Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night
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As you have already noticed, I am writing less about Painter Of The Night, though this manhwa remains my favorite story. The problem is that more and more people are moving away from the Korean webtoon for different reasons, like the absence of eroticism, or Lee Jihwa and No-Name are no longer included in the story. Another reason is that the author is focusing more and more on the mystery and as such on the lord’s past. This means that right now, the manhwaphiles are asked to read the manhwa like detectives looking for evidences and traces. Finally, I believe that the biggest reason for the loss of interest is that the manhwalovers hoped to witness more romance, yet Baek Na-Kyum keeps suffering and this partially because of Yoon Seungho’s “bad decisions”. Some readers couldn’t understand why Yoon Seungho would run after the man in the purple hanbok. 
(chapter 106) How could he abandon his lover like that? For some readers, he acted like a fool. Nevertheless, his reaction was normal, because the man with the purple hanbok represents the cause for Yoon Seungho’s martyrdom. This means that the ghost with the purple hanbok symbolizes danger for the protagonist. And if he gets targeted, his lover will suffer too. Striking is that during the same day and night, there is another person wearing a purple hanbok: Yoon Seungho! 
(chapter 107) Therefore it is no coincidence that in chapter 107, he was portrayed as a source of danger for the elder master Yoon and the mysterious “lord Song”. 
(chapter 107) According to “lord Song”, him and Yoon Chang-Hyeon were forced to renounce their position because of Yoon Seungho. In this image, the villain implies that the main lead is a blackmailer. 
(chapter 107) In other words, in episode 107, the manhwalovers are witnessing a fight between 2 men wearing a purple hanbok!! In this story, purple is the symbol for violence and peril. This explicates why Byeonduck employed this color, when Yoon Seungho was portrayed as a ruthless lord: 
(chapter 10) Under this new approach, it becomes comprehensible why the artist was wearing a purple hanbok after the bloodbath. 
(chapter 102) He was the reason for the “purge”. From my perspective, the artist is cleaning the “place”, hence he is the target of the villains and antagonists. At the same time, this color represents Joseon’s royalty, hence it is no coincidence that the king was mentioned in this very episode. 
(chapter 107) Therefore my theory that Baek Na-Kyum is related to the ruler gets reinforced. However, in episode 107, only the main lead and the new villain were seen with the purple hanbok, therefore in this essay, I will examine not only the new character “lord Song”, but also Yoon Seungho!
1. Between poker face and face like thunder
In the latest episode, some manhwalovers were upset, when they saw Yoon Seungho turning his back on the painter. 
(chapter 107) They had the impression that he was abandoning the artist one more time. And that’s how the painter felt the situation either! That’s the reason why Baek Na-Kyum was upset. 
(chapter 107) It was, as if the main lead was acting like the patriarch Yoon. This perception got reinforced, because the lord had a poker face and didn’t talk to his lover. (chapter 107) However, we could see before that the main lead was far from being detached, when it comes to Baek Na-Kyum. When he entered the study, his visage oozed shock and worries. (chapter 107) This truly divulges that the artist means everything to the lord! But there is more to it. I would like to point out that the noble did listen to Baek Na-Kyum who criticized the doctor’s diagnosis. 
(chapter 107) Yoon Seungho didn’t side with the old bearded man in front of the painter. He thanked the man and sent away him with respect. 
(chapter 107) So he gave the impression that he was listening to the painter. However, the reality was that at the end, he still listened to the doctor thinking that it was for the painter’s best interest. Since Baek Na-Kyum was traumatized from the sexual assault, the main lead thought that he was hiding his illness or he was in denial. What caught my attention is that Yoon Seungho followed the doctor leaving the artist in the bedchamber alone. On the one hand, this could be perceived as a prison, yet I judge his gesture as the opposite. It is to protect Baek Na-Kyum! In Yoon Seungho’s mind, behind the closed door, his lover won’t see or hear what is happening in the courtyard. He will be protected from cruel reality.
2. The lord and the physician
Since the main lead was very courteous towards the physician, it shows thatYoon Seungho valued the physician’s effort and talent. He trusted the man like his father did with the other physician. While Yoon Seungho appeared emotionless, the doctor had no poker face during his explanation, he was even caught smiling: 
(chapter 107) He showed no real empathy for Baek Na-Kyum. It was, as if he was showing Schadenfreude. But this doesn’t end here. Kim brought a different doctor. It is not the same physician who assisted Baek Na-Kyum a month ago!! 
(chapter 107) First, the clothes diverge. The belt is blue, his sleeves are covered with some white protections. 
(chapter 107) 
(chapter 103) Finally, the white hanbok is much longer, and his pants are blue, while the other had white trousers. In my essay “The mysterious doctor”, I had already pointed out the existence of different physicians. But now, I have a definite proof for this interpretation. 
(chapter 107) How could he say that his health had deteriorated since a month ago? This is how the artist looked like a month ago: 
(chapter 103) 
(chapter 103) He was under the influence of the aphrodisiac, and he could have died of an overdose. 
(chapter 103) His face and his body were covered with bruises. How could the doctor say that his condition had worsened? This means that he had not seen the patient a month ago. To sum up, the doctor was impersonating his fellow. Note that he claimed to have prescribed the drug himself. (chapter 107) Striking is that the doctor is often utilizing the expression “seem” and “imagine”, yet a physician should use facts and as such symptoms. But he never did. The idioms exposed his manipulation, this was not a real examination. The author made sure to confuse the readers. They had seen the painter vomiting before, hence it looked that the physician was right. 
(chapter 106) However, this image displays the betrayal from the physician, for I believe that this represents his view The latter had seen the artist in the restroom, but he had not intervened!! Besides, just because the artist had disgorged once, this doesn’t signify that he had done it all the time for one month. This is how the artist looked like, while he was walking through the street: 
(chapter 104) He looked healthy and happy. The reason for his nervousness was the lord’s actions during that day. Moreover, the painter’s hand had been scratched… yet you see no bandage around his hand.
(Chapter 107) As you can see, the doctor was exaggerating, as he was generalizing the regurgitation! (chapter 107) This means that the painter was telling the truth! To conclude, the physician was utilizing the butler’s MO: mixing a truth with a lie. And turning an incident into a generality, and as such into a prejudice.
Observe that during the same episode, Yoon Seungho had a sudden revelation, he had discovered that the form of the mouth was betraying the thoughts and emotions of the counterpart: 
(chapter 107) Yoon Seungho was slowly realizing that his butler has not been telling the truth. He was gritting his teeth exposing his discomfort! This gesture indicates that someone has to endure something unpleasant, has to control himself and persevere. However, he was telling the opposite to his master: he had nothing to worry!! He should do nothing and simply lie low. The authorities had no suspicion about him. That’s the reason why the main lead desired to talk to the valet
(chapter 107), and he got angry, for his servant was talking back and not answering him properly. 
(chapter 107) We could say that the latter was not obeying his lord. Striking is that the domestic was also lying, for he feigned ignorance first, before giving a more precise answer. 
(chapter 107) It looks like valet Kim and the physician got away with their tricks, for neither the doctor nor the the butler got admonished in the bedchamber. But what caught my attention is that after hearing the words from his lover, he replied that way: 
(chapter 107) This expression (“I see”) is important, because it could be the indication that the noble could discern the truth with his mind’s eye, like this 
(chapter 107) or the opposite, though I am still optimistic. We will see in the next chapter.
Nevertheless, after 3 seasons, the lord was taught that he should trust his lover. In season 4, he is hiding the truth from the painter, for he wished to spare his lover’s mind and heart. This has nothing to do with faith, but for Baek Na-Kyum it leaves a different impression. Yoon Seungho might have doubted his words here…. 
(chapter 106), but we shouldn’t overlook that later the painter had yelled in order to voice his opinion which had caught his companion by surprise. (chapter 107) Therefore I thought that the noble would believe Baek Na-Kyum, but in reality, the opposite happened. He acted exactly like his father, trusting the words from the doctor. Let’s not forget that Yoon Seungho was drugged since his youth because of Kim and the physician!! 
(chapter 57) The father was convinced that his son had been ill for a long time. And from the mysterious “lord Song”, the manhwalovers discovered that the main lead was fed with an aphrodisiac: 
(chapter 107) 
(chapter 57) Therefore the doctor’s statement in episode 57 appears in a different light: he knew what he was prescribing! He knew what Yoon Chang-Hyeon desired thanks to the idiom “the wayward yang energies”. It was to provoke an erection. I would like to expose that the physician deceived the painter, 
(chapter 57) for at the end, the physician admitted that he had given the “solution” to the father. The father had received the medicine!! [For more read the essay “Yoon Seungho and the puzzled physician”] That’s the reason why I am suspecting that the lord’s cold demeanor is not linked to the artist, rather to the physician who “smiled” 🙄 while accusing the painter of lying. (chapter 107) He was hiding his illness, he was in denial. Nonetheless, the form of his mouth was betraying him. Moreover, don’t forget what the painter had said to his lover before: 
(chapter 106) He was supposed to get a drink from the physician. So the lord could remember the artist’s words and perceive the doctor as a traitor and liar. He could jump to the conclusion that the man had given his lover a drug. Under this new light, it dawned on me that the artist could have been telling the truth to his lover there: (chapter 106) He could have eaten something at the kisaeng house, and as such been drugged there. This would explain why the couple got interrupted while eating.
(chapter 106) That way, the “doctor” would not be suspected of a crime. Besides, according to me, the couple was actually sitting in the courtyard where the medicine store was!!
Finally, let’s not forget that the doctors often got threatened by Kim: 
(chapter 33) 
(chapter 65) Furthermore, in season 1, the artist had been forced to drink an aphrodisiac. So far, the main lead has never threatened or suspected a doctor. As you can see, there is a strong connection between the doctor and death! To sum up, we are witnessing the start of the storm… and when the painter was recovering, this represented the calm before the storm!!
3. The lord’s revelation
And now, it is important to explain why the main lead returned to the shaman’s shrine. He seemed to have forgotten his lover. 
(chapter 107) It is related to the rumors he heard in the street. 
(chapter 106) The woman announced that the sacred tree had burned to the ground!! That’s the reason why it was gone… However, her words were just lies, for the tree is still standing there. 
(chapter 107) But note that she connected the incident to misfortune! In other words, she was denying the intervention of humans!! However, the lord had visited the place of his crime before. 
(chapter 104) This is what he had been told: the intervention of ghosts or spirits!! On the other hand, the unknown speaker had never mentioned the tree! Only the house had burned down. Nonetheless, even this statement was a lie, for the house was still standing too. (chapter 104) The anonymous tattler has been actually deforming the reality which Yoon Seungho had accepted as such back then!! But due to the grapevines, the lord noticed that he had been misinformed. There were differences between the declaration of the anonymous witness and the gossips which forced him to return to the scene of the crime. Because the tree was still standing, the lord recognized that he had been deceived: not only the tree was intact, but also the house despite the traces of a fire. That’s the reason why he looked in the direction of the building. (chapter 107) For the second time, he was using his own senses. This means that he was no longer relying on the informant’s eyes and ears! Nonetheless, this time, it is concerning his perception of his own surroundings, and no longer how to judge the artist. To conclude, he is now slowly using his own eyes and mind’s eye to perceive reality and as such the truth. For the house was not burned down, it implies that bodies were not turned into ashes. 
(chapter 106) Since the schemers are mixing a lie with the truth, the lord heard that lord Shin had been killed during that night! However, when the lord had assassinated Black Heart and his friends, the young noble had never met lord Shin! Hence the gossips in town made the lord recognize that something huge is about to happen: a manhunt, and he could get into trouble. Besides, the grapevines are revealing the existence of witnesses and the main lead is aware that the noona is an important « witness ». But the problem is that by mixing each time a lie with a fact, the schemers are not realizing that the truth is coming to the surface, as minus and minus make plus.
Striking is that the author never revealed the identity of the speaker (chapter 104) Why? It is to keep the mysterious vibe, to encourage the manhwalovers to ponder on the identity of the informant. One thing was sure, the lord was the listener due to the expression “I shudder to think”! Thus he didn’t use his mind’s eye in that scene. I am suspecting that the valet was the one who had informed his master. I have two reasons for suspecting him. First, this view is quite similar to this picture from chapter 50: 
(chapter 50) Here, the butler had tattled on the painter so that the noble would distance himself from his sex partner. And in episode 104, we have a similar situation: through suggestions, the main lead was encouraged to send back the painter to the kisaeng house. Secondly, why would the lord think of the butler, when he saw the sacred tree? (chapter 107) It is because the valet is connected to this place. From my point of view, the noble discovered the truth: his father is involved in the plot, though Yoon Chang-Hyeon is just a tool to wound and weaken him. That’s the reason why he remembered his father’s mouth from that night: displeasure and hatred. (chapter 107) At the same time, I couldn’t help myself associating this image to this one: 
(chapter 88) During that night, he discovered warmth, loyalty and tenderness! In the darkness, the lord could detect the presence of the light: the painter! During that night, they vowed fidelity to each other. And in the garden next to the shrine, Yoon Seungho made the opposite experience: it was dawning on him that people from his own family, Kim and Yoon Chang-Hyeon, 
(chapter 88) are lying to him and even betraying him, especially if his life is threatened. Let’s not forget that this time, the lord did commit a crime and he is aware of this. In the bedchamber, the lord had criticized his own father, nonetheless he still thought that his father had just made a bad decision.
