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First of all, I would like to thank the author for the compliment concerning the first essay. 🥳 And now, you have the answer why I am writing about The Ghost’s Nocturne again. Since I examined Jae Shin first, it is logical to expect that I am now studying the second main lead, Lee Nok. However, if you pay attention to the title, you will recognize that it is actually ambiguous. Prince could be referring to Jae Shin as well, as he is the son of Yeomra, the king of the Underworld. Furthermore, I had already pointed out that Jae Shin has a human side, thus he needs to absorb yin energy to remain strong. Since he is not a God like his father, he is vulnerable, but contrary to Lee Nok, he is immortal. To conclude, the title is a reference to both protagonists. Why`? The reason is simple. In order to portray the Crown prince properly, it is necessary to contrast him to his lover Jae Shin. Through this comparison, the mortal protagonist and his personality can be more fleshed out. To conclude, my main focus is indeed the Crown prince Lee Nok, yet the prince from the afterlife can not be excluded in this analysis as well.
1. Lee Nok’s situation
1. 1. His mother
Lee Nok is the eldest son of the king, thus he was designated as the Crown prince. Striking is that exactly like Jae Shin, he doesn’t have any mother next to him. 
(chapter 2) Queen Yoon vanished, because she was condemned as a witch. Naturally, her disgrace is linked to Lee Nok’s special situation. His yin energy is so strong that he attracts ghosts which his mother noticed. If the king knew about this, he would definitely see it as a curse. Thus Queen Yoon tried to protect her son with talismans which led to her demise. Because of this incident, the king turned concubine Han into his new Queen. The latter gave birth to a son who definitely represents a threat to Lee Nok. 
(chapter 8) This explicates why the boy is turning his back to Lee Nok. Their position in this picture already displays the existing rivalry between them which Queen Han is trying to diminish by faking concern and pity for the Crown prince. She seems to take the Crown Prince’s side, for she has to mask her involvement and true intentions: ambition. She is eyeing at the throne. If the main lead was involved in a scandal, the king could decide to nominate his second son as the future Crown prince. As you can see, Lee Nok’s situation is quite fragile and as such precarious. There is no ambiguity that the loss of his mother wounded the Crown prince deeply. We could detect it thanks to Jae Shin. The main lead chose to adopt the cute puppy, as the latter was motherless. 
(Chapter 7) As you can see, the main lead was projecting his own emotions and thoughts onto the small dog. He feels also abandoned in the palace, as he has no one to rely on. He can not even trust his close aid, the eunuch Ahn, and his love interest, Choi Kyung Joon, as his secrets (sodomy and the ghosts lusting after him) would shock them (disbelief and rejection).
1. 2. The princes and their fathers
What caught my attention is that both main leads were put in the exact situation. Hence Jade and Ananas created similar drawings. 
(chapter 1) (chapter 2) Both protagonists were sentenced to exile after being put on trial in front of their respective father. While Jae Shin is sent to the mortal world and cursed to live as a puppy during the day, the other prince is no longer allowed to speak to his father and to leave the palace. 
(chapter 2). Though the verdict looks similar, I come to a different interpretation. How so?
The first difference is the “crime” committed by the two princes. The immortal one is indeed guilty, while the other is actually a victim of dark arts. This simple comparison outlines Lee Nok’s innocence. Moreover, while Jae Shin admitted that he had played with “dark arts” by switching the date of Park 
(chapter 1), the other is badmouthed to be involved with dark arts through posters. 
(chapter 2) Yet there is no evidence. I would even add that contrary to Yeomra, the king never gave Lee Nok a choice to defend himself and to determine his fate. How so? As soon as the father read the poster, he accused his son: “What have you been doing that things have come to this?” This means that he believes that there exists a kernel of truth in this rumor. The cause for his mistrust is Lee Nok’s birth mother, the former Queen Yoon. Because his mother was already involved in such a ruckus, the king can only blame the Crown prince, all the more when the latter defends his mother’s honor. 
(chapter 2) These words could only reinforce the father’s prejudices. He was already guilty by association.
And this is truly important, because this exposes the king’s blindness and stupidity. He puts more value to the insulting posters than to his own son. He is not capable to see his son’s purity and innocence. My avid readers will certainly recall my previous interpretation about Yeomra. Though the immortal god seems to be unfair and merciless towards Jae Shin, his sentence was actually the proof of his love for his son. He wished him to learn a lesson, to recognize that humans are precious and even strong. He wanted him to recognize his human origins, and as such his mother. Hence he sent him to the human world. He needed to interact with humans, so that he would come to understand them. Only through empathy, he can win a human’s heart. However, the king in the mortal world did the exact opposite. Instead of showing the Crown prince to people in order to stop the bad grapevines, he actually isolates him even more than before. The exile is different. It is actually prison. He is not allowed to leave his quarters. Not only he can not speak to his father, but also he can not create connections to officials in the end. Therefore it is no coincidence that Lee Nok describes himself as the Crown Ghost. 
(chapter 2) No one is able to see his face. His only support and connection to aristocrats is his friend Choi Kyung-Joon, the son of a minister. That’s how powerless the Crown prince is in the palace. He is even surrounded by maids spying for Queen Han. Consequently, I come to the conclusion that Lee Nok’s father represents the negative reflection of Yeomra. He doesn’t send away his son in order to protect him, rather to hide him out of shame and resent. In other words, the king doesn’t love his son contrary to Yeomra. Interesting is that the latter let his son make the choice about his own destiny. Why? He wished to give him the liberty to determine his fate in order to prove him what DESTINY is. 
(chapter 3). Let’s not forget that the son’s crime had been to change a person’s fate. Striking is that both monarchs believes in fate, but the mortal ruler has a different notion. Since Queen Yoon is viewed as a witch, the son seems to be “tainted”. Moreover, while Yeomra trusts his son, the mortal king behaves differently. In reality, he relies on his wife, Queen Han. Thus he recommended her to Lee Nok 
(chapter 2), and later he listened to her fake concerns. This shows how easily the king can be manipulated, he is not even realizing that his royal secretary 
(chapter 2) is working against Lee Nok, while claiming that he will look for the author of these posters. I couldn’t help myself connecting Lee Nok’s seclusion in his quarters to the death of the shaman Yeom: both are “buried alive”. 
(chapter 13) Hence she can “understand” him. Another proof for this interpretation is the spirit’s following statement: they share the same fate. 
(chapter 8) The only difference is that the Crown prince is still living. However, for the Queen, it is just a matter of time, until people forget Lee Nok completely so that her son can replace him. At the same time, his isolation can only increase suspicions. And the more he is badmouthed (dark arts or sodomy), the more the king will turn away from his own son. While the king of the hell of tongue ripping wished Jae Shin to recognize his mother, the king of Joseon desired the exact opposite: he should deny his relationship to his birth mother, Queen Yoon. 
(Chapter 2) Moreover, the god never imposed his will onto Jae Shin. The latter has to discover this himself, whereas the king made the opposite choice.
Another detail caught my attention, both princes value traditions and family very much, hence the “ghost” Jae Shin used filial duty to defend himself 
(chapter 1). This shows that the ghost has a deep respect for his father in the end. This explains why after his sentence he thought about his father 
(chapter 1) His words don’t ooze resent, he is more pleading his cause, begging his father to recognize that humans don’t deserve such mercy and care. He trusted his father and his fairness, hence he spoke the truth. He never hid anything from him. As for Lee Nok, despite the father’s verdict, he still follows social norms. He accepts his father’s order. Then despite the rejection, he tried to see his father, and he even went to the Queen’s palace to greet her. He acts like an obedient and dutiful son. Finally, he tried to defend his mother’s honor, as he knew that she had sacrificed herself for him. I am convinced that he must feel guilty for her disgrace.
To conclude, Lee Nok’s father contrasts so much to Yeomra: biased, blind, full of resent towards his own son due to Queen Yoon and totally naive. On the other hand, I believe that he views himself as fair, for he is protecting his young Queen. 
(Chapter 8) This truly displays that he had no faith in his son, for in the king’s eyes, the prince is ignorant about Queen Han’s good nature. To sum up, Lee Nok is rejected by his own father, he has no one to rely on. He might have loyal servants like inspector So-Rib 
(chapter 2) or Eunuch Ahn, but the latter have no real power in the palace. Furthermore, he can not confide to them everything. He is not loved which stands in opposition to Jae Shin who grew up as a spoiled prince.
Besides, Lee Nok is constantly observed, as he is followed by servants. Therefore it is no coincidence that he likes being alone. 
(Chapter 2) That’s the moment he can finally breathe. This corresponds to the situation of being buried alive which I mentioned above. Since he is surrounded by maids, he has no privacy. But contrary to the Queen and the king, he has no real control over his staff. Due to his innocence and purity, he is not aware that one of his maids is reporting to Queen Han. He is definitely cautious, but he is not cunning enough to anticipate the Queen’s moves. As the manhwaphiles could sense, Lee Nok is indeed a fragile and lonely prince.
2. Lee Nok’s love
However, he is powerful. How so? It is because he has Jae Shin’s fate in his hand. 
(Chapter 1) Imagine that he can control someone from the afterlife. But the problem is that he is not aware of his power, as he has no idea about Jae Shin’s curse. Yeomra’s son can not return to his father’s side, as long as he had not won Lee Nok’s heart. On the other hand, the immortal prince has no intention to reveal his secret to Lee Nok, because if so, he would become his puppet. This explicates why in chapter 18, Jae Shin treats the Crown prince like an object. 
(chapter 18) He is masking his own vulnerability, at the same time he gives the impression that Lee Nok has no other choice than to depend on him. He is trying to turn the tables in the end.
Nevertheless I had mentioned above that he was his destined partner. How can I prove now this theory? The readers should question themselves why Lee Nok is the only one who can ooze such a yin energy and this is exactly what Jae Shin needs. 
(Chapter 4) Besides, according to me, Yeomra fell in love with a human, this means that his action affected the mortal world, so he has to restore the harmony in the mortal realm. But the problem is that Lee Nok is already in love with his childhood friend Choi Kyung-Joon. So the main lead might have become the Crown prince’s sex partner, but he has not conquered his heart yet. Nevertheless, it is just a matter of time. The irony is that humans are mortals, hence their time is limited. This shows that Jae Shin is actually working against time. He could end up living as a puppy forever. So he is also weak, totally depending on Lee Nok’s heart and good will.
The Crown prince could demonstrate his power to the ghost, when he stabbed him. 
(Chapter 16) The latter might have not died, but he lost his yin energy. Thus he lost his strength. Only the Crown prince could heal him.
Striking is that Yeom described Lee Nok as straight and narrow, hence his love is the same. 
(Chapter 13) Why would she say that? First, Lee Nok is aware that his friend hates sodomy. 
(Chapter 3) Hence he is forced to hide his affection from him. This means that he can never be honest to Choi Kyung-Joon, yet like already pointed out above, the Crown prince embodies innocence and as such honesty. This means that his lack of honesty towards his loved one can only wound his heart. So far, the Crown prince could never outlive his sexual orientation, for he had no partner at all. Thus he could still maintain his image in front of his loved one. This hopeless love gave him a certain strength. 
(Chapter 9) This outlines the mortal’s power.
However, the more Lee Nok interacts with Jae Shin and the more he feels pleasure with him, the more he will distance himself from the scholar. Homosexuality can only create a riff between the friends. The reason is simple. He can detect more and more his friend’s flaws. That’s the reason why the spirit described The Crown Prince as “narrow”. He values loyalty very much, so once betrayed, there is no forgiveness or turning back. For me, his vision is either white or black. Lee Nok learned it through the hard way due to his mother’s downfall. He also witnessed that the king and Queen Han are not on his side. And this leads me to the following observation: the scholar is close to the Crown prince for his own interests. That’s the reason why Yeom said this:
(chapter 13) The friends can not become lovers, as this would represent a threat to them. However, there is no ambiguity that Choi Kyung-Joon is aware of the Crown prince’s affection and he is taking advantage of it. By using social norms, rejection of sodomy, he can keep his distance from Lee Nok, but still maintain his relationship with him. How did I come up with this interpretation?
We have two scenes revealing his selfishness and ambition. First, when he meets Jae Shin for the first time, he acts, as if he was powerful, as if he was the Crown prince. 
(Chapter 3) Note that he is using the personal pronoun “I”, while in reality he is just usurping the Crown Prince’s authority. 
(Chapter 3) He was definitely arrogant, selfish and intolerant in that scene. He didn’t pay attention that his friend was not feeling well the whole time. Secondly, with such an attitude, he could create a ruckus for the Crown prince and damage his reputation. 
