Jinx: Wheels 🛞 and Waves 🌊〰️- part 1

The title Wheels and Waves – part 1 captures the tension between confinement and freedom, vulnerability and strength, appearances and hidden truths. Finally, readers could see the grandmother leaving the hospice for a stroll. The irony is that she was not accompanied by her grandson or a caretaker, but by the champion himself. (chapter 65) At first glance, the grandmother’s wheelchair and the ocean seem to represent opposing forces, yet they also reveal a complex relationship between power and vulnerability. Thus in this analysis, I will explore how these elements, rather than simply contradicting each other, might actually reflect a struggle to find balance between dependency and independence.

The grandmother’s conversation with Joo Jaekyung by the ocean raises unsettling questions. Her gentle words suggest concern for Kim Dan’s future (chapter 65), yet her portrayal of him seems unexpectedly harsh—emphasizing his flaws (smoking, drinking). (chapter 65) This description stands in opposition to the gumiho’s statement: he was an angel. (chapter 30) It is because Kim Dan didn’t ask for money or recognition, this gesture was entirely selfless. Why would the lady badmouth the protagonist, when she requested from the champion that he brings the doctor back to Seoul? (chapter 65) Is she genuinely worried for him, or is there a hidden motive behind her request to send him back to Seoul? And why does Joo Jaekyung, usually so straightforward, respond with silence and hesitation (chapter 65) or with shock? (chapter 65)

Meanwhile, Kim Dan’s nocturnal walks seem to oppose the grandmother’s immobility. (chapter 65) His bare feet on the cold ground (chapter 65) suggest a longing for freedom, yet the direction of his steps remains uncertain. Whereas these walks reveal about his inner struggle, they don’t reveal the destination of his nightly strolls. Where was he going during that night? Was he going to the ocean—vast and untamed— like in episode 59, (chapter 65) or had his destination changed? These questions will be answered in the second part.

By examining the tension between appearances and reality, the contrast between confinement and escape, I hope to uncover the true nature of sacrifice and survival in the characters’ life. Wheels and Waves invites you to question what it really means to move forward—and at what cost. But let’s start with the interaction between Shin Okja and Joo Jaekyung.

The grandmother and the ocean

Between CREAK, STEP and TAP

First, it is important to realize that the champion was the one who chose the ocean as a destination. The nurse had only planned to walk around the hospice: (chapter 65) This destination reflects the athlete’s desire and mind-set. He likes this place because it is quiet. (chapter 62) From my perspective, the man has now internalized the beach to nature and privacy. Striking is the way Mingwa introduced the scenery. First, she focused on the wheel and Joo Jaekyung’s feet. (chapter 65) The contrast between the creaking wheels of the grandmother’s wheelchair and the steady steps of the champion immediately establishes the theme of control versus freedom. The wheelchair’s wheels represent civilization, immobility, passivity, and the grandmother’s obsession with control—over her own fate (chapter 65) and Kim Dan’s future. In contrast, Joo Jaekyung’s feet symbolize the potential for naturalness, movement and agency (chapter 65), emphasizing his ability to choose and act, even if he is currently unaware of the extent of the grandmother’s manipulation. I will explain further why I see the grandmother’s conversation as a deception. On the other hand, the rhythm of two steps per two creaks reflects how, despite his apparent strength and independence, the champion is unwittingly aligning himself with the grandmother’s pace and will. He is not realizing that he is actually slowing down, an indication that he will getting closer to rest for real this time. Note that he is no longer running and his steps are more “gentle”. We don’t have any TAP TAP TAP anymore, but STEP STEP.

The focus on the wheels and feet also serves as a prelude to the conflicting worldviews of the two characters. While the grandmother’s immobility reflects her fear of facing reality and her reliance on others to push her forward—both literally and metaphorically—Joo Jaekyung’s steps suggest a willingness not only to move forward, but also to impede. Little by little, he is getting closer to the ocean which means that he is about to confront the unknown represented by the ocean. Yet, the irony lies in the fact that despite his steady steps, the champion is the one being emotionally led by the grandmother’s words and direction.

Furthermore, the choice to highlight the wheels and steps before revealing the larger scenery suggests a gradual unveiling of the truth—both about the grandmother’s intentions and the emotional journey that awaits Joo Jaekyung.

“It’s a nice little town, isn’t it”

By choosing the ocean, Joo Jaekyung subconsciously aligns himself with nature, emotions, and freedom—the very things the grandmother seeks to avoid by emphasizing the beauty of the town. (chapter 65) His choice of destination foreshadows a deeper conflict between confinement and escape, between facing the truth and continuing to live under the illusion of control that the grandmother represents. Another relevant detail is the moment Shin Okja praises the town. Observe the position of her head. We don’t see her gaze because of her hat. But since the town is on the right, this signifies that she isn’t truly looking at the town. (chapter 65) In fact, she is just looking ahead of her. The “nice little town” is reduced to the pathway next to the beach. This observation exposes her narrow-mindedness. Because she is not truly admiring the place, I feel like she is praising the town more based on her childhood memories. This explains why she mentions her youth afterwards. Moreover, the fact that she employed the expression “isn’t it” with her description, reveals her tendency to lead the conversation. It was, as if she pushed the young man to agree to her claim. The irony is that she didn’t even wait for his reply. She explained why she was so fond of the place: her childhood memories. In her eyes, because her companion didn‘t spend his youth here, he can not connect to this town, overlooking that people can create new memories anywhere. Moreover, they are not obliged to live in the same town their whole life or to live where they spent their childhood. In other words, this frail lady has no real notion of time as such. I would even say, her gaze is not truly directed in the present or the future, she is rather obsessed with the past.

The grandmother and the beach

But let’s return our attention to this panel. (chapter 65) Here, the ocean dominates the frame, uncontained and powerful, suggesting that the control and order symbolized by civilization are ultimately limited. The receding wharf becomes a metaphor for the boundaries of this control, emphasizing that beyond a certain point, civilization’s reach falters in the face of nature’s raw power. This shift in focus—from the orderly path along the shore to the turbulent waves beyond— accentuates the futility of the grandmother’s obsession with control, medicine, and structured living. But there’s more to it. Mingwa added the onomatopoeia “Whoosh” in order to indicate the presence of wind. The latter is responsible for the “waves”. Funny is that the halmoni is not paying attention to it at all. We could say that the absence of comments about the ocean and wind divulges her blindness and deafness, and the falsehood of her “wish” expressed in the hospital. In addition, this image is announcing the way the conversation will take place. There won’t be any real exchange of thoughts and as such active listening from her part. She will lead the conversation.

This image contrasts so much to the scene with Kim Dan on the beach: (chapter 59) The contrast between these two images—one of the halmoni accompanied by Joo Jaekyung and the other of Kim Dan sitting alone by the ocean—exposes the stark difference in their emotional worlds and the dynamics of control and isolation that define their lives.

In the first image, (chapter 65) the halmoni’s presence with Joo Jaekyung creates an illusion of support and control. (chapter 65) The sunlight high in the sky bathes the scene in brightness, suggesting a façade of warmth and clarity. This lighting aligns with the halmoni’s belief that she can influence Kim Dan through the champion, using Joo Jaekyung as an intermediary to extend her authority. The fact that she is in a wheelchair, however, subtly contradicts this impression of power, revealing her true state of passivity and reliance on others to act on her behalf. The ocean, tamed by the pathway, symbolizes her attempt to domesticate nature— (chapter 65) just as she tries to domesticate Kim Dan’s emotions and decisions. At the same time, it exposes that the champion is still far away from his true self, but he is getting closer to become “reborn”.

In contrast, the second image of Kim Dan alone at sunset paints a completely different picture. (chapter 59) Here, the setting sun hints at the end of the halmoni’s control over his life, casting a melancholic glow that embodies both the beauty and isolation of freedom. Unlike Shin Okja, doc Dan faces the ocean directly, unprotected by railings or pathways, exposing his vulnerability and willingness to confront the unknown—his emotions, his trauma, and his desire for escape. The absence of others highlights his profound loneliness, a loneliness that even the vastness of the ocean cannot fill but seems to reflect. The parasol, standing solitary like Kim Dan, reinforces the sense of isolation amidst an open space. On the other hand, the walk with the grandmother exposes the superficiality of the champion’s connections. He might know many people, but they aren’t his friends or family.

The sound effects further emphasize this dichotomy. The “whoosh” accompanying the halmoni and Joo Jaekyung suggests the wind—a natural element that moves freely despite the artificial path, subtly mocking the halmoni’s illusion of control. Meanwhile, the “shaa” with Kim Dan reflects the waves, raw and untamed, symbolizing the overpowering emotions he battles alone.

Joo Jaekyung’s perception of the halmoni’s influence over Kim Dan is thus an illusion: (chapter 65) the same illusion that the high sun implies. The latter can not shine if there are clouds. (chapter 65) My avid readers know that the latter usually stand for danger. Thus I come to the following deduction: the clouds represent the doctor’s untreated wounds. The champion’s assumption that the halmoni can sway Kim Dan is a misunderstanding of the true nature of Kim Dan’s struggles. While Joo Jaekyung might see the halmoni’s appeals as genuine, I don’t think, he grasped entirely that her words are merely another form of control, one that Kim Dan subconsciously rejects as he continues to seek solace by the ocean, far from the halmoni’s reach. (chapter 59)

In essence, the halmoni’s daytime stroll represents a false clarity and a temporary illusion of control, while Kim Dan’s solitary sunset confrontation with the ocean was foreshadowing a breaking point—an inevitable dusk for the halmoni’s authority and a prelude to a night where Kim Dan chose escape and freedom but at his own life expense.

Another important detail is the way she initiated the conversation. It was about this pretty community and not her grandson. Why? (chapter 65) It is because she is trying to incite the athlete to return to Seoul. He doesn’t belong here. Her statement, “This is where I grew up. But you’re from Seoul, so you probably don’t see what the fuss is about,” dismisses Joo Jaekyung as an outsider while subtly reasserting her authority. Yes, she is using the same MO than with Kim Dan. (chapter 57) By telling him that he had no ties here, she effectively erased their shared past and portraying him as a stranger in the very place she calls home. Thus I deduce that she is aware that she is racing against time. The longer the athlete stays in that place, the lower are the chances that her grandson will leave this town. She has to ensure that Joo Jaekyung doesn’t feel like settling here. I don’t think, she heard about the athlete’s involvement in the little town, for her only source of information comes from the staff (chapter 65) and the residents from the hospice. She has no connection to the town chief and other inhabitants. This exposes how small her world is and little her knowledge is. However, her ignorance doesn’t make her an innocent “lady”, quite the opposite. – Don’t get me wrong, I don’t see her as a malicious person, just as a selfish person suffering from Peter Pan Syndrome.

Let me give you an example. (chapter 65) Here, she claims that she only knows about the sportsman’s job thanks to the patient next door. However, she is lying, because she watched his match in the States. (chapter 41) The irony is that she is not realizing that she is showing her true colors. (chapter 21) In episode 21, the halmoni’s description of the champion as a “good friend” was, in hindsight, a superficial and self-serving characterization. At that time, she likely saw Joo Jaekyung as someone who could be beneficial for Kim Dan’s financial situation without truly caring about who he was as a person. Her interest in him was more about what he represented—a source of money and stability—rather than any genuine appreciation of his character or the impact of his presence in Kim Dan’s life. Thus she said this in front of the ocean: (chapter 65) If he was a good friend, then why didn’t she show more interest in him before? It is because she needs him now. Yes, this woman is a good-weather friend in the end. The term “good-weather friend” refers to someone who shows interest, support, or kindness only when it is convenient for them or when they stand to gain something. Hence she goes outside, when the sun shines. This perfectly encapsulates the grandmother’s attitude towards Joo Jaekyung. But it is the same with the champion. He only visited her, (chapter 61) when he thought, he needed her assistance. He used her to appear as a friend. (chapter 61) Yes, the conversation at the beach played an important role, for Shin Okja’s behavior serves as a distorted mirror to Joo Jaekyung’s actions and mindset, exposing the flaws and contradictions in both. When she voiced this wish (chapter 65), she exposed her belief: money and big hospital are the symbol for care. That’s exactly what the champion had done in the past.

In episode 22, when Joo Jaekyung paid the bills for the halmoni, (chapter 22) he acted out of a simplistic view of good deeds—believing that financial support alone could resolve problems and fulfill his moral obligations. His subsequent failure to visit her again reflects his tendency to distance himself emotionally once he has performed what he sees as his duty. This is reminiscent of his behavior towards Kim Dan: helping him materially but avoiding deeper emotional involvement or responsibility.

Shin Okja’s current behavior mirrors this mindset but in a more manipulative and self-serving manner. Her sudden interest in Joo Jaekyung now that she needs him exposes how she, too, equates support with utility rather than genuine care. She projects a generous and sacrificial image (chapter 65), much like how Joo Jaekyung likely saw himself when paying her bills—believing that fulfilling a material need is equivalent to showing genuine concern. Park Namwook is a representative of this mind-set too.

  1. Transactional Attitude vs. Emotional Avoidance:
    • Shin Okja’s willingness to praise Joo Jaekyung now that she needs him mirrors how the sportsman’s sense of duty stops at financial aid without further emotional involvement. (chapter 45) Both characters avoid deeper emotional connections, opting instead for transactional solutions—she with her manipulations and he with his money.
  2. Superficial Care:
    • Just as the star’s one-time payment was a way to offload guilt without genuine interaction, Shin Okja’s praise (chapter 65) is a way to offload responsibility for doc Dan while maintaining an image of concern. Both display a form of care that lacks true depth.
  3. Avoidance of Accountability:
    • Shin Okja’s deflection of her failures as a guardian (chapter 65) reflects Joo Jaekyung’s reluctance to confront the emotional and mental consequences of the star towards Kim Dan. Besides, Jinx-lovers should keep in their mind that the champion is the owner of the gym. The incident with the switched spray was swept under the rug, just like the drugged beverage. Everyone involved acts, as if nothing had happened or by saying that the doctor was innocent, the witnesses believe that the damages has been repaired. (chapter 62) Both avoid the emotional accountability that comes with their actions, preferring to distance themselves once a material obligation (debts)(chapter 60) is fulfilled.
  4. Perception vs. Reality:
    • The fact that Joo Jaekyung thought he had done a good deed by paying the bills contrasts sharply with Shin Okja’s sudden friendliness, (chapter 65) which is merely a cover for her self-serving motives. This contrast highlights the theme of perception versus reality: both characters’ actions appear kind on the surface but conceal underlying self-interest or emotional avoidance. Yet, there is a difference between them. The champion had sacrificed his time for the doctor, he made sure to keep the elderly woman company so that Kim Dan could rest. Moreover, he had made her happy, that’s the reason why doc Dan was so grateful. (chapter 22)

In this sense, the halmoni serves as a mirror reflecting the champion’s own flaws back at him—his tendency to equate care with material support and his discomfort with emotional intimacy. The paradox here is that while Joo Jaekyung might see the halmoni’s behavior as genuine concern, it is actually a reflection of his own transactional approach to relationships. Recognizing this mirror might be a crucial part of his redemption arc, forcing him to confront the superficiality of his past actions and understand the difference between real care and transactional gestures. However, it is relevant to recall that the star’s past behavior was nurtured by his own surroundings. MFC and the members from Team Black also treated him as a tool for success and money.

So, the mirroring aspect adds a deeper layer to the conflict between civilization (control and superficial care) and nature (authentic emotions and freedom), reinforcing the idea that Joo Jaekyung must break away from this mindset, if he is to truly connect with Kim Dan.

One might think that they are both shallow and selfish. Yet, there exists a huge difference between them. Joo Jaekyung embodies action and he is now embracing changes. Thus he is willing to do anything to improve their relationship, whereas the grandmother is just waiting at the hospice for the “right time” and the “right person”. She is just reacting to an uncomfortable situation than becoming proactive like the champion. She sees the decline of her grandson’s health, but she is reducing it to insomnia which can be treated with pills and a stay at an expensive hospital. (chapter 65) She is not mentioning his loss of weight on the beach contrary to her comment at the hospice. (chapter 57) This displays that she is not entirely honest. She is not reaching out to Kim Dan in the end. Her excuse is that he refused to see a doctor(chapter 65), but so far we never saw her making such a suggestion. It is possible that she jumped to this conclusion because she heard about this incident: (chapter 60) If my assumption is correct, the woman didn’t realize that this rejection was linked to Joo Jaekyung’s intervention. So if she had talked to her grandchild himself, she could have had an impact… But they are actually avoiding each other. One thing is sure: the absence of communication and avoidance between these two family members reinforced the doctor’s suffering. Imagine the consequences of her request: she is preferring locking him up in a hospital receiving drugs than giving what doc Dan has been longing: warmth, love and a home.

Another contradiction is that while she praised the “little town” in the beginning, she was looking down at this place, when she said: (chapter 65) It was, as if she was insulting the hospice where she is staying and as such the staff (which included Kim Dan).

The problem is that the grandmother has long forgotten this day, (chapter 65) where both were happily smiling. The picture is the evidence that she could make Kim Dan smile despite their poverty. Moreover, it is important to recall that she introduced Kim Dan as an orphan from birth: (chapter 65) According to my hypothesis, this image (chapter 19) is linked to the doctor’s abandonment and betrayal. I have to admit that her attitude and words reminded me a lot of the director Choi Gilseok’s offer. (chapter 48). Both the halmoni and Choi Gilseok embody betrayal and the theme of acting behind the back (chapter 48), weaving a web of deception under the guise of care and concern. The halmoni’s betrayal is subtle but profound—she presents herself as a self-sacrificing guardian, but her true motives are revealed through her willingness to entrust Kim Dan to Joo Jaekyung without genuinely considering his well-being. Her criticisms of Kim Dan’s habits, her attempts to send him back to Seoul, and her selective truths paint a picture of a woman more interested in relieving herself of a burden than providing real support. Her actions behind Kim Dan’s back—discussing him negatively with Joo Jaekyung—further emphasize her betrayal, showing a willingness to manipulate perceptions for her own convenience.

Similarly, Choi Gilseok’s offers of lodging, financial help (chapter 48) and superior medical care (chapter 48) mask a deeper betrayal. His real aim was never to assist but to control, using offers of support as bait to tie Kim Dan into a powerless position. The parallel between his proposition to Kim Dan—promising a better life in exchange for leaking information and compliance—and the halmoni’s push for Seoul’s hospitals underlines their shared strategy: make the target believe they have a choice, while the outcome is already decided. The fact that Heo Manwook, who collects Kim Dan’s debts, called Choi Gilseok “hyung” further hints at a deeper conspiracy, suggesting that the offer might have been a tool to ensnare Kim Dan from the start. He would have committed a crime (illegal drugs).

Both characters act behind the scenes, manipulating others to achieve their goals while maintaining an outward appearance of concern. This duplicity can only deepen the sense of betrayal felt by Kim Dan, whose struggle for freedom becomes not just a battle against overt control but also against the subtle, insidious influence of those who pretend to care. Moreover, she broke her promise, but chose to walk to the ocean with the star. It was, as if the grandmother had been ashamed of her own grandson. The halmoni’s and Choi Gilseok’s actions reveal the painful truth that sometimes, the worst betrayals come from those who claim to love and protect. I made this connection for another reason. The director of the gym is actually the one behind the debts and loan. I doubt that Shin Okja would have trusted Heo Manwook for example. It is important, because the loan is the reason why the champion became a target of schemes. But since the doctor refused to abandon his lover, I am convinced that the champion won’t follow Shin Okja’s suggestion.

Moreover, contrary to the grandmother, the star wants the doctor to agree on his own accord. (chapter 62) That’s the reason why he was seeking the grandmother’s support. He was hoping that she could influence him. But what he hears, shocks him: (chapter 65) She desires the same as him, but she is in the same position than him. She is powerless in front of the doctor’s will. It looks like this walk to the ocean was pointless for the champion. However, it is not true, as the athlete got to see a glimpse of the verity in front of the ocean. He is surprised by this request, because unconsciously he senses it as a “betrayal” and “abandonment”. And keep in mind that the ocean represents freedom, the unconscious mind, emotions, death, and the unknown. The wolf was encouraged to perceive the falsehood of his past believes. Moreover, he was incited to question his own past behavior.

Striking is the way both were placed on the beach. (chapter 65) Though they are next to each other, they are not sitting together. The wheelchair represents the invisible barrier between them. This scene contrasts with the conversation in the penthouse. And what had the athlete done during that night? He had not only shared his thoughts and issues to doc Dan, but he had asked for his wish and opinion. (chapter 29) He had even advised to think of himself first. As you can see, the fact that the two characters were just sitting next to each other reinforces my previous interpretation about the conversation. The grandmother was the one who had been leading the conversation, there is no real exchange of thoughts. In episode 29, the champion refused to accept the doctor’s help and suggestion. That’s the reason why I am more than ever convinced that the star won’t listen to the grandmother.

In other words, she was acting like in the past. How so? (chapter 53) She was asking for a favor again, but this time, she was begging for someone else’s generosity. No wonder why she said that she was still the same! (chapter 65) 😉 And what is her MO? She uses pity and vulnerability to her advantage. Since she is so old and weak, she can not do much for her grandson. In other words, she is showing to the celebrity that vulnerability can be a source of strength, that’s how she could turn her grandson into an obedient puppy. However, this can only work, as long as the “target” is listening to his heart and has not developed his own identity and strength. The wheelchair is the symbol for her powerlessness and passivity. Hence she needs the involvement of a third person. The twist is that her wheelchair is the evidence of her dishonesty. How so? She could go to the beach (chapter 53) and watch the ocean with her grandson (chapter 53), but they never did it. Why? One might respond that she refused to do it. (chapter 57) But it is only partially correct. The doctor only suggested this walk to the ocean much later, when he was already suffering emotionally. This means that the grandmother would have not been able to enjoy this walk. Yes, the timing played a huge role. In fact, she confessed her crime to the star: (chapter 53) She never had any intention to spend some time with him. Notice the personal pronoun “we” vanished. It is only about her request: “I wanted to see the ocean”. This means that at the hospital, she never had any intention to keep Kim Dan by her side. She employed the “with you, we” in order to achieve her goal. She acted, as if they were a family. She used her illness for her own advantage. In my opinion, her request was an excuse to avoid to return to the old broken home. For her, home is a place and not a person. Therefore she couldn’t love Kim Dan properly. Her “I’m so sorry” was actually fake. She had only thought of herself… She never thought of her grandson’s future at all. This observation corroborates my previous statement: she is unable to plan for the future. What only matters to her is the past or the present. Why? It is because she doesn’t want to be plagued by remorse or regrets. And now, she is doing it again with the champion. Using emotions and fragility for her own benefits. The paradox is that this is something Joo Jaekyung has always feared his whole life. Nonetheless, he doesn’t react so violently like in the past: rejection or outburst. One might say the reason is that she is weak and terminally ill. (chapter 65) However, I believe that her words reached the champion’s third eye. The latter was not focusing on the grandmother, but on his fated companion. He was trying to understand why he had changed. This question was already on his mind before: (chapter 62) And notice that the words from the grandmother (chapter 65) in front of the water reflects the champion’s intentions: (chapter 62) Once he has achieved his goal (reclaim his champion title), they will depart from each other. He would treat the doctor the same way than the grandmother! No wonder why doc Dan is getting angry and rejecting the offers from his destined partner. IT is only about his own selfish desires and not about doc Dan’s future and desires. Both have a similar mind-set: they don’t know what doc Dan plans to do with his life and the future…. And it shows that Joo Jaekyung was imitating the grandmother, though this suggestion was born from the following thought. Since Doc Dan was no reluctant to work for him, he imagined that maybe he would still accept to work for him for a limited time. But that’s not what Kim Dan is looking. He is longing for a home and at the same time for freedom.

On the other hand, though Shin Okja tried to use the same MO with the celebrity, it is clear that she is destined to fail. Let’s not forget that his private conversation took place outside, in front of the ocean, and the latter represents reflection and unconscious. Hence Joo Jaekyung voiced his hesitation constantly: (chapter 65) (chapter 65) The points of suspension are indicating that he is meditating on her words and suggestions. This stands in opposition to his past behavior where he got manipulated so easily. (chapter 36) The reason for this huge metamorphosis is that because of the lavender-tinted night, he learned to control his emotions. (chapter 65) He was forced to admit that he needed the “hamster”. He knew that if he reacted on these negative emotions, doc Dan would have another reason to put the blame on him. Consequently, his goal would be much further away. Secondly, though the conversation was private, their encounter was far from secretive. Both were visible, as it took place during the day. This means that the grandmother’s words in front of the ocean symbolize that they are in the open. (chapter 65) So they should reach the doctor’s ears. And this observation leads me to my next connection, the grandmother’s deceptions.

Shin Okja’s lies

What caught my attention is this image combined with the grandmother’s claim (chapter 65) According to her, Kim Dan has never introduced her to any of his friends. The celebrity would be the exception! But she is lying here. How so? Joo Jaekyung introduced himself to her on his own. It is because he answered a call from the nurse. (chapter 21) It happened behind doc Dan’s back in the end. The latter was sick, but the old lady didn’t seem concerned. The second lie is this statement which is exposed with the memory: (chapter 65) The panel depicting the halmoni holding an infant Kim Dan offers a complex portrayal of her character—one that blends guilt, self-victimization, and manipulation. Her downcast eyes and the way she cradles the child suggest a mix of regret and weariness, but this expression lacks the warmth expected of a caring guardian. She is not smiling, only feeling pity for the “poor child”. Instead, the scene gives off a performative air, as if she is convincing herself (and, by extension, Joo Jaekyung) that she was indeed a dedicated guardian who did her best. The dark, muted background only deepens this impression, isolating her and the child in a way that hints at unresolved guilt and a lack of genuine affection.

Her words, “I tried my best to raise him, but it was never enough,” carry a double meaning. On one hand, they paint her as a martyr who struggled valiantly despite overwhelming odds. On the other, they imply a subtle judgment of Kim Dan, as if his troubles were a reflection of his own failings (greed) rather than a result of her negligence. The emphasis on “never enough” shifts the focus from Kim Dan’s suffering to her own perceived sacrifices, turning the conversation away from her shortcomings and towards her self-proclaimed burden. This choice of words aligns with her tendency to externalize blame, presenting herself as a victim of circumstances rather than acknowledging her role in Kim Dan’s suffering.

The portrayal of Kim Dan as an infant rather than as the grown man he is now exposes a deeper layer of control. By framing the memory this way, the halmoni preserves her position as the ultimate decision-maker in his life, reinforcing the notion that he is incapable of making his own choices. This imagery ties directly into the theme of Peter Pan Syndrome—the idea that Kim Dan, in her eyes, is perpetually a child who must be protected and guided, even if this means denying him the agency to confront his past and shape his own future. However, this is just a projection of herself. This infantilization serves her interests by keeping him emotionally dependent and by masking her own failings as a guardian.

Moreover, the halmoni’s repeated use of the word “never” (chapter 65) (chapter 65) (chapter 65) is not a mere slip of the tongue but a deliberate linguistic tool to control the narrative. In this context, “never enough” serves a dual purpose: it downplays her own responsibility while subtly casting Kim Dan as a source of endless trouble and dissatisfaction. This manipulation of language highlights a broader pattern in her behavior—her use of selective truths to paint herself as a victim of fate, rather than a participant in the decisions that led to Kim Dan’s suffering. Her words echo the myth she has carefully constructed of herself as the sacrificing grandmother who did everything she could, even as the dark atmosphere of the panel suggests otherwise.

The dark background, devoid of warmth or light, not only isolates the halmoni and Kim Dan but also symbolizes her repressed guilt and closed-off perspective. By presenting herself as the victim of an ungrateful or inherently troubled child (chapter 65), she avoids confronting the real roots of Kim Dan’s suffering—such as the bullying, the debts, and the truth about his parents. For her, it would have been better if he had been raised by his parents. This is what she implied: she could never replace them. (chapter 65) It is important because it exposes her traditional mind-set overlooking that certain parents are unfit guardians. Secondly, with her own words, she legitimated the kids’ bullying. This explicates why she didn’t intervene in the end. What I had interpreted in the past was confirmed in this episode. She represents civilization and as such social norms. Therefore she is a representative of herd mentality. She accepted the kids’ bullying as truth which led to Kim Dan’s isolation. And now, you comprehend why she is not mentioning the harassment from the past. (chapter 65) Here, note that the little boy is wearing the same clothes than in the doctor’s nightmare. (chapter 57) She claims her ignorance why the little boy acted like an adult at such a young age. The reality is that she hasn’t forgotten the incident at all. This explicates why she confessed this to the “wolf”: (chapter 65) And who is to blame for her seclusion? Kim Dan who refused to introduce her to his friends. The irony is that Kim Dan mentioned her to the actor Choi Heesung, (chapter 30) a sign that she was never a source of embarrassment for him. (chapter 65) The truth is that she wanted him to mature quickly so that he could take her burden. (chapter 47) Her refusal to address these deeper issues reveals that her sacrifices were less about genuine care and more about maintaining her self-image as a righteous guardian. (chapter 65) The absence of any visible light or open space in the panel reinforces the idea that her perspective is narrow, unwilling to confront the broader context of Kim Dan’s pain and isolation.

In essence, this panel illustrates how the halmoni’s portrayal of herself as a sacrificing guardian is a carefully crafted narrative. Her use of language, the infantilization of Kim Dan, and the dark visual elements all work together to expose the underlying hypocrisy of her actions. She is not seeing Kim Dan as a man in the end (“sweet boy”). By framing herself as a victim of circumstances, she manages to absolve herself of guilt while keeping Kim Dan emotionally trapped in a narrative of helplessness and dependency. Far from being a scene of genuine regret or love, this moment reveals the true nature of her sacrifices—self-serving acts designed to control the narrative and shift the blame away from her own failures. That’s the reason why she is not bringing up the debts either. Under this light, you comprehend why she portrays Kim Dan in such a negative light: he is a drinker and smoker. (chapter 65) It is because of his personality: he was an orphan and had no real parents to guide him properly. Hence he didn’t listen to her nagging. The irony is that readers never saw her showing concerns about his drinking or smoking habits before. For me, it exposes her passivity and accountability. And what is her MO? She uses the past to justify her request. But the past is no longer valid, for the doctor has grown up. He is no longer smoking for example. She can only use the past, because she stopped living with him. Hence she has no idea how and where he is living right now. She is overlooking that she could have done something: refuse to let him carry the bags or take his hand (chapter 65), talk to him properly and listen to him. But she did not, she used food as a diversion. Walk silently by his side… Like expressed before, this senior stands for secrecy, shame and taboo.

As long as Kim Dan was working and paying off the debts, everything was fine. But now, she is noticing that he is showing signs of illness, but she doesn’t want to feel accountable for that. But there is more to it. In my eyes, Shin Okja never trusted the main lead. It is because of her own lies. She had told him, if he kept working, he would be able to pay off the debts. (chapter 18) What caught my attention in her revelation is her lack of enthusiasm for her own grandson. (chapter 65) “Is he that good?” exposes a lack of faith in her grandchild, a remark which caught the athlete by surprise. For me, he unconsciously sensed this negative aspect. (chapter 65) While this image is actually humorous, the grandmother’s words don’t match her body language. She is not showing any joy or smile. Therefore I comprehend why Kim Dan was so hurt by the champion’s behavior: (chapter 51), the absence of trust because of MONEY! She knew, he was drinking and smoking. Yet according to her, she couldn’t stop him, as she was powerless. He wouldn’t listen to her nagging. But here is the thing. She never asked him why he would act this way. Drinking and smoking were the only things he could allow himself as “fun and diversion”. In her long confession, she is diverting the attention from the causes for this rebellious behavior. Indirectly, she is portraying him as a stubborn boy who can not live on his own. In reality, she is just projecting her own desires and thoughts onto her grandson. For her, the city stands for wealth, fame, success and power. (chapter 65) I am suspecting that deep down, she wants him to shine for her own peace of mind. (chapter 41) Don’t forget that she has been living through him. But Seoul is related to Kim Dan’s suffering: the debts, sexual assault, violence from the loan sharks, the bullying, ,, his “failures” (prostitution, the switched spray), mockery and rejection. So he has nothing there that would draw him back to the city so far. On the other hand, her words imply that the doctor can not lead a good life here (chapter 65), as if there was nothing good in this place. So is this little town nice or not? She is looking down on that place, though she doesn’t realize it.

Captain Hook and his t-shirt

Since the grandmother is suffering from Peter Pan Syndrome, it becomes clear that she views Kim Dan as a lost boy. But she considers the athlete the same way: (chapter 65) Observe that she employed the expression “almost” here. This idiom is even recurrent in her vocabulary (chapter 65) and it is not anodyne. It symbolizes her conditional love and support. That’s why the athlete is almost a grandson. The paradox is that the champion embodies adulthood and as such Captain Hook. That’s why he was racing against time in season 1. Hence he is responsible for the grandmother’s deteriorating health, as the expensive treatment was more an experiment. But here is the thing. Notice what the young man is wearing. (chapter 65) The T-shirt that Joo Jaekyung wears, emblazoned with the words “Peek a Boo” in a spiral pattern, is far from a random detail. Its presence in the scene with the halmoni adds a layer of irony and serves as a visual metaphor for the nature of deception and hidden truths. The game Peek a Boo is typically associated with infants— a playful way for parents to teach children about object permanence, the idea that things continue to exist even when they are out of sight. However, in the context of this scene, it takes on a darker significance, highlighting how the halmoni manipulates what is seen and unseen to maintain control over Kim Dan’s life and, now, over Joo Jaekyung’s perception of the situation.

The spiral arrangement of “Peek a Boo” mirrors the cyclical nature of the grandmother’s manipulation tactics. Much like the game itself, where the face reappears only to disappear again, the halmoni presents selective truths, allowing glimpses of her vulnerability and supposed selflessness while concealing the deeper reality of her motives. This back-and-forth between what is shown (chapter 65) and what is hidden keeps Joo Jaekyung—and even Kim Dan—in a state of uncertainty and guilt, making it difficult for them to see through her facade. The spiral could also represent a descent into deeper layers of deceit and emotional entanglement, suggesting that the more Joo Jaekyung becomes involved, the harder it will be to hide the truth.

On a symbolic level, Peek a Boo ties directly to the halmoni’s treatment of Kim Dan. As a child, Kim Dan was deprived of a real parental figure who could engage with him honestly and lovingly. When he talked the first time, she didn’t reply or smile. His words were met with silence. That’s how he created a negative perception of himself. The halmoni’s refusal to play simple games like Peek a Boo—games that help children develop a sense of identity and emotional security—suggests that Kim Dan’s early emotional needs were systematically neglected. The memories are revealing her passivity and negative thoughts. This absence of genuine interaction is paralleled by her current behavior: her reluctance to openly discuss his past, the bullying, and the truth about his parents. By avoiding such confrontations, she has effectively kept Kim Dan in a state of perpetual insecurity and self-doubt, much like a child who has not yet grasped the concept of object permanence.

