Jinx: Loves me, loves me not 📆 ❤️ 💔 – part 1 (Daily Jinx Advent Insight 6)

Before starting writing the series “Daily Jinx Advent Insight”, I had already announced to release this essay. However, since my time is limited and I desire to keep my promise, I chose to combine these two series together. Hence the analysis “Loves me, loves me not” will have many parts. I can’t compose long essays each day.

During the first season, some Jinx-philes used to contact me and ask me the following question. Does Joo Jaekyung already love Kim Dan and if yes, when did he fall in love with him? As you can imagine, I will try to give an accurate answer in this series “Loves me, loves me not”. On the other hand, it is necessary to keep in mind that here, I will focus more on the emotional side of “love” than the one defined by Erich Fromm. Love is care, respect, knowledge and responsibility. Nevertheless, this raises the following question. How can we measure or notice his affection for the physical therapist? What are the signs for love? For that, we need to return to the beginning of the story Jinx.

The strawberry hamster and the mint goblin

What did Joo Jaekyung incite to drop the green-haired guy for the physical therapist? (Chapter 1) Imagine that he was in the middle of an intercourse. Yet he felt the need to have someone else by his side. It was, as if the grass on the other side was looking greener. 😉 Yes, in this scene, I detect parallels between Choi Heesung and Joo Jaekyung. (Chapter 33) On the one hand, the celebrity felt attracted to Kim Dan, on the other hand he had already sensed that the green-haired uke was greedy and even too passive. He was letting the celebrity fuck him. Yet there was neither real interaction nor sensuality between them. Hence the athlete could call Kim Dan during their sex. Funny is that the other didn’t mind at all, or in the worst case he didn’t even notice it. This shows not only the deafness and blindness of the mint goblin, but also the absence of communication and understanding in their “couple”. It was, as though the green-haired uke had submitted himself of becoming a sex toy. So by recalling the doctor, there is no doubt that the athlete couldn’t have voiced this change verbally. Why was he thinking of someone else during the intercourse? He was just simply not feeling it, the “great fuck”. In other words, Joo Jaekyung was attracted to Kim Dan by lust! In my previous analysis entitled Daily Jinx Advent Insight 3, I had pointed out the importance of “lust” in a relationship, as the latter represents the first step of love. As a source for this statement, I used this video:

Lust and love, though both powerful forces, differ significantly in how they manifest and endure. Lust primarily centers on physical attraction and thrives on fantasy, often fueled by an idealized version of the person rather than a grounded, realistic connection. While lust can feel intense initially, it typically weakens over time as the novelty fades. Love, in contrast, deepens with shared experiences, evolving into a bond built on emotional connection and mutual understanding. Unlike lust’s pursuit of excitement and thrill, love seeks stability, turning a romantic partner into a lifelong friend. Finally, love is selfless, focusing on the well-being and happiness of the other person, whereas lust tends to be more self-centered, driven by personal desires rather than a lasting commitment.

Since the green-haired uke only saw the athlete as a cash cow (“milking”) (chapter 42), it becomes clear why the athlete’s lust for the mint goblin couldn’t last. The latter was only interested in his money and not even in his body. Thus he didn’t try to bring thrill into their relationship or even seduce him. And now, you comprehend why Mingwa let us see such a scene in the beginning of the story. (chapter 2) He had never done it before. As for the champion, Manhwa-lovers can grasp that since their relationship was purely physical (not even accompanied with romanticism due to the athlete’s jinx), the lust from the champion’s side could only weaken overtime. When the athlete met the actor, he had not met the green-haired man before. Hence the sportsman was sitting at the bar looking more or less for a new partner. (chapter 33) So the relationship between the “prostitute” and the fighter must have lasted around 3 months, the same amount of time than with the physical therapist. The uke had put no effort, for in verity he was relying on the athlete’s jinx. The latter just needed him, and no one was willing to experience such a rough sex session. The reason why I gave the green-haired uke the nickname “mint goblin” is the following. He brought some fresh breathe in the athlete’s life, for contrary to his past lovers, this one didn’t run away. However, as time passes on, the mint taste couldn’t mask his corrupted mind and heart. He was passive and rotten deep inside. But there’s more to it. Thanks to the mint goblin, the athlete learned an important lesson. It was possible that someone could match his strength in bed. Yes, the latter wasn’t passing out like the others. Deep down, the star could sense that he was no monster, a criticism he had received from the actor.

Thanks to this new perception, it dawned on me why the athlete felt the need to reveal this secret to the mint goblin. Note that “lust” is strongly intertwined with “fantasy and as such romanticism”. So by exposing his odd belief, he desired to mask even his own attraction, so that the goblin wouldn’t notice that he was lusting after him. No one should know his type, his true weakness. Simultaneously, this revelation helped him to conceal and protect his own heart. He wouldn’t be exploited. With his jinx, he didn’t see himself as totally vulnerable, for he was actually denying the existence of a future close relationship. The uke could get replaced, he just needed someone and that was it. In other words, the revelation of the jinx was like a death sentence to their liaison. (chapter 2) There would be nothing left in the future, it was a work relationship. Under this new light, it becomes comprehensible why Kim Dan had to end their relationship at the end of the season. Because of his confession, their relationship was doomed to fail. It stood under the sign of “jinx”. We could say that the champion was receiving his karma for treating people like sex toys or surrogate fighters.

Joo Jaekyung and lust

The moment I made a connection between Choi Heesung and the green-haired guy, I had another revelation. Joo Jaekyung had criticized the actor for switching his partners constantly (chapter 33). The irony is that as soon as he saw Kim Dan (chapter 1), he got attracted to this pretty and cute new face. However, contrary to the comedian, he didn’t realize this, for the athlete is not someone who thinks deeply. He acts rather on his emotions, exactly like his mentor Park Namwook. Since lust is the first stage of love, the recipient of his “attraction” needed to give him a signal that he was interested in him. I doubt that the celebrity would have made a move on him, if the doctor had not made this mistake (chapter 1). Naturally, grabbing his phallus was the expression of the doctor’s masked sexual desires. This signifies that when the couple met for the first time, the grass appeared greener on the other side (medical world) for the first time. Since we have the first step of love in their relationship, we could say that the athlete was already in love with Kim Dan. While “lust” only represents the first stage in a love relationship, I decided to examine their relationship on this aspect.

Sex toy and lust

Since in the beginning of the story, the athlete was using his partners as sex toys, I detected a huge progression in chapter 33. This episode stands under the sign of LUST. The presence of the dildo is exposing the switch of the doctor’s position. The physical therapist is now treated like a human who can have his own pleasure. Under this new light, one might conclude that the actor was rather acting under the influence of “lust” in the car scene: (chapter 33) We have the novelty aspect (bringing thrill into their relationship) and the champion’s selfishness. The sex toy was utilized as a “punishment”, for the athlete was upset due to his jealousy. However, this perception is still too short-sighted. You will laugh, as soon as you read my new interpretation.

When Kim Dan started spending time with Choi Heesung, Joo Jaekyung feared that the actor could appear as the “greener grass”. He was generous, smiling and would compliment the young man. But more importantly, the fighter was tormented, because he didn’t know his soulmate’s type. He feared that the actor was totally the hamster’s type. The champion was exposing his insecurities, for he didn’t know if Kim Dan was actually attracted to him or not. Remember how the cute hamster kept rejecting his advances (chapter 8) (chapter 27) Consequently, the man had to bring up the deal constantly. Besides, their relationship started because of money. Finally, I would like Jinx-lovers to keep in mind the doctor’s lie: he had previous relationships with men. (chapter 3) As you know, I am quite certain that the athlete had sensed his lie (thus he utilized no condoms later). Yet, Kim Dan never came out with the truth either. This is relevant, for there could be lingering doubts from the MMA star’s side. Since the athlete had no idea about the doctor’s taste and physical attraction, Joo Jaekyung worried that his partner would start fantasizing the gumiho. Under this light, my avid readers can grasp why in episode 33, it was important for the champion to use the sex toy first. Initially it was to exhaust the doctor so that the latter would no longer feel attracted to Choi Heesung. Yes, it was to kill in him “lust”. Moreover, the moment the young man asked for his assistance (chapter 33), Joo Jaekyung had the impression that he was needed. Finally, don’t forget how this scene ended. Kim Dan was finally admitting that he was really sensitive to him: (chapter 33) However, this desire was accompanied with rejection and denial too. This explicates why the champion didn’t know how to interpret Kim Dan’s thoughts and emotions. (chapter 33) Was Kim Dan feeling the same way than him or not? Did Kim Dan desire him or not? And this leads me to the next sex session: (chapter 34) For the first time, the athlete was divulging his physical attraction and desire towards the doctor. He seduced him with his own body. Yet, in order to keep the upper hand in their relationship, he was the one who was determining how they would have sex: (chapter 34) As you can see, during season 1, it took a long time for the athlete to admit “lust and physical attraction” towards the doctor. One might reply that the celebrity had already admitted this to the physical therapist: (chapter 29) However, this confession is connected to the anus, and not to the doctor’s face and as such identity. Thus I don’t consider it as an admission that Kim Dan was his type. One might object too that he had already wooed the doctor before next to the swimming pool. (chapter 27) The divergence between these two chapters is that in the first scene, the athlete had not planned this. He was acting on his instincts and emotions, while in the living room, he was seducing the doctor on purpose. (chapter 34) I would even add that he gave more freedom to Kim Dan to decide if he would accept his offer or not. As you can see, Joo Jaekyung was learning to internalize the notion “consent and respect”. Here, the doctor could have refused… the evidence is his reaction at the gym, the slap on the athlete’s hand. That’s how I realized the strong connection between the athlete’s ignorance about his soulmate’s taste (partner type) and his consent. Respecting the doctor’s boundary meant to trust that the doctor was attracted to him and accepted him as a partner.

The signification behind the forgotten confession

And this brings me to my final thought. When Kim Dan confessed this in the States (chapter 39), this could only make the athlete happy first. He had the impression that he had finally discovered his soulmate’s taste and secret: he was also feeling the same… LUST. Yes, I am not writing love, but lust on purpose. Why? The irony is that the athlete was not recognizing that he was feeling more than lust for Kim Dan. He was already in love. 😉 However, so far he had only been busy focusing on Kim Dan’s type. Was the man also lusting after him or not? Under this new perspective, Manhwa-lovers can grasp why Joo Jaekyung asked this to Kim Dan in the dining room: (chapter 41) He didn’t expect a love confession He wanted to know if Kim Dan was finally accepting him as his partner, if he desired him too. Yes, gradually the possibility of dating was slowly emerging. Like mentioned in the introduction, lust is just the beginning of love. So should Kim Dan have remembered this night in the hotel room, he would have come not only to deny his feelings for the athlete, but also he would have reduced this “I love you” to lust, just a physical reaction due to the drug. A new version of the blue night, the only difference is that that night he kept his thoughts to himself.

In my eyes, it was important for the star not to know if the doctor was attracted to him, for the latter was making the same mistake than his frenemy: confusing lust with love. That way, their relationship wouldn’t have improved, as time passed on. They would have remained simply “fuck buddies”. Nevertheless, that’s not what the fighter truly desires deep down. He is also looking for companionship. Hence Mingwa confronted him with reality and forced him to make a choice: (chapter 45) What did the athlete imagine here? A fake love confession from Kim Dan, a stan trying to live out a fantasy. He was expecting “dating”, a notion he couldn’t accept, for he was confusing “lust” with “love”. That’s the reason why he couldn’t accept Doc Dan’s present and “gratitude”. They sounded like fake, especially since he was showing respect to the celebrity and not to the man himself! Yes, even in that scene, the PT was still hiding his own true emotions and attraction towards the handsome man. Joo JAekyung has no idea that Kim Dan views him as “perfect” (chapter 1) despite his injured shoulder: the muscles, the skin, the handsome face. He has never voiced such thoughts in front of his VIP client.He always kept them to himself.

That’s how I recognized why these two men stopped having sex after that time. Joo Jaekyung needed to learn how to distinguish love from lust. This explicates why the star got more upset with this departure (chapter 53) than with this one: (chapter 53) He let him go, for he anticipated that the latter would remain by his side. In addition, he didn’t feel the need to have sex the whole night, as his affection had already moved to the next stage. There was more than physical attraction and desire.

That’s it for today. In the next part, I will expose how we can see the champion falling in love. I will divulge the signs helping to identify that the wolf is under the spell of the cute hamster.


Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: To Give🎁 or To Take? The Subtle Battle of Love ❤️ and Power 🥊 in Jinx

The trigger for this essay were quotes from “The Art Of Loving”, a book written by Erich Fromm. In my essay “The Art Of Loving” I had already introduced the German-American socio psychologist, psychoanalyst, sociologist and humanistic philosopher, where I presented his definition of love: Care, knowledge, respect and responsibility. However, notice that the title of my analysis is “To give or To Take?”, which was inspired by other books from Erich Fromm: “To Have or To Be?” and “Escape From Freedom”. The reason is simple, the quotes led me to his other theories which give explanations to the origins of unhappiness or happiness. There he outlined the problems of our modern society and gave advices how to lead a good life. This brings me back to the Korean Manhwa Jinx, where (un)happiness is in the center of the story. As the seme and uke are both really miserable despite their different social status. Both believed to be jinxed. The reality is that they were trapped, and their unhappiness was the result of their own bad choices. How would Erich Fromm explain this?

1. Masters and Slaves

In works like Escape from Freedom and The Art of Loving, Fromm suggested that humans often avoid the responsibility of true freedom by conforming to societal norms, seeking authority figures to follow, or focusing on material gains. This “escape from freedom,” as he called it, results in a loss of autonomy and self-awareness, keeping individuals from mastering their own lives. While Fromm believed we have the potential for self-mastery, he cautioned that this requires a conscious rejection of limiting social pressures and a commitment to self-discovery and personal responsibility. Under this new perspective, my avid readers can grasp my selection for the heading. Freedom defines the distinction between a master and a slave—those with freedom have agency, autonomy, and control over their choices, while those without it are subject to another’s will and have nothing to give to others. It highlights how freedom is fundamental to self-determination and power, establishing a boundary between control and subservience.

1. 1. The poor child and dog

And if you read my previous analysis “Sound Of Water “, you should have realized that Shin Okja embodies the slave who chose to escape from freedom. Thus she blamed life and others (“we”) (chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk (chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. (chapter 53) As a slave, she can not become responsible for Kim Dan and his life. However, she is wrong here again. She was not entirely powerless. She could have talked about her experience with the ocean, she could have loved her grandchild more properly so that Kim Dan wouldn’t have to suffer from abandonment issues and a low self-esteem. Yes, love is something free and no one has control over the emotions of a human being. Due to her lack of self-awareness (Peter Pan Syndrom), she influenced her grandchild negatively, and the latter became a copy of herself: trapped in the past, living in an illusion and rejecting reality. Funny is that by relying on Kim Dan constantly, she was actually teaching her grandson to become accountable and independent. She was entrusting her life into his own hands. Consequently, the main lead chose to accept the deal from Joo Jaekyung during their first night and later asked for a higher salary. Finally, at the end, he chose to leave the penthouse out of obligation (chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.

On the other hand, we shouldn’t overlook one important aspect. The halmeoni asked for a favor from Kim Dan, and her wish is actually the expression of her own will. In other words, she is making a choice and as such becomes responsible for her own destiny. She can no longer say that life or others had a saying in her desire and choice. That’s the reason why during that night, she turned Kim Dan into a puppy dog. (chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: (chapter 53) The grandmother is now the master of her own life and Kim Dan’s. On the one hand, just before her death, she is learning to become accountable for her own life, even though I still have my doubts that she is really realizing the consequences of her choice. She is still chasing after after an illusion. As you already know, I am anticipating a rude awakening fron her part, as she can not escape from reality and her own mortality. On the other hand, with her request, she gets responsible for her grandchild’s career, and someone could criticize her for making him quit. She didn’t take his job’s obligations into consideration. Simultaneously, this image illustrates a relapse of Kim Dan. He is once again trapped, though he wished to be freed. Thus he wrote this to Joo Jaekyung: (chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. (chapter 53) So the athlete could come to the realization that his departure was related to the grandmother’s sickness and dying wish, a new version of episode 20 and 21. However, even if the fighter helps the grandmother, he can not entirely free the physical therapist. How so? It is because the doctor has to free himself, breaking free from conformity and his own psychological constraints (lack of confidence and as such courage). And the best evidence for his servitude mentality is the absence of his love confession to the athlete. He disguised it behind gratitude. (Chapter 45) But how can he change his condition? I will give the answer below.

1. 2. The release of the rich slave

As you can imagine, the person I am referring behind this heading is the champion. Interesting is that in the story, he received the title “Emperor”. (chapter 14) Yet, the reality is that despite his wealth, he is not free at all. Actually, he reminded me of a Roman gladiator. Gladiators in ancient Rome lived under challenging and contradictory conditions. Although they were often slaves or prisoners of war, some achieved fame, wealth, and admiration comparable to modern-day sports stars. Successful gladiators could earn prizes, attract fan followings, and even enjoy certain luxuries within their restrictive lives. However, they remained under the control of their lanista (manager) or the state, with little freedom to make personal choices. They could not select their opponents or refuse combat, and each fight carried the risk of injury or death, underscoring their vulnerability and lack of autonomy despite their celebrated status.

This comparison between the main lead and a Roman gladiator reinforced my negative perception about Park Namwook. He acts as the owner of the athlete (chapter 40), though the gym belongs to the celebrity. But let’s return our attention to the American-German philosopher. The latter pointed out the importance of self-awareness and the rejection of materialism and social pressures (authority figures, conformity) in order to become truly free.

This aspect is really important, because the athlete Joo Jaekyung is a homosexual which represents a huge taboo in the MMA world. Remember my hypothesis that the jinx could also be an excuse in order to hide his own sexual orientation. (chapter 2) Therefore sex is linked to prostitution and work. Back then, this had nothing to do with pleasure, sensuality and entertaining. It was revolving around power and domination. That way, he wouldn’t appear as weak, he is not controlled by his sexual desires and emotions. That’s how it dawned on me why the champion has been denying the existence of feelings in his past relationships. Naturally, it is possible that he got his heart broken before, but it is also possible that he could never live out his own true homosexuality. Note that his father figure, Park Namwook, has no idea about his sexual life. The athlete could fear to disappoint him. This raises the question how the manager will react, when the athlete’s secret is exposed. Should he request from his boy to organize a conference and deny the allegation there, he would divulge not only his lack of loyalty, but also his hypocrisy. Why? It is because this is something he should have organized after the last match. A conference to expose the existence of schemes. But everything got swayed under the rug. On the other hand, I deduce that if the topic of sodomy is brought up in season 2, there is no ambiguity that both main leads won’t give in to conformity and external pressure (even in the form of threats). Why? It is because during season 2, both characters will come to be true to themselves. That‘s how they can become master of their own life.

This signifies that in order to go on the past of self-mastery, the champion needs to break free from materialism (chapter 41), from his manager’s influence (father figure) and even from the MFC world (authorities) !! What is the common denominator between these three persons? MONEY! (chapter 50) Hence the last match was not cancelled in the last minute. The athlete is not fighting out of fun and passion, but out of obligation and survival. He is trapped in a world where money is everything. Thus he was always pushed to accept any challenger despite his injuries. That’s how I realized why the athlete always suspected Kim Dan of being greedy. It is because he projected his own thoughts onto his partner. However, this negative perception was definitely influenced by his “hyung”, we have the best example in episode 46. Due to Park Namwook, Joo Jaekyung was the one who was constantly thinking and talking about money in front of Kim Dan. (chapter 26) No wonder why he got so surprised by Kim Dan’s reaction in the locker room: (chapter 51) He was disarmed by a single question and a shocked and disappointed face: (chapter 51) The question implied that the doctor had been trusting him.

1. 3. The “lanista’s” chains

We had another perfect example of “Escape from Freedom” in episode 43 at the restaurant. Note that Park Namwook underlined that the fight was the champion’s decision (chapter 43), yet he added shortly this comment: : (chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. (chapter 43) (chapter 43) This is a sign that he was not “enjoying the present”. In my eyes, with his comments, he was actually ruining the party. Fortunately, no one paid attention to his words except the physical therapist and Yosep. By talking like that, he gives the impression that he is caring and paying attention to the fighter. Yet this is just an illusion, for he is not focused on the present. He neglected his duties, therefore the schemers were able to bring drugs to the champion’s rooms. (chapter 49) Notice that he was afraid of an outburst from Joo Jaekyung in the locker room, therefore they were restraining him. This was no real protection. I am suspecting that the manager is trusting MFC and its organization. In addition, his obsession with the future explains why the athlete’s mental health has been neglected by the coach and manager. As a conclusion, Park Namwook is himself trapped in his own world: money, fear of the future and the champion‘s retirement which means the end of his own career as manager and coach. Therefore he is pushing his fighter to race against time. It is only a matter until his boy gets injured!!

This means that we should see the athlete’s suspension as his moment of release. He is no longer forced to fight. He is “abandoned” by MFC, fans and even by his manager (chapter 53). The latter announces that his “boy” can take a break. What caught my attention is his idiom. The suspension got turned into a break which sounds much more positive. Interesting is that break is not only a synonym for “rest”, but also for “opportunity, chance”. This new discovery reinforces my previous interpretation: the loss of his “title” and his suspension are in verity an escape to freedom. Why? It is because he is no longer exposed to manipulations and external pressure like in episode 36: (chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. (chapter 53) This means that the fighter was acknowledging the “uke” as an important member of Team Black. In addition, he was recognizing Kim Dan’s effort and talent as PT. Moreover, it exposes the absence of change in Joo Jaekyung’s mentality. He was still “thinking” of work and fighting. It displays that the protagonist had not realized the true signification of his suspension yet. Hence the doctor’s departure was necessary. Joo Jaekyung is forced to think about his fated partner, making him forget his work and his career. His “obsession” with Kim Dan will push him to stop being a workaholic. But there is more to it.

By leaving the city behind (my prediction), the champion’s not aware that this trip will become a spiritual journey where he will discover his true self. But for that, meditation is required. In my opinion, the grandmother’s illness should serve him as a wake-up call. He spent a lot of money on her treatment, but she couldn’t be saved. It looks like he never visited her again. Should he see her again, he could get shocked. From this (chapter 21) to this (chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.

2. The ability to love

Far away from medias, public eyes, the agency and his manager, he can discover a different world: the West Coast and nature. And this brings me to a quote from Erich Fromm:

Through this statement, we have the explanation why Joo Jaekyung can love and why he couldn’t love Kim Dan properly in season 1. The fact that he lived alone in the penthouse is a proof of his independency (chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.

In addition, this quote exposes the absence of “unconditional love” from the grandmother. (chapter 53) So far, she could never be alone, she always needed the assistance of others: Kim Dan, the doctor, the nurse, Joo Jaekyung. She always relied on others (“we”, “life”). But it is also the same for Kim Dan who has always been listening to people, as his desire was to get accepted. His conformity led him to experience misery, as he lacked critical thinking. He never questioned people’s words, decisions or behaviors. Only thanks to his soulmate, he started changing. His psychological restrains were his abandonment issues and his low self-esteem. That’s the reason why their love couldn’t flourish in season 1. Nevertheless, Kim Dan still had a good disposition for being capable of loving someone, exactly like his fated partner. He could live on his own as well.This signifies that their future love relationship won’t be toxic, as they won’t be needy or dependent on each other, the exact opposite between the grandmother and Kim Dan or Joo Jaekyung and his hyung Park Namwook. However, this doesn‘t mean that they won‘t help each other.

I am quite certain that the fighter must have noticed the doctor’s low self-esteem in the letter. Therefore he felt bad for his reproaches and lack of trust. Remember that the champion never expressed a compliment or even showed gratitude towards the doctor. (chapter 43) In episode 1, he gave a positive feedback (chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: (chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: or like this: And what does the hand symbolize? The latter symbolizes gratitude and love! Hence the grandmother took the MMA fighter’s hand in order to thank him. (chapter 22) (chapter 22) As a conclusion, love and gratitude represents the key to freedom and as such to power. And now, you comprehend why The Art Of Loving can not be separated from „Escape from Freedom“.

2. 1. Love and Power

This explains why the famous author declared this:

This means that by giving, the person feels strong and powerful. Why? Fromm views the act of giving not as a depletion of oneself, but rather as a fulfillment and actualization of one’s capabilities. The productive character, according to him, doesn’t define himself by what he possesses or hoards, but rather by what he can give to others. It is his heart which defines his strength. Giving becomes a way of affirming one’s own power and abundance, showcasing that true fulfillment is found in one’s ability to be generous, creative, and life-affirming. Notice that the author contrasts generosity with passivity. By giving, the person becomes proactive and is no longer passive. In the past, I had described Joo Jaekyung as a person suffering from “inner passivity” [For more read “Couch Confession”]. As soon as I read the quote from The Art Of Loving, I realized why the champion disliked receiving presents (chapter 45) so much and preferred organizing a charity event for his birthday . (chapter 41) Being on the receiving side makes him feel weak and powerless. He is reduced to become a passive man. Furthermore, we shouldn’t overlook that such presents are not entirely selfless. Companies or admirers have expectations from Joo Jaekyung, earning some money or getting his attention. At the same time, these presents are strongly connected to his title and fame as champion. Thus they are not taking into consideration about the athlete’s dislikes and likes. Thus he was offered a bottle of wine (chapter 12), though he is no drinker or he doesn’t eat cakes. (chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. (chapter 18) Here, he hoped to see gratitude on his fated partner’s face, but it didn’t happen like he imagined. Yet, notice that despite their argument, Joo Jaekyung proposed to the main lead to live with him in the penthouse: (chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. (chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: (chapter 18) He had to, because the man was now living with him. Joo Jaekyung feared that his roommate could come to take advantage of his new position and even consider this place as his own. As you can see, the champion had long discovered the power of giving to others. Yet his problem was that he couldn’t live out this principle: he was either exploited or he has no family or close friend so far.

And now, let me ask you one question: who likes giving presents in Jinx? One might reply Kim Dan and Choi Heesung. The doctor and the actor have both something in common. (chapter 30) They both desire to be acknowledged and appreciated. (chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. (chapter 31) (chapter 31) Furthermore, the actor gave these things for one reason: it was to obtain the doctor’s heart or to maintain his good image as a celebrity. In other words, these gestures were not selfless at all. This explains why the athlete was so weary of such “gifts”: a return of favor or a service. But the comedian is not the only one donating things. Naturally, it is the manager Park Namwook. (Chapter 26) (chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? (Chapter 37) This last scene is terrible, for this purchase happened behind the boss’ back. Naturally, everything was bought with the company card!! In other words, Park Namwook’s generosity is fake, for he is not spending his own money. After this new realization, I started wondering if the athlete’s negative attitude towards Kim Dan is not the consequence of Park Namwook’s behavior as well who takes it for granted to spend money on the athlete’s account. Why did the champion anticipate an expectation from Kim Dan, when he received the keychain? (Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. (Chapter 45) Kim Dan had not only followed the stans‘ behavior, but also listened to Park Namwook‘s words constantly. ’ (chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss (Chapter 46) The tension reached its peak in that scene: (chapter 52) The manager imagined that he could act like in the past (recurring to force), for Joo Jaekyung was „used“ to take his slaps. That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay.

(Chapter 26) The sparring in episode 26 represents the positive version of giving a punch and taking it. The fighter was not upset about his defeat, moreover he was acting like a real teacher asking the physical therapist to overcome his own fears. On the hand, the slap at the hospital embodies the opposite notions: resent, no real teaching, no reflection, no listening, the one slapping is not overcoming his own fears and vents his anger. The give and take in episode 26 was happiness, true generosity, self-awareness, while this slap displays misery, anger, ignorance: (Chapter 52) True generosity, for Kim Dan had risked his health for the sake of Potato. (Chapter 26) The contrast not only exposes Park Namwook’s fake generosity, but also his greed and selfishness. For me, he missed the opportunity, as at the gym, Kim Dan took the chance, when the athlete was distracted. Hence in my opinion, chapter 52 was the turning point in their toxic relationship. Moreover, it signifies that the manager lost his special position as hyung. Far away from the gym, Joo Jaekyung will see Kim Dan under a different light, maybe even as a true role model, for he is wearing his heart in his hand.

2. 2. The wolf, the hamster and the world

But Erich Fromm wrote this about love:

For Fromm, love transcends a personal or exclusive attachment to one individual; it is a universal force that connects the self to humanity and existence as a whole. True love, in his view, is inclusive and expansive. It’s not a possessive or isolating sentiment but rather one that opens the lover to the wider world, fostering a connection to humanity and, ultimately, a deep acceptance and love for oneself.

Thus I come to the following conclusions: the moment the doctor and the champion admits their affection for their fated partner, they won’t be suffering from self-loathing or low self-esteem. But there is more to it. If you keep the quote in mind, you will realize that the champion’s affection for Kim Dan was not true love. [Like mentioned above, he couldn’t love properly] He couldn’t stand the idea of sharing his partner to others. (chapter 7) (chapter 43) He needed to seclude him from the others. But where does this possessiveness come from? In my opinion, it is not just the result of his own insecurities, but also the influence of the bad role model he had: Park Namwook. First, only in chapter 45, the manager sent congratulations from his family: (chapter 45) This means that Joo Jaekyung was never treated like a real family member. Then, due to his bad portrait of Joo Jaekyung (chapter 9), the manager kept creating a bad image of the athlete: brutal, moody, maniac… but the reality is that the man is actually generous and caring, like mentioned above and the coach knew this. Hence he could lie without any remorse: he is a savior and the gym owner. Moreover, the athlete can speak well and be polite. (chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: (chapter 43) (chapter 52) The one who raised him like that is actually him: (chapter 7) Therefore I conclude that this possessiveness and obsession with Kim Dan is the result of the manager’s influence. Park Namwook treated him like a possession. And this brings me to my next part. How to become happy? One might reply: by loving someone. However, how can Joo Jaekyung drop his insecurities and open his heart like that? As you can see, we need another explanation.

3. The guide for happiness

Erich Fromm’s philosophy in To Have or To Be? revolves around two fundamental modes of existence: the having mode and the being mode. These modes represent distinct ways of interacting with the world, structuring relationships, and understanding one’s identity.

I am posting this video which I found very well made. Funny is that the blogger used a haiku to illustrate the difference between the being mode and the having mode.

3. 1. The Having Mode

In the “having” mode, identity and value are based on possessions and control over objects, people, and even oneself. The having mode is characterized by:

  • Possession and Ownership: One’s self-worth and sense of security are derived from what one possesses—material wealth, status, knowledge, even relationships. (Chapter 40) This explicates why the manager is happy in this scene. Thanks to him, he earned a lot of money and felt recognized.
  • Security in Stability: Individuals in the having mode seek to secure their identity through accumulation, feeling stable only when they can cling to things.
  • Alienation and Objectification: Relationships and experiences become objects to be owned or controlled, reducing people and emotions to mere assets.

Fromm argues that the having mode can lead to anxiety and insecurity because possessions can always be lost or taken away. It fosters competitiveness, isolation, and a fixation on external validation, ultimately stunting genuine self-growth and connection with others. Under this light, Manhwa-philes can grasp why the athlete, pushed by his mentor, kept accepting fights after another. The champion was suffering from self-loathing, but in order to get recognition and admiration from his hyung, he needed to win. Notice how gentle and proud the man was after the victories (chapter 15), but as soon as his idol lost his title and got even suspended, he yelled and slapped his fighter: (chapter 52) Why did he not blame the cheaters who had tricked Joo Jaekyung and framed the physical therapist? If you read my previous analyses about the coach, you will certain recall about my diagnosis: he seems to suffer from decidophobia. But as you can see, the man is unhappy, for he is living in the “Having Mode”. Hence he is taking no risk and letting the athlete make decisions. Furthermore, it explains perfectly why the manager lied to the members here: (chapter 22) Since his relationship with the main lead is so secure, he could claim the gym as his own. Notice how he treats the members here: he’s putting them under pressure, threatening them. Everything is revolving around competition, seriousness and greed. Why doesn’t Joo Jaekyung mess with his weight and nutrition? It is because his hyung made sure that the latter would fulfil all his expectations. He needs to be ready for the next fight. Why was the manager not present here? (chapter 43) This exposes his lack of engagement and indifference in the end, but this becomes even more obvious during the night: (chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. (chapter 43) But the best evidence for this interpretation is this image: (chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money.

This highlights the danger of building identity around possessions and the resulting vulnerability. And how did Park Namwook define himself in his life? He was a coach, a manager, the owner of Team Black…. (chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight (chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. (chapter 43) Joo Jaekyung would have to pick himself up, Park Namwook wouldn’t be there in order to assist him. Why? It is because it represented his own fears. Don’t forget that he is a former wrestler and athlete. He must have experienced it. The end of his boy’s career represents the end of his own career. Hence I am suspecting that the real savior of Park Namwook was the fighter himself, as the latter offered him an opportunity to find a good job.

But there is more to it. Why did the coach neglect doctor Kim Dan (chapter 40) in the States and even at the gym? (Chapter 43) It is because he doesn’t view the uke as a possession contrary to his „boy“. Why? It is because the young man doesn’t bring money or contribute to boast the manager’s self-esteem. In fact, Kim Dan is an expensive PT and the manager is aware of his high salary. Moreover, contrary to the hamster, Park Namwook was never seen in the penthouse, and the celebrity refused to invite the members. This is a clue that the champion could have refused to invite his coach there. The doctor’s stay at the penthouse is something Park Namwook discovered by accident. (Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. (Chapter 53) Here his gestures and words should be judged as lip-services. He can even rationalize his departure: bad luck, they save a lot of money, for the next PT will have a lower salary. In addition, Kim Dan was treated as the celebrity’s possession, therefore he used him as a tool in order to compensate the actor. The manager is definitely imagining that once the break ends, things will work like before. (Chapter 53) Here, I feel the need to add that though I am portraying the coach in a rather pejorative light, I am not saying that he is a malicious or evil man. My point is that he needs to change and realize his wrong-doings. As long as he lives in this mode, he won’t be able to be happy: always in the fear of losing his possessions. So should a separation take place, it is possible that the distance brings more clarity and helps them to improve their relationship. However, I have to admit that I wished to witness a real argument between the hyung and his pupil. A new version of this scene: (chapter 17)

Interesting is that the sociologist stated this as well:

With this observation, it becomes comprehensible why the coach not only used violence against the athlete but also pushed the main lead to be rough with his own body. (Chapter 43) It is not random that Mingwa showed a rough manager while complaining about his star. She was implying his responsibility for mistreating his body in this scene. Park Namwook needed to prove his superiority over the celebrity to justify his position. And he used the fighter’s good heart, trust in him and social norms to manipulate his prize and possession. As a conclusion, both characters have a toxic relationship, exactly like between the halmoni and Kim Dan.