(Chapter 3) They were in a gibang, and note that the poster was released shortly after this visitation. Finally, Jae Shin was already hinting about Lee Nok’s love to Choi Kyung-Joon
(chapter 3) It was clear that he was designating his companion, as their path crossed there for the first time. But since the ghost was just insinuating, the other could still feign ignorance. However, despite this warning, the minister’s son didn’t change his attitude. In fact, he became even more caring and gentle than before. Moreover, observe that when the main lead was summoned to his father, Choi Kyung-Joon never asked for an audience and speak up for his friend. (chapter 2) Where was he? Lee Nok was on his own.
Third, though he is the son of a minister, he only passed the first stage of the civil service examination. 
(chapter 10) Thanks to Painter Of The Night, we all know that this exam has more rounds. Why did he not pass the second round? In my opinion, it is because he is relying on Lee Nok’s support. This shows that he is not determined to become a high official on his own merit. That’s the reason why he is close to the Crown prince in the end. His well-being is his ticket to get power. 
(Chapter 9) But since Queen Han sent someone to tail the childhood friend, it is only a matter of time, until jinsa Choi realizes that he can obtain more, if he supports Queen Han. Besides, if he detects that Lee Nok is hiding things from him, he can utilize this as a sign that he is losing favors. And the moment he switches sides, Lee Nok won’t be able to forgive him. But there exists another possibility how their friendship can get ruined, Choi Kyung-Joon’s attitude represents a problem itself, which I had already outlined above. He almost caused a ruckus in the gibang, then he didn’t try to defend his friend in front of the father, and finally, he made another huge mistake. He let Lee Nok sleep outside. 
(chapter 10) Though his advices sound selfless and great, they are actually terrible. How could he leave the room, after the prince had fallen asleep? He should have left before. Then he makes sure that no one sees him. This can create a misunderstanding. Why did they do there together? So the moment there is a rumor that Lee Nok is a sodomite, the minister’s son could get suspected. So in order to save his skin, he could betray his friend and testify against him. He saw the hickeys. (chapter 09) To conclude, Choi Kyung-Joon is just a good weather friend. So if Lee Nok were to lose his status as Crown prince, I am convinced that the scholar will turn his back on the protagonist. He still has other options left to achieve his goal.
On the other hand, Jae Shin stands in the opposite situation. Only Lee Nok can help him to put an end to his sentence. Thus he has to curry favors to the Crown Prince. 
(Chapter 13) This is important, because Jae Shin is powerful contrary to the childhood friend. He can use his connection from the afterlife: his brothers, Yeom and the ghosts. And contrary to the minister’s son, his movements can not be detected first. As an investigator, he can unveil how Queen Han used ghosts to ruin Lee Nok by altering the book of names. The ghosts remained in the mortal world, 
(chapter 15) because they were not fetched by the warden and messenger to the deceased. 
(chapter 15) The reason is simple. They were not supposed to die.
Through this investigation, he will realize the consequences of his wrongdoing. 
(Chapter 13) Remember that he questioned Yeom’s choice, as she had not accepted the tragic death of her loved ones which was in his eyes predestinated. 
(chapter 13) Like his father, he believes in fate, not realizing that his sin is the evidence that destiny can be changed. From my perspective, this change of heart and conviction can only happen, when he discovers that someone else committed the same crime affecting him directly. Interesting is that Yeom serves as a mother figure to Jae Shin. Despite his rejection, he still followed her advice. He trusted her words, when she said this: 
(chapter 13) He recognized the truth in her words. This shows that through Jae Shin, Lee Nok can gain powers. Indirectly, the latter is also receiving the help of the mother figure, Yeom. The punished prince can give orders to ghosts, he can chase away evil spirits and as such put an end of Queen Han’s influence. Moreover, thanks to his loving brothers, Jae Shin can get an access to the book of names and know about people’s fate. 
(Chapter 15) He doesn’t necessarily needs to interfere directly, his knowledge can help Lee Nok (for example the king’s passing). Remember the saying: knowledge is power. As a puppy, Jae Shin can tail Choi Kyung-Joon too, and he won’t be suspected, as a white puppy is supposed to chase away evil spirits. In fact, the friend knows how Lee Nok cherishes the dog, so he has no interests to mistreat or suspect him. This shows that the Crown prince has powers in the afterlife, 
and his purity is his strength.
Finally, I would like to point out that Lee Nok represents the evidence of Jae Shin’s misjudgment about humans. When he complained to his father about the rudeness of mortals (chapter 1), the Crown Prince took pity on him 
(chapter 2) and chose to protect him. Despite his status, he showed humbleness. But this doesn’t end here. He shared not only his bed and his food with him, but also his secrets. . 
(Chapter 2) Jae Shin had already become his confident. And this leads me to my final conclusion: Lee Nok is strong because of his huge heart too. He is neither arrogant nor selfish, and he has not such a negative view about humans and life in general, more about ghosts, the cause for his suffering. For me, he has never lost hope. He contrasts so much to his lover, thus he can teach him these values and change him. On the other hand, Jae Shin can give the Crown prince what he has been missing the most: a true home thanks to his affection and support.
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(chapter 7) For them, Kim Dan became a hot topic among the staff (def. 4). 
(chapter 7) Then they recognized his skills immediately (“He’s a totally different weight class. Definitely won’t be easy”). He not only looked young, but also was skillful (def. 5) Hence one member made the following request that the doctor should treat them too. This is important, because thanks to the manager and coach, the gentle Kim Dan was welcome properly. He was accepted as a member of their team, though he didn’t have his uniform yet. Consequently, it is not surprising that the moment the protagonist offered his help to an injured fighter, the other boxers came to his side, and wished to be examined too. 
(chapter 7) They never looked down on him which stands in opposition to the protagonist Joo Jaekyung. For the “hot boys”, Kim Dan was their “hyung” and secondly he was a doctor. Hence I deduce that Black Team will play an important role in the therapist’s life, for he will get friends there. That’s how I realized why the author chose to contrast the pervert director to Joo Jaekyung in the end. 
(chapter 1) The latter used his position to isolate the main lead and put the blame on him. As you can imagine, I am expecting the opposite in Black Team. If something happens, they will side with Kim Dan, because the latter treated them well contrary to the champion. 
(chapter 1) Though his contract is stipulating that he just needs to treat the champion
(chapter 7), he acted differently, as he treated the other boxers. He was selfless, and the other hot boys could witness it. In their eyes, Kim Dan is definitely a hot boy (def. 4.-5-9)!
(chapter 7), exactly like his fighter Joo Jaekyung (chapter 1). However, I believe that there exists a difference. The champion came to take this expression literally, hence he shows a certain arrogance which is not the case for the coach. Nevertheless, the athlete respects the coach. The former never retaliated, when the hyung scolded him after smacking his back. 
(chapter 7) This displays that the coach can control the famous sportsman. However, the latter refused to callhis therapist hyung. But why? It is because from now on, Joo Jaehyung is no longer the senior/sunbae among the fighters in the club! He lost his privileged position as “hyung” to Kim Dan. Pay attention to the way his colleague called him: “hyung”
(chapter 7) This means that he has to call Kim Dan hyung like the other fighters now. And now, you comprehend his reluctance to address Kim Dan properly. 
(chapter 7) It was, as if he didn’t want to lose his title “hyung” to the physical therapist. And this leads me to the following observation: Kim Dan became the hot topic between the protagonist and the coach (def. 3). And it is only a question of time, until hyung discovers the existence of the deal between the two protagonists. In this scene, he is hot on his athlete’s trail for his arrogance and disrespect towards people. (def. 11)
(chapter 1) and in this society, the alphas are at the top of the hierarchy, while the omegas are at the bottom. This explicates why alphas are either CEO or school principals or professors due to their intelligence, while the omegas are “housewives”
(chapter 1), for they have problems to find a job due to their heat cycles. The male omegas have the possibility to give birth to children, and their mates are alphas like mentioned in the illustration above. The attraction between omegas and alphas is mutual, especially when the omegas are in heat. They can not control their reactions, hence they need to take medicine called suppressants or inhibitors. It was, as if they were behaving like animals. The moment an alpha get bonded to an omega by biting his neck, they can never be separated. In certain stories, it goes so far that distance or separation can become deadly. As for the alphas, they also have a cycle called rut, and exactly like their counterpart, they can not control their libido. Another characteristic of the alphas and omegas is their phemorones, exposing their heat cycle or their emotions and desires. In this scene, 
(chapter 12) the terrible Seo Heetae, an alpha, is spreading his phemorones on the protagonist Kim Juhyeok out of anger and jealousy. This signifies that betas distinguish themselves from alphas and omegas, for they don’t possess such abilities. They are not so strong or „intelligent“ compared to the alphas, and they can not detect phemorones. On the other hand, they are not vulnerable contrary to the omegas who actually need the protection of an alpha. To sum up, betas are simply average. However, they make up a large part of society. This means our main lead, Kim Juhyeok, is a beta. And here is the next question. How does the protagonist view himself compared to alphas and omegas?
(chapter 1) The man oozes pride and confidence, as he is seen smiling with stars and bright colors in the background. This means that he doesn’t consider himself inferior to the others. Why? First, due to his hard working attitude, he became the representative of the new employees. 
(chapter 1) This shows that he could distinguish himself from all the other betas. Striking is that this cute man is full of ambition. His goal is to surpass alphas and omegas.
(chapter 1) It was, as if he wanted to make his name known. Let’s not forget that betas are considered as the normality, as the crowd. As you can sense, Kim Juhyeok has a competitive attitude which reminds us of the alphas. Hence it is not surprising that when he got on stage as the representative, he caught the attention of the alpha, Lee Sihyeon, the second main lead. To conclude, Kim Juhyeok is different from all the other betas, as he is trying to compete with alphas and omegas. 
In this illustration, Kim Juhyeok is pushing the alpha Lee Sihyeon away by putting his hands on his mouth. This shows that he is determined not to date anyone. And this observation leads to me to the next inquiry: Why is the young man desiring to remain single, for he could date a beta? 
(chapter 14) His reply is that it is a long story. As you can see, he has many reasons for putting a wall between himself and the others.
(chapter 1) And it looks like it was not different, when he went to college. 
(chapter 1) However, this is actually a deception. Kim Juhyeok was friend with an alpha, the actual actor Seol Gido!! This truly shows that he already came in contact with omegas and alphas at the university, yet he didn’t pay too much attention to them. He only started showing an interest in them, when he began working at the company. 
(chapter 1) The readers can grasp that he only got informed about alphas and omegas through books… it went so far that he watched k-dramas and porn movies which can’t be considered as a serious source of information. 😂As you can sense, Kim Juhyeok developed prejudices about the alphas and omegas to the point that he claims that the world is only revolving around alphas and omegas. In other words, he feels suffocated and threatened by them. Therefore his dream is to leave the country and go to Hawaii, 
(chapter 1) where he can live in seclusion. Hence he is seen alone here.
(chapter 4) Since the beta can not detect the presence of phemorones, he never realized the truth behind his friend’s trick to chase his potential rivals: 
(chapter 4) He was always informed afterwards. Seol Gido just needed to fake the excuse to be drunk to release his pheromones to claim Kim Juhyeok as his own. One might argue with this interpretation, because Seol Gido has a girlfriend. 
(chapter 7) But if this was true, why did he spend the night at his friend’s place and not at his partner’s? Besides, if so, he should have first gone to his friend, then later to his girlfriend. The order exposes the importance of Juhyeok in Seol Gido’s life. And this observation leads me to the following deduction: Kim Juhyeok is just a pure and innocent man who had never the opportunity to date anyone. He is literally clueless, hence he relies on his acquaintance’s advices. 
(chapter 4) However, the latter is definitely deceiving him. I would even add that he convinced the main figure that alphas would only date omegas. This panel exposes the misinformation. He can not imagine that a relationship between beta and omega or alpha with a beta is possible. We can see the actor’s influence in this scene. 
(chapter 4) The young man is not realizing that his neighbor, an alpha, is flirting with him. Observe how the actor reacted. He bumped into the guy on purpose 
(chapter 4), and though he heard the neighbor’s despair, he never revealed the truth to his friend. This shows that Kim Juhyeok has no idea about seduction and flirting, because Seol Gido messed up his perception, which he called “delusion”. 
(chapter 4) That way, the latter has the impression that he is possessing him. I am even suspecting that he could have played a role in this decision, as this question is requesting for an affirmation.
