Please support the authors by reading Manhwas on the official websites. This is where you can read the Manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed Manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the 2 previous essays about Jinx The Silent Shore and The Red Flags Behind The Flowers . This is where you can read the original version The Little Mermaid from Hans Christian Andersen
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When Joo Jaekyung dives into the water to rescue Kim Dan 
(chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice 
(chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.
Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.
Far out in the ocean, where the water is as blue as the prettiest cornflower, and as clear as crystal, it is very, very deep; so deep, indeed, that no cable could fathom it: many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above. There dwell the Sea King and his subjects. We must not imagine that there is nothing at the bottom of the sea but bare yellow sand. No, indeed; the most singular flowers and plants grow there; the leaves and stems of which are so pliant, that the slightest agitation of the water causes them to stir as if they had life. Fishes, both large and small, glide between the branches, as birds fly among the trees here upon land. In the deepest spot of all, stands the castle of the Sea King. Its walls are built of coral, and the long, gothic windows are of the clearest amber. The roof is formed of shells, that open and close as the water flows over them. Their appearance is very beautiful, for in each lies a glittering pearl, which would be fit for the diadem of a queen. Quoted from http://hca.gilead.org.il/li_merma.html
However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.
The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.
his aged mother kept house for him. She was a very wise woman, and exceedingly proud of her high birth; on that account she wore twelve oysters on her tail; while others, also of high rank, were only allowed to wear six. […] ” Quoted from http://hca.gilead.org.il/li_merma.html
Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.
“Yes,” replied the old lady, “they (humans) must also die, and their term of life is even shorter than ours. We sometimes live to three hundred years, but when we cease to exist here we only become the foam on the surface of the water, and we have not even a grave down here of those we love. We have not immortal souls, we shall never live again; but, like the green sea-weed, when once it has been cut off, we can never flourish more. Human beings, on the contrary, have a soul which lives forever, lives after the body has been turned to dust. It rises up through the clear, pure air beyond the glittering stars. As we rise out of the water, and behold all the land of the earth, so do they rise to unknown and glorious regions which we shall never see.” Quoted from http://hca.gilead.org.il/li_merma.html
Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism 
(chapter 54), performance, and the longing for a deeper connection.
Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others 
(chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. 
(chapter 36) 
(chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices 
(chapter 31)
(chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.
The Fake Sun and Kim Dan’s Awakening
When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. 
(chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.
In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.
“When the sisters rose, arm-in-arm, through the water in this way, their youngest sister would stand quite alone, looking after them, ready to cry, only that the mermaids have no tears, and therefore they suffer more. ‘Oh, were I but fifteen years old,’ said she: ‘I know that I shall love the world up there, and all the people who live in it.’” Quoted from http://hca.gilead.org.il/li_merma.html
Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:
“One arranged her flower-bed into the form of a whale; another thought it better to make hers like the figure of a little mermaid; but that of the youngest was round like the sun, and contained flowers as red as his rays at sunset. She was a strange child, quiet and thoughtful; and while her sisters would be delighted with the wonderful things which they obtained from the wrecks of vessels, she cared for nothing but her pretty red flowers, like the sun.” Quoted from http://hca.gilead.org.il/li_merma.html
The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope 
(chapter 55) and hardship 
(chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: 
(chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.
Depression: Disconnection and Yearning
Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.
The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. 
(chapter 57) 
(chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors 
(chapter 21) , and even Joo Jaekyung. 
(chapter 45)
Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself 
(chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.
Joo Jaekyung: The “Prince” or The Mermaid?
Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, 
(chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. 
(chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions 
(chapter 57), only allowing him to speak when it benefits them financially.
Interestingly, Joo Jaekyung’s affinity for water 
(chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. 
(chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. 
(chapter 52) 
(chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.
(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.
In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him.
The Doctor’s Family: A Reflection of the Mermaid’s World
Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, 
(chapter 19) 
(chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.
At last she reached her fifteenth year. “Well, now, you are grown up,” said the old dowager, her grandmother; “so you must let me adorn you like your other sisters;” and she placed a wreath of white lilies in her hair, and every flower leaf was half a pearl. Then the old lady ordered eight great oysters to attach themselves to the tail of the princess to show her high rank. “But they hurt me so,” said the little mermaid. “Pride must suffer pain,” replied the old lady. Oh, how gladly she would have shaken off all this grandeur, and laid aside the heavy wreath! The red flowers in her own garden would have suited her much better, but she could not help herself […] Quoted from http://hca.gilead.org.il/li_merma.html
Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness 
(chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.
However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.
One arranged her flower-bed into the form of a whale; another thought it better to make hers like the figure of a little mermaid; but that of the youngest was round like the sun, and contained flowers as red as his rays at sunset. She was a strange child, quiet and thoughtful; and while her sisters would be delighted with the wonderful things which they obtained from the wrecks of vessels, she cared for nothing but her pretty red flowers, like the sun, excepting a beautiful marble statue. It was the representation of a handsome boy, carved out of pure white stone, which had fallen to the bottom of the sea from a wreck. Quoted from http://hca.gilead.org.il/li_merma.html
In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.
Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. 
(chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.
Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.
In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. 
(chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.
The Sisters of the Mermaid and Team Black
In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. 
(chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers 
(chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.
Gardening and Immortality
In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements 
(chapter 1), attracting others seeking the same level of fame and fortune. 
(chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.
Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation 
(chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.
Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.
The little mermaid perceived that she had a body like theirs, and that she continued to rise higher and higher out of the foam. “Where am I?” asked she, and her voice sounded ethereal, as the voice of those who were with her; no earthly music could imitate it. Among the daughters of the air,” answered one of them. “A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the power of another hangs her eternal destiny. But the daughters of the air, although they do not possess an immortal soul, can, by their good deeds, procure one for themselves. We fly to warm countries, and cool the sultry air that destroys mankind with the pestilence. We carry the perfume of the flowers to spread health and restoration. After we have striven for three hundred years to all the good in our power, we receive an immortal soul and take part in the happiness of mankind. You, poor little mermaid, have tried with your whole heart to do as we are doing; you have suffered and endured and raised yourself to the spirit-world by your good deeds; and now, by striving for three hundred years in the same way, you may obtain an immortal soul.” Quoted from Quoted from http://hca.gilead.org.il/li_merma.html
The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.
However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.
Potato’s characterization as a mixture of a “spoiled child” 
(chapter 22) and a “neglected child” 
(chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. 
(chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.
The prince said she should remain with him always, and she received permission to sleep at his door, on a velvet cushion. He had a page’s dress made for her, that she might accompany him on horseback. […] As the days passed, she loved the prince more fondly, and he loved her as he would love a little child, but it never came into his head to make her his wife; yet, unless he married her, she could not receive an immortal soul; and, on the morning after his marriage with another, she would dissolve into the foam of the sea. Quoted from http://hca.gilead.org.il/li_merma.html
This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.
This lack of empathy and the absence of tears 
(chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.
By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting 
(chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.
The Ocean: Nature as a Setting for Transformation
In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. 
(chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.
Responsibility and Guilt: The Couple’s Role
The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. 
(chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung 
(chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.
However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.
Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: 
(chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability 
(chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.
The Daughter of the Air: Kim Dan’s Transcendence
In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.
The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” 
(chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.
The “Princes” and Legacy
The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: 
(chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. 
(chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.
Conclusion: Mutual Transformation
Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.
Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.
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(chapter 59) —which becomes the pivotal clue leading Joo Jaekyung to Kim Dan. Through a careful analysis of the timeline and the use of contrasting events, it becomes clear that Mingwa’s narrative mirrors a kaleidoscope, reflecting positive and negative elements rooted in Taoist principles. While the doctor’s unconscious 
(chapter 59) led him to the shore, driven by despair and suicidal intent, the MMA fighter’s journey stands as its opposite: 
(chapter 59 ) a conscious choice to follow his heart, hence he was full of anger and frustration. Joo Jaekyung was no longer repressing his feelings, even if he had yet to fully recognize his affection. 
(chapter 59) embodies the negative reflection of Joo Jaekyung’s purposeful arrival. We can detect the divergences: day versus night, work versus break, healthy versus unhealthy etc. Through the juxtaposition of images and situations, Mingwa provides profound insight into the characters’ thoughts, desires, and intentions. The photograph’s role becomes pivotal: while it marks the end of Heesung and Potato’s visit
(chapter 59), it simultaneously signifies the first crucial clue in Joo Jaekyung’s search. This marked the turning point where his ongoing efforts were given direction, transforming his pursuit into a decisive journey toward discovery.
(chapter 59) —each of whom had interacted with Kim Dan 
(chapter 57) during his time at Light of Hope. While these individuals appear as potential candidates for revealing Kim Dan’s location, the true helper remains shrouded in mystery. This ambiguity emphasizes the layered narrative of Jinx, where each small action—no matter how mundane—contributes to the larger theme of fate’s intricate web, offering insight into the power of both intentional and unintentional intervention. If Potato had not suggested the picture 
(chapter 58) 
(chapter 58), ignorance and superficiality 
(chapter 58), becomes the shadowed reflection of the proactive search by Joo Jaekyung. This interplay of light and dark is central to unraveling how fate unfolded.
(chapter 58), came to the same conclusion: they should not reveal Kim Dan’s whereabouts to Joo Jaekyung. Heesung argued that Kim Dan was better off in his secluded life, away from the chaos of Joo Jaekyung. Potato, deeply trusting his lover’s seniority and judgment, chose to follow Heesung’s lead. Their decision reflects not only their loyalty to Kim Dan’s expressed wishes but also their passive adherence to the belief that avoiding intervention was a form of help which reminds us of Potato’s former principle: 
(chapter 35) This shows that despite the last incident, Yoon-Gu didn’t drop this terrible principle. Notice that he is advocating the same philosophy than Shin Okja. Heesung justified his stance by claiming that it was in Kim Dan’s best interests 
(chapter 59) Importantly, Joo Jaekyung did not arrive during this period, further affirming their resolve. The photograph taken just before their departure was the key turning point. However, the timeline—marked by the sunsets 
(chapter 59) 
(chapter 8) 
(chapter 37) and Kwak Junbeom was a witness of the encounter between Kim Dan and director Choi Gilseok. 
(Chapter 48) Nonetheless, there exist significant points against this theory. Despite their fondness for the actor 
(chapter 30) and their interactions with Heesung and Potato 
(chapter 35), they are unaware of the actor’s relationship with Potato. The author left many clues for this interpretation. They didn’t notice the maknae’s absence at the champion’s birthday 
(chapter 43), but more importantly the presence of Yoon-Gu‘s embarrassment in front of his hyung indicates secrecy. . 