But Kim Dan was not different from the manager. He also lived in the mode of “having”. Hence once he earned money, he would buy gifts to others: (chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „Click 📸: Between Fleeting illusions and Enduring Realities“ I had outlined that all the objects in the flat would belong to the grandmother (Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her: (chapter 41) And this brings me to my next important revelation. The grandmother never said thank you to Kim Dan. She either apologizes (chapter 53 ) or makes it sound like a reproach „Spoil me to death“. There is no THANK YOU. She didn‘t give him her hand like in episode 22 with the celebrity as well. But there is another detail that caught my attention: the nurse mentioned the paid bills (chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: (Chapter 22) She didn’t express the reason for her gratefulness. She didn‘t bring up the hospital bills, but she knew about it. In other words, when she showed her gratitude, she was in reality just thanking him for his company. That‘s how Kim Dan perceived it first and we should do it as well. To conclude, the grandmother is not really thankful, when it comes to money. Exactly like the manager, she takes it for granted. In fact, she gave him the yoghurt which was offered by the hospital. (chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? (chapter 45) (chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her. (Chapter 41) Despite her rebuke she actually doesn’t meant it. She never actually told him to stop or rejected Joo Jaekyung‘s generosity. Instead, she made the following request to her grandson: (chapter 41). He should treat the sportsman nicely (“do good”). Kim Dan is the one who should be indebted to Joo Jaekyung. However, observe what she said in front of her grandchild before: she was the one who was grateful to the main lead, and not Kim Dan!! (chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.

As you can see, she delegated her “gratitude” to her relative. Hence no wonder why Kim Dan chose to work hard for the keychain. He had to “work hard” in order to repay the huge debt (the trip to the States, the hospital). That’s why I come to the conclusion that the grandmother doesn’t represent true gratitude. She is similar to her male version: putting the responsibility on others and using words as lip-services. Simultaneously, this new discovery exposes another cause for her own suffering: she was also living in the mode of „having“. As my avid readers can notice, all the characters in Jinx were living the wrong way.

And this brings me to another aspect: Kim Dan’s diploma as physical therapist. In the having mode, education is centered on acquisition and possession of information. Knowledge is seen as something to be accumulated, memorized, and quantified—often in terms of grades, certificates, or degrees. Hence the doctor thought for a brief moment to take a MMA trainer seminar. (chapter 22)

Focus on Outcomes Over Process: Success in the having mode is defined by external achievements, grades, or credentials, rather than by actual understanding or personal growth.

Competitive Learning: Students are encouraged to see education as a competitive endeavor, where success often involves outperforming others rather than cooperating or collaborating.

Dependency on External Tools: This mindset can make students more prone to relying on shortcuts like cheating or using AI to complete assignments without really engaging with the material. In this context, tools like AI might be used to bypass learning rather than deepen understanding, reducing education to a means to an end.

Lack of Internal Motivation: The focus on external validation makes intrinsic motivation scarce. This dependency on external rewards may undermine creativity, critical thinking, and the desire for genuine understanding, as students prioritize “having knowledge” over “being knowledgeable.”

Kim Dan was not a proud PT. In fact, he had no problem to take a job as a courier. For him, the diploma was just a piece of paper. Why? It is because he was not truly motivated to become a PT. His choice was influenced by his halmoni and his financial situation. He was doing it for the money: (chapter 1) In other words, he was not passionate about his profession. This means that he didn’t define himself as PT due to his lack of engagement and low self-esteem. Besides, let’s not forget that he judges people based on their social status and seniority. I would even add, the main lead had not recognized the existence of his own skills (knowledge, genuineness and dedication). But by working for Joo Jaekyung, he came to enjoy his job. This explicates why he kept buying books. (chapter 53) He likes not only his job now, but also learning as such. This is no coincidence that education in the mode of “being” means that the focus is on learning and developing skills. Hence I still see a change in the hamster at the end of season 1: (chapter 53) He is defining himself by his skills: he is a PT!! Money plays no longer a role. He is about to live in the mode of „being“.

However, there are other students in Jinx. Fromm’s explanations about human psychology made me realize why many members from Team Black left the gym soon after the champion’s loss and bad PR: (chapter 52) In this panel, the author let us see glimpses of their motivation and thoughts. For them, the champion has nothing to teach them, since he lost his title and is injured. This shows that they are only interested in the outcome, success and as such fame, but not in the process, how to become skilled! In other words, they see “success” as a possession. He has no title, then he has nothing to offer. They are all living in the mode of having, which can only lead to misery and even self-destruction. No wonder why they were not too upset or shocked, when they heard that the game had been rigged. But what led them to make such a decision?

Naturally, the manager played a huge role in this. The gym gave the impression that by being by the athlete’s side, they would become successful as well. Park Namwook contributed to this wrong evolution, for he didn’t confront the fighters with reality: he made false promises. (chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: (chapter 25) and (chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important (chapter 36) than their training and career. Moreover, he kept bribing them with junk food (chapter 26) or new jackets or towels. He was only interested in getting new members, but not in developing their skills. This explains why he treated Seonho so well: (chapter 46) The latter was a new source of income and fame. Everything was revolving around money. That’s how it dawned on me why the manager got angry for the bet in episode 26: (chapter 26) We shouldn’t judge his words as a verity, he was just using the doctor as a false excuse. The reality is that the sparring had brought no money at all! This fight was strongly intertwined with fun. The notion of „entertaining“ stands in opposition to money. Fun means feeling emotions and being to true one’s self. In other words, Kim Dan stands for a different notion of MMA fighting: the sportsmen shouldn’t work for money, but for fun. They are artists too. This signifies that as time passed on, the members of Team Black lost their passion for fighting (chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.

3. 2. The Being Mode

In contrast, the “being” mode focuses on authentic self-expression, inner fulfillment, and experience rather than ownership. Key aspects include:

Living Authentically: People in the being mode derive meaning from their experiences, creativity, and actions, rather than from acquiring or possessing. That‘s why fun is so important. And who embodies fun in Jinx? Naturally Heesung (special episode2 ), but also Cheolmin (chapter 13) who likes making jokes. That‘s how I came to understand why Cheolmin appeared only one time in season 1. He will come to replace the manager: (chapter 13)

Dynamic Engagement: This mode emphasizes growth, spontaneity, and a deep, active engagement with life. Here, identity is fluid and self-renewing, driven by inner growth rather than external gains.

Connectedness and Compassion: Fromm sees the being mode as fostering a sense of unity with others and the world, as it’s grounded in compassion, shared experience, and a true sense of community.

The being mode fosters qualities like love, empathy, joy, and creativity, enabling individuals to experience life in a richer, more meaningful way.

Cheolmin stands for understanding and trust in humans. He criticized the man first, but he didn‘t imply that he had done it with bad intentions. Secondly, he believed his sunbae, (Chapter 13) when the latter denied his responsibility. This shows that the man doesn’t mistrust people. He has faith in humans. And in this short scene, the doctor shows alle positive notions mentioned above: love, empathy, joy and creativity. Therefore I come to the following interpretation: he embodies the being mode. No wonder why he was not present in season 1. The main lead was definitely obsessed with work. Hence the moment Cheolmin’s path crosses Kim Dan’s, the funny doctor should become the hamster’s new role model.

3. 3. The Larger Philosophical Context

Fromm’s philosophy reflects a critique of modern consumerism and materialism, which, in his view, has led society towards the having mode. He argues that this mode is ultimately destructive, as it alienates individuals from their true selves and from others. The being mode, on the other hand, aligns with the principles of humanistic and existential philosophy, emphasizing the pursuit of self-actualization, meaning, and interconnectedness.

Fromm warns that without a shift from “having” to “being,” society risks falling into moral and psychological decay, driven by the insatiable quest for possessions and power. And we can observe this in Jinx. MFC and the medical world (chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating. (Chapter 49) Thus he thought, the athlete had earned his title the same way. His fights were rigged, yet the verity is that the idol worked hard to achieve this level. The irony is that The Gunshot experienced much too late that his assumption was wrong. (Chapter 52) His shaking is exposing his fears. Like mentioned in the past, I am anticipating that The Shotgun will avoid a new fight with the celebrity.

Thus I interpret these two panels from Mingwa like this: They embody the mode of being. The hands are touching each other directly. They are not attached by money. Moreover, the hands express positive emotions and thoughts: support, gratitude, honesty, tenderness, acceptance and more importantly trust and fun. They are enjoying the present moment. Mingwa announced with these images the happy ending for these two characters who thought that they were jinxed. The reality is that they were responsible for their own misery.

This work urges a reassessment of values and priorities, where personal growth and human connection take precedence over material wealth and social status. And that’s where Joo Jaekyung is standing now. (chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Sound Of Water 🏖️ (third version)

The countdown for season 2 is running. The author and Lezhin announced that chapter 54 will be released on November 22nd. 🎉 Almost exactly one year after the start of the first season.

A great thank you to @Rin_de_eegana who provided me with the original Haikus. Hence the English translation was changed.

Initially, I desired to release this essay , but as always I didn’t anticipate the effort and energy involved in the composition. Thus I decided to publish the essay “Sound Of Water” first, as it is much easier to write (less literature to read). The trigger for this essay are Haikus which I discovered in a recently published French Book entitled “Le bruit de l’eau” (Sound of water). And now, you know the origin for this essay. As you can see, the collection of Haikus is focusing on the topic “Water”. Since I only possess the French version of Haikus, I could only give you my own English translation. Fortunately, my friend @Rin_de_eegana was able to find the original version, Japanese. Therefore in the second version, I am giving a second English translation whích gave me new insight once again. Anyway, the thing is that as soon as I read certain poems, it made me think of Jinx and the characters. This shows my obsession for this terrific Manhwa.

1. Haikus and nature

On the other hand, you might be wondering how the Korean Manhwa is connected to Haikus and to water as well. In order to answer to this question, it is first necessary to present the characteristics of a Haiku.

1. 1. Characteristics of a Haiku:

  1. Syllable Structure: Traditionally, a haiku consists of three lines following a 5-7-5 syllable pattern. This means the first line has 5 syllables, the second line 7, and the third line 5. However, in modern haiku, especially in non-Japanese contexts, this structure can be more flexible.
  2. Seasonal Reference (Kigo): Classic haikus often include a reference to nature or a specific season, known as a kigo. This ties the poem to the natural world and evokes a sense of time or environment.
  3. Juxtaposition (Kireji): There is typically a contrast or shift in perspective, often marked by a cutting word (kireji) in Japanese. This brings two images or ideas into sharp focus, inviting the reader to connect them in a meaningful way.
  4. Present Moment (Awareness): Haikus capture a single moment in time with brevity and clarity. The poet seeks to express the essence of an experience, often related to nature, through minimalistic yet vivid language.
  5. Subjectivity and Simplicity: The poem is usually personal, expressing the poet’s direct experience or observation in a simple, unsentimental manner.

If you read all my previous analyses about Jinx, you are already aware that in this story, Mingwa has been portraying the city as a place full of corruption and estrangement. Yet the main leads are slowly reconnecting to their own true nature thanks to each other. Furthermore, the Webtoonist is stating through Jinx that fame or wealth are no real source of happiness, rather love and fulfilment. Thus the champion is suffering from depression, insomnia and anger issues. Finally, through her characters, it becomes clear that they need to learn how to “enjoy the moment”. That’s how they will come to love life and stop living like ghosts. That’s how they will learn how to live a good life. And that’s exactly what a Haiku is conveying too. The latter is often linked to the concept of “enlightenment” and “carpe diem” (seizing the day), though not always in an overt way. Many haikus emphasize the fleeting nature of life or the ephemeral beauty of a single moment—key elements of the carpe diem philosophy. The seasonal references, especially to autumn or falling leaves, often remind readers of life’s transience (ephemerality) encouraging an appreciation of the present moment before it passes. For example, a haiku may evoke the beauty of cherry blossoms in spring (a symbol of both renewal and impermanence) or describe the changing of seasons to highlight the inevitability of change and decay, which can be interpreted as a quiet call to embrace life while we can.

In essence, haikus share with carpe diem the philosophy of mindfulness—appreciating the now because it is fleeting. And now, you comprehend why the French book about Haikus is containing poems about water. Since the illustration is showing the sea, , anyone will think immediately of the ocean. But where is the sea in Jinx?

1. 2. Blue and Boundary

It was implied in chapter 14/15 with the doctor’s trip to Busan, a city which is situated on the Southern coast. (chapter 14) Yet, the main lead never got the chance to see it. Then the ocean is only mentioned directly at the end of the first season. The halmeoni was expressing her wish to return to the West Coast (chapter 53) where she hoped to see a beautiful ocean one more time. (chapter 53) When she was 10 years old, she was moved by how the ocean changed colors with the beautiful sunset. It was no longer blue or grey, but yellow, red, pink, orange and purple. This wonderful but brief moment left such a deep impression on her that she could never forget it. (chapter 53) She never came to regret her walk to the beach, because this souvenir also became her source of strength. This memory created in her the desire to see it again, thus she kept postcards with views of the ocean. (chapter 17)

In addition, I believe that the mesmerizing view also made her forget everything: her worries or her family. (chapter 53) Hence she remained immobile and silent in front of the amazing view. We could say, she felt totally engulfed by the ocean in fire, forgetting herself in the brilliant glow of the sunset as if she were becoming one with the view. This interpretation reinforces my perception about the intention behind the halmeoni’s wish: escapism from reality. She believes that with such a view, she will forget her terminal disease and even her pain, as though it will help her to live longer.

But there is another reason why she was so affected which I discovered with this Haiku written by Santoka:

French EnglishJapanese
“Me voilà
là où le bleu de la mer
est sans limite.”
“Here I am,
where the blue of the sea
knows no bounds.”
New translation:
I am here now,
in the boundless blue
of the sea.”
われ今ここに
海の青さのかぎりなし

The Haiku evokes a profound sense of openness and freedom, often reflecting a Zen-inspired approach to nature and self-awareness. Since the ocean embodies infinity and timelessness, the observer “Here I am” is remembering through the beautiful view of the ocean of his own limit: mortality. At the same time, the contrast encourages the “Here I am “ not only to meditate. It also motivates the person to grow, to push away his own limits. Why? It is because the boundless blue sea symbolizes both the vastness of nature and the limitless potential of the self, inviting reflection on life’s expansive and uncontainable aspects. The sea here represents a place beyond the limits of ordinary concerns, not as a void but as openness and infinite potential. This limitless “blue” suggests an escape from the mundane, a place for self-discovery, and the eternal flow of time, reminiscent of the Buddhist idea of impermanence. As a conclusion, this haiku captures a moment of complete presence within the vastness of nature. The poet stands before the limitless blue of the sea, feeling both awe and a sense of unity with its expansiveness. The phrase “I am here now” grounds the poet in the present (ephemerality), whereas “boundless blue” emphasizes the sea’s infinite reach, a powerful symbol for freedom, mystery, or eternity. The haiku suggests an experience of feeling both small and deeply connected within the immense, unending beauty of the natural world.

As you can sense, this poem captures the “now,” encouraging readers to embrace a moment as fleeting as the sea’s endless horizon, thus aligning with “carpe diem.” Shin Okja must have felt free, peaceful and powerful in that moment. As you can imagine, as soon as I saw this picture with the poem, I couldn’t help myself thinking about Kim Dan. In front of the sea, the PT should find his true self: no boundary… like the sea! In front of the sea, he could get more self-awareness and realize that he is also strong. In season 1, people could sense his low self-esteem. So by being next to nature (sea, trees), he could regain his self-confidence. In other words, I believe that his journey to the sea will affect him deeply too, though he has no expectation at all.

Is it a coincidence that his silhouette (chapter 53) is glowing blue? I don’t think so. Let’s not forget that blue symbolizes wood for Koreans. The sea (water) and a tree (chapter 41) are the doctor’s true elements. Under this new light, it becomes comprehensible why under the tree, he came to acknowledge his feelings for the athlete. In addition, if Kim Dan gets close to water, this signifies that he will get replenished and truly nourished. And notice that during season 1, he never ate properly.

But this doesn’t end here. The poem also reminded me of Joo Jaekyung: (chapter 53) He is standing in front of the blue city. But he doesn’t feel free and powerful. Why? There is a window in front of him. The window is showing him his own boundaries. His penthouse is like a cage, and he is not truly dominating the city. In reality, he is isolated. To conclude, the panel stands in opposition to the Japanese poem and the grandmother’s vision: alienation, regret and powerlessness. So we should write the haiku like this, from the champion’s perspective:

“Here I am,
where the blue of the city
knows my limits.”

In Seoul, he is now portrayed as a thug and loser. Since the image contradicts the original haiku from Santoka, this means that the moment in front of the window embodies not self-awareness, but the opposite: obliviousness, ignorance, or even self-deception. These terms imply a lack of insight into his own thoughts, feelings, or actions, which led him misunderstand or misjudge Kim Dan. Similarly, the opposite of peace of mind can be described as anxiety, distress, or turmoil, which are states marked by worry, unease, or mental unrest, often resulting from unresolved conflicts or lack of clarity. Thus the fighter can not express his emotions and thoughts properly. (chapter 53) Together, these opposites suggest a state of inner turmoil or confusion, where a person lacks clarity about both themselves and the world around them, which can inhibit personal growth and well-being. And this is exactly how the main lead feels in the final panel of season 1.

Thus it dawned on me that both characters could make a beautiful experience in front of the ocean in fire. How so? I realized that the grandmother never shared this experience with her grandson before. She kept this beautiful moment as a secret (chapter 53) which is the exact opposite to Santoka. By writing the haiku, the author desired to share his thoughts and emotions, and encourage his readers to meditate and to feel this freedom and peacefulness. Thus I am expecting that both characters will go to the ocean together and that’s how the latter will get closer to each other. Their intimacy will improve not just through clear and direct communication, but also through shared experiences. However, we shouldn’t imagine that they will make the exact same experience than Shin Okja, as each person is different. Furthermore, they could go there to a divergent season or time, hence the nature of the ocean could be different:

Like this Haiku from Amari Ôki

French EnglishJapanese
Loin d’être
aussi calme qu’un mort
la mer hivernale !
“Far from being
as calm as the dead,
the winter sea!”
New translation:
There is no ease of death
in the winter sea.
死ぬといふ やすらぎ
冬の海になし

The French version of this haiku contrasts the common image of calmness with the intense energy of the winter sea. By comparing it to the dead, the poet suggests that even in the cold and desolate season, the sea is dynamic, restless, and alive—defying the stillness and finality of death. This evokes a sense of nature’s persistent vitality, even in winter’s harshest state. The constant, unrelenting waves of the winter sea indeed suggest an image of persistence and ceaseless motion contrasting with the sleeping nature in winter. This naturally made me think of the grandmother’s death, who might have vanished, but she remains present in the heart and mind of the main leads. In front of a changing and vigorous sea, the beholder is also reminded of his own life and mortality.

However, the Japanese version and the second English translation gives a totally different interpretation. The « winter sea » conveys a vision of death that is neither gentle nor peaceful, but rather restless and intense, like the winter sea itself. In this image, the cold, churning waters of winter contrasts with the idea of a calm, serene end. The winter sea embodies a relentless, almost haunting energy, where waves are constantly breaking and crashing, echoing a sense of turmoil rather than tranquility.

This interpretation suggests that, just as the winter sea is harsh and unyielding, so too might death be something that doesn’t bring the expected ease or comfort. It reflects an unsettling vision of nature and existence, where peace is elusive and even death holds an enduring, untamed force. This means that once the halmeoni is facing the ocean, the latter could scare her, because she is reminded of her own death. She would be confronted with her own powerlessness and mortality, this can only reinforce her fears about death. Another possibility is that Kim Dan is triggered by this vision (don’t forget that he fears water: (chapter 27) Like mentioned above, the beholder in front of the ocean can have a different experience than the young girl.

2. The grandmother’s confession

Let’s return our attention to Shin Okja’s childhood and magical moment once again. (chapter 53) What caught my attention is the vocabulary employed to describe her past life is revolving around “chaos”, “urgency” and “race against time: “to evacuate” and “so hectic”. (chapter 53) Thus I deduce that in that moment, she must have felt at peace. This explains why she could never forget this magic moment. However, her confession displays a deep regret as well: she couldn’t go back to the ocean. I would even add that she is portraying herself as a person who had no control over her life. It was either « we » or « life ». Through her words, we can sense her passivity, but also her victim mentality. It was not her fault that she couldn’t go back to the ocean. She never had the opportunity to do so!! She never had missed her chance. She is denying the existence of a missed chance or timing. After reading the description of her past life, I am quite certain that my avid readers can recognize the similarities between the athlete and the halmeoni’s destiny. Until his defeat, Joo Jaekyung had no time either. He was also racing against time. However, there exists one divergence between them: the chance to make the right decision. This means that the champion has now the opportunity to take a break. Furthermore, he also has one chance to get back the doctor, but he shouldn’t miss it.

This quote underlines the importance of awareness and self-knowledge in seizing opportunities and making meaningful choices. Fromm frequently discussed how individuals miss chances for genuine self-fulfillment because they are distracted by external pressures or conformist habits, thereby losing touch with the pivotal moments that could bring change and growth. Thus I deduce that Shin Okja is not truly honest to herself and her grandchild. She must have had a chance at some point, but she made the wrong decision. Thus she portrays herself as a victim of circumstances. There is no doubt that contrary to Shin Okja, the athlete won’t miss his second chance and will change for the better.

However, we shouldn’t forget that with her request, the grandmother is making a rush decision in reality. She is not taking her time to reflect if her desire to go to the West coast is a good thing. Like I wrote in the previous analysis Click : Between Fleeting illusions and Enduring Realities, she got definitely deceived by this brochure: (chapter 53) Furthermore, she is imagining that she can make the same experience again. But this is just an illusion, like the Greek philosopher Heraclitus explained it:

Heraclitus uses the river as a metaphor to show that everything is in constant flux. Just as the water in a river is always moving, flowing from one place to another, everything in life is always changing—from our thoughts, feelings, and bodies to the external world. This idea (“everything flows”) points to his belief that nothing remains static or permanent.

Yes, Shin Okja is no longer the 10 years old child. She needs someone by her side to go to the beach. (chapter 53) Secondly, I doubt that the beautiful view could make her forget her suffering. Finally, let’s not forget that for one single moment, she will spend many days in a hospice, where she will be surrounded by dying people. Furthermore, the image of the ocean could generate a different feeling: torment like mentioned above. She is expecting to make the same experience, but the opposite could happen. She gets terrified and tormented. Therefore I have the impression that the grandmother might come to regret her past decision. But contrary to the past, she can not blame the others (« we ») or life, as it was her own choice and request! Therefore I deduce that in the past, she let others make decisions for herself, like we could see it with her expensive treatment. She listened to Kim Dan and the oncologist. (Chapter 7) And we could see that Joo Jaekyung had a similar attitude in season 1, he would listen to his hyungs and the people working for MFC. Consequently, I come to the following deduction: this time, the fighter will make the decision on his own. He won’t follow Park Namwook’s advice: (chapter 53) The latter is asking him to simply wait and to rely on him. Joo Jaekyung will take the matter into his own hands, the exact opposite attitude to the beginning of season 1.

3. Regret and Water

As you can see, thanks the first two haikus, I got a much better understanding of the characters from Jinx. However, the biggest revelation came with another haiku. Water comes under different forms, like a river, a waterfall or rain. Therefore the book contains the following haiku written by Ryokan Taigu.

French EnglishJapanese
Jour après jour
Tombe la bruine –
La vieillesse me saisit
“Day after day
The misty rain falls—
Old age grips me.”
New translation based on the Japanese version:
Day by day,
as the winter rain falls,
people grow old.”
日々日々に
時雨の降れば
人老いぬ (Thanks to @rinsan)

This haiku reflects the passage of time and the inevitability of aging, with the winter rain symbolizing the steady, unstoppable rhythm of nature that mirrors life’s transient nature. The imagery of rain falling “day by day” emphasizes the gradual, almost unnoticed progress of time that ultimately leads to aging. Despite the slight change in the translation, it doesn’t affect my revelation and new interpretation. Thanks to this poem, I had suddenly realized two aspects. First, the fall and winter in Jinx symbolize the dying Shin Okja. The seasons are mirroring the aging and the changes. This means that we should expect her death either in fall or in winter. I am opting more for fall due to the rain, though the poem from Amari Ôki is connecting death to winter. Why? Striking is that in season 1, Mingwa always showed us a beautiful weather. The sun was always present following the main lead, (chapter 1) (chapter 47) (chapter 47) even when the doctor was confronted with the truth about his terminally ill grandmother. The sun was always shining brightly. Since in the haiku from Ryokan Taigu, the rain is associated with old-age and fall (misty), it dawned on me that the rain should be associated with the grandmother’s death. If this comes true, it was, as though the sky and gods were weeping for her vanishing. Additionally, the first season took place in Spring and Summer, thus I deduce that season 2 will take place around late summer, fall and winter. This means that the weather should change. And this remark led to my second revelation. I started looking for South Korea’s climates, particularly I was curious about the climate on the West Coast.

Should they move to the beige region on the West coast, this signifies that it will rain more often, especially in the Summer. 😮

As you can see, late Summer and fall in South Korea are strongly linked to rain and even typhoons😨. And we would have a possible explanation about the circumstances for the vanishing of Kim Dan’s parents and his fear of water. Imagine this. By returning to the West Coast and as such by reconnecting to her past, the doctor’s past and his parents’ vanishing will certainly come back to the surface. Don’t forget that his parents were never brought up in season 1.

But let’s return our attention to my previous observation. The weather and as such nature could decide not to fulfil her wish. Due to the rain or a tempest, she is not able to go to the beach. She didn’t take the season into consideration, a sign that she didn’t truly ponder on her decision. This would explain why we had no bad weather in season 1, for her grandchild was fulfilling all her desires. Moreover, since the halmeoni lived for quite some time at the hospital, there is no ambiguity that she came to forget the seasons. She only remembers the ocean on a beautiful day. And now, look at the following picture: (chapter 19) the presence of pink and purple hydrangeas indicates that it was taken in Summer. This new approach reinforces my perception that the grandmother is about to get confronted with harsh reality despite her attempts to escape from it. Her wish can not be fulfilled so easily, like she is imagining it. In addition, Manhwa-philes should keep in their mind that weather has a great influence on elderly people’s health.

It is not just about heat or cold, even rain can increase their pain (arthritis for example) or bring them infections. Here, I found an article showing the great impact of the monsoon on seniors. https://www.patientsengage.com/healthy-living/managing-older-adults-health-rains-monsoon

This observation leads me to even conclude that her move to the West Coast could in reality accelerate her death. 😮And now, I am adding the picture which was placed next to the haiku from Ryokan.

We have an elderly man walking through the rain in front of the blue sea. The latter is accompanied with a Waka-poem from Yoshihiro (which was not translated). According to my Japanese friend @Rin_de_eegana (飯乞ふと 里にも出でず この頃は 時雨の雨の 間なくし降れば), this phrase describes a situation where one cannot even go out to the village to beg for alms due to the long rain. Here, we have the topic of poverty linked to old-age and rain. Yes, the pages of this book reminded me of Shin Okja, a poor elderly woman who is so sick. And like mentioned above, the rain could be the reason why the woman doesn’t go to the beach. The two poems are underlining one important aspect: the powerlessness of humans in front of nature. No one can stop aging, just like no one can control the weather. At the same time, it outlines the importance for a senior to be surrounded by people, so that they don’t end up dying from dehydration, from a cold or hypothermia.

4. Tears and rain

In the part above, I presented the following expectation: the day of the grandmother’s death is strongly intertwined with the rain. The drops from the sky should be seen as a metaphor for tears. But I have another evidence for this prediction. My avid readers should keep in their mind that Mingwa’s story is written like a kaleidoscope, like an eternal circle. Thus scenes are always reflecting each other. This means, the author left traces of the rain in season 1. And where were they? In the bathroom (chapter 47) (chapter 49) Both main leads went to the restroom in order to hide their emotional turmoil and suffering. They used flowing water (in Joo Jaekyung’s case the shower) in order to cover the sound of their weeping: SHAAA. Yes, the tears are making sound… so the rain should make sound as well. And this brings me to my next remark. (chapter 53) When she mentioned this beautiful experience to Kim Dan, she was only focusing on the mesmerizing view: a colorful ocean. Thus the author zoomed on her eyes and blushing cheeks. However, she didn’t pay attention to the sound of the ocean. Yes, the waves are making sound. Thus the author zoomed on her eyes and blushing cheeks, but her ears are not really visible. Moreover, her memory is presented without a sound. (chapter 53) There is only silence, whereas in reality, this is how the ocean sounds:

If you pay attention to the title of this video, you will see that sea waves are used to help people to relax and to fall asleep!! Thus I am inclined to think that the champion will discover the true power of nature in front of the Yellow sea. The sound of the waves will help him to overcome his insomnia. In season 1, the author implied the existence of a connection between the sea waves and his insomnia in the champion’s life : (Chapter 29) Remember how I had described this panel. The fighter feared to be swallowed by the darkness, to drown because of the many opponents. The fighters are placed like waves. Thus the celebrity could decide to change his career (to become a fighter like Dominic Hill who selects his own fighters) and move to the countryside in order to live a better life. And this brings me to my last haiku composed by Suéko Fujii

French English
Le bruit de l’eau
éclairé par la lune
plus intense
“The sound of water
illuminated by the moon—
more intense.”

In this haiku, the poet highlights how moonlight not only illuminates but enhances perception, sharpening the experience of nature’s sounds. The moonlight doesn’t physically alter the water, but it creates an atmosphere that heightens the beholder’s awareness, making the sound seem richer or more intense. This effect reveals the power of the night and the way natural elements interact, transforming something ordinary into something profound. The haiku suggests a quiet moment of immersion where the listener becomes deeply attuned to the surrounding world, connecting to the peaceful yet amplified rhythm of nature. As a conclusion, the poet becomes engulfed by the moon’s illumination and the ocean’s sound, as if fully absorbed into this heightened sensory experience. The moonlight and the intensified sound draw the poet into a deep, almost meditative state, where each element—the visual of the moon and the sound of the water—merges, enveloping him completely. This poem represents a reflection of the grandmother’s experience, though the latter diverges slightly. She didn’t focus on the sound. And look at the drawing next to the haiku. We have a room with a view! Under this new light, it becomes comprehensible why I am already envisaging that Joo Jaekyung moves to the countryside. As you can envision it, the Haiku from Suéko Fujii triggered my imagination.

Joo Jaekyung is getting his enlightenment during the night in front of the sea, and who is standing in front of the ocean? Naturally, it can only be Kim Dan who stands for the moon!! A new version of these two blue nights: (chapter 29) (chapter 35) The blue would be a reference to the ocean. After that couch confession night, the athlete got a certain enlightenment, hence he tried to get closer to Kim Dan the next morning . (chapter 30) In episode 35, the night stands for ignorance and self-deception, for the doctor was not present. Joo Jaekyung reverted to his old self. However, don’t forget that the haiku was not just about the moon light, but also about the sound of the waves. All the senses are awakened which represents a better experience than the grandmother’s. Moreover, since I am anticipating the presence of Kim Dan, this means that Kim Dan embodies not only the light in the dark, but also sound of water. This interpretation brings me to the following remark. In season 1, the athlete had already associated his fated partner to “sound”, though in the beginning he viewed it as noise (chapter 18) and as a source of stress and worries. (chapter 45) This means that the night view of the ocean should make him discover the beauty of the sound of water. He will come to associate the sound of the sea waves with Kim Dan. That’s how he will be able to fall asleep. In other words, I am expecting a new version of this scene: (chapter 47) To conclude, Joo Jaekyung will also have an Enlightenment in front of the ocean, but contrary to the grandmother, this experience will be associated with the night, the sound and a person: his soulmate Kim Dan.

That’s it. I hope you enjoyed reading this composition. If yes, let me know if I should write a similar essay with haikus which are focusing on a different topic, like for example flowers, food etc.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Passions in Purple 💜: Jealousy and 😄Joy in Jinx – Part 2 💜💦

1. Friends with Benefits: Responsibility beyond Desires

In the first part, I pointed out that the second couple had become “fuck buddies”, a synonym for Friends with Benefits. This raises the following question. Why is Heesung no longer obsessed with his quest for a soulmate? One might find the answer to this interrogation in the following image. (special episode 1) The actor chose to use the black-haired sportsman as “Friends with Benefits”. But what would be Potato’s benefits then? Support and connections, like we could see it in special episode 2: (special episode 2) So when Heesung is already envisaging to get rid of his new lover (special episode 1), we have to envision that the comedian is projecting his own past relationships onto the 20 years old man. Many of his former sexual partners would always long for his attention and affection. (chapter 35) Because he is famous and wealthy, he is expecting a similar reaction from the chow-chow. At some point, he will appear too clingy, hence he will perceive his relationship as burdensome. This is no longer fun. (chapter 33) However, the change of Heesung’s mind-set (Friends with Benefits, no longer the search for a soulmate) is also related to Potato’s reaction after their first night together. (special episode 1) With his words, the sportsman implied that he had taken advantage of the actor, while in reality the opposite had happened. Heesung had taken advantage of Potato’s drunkenness (special episode 1), ignorance and purity (special episode 1).The confession of Yoon-Gu’s wrongdoing could only shock the actor. (special episode 1) How did Yoon-Gu come to this reasoning, when he admitted in the same breath that he was drunk? It is because the night before, Heesung had confided that he was heartbroken due to Kim Dan’s rejection. (chapter 35) With his behavior, the fox gave the impression that his affection for Kim Dan was running deep. Under the tent, he was drowning his sorrow with soju. Hence in the maknae’s mind, Heesung was still in love with the physical therapist. Yes, the irony is that the chow-chow was also projecting his own thoughts onto the comedian. Let’s not forget that when the young fighter discovered the true nature of the relationship between the doctor and the emperor, he didn’t give up on his admiration and affection for Joo Jaekyung. (chapter 35) My avid readers should keep in their mind that the chow-chow is famous for his strong loyalty. To sum up, Potato imagined that Heesung was still loving Kim Dan, exactly like him with the fighter… he would remain faithful and keep his one-sided love.That’s why I came to the following conclusion: their relationship started on a misunderstanding, which was also reflected in this situation: (special episode 1) Yet, contrary to the main couple, the misunderstanding is not driving an edge between them, in fact it is bringing them closer.

