter 37 one more time. In the first composition, I had demonstrated that the brother was selfish, insensitive and quite arrogant, since he never asked his brother about his well-being. All his business mattered. But I can add more layers to his description and it starts with the way he was introduced.

(chapter 37) The younger master sent many letters to Yoon Seungho, while using his father’s name. While the loyal valet had the impression that these letters were written by the elder master, the protagonist was well aware of the subterfuge. He could recognize his brother’s writing. That’s why he burnt the letter without reading the content. And this interpretation can be confirmed with the character’s confession in chapter 37. (chapter 37) However, I can bring up another evidence for this conclusion: the fake letter from lord Song. (chapter 56) The forged message was a new version of the letter in chapter 35. And under this light, we can judge the character in a rather negative way. He is acting like Jihwa, using his knowledge of the past to his advantage. He desires to use his father’s power over his elder brother to achieve his goal: getting the support from his older brother so that he can please his father.

From my point of view, Yoon Seung-Won attempted to get in contact with his brother in order to get connections, and as such to obtain a high position as an official, he wanted to take the easy way. Since the family’s power was declining(chapter 13), Yoon Seung-Won was asked by the father to restore the family’s influence. But since he had witnessed how his father obtained his support, he thought, he could employ the same method: using Yoon Seungho. One might argue that the poor boy is pressured now by father Yoon and the weight of the expectations can be extremely burdensome. However, here I would like to point out that unlike the main lead, Yoon Seung-Won was never trapped in the mansion and not hindered to participate in the service civil examination. Furthermore, he was never exposed to any kind of violence. He was allowed to roam freely, yet in my opinion, all this time the younger master relied on his father’s power and influence. Seeing that the letters didn’t provoke any reaction, the young noble paid the lord a visit, as he was pressured by the time. And what caught my attention is that once asked about the motive of his visit, he replied to the main character: (chapter 37) He mentioned his father directly, but he never answered to the question properly, since he didn’t announce the true reason for his visit. Why? Since he used the name of his father in the letters and in the conversation, I can only deduce that the brother knows the true power of father Yoon over the main character. He is actually playing with the protagonist’s fear and he knows it too well. Notice his hands: they show a certain discomfort, indicating that he is well aware of the signification of his words. One might argue that he has been pressured by the father and he is just a pawn. To this, I can only retort that he is doing the same to his brother. By asking him to visit their father, he is not just requesting from his brother to reconnect with their family, but also to submit himself to father Yoon. In other words, the elder master could utilize Yoon Seungho’s connections and wealth for their family’s interest. Besides, this would signify that the father would become the main lead’s pimp again. As the new head of the family, father Yoon could decide to treat his eldest son like in the past. And if my theory of the incest is correct, then this means that Yoon Seung-Won is asking his brother to relive a hell again. This is not surprising that the lord gets upset and becomes cynical: (chapter 37) Who would accept such a suggestion after getting treated like an sex toy, a prisoner and as a pariah at the end? And now envision that Yoon Seungho has been exposed to physical and sexual abuse because of his father. This scene reveals the selfishness and cowardice of the brother. This is not surprising that the lord clenches his fist, and his hand is shaking: there’s definitely fear due to the father and anger towards his brother. Yoon Seung-Won knows his father’s rules, but he doesn’t desire to apply them, as he is well aware of the meaning. And now the following panel gets another significance: He desires to have a private conversation and suggests his brother to send away the painter. His reason is simple: he would like to appeal to his brother’s compassion, he must be in a rather difficult situation. His father is now relying on him. But since the master of the mansion is not following this suggestion, the brother chooses to mention the father. The illness is an excuse, but Yoon Seung-Won is determined to maintain his image as a loyal and honorable son. Yet, like I pointed out earlier, the true intention with the father’s evocation is to put Yoon Seungho under pressure. And now, I would like to bring another evidence that the younger master is well aware of his brother’s fear in front of their father. He witnessed the constant abuse, and as such he noticed and internalized the brother’s anxieties. Remember that the moment Jihwa heard that the brother had visited Yoon Seungho, Jihwa chose to rush to his childhood friend’s mansion. Why? He knew that Yoon Seung-Won’s visitation would torment the main lead and provoke nightmares, indicating that this must have happened in the past well. And since the main lead is connecting his brother to his past trauma, then this reveals that the younger master is related to the protagonist’s suffering. Why? In my opinion, Yoon Seung-Won must have been favored all this time, whereas the powerful noble was just treated like a servant. In other words, even if the younger brother was weak as well, he never tried to help his brother behind his father’s back. This explains the resent from the protagonist. He can never consider him as a relative. Let’s not forget that when the elder master moved from the house, only valet Kim remained by the main lead’s side, showing that all the other servants sided with Yoon Seung-Won and the father.

Therefore I come to the deduction that the younger master has been negatively influenced by his father. He definitely treats his brother like a possession, acts as a righteous person (chapter 37), while in reality he is just a hypocrite. I would even add, he is quite immoral. He lies about the illness, fakes letters in the sense that he uses his father’s name and authority. Then he utilizes social norms (“the right thing”), though he is well aware what the visit would mean for his brother. I also perceive an evidence of father Yoon’s influence in the younger master’s behavior: his words and behavior. Remember that I connected the lies to the protagonist’s dissociative episodes, indicating that the elder master must have punished his eldest son, when he imagined that he had been lied to. Observe the reaction Yoon Seung-Won has, when he realizes that Kim has been lying to him: (chapter 37)He gets outraged and yelled to the butler, although he is not the lord of the mansion. Striking is that he would have opened the door(chapter 37), if the painter hadn’t screamed through the door. Not recognizing the voice from the inside, the young man got surprised and stopped. And this single gesture outlines his disrespect towards his elder brother in reality. I had already observed his selfishness and lack of sensitivity, but with the new elements, I can definitely determine that the younger brother has indeed internalized father Yoon’s values. He treats servants and commoners like people with no right. His tone is quite strict, authoritative and rude. (chapter 37) This is not surprising that he requests his brother’s assistance in the end. He has experienced it first hand, has envisioned that through his father’s influence, he could manipulate the brother and get benefit from his increased fortune and influence. However, this time the lord didn’t follow his suggestion, since he has already started moving on. In fact, the younger lord was mocked through the main character’s following suggestion: Yoon Seung-Won should also live according to their father’s principles.

And now it is time to pay attention to the letter given by the valet Kim. In the first analysis, I had perceived his smile as a sign of his naivety. (chapter 37) But now, I would add another layer to this description. This picture could be judged as an evidence of his ruthlessness too, like my follower @nonoboy-oops suggested it. He exposes a certain satisfaction, although he used the lord’s fear of father Yoon for his own benefit. In his mind, he has achieved his goal and it doesn’t matter the way he obtained it. The manhwaphiles should remember that the lord had even difficulties to breathe and speak properly after the visitation, indicating how much the main character suffered during that conversation. (chapter 38) This reinforces the immorality and ruthlessness of the brother’s suggestion. With the letter, Yoon Seung-Won has the impression that in the end, the main lead bent to his will. This means that he is ignoring his brother’s reproach and rejection. But since the brother used their father’s name in order to approach his brother, it looks like, it was Yoon Seung-Won’s decision to utilize the brother. Even if this idea is not correct, and the father did use the younger son as a pawn to approach Yoon Seungho, this doesn’t diminish the atrocity of the younger master’s gesture. He is not just a pawn, but a real accomplice, because he knows his past but prefers his own comfort over his brother’s life. However, let’s not forget that during their conversation, the younger brother never spoke in the father’s name, like for example: “Father Yoon desires to reconnect with you and asks for a visit from you”. Even that way, the father’s honor would have been maintained, since the main lead was asked to pay a visit to their father unofficially. My final point for this interpretation is the importance of reputation in father Yoon’s eyes. The latter chose to act behind closed doors and maintain his image as a respectable aristocrat. By sending letters to his eldest son who is well-known in the mansion as an infamous sodomite, his image as strong lord is kind of tarnished. He is the one asking for help from his son… a humiliation in his eyes. Now, you can better comprehend why I believe that Yoon Seung-Won is not just a pawn in reality.

But let’s return our attention to the letter given to the younger master. I can’t imagine that the second character didn’t take a look at the content of the paper handed over by servant Kim. Since his visit was connected to a request concerning him, the paper was concerning him too, even if it was possibly addressed to the father. That’s why I am now thinking that Yoon Seung-Won must have seen the damaged painting. There is no doubt that his visit is connected to sponsoring and only Yoon Seung-Won can request his brother’s help and support. That’s the reason why I believe now, he looked at the content of the message. And now, if we take this approach into consideration, then this means that when he gave the letter to his father, he knew how the former would feel. Father Yoon would get mad at Yoon Seungho for his defiance, insult and disobedience. The latter was violating his rules. That’s why he said this to the servant. By putting the blame on his older brother, he excuses his father’s behavior for not showing more concern for him. He didn’t leave the bedchamber in order to bid farewell, because the lord had been troubled due to Yoon Seungho. The latter serves again as an excuse to save the appearances. By giving the ruined painting, Yoon Seungho was indeed determined to provoke his father. He shows him his hypocrisy and the consequences of his principles. At the same time, the ruined painting illustrates his message: the Yoon family will never get a benefit from his sexual performances (“damaged image”).

But what about Yoon Seung-Won? Why did he deliver the letter? If the letter was addressed to his father, then he had to. But if he was acting on his own, it becomes a different story. However, in both cases, he must have known the content. And with this approach, we can imagine why the younger master chose to give it to his father. First, he acted as a loyal and obedient son, reinforcing the prejudices the father has about his eldest son. Besides, he could be hoping that the father gets so infuriated that the latter decides to take action and employ his impressive strength and aura to oblige the eldest son to bend to his will. Yoon Seung-Won can only benefit from this. Let’s not forget that the father is still paying attention to his son’s moves, like Kim mentioned it in chapter 57.

