Protected: Jinx: The Night Is Young 🌕 ⌛- part 2
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Painter Of The Night: Dropped amusement 😞
This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/
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I have to admit that when I read chapter 126 for the first time, I was disappointed. Why? It is because Yoon Seungho appeared so stupid and weak. He kept running from one place 
(chapter 126) to another 
(chapter 126). He allowed his father to humiliate and abuse him 
(Chapter 126) once again. It was, as if the story was back to square one and the protagonist had learned nothing at all. Under this perception, my avid readers can comprehend why I selected such a title. However, instead of thinking that the author was a bad writer, I decided to ponder on the following question. Why did the author choose such an evolution?
1. The fools in love
First, since it is Baek Na-Kyum’s destiny to go through the same experiences than his loved one, I deduce that the main lead is now following Baek Na-Kyum’s path. In other words, they are switching their fate. This explicates why the lord is naïve, blinded by his love for the painter. Yes, Yoon Seungho is a fool in love too. 
(chapter 7) Like Baek Na-Kyum, he rushed to his loved one’s side. However, he was first stopped 
(chapter 126), because it was not the right time. How so? Notice that his brother had fetched him at the port
(chapter 125), but he never followed him to the bureau of investigation. And the same happened later. Why didn’t he go to his shed, when he was trapped there? Where was he, when the eldest son visited the father? 
(chapter 126) His absence exposed his passivity and betrayal. However, at no moment, Yoon Seungho noticed this. To conclude, Yoon Seungho was so worried for the painter that he didn’t pay attention to his surroundings, just like the painter didn’t see the learned sir’s disdain expressed through the cold gaze. 
(chapter 07) Therefore Yoon Seungho didn’t notice the presence of a civilian next to the governor. 
(chapter 126). Striking is that the governor knew about Yoon Seungho’s whereabouts before his arrival: the coast. As you can see, I am detecting a link between the governor and the younger master Seungwon. Yet, it was disguised as a rumor behind the expression “I had heard”. My assumption is that Seungwon came from the bureau of investigation in order to inform his brother. Therefore it is not surprising that Seungho was invited by his brother to visit the prison during the night. 
(chapter 126) And the moment I perceived the protagonist as a fool in love, I realized that chapter 126 is a reflection of episode 7, 29 
(chapter 29) and 40 
(chapter 40). Here, the painter was trying his best to protect Jung In-Hun’s interests (life, high position). Moreover, in episode 40, the painter had a dream, when he saw the announcement for the civil service examination. He smiled, for he was looking forward for the future. 
(chapter 40) And what have these episodes more in common? A betrayal, abandonment from a loved one and a paper (painting, poem). Hence I am more than ever convinced that the petition will resurface very soon and play a huge role in the downfall of the schemers and haters. Besides, chapter 40 represents the negative reflection of the conversation in the prison. 
(chapter 126) Though they are in a tough situation, Yoon Seungho is not leaving his side contrary to episode 40. 
(chapter 40) There is neither disdain nor mockery. The mentioned scenes are similar, for the present resembles the past. And this brings me to the second reason for the Webtoonist’s decision.
2. Past, present and future
It is because Byeonduck is now mixing the past with the present indicating that the future will be different. Let me elaborate my thoughts more precisely through the relationship between the protagonist and his father. First, when the incident with the stolen kiss was reported, 
(chapter 123), Yoon Chang-Hyeon considered Yoon Seungho as a human, for he employed the personal pronoun “he”. He was still his son. Then in episode 77, he judged him as a slave 
(chapter 77), hence he was submitted to the straw mat beating and was held captive. He even refused to send for a physician. 
(chapter 83) Here, the father is denying his humanity, he is just an animal. In their next confrontation, he describes him as a monster, hence he wished that he had never been born.
(chapter 86) However, his words exposed that he was still viewing him as a living being. Therefore it is not surprising that he accepted lord Song’s request to order the murder of his son! In the gibang, he decided to no longer acknowledge Yoon Seungho as his son. 
(chapter 107) The tragedy is that the protagonist still viewed the Yoons as his family because of Yoon Seungwon, who keeps calling him “brother”. This explicates why Yoon Seungho sponsored his brother to have an official position. 
(chapter 115) Therefore it is not surprising that he followed Yoon Seungwon’s advice again. 
(chapter 120). He would bring the petition to his own father. This means that he is acting like the painter who listened to his noona Heena so well. 
(chapter 46) But now, Yoon Chang-Hyeon believes to have the petition. 
(chapter 125) This explicates why the patriarch is now calling the main lead “nothing”. 
(chapter 126) He is not even a thing. This means that he is actually discarding him. This explicates why he sent him to the shed. 
(chapter 126) It was, as if he had become a merchandise. Or we could say that the elder master had been using him as a tool, which he can now abandon. 
(chapter 126) Interesting is that the idiom “plaything” has for antonyms tool, implement, instrument and utensil. And this brings me to the following remark. The father’s words are reflecting the last scheme. Yoon Seungho was used as the sword to get rid of an enemy, lord Song. It was, as if someone had decided to get rid of lord Song, for he represented a danger or threat. It also mirrors the trick in the shrine. Min and the others got killed, because Lee Jihwa went to his childhood friend. And who had seen the main lead using this sword, when he was enraged? Father Lee! 
(chapter 67) But let’s return our attention to the patriarch and his son. Yoon Seungho is no longer recognized as a Yoon member. Therefore I come to the conclusion that Yoon Seungho will make the following decision: to become an orphan. And this is symbolized by the loss of hair. I am expecting him to cut off his hair, something the painter has been doing for a long time. That’s why Byeonduck showed us the lord without a topknot. 
(chapter 126) This would coincide with my previous statement. The lord is going through the same experience than his loved one. However, people will come to the conclusion that this was done by the father. How so? Remember how each rumor became a reality. 
(chapter 1) I had already demonstrated that Yoon Seungho was not a fiend for sodomy with no regard for time and place, until he met Baek Na-Kyum. But once a deed is done, it can never be repeated. 
(chapter 101) So should Father Lee claim that he has long disowned Jihwa by cutting off his topknot, no one will believe him, for the young master was still seen with a topknot after confessing his feelings in public. 
(chapter 57) In other words, the topknot incident at the kisaeng would be brought up. It is impossible for 2 fathers to act the same way. Besides, the loss of the topknot has another signification: Yoon Seungho would cut off ties with valet Kim, for the latter was the one who gave him the topknot. And episode 126 reflected one more time his position: 
(chapter 126) He is the one dressing him. It was, as if he was the pope.
3. Abandoned plaything
Because of my initial disappointment, I examined the chapter more closely. This sentence from the patriarch caught my attention (chapter 126) Why would he call Baek Na-Kyum a “plaything”, when before he viewed him as a servant? 
(chapter 116) It is because someone had reported to him the conversation between lord Song and the painter. 
(chapter 122) There was a spy listening to their conversation. Since all the guards died 
(chapter 124) 
(chapter 125: I am assuming that the survivor got executed), I am suspecting the scholar. Moreover, why would Yoon Chang-Hyeon accuse his son to have abandoned Baek Na-Kyum? It is related to this departure of the staff and Yoon Seungho. 
(chapter 120) And who was present there? Jung In-Hun! But there is more to it. Since leaving Baek Na-Kyum behind is considered as an abandonment, it means that the patriarch abandoned his son too. 
(chapter 27) By speaking to Yoon Seungho, the elder master Yoon didn’t realize that he was admitting his own wrongdoings. Actually, he had abandoned him many times… like here for example 
(chapter 87) Therefore his words will come back to bite him. But these words are also exposing the valet’s betrayal and abandonment towards Yoon Seungho!! How so?
Where was he, when the protagonist was looking for Baek Na-Kyum? (chapter 125) Where was he, when the latter visited the patriarch’s home? Why did he only appear during the night? One might argue that he needed to wait the night in order not to be detected. But since Kim was supposed to be with Yoon Seungwon and the staff 
(chapter 122), then he should have been at the patriarch’s house. The absence of the valet is the evidence of his treason. For me, he is now working for Jung In-Hun which explains why he never mentioned his presence in the mansion, only lord Song. Besides, keep in mind that once deed done can not be repeated. In episode 27, the lord was too angry and busy to notice the learned sir’s spying activities. 
(Chapter 27) Moreover, Kim didn’t report the interrogation to his master. This means that the butler covered up for the teacher’s wrongdoing. But here is the deal: 
(chapter 120) The library was ransacked, hence this crime is bound to be discovered. Finally, his intervention in the shed is exposing his deception. (chapter 126) He could do something in the past! He entered the shed, and even brought him clothes. This stands in opposition to this scene: 
(chapter 83) That’s why I am convinced that these words (chapter 126) are reflecting the butler’s actions. He treated Yoon Seungho like a tool which he could use. In verity, he could have helped his master in the past by telling the truth!
Because my theory is that the lord was the king’s male kisaeng, the noble could utilize this principle against the monarch. Since he always left him behind, he just treated him like a plaything and not like a loved one and allowed others to use him.
4. The return of Yoon Seungho’s strength
Finally, I believe that Byeonduck had another reason to turn the table so that Yoon Seungho would appear as powerless. It is to outline his desire to live. 
(chapter 126) He is no longer suicidal, in fact he is full of hope! Though he was sent back to hell for a short moment, he came out of this as a winner. My evidence is that the lord has now become a believer. 
(chapter 126) Yes, episode 126 exposes the return of his faith! And where could we see the atheism of Yoon Seungho in the story? In chapter 92! 
(chapter 92) He didn’t believe in the spring poetry to ward off bad luck! That’s why he was sent back to the past. He needed to lose everything in order to find hope! In his darkest moment, he expressed a wish: to meet his loved one! And where did he pray to the gods? In the shed! 
(chapter 126) Observe how he is kneeling in direction of the bars. He is hoping to meet Baek Na-Kyum again. As you can see, though this scene (chapter 126) seems to be a repetition from the past, (chapter 83) it is not! The reality is that in episode 83, Yoon Seungho had lost all hope. This explains why he showed only resignation in front of his father. (chapter 83) However, the Painter Of The Night-philes certainly could observe how he had reacted, when he was put down by the guards. 
(chapter 126) He was showing resistance and anger towards his father. Moreover, he was no longer shaking in front of the patriarch or the guards. 
(chapter 86) Thus I deduce that though he was mistreated and insulted like in the past, he was no longer suffering from his traumas. He is healed. His will is now really strong, supported by his new found faith.
Under this new light, it becomes comprehensible why Yoon Seungho sent the painter to the shed after the so-called desertion! 
(chapter 62) Even if they were hugging, they were not close emotionally and mentally. This stands in opposition to the scene in the jail. They might be separated by the bars, but they are touching each other tenderly. 
(chapter 126) They are able to see each other.
What to Do When You Feel You Are Losing Your Faith
Acknowledge and Accept What You Feel (…)
(chapter 126) Try Meditation
(chapter 126) or Prayer
Count Your Blessings
Talk It Out
Spend Time With Loved Ones
(chapter 126)
Consider Counseling
Take a Break
Take The Time to Reflect
(chapter 126) Quoted from https://www.verywellmind.com/losing-faith-definition-suggestions-and-take-away-5214137
As you can detect, Yoon Seungho did everything to revive his faith. He didn’t listen to his father’s words in the end. He chose love over hatred. He might be a sinner, but he is no longer self-destructive. But more importantly, he went to jail while carrying the light. 
(chapter 126) It is relevant, because light represents knowledge and truth. He is now the bearer of the truth. And he got his blessing from Baek Na-Kyum, when he touched his hands. 
(chapter 126) Because he came with the candle, Kim had no reason to follow him. In other words, Yoon Seungho no longer needs the butler by his side. But why didn’t the domestic follow him to the prison cell? It is because he feared that if the painter were to see him, his memory could get triggered. The artist could ask him where he was, when the scholar came to the mansion? 
(chapter 120) Yes, chapter 126 mirrors 92! This somehow confirms my theory that the butler was the one hiding under the purple hanbok. 
(chapter 92) Moreover, we have another reference to this episode, the pouring of alcohol! 
(chapter 92) 
(chapter 126) It was, as if someone wanted the lord to pay for Min’s insult! That’s the reason why I come to the following conclusion: Yoon Seungho is now opening up to Baek Na-Kyum. He is confessing to the painter about his wishes. (chapter 126) Therefore I am suspecting that the lord will reveal his past to his loved one, something he never did before. 
(chapter 85) The manhwaphiles should keep in mind that the request from the artist in the study was strongly connected to forgiveness. And Baek Na-Kyum could also confess what happened in the past: his guilt and regret asking for the lord’s forgiveness. Right now, both are blaming themselves for the incidents, although they got fooled by many schemers. Because the lord proved his loyalty and blinded trust in the painter, I see the scene in the jail as a new version of this confession: 
(chapter 75) Thus I consider the prison cell as a sacred place, where both characters are about to be freed from their guilt! (chapter 126) That’s the reason why now I view the lord’s short torment as a necessity. His faith was and is tested through the trials which coincides with the upcoming trial. Through his love for the painter, he found support and strength. He is not resigned, though their situation looks terrible. He is now true to himself. This means that he chose to drop his life lie for good.
Life Lie : 1. the false conviction held by some individuals that their life plan is bound to fail due to other people or to circumstances beyond their control. This was postulated as a method of freeing oneself from personal responsibility. [defined by Alfred Adler]
2. any false belief around which an individual’s life is built. Quoted from https://dictionary.apa.org/life-lie
And what was his life lie? To be powerful…
(chapter 11) thus he could escape justice! 
(Chapter 11) Simultaneously, the first definition of life lie corresponds to Yoon Chang-Hyeon. The latter blames his eldest son for the downfall of the Yoons. 
! (Chapter 86) Secondly, he still thinks that he is powerful. But it is just an illusion. (Chapter 126) How so? The guards are able to manipulate him. He has become their puppet, for he follows their suggestions. Hence they make decisions on their own
(chapter 125). They fail their duty, for they allowed the main lead to barge in the room. 
(Chapter 126) Finally, observe how they keep apologizing without giving any explication. 
(Chapter 125) Their apology is fake. As you can see, the patriarch is living in an allusion. He is powerless, and the best evidence is that he doesn’t have the petition. (Chapter 125) He took the paper full of blood, the evidence of his involvement. This means that in this scene, (chapter 126) the elder master Yoon chose to maintain his life lie. This explains why he blames Yoon Seungho one more time. And this coincides with his speech about hatred. 
(Chapter 126) He is actually encouraging his son to hate himself and indirectly his own father! However, the son made the exact opposite decision: love!! Hence I am more than certain that the elder master is about to experience a harsh awakening.
On the other hand, the Manhwa lovers can grasp why I selected the title “dropped amusement”. Faith is something serious which stands in opposition to the gangrape in the shrine. Here, the lords had made fun of the spirits and gods.
(chapter 101) Thus they got punished. And now, the two main leads are about to face human justice. 
(chapter 65) But strangely, the painter is showing no fear at all. 
(chapter 126) He is ready to sacrifice himself. So why was Yoon Seungho dressed up in the end? One might say that with the topknot and the hanbok, the abuse from the patriarch got covered up. That way, Baek Na-Kyum wouldn’t detect Yoon Chang-Hyeon’s lies and abandonment! 
(chapter 125) The latter brainwashed him to take the fall for everything, implying that way, his loved one would be protected! However, I am suspecting that if the lord were to leave the prison, he could meet someone in the office. That way, this person is not confronted with the reality: the main lead was “abused”. According to the butler, he was supposed to meet his brother at the office. (chapter 126) If the noble encounters his brother there, then Seungwon would appear as hypocrite, for he would feign “ignorance”. He was not there, when he got insulted by their father. However, he could meet someone else. 
(Chapter 92) In episode 92, we have a mysterious man in the background dressed in black, but he is not wearing his gat. Besides, I would like my avid readers to remember this image from the trailer: 
which reminds us of the office: 
(chapter 98) This place symbolizes power and strength. And because episode 126 is a reflection of chapter 7, 11, 29 and 40, I think, Yoon Seungho is about to receive a deal, for these episodes are focusing on the deal between the painter and the protagonist: protection from the father and punishment in exchange for entertainment. He would appear as a fake savior in the end. Remember what in episode 11 the artist said in front of his fated partner:
(chapter 11) He would do anything except painting!! He was not willing to give up on this principle, which reminds us of faith. So when Yoon Seungho faced his father, he experienced powerlessness for one reason. (Chapter 126) They wanted to corner him, to make him desperate so that he would look for a way to become powerful! Moreover, they desired him to resent his father more than before. To conclude, he was pressured on purpose. And this brings me to the following remark. Why did the father describe the painter as “Plaything”? It is to minimize Baek Na-Kyum’s value in the lord’s life. However, if this theory about a new deal comes true (pedophile rekindling with him), then I believe that exactly like in episode 11, the lord will choose to follow his conscience and integrity over power and torment. He will make the same decision than his partner which corresponds to a rejection. However, I don’t think that he would make it obvious. He could fake submission.
5. Quit smoking
In fact, I have the impression that his memory could get triggered. What caught my attention is the absence of the pipe! According to me, the pedophile is a smoker, that’s how the main lead started smoking. But so far, the lord was not seen in connection with the pipe in season 4. This tool appeared on this drawing making fun of officials and the king
(Chapter 105) Then in episode 122, 
we discover that lord Song employed the pipe to beat the painter. Moreover, I detected a progression. In season 2, Yoon Seungho was still smoking. 
(Chapter 74) But once the painter showed that he didn’t like smoking, Yoon Seungho stopped taking the drug. This explicates why in season 3, he was no longer seen with the item in his hand. Even under stress, he chose to hunt instead of smoking in front of the window. We have two scenes where the pipe is present. One is when the lord is throwing it out of anger,:
(chapter 86) which reminded me of the incident with the music box.
(Chapter 85) This shows that this item had no value to the protagonist. Then the pipe appeared in the gibang on the table. 
(Chapter 96) However, here the lord had only eyes for the painter or Heena. Hence I have the impression that the pipe could resurface and serve as an tool to identify the perpetrator, just like the glasses were used to recognize the scholar. 
(Chapter 102) Finally, since the pipe appeared in the gibang twice, it indicates that this hobby is linked to the kisaeng house!! And this brings me to my final observation: the pipe is connected to paper (chapter 121), just like in the erotic book of sodomy! 
(Chapter 1) 
(chapter 1) However, there exists two books!! And one has no PIPE! This coincides with the decision of the painter to stop drawing erotic pictures! Yes… dropped amusement! At the same time, Yoon Seungho has long lost his interest for erotic publications. He also dropped this hobby. On the other hand, the books were dropped in front of the painter. 
(Chapter 1) Finally, the petition was dropped in front of lord Song 
(chapter 123) which announced his death sentence. To conclude, the papers have a strong connection to punishment and death.
As you could see, Byeonduck had many reasons to create such a chapter in the end. We are definitely getting closer to the end. And before closing this essay, I would like to point out that the Yoons’ mansion had been left empty, yet neither his father nor his brother moved in!! 
(Chapter 126) Yoon Seungho went to the father’s mansion, and it didn’t take him that long! As you can see, I consider this trip with Yoon Seungwon as a diversion. 
(Chapter 121) So why didn’t the elder master return to his old home? It is to drive the Yoons out of their propriety. In other words, the lies from the past are becoming a reality exposing the liars in the end. Their life lies will be ruined.
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Jinx: Agent Blue 🔵💙 – part 2
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa: Jinx But be aware that the Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “Agent Blue -part 1”
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
In this second part, I would like to present a new theory concerning the persons organizing the mismatched fight. Only after releasing the first part, it dawned on me that other people could be involved. In other words, my idea is that there exists other Agent Blues. Like the chemical weapon used during Vietnam War, the Agent Blues are corrupting the MMA world. My previous hypothesis was that MFC match manager, the agent from Entertainment agency and the lawyer were involved in the conspiracy. And now, you are probably wondering about the identity of the other persons.
1. The identity of the 4th Agent Blue
First, this mysterious schemer must resent Joo Jaekyung the most, for the latter is pushed to slim down within one month.
(Chapter 36) Striking is that the manager described the match as an urgency. Why should the fight take place a month later, when it is a non-title match? 
(Chapter 36) Besides, why should it take place in the US? The purpose is to weaken him… Yes, the match was organized to put him in disadvantage. Far away from home, he would have less supporters. 
(Chapter 15) Moreover, he is fighting an experienced MMA fighter. And with the weight cutting, his performance could be affected. So now, it is time to reveal his identity: 
(Chapter 14) Yes, Randy Booker! Let’s not forget that this fighter had tried to enter the higher weight category 
(Chapter 13) But he failed terribly. Note that the athlete is put in the same situation than the butcher (same weight, travelling). He has to fight in a foreign country. Secondly, he mocked the athlete for his age. 
(Chapter 14) He had become a champion, because he had not met any real opponent so far. He had fought only against younger rivals. And this coincides with Dominic Hill’s profile: an older MMA fighter. (Chapter 36) Thus I am wondering if Randy Booker doesn’t come from the same gym. The blond haired guy is called a butcher, and I would like to point out that the future competitor of Joo Jaekyung has two cuts on his face, a sign that he must have a similar attitude than Randy Booker. If this is true, then the involvement of the agent would get exposed, for he didn’t reveal this information. How did the American boxer look like at the end of the fight in Busan? 
(Chapter 15) He had an injury above the eye. And this observation brings me to the following remark. Why did the blond-grey haired sportsman call the athlete a baby? (Chapter 14) It is because he had a baby-face! His fights left no trace on his pretty visage! Even certain manhwaphiles complained that such fighters usually have scars on their face. And the moment I noticed the scars on Dominic Hill’s eyebrow and cheek (chapter 36), it reinforces my prediction that Joo Jaekyung could have cuts on his face, which were symbolized by the broken sandbag
(chapter 34) and the doctor’s cut
(chapter 36). Under this perspective, the punches from Kim Dan 
(Chapter 7: elbow)
(chapter 26) were there to train Joo Jaekyung to get accustomed to be punched. Despite his cuts, he shouldn’t lose focus or become scared. He should keep fighting. But now let’s return our attention to my initial theory: the involvement of Randy Booker. Why would he do that? It is not just out of revenge.
