Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa: POTN But be aware that this Manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays about Painter Of The Night, here is the link to the table of contents.
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
1. Heaven and life
When many readers heard Yoon Seungho‘s statement 
(chapter 119), they got worried and nervous, as they considered the expression „as long as I live“ as a clue for a sad ending. Why? It is because the lord was referring to his own death. Under this light, it becomes comprehensible why I selected „heavenly“ in the title. I was naturally alluding to the afterlife. However, I perceived his words in a positive light. He expressed his desire to live. He is no longer suicidal, he wishes to live a long life next to the painter and treasure his moments with him. That’s the reason why the author included the refraction in the scene. A dream had come true, the lord was finally able to escape the darkness. 
(Chapter 119) He is now truly alive. This explicates either why he smiled and laughed at the end. But why was he so happy? It is because Baek Na-Kyum had just confessed that he loved him not for his wealth or power, but for himself. 
(Chapter 119) He even described him as a treasure. Yoon Seungho had finally achieved his goal: to win the painter’s heart. His presence and love bring happiness to Baek Na-Kyum which stands in opposition to his reputation as bird of misfortune. Moreover, this description contrasts so much to Jung In-Hun 
(Chapter 119) and Yoon Seungwon’s. 
(Chapter 118) where both portrayed the main lead as a man consumed by lust and revenge. In other words, he was presented as a huge sinner. This implies that he stands so far away from heaven. But all these words were erased the moment the painter confessed his love for Yoon Seungho once again. What Baek Na-Kyum didn’t realize is that his love confession is pushing the protagonist to fight for the painter. (Chapter 119) If something were to happen to him, the low-born would be heartbroken and miserable. Baek Na-Kyum is his reason to live. Thus I consider this scene as the positive reflection from that terrible night: 
(chapter 102) In episode 102, he was renouncing on everything (life, mansion, wealth and connection), because he imagined that the artist had died. Consequently, I deduce that in episode 119, the painter’s life is attached to the lord’s for good. If the artist got into trouble, Yoon Seungho would side with him and the reverse. Thereby, I come to the conclusion that this moment in the kitchen represents their union, as they are no longer tied to the mansion. They are now a family no matter where they are. Let’s not forget that the painter expressed his wish to run away with his lover. 
(Chapter 119) It is important, because such a departure symbolizes that the bird “Yoon Seungho” is leaving the nest. He is now starting a family on his own.
2. Food, offerings and faith
Striking is that heavenly can be employed in a different context food. Let’s not forget that food is often served as offering to gods and spirits. Interesting is that in Asian societies, it is a tradition to offer the favorite dishes on the anniversary of the relatives’ death. As you can imagine, this custom was already practiced in Joseon. And now, take a closer look at this scene.
Yoon Chang-Hyeon was honoring his ancestors by bowing in front of the shrine. But what caught my attention is that in such an occasion, he should have brought food and his sons to such a ceremony. However, he just had lit incense 
(chapter 85) and put a glass and that was it. This exposes the father’s hypocrisy, ignorance and greed. By acting on his own, he was exposing his true mindset. He views himself as the family. The sons are just the extension of himself, for they are his reflections.
Narcissists need a scapegoat to preserve their self-image, avoid taking responsibility for their actions, and to feel emotionally stable. Quoted from https://unfilteredd.net/why-do-narcissists-need-a-scapegoat/
As a narcissist, the father projects all his flaws onto Yoon Seungho, hence he is his scapegoat. 
(Chapter 45) On the other hand, Yoon Seungwon is his golden child, for he represents his positive reflection.
A “golden child” is one who is considered “special” by their family and chosen as a proxy for a parent’s own achievements and magnificence. Unfortunately, the child must live up to perhaps unattainable levels of accomplishment and perfection. Being the golden child does not necessarily represent a positive familial position, and narcissistic parents frequently place this identity on one of their children. Quoted from https://www.choosingtherapy.com/golden-child-syndrome/
This explicates why in the bedchamber, the patriarch called his son a monster
(chapter 86), whereas he put the other on a pedestal
(chapter 86). Thus I created this illustration.
Under this new light, it becomes comprehensible why the father could only reject the offer from lord Song in the gibang. Doubting Yoon Seungwon’s sexuality meant to question about the father’s sexual orientation. At the same time, it is not surprising why the elder master would blame Yoon Seungho for everything, for he couldn’t admit his responsibility for the purge. Consequently, the Manhwaphiles can grasp why Yoon Chang-Hyeon came alone to the shrine. If he had brought Yoon Seungwon, the father would have been reminded of the elder son, as both can not be separated. This explicates why the younger master asked his elder brother to submit to his father.
(Chapter 119) I couldn’t help myself smirking when the brother attempted to make him believe that.
(Chapter 119) the protagonist could ever gain the father’s favor. Yoon Seungwon was definitely playing with his brother’s feelings, as if he could hope that their father would change.
At the same time, his position as golden child explicates why the younger brother resents the father and betrayed him: 
(Chapter 118) It is because as a golden child, he is also suffering, but it is naturally nothing compared to Yoon Seungho’s position who could have died. 
(Chapter 77)
Parents with NPD often shape one of their children into the golden child role. The golden child becomes an extension of that parent, and the child’s role is to please that parent. Narcissistic parents are unable to appreciate the golden child’s unique identity, and attempt to control their child’s interests and activities in ways that would reflect positively on them. They live vicariously through their golden child and they feed on their child’s successes, which serve as the parents’ narcissistic supply. Quoted from https://www.choosingtherapy.com/golden-child-syndrome/
Interesting is that psychologists said that it was easier for a scapegoat child to escape from this nightmare, as they can cut off ties more easily than the golden child who got used to special treatment. Moreover, the flaws from the patriarch rubbed off on Yoon Seungwon which often happens in such a toxic family. This signifies that for Yoon Seungwon, it is difficult to maintain good and healthy relationships in the end too. And now, you comprehend why the younger master made such a request to his brother. He needs him for two reasons. 
(Chapter 119) First, by returning the petition to the father, Yoon Seungho would become the culprit. He was not only a traitor, but also a blackmailer of the Yoons and lord Song.
(Chapter 107), for he had stolen the petition. Yoon Seungwon would hide his wrongdoing, he betrayed their father. 
(Chapter 118) There is no doubt that Kim played a role in this as well. In other words, the brother and the valet would bury the truth by diverting the attention of the patriarch towards the main lead, if Yoon Seungho followed this suggestion. 
(Chapter 116) The elder master would no longer seek the truth, similar to the kidnapping in season 2 which was turned into a desertion and later Lee Jihwa’s abduction occulting the instigator and the helping hands. Simultaneously, Yoon Seungwon needs his brother as scapegoat, because the pressure coming from the patriarch and lord Song must have definitely increased. (Chapter 119) How ironic that Yoon Seungwon employed the expression “care to live”. Back then, the protagonist was just surviving, he had already developed suicidal tendencies, when this incident took place. 
(Chapter 83) This shows that the young master wants to sacrifice his brother once again. Out of selfishness and cowardice, he is trying to convince Yoon Seungho that this is the right thing to do! (Chapter 119) This is a new version of this scene! 
(Chapter 37) He is even implying that he needs to sacrifice himself in order to protect Baek Na-Kyum!! Moreover, he is distorting the reality, because he implies that his father is still powerful. (Chapter 119) However, the purge took definitely place, 
(chapter 37) like the memories from episode 37 are exposing it. It becomes clear that if Yoon Seungho returned the petition, he would die. 
(Chapter 116) Thus I come to the conclusion that the meeting between the brothers in the gibang represents an offering. For the Yoons’ sake, Yoon Seungho should admit his wrongdoings (Chapter 119) and beg for forgiveness. Thus I interpret the scene in the kitchen hearth as true hope (chapter 119) while the table with many dishes in the gibang stands for fake hope and offering. (Chapter 118) It was, as though Yoon Seungwon was giving his brother his last meal before his sacrifice. This situation exposes that in the past, the main lead had been put in a similar situation, covering up for the brother’s mistake. 
(Chapter 55) People had played with his hopes and longing for acceptance and recognition. Interesting is that offerings is a synonym for atonement and sacrifice. But why is Yoon Seungwon so sure that he can repeat the same action from the past? It is because Kim and Yoon Seungwon have known for a long time that Yoon Seungho was longing for acceptance and love from his family, just like the scholar knew about the painter’s love for him. 
(Chapter 119) But everything changed, when the painter met the lord. So who is worse here? Jung In-Hun who tried to rape the painter or Yoon Seungwon who is sentencing his elder brother to death? Let’s say that the valet convinced the younger master to suggest this solution, this doesn’t diminish Seungwon’s responsibility at all. He knows that his father abused his elder brother. In my opinion, he is copying his father, like the former tried to diminish the responsibility of the patriarch. 
(Chapter 119) Yoon Seungho got hurt because of lord Song and not because of Yoon Chang-Hyeon. This means that the younger master was denying the existence of the patriarch’s choice and the helping hands. And if the brother listened to his advise and the father hurt or killed the main lead afterwards, the younger master could put the blame on the elder master, for the decision and responsibility belonged to the patriarch. Moreover, he heard from lord Song that killing Yoon Seungho was just a matter of time. (Chapter 116) Fact is that the younger master is betraying his brother once again.
Yet, the former is making two huge mistakes. He is considering the painter as a servant (chapter 119), therefore he believes that the artist is tied to the mansion. Secondly, I am quite certain that his perception about the artist is influenced by Kim. This signifies that the latter is also projecting his own thoughts onto the painter, for he is himself a narcissist. The latter is interested in wealth and comfort. If he came to lose everything, he would abandon Yoon Seungho, that’s what Kim is envisaging. Thus if Yoon Seungho were to submit himself to the father, Baek Na-Kyum would lose everything. Besides, I am even thinking that Jung In-Hun’s approach in the gibang is also related to the brother and the butler. All of them had an interest to separate the couple! And note that when the lord went to the noonas’ room, it looked like the painter had deserted him. 
(Chapter 119) So technically, this situation could have triggered the protagonist’s insecurities like in season 1 
(chapter 28), 2
(chapter 60) and 3 
(chapter 98). However, through these constant exposures, Yoon Seungho came to learn not to jump to conclusions and to have faith in Baek Na-Kyum. He knew that he would return to the mansion. Hence he ran to the bedchamber first. 
(Chapter 119) Another important detail is that we don’t see any staff in the courtyard or in the kitchen. It was, as if the propriety had been deserted. 
(Chapter 119) This implies that at no moment, he relied on the domestics’ testimonies which contrasts to the following scenes: (chapter 98) 
(chapter 104) 
(chapter 107) and 
(chapter 116) However, observe that in episode 116, Yoon Seungho had witnessed how his lover had taken care of him, while he was unconscious. Furthermore, the petition had been handed over to the painter and not Kim, a sign that the artist had become the protagonist‘s confident. As you can see, as time passed on, the main protagonist learned the following lessons: he should stop relying on servants, he should only trust his partner. I would even add that he was taught the following principle: “If you want something done right, you have to do it yourself”. In my eyes, (chapter 119) the scene in the kitchen is exposing the betrayal from the staff, that’s the reason why we see no one! They were either expecting their lord’s return and imagined that he would be upset or even violent! At the same time, by not meeting the artist, the servants could feign ignorance about the lover’s whereabouts and claim their innocence. The proof is that this scene (chapter 119) is the positive reflection from that night: 
(Chapter 103) Here, they never expected the return of Yoon Seungho and the painter. The staff ‘s absence in episode 119 is the evidence of their desertion! Moreover, I consider Yoon Seungho’s search for his lover as a new version from episode 28/29/30: 
(chapter 28) Back then, they feigned ignorance, but they never anticipated a punishment from Yoon Seungho.
And this leads me to the following observation: Baek Na-Kyum’s action in the kitchen reminded me of an offering! (Chapter 119) Why? It is because he burned a paper. The evidence for this is the presence of the painter’s belongings. This is the place where he used to hide the scholar’s poem (chapter 4). Moreover, the painter is standing in front of the hearth which certainly triggered the manhwaphiles’s memory. Jung In-Hun was seen in front of the hearth burning the letter from Min in order to hide his involvement in the painter’s sexual abuse. 
(chapter 115) And now you are wondering how the painter’s gesture can be considered as an offering. It is because the kitchen hearth is considered as sacred due to the fire. First, in shamanism, there exists the god of fire named Jowangshin.
The origin of Jowangshin is the fire of the home. But their realm also extends to the area that uses fire and water harmoniously. It is good etiquette to brig a set of matches when you move to a new house. One can enshrine the house god with an onggi of water placed on/above the stove or utilizing sacred mulberry paper put up on the wall in the kitchen. (…) Jowangshin is the emissary of heaven and will ascend to report the wrongdoings of the home’s inhabitants to Hwanin, God of Heaven. https://www.firelightlotus.com/post/jowangshin-god-of-the-kitchen
In China, people had a similar belief.
Zao Shen, Wade-Giles romanization Tsao Shen, in Chinese religion, the Kitchen God (literally, “god of the hearth”), who is believed to report to the celestial gods on family conduct and to have it within his power to bestow poverty or riches on individual families. Because he is also a protector of the home from evil spirits, his periodic absences are thought to make the house especially vulnerable to becoming haunted at such times. Zao Shen’s identity in life and in the history of his cult are uncertain. The god of the kitchen has also been confused with Huo Shen (god of fire) and with Zao Jun (“Furnace Prince”). Quoted from https://www.britannica.com/topic/Zao-Shen
As you can see, the kitchen is a sacred place. This explicates why next to the hearth, people had to follow the following rules:
- Do not curse while in the hearth.
(Chapter 115)
2. Do not sit on the hearth.
(Chapter 59)
3. Do not place your feet on the hearth.
(Chapter 98)
(Chapter 115)
4. Maintain the cleanliness of the kitchen.
(Chapter 47)
5. You may worship other deities in the kitchen. Quoted from https://en.wikipedia.org/wiki/Jowangsin
That’s how I realized why Byeonduck mentioned that lord Min would help Yoon Seungho. Note that Jung In-Hun cursed lord Min (chapter 115), when he burned the letter! Moreover, let’s not forget Black Heart’s claim during that night: Lee Jihwa 
(chapter 102) who was a traitor, for he had tattled on Black Heart and his friends to Yoon Seungho. And now, you comprehend why I connected the shrine to the kitchen hearth. Both places are considered as sacred, for they are connected to gods and spirits.
3. Confessions and truth
And now it is time to return our attention to Yoon Chang-Hyeon. 
(Chapter 85) The absence of his sons and of food as offerings reveals that he was not showing true respect to his ancestors. He used religion and social norms to hide his true intentions. He wanted to take over the mansion. Hence the black guards were standing at the entrance of the sacred house. Their presence symbolizes violence. Therefore it is not surprising that the gods chose to punish the elder master through Yoon Seungho. The former was not received properly 
(chapter 86): no bow, no food and no seat. 