As a final conclusion, Yoon Seung-Won doesn’t appear as pure and innocent, as his handsome face suggests it. He was already paying attention the painter’s presence and curious about his identity, since he was sitting by the master’s side, as if he was his companion. (chapter 37) Here, he envisioned that the lord’s companion was a noble due to the green hanbok. He is definitely more than just a pawn, in my eyes he has become a willing helper of father Yoon’s dictatorship, since he could profit from his situation. He is like an indoctrinated child, since he behaves like his father in a certain way. On the other hand, he has not completely lost a certain sense of morality. Since he is showing a certain discomfort during the conversation in chapter 37, it displays that he recognizes the wrongness of his request. But his interests are prioritized over his brother’s well-being. Another aspect is that he is not so brutal compared to his model, Father Yoon. But he has a common denominator with the elder master. He is also quite naïve. Hence Yoon Seungho could see right through his brother and his lies, just like the father. The master of the domain was well aware of the true purpose of his younger brother’s visitation: sponsoring. In the end, the younger master is forced to take the exam, like the scholar Jung In-Hun. I had imagined that their paths would cross, unaware that the learned sir would die before. There’s no ambiguity that Yoon Seung-Won would get annoyed and humiliated to hear that his brother chose a scholar with no connection and wealth over him.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-Instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and the support.

Painter Of The Night: The window 🪟, the door 🚪, the air and their signification (third version)

~ Bébébisous33 ~ 2 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog

If you have already read my former analyses, you know that our protagonist Yoon Seungho is associated to the window, because he spends so much time in a room looking at his courtyard through the window. (chapter 35). But what does the window symbolize?

1. The meaning of the window

In order to answer this question, let us take a look at the definition of the window:

It’s an opening in the wall or roof of a building or vehicle, fitted with glass in a frame to admit light or air and allow people to see out.

Since our story takes place in Joseon, there is no glass, only thin paper or an open frame, yet it doesn’t change the definition. It’s an opening… that admits air and light and allows people to see out. Striking is that the window is connected to fresh air and sun therefore we can say that through the view, people can definitely broaden their horizon as they are able to witness what it happening outside.

However, let us not forget that their view is limited. Yoon Seungho can only see what is happening in the courtyard, but not in the servants’ room or in the painter’s room. Therefore we come to the next conclusion, the window can represent a barrier, a hindrance. That’s the reason why f. ex. writer Emily Bronte used the window in that aspect in her novel Wuthering Heights.

The window can even symbolize the boundary between the inner world of a character (room) and the outside. Therefore the room could be seen as the personification of the protagonist embodying his inner thoughts and feelings trapped in his darkness. Hence he is seeking light and air through the window. Consequently, I interpret that Yoon Seungho sitting or standing in front of the window like the following. The room seems to be a prison, it is suffocating for Yoon Seungho, hence he looks out of the window in order to be able to breathe and survive. He is caught in his darkness, yet the window allows him to escape from his dungeon, from his past. His passivity reflects his resignation, he is already thinking that nothing exciting in his life will ever happen, until he met the painter. That’s why he said in the chapter 18:

From the moment he met the low-born, he started acting differently. First he kept touching the painter and then he even started leaving the room behind and came to the door. It is interesting that in chapter 7, Yoon Seungho even followed the younger painter, after the latter had heard about the arrival of his admired teacher. Notice how the lord stands in the courtyard and looks at the welcome of the low noble.

chapter 7

This picture reflects the social hierarchy. Yoon Seungho stands at the top, and the teacher is closer to him. However, if you pay attention to Jung In-Hun’s gesture, he is turning his body in order to face the powerful noble. It was as if he was pushing away the young artist. Now, you realize that such a single picture can contain so much symbolism. But now let’s return to our main topic, the meaning of the room and the window.

So the room with the window represented the situation of the powerful lord at the beginning (chapter 5) and it is still there at the end of season 1. (chapter 44). It looks like there wasn’t much progression, yet this time, the painter walks towards his mansion and remains by his side. This is important, because I realized that with the vanishing of the learned sir, Yoon Seungho chose to remain in the lord‘s bedchamber. What caught my attention is that the lord always went to the courtyard because of the admired sir. We have two chapters for this interpretation: chapter 7 and chapter 35 . What caught my attention is that when the lord visited the scholar for the first time, both were sitting in front of a door which looked like a window at the same time. (Chapter 7) This is not random at all, as from my perspective, it introduces the role played by Jung In-Hun in the main lead‘s life. He will be the one forcing the lord to move away from the window so that he can leave the bedchamber. Thus we had this scene: Yoon Seungho is observing the learned sir and his student from far away. (Chapter 19) This explicates too why the noble remained so passive in season 2 in the end. Baek Na-Kyum was the lord‘s love interest, hence his „place“ is the bedchamber. So how can the lord move away from the window and as such from the bedroom? Jung In-Hun is the trigger. And note that only in season 2, we discovered how the learned sir used walks through the countryside to console the painter. (Chapter 70) Finally, the main lead organized a hunt for the first time because of his honored guest. (Chapter 22) And if you recall the lord‘s behavior, you will notice that he left the city for the first time, when he wanted to meet the scholar. (Chapter 6) He encountered him in the woods. Under this new light, it reinforces my conviction that the learned sir‘s death will be the lord‘s motivation to become proactive and leave his past behind. Why? It is because of the painter‘s words. (Chapter 94) The painter still respects the scholar, but he already loves Yoon Seungho. He is not disloyal towards his former teacher despite falling in love with the protagonist. With the last incident, Yoon Seungho got aware how much the painter means to him, but at the same time, he realized the importance of the learned sir in Baek Na-Kyum‘s life. He needs to answer his question: (Chapter 102) And this question is strongly connected to the scholar, for the main lead was first sent to Jung In-Hun‘s home. ( 100) Don‘t forget that the main lead saw the room covered in blood, though the latter had already dried. To conclude, the main lead was encouraged to walk thanks to the scholar, and as such to leave his window! (Chapter 100)

Therefore it is not surprising why Yoon Seungho remained in front of the window at the end of season 1. He no longer needed to seek him out and bid him farewell. (Chapter 44) It was the painter’s role. This signified that he was still trapped by his past and trauma, something that he hadn’t revealed to anyone. Since Yoon Seungho is still inside the room smoking in front of the window, it reveals that the lord had not really let go of his past at all, he had not expressed himself in front of Baek Na-Kyum yet. If he reveals his inner feelings and thoughts, this means he will disclose his secret and unveil his vulnerability. This explains why there was no confession from the noble’s side for instance [there were other reasons why he hadn’t confessed anything too], why he was still not sharing his inner thoughts and emotions to his partner.

First, he has never opened up to anyone before. Trust is needed and the artist needs to win that trust, because so far, Baek Na-Kyum had always pushed the noble away. There was still a gap between Baek Na-Kyum and the lord, hence the former didn‘t go to his room, but to his own study. My prediction was that Baek Na-Kyum had to open up first so that the lord could learn from him. And it became a reality. The reason was that the seme was very inexperienced, for no one had ever confided to him. Moreover, he had long internalized that weaknesses must be hidden. Unconsciously, he had already claimed Baek Na-Kyum as his bride, nonetheless this indicated that there was still this distance, this invisible wall between them. We have to understand that Yoon Seungho had never learnt how to share pain and express emotions verbally to others. He had to hide his secret, his past and trauma. (Chapter 37)

The shaking hand with the fist embodies his repressed inner feelings and thoughts. He had learned to keep everything to himself. Now, you are probably thinking that all this is not entirely new because I already mentioned his passivity. And now, you can grasp the origins of Yoon Seungho‘s silence and inactivity. This stroll through the mountain corresponds to his true revival. (Chapter 102) This signifies that Yoon Seungho will act differently in season 4: he will be proactive. Like I mentioned in the essay „Scandal(s) in Jemulpo“, he will become the scholar’s disciple and follow his footsteps: ruthless, but also caring and gentle. The only difference is that his affection for the painter is genuine.

2. Baek Na-Kyum‘s symbol: the door

However, I needed to describe this again in order to contrast Yoon Seungho’s position with the painter’s situation. What caught my attention is that Baek Na-Kyum is connected to the door, unlike the main lead. We have so many scenes where the low-born is seen close to a door or stands on the doorstep. This is what I could gather so far (I still might have missed some):

chapter 8
chapter 9

(chapter 10),

(chapter 12)

chapter 16
Chapter 18
Here, in the chapter 19 Jung In-Hun discovers the truth about the painting and the deal

(chapter 20)

undefined (chapter 29)

chapter 34
chapter 35
chapter 35
chapter 37
chapter 41
chapter 44

Now, you realize the importance of the door. But what does it mean? Why is Baek Na-Kyum related to the door? First, the window and the door have two common denominators: the room and the limited view to the outside world. However, since a door connects the outside with the inside, it allows to move. The person can leave the room behind, the painter has more possibilities, while with the window the person inside must feel more trapped.

Since I already pointed out that the room embodies the lord’s inner world, we have to imagine that for Baek Na-Kyum it is the same. However, the room represents something else: his unconscious, his hidden true personality and desires and not his past and trauma, like Yoon Seungho. That’s the reason why the room is not a prison like in Yoon Seungho’s case but rather a secret. The painter is hiding his secret behind the door. And now, you can understand the true signification of the door for the artist. The door embodies the doorstep where Baek Na-Kyum has to admit his homosexuality. Now, if we look back at the different situations where the door was seen. Byeondock even drew many pictures of the door in the same chapter underlining the significance and the true meaning of the door.

Now, I’ll interpret different scenes with the door which caught my eye. Little by little I am adding more and more images with the door. And this is what I found so far. I examined the following scenes: 8, 9, 10, 16, 20, 29, 35, 41 and 44.

When we look at the chapter 8, we have this situation. The young man is about to enter the lord’s chamber standing in front of the door. He has been asked by the lord to go there so that he can paint another erotic picture.

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Chapter 8

Here, the artist is opening the door. It was as if he was entering a forbidden world, where sex and homosexuality are indulged, where people enjoy their sexuality to the fullest. By entering this room, Baek Na-Kyum is reminded of his own repressed and natural desires. Then in chapter 9,

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chapter 9: He has just ejaculated

he leaves the lord’s chamber in a hurry after witnessing a sex session. Right behind the door, he can’t help himself and starts masturbating. Hidden behind the door, he feels his sexual urge growing and starts right away with his masturbation. Since he is touching himself so close to the door separating his room from Yoon Seungho’s room, it outlines that he has trouble to control his repressed sexual desires. His unconscious is urging him to become sexually active again. On the other hand, he ensures that the lord doesn’t see his erection demonstrating that he is still denying his own sexual orientation and attraction. On the other hand, the lord heard him which led him to the following conclusions: Baek Na-Kyum is somehow attracted to him and he has some experience with men as he shows no hesitation to masturbate very quickly. So the door served as a protection, he wanted to keep his sexual desires hidden from the noble. Notice how horrible he feels after his ejaculation. He is burying his face as if he was avoiding reality and his own sexual desires. He still wants to deny these urges.