Randy Booker has an interest to destroy Joo Jaekyung. Once he loses this fight, his title will be questioned. Finally, the moment the protagonist is no longer called the emperor, Randy Booker’s chances to get the crown increase. Besides, (chapter 14) I would like to outline that Randy Booker accused the athlete of being a coward. For me, his words reflect his own mentality. He is a coward himself, who would use tricks to achieve his goal. He would use his colleague to get rid of an opponent. As for Dominic Hill, the latter would get the opportunity to maintain his reputation. Despite his age, he can still fight. The manipulative attitude from Randy Booker was perceptible, when he faced the champion for the first time. He provoked his opponent in order to enter his mind so that the latter would be destabilized. Under this new perspective, it becomes comprehensible why the shoulder injury was not mentioned with the incident in Busan. It is because Randy Booker would appear as a big loser. He got defeated, though the champion was injured. As you can see, neither MFC nor the American boxer had an interest to expose this incident. Thus they needed to find a scapegoat: the hospital. On the other hand, Park Namwook and the coach could have used the fight as an evidence to prove the article wrong! That’s why the schemers had to propose a fight very quickly in order to divert attention from Randy Booker. Because if this was exposed, the blond-grey haired fighter would become a laughing stock and this would mean the end of his career. Finally, such a theory would corroborate my other hypothesis: the involvement of the MFC Match manager. Yet, someone has to sponsor such an event. I doubt that MFC would finance such a match, for it is a non-title match. Hence I came to the following conclusion that there exists a 5th Agent Blue.
2. The identity of the 5th Agent Blue
Since neither Randy. Booker nor the agent nor the lawyer are aware of the existence of Kim Dan, I assume that this person was determined to target the two main leads. First, this puppet master has to know that Kim Dan has Joo Jaekyung as patient, like the article implied it with the expression “Anonymous source”. 
(Chapter 35) Secondly, this person must have resented Joo Jaekyung so much that this schemer wanted him to lose his title for good. It was to “ruin” him. Hence, like Randy Booker, he must have imagined that the weight cutting would weaken his body and mind. This means that he must have come to fear Joo Jaekyung’s strength. And now, it is time to reveal the identity of this mysterious sponsor. .
(chapter 11) Yes, it is Heo Namwoook. And note that he is also connected to blue!
I have to admit that I came to develop this theory, the moment I recalled this scene: 
(Chapter 17) Joo Jaekyung made a reference to the hospital in front of the loan shark. So he knew that Kim Dan had Joo Jaekyung as patient. Besides, there is no doubt that the moneylender is aware of the main lead’s formation. He is a physical therapist. But since the champion wanted his sex partner to accompany him to his med check, he gave the impression that the physical therapist was working at the hospital. Moreover, note that the champion is never mentioned as the owner of Team Black in the article. (Chapter 35) I would even add that the gym Team Black is not promoted properly. 
(chapter 13) The name of the gym is not visible in the poster. This promotion explains why the fans are screaming only Joo Jaekyung (chapter 15) and the boards are only referring to him. Note that
(chapter 30) the name Team Black isn’t brought up in the covers either. It is only about Joo Jaekyung. This explicates why the loan shark’s minion didn’t connect Team Black to the protagonist. 
(Chapter 16) As for the loan shark, he associated it with a club providing escorts. 
(Chapter 16) Team Black only appears on the jacket 
(chapter 36) So the moment you imagine that Heo Namwook is behind the event, it makes sense why Dominic Hill was selected. First, he saw how the athlete could 
(Chapter 17) overthrow someone weighting heavier than himself. He was clear-minded and far from being emotional, when he fought Heo Namwook and his minions. 
(Chapter 17) But with the scandal and the weight cutting, it is different. The “enemy” is messing not only with his body, but also with his mind. If my theory is true, then the loan shark would be actually acting as a fight promoter:
Becoming a fight promoter or manager is a lucrative way to make money from fighting, but still risky. Fight promoters and managers are entrepreneurs who organize and promote fights in different styles or disciplines. They can work with amateur or professional fighters. They can work with local or international markets. Fight promoters and managers can earn money from commissions, fees, sponsorships, and partnerships. They can also enjoy the thrill and excitement of creating and marketing fights and working with fighters. However, becoming a fight promoter or manager requires a strong network of contacts and connections in the fight industry. You also need to have good negotiation, communication, and organizational skills. Quoted from https://medium.com/@chsai0065/how-to-make-money-from-fighting-a-guide-for-aspiring-fighters-8d72885e1863
One might object that Heo Manwook is just a loan shark, therefore it is impossible for him to have connections in the United States of America. But don’t forget that this man is connected to pro wrestling. First, one of his minions was a wrestler. 
(Chapter 17) Secondly, Heo Namwook called MMA as fake, for he thought that it was like wrestling. 
(Chapter 17) Since Park Namwook is a former wrestler, I can only deduce that Heo Manwook has a common past with the champion’s coach. He was also a wrestler. I would even say, the new Agent Blue is his negative version. But if he had such a profession in the past, how could he have connections in America?
While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories – USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. Quoted from https://journals.openedition.org/rrca/548#tocto1n9
It’s because USA is the country where professional wrestling is very popular. He must have gone there in the past. Thus he had the opportunity to create connections and he was trained to organize events too. And since Heo Manwook was constantly referring to “fake” and “real” during their battle 
(chapter 17) 
(chapter 17), I can only imagine that the former loan shark created this event for one reason: Joo JAekyung should get destroyed! It looks like a show, but the fight will be real. Dominic Hill has been tasked to kill the champion figuratively. (Chapter 36) This match should end the athlete’s career. He gets so wounded that he can never recover from this. Since Heo Manwook has the means (skills, connections and money which he received from the main lead himself), it is very likely that he is involved. He could have simply contacted the MFC Match manager. Moreover, by organizing the event there, none of the main leads would suspect his involvement.
2. Team Black and the jackets
So if these theories are true, then it exposes Park Namwook as a bad manager! It exposes his naivety despite his age and experiences. He is unable to detect tricks. Then he claims that Team Black is his gym 
(chapter 22), but why is the name Team Black not known by the public? It is because the coach is passive. First, he is relying on Joo Jaekyung’s popularity and publicity. In fact, he delegated this task to this agent!! 
(Chapter 36) He truly believes what he had been told: (chapter 30) This explicates why the main lead’s schedule had been so full in the end. 
(Chapter 17) He is a hot commodity, because his agent at the entertainment agency is “promoting” him. He is making him work, because the more schedules he gets, the more the agent gets paid. However, it is not the manager’s task to promote Team Black!! This explicates why the other fighters are not famous! In other words, the loan shark is exposing Park Namwook’s lazy nature. Under this new perspective, it becomes comprehensible why the coach spoke about free PR. 
(Chapter 30) It is because the coach and manager with the glasses has nothing to do! However, even in this panel, Namwook never realized that Choi Heesung was not promoting Team Black, but Joo Jaekyung! Why did Potato, Oh Daehyun or the others join the gym in the end? It is because of the protagonist’s fame and talent!! In other words, right now, Joo Jaekyung is Team Black! Should he get wounded, the gym is bound to vanish. 
(Chapter 9) Interesting is that the man with the red t-shirt only describes himself as the coach of Team Black. So who is the manager of Team Black? And this brings me to the following observation. Why does the coach consider Team Black as his gym? It is because he is managing the bank account of Team Black. Hence we see him ordering new jackets 
(chapter 36) or bringing food.
(Chapter 26) Yes, he occupies a similar function than Heo Namwook in the end. The coach is like a book keeper. Yet, there exists a huge difference between them. First, the athlete is separating his private account from Team Black’s contrary to the moneylender. 
(Chapter 16) But Park Namwook has been just relying on Joo Jaekyung to promote the gym. Contrary to the creditor, he sent his athlete first, while the other would first send his minions. 
(Chapter 5) One might say that he promoted Team Black through the clothes. 
(Chapter 15) But the problem is that the name Team Black was not visible here. 
(Chapter 14) Furthermore, in episode 23, the fighters left the gym without wearing any uniform!!
(Chapter 23) They all had different clothes, a sign that Namwook had been neglecting them. As you can see, the new clothes made me realize that the coach hadn’t been promoting Team Black properly, until Kim Dan joined the team. And it started with this: 
(chapter 9) The name was written on the left side. However, it is not visible, as soon as Kim Dan wears a jacket. 
(Chapter 14) It resembles too much to scrubs from a hospital. Therefore the schemers thought that he was working at the hospital. Because the physical therapist had no ID and his uniform was different (chapter 15), Joo Jaekyung lent him the black jacket. However, the logo of Team Black was the snake and not the name!! It was MFC!! Thus the guard asked him if he was staff!! It was, as if he he belonged to MFC! 😂 This made me laugh, because it shows how bad Park Namwook is for promoting Team Black! First, only the coach Jeong Yosep, Joo Jaekyung and Park Namwook had similar tee-shirts. (Chapter 14) Secondly, their clothes were similar to the ones created for the staff belonging to MFC. 
(Chapter 14) The man on the left side is not part of Team Black, for he is wearing an ID, whereas the fighter next to the coach is a member of the gym, though he is not wearing any black clothes. The choice for the clothes were truly bad.
And now, take a look at this! 
(Chapter 36) First, the name Team Black is visible on the side, while MFC vanished. (Chapter 36) Striking is that on the back of the jacket, the name of the owner is not written! The manhwaphiles can’t read Joo Jaekyung! So how could Park Namwook know that this was the champion’s cloth? (Chapter 36) It is because of the number! Joo Jaekyung is number 3! And who are number 1 and 2? Naturally the hyungs!! Park Namwook and Jeong Yosep! This means that through the number, he is downgrading the protagonist. 
(Chapter 36) At the same time, this signifies that slowly, he is giving the other fighters more attention. The face of Team Black is changing. It is no longer reduced to Joo Jaekyung. This signifies that the dragon is gradually sharing his burden to others. On the other hand, such a jacket exposes the coach’s arrogance. 
(Chapter 36) It was, as if they were taking over the champion’s company. Yet, the latter is the real owner. On the other hand, Park Namwook’s decision represents a blessing. How so? (Chapter 36) It is because Kim Dan has become the owner of this jacket. He is now Number 3 of Team Black! He is also a hyung! Hence his position within the gym has changed. He belongs to the top and can make decisions! On the other hand, since the jacket is too big, people will think that the one who gave the order for the jackets was pretty bad. How could he give an oversized jacket to number 3? Thus it dawned on me that this could be misinterpreted: Kim Dan is somehow “bullied”, mocked for his small size by Park Namwook. Or they are too poor to offer him the correct jacket 😂 To conclude, the coach is about to receive his karma. If his jacket has number 1, people will question his decisions about the fight!! How could he push his athlete to accept the fight? Why did he not speak up before, if he was number one and as such if he was the owner of the gym? Thanks to this jacket, the doctor has become an official member of Team Black. He is no longer the private physical therapist for Joo Jaekyung.
(Chapter 7) He is the physical therapist of Team Black de facto, especially if he is seen in company of other members.
And this brings me to the following observation. Why didn’t Park Namwook ask Joo Jaekyung to go to the fighters’ event in episode 23? (Chapter 23) One might say that he had another appointment before. However, I believe that he had many reasons to separate the athlete from the rest of the staff. That way, Park Namwook can appear as the owner of Team Black. He is the coach and manager of the other fighters. However, if he had gone there, the champion’s fame would have benefited to the other fighters. This shows that the manager from the entertainment agency represents a huge burden to Team Black. Neither Park Namwook nor the agent had an interest to bring the members closer to the athlete. On the other hand, I am suspecting that this “encounter” was not random. 
(Chapter 23) Potato has already planned as the champion’s successor. To conclude, this match in the USA should expose the manager’s selfishness and the corruption. But since Kim Dan has now such a jacket, I am expecting that with his magic touch 
(chapter 36) he will get the attention from the MMA world: reporters, fighters and MFC manager. Something that the schemers didn’t expect… As a conclusion, in the next chapter, pay attention to the jackets and the numbers. There were all XXL, except the one for Potato. (chapter 36) But the question is if their jackets have numbers on the back. For me, it becomes clear that Joo Jaekyung will become a man in a suit. 
(Chapter 32) He will become a real MMA manager promoting his own company and his fighters.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Protected: Jinx: Calculated Craziness 🌪🦊🐲 (second version)
Protected: Painter Of The Night: The mystery🕵️♂️ 👨🎨 behind Baek Na-Kyum’s inspiration 🎨
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Painter Of The Night: The Heavenly Hearth ☄️🌈
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1. Heaven and life
When many readers heard Yoon Seungho‘s statement 
(chapter 119), they got worried and nervous, as they considered the expression „as long as I live“ as a clue for a sad ending. Why? It is because the lord was referring to his own death. Under this light, it becomes comprehensible why I selected „heavenly“ in the title. I was naturally alluding to the afterlife. However, I perceived his words in a positive light. He expressed his desire to live. He is no longer suicidal, he wishes to live a long life next to the painter and treasure his moments with him. That’s the reason why the author included the refraction in the scene. A dream had come true, the lord was finally able to escape the darkness. 
(Chapter 119) He is now truly alive. This explicates either why he smiled and laughed at the end. But why was he so happy? It is because Baek Na-Kyum had just confessed that he loved him not for his wealth or power, but for himself. 
(Chapter 119) He even described him as a treasure. Yoon Seungho had finally achieved his goal: to win the painter’s heart. His presence and love bring happiness to Baek Na-Kyum which stands in opposition to his reputation as bird of misfortune. Moreover, this description contrasts so much to Jung In-Hun 
(Chapter 119) and Yoon Seungwon’s. 
(Chapter 118) where both portrayed the main lead as a man consumed by lust and revenge. In other words, he was presented as a huge sinner. This implies that he stands so far away from heaven. But all these words were erased the moment the painter confessed his love for Yoon Seungho once again. What Baek Na-Kyum didn’t realize is that his love confession is pushing the protagonist to fight for the painter. (Chapter 119) If something were to happen to him, the low-born would be heartbroken and miserable. Baek Na-Kyum is his reason to live. Thus I consider this scene as the positive reflection from that terrible night: 
(chapter 102) In episode 102, he was renouncing on everything (life, mansion, wealth and connection), because he imagined that the artist had died. Consequently, I deduce that in episode 119, the painter’s life is attached to the lord’s for good. If the artist got into trouble, Yoon Seungho would side with him and the reverse. Thereby, I come to the conclusion that this moment in the kitchen represents their union, as they are no longer tied to the mansion. They are now a family no matter where they are. Let’s not forget that the painter expressed his wish to run away with his lover. 
(Chapter 119) It is important, because such a departure symbolizes that the bird “Yoon Seungho” is leaving the nest. He is now starting a family on his own.
2. Food, offerings and faith
Striking is that heavenly can be employed in a different context food. Let’s not forget that food is often served as offering to gods and spirits. Interesting is that in Asian societies, it is a tradition to offer the favorite dishes on the anniversary of the relatives’ death. As you can imagine, this custom was already practiced in Joseon. And now, take a closer look at this scene.
Yoon Chang-Hyeon was honoring his ancestors by bowing in front of the shrine. But what caught my attention is that in such an occasion, he should have brought food and his sons to such a ceremony. However, he just had lit incense 
(chapter 85) and put a glass and that was it. This exposes the father’s hypocrisy, ignorance and greed. By acting on his own, he was exposing his true mindset. He views himself as the family. The sons are just the extension of himself, for they are his reflections.
Narcissists need a scapegoat to preserve their self-image, avoid taking responsibility for their actions, and to feel emotionally stable. Quoted from https://unfilteredd.net/why-do-narcissists-need-a-scapegoat/
As a narcissist, the father projects all his flaws onto Yoon Seungho, hence he is his scapegoat. 
(Chapter 45) On the other hand, Yoon Seungwon is his golden child, for he represents his positive reflection.
A “golden child” is one who is considered “special” by their family and chosen as a proxy for a parent’s own achievements and magnificence. Unfortunately, the child must live up to perhaps unattainable levels of accomplishment and perfection. Being the golden child does not necessarily represent a positive familial position, and narcissistic parents frequently place this identity on one of their children. Quoted from https://www.choosingtherapy.com/golden-child-syndrome/
This explicates why in the bedchamber, the patriarch called his son a monster
(chapter 86), whereas he put the other on a pedestal (chapter 86). Thus I created this illustration.
Under this new light, it becomes comprehensible why the father could only reject the offer from lord Song in the gibang. Doubting Yoon Seungwon’s sexuality meant to question about the father’s sexual orientation. At the same time, it is not surprising why the elder master would blame Yoon Seungho for everything, for he couldn’t admit his responsibility for the purge. Consequently, the Manhwaphiles can grasp why Yoon Chang-Hyeon came alone to the shrine. If he had brought Yoon Seungwon, the father would have been reminded of the elder son, as both can not be separated. This explicates why the younger master asked his elder brother to submit to his father.
(Chapter 119) I couldn’t help myself smirking when the brother attempted to make him believe that.
(Chapter 119) the protagonist could ever gain the father’s favor. Yoon Seungwon was definitely playing with his brother’s feelings, as if he could hope that their father would change.
At the same time, his position as golden child explicates why the younger brother resents the father and betrayed him: 
(Chapter 118) It is because as a golden child, he is also suffering, but it is naturally nothing compared to Yoon Seungho’s position who could have died. 
(Chapter 77)
Parents with NPD often shape one of their children into the golden child role. The golden child becomes an extension of that parent, and the child’s role is to please that parent. Narcissistic parents are unable to appreciate the golden child’s unique identity, and attempt to control their child’s interests and activities in ways that would reflect positively on them. They live vicariously through their golden child and they feed on their child’s successes, which serve as the parents’ narcissistic supply. Quoted from https://www.choosingtherapy.com/golden-child-syndrome/
Interesting is that psychologists said that it was easier for a scapegoat child to escape from this nightmare, as they can cut off ties more easily than the golden child who got used to special treatment. Moreover, the flaws from the patriarch rubbed off on Yoon Seungwon which often happens in such a toxic family. This signifies that for Yoon Seungwon, it is difficult to maintain good and healthy relationships in the end too. And now, you comprehend why the younger master made such a request to his brother. He needs him for two reasons. 
(Chapter 119) First, by returning the petition to the father, Yoon Seungho would become the culprit. He was not only a traitor, but also a blackmailer of the Yoons and lord Song.
(Chapter 107), for he had stolen the petition. Yoon Seungwon would hide his wrongdoing, he betrayed their father. 
(Chapter 118) There is no doubt that Kim played a role in this as well. In other words, the brother and the valet would bury the truth by diverting the attention of the patriarch towards the main lead, if Yoon Seungho followed this suggestion. 
(Chapter 116) The elder master would no longer seek the truth, similar to the kidnapping in season 2 which was turned into a desertion and later Lee Jihwa’s abduction occulting the instigator and the helping hands. Simultaneously, Yoon Seungwon needs his brother as scapegoat, because the pressure coming from the patriarch and lord Song must have definitely increased. (Chapter 119) How ironic that Yoon Seungwon employed the expression “care to live”. Back then, the protagonist was just surviving, he had already developed suicidal tendencies, when this incident took place. (Chapter 83) This shows that the young master wants to sacrifice his brother once again. Out of selfishness and cowardice, he is trying to convince Yoon Seungho that this is the right thing to do! (Chapter 119) This is a new version of this scene! 
(Chapter 37) He is even implying that he needs to sacrifice himself in order to protect Baek Na-Kyum!! Moreover, he is distorting the reality, because he implies that his father is still powerful. (Chapter 119) However, the purge took definitely place, 
(chapter 37) like the memories from episode 37 are exposing it. It becomes clear that if Yoon Seungho returned the petition, he would die. 
(Chapter 116) Thus I come to the conclusion that the meeting between the brothers in the gibang represents an offering. For the Yoons’ sake, Yoon Seungho should admit his wrongdoings (Chapter 119) and beg for forgiveness. Thus I interpret the scene in the kitchen hearth as true hope (chapter 119) while the table with many dishes in the gibang stands for fake hope and offering. (Chapter 118) It was, as though Yoon Seungwon was giving his brother his last meal before his sacrifice. This situation exposes that in the past, the main lead had been put in a similar situation, covering up for the brother’s mistake. 
(Chapter 55) People had played with his hopes and longing for acceptance and recognition. Interesting is that offerings is a synonym for atonement and sacrifice. But why is Yoon Seungwon so sure that he can repeat the same action from the past? It is because Kim and Yoon Seungwon have known for a long time that Yoon Seungho was longing for acceptance and love from his family, just like the scholar knew about the painter’s love for him. 
(Chapter 119) But everything changed, when the painter met the lord. So who is worse here? Jung In-Hun who tried to rape the painter or Yoon Seungwon who is sentencing his elder brother to death? Let’s say that the valet convinced the younger master to suggest this solution, this doesn’t diminish Seungwon’s responsibility at all. He knows that his father abused his elder brother. In my opinion, he is copying his father, like the former tried to diminish the responsibility of the patriarch. 
(Chapter 119) Yoon Seungho got hurt because of lord Song and not because of Yoon Chang-Hyeon. This means that the younger master was denying the existence of the patriarch’s choice and the helping hands. And if the brother listened to his advise and the father hurt or killed the main lead afterwards, the younger master could put the blame on the elder master, for the decision and responsibility belonged to the patriarch. Moreover, he heard from lord Song that killing Yoon Seungho was just a matter of time. (Chapter 116) Fact is that the younger master is betraying his brother once again.
Yet, the former is making two huge mistakes. He is considering the painter as a servant (chapter 119), therefore he believes that the artist is tied to the mansion. Secondly, I am quite certain that his perception about the artist is influenced by Kim. This signifies that the latter is also projecting his own thoughts onto the painter, for he is himself a narcissist. The latter is interested in wealth and comfort. If he came to lose everything, he would abandon Yoon Seungho, that’s what Kim is envisaging. Thus if Yoon Seungho were to submit himself to the father, Baek Na-Kyum would lose everything. Besides, I am even thinking that Jung In-Hun’s approach in the gibang is also related to the brother and the butler. All of them had an interest to separate the couple! And note that when the lord went to the noonas’ room, it looked like the painter had deserted him. 