(chapter 58) His “redness” indicates that he doesn’t want to expose his special relationship with Heesung. Therefore I believe that he didn’t mention this trip to other members. Consequently, I doubt that the members were looking for Potato in such a photograph. Furthermore, from my perspective, members of Team Black are still left in the dark about Joo Jaekyung’s struggles. They are unaware of his drinking habits 
(chapter 56), or his emotional state. They think, he has not come to the gym due to his recovery. Furthermore, they don’t use his cellphone number to contact him. The hiring of a new physical therapist and 
(chapter 57) the interview suggested that Joo Jaekyung was taking a break to recover from his injury, leaving no indication of his active search for Kim Dan. However, Yoon-Gu got informed through Heesung that Joo Jaekyung was desperately looking for him: 
(chapter 58), but probably saw this as another “negative reaction” (bad temper) of a spoiled child. This makes it unlikely that members of Team Black could have provided the critical information. 
(chapter 50) 
(chapter 49), highlighting the failures of relying solely on fate. The champion’s eventual discovery of Kim Dan underscores the necessity of teamwork and active intervention. Notably, this also reflects the flaws in Team Black, whose inaction and superficiality limited their understanding of both Joo Jaekyung’s struggles and Kim Dan’s situation. While Heesung’s stardom and blog 
(chapter 30) could have amplified the picture’s reach, it’s unlikely Joo Jaekyung relied on such sources directly. I can not imagine him spying on the actor’s blog. Instead, the role of the helpers — the nurse and her acquaintance— emerge as crucial to piecing together the connection. The inadvertent role of the nurses Mind and Heart, urging Heesung to take the picture, becomes an integral part of the story’s progression. 
(chapter 13) who played pivotal roles in lifting the curse, as Mingwa’s narrative often draws on such reflections. Here, the nurses’ actions, though seemingly minor, echo the same themes of fate and intervention.
(chapter 13) The latter knew the PT’s face, 
(chapter 13) but didn’t know his identity. He mistook him for someone who was selling his body for money. 
(chapter 13) In addition, Kim Dan never got to know the intervention of this hyung: he was the invisible helping hand in season 1. And now, if you reread the scene in episode 13, you will notice that this conversation between Joo Jaekyung and his friend contains all the ingredients in episode 59: the use of the phone, fainting, malnutrition, secrecy, neglect, secret suffering, pictures and public knowledge 
(chapter 13), the death of a man and finally urgency. Moreover, remember what his friend told him before: the importance of rest and 
(chapter 13) He should send him to the hospital for tests, but the fighter refused. Why? It is because the latter feared his “chingu”. The doctor seemed rather interested in Kim Dan, therefore he feared that the PT might dump him for a “colleague”. That’s why Heesung was sent later to his gym. Karma was punishing him for not listening to his friend’s advice. Finally, it is important to recall his advice: 
(chapter 43) And during that evening, the champion called his penthouse with the doc “Home” for the first time. Finally, in season 2, Joo Jaekyung started visiting each hospital or Sports Rehabilitation Center in Seoul in order to find Kim Dan. 
(chapter 56) And there’s no doubt that Joo Jaekyung got recognized by people forcing him to use a mask to hide his identity. So this frenetic search must have reached the mysterious doctor’s ears, but I doubt that he made the connection between the star’s lover and the physical therapist right away. Since he‘s a guest of XY club, 
(Chapter 13), it is also possible that he could have heard about the last incident in the restroom with doc Dan’s replacement. Since Cheolmin found Dan cute, it is very likely that he was also drawn to the surrogate „Dan“. But I don‘t think, this was enough to intervene, as Joo Jaekyung didn‘t ask for his help.
and to Neptune 
and strangely, the doctor moved to a place next to the coast. So maybe Cheolmin comes from that little town and the green-haired nurse is his relative. I had already outlined their similarities. Finally, look at the numbers, we have 4 in both episodes, 13 and 59 (13: 1+3 = 4 / 59: 5-9= -4) The -4 would coincide with Kim Dan’s vanishing, but also with the intervention of Cheolmin. And if my theory is correct, this means that the champion will come to regret his past decision 
(Chapter 19) and the group photograph at the hospice
(chapter 54) and penthouse 
(chapter 54) in Seoul—a city symbolizing anonymity, invisibility, and corruption—to the hospice “Light of Hope” 
(chapter 56) in a small town on the West Coast 
(chapter 56), where people know each other. This essay builds upon my previous interpretations of the series, which led me to develop these predictions for the upcoming season. By comparing the visual depictions of the gym and penthouse in Seoul with the hospice and small town on the West Coast, the divergence in weather becomes a powerful symbol of the changes Joo Jaekyung will undergo. The rainy, overcast settings of the gym and penthouse reflect the fighter’s inner turmoil and sadness, highlighting the oppressive atmosphere of a city rife with anonymity and corruption. In contrast, the sunny and open environment of the hospice and town by the ocean represents a space of hope and renewal, where human connections thrive. This comparison underscores the significant role the hospice and small town will play in fostering Joo Jaekyung’s self-discovery and healing. The gym and penthouse in Seoul symbolize anonymity, invisibility, and corruption. This anonymity stems from the city’s indifference to individual suffering, as seen when Kim Dan was dragged 
(chapter 16) 
(chapter 16) through the streets by loan sharks in broad daylight without anyone intervening. Invisibility is further exemplified by the perverted hospital director, 
(chapter 1) who harassed Kim Dan without facing any consequences, though he was caught, and by Kim Miseon’s unethical actions, such as leaking patient information 
(chapter 48) and using Shin Okja as a guinea pig for trial treatments 
(chapter 21) —none of which led to accountability. In contrast, the hospice represents a counterpoint: 
(chapter 56) a space where respect and dignity take precedence over ambition, fostering genuine human connection and care. This contrast between the city and the hospice highlights the champion’s need to redefine his understanding of life, identity, and success. The contrast between the hospice and MFC becomes pivotal, as these environments symbolize opposing values: while the hospice fosters compassion
(chapter 52) The best example is the vanishing of the protagonist’s former rival, Baek Junmin, 
(chapter 56) emphasizing respect and dignity. This stark reality will serve as an eye-opener for Joo Jaekyung, who is burdened by news and media narratives equating 
(chapter 36) 
(chapter 35) 
(chapter 57), prompting him to recognize that his so-called career end does not symbolize his real death. 
(chapter 57). This environment challenges him to confront the indifference of figures like Yosep and Park Namwook, whose neglect, blind trust, passivity, naivety, neglect and selfishness have shaped his struggles. Notice that the nurses are often seen together and exchanging thoughts about doc Dan symbolizing unity and harmony 
(special episode 1) In other words, the presence of Kim Dan’s friends (Joo JAekyung, Potato and Heesung) could make her realize her true nature, which would impact her mental health. She led a life full of missed chances and regrets. 
(chapter 26)
(chapter 27) In Korean culture, the saying “when the heart isn’t in it” reflects a profound truth: actions devoid of sincerity lack real value. Season 2’s new settings allow the champion to reflect on his mechanical, dispassionate life and begin to act with intention and feeling.
(chapter 54) Though in denial, Joo Jaekyung feels undoubtedly responsible for the doctor’s suffering, as one of his nightmares reveals his guilt for doubting Kim Dan’s honesty and dedication. Once seeing his terrible transformation, the man can only blame himself, especially if he recalls Cheolmin’s advice: 
(chapter 57) and her puppies. Kim Dan is tasked with taking care of the dog and her newborns, and Joo Jaekyung should be asked to do the same. This responsibility not only serves as an allegory for taming the wolf within him but also paves the way for the champion’s deeper connection with Kim Dan. By being close to the ocean 
(chapter 56), a place where Joo Jaekyung finds relaxation through swimming, the setting introduces an opportunity for him to teach Kim Dan how to swim, addressing the latter’s fear of water 
(chapter 27). Swimming could become a shared activity that rebuilds their relationship on a foundation of trust, mutual learning, and growth. Engaging in this physical activity would not only strengthen their bond but also boost Kim Dan’s confidence and help him rediscover his own resilience.
(chapter 54), his connection with Kim Dan is no longer defined by a boss-employee relationship. Their interactions, now free of financial obligations, offer the fighter a clearer view of Kim Dan’s selfless and angelic nature. The physical therapist’s unwavering care, even at the expense of his own well-being, highlights his ungreedy and altruistic character. This realization will deepen Joo Jaekyung’s respect and affection for Kim Dan, further cementing the transformative journey they both embark on.
(chapter 57) and the yelling patient
(chapter 56) “Nurse Mind” and “Nurse Heart,” provide another layer of mentorship. They could act as the champion’s eyes and ears, teaching him to observe and understand Kim Dan’s mental state. Though the nurse 1 started reproaching Kim Dan to neglect himself
(chapter 13) She already noticed his unusual fatigue, so in my opinion, this third woman could be the one detecting that the main lead is not eating properly. If this assumption is correct, then she stands for food and body, like in the Korean saying: “If your heart is not in it, you can’t see if you look. You can’t even hear if you listen, and you can’t taste even if you eat.” Their guidance should help Joo Jaekyung cultivate a nurturing side, showing him that strength is not solely physical but also emotional and relational. In this way, the nurses become pivotal in his journey from a lone wolf to a leader who values and protects his pack.
(chapter 49), though their positions are absolutely opposite. The patient’s reaction in Chapter 57 echoes this dynamic, as he accuses Joo Jaekyung of being ill-tempered (this means that he remembers the suspension), a perspective shaped by the media’s manipulations. His criticism reflects the behavior of a sheep, falling prey to misinformation and failing to see the larger truths. On the other hand, it indicates that this man also knows a part of the truth: the suspension which is no longer mentioned, but also escaped Kim Dan’s notice, as he was dealing with his departure. In contrast, Potato’s response in Chapter 49, where he courageously questioned Director Choi despite the latter being an elder, showcases independence and critical thinking. This juxtaposition highlights the patient’s potential to awaken Joo Jaekyung, Kim Dan, and Potato to the damaging impact of media narratives. Over time, the patient himself must confront the wrongfulness and cold-heartedness of his accusations, fostering growth and understanding on all sides. These characters reflect the flaws of Yosep and Namwook, enabling Joo Jaekyung to see the neglect and indifference he has endured and inspiring him to redefine his role in the gym and in Kim Dan’s life. 
The illustration’s inclusion of the hamster—symbolizing Kim Dan’s fun, fragile, and nurturing nature—along with the chow chow and the gumiho, emphasizes the roles of protectors and mediators. The chow chow’s loyalty and the gumiho’s cunning serve as essential forces guarding the hamster and navigating the complexities of this “pure community,” where lies and selfishness can still exist. These characters highlight the intricate dynamics within the hospice, where Joo Jaekyung must balance strength with empathy.
(chapter 11) Here, she offered him a sweet bread as present, but since it was his birthday cake, he had to share his “own present” with his grandmother. The little he possessed was given to his grandmother, a new form of this scene 
(chapter 43) In other words, he was the one sharing his food with her. But there exist more conclusive evidences. 