(Chapter 86) His words implied that the elder master Yoon had never intended to wound him. It was just because of his stupid believes: 
(Chapter 82) Preserving the continuity of the lineage and ensuring that the Yoons remain powerful and wealthy. However, in front of the tree, the lord is slowly recognizing that his father is about to ruin him for his own sake.
That’s the reason why in the same chapter, the author put the elder master Yoon in the same situation, he is not using his own senses and as such his mind’s eye. Hence he is repeating the same mistake. He would still choose to trust lord Song and his black guards 
(chapter 107), and abandon his own son. This (chapter 107) He listened to the reports of others. This signifies that he chose darkness over the truth. That’s the reason why his face is now covered by a shadow, he is turning his back on the light. 
(chapter 107) This image is the negative reflection from the night of the revelation in season 2. Despite the betrayal and agony, 
(chapter 62) the main lead chose not to punish his lover
(chapter 63), he even swore that he would never let him go. 
(chapter 63) As the manhwalovers can detect, the main lead was always able not to get swallowed by the darkness, thanks to the artist, he could still see the light. However, his father is making the opposite decision, unaware that he is “doomed” to fail! Karma is already waiting for him. And because the patriarch is now living in the darkness, he can not recognize the manipulations, as he is forced to use others to guide him.
This is particularly visible in episode 107. Yoon Chang-Hyeon never went to the shrine, thus he is unaware that there are traces to be found!! The house and the tree are not razed! Moreover, 
(chapter 107) the branch on the ground is the evidence that someone set fire to the shaman’s shrine and the tree! Secondly, the black guard deceived the patriarch: 
(chapter 107) Lord Shin was murdered afterwards and not before Black Heart and his friend!! The word “later” is relevant, for it implies that the young yangban was killed close to the place where the nobles Min and his friends were sentenced. But his body is lying elsewhere! 
(chapter 103) This signifies that Yoon Chang-Hyeon is innocent! He never murdered Lord Shin in the woods, for he relied on the assistance of the helping hands. He never visited himself the scene of the crime. 
(chapter 103) At the same time, we can exclude that the black guard was the one killing the young scholar, for his pants are rather brown than grey. (chapter 107) Nevertheless, the helping hand is far from innocent, because he is deceiving the bearded man. And now take a closer look to the black guards from episode 99: 
These two men are different, for their mask is white and not black. Besides, their clothes are black and not brown. Finally, the belt diverges as well: a huge purple strip with a different color in the middle, while the other guard is only wearing a simple ribbon. Thus I am inclined to think that the black guard is not only manipulating Yoon Chang-Hyeon, but he is also in truth working for someone else. Moreover, why would the man cover his face in the room, if he is truly working for the patriarch? 
(chapter 86) And this observation leads me to the following question: when was lord Yoon informed about the protagonist’s crime and lord Shin’s death? (chapter 107) As you can see, timing is essential. And how did the elder master Yoon know about lord Song’s visit at the gibang? Everything is pointing out that during this night, people are plotting against the couple. And the elder master Yoon took Lee Jihwa’s place.
But why would the schemers wait for a month before deciding to attack and frame Yoon Seungho? 
(chapter 102) From my point of view, it is related to Lee Jihwa. My theory is that the elder Lee can frame the main lead for assassinating his son, because during that night, Black Heart was dressed like Lee Jihwa. They needed the corpses to be decomposed so that father Lee could claim that Yoon Seungho had killed his son!! And the hanbok would serve to identify the corpse. In addition, he would use the incident with the sword as an evidence for his lunacy. 
(Chapter 67) It is important that the red-haired master is not perceived as traitor, rather as a victim. Moreover, since some time passed on, people have already forgotten the friend’s confession in the inn. However, the elder master Lee will never report Yoon Seungho to the authorities, it has to come from the father himself. That way, his involvement will never be detected. From my point of view, the schemers are trying to turn father and son against each other so that the Yoons get destructed. One might reject my theory about the implication of father Lee, but let me ask you this… What are “Lord Song” 
(chapter 107) and Lee Jihwa’s colors?
(chapter 12) Purple and yellow, right? Observe that the lord is wearing the same colors during that night: a purple hanbok with a yellow scarf! (chapter 107) This is no coincidence.
“Purple and yellow are complementary colors, which means they sit on opposite sides of the color wheel. Yellow and purple paint mixed together makes brown. The type of purple and yellow you choose can affect how light or dark the brown appears. The result is usually a lighter brown. ” Quoted from https://www.color-meanings.com/what-color-purple-yellow-make-mixed/
And what is the patriarch Lee’s color? BROWN! 
(chapter 67) Under this new perspective, it becomes comprehensible why I am suspecting that this guard (Chapter 107) is actually working for father Lee while faking to help Yoon Chang-Hyeon. He is wearing brown pants and his shirt is maintained with a purple ribbon! Besides, we need to question ourselves where the father is staying: And now, it is time to focus on the mysterious “lord Song”.
4. Lord Song, the man with the purple hanbok
Finally, the author revealed the face of “lord Song”. 
(chapter 107) Furthermore, he could be recognized with the purple hanbok. 
(chapter 107) However, if you compare the form of the beard and the nose, the manhwaphiles can quickly recognize that Lee Jihwa saw someone else in the past, although the hanbok seems to have the same pattern than in episode 83. 
(chapter 83) Besides, another divergence is that the faceless lord Song has a rebellious strand in the neck which is not the same with “lord Song” from episode 107. As you can see, I deduce that we are dealing with two different “lord Song”. But this doesn’t end here. Secondly, according to father Lee, the man lost his home! 
(chapter 82) So how can he be wearing a purple hanbok, if he lost his position and home? This color is reserved for important people. In addition, when he entered the kisaeng house, the artist’s noona called him differently: 
(chapter 107) She called him “lord Haseon” and not “lord Song”! Interesting is that neither the Korean nor the Spanish version utilizes such a name! I don’t think that the translator took the liberty to create a fictional name. Hence I am deducing that the author is trying to leave different clues in each version!! Naturally, Haseon could be his first name, yet there is no ambiguity that this man has a bad reputation among the kisaeng house. He was called “lecher” and in the Spanish version, he was described as sexual maniac. 
(chapter 107) Hence I doubt that the noona would feel so close to such a man and address him with his “first name”. On the other hand, the kisaeng has a drop of sweat on her face, which is a sign for a lie and deception. (Chapter 107) Nevertheless, here she was talking to herself. Thus I deduce that she was deceiving herself. But where did she lie? The important guest had announced his arrival, so his visit was never « Out of the blue…? » This explicates why many kisaengs were gathered next to the gate while waiting for the arrival of the « honorable » guest. 
(Chapter 107) This signifies that « lord Haseon » is true, while « out of the blue » is the lie.
Finally, let’s not forget that during the same day, we saw different “lord Song” strolling through the street!! According to me, 3 different enigmatic men wearing a purple hanbok. And now pay attention to this: 
(chapter 86) We also have three men in this scene… For me, it becomes clear that the man facing Yoon Chang-Hyeon has been impersonating the real “lord Song”, and the stupid patriarch has never recognized the “prank”. Now, I am even questioning if Yoon Chang-Hyeon is even able to identify lord Song correctly!! I mean, due to the name and the color of the hanbok… he could be thinking that he is meeting lord Song again. Imagine that they have not seen each other for 10 years!! 
(chapter 107) Besides, Yoon Chang-Hyeon’s vision of the world is based on the words from lord Song and others. Who informed him about the whereabouts of « lord Song » in the gibang? The man had not come to the kisaeng house for a long time. Because of this information, the patriarch is led to think that he is meeting « lord Song ». His perception of the world and his eldest son is embossed by lord Song. Thus he repeats the same expression from his counterpart: “lowly beast”. 
(Chapter 107) 
(chapter 107) Finally, like outlined above, the main lead imagined that he was meeting the same doctor, while in truth it was not the case. So « old friend » could be deceiving:. 
(Chapter 107) He could be one of the three men! The real « lord Song » who brought pain to Yoon Seungho is someone else. Let’s not forget that Kim fears the man, 
(chapter 56) and his statement implies that Yoon Seungho is usually not allowed to ignore the man’s request: 
(Chapter 56). « At this time » stands in opposition to « always » which means that he can reject the invitation only because he is sick. To conclude, for me, this is not the lord Song Yoon Seungho hates and fears!
What caught my attention is that the mysterious and evil « lord Song » calls the young main lead « lowly beast » (chapter 107) which actually reflects the mind-set of the speaker. He is projecting his own thoughts and emotions onto the protagonist. In reality, he is the one licentious and we know that for sure, as the kisaengs are the witnesses of his perversion. Thus he is called « a lecher » and they wish to avoid him like the pest! 
(Chapter 107) Moreover, he didn’t visit the kisaeng house for a long time, (Chapter 107) yet his recent short visits left such a negative impression on the noonas. 
(Chapter 107) Hence they judge him as a pervert. And since the head-kisaeng received him at the gate, this signifies that this man has been in contact with the kisaeng house and in particular with the kisaeng leading him to the room.
The bearded man claims that he has been punished like the elder master Yoon (chapter 107), but note that his words are contradicting father Lee’s version! The former never mentions the loss of his home, in fact, only the elder master Yoon lost everything! (chapter 107) This statement confirms that the protagonist’s father is so stupid, because he is blinded by his hatred and resent. He is not detecting the contradictions. But we have another source confirming that this “lord Song” is actually fake!! 
(chapter 37) The fake servant NEVER mentioned the retirement of lord Song. As you already know, for me, No-Name is the real lord Song who took the blame for everything, for he let people use his “name”. The most terrible thing is that “lord Song” puts the blame on Yoon Chang-Hyeon, when he explains his failure about the sexual education. (chapter 107) The main lead was too young back, and this was the father’s decision to let his son receive such a sexual education and even to feed him with some drug. Remember that the patriarch is the one who procured the aphrodisiac, for he followed the suggestion from others. As you can see, lord Song is putting the responsibility onto the elder master Yoon. At the same time, he insinuates that the lord’s fever back then was the result of the abuse of aphrodisiac. But is it true? Why am I doubting his words? First, the painter had become ill due to the sex marathon. 
(Chapter 33) Secondly, how does the lord know about the master’s illness, when his fever was only discovered after the straw mat beating?
(Chapter 77) Besides, no physician had been fetched back then. Finally, how can lord Song remember the lord’s condition so well after 10 years? It is because he is using the diagnosis on the painter from the previous doctor: 
(chapter 103) Here, the man with the purple hanbok was utilizing the painter’s illness to hide his own crime. Under the pretense to help « Yoon Seungho » to become a man, the man abused him not only physically, but also sexually. There is no doubt that this reconversion was fake!
And since his strategy worked in the past, he makes the same suggestion. He offers his assistance to educate his second son: 
(chapter 107) However, the trick doesn’t work, exactly like No-Name’s prediction: 
(chapter 76) But there is another reason why Yoon Chang-Hyeon doesn’t get fooled a second time. (chapter 107) It is because he would be forced to question himself, if he is not the cause for this disposition: (chapter 107) That’s the reason why he puts the whole blame on his eldest son.
Furthermore, the manhwaphiles could detect that the « sexual education » didn’t last one night, but days! Compare the two following pictures: (Chapter 86)(chapter 107) In episode 86, there are two kisaengs and 3 men next to the main lead. I am excluding the father. The young master’s hands were tied with a white ribbon, and he still had his jacket on. However, in the second picture, the ties are now black and he is no longer in possession of his white jacket. How could they remove his shirt, when his hands were attached? This means that we are witnessing a different night. Striking is that it is raining, exactly like during the scene in episode 77. 
(Chapter 77) Thus I come to the following deduction: Yoon Seungho was sentenced to the straw mat beating, because after 2 nights, he had not been able to « have an erection ». They mixed a truth with a lie: (chapter 107) They never let him have an erection, for he was always tied up!!
But what caught my attention is that the lecher (chapter 107) was sitting exactly like Min. 