(Chapter 119) So technically, this situation could have triggered the protagonist’s insecurities like in season 1 
(chapter 28), 2
(chapter 60) and 3 
(chapter 98). However, through these constant exposures, Yoon Seungho came to learn not to jump to conclusions and to have faith in Baek Na-Kyum. He knew that he would return to the mansion. Hence he ran to the bedchamber first. 
(Chapter 119) Another important detail is that we don’t see any staff in the courtyard or in the kitchen. It was, as if the propriety had been deserted. 
(Chapter 119) This implies that at no moment, he relied on the domestics’ testimonies which contrasts to the following scenes: (chapter 98) 
(chapter 104) 
(chapter 107) and 
(chapter 116) However, observe that in episode 116, Yoon Seungho had witnessed how his lover had taken care of him, while he was unconscious. Furthermore, the petition had been handed over to the painter and not Kim, a sign that the artist had become the protagonist‘s confident. As you can see, as time passed on, the main protagonist learned the following lessons: he should stop relying on servants, he should only trust his partner. I would even add that he was taught the following principle: “If you want something done right, you have to do it yourself”. In my eyes, (chapter 119) the scene in the kitchen is exposing the betrayal from the staff, that’s the reason why we see no one! They were either expecting their lord’s return and imagined that he would be upset or even violent! At the same time, by not meeting the artist, the servants could feign ignorance about the lover’s whereabouts and claim their innocence. The proof is that this scene (chapter 119) is the positive reflection from that night: 
(Chapter 103) Here, they never expected the return of Yoon Seungho and the painter. The staff ‘s absence in episode 119 is the evidence of their desertion! Moreover, I consider Yoon Seungho’s search for his lover as a new version from episode 28/29/30: 
(chapter 28) Back then, they feigned ignorance, but they never anticipated a punishment from Yoon Seungho.
And this leads me to the following observation: Baek Na-Kyum’s action in the kitchen reminded me of an offering! (Chapter 119) Why? It is because he burned a paper. The evidence for this is the presence of the painter’s belongings. This is the place where he used to hide the scholar’s poem (chapter 4). Moreover, the painter is standing in front of the hearth which certainly triggered the manhwaphiles’s memory. Jung In-Hun was seen in front of the hearth burning the letter from Min in order to hide his involvement in the painter’s sexual abuse. 
(chapter 115) And now you are wondering how the painter’s gesture can be considered as an offering. It is because the kitchen hearth is considered as sacred due to the fire. First, in shamanism, there exists the god of fire named Jowangshin.
The origin of Jowangshin is the fire of the home. But their realm also extends to the area that uses fire and water harmoniously. It is good etiquette to brig a set of matches when you move to a new house. One can enshrine the house god with an onggi of water placed on/above the stove or utilizing sacred mulberry paper put up on the wall in the kitchen. (…) Jowangshin is the emissary of heaven and will ascend to report the wrongdoings of the home’s inhabitants to Hwanin, God of Heaven. https://www.firelightlotus.com/post/jowangshin-god-of-the-kitchen
In China, people had a similar belief.
Zao Shen, Wade-Giles romanization Tsao Shen, in Chinese religion, the Kitchen God (literally, “god of the hearth”), who is believed to report to the celestial gods on family conduct and to have it within his power to bestow poverty or riches on individual families. Because he is also a protector of the home from evil spirits, his periodic absences are thought to make the house especially vulnerable to becoming haunted at such times. Zao Shen’s identity in life and in the history of his cult are uncertain. The god of the kitchen has also been confused with Huo Shen (god of fire) and with Zao Jun (“Furnace Prince”). Quoted from https://www.britannica.com/topic/Zao-Shen
As you can see, the kitchen is a sacred place. This explicates why next to the hearth, people had to follow the following rules:
- Do not curse while in the hearth.
(Chapter 115)
2. Do not sit on the hearth.
(Chapter 59)
3. Do not place your feet on the hearth.
(Chapter 98)
(Chapter 115)
4. Maintain the cleanliness of the kitchen.
(Chapter 47)
5. You may worship other deities in the kitchen. Quoted from https://en.wikipedia.org/wiki/Jowangsin
That’s how I realized why Byeonduck mentioned that lord Min would help Yoon Seungho. Note that Jung In-Hun cursed lord Min (chapter 115), when he burned the letter! Moreover, let’s not forget Black Heart’s claim during that night: Lee Jihwa 
(chapter 102) who was a traitor, for he had tattled on Black Heart and his friends to Yoon Seungho. And now, you comprehend why I connected the shrine to the kitchen hearth. Both places are considered as sacred, for they are connected to gods and spirits.
3. Confessions and truth
And now it is time to return our attention to Yoon Chang-Hyeon. 
(Chapter 85) The absence of his sons and of food as offerings reveals that he was not showing true respect to his ancestors. He used religion and social norms to hide his true intentions. He wanted to take over the mansion. Hence the black guards were standing at the entrance of the sacred house. Their presence symbolizes violence. Therefore it is not surprising that the gods chose to punish the elder master through Yoon Seungho. The former was not received properly 
(chapter 86): no bow, no food and no seat. 
(Chapter 86) Let’s not forget that the elder master had entered the lord’s chambers without the permission of his owner. No wonder why he was left speechless. And now, you are wondering if I am not drifting away from the topic, as these chapters from season 3 don’t seem to be connected to episode 119. However, it is important to realize that these chapters have many common denominators
| Chapter 85-86-87 | Chapter 119 | |
| Death |   Here, we could detect the suicidal tendencies of the protagonist. He wouldn’t fight back. | Here, he wants to live and as such to fight back in order to protect his lover. |
| Coup d’Etat |  The seat looks like a throne. | Yoon Seungwon advises his brother to admit submission. It is like a surrendering. |
| The fire |  | Note the contrast. In the furnace, the fire was not properly lit. This explicates why the bedchamber didn’t get destroyed by the fire during that night. |
| The absence of the staff | The courtyard is empty! No one is defending their master. | No one is working in the kitchen. |
| A quarrel with a slap |  |  |
| Someone is out of breath |  | |
| Treason |  |  |
| Threat |  | |
| Sexual assault in the gibang |  |  |
| A sudden kiss |  |  |
| the importance of family | | |
| The indirect reference to religion (curse, heaven versus hell, faith/trust) |   | |
| Wishes (ambition, dream) | |  |
| Yoon Seungho portrayed as a depraved monster |  |  |
| An important paper/ document |  | |
| Jung In-Hun |  | Baek Na-Kyum not only wounded the learned sir, but also humiliated a person who passed the civil service examination. He is now a military official. |
| The painter’s escape | He was supposed to remain in the study. Kim allowed him to leave the room. |  Baek Na-Kyum freed himself. |
As you can see, the night from episode 85 to 87 corresponds to the day in chapter 119. And now, it is time to examine the meaning behind this connection. First, the contrast between these two scenes reinforces my interpretation about the butler. At the beginning of the noble‘s suffering, the valet was ignorant, just like the painter is still unaware of the nobles’ death. But it is no longer the case. In episode 85, (chapter 85) he had faked his breathlessness. First, he didn’t need to run from the kisaeng house like Yoon Seungho. The kitchen, the gate or the servants’ quarters are not far from the study. Besides, why did Kim run in the end, when he joined the study? Contrary to his master in episode 119, he knew about his master’s whereabouts, for they had taken their lunch there. 
(Chapter 85) The study is even close to the gate. 
(Chapter 51) He could have reached the study before the father entered the shrine. Finally, observe that the patriarch even arrived to the bedchamber before Yoon Seungho, (chapter 86) though the study is close to the host’s chamber. As you can see, paying attention to the location of the different rooms exposes the betrayal from the staff and especially from the butler. He had been listening to their conversation, hence he knew about their quarrel. Interesting is that in the kitchen, the lord’s wish got fulfilled. 
(Chapter 117) The painter wants to leave everything behind too. 
(Chapter 119) Thus I am deducing that the authorities will be involved very soon. (Chapter 86) Why? It is because someone desires to take over the mansion. 
(chapter 119) They are not expecting the lord‘s resistance, for he remained passive all this time (season 2 and 3). The scholar has now the means to do so, and the necessary motivation. Imagine that he got wounded and humiliated by the couple! Besides, we have this broken promise due to Yoon Seungwon (Chapter 115) exposing the younger master’s lies and Yoon Chang-Hyeon’s delusions. Without the protagonist’s help, the younger brother would not be „successful“. Furthermore, the absence of food and fire in episode 86 indicates that this house was neglected and even not protected. (Chapter 86) It explains why the argument between father and son oozed hatred, coldness and looked like war! The hearth symbolizes home, family, warmth, love and protection.
Under this light, it is no coincidence that this new confession took place in the kitchen. At the same time, the kitchen hearth symbolizes humbleness and honesty, which stands in opposition to the love confession in the kisaeng house. 
(Chapter 94) The gibang is connected to money, power, pleasure, artificiality, sensuality and lack of privacy. 
(Chapter 96) I am sure that you can detect all the contrasts (night, door close, spies, confession outside and inside, no fire, only light). Thus I am deducing that the painter’s words in the kitchen were not heard by others. As you can see, this scene in the kitchen is full of symbolism. In my previous essay “The true face of family”, I had already pointed out that sharing meals represented a criteria to define a real family. Therefore I had demonstrated that Yoon Seungho and Baek Na-Kyum were excluded from the mansion, for they wouldn’t eat their meals in the kitchen like the staff. 
(Chapter 17) Moreover, the hearth doesn’t just provide warmth, but also light! The latter embodies knowledge and as such Enlightenment. 
(Chapter 119) Hence they were clueless about the wrongdoings from the staff. Only in the kitchen, the lord could finally grasp the depth of Baek Na-Kyum’s love for him. It is an unconditional love contrary to Yoon Seungwon’s. The latter would only recognize him, if he listened to him. And he only seeks his assistance, when he needs him. It shows that Yoon Seungho is only approached, when he has power. 
(Chapter 118) (chapter 119) Moreover, because they are embracing each other in clothes, it exposes that their love is pure and not driven by lust. This scene contrasts so much to his meeting with his brother, for the latter never hugged him. He kept his distance from his brother.
(Chapter 119) I would like to outline that during their conversation, Yoon Seungwon remained calm and indifferent, when he talked about the assassination attempt from Yoon Chang-Hyeon.
(Chapter 116) But the biggest difference is the absence of fire in the kisaeng house. (Chapter 118) This reflects the lack of empathy from Yoon Seungwon.
Striking is that the couple stood at the entrance of the kitchen, when the painter declared his unconditional love to the noble. (chapter 119) It was, as if two worlds were meeting. Simultaneously, the door step symbolizes the gateway to new opportunities. In other words, it announces changes. Moreover, the embrace and the lord’s words expose that Yoon Seungho is focusing on the present moment and the future. This means that he is now moving on and as such cutting ties with the past! How ironic that Yoon Seungwon’s recommendations came true! (Chapter 118) Nonetheless, I doubt that he is including his brother and father in his future plans. For me, the noble’s words spoken in the bedchamber will become a reality: 
(chapter 78) Furthermore, he tried to leave before 
(Chapter 104) 
(chapter 105) Finally, we saw him in the courtyard standing next to a horse and a servant indicating that he had given him a task, and the latter needed to leave. 
(Chapter 108) Hence you comprehend why I am full of optimism in the end. Yoon Seungho has already made some preparations in my opinion. On the other hand, I am quite certain that their love will be tested. Can they face together trouble? Yes, because through their pain, they learned their lessons and changed.
4. The love confession in the kitchen
But why didn’t Yoon Seungho expect that he would be blessed next to the kitchen hearth? 
(Chapter 119) It is because in the past, he was never allowed to join the kitchen hearth. This place was either beneath him or he was not worthy of entering the place. Thus he employed the expression scullery boy to Yoon Seungho. 
(Chapter 47) Here, I would like to outline that when the protagonist was held in the shed, someone brought him food . (Chapter 83) That‘s how I realized that the shed is connected to the kitchen!
- chapter 32:
The maid had just brought water to the couple. - Chapter 51:
- Chapter 61:
During that night, Baek Na-Kyum had been held captive in a shed. - Chapter 77:
- Chapter 108:
And what is the common denominator between these scenes? Kim was responsible for the kitchen and the shed. This observation brings me to the following conclusion. Then, you know why Yoon Seungho could never imagine that in the kitchen hearth, he would experience unconditional love. It is because the valet never allowed Yoon Seungho to enter the kitchen! And now take a closer look at this scene: 
(chapter 38) Yoon Seungho remained outside on the door step. Consequently, I started comparing scenes where the kitchen hearth appeared and that’s how I discovered a pattern:
- A wrongdoing and an argument
(Chapter 46) 
(chapter 47) (Chapter 98) 
(Chapter 110) 
- – An apology – forgiveness:
(Chapter 77) 
(chapter 38) 
(chapter 59) 
(chapter 119) - A confession
(chapter 38) 
(chapter 47)
(chapter 77) 
( Chapter 110) 
(chapter 119) - A fire or its absence:
(chapter 47) (chapter 38) (chapter 110)
To sum up, the kitchen is connected to a wrongdoing, an apology, a confession, a fire and a quarrel. Where was Baek Na-Kyum during the abduction? In a shed, while Lee Jihwa was arguing with No-Name!! That’s how I realized that the gods wanted to teach Kim a lesson. In the past, the butler should have invited Yoon Seungho to the kitchen hearth so that he would have found a family among the staff. Remember how the servant scolded the valet, it is because Kim must have taken pride to be the elder master’s servant. 
(Chapter 77) For me, Kim must have looked down on the other domestics. I consider this scene as the best example what Kim should have done in the past. (Chapter 119) He should have brought him to the hearth and hugged him. That’s why Lee Jihwa got embraced during that night. Kim should have comforted him and made him smile! The father wouldn’t have noticed it, for there is a second entrance. The evidence is here:
(Chapter 119) 
(Chapter 98) One door leads to the backyard and the other to the smaller courtyard. And this scene confirms my previous assumption
The kitchen is detectable thanks to the big wooden door in the smaller courtyard. However, I am quite certain that there’s a second access to the kitchen. They need to have an easy access to the jars situated in the backyard close to the walls. (…) This means that from the kitchen, if you follow the wall, you can pass by the lord’s bedchamber. And if you follow this path, you will discover the pond with the pavilion. Quoted from https://bebebisous33analyses.com/2022/03/31/painter-of-the-night-a-guided-tour-of-yoon-seunghos-domain🏡/
This means that Kim could have done something in the past. 
(Chapter 87) Baek Na-Kyum is there to prove him wrong. He had other opportunities, like giving him a good meal. 
(Chapter 63) He should have sided with his master and even remained by his side. This signifies that this scene (chapter 83) exposes the butler’s betrayal and wrongdoing. Thus I conclude that the painter will show to the valet his cowardice and his treacherous nature.
(Chapter 119) So by burning the poem 
(chapter 7) the artist is not only cleansing the kitchen, but also cutting off ties with the scholar. The latter is no longer protected. The spirits will intervene through chance. As a conclusion, the hearth has a spiritual and healing power, for it is connected to „Heaven“. Yoon Seungho‘s paradise is to have a family.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
A Poem A Day/Jinx/ Painter Of The Night: The true Face of Family 👨👨👦👦👨👩👧👦
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwas: Jinx and POTN But be aware that these Manhwas are mature Yaois, which means, it is about homosexuality with explicit scenes. If you want to read more essays about Painter Of The Night, here is the link to the table of contents. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx “Magic hours”
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1. A Poem A Day and Family
The trigger for this essay was the K-drama A Poem a Day which I was recently rewatching. You might not know this, but I created this blog because of my analyses about K-dramas. Funny is that through them, I discovered Manhwas. That’s how I ended up reading BL-Manhwas which became my new passion. However, during my summer vacation, I was feeling nostalgic and melancholic, thus I decided to watch this terrific story “A Poem A Day” again. Like the title is implying, the story is revolving around poetry. In each episode, they included poems which were reflecting the situation, emotions and thoughts of characters in the series. And that’s how I came across this beautiful and touching poetry
Family
by Choi Bum Young
If you can’t say you’re hurt when you feel hurt you’re not family.
If you can’t say you’re happy when you’re happy you’re not family.A sweet and soft ice cream cone isn’t enough to become a family.
Pain, happiness, and love must be shared
And you must endure all hardships in prayer until you can feel it together.
That’s how we become a family.You must be able to express your sadness
and be able to cry together to be a family.
You must be able to express your happiness
And be able to be happy for one another to be a family.
You must feel like you’re under the same blanket
No matter where you are
To be a family.
The poem gives a very good definition of family. A real family is when people share their pain, attachment and happiness. This signifies that their members have no secret, they are allowed to cry in front of others. Interesting is that the blanket, a pars pro toto for the bed, is a metaphor for the embrace. This explicates why in this image, the characters are presented as a family, as they are hugging each other. The blanket represents warmth and protection. Interesting is that this vision is rejecting the notion that men shouldn’t cry (“Cry together”). It doesn’t matter who is weeping. And now, it is time to examine more closely how this poem was illustrated in A Poem A Day.
In episode 6, Woo Bo-Young was spending the evening with her mother and her half-brother, for she needed comfort from her mother. When she was very young, her father died and left not only a huge amount of debts, but also an illegitimate son. That’s how Bo-Young and her mother discovered the existence of an affair. Despite everything, the mother decided to adopt him as her son. Because he didn’t share blood with Bo-Young’s mother, the woman made sure that he wouldn’t feel burdened or excluded. Thus she showered him with love and understanding which sometimes made Bo-Young question who was the real relative in this family. Though this jealousy is totally normal, this scene exposes their mutual affection. Simultaneously, this scene also displays the slowly drifting apart between Bo-Young and her half-brother and mother as well. At the restaurant, she didn’t share all her worries and emotions to her family. She didn’t get the comfort she had hoped. In other words, this poetry exposes her growing maturity and as such her quest to find a loved one! Yes, by finding a partner, Bo-Young will start her own family. On the other hand, this poem reflects how these 3 became a family as well.
And this drifting away is also symbolized by the birthday’s party Bo-Young organized for Lee Min-Ho. His own family had totally forgotten about his birthday. So when Bo-Young saw Min-Ho alone, she brought him to a buffet and offered him a cake. At the same time, the poem exposes the abandonment and betrayal from Lee Min-Ho’s family. He might live in comfort (“a sweet and soft ice-cream”), but he never felt part of his own family, for the parents only had eyes for the elder son. Thus they were never present for important events in his life. In other words, he could never voice his pain or share his joy and pride with them. He only caught their attention, when he caused trouble.
What caught my attention is that Choi Bum Young made a difference between “we become a family” and “be a family”. For him, family is not symbolized by sharing the same blood. The verb “become” insinuates not only change, but also something alive. Living under the same roof is not a synonym for family either (“No matter where you are”). As you can see, the house is not the symbol of a family. This means that the poem was exposing the existence of fake and true family. Under this new perspective, you comprehend why I selected such a title: The true face of family. Besides, the lyricist outlines that family is associated with hard work and trust. A family is created, when people feel safe and loved, but for that to happen, the members must open up their heart and their mind. That’s the reason why trust and respect are so vital. At the same time, the Manhwaphiles can grasp why the poet included the notion of effort. The person has to overcome the barrier, the fears. Hence it is not surprising that Choi Bum Young included the notion of struggles. Once the trust is there, the “you” is able to help the other. A real family is, when people face problems together. Therefore it is not surprising that the poetry emphasized the notion of “sharing”. The members should divulge their emotions and thoughts! Striking is the recurrence of the personal pronoun “You” which outlines the responsibility of a member. One has to share his agony or happiness to others first, if he wants to have a family. As long as the person doesn’t open up, there is no family. One has to take the first step and the others will follow. This explicates why the personal pronoun “you” turns into a WE! Thus this poem implies that Lee Min-Ho was partially responsible for his own suffering as well. He never shared his resent to his brother and parents. He should have argued with them much sooner, yet he let things happen. To conclude, family is not just made of sunshine and rainbows, but of clashes and troubles. Hence discussion is not excluded at all. To conclude, family symbolizes responsibility, faith, affection, communication, support and cover! The family is represented by the personal pronoun “we”.
As you can imagine, the moment I read this poem, I couldn’t help myself connecting it to Painter Of The Night and Jinx. Thus I decided to utilize the poetry as foundation in order to define the families in the Manhwas. Moreover, we can detect the evolution of families or we could say the loss and birth of a family. And the criteria in order to define a real family would be the embrace, the weeping and its acceptance, sharing the same cover, meals, secrets and emotions.
2. Family in Painter Of The Night
2. 1. Baek Na-Kyum’s “families”
When Na-Kyum had this dream, he was remembering his own family. 
(chapter 87) Not only the painter and the 3 noonas were sharing the same bed, but also they were taking their meals together. 
(chapter 87) They would even caress each other and laugh together. This scene oozes happiness. Consequently, it is no coincidence that during that night, they shared their honest thoughts to Baek Na-Kyum giving him good advices. But more importantly, the painter was there, when his noonas were struggling. 
(chapter 94) He cried in front of them. His tears symbolized his compassion and love for his noonas. He regarded them as his family. And it was the same for the artist. He had the noonas by his side, when he was in trouble or agony. 
(chapter 94) 
(chapter 107) However, at some point, it changed! 
(chapter 94) Jung In-Hun entered his life and consoled him. Thus I deduce that this image 
(chapter 68) represents a turning point in Baek Na-Kyum’s life. During that night, the scholar took away the young painter from Heena, hence he couldn’t help her. And now, observe the learned sir’s reaction. He didn’t allow the painter to cry. He shouldn’t share his pain. 
(chapter 70) In fact, he diverted Baek Na-Kyum’s attention from the incident to the moon. The learned sir was smiling the whole time. 