Under this new light, Manhwaworms can grasp why Potato chose to become responsible. (special episode 1) It was, as if he had disregarded the gumiho’s feelings, he had incited the latter to commit a sin. Heesung had broken his vow of faithfulness 😂. That’s the reason why he mentioned “zero regrets”. It is important, because with such a mind-set and attitude, he is indirectly pushing the gumiho to face the truth: his dishonesty. His affection for Kim Dan was just a crush, a superficial attachment, as he knew nothing about him. In fact, he was just chasing after an illusion. He even admitted it at the restaurant: (chapter 35) His description for a partner and as such love doesn’t correspond to the definition of true love: care, respect, knowledge and responsibility (Definition from Erich Fromm, for more read “The Art Of Loving”). That’s why Yoon-Gu was surprised and left speechless. Thus I deduce that through Potato, Heesung is encouraged to love properly and genuinely. Moreover, the last statement from Heesung exposes his self-deception. Here, he appears as humble, while in front of Joo Jaekyung, he appears as exigent, because he said the exact opposite. (chapter 33) He had high expectations: a soulmate: he should be fun and not too clingy. Yes, Potato’s purity and honesty is inciting Heesung to become more honest to himself and to others. His affection towards Kim Dan was rather frivolous, especially when he acted as a rather irresponsible person. (chapter 32) He didn’t try to protect him from the athlete’s fury. He never clearly stated his true desire, he wished to date the doctor, until he was cornered (threatened).

But let’s return our attention to my previous statement. (special episode 1) Yoon-Gu decided to become responsible for Heesung due to his mistake, he had not respected his feelings for the doctor.

Interesting is that with his confession, Potato had reversed the situation. In general, the drunk person will claim to have acted under the influence of alcohol, which would give them the opportunity to cut off ties with the sex partner. The sex session will be reduced to a mistake. That’s exactly what the champion did the next morning after that simulacre of love making. (chapter 45). This means when the MMA amateur fighter decided to become responsible and as such to make up for his mistake, (special episode 1) he has no expectation concerning the actor’s attachment. In other words, in his mind, he is just helping Heesung to satisfy sexual needs, while the latter can still keep his one-sided crush for the physical therapist. This made me laugh, because it looks like Potato is now sacrificing himself for the comedian’s sake. Yes, it is because he is no longer paying attention to his own feelings and desires. It was, as if he was offering his body to make up for his sin… he tempted him to break his vow of loyalty. That’s the reason why their relationship is purely sexual. This explicates why Yoon-Gu could still admire his idol after his night with Heesung which is visible in this scene: (chapter 41) In other words, both second leads are on the same wavelength despite the misunderstanding. Both have the same expectations: Friends With Benefits. Yet, they are not equal in their relationship, as Potato feels indebted towards the actor so that the latter has “Zero regrets”. In other words, he is bound by a debt and a contract. He has to please his partner, he can not refuse to his demands. That’s why Heesung said this (special episode 1) and why Potato couldn’t refuse the role-play. (special episode 2) He is put in a similar situation than his role model Kim Dan. He can not say no to Heesung. (special episode 2) However, he is not entirely powerless, like I mentioned in the first part. He is not forced to admit that he had fun after the intercourse. (special episode 2) In other words, he is not obliged to say YES either! It is funny because thanks to this examination, I realized that Yes and No have “become” like taboo words. Yoon-Gu is avoiding these idioms by using the expression “I don’t know”. Hence I am suspecting that Heesung will become obsessed with the word “yes”! 😂 Only Heesung can procure him fun and pleasure, and no one else. He is getting disarmed by the sentence “I don’t know”.

However, since both started this relationship as “Friends With Benefits” out of obligation, it is not surprising that Heesung hid his increasing desire for Potato behind a role-play. But it is the same for Yoon-Gu. Because the latter has in his mind that the actor has a one-sided crush on Kim Dan, he can not show his “affection” towards the comedian. His heart was touched by the compliment and this gesture (special episode 2), yet in the past he had a different reaction. (chapter 23) The reason is simple. This was not patting, but rubbing. Neither Oh Daehyun nor Kim Changmin did it to express gratitude, rather for selfish reasons. They wanted luck on their side. Potato didn’t feel recognized and accepted, rather used as a tool. Hence he was bothered. Under this new light, it becomes comprehensible how Heesung can win Yoon-Gu’s heart in the long run. It is not because of his sexual performances, but thanks to his selfless gratitude and generosity!! We have the perfect example in these two scenes: (chapter 26) The main lead had taken a risk for him. He could win his heart by turning his dream into reality. He would be able to spar with the emperor. Then observe how Potato was full of admiration, when the champion decided to organize a charity event for his birthday. (chapter 41) Joo Jaekyung had nothing to win from his “birthday”.

Under this perspective, Manhwalovers can comprehend why Potato chose to run away, when he decided to accept the offer from the actor. (special episode 2) He was attempting to hide his growing affection for the comedian. He feared that his feelings for him could become a burden for the comedian. In his eyes, Heesung should remain faithful to the physical therapist. He shouldn’t expect any affection from the actor either.

Funny is that when I was looking for a synonym for “fuck buddy”, I found this other idiom: “no-strings-attached partner”. In a previous essay, I associated this term with the doctor “Cheolmin”. (chapter 13) And the moment I read this expression, I couldn’t help myself thinking of a leash as a new sex toy. (chapter 34) In this scene, the physical therapist looked like attached to his owner. In the first part of “Passions in Purple: Jealousy and Joy”, I made the following prediction. Heesung would order a sex toy (special episode 2) out of annoyance and jealousy (special episode 2), for Potato had run away from him. He needs to put him on a leash to feel in control, to obtain his chow chow’s attention. Naturally, there is no guarantee that this prediction is correct. Yet since according to my examination, Potato is thinking that Heesung is in love, it signifies that Heesung is already attached to Kim Dan. Hence he won’t do anything to ruin this attachment… therefore Heesung can only be put in front of a dilemma. How can he make Potato look at him? He could reveal the truth to Yoon-Gu, but by doing so, he would ruin his image as a good and caring guy. Moreover, since he has lived for a long time deceiving himself and others, it is very unlikely that the actor might change his behavior so suddenly. Old habits are hard to die. Therefore for me, honesty won’t be his initial choice, rather acting. He will express his thoughts and emotions behind a new role-play and sex.

And this observation brings me to my next statement. Finally, Mingwa gave us a clue about Potato’s absence in chapter 43: (episode 43) Yoon-Gu must have gone to the set, like promised! (special episode 2) This explicates why he didn’t join Team Black at the restaurant. He spent the whole day and night with his fated partner. Heesung must have made sure to keep him by his side… It’s also very likely that the actor used Potato’s promise to his own advantage. They had a deal… He had to ensure that the actor had zero regrets and he would become responsible for him (special episode 1) Bound by a promise which he couldn’t violate. His absence at the restaurant is very important, because he never heard the drunken confession from his idol: (chapter 43) He would have perceived this statement differently from the others, as he knew about the true nature of their relationship. On the other hand, his absence was necessary. Why? It is because the young fighter needed to learn to distinguish between himself and his idol. Yes, in my opinion, Yoon-Gu’s motivation to bring back Kim Dan to Team Black won’t be just for the athlete’s sake! It will be Potato’s own desire to bring him back. He is missing the physical therapist. Through the last incident, Potato must have realized how much Kim Dan meant to him. His departure left him so heartbroken. (chapter 52). In the past, Heesung saw Joo Jaekyung as a rival, hence he made sure that Potato didn’t participate in the champion’s surprise party. So I believe that he was not upset about Joo Jaekyung’s downfall. In fact, he could have envisioned that this could help him to gain Potato’s attention. However, what he didn’t realize is that since feelings and affection can change, this could also happen towards other persons: the physical therapist. Potato’s attachment towards the doctor deepened, as time passed on, especially since they spent some time together in the States. Therefore I conclude that the departure of the doctor will not only affect the relationship between Potato and the comedian, but also force them to follow the main couple to the West coast. Mingwa left many clues for this prediction. Where?

2. The Birth Of A Star

If you read my analysis Star-crossed lovers, you are aware that for me, Yoon-Gu is linked to the goddess of Love, Venus or Aphrodite. And where was she born? In the sea… In the myth of Aphrodite’s birth, the beautiful Goddess of Love emerges naked from the water.. She had just been created from the foam of the sea caused by Cronus castrating his father Uranus and throwing his genitals into the water. Interesting is that the sea on the West Coast is called Yellow Sea! And what is the signification of Yoon-Gu’s name Hwang? Yellow!!

In other words, by going to the west Coast, we should assist to the birth of a new star and god: Yoon-Gu, the new champion as bantam fighter. During the champion’s 3 months suspension, the main leads can focus on the maknae’s training. And no one would expect this!! That’s how they could prove the medias (chapter 35) (chapter 52), the enemies, in particular Baek Junmin wrong. Even if he is injured or ends his career as MMA fighter, his life is not over. He is strong, talented and trustworthy, because Yoon-Gu chose to trust him and his career. He is no thug or spoiled child, as despite his injury, he “assisted” someone to become a new fighter.

I have many other reasons to think like that. First, pay attention to this panel: (chapter 53). In this scene, the halmoni was shown as a young child, just before she left this region. Her departure announces the future loss of her innocence. This explicates why she desires to return to her roots. It was, as though she was trying to escape her fate. Moreover, by reconnecting to her childhood, she is actually denying the existence of her grandchild. It was, as if she was trying to erase the time between her departure and return. On the other hand, this scene announces her imminent death as well… it was, as if she wanted to be swallowed by nature (sea, sun). And death is strongly connected to birth. No one can die, if they were not “born” before. Hence I am suspecting that the birth of a new star, the Bantam Fighter Yoon-Gu, is associated with the halmoni’s vanishing. Finally, any reader can notice the two main colors in this image: yellow and red!! And you know that Potato’s colors are yellow and red. From my point of view, Potato is destined to go to the West Coast and naturally Heesung will follow him there. He has to because of the saying “Out Of Sight, Out Of Mind”. Let’s not forget that Heesung treated Kim Dan that way. As soon as he stopped seeing the doctor, he stopped thinking about him. He could fear to lose his soulmate, as the latter forgets him. The gumiho’s fate is to be the “clingy one”.

3. The Arrival of Happiness

And this observation leads me to mention my illustration for the essay: There, I included two gemstones, the Bloodstone and the Aquamarine! Choi Heesung, born on 21st March, is represented by these birthstones! In this composition Powerful Hidden  Gemstones – part 2, I had speculated about his birthday and gemstones, which turned out to be wrong. On the other hand, my hypothesis was not entirely false, for I had correctly associated him to Spring. This already implies the actor’s huge role in bringing happiness to the main couple. Spring stands for renewal and rebirth. And now, it is time to explain the symbolism behind the Bloodstone and Aquamarine.

3. 1. Bloodstone, the shining talisman

Bloodstone, named for its striking appearance that resembles droplets of blood on a deep green surface, is also known as Heliotrope, derived from the ancient Greek for “sun turner.” This name reflects the ancient belief that when placed in water, the stone could turn the reflection of the sun red.

As soon as I read such a description, two pictures came to my mind, first this one: (chapter 53) The sea turning red due to the sun… Thus I feel like the halmoni could meet her idol in the sunset which could affect the actor deeply. Let’s not forget that the grandmother came to adore him through this k-drama: (chapter 30) And what was he wearing in the poster? A blue pale suit which is close to Aquamarine and even to light purple ! The color is no coincidence. I have the impression that thanks to the weak woman, Heesung will become a part of the “new family”. If you look at the sunset again, you will detect glimpses of purple in the sky. As for the second image which came to my mind is this: the actor swimming in the ocean. When the bloodstone is put in water, it changes the color of the sun: red for love. Yes, we should expect a new version of this scene: (chapter 28) which I had interpreted as a baptism, a purification. If the actor bathes in the Yellow Sea, he will be purified and as such his true self will come to the surface. That’s how he will recognize his love for Potato, but also his friendship for the doctor. So far, the man has no real friend, but he has been longing for one. At the same time, the metaphor (the sun turning red) could be a reference to the interaction between the actor and the emperor, the former helps the latter to recognize his true feelings for the physical therapist. As a conclusion, we should expect to see Heesung under the sunset and next to the ocean or water. There, he should ponder and have a realization.

Renowned for its healing properties, bloodstone is believed to cleanse and purify the blood, aiding in detoxification and improving circulation. It’s thought to boost the immune system, helping the body fend off infections and diseases. Thus I am wondering if he won’t bring the doctor “Cheolmin” to the coast, if the athlete doesn’t invite him himself.

Emotionally, bloodstone is valued for its ability to stabilize emotions, reduce stress, and foster self-confidence, contributing to a sense of inner peace. In other words, he would have the opposite effect to season 1. (chapter 30) After getting enlightened, he would know what he truly desires. He would have no interest to get on the champion’s nerves. Potato would be the one bringing him happiness and novelty. Athletes and those seeking to enhance physical endurance often turn to bloodstone for its reputed ability to increase stamina and energy. This signifies that thanks to Heesung’s presence, the champion’s training won’t appear as a torture. Yes, expect a new version of this scene: (chapter 37) Here each fighter was on his own, they were not really training together. The champion was the leader due to his imminent match, he put the others under pressure, as he was himself stressed. But with his suspension, he is no longer racing against time. In other words, the training routine should be different. They will help each other, encouraging each other to become better. The presence of Heesung should help them to see the training under a different light. But for that, he has to reconnect to his true nature: bloodstone and aquamarine.

Throughout history, bloodstone has served as a powerful talisman and amulet, offering protection against evil spirits and bringing good fortune. This description reminded me of the incident in the States with the drug (chapter 37) or the switch of medicine. Unfortunately, the gumiho was not present both times, hence Kim Dan and Joo Jaekyung became the targets of revenge. On the other hand, the author stated that in season 2, the focus would be more on emotions, which means that there shouldn’t be many plot. Nevertheless, my avid readers should keep in mind my previous interpretation about the “beautiful” Kim Miseon (chapter 21) I had criticized her on many occasions, like disculssing a case in a hallway. Before, she had proposed an expensive treatment, well aware of the grandmother’s age and her weak condition. Moreover, I had suspected her to have leaked information to the director Choi Gilseok. Thus I hope that season 2 will expose her misdeeds and the corruption of the medical world. This was already present in episode 1. But let’s return our attention to the gemstone and its symbolism. In medieval Europe, the stone was deeply linked to the crucifixion of Jesus Christ, believed to have formed when drops of His blood fell to the earth. As you can see, the gumiho is strongly connected to selflessness, sacrifice, death and rebirth. This reinforces my expectation that his encounter with the grandmother will have a huge impact in his life, like for example the “neglect and indifference from his parents”. Exactly like the other main characters, he has abandonment issues. Bloodstone is commonly associated with the root chakra, which governs grounding, stability, and physical well-being.

Mystically, bloodstone is said to offer protection from negative energies (depression), psychic attacks, and emotional drain. It is believed to enhance decision-making, aiding in analytical thinking and logical choices. The stone is also thought to stimulate psychic senses, supporting divination and spiritual growth. Bloodstone is revered for grounding spiritual energy into the physical realm, providing strength and stability during difficult times. This means that this gemstone is strongly connected to choice and decision. In other words, Heesung should play a huge role in the champion’s next decision, a new version of this scene: (chapter 34) Here, he forced the champion to claim the doctor as his possession. However, in season 1, the main lead came to regret his actions (34, 43), for he has never been honest to himself. And now, it is time to focus on the second gemstone.

3. 2. The Ocean and Aquamarine

Aquamarine is a captivating gemstone known for its tranquil blue-green color, reminiscent of the sea. Its name is derived from the Latin words “aqua” (water) and “marina” (of the sea), reflecting its oceanic hue. Beyond its beauty, aquamarine holds significant cultural, spiritual, and metaphysical meanings across various societies.

3. 2. 1. Cultural Significance of Aquamarine

  1. Ancient Rome:
    • The Romans believed aquamarine was sacred to Neptune, the god of the sea. They thought the stone could protect sailors and ensure a safe voyage. They would often carve it into amulets shaped like fish, a symbol of the sea.
  2. Medieval Europe:
    • In medieval times, aquamarine was considered a symbol of true love and was often given as a gift between lovers. It was also believed to reawaken married love, making it a popular choice for engagement rings.
  3. Eastern Cultures:
    • In some Eastern traditions, aquamarine was believed to be a treasure of the mermaids and was used by sailors as a talisman to protect against drowning and other perils of the sea. It was also associated with water spirits and was used in rituals to communicate with them.
  4. Modern Times:
    • Today, aquamarine is recognized as the birthstone for March and is often associated with the zodiac sign Pisces. It continues to be a symbol of youth, health, and hope.

3. 2. 2. Virtues and Metaphysical Properties

  1. Hope and Courage:
    • Aquamarine is often called the “Stone of Courage.” It is believed to empower the wearer with the courage to speak their truth and to stand up for what is right. This quality stems from the stone’s historical use by sailors who saw it as a protective talisman, giving them hope and strength in perilous journeys.
  2. Meditation and Relaxation:
    • Aquamarine’s calming blue color is said to promote relaxation and peace. It is commonly used in meditation practices to help achieve a serene state of mind. The stone’s ability to calm the mind and reduce stress is linked to its association with water, which symbolizes cleansing and purification.
  3. Calmness and Communication:
    • Aquamarine is believed to enhance clear communication and understanding. It is thought to help calm the mind and reduce confusion, making it easier to articulate thoughts and feelings. This virtue is especially valued in relationships and as such friendships, as it encourages honest and compassionate dialogue. Aquamarine is believed to help people express themselves more clearly and understand others better, fostering a deeper connection and mutual respect.
  4. Spiritual Insight and Intuition:
    • The stone is also said to enhance spiritual awareness and intuition. It is believed to open up channels for inner wisdom and to strengthen the connection to the higher self. This is why it is often used in spiritual practices to deepen meditation and to facilitate connection with the divine.
  5. Trust and Loyalty:
    • Trust is a cornerstone of any friendship, and aquamarine is thought to strengthen trust between people. Its association with loyalty and fidelity makes it a popular gift among friends, symbolizing enduring and faithful connections.
  6. Renewal and Reconnection:
    • Aquamarine is also believed to rekindle friendships that may have drifted apart over time. Its gentle energy can help renew bonds and bring people back together, reminding them of the shared experiences and understanding that form the basis of their friendship.

3. 2. 3. Origins of Its Virtues

The virtues of aquamarine can be traced back to ancient mythologies and beliefs. Its association with water, a universal symbol of life, purification, and emotional depth, is the foundation of its calming and protective qualities. The ancient seafarers’ reliance on aquamarine for protection likely contributed to its reputation as a stone of courage and hope.

Over time, these beliefs evolved and spread across different cultures, each adding their own interpretations and values. The stone’s serene color also played a role in shaping its virtues, as colors have long been linked to emotional and psychological states. Blue, in particular, is universally associated with calmness, trust, and communication, further reinforcing aquamarine’s symbolic meanings.

In summary, aquamarine is more than just a beautiful gemstone; it carries a rich history of cultural significance and is revered for its spiritual, emotional, and relational virtues. Whether used for protection, love, friendship, or spiritual growth, aquamarine remains a powerful symbol of the sea’s tranquility, strength, and enduring connections.

This means that by going to the West Coast, Heesung is fated to find his true self as well. The sea is his natural environment! He represents friendship, loyalty and trust. However, pay attention that this gemstone is associated with the god Neptune. According to my examination, Cheolmin is the character associated with the god of the Sea. And what are his colors and gemstones? Green and jade! Yes, we should expect his return in season 2. The way he treated the star shows that he viewed the main lead more as a friend than as a patient or client.

Since Aquamarine is a mixture of blue and green and the bloodstone is a combination of red and green, it becomes comprehensible why Heesung felt attracted to the uniforms from the guards in the special episode (special episode 2) or why he chose to wear such a t-shirt in episode 31: (chapter 31) They were green. He is attracted to “green”, his origin self. Nevertheless, in episode 31, this was rather a khaki version due to his corruption. No wonder why he played a trick on the champion. And this observation brings me back to the doctor’s clothes. What was he wearing, when he was young? (chapter 19) A green t-shirt!! No wonder why Heesung felt a connection towards Kim Dan. They have something in common. Moreover, the doctor is a “duck”, so Heesung’s role is to help the doctor to recognize and accept his true self. Hence, the former helped him, when he confessed this to Kim Dan: (chapter 35) At the same time, it explains why Heesung changed for the better thanks to the physical therapist. Thus I assume that Heesung is destined to become an aquamarine, bringing all these characters closer to each other: Potato, Cheolmin, Kim Dan, Joo Jaekyung. However, contrary to the past, he won’t use his money to help people to become happier. His smile and happiness should affect the others: (chapter 31) However, this should no longer be superficial. The celebrity is associated with flowers, stars, fun and happiness. Because he symbolizes “Spring”, I deduce that his rebirth and as such his Enlightenment are primordial. He is there to assist the others. And the color for understanding, compassion, self-awareness and wisdom is purple:

This brings me back to the image with the sunset on the beach:(chapter 53) The presence of purple in this panel is a reference to inspiration, dream, spirituality and even individuality. And now, you comprehend why I am expecting a meeting between the halmoni and the actor related to the sunset. Let’s not forget that the young man is a gumiho, he is linked to “soulmate” and “immortality”. The imminent vanishing of the grandmother can only be a wake-up call for the comedian. He is a human, and life is short. Moreover, he could discover the doctor’s past making him realize reality. Contrary to Kim Dan, the comedian is blessed, for he is young, healthy and rich. He never had to suffer like the other (debts, death of relatives…) Besides, so far, he has not been confronted with death yet. Hence he could make such a comment: (special episode 1) Since the elderly woman confided to Joo Jaekyung, we can assume that she could do the same with the gumiho, as soon as she sees her idol. It is important, because he could grasp the physical therapist’s suffering and low self-esteem.

4. Nature and reflections in Jinx

My other reasoning about the trip of the second couple to the Yellow Sea is based on the script from season 1 either. The Webtoonist used reflections in order to outline the progression of the story. Hence we had many similar pictures, like these ones:

Chapter 4Chapter 43Chapter 48Chapter 53

This means, certain scenes or items are fated to reappear again, yet each time there are slight changes. Therefore we should expect a new version of this scene (chapter 48), but the actor would be replacing the fake director. We had a sunset here, dark water (the coffee), the symbol for corruption. Then notice that he is wearing a blue t-shirt (but two colors, a symbol of his hypocrisy)!! This reinforces my expectation that we should witness the actor’s awakening, the exact opposite of the other Choi, who chose revenge and manipulations. But there is more to it. Thanks to the comment of @Milliformemes24, I had another revelation. The latter wrote that places of knowledge and self-awareness are related not only to the ocean, but also to the mountains. It is normal, as the hill is closer to the sky and as such closer to the gods. Notice that Heesung’s new home is situated on the top of a hill, surrounded by a forest. In other words, Heesung could get enlightened on a mountain too, during a stroll for example. And the moment I read this from my friend, this image came to my mind: (chapter 41) The huge tree at the hospital!! The latter is even strongly connected to a stroll. In that scene, the doctor thought of his lover, as he associated him with the sun. (chapter 41) That’s the moment when he realized his feelings for the fighter. As you can see, Mingwa used the tree and as such nature as a source to spirituality. And now let me ask you this question. Since the story is written with reflections, the tree should have appeared before and after. Where was it then? First, the first plant to appear was the bouquet. The roses from Heesung (chapter 31) could be seen a mirror of the tree. The roses encourage the doctor to ponder and show an interest in his employer. (chapter 37) However, the first time, the tree appeared as such was in the States, and this on two occasions: (chapter 37) However, here there was no reflection! In fact, the figures kept complaining, and Park Namwook acted as the one with full of wisdom and understanding. Interesting is that in that scene, Kim Dan simply listened to the coach and manager and trusted the man. He never reflected on his own. And what about later? (chapter 47) Kim Dan imagined going on a trip with his grandmother, totally delusional, as he was in denial about his grandmother’s deteriorating health conditions. However, the vision shows the desire to become closer to his relative, to become more proactive as well. His words (“She’s been so busy raising me, she’s never had a day’s rest”) imply the presence of reflection. It indicates his gradual transformation and maturity. But this doesn’t end here. The tree was also present in the special episode 2: (special episode 2) Yes, the barn!! The tree had been transformed into a home. However, don’t forget that this was just a fantasy from Heesung. However, during this intercourse, he came to expose his jealousy and growing attachment towards his soulmate. Yes, the last two mentioned scenes have two common denominators: a mixture of fantasy and Enlightenment. Nature is strongly intertwined with meditation and communication. To conclude, we should expect the presence of woods and trees in season 2 as well. And this hypothesis got reinforced, when Mingwa released this image on X: We have a sunset, a palm tree and purple in the sky… Joo Jaekyung is wearing a similar shirt than Heesung: (chapter 34) I consider this as an allusion that the actor will be by the fighter’s side. On the other hand, since the shirt is open, I interpret as the star’s emancipation. The latter has been able to escape from his mental prison and suffering. In his cage, he was racing against time. Now, he is able to relax and enjoy time. At the same time, since the champion in the image from X is seen wearing rings with stones, it somehow confirmed my interpretation about the role of birthstones in Jinx. Thanks to them, the celebrity is becoming more honest to himself. He is more relaxed, he can control his emotions. Simultaneously, this new examination leads me to the following conclusion. The nature of their relationship will change. In season 1, they were frenemies, but they still show their true thoughts to each other, a sign that they somehow trusted each other. This signifies that both seme will be able to overcome their “prejudices, jealousy and insecurities”! The latter was symbolized by the shade green. However, because these characters will move to the West Coast, they will be closer to nature: ocean, mountains and trees. Hence the color green can only get now a new meaning: hope, harmony, growth and freshness! This pigment is strongly intertwined with Spring. This brings me back to Cheolmin and his advices:(chapter 13) This scene conveys such notions: a new start, improvement, change, health, friendliness, harmony, hope, fun, happiness and originality. Thus I conclude that jealousy and envy in season 2 will only be found among the antagonists and enemies. Because of all these new discoveries, I couldn’t restrain myself looking for a place on the West Coast where we would have a sand beach, a hospice, a forest and mountains. And that would be Incheon!

But we will see!

And now, I am closing this long essay with the following interpretation. Since the doctor thought of the champion under the tree and sunlight, (chapter 41), I consider this image as a new version of the image from season 1. The fighter’s hand is a mirror of the tree. He is giving support and protection. Hence I am assuming that the champion will be also reminded of Kim Dan in a particular place.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Passions in Purple💜: Jealousy and Joy 😄 in Jinx – Part 1

1. Purple in Jinx

The new special episode reinforced my interpretation about colors in Jinx. The shades are not just beautiful, but also full of symbolism and insight. They indicate the characters’ personality, their mood and transformation. As my illustration is indicating it, purple was predominant in the new special chapter. (special episode 2). This pigment is a combination of blue and red/pink. And now pay attention to the last panel. Potato is blushing while wearing dark-green clothes, his lover is standing in front of the blue sky and his skin is rather pale. His hanbok has purple and white shades. As you can see, this wonderful night represents their union: white meets black, blue meets red and yellow (hence purple and green). The light from outside contrasts to the darkness of the shelter. That’s how purple came to shine. On the other hand, since Heesung is acting as the master, and the maknae is relegated to the role of a male servant, the actor is exposing his inner darkness. He is longing for dominance and possession. (special episode 2) To conclude, Heesung is gradually showing his true colors: the hidden black spot behind his perfect white skin. However, dark shouldn’t be reduced to evil, for in Taoism, black has another signification. It represents yin, the feminine energy. This means that thanks to that night, Heesung could display his motherly and caring side. Therefore he kissed, hugged Yoon-Gu and stroke his cheek. But this doesn’t end here. After the intercourse, he caressed his lover’s head. (special episode 2). One might argue that in the last picture, he was not entirely honest, for his eyes were closed. Besides, he was just paying him a compliment. Nevertheless, this gesture is still exposing that the actor is opening up his mind and heart to the chow-chow. He is no longer indifferent like in the past! This stands in opposition to his gifts to the members from Team Black and Kim Dan. (chapter 31) The latter reflected his superficiality and detachment. How so? It is because he had bought them. Moreover, his manager was tasked to carry the presents. (chapter 31) It was, as if the manager was cursing him and his gifts. As you can see, there was no direct contact between him and the beneficiaries of his generosity. Money was between them in the end: Heesung, the manager and the members from Team Black. This could only corrupt their relationship. However, the pat on the head between the two second leads symbolizes genuineness and real gratitude. (special episode 2) Therefore it is not astonishing that Potato feels so moved by such a caress that he starts blushing. His dream has always been to be patted on the head. (chapter 23) This signifies that the comedian fulfilled one of the young fighter’s dreams. Yet, the color in the last panel is not purple, but coral peach. Why? The reason is simple. The emperor is linked to red (anger, blood thirst), whereas the maknae embodies yellow. The pigment exposes the young stan’s ignorance, for he was not able to detect his hero’s true colors and as such his flaws. In his eyes, he was just a “god”, as he embodied perfection. Thus he had a pink version of his idol. Moreover, observe that this dream is connected to light, day and publicness, while the other is linked to darkness, night and privacy. (special episode 2) The young fighter and his lover are slowly discovering the existence of a double life (public/professional versus private life). This signifies that Potato is learning to distinguish between image (hero) and reality. In fact, he only knows the MMA fighter Joo Jaekyung and not the private man with his troubled past. As for the actor, with his blog (chapter 30), pictures and sponsoring (chapter 31) he never drew a line between his private and professional life either. He acted, as though he had no secret. That’s the reason why his manager knew about his tragic love life. This explicates as well why he used the “deal” with Park Namwook to go on a date with Kim Dan. (chapter 32) The gumiho never felt the need to hide his sexual orientation, it was never a taboo. It indicates that he felt safe among his colleagues and agency. Therefore the manager could talk so freely about his love life in front of others. (chapter 30) There was no secrecy and privacy. Manhwaphiles should keep in their mind that homosexuality in MMA world and boxing is a huge taboo. So if Potato’s homosexuality were to be exposed to the netizens, this could ruin his career. This is also valid for Joo Jaekyung. Other fighters could question their manhood. And this brings me back to that night. Purple is strongly connected to yin and as such to the moon, like you can detect in the illustrations below.

We have a perfect illustration of this flow of colors in Jinx. In episode 20, yang was dominant in the bathroom scene. It was about the doctor’s first ejaculation and as such about his manhood. The fighter (yang) acted like the teacher. Hence (chapter 20) the main pigments were yellow, rosa, red and orange, whereas on the bed, the roles and topics were switched. Kim Dan’s feminine side was the dominant one. His motherly and caring instincts were so strong that he had no problem to challenge his sex partner. (chapter 21) Here, black and purple were the dominant pigments, similar to the sex scene from the special episode. The moon stands for softness, quietness, but also mystery and receptiveness. And during the night of episode 21, the doctor taught to Joo Jaekyung the importance of family. Besides, the athlete discovered a secret from the physical therapist. Though the former was pushed away, he didn’t react violently. Joo Jaekyung remained passive. This was the influence of Kim Dan’s yin. (chapter 21) And the next morning, the emperor chose to show his motherly and caring side to Kim Dan and the halmeoni. (chapter 21)

And now, it is time to return our attention to the scene in the shelter. (special episode 2) First, the person associated with purple is not Heesung, but Potato. 😮 It is because we need to differentiate between interior and exterior. We can detect this in many panels during that night, (special episode 2) Potato is literally glowing, while the other is just wearing a purple hanbok (disguise). One might wonder why. The answer is simple. Potato stands for innocence, reflection and ignorance. Contrary to his new role model (Kim Dan), he has no real prejudices against sex. He doesn’t view it as dirty. This explicates why Potato is always surprised by his own pleasure and always claims his ignorance. (special episode 1) (special episode 2) He doesn’t make quick conclusions. The irony is that by expressing his ignorance and as such denying the existence of his own pleasure, he is actually challenging his gumiho. The latter is not recognized as a good lover! 😂 Moreover, it was, as though the young man had not been thrilled and excited contrary to his partner. This means that the maknae is pushing his companion to become more creative in sex. He is hoping that Potato would come to confess his joy and excitement as well. This means that Heesung has to find new ways to impress and woo his companion. Innocence and ignorance are the best weapons to tame the mythological creature. Simultaneously, it implies the actor’s underlining desire: he wishes to share his happiness with others!! As you can see, though Heesung is indeed a red flag [Further explanations are below], he shouldn’t be simply reduced to the stigma “jerk”. Exactly like the terrible emperor, he also has redeeming qualities. Moreover, this made me realize that his words are turning into a reality: (special chapter 1) Potato has become his “fuck buddy”. By developing friendship through sex, he is not realizing that he is falling for the young fighter. Thus I am suspecting that in the past, he paid too much attention to emotions and less to sex… he was not trying to give pleasure to his sex partners in the first place. Now, he is doomed to find ways to give pleasure to his “fuck buddy”. And that’s how he is learning to become a responsible person.

