This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.

Once again I was surprised by the new chapter as I hadn’t expected a time jump. I had imagined, Byeonduck would continue the story with the same day, like for example, we would see Deok Jae’s punishment. The time jump serves two purposes. First, we have an acceleration of the events, the attempted assassination is about to occur. Secondly, the readers are a little confused about the huge change of Yoon Seungho’s behavior relayed by the head-maid and Deok Jae. The mixture of time jump and of gossip gives an air of mystery, the manhwalovers have to fill the blanks. What is the protagonist doing exactly? Why is he acting like that all of the sudden? It was interesting to observe how many readers were upset and perplexed about this development. Even myself had to ponder about Seungho’s behavior for a moment before giving different explanations.

My twit as evidence: 1. Possibility SH is aware of the plotting but wants to catch everyone in the act. Since SH said nothing to Kim and BNK, something terrible happens. 2. Possibility: SH is too focused on getting revenge on JIH through his connections that he overlooks DJ. 3. SH is taking his distance because he is pained. BNK did not choose him in the end. 4. SH is acting like that in order to force the painter to initiate the next interaction. In the last confession, SH was used as a tool.

Yet, the real revelation, the true cause for this sudden switch, occurred to me much later.

Now, it is time to take a closer look. For that, we need to examine the beginning of the chapter 51. What caught my attention is the following expression: “sent him away”. Here, he imagined that putting some distance between the painter and the teacher would help him. His relationship with Baek Na-Kyum would improve, as you know the saying “out of sight, out of mind”. Nonetheless it didn’t happen like he had anticipated. Because Jung In-Hun had hurt the painter so deeply, the latter couldn’t forget his learned sir due to the agony. In other words, although the lord was physically closer to the low-born, the latter couldn’t perceive him at all, for his mind and heart were elsewhere. They were too focused on his own heartache and negative image. As you can observe, distance and closeness were in the center of the noble’s thoughts. He realized that the saying “out of sight, out of mind” is not true.

Then we have the master remembering the night before, when he saw the painter’s sleeping face. I believe that in that moment he felt intimacy and trust and recognized that despite Baek Na-Kyum’s rejection, the painter’s actual behavior proved it otherwise. The latter felt comfortable and trusting enough to relax and fall asleep confirming what he had sensed before, when Baek Na-Kyum kissed and hugged him. The last panel is interesting because of the ambiguity of Yoon Seungho’s words: “How strange…”. The sentence is incomplete hence we have no idea what he is exactly thinking. First, we think that his memory could be the reason for this statement. This remembrance made him realize that he no longer had any reason to be jealous of the teacher. He knows, with the way Baek Na-Kyum behaved that his “love” for his learned sir has been destroyed for good. However, I have the feeling that this is only partially correct. I believe that in the last drawing, he made another huge revelation that’s why he decided to change his tactic in order to get the painter’s attention and affection. Striking is that the lord is starring at the books. From my point of view, one of the books must have stood out, which triggered the lord’s memory (not the flashback we saw, but another one) and led him to another epiphany.

Now, you are wondering about the identity of the book. The noble’s gaze must have caught the publication written by the famous poet Wang Bang-Yeon. We shouldn’t forget, in the chapter 19 Jung In-Hun discovered the truth about the real purpose of Yoon Seungho’s sponsoring. It was to force Baek Na-Kyum to paint. Since the lord had mentioned the poem composed by the scholar during their first meeting, Jung In-Hun realized the powerful but infamous noble could have detected his plagiarism. Therefore he had to investigate the matter and look for the book at the library. And he did discover the publication which was revealed at the end of the chapter 21.

Pay attention to the first drawing. Inside the book, there is a piece of paper reminding us of the poem. I am quite sure that the scholar had a copy of his own plagiarism. This proves that Wang Bang-Yeon’s poem was in the scholar room. I doubt that the learned sir brought it back to the library. He is not someone hiding his actions very well. Let’s not forget that his infringement is really obvious. Besides he must consider it beneath him to return the books. This is the work of servants. Thereby I am inclined to believe that he didn’t feel the need to hide his discovery either. He got aware that Yoon Seungho could have known all along that he copied the poem. But he wasn’t sure therefore he confronted the noble during the hunt.

The poem is really important because its topic is about distance and love. For people who didn’t read my analysis about the poem, I am posting the link to my essay. https://bebebisous33analyses.wordpress.com/2020/08/28/painter-of-the-night-jung-in-huns-poem-an-analysis/

This is the original poem:

“Parting from my sweet lover at ten million ri long distance,

Having no place to put my mind at, I am seated by the stream.

That water is going on its way at night, crying in my mind.”

Here, the author was suffering since he was separated from the person he loved and admired. Their partition caused the official’s restlessness, yet he couldn’t reveal his pain to others. Consequently he could only express it during the night. Simultaneously, the author voiced his difficulty to cry, he is not able to have tears in his eyes.

“How strange…” that Yoon Seungho encounters the poem in this situation. And now, you can imagine what the lord thought. “How strange…” that this poem does reflect the truth so well. Distance can’t stop someone from loving or thinking of someone else. That’s what the noble recognized. He read it but never got to make this kind of experience. Consequently Yoon Seungho will turn this poem into a reality. He knows very well that the painter’s heart was already moved by the copy. So he needs to distance himself from the painter, creating a separation. Only then, the painter’s mind and heart will sense the emptiness left by the noble’s absence. On the other hand, Yoon Seungho will suffer for a while, he will be the one who can’t sleep and cry, hiding his pain in front of his servants, his acquaintances and the painter himself. We shouldn’t forget that we never saw the lord crying, it is something he has never been able to do, but he needs to in my opinion in order to overcome his traumatic past. Yoon Seungho will recreate the same situation, he will become the lover forced to be separated but who longs to return to his love. The noble is really a romantic one in the end. He is willing to be in agony, until Baek Na-Kyum gets aware of his own feelings but also of the protagonist’s affection.

How strange that he came to this idea. Let’s not forget that the noble returned the poem and Baek Na-Kyum still has it in his possession. Yet I have already exposed the theory (@xSeunghoe was the one developing it) that in reality the noble never returned Jung In-Hun’s poem but a poem written by Yoon Seungho. The latter copied the original poetry written by Wang Bang-Yeon. This assumption was made because of the difference of the quality of the paper. The master wanted the artist to discover the fraud and at the same time, he wished to correct the painter’s opinion about him. He was determined to prove to the low-born that he wasn’t a “man consumed by lust” but also a learned sir. This negative image had truly bothered him in the chapter 5 to the point that he couldn’t have sex with Jihwa. However, the low-born didn’t realize the switch, too happy that his learned sir had come to the mansion (chapter 7). The poem had lost his purpose, since Jung In-Hun was close to him. He had his learned sir by his side, there was no separation any longer so that the artist didn’t feel the need to read it. This explicates why Baek Na-Kyum never changed the negative perception he had about Yoon Seungho, as he never looked at the poem again. On the other hand, that’s how the noble discovered that the painter couldn’t read. The sex sessions with different sex partners contributed to this negative reputation, the stigma “man consumed by lust” got reinforced. The painter saw it with his own eyes and even seemed to experience it.