Then chapter 10, the pavilion could be perceived as the unconscious hidden behind the painter’s body. (Chapter 10) Since the pavilion is open aired, it looks like there is nothing there… it was as if the true sexual orientation of the low-born didn’t exist but since there is a roof with beams, we can conclude that Jung In-Hun’s attempt to eradicate his true sexuality has in reality failed. There are rest of it. In other words, the pavilion mirrors Baek Na-Kyum’s denial and brainwashing through Jung In-Hun. This also explicates why Jung In-Hun used here emotional and cognitive techniques as a warning here. He was coercing him to drop the painting.

Then in chapter 16,

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Yoon Seungho catches the low-born, because he wants him to experience sex. He has noticed the reluctance hence he just masturbates the young man. Striking is that the door is opened at some point by a servant. This opening of the door by someone else embodies the fear of being discovered. Baek Na-Kyum is determined to never reveal his repressed sexual desires. Consequently he wants the door to stay closed. So if he is seen then, he fears that his sexual orientation will be discovered, yet he wants it to remain a secret. Now, you can understand the meaning of the door in chapter 37. It is still the same. Despite getting a blowjob, he still wants to hide his homosexuality to the outside. Hence he still gets scared and would like the noble to stop from exciting him. So for the first time, he is experiencing sex with someone.

Here, the door is wide open and this coincides with the commoner’s confession. The young man was drunk, yet he was hiding behind the door until it got opened by the lord. So Baek Na-Kyum’s unconscious wanted to reveal his repressed sexual desires (homosexuality) and his love to the outside world.

undefined In chapter 29, the low noble is bringing him back to the mansion. Striking is that the door is completely open too. This picture illustrates the role played by Jung In-Hun in the painter’s homosexuality. He is the one who “forces” to become an official sodomite, therefore he can no longer hide his sexual preference behind a closed door. I believe that this is related to this incident. Note the opened door. The learned sir caught him by surprise. That’s how the learned sir was forced to repress and hide his homosexuality. This is no coincidence that in season 1, the scholar had the opposite attitude. By feigning ignorance, he actually encouraged the artist to become a sodomite. After their return to the mansion, the teacher showed leniency. He accepted that his student would paint erotic paintings, but he was well aware of their sexual encounter. (Chapter 30) The moment he arrives back and the lord brings him back to his chamber, the nature of their relationship is no mystery any longer, though painting is used as a justification. (Chapter 29) Striking is the thickness of the wall. This symbolizes a long way for Baek Na-Kyum to admit his sexual orientation. Just because people know, this doesn’t mean that he is acknowledging his homosexuality immediately.

In chapter 34/35, there are three different scenes where the door plays a huge part. I have to say that the last scene was the one that caught my attention in the first place and that’s how I was able to connect the door to Baek Na-Kyum.

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The first drawing shows the lord opening the door for Baek Na-Kyum. This signifies that the noble has somehow given up on forcing the painter to admit his homosexuality and his attraction to the lord. That’s the reason why Yoon Seungho spent the entire night thinking over how to convince the low-born to come to his side and become his partner.

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However, the sex marathon has not left the young man unaffected. He hides behind the closed door, while his body is shaking and his heart is beating loudly. He eve feels butterflies. For the first time, we see Baek Na-Kyum confronting himself with his repressed feelings… for the first time there is a connection between his thinking and his unconscious. He is somehow admitting that the lord’s presence has left an impact on him. However, with his body he is making sure that no one will ever find out this secret. He is still denying his homosexuality to the outside world. He wants to keep it a secret, yet he is no longer denying the existence of these feelings.

Then in the same chapter, we see Jung In-Hun abandoning the low-born and he even closes the door in front of him.

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This is the picture that made me connect the painter to the door

This single action has so many significations. First, it visualizes the rejection of the teacher. He cuts ties with him. It also shows that Jung In-Hun is well aware of what happened 10 days before. It reveals his selfishness as he shows no concern. In fact, it was as if the low noble was pushing him back. It was as if Baek Na-Kyum was pressured to become a homosexual even without admitting it. The teacher is forcing him to accept his situation but at the same time, he is denying the responsibility. Imagine the hypocrisy of the lord’s action. In reality, he is the one who pushes the painter to sleep with the lord, since he needs a spy. But by closing the door, he ensures that Baek Na-Kyum doesn’t need to admit his own homosexuality. This scene symbolizes the prostitution Jung In-Hun referred later. The teacher wants to use the artist’s sexual orientation for his own needs and simultaneously he doesn’t need to require this from the painter. As a conclusion, Jung In-Hun is now pushing the low-born to become a homosexual without revealing it to the outside world. At the same time, he acts as if he has no idea what is happening to the commoner. That way, Baek Na-Kyum can never reproach him to have used him as a prostitute or to be a hypocrite.

Then in chapter 41, we see a certain progression. The door has been opened by Yoon Seungho but Baek Na-Kyum doesn’t care any longer. Since he is begging the lord to be held, he is finally admitting his true desires. He likes being embraced by a man. This marks a pivotal moment in Baek Na-Kyum’s life. And this explains why the door is wide opened at the end.

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Baek Na-Kyum is no longer hiding his true sexual orientation. He is facing the world without being embarrassed. He waited for Jung In-Hun, hoping that the young man would still accept him, but he experienced rejection. He was literally left behind. However, his acceptance of his own sexual orientation doesn’t necessarily mean that he loves Yoon Seungho. In the beginning of season 2, he viewed himself as a prostitute. (Chapter 45) He just accepted him as his sexual partner, hence he went to his room and not to the lord’s side in chapter 44. If we compare their respective situation. Yoon Seungho hadn’t progressed much compared to the painter at the end of season 1, because he needed to express his emotions and reveal his secrets and vulnerabilities to Baek Na-Kyum. It took him a long time to open up, as he had been coerced to view himself as a bird of misfortune. He didn’t dare to voice any wish out of fear that these wishes would get ruined. (Chapter 96) In his mind, he had no right to voice any desire, as they would be perceived as GREED! (Chapter 96)

But like I had written above, the low-born was in a better position right from the start. He had more freedom, while for Yoon Seungho the room is indeed a prison. Under this new approach, it becomes comprehensible how the main lead could leave the window and as such the darkness of his nightmare. Because of the painter, Yoon Seungho met Jung In-Hun, and the latter made him feel superior, but also jealous. That’s how his attention got diverted from the window making him discover the existence of the door! We could say that the painter as the butterfly led the poor protagonist to the door, and thanks to his mind, Yoon Seungho could release Baek Na-Kyum from his cage, as his mind was also trapped by social norms. And this sexual emancipation could only take place in the bedchamber. This explicates why the artist’s liberation was the first step for the lord’s liberation. But by opening the door for the painter, Yoon Seungho could free himself. Therefore it is not surprising that the painter‘s final confession took place in front of a closed door, (chapter 96) and Heena could hear his words. Hence at the end, the door got broken: (chapter 96) This represented the final emancipation of the artist. He no longer cared, if he was seen. He was so moved that he didn‘t pay to his surroundings. (Chapter 96), while it was not the case for the noble. The latter knew about the artist‘s shyness. This truly shows that Heena was responsible for the sexual oppression of her brother. The painter was no longer hiding his affection for the main lead, when he decided to wait for his master‘s return in the bedchamber. (Chapter 98) Observe that the artist was going there on his own will, and he was sharing his bed with his husband.

3. Heena and the opened door

How did the scholar discover that Baek Na-Kyum was painting erotic paintings of sodomy? (Chapter 1) This memory was from the learned sir. Why was he approaching the painter during the day? Secondly, note that he only scolded the artist in his house! (Chapter 34) So he had discovered a secret, he imagined that the painter had assisted to an immoral love session. (chapter 6) In my opinion, the kisaeng was responsible for this incident. We have a clue for this interpretation: (Chapter 94) The noona is the one standing in front of the opened door with her donsaeng. Here, the artist was getting embarrassed and humiliated. That‘s how little by little, the artist associated the closed door to shame and safety. This is not surprising that the kisaeng is also standing behind the closed door, when she hears her brother making love to the main lead. (Chapter 96) In addition, she is constantly seen in connection with an opened door, but this opened door is linked to anxieties, pain, shame and guilt: (chapter 68) (chapter 66) (chapter 88) I have the impression that she was acting out of jealousy, and she had intended to tarnish her brother‘s reputation.

And this leads to my final words. In my first version, I had expressed the following thoughts:

„Does it mean that the lord needs to leave the mansion behind in order to liberate himself from his suffering? If so, then we have two possibilities. Either he gives up his title and everything for the painter or he decides to move to the capital and helps the artist to develop his career and even starts meddling in politics.“

And look at the progression of the story. Yoon Seungho did leave the mansion behind and went to the mountain with the painter in his arms. (Chapter 102) This symbolized the final emancipation of Yoon Seungho. He could finally move on from his past, and as such leave the darkness of his mental prison. He no longer needs a window to view life. This scene announced that he was starting living again. Thus I am expecting to see Yoon Seungho becoming more proactive and funny in season 4. He will show his intelligence and strength in order to defeat his enemies because so far, he never revealed his qualities to others, only to the scholar. His past had left him somehow paralyzed, hence he has laid a low profile. In his past, he believed that his prison was his protection, for he could observe and remain quite wealthy and powerful. For me, Baek Na-Kyum is in reality his strength, the reason why he will be able to leave his cage and shows his true colors and skills.