(Chapter 86) Let’s not forget that the elder master had entered the lord’s chambers without the permission of his owner. No wonder why he was left speechless. And now, you are wondering if I am not drifting away from the topic, as these chapters from season 3 don’t seem to be connected to episode 119. However, it is important to realize that these chapters have many common denominators
| Chapter 85-86-87 | Chapter 119 | |
| Death |   Here, we could detect the suicidal tendencies of the protagonist. He wouldn’t fight back. | Here, he wants to live and as such to fight back in order to protect his lover. |
| Coup d’Etat |  The seat looks like a throne. | Yoon Seungwon advises his brother to admit submission. It is like a surrendering. |
| The fire |  | Note the contrast. In the furnace, the fire was not properly lit. This explicates why the bedchamber didn’t get destroyed by the fire during that night. |
| The absence of the staff |  The courtyard is empty! No one is defending their master. | No one is working in the kitchen. |
| A quarrel with a slap |  |  |
| Someone is out of breath |  | |
| Treason |  |  |
| Threat |  | |
| Sexual assault in the gibang |  |  |
| A sudden kiss |  |  |
| the importance of family | | |
| The indirect reference to religion (curse, heaven versus hell, faith/trust) |   | |
| Wishes (ambition, dream) | |  |
| Yoon Seungho portrayed as a depraved monster |  |  |
| An important paper/ document |  | |
| Jung In-Hun |  | Baek Na-Kyum not only wounded the learned sir, but also humiliated a person who passed the civil service examination. He is now a military official. |
| The painter’s escape | He was supposed to remain in the study. Kim allowed him to leave the room. |  Baek Na-Kyum freed himself. |
As you can see, the night from episode 85 to 87 corresponds to the day in chapter 119. And now, it is time to examine the meaning behind this connection. First, the contrast between these two scenes reinforces my interpretation about the butler. At the beginning of the noble‘s suffering, the valet was ignorant, just like the painter is still unaware of the nobles’ death. But it is no longer the case. In episode 85, (chapter 85) he had faked his breathlessness. First, he didn’t need to run from the kisaeng house like Yoon Seungho. The kitchen, the gate or the servants’ quarters are not far from the study. Besides, why did Kim run in the end, when he joined the study? Contrary to his master in episode 119, he knew about his master’s whereabouts, for they had taken their lunch there. 
(Chapter 85) The study is even close to the gate. 
(Chapter 51) He could have reached the study before the father entered the shrine. Finally, observe that the patriarch even arrived to the bedchamber before Yoon Seungho, (chapter 86) though the study is close to the host’s chamber. As you can see, paying attention to the location of the different rooms exposes the betrayal from the staff and especially from the butler. He had been listening to their conversation, hence he knew about their quarrel. Interesting is that in the kitchen, the lord’s wish got fulfilled. 
(Chapter 117) The painter wants to leave everything behind too. 
(Chapter 119) Thus I am deducing that the authorities will be involved very soon. (Chapter 86) Why? It is because someone desires to take over the mansion. 
(chapter 119) They are not expecting the lord‘s resistance, for he remained passive all this time (season 2 and 3). The scholar has now the means to do so, and the necessary motivation. Imagine that he got wounded and humiliated by the couple! Besides, we have this broken promise due to Yoon Seungwon 
(Chapter 115) exposing the younger master’s lies and Yoon Chang-Hyeon’s delusions. Without the protagonist’s help, the younger brother would not be „successful“. Furthermore, the absence of food and fire in episode 86 indicates that this house was neglected and even not protected. (Chapter 86) It explains why the argument between father and son oozed hatred, coldness and looked like war! The hearth symbolizes home, family, warmth, love and protection.
Under this light, it is no coincidence that this new confession took place in the kitchen. At the same time, the kitchen hearth symbolizes humbleness and honesty, which stands in opposition to the love confession in the kisaeng house. 
(Chapter 94) The gibang is connected to money, power, pleasure, artificiality, sensuality and lack of privacy. 
(Chapter 96) I am sure that you can detect all the contrasts (night, door close, spies, confession outside and inside, no fire, only light). Thus I am deducing that the painter’s words in the kitchen were not heard by others. As you can see, this scene in the kitchen is full of symbolism. In my previous essay “The true face of family”, I had already pointed out that sharing meals represented a criteria to define a real family. Therefore I had demonstrated that Yoon Seungho and Baek Na-Kyum were excluded from the mansion, for they wouldn’t eat their meals in the kitchen like the staff. 
(Chapter 17) Moreover, the hearth doesn’t just provide warmth, but also light! The latter embodies knowledge and as such Enlightenment. 
(Chapter 119) Hence they were clueless about the wrongdoings from the staff. Only in the kitchen, the lord could finally grasp the depth of Baek Na-Kyum’s love for him. It is an unconditional love contrary to Yoon Seungwon’s. The latter would only recognize him, if he listened to him. And he only seeks his assistance, when he needs him. It shows that Yoon Seungho is only approached, when he has power. 
(Chapter 118) (chapter 119) Moreover, because they are embracing each other in clothes, it exposes that their love is pure and not driven by lust. This scene contrasts so much to his meeting with his brother, for the latter never hugged him. He kept his distance from his brother.
(Chapter 119) I would like to outline that during their conversation, Yoon Seungwon remained calm and indifferent, when he talked about the assassination attempt from Yoon Chang-Hyeon.
(Chapter 116) But the biggest difference is the absence of fire in the kisaeng house. (Chapter 118) This reflects the lack of empathy from Yoon Seungwon.
Striking is that the couple stood at the entrance of the kitchen, when the painter declared his unconditional love to the noble. (chapter 119) It was, as if two worlds were meeting. Simultaneously, the door step symbolizes the gateway to new opportunities. In other words, it announces changes. Moreover, the embrace and the lord’s words expose that Yoon Seungho is focusing on the present moment and the future. This means that he is now moving on and as such cutting ties with the past! How ironic that Yoon Seungwon’s recommendations came true! (Chapter 118) Nonetheless, I doubt that he is including his brother and father in his future plans. For me, the noble’s words spoken in the bedchamber will become a reality: 
(chapter 78) Furthermore, he tried to leave before 
(Chapter 104) 
(chapter 105) Finally, we saw him in the courtyard standing next to a horse and a servant indicating that he had given him a task, and the latter needed to leave. 
(Chapter 108) Hence you comprehend why I am full of optimism in the end. Yoon Seungho has already made some preparations in my opinion. On the other hand, I am quite certain that their love will be tested. Can they face together trouble? Yes, because through their pain, they learned their lessons and changed.
4. The love confession in the kitchen
But why didn’t Yoon Seungho expect that he would be blessed next to the kitchen hearth? 
(Chapter 119) It is because in the past, he was never allowed to join the kitchen hearth. This place was either beneath him or he was not worthy of entering the place. Thus he employed the expression scullery boy to Yoon Seungho. 
(Chapter 47) Here, I would like to outline that when the protagonist was held in the shed, someone brought him food . 
(Chapter 83) That‘s how I realized that the shed is connected to the kitchen!
- chapter 32:
The maid had just brought water to the couple. - Chapter 51:
- Chapter 61:
During that night, Baek Na-Kyum had been held captive in a shed. - Chapter 77:
- Chapter 108:
And what is the common denominator between these scenes? Kim was responsible for the kitchen and the shed. This observation brings me to the following conclusion. Then, you know why Yoon Seungho could never imagine that in the kitchen hearth, he would experience unconditional love. It is because the valet never allowed Yoon Seungho to enter the kitchen! And now take a closer look at this scene: 
(chapter 38) Yoon Seungho remained outside on the door step. Consequently, I started comparing scenes where the kitchen hearth appeared and that’s how I discovered a pattern:
- A wrongdoing and an argument
(Chapter 46) 
(chapter 47) (Chapter 98) 
(Chapter 110) 
- – An apology – forgiveness:
(Chapter 77) 
(chapter 38) 
(chapter 59) 
(chapter 119) - A confession
(chapter 38) 
(chapter 47)
(chapter 77) 
( Chapter 110) 
(chapter 119) - A fire or its absence:
(chapter 47) (chapter 38) (chapter 110)
To sum up, the kitchen is connected to a wrongdoing, an apology, a confession, a fire and a quarrel. Where was Baek Na-Kyum during the abduction? In a shed, while Lee Jihwa was arguing with No-Name!! That’s how I realized that the gods wanted to teach Kim a lesson. In the past, the butler should have invited Yoon Seungho to the kitchen hearth so that he would have found a family among the staff. Remember how the servant scolded the valet, it is because Kim must have taken pride to be the elder master’s servant. 
(Chapter 77) For me, Kim must have looked down on the other domestics. I consider this scene as the best example what Kim should have done in the past. (Chapter 119) He should have brought him to the hearth and hugged him. That’s why Lee Jihwa got embraced during that night. Kim should have comforted him and made him smile! The father wouldn’t have noticed it, for there is a second entrance. The evidence is here:
(Chapter 119) 
(Chapter 98) One door leads to the backyard and the other to the smaller courtyard. And this scene confirms my previous assumption
The kitchen is detectable thanks to the big wooden door in the smaller courtyard. However, I am quite certain that there’s a second access to the kitchen. They need to have an easy access to the jars situated in the backyard close to the walls. (…) This means that from the kitchen, if you follow the wall, you can pass by the lord’s bedchamber. And if you follow this path, you will discover the pond with the pavilion. Quoted from https://bebebisous33analyses.com/2022/03/31/painter-of-the-night-a-guided-tour-of-yoon-seunghos-domain🏡/
This means that Kim could have done something in the past. 
(Chapter 87) Baek Na-Kyum is there to prove him wrong. He had other opportunities, like giving him a good meal. 
(Chapter 63) He should have sided with his master and even remained by his side. This signifies that this scene (chapter 83) exposes the butler’s betrayal and wrongdoing. Thus I conclude that the painter will show to the valet his cowardice and his treacherous nature.
(Chapter 119) So by burning the poem 
(chapter 7) the artist is not only cleansing the kitchen, but also cutting off ties with the scholar. The latter is no longer protected. The spirits will intervene through chance. As a conclusion, the hearth has a spiritual and healing power, for it is connected to „Heaven“. Yoon Seungho‘s paradise is to have a family.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
(chapter 87) Not only the painter and the 3 noonas were sharing the same bed, but also they were taking their meals together. 
(chapter 87) They would even caress each other and laugh together. This scene oozes happiness. Consequently, it is no coincidence that during that night, they shared their honest thoughts to Baek Na-Kyum giving him good advices. But more importantly, the painter was there, when his noonas were struggling. 
(chapter 94) He cried in front of them. His tears symbolized his compassion and love for his noonas. He regarded them as his family. And it was the same for the artist. He had the noonas by his side, when he was in trouble or agony. 
(chapter 94) 
(chapter 107) However, at some point, it changed! 
(chapter 94) Jung In-Hun entered his life and consoled him. Thus I deduce that this image 
(chapter 68) represents a turning point in Baek Na-Kyum’s life. During that night, the scholar took away the young painter from Heena, hence he couldn’t help her. And now, observe the learned sir’s reaction. He didn’t allow the painter to cry. He shouldn’t share his pain. 
(chapter 70) In fact, he diverted Baek Na-Kyum’s attention from the incident to the moon. The learned sir was smiling the whole time. 
(chapter 70) He was acting, as if nothing had happened. The fact that he didn’t bear the tears from the painter exposes that the learned sir never considered him as a family. Therefore it is not surprising that he got abandoned, when the learned sir struggled: 
(chapter 75) But we have other scenes where Jung In-Hun didn’t behave like in the poem. When he discovered the truth, he had not been approached by Yoon Seungho due to his talent 
(chapter 19), he pushed away the painter. 
(chapter 19) He was mad, because Baek Na-Kyum was the cause for his sponsoring. 
(chapter 19) However, the family serves as pillar and protection. When the scholar’s pride got hurt, he rejected Baek Na-Kyum. He only approached the painter, when he needed him 
(chapter 10) 
(chapter 24) 
(chapter 35). 
(chapter 111) For me, in episode 10, he was definitely aware of the existence of a plot, thus he led the painter to the pavilion. Then in episode 24 and 35, he wanted the artist to spy on his benefactor. Finally, in episode 111, he knew that by taking away his former pupil, he would hurt Yoon Seungho, for he was aware of his affection for Baek Na-Kyum. Under this new light, it becomes comprehensible why Jung In-Hun didn’t bid farewell to the main lead in episode 44. Baek Na-Kyum’s presence was not necessary for the preparation for the civil service examination. And this brings me to the last scene between the learned sir and the painter. 
(chapter 118) He is now crying in front of him, as if he was considering him as a part of his family. He is trying to create the illusion that he shares his suffering, just like he shared his happiness during the parade. 
(chapter 111) But in the gibang, the learned sir changed his attitude towards his former pupil, for he kissed the painter. 
(chapter 117) It was, as if the former was starting his family. Baek Na-Kyum is now his “bride”. But naturally, everything is just an illusion. Why? It is because the Manhwaphiles never saw Jung In-Hun share his bed or room with the artist! 
(chapter 27) 
) But more importantly, he is not sharing his true thoughts and emotions to the young man. 
(chapter 118) He never explained how his face got bruised! This shows that he approached Na-Kyum for one reason. He was in trouble and he needed him. But he acted, as if he was becoming responsible for him. 
(chapter 118) 
(chapter 118) He didn’t expect a rejection. Why? It is because now, he was treating the main lead as family member. Nonetheless, don‘t get me wrong. In Joseon, servants were considered as a part of the household and as such of the „family“. I don‘t believe that the teacher views Baek Na-Kyum as an equal. Yet, the latter is in reality a free man. 
(chapter 118) Thus out of fear, he made a false love confession which resembles a lot to obsession and possessiveness. His words display his worries and despair. Another important aspect is the absence of the personal pronoun “we” in their conversation. We only have “you” and “me”. 
(chapter 118) 
(chapter 40), the latter learned the following lesson: Jung In-Hun had never been his new family. That’s the reason why he was so wounded. Therefore it is no coincidence that his karma is to be abandoned the moment he needs Baek Na-Kyum the most. But why did he not consider the painter as a family member? It is because he came from the gibang. Moreover, he was blinded by his desire to succeed on his own, not realizing the true role of a family. 
(chapter 107) The sexual abuse is something they hid from Baek Na-Kyum! They could never share such a burden with the protagonist. But there is more to it. In fact, Byeonduck illustrated the slow deterioration of Na-Kyum’s s family in season 2, 3 and 4. First, the painter couldn’t talk to his noonas like in the past: 
(chapter 46) He was forbidden to announce his departure which indicates that Heena was hiding something from the other kisaengs. Moreover, notice that he never talked back to Heena. He listened to her, though he was in pain. 
(chapter 46) He could only express his sadness with his tears. Then when Heena reentered his life, she was seen next to his bed while hugging. by his side 
(chapter 66) This means that she would no longer share his cover. This is no coincidence that in the gibang, the noona could no longer enter her brother’s room. 
(chapter 96) Little by little, Heena got excluded from the painter’s life. She could no longer share her meals with him. 
(chapter 93) This explicates why in season 4, Baek Na-Kyum can not penetrate Heena’s room. 
(chapter 105) She is hiding more and more things from her brother: her “illness”, her involvement in the murder of nobles and her lies. On the other hand, the painter still considered her as a part of his family because of her intervention in episode 68/69: 
(chapter 68) Their argument was reflecting their trust, though here the kisaeng was questioning her brother’s maturity. Due to her concerns, Baek Na-Kyum felt that they were still a family. However, I sense a rupture, when they argued in the kisaeng house. The artist was no longer trusting Heena’s words: 
(chapter 97) Interesting is that from that moment on, Baek Na-Kyum and Heena never faced each other! She didn’t join his side during the parade. This means that their argument in the kisaeng house represents their last reunion. And what did Heena do in this scene? She cried 
(chapter 97), while the painter didn’t, though he looked disturbed. 
(chapter 97) He lost all his colors. However, such a scene could be perceived as a sign of indifference, especially for the kisaeng. And this observation made me realize why the kisaeng asked Yoon Seungho not to reveal his suspicions about Jung In-Hun’s involvement to her brother. 
(chapter 105) Here, she implied that Baek Na-Kyum would cry out of pain and shock. But she had seen that he had shared no tears, when he heard about his murder: And it happened again in the shrine.