Due to the artist’s words in the chapter 48, the lord recognized that he was still associated to sex and depravity, although he had cut ties with other nobles and never organized or visited any sex orgy. As he couldn’t help himself from making love to the painter, the latter had the impression that Yoon Seungho was just obsessed with sex and his paintings. Consequently the aristocrat got mad. Yet this made him realize the significance of his own image. He needed to change his behavior in order to attract the painter’s attention, to get him aware that he was with him for other reasons than lust.

The distance and the sudden change of attitude are deliberate. And it is indeed working.

The painter is indeed looking into the direction, where the noble is sitting, while he is following the head-maid. His head is turning to the building. Compare it to the image from the chapter 44. Both are very similar because of the weather and the situation. Nonetheless the changes are quite telling. In the second drawing, the commoner is walking on his own underlining his loneliness. He has not been accepted by the servants at the mansion, while in the chapter 51 it is clear that now the staff recognizes him as a member of the mansion. Pay attention that in the chapter 51 Baek Na-Kyum is following the head-maid from the kitchen and later the valet Kim. He is no longer isolated and rejected. Secondly, in the picture above Baek Na-Kyum is just walking to the mansion but he is not paying attention to the lord smoking by the window. Only on his way to his room, he spots Yoon Seungho sitting at the window, therefore he stops walking for a brief moment. This happens very quickly, then he starts walking again in the direction to his study. This action is interesting because it reveals that the painter only remains there as he has no other home. Yoon Seungho as such was never the reason why he decided to remain by his side, just the notion “home” was good enough for the artist. We shouldn’t forget that the mansion is big contrasting so much to the tiny appearance of the master. The difference of size underlines the significance of the artist’s motivation: he is walking towards the mansion. His gaze just gets distracted by the lord’s appearance at the window but that’s it. This interpretation is confirmed later with the chapter 46.

Now, look again at the picture in the chapter 51. The commoner is following the head-maid, yet his body and head are turned to the lord. In this episode, he doesn’t make a pause to look at him, he keeps starring at the opened window, where he can observe his “lover” laugh. The other huge divergence is the wealthy protagonist’s attitude. He is no longer passive, sitting alone while smoking. He is drinking with another aristocrat, making jokes and laughing.

This is quite important because it reveals that Yoon Seungho has finally understood that he needs to woo “his wife” differently. Appearance and sex appeal are not enough, in fact they are contra-productive in his case. The lord had imagined that he had won his lover with his sex expertise (chapter 42) thus he did nothing to impress his lover. That’s why he was so passive (a reproach I had already expressed before the second season started). The poem gave him the solution to his problems, it illustrates how to win a person’s heart. Absence makes the heart grow fonder.

Funny is that many readers were upset because the head-maid complained about her lord’s behavior. She had the impression that he had returned to his old-self, hence many readers felt the same way. They were influenced by the hearsay. What they failed to recognize is the lord’s laugh.

This action unveils a different side of the lord. Laugh is associated to joy and happiness. It stands so much in opposition to his smoking. It was as if the master had finally started living for real. Sure, his laugh is a little too pronounced, it is intentional. The master is laughing so loudly to attract the artist’s attention. However, I see this evolution in a very positive way. He has come back to life for real. Our protagonist has finally understood that he needs to take matters into his own hands. I have always said that he needed to change his behavior and here the manhwalovers are finally witnessing it. Yet, we all expected a different attitude, nonetheless I feel that the master made the right decision. He is distancing himself from Baek Na-Kyum in order to prove him that their relationship is not just physical. The lord has stopped approaching him for sex and even erotic paintings. Baek Na-Kyum can no longer view himself as prostitute because he is no longer required for sex.

This strategy serves two purposes. First, he wants the painter to question his own attitude and emotions. Remember his teaching: critical thinking. It has always worked on the commoner. Since he is no longer “treated” like a sex object, then what is his function here? Why does the lord keep him by his side? Why is he distancing himself from him? Yoon Seungho discovered through Kim’s revelation that Baek Na-Kyum confronted his admired sir and asked him to assume his responsibility for him. The noble hopes that the painter will act the same way, come to him and question his intentions so that the aristocrat can finally have a real conversation with him. The question marks WHY plays a huge role again.

Furthermore, I believe that Yoon Seungho is also counting on the poem. I am quite sure that the lord must have verified if Baek Na-Kyum still owned the poem. We shouldn’t forget that he already took it once without the painter noticing it immediately. Therefore I envision the lord visiting the painter’s study during the night and ensuring that the poem was still in the commoner’s belonging. The poem represents the noble’s confession. It illustrates how he felt during their “separation”.

“Parting from my sweet lover at ten million ri long distance,

Having no place to put my mind at, I am seated by the stream.

That water is going on its way at night, crying in my mind.”

Let’s not forget that in this composition, the author is quite passive (“I was seated”) as if he was waiting. Baek Na-Kyum embodies the stream and the lover can only watch the river, waiting that the water embraces him at some point. That’s why once the painter confronts the lord, the latter can use it. Another possibility is that Baek Na-Kyum discovers the switch on his own and would like to get answers why there is a new poem and what it means. As you can observe, I am expecting that the poem will play a huge role in the couple, the aristocrat will use it as his love confession contrasting so much to the one Jung In-Hun wrote. The painter will sense the sincerity in this poem. Don’t you think that Yoon Seungho is very sensitive and romantic in reality?

But in order to trigger the critical thinking, he needs to use hearsay as well. He desires the artist to note the difference between the gossip and the reality, just like he was defamed as a man consumed by lust. This already starts with the remark voiced by the head-maid. Baek Na-Kyum is even put under pressure due to the head-maid’s comment. The aristocrat had changed after the painter’s arrival and now, he is returning to his old habits. With her words, she implied that the painter had affected the lord in a good way. He was different thanks to him. But are her words correct? Did the lord return to his old-self? Indulging in sex orgies and drinking.

She noticed that he would drink again. Yet striking is the noble’s visit in that scene happens during the day and not during the night. Secondly, the readers are discovering through hearsay again that young nobles call on Yoon Seungho.