Moreover, the game Peek a Boo also involves a degree of deception—the face that disappears and reappears, creating a mix of surprise and relief. This aligns with how the halmoni reveals just enough of the truth to seem trustworthy, while keeping the more damaging parts hidden. Her feigned helplessness and the way she strategically reveals information to Joo Jaekyung—such as her portrayal of Kim Dan’s drinking and smoking habits—are part of a calculated act to elicit sympathy and compliance. By making Kim Dan appear troubled and unreliable, she diverts attention from her own failures as a guardian. Her trust is conditional: (chapter 65) She wants him to follow her request. So what will she do, if he refuses? Moreover, she doesn’t know that the athlete has already created connections with the local inhabitants. The landlord and neighbor has an interest to keep these two young men in that place: he feels less lonely. (chapter 61) Finally, it is important that the athlete never agreed to her “demand” or suggestion. (chapter 65)

Ironically, Joo Jaekyung’s naive acceptance of her words shows that he, too, is caught in this game of Peek a Boo. He believes that by getting through to the halmoni, he can reach Kim Dan’s true feelings, not realizing that the halmoni is using this access to manipulate both of them. The T-shirt becomes a bitter reminder of the gap between appearances and reality—how the champion’s straightforwardness is no match for the halmoni’s subtle control of the narrative.

In essence, the Peek a Boo T-shirt encapsulates the main themes of deception, control, and the struggle to see past appearances. It reflects how the halmoni’s manipulations are not merely a means of survival but a way to maintain her dominance over both Kim Dan and Joo Jaekyung. Just as in the game, the truth is never fully revealed—only glimpsed in fleeting moments, distorted and reshaped to serve her ends.

Conclusion

This selective blindness extends to her treatment of Kim Dan. She speaks of his smoking and drinking habits with a judgmental tone, implying that his actions are signs of moral failure rather than coping mechanisms for his trauma. Her refusal to address the bullying incident—a pivotal moment in Kim Dan’s life—is part of this broader pattern of denial. If she cannot acknowledge the cause of his suffering, she can continue to frame herself as the sacrificing guardian who did her best. This evasion is also evident in her avoidance of the ocean, a symbol of emotions, danger, and the freedom that she refuses to confront. That’s why her request is doomed to fail. But there is another reason why Shin Okja’s favor won’t be fulfilled. (chapter 65) It is because she doesn’t care about the champion’s mental and emotional well-being. By making such a request, she is pushing him to return to work and as such disregard his mental and emotional issues. Just like Kim Dan, the wolf needs vacancy and rest. He needs to enjoy the present and make good memories so that he can finally sleep properly. Nevertheless, I do see a small change in her, because for the first time, she asked for someone else’s help. Moreover, she is mentioning her death (chapter 65), a sign that she is gradually accepting her mortality. On the other hand, her statement “I’ll go, when my time comes” is linking walk with death, But here, she is not walking, she is using the wheelchair! This means that as long as she is not walking, she won’t die. It is her effort to push away the inevitable. She is giving the impression that she has control over her life, but deep down, she knows that she is powerless. Therefore I perceive her final words as a deception as well. But there’s more to it. The fact that she is expressing her fear that her grandson might die before her is exposing her fear of responsibility. I would even say, her words imply that she has already witnessed the suicidal tendencies of a person in the past (that would be the parent). That’s why she suggested to the owner of Team Black to send him to a huge hospital and drugs (confinement).

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Prison Of Glass 🪟, Key 🔑 Of Time ⏲️

Time has always been a subtle but powerful force in Jinx, shaping the actions and mindsets of its characters in ways that they themselves barely perceive. In season 1, I had compared Kim Dan to Sleeping Beauty (chapter 13), who had been awakened by the champion, though contrary to the fairy tale, this arising was associated with pain. [For more read the analysis Painful awakening of Sleeping Beauty🤼‍♂️💕] What caught my attention is that in season 2 Joo Jaekyung was still himself trapped in temporal stasis too. (chapter 60) But how did they ended up both cursed by the same spell? The reason is simple. They were either halted by guilt and self-loathing or distorted by the desperate need to escape a traumatic past. Yet, amidst this stasis, small cracks are beginning to appear, suggesting that the flow of time cannot be denied forever. The past can not be repeated (chapter 64) or become the present or future. At the heart of this struggle lie symbols of doors, windows, and reflections—metaphors for how both characters perceive their realities and their chances of breaking free.

Interestingly, while Kim Dan became aware of the passage of time in Season 1 (chapter 44), he still does not fully include himself in this awareness. His concern was limited to his grandmother’s limited time (chapter 59), reflecting his selfless role as a caregiver. As someone who has long allowed others to define his time—whether as a physical therapist or as a prostitute—Kim Dan has yet to acknowledge his own mortality. Even during the lavender-tinted night, while he determined the length (chapter 64) and nature of the encounter (chapter 62), he did so for the sake of debts, not for himself. (chapter 64) The recent death of the puppy serves as a stark reminder (chapter 59) that he is not exempt from time’s reach, that he too is aging and vulnerable. But the doctor failed to recognize this warning. He only viewed it as a sign of his own powerlessness, reducing it from his own perception. He overlooked the fragility of life as such.

Meanwhile, Joo Jaekyung’s struggle is equally profound. By meditating before an expansive window (chapter 35), he created an illusion of freedom that only masked his deeper confinement—his glass prison. When Kim Dan closed the door and left (chapter 64), the illusion shattered, revealing the reality of his loneliness. The jinx, (chapter 55) once confined to the bedroom, now permeates his entire life, binding him to a past shaped by his abuser’s cruel words.

The Window: Illusions of Freedom

Joo Jaekyung’s habit of meditating in front of the window in his penthouse seemed, at first glance, like an attempt to find peace. (chapter 55) The view created an illusion of openness and freedom, masking the reality of his confinement. Glass, by its very nature, is transparent—a barrier that is invisible yet unbreakable, creating a false sense of freedom. The window’s clarity hid the fact that it was, in truth, an impassable wall that confined him, turning the promise of escape into a cruel irony. By focusing on the horizon, he could avoid looking inward, denying the unresolved trauma left by his anonymous abuser. (chapter 54) The ghost’s words,  (chapter 54) were designed to create the illusion of eternity—as if time itself was under the phantom’s control. This assertion not only sought to freeze Joo Jaekyung in a perpetual state of inadequacy but also to distort his perception of change as impossible. Trapped in a cycle of hatred and self-loathing, the athlete’s vision of freedom was limited to the false infinity of the horizon. (chapter 53) And now, you comprehend why the champion chose not to look for Kim Dan after his departure. He was so close to the window, making him think that he had a “choice”. That’s how I realized that the closer he would stand to the window, the less he would get Enlightenment. Hence he is portrayed eyeless here. (chapter 53) Ironically, the window—symbol of escape—became his glass prison, a barrier that reflected the endlessness of his struggle rather than a path to liberation.

In contrast, Kim Dan faced a broken, opaque window in his grandmother’s home (chapter 19) —a window that offered no view of the outside world. This reflected his entrapment in a life defined by guilt and sacrifice, unable to envision a future beyond repaying debts and fulfilling duties. The window’s visible cracks and makeshift repairs represent not only the physical deterioration of their environment but also the psychological fragmentation within Kim Dan himself. By choosing to patch the window rather than replace it, Shin Okja’s actions reflect a mentality of denial and resignation—an unwillingness to confront the full extent of their impoverishment and suffering.

This refusal to replace the broken window (chapter 19) suggests a deeper symbolic resistance to change or moving forward. In a sense, the grandmother’s decision to live with the broken window mirrors her acceptance of a life defined by limitations and unspoken grief. (chapter 19) It implies a preference for preserving a fragile status quo over embracing the uncertainty of transformation. For Kim Dan, who grew up in this environment, the broken window became a constant reminder that his world was fractured yet stagnant—a prison where time seemed to stand still, marked by routines of survival rather than progress.

Moreover, the window’s damage also serves as a visual metaphor for Kim Dan’s own brokenness, his unresolved trauma, and his sense of abandonment. The act of looking through a cracked and dirty window obscures the view of the outside world, just as Kim Dan’s perception of the future is clouded by past wounds and insecurities. Unlike Joo Jaekyung’s glass prison—clear but impassable—Kim Dan’s window is both broken and opaque, reinforcing the sense that he cannot even see what lies beyond his current existence, let alone escape it.

The grandmother’s passive acceptance of the broken window further exposes her powerlessness. It’s not merely about financial inability; it reflects a mental state of giving up—a resignation to a life where even repairing what’s broken seems pointless. In this context, the window becomes a symbol of Kim Dan’s psychological inheritance—a learned helplessness that prevents him from fully embracing the flow of time and the possibility of change. When he sat in front of that broken window, turning his back to the door, it symbolized his abandonment issues—an unconscious reenactment of being left behind. His world grew smaller with each passing day, suffocating him to the point of nightmares where he struggled to breathe.

The Door: Abandonment and Isolation

The motif of doors carries a dual significance in Jinx. On one hand, the fighter’s words in Episode 51 (chapter 51) served as the key that triggered Kim Dan’s abandonment trauma. How so? While “get out of my sight” implied that Kim Dan should leave him, the reality is that the champion left the locker room first. (chapter 51) Observe how the “hamster” is once again turning his back to the door. However, the bloody footprints became an evidence for Kim Dan that he had been abandoned and left behind. And now, you comprehend why the main lead took the athlete’s request seriously and literally. It is because the door in the past was the symbol of betrayal and abandonment. This explicates why he is so sensitive to the sound of a closing door and could recognize it, even if his ears and eyes were covered. (chapter 35)

As a child, he had been turning his back to the door, while he was talking over the phone. (chapter 19) According to my hypothesis, this memory announces the moment of the parent’s abandonment. Thus I deduce that when unconsciously, he came to associate the door with desertion. No wonder why he woke up, when he sensed the lack of warmth in the bed: (chapter 21) Consequently, I interpret the following scene like this: (chapter 19) When he was standing here, he must have sensed it as a betrayal against his own grandmother. Hence he employed the expression “goodbye” and not “farewell” to diminish his guilt. No wonder why he chose to hide his move from his relative and bring the Wedding Cabinet to the penthouse. Under this new perspective, my avid readers can grasp why Kim Dan’s nightmares in season 2 were linked to the opened door: (chapter 57) His unconscious was telling him this: Shin Okja had broken her promise. She was about to abandon him. He had the impression that he was reliving the past. That’s the reason why he was scared and suffering. (chapter 57) In addition, I believe that his unconscious was pushing him to come clean with the past, to reveal the changes in his life. It was impossible for both of them to keep such unreal promises. (chapter 11)

Because of the champion’s action in episode 51, the door became synonymous with rejection, with the fear of being cast aside at any moment. However, this time the association was more conscious. The open door in Kim Dan’s nightmare, where the halmoni had vanished, represented his deepest fear of being left alone in darkness. And what is he doing now? He is afflicting the same pain to his lover (chapter 64)

But there’s more to it. I had long outlined that the little boy was talking over the phone, when he recalled this moment. (chapter 19) That’s how he came to associate the telephone with betrayal and abandonment. Therefore it is no coincidence that the “hamster” was not calling Shin Okja either, when she was at the hospital. Joo Jaekyung’s inability to call Kim Dan (chapter 56) revealed the existence of a past trauma. It highlighted his own fear of abandonment and rejection—an emotion he had long denied. The door, a supposed barrier against the outside world, now stood as a reminder of all he had pushed away, including his own need for connection. Therefore he never left his door open in the penthouse: (chapter 55) That’s why I perceive this scene as an important step for Kim Dan himself: (chapter 64) By opening and closing the door, he is overcoming his abandonment issues. He becomes the ruler of his own life (time and relationship). He is freeing himself from the mental torment which readers could witness in earlier episodes.

However, the door symbolizes another notion: secret! Thus Mingwa created this sex session behind a closed door: (chapter 24) The physical therapist has kept his past trauma a secret. And what is the synonym for “secret”? Key! So when the main lead leaves the champion behind (chapter 64), he doesn’t realize that he is exposing the existence of his “secret”. In verity, he is actually inviting Joo Jaekyung to open the door and as such find this secret. In his mind, he is excluding his partner, whereas in truth the opposite is happening. Don’t forget that in episode 24, Kim Dan desired to hide the truth from Potato (chapter 24), yet the latter didn’t get fooled at all. He found out the true nature of their relationship. (chapter 64) By leaving, Kim Dan unwittingly presents Joo Jaekyung with the opportunity—or perhaps even the challenge—to find the ‘key’ to understanding him. This key is not just about uncovering past traumas but also about unlocking the true nature of their relationship—transforming it from a transactional arrangement into something genuine and emotionally honest.

The Wedding Cabinet: A Prison of Timelessness

In the absence of a transparent window, (chapter 19) the Wedding Cabinet in Kim Dan’s home functioned both as a mirror and a false window, preserving an illusion of timelessness. (chapter 19) Unlike the rest of the dilapidated house (chapter 10), the cabinet remained pristine, suggesting a futile attempt to halt the passage of time and maintain the status quo. (chapter 53) By throwing it away, Kim Dan unknowingly released time from its prison, breaking the spell that his grandmother’s control had cast over him. This act was not just a rejection of his past but an unconscious acknowledgment that time was moving forward—that he could no longer live as if he were already dead. Simultaneously, this gesture symbolizes his separation from his grandmother, breaking the illusion of perpetuity that she maintained. So while he might have been by her side physically (chapter 53), he was deep down miles away from her emotionally and mentally. This observation explains why he could object to her suggestion. (chapter 57) On the one hand, it shows that he was maturing, on the other hand as a young adult, it is clear that he is destined to make mistakes. He has always defined himself as the caregiver, but he forgot his own true nature: he is a human before anything else. And what is the definition of humanity? I would say, the capacity of benevolence and the inevitability of mistakes. It reflects the dual nature of human existence—the potential for compassion, kindness, and altruism on one side, and the propensity for mistakes, weaknesses, and moral failings on the other. And that’s exactly what the doctor has been mirroring to the champion in the lavender-tinted bedroom: (chapter 64) Joo Jaekyung was in his eyes a human, and not a champion. The irony is that with this idiom “always”, he is implying that he had hopes and expectations. The athlete would change and treat him better. Since the doctor has always been the embodiment of “selflessness”, the gods made sure to remind him of his own true nature: “mistakes”. That’s why he is often making blunders (chapter 1) to the point that I called him “Mister Mistake”. (chapter 43) On the other hand, his missteps are there to teach the fighter to drop his perfectionism and to bring the notion of entertainment in his fated partner’s life. Kim Dan is funny in his own way.

In religious contexts, errors are often framed as sins, accentuating the moral dimension of human actions and the necessity of redemption or forgiveness. This duality suggests that to be human is not only to strive for virtue but also to acknowledge and learn from one’s imperfections. The very ability to err, seek forgiveness, and change is seen as an intrinsic part of the human experience. This new perception reinforces my previous interpretation: the existence of champion’s jinx was indirectly questioned, when Kim Dan reminded his lover of his own true nature. He is a sinner. (chapter 64) He doesn’t respect humans in general. The irony is that by criticizing Joo Jaekyung, the doctor is overlooking his own nature. He is also a sinner.

(chapter 57) Is it a coincidence that the doctor’s cold attitude takes place in chapter 60 -64? (chapter 61) No, as the number 6 sounds similar to sex. Moreover, don’t forget that Satan’s number is strongly associated with 6 (666 or 616). From my point of view, the “hamster” is on his way to become an adult and as such a sinner as well. The physical therapist’s stubbornness reminded me of the behavior of a teenager who believes to know everything about life, while in verity, such people lack experiences. And what did the nurse say about the main lead? (chapter 57) He should nurse himself for his halmoni’s sake so that the latter wouldn’t worry. From my point of view, if doc Dan gets sick, he could be the catalysator for her deteriorating health. But now, it is time to return our attention to the “champion”.

The Abuser’s Shadow: A Timeless Sentence

Joo Jaekyung saw himself as a god who could turn time back: (chapter 61) But why did he want to return to the past? It is because of the ghost’s criticism (chapter 54) ‘You’ve never been good at anything’ were designed to freeze Joo Jaekyung in time, trapping him in a mental prison where change was impossible. I would even add, the mysterious person gave a negative connotation to “change”. On the one hand, the champion was pushed to prove the tormentor’s statement wrong, on the other hand, this implied that one “loss” would be perceived as a validation of the ghost’s claim. This signifies that his obsession with maintaining his title stemmed not from pride but from a desperate need to refute the man’s statement. We could say that the fighter fought not out of fun, but out of hatred and fears. (chapter 29) That’s why he was on survival modus and could never refuse any challenge. By associating sex with endurance and control (chapter 2), he replicated the sports-like expectations imposed by his abuser—likely someone from the medical or sports world who viewed him not as a human but as an asset. This means that despite the distance, this invisible abuser was still ruling over the athlete’s life exposing the falsehood of his belief: self-reliance. He was still acting as a helpless person. Under this new light, it becomes comprehensible why Joo Jaekyung had to leave the penthouse with its huge windows. By leaving this place behind, he was actually moving away from the abuser’s claws, similar to the doctor’s move in episode 19.

So when Kim Dan’s words are here challenge this narrative. By accusing Joo Jaekyung of treating him like a doll, he inadvertently exposed the athlete’s own objectification at the hands of his abuser. For the first time, Joo Jaekyung is confronted with the possibility that he has been living as a reflection of his tormentor, not as himself. That’s the reason why he is placed with Kim Dan on the bed in the same position as his abuser: (chapter 64) (chapter 54) Imagine: it was, as though he had become the same person than his tormentor. Under this new light, it becomes comprehensible why the champion had to turn around doc Dan before his climax. It is because he feared his lover’s gaze. I would even add, he was unconsciously projecting himself in the “hamster’s place”. Yes, deep down, he is still a child, exactly like Kim Dan. (chapter 57) But contrary to the physical therapist, we don’t know how the champion looked like as a “child”. So when the teenager closes the door, he is taught not only that he is alone (chapter 64), but also that he has lived in a mental prison too. His fated companion made him realize the positive side of change! The ghost is also a mortal, he can not control time either. He is aging as well. By distorting the past (chapter 64), the fighter is encouraged to question his own past and narrative, in particular his feelings. (chapter 54) What he felt back then, is no longer the same! All this time, he rejected emotions because he feared attachment and betrayal. The reality is that he was still feeling emotions (fears, resentment) and allowed them to rule his life. But now, he is feeling something: attachment, pleasure and warmth. (chapter 64) That’s why the door (chapter 64) becomes the place of Joo Jaekyung’s Enlightenment. (chapter 64) Hence the author focused on his wide opened gaze. Kim Dan’s intervention was painful but necessary, because through this reflection, the athlete’s motivation to fight is bound to change. In the future, the fight won’t be deadly serious like before, he won’t act like a tyrant in the ring where he couldn’t control his rage. (chapter 1) He will see his opponent as an artist too.

The Key of Time: Acceptance and Change

If the Wedding Cabinet symbolized a frozen past and a fake future (chapter 19), then the key to breaking this spell lies in accepting the passage of time. (chapter 53) Kim Dan’s act of discarding the cabinet was the first turn of this key, an unconscious decision to face mortality and change. He was embracing the unknown. And if the champion chose to retrieve it and became his new owner, I come to the following interpretation: the Wedding Cabinet will become the symbol of loyalty and a precious memory linked to Shin Okja. He definitely had a good time (chapter 21) with her, because he felt treasured. (chapter 61)

Similarly, Joo Jaekyung’s growing awareness of his own emotions (chapter 63) —no matter how reluctantly—represents the second turn. With the doctor’s cold rejection, he is forced to choose: What does he want in life? Only the champion title or something else? (chapter 64)

By recognizing the difference between the star and the human Joo Jaekyung, he can finally start to separate his identity from the expectations of his abuser. For the first time, he may come to see the title not as his existence but as a part of it—something that can be let go without losing himself. And this brings me back to my previous observation: the symbol of the window in the athlete’s life! (chapter 64) My avid readers will certainly recognized that in that hostel room, the window is covered by curtains! Besides, the bed is placed in front of it implying that the person can not meditate in the bed while looking at the window. That’s why the celebrity is turning his back to the window. Kim Dan is his reflection and as such the key to his release. This means, the bedroom loses its meaning as a fake place for “introspection”. Joo Jaekyung is destined to follow doc Dan in the end. Hence the latter will become his hyung. For me, there’s no doubt that through this confrontation, the athlete’s respect for Kim Dan can only increase. (chapter 64) He voiced his own thoughts and emotions without raising his voice or using violence which contrasts to Park Namwook. Joo Jaekyung’s gaze reveals no resentment or anger, just disbelief and realization. So if he starts following the doctor’s lead, I can only come to the deduction that he has to leave the room. So his feet should lead him to nature, if he doesn’t follow his lover directly. Since water is the place where he feels comfortable (chapter 27), and he noticed the quietness of the ocean (chapter 62), I am expecting that he will go to the beach. A new version of this scene: (chapter 59) But this time, that would be a conscious choice. That’s how he will reconnect with his true self for good. But strangely, I am expecting that he won’t be on his own. I am quite certain that this man will make a similar experience than the grandmother: (chapter 53) However, from my point of view, Joo Jaekyung should witness the sunrise and not sunset… which would announce his rebirth. There was only one sunset in season 1, which was linked to Shin Okja’s mortality: (chapter 47). Moreover, in season 1 and 2, the doctor was often connected to the sunset: (chapter 1) (chapter 17) And we had the beach here in the background. (chapter 48) This was an ominous sign for the champion’s symbolic “death” and rebirth. Sun and moon are natural tools to determine the flow of time.

Conclusion: The Time of Liberation

As time resumes its flow, both Kim Dan and Joo Jaekyung are being forced to confront the illusions that have kept them trapped. The glass prisons of windows and mirrors, the locked doors of abandonment, and the preserved Wedding Cabinet are all starting to crumble, revealing the path forward. They are about to receive their final life lessons: no one is powerful in front of time. Time can heal as much as it can destroy. They should enjoy their life due to its brevity.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Fault in His Powerful Hands 👊

At the hospice, Joo Jaekyung admitted to Kim Dan that he was not the one responsible for the incident with the switched spray. (chapter 60) However, this revelation sheds light on a deeper issue: his unquestioned reliance on the spray over Kim Dan’s expertise. (chapter 49) This choice reflects a significant lack of trust. Even with Kim Dan as his physical therapist, someone who had already proven his skills by treating his shoulder in record time (chapter 49), Joo Jaekyung chose to rely on external medicine rather than the “power of hands” that the nurse in the hospice later praises. (chapter 56)

The Misplaced Trust in Medication

This decision is revealing. (chapter 56) Here, the nurse credits Kim Dan’s care with improving the quality of life for terminally ill patients, emphasizing the tangible results of his dedication and skill. Yet, Joo Jaekyung disregards these same qualities. Instead of trusting Kim Dan, he justified his choice with the belief that the PT “wasn’t doing his job right,” a sentiment captured in his internal monologue. (chapter 55) But why was he thinking like that? He came to this judgement for two reasons. On the one hand, he was recalling the physical therapist’s nightly desertions. The latter chose to work as a courier instead of focusing on his main job. Moreover, the fact that he hadn’t checked the spray right before using it (chapter 51) This explains why the athlete imagined that Kim Dan had resigned due to his mistake. (chapter 55) However, this assumption is not only incorrect but unjust, as Kim Dan’s quick and effective treatment of his shoulder clearly demonstrates the contrary. (chapter 49) He felt no pain in his shoulder, a sign that he had been able to recover. Moreover, keep in mind what the other PT said in episode 42: (chapter 42) Finally, note that Baek Junmin was not able to defeat the dragon despite targeting his fragile shoulder. (chapter 50) The match ended up as a tie.

Kim Dan’s Hands and Regrets

The author’s focus on Kim Dan’s hands in the panel (chapter 60) where Joo Jaekyung admits his past ignorance adds a layer of emotional depth. The close-up of Kim Dan’s hands, slowly clenching, illustrates the complex mix of emotions he is experiencing in that moment. While the champion acknowledges his mistake, the tension in Kim Dan’s hands suggests a blend of guilt, frustration, and even resentment. This visual choice underscores the weight of the emotional burden Kim Dan carries—a burden made heavier by Joo Jaekyung’s previous accusations (chapter 60) and his failure to shield Kim Dan from blame. The clenched hands symbolize the internal struggle between an internal conflict between anger, indifference and lingering hurt caused by the lack of trust. What caught my attention is the sound of his jaw, KRIK, which reminded me of the star’s behavior. (chapter 56) This jaw’s movement symbolizes the return of instincts and as such to the champion’s true nature: he is a wolf. This means that the doctor is gradually losing his gentle nature and is on the verge of becoming a “wolf”. No wonder why he mimicked like the athlete at the end of episode 60: (chapter 60) He is acting like a loner wolf, whereas in reality his true personality is a hamster and duck.

Another panel, showing Kim Dan looking at his reflection and lamenting, indicates that this regret is beginning to fester. While he has not yet voiced these thoughts directly to Joo Jaekyung, the flinching hands (chapter 60) highlight the start of a growing resent. Thus I deduce that the self-directed blame could eventually shift outward, as Kim Dan begins to connect Joo Jaekyung’s role in the decision to use the spray. These subtle visual and narrative cues show how Kim Dan’s perspective is gradually evolving, laying the groundwork for potential confrontation. The clenched hands symbolize this internal struggle, balancing regret, lingering hurt, and a desire to fully understand the truth.

Incomplete Truths and Accountability

Joo Jaekyung never revisits or questions his decision to use the spray. (chapter 60) While he eventually acknowledges that Kim Dan was not to blame for the incident, he fails to recognize his own accountability in both the situation and its emotional aftermath. This lack of self-reflection extends to his understanding of Kim Dan’s mental state. Even though he knew the identity of the true orchestrator behind the scheme, the rival team, Joo Jaekyung did nothing to alleviate Kim Dan’s guilt and shame. Instead, his silence perpetuated the doctor’s internal suffering.

In addition, when Joo Jaekyung told Kim Dan, (chapter 60) his words left more questions than answers. He never clarified that the spray had been switched or explained what had truly happened. For Kim Dan, these vague words only deepened his emotional wounds. Left in ignorance, Kim Dan remains unaware that a fighter from Choi Gilseok’s team switched the spray. (chapter 52) By failing to provide a full explanation, Joo Jaekyung created the illusion that the matter was resolved. This lack of transparency leaves Kim Dan burdened with guilt and confusion, unable to find closure.

Ironically, Joo Jaekyung himself is not entirely informed. While he assumes Baek Junmin orchestrated the scheme (chapter 54), he is unaware that The Shotgun was merely a pawn used by Choi Gilseok, who had larger, more manipulative intentions. (chapter 52) I doubt that Potato told him about the director’s bet, too upset to discover the switched spray. The fighter’s ignorance mirrors Kim Dan’s in a way, highlighting how both are victims of deceit. This conversation further reflects their lack of communication, as it seems Joo Jaekyung deliberately avoids sharing his thoughts and knowledge with Kim Dan. (chapter 60) His reluctance to fully explain the situation perpetuates the emotional distance between them, leaving both trapped in a web of incomplete truths and unresolved tensions.

Mirroring Chapter 52: The Role of Toxic Relationships

This moment (chapter 60) also mirrors a significant scene from Chapter 52 (chapter 52), where Joo Jaekyung’s team visits him after the surgery at the hospital. Notably, the team members only address him when they need him to take the blame for the situation. Through this comparison, I noticed another aspect. They were all standing at a certain distance from the star’s bed. This exposes that none of them had the intention to spend time there and to give company to the athlete. At the same time, their position divulges their arrogance, lack of empathy or worries! Yes, no one is assuming that the athlete’s career is in danger. They are all somehow expecting that he will return to the ring. No wonder why their focus is entirely on the job, ignoring his well-being. When Joo Jaekyung finally voices his frustration and unwell-being (chapter 52), he is silenced with a slap. (chapter 52) This interaction reveals the deeply flawed dynamics of his relationships and the toxic role models that shaped him. His coach’s behavior—reducing everything to money and silencing emotional expression—has profoundly influenced his inability to recognize his own uncaring attitude at the hospice. (chapter 60) Yet, there exists a huge divergence between these two scenes. The athlete is now recognizing that he is dependent on his soulmate, though he is not voicing directly to Kim Dan. The hamster can not be replaced… someone needs to remind to Joo Jaekyung that life is fragile.

Kim Dan’s Rejection and Its Consequences

This parallel between 52 and 60 explains why Joo Jaekyung does not see how his attitude might appear dismissive or hurtful to Kim Dan. (chapter 60) Having grown up in an environment where emotional needs were consistently invalidated, he is blind to the damage his actions cause. Consequently, Kim Dan’s rejection and refusal to listen to him are understandable. (chapter 60) He is no longer willing to accept anything from Joo Jaekyung, hence he removes the needle. (chapter 60) The treatment is the symbol of the champion’s generosity and rescue. However, this is no longer working. So we could say that this gesture reflects the fate of the golden key chain. (chapter 45) After being blamed in the past, Kim Dan has reached his limit and chosen to stop engaging with Joo Jaekyung. However, this reaction risks exacerbating Kim Dan’s denial of his own mental illness, as he suppresses his emotions and isolates himself further. Contrary to the keychain, he can not be replaced. If he doesn’t get treated properly, his life could be in danger. (chapter 60) Hence he leaves a trail of blood on the floor.

Medication, Time and The Hospice as a Place of Healing

Joo Jaekyung’s reliance on medication (chapter 49) and quick fixes (chapter 54) reveals a deeper issue: his belief that drugs can compensate for his mistreatment of his own body. (chapter 27) By pushing himself beyond his physical limits and refusing to allow his body to rest, he clings to the power of medication as a means to sustain his performance. The hospice setting, where medicines and drugs are not perceived as vital (chapter 56), stands in stark contrast to Joo Jaekyung’s belief that medication is the only solution for treatment. Is it a coincidence that the doctor changed his prognostics about grandmother’s life span? No. It shows that without the new medication, she is supposed to live longer. Secondly it is clear that the grandmother is living well, because she is not plagued with remorse or guilt. In my opinion, through Shin Okja, the fighter should discover the power of mental health. (chapter 60) Besides, in such a place, he has the opportunity to experience how hands and comfort can surpass medication in offering true care and healing. This environment could challenge his reliance on external solutions and emphasize the value of trust and human connection.

Conclusion

Ultimately, this moment at the hospice highlights the need for Joo Jaekyung to confront his trust issues and the ripple effects of his decisions. His inability to reflect on his own actions and communicate openly with Kim Dan not only perpetuates the emotional distance between them but also prevents both from achieving closure. For Joo Jaekyung, this environment could serve as a turning point—a place where he learns to value emotional connection over quick fixes and begins to dismantle the toxic behaviors instilled by his past relationships. Similarly, for Kim Dan, this moment has the potential to bring about healing, but only if Joo Jaekyung takes the initiative to bridge the gap of trust and misunderstanding. Until both confront their shared and individual struggles, the imbalance in their relationship will persist, leaving unresolved the guilt, mistrust, and emotional wounds that weigh heavily on them both. I have to admit that by noticing the doctor’s jaw in this image (chapter 60), I am now wondering if the physical therapist won’t punch or slap the athlete in the future again. Chapter 61 is definitely connected to 7 (chapter 7) and the number 62 mirrors the famous fight in episode 62: (chapter 26)

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Deceptive Light💡 Of Hope ❇️

Hope often implies the promise of a tomorrow, a continuation of life and opportunity. Yet in Jinx, the depiction of Kim Dan’s condition—his unconscious attempted suicide (chapter 60), deteriorating physical health (chapter 60), and the ominous setting of the hospice (chapter 60) — challenges this notion. The photographs from episode 60 subtly introduce the fifth puppy’s death as a poignant symbol of Kim Dan’s precarious fate. (chapter 60) The puppy’s appearance in only one photo (the second one from left) among many mirrors Kim Dan’s fragile existence, (chapter 60) deepening the parallel between them. This connection becomes even more striking when recalling that the grandmother once likened Kim Dan to a puppy (chapter 53), emphasizing his vulnerability and dependence on others.

Without intervention, Kim Dan’s condition—both physical and emotional—could spiral into irreparable harm, reflecting the unnoticed demise of the puppy. 😭This essay will examine these events chronologically, beginning with Joo Jaekyung’s urgent rescue and arrival at the hospice. The narrative will then explore the symbolic meaning of the photographs, including the fifth puppy’s fleeting presence and its absence in subsequent images, as well as the profound symbolism of the room where Kim Dan is placed. This analysis will reveal how both elements intertwine to foreshadow Kim Dan’s increasingly tenuous grip on life and the unspoken realities of his condition. 

The Rescue and the Green Cross

Joo Jaekyung rushed to the hospice with Kim Dan in his arms (chapter 60), he rested him on his healthy shoulder to provide support. This method of carrying, while practical in the moment, placed uneven strain on Jaekyung’s body. The weight resting on one side risked injury to his back and disrupted his balance, subtly reflecting the physical toll of his desperation to save Kim Dan. This small but significant detail underscores the sacrifices Jaekyung was willing to make in his attempt to protect him. However, since Kim Dan was unconscious, he couldn’t see the wolf’s kindness and selflessness.

Moreover, we have to imagine that while looking around for help on the beach, (chapter 60) the green cross and the name “Light of Hope” likely caught his attention, inspiring him to believe the hospice could offer immediate assistance. Jaekyung’s desperation was evident in his drenched appearance after rescuing Kim Dan from the ocean (chapter 60), coupled with his labored breathing as he hurried into the hospice. His question (chapter 60) reflected not only his uncertainty about whether the hospice could offer assistance but also the sheer urgency of his actions. This moment underscores the physical and emotional toll of his determination to save Kim Dan. Jaekyung risked worsening his own physical condition, driven by the hope that help would be available Yet the irony of this moment lies in the true purpose of the hospice: it is not a place for treatment or healing but a program dedicated to end-of-life care. (chapter 57)

This observation invites deeper reflection on why a small town would have a hospice rather than a hospital. The answer may lie in the demographic realities of the region. The aging population is evident in scenes depicting the town’s streets, where Potato and Heesung encounter primarily elderly individuals (chapter 58), such as two older women (chapter 58). Yes, there were two small details, yet full of meaning. Even the landlord (chapter 58) nicknamed “old man” (chapter 59) by Heesung, symbolizes this demographic trend. The hospice’s focus on senior care reflects a broader societal issue in South Korea: a declining birth rate coupled with an increasing elderly population.