(chapter 52) And what had Black Heart thought during that night? He had wished to taste the artist, while before he had desired his death. This is not random at all. There is a strong connection between death and sex which is also present in the conversation between lord Song and his « old friend ». The former reproached the elder master Yoon to have protected his son for too long. (Chapter 107) Yet, the readers could witness that this was not the case, as the father had refused to send for a doctor, when Yoon Seungho had become ill. But who was protecting whom here? Naturally, Yoon Seungho is the one who has always helped his father. Note that despite being the real owner of the mansion, he never tried to dethrone his father. He still protected his father’s reputation. 
(Chapter 78)
Observe that the painter was supposed to be in the kisaeng house, if he had not detected his lover’s departure! 
(chapter 107) Hence I am now assuming that this night is a reflection from chapter 67 and 69!! Min’s plan! 
(chapter 69) He had gone to the kisaeng house with the hope that the artist would return with his noona, and back then he had impersonated Lee Jihwa for the first time. 
(chapter 69) As the manhwalovers can detect, the sudden return of lord Haseon is intentional. So who is he targeting here? (Chapter 107) Here, the fake lord Song never named the protagonist specifically, he just employed the idiom « lad ». For me, the real schemers are after the painter, for the latter painted a picture which exposes the real lord Song’s crime: the sexual abuse. For me, the « document » is the erotic publication. Yet, the evil joker is gaslighting the patriarch by implying that he is now blackmailed by his own son. They need to remove the main lead in order to be able to target Baek Na-Kyum. Besides, I have already outlined that the artist is a witness and victim of Lee Jihwa’s crimes… just like he is a witness of the fake lord Song’s abuse. Thus the noona said this: (chapter 107) Her words indicate that these two characters know each other.
Note that the father is incited to kill his own son, for the latter represents a source of threat for his ambition. He could ruin Yoon Seungwon’s career. (Chapter 107) To conclude, the schemers are presenting the main lead as a hindrance to the patriarch’s dream. (chapter 107) Striking is that the man implied that Yoon Seungho would blackmail the father and lord Song because of a document. But this statement is wrong! The main lead never threatened his own father… First, he only reminded him of the past and the accusation for “treason”. 
(chapter 86) 
(chapter 86) He was the keeper of his secret!! This explicates why the fake lord Song mentions « lad » and not the main lead. He gaslighted his counterpart, and created a false reality, while for me, it is clear that the real source of threat is Baek Na-Kyum. And who wanted him to be removed from the main lead’s side? Father Lee! 
(Chapter 82) In fact, both schemers have one goal in common: the couple is the victim and witness of their « crimes ».
To conclude, while Yoon Seungho stands for love, sanity, truth and reality, the other man with the purple hanbok symbolizes abuse, perversion, deception and illusions. Whereas the father is about to get deceived a second time, I believe that the opposite is happening to Yoon Seungho. Since the latter saw the ghost in town during that day, he can only deduce that « lord Song » is assisting his father again, exactly like in the past.
PS: I still have so much to tell, especially about the kisaengs and the abuse in the gibang. However, I can only write a new one, when this analysis reaches at least 100 views.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
He is on the ground, his face bruised and bloody, while he is asking an anonymous man for help. He is mentioning the shrine. As he is wearing the same hanbok, we can definitely assume that this scene takes place during the same night. The irony is that each time Byeonduck offers a new piece of a puzzle, she also creates a new riddle or mystery. How did the young master get wounded in the first place? And who is the person facing lord Shin? 
(Chapter 59)
(chapter 66) The size and length of the protections and the cords around the pants were different. Besides, the masks were also different due to the form of the mouth.. 
(Chapter 61) 
(chapter 61) Finally, I had also detected his presence next to the barn because of a time jump. First, the manhwaphiles saw Lee Jihwa sitting on the floor, 
(Chapter 60), then shortly after he was standing at the entrance of the storage room holding a fireplace poker! 
(chapter 60) His position indicated that the young master had shortly left the building. However, the readers had not witnessed his move, for the author had diverted their attention by exposing the character‘s inner thoughts. He was recollecting the past, while talking to himself. 
(chapter 60) However, how did the fire poker end up in his own hand? The last time this tool was seen, it was in the kitchen. 
(chapter 60) As you can see, each image has its importance! However, I doubt that the upset aristocrat had this sudden idea and returned to the kitchen and take the fire iron. His mind and heart were definitely elsewhere, while such an action exposes the intention of hurting someone. Jihwa was acting, as if he was in trance, the moment he saw the hickey and heard the painter’s scream. His long lasting stupor was visible in this image. 
(chapter 60) That’s the reason why I had developed the theory that someone was hiding in the shadow, next to the barn and observing the evolution of the event. [For more read the essay “
(chapter 57) It is because they serve as a clue for unveiling the truth. 
(chapter 62) It is the same furnace! 😨We all assume that the lord prepared the fireplace, because he put his clothes on his lover. But is it true? We were all jumping to this conclusion, but actually we never saw it. Our brain was led to fill the blanks. 
(chapter 61) Finally, the readers were all assuming that the butler had never entered the storage room due to this image and his action before.
(chapter 61) But is it true? He could have opened the door before, and go to the lord in order to explain his intervention. Faking his concerns for the painter. Why would he place the fireplace there? He wished that the warmth from the fire would wake up the painter. Hence he remained close to the gate of the storage room. That way, he had a reason to visit his master. Moreover, the author exposed that the valet had been keeping an eye on his master for a while too. 
(chapter 62) Because the valet went to his master, we got the impression that the valet had followed his master’s instructions. 
(chapter 61) In fact, this request could be perceived differently. The lord had seen the butler’s intervention, hence he expressed this wish. From my point of view, the butler must have brought the fireplace to the barn, and he left the poker there on purpose. I am quite certain that some people will think that I am again exaggerating. But why did the butler put a fireplace with a fire iron in the lord’s room, when the coal was not properly lit? 
(chapter 86) Compare the fire to this one: 
(chapter 88) Consequently, I am suspecting that Kim had expected an outburst from Yoon Seungho. The latter could hurt his father with the fire iron. But none of this happened, for the lord preferred playing a comedy. 
(chapter 65) He had expected that the lord would hurt the main lead. But how was he supposed to harm Baek Na-Kyum in the end? With the fire iron… This signifies that he had been present in the barn during the abduction, and even knew the place of the sequestration. Thus he took the furnace and the fire iron to the shed. 
Compare his face to the painter’s who got wounded by wooden sticks. 
(chapter 99) Besides, this theory also explains why the shrine is set on fire. 
(chapter 103) The fire iron is connected to a stove. Finally, I would like to outline the absence of the furnace in the shrine, though it was very cold outside. 
(chapter 99) So when the lord said this to his lover
(chapter 88), we could interpret it the following way. It was once again a vision from the future, he was seeing from lord Shin’s perspective the betrayal. 
(chapter 60) 
(chapter 60) At no moment, he was told that his childhood friend had been brought to the physician’s. He just heard him leaving. Moreover, the joker never mentioned the place where the couple was fooling around. 
(chapter 60) He didn’t even admit that he had seen them himself. These were memories from someone else! One might assume that these could represent the criminal’s recollection, but I don’t think so. He arrived much later to the physician’s house. If he had been present right from the start, he could have kidnapped Baek Na-Kyum on his way to the restroom. 
(chapter 59) To conclude, the person with such memories 
(chapter 43) Here, he had visited the place, hence he could imagine what had happened, though he never saw their encounter according to me. [For more read the essay “
(chapter 58) He had left the bucket of water in the patio! But note that when the painter left the room, the item had simply vanished. 
(chapter 59) The painter was not supposed to detect his presence.
(chapter 100) The manhwaworms can grasp the similarities. Back then, the lord had refused to help Baek Na-Kyum, thus he was even encouraging Lee Jihwa to return to the shrine. Hence he had acted as a willing accomplice and perpetrator. Thus his karma is to be denied any assistance, he is punished the same way than his friends, Min and the other nobles. Finally, observe that the red-haired master 
(chapter 100) was lowering himself in front of No-Name which reminds me a lot to lord Shin’s situation. 
(chapter 66)
(chapter 99) 
(chapter 102) He was a survivor. The opposite from this scene. They faked the painter’s desertion, 
(chapter 60) hence in episode 102 they had to mask his escape, for this would have exposed the involvement of other people, like Lee Jihwa, the doctor with the drugs and Heena. And now, you have the explanation why the shadow hidden behind the tree had put mattresses on the soil. The desertion and survival from lord Shin should not be detected. But who is this person facing the weak lord? 
(chapter 7), 
(chapter 65) or boots 
(chapter 13) 
(chapter 77) As you can see, the wooden stocks were present during the first straw mat beating. 
(chapter 101), but here Min thought that he was capable to frame the Lees. The other evidence for this interpretation is the presence of two servants during the main lead’s hunt, while he was wearing the suspicious boots. 
(chapter 83) As you can detect, I see a strong connection between the new panel and the hunt from chapter 83. And here we have 3 people again. 
(chapter 68) She was again a witness, when her brother was tied up in the bedchamber. 
(chapter 66) Finally, when her brother was on the verge of getting abducted, she saw him lying unconscious with a bloody face. However, she never considered it as an abduction, for his hands and feet were not tied up. 
(chapter 99) That’s the reason why she blamed him with her questions. She implied that he shouldn’t have fought back. As you can see, I detect a common thread between Heena and her presence in different scenes: sequestration and a bloody face. But this doesn’t end here. When the young painter got beaten in the gibang, there was a furnace on the left side. 
(chapter 94) For me, this incident was to push the painter to leave the gibang and as such to listen to Heena’s suggestion. Furthermore, the man on the left side was wearing a white headband, though he was dressed like a noble in a hunting outfit! The hair dress and his moustache [for more read the analysis “Painful departures”] led me to the following assumption: He was just a commoner in the end, impersonating a noble.
(chapter 99) and bothered her, could only be perceived as real at the end. But this means that while Yoon Seungho had murdered the nobles, there was someone hiding in the shadow 
(chapter 61) And according to me 
(chapter 61) the second Joker (Kim) had tried to murder the painter, but he had failed, for he had covered the painter’s head. 
(chapter 66) However, his new attempt to have the painter vanished failed again.
(chapter 97) It could be the same, though I have my doubts. Secondly, I suddenly got aware that the painter had 3 different grey pants at least. 
(chapter 4) This one had a cut just below the knees, though the color is much brighter. 
(chapter 84) This is the third one I detected, as the shape of the pants diverge once again. This explicates why Baek Na-Kyum chose to change his clothes before leaving the mansion. 
(chapter 85) And because his pants are very similar to the painter’s, I deduce that he must be close to Baek Na-Kyum or at least he has a spy informing him about the artist’s clothes. Compare his pants 
(chapter 97) 
(chapter 61) 
(chapter 98) The only difference is that the disguised person is alive contrary to the corpses in the wells. But the problem is that the shoes are betraying him. 
(chapter 83) What did the lord see back then? Three shadows, two men wearing a gat and one caught in the middle with a topknot. Since I consider Yoon Seungho as a shaman, I believe that this vision was not only referring to the past and the incident in the shrine. It exposes the immutable truth, the involvement of three people, either. This is no coincidence. Thus imagine one moment that this illusion was referring to lord Shin’s murder. He is about to get murdered because of a new conspiracy. From my point of view, the man is disguising himself. However, I doubt that he is wearing the lord’s boots. The latter could be “couple boots”, just like the lord and the painter had couple hats. 
(chapter 91) And note during that day, Baek Na-Kyum was called sir due to his hat and clothes. 
(chapter 91) However, if the woman had paid attention to his shoes (mituri), she would have realized that our beloved painter is just a low-born. One might think that I view Kim as the one facing lord Shin. 
Why is Kim wearing a gat with a headband for nobles, when he is dressed like a servant? But there is another detail what caught my attention. He is wearing a bag. It was, as if he had packed his belongings before leaving the mansion. This means, he is taking his brown hanbok, but he is not wearing it. He reminded me of Deok-Jae. 
(chapter 44) 
(chapter 54) But the readers should question themselves this: why did Kim dress like this in the first place? From my point of view, the schemers have already planned to frame Baek Na-Kyum for the murder of the nobles and even of Jung In-Hun. Kim is trying to separate the couple so that the artist can be arrested easily and sentenced immediately. By burning the place, the evidence that Baek Na-Kyum was a victim vanished. That’s how they can manage to turn a victim into a perpetrator. They wanted to erase every trace of the crimes, but then the return of the painter will force them to change their plan. The fire can help them to turn Baek Na-Kyum into a scapegoat. That’s the reason why the anonymous shadow is wearing clothes similar to the painter’s. No one should recognize him. Later, Baek Na-Kyum can be “identified” as the culprit. And any blood trace on his clothes could serve to incriminate the painter. They could use the resemblance of the clothes as a proof for his crime. That’s the reason why lord Shin had to die in the end. And if lord Shin never doubted this person, I am suspecting that the latter is working with the authorities. Kim is not the only suspect, for according to me, there always exist a conspiracy of 3 and even 5 people. This observation leads me to create a list of suspects. First of all, Yoon Seungho’s confession to the learned sir should help us to determine the schemers and culprits. 