(chapter 70) He was acting, as if nothing had happened. The fact that he didn’t bear the tears from the painter exposes that the learned sir never considered him as a family. Therefore it is not surprising that he got abandoned, when the learned sir struggled: (chapter 75) But we have other scenes where Jung In-Hun didn’t behave like in the poem. When he discovered the truth, he had not been approached by Yoon Seungho due to his talent 
(chapter 19), he pushed away the painter. 
(chapter 19) He was mad, because Baek Na-Kyum was the cause for his sponsoring. 
(chapter 19) However, the family serves as pillar and protection. When the scholar’s pride got hurt, he rejected Baek Na-Kyum. He only approached the painter, when he needed him 
(chapter 10) 
(chapter 24) 
(chapter 35). 
(chapter 111) For me, in episode 10, he was definitely aware of the existence of a plot, thus he led the painter to the pavilion. Then in episode 24 and 35, he wanted the artist to spy on his benefactor. Finally, in episode 111, he knew that by taking away his former pupil, he would hurt Yoon Seungho, for he was aware of his affection for Baek Na-Kyum. Under this new light, it becomes comprehensible why Jung In-Hun didn’t bid farewell to the main lead in episode 44. Baek Na-Kyum’s presence was not necessary for the preparation for the civil service examination. And this brings me to the last scene between the learned sir and the painter. 
(chapter 118) He is now crying in front of him, as if he was considering him as a part of his family. He is trying to create the illusion that he shares his suffering, just like he shared his happiness during the parade. 
(chapter 111) But in the gibang, the learned sir changed his attitude towards his former pupil, for he kissed the painter. 
(chapter 117) It was, as if the former was starting his family. Baek Na-Kyum is now his “bride”. But naturally, everything is just an illusion. Why? It is because the Manhwaphiles never saw Jung In-Hun share his bed or room with the artist! 
(chapter 27) 
(chapter 38) He was also never seen taking his meals with him. This explicates why he never visited him, when the painter was sick. In fact, the learned sir is connected to the air and the courtyard. That’s the reason why he is always seen roaming around with Baek Na-Kyum (10: pavilion, 18-19-27-35-44: courtyard, countryside/city: 29-37-70 and 
) But more importantly, he is not sharing his true thoughts and emotions to the young man. 
(chapter 118) He never explained how his face got bruised! This shows that he approached Na-Kyum for one reason. He was in trouble and he needed him. But he acted, as if he was becoming responsible for him. 
(chapter 118) 
(chapter 118) He didn’t expect a rejection. Why? It is because now, he was treating the main lead as family member. Nonetheless, don‘t get me wrong. In Joseon, servants were considered as a part of the household and as such of the „family“. I don‘t believe that the teacher views Baek Na-Kyum as an equal. Yet, the latter is in reality a free man. 
(chapter 118) Thus out of fear, he made a false love confession which resembles a lot to obsession and possessiveness. His words display his worries and despair. Another important aspect is the absence of the personal pronoun “we” in their conversation. We only have “you” and “me”. 
(chapter 118) (chapter 118) There is no union. Because he didn’t take the protagonist’s feelings into consideration, this “seduction” was doomed to fail. Thus I deduce that when the learned sir trampled on Baek Na-Kyum’s heart and loyalty in the library, 
(chapter 40), the latter learned the following lesson: Jung In-Hun had never been his new family. That’s the reason why he was so wounded. Therefore it is no coincidence that his karma is to be abandoned the moment he needs Baek Na-Kyum the most. But why did he not consider the painter as a family member? It is because he came from the gibang. Moreover, he was blinded by his desire to succeed on his own, not realizing the true role of a family.
And this brings me back to Heena and the noonas. The moment Jung In-Hun meddled in the painter’s life, the relationship between the noonas and Baek Na-Kyum deteriorated! And this coincides to these nights: (chapter 86) 
(chapter 107) The sexual abuse is something they hid from Baek Na-Kyum! They could never share such a burden with the protagonist. But there is more to it. In fact, Byeonduck illustrated the slow deterioration of Na-Kyum’s s family in season 2, 3 and 4. First, the painter couldn’t talk to his noonas like in the past: (chapter 46) He was forbidden to announce his departure which indicates that Heena was hiding something from the other kisaengs. Moreover, notice that he never talked back to Heena. He listened to her, though he was in pain. 
(chapter 46) He could only express his sadness with his tears. Then when Heena reentered his life, she was seen next to his bed while hugging. by his side 
(chapter 66) This means that she would no longer share his cover. This is no coincidence that in the gibang, the noona could no longer enter her brother’s room. 
(chapter 96) Little by little, Heena got excluded from the painter’s life. She could no longer share her meals with him. 
(chapter 93) This explicates why in season 4, Baek Na-Kyum can not penetrate Heena’s room. 
(chapter 105) She is hiding more and more things from her brother: her “illness”, her involvement in the murder of nobles and her lies. On the other hand, the painter still considered her as a part of his family because of her intervention in episode 68/69: 
(chapter 68) Their argument was reflecting their trust, though here the kisaeng was questioning her brother’s maturity. Due to her concerns, Baek Na-Kyum felt that they were still a family. However, I sense a rupture, when they argued in the kisaeng house. The artist was no longer trusting Heena’s words: 
(chapter 97) Interesting is that from that moment on, Baek Na-Kyum and Heena never faced each other! She didn’t join his side during the parade. This means that their argument in the kisaeng house represents their last reunion. And what did Heena do in this scene? She cried 
(chapter 97), while the painter didn’t, though he looked disturbed. 
(chapter 97) He lost all his colors. However, such a scene could be perceived as a sign of indifference, especially for the kisaeng. And this observation made me realize why the kisaeng asked Yoon Seungho not to reveal his suspicions about Jung In-Hun’s involvement to her brother. 
(chapter 105) Here, she implied that Baek Na-Kyum would cry out of pain and shock. But she had seen that he had shared no tears, when he heard about his murder: And it happened again in the shrine.
(chapter 99) Simultaneously, the request from Heena exposes that they are no longer sharing agony and as such struggles. Moreover, this made me realize why the artist left the mansion after the nightmare. It was out of fear and obligation. For me, he had sensed that Heena liked the learned sir and as she was still part of his family, he had to make sure that this was not true. Yet, even after witnessing the faked crime scene, he still trusted Yoon Seungho. Hence I am deducing that the absence of tears is the trigger for their separation which stands in opposition to their embrace in the mansion: 
(chapter 66) 
. (chapter 68) And what was her reaction, when she saw her brother in tears and yelling at his lover?: 
(chapter 105) She remained silent, passive and rather indifferent. This impression gets reinforced, when she is lying next to her colleagues. She is not sharing her thoughts and emotions, rather pensive contrary to these kisaengs: 
(chapter 105) She is even turning her back to them. This displays the dissolution of this family. The kisaeng is no longer sharing her fears, her tears and emotions to others. Therefore she can not sense “happiness or relief” like the others.
But the gradual alienation between the protagonist and his noonas becomes more perceptible in season 3. In episode 93, they could share their happiness
(chapter 93), but the moment the lord joined his side, the honesty started vanishing. Notice that the painter couldn’t talk about his past (how he met Yoon Seungho and how he got abandoned by Jung In-Hun). It was reduced to “I was caught up with something”. He had so many secrets that he couldn’t share to his noonas. And it was the same for the kisaengs. 
(chapter 93) They also had secrets, hence they were seen whispering. Baek Na-Kyum could confide less to Heena. Why? He sensed that the kisaengs might show no understanding. And note how the painter reacted, when he met his noonas in episode 105. 
(chapter 105) He lied to his noona, he didn’t voice his worries. He didn’t enjoy his time spent by the kisaengs’ side. He didn’t eat with them either. This is the sign that he was moving on, he was on the verge of starting his new family. In other words, this scene 
(chapter 105) corresponds to the bird flying from the nest which was witnessed by Heena and the kisaengs. Because the painter was not sincere to his noonas, it is not surprising that they acted the same way. Here,
(chapter 105), the kisaeng’s words are a reference to loss of virginity. Yet the painter didn’t grasp the true meaning. Only in his dream and nightmare, he realized the significance of her words: 
(chapter 109) Hence I come to the conclusion that we are witnessing to the birth of Baek Na-Kyum’s new family: Yoon Seungho. 
(chapter 118) That’s the reason why the painter decided to run away with his lover. 
(chapter 118) However, in order to become a real family, the painter needs to call his husband like this: 
(chapter 72) Under this new light, it becomes comprehensible why the noonas were no longer entirely honest with Baek Na-Kyum in the gibang. They couldn’t share their thoughts and secrets to the artist, as they had played a role in the separation of the couple 
(chapter 99) and the nobles’ execution. Besides, they also had secrets which they had to hide from their donsaeng.
2. 2. Yoon Seungho’s family
He never had a family to begin with. Why? First, the mother was neglecting him because of her hatred for her husband. This is what Byeonduck revealed. From my point of view, her detachment towards Yoon Seungho was linked to the first sexual experience and that her first son would resemble her husband. As for Yoon Chang-Hyeon, the father had definitely troubles with him. 
(chapter 57) I believe that it is related to the protagonist’s sensibility and intelligence. My assumption is that Yoon Seungho is a Highly Sensitive Person.
Research also shows that a lack of parental warmth growing up may cause a child to develop high sensitivity and carry this trait into adulthood. Quoted from https://www.verywellmind.com/highly-sensitive-persons-traits-that-create-more-stress-4126393
Therefore due to his particular personality, he could not share his thoughts and emotions to Yoon Chang-Hyeon and his brother, hence he expressed his emotions through painting. Moreover, due to his ambitious father, pranks were not well perceived. Therefore it is not surprising that he was forced to face adversity on his own, for he had no protection. Interesting is that Yoon Chang-Hyeon views the ancestors (chapter 85), his second son and even lord Song as his family (chapter 116) Hence they are sharing a drink, their secrets and emotions together, though it is obvious that the man in purple is deceiving the patriarch. However, the elder master still trusts and listens to his words. (chapter 107)
And what about Kim, the so-called faiithful butler? Was he not his surrogate father? It is the same. The latter never considered him as his family. Don’t forget what the butler said to the painter. 
(chapter 26) The latter was not allowed to cry! Therefore the artist heard the same reproach from the main lead. 
(chapter 26) The valet disliked the tears, because he refused to share the suffering. The reason is simple. If he did, this would have increased his guilt. Furthermore, Kim never shared the cover or his meals with Yoon Seungho in the past (chapter 83) and in the present. Here, (chapter 17) he even refused to bring him his breakfast. But one might argue that Kim cried in front of the protagonist in the shed, he even expressed regrets: 
(chapter 108) So we could assume that he was starting to view the main lead as a family member. But no… for me, it is just an illusion. First, note that he never let the lord see his gaze while weeping. Besides, the noble’s heart was not moved either. They were not crying together, a sign that the two were drifting apart. Moreover, in the shed, the valet never shared the information about the fire at the shrine. (chapter 108) The noble had to use threat and force in order to push the butler to voice his thoughts. Finally, at the end, the valet never vowed his loyalty to Yoon Seungho, but to Baek Na-Kyum. 
(chapter 108) Moreover, like exposed above, family in the poem symbolizes trust, love, responsibility, comfort and protection, but the valet failed to fulfil his duties which he admitted in the shed. As a conclusion, the butler didn’t keep such a promise. Moreover, what did the butler do after the painter’s abduction? 
(chapter 64) 
(chapter 64) He ran away. He never saved the painter, just like he didn’t argue with his master in that moment. But he could have, since the latter had no sword by his side. Imagine that he had a heated discussion with Yoon Seungho the very next day, and in the courtyard, the protagonist had the sword in the hand. 
(chapter 68) A sign that he knew that the noble would never slay him! And in the past, the valet had not come to his rescue, shared his suffering or defended his honor. And now, you comprehend why I am more than ever convinced that the valet was never Yoon Seungho’s family: no tear, no joy or no secret shared! His expression “bird of misfortune” embodies the gap between the two characters.
And that’s how I realized why the staff never cared for the couple in the end. It is because the staff would eat together, while Yoon Seungho and Baek Na-Kyum got excluded. In season 4, Yoon Seungho was even forced to give up on his own room for the painter and the maids 
(chapter 109) The latter would even get the opportunity to eat sweets and sit in the patio
(chapter 109), while the lord was relegated to the courtyard. 
(chapter 109) And the poem mirrors perfectly the birth of Yoon Seungho’s first family. Baek Na-Kyum is his very first family. Thus he could share his pain, his fears, his resent, 
(chapter 62) and his hope to be happy for one moment: 
(chapter 63) I selected the terrible scene in the shed for two reasons. It symbolizes the verse “how to become a family”. This explicates why in season 3, the artist was slowly using the personal pronoun “we”. 
(chapter 78) This means that the two protagonists were learning how to become a true family. And one of this important step was “crying together” which occurred after the sexual abuse in the shrine, 
(chapter 102) However, Yoon Seungho had to learn the importance of “secrecy”! He kept his crime from his loved one hidden, not understanding that a real family is to “endure all hardships” together. Consequently, I judge this night as the finalization of their “Wedding”, though it is still not official. During this night, we have all the criteria. They share their worries
(chapter 110), their happiness 
(chapter 110), they sit together while eating
(chapter 110), they embrace each other, they share the same bed. And the lord makes the following promise: there won’t be any secret between them. He will share everything with his lover. 
(chapter 110) So when the brother gave the petition to the artist
(chapter 116), he even reinforced their bond. It was, as if they had no longer any secret between them. Thus they talked about the document in the pavilion making sure that no one would listen to their discussion. 
(chapter 117) Therefore, it is not surprising that during that same night, the couple slept under the same blanket while hugging each other. 
(chapter 117) The symbol for the new family! But a family is not made just of two members! Is Yoon Seungwon a part of Yoon Seungho’s family? Let’s not forget that he considered the artist as his brother’s wife. 
(chapter 116) What caught my attention is that Yoon Seungho was not followed by his lover, when he met his brother in the gibang. 
(chapter 118) And this reminded me of this scene: 
(chapter 37) He wished to send away the artist, but the host refused. Then if you pay attention to his behavior, you will notice that none of them were seen eating together! (chapter 118) Neither in the mansion nor in the kisaeng house. The table between them symbolizes the gap between them. Another important detail is that his brother didn’t serve him a drink which is actually a custom in Joseon. 
(chapter 118) Compare it to Black Heart’s behavior: 
(chapter 43) In fact, the two guests were drinking on their own! Yoon Seungwon had even started drinking before the protagonist’s arrival. 
(chapter 118) Moreover, exactly like the scholar, Yoon Seungwon is just employing the pronouns “you”, “I” and “father”. There is no WE at all. 
(chapter 118) Moreover, he doesn’t want to share the pain and suffering with his father. And while he shared a secret with Yoon Seungho in the past, (chapter 118), I believe that he is hiding something from his brother again. Thus we see constantly him with a drop of sweat. 
(chapter 118) (chapter 118) Striking is that he is at no moment mentioning the painter, which actually represents the lord’s source of comfort and joy! He is more talking about the past than the present. He is hoping for a change of heart. That’s the reason why I come to the conclusion that Yoon Seungwon called the main lead as brother
(chapter 118), but it is only a name! In reality, he desires to use the main lead. He needs him more than ever! Let’s not forget that the patriarch could discover Yoon Seungwon’s betrayal at any moment. Finally, I would like to outline that family stands for effort and understanding, nevertheless the younger master never showed compassion or worries for his brother, who had just recovered from a stabbing. His speech was full of blame. (chapter 118) Thus I conclude that Yoon Seungwon is not a part of Yoon Seungho’s new family and his smile in the library was fake. His words were just a lip service. (chapter 116) Don’t forget that during the same night, Yoon Seungho got stabbed and the younger master knew it.
And now it is time to examine the families in Jinx.
3. Family in Jinx
3.1. Kim Dan’s family
It is clear that though the grandma moved to the hospital
(chapter 22), the physical therapist still views her as his family. This corresponds to the verse “no matter where you are”. This explains why he listened to her and started treating the champion differently. From my point of view, they became a family, because they slept under the same cover
(chapter 21), shared their agony, fears 
(chapter 5) and their happiness together, though this needs to be relativized. 
(chapter 11). I will give more details later. Another evidence that they are family is that the grandmother would often sing him songs. Then we could say that the grandmother shares her meals with the doctor, for she is often saving yoghurts for her grandson. 
(chapter 05) She is happy, when she hears good news from her grandson. 
(chapter 07) When she feels lonely or miserable, she asks for his presence. 
(chapter 21)
Furthermore, she often caresses her grandson, a different form of embrace. 
(chapter 5) Nevertheless, there exist two negative aspects. First, I noticed that she didn’t question Kim Dan about his career, only when it was necessary. 
(chapter 07) She is not that involved in his current life. 
(chapter 05) Secondly, what caught my attention is that the halmoni is not letting her grandson weep. With her attitude, she implied that he had overreacted (“Now, now none of that”). 
(chapter 21) Moreover, the poem outlined the necessity of crying together (“be able to cry together”), yet the halmoni was not upset, when she found the little Dan in tears. She didn’t understand his abandonment issues. Thus I deduce that the shared agony was only in one way! If the grandmother was scared or suffering, her grandson should feel the same. 
(chapter 5) This explicates why Kim Dan was willing to sacrifice himself for his halmoni. 
(chapter 16) It is because he knew that her grandmother disliked tears. Besides, in a previous essay, I had already outlined that such an attitude was considered as abusive, for such a young child should have been shielded from harm. However, he was exposed to violence very early on. Under this new perspective, it becomes comprehensible why Kim Dan started having secrets from her. Finally, the family portrayed in the poem implied the notion of effort and work. But the moment the grandmother refused to share his agony, she stopped putting energy in her relationship with Kim Dan. This means that as time passed on, she became more and more passive and relied more and more on the main lead. Another interesting aspect is that Kim Dan came to enjoy K-dramas because of his grandmother. 
(chapter 30) This shows that Kim Dan’s preferences are all influenced by the halmoni. We could say that he didn’t truly develop his own identity. It was, as if he had become the second version of “grandma”. And now, you comprehend why he rejected sex: 
(chapter 20)
Therefore it is not surprising that as time passes on, they are slowly drifting apart. Notice that he barely visited his grandmother. 
(chapter 30) Because the grandmother didn’t allow her grandson to share his struggles (no tears), Kim Dan has been hiding many things from his grandmother
(chapter 07): the beatings from Heo Manwook, his firing from the hospital, the sexual assault from the perverted hospital director and the moneylender, his deal with Joo Jaekyung and the fact that he moved to the penthouse. This means that little by little, the physical therapist is sharing less and less his happiness with her. I doubt that he told her about his trip to Busan, his first MMA fight as spectator 
(chapter 15) and his first sparring with Joo Jaekyung 
(chapter 26). But this is a sign that Kim Dan is maturing. Therefore it is no coincidence that after their first day off spent together, Kim Dan is already under the champion’s spell. 
(chapter 30) And at some point, the grandma will notice her little boy’s transformation and the growing distance. And Choi Heesung could be the trigger for a first quarrel (chapter 30), because the doctor feels more attracted towards the champion than the actor. I have already outlined that so far, the physical therapist’s life had been determined by the grandmother. But a discussion is not necessarily a bad thing, quite the opposite, for to be a family means to share thoughts and emotions.
3.2. Joo Jaekyung’s “families”
So far, we don’t know if the celebrity has a family. However, what caught my attention is that Team Black is a company that Joo Jaekyung created for his personal needs. Though it is an enterprise (incorporation, where he is the shareholder), I noticed that Park Namwook treats the members like a family. They share their meals together 
(chapter 22) (chapter 26), they get support from each other (chapter 14) 
(chapter 23) or they argue 
(chapter 07). Moreover, they call the older members “hyung” 
(chapter 5) 
(chapter 23) which is another evidence that Team Black functions more like a family than like a company. What caught my attention is that the doctor is not addressed as hyung 
(chapter 30) but as Doc Dan or doc. 
(chapter 23), though the manager Park Namwook had introduced him as hyung. 
(chapter 07) The reason behind this different title is the champion. The latter addressed him like that: 
(chapter 22) It exposes that the physical therapist occupies a particular position at the gym. On the one hand, it could be interpreted that he has not been entirely adopted as a family member. On the other hand, the physical therapist didn’t exclude that he could have other clients. 
(chapter 25) This means that his “adoption” is not definitive and official. Nevertheless, I would like to outline that though Team Black’s structure resembles a lot to a family, we can not say that it is a true family. Why? It is because Joo Jaekyung is hiding many things from his hyungs and members. He is not sharing his problems to his coach (his insomnia, his jinx, his sexual orientation, his insecurities eg). Imagine that he preferred deceiving his admirer 
(chapter 15) than admitting that his shoulder had been plaguing him. And it is the same for Potato. He didn’t talk about the incident with the office room and the sofa. 
(chapter 25) According to me, Jeong Yosep knows about the true relationship between the physical therapist and the alpha black wolf. But he kept this information to himself as well. However, like pointed out before, family stands for communication and not secrecy! Moreover, so far, we only saw the fighters share their happiness. And what about their struggles or defeat? To conclude, Jinx is actually showing us the transformation of Team Black as company into a family. How they “become” a WE! Park Namwook does consider Team Black as his gym, but he has his own family. However, this is not the case for Jeong Yosep or Joo Jaekyung, who lives as a loner wolf! In my opinion, Team Black will turn into a real family, the moment Kim Dan loses his halmoni. Remember the quote from the poem: “If you can’t say you’re hurt when you feel hurt you’re not family“. Kim Dan won’t be able to hide his sadness and broken heart. In the beginning of the story, he lied to the coach and Kwak Junbeom about the reason for his injuries: 
(chapter 11), because he considered them as superior and colleagues. In other words, the fighters will share their pain with doc Dan helping him to overcome the loss. But this change can only happen, when the owner of Team Black has a change of heart himself as well. Remember how he pushed Oh Daehung and the other members away. 
(chapter 22) He didn’t want them to come to his house. 