These statistics underscore the challenges South Korea faces in balancing an increasing elderly population with a shrinking workforce, impacting economic growth, healthcare systems, and social services. While “Light of Hope” caters to the growing number of seniors, this approach inadvertently reinforces the exodus of younger generations. This migration from the countryside to Seoul or other major cities is subtly reflected in Jinx. Yoon-Gu, for instance, comes from the province of Gangwon-Do, embodying the trend of younger people leaving rural areas in search of opportunities. (chapter 57) In addition, the empty bedroom where Kim Dan is staying—with its untouched guitar, furniture, and books—suggests it once belonged to a teenager who left home and never returned. The unchanged state of the room symbolizes the stagnation and loss felt in these regions, further highlighting the broader societal issues at play. This shows that Jinx is not merely a classic love story; it also paints a nuanced portrait of South Korean society and its challenges. By prioritizing elder care without addressing the needs of the youth, the hospice embodies a false promise of hope—one that may ultimately exacerbate the very demographic crisis it seeks to alleviate. (chapter 57) This observation is further supported by the panel depicting the hospice’s exterior, which highlights its offer of free health checks. This detail suggests that the hospice is actively trying to attract new patients and has the necessary resources to conduct thorough medical examinations. For instance, when one of Kim Dan’s patients fell, the hospice staff were able to examine him properly (chapter 59), indicating their capacity for medical intervention. However, this approach reveals an underlying paradox: while the hospice caters primarily to an aging population, it lacks a sustainable strategy to address the exodus of younger generations, whose departure threatens its long-term viability. This issue is further illustrated by the hospice director’s decision to allow the facility to be used as a location for a movie shoot, (chapter 59) seemingly as an attempt to garner attention and improve its reputation. However, relying on such strategies means any potential benefits will only materialize months later, when the movie is released. This delay highlights the limitations of the hospice’s current approach to sustaining itself. In this context, Joo Jaekyung’s presence could play a pivotal role. It is possible he may become the driving force in revitalizing not only the hospice but also the town itself, potentially pushing the director to transform the hospice into a full-fledged hospital, addressing both immediate and long-term needs of the community. And this would fit his personality, as I connected him to a dragon. Let’s not forget that in season 1, the MMA fighter was introduced as a benefactor who organized a charity event (chapter 41), yet we never got to hear where the money went. This potential transformation underscores the underlying complexities of the hospice’s current operations, as it navigates between providing care for the elderly and responding to broader societal challenges. By situating Jaekyung in this dynamic, the narrative subtly hints at his capacity to influence change, bridging the gap between the hospice’s limitations and the community’s evolving needs.

This stark reality mirrors Kim Dan’s mental and physical state. The trail of blood he left behind (chapter 60) —a consequence of removing his IV needle—symbolizes his quiet surrender and deteriorating health. When Kim Dan arrived at the hospice, he carried the faint hope of finding solace (chapter 56), particularly from his grandmother, who had promised to go to the beach with him. (chapter 53) However, this hope was met with disappointment (chapter 57) – which he never expressed -, reflecting the deceptive promise of the hospice itself. Kim Dan’s fate seems to mirror not only the unnoticed death of the fifth puppy (chapter 59) but also his grandmother’s diminishing expectations of him. (chapter 56) She expressed twice that she no longer needed him. (chapter 57) However, all this time, she had been his motivation and reason to live. Once likened to a puppy, Kim Dan’s vulnerability and struggle for recognition remain central to his story, highlighting the fragility of his existence. His malnutrition, possibly linked to a deficiency in vitamin K and compounded by his alcohol dependency, exacerbates his fragility, making his situation increasingly perilous. Vitamin K, essential for blood clotting and bone health, is derived primarily from leafy green vegetables and produced by gut bacteria. A deficiency can result in symptoms such as dizziness (chapter 57), easy bruising (chapter 13), excessive bleeding and slow wound healing—all of which align with Kim Dan’s deteriorating condition and the trail of blood he left after removing his IV needle. (chapter 60) Is it a coincidence that a company with the green logo K was shown in different panels, like this one? (Chapter 54) Like mentioned before, this logo could be referring to a pharmaceutical company.

The Room and Its Symbolism

The room (chapter 60) where Kim Dan is placed raises significant questions about its purpose within the hospice. The presence of curtains, indicating multiple beds, contrasts with the lack of personal belongings or cupboards (see as a comparison, Shin Okja’s room – episode 59), suggesting a temporary space for patients nearing the end of life. Moreover, observe that the colors of the curtains in the patients’ room is orange (chapter 56) (chapter 56) and not white. This observation aligns with the assumption that this room is reserved for those on the verge of dying, shielding terminally ill patients from witnessing another’s death. 😨

This interpretation becomes clearer when contrasted with the emergency room depicted in the K-drama Love Scout. In the drama, a character searches for his CEO and friend Kang by pulling back closed curtains in an emergency room, discovering different patients behind each one until finding the right person. This reinforces the notion that closed curtains signify the presence of others, even if their identities remain hidden. In addition, when the doctor treated the patient Park Jinchul, the curtains were closed. (chapter 56) (chapter 60) Like in Love Scout, the room in Jinx also has closed curtains, but instead of revealing activity or connection, it implies abandonment and isolation for those behind them. How so? Contrary to the transparent, automatic doors of the emergency room in Love Scout, the door in this scene is closed, manual, and opaque. Such a door symbolizes privacy and secrecy, further emphasizing the room’s association with isolation and death. In addition, the lack of anyone visibly attending to them suggests desertion. Everything is indicating that this space is not dedicated to immediate care and life-saving measures contrary to the emergency room. This contrast emphasizes that the room in Jinx symbolizes abandonment and death rather than rescue. 

But there’s more to it. In Episode 52, the curtains in the health center were removed between two patients (chapter 52) to signify absence of confidentiality, contrasting with the closed-off nature of this space. This comparison not only exposes the manipulation of the staff at the health center, but also reinforces my interpretation that the emergency room at the hospice stands for danger and challenge. This detail underscores Joo Jaekyung’s assumption that he and Kim Dan are alone, but it also raises the possibility that their conversation could have been overheard by someone lying behind the curtains, such as the patient from Episode 57. (chapter 57) or the mysterious Park Jinchul (chapter 56) (chapter 56) If others are indeed present, their isolation hints at a bleak reality: death would occur behind closed curtains, without companions or acknowledgment. This setting forces Joo Jaekyung to confront the fragility of life and the limits of money, as even wealth cannot shield anyone from the inevitability of death. (chapter 60) The room’s atmosphere intensifies this realization, as the symbolism of abandonment permeates its design and the interactions within. Moreover, since many people could see parallels between this scene with the doctor’s situation in the locker room, (chapter 51), they should remember that people were listening to their conversation behind the closed door, but they chose not to intervene. (chapter 53) That’s the reason why I am inclined to think that someone was /is present behind the curtain, but chose to remain silent. However, contrary to Team Black, such a person should intervene, if my theory is correct. And there is another evidence for this hypothesis. Since in episode 60 Joo Jaekyung offers a new contract (chapter 60), it signifies that it is a reflection from chapter 6: (chapter 6) Nevertheless, back then, the deal was made without any witness. That’s the reason why I come to the conclusion that someone else was present in that room, yet contrary to the past, this person will intervene which stands in opposition to the symbolism of the room: death, secrecy and abandonment. And that can only be a patient who experienced the talent and care from Kim Dan. Joo JAekyung has never met any previous patient from Kim Dan before, but this is what readers got to hear from the nurse: (chapter 56) Only a bedridden person on the verge of dying can express such a gratitude towards the physical therapist.

If this interpretation is correct, the room’s symbolism is intertwined with death rather than rescue, then it conveys a sense of abandonment, as though the staff had already given up on Kim Dan. Furthermore, the decision not to place Kim Dan near his grandmother suggests an effort to keep the incident hidden from her (if she is not in the room), emphasizing the isolation surrounding his condition. On the other hand, the champion’s presence in that room could represent a chance for the athlete as well. This could represent the moment of his “rebirth”. Through a honest but painful conversation, the fighter would be encouraged to judge Kim Dan in a different light and nurture his maternal instincts. Moreover, he could give some comfort to a dying patient, similar to this scene: (chapter 21) which would push him to have a change of heart and show his vulnerability. What can he fear from a dying or terminally ill person? Nothing… hence he can only listen to the confidence and advice from such a patient.

And if my deductions based on observations are true, this signifies that the brochure from Light Of Hope (chapter 53) is indeed an illusion and deception, for the senior on the paper is portrayed as being accompanied by a nurse. The reality is different, for the patients are facing death alone.

Between Lies and Misconceptions

Kim Dan’s interaction with Joo Jaekyung in this room is marked by lies and unspoken truths, which define the fragile dynamic between them. Their conversation begins with Kim Dan’s simple yet loaded question about how Jaekyung discovered his whereabouts. This moment, better captured in the Japanese, and Spanish translations, underscores Kim Dan’s curiosity and underlying desire for clarity. In the Japanese version, Kim Dan asks, “どうしてここがわかったんですか?” (“How did you find out about this place?”), while the Spanish translation reads, “¿Cómo es que usted acabó aquí?” (“How did you end up here?”). Both translations emphasize Kim Dan’s direct inquiry about how Jaekyung discovered his whereabouts, making Jaekyung’s evasive response even more significant. It is clear that he is trying to protect Potato here. However, Jaekyung’s response (chapter 60) immediately sets the tone for their interaction. His refusal to answer and his deliberate avoidance of Kim Dan’s gaze reflect a lie by omission. This evasive behavior not only highlights Jaekyung’s reluctance to reveal his vulnerability but also creates a significant divide between them, making it clear that they are not functioning as a unified team.

Kim Dan’s body language mirrors this emotional disconnection. (chapter 60) Initially, he avoids Jaekyung’s gaze, signaling his own fear and insecurity. This avoidance reveals his worry about rejection and his deeper emotional vulnerability. On the one hand, he hopes deep down that the athlete would admit that he came looking for him, yet their last two interactions were arguments and rejections which the doctor didn’t forget. (chapter 60) Moreover, the idiom “by any chance” is exposing his low self-esteem. His words are exposing his internal struggles: between hope and despair. Later, his subtle act of turning his head away—a gesture often linked to dishonesty—indicates an effort to conceal his true feelings. (chapter 60) He is still in love with Joo Jaekyung, but he is no longer hoping for any attachment and feelings from the fighter. On the other hand, his words are reflecting a different opinion: he is no longer trusting the athlete. This means that when the champion admitted his mistake indirectly, it was already too late. (chapter 60) The damage was done. In addition, he is rejecting the job offer because of the champion’s money. (chapter 60) He doesn’t want this fake generosity, since the athlete is reminding him of his “debts” towards him: (chapter 60) How ironic is that with his last remark, he ruined all his chances with Kim Dan. He was still viewing the physical therapist as someone below him. However, keep in mind that such an arrogance and “confidence” are just subterfuges from the MMA fighter. This act of concealment parallels Jaekyung’s guarded demeanor, as both characters are ensnared in a cycle of avoidance and denial.

Jaekyung, for his part, struggles with acknowledging his dependency on Kim Dan. (chapter 60) This evasive remark suggests that Jaekyung believes keeping Kim Dan ignorant of his intentions is for the best. By withholding the truth, he feels he is protecting himself and Kim Dan from unnecessary burdens or complexities, reinforcing his perception that their relationship is better managed with clear boundaries. However, this attempt at concealment only deepens the divide between them, as it denies Kim Dan the clarity and emotional connection he seeks. In fact, he is not realizing that he is even afflicting more pain on his fated partner.

This dynamic is further emphasized when comparing their positions in Episode 6 and Episode 60. In Episode 6, Kim Dan was standing while Jaekyung sat (chapter 6), reflecting the power imbalance between them. Kim Dan momentarily held the upper hand by negotiating his terms, but once Jaekyung agreed, their positions shifted (chapter 6), with Kim Dan ending up on the floor—a physical manifestation of his subservience. Later, in the locker room, both were shown facing each other (chapter 51), symbolizing a superficial moment of equality. In Episode 60, however, both are seated: (chapter 60) Kim Dan in bed and Jaekyung on a chair. Yet, this apparent parity hides a reversal of dependency. While Kim Dan is physically and mentally weaker, neglecting his own health to leave the bed, (chapter 60) it is Jaekyung who has become emotionally reliant on him. Kim Dan’s stubbornness to push through his fragility mirrors the fighter’s own traits, exposing an ironic role reversal that neither of them fully acknowledges.

Despite his outward confidence, (chapter 60) his refusal to engage truthfully exposes his internal conflict and fear of reliance. But why does he fear so much closeness and dependency? Naturally, Jinx-philes should keep in their mind his terrible childhood where he suffered emotional abuse. Moreover, he had been taken advantage from his previous sex partners. (chapter 42) Despite the appearances, such relationships could only deepen his wounds and reinforce his anxieties. Thirdly, let’s not forget that the athlete read the doctor’s birthday card where the latter expressed the hope to work for him for a long time: (chapter 55) That’s why he imagined that once he made his offer, the other would agree immediately. However, what he failed to realize is that he read the note too late. Besides, there were these erased words which left the fighter in the ignorance. Finally, he continues to misunderstand Kim Dan’s motivations (chapter 60), as he did in episode 6. (chapter 6) Back then, Jaekyung assumed money was the sole driving force behind Kim Dan’s actions, and in the current interaction, he still believes this to be true. His internal monologue reveals this misconception: (chapter 60) I would even add, he believes to know Kim Dan so well, hence he mentions his grandmother: (chapter 60) However, Jaekyung is terribly wrong because he never talked to his lover. His interest and curiosity were quite superficial. Therefore he fails to grasp that Kim Dan’s longing is not for material wealth or familial obligation, but for genuine companionship and a place to call home. Kim Dan’s rejection of a boss-employee dynamic (chapter 60) underscores his desire for a deeper, more meaningful connection—something Jaekyung is unable to see due to his own emotional barriers.

But there is another reason why he got rejected. Fate wanted to punish the athlete for putting his own selfish desires over the doctor’s. He had seen the physical therapist in a dangerous situation (chapter 60). Moreover he got to hear from the doctor that Kim Dan needed rest: (chapter 60). Yet, the first thing he talked about with the doctor was work (chapter 60), once Kim Dan asked him for the reason of his visit: (chapter 60) In other words, with his request, he implied that he had not been longing for Kim Dan’s company. With his attitude, he could only give the impression that he was not interested in the man Kim Dan, rather in the physical therapist, and that’s not what the main lead truly desires. To conclude, his behavior and words generated the impression that the fighter was only superficially interested in him. It was, as if his rescue on the beach had never taken place. He was definitely undermining his own “good deed”.

Their interaction becomes a poignant dance of unspoken fears and withheld truths, illustrating how deeply both characters are entrenched in their insecurities. From the very start, the conversation is undermined by these concealed emotions, dooming it to failure and highlighting the isolation each character feels despite their physical proximity.

Potato’s Role and the Symbolism of Photos

Potato’s involvement adds another layer to the narrative. While the readers can notice the photo of Kim Dan in front of the hospice, they also detect the pictures of the puppies, which were captured later. (chapter 60) These images reveal that Potato visited the old man’s house to bid farewell to the animals. Among the photos, only one shows the fifth puppy—a small, brown one on the left—who appears less active than the others, symbolizing its declining condition. This shows that he was present, when the puppy was showing signs of being sick, but he did nothing. He was too focused on the moment cheering these animals on (chapter 35) for his own “happiness”. Through Potato, the author is criticizing the attitude of fans who are only projecting their own emotions onto their idols. Their wish for happiness is quite rather superficial. This subtle oversight reflects Potato’s growing detachment, as his focus shifted to capturing moments for posterity rather than addressing the realities in front of him. The absence of the fifth puppy becomes a poignant symbol of unnoticed fragility and foreshadows Kim Dan’s own vulnerability. And how did Kim Dan react to the death of the small dog? (chapter 60) He blamed himself.

Additionally, Potato’s farewell request to treat Kim Dan to a meal if he ever returns to Seoul reveals his underlying doubt. (chapter 59) Deep down, Potato does not expect Kim Dan to come back, reflecting his resignation to their fading relationship. Notably, Potato only asked for a picture of Kim Dan at the very end, never taking photos of him during their time together. (chapter 60) This lack of sensitivity and focus on celebrities, flowers, or the puppies instead of his friend underscores the growing emotional distance between them. Interestingly, while Potato returned to the old man’s house to bid farewell to the puppies, he has no intention of returning to the hospice. This contrast highlights how his farewell request serves as an acknowledgment that they are unlikely to meet again. This detachment mirrors Jaekyung and Heesung’s superficial connections, emphasizing how work relationships often overshadow genuine bonds.

Lies, Betrayal, and Ignorance

Potato’s secret visit concerning the puppies and his silence regarding Kim Dan’s whereabouts reveal his growing resemblance to Heesung. (chapter 60) When he got caught with his silence, Mingwa never showed us Potato’s justification. Yet, it becomes clear that the young fighter decided to give the following explanation: he respected Kim Dan’s wish to remain undiscovered (chapter 58) The reason for this interpretation is the champion’s reaction, when he was asked how he knew about his whereabouts (chapter 60) He deliberately avoided revealing that Potato was the one who disclosed Kim Dan’s location, shielding Potato’s role and perhaps attempting to protect the fragile connection they all share. This omission reflects Jaekyung’s misguided belief that ignorance might shield Kim Dan from further pain or complications. However, claiming he respected Kim Dan’s wish to remain undiscovered—was a lie, as his true motivation was Heesung’s request. (chapter 58) Therefore it is not surprising that through this omission, the main couple got affected. The lie from the chow chow had consequences for it increased the gap between the two protagonists. That’s how it dawned on me why Mingwa revealed the photo library of Potato. (chapter 60) The latter would serve as an evidence of his passivity and blindness towards Kim Dan, for the 5th puppy was still alive back then. The latter represents the fate of the doctor’s. These layers of deception highlight how characters like Potato become increasingly absorbed in their own worlds, blinded by their focus on superficial priorities.

This theme of being “too late” is also mirrored in Kim Dan’s experience with the puppy’s fate (chapter 59) and Joo Jaekyung’s rescue of Kim Dan. (chapter 59) In the case of the puppy, Kim Dan arrived too late to save the small animal, reflecting his self-doubt and hesitance to trust his abilities. Conversely, Joo Jaekyung arrived just in time to rescue Kim Dan from the ocean, demonstrating his decisive action. However, his failure to keep Kim Dan in a safe environment afterward suggests a broader inability to provide sustained support, echoing the narrative’s overarching theme of fragility and impermanence. (chapter 60) Though he is the one left behind, he is not realizing that by not following him, he is failing to protect Kim Dan.

The imagery of the fifth puppy serves as a poignant commentary on the consequences of neglect and inaction. The puppy’s decline—evident but unaddressed—parallels Kim Dan’s own struggles. Just as the fifth puppy’s fading presence is overshadowed by the activity of its siblings, (chapter 60) Kim Dan’s vulnerability risks being overlooked amid the chaos of the narrative. The missing puppy becomes a haunting reminder of what happens when fragility is ignored: a slow, quiet decline that ultimately goes unnoticed until it is too late. With too late comes regrets and remorse: (chapter 57) Cheolmin already warned his friend in episode 13: (chapter 13) But the man refused to listen to his advice, and now Kim Dan is leaving a trail of blood on the floor (chapter 60) indicating that his blood is not coagulating correctly. The last comment from the athlete implies that he is now accepting the challenge, he will do anything to have Kim Dan come back to him. Nevertheless, there exists one problem in my opinion: he is running out of time due to Kim Dan‘s physical and emotional deterioration, while he needs time to regain the physical therapist‘s trust.

Conclusion: The Fragility of Hope

The title, “The Deceptive Light of Hope,” encapsulates the essence of these intertwined narratives. The hospice’s name promises healing and solace, yet it masks the harsh reality of end-of-life care. On the other hand, since the couple reunited there, their relationship can be built on better foundations. They are surrounded by people who are definitely more attentive and less passive than at the gym. Moreover, the athlete has been living as a zombie all this time, the latter needs to die in order to be reborn as a human being. But it is the same for Kim Dan who has been living as a ghost for the last one and half month. On the other hand, rebirth is strongly intertwined with suffering, which reinforces my conviction that something bad to Kim Dan will happen. Since a beating heart is the symbol for humanity, it signifies that both will have to open up and confess their feelings. Similarly, the brightly lit hospital room, symbolizing purity, conceals the lies and unspoken truths exchanged between Jaekyung and Kim Dan. Potato’s photographs, seemingly innocent, betray a certain selfishness, ignorance and detachment, symbolized by the missing puppy. Each element contributes to the overarching theme: the fragile and often deceptive nature of hope in a world where appearances rarely align with reality. It is only a matter of time, until the wrongdoers realize their mistakes and apologize properly.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: A Luminous Kiss 😘💋 Amid Shadows 🫂

In Jinx, the evolution of Joo Jaekyung and Kim Dan’s relationship can be traced through the symbolic use of kisses [for more listen to Kiss Me], specifically the one in the locker room (Chapter 15) and the life-saving kiss on the beach (Episode 60). Both moments carry significant emotional weight but reflect different facets of their dynamic, from selfishness to selflessness, secrecy to openness, and miscommunication to recognition. The setting and circumstances surrounding these kisses not only highlight the characters’ growth but also underscore the unresolved struggles they face.

Selfishness vs. Selflessness

The kiss in Chapter 14 and 15 was performed under the pretense of care but was marked by a sense of urgency and concern. Joo Jaekyung, lost in his thoughts and experiencing a form of derealization (chapter 14), acted particularly rough with Kim Dan (chapter 14), only snapping back to reality when he felt Kim Dan’s body trembling. (chapter 14) This moment of realization, coupled with the doctor’s tears and plea (chapter 14), served as the trigger for Joo Jaekyung to recall Cheolmin’s recommendation (chapter 14) of using foreplay and gentler methods, such as a kiss. While the kiss reflected care in the moment (chapter 14), selfish motives lingered in the shadows, as Joo Jaekyung sought to prevent causing visible harm that could lead to questions or even a scandal. It was, as if he wanted to silence his partner. Moreover, this decision was influenced by external suggestions, particularly from his friend, and not entirely by his own intentions. It was a calculated action to prevent immediate harm but lacked genuine emotional depth.

Interesting is that Kim Dan never dared to question Joo Jaekyung for this sudden kiss. (chapter 16) Moreover, he never wondered why Joo Jaekyung had asked for sex in the locker room, which represented a change in his behavior. If he had done it before, then he would have forced the physical therapist to travel with him to Busan. (chapter 13) As you can see, through the comparison with the kiss on the beach, I realized the doctor’s passivity and lack of critical thinking in season 1. He never asked why the athlete was so rough during sex. He took this for a normality. His attitude exposed the doctor’s biased perception of his boss: a spoiled and rough man obsessed with sex. I would even add that the kiss had a positive effect on the protagonist (chapter 15), because for the first time, Kim Dan made a request. With his remark, he implied that the kiss was strongly associated with emotions. However, exactly like Joo Jaekyung pointed out (chapter 15), the physical therapist omitted something important in the locker room. First, he didn’t share all his thoughts about the athlete, in particular his prejudices. Finally, he should have talked about his behavior before the kiss. What was he thinking, when he was having sex with him? In verity, he had been used as a substitute. In other words, the champion’s selfishness was rubbing on the doctor. Both were selfish, both had their heart and mind closed. And this remark brings me to the kiss on the beach.

In contrast, the kiss in Episode 60 (chapter 60) was executed purely for Kim Dan’s sake. It was a spontaneous, instinctive act of CPR to save his life, demonstrating selflessness and true concern. Unlike the locker room kiss, which carried both urgency and selfish motives, the beach kiss was entirely devoid of emotional connection, functioning solely as a technical gesture. Kim Dan was unconscious and unaware of the act, which stripped it of any emotional reciprocity. Here, Joo Jaekyung saw Kim Dan as a human being—detached from his social background and circumstances. This shift in perception is reflected in the location: the openness and natural beauty of the beach stand in stark contrast to the confined, artificial environment of the locker room. Joo Jaekyung’s willingness to perform this act in the open signifies a progression in his character—a gradual dismantling of his secrecy about his sexuality and his connection to Kim Dan. This shift from selfishness to selflessness illustrates not only Joo Jaekyung’s emotional growth but also the deepening of his bond with Kim Dan.

Secrecy vs. Openness

The locker room serves as a metaphorical closet (chapter 15), a confined space symbolizing Joo Jaekyung’s need to keep his relationships private. Picking up partners at a VIP club (chapter 33) was another extension of his desire to maintain secrecy. By contrast, the beach in Episode 60 is a public, open space, reflecting a significant shift. (chapter 60) Moreover, in the past, the locker room (chapter 14) was always filled with people surrounding the champion. However, once Kim Dan entered his life, this dynamic began to change. In Episode 14, Joo Jaekyung asked everyone to leave the locker room, (chapter 14) even excluding Park Namwook, who was even seen before stationed outside the bathroom door, (chapter 14) signaling a gradual exclusion of others from his private life and emotions. By Episode 15, Joo Jaekyung explicitly sent away his manager to have a private conversation with Kim Dan. (chapter 14) This shift highlights the increasing importance of Kim Dan in Joo Jaekyung’s personal sphere. Interestingly, this progression is contrasted by Episode 49, where Joo Jaekyung deliberately ensured (chapter 49) he was not left alone with Kim Dan. This means that this place was no longer the synonym for privacy and secret. This reflects why director Choi could intrude with his minions. Following the incident with the switched spray, Kim Dan was left behind (chapter 50) in the locker room twice (chapter 51), which could only increase the physical therapist’s feelings that he didn’t belong to Team Black. He was not part of that “family”. And this coincides with the moment where Kim Dan cries for the last time: (chapter 51) From that moment on, the main lead won’t show his vulnerability and pain to others. This gesture announces the return of his “blue friend”, the depression.

Moreover, keep in mind what the grandmother used to say constantly to her grandson: “Don’t cry” (chapter 57) Shin Okja must have felt uncomfortable with his tears and pain, therefore the doctor internalized not to show his struggling and burdens in front of his grandmother. This explicates why he denied his weeping in front of her first. (chapter 47) And now, you are wondering how this is relevant to the scene on the beach. Joo Jaekyung got shocked and scared, but he didn’t cry later and it is the same for Kim Dan. Hence the latter could deny his presence on the beach and even ignore the athlete’s words: (chapter 60) The absence of tears or a trembling body from the main leads indicate that both are hiding their emotions from each other. (chapter 60)

And because Kim Dan came to symbolize the fighter’s intimacy and privacy, it is no coincidence that their relationship ended in the locker room. There, the champion exposed his true thoughts about the doctor: his lack of professionalism, (chapter 51), his lack of loyalty, his greed and obsession for money. (chapter 51) Here, they were totally honest to each other: (chapter 51) Though the champion was restraining himself, he didn’t realize that his words were like punches to Kim Dan. The latter got to hear what he didn’t know. (chapter 51) Despite living together in the penthouse, he didn’t trust his room mate. After divulging his mistrust and anger to the physical therapist in the locker room, the former left Kim Dan behind and went to the health center with his hyungs. (chapter 51) What he didn’t realize is that the doctor stood for secrecy and closeness, so by leaving his side, he was destined to be exposed. (chapter 52) The conversation in the locker room symbolically announced the champion’s private struggles to the media, as his bad temper was made public shortly after.

Through these events, the kiss in the locker room becomes full of symbolism. It not only marked a moment of urgency but also served as an emotional awakening for Joo Jaekyung (chapter 15) , representing his need for mental and emotional support, which his team and entourage failed to provide. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

By contrast, the couple on the beach in episode 60 (chapter 60) was surrounded by nature. Hence they could show their true self: their exhaustion, desire and emotions. While the doctor was suicidal due to his depression and fatigue, the champion’s worries were genuine. Yet Kim Dan was not able to hear them. (chapter 60) This means that on the beach, Kim Dan could only detect one thing: Joo Jaekyung’s presence. But he didn’t sense his kisses and hear his words. That’s the reason why I come to the conclusion that this scene stands under the sign of “dream and illusion”. (chapter 60) Hence he came to reject his “intervention” as a lie and deception. The reality is that Joo Jaekyung does care for him, but he doesn’t know how to show it. He fears attachment. Because of his misjudgement, Kim Dan is not capable to notice the transformation in his former boss. . (chapter 60) The latter has now darker circles, and he lost a lot of weight. (chapter 49) His muscles are less pronounced. He is also wasting away.

This progression also ties to the concept of nature vs. artifice. The natural setting of the beach—the waves, the open sky—contrasts sharply with the sterile, artificial environment of the locker room. Nature brings out authenticity and raw emotion, whereas the locker room and the emergency room (chapter 60) reinforce control and suppression. In the locker room, the absence of time and space to relax or meditate highlighted the pressures placed on Joo Jaekyung by his manager and coach (chapter 14) (chapter 49), who believed that physical strength alone would solve his problems. This environment denied him the mental and emotional support he truly needed. (chapter 15) The kiss in Chapter 15 became a moment where Joo Jaekyung discovered not only physical pleasure but also positive emotions, which acted like a sweet candy, a reward for his hard work. (chapter 15) It gave him emotional support. It symbolized a rare moment of relief and connection amidst the overwhelming demands of his environment. Joo Jaekyung’s actions in these settings highlight his gradual move from a place of concealment to one of openness and authenticity. While the CPR kiss could be dismissed as a rescue, it symbolically represents a step toward Joo Jaekyung revealing his true self. (chapter 60) The kiss marks a moment where he unconsciously begins to acknowledge his feelings and his homosexuality, even in a setting where others could witness it.

Lies and Miscommunication

Another layer of complexity is revealed when examining the two kisses. From that wonderful night (chapter 44) on, Kim Dan never got kissed again. The absence of a kiss in the locker room was revealing Joo Jaekyung’s lack of faith in Kim Dan. His mistrust left such an emotional wound, which is only visible to the third eye. (chapter 54) Because Joo Jaekyung saw it in a vision, it becomes clear that the athlete is still in denial about his wrongdoing. Therefore he didn’t apologize for his false accusations and his bad perception of the physical therapist: (chapter 60) By admitting that he knows about his innocence, he imagines that he can get scott-free. But he is wrong. His skepticism and dismissiveness wounded Kim Dan’s heart and mind, leaving scars that reverberate through their future interactions. Kim Dan can no longer trust him now (chapter 60) , though there is no doubt that the doctor is still in love with him. At the hospice, this mistrust resurfaces. The parallel conversations—in the locker room and the emergency room—highlight the ongoing cycle of miscommunication and emotional disconnect. Both characters, in their own way, lie to themselves and each other. Joo Jaekyung sees Kim Dan through the lens of poverty and greed (chapter 60, reducing his identity to his need for money, while Kim Dan rejects his offer, his help and conceals his pain. It is not surprising that Kim Dan left the treatment room. (chapter 60) By doing so, he is denying his rescue and assistance. It was, as if this night and as such the kiss had never happened.

The beach, however, offers a stark contrast. There, in the midst of the emergency, Joo Jaekyung’s perception of Kim Dan shifts. For the first time, he sees him as a human being—vulnerable and in need of genuine care. (chapter 60) The lies and miscommunication fade in the face of the life-and-death situation. However, this recognition is short-lived, as the events at the hospice reveal Joo Jaekyung’s lingering selfishness (chapter 60) and inability to fully comprehend the seriousness of Kim Dan’s mental and physical state.

Kim Dan as Joo Jaekyung’s Reflection

Episode 60 also underscores the parallels between Kim Dan and Joo Jaekyung. Both characters are struggling and mistreating their bodies, albeit in different ways. Kim Dan’s rejection of help and his deteriorating condition mirror Joo Jaekyung’s past behavior of ignoring medical advice and pushing himself to extremes. This dynamic serves as a reflection, forcing the champion to confront his own flaws. Kim Dan’s condition becomes a metaphorical mirror, showing Joo Jaekyung the consequences of neglecting physical (chapter 27) and mental well-being. (chapter 27) When Kim Dan removed the needle carelessly (chapter 60), he was actually copying his lover’s behavior.

The dissociation and derealization evident in Kim Dan’s behavior further highlight his mental fragility. This fragility contrasts sharply with Joo Jaekyung’s reaction during their interaction at the hospice. When the champion angrily asks, , his words reveal frustration and a superficial understanding of the situation. Rather than addressing the underlying psychological distress driving Kim Dan’s actions, Joo Jaekyung perceives them as reckless behavior. His focus remains on immediate danger rather than the deeper cause, showcasing his emotional detachment and inability to grasp the full seriousness of Kim Dan’s mental state. This misinterpretation underscores how Joo Jaekyung is still projecting his own coping mechanisms onto Kim Dan, assuming that sheer willpower and physical strength can resolve emotional struggles. This moment serves as a stark reminder of Joo Jaekyung’s ongoing growth and the gaps in his understanding of Kim Dan’s suffering. His denial of having gone to the beach, despite clear evidence, points to the depth of his trauma. (chapter 60) That’s why I can’t shake the feeling that the physical therapist is still in danger. The trail of blood on the floor could be interpreted as a bad omen. (chapter 60) Many Jinx-philes saw parallels between the champion’s departure from the locker room with the final image from chapter 60, (chapter 51) However, in the last image, the athlete had left the room to go to the health center, while Kim Dan is now leaving the treatment room, a sign that he is not just rejecting the champion’s help, but also the hospice’s intervention. (chapter 60) So he could get into trouble in his profession.

This moment becomes a turning point for Joo Jaekyung, as he is about to grasp the gravity of Kim Dan’s mental illness. However, his focus on money and material solutions (chapter 60) at the hospice contrasts sharply with the purity of his actions on the beach, underscoring his ongoing struggle with selfishness and superficiality.

As long as Joo Jaekyung hides his vulnerability and hides his true self to achieve his goal, Kim Dan will mirror his actions. He will deceive him too. However, we shouldn’t see their separation (chapter 60) at the end of episode 60 as something negative. How so? It is because Kim Dan never said this: (chapter 51) He never wished to never see Joo Jaekyung again. Moreover, he never regretted their meeting either. (chapter 60) And now, pay attention to his hand, he is slightly clenching his fist, a sign that he is pained while saying this: “Have a safe trip home!” The word “home” and his gesture display that deep down, he was happy to see him. He is longing for home, but he can not express his true desire. Thus I deduce that Joo JAekyung’s words in front of the restaurant must have moved his heart: (chapter 43) No wonder why he thought that it was time to get to know the fighter during that night: (chapter 44)

On the other hand, by utilizing the word “home”, he is implying that the fighter doesn’t belong here. The doctor is actually mimicking his own grandmother. (chapter 57) (chapter 57) However, Jinx-philes should detect the divergence: she is not using the word “home”, but Seoul. That’s the reason why in the end, Shin Okja’s confession to her grandchild will come back to bite her, as she described her own grandson as a stranger in this little town. It was, as if he had been an orphan all his life. He had no home all along.

And because of the doctor’s words, it is clear that Joo Jaekyung won’t return to Seoul. He just needs to stay by his side in order to gain his trust. The longer the fighter stays in that place, the longer he will be able to detect the deceptions surrounding the doctor: (chapter 58) Where are the parents? Who is the man where he is staying? Where did he plan to go after his stay there? The idiom “temporarily” could be perceived as an evidence that the doctor plans to end his life. According to my interpretation, Heesung believed that the landlord was Kim Dan’s grandfather. He was just denying his origins out of shame.

One thing is sure. Because of the doctor, Joo Jaekyung will be forced to admit that home is where the physical therapist is. With his goodbye, Kim Dan was challenging his former boss , (chapter 60) a new version of this scene. (chapter 9) The athlete has now every reason to stay there and that’s how he will discover all the doctor’s secrets and misery.