(chapter 5) When he visited her in episode 5, the main lead was the first one to bring up the topic “dinner”. How did the grandmother respond to his question? “You know your granny never skipped a meal”. Her statement is implying that someone else skipped his meals before. That can only be the doctor. So she knows that he has not been eating on a regular basis. And what is the opposite of “never”? ALWAYS! Yet, observe that she is smiling, when she is saying this. It exposes that she never saw the doctor’s skipping meals as worrisome. She must have probably thought that her grandson was a picky eater. 
(chapter 57) So she was not sitting down to a meal with her grandchild literally. In addition, when she suggested snacks to console him, she didn’t realize the terrible consequences of her decision. Once it was dinner time, Kim Dan would no longer feel hungry. With the introduction of such a ritual (eating became the synonym for repressing negative emotions), it is normal that the little boy would stop eating with his grandmother. That’s how the routine of eating on a regular basis got dropped, as it was strongly intertwined with his negative emotions and terrible incidents. 
(chapter 5) Thus she offered him two sweet yogurts. 
(chapter 5) Her words “You used to love these when you were little” are alluding that she perceives the main lead as a picky eater. As a child, he would never refuse the drinks. So when she offers them to him, she is sure that he will eat these. Finally, when she saw the celebrity, she indirectly put the blame on her grandson. He is thin and weak, because he didn’t eat properly. 
(chapter 21) In her eyes, Kim Dan’s habit for skipping meals was the expression of an avoidance of certain foods. It was because he was a picky eater. This shows that she never questioned herself and her past decisions. Then in the latest episode, she is seen eating her lunch, 
(chapter 57) yet at no moment she shares her food or questions him if he has already eaten. For me, this scene exposes her neglect. Her focus lies elsewhere: 
(chapter 57) She asks this question, because she has already witnessed him sleeping next to her. She associates tiredness with lack of sleep, but she is not making the connection between malnutrition and his exhaustion. 
(chapter 57) On the other hand, the expression “wasting away” displays her realization. She is seeing how Kim Dan is losing weight!! To conclude, she is not totally blind. Her grandson is not eating properly. But why is she not questioning her grandson about his meals? It is because he is working at the hospice where lunches are provided to the staff. 
(chapter 56) In other words, she is relying on the hospice, while the staff is too busy and overwhelmed with work to notice that Kim Dan has been working too much and even avoiding lunches. 
(chapter 57) It took them days before the nurse noticed that he shouldn’t be there. Interesting is that the nurse “Mind” is starting to put the blame on the physical therapist 
(chapter 57) This shows that Kim Dan had become a ghost at the hospice for the last few days, and no one paid attention to him. He was invisible because it was his way to be “accepted” and not stigmatized as “bun” or “orphan”. People only noticed him, until he created some ruckus at the institution. However, this means that the man must have spent the night with his grandmother. Yet, at no moment she sent him away or even shared her meals with him. This shows her indifference and egoism. She contrasts so much to the protagonist’s landlord.
(chapter 57) This scene represents the man’s new routine. He would go to Kim Dan’s bedroom and ask the protagonist to eat breakfast with him. On the other hand, though he noticed the doctor’s absence, he jumped to a false conclusion. He imagined that his new room mate had returned to Seoul. This raises the following question. Why is this caring man assuming that Kim Dan moved to that small and insignificant town just for a short moment? 
(chapter 57) And why did he think that Kim Dan had left for good? First, I can imagine that the doctor looked for a place without deposit. 
(chapter 16) But more important, it is because the physical therapist only arrived on the West Coast with two small bags. 
(chapter 53) And now pay attention to the PT’s departure on the day he was sent back: 
(chapter 57) He had gone to the hospice with all his belongings, a sign that he had planned to stay with his grandmother until his “death”. In other words, his “workplace” would have become his tomb. This means that the landlord already noticed that the main lead only had a few belongings, and the moment he didn’t see the black bag with the halmoni’s picture, he assumed that Kim Dan had returned to the city. Thanks to the introduction of the new landlord, my interpretation about the champion’s biased judgment got confirmed. 
(chapter 19) When Joo Jaekyung saw the huge Wedding Cabinet, he thought that Kim Dan had many clothes. Thus he saw it as a sign of “greed”, Kim Dan was poor, because he was not able to save money. And this observation brings me back to the landlord: 
(chapter 57; here he used guilt and shame to incite Kim Dan not to drink), he is attempting to be close to his new room mate, to understand him. The problem is that the protagonist is keeping everything to himself. He is not speaking about himself and his past. This is quite understandable, as the grandmother keeps telling him that he has no roots here. 
(chapter 57) Care, curiosity and responsibility. Here he is asking for help as well. Nevertheless the nature of his request is different, for it is not about himself, but about Boksoon and her puppies. As you can see, he is making sure that she gets the best environment to raise her puppies. On the other side, Shin Okja used to prioritize herself and her own suffering. Notice that the doctor was resting under a tree in the yard 
(chapter 57), until the owner appeared. Thus I couldn’t restrain myself thinking that this man is strongly associated with the sun (fatherly figure) and life, whereas the grandmother stands for darkness 
(chapter 57), night and death. 
(chapter 43) No, his avoidance of eating increased. Park Namwook and the others assumed like many readers that it was related to his overwork and exhaustion, but it is only partially true. Sleeping was also his way to avoid food in the end. And this brings me back to the incident with the switched spray: 
(chapter 57) This crime triggered a trauma in the doctor. Hence his hands were shaking, and he is plagued by a huge guilty conscience. It was, as if his hands had become poison too. However, hands are necessary to eat. To conclude, this could only worsen his condition. And notice that even with the landlord, he is not seen eating. In fact, he is patting the dog. 
(chapter 57) That’s the reason why I don’t think that Kim Dan’s ARFID can be suddenly cured, the moment Potato reveals the truth about the incident. He has to develop a routine around eating. Someone has to put food right into his mouth, to feed him literally. On the other hand, I can imagine that a change will take place, when he sees his fighter totally diminished. He would serve as a reminder and reflection to himself.
, (chapter 41) the doctors and the authorities diminished the importance of such a wrongdoing, because they denied the existence of psychological sequels. Thus they only investigated it from the athlete’s perspective: 
(chapter 52) He was the only target and victim. Therefore it was reduced to the work of a hater and rival. Nevertheless, they didn’t interrogate the real victim of the crime correctly. Either he was about to get framed or his involvement was totally denied. It was, as if he had not been present. By not taking the physical therapist’s psychological damages into consideration, they actually expose their true nature. They don’t care about mental health at all. This explicates why the athlete had to prove his worth constantly. We should see these comments as a new form of bullying 
(chapter 36), which were supported by MFC, the Entertainment agency and Park Namwook. Joo Jaekyung had to prove them wrong: his career is not finished yet. So when the couple meets again, they should quickly realize the importance of mental health, as both are definitely at their lowest point in their life. In other words, the mental issues from Kim Dan serve a purpose in this story: people close to him should come to the realization that mental health is essential in life, something they neglected before. Either they didn’t feel concerned or they were biased or simply ignorant. Thus the athlete in the illustration for season 2 is looking at his fated partner’s face : 
He is now paying attention to his facial expressions and trying to discover his thoughts. Moreover, note that he is also grabbing his wrist, which could be interpreted like this. On the one hand, he is attempting to stop Kim Dan from working, as the symbol of a PT is the helping hand. He should relax and rely on the fighter’s care and protection. He is his shelter and home. On the other hand, it could be seen as his attempt to stop Kim Dan from using his wrist against the sinners and criminals: Kim Miseon who used her halmoni as guinea pig, Choi Gilseok who tricked him etc… Yes, I have the impression that at some point, the physical therapist could end up feeling like his fated partner: 
(chapter 41) Kim Dan is looking for light, because he has been trapped for too long in that darkness: 
(chapter 56) and 
(chapter 56) While in the first picture, Joo Jaekyung is calm, concentrated and silent, in the second one, the fighter is agitated, lost, breathless and yelling. These two mental dispositions are reflected in the location. In the first image, the MMA celebrity appears behind the steering wheel, which is a symbol for power, determination and control, whereas in the second panel the champion is wandering alone in the street. This running is no longer part of his training and routine, but it exposes his powerlessness, loneliness and despair. He has no idea where to go contrary to the first picture. This means that the latter embodies goal and destination, whereas the second image represents the opposite values: beginning, start, ground zero and source. In other words, the end of episode announces the athlete’s rebirth or better said, the start of a new life. I will elaborate further below. But let’s return our attention to the symbolism of the auto. 
(chapter 56) 
(chapter 35), Joo Jaekyung succeeded. He is just a passerby. In other words, the avenue indicates not only his failure to find Kim Dan, but also his loss of power and status. He has just become a nobody. Thus we should consider this as the athlete’s karma for thinking that Kim Dan could be replaced, because he was just a nobody: 
(chapter 55) It is no coincidence as well that the author showed us the star’s back, when the latter called his hyung Park Namwook. 
These two chapters are similar, for they convey the same emotions: anger, anxiety, frustration and despair of the fighter. In the car, the champion attempted to control the doctor’s libido. 
(chapter 33) On the one hand, he appeared calm and concentrated like in 56, yet deep inside, he was burning up. The pink dildo was used as a tool to voice his negative emotions (abandonment issues, insecurities and jealousy). With the release of episode 56, another reason came to my mind why the athlete proposed to drive the physical therapist to Choi Heesung. 
(chapter 32) First, he switched the car in order to demonstrate his wealth and status. It was, as if he wanted to show off to his fated companion, which reminded me of the actor. The latter would bomb doc Dan with “presents”, an indirect demonstration of his fortune. In addition, Jinxphiles will certainly recall that during the same day, the comedian came to fetch the physical therapist with his white Porsche. 
(chapter 32) Consequently, I came to the following deduction. The man selected the gray car in order to distinguish himself from his rival, to impress his companion.
(chapter 42) And what was his attitude there? He would not listen to his passenger. Moreover, he would separate his job from his roommate’s. It looked like they were living in two different worlds, though they were sharing the car. This scene exposes miscommunication, lack of faith, stubbornness and prejudices. The fighter was not willing to accept the physical therapist’s doubts and chose to go through with the training and match. 
(chapter 2) 
(chapter 26) First, he repressed it, but thanks to doc Dan, he is encouraged to face his traumatic past. But for that, he needs to trust someone, a person who wouldn’t judge him and would show understanding. He came to associate “pity” 
(chapter 37) with arrogance and weakness, but this is not true. [For more read this 
(chapter 54) 
(chapter 5) He allows the coach to drive the car and the manager to sit in the front. Thus they represent the higher authorities. However, so far, the doctor had only been his passenger. Thus a new idea popped up: what if the athlete let the physical therapist drive his car? Let’s not forget that the loner wolf shouldn’t be driving on his own, for his shoulder has not healed properly yet. I already pointed out the wrongdoings from the two hyungs. 