(chapter 44). A synonym for old bearded men is “elders”. The latter are supposed to serve as role models. That’s the reason why the young man didn’t suspect the man. With his beard, he must have oozed “responsibility” and even “selflessness”. But who are the suspects?
from the bureau investigation is definitely involved. Thus he misled Yoon Seungho. Besides, observe that the officers are connected to fire! 
(chapter 94) Secondly, his explanation implied the involvement of a physician. 
(chapter 98) Though he had been found in a well, the lord’s comment insinuates that “Deok-Jae” had been stabbed. Striking is that the lord didn’t show any interest in the violation of clothes and the servant’s death. This reaction surprised the yangban which left him speechless. It is important, because this shows that the schemers were trying to direct the lord’s attention to a certain person: Lee Jihwa. They were trying to instill the thought that Lee Jihwa had planted a professional spy in his household. And after his betrayal, Deok-Jae had run away with the money earned from his work.
(chapter 57) Finally, the painter met the Joker again on the same day he visited the physician.
(chapter 75) Finally, why was the doctor never brought to the mansion again after his last visit in chapter 57? And it looks like he was not there to treat Baek Na-Kyum. 
The latter is suffering from PTSD. Thus the painter had a nightmare. Hence I have the impression that the butler’s intervention and suggestion to Yoon Seungho will fail. The lord won’t be able to leave his side. Moreover, I would like the readers to recall that when Baek Na-Kyum got sick, a different physician was fetched. 
(chapter 33) Different clothes displays a different identity. From my point of view, the doctor doesn‘t want to be connected to Yoon Seungho. Finally, don‘t you find it weird that he was not by his side in chapter 57? He literally abandoned the young master in the room with the painter
(chapter 57), though the latter was a patient too. He had a wounded wrist. The physician should have controlled Yoon Seungho’s fever, brought him water and even an infusion. His absence and passivity caught my attention. So what was he doing in the kitchen? Finally, the doctor is also connected to the shaman. Not only he mentioned him, but also there is the symbol of shamanism in his kitchen. Why did the gods want our couple to have their first “true” love session at the physician’s office? Somehow, it was to confront him with the truth. Finally, don’t you find it weird how Kim reacted
(chapter 82), when the new version of Deok-Jae made the following suggestion to Kim: 
(chapter 82) Hence the doctor is not off the hook, quite the opposite.
(chapter 67), and discovered Lee Jihwa’s sodomy which was supposed to be a secret. The father is well aware that the main lead’s suffering is linked to the young master’s sexual orientation, which the father had always denied. His involvement could be detected, when he allowed one of his servants to be dragged to the gibang. 
(chapter 99) Finally, The Joker also heard father Lee’s humiliation and powerlessness. 
(chapter 101) Thus the fire could be seen as a desperate measure to cover the Lees’ culpability. 
(chapter 64) He can play a huge role by making a false testimony, as he can recognize the clothes ordered by the clients. 
(chapter 37) The latter had already disguised himself in season 1, and due to his age, no one would suspect his real nature or power. Then we have this faceless man from chapter 83: 
of season 4 for this essay, though my focus is the past, and more precisely Yoon Seungho’s suffering. It is because the darkness surrounding the protagonist not only refers to his tragic youth, but also it reflects the situation of the manhwalovers. The latter are still in the dark concerning his torment. His terrible secrets have not been totally unveiled. So far, the author allowed the readers to see glimpses of his past, like f. ex. the gangrape or the suicide of his mother. But these were just small pieces of the puzzle, thus it is still impossible to have a complete picture of his martyrdom. There are many reasons for this. The main victim never testified about his suffering, he refused to open up to Baek Na-Kyum. 
(chapter 84) Then many witnesses vanished 
(chapter 86) or the ones alive preferred telling lies in order to hide their own wrongdoings or are simply in denial about their own culpability. Finally, the victim, the perpetrators and accomplices had no idea about the whole truth. They only know or knew certain facts, because many of them were deceived as well. What exactly happened to Yoon Seungho? How could this take place, though he belonged to one of the most powerful noble families? Now, you are probably expecting that I will give you answers to all these questions, and recreate the past. But I have to admit that it is not possible, for I don’t know the whole chronology. Consequently, I added “shadowy” in the title. To conclude, my real intention is more to offer new pieces from the riddle than create a whole new “story”. The main source for this new insight is the painter’s fate which is a reflection from the noble’s past and torment. This means that Byeonduck left traces in season 1, 2 and 3! That’s how I discovered that he had been abandoned and betrayed by everyone, kidnapped, treated as a male kisaeng, robbed, abused, raped and even gangraped at least twice, tortured and finally drugged! But like mentioned above, it is difficult to give the proper order and the persons truly involved in the crimes. On the other hand, what I can guarantee is that Yoon Seungho’s nightmare is linked to conspiracies. I came to this conclusion, because if you compare all the seasons, you will detect the presence of plots. There exists at least 3 main plots in each season, though there definitely exist more. The conspiracies are all connected to incidents. 
(chapter 9), so that the latter visited Lee Jihwa to arouse his jealousy. It was to push him to commit a crime so that Baek Na-Kyum would be removed from the main lead’s side. As you can see, there were 3 people involved, though the readers only saw the result. 
(chapter 12) They had the impression that the red-haired master had acted on his own. However, he had been manipulated, incited to commit a crime. But my point is not to diminish his wrongdoing, rather to expose the involvement of the schemers. Hence at the end of season 1, the author unveiled their true role and as such their identities. 
(chapter 43) However, observe that when Lee Jihwa went to the pavilion, the noble with the mole had other guests. 2 nobles left the place, as they refused to participate in a murder. 
(chapter 43) Funny is that they are now witnesses of Min’s crime. This can have repercussions in season 4. Black Heart had been the one who had suggested the assassination to Lee Jihwa. And the aristocrats were still there, when he had made this proposition. 
(chapter 19) And this is related to Kim and the gibang. Yet, the butler ruined Black Heart’s plan. To conclude, we have two main plotters in season 1, but the butler’s bad intentions were not detected, for Yoon Seungho’s bad actions were more eye-catching. People had the impression that the valet was defending the artist’s best interest. From my point of view, the number of persons involved in the plot kept increasing, as they needed more and more accomplices. The reason is that their plans didn’t work out like expected. At the end of season 3, Min involved the kisaengs in the gibang, while Kim asked the assistance of the staff, the maids 
(chapter 91) and the servants 
(chapter 8) Thus in season 2, he came to this resolution: 
(chapter 56) He had planned to rape him before having him eliminated. This shows his inner conflict. From my point of view, the painter’s death is connected to the incident in the gibang. 
(chapter 1) Baek Na-Kyum was a witness of Min’s wrongdoing, just like the painter was a witness and victim of his crimes in the shrine. (chapter 99) One thing is sure: Min was full of greed and jealousy. He was determined to harm and ruin Yoon Seungho. Hence I come to the deduction that the real target of the conspiracy in the past was Yoon Chang-Hyeon. And his son was used against him. 
(chapter 16) This doesn’t look like a crime. However, it is one! It was done on purpose, to separate the couple. Someone had intervened in order to interrupt this session, and as such someone had been spying on them. Deok-Jae only revealed his spying activity from chapter 16 in season 2: 
(chapter 53) Yet, the one opening the door had been Kim. This gesture can be considered as trespassing and invasion of privacy, the new version of this scene. 
(chapter 16) But instead of revealing the truth, the butler sided with Lee Jihwa, and allowed him to trespass the propriety again. In my eyes, the butler thought 
(chapter 17) that Yoon Seungho would come to perceive the painter as a man consumed by lust. He imagined that he would caught them fooling around. As you can see, this ruckus was also a plot, though it doesn’t look like one. Why would the maids gossip in the courtyard? 
(chapter 18) From my point of view, the valet expected that the lord would fear people’s gaze and a scandal. Thus he would send away the painter to protect his “reputation”, but the opposite happened. Under this perspective, the manhwalovers can grasp why it is difficult to calculate accurately the number of plots and accomplices. Besides, some were naïve pawns, others not. And since I examined the first season more closely, it is necessary to analyze the vanishing of Jung In-Hun. His disappearance is strongly intertwined with Yoon Seungho’s secret. How so? The learned sir was determined to find the lord’s vulnerability and as such secret. 
(chapter 29) Thus many concluded that he had participated in the prank, faking his death. On the other hand, the manhwalovers believed to have seen Heena’s death! 
(chapter 37) Since Baek Na-Kyum was wearing a hanbok, Yoon Seung-Won thought that the person hidden under the hanbok was no commoner! Thus he called him a fellow. However, this motive is quite thin! Yet, two new details caught my attention. His visit to the “fake shaman” and his request. Notice what he told the man:
(chapter 86) However, in reality, he was relying on the king’s help and intervention. And this confession to the “fake shaman” represents the learned sir’s karma. He had asked the painter to act like a spy 
(chapter 24), not realizing that he could be spied himself! He didn’t grasp that he exposed his weakness to the commoner: the civil service examination. Thus the man had constantly drops of sweat
on his face and interrogated Jung In-Hun. 
(chapter 29) The girl was there to create a certain closeness. He was acting like Kim, asking why! But the stupid and arrogant learned sir thought that because the man was a commoner, he was ignorant and could be manipulated like the painter! 
(chapter 29) He thought that the low-born would buy his lie here… but in my eyes, it was the opposite. He had already perceived the learned sir’s true nature. But he acted, as if he was agreeing. In other words, the scholar fell into his own trap. He envisioned that the man was “powerless”, but he overlooked his connections. The manhwalovers can see the contradiction, for he had approached the man due to his connections! .As you can see, I am more than ever convinced that the scholar has long been murdered. He was betrayed, exactly like he had planned to abandon Yoon Seungho! The pedophile must have heard from the servant about Jung’s plan, as he had confided it to the worker!! 
(chapter 37) But this doesn’t end here. 
(chapter 37) Yoon Chang-Hyeon was portrayed as a traitor! The “fake servant” implied with his statement that there was a conspiracy, and the patriarch was involved. But in exchange to save his own skin, he had tattled on the others! He was trying to insinuate that if Jung In-Hun interacted more with the Yoons, his reputation could get tainted. He could get suspected of “treason” too, or he could get betrayed too. While the man met the learned sir during the day, the brother went to the villa in a hurry during the night. 
(chapter 36) Hence he chose a different approach: filial duty. And the brother’s observation could only corroborate the pedophile’s perception. The scholar was Yoon Seungho’s lover, but he was also a backstabber. But let’s return our attention to the “mysterious lord Song”‘s statement: Yoon Chang-Hyeon is a denunciator, not a man of honor. 
(Chapter 67) Lee Jihwa had not only been denunciated, but he had been confronted by his friend! And the traitor was right by his side. As you can see, chapter 67 was a reflection from episode 37!! These two episodes have another common denominator: the betrayer had made the following suggestion. 
(chapter 67) In exchange for his “survival”, he should help Black Heart and allow him to act on his behalf. This was the new plan. That’s how he started impersonating Lee Jihwa. That’s the reason why I come to the conclusion that in the past, the impersonation must have happened, but it took place in the beginning. Secondly, I am assuming that a traitor must have suggested to Yoon Chang-Hyeon to leave the mansion and abandon his son behind! 
(chapter 27) And who is it? For me, it is Kim acting on the pedophile’s behalf. Striking is that in episode 27, the learned sir escaped death thanks to the intervention of the old bearded domestic and Baek Na-Kyum. Thus it came to my mind that the pedophile could even claim that he had eliminated the learned sir, because Yoon Seungho had attempted himself to kill him in the past. He had acted on his behalf. And what do have all these chapters have in common? SPYING and tattling! In episode 27, the servant unveiled a part of the past, 
(chapter 27) Someone had tattled on the Yoons in the past, but the patriarch was turned into the traitor himself which the young main lead came to believe. Thus Yoon Seungho could say this to his father: 
(chapter 82) Note that the aristocrat mentioned “punishment” in this context. So maybe, he denunciated the patriarch so that the whole family would get punished. Father Lee was definitely played in this scene, hence I believe that someone had already anticipated his reactions. He would seek revenge. But this doesn’t end here. I had connected “rash departure” to “treason and spying”. And now, observe what Yoon Seungho said to his butler 
(chapter 50) He had sent Jung In-Hun away in order to get rid of him! However, because of the expression “I thought”, I am quite certain that this idea had been suggested to him by the valet! I would like to underline that in this episode, the valet was acting as a tattler! 