Conclusion

The kisses in Jinx are more than just physical acts; they are symbolic markers of Joo Jaekyung’s emotional journey and his evolving relationship with Kim Dan. The locker room (chapter 15) kiss represents selfishness, secrecy, and miscommunication, while the beach kiss (chapter 60) signifies selflessness, openness, and recognition. However, both kisses, initiated by Joo Jaekyung, were not truly expressions of deep love or genuine emotional pleasure. As technical gestures borne out of urgency and care, they left no lasting emotional trace in their relationship.

This lack of emotional permanence highlights the characters’ ongoing struggles. While Joo Jaekyung shows signs of growth, he has yet to fully understand or confront the complexities of Kim Dan’s mental and emotional state. Similarly, Kim Dan’s passivity and silence in earlier moments underline the barriers that remain between them. Trapped in his own misery, he fails to see the physical deterioration from his former idol. The juxtaposition of these kisses serves to illustrate the fragility of their bond and the slow, uneven process of their personal and relational evolution. Through these moments, the author masterfully portrays the intersection of urgency, care, and miscommunication, ultimately crafting a nuanced exploration of healing and connection amidst shadows. Once again, it exposes the importance of honesty and clear communication in a couple.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: The Painful 🧜‍♂️🧜‍♀️ Mermaid’s Aspiration ☀️

When Joo Jaekyung dives into the water to rescue Kim Dan (chapter 59), the scene mirrors the iconic moment in The Little Mermaid where the mermaid saves the prince from drowning. Kim Dan, unconscious and seemingly following the voices of the hospice (chapter 59) —a representation of the mermaids’ song—drifts into a state of surrender, much like the prince. This act of salvation becomes a pivotal moment, connecting both characters to the themes of water, transformation, and rediscovery of purpose.

Hans Christian Andersen’s The Little Mermaid is often overshadowed by its popular Disney adaptation, yet the original fairy tale delivers a far more complex and somber narrative. Initially, the underwater world of the mermaids appears idyllic, with its enchanting gardens and harmonious existence.

However, as the story progresses, it becomes evident that the mermaids are seductresses, luring sailors to their deaths with their hauntingly beautiful voices. Their prosperity and gardens stem from the remains of drowned humans, tying their existence to mortality and forgetfulness.

The absence of the Sea King as an active father figure leaves the grandmother to raise the mermaids, instilling traditions, hierarchy and materialism.

Among these traditions is the rule that mermaids may only visit the human world when they reach maturity, an act meant to influence them to appreciate their underwater kingdom and discourage longings for the surface. This restriction mirrors the tension between imposed norms and individual desires, as the mermaids are shaped by a world that limits their experiences until adulthood, by which time many have conformed to the values of their realm. Yet, for the little mermaid, this delayed freedom only deepens her yearning for a world beyond her own, setting her apart from her sisters. The grandmother’s role highlights the mermaids’ lack of individuality and spiritual depth, as their ultimate fate is oblivion—they vanish into sea foam upon death, unremembered and without souls.

Moreover, the mermaids’ fear of the sun, symbolized by the third sister who dives underwater to escape its burning rays, further reflects their estrangement from light and transcendence. This idyllic yet haunting world mirrors the struggles faced by the characters in Jinx, who similarly navigate environments defined by materialism (chapter 54), performance, and the longing for a deeper connection.

Drawing from Andersen’s original themes, Jinx presents a modern reinterpretation through its characters and their relationships. Both Kim Dan and Joo Jaekyung embody aspects of the little mermaid’s journey. Kim Dan, like the mermaid, endures silent suffering, yearning for recognition and freedom from his oppressive environment. Joo Jaekyung, meanwhile, encapsulates both the prince, whose light seduces others (chapter 41), and the mermaid, as he grapples with voicelessness and the pressures of his world. (chapter 36) (chapter 36) Choi Heesung, representing another prince with Potato as his bride, benefits from others’ sacrifices (chapter 31) (chapter 58) while remaining oblivious to their struggles. These parallels reveal layers of self-discovery, mutual transformation, and the pursuit of meaning. By analyzing these similarities, we uncover deeper layers of self-discovery and transformation within the narrative.

The Fake Sun and Kim Dan’s Awakening

When the little mermaid first surfaces, she does not see the sun but encounters the prince instead. He becomes her “fake sun,” a symbol of misplaced hope and unfulfilled longing. Similarly, Kim Dan, who became a physical therapist due to his grandmother’s influence, is thrust into Joo Jaekyung’s world—a world he perceives as brighter, almost blinding, like the sun. (chapter 53) Joo Jaekyung, representing the “new world,” acts as both a source of transformation and a mirror reflecting Kim Dan’s sacrifices.

In Andersen’s story, the little mermaid’s longing for the prince reflects her yearning for connection and transcendence, but it ultimately brings her pain. However, even before meeting the prince, the little mermaid longed to discover the human world. She listened intently to her sisters’ stories of their experiences on the surface, which created a deep yearning within her to explore this new realm.

Her yearning for the prince only exacerbates her desire to leave the confinement of the underwater kingdom, which she sees as restrictive, and pursue the dreams that set her apart from her sisters. Unlike her siblings, the little mermaid does not fear the sun; instead, she longs for its light and warmth. Andersen emphasizes this through her garden, which reflects her inner world and emotions:

The garden, overlooked by others, mirrors her unacknowledged feelings and aspirations, emphasizing her quiet longing for a brighter existence beyond the depths. Kim Dan’s relationship with Joo Jaekyung similarly oscillates between hope (chapter 55) and hardship (chapter 58), yet it serves as the catalyst for his growth. Just as the little mermaid’s journey leads her to a higher spiritual purpose as a daughter of the air, Kim Dan’s experiences with Joo Jaekyung force him to confront his own worth, identity, and emotional needs. Just before he went to the ocean, he wondered about his own future and desires, a sign that he was standing at a crossroad: (chapter 59) However, let’s not forget that Kim Dan’s profession had been determined by Shin Okja, as the latter desired to have her grandchild taken care of her. Therefore his own desires and needs were overlooked. Traditions and social norms were used to decide about the protagonist’s life and future. His journey from voiceless suffering to self-realization echoes the mermaid’s transformation.

Depression: Disconnection and Yearning

Both Hans Christian Andersen and the little mermaid offer insights into the experience of depression. Andersen himself struggled with feelings of isolation and unreciprocated affection, which find their echo in the mermaid’s story. Her disconnection from both the underwater world and the human world mirrors the profound alienation that often accompanies depression.

The little mermaid feels different from her sisters, who eagerly conform to their traditions, while she secretly yearns for something beyond their understanding. This sense of being “other” and her inability to express her desires create a deep loneliness. Similarly, Kim Dan’s life has been marked by silent suffering and a lack of recognition for his sacrifices. (chapter 57) (chapter 59) Like the mermaid, he has always lived disconnected from his own needs, burdened by the expectations of others—his grandmother, Heo Manwook, the doctors (chapter 21) , and even Joo Jaekyung. (chapter 45)

Andersen’s depiction of the mermaid’s inability to cry—”mermaids have no tears, and therefore they suffer more”—reflects the emotional numbness of depression. Kim Dan’s stoic endurance and inability to articulate his pain in season 2 resonate with this portrayal. When he is on the verge of killing himself (chapter 59), he is not capable of crying. It is because he has been living like a ghost for the last two months. Depression, for both the mermaid and Kim Dan, manifests as a silent struggle, making their eventual transformations even more poignant.

Joo Jaekyung: The “Prince” or The Mermaid?

Joo Jaekyung’s role in Jinx is multifaceted, resembling both the prince and the mermaid from Andersen’s tale. On one hand, he is a “fake prince,” burdened by the high expectations of his surroundings and unresolved traumas. Much like the mermaid’s prince, Joo Jaekyung’s image is carefully curated, (chapter 1) hiding his true self behind a facade of strength and success. On the other hand, Joo Jaekyung also embodies the mermaid’s longing and sacrifice. Living in the world of MMA, a high-pressure environment where he is constantly pushed to perform, he resembles the mermaid in the underwater kingdom—a place of death and materialism where the mermaids feed on drowned humans. It is no coincidence that the fighters are displayed like mermaids in the water full of blood. (chapter 29) This zombie-like existence leaves him voiceless; the entertainment agency and MFC dictate his actions (chapter 57), only allowing him to speak when it benefits them financially.

Interestingly, Joo Jaekyung’s affinity for water (chapter 27) reflects his connection to the mermaid. Water is his natural element, a place where he feels at peace, yet he has been forced to conform to a fiery world of intensity and relentless ambition. (chapter 19) Hence he never went to the swimming pool in his own penthouse, until Kim Dan triggered his memory and longing. This interplay of water and fire (chapter 53) symbolizes Joo Jaekyung’s duality: water represents his reflective and calm nature, while fire reflects the passion, turmoil, and seduction he embodies. His light, much like the mermaids’ song in Andersen’s tale, attracts others, but it often leads them astray. For example, many members of Team Black left the gym to join King of MMA, a rival gym with connections to the underground world and illegal fights. (chapter 52) (chapter 41) Joo Jaekyung’s image was exploited to lure these individuals down a darker path, highlighting how his light has been misused by those around him.

(chapter 53) The contrasting visuals of the King of MMA building (chapter 52) and Joo Jaekyung himself underscore this dichotomy. The building, with its blue tones and connection to the sky, evokes the image of a ship luring fighters into oblivion, much like the mermaid’s siren call. Interestingly, the light from the building comes from the sun, giving it the impression of naturality and hope. This creates a deceptive allure, as those who follow this path are ultimately consumed and forgotten.

In contrast, the image of Joo Jaekyung turning around is bathed in artificial light from the flash of cameras, (chapter 53) emphasizing his curated, public-facing facade. This artificiality reflects how Kim Dan, much like the public, has not yet perceived the humanity beneath Joo Jaekyung’s exterior. This dichotomy underscores Joo Jaekyung’s struggle to reclaim his identity while also highlighting Kim Dan’s journey to truly see the man behind the image. This juxtaposition highlights how Joo Jaekyung’s journey is not merely about physical survival but about reclaiming his identity and resisting the forces that seek to exploit him. 

The Doctor’s Family: A Reflection of the Mermaid’s World

Kim Dan’s family background parallels the little mermaid’s environment in significant ways. The absence of the father in Kim Dan’s life placed all the responsibility on his grandmother, echoing the absence of the Sea King’s active role in his daughters’ lives. The grandmother in Kim Dan’s story shares several traits with the mermaid’s grandmother, but also presents key contrasts. Both grandmothers embody traditions, social norms, and a materialistic worldview. Shin Okja’s wedding cabinet and scarf were a source of joy and pride for her, (chapter 19) (chapter 56) as long as they were not associated with burden or suffering, while the mermaid’s grandmother celebrates the beauty and decorum of their underwater realm.

Both women disregard the pain and desires of the protagonists—Shin Okja justifies her dependency on Kim Dan with cultural norms and his selflessness (chapter 53), while the mermaid’s grandmother dresses her granddaughter beautifully for her first visit to the surface, disregarding the physical pain she complains about. In both cases, the protagonist’s suffering is diminished or ignored, highlighting a shared insensitivity to their emotional and physical experiences. Both grandmothers appear as rather distant and cold-hearted.

However, the mermaid’s grandmother exhibits a mental and physical strength that Shin Okja lacks. Confident and authoritative, she enforces the rules and rituals of the mermaid world, including the tradition of visiting the surface only after reaching maturity. This ritual, framed as a way to teach the young mermaids to appreciate their own realm, indirectly influences the little mermaid’s yearning for the human world. Her family could have noticed it, if they had paid attention to the sculpture in her small garden.

In contrast, Shin Okja is emotionally and physically dependent on Kim Dan, burdening him with the entirety of their survival. Her insistence on adhering to traditions reflects a passive selfishness, as she benefits from his sacrifices while escaping her own responsibilities.

Interestingly, both grandmothers play a role in inciting their grandchildren to leave their side. The mermaid’s grandmother encourages the little mermaid to explore the human world as part of their ritual, emphasizing its transience and superficiality. (chapter 57) Shin Okja, noticing Kim Dan’s figurative slow death under the weight of her request, subtly pushes him to seek his own path. However, this act is not entirely selfless. For Shin Okja, it represents an escape from the guilt of causing her grandson’s unhappiness, a way to absolve herself of responsibility.

Yet, the two grandmothers diverge significantly in their personal strength and awareness. The mermaid’s grandmother confidently instills traditions as a way to ground her grandchildren in their underwater identity, while Shin Okja clings to traditions to justify her dependence. Both grandmothers also embody forgetfulness and oblivion. The mermaid’s grandmother focuses on traditions and appearances, disregarding the existential yearning of the little mermaid for an immortal soul. Shin Okja similarly disregards Kim Dan’s emotional suffering, prioritizing her material needs and societal expectations. Notably, she never returned to her hometown, until she was nearing death, underscoring her detachment from legacy and emotional connection. These shared traits highlight how both grandmothers, despite their different contexts, restrict the protagonists’ growth and self-discovery, keeping them tethered to a world of conformity and unfulfilled dreams.

In both stories, the protagonists live like ghosts, overshadowed by the expectations and traditions imposed upon them. Kim Dan has always lived for his grandmother and her “dreams,” never truly pursuing his own aspirations. Similarly, the little mermaid is forced to follow traditions and live through the eyes and expectations of others. Her deepest dream of becoming human and reaching the surface is kept to herself, unknown to anyone around her. This suppression of individuality and desire reflects the stifling nature of their environments. Interestingly, the little mermaid’s garden reflects her inner world and emotions. Unlike her sisters, she does not fear the sun, and her garden is shaped like the sun with flowers as red as his rays. Yet, no one pays attention to her garden, mirroring how Kim Dan’s struggles and unwell-being are overlooked by those around him. (chapter 57) He even gets blamed for his illness. These elements further emphasize how the suppression of individuality leads to yearning and eventual transformation.

The Sisters of the Mermaid and Team Black

In Andersen’s tale, the mermaid’s sisters are largely indifferent to her plight until they realize she is about to die. Their sudden sacrifice of their hair to obtain a knife from the sea witch demonstrates a delayed recognition of their sister’s suffering. Though their act is born of desperation, it comes too late to save her. The sisters, pale and sorrowful, ultimately sink back beneath the waves, leaving the mermaid to face her fate alone. (chapter 52) This dynamic parallels the members of Team Black in Jinx. Although they are treated like Joo Jaekyung’s co-workers (chapter 7), in reality, he is their boss and the foundation of their success. Their indifference mirrors the mermaid sisters’ behavior; they only notice his struggles and absence when his winning streak falters, prompting many to leave the gym for the rival King of MMA. However, if we take Andersen’s fairy tale as a source of inspiration, it signifies that at some point, the remaining members of Team Black might come to “sacrifice” themselves for their “little sister,” symbolically representing Kim Dan and Joo Jaekyung. This potential act of loyalty could mirror the mermaid sisters’ gesture, showing that even belated recognition and care can lead to transformative redemption for those involved.

Gardening and Immortality

In Andersen’s tale, the mermaids tend gardens in the underwater world, a symbol of their limited existence tied to material beauty. This theme resonates in Jinx, where the gym Team Black acts as a parallel to the underwater kingdom. Like the mermaid gardens, Team Black is centered on appearances and the cultivation of superficial success. Originally created to serve Joo Jaekyung’s needs, the gym drew attention due to his achievements (chapter 1), attracting others seeking the same level of fame and fortune. (chapter 46) However, the gym’s inability to produce another champion reveals its “fake gardening” nature—focused on maintaining an image rather than fostering true growth.

Park Namwook, much like the Sea King’s materialistic focus, behaves as though he owns the gym, taking pride in its reputation (chapter 52) while merely using Joo Jaekyung’s success to boost his own ego. His plans to set up a kids’ program at the gym further underscore this self-serving nature. While presented as an effort to expand the gym’s reach, Park Namwook’s true motivation lies in financial gain, as he tries to persuade Joo Jaekyung by stating, “Kids are where the money is at.” On the one hand, this reflects his obsession with money and contrasts with the deeper, transformative intentions associated with true gardening. On the other hand, since he has himself kids, it is clear that he would like to send his own children to the kids’ program.

Interestingly, the concept of a kids’ program can be compared to the daughters of the air in Andersen’s tale.

The daughters of the air earn their immortal souls through good deeds, particularly by serving as unseen companions to children, influencing their growth and joy. The transformation of the little mermaid into a daughter of the air holds profound significance. Through her death, she transcends her former existence, drawing closer to her aspiration for an immortal soul. Her nature fundamentally changes—she evolves from a being defined by longing and sacrifice to one with purpose and autonomy. Her rise to the air signifies liberation from the pain and constraints of her past life, granting her a new identity. Similarly, Joo Jaekyung and Kim Dan’s struggles, marked by insomnia, loneliness, and emotional turmoil, echo this journey of transformation. (chapter 59) The ocean scene in Jinx represents the beginning of their ascent, a symbolic death of their former selves and the first step toward self-discovery and fulfillment. Like the little mermaid’s yearning for the sun and light, their encounter in the ocean marks a turn toward aspiration and the possibility of a brighter, truer existence.

However, Park Namwook’s approach twists this idea into a shallow form of “gardening” focused on profit rather than nurturing. (chapter 46) His actions reveal the disconnection between genuine care and the commodification of growth, paralleling the gym’s superficial cultivation of champions and success. When Joo Jaekyung’s streak of victories faltered after his tie with Baek Junmin, many members abandoned the gym, (chapter 52) exposing the lack of genuine loyalty and care for the champion. This mirrors the indifference of the mermaids to the plight of drowning humans, a reflection of their inhumanity. Similarly, the world of MMA fighting, like the underwater kingdom, encourages relentless training and suppresses emotional expression—vacations and rest only occur due to injury or external intervention, such as Kim Dan’s request for a day off.

Potato’s characterization as a mixture of a “spoiled child” (chapter 22) and a “neglected child” (chapter 59) further emphasizes the immaturity and lack of responsibility prevalent in this environment. In Andersen’s story, the mermaid sisters are given gardens to tend from a young age, instilling responsibility early on. Potato’s journey mirrors the mermaid sisters’ visit to the surface, as his trip to the sea represents a moment of exploration and self-discovery. While working as an actor for the first time, he realizes during his stay with Kim Dan that he has no intention of leaving Team Black. (chapter 58) Feeling lost without Kim Dan, he initially requests his return so that they can be together again. This longing for a companion reflects Potato’s deeper need for guidance and connection, much like the mermaid sisters who briefly visit the surface but ultimately return to their underwater world when the novelty fades. Yet, when they reach maturity and are allowed to visit the surface, the novelty of the human world quickly fades, and they return to their underwater realm indifferent to human suffering. However, notice that on his day of the departure, Potato tells Kim Dan that he won’t call him, the mermaid has to initiate the first step. (chapter 58) Just like the prince in the fairy tale, the protagonist from Jinx is treated like a servant or a play companion, but nothing more.

This shows that in both stories, the humans take the mermaid’s selflessness and gentleness for granted. They don’t ask if the mermaid is feeling well. They expect them to be around them.

This lack of empathy and the absence of tears (chapter 15) strongly parallel the detached, high-pressure environment of MMA fighting. Joo Jaekyung, trained relentlessly since youth, embodies this world’s harshness, where vulnerability is a luxury rarely afforded.

By contrasting the gym’s “fake gardening” with Joo Jaekyung’s eventual journey toward authenticity, the narrative underscores the need to move beyond superficiality and reclaim one’s true self. Joo Jaekyung, after being inspired by Kim Dan, begins to metaphorically “garden” by creating his own space of renewal and growth. The ocean setting (chapter 59) suggests that Joo Jaekyung might reclaim his authentic self through activities like swimming, reconnecting with nature, and symbolically planting the seeds for a new life. Kim Dan, who cannot swim, learns from Joo Jaekyung, and together, they forge a path toward mutual healing and immortality—not in the literal sense but through finding their “soul” and purpose.

The Ocean: Nature as a Setting for Transformation

In Jinx, the shift in the setting from the city (a symbol of civilization and its suffocating pressures) to the ocean (a symbol of nature and renewal) mirrors a pivotal change in the characters’ journeys. (chapter 56) The city represents the oppressive expectations and artificial constructs that have shaped Joo Jaekyung and Kim Dan’s lives. By meeting again in the ocean, they reconnect with a more authentic and unburdened version of themselves. This transition echoes the little mermaid’s connection to the natural world as a place of solace and transformation.

Responsibility and Guilt: The Couple’s Role

The scene where the prince and his bride gaze at the foam, sorrowfully searching for the mermaid, mirrors Heesung and Potato’s behavior. (chapter 59) They imagined that Kim Dan would be better off without Joo Jaekyung (chapter 58), but this assumption reveals their failure to truly understand Kim Dan’s plight. Their ignorance ties them to the selfishness and guilt that mark the couple in the fairy tale. Despite their faults, however, their actions indirectly contribute to Kim Dan’s transformation.

However, the mermaid’s final kiss on the prince’s bride’s forehead holds deeper symbolic meaning. The goodbye kiss, given unseen, can be interpreted as either a curse or an act of emancipation. It symbolizes her liberation from heartbreak and physical suffering. The kiss is also a farewell to the life she had sacrificed so much for, allowing her to rise as a daughter of the air. Similarly, the picture in front of the hospice could be interpreted as Kim Dan’s goodbye kiss to his friends before his own metamorphosis, marking a farewell to his old life and the start of his transformation: air.

Similarly, Kim Dan’s journey reflects a moment of quiet yet profound transformation: (chapter 15) his kiss with Joo Jaekyung, shared in the locker room, was both an act of protection and a pivotal moment in their dynamic. Like the mermaid’s unforgettable first kiss with the prince (when he was rescued), Joo Jaekyung’s kiss in the locker room was an act of initiation, driven by his “fears” and sense of responsibility, reflecting his growing attachment to Kim Dan. The kiss symbolized his struggle to connect and protect, even as he grappled with his emotional restraint. The locker room, a symbol of physical endurance and vulnerability (chapter 51), mirrors the mermaid’s longing to break free of her limitations and find meaning in her suffering.

The Daughter of the Air: Kim Dan’s Transcendence

In The Little Mermaid, the protagonist’s final transformation into a daughter of the air signifies her spiritual elevation and newfound purpose. No longer tied to the physical or the emotional pain of unrequited love, she discovers companionship and a mission—to earn an immortal soul through good deeds. This mirrors Kim Dan’s journey of finding a new identity and purpose.

The 300 years the mermaid must strive for redemption recalls the three months Kim Dan spent with Joo Jaekyung before vanishing. In this time, Kim Dan undergoes a profound change. Like the daughter of the air, Kim Dan moves closer to his own “sun,” (chapter 59) finding light not in others but within himself. Through his hardships, he gains the strength to pursue his own identity and agency.

The “Princes” and Legacy

The story also underscores the theme of legacy, as the concept of the “prince” takes on multiple layers in Jinx. Joo Jaekyung is the central prince, undergoing his own awakening as he transitions from being an oblivious benefactor to an active participant in Kim Dan’s healing and growth. However, Heesung and even Potato emerge as “princes” in their own right. Heesung’s journey to face his flaws mirrors the prince’s search for his rescuer, while Potato’s evolution hints at a future where he might follow in Joo Jaekyung or Kim Dan’s footsteps, symbolizing a new generation of legacy. I couldn’t help myself noticing that Potato was the first one showing an interest in Kim Dan’s profession: (chapter 49) The maknae’s tears are an indication that he is no mermaid, but a human, I would even say, he still has the soul of an innocent boy. (chapter 58) reminding me of the princess looking for the voiceless mermaid. It is clear that in both stories, the mermaid left traces in the humans’ hearts.

Conclusion: Mutual Transformation

Ultimately, The Painful Mermaid’s Aspiration is a story of mutual transformation. The mermaid’s sacrifice enables the prince’s happiness, but her ultimate transcendence reflects a deeper journey of self-discovery. Similarly, Kim Dan’s suffering becomes the foundation for his growth, pushing both him and Joo Jaekyung to evolve. While the figures around them, like Heesung and Potato, remain entangled in their own struggles with guilt and identity, they contribute to the larger narrative of transformation and redemption.

Kim Dan’s journey, like the little mermaid’s, is not just about sacrifice but about rising above pain to find purpose and light. In the end, both characters achieve a form of liberation, stepping closer to the “sun” and reclaiming their voices and identities in a world that once rendered them invisible.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Craving Mama’s 👩‍👦Shine ☀️ – part 2

Mama or Joo Jaekyung?

After reading the first part, my follower and avid reader @rantofalifetime brought my attention to this panel. (chapter 57) She wondered if this nickname “MAMA” was not a spelling mistake, and that the translator might have meant “MMA fighter Joo Jaekyung.” Intrigued by this possibility, I sought clarification, and indeed, in the Japanese version (episode 57) the reporter introduces the main lead differently: “Next, we have news regarding Joo Jaekyung.” This subtle difference is significant for three reasons.

Fighter Joo Jaekyung and its implications

First, it shifts the tone of the news. By omitting the nickname “MAMA” and using a more neutral phrasing, the journalist appears more professional and unbiased. This deliberate neutrality lends credibility to the report, giving viewers the impression that the information presented is factual and untainted by bias. Second, this choice strategically conceals the existence of any underlying manipulation or conspiracy, aligning with the larger narrative tactics observed throughout the interviews. The omission of the nickname highlights the calculated nature of MFC’s media strategy, showcasing how tone and language are carefully curated to influence public perception. Finally, like my friend noticed it, something was missing in this introduction: the nickname Emperor. The omission of the nickname “The Emperor” in the second interview is a subtle yet significant detail. It not only signals a shift in how Joo Jaekyung is perceived but also reveals a deliberate effort to undermine his status. As my friend keenly observed, this change in language demotes the champion from his previously exalted position. While he was once heralded as “The Emperor,” the absence of this title in the current narrative exposes an underlying strategy of manipulation and control. It is as though his stature is being diminished step by step, aligning with MFC’s broader agenda to distance themselves from his achievements and frame his struggles as personal failings. This seemingly minor detail becomes a glaring indicator of the deception at play, further underscoring the calculated nature of the interviews. On the other hand, they are not using the suspension as an excuse for the loss of his title. (chapter 57) And what does it mean?

Rewriting the past

The organization’s deliberate omission of the health center incident (chapter 52) and the suspension from their narrative highlights a calculated effort to erase inconvenient truths that could tarnish not only MFC’s reputation but also that of the medical professionals complicit in their schemes. Let’s not forget (chapter 41) the complicity of the doctors who cleared Joo Jaekyung to fight despite his evident injuries as another example of the corruption within this world. Moreover, by avoiding any mention of the suspension (chapter 52) (chapter 57), which stems from Joo Jaekyung’s actions at the health center, MFC ensures that questions surrounding the incident—such as the switched spray and the deliberate injury to his ankle—are never raised. This allows both the organization and the doctors involved to escape scrutiny.

By neglecting to use the suspension as a justification for the champion’s alleged fall from grace, MFC subtly frames the athletes as solely responsible for their setbacks, deflecting attention away from systemic corruption. The erasure of the health center brawl, where Baek Junmin provoked Joo Jaekyung, (chapter 52), is not only a protective measure for MFC but also shields the medical professionals who facilitated the situation. Doctors at the health center failed to report the ankle injury caused by the sabotage (chapter 50), further implicating them in a network of complicity and greed. Their decision to place the two fighters next to each other without proper privacy measures, such as curtains, reveals a disregard for professional ethics in favor of spectacle and profit. I would even add, the decisions from the health center’s medical staff, played a significant role in escalating the situation. By placing Joo Jaekyung and Baek Junmin next to each other post-fight, without appropriate measures like curtains to ensure separation, the health center created an environment ripe for conflict.

This negligence directly contributed to Baek Junmin’s severe injuries , (chapter 52) as the provoked champion lashed out in an unregulated setting. The decision to ignore these systemic failures and instead to suspend Joo Jaekyung suggests a deeper layer of complicity from the medical world, where doctors and nurses prioritized organizational demands and reputational interests over ethical responsibilities. Their failure to report the provocation and the ankle injury caused by the switched spray further highlights their alignment with MFC’s corrupt practices.

The vanishing of the shooting star

This complicity extends to Baek Junmin’s trajectory as a fighter. Once celebrated as a rising star with “star quality” (chapter 47) and favored by MFC’s CEO, Baek Junmin has now been discarded, his relevance extinguished the moment he ceased to serve the organization’s agenda. (chapter 57) His involvement in the underground fighting circuit and illegal gambling adds a layer of complexity to his role. (chapter 47) His background, combined with his visible association with MFC’s CEO, positions him as a key figure who could potentially expose the organization’s darker practices.

Rather than remaining a simple antagonist to Joo Jaekyung, Baek Junmin’s evolving role shifts him toward that of a pivotal witness. His potential testimony against figures like Choi Gilseok and the corrupt medical professionals could unravel the facade that MFC has worked so hard to maintain. This transformation invites readers to reconsider the hierarchy of villains and victims within the narrative. While Baek Junmin’s earlier provocations painted him as an adversary (chapter 49), his ultimate fate now reflects the broader cruelty and exploitation perpetuated by those in power. That’s how I realized the other signification of the cross below his left eye. The latter symbolizes his blindness in the end. The cross signifies his inability to see beyond the role he played within the system—a symbol of his naivety and misplaced confidence. Baek Junmin believed he understood the brutal reality of the fighting world, given his background in underground rings and illegal gambling. He thought his experience and cunning gave him an edge, making him untouchable or indispensable. However, his taunts to Joo Jaekyung (chapter 49) reveal a man who overestimated his position within the organization.

His role as a fighter in the shadows, bound by corrupt systems and ruthless practices, prevented him from recognizing his true dispensability. MFC’s abandonment of him after his injuries and the lack of media attention further underline this. Baek Junmin, who once took pride in being part of such a system, failed to realize that he, like Joo Jaekyung, was merely a pawn in a game controlled by higher powers. The cross, therefore, becomes a stark reminder of his ignorance—not just of his own situation but also of the shared plight of those exploited within this system.

This blindness also extends to his inability to see himself as part of a larger narrative of manipulation. His dismissal by MFC, after being paraded as the next rising star, parallels the broader exploitation of fighters, making him not just a villain but also a victim. The irony is that while he mocked Joo Jaekyung’s perceived vulnerabilities, he was equally, if not more, vulnerable to the same forces that ultimately discarded him. (chapter 52) Thus he is erased from the news.

Between Fiction and Reality

This dynamic highlights the dehumanizing nature of the combat sports world portrayed in the story. Fighters are reduced to pawns, manipulated through orchestrated narratives, and discarded when they are no longer useful. The inclusion of Baek Junmin as a potential whistle-blower not only reveals the systemic corruption within MFC but also foreshadows a potential turning point. His decision to expose the illegal activities he has witnessed, including the complicity of the doctors, could serve as the catalyst for dismantling the network of exploitation controlling the fighters’ lives. His evolution from a rival to a reluctant ally, shaped by shared experiences of manipulation and abandonment, would underscore the collective struggle of those ensnared in the system. This would emphasize the need for unity among the exploited in confronting the forces of greed and corruption that dominate their lives. On the other hand, since in episode 54, the champion is blaming Baek Junmin once again (chapter 54), it shows the athlete’s lack of reflection and insight. He hasn’t been able to discern the truth, the corruption of his “world”. This means that he needs to travel and experience a whole new world. The contrast would serve as an eye-opener for the athlete.

Mingwa’s storytelling in Jinx is layered with sharp social commentary, and the narrative’s critique of organizations like MFC can certainly be seen as a mirror to real-life entities such as the UFC. By delving into the corrupt underpinnings of MFC, Mingwa exposes the dehumanizing aspects of combat sports, where fighters are reduced to commodities rather than respected athletes. Through characters like Joo Jaekyung and Baek Junmin, the story critiques the exploitation, systemic manipulation, and lack of accountability within these organizations.

The parallels are striking. Just as MFC uses fighters for profit and discards them when they’re no longer useful, real-life organizations in the fighting industry have faced criticism for their treatment of athletes—be it inadequate healthcare, manipulated narratives to boost viewership, or prioritizing financial gain over the fighters’ well-being. The absence of transparency, as seen in the suspension’s omission in Jinx, reflects a calculated attempt to control the narrative and avoid scrutiny, a tactic not uncommon in corporate sports environments.

Silencing the Outsider: MFC’s Strategy Against Kim Dan

The second interview (chapter 57) holds significant weight in the context of Kim Dan’s storyline, as it appears to be strategically (chapter 56) released shortly after the champion’s urgent request to locate him. This timing is no coincidence. Instead, it reflects a calculated effort to manipulate both the public narrative and Kim Dan’s own perception of his role and value. By introducing the anonymous person as “one of his close associates”, it implies that the champion has already moved on from the protagonist. He is not missing him at all. At the same time, it implies that within a short time, the person was able to get the athlete’s trust which stands in opposition to this scene: (chapter 51) Thus I conclude that the interview serves a dual purpose: to emotionally undermine Kim Dan and to cement his estrangement from Joo Jaekyung.

First, the interview subtly shifts the blame for the champion’s so-called “loss” onto external factors, including his struggles with recovery and mental well-being. (chapter 57) While it does not explicitly mention Kim Dan, the implications are clear. As someone who was deeply involved in Joo Jaekyung’s health and recovery during the lead-up to the match, Kim Dan is indirectly made to feel responsible for the champion’s struggles. This psychological manipulation creates a sense of guilt, making him question his capabilities as a physical therapist and his influence on the champion’s performance. However, they fail to achieve their goal, because his subsequent reflections reveal a deeper realization (chapter 57): his regret was not merely about using the spray but about his failure to assert himself professionally. (chapter 49) By complying unquestioningly with the champion’s requests, he had diminished his role, acting more like a servant than a competent physical therapist. The interview, though painful, (chapter 57) serves as a harsh wake-up call, forcing him to confront his own shortcomings and reevaluate his behavior.

The introduction of the new physical therapist further amplifies this shift in perspective. If the new PT indeed represents a professional eager to stand in the spotlight and claim authority, their presence acts as a stark contrast to Kim Dan’s former passivity. It highlights the missed opportunities in Kim Dan’s past—instances where he could have spoken up (chapter 41), drawn boundaries, and made his expertise known. I would even add that he never felt responsible for the champion’s reputation in the media (chapter 36) Hence he remained passive all this time. His negligence becomes more obvious, when the media released this wave of articles: (chapter 52) Thus I discern a turning point in the doctor’s mentality. The last interview served as a painful wake-up call. This juxtaposition not only deepens Kim Dan’s understanding of his mistakes but also offers a model for the kind of professional he aspires to become. He can, if he wants to be in the spotlight: (chapter 41) In addition, while many Jinx-Philes are blaming the champion for his outburst, (chapter 50) rejection and (chapter 50) accusations, (chapter 51), the main lead is not blaming his fated partner at all. Why? It is because none of this would have happened, if he had acted as PT and trusted his own hands. He was too passive, standing by the sideline. He never became proactive. (chapter 57) Therefore I deduce that the doctor should be gradually become aware of his grandmother’s wrongdoings: her passivity in front of bullying and ostracism is one of the reasons for his low self-esteem. Besides, we should keep in mind his other confession which outlines (chapter 47) his indifference and lack of professionalism. In the end, the grandmother is the reason for his lack of professionalism and neglect.