Yet, the painter is always in his room. In other words, there is no sex session and Baek Na-Kyum recognizes it as he was not invited to join them for a drawing. Byeonduck would like the reader to act like Baek Na-Kyum, question the veracity of this gossip. We readers have it much easier than the servants, since we were beholders of his sex sessions and old habits. Yoon Seungho only had sex during the night. Furthermore, we heard before that the sexy protagonist would go to other places in order to have sex, nonetheless here he is not leaving his house at all. He just receives visitors. On the surface, it seems that Yoon Seungho has returned to his old-self but this is just a subterfuge. The hearsay is a tool used by the noble so that the low-born starts paying attention to him and wonders about his behavior. And in my opinion, it seems to be working. The painter is already observing the lord. Besides, I perceive a contradiction in Deok Jae’s comments. On the one side, he claims that the commoner has lost the master’s favors, on the other side he says this:

The master is hovering around the painter all the time. So despite the distance, the lord is not leaving the commoner’s side. He is like the poet, seated by the stream. Yoon Seungho’s gaze is always focused on the artist, like an eagle watching over his lamb. When the resentful domestic adds that the noble hasn’t so much as met eyes with the painter, he is actually saying that both protagonists didn’t spend time together like before. However, I doubt that the master’s eyes didn’t meet the painter, he was just starring at him from afar, hence he is sitting in that room with his friend. From that window, not only the artist can observe the lover, but also the noble can do the same.

As a conclusion, the noble is waiting for the painter. But this doesn’t mean that he no longer visits the painter’s chamber. From my point of view, he keeps visiting him, while the latter is asleep. He already did it in the past. Remember the chapter 2/3. Like I wrote it before, during that night, he recognized that watching his lover resting could be satisfying. He also noticed the painter’s habit: he is a deep sleeper, hence he won’t wake up due to the noble’s presence. He didn’t even sense the kiss during that night. I can also imagining that drinking is a way to relieve the agony the rich protagonist is actually going through. He needs to numb his sexual desires since his feelings for the painter are so strong. He is now waiting that his lover recognizes his own emotions and questions the lord’s behavior so that they can finally have a frank conversation, where the lord can finally confess his affection to the commoner. A poem as love confession does fit our character as he is not someone talking much. He has always had difficulties to voice hie emotions and thoughts. The poem will serve as support. So please have faith in the master of deception! He can’t help himself hiding behind gossips but this time, the hearsay has a different function: trigger the painter to think on his own and question everything.

And now, I would like to close this essay with the following remark. This is no coincidence that there is a snow fall in this chapter too. The snow fall marks a closure, the painter will stop thinking about his negative image, he will start focusing on Yoon Seungho. The story can now continue and the attempted assassination will be in the center of the next chapter. The chapters 45 to 51 were essentially focused on the relationship between the master and the painter and on their issues. A breakthrough is going to occur soon. There is no ambiguity about it.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My tumblr-twitter account is: @bebebisous33. Thanks for reading and the support.

This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter  But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.

In the first part, I examined the realizations made by Baek Na-Kyum and Jihwa. I received many comments concerning Baek Na-Kyum as they weren’t convinced that the painter no longer perceived himself as a prostitute. I was happy for the feedback because it forces me to clarify my perception with much more details. Therefore before analyzing the last scene, I’ll elaborate my point of view more precisely as it is necessary to understand the true significance of the chapter 50.

For me, a prostitute receives money or favors in exchange for sex hence remuneration plays a huge role in the prostitute’s life. Furthermore, she or he has to follow the clients’ or pimp’s orders. She or he can never voice her/his own desires and wishes. But there exist some people called whore or prostitute because they have many sex partners and have a lot of one-night-stands. They don’t want to be involved in a serious relationship since they want to enjoy their sexuality freely, without any restriction. This kind of person is also judged negatively by moral standards, hence she or he is compared to a prostitute. However, they are in reality “libertines” and if you look carefully, Yoon Seungho is one of them. I doubt that the manhwaphiles would associate him to a prostitute. Moreover, let’s not forget that he was even described as such by his own friend Jihwa. So my thinking is that now Baek Na-Kyum has adopted Yoon Seungho’s way of life, the one of a libertine, unaware that his lover is no longer one, sexually speaking. That’s why people still think the painter is a prostitute as libertines are usually judged like ones. However all this is influenced by moral standards, yet their motivation for sex is different as it is connected to freedom and not money.

The irony is that the aristocrat has already become monogamous and considers the painter as his wife. He no longer organizes any sex session nor visits any sex orgy. He has already been reformed, like the folks in town noticed it. Since a libertine is linked to liberty (freedom), this explicates why I stated that the painter has liberated himself from the scholar. He is free to choose what he wants in his life. As a conclusion, the fact that Baek Na-Kyum has become a libertine outlines that the painter has definitely cut ties with the scholar but also explains why people still confuse him with a whore as the behavior of a libertine and a whore is quite similar on the surface, yet the incentive is different. Libertines don’t care about moral standards and traditions, they see all these as a restrictions of their freedom. Another aspect is that they don’t feel shame either therefore they never hide their way of life from others. They live the way they want and the painter’s words are reflecting this mentality.

Thereby it becomes imperative for the master to reveal his true personality in front of the painter so that the latter will perceive his lover in a different light. Right now, Baek Na-Kyum has a very negative opinion about Yoon Seungho, “a man consumed by lust”, hence he has a negative image of himself too. In other words, he is just mirroring the main lead’s past way of life. That’s why I said that he has become a person of his own, he has now a new identity, yet his “freedom” is limited as it is linked to Yoon Seungho’s reflection. To summarize, the painter still has not a good opinion about himself, since he has a rather negative judgement about his “husband”. His confidence is still very low, yet compared to before, it is much better as he is now thinking on his own and makes decisions for himself.

And in my opinion, this explication is quite important for two reasons. This demonstrates that Baek Na-Kyum has completely accepted the noble as his sex partner and the image the painter has about his lover determines their relationship. Since the latter is a libertine in the low-born’s opinion, then the commoner is also one. As a conclusion, both protagonists are standing in front of a crossroad: the noble has to show a different side of himself to the low-born but for him to do that, he needs to stop feeling insecure and jealous. He needs to sense the artist’s trust. And this is what is happening in the chapter 50. This episode marks a turning point in the master’s life as he makes two huge realizations. Now, you are wondering which ones. Consequently, it is time to examine the revelations Yoon Seungho has in the chapter 50.

Striking is that the lord went to the teacher’s chamber very early. His loyal valet Kim, used to dress him up, had no idea why the noble would rush to Jung In-Hun’s former chamber hence he arrived late. He doesn’t know the trigger for Yoon Seungho’s motivation. “Why would he go there, as the scholar has moved to the capital?” This is what the butler must have thought and he must have pondered about it. On the other hand, he must have seen the mess in the lord’s bedroom so that he must have come to the conclusion that something between his lord and the painter must have occurred.

Since the lord complains to his valet about his late arrival, it indicates that the former had already announced his intention to his butler. I explicates the reason for Kim’s delay as the following. The valet questioned his lord’s behavior. We shouldn’t forget that the loyal domestic has always made decisions on his own in order to help his master. Hence he often anticipated his moves, like for example, he knew that after the rape, Jung In-Hun could be in danger. Consequently he sent a servant from the library in order to let the scholar leave his room. Another example is when the butler asked for an aphrodisiac from the physician so that the painter would get an erection. He used Yoon Seungho’s trick in order to improve the relationship between Baek Na-Kyum and his master.