(chapter 99) Simultaneously, the request from Heena exposes that they are no longer sharing agony and as such struggles. Moreover, this made me realize why the artist left the mansion after the nightmare. It was out of fear and obligation. For me, he had sensed that Heena liked the learned sir and as she was still part of his family, he had to make sure that this was not true. Yet, even after witnessing the faked crime scene, he still trusted Yoon Seungho. Hence I am deducing that the absence of tears is the trigger for their separation which stands in opposition to their embrace in the mansion: 
(chapter 66) 
. (chapter 68) And what was her reaction, when she saw her brother in tears and yelling at his lover?: 
(chapter 105) She remained silent, passive and rather indifferent. This impression gets reinforced, when she is lying next to her colleagues. She is not sharing her thoughts and emotions, rather pensive contrary to these kisaengs: 
(chapter 105) She is even turning her back to them. This displays the dissolution of this family. The kisaeng is no longer sharing her fears, her tears and emotions to others. Therefore she can not sense “happiness or relief” like the others. 
(chapter 93), but the moment the lord joined his side, the honesty started vanishing. Notice that the painter couldn’t talk about his past (how he met Yoon Seungho and how he got abandoned by Jung In-Hun). It was reduced to “I was caught up with something”. He had so many secrets that he couldn’t share to his noonas. And it was the same for the kisaengs. 
(chapter 93) They also had secrets, hence they were seen whispering. Baek Na-Kyum could confide less to Heena. Why? He sensed that the kisaengs might show no understanding. And note how the painter reacted, when he met his noonas in episode 105. 
(chapter 105) He lied to his noona, he didn’t voice his worries. He didn’t enjoy his time spent by the kisaengs’ side. He didn’t eat with them either. This is the sign that he was moving on, he was on the verge of starting his new family. In other words, this scene 
(chapter 105) corresponds to the bird flying from the nest which was witnessed by Heena and the kisaengs. Because the painter was not sincere to his noonas, it is not surprising that they acted the same way. Here,
(chapter 105), the kisaeng’s words are a reference to loss of virginity. Yet the painter didn’t grasp the true meaning. Only in his dream and nightmare, he realized the significance of her words: 
(chapter 109) Hence I come to the conclusion that we are witnessing to the birth of Baek Na-Kyum’s new family: Yoon Seungho. 
(chapter 118) That’s the reason why the painter decided to run away with his lover. 
(chapter 118) However, in order to become a real family, the painter needs to call his husband like this: 
(chapter 72) Under this new light, it becomes comprehensible why the noonas were no longer entirely honest with Baek Na-Kyum in the gibang. They couldn’t share their thoughts and secrets to the artist, as they had played a role in the separation of the couple 
(chapter 99) and the nobles’ execution. Besides, they also had secrets which they had to hide from their donsaeng. 
(chapter 57) I believe that it is related to the protagonist’s sensibility and intelligence. My assumption is that Yoon Seungho is a 
(chapter 107) 
(chapter 26) The latter was not allowed to cry! Therefore the artist heard the same reproach from the main lead. 
(chapter 26) The valet disliked the tears, because he refused to share the suffering. The reason is simple. If he did, this would have increased his guilt. Furthermore, Kim never shared the cover or his meals with Yoon Seungho in the past 
(chapter 108) So we could assume that he was starting to view the main lead as a family member. But no… for me, it is just an illusion. First, note that he never let the lord see his gaze while weeping. Besides, the noble’s heart was not moved either. They were not crying together, a sign that the two were drifting apart. Moreover, in the shed, the valet never shared the information about the fire at the shrine. 
(chapter 108) Moreover, like exposed above, family in the poem symbolizes trust, love, responsibility, comfort and protection, but the valet failed to fulfil his duties which he admitted in the shed. As a conclusion, the butler didn’t keep such a promise. Moreover, what did the butler do after the painter’s abduction? 
(chapter 64) 
(chapter 64) He ran away. He never saved the painter, just like he didn’t argue with his master in that moment. But he could have, since the latter had no sword by his side. Imagine that he had a heated discussion with Yoon Seungho the very next day, and in the courtyard, the protagonist had the sword in the hand. 
(chapter 68) A sign that he knew that the noble would never slay him! And in the past, the valet had not come to his rescue, shared his suffering or defended his honor. And now, you comprehend why I am more than ever convinced that the valet was never Yoon Seungho’s family: no tear, no joy or no secret shared! His expression “bird of misfortune” embodies the gap between the two characters. 
(chapter 109) The latter would even get the opportunity to eat sweets and sit in the patio
(chapter 109), while the lord was relegated to the courtyard. 
(chapter 109) And the poem mirrors perfectly the birth of Yoon Seungho’s first family. Baek Na-Kyum is his very first family. Thus he could share his pain, his fears, his resent, 
(chapter 62) and his hope to be happy for one moment: 
(chapter 63) I selected the terrible scene in the shed for two reasons. It symbolizes the verse “how to become a family”. This explicates why in season 3, the artist was slowly using the personal pronoun “we”. 
(chapter 78) This means that the two protagonists were learning how to become a true family. And one of this important step was “crying together” which occurred after the sexual abuse in the shrine, 
(chapter 102) However, Yoon Seungho had to learn the importance of “secrecy”! He kept his crime from his loved one hidden, not understanding that a real family is to “endure all hardships” together. Consequently, I judge this night 
(chapter 110), their happiness 
(chapter 110), they sit together while eating
(chapter 110), they embrace each other, they share the same bed. And the lord makes the following promise: there won’t be any secret between them. He will share everything with his lover. 
(chapter 110) So when the brother gave the petition to the artist
(chapter 116), he even reinforced their bond. It was, as if they had no longer any secret between them. Thus they talked about the document in the pavilion making sure that no one would listen to their discussion. 
(chapter 117) Therefore, it is not surprising that during that same night, the couple slept under the same blanket while hugging each other. 
(chapter 117) The symbol for the new family! But a family is not made just of two members! Is Yoon Seungwon a part of Yoon Seungho’s family? Let’s not forget that he considered the artist as his brother’s wife. 
(chapter 116) What caught my attention is that Yoon Seungho was not followed by his lover, when he met his brother in the gibang. 
(chapter 118) And this reminded me of this scene: 
(chapter 37) He wished to send away the artist, but the host refused. Then if you pay attention to his behavior, you will notice that none of them were seen eating together! 
(chapter 118) Compare it to Black Heart’s behavior: 
(chapter 43) In fact, the two guests were drinking on their own! Yoon Seungwon had even started drinking before the protagonist’s arrival. 
(chapter 118) Moreover, exactly like the scholar, Yoon Seungwon is just employing the pronouns “you”, “I” and “father”. There is no WE at all. 
(chapter 118) 
(chapter 118), but it is only a name! In reality, he desires to use the main lead. He needs him more than ever! Let’s not forget that the patriarch could discover Yoon Seungwon’s betrayal at any moment. Finally, I would like to outline that family stands for effort and understanding, nevertheless the younger master never showed compassion or worries for his brother, who had just recovered from a stabbing. His speech was full of blame. 
(chapter 22), the physical therapist still views her as his family. This corresponds to the verse “no matter where you are”. This explains why he listened to her and started treating the champion differently. From my point of view, they became a family, because they slept under the same cover
(chapter 21), shared their agony, fears 
(chapter 5) and their happiness together, though this needs to be relativized. 
(chapter 11). I will give more details later. Another evidence that they are family is that the grandmother would often sing him songs. Then we could say that the grandmother shares her meals with the doctor, for she is often saving yoghurts for her grandson. 
(chapter 05) She is happy, when she hears good news from her grandson. 
(chapter 07) When she feels lonely or miserable, she asks for his presence. 
(chapter 21) 
(chapter 5) Nevertheless, there exist two negative aspects. First, I noticed that she didn’t question Kim Dan about his career, only when it was necessary. 
(chapter 07) She is not that involved in his current life. 
(chapter 05) Secondly, what caught my attention is that the halmoni is not letting her grandson weep. With her attitude, she implied that he had overreacted (“Now, now none of that”). 
(chapter 21) Moreover, the poem outlined the necessity of crying together (“be able to cry together”), yet the halmoni was not upset, when she found the little Dan in tears. She didn’t understand his abandonment issues. Thus I deduce that the shared agony was only in one way! If the grandmother was scared or suffering, her grandson should feel the same. 
(chapter 5) This explicates why Kim Dan was willing to sacrifice himself for his halmoni. 
(chapter 16) It is because he knew that her grandmother disliked tears. Besides, in a previous essay, I had already outlined that such an attitude was considered as abusive, for such a young child should have been shielded from harm. However, he was exposed to violence very early on. Under this new perspective, it becomes comprehensible why Kim Dan started having secrets from her. Finally, the family portrayed in the poem implied the notion of effort and work. But the moment the grandmother refused to share his agony, she stopped putting energy in her relationship with Kim Dan. This means that as time passed on, she became more and more passive and relied more and more on the main lead. Another interesting aspect is that Kim Dan came to enjoy K-dramas because of his grandmother. 
(chapter 30) This shows that Kim Dan’s preferences are all influenced by the halmoni. We could say that he didn’t truly develop his own identity. It was, as if he had become the second version of “grandma”. And now, you comprehend why he rejected sex: 
(chapter 20) 
(chapter 30) Because the grandmother didn’t allow her grandson to share his struggles (no tears), Kim Dan has been hiding many things from his grandmother
(chapter 07): the beatings from Heo Manwook, his firing from the hospital, the sexual assault from the perverted hospital director and the moneylender, his deal with Joo Jaekyung and the fact that he moved to the penthouse. This means that little by little, the physical therapist is sharing less and less his happiness with her. I doubt that he told her about his trip to Busan, his first MMA fight as spectator 
(chapter 15) and his first sparring with Joo Jaekyung 
(chapter 26). But this is a sign that Kim Dan is maturing. Therefore it is no coincidence that after their first day off spent together, Kim Dan is already under the champion’s spell. 
(chapter 30) And at some point, the grandma will notice her little boy’s transformation and the growing distance. And Choi Heesung could be the trigger for a first quarrel 
(chapter 22) 
(chapter 26), they get support from each other 
(chapter 14) 
(chapter 23) or they argue 
(chapter 07). Moreover, they call the older members “hyung” 
(chapter 5) 
(chapter 23) which is another evidence that Team Black functions more like a family than like a company. What caught my attention is that the doctor is not addressed as hyung 
(chapter 30) but as Doc Dan or doc. 
(chapter 23), though the manager Park Namwook had introduced him as hyung. 
(chapter 07) The reason behind this different title is the champion. The latter addressed him like that: 
(chapter 22) It exposes that the physical therapist occupies a particular position at the gym. On the one hand, it could be interpreted that he has not been entirely adopted as a family member. On the other hand, the physical therapist didn’t exclude that he could have other clients. 
(chapter 25) This means that his “adoption” is not definitive and official. Nevertheless, I would like to outline that though Team Black’s structure resembles a lot to a family, we can not say that it is a true family. Why? It is because Joo Jaekyung is hiding many things from his hyungs and members. He is not sharing his problems to his coach (his insomnia, his jinx, his sexual orientation, his insecurities eg). Imagine that he preferred deceiving his admirer 
(chapter 15) than admitting that his shoulder had been plaguing him. And it is the same for Potato. He didn’t talk about the incident with the office room and the sofa. 
(chapter 25) According to me, Jeong Yosep knows about the true relationship between the physical therapist and the alpha black wolf. But he kept this information to himself as well. However, like pointed out before, family stands for communication and not secrecy! Moreover, so far, we only saw the fighters share their happiness. And what about their struggles or defeat? To conclude, Jinx is actually showing us the transformation of Team Black as company into a family. How they “become” a WE! Park Namwook does consider Team Black as his gym, but he has his own family. However, this is not the case for Jeong Yosep or Joo Jaekyung, who lives as a loner wolf! In my opinion, Team Black will turn into a real family, the moment Kim Dan loses his halmoni. Remember the quote from the poem: “If you can’t say you’re hurt when you feel hurt you’re not family“. Kim Dan won’t be able to hide his sadness and broken heart. In the beginning of the story, he lied to the coach and Kwak Junbeom about the reason for his injuries: 
(chapter 11), because he considered them as superior and colleagues. In other words, the fighters will share their pain with doc Dan helping him to overcome the loss. But this change can only happen, when the owner of Team Black has a change of heart himself as well. Remember how he pushed Oh Daehung and the other members away. 
(chapter 22) He didn’t want them to come to his house. 
(chapter 22) So far, he didn’t want people to cross the line, but thanks to the physical therapist, this will change. That’s how both protagonists will come to view more and more Team Black as a family. They will share their struggles and happy moments together. I have one evidence that Kim Dan is the key to turn Team Black into a real family. It is because Joo Jaekyung came to the gathering
(chapter 9), though he had been avoiding such events in the past. 
(chapter 30) But he is there an employee. Thus I am suspecting that the talent agency is working differently from Team Black. If there is a scandal, I doubt that the company would side with the star in trouble or they would try to find ways to get rid of the issue, like finding a scapegoat in order to bury the truth. As a conclusion, I am expecting to see companies run differently so that the readers can perceive Team Black as a family company, although it is an incorporation.
(chapter 4) This was a reference to the blanket in the poem, though here Kim Dan slept in a cocoon. This was a sign that he didn’t feel safe. However, as time passed on, I detected a change in Kim Dan’s sleeping position. He is lying on his back and even in the middle of the bed. 
(chapter 29) It is because Joo Jaekyung always put him there! This exposes that the champion is still thinking that he represents a disturbance to the Sleeping beauty. One thing is sure: Joo Jaekyung will become the blanket taking over the grandmother’s past role: 
(chapter 1) This was the reaction from the champion: 
(chapter 1) He questioned the cause for the tears. He was naturally annoyed (“the hell”), but he didn’t make fun of the doctor. And now, pay attention to the memory Joo Jaekyung had from their first night. He remembered his tears which had moved him deeply: 
(chapter 6) This shows that the celebrity is not judging the physical therapist as weak due to his tears. In episode 28, he even showed concerns, when he heard the doctor crying. 
(chapter 28) 
(chapter 28) He questioned the doctor once again, why he was in tears. However, he didn’t ask the doctor to stop weeping or to wipe his tears. He wanted to understand him. This exposes the fighter’s tolerance and interest in Kim Dan. For me, it reveals that Joo Jaekyung is willing to share the pain or fears with Kim Dan. Therefore it is not surprising that Kim Dan is remembering this moment! 
(chapter 30) He was allowed to express his emotions. Interesting is that this image is now connected to red, not to grey/black. 
(chapter 30) The switch of color indicates the doctor’s increasing feelings and sensuality for Joo Jaekyung. That’s the reason why I am expecting that one day, the two protagonists will cry together, something that the grandma hasn’t done until now. 
(chapter 13), it doesn’t signify that they are a family now. And it is the same for the penthouse. 
(chapter 18) They might share the same flat, but the penthouse is so huge that they can technically live apart. Joo Jaekyung and Kim Dan are slowly spending more and more time together, either because the champion feels like it 
(chapter 19) or it is necessary 
. (chapter 27) During the day off, they shared their thoughts,, their emotions 
(chapter 27) 
(chapter 27), their happiness 
(chapter 28) and their fears 
(chapter 27) 
(chapter 29) Because Joo JAekyung confessed his fears and health issues to Kim Dan, it shows that he was trusting him. For me, this night represents another step how to become a true family. “If you can’t say you’re hurt when you feel hurt you’re not family.” This day and night were so magical that it affected the protagonists’ life forever. From that moment on, Kim Dan is feeling more attracted to the champion, hence he is peeping at him. 