(chapter 53) They should have brought him home. They stand for neglect and indifference due to their passivity and routine. In my eyes, they are happy at the gym, the latter represents their second family. So they imagine that it is the same for their boss. In other words, they projected their own thoughts and feelings onto the celebrity. They embody silence and lack of communication and this is actually palpable in the car. In episode 5, the manager and the MMA fighters lied to each other: 
(chapter 5) Then in episode 49, the champion kept The Shotgun’s words as a secret, while his coach confessed his trust in his “boy”
(chapter 49). Yet, he revealed his true thoughts at the hospital: 
(chapter 45) It gives the impression that he owns no cellphone, especially if Jinx-philes recall this situation in the States: 
(chapter 37) He was using the landline telephone. This observation is relevant, because it exposes the coach’s dependency on Park Namwook. The latter’s task is to keep in touch with his boss and champion, for he has his cellphone number. Nevertheless, how do we explain the absence of the coach’s cellphone? I have the feeling that this could be related to his divorce. 
(chapter 5) When his wife suddenly blocked him, he got shocked and hurt. And don’t forget that we have another person traumatized with a phone call: Kim Dan, who got abandoned during that day. 
(chapter 19) Thus this observation made me think that the coach could have something in common with Kim Dan. And that’s how the champion will demonstrate his strength to his hyung. Contrary to him, he didn’t accept the divorce so “easily”. In fact, he is fighting for the doctor in his own way. The problem is that he is his own worst enemy.
(chapter 49), Jinxphiles could never view the driver. 
(chapter 56) He doesn’t look worried, scared or despaired. In fact, he is pretty calm, the opposite to this scene: 
(chapter 13) His question “Is everything okay with you?” is purely mechanical and as such meaningless, for he doesn’t inquire, when he hears a silence from the other side of the line. I would even say that he doesn’t really wait for his boy’s answer as well. 
(chapter 56), he could end up in the same situation than the protagonist. And keep in mind that the coach Yosep is actually relying on the manager. Thus I reckon that the champion’s other source of power is actually his cellphone! Without him, he has no connection 
(chapter 5), no money 
(chapter 32) and no power. His call to the manager during that evening represents his last resort. Thus he is calling the manager “Namwook hyung” contrary to episode 5.
(chapter 5) This title is indicating that the champion is opening up, and willing to show his vulnerability and despair. On the other hand, this change also implies “expectations” from the fighter, 
(chapter 55) The physical therapist hoped to get recognition, gratitude and acceptance from his soulmate. That’s the reason why I perceive this conversation over the phone as a reflection from that scene: 
(chapter 46) Keep in mind that at the gym, the athlete denied the relevance of information. Though both hyungs were warned, the reality was that they got off scot-free. They never received any blame for failing to protect him and this twice. And now, he is looking for intel about the doctor. Indirectly, fate is teaching him to recognize his error. In fact, information can procure a good insight about people’s behavior and as such fears. Let me give you an example: if Joo Jaekyung were to hear about Kim Dan’s first employment as PT, he should understand why the PT made mistakes, why he took odd jobs and why he “left” Seoul. If he wanted to work as PT, he needed to go elsewhere. 
(chapter 56) He wants to meet his companion again. He already describes him as a need. This implies that the hamster has almost become a “necessity ” for the celebrity. On the other hand, these words expose that the fighter is still not ready to meet his fated partner. How so? It is because his words divulge the absence of “conversation”. In the beginning, he wished to talk about his feelings to Kim Dan so that he could get closure. 
(chapter 56) He somehow expected doc Dan to listen to his words and accept them. That was it. Then at the end, it is just about seeing doc Dan and nothing more. At no moment, he voiced the desire to get to know his partner or to listen to his side of the story. Why? It is because he had strongly internalized that the man was a liar. He never questioned his perception and detected his own prejudices. It is important to recollect how Jinx-philes could sense a positive change in the physical therapist: 
(chapter 22) Yes, it is the view with the star’s back. The author selected such a position on purpose. The face represents the character’s identity and as such his personality. By showing the back, Mingwa is implying that the beholder is full of prejudices and doesn’t know his partner that well. That’s why I judge this image 
(chapter 7) 
(chapter 32) 
(chapter 37) 
(chapter 40) 
(chapter 43) 
(chapter 45) 
(chapter 46) 
(chapter 47) Looking at his face had become his new secret ritual and as such his source of joy. Naturally, his heart and unconscious were the causes for this new habit. This explicates why he hated hearing the doctor leaving the penthouse during the night: he feared that he would no longer be able to see his cute face. That’s also the reason why Joo Jaekyung got angry/upset, when he saw the doctor turning his head away 
(chapter 51) He wished not to see his “face”. The latter had become his “addiction”. Thus his face in tears came to haunt him. 
(chapter 21) and almost got shocked 
(chapter 56), when he imagined that she had died. In reality, he helped financially more the grandmother than Kim Dan himself. Kim Dan is the one he should really empathize with. He has always been a victim of circumstances.
(chapter 56) Desperation can strip away the higher faculties that make us human—reason, empathy, and self-control—exposing something primal. 
(chapter 17) and 
(chapter 11). In season 1, the athlete stands for golden hour, whereas Heo Namwook embodies blue hour. “Entre chien et loup” is the time of day when the light is such that is becomes difficult to distinguish between a dog and a wolf, between friend and foe, between known and unknown. Hence I am thinking that if the next episode represents a continuation of that nightfall, it signifies that the champion is on his way to meet someone from the past. Moreover, I detected that the pavement is the same than in front of the gym: 
(chapter 35) 
(chapter 52) It is because this exposes the champion’s bad coping mechanism. The champion always uses his fists, therefore he doesn’t reflect and as such analyze his emotions. 
(chapter 52) That’s how he felt right into the trap of the schemers. So by having his splint, Joo Jaekyung is indirectly coerced to meditate on his feelings., as he can no longer use his shoulder and as such his fist. His physical injury represents in reality his “lucky charm”, for it helps him to transform, to overcome his trauma and face the shadows from his traumatic past. Notice that for the first time, the athlete came to accept the existence of feelings for Kim Dan. 
(chapter 5) He is much calmer. He is not oozing red and remaining silent. He is not burning up inside, in fact he is expressing his thoughts and emotions: 
(chapter 5) In both cases, the athlete asked for his manager’s help. However, as Jinx-philes can sense, there exist two huge differences between the past and present. Back then, Park Namwook didn’t care for Kim Dan. He was just a PT like any other doctor. He didn’t even care that Joo Jaekyung would lose his temper and ruin the sandbag. 
(chapter 5) It was not worrisome in his eyes, because his day would consist of training and punching the sandbag. The problem is that the fighter is no longer coming to the gym and he is not even calling him: 
(chapter 56) This shows that the athlete is using more and more his intelligence, he is forced to interact with people. He is gradually developing his social skills which stand for COMMUNICATION. And how did he get deceive in the past? 
(chapter 48) He got manipulated by his eyes! They used a trick to deceive the athlete: delivering the truth in delay. Joo Jaekyung didn’t confront Kim Dan, because he saw the pictures as proofs! He never tried to hear his side from the story. And now, you comprehend why I am expecting that the champion will suffer another “blow” in the next episode. In my opinion, he will hear an important information. The fire in the illustration is there to indicate “Tabula Rasa”, a clean state. Joo Jaekyung has to lose all his principles and his bias about doc Dan. But for that he needs to face his own past and mistakes. Only through this effective anguish, he can become a better man, a new man.
(chapter 55) One might think that the causes for his throbbing head are his depression and insomnia. On the other hand, I am quite certain that many readers had a different explanation for his migraine. He is missing his lover, Kim Dan, as the color red symbolizes the headache and the physical therapist’s name is strongly intertwined with this pigment which was once again confirmed in episoe 56. 
(chapter 56) So it is true that his migraine are caused by the doctor’s absence. It was, as if the main lead was suffering from withdrawal symptoms. The fighter has a love addiction, but he is not aware of the existence of this “sweet poison”. But there’s more to it.
Thus I consider this image, where the champion is seen 
(chapter 55) or the medicine against migraine. 
(chapter 54) However, in episode 55, we can observe a huge change in the champion. 
(chapter 55) The latter is finally admitting the inefficiency of the medicine. In other words, in this scene, he was giving up on them. This represents an important step on his way to enlightenment. For me, it signifies that he is stopping relying on pharmaceutical products. Let’s not forget that in the past, he rejected the PT and even neglected them. Why? It is because he trusted more sprays and other medicines than people. 
(chapter 55). This means that she had not seen the mess in the master room before: 
(chapter 55) And now, pay attention to the number of the bottles in his room: 
(chapter 55) I count 12 bottles of wine exactly like in the last image from chapter 54. Thus I came to the following deductions:
(chapter 54) and the appearance of the staff in chapter 55. It indicates that Jinx-philes can witness time deceleration in season 2. From one month in one chapter, then a week in the next episode, finally we have a reference to a day: Monday. Thus I deduce that in episode 56, only 2 or 3 days elapsed. I have already announced that the couple should meet each other around 25th: 
(chapter 55)
(chapter 55) Consequently, I judge the cleaning lady as the positive version of Park Namwook. Though she uses social norms, she doesn’t use them against her employee. She didn’t condemn him, it is a mixture of teasing and reminder. At the same time, her intervention implies that she must have noticed changes in her boss after the arrival of Kim Dan in the flat and his departure. That’s the reason why I have the impression that this image is announcing another turning point in the champion’s life either: 
(chapter 55) He won’t drink like before. However, I don’t think that he will behave like in the past: reject any alcohol entirely.
(chapter 55), his migraine vanished. Though he is holding his head the next morning and hiding his gaze 
(chapter 55), the Webtoonist didn’t add any red or “throb” as an indication for a migraine. As you can see, his headache is strongly intertwined with repressing the physical therapist and as such locking away memories. However, there exists another cause. What had the doctor done in the past? 
(chapter 44) Yes, the main lead had patted his lover’s head, while the champion had his eyes close. In my opinion, his unconscious had registered this gesture and loved it. However, the champion had not seen it himself. He was drunk and had his eyes closed. This stroke on the head symbolizes appreciation, affection and recognition. 
(chapter 23) That’s how little kids are admired and loved. This stands in opposition to the abuser’s behavior: 
(chapter 54) parental criticism and absence of contact. And how did Choi Heesung express his “love” to Yoon Gu? 
(chapter special 2) The same way than Kim Dan with the patting! In other words, the champion is deep down longing for such a gesture, but he has not realized it yet. Nevertheless, I believe that he just needs a trigger.
(chapter 55) With his left opened eye!! The exact opposite from this picture: 
(chapter 55) This observation got confirmed in episode 56, though I couldn’t expose it before the release of the new chapter. 