Therefore the loyal valet can’t understand the motivations behind the lord’s action, since the scholar has already left the mansion. He is well aware of his jealousy of the scholar as initially he heard the painter’s confession.

Besides, he was right, when he predicted the lord’s intention in the chapter 26, he would attempt to kill the former teacher with his sword. Then in the chapter 29, the master went to the low noble’s room again, once he discovered the painter’s escape.

The butler witnessed his master’s facial expression, when the latter heard that the servants had no idea where the low noble had gone. He wasn’t just infuriated, he was totally eaten by jealousy. Imagine, he belongs to the high nobility and the painter chose a low aristocrat with no huge income and connection over him. He, used to be surrounded by many nobles due to his wealth and power, kept experiencing rejections. Not only he was turned down multiple times but the person even preferred running away from him. The aristocrat made terrible experiences for the first time: not only jealousy but also he started feeling insecure. His reaction towards his servants (the beating) demonstrates that he was not just mad but also panicking, trying to vent all his negative emotions onto the staff. The one he chose because of his feelings for him had no consideration for him, a high noble. Neither wealth nor power nor force could make the painter submit to him. Only the butler could read his master’s expressions and behavior as an open book.

So if we go back to the scene 50, we see the lord in the former room of the scholar. Each time, he went there or wanted to go there, he was triggered by envy and resentment. As a first conclusion, he went to Jung In-Hun’s room because of his jealousy. And the lord’s appearance confirms this statement. Many readers noticed the beautiful lord’s hanbok.

He is wearing a black robe with short sleeves and the pattern is in red. Since many of my readers already know the signification of the clothes in this manhwa, they were already able to perceive the master’s feelings. He was full of anger and jealousy. Since black often refers to death and red to blood, there is only one conclusion left that can explain the lord’s motivation behind his visit in the scholar’s room. He wished, he could kill the man. That’s why he went there with his sword, he felt the need to destroy the books symbolizing the low noble. Consequently the manhwalovers see him cutting a book with his sword.

This gesture actually symbolizes the scholar’s execution. Let’s not forget that Jung In-Hun’s image is associated to books hence we often saw him surrounded by books. In the second picture above, he is so furious that he can’t restrain himself from destroying the book. If the learned sir had been present, Yoon Seungho would have definitely killed him. To summarize, the master went there because of his jealousy and his urge to “kill” the scholar, well aware that this was not possible.

But we have now to ponder about the following question: Why would he feel so jealous again? What was the trigger for his “pointless” action? Even the valet was puzzled by this reaction. Only the manhwalovers can answer this as they witnessed the special night before. Yoon Seungho got a confession, finally… but this was so different from the one he heard in the chapter 20: The painter didn’t express any admiration nor love for him. In the new confession, the master was more or less degraded into a tool, a sexual body: He is not the recipient of the painter’s love, the artist feels only attracted to him physically. He is the one who can make the painter feel good but that’s it. Who wouldn’t feel envious of Jung In-Hun who was literally worshiped by the painter? Since the chapter 20, the noble has been waiting for the same confession but this time addressed to him for real. He wants to feel admired and loved by the commoner, yet the latter still refuses to give in in this aspect. In other words, he got rejected again, yet the kiss and the caress stopped him from getting angry again. In that moment, he felt that the gestures let transpire more than the commoner had conceded. But we shouldn’t forget that despite this, the noble couldn’t forget the rejection and saw the huge contrast between the two confessions. No wonder why he still felt resentful and jealous. On the other hand, the valet Kim never got to witness the second confession therefore he can’t comprehend the master’s motivation. Because of this weird confession, the noble made up his mind: he accepts the painter’s confession, hence they are just sex partners and nothing more. He will never be the painter’s confident. However, what caught my attention in the lord’s thoughts is the word “need”. He definitely felt the need to share their thoughts. In reality, he longed to be the recipient of the painter’s love. What he mistook for “mind” was in reality “heart”. I have also the impression that this mistake can be explained by the first love confession he heard from the painter. Observe that the artist never used that word love and only utilized the semantic field about the mind: respect, admiration, pining. Everything was revolving around the mind and not the heart. Consequently he could recognize that what he was longing to get was the painter’s heart. Besides, I have already stipulated that the main lead represent the opposite of the painter. While the painter’s unconscious expressed during his sleep or daydream, the lord’s unconscious revealed itself, when he was awake. Therefore I come to the following interpretation: The choice of the hanbok doesn’t just mirror the lord’s jealousy and thirst for blood, it also reflects the bleeding of Yoon Seungho’s heart. When he made up his mind, he was really sad, I would even say, he was literally dying.

You might have already noticed it but I didn’t follow the chronology of the images from the chapter 50 and there is a reason for this. I wanted to follow the chronology of the event with their causes as it is imperative to reconstruct the motivations of Yoon Seungho, step by step. Once he woke up, he was envious as he couldn’t forget the confession. He chose the red and black hanbok with short sleeves for two reasons: he resents the scholar deeply and he feels like he is dying.

Since the valet has no idea why the couple argued, he can only imagine that there can only be one cause: the scholar’s words said to the painter. Consequently the loyal servant decides to finally reveal to his master the conversation between the painter and his learned sir overheard by servants working at the library.

This is quite important because it illustrates once again the liberty valet Kim is taking concerning his master’s love life. He has known about the content of their conversation for a while but chose to hide it from his master as he feared that the latter would be displeased and even envious. This would also explain why the domestic Kim went personally to buy the painter’s material. The gentle man was well aware that his master’s lover had been hurt by the scholar’s words. He thought that if he kept putting new brushes and an ink stone next to Baek Na-Kyum, the latter would realize that he was a painter in reality and no prostitute. However, his actions didn’t help neither his master nor the painter. Remember the saying: “The road to hell is paved with good intentions”. And this is exactly what is happening. The valet caused more agony to both protagonists with his actions. First, he asked the tailor to hide the true identity of his master’s lover to the folks, then he never confirmed the real status of Baek Na-Kyum to Deok Jae (he is just favored) so that he kept the painter in a very ambiguous status, which his lord didn’t catch. The painter had been literally destroyed by these poisonous words and the butler didn’t even comfort the man because he couldn’t. Due to Kim’s neutrality/passivity, the lord’s behavior could only reinforce the negative reflection the painter had about himself and his sex partner. We shouldn’t forget that Yoon Seungho was described in the first chapter of the second season as someone obsessed with his new lover. The lord initially imagined that he had finally won and enjoyed his time with the painter, only to slowly realize that he was still missing something: the lack of passion and warmth. But the valet Kim kept this important detail from him. That’s why the master is so angry with his loyal domestic and with the low noble. The former acted on his own accord, although he is just a servant and Jung In-Hun, despise his absence, was still able to cause trouble in his relationship with the painter. Therefore Yoon Seungho feels the urge to kill the scholar symbolically, once he discovers the truth. He comprehends the painter much better, why he behaved like a prostitute, why he had lost his strength and strong will.