(chapter 30) And it is the same for the champion. Now, he is slowly regretting that they live in two different rooms and they have their own bathroom. Therefore he came to the doctor’s bathroom under the fake excuse that he had run out of toothpaste. 
(chapter 30) What was so funny is that he had opened the door like a huge bear. Why? It is because he was so annoyed how to explain his intrusion. 
(chapter 30) This shows that little by little, the champion is regretting his words to Kim Dan in the master’s room. 
(chapter 29) For me, he will be forced to recognize that work is not bringing him closer to Kim Dan, especially after Choi Heesung met the main lead. 
(chapter 30) For me, this scene is the bathroom represents another step how to become a true family. 
(chapter 30) However, like Mingwa voiced it, they have a long way to go, for Joo Jaekyung and Kim Dan are hiding their true thoughts and emotions from each other. 
(chapter 30) Kim Dan had to hide his blushing, while the champion had to lie for his appearance. Moreover, the fact that he tried to hide his underwear 
(chapter 30) indicates that their intimacy has not reached its peak. He doesn’t feel comfortable around the athlete to be seen in underwear. Moreover, the champion is also hiding his jealousy and possessiveness towards the main character. 
(chapter 30) But like I said, they need to open up their hearts and mind in order to become a true family. From my point of view, the halmoni could play a huge role in their union. How so? It is because she entrusted her grandson to Joo Jaekyung. The latter also conversed with her 
(chapter 21) and even paid her hospital bills. She even took his hand 
(chapter 22) and gave him a yoghurt.
(chapter 21) So the moment the grandma vanishes, it could also wound the champion’s heart, especially when his sex partner is so heartbroken. It would be interesting if the champion came to voice his feelings about her. If you can’t say you’re hurt when you feel hurt you’re not family.“
(chapter 109) He discovers that Baek Na-Kyum has already prepared himself, as he is longing for him. 
(chapter 109) He never expected such a reaction. The reason why the evolution of Painter Of The Night is flowing at a snail’s pace is that season 4 is now focusing more on the past. First, Byeonduck needs to divulge the lord’s suffering and its causes. And this can only happen, if memories are brought up. Hence in episode 109, the painter’s memories stood in the center. Why? It is because he is trying to understand why his loved one is now avoiding him. Thus he is remembering what happened just before. The readers are actually put in the same situation than the artist. On the one hand, the focus on recollection is a method to unveil how the young master was turned into a “sodomite and pariah”, for the painter is going through the same experience than his partner. In episode 109, he is isolated from his “lover” and as such from his family, for he has now maids by his side. The latter are supposed to be his new “family”. On the other hand it helps the manhwaphiles to anticipate the future main events,. as the progression is in slow motion. This means, the Webtoonist left all the elements in the previous seasons in order to decode the past, the present and the future. That way, the manhwalovers are capable to unveil the mystery. Besides, the author has to answer all the questions the beholders had while reading the previous seasons, like this one: 
(chapter 27) What book was the scholar looking for? Up to now, we have no clue, though I had developed the following theory: Jung In-Hun was a Christian and had a bible. 
(chapter 109) How did this happen? One might reply that the book fell from the shelf, when the painter kissed his lover. 
(chapter 109) This interpretation can be easily refuted, for the noble stood next to the shelf and not in front of it. Besides, the counter stands on the noble’s left, while the ledger was on his right. However, one detail caught my notice, the beholder can not see Yoon Seungho’s hands!! That’s how I realized that the book came from the protagonist! He had carried it hidden in his right sleeve. This explicates why the book stands on the right side. 
(chapter 109) Besides, contrary to the previous panel, now the lord’s hand is visible! This is no coincidence. But if he was hiding the copy from Baek Na-Kyum, I deduce that it is related to the painter. But there is another person associated to manuscripts in this story, Jung In-Hun!! But what have the low-born and the scholar in common then? The erotic publications! 
(chapter 34) Note that in the background, there’s a book open on the desk, and it has the exact opposite position than in episode 109! And now, you comprehend why Yoon Seungho rejected the painter’s company next to his table. He didn’t want him to see the publication, for he feared that the painter would be reminded of Jung In-Hun. In the lord’s mind, the young artist still treasures his former teacher. He heard his confession on the bridge next to the pavilion. 
(chapter 94) However, Yoon Seungho is suspecting that the learned sir was behind the trick in the shaman’s house due to the glasses Min had in his hand before dying. 
(chapter 102) Hence he doesn’t want to break the main lead’s heart and mind. In other words, the main lead is determined to hide the past from Baek Na-Kyum so that the latter’s memory and agony won’t be triggered. The book could definitely remind the low-born of all the events which led to the massacre in the shaman’s shrine. Besides, I feel that the noble must feel guilty as well. If only he hadn’t admired the erotic publications which led to Baek Na-Kyum’s stay in his mansion. Consequently, I think that the noble is also in agony because of the work.
However, there exist two reasons why I came to this deduction. I detected similarities with the first encounter between Yoon Seungho and his nemesis in the scholar’s home and the painter’s kisses. 
(chapter 6) Both were standing in front of the cupboard, while the learned sir suddenly took away the copy and closed it to put it back on the cupboard. This made the protagonist smirk. Due to the characters’ reaction, 
(chapter 6), I had assumed that the protagonist was making fun of Jung In-Hun. He had played a prank on the host, especially after asking about his occupation. I have always wondered about the content of the volume. Therefore I had developed the idea that this could be the bible. However, it was clear that the book was not for children which is visible due to the writing. 
(chapter 6) In fact, the learned sir should have the manual Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì Wén), also known as the Thousand Character Text.
(chapter 6) In reality, he wasn’t teaching them reading and writing at all. But Yoon Seungho had feigned ignorance with this discovery. With his indifference and praises, the false teacher had the impression that he was supporting his attitude. This scene is relevant, because the learned sir had lied to the protagonist about the painter’s education. 
(chapter 6) This means that the book represents the evidence of learned sir’s betrayal and abandonment. He is responsible for his illiteracy. To conclude, this scene contains the following elements: a prank, a lie, a confession which was triggered by a book that Yoon Seungho had picked up by chance. But wait… it could be the book from the scholar’s home! 
(chapter 06) But this image can be used to refute this theory. How so? It is because this book has a title, hence there is a white rectangle!! However, take a closer look at the copy on the floor. 
(chapter 50) Finally, I would like the readers to keep in mind that they could only see the content of the books 
(chapter 1), but they never got the chance to see the cover. 
(chapter 6) He proposed him to sit and have a cup of tea to divert his attention from the books on the cupboard. Besides, I would like to outline the huge contrast between these two scenes. The scholar needed the assistance of the prestigious family Yoon, while the protagonist replied this to his loved one: 
(chapter 109) Needed versus not necessary! 
(chapter 6) He was here very vague (“bizarre and vulgar”), he spoke of a scolding, but never of rejection and abandonment!! This is important, because Yoon Seungho also experienced something similar in the shed: 
(chapter 77) Back then, the butler’s words must have wounded him terribly, he must have felt dirty either. Under this new perspective, it becomes comprehensible why I came to this conclusion that the book is related to the learned sir and to the erotic publication. But this doesn’t end here. In my eyes, episode 109 clearly outlined the importance of the library in the protagonists’ life. This is the place where both main leads got betrayed and abandoned. 
(chapter 40) When the scholar wounded the artist with his words, he implied that the artist was responsible for his lack of education. With the idiom “I thought, you could be educated”, he gave the impression that he had put some effort, but due to the artist’s disposition, he had failed. We had another scene where the learned sir was blaming Baek Na-Kyum. 
(chapter 70) He would fall asleep instead of studying. And who knows about the learned sir’s hypocrisy? Yoon Seungho!! That’s the reason why the goddess Byeonduck let them meet in the library. It is to heal their wounds. In this room, Yoon Seungho’s suffering started and later, the painter got betrayed by his former teacher, someone whom he viewed as his “family and mentor”. 
When Yoon Seungho got kissed by the painter 
(chapter 109), he got surprised, and he had the same gaze and facial expression than the one during the First wedding night 
, in the gibang 
and in the study 
(chapter 42), though here the artist kissed his companion twice! 
(chapter 49) And what had these scenes in common? Paintings and the artist’s confession. And now, you comprehend how I made the connection between the book and painting. 
(chapter 19) This scene could only break the artist’s heart, because he was reminded of the learned sir’s reaction: his rejection. The latter got angry and jealous that the low-born would be treated as someone special. Furthermore, Jung In-Hun had only got the noble’s sponsorship thanks to Baek Na-Kyum and not thanks to his own talent! In verity, the learned sir had been the tool to submit Baek Na-Kyum. Shortly after the exposition, the protagonist went to the study. There he got confused for Jung In-Hun, hence he received a wonderful confession 
(chapter 19) before getting kissed and embraced! 
(chapter 42) Yet, the artist was unable to explain the situation, for he had internalized Jung In-Hun’s criticism. 
(chapter 42) So we could say that the yangban tried to get a confession from the painter, but he failed. Hence they had just sex. The artist’s heartbreak was the reason why he never got to confess the truth! And what had happened in the study after the painter kissed the main lead? The lord saw the inauguration illustration and got jealous of Jung In-Hun 
(chapter 48), and the painting had exposed the main lead’s uneasiness and pain. The drawing was not refined, barely finished. 
(chapter 47) The behavior from the painter and the new painting had not only wounded the main lead, but also pushed the lord to discover why the artist was behaving this way. After the rough sex session, the artist had made a confession: he was dropping the rules he had been raised. 
(chapter 49) He was admitting his sexual orientation and his own pleasure, but he still kept his distance from Yoon Seungho. Why? It is because he was reminded of the learned sir’s fake embrace and betrayal. 
(chapter 49) 
(chapter 94) which incited the artist to recall his childhood. That’s how he came to unveil his past and confess his love to the noble! 
(chapter 19), the parties after the separation 
(chapter 51), his visit in the gibang and his tricks 
(chapter 96). In episode 109, the painter confused Yoon Seungho’s shadow with Black Heart’s. In his nightmare, he was brought back to the shaman’s house and the lord’s smile was similar to Min’s.
(chapter 109) 
(chapter 99) Besides, let’s not forget that during that terrible night, Black Heart never touched the artist himself, as if he didn’t want to touch a trinket sullied by another man”. On Twitter, the author revealed that Min would help Yoon Seungho. Through this comparison, the beholder can confirm this. Thanks to Black Heart, the couple got closer in the end. 
(chapter 19), the spying on the painter – though here it appears like a good thing – 
(chapter 41), the stones in the rice 
(chapter 109). She was acting, as if Baek Na-Kyum was not present, but in reality she knew that he could listen to her. How do I know this? The evidence are the sweets on the windowsill. 
(chapter 108) Why is the room dark? Where are the maids during that night, as they are supposed to sleep next to the painter? 
(chapter 109) The absence of the light is truly noticeable, an indicator that they are not in the bedchamber. Moreover, I had detected that the brown bed cover symbolizes the meddling of Kim. [For more read the essay 
(chapter 20) and it was during the first Wedding Night. And oil comes from the kitchen, the lord had fetched it from that room!! Naturally, there is an exception, and it is the kiss in the gibang. Yet, here the kisaengs had just replaced the maids. In other words, they had played a role in the confession. And this explains why the noona’s words are superposed with the maids. 
(chapter 109) That’s the reason why I am convinced that the book is strongly connected to the learned sir. In my eyes, it can only be the erotic publication of sodomy!! Why? It is because it represents the painter’s biggest wound. It explains his low self-esteem. Consequently, I am expecting the appearance of this panel: 
(tweet) The teacher told him “It’s dirty”, and wounded him the most with his gaze full of hatred, the symbol of rejection! Note that in episode 109, the painter always focused on the mouth and not the gaze, 
(chapter 109) 
(chapter 109) 
(chapter 25) Moreover, during that night, we have the same elements: a painting, a confession, sex, a book that the scholar was looking for. From my point of view, in chapter 34, Baek Na-Kyum only recalled the beating from Jung In-Hun. 
(chapter 34) But like I wrote above, this place is also where Yoon Seungho got betrayed and in my opinion, the schemers are planning to use this place to ruin the protagonist!!
(chapter 106) 
(chapter 106) And if Yoon Seungho gets caught having sex with the painter and he has an erotic publication of sodomy, he can be framed for the murder of lord Shin and the other nobles. He will be guilty by association. Thus I deduce that the schemers needed the father to report him to the authorities. 
(Chapter 105) As you can see, the staff had encouraged the lord to keep his distance from his companion on purpose, to create a misunderstanding… they used the painter’s anxieties. Why? That way, the artist would be more inclined to betray his lover, if the latter was in difficulty. He could put the blame on him. In my opinion, the book was planted there on purpose. Remember how the artist denied that he was the author of the erotic publications. 
(Chapter 1) Besides, there is no doubt that the father refuses to take any responsibility in his son’s suffering. And now, you comprehend why this copy was put on the lord’s desk. He was supposed to be the owner of the erotic book and even the author! I am suspecting that he was accused of the „same crime“ in the past. Then this observation raises the following question. Which erotic publication is it? The original 
(chapter 1) or the copy
(chapter 1) This would stand in opposition to the scholar’s rejection (dirty), as the artist was just the helping hand. Besides, there is no ambiguity that Yoon Seungho blames himself due to the erotic book. If he had not brought the painter to his mansion, none of this would have happened. But the painter’s confession would make him realize that his misery started long before he met Yoon Seungho. And how did the puppetmaster come up with such an idea? From my point of view, this plan was inspired by the learned sir. 
(chapter 27) Notice that he has a drop of sweat on his face, a sign that the book is really important and could be even dangerous. He was diminishing the value. In the past, I had already pointed out that the learned sir had planned to backstab the main lead and denunciate him to the authorities (my first theory was the bible or the the absence of jesa in the mansion). But the erotic publications of sodomy would fit the profile.
I am still waiting for this picture. Yoon Seungwon had definitely tattled on his brother out of jealousy in the past. Don’t forget this flashbulb. 
(chapter 84) Finally, the childhood paintings could be used as an evidence. But what about the book in the library? Both could decide to burn it…
the burned letter
the shrine
(chapter 109) Note that there is no rejection from the lord, just surprise and shock. Besides, in the kisaeng house, the artist’s confession had led the main lead to confess as well. 
(chapter 96) Striking is that he had hidden his gaze from the artist first. As if love was a sin…Hence I am expecting a confession from Yoon Seungho in that very room too, something he has never done before! Why? It is because he was not the owner of his own past. Kim acted, as if he possessed his memories. Finally, the moment the painter divulges this incident to his companion, 
(tweet), the latter can only come to the conclusion that the scholar would have no problem to hurt Baek Na-Kyum and even get revenge on the artist, for he received the favors from the protagonist. Yoon Seungho would no longer feel obliged to respect Heena’s wish, for her words wouldn’t reflect reality. 
(chapter 27) The goddess Byeonduck is on their side. But the problem is that the readers have the impression that both are followed by misfortune due to their misery. The reality is that they are both victims of manipulations and tricks. That’s their tragedy. But by repeating that the two figures are “birds of misfortune”, the accomplices are trying to deny their own involvement and as such responsibility. The maids are the perfect example. They blame Baek Na-Kyum for his own illness. He eats like a bird and he would hide his illness. 
(chapter 108) To sum up, he was responsible for his own suffering, for he was in denial and the maids could do nothing to help. But the lord can see the truth, when he touches his lover’s butt. 
(chapter 109) He lost weight in such a short time. And their presence by Baek Na-Kyum’s side was supposed to help him. They were responsible for his well-being, but the women never realized it.
(chapter 108) He blames himself for everything. For me, these women were lying to their master. Why do I think so? The first proof is that the painter’s fate is to go through the same experiences than his lover. And what did the valet admit in the shed? 