(chapter 56) As long as the fighter thinks of his fated partner, he is not plagued with a throbbing head. This shows that it has something to do with repressing memories. However, his physical condition is still not improving: 
(chapter 55) This signifies that in reality, the uke is the one benefiting more from this relationship, while the “Gucgi guy” is a placebo for Joo Jaekyung. He can not replace the true medicine: Dan’s love. But Joo Jaekyung chose to close an eye to the truth forgetting his “insight” from chapter 2: 
(chapter 2) However, back then, he had just stated it in order to get rid of the mint-goblin. He needed a justification for switching his partner. In other words, this was reflecting more the protagonist’s corrupted mind and heart. Therefore he is designed eyeless, the symbol for ignorance, lies and blindness. 
(chapter 55) And where did he have his migraine exactly? 
(chapter 55) It was on the right side and eye! It truly exposes that Joo Jaekyung was getting punished for his attitude. He is not allowed to bury and forget Kim Dan. The star’s open eyes in this episode symbolize denial, lack of self-awareness and as such the absence of insight. He is also punished for his lies in episode 2. His words might have reflected the truth, but his words didn’t expose a change of heart. He was taking advantage of this situation as well. So when the pain intensified pushing him to close his right eye, we should consider this image as a short moment of reflection and realization. In the restroom, he was forced to admit that only Kim Dan could kiss him. Is it a coincidence that just before Mingwa presented this image 
(chapter 55) Naturally no, she was mirroring the attitude of both figures: both were in denial!! Notice that though the star had no reaction in front of the “replacement”, the latter chose not to give up at all. This man was not expecting a rejection, in fact he was in total denial as well. He didn’t notice the star’s passivity and silence.
(chapter 55) He was just standing there and avoiding his gaze. 
(chapter 55) How can the MMA fighter reject him? This displays his huge confidence or arrogance. There’s no doubt that he will put the blame on Joo Jaekyung. At the same time, I believe that his blindness was also caused by his greed. 
(chapter 5) Therefore he was in a happy mood after that match. A simple gesture with a lot of power! He has been missing this hand or better said this gesture. This action was the main lead’s true motivation. 
(chapter 40) No wonder why he felt so lost and empty after the last fight. 
(chapter 43) this was the coach’s hand. In other words, the athlete felt more close to the coach than to the manager. This would explain why he would listen to the coach and even entrust him with huge tasks like the charity event. Strangely, in season 1, we can observe how more or more he is distancing himself from the fighter. Probably related to his secret relationship with Kim Dan. According to my theory, the coach is aware of their relationship. They are more than just boss and employee. As you can see, I don’t think that the champion is right now just missing the doctor’s sweet lips. Deep down, he would like to be patted by his loved one, exactly like Potato. 
(chapter 23) 
(special episode 2) But this is what he received after the last match: 
(chapter 2) The champion’s reaction is quite telling. He is not easily swayed. But we have another bigger evidence that his intercourses were replacement for “fights”. In The States, the fighter asked Kim Dan to join him at 11:00. 
(chapter 38) He needed to prepare himself mentally, to visualize how he would screw his opponent Dominic Hill. He was just taking the expression “fuck/screw” too literally. The latter idiom has the following synonyms: to cheat, oppress, bleed, coerce, wrest and to tighten. Just before the doctor came to his door, what was the athlete doing? He was watching a video from his challenger: 
(chapter 38) Therefore it is not surprising that he rejected Kim Dan’s request first. 
(chapter 39) He didn’t feel like it, because he was not aroused at all. Imagine that he needed two hours for that erection, a sign that during that night, Kim Dan was in reality a replacement for the American fighter. 
(chapter 39) Even when the doctor rubbed his hand against his sex, he had no reaction. 
(chapter 38) In fact, he needed a fellatio to get an erection, and he only started getting excited, when he saw the doctor’s gaze. That’s the reason why he remembered this image under the shower: 
(chapter 55) However, the more time the champion spent time with his physical therapist, the more he came to violate his own rules and principles: It started with their first meeting, when he crossed the line by mixing private and professional life together: 
(chapter 6), Sex was no longer linked to matches, but to his own desires. To conclude, for the first time, the fighter connected sex to pleasure and desires and not “work and fighting”. Because of the deal and Joo Jaekyung’s strange behavior (sex shower scene, …) the PT had the impression that his boss was a man obsessed with sex.
(chapter 53) The latter didn’t feel the need to have more sex with Kim Dan, he let his partner leave the place. Why? This contrasts so much to their First Wedding Night: 
(chapter 4) 
(chapter 53) Pay attention to the behavior from the fighter during their last night together. He is looking away, he is not paying attention to his fated companion. His mind was elsewhere, focused on Baek Junmin! In my opinion, during that night, the champion had been able to differentiate between the physical therapist and his opponent. Fighting was more important than sex and as such his sex partner. To conclude, the physical therapist had been able to win Joo Jaekyung’s belief and heart. He was no longer a replacement at all. He had become a person close the fighter.
(chapter 49) he wanted to screw Baek Junmin for real. In this image, the athlete oozes confidence and strength. This means that he was no longer dependent on the good fuck before the match. 
(chapter 53) However, the main lead never realized this huge change, he kept his old belief as a tradition out of habit. This explicates why the fighter tried to replace with a new uke 
(chapter 56). I don’t think, he was referring to the spray incident, rather to their night before the match. The doctor had not behaved like a real opponent, he had admitted his “defeat” quite easily. He had left the ring before procuring him a good fuck. He was blaming his partner for violating his rule: 
(chapter 2) But here is the thing. Kim Dan had just accepted the deal because of his grandmother. Secondly, he learned an important lesson during that magical night: consent! 
(chapter 44) Sex is a synonym for love and as such it is about giving pleasure and affection to his partner. It is a two-way street. And this is something that the champion has to admit and accept. Thus I deduce that the fighter still has a long way to go before dropping all his fake principles. Like mentioned before, he needs to ponder on the following question: what matters to him the most? His championship or his happiness? Or what is sex to him? Why does he think that he is jinxed? He needs to face his own painful past and remember the face of his tormentor.
(chapter 49) Baek Junmin and the abusive parent. 
(chapter 54) However, this gesture had the opposite signification: rage, resent… but also sweet revenge! He must have recalled the Shotgun’s face. 
(chapter 52) There’s no doubt that thanks to the doctor, the champion will learn that he can get “justice” and satisfaction through other means. He can defeat the ghosts from the past, not just thanks to his fists and hard work, but also thanks to his surroundings and knowledge. Lawsuit and media!
(chapter 56) He feels lonely, but contrary to his fated partner, he is not truly looking for replacement. He might use work to divert his mind, yet he is not erasing Joo Jaekyung from his memory due to his promise: he needs to repay him. So his MO is slightly different. He is just using work and his halmoni to survive. Yes, he is also suffering from depression. In other words, when both main leads will meet each other again, they should have reached the bottom so that they can see each other’s misery and both are willing to listen to each other.
(chapter 44) He stroke his soulmate’s face, kissed his cheeks and finally his ears. His actions triggered a singular reaction in the star: 
(chapter 44) This made the physical therapist’s laugh. 
(chapter 44) His genuine laugh combined with the following realization 
(chapter 44) shows that in that moment, the physical therapist rediscovered his youth again. I would even add that Jinx-philes were witnessing in this panel how Kim Dan reconnected with his inner child. 
(chapter 44) The blushing is an indication of life and innocence. But if this young man’s childish nature was brought to the surface, who was Tinker Bell during this night? Naturally Joo Jaekyung. Under the influence of soju, the man could no longer hide his true nature. He has a childish side too. In other words, he was lowering his guard. Anyone has already heard from the quote “In wine, there’s truth” (the original quote comes from Latine: “in vino veritas”). As you can see, this beautiful night corresponds to this one: 
(chapter 10)
(chapter 10) Under this light, it becomes comprehensible why Kim Dan’s beautiful night became a dream, an illusion. The young doctor had done something wrong from a moral point of view. However, because the young man had treated the champion so well before, his reward was to experience what love is. 
(chapter 44) Thanks to Tinker Bell, he could fly: he was brought to Nirvana. 
(chapter 44) The problem is that the physical therapist was reducing love to sex (“making love”). True love has to be expressed in a lot of different ways (spiritual intimacy, experiential closeness, responsibility etc) and not just through sex.
(chapter 43) Interesting is that in that scene, the protagonist couldn’t see his lover’s face. He couldn’t detect the glimpse of a smile and his warm gaze. 
(chapter 11)
(chapter 21). He was simply put on the floor. Yet small children usually treat such cuddly toys as treasures. While making this contrast, I realized why the halmeoni never took care of her grandchild properly. Observe what happened to the Wedding Cabinet and the expensive scarf she received from her grandson. They were all left behind or vanished, just like the little boy’s Teddy Bear. 
(chapter 53) They were literally abandoned, as they lost their sentimental value overtime. I am suspecting that they had become “useless”. Hence I am suspecting that by calling him a puppy dog, she didn’t truly mean it. 
(chapter 47) By saying that he was a puppy dog, she was implying that she would be responsible for him. Keep in mind that pet are linked to care and accountability. However, her wish is strongly connected to one single moment: 
(chapter 53) She is not thinking about the future at all. For her, it doesn’t matter, for her time is limited. Dog can be abandoned in the end, especially when the responsibility becomes a burden. That’s the reason why I believe that in verity, she was treating the protagonist more like an object than like an animal. Moreover, Jinx-philes should keep in their mind she used to describe him as a little boy, which also represents responsibility and care. Therefore I conclude that this scene didn’t stand for Kim Dan’s true home, it was just an illusion. 
(chapter 44), though the communication failed, for Joo Jaekyung was drunk. Moreover, Kim Dan kept most of his thoughts to himself, a sign that he was still guarded. Hence while Doc Dan felt at home during that night, it didn’t last long. The next morning, they became once again boss and employee. 
(chapter 53) And compare his attitude to the one in chapter 19: 
(chapter 19) They were no deep lingering feelings towards the grandmother’s house. In fact, before leaving, he remembered an incident, a mysterious phone call which I consider as the moment, which broke the boy’s soul and heart. For me, he was almost glad to leave this place behind.
(chapter 30) The pajama pattern in the image appears to resemble a leopard print, which features distinct rosette-shaped spots that are commonly associated with this type of design. He also looked like a sulky “cat”. 
(chapter 30) And what was he trying to do here? To seek closeness to his new mate!
(chapter 19), very territorial and disliking surprises. In literature, leopards often symbolize strength, courage, agility, and stealth. They are seen as solitary and powerful hunters, often representing independence or mystery. In totemic traditions, the leopard can symbolize resilience, adaptability, and personal power, often embodying a person’s inner strength and ability to face challenges. 
(chapter 26) One might argue that he laughed with Potato and Oh Daehyun in the States. But are you sure? We never saw him laughing. Only Joo JAekyung heard their laughs, but did it also belong to the hamster? 
(chapter 37) Moreover, observe that during that terrible night, the athlete was wearing an t-shirt with a feline on it: 
(chapter 37) Puma was designed on it. As you can see, everything is pointing out that this man is a leopard which was mistaken to a sulky cat or a puma. 