(chapter 1) Yes, they are a couple!! So when the main lead saw this, his first reaction was to call the police: 
(chapter 1) 😂 Because of this couple, work gets affected, therefore the diligent representative can only be annoyed. This represents a threat to his own dream, surpass alphas and omegas. This is palpable in this quote: 
(chapter 1) For Kim Juhyeok, alphas and omegas behave like animals, for their behavior has such a negative influence on the company.
(chapter 1) This is what he said to his “wife” Lee Hyeonjae after slapping him. Besides, the heat cycle of omegas represents a huge hindrance. 
(chapter 2) Because of this incident, the betas, including Kim Juhyeok, are forced to work overtime!! I also believe this incident pushed Juhyeok to buy an inhibitor for omegas. that way, he would prevent a huge uproar in the company. Hence when he met Lee Sihyeon’s cousin, the omega Ha Weonyi for the first time, he offered him the suppressant. That’s how the cute omega fell in love with him! 
(chapter 2) The main lead seems so gentle and selfless, while in reality it was for his own peace of mind. As you can detect, their behavior stands in opposition to the protagonist’s philosophy and work ethics. The latter values work very much, as that way he can distinguish himself from others.
(chapter 1) The hand on his shoulder was a sign of seduction and affection, even his offer, but the young beta never perceived it that way. He was simply annoyed. All the department was aware of director Lee’s feelings for Juhyeok except the concerned. He only discovered the truth, because his colleague Mister Kang voiced it: 
(chapter 4) However, here the protagonist had not rejected his superior, the latter was upset, because he had detected phemorones from Seol Gido on him. Hence Lee Sihyeon had spread his own heat phemorones on Juhyeok. And that’s how he got mistaken for an alpha by Ha Weonyi! 
(chapter 6) The irony is that when he had helped him with the suppressants, his cousin saw Juhyeok with them, and got his hopes up that Juhyeok could be indeed an omega. 
(chapter 2) In other words, due to his interaction with Lee Sihyeon and Ha Weonyi, Kim Juhyeok’s identity got questioned: was he an alpha or an omega? At the same time, he was encouraged to interact more and more with Lee Sihyeon and Ha Weonyi. This is important, because that way, he can finally drop his prejudices about alphas and omegas. 
(chapter 14) As the manhwaphiles can detect, this image stands in opposition to the first panel: 
(chapter 14) This means that Juhyeok is longing for a cheesy and amazing relationship, but he has the impression that this can never happen to him!! It is only reserved for alphas and omegas… and now, you comprehend why he doesn’t desire to date anyone. In his eyes, this will never be a fated love! This means that he wished to have secret marks on his body, but he will never admit it so openly. Hence this scene in chapter 1 
should be perceived differently. When he saw the bite marks on the omega manager Lee, he expressed his displeasure internally 
(chapter 1), yet deep down he felt jealous. This explicates why after this discovery, he wished more than ever to leave the company. 
(chapter 1) Far away from anyone, he won’t be confronted with envy and regret!! In other words, he doesn’t wish to have an ordinary love life which is perceptible in the following words: 
(chapter 14) Here, he implied that dating with a beta wouldn’t trigger deep emotions, as it is not “fated”. I detected a contradiction too. The only couples he mentioned so far were alphas-omegas. So far, he reproaches the couple to yell and weep constantly, yet he says that their relationship is fated. As you can see, in truth he envies them. And this shows that deep down, the main lead is suffering from inferiority complex which was already palpable with his desire to surpass alphas and omegas. Deep down, he did feel inferior to them. Under this new light, he becomes comprehensible why he feels the need to run away from alphas and omegas. 
(chapter 10) The irony is that in the last scene, Sihyeon only paid more attention to the end of the sentence than the beginning: the omegas were all small, pale and cute! Consequently, he got jealous after hearing his love interest’s words! Yet, Juhyeok was actually praising him.
(chapter 10) He grabbed his hand and led him, which is not something an omega would do. Yet, Juhyeok’s words oozed innocence! And since his dream is to be loved, and even to have a fated love, it is not surprising that he is already falling for Lee Sihyeon. He was the first one who confessed to him so plainly!! He was disappointed, when he thought that the director was not keeping his words.
(chapter 14).The director Lee Sihyeon will do anything to woo his “prey”, the beta Kim Juhyeok. Exactly like Seol Gido, he chose a different approach: they are now friends! That way, he hopes that the young beta will put down his guard. 
(chapter 14) And observe that Sihyeon’s speech was similar to Seol Gido!! He also asked for a confirmation from the protagonist, that’s how both alphas are “influencing” the beta! However, contrary to the actor, Lee Sihyeon is more honest. He warned the beta not to trust the alphas, including himself. Another difference is that he is more straightforward than the actor. He definitely uses physical contact to break “the ice”. 
(chapter 13)
(chapter 14) Ha Weonyi prefers betas over alphas, as the latter seem to be rude, arrogant and self-centered. His cousin even added that he would attract “weird alphas”. From my point of view, this will take place, because thanks to his interaction with the two cousins, Sihyeon and Weonyi, Kim Juhyeok will judge them as humans and no longer as alphas or omegas!! Yes, the major flaw of the protagonist is to lump alphas and omegas together. He needs to stop viewing people as a crowd, and starts perceiving them as individuals. Finally, since director Lee is the main lead’s superior, he can contribute that their “affection” doesn’t affect Juhyeok’s work and his philosophy. In fact, he can help him to achieve his goal, to become a role model for alphas and omegas! 
(chapter 6), while he had called him before a wimp. (Chapter 1) It looked like the champion was looking down on the main lead. With such an insult, the sportsman was implying that the physical therapist was no real man. As you can see, the famous athlete was contradicting himself. Why would he choose a “wimp” as an ideal “lover”? One might say that it is related to his lack of resistance. As a wimp, Kim Dan would never dare to refuse or reject him. It would be easy to control him as well. Nevertheless, what caught my attention is the expression from Joo Jaekyung: “in many ways”. This idiom alludes that the “hero” had many reasons to choose Kim Dan as his new partner. But what are they exactly? In this essay, I will attempt to answer this question. Nevertheless, we shouldn’t overlook that there exist other causes for his selection which Joo Jaekyung is not aware of. 
(chapter 5) This explains why he didn’t reject the main lead as his doctor right away contrary to the past. 
(chapter 5) Hence we could say that he was already under Kim Dan’s spell at the gym. (chapter 1) Hence he looked at him intensely first. 
(chapter 1), he feared to have triggered the boxer’s fury. Yet, the man was actually pretty calm. 
(chapter 1) He was rather surprised by his reaction. Notice how relaxed his body is, as he is using his arms to sit up. Striking is that after hearing the main lead’s question, Kim Dan blushed out of embarrassment. 
(chapter 1) Not only he had made a stupid mistake, but he had also overreacted. He had been on the verge of crying, for he feared the fighter’s rage and brutality. Nevertheless, he never paid attention to his client’s behavior. The latter was observing him, for he had detected his tears right away. Then this was his reaction, when he witnessed the doctor’s reddening: 
(chapter 1) He was left speechless again!! The three points of suspension exposes not only his surprise, but also his curiosity. His attitude displays that he has never met such a behavior before. He would almost cry and even blush… And the author left an evidence for this interpretation. I would like the manhwalovers to take a closer look at the previous sex partners: 
(chapter 2) 
(chapter 1), he would tremble in front of him and at the end he would run away 
(chapter 1)!! Imagine that just before departing, he turned his back on the athlete while wishing him a good day. That’s not the way you are supposed to bid goodbye. 😂 He was running away. That’s the reason why Joo Jaekyung called him a wimp!! As the readers can detect, he was behaving the opposite to the previous lovers, while he would look similar to them. On the other hand, I would like the readers to analyze the boxer’s reaction, when he witnessed this scene. 
(chapter 1) Once again, we have the points of suspension. This indicates that the uke’s behavior made him pensive again. He got his attention. But there is more to it. One of his eye-brows is slightly raised, leaving a mark on the forehead. This gesture is relevant, as psychologists discovered that raising only one eye-brow is a sign of dominance. This exposes the fighter’s personality. Yet, I believed that this gesture also divulged his interest in Kim Dan. He was intrigued by such an attitude, this is something he had never experienced before too. So far, people would express their admiration, they would never turn their back on him, like we could witness in the flat with the lover. To conclude, the saying “opposite attracts” is present in their relationship which reminds me of Taoism. Yin and yang complete each other. Moreover, I would like that the celebrity didn’t just call Kim Dan a wimp, this is exactly what he said: “What a little wimp.” The adjective “little” softens the negative description. Besides, the author never revealed the fighter’s facial expression. Why? It is because the readers would have detected his interest in Kim Dan right away. 
Joo Jaekyung is trapping the uke in his arms, a sign for his possessiveness. To conclude, I am expecting that the doctor’s puzzling behavior will bring Joo Jaekyung’s insecurities to light, to incite him to question his beliefs and even his “jinx”. The more time they will spend together, the more Joo Jaekyung will become addicted to his “drug”, the sweet and gentle Kim Dan, forcing him to change his habits. The job offer to Kim Dan and later their deal already announced the transformation of the athlete. Little by little, the champion’s worldview will transform, discover the sweetness of life. 🍭
(chapter 8). 
(Chapter 1). He appears as more brutal and partial, for his kingdom is called the hell of tongue ripping. It was, as if he was not allowing protest or disobedience, and there would only exist one sentence: tongue ripping. Secondly, he banished his own son to the mortal world, because the protagonist had played a trick on the book of names. 
(chapter 1), had been asking this favor from him while tricking him. However, Yeomra wouldn’t listen to his defense so that at the end, Jae Shin was turned into a puppy. 
(chapter 8) or 
(chapter 14) what is he? A dream, a ghost, a human? And this leads me to the following observation: Jae Shin might be Yeomra’s son, but he has three appearances: the puppy, the nobleman and the ghost. This divulges that he has more than just one identity. In this picture, the author outlined the two sides from the main lead. 
(chapter 7) This is no coincidence. If you pay attention how the main figure was called by Yeom, HALF-BREED
(chapter 7) 
(chapter 15) Even Yeom who didn’t recognize him immediately, as she had never met him before, 
(chapter 8) still knew about his rumor. This indicates that Jae-Shin is different. One might say that it is related to his dependence on yin energy (“preying on humans to survive”). Hence he portrayed himself as defective. 
(chapter 15) This shows that he wished to be different, to resemble his hyungs and other “ghosts”. However, in my eyes, this is not the true origin for his reputation as half-breed. If the beholders look carefully at this image
(chapter 1) 
(chapter 1) The color is exposing his special status. Secondly, in this image, we could see the young version of Jae-Shin
(chapter 15) In other words, he had the same evolution than a human! The only difference is that he doesn’t age and die like humans. He is already a few centuries old. 
(chapter 3) Thus I came to the conclusion that Jae Shin is actually the result of an union between Yeomra and a human. Hence he resembles a lot to a vampire with his teeth and long nails, as the vampire is considered as a living corpse. Moreover, the Korean version of a vampire, the gangsi is supposed to absorb Qi, life force. Nevertheless, Jae Shin is not a gangsi, for he can move freely and his body contains blood. My point is that Jae Shin became immortal thanks to his father, but since he was born from a human, he was first a baby before becoming an adult. This explains why Jae Shin’s main color is red, the symbol for life, combined with black, a reference to his father, as this color symbolizes the underworld! Under this new approach, it becomes comprehensible why Jae Shin is forced to go to the mortal world to replenish in yin energy, which is not a necessity for his hyungs. The older brothers don’t often visit the mortal world. 
(chapter 15) As you can sense, for me chapter 15 was very eye-opening! And once you accept this theory, you can comprehend why the father turned him into a puppy. 
(chapter 1) In his eyes, they have no real value. Moreover, he resents them for their hypocrisy 
(chapter 3) He prefers the afterlife world to the mortal one. And because he was different from the others, he got spoiled by his father, brothers and other gods. 
(chapter 3) Since he is the result of an union between a god and a human, he needs human energy (yin). Therefore he bleeds like a human
(chapter 15), when he gets stabbed, but because he is an immortal, he can heal. 
(chapter 16) Striking is that he called himself a ghost, but Lee Nok didn’t accept this, for he is visible to humans. 
(chapter 16) This is important, because by identifying himself as a ghost, he is actually denying his “human nature”. However, he is not realizing that “ghosts” were all once humans which is not the case to Yeomra, Jin-Gwang, Cho-Gang and probably to his brothers. They are “gods”. In other words, the moment he calls himself a ghost, he indirectly admits his “human origins”.