(chapter 108) There was not a soul in this household who was standing by his side back then and now! This signifies that there is not a soul in the mansion truly standing on the painter’s side as well!! Back then (before the massacre) and even now… Moreover, while these maids’ attachment was sincere 
(chapter 51)
(chapter 108) Yes, this woman is not the same than the one from chapter 51, for her clothes diverge despite the same pigments. She is wearing a white ribbon around her waist. 
(chapter 108), whereas the other wears the belt more around the hips, hence her skirt has a bump on her butt. 
(chapter 46) 
(chapter 74) This explicates why the artist returned the table with the porridge to the kitchen himself. 
(chapter 62) The painter had been faking his “submission”, hence the “valet” got fooled. He had trusted the artist blindly. Thus the lord got angry, and resented the butler, for he wished the opposite. He didn’t want to admit that the artist had been acting. Yet, the seed of doubt was implanted in his mind. Consequently, in episode 108, we have the exact same situation, yet contrary to the past, the lord didn’t get angry at his lover. He never condemned the painter for his dishonesty, though he was not truly lying either. To conclude, chapter 108 is a reflection from episode 62. Thus it dawned on me that the valet could have attempted to fool his master once again. The artist was a hypocrite, for he was acting in front of the lord hoping that he wouldn‘t cut ties with him. It was for his best interests to send back to the kisaeng house. Yet, nothing like that happened. 
(chapter 104), a sign that he was recovering. But due to the two incidents during that day, Baek Na-Kyum had been feeling unwell and was hiding his discomfort out of fear of getting abandoned. This means that the deceivers were trying to portray the painter’s actual disposition as something unchanging. Since the painter had trouble with eating now, his eating disorder existed in the past. And this perception got reinforced, for the lord could notice afterwards that the maids’ statement had become a reality. What they had described, truly happened afterwards. Due to worries and anxieties, the artist lost his appetite. He would fake his “happiness”. The manhwalovers could witness how the painter had slimmed down
(chapter 1) He couldn’t have a proper erection, and it was never his choice to have sex at any time and any place, because he was treated as a male kisaeng. And now, it is the painter’s turn. Gossips about him would become a verity. Yet the other difference to season 1 is that in season 4 the artist is exposed to the same “prejudices” than Yoon Seungho in the past: He is ill!! He needs to be treated and the “gibang” is the right place for that🤮. He would be with his noonas, a new version of the lord’s past. And now, you comprehend why father Yoon said this to the physician in chapter 57: 
(chapter 104) This statement implies that the painter is responsible for the bloodbath, for he left the propriety. Yet, instead of confronting the painter, he was encouraged not to talk about the past. He was suggested that way, he would protect the artist’s mind and heart. Besides, his choice was influenced by his own anxieties. The lord fears argument, because the last time they had quarreled, the artist had threatened his lover to leave the place. 
(chapter 85) I would like my avid readers to keep in mind that the lord wished to keep the artist by his side, sending the artist back to the kisaeng house was just a temporary measure. 
(chapter 105) That’s how a misunderstanding was created, provoking the painter’s abandonment issues to resurface. The lord had selected secrecy and silence out of love for the artist. Therefore when the lord sensed Baek Na-Kyum’s agony, he could only jump to the conclusion that the painter was acting the same way than him. He was also hiding something from Yoon Seungho. That’s the reason why the lord didn’t argue with Baek Na-Kyum. 
(chapter 107) He imagined that the artist was doing it out of concern for the noble. He was projecting his own thoughts onto the artist. 
(chapter 68) According to this belief, the lord brings bad luck to others. This rule can only incite the main lead to doubt himself, to judge himself in a negative light, to doubt his own judgement. Moreover, the perfidy is that this principle pushes the protagonist to deny the existence of his own misery. It was, as though the lord had never suffered, only the others. This “faith” represents the biggest lie and hypocrisy. However, the main lead questioned this rule in front of Yoon Chang-Hyeon, 
(chapter 59) It was, as if Yoon Seungho feared to taint the painter by sleeping next to him. However, the artist’s biggest wish is to share the same bed than his lover. 
(chapter 97) To conclude, Yoon Seungho’s life is still influenced by a false cult, by propagandism. This faith is is based on Rene Girard’s theories about mimetic desire and scapegoat mechanism.
(chapter 250) Hence the man created the following theory which is inspired by religion. 
(Doctor Frost, chapter 250). Under this new light, it becomes comprehensible why the author from Doctor Frost utilized the image of a black sheep as the future scapegoat. IT was selected, because it stood out. And you comprehend why Yoon Seungho became the target in the end. His good reputation attracted envy and jealousy.
(chapter 57) Why? It is because each noble family aspires to the same: power and wealth! 
(chapter 107) This explicates why Yoon Seungwon was mentioned by the man with the purple hanbok. He implied that the son might have been well educated, yet he must be lacking elsewhere: his sexual education…. as his other task is to have a heir. This means that by standing out, Yoon Seungwon caught the jealousy and envy from other yangbans, though I have my doubts if he truly passed the civil service exam first. In other words, it is better not to stand out. 
(Doctor Frost, chapter 183) Since deprogramming is like brainwashing, it signifies that for the brainwashing, the victim needs to be isolated and even imprisoned too. And in order to be effective, the target of the brainwashing has to be exposed to stress and lack of sleep.
(chapter 187) Fatigue and exhaustion are necessary in order to lower the target’s defense mechanisms. This explicates why it has to take place during the night, for the night is the time for humans to rest. Therefore the place of brainwashing is called “the fox’s hole” in Doctor Frost. 
(Doctor Frost, chapter 187). 
(chapter 187) The Ganzfeld effect happens when you undergo sensory deprivation for some time, and your brain tries to make sense of what is happening. Just 15 minutes of sensory deprivation can induce vivid hallucinations, according to researchers. This process involves muffling the ears and blindfolding, so people are unable to see or hear. And note what had happened to Baek Na-Kyum during the abduction. His head had been covered 
(chapter 66), and according to me, while his head was covered, he got strangled. Hence he had this nightmare. 
(chapter 61) But he lost notion of time and chronology, hence his nightmare is not coherent. One feature of altered states of consciousness during Ganzfeld exposure is an altered sense of time. In general, regardless of the induction method, altered states of consciousness can be characterized by changes in the sense of self and time. But this can only happen, when the brain is deprived of stimulations. 
(chapter 187) I had already outlined that Yoon Seungho had lost not only the notion of time, but also all his senses. And the nightmare is displaying the evidence of the Ganzfeld exposure. Hence the young master viewed himself flying 
(chapter 74), and at the end his eyes and ears got covered by hands and blood. 
(chapter 74) Besides, he was trapped in the dark room which looked like the servants’ quarters. Only thanks to the painter, the lord could recover his own senses, slowly he became the owner of his own body again. In addition, remember what he said to his own father: 
(chapter 62) Under this new light, it becomes comprehensible why the lord didn’t lose his whole sanity and as such didn’t fall completely into despair. The warmth and light served him as a guidance. Consequently, I deduce that in his childhood, he was trapped there in the dark for hours!! Because he was jailed in that room, he was exposed to the Ganzfeld effect. Therefore he relied on the valet’s words. 
(chapter 77) He trusted the butler, even after getting betrayed and abandoned each time. He developed blind faith in the butler. Why? It is because he was the only one “talking to him”. Though he wounded him so many times, he still remained by the lord’s side. That’s the reason why I come to the conclusion that the shed is not just a room for punishment, but also for “faith”, the place where the scapegoat was placed: “
(chapter 62); “beg”, “trust” a synonym for faith, 
“soul”, ” 
(doctor Frost, chapter 191). This description fits to the shed, the lord was not only cornered mentally, but also physically. 
(chapter 98) Consequently, I deduce that when the valet got punished in season 3, he portrayed the painter as a tattler for that reason. He didn’t want to become the scapegoat in the end. 
(Chapter 77) At the same time, receiving treatment from the physician, Kim could say that the lord regretted his decision. These new discoveries reinforce my prediction that the painter is doomed to become the next scapegoat!! Yet, chance is on the couple’s side. On the other hand, this signifies that someone will have to become sacrificed!
(chapter 108) for his wrong choices, I come to the opposite interpretation. Naturally, if the manhwalovers compare the butler’s apology in the shed to the one in the library, 
(chapter 108) He had not told him about the shaman’s house on purpose. He had hidden the truth by omission. He justified his decision by using the “townsfolk” and their liking of creating gossips. However his real task was to protect his lord’s interest and inform him about everything. He made a decision without his lord’s permission, and as such he usurped his authority. He acted, as if he knew what was the best for Yoon Seungho. But this doesn’t end. What infuriated me the most are these two declarations:
(chapter 61) The red-haired master utilized the present perfect tense, which is a combination of the past and present!! This time reveals that the young man was about to move on. On the other hand, the butler is either referring to the past and to the future, but not to the now! This means, he has no regret right now. He is projecting himself in the future. He implies “regret”, but he is not truly admitting it. Finally, when the childhood friend came to regret his choice, he voiced it outside the barn!! 
(chapter 61) This contrast outlines that the storage room is the place of illusion or false faith. 
(chapter 108): Here, my blood was literally boiling, when I read his second “confession”, because here he was now omitting Yoon Seungho. It was, as if the protagonist was not existing. His words were actually reflecting a new betrayal towards the main lead. Here, he was vowing loyalty to Baek Na-Kyum and not to Yoon Seungho!! He insinuated that if he was taking care of the painter, he was protecting Yoon Seungho’s interests. However, the artist and the noble are two different persons. Imagine the following situation: The main lead gets arrested for “murder”, the butler could justify his vanishing, passivity and silence by saying that he needs to take away the painter from the mansion so that the latter avoids getting into trouble as well. As you can see, he would keep his promise, but he would sacrifice Yoon Seungho. With his words, he was insinuating that he only had two choices: the elder master Yoon or the painter. Besides, once the lord were to be removed, Kim could put the whole blame on the painter afterwards. If he had not left the house… That’s the reason why I viewed the last statement as the biggest treason. In reality, he was not vowing loyalty to the main lead. This scene was a reflection from episode 30, where the artist had pledged loyalty to the main lead 
(chapter 30) and this in front of people. This explicates why the butler got grabbed in the storage room 
(chapter 108) like the painter in the courtyard. 
(chapter 30) We could say that it was the butler’s karma for his past manipulation. He had been the one who had encouraged the painter to flee the mansion (chapter 29/30). But this doesn’t end here. When the artist vowed his loyalty to the protagonist in the courtyard, the latter was present, which is not the case here. The artist is left in the dark. 
(chapter 108) Where is the personal pronoun “I” here? Nowhere. Only the lord cares for the painter, this was the butler’s declaration in the end. But what about the tears? How could he fake the crying? 
(chapter 81) When the lord had wounded his lover, when he was in a dissociative state, he had perspired so much that his sweat was falling like tears!! As you can see, fear could be the reason why drops of water were falling. Let’s not forget that the main lead had treated Kim very harshly and even threatened to have him killed, something he had never done before. 
(chapter 108) Kim had reasons to get scared and to sweat.
, chapter 108, or my lord 
(chapter 108) However, the manhwalover should question this. Why did he regret that day? It is because he had revealed his true thoughts about Yoon Seungho to the painter, and he got reprimanded from the artist. Besides, according to me, he had hoped that the artist would leave the mansion due to the altercation. In addition, when he mentioned this scene, he wanted to appear as honest, because he had no idea if the artist had leaked this conversation to Yoon Seungho. Finally, just because he told the truth here, we shouldn’t judge the butler’s confession as verity. To conclude, for me, the valet was not really remorseful, he was more acting. 
(chapter 108) However, this is another illusion which can be easily refuted. 
(chapter 108) This memory is the same than the painter’s 
(chapter 108) In other words, the butler had acted on his own, and informed his master afterwards, when this information was necessary in order to protect himself. As you already know, for me, the butler had definitely acted on his own. But why does Kim need to deform reality so much? It is because he was present, when the young boy was abused sexually and he did nothing. He needs to erase the “traces” of the rape so that his culpability will not come to the surface. Just like the painter, Yoon Seungho has totally forgotten the sexual abuse. Besides, he never mentioned the incidents about the shed to the painter, only the bedchamber. 
(Chapter 87) Here, he was already hiding his guilt by turning Yoon Chang-HYeon into the main culprit. He is responsible for the lord’s suffering. 
(chapter 68), but he had heard a different story from the painter. 
(chapter 93) However, now I understand why Yoon Seungho was not able to discern the hypocrisy from the assistant. 
(chapter 188) It is related to the long brainwashing he was exposed for so many years and the lord’s low self-esteem. Thus I perceive this argument in the storage room as a new version of episode 40, a confrontation between the painter and the scholar. But who had been defeated in the shed? Yoon Seungho was still the loser, for he kept his distance from his lover afterwards. 
(chapter 108) The new version of episode 50-51!! However, this was totally pointless, for the painter was living his bedchamber. His position was the proof that the painter was still favored, though the artist feared to be abandoned by the painter. 
(doctor Frost, chapter 187) This means that the couple has to communicate and the painter will interrogate his lover. 
(chapter 187) But this deprogramming is not pleasant, for the destruction of believes leads the victim to question everything afterwards. What caught my attention is that the painter went to the library, the symbol for “knowledge and education” which stands in opposition to the shed. This is no coincidence. Brainwashing is the antonym for insight. 
(chapter 108) In addition, the lord was dressed like in episode 36, he had the green hanbok. 
(chapter 36) Back then, the painter didn’t talk to the owner of the mansion. Finally, this episode is connected to the lord’s memories: 
(chapter 36) That’s how I had this revelation. The lord’s suffering is also linked to the library. From my perspective, the young master was dragged from the library to the shed at some point. 
(chapter 77) I had already pointed out that in episode 77, the main lead had been dragged on multiple occasions, for he was dressed differently, and the servants would be different. Because I had described that the lord’s mind had been manipulated by indoctrination and the butler had confessed, I deduce that the next episode will contain elements from episode 48/49. 
(chapter 49) That’s the moment the painter dropped the last principle from the scholar and kisaeng. For me, something similar will take place, but such a deprogramming is painful. From my point of view, Jung In-Hun will be mentioned, as in the same place, the scholar had mentioned the painter’s past and future. 
(chapter 11) Yes, the protagonist was wearing pajamas with a Teddy bear on it. This signifies that Kim Dan is connected to this toy. But what does it mean exactly?
(chapter 11), the pure boy was waiting for her in bed, and more precisely under the cover. That’s the reason why you can detect the presence of the bed cover. 
(chapter 5) Note that the main lead is mentioning his grandmother’s pain. This divulges that back then, he had sensed her agony. Deep down, he knew that she needed his presence, support and affection. 
(chapter 10), thus he grabbed the champion’s leg, the moment he sensed that the shadow would leave him alone! 
(chapter 10) As you can see, Kim Dan was holding his leg like a Teddy Bear. Besides, the physical therapist had complained about loneliness before. He was missing “his Teddy Bear”, his halmoni. 
(chapter 10) Finally, observe that Kim Dan asked Joo Jaekyung to take him. It was, as if he desired to share the bed with the sportsman. Hence you comprehend why the celebrity had to bring the drunken doctor to his penthouse. How could he remain by his side in such a desolate home? He had listened to his plea: he wouldn’t be left alone! When the young man woke up, he was indeed not alone. The champion had even observed his reactions before approaching him. 
(chapter 10) It was, as if the champion had acted like a Teddy Bear watching over his “owner”. Under this new perspective, it becomes comprehensible why Kim Dan is so devoted to his grandmother, and even would risk his life for her. 