4. The true form of Jung In-Hun

But if the window symbolizes Yoon Seungho and Baek Na-Kyum the door, what is representing the teacher? In my opinion the open air. He is mostly seen outside.

chapter 7

(chapter 7) (chapter 10)(chapter 19) (chapter 29) (Chapter 22) (chapter 35) He often strolls through the courtyard. Therefore I would say that the air embodies him so perfectly. He is seen with his nose in the air

chapter 7

which shows his arrogance. Simultaneously, he gives himself airs. How can he be touched by this low-born? The picture shows both aspects. Then in the chapter 6, he is just hot air (this expression means empty talk in order to impress) , when he says that he was the one who taught how to read to the painter. Here, he tries to present himself as a good teacher to Yoon Seungho. Furthermore, he is overestimating his own skills and he is definitely daydreaming which is connected to the expression “castles in the air”. His aspirations are boundless, he is aiming at the highest position without being competent or even trying to improve himself. He also attempts to air dirty laundry, when he is hunting with Yoon Seungho. He wants to force the lord to admit his lie so that he can criticize him. But here he fails. As you can observe, many expressions with air reflect his personality. However, there is one scene that contrasts to this observation, that’s when he is in his library in the chapter 40. We actually see him at the library in two occasions:

chapter 7 and 40. However only the scene in the chapter 40 is memorable. Therefore I would say that he is linked to two spaces: open air and closed room like the library. It seems strange that Jung In-Hun is linked to a world with no boundary and the opposite, a closed room. Actually, it is quite simple. The outside signifies that he is actually empty and superficial behind his smile. He is so fake hence he has no real personality. Besides, since there is no limit, then it can also signify that he has no conscience as he knows no boundary. Furthermore, it also illustrates that he has no past and no trauma too. Finally, it also indicates that he will never change, there will be no transformation and as such no progression. Air remains air. Yet he only shows his true thoughts in a closed door in the chapter 40. His words there are suffocating the poor boy, that’s the reason why Baek Na-Kyum is left speechless. (Chapter 40) He can’t breathe properly. Since there is no view and no door to the outside visible in the drawing, we have to imagine this reflects his narrow-mindedness. He is surrounded by books (see the pictures from the chapter 7) therefore he lacks real experience and knowledge. He is literally buried behind his books, therefore his knowledge is superficial. (Chapter 27) Even in his bedroom there are books so his own bedchamber gives the readers a suffocating feeling. Since there is no window visible in his room and the library, there is no fresh air in the closed room which explains why it is asphyxiating. Usually, we say in a closed room that it smells musty. He only knows the world through his books and the moral standards. He is not even opened to the outside, only his words and thoughts count. Everything else has no value hence there is no life next to him. People living by his side will end up suffocated as he doesn’t allow them to breathe. He is stubborn and he will never change, a fake, empty and narrow-minded man with no conscience. Because of this connection, I realized that Jung In-Hun had no future in Hanyang. He would end up buried, and this became a reality. Because the moment he left for the capital, he ended up dead. And now, if you think carefully, you will recognize that the learned sir is associated to nature! Thus he was seen in the woods (chapter 6, 22) or in the countryside admiring the moon. (Chapter 70) Air means also breathing! Hence he represents the fresh air entering Yoon Seungho‘s bedroom, hence we had such a scene: (chapter 35) The lord witnessed the intimate interaction between the learned sir and the artist, thus he was incited to leave the bedroom. Strangely, we could say that he was the initiator for the lord‘s liberation. No wonder, why Kim wished to get rid of the learned sir in the end, and just viewed the artist as less annoying and evil!

So the moment he left the domain, the admired sir was confronted by reality. His stay in the mansion had made him dream (Chapter 18) so that he ended up letting his guard down. He was not so competent and intelligent like Yoon Seungho, he relied more on the stupidity on others. He could deceive commoners, but not spies. In my first version, I had envisioned that the learned sir had many tricks up his sleeves so he would survive, but I had not realized that he had met a fake servant (chapter 37) definitely a noble who could see through him. For me, it was the pedophile himself. I had predicted that he would disappear into thin air, and it became a reality, especially if my theory about his assassination is correct. We could see the transformation of the scholar into a ghost, (chapter 50) who would come to haunt the couple because of his resent. (Chapter 98) As the air, he became a spirit! And note that the lord was encouraged to stroll too!

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog

Painter Of The Night: “Master and Man” (second version)

~ Bébébisous33 ~ 2 Comments

This is where you can read the manhwa.  https://www.lezhinus.com/en/comic/painter  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

Yes, I chose this title because of the Russian short novel written by Leo Tolstoy. In this story, the rich land owner Vasili Andreyevich Brekhunov died by saving the servant’s life Nikita, because he realized that the low-born’s life was as worthy as any other man. Furthermore, he also got aware of his own selfishness, for he was responsible for their predicament. They were caught in a snow storm and the noble initially abandoned the peasant. However, at the end, the lord changed his mind and revealed another side from himself. This outlines that status is very superficial and the readers witness the master’s conversion leading a huge change in his behavior and thoughts towards commoners and low-born.

In the following analysis, we will examine the lord- low-born relationship between the nobles Yoon Seungho and Jung In-Hun and the commoner Baek Na-Kyum, when the latter becomes sick. All this was triggered because one of my followers asked me this: Why didn’t Seungho return home for days? From my point of view, the conversation between the nobles and Yoon Seungho, triggered by Min (chapter 33), forced the lord to realize that the artist was indeed a precious treasure, and he was not willing to share him. (chapter 33) At the same time, due to Black Heart’s words, the noble was reminded of the painter’s health conditions. Although the lord was talking about the artist, as though the latter was just an object, the reminder forced him to recall that Baek Na-Kyum was a human who could die. That’s why he returned in the end. His abandonment reflected his cowardice, he didn’t desire to be confronted with the consequences of his bad behavior. Consequently, just like in the Russian novel, the main lead was reminded that the low-born was just a human. As you can see, both characters had a similar disposition and also a change of heart.

Striking is that the butler tried to cover up his master’s cowardice and abandonment. He diverted Baek Na-Kyum’s attention by showing his concern for his master.

chapter 34

But before this, the servant Kim mentioned that the lord’s room was the best, as it was the warmest. (chapter 34) Kim’s remark was in fact insinuating that the lord had been very generous and caring for him. He gave the impression to the low-born that the noble was treating him like a noble, as the latter had sacrificed his bed for his recovery. However, this was not true, as the lord had brought the artist to the study before the doctor’s arrival. (chapter 33) At the same time, the butler was not entirely lying either. The lord had indeed shown generosity and care, since he had called for the physician. Yet, once he had heard about the doctor’s precription, the aristocrat had ran away from his responsibilities (chapter 33) and left everything in Kim’s hands. Remember my statement: Kim is always telling half-truths. Kim was in reality the one who brought him to the noble’s bed. (chapter 33) He needed to portray his master in a much more positive light in order to obtain the painter’s cooperation. The valet hoped that the artist would follow his order (chapter 34) and become the lord’s sex toy:

So in my opinion, while Yoon Seungho had indeed showed worries and benevolence towards the painter, he was relying on his right-hand, therefore he never came to verify if Baek Na-Kyum was recovering properly. The irony is that although the valet treated the painter as a honorable guest (bringing him to the lord’s chamber and taking care of him as if he was his master), in truth he was just viewing the low-born as an object and tool. was truly making sure that Baek Na-Kyum would get the best treatment, but the domestic used the opportunity to praise his master indirectly.

And now you understand why Yoon Seungho didn’t return to the mansion. First, he felt guilty, as he knew why the young man got so sick. His remorse were definitely bigger, as the artist could lose his life. He even heard the critic from the doctor.

Chapter 33

His guilty conscience is actually visualized in the chapter 33. He has no erected phallus and looks exhausted. (chapter 33) While he was at the sex orgy, he remembered the exhausted young face of the painter, while they were talking about him.

Chapter 34

The black coloring about the head is a sign for flashback and memory. We saw in another chapter that Byeonduck uses the color black to announce that this is a flashback. However, I feel that Yoon Seungho avoided his mansion because he was confused too. He wanted to find out if his “obsession” for the painter was related to sex. We shouldn’t forget that in the past, the lord used to go to such parties very often which is revealed during the chapter 33.

Chapter 33
Chapter 33

It becomes clear that the moment he slept with Baek Na-Kyum, he dropped off his visits there. Yet after the sex marathon, he started visiting the sex parties again. the relapse was a sign of his torment. But there are other explanations as well. He thought that going back to the sex parties could help him to lower his strong libido for the uke. He wasn’t sure if his urge for Baek Na-Kyum was caused by the lack of sex, as he had stopped going to these sex orgies or if it was related to something else, to the person itself. Furthermore, I believe that by going back to the sex orgies, he experienced that he was no longer interested in sex, but he was looking for something else. He wanted to be with the artist. And now, you comprehend the second relapse in chapter 51: The lord was suffering, but unlike in the past he couldn’t keep his distance from his lover. He needed to sense his presence. He was no longer his sex partner, but he wasn’t treated like an object or a servant. During these two separations, Yoon Seungho was full of worries for Baek Na-Kyum which he was trying to forget, yet he couldn’t. At the same time, he was reflecting on his past actions:

– Why did he force the man to sleep with him for so long and overlook his current state? What drove him to drop off his visits to the sex parties, when he used to go there very often?

I perceive the lord as someone who does think deeply, hence he wouldn’t be spending so much time in front of his window in general. From my point of view, Yoon Seungho had to introspect himself and was making sure despite his sense of guilt that his “obsession” or love for the painter was not related to his strong stamina but to his desire to share his thoughts with him. He wanted to have a true companion. Let us not forget that Yoon Seungho has never experienced love before and has never received love from his father. So he had no role model, hence he was confused and couldn’t recognize the true cause for his behavior. He didn’t know how to show love. So far, the world he grew up was full of treacherous and vain hypocrites where there is no love. Let us not forget that even Jihwa doesn’t reveal his love for him. Furthermore, his past made him experience sex without pleasure and even without love. However, the moment he met the painter, he could finally connect his sexual orientation with ecstasy. In the first season, without the painter he was experiencing if his “obsession” with the painter was related to sex or to something else. Like I had truly recognized, the noble had not realized the existence of his feelings for the commoner. I believe that he couldn’t name his affection as love due to his lack of knowledge. He was confusing his mind with his heart. There is no denial that he was already in love with Baek Na-Kyum, as the man affected him so much right from the start. The moment they met, he acted differently. Besides, love is never a constant feeling. It changes all the time. Moreover, there are different kind of love. He was attracted by the painter due to his paintings, then due to his face and gaze… little by little he fell for him. However, the lord never realized it, unlike his servant Kim. However, in my opinion, the butler only judged it as an obsession and not as love. He imagined that his master had fallen too deeply into sodomy (chapter 18) In my eyes, the butler’s cowardice is connected to the social norms. He had deeply internalized the social values from Joseon, hence he represents a reinforcement of authorities. As you can see, there are many explanations for his behavior: guilty conscience, out of concern, self-introspection… On the other hand, he is only partially running away from his responsibility, as he had asked the servant Kim to take care of the artist. This is why this “abandonment” stands in opposition to the scholar’s. The latter betrayed during the rape, as he didn’t intervene and acted as if nothing was happening. And the next day, he brought him back to the mansion and abandoned him by letting Yoon Seungho drag him to the bedchamber. At no moment, he tried to stop his sponsor. That’s why he remains invisible in chapter 32.