The association is already presented in the title, as it is part of the “ghost”. 
Besides, the manhwalovers can detect its presence in three occasions. 
Jae Shin is wearing an earring in the form of the lycoris. Then the red spider lily 
(chapter 9), was present, when he changed his appearance and dressed as a noble. 
(chapter 9) But what is the meaning of this flower then?
(chapter 9) This was their final goodbye. It takes courage to love someone so different, to love an immortal. That’s the reason why the father sentenced his son to win a human’s heart. He was teaching him a lesson, he should learn how his father fell in love with a human. 
The purple lotus flower symbolizes spiritual enlightenment as well as faithfulness and innocence. The purple flower indicates harmony and balance between different parts of ourselves. [For more read the essay: The lotus and the snake] But since the pavilion and pond were facing the palace where Jae Shin was staying, the presence of the lotus is announcing the future purification of that place full of evil spirits and ghosts.
(chapter 14) This shows that his body’s energy works like a huge talisman. But in order to become effective, he needs human energy. Hence I couldn’t help myself making the following connection, when I read Yeom’s comment about Queen Han: 
(chapter 13) She attributed the queen’s protection to a strong amulet, as she believed that the woman was a human. However, the moment you admit that Jae Shin is the fruit of a love between the god of the underworld and a human, you can imagine that Queen Han could have the same nature. Her aura could be so strong that she can push away powerful ghosts like Yeom. Yeom thought that the young girl was attracting ghosts like Lee Nok 
(chapter 8), thus the shaman advised to the father: 
(chapter 8) She encouraged him to have his daughter accumulated good karma. She was indirectly trying to change the girl’s personality and as such destiny. 
(chapter 8) From my point of view, the young girl was discovering her second nature, she could see and talk to ghosts. Thus she smiled. As you can see, I came to develop the following idea: Queen Han is a half-breed like Jae Shin, but contrary to him, she prefers the human world. Why? Because of her powers, she can control people and gain power. This explicates why she chose to get rid of the shaman whom she viewed as a threat. At the same time, thanks to the intervention of the “spirits”, she discovered how powerful she was. Thus she smiled… 
(chapter 8) like a flower
(chapter 8) These words reminded me of the lycoris, the flower of death and funeral. We have many possibilities for her lineage. Either she is a new version of Gongju Bari, or she could be the product of another god, like for example this one: Seokga.
(chapter 13), yet the brother had not heard about such a death. 
(chapter 8) Exactly Jae Shin, she is living between two worlds, her body might have died, but she is by clear conscious. 
(chapter 9) 
(Chapter 5) It took him a whole week to recover from this encounter. (Chapter 5) He was physically and mentally wounded. His behavior fits all the criteria in chapter 6. He is totally selfless and is risking his life emotionally, physically and mentally. He definitely sees the champion as a „criminal“, since he keeps comparing him to the director from the hospital. (chapter 6) He has indeed become a true hero, hence he received the admiration and love from all the readers.
(Chapter 5) At no moment, in the ring, he risked his life, for this fight is controlled by a ref and both boxers are required to follow certain rules. But the seme has not realized this yet. Like I had pointed out before, he takes everything too seriously. He views his games as a matter of life or death. One might think that he has never had a strong opponent so far, but we have two indications that his career wasn’t always smooth. 
. (chapter 1) The legend is implying that this was not like that in the past (“the streak continues”). Secondly, he has cauliflower ears
(chapter 1), a typical consequence for fighting. [Here I would like to thank @delune_art for her observation]
(chapter 2) In other words, Joo Jaekyung favors a certain type, but he is not aware of it. Hence he claims that all his sex partners were different. And now, you have the explanation why he views people he has sex with as tools and even whores. He used money as a protection, a wall to keep his distance from people. This is not surprising why he was happy, when Kim Dan asked for financial support. That way, there was no string attached.: “So it was just the money, after all”. (chapter 6) But naturally, he is deluding himself, because observe that he is now changing his sexual habits! 
(chapter 6) It is no longer linked to his jinx, because he is asking Kim Dan to have sex no matter the time or place. This little detail makes a huge difference, the start of his new obsession.
(chapter 1) before and after the arrival of the manager. The tone changed immediately. 
(chapter 1) Then when his athlete wondered why he had not heard from Kim Dan, the manager not only took Kim Dan’s side, but also criticized his athlete. First, when he said that the main lead had asked him like a million times, (chapter 5), he was implying that he had bothered him a lot. Then 
(chapter 5) the idiom “something” is a reference to the sportsman’s behavior. He reproached him in a calm manner that he would nag constantly. Yet, at no moment, the boxer felt insulted. That’s why I couldn’t help myself judging him as a “hero”. He could tame his sportsman and turn him into an obedient “puppy”. The latter is always well-mannered in front of him and never showing his frustration. 
(Chapter 5) He got caught by surprise by this point. He never imagined that Kim Dan would reject or even block him, as he is considered as a “champion”, a hero!! But the moment he turned his back from the manager, he couldn’t control his frustration and anger. Thus he smashed the punching bag with such a force. (chapter 5) On the other hand, he couldn’t control his gaze, when he heard that he could get blocked. (chapter 5) This whole scene displayed the respect Joo Jaekyung had for the manager and his friend. At the door, he never exploded. But why is it so? Like mentioned above, he views the man as his family. And we have another proof for this: “block us” was turned into “block me”. As you can see, the personal pronoun “us” indicates that Joo Jaekyung considers the man with the red shirt as an unit, a home.
(chapter 1), yet he used an ambiguous expression. For the manager, it sounded like the champion had beaten him, while the sexual insinuation was present. His choice of expressions indicates that he desired to stay as close as possible to the truth. This shows that the main lead has no real intention to manipulate his “hyung”. He is not doing it out of malevolence, rather out of fear in my eyes. This is also perceptible in this scene. 
(chapter 5) This is perceptible due to her clothes and her basket. She was more or less a “peasant”, living in the countryside. And the young child could sense her struggle. She dedicated her life to raise Kim Dan properly so that he could get an education. She was so selfless and caring that she protected her grandchild from the loan sharks’ brutality. 
(chapter 5) With this scene, the manhwalovers could discover that Kim Dan’s debts existed, even before he became an adult. This means that this was the heritage from his parents. Hence I am suspecting that one of a parent deserted the family in order to escape from the loan sharks and left the debts to the halmoni and Kim Dan. And if you recall the criteria for heroism, you will recognize the halmoni is a true heroine. Hence you comprehend why the young protagonist is willing to do anything for his grandma. He is trying to repay his “debts”, since she had to suffer so much in the past. There is no ambiguity that the young man feels responsible for her. And if you observe the chapters I quoted the most so far, this was episode 5 where the manager and the halmoni were introduced properly for the first time!! 
In order to fully grasp the boxer’s mentality, it is relevant to know the true signification of this word: 
If he can not defeat his opponent, he “will die”. This is no coincidence that his color is black
, a pigment that symbolizes nowadays death. Being too serious has huge negative consequences. Such a person can never be happy. The reason is simple. He is focusing too much on career and work that he is overlooking to enjoy the moment. The person is not able to play and to take time to laugh along the way. In the end, he doesn’t know what truly matters in life.
At the same time, imagine what a defeat could signify for the champion. He would judge himself as worthless, as in his eyes, only strength is important. To conclude, I think that this violence from the athlete is much more complex, just like its origins. 
Nevertheless, the fighter is totally wrong in that aspect. It takes a lot of courage to admit a mistake and to ask for forgiveness 
(doctor Frost, chapter 211), because we don’t know if the offended person will accept the excuse. 
And this is exactly what happened with Kim Dan. He apologized, yet he still feared that he would be hit. 
and apologized before before becoming silent and inactive. Hence I believe that this is what the uke will teach the strongest man in the world. He needs to learn to admit his mistakes. And this is no coincidence that in the ring, the brutal man never voiced regret towards the “green” man. With his expression “punk”, he had the perfect excuse to avoid the apology. That’s why he didn’t reply to the trainer immediately and in front of him 
(chapter 1) It is because they had all heard about the boxer’s violent behavior and his stubbornness: 
The anaconda 😂 Yes, the length and and size of his phallus! While Kim Dan was massaging him, the man was relaxed, hence this signifies that it had not reached its maximum size!! And now, imagine what happened to the last doctor… The latter could have made an intentional move, but the champion has always separated his career from his private life. No one at the gym knew about the champion’s homosexuality. Since for the boxer, everything is a matter of life and death, he definitely views sex as a fight too. It is about his own climax, and not about feeling good or giving pleasure to his partner, even less about love! Therefore it is not surprising that the man is having sex in this position. 
(chapter 1) He doesn’t feel the need to see his partner’s face or to talk to him. And if you read my analyses about Painter Of The Night, you are all aware of the signification of such a position. It is about power struggle and victory. This observation leads me to the following conclusion: Joo Jaekyung’s rough sex is just the consequence of his “mentality”. In truth, he is masking his own anxieties, his manhood. This is just a speculation on my part, but I have the impression that his overactive superego is his way to deal his own sexual orientation. Homosexuality is often perceived as a lack of masculinity and strength, and note that so far, the boxer has been following social norms quite strictly. He embodies the prototype of the successful and wealthy boxer. We definitely need more information about his past, his family and surroundings. Another possibility is that the athlete is bothered by his huge phallus, which he could view as “jinx”…. For him, it is the reason why his former sex partners keep running away. The author will give us more elements in the future episodes.
and contrary to the others, he will keep having sex with the protagonist. 😂 Under this aspect, the readers can grasp why the anonymous sex partner said nothing, when Joo Jaekyung called the main lead. 
I am suspecting that the man didn’t find this sex session very pleasant, as he was clinching onto the sheets. Besides, why would he call him in the middle of the encounter? And he could see Kim Dan as his savior… it was his luck that Joo Jaekyung had a new physical therapist. 
Even the author Black Apricot from Legs That Won’t Walk couldn’t help herself to praise the main lead for his handsomeness on Twitter. Striking is that this picture represents the perspective from Kim Dan, the other protagonist. In other words, not only the readers were enchanted, but also Kim Dan. He couldn’t restrain himself from voicing his fascination by whispering “WOW”. The gentle and pure man was voicing what the readers felt. While massaging him, he kept starring at him, complimenting for his skin, his muscles and even his visage. He had the impression that he was really lucky, for he never had such a client before. 
It was, as if he was claiming the main lead. He was his reward and trophy. And now, pay attention to the clothes the bottom was wearing, when he met his client. 
(Chapter 1) When Baek Na-Kyum remembered his noona’s words about Yoon Seungho, he connected it to the loss of his future lover’s topknot. Here, the gesture had a different meaning. By cutting off his hair, the father was acting, as if he was abandoning his son. According to social norms, the hair was considered as a heritage from the parents. So if Yoon Chang-Hyeon had truly done it, the latter was showing that he was no longer considering the main lead as his son. While the rumor about the haircut gave the impression that the elder master Yoon was a honest and honorable noble, anyone can perceive the elder master’s action differently: the father is a coward, a selfish, ruthless and disloyal lord, especially the moment it is revealed that Yoon Seungho was abused sexually, physically and mentally. Let’s not forget that the protagonist used to live in the shed, for he was viewed as an animal. His situation reflected the father’s betrayal and abandonment. It doesn’t matter if he had been manipulated, because in the end, he made the decision to treat his son as a slave. He refused to send for a physician. To sum up, the loss of the topknot in this rumor would be judged as the epitome for cruelty and intolerance!! This shows that the loss of the hair in Painter Of The Night has actually many significations: castration, mercilessness and abandonment. 
(Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68 
, this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? 
(Chapter 94) He had no parents or guardians protecting him which is true, for here he was exposed to violence. Heena, as the head-kisaeng, had not protected him at all, she must definitely have portrayed herself as powerless. Yet as a slave of the state, she was belonging to the king. So she had connections to officers and the court. In my eyes, the head-kisaeng made sure that the artist could never get a topknot, and as such he would never be able to become a “noble” or even a man. Hence Baek Na-Kyum was constantly called boy 
(Chapter 56) 
(Chapter 59) 
(chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. 
(Chapter 101) Here, the lord had spared his friend’s life.
(Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. 
(chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. 
(chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. 
(chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. 
(chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. 
(chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings. 
(Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. 
(Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: 
(chapter 88) (chapter 88) By cutting off the friend’s hair, he was showing that he was abandoning his friend. He was leaving him behind, and Lee Jihwa was forced to face lord Song alone. 