(chapter 44) So since the champion was naked during this night, we could say that his true nature was slowly coming to the surface. As a predator, his annoyance to the strokes and kisses appears more normal and understandable: 
(chapter 44) Kim Dan is teaching him how to control his strength and discover playfulness. And now, imagine Kim Dan patting a leopard 😉
(chapter 52) Eye-contact! Making direct eye contact with a leopard can be dangerous. Leopards may interpret prolonged eye contact as a threat or challenge, triggering an aggressive response. In the wild, they rely on stealth and avoid open confrontation, so they may react defensively if they feel they are being stared at. This behavior is common among many predators, as eye contact often signals dominance or confrontation. It’s generally advised to avoid direct eye contact and back away slowly if you encounter a leopard in close proximity. Baek Junmin had totally underestimated the true nature of his opponent. This could explain as well why Park Namwook is wearing his glasses all the time and even avoiding eye-contact with the emperor.
(chapter 24), Oh Daehyun the eagle…
(chapter 9) 
(Chapter 1) Imagine that he was in the middle of an intercourse. Yet he felt the need to have someone else by his side. It was, as if the grass on the other side was looking greener. 😉 Yes, in this scene, I detect parallels between Choi Heesung and Joo Jaekyung. 
(Chapter 33) On the one hand, the celebrity felt attracted to Kim Dan, on the other hand he had already sensed that the green-haired uke was greedy and even too passive. He was letting the celebrity fuck him. Yet there was neither real interaction nor sensuality between them. Hence the athlete could call Kim Dan during their sex. Funny is that the other didn’t mind at all, or in the worst case he didn’t even notice it. This shows not only the deafness and blindness of the mint goblin, but also the absence of communication and understanding in their “couple”. It was, as though the green-haired uke had submitted himself of becoming a sex toy. So by recalling the doctor, there is no doubt that the athlete couldn’t have voiced this change verbally. Why was he thinking of someone else during the intercourse? He was just simply not feeling it, the “great fuck”. In other words, Joo Jaekyung was attracted to Kim Dan by lust! In my previous analysis entitled 
(chapter 42), it becomes clear why the athlete’s lust for the mint goblin couldn’t last. The latter was only interested in his money and not even in his body. Thus he didn’t try to bring thrill into their relationship or even seduce him. And now, you comprehend why Mingwa let us see such a scene in the beginning of the story. 
(chapter 2) He had never done it before. As for the champion, Manhwa-lovers can grasp that since their relationship was purely physical (not even accompanied with romanticism due to the athlete’s jinx), the lust from the champion’s side could only weaken overtime. When the athlete met the actor, he had not met the green-haired man before. Hence the sportsman was sitting at the bar looking more or less for a new partner. 
(chapter 33) So the relationship between the “prostitute” and the fighter must have lasted around 3 months, the same amount of time than with the physical therapist. The uke had put no effort, for in verity he was relying on the athlete’s jinx. The latter just needed him, and no one was willing to experience such a rough sex session. The reason why I gave the green-haired uke the nickname “mint goblin” is the following. He brought some fresh breathe in the athlete’s life, for contrary to his past lovers, this one didn’t run away. However, as time passes on, the mint taste couldn’t mask his corrupted mind and heart. He was passive and rotten deep inside. But there’s more to it. Thanks to the mint goblin, the athlete learned an important lesson. It was possible that someone could match his strength in bed. Yes, the latter wasn’t passing out like the others. Deep down, the star could sense that he was no monster, a criticism he had received from the actor. 
(chapter 33). The irony is that as soon as he saw Kim Dan 
(chapter 1), he got attracted to this pretty and cute new face. However, contrary to the comedian, he didn’t realize this, for the athlete is not someone who thinks deeply. He acts rather on his emotions, exactly like his mentor Park Namwook. Since lust is the first stage of love, the recipient of his “attraction” needed to give him a signal that he was interested in him. I doubt that the celebrity would have made a move on him, if the doctor had not made this mistake 
(chapter 1). Naturally, grabbing his phallus was the expression of the doctor’s masked sexual desires. This signifies that when the couple met for the first time, the grass appeared greener on the other side (medical world) for the first time. Since we have the first step of love in their relationship, we could say that the athlete was already in love with Kim Dan. While “lust” only represents the first stage in a love relationship, I decided to examine their relationship on this aspect.
(chapter 8) 
(chapter 27) Consequently, the man had to bring up the deal constantly. Besides, their relationship started because of money. Finally, I would like Jinx-lovers to keep in mind the doctor’s lie: he had previous relationships with men. 
(chapter 3) As you know, I am quite certain that the athlete had sensed his lie (thus he utilized no condoms later). Yet, Kim Dan never came out with the truth either. This is relevant, for there could be lingering doubts from the MMA star’s side. Since the athlete had no idea about the doctor’s taste and physical attraction, Joo Jaekyung worried that his partner would start fantasizing the gumiho. Under this light, my avid readers can grasp why in episode 33, it was important for the champion to use the sex toy first. Initially it was to exhaust the doctor so that the latter would no longer feel attracted to Choi Heesung. Yes, it was to kill in him “lust”. Moreover, the moment the young man asked for his assistance 
(chapter 33), Joo Jaekyung had the impression that he was needed. Finally, don’t forget how this scene ended. Kim Dan was finally admitting that he was really sensitive to him: 
(chapter 33) However, this desire was accompanied with rejection and denial too. This explicates why the champion didn’t know how to interpret Kim Dan’s thoughts and emotions. 
(chapter 33) Was Kim Dan feeling the same way than him or not? Did Kim Dan desire him or not? And this leads me to the next sex session: 
(chapter 34) For the first time, the athlete was divulging his physical attraction and desire towards the doctor. He seduced him with his own body. Yet, in order to keep the upper hand in their relationship, he was the one who was determining how they would have sex: 
(chapter 34) As you can see, during season 1, it took a long time for the athlete to admit “lust and physical attraction” towards the doctor. One might reply that the celebrity had already admitted this to the physical therapist: 
(chapter 29) However, this confession is connected to the anus, and not to the doctor’s face and as such identity. Thus I don’t consider it as an admission that Kim Dan was his type. One might object too that he had already wooed the doctor before next to the swimming pool. 
(chapter 27) The divergence between these two chapters is that in the first scene, the athlete had not planned this. He was acting on his instincts and emotions, while in the living room, he was seducing the doctor on purpose. 
(chapter 34) I would even add that he gave more freedom to Kim Dan to decide if he would accept his offer or not. As you can see, Joo Jaekyung was learning to internalize the notion “consent and respect”. Here, the doctor could have refused… the evidence is his reaction at the gym, the slap on the athlete’s hand. That’s how I realized the strong connection between the athlete’s ignorance about his soulmate’s taste (partner type) and his consent. Respecting the doctor’s boundary meant to trust that the doctor was attracted to him and accepted him as a partner.
(chapter 39), this could only make the athlete happy first. He had the impression that he had finally discovered his soulmate’s taste and secret: he was also feeling the same… LUST. Yes, I am not writing love, but lust on purpose. Why? The irony is that the athlete was not recognizing that he was feeling more than lust for Kim Dan. He was already in love. 😉 However, so far he had only been busy focusing on Kim Dan’s type. Was the man also lusting after him or not? Under this new perspective, Manhwa-lovers can grasp why Joo Jaekyung asked this to Kim Dan in the dining room: 
(chapter 41) He didn’t expect a love confession He wanted to know if Kim Dan was finally accepting him as his partner, if he desired him too. Yes, gradually the possibility of dating was slowly emerging. Like mentioned in the introduction, lust is just the beginning of love. So should Kim Dan have remembered this night in the hotel room, he would have come not only to deny his feelings for the athlete, but also he would have reduced this “I love you” to lust, just a physical reaction due to the drug. A new version of the blue night, the only difference is that that night he kept his thoughts to himself. 
(chapter 45) What did the athlete imagine here? A fake love confession from Kim Dan, a stan trying to live out a fantasy. He was expecting “dating”, a notion he couldn’t accept, for he was confusing “lust” with “love”. That’s the reason why he couldn’t accept Doc Dan’s present and “gratitude”. They sounded like fake, especially since he was showing respect to the celebrity and not to the man himself! Yes, even in that scene, the PT was still hiding his own true emotions and attraction towards the handsome man. Joo JAekyung has no idea that Kim Dan views him as “perfect” 
(chapter 1) despite his injured shoulder: the muscles, the skin, the handsome face. He has never voiced such thoughts in front of his VIP client.He always kept them to himself.
(chapter 53) than with this one: 
, but as always I didn’t anticipate the effort and energy involved in the composition. Thus I decided to publish the essay “Sound Of Water” first, as it is much easier to write (less literature to read). The trigger for this essay are Haikus which I discovered in a recently published French Book entitled “Le bruit de l’eau” (Sound of water). 
And now, you know the origin for this essay. As you can see, the collection of Haikus is focusing on the topic “Water”. Since I only possess the French version of Haikus, I could only give you my own English translation. Fortunately, my friend @Rin_de_eegana was able to find the original version, Japanese. Therefore in the second version, I am giving a second English translation whích gave me new insight once again. Anyway, the thing is that as soon as I read certain poems, it made me think of Jinx and the characters. This shows my obsession for this terrific Manhwa.
(chapter 14) Yet, the main lead never got the chance to see it. Then the ocean is only mentioned directly at the end of the first season. The halmeoni was expressing her wish to return to the West Coast 
(chapter 53) where she hoped to see a beautiful ocean one more time. 
(chapter 53) When she was 10 years old, she was moved by how the ocean changed colors with the beautiful sunset. It was no longer blue or grey, but yellow, red, pink, orange and purple. This wonderful but brief moment left such a deep impression on her that she could never forget it. 
(chapter 53) She never came to regret her walk to the beach, because this souvenir also became her source of strength. This memory created in her the desire to see it again, thus she kept postcards with views of the ocean. 
(chapter 17) 
(chapter 53) is glowing blue? I don’t think so. Let’s not forget that blue symbolizes wood for Koreans. The sea (water) and a tree 
(chapter 41) are the doctor’s true elements. Under this new light, it becomes comprehensible why under the tree, he came to acknowledge his feelings for the athlete. In addition, if Kim Dan gets close to water, this signifies that he will get replenished and truly nourished. And notice that during season 1, he never ate properly. 
(chapter 53) He is standing in front of the blue city. But he doesn’t feel free and powerful. Why? There is a window in front of him. The window is showing him his own boundaries. His penthouse is like a cage, and he is not truly dominating the city. In reality, he is isolated. To conclude, the panel stands in opposition to the Japanese poem and the grandmother’s vision: alienation, regret and powerlessness. So we should write the haiku like this, from the champion’s perspective:
(chapter 53) Together, these opposites suggest a state of inner turmoil or confusion, where a person lacks clarity about both themselves and the world around them, which can inhibit personal growth and well-being. And this is exactly how the main lead feels in the final panel of season 1.