But let’s return our attention to the second interview. The latter, while deeply manipulative and likely intended to isolate both Kim Dan and Joo Jaekyung, inadvertently sparks a positive transformation. It forces Kim Dan to grapple with the realities of his role and recognize that his value as a physical therapist lies in his ability to assert his knowledge and make independent decisions. What was meant to discredit him 😉 becomes the catalyst for his growth, paving the way for him to reclaim his agency and redefine his identity within the professional and personal dynamics surrounding Joo Jaekyung. I would even add that it pushes him to separate private life from professional matters.

At the same time, the interview appears to diminish Kim Dan’s importance by omitting any reference to him altogether. (chapter 57) This omission sends a message: the champion is being “taken care of” by others, including the newly hired physical therapist, whose role is subtly elevated through the term “close associate.” By erasing Kim Dan from the narrative, MFC effectively undermines his connection to Joo Jaekyung and makes it seem as though his presence and contributions are no longer required. The implicit rejection is a cruel strategy designed to isolate him further and ensure that he stays away from the champion.

Kim Dan’s status as a freelancer further highlights the precariousness of his position. (chapter 54) Unlike the newly hired PT, who likely has the backing of a hospital or organization, Kim Dan operates independently. This independence, while offering a degree of freedom, also makes him vulnerable. He lacks the institutional support that could shield him from the manipulative tactics of MFC. Moreover, his independence places him in direct contrast to the systemic corruption that permeates MFC and its associated entities. As someone who has already been victimized by two major deceptions—the drugged nutrition shake (chapter 37) and the switched spray (chapter 57) —Kim Dan stands as a figure who threatens to expose the cracks in MFC’s carefully constructed facade. Let’s not forget that the incident with the poisoned beverage was swept under the rug by framing haters.

By keeping Kim Dan away from Joo Jaekyung, MFC is not only ensuring that he does not return to support the champion but also protecting their own interests. Kim Dan’s presence could potentially disrupt their narrative, especially if his proximity to Joo Jaekyung allowed him to uncover further instances of manipulation or corruption. His removal from the equation eliminates a wildcard that MFC cannot afford to tolerate.

Furthermore, the interview’s implicit targeting of Kim Dan underscores the predatory nature of the organization. Rather than openly addressing the champion’s request or the realities of his situation, MFC and the Entertainment agency opt to manipulate the individuals surrounding him to maintain control. The release of this interview ensures that Kim Dan feels alienated, unneeded, and even complicit in the champion’s struggles, thereby neutralizing him as a potential ally.

In sum, the second interview is as much about silencing Kim Dan as it is about reshaping the narrative around Joo Jaekyung. By targeting Kim Dan’s emotional vulnerabilities and professional independence, MFC and their accomplices seek to isolate him while protecting their interests. This calculated strategy highlights the organization’s ruthless nature and its willingness to exploit anyone—even those on the periphery—to maintain its grip on the narrative.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Nature’s 🌳Touch 🪸 in Jinx

Kim Dan and Nature

In Jinx, nature emerges as a symbol of purity and authenticity, a stark contrast to the city, which embodies corruption, materialism, indifference, and anonymity. (chapter 56) This dichotomy in season 1 is vividly illustrated in a scene where Kim Dan, under the dappled light of a tree (chapter 41), experiences a profound moment of awakening. As his hand seems to reach towards the leaves (chapter 41), his senses come alive—he sees the light filtering through, feels the breeze, and hears the faint rustling sound. It is, as if in that moment, he reconnects to his true nature. Like a tree, Kim Dan is deeply rooted, yet capable of growth and resilience. (chapter 41) Nature awakens something within him— his heart and as such his third eye —allowing him to realize his affection for Joo Jaekyung. This quiet yet powerful moment emphasizes how nature offers clarity and purity, serving as a contrast to the suffocating, impersonal urban world where Kim Dan often found himself lost. Striking is when Joo Jaekyung met Kim Dan for the first time, he compared him to a “leaf,” shaking and fragile—an unconscious recognition of his true nature. (chapter 56) Leaves are part of trees, symbols of growth, life, and resilience, but since Kim Dan is just a “leaf”, this signifies that he is actually mutilated, reflecting his emotional and physical vulnerability caused by repeated abandonment and suffering. Joo Jaekyung, though dismissive at first, catches a glimpse of Kim Dan’s deeper essence—one connected to nature but battered by his struggles.

Interesting is that the return of the physical therapist in season 2 was presented in a similar situation: (chapter 55) However, note that the main lead isn’t stretching his hand to the sky and sun. He is almost immobile. Just before, he was holding the cellphone in his hand: (chapter 55) Another divergence to the scene in episode 41 is that Jinx-philes couldn’t see his face. It indicates that the doctor reverted to his old self, and as such he is not true to himself. Therefore I come to the following conclusion. Mingwa uses nature as a mirror to Kim Dan’s emotional and spiritual state. While moments of connection with nature reflect clarity and self-realization, the juxtaposition in this scene underscores the opposite. Here, Kim Dan sits surrounded by trees and bathed in sunlight, yet his attention is consumed by his cellphone—symbolizing his entanglement with money, duty, and his ongoing struggles. Just moments prior, he wired money to the champion, a decision rooted in his past traumas and present desperation. The irony of the setting cannot be overlooked: though nature surrounds him, its purity and tranquility remain unnoticed, emphasizing how Kim Dan is still trapped in patterns of survival, burdened by his circumstances. He has become a ghost once again. This disconnect reveals how the weight of his past prevents him from embracing the present moment and reconnecting with his true nature, contrasting starkly with earlier scenes where his senses came alive under the trees.

In episode 56, Mingwa introduced Kim Dan’s world with the following panel: (chapter 56) The empty beach scene, with its sunlight and tranquil beauty, reflects peace, but also unfulfilled connections. Kim Dan’s absence from this moment underscores his failure to keep a heartfelt promise to his grandmother: (chapter 53) to watch the sunset together. This failure stems not only from Joo Jaekyung (chapter 53) —now associated with the sunlight, symbolizing life and vitality—but also from Kim Dan’s fixation on his own suffering. (chapter 56) Abandoned once again, Kim Dan is consumed by the weight of his trauma, isolating himself emotionally and excluding himself from others.

This emotional isolation becomes apparent in his interactions with those around him. (chapter 56) When approached and complimented, such as when the nurse praises him and encourages him to take a break for lunch, Kim Dan pointedly ignores the praise and instead chooses to return to work. His inability to engage with others reflects the same disconnection that prevents him from connecting to nature. Mingwa subtly reveals a painful truth: Kim Dan’s fixation on his suffering not only blinds him to the solace and clarity offered by nature, but also hinders his ability to nurture relationships. (chapter 56) By choosing to exclude himself, Kim Dan becomes his own worst enemy—trapped in a cycle of abandonment, survival, and self-imposed isolation.

This disconnection deepens the symbolic duality of the sun and moon. While the sun, embodied by Joo Jaekyung, represents life, vitality, and intensity, the moon reflects subtle constancy, support, and quiet presence. However, Kim Dan’s emotional entrapment prevents him from recognizing it either. By turning his back to nature (chapter 56) and, symbolically, to the moon, Kim Dan remains oblivious to what has always been there for him: the enduring forces of love, stability, and healing.

Mingwa also underscores the impartial and eternal nature of the wind, the moon, (chapter 56) the ocean and celestial elements like Saturn (Kim Dan stands for this planet). These forces, outside human control and independent of Kim Dan’s struggles, offer opportunities for renewal and clarity. Yet Kim Dan, consumed by his pain, remains trapped in patterns of survival and alienation. Nature’s constancy mirrors what he needs most—connection, healing, and presence—yet his inability to see it reflects his broader struggle to connect with others and himself.

By highlighting Kim Dan’s exclusion from both nature and human relationships, Mingwa reveals a poignant truth: Kim Dan’s suffering is not only external but also internal. While circumstances and abandonment have shaped his pain, his inability to step outside this trauma keeps him rooted in isolation. Mingwa’s use of nature—both as a symbolic force and a reflection of Kim Dan’s emotional state—invites readers to see that healing, like the tree, moon and wind, is constant and present. However, it requires awareness, acceptance, and the courage to connect—to nature, to others, and to oneself. The comparison to a leaf ties Kim Dan’s state of being to nature once more. A leaf shakes, when the tree it belongs to, is vulnerable. Yet it also signifies life, beauty, and renewal. Joo Jaekyung’s early observation foreshadows Kim Dan’s journey: a leaf that is fragile but has the potential to flourish again when given the right conditions. Kim Dan’s healing, like a leaf reconnecting to its tree, can only begin when he turns toward nature, relationships, and, ultimately, himself. But how can the athlete break this vicious circle and make him to turn to nature? One might say that he needs a true home. However, with the last incident, where the champion pushed him away (chapter 51), the doctor learned the following lesson: it is better to keep people at a certain distance, because he got his heart broken. That’s the reason why he is avoiding the nurses and not eating lunches. He is simply avoiding gatherings. He is seeking solitude on purpose. That’s how it dawned on me that he is living like the athlete in season 1!! His whole world is revolving around work and as such taking care of patients.

That’s how I recalled an important change in the doctor’s attitude in season 1: (chapter 26) Yes, the day where they sparred out of fun. For the first time, Kim Dan chose to accept a challenge for himself and for Potato. He felt a connection with Yoon-Gu, because he saw in him a puppy: (chapter 29) That’s the moment he started opening up to others, he confided his struggles to Oh Daehyun and Potato: (chapter 37) The puppy symbolizes not only nature, but also innocence. Let’s not forget that he was moved by the actor’s flowers in the past: (chapter 31) Thus it dawned on me how Kim Dan’s soul could be healed: (chapter 21) Yes, by offering him a puppy! Is it a coincidence that the author made the champion jog next to a dog owner? I don’t think so. Until now, nothing could move Kim Dan’s heart: (chapter 31) Here, the main lead saw the gifts as a burden, for they made him think of money and debt. He never saw them as a sign of affection. In fact, dogs have a healing power.

They boost our oxytocin levels (the love hormone), therefore they provide unconditional love. In addition, they lighten the atmosphere, and bring a sense of stability. Finally, I would like to outline that our famous doctor believed to see a “cat” in his fated partner: which made the doctor laugh for the first time: (chapter 44) In other words, Kim Dan feels a strong connection to animals, but he could never have one due to his poverty and his grandmother. By taking care of a dog, he would be forced to pay attention to nature and in particular to trees. Naturally, I believe that Potato will play a similar role in the future, for Mingwa associated him with a dog. (chapter 23) While this was his original dream, after the last incident, there is no doubt that the young maknae must feel guilty and unhappy. He had not been able to protect and defend his new hyung. However, I have to admit that I would like to see the main couple having a pet! The latter would bring life in the penthouse, but also force the two protagonists to have a new routine. The penthouse would truly become a real home.

Women in Jinx

In Jinx Season 2, Mingwa introduces a new thematic focus: womanhood, symbolized through natural elements and the increasing presence of feminine energy. This shift is intertwined with the color blue —a hue often associated with calm, introspection, and the feminine principle. Blue dominates the imagery of the ocean, the beach, and the moon, natural symbols that deepen the narrative’s exploration of love, renewal, and emotional awakening. The ocean, in particular, evokes the myth of the Birth of Venus, where the goddess of love and beauty rises from the sea. By aligning Kim Dan’s journey with the ocean and the moon, Mingwa reinforces themes of rebirth, love, and emotional nurturing.

One might object to this interpretation, pointing out that women were already present in Jinx Season 1. We encountered Kim Dan’s grandmother, the oncologist Kim Miseon (chapter 47), the nursing attendant (chapter 21) or the reporters: (chapter 37) (chapter 40) However, Manhwa-worms will notice a significant distinction: in Season 1, these women were all tied to the world of work. Even Kim Dan’s grandmother, though she represents a familial figure, falls into this category.

Kim Dan’s grandmother complicates the notion of family and care. Though on the surface, she appears as a caring relative, the reality is that she is doing nothing. Her worries remain just words (chapter 56) Moreover, the grandmother’s choice of words, “Why don’t you turn in?”, implies that she sees Kim Dan’s presence as a form of “work” or duty. This phrasing is often associated with someone finishing a day’s tasks or obligations before going to bed, which fits into the broader dynamic between Kim Dan and his responsibilities. In my eyes, it shows that she is seeing her grandson more as a caretaker than as a family member. We shouldn’t forget that she was the reason why the main lead became a PT. It was, as if her dream had come true. Nevertheless, the verity is that his grandmother is receiving treatment from his colleagues. (chapter 56)

So when she suggests to Kim Dan to return to Seoul, it makes her look like a heartless person. (chapter 56) It looks like she’s pushing him away. On the one hand, her request sounds right, for she is treated quite well and the suggestion was made out of concern. She sees her grandchild struggling, and probably imagines that this move must weight down on Kim Dan. On the other hand, I can’t help myself thinking that this woman also has other reasons to send him back to Seoul. The nurse was already pitying the physical therapist: (chapter 56) She was seeing their move as the grandson’s sacrifice. And there’s no doubt that many people at the hospice must think similarly. So this could have reached the halmoni’s ears. Like mentioned in a previous analysis, I detected that the grandmother uses pity to achieve her goal, yet her grandson is receiving a lot of sympathy and attention. It looks like there’s a competition who is more pitiful in this.

But there’s more to it. By suggesting him to return to Seoul, she appears cruel, because she doesn’t know about all the changes in his life. She remains unaware that Kim Dan has no longer a home in Seoul due to the redevelopment and his resignation. He quit his job because of her. But she is not stupid, she can imagine it. At no point does she inquire about his needs, emotional state, or financial situation. Why? It is because she doesn’t desire to be burdened. For me, she feigns ignorance on purpose. (chapter 56) I also noticed a pattern: she only focuses on the moment. Hence she reacted so violently first to the new expensive treatment (chapter 7) before she got reassured. Then she made this request (chapter 53) after hearing the bad news. She has the mind of a child, therefore she never thinks of the consequences of her choices and words. Her “ignorance” exposes a form of neglect: she takes his sacrifices for granted, further isolating him. Ironically, her detachment pushes Kim Dan further away, undercutting her role as a source of familial love and support. (chapter 56) As a result, she ceases to embody “real family” and instead represents the emotional burdens that trap Kim Dan in survival mode.

It is only in Season 2 that Mingwa shifts the portrayal of womanhood to emphasize its connection to family, emotional intimacy, and private life. A notable example is the conversation between the two nurses (chapter 56) where one speaks candidly about her personal desires —having Kim Dan as a son-in-law – while the other calls him cute, giving the impression that she might consider him as a potential boyfriend . This dialogue marks a departure from the women of Season 1, who were defined solely by their roles as professionals or authority figures. Here, womanhood begins to represent emotional connection, care, and the nurturing qualities of family life—values that Kim Dan has been missing.

But it already started much earlier, when the cleaning lady made a teasing remark about the empty bottles of wine (chapter 55) and later brought the doctor’s present: (chapter 55) And what is the common denominator with these two images? The woman’s hand. In the previous essay, I explained that her intervention signalized that the champion would stop drinking and was starting acknowledging Kim Dan. The zoom on the cleaning lady’s hand is a powerful visual cue that encapsulates many of the symbolic meanings associated with a woman’s hand, reinforcing the themes of care, healing, humility, and transformation.

Unseen Strength: The hand also carries an understated strength. While the cleaning lady’s actions are gentle, they require perseverance and resilience—qualities that align with Kim Dan’s own endurance and hint at the kind of emotional strength Joo Jaekyung will need to cultivate.

Care and Nurturing: The cleaning lady’s hand, likely engaged in a modest task like wiping or tidying, emphasizes the quiet but essential role of care. Her hand symbolizes the unseen work of women—work that brings order, comfort, and emotional warmth. This gesture contrasts with the harsh, physical force seen in earlier parts of Jinx, especially through Joo Jaekyung’s fists.

Healing and Emotional Connection: While seemingly mundane, her hand represents the nurturing touch that Kim Dan’s life lacks. Cleaning and caregiving symbolize acts of renewal and healing—clearing away what is dirty or broken to make space for something better. This resonates with Kim Dan’s need for emotional renewal and a gentler kind of care. At the same time, it also explains why the physical therapist was so bad at cleaning as well. (chapter 19) He is not capable to take care of himself well.

Humility and Sacrifice: The hand of a cleaning lady also carries connotations of humility and unacknowledged sacrifice. Like Kim Dan, her role may be overlooked, yet her work is indispensable. This subtle symbolism mirrors Kim Dan’s own existence—his quiet struggles, unrecognized sacrifices, and the way he shoulders emotional and physical burdens for others.

Transformation and Softness: In contrast to the yang energy of fists, the cleaning lady’s hand introduces a feminine yin energy: soft, restorative, and transformative. This moment of focus suggests that the solution to Kim Dan’s struggles lies not in power or force, but in gentleness, patience, and care. That’s what the champion needs to discover. By meeting her, he discovered the magical “woman’s touch”. (chapter 55) Observe how she smiled to him by saying goodbye. This is a sign that her respect and care are genuine. One might think that this nameless cleaning lady was unfortunately portrayed as eyeless: (chapter 56) I don’t think, we should see it in a pejorative light, like for an example of blindness or manipulation. In my eyes, the absence of her eyes are mirroring the nature of their relationship between the champion and the cleaning service. So far, he never met these people, as he was always away. In other words, the absence of the eyes is showing that the sportsman doesn’t know her that well. But it could change and this because of Kim Dan.

This thematic evolution aligns with Mingwa’s yin and yang motif. Season 1 emphasized the masculine yang: work, dominance, survival, and external conflict. Women, though present, were tied to this yang energy, inhabiting roles that reinforced Kim Dan’s emotional isolation and struggles. In contrast, Season 2 introduces yin energy—introspection, emotional nurturing, and family dynamics—through both nature (the ocean, the moon) and the increasing presence of women embodying these qualities. This shift reflects a new balance in the narrative: as Kim Dan navigates his journey, the story begins to explore the softer, more intimate aspects of relationships and healing.

For Joo Jaekyung, this shift signifies a challenge. The increasing presence of feminine energy and family-oriented symbolism suggests that his approach to Kim Dan must change. In Season 1, Joo Jaekyung relied on power, money, dominance, and force—tools that align with yang energy. However, in Season 2, this will no longer suffice. To truly connect with Kim Dan, Joo Jaekyung must embrace his yin side: patience, emotional vulnerability, and nurturing. If he wants to reconnect with the physical therapist, he needs to reveal more about his past and in particular his relationship with Baek Junmin. He has to explain why he doubted him: (chapter 51) Women in Season 2—more prone to conversation and care—foreshadow this necessary transformation. Joo Jaekyung must learn to move Kim Dan not with his fists, but with empathy, understanding, and love. In essence, he must uncover his “motherly side” to create a genuine bond with Kim Dan.

By contrasting the utilitarian portrayal of women in Season 1 with the emotionally intimate depiction in Season 2, Mingwa highlights the evolving themes of family, balance, and healing. Womanhood becomes a vehicle for Kim Dan’s emotional growth and Joo Jaekyung’s transformation. It is through this shift—both in narrative tone and symbolism—that Mingwa begins to unravel the yin energy of Season 2, bringing the story closer to the emotional clarity and connection symbolized by the moon and ocean. And now, you are wondering why I included this image (chapter 56) in the illustration. It is because I realized that the champion first looked for Kim Dan at Sports Therapy Centers (chapter 56) before realizing that his fated partner might have switched the focus in PT, geriatrics. And what did the PT say at the Light Of Hope Hospice? (chapter 56) Male physical therapists like this one (chapter 54) prefer specializing in treating athletes because it brings more money and fame, whereas female PT ends up at hospices due to their nature (nurturing, family). This means that by going to the hospice, the athlete will enter a whole new world. The appearance of the woman with glasses was indicating that the athlete was slowly broadening his horizon. As you can see, little by little, the fighter is opening his mind to new things. So how will he react, when he sees that his beloved “hamster” is withering again? This time, he can not blame the doctor. Since I detected similarities between Kim Dan’s current attitude and the champion’s past behavior, I have the feeling that the fighter will recognize himself in his loved one or someone will give him some advice. He will have the answer to this: (chapter 13) He is neglecting himself to the point of exhaustion, because he is living as a PT non-stop. While the champion was fighting with his bad shoulder, the other is using his hands for treatment, hence he is not eating.

Conclusions

In Jinx, Mingwa masterfully intertwines the symbolism of nature and womanhood to chart the emotional and relational evolution of Kim Dan and Joo Jaekyung. Nature—embodied through the ocean, the moon, and the color blue—represents purity, healing, and timeless constancy. It serves as a reflection of Kim Dan’s true self, a gentle yet resilient force that has been overlooked and mutilated by suffering. At the same time, nature’s yin qualities—calm, nurturing, and transformative—align seamlessly with the growing presence of womanhood in Season 2.

While Season 1 portrays women solely in the realm of work and survival, Season 2 introduces women as symbols of family, emotional connection, and healing. The cleaning lady’s hand, the nurses’ conversations about private lives, and the emphasis on yin energy shift the narrative focus toward care, introspection, and renewal. This change mirrors nature’s role as a constant yet quiet guide, offering opportunities for rebirth and balance that Kim Dan has yet to embrace.

By linking nature and womanhood, Mingwa constructs a path for transformation. For Kim Dan, this path lies in reconnecting with the nurturing forces of life—both within himself and in the relationships around him. For Joo Jaekyung, the presence of nature and feminine energy signals a challenge: to abandon the yang-driven tools of dominance and force, and instead embrace qualities of care, patience, and emotional vulnerability. This announces his „separation“ from his hyung Park Namwook and as such his maturity.

In conclusion, nature and womanhood act as two sides of the same coin in Jinx: both are timeless, restorative, and essential for healing and balance. Through these symbols, Mingwa not only reflects Kim Dan’s emotional state but also reveals the steps needed for growth, connection, and love—a journey that transcends survival and allows the characters to embrace life in its fullest, most harmonious form. That‘s how they will find happiness.

Feel free to comment. If you have any suggestion for topics or Manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Daily Jinx Advent Insight 7 📆 🃏

Since I updated the analysis “Precious Puppy Pals”, I decided not to write the second part of “Loves me, loves me not”.

Here, I would like to focus on the following panel and its significance: (chapter 27)

Joo Jaekyung a bad loser?

They are playing cards, and the champion is on the verge of exploding because of the Joker in his hand. He is about to lose the game. Since he is swearing (“Goddamn it…” and his facial expression is revealing his frustration, the readers are coming to the same conclusion than the athlete. He lost this card game. Moreover, they could witness his losses before. (chapter 27) His fine motricity and his sense of observation were not well developed, hence he selected the wrong pieces in both games. (chapter 27) In order to win in such games,the players need to take their time and observe. Yes, playing such games are encouraging calmness and patience. Indirectly, it is promoting peace of mind, people can forget their worries and anxieties. And because the athlete had lost all the games before, there is no doubt that he was rushing for a victory. Let’s not forget that he had bet with the doctor, he could win so easily. (chapter 27) In addition, because of the previous negative experiences, I believe that the champion’s belief (being jinxed) got revived. How could he explain that he would lose to such a poor and small opponent? That’s why it is necessary to question ourselves what kind of card games they were playing. (chapter 27)

Cards and the Joker

Based on the image, where a Joker card and a pair of 3s are visible, it seems likely they’re playing a card game where the Joker holds a special value, such as poker, Rummy, or a variation of a game like “Old Maid” or “Chase the Joker.” However, given the characters’ expressions and the presence of a Joker, poker or a poker-based game might be the most probable, as the Joker is often considered a “wild card” in these games, which can dramatically influence the outcome and cause tension.

In poker, the Joker could potentially be used to complete a hand, making the game more unpredictable and intense—explaining the “Goddamn it” reaction if someone has an unexpected advantage due to the Joker. Alternatively, if they’re playing a simplified, casual game where the Joker simply “beats” lower cards or acts as a trump, that could also explain the reaction. The Joker often adds an element of surprise or disadvantage, depending on the context of the game.

Striking is that the Joker in cards is associated with “surprise” and “wild card” which contrasts so much to the champion’s philosophy: routine. Moreover, the game “Chase the Joker” caught my attention.

As you can see, the joker is good news in this game, though the title of the name makes it sound otherwise, as though The Joker were the target. So the moment you imagine that they were playing this version (“Chase the Joker”), you can’t help yourself laughing about the absurdity of the situation. (chapter 27) Jaekyung could indeed have won the game if “Chase the Joker” was played with the Joker as a “Wild Card” that helps rather than hinders. Since he had only one card left, he was in a prime position to shout “Chase the Joker!” and win, especially if the Joker allowed him to play strategically and discard his remaining card.

If Jaekyung’s misunderstanding led him to see the Joker as a losing or undesirable card, he may have felt defeated prematurely. This adds an ironic twist where he believes he’s losing while actually being close to victory. It underscores themes of perception versus reality, where the “wild” or unexpected (like the Joker) can be beneficial if approached correctly. This might mirror Jaekyung’s tendency to view “wild” and “interruption of routine” as threats when, with the right perspective, they could be opportunities or strengths. Hence we could say that the champion is not a bad loser, as he chose defeat and let the other win. The irony is that with this action, he boosted the doctor’s low self-esteem.

Evidence for this interpretation

Interesting is that in the same episode, Mingwa utilized a similar trick with Kim Dan. (chapter 27) Because the latter couldn’t swim, he jumped to the conclusion that he was drowning. (chapter 27) He had no idea that the pool was not deep. Look at the similarities of the images, for the perspective is similar: (chapter 27) (chapter 27) Joy and embarrassment masked behind frustration. This not only made me laugh, for Joo Jaekyung could have won, but also it dawned on me that during that day, both were put in similar situations. Because they were new to this, their past experiences led them to misjudge the situations. One more time it displays that people’s misery and anger is self-inflicted. It is related to their perception of reality influenced by their beliefs and past experiences.

Joker and its signification

But there is more to it. The moment you see the Joker as a metaphor for the physical therapist, you will recognize the true significance of this scene. It foreshadows his function in the story. Joo Jaekyung had not recognized yet that he was holding the “wild card Kim Dan” which would make him win his game. (chapter 37) Is it a coincidence that the doctor drank his drugged nutrition drink? No… The reason why both became a victim of the second scheme is that they were no longer communicating to each other. (chapter 47) They are no longer facing each other, the athlete was even turning his back on his precious roommate and PT. Joo Jaekyung had started keeping his distance from his soulmate because he had listened to his toxic mentor (chapter 46) who takes everything so seriously. In other words, he had suspected the joker to be the “wild card” to make him lose (chapter 51), while in reality the latter had protected his back. Interesting is that exactly like in the penthouse (chapter 27), the athlete deserted the room out of anger (chapter 51) leaving the doctor behind. It was, as if he had thrown away his Joker without realizing his true value. However, we shouldn’t overlook this aspect. The fighter’s words were not reflecting his true thoughts and emotions. He was acting impulsively and thoughtlessly overlooking that words can be as harmful as punches. And what is the common denominator between these two matches? Team Black had reacted impulsively. They made accusations and rushed decisions, while just like in board games, patience and observations are necessary to win a round. Yes, this connection between these two scenes displays that life is like a game… you should take your time, enjoy the moment, you can start afresh and play a new game. While the manager is envisioning to replace the doctor (chapter 53) and as such to change the cards, the wolf (chapter 53) decided to pick up the Joker on the floor and continue the game, as the round is not finished yet. His intention is to bring his Joker Kim Dan back in order to use him properly in the future. He will treat him with patience, trust, respect and care! Moreover, observe that the goal of “Chase the Joker” is to get rid of the cards. Consequently, I perceive this game as a metaphor for the champion’s future actions and decisions: he will have to get rid of certain cards like MFC manager, the Entertainment agency and the lawyer in order to become the true winner. He regains control of his own life. I am leaving out the manager and coach, for I believe that Park Namwook will stay there, but he will have a different position.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: To Give🎁 or To Take? The Subtle Battle of Love ❤️ and Power 🥊 in Jinx

The trigger for this essay were quotes from “The Art Of Loving”, a book written by Erich Fromm. In my essay “The Art Of Loving” I had already introduced the German-American socio psychologist, psychoanalyst, sociologist and humanistic philosopher, where I presented his definition of love: Care, knowledge, respect and responsibility. However, notice that the title of my analysis is “To give or To Take?”, which was inspired by other books from Erich Fromm: “To Have or To Be?” and “Escape From Freedom”. The reason is simple, the quotes led me to his other theories which give explanations to the origins of unhappiness or happiness. There he outlined the problems of our modern society and gave advices how to lead a good life. This brings me back to the Korean Manhwa Jinx, where (un)happiness is in the center of the story. As the seme and uke are both really miserable despite their different social status. Both believed to be jinxed. The reality is that they were trapped, and their unhappiness was the result of their own bad choices. How would Erich Fromm explain this?

1. Masters and Slaves

In works like Escape from Freedom and The Art of Loving, Fromm suggested that humans often avoid the responsibility of true freedom by conforming to societal norms, seeking authority figures to follow, or focusing on material gains. This “escape from freedom,” as he called it, results in a loss of autonomy and self-awareness, keeping individuals from mastering their own lives. While Fromm believed we have the potential for self-mastery, he cautioned that this requires a conscious rejection of limiting social pressures and a commitment to self-discovery and personal responsibility. Under this new perspective, my avid readers can grasp my selection for the heading. Freedom defines the distinction between a master and a slave—those with freedom have agency, autonomy, and control over their choices, while those without it are subject to another’s will and have nothing to give to others. It highlights how freedom is fundamental to self-determination and power, establishing a boundary between control and subservience.

1. 1. The poor child and dog

And if you read my previous analysis “Sound Of Water “, you should have realized that Shin Okja embodies the slave who chose to escape from freedom. Thus she blamed life and others (“we”) (chapter 53) for not realizing her biggest wish: to return to the West Coast. With her words, she implies that she never had any choice. Hence she is not responsible for her “misery”. However, after reading Erich Fromm’s philosophy, it becomes clear that she must have always followed social norms and listened to authority figures (parents, husband, doctors, …). That’s how she gave up on her own freedom. One might argue that her scoop of maneuver was limited due to her poverty. However, the Mother Of Pearl Wedding Cabinet is definitely expensive and no junk (chapter 16), especially since the latter is rather old. The grandmother could have sold it, but she never did, for the latter has a sentimental value. Consequently, I would say that she had missed her chance, and naturally her misery is the result of her own wrong choices. Under this new light, it becomes comprehensible why the grandmother portrays herself as poor who has nothing to give to her grandchild. (chapter 53) As a slave, she can not become responsible for Kim Dan and his life. However, she is wrong here again. She was not entirely powerless. She could have talked about her experience with the ocean, she could have loved her grandchild more properly so that Kim Dan wouldn’t have to suffer from abandonment issues and a low self-esteem. Yes, love is something free and no one has control over the emotions of a human being. Due to her lack of self-awareness (Peter Pan Syndrom), she influenced her grandchild negatively, and the latter became a copy of herself: trapped in the past, living in an illusion and rejecting reality. Funny is that by relying on Kim Dan constantly, she was actually teaching her grandson to become accountable and independent. She was entrusting her life into his own hands. Consequently, the main lead chose to accept the deal from Joo Jaekyung during their first night and later asked for a higher salary. Finally, at the end, he chose to leave the penthouse out of obligation (chapter 53) (filial duty), a sign that he is not able to break free from social norms. At the same time, it displays that his feelings for Joo Jaekyung are much stronger than the ones for Shin Okja. His short time spent in the penthouse left a deep impression on him.

On the other hand, we shouldn’t overlook one important aspect. The halmeoni asked for a favor from Kim Dan, and her wish is actually the expression of her own will. In other words, she is making a choice and as such becomes responsible for her own destiny. She can no longer say that life or others had a saying in her desire and choice. That’s the reason why during that night, she turned Kim Dan into a puppy dog. (chapter 53) Her vocabulary exposes that she became a master and in her mind, the puppy dog has to follow her owner. Therefore it is no coincidence that Mingwa created such an image: (chapter 53) The grandmother is now the master of her own life and Kim Dan’s. On the one hand, just before her death, she is learning to become accountable for her own life, even though I still have my doubts that she is really realizing the consequences of her choice. She is still chasing after after an illusion. As you already know, I am anticipating a rude awakening fron her part, as she can not escape from reality and her own mortality. On the other hand, with her request, she gets responsible for her grandchild’s career, and someone could criticize her for making him quit. She didn’t take his job’s obligations into consideration. Simultaneously, this image illustrates a relapse of Kim Dan. He is once again trapped, though he wished to be freed. Thus he wrote this to Joo Jaekyung: (chapter 53) Deep down, he would like to be recognized as a competent physical therapist. Moreover, my avid readers should recall that the champion had already noticed the change of heart in the doctor before the scheme took place. (chapter 53) So the athlete could come to the realization that his departure was related to the grandmother’s sickness and dying wish, a new version of episode 20 and 21. However, even if the fighter helps the grandmother, he can not entirely free the physical therapist. How so? It is because the doctor has to free himself, breaking free from conformity and his own psychological constraints (lack of confidence and as such courage). And the best evidence for his servitude mentality is the absence of his love confession to the athlete. He disguised it behind gratitude. (Chapter 45) But how can he change his condition? I will give the answer below.

1. 2. The release of the rich slave

As you can imagine, the person I am referring behind this heading is the champion. Interesting is that in the story, he received the title “Emperor”. (chapter 14) Yet, the reality is that despite his wealth, he is not free at all. Actually, he reminded me of a Roman gladiator. Gladiators in ancient Rome lived under challenging and contradictory conditions. Although they were often slaves or prisoners of war, some achieved fame, wealth, and admiration comparable to modern-day sports stars. Successful gladiators could earn prizes, attract fan followings, and even enjoy certain luxuries within their restrictive lives. However, they remained under the control of their lanista (manager) or the state, with little freedom to make personal choices. They could not select their opponents or refuse combat, and each fight carried the risk of injury or death, underscoring their vulnerability and lack of autonomy despite their celebrated status.

This comparison between the main lead and a Roman gladiator reinforced my negative perception about Park Namwook. He acts as the owner of the athlete (chapter 40), though the gym belongs to the celebrity. But let’s return our attention to the American-German philosopher. The latter pointed out the importance of self-awareness and the rejection of materialism and social pressures (authority figures, conformity) in order to become truly free.