(chapter 22) So far, he didn’t want people to cross the line, but thanks to the physical therapist, this will change. That’s how both protagonists will come to view more and more Team Black as a family. They will share their struggles and happy moments together. I have one evidence that Kim Dan is the key to turn Team Black into a real family. It is because Joo Jaekyung came to the gathering
(chapter 9), though he had been avoiding such events in the past.
But in chapter 30, the Manhwalovers could discover that the champion belongs to an Entertainment agency as well. 
(chapter 30) But he is there an employee. Thus I am suspecting that the talent agency is working differently from Team Black. If there is a scandal, I doubt that the company would side with the star in trouble or they would try to find ways to get rid of the issue, like finding a scapegoat in order to bury the truth. As a conclusion, I am expecting to see companies run differently so that the readers can perceive Team Black as a family company, although it is an incorporation.
Naturally, there is no doubt that Kim Dan will become the champion’s real family. The author let us see such a scene. Right after their First Night together, the champion shared his bed with Kim Dan. 
(chapter 4) This was a reference to the blanket in the poem, though here Kim Dan slept in a cocoon. This was a sign that he didn’t feel safe. However, as time passed on, I detected a change in Kim Dan’s sleeping position. He is lying on his back and even in the middle of the bed. 
(chapter 29) It is because Joo Jaekyung always put him there! This exposes that the champion is still thinking that he represents a disturbance to the Sleeping beauty. One thing is sure: Joo Jaekyung will become the blanket taking over the grandmother’s past role: (chapter 21) At the same time, this signifies that Kim Dan will have a similar function in the champion’s life either. Thanks to his presence and embrace, the boxer will be able to relax and to fall asleep.
Another important detail is the doctor’s tears. When Kim Dan met the celebrity for the first time, the former started crying, when he thought hat he would get punished. 
(chapter 1) This was the reaction from the champion: 
(chapter 1) He questioned the cause for the tears. He was naturally annoyed (“the hell”), but he didn’t make fun of the doctor. And now, pay attention to the memory Joo Jaekyung had from their first night. He remembered his tears which had moved him deeply: 
(chapter 6) This shows that the celebrity is not judging the physical therapist as weak due to his tears. In episode 28, he even showed concerns, when he heard the doctor crying. 
(chapter 28) 
(chapter 28) He questioned the doctor once again, why he was in tears. However, he didn’t ask the doctor to stop weeping or to wipe his tears. He wanted to understand him. This exposes the fighter’s tolerance and interest in Kim Dan. For me, it reveals that Joo Jaekyung is willing to share the pain or fears with Kim Dan. Therefore it is not surprising that Kim Dan is remembering this moment! 
(chapter 30) He was allowed to express his emotions. Interesting is that this image is now connected to red, not to grey/black. (chapter 20) or orange/pink 
(chapter 30) The switch of color indicates the doctor’s increasing feelings and sensuality for Joo Jaekyung. That’s the reason why I am expecting that one day, the two protagonists will cry together, something that the grandma hasn’t done until now.
But let’s return our attention to the poem and its illustration in Jinx. A sweet and soft ice cream cone isn’t enough to become a family. Just because they shared one meal together
(chapter 13), it doesn’t signify that they are a family now. And it is the same for the penthouse. 
(chapter 18) They might share the same flat, but the penthouse is so huge that they can technically live apart. Joo Jaekyung and Kim Dan are slowly spending more and more time together, either because the champion feels like it 
(chapter 19) or it is necessary 
. (chapter 27) During the day off, they shared their thoughts,, their emotions 
(chapter 27) 
(chapter 27), their happiness 
(chapter 28) and their fears 
(chapter 27) 
(chapter 29) Because Joo JAekyung confessed his fears and health issues to Kim Dan, it shows that he was trusting him. For me, this night represents another step how to become a true family. “If you can’t say you’re hurt when you feel hurt you’re not family.” This day and night were so magical that it affected the protagonists’ life forever. From that moment on, Kim Dan is feeling more attracted to the champion, hence he is peeping at him. 
(chapter 30) And it is the same for the champion. Now, he is slowly regretting that they live in two different rooms and they have their own bathroom. Therefore he came to the doctor’s bathroom under the fake excuse that he had run out of toothpaste. 
(chapter 30) What was so funny is that he had opened the door like a huge bear. Why? It is because he was so annoyed how to explain his intrusion. 
(chapter 30) This shows that little by little, the champion is regretting his words to Kim Dan in the master’s room. 
(chapter 29) For me, he will be forced to recognize that work is not bringing him closer to Kim Dan, especially after Choi Heesung met the main lead. 
(chapter 30) For me, this scene is the bathroom represents another step how to become a true family. 
(chapter 30) However, like Mingwa voiced it, they have a long way to go, for Joo Jaekyung and Kim Dan are hiding their true thoughts and emotions from each other. 
(chapter 30) Kim Dan had to hide his blushing, while the champion had to lie for his appearance. Moreover, the fact that he tried to hide his underwear 
(chapter 30) indicates that their intimacy has not reached its peak. He doesn’t feel comfortable around the athlete to be seen in underwear. Moreover, the champion is also hiding his jealousy and possessiveness towards the main character. 
(chapter 30) But like I said, they need to open up their hearts and mind in order to become a true family. From my point of view, the halmoni could play a huge role in their union. How so? It is because she entrusted her grandson to Joo Jaekyung. The latter also conversed with her 
(chapter 21) and even paid her hospital bills. She even took his hand 
(chapter 22) and gave him a yoghurt.
(chapter 21) So the moment the grandma vanishes, it could also wound the champion’s heart, especially when his sex partner is so heartbroken. It would be interesting if the champion came to voice his feelings about her. If you can’t say you’re hurt when you feel hurt you’re not family.“
And because the champion saved Kim Dan, paid off the debts and gave him a house and a place to feel safe, he embodies responsibility, trust, support and protection which is the true face of family. That’s the reason why the physical therapist is slowly transforming, developing his own interests and as such his own identity. But the closer the doctor gets to the champion, the bigger gap becomes between him and his grandma which can represent a source of conflict. And now, Choi Heesung met Kim Dan, thus he could disrupt the fragile harmony between Kim Dan, the grandma and Joo Jaekyung. Don’t forget that the grandmother is a huge fan of the actor and she is actually suffering from Peter Pan Syndrome. To conclude, Jinx is exactly like Painter Of The Night. We are witnessing the start of a new family breaking boundaries and taboos. Yet, both “families” are real and true, for they embody selflessness, honesty and trust.
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Protected: Jinx: Loveseat 🛋️ Nightmare 🌕
Protected: Jinx: “😰Tragicomic 🤡 loss of innocence ” (second version)
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Protected: Painter Of The Night: Clueless ❓Jung In-Hun 👨🎓 (part 1)
Protected: Painter Of The Night: 🎉The spectacular return of 👓Jung In-Hun🎉
Protected: Jinx / Doctor Frost: Belle 👸 and the Bear 🧸 in the penthouse – part 1
Protected: Jinx: Crossing the line – Joo Jaekyung’s secrets 🤥🤫 (second version)
Painter Of The Night: A book📖 , a kiss 💋, a confession (second version)
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I have to admit that chapter 109 left me wanting more, for the story barely moved on. Technically, only a few minutes elapse between the end of episode 108 and 109. The former begins with the painter’s arrival in the library and the latter ends with Yoon Seungho’s shocked expression: 
(chapter 109) He discovers that Baek Na-Kyum has already prepared himself, as he is longing for him. 
(chapter 109) He never expected such a reaction. The reason why the evolution of Painter Of The Night is flowing at a snail’s pace is that season 4 is now focusing more on the past. First, Byeonduck needs to divulge the lord’s suffering and its causes. And this can only happen, if memories are brought up. Hence in episode 109, the painter’s memories stood in the center. Why? It is because he is trying to understand why his loved one is now avoiding him. Thus he is remembering what happened just before. The readers are actually put in the same situation than the artist. On the one hand, the focus on recollection is a method to unveil how the young master was turned into a “sodomite and pariah”, for the painter is going through the same experience than his partner. In episode 109, he is isolated from his “lover” and as such from his family, for he has now maids by his side. The latter are supposed to be his new “family”. On the other hand it helps the manhwaphiles to anticipate the future main events,. as the progression is in slow motion. This means, the Webtoonist left all the elements in the previous seasons in order to decode the past, the present and the future. That way, the manhwalovers are capable to unveil the mystery. Besides, the author has to answer all the questions the beholders had while reading the previous seasons, like this one: 
(chapter 27) What book was the scholar looking for? Up to now, we have no clue, though I had developed the following theory: Jung In-Hun was a Christian and had a bible.
1. The mystery behind the book
What caught my attention in chapter 109 is the falling book! 
(chapter 109) How did this happen? One might reply that the book fell from the shelf, when the painter kissed his lover. 
(chapter 109) This interpretation can be easily refuted, for the noble stood next to the shelf and not in front of it. Besides, the counter stands on the noble’s left, while the ledger was on his right. However, one detail caught my notice, the beholder can not see Yoon Seungho’s hands!! That’s how I realized that the book came from the protagonist! He had carried it hidden in his right sleeve. This explicates why the book stands on the right side. 
(chapter 109) Besides, contrary to the previous panel, now the lord’s hand is visible! This is no coincidence. But if he was hiding the copy from Baek Na-Kyum, I deduce that it is related to the painter. But there is another person associated to manuscripts in this story, Jung In-Hun!! But what have the low-born and the scholar in common then? The erotic publications! 
(chapter 34) Note that in the background, there’s a book open on the desk, and it has the exact opposite position than in episode 109! And now, you comprehend why Yoon Seungho rejected the painter’s company next to his table. He didn’t want him to see the publication, for he feared that the painter would be reminded of Jung In-Hun. In the lord’s mind, the young artist still treasures his former teacher. He heard his confession on the bridge next to the pavilion. 
(chapter 94) However, Yoon Seungho is suspecting that the learned sir was behind the trick in the shaman’s house due to the glasses Min had in his hand before dying. (chapter 102) Hence he doesn’t want to break the main lead’s heart and mind. In other words, the main lead is determined to hide the past from Baek Na-Kyum so that the latter’s memory and agony won’t be triggered. The book could definitely remind the low-born of all the events which led to the massacre in the shaman’s shrine. Besides, I feel that the noble must feel guilty as well. If only he hadn’t admired the erotic publications which led to Baek Na-Kyum’s stay in his mansion. Consequently, I think that the noble is also in agony because of the work.
2. The identification of the volume
So far, I didn’t prove that the copy was an erotic publication. This is just a speculation from my part. But like mentioned in the introduction, the clues are all left in the previous seasons, for the story is constructed like a kaleidoscope. That’s why I included it in the illustration. 
However, there exist two reasons why I came to this deduction. I detected similarities with the first encounter between Yoon Seungho and his nemesis in the scholar’s home and the painter’s kisses.
2. 1. The scholar’s book in episode 6
First, let’s start with a comparison with episode 6. Here, the lord was holding a book while interrogating the learned sir. 
(chapter 6) Both were standing in front of the cupboard, while the learned sir suddenly took away the copy and closed it to put it back on the cupboard. This made the protagonist smirk. Due to the characters’ reaction, 
(chapter 6), I had assumed that the protagonist was making fun of Jung In-Hun. He had played a prank on the host, especially after asking about his occupation. I have always wondered about the content of the volume. Therefore I had developed the idea that this could be the bible. However, it was clear that the book was not for children which is visible due to the writing. 
(chapter 6) In fact, the learned sir should have the manual Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì Wén), also known as the Thousand Character Text.
“The Thousand Character Classic has been used as a primer for learning Chinese characters for many centuries. It is uncertain when the Thousand Character Classic was introduced to Korea.” Quoted from https://en.wikipedia.org/wiki/Thousand_Character_Classic [I usually avoid wikipedia, but here I was not able to find another source mentioning Joseon and classic book]
The main lead was holding the evidence for Jung In-Hun’s hypocrisy. That’s the reason why the learned sir was forced to admit that he wasn’t dedicated to his job. 
(chapter 6) In reality, he wasn’t teaching them reading and writing at all. But Yoon Seungho had feigned ignorance with this discovery. With his indifference and praises, the false teacher had the impression that he was supporting his attitude. This scene is relevant, because the learned sir had lied to the protagonist about the painter’s education. 
(chapter 6) This means that the book represents the evidence of learned sir’s betrayal and abandonment. He is responsible for his illiteracy. To conclude, this scene contains the following elements: a prank, a lie, a confession which was triggered by a book that Yoon Seungho had picked up by chance. But wait… it could be the book from the scholar’s home! 
(chapter 06) But this image can be used to refute this theory. How so? It is because this book has a title, hence there is a white rectangle!! However, take a closer look at the copy on the floor. (chapter 109) There is no white rectangle and as such no title! Why? It is because the publication is illegal, for sodomy was condemned by Joseon society and traditions. According to me, the tailor was involved in the erotic publications. Besides, compare it to the manuscripts in the learned sir’s bedroom! 
(chapter 50) Finally, I would like the readers to keep in mind that they could only see the content of the books (chapter 1), but they never got the chance to see the cover.
Now it is time to return to our contrast between chapter 6 and 109. Since the scene in the library from episode 109 represents the positive reflection from chapter 6, this signifies that the characters must have behaved the opposite way. And what did the noble do in the library? He made sure that the painter wouldn’t come close to the table, while in episode 6, the host did the exact opposite. 
(chapter 6) He proposed him to sit and have a cup of tea to divert his attention from the books on the cupboard. Besides, I would like to outline the huge contrast between these two scenes. The scholar needed the assistance of the prestigious family Yoon, while the protagonist replied this to his loved one: 
(chapter 109) Needed versus not necessary!
Finally, in the same chapter, the scholar admitted that he had scolded Baek Na-Kyum, but he never revealed what he had truly done and why.
(chapter 6) He was here very vague (“bizarre and vulgar”), he spoke of a scolding, but never of rejection and abandonment!! This is important, because Yoon Seungho also experienced something similar in the shed: 
(chapter 77) Back then, the butler’s words must have wounded him terribly, he must have felt dirty either. Under this new perspective, it becomes comprehensible why I came to this conclusion that the book is related to the learned sir and to the erotic publication. But this doesn’t end here. In my eyes, episode 109 clearly outlined the importance of the library in the protagonists’ life. This is the place where both main leads got betrayed and abandoned. 
(chapter 40) When the scholar wounded the artist with his words, he implied that the artist was responsible for his lack of education. With the idiom “I thought, you could be educated”, he gave the impression that he had put some effort, but due to the artist’s disposition, he had failed. We had another scene where the learned sir was blaming Baek Na-Kyum. 
(chapter 70) He would fall asleep instead of studying. And who knows about the learned sir’s hypocrisy? Yoon Seungho!! That’s the reason why the goddess Byeonduck let them meet in the library. It is to heal their wounds. In this room, Yoon Seungho’s suffering started and later, the painter got betrayed by his former teacher, someone whom he viewed as his “family and mentor”.
2. 2. The painting and the kisses
But like mentioned above, I identified the publication thanks to the painter’s kisses as well. That’s the reason why these kisses are in the center of the illustration, where I chose a kaleidoscope in the background. 
When Yoon Seungho got kissed by the painter 
(chapter 109), he got surprised, and he had the same gaze and facial expression than the one during the First wedding night 
, in the gibang 
and in the study 
(chapter 42), though here the artist kissed his companion twice! 
(chapter 49) And what had these scenes in common? Paintings and the artist’s confession. And now, you comprehend how I made the connection between the book and painting.
In episode 19, the artist had been asked to show his latest creation to the guests, and Min was present. 
(chapter 19) This scene could only break the artist’s heart, because he was reminded of the learned sir’s reaction: his rejection. The latter got angry and jealous that the low-born would be treated as someone special. Furthermore, Jung In-Hun had only got the noble’s sponsorship thanks to Baek Na-Kyum and not thanks to his own talent! In verity, the learned sir had been the tool to submit Baek Na-Kyum. Shortly after the exposition, the protagonist went to the study. There he got confused for Jung In-Hun, hence he received a wonderful confession 
(chapter 19) before getting kissed and embraced!
In episode 42, the lord noticed the artist’s agony, but he blamed the learned sir. 
(chapter 42) Yet, the artist was unable to explain the situation, for he had internalized Jung In-Hun’s criticism. 
(chapter 42) So we could say that the yangban tried to get a confession from the painter, but he failed. Hence they had just sex. The artist’s heartbreak was the reason why he never got to confess the truth! And what had happened in the study after the painter kissed the main lead? The lord saw the inauguration illustration and got jealous of Jung In-Hun (chapter 42)
Then in season 2, the painter had voiced his perception of his sex partner 
(chapter 48), and the painting had exposed the main lead’s uneasiness and pain. The drawing was not refined, barely finished. 
(chapter 47) The behavior from the painter and the new painting had not only wounded the main lead, but also pushed the lord to discover why the artist was behaving this way. After the rough sex session, the artist had made a confession: he was dropping the rules he had been raised. 
(chapter 49) He was admitting his sexual orientation and his own pleasure, but he still kept his distance from Yoon Seungho. Why? It is because he was reminded of the learned sir’s fake embrace and betrayal. 
(chapter 49)
Finally, in the kisaeng house, the noonas had shown the artist’s paintings 
(chapter 94) which incited the artist to recall his childhood. That’s how he came to unveil his past and confess his love to the noble! (chapter 94) And what do have all these kissing scenes in common?
- A painting triggering souvenirs and as such emotions (sadness, jealousy, pain, nostalgia)
- A confession
- SEX
- The direct or indirect meddling of Min: the wine
(chapter 19), the parties after the separation 
(chapter 51), his visit in the gibang and his tricks 
(chapter 96). In episode 109, the painter confused Yoon Seungho’s shadow with Black Heart’s. In his nightmare, he was brought back to the shaman’s house and the lord’s smile was similar to Min’s.
(chapter 109) 
(chapter 99) Besides, let’s not forget that during that terrible night, Black Heart never touched the artist himself, as if he didn’t want to touch a trinket sullied by another man”. On Twitter, the author revealed that Min would help Yoon Seungho. Through this comparison, the beholder can confirm this. Thanks to Black Heart, the couple got closer in the end. - The meddling of the maids, as the latter are responsible for the kitchen! The stolen wine
(chapter 19), the spying on the painter – though here it appears like a good thing – 
(chapter 41), the stones in the rice (chapter 47) and the words from the maid who repeated the noona’s principle (chapter 109). Here, the maid was triggering the painter’s memory and as such fears. That’s the reason why the readers can see the laugh of someone outside the building 
(chapter 109). She was acting, as if Baek Na-Kyum was not present, but in reality she knew that he could listen to her. How do I know this? The evidence are the sweets on the windowsill. (chapter 109) They never encouraged the tormented boy to eat the sweets!! Besides, this episode confirmed my interpretation about the complicity of the maids. As their role is to comfort Baek Na-Kyum, the readers should question themselves about their absence. 
(chapter 108) Why is the room dark? Where are the maids during that night, as they are supposed to sleep next to the painter? 
(chapter 109) The absence of the light is truly noticeable, an indicator that they are not in the bedchamber. Moreover, I had detected that the brown bed cover symbolizes the meddling of Kim. [For more read the essay “The riddle with the bed cover”] Finally, this scene contrasts to the painter’s dream with the noonas: (chapter 87) Sincerity versus fake concern; own choice versus manipulation, happiness versus sadness. Under this perspective, you comprehend why I view the maids as traitors. But since season 1, the women were never punished. Hence they felt free to badmouth Yoon Seungho or Baek Na-Kyum. So while he was preparing himself, where were the ladies-in-waiting? I doubt, the painter would give them orders. The painter was left alone on purpose. Finally, the manhwalovers should question why there is a bottle of oil in the bedchamber. So far, Yoon Seungho utilized it once 
(chapter 20) and it was during the first Wedding Night. And oil comes from the kitchen, the lord had fetched it from that room!! Naturally, there is an exception, and it is the kiss in the gibang. Yet, here the kisaengs had just replaced the maids. In other words, they had played a role in the confession. And this explains why the noona’s words are superposed with the maids. (chapter 109) This exposes that the couple has enemies not only in the mansion, but also in the kisaeng house, though I don’t think that the noonas have truly ill intentions.
3. The scholar and sodomy
But I have left the most important common denominator, Jung In-Hun!! He was always present, before, during and after the kiss and the sex session! However, the last episode represents the exception. At no moment, the artist thought about the teacher for one moment! All his thoughts were revolving about Yoon Seungho 
(chapter 109) That’s the reason why I am convinced that the book is strongly connected to the learned sir. In my eyes, it can only be the erotic publication of sodomy!! Why? It is because it represents the painter’s biggest wound. It explains his low self-esteem. Consequently, I am expecting the appearance of this panel: 
(tweet) The teacher told him “It’s dirty”, and wounded him the most with his gaze full of hatred, the symbol of rejection! Note that in episode 109, the painter always focused on the mouth and not the gaze, 
(chapter 109) 
(chapter 109) (chapter 109), because he fears to meet such a resentful gaze. This observation leads me to the following conclusion. In season 1, the painter’s memory got triggered due to the lord’s behavior, as the latter wanted to see a painting of their Wedding Night, but he got something else. 
(chapter 25) Moreover, during that night, we have the same elements: a painting, a confession, sex, a book that the scholar was looking for. From my point of view, in chapter 34, Baek Na-Kyum only recalled the beating from Jung In-Hun. (chapter 34) Moreover, observe that the artist was covering his eyes, a sign that he was trying to deny the existence of the hateful and cold gaze from the learned sir. As if he wanted to forget it. However, in chapter 34, the artist never realized that this incident had triggered his abandonment issues. And now, in the library, the painter is about to get confronted with his biggest fear: he is not lovable, for he is dirty. Moreover, he is not educated, because he is just a low-born. And this can only be triggered by an image, an erotic painting of sodomy, like in the artist’s nightmare from episode 34: 
(chapter 34) But like I wrote above, this place is also where Yoon Seungho got betrayed and in my opinion, the schemers are planning to use this place to ruin the protagonist!!