(chapter 53) Thus I deduce that in that moment, she must have felt at peace. This explains why she could never forget this magic moment. However, her confession displays a deep regret as well: she couldn’t go back to the ocean. I would even add that she is portraying herself as a person who had no control over her life. It was either « we » or « life ». Through her words, we can sense her passivity, but also her victim mentality. It was not her fault that she couldn’t go back to the ocean. She never had the opportunity to do so!! She never had missed her chance. She is denying the existence of a missed chance or timing. After reading the description of her past life, I am quite certain that my avid readers can recognize the similarities between the athlete and the halmeoni’s destiny. Until his defeat, Joo Jaekyung had no time either. He was also racing against time. However, there exists one divergence between them: the chance to make the right decision. This means that the champion has now the opportunity to take a break. Furthermore, he also has one chance to get back the doctor, but he shouldn’t miss it.
(chapter 53) Furthermore, she is imagining that she can make the same experience again. But this is just an illusion, like the Greek philosopher Heraclitus explained it: 
(Chapter 7) And we could see that Joo Jaekyung had a similar attitude in season 1, he would listen to his hyungs and the people working for MFC. Consequently, I come to the following deduction: this time, the fighter will make the decision on his own. He won’t follow Park Namwook’s advice: 
(chapter 53) The latter is asking him to simply wait and to rely on him. Joo Jaekyung will take the matter into his own hands, the exact opposite attitude to the beginning of season 1. 
(chapter 1) 
(chapter 47) 
(chapter 47) even when the doctor was confronted with the truth about his terminally ill grandmother. The sun was always shining brightly. Since in the haiku from Ryokan Taigu, the rain is associated with old-age and fall (misty), it dawned on me that the rain should be associated with the grandmother’s death. If this comes true, it was, as though the sky and gods were weeping for her vanishing. Additionally, the first season took place in Spring and Summer, thus I deduce that season 2 will take place around late summer, fall and winter. This means that the weather should change. And this remark led to my second revelation. I started looking for South Korea’s climates, particularly I was curious about the climate on the West Coast.
We have an elderly man walking through the rain in front of the blue sea. The latter is accompanied with a Waka-poem from Yoshihiro (which was not translated). According to my Japanese friend @Rin_de_eegana (飯乞ふと 里にも出でず この頃は 時雨の雨の 間なくし降れば), this phrase describes a situation where one cannot even go out to the village to beg for alms due to the long rain. Here, we have the topic of poverty linked to old-age and rain. Yes, the pages of this book reminded me of Shin Okja, a poor elderly woman who is so sick. And like mentioned above, the rain could be the reason why the woman doesn’t go to the beach. The two poems are underlining one important aspect: the powerlessness of humans in front of nature. No one can stop aging, just like no one can control the weather. At the same time, it outlines the importance for a senior to be surrounded by people, so that they don’t end up dying from dehydration, from a cold or hypothermia.
(chapter 47) 
(chapter 49) Both main leads went to the restroom in order to hide their emotional turmoil and suffering. They used flowing water (in Joo Jaekyung’s case the shower) in order to cover the sound of their weeping: SHAAA. Yes, the tears are making sound… so the rain should make sound as well. And this brings me to my next remark. 
(chapter 29) 
(chapter 35) The blue would be a reference to the ocean. After that couch confession night, the athlete got a certain enlightenment, hence he tried to get closer to Kim Dan the next morning 
(chapter 18) and as a source of stress and worries. 
(chapter 47) To conclude, Joo Jaekyung will also have an Enlightenment in front of the ocean, but contrary to the grandmother, this experience will be associated with the night, the sound and a person: his soulmate Kim Dan.
(chapter 131) Hence the police officers found the governor’s seat deserted. 
(chapter 131) By contrasting the statement from the governor and the panel, the readers could easily catch his lie. He was a lazy governor, preferring to keep his lover company rather than attend to his official duties. On the one hand, it exposes the main lead’s true mind-set. He is not longing for power or glory. To conclude, he has no ambition. This implies that he is not determined to gain attention either. One might add that he selected this region on purpose. No one would willingly go to that place. The norm was that officials would go there, because they were demoted. 
(episode 129) Thus I deduce that Yoon Seungho made the opposite choice to his father. The latter longed for a high position at the government so that the family’s reputation would become famous and powerful again. 
(chapter 86) It is because Yoon Chang-Hyeon was thinking of getting the attention or support from noble families. What he truly wanted was to get recognition from people among his own social class. But with such a decision (join the painter’s side), Yoon Seungho seems to have turned the former patriarch’s nightmare into a reality. Yoon Seungho is about to ruin the family. The name “Yoon” is destined to become forgotten, right? However, I believe that this interpretation is not correct. How so? Let me ask you this.
(chapter 127) No one has such a wealth! That’s the reason why no official would select such a place. Yes, Jung In-Hun’s words from chapter 6 
(chapter 6) 
(chapter 37). It is about a crime, treason. In season 4, we know that the plot was true and there was an evidence, the paper with the signatures from lord Yoon and lord Song. Since in season 1 the wrongdoing was true and heavy, I deduce that it is not the case in the final chapter. Because there is an evidence of the crime in the past, I can’t help myself thinking that in the final chapter, there was no evidence. Additionally, I feel the need to expose my other interpretation about this man: 
(chapter 37) I have always stated that this man couldn’t be a servant, for he was smoking a pipe and we saw a glimpse of his memory. No commoner would be allowed to enter the courtyard, when three noblemen are tortured and interrogated. Moreover, notice that in both scenes (37 and 131), the magistrate is absent. That’s how it dawned on me that this nameless man could have been a former “governor” who lost his position.
(chapter 94) Here, the officers went to the mansion before visiting him at the gibang. 
(chapter 97) Back then, it was about the death of a commoner, a servant. If there’s an urgency, they would look for him. The comparison exposes that the “wrongdoing” from the peasants in the final chapter was no huge deal. Yet, many readers already condemned them due to the guards and the protagonist’s behavior. Funny is that the lord was portrayed as a huge liar, but not “the officers”. 
(chapter 101) His statement displays another aspect: the governor and the guards are not working together. Jihwa would have been sent to jail without being able to talk to the superior, similar to this scene: 
(chapter 126) The guards’ own interests are not necessarily aligned with the governor’s. And now, take a closer look at this scene: 
(chapter 127) The official received the patriarch in his office alone. The reason is simple. That way, he wouldn’t have to share the money with others.
(chapter 129). He was not sitting on a horse with a few musicians contrary to Jung In-Hun. He was carried by four men, and other people were announcing his arrival with flags and music. 
(chapter 111) Moreover, Yoon Seungho had a inauguration banquet organized, where the local inhabitants could join. 
(chapter 129) There was no social exclusion at all. This stands in such opposition to the lord’s statement in season 1, where he distinguished between nobles and commoners.
(chapter 129) This signifies that the arrest could lead to trouble to the guards too. So was the lord lazy in the end? 
(chapter 131) Yes and no… By acting that way, he put an end to the abuse of authority in that place!! Thus I deduce that the governor is destined to gain recognition and admiration from the local inhabitants. He is generous (inauguration banquet where anyone could join), humble, loyal (he is not forgetting his lover) 
(chapter 131), but also well organized! He had planned to join this place a long time ago. The peach trees were planted about 3 years ago. He is no longer making any distinction between nobles and commoners, and that’s how he will get the respect from the peasants. As a conclusion, we should envision that the lord will become famous. Therefore the son didn’t turn the father’s nightmare into a reality. He didn’t contribute to the family’s ruin at all. Yet, there exists a huge divergence. Yoon Seungho is about to make a name on his own. It is not about the Yoons. On the one hand, the father’s dream was illusory and superficial, especially due to the treason
(chapter 86). Since Lord Song had been forced to resign, there’s no doubt that the man would resent the Yoons to become successful again. This explicates why lord Song saw Yoon Seungwon as a problem 
(chapter 107) and tried to tarnish the younger son’s reputation. But let’s return our attention to the patriarch. His vision was based on Confucianism. However, he had a very narrow-minded perception of it. 
(chapter 7) This shows that the tradition was to “vanish behind the family name, the Yoons”. Under this new light, my avid readers can grasp why the main lead was destined to suffer immensely 
(chapter 57). His reputation was already outshining his father’s. Secondly, by being stigmatized as a homosexual, he was endangering this principle. His role was to continue the lineage and as such produce a heir. 
(chapter 116) or even Min could commit crimes in the open. They felt safe, for they knew that the authorities belonged to the same social class than them. However, this could only work, as long as the nobles would cover for each other. Should a yanbang denunciate a noble family, it was a different story. Therefore I assume that lord Lee was the one who reported the treason to the authorities (the painting in the bedroom was the evidence). But such a painting couldn’t represent a proof. However, since human justice was corrupted, the gods decided to give justice to the protagonists. That’s how Yoon Seungho became the hand of justice. Everyone involved in the protagonists’ suffering had to pay for their crimes. 
(chapter 102) That’s the reason why Baek Na-Kyum’s martyrdom was strongly intertwined with the young master’s. Yoon Seungho only received this power through Baek Na-Kyum, the character embodying fairness, sincerity, hard work, home and equity. This was particularly perceptible in this scene: 
(chapter 27) The lord couldn’t kill anyone randomly. 
(chapter 102) However, I consider it as a first step to the lord’s emancipation and life lesson. The latter is indirectly learning not to pay attention to status and power. That’s why the author portrayed him as blind and deaf to their plea and special status. While his behavior in the shrine was rather impulsive and influenced by deeply rooted fears, we should consider lord Song’s execution as a true act of justice. 
(chapter 123) 
(chapter 123) The latter had confessed all his crimes: the ones from the past (the lies in order to fool the father) 
(chapter 123) and the painter’s murder. Funny is that lord Song didn’t feel threatened by the young master at all despite the sword. 
(chapter 123) Why? It is because he feels, he is the one with the upper hand. First, he has the petition, hence he is already projecting himself in the future (he can get a high position again). Secondly, he thinks, Yoon Seungho is outnumbered. He is surrounded by 4 guards. But more importantly, he views himself superior to the main character due to his age. He is an elder. That’s the reason why he calls “my dear boy”. This implies that he is underestimating the main figure. The latter would never dare to raise his hand against a senior!! However, true justice is also blind to age. 
(chapter 123) His smile at the end of the episode should be perceived as a reflection from Min’s vanishing. 
(chapter 103) One might even add that the lord’s action could have been seen as self-defense. However, don’t forget that we are here in Joseon, where a commoner’s life means nothing. Because of this new association, I came to the following deduction: lord Song was the one behind lord Shin’s death. 
(chapter 103) The latter couldn’t imagine that an elderly yanbang, an official, would raise the sword against another noble. After this new realization, it dawned on me why Yoon Seungho had to get separated from his loved one. 
(chapter 126) This humiliation made Yoon Seungho realize that he needed to have his power on his own. He learned through the hard way that he was not just a Yoon, but Seungho. Yes, this helped him to differentiate himself from his father and to become stronger mentally. His religion was now his lover, Baek Na-Kyum, whom he needed to protect. But he could only do it, if he had himself a powerful position. But he needed to witness the corruption of the authorities to realize that in Joseon, there exists no justice. 