This aspect is really important, because the athlete Joo Jaekyung is a homosexual which represents a huge taboo in the MMA world. Remember my hypothesis that the jinx could also be an excuse in order to hide his own sexual orientation. (chapter 2) Therefore sex is linked to prostitution and work. Back then, this had nothing to do with pleasure, sensuality and entertaining. It was revolving around power and domination. That way, he wouldn’t appear as weak, he is not controlled by his sexual desires and emotions. That’s how it dawned on me why the champion has been denying the existence of feelings in his past relationships. Naturally, it is possible that he got his heart broken before, but it is also possible that he could never live out his own true homosexuality. Note that his father figure, Park Namwook, has no idea about his sexual life. The athlete could fear to disappoint him. This raises the question how the manager will react, when the athlete’s secret is exposed. Should he request from his boy to organize a conference and deny the allegation there, he would divulge not only his lack of loyalty, but also his hypocrisy. Why? It is because this is something he should have organized after the last match. A conference to expose the existence of schemes. But everything got swayed under the rug. On the other hand, I deduce that if the topic of sodomy is brought up in season 2, there is no ambiguity that both main leads won’t give in to conformity and external pressure (even in the form of threats). Why? It is because during season 2, both characters will come to be true to themselves. That‘s how they can become master of their own life.

This signifies that in order to go on the past of self-mastery, the champion needs to break free from materialism (chapter 41), from his manager’s influence (father figure) and even from the MFC world (authorities) !! What is the common denominator between these three persons? MONEY! (chapter 50) Hence the last match was not cancelled in the last minute. The athlete is not fighting out of fun and passion, but out of obligation and survival. He is trapped in a world where money is everything. Thus he was always pushed to accept any challenger despite his injuries. That’s how I realized why the athlete always suspected Kim Dan of being greedy. It is because he projected his own thoughts onto his partner. However, this negative perception was definitely influenced by his “hyung”, we have the best example in episode 46. Due to Park Namwook, Joo Jaekyung was the one who was constantly thinking and talking about money in front of Kim Dan. (chapter 26) No wonder why he got so surprised by Kim Dan’s reaction in the locker room: (chapter 51) He was disarmed by a single question and a shocked and disappointed face: (chapter 51) The question implied that the doctor had been trusting him.

1. 3. The “lanista’s” chains

We had another perfect example of “Escape from Freedom” in episode 43 at the restaurant. Note that Park Namwook underlined that the fight was the champion’s decision (chapter 43), yet he added shortly this comment: : (chapter 43) The hypocrite coach utilized the personal pronoun “WE” indicating that he and his peers had played a role in the athlete’s decision. Funny is that though he complained about the schedule, he still accepted the switch of the fighter later. But he could have voiced his fears and objections. Nevertheless, he did nothing. Since I connected the halmeoni to past, I suddenly realized that the “lanista” embodies the opposite notion. He is trapped in the future, thus he is always anxious. Imagine that in that scene, they were celebrating Joo Jaekyung’s birthday, it should have been a good time. Yet, the manager kept talking about work and the future. (chapter 43) (chapter 43) This is a sign that he was not “enjoying the present”. In my eyes, with his comments, he was actually ruining the party. Fortunately, no one paid attention to his words except the physical therapist and Yosep. By talking like that, he gives the impression that he is caring and paying attention to the fighter. Yet this is just an illusion, for he is not focused on the present. He neglected his duties, therefore the schemers were able to bring drugs to the champion’s rooms. (chapter 49) Notice that he was afraid of an outburst from Joo Jaekyung in the locker room, therefore they were restraining him. This was no real protection. I am suspecting that the manager is trusting MFC and its organization. In addition, his obsession with the future explains why the athlete’s mental health has been neglected by the coach and manager. As a conclusion, Park Namwook is himself trapped in his own world: money, fear of the future and the champion‘s retirement which means the end of his own career as manager and coach. Therefore he is pushing his fighter to race against time. It is only a matter until his boy gets injured!!

This means that we should see the athlete’s suspension as his moment of release. He is no longer forced to fight. He is “abandoned” by MFC, fans and even by his manager (chapter 53). The latter announces that his “boy” can take a break. What caught my attention is his idiom. The suspension got turned into a break which sounds much more positive. Interesting is that break is not only a synonym for “rest”, but also for “opportunity, chance”. This new discovery reinforces my previous interpretation: the loss of his “title” and his suspension are in verity an escape to freedom. Why? It is because he is no longer exposed to manipulations and external pressure like in episode 36: (chapter 36) money, social media, the agency, the lawyer, Park Namwook and Jeong Yosep. For the first time, Joo Jaekyung can think of something else other than work. Nevertheless, the athlete had not realized it yet. Striking is that the longer the fighter thought about the PT’s resignation, the longer he came to object to it. (chapter 53) This means that the fighter was acknowledging the “uke” as an important member of Team Black. In addition, he was recognizing Kim Dan’s effort and talent as PT. Moreover, it exposes the absence of change in Joo Jaekyung’s mentality. He was still “thinking” of work and fighting. It displays that the protagonist had not realized the true signification of his suspension yet. Hence the doctor’s departure was necessary. Joo Jaekyung is forced to think about his fated partner, making him forget his work and his career. His “obsession” with Kim Dan will push him to stop being a workaholic. But there is more to it.

By leaving the city behind (my prediction), the champion’s not aware that this trip will become a spiritual journey where he will discover his true self. But for that, meditation is required. In my opinion, the grandmother’s illness should serve him as a wake-up call. He spent a lot of money on her treatment, but she couldn’t be saved. It looks like he never visited her again. Should he see her again, he could get shocked. From this (chapter 21) to this (chapter 47) Money is powerless in front of death and terrible injuries. Therefore he is lucky that his shoulder is not ruined forever. Moreover a trip represents a good metaphor for an escape, a travel is a synonym for freedom and the end of “routine”.

2. The ability to love

Far away from medias, public eyes, the agency and his manager, he can discover a different world: the West Coast and nature. And this brings me to a quote from Erich Fromm:

Through this statement, we have the explanation why Joo Jaekyung can love and why he couldn’t love Kim Dan properly in season 1. The fact that he lived alone in the penthouse is a proof of his independency (chapter 35). However, since he didn’t spend much time in his own home, he never took the time to take care of his soulmate. By leaving the city and Team Black behind, he would become truly alone (as opposition to his trips to Busan, the States) which would give him an opportunity to become more honest to himself and to Kim Dan.

In addition, this quote exposes the absence of “unconditional love” from the grandmother. (chapter 53) So far, she could never be alone, she always needed the assistance of others: Kim Dan, the doctor, the nurse, Joo Jaekyung. She always relied on others (“we”, “life”). But it is also the same for Kim Dan who has always been listening to people, as his desire was to get accepted. His conformity led him to experience misery, as he lacked critical thinking. He never questioned people’s words, decisions or behaviors. Only thanks to his soulmate, he started changing. His psychological restrains were his abandonment issues and his low self-esteem. That’s the reason why their love couldn’t flourish in season 1. Nevertheless, Kim Dan still had a good disposition for being capable of loving someone, exactly like his fated partner. He could live on his own as well.This signifies that their future love relationship won’t be toxic, as they won’t be needy or dependent on each other, the exact opposite between the grandmother and Kim Dan or Joo Jaekyung and his hyung Park Namwook. However, this doesn‘t mean that they won‘t help each other.

I am quite certain that the fighter must have noticed the doctor’s low self-esteem in the letter. Therefore he felt bad for his reproaches and lack of trust. Remember that the champion never expressed a compliment or even showed gratitude towards the doctor. (chapter 43) In episode 1, he gave a positive feedback (chapter 1). Nonetheless, his words sounded more negative due to the usage of negation. Moreover, Kim Dan was too scared to take his words seriously. Consequently, it becomes obvious that Kim Dan needs to hear praises from the athlete himself. It is not just about an apology about his misjudgment, the “hamster” needs to hear from his own patient that he trusts him and his hands. Thus he wants to be needed: (chapter 53) This explicates why the young man kept questioning the actor’s intentions behind his gifts. He could see that the man didn’t need him. This thought displays his desire to give a meaning to his own existence as well. If he is needed, he has a reason to exist. This desire of being needed can be expressed by words, but also with the hands: or like this: And what does the hand symbolize? The latter symbolizes gratitude and love! Hence the grandmother took the MMA fighter’s hand in order to thank him. (chapter 22) (chapter 22) As a conclusion, love and gratitude represents the key to freedom and as such to power. And now, you comprehend why The Art Of Loving can not be separated from „Escape from Freedom“.

2. 1. Love and Power

This explains why the famous author declared this:

This means that by giving, the person feels strong and powerful. Why? Fromm views the act of giving not as a depletion of oneself, but rather as a fulfillment and actualization of one’s capabilities. The productive character, according to him, doesn’t define himself by what he possesses or hoards, but rather by what he can give to others. It is his heart which defines his strength. Giving becomes a way of affirming one’s own power and abundance, showcasing that true fulfillment is found in one’s ability to be generous, creative, and life-affirming. Notice that the author contrasts generosity with passivity. By giving, the person becomes proactive and is no longer passive. In the past, I had described Joo Jaekyung as a person suffering from “inner passivity” [For more read “Couch Confession”]. As soon as I read the quote from The Art Of Loving, I realized why the champion disliked receiving presents (chapter 45) so much and preferred organizing a charity event for his birthday . (chapter 41) Being on the receiving side makes him feel weak and powerless. He is reduced to become a passive man. Furthermore, we shouldn’t overlook that such presents are not entirely selfless. Companies or admirers have expectations from Joo Jaekyung, earning some money or getting his attention. At the same time, these presents are strongly connected to his title and fame as champion. Thus they are not taking into consideration about the athlete’s dislikes and likes. Thus he was offered a bottle of wine (chapter 12), though he is no drinker or he doesn’t eat cakes. (chapter 41) The fact that the athlete organized a charity event for his birthday exposes not only his huge heart, but also that he had long recognized the power of generosity. Under this new light, it becomes comprehensible why the champion was willing to pay off the doctor’s debts. (chapter 18) Here, he hoped to see gratitude on his fated partner’s face, but it didn’t happen like he imagined. Yet, notice that despite their argument, Joo Jaekyung proposed to the main lead to live with him in the penthouse: (chapter 18) His facial expression is exposing his true thoughts. He was definitely happy to help the doctor. The reason is simple. He is in control of his heart and life. This shows that deep down, the man has always had a soft heart and could find fulfillment in giving. However, the problem is that the champion had also internalized that there is nothing free in this world. Due to his past experiences, he realized that receivers would exploite his goodness. The green-haired guy was the perfect example. (chapter 2) Therefore it is not surprising that he kept denying his kindness to the doctor: (chapter 18) He had to, because the man was now living with him. Joo Jaekyung feared that his roommate could come to take advantage of his new position and even consider this place as his own. As you can see, the champion had long discovered the power of giving to others. Yet his problem was that he couldn’t live out this principle: he was either exploited or he has no family or close friend so far.

And now, let me ask you one question: who likes giving presents in Jinx? One might reply Kim Dan and Choi Heesung. The doctor and the actor have both something in common. (chapter 30) They both desire to be acknowledged and appreciated. (chapter 45) With this image, it was, as if Kim Dan wanted to be distinguished from all the stans. Yes, I do think that this has something to do their own negative feelings. However, there is a difference between Choi Heesung and Kim Dan. Note that the gifts are related to his sponsors and the agency. They were related to his work. Moreover, the gumiho rarely gave the meals or the presents personally. (chapter 31) (chapter 31) Furthermore, the actor gave these things for one reason: it was to obtain the doctor’s heart or to maintain his good image as a celebrity. In other words, these gestures were not selfless at all. This explains why the athlete was so weary of such “gifts”: a return of favor or a service. But the comedian is not the only one donating things. Naturally, it is the manager Park Namwook. (Chapter 26) (chapter 36) However, my avid readers should ponder on the following aspect: how did he buy the jackets and the junk food? (Chapter 37) This last scene is terrible, for this purchase happened behind the boss’ back. Naturally, everything was bought with the company card!! In other words, Park Namwook’s generosity is fake, for he is not spending his own money. After this new realization, I started wondering if the athlete’s negative attitude towards Kim Dan is not the consequence of Park Namwook’s behavior as well who takes it for granted to spend money on the athlete’s account. Why did the champion anticipate an expectation from Kim Dan, when he received the keychain? (Chapter 45) It is because his relationship with his coach has always been based on „conditional love and expectations“. Don’t forget that the coach was particularly nice to the athlete after winning his match in Busan. He was willing to be his „servant“ in that moment. Furthermore, there exists another evidence that in episode 45 the fighter latched out on the doctor because of his unresolved feelings towards his hyung. (Chapter 45) Kim Dan had not only followed the stans‘ behavior, but also listened to Park Namwook‘s words constantly. ’ (chapter 41) This frenzy was portrayed as something positive. Jinxworms can observe that the manager is mentioning the existence of „favors“. For me, it is no coincidence that in episode 45, the arrival from presents coming from his hyung coincides with the present with Kim Dan. It shows the underlying conflict between the celebrity and the former wrestler. Nevertheless, the fighter has not grasped it yet. So far, Joo Jaekyung has not tried to defy Park Namwook openly, to claim his place as the true owner of Team Black. We should see his words here as a first attempt to act as the boss (Chapter 46) The tension reached its peak in that scene: (chapter 52) The manager imagined that he could act like in the past (recurring to force), for Joo Jaekyung was „used“ to take his slaps. That’s where the generosity from Park Namwook comes from: he gives his punches to Joo Jaekyung and takes Joo Jaekyung‘s company for granted. And now, you comprehend why I selected such a title for this essay.

(Chapter 26) The sparring in episode 26 represents the positive version of giving a punch and taking it. The fighter was not upset about his defeat, moreover he was acting like a real teacher asking the physical therapist to overcome his own fears. On the hand, the slap at the hospital embodies the opposite notions: resent, no real teaching, no reflection, no listening, the one slapping is not overcoming his own fears and vents his anger. The give and take in episode 26 was happiness, true generosity, self-awareness, while this slap displays misery, anger, ignorance: (Chapter 52) True generosity, for Kim Dan had risked his health for the sake of Potato. (Chapter 26) The contrast not only exposes Park Namwook’s fake generosity, but also his greed and selfishness. For me, he missed the opportunity, as at the gym, Kim Dan took the chance, when the athlete was distracted. Hence in my opinion, chapter 52 was the turning point in their toxic relationship. Moreover, it signifies that the manager lost his special position as hyung. Far away from the gym, Joo Jaekyung will see Kim Dan under a different light, maybe even as a true role model, for he is wearing his heart in his hand.

2. 2. The wolf, the hamster and the world

But Erich Fromm wrote this about love:

For Fromm, love transcends a personal or exclusive attachment to one individual; it is a universal force that connects the self to humanity and existence as a whole. True love, in his view, is inclusive and expansive. It’s not a possessive or isolating sentiment but rather one that opens the lover to the wider world, fostering a connection to humanity and, ultimately, a deep acceptance and love for oneself.

Thus I come to the following conclusions: the moment the doctor and the champion admits their affection for their fated partner, they won’t be suffering from self-loathing or low self-esteem. But there is more to it. If you keep the quote in mind, you will realize that the champion’s affection for Kim Dan was not true love. [Like mentioned above, he couldn’t love properly] He couldn’t stand the idea of sharing his partner to others. (chapter 7) (chapter 43) He needed to seclude him from the others. But where does this possessiveness come from? In my opinion, it is not just the result of his own insecurities, but also the influence of the bad role model he had: Park Namwook. First, only in chapter 45, the manager sent congratulations from his family: (chapter 45) This means that Joo Jaekyung was never treated like a real family member. Then, due to his bad portrait of Joo Jaekyung (chapter 9), the manager kept creating a bad image of the athlete: brutal, moody, maniac… but the reality is that the man is actually generous and caring, like mentioned above and the coach knew this. Hence he could lie without any remorse: he is a savior and the gym owner. Moreover, the athlete can speak well and be polite. (chapter 22) This scene at the hospital displays that the fighter had been mirroring the behavior of his counterpart: Shin Okja is sweet and kind. And who is moody, yelling, brutal ? Park Namwook: (chapter 43) (chapter 52) The one who raised him like that is actually him: (chapter 7) Therefore I conclude that this possessiveness and obsession with Kim Dan is the result of the manager’s influence. Park Namwook treated him like a possession. And this brings me to my next part. How to become happy? One might reply: by loving someone. However, how can Joo Jaekyung drop his insecurities and open his heart like that? As you can see, we need another explanation.

3. The guide for happiness

Erich Fromm’s philosophy in To Have or To Be? revolves around two fundamental modes of existence: the having mode and the being mode. These modes represent distinct ways of interacting with the world, structuring relationships, and understanding one’s identity.

I am posting this video which I found very well made. Funny is that the blogger used a haiku to illustrate the difference between the being mode and the having mode.

3. 1. The Having Mode

In the “having” mode, identity and value are based on possessions and control over objects, people, and even oneself. The having mode is characterized by:

  • Possession and Ownership: One’s self-worth and sense of security are derived from what one possesses—material wealth, status, knowledge, even relationships. (Chapter 40) This explicates why the manager is happy in this scene. Thanks to him, he earned a lot of money and felt recognized.
  • Security in Stability: Individuals in the having mode seek to secure their identity through accumulation, feeling stable only when they can cling to things.
  • Alienation and Objectification: Relationships and experiences become objects to be owned or controlled, reducing people and emotions to mere assets.

Fromm argues that the having mode can lead to anxiety and insecurity because possessions can always be lost or taken away. It fosters competitiveness, isolation, and a fixation on external validation, ultimately stunting genuine self-growth and connection with others. Under this light, Manhwa-philes can grasp why the athlete, pushed by his mentor, kept accepting fights after another. The champion was suffering from self-loathing, but in order to get recognition and admiration from his hyung, he needed to win. Notice how gentle and proud the man was after the victories (chapter 15), but as soon as his idol lost his title and got even suspended, he yelled and slapped his fighter: (chapter 52) Why did he not blame the cheaters who had tricked Joo Jaekyung and framed the physical therapist? If you read my previous analyses about the coach, you will certain recall about my diagnosis: he seems to suffer from decidophobia. But as you can see, the man is unhappy, for he is living in the “Having Mode”. Hence he is taking no risk and letting the athlete make decisions. Furthermore, it explains perfectly why the manager lied to the members here: (chapter 22) Since his relationship with the main lead is so secure, he could claim the gym as his own. Notice how he treats the members here: he’s putting them under pressure, threatening them. Everything is revolving around competition, seriousness and greed. Why doesn’t Joo Jaekyung mess with his weight and nutrition? It is because his hyung made sure that the latter would fulfil all his expectations. He needs to be ready for the next fight. Why was the manager not present here? (chapter 43) This exposes his lack of engagement and indifference in the end, but this becomes even more obvious during the night: (chapter 43) Where was he, when his star was drunk? It was, as though he had vanished. (chapter 43) But the best evidence for this interpretation is this image: (chapter 52) The manager is upset, because his boy lost his title and his reputation is ruined. Moreover, many members left the gym which means that the company lost a lot of money.

This highlights the danger of building identity around possessions and the resulting vulnerability. And how did Park Namwook define himself in his life? He was a coach, a manager, the owner of Team Black…. (chapter 9) However, he never presented himself as a father or a husband. It was, as if his children or wife were not a source of his happiness. Why? It is because they don’t bring money, but rather cost money. Thanks to Joo Jaekyung’s popularity, the manager could stand in the spotlight (chapter 40), yet notice that no fans or fighter know his name as a successful coach or manager. He is not a famous manager in the end. His income depends on the athlete’s career and victories. No wonder why he put so much pressure on his celebrity. Thus I had the following revelation: he was actually exposing his true self in front of the doctor at the restaurant. (chapter 43) Joo Jaekyung would have to pick himself up, Park Namwook wouldn’t be there in order to assist him. Why? It is because it represented his own fears. Don’t forget that he is a former wrestler and athlete. He must have experienced it. The end of his boy’s career represents the end of his own career. Hence I am suspecting that the real savior of Park Namwook was the fighter himself, as the latter offered him an opportunity to find a good job.

But there is more to it. Why did the coach neglect doctor Kim Dan (chapter 40) in the States and even at the gym? (Chapter 43) It is because he doesn’t view the uke as a possession contrary to his „boy“. Why? It is because the young man doesn’t bring money or contribute to boast the manager’s self-esteem. In fact, Kim Dan is an expensive PT and the manager is aware of his high salary. Moreover, contrary to the hamster, Park Namwook was never seen in the penthouse, and the celebrity refused to invite the members. This is a clue that the champion could have refused to invite his coach there. The doctor’s stay at the penthouse is something Park Namwook discovered by accident. (Chapter 22) And now, it is important to recall that in the mode of Having, rivalry and competition are predominant. Therefore I deduce that deep down, the coach and manager sensed the physical therapist as a source of threat and rival. Therefore Jinx-philes shouldn’t be surprised that the coach did nothing to keep Kim Dan. (Chapter 53) Here his gestures and words should be judged as lip-services. He can even rationalize his departure: bad luck, they save a lot of money, for the next PT will have a lower salary. In addition, Kim Dan was treated as the celebrity’s possession, therefore he used him as a tool in order to compensate the actor. The manager is definitely imagining that once the break ends, things will work like before. (Chapter 53) Here, I feel the need to add that though I am portraying the coach in a rather pejorative light, I am not saying that he is a malicious or evil man. My point is that he needs to change and realize his wrong-doings. As long as he lives in this mode, he won’t be able to be happy: always in the fear of losing his possessions. So should a separation take place, it is possible that the distance brings more clarity and helps them to improve their relationship. However, I have to admit that I wished to witness a real argument between the hyung and his pupil. A new version of this scene: (chapter 17)

Interesting is that the sociologist stated this as well:

With this observation, it becomes comprehensible why the coach not only used violence against the athlete but also pushed the main lead to be rough with his own body. (Chapter 43) It is not random that Mingwa showed a rough manager while complaining about his star. She was implying his responsibility for mistreating his body in this scene. Park Namwook needed to prove his superiority over the celebrity to justify his position. And he used the fighter’s good heart, trust in him and social norms to manipulate his prize and possession. As a conclusion, both characters have a toxic relationship, exactly like between the halmoni and Kim Dan.

But Kim Dan was not different from the manager. He also lived in the mode of “having”. Hence once he earned money, he would buy gifts to others: (chapter 41) In his eyes, possessions and money determine someone’s values. Hence he bought an expensive keychain for his fated partner. Furthermore, I have been wondering if this spending is not related to Shin Okja, the latter could have been a spendthrift. In the essay „Click 📸: Between Fleeting illusions and Enduring Realities“ I had outlined that all the objects in the flat would belong to the grandmother (Chapter 19). Another possibility is that she made sure that her grandchild would spend money on her: (chapter 41) And this brings me to my next important revelation. The grandmother never said thank you to Kim Dan. She either apologizes (chapter 53 ) or makes it sound like a reproach „Spoil me to death“. There is no THANK YOU. She didn‘t give him her hand like in episode 22 with the celebrity as well. But there is another detail that caught my attention: the nurse mentioned the paid bills (chapter 22) after the departure of Joo Jaekyung, but notice how the halmeoni thanked the benefactor: (Chapter 22) She didn’t express the reason for her gratefulness. She didn‘t bring up the hospital bills, but she knew about it. In other words, when she showed her gratitude, she was in reality just thanking him for his company. That‘s how Kim Dan perceived it first and we should do it as well. To conclude, the grandmother is not really thankful, when it comes to money. Exactly like the manager, she takes it for granted. In fact, she gave him the yoghurt which was offered by the hospital. (chapter 21) One might argue that the poor woman couldn’t do much to express her gratitude. However, this is just a deception. Shin Okja could have written a letter to express her gratitude to Joo Jaekyung. Why do you think Mingwa created two scenes with a letter or card? (chapter 45) (chapter 53) The comparison lets transpire the importance of words. The champion might have judged the keychain differently, if he had read the card. But he didn’t. Another parallel between these two scenes is the rejection of a gift! However, in the final episode, Kim Dan voiced genuine gratitude towards his benefactor. The latter had allowed him to work as his PT. With the letter, he could voice his thoughts and emotions much better. And now, you realize that Shin Okja could have acted the same way. This made me realize that deep down, she resents being poor. She likes Dan spending money on her. (Chapter 41) Despite her rebuke she actually doesn’t meant it. She never actually told him to stop or rejected Joo Jaekyung‘s generosity. Instead, she made the following request to her grandson: (chapter 41). He should treat the sportsman nicely (“do good”). Kim Dan is the one who should be indebted to Joo Jaekyung. However, observe what she said in front of her grandchild before: she was the one who was grateful to the main lead, and not Kim Dan!! (chapter 41) She should have been the one who expressed her gratitude to Joo Jaekyung, but not Kim Dan for the trip (it was work related anyway). One might argue that the poor woman is trapped in the hospital, she can not do much. But you are wrong. She could have written a letter to her benefactor which means that she would have sacrificed some of her time for the athlete. Imagine that she had sent a message to the athlete, the latter might have decided to pay a visit to her. He is not truly heartless. With this silence, she created the impression that his assistance had changed her situation.

As you can see, she delegated her “gratitude” to her relative. Hence no wonder why Kim Dan chose to work hard for the keychain. He had to “work hard” in order to repay the huge debt (the trip to the States, the hospital). That’s why I come to the conclusion that the grandmother doesn’t represent true gratitude. She is similar to her male version: putting the responsibility on others and using words as lip-services. Simultaneously, this new discovery exposes another cause for her own suffering: she was also living in the mode of „having“. As my avid readers can notice, all the characters in Jinx were living the wrong way.

And this brings me to another aspect: Kim Dan’s diploma as physical therapist. In the having mode, education is centered on acquisition and possession of information. Knowledge is seen as something to be accumulated, memorized, and quantified—often in terms of grades, certificates, or degrees. Hence the doctor thought for a brief moment to take a MMA trainer seminar. (chapter 22)

Focus on Outcomes Over Process: Success in the having mode is defined by external achievements, grades, or credentials, rather than by actual understanding or personal growth.

Competitive Learning: Students are encouraged to see education as a competitive endeavor, where success often involves outperforming others rather than cooperating or collaborating.

Dependency on External Tools: This mindset can make students more prone to relying on shortcuts like cheating or using AI to complete assignments without really engaging with the material. In this context, tools like AI might be used to bypass learning rather than deepen understanding, reducing education to a means to an end.

Lack of Internal Motivation: The focus on external validation makes intrinsic motivation scarce. This dependency on external rewards may undermine creativity, critical thinking, and the desire for genuine understanding, as students prioritize “having knowledge” over “being knowledgeable.”

Kim Dan was not a proud PT. In fact, he had no problem to take a job as a courier. For him, the diploma was just a piece of paper. Why? It is because he was not truly motivated to become a PT. His choice was influenced by his halmoni and his financial situation. He was doing it for the money: (chapter 1) In other words, he was not passionate about his profession. This means that he didn’t define himself as PT due to his lack of engagement and low self-esteem. Besides, let’s not forget that he judges people based on their social status and seniority. I would even add, the main lead had not recognized the existence of his own skills (knowledge, genuineness and dedication). But by working for Joo Jaekyung, he came to enjoy his job. This explicates why he kept buying books. (chapter 53) He likes not only his job now, but also learning as such. This is no coincidence that education in the mode of “being” means that the focus is on learning and developing skills. Hence I still see a change in the hamster at the end of season 1: (chapter 53) He is defining himself by his skills: he is a PT!! Money plays no longer a role. He is about to live in the mode of „being“.

However, there are other students in Jinx. Fromm’s explanations about human psychology made me realize why many members from Team Black left the gym soon after the champion’s loss and bad PR: (chapter 52) In this panel, the author let us see glimpses of their motivation and thoughts. For them, the champion has nothing to teach them, since he lost his title and is injured. This shows that they are only interested in the outcome, success and as such fame, but not in the process, how to become skilled! In other words, they see “success” as a possession. He has no title, then he has nothing to offer. They are all living in the mode of having, which can only lead to misery and even self-destruction. No wonder why they were not too upset or shocked, when they heard that the game had been rigged. But what led them to make such a decision?

Naturally, the manager played a huge role in this. The gym gave the impression that by being by the athlete’s side, they would become successful as well. Park Namwook contributed to this wrong evolution, for he didn’t confront the fighters with reality: he made false promises. (chapter 23) Then he only focused on the “outcome” and not on the process. Hence he neglected them, delegated his task on the pressured athlete. The latter had to train them: (chapter 25) and (chapter 36) In my eyes, he didn’t want to play the bad guy. The meeting or his worries were more important (chapter 36) than their training and career. Moreover, he kept bribing them with junk food (chapter 26) or new jackets or towels. He was only interested in getting new members, but not in developing their skills. This explains why he treated Seonho so well: (chapter 46) The latter was a new source of income and fame. Everything was revolving around money. That’s how it dawned on me why the manager got angry for the bet in episode 26: (chapter 26) We shouldn’t judge his words as a verity, he was just using the doctor as a false excuse. The reality is that the sparring had brought no money at all! This fight was strongly intertwined with fun. The notion of „entertaining“ stands in opposition to money. Fun means feeling emotions and being to true one’s self. In other words, Kim Dan stands for a different notion of MMA fighting: the sportsmen shouldn’t work for money, but for fun. They are artists too. This signifies that as time passed on, the members of Team Black lost their passion for fighting (chapter 26) and became more obsessed with possessions and fame. Potato and the remaining members represent the exceptions. They enjoyed the lessons despite the pain and struggles. The other members became dependent on external tools which led them to lose their integrity. To conclude, the reason for their disloyalty is that at the end, they had long internalized the mode of having and were just interested in getting successful.

3. 2. The Being Mode

In contrast, the “being” mode focuses on authentic self-expression, inner fulfillment, and experience rather than ownership. Key aspects include:

Living Authentically: People in the being mode derive meaning from their experiences, creativity, and actions, rather than from acquiring or possessing. That‘s why fun is so important. And who embodies fun in Jinx? Naturally Heesung (special episode2 ), but also Cheolmin (chapter 13) who likes making jokes. That‘s how I came to understand why Cheolmin appeared only one time in season 1. He will come to replace the manager: (chapter 13)

Dynamic Engagement: This mode emphasizes growth, spontaneity, and a deep, active engagement with life. Here, identity is fluid and self-renewing, driven by inner growth rather than external gains.

Connectedness and Compassion: Fromm sees the being mode as fostering a sense of unity with others and the world, as it’s grounded in compassion, shared experience, and a true sense of community.

The being mode fosters qualities like love, empathy, joy, and creativity, enabling individuals to experience life in a richer, more meaningful way.

Cheolmin stands for understanding and trust in humans. He criticized the man first, but he didn‘t imply that he had done it with bad intentions. Secondly, he believed his sunbae, (Chapter 13) when the latter denied his responsibility. This shows that the man doesn’t mistrust people. He has faith in humans. And in this short scene, the doctor shows alle positive notions mentioned above: love, empathy, joy and creativity. Therefore I come to the following interpretation: he embodies the being mode. No wonder why he was not present in season 1. The main lead was definitely obsessed with work. Hence the moment Cheolmin’s path crosses Kim Dan’s, the funny doctor should become the hamster’s new role model.

3. 3. The Larger Philosophical Context

Fromm’s philosophy reflects a critique of modern consumerism and materialism, which, in his view, has led society towards the having mode. He argues that this mode is ultimately destructive, as it alienates individuals from their true selves and from others. The being mode, on the other hand, aligns with the principles of humanistic and existential philosophy, emphasizing the pursuit of self-actualization, meaning, and interconnectedness.

Fromm warns that without a shift from “having” to “being,” society risks falling into moral and psychological decay, driven by the insatiable quest for possessions and power. And we can observe this in Jinx. MFC and the medical world (chapter 48) are full of greedy people who have no problems to commit crimes in order to achieve their goals (more fame, more wealth, revenge, more connections). Baek Junmin became a champion by cheating. (Chapter 49) Thus he thought, the athlete had earned his title the same way. His fights were rigged, yet the verity is that the idol worked hard to achieve this level. The irony is that The Gunshot experienced much too late that his assumption was wrong. (Chapter 52) His shaking is exposing his fears. Like mentioned in the past, I am anticipating that The Shotgun will avoid a new fight with the celebrity.

Thus I interpret these two panels from Mingwa like this: They embody the mode of being. The hands are touching each other directly. They are not attached by money. Moreover, the hands express positive emotions and thoughts: support, gratitude, honesty, tenderness, acceptance and more importantly trust and fun. They are enjoying the present moment. Mingwa announced with these images the happy ending for these two characters who thought that they were jinxed. The reality is that they were responsible for their own misery.

This work urges a reassessment of values and priorities, where personal growth and human connection take precedence over material wealth and social status. And that’s where Joo Jaekyung is standing now. (chapter 53) He is standing at a crossroad. What does he truly want in life? Fame? More money? Or happiness and as such love and fun?

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Reluctant Moving 🚗🦽

1. The role of Routine in Jinx

In my last essay La Vie En Rose , I named Choi Heesung Mister Boredom, while I introduced the champion as Mister Routine explaining why the latter would reject the artist. (chapter 30) Whereas the protagonist sees in a pattern a shield and protection, the other considers it as a source of danger, for the person doesn’t feel alive.

1. 1. The prince’s perception of routine

As you can see, Heesung views regularity as a synonym for death. Why? His reason is simple. He doesn’t sense his heart racing. Interesting is that when the physical therapist interacted with the actor for the first time, the former didn’t treat him as a celebrity, but as a normal patient. Choi Heesung was simply a human in the protagonist’s eyes and nothing else. (Chapter 30) Kim Dan had heard the conversation between the artist and his manager before offering his help and approaching him. Then when he took his hand for an examination, he was not holding it out of admiration. (Chapter 30) No wonder why the doctor caught his attention. The pink haired star got surprised by such an unusual treatment. The irony is that the main lead was doing nothing out of the ordinary. This shows that till this meeting, the actor had always been treated as a prince, for the latter had always been privileged. It is not surprising that Heesung found Joo Jaekyung refreshing. (Chapter 30) He was the only one who would not consider him as special, rather as bothersome. Yes, he was not favored by the emperor. Under his new light, it becomes comprehensible why Mingwa let the gumiho play the role of a prince wearing a purple hanbok with Potato: (Special episode 2) The purple hanbok is strongly connected to Joseon royalty. (For more read my essays about Painter Of The Night) In addition, while the comedian thinks, it is a fiction, he is wrong in verity. It was a reality, for he has been living like a sovereign. And now, you comprehend why Heesung praised the physical therapist to the sky. (Chapter 30) By treating him like an average patient, he could only appear as very professional and competent. (Chapter 30) He was seen as a serious and honest doctor who was not looking for favors and recognition. So I deduce that the actor felt moved by such a selflessness and care. (Chapter 30) We should consider this image full with stars as a metaphor for the comedian’s heart racing. To conclude, their first encounter reflected Heesung’s philosophy: his desire for novelty and genuine attention, while he is longing for normal treatment and as such for an ordinary relationship. The expression “soulmate” is implying the notion of equity. Thus because of the doctor’s actions, Heesung felt alive. Funny is that by discovering the doctor, Heesung was encouraged to accept routine. Therefore he came to the gym on a regular basis. (Chapter 31) This shows the inner conflict of the actor. Deep down, he dislikes being treated as a prince and would like to be seen as a man and nothing more. Normality and regularity stand in opposition to privilege and novelty. On the other side, he seems to reject averageness and commonplaceness. Therefore he likes to show off his wealth: (chapter 32) Through the ukes (Potato and Kim Dan), the fox is experiencing the positive aspects of ordinariness. He drinks soju while eating a cheap meal on the street to drown his sorrow (chapter 35) or he imagines to have sex in a barn next to a crowded place. (Special episode 2) As you can see, thanks to the new episode, I realized that Potato’s role is to make him give up on his special status and privileges. In the bedroom, he might become the master, but outside he will be forced to work for someone else: Potato and as such for the main couple. And this brings me to my next prediction. Look how Mingwa ended the second special episode: Manhwaphiles see Potato running away, because he is embarrassed. For me, it indicates that Potato will turn his back on Heesung. Yes, we should see this ending as the positive reflection from this night: (chapter 53) Back then, the champion didn’t imagine that the doctor had already started distancing himself. However, here it is clear that contrary to the main lead, Yoon-Gu doesn’t plan to leave the actor or to neglect him at all. He is a very mature and responsible person. Besides, he has just accepted his suggestion: he plans to visit him on the set. However, Heesung is about to learn important life lessons. Life never goes as planned. Furthermore, he will be forced to question his principles and his behavior. (Special episode 1) He needs to become responsible. He won’t get sick of his lover, and he is going to miss him terribly. In my eyes, Choi Heesung is about to go through the same experience than his frenemy: regret and longing. He should have paid more attention to the physical therapist and the champion (chapter 35), as their relationship is affecting his own life. How so? It is because the young MMA fighter is a stan of Kim Dan and Joo Jaekyung! (Chapter 35) Let’s not forget that when Yoon-Gu helped the physical therapist in the locker room, he was indirectly assisting the star. (Chapter 49) The problem is that in season 1, he was rather distant and privileged the celebrity. Therefore he didn’t protect the physical therapist properly. Since the maknae is really sad about the doctor’s departure (chapter 52), it becomes clear that his interest aligns with his idol’s. (Chapter 53) Therefore he can only support the champion’s decision to bring back the main lead. Yet, under the orange tent he decided to cheer them on from afar. Thus I am now inclined to think that the maknae could choose to become more proactive, when it comes to Kim Dan.