(chapter 50) But in order to hide his own crime, he portrayed it as a rumor (It may not be accurate”). This truly underlines the butler’s MO. He used information and turned it as gossips to hide his spying activities. The shadow… Simultaneously, he turned gossips into a verity!! This is no coincidence that in season 3, the same method was employed. Yoon Seungho was supposed to have murdered the scholar and Deok-Jae! My avid readers can sense the leitmotiv in all these episodes. RUMORS are turned into a reality, and as such a CRIME! Even here… 
(chapter 87) The white bearded man’s words became a reality. However, since the fake servant, the mysterious lord Song, judges the elder master Yoon as a troublemaker and hypocrite, there is no ambiguity that the elder master Yoon will get into trouble. Since he did it in the past, he can only get suspected in the present. 
(chapter 86) But the worst would be that the painter is blamed for his assassination. He did it out of resent! But this would expose the true thoughts of the schemers, the pedophile and Kim. That’s how they act, when they feel offended and bothered. 
For me, the younger brother’s biggest wrongdoings are spying, tattling and badmouthing. And the best evidence for this interpretation is this situation: 
(chapter 44) He had given the ruined painting to his father, putting the blame on his brother, well aware that the latter would get angry. He was observing his father’s reaction. 
(chapter 44) Yet, there is a difference to the past. Here, he had been fooled! He truly believed that this was his brother’s doing, whereas in truth the butler had been the one who had fooled him. 
(chapter 38) And this is important, because when the letter was given to the brother, Jung In-Hun witnessed the wrongdoing from the butler!! 
(chapter 38) And now, you know why the learned sir had to die!! He had caught the valet in the act. He had betrayed Yoon Seungho, though he didn’t realize it. The learned sir tried to discover the content of the letter, and as such was prying on his sponsor’s weakness.
(chapter 38) Hence I come to the conclusion that KIM played a huge role in the learned sir’s death as well. I would even say that he was the one who pushed the others to have the scholar and the painter killed. Both knew about the butler’s tricks without realizing his significance. 
(chapter 37) Hence I deduce that as the story progressed, the role of the butler started changing. Now, I see him as a the main plotter, while all the others are now his pawns. We could say that the valet has gradually followed the pedophile’s path. However, there is no ambiguity that it was not the same in the past! 
(chapter 37) An idiom that Yoon Seungho constantly utilized: chapter 16, chapter 21
, chapter 50, chapter 71 
(chapter 71). This means that he couldn’t understand, for he has a different way of thinking. This outlines his narrow-mindedness and his tendency to plan everything. He doesn’t like surprises. 
(chapter 22) Nevertheless, the main lead could have never been involved in commerce, for he lived as a prisoner for many years. And this is what was said about the ruler: 
(chapter 76) He is not so wealthy. How come? Yoon Seungho’s fortune must have a different origin. 
(chapter 102) Min had never predicted that the young master would run to his friend and denunciate him to Yoon Seungho. However, since Black Heart had employed the assistance of servants
(chapter 95) 
(chapter 96), the officer 
(chapter 71) 
chapter 87) and 
episode 92. The schemers in the past had definitely played with illusions and tricks. Thus I am expecting that it is now the pedophile’s turn to get fooled.
(chapter 36) Here, the painter was forced to take an aphrodisiac under the pretense of his health. This action was repeated in season 2 
(chapter 54) and 3. 
(chapter 100) The nobles made him smoke opium or drink the aphrodisiac. The purpose of such drugs is to obtain the painter’s submission and control his mind and reactions. Striking is that each time, the perpetrators were “punished”. Kim was insulted and his plan didn’t work out. 
(chapter 37) As for the young lords, they were evicted like commoners and later the others were even killed. As you can see, each time the poison was employed, there was a retaliation. 
(chapter 47) 
(chapter 47) If the painter had not eaten with the lord, the latter would have never noticed the incident. However, he believed the maids’ words. 
(chapter 47) Hence he never investigated the matter. But this prank represented a serious issue. This could have been judged as an attempt against the owner of the mansion. 
(chapter 47) And now look at this panel: 
(chapter 83) Yoon Seungho had refused to take the drug! The bowl reminded me of the one from chapter 47! Finally, the butler had tried to give his master the drug in season 3 
(chapter 77), but the latter had again rejected it and this twice.
(chapter 77) Kim calls the drug “medicinal tea”, truly an euphemism. It is also possible that the real target of the poisoning was Yoon Seungho, but since he was protected by the gods, someone ended up taking the “drug”. Because he was wearing a purple hanbok, the investigator mistook his identity, a royal member. Hence the Yoons were suspected of treason. Don’t forget that during this party, there was a kisaeng by their side. 
The manhwalovers could barely see Yoon Seungho’s face, for he was surrounded by darkness. When I saw it, my first thought was to associate the protagonist to “Sleeping beauty”. He had the same expression than in the bedchamber, when he was sleeping totally relaxed. 
(chapter 87) He was not tormented by a nightmare, like the painter discovered it in chapter 38: 
And the darkness reminded me of the forest of thorns and as such of the curse put on the princess. The darkness, the metaphor for the forest of thorns, is the reason why the lord felt trapped and suffocating in his torment. 
(chapter 86) This contrasts to the princess’ situation, for the latter had no idea about the existence of the prison. It only appeared, when she fell asleep. Moreover, in this picture
(chapter 94) I would like to point out that the artist has always associated this satellite to a source of joy and love, like we can detect it here. 
(chapter 94) Finally, Talia could get liberated from her curse thanks to her children. The splinter of flax got removed from her finger, the moment the babies were sucking on them. This signifies that she got revived thanks to love and life. Moreover, she woke up, the moment the source of her pain was removed. This observation leads me to the following conclusion: the noble can only be completely freed from this darkness, the moment his suffering is removed and as such revealed!! This means that Yoon Seungho will be able to voice his misery and denunciate the crimes he was exposed to. He will be able to identify the persons responsible for his suffering. He might know a name, lord Song, but he has no idea about his true identity. That’s how his burden will be erased. Like mentioned above, the noble’s physical and sexual assault will be brought up to light. That’s the reason why the new image announcing season 4 is so dark. They represent a reflection from Yoon Seungho’s past and torment. 
(chapter 38) I thought that the couple would share the bed, thus the lord could relax. He felt protected by his lover. In other words, I was already envisioning that this scene is a reflection from chapter 97/98, for the couple had not been able to sleep together. 
(chapter 97) However, the moment Lezhin published the second panel
(chapter 77) that he was doing it for the noble’s best interest. He insinuated that he was protecting him and he should trust him and his father. But this was not true, for he had not revealed the truth to Yoon Seungho, the stolen kiss. 
(chapter 83) In Painter Of The Night, the hunts were always used to provoke a quarrel and as such a separation, but it never worked. This is important, because this shows that the couple from the Italian story had to separate. It is now time to reveal the whole quote from Milner: 
(chapter 97) Back then, the lord was scared, for he still doubted the artist’s love confession. It was too beautiful to be true! However, back then, the artist never doubted his own resolution, thus he gave comfort to his lover by giving him his hand. 
(chapter 97) 
(chapter 97) In other words, he desired that the painter would follow his requests and as such he should vow him loyalty and trust one more time. The irony is that the lord was actually the one breaking his vow, for he left his lover without saying goodbye. Thus I conclude that in this scene, 
(chapter 78) This means that the lord is smelling his partner’s hair helping him to remain strong and calm. He is now trying to memorize his lover’s odor so that he can forget this stench, a remain from the past: 
(chapter 86) This can only help him to defeat his “opponents”. Finally, in different analyses, I had already interpreted that Baek Na-Kyum was embodying memory, whereas the lord stands for truth. The image is actually a reference to recollection and as such honesty. There is no ambiguity that both men are trusting each other, but the painter is crying, for he fears for his lover’s life either. Yoon Seungho is leaving him in order to protect him in my eyes. And this leads me to the following deduction. When the lord is about to leave, Baek Na-Kyum is not left in the dark contrary to episode 97. He knows the whole truth, for the lord must have confessed to him. We could say that he is not leaving without a word 
(chapter 97). Furthermore, this signifies that the artist doesn’t need any longer to rely on the explanations from others. Thus the artist will keep his promise
(chapter 23) 
(chapter 24) In other words, this announces the return of Yoon Seungho’s passion for painting! And it is the same for the painter. The erotic picture should reflect their love for each other, created based on memories. At the same time, this can only push the noble to demonstrate his talents to others refuting all the negative rumors about him: he is intelligent and possessing his whole mind. Furthermore, this can help him to reminisce his tragic past, what led him to his downfall and suffering. This signifies that he will be able to confront his past and his memories. He will be able to identify the rape, and Kim already exposed the truth to Yoon Seungho, when the former suggested him to ensure the painter’s consent. This shows that Kim was well aware of the sexual abuse, but he chose to never divulge the verity. On the other hand, the pedophile thought in the past that the young master would never forget him due to his position, thus he had no problem to leave Yoon Seungho behind and make no real promise. Departure was never painful for him… hence this quote (“Promise me you’ll never forget me because if I thought you would, I’d never leave.”) will become a reality for the mysterious lord Song, but it is already too late. In fact, the gods punished him by making Yoon Seungho suffering from amnesia. He is not attached by loyalty to the pervert. 
(chapter 57) That’s the reason why I believe that when an incident occurred during that night 
(chapter 11) However, there is no ambiguity that the painter can only fear for his lover’s life. The closed eye contradicts the haunted gaze in the shaman’s house. 
(chapter 102) Despite his closed eyes, he is now able to discern the truth, and it is the same for the painter. Their Third eye is now fully awakened. 
(chapter 21) This gesture symbolizes the epitome of the noble’s affection and the desire to give “happiness”. Then in the bedchamber, he did it in order to console his partner. 
(chapter 82) With his kiss, he was asking for his forgiveness. This means that the kiss on the eye serves as reassurance and comfort either. Thus we had this scene in the study: 
(chapter 84) The lord had kissed his lover there, because he was voicing his attachment and desire to redeem himself and to comfort the artist. As you can see, it was a combination of all the previous significations. Yet, the lord had not grasped the “gravity” of his “wrongdoing”. Thus the kiss was associated a certain playfulness in the study. As a conclusion, this image 
(chapter 94) 
(chapter 34) 
(chapter 19) He came to feel more safe during the night, until he met Yoon Seungho in season 1. From that moment on, his night life got slowly affected. That’s how he discovered that night could be associated to pain and agony too. Yet, deep down, he still felt safe by the noble’s side. As you can see, the new illustration 
Yes, when people read juicy deeds, they were already imagining that I would describe a love session like this one 
(chapter 96), because of the expression „to do the deed“: 
(chapter 87) However, the deed is not just related to intercourse, like the manhwaphiles could discover it in chapter 51. 
With „deed“, Deok-Jae was referring to murder and assassination. As you can see, deed has other meanings than sex. Thus it has for synonyms action, accomplishment and reality!! So when I selected this name for the essay, I was thinking of the relationship between action and word. And this connection came to my mind, when Byeonduck released the last picture, because the painter’s action symbolizes a conversation and as such words.
(Chapter 88) By reaching his hand, the painter was letting him know that he was no longer alone in this world. He was not only joining his side, but he was willing to try to understand the main lead. 
(Chapter 88) This gesture stands in opposition to the situation with Yoon Chang-Hyeon.
(Chapter 86) During that fateful night, the father neither talked to his son nor looked at him. He even turned his back to him, when the young master attempted to grab his father‘s hanbok. Both scenes from chapter 88 and 86 have two common denominators: an action accompanied with silence!! Yet, what distinguishes them from each other is the nature of the deed, the action. Alliance and empathy versus abandonment and estrangement! This is no coincidence that after reaching his hand, Baek Na-Kyum started confessing his thoughts and emotions to his lover: 
(Chapter 88) As you can sense, the hand gesture delivered a message, but the painter still felt the need to clarify the meaning of his hand. He was willing to remain by his side, but he was still afraid of him. He didn’t want to create a misunderstanding, like for example that he wouldn’t argue with him or that his loyalty was now unconditional or total. That way, Yoon Seungho wouldn’t come to view him as a hypocrite or as dishonest, if an argument would appear. Thus he needed words to explain his position. He would remain by his side and attempt to sympathize with him, but he still felt insecure and had doubts. In other words, his action (his hand gesture) was not truly reflecting his mind and heart. 
(Chapter 88) Later he even asked his lover not to leave his side no matter what. 
(Chapter 88) To conclude, the hand gesture in episode 88 was connected to insecurities and as such fear, yet the painter had shown no hesitation to take his hand. The anxiety was not visible.