(Chapter 83) This time, he had not his father by his side either. The latter could not protect him too. I had already voiced this theory before, as it would explain why Lee Jihwa is masking the man’s face. And note that Nan-Woo from A Sip Of Poison cut off the topknot, as he is already acting as the future ruler. Another important detail caught my attention. Just before receiving his sentence, Woo Jong-Han made an oath, 
(chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury. 
(Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host 
(chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. 
(Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 
, for he was not present, chapter 57 
in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang.
(Chapter 69) Under this new light, this panel from Twitter get a total new meaning: 
The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see. 
(chapter 59) Furthermore, he associated it to abandonment too. 
(Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment. 
(Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. 
(Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. 
(chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder). 
(Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. 
(Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. 
(chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy. 
(Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side. 
(chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: 
(Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. 
Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.
(chapter 23) to give him a knife: 
(chapter 23) before grabbing Woo Jang-Hon by his topknot 
(chapter 23). Hence the hair fell between the men. 
(chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. 
(chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:
And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident. 
(chapter 66)
(chapter 83) 
(chapter 67) This shows that till season 3, Lee Jihwa had never been exposed to real justice. There was always someone ready to intervene for him. And now, you comprehend why the red-haired master felt no remorse to blame his friend for his humiliation in the past. He must have thought that if he had not been in his bedchamber during that night 
(chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: 
(chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies 
(chapter 77) He had kissed him without his consent, thus he got “castrated”. Let’s not forget that the main lead was forced to become a male prostitute, an uke, for he had not been able to perform, to have an erected phallus. On the other hand, Lee Jihwa had done nothing wrong in the bedchamber 
(Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole. 
(chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. 
(chapter 57) The hair was short or not? Now, I don’t think so. The mystery of Yoon Seungho’s suffering is linked to the hair dress, yet the readers shouldn’t realize it too quickly. According to me, he still had the braid, until the doctor questioned why Yoon Seungho still had no topknot. 
(chapter 33) 
(chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, 
(chapter 77) and this one 
(chapter 83) The length was almost the same, yet 3 or 4 years had passed in the main time. Let’s not forget that this scene represents the patriarch’s abandonment 
(chapter 77) and Kim had also experienced rejection from Yoon Seungho 
(chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: 
(chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers!
(chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state. 
(chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.
(chapter 33) 
(chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that 
(chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! 
(chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: 
(chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband. 
(Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. 
(chapter 34) 
on Twitter yesterday, and naturally this made many people happy, for Jung In-Hun was stroking Baek Na-Kyum’s foot gently. How could people identify the characters, though we don’t see their faces? Simply by the clothes! The manhwaphiles remember the painter’s grey pants and the learned sir’s favorite color, lavender, 
(chapter 19) 
(chapter 68). While many manhwalovers found this image cute 
(chapter 70) The manhwalovers can immediately detect the contrasts: the visages of the protagonists versus the hand and the foot, day versus night, sun versus moon. That’s the reason why I came to the deduction that this image embodies a happy memory of the painter: sadness versus happiness. 
. (chapter 68) This means that Baek Na-Kyum was removed, because he was a witness and could generate a scandal. He is beloved by the kisaengs. However, back then, he got misled due to Heena’s indoctrination and false impressions. When he saw this, he was only looking at his noona, hence he didn’t pay attention to the actions of the black guard. Moreover, he had no idea why Heena and Yoon Seungho were behaving like that. So when the painter recalled Jung In-Hun from that night, he was no longer heartbroken, because the stroll with the scholar came to his mind. 
(chapter 70). The trigger for this recollection was his farewell to Heena. This time, he could say goodbye to Heena properly by embracing her and giving her a scarf so that she would remember him. In the painter’s mind, after that night, he would never see her again. 
(chapter 69) In other words, this night represented a closure for Baek Na-Kyum, the end of his abandonment issues. In episode 70, Jung In-Hun had consoled him, he had tried to cheer him up. Thus the learned sir was smiling. Yet, this couldn’t cover the painter’s scar. He felt that he had betrayed Heena, for he had not been able to protect her. It was, as if he had run away. Nevertheless, when this incident occurred, the learned sir had not run away from the gibang, because you could see that Baek Na-Kyum was wearing socks and shoes. 
(chapter 70) The man had put the shoes on the child, as in the building, the painter only had his socks on. Because of the presence of the socks, 
(chapter 68), I deduce that this walk must have taken place in a colder season (fall) 
while in this picture, Jung In-Hun was carrying the painter on his shoulders in the summer. 
(chapter 102) In both scenes, the main lead is seen with bare feet. He is also carried by his loved one. But here, it is snowing, hence this signifies that it is winter. On the other hand, the manhwalovers can detect the presence of a purple flower on the right side. This signifies that Spring is on its way. That’s how I came to realize why Baek Na-Kyum is now recalling the learned sir’s gesture from the past. 
(chapter 102) where it is even colder than in the valley, secondly it is snowing and there is no sun, only the moonlight. So the moment Yoon Seungho witnessed that Baek Na-Kyum was alive, he must have recognized the seriousness of the situation. Since Baek Na-Kyum had only a hanbok on, he could die of hypothermia. What he had imagined for himself, death, had terrible consequences. He could be the reason for the painter’s curtains. So in my opinion, he must have warmed the painter’s feet with his hands, a new version of this scene: 
(chapter 94) His presence was to divert the attention from these men so that she wouldn’t be asked to have sex with them. And since I have already detected that each time, the painter suffered, karma would retaliate, the logical consequence is that Heena got punished for her wrong action. This signifies that while the painter was following the learned sir, his noona was abused in the kisaeng house. This would explicate why later she had no remorse to turn Yoon Seungho into a victim. And don’t forget that the painter was much younger than in this scene. 
(chapter 45) 
(chapter 75) The latter would let his partner walk through town in order to please him. He would even follow the painter. In other words, it was always for the painter’s sake, and in the mountain, it was the same. But it was not the same for Jung In-Hun, it was for his own benefit. We have the best example in chapter 10: 
(chapter 10) Here, he desired to separate the couple. Baek Na-Kyum should refuse to paint erotic pictures. 
(chapter 29) 
(chapter 70): The artist is dressed with good clothes, he looks more like a young master than a commoner, only the shoes are indicating that he is a commoner. That’s the reason why I believe that during that night, the learned sir was avoiding people. They could have wondered why the young boy was carried in his night clothes outside. From my point of view, this scene 
(chapter 29) He had already been seen with a girl before who seems to like him either. 
(chapter 6) Thus I couldn’t help myself wondering if the learned sir was not directly involved in prostitution, bringing girls to the gibang and even covering up for the sexual child abuse. We shouldn’t forget that the pedophile was portrayed as a man consumed by lust who would never pay attention to the time and the hour. 
(chapter 6) 
(chapter 7) 
(chapter 7) This change is not random in my eyes. I had already associated the learned sir to a chameleon. This change of color seems to validate my theory that Jung In-Hun had been sponsored by Min, hence we have the light green. Black Heart is symbolized by green. However, the light pigment reflects that he had been abandoned and betrayed. Nonetheless, when he encountered Yoon Seungho, the latter was wearing a purple hanbok. 
(chapter 6) That’s how the man got influenced and chose to wear his lavender hanboks again. But he never realized that behind the young noble, there was standing the pedophile, someone he had helped in the past. From my point of view, the change of the learned sir’s hanbok was the indication of his betrayal. According to me, the old bearded man 
(chapter 37) was not a former servant, but the pedophile. So he could have recognized the learned sir thanks to his hanbok… just like the readers did with this picture: 
(chapter 73) From my point of view, the intimacy in the bedchamber stands in opposition to the teacher’s gesture in the countryside. His caress was just a casual gesture with no real deep meaning in the end. This explicates why he could betray and abandon the artist on so many occasions in season 1 (chapter 11, 24, 25, 29, 35, 40). The learned sir had always prioritized his own interests. 
(chapter 102), the painter should realize the difference. 
(chapter 70) talk and ask questions before apologizing and hugging him. The lord never acted, as if nothing had happened, 
(chapter 102) This was true love and Baek Na-Kyum’s feet always reflect his emotions: 
(chapter 58) 
(chapter 80) So now, imagine how the painter must feel if the lord took his feet in his hands! This is no coincidence that there is this saying: 
(chapter 100)
(chapter 102) and the zooms on the feet: 
(chapter 53) 
The couple was following their heart!! But this was not the case with the scholar. Baek Na-Kyum had no other choice than to follow Jung In-Hun. 
(chapter1) Or was she simply the noona? 
(chapter 70) At some point, I came to realize that Heena had acted as the surrogate mother, but she had never clearly stated that she was the painter’s mother. In other words, his adoption was never official, which explicates why the main lead only considered her as his older sister. This is important, because her ambiguous status can not only generate problems, but also expose her betrayal towards Baek Na-Kyum. Note that in chapter 97, the noona treated Baek Na-Kyum as her “child” who wouldn’t listen to her 
(Chapter 97), while later she implied that they were both equal, for she employed the personal pronoun “us”. 
(chapter 97) On the other hand, she used her seniority as status, when she called him a fool 
(Chapter 97). He lacked experiences, hence he was too naïve, and as such he would trust the protagonist too easily. As you can see, Heena herself had an ambiguous relationship with her brother. Nonetheless, thanks to chapter 93, I got finally a definitive answer about Heena’s true identity. She is indeed the head-kisaeng in the gibang. I realized that the protagonists were invited to stay in Heena’s personal room. 
(Chapter 93) That’s the reason why the seat of the host was empty and why Yoon Seungho didn’t go there. He would have violated social norms, if he had taken her seat.. Moreover, by doing so, he would have revealed that he knew where the woman was. This could have raised questions.
(Chapter 93) This means that the figures were not sitting in the room shown in the last panel. On the other hand, their voices in the hallway exposed their location. The noonas and Heena were not far away from that door hidden by the veil. That’s how I got aware where Heena’s room was situated. In the last picture, the readers are turning their back from Heena’s study, which is right after the corner. Thus I could recognize the design of the building: ][ In the center, there is this huge hallway with the purple veils, but at its end, on each both sides, there exists a corridor perpendicular to the one with the purple curtains. What the beholder imagined as a door at the end of the hallway, 
(Chapter 68) was in truth a huge window. How do I know this? First, in this scene, the scholar was hiding a huge white vase with red flowers. Hence I deduced that Jung In-Hun couldn’t have walked through that “gate”, it was just a window. Therefore I assumed that he had to walk past the flowers, either turn to the right or the left. Secondly, observe that next to the lantern on the left, there is a small white panel. This means that the view from chapter 93 was more or less taken from the right corner. Moreover, in the next chapter, Heena is not facing this “window”, when she is in the same building. 
(Chapter 69) This time, the white vase with the flowers is standing in front of a wall. That’s how I deduced that Heena had to turn to the left in order to go to the hallway. 
(chapter 93) which is not present in episode 69. 
(chapter 93) Since I came to the conclusion that Heena’s private room was on the right side after the corner, I deduce that the kisaeng was not on her way to her room. Moreover, since the kisaeng was walking in the same direction than the scholar, I can only conclude that Heena was actually approaching the entrance of the building. I believe that she had turned around, but the author didn’t reveal this. One might argue that it is possible that in chapter 68, the learned sir could have gone with the painter to Heena’s bedroom. However, back then the latter was not the head-kisaeng. We know this due to the presence of a kisaeng standing right behind Yoon Chang-Hyeon during the sexual lesson. 
(chapter 86) She was the superior. Moreover, we saw the teacher walking through the countryside during the night. 
(chapter 69) It was done on purpose!! She wished that Min would take care of her brother. Under this new light, it becomes comprehensible why the noona has a drop of sweat on her cheek. She is faking ignorance, she is acting, as if she was very protective of her brother. She uses illusion to manipulate people. In reality, she was acting here. One might argue that I am overthinking again. This is not possible, for Heena didn’t know Min at all. Hence she couldn’t manipulate him. The latter had heard of her for the first time in Yoon Seungho’s mansion. 
(chapter 66) But let me ask you this. How could Heena have never met Min, when she was the head-kisaeng? Secondly, just because the servant had never heard of the noona, this doesn’t mean that it was the case for Black Heart. The domestic assumed Black Heart’s ignorance, just like the readers. Moreover, recently I had detected that Heena had been standing in front of a mansion belonging to a noble. 