4. Sex or not?
So what is the trick? Naturally, this can only be a conjecture… yet my prediction is based on observations and deductions. My method is to compare the scenes containing parallels. And what have all the scenes mentioned above in common? SEX!! That’s the reason why I am now expecting that the couple won’t have sex, but they will have a painful and long discussion. Yes… this is the true night of revelation. Thus I believe that Yoon Seungho will talk about his own past to Baek Na-Kyum…. as the former also feels guilty and dirty. Remember that he views himself as the bird of misfortune. The couple has been separated for one week on purpose… it is to push the painter to have sex with Yoon Seungho. Why? The purpose is to prove that Yoon Seungho is guilty of sodomy. Yes, it is because in Joseon, it is a crime. Homosexuality had to happen behind closed doors. The father had never reported it to the authorities in order to protect his reputation. In the street, the gossiping women were complaining about the depravity of noblemen who would have sex with women and men. 
(chapter 106) 
(chapter 106) And if Yoon Seungho gets caught having sex with the painter and he has an erotic publication of sodomy, he can be framed for the murder of lord Shin and the other nobles. He will be guilty by association. Thus I deduce that the schemers needed the father to report him to the authorities. (chapter 107) That way, he can prove that his son is a depraved lunatic and regain the control of the mansion. (chapter 86) And if they are not caught having sex, the schemers are hoping for an argument between the two main leads because of the separation. This was planned to incite Baek Na-Kyum to resent his lover, to accuse him of „abandonment and betrayal“, a new version of this scene. 
(Chapter 105) As you can see, the staff had encouraged the lord to keep his distance from his companion on purpose, to create a misunderstanding… they used the painter’s anxieties. Why? That way, the artist would be more inclined to betray his lover, if the latter was in difficulty. He could put the blame on him. In my opinion, the book was planted there on purpose. Remember how the artist denied that he was the author of the erotic publications. 
(Chapter 1) Besides, there is no doubt that the father refuses to take any responsibility in his son’s suffering. And now, you comprehend why this copy was put on the lord’s desk. He was supposed to be the owner of the erotic book and even the author! I am suspecting that he was accused of the „same crime“ in the past. Then this observation raises the following question. Which erotic publication is it? The original (chapter 1) or the copy (chapter 1)? For me, it can only be the original. I have two reasons to think so. First, the painter had only painted such pictures, because he had no other choice, or better said he was asked by someone close. 
(chapter 1) This would stand in opposition to the scholar’s rejection (dirty), as the artist was just the helping hand. Besides, there is no ambiguity that Yoon Seungho blames himself due to the erotic book. If he had not brought the painter to his mansion, none of this would have happened. But the painter’s confession would make him realize that his misery started long before he met Yoon Seungho. And how did the puppetmaster come up with such an idea? From my point of view, this plan was inspired by the learned sir. (chapter 27) Notice that he has a drop of sweat on his face, a sign that the book is really important and could be even dangerous. He was diminishing the value. In the past, I had already pointed out that the learned sir had planned to backstab the main lead and denunciate him to the authorities (my first theory was the bible or the the absence of jesa in the mansion). But the erotic publications of sodomy would fit the profile.
Secondly, the schemers believe that with the original, they can ensure Yoon Seungho’s culpability. If they are caught having sex and there is this publication, then both can only be sentenced. They would even kill two birds with one stone, as the painter is in reality the real target of the scheme. That’s the reason why the painter was left alone in the bedchamber. The maids needed to give him space so that he would make a move and seduce his lover. Thus I deduce that during that night, Kim won’t spy on the couple. He has no need to, for he “knows” what is going to happen. He definitely views them as people consumed by lust. However, the gods are on the couple’s side. Hence the book fell on the ground.
And who could have the right to barge in the mansion followed by officers? A family member… and this can only be Yoon Seungwon… who had been a witness of his brother’s sodomy. (chapter 37) Back then, he imagined that the man hidden under the green hanbok was the learned sir, but he was mistaken. Both father and son believes to have seen the relative’s sodomy. Besides, the brother mentioned letters and these usually are written on a desk and as such in the library. Yes, this night should trigger the lord’s memory… his brother’s betrayal and abandonment. 
I am still waiting for this picture. Yoon Seungwon had definitely tattled on his brother out of jealousy in the past. Don’t forget this flashbulb. (chapter 55) Finally, Heena could serve as a witness, for she did hear their conversation in the annex and saw their intercourse: (chapter 96) She would tell the truth… yet it wouldn’t serve her, because she reported it too late. She could be perceived as pathological liar. Besides, she was not supposed to be in the kisaeng house. Moreover, note that all the erotic paintings the painter created vanished. There is no evidence that the artist is the author of the erotic publications of sodomy, as his notebook contains images of nature. 
(chapter 84) Finally, the childhood paintings could be used as an evidence. But what about the book in the library? Both could decide to burn it…
- Chapter 35:
the burned letter - Chapter 103:
the shrine
And now it is time to conclude this essay. I would like to remind the role of the painter’s kiss in this story. It is to emulate his lover, to trigger emotions and thoughts in him, to open up. Hence he is caught by surprise all the time. While in chapter 49, the artist kissed his partner to silence him (chapter 49) so that he wouldn’t argue with him (being his sex toy), I view the kiss in the library as the opposite, it is liberating Yoon Seungho. 
(chapter 109) Note that there is no rejection from the lord, just surprise and shock. Besides, in the kisaeng house, the artist’s confession had led the main lead to confess as well. 
(chapter 96) Striking is that he had hidden his gaze from the artist first. As if love was a sin…Hence I am expecting a confession from Yoon Seungho in that very room too, something he has never done before! Why? It is because he was not the owner of his own past. Kim acted, as if he possessed his memories. Finally, the moment the painter divulges this incident to his companion, 
(tweet), the latter can only come to the conclusion that the scholar would have no problem to hurt Baek Na-Kyum and even get revenge on the artist, for he received the favors from the protagonist. Yoon Seungho would no longer feel obliged to respect Heena’s wish, for her words wouldn’t reflect reality. (chapter 105) And it was Yoon Seungho’s luck, when the book fell from his sleeve! (chapter 27) contrary to the night of the rape. 
(chapter 27) The goddess Byeonduck is on their side. But the problem is that the readers have the impression that both are followed by misfortune due to their misery. The reality is that they are both victims of manipulations and tricks. That’s their tragedy. But by repeating that the two figures are “birds of misfortune”, the accomplices are trying to deny their own involvement and as such responsibility. The maids are the perfect example. They blame Baek Na-Kyum for his own illness. He eats like a bird and he would hide his illness. 
(chapter 108) To sum up, he was responsible for his own suffering, for he was in denial and the maids could do nothing to help. But the lord can see the truth, when he touches his lover’s butt. 
(chapter 109) He lost weight in such a short time. And their presence by Baek Na-Kyum’s side was supposed to help him. They were responsible for his well-being, but the women never realized it.
I have to admit that I am always anticipating the story due to the slow progression of the story. We are all waiting for the time, when Yoon Seungho and Baek Na-Kyum can have a date properly. One thing is sure. The storm is coming during this night… and it will affect the life of many people, the schemers and accomplices! The question is now how long this night will last (how many episodes).
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Painter Of The Night / Doctor Frost: The dark ⬛ shed ⛺ and its symbolism ☯
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night I am also using doctor Frost as reference again. https://www.webtoons.com/en/mystery/dr-frost/list?title_no=371
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1. The imaginary sick person
I have to admit that I was initially disappointed by Yoon Seungho’s behavior in episode 108. One of the reasons is that he didn’t trust his lover, though he didn’t buy the doctor’s statement right away too. That’s the reason why he went to the maids and asked for their observations and opinion. (chapter 108) But then I changed my mind about the lord, for Yoon Seungho didn’t rely on just one testimony contrary to his father: (chapter 86) Finally, thanks to the argument in the shed, I had another revelation which I will explain more details below.
However, the protagonist’s huge mistake is that he trusted the maids’ words too. While one might judge the apology from the main lead as a sign of humbleness, I view it in a different light: it exposes his low self-esteem. 
(chapter 108) He blames himself for everything. For me, these women were lying to their master. Why do I think so? The first proof is that the painter’s fate is to go through the same experiences than his lover. And what did the valet admit in the shed? 
(chapter 108) There was not a soul in this household who was standing by his side back then and now! This signifies that there is not a soul in the mansion truly standing on the painter’s side as well!! Back then (before the massacre) and even now… Moreover, while these maids’ attachment was sincere 
(chapter 51) (chapter 63), this doesn’t signify that it is the same for all the female servants. This would be just another prejudice. 
(chapter 108) Yes, this woman is not the same than the one from chapter 51, for her clothes diverge despite the same pigments. She is wearing a white ribbon around her waist. 
(chapter 108), whereas the other wears the belt more around the hips, hence her skirt has a bump on her butt. (chapter 108) Finally, pay attention to the form of her mouth. It doesn’t ooze warmth or joy, quite displeasure and mistrust. But let’s return to my initial statement, the staff was actually deceiving their own lord. (chapter 108) First, when the manhwalovers saw him in the kitchen, he was eating to his heart content and enjoying his breakfast. (chapter 38) Moreover, the painter had long stopped eating with the maids, he would share his meals with the main lead. 
(chapter 46) 
(chapter 74) This explicates why the artist returned the table with the porridge to the kitchen himself. (chapter 98) This means that they couldn’t witness how the artist would eat. To conclude, the statement from the staff was once again a mixture of truth and lies, for they were combining different situations together. Hence their apology was not genuine despite their gesture.
With their words (chapter 108), they admitted that they had been fooled themselves. At the same time, they implied that the painter has been hiding his discomfort all along, as he was only eating properly in front of his lover. Moreover, they insinuated that the painter’s laugh and smiles weren’t sincere at all. In other words, the lord’s eyes had been “deceived”, as the painter had been acting. This explicates why he took the blame and apologized to the staff. (chapter 108) He had not perceived the artist’s discomfort. Indirectly, they were putting the blame on the lord and Baek Na-Kyum. Nevertheless, they never stated that they had seen the painter vomiting. And now, observe that someone else had said the same thing about the artist in the past: 
(chapter 62) The painter had been faking his “submission”, hence the “valet” got fooled. He had trusted the artist blindly. Thus the lord got angry, and resented the butler, for he wished the opposite. He didn’t want to admit that the artist had been acting. Yet, the seed of doubt was implanted in his mind. Consequently, in episode 108, we have the exact same situation, yet contrary to the past, the lord didn’t get angry at his lover. He never condemned the painter for his dishonesty, though he was not truly lying either. To conclude, chapter 108 is a reflection from episode 62. Thus it dawned on me that the valet could have attempted to fool his master once again. The artist was a hypocrite, for he was acting in front of the lord hoping that he wouldn‘t cut ties with him. It was for his best interests to send back to the kisaeng house. Yet, nothing like that happened.
Yet, in reality, the artist had been eating properly, as we could see him glowing in this image, 
(chapter 104), a sign that he was recovering. But due to the two incidents during that day, Baek Na-Kyum had been feeling unwell and was hiding his discomfort out of fear of getting abandoned. This means that the deceivers were trying to portray the painter’s actual disposition as something unchanging. Since the painter had trouble with eating now, his eating disorder existed in the past. And this perception got reinforced, for the lord could notice afterwards that the maids’ statement had become a reality. What they had described, truly happened afterwards. Due to worries and anxieties, the artist lost his appetite. He would fake his “happiness”. The manhwalovers could witness how the painter had slimmed down (chapter 108), just like his “husband”. (chapter 108), a new version of episode 51. This time, the roles had been switched, the painter was sitting in the patio. To sum up, the schemers and the accomplices were creating a prejudice, a so-called universal truth. This is the negative reflection of season 1, where the gossips about Yoon Seungho were turned into a reality. In many of my previous analyses, I had outlined that these rumors about the protagonist had been false. (chapter 1) He couldn’t have a proper erection, and it was never his choice to have sex at any time and any place, because he was treated as a male kisaeng. And now, it is the painter’s turn. Gossips about him would become a verity. Yet the other difference to season 1 is that in season 4 the artist is exposed to the same “prejudices” than Yoon Seungho in the past: He is ill!! He needs to be treated and the “gibang” is the right place for that🤮. He would be with his noonas, a new version of the lord’s past. And now, you comprehend why father Yoon said this to the physician in chapter 57: (chapter 57) A single incident was turned into a generality, implying that it was the same in the past!! To conclude, the noble is put into the same situation than his own father, the only divergence is that Yoon Seungho has indeed the painter’s best interests in his heart. He is determined to provide him with the best!! Thus he blames himself contrary to the elder master Yoon.
2. Yoon Seungho’s believes
But why did Yoon Seungho choose to trust others instead of his loved one? In my eyes, there exist two reasons. First, let’s not forget that the lord has been hiding the truth from his partner, his action in the shaman’s house. He is worried, but he doesn’t desire to burden his loved one, hence he chose silence and secrecy. 
(chapter 104) This statement implies that the painter is responsible for the bloodbath, for he left the propriety. Yet, instead of confronting the painter, he was encouraged not to talk about the past. He was suggested that way, he would protect the artist’s mind and heart. Besides, his choice was influenced by his own anxieties. The lord fears argument, because the last time they had quarreled, the artist had threatened his lover to leave the place. 
(chapter 85) I would like my avid readers to keep in mind that the lord wished to keep the artist by his side, sending the artist back to the kisaeng house was just a temporary measure. (chapter 105), yet the painter had heard something different from his noona. 
(chapter 105) That’s how a misunderstanding was created, provoking the painter’s abandonment issues to resurface. The lord had selected secrecy and silence out of love for the artist. Therefore when the lord sensed Baek Na-Kyum’s agony, he could only jump to the conclusion that the painter was acting the same way than him. He was also hiding something from Yoon Seungho. That’s the reason why the lord didn’t argue with Baek Na-Kyum. 
(chapter 107) He imagined that the artist was doing it out of concern for the noble. He was projecting his own thoughts onto the artist.
Nonetheless, for me, the biggest cause for his mistake are his own believes, and more precisely the “rules” he was indoctrinated with. He might have dropped his suicidal disposition, yet his self-hatred was not solved entirely. Its source is based on the following principle: “bird of misfortune”. 
(chapter 68) According to this belief, the lord brings bad luck to others. This rule can only incite the main lead to doubt himself, to judge himself in a negative light, to doubt his own judgement. Moreover, the perfidy is that this principle pushes the protagonist to deny the existence of his own misery. It was, as though the lord had never suffered, only the others. This “faith” represents the biggest lie and hypocrisy. However, the main lead questioned this rule in front of Yoon Chang-Hyeon, (chapter 86), as he started putting the whole responsibility on the elder master and the ignorant servant. But due to the last massacre in the shaman’s house, Kim could use the painter’s suffering as the evidence of this “irrefutable truth”. Yoon Seungho brought misery to the painter. That’s the reason why Kim “suggested” his master to send Baek Na-Kyum away by proposing the opposite. Simultaneously, we have the explanation why the painter has abandonment issues again. Since their magical night in the gibang, Yoon Seungho and his lover are no longer sharing the same bed. (chapter 108) He remains seated by his side, because he is projecting his own reaction onto his loved one. Remember how Yoon Seungho reacted in the past with Lee Jihwa: he pushed his childhood friend away. 
(chapter 59) It was, as if Yoon Seungho feared to taint the painter by sleeping next to him. However, the artist’s biggest wish is to share the same bed than his lover. 
(chapter 97) To conclude, Yoon Seungho’s life is still influenced by a false cult, by propagandism. This faith is is based on Rene Girard’s theories about mimetic desire and scapegoat mechanism.
“Girard’s fundamental concept is ‘mimetic desire’. Ever since Plato, students of human nature have highlighted the great mimetic capacity of human beings; that is, we are the species most apt at imitation. However, according to Girard, most thinking devoted to imitation pays little attention to the fact that we also imitate other people’s desires, and depending on how this happens, it may lead to conflicts and rivalries. If people imitate each other’s desires, they may wind up desiring the very same things; and if they desire the same things, they may easily become rivals, as they reach for the same objects.” Quoted from https://iep.utm.edu/girard/#H3
According to the psychologist and anthropologist, rather than bringing people together, convergence gives rise to hostility. Humans aren’t violent by nature. Our nature is social. The tragedy is that, even without deliberate evil on anyone’s part, our social nature constantly pits us against each other. Thus the French philosopher developed the following revolutionary hypothesis: human culture began with religion, and religion arose from our species’ need to master its own violence. 
(chapter 250) Hence the man created the following theory which is inspired by religion.
“Girard calls this process ‘scapegoating’, an allusion to the ancient religious ritual where communal sins were metaphorically imposed upon a he-goat, and this beast was eventually abandoned in the desert, or sacrificed to the gods (in the Hebrew Bible, this is especially prescribed in Leviticus 16).The person that receives the communal violence is a ‘scapegoat’ in this sense: her death or expulsion is useful as a regeneration of communal peace and restoration of relationships.” Quoted from https://iep.utm.edu/girard/#SH3b
This means that the community deceives itself into believing that the victim is the culprit of the communal crisis, and that the elimination of the victim will eventually restore peace. 
(Doctor Frost, chapter 250). Under this new light, it becomes comprehensible why the author from Doctor Frost utilized the image of a black sheep as the future scapegoat. IT was selected, because it stood out. And you comprehend why Yoon Seungho became the target in the end. His good reputation attracted envy and jealousy.
(chapter 57) Why? It is because each noble family aspires to the same: power and wealth! (chapter 86) I had already detected father Lee’s jealousy and greed, just like Kim, Yoon Chang-Hyeon and Yoon Seungwon. The butler and the father might have desired the same (recognition and fame), but this could only end up in resulting in rivalry and jealousy.
“Scapegoating can happen to protect the image of the family or people who are favored in the family, not just the self. It is common for one person to be scapegoated, but it can happen with more than one person. Commonplace in families with unhealthy dynamics, scapegoating tends to start in childhood when children are blamed for all of the problems in dysfunctional households. The term “scapegoat” originates from the Bible. […] In addition, it results in an upbringing in which the scapegoated child’s inherent worth, goodness, and lovableness are ignored. Instead, insults, bullying, neglect, and abuse are deemed appropriate for the child forced into this position. […] Why a parent decides to scapegoat a child tends not to make any sense because this behavior is rooted in dysfunction. For example, a child who is sensitive, inquisitive, attractive, and smart might be perceived as a threat and scapegoated by a parent who lacks these qualities.” Quoted from https://www.verywellmind.com/what-does-it-mean-to-be-the-family-scapegoat-5187038
As you can see, this article corroborates my perception of the elder master Yoon. Because the Yoons were a dysfunctional family, where the main lead was neglected by the mother, and the parents were alienated, Yoon Seungho was isolated, making him vulnerable. There is no doubt that the father just viewed his son as a tool for his own glory, it becomes understandable why the main lead lost very quickly his special status, when an incident occurred. The latter was definitely turned into an immutable truth, and Yoon Seungho had no one by his side to refute the deception. The lord’s good reputation could only be perceived as a threat by others. There is no doubt that it was the same for lord Haseon. 
(chapter 107) This explicates why Yoon Seungwon was mentioned by the man with the purple hanbok. He implied that the son might have been well educated, yet he must be lacking elsewhere: his sexual education…. as his other task is to have a heir. This means that by standing out, Yoon Seungwon caught the jealousy and envy from other yangbans, though I have my doubts if he truly passed the civil service exam first. In other words, it is better not to stand out.
But let’s return our attention to Yoon Seungho who became the scapegoat. Nonetheless, he didn’t die, because his mother had sacrificed herself for her son’s sake. To conclude, since the mother killed herself and her son survived, the main lead got blamed for everything. Consequently, I deduce that the same occurred to No-Name who is “lord Song” according to me. With each sacrifice or punishment, peace was restored, however this was just an illusion, for the lord got still abused and the “real lord Song” came to lose everything. Hence there is still resent, jealousy and desire for revenge, because no real justice was delivered. With Rene Girard’s theory “scapegoat mechanism”, we have the perfect explanation why Min would lust after the painter. It is because everyone was looking at the artist either out of jealousy or greed. Finally, this connection confirms my interpretation: religion plays a central role in this story. And the main lead is not questioning this psychological phenomenon. Why? I had already pointed out that Yoon Seungho had been exposed to brainwashing and was suffering from Stockholm Syndrome. But how is it possible?
3. The birth of “brainwashing”
In order to answer that question, I will use Doctor Frost as a reference again. 
(Doctor Frost, chapter 183) Since deprogramming is like brainwashing, it signifies that for the brainwashing, the victim needs to be isolated and even imprisoned too. And in order to be effective, the target of the brainwashing has to be exposed to stress and lack of sleep.
(chapter 187) Fatigue and exhaustion are necessary in order to lower the target’s defense mechanisms. This explicates why it has to take place during the night, for the night is the time for humans to rest. Therefore the place of brainwashing is called “the fox’s hole” in Doctor Frost.
However, there is more to it. 
(Doctor Frost, chapter 187). 
(chapter 187) The Ganzfeld effect happens when you undergo sensory deprivation for some time, and your brain tries to make sense of what is happening. Just 15 minutes of sensory deprivation can induce vivid hallucinations, according to researchers. This process involves muffling the ears and blindfolding, so people are unable to see or hear. And note what had happened to Baek Na-Kyum during the abduction. His head had been covered 
(chapter 66), and according to me, while his head was covered, he got strangled. Hence he had this nightmare. 
(chapter 61) But he lost notion of time and chronology, hence his nightmare is not coherent. One feature of altered states of consciousness during Ganzfeld exposure is an altered sense of time. In general, regardless of the induction method, altered states of consciousness can be characterized by changes in the sense of self and time. But this can only happen, when the brain is deprived of stimulations. 
(chapter 187) I had already outlined that Yoon Seungho had lost not only the notion of time, but also all his senses. And the nightmare is displaying the evidence of the Ganzfeld exposure. Hence the young master viewed himself flying 
(chapter 74), and at the end his eyes and ears got covered by hands and blood. 