The other reason for envisioning a separation is that in the latest episode, readers could see the fox’s blushing. (Special episode 2) The latter got more pronounced, as time passed on, a sign of his rebirth or revival. He is on his way to fall deeply in love with the maknae, because he is having fun all the time. (Special episode 2) Fascinating is that the expression “to have a ball” (a synonym to enjoy oneself) is related to Cinderella.

Cinderella is a fairy tale about transformation and disguise. The young woman is able to climb socially thanks to a her godmother, a hidden sponsor!! One might think that Potato is a new version of Cinderella and Heesung is his future sponsor. Yet I believe that the actor will make the opposite experience than the original protagonist’s. Through Potato, Choi Heesung will discover a new world… MMA fighting, criminality and even misery. My avid readers should recall that when he was sent to the gym, he was reading a script entitled: EXTREME WORLDS (Chapter 29) He has only lived in one so far due to his privileges. It was, as if he has lived in a fairy tale, far away from reality. Now with Potato, he is finally able to live out his fantasies, hence his fairytale-like world has just lost its reason to exist. Thanks to Kim Dan and Potato, the comedian is brought back to reality. He is discovering not only averageness, but also the true significance of routine and normality. Thanks to the latter, trust and intimacy can deepen. He found out that he can experience novelty through sex.

Interesting is that the actor is now trying to include his lover in his professional life. (Special episode 2) It was, as if he wanted Potato to switch his career. It exposes his desire to be close to the maknae. However, with the champion’s downfall and the physical therapist’s departure, I am quite certain that Yoon-Gu’s position at Team Black is about to change. The gym needs to become successful again and present new athletes. Yoon-Gu can no longer be treated as an extra!! His future is now important for Team Black and Park Namwook. Finally, he proved his worth by fighting the older and bigger fighters at the restaurant. Thus I doubt that Choi Heesung can make a deal with Park Namwook like in the past.

1. 2. The champion’s habits and Heesung

Then in her last notes, Mingwa described Joo Jaekyung’s daily schedule. The moment you read this note, you can grasp why the athlete would consider the comedian as a total nuisance. It is because the former couldn’t focus on his training (other exercises: CrossFit, Gym, mostly weights). As a conclusion, the athlete had many reasons to view the artist as bothersome. On the other hand, since Heesung is on his way to adopt regularity, I deduce that the champion’s fate is to accept surprises and changes in his life. And now, you know why their first encounter ended like this: (chapter 1) No one had ever run away from him like that. He was used to face opponents who would challenge him or people who would admire him. Notice that the doctor is turning his back on him, which contrasts to the morning after their first sex session. There, the protagonist chose to vanish into thin air behind the champion’s back after spending the night with him. (Chapter 4) However, in the athlete’s mind, the doctor had not abandoned him, for he imagined that Kim Dan was motivated by his greed. He was just interested in money. As you can see, Kim Dan represents novelty and exception. Nonetheless, the problem is that till the end of season 1, the fighter never came to see novelties and sudden events as something positive. (Chapter 53) Under this new light, Manhwaphiles can grasp why the celebrity hates birthdays and surprise parties. They represent a violation to his regular schedule. (Chapter 43) (chapter 53) So when he refuses the doctor’s resignation, he exposes his true mind-set once again. Kim Dan has already become part of his daily routine. Thus the Webtoonist had included the doctor’s schedule in the notes. But there’s more to it.

The moment Kim Dan moved to the penthouse (chapter 19), the athlete didn’t change his daily schedule at all. On the one hand, Manhwa-philes could judge this as a sign of his selfishness. On the other hand, it exposes his lack of sociability. He had never lived with someone else before. Since we never saw his family or heard about his parents in the first season, I assume that he is a true orphan contrasting to the physical therapist’s situation. Yet both have one common denominator: abandonment issues. The absence of family displays the difference between the two semes. While the actor embodies favoritism and nepotism which is strongly linked to family, the other represents the opposite values: indifference, meritocracy and business. Thus the Webtoonist created such a scene: (Chapter 31) He only gets respected, as long as he is “bringing money” to Team Black (Chapter 52) and MFC. According to me, people from MFC had expected the athlete’s defeat in the USA so that I am quite certain that they had bet on his loss. Because of meritocracy, it is normal that Joo Jaekyung trained so hard on a regular basis. Besides, his routine outlines the importance of his work in his life. His career means everything to him. In fact, it represents his life. Thus it is not surprising that his daily schedule would center on his training. Simultaneously, Manhwa-worms can understand why the champion had no time to meditate and question his believes and way of life. He had no time for something else. Under this light, it dawned on me why the athlete expected from Kim Dan to adapt himself to his daily schedule. The latter had to develop a routine based on the champion’s training. Furthermore readers can grasp the fighter’s behavior in the following image. (Chapter 19) Joo Jaekyung is leaving for the evening training, and he is making no exception. However, as time passed on, the athlete came to make an exception for the doctor. Because of the actor, the athlete chose to neglect his training once. (Chapter 32) According to me, he never went to his training. And shortly after, he was involved in a scandal.

2. Mister Routine, Mister Change and the Wedding Cabinet

(chapter 19) Interesting is that we are witnessing the MMA fighter turning his back to the physical therapist. He is leaving his destined partner behind. From my point of view, his words (“Do what you want”) imply that he is not recognizing the doctor as a valuable and necessary PT, for he is not including him in the evening training. I would even go so far to say that Joo Jaekyung is treating the protagonist as a part of his furniture. In my eyes, the fighter came to associate him with the halmoni’s Wedding Cabinet. It was, as if in the champion’s unconscious, the doctor had become the beautiful cupboard.

This interpretation helps to grasp why the athlete neglected his lover for 10 days (chapter 19) and why he got upset and scared (chapter 53), when he saw the Wedding Cabinet in the hallway. (chapter 53). In episode 19, the champion really viewed the main lead as an object (chapter 19). Therefore he focused on his training and didn’t pay attention to Kim Dan’s whereabouts and actions. However, it changed, as soon as someone reminded him of Kim Dan’s true nature: (chapter 19) he was a human. According to my theory, the coach Jeong Yosep was behind this trigger, since he is the only one at the gym with a failed relationship. (chapter 05) Hence he called him from the gym making sure that he had not blocked him or even vanished. Under this new light, Jinx-philes can understand why he felt the urge to have sex with Kim Dan. It was to remind him that he would belong to him. Yes, unconsciously, the athlete projected his own thoughts and fears onto his fated companion. (chapter 19) Yet, with such an order, Kim Dan appears more as a sex doll than as a free human being. This scene is important, because this reminder showed him that the latter could leave the flat behind his back, he was not obliged to wait for him at his penthouse. Since the fighter was seen wearing his shoes in the bathroom (chapter 19), many Jinx-philes had been able to discern the fighter’s past (invisible) action. He had been looking for the doctor in the huge penthouse, the older version of this scene (chapter 53). Since the latter is so big, the absence of light and noise must have startled the main lead. (chapter 19) The doctor had barely left traces in the apartment. Only the cupboard was the evidence of his presence in the flat. However, this object could be left behind… exactly like Joo Jaekyung had treated Kim Dan in this panel: (chapter 19) Moreover, let’s not forget how the protagonist viewed the huge furniture. (chapter 19) It was worthless. My point is that Joo Jaekyung must have realized in episode 19, when he returned to the penthouse that Kim Dan was different from the cupboard, he was no object at all. And now, you comprehend why the main lead said this to the doctor in the bathroom: (chapter 19) First, he was compared to a prostitute, then later to a baby. (Chapter 20) This scene proves that Joo Jaekyung was viewing his lover as a human. Additionally, the comparison to a whore was to mask his previous anxiety and thoughts. He had been looking for him. He needed to appear as strong and superior, the one with the upper hand.

This interpretation raises the following question. Did he keep viewing him as a human after this episode? My answer is positive, though on the surface it looks like he reverted back to his old ways. (Chapter 33) Here, he tried to give pleasure to the doctor, for he saw Choi Heesung as a huge rival. The latter is known for being a better lover. It was, as if he was trying to give a reward to his companion. Moreover, I believe, the sex toy was there, because the champion feared that he wouldn’t be able to control his emotions and actions. Then in this scene, one might argue that the champion treated him as a sex doll (chapter 36) However, my avid readers should keep in their mind that sex was like a surrogate fight. Thus we could say that in this panel, the physical therapist is actually treated like a “fighter” and enemy. Then when the champion criticized him for his bad decision, he was finally recognizing him as a physical therapist. (Chapter 45) As Manhwaworms can observe, the room mate’s social status was improving. I would even add, the athlete was putting more and more responsibility on the main lead. A sign that despite the appearances he was trusting him more and more. On the other hand, one might argue about this analysis, for after the quarrel, the fighter started distancing himself from his PT. He would no longer talk to him and even ignore him. (Chapter 47) So anyone would say that he is no longer treating Kim Dan as a human. However, this is just a deception. How so? It becomes perceptible, when you contrast the last panel with this one: (Chapter 19) That’s why my illustration displays both pictures next to each other. What caught my attention is that earlier in the season, the celebrity talked to doc Dan, but he was showing a certain disrespect towards his room mate. His Wedding Cabinet was garbage, he was not included in his evening training. Like mentioned above, he was treated like a furniture. Nevertheless, in chapter 47, Joo Jaekyung chose the silent treatment. It shows that he was now considering him as a member from Team Black, but because of Park Namwook’s warning, (chapter 47) he kept everything to himself. Indirectly, he was questioning his PT’s loyalty. This shows that the miscommunication and silence were the results of the coach’s advice and intervention. This means that due to his manager’s words, the champion started doubting the physical therapist. Thus I come to the following deduction: though the athlete asked Kim Dan to get out of his side (chapter 51), unconsciously the star made the opposite decision: he started considering him as a real member from Team Black. Why? It is because the doctor had touched his heart and mind with this question: (chapter 51) He had broken the final wall between them. This explicates why the moment Joo Jaekyung heard about the doctor’s resignation, (chapter 53), he refused his decision. This means indirectly, he is admitting that the protagonist is a trustworthy and competent PT! His attitude contrasts so much to his coach’s who imagines that doc Dan can be replaced so easily. (Chapter 53) In my opinion, the one behind the champion’s mistrust is the manager. I even have the impression that he is also responsible for his mistrust against doctors, as they are no fighters. Either it is because he has an inferiority complex against such people or it is related to MFC. He only trusts the organization and its members, as such he only trusts doctors from MFC. To conclude, at the end of season 1, Kim Dan is recognized as a trustworthy physical therapist and as a real member from Team Black.

And now, you are wondering the signification of the cupboard in the final episode from season 1. It is time to examine more closely this scene. (chapter 53) When the doctor left the penthouse, he disposed his halmoni’s Wedding cabinet. In other words, he treated the precious furniture as junk, turning the champion’s words into a reality. It was, as if the doctor had taken the MMA fighter’s words seriously. However, Kim Dan didn’t act that way because of the athlete’s false judgement. It is just that the doctor came to consider the wedding cabinet as a burden. Thus he treated it as junk. For him, the furniture only had a sentimental value. It symbolized the grandmother. But why would he consider it as an onus then? First, he couldn’t bring the cupboard to the West coast, too expensive and troublesome. Secondly, he wouldn’t have been able to place the Wedding cabinet in a small flat. (chapter 16) In addition, Kim Dan had kept it for his halmoni’s sake. (chapter 53) She was the one who loved it so much. But since she is trying to reconnect to her childhood and nature, she no longer values it. Yes, the halmoni is falling more and more into childhood, the closer she is to death. Thus she came to repress her marriage. As you can see, the elderly is slowly forgetting her own past and as such Kim Dan. She is trying to relive a moment from her childhood, a time when the grandchild didn’t exist. (Chapter 53) Thus I deduce that Kim Dan can no longer view the Wedding Cabinet like before. I believe seeing the cupboard would be painful for doc Dan, as he would be constantly reminded of his grandmother. (Chapter 53) This image is full of symbolism. Kim Dan is now able to touch the cold Wedding Cabinet, a sign that he is accepting his grandmother’s death. By biding farewell to the furniture, he is preparing himself for the inevitable: his halmoni’s vanishing. It was, as though he was saying goodbye to his relative. That’s the reason why his smile is full of sadness, when he is pushing his relative’s wheelchair. (Chapter 53) Her death has become a taboo. He is full of resignation. Contrary to the past, he is willing to face her death and as such to be by her side on her final moments. Yes, this panel (chapter 53) exposes the doctor’s painful transformation. He is now a grown-up. Though he is forced to change, he is not upset because he is accepting his fate. However, the champion came to associate the cupboard with Kim Dan. So I assume that with the doctor’s departure, for the celebrity, the furniture has now a sentimental value. For me, Manhwaphiles should consider these two pictures (Chapter 53) (chapter 53) as a reflection of this chapter: (chapter 46) (chapter 46) In both scenes, the doctor came to resign and lower his expectation. Thus I deduce that after the final episode, the champion will come to treasure the objects left behind by the physical therapist. Notice that he didn’t throw away the letter. By keeping them, the athlete would show how much he appreciates Kim Dan. In addition, the letter is wishing him well, which no one has expressed so far. The letter oozes trust, confidentiality, admiration and closeness. Hence I deduce that at the end, Joo Jaekyung is heartbroken, though he can not clearly voice his emotions. (Chapter 53) Yet, in opposition to the doctor, he has long internalized to fight for himself. Therefore I am certain that the champion will follow the physical therapist’s trail. And that’s how he will be pushed to drop his habits and develop a new “routine”, where he is no longer the one determining the daily schedule. In my eyes, the grandmother should play a bigger role in his life, as the doctor decided to give her comfort until her final moment. That’s how I am imagining that both will come to an agreement how to redefine their life together. As you can see, by following the physical therapist, the athlete is pushed to leave not only the penthouse, but also the gym. He is on his way to discover new horizons. Since the gym represents routine and training, this signifies that the athlete can no longer follow the same daily schedule. The champion’s suspension is in reality a blessing in disguise. He has the time and the occasion to meditate about his life.

3. Traveling and rebirth

This brings me to my next aspect. In season 1, the champion often went to new places in South Korea because of Kim Dan. When Park Namwook asked his boy to take care of the doctor, the champion discovered his poverty and debts. (Chapter 17) Then when he brought the physical therapist to Heesung’s home, he used the GPS, a sign that he was not familiar with the route. (Chapter 33) Interesting is that when he heard his regular nightly disappearances, he never tried to follow him. (Chapter 45) Why? It is because he was always back in the morning. Furthermore, despite his exhaustion, the physical therapist was still following the daily schedule. Because Kim Dan wanted to keep it a secret, the champion was forced to feign ignorance. Thus he couldn’t question him about his whereabouts. In addition, I can also envision that he must have thought that it was related to his grandmother. Don’t forget that he experienced once how the doctor had left his side due to a phone call in the middle of the night. (Chapter 21) Since the athlete’s life is revolving around routine, I am quite certain that he must have jumped to conclusions based on his first experiences… the birth of prejudices. Thus I have the feeling that Park Namwook’s biased perception concerning his champion is also influenced by their first meeting and experiences. It is important, because such a mentality fixated on daily schedule represents a hindrance for the mind. Routine often leads to close-mindedness and lack of critical thinking. At the same time, this new interpretation explains why the athlete got so worked up and upset, when he received the golden chain. (Chapter 45) It is because all this time, the athlete had been worrying about the doctor and in the best case about his grandmother. Becoming a courier during the night could only give the impression that the halmoni’s health had improved and the expensive treatment was working. In my eyes, the fighter couldn’t ask his physical therapist about his relative’s physical condition either, for it was not his place to ask. He is first and all the PT’s employer. Besides, the physical therapist has always been secretive about his own private life and family, just like the fighter. Therefore I assume that he must have projected his own mind-set onto the doctor, he would not look into the physical therapist’s life. And what was the doctor thinking about the star during season 1? The more time passed on, the more he got curious. To conclude, since the beginning of the story, the celebrity never showed an interest and curiosity to his fated partner. This observation leads me to the following conclusion. In season 2, it is the athlete’s turn to become curios about his lover’s past and life. At the same time, as soon as Kim Dan paid more attention to his lover, he also reflected on his own life, like for example in this scene: (chapter 16) He wondered why the athlete had kissed him, which made him realize that it was his first kiss. Therefore I come to the following deduction. Joo Jaekyung will be forced to discover his lover’s like and dislike which will incite him to become more honest about his own desires and passions. We have an allusion to this development in season 1: (chapter 27) Thanks to his companion, he remembered how much he likes swimming! He had totally repressed it. To conclude, Joo Jaekyung’s travel shouldn’t be just perceived as a journey to the West Coast and Kim Dan’s side, but as an inner journey! He is on his way to discover himself and reconnect to his childhood, or better said to his inner child. This signifies that he is actually following Shin Okja’s footsteps which is regression to childhood. (Chapter 53) Thus my theory is that he will go to the beach and be moved by the beautiful sunset. So far, he has never paid attention to his surroundings and nature. There is another reason why I come to this expectation. I saw parallels between the last picture and this one: (chapter 53) Both are connected to travel. Though both are alone, their experience is totally different. Why? It is because of the contrasts.

The grandmother Joo Jaekyung
nature civilization
sun artificial light – night
closureemptiness
beautiful – impressed Hates this moment – sadness
Companionship – she doesn’t feel isolatedloneliness
death – departure ”death of the hero” – departure to the unknown

The view over the city is offering no comfort to the star. He feels miserable and lonely. He is finally realizing that despite his money, he has no one by his side. He is now regretting the past… exactly like the grandmother. Since both are regressing to childhood, it is very likely that the athlete will develop a certain closeness to the halmoni. Contrary to the first season, it shouldn’t be reduced to one short moment. Don’t forget that in episode 21, Kim Dan had doubted his relative’s statement: (chapter 22) He would have the opportunity now to verify this statement.

Since my hypothesis is that he will travel and follow the doctor, he will reconnect with nature. The ocean is the place where the goddess Aphrodite was born. It is the place of Love. Hence I believe that in front of the ocean, the human Joo Jaekyung will be reborn! He will no longer be the star, the champion… but simply an average human. He will not only love the doctor (admit his feelings for him), but also love himself. Mingwa has already indicated his journey to the ocean with this image:

For the champion has to learn to meditate and to identify his own emotions, it makes sense why the Webtoonist announced that season 2 would be a slow burn and would focus on emotions. Besides, he has now to pay attention to the grandmother and Kim Dan. Since it is only a matter of time, until Shin Okja dies, I associate her vanishing as a change too. Because of her, Joo Jaekyung is forced to accept novelty as something natural. Life can not be predicted… Changes can also be a source of joy… like the jokes. We have the perfect example in chapter 27: (Chapter 27) (chapter 27) Thus we should see a more gentle and humorous fighter in season 2. Since he is suspended, he can no longer associate sex with fighting! He has now time to enjoy life. He has someone by his side watching his back. He can now learn how to relax. He should come quickly to the conclusion that his career doesn’t represent his life. He could do other things. He is no longer fighting against time, as the latter has been suspended: 3 MONTHS! The god Saturn, Kim Dan, will teach him the true value of time. And that’s how Park Namwook will lose his boy to the physical therapist.

PS: I hope, this essay made you looking forward for season 2.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Ring 🔵 Tyrant’s Demise 👑📉

1. The champion’s face

This essay won’t be long compared to the previous ones, but I wanted to examine the Emperor’s downfall more precisely. One image in episode 52 caught my attention, (chapter 52) the publication from KR Sports News. The journalist used a very disadvantageous picture of Joo Jaekyung which was taken at the end of the match. Why? It is to manipulate public opinion. His ugly face was to reflect his bad behavior. He was portrayed as a bad loser. The article is the reason why the members left the gym. How so? It’s because Joo Jaekyung was the face of Team Black. So by seeing his ruined image and face, the members could only come to the conclusion that the gym had no future. Moreover, by misbehaving, he would no longer embody fairness and impartiality. (chapter 52) He was no longer a hero or champion, but a thug. Yet, there’s more to it.

2. The champion’s image in the past

Suddenly, I remembered this scene from episode 1 (chapter 1) Kim Dan was watching a match from the celebrity and heard the comments from the moderator. He was not only the strongest man in the world (chapter 1), but also a tyrant in the ring!! (chapter 1) And the moment I connected these two chapters together, I had another revelation. The champion’s image in the ring was also created by the media! To conclude, both medias were not portraying the athlete correctly. However, the words “a tyrant in the ring” made me realize why the celebrity lost his title and reputation at the health center. He needed to be defeated outside the ring. Thus the plotters asked the staff from the clinic to place the two fighters next to each other. (chapter 52) They wanted to trigger Joo Jaekyung’s rage (chapter 52), and they succeeded. This seems to corroborate my previous theory that the physical therapist from episode 1 had been wounded, because the athlete’s fears had been triggered. And now, you comprehend why the last picture resembles a lot to the one from episode 1, the “tyrant in the ring”. This shows that not only MFC doctors and nurses were involved in the scheme, but also the medias. They created the hype around the champion. Hence it dawned on me why the plotters had to remove Alfredo (chapter 47) and switch him with Baek Junmin. It is because it would have been impossible to ruin his image outside of South Korea. In the States, the athlete had a very good reputation. (chapter 37) He gave interviews constantly. (chapter 40) Even Dominic Lee had showed his appreciation. (chapter 40) Moreover, it was easier to get helping hands in the country.

But why did they have to create such a situation? It is because the tie had been contested by the viewers. (chapter 51) The latter had booed after the announcementof the result. The fight was the evidence of the corruption of MFC (jury, moderator and MFC security guys). The viewers had not bought the verdict from the jury. And now, it is time to return our attention to episode 1. What was Kim Dan doing in the bus? (chapter 1) He had been watching videos about his future client. All his matches had been recorded. But here look at the title of the article from Korean News: (chapter 52) They are not reporting the result of the match. Moreover, the picture was taken after the end of the match. Thus I deduce that the match with Baek Junmin was not shown on TV!! It was not recorded either. They made sure to leave no trace of it. Jinx-philes should recall that this fight was taking place in the morning (chapter 48), a hour, when people in South Korea are busy. This would explicate why the match was not shown on TV. And now, you comprehend why there is no mention of the tie and why all the pictures come from before or after the match (chapter 52) This incident was to divert attention from the terrible match. Only the beholders of the match had witnessed the misbehavior from the criminal. Moreover, they knew that their hero had been injured. This signifies that the plotters created this incident in order to bury the tie. Choi Gilseok is not the only one involved in this matter. Moreover, by portraying him as the bad loser, journalists made sure that no one would side with him! No beholder from the match would leave comments below the article defending the champion. Thus I come to the conclusion that the schemers had employed an expensive PR to defeat the “tyrant” outside the ring. The Entertainment agency had betrayed his client, for they are not intervening at all. Hence I am wondering if the new plot was not linked to Choi Heesung’s prank in episode 31.

But the article is the evidence of Park Namwook’s betrayal too. (Chapter 52) He did nothing to contradict the opinion. He never gave an interview in order to defend his champion. He had been injured before, he had been insulted in the hospital. He never tried to investigate the matter either. (chapter 52) He acted, as if everything was a normality. He never questioned why incidents against the athlete would constantly take place (drug incident, the spray incident). But there’s another reason for his passivity. Since the beginning, he has always blamed the champion. (chapter 1) He contributed to this legend: a tyrant inside the ring. So he didn’t change his MO. (chapter 52) But after witnessing the mess, he could only blame even more than before the champion. If he had not acted that way, his image would be intact in his mind. Interesting is that the incident was reported by MFC staff, while the latter buried the ankle injury. But the slapping from the manager is the evidence that he is exactly like the main lead. He is impulsive. He vents his anger, when he is under stress. Moreover, his gesture exposes the mentor’s hypocrisy. He is not treating his athlete’s body kindly, though he is injured. (chapter 43) This made me wonder if Park Namwook employed harsh treatment in the past to push the champion to become a great athlete. However, by putting all the blame on him, he gave up on his position as the gym’s owner. On the other hand, this signifies that Joo Jaekyung is no longer the face of Team Black, but its head. Hence they all came to the hospital room wishing that he would become proactive exactly like in the States. (chapter 40) Finally, the members are acknowledging Kim Dan as a part of the team. (chapter 52) Without him, they would feel lost. In the past, they had left him behind.

3. End of the beginning

Since chapter 52 mirrors the first episode, it displays that a circle is getting closed. We are about to witness the birth of Team Black. In the past, the gym was created for the athlete’s own needs, that’s why he was the face of Team Black. However, there was no real team spirit. Even the name was misleading. Therefore the gym is forced to create a new image… (chapter 1) And if I take this picture into consideration, that would be Kim Dan. But we will see. Besides, the name “Team Black” should come in the foreground and replace Joo Jaekyung. That’s how they would attract the attention from Heo Manwook who mistook it for a brothel. Remember that so far, Team Black never got the attention from the media. (chapter 15) Fans only knew the celebrity as fighter and not as the owner of the gym. On the other hand, Kim Changmin, Oh Daehyun and Potato will be motivated to help their devastated doctor and defend their mentor and trainer’s honor. That’s how they will emerge as real fighters. (chapter 52) On the other hand, since Team Black was betrayed by the MFC manager and even the Entertainment agency, I assume that Team Black could decide to organize events themselves.

So once the main lead is able to produce good fighters, the former members could realize that Park Namwook was the one who always drove an edge between them and Joo Jaekyung. (chapter 36) Notice that the more he got under pressure, the more the champion trained the members, but the final game was different. (chapter 47) Namwook was in charge of the schedule and he did nothing to stop the new match. He simply accepted the switch. Anyway, someone will question his passivity and words. That should be Kim Dan, especially when he will notice the smear campaign he was exposed to, a new version of this situation. (chapter 1)

By noticing the parallels between chapter 1 and 52, I could only come to the conclusion that this announce the ascension of the physical therapist. This is the real start of Team Black, for doc Dan will be the heart of that gym. The champion is using his gym differently, creating a better atmosphere oozing happiness and that’s how the champion will create new fighters. It’s important because now Joo Jaekyung is forced to become the true owner of Team Black. By slapping the champion, the hyung lost his position. The latter was always advocating money.

And this brings me back to this image. (chapter 1) Since Kim Dan was paying attention to the buzz surrounding the celebrity in episode 1, I assume that in episode 52, he couldn’t see the smear campaign against his soulmate. He was definitely “busy” with something else contrary to Potato. (chapter 52) Yes, the cute puppy is the new version of the main lead in episode 1.

As a conclusion, the moment the commentator described the athlete as a tyrant in the ring (chapter 1), we should perceive it as a lie, for the celebrity was in reality the puppet of MFC and schemers. The irony is that by removing him from the ring, these villains are not realizing that the champion is now able to pay attention to his surroundings and look at the ring from the outside. He will be able to detect tricks and schemes. That’s how he will be able to protect Team Black and its members. The latter represents Kim Dan’s new home.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: Feeling Good? 🤜🤛 😡🥳 😭

1. The origin of this title

The inspiration for this title was the reaction of readers on X. Many were rejoicing that Joo Jaekyung got slapped by Park Namwook. (chapter 52) They felt good, because they thought the champion deserved it. Why? Joo Jaekyung had blamed Kim Dan for the incident. (chapter 51) Moreover, people saw parallels between this slap (chapter 52) and the one in the shower room. (chapter 7) It was, as if the coach had become the cute doctor himself or his representative. Therefore he was authorized to slap the champion. Yes, for them, Joo Jaekyung was just receiving his karma. But when he confronted the doctor, the latter did nothing, except ask a question. (chapter 51) If the celebrity had truly offended the doctor, the latter could have slapped him like in the past. He knew how to overcome his fear and do it. (chapter 26) This contrast outlines that Kim Dan hadn’t been that offended, he was just heartbroken and sad that the latter didn’t trust him, like he imagined.

2. Snow flake and Team Black

The irony is that these readers were reacting exactly like the former fighters from Team Black. (chapter 52) They were abandoning the protagonist, as they couldn’t put up with his bad temper. They were thinking like the athletes. (chapter 52) And the moment you outline the parallels between these two groups, such Jinx-philes appear as superficial and disloyal. I don’t think, it is a coincidence. Why? First, both were influenced by Park Namwook’s remarks. The latter would constantly portray his own boss in a bad light ruining the sentiment of cohesion within the team. The champion was on the one side, while on the other side the fighters, forgetting that the coach was hiding behind the emperor’s success. Once the latter failed, it is not surprising that the members didn’t stay out of loyalty for Park Namwook. He had done nothing for them, except empty promises. (chapter 23) But in my eyes, the main reason why the sportsmen and many Manhwaworms reacted like this is that nowadays people hate pain and suffering. They don’t see it as a source of growth. Why? They only perceive it from one perspective, their own, a sign for selfishness. But emotional and mental pain is not one-dimensional, for in a conflict or argument, both sides are hurting each other. This means that Mingwa portrayed the mentality of the younger generation in her Manhwa. And how is the younger generation called? They are described as snowflake.

We have the perfect example with Seonho who quit immediately, when he received harsh criticism. (chapter 46) He had to leave the gym, for he noticed that he would become the target of gossips. (chapter 46) He refused to face reality. That’s the reason why he became a traitor. He was tasked to bring members to the gym King Of MMA (chapter 52) so that he would become the next champion.

However, in order to turn a wound into something positive, people need to accept it as a normality and meditate. That’s how a painful incident becomes a tough life lesson. Yet, the reality is that the influence of social media is doing the opposite. They encourage readers and viewers to act on their emotions. Thus their judgement is superficial and full of bias. That’s how people can be easily manipulated. And that’s what the medias have been doing in Jinx. (chapter 52) They turned a hero and philanthropist (he organized a charity event) into a criminal, while the Shotgun, a cheater, got celebrated as a hero. It’s not surprising that no one was missing Baek Junmin during the party. In fact, the members talked behind his back. But what were the MMA fighters celebrating then? (chapter 52) Themselves… and their dream. They were imagining that they were one step closer to the spotlight. Through Jinx, Mingwa is criticizing our modern society and indirectly Jinx-philes who would easily jump from one ship to another. Twenty days earlier, the so-called hero was insulted for treating Kim Dan poorly. (chapter 50) If there are “heroes” in this story, it is the main couple. Joo Jaekyung is a protagonist and not a villain, hence the slap was not deserved. The antagonists are Choi Gilseok, Baek Junmin, Heo Manwook, Seonho and other invisible hands.

The former members from Team Black behaved exactly like the snowflake generation. They couldn’t bear any “hard time” at all, for they only saw it from their perspective, showing no empathy for the athlete’s bad mood. (chapter 36) The main lead was here put under immense stress due to the article. (chapter 36) Yet, he still took his job seriously, hence he spent time training himself the fighters despite his shoulder injury. (chapter 36) Here, he had become their coach and sparring trainer. Under this light, it becomes comprehensible why the author often portrayed them as chicken (chapter 43) or chibbies. (chapter 47) They lack discernment and maturity. Hence they chose the easy way out, thinking that they would have a better chance to become rich and famous. (chapter 52) They followed the flow, the symbol for herd mentality, a concept I explained in “Effective  Anguish“. This shows that they chose to throw overboard virtues like integrity and loyalty. Consequently, they are using the athlete in order to hide their wrongdoing. (chapter 52) The irony is that one of them even knew about the origins of Baek Junmin (chapter 47) and still chose to leave the gym. This means that they can not feign ignorance about their involvement in the criminal world. Even the cheating was discussed at the restaurant. (chapter 52) To conclude, they chose to become true thugs, while in the past, they would look like ones. But a bad decision doesn’t mean that their fate is sealed forever. They can change their opinion and redeem themselves.

And if you look back at all the chapters, you will realize that no one got fired, when Kim Dan entered the scene. In fact, the athlete had been very tolerant with the members, though they didn’t bring any success. Secondly, his so-called bad temper was first directed at Kim Dan. (chapter 7) If you read my essay “Guilty Truth or Dare – part 1”, you know that the beating in episode 1 was in fact an anomality. In chapter 36, 45 and 52, Joo Jaekyung never utilized violence, only when he was provoked (chapter 46) I am not saying that he shouldn’t change. But he is a far better person than he is perceived. He is loyal, tolerant, sincere and generous. In fact, he shared his PT with the fighters. (chapter 47). Thus I am already anticipating a rude awakening for the sportsmen, the moment they realize that in that new gym, the law of the jungle is ruling. Moreover, they should realize that they will be used as tools to make money. Choi Gilseok will throw them under the bus, if it is necessary. They will keep rigging the matches, as now MFC has become the official ground for betting. The dark side of MFC is coming to the surface. Baek Junmin is the perfect example. Choi Gilseok and his “Shotgun” provoked the main lead on purpose. However, the fake Angel of Death never realized the consequences of his words. (chapter 52) He lost consciousness and two front teeth. Moreover, he is shaking, a sign that he got severely injured, something I had predicted. This explicates why the corrupt reporter used a picture before the beating (chapter 52) Choi Gilseok used the fake hero’s image to his advantage. On the other hand, this signifies that the incident will leave deep scars in Baek Junmin. He will fear more than before the champion. Choi Gilseok ruined his confidence and mental health. Hence he will do anything to postpone the rematch. Moreover, there is no ambiguity that he and director Choi will cheat again. I have no doubt that he will resort to a bigger crime. Keep in mind that according to me, MFC is corrupted. Though it looks like my interpretation that Choi Gilseok bet on tie isn’t right, I am not giving up this theory yet. Why? It is because the fighters are repeating just what they heard from Choi Gilseok. (chapter 52) Secondly, for me, the director is the epitome of cowardice. Hence he resorted to the cheap trick. Let’s not forget that in the past, he wagered on the champion’s loss with the drugged beverage. I doubt that he would repeat the same mistake. To conclude, the fighters felt good, when they left Team Black. (chapter 52) But reality will catch them quickly. They are the tools to make others to shine as “heroes”. Their happiness is simply short-lived. There is a huge difference between this party and the one in chapter 9. There is no welcome elixir bowl, (chapter 9) King Of MMA stands for the philosophy: “it’s everyone for himself”. Hence the generosity from the director is fake, he will ask for something in return! Remember how he lured the doctor to commit a crime with his “sweet temptation”. I am still expecting the usage of steroids and other tricks. Moreover, through their participation, they become involved in money laundering.