(chapter 46) This was not Yoon Seungho and Lee Jihwa’s mansion, for the gate and walls 
(chapter 67) diverge. Moreover, Min has been seen in the kisaeng house in so many chapters 
, (chapter 19) 
(chapter 59). Here, I would like to point out that in episode 59, Lee Jihwa had visited the kisaeng house on different occasions, for his hair was slowly growing. 
(chapter 1) 
(chapter 19) This image was showing us that Yoon Seungho was visiting the gibang. However, pay attention to the pattern of the doors in the last picture and the next: 
(chapter 19) The motive diverges, it looks like the one from the hallway with the purple veils. This means that the party was not taking place in the room shown in the former picture. What caught my notice is the presence of the white vase with the red flowers in front of the building. It was present in each scene taking place in the gibang. 
(chapter 93) For me, the red flowers symbolize Heena noona. This explicates why during the painter’s dream, the flowers were not present. 
(chapter 87), as Heena was not included in his vision. And this image 
(chapter 44) Due to the similarities, I believe that in chapter 19, Byeonduck was actually exposing the ghost head-kisaeng. Exactly like the father, she was hiding. Why? It is because she is involved in Yoon Seungho’s suffering. And now, imagine her reaction, when she hears that Black Heart has organized a feast for the main lead’s honor. The woman could only avoid the main character. And now, you have the explication why Heena as the head-kisaeng was not present during that festivity. It was deliberate. 
(chapter 19) Striking is that the kisaeng had a similar hair dress than Heena, This is no coincidence. She was acting as the head-kisaeng. The manhwalovers will certainly remember that only two kisaengs had no braided bun or braids: this one 
and Heena. Look at all the others: 
(chapter 51) 
(chapter 93) 
(chapter 93) 
(chapter 95) The extravagant hair dress was exposing the kisaeng’s status. And now, you comprehend why the other noona explained the disappearance of Heena during that night. 
(chapter 19) But how could she sense that the noble was in a good mood? The latter was silent and not even smiling. 
(chapter 19) How could she claim this? In reality she was actually spying on him. Heena had no idea why the lord would come to the gibang, especially after suffering there so much. The kisaeng’s task was to dig up information. This visitation must have bothered the head-kisaeng. 
(chapter 69) She was even turning her back to him. But actually, she could have detected his presence, exactly like I had recognized him: through his laugh!! 
(chapter 99) He was wearing a veiled hat, yet in chapter 69, this was not the case. 
(chapter 88) 
(chapter 99) Under this new light, Min’s words get a new signification: 
(chapter 99) He was implying that they knew each other for a long time! The irony is that the manhwaphiles had the impression that their relationship was recent, and his cynical tone contributed to it. Secondly, he called her Heena, a sign that they were close to each other. Note that Lee Jihwa never mentioned her name. 
(chapter 99) His words even insinuate that Black Heart had just given the following order. The red-haired master should just fetch a kisaeng and in my opinion, Heena was waiting for Lee Jihwa’s arrival to leave the gibang. According to his words, he had no idea about the kisaeng’s identity. But is it true? I have my doubts now, and this for two reasons. Why would he ask about her identity, when he already knows that she is a kisaeng? The drop of sweat on his face is an indication that he is lying. But the problem is to determine if the deception is only referring to “I heard not a word” and to all the questions. Let’s not forget that he knew about Min’s initial intention. The moment Lee Jihwa arrived in the gibang, she just followed him. That way, they would avoid to attract attention, and with her new hair dress 
(chapter 93), the gibang had lost its “leader”. This explains why this noona as her right-hand had to explain the absence of the owner. 
(chapter 86) The latter had been eyeing the throne in the family mansion, but he failed to take over the mansion. This was the negative reflection of Heena. Whereas the kisaeng had a powerful position in the gibang, it was the opposite for the patriarch. He was no longer recognized as the head of the Yoons. Yet, both have something in common. Both lost their position for good, for Heena and Yoon Chang-Hyeon couldn’t take or keep the seat. We could say that both got defeated by Yoon Seungho. In chapter 93, the main lead acted as a respectful and calm master, whereas in the bedchamber he showed no respect to his own father. He talked back and even made fun of him. 
(chapter 87) This picture stands in opposition to this one: 
(chapter 93) To conclude, the surrogate mother and the patriarch made a similar experience in season 3. Both got deceived by manipulations and in both cases, letters played a huge role. 
(chapter 99) No one would be looking for her. The problem is that the witnesses of her curtains all vanished. Lee Jihwa ran away, Black Heart got killed with his friends, and the only survivor, lord Jang, was confronted with real corpses in the shaman’s house. 
(chapter 102) That’s why I come to the deduction that her murder will be questioned. Why? There is no blood contrary to the bloodbath in the shaman’s house and there is no corpse!! Since Black Heart used different corpses in order to deceive Heena and the couple, there is no ambiguity that the head-kisaeng’s curtains will be doubted. Striking is that Heena staged her death out of cowardice and selfishness, while Yoon Seungho made the opposite decision. He was resolute to commit suicide in order to follow his lover in his death. During that night, Heena and Yoon Seungho lost their “home”, but at the end, he found his true home: the painters embrace. 
(chapter 96) 
(chapter 96), though he is a noble. Besides, I am suspecting her of suffering from genophobia (fear of sex and intimacy) Their behavior exposes closeness and a certain trust. But how is this possible? It is because she knows that Min is a sodomite, and he is not looking for sexual favors. That’s the reason why she trusted Black Heart in my opinion. Moreover, he is smiling like Jung In-Hun. Therefore it is not surprising that she was speaking like the Joker in chapter 97. Here, the man had actually projected his own thoughts onto Yoon Seungho, and due to her own belief, Heena was more than willing to believe Black Heart. 
(chapter 52) It is because Black Heart knew Heena! I even believe that he had already met the scholar. Note that the man with the black hanbok was repeating the rumors about the learned sir. And the other questioned the main lead’s action exposing that he had never heard about this grapevine before. Hence I am deducing that the one spreading this rumor could only be MIN!! That’s the reason why he just said this
(chapter 52) That means that the noble knew the teacher in the end. Therefore it is no coincidence that Min was aware where the learned sir lived!! 
(chapter 52). Why? It is because there was an incident in the gibang!! 
(chapter 94) 
(chapter 97) 
(chapter 97) 
(chapter 101), and even Kim hid his face under a hanbok. 
(chapter 92) That’s the reason why I believe that in season 4, the visage will play a major role! The couple will recognize people due to the face!! In my eyes, the former head-kisaeng knows the identities of all the persons involved in Yoon Seungho’s suffering. 
(chapter 97) her brother is detecting her deception. 
(chapter 102) The painter had confessed too late, for the schemers were already pulling the strings in the shadow. To conclude, the main leads’ self-deceptions were connected to love and time. The importance of self-manipulation leads me to the next observation. All the antagonists and villains were liars, because they were also deceiving themselves. They refused to admit their own fears and flaws, therefore they chose to commit a wrongdoing and manipulate others in order to hide their true thoughts. This means that not only the crime was covered up with a deception, but also the manipulation was hidden by another lie. This means that the list of their sins increased. Therefore it is not surprising that the gods chose to confront the liars with the verity, as they kept refusing to admit their sins. Now, it is time to focus on the antagonists and villains’ manipulations and the scenes where they were facing the mirror of truth. However, the readers are probably wondering where the mirror of truth is. The answer is simple. The mirrors of truth are not only the two main figures, but also Kim and Min, though they are their negative reflections. Remember that in Snow White, the item led the evil Queen to her doom, for the latter refused to accept reality. At the same time, the mirror of truth was not entirely honest either, for it never explained the definition of “Beauty”. In other words, it lied by “omission”. I realized that I can not examine all the antagonists and villains in one text, as I am so detail-oriented. Consequently, I selected Lee Jihwa and Yoon Chang-Hyeon first, for both characters’ lies are strongly intertwined. 
(chapter 77) However, since he had been caught by the valet, he was facing the butler’s visage. And what did he see in his facial expressions? Shock and horror!! That’s how Lee Jihwa realized the gravity of his sin and chose to blame his friend. Thus I imagine that he must have blushed again and this time out of shame and embarrassment. It is very possible that in that moment, he must have copied the valet’s facial expressions before leaving Yoon Seungho behind and lying to the butler. Why do I think so? It is because the butler had made such an expression in front of the barn, when he had been caught. 
(chapter 64) And what did the main lead say? 
(chapter 64) Since the painter seems to have forgotten it, I deduce that it was the reverse for Lee Jihwa which explains why he felt so guilty in the end. As for the butler, when he had barged in the study, he had committed a wrongdoing himself. He should have asked for the main lead’s permission, but he did not. Consequently, he decided to believe in Lee Jihwa’s deception. One hand washes the other. He was covering up the guest’s sin, while the latter was doing the same thing for the domestic, though I doubt that Lee Jihwa truly realized it. Simultaneously, Kim had the perfect justification to hide the violation of social norms. He had caught the main lead red-handed, hence no one would question his own action. As you already know, I associate the butler to Pilatus, therefore he is connected to the bucket. 
(chapter 13) However, in my eyes, this doesn’t represent the biggest confrontation with the mirror of truth. For me, it is the altercation in episode 17, for it took place in the same place than the aristocrat’s crime. When the red-haired master looked at the picture, he was suspecting that the painter had seduced his friend due to the insinuations by the staff. And his fear reached the peak, when he saw the painter’s reaction: 
(chapter 17) As you can see, in this episode, the gods were recreating the same situation: a servant had witnessed how the two men “were fooling around”
(chapter 16), though this was definitely not the case!! And this is exactly like in the past, Yoon Seungho was totally pure and innocent. And what was Lee Jihwa’s reaction? A slap! 
(chapter 17) This is what Yoon Seungho had experienced in the past. Yoon Chang-Hyeon had definitely abused him. 
(chapter 57) Thus the main lead’s cheek was bruised. Then exactly like in the past, Lee Jihwa accused someone else of committing a crime. In the past, it was his friend, in the present it was Baek Na-Kyum. Both were portrayed as immoral seducers. 
(chapter 17) These words were exposing the verity about the past. Lee Jihwa was admitting in front of the painter that his friend would never act like that, and as such he had not attempted to woo him in the past. Striking is that in front of the painter, the red-haired master was misinterpreting the incident. Why? It is because he was influenced by his past experiences. Since he had lied twice, he jumped to the wrong conclusion that it was the same in the present. And back then, he had even achieved to fool Kim. Therefore he couldn’t allow himself to be fooled like the butler. That’s the reason why he couldn’t imagine that someone was innocent. 
(chapter 17) He was a liar in the past, so it must be the same for the painter. Yet, this was the negative reflection from the past. Thus his karma was to get caught by his childhood friend. Striking is that this time, he was put in his friend’s place. He was turning his back to the door. Moreover, due to his anger, he didn’t hear Yoon Seungho’s steps and the opening of the door! 
(chapter 17) But the childhood friend refused to face reality in that moment, and as such to admit his guilt and responsibility. Why? It is because he had committed another crime in the past. This is related to the bedchamber incident. 
(chapter 83) However, here he had been caught by his father, hence I believe that this confrontation represents mainly the elders’ punishment. As for Lee Jihwa, despite the humiliation and abandonment in chapter 18, he refused to give up on his friend. 
(chapter 18) One might say that he was motivated by love, yet I think that it is related to his denial about his sexual orientation. And this coincides with his lack of honesty. He had not confessed his own sins and lies yet. Therefore 
(chapter 36) he presented himself as a pitiful creature, as he was sharing the protagonist’s suffering due to his knowledge. However, this was not empathy, just sympathy. The person only feeling sympathy will always put a distance between himself and the counterpart. There‘s a “I“ and “you“, but no „we“. The person might come to pity the other, yet he won‘t intervene and help. He will just understand and that‘s it.
(chapter 36) This panel is the evidence for this interpretation. Lee Jihwa never used the personal pronoun “we”, even during the abduction. 
(chapter 43) Based on this panel, Lee Jihwa had more or less barged in the study, but his presence was detected too late! One detail caught my attention in this picture, the presence of the light reflected on the door. Hence I assume that the main lead detected the presence of a witness because of the light!! 
(chapter 43) Let’s not forget that the room was dark, when they were having sex. 
(chapter 42) He was still looking at his lover’s face, when he perceived the change of the light. Hence he turned his head in direction of the light reflected on the door. My friend Luzaly brought my attention to this detail. The couple was turning their back to the door before. 