The black in this drawing represents the darkness and hatred for the scholar hence he uses his weapon to destroy the book.

The readers should now wonder why the valet Kim desired to hide this conversation from his master and why he keeps relativize the words exchange.

Based on this image, it becomes clear that the domestic’s intention is to protect his master from any pain. What could hurt the lord the most? The first thought would be Jung In-Hun’s portray of his actual sponsor. The judgement of the rich noble was so negative. He was described as a person led by his sexual desires, incapable of controlling his emotions and acting like an undignified noble.

But I doubt, this is the real reason for the valet to camouflage this conversation. My explication is based on the chapter 28. I would like to point out that both chapters (28/50) have many similarities:

– Yoon Seungho’s longing for the painter’s love

– Baek Na-Kyum’s rejection

– the lord’s fury and jealousy towards the “learned sir”

– his visit to the scholar’s room

In the chapter 28, Yoon Seungho discovered that Baek Na-Kyum disobeyed him. The artist had run away from the lord illustrating that the commoner had chosen the scholar over Yoon Seungho. If we pay attention to the chapter 40 now, we remember that the origin of the quarrel between Jung In-Hun and his former student is responsibility. The painter went to the library asking his teacher to take responsibility as he had implied it before. However, the jealous and arrogant man couldn’t allow a low-born to question his authority. Besides, he was even somehow forced by him to take responsibility. In that scene, the scholar refused this idea and even abandoned the painter with the simple excuse, he saw Baek Na-Kyum as a prostitute. He can’t be tainted by him. In other words, the painter remained at the mansion because he had nowhere else to go, he didn’t choose Yoon Seungho in reality. He had no option left. That’s how the valet interpreted the commoner’s decision. He anticipated that the noble would be hurt, if he disclosed this secret. Baek Na-Kyum didn’t pick him, just like in the chapter 28. Remember that Kim paid attention to his master’s facial expression and he didn’t want to relive such a scene. And now, imagine how he was already dying because of the weird confession he received from the painter. It was as if he was getting another stab in the heart.

What the valet Kim failed to see is that he didn’t always possess all the information. He wasn’t present, when the lord triggered the painter to question his own motivation: Why would he support the low noble in his career, if he expected nothing? Here, in this drawing, the noble is definitely pushing the artist to interrogate the true nature of his relationship with his learned sir, while at the same time he shows that he’ll assume the responsibility for him. But in this scene, the manhwalovers could never see Kim as he had been left behind at the tailor shop, taking care of the order for the new clothes. If the lord had known about the existence of this conversation, he would have been happy and not hurt, since he would have noticed that his words and actions had affected the artist. Yoon Seungho is well aware of the true meaning of this exchange, while the valet Kim wasn’t.

Moreover, the conversation was overheard by the domestics which is quite important because at the end, this is what they noted:

1. Baek Na-Kyum comes from a brothel
2. He was abandoned by Jung In-Hun who only considers him as a prostitute.
3. The painter has a sexual relationship with their lord, confirmed by a noble. This is no longer a gossip.
4. He became a painter of sodomy because he witnessed it at the brothel
5. Jung In-Hun implied with his terrible words that the painter was depraved, a man consumed by lust.

From my point of view, this is relevant because it gives the reason why Deok Jae looks down on the painter. He must have heard from other servants about this conversation. He might be a commoner too, yet he wasn’t raised at a brothel. I do think that some of the servants might have adopted the scholar’s judgement. However, since the incident at the kitchen, the servants got to fear the master’s punishment for expressing so openly their disrespect. But this doesn’t mean that Baek Na-Kyum has been openly accepted by all the servants at the mansion. His special status with their lord and his origins could only reinforce the bad impression some domestics had about the new sex partner. The manhwalovers recognize that the head-maid from the kitchen has already accepted Baek Na-Kyum but Deok Jae is the proof that there is still some resistance and resent among the staff.

Yoon Seungho realizes that his servant has been acting on his own hence he scolds him. He needs to remind him of his real status. His advice is not helping his cause that’s what the noble realizes. Why should he doubt the content of the overheard dispute, when it explains perfectly why the painter behaved like a whore and was just an empty shell? Kim is dismissing it because he fears the lord might get hurt due to his jealousy. Therefore he is questioning the true content of the exchange (“it may not be accurate”).

Here, the noble gets aware of the scholar’s shadow. He might have sent him away so that his relationship with the painter could improve but it didn’t really work like he had imagined.

What caught my attention in this scene is that we never see the lord’s face, only from behind. The readers are not permitted to see the noble’s face because they are encouraged to imagine his emotional state with the following details: the location, the sword,

the hanbok, the gestures

and his words are clearly underlining his pain, resentment and jealousy. However, this changes the moment the author adds this picture: a zoom on the master’s gaze.

This gaze is only revealed after the following flashback.

The lord remembers the painter’s sleeping face oozing tranquility and comfort. Here, the noble was first surprised by the painter’s reaction. He didn’t even wake up from the kiss. So when he recalls this moment, he has a huge revelation. Despite the decision he made (they were just naked bodies), he felt something else. He couldn’t help himself to kiss the painter, although the latter was already asleep. He felt the need to share what was on his mind… or better said what was on his heart. He had to kiss him. Yet, this supposed “exchange of thoughts” occurred, while Baek Na-Kyum was asleep. That’s his realization. He can’t be satisfied with the intercourse. That’s why he finds it strange. He mistakes the origin of his actions. He has the impression that his mind is behind all his reactions, while in reality, it’s his heart pushing him to express his love. He senses that he wants more but can’t explain it exactly. He is no longer satisfied with pure physcial interaction. That’s what he realized. He knows that the painter has finally been capable to distance himself from the low noble, yet his shadow is still present. Due to him, he is not able to get what he is longing for: he believes, he wants an exchange of thoughts.

In my opinion, the remark “how strange” is linked to himself. He is actually introspecting his new emotions or better said, his “thoughts”. I couldn’t help myself to connect this drawing with the following scene in the chapter 27.

The painter stopped Yoon Seungho from murdering the scholar by using his own body, barely clothed. When the painter discovered the master’s huge erection, he distanced himself from the noble. In that moment, the powerful protagonist looked at the painter’s face and saw his tears flowing, reminding him of their wedding night, where the painter had cried out of joy and happiness. In that scene, the wealthy main lead couldn’t help himself from looking away from the painter’s visage covered with tears.