(chapter 5) This explicates why he didn’t return to her side after hearing the last diagnosis from the doctor. His role is to console and protect her, hence she is not allowed to be confronted with cruel reality. Kim Dan can not let her know his worries and pain, for the role of the Teddy Bear is to “wipe the tear‘s owner with the soft fur”. 
(Chapter 05) 
(chapter 04) Kim Dan would wrap himself in a cover and even bury his head under the cover. This caught my notice, as sleeping position exposes people‘s personality. The cocoon position displays Kim Dan’s need for protection. 
(chapter 10) In other words, Kim Dan didn’t desire to face reality. This explains why he thinks of the past so fondly. 
(chapter 10) 
(chapter 13) I would like to outline that at no moment, the wounded main lead switched his sleeping position. But what does this observation indicate? 
(Chapter 10) Striking is that when he heard the words from the protagonist, the author selected this image: Kim Dan was covering his head!! This is not random, it implies that the young man was not facing „reality“. 
(chapter 4) I doubt that he treated the previous uke the same way. The fighter will give the doctor a sense of belonging, protection and compassion, just like the doctor will have the same function for the athlete. The latter will no longer feel alone, because despite his money, Joo Jaekyung has no one by his side in such a huge flat. 
(chapter 6)
(chapter 17) 
(chapter 1), and can be even dangerous, especially due to his huge paws. His punches are deadly, for the animal can be ruthless. 
(chapter 15) On the other hand, despite his enormous force, it thrives on fruit and honey. This indicates that this animal likes sweetness. And what does the word “Dan” mean in Korean? “Sweet”!! Exactly like our physical therapist. This explicates why Joo Jaekyung is getting more and more obsessed with the doctor, and the kiss can only reinforce his possessiveness: he has already tasted the sweetness from Kim Dan‘s lips. 
(Chapter 15) This panel displays how much the fighter enjoyed their kiss.
(Chapter 17), though his intervention has not solved everything.
(chapter 17) 
(chapter 12), but also the kiss: 
(chapter 15) He remembered his hyung’s advice: 
(chapter 13) 
(chapter 17) However, when he carried his sex partner like that, he made sure to protect him from “cruel reality”. He covered his face with the hoody. Consequently, I conclude that Kim Dan has already tamed a huge bear, hence his fists are so powerful. He lives isolated in his penthouse, but deep down he is longing for companionship.
(chapter 106) strolling through town, they jumped to the conclusion that this must be lord Song! They remembered the recollection from Lee Jihwa. 
(Chapter 83) However, since I have been examining Painter Of The Night so closely, I learned to pay attention to details. Consequently, I recognized very quickly that Yoon Seungho was not chasing one ghost, but he was running after 3 different people 
(chapter 106) impersonating „lord Song“ 
(chapter 106) If you look very attentively at the hanboks, you will realize the slight differences. First, the shade of the cloth diverges, then one cloth has a pattern, the other hanbok none. The form of the gat is also a little different, just like the color of the hair diverges. Besides, the readers should keep in their mind that in season 3, we had at least 3 bodies, though I am suspecting 4 corpses: 
(chapter 94) 
(chapter 97) 
(chapter 97) and 
(chapter 101) Thus I come to the following conclusion that these 3 persons wearing the purple hanbok are not the “real lord Song”, the one who tormented the protagonist. In my eyes, he was watching the protagonist from the tower! 
(chapter 106) Let’s not forget that each scene is reflected in each season! And in episode 37, we had this memory from the fake servant: 
(chapter 37) The empty street was the indication that the monarch was present in the city. And now pay attention to the situation in episode 105: 
(chapter 105) Why is the street empty, when it was not the case during the night in episode 69? 
(chapter 69) For me, the pedophile was in the kisaeng house. But let’s return our attention to episode 37. 
(chapter 106) To sum up, for me, the 4th “lord Song” was present in this scene, but the protagonist couldn’t detect his presence, for the other “shadows” were there to divert his attention.
(Chapter 106) As you can see, they used a prank to wound the artist. Their goal was to incite the painter to return to the kisaeng house. He should cut ties with the main lead, as the latter is a man with a fickle nature. Yes, episode 106 was the negative version of chapter 75. 
(chapter 75) That’s the reason why the couple was sent to the same inn. However, I don’t think that they had expected the painter’s fainting. 
(chapter 106) For me, this is a blessing in disguise.
(Chapter 106) The latter had to be informed not to send the new clothes to the kisaeng house, but to his own mansion. That’s the reason why Baek Na-Kyum asked this question to the butler. 
(chapter 106) That’s how the schemer and his accomplices knew for sure that their original plan had not worked out. And if you read my previous analyses, you are aware that I had discovered the existence of two tailors!! 
(chapter 45) and 74
(chapter 74) This tailor is wearing the scarf the same way than the artist‘s. Finally, in episode 64, the manhwalovers could see the face of the second tailor. : 
(chapter 64) In the past, I had already outlined the divergences in the body shape and the clothes, but the most visible evidence is the scarf!! Finally, I would like my avid readers to detect that the tailor from chapter 64 has been calling the main lead master Yoon, and not lord Yoon Seungho. This shows that this man is involved not only in the recent prank, but also in the main lead‘s suffering. He is not recognizing Yoon Seungho as a real lord. The usage of different hanboks is the proof that the tailor is an accomplice in the latest trick. But this also explicates why the tricksters had not planned the artist’s fainting. First, he had been able to run after his lover. 
(chapter 105) Besides, this is how Baek Na-Kyum acted, when he saw his lord looking at him: 
(chapter 106) The fake smile from Baek Na-Kyum was hiding his true condition, he was still suffering from PTSD. Nonetheless, for the tailor and the other witnesses, it looked like the artist was strong. Nonetheless, since the main lead had learned in the past to fake his smile, he could detect that his lover was far from feeling well. 
(chapter 106) But there is another reason why they had not predicted such an outcome: the doctor!! They had to ensure that the lord’s path never crosses the physician’s! That’s the reason why the manhwaphiles never saw him in episode 106. He was like a ghost. But there is more to it. 
(chapter 106) Yet, in the Spanish version, the butler informs them that it’s soon their turn. This means that they are next to the medicine store. But let’s return to our main observation. Why was the couple pushed to „eat“? For the painter had wounded his hand, the first priority would have been to ask for an immediate treatment. Since the valet mentioned that it was about time to go to the medicine story, the manhwalovers should wonder why it was time. Thanks to the Spanish version, we know that according to the valet, the doctor had been treating other people before indicating that lord Yoon could not receive special treatment.
(chapter 57) Yes in the kitchen of the physician! Then in a different image, you can the kitchen with the stool and the circle with the shamanism drawing right behind the lord’s back. 
(chapter 106) We assumed that the couple was eating in an inn, but it is true? Finally, in the shelves, the manhwalovers can see small packages hanging around, 
(chapter 106), they look exactly like the medicine Kim fetched in episode 55. 
(chapter 55) Because of these parallels, I started wondering if the couple and the readers had not been fooled in the end. They were actually sitting in the medicine store, but due to the butler’s words and episode 75, the manhwalovers had the impression that the couple was in an inn. And the Spanish version seems to confirm my suspicion. I had already outlined that the furniture and shelves in the library had been switched. So it could be the same with the doctor’s office. Besides, the form of the building reminded me a lot of the house from the physician’s. 
(chapter 106) 
(chapter 74) Once you remove the cupboard from the side, you have a patio where you can eat. Under this new light, it explains why Yoon Seungho would say this to the butler: 
(chapter 106) It is because they were already there! And this would explain why the painter went to the restroom! 
(chapter 106) This coincides to the night of the abduction executed by No-Name! 
(chapter 59) To conclude, there was another ghost in episode 106, the invisible doctor. No matter what, the couple was not supposed to see the physician. Why? It is because he would have noticed the existence of two different doctors. That’s the reason why Kim acted as a mediator! 
(chapter 106) This was not to help his master and the painter at all. Quite the opposite. He had to cover up his own wrongdoings and help the schemer. Therefore it is not surprising that the valet was confronted with the artist’s fainting! 
(chapter 106) The latter had played a mean prank on Baek Na-Kyum!! Yes, you are reading it correctly. Now, you are wondering when the valet fooled the pure painter. Observe that Kim had joined his master 
(chapter 106) He had barely moved… maybe run for 4 meters! How could he be out of breath? Besides, why would he scream like that, when the lord was standing next to him? 
(chapter 106) It is because he needed Baek Na-Kyum to hear his lover’s departure!! Because we see this panel, we assume that the valet was left in the dark, especially after witnessing such a scene. 
(chapter 106) Our brain is trying to fill the blanks. But the moment you realize that Kim didn’t run such a long distance to be out of breath, you will realize that this “abandonment” was staged. This was the reflection of chapter 85, another fake run! 
(chapter 86) Thus the butler got punished for his acting. He has now to take care of an unconscious painter. 
(chapter 58) Kim had usurped his authority, he had made a decision without his master’s permission. 
(chapter 24) The gate serves as the indication. 
(chapter 24) And in that episode, the artist got dragged twice. 
(chapter 24) First, it was the scholar, then the butler. However, in that scene, the butler had lied to the artist, for the noble had never requested to meet the artist in the pavilion. From my point of view, he was still hunting in the woods. As you can see, episode 24 contained all the elements of an abduction, though it was not perceptible. That’s the reason why I am suspecting that Yoon Seungho might think that his lover has been kidnapped again, especially after hearing such horrible gossips. Nonetheless, since the painter fainted, the valet will be forced to take care of Baek Na-Kyum. In addition, observe that the butler brought back the unconscious painter to the mansion, though the doctor was right next to them! This shows that Kim and the physician had not the artist‘s best interests in heart. He should have been treated right away. 
(Chapter 76) Coincidence versus trick! They wished to scare Yoon Seungho, to let him think that „lord Song“ knew about his crime and was about to denunciate him. Yes, in my eyes, the man with the purple hanbok embodies treason and was the reason why Yoon Seungho got arrested and tortured in the past!! Under this new light, it becomes comprehensible why the lord would get so mad at his childhood friend. 
(Chapter 59) But the moment Yoon Seungho’s mother killed herself, it became clear that her son had been unfairly arrested and tormented. So someone had to take the fall for the injustice, the real lord Song. 
the (chapter 82) Nonetheless, there is no ambiguity that in reality the one behind the denunciation was father Lee. But the purple hanbok is connected not only to the arrest and torture, but also to the sexual abuse. Thus the painter had such a memory in the gibang: 
(chapter 59) Back then, Yoon Seungho assumed that his childhood friend knew nothing… but now, he is seeing the ghost lord Song circulating in town. So he could jump to the conclusion that the Lees have been helping lord Song. Finally, the manhwaworms will certainly recall the red-haired master’s confession, he knew everything!!. 
(chapter 57)
(chapter 106) And this scene is a reflection of episode 64, where the two women were ignorant about the incident of the previous night. 
(chapter 64) Once again, this proves that the tailor is involved in the scheme. 
(chapter 106) The Spring Poem is actually reflected in this scenery: 
(chapter 92) Yet this doesn’t end here. Episode 92 
(chapter 92) is the positive reflection of episode 106: 
(chapter 106) If nobles were involved in this, why did they kill the son of lord Shin? Besides, let’s not forget that Yoon Seungho never ordered the fire in the shrine and he never killed lord Shin! This means that he is innocent. That’s the reason why I come to the conclusion that contrary to their expectation, the lord won’t decide to leave the painter behind because of the imminent misfortune! From my point of view, Yoon Seungho could ask his lover to paint a lucky charm on their house, the tiger! 
(chapter 105) That way, the artist would feel that his master needs his help and talent. Moreover, I have the feeling that the main lead will go to the authorities and ask for their assistance. 
(chapter 103) Why are such rumors circulating in town and who are the witnesses? 
(chapter 103) As you can see, the schemers are no longer able to control Yoon Seungho and his lover, for both are supported by the gods. Chance stands on their side! 
(chapter 100) 
(chapter 104) Though there is a manhunt, where is he? 
(chapter 106) 
(chapter 98) To conclude, while the schemers thought that due to his crime, Yoon Seungho would lie low and cut ties with his lover, due to their meddling, they achieved the opposite. The lord will request an investigation… something he has never done before. He could even denunciate Lee Jihwa 
(chapter 67), that way he can escape punishment. This means that Black Heart’s last confession (and lie) could help the lord to protect himself and his lover. Finally, if Yoon Seungho were to mention the purple hanbok to his lover, the latter’s memory could get triggered and he could remember this night: 
(chapter 9)
(chapter 1) This means that no one had witnessed the wrongdoing committed on the anonymous lord. However, it is important, because it exposes how a person committing a wrongdoing could escape scolding and punishment, even from the readers. There was no witness! Only an attentive reader could detect this. Hence you have the explanation why Yoon Seungho suffered for so long. There was either no witness or the persons chose to close an eye and remained silent. Since it was the negative reflection from Baek Na-Kyum’s slap and the main lead had used his right hand 
(chapter 11), I deduced that the culprit was left-handed. That’s how I could identify the culprit, lord Min. The lord was in reality left-handed. We could observe this in chapter 8
, episode 19 
, chapter 33
and episode 43
, in chapter 96 
, in episode 100
and finally in chapter 102 
or 43, or 52 
, he used his right hand! Thus one might argue that Min was simply ambidextrous. However, I can prove 100% that Black Heart is left-handed!😮 The evidence is the usage of the bow. 
(chapter 22) This is how a right-handed man shoots an arrow. On the other hand, we never saw Min using the bow. The bird was already wounded by the arrows, when the scene of the second hunt took place. 
(chapter 41) However, the manhwaphiles can discover the verity thanks to one detail: the bag of arrows. 
(chapter 22) As you can see, the bag is carried on the right side, but the arrows are almost touching the left shoulder. They need to be on the other side, since the scholar needs his right hand to grab the item. And now compare the position of Min’s bag. It is inclined in the opposite direction, hence the arrows are visible on his right side! 
(chapter 41) Thus the noble is carrying the bag 
(chapter 41) differently from the painter too. 
(chapter 22) Under this new light, it becomes comprehensible why Byeonduck never showed the Joker’s hunting skills. People would have noticed that he is left-handed immediately. She made sure to hide this important fact, thus within the same chapter Min was often portraying as using both hands. In episode 43, he employed his left hand to pour the alcohol in the glass
(chapter 9) Here, he was still present, but even before the end of the sex session, he had already vanished. 
(chapter 9) Finally, when the noble with the mole visited Lee Jihwa, the latter claimed that he had spent a long time at Yoon Seungho’s. 
(chapter 9), and his friend never denied it. As you can see, the characters made sure to confuse the readers with the change of the chronology. As you can see, it took me a long time before noticing the bruised face (only during season 3), then to bring up the conclusive evidence that Min was the culprit of the slap. Then in the shaman’s house, he took the dildo with his left hand, because he was angry and frustrated. 
(chapter 100) too. This shows that he could barely control himself here. And once he faced the main lead’s sword, he got so scared that he showed Jung In-Hun’s glasses with his left hand again. 
(chapter 92) The irony is that in this scene, the main lead employed his left hand too, the positive reflection from the night in the pavilion (chapter 43). While here it was to bring him back to reality, in the pavilion, the Joker had the opposite intention: to lure Lee Jihwa to believe in illusions. 
(chapter 74) They announce the future events, though the information is not given properly. On the other hand, since they are memories either, this signifies that they contain insight about the lord’s tragedy. Thus I noticed that the anonymous perpetrator used his left hand to grab his hanbok!! I deduced that the perpetrator in the past is also left-handed!! Secondly, since this vision can also be seen as the announcement of the painter’s second kidnapping, this is no coincidence that Byeonduck created such panels during the painter’s last torment. 