(chapter 74) Besides, he was trapped in the dark room which looked like the servants’ quarters. Only thanks to the painter, the lord could recover his own senses, slowly he became the owner of his own body again. In addition, remember what he said to his own father: (chapter 86) The darkness he was referring to is the indication of “Ganzfeld effect”. Because he was trapped in this nightmare, he lost the sense of reality. He had to rely on someone else’s senses and words. That’s how his memories got repressed and even distorted. Consequently, a new past could get recreated. That’s the reason why the lord had no memories for a long time. The valet was the “owner of the truth and as such of the time”. We could say that till the meeting with the painter, he possessed the lord’s memories. Besides, one of the side effects of scapegoating is becoming vulnerable to gaslighting.
“
- Trauma: Being deprived of a family’s love, singled out as the “bad one” in the household, and having one’s positive attributes overlooked can set up a child for a lifetime of emotional and psychological distress, where they struggle believing they are good, worthy, competent, or likable.
- Toxic relationships and environments: It can also result in these individuals entering friendships, romantic relationships, and working environments that are abusive and harmful.
- Normalizing dysfunctional behavior: Dysfunction and abuse often feel “normal” for family scapegoats, making it difficult for them to spot dangerous people and places before harm is done.
- Difficulties with boundaries: The fact that gaslighting is common in dysfunctional families makes it challenging for abused individuals to set boundaries and recognize when other people’s behavior crosses the line. They are more likely to believe that they are exaggerating, are being too sensitive, or can’t trust their judgement.
- Self-sabotage or self-harm: Scapegoats tend to internalize the harmful messages they’ve received about themselves from birth or early childhood onward. This could result in the child engaging in self-sabotage or self-harm, such as doing poorly in school, neglecting self-care, engaging in risky activities or behaviors, and acting out in ways that indicate they deserve the title of the scapegoat (even though no child does).Quoted from https://www.verywellmind.com/what-does-it-mean-to-be-the-family-scapegoat-5187038
The information from Doctor Frost made me realize that the shed is the place where the main lead got brainwashed. This explicates why the main lead put a fire in the storage room, when the artist was brought there after the “fake abduction”. 
(chapter 62) Under this new light, it becomes comprehensible why the lord didn’t lose his whole sanity and as such didn’t fall completely into despair. The warmth and light served him as a guidance. Consequently, I deduce that in his childhood, he was trapped there in the dark for hours!! Because he was jailed in that room, he was exposed to the Ganzfeld effect. Therefore he relied on the valet’s words. 
(chapter 77) He trusted the butler, even after getting betrayed and abandoned each time. He developed blind faith in the butler. Why? It is because he was the only one “talking to him”. Though he wounded him so many times, he still remained by the lord’s side. That’s the reason why I come to the conclusion that the shed is not just a room for punishment, but also for “faith”, the place where the scapegoat was placed: “ (chapter 77) That’s the reason why he got treated like an animal. This is no coincidence that in the storage room, the butler utilized such a religious vocabulary: “I do not believe” 
(chapter 62); “beg”, “trust” a synonym for faith, 
“soul”, ” (chapter 108) “Save” (chapter 108) Moreover, I would like to outline that the main lead was seen sitting while looking up (chapter 83) It looks like Yoon Seungho was praying, when Lee Jihwa opened the door. This means that Yoon Seungho has been treating Kim as his idol, his highest priest. Besides, doctor Frost explained why people become victims of brainwashing. 
(doctor Frost, chapter 191). This description fits to the shed, the lord was not only cornered mentally, but also physically.
But since the shed plays such an important role in the story, I wondered why the storage room from the mansion was not shown in season 1 [As a reminder, for me, in chapter 1, the painter was brought to father Lee’s propriety] That’s how I recalled this scene, the butler standing in front of the gate of the barn. (chapter 32) What was he doing there, and why was he looking at the bedchamber? It is because he imagined that after the sex session, Yoon Seungho would send the painter to the shed as a punishment for his desertion. Let’s not forget that during the day, the whole staff had been beaten by their master. Besides, I would like to point out that the staff in season 3 viewed the painter as a spoiled brat, for he was receiving the lord’s favors. 
(chapter 98) Consequently, I deduce that when the valet got punished in season 3, he portrayed the painter as a tattler for that reason. He didn’t want to become the scapegoat in the end. 
(Chapter 77) At the same time, receiving treatment from the physician, Kim could say that the lord regretted his decision. These new discoveries reinforce my prediction that the painter is doomed to become the next scapegoat!! Yet, chance is on the couple’s side. On the other hand, this signifies that someone will have to become sacrificed!
4. The priest and his disciple’s discussion
Now it is time to focus on the argument between the butler and the surrogate son. While many viewed this discussion as something positive, for the butler cried (chapter 108) and apologized to the noble 
(chapter 108) for his wrong choices, I come to the opposite interpretation. Naturally, if the manhwalovers compare the butler’s apology in the shed to the one in the library, (chapter 77) it really looks like Kim is sincere. He is no longer standing, he is now weeping. Finally, he is not blaming someone else (the kisaeng), but himself. (chapter 108) Nevertheless, for me, everything is an illusion, and you can only detect the manipulations, the moment you examine closely Kim’s words.
First, it starts with the butler’s statement. (chapter 108) Kim feigned ignorance, and the lord confronted him with his lie, he admits that in reality he knew something. 
(chapter 108) He had not told him about the shaman’s house on purpose. He had hidden the truth by omission. He justified his decision by using the “townsfolk” and their liking of creating gossips. However his real task was to protect his lord’s interest and inform him about everything. He made a decision without his lord’s permission, and as such he usurped his authority. He acted, as if he knew what was the best for Yoon Seungho. But this doesn’t end. What infuriated me the most are these two declarations:
- : While many judged the confession from Kim about his constant betrayal and abandonment as something positive, I paid more attention to the second sentence: “I’ll regret”. He is employing the future and not the present tense. This stands in opposition to Lee Jihwa’s regret:
(chapter 61) The red-haired master utilized the present perfect tense, which is a combination of the past and present!! This time reveals that the young man was about to move on. On the other hand, the butler is either referring to the past and to the future, but not to the now! This means, he has no regret right now. He is projecting himself in the future. He implies “regret”, but he is not truly admitting it. Finally, when the childhood friend came to regret his choice, he voiced it outside the barn!! 
(chapter 61) This contrast outlines that the storage room is the place of illusion or false faith. 
(chapter 108): Here, my blood was literally boiling, when I read his second “confession”, because here he was now omitting Yoon Seungho. It was, as if the protagonist was not existing. His words were actually reflecting a new betrayal towards the main lead. Here, he was vowing loyalty to Baek Na-Kyum and not to Yoon Seungho!! He insinuated that if he was taking care of the painter, he was protecting Yoon Seungho’s interests. However, the artist and the noble are two different persons. Imagine the following situation: The main lead gets arrested for “murder”, the butler could justify his vanishing, passivity and silence by saying that he needs to take away the painter from the mansion so that the latter avoids getting into trouble as well. As you can see, he would keep his promise, but he would sacrifice Yoon Seungho. With his words, he was insinuating that he only had two choices: the elder master Yoon or the painter. Besides, once the lord were to be removed, Kim could put the whole blame on the painter afterwards. If he had not left the house… That’s the reason why I viewed the last statement as the biggest treason. In reality, he was not vowing loyalty to the main lead. This scene was a reflection from episode 30, where the artist had pledged loyalty to the main lead 
(chapter 30) and this in front of people. This explicates why the butler got grabbed in the storage room 
(chapter 108) like the painter in the courtyard. 
(chapter 30) We could say that it was the butler’s karma for his past manipulation. He had been the one who had encouraged the painter to flee the mansion (chapter 29/30). But this doesn’t end here. When the artist vowed his loyalty to the protagonist in the courtyard, the latter was present, which is not the case here. The artist is left in the dark. (chapter 108) He has no idea about the valet’s oath. Therefore we should consider it as inexistent. This means, if the painter got arrested, the valet could put the blame on the artist and say that he is trying to protect the lord’s interests, to save his skin. That’s the reason why I consider this confession from the butler as a huge sign of his culpability and dishonesty. Moreover, he is not feeling any remorse.
Besides, note that he never admitted that he truly cared for Baek Na-Kyum, he simply suggests it. 
(chapter 108) Where is the personal pronoun “I” here? Nowhere. Only the lord cares for the painter, this was the butler’s declaration in the end. But what about the tears? How could he fake the crying?
First, the author never let us see the valet’s eyes and not even his mouth. The tears were implied with the sound “hic” and the drops of water falling onto the ground: (chapter 108) My avid readers will certainly recall the following rule which the story is based on. Each scene will be reflected in a previous season. 
(chapter 81) When the lord had wounded his lover, when he was in a dissociative state, he had perspired so much that his sweat was falling like tears!! As you can see, fear could be the reason why drops of water were falling. Let’s not forget that the main lead had treated Kim very harshly and even threatened to have him killed, something he had never done before. 
(chapter 108) Kim had reasons to get scared and to sweat.
Besides, note how the valet keeps switching Yoon Seungho’s title (either young master 
, chapter 108, or my lord ), a sign that he is not truly recognizing him as his real lord. One might refute my interpretation, because Kim voiced regrets in this scene. 
(chapter 108) However, the manhwalover should question this. Why did he regret that day? It is because he had revealed his true thoughts about Yoon Seungho to the painter, and he got reprimanded from the artist. Besides, according to me, he had hoped that the artist would leave the mansion due to the altercation. In addition, when he mentioned this scene, he wanted to appear as honest, because he had no idea if the artist had leaked this conversation to Yoon Seungho. Finally, just because he told the truth here, we shouldn’t judge the butler’s confession as verity. To conclude, for me, the valet was not really remorseful, he was more acting.
One might argue that my interpretation about Yoon Seungho was wrong. It was his choice to live in debauchery, as it admitted it in the shed. 
(chapter 108) However, this is another illusion which can be easily refuted. 
(chapter 108) This memory is the same than the painter’s (chapter 1). However, this is not possible, for the painter had never gone to the main lead’s mansion before. He had this memory, when he met him at the inn for the first time. This vision was a reference to the gibang. But note that in the lord’s statement, he never mentioned the kisaeng house. He only invited the nobles to his “bedchamber”. The words don’t match the picture. This admission was actually exposing the manipulation, a fake memory… the “traces of brainwashing”. Besides, the manipulator had employed the same MO like mentioned above. Since it happened once (chapter 8), then it was the same in the past. Because we saw guests in the lord’s mansion, we could be tempted to assume that this represents Yoon Seungho’s true past. Concerning the painting, Kim just needed to explain why lord Yoon had barged in his mansion. He had sent the painting to his father to provoke him. 
(chapter 108) In other words, the butler had acted on his own, and informed his master afterwards, when this information was necessary in order to protect himself. As you already know, for me, the butler had definitely acted on his own. But why does Kim need to deform reality so much? It is because he was present, when the young boy was abused sexually and he did nothing. He needs to erase the “traces” of the rape so that his culpability will not come to the surface. Just like the painter, Yoon Seungho has totally forgotten the sexual abuse. Besides, he never mentioned the incidents about the shed to the painter, only the bedchamber. 
(Chapter 87) Here, he was already hiding his guilt by turning Yoon Chang-HYeon into the main culprit. He is responsible for the lord’s suffering.
But the problem is that Yoon Seungho is escaping more and more from his claws, and his manipulations are now turned more and more against him!! The reason why I was first disappointed is that the young master was not able to detect the contradiction. He had accepted the butler’s version as a truth from his past
(chapter 68), but he had heard a different story from the painter. 
(chapter 93) However, now I understand why Yoon Seungho was not able to discern the hypocrisy from the assistant. 
(chapter 188) It is related to the long brainwashing he was exposed for so many years and the lord’s low self-esteem. Thus I perceive this argument in the storage room as a new version of episode 40, a confrontation between the painter and the scholar. But who had been defeated in the shed? Yoon Seungho was still the loser, for he kept his distance from his lover afterwards. (chapter 108) He was making sure that no one would know that the painter was his weakness. 
(chapter 108) The new version of episode 50-51!! However, this was totally pointless, for the painter was living his bedchamber. His position was the proof that the painter was still favored, though the artist feared to be abandoned by the painter.
I am now full of optimism. Why? It is because Yoon Seungho’s role is to remove all the painter’s wounds from his heart and mind! Don’t forget that in season 1, the main lead was the painter’s emancipator. And as a reward for his good deed, the lord’s last rule will be removed. How can this happen`?
(doctor Frost, chapter 187) This means that the couple has to communicate and the painter will interrogate his lover. 
(chapter 187) But this deprogramming is not pleasant, for the destruction of believes leads the victim to question everything afterwards. What caught my attention is that the painter went to the library, the symbol for “knowledge and education” which stands in opposition to the shed. This is no coincidence. Brainwashing is the antonym for insight. 
(chapter 108) In addition, the lord was dressed like in episode 36, he had the green hanbok. 
(chapter 36) Back then, the painter didn’t talk to the owner of the mansion. Finally, this episode is connected to the lord’s memories: 
(chapter 36) That’s how I had this revelation. The lord’s suffering is also linked to the library. From my perspective, the young master was dragged from the library to the shed at some point. 
(chapter 77) I had already pointed out that in episode 77, the main lead had been dragged on multiple occasions, for he was dressed differently, and the servants would be different. Because I had described that the lord’s mind had been manipulated by indoctrination and the butler had confessed, I deduce that the next episode will contain elements from episode 48/49. 
(chapter 49) That’s the moment the painter dropped the last principle from the scholar and kisaeng. For me, something similar will take place, but such a deprogramming is painful. From my point of view, Jung In-Hun will be mentioned, as in the same place, the scholar had mentioned the painter’s past and future. (chapter 40) (chapter 40) Since the shed embodies the valet’s betrayal, the lord voiced his abandonment issues there. On the other hand, the library symbolizes the teacher’s abandonment. This is not random. Baek Na-Kyum can not read, the symbol of the learned sir’s negligence. Hence I am expecting a new confession from the artist, like this scene: (Tweet) So far, the artist has never spoken ill of the teacher. To conclude, the library is the place where both protagonists will experience a new liberation! For me, episode 108 and 109 are focused on education, responsibility, memories and truth. That’s the reason why I am suspecting that the painter’s words will trigger the lord’s memories so that the verity about his own past will come to the surface.
Before closing this essay, I would like to point out two other thoughts. The storage room has another symbolism. It is connected to wealth and gathering. This would explain why Kim likes the storage room, indicating his materialistic side, and Yoon Seungho was his bird of fortune, for the former came to enjoy a good life. As you already know, he became the true owner of the mansion, the “ghost lord”. Finally, I would like to outline a detail which caught my attention: the jar in the shed with a new lit. (chapter 108) What is this jar doing there? It was not present, when the painter was kept captive there. 
(chapter 62) My avid readers will certainly recall my theory that a corpse was hidden in jar!! In other words, I am more than ever convinced that there’s still a corpse hidden in the mansion. This is important, because this represents the condition for the appearance of the scapegoat mechanism. Someone has to take the fall for the schemers and accomplices.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Jinx: The missing Teddy bear 🧸
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwas. Doctor Frost: https://www.webtoons.com/en/mystery/dr-frost/list?title_no=371 Jinx:https://www.lezhinus.com/en/comic/jinx_en But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, https://bebebisous33analyses.com/2021/06/21/who-are-you-the-significance-of-masks-in-manhwas/ and the last essay about Jinx „Thundering Poker Face“ Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
Now, you are probably wondering about the origins of this title, for so far, the manhwalovers only saw a Teddy bear in one scene: 
(chapter 11) Yes, the protagonist was wearing pajamas with a Teddy bear on it. This signifies that Kim Dan is connected to this toy. But what does it mean exactly?
1. Kim Dan and the Teddy bear
This observation made me realize that the Teddy bear represents the physical therapist. But I have more evidence for this interpretation. What does the stuffed animal symbolize?
The cute Teddy bear embodies not only innocence, childhood, comfort, affection and compassion, but also caring and nurturing, companionship, trust, loyalty, nostalgia, protection, safety and unconditional love. In addition, it creates the sense of belonging in people, hence according to a study, it helps to alleviate the feeling of social exclusion. [For more read this article: https://symbolismandmetaphor.com/symbolism-of-teddy-bears/] After reading this, the manhwaphiles can grasp why Mingwa chose to have the doctor as a little boy wearing pajamas with a Teddy Bear on it. It exposed the main lead’s innocence and purity. At the same time, this is no coincidence that Kim Dan remembered this scene, as he was feeling sentimental in that moment. He was missing the warmth from his halmoni. But wait… if he is the “Teddy bear”, then I deduce that the halmoni was the “owner”. She was the one who needed her grandson for his “innocence, affection and his unconditional love”. And now, please take a closer look to this scene: (chapter 05) It was, as if she was holding Kim Dan as her “Teddy Bear”. Note that thanks to his presence, the elderly woman was not beaten. I had already outlined that the speech bubbles indicate that the woman and the goons from the loan shark would talk to each other, or better said yell at each other. There is no doubt that the woman must have begged them. She had to take care of her grandson. And now, you are probably thinking that I judge the grandmother in a negative way. Well, I have already pointed out her bad decisions, but just because someone makes wrong choices, we could get tempted to condemn this person. Yet, we should never do it. Error is human, and as such no one is perfect. Besides, condemning her implies that the beholder is considering himself superior to the grandmother. In my eyes, the halmoni needed her grandson in order to survive. She had lost everything: her family, her social status, and probably her friends… she was only left with debts and a grandchild.
“Teddy bears 🧸 are loved around the world regardless of age or gender. Many associate them with comfort, security, affection, and security because of their warm and cuddly appearance. Studies have confirmed that teddy bears positively affect people, which is why they have been used to help alleviate distress and anxiety in people during crises. Quoted from https://symbolismandmetaphor.com/symbolism-of-teddy-bears/
Thanks to Kim Dan’s presence, she didn’t get depressed or even suicidal. She found a goal in life: she needed to protect him at all cost. At the same time, the boy would comfort her, give her warmth and a sense of safety. Under this new light, it becomes understandable why the grandmother made sure to isolate Kim Dan. A Teddy Bear is treated like a treasure, hence it can not be shared to others. And we would have the explanation why she pushes her grandson to remain a little boy, a Teddy bear.
2. Where is Kim Dan’s Teddy bear? 🧸
But this doesn’t end here. When the woman returned to the house with the sweet bread 
(chapter 11), the pure boy was waiting for her in bed, and more precisely under the cover. That’s the reason why you can detect the presence of the bed cover. (chapter 11) Thus it reminded me of the following situation which is reflected in the lullaby I used to sing to my own children:
“Viens mon petit ours” from Jean-Jacques Margueritat (1979) / Come my little bear in my arms
Viens mon petit ours dans mes bras / Come my little bear in my arms
La nuit est tombée, et j’ai un peu froid / The night has fallen, and I’m a little cold
Une perle vient de couler sur ma joue / A pearl has just run down my cheek
Tu vas l’essuyer de ton pelage doux. / You will wipe it with your soft fur.
Quand demain matin, le soleil / When tomorrow morning, the sun
Me dira: “Debout, la vie est merveille” / Will tell me: “Get up, life is wonderful”.
Toi, tu resteras assis dessus mon lit / You, you will remain sitting on my bed
Tu es le gardien des ombres de la nuit. / You are the guardian of the shadows of the night.
A Teddy Bear is often left on the bed, because parents encourage the infant to become more independent during the day. And when the child returns home, he takes it to bed and sleeps with it. Nonetheless, the child often tries to take the Teddy Bear with him, especially when he goes to unknown places in order to feel safe and reassured. 
(chapter 5) Note that the main lead is mentioning his grandmother’s pain. This divulges that back then, he had sensed her agony. Deep down, he knew that she needed his presence, support and affection. (chapter 11) While Kim Dan looks so cute here, in reality, this scene exposes his loneliness. He had no Teddy Bear by his side which would comfort him, give him a sense of security… Why? It is because the halmoni was his “Teddy Bear” too! That’s the reason why there is no Teddy Bear in the bed! (chapter 11) This explicates his joy, when she returned. From my point of view, these two people must have shared the same bed. Thus they could give each other comfort, protection and a sense of belonging. And I have an evidence for this interpretation. Remember what the drunken physical therapist did in his bedroom. He imagined that his grandmother had returned home
(chapter 10), thus he grabbed the champion’s leg, the moment he sensed that the shadow would leave him alone! 
(chapter 10) As you can see, Kim Dan was holding his leg like a Teddy Bear. Besides, the physical therapist had complained about loneliness before. He was missing “his Teddy Bear”, his halmoni. 
(chapter 10) Finally, observe that Kim Dan asked Joo Jaekyung to take him. It was, as if he desired to share the bed with the sportsman. Hence you comprehend why the celebrity had to bring the drunken doctor to his penthouse. How could he remain by his side in such a desolate home? He had listened to his plea: he wouldn’t be left alone! When the young man woke up, he was indeed not alone. The champion had even observed his reactions before approaching him. 
(chapter 10) It was, as if the champion had acted like a Teddy Bear watching over his “owner”. Under this new perspective, it becomes comprehensible why Kim Dan is so devoted to his grandmother, and even would risk his life for her. (chapter 16) He knows that he is her source of joy, her “protector” and pillar. He is her guardian of the shadows of the night. However, since he is just a human, he can not stop her death. 
(chapter 5) This explicates why he didn’t return to her side after hearing the last diagnosis from the doctor. His role is to console and protect her, hence she is not allowed to be confronted with cruel reality. Kim Dan can not let her know his worries and pain, for the role of the Teddy Bear is to “wipe the tear‘s owner with the soft fur”.
And now, you are probably wondering how I could come up with such an interpretation, for the Teddy Bear only appears in just one scene.
3. Kim Dan’s sleeping habits
Actually, everything started with the doctor‘s sleeping position. 
(Chapter 05) (chapter 04) 
(chapter 04) Kim Dan would wrap himself in a cover and even bury his head under the cover. This caught my notice, as sleeping position exposes people‘s personality. The cocoon position displays Kim Dan’s need for protection.