But if we look back at the first picture at the beginning, you’ll notice that Kim’s words are reflecting something else. (chapter 33) He was acting as a mediator between the master and the low-born which looks like a good thing. In reality, he was meddling in their relationship. Who was he to intervene? That’s why he acted like a father. With his words, the butler was implying that his lord had been affected by his illness, hence he remained away. However, I believe that in the valet’s mind, there existed a different explanation. For Kim, his master was just a coward. That’s why he said this comment in front of the physician: (chapter 33) He anticipated that his master was avoiding to face the consequences of his selfish behavior. For me, Kim doesn’t truly love his master. He views the Yoons as terrible, but he will never confront them. But for his own safety, he needed to deceive the painter. Let’s not forget that Kim had played a role in his escape and the low-born could reveal it to his master. That’s why he needed to fake his care and concern for the painter so that the artist wouldn’t mention the past. Thus he begged the young man not to wander around as a sign of care and gentleness.

Chapter 34

Simultaneously, Kim needed to manipulate the painter so that the latter would realized that he had won Yoon Seungho’s trust. He desired to obtain his obedience. What appears as mediation was in reality manipulation, which would create misunderstandings. He hoped that Baek Na-Kyum wouldn’t go to the teacher’s side. He was well aware of his master’s jealousy. In other words, this scene revealed many important points:

– The lord might have been away but he thought about him and made sure that he would get the best treatment

– Yoon Seungho’s behavior has drastically changed, he hasn’t returned home hence there is something upsetting the lord

The loyal assistant is acting like the lord’s lawyer. And here, in the chapter 34, we can see the contrast with Jung In-Hun’s attitude. Baek Na-Kyum asked Kim about the teacher. Was he worried about him? Has he asked after him? Kim denied all of his questions which upset the young man.

Chapter 34

That’s the reason why he cried in the bed, covering his face. His gesture revealed his pain, but it also indicated that he didn’t want to be confronted by reality. Kim showed him that his admired sir had abandoned him, but the artist was in denial. He only explained it as a lack of concern. He was veiling his face in front of the truth. On the other hand, this scene was important for another reason. It truly exposed the learned sir’s stupidity and blindness. Without the artist by his side, Jung In-Hun meant nothing to the protagonist. Note the contrast between the butler and the scholar’s attitude. The former had understood the artist’s importance, though he didn’t like it, while the learned sir seemed to be in denial. The low noble didn’t even imagine that Baek Na-Kyum could lose his life. Then if you compare both aristocrats, you’ll detect the huge difference. Although both nobles were away from him, one kept his distance out of concern and guilt, the other felt nothing. The words Kim said did affect the painter, he could sense that the powerful noble had been caring and kind. Kim’s words made sure that the low-born wouldn’t push away his master like in the past, and wouldn’t blame him for his sickness. At the same time, the butler was trying to “tame” Baek Na-Kyum.

And Yoon Seungho’s humbleness and selflessness was revealed with the kiss. (chapter 32) However, the valet Kim was not present, hence when he lied to Baek Na-Kyum, he had no idea that in reality his words were containing more truth than lies in reality. That’s why I chose the kiss as illustration for the analysis. The roles were switched. The master acted as a servant, and the low-born was now the lord. The male lead was acting like Vasili Andreyevich Brekhunov from the Russian novel. Yoon Seungho was even willing to give water to the exhausted man. This situation was repeated in chapter 76: (chapter 76). The lord made sure that the painter would feel better with the water. But let’s return our attention to chapter 33. In the bedchamber, the main lead was to blame for Baek Na-Kyum sickness, as he hadn’t paid attention to the artist’s condition. He had acted selfishly, exactly like the protagonist from Master and man. Both realized their huge mistakes, came to regret and took some responsibility, although the chronology in the Russian story diverges. But this shows that both aristocrats came to realize that commoners were humans and no possessions.

This is not surprising that In-Hun’s indifference and even selfishness hurt the young man more at the end. It was really visible in the next chapter. The young man had to hear that what Yoon Seungho did was not normal (chapter 35) and his preparations for the exam were more important than the painter’s life. (chapter 35) For the first time, Baek Na-Kyum could sense that Jung In-Hun was selfish and not kind. Moreover, he even reminded him that as a low-born the noble shouldn’t spend so much money for him. Indirectly, Jung In-Hun was telling him that if he had been Yoon Seungho, he would have done the opposite: not giving him the best room, not sending for the physician and not spending so much money for the medicine. In that chapter, Baek Na-Kyum could finally see glimpses of Jung In-Hun’s true personality. Therefore I think that the servant’s words did influence the young man, he didn’t blame and resent the noble for his condition. He saw the caring gestures, although he was absent… whereas Jung In-Hun was absent due to his own interest. (chapter 35) Here, the low-born’s head is down which indicates a certain resignation and pain. While the one did change his behavior and showed a new side to the young painter, the other remained indifferent. The caress on the cheek could no longer mask the learned sir’s lack of concern and selfishness. (chapter 35) No wonder that after his departure, the artist was disappointed and heartbroken.

To sum up, one aristocrat felt remorse and guilt, hence he tried to redeem himself by taking care of the artist to his own detriment, he even left the mansion for days, the other acted like usually. Here, we can see some similarities between Yoon Seungho and Vasili Andreyevich Brekhunov. Both are able to feel empathy. Baek Na-Kyum started seeing the powerful master’s caring side. Due to Kim’s words, he thought that the lord even sacrificed his own comfort and health for the young man… just like the Russian land owner sacrificed his life for Nikita, the peasant. The chapters 34 and 35 are important, because they marked a turning point in Baek Na-Kyum’s life. The perfect image that Jung In-Hun had been able to create was starting showing cracks. Little by little, the painter could sense that his relationship with the teacher was defined by his status, while Yoon Seungho’s behavior made him realize that he was not treating him like a low-born, but like a human. This explains why later Baek Na-Kyum lied to the teacher for the first time. The lord had showed him his vulnerable side and had even let him stay by his side, when the brother visited him. The artist felt the learned sir’s lack of empathy and concern for him and his selfishness. In his eyes, he was just a low-born, and Baek Na-Kyum could already sense it. Therefore he lied.

But let us not forget that he still hoped that the servant Kim had not told the truth, hence he went to the teacher in order to get confirmation. Yoon Seungho’s conversion was also visible, because after his return, he spent the whole night thinking how he could improve his relationship with the artist. And notice that from the chapter 36 on, he started lowering himself in front of the painter literally and figuratively. The blow-job in this chapter

chapter 36

contrasted so much to the blow-job in the chapter 28.

chapter 28

Their places had been switched: the low-born had become the master. First, the noble acted like a master with the soft punishment (chapter 36), until he saw the painter’s erection. He was willing to give up his position as master. That’s why he prioritizes the painter’s pleasure all the time. (chapter 36) So their relationship master-servant stopped at this moment, hence he lets him stay by his side, when the brother Seung-Won is in his chamber.(chapter 37) Notice that his position had changed. He was sitting by the lord’s side. He even asked the artist to sleep by his side and let him stay in his bed without waking him up the next morning. As you can observe, the characters’ position illustrated their actual position in their relationship. When Baek Na-Kyum woke up the next morning, he was alone in the bedchamber. The lord preferred to leave his bed and eat elsewhere. In other words, Kim’s words from chapter 33 became a reality. He let him rest in his bed. Yoon Seungho showed so much consideration that in the chapter 39, he even went to the kitchen in order to fetch the low-born. (chapter 38) He didn’t even send his loyal assistant. He had become the “servant” himself. In other words, we witnessed the lord’s slow conversion during the chapter 36 and the small changes from that moment. The nature of their relationship had changed, hence he claimed Baek Na-Kyum as his bride unconsciously. (chapter 40) So both characters, Yoon Seungho and Vasili Andreyevich Brekhunov transformed into a different person, more selfless and caring. They were willing to sacrifice things for them: status and pride. On the other hand, the nature of Baek Na-Kyum’s relationship with the teacher changed for the worse: from a teacher to a student, it became a lord-servant relationship, and the painter sensed the change of their relationship. But let us not forget: Jung In-Hun never considered the young man as a student, for him he had always been a low-born. It is just that he was so good to deceive the commoner.

And these observations in the first season were confirmed in the second season. The only difference is that this switch of social position from chapter 33 on was more momentary. The lord still viewed himself as a noble, he never realized his transformation. Yet in chapter 71, the noble chose to confirm the change of status: (chapter 71) Baek NA-Kyum was no longer a low-born, but a noble, while the main lead was his “servant”. This explicates why the noble was no longer asking for him in the evening (chapter 74) and visited him secretly during the night. But this switch of position didn’t remain a secret, the moment the lord embraced his panicked lover. (chapter 76) At the end of the second season, the lord’s true personality is more and more unveiled: he has a kind and generous heart, and he is able to reflect on his wrongdoings, which contrasts to Jung In-Hun. And now, you can comprehend why right from the start, I was fascinated by the infamous sodomite. The first season let us see glimpses of his warmth and selflessness. This means, the noble’s courage and strength will shine more and more.

As a conclusion, Yoon Seungho is a figure that resembles the noble Valmont from the “Dangerous Liaisons” and the land owner Vasili Andreyevich Brekhunov from “Master and man”, a man full of redemption despite his sins. As you can see, from a simple question “Why didn’t he return to the mansion?”, it became an analysis about master and servant and the transformation of Yoon Seungho.

And here again, I could use a classic story for an inspiration and comparison which shows how well written this manhwa is.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Seungho’s weaknesses

~ Bébébisous33 ~ 6 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

After reading the title, you are probably thinking that this analysis will be about his tragic past. But no… not really, as my focus will be what makes the lord happy and unhappy. As you know, weakness can be negative or positive, like for example chocolate is my weakness and as such many weaknesses are connected to the low-born. Thus I chose different scenes as illustration for my affirmations concerning this topic.

Right from the start, we can observe how Baek Na-Kyum’s face become Seungho’s first and important weakness. He is literally glued to the painter’s face, in particular his hair and his eyes. That’s why in chapter 1, the noble is willing to lower himself and touch his face the moment he sees the painter crying.

Chapter 1

Look how gentle and caring he is in this situation, although they have just met. He acts in a similar manner in chapter 26 after the forced sex. He doesn’t like it, when the painter is crying so much.