(chapter 42) The form of the light reflected on the door doesn’t come from behind the gate 
(chapter 97) And now, you comprehend why I came to the deduction that Lee Jihwa had witnessed the love session not from this door, 
(chapter 41) However, in the next episode, Byeonduck showed us a slight change. 
(chapter 42) The door was now close. This means that the butler had intervened at some point. This was the negative reflection from episode 20. 
(chapter 20) This time, the main lead had not requested for more privacy, for he had not detected the presence of his right-hand. And this leads me to the following conclusion. Since this is not the door 
(chapter 43) I am even suspecting that he didn’t view this scene at all, because logically, the light should be coming from the other side!! But on the other side, there is no door!! 
(chapter 49) But there is the window…. And now, you comprehend why Yoon Seungho never investigated the matter with the “door”. It had never been opened in the first place. But how could Lee Jihwa imagine such a scene? 
(chapter 57) However, here it is necessary to remind the readers of my previous character’s examination. I had described Lee Jihwa as trapped in a dark room, because he had lost his auditory and visual sense due to his guilt!! This was the price to pay for his sins. He had imagined to see the friend’s smile and he had lied to the butler. And since in episode 17, his visual senses were triggered (the painting, the painter’s facial expressions), I deduce that in chapter 42/43, this time Lee Jihwa was confronted with the mirror of truth through words. Through the window, he could hear the moaning of the couple, hence he couldn’t see the painter’s sadness. Moreover, this is what the painter said: 
(chapter 42). It sounded like he was indeed seducing the main lead. As for the embrace, he couldn’t hear it, but someone had heard the longing from the painter. 
(chapter 43) The gods were punishing Lee Jihwa for his lie: his friend’s smile!! But I have more evidences for this theory. First, it is important to pay attention to Min’s words, when he manipulated Lee Jihwa. First, he portrayed the painter in a pejorative light with the idiom “indecent life”. 
(chapter 43) Moreover, the noble employed the personal pronoun “we”, which is not typical for the selfish and hypocrite villain. This means that he was repeating Kim’s words. Then he added how the couple would have sex in the barn 
(chapter 43) (“vulgar roll in the hay”), but this was not true. However, this is what had happened in the past with Lee Jihwa. The latter would have sex with his childhood friend in the storage room. This explicates why Lee Jihwa came to believe in Black Heart’s words and manipulations. With such a description, he was reminded of his own past!! Therefore it is not surprising that Lee Jihwa had such a vision. 
(chapter 43) Moreover, since this night was a reflection of the first Wedding night, this means that the author left a clue there. And now, look at this… 
(chapter 21) The windows!! As you can see, the door is not the only place to spy or interrupt intimacy. Secondly, we should have reflections of the spying through the window in season 2. 
(
Chapter 49) In this episode, the light in the study had suddenly vanished, and this is what we had before: 
(Chapter 70) I had already suspected back then, that someone was listening to their conversation, and with this new discovery, Lee Jihwa hearing the love session from the window, this interpretation gets reinforced. Furthermore, in chapter 96, the main lead had explained the opening of the door with this: 
(chapter 96). This signifies that in the past, the lord had explained the sudden opening of a window and the vanishing of the candle light with the wind during the night of chapter 49.
(chapter 36) The reality is that he couldn’t cut ties with his friend. He had lied in the past, therefore he got manipulated in the present. And since he was confronted with his auditory and visual senses in season 1, he was put in a similar situation in season 2. However, there was a slight change, now the red-haired master was confronted with a real crime: murder!! 
The darkness of the room and the silence from Yoon Seungho and the painter were referring to the master’s loss of senses and his guilt. Deep down, the young master knew that the assassination was not right. And note that the aristocrat had this nightmare in his own bedroom confirming that the room is the symbol for the subconscious. Finally, in season 3, Lee Jihwa got confronted with another uncomfortable truth: his friend’s sexual abuse. Lee Jihwa had acted, as if this stolen kiss was nothing. However, due to his silence, he let his friend get raped. And he knew about this, but he chose to close an eye to this. First, Lee Jihwa refused to share his friend with the painter 
(chapter 5) Therefore it is no coincidence that in the shaman’s house, he was put in the same position than Yoon Seungho. He couldn’t select his partner
(chapter 100), he had to rape Baek Na-Kyum. This is no coincidence that the Joker was standing in front of the door. He was pushing the young man to face his repressed memories and lies. That’s the reason why exactly like in the pavilion (chapter 43), Black Heart coerced the antagonist. He used words to manipulate the second lead, but there is a huge difference. The shaman’s house was representing the young noble’s unconscious and as such his true personality, while it was not the case in the pavilion. The room in chapter 43 was more embodying the Joker’s unconscious. Why? It is because Lee Jihwa was speaking the truth in that scene. 
(chapter 43) He reproached Black Heart to have deceived him. On the other hand, the scene in the shaman’s house corroborates my interpretation that Lee Jihwa had not seen the embrace from chapter 42, for Black Heart was voicing the butler’s thoughts and emotions. 
(chapter 100) This shows that during the night of chapter 42/43, the valet had intervened. Thus Min was acting, as if he was a victim in the recent past. He had been deceived by Lee Jihwa’s lies by omission or commission. This is what had happened in the past. Besides, I realized that when the man confessed the incident in the bedchamber
(chapter 83), Min couldn’t see the whole story. He had to rely on the second lead’s words. Just because we could observe the whole scene, this doesn’t mean that this was the case for the character. It is very likely that Lee Jihwa left details out, especially as he portrayed himself as a victim. Due to the narration, Min could have been misled. He could have envisioned that the childhood friend was living in the study and had dragged his friend to the bedchamber. Hence you comprehend why I consider it as another evidence that Lee Jihwa didn’t view the love session in the study from chapter 42 with his own eyes. He had to rely on his ears and naturally Kim played a role before Black Heart’s intervention. The servant hoped that Lee Jihwa would decide to do something…. in other words, he had been gradually manipulated by Kim and Min to hire an assassin. That way, he could be blamed for the murder of the scholar. He would become guilty by association. And the one pulling the strings behind the scene can only be the mysterious lord Song, for he can no longer interfere directly, though I am certain that he was not aware of the butler’s own meddling. Why? It is because in the past, Kim had never become proactive like that. Moreover, I think that even in the past, the man was not omniscient and omnipotent either. He over-estimated his own abilities, and didn’t recognize that he had been fooled himself either. 
(chapter 100) This is no coincidence, for the sexual abuse is the reason why Yoon Seungho’s heart and soul got destroyed. This had the same effect than killing someone, especially if the person is so innocent and pure. Because he recognized the truth, he had the courage to abandon and betray Black Heart. That’s how he could redeem himself in the end. 
(chapter 100) At the same time, this is not surprising that Lee Jihwa met his friend and admitted his wrongdoing. For the first time, he didn’t remain silent and chose to intervene!! I also believe that during that night, he apologized to the protagonist before vanishing. In other words, Lee Jihwa had to face 4 different mirrors of truth, until he was able to admit the verity. He was responsible for Yoon Seungho’s suffering. He had lied, therefore he got deceived, until he had no other choice to confess his guilt and sins. 
(chapter 77) He would do anything to cure Yoon Seungho implying that he wouldn’t mind spending money for the main lead’s treatment. However, the truth was that he refused to send for the physician, when the young boy was sick after the straw mat beating. 
(chapter 77) This means that he broke his promise. Striking is that the vow to the butler was introduced in connection to the patio!! When the readers hear this promise, this is what we see shortly after. 
(chapter 77) Secondly, the elder master Yoon was seen shortly after there. 
(chapter 87) Finally, there exists the flashbulb from Yoon Seungho’s memory: 
(chapter 55) My avid readers will certainly recall how I had claimed that this scene was representing Lee Jihwa and father Lee. I am not changing my mind, but I would like to point out that this story is built like a kaleidoscope and as such, each image is actually a reflection. Thereby I come to the conclusion that in this panel, the young boy and the elder are in verity embodying 4 people: the boy is Lee Jihwa and Yoon Seung-Won, as for the elder, it is father Lee and the elder Yoon. Why? It is because the punishments were related to the Lees’ behavior and words. There is no ambiguity that elder Lee intervened to protect his son’s reputation. In other words, father Yoon was seen in the patio in chapter 55. Then when he visited the physician, he remained outside too contrary to the main leads. 
(chapter 57) It was, as if the elder master had nothing to hide, for the domestic and the butler could hear him. However, the latter got deceived. There is no ambiguity that the valet and the young master trusted him. On the other hand, the valet was the one who introduced him to the physician, like we could see here. 
(chapter 57) But what does it mean? First, it shows that Yoon Chang-Hyeon was never seen in the bedchamber!! In other words, his power was fake. This interpretation gets validated, when I use the confrontation between Heena and Yoon Seungho. 
(chapter 65) In that very same place, the protagonist had been insulted and could do nothing, for neither Kim nor his staff intervened. And this perception reinforces my perception that the patriarch has always been delusional and arrogant, over-estimating his own power. Moreover, the lord was not honest either. 
(chapter 65) This shows that the patio is connected to violence, hypocrisy, deceptions and offenses. 
(chapter 7) Then in the study, Yoon Seungho confessed that his father had been dismissed from his post which contradicts the previous statement. 
(chapter 80) But how did Yoon Chang-Hyeon obtain his office then? Then the expression “follow in his footsteps” caught my attention. That’s how I realized that the elder master never passed the civil service examination!! In truth, he failed terribly. How can I be so sure about this? First, the civil service examination consists of different tests. Secondly the idiom from Yoon Seungho indicates an gradual rise in the grandfather’s career which is not reflected in the lord’s confession to the messenger. Finally, in front of the mirror of truth, the father voiced the following wish: 
(chapter 86) This expectation exposes that this had not happened in the past. But why didn’t he expect this from Yoon Seungho earlier, though the latter had such a good notoriety? It is because he desired to be admired himself. He viewed himself as the Yoons. Thus he said this to his son: 
(chapter 86) This means that he was using his own sons for his own career, though he claims that he is doing for the Yoons’ notoriety. In other words, the patriarch’s position was obtained through sexual favors. But since the king was the sponsor, there is no ambiguity that at some point, the elder master must have started dreaming even bigger, similar to the scholar: 
(chapter 18) Hence I have the impression that he must have acted, as if he was the king’s relative. Hence he asked to be called by a certain title. This could only infuriate the mysterious lord Song, for the latter was hiding his sodomy and debauchery behind closed doors. No one was supposed to make a connection between him and the Yoons. However, I don’t think that the elder master Yoon had planned everything from the start. He had definitely been misguided, for in season 1 and 3, we could see that he was believing blindly what people would say to him. He never doubted his son’s words, when the latter said that Yoon Seungho had given him such a paper. 
(chapter 44) And it is the same with father Lee. That’s the reason why I still think that he had been manipulated. He was pushed to sell his own son, thinking that the Yoons would benefit from it. However, this was just a delusion, as he was dependent on the monarch’s benevolence. 
(chapter 53) But Yoon Chang-Hyeon refused to admit it, it went so far that he was denying his relationship with Yoon Seungho. He was just an animal. 
(chapter 87) He was paying the price for his lies about the cure. Furthermore, the manhwaphiles will realize that he is no longer seen in the patio. 
(chapter 86) Why? It is because the young lord was supported by the “king”. But since he had cut ties with the main lead in the past, treating him like a servant, there is no doubt that the pedophile doesn’t view Yoon Chang-Hyeon in a good light. Hence the son became the true owner of the mansion. In the bedchamber, the father was confronted with the consequences of his decisions and lies. He had lost everything: his position as the head of the family, the propriety, the wealth and the connections. Thus he was left speechless. 
(chapter 86) But when he arrived in the study, this is what he saw. This picture revealed his greed and ambition 
(chapter 87) This was another self-deception. Without the main lead, the latter would have lost everything. Note that he is living comfortably in the house in Hanyang. So if the young master were to disappear, I doubt that the mysterious lord Song will allow the father to take over the mansion. His regret implied that he shouldn’t have sent for a doctor. This is important, because this signifies that he will be punished the same way, it will be even worse. No one will be by his side to protect him and to save him… no one will request for the physician’s assistance. Similar to the broken promise in the patio: 
(chapter 87), while Yoon Seungho was compared to a monster! 
(chapter 86) The outcome of his lie can only be that he will be perceived by people as a monster, as an immoral father who had no conscience at all. How do I come to this conclusion? First, the painter could see right through the father’s gaze. 
(chapter 87) He was a cruel and resentful father. Moreover, the lord’s words always become a reality. Hence the father can only be condemned as the licentious and depraved degenerate. 