3. Park Namwook’s slapping

Striking is that when bookworms felt good with the slap in episode 52, they resented Park Namwook for his rude behavior towards Kim Dan in episode 50. (chapter 50) The contrast between these two scenes exposed the man as a huge hypocrite. Therefore it is legitimate to state that the manager had no right to slap Joo Jaekyung at all. He had not defended the doctor himself. That’s why I really felt bad, when I saw this: (chapter 52) If I had been there, I would have put myself between the athlete and the manager. Why? It is because the celebrity was a patient at the hospital. It was not the time and place to criticize the athlete. (chapter 52) What was the point of dwelling on the past? And if you compare these two images (chapter 52) (chapter 21), the manager’s violation becomes more obvious. The hospital is a place where a patient needs rest. And what had Kim Dan done in the past? He had not revealed his problems to his grandmother so that she wouldn’t worry too much. He had tried to solve them on his own. Stress is not good for an ill person. In other words, the manager revealed his true face: (chapter 52) He is a wolf with no manner and empathy. (chapter 7) It is no coincidence that we could see his pupils for the second time. (chapter 5) That’s the only moment he revealed his true thoughts and emotions to his pupil. This exposes his hypocrisy and distance. And there was another reason why I condemn his action. (chapter 52) He acted as a parent. However, Jinx-philes should keep in their mind that the main lead is the owner of Team Black. So let me ask you this. Is it right for an employee to slap or beat his employer? No, and Park Namwook knows that very well. Hence he masked his wrongdoing with his weeping. (chapter 52) Through the tears, he not only diverted attention from his bad reaction, but also tried to arouse pity. What an irony! He was standing in front of a man who had a wounded foot, a ruined reputation and a surgery. The latter still deserved some compassion despite his mistakes.

But like mentioned above, each suffering can bring positive changes. So what is the positive effect here? First, it is important to recall that by slapping the champion (chapter 52), Park Namwook was contradicting his previous statement. (chapter 7) In episode 7, he refused to become responsible for his bad manners. He implied that the athlete had been raised by someone else. This indicates that with the slap, he crossed the line. He became his “surrogate father or older brother”. People wondered where his family was. It was Team Black and Park Namwook as the “surrogate guardian”. And now, you comprehend why the athlete said nothing. (chapter 52) But that means as well, the athlete will emancipate himself from his hyung. Furthermore, he showed him that it was okay to weep in front of others, though his weeping was short-lived. (chapter 52)

So why did the manager do it, if it was not for the doctor’s sake? (chapter 52) It is because he didn’t want to become responsible for the mess. All the fighters had left the gym, but he was their coach. (chapter 09) He had failed his task. Keep in mind that Joo Jaekyung had warned him. (chapter 46) He had voiced expectations for the first time to Park Namwook. He should become more proactive. In other words, he was starting putting some responsibility on the manager of Team Black. But the problem is that Park Namwook has the mentality of a child! He fears responsibility and as such making decisions. He is suffering from Decidophobia.

This explicates why he refused to make any decision concerning all the fights with Joo Jaekyung. But in the locker room, he had to say something, for he is his manager. But here, he let coach Jeong Yosep make the choice. (chapter 50) So when he is accusing the champion of behaving like a child, he is simply projecting his own thoughts and emotions, exactly like Baek Junmin: “He’s all talk”. . )chapter 52) (chapter 52) He was the child here. But we have another evidence for this interpretation.

Not only he keeps procrastinating, but more importantly he relies on others. Hence he pushed the athlete to sign a contract with the Entertainment agency (chapter 30). He let the manager and the lawyer to push the athlete to accept the fight with Dominic Lee. When the drug incident was reported to him, he simply notified MFC security guys dropping everything on them and Kim Dan. (chapter 40) He didn’t feel concerned. It was not part of his duty. So when the fighter got switched, he hired more advisors so that if anything went wrong, no one would put the blame on him. (chapter 47) It is no coincidence that he delegates tasks to others. (chapter 36) But his passivity becomes more obvious, when you look at the news. (chapter 52) He doesn’t give any interview to explain the incident in the health center. As his manager, he should have intervened. Under this light, it becomes comprehensible why he had to blame the champion. It is the result of his passivity, fears and ignorance. He never tried to understand the origins of the champion’s anger management issues. That’s the reason why he wished the physical therapist good luck. (chapter 1) He was totally unpredictable in his eyes. But he didn’t ask the right question: why? He neglected his mental health. Then, later he gave himself an answer: he is just a spoiled brat.

But for the first time, the champion didn’t accept his reproach silently, he had to express how he felt. (chapter 52) In front of this confession, Park Namwook was left speechless. The man was completely lost. Out of fear and powerlessness, he slapped the champion. (chapter 52) So did he feel good doing it? No, he realized his wrongdoing. Therefore he cried, though his tears are rather superficial. Because it is a huge disaster, he doesn’t know what to do. Without any fight, the gym won’t earn any money. I believe that his obsession for money is influenced by his situation. He has a family to feed. Because he feels scared and helpless, he simply did nothing. He didn’t go to the gym (chapter 52) or look for Kim Dan . (chapter 52) or go to the authorities. Potato was the one who visited the doctor, for he repeated the same words. Oh Daehyun took care of the training and coach Yosep went to MFC and the authorities, though I fear that this could also backfire, as the weapon and crime got reported. Kim Dan could be incriminated. (chapter 52) But there is another reason why I don’t think, the manager met the physical therapist. Park Namwook remembers definitely that he had not sided with him in the locker room either. And that time, he could put the blame on the athlete, for he was a victim. And now, you comprehend why the manager had to put the whole blame on the athlete at the hospital. So he didn’t slap the champion, for it felt good, but out of anxiety and discomfort. He didn’t want to be confronted with the champion’s pain as well. (chapter 52) That was too much to bear for him. We don’t know what happened to Kim Dan, but there is a high chance that he might have lost his grandmother. Park Namwook has already trouble to deal with the emperor’s suffering and powerlessness, therefore I doubt that he could face the doctor in front of a real tragedy.

Under this new light, it becomes comprehensible why Park Namwook is following the flow, has a biased perception of his boss and let him carry the whole burden. In my eyes, he doesn’t deserve his high position. Hence this crisis was necessary. It is time for the athlete to take the reins of the gym. But like pointed out above, he did more and more for the gym. From a simple fighter (chapter 7), he turned into a trainer and coach. On the other hand, I doubt that the champion should do everything on his own. Exactly like his hyung, he should ask for help and advices, but contrary to the past, there would be a real discussion where everyone comes to an agreement. All of them should make the decision together. But let’s return our attention to the manager and coach.

I suspect that he has always viewed himself as the protagonist’s savior. (chapter 26) The reality is that MFC is strongly intertwined with the crime world.

And note what is happening right now. Because of a punch, all the members left the gym and joined director Choi Gilseok’s gym. But the emperor’s manager knew that this man was bad news, hence he avoided him. (chapter 48) He has been a coward, he used Joo Jaekyung to boost his ego. He relied on routine (chapter 5) and the emperor’s talents thinking that he could do the same with the other fighters. But that’s impossible. Each sportsman is different. One thing is sure. He hid his fears behind people. His dream was to live a life on a script, like wrestling which is impossible. But now they have all abandoned the ship, thereby it is becoming more difficult to avoid responsibility. At the same time, it explains why he is asking for the return of Kim Dan. It is his way to avoid accountability.

At the same time, it exposes his ignorance and prejudices. He has such a bad perception of Joo Jaekyung that he accepted without problem to let the emperor take the whole blame. He never spoke up in his defense… the two hyungs stood there totally passive and silent in the emergency room. (chapter 52) They did nothing to stop the tragedy, though they knew about his bad temper. To conclude, Park Namwook didn’t feel good for the slapping, hence this action was not truly necessary. On the other hand, this could only make the champion realize how precious Kim Dan is. The latter allowed him to speak up (chapter 51), even to voice his emotions and thoughts without resorting to violence, though the doctor was wounded by them. Here is another contrast. (chapter 31) He slapped him on his neck showing a certain dishonesty.

4. Joo Jaekyung’s punch

And now, we should ask ourselves if the emperor felt good, when he vented his anger on the stupid challenger. (chapter 52) No, because it brought only him misery afterwards. (chapter 52) He has to get surgery and he got suspended. (chapter 52) This terrible situation cornered him. He was forced to admit his unwell-being, powerlessness and cluelessness. He was like his hyung, he felt lost. He didn’t know what to do. We should see this confession as a scream for help: (chapter 52)

Interesting is that the 90 day of suspension is actually a blessing in disguise. How so?

As you can see, the number is strongly intertwined with enlightenment and huge transformation. Hence I deduce that within that time, all these characters, Park Namwook, Hwang Yoon-Gu, coach Jeong Yosep, Oh Daehyun, Kim Changmin, Kim Dan and Kwak Junbeom (probably Heesung) will introduce new habits and develop a new routine. The team will work differently. But there exists another reason why I consider this suspension as a blessing. The champion would have never stopped, had MFC not intervened. The schemers saw the athlete as a problem, for he was earning more and more money, a problem for their business. (chapter 41) Moreover, thanks to the punishment, the champion learned that he couldn’t use his fists in order to solve a problem. Remember what he said to Kim Dan during the breakfast: (chapter 41) He wanted to kill the mastermind behind the plot. From my point of view, the champion is incited to discover the existence of other means to get justice. According to my theory, the fighter is a chaebol. So he has power, but he was never taught to use his power properly. As time passes on, he will realize that he has to report a crime on his own, file a lawsuit but not for himself, for others. Finally, he will come to utilize medias to expose a crime. Hence I am expecting a new version of this scene at some point (chapter 35), where he contacts a journalist and reveals everything with the help from his loved one. From my point of view, he became a fighter because of manipulations. That way, the truth could get buried.

To conclude, if someone had to criticize Joo Jaekyung, then it should have been the physical therapist and no one else. Furthermore, in the locker room, it was the champion’s right to confront the doctor. (chapter 51) Anyone in his position would have reacted the same way. He is not omniscient, like the author or Manhwalovers. Finally, when he saw that he had wounded the doctor, he left the place. Unfortunately, out of habit, he had to mask his shock and wound with his anger. (chapter 51) However, his question at the hospital (chapter 52) shows that my interpretation was correct. Joo Jaekyung didn’t fire the doctor with his words “Get out of my sight”, he just wanted to be left alone. On the other hand, I am certain that the physical therapist took his words too literally. He imagined that he was fired. Hence I saw this argument in the hospital room as a good omen, though I was mad at the coaches and Oh Daehyun. (chapter 52) The only one looking at him was the puppy Yoon-Gu. They are embarrassed, for no one paid attention to Kim Dan except the cute puppy Potato. So what is so positive about this scene? The champion realized that no one was taking his side, ready to listen to this suffering. Only Kim Dan had been patient and understanding with him. (chapter 45) He had never judged him for his yelling and reproaches. He had accepted everything from him, the good and bad.

Through their argument, both are learning how to communicate properly and as such to trust each other. Both are gradually discovering the 4 sides model of a message: Joo Jaekyung must have realized that Kim Dan misunderstood his words in the locker room. (chapter 52) He got to hear a terrible news that took him by surprise. (chapter 52) Hence he listened patiently to his coach. He was calm again, the shock made him forget his misery. However, note that he is not looking at Park Namwook. He is starring in front of him. In my eyes, it is related to the grandmother and her imminent death. Joo Jaekyung was so blinded by anger and fears (chapter 51) that he forgot that Kim Dan used to spend all his money for her. Joo Jaekyung imagined that by paying the bills, the problems had been solved. But money is nothing in front of death. Everyone is equal in front of death. Back then, the doctor had wondered how he could help his loved one, if he were to lose a match. He sensed that the athlete could become depressive: (chapter 29) No matter what happened to Kim Dan, the doctor’s fate is there to teach Joo Jaekyung another important lesson. His pain is nothing compared to his loved one’s. Even if the grandmother didn’t die, one thing is sure: Kim Dan’s in a worse place than the champion. That’s how they can help each other to overcome their tragedy and face the future with confidence. For me, what will motivate Team Black is not money, but the doctor’s happiness. That’s how they come close to each other, they will all discover the importance of mental health and happiness. Being protective can be a source of a strength.

5. Feeling good?

So did anyone feel good after the match? No one .. except the traitors and director Choi Gilseok. I am even excluding Baek Junmin, for he got severely injured and the members are talking behind his back. Besides, the party was ruined by Potato. There was a fight at the restaurant. (chapter 52) There was no second round. In fact, I only felt good, when Kim Dan succeeded in this challenge: (chapter 26) This was the only chapter in Jinx without emotional pain. He discovered that he had power and he could help Hwang Yoon-Gu. Hence he smiled!! (chapter 26) I can only feel good, when the two protagonists are smiling. (chapter 26) Both were listening to each other. (chapter 26) It was the happiest moment, for all the characters were genuinely cheering and smiling. (chapter 26) (chapter 26) And now, look at this: 26 +26 = 52! So we have to envision that Kim Dan must be devastated, even a wreck. And now, you comprehend my illustration. The red and heart were referring to blood and pain, but the hands were to indicate that sharing pain is caring, the symbol for love. (chapter 52) That’s the reason why these fighters will come to regret their decision, especially when they will realize that they didn’t just abandon the bad-tempered athlete, (chapter 52) but also the gentle and selfless doctor! There was no one by his side, when he was suffering. He had been truly abandoned. His pain will make them realize their wrongdoing and selfishness, for doc Dan had always been there to treat their wounds and listen to them. (chapter 36) They will no longer feel good while recalling their decision and even this evening (chapter 52), especially because the other was alone in pain.

My conclusion is that we should never rejoice at the misery of others, because it could happen to us too. We are destined to encounter anguish and failure anyway. Life without pain is impossible. Dwelling on the past won’t change any thing. (chapter 52) A crisis is a moment when people should reflect in order to learn life lessons and move on with life. Any rushed action can only aggravate the situation. And now, the ball is in the champion’s courtyard. He has to find a way to help his loved one. Hence he is listening and starring in front of him. (chapter 53)

PS: Chapter 52 proved my previous theory one more time, the Webtoonist is using Numerology. But that will be the topic for another essay. 😉

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Jinx: 3️⃣ 7️⃣The Magic Of Numbers 🧚‍♂️🧝‍♂️8️⃣ – (second version)

1. Numbers, Mathematics and Magic

How can numbers be associated with magic? The latter stands for mystery and supernatural forces, while the other representing Mathematics symbolize rationality and logic. It looks like a contradiction, yet let’s not forget that without Mathematics, we wouldn’t be able to understand our world. How? The function of mathematics is multi-faceted and integral to various aspects of human life. Some key functions of mathematics include:

  1. Problem-solving: Mathematics provides a systematic approach to solving problems across different fields, from science and engineering to economics and social sciences.
  2. Modeling and prediction: Mathematics allows us to create models that represent real-world phenomena, enabling us to make predictions and understand complex systems.
  3. Quantification: Mathematics provides a language for quantifying and measuring quantities, allowing us to describe and compare different phenomena.
  4. Analysis: Mathematics provides tools for analyzing data, patterns, and relationships, helping us gain insights and make informed decisions.
  5. Communication: Mathematics serves as a universal language that facilitates communication and collaboration among people with diverse backgrounds and cultures.

As you can see, they help us to solve problems in our daily life, but more importantly, thanks to them we can make predictions. Indirectly, it shows that numbers are strongly connected with magic, for they are used as a key to understand the unknown, to anticipate bad things. It was, as if they were the key to communicate with the unknown. It was, as if numbers were a language on their own. That’s why they appear so magical. Under this new light, it becomes understandable why certain people came to see numbers as something supernatural. It was, as if the gods and stars were trying to communicate with humans. Let’s not forget that numbers in religions play a huge role. In Christianity, we have one representing unity and the monotheistic nature of God, then 3 with Trinity (Father, Son, Holy Spirit) and divine perfection. In addition, seven is associated with completeness, perfection, and divine order (e.g., seven days of creation), whereas 12 represents completeness or wholeness (e.g., twelve apostles, twelve tribes of Israel). Finally, we have forty, which often signifies a period of testing, preparation, or transformation (e.g., forty days of Jesus’ temptation in the wilderness, which is quite similar in Islam (forty days of fasting in Ramadan: trial and purification). In Hinduism, three represents the Trimurti (Brahma, Vishnu, Shiva) and the cycles of creation, preservation, and destruction, then 4 symbolizes the four stages of life (ashramas) and the four aims of life (purusharthas) and finally 8 stands for prosperity, abundance, and cosmic balance (e.g., eight directions, eight forms of Lakshmi). I could include other religions like Buddhism or Judaism which all have special numbers (1, 3, 7, 10, 18). To conclude, numbers are connected to belief, to celestial and divine world, and they embody certain notions. This observation brings me to my main topic, Numerology, particularly Chaldean numerology.

2. Chaldean Numerology

The latte is a belief system that ascribes meaning to numbers and their influence on human life. Originating from ancient Chaldea, a region in the Middle East, Chaldean numerology assigns specific vibrations and characteristics to each number from 1 to 8, as the number 9 is considered a sacred, spiritual number.

In Chaldean numerology, each letter of the alphabet is assigned a numerical value, and by analyzing names or words, practitioners can derive insights into personality traits, life path, and future events. These numerical values are based on the vibrations associated with the sound of each letter rather than its alphabetical order.

Chaldean numerology is often used to gain insight into various aspects of life, including career choices, relationships, and personal development. By calculating and interpreting numerical patterns, individuals may uncover hidden strengths, weaknesses, and opportunities for growth.

Overall, Chaldean numerology offers a unique perspective on the significance of numbers in shaping human experiences and guiding life’s journey. It remains a popular tool for self-discovery and personal empowerment among those who believe in its principles. As you can see, it helps people recurring to Numerology to solve problems, to make decisions which will affect their life, to anticipate bad events. However, like pointed above, this “science” is based on faith and not “facts”. How so? It is because Numerology believes in supernaturality, and the latter is a synonym for occultism, prophecy, magic and even hocus-pocus. That’s why here I feel the need to remind my readers that the content of this essay is not representing my own belief. Just perceive me as a neutral commentator. The purpose of this essay is to demonstrate that Mingwa used this system to develop her story. How can I prove it? I could answer to this question very quickly, yet it would ruin the fun. Hence I would like first to demonstrate how I came to discover this influence.

3. Return to the past

If I look back at my previous examinations, it started with Potato and chapter 22. (chapter 22) Back then, I came to realize that both ukes were associated with the number 2. Shortly after, while making a first portrait of Cheolmin, I noticed that this cute doctor was linked to numbers 1, 3, 4. At the same time, I connected him to the sky, an angel. As you can observe it, my observations led me little by little to planets and numerology. But the major turning point was, when I perceived Kim Dan as a representative of Saturn . From that moment on, I came to associate Jinx-characters with gods and as such planets. Hence in the essay , I made the following connections. Potato was Venus, and his soulmate Choi Heesung is Mercury. Then Joo Jaekyung is Jupiter and the Sun, whereas Kim Dan was Saturn and the Moon. That’s how I discovered that Kim Dan was associated with the number 8. Thus in the composition A Summer Night’s Dream, I outlined that this was Kim Dan’s night, for 44 stands for 8. And do you know what 44 mean in Numerology? HEALING! That’s the night Kim Dan got healed. (chapter 44) During that night, he realized that time was flowing. It helped him to reconnect with the present and forget his abandonment issues. How so? This revelation was necessary to make him realize that his promise with his halmoni was impossible. She was a mortal, exactly like him. This lovely night gave him the strength to face reality (chapter 47) and digest the terrible news. (chapter 47) Thanks to the champion, Kim Dan discovered that he could receive warmth and love from someone else. And now, you can grasp why he was strong enough to give the present to Joo Jaekyung despite his fear, why he could confront his boss in the locker room in episode 51. Thanks to this magical night, he learned that he could stand on his own. He is an adult now. But wait… people might question this interpretation, for there was no teamwork in episode 11. (chapter 11) When Park Namwook and Kwak Junbeom saw that he was wounded, the manager could detect the doctor’s lie. But what did they do? Nothing, they acted, as if they had not detected his lie. However, don’t forget the champion’s reaction. (chapter 11) He treated him as an important member of his team, he needed his assistance. Secondly, who helped Kim Dan with his struggles? Joo Jaekyung. (chapter 11) He might have taken advantage of the situation, yet contrary to the others, he did something despite his ignorance. (chapter 11) They were a team… working together, relying on each other. 22 announced a new start, for the champion divulged that he was living with the cute hamster. (chapter 22) Secondly, notice that he showed his true power in the break room. He is the true owner of the gym (chapter 22) It is important, because it indicates that little by little, Joo Jaekyung is taking over the gym. From that chapter on, he was building his world from the ground”.

In episode 33 (chapter 33), we could see Joo Jaekyung’s success reached its peak, as he had just signed a contract with the Entertainment agency. “Reaching the pinnacles of success” was also reflected in another situation. The champion was allowed to touch his lover’s phallus (chapter 33), something he had been denied before (chapter 24). Moreover, he was able to get a confession from Kim Dan. (chapter 33) The latter would react to him, only him could make him cum. Moreover, observe that in the heat of the moment, Kim Dan embraced his lover which surprised both. (chapter 33) The cute doctor was unconsciously accepting to be intimate with his boss. Thus he whispered to the sportsman. (chapter 33) In other words, the athlete had been successful in the car, though there is no doubt that he reacted more to the situation, he feared to lose his lover to the frenemy Choi Heesung.

4. The magical 6

But what was the trigger for this essay? First, while examining chapter 51, especially the argumentation between Kim Dan and his soulmate, I noticed parallels with episode 15. Through this table, it become visible that Mingwa created episode 51 as a positive reflection.

Chapter 15Chapter 51
A request, but notice that he is avoiding the athlete’s gaze. He only starts talking, when the other is turning his back to him. But even so, he is not able to look at his VIP client. Kim Dan is the one avoiding the athlete. Both faced each other. They voiced their own thoughts and emotions. They are no longer avoiding discomfort, a sign that they are getting closer to each other.
Here Manhwa-lovers can detect Joo Jaekyung’s arrogance and detachment. Both were not true to themselves. They were both beating around the bush. No one voiced exactly what they truly desire from each other, for they were not listening to their own heart. However, their discussion ended with a question pushing both characters to meditate.
Why doesn’t he trust me yet? How can I earn it? Why don’t I trust him, though we live together? Why don’t I trust him, when he prepared breakfasts for me? Why don’t I trust him, when he was able to heal my shoulder?

It is no coincidence that the numbers are reflecting each other. But more importantly, if you add the numbers together, you have six. 6 embodies Venus, the goddess of love. And now, you know why in my illustration I selected pictures from episode 6, 33 and 51! They are all connected to the same number. This signifies that we should examine the following chapters 6, 15, 24, 33, 42, and 51 as a continuation or better said as reflections. Hence they stand for love, but don’t forget that Venus also embodies fertility, prosperity and victory. How so?  She was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. That’s why she came to symbolize Rome’s imperial power. Yes, these chapters are mirroring a battle, who has the upper hand in the couple.

Chapter 6Chapter 15Chapter 24Chapter 33Chapter 42Chapter 51

So the moment I connected these episodes to each other, I noticed the progression in their relationship. First, when the deal was made, the physical therapist could never refuse. He had to please his partner at any time and place and he could make any request. But it changed in the locker room, Kim Dan made a first request. Then in the office, he questioned his boss’ decision before making a request. But contrary to the previous 6, the alpha listened to his plea. Thus Potato was sent away. Then in the car, for the first time, Kim Dan voiced a desire. He even allowed his partner to touch his penis, something he had rejected before. Then in the penthouse, he cooked a breakfast, though he was tired. Interesting is that by earning money as a courier, he never realized that he was actually violating their deal. Joo Jaekyung could no longer ask for sex at any moment and at any place. This shows that though Kim Dan had become the owner of his life. He was liberating himself from his situation as “whore”. He could find a new job, if he wanted to. Joo Jaekyung had no saying in his life. It was teaching Joo Jaekyung a lesson, he shouldn’t have intervened, when Choi Heesung offered him a job. Indirectly, he was forbidding him to work elsewhere as PT. Under this new light, Manhwaphiles can grasp the lie from the green-haired uke. On the other hand, it is not surprising why the champion got mad at Kim Dan in the penthouse. He couldn’t admit that he had come to enjoy his presence in his flat. He could no longer bring up their previous deal. (chapter 45) By taking a side gig, the main lead pushed the athlete to recognize him as a true physical therapist and not as a whore. This new interpretation reinforces my conviction that the sex before the match with Baek Junmin was different, it had lost its true value and meaning: it was no longer a belief, rather a habit. Kim Dan could even determine the end of the sex session. (chapter 53) So when Kim Dan asked him this question (chapter 51), he was forced to recall their initial deal. (chapter 6) This condition represented a violation to his belief, the jinx. Having sex with Kim Dan had nothing to do with his career and fights. Moreover, in order to make an oral deal, you need to trust the counterpart. However, money played a huge role in the creation of their deal, therefore he mistrusted him. Finally, notice that gradually they were moving on from their initial deal. The result is that sex is no longer present in episode 51. I would say, the turning point is episode 42, where there was no sex between them, yet this topic was still present through the former partner. But what does the number 6 mean in Jinx?

In my eyes, they display all a change and as such marks a first time for Kim Dan. While in episode 6, they made a new deal, in episode 15, Joo Jaekyung faced his lover for the first time after kissing him. (chapter 15) But there’s more to it. It was also a first for the champion. He invited Kim Dan to watch the show. Imagine that he had never invited any sex partner before. Then in episode 24, he listened to the doctor’s request without any complain. Then in episode 33, for the first time, Joo Jaekyung focused on giving Kim Dan’s anal pleasure. It was, as if the star wanted to trigger desires in Kim Dan. Then in episode 42, Joo Jaekyung witnessed that Kim Dan was doing the breakfasts out of “routine” and not out of pleasure. Thus he always fell asleep. On the other hand, the physical therapist got confronted with a rival for the first time. Finally, in episode 51, Joo Jaekyung is now acknowledging Kim Dan as his final doctor. He is voicing his expectation: meticulousity. (chapter 51) All their discussion was about work and loyalty. (chapter 51) By bringing the topic money (chapter 51), the champion could finally voice his biggest fear. Deep down, he knew that their relationship was based on money. But with one sentence, the doctor could remove his doubts and insecurities. (chapter 51) His voice and facial expression exposed the doctor’s shock and disappointment. He thought, the champion would trust him. It is important, because this means that from now on, their bond is based on the heart. This painful conversation opened their heart and mind, the exact opposite of this scene, where the prejudices from each other got reinforced. (chapter 6) (chapter 6) Moreover, I would like to point out that contrary to his altercation with his manager (chapter 46) , he listened to Kim Dan till the end. (chapter 51) Here, he didn’t fear the discussion, he voiced his true thoughts and emotions. And observe that this scene is also connected to number 6. Another common denominator is that in both scenes, the champion left the room, yet his motivations were totally different. The comment from the doctor had affected him which we could observe here. (chapter 51) He was more than caught by surprise, in my opinion, it must have dawned on him that he might have been wrong about the doctor. Hence he got upset. Seeing the physical therapist’s face was like a reminder that he had made a mistake, he had not trusted Kim Dan, while the latter had not.

5. The answer is in the numbers

And now, it is time to expose the biggest evidence that Mingwa has been using Chaldean Numerology. The moment I discovered 6, I started wondering which number the characters from Jinx were associated with. So far, I had come to the deduction was Kim Dan’s number was 8 through my examination. But is it true or not? As for Joo Jaekyung, I saw him linked to Jupiter and the sun (3 or 1). Thus I looked for a validation.

On this website, I tipped the name Kim Dan, his birthday 26. 12. 1994 (as he is 29). I am assuming 1994, for the story started more or less in 2023 and it is the same year in Jinx: July. And this is what I found. His radical and name number is 8, whereas his destiny number is 7. His color is Black, his fast day is Saturday and his favorable days are Saturday, Sunday and Monday. Actually, it confirmed that the young man was represented by Saturn and the number 8. As for his destiny number, I believe that his fate is to meet Cheolmin (chapter 13) and Alfredo (chapter 47). Remember that for me, Cheolmin is connected to Neptune, hence we have the number 1, 3 and 4. Thus it would validate my hypothesis that at the restaurant, Joo Jaekyung was talking to the cute doctor. (chapter 43) On the other hand, you are probably wondering how I came to this new theory. It’s simple. It’s because of his name. Alfredo is connected to the number 7. In addition, his name signifies wise counselor.

And now, you understand why I added the elf in the illustration. This signifies that we have another mythical creature in the Manhwa. So far, I detected the presence of the dragon, the angel, the goblin and the gumiho. However, it is important to know that the portrait of elves in the Lord Of The Rings is only reflecting one aspect of their true personality. In fact, in the past, these creatures were not necessarily embodying goodness and light.

Moreover, in German, the word “Albtraum” (nightmare) comes from “aelf”, because in the past, people used to think that they would cause nightmares.

Thus I come to the following deduction. Alfredo represents a dark elf, and Kim Dan is fated to meet him in order to face his biggest fears from the past. For me, it is the vanishing of his parents. Remember that Alfredo is Italian, during the magical night in the States, we could see the city Venice, which is surrounded by water. , (chapter 39) In chapter 53, we discover that it was the halmoni’s dream to see the ocean, like we could observe it in his old house. (chapter 17) However, in the last panel, Joo Jaekyung was leading his loved one, symbolizing that he would bring him to different places. Thus the doctor had to follow him to Busan (city next to the sea) and to the USA. At the end of season 1, it becomes clear that the champion will follow the doctor’s footsteps. He will got to the West Coast. Yet, in reality, the fighter is actually following the grandmother’s trail. Moreover, note that the doctor’s dream was to travel too. However, this desire is strongly connected to his relative. (chapter 47) As you can see, we have dream and ocean combined together. But if the ocean is connected to dream, how did I come to associate Alfredo with the dark elf? My theory is that the sea also represents the source of his suffering and as such his nightmare. I believe that his parents died drowning which would explain this reaction in the swimming pool. (chapter 27) Yet according to my previous interpretation, the PT’s totem is the duck: (chapter 19) A bird that is associated with water. And what is the common denominator between these last three panels? (Chapter 17) (Chapter 27) (Chapter 47) The number 7… All of them are oozing pain and fear, but also they are linked to water: (chapter 7) (chapter 37) (chapter 47) The bridge from San Francisco is a place where people often commit suicide. My idea is that after they vanished, the halmoni never discussed their death with him. Since the grandmother was harassed by the loan shark, I can only assume that they killed themselves due to the debts, and suicide is a huge taboo in South Korea. Notice that his first trip led him to Busan which is a town next to the sea. However, back then, he had not the time to go to the beach. But when he went to the States, it was far from the coast, as UFC/MFC is located in Las Vegas. Hence he came to enjoy his trip. In fact, it inspired him to travel. (chapter 47)

So if my theory is correct, then Mingwa made sure that Kim Dan wouldn’t meet Alfredo too soon. He needed to be ready for that trip. Thus fortunately he got injured. My point is that we should make connections between episodes containing the name number, like for example 2, 12, 22, 32, 42, 52… At the same time, I also think, Alfredo could announce the emancipation for both characters, for pain has a positive effect on people: growth and change. Moreover, it is important to underline that the city “Venice” represents a combination of nature and civilization. Since it is surrounded by water, the latter has the upper hand. In other words, Venice stands for balance.

And now, it is time to give the champion’s number. I tipped Joo Jaekyung, 21. 06. 1997. His radical and name number is 3 confirming my observation. He is Jupiter. As for his destiny number, it is 8 and as such Kim Dan. This implies that Joo Jaekyung was following his destiny, when he chose the cute hamster as his partner. But it is not the same for Kim Dan. This signifies that loving the champion will be the doctor’s own choice. At the same time, it implies that the doctor will have the upper hand in their relationship. But his favorable numbers are 6 and 9… and now, you understand the signification of 6! These chapters helped him to metamorphose. No wonder why his wish got fulfilled in episode 39: (chapter 39) Then his favorable days are Thursday, Tuesday and Friday. And if we combine the days from the two protagonists, there is only Wednesday off.

As for Potato, I tipped 19.08. 2003. His radical number is 1, while his name number is 4. But more importantly his destiny number is 5! Keep in mind that for me, Heesung is Mercury, number 5. Under this new light, it becomes comprehensible why Heesung could woo Potato. (chapter 35) We have a 5, but 3+5= 8, the double of 4. Besides, his favorable numbers are 1, 7, 4. Then we would have the explanation why he became more important in episode 22 (chapter 22), why he protected the doctor from Heesung in episode 31 (chapter 31), why he asked for Kim Dan in episode 40 and why he reappeared in episode 47. (chapter 47) and helped him in the locker room. (chapter 49)

As you can imagine, I could write much more about this topic. Here, I just analyzed the number 6 and a little 7. But before closing this composition, I would like my readers to look again at the list of the master numbers. As you can imagine, when I saw the signification for 55 (“lesson for communication”), my hopes got up, for it indicates that the protagonists will open up to each other. 5+5= 10, which means 1. This number stands for unity, moreover it symbolizes equity. Nevertheless, don’t forget that anguish is necessary in order to make them growth. Hence I am still expecting a painful conversation. They would reveal their wounds to each other. Consequently, it should diverge from episode 5 (violence, silence, avoidance), 45 (restrained strength, yelling but avoidance), 51 (no violence, yelling, confrontation and a question). The force is slowly vanishing replaced by words.

If you liked this type of essay, then it would be great to let me know. I could focus on other numbers, like for example 3 or 8 or 1, and their connections to the protagonists and the villains. That’s why I wrote part 1, but if I receive no feedback, then I will like it to my readers to analyze the numbers and their signification.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Twitter-Tumblr account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.