But there exists another reason why this night stood under the sign of purple. It is because Yoon-Gu became the actor’s perfect lover. (special episode 2) That’s why the actor was glowing like a star after their passionate role-play. The presence of “stars” indicates his excitement and joy. His heart is racing, hence he is full of joy and feels rejuvenated. Moreover, the Webtoonist already implied the link between Potato and purple in the following scenes: (special episode 1) The young sportsman’s innocent statement brought Heesung to another galaxy. It was, as if he had entered a new world. Then we see Potato carrying a purple towel, when he is alone with Kim Dan and Joo Jaekyung. (chapter 23) Don’t forget that his family name is Hwang which means yellow in Chinese. That’s the reason why I don’t think, the purple towel is random. One might argue that the towel belongs to the gym, and they got changed later: (chapter 36) Park Namwook selected black towels, a sign that he was taking over the gym. But the purple towel announces the moment, where the doctor and Potato gets closer to each other. (chapter 23) For the first time, the young fighter showed a certain curiosity towards the physical therapist: the beginning of “Enlightenment” and friendship. Under this new light, Manhwaworms can grasp why Heesung was under Potato’s spell during this intercourse. (special episode 2) But we have another evidence that Heesung has always been looking for a “purple” person. It is because he picked up a purple suit for Kim Dan. (chapter 32) This means that this night stands under the sign of Yoon-Gu! The latter came to shine to the point that he affected his lover… that’s how the actor blushed more and more. (special episode 2) This observation brings me to my next interpretation.

Thanks to Potato, Heesung became closer to his true self: a yang with a black spot. And what is the opposite to purple? Dark red… full of passion. The actor could expose his possessiveness and jealousy, though he masked it behind a role-play. (special episode 2) (special episode 2) Remember my previous analysis about the actor. The latter has always longed to be recognized and admired as a man and not as a god or star. And now, you comprehend why after this intercourse, the gumiho made the following suggestion: (special episode 2) This exposes his desire for companionship and his loneliness. Additionally, it shows that he desires to get closer to his sex partner, to include him in his life. Once again, Manhwaphiles can detect the absence of boundaries between private and professional life. However, by making such a suggestion, he is not realizing that he is ignoring the MMA fighter’s career. But wait …notice that they had sex in a shed. But this was just an illusion, for they were having sex in the actor’s white bedroom. (special episode 2)

2. Purple between dream and reality

This image (special episode 2) brought the readers back to reality. In fact, this picture indicates that all this wonderful sex session in the shelter took place in the comedian’s head. (special episode 2) With that, I am implying that the actor imagined a scene from a historical drama (Joseon, hierarchical society and the shed). It was interesting, because for the first time, the author allowed us to penetrate Heesung’s mysterious inner world. It shows his “creativity”, inspired by his last shooting (special episode 2) and his own desires. As you can see, the sex session is a mixture of dream and reality which is reflected in the color purple.

It shows that the purple from Yoon-Gu pushed Heesung to become creative and meditate. Under this new light, it becomes understandable why Heesung became more honest and genuine after that spicy night. Sincerity is strongly connected to spirituality. In addition, in my previous essay, I stated that this night corresponds to the revival of the second lead. (special episode 2) He is blushing, he is enjoying this moment with his partner. He has the impression that his dream has come true. In his mind, he was breaking rules. A prince has sex not only with a man, but with a guard, a commoner. Secondly, they were having sex in the shed, hence they could get caught. He felt like he was playing with fire. This shows that the man enjoys thrilling situations. This explains his blushing in this scene: (chapter 34) He was not shocked or disgusted, when he saw Kim Dan having sex with the champion (chapter 34). In fact, he got aroused. Hence I am suspecting that Heesung’s life lesson in this scene was to respect “privacy”, he can not meddle in people’s life and relationships, just because of his belief “soulmate” and selfish desires. (chapter 33) Under this new light, his visit in the sauna appears like an intrusion. (chapter 34) He knew about the emperor’s schedule, a sign that he was somehow “monitoring” the main lead’s moves. Here, I feel the need to include this video exposing Heesung’s dark side.

0:31 overwhelming affection – love bombing (chapter 31) 1:07 too much quality time 1:33 saying “I love you” too soon (chapter 35) 2:13 constant texting 2:49 constant monitoring (special episode 1) With this statement, he is actually taking over Potato’s schedule and life 3:19 jealousy and possessiveness (special episode 2)

And now, it is time to explain why Heesung fell under Potato’s spell. It is because Potato listened to all his requests without protesting. He allowed him to be the one leading the sex session. He made no request either. That’s why Heesung patted Potato’s head. (special episode 2) He not only had so much fun, but also he felt powerful. I believe that his possessiveness comes from his social status. His wealth comes from his family, therefore he feels like he doesn’t possess anything on his own. Everything is related to “money”.

This sex session symbolizes “transgression”, whereas in verity, it just took place in the bed. Here, my avid readers can sense the actor’s inner conflict. Though he likes transgressing social norms, he is still preferring conformity. He doesn’t want to stand out too much. [For more read the essay La Vie En Rose ] This interpretation leads me to my next statement. Their first night together also stands under the sign of “infraction”. He disliked to have sex with virgins (special episode 1). Then he still chose to have sex with Potato, though he knew that the young sportsman was drunk. (special episode 1) The irony is that though Potato had said, he was a virgin, the actor chose to ignore it. Hence he got shocked later, when he realized Potato’s age.. (special episode 1) There’s a huge gap, he appears as a “seductive” wolf like in the fairy tale “The Little Red Riding Hood” That’s how it dawned on me why Heesung will have problems in his relationship with Potato. It is related to his dishonesty and mistrust which he projects onto others. This explicates why he doubted about Yoon-Gu’s virginity. (special episode 1) And what is the synonym for “truth”? Reality and Real World!! And now, you understand why Heesung created a historical drama in his mind for the sex session. It was his way to avoid truth and honesty. He used the role play to expose his jealousy (special episode 2) and possessiveness. (special episode 2) He fears to expose his true self to others and especially to Potato. He could scare him, as he is much younger and less experienced. To conclude, this sex session was a combination of truth and lie. No wonder why Potato’s answer was “I don’t know”. (special episode 2) He was not swayed by this role-play, for he didn’t feel it genuine. He couldn’t see the vision Heesung had in his mind. On the other hand, this night exposes the emergence of feelings from the actor’s side. But contrary to his past, he is not saying “I love you” too quickly and easily. It is because his initial thought was to seek fun and entertainment and not fated love! (special episode 1)

3. Purple, Green and Rejection

At the same time, since this night (special episode 2) stands under the sign of dream and illusion, we should compare it to this love session: (chapter 44) After this wonderful moment, Kim Dan came back down to earth. His present got rejected, he was just viewed as a physical therapist and nothing more. (chapter 45) We also have a refusal in the special episode. Potato initially rejected the offer from his sex partner: (special episode 2) He refused saying that he would be “embarrassed”. However, here is the thing. When he proposed to visit his lover on set, he was running away and turning his back to him. (special episode 2) Moreover, his words were definitely spoken more softly with a lot of hesitations. Hence I am doubting that Heesung saw his offer (visit to the set) as an acceptance. From my point of view, we should envision that the comedian saw it as a rejection. Potato was actually refusing to become an actor like him, then he employed the word “embarrassment”. It was, as if he was ashamed to be seen close to the actor Heesung. Finally, we should compare the last panel with this one: (chapter 34) He was also running away after getting threatened and rejected. In other words, Potato didn’t realize that with his behavior, he had triggered Heesung’s jealousy, insecurity and anger. That’s why he has this cold gaze. (special episode 2) It is the same glaring than Joo Jaekyung’s (chapter 7) who was full of jealousy here! Thus I conclude that this special night ended on a bad note, though Potato had no idea. The fox is no longer amused. Because Heesung is not happy deep down, he is planning something!! (special episode 2) Moreover, Manhwaphiles should keep in mind that he is talking in the past: “I had a ball”.His joy was just short-lived.

Since he is displeased, I believe that this scene should be compared to this one! (chapter 33) Observe the parallels: (chapter 33) (special episode 2) Both seme are holding a cellphone in bed. While the emperor had already bought sex toys, the onomatopoeia “music note” is indicating that the gumiho sent a message. In my opinion, he must have ordered some sex toys. But why? It is because Potato brought him back to reality. Heesung has a false notion of love. Like mentioned in a previous episode, Heesung has a romanticized version of love, inspired from movies and fairy tales.

I am including this short video, because it reflects Heesung’s mentality perfectly. At the same time, it reminds us a little of Potato, though the latter is actually the positive version of the fox.

And now, you comprehend why Heesung stated, he had no problem to go after people who were in a relationship. (chapter 33) Simultaneously, Manhwaphiles can grasp why Heesung is now targeting Yoon-Gu, who only had eyes for “Joo Jaekyung”.

Potato put boundaries, when he said this: (special episode 2) He would be the one determining the type of visit. He is not giving up on his career as MMA fighter. He doesn’t want to become an extra, dependent on the actor’s generosity. (special episode 2) As you can see, Mingwa played with the contrast “dream versus reality”. And what is the color for jealousy? Green!

And when did this color appear in the special episode? It is related to the costumes of the guards. (special episode 2) Yes, we need to question ourselves what triggered Heesung’s fantasy for the role-play. (special episode 2) IT is not just because of the costumes. My hypothesis is that the guards are working as an item, you can observe this in the following two panels: (special episode 2) Two guards are following the prince Heesung. Then in this one, (special episode2), there are 4 guards working as two teams. In my opinion, Heesung noticed his loneliness which contrasts so much to the situation with the other actors. , (special episode 2) This scene triggered his envy and jealousy. He wanted to have someone by his side whom he could talk to. , 8special episode 2), Here, he thanked everyone, yet he was standing in the middle of the scene, far away from everyone. In reality, his “gratitude” was superficial, for his thank was addressed to no one in particular. Just empty words. Under this new light, Manhwalovers can understand why he made such a suggestion after the intercourse: (special episode 2) It is, because he really wanted to have someone by his side on set. He hoped to lose this sense of loneliness. He longed for companionship too. Therefore it is not surprising that the actor got upset, when Potato didn’t accept his offer so blindly. Like mentioned above, I am even doubting that he heard Potato’s suggestion. For him, it was a rejection, especially if you take his words in the shed seriously: (special episode 2) Turning his back to Heesung is like a disobedience, he is not looking at his lover.. But the color green is not just connected to negative connotations. This shade stands for growth, hope and restoration.

Note that the costume from the guard has different shades of green: dark-green, grey-green and pale green. (special episode 2) Each pigment of green has a different signification: dark green can symbolize balance, drive, money, greed and fertility, while pale green symbolizes peace.

In my opinion, the color green affected the young comedian on the set as well. He associated it with positive notions like calmness, hope, companionship and motivation. (special episode 2) That’s why the author created such a panel. Here, the color takes a bigger place than the costume itself, for you only see a part of the disguise. And this observation brings me back to Taoism and the colors. The green color corresponds to sunset or sunrise which makes me think of a moment of transition. This corresponds to the notion of change and as such growth. Moreover, it stands for balance between yin and yang, like quoted above. The shade implies an equity between female and male energy. And now, you comprehend why Mingwa used green light in the car scene: (chapter 33) On the one hand, it was an allusion to the emperor’s hidden jealousy. The latter had masked it as a challenge and game: But the shade is implying that the fighter was slowly calming down. He accepts the doctor’s embrace, he even grabs his phallus in order to give pleasure to his partner. (chapter 33) In the end, he did show a caring side to the doctor. (chapter 33) He knew that his lover was sensitive to his touch. He desired to give pleasure to his companion. Yes, I see some parallels between the sex scene in the car and the one in the shed: public place, the connection between work and love life, the miscommunication, the importance to satisfy his partner sexually, a challenge, the grabbing of the phallus: (special episode 2), the jealousy, the possessiveness… making sure that the companion is not looking elsewhere… but more importantly, both seme are and were unaware of their growing affection towards their “fuck buddy”. Yet, there exists a huge difference between these two sex sessions: THE KISS! (special episode 2) In the car scene, the champion never smooched the physical therapist. Nevertheless, Heesung knows the signification of a kiss, but since he was acting in the role-play, he didn’t pay too much attention to it. IT was part of the “game”.

Thanks to the color green, I had a new revelation. That’s why I selected this image (chapter 33) The points of suspension from Joo Jaekyung are exposing his “ignorance”. He doesn’t know what to do, when he sees Kim Dan like this. (chapter 33) The emperor has now regained control of his emotions, but he couldn’t interpret his emotions correctly (jealousy, longing for love, insecurities). Moreover, we shouldn’t forget that he has not associated the kiss to love yet. In the locker room, he kissed the “hamster” in order to protect him. He had been simply following his friend’s advice. Then in the swimming pool, he felt attracted towards him. (chapter 27) He had acted instinctively… but in the car, his emotions were clouding his judgement. The ejaculations brought him back to reality. He had somehow achieved his goal. He had no idea what to do after the intercourse. That’s why I believe that in this panel (chapter 33), we should see the older version of Potato: “I don’t know … Why did I act like that?” The color indicates a change within the figure. He had not sex like that with Kim Dan in the past (he was only focusing on his partner’s pleasure). Don’t forget that the doctor had begged him for help: (chapter 33) He had admitted his defeat. However, this sex scene had the opposite effect on the champion. It didn’t bring him any Enlightenment, he was still clueless and worried, because he felt, he was losing control of his life. (chapter 34) As a conclusion, he came to “deny” this reality. He rejected his own emotions, until he was challenged once again in the sauna.

And now, you comprehend why I am envisioning Heesung ordering sex toy in order to tame and even punish his chow-chow, similar to the scene in the car. There the pink dildo played a huge role in the car scene, a mixture of pleasure and punishment. If you read my previous essay about the second couple. you are aware of my hypothesis that Heesung enjoys BDSM deep down. And note that in the shed, Heesung talked about punishment. (special episode 2) In addition, I noticed that the fighter’s buttocks are red (special episode 2), a sign that Heesung must have grabbed and even slapped his lover’s butt: From my point of view, the actor has a different attitude than the champion on the bed: (special episode 2) He wants to renew the intercourse, he wants to prolong this fantasy…don’t forget that this man is trying to escape from reality. His belief “soulmate” is strongly intertwined with eternity. But happiness can only exist, when pain and misery are there. Without them, people wouldn’t be able to feel any joy and happiness. In other words, the actor has to internalize the notion of time and temporality as well. Humans are not eternal, thus they can get sick or even die.

5. Time and purple

Since Yin and Yang are connected to time, it signifies that colors are also connected to the moon. link Purple announces a new moon, while red symbolizes full moon. Interesting is that during that purple night, readers can’t see the moon at all. (special episode 2) This means that this sex session took place during the new moon. Hence we have the color purple… This corresponds to the actor’s transformation. He is revived… he has finally found his soulmate, but he is not aware of it yet. And now, pay attention to this scene: We have the color blue, (chapter 53) (chapter 53) There is no moon, only the artificial lights from the city. Hence I deduce that the couple is now entering in a new phases, there is a new moon soon. The absence of the moon corresponds to the doctor’s departure. Don’t forget that these panels took place on two different days. One thing is sure. The dominance of the blue symbolizes the dominance of Kim Dan in Joo Jaekyung’s life, but also the loss for the two characters. There is no warmth… yet calmness and softness. Joo Jaekyung is not throwing a tantrum. He is not breaking any sandbag or throwing away the letter. It shows the calming influence of Kim Dan over the champion. With his departure, he is pushing the athlete to face his own emotions and to analyze them. And now pay attention to the last panel from season 1: there are glimpses of purple: (chapter 53) It announces the start of Joo Jaekyung’s Enlightenment. He is on his way to recognize the source of his joy and happiness: Kim Dan as his companion. This signifies that Potato’s vision should come true in the end: (chapter 23) He will find joy by training other sportsmen, he is also longing for a “sparring” partner… He will recognize that friendship and family can be a source of joy. He needs to stop mistrusting people… And it is the same for Heesung. The latter chose dishonesty and manipulations out of fear and mistrust towards people.

Since yin and yang are connected to time, it reinforces my prediction that Joo Jaekyung will have a revelation in front of the sunset: (chapter 53) Red and yellow are strongly connected to Yang. The latter is conceived of as heaven, maleness, light, activity, and penetration..And now, you comprehend why I am expecting an Enlightenement from the athlete on the beach. Hence I am expecting that the champion will come to recognize the doctor’s true character there: he is strong, brave, manly and so selfless. He is not a baby like in the bathroom. Yes, I am expecting a new version of this scene (chapter 53), where both roles are switched. And now, it is your turn to reread the first season and interpret the sex scenes under the yin and yang aspects, like in this scene: : (chapter 39)

However, like you could see it in the title, I am planning to compose a second part… I left clues about the focus in the illustration.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Reluctant Moving 🚗🦽

1. The role of Routine in Jinx

In my last essay La Vie En Rose , I named Choi Heesung Mister Boredom, while I introduced the champion as Mister Routine explaining why the latter would reject the artist. (chapter 30) Whereas the protagonist sees in a pattern a shield and protection, the other considers it as a source of danger, for the person doesn’t feel alive.

1. 1. The prince’s perception of routine

As you can see, Heesung views regularity as a synonym for death. Why? His reason is simple. He doesn’t sense his heart racing. Interesting is that when the physical therapist interacted with the actor for the first time, the former didn’t treat him as a celebrity, but as a normal patient. Choi Heesung was simply a human in the protagonist’s eyes and nothing else. (Chapter 30) Kim Dan had heard the conversation between the artist and his manager before offering his help and approaching him. Then when he took his hand for an examination, he was not holding it out of admiration. (Chapter 30) No wonder why the doctor caught his attention. The pink haired star got surprised by such an unusual treatment. The irony is that the main lead was doing nothing out of the ordinary. This shows that till this meeting, the actor had always been treated as a prince, for the latter had always been privileged. It is not surprising that Heesung found Joo Jaekyung refreshing. (Chapter 30) He was the only one who would not consider him as special, rather as bothersome. Yes, he was not favored by the emperor. Under his new light, it becomes comprehensible why Mingwa let the gumiho play the role of a prince wearing a purple hanbok with Potato: (Special episode 2) The purple hanbok is strongly connected to Joseon royalty. (For more read my essays about Painter Of The Night) In addition, while the comedian thinks, it is a fiction, he is wrong in verity. It was a reality, for he has been living like a sovereign. And now, you comprehend why Heesung praised the physical therapist to the sky. (Chapter 30) By treating him like an average patient, he could only appear as very professional and competent. (Chapter 30) He was seen as a serious and honest doctor who was not looking for favors and recognition. So I deduce that the actor felt moved by such a selflessness and care. (Chapter 30) We should consider this image full with stars as a metaphor for the comedian’s heart racing. To conclude, their first encounter reflected Heesung’s philosophy: his desire for novelty and genuine attention, while he is longing for normal treatment and as such for an ordinary relationship. The expression “soulmate” is implying the notion of equity. Thus because of the doctor’s actions, Heesung felt alive. Funny is that by discovering the doctor, Heesung was encouraged to accept routine. Therefore he came to the gym on a regular basis. (Chapter 31) This shows the inner conflict of the actor. Deep down, he dislikes being treated as a prince and would like to be seen as a man and nothing more. Normality and regularity stand in opposition to privilege and novelty. On the other side, he seems to reject averageness and commonplaceness. Therefore he likes to show off his wealth: (chapter 32) Through the ukes (Potato and Kim Dan), the fox is experiencing the positive aspects of ordinariness. He drinks soju while eating a cheap meal on the street to drown his sorrow (chapter 35) or he imagines to have sex in a barn next to a crowded place. (Special episode 2) As you can see, thanks to the new episode, I realized that Potato’s role is to make him give up on his special status and privileges. In the bedroom, he might become the master, but outside he will be forced to work for someone else: Potato and as such for the main couple. And this brings me to my next prediction. Look how Mingwa ended the second special episode: Manhwaphiles see Potato running away, because he is embarrassed. For me, it indicates that Potato will turn his back on Heesung. Yes, we should see this ending as the positive reflection from this night: (chapter 53) Back then, the champion didn’t imagine that the doctor had already started distancing himself. However, here it is clear that contrary to the main lead, Yoon-Gu doesn’t plan to leave the actor or to neglect him at all. He is a very mature and responsible person. Besides, he has just accepted his suggestion: he plans to visit him on the set. However, Heesung is about to learn important life lessons. Life never goes as planned. Furthermore, he will be forced to question his principles and his behavior. (Special episode 1) He needs to become responsible. He won’t get sick of his lover, and he is going to miss him terribly. In my eyes, Choi Heesung is about to go through the same experience than his frenemy: regret and longing. He should have paid more attention to the physical therapist and the champion (chapter 35), as their relationship is affecting his own life. How so? It is because the young MMA fighter is a stan of Kim Dan and Joo Jaekyung! (Chapter 35) Let’s not forget that when Yoon-Gu helped the physical therapist in the locker room, he was indirectly assisting the star. (Chapter 49) The problem is that in season 1, he was rather distant and privileged the celebrity. Therefore he didn’t protect the physical therapist properly. Since the maknae is really sad about the doctor’s departure (chapter 52), it becomes clear that his interest aligns with his idol’s. (Chapter 53) Therefore he can only support the champion’s decision to bring back the main lead. Yet, under the orange tent he decided to cheer them on from afar. Thus I am now inclined to think that the maknae could choose to become more proactive, when it comes to Kim Dan.

The other reason for envisioning a separation is that in the latest episode, readers could see the fox’s blushing. (Special episode 2) The latter got more pronounced, as time passed on, a sign of his rebirth or revival. He is on his way to fall deeply in love with the maknae, because he is having fun all the time. (Special episode 2) Fascinating is that the expression “to have a ball” (a synonym to enjoy oneself) is related to Cinderella.

Cinderella is a fairy tale about transformation and disguise. The young woman is able to climb socially thanks to a her godmother, a hidden sponsor!! One might think that Potato is a new version of Cinderella and Heesung is his future sponsor. Yet I believe that the actor will make the opposite experience than the original protagonist’s. Through Potato, Choi Heesung will discover a new world… MMA fighting, criminality and even misery. My avid readers should recall that when he was sent to the gym, he was reading a script entitled: EXTREME WORLDS (Chapter 29) He has only lived in one so far due to his privileges. It was, as if he has lived in a fairy tale, far away from reality. Now with Potato, he is finally able to live out his fantasies, hence his fairytale-like world has just lost its reason to exist. Thanks to Kim Dan and Potato, the comedian is brought back to reality. He is discovering not only averageness, but also the true significance of routine and normality. Thanks to the latter, trust and intimacy can deepen. He found out that he can experience novelty through sex.

Interesting is that the actor is now trying to include his lover in his professional life. (Special episode 2) It was, as if he wanted Potato to switch his career. It exposes his desire to be close to the maknae. However, with the champion’s downfall and the physical therapist’s departure, I am quite certain that Yoon-Gu’s position at Team Black is about to change. The gym needs to become successful again and present new athletes. Yoon-Gu can no longer be treated as an extra!! His future is now important for Team Black and Park Namwook. Finally, he proved his worth by fighting the older and bigger fighters at the restaurant. Thus I doubt that Choi Heesung can make a deal with Park Namwook like in the past.

1. 2. The champion’s habits and Heesung

Then in her last notes, Mingwa described Joo Jaekyung’s daily schedule. The moment you read this note, you can grasp why the athlete would consider the comedian as a total nuisance. It is because the former couldn’t focus on his training (other exercises: CrossFit, Gym, mostly weights). As a conclusion, the athlete had many reasons to view the artist as bothersome. On the other hand, since Heesung is on his way to adopt regularity, I deduce that the champion’s fate is to accept surprises and changes in his life. And now, you know why their first encounter ended like this: (chapter 1) No one had ever run away from him like that. He was used to face opponents who would challenge him or people who would admire him. Notice that the doctor is turning his back on him, which contrasts to the morning after their first sex session. There, the protagonist chose to vanish into thin air behind the champion’s back after spending the night with him. (Chapter 4) However, in the athlete’s mind, the doctor had not abandoned him, for he imagined that Kim Dan was motivated by his greed. He was just interested in money. As you can see, Kim Dan represents novelty and exception. Nonetheless, the problem is that till the end of season 1, the fighter never came to see novelties and sudden events as something positive. (Chapter 53) Under this new light, Manhwaphiles can grasp why the celebrity hates birthdays and surprise parties. They represent a violation to his regular schedule. (Chapter 43) (chapter 53) So when he refuses the doctor’s resignation, he exposes his true mind-set once again. Kim Dan has already become part of his daily routine. Thus the Webtoonist had included the doctor’s schedule in the notes. But there’s more to it.

The moment Kim Dan moved to the penthouse (chapter 19), the athlete didn’t change his daily schedule at all. On the one hand, Manhwa-philes could judge this as a sign of his selfishness. On the other hand, it exposes his lack of sociability. He had never lived with someone else before. Since we never saw his family or heard about his parents in the first season, I assume that he is a true orphan contrasting to the physical therapist’s situation. Yet both have one common denominator: abandonment issues. The absence of family displays the difference between the two semes. While the actor embodies favoritism and nepotism which is strongly linked to family, the other represents the opposite values: indifference, meritocracy and business. Thus the Webtoonist created such a scene: (Chapter 31) He only gets respected, as long as he is “bringing money” to Team Black (Chapter 52) and MFC. According to me, people from MFC had expected the athlete’s defeat in the USA so that I am quite certain that they had bet on his loss. Because of meritocracy, it is normal that Joo Jaekyung trained so hard on a regular basis. Besides, his routine outlines the importance of his work in his life. His career means everything to him. In fact, it represents his life. Thus it is not surprising that his daily schedule would center on his training. Simultaneously, Manhwa-worms can understand why the champion had no time to meditate and question his believes and way of life. He had no time for something else. Under this light, it dawned on me why the athlete expected from Kim Dan to adapt himself to his daily schedule. The latter had to develop a routine based on the champion’s training. Furthermore readers can grasp the fighter’s behavior in the following image. (Chapter 19) Joo Jaekyung is leaving for the evening training, and he is making no exception. However, as time passed on, the athlete came to make an exception for the doctor. Because of the actor, the athlete chose to neglect his training once. (Chapter 32) According to me, he never went to his training. And shortly after, he was involved in a scandal.

2. Mister Routine, Mister Change and the Wedding Cabinet

(chapter 19) Interesting is that we are witnessing the MMA fighter turning his back to the physical therapist. He is leaving his destined partner behind. From my point of view, his words (“Do what you want”) imply that he is not recognizing the doctor as a valuable and necessary PT, for he is not including him in the evening training. I would even go so far to say that Joo Jaekyung is treating the protagonist as a part of his furniture. In my eyes, the fighter came to associate him with the halmoni’s Wedding Cabinet. It was, as if in the champion’s unconscious, the doctor had become the beautiful cupboard.

This interpretation helps to grasp why the athlete neglected his lover for 10 days (chapter 19) and why he got upset and scared (chapter 53), when he saw the Wedding Cabinet in the hallway. (chapter 53). In episode 19, the champion really viewed the main lead as an object (chapter 19). Therefore he focused on his training and didn’t pay attention to Kim Dan’s whereabouts and actions. However, it changed, as soon as someone reminded him of Kim Dan’s true nature: (chapter 19) he was a human. According to my theory, the coach Jeong Yosep was behind this trigger, since he is the only one at the gym with a failed relationship. (chapter 05) Hence he called him from the gym making sure that he had not blocked him or even vanished. Under this new light, Jinx-philes can understand why he felt the urge to have sex with Kim Dan. It was to remind him that he would belong to him. Yes, unconsciously, the athlete projected his own thoughts and fears onto his fated companion. (chapter 19) Yet, with such an order, Kim Dan appears more as a sex doll than as a free human being. This scene is important, because this reminder showed him that the latter could leave the flat behind his back, he was not obliged to wait for him at his penthouse. Since the fighter was seen wearing his shoes in the bathroom (chapter 19), many Jinx-philes had been able to discern the fighter’s past (invisible) action. He had been looking for the doctor in the huge penthouse, the older version of this scene (chapter 53). Since the latter is so big, the absence of light and noise must have startled the main lead. (chapter 19) The doctor had barely left traces in the apartment. Only the cupboard was the evidence of his presence in the flat. However, this object could be left behind… exactly like Joo Jaekyung had treated Kim Dan in this panel: (chapter 19) Moreover, let’s not forget how the protagonist viewed the huge furniture. (chapter 19) It was worthless. My point is that Joo Jaekyung must have realized in episode 19, when he returned to the penthouse that Kim Dan was different from the cupboard, he was no object at all. And now, you comprehend why the main lead said this to the doctor in the bathroom: (chapter 19) First, he was compared to a prostitute, then later to a baby. (Chapter 20) This scene proves that Joo Jaekyung was viewing his lover as a human. Additionally, the comparison to a whore was to mask his previous anxiety and thoughts. He had been looking for him. He needed to appear as strong and superior, the one with the upper hand.

This interpretation raises the following question. Did he keep viewing him as a human after this episode? My answer is positive, though on the surface it looks like he reverted back to his old ways. (Chapter 33) Here, he tried to give pleasure to the doctor, for he saw Choi Heesung as a huge rival. The latter is known for being a better lover. It was, as if he was trying to give a reward to his companion. Moreover, I believe, the sex toy was there, because the champion feared that he wouldn’t be able to control his emotions and actions. Then in this scene, one might argue that the champion treated him as a sex doll (chapter 36) However, my avid readers should keep in their mind that sex was like a surrogate fight. Thus we could say that in this panel, the physical therapist is actually treated like a “fighter” and enemy. Then when the champion criticized him for his bad decision, he was finally recognizing him as a physical therapist. (Chapter 45) As Manhwaworms can observe, the room mate’s social status was improving. I would even add, the athlete was putting more and more responsibility on the main lead. A sign that despite the appearances he was trusting him more and more. On the other hand, one might argue about this analysis, for after the quarrel, the fighter started distancing himself from his PT. He would no longer talk to him and even ignore him. (Chapter 47) So anyone would say that he is no longer treating Kim Dan as a human. However, this is just a deception. How so? It becomes perceptible, when you contrast the last panel with this one: (Chapter 19) That’s why my illustration displays both pictures next to each other. What caught my attention is that earlier in the season, the celebrity talked to doc Dan, but he was showing a certain disrespect towards his room mate. His Wedding Cabinet was garbage, he was not included in his evening training. Like mentioned above, he was treated like a furniture. Nevertheless, in chapter 47, Joo Jaekyung chose the silent treatment. It shows that he was now considering him as a member from Team Black, but because of Park Namwook’s warning, (chapter 47) he kept everything to himself. Indirectly, he was questioning his PT’s loyalty. This shows that the miscommunication and silence were the results of the coach’s advice and intervention. This means that due to his manager’s words, the champion started doubting the physical therapist. Thus I come to the following deduction: though the athlete asked Kim Dan to get out of his side (chapter 51), unconsciously the star made the opposite decision: he started considering him as a real member from Team Black. Why? It is because the doctor had touched his heart and mind with this question: (chapter 51) He had broken the final wall between them. This explicates why the moment Joo Jaekyung heard about the doctor’s resignation, (chapter 53), he refused his decision. This means indirectly, he is admitting that the protagonist is a trustworthy and competent PT! His attitude contrasts so much to his coach’s who imagines that doc Dan can be replaced so easily. (Chapter 53) In my opinion, the one behind the champion’s mistrust is the manager. I even have the impression that he is also responsible for his mistrust against doctors, as they are no fighters. Either it is because he has an inferiority complex against such people or it is related to MFC. He only trusts the organization and its members, as such he only trusts doctors from MFC. To conclude, at the end of season 1, Kim Dan is recognized as a trustworthy physical therapist and as a real member from Team Black.

And now, you are wondering the signification of the cupboard in the final episode from season 1. It is time to examine more closely this scene. (chapter 53) When the doctor left the penthouse, he disposed his halmoni’s Wedding cabinet. In other words, he treated the precious furniture as junk, turning the champion’s words into a reality. It was, as if the doctor had taken the MMA fighter’s words seriously. However, Kim Dan didn’t act that way because of the athlete’s false judgement. It is just that the doctor came to consider the wedding cabinet as a burden. Thus he treated it as junk. For him, the furniture only had a sentimental value. It symbolized the grandmother. But why would he consider it as an onus then? First, he couldn’t bring the cupboard to the West coast, too expensive and troublesome. Secondly, he wouldn’t have been able to place the Wedding cabinet in a small flat. (chapter 16) In addition, Kim Dan had kept it for his halmoni’s sake. (chapter 53) She was the one who loved it so much. But since she is trying to reconnect to her childhood and nature, she no longer values it. Yes, the halmoni is falling more and more into childhood, the closer she is to death. Thus she came to repress her marriage. As you can see, the elderly is slowly forgetting her own past and as such Kim Dan. She is trying to relive a moment from her childhood, a time when the grandchild didn’t exist. (Chapter 53) Thus I deduce that Kim Dan can no longer view the Wedding Cabinet like before. I believe seeing the cupboard would be painful for doc Dan, as he would be constantly reminded of his grandmother. (Chapter 53) This image is full of symbolism. Kim Dan is now able to touch the cold Wedding Cabinet, a sign that he is accepting his grandmother’s death. By biding farewell to the furniture, he is preparing himself for the inevitable: his halmoni’s vanishing. It was, as though he was saying goodbye to his relative. That’s the reason why his smile is full of sadness, when he is pushing his relative’s wheelchair. (Chapter 53) Her death has become a taboo. He is full of resignation. Contrary to the past, he is willing to face her death and as such to be by her side on her final moments. Yes, this panel (chapter 53) exposes the doctor’s painful transformation. He is now a grown-up. Though he is forced to change, he is not upset because he is accepting his fate. However, the champion came to associate the cupboard with Kim Dan. So I assume that with the doctor’s departure, for the celebrity, the furniture has now a sentimental value. For me, Manhwaphiles should consider these two pictures (Chapter 53) (chapter 53) as a reflection of this chapter: (chapter 46) (chapter 46) In both scenes, the doctor came to resign and lower his expectation. Thus I deduce that after the final episode, the champion will come to treasure the objects left behind by the physical therapist. Notice that he didn’t throw away the letter. By keeping them, the athlete would show how much he appreciates Kim Dan. In addition, the letter is wishing him well, which no one has expressed so far. The letter oozes trust, confidentiality, admiration and closeness. Hence I deduce that at the end, Joo Jaekyung is heartbroken, though he can not clearly voice his emotions. (Chapter 53) Yet, in opposition to the doctor, he has long internalized to fight for himself. Therefore I am certain that the champion will follow the physical therapist’s trail. And that’s how he will be pushed to drop his habits and develop a new “routine”, where he is no longer the one determining the daily schedule. In my eyes, the grandmother should play a bigger role in his life, as the doctor decided to give her comfort until her final moment. That’s how I am imagining that both will come to an agreement how to redefine their life together. As you can see, by following the physical therapist, the athlete is pushed to leave not only the penthouse, but also the gym. He is on his way to discover new horizons. Since the gym represents routine and training, this signifies that the athlete can no longer follow the same daily schedule. The champion’s suspension is in reality a blessing in disguise. He has the time and the occasion to meditate about his life.