(chapter 99) However, in the shaman’s temple, Black Heart grabbed Baek Na-Kyum with his right hand. He was trying to manipulate the artist, he was acting. He was not showing his true self. Yet, the vision was revealing the truth: the future mastermind of the last scheme was in reality left-handed!! It didn’t matter, because at the end, the main lead was able to discern the truth. He sentenced Black Heart, for he believed that he had killed his loved one! That’s how I realized why the author would focus so much on the hands and on the distinction between unconscious and conscious! The hand in Painter Of The Night represents the crucial clue to identify the culprits!! 
In season 1, we had the hands in the illustration. The hands were revealing the crime committed against the main lead. The latter was totally passive in this picture. The hands are touching and unclothing the immobile man. It also shows that Yoon Seungho was at the center of the conspiracy, in the past and in the present! The painting in the background indicates the presence of a hidden painter. Thus Baek Na-Kyum was not drawn in the cover. The painter of the night was in truth someone else, the painter from the past! Nevertheless, the main lead was looking at the readers, indirectly at Baek Na-Kyum, the young painter of the night. This describes the arrival of Baek Na-Kyum in his life. Striking is that the painting in the background was destroyed… indicating that the portrayed relationship was no longer existent. This represents another clue that the lord’s suffering is linked to a previous relationship. Then in season 2, 
the author revealed Baek Na-Kyum as the painter, who had now become the target of the plot. Yet behind him we see Yoon Seungho’s foot. The latter symbolizes the main lead feared to get close to him, but he wouldn’t leave his side. Moreover, this corresponds to the lord’s impulsive decisions, he let his foot guide him. Thus during the first night of the failed gangrape, he walked towards the study and stopped unconsciously, when he was next to the room. 
(chapter 53) Due to his strong denial, he was strolling not realizing that his feet were under the influence of his subconscious. And it was the same, when he opened the door with his foot at the Lees’ 
(chapter 67) Nonetheless, I believe that the author had another reason to draw the foot in the cover. The foot prints are the evidence of the crime, and as such the deceptions and the culprits. 
(chapter 59) 
(chapter 61) The shoes were the clues how to recognize the perpetrators and accomplices. That’s why I compared these feet 
(chapter 59) with those 
. (chapter 66) My avid readers are already aware of my theory. For me, we have two kidnappers, and one tried to kill the artist! To conclude, Byeonduck left the clues how to unveil the mystery from the past and the present in the illustrations of each season. The paper in the second cover 
(chapter 56), but also to the theft of the painting
(chapter 56) and the painter’s break! At the end of season 2, he was no longer painting and in the beginning, he had also stopped due to his heartbreak. Simultaneously, we have the presence of water which serves as a connection to season 1 with the ruined painting and to season 3 with the well and drowning. The dark shades were an allusion to the lord’s darkness and suffering. The latter would come to the surface. However, since the cover only showed the lord’s foot, it exposes that the lord would not divulge his traumatic past. 
(chapter 78) In season 3, this time the main leads were facing each other, they were recognizing each other: their true self! But this stands in opposition to the deceased people without identity! 
, the back 
(chapter 44) And the nightmare exposed the number of persons involved in his suffering: 4 men!! 
(chapter 99) That’s the reason why I am anticipating a cover with the gibang. It would be the perfect place to find closure for the couple. It is a place where both suffered. Moreover, I think, belongings should serve as an evidence for the identification of the schemers and accomplices. Remember that we had the glasses as the evidence of a murder in season 3, yet I am sensing that the possession should serve to identify the perpetrators from the past and the present. Since the clothes were used to confuse people in season 3, I am assuming that in season 4, they should help to recognize people, but at the same time, it is totally possible that our main leads decide to employ the same method to fool the schemers and accomplices. And now, we have the cover for season 4. Both protagonists are not only facing each other, but also touching each other. They are no longer hiding their emotions and thoughts. 
This image represents the opposite to the other seasons. At the same time, the author is again referring to the bedchamber indicating that this place is strongly connected to the protagonists’ suffering. On the other side, since the painter is wearing a silk white shirt, it implies that he is not a commoner. This panel indicates that the main lead was able to the true owner of the study and even bed. However, due to the tears, the beholder can sense that this season will be painful as well. Striking is that in the cover, they were either alone, or they were just looking at each other, hence they didn’t pay attention to their surroundings. Consequently, they couldn’t sense the presence of a plot and the schemers. This indicates that the couple is still not prepared to face new schemes. To sum up, the author selected such covers because she had planned to leave clues there about the mystery! But wait… I had outlined that the person who grabbed the young master Seungho was left-handed, and he played a huge role in the main lead’s downfall and suffering! But who is left-handed in this story? 
(chapter 12) 
(chapter 56). But then I noticed that he carried his master on the left side. 
(chapter 57) Nevertheless, the person threatening the painter was right-handed. 
(chapter 74). Furthermore, don’t forget that in his nightmare, the author exposed the presence of plates with 3 candles 
(chapter 74) which were also used in the shaman’s house. Finally, in this picture, we have a right-handed person. 
(chapter 74) So Kim could have been the one silencing him with his hand.
(chapter 86) On the other hand, at the doctor’s office, he employed his right-hand to keep his son by his side. 
(chapter 57). Why is there this change? The turning point was the prank in the bedchamber. 
(chapter 83), then with the left! Striking is that the author never showed, when the patriarch employed his left hand. The readers could only hear the sound, and see the result of the beating. Both cheeks were wounded. From my point of view, he was conditioned exactly like Min! He was not allowed to use his left hand, but the angrier he got, the less he could hide his true self: he was left-handed and he was a stupid and brutal father!! 
(chapter 37) On the other hand, I am doubting that Byeonduck will introduce many new characters in season 4. That’s the reason why I believe that the man with the pipe is the real schemer, as the pipe was in the annex. Since Min grabbed Baek Na-Kyum in the shaman’s house, I am more inclined to think that the perpetrator grabbing the young master Seungho by the collar was just an accomplice and not the mastermind. In other words, he was the helping hand. 
(chapter 57) 
(Chapter 74) I don’t believe in hazard. Besides, the lord had his nightmare during the same chapter. This means that he could have leaked this information about Yoon Seungho to an outsider, like he did with the painter. As the manhwalovers can grasp, the physician is more suspicious than before. 
(chapter 92) Besides, observe that the angry man put the brush on the left side. 
(chapter 92) The man is left-handed! And what did Yoon Seungho do? 
(chapter 92) He grabbed him by the collar! Exactly like in the dream!! 
(chapter 44) or patio of his mansion, similar to Heena’s. And since the young main lead suffered so much, it is normal that he doesn’t have such believes. IT is also possible that the young master Seungho played a prank which made the man angry and humiliated. As you can see, I come to the conclusion that jealousy and resent were the reasons why he got involved in the first place. Moreover, we shouldn’t forget that the calligrapher is linked to the kisaengs! He even recognized Baek Na-Kyum, as he called him a peasant. 
(chapter 92) Yet, he was either perceived as servant, a noblewoman or as a sir so far! He was never recognized as a peasant. Since he could identify the artist, it is also possible that he was also able to identify Yoon Seungho. But he thought that he was not well educated after living as a male kisaeng for so long. From my point of view, the man could have decided to get revenge on Yoon Seungho and participated in his abduction and gangrape!! Thus his karma was to lose his home! 
(chapter 91) The fact that Yoon Seungho grabbed him the same way than in the nightmare is not random. It was, as if he was getting justice. Honestly, I am more and more suspecting that in the past, Yoon Seungho got raped by commoners! Naturally, I have not changed my mind that the king was behind this plot: to get revenge on the Yoons! Who benefitted the most from the crime? Definitely the king, as he was able to ruin their influence. 
(chapter 39), the other only recognizes him as master Yoon. 
(chapter 83) disguised himself and hide his true identity behind “lord Song”. But is he the king or someone else? He was definitely a pedophile, but since we can’t see his face, it is not certain that it was the king. 
(chapter 86) Let’s not forget that in season 3, clothes were used to deceive Yoon Seungho, and the authorities played along. Besides, as the painter had become the love interest of Yoon Seungho and Black Heart, it is very likely that in the past, the victim was exposed to two different abusers, but they all hid behind the name: lord Song. Note that during this feast, one man had a moustache beard which is in Painter Of The Night the sign that he is no yanbang, not even chungin, the upper-middle class. He could be a rich merchant. Just because they are all wearing hanboks 
(chapter 22) This theory of the participation of a merchant got even reinforced, when I made the following discovery. The wooden boxes in season 1 were present at the tailor‘s shop!! 
(chapter 39) Thus I am deducing that the barn in season 2 
(chapter 51) could have belonged to the tailor or the owner of this shop. And note the couple was in the same position than with the kisaeng with No-Name in episode 51! 
(chapter 51) This was the negative reflection from episode 39: no penetration versus penetration, no interruption versus interruption, no rumor versus rumor etc. And this contrast clearly displays that the tailor shop is involved in Yoon Seungho’s suffering. And the best evidence for this is the nightmare. The main lead’s clothes had a design. 
(chapter 2) Queen Yoon vanished, because she was condemned as a witch. Naturally, her disgrace is linked to Lee Nok’s special situation. His yin energy is so strong that he attracts ghosts which his mother noticed. If the king knew about this, he would definitely see it as a curse. Thus Queen Yoon tried to protect her son with talismans which led to her demise. Because of this incident, the king turned concubine Han into his new Queen. The latter gave birth to a son who definitely represents a threat to Lee Nok. 
(chapter 8) This explicates why the boy is turning his back to Lee Nok. Their position in this picture already displays the existing rivalry between them which Queen Han is trying to diminish by faking concern and pity for the Crown prince. She seems to take the Crown Prince’s side, for she has to mask her involvement and true intentions: ambition. She is eyeing at the throne. If the main lead was involved in a scandal, the king could decide to nominate his second son as the future Crown prince. As you can see, Lee Nok’s situation is quite fragile and as such precarious. There is no ambiguity that the loss of his mother wounded the Crown prince deeply. We could detect it thanks to Jae Shin. The main lead chose to adopt the cute puppy, as the latter was motherless. 
(Chapter 7) As you can see, the main lead was projecting his own emotions and thoughts onto the small dog. He feels also abandoned in the palace, as he has no one to rely on. He can not even trust his close aid, the eunuch Ahn, and his love interest, Choi Kyung Joon, as his secrets (sodomy and the ghosts lusting after him) would shock them (disbelief and rejection).
(chapter 1) 
(chapter 2). Though the verdict looks similar, I come to a different interpretation. How so? 
(chapter 1), the other is badmouthed to be involved with dark arts through posters. 
(chapter 2) Yet there is no evidence. I would even add that contrary to Yeomra, the king never gave Lee Nok a choice to defend himself and to determine his fate. How so? As soon as the father read the poster, he accused his son: “What have you been doing that things have come to this?” This means that he believes that there exists a kernel of truth in this rumor. The cause for his mistrust is Lee Nok’s birth mother, the former Queen Yoon. Because his mother was already involved in such a ruckus, the king can only blame the Crown prince, all the more when the latter defends his mother’s honor. 
(chapter 2) These words could only reinforce the father’s prejudices. He was already guilty by association. 
(chapter 2) No one is able to see his face. His only support and connection to aristocrats is his friend Choi Kyung-Joon, the son of a minister. That’s how powerless the Crown prince is in the palace. He is even surrounded by maids spying for Queen Han. Consequently, I come to the conclusion that Lee Nok’s father represents the negative reflection of Yeomra. He doesn’t send away his son in order to protect him, rather to hide him out of shame and resent. In other words, the king doesn’t love his son contrary to Yeomra. Interesting is that the latter let his son make the choice about his own destiny. Why? He wished to give him the liberty to determine his fate in order to prove him what DESTINY is. 
(chapter 3). Let’s not forget that the son’s crime had been to change a person’s fate. Striking is that both monarchs believes in fate, but the mortal ruler has a different notion. Since Queen Yoon is viewed as a witch, the son seems to be “tainted”. Moreover, while Yeomra trusts his son, the mortal king behaves differently. In reality, he relies on his wife, Queen Han. Thus he recommended her to Lee Nok 
(chapter 2), and later he listened to her fake concerns. This shows how easily the king can be manipulated, he is not even realizing that his royal secretary 
(chapter 2) is working against Lee Nok, while claiming that he will look for the author of these posters. I couldn’t help myself connecting Lee Nok’s seclusion in his quarters to the death of the shaman Yeom: both are “buried alive”. 
(chapter 13) Hence she can “understand” him. Another proof for this interpretation is the spirit’s following statement: they share the same fate. 
(chapter 8) The only difference is that the Crown prince is still living. However, for the Queen, it is just a matter of time, until people forget Lee Nok completely so that her son can replace him. At the same time, his isolation can only increase suspicions. And the more he is badmouthed (dark arts or sodomy), the more the king will turn away from his own son. While the king of the hell of tongue ripping wished Jae Shin to recognize his mother, the king of Joseon desired the exact opposite: he should deny his relationship to his birth mother, Queen Yoon. 
(Chapter 2) Moreover, the god never imposed his will onto Jae Shin. The latter has to discover this himself, whereas the king made the opposite choice.
(chapter 1). This shows that the ghost has a deep respect for his father in the end. This explains why after his sentence he thought about his father 
(chapter 1) His words don’t ooze resent, he is more pleading his cause, begging his father to recognize that humans don’t deserve such mercy and care. He trusted his father and his fairness, hence he spoke the truth. He never hid anything from him. As for Lee Nok, despite the father’s verdict, he still follows social norms. He accepts his father’s order. Then despite the rejection, he tried to see his father, and he even went to the Queen’s palace to greet her. He acts like an obedient and dutiful son. Finally, he tried to defend his mother’s honor, as he knew that she had sacrificed herself for him. I am convinced that he must feel guilty for her disgrace. 
(Chapter 8) This truly displays that he had no faith in his son, for in the king’s eyes, the prince is ignorant about Queen Han’s good nature. To sum up, Lee Nok is rejected by his own father, he has no one to rely on. He might have loyal servants like inspector So-Rib 
(chapter 2) or Eunuch Ahn, but the latter have no real power in the palace. Furthermore, he can not confide to them everything. He is not loved which stands in opposition to Jae Shin who grew up as a spoiled prince. 
(Chapter 2) That’s the moment he can finally breathe. This corresponds to the situation of being buried alive which I mentioned above. Since he is surrounded by maids, he has no privacy. But contrary to the Queen and the king, he has no real control over his staff. Due to his innocence and purity, he is not aware that one of his maids is reporting to Queen Han. He is definitely cautious, but he is not cunning enough to anticipate the Queen’s moves. As the manhwaphiles could sense, Lee Nok is indeed a fragile and lonely prince.
(Chapter 1) Imagine that he can control someone from the afterlife. But the problem is that he is not aware of his power, as he has no idea about Jae Shin’s curse. Yeomra’s son can not return to his father’s side, as long as he had not won Lee Nok’s heart. On the other hand, the immortal prince has no intention to reveal his secret to Lee Nok, because if so, he would become his puppet. This explicates why in chapter 18, Jae Shin treats the Crown prince like an object. 
(chapter 18) He is masking his own vulnerability, at the same time he gives the impression that Lee Nok has no other choice than to depend on him. He is trying to turn the tables in the end. 
(Chapter 4) Besides, according to me, Yeomra fell in love with a human, this means that his action affected the mortal world, so he has to restore the harmony in the mortal realm. But the problem is that Lee Nok is already in love with his childhood friend Choi Kyung-Joon. So the main lead might have become the Crown prince’s sex partner, but he has not conquered his heart yet. Nevertheless, it is just a matter of time. The irony is that humans are mortals, hence their time is limited. This shows that Jae Shin is actually working against time. He could end up living as a puppy forever. So he is also weak, totally depending on Lee Nok’s heart and good will. 