(chapter 6): neglect and indifference towards the commoners. And this new observation brings me to my other topic, Jung In-Hun.
(chapter 129), therefore he couldn’t select one position contrary to the main lead. This means that when he celebrated his “victory” in episode 111, it was not official. He had no post. I would even add, his name had not been announced on the official board, like we could witness it in this scene. 
(chapter 121) Here, he is informed that he didn’t pass the exam, for his name was not written there. We can detect this, because people are congratulating each other. His name was left out due to the intervention from lord Song. This means that when Yoon Seungho made him this offer 
(chapter 7), these were not empty words. He did help the learned sir to pass the civil service exam. But the scholar didn’t succeed like anticipated. The absence of his success explicates why Jung In-Hun received such an offer from lord Song later. 
(chapter 117) He had no post, he couldn’t choose it, for he was not the best. Thus I deduce that the scholar had just proven his mediocrity. He was just an average man. That’s how it dawned on me that the ceremony in the street was more a simulacre! 
(chapter 44) Only one thing was real: Jung In-Hun was wearing an official uniform, that way no one would doubt his “victory”. Moreover, observe that lord Song only approached the learned sir after the parade. So he was not behind the parade. Besides, keep in mind that the main couple was informed about the parade through the tailor 
(chapter 111) and not from the official board. His reaction shows not only his displeasure, but also his ignorance. If he had known about the cortege, he would have avoided the place in the first place. Thus I suspect that the tailor had been encouraged to leak this information in front of the couple. Let’s not forget, as a tailor, he was definitely involved in the cortege. It is no coincidence that he informed Yoon Seungho about this “sudden parade”. At the same time, I come to the following deduction: someone must have paid for this spectacle, and it was not Yoon Seungho, for he had been kept in the dark until the last moment. I doubt that the learned sir had the connections and money for this. This new perception corroborates my previous interpretation: the show was sponsored by someone, and it was definitely inspired by the drawing (the hat and the green uniform). 
(chapter 111). Yet this was just a cheap trick, for the person didn’t send a sedan chair with carriers. Under this new light, I realized why Jung In-Hun ended up stigmatized as a criminal. 
(chapter 127) It was his karma, for he had deceived the painter with his lies. His success was not his own. 
(chapter 111) He realized that even after passing the exam, he needed the assistance of people, a sponsor for the spectacle, a noble with connections. Besides, when in season 1, the painter was accused of a crime (ruining the picture), the learned sir did nothing at all. He didn’t protect his student, for he desired to keep his sponsor. When the latter was sick, he neglected him as well. He wouldn’t have sent a doctor for him. Hence in season 4, the sponsor Na-Kyum decides to end his “sponsorship” for the learned sir. We could say that the former teacher is confronted with a similar situation. He ends up being abandoned and framed for a crime, which he didn’t commit. Yet, contrary to his pupil, he is not entirely blameless, for he played a huge role in the death of the nobles lord Song, lord Shin, lord Min and others. Because Baek Na-Kyum embodies hard work, justice, equity, love and honesty, I deduce that his surrogate father embodies the negative notions: laziness, corruption, partiality, hierarchy, ambition and hypocrisy. That’s why his face ended up on the official board, while the painter’s accusation just remained rumors. 
: (chapter 125) versus
(chapter 105) IMO, she had to use another mean in order to achieve her goal: the scholar. Let’s not forget that the artist had confided to her this: 
(chapter 68) He was simply waiting for the learned sir’s return. And she was present during the cortege. 
(chapter 121), he put the painter in a position which led him to take for the fall for his loved one. It was like framing an innocent. Exactly like in season 3
(chapter 99), Yoon Seungho had been forced to take the sword because of the scholar. And the trigger for the massacre 
(chapter 124) was always Jung In-Hun. And now, you comprehend why Jung In-Hun became the scapegoat for the last incident. But there’s more to it.
(chapter 121) His final lesson was to learn that he was exactly like the others: he is just a human despite his education. All humans are equal in front of death. In fact, during his confrontation with lord Song, he came to give up on his integrity. His true face came to the surface: he was just an opportunist, a lazy scholar who relied on fate and his arrogance. 
(chapter 6) This brings me to my next interpretation. Jung In-Hun learned through the hard way that there is nothing like fate (“right time”), but life is the result of decisions. However, because the scholar always regretted all his past choices, he decided to blame others for his wrong choices. That’s the reason why he ends up to take the whole crime. We should see this paper 
The author from this sijo was the poet and official Wang Bang-Yeon who is said to have lived in the time of Joseon’s sixth king Danjong (1441-1457) and his successor king Sejo (1417-1468). As the official of the state tribunal, he followed the young king Danjong into his exile and gave him poison to drink by royal command. Yes, both are symbols of power, corruption, partiality and injustice. Yet, there exists one divergence. While Wang Bang-Yeon left a poem revealing his yearning for the king, the learned sir had no deep attachment towards the artist. Hence it is no wonder why the paper “Wanted” is not connected to affection. It really reflects the emotions and thoughts of Baek Na-Kyum. Due to the last incident, the latter no longer cares for this man.
(chapter 6) He couldn’t enjoy it at all. It is no coincidence that the synonyms for ambitious person are “busy person” and “workhorse”. Yes, this mirrors the expression “laziness”. A true ambitious person is actually proactive and not really relying on sponsors and bribes. So when we see the learned sir on the horse 
(chapter 107) Though he passed the civil service exam too, he is not able to fulfil his father’s wish either. 
(chapter 118) His intention was to protect not only his brother, but also their family. It was to ensure that lord Song would get blackmailed. That’s how this investigation 
(chapter 118) It is because he knows that with the petition in his brother’s hands, lord Song represents a hindrance to his own career. The latter can only see the Yoons as a threat. Besides, he can only resent the family, if they are able to gain reputation and power, while he can not return to Hanyang and occupy a high position. As you can see, the young master’s success can only irritate lord Song. You can sense a rivalry between Seungwon and lord Song Haseon 
(chapter 116) in this scene: 
(chapter 116) The latter has already sensed that the traitor is sitting next to them, thus he raised this question. That’s why I come to the following conclusion that the young master must have realized that he also needed his brother’s assistance. First, if Yoon Seungho returns the petition to the father, the investigation about the traitor in the mansion would be no longer necessary. Secondly, Yoon Seungwon needs to create new connections in Hanyang, but he can only achieve it with his elder brother. Under this new light, you comprehend why Seungwon asked his relative to move on from the past and as such “forgive their father”
. (chapter 118) In other words, the young man embodies the notion of “fake forgiveness, fake promise, fake understanding”. He is an opportunist, exactly like the scholar. Yet, there exists a huge divergence between them. His affection for Yoon Seungho was not fake. He is feeling sympathy for his brother. But that’s it. This explains why he didn’t help his brother before. In my eyes, Seungwon represents a different notion of family: bloodline. In my eyes, he embodies traditions and Confucianism. His goal is to turn his father’s dream and life motto into a reality: glory and power for the Yoons. Besides, he must have experienced himself the downfall for the family. And this observation leads to my next interpretation. This means that Yoon Seungwon must have lied to his father by omission as well. 
(chapter 128) What about Yoon Seungwon then? Though he succeeded too, there is no mention about engagement or marriage proposals. However, it is clear that this achievement is connected with adulthood and marriage, therefore the elder Song Haseon brought up the topic sex!
What was the reason for Yoon Seungwon’s embarrassment? First, it is because his brother selected the backward place, though he had passed the exam with flying colors. Yoon Seungwon imagined that once his brother had passed the exam, he would get married and establish new connections. That way, Seungwon would be able to get married with a properous and famous family. In other words, Yoon Seungho would turn the father’s dream into a reality: the return of the Yoons’ glory and power. And Seungwon would benefit a lot from this. So in the gibang, his advices might have sounded well meant,
(chapter 126), his karma is not only to end up alone, but also not to receive any support from his brother.
(chapter 117), because his career was still insecure due to lord Song’s influence. He needed his brother’s help in the end. At the same time, Seungwon had already long internalized the values from his father: Yoons’ honor and reputation were top priorities. In other words, the younger brother stands for social norms and fake righteousness. He desires to maintain his perfect image (loyalty, filial piety),
(chapter 118), hence he left the document at the mansion. He wanted his brother to return the papers on his own so that his past action would remain undetected. Returning the paper was like an admission that he had stolen it in the first place. Yet he still barged in his brother’s house twice. 
(chapter 117) Here, he exposed the existence of the “petition” to Baek Na-Kyum for one reason. The latter should be used as a way to pressure the main lead to give up on the paper. Notice that this topic was brought up in the gibang: 
(chapter 119) However, the reality is that Seungwon is not just trying to fulfil his father’s dream, but also he has his own ambition. He wants to make a name on his own. That’s why he confessed this to his brother: 
(chapter 119) He doesn’t associate himself with the father and his sins. In his eyes, he is blameless. The reality is that he is guilty like his father, for he failed to care for Yoon Seungho. He failed to listen to him and his suffering. He didn’t try to understand him. Like mentioned above, he only sympathized with him and that’s it. Thus he condemned him for his debauchery in the gibang, but this was no longer the case.
(chapter 127) 
(chapter 127) the former only made a promise to his father and not to the brother. With his death, Yoon Seungho is no longer bound by a promise. Since the main lead had been living properly for 3 years and even passed the civil service exam, it is clear that for the brother, Yoon Seungho must have forgotten his past lover. He must have judged his brother based on appearances, just like he was behaving himself. However, this was just a subterfuge. He was waiting for the right time too. He had no change of heart, he had just been copying his brother’s behavior. 
(chapter 78) Let’s not forget that at the gibang, Yoon Seungwon never revealed his true intentions towards his brother. The latter always said that his advices were for his best interests. He should become involved in the government. But everything was for the Yoons, or better said, for Yoon Seungwon’s sake. And there exists another reason why the sibling must have been embarrassed: This marriage! 
To conclude, Yoon Seungwon embodies the opposite values of Baek Na-Kyum and Yoon Seungho: ambition, corruption, forgetfulness, hierarchy/social norms, traditions and reality versus understanding, forgiveness, simplicity, closeness, modern family and happiness. Selfishness versus Selflessness. This explicates why the main lead gave up his success for the artist. However, though it looks like an exile, the reality is that he will gain popularity and admiration among the inhabitants. Why? It is because he is no longer making distinctions between nobles and commoners, he doesn’t see this place as a punishment, but as a heaven and as such he has a better perception of humans in general. In my eyes, he is bringing progress and change in the region. Baek Na-Kyum is already teaching the kids how to draw… so it is only a matter of time, until his lover takes care of the education for these children. This means that these words will become a reality: 
(chapter 6) He will think of the futures of those children because of his lover.
Bebebisous33s' analyses in K-Dramaland and Manhwas 