Then he made the following remark:

He couldn’t recognize the origin of his fury, he was terribly jealous of Jung In-Hun. The lord had never felt anything for a long time because he had been living like a zombie. This discloses why the lord has some difficulties to understand his own motivation and feelings. From my point of view, the readers are confronted with a similar situation in the chapter 50, however this time, he is discovering new feelings, actually positive ones. I do think that there is happiness and relief. He realizes that the painter has cut ties with the scholar, the latter is no longer his admired “learned sir”. Notice that his eyes are not showing any negative emotions, rather a certain relief.

To summarize, he went to the scholar’s room out of fury and jealousy, just like in the chapter 28, yet this time, his face doesn’t turn sour, he is somehow relieved at the end. He senses that there’s a breakthrough. He has achieved something: the painter is no longer pushing him away, feels relaxed enough to doze. During that night, he couldn’t interpret the true nature of the incident as he had been first worried that the painter had gotten sick again. We know for sure that he worries a lot about the low-born’s health. Even in his sarcastic comments, he lets transpire his worry. Now, you understand why it is important to know this manhwa very well. The previous chapters help me a lot to perceive the thoughts and emotions of the main characters. Byeonduck uses the episodes from the first season to enlighten the development of her characters, underlining their transformation. In the beginning of the chapter 50, the manhwaphiles witness how much the main lead has changed. He has become very gentle, selfless and making sure that his lover is feeling well. But he is still ignorant of his own feelings. For him, reasoning is the cause of his behavior. Let’s not forget that during the first season, the main lead had to ponder a lot and even suffer due to remorse. So the painter did occupy a big place in his thoughts that’s why the lord is still making the mistake. On the other hand, he is now capable of expressing his love much better, although the artist couldn’t see it with his own eyes. However, his body has already sensed it.

And now, I would like to analyze the final image in order to close this long essay.

On the surface, we could say that the shadow represents the scholar. Although he is actually at the capital, his presence is still there affecting the painter’s life and his relationship with Yoon Seungho. Nevertheless, we know that this is the protagonist’s shadow. What does this drawing mean? In my opinion, this is actually foreshadowing the rich noble’s future evolution. He will become the “learned sir” the painter has always longed for. But this will take some time, until it becomes true therefore he is just a shadow.

We shouldn’t forget that Baek Na-Kyum has always addressed Jung In-Hun as learned sir because he admired him for his “intelligence” and “knowledge”, unaware that behind his words and smiles, Jung In-Hun was never the learned sir the commoner had imagined. He was in reality an illusion. During this chapter, Yoon Seungho heard that the scholar told his lover that the latter was born to be a prostitute. Hence the noble is smart enough to realize that if he wants to get the painter’s recognition, he needs to prove the low noble’s words wrong. The lord is standing in front of the books and this is his future role. Actually, he has already started acting as the painter’s teacher because he encouraged the commoner’s “critical thinking” (chapter 40).

That’s why I would like to remind my readers of what I wrote at the beginning of this analysis. I described Yoon Seungho as a libertine due to his sexual practice. However, a libertine is more than just a person experiencing his sexuality freely. In reality, libertine is a free-thinker. The Libertinage is tightly related to the Enlightenment, an European movement from the 18th Century, where reason and critical thinking were central.

The German philosopher E. Kant once wrote: “Enlightenment is man’s release from his self incurred tutelage. Tutelage is man’s inability to make use of his understanding without direction from another. […] Have courage to use your own reason”

A libertine questions authorities like the king’s or church’s, religion and its dogma. He experiments and uses his own mind in order to find solutions. He rejects any form of doctrine coming from above. In other words, a libertine stands in opposition to traditions and ancient rules. A libertine advocates liberty and equity, values that were defended during the American and French revolution. The problem is that libertines often lived their sexuality openly so that in the long run, the Libertinage was reduced to the sexual aspect. Yoon Seungho as a true libertine rejects social hierarchy hence he doesn’t view his relationship with a low-born as a problem. He reads a lot in order to improve his knowledge. As you can detect, he embodies the opposite of Jung In-Hun. That’s why he has another reason to despise the shallow noble.

Yoon Seungho will transform into the “learned sir”, Baek Na-Kyum has always been longing for. For that, he needs to teach the painter writing and reading. That’s why the books are in the middle of the picture. The master hasn’t slipped into the role of the teacher yet. However, I am sure that the master will do it very soon. Now, he has the knowledge, why the painter kept seeing him and himself as “men consumed by lust”. These were the poisonous words said by the jealous noble. The painter never saw “his lord” with books, the only ones he was seen with were the erotic publications, even in the chapter 23. Since Baek Na-Kyum has now adopted the doctrine of a libertine, then he is already open to this idea of receiving lessons from Yoon Seungho. The latter will show him what a real libertine is, it is not just about living his sexuality freely, it is also thinking freely, see beyond the facade and recognize the true nature of people. He still needs to perceive Jung In-Hun’s vicious and cruel personality. However, there is still a long way to go because the lord is now hurting. He knows now why the painter remained by his side. He never won his heart and he discovered it due to the valet’s revelation.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My tumblr-twitter account is: @bebebisous33. Thanks for reading and the support.

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

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The reason why I chose this title in the first place was quite simple: I noticed many parallels between the “wedding night” (chapters 20/21) and the chapters 48/49 since we had two confessions. Hence my goal was initially to compare both scenes in order to analyse both protagonists’ behavior and explain the evolution. Funny is that while writing the first part, I realized that the details I noticed kept adding up so that at the end my focus was different. Then it happened again with the second part. First, I just wanted to reply to people’s comments concerning about the prostitution and ended up writing something else. Nonetheless I never lost the focus on the title. In the first two parts, the confessions were always in the center of the analysis. However, now, you know what I am going to do: I’ll examine the two scenes mentioned above, outline the common denominators and their differences.

In the first instance, I’ll list the common points in both scenes:

1. The noble’s visit in the painter’s study
2. Yoon Seungho acting as someone else
3. The painter’s confession
4. Their kisses
5. Seungho’s surprised gaze
6. The two hugs
7. The painter’s tears
8. The prostitution/brothel
9. Baek Na-Kyum’s position on the floor
10. Seungho’s rough actions
11. Seungho’s comments
12. The presence of Jung In-Hun as a shadow
13. The painter’s emotional heartache
14. The mixture of love and sex session

Because of the high number of similarities, there is no ambiguity that Byeonduck wrote the chapter 49 based on the chapters 20/21 because in my opinion, she wanted to illustrate the progression of the relationship between Yoon Seungho and Baek Na-Kyum and their problems, but also to outline Baek Na-Kyum’s transformation.

Let’s start with the first point. In the chapter 19/20, the noble visited the painter’s chamber in the hope, he could have sex with the artist, as he had witnessed the quarrel between Jung In-Hun and Baek Na-Kyum. He was in a good mood, because he saw an opportunity to finally get what he wanted for a long time. He imagined that due to the teacher’s rejection, the low-born would finally give up on his love so that he would turn to him. In other words, Yoon Seungho went there happy and thought, he might finally taste the painter. On the other hand, what he failed to recognize are the real motivation of this action and as such the true nature of his feelings for the artist. For me, he was already in love. I am well aware that many might disagree with this statement hence I’ll explain my points for this declaration.