Chapter 26

Here he does show some concern again with the same tenderness. Moreover, the image of the painter’s face full of tears (from the chapter 1) left a deep impression on the main lead so that while having sex with Jihwa at the pavilion, he remembers the artist’s visage. (chapter 3). Fact is that he is so drawn to his face that he can’t help himself to caress the lips or cheek (e. g. chapter 12)

or the hair (chapter 16)

(chapter 35). As you can observe, the master is so attracted by the painter’s beautiful head and face that he always looks at him and even feels the need to touch him. Furthermore, the seme made sure that the commoner would keep his pretty visage without a scar that’s why the former asked Kim to put the ointment directly on his lips after the straw mat beating. This signifies that he even ordered medicine for a simple commoner outlining that Seungho was willing to do anything as he was attracted to his face. And let us not forget that this happened before the seme and the uke made love. The obsession for his face is also confirmed directly by the noble, when in the chapter 31, the protagonist declares that he knows that Baek Na-Kyum has been attracted to him.

Chapter 31

This is a proof that his eyes were literally fixed on the artist all the time, even when he was having sex with others. I sense that the eyes are the biggest attraction for the main lead which I will explain further later.

I believe that beauty is not just the only explanation for his fascination. Baek Na-Kyum is so transparent which the noble feels refreshing. Despite the lies and the insolence, Yoon Seungho is capable to perceive the young man’s innocence. Everything in him is exuding sincerity. However, even if the low-born is so easy to read, as time passed on, he becomes the biggest puzzle to solve. Even at some point, Seungho has reached the point that he has to admit that he can’t win this guy over. Imagine, the powerful and fearless lord was almost defeated by such a pure commoner. Why does he find his transparency so interesting? It is related to the world and society he grew up with. All the nobles we saw are or were scheming and manipulative. His so called friends like Min made the “suggestion” to Jihwa to kill the “lover” and the red-haired noble Jihwa played a trick on Baek Na-Kyum by damaging a painting. Then the teacher Jung In-Hun is so fake that he copied more or less a poem from a famous poet and finally his own father betrayed him too. He experienced treachery from his closest relative hence he mistrusts nobility generally. That’s why he doesn’t care about standard morals and etiquette as they are fake. Yoon Seungho is very cautious with people from the same social status, since he has got used to their fakings and schemes. The lord had already felt the naturality and genuineness in those paintings, then he experienced it again with the painter. The latter stands in opposition to the nobles Seungho mingles.

But the lord is not just weak in front of the artist’s face, eyes and his purity, he has a softness for his reddening and tears. Unlike Jihwa who hides his feelings and thoughts behind his closed eyes, his smiles and his rude remarks, Seungho is able to see honest and natural emotions on someone’s face for the first time. As you can observe, the facial expressions are another reason why Seungho fell for the genuine artist. He is able to see that Baek Na-Kyum can’t control his emotions and thoughts. For the first time, our seme is confronted with real emotions through the facial expressions and the gaze. And it definitely helps him to reconnect to his own feelings which had been repressed for so long. Therefore as the story evolves, the more expressions the lord is able to make: he smiles more (chapter 12)/ (chapter 35), his eyes are shining or if he is so angry, his gaze gets so dark.

chapter 28

It was as if his eyes became weapons so that he would kill someone with them. (chapter 30). The beholder is witnessing more and more expressions coming from the lord, while he was so detached in the beginning, when he was sitting in his room looking out of the window. Through Baek Na-Kyum, our seme learns to discover his inner emotions, that’s why we can say that the uke serves as a mirror unconsciously. The eyes were definitely working as a mirror. Baek Na-Kyum showed his sadness, true desires, anger, happiness and thankfulness… a full range of different emotions. But our seme needed to learn how to control them as he had not been used to feel anything for a long time.

But let’s return to the observation mentioned above. Seungho falls for Baek Na-Kyum’s blushing. Each time, he sees the man reddening because of him, he is happy or feels better, just like in the chapter 35.

Chapter 35

Although he was terribly fatigued, he couldn’t restrain himself from smiling, when he saw (chapter 35) the painter’s reaction. I could use the scene in chapter 39 as another example. In that scene below, he hears from the low-born that he is blushing because of him.

chapter 39

That’s why he starts teasing him. So this blushing is first connected to his face and secondly to his honesty, which reinforces the idea that the face as such plays a huge part in his falling in love.

The other weakness is that simple words coming from Baek Na-Kyum have a great impact on the protagonist. He is so affected by his comments that he behaves differently. First, he is truly bothered by Baek Na-Kyum’s critic, when the latter reminded him that he was just a man consumed by lust. (chapter 5) Hence he can’t even have sex with Jihwa the same day. Let us not forget that these words were told the day before and the noble had not taken these too seriously. However, this time the critic is not said because the uke is upset but because he is serious. During their exchange, the low-born is trying to say the opposite: he is not a man consumed by lust. So he is lying, yet as I mentioned before, the lies are so transparent that they are no real lies. In other words, the uke didn’t realize that he was in reality reproaching the man to be obsessed with sex. The innocent reminder did the trick. Seungho has now something to think deeply.

chapter 5

Then we have this terrible scene in the bathroom (chapter 26), where Baek Na-Kyum is brutally honest with the lord. While the latter tried to put the blame on the artist that everything happened, because he had accepted the proposal and mistaken him for the teacher, then the low-born replies with such a honesty that Seungho can no longer hide from the truth:

Chapter 26

He dares to tell the tyrannical master that he is the one responsible and deep down, the lord knows that he is right. Remember that he didn’t respond to the kiss immediately in chapter 20. Look now how shocked the noble is. His honesty makes it impossible to reply. He is left speechless. No one has ever dared to be so frank and he knows that deep down he can not deny it. Then Baek Na-Kyum yells at him how much he hates him.

Chapter 26

This triggers the lord to grab his sword and announce him that he is about to kill someone.

Chapter 26

He doesn’t even need to give the identity of the future victim. As you can observe, Baek Na-Kyum’s words have such a power over the lord. He can’t help but react to these reproaches or critics. If we compare this confrontation to the one with Jihwa, we can perceive a huge difference. Seungho is always able to reply and even have the final words, whereas it is not the case with Baek Na-Kyum. And in each time, the painter’s gaze played a huge part in it. Here, he could see the hatred reflecting in these eyes and he couldn’t bear looking at them any longer. He had no response to this harsh reply. Then the most important scene where the beholder can witness the power of Baek Na-Kyum’ s words is in chapter 41. While crying, he begs the lord to leave him alone. He uses the imperative twice so he acts as if he has the upper hand. He gets so upset that he ends up yelling at him.

Chapter 41

Furthermore, with his words he is rejecting the lord’s presence. However, Seungho kept holding his hand and forced the young man to show his face because he wanted to see his eyes and facial expressions. Pay attention to the first facial expression when he observes the painter crying.

Chapter 41

He is honestly worried and must feel the urge to console him. That’s why he wants to look at the painter’s face because he knows that his facial expressions will reveal the cause of his distress that’s why he refused to listen to him. Here, he acts like a lover full of concern for the painter. However, the way he is rejected upsets the master. I believe the slap was triggered for two reasons. Until chapter 41, we always saw the protagonist being very lenient towards the uke’s boldness. By reminding him of his status, Baek Na-Kyum can’t push the man away. As you see, he used the slap as a way to stay by the painter’s side. Furthermore the reproach Baek Na-Kyum expressed that he did everything he wanted. He was following his order: he painted as requested. However, Seungho was no longer interested in the paintings. He is longing for the commoner’s love. So here again, the noble is reminded of their actual situation. The painter is just an employee hired by him. The words Baek Na-Kyum screamed provoked a certain reaction: he used his status in order to be able not to follow the painter’s wish, besides the uke’s words did reflect the truth. They had a master-servant relationship. On the other hand, the lord wanted to comfort him in the beginning, until he saw the picture of In-Hun and comes to a different conclusion. He believes initially that it is related to the departure of the teacher, then that the painter has been asked to sleep with the lord on In-Hun’s request.

The other weakness is Baek Na-Kyum’s erection. The rich man is desperate to be the cause of his erection. Hence he tries to stimulate him in chapter 31.

Chapter 31

The expression “for me” at the end of the sentence emphasizes the expectation of the noble. He wants to be the cause of his sexual desires. Now, you can understand why the lord was so happy to see that the commoner had an erection because of him in the chapter 36. We all know that the real trigger for his erection is the aphrodisiac but if he hadn’t been sexually aroused by the lord before, I doubt that this would have ever happened.

Chapter 36

That’s why he is smiling with this erection. He is still careful in this chapter because he knows about the weak constitution of painter but he is very insecure about Baek Na-Kyum. He has no idea how he could improve their relationship. So the erection helps him to provoke pleasure in his sex partner. He knows that it is important for the uke to feel ecstasy so that he will be accepted as his partner.

In other words, Baek Na-Kyum seems to be his weakness: his face, his eyes, his facial expressions, his words and his genuineness are the causes why he fell hard for the painter. But this is not the end. The protagonist has other weaknesses which were revealed in the first season: the shaking hand, the nightmare and the insomnia. They are all mostly related to his family and past. Striking is that only Baek Na-Kyum is able to witness all these reactions. He saw the exhausted face in the chapter 35, (chapter 35) indicating a certain lack of sleep, then the shaking hand with the fist,

chapter 37

while the lord was talking in a confident manner in front of his brother Seung-Won. He is definitely hurt by the request from his brother because he is reminded of his own past. Yet he can’t reveal anything: his own suffering and what really happened back then. He has to suppress everything and the shaking hand with the fist outlines the resent and frustration. Finally, he asks the young man to sleep with him. He hugs him in his sleep, however he seems to suffer from a nightmare.

Chapter 38

Yet he has to hide all of this in front of his servants and other nobles because this could be used against him. He is not allowed to reveal his vulnerability. I come to the conclusion that his hidden vulnerability represents another weakness.

Yet, though the painter has become the biggest weakness for Yoon Seungho who fell in love with him, I believe that he will become his biggest strength. Yoon Seungho will be forced to leave his lethargy behind and even to meddle with politics and officials, since Baek Na-Kyum has been able to evoke true protective instincts. Therefore the weaknesses I listed above are actually positive aspects. All of this proves the deepness of the master’s affection. This is not just a physical relationship.