3. Traveling and rebirth

This brings me to my next aspect. In season 1, the champion often went to new places in South Korea because of Kim Dan. When Park Namwook asked his boy to take care of the doctor, the champion discovered his poverty and debts. (Chapter 17) Then when he brought the physical therapist to Heesung’s home, he used the GPS, a sign that he was not familiar with the route. (Chapter 33) Interesting is that when he heard his regular nightly disappearances, he never tried to follow him. (Chapter 45) Why? It is because he was always back in the morning. Furthermore, despite his exhaustion, the physical therapist was still following the daily schedule. Because Kim Dan wanted to keep it a secret, the champion was forced to feign ignorance. Thus he couldn’t question him about his whereabouts. In addition, I can also envision that he must have thought that it was related to his grandmother. Don’t forget that he experienced once how the doctor had left his side due to a phone call in the middle of the night. (Chapter 21) Since the athlete’s life is revolving around routine, I am quite certain that he must have jumped to conclusions based on his first experiences… the birth of prejudices. Thus I have the feeling that Park Namwook’s biased perception concerning his champion is also influenced by their first meeting and experiences. It is important, because such a mentality fixated on daily schedule represents a hindrance for the mind. Routine often leads to close-mindedness and lack of critical thinking. At the same time, this new interpretation explains why the athlete got so worked up and upset, when he received the golden chain. (Chapter 45) It is because all this time, the athlete had been worrying about the doctor and in the best case about his grandmother. Becoming a courier during the night could only give the impression that the halmoni’s health had improved and the expensive treatment was working. In my eyes, the fighter couldn’t ask his physical therapist about his relative’s physical condition either, for it was not his place to ask. He is first and all the PT’s employer. Besides, the physical therapist has always been secretive about his own private life and family, just like the fighter. Therefore I assume that he must have projected his own mind-set onto the doctor, he would not look into the physical therapist’s life. And what was the doctor thinking about the star during season 1? The more time passed on, the more he got curious. To conclude, since the beginning of the story, the celebrity never showed an interest and curiosity to his fated partner. This observation leads me to the following conclusion. In season 2, it is the athlete’s turn to become curios about his lover’s past and life. At the same time, as soon as Kim Dan paid more attention to his lover, he also reflected on his own life, like for example in this scene: (chapter 16) He wondered why the athlete had kissed him, which made him realize that it was his first kiss. Therefore I come to the following deduction. Joo Jaekyung will be forced to discover his lover’s like and dislike which will incite him to become more honest about his own desires and passions. We have an allusion to this development in season 1: (chapter 27) Thanks to his companion, he remembered how much he likes swimming! He had totally repressed it. To conclude, Joo Jaekyung’s travel shouldn’t be just perceived as a journey to the West Coast and Kim Dan’s side, but as an inner journey! He is on his way to discover himself and reconnect to his childhood, or better said to his inner child. This signifies that he is actually following Shin Okja’s footsteps which is regression to childhood. (Chapter 53) Thus my theory is that he will go to the beach and be moved by the beautiful sunset. So far, he has never paid attention to his surroundings and nature. There is another reason why I come to this expectation. I saw parallels between the last picture and this one: (chapter 53) Both are connected to travel. Though both are alone, their experience is totally different. Why? It is because of the contrasts.

The grandmother Joo Jaekyung
nature civilization
sun artificial light – night
closureemptiness
beautiful – impressed Hates this moment – sadness
Companionship – she doesn’t feel isolatedloneliness
death – departure ”death of the hero” – departure to the unknown

The view over the city is offering no comfort to the star. He feels miserable and lonely. He is finally realizing that despite his money, he has no one by his side. He is now regretting the past… exactly like the grandmother. Since both are regressing to childhood, it is very likely that the athlete will develop a certain closeness to the halmoni. Contrary to the first season, it shouldn’t be reduced to one short moment. Don’t forget that in episode 21, Kim Dan had doubted his relative’s statement: (chapter 22) He would have the opportunity now to verify this statement.

Since my hypothesis is that he will travel and follow the doctor, he will reconnect with nature. The ocean is the place where the goddess Aphrodite was born. It is the place of Love. Hence I believe that in front of the ocean, the human Joo Jaekyung will be reborn! He will no longer be the star, the champion… but simply an average human. He will not only love the doctor (admit his feelings for him), but also love himself. Mingwa has already indicated his journey to the ocean with this image:

For the champion has to learn to meditate and to identify his own emotions, it makes sense why the Webtoonist announced that season 2 would be a slow burn and would focus on emotions. Besides, he has now to pay attention to the grandmother and Kim Dan. Since it is only a matter of time, until Shin Okja dies, I associate her vanishing as a change too. Because of her, Joo Jaekyung is forced to accept novelty as something natural. Life can not be predicted… Changes can also be a source of joy… like the jokes. We have the perfect example in chapter 27: (Chapter 27) (chapter 27) Thus we should see a more gentle and humorous fighter in season 2. Since he is suspended, he can no longer associate sex with fighting! He has now time to enjoy life. He has someone by his side watching his back. He can now learn how to relax. He should come quickly to the conclusion that his career doesn’t represent his life. He could do other things. He is no longer fighting against time, as the latter has been suspended: 3 MONTHS! The god Saturn, Kim Dan, will teach him the true value of time. And that’s how Park Namwook will lose his boy to the physical therapist.

PS: I hope, this essay made you looking forward for season 2.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Jinxed: Behind The Scenes 🎬

My avid readers might have been wondering why I haven’t released any new essay since “Kiss me”, not even a podcast, though Mingwa has already published the special episode about Heesung and Potato. The reason is simple. I was taking a break too. Imagine that since 2020 I have been releasing essays non-stop while working as a teacher. I counted 649 analyses from 2020 to 2024. Exactly like Mingwa and Byeonduck, I was exhausted.

1. The protagonists’ jinx in the beginning

But now, it is time to focus on the topic of this essay, the protagonists and their bad luck. In the beginning of the story, Kim Dan and Joo Jaekyung believed both that their life was cursed.

1. 1. Kim Dan’s curse

For the doctor, his misfortune was linked to his familial and financial situation. Since the physical therapist had to reimburse the debts, he was working non-stop giving all his money to Heo Manwook or to the hospital. Hence he could never rest. Because he was physically and mentally harassed and exploited by the loan shark, he became obsessed with money and his grandmother to the point that he came to forget himself. That’s how he became a ghost. It was his way to cope with the violence from the loan shark and the thugs. Naturally, it was impossible for him not to feel pain, hence he wished this: (chapter 1) The problem is that Kim Dan blamed himself for his suffering, as he must have often not paid the interests on time. That’s the reason why he got surprised, when he saw his enemy in front of his humble home. (chapter 1) Due to the lack of rest and time, he didn’t have the opportunity to ponder on his life and even have dreams on his own. Therefore he had no ambition. At the same time, he couldn’t become energetic and proactive due to his low self-esteem and his abandonment issues.

1. 2. Joo Jaekyung’s misfortune

As for Joo Jaekyung, though successful, the latter imagined that his victories were the result of his sexual performances in bed before the match. This shows that he didn’t attribute his success to his team, talent and hard work, but to chance and misfortune. This shows not only his lack of confidence, but also the division and disharmony at Team Black. Hence he developed a ritual, the pre-match sex session, but it was in his home. That’s how his professional life got mixed with his private life. Sex was work. In his mind, no one could help him, that’s why the identity of his sex partner didn’t even matter. Because he was working constantly, he didn’t have to reflect on his life either.

1. 3. The real significance of their jinx

Despite their different backgrounds, both main leads had something in common: their self-loathing and the absence of meditation. And what is the synonym for jinx and bad luck? Misery and unhappiness. In other words, both main leads were unhappy men. But they couldn’t voice their negative thoughts and emotions, as they had no one by their side to listen to their hidden pain and give them some advice. And now, you know why I selected the picture in the background for the illustration.

It was to display not only the absence of happiness, but also the absence of the sun! The latter embodies life and joy. In the selected image, the clouds are covering the sky and as such the sun. It indicates that both characters were not able to give a meaning to their life. Hence they hadn’t found the source for their happiness yet. In other words, the shades (grey, black and white) and the clouds illustrate danger, depression and suffering for our main leads. It shows how their life was before Kim Dan and Joo Jaekyung interacted with each other. (chapter 1) (chapter 2) I selected these two images, because they refer to their respective past and jinx. Both represent bad and painful memories, hence they contain a grey veil. While one is hurt physically, the other is suffering emotionally.

2. The origins for Joo Jaekyung’s misfortune

One might argue about the second panel, for the fighter is represented in a brown color. It indicates that he is somehow alive. However, we should see it as a reference to a rotten body. The main character is acting like a zombie. Therefore he has no eyes and the corners of his mouth are showing displeasure. So we could say that Jinx is the love story between a zombie and ghost. The MMA fighter’s emptiness and corrupted body became truly visible during the couch confession: (chapter 29) The vision about his opponents is mirroring his own reflection. That’s how he views himself. He is surrounded by enemies who will attack him, as soon as he exposes any weakness. Thus it is normal that he is always on the alert. Episode 29 divulged that he was on survival modus. Consequently, it is not surprising that he could trust no one. Should one get too close to him, the former could become a traitor in the last moment. Moreover, this interpretation explicates why he has been so rough on his own body. First, he considered pain as a normality, the side effect of his profession and as such his corruption. In addition, he didn’t have the time to take care of his wounds, for he could get “killed” at any moment. Surrounded by this wave of “rotten bodies”, he imagined that once defeated, he would be swallowed by darkness and literally vanished. This vision displays another important aspect of the athlete’s philosophy. His job is not connected to fun and dream, but to work and nightmare. And now, you comprehend why I selected this panel in the middle of the illustration. (chapter 26) This represents the highlight for the first season. For the first time, both characters had fun together. That’s how they got one step closer to each other. The fighter was enjoying this moment, as he was teaching Kim Dan to become more proactive and fight for himself. The sparring represents the opposite version of the athlete’s vision (chapter 29). He felt safe next to Kim Dan. In fact, his presence boosted his confidence. (chapter 25) It is no coincidence that he employed that expression in front of his fated partner. To conclude, chapter 26 stands for life and happiness, proving that their life is not cursed per se. Consequently, red was the dominant color of this chapter. This pigment stands for love and life. Both felt alive during that day. Moreover, we could see glimpses of the sportsman’s true psyche as well, when he proposed to spar with the main lead. He desired to help the doctor himself. Hence he acted as his mentor and teacher in the ring. There, we could see his generosity, interest and open-mindedness. He wasn’t looking down on the doctor, he saw him as a true member from Team Black.

According to Mingwa, episode 29 displayed the champion’s true personality the best. He is not only vulnerable, but also lonely and isolated. (chapter 29) He has no one by his side. And this observation leads me to my next interpretation. The existence of Joo Jaekyung’s belief is exposing Park Namwook’s neglect and bad management and coaching. We could say that he is partially responsible for the champion’s misery and bad luck. Therefore it is no coincidence that the sparring took place during his absence. (chapter 26)

Remember how I stated above that their unhappiness was the result of their isolation and silence. They could not reveal their suffering, for they had no one by their side who was willing to listen to them. Park Namwook has no idea about his “boy'”s insomnia or his traumas from the past: (chapter 49) But why hasn’t the athlete confided to his manager yet? First, homosexuality is definitely a taboo among boxers and MMA fighters. Their masculinity and strength are questioned. Secondly, his coach views him as a spoiled brat. (chapter 7) Thus he keeps beating the celebrity. (chapter 26) (chapter 31) (chapter 52) The author epitomized the first season with this panel: This shows that Park Namwook has no real respect for the champion. According to my theory, the athlete comes from a wealthy family, hence he is labeled as “spoiled kid”. Due to his social status, the manager can only judge the main lead as “lucky”. Besides, he is successful, for he earns a lot of money and has many fans. He embodies the “American Dream” perfectly. He has everything to be happy in the manager’s eyes. Therefore he couldn’t comprehend the bad mood from the champion. Moreover, Park Namwook embodies social norms and prejudices, and he has many about his star. Not only the latter has a bad temper, but also he is a stubborn workaholic. (chapter 27) But by portraying him like that, the coach gave us a justification why he wouldn’t converse with the gym owner. Why should he talk or listen to Joo Jaekyung, if the latter is stubborn and obsessed with his work? It is pointless. And such an attitude could only get reinforced in this scene: (chapter 46) Yet, according to my interpretation, the main character’s departure was not the sign of stubbornness, but rather of fear and avoidance. Since the manager doesn’t know his star that well, he judges him based on appearances. Moreover, I believe that he has the tendency to generalize, just like certain readers. Since the athlete beat a doctor and was quite brutal with a fighter, he is stigmatized as “thug” or a “spoiled kid”. I am suspecting that the way the hyung met the celebrity affected his perception about the young fighter. (Chapter 26) Oh Daehyun repeated this story, because he had heard it from someone and that can only be from the manager and coach. And it is the same for Kim Changmin either, for the two aren’t long members from the gym. They are not close enough to know the celebrity’s past. These stories must have been spread by the hyung. In my eyes, Park Namwook views himself as Joo Jaekyung’s savior, because Joo Jaekyung (chapter 26) could have become a criminal. Nonetheless, it is an illusion, for MFC is connected to the underworld.

Furthermore, Manhwaphiles should keep in their mind that in chapter 46, Joo Jaekyung had been encouraged to mistrust people. (chapter 46) Despite his attitude, Joo Jaekyung still listened to his hyung’s warning, for from that moment on, he kept his distance from everyone, including the physical therapist. But there’s more to it. Park Namwook keeps associating his star with “good luck”. (chapter 1) (chapter 27) This represents the exact opposite of the star’s jinx. It shows that he is not trying to understand his celebrity. With such a mind-set, it is normal that the champion wouldn’t trust his manager. And the absence of the manager in this panel (chapter 29) represents the evidence that the coach is involved in the champion’s suffering as well. Besides, observe that Park Namwook had the tendency to slap the fighter’s back, a sign that the former was not watching his back at all. In fact, his gesture (chapter 31) stands more for backstabbing.

The author made sure to expose the huge gap between the manager and the celebrity by contrasting their relationship with the interaction between Choi Heesung and his own manager. (chapter 33) The latter truly worries for his star, although he is well aware of his shortcomings. (chapter 30) In addition, he knows about his private life and love life. (chapter 31) Despite his struggles, he accepts his actor. This is the symbol for unconditional love and support. Therefore it is not surprising that Choi Heesung confessed his trick. He was sure that his right-hand wouldn’t betray him. What about the champion? When the latter discovered the verity (chapter 33), he didn’t report it to his hyung. He also kept it a secret. That way, he was not only protecting Kim Dan’s misdiagnosis, but also Park Namwook’s misjudgment. On the other hand, he acted as a real boss, for the comedian is an important client.

In this video, the MMA fighter Myles Jury described what a good MMA manager is.

He declared that honesty and integrity are essential in order to be a good manager. There’s no doubt that the protagonist’s coach is not a corrupted person per se. He is not involved in the schemes targeting his star. (chapter 40) However, he is far from being a honest man. How so? First, he describes himself as the owner of the gym which is not true. (chapter 22) He is just the director of the company. In addition, he is talking big, but he never delivers. But keeping his word is an important condition for a good manager in Myles Jury’s opinion. Park Namwook threatens the members, but in the end, no one is fired by him. He is not following through what he says, he doesn’t keep his promises. I will give you a few more examples. (chapter 23) He promised the fighters that they would win, but the reality is that they failed terribly. (chapter 47) Therefore he bought chicken for them. Instead of showing compassion and understanding for his hungry and miserable champion, he allowed Potato and Oh Daehyun to buy junk food behind the celebrity’s back. (chapter 37) This shows their lack of mental and emotional support. For me, Park Namwook symbolizes ignorance and blindness. Therefore he is portrayed with no eyes.

Additionally, Myles Jury clearly said that a good manager needs to speak the painful truth, like for example, he has to expose the fighters’ flaws which Park Namwook never did. No one informed Potato that his basic posture needed improvement. (chapter 23) He never confronted the members with the truth. They lack skills (chapter 46) or endurance. I would even say that neither Park Namwook nor Jeong Yosep had high expectations for the other members from Team Black (chapter 46). It was, as if they didn’t have the goal to create a new champion. How come? It is because the gym was initially created for Joo Jaekyung’s needs. And now, Jinx-lovers comprehend the dilemna. Team Black needs to redefine itself and its purpose. Moreover, Park Namwook’s true wish is to open the gym for “kids”. And that’s how he treated the staff from Team Black, like little kids. No wonder why many left the gym in the end. They didn’t feel truly supported by the manager and coach. Jeong Yosep and Park Namwook didn’t put any real effort to turn the members into professional fighters. That’s the reason why none of them had a MMA manager, only a coach and nothing more.

For me, Park Namwook’s dishonesty was the most palpable in this scene: (chapter 49) He claimed to trust the champion, but the reality is the opposite. (chapter 52) He blamed Joo Jaekyung for everything: the tie, the doctor’s departure, the suspension and as such the loss of his good reputation. However, even if the champion had vented his anger onto the physical therapist wrongly, he had reasons to doubt Kim Dan. He had not only received the pictures, but he had been warned by the coach himself to doubt the members’ loyalty. There was a spy and a traitor among Team Black. One detail in the last panel caught my attention is the idiom “facts”. It is in plural and not in singular. Fact could be seen as a reference to his own warning, he had not checked the fact either (rumor, suspected disloyalty), yet this is not what he meant. Potato had exposed only one fact to the group: the switch of the spray organized by Choi Gilseok. (chapter 52) So what other fact was Park Namwook referring to? The fighter Baek Junmin and director of King Of MMA had paid Kim Dan. This shows that he had heard the conversation between the two protagonists. (chapter 52) And what did the manager do, after the champion had left the room? He abandoned Kim Dan, followed by the other men. At no moment, he asked Oh Daehyun or Yoon-Gu to take care of the physical therapist. But by following the celebrity or remaining passive, they had implicitly supported Joo Jaekyung’s decision. They had taken his side. And now, you comprehend why all these men chose to put the whole blame on the celebrity. (chapter 52) It is because they didn’t want to feel responsible for doc Dan’s departure. Their admiration and trust in the celebrity is superficial. In other words, they are following the hyung’s lead. Hence there is no regret, only reproaches.

Another important criterion for a good manager is his connections. Therefore the latter is often on the phone (50 or 100 calls a day in order to find sponsors). Nevertheless, we barely saw Park Namwook talking over the phone: (chapter 1) (chapter 49) He should be responsible for his contracts, yet the reality is that the Entertainment agency is the one managing the champion’s career. (chapter 30) This shows that Park Namwook doesn’t have a lot of connections. He should be the one organizing the fights, but no… others are making the propositions (MFC matchmaker and agency). Consequently, the ex-wrestler often voices doubts about the matches. (chapter 41) However, as his manager, it is his duty to protect his star, as the career of a MMA fighter is rather short. Imagine, he let Joo Jaekyung fight three times within 3 months (April- June- July). It is definitely too much. To conclude, he is not doing his job properly, as he is trying to put a lot of responsibility on others (Kim Dan- Joo Jaekyung – the Entertainment agency). According to Mingwa, Kim Dan had been taking care of administrative tasks. However, as the director of Team Black, he should be the one handling it. After the incident at the health center, Park Namwook didn’t contact the press to explain the whole situation. (chapter 52) (chapter 52) The article is indicating that the champion was quickly judged and this within a few days. The article implies the non-intervention of a lawyer or his manager. No one sided with the celebrity. They are not even contacting the media. (chapter 52) Park Namwook never tried to correct this negative reflection, for this is how the manager perceives the man himself. He is an ill-mannered child. This explicates why Park Namwook could slap the patient in his bed. So we should judge the argument between the fighter and his manager (chapter 52) as the negative reflection from that blue night. (chapter 29) He is not standing next to the main lead, but he is facing him. He is like an opponent. Another divergence is that Kim Dan was alone, whereas Park Namwook utilizes Potato and the others from Team Black to corner Joo Jaekyung. The doctor was willing to listen to him, whereas the other gets upset, when the other admits his suffering. Since the gym is facing a crisis, the patient should find a solution to the problem. (chapter 52) The hospital is a place for reconvalescence, rest and not work and pressure. Indirectly, it shows the coach’s lack of respect for the medical world. The champion was right to criticize his hyung, for blaming him was totally pointless. He couldn’t turn back time. The manager desired to hear from the champion (chapter 52) that he regretted his decision and outburst. By admitting his mistake, he would have become responsible for the whole mess. Funny is that he asked compassion from Joo Jaekyung, whereas he showed none to the patient. And what was Kim Dan thinking during that night? (chapter 29) He wondered if he could help him to overcome a defeat. He sensed that the latter could become really depressed. Therefore it becomes comprehensible why the doctor resigned. His decision was influenced by his low self-esteem. However, his departure had a different signification than the other members: it was his way to assist the champion, as he saw himself as not worthy. (Chapter 53) Moreover, he had not earned his patient’s trust. Kim Dan was the only one paying attention to his injured shoulder.

On the other hand, Park Namwook is denying the true physical condition from his athlete. He only talks about it after the slap. Then he is admitting his helplessness. He is unable to assist Joo Jaekyung mentally and emotionally, as he is himself struggling. He is unhappy due to the recent outcome. In order to feel better, he puts the blame on his athlete. (chapter 52) And the only solution he offers to the gym owner is to find a new PT during his a break. (chapter 53) I find it fascinating that the suspension becomes a synonym for “break and rest”. This shows that Park Namwook had no real intention to stop Joo Jaekyung from fighting constantly. This exposes the coach’s hypocrisy. (chapter 27) For me, he is the one obsessed with money and fame. Let’s not forget that a manager gets paid through the earnings from the MMA fighter (in percentage). The more he fights, the more Park Namwook earns money.

The scene at the hospital (chapter 52) resembles a lot to the image with the opponents. (chapter 29) The members from Team Black are surrounding the patient’s bed. But they are supposed to be his “colleagues” and as such “friends”. Let’s not forget that by making constant reproaches towards Joo Jaekyung, they showed no empathy and understanding for a patient. It was, as if they were turning the nightmarish vision into a certain reality. No one paid attention to the celebrity’s mental and emotional well-being. (chapter 52) His scream about his misery fell on deaf ears. This observation brings me back to the video. At the end, the MMA fighter described a good manager as a semi-psychiatrist. He needs to know about the private life of his fighter (drug issues, health, relationships) so that the latter can focus on his training. A MMA fighter needs mental and emotional support. But the father of three kids doesn’t know about his star’s sexual orientation, he was only informed much later that Kim Dan and the star were living together. (chapter 22) Besides, by announcing it in front of this circle, the champion divulged that there existed a certain distance between the manager and the sportsman. Finally, the fact that Park Namwook is still left in the dark about the fighter’s jinx is the evidence that he is a really bad manager. For me, it is because he is afraid of making decisions. He lets other take his burden and responsibilities. Yet, Myles jury declared that a manager needs to take a lot of responsibilities. The gathering in the break room stands in opposition to this one: (chapter 52) For the first time, the champion is no longer looking at his cellphone. He shared his thoughts to others and exposed his powerlessness (chapter 22) and misery (chapter 22), while in the breakroom, he demonstrated his power and silenced the fighters. He was the respected “patriarch”, whereas in the other scene, he is just a heartless child. (chapter 52) Moreover, in one scene, he confessed that they were living together, in the other, he had to hear that the doctor had quit. Shortly after, he discovered the hamster’s departure. This short contrast outlines the parallels and as such the negative role of the manager.

But here is the thing. The members from Team Black knew where the doctor was living. So why did they not visit him there to change his mind? They could have waited for him in front of the building, if they didn’t dare to enter the place, similar to Choi Gilseok’s action. Why did they wait, until the doctor had given his resignation and left the city? It exposes their passivity and hypocrisy. Mingwa didn’t show this, but it becomes perceptible through the mind’s eye. The wrongdoing from Park Namwook becomes even more obvious, as soon as Manhwaphiles notice the parallels between this confrontation (chapter 52) and Kim Dan’s interrogation in the States. (chapter 40) These two situations have many similarities. Both were confronted with an accusation, they were surrounded by people, who were acting as righteous and honest workers. Both were coerced to admit a wrongdoing. In addition, they are actually abandoned by Team Black members, especially the manager. No one is looking for them out of concern. The reality was that they were not their “true colleagues and even less friends. However, like mentioned in a previous essay, the men in black were actually covering up a crime in order to hide the corruption from the organization. This makes me truly wonder if Park Namwook is truly ignorant about MFC’s corruption. He could simply know about the crimes, but he chose to close an eye to the whole situation. (Chapter 46) He is already aware of the existence of illegal betting. Besides, since Joo Jaekyung is paying his taxes properly, Park Namwook could have the impression, he is doing nothing wrong. However, if he knows something and is remaining silent, he “becomes an accomplice” de facto. And what is the other common point with the interrogation from MFC security guards and the hospital visit? No lawyer and the incident was swayed under the rug. (chapter 52) In both chapters, none of the incidents were exposed to the media. And how had Joo Jaekyung reacted to this situation? He had declared the physical therapist as one of his own. (chapter 40) He had rescued him. So by slapping the champion (chapter 52), the manager displayed that the champion was different from the others. “He was not one of them, he was a sinner and wrongdoer”. On the other hand, with his suggestion (to replace the doctor), he denied the star’s previous statement in the States. Kim Dan was not one of them, as he could get easily replaced. To conclude, the slap was there to prepare the separation between Park Namwook and Joo Jaekyung. His departure from Seoul and from the gym was and is necessary. Moreover, the words from the manager could be interpreted like this: the champion doesn’t need to show up at the gym during the break. (chapter 53) He only needs to appear, once the suspension is over.

Moreover, (chapter 52) notice that when he slapped the celebrity, he utilized the personal pronoun “I” twice. It shows that the gesture was motivated by his selfishness. It was triggered by his own negative emotions. Another important element is the expression “thanks to you and your temper”!! This idiom is usually employed to express “gratitude”, yet here he is expressing the opposite. He is blaming the fighter, so the correct expression should have been “because of”. His words are exposing his true personality: he is a hypocrite and his care for the celebrity is not genuine. His gratitude is rather superficial too. Thus I deduce that episode 52 exposed Park Namwook’s true character. He is heartless and selfish, he is a bad manager and coach. Though he claims that he cares for the physical therapist, he is already planning to hire a new one. That way, he doesn’t appear as the bad guy. He is not the one who pushed Kim Dan to leave Team Black, but Joo Jaekyung. Yet, he did nothing to change the situation. For me, he is trying to save his own reputation. He is a honest and good leader, but he is not. In addition, he has another reason to replace the main lead very quickly. Kim Dan’s presence would be a constant reminder of Park Namwook’s own failures. He was not able to prevent three sabotages (I am including the incident at the health center), two members of Team Black became the target of crimes.

Another interesting aspect is that from now on, the manager can no longer threaten the remaining members to expel them from the gym. (chapter 22) They have only 4 members left. Besides, he has to ensure that they don’t mess with their weights too. He can no longer compensate their failures with “chicken and junk food” and new presents, as their income has changed. I would even say that now, the gym is forced to create new champions.

Since the bed scene at the hospital contrasts so much with the one in chapter 29, (chapter 29), I deduce that the slap had the opposite effect than this wonderful night. The gap between the hyung and the athlete got bigger. This represents the moment where Joo Jaekyung is emancipating himself from the hyung’s influence. By refusing the letter of resignation, he clearly indicates that he is rejecting Park Namwook’s suggestion. (chapter 53) He won’t hire someone else. Moreover, the morning after the couch confession, Joo Jaekyung tried to seek closeness with Kim Dan (chapter 30), but failed due to his roughness and cowardice. Hence I assume that the slap was the trigger for the champion to switch Park Namwook’s position with Kim Dan’s. The latter is finally recognized as a friend and even as a competent physical therapist. He is on the verge of becoming Joo Jaekyung’s “hyung”. So far, the athlete has been calling the physical therapist “Kim Dan”. And exactly like that wonderful night, Joo Jaekyung will attempt to seek the doctor’s closeness, resolve the misunderstandings and close the gap between them. He will follow his footsteps, but have a different attitude. Why? It is because the grandmother will be next to them.

Naturally, the champion’s jinx has other origins as well, like for example the schemers who definitely know about his jinx. From my perspective, the way Joo Jaekyung got his previous sex partners played a huge role. That’s why it didn’t matter who the athlete was sleeping with. The jinx is related to a prostitution ring. The plotters must be happy, for they seem to have achieved their goal. Kim Dan left his side. Hence he can no longer testify the involvement of this man: (chapter 37) They imagine that Joo Jaekyung’s recent demise will reinforce his former belief. The prematch-sex session with his regular partner didn’t prevent the misfortune, therefore he needs a replacement. That’s the reason why they made sure to isolate the celebrity. However, they couldn’t be more wrong, for the champion experienced the doctor’s departure as something worse than the whole scandal. (chapter 53) He doesn’t just feel like shit, but like fucking shit! And that’s how Doc Dan is helping the athlete. He is diverting his attention from MFC, his career and jinx. The latter are no longer on his mind. All his thoughts are revolving around his former roommate. (Chapter 53) This explicates why the idiom “jinx” is not even brought up, when he recalls their last sex session. He is not blaming the doctor for not procuring him a “good fuck”. The reason is simple. It is because he had already made this resolution: (chapter 49) He was no longer relying on the ritual.

As for the other cause for the athlete’s jinx, it is related to his bad choices. However, these are strongly connected to Park Namwook. Since the manager is more focused on money and titles, I deduce that the champion’s odd behavior is actually mirroring Park Namwook’s mind-set and attitude. He is rough, selfish and rude, because the other acted that way and even allowed it too. He expressed his thoughts and emotions through his fists and outbursts. (chapter 52), exactly like the athlete. (chapter 52). Did the manager express his regret or apologize towards the doctor? The answer is no. (chapter 53) That’s the reason why the champion has never apologized towards the doctor either. To conclude, the manager had a huge negative influence concerning the sportsman’s mind-set and behavior. Therefore it is necessary for the athlete to distance himself from Park Namwook. That’s how he can get purified. On the other hand, the last incident was essential for the star’s growth. Since the latter hasn’t questioned the integrity of MFC yet, he needed to be suspended in order to realize that his perception of the world was wrong. Though he lost his reputation, he is experiencing that his defeat is not the end of the world. The doctor’s departure was more painful for him. Therefore it was necessary for the champion to make a bad decision. Only through pain, the athlete can turn into a better man. Since Kim Dan left the city for the west coast, I assume that the champion will follow him there. He will reconnect with nature.

3. The champion’s belief at the end of season 1

Interesting is that though Joo Jaekyung had been informed about the protagonist’s resignation, he never anticipated that the latter would move out. This shows that he had already separated his professional life from his private life. We could say that he had already internalized Kim Dan as his friend and even “family”. But he had not realized it yet. And this brings me back to Park Namwook. The latter imagined that he could act like in the past, replace the PTs constantly. But he was forgetting that both men had lived together for 3 months. He had become part of his “home”. The problem is that Joo Jaekyung had not reflected on these changes. And when he had voiced it, he was under the influence of the soju. (chapter 43) So when he discovers the empty bedroom, he is forced to admit that he had become a part of his life. He had liked Kim Dan’s company. (chapter 53) He is now missing him, but he is not capable to express it properly. For the first time, he is confronted with reality. His penthouse feels cold, lifeless and empty. (chapter 19) Yes, we should see episode 53 as the negative reflection from chapter 19, the doctor’s arrival at the penthouse.

And this observation leads me to compare these two pictures: (chapter 19) (chapter 53) Back then, the champion didn’t pay attention to Kim Dan and turned his back to him. His job and training were more important than anything else. Hence he neglected the physical therapist. Mingwa let the doctor stand next to the sun. It is no coincidence. It indicates that Joo Jaekyung never paid attention to his surroundings and in particular to nature. He never looked at the sun. Yet, Kim Dan represents the sun in his life. In other words, he represents his source of happiness. Yet, the latter never got the opportunity to grasp it, for he never rested and took the time to enjoy the present moment. Why? It is because he was chasing after an illusion, the fake light “fame”. It is not random that the synonym for celebrity is “star”. But the brilliance of a star is artificial contrary to the moon and the sun. So when he is looking through the huge window, he is not looking at the moon or the star, but at the city. Why? It is because he has not discovered the existence of cosmos and landscape yet. He only knows one world: the city and the cage. His view of the world is limited. Moreover, the city embodies anonymity and distance. The god Joo Jaekyung needs to go down from his ivory tower and discovers the real world. I had already outlined the importance of travel in Jinx. The latter serves to broaden horizons and as such to remove prejudices. This view over Seoul can only make him feel more lonely. He is truly alone. In addition, because of the doctor’s vanishing, the fighter learned through the hard way that home is not a place, but a person. Home is a synonym for family. Hence he has to look for Kim Dan. At the same time, it pushes the champion to question all his precious believes: the importance of fighting and money, the existence of his “jinx and his traumatic past”.