First, I have often compared our intelligent protagonist to a dormant volcano because he was too passive, just looking out the window and smoking, if he hadn’t sex. For me, he had been living like a zombie, passive and disconnected to his own emotions, that’s why he had mood swings. As a conclusion, he just let his body take the lead. Now, you understand why both main leads are so compatible. Our main character allowed his body/soul express his emotions without reflecting on them. Hence he never tried to understand his feelings in the first place, too busy paying attention to his surroundings for a possible betrayal. Furthermore, unlike the painter, who often dreams (wet dreams) allowing him to perceive his unconscious, Yoon Seungho is suffering from insomnia hence his unconscious can never reveal his true repressed desires. Thirdly, he never saw his own gaze in a mirror, as he disliked his own image. Notice the absence of a mirror, each time he get dressed, while his butler is helping him getting dressed. The aristocrat saw himself as vulgar and filthy because of the sodomy that was imposed on him (see my essay about his past) and which he imposed on himself in order to hurt his family and deceive people. That’s why when he saw the first painting with him as model, he saw a new side of himself: sexy, attractive and confident.

In this scene he was surprised, pleased and even smiling. That’s the reason why at the pavilion, he could liberate himself from his hell created by the others’ gaze. (chapter 3) He finally came to love himself. However, he never realized that the gaze reflected his affection and fascination for the artist, as his eyes were directed at the creator and not at his sex partner Jihwa. (chapter 2) Moreover, the noble showed his true self, the moment he met Baek Na-Kyum for the first time. He was acting like a fan meeting his idol which is a sort of love. (chapter 1) He was smiling and happy, he was very genuine. All his actions in the beginning prove to me that he fell for the artist at first sight. His admiration for the painter’s work served as a good preparation and when he saw the painter’s face, he was already gone. Consequently I wrote the essay about Yoon Seungho’s weaknesses. He fell very hard for him, but never realized that, because he had lived for a long time without his heart. He had forgotten how to interpret emotions. This is the reason why he had a low EQ. And now, I can bring an evidence that this interpretation was correct. In the third season, the lord admits that his affection existed very early on. (chapter 91) Another reason why the lord couldn’t recognize his affection for Baek Na-Kyum was that the painter kept pushing him away. Thus he had no time to introspect himself and question his feelings. He was busy pondering how to convince the artist to work for him or to think about the image the commoner had about him: “a man consumed by lust” (chapter 5). Then from the beginning, he felt the need to touch him (chapter 1) (his talented hands, then his tears and eyes, his hair, etc.). (chapter 2) He also liked his ears, because he often whispered to the painter’s ears, although he first threatened him. The whispering is important, as it shows his need for closeness. This is not surprising why he whispered and licked his ears during the masturbation scene. Thus in the third season, we witness how the lord keep whispering to his lover in private (chapter 91) and in public (chapter 92) This truly exposes the protagonist’s true nature: he is delicate and sensitive.

The noble has never felt loved, since Jihwa never dared to confess. Besides observe how Seung-Won, the younger brother, and his father are only seeing the main lead as a tool or pawn for their own benefits. Therefore I come to conclusion that the seme couldn’t recognize love, as he has no experience with love. He had no idea about his true emotional state, only his butler Kim could perceive his love for the commoner. As he viewed Baek Na-Kyum’s talents and the creator’s publications could arouse emotions in him, it is important to realize that they had already connected through the paintings, both are very sensitive and emotional. All these are the reasons why I believe that Yoon Seungho already loved the painter right from the start. Let’s not forget that love exist under different forms (idol, child, husband, friend, sex partner… ) and the idea that true love is necessarily selfless is just an illusion. People can be selfish, therefore love can be selfish too. We have Jihwa as the best example. We can’t say that Jihwa doesn’t love his childhood friend, it is just that he chose his own interests first. Thereby it is definitely an unhealthy and superficial relationship. Besides, emotions never remain the same, they can evolve, deepen and become stronger or the reverse, love can turn into hatred and resent. Thus it is not surprising that the red-haired master’s love was full of reproaches, a mixture of love and resent. (chapter 57) Now, you can sense why I am writing this. The love Seungho had in the beginning has changed a lot, has deepened so much that he considers the painter as his wife, that he became monogamous and is even willing to get hurt, if it means that in the end, he can get closer to Baek Na-Kyum. His love for the low-born has transformed the man, (chapter 47) He is much more gentle and selfless compared to the way he behaved in the first season. I believe this long explication was necessary for the comparison.

Like I explained above, in the chapter 19/20 the aristocrat visited the painter’s chamber, because he hoped to have sex with him, unaware that he was already in love with the young man. In the chapter 49, his visit has another purpose. (chapter 48) He is actually upset, because Baek Na-Kyum still views him as a man consumed by lust and the former acts as a prostitute. the aristocrat did so many things for him (lowering himself in order to pleasure him, becoming monogamous, buying him expensive and warm clothes, treating him with respect, going to town with him etc.). But with the painter’s remark, it was as if the lord had done it, as he was expecting something in return!! Yes, the existence of a new deal, but contrary to the past, Yoon Seungho had never mentioned it explicitely. The reality was that Yoon Seungho had acted generously out of selflessness. He didn’t expect anything in return, maybe just his presence. Because of the silence between them, a misunderstanding occurred. Thus the lord felt so upset. It was, as if all his benevolence had never existed, as if the aristocrat had paid him like a whore.

What the noble couldn’t comprehend is the reason why he was deaf and blind to all his nice actions. Since the painter considered himself as a whore, he could only judge his sex partner as a man consumed by lust, because this is what a prostitute is supposed to do. Since the head-maid had convinced him that the noble cared for him (chapter 46), the painter felt somehow obliged to paint something… as you can see, he was trying to change the nature of their relationship. (chapter 47) He had been hired as a painter, but the lord had showed no real interest in the picture, it remained on the floor. Furthermore, he kept commenting about Baek Na-Kyum’s body (chapter 47) (his blushing and how thin he was). Thus the noble contributed to reinforce the painter’s prejudice. He was only interested in his body. Thus the artist jumped to the wrong conclusion: he was only a man consumed by lust. (chapter 48) Another misunderstanding was created. On the other hand the main lead got upset, for he realized that Baek Na-Kyum was perceiving him as man in a negative light and had denied the existence of his generosity. He realized that Baek Na-Kyum was acting like a prostitute. This explains why he got so mad. In reality, he just mixed the cause (the painter considering himself as a prostitute) with the consequence. Yet he noticed that Baek Na-Kyum was just an empty shell, hence he decided that he needed to take the bull by the horns. For me, the lord never went for sex in the first place, he just wanted to confirm his assumptions (Baek Na-Kyum acting as a whore). Thus he just ordered him to strip. You can sense the lord’s wound in his gaze. (chapter 48) His appearance is linked to his resolution to solve the issue. Since the painter didn’t understand the aristocrat’s pranks (chapter 48) and motivations, the latter had to change his strategy. This explicates why the lord isn’t rough right from the start. Sex was not the goal, but a tool in order to trigger reactions in the artist. He wanted to provoke fear and pain so that Baek Na-Kyum would drop his stuporous state. This was a new version of the scene in the bathroom: (chapter 26) He prefers the artist kicking than an empty shell. This is a huge difference: the value of sex has changed. Sex is no longer a goal (chapter 19/20), just a tool because the lord has learned to express his love through sex. He knows how to difference these two, as he learned it through the hard way, with the rape.