“A person who suffers from anxiety will usually wear layers of clothes to feel safe – and it’s no different when we sleep. If a person likes to be totally covered by their bedding, it identifies a need for protection. When we feel sensitive to criticism, we wrap ourselves up in layers but you can now buy weighted blankets that have been proven to help with anxiety.“ Quoted from https://www.mirror.co.uk/news/health/what-your-sleeping-position-says-21554521
But why would he sleep like that? It is because he lost his Teddy Bear, the grandmother! He is now alone in his bed. Hence he feels no longer protected. The cover became his shield, a habit he took from his childhood, when the halmoni was outdoors. That‘s the reason why the little boy had the cover on his back. (Chapter 11) At the same time, I believe that by covering his face with the cover, the young man is trying to avoid reality. That way, he won’t notice the changes in the house: the roof is leaking for example.
(chapter 10) In other words, Kim Dan didn’t desire to face reality. This explains why he thinks of the past so fondly. (chapter 10) However, observe that by interacting with Joo Jaekyung, Kim Dan’s sleeping position changed. He was sleeping on his back. 
(chapter 10) 
(chapter 13) I would like to outline that at no moment, the wounded main lead switched his sleeping position. But what does this observation indicate?
“On your back: When a person sleeps like this, they are often out for the count for a long time. Deep sleepers tend to be confident and need nothing more than a good rest to recharge their batteries.” Quoted from https://www.mirror.co.uk/news/health/what-your-sleeping-position-says-21554521
This statement corresponds to Kim Dan’s sleep. He slept there for a long time, he was able to rest properly. At the same time, it also exposes that the young man is feeling safe at Joo Jaekyung’s. He doesn’t need the cover to protect himself contrary to their first night. In addition, it implies that the young boy is confronted with reality: his home is so damaged, how can he still live there? Thus there was this argument with the sportsman. 
(Chapter 10) Striking is that when he heard the words from the protagonist, the author selected this image: Kim Dan was covering his head!! This is not random, it implies that the young man was not facing „reality“.
But let’s return our attention to the physical therapist’s new sleeping position. (Chapter 13) Notice that the physical therapist was not only sleeping on his back, he was also propped up due to the pillows:
“This person may have an ailment or injury and need to be supported in bed to sleep. But where else in their life do they need extra support? If they choose to sleep like this and are in good health, they may be saying unconsciously they want more out of life and feel unsatisfied.” Quoted from https://www.mirror.co.uk/news/health/what-your-sleeping-position-says-21554521
In chapter 13, the young physical therapist was indeed injured. However, what caught my attention is that it is the same sleeping position than Joo Jaekyung. (chapter 04) He sleeps on his back, definitely uses the “pillows” to be propped up. This exposes that the athlete is not satisfied in his life. Therefore he believes to be jinxed.
To conclude, Kim Dan started sleeping like a cocoon the moment he got separated from his grandmother. Because she was his Teddy Bear, I deduce that in reality Kim Dan’s original sleeping position was cuddling.
“Cuddling: This sleep position is all about maintaining as much contact as possible so this person needs reassurance. Do they have a need to be comforted in everyday life too? If the cuddler sleeps alone, you will find them snuggling up to a pillow or teddy bear as a substitute.” Quoted from https://www.mirror.co.uk/news/health/what-your-sleeping-position-says-21554521
The moment his grandmother had to sleep at the hospital, Kim Dan was simply too old to sleep with a Teddy Bear. Besides, I doubt that he realized it, for a sleeping position is influenced by the unconscious. And this observation leads me to the following conclusion: Joo Jaekyung is destined to become the doctor’s Teddy Bear! Moreover, it is the same for Joo Jaekyung. Thanks to Kim Dan, the champion is slowly rediscovering his “inner child” and as such “his innocence”. To sum up, both will choose to cuddle each other. Mingwa already exposed Joo Jaekyung’s desire to embrace the doctor and this right from the start: 
(chapter 4) I doubt that he treated the previous uke the same way. The fighter will give the doctor a sense of belonging, protection and compassion, just like the doctor will have the same function for the athlete. The latter will no longer feel alone, because despite his money, Joo Jaekyung has no one by his side in such a huge flat. 
(chapter 6)
4. Joo Jaekyung as Teddy Bear
We have different scenes, where the manhwalovers can view the fighter as a huge Teddy bear, like in this scene: 
(chapter 10) Joo Jaekyung was quite gentle here. He never employed his real strength to get rid of the doctor, for he didn’t send the doctor away through the window like Heo. 
(chapter 17)
Besides, it is important to recall that the Teddy bear was inspired by the animal: the Bear! And this animal is huge
(chapter 1), and can be even dangerous, especially due to his huge paws. His punches are deadly, for the animal can be ruthless. 
(chapter 15) On the other hand, despite his enormous force, it thrives on fruit and honey. This indicates that this animal likes sweetness. And what does the word “Dan” mean in Korean? “Sweet”!! Exactly like our physical therapist. This explicates why Joo Jaekyung is getting more and more obsessed with the doctor, and the kiss can only reinforce his possessiveness: he has already tasted the sweetness from Kim Dan‘s lips. 
(Chapter 15) This panel displays how much the fighter enjoyed their kiss.
Moreover, the bear embodies strength, protection, courage, ferocity, nobility, patience, playfulness, curiosity and cuddliness. And for me, the athlete embodies these notions.
Ferocity: (chapter 15)
Courage: He saved the doctor from the loan shark and his minions. By paying the debts, he ensured that these men would no longer torment the main lead, 
(Chapter 17), though his intervention has not solved everything.
Patience: Despite his words, Joo Jaekyung still went to the doctor’s house indicating his patience. 
(chapter 17)
Playfulness and curiosity: With the doctor, he tried new things, not just the toy 
(chapter 12), but also the kiss: 
(chapter 15) He remembered his hyung’s advice: 
(chapter 13)
And because the athlete is such a huge bear, it is normal that he is quite rough: 
(chapter 17) However, when he carried his sex partner like that, he made sure to protect him from “cruel reality”. He covered his face with the hoody. Consequently, I conclude that Kim Dan has already tamed a huge bear, hence his fists are so powerful. He lives isolated in his penthouse, but deep down he is longing for companionship.
Under this new approach, the manhwalovers can comprehend why I selected such a title „The missing Teddy bear“. I was referring not only to the main couple, but also to the grandmother. Little by little, Joo Jaekyung is taking over the grandmother‘s position. Then what about the halmoni? In my eyes, it is the champion’s role to replace Kim Dan as well. The champion could become her „support and protection“ so that she doesn’t need to worry about her grandson. Let’s not forget that the young doctor was plagued with many problems which he hid from his grandmother. The athlete with his wealth and influence has the necessary strength and means to help the grandmother and her treasured Teddy bear. Naturally, don’t expect that the grandmother and the athlete will have a good relationship right from the start. This will change gradually. That way, the fighter allows Kim Dan and his halmoni to move on from the past and face reality together.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Painter Of The Night: Uncatchable 👻 ghosts 👻👻 in town 🌆
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night
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1. The man with the purple hanbok
When manhwaphiles saw the man with the purple hanbok 
(chapter 106) strolling through town, they jumped to the conclusion that this must be lord Song! They remembered the recollection from Lee Jihwa. 
(Chapter 83) However, since I have been examining Painter Of The Night so closely, I learned to pay attention to details. Consequently, I recognized very quickly that Yoon Seungho was not chasing one ghost, but he was running after 3 different people 
(chapter 106) impersonating „lord Song“ 
(chapter 106) If you look very attentively at the hanboks, you will realize the slight differences. First, the shade of the cloth diverges, then one cloth has a pattern, the other hanbok none. The form of the gat is also a little different, just like the color of the hair diverges. Besides, the readers should keep in their mind that in season 3, we had at least 3 bodies, though I am suspecting 4 corpses: 
(chapter 94) 
(chapter 97) 
(chapter 97) and 
(chapter 101) Thus I come to the following conclusion that these 3 persons wearing the purple hanbok are not the “real lord Song”, the one who tormented the protagonist. In my eyes, he was watching the protagonist from the tower! 
(chapter 106) Let’s not forget that each scene is reflected in each season! And in episode 37, we had this memory from the fake servant: 
(chapter 37) The empty street was the indication that the monarch was present in the city. And now pay attention to the situation in episode 105: 
(chapter 105) Why is the street empty, when it was not the case during the night in episode 69? 
(chapter 69) For me, the pedophile was in the kisaeng house. But let’s return our attention to episode 37. (chapter 37) The view was divulging that the person was watching the town from above… so it had to be from the gate. Such a scene should be repeated, as the story is going in circle. Besides, note that the lord is also wearing a purple hanbok with a design. This means that he can be recognized very easily and this from afar! 
(chapter 106) To sum up, for me, the 4th “lord Song” was present in this scene, but the protagonist couldn’t detect his presence, for the other “shadows” were there to divert his attention.
2. The purpose of lord Song’s ghosts
But what was the purpose to use these „ghosts“ embodying lord Song? For me, they served two purposes. Since the painter had refused to be separated from his lover, they had to create a subterfuge, to create the illusion that Yoon Seungho was abandoning Baek Na-Kyum. In other words, they wanted the painter to witness how the main lead would break his own promise. 
(Chapter 106) As you can see, they used a prank to wound the artist. Their goal was to incite the painter to return to the kisaeng house. He should cut ties with the main lead, as the latter is a man with a fickle nature. Yes, episode 106 was the negative version of chapter 75. 
(chapter 75) That’s the reason why the couple was sent to the same inn. However, I don’t think that they had expected the painter’s fainting. 
(chapter 106) For me, this is a blessing in disguise.
3. The helping hands in the trick
But how could they plan such a „joke“ so quickly, for the painter was supposed to stay in the gibang? Here, it is important that the manhwalovers remember what the lord did before eating with his companion. He stopped at the tailor’s shop!! 
(Chapter 106) The latter had to be informed not to send the new clothes to the kisaeng house, but to his own mansion. That’s the reason why Baek Na-Kyum asked this question to the butler. 
(chapter 106) That’s how the schemer and his accomplices knew for sure that their original plan had not worked out. And if you read my previous analyses, you are aware that I had discovered the existence of two tailors!! (chapter 106) Observe how the tailor in the background is wearing his scarf. It is the same way than Yoon Seungho‘s! But now take a closer look at the tailor from episode 45
(chapter 45) and 74
(chapter 74) This tailor is wearing the scarf the same way than the artist‘s. Finally, in episode 64, the manhwalovers could see the face of the second tailor. : 
(chapter 64) In the past, I had already outlined the divergences in the body shape and the clothes, but the most visible evidence is the scarf!! Finally, I would like my avid readers to detect that the tailor from chapter 64 has been calling the main lead master Yoon, and not lord Yoon Seungho. This shows that this man is involved not only in the recent prank, but also in the main lead‘s suffering. He is not recognizing Yoon Seungho as a real lord. The usage of different hanboks is the proof that the tailor is an accomplice in the latest trick. But this also explicates why the tricksters had not planned the artist’s fainting. First, he had been able to run after his lover. 
(chapter 105) Besides, this is how Baek Na-Kyum acted, when he saw his lord looking at him: 
(chapter 106) The fake smile from Baek Na-Kyum was hiding his true condition, he was still suffering from PTSD. Nonetheless, for the tailor and the other witnesses, it looked like the artist was strong. Nonetheless, since the main lead had learned in the past to fake his smile, he could detect that his lover was far from feeling well. 
(chapter 106) But there is another reason why they had not predicted such an outcome: the doctor!! They had to ensure that the lord’s path never crosses the physician’s! That’s the reason why the manhwaphiles never saw him in episode 106. He was like a ghost. But there is more to it.
What caught my attention is the couple was first encouraged to eat before meeting the physician. Here, it is implied that they are not at the medicine store. 
(chapter 106) Yet, in the Spanish version, the butler informs them that it’s soon their turn. This means that they are next to the medicine store. But let’s return to our main observation. Why was the couple pushed to „eat“? For the painter had wounded his hand, the first priority would have been to ask for an immediate treatment. Since the valet mentioned that it was about time to go to the medicine story, the manhwalovers should wonder why it was time. Thanks to the Spanish version, we know that according to the valet, the doctor had been treating other people before indicating that lord Yoon could not receive special treatment.
Secondly, Byeonduck drew such a panel where you could see the kitchen outdoors: (chapter 106) As you already know, each picture contains important information. Why did the artist create such an image? That’s how the mortar and the grinder caught my attention. I had seen these tools before. 
(chapter 57) Yes in the kitchen of the physician! Then in a different image, you can the kitchen with the stool and the circle with the shamanism drawing right behind the lord’s back. 
(chapter 106) We assumed that the couple was eating in an inn, but it is true? Finally, in the shelves, the manhwalovers can see small packages hanging around, 
(chapter 106), they look exactly like the medicine Kim fetched in episode 55. 
(chapter 55) Because of these parallels, I started wondering if the couple and the readers had not been fooled in the end. They were actually sitting in the medicine store, but due to the butler’s words and episode 75, the manhwalovers had the impression that the couple was in an inn. And the Spanish version seems to confirm my suspicion. I had already outlined that the furniture and shelves in the library had been switched. So it could be the same with the doctor’s office. Besides, the form of the building reminded me a lot of the house from the physician’s. 
(chapter 106) 
(chapter 74) Once you remove the cupboard from the side, you have a patio where you can eat. Under this new light, it explains why Yoon Seungho would say this to the butler: 
(chapter 106) It is because they were already there! And this would explain why the painter went to the restroom! 
(chapter 106) This coincides to the night of the abduction executed by No-Name! 
(chapter 59) To conclude, there was another ghost in episode 106, the invisible doctor. No matter what, the couple was not supposed to see the physician. Why? It is because he would have noticed the existence of two different doctors. That’s the reason why Kim acted as a mediator! 
(chapter 106) This was not to help his master and the painter at all. Quite the opposite. He had to cover up his own wrongdoings and help the schemer. Therefore it is not surprising that the valet was confronted with the artist’s fainting! 
(chapter 106) The latter had played a mean prank on Baek Na-Kyum!! Yes, you are reading it correctly. Now, you are wondering when the valet fooled the pure painter. Observe that Kim had joined his master (chapter 106), while the latter was waiting for his lover. He was standing next to him. (chapter 106) But look where he was standing, when Baek Na-Kyum saw him: 
(chapter 106) He had barely moved… maybe run for 4 meters! How could he be out of breath? Besides, why would he scream like that, when the lord was standing next to him? 
(chapter 106) It is because he needed Baek Na-Kyum to hear his lover’s departure!! Because we see this panel, we assume that the valet was left in the dark, especially after witnessing such a scene. 
(chapter 106) Our brain is trying to fill the blanks. But the moment you realize that Kim didn’t run such a long distance to be out of breath, you will realize that this “abandonment” was staged. This was the reflection of chapter 85, another fake run! (chapter 85)
In episode 106, Yoon Seungho just had to ask Kim to wait for him there with Baek Na-Kyum, similar to this scene! 
(chapter 86) Thus the butler got punished for his acting. He has now to take care of an unconscious painter. (chapter 106) And now, Kim is put in front of a choice. What should he do with the fragile artist? In my eyes, no matter what he chooses, he will get into trouble. Why? If he brings him to the doctor, the young noble will question the identity of the physician. Why is he not the same doctor than in the past? If he decides to bring him to the gibang, the lord will never believe that this was the artist’s choice. Besides, according to me, the noble asked his servant to wait for him there. Finally, if he brings him to the mansion, the lord will question his choice, for the artist needed the presence of a doctor. So the moment Yoon Seungho returns to the place where he left the butler and the painter, he could get scared, for they are no longer there. Thus the main lead could jump to the conclusion that his companion has been “kidnapped” again, especially after seeing the purple man circulating around them and hearing such grapevines. (chapter 106) Besides, I have another evidence that the painter got fooled by the valet. According to my observation, there is always a reflection within the same episode. Since the lord got fooled and was incited to follow the man with the purple hanbok, the artist had to experience the same. However, while the one got scared out of abandonment issues, the other got worried because of “lord Song”‘s obsession! Besides, because neither the butler nor the physician got punished for their crimes (passivity, silence, lies and disobedience), both need to receive their “punishment”. Let’s not forget what Yoon Seungho had said to the artist back then: 
(chapter 58) Kim had usurped his authority, he had made a decision without his master’s permission.
Moreover, I would like to outline that the place where the artist fainted is actually very close to the place when Jung In-Hun had dragged him.
(chapter 24) The gate serves as the indication. 
(chapter 24) And in that episode, the artist got dragged twice. 
(chapter 24) First, it was the scholar, then the butler. However, in that scene, the butler had lied to the artist, for the noble had never requested to meet the artist in the pavilion. From my point of view, he was still hunting in the woods. As you can see, episode 24 contained all the elements of an abduction, though it was not perceptible. That’s the reason why I am suspecting that Yoon Seungho might think that his lover has been kidnapped again, especially after hearing such horrible gossips. Nonetheless, since the painter fainted, the valet will be forced to take care of Baek Na-Kyum. In addition, observe that the butler brought back the unconscious painter to the mansion, though the doctor was right next to them! This shows that Kim and the physician had not the artist‘s best interests in heart. He should have been treated right away.
4. The purple hanbok
But why did they utilize a purple hanbok in order to attract Yoon Seungho‘s attention? We have to envision that this mean prank is the negative version of the incident in chapter 76!! 
(Chapter 76) Coincidence versus trick! They wished to scare Yoon Seungho, to let him think that „lord Song“ knew about his crime and was about to denunciate him. Yes, in my eyes, the man with the purple hanbok embodies treason and was the reason why Yoon Seungho got arrested and tortured in the past!! Under this new light, it becomes comprehensible why the lord would get so mad at his childhood friend. 
(Chapter 59) But the moment Yoon Seungho’s mother killed herself, it became clear that her son had been unfairly arrested and tormented. So someone had to take the fall for the injustice, the real lord Song. 
the (chapter 82) Nonetheless, there is no ambiguity that in reality the one behind the denunciation was father Lee. But the purple hanbok is connected not only to the arrest and torture, but also to the sexual abuse. Thus the painter had such a memory in the gibang: (chapter 1) The latter is the witness of Yoon Seungho’s sexual abuse. And what did the women say in the street? (chapter 106) The nobles would lust after men and women. Thus I am suspecting that Yoon Seungho won’t act like the schemers had planned. He will get the impression that the nobles might be still lusting after his lover, and the man with the purple hanbok is behind this. Yoon Seungho could remember Min’s words (chapter 102), Lee Jihwa was behind the scheme… and what had Lee Jihwa done in the past? He had sent a letter in his name. 
(chapter 59) Back then, Yoon Seungho assumed that his childhood friend knew nothing… but now, he is seeing the ghost lord Song circulating in town. So he could jump to the conclusion that the Lees have been helping lord Song. Finally, the manhwaworms will certainly recall the red-haired master’s confession, he knew everything!!. 
(chapter 57)
In my eyes, the women were spreading rumors on purpose!! They could recognize the main lead with his hanbok. 
(chapter 106) And this scene is a reflection of episode 64, where the two women were ignorant about the incident of the previous night. 
(chapter 64) Once again, this proves that the tailor is involved in the scheme.
The person behind this hoped to scare the noble, believing that Yoon Seungho was a superstitious man. Why? It is because he has the poem composed by Yoon Seungho. 
(chapter 106) The Spring Poem is actually reflected in this scenery: (chapter 106) This explicates why there is the refraction. During that day, both main leads are making important discoveries which indicates their relationship will only get reinforced.
When the lord wrote the poem in episode 92, what did the readers see there? A man in the shadow observing the couple, but the main lead had not detected his presence! (chapter 92) Yet this doesn’t end here. Episode 92 (chapter 92) is the positive reflection of episode 106: (chapter 106) This is no coincidence that there is the tower and gate in the background. From my point of view, the schemers are trying to manipulate the lord through rumors. But the puppet master is overlooking one important aspect, the gossips can be interpreted very differently. Besides, while the woman pointed out the existence of a manhunt against nobles (chapter 106), she contradicted her statement right after. 
(chapter 106) If nobles were involved in this, why did they kill the son of lord Shin? Besides, let’s not forget that Yoon Seungho never ordered the fire in the shrine and he never killed lord Shin! This means that he is innocent. That’s the reason why I come to the conclusion that contrary to their expectation, the lord won’t decide to leave the painter behind because of the imminent misfortune! From my point of view, Yoon Seungho could ask his lover to paint a lucky charm on their house, the tiger! (chapter 105) That way, the artist would feel that his master needs his help and talent. Moreover, I have the feeling that the main lead will go to the authorities and ask for their assistance. (chapter 101) Why did the shaman’s house get burned? How come that the son of lord Shin got killed? But we know for sure that the murderer had staged his death, he died because of a tiger. 
(chapter 103) Why are such rumors circulating in town and who are the witnesses? (chapter 106) Moreover, it is not random that the woman gossiping is similarly dressed than the maid in the kitchen. 
(chapter 103) As you can see, the schemers are no longer able to control Yoon Seungho and his lover, for both are supported by the gods. Chance stands on their side!
And this prediction leads me to the following observation. In town, there exists another ghost, the captain of the guards and his officers! 
(chapter 100) (chapter 101) 
(chapter 104) Though there is a manhunt, where is he? (chapter 106) As you can see, his absence is contradicting their statement. On the other hand, Yoon Seungho heard from the women this. 
(chapter 106) (chapter 106) So he could ask about the identity of the culprits and the witnesses, the new version of this scene. 
(chapter 98) To conclude, while the schemers thought that due to his crime, Yoon Seungho would lie low and cut ties with his lover, due to their meddling, they achieved the opposite. The lord will request an investigation… something he has never done before. He could even denunciate Lee Jihwa 
(chapter 67), that way he can escape punishment. This means that Black Heart’s last confession (and lie) could help the lord to protect himself and his lover. Finally, if Yoon Seungho were to mention the purple hanbok to his lover, the latter’s memory could get triggered and he could remember this night: (chapter 01) To conclude, the mysterious man with the purple hanbok is bringing the couple closer than before, whereas he hoped to achieve the opposite.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
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