For me, the doctor’s departure is pushing Joo Jaekyung to travel.And now, you understand why I added the sunlight at the end of the illustration. That represents the champion’s destination. While looking for the doctor, he will discover a new world: mortality but also the beauty of nature. So the grandmother’s wish will affect the champion in a good way. He will be able to reconnect with nature. And that’s how he will become a human. How so? It is because through this journey, he will learn to distinguish between real light and artificial glow. (chapter 53) Here, what Kim Dan saw was not the real sunset, but the lights from the cameras. Far away from the lights from the journalists, the champion will witness the beauty of a sunset, which can not be bought with money. (chapter 53) Humans can only appear as small and powerless. That’s how he could reconcile with the god of time. He will no longer fight against time. I connected nature to temporality of human life because of the grandmother. For me, his break represents a blessing in disguise. He will be able to breathe, to find joy in little things and more importantly he found a true friend and support: Kim Dan. The Webtoonist announced that season 2 would be focused more on feelings which is totally understandable. It coincides with introspection and meditation. Joo Jaekyung will have to prove that he trusts the main lead and he can only achieve this goal by entrusting him his recovery. Moreover, by doing so, he would boost the physical therapist’s confidence. While there was no real seduction in season 1 (money, jinx, treatment, bet during the confession night, drug), we have to envision that their intimacy won’t be so abrupt. It will be more subtle and gradual. The star will have to woo the doctor in order to express his love and affection. Through love, Joo Jaekyung will discover not only happiness, but also strength which will help him to defeat their “enemies” and unmask the criminals. In other words, he should realize thanks to this new journey that he is not cursed, but blessed, for he can help Kim Dan mentally, emotionally and professionally. So far, when the champion travelled, he never visited the cities (chapter 37) or sightseeing attractions. Here, I feel the need to add this French song from Daniel Balavoine (1985): “Aimer est plus fort que d’être aimé” (Loving is stronger than being loved”).

Translation:

You who know what a rampart is

You advance under the wrathful gaze

You write but on the blotter

All the words are reversed

If you speak you must know

That those who cast wrathful glances

Only want to see in the mirror

Only what suits them (These verses remind me of Park Namwook)

You who have broken the ice

Know that there’s no substitute for the truth

And that there are only two races

Or the false or the true

Love carries you through your efforts

The love of all unlocks the secret

Oh, and in the face of all those who devour you

To love is stronger than to be loved

You who know what blasphemy is

You don’t always reap what you sow

You know the supreme ambition

Of those who hate you

They would like to threaten you

To melt you into the mass and suffocate you (Reminds me of the last scheme)

But to sink the icebreaker

It would take a rock

Love carries you through your efforts

The love of all unlocks the secret

Oh, and in the face of all those who devour you

To love is stronger than to be loved

Oh, love carries you through your efforts

Love of all delivers from the secret (That’s how the athlete will reveal his past to Kim Dan, and the latter should do the same)

Oh, and in the face of all those who devour you

To love is stronger than to be loved

Oh, love carries you through your efforts…

Yes, the deceased singer advocated the same than Erich Fromm. (For more read “The Art Of Loving” ).

But let’s return our attention to this picture. (chapter 53) Back then, the champion had looked back at the physical therapist. This shows that he truly cared for the doctor. The latter was not simply his shadow, but also his protector and support. At the same time, this moment represents the doctor’s illumination. In that magic moment, he started associating the celebrity with the sun. The problem is that this light was artificial. Therefore, Kim Dan only perceived the protagonist as a star and not as a human. This explicates why he never wondered about his family. That’s why it is important for the doctor to see the fighter in a different surrounding. Far away from Park Namwook, the media and city, the sportsman can only appear as a human and even as a nobody. To conclude, I am expecting that the champion’s journey will be a journey of meditation and self-discovery. Far away from the toxicity of MFC and the spotlight, he will discover the existence of his own heart and as such his love for Kim Dan. But he can no longer approach him like in episode 1: a trick and money. He should discover the true value of the Wedding cabinet very quickly. It is no junk. Moreover, due to doc Dan’s departure and the last incident, the MMA boxer must have realized that he had totally misjudged the doctor. He is not selfish and greedy. So in season 2, the champion will show a true interest in Kim Dan and his family. He is forced to drop all his prejudices. We should see him talking prettily and gently to Kim Dan too. (chapter 21). By interacting with Kim Dan, he will be able to reconnect with his true self which will change him forever. Notice that after the night in the States, at no moment, the champion mentioned his jinx, but spoke about his physical health. In reality, he was including his mental health. This shows that he was already moving on from his jinx. Moreover, after the tie and the suspension, he is not mentioning or thinking about his former belief. The reason is simple. Because of the doctor, the champion was allowed to perceive glimpses of the truth: corruption and the existence of tricks. This image (Chapter 48) represents the medicine against the champion’s false belief. Moreover, by making him meet his former rival Baek Junmin, the athlete was incited to overcome his past and biggest fears. (chapter 49) The ritual had become obsolete, though he still did it out of routine. Yet, it had already lost its meaning and impact. That’s the reason why the champion didn’t put the blame on the doctor as a bad lover, he had no procured him a good fuck. Because of the last two incidents, the athlete discovered the existence of schemes and corruption, but he has not truly identified the real culprits yet. On the other hand, this exposes that he had already perceived the half-truth. It is just a matter of time, until the verity gets exposed and that will be a real scandal. As a conclusion, at the end of season 1, the fighter’s jinx totally vanished. How so? It is because Kim Dan revealed his self-loathing and lack of confidence to the athlete. He became the personification of the “jinx”. So by entrusting his recovery to Kim Dan, the latter’s self-esteem will be boosted. The doctor’s happiness can only make him feel good and improve his mood. That’s how their misfortune will slowly vanish.

4. Kim Dan’s transformation and jinx

Now, it is time to focus on the doctor’s jinx. How does he feel at the end of season 1? Does he still view himself as jinxed? My answer is yes and no. First, his dream didn’t come true. He wanted to remain by the fighter’s side. (chapter 53) He imagined that he should quit and leave the penthouse. To conclude, he is not entirely free. On the other, thanks to the champion, he was able to get rid of the loan. But more importantly, he was able to experience happiness for short moments.

(Chapter 44) So he was able to create good memories. Besides, he came to fall in love with Joo Jaekyung. Thanks to the latter, doc Dan could overcome his fear (chapter 26) and make others happy too. (chapter 26) He didn’t realize that he brought joy and love to the gym. (chapter 26) The more he spent time with the celebrity, the more confident he became. He was able to voice his opinion and he started becoming more passionate about his job as PT. He studied sports rehabilitation, a sign that he was taking the champion’s career seriously. So when he wrote these words to his soulmate (chapter 53), readers could sense that the doctor had gained some confidence. How so? He employed the comparative “more competent”. So he acknowledges that he has some skills. Let’s not forget that he was able to treat the injured shoulder within a month. The champion was able to fight against Baek Junmin, whereas the schemers and other doctors thought that it would be impossible. (chapter 42) This shows that his self-loathing is gradually vanishing as well. The fact that he is employing the personal pronoun “I” indicates that he is able now to distinguish himself from his grandmother. (chapter 53) Besides, with this sentence, he didn’t realize that he was actually revealing his true wish: he wanted to take care of Joo Jaekyung (“more competent”).

In addition, the word ” I hope” indicates that he is not entirely depressed. There is still “hope” and as such light in his life. Thus the smile on the doctor’s face is a mixture of resignation and peace of mind. (chapter 53) And now, you comprehend what the sunray in the illustration means for Kim Dan. It represents the last light in his life, the champion. He might have become a ghost again. Yet contrary to the beginning of the story, he has now his own identity. Thus he is employing the personal pronoun “I”. We could say that he is actually practicing Potato’s principle: (chapter 35) He is still cheering the athlete on and even wishing him happiness. This exposes that the physical therapist discovered “happiness” through the celebrity. He is no longer believing in the athlete’s jinx.

However, like mentioned above, at the end of season, he became a ghost again because of the grandmother and the last incident. That’s the reason why he appears surrounded by “white”. (Chapter 53), a color symbolizing the spiritual world and purity. But this signifies that going to see the sunset next to the ocean has a different meaning for the physical therapist than the champion. On the one hand, it is strongly connected to death, on the other hand, it also embodies rebirth. I can’t help myself thinking of the legend of Venus’ birth. The goddess of love was born in the sea. It is the reunion of the sky and water. According to me, Yoon-Gu is a representative of this deity. Thus I come to the following deduction. Kim Dan came to discover Yoon-Gu’s principle. It is possible to love someone from far away, which contradicts his past “abandonment issues”. This shows that he moved on from his past suffering. Though his grandmother is about to die, he will still love her. He won’t perceive it as a desertion and abandonment. That’s why the magic of love should take place near the sea. Both characters will meet the goddess of love there.

But let’s return our attention to my initial statement. His transformation to a ghost was caused by the halmoni’s quest. She was no longer thinking about her grandson’s career and job. Joo Jaekyung was no longer important. Only her life and wish mattered. So the champion was not wrong either to state (chapter 53) that the physical therapist had already planned to leave him. He sensed that doc Dan had already started distancing himself from him, because he was bound by this new promise: (chapter 53) Slowly, he was drawing the line between his private and professional life.

Because of the incident with the spray, it is not surprising that the doctor is blaming himself. (Chapter 53) Here, I feel the need to remind my avid readers that though the doctor was victim of a trick, he was not entirely innocent either. He should have come clean with the champion concerning his meeting with the director from the rival gym. His lie still played a huge role in the champion’s mistrust. But why did he not tell him later? It is because he was under the influence of the manager. (chapter 48) The hyung had been his mentor and advisor. Thus he copied his actions and followed blindly his recommendations. (chapter 41) At no moment, he questioned his words and honesty. He should have noticed the hypocrisy of the manager, when he witnessed such a scene. This image contradicts his claim at the restaurant: (chapter 43) How could the athlete be kinder to his own body, when his hyung was slapping him constantly? He was definitely pressured by the former wrestler. This shows that the 29 years old man is lacking critical thinking. On the other hand, we can not blame Kim Dan for trusting the man so blindly, as Joo Jaekyung was behaving the same way. Yet, the fact that Kim Dan cries, when he witnesses this scene shows that he dislikes the scene. For him, it is wrong, yet he doesn’t intervene. This shows that Kim Dan still feared to intervene and even contradict the manager. Why? It is because he thinks, he is the owner of the gym. He is “his employer”, while in reality he is just an employee. His passivity mirrors his affection for Joo Jaekyung. He is not loving him like he is loving his grandmother. He is not taking any risk, he is not ready to sacrifice himself for the athlete’s sake. This shows that he wasn’t loving the champion properly. Exactly like the other members of Team Black, he was following the hyung’s lead.

It is no coincidence that Kim Dan offered the gift at the same time than the coach’s. (chapter 45) Both knew how the champion disliked the birthday and the gifts, but they still chose to ignore the man’s feelings. He believed every word Park Namwook said about the champion in the end. Hence for me, the doctor’s decision to quit was not simply the consequence from champion’s request and reproach, but also from the manager’s indifference and ignorance. At no moment, he contacted him showing that he was necessary for Team Black. His silence and passivity could only be interpreted as a disapproval and rejection.

The other mistake Kim Dan made is that he learned a bad lesson from the celebrity. Having sex with someone is not getting to know someone better. (chapter 44) The intimacy is rather superficial, for it is limited to pleasure and sensuality. This has nothing to do with the partner’s personality. Secondly, during that night, the champion was drunk. In season 1, both protagonists only discovered physical closeness without sharing their thoughts and emotions (chapter 44) . (chapter 44) He never told the athlete that he was so cute or handsome. He kept his thoughts and happiness to himself. The only moment they shared real intimacy was this night: (chapter 29) The problem is that even there, they had sex in form of a challenge. (chapter 29) Moreover, during that sex session, the athlete employed dirty talk. (chapter 29) It was not to express affection.

This interpretation brings me to my next observation. Kim Dan discovered the existence of sex in the most brutal way: (chapter 2) prostitution and rough sex. He never experienced true romance and the birth of “first love”. The courting and seduction were totally absent. His first kiss is connected to fighting, pain, survival and protection. (chapter 14) It had nothing to do with innocent and pure love. For me, Kim Dan didn’t have the time to fall in love with the champion properly. He could even say that his affection is related to his job and he could reduce it to mutual physical chemistry. Thus I deduce that he became a ghost again for one reason. Both need to experience the innocent first love. In other words, we should expect a new version of this magical night: (chapter 20) Till that moment, he lived like a ghost. He had been trying to deny the existence of his own body. And how did the athlete describe his lover in the bathroom? First, he compared him to a whore (chapter 19) before describing him as a baby. (chapter 20) However, we should expect a more pure version, where both act as innocent and inexperienced teenagers, similar gestures: (chapter 44) There should be no drug or no time pressure!! However, there exists another reason why I have such an expectation. First, the grandmother should be close to them. Her presence should represent a hindrance, as the latter is falling back into childhood. Secondly, right from the start, Joo Jaekyung was under the spell from Kim Dan. (chapter 1) He was so attracted to him physically, hence he didn’t pay attention to his partner’s personality. In fact, he had a negative perception of his nature: (chapter 1) By becoming a ghost, the champion is forced to perceive the main lead as a person and as such to pay attention to his personality (dislikes, likes, qualities, career). That’s the reason why I believe that in season 2, he won’t make the same mistake again. He will study the doctor and get to know him better. That’s how he will be able to identify his feelings for the protagonist. He doesn’t love him because of his cute face and body, but because of his big heart and warmth. He is so responsible, generous and dedicated that there’s no one else like him. He embodies true kindness and loyalty. His care and worries are genuine. That’s why the champion will voice his affection differently from the past: “Secret and innocent love behind work”. Under this new light, it becomes comprehensible why both characters had to go to the seascape. Nature is the perfect place to nurture innocent and pure love. Consequently, I don’t think, the author will rush to create a new chapter full of sex… rather full of tenderness and caresses! Thus Mingwa created such panels: The hands are no longer fists used to express anger and resent, but they are wide open, they are expressing love and tenderness. They will convey a different message: respect, teamwork, and communication. Finally, through such gestures, both are able to reconnect. The hands are encouraging them to express their own thoughts and emotions. They are giving them reassurance and confidence. Season 2 stands for sharing, honesty and communication. Expect a revolution at the gym!

To conclude, the Sleeping Beauty is about to be released from his curse. It is just a matter of time. Kim Dan is on his way to find his true home. Through love, both will be released from their inner suffering and can find happiness, like in a fairy tale: HAPPY ENDING.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Kiss me 💋 (Podcast)

Gustav Klimt The Kiss

Though the woman appears smaller and more submissive, it is important to notice that she is on her knees. So if she stood on her own feet, she would appear taller than the man. It indicates that the woman is stronger than she appears. Both persons are enjoying the moment, forgetting their surrounding. They are surrounded by nature, creating an association between love and nature. The couple is forgetting society and social norms. It is important to know that Klimt’s paintings were criticized back then, they were considered as Pornography. Though Jinx contains explicit content, the story is more than just sex. It is about maturity and giving a meaning to life and as such to find happiness.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Juicy Deeds🤝 and Dry Words 🗯

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

I am quite certain that people are wondering about the connection between the title and the illustration. In the latter, we have Baek Na-Kyum’s hand holding Yoon Seungho‘s. Yet there is neither word nor sex in the panel, for both are still dressed and there is no speech bubble. Yes, when people read juicy deeds, they were already imagining that I would describe a love session like this one (chapter 96), because of the expression „to do the deed“: (chapter 87) However, the deed is not just related to intercourse, like the manhwaphiles could discover it in chapter 51. With „deed“, Deok-Jae was referring to murder and assassination. As you can see, deed has other meanings than sex. Thus it has for synonyms action, accomplishment and reality!! So when I selected this name for the essay, I was thinking of the relationship between action and word. And this connection came to my mind, when Byeonduck released the last picture, because the painter’s action symbolizes a conversation and as such words.

1. Interpretation of the newest release

As my avid readers already know, it is already possible to understand the symbolism behind this picture by contrasting it to similar gestures. Because the painter‘s hand is above the noble‘s hand, I deduce that the artist was the one initiating the touch. Note that he is intertwining his fingers with Yoon Seungho‘s indicating that he is seeking closeness and intimacy. This detail is important, for the hand is conveying a message: „I feel you. I understand you. I am by your side.“ How do I know this? It is because this gesture corresponds to this one from chapter 88:

1. 1. Reflection from chapter 88

(Chapter 88) By reaching his hand, the painter was letting him know that he was no longer alone in this world. He was not only joining his side, but he was willing to try to understand the main lead. (Chapter 88) This gesture stands in opposition to the situation with Yoon Chang-Hyeon. (Chapter 86) During that fateful night, the father neither talked to his son nor looked at him. He even turned his back to him, when the young master attempted to grab his father‘s hanbok. Both scenes from chapter 88 and 86 have two common denominators: an action accompanied with silence!! Yet, what distinguishes them from each other is the nature of the deed, the action. Alliance and empathy versus abandonment and estrangement! This is no coincidence that after reaching his hand, Baek Na-Kyum started confessing his thoughts and emotions to his lover: (Chapter 88) As you can sense, the hand gesture delivered a message, but the painter still felt the need to clarify the meaning of his hand. He was willing to remain by his side, but he was still afraid of him. He didn’t want to create a misunderstanding, like for example that he wouldn’t argue with him or that his loyalty was now unconditional or total. That way, Yoon Seungho wouldn’t come to view him as a hypocrite or as dishonest, if an argument would appear. Thus he needed words to explain his position. He would remain by his side and attempt to sympathize with him, but he still felt insecure and had doubts. In other words, his action (his hand gesture) was not truly reflecting his mind and heart. (Chapter 88) Hence we could say that there was still a gap between the gesture and the words. He was willing to trust him and to be loyal to him, but not all the doubts had vanished. That’s the reason why the lord hesitated before hugging him. (Chapter 88) Later he even asked his lover not to leave his side no matter what. (Chapter 88) To conclude, the hand gesture in episode 88 was connected to insecurities and as such fear, yet the painter had shown no hesitation to take his hand. The anxiety was not visible.

1. 2. The hand and anxiety

Striking is that when the painter had reached Yoon Seungho’s hand for the first time, his hand was trembling. He was so scared of the main lead that he didn’t dare to take his whole hand. (Chapter 30) His fingers barely grabbed his hand, so when he made the following vow, he was not entirely sincere or better said, truly determined to keep his promise. (Chapter 30) The words were not truly in unison with the gesture either. Therefore he once tried to leave the mansion in season 2. When he pledged loyalty, his intention was to protect his teacher. To conclude, fear has always been present, when the painter took Yoon Seungho’s hand. Even in chapter 88, but contrary to the scene in the courtyard, his hand was not shaking. (Chapter 88) Why? It is because the origin of his fright was different. In the courtyard, he feared for his life and Jung In-Hun’s, whereas in the bedchamber, he was more afraid of the lord’s flashbacks and dissociative states. He had no idea why Yoon Seungho could change so much abruptly to the point that he would hurt himself, not just him. (Chapter 82) This explicates why the artist chose to remain by his side, though the lord had broken his promise. (Chapter 82) On the other hand, in this scene (chapter 82), the lord was grabbing his lover’s hand out of fear. He was recognizing his mistake and was trying to beg for his forgiveness, though he couldn’t express it directly. Striking is that during the lord’s flashback, his hand was trembling as well, grabbing onto his partner’s body. (Chapter 81) It was, as if Baek Na-Kyum was his rescue buoy, helping him not to be swallowed by the darkness. Thus I came to the conclusion that the protagonists’ hand gestures are all connected to anxiety and pain. 😲 Hence I am deducing that in this scene, Baek Na-Kyum is holding his lover’s hand, for he has already sensed the noble’s doubts and insecurities. He is there to comfort and reassure him. He won’t leave his side no matter what. Therefore I deduce that such a gesture can only encourage Yoon Seungho to open up and reveal his traumatic past. This is something that Baek Na-Kyum had always wished in season 3, nonetheless his wish never got granted.

1. 3. Reflection of chapters 97 and 98

And note that Baek Na-Kyum was unconscious, when Yoon Seungho had a flashback and was sent back to the past. (Chapter 102). This would have definitely scared Baek Na-Kyum, especially Yoon Seungho’s haunted gaze. On the other hand, since the painter had been himself the victim of physical and sexual abuse, the artist can only grasp why the noble reacted that way: fear, anger, despair and heartache. The artist had also been desperate, in pain and scared in the shrine, though this time, he had not screamed for his help. Since the lord had not returned to the mansion, how could he expect him to come to his rescue?

From my point of view, the lord has to explain the reason for his behavior from that night, he committed a massacre. Since the couple is in the bedchamber, I come to the conclusion that this image is linked to the painter‘s nightmare too. (Chapter 98) Back then, he had been waiting for his lover‘s return and explanations. He wanted to hear him and get his reassurance and comfort. . (Chapter 98) The latter couldn’t reassure the painter with his hand contrary to the previous night. (chapter 97) Exactly like mentioned above, the painter’s hand gesture is connected to fear and conversation. (chapter 97) Striking is that in the gibang, the lord confessed his biggest fear to his future “spouse”. He feared to lose him, though one of his biggest desires had been finally fulfilled. This means that Yoon Seungho felt even more insecure and frightened than before after receiving the artist’s love confession. That’s the reason why I believe that the new picture is standing in opposition to the scene in the gibang. The lord will feel relief after his admission. As a conclusion, the image is announcing the lord’s confession and the artist will listen to him without any judgement or fear. He will never reject him or call him crazy due to his past action.

1. 4. Reflection of chapter 89

What caught my attention is that the painter had touched the main lead’s hand in another occasion. (Chapter 89) While the painter was sitting on his partner’s lap (chapter 89), he was massaging the wounded fingers. It was, as if he was treating his companion’s wound. Note that after his terrible flashback, the painter had avoided to grab his hand out of fear that he might hurt Yoon Seungho even more. (Chapter 84) Therefore I conclude that the new panel is an allusion to treatment. While in episode 89, the painter was acting as a doctor, in the new image, the young man is working more like a counselor or psychologist. The aristocrat’s hand might not be wounded in that scene, but this is not the case for his heart and mind. So for me, this scene is connected to mental treatment. And by confessing his past, he will get liberated from his burden, released from that darkness. He will be able to finally see the light and to have hope again. As you can sense, I see a connection between episode 84 and this new panel. Note that during that day, the painter was also holding the noble’s hands, but here they were facing each other. (Chapter 84) However, the lord had refused to open up. This is no coincidence that the author had not created such a picture during that chapter. As the manhwalovers can detect, I believe that in that scene, Yoon Seungho will confess and reveal the source of his self-hatred and guilt. As a conclusion, though this image looks very romantic and beautiful, I think that it is accompanied with fear, guilt and agony. The readers could definitely come to cry while the lord’s revelation. Since the painter spoke in chapter 30, 84, 88 and 89, I am assuming that this time, he won’t talk much so that the lord can speak more freely.

But if the manhwaphiles compare all the mentioned scenes, they will realize that the hand gestures were strongly connected to promises or vows. It becomes even more obvious, when the artist criticized his lover for his bad behavior (chapter 82), caused by the panic attack. This is no coincidence that the painter employed the expression „empty words“. His action was not reflecting his words. Thus there exist the following quotes

  • “Actions speak louder than words“.
  • „Words are from the lips, actions are from the heart“: Rachida Costa.
  • „Well done is better than well said“: Benjamin Franklin.
  • The superior man acts before he speaks, and afterwards speaks according to his actions.” – Confucius

And that’s how I realized the importance of the link between action and words. The former is mirrored in the hand, while the words are connected to the tongue and mouth. Thus I come to the conclusion that when Baek Na-Kyum is holding his lover’s hand, he is no longer scared of Yoon Seungho. Therefore, I deduced that here it was not the case for the noble. Hence I believe that this gesture is to encourage Yoon Seungho to open up, to confess his doubts, guilt and pain. But by putting his hand over Yoon Seungho‘s, the artist is demonstrating that he is protecting him. He will listen to him and remain by his side and this no matter what. As you can sense, I am expecting a new version from that night (chapter 88), and this, although the lord is indeed a murderer. For Baek Na-Kyum, his gesture will have a different meaning: he saved his life and freed him from his torment. Secondly, if the lord reveals the circumstances of his mother’s death, the artist will definitely deny his responsibility in her death, a new version of this scene. (chapter 75) And because I detected a discrepancy between words and gestures, I recognized the presence of another trick from Byeonduck.✨

2. Passivity and silence

What caught my attention is that during the love session from chapter 91, the readers discovered the painter’s likes. While the lord said this to the painter: (chapter 91), the latter denied this with the following statement. (chapter 91) But when did the painter admit that he liked embracing him? In this panel! (chapter 88) That’s the reason why the lord got surprised and moved. As you can see, the author never revealed this whispering to the manhwalovers! The latter had the impression that the lord’s reaction was related to the loving embrace, but it was only partially correct.

This is important, because in this scene, the words were matching the action! That’s the reason why Yoon Seungho could finally accept it as a warm and sincere hug!! The painter was honest towards him. This scene contrasts so much to the love session at the physician’s, where the painter had hugged him, but had remained silent (chapter 62), when the lord had confessed to adore him. (chapter 62) This explicates why Yoon Seungho was so pained in season 2. He got embraced, but there were no words. Consequently, when the painter vanished during that night, the lord could only perceive the embrace as hypocrisy and fakeness. That’s how I realized that the story is developed on the contradiction between words and actions. But not only that, there exists a strong link between silence and passivity. Thus after the abduction in season 2, Baek Na-Kyum remained more or less silent (chapter 62), and as such he was totally passive. He never stood up and begged the lord for his leniency. He stayed there on the bed giving the impression that he was indifferent. That’s the reason why Yoon Seungho got more enraged, for he felt fooled. This means that the absence of words represent inaction… This explains why Yoon Seungho had to corner the main lead in chapter 48 (chapter 48) to say something, as he had sensed his passivity behind his „submissive attitude“. This is no coincidence that during this night, the painter felt extreme pleasure to the point that he peed. Therefore he could voice his wish to Yoon Seungho during the love session from season 2. (chapter 73) That’s how the lord concluded that the painter liked riding him, while in reality such a climax had appeared for the first time, when both were facing each other! (chapter 49)

And this leads me to the following observation. The protagonists were the targets of plots, because both of them had been silenced. By being voiceless, they had been turned into naïve puppets. Their silence corresponds to their passivity. This interpretation helps to understand why the artist was more active in season 1 (chapter 4) than season 2. He was encouraged by his future partner to speak up, yet the moment he got heartbroken, he was left speechless. And note that when the lord played his prank in the bedchamber, he never said anything to his father. (chapter 83) He didn’t move as well. Why? It is because he knew that talking to his father was pointless. However, Yoon Seungho had hoped that with his prank his father would finally see the truth. He had been fooled by Lee Jihwa and father Lee!! But the stupid father never realized it. As you can see, the lord had in that scene long given up to use words, he hoped that his father would see the truth with the prank. Don’t forget that deed stands for truth and reality. He thought that “actions would speak louder than words”, but he was proven wrong. This signifies that in this scene, (chapter 86) Yoon Seungho had acted the opposite, he had tried to speak up, but he had been muted. I am also thinking that the young master must have attempted to converse to his father (chapter 77) here as well, but the lord had not listened to him. Why? It is because Kim had said nothing!! (chapter 77) Silence was considered as an admission. This is no hazard that the butler didn’t take care of his young master. This scene symbolizes the quote “Actions speak louder than words” (chapter 77) The butler had betrayed the young master’s trust, for he had not intervened. He should have defended Yoon Seungho, but no in fact he had sided with the elder master Yoon once again. Not only he had not reminded Yoon Chang-Hyeon of his promise, but also he had assisted the ruthless father by giving himself the straw mat beating! (chapter 77) That’s the reason why the other servant looked down on Kim. Even after hurting his young master, he stayed paralyzed giving the impression that he felt nothing for Yoon Seungho! And this was actually true, for the valet felt more betrayed by the master’s attitude than pained due to the wounded noble. Like mentioned above, he could have refused to do it, but no! This is not surprising that the young master felt pained and angry. Striking is that in this scene, the main lead never said anything… a sign that he was already resigning to his fate! He was no longer resisting! And this leads me to the following conclusion. In season 3, Yoon Seungho was rather passive, hence he didn‘t voice the source of his suffering to Baek Na-Kyum!! However, he was not totally inactive, for he still opened up to the painter at the end of season 3. He was able to express his likes, dislikes and fears, hence Min’s first plot didn’t work out like expected!! And the return of his active attitude was already perceptible in the bureau of the authorities. (chapter 98) Here, he examined the robe and questioned the officer. The problem is that he was still relying on his staff and as such Kim. Therefore it is not surprising that he could still be manipulated by the schemers. Hence I am anticipating a total change in season 4. By conversing with the painter, the lord can only become more proactive to the point that he will be able to ruin the next schemes. I am even expecting a prank from the protagonists in season 4!! But this doesn’t end here. I am deducing that in the past, Yoon Seungho suffered because one tormentor would do things and say nothing, while the other would talk a lot, but act the opposite!! For me, these descriptions fit to Kim and the pedophile. I have the impression as well, that both characters came to switch their behavior. In one circle, Kim did many things, but remained mute, but later he did the exact opposite. I would like to point out that in season 3, he acted this way. He would promise loyalty to the lord, (chapter 77), but backstabbed him in the shadow. Besides, we shouldn’t forget that a narcissist’s words don’t match their action, because they are pathological liars. And so far, I had portrayed father Yoon (overt), Kim (covert) and even Jung In-Hun (overt) as people suffering from NPD. And I am assuming that the mysterious lord Song is not different from them, though I am suspecting that he must be a covert type.

And now, you are probably wondering why I added the adjectives “juicy” and “dry” to the title, while so far, my main focus was “action” through the hand gesture and words. The reason is simple. There exists an Arabian proverb: “A promise is a cloud, fulfilment is rain”. Since in this country, rain is rare, the saying is showing that people make promises easily (cloud), but they never keep their words, for it almost never rain. I found it interesting that it rained, when the butler and the father betrayed both the main lead. Their actions exposed their true colors. (chapter 77) Besides, it also snowed, when the painter got abducted twice, a sign that actually a promise had been broken.

3. Conclusions

Thanks to the lord’s actions (his obsession and love for the painter), Baek Na-Kyum could finally become owner of his own body and thoughts. That’s the reason why he could pee in the study, the bedchamber and the gibang and this without getting any reprimand, while the painter’s actions could bring the lord’s tears back! Their actions, the hand gestures and the embraces, became fruitful. This means that Yoon Seungho is finally possessing his own body and mind. This is no coincidence that he lowered himself, when he apologized to his lover. (chapter 102) He is no longer following social norms. This could only happen, because the lord had just committed a huge crime. What is the point to respect laws and tradition, when he became a murderer? Any other transgression can only appear as harmless. That’s the reason why I am expecting that Yoon Seungho decides to disregard social norms from that moment on and play a prank on the “villains” of this story.

Before closing this essay, I would like to mention other scenes, where the hand from the protagonists was connected to fear, confession, comfort and reassurance: (chapter 76) (chapter 53) (chapter 87), while the same extremity symbolizes the opposite with the villains and antagonists: violence, silence, submission (chapter 83), hatred and resent (chapter 97) Here, Heena was hurting her brother, because she wanted him to face “reality”. What caught my attention is that we never saw the father’s hand in chapter 86! (chapter 86) Why? It is because it reveals his powerlessness. And this leads me to the following conclusion: the deed stands for reality and honesty, while the words symbolize emptiness, illusion and deception. And now, you comprehend why this work is composed by the dichotomies: dream, words and mouth versus reality., action and the hand. This means that in season 4, the manhwaphiles should try to analyze the thoughts and emotions of the characters behind the hand gestures. At the same time, they can also verify if my interpretation is correct. Is the zoom of the protagonists’ hand connected to fear, confession, empathy and assistance?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The riddle of the enigmatic covers🔍🕵️‍♂️ (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

The purpose of this essay is not just to interpret the illustrations for each season, but also to anticipate the future illustration of season 4. However, before revealing my new knowledge, it is important to explain how I came to develop these significations. This means that I will present new pieces of the puzzle “Painter Of The Night”. Everything started with this panel. (chapter 9)

1. The slap and hands

The noble with the mole had a red cheek and a bruised lip indicating that he had been slapped. Yet contrary to the painter, he had wounded on his right side. (chapter 1) This means that no one had witnessed the wrongdoing committed on the anonymous lord. However, it is important, because it exposes how a person committing a wrongdoing could escape scolding and punishment, even from the readers. There was no witness! Only an attentive reader could detect this. Hence you have the explanation why Yoon Seungho suffered for so long. There was either no witness or the persons chose to close an eye and remained silent. Since it was the negative reflection from Baek Na-Kyum’s slap and the main lead had used his right hand (chapter 11), I deduced that the culprit was left-handed. That’s how I could identify the culprit, lord Min. The lord was in reality left-handed. We could observe this in chapter 8 , episode 19 , chapter 33 and episode 43, but also in episode 76 , in chapter 96 , in episode 100 and finally in chapter 102 ! Yet, in other occasions like in episode 33 or 43, or 52 , he used his right hand! Thus one might argue that Min was simply ambidextrous. However, I can prove 100% that Black Heart is left-handed!😮 The evidence is the usage of the bow. (chapter 22) This is how a right-handed man shoots an arrow. On the other hand, we never saw Min using the bow. The bird was already wounded by the arrows, when the scene of the second hunt took place. (chapter 41) However, the manhwaphiles can discover the verity thanks to one detail: the bag of arrows. (chapter 22) As you can see, the bag is carried on the right side, but the arrows are almost touching the left shoulder. They need to be on the other side, since the scholar needs his right hand to grab the item. And now compare the position of Min’s bag. It is inclined in the opposite direction, hence the arrows are visible on his right side! (chapter 41) Thus the noble is carrying the bag (chapter 41) differently from the painter too. (chapter 22) Under this new light, it becomes comprehensible why Byeonduck never showed the Joker’s hunting skills. People would have noticed that he is left-handed immediately. She made sure to hide this important fact, thus within the same chapter Min was often portraying as using both hands. In episode 43, he employed his left hand to pour the alcohol in the glass, but then he switched the hand(chapter 43), when he gave the drink to Lee Jihwa.