(Chapter 16) The latter might have not died, but he lost his yin energy. Thus he lost his strength. Only the Crown prince could heal him.
(Chapter 13) Why would she say that? First, Lee Nok is aware that his friend hates sodomy. 
(Chapter 3) Hence he is forced to hide his affection from him. This means that he can never be honest to Choi Kyung-Joon, yet like already pointed out above, the Crown prince embodies innocence and as such honesty. This means that his lack of honesty towards his loved one can only wound his heart. So far, the Crown prince could never outlive his sexual orientation, for he had no partner at all. Thus he could still maintain his image in front of his loved one. This hopeless love gave him a certain strength. 
(Chapter 9) This outlines the mortal’s power. 
(chapter 13) The friends can not become lovers, as this would represent a threat to them. However, there is no ambiguity that Choi Kyung-Joon is aware of the Crown prince’s affection and he is taking advantage of it. By using social norms, rejection of sodomy, he can keep his distance from Lee Nok, but still maintain his relationship with him. How did I come up with this interpretation? 
(Chapter 3) Note that he is using the personal pronoun “I”, while in reality he is just usurping the Crown Prince’s authority. 
(Chapter 3) He was definitely arrogant, selfish and intolerant in that scene. He didn’t pay attention that his friend was not feeling well the whole time. Secondly, with such an attitude, he could create a ruckus for the Crown prince and damage his reputation. 
(Chapter 3) They were in a gibang, and note that the poster was released shortly after this visitation. Finally, Jae Shin was already hinting about Lee Nok’s love to Choi Kyung-Joon
(chapter 3) It was clear that he was designating his companion, as their path crossed there for the first time. But since the ghost was just insinuating, the other could still feign ignorance. However, despite this warning, the minister’s son didn’t change his attitude. In fact, he became even more caring and gentle than before. Moreover, observe that when the main lead was summoned to his father, Choi Kyung-Joon never asked for an audience and speak up for his friend. 
(chapter 10) Thanks to Painter Of The Night, we all know that this exam has more rounds. Why did he not pass the second round? In my opinion, it is because he is relying on Lee Nok’s support. This shows that he is not determined to become a high official on his own merit. That’s the reason why he is close to the Crown prince in the end. His well-being is his ticket to get power. 
(Chapter 9) But since Queen Han sent someone to tail the childhood friend, it is only a matter of time, until jinsa Choi realizes that he can obtain more, if he supports Queen Han. Besides, if he detects that Lee Nok is hiding things from him, he can utilize this as a sign that he is losing favors. And the moment he switches sides, Lee Nok won’t be able to forgive him. But there exists another possibility how their friendship can get ruined, Choi Kyung-Joon’s attitude represents a problem itself, which I had already outlined above. He almost caused a ruckus in the gibang, then he didn’t try to defend his friend in front of the father, and finally, he made another huge mistake. He let Lee Nok sleep outside. 
(chapter 10) Though his advices sound selfless and great, they are actually terrible. How could he leave the room, after the prince had fallen asleep? He should have left before. Then he makes sure that no one sees him. This can create a misunderstanding. Why did they do there together? So the moment there is a rumor that Lee Nok is a sodomite, the minister’s son could get suspected. So in order to save his skin, he could betray his friend and testify against him. He saw the hickeys. 
(Chapter 13) This is important, because Jae Shin is powerful contrary to the childhood friend. He can use his connection from the afterlife: his brothers, Yeom and the ghosts. And contrary to the minister’s son, his movements can not be detected first. As an investigator, he can unveil how Queen Han used ghosts to ruin Lee Nok by altering the book of names. The ghosts remained in the mortal world, 
(chapter 15) because they were not fetched by the warden and messenger to the deceased. 
(chapter 15) The reason is simple. They were not supposed to die. 
(Chapter 13) Remember that he questioned Yeom’s choice, as she had not accepted the tragic death of her loved ones which was in his eyes predestinated. 
(chapter 13) Like his father, he believes in fate, not realizing that his sin is the evidence that destiny can be changed. From my perspective, this change of heart and conviction can only happen, when he discovers that someone else committed the same crime affecting him directly. Interesting is that Yeom serves as a mother figure to Jae Shin. Despite his rejection, he still followed her advice. He trusted her words, when she said this: 
(chapter 13) He recognized the truth in her words. This shows that through Jae Shin, Lee Nok can gain powers. Indirectly, the latter is also receiving the help of the mother figure, Yeom. The punished prince can give orders to ghosts, he can chase away evil spirits and as such put an end of Queen Han’s influence. Moreover, thanks to his loving brothers, Jae Shin can get an access to the book of names and know about people’s fate. 
(Chapter 15) He doesn’t necessarily needs to interfere directly, his knowledge can help Lee Nok (for example the king’s passing). Remember the saying: knowledge is power. As a puppy, Jae Shin can tail Choi Kyung-Joon too, and he won’t be suspected, as a white puppy is supposed to chase away evil spirits. In fact, the friend knows how Lee Nok cherishes the dog, so he has no interests to mistreat or suspect him. This shows that the Crown prince has powers in the afterlife, 
and his purity is his strength.
(chapter 2) and chose to protect him. Despite his status, he showed humbleness. But this doesn’t end here. He shared not only his bed and his food with him, but also his secrets. . 
(Chapter 2) Jae Shin had already become his confident. And this leads me to my final conclusion: Lee Nok is strong because of his huge heart too. He is neither arrogant nor selfish, and he has not such a negative view about humans and life in general, more about ghosts, the cause for his suffering. For me, he has never lost hope. He contrasts so much to his lover, thus he can teach him these values and change him. On the other hand, Jae Shin can give the Crown prince what he has been missing the most: a true home thanks to his affection and support. 
(chapter 8). 
(Chapter 1). He appears as more brutal and partial, for his kingdom is called the hell of tongue ripping. It was, as if he was not allowing protest or disobedience, and there would only exist one sentence: tongue ripping. Secondly, he banished his own son to the mortal world, because the protagonist had played a trick on the book of names. 
(chapter 1), had been asking this favor from him while tricking him. However, Yeomra wouldn’t listen to his defense so that at the end, Jae Shin was turned into a puppy. 
(chapter 8) or 
(chapter 14) what is he? A dream, a ghost, a human? And this leads me to the following observation: Jae Shin might be Yeomra’s son, but he has three appearances: the puppy, the nobleman and the ghost. This divulges that he has more than just one identity. In this picture, the author outlined the two sides from the main lead. 
(chapter 7) This is no coincidence. If you pay attention how the main figure was called by Yeom, HALF-BREED
(chapter 7) 
(chapter 15) Even Yeom who didn’t recognize him immediately, as she had never met him before, 
(chapter 8) still knew about his rumor. This indicates that Jae-Shin is different. One might say that it is related to his dependence on yin energy (“preying on humans to survive”). Hence he portrayed himself as defective. 
(chapter 15) This shows that he wished to be different, to resemble his hyungs and other “ghosts”. However, in my eyes, this is not the true origin for his reputation as half-breed. If the beholders look carefully at this image
(chapter 1) 
(chapter 1) The color is exposing his special status. Secondly, in this image, we could see the young version of Jae-Shin
(chapter 15) In other words, he had the same evolution than a human! The only difference is that he doesn’t age and die like humans. He is already a few centuries old. 
(chapter 3) Thus I came to the conclusion that Jae Shin is actually the result of an union between Yeomra and a human. Hence he resembles a lot to a vampire with his teeth and long nails, as the vampire is considered as a living corpse. Moreover, the Korean version of a vampire, the gangsi is supposed to absorb Qi, life force. Nevertheless, Jae Shin is not a gangsi, for he can move freely and his body contains blood. My point is that Jae Shin became immortal thanks to his father, but since he was born from a human, he was first a baby before becoming an adult. This explains why Jae Shin’s main color is red, the symbol for life, combined with black, a reference to his father, as this color symbolizes the underworld! Under this new approach, it becomes comprehensible why Jae Shin is forced to go to the mortal world to replenish in yin energy, which is not a necessity for his hyungs. The older brothers don’t often visit the mortal world. 
(chapter 15) As you can sense, for me chapter 15 was very eye-opening! And once you accept this theory, you can comprehend why the father turned him into a puppy. 
(chapter 1) In his eyes, they have no real value. Moreover, he resents them for their hypocrisy 
(chapter 3) He prefers the afterlife world to the mortal one. And because he was different from the others, he got spoiled by his father, brothers and other gods. 
(chapter 3) Since he is the result of an union between a god and a human, he needs human energy (yin). Therefore he bleeds like a human
(chapter 15), when he gets stabbed, but because he is an immortal, he can heal. 
(chapter 16) Striking is that he called himself a ghost, but Lee Nok didn’t accept this, for he is visible to humans. 
(chapter 16) This is important, because by identifying himself as a ghost, he is actually denying his “human nature”. However, he is not realizing that “ghosts” were all once humans which is not the case to Yeomra, Jin-Gwang, Cho-Gang and probably to his brothers. They are “gods”. In other words, the moment he calls himself a ghost, he indirectly admits his “human origins”.
The association is already presented in the title, as it is part of the “ghost”. 
Besides, the manhwalovers can detect its presence in three occasions. 
Jae Shin is wearing an earring in the form of the lycoris. Then the red spider lily 
(chapter 9), was present, when he changed his appearance and dressed as a noble. 
(chapter 9) But what is the meaning of this flower then?
(chapter 9) This was their final goodbye. It takes courage to love someone so different, to love an immortal. That’s the reason why the father sentenced his son to win a human’s heart. He was teaching him a lesson, he should learn how his father fell in love with a human. 
The purple lotus flower symbolizes spiritual enlightenment as well as faithfulness and innocence. The purple flower indicates harmony and balance between different parts of ourselves. [For more read the essay: The lotus and the snake] But since the pavilion and pond were facing the palace where Jae Shin was staying, the presence of the lotus is announcing the future purification of that place full of evil spirits and ghosts.
(chapter 14) This shows that his body’s energy works like a huge talisman. But in order to become effective, he needs human energy. Hence I couldn’t help myself making the following connection, when I read Yeom’s comment about Queen Han: 
(chapter 13) She attributed the queen’s protection to a strong amulet, as she believed that the woman was a human. However, the moment you admit that Jae Shin is the fruit of a love between the god of the underworld and a human, you can imagine that Queen Han could have the same nature. Her aura could be so strong that she can push away powerful ghosts like Yeom. Yeom thought that the young girl was attracting ghosts like Lee Nok 
(chapter 8), thus the shaman advised to the father: 
(chapter 8) She encouraged him to have his daughter accumulated good karma. She was indirectly trying to change the girl’s personality and as such destiny. 
(chapter 8) From my point of view, the young girl was discovering her second nature, she could see and talk to ghosts. Thus she smiled. As you can see, I came to develop the following idea: Queen Han is a half-breed like Jae Shin, but contrary to him, she prefers the human world. Why? Because of her powers, she can control people and gain power. This explicates why she chose to get rid of the shaman whom she viewed as a threat. At the same time, thanks to the intervention of the “spirits”, she discovered how powerful she was. Thus she smiled… 
(chapter 8) like a flower
(chapter 8) These words reminded me of the lycoris, the flower of death and funeral. We have many possibilities for her lineage. Either she is a new version of Gongju Bari, or she could be the product of another god, like for example this one: Seokga.
(chapter 13), yet the brother had not heard about such a death. 
(chapter 8) Exactly Jae Shin, she is living between two worlds, her body might have died, but she is by clear conscious. 
(chapter 9) 
(Chapter 5) It took him a whole week to recover from this encounter. (Chapter 5) He was physically and mentally wounded. His behavior fits all the criteria in chapter 6. He is totally selfless and is risking his life emotionally, physically and mentally. He definitely sees the champion as a „criminal“, since he keeps comparing him to the director from the hospital. (chapter 6) He has indeed become a true hero, hence he received the admiration and love from all the readers.
(Chapter 5) At no moment, in the ring, he risked his life, for this fight is controlled by a ref and both boxers are required to follow certain rules. But the seme has not realized this yet. Like I had pointed out before, he takes everything too seriously. He views his games as a matter of life or death. One might think that he has never had a strong opponent so far, but we have two indications that his career wasn’t always smooth. 
. (chapter 1) The legend is implying that this was not like that in the past (“the streak continues”). Secondly, he has cauliflower ears
(chapter 1), a typical consequence for fighting. [Here I would like to thank @delune_art for her observation]
(chapter 5) The lover and Kim Dan have the same hair dress and the same height, they are both muscular, yet slender. 
(chapter 2) In other words, Joo Jaekyung favors a certain type, but he is not aware of it. Hence he claims that all his sex partners were different. And now, you have the explanation why he views people he has sex with as tools and even whores. He used money as a protection, a wall to keep his distance from people. This is not surprising why he was happy, when Kim Dan asked for financial support. That way, there was no string attached.: “So it was just the money, after all”. (chapter 6) But naturally, he is deluding himself, because observe that he is now changing his sexual habits! 
(chapter 6) It is no longer linked to his jinx, because he is asking Kim Dan to have sex no matter the time or place. This little detail makes a huge difference, the start of his new obsession.
(chapter 1) before and after the arrival of the manager. The tone changed immediately. 
(chapter 1) Then when his athlete wondered why he had not heard from Kim Dan, the manager not only took Kim Dan’s side, but also criticized his athlete. First, when he said that the main lead had asked him like a million times, (chapter 5), he was implying that he had bothered him a lot. Then 
(chapter 5) the idiom “something” is a reference to the sportsman’s behavior. He reproached him in a calm manner that he would nag constantly. Yet, at no moment, the boxer felt insulted. That’s why I couldn’t help myself judging him as a “hero”. He could tame his sportsman and turn him into an obedient “puppy”. The latter is always well-mannered in front of him and never showing his frustration. 
(Chapter 5) He got caught by surprise by this point. He never imagined that Kim Dan would reject or even block him, as he is considered as a “champion”, a hero!! But the moment he turned his back from the manager, he couldn’t control his frustration and anger. Thus he smashed the punching bag with such a force. (chapter 5) On the other hand, he couldn’t control his gaze, when he heard that he could get blocked. (chapter 5) This whole scene displayed the respect Joo Jaekyung had for the manager and his friend. At the door, he never exploded. But why is it so? Like mentioned above, he views the man as his family. And we have another proof for this: “block us” was turned into “block me”. As you can see, the personal pronoun “us” indicates that Joo Jaekyung considers the man with the red shirt as an unit, a home.
(chapter 1), yet he used an ambiguous expression. For the manager, it sounded like the champion had beaten him, while the sexual insinuation was present. His choice of expressions indicates that he desired to stay as close as possible to the truth. This shows that the main lead has no real intention to manipulate his “hyung”. He is not doing it out of malevolence, rather out of fear in my eyes. This is also perceptible in this scene. 
(chapter 5) Joo Jaekyung was frank enough to voice his dissatisfaction about the physical therapists. For me, this image exposes that the boxer is not just a violent and selfish man, he is still capable to have a normal relationship. He respects his peer and never vents his rage towards him. Under this new approach, you can grasp why I selected “my hero” as a title. I wished to outline the good influence the manager has on Joo Jaehyunk. The former will definitely take the physical therapist’s side, like we could sense in chapter 1 and 5!! I am looking forward for the interaction between Kim Dan and the manager, because it will definitely affect the relationship between the hyung and the champion! 
Bebebisous33s' analyses in K-Dramaland and Manhwas 