(Chapter 30) His fingers barely grabbed his hand, so when he made the following vow, he was not entirely sincere or better said, truly determined to keep his promise. 
(Chapter 30) The words were not truly in unison with the gesture either. Therefore he once tried to leave the mansion in season 2. When he pledged loyalty, his intention was to protect his teacher. To conclude, fear has always been present, when the painter took Yoon Seungho’s hand. Even in chapter 88, but contrary to the scene in the courtyard, his hand was not shaking. 
(Chapter 82) This explicates why the artist chose to remain by his side, though the lord had broken his promise. 
(Chapter 82) On the other hand, in this scene 
(chapter 82), the lord was grabbing his lover’s hand out of fear. He was recognizing his mistake and was trying to beg for his forgiveness, though he couldn’t express it directly. Striking is that during the lord’s flashback, his hand was trembling as well, grabbing onto his partner’s body. 
(Chapter 81) It was, as if Baek Na-Kyum was his rescue buoy, helping him not to be swallowed by the darkness. Thus I came to the conclusion that the protagonists’ hand gestures are all connected to anxiety and pain. 😲 Hence I am deducing that in this scene, Baek Na-Kyum is holding his lover’s hand, 
(Chapter 98) Back then, he had been waiting for his lover‘s return and explanations. He wanted to hear him and get his reassurance and comfort. .
(Chapter 98) The latter couldn’t reassure the painter with his hand contrary to the previous night. 
(chapter 97) Striking is that in the gibang, the lord confessed his biggest fear to his future “spouse”. He feared to lose him, though one of his biggest desires had been finally fulfilled. This means that Yoon Seungho felt even more insecure and frightened than before after receiving the artist’s love confession. That’s the reason why I believe that the new picture is standing in opposition to the scene in the gibang. The lord will feel relief after his admission. As a conclusion, the image is announcing 
(Chapter 89) While the painter was sitting on his partner’s lap
(chapter 89), he was massaging the wounded fingers. It was, as if he was treating his companion’s wound. Note that after his terrible flashback, the painter had avoided to grab his hand out of fear that he might hurt Yoon Seungho even more. 
(Chapter 84) Therefore I conclude that the new panel is an allusion to treatment. While in episode 89, the painter was acting as a doctor, in the new image, the young man is working more like a counselor or psychologist. The aristocrat’s hand might not be wounded in that scene, but this is not the case for his heart and mind. So for me, this scene is connected to mental treatment. 
(Chapter 84) However, the lord had refused to open up. This is no coincidence that the author had not created such a picture during that chapter. As the manhwalovers can detect, I believe that in that scene, 
(chapter 75) And because I detected a discrepancy between words and gestures, I recognized the presence of another trick from Byeonduck.✨
(chapter 91), the latter denied this with the following statement. 
(chapter 91) But when did the painter admit that he liked embracing him? In this panel! 
(chapter 88) That’s the reason why the lord got surprised and moved. As you can see, the author never revealed this whispering to the manhwalovers! The latter had the impression that the lord’s reaction was related to the loving embrace, but it was only partially correct. 
(chapter 62), when the lord had confessed to adore him. 
(chapter 62) This explicates why Yoon Seungho was so pained in season 2. He got embraced, but there were no words. Consequently, when the painter vanished during that night, the lord could only perceive the embrace as hypocrisy and fakeness. That’s how I realized that the story is developed on the contradiction between words and actions. But not only that, there exists a strong link between silence and passivity. Thus after the abduction in season 2, Baek Na-Kyum remained more or less silent
(chapter 62), and as such he was totally passive. He never stood up and begged the lord for his leniency. He stayed there on the bed giving the impression that he was indifferent. That’s the reason why Yoon Seungho got more enraged, for he felt fooled. This means that the absence of words represent inaction… This explains why Yoon Seungho had to corner the main lead in chapter 48 
(chapter 48) to say something, as he had sensed his passivity behind his „submissive attitude“. This is no coincidence that during this night, the painter felt extreme pleasure to the point that he peed. Therefore he could voice his wish to Yoon Seungho during the love session from season 2. 
(chapter 73) That’s how the lord concluded that the painter liked riding him, while in reality such a climax had appeared for the first time, when both were facing each other! 
(chapter 49) 
(chapter 83) He didn’t move as well. Why? It is because he knew that talking to his father was pointless. However, Yoon Seungho had hoped that with his prank his father would finally see the truth. He had been fooled by Lee Jihwa and father Lee!! But the stupid father never realized it. As you can see, the lord had in that scene long given up to use words, he hoped that his father would see the truth with the prank. Don’t forget that deed stands for truth and reality. He thought that “actions would speak louder than words”, but he was proven wrong. This signifies that in this scene, 
(chapter 86) Yoon Seungho had acted the opposite, he had tried to speak up, but he had been muted. I am also thinking that the young master must have attempted to converse to his father 
(chapter 77) Silence was considered as an admission. This is no hazard that the butler didn’t take care of his young master. This scene symbolizes the quote “Actions speak louder than words” 
(chapter 77) The butler had betrayed the young master’s trust, for he had not intervened. He should have defended Yoon Seungho, but no in fact he had sided with the elder master Yoon once again. Not only he had not reminded Yoon Chang-Hyeon of his promise, but also he had assisted the ruthless father by giving himself the straw mat beating! 
(chapter 98) Here, he examined the robe and questioned the officer. The problem is that he was still relying on his staff and as such Kim. Therefore it is not surprising that he could still be manipulated by the schemers. Hence I am anticipating a total change in season 4. By conversing with the painter, the lord can only become more proactive to the point that he will be able to ruin the next schemes. I am even expecting a prank from the protagonists in season 4!! But this doesn’t end here. I am deducing that in the past, Yoon Seungho suffered because one tormentor would do things and say nothing, while the other would talk a lot, but act the opposite!! For me, these descriptions fit to Kim and the pedophile. I have the impression as well, that both characters came to switch their behavior. In one circle, Kim did many things, but remained mute, but later he did the exact opposite. I would like to point out that in season 3, he acted this way. He would promise loyalty to the lord, 
(chapter 77), but backstabbed him in the shadow. Besides, we shouldn’t forget that a narcissist’s words don’t match their action, because they are pathological liars. And so far, I had portrayed father Yoon (overt), Kim (covert) and even Jung In-Hun (overt) as people suffering from NPD. And I am assuming that the mysterious lord Song is not different from them, though I am suspecting that he must be a covert type. 
(chapter 77) Besides, it also snowed, when the painter got abducted twice, a sign that actually a promise had been broken. 
(chapter 102) He is no longer following social norms. This could only happen, because the lord had just committed a huge crime. What is the point to respect laws and tradition, when he became a murderer? Any other transgression can only appear as harmless. That’s the reason why I am expecting that Yoon Seungho decides to disregard social norms from that moment on and play a prank on the “villains” of this story. 
(chapter 76) 
(chapter 53) 
(chapter 87), while the same extremity symbolizes the opposite with the villains and antagonists: violence, silence, submission 
(chapter 83), hatred and resent 
(chapter 97) Here, Heena was hurting her brother, because she wanted him to face “reality”. What caught my attention is that we never saw the father’s hand in chapter 86! 
(chapter 86) Why? It is because it reveals his powerlessness. And this leads me to the following conclusion: the deed stands for reality and honesty, while the words symbolize emptiness, illusion and deception. And now, you comprehend why this work is composed by the dichotomies: dream, words and mouth versus reality., action and the hand. This means that in season 4, the manhwaphiles should try to analyze the thoughts and emotions of the characters behind the hand gestures. At the same time, they can also verify if my interpretation is correct. Is the zoom of the protagonists’ hand connected to fear, confession, empathy and assistance? 
, as Baek Na-Kyum was still viewed as a boy. Moreover, according to social norms, it was impossible, for his lover is a man. Then in front of Yoon Chang-Hyeon, he made fun of his father. 
, this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? 
(Chapter 56) 
(Chapter 59) 
(chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. 
(Chapter 101) Here, the lord had spared his friend’s life.
(Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. 
(chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. 
(chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. 
(chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. 
(chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. 
(chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings. 
(Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. 
(Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: 
(chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury. 
(Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host 
(chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. 
(Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 
, for he was not present, chapter 57 
in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang.
(Chapter 69) Under this new light, this panel from Twitter get a total new meaning: 
The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see. 
(chapter 59) Furthermore, he associated it to abandonment too. 
(Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment. 
(Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. 
(Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. 
(chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder). 
(Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. 
(Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. 
(chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy. 
(Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side. 
(chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: 
(Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. 
Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.
(chapter 23) to give him a knife: 
(chapter 23) before grabbing Woo Jang-Hon by his topknot 
(chapter 23). Hence the hair fell between the men. 
(chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. 
(chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:
And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident. 
(chapter 66)
(chapter 83) 
(chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: 
(chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies 
(Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole. 
(chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. 
(chapter 57) The hair was short or not? Now, I don’t think so. The mystery of Yoon Seungho’s suffering is linked to the hair dress, yet the readers shouldn’t realize it too quickly. According to me, he still had the braid, until the doctor questioned why Yoon Seungho still had no topknot. 
(chapter 33) 
(chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, 
(chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: 
(chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers!
(chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state. 
(chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.
(chapter 33) 
(chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that 
(chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! 
(chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: 
(chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband. 
(Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. 
(chapter 34) 
(chapter1) Or was she simply the noona? 
(chapter 70) At some point, I came to realize that Heena had acted as the surrogate mother, but she had never clearly stated that she was the painter’s mother. In other words, his adoption was never official, which explicates why the main lead only considered her as his older sister. This is important, because her ambiguous status can not only generate problems, but also expose her betrayal towards Baek Na-Kyum. Note that in chapter 97, the noona treated Baek Na-Kyum as her “child” who wouldn’t listen to her 
(Chapter 97), while later she implied that they were both equal, for she employed the personal pronoun “us”. 
(chapter 97) On the other hand, she used her seniority as status, when she called him a fool 
(Chapter 97). He lacked experiences, hence he was too naïve, and as such he would trust the protagonist too easily. As you can see, Heena herself had an ambiguous relationship with her brother. Nonetheless, thanks to chapter 93, I got finally a definitive answer about Heena’s true identity. She is indeed the head-kisaeng in the gibang. I realized that the protagonists were invited to stay in Heena’s personal room. 
(Chapter 93) That’s the reason why the seat of the host was empty and why Yoon Seungho didn’t go there. He would have violated social norms, if he had taken her seat.. Moreover, by doing so, he would have revealed that he knew where the woman was. This could have raised questions.
(Chapter 93) This means that the figures were not sitting in the room shown in the last panel. On the other hand, their voices in the hallway exposed their location. The noonas and Heena were not far away from that door hidden by the veil. That’s how I got aware where Heena’s room was situated. In the last picture, the readers are turning their back from Heena’s study, which is right after the corner. Thus I could recognize the design of the building: ][ In the center, there is this huge hallway with the purple veils, but at its end, on each both sides, there exists a corridor perpendicular to the one with the purple curtains. What the beholder imagined as a door at the end of the hallway, 
(Chapter 68) was in truth a huge window. How do I know this? First, in this scene, the scholar was hiding a huge white vase with red flowers. Hence I deduced that Jung In-Hun couldn’t have walked through that “gate”, it was just a window. Therefore I assumed that he had to walk past the flowers, either turn to the right or the left. Secondly, observe that next to the lantern on the left, there is a small white panel. This means that the view from chapter 93 was more or less taken from the right corner. Moreover, in the next chapter, Heena is not facing this “window”, when she is in the same building. 
(Chapter 69) This time, the white vase with the flowers is standing in front of a wall. That’s how I deduced that Heena had to turn to the left in order to go to the hallway. 
(chapter 93) which is not present in episode 69. 
(chapter 93) Since I came to the conclusion that Heena’s private room was on the right side after the corner, I deduce that the kisaeng was not on her way to her room. Moreover, since the kisaeng was walking in the same direction than the scholar, I can only conclude that Heena was actually approaching the entrance of the building. I believe that she had turned around, but the author didn’t reveal this. One might argue that it is possible that in chapter 68, the learned sir could have gone with the painter to Heena’s bedroom. However, back then the latter was not the head-kisaeng. We know this due to the presence of a kisaeng standing right behind Yoon Chang-Hyeon during the sexual lesson. 
(chapter 70) That’s how I realized that Byeonduck had deceived the readers once again. She was playing with reflections. That’s the reason why I deduced that Heena was not talking loudly by accident in front of Black Heart. 