This raised the following question. Why is he ambidextrous, though he prefers his left hand? It is because he has been conditioned to use his right hand. In Latin, sinister means left. This explicates why left is associated to sinister, dark and bad omen. Thus there exists this superstition that being left-handed is evil or a bad sign!! Till the end of the 20th Century, people in Europe were encouraged to write with their right hand. And now, if you compare all the scenes, where he employed his left-hand, you will detect that he was acting under the influence of his subconscious. In chapter 8, he was lusting after the painter; explicating why he got mad at his friend. Because of his nagging, Min could no longer ask his host to let the painter join the sex party. Therefore it is no coincidence that he slapped his friend with his left hand. Finally, we never saw his departure from the bedchamber! (chapter 9) Here, he was still present, but even before the end of the sex session, he had already vanished. (chapter 9) Finally, when the noble with the mole visited Lee Jihwa, the latter claimed that he had spent a long time at Yoon Seungho’s. (chapter 9), and his friend never denied it. As you can see, the characters made sure to confuse the readers with the change of the chronology. As you can see, it took me a long time before noticing the bruised face (only during season 3), then to bring up the conclusive evidence that Min was the culprit of the slap. Then in the shaman’s house, he took the dildo with his left hand, because he was angry and frustrated. (chapter 100) With the same hand, he pushed Jihwa (chapter 100) too. This shows that he could barely control himself here. And once he faced the main lead’s sword, he got so scared that he showed Jung In-Hun’s glasses with his left hand again. (chapter 102) Due to stress and his strong emotions, he exposed his true self, but since the readers were more focused on the actions and Min’s punishment, they never paid attention to his hand. This contrasts so much to the way the author portrayed Yoon Seungho. She often zoomed on his hands. (chapter 92) The irony is that in this scene, the main lead employed his left hand too, the positive reflection from the night in the pavilion (chapter 43). While here it was to bring him back to reality, in the pavilion, the Joker had the opposite intention: to lure Lee Jihwa to believe in illusions. (chapter 43).

Why did she confuse the readers then? It was to hide an important information, the culprit is left-handed!! And now it is necessary to examine the lord’s nightmare.

2. The hand in the nightmare

If you read my previous analyses about the visions, you are aware of my following observation. The visions represent not only memories, but also predictions. (chapter 74) They announce the future events, though the information is not given properly. On the other hand, since they are memories either, this signifies that they contain insight about the lord’s tragedy. Thus I noticed that the anonymous perpetrator used his left hand to grab his hanbok!! I deduced that the perpetrator in the past is also left-handed!! Secondly, since this vision can also be seen as the announcement of the painter’s second kidnapping, this is no coincidence that Byeonduck created such panels during the painter’s last torment. (chapter 99) However, in the shaman’s temple, Black Heart grabbed Baek Na-Kyum with his right hand. He was trying to manipulate the artist, he was acting. He was not showing his true self. Yet, the vision was revealing the truth: the future mastermind of the last scheme was in reality left-handed!! It didn’t matter, because at the end, the main lead was able to discern the truth. He sentenced Black Heart, for he believed that he had killed his loved one! That’s how I realized why the author would focus so much on the hands and on the distinction between unconscious and conscious! The hand in Painter Of The Night represents the crucial clue to identify the culprits!!

3. The illustrations and the mystery

Because of these new discoveries, I realized the signification of the covers. In season 1, we had the hands in the illustration. The hands were revealing the crime committed against the main lead. The latter was totally passive in this picture. The hands are touching and unclothing the immobile man. It also shows that Yoon Seungho was at the center of the conspiracy, in the past and in the present! The painting in the background indicates the presence of a hidden painter. Thus Baek Na-Kyum was not drawn in the cover. The painter of the night was in truth someone else, the painter from the past! Nevertheless, the main lead was looking at the readers, indirectly at Baek Na-Kyum, the young painter of the night. This describes the arrival of Baek Na-Kyum in his life. Striking is that the painting in the background was destroyed… indicating that the portrayed relationship was no longer existent. This represents another clue that the lord’s suffering is linked to a previous relationship. Then in season 2, the author revealed Baek Na-Kyum as the painter, who had now become the target of the plot. Yet behind him we see Yoon Seungho’s foot. The latter symbolizes the main lead feared to get close to him, but he wouldn’t leave his side. Moreover, this corresponds to the lord’s impulsive decisions, he let his foot guide him. Thus during the first night of the failed gangrape, he walked towards the study and stopped unconsciously, when he was next to the room. (chapter 53) Due to his strong denial, he was strolling not realizing that his feet were under the influence of his subconscious. And it was the same, when he opened the door with his foot at the Lees’ (chapter 67) Nonetheless, I believe that the author had another reason to draw the foot in the cover. The foot prints are the evidence of the crime, and as such the deceptions and the culprits. (chapter 59) (chapter 60) (chapter 61) The shoes were the clues how to recognize the perpetrators and accomplices. That’s why I compared these feet (chapter 59) with those . (chapter 66) My avid readers are already aware of my theory. For me, we have two kidnappers, and one tried to kill the artist! To conclude, Byeonduck left the clues how to unveil the mystery from the past and the present in the illustrations of each season. The paper in the second cover is a reference to the forged letter (chapter 56), but also to the theft of the painting (chapter 56) and the painter’s break! At the end of season 2, he was no longer painting and in the beginning, he had also stopped due to his heartbreak. Simultaneously, we have the presence of water which serves as a connection to season 1 with the ruined painting and to season 3 with the well and drowning. The dark shades were an allusion to the lord’s darkness and suffering. The latter would come to the surface. However, since the cover only showed the lord’s foot, it exposes that the lord would not divulge his traumatic past. (chapter 78) In season 3, this time the main leads were facing each other, they were recognizing each other: their true self! But this stands in opposition to the deceased people without identity! (chapter 94) We never saw the face of the corpses, as they were either covered (chapter 97) or the manhwaphiles could only view the hand, , the back (chapter 97) or the clothes and shoes (chapter 100)! And since Min had disguised himself as Lee Jihwa, it was clear that the deceased shouldn’t be identified by their clothes, but by their faces. As you can see, season 3 was about the face and identity! This indicates that in the past, someone had been not identified correctly!! Why? It is because the main lead has long repressed this memory. He had forgotten his face out of fear and hatred. The only thing the victim remembers is the BEARD, and old bearded men! (chapter 44) And the nightmare exposed the number of persons involved in his suffering: 4 men!! Here, we have 3 men, and don’t forget the left hand from before. (chapter 74) But if I include the painting, then I come to 6 people: the patriach Yoon Chang-Hyeon and the king. This coincides with the cover from season 1: 3 hands indicates 3 people and we have two lovers in the background. Moreover, we shouldn’t forget the peeper, the person Yoon Seungho was looking at. Hence we have 6 people involved in the conspiracy.

But what caught my attention is that the illustration of season 2 and 3 are showing locations: the painter’s study and the bedchamber. Thus I conclude that Byeonduck was revealing the places where a crime was committed in the past and in the present. In the study, the painter lost his virginity, he was bullied or slapped, while in the past, Lee Jihwa stole Yoon Seungho’s first kiss. So in my opinion, the illustration for season 4 should be the gibang, unless we assume that the cover of season 1 is a reference to the kisaeng house! (chapter 1) Anyway, from my point of view, the cover of season 4 should indicate a location which is connected to the town. Why? It is because now I am suspecting commoners to be involved in the lord’s suffering. I have already expressed my theories about Kim, the guard blacks, Heena and the physician. But there are more suspects! Moreover, observe that the kisaeng house is not only visited by aristocrats, but also by commoners. (chapter 99) That’s the reason why I am anticipating a cover with the gibang. It would be the perfect place to find closure for the couple. It is a place where both suffered. Moreover, I think, belongings should serve as an evidence for the identification of the schemers and accomplices. Remember that we had the glasses as the evidence of a murder in season 3, yet I am sensing that the possession should serve to identify the perpetrators from the past and the present. Since the clothes were used to confuse people in season 3, I am assuming that in season 4, they should help to recognize people, but at the same time, it is totally possible that our main leads decide to employ the same method to fool the schemers and accomplices. And now, we have the cover for season 4. Both protagonists are not only facing each other, but also touching each other. They are no longer hiding their emotions and thoughts. This image represents the opposite to the other seasons. At the same time, the author is again referring to the bedchamber indicating that this place is strongly connected to the protagonists’ suffering. On the other side, since the painter is wearing a silk white shirt, it implies that he is not a commoner. This panel indicates that the main lead was able to the true owner of the study and even bed. However, due to the tears, the beholder can sense that this season will be painful as well. Striking is that in the cover, they were either alone, or they were just looking at each other, hence they didn’t pay attention to their surroundings. Consequently, they couldn’t sense the presence of a plot and the schemers. This indicates that the couple is still not prepared to face new schemes. To sum up, the author selected such covers because she had planned to leave clues there about the mystery! But wait… I had outlined that the person who grabbed the young master Seungho was left-handed, and he played a huge role in the main lead’s downfall and suffering! But who is left-handed in this story?

4. The mysterious left-handed

Naturally, I investigated the matter right away. My first suspect was Kim, but he seems to be right-handed! (chapter 12) (chapter 56). But then I noticed that he carried his master on the left side. (chapter 57) Nevertheless, the person threatening the painter was right-handed. (chapter 66) and since it is for me the butler, he was not the person from the nightmare. That’s the reason why I am excluding him from the suspect list. For me, if he was involved in the past, it is because he lit the candles (chapter 74). Furthermore, don’t forget that in his nightmare, the author exposed the presence of plates with 3 candles (chapter 74) which were also used in the shaman’s house. Finally, in this picture, we have a right-handed person. (chapter 74) So Kim could have been the one silencing him with his hand.

Then I realized that Yoon Chang-Hyeon had also switched his hand. In season 3, he slapped his son with his left hand. (chapter 86) Hence his right cheek was red and he had a wounded lip. (chapter 86) On the other hand, at the doctor’s office, he employed his right-hand to keep his son by his side. (chapter 57). Why is there this change? The turning point was the prank in the bedchamber. (chapter 83) During that scene, the father slapped his son with both hands. First with the right (chapter 83), then with the left! Striking is that the author never showed, when the patriarch employed his left hand. The readers could only hear the sound, and see the result of the beating. Both cheeks were wounded. From my point of view, he was conditioned exactly like Min! He was not allowed to use his left hand, but the angrier he got, the less he could hide his true self: he was left-handed and he was a stupid and brutal father!! (chapter 74) However, note that this switch happened after the sexual abuse had started!! That’s the reason why I conclude that he is not the man from the nightmare. For me, the father is symbolized by the painting, just like the pedophile! So where is the left-handed person? So far, the fake servant smoked with his right hand. (chapter 37) On the other hand, I am doubting that Byeonduck will introduce many new characters in season 4. That’s the reason why I believe that the man with the pipe is the real schemer, as the pipe was in the annex. Since Min grabbed Baek Na-Kyum in the shaman’s house, I am more inclined to think that the perpetrator grabbing the young master Seungho by the collar was just an accomplice and not the mastermind. In other words, he was the helping hand.

And there are two persons left that fit the profile of a left-handed old bearded man. The physician!! 😮Notice that he placed his box on the left side and this twice!! (chapter 57) (Chapter 74) I don’t believe in hazard. Besides, the lord had his nightmare during the same chapter. This means that he could have leaked this information about Yoon Seungho to an outsider, like he did with the painter. As the manhwalovers can grasp, the physician is more suspicious than before.

As for the second person, it is none other than the calligrapher!! (chapter 92) Besides, observe that the angry man put the brush on the left side. (chapter 92) The man is left-handed! And what did Yoon Seungho do? (chapter 92) He grabbed him by the collar! Exactly like in the dream!! (chapter 74) Thus I had this sudden idea: the calligrapher could have been Yoon Seungho’s teacher!! The latter became jealous of the young master due to his talent and notoriety. Another possibility is that he was commissioned by the elder master Yoon to write a talisman, a spring poetry, as we have these writings on the door (chapter 44) or patio of his mansion, similar to Heena’s. And since the young main lead suffered so much, it is normal that he doesn’t have such believes. IT is also possible that the young master Seungho played a prank which made the man angry and humiliated. As you can see, I come to the conclusion that jealousy and resent were the reasons why he got involved in the first place. Moreover, we shouldn’t forget that the calligrapher is linked to the kisaengs! He even recognized Baek Na-Kyum, as he called him a peasant. (chapter 92) Yet, he was either perceived as servant, a noblewoman or as a sir so far! He was never recognized as a peasant. Since he could identify the artist, it is also possible that he was also able to identify Yoon Seungho. But he thought that he was not well educated after living as a male kisaeng for so long. From my point of view, the man could have decided to get revenge on Yoon Seungho and participated in his abduction and gangrape!! Thus his karma was to lose his home! (chapter 91) The fact that Yoon Seungho grabbed him the same way than in the nightmare is not random. It was, as if he was getting justice. Honestly, I am more and more suspecting that in the past, Yoon Seungho got raped by commoners! Naturally, I have not changed my mind that the king was behind this plot: to get revenge on the Yoons! Who benefitted the most from the crime? Definitely the king, as he was able to ruin their influence.

Finally, I would like to remind the readers that according to me, the tailor is involved in the lord’s past suffering. However, according to me, there exist two tailors. While the other called the main lead “lord Yoon Seungho” (chapter 39), the other only recognizes him as master Yoon. (chapter 64) This means that the latter knows about the existence of elder master Yoon. Like mentioned above, the calligrapher, the physician, the tailor, the fake servant and the “shaman” from chapter 29 have all one thing in common: the beard!!

5. The other accomplices: the hanbok and the beards

Byeonduck left pieces of the puzzle in the covers in order to unveil the truth about the past and the present. Hence the moment the illustration is released, try to examine it attentively. It definitely gives clues about the evolution of the story, and the evidences concerning the perpetrators and helping hands. My recent discoveries led me to develop the following theory: the involvement of merchants. This man (chapter 83) disguised himself and hide his true identity behind “lord Song”. But is he the king or someone else? He was definitely a pedophile, but since we can’t see his face, it is not certain that it was the king. (chapter 83) Striking is that he is not “smoking here”, yet I had outlined that one abuser was a heavy smoker due to Yoon Seungho’s behavior. (chapter 83) On the other hand, I discovered that the man with the green hanbok was smoking! And why doesn’t the patriarch suspect the king behind the plot? It is because he was never officially banished or sent to exile. Thus he explains his desertion from the mansion as an absence. (chapter 86) Let’s not forget that in season 3, clothes were used to deceive Yoon Seungho, and the authorities played along. Besides, as the painter had become the love interest of Yoon Seungho and Black Heart, it is very likely that in the past, the victim was exposed to two different abusers, but they all hid behind the name: lord Song. Note that during this feast, one man had a moustache beard which is in Painter Of The Night the sign that he is no yanbang, not even chungin, the upper-middle class. He could be a rich merchant. Just because they are all wearing hanboks (chapter 83) (chapter 87), this doesn’t mean that these men belong to the aristocracy. Furthermore, Kim never said “nobles”, he just said “visitors”!! Finally, I would like to point out that since Yoon Seungho lived secluded for 10 years, I doubt that he had the means and the knowledge to be involved in the trade: (chapter 22) This theory of the participation of a merchant got even reinforced, when I made the following discovery. The wooden boxes in season 1 were present at the tailor‘s shop!! (chapter 39) Thus I am deducing that the barn in season 2 (chapter 51) could have belonged to the tailor or the owner of this shop. And note the couple was in the same position than with the kisaeng with No-Name in episode 51! (chapter 51) This was the negative reflection from episode 39: no penetration versus penetration, no interruption versus interruption, no rumor versus rumor etc. And this contrast clearly displays that the tailor shop is involved in Yoon Seungho’s suffering. And the best evidence for this is the nightmare. The main lead’s clothes had a design. (chapter 74) and the readers never saw the protagonist wearing it so far!! So where is this special hanbok? The latter is the evidence of the tailor’s involvement, as he had to create it. To conclude, there is a strong connection between the gibang, the tailor and the trade. And now, you comprehend why I am more than ever suspecting commoners’ complicity in the main lead’s suffering.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night / A Sip Of Poison: A Question Of Perspective: The loss of the topknot 💇🏻‍♂️ (second version)

This is where you can read the manhwas. https://www.lezhinus.com/en/comic/sip_poison This manhwa is mature. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/  I also used briefly Doctor Frost again which I highly recommend to my readers. https://www.webtoons.com/en/mystery/dr-frost/list?title_no=371 If you want to read more essays about other manhwas, here is the link to the table of contents: https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. Castration or abandonment?

Anyone reading my previous analyses about Painter Of The Night will certainly recall that I had perceived the loss of the topknot as a castration. Why? In Joseon, the topknot was given to men the moment they became adults and this Coming-Of-Age ceremony took place just before a marriage. [For more read the essay “Coming Of Age”] In other words, no topknot meant no marriage and as such no responsibility and maturity. However, this is important to recall that the loss of the topknot was brought up in a different context. It was mentioned for the first time in the painter’s statement. (Chapter 1) When Baek Na-Kyum remembered his noona’s words about Yoon Seungho, he connected it to the loss of his future lover’s topknot. Here, the gesture had a different meaning. By cutting off his hair, the father was acting, as if he was abandoning his son. According to social norms, the hair was considered as a heritage from the parents. So if Yoon Chang-Hyeon had truly done it, the latter was showing that he was no longer considering the main lead as his son. While the rumor about the haircut gave the impression that the elder master Yoon was a honest and honorable noble, anyone can perceive the elder master’s action differently: the father is a coward, a selfish, ruthless and disloyal lord, especially the moment it is revealed that Yoon Seungho was abused sexually, physically and mentally. Let’s not forget that the protagonist used to live in the shed, for he was viewed as an animal. His situation reflected the father’s betrayal and abandonment. It doesn’t matter if he had been manipulated, because in the end, he made the decision to treat his son as a slave. He refused to send for a physician. To sum up, the loss of the topknot in this rumor would be judged as the epitome for cruelty and intolerance!! This shows that the loss of the hair in Painter Of The Night has actually many significations: castration, mercilessness and abandonment.

Then it occurred to me that the painter has been cutting off his hair all this time because of his noona. (Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68 , this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? (Chapter 94) He had no parents or guardians protecting him which is true, for here he was exposed to violence. Heena, as the head-kisaeng, had not protected him at all, she must definitely have portrayed herself as powerless. Yet as a slave of the state, she was belonging to the king. So she had connections to officers and the court. In my eyes, the head-kisaeng made sure that the artist could never get a topknot, and as such he would never be able to become a “noble” or even a man. Hence Baek Na-Kyum was constantly called boy (Chapter 56) (Chapter 59) (chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. (Chapter 101) Here, the lord had spared his friend’s life.

2. The loss of the topknot: Symbol for forgiveness?

As you may have noticed, I often use other manhwas as a source of inspiration for my interpretations concerning Painter Of The Night. In the story “A Sip of Poison”, the main lead, the prince Nan-Woo (Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. (chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. (chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. (chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. (chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. (chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings.

As you can see, Woo Jong Han shows many similarities with the second lead from Painter Of The Night: he was an accomplice of the real culprit, as he never intervened. He is connected to the notion: pity, knowledge, silence and passivity. Because Seo-Ha was his sister, as a dutiful older brother, he felt obligated to protect her. He was not blinded by greed like his donsaeng. This explicates why on the one hand, he saved Baek Ha’s life, on the other hand he still treated her as a slave in order to hide his sister’s wrongdoing. He felt torn between his obligation towards his younger sister and his empathy for his niece, Baek-Ha. Consequently, it is no coincidence that he once warmed her feet with his hands after the young girl had complained about her cold feet. Moreover, she received an education contrary to all the other slaves. He was caught in the middle, exactly like Lee Jihwa who had an attachment towards the main lead, yet he was still bound by social norms to his father. He needed to protect the family’s reputation. So when I saw this scene, (chapter 23) I couldn’t help myself thinking of Lee Jihwa and Yoon Seungho. How could the latter view the loss of a topknot as a gesture of leniency? (Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. (Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: (chapter 88) (chapter 88) By cutting off the friend’s hair, he was showing that he was abandoning his friend. He was leaving him behind, and Lee Jihwa was forced to face lord Song alone. (Chapter 83) This time, he had not his father by his side either. The latter could not protect him too. I had already voiced this theory before, as it would explain why Lee Jihwa is masking the man’s face. And note that Nan-Woo from A Sip Of Poison cut off the topknot, as he is already acting as the future ruler. Another important detail caught my attention. Just before receiving his sentence, Woo Jong-Han made an oath, (chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury.

But the red-haired noble could never reveal the king’s meddling, as his relationship with Yoon Seungho was a secret. Hence he needed to blame someone: The Yoons! I had already exposed that the words from the noble with the mole were ambiguous and as such deceiving. (Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host (chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. (Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 , for he was not present, chapter 57 in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang. (Chapter 69) Under this new light, this panel from Twitter get a total new meaning: The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see.

Another important detail caught my attention: the noble with the mole judged the loss of the topknot as a harsh punishment (chapter 59) Furthermore, he associated it to abandonment too. (Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment. (Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. (Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. That way, he will realize that if he had lost his topknot like Jihwa, his torment would be short-lived and as such it was a sign of mercy. But in this image, it doesn’t look like it. He will suffer for hours and even days before even losing his life. Now, he will be able to see and experienced how enraged or lenient the culprit for the loss of Lee Jihwa’s topknot was towards the antagonist.

The manhwaphiles should keep in their mind the following two rules: the painter’s fate mirrors the lord’s, since the story is constructed like a kaleidoscope. And now, look at this: (chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder). (Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. (chapter 26) The red-haired noble was able to escape death thanks to Yoon Seungho. But Lee Jihwa had to hide from others that he had been punished by the king, hence Father Yoon and Yoon Seungho got blamed (chapter 1 and 59). And now, you have the explanation why father Lee accepted to receive the main lead in his mansion. (Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. (chapter 101) Why? It is because the main lead had no intention to use his friend as a pawn. There was no pledge of loyalty… in truth, in this scene, Yoon Seungho was truly cutting ties with the second lead.

But if the pedophile chose to employ the young master after the loss of the topknot, what was his role? In my opinion, it was to keep Yoon Seungho by his side. The pedophile had slowly recognized that he could never separate these two boys, and without him by his side, Yoon Seungho would still reject him. In my eyes, the main lead had followed his friend. Under this new light, the manhwaworms can comprehend why father Lee accepted to let the main lead stay in his mansion. He could secure his position, yet pay attention that despite the topknot, he was still dressed so poorly. (chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy.

Under this new light, it becomes understandable why Heena and Kim called the main lead a bird of misfortune. (Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side.

But like pointed out in an earlier analysis, Black Heart and his friend were definitely the reason why the red-haired master had to lose his topknot. From my point of view, this is related to this night, (chapter 1) and Lee Jihwa had no idea about it. Hence the painter got framed. On the other hand, Black Heart and his friend had to spy on Lee Jihwa in order to know about his ignorance concerning their “prank”. At the same time, they could only get intrigued, why the mysterious lord Song would behave that way, though he had been treating the main lead as a male kisaeng. Towards Yoon Seungho, he was quite selfish and cruel. The discrepancy in the treatment (mercy versus ruthlessness) could only surprise the young nobles. And this observation led me to the following question. Why would Heena mention the topknot to her brother in order to manipulate him? The kisaeng was well aware that he had witnessed the sex party in the kisaeng house, for this image represents a memory from the artist. It is to divert his attention: he should never connect Yoon Seungho to the braided man!! If he had a topknot, then he could never be the one doing the fellatio to the man with the purple hanbok!! But if the painter had pondered a little more, he should have realized his noona’s lies. She mentioned the loss of a topknot, but yet the smiling hell-raiser still had a topknot: (chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: (Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.

3. The tool for the loss of the topknot

Once again, A Sip Of Poison inspired me. The prince Nan-Woo asked his assistant Yoon (chapter 23) to give him a knife: (chapter 23) before grabbing Woo Jang-Hon by his topknot (chapter 23). Hence the hair fell between the men. (chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. (chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:

  • Chapter 18: And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
  • Chapter 57: When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident.
  • However, note that the weapon was used to threaten the painter (chapter 66)

That’s the reason why I am assuming that when Lee Jihwa lost his topknot for the first time, the mysterious lord Song must have used a knife and cut off the young master’s hair. Hence Byeonduck created such a picture where Lee Jihwa was put in a similar situation: (chapter 18) It was to trigger his memory. I am even assuming that the butler must have given lord Song the knife before while remaining in the shadow. But I also think that after the incident with the loss of the topknot, the pedophile must have also threatened him. If he were to reveal anything about this incident and his identity, then he would lose his head. So imagine Lee Jihwa’s reactions in chapter 101. (chapter 101) He had now faced a sword and not a knife contrary to the past. Therefore it is not surprising that the young master got so scared and chose to flee. Lee Jihwa had betrayed lord Song by telling an anecdote from the past. He had more or less leaked the name “lord Song”. (chapter 83) (chapter 101) For the first time, he had been confronted alone with the sword directly. There was no one and nothing to protect him. When Yoon Seungho had barged in his bedroom, Lee Jihwa had fled behind the folding shield. Furthermore, his father and the domestic were also present. (chapter 67) This shows that till season 3, Lee Jihwa had never been exposed to real justice. There was always someone ready to intervene for him. And now, you comprehend why the red-haired master felt no remorse to blame his friend for his humiliation in the past. He must have thought that if he had not been in his bedchamber during that night (chapter 59), he wouldn’t have lost his topknot. Moreover, he could also use the other incident in the bedchamber as a justification. If Yoon Seungho had not dragged him there… (chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: (chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies (chapter 77) He had kissed him without his consent, thus he got “castrated”. Let’s not forget that the main lead was forced to become a male prostitute, an uke, for he had not been able to perform, to have an erected phallus. On the other hand, Lee Jihwa had done nothing wrong in the bedchamber (chapter 59), for he was consoling his friend, so the loss of the topknot appears as a harsh punishment. Moreover, it looks unfair, for the real perpetrators and accomplices got scot-free. Yet, this is just an illusion. Min and his friend were punished too. They got “castrated” too!! How so? It is because from that moment on, they were not allowed to treat Yoon Seungho as a uke, a male kisaeng. (Chapter 1) This means that the painter’s vision was turned into a reality. That’s the moment Yoon Seungho got turned into a seme. Now, Black Heart and the noble with the mole should become his “playthings”, which signifies that they had switched positions. In my opinion, the pedophile had decided to no longer share his “companion” to others. As you can see, they got punished too, but since this was not painful, they never realized that they were receiving their karma. This was a symbolic “castration”. Under this new approach, it becomes understandable why Min was so obsessed with Yoon Seungho, why he wished to “fuck” Yoon Seungho in a figurative way. This is what he had desired in the past, in the gibang, but he had failed. Thus we have this gesture from Black Heart in the woods. (Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole.

But it is time to return our attention to the knife and the loss of the topknot. First, it is relevant to remember the following rule. Baek Na-Kyum will through the path than the main lead’s. Since the painter has been constantly cutting his hair, he never had the chance to get long hair and as such a topknot. And the lord was in a similar situation. He only got his topknot very late… but the only difference is that he had a long braid the entire time. This hair dress was the symbol of his servitude. (chapter 57) Hence the author drew slaves with braids constantly. (chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. (chapter 59) Because of this, Yoon Seungho had become a lord, a noble. That’s the reason why we are not able to distinguish the main lead’s hair dress properly, neither in the last picture and in this one: (chapter 57) The hair was short or not? Now, I don’t think so. The mystery of Yoon Seungho’s suffering is linked to the hair dress, yet the readers shouldn’t realize it too quickly. According to me, he still had the braid, until the doctor questioned why Yoon Seungho still had no topknot. (chapter 57) Don’t forget that in each visit of a physician, the latter would question the butler: (chapter 33) (chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, (chapter 101) the loss of the topknot had four significations: admission of a sin, mercy, forgiveness but also ABANDONMENT! He was cutting ties with his childhood friend. So he must have known the last meaning, but from a different source, as the first incident represented a sign of leniency. Consequently, I ended up with the following theory. Yoon Seungho must have cut off his own hair, yet he had been manipulated by Kim. Let’s not forget that the painter continues cutting his own hair and there is no sign of trauma linked to such an event. He had been encouraged to lose his hair by his noona. From my point of view, this must have happened between these two scenes: (chapter 77) and this one (chapter 83) The length was almost the same, yet 3 or 4 years had passed in the main time. Let’s not forget that this scene represents the patriarch’s abandonment (chapter 77) and Kim had also experienced rejection from Yoon Seungho (chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: (chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers! (chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state.

Since I detected that rumors often become a reality, I deduce that after the lord’s vanishing, Heena’s words will come to the surface and become the verity: (chapter 1) While in the past the father could judge this grapevine as positive, for he was portrayed as a honest and respectable man, the town folks will perceive him as the opposite: cruel, depraved and selfish. And this because of the false accusation: (chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.

4. The reason behind the loss of the topknot

And before closing this essay, I would like to point out another similarity between A Sip Of Poison and Painter Of The Night. Though Baek -Ha is the daughter of Nan-Woo’s enemy, the prince couldn’t hurt her in the end, for she saved him: (chapter 33) (chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that (chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! (chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: (chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband.

Chyomchyom and Byeonduck explained perfectly why the protagonists would suffer so much: ambition. (Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. (chapter 34)

To conclude, the loss of the topknot has many significations: punishment, castration, loss of power, servitude, guilt, abandonment, absence of protection, cruelty, betrayal, but also freedom, loyalty, leniency and forgiveness. As you can see, the gesture is associated to opposite notions: servitude versus liberty, betrayal versus loyalty etc…. as it depends on the perspective.

Thanks to Yoon Seungho, Lee Jihwa was able to free himself from his guilt and he could liberate himself from social norms (peers pressure, his father’s expectations,) and his shame due to his sexual orientation. Before losing his topknot, he had admitted his sins to his friend and it also indicated his loyalty towards Yoon Seungho. And this was the same for the general. The latter could finally find peace in his mind and redeem himself. Yet, now, he is no longer a powerful general, he is just the puppet of the prince. However, the moment the red-haired aristocrat lost his topknot, he was no longer the king’s puppet. Therefore he was no longer useful for the mysterious lord Song. That’s the reason why the antagonist got aware that he shouldn’t expect any forgiveness or mercy from “Captain Hook”. No matter what he would say, he would be suspected of a crime (chapter 101) and this because of the first incident with the topknot!! Since Black Heart and the noble with the mole had been able to avoid punishment after this incident in the kisaeng house (chapter 1), he assumed that he could repeat his actions!! But he got proven wrong, for he ended up losing his life.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Baek Na-Kyum’s foot 👣👣

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Announcement: Shocking discoveries has been updated again.

1. The caress on the child’s foot

The author released this picture on Twitter yesterday, and naturally this made many people happy, for Jung In-Hun was stroking Baek Na-Kyum’s foot gently. How could people identify the characters, though we don’t see their faces? Simply by the clothes! The manhwaphiles remember the painter’s grey pants and the learned sir’s favorite color, lavender, (chapter 19) (chapter 68). While many manhwalovers found this image cute , something else came to my mind. A question. Why did Byeonduck create such a panel? One might say that she is showing us the painter’s past. Here, he is a young boy, for his foot is so small. He is carried on the learned sir’s shoulders like a little boy. Due to the presence of the light bubbles, refraction, I deduce that this picture represents a happy memory from the artist. He felt loved and warm in that moment.

2. The strolls

However, what caught my attention is that the young scholar was strolling through the countryside with the boy. In the background, you can see the fields and trees. This means that this scene embodies the positive reflection of this night: (chapter 70) The manhwalovers can immediately detect the contrasts: the visages of the protagonists versus the hand and the foot, day versus night, sun versus moon. That’s the reason why I came to the deduction that this image embodies a happy memory of the painter: sadness versus happiness.

On the other hand, these two situations have something in common: the learned sir is wearing the same clothes (a lavender hanbok) and he is walking through the countryside. But why? In order to get an answer to this, it is important to remember why the painter was forced to follow the learned sir during the night. It is because the artist had witnessed Yoon Seungho’s sequestration and abuse, whereas he thought that his noona had been mistreated. . (chapter 68) This means that Baek Na-Kyum was removed, because he was a witness and could generate a scandal. He is beloved by the kisaengs. However, back then, he got misled due to Heena’s indoctrination and false impressions. When he saw this, he was only looking at his noona, hence he didn’t pay attention to the actions of the black guard. Moreover, he had no idea why Heena and Yoon Seungho were behaving like that. So when the painter recalled Jung In-Hun from that night, he was no longer heartbroken, because the stroll with the scholar came to his mind. (chapter 70). The trigger for this recollection was his farewell to Heena. This time, he could say goodbye to Heena properly by embracing her and giving her a scarf so that she would remember him. In the painter’s mind, after that night, he would never see her again. (chapter 69) In other words, this night represented a closure for Baek Na-Kyum, the end of his abandonment issues. In episode 70, Jung In-Hun had consoled him, he had tried to cheer him up. Thus the learned sir was smiling. Yet, this couldn’t cover the painter’s scar. He felt that he had betrayed Heena, for he had not been able to protect her. It was, as if he had run away. Nevertheless, when this incident occurred, the learned sir had not run away from the gibang, because you could see that Baek Na-Kyum was wearing socks and shoes. (chapter 70) The man had put the shoes on the child, as in the building, the painter only had his socks on. Because of the presence of the socks, (chapter 68), I deduce that this walk must have taken place in a colder season (fall) while in this picture, Jung In-Hun was carrying the painter on his shoulders in the summer. No one would question why the artist had no sock or no shoe, and the manhwalovers can see the shadow of leaves from the trees on the hanbok. One might object to this distinction between fall and summer, because (chapter 70) the trees in the background still have their leaves. This point can be easily refuted, for in South Korea you can find typical evergreen broad-leaved species like camellias and camphor trees. But there exists another reason why I am associating this scene to fall and not spring or winter. It is because this image

represents the reflection from another episode: (chapter 102) In both scenes, the main lead is seen with bare feet. He is also carried by his loved one. But here, it is snowing, hence this signifies that it is winter. On the other hand, the manhwalovers can detect the presence of a purple flower on the right side. This signifies that Spring is on its way. That’s how I came to realize why Baek Na-Kyum is now recalling the learned sir’s gesture from the past.

He felt loved because of the learned sir’s caress, but in my opinion, this affection was superficial, as the warmth was coming more from the sun than from the learned sir.