On the other hand, it seems that the lord’s vulnerability will be one of the reasons for Baek Ny-Kyum to fall in love with the lord. First, he was already attracted to him right from the start. Secondly, he noticed the straightforwardness of the lord. He never deceived him (even with the warnings and the blackmail) so that at some point he even started listening to his words. Because of him, he starts questioning the teacher’s true intentions. He has finally accepted to be by Yoon Seungho’s side. I also think that in the second season, Baek Na-Kyum will discover new sides from the lord: his intelligence and education. I am even expecting that Yoon Seungho teachs the uke himself how to read and write so that he can be called “learned sir” and replaces the teacher totally.

Painter Of The Night: Yoon Seungho’s father: first impressions

~ Bébébisous33 ~ 8 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining.

The main lead’s father only appears at the end of the first season. Striking is that the beholder can’t see his face as he is looking at the paper on the table. That way he still remains mysterious and somehow anonymous.

episode 44

However, the father is already mentioned in the first episode through Baek Na-Kyum. Striking is that this character is introduced in a similar way like Jung In-Hun. This indicates that although the father is not present in Seungho’s life, his shadow has left a deep impact on Yoon Seungho. Thus in the first chapter, we hear from the artist that the master Yoon had cut off the topknot of his eldest son. This gesture symbolized the rejection and the abandonment from the father. Furthermore it also ruined the son’s reputation. From that moment on, Yoon Seungho was stigmatized by gossips as a huge sodomite. Since Baek Na-Kyum is even able to remember this story, it shows that the huge scandal hasn’t really died down… it still exists in people’s mind. Consequently, the master Yoon is linked to a scandal which doesn’t leave a good impression for the readers.

Later, we discover that the families close the clan Yoon were all arrested due to a purge and only the family Yoon was able to escape from this extermination. What caught my attention is that the whole family left the mansion leaving the eldest son behind. From this simple information, we can already conclude that the father was running away and dropped all the responsibilities to his eldest son. That’s why I already come to the conclusion that the father is more or less a coward. He literally walked away from everything. In another post, I have already exposed my theory about Seungho’s tragic past hence I won’t repeat myself. Sure, there is no guarantee that my assumptions are correct. Yet even without knowing the whole past, I can discern certain features from the father: his gutlessness and his cruelty.

However, the reader feels his presence again, when the younger brother pays a visit to Seungho. The latter had refused to reply to the letter from his brother hence the young man didn’t want to leave the noble alone therefore he visited his brother during the evening and even forced his way into the mansion.

episode 37

The servants could barely stop the young master to enter the chamber of his eldest brother. The way Seung-Won behaves underlines the urgency. The father and his brother seem to need Seungho. But we don’t know the reason. The brother shows a certain discomfort, when he is finally received, since there is a drop of sweat on his cheek. You can sense that he would like to talk in private but can’t because Baek Na-Kyum is present sitting next to Seungho. He tries to ask his brother to send away the young man but he is interrupted by Seungho. The latter won’t listen to him and he should tell immediately the cause for this late visit.

episode 37

The excuse is the long health issues of the father. Therefore he begs his eldest brother to pay a visit to the father. But if Yoon Seungho went to visit his father, this would signify that the son wants to be reintegrated into the family. He would show his respect to his father. Consequently, the father could announce his wish to return to the real family’s domain where Seungho is living. In the long term, the father could claim that since he is the head of the family, he is the real master of that mansion.

Chapter 37

For our protagonist is not stupid, he can only reject the request. Furthermore, this excuse and demand outline two major points:

– The father is using his son Seung-Won as a tool. He knows that he can not ask his eldest son directly, as he was the one who cut ties with him. The father is quite manipulative. He is definitely not ill which the picture in the chapter 44 confirms. The father tried to reach his son much earlier through letters but the son turned a deaf ear.

– The father wants to maintain his good reputation, he doesn’t want to lower himself and beg Seungho for forgiveness. The father truly shows neither regret nor remorse. Now, we can clearly see where Seungho’s selfishness comes from. The father knows that he needs Seungho’s support so that his younger son can become an official. Maybe he wanted from Seungho that Seung-Won is allowed to live at the mansion in the capital.

episode 37

Seungho doesn’t just refuse the request, he is making fun of his brother and father. The reader feels the resent coming from the protagonist, his reply is full of sarcasm as he is reminding his brother about the past which hasn’t been revealed. Since he mentions that he is already living by the principles father taught him, I came to the conclusion that Seungho was never a homosexual from the start. Because his father abandoned him in the past, this event shouldn’t be changed as the father chose to do such a thing. But this ironic remark reinforces the determination of the seme. He has no inclination to reconnect to his relatives.

As conclusion, he is also abandoning his family. He has no intention to help them. Yet, when the brother leaves the house, he receives a letter from the servant Kim which makes Seung-Won happy. It was as if the late visit was not fruitless. For the first time, Seungho gave a letter for the father.

Only at the end of the first season, we discover the content of the letter. It is the ruined painting, where Seungho is having sex with two partners.

chapter 44

In the first picture above, we could see the hands shaking. This already revealed that the person was not happy at all, quite angry. Sending this picture was a very bold move from the protagonist. He is showing his disrespect to his own father. But at the same time, he is reminding his father that he became a homosexual because of him. He is definitely living the life his father forced upon him. However, if you pay attention, the painting has been ruined by Jihwa therefore this erotic picture is fuzzy. It was as if his life as a hell-raiser and biggest sodomite is about to evaporate. His disappearance coincides with his falling in love with the painter. He is actually no longer living like that. He has become quite monogamous. He hasn’t slept with anyone else after Baek Na-Kyum’s recovery. So the father is left in the dark.

Finally, I would like to point out that the father didn’t even let the brother see the content of the letter. This shows that there is some secrecy kept from Seung-Won. Secondly he didn’t even go outside to say goodbye to Seung-Won, when the latter is about to leave for the capital which shows a certain lack of affection from the father. This actually reinforces my impression that Seung-Won is just a tool for the father and is manipulated by him too. It seems like Seung-Won wants to enter the civil service examination too. Seung-Won and Jung In-Hun will both meet there. I can also imagine that Jung In-Hun will be the one who leaks the info about Baek Na-Kyum to the relatives. I can imagine that the father might try to use the painter in order to force Seungho to give in.

As conclusion, although we didn’t get to see the father’s face and don’t know much about him, he has left a negative impression. Through my analysis, I perceived many flaws. He is selfish, greedy, manipulative, coward, cruel and ruthless. Just like Baek Na-Kyum was living in the shadow of the envious and jealous Jung In-Hun, Yoon Seungho led a similar life, he was burdened by the father’s shadow. Since we could see how the painter could escape from the teacher’s claws, we can assume that Seungho will experience the same. Actually this has already started. Thanks to his love for the painter, Seungho has turned into a different man. But let us not forget that he is suffering from insomnia, his hand was also shaking, (chapter 37) when the brother asked him to visit the father. His suffering has not ended totally, for that he needs to unveil his past to the artist.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter of The Night: Yoon Seungho: A tragic figure or a hell-raiser ? (second version)

~ Bébébisous33 ~ 8 Comments

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

The seme, Yoon Seungho, in this story is introduced with this expression “a hell-raiser” by the uke Baek Na-Kyum. The latter has heard about Seungho’s bad reputation. Strangely, the more chapters we read, the more we realize that our main lead is different from what he appears to be.
What caught my attention while reading this manhwa was the way Seungho stands, when he interacts with people. First of all, as a wealthy and influential noble, he sits far away from the others, not just from the servants. There is always some distance or a table between him and the others. Let me show you a few examples.

In the chapter 12, Jihwa visits the main lead without any appointment. In this scene, notice that Jihwa doesn’t sit next to the seme but in front of him. This underlines the gap between Seungho’s status and Jihwa. Furthermore, there is no physical contact between them at all. Even Seungho is looking outside the window, while talking to Jihwa, that’s how he sees Baek Na-Kyum and decides to go to him. In other words, although Jihwa is physically closer to Seungho, the reader can sense the existence of an invisible wall between him and Jihwa.

Chapter 12, Seungho drinking tea with Jihwa on the right

But this doesn’t happen just once. Even after the long night spent with BNK who got so sick, we see Seungho sitting in the center of the room after a sex orgy and it was as if his sex partners would be below him, as if they were all standing at his feet. In this chapter (33), they are all asking for BNK’s presence… their request underlines the special status Seungho has over them. At the end, Seungho decides to leave the room which shows that Seungho is no pushover and makes sure to maintain the distance between him and his sex partners.

This contrasts so much to the interaction between Seungho and BNK. Right from the start, there is no gap and distance. Remember the first chapter where Seungho took BNK’s hands and even let him touch his own loin. Later, you see him always touching the painter’s face. However, there is one scene that caught my eye, it is in the chapter 16. Jihwa and Seungho had just a sex session and Seungho decides to go to BNK’s side.

chapter 16

Notice the contrast between Seungho’s behavior in the chapter 12 and here. Seungho is not even closing his robe, he even lays down next to the painter. And he keeps asking questions. He is very relaxed in opposition to the scene where he is drinking some tea. The way he is dressed contrasts so much: his robe is loose and open, while he is well-dressed with Jihwa. While he maintains an air of nobility and oozes mind control in the chapter 12, here he gives the impression of cheerfulness. It was as if he was playing as he has BNK’s hairband in his hand and keeps looking at it. Notice the huge opposition: Seungho is lying on the ground next to the painter, while with Jihwa he was sitting in front of him. This gives an explanation why Jihwa is furious and jealous. Seungho has never really rushed to go to his side, he even ignores Jihwa who is about to leave.
This behavior outlines Seungho’s curiosity for the painter and his wish to be close to his idol. He definitely shows an interest towards BNk, while he remains quite indifferent to Jihwa and the others. In this scene, there is intimacy and closeness and this is no coincidence that the noble calls the painter Na-Kyum while whispering. He is quite intimate and reveals his need to close the gap between him and the painter. In other words, Seungho has a different attitude towards the painter. While he maintains a gap between him and his sex partners, he is doing the opposite with BNK. He is not indifferent but curios and quite cheerful. He even smiles.

This closeness and intimacy is even underlined one more time, when Seungwon, Seungho’s younger brother, pays him a visit. The latter announced him that their father was ill and our seme should pay him a visit. Although the painter is a low-born, he is actually sitting next to Seungho’s side, while the brother is facing him. This shows that Baek Na-Kyum is even closer to him than his own family. He let the painter hide his face, yet he didn’t even ask him to be dressed. (chapter 37:

The painter is even turning his back to the brother which shows a certain disrespect, nonetheless this was certainly ordered by our lord.