(chapter 69) It was done on purpose!! She wished that Min would take care of her brother. Under this new light, it becomes comprehensible why the noona has a drop of sweat on her cheek. She is faking ignorance, she is acting, as if she was very protective of her brother. She uses illusion to manipulate people. In reality, she was acting here. One might argue that I am overthinking again. This is not possible, for Heena didn’t know Min at all. Hence she couldn’t manipulate him. The latter had heard of her for the first time in Yoon Seungho’s mansion. 
(chapter 66) But let me ask you this. How could Heena have never met Min, when she was the head-kisaeng? Secondly, just because the servant had never heard of the noona, this doesn’t mean that it was the case for Black Heart. The domestic assumed Black Heart’s ignorance, just like the readers. Moreover, recently I had detected that Heena had been standing in front of a mansion belonging to a noble. 
(chapter 46) This was not Yoon Seungho and Lee Jihwa’s mansion, for the gate and walls 
(chapter 67) diverge. Moreover, Min has been seen in the kisaeng house in so many chapters 
, (chapter 19) 
(chapter 59). Here, I would like to point out that in episode 59, Lee Jihwa had visited the kisaeng house on different occasions, for his hair was slowly growing. 
(chapter 1) 
(chapter 19) This image was showing us that Yoon Seungho was visiting the gibang. However, pay attention to the pattern of the doors in the last picture and the next: 
(chapter 19) The motive diverges, it looks like the one from the hallway with the purple veils. This means that the party was not taking place in the room shown in the former picture. What caught my notice is the presence of the white vase with the red flowers in front of the building. It was present in each scene taking place in the gibang. 
(chapter 93) For me, the red flowers symbolize Heena noona. This explicates why during the painter’s dream, the flowers were not present. 
(chapter 87), as Heena was not included in his vision. And this image 
(chapter 19) Striking is that the kisaeng had a similar hair dress than Heena, This is no coincidence. She was acting as the head-kisaeng. The manhwalovers will certainly remember that only two kisaengs had no braided bun or braids: this one 
and Heena. Look at all the others: 
(chapter 51) 
(chapter 93) 
(chapter 93) 
(chapter 95) The extravagant hair dress was exposing the kisaeng’s status. And now, you comprehend why the other noona explained the disappearance of Heena during that night. 
(chapter 19) But how could she sense that the noble was in a good mood? The latter was silent and not even smiling. 
(chapter 19) How could she claim this? In reality she was actually spying on him. Heena had no idea why the lord would come to the gibang, especially after suffering there so much. The kisaeng’s task was to dig up information. This visitation must have bothered the head-kisaeng. 
(chapter 99) He was wearing a veiled hat, yet in chapter 69, this was not the case. 
(chapter 88) 
(chapter 99) Under this new light, Min’s words get a new signification: 
(chapter 99) He was implying that they knew each other for a long time! The irony is that the manhwaphiles had the impression that their relationship was recent, and his cynical tone contributed to it. Secondly, he called her Heena, a sign that they were close to each other. Note that Lee Jihwa never mentioned her name. 
(chapter 99) His words even insinuate that Black Heart had just given the following order. The red-haired master should just fetch a kisaeng and in my opinion, Heena was waiting for Lee Jihwa’s arrival to leave the gibang. According to his words, he had no idea about the kisaeng’s identity. But is it true? I have my doubts now, and this for two reasons. Why would he ask about her identity, when he already knows that she is a kisaeng? The drop of sweat on his face is an indication that he is lying. But the problem is to determine if the deception is only referring to “I heard not a word” and to all the questions. Let’s not forget that he knew about Min’s initial intention. The moment Lee Jihwa arrived in the gibang, she just followed him. That way, they would avoid to attract attention, and with her new hair dress 
(chapter 93), the gibang had lost its “leader”. This explains why this noona as her right-hand had to explain the absence of the owner. 
(chapter 86) The latter had been eyeing the throne in the family mansion, but he failed to take over the mansion. This was the negative reflection of Heena. Whereas the kisaeng had a powerful position in the gibang, it was the opposite for the patriarch. He was no longer recognized as the head of the Yoons. Yet, both have something in common. Both lost their position for good, for Heena and Yoon Chang-Hyeon couldn’t take or keep the seat. We could say that both got defeated by Yoon Seungho. In chapter 93, the main lead acted as a respectful and calm master, whereas in the bedchamber he showed no respect to his own father. He talked back and even made fun of him. 
(chapter 93) To conclude, the surrogate mother and the patriarch made a similar experience in season 3. Both got deceived by manipulations and in both cases, letters played a huge role. 
(chapter 96) 
(chapter 52) It is because Black Heart knew Heena! I even believe that he had already met the scholar. Note that the man with the black hanbok was repeating the rumors about the learned sir. And the other questioned the main lead’s action exposing that he had never heard about this grapevine before. Hence I am deducing that the one spreading this rumor could only be MIN!! That’s the reason why he just said this
(chapter 52) That means that the noble knew the teacher in the end. Therefore it is no coincidence that Min was aware where the learned sir lived!! 
(chapter 52). Why? It is because there was an incident in the gibang!! 
(chapter 94) 
(chapter 97) 
(chapter 97) 
(chapter 97) her brother is detecting her deception. 
The latter had given the poetry referring to exit to the painter as a farewell gift. Why was the lord thinking of Jung In-Hun in that moment? It is because he had read the letters from Heena and as such her accusation against him. He had killed the learned sir, hence in the lord’s mind, it was only a matter of time until Baek Na-Kyum would bring up the subject and decide to leave him. The letters are not destroyed, for he asked this to the painter: 
(chapter 94) Yoon Seungho had two reasons to expect such an outcome. First, it was related to Yoon Seungho’s offer to Baek Na-Kyum. 
(chapter 44) Secondly, Baek Na-Kyum had already showed to the main lead that he could leave him at any moment. 
(chapter 85) He believed in his affection while thinking that Yoon Seungho would keep his promises. But if there was a slight doubt about him, in Yoon Seungho’s mind, the painter would choose his noona over him, like he had experienced it in the study. To sum up, in the gibang, the lord was fearing the artist’s departure. Moreover, when the painter confessed his love to the noble, he was also leaving the scholar’s side. His path was no longer following the teacher’s. Thus when he said this 
(chapter 94), he was actually biding farewell to Jung In-Hun. He was moving on. Finally, if you include these panels from chapter 94, 
(chapter 68). She let her brother hear the laughs from the younger masters. It looks like she is consoling her brother, yet she is not, for she is not embracing him. She is grabbing him by the shirt which reminded me of this gesture: 
(chapter 97) Hence I deduce that this scene in the gibang (chapter 97) is a reflection of the incident in the painter’s youth. 
(chapter 65). Thus she gave more the impression of being righteous and truly concerned. 
(chapter 82)
But there exists another style of moustache beard. 
Striking is that Kim is also wearing such a moustache beard. 
(chapter 87) However, so far in the story, this type of moustache beard was only present among commoners and not nobles!! 
(chapter 39) 
(chapter 45) 
(chapter 45) 
(chapter 78) Hence I started suspecting if these two persons were truly nobles in the end. 
(chapter 99) so that he had been mistaken for a young master. 
(chapter 52) However, the more time passed on, the more the butler kept pointing out that he was just a servant, so that this moustache beard is losing its meaning, the symbol for power and nobility. At the same time, the painter met more and more people with beards, like for example the tailor
(chapter 74), the physician 
(chapter 74), Bongyong 
(chapter 78) and finally Yoon Chang-Hyeon 
(chapter 87). However, note that when the patriarch left, the main character only paid attention to his gaze and not his beard. 
(chapter 87) This explicates why Baek Na-Kyum is not mentioning the beard concerning nobility, while Yoon Seungho never made the connection between the old bearded men and Kim, though the latter has now a moustache beard! To conclude, I don’t think that this physical assault 
(chapter 99). That’s the reason why I came to the following theory. These persons wounded the painter on purpose and in my eyes, it was suggested by Heena. 
, Nameless,
(chapter 60), Kim 
(chapter 66) [As you already know, for me Kim was the one who tried to kill the painter during the abduction], Bongyong 
(chapter 78), the calligrapher with his insults 
(chapter 91), the maids with their reproaches 
(chapter 98) and the black guards from Min. 
(chapter 97), two commoners who neglected him totally. By the way, the one with the green shirt and white jacket vanished later. He was not seen in the mansion. Anyway, the two domestics wouldn’t even follow the lord’s orders properly, for they never stayed by the painter’s side. And since it is a reflection from chapter 94, I deduce that the two “nobles” acted the opposite. They played their role perfectly to the point that the painter was terribly wounded and he never doubted their identities. They were just nobles! And that’s the point. That way, no person was truly blamed for the incident.
(chapter 46) This was the “positive” reflection of this scene: 
(chapter 46) Moreover, I am now doubting that Baek Na-Kyum and Heena were seen in front of the gibang. 
(chapter 69) 
(chapter 93) He had suddenly vanished without voicing such a desire before. And note that in chapter 97, she was already acting on Min’s orders, a sign that in the past, it was different. She had done it on her own accord. In the annex, the kisaeng was definitely scared, hence she was trembling. 
(chapter 97) She was totally unhappy which stands in opposition to chapter 46 in my eyes. Hence she was looking for new tissues at the tailor’s.
(chapter 64) This would explain why she never looked for her brother afterwards. This shows that unconsciously, the painter had judged her betrayal and abandonment correctly, but he had been deceived by her argumentation and attitude. In other words, he was in denial.
(chapter 87) So in this scene,
(chapter 68) The blue skirt is revealing her presence. She is next to the door and observe that there is a table to her right!! Exactly like in chapter 94! 
(chapter 95) But there exist two other evidences why Heena is associated to the kitchen. Remember the painter’s thoughts in the inn: 
(chapter 75) They let see that he was thinking of Heena, though he spoke of his noonas. However, the presence of religion was introduced with food. 
(chapter 75) This truly exposes that Heena preferred working in the kitchen. That way, she could avoid sex with the clients. Another interesting aspect is that when she was sitting at the table with nobles, she was not talking to her neighbors. 
. (chapter 93) She was not even serving the noble next to her. 
(chapter 93) Once again, she was passive and immobile. Since she was doing nothing, she could hear her brother’s name and turn her head. 
(chapter 46) This was reflecting his past relationship with Heena. And now, you comprehend why Heena never paid attention to the painter’s education. She had not the time and the motivation to do so. She was busy in the kitchen during the evening and night, yet keep in mind that the painter was her excuse to keep her distance from the nobles in the beginning. This explicates why Yoon Seungho crashed the table in the gibang: 
(chapter 99) This was Heena’s karma. She could no longer use the table as an excuse to betray and abandon a young boy. Moreover, we could see this gesture as a compensation for the past incident. 
(chapter 60) And now, we know for sure that the chicken blood was used to stage the crime scene in the scholar’s house. 
(chapter 101) For me, Nameless was behind this prank. It sounded so harmless, but the reality is totally different. Consequently, Heena can become the prime suspect in the scholar’s disappearance. Remember that according to me, Yoon Seung-Won went to the gibang after leaving his brother’s mansion and discovered that he had been deceived. For me, there is no ambiguity that Yoon Seung-Won and lord Song are behind the learned sir’s murder, for both had a huge interest for his vanishing. But in my eyes, Heena is the link between the nobles, lord Song and No-Name, because the kisaeng house is frequented by all kind of people. I have already mentioned that the learned sir must have gone to the kisaeng house after meeting the fake servant. 
(chapter 65) So she could have worked in the kitchen… helping the other maids. To conclude, the kisaeng had committed the following wrongdoings. She had manipulated her brother with a mixture of belief and prejudices to cover up her own fears and wrongdoings. While in chapter 94, she stopped the painter from leaving the room unconsciously, it was no longer the case with Yoon Seungho, as she was standing in front of the door. 
(chapter 68) For her, sex had become a synonym for torture and death. Her wrong choices reinforced her fears about sex in my eyes. Every time, she decided not to face the truth, she preferred being blind. Thus the goddess chose to punish her by letting her deceived by impressions. 
. (chapter 96) She even got sequestered herself. 
(chapter 99), this means that her punishment will be that she will never see her colleagues again. Since she faked her death
(chapter 69) As you can see, I am detecting a progression in her wrongdoings. She is getting more and more involved, though there is no ambiguity that she was deceived herself in season 3. But this doesn’t excuse her crimes, for she refused to listen to her brother and called him an idiot. At no moment, she pondered on the situation. Her decisions were strongly influenced by her emotions (fear, anger and hatred). That’s the reason why I am convinced that if she is not dead (my theory), her attitude towards her brother will worsen to the point that she will call her brother a bird of misfortune! 
(chapter 68) Remember her metaphor concerning the gibang, it was viewed as a nest. She was already comparing her brother to a bird. 