Striking is that in both scenes, the noble acted. During their wedding night, he took the role of Jung In-Hun and in the chapter 49, he is a client, a man consumed by lust who can do anything he wants and the prostitute has to follow the client’s wishes. (chapter 48) His true goal is to provoke a reaction in the artist. However, in the chapter 20, he hesitated before deciding to slip into the role, as he didn’t respond to the kiss immediately. (chapter 20) Yet, the manhwaphiles witness that Yoon Seungho’s mindset hasn’t changed one bit: the end justifies the means, deception can be used if it is necessary. What matters is to achieve his goal. However, during their first night, this role did him a disservice in a long term, because it helped the painter to find an excuse to deny the existence of their love session. From my point of view, the painter realized little by little that he was not facing his admired sir because in the following drawing the glasses are barely visible. (chapter 21) I interpret the way Byeonduck drew the glasses as if they are vanishing. That’s the reason why I state that the commoner was able to distinguish the disappearing of the glasses. The expensive wine had lowered the painter’s control body (conscious mind) so that the unconscious could finally be released. Here, the painter was expressing his inner deepest wish: making love to the person he was attracted to. Furthermore I consider the drawing above as a proof that the painter became aware of Yoon Seungho’s real presence. The artist could recognize Yoon Seungho by his lips and chin, let’s not forget that he is a detail-oriented painter who had both nobles as source of inspiration. Since the powerful lord was dishonest, then Baek Na-Kyum could also be insincere. The black in the pictures, corresponding to the artist’s eyelids, kept increasing symbolizing his denial of the reality. (chapter 21) It was, as if he was closing his eyes to his sex partner’s identity, choosing to follow his sexual desires which had been repressed for so long. Hence I come to the conclusion that during that night, the painter wasn’t entirely innocent and used the noble. Until the chapter 16, he had to fight against his sexual desires for Yoon Seungho. But he had to deny them and as time passed on, he was forced to hide them (see the masturbation in the chapter 9). So the scholar’s rejection and abandonment (chapter 19) not only pushed the painter to drink, but also to disregard the doctrine that had been imposed on him. I am not saying that Baek Na-Kyum had already realized the subterfuge right from the beginning. Yet it dawned on him as their sex session progressed. Once confronted in the pavilion, he could perfectly recall his love confession. Both main leads sinned during that night, hence they had to pay the price for their dishonesty: the rape and the rejection. But since in the study, the lord was selfless and even took the risk to jeopardize his relationship with the low-born, he got rewarded. The painter was finally accepting him as his sexual partner. (chapter 49) He was no longer a prostitute. This explicates why Kim had to intervene himself and reveal the incident in the library. (chapter 50) He needed to separate the couple. From my point of view, it is related to Deok-Jae’s insult. (chapter 47) Kim must have tattled on Deok-Jae to his master, faking that he was defending the painter’s best interests.

Striking is that in the chapter 49, there is still the presence of the scholar in the form of a flashback. Here again, the warmth and affection Yoon Seungho is exuding reminds the painter of the hug Jung In-Hun gave him. (chapter 29) Notice the parallels. In the chapter 49, Baek Na-Kyum is associating the gentle lord with the double-faced teacher, just like during their Wedding night. One more time, the scholar becomes a hindrance and is the reason why the painter refuses to open up to the main lead entirely. He won’t make the same mistake: sensing the warmth coming the main lead as something genuine and real. (chapter 49) He doesn’t want to get hurt and disappointed again. For the second time, Yoon Seungho “became” the teacher, however in that moment he is unaware of the painter’s thoughts. The other similarity is the closed eyes. Remember what I wrote about their first night, the painter was closing his eyelids to the reality, as he refused to admit what was happening. Here, when he hides his eyes, he remembers the scholar’s hug. By repeating the same action, he is making the same mistake: closing his eyes to the reality. He rejects the idea to perceive the lord’s hug and comfort as genuine. This outlines how it is now difficult for the artist to differentiate between seem and real. He has been terribly hurt. .

The painter’s heartache is palpable in both scenes. In the chapter 49, Baek Na-Kyum is keeping Yoon Seungho at a certain distance, as he doesn’t want to get hurt again. Therefore he confesses that their relationship is purely physical. (chapter 49)The lord will never be the object of his affection and admiration, since the painter’s pleasure will be in the center of their couple. (chapter 49) On the other hand, in the chapter 19, the agony was the cause for the painter to approach the noble and confess to him. He wanted closeness and love, the counterpart was the subject of his admiration and love.

Observe the other contrast: physical attraction-pleasure versus mental admiration-chaste love. The painter is doing the opposite from the past. He won’t love someone so purely, he will allow to become the object of physical pleasure and love. It becomes more obvious why the painter chose to make such a bold confession: he doesn’t want to make the same mistake, to fall for a double-faced man. The positive aspect is that the low-born is now respecting himself, he will allow his body to express his sexual desires and accept the pleasure during the intercourse. Nevertheless in both cases, the wound in the heart was the trigger for the artist to make a revelation. Yet their intention diverses. One is setting him free from the scholar’s doctrine, whereas the other revelation was just a subterfuge to release his frustrations, but to keep adhering to Jung In-Hun’s principles. However, the manhwalovers will detect that in both scenes, the painter is using Yoon Seungho. The latter is a tool in reality and in both scenes, the noble did accept this, since he accepted the kiss. (chapter 20) (chapter 49) Like the saying, the kiss sealed the deal.

Striking is that because the couple got separated, the painter was forced once again to question the purpose of his stay in the mansion. (chapter 51) If he was no longer his sexual partner, why didn’t the lord chase him away? Why was he allowed to stay in the mansion? Remember the head-maid’s words: (chapter 38) Maybe he is expecting him to paint for him. Thus he created a new erotic picture. From my point of view, the artist was slowly realizing that Yoon Seungho was indeed favoring him. (chapter 51) Unconsciously, the painter conclude the opposite of Deok-Jae. Under this new light, it becomes comprehensible why Baek Na-Kyum refused to leave the mansion. (chapter 53) He knew that this was not the main lead’s wish. And now, you comprehend why the artist didn’t paint so much in the second season. It was related to the lord’s interests.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.