Then after this scene, Seungho shared his bed with Baek Na-Kyum for the first time. The lord was even hugging the painter and let us not forget that he always sent his sex partners right away after their love session. Striking is that both chapters 16 and 37 have something in common: the lord is the one pleasuring the low-born and not the other way around. So, here the lord shows rather an “inferior” position, although from his social status he is above Baek Na-Kyum. This indicates that the social norms have disappeared.

Then I observed another phenomenon. I noticed that Seungho was often shown in front of a window (chapter 12, chapter 44) or under a roof (chapter 19 :

chapter 30 :

Chapter 30: Yoon Seungho hears about the painter’s return,

while he keeps watching BNK who is standing outside. It appears to me that the author has an intention with Seungho’s position. I get the feeling that Seungho had stopped living after the incident with the topknot and the purgery. In the chapters mentioned above, the noble witnesses:
-the disappointment of BNK, when In Hun hears that he was invited due to the deal with the paintings.
– the departure of In Hun from his room, just like he looks at BNK returning from the gate.
– how BNK leaves his bedroom after the punishment.

Striking is that Seungho shows two different kind of behaviors:
– he remains passive and indifferent on the surface but can’t help thinking about the painter

chapter 44


– he rushes to BNK’s side (chapter 12, 30)

episode 30

and touches him right away. He grabs his wrist, or touches his head… there is always this physical contact which Yoon Seungho never has even outside their sex sessions. Usually, he acts like that, when he is upset and very emotional. In other words, BNK is able to change Seungho, as the former ignites reactions from Seungho. My interpretation is the following: The noble only watches life from his window, meddles more and more in people’s life due to BNK. Remember that after meeting Seungwon, it looks like Seungho sent a painting of himself with his sex partners to his father. So far, he had ignored his father and his brother.
The lord is less and less indifferent. I have the feeling that for the first time, he is no longer feeling empty. Even after the rape, he can’t help looking for BNK in the bathroom. He is angry, feels guilty and jealous. The violence of his emotions can only be explained by the fact that Seungho felt nothing for so long. He is not able to control his emotions, and this illustrates that Seungho is no longer an indifferent, passive and emotionless person, quite the opposite. Seungho needs to learn to control his emotions, something he forgot. And you can observe that as time passes on, Seungho is able to show more and more affection. The so-called loyal servant Kim told BNK that Seungho had mood swings, which I explain so. Seungho could be either violent and ruthless or indifferent/broody. When he killed the servant, he showed no fear, no remorse… he just did it without feeling anything, though his face lets transpire sadness. While killing the domestic, the lord tried not to take it to heart. But his violence has nothing to do with emotions first, only when Seungho started interacting with the painter. In the first chapter, the noble had even announced that he would kill someone, which outlines his lack of emotions and empathy. And this shows that his brutality is not inherent to Yoon Seungho. His violent outbursts are also linked to his suppressed anger and rage due to his past trauma, as he was forced to accept his fate. Hence he started cutting himself from emotions… but in reality, he was like a dormant volcano, and his eruptions were caused by BNK’s reactions.

From my point of view, Seungho is starting to live for real, and the sex he had before was a way for him to pass time. This would also explain why Seungho had problems with erections before (he needed to be prepared, to have replenishing medicine and even the erotic books in order to get a reaction). This also explains why Seungho refuses to join In Hun in reality. He has been detached from the world for so long, he has no interest in politics and whatsoever. However, I sense that Seungho will be forced to act outside his courtyard in the long run. Being indifferent and detached from the outside world, is not right, as we can see that Jihwa is about to have BNK killed and In Hun might try to hurt BNK in order to weaken Seungho. In Hun has not forgotten the humiliation and I am quite sure, he wants a payback for that. Seungho will be forced to handle.
At the end of this season, Seungho remains passive and indifferent on the surface, yet his gaze never leaves BNK and even with In Hun, he thinks about him. He is no longer a robot, but a human being seeking for love and recognition. He knows that BNK has given up on his crush hence he feels much more confident than before that’s why he mentions BNK to In Hun before the latter leaves for the capital.

But now, you are wondering why Yoon Seungho became such an distant, passive and rather indifferent man, who was feeling rather empty. I mentioned before that Yoon Seungho was suffering from a past trauma. His loyal servant once told our uke that the lord had a tragic and painful past. However, we don’t know anything specific. The reader is just aware that the son is estranged from the father. While reading the manhwa for a third time, I came to the following theory. Naturally, there is no guarantee that this theory is the story imagined by Byeonduck.

From the start, Seungho was not a sodomite but due to the discovered conspiracy, the father decided to have his son to take the blame in order to escape the purge and divert attention. He created the rumor that Seungho was a sodomite and put on a show. This would explain why the father dishonored his son in such a ostentative way: cutting off the topknot which is not just a humiliation but also symbolizes a castration. Another possibility is that the father somehow “sold” his eldest son in order to escape the purge so that Yoon Seungho got raped by a higher-up official. Both theories have in common that the father betrayed his eldest son for his own survival and in order to ensure that his son would never reveal their connection to the conspiracy, he ruined his son’s reputation by declaring him a sodomite and cutting him the topknot. Why not a sodomite from the start? (sorry for the repetition)

We shouldn’t forget that we heard the lord drinks a lot replenishing medicine, which is an aphrodisiac. Now, Baek Na-Kyum is drinking the same thing and notice his reaction: he was hard… The servant was helping his master this way. Notice how happy Seungho was, when he noticed Na-Kyum’s reaction. Seungho was just writing and Na-Kyum was already reacting. Secondly, we read from Jihwa that the latter always had to prepare Seungho (blowjob) in order to get aroused. (chapter 3)

Finally, right in the first chapter, Seungho confessed that only with Baek Na-Kyum’s book, he could get aroused right away. (chapter 1)
This would explain why Seungho resents his father and said to Seungwon that he was living by the father’s principle… which is living as a sodomite because his father ruined his reputation and life. The father betrayed the son, when he declared him a sodomite. With this move, the father made it impossible for the son to become an official with a high position.

But now, I would like to add new aspects. Actually, Seungho was not sent away because he was a sodomite. It was actually the opposite. The family left the domain and went to the countryside, leaving Seungho behind. And this new detail is quite important… it was as if the father wanted Seungho to become the head of the family Yoon and if the authorities decided to punish Yoon’s family, then Seungho would have become the target. Since the father had left the property to his son, if the police had come to arrest Yoon, then the family could have said that Seungho was the one responsible as he was living in the courtyard, but the family had cut ties with him as he was a sodomite. In other words, not only the father humiliated his son but he also tried to turn him into a real scapegoat. The father thought that Seungho would be the one to take the fall. Furthermore, while the family left, it is said that all the servants were replaced which is a clue that all of them were killed. And I have the impression that Seungho was forced to get rid of them if he wanted to survive. With no witness, Seungho could survive the purge, however he couldn’t kill the loyal servant who had been by his side all this time.

As conclusion, since the family left the family domain, it means, the father not only pushed all responsibilities on his eldest son Seungho but wanted to sacrifice him. The latter was the one who had to dirty his hand in a way to survive. That’s why he is suffering from insomnia and has often nightmares. This is much more terrible than what I wrote a few days ago. This explains why Seungho really hates his father and had his hand shaking, when the younger brother mentioned the father’s illness. With Seungwon’s visit, it becomes clear that the father has decided that it is time to return to the family domain hence if Seungho visits his father, this represents a reconciliation and marks the return of the Yoon. Since the brother smiled, while receiving the letter, it looks like it was a good sign for the father. At least, Seungho wrote a letter to the father… I can imagine that during all this time, Seungho ignored his family that’s why he never replied to the brother’s letter. I can imagine that the father is asking for a visit and will ask that Seungho helps his brother to become an official. I even suspect that since the father has been so cruel and selfish, that he wants from Seungho another sacrifice. Since Seungho has a bad reputation as a sodomite, he can not become an official, the father ruined his life. However, I have the impression that Seungho might have been close to the deceased grandfather who had a high position in the government. Jihwa mentioned like some others that the Yoon family was declining. The reason is that no one after the grandfather took up a government post, like Seungho mentioned it to In Hun in the chapter 6.

And here is another speculation from my side. Since according to Yoon Seungho, the father never had a position, it looks like the young man has either repressed that his prostitution helped his father to get a high position, or he has no idea that his father sold him as courtesan for his own career. We know for sure that father Yoon had a high position and was forced to resign. (chapter 37)

I was wondering if the grandfather considered his own son as not suited for a high government post, and wanted his grandson to follow his footsteps. Besides, I had the impression that there’s some secret behind Yoon Seungho’s birth, which would explain why his official father truly loathed him. When Yoon Seungho lost his position as courtesan, because he was framed for an incident, the father used this opportunity to save his skin and get rid of his own son: create the rumor, he was a sodomite, cut off his topknot and leave the domain to Seungho so that he would take the fall. Though the protagonist is smart and cunning, he has never perceived father Yoon’s actions and motivations, for he was always longing for recognition and love. Besides, the long exposure to physical and sexual abuse could only ruin the main lead’s sanity.

But now time has passed on, and the father wants his younger son Seungwon to become an official which would underline one more time the disdain and even hatred between the father and Seungho. (chapter 37) However, I doubt that Seungho will accept all of this, especially after having been put through all of this. Besides, he will want to protect Baek Na-Kyum. Remember that Seungho decided to take his responsibilities towards the painter. He took Na-Kyum’s virginity which the painter had reserved for the loved one and latter he put the red point on his forehead symbolizing that he was his bride. (chapter 40)

And this would explain why at the end of the season 1, it is revealed that the father received an erotic painting of Seungho having sex with 2 men. (Chapter 44) The eldest son is showing the father the consequences of his past actions. He is a notorious sodomite with no boundary and the father is responsible for this. This gesture illustrates that the young master doesn’t want to reconcile with his own father. Yoon Seungho definitely wants to hurt and infuriate his father. It was as if Seungho was saying: “See… this is what I have become due to you!!” On the other hand, the delivery of the ruined painting was orchestrated by the butler without the main lead‘s knowledge. (Chapter 37)

As conclusion, Yoon Seungho seems to be more a tragic figure, especially if my theory is true. The way he had been living was a way to cope his own traumas and suffering.

And this interpretation was confirmed in the second season: he got raped, then drugged and gangraped to finally become the king’s courtesan.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoy reading it, retweet it or push the button like (tumblr- reddit- Instagram- Twitter account: @bebebisous33). Thanks for reading and the support.