(chapter 01)
(chapter 97) Fake concern versus anger and resent 
(chapter 12) The mention of a new toy implied the existence of an old plaything. But we know for sure that Yoon Seungho has never possessed anything. He was treated like a male kisaeng himself, for he was not allowed to refuse advances from anyone. 
(chapter 52) Finally, he was forced to share anything he owned to others. 
(chapter 52) That’s how I realized that the inner thought from Lee Jihwa was exposing his knowledge. The latter knew about Yoon Seungho’s true conditions. The latter had been treated like a plaything by the pedophile. As the red-haired noble had been raised as an filial son respecting elders, Lee Jihwa saw no reason to change the way Yoon Seungho was “trained”. 
(chapter 57) Besides, he could only benefit from it. Now, he could have sex to his heart content. He only started playing tricks, the moment he felt that his childhood friend was escaping from his claws.
(Chapter 37) On the other hand, since the lord went to the authorities in season 3, I deduce that he must have gone there in the past too, yet not as a victim/plaintiff, but as an accused. Because of this new revelation, I made a new connection: sex and torture.
(Chapter 83) In this essay, I will answer to this question. As a first conclusion, the lord was not even treated like a male kisaeng in the past, but more like a dog. Consequently, I deduce that when Baek Na-Kyum met the lord in the inn (chapter 1), his status had already changed. He was slowly experiencing emancipation. He was living like a male kisaeng. Thus I conclude that Lee Jihwa contributed to his recovery to a certain extent. 
(chapter 62) This explicates why after reading episode 62 for the first time, I had suspected the father to have raped his own son. Yet this thought was dropped shortly after. Then when episode 77 was released, I realized that in the shed the lord was also reminded of Kim’s betrayal, for the latter would always drag him to the shed. Observe the way he was “carried away“. It was like an “embrace“. 
(Chapter 77, this is a different situation, for we have different servants except Kim) Therefore in the barn, Yoon Seungho behaved like his surrogate father Kim as well. This explicates why we have the fake embrace and the insincere apology. 
(chapter 62) 
(chapter 62) As you can see, the hug from the past was the symbol of violence and hypocrisy. It served to drag the lord to the storage room. And this new observation led me to the following conclusion: Yoon Seungho was copying the behavior from all his abusers from the past: his brutal father, the hypocrite butler and naturally the pedophile. 
(Chapter 83) 
(Chapter 57) And now, you comprehend why the lord dragged the two nobles by the topknot. 
(chapter 8) For a long time, I have demonstrated that this gesture represented one of Yoon Seungho’s biggest traumas. But why would the pedophile do that? One might say that it is because of Yoon Seungho’s resistance and struggling. He needed to punish him for his disobedience. Note that the noble with the mole and Lee Jihwa got humiliated as sanctions. 
(Chapter 18) However, in my eyes there exists another explanation which I will elaborate in this analysis either. From my point of view, the shed and the humiliation are strongly intertwined. This was particularly visible, when the lord forced Baek Na-Kyum to have sex in the courtyard. 
(Chapter 64) But why would he do that in the end? It was to train him, to make him obedient. 
(Chapter 64) Remember how he had declared that the painter was now his sex toy. He should listen to his master or owner. That’s how I came to this deduction. The infamous lord Song is a sadomasochist. In the worse case, he is simply a pure sadist. I am inclined to believe more in the first view. With this, we would have the link between sex and torment. And the picture from the erotic book where you see the bearded man having a braided man on his lap outside indicates that Yoon Seungho was here getting punished. The pedophile loved seeing Yoon Seungho humiliated and in tears. 
(chapter 01) And now, we have the explanation why the lord could no longer cry and how he came to hate “fake apology”. This was the result of the exposure to the sexual assaults under the form of BDSM.
(chapter 96) They ended up in the hallway, anyone could see them. Then in another website, I found the following principles: 
(chapter 25) He even brought the hanbok himself. 
(chapter 26) The lord went so far to take his bath with his lover to clean him. 
(chapter 59) He made sure that his partner wouldn’t suffer. 
(chapter 89) Yoon Seungho knew by experience that the rest of semen in the stomach would cause him ailing. 
(Chapter 101) He blushed, though he could see that Baek Na-Kyum was in pain, the face covered with blood. Remember what the painter did in the pavilion to the main lead: he scratched his face. 
(Chapter 25) Thus we have to envision that the lord must have reacted the same way and wounded his abuser. And imagine the consequence if he had wounded the king on the face. This could be seen as a reason for a punishment. 
(chapter 102) 
(chapter 33) This is an euphemism for aphrodisiac. Thus we had this confession from the physician. 
(chapter 57) Why did the butler visit the doctor without Yoon Chang-Hyeon? It is because he had been ordered to fetch the aphrodisiac. By feeding him with the drug, they wanted to force Yoon Seungho to accept the advances from the king, and as such to admit his sexual orientation. He was a sodomite. 
(chapter 65) They faked his “pleasure“ making him feel guity and dirty. That’s how he got tricked. This explicates why the main lead still has no idea of the use of the aphrodisiac. 
(chapter 71) As a king, he couldn’t bow down to a noble. Observe that the roles of “dominant” and “submissive” are not clearly defined between Yoon Seungho and Baek Na-Kyum. The lord is the dominant sexually speaking, but note the vocabulary: 
(chapter 72) 
(chapter 89) If you pay attention to their interaction, the lord acts like the servant. The reason is simple. If you take into consideration the second list of recommendations, you will recognize that the roles are switched. Outside a sex session, the submissive becomes the “king“, and the dominant has to act like his servant. That way, a certain balance is created. But this was never the case between the pedophile and the teenager. The latter was always reduced to a plaything and at the end to an animal. The pedophile never called the protagonist by his name. 
(Chapter 1) He was just called “my boy“. And that was it. He never created a real bound with the main lead. Therefore trust was totally inexistent. And because the young noble could only fear the man, he came to hate him to the point he could die. The latter made promises which he never kept!! 
(Chapter 101) How could he vow to “protect or help“ Yoon Seungho, when the latter was tormented constantly and exposed to violence against his will? And this could only escalate to Yoon Seungho‘s attempt to commit suicide. 
(Chapter 55) I had this idea, for the story is going in circle, meaning that the lord must have done it before, just like he did in season 3. The possible death from the main lead and probably his own pain must have brought the mysterious lord Song back to reality. That‘s the reason why he sent for the physician‘s assistance. He was encouraged to keep his distance from the young man, just like the latter was incited to stay away from the painter in season 1 (sickness, Min), in season 2 (the scholar‘s insult) and in season 3 (the rough sex session in chapter 81-82). Thus I deduce that the pedophile has always kept an eye on Yoon Seungho and his recovery. In my opinion, the man has not forgotten the main lead at all. Why do I think so? It is because he kept the painting… 
(chapter 82) a souvenir from their time together, just like Min who stole the painting in the study. 
(chapter 74) Thus I am deducing that Seungho-Ya will become the safe word between the two protagonists. 
(Chapter 72) 
(Chapter 63) He was reliving his biggest trauma. Yet, he never went overboard in the shed. Note that the moment the painter called his lover “lord Seungho”, there was a switch. 
(chapter 63) That’s the reason why the lord changed the painter’s position and faced him. 
(chapter 63) The lord communicated his feelings and thoughts, and he even made a promise. 
(Chapter 63) He had internalized the marks left by the bondage. This is no coincidence that the artist‘s wrist was covered by the bandage, the reflection from the torment in his youth. Under this new aspect, the presence of the bed in the shed was like a magical tool, which helped the lord to not turn into his tormentor. He was just a ghost from the past, and the word “lord Seungho“ worked like a magic spell, which stopped Yoon Seungho from becoming as vicious and cruel as lord Song. Moreover Lord Song sounds very similar to lord Seungho. And this new discovery confirms my interpretation that Kim was the helping hand of the king. He had to provide him with the white bands for the bondage, just like he had helped for the young master’s kidnapping in the gibang. 
Under this new light, I see it as another evidence that the infamous lord Song could only be the king! He is the only person who has absolute power in Joseon, and as such knows no “real boundaries“. Furthermore, as the ruler, he is expecting no rejection from his subjects. Anyone watching sageuks (historical Korean dramas), is aware that the Joseon king was never an absolute monarch, for he was always controlled by the officials, ministers, the Queen dowager and the Queen. There were also protocols which he was forced to follow. And we have an indication about the king‘s lack of power and wealth. 
(chapter 92)
(Chapter 101) are a proof that they never discovered the importance of kisses, embraces, caresses and words during sex. They never recognized that they were denying the existence of love, too obsessed with their heritage and their reputation. The manhwalovers will remember my previous observation. The pedophile had never kissed the main lead. The king like all the nobles had disconnected sex from love. Why? It is because sex was a duty… to continue the lineage. And now, you have the explanation why the pedophile and all the others reduced sex to penetration. 
(Chapter 96) When she heard the noise (PLOP), she was brought back to the past, when she had witnessed a scene of BDSM, though the violence was real. A similar situation to this scene: 
(chapter 73) The pictures from the erotic publication are the evidence for this theory. After hearing the description from the butler about the events in the shed, the noona Heena believed to know what had happened in the shed. 
(Chapter 64) The butler thought that the “no“ from the painter was truly real, while the latter was just dishonest. It was the result from the “indoctrination“ from Heena and Jung In-Hun. The valet had been deceived in the end. The humiliation and punishment were not real, for the painter did ejaculate, and back then he was not under the influence of the aphrodisiac.
(Chapter 64) This was not like in the past, when the brutality was real. And now, you comprehend why Heena‘s resent towards her brother became more visible after witnessing the love session between the noble and Baek Na-Kyum. 
(Chapter 72) He was copying the habit from the pedophile in my eyes. The latter would never remove all his clothes on his own. As the king, he was used to get undressed by his own staff. Only the teenager as the uke was undressed, unless the lord was accompanied by the other nobles, like in this scene. 
(Chapter 54) And because the ruler was too focused on his own pleasure, he never got to know the young noble. He only realized too late that he had made huge mistakes. 
(Chapter 72) Yoon Seungho was his prey.
(Chapter 59) The main lead was supposed to meet his tormentor in a public place. Yet their relationship was based on “humiliation“! The “king“ loved to punish Yoon Seungho through humiliation and violence. This explicates why Yoon Seungho reacted that way. 
(Chapter 56) 
(chapter 57) This is what he experienced himself in the past. And observe that the childhood friend’s biggest punishment was actually his public humiliation, when he confessed and got rejected. 
(Chapter 59) In my eyes, the king sought to obtain Yoon Seungho’s affection, but he never realized this. He definitely confused it with submission. He definitely imagined that once the teenager would become submissive, he would have achieved his goal. But he was doomed to fail. In his mind, as the ruler no one could ever reject him. Besides, as the ruler, he was allowed to use his power and as such his strength to obtain what he desires. Don’t forget that in Joseon, people viewed all the monarchs als representatives of the gods. The latter would support them. However, since his youth Yoon Seungho had a strong opinion and mind. Therefore he had caused trouble to his father, as the latter viewed his critical thinking as a synonym for a lack of respect for traditions and the elders, the so-called illness from his childhood. Besides, I am suspecting that the lord must have had visions as well, which would contradict the father‘s dreams and expectations. 
(Chapter 57) Yoon Chang-Hyeon looked down on his son’s critical thinking and came to doubt his words. The author left many clues for this interpretation: 
(chapter 101) Lord Jang got aroused, when he saw the bloodied lips from the painter. Moreover, Black Heart had brought a huge dildo.
(Chapter 101) The item was huge, therefore it could only injure the artist’s anus. 
(Chapter 100) 
(chapter 101) Even the noble said that this must have hurt. The painter disliked being bitten in the neck. 
(Chapter 88) Furthermore, the lord said this to the painter in the study: 
(chapter 85) These were the words from the pedophile. He was repeating his sexual abuser‘s words. And this proves to me again that the lord was abused in the study, but if he rejected the man, he would be sent to the shed where he would receive his punishment. In other words, Yoon Seungho was punished with sex and violence. And now, you have the explanation why he got gangraped in the end. But the readers should keep in their mind that this was no real BDSM, for the brutality was real. The king couldn’t distinguish between reality and illusion. And this coincides with all my previous interpretations.
(Chapter 65) Kim had brought him to the barn, because Yoon Seungho was punished there. This could only be suggested by the butler, as I don’t think that the king would ask for the owner of the mansion for permission. This room was definitely taboo, no one was allowed to approach the study or the shed. Yoon Seungho was exposed to rough sex, and Kim knew this, like mentioned above. But he never witnessed it himself, he only discovered the aftermath. From my point of view, this scene occurred after the lord’s loss of virginity. 
(chapter 18)
Bebebisous33s' analyses in K-Dramaland and Manhwas 