In reality, this scene was actually exposing the teacher’s fleeting and superficial affection. But how do I come to this conclusion? By simply contrasting this scene with the one from chapter 102. Now imagine the situation in your mind. Both main leads are walking in the mountain (chapter 102) where it is even colder than in the valley, secondly it is snowing and there is no sun, only the moonlight. So the moment Yoon Seungho witnessed that Baek Na-Kyum was alive, he must have recognized the seriousness of the situation. Since Baek Na-Kyum had only a hanbok on, he could die of hypothermia. What he had imagined for himself, death, had terrible consequences. He could be the reason for the painter’s curtains. So in my opinion, he must have warmed the painter’s feet with his hands, a new version of this scene: Through the comparison, the artist can only sense the lord’s selflessness and deep love for Baek Na-Kyum. He will do anything for him. And now, you comprehend why the painter was reminded of the past. Yoon Seungho is slowly taking over the scholar’s role. But this doesn’t end here.

By comparing these two scenes, another contrast come to the surface. Yoon Seungho went to the mountain to bury the painter and to commit his suicide. This means that this stroll is associated to death, while the walk with the learned sir embodies the opposite: life and joy. However, as you can imagine, this is just an illusion. Because the moment the lord realized that his lover was still alive, he made the opposite decision. He is now fighting to remain alive. The painter has become the lord’s source of strength. Without him, Baek Na-Kyum can die and can even become the target of filthy and violent nobles. This means that after this stroll, the lord is forced to give up on his suicidal thoughts for good. Hence I deduce that in this image, the opposite must have happened to the painter. There was a change too: Here, he felt happy and loved… yet at the end, he must have felt guilty. Why? It is related to Heena. According to me, in this scene, she had used the painter as a shield. (chapter 94) His presence was to divert the attention from these men so that she wouldn’t be asked to have sex with them. And since I have already detected that each time, the painter suffered, karma would retaliate, the logical consequence is that Heena got punished for her wrong action. This signifies that while the painter was following the learned sir, his noona was abused in the kisaeng house. This would explicate why later she had no remorse to turn Yoon Seungho into a victim. And don’t forget that the painter was much younger than in this scene. (chapter 68) However, since the painter’s legs are longer than in the image from chapter 94, , I deduce that the scholar went for a walk with the painter, the latter was a little older. And this brings me to the following observation: the scholar’s walks were never random. They had a purpose which stands in opposition to Yoon Seungho’s behavior. (chapter 45) (chapter 75) The latter would let his partner walk through town in order to please him. He would even follow the painter. In other words, it was always for the painter’s sake, and in the mountain, it was the same. But it was not the same for Jung In-Hun, it was for his own benefit. We have the best example in chapter 10: (chapter 10) Here, he desired to separate the couple. Baek Na-Kyum should refuse to paint erotic pictures.

That’s how I come to the deduction that Jung In-Hun had taken away the artist from the gibang on purpose, to separate Baek Na-Kyum from his noona Heena. Hence I am assuming that during that day, something must have happened in the gibang. Like mentioned above, she could have been hurt during the painter’s absence. That’s the reason why the painter developed self-hatred. But there exists another possibility. Since this scene took place during the day, I think that the learned sir didn’t mind of being seen contrary to his attitude in town: (chapter 29) He could definitely meet peasants in the countryside. As you can see, Baek Na-Kyum is wearing clothes for low-borns, hence no one will question why he has no socks and no shoes. The learned sir looks like a generous and humble scholar, who doesn’t care about social status and origins, for he is carrying the painter. This stands in opposition to the stroll during the night: (chapter 70): The artist is dressed with good clothes, he looks more like a young master than a commoner, only the shoes are indicating that he is a commoner. That’s the reason why I believe that during that night, the learned sir was avoiding people. They could have wondered why the young boy was carried in his night clothes outside. From my point of view, this scene is strongly connected to Heena and the suffering in the kisaeng house. The other reason for this theory is that this panel is strongly intertwined with episode 29, where the learned sir had gone on a walk too, but this time without the painter. Here, he had a girl on his laps. (chapter 29) He had already been seen with a girl before who seems to like him either. (chapter 6) Thus I couldn’t help myself wondering if the learned sir was not directly involved in prostitution, bringing girls to the gibang and even covering up for the sexual child abuse. We shouldn’t forget that the pedophile was portrayed as a man consumed by lust who would never pay attention to the time and the hour. (chapter 1) Hence the painter had to leave the gibang during the day as well.

To conclude, though this panel seems to ooze happiness and warmth, I believe in the opposite. It is connected to pain and suffering. That’s the reason why I am convinced that this recollection will help the painter to move on from his self-hatred as well. He won’t feel guilty towards his noona, for she definitely manipulated him, especially at the end of season 3. And this would mirror the lord’s transformation, both are overcoming their traumas: self-loathing and abandonment issues.

3. The learned sir’s hanboks

At the same time, since I realized that the painter embodies memories and is the witness of the lord’s downfall and lord Song’s crimes, I came to the following theory: Jung In-Hun was involved in the torment of people in the gibang, but Heena never realized it. She preferred blaming nobles. Jung In-Hun’s role was to ensure the absence of scandal. Under this new light, it becomes comprehensible why the learned sir’s karma was to die incognito. Since he had contributed to cover up and ensure that there was no witness and ruckus, he should suffer the same way. On the other hand, since he contributed to the painter’s happiness, as he was his only friend, I believe that at some point, his death will cause a huge scandal. And before closing this essay, I would like the readers to remind that the teacher didn’t wear all the time a lavender hanbok!! When he first met the main lead, his clothes were rather light green. (chapter 6) (chapter 7) (chapter 7) This change is not random in my eyes. I had already associated the learned sir to a chameleon. This change of color seems to validate my theory that Jung In-Hun had been sponsored by Min, hence we have the light green. Black Heart is symbolized by green. However, the light pigment reflects that he had been abandoned and betrayed. Nonetheless, when he encountered Yoon Seungho, the latter was wearing a purple hanbok. (chapter 6) That’s how the man got influenced and chose to wear his lavender hanboks again. But he never realized that behind the young noble, there was standing the pedophile, someone he had helped in the past. From my point of view, the change of the learned sir’s hanbok was the indication of his betrayal. According to me, the old bearded man (chapter 37) was not a former servant, but the pedophile. So he could have recognized the learned sir thanks to his hanbok… just like the readers did with this picture:

The purple hanbok is the common denominator between the mysterious lord Song (chapter 83), the topknot incident (chapter 1) and the couple. (chapter 102) At the end of season 3, both are now wearing a purple hanbok, though their pigment is slightly different. And what have all these chapters in common?

4. Love and feet

The main leads are bare feet. (chapter 83) According to me, in the painter’s vision from episode 1, the braided man is Yoon Seungho. The absence of shoes and socks was in truth an indication of neglect and abuse, but the warmth and gentleness from that scene deceived the painter: If the learned sir had been so caring, he should have let him wear shoes or socks. Here he was forced to rely on the learned sir. The latter should have ensured for the painter’s education either. He didn’t read a book with him during that day. In reality, the author let us see what true adoration and affection is: (chapter 73) From my point of view, the intimacy in the bedchamber stands in opposition to the teacher’s gesture in the countryside. His caress was just a casual gesture with no real deep meaning in the end. This explicates why he could betray and abandon the artist on so many occasions in season 1 (chapter 11, 24, 25, 29, 35, 40). The learned sir had always prioritized his own interests.

And if my prediction is correct by contrasting this memory to this scene (chapter 102), the painter should realize the difference. (chapter 68) Yoon Seungho’s love is deep and real, it is never changing. And the embrace in the snow confirmed it. (chapter 102) The lord let the painter cry, (chapter 70) talk and ask questions before apologizing and hugging him. The lord never acted, as if nothing had happened, (chapter 102) This was true love and Baek Na-Kyum’s feet always reflect his emotions: (chapter 58) (chapter 80) So now, imagine how the painter must feel if the lord took his feet in his hands! This is no coincidence that there is this saying:

Your feet will bring you to where your heart is.

And now, you comprehend the importance of the foot prints (chapter 100) (chapter 102) and the zooms on the feet: (chapter 53) The couple was following their heart!! But this was not the case with the scholar. Baek Na-Kyum had no other choice than to follow Jung In-Hun.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The rise of the dragon 🐲

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. Yoon Seungho the king

After the end of season 1, I had been contacted by many followers asking me about the possible ending of Painter Of The Night. Many feared for a depressing ending, as Byeonduck had declared that the protagonists would be happy on their own. In their mind, this meant that the protagonists wouldn’t end up together. My reply was that the couple would become happy without getting too dependent on each other. I meant Yoon Seungho and Baek Na-Kyum would come to give a new sense to their own life, and their love would help them to have a goal and purpose in their life. And that’s how real couples live. Thus while examining season 1 closely, I came to imagine that Yoon Seungho would become the king and Baek Na-Kyum his painter. As you can see, very early on, I connected the noble to royalty. Why? First, we had the lord outlining his powerful position in front of the painter. (chapter 11) Secondly, I had associated the main lead to the eagle which is the symbol for the kings and emperors in Europe. He was seen here flying (chapter 30), and his fingers reminded me of the eagle’s claws. (chapter 18) And this perception got even reinforced, when I saw this panel: (chapter 52) In this scene, he was sitting like a king surrounded by his “court”. The hanbok had such a design that I couldn’t help myself associating it to Joseon’s monarchy.

However, I have to admit my mistake, for this interpretation was strongly influenced by my own culture and as such European history. Yet, here we are dealing with Korean and as such with Joseon culture. Hence the symbol for Joseon’s dynasty is not the eagle, but the dragon. That’s why when I saw this new image on Twitter , I had another revelation. On the one hand, it actually confirmed that Yoon Seungho was somehow destined to become a king, yet he is not represented by the eagle or the phoenix, but by the dragon. Hence the moment I saw this image, one idiom came to my mind: Dragon king!

2. Yongwang

Because of this sudden association, I decided to look more into it. Thus imagine my surprise, when I discovered this:

https://www.koreatimes.co.kr/www/nation/2022/10/113_324712.html

Yongwang, or Dragon King, is a deity of the river or the sea, overseeing peace in the house, good health and longevity in the family, the harvest, catch and safe sailing. Yongwang is also called Yongsin (Dragon God).

Communities worshipped Yongwang as a water god, holding divine powers to control rainfall. Dragon King worship is closely related to the contemporary practice of staging rituals at village springs or wells that are believed to be dwelling places for Yongwang. Around the country there are also legends regarding dragon springs and dragon wells, created by a dragon that brought rain to repay humans by turning wasteland fertile, which shows that Yongwang is closely related to farming. […] In shamanism, Yongwang oversees not only fishing, but the souls of those who have drowned and died. In the worship of household gods, it is a deity that oversees peace in the household, good health and longevity in the family, the harvest, catch and safe sailing.

Among rituals held for Yongwang in the home by women, the most widely spread is yongwangmeogigi (feeding the dragon king), also referred to as yongsinje (dragon god ritual) and gaetje (fishing ritual). This ritual can take place in three different venues: First is a private well in the backyard; second is the communal well, where, in some cases, a spring ritual (saemje) is held, then water from the well is brought to the home and placed in the kitchen or on the sauce jar terrace for the Dragon King; […] https://folkency.nfm.go.kr/en/topic/detail/2618

The moment I read this article, I couldn’t restrain myself making the parallels between Yoon Seungho and Yongwang. First, the deity in the background reminded me of Yongwang. (chapter 100), though this deity is always accompanied with a dragon and in this picture, the readers couldn’t see one. However, it is possible that the author didn’t desire to reveal too much.

“his most distinctive traits are that his beard, moustache and eyebrows are (usually) “spiky,” protruding in sharp points, sometimes resembling coral, and his eyes are often bulging out like those of a fish. He most often holds the banya-jinju (般若眞珠, flaming pearl of wisdom, a type of ma-niju 摩尼珠), but sometimes a branch of coral or a sword.” quoted from http://www.san-shin.org/EKB-Yongwang-DragonKing.html  

Secondly, we have a strong connection between rain and the main lead’s situation and emotional state. It rained, when the lord had sex with Baek Na-Kyum. (chapter 21) Why? It is because the lord was happy. These were the tears of happiness, which Yoon Seungho couldn’t express contrary to the painter. And this is no coincidence that in chapter 58, it started snowing, when the couple was making love: (chapter 58) And we had the same weather, when Yoon Seungho saved his lover. (chapter 102) The weather was expressing the main lead’s emotions: tears of happiness or sadness. We could say that the lord has the “power” to move the sky.

Furthermore, the well plays a huge role in this story. Many people are found dead in a well (chapter 97), and according to me, the messenger was drown there. (chapter 94) In addition, my theory is that Deok-Jae and/or Jung In-Hun’s body were placed in a jar in order to hide the murders. For me, the jar plays a huge role in Painter Of The Night… thus Byeonduck created such a scene in season 2 (chapter 46) and we have so many jars next to the pond: (chapter 94) [For more read the essay “The secret behind the library”]

Furthermore, this story takes place in Jemulpo, a town situated next to the sea, and Yongwang’s realm is supposed to be in the sea. (chapter 91) This is no coincidence. To conclude, all these elements (rain, jar, well, soul of a deceased), connected to the dragon king, are present in Painter Of The Night. Thus I came to the conclusion that Yoon Seungho is like Dragon king. This reinforces my conviction that the main lead is not only connected to shamanism, but also embodies royalty. So he might not be the king of Joseon, but he is powerful in his own way, though he is not aware of this. And note that the moment he wished to commit suicide by drowning in the pond, he was brought back to life. (chapter 102) Water is his true element.

In different temples, you can discover Yongwang accompanied with a woman. She is also dressed in royal clothes with a small crown. What’s unclear is if she’s another Yongwang or if she’s his wife. And this could be a reference to the painter, who will become Yoon Seungho’s bride, but his true identity will remain hidden.

What caught my attention is that the rituals concerning Yongwang are held by women, which stands in opposition to the shrine and Confucianism. (chapter 85) This means that in the Yoons’ mansion, people didn’t venerate this god. And since the aristocrat made such a statement to the elder Yoon Chang-Hyeon, (chapter 86), I have the impression that in season 4, we will assist to a real ritual to ward off evil and back luck, leading the tormenting souls to the afterlife peacefully.

And this leads me to the following observation, the dragon in Korea and Joseon is perceived as a good omen! He would bring good fortune.

Since the release, I realized that the decorated tree (chapter 100) and this altar (chapter 100) were exposing the presence of a ritual. However, my problem was that I couldn’t determine exactly the nature of the ritual. But by making the connection between the dragon and good fortune, I had now more clues. I have to admit that I can not be 100% sure for this, but this is what I found:

Yonggyeong (Kor. 용경, Chin. 龍耕, lit. dragon’s plowing) is a custom observed on Dongji (Kor. 동지, Chin. 冬至, Winter Solstice) in which people tried to predict the outcome of farming for the upcoming year based on the direction and angle of cracks on the surface of a frozen pond. The custom is also known as yonggari (Kor. 용갈이) or yong-ui batgari (Kor. 용의 밭갈이), both meaning ‘plowing by the dragon.’ When ice covers a pond, there is often a crack that divides the ice sheet into two halves, as though a field were divided along a furrow left after plowing. This phenomenon was considered a trail left by a dragon and, therefore, interpreted as having divinatory power concerning farming success in the year ahead. […]

According to another custom referred to as dongbok (Kor. 동복, Chin. 凍卜, lit. ice fortune-telling), on the eve of the year’s first full moon (the fourteenth of the first lunar month), people left two bowls of fresh water out overnight and positioned them north and south of each other. The next morning, they examined the ice sheet that appeared in the bowls and tried to predict the success of farming in the northern and southern regions.  quoted from https://folkency.nfm.go.kr/en/topic/detail/4622

The timing fits to our story, and we have the presence of bowls in front of the deity in the yard. In my eyes, the shaman had prepared a ritual for the dragon king, and was praying for the success of the farming. Don’t forget that it takes place just before Spring. Consequently, this is not surprising that the lord got connected to peasants and this very early on. (chapter 4) (chapter 6) (chapter 82)

This observation leads me to the following conclusion: Yoon Seungho, as a new version of Dragon King, will bring luck to the commoners and peasants. He will help them to improve their living conditions (education and good farming). As you already know, I consider Yoon Seungho as a representative of Sirhak. [For more information read the essay “The scholars’ fight”] And now, you comprehend why very early on, I expected that Yoon Seungho would become a king. He doesn’t need to become a real “king”, yet there is no ambiguity that his fate is to become famous as a spiritual and fair leader.

3. Dragon and imoogi

That’s the reason why I started looking for more information about the dragon. As the readers could see through the deity, this mythical animal is strongly connected to water!

What caught my attention is that the Korean dragon has no wing, yet it can still fly and he has a small beard (hair around the mouth)!! But more importantly, this creature is a combination of different animals: the body of the snake, the antlers of the deer, the forehead of the camel, the nose of a pig, the ears of the cow, the claws of the hawk, the scales of the carp, the fist of a tiger and the eyes of the rabbit! He contains all the strongest features of these animals:

  1. luck for the pig
  2. strength for the tiger
  3. elegance of a deer
  4. stubbornness and resistance of a camel
  5. compassionate and giving nature of a cow
  6. the constant change, the metamorphosis of a snake (cycle of death and rebirth)
  7. the rapidity of a hawk
  8. fertility of a carp
  9. the abundance of the rabbit by sharing its eyes

In other sources, I read that the Korean dragon had also features of the dog, the frog and the sheep. But why does this mythical animal possess so many features from different creatures? It is because this powerful, God-like creature embodies the love and respect Korean people have for the natural world. I would even say that he represents nature, and as such he stands for harmony and justice. By being sharing features of different animals, he can understand their life. This is not surprising that the Joseon kings utilized this animal as their emblem. It symbolizes their power (omnipotence and “immortality”) while substantiating their ability to be fair and just rulers. 

Striking is that we have an allusion to these animals in Painter Of The Night. First, the lord was able to kill the boar (chapter 83) and the deer (chapter 22). Then the lord compared Baek Na-Kyum’s eyes to a rabbit. (chapter 78) Since both resemble each other, I deduce that the main lead has the same eyes, the rabbit’s. Like mentioned above, he utilized his fingers similar to claws: (chapter 18) He would fly like a bird, though he has no wing (chapter 30). His fists in this scene reminded me of a tiger’s: (chapter 54) One might argue that this signification is totally impossible, for the lord doesn’t have the body of a snake. This point can be refuted very easily. What is the major characteristic of a snake is molting. A regularly recurrent event during the activity period of all snakes is the shedding of the skin. This coincides with the lord’s change of clothes. The latter reflected his downfall and rising. Furthermore, this animal is linked to death and rebirth. My avid readers are already aware that I had detected different scenes, where we could witness the lord’s spiritual death and rebirth, like for example in the shed: (chapter 62) When he discovered his misjudgment the next morning, he felt like dead. He no longer saw himself as a lord, but came to view the painter as his new lord : (chapter 66) As a conclusion, Yoon Seungho shares so many similarities with the dragon that I came to view him as one. This explicates why even after getting married, he will never wear a beard! The change of dresses and hair dresses of Yoon Seungho represents the different social status in Joseon society: young master, painter, male kisaeng, slave, peasant, executioner, servant, lord, concubine, “wife”/husband” etc. Moreover, since I had detected parallels between the protagonist and the legend of Dangun, this could only reinforce my conviction that Byeonduck is referring to old tales and religions (and as such Dragon King) in her story. The author has already stated that she won’t create a story with the couple set in our time, and this becomes understandable, if she is constantly referring to old traditions and myths.

According to different sources, the Korean dragon is not born as such.

“Korean mythology states dragons were born from a mating ritual between a phoenix and a crane. This led the dragon to become a creature that harnessed mythical power and intelligence.” Quoted from https://daebak.co/en-de/blogs/magazine/animal-symbolism-in-south-korea

My avid readers will certainly recall my associations for the characters, Yoon Seungho was the phoenix and Baek Na-Kyum a crane. Thus we could say that their union makes them the dragon bringing justice and peace to victims. In another source, I found that the dragons were once said to be Imoogi in the beginning, a giant lizard that resembles sea serpents. They exist several different versions on how Imoogi become Dragons. One said it would take a thousand years for them to become a dragon, while another says they must catch Yeouiju (star) falling from the sky. Thus in temples and in pictures, the Korean dragon is also always represented with a ball.

Another theory that exists and sounds the most logical to me, says that Imoogi was born in a place where living and dead intermingled. It was created in cave where thousands of people were stuck due to war in 420AD. As more and more people started to die in the cave, their intense agony and suffering led the foundation for Imoogi’s birth and therefore it symbolizes destruction and sadness. Imoogi controls the power of birth, death and rebirth. Ouroboros, a symbol of wholeness/infinity is also represented by a snake(serpent) eating its tail.” quoted from https://rtaori60.medium.com/imoogi-the-great-lizard-aca02c6c9b1e

Since it takes 1000 years for an imoogi to transform into a dragon, we have 10 years of suffering in Painter Of The Night. For me, this is not random at all. This means that after chapter 102, Yoon Seungho turned into a real dragon! This corresponds to his Coming-Of-Age. That’s the reason why I don’t think that he will be manipulated again like in season 2 and 3! My avid readers are already aware of the presence of ouroboros in this manhwa. For me, Kim symbolizes the imoogi and Ouroboros! He could never turn into a real dragon. But why does the imoogi need to wait for so long ? Some say that this is a curse, other traditions hold the idea that Imoogi are “pupae” or “larvae” of dragons. And they will become full-fledged and full-fledged dragons after being in the ocean for 1000 years. This signifies that time, experience and patience are essential for this transformation. Thus not every imoogi can become a dragon in the end, and that’s Kim’s fate. He was not able to recognize Yoon Seungho as his “yeouiji”. The shaman’s house reminds me of the cavern (chapter 102), and thanks to the painter, Yoon Seungho’s soul was able to escape this “mental prison”.

And this leads me to the following aspect: Baek Na-Kyum is the lord’s Yeouiji, his fallen star fulfilling all his wishes. That’s the reason why the dragon is never seen without his star. One might say that this is exaggerated. However, my avid readers should remember that I had associated the painter to a star, the sun, in previous essays, even before making the relation between the dragon and Yoon Seungho! This explicates why the lord is carrying his lover like his bride (chapter 45) (chapter 102), similar to the dragon in the picture above. His “star” serves as his guide, support and his source of life. Thus when the main lead confessed to the painter for the first time, the sun entered the bedchamber (chapter 55) and as such his heart and mind.

Therefore I come to the conclusion that in season 4, the readers will witness a clash between two dragons, the king and Yoon Seungho! The fight between the fake and the real dragon! Thus when the author released this panel recently, (Twitter), she was actually announcing the arrival of the monarch in Joseon. Hence you comprehend why I selected such a title, the rise of the dragon. “Lord Song” can no longer hide his true identity.

4. Dragon king and expulsion

My readers will certainly recall that the starting point of this essay was this expression “dragon king” which came to my mind, when I saw the recent publication. Why? First, the main figure was wearing the gonryongpo (곤룡포), where dragons are sewn on it. This hanbok is the everyday robe for the king which explains why the latter is always wearing the red robe all the time he appears in front of people. Hence I made this association in my mind: dragon king. When Byeonduck published this image, , she was naturally creating a new story, another Alternative Universe. The student Baek Na-Kyum who got bullied by the classmate Deok-Jae was suddenly sent back to Joseon, and appeared in front of the king’s bedchamber, Yoon Seungho.

Striking is that this panel resembles a lot to this picture which the author hasn’t used yet: The painter is sitting inside a room, while Jung In-Hun is standing outside. Nonetheless, the position of the characters are very similar. This indicates that the author’s new alternative story is actually inspired by the main story!! This can only reinforce my perception that Yoon Seungho in the main story is associated to royalty. However, since it is a reflection, I deduce that this image is the positive reflection of this scene: How did the learned sir react here? He criticized the painter by stating that this was “filthy”. In this scene, the characters are caught by surprise, but it becomes obvious that there is no disgust or expulsion. In fact, the fall of man took place before, for Baek Na-Kyum was sent to Joseon. In this encounter, I detect attraction and curiosity. Hence I come to the conclusion that in the original story, when this scene took place, , Yoon Seungho was far from being living like a king. As you already know, according to my interpretation, the protagonist was treated like a male kisaeng. That’s the reason why I believe that this scene played a huge role in Yoon Seungho’s liberation, the physical expulsion from hell in the end. Since in the parallel story, the student experienced time-travel and as such rejection and expulsion, I conclude that in the main story, Yoon Seungho must have made a similar experience! But this doesn’t end here, as the readers should keep in the mind the following rule: The painter’s destiny reflects the lord’s.

On the other hand, the manhwaphiles will complain that so far, Yoon Seungho has never appeared as a dragon. Yet, we shouldn’t overlook that the phoenix is the symbol for the Queen in Joseon. (chapter 50) (chapter 52) This means that the mysterious lord Song was actually claiming the main lead as his wife in the last scene. Min and his friends were sent there in order to entertain the protagonist, but they failed. This explicates why the next day, Black Heart was seen with a hanbok of lower quality. (chapter 56) It was, as if Min had been compensated for his bruised face by the mysterious lord Song. However, for the pedophile, Black Heart was just a concubine, and not his main wife! Hence the hanbok had not such a detailed and expensive design. This would explain the villain’s jealousy. And now, if you look back at the hanboks from the main lead, you will recognize his ascent. First, he is wearing green, which is similar to Yoon Chang-Hyeon’s color. At the same time, his hat resembled a lot to Kim’s. (chapter 1) Then later, he is mostly wearing blue which is actually the color of the Crown prince. (chapter 11) Yet, his robes initially have no design. Slowly, the lord is wearing colors and designs that are actually reserved for a king: blue, red, black and purple. This constant change of hanboks symbolizes the “snake molting” and as such his transformation and rising. This is not astonishing that on the night of the bloodbath, he had such a hanbok: (chapter 102) Here, he was no longer acting like a noble, but as a ruler. Don’t forget that according to me, the mysterious lord Song had proclaimed the main lead as his unofficial Queen by giving him hanboks with phoenixes. However, naturally, this was never mentioned to Yoon Seungho directly. Why? It is because Kim usually selects his clothes. However, this rise was not natural, as the lord had no real saying in this matter. The real metamorphosis took place in the shaman’s house, when the lord was sent back to the past and as such the darkness. (chapter 102) The moment he left the “cave”, he went to the mountain and surrounded by the wind and water, he changed into a dragon. This expulsion corresponds to the final release, the lord’s mind is finally freed from the darkness, while I believe that this scene is linked to the lord’s physical liberation. .

5. Nightmare and dream

Above, I had mentioned that the painter was the dragon’s fallen star and the love sessions were strongly connected to the weather. If so, why did it snow, when the learned sir left the mansion? (chapter 44) It is because the main lead was thinking that the painter would actually run away. Thus the door was left opened, and he was wearing warm clothes. Yoon Seungho never imagined that Baek Na-Kyum would remain by his side. Yet, during the previous night, the lord had consoled his lover by embracing him.

Furtheremore, the manhwalovers could also wonder why the lord had a nightmare in the bedchamber after their second love session? The painter’s presence should have brought relief. Moreover, during that night, there was no rain. (chapter 71) But this can be refuted easily. First, don’t forget that during this love session, the lord was acting like a servant pleasing his new lord. So this had nothing to do with Yoon Seungho’s feelings like sadness or happiness. He was determined to keep the painter by his side, and ignoring his own feelings. He never expected the artist to reciprocate his feelings. Secondly, Yoon Seungho’s nocturne vision is not just a nightmare, but also a DREAM! Yes, you are reading this correctly. Only recently, I discovered that all the artist’s visions are a combination of 3 elements: memory, nightmare and dream! I will give you three examples as illustration, for I am slowly running out of time.

Chapter 28: This vision is a combination of these three elements: memory, nightmare and dream. This had happened during the First Wedding Night (memory) (chapter 21), then we have a similar situation in chapter 49: , , but the painter was rejecting this future. Hence he considered it as a nightmare.

  • Chapter 34 : Memory ; nightmare the lord becomes a ghost and confronts the painter with his biggest fears (admitting his attraction, passion for erotic paintings and homosexuality) and dream (The painter’s true desire was that the lord would kiss him, he was deeply longing for his lips, yet he was still in denial in this vision.
  • Chapter 98: Memory, for the painter was remembering the corpse in the courtyard, a dream, as he wished the return of his loved one . He hoped that the lord would take care of him personally. Naturally, the “spirit” is the nightmare .

Since the lord’s fate and personality are similar to the painter’s, I could only come to the conclusion that the lord’s vision in the bedchamber is not just showing the past and the future horror. It also exposes the lord’s dream and hope! 😮

So where were his desires visible? First it was about breaking free from his jail… (chapter 74) This had already happened, but the lord had not grasped the significance. (chapter 53) Besides, he had not opened the door himself. Even when he went to the scholar Lee and opened the door with the his foot, the lord still felt trapped. (chapter 67) Then in season 3, he could break a door, but it was thanks to the painter. (chapter 96) This shows that the lord’s wish to get released had not been fulfilled so far. In my eyes, it is connected to the torture Yoon Seungho suffered and as such to the purge organized by the authorities. That’s the reason why I deduce that the lord will break a door in season 4, and this won’t be by accident and it will be witnessed by many people contrary to chapter 53, 67 and 96! The broken door will reflect the lord’s rise and power, and no one will be able to stop this. In my eyes, this wish is connected to the door in the servants’ quarter. That’s how his imprisonment started.

Moreover, the protagonist was voicing his thoughts, the reproach to Kim and his father! They had abandoned him. (chapter 74) The “dragon” wished to see Kim and his father, and confront them! And this did take place in season 3. Yoon Seungho confronted the butler with his attitude and betrayal (chapter 77), but this argument was just short-lived. He still viewed the valet as a hard-working and trustworthy person. He had just made bad decisions. Then in the bedchamber, the lord could blame the father for his suffering: (chapter 86) As you can see, the lord’s wishes were granted, but the nocturne vision was so difficult to grasp that neither the readers nor the main lead could interpret the message correctly immediately. Besides, the nightmare was mostly silent. But this doesn’t end here.

(chapter 74) In this image, he is floating in the air… a sign that his status is changing. At the same time, this shows that he is escaping from the hands. They are trying to drag the main lead down. Thus I come to the conclusion that the vision was announcing the lord’s transformation (into a dragon) and as such his “rise”. Note that in this image, he is still a teenager, but in the following panel the protagonist has already become an adult. (chapter 74) Simultaneously, the vision also displays the lord’s expulsion from “hell”, the sex orgies (chapter 74). the hands are trying to bring him back. This image displayed that Yoon Seungho would become powerful, and the hands wouldn’t be able to contain him any longer. The pink is a reference to the painter, and not just to the gibang! Thanks to the painter, Yoon Seungho is changing so that he will be able to face the KING, but not only him!! This is what the dream was telling him too. Thus we have this image: (chapter 74) Simultaneously, the dream showed that the lord wished to see this painting again, though deep down, he blames this image for his suffering. As you can see, the vision was revealing the tormented disposition of the lord. He was switching from nightmare to dream and the reverse… a mixture of anxieties and desires.

However, pay attention that the painting was standing behind Yoon Seungho, when the hand grabbed him (chapter 74) This signifies that he was approached by someone from behind, he had not noticed that the “door” had been opened. Thus he never expected his apparition. For me, this perception demonstrates that the painting is not the real cause for Yoon Seungho’s suffering. Since he had turned around, I came to recognize that this scene stands in opposition to the situation in the painter’s nightmare: (chapter 34) The painter had been able to witness the entrance of the ghost contrary to Yoon Seungho. The latter was caught by surprise. This image illustrates the lord’s biggest fear. That’s how I realized that his biggest nightmare is not the pedophile in my opinion, for the main lead in Baek Na-Kyum’s “nightmare” (chapter 34) stands for attraction, honesty and love… thus it should be the opposite in Yoon Seungho’s nightmare: repulsion, betrayal and resent! He fears to admit the truth, the biggest traitor is Kim, but he is still in denial. He has repressed the terrible betrayal from Kim, just like the painter’s, though I think that the biggest traitor in Baek Na-Kyum’s case is not really Jung In-Hun, but Heena. This would explain why Heena noona was not present in the terrible vision in chapter 34. This is not random that we don’t see the face of the owner’s hand. Naturally, the king was involved in this betrayal, for Yoon Seungho is caught between the hand and the painting. He was trapped between two forces.

This means that Baek Na-Kyum will help Yoon Seungho to face the truth: Kim is a traitor and the king is the pedophile. The vision is indicating that the butler will betray him again in the future, backstab him one more time… However, this time he will recognize his action. Why? Because this time, there is light in the room… as Baek Na-Kyum symbolizes the Yeouiju, the fallen star helping the dragon. If the author presents another dream from the main lead, we will definitely get new clues. And this brings me to the following conclusion:

Yoon Seungho had been portrayed as a bird of misfortune on purpose. (chapter 86) In reality, he was a dragon, who could bring luck and fortune to the person who would cherish him. This is no coincidence that the pedophile sent hanboks with the crane (chapter 34), (chapter 45) In his eyes, the main lead brought him luck, as all his wishes got fulfilled, and he was never caught committing a sacrilege or crimes. However, since the presence of Baek Na-Kyum by Yoon Seungho’s side, it looks like nothing is going like planned. The main lead is not only drifting more and more away from him, he even left everything behind. That’s the reason why I believe that the dragon, the king, will vent his anger on many people in season 4, a new version of this scene. (chapter 30), but much more brutal and violent!  While this “dragon”, the king, stands for court, and as such civilization and immobility, the Korean dragon embodies nature and hope for commoners who dreamt of ascending the ranks! This is not surprising that Baek Na-Kyum is slowly ascending the ranks, while in the past Kim was acting as the unofficial lord of the Yoons’ mansion.

As a conclusion, in season 4, expect a battle between an “imoogi” and dragons. In addition, it becomes obvious that the winners will be our beloved couple. Since Yoon Seungho was turned into a “dragon”, I am more than ever convinced that he will act like in season 1: confident, perceptive, smart and cheerful! He can not longer be used like a pawn, for the “dragon” can not be tamed! And removing the falling star would signify the dragon’s death!

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.