(chapter 86), the black sheep! Furthermore the moment Yoon Chang-Hyeon loses the house in Hanyang, he has no place where he can hide himself from public gaze. He can only ended up as a powerless outcast. I am suspecting that since he longed to be admired and fawned, he could end up committing suicide, for he is unable to tolerate people’s rejection and insults. To conclude, the father refused to admit his guilt and wrongdoings till the end. Even cornered, he chose to avoid reality, preferring to trust father Lee and the butler’s lies. Why? It is because he envisioned that by removing the main lead, he could take over the mansion, and act, as if nothing had happened, as if Yoon Seungho had never existed. The gods will fulfil his wish so that he can be confronted with reality. Besides, note that the patriarch never stopped his son from kissing the painter, he even followed him to the seat. 
(chapter 87) This shows that deep down, the man was not truly against sodomy and prostitution. The father resented the son, for he could only achieve “glory” through debauchery and sodomy. I believe that the elder master Yoon was thinking like this: “no matter what” the Yoons’ power and notoriety must increase. In the bedchamber, the man exposed his true personality, while in the patio he was just the fake image of a powerful, decent and righteous man. This explicates why it took the teenager so long to realize the father’s betrayal. 
(chapter 82) He was just an empty shell, his knowledge, experiences and possessions were just an illusion.
(Chapter 5) Baek Na-Kyum was apologizing for his past behavior. He had insulted the main lead because of the poem. And his words sounded really similar to the butler’s in the library, for they both employed the same expressions: “That day” and “I spoke out of”. 
(Chapter 77) Striking is that the painter employed the expression “hand”, while the valet talked about “turn”. Why did they do that? It is because when Kim was caught committing a crime, he turned his head! 
(chapter 68) Thus in the library, the butler excused himself in front of the lord by using the following expression: “spoke out of turn”!! On the other hand, the painter had used his hand, 
(chapter 4), therefore he described his wrongdoing with the following expression “out of hand”. In my eyes, his words indicate the interference of the butler. Furthermore, the two men had a drop of sweat, a sign that they were not truly honest. 
(chapter 77) Both were apologizing, as they had wronged the noble. As you can imagine, the similarity in the excuse is no coincidence. The proof that both incidents are reflections is that they have another point in common. The wrongdoings of the low-borns had taken place in front of a gate. The butler had disobeyed his master 
(chapter 68), and the painter had assaulted the lord by trying to retrieve the poetry. 
(Chapter 4) Because both characters had violated social norms, showing disrespect towards a noble, 
(Chapter 4) In other words, since Yoon Seungho had punished the butler due to the incidents in episode 67/68, I deduce that episodes 67/68 were reflections of episode 4/5 as well!! This corresponds to the rule 2 and 3. 
(chapter 4) Let’s not forget that just before the great entrance of Black Heart and the protagonist in chapter 67, this was what the author showed us: 
(chapter 67) And now compare the building to this one from chapter 1: 
(Chapter 12) (For more read the essay “Lee Jihwa’s special relationship with Yoon Seungho”) Then in season 2, the main lead forced the elder Lee to hear what he had been denying all this time 
(Chapter 67), while in chapter 3, he could only witness it from the patio. On the other hand, Yoon Seungho had been proactive during their sexual encounter, hence the father could only blame the main lead for his son’s debauchery. The intimacy in the pavilion was in verity hiding Yoon Seungho’s huge traumas. But due to Lee Jihwa’s confession in the inn, the red-haired master’s reputation got ruined in town and this must have definitely reached the father’s ears. Striking is that when Yoon Seungho confronted Lee Jihwa with his crime (abduction of a person from his household), the red-haired master ran away and hid behind the folding shield. Thus he never apologized to his friend. And it was the same with the elder Lee. The latter knew about his son’s wrongdoing, for he accused the intruder immediately. 
(Chapter 67) As you can see, the absence of the excuse from the uke and his father outlines that chapter 67 is a reflection of episode 5 and 77. I detect a pattern, chapter 5 contains a superficial apology, chapter 67 no apology and chapter 77 a fake excuse again. Furthermore the manhwalovers can recognize that in the same episode (episode 5), the antagonist Jihwa had indeed wounded the painter with his insult too, a reflection of episode 4. 
(Chapter 5) This confirms that chapter 5 is connected not only to episode 77, but also to chapter 67/68. We have the same elements: an incident linked to a door 
(chapter 67), a punishment, but also the absence or presence of an apology. But all of these episodes have other similarities: hypocrisy and arrogance. The Lees were looking down on Baek Na-Kyum and Yoon Seungho (chapter 5-67), while in episode 77, it was the butler who yelled and criticized the noble.
(chapter 77) By detecting a reflection between these chapters, I had a new revelation. 
(chapter 5), while it was not the case. As you can see, anyone seeing the black guard leaving the owner’s study could have had the impression that the lord had written a letter. This means that this mistake must have taken place later again due to the rule 2! The manhwalovers could discover the deception in chapter 37/38!! 
(chapter 38) That’s how Jung In-Hun got misled. 
(chapter 38) Yoon Seung-Won had never received a letter, but the ruined painting. The readers only discovered the trick in the final episode, when the father was looking at the picture. And this connection between a letter and a painting was reflected in season 2. While Min stole the painter’s last creation
(chapter 56), Jihwa sent a forged letter 
(chapter 56). Striking is that the butler was the one who received the paper before delivering it to his sick master. These two scenes (38-56) indicate that the valet is related to the correspondence. Moreover, he was seen delivering the message to Yoon Seungho in the courtyard. 
(chapter 35)
(chapter 5) It was, as if he was not allowed to write any letter. So where did the table go? To the study!! What caught my attention is that after the first painting
(chapter 2), the table had been removed from the study, just like the papers. 
(chapter 4) This was no coincidence. It had been sent to the lord’s bedroom, but after the lord had tasked the black guard, it was no longer there. This is the indication that someone was interfering with Yoon Seungho’s habit to take a brush. And this can only be Kim. As you can see, the appearance and the vanishing of the small table is the element which was reflected in chapter 1, 2, 
3, 4 and 5. And now, look at the scene where Lee Jihwa met Min. 
(chapter 67) The table had also disappeared. And when did it happen? 
(chapter 21) The noble had ransacked his own room with his sword. And what did we see in that episode? A paper folded in a book. 
(chapter 21) In other words, the First Wedding night is also a reflection from these chapters (4/5, 67/68, 77), for it contains the same elements: 
(episode 19) and the importance of the table. According to me, the valet had put the expensive wine on the painter’s table on purpose. To conclude, I see a connection between episode 4/5, 19/20/21, 67/68 and 77. 
(chapter 77) He can not trust his words, especially since he views the nobles as violent liars. Why? It is because there was this huge table. This is no coincidence that right after the valet betrayed the main lead and wrote a message to the patriarch. That’s how I had another revelation. The butler is symbolized by the table! Thus he was often seen with this small table 
(chapter 11) 
(chapter 17) To conclude, when the butler saw the black guard leaving the mansion, he believed that his master had sent words to someone! That’s the reason why he removed the table and returned it to the painter’s study.
(chapter 97) written by Yoon Seungho, but he envisioned that this was the Spring poem! 
(chapter 97) We had the same situation. Black Heart had stolen the Spring poem, and the noonas had deceived the protagonists by faking admiration in front of an empty paper. 
(chapter 93) Since the paper in episode 93 was empty, I could only come to the deduction that this paper contained words!! 
(chapter 92) The latter’s work was a copy of Yoon Seungho’s poetry, the repetition from chapter 4. Hence you comprehend why I deduce that the paper in the annex was different from the Spring poem. So during that night, Yoon Seungho left a note to his lover, and that’s how the butler discovered that the artist could not read Chinese, for he saw his master writing in hangeul. But there exists another evidence for this interpretation. Baek Na-Kyum had wished this: 
(chapter 97) The goddess was actually fulfilling his wish, when she reminded him of the Spring poem. 
(chapter 97) If the lord had mentioned in the letter that they had found the corpse of Deok-Jae, the painter would have believed him. However, as you can envision it, the butler and Min were determined to generate a misunderstanding, to create the illusion that the scholar had died. Consequently, the servants deceived the main lead by omitting the existence of the paper. They had not delivered the message properly. 
(chapter 4) His own poetry got stolen. But let’s return our attention to episode 5. Since the lord had given the poem to the black guard, this signifies that the lord no longer had the sijo. Therefore he had to write the poem again in order to mask the disappearance. In my opinion, he must have copied the original poetry for the artist in order to prove that he had not been lying. Hence the paper looked different. And this brings me back to the painter’s apology in the patio. 
(chapter 04) That’s the reason why he had taken it in the first place. 
(chapter 7) But where is the sijo now? 
(chapter 65) Moreover, I believe that in chapter 65, he had collaborated with the noona. He had shown her the painting of Baek Na-Kyum, while in the study there was a blank paper. As you can see, in season 2, we had again this connection between a painting and blank paper. But let’s return our attention to chapter 5. The black guard was acting on the order of someone else, Yoon Seungho was not the one hiring him. The butler hates ruckus, his MO is to lie low and act in the shadow. If he had retrieved the paper, the man could report it to the master of the black guard. On the other hand, he could have asked the warden about his master’s request. He just needed to say that he desired to assist him, similar to this situation. 
(chapter 82) Thus I conclude that when the lord returned the paper to Baek Na-Kyum 
(chapter 7), Kim must have realized his error. He had mistaken the poem for a letter!! This explains why he repeated the trick with the younger master Seung-Won. But unfortunately for him, he was caught by the teacher who asked the painter about the letter the next morning. 
(chapter 38) Baek Na-Kyum could have realized that the butler had acted behind his master’s back. The problem is that during that evening, the lord had indeed written a letter to his brother 
(chapter 36), but the moment the latter interrupted the couple
(chapter 37), Yoon Seungho chose to hide it. But why is it important? It is because if the painter had mentioned the paper given to the younger master to Yoon Seungho, the latter could have noticed the valet’s meddling and wrongdoing. On the surface, it looked like Kim had written himself a letter to the younger master. In other words, in episode 37/38, the butler gave the impression that he was a spy, for he was acting without his master’s permission. He had even left the propriety, as he was standing outside in front of the gate. Don’t forget that during the meeting, the brother had mentioned that he had sent him many letters 
(chapter 37), and there is no ambiguity that Kim had intervened. Here, the lord had said nothing, for he imagined that Kim had done it to protect him from his family. 
(Chapter 4) But on his way out, he met Yoon Seungho who had just missed the painter’s departure. But there, he discovered that the main lead had stolen his poetry. 
(chapter 5) He was looking at the gate and as such making sure that the artist’s departure would be noticed. By sending the low-born to the Lees’ mansion, Kim was encouraging the painter to commit a crime: trespassing! But the artist was fortunate, for he was not caught by the lord of the mansion, who preferred hiding due to the ruckus caused by his own son. 😉 As for Yoon Seungho, he came back to the mansion and saw the empty study. Kim just needed to say that the low-born had left to the Lees’ mansion. This is important, because this indicates that in chapter 4, the couple missed each other first! And this situation was repeated in season 3, precisely in chapter 98, when the lord returned from the bureau of investigation
(chapter 98)! The lord arrived just after the painter’s departure. And who was with the main lead? Kim. As you can see, the lord’s luck seems not to be on his side, for Baek Na-Kyum had just left the propriety. Once again… the lord was standing in front of the gate!! As for season 2, this time, it was Kim’s fate to miss his master. 
(chapter 56) The reason for this punishment is simple. He had sent away the artist to the study just before Yoon Seungho regained consciousness. The latter didn’t see that the artist had taken care of him during that night. Thus the butler’s karma was not to notice his master’s departure which stands in opposition to chapter 4 and 98. And note that all these chapters have the paper as common denominator. So imagine the butler’s surprise in episode 4, when he witnessed the artist’s return to the mansion followed by his master. He had sent away Baek Na-Kyum with the hope that the artist would desert the town for good, but no…
(chapter 23) The first similarity is the allusion to his bag. The butler was actually thinking that during the hunt, the painter would decide to run away. That’s the reason why he asked about his belonging, for in the past, he only wished to vanish after retrieving his tools. Naturally, the artist saw no harm in the butler’s question and answered truthfully. He must have narrated the argument in the courtyard about the poem. Yoon Seungho had kept the sijo, consequently the painter had used his hand to take it back and had by mistake removed the lord’s hat. Thus Kim must have told him that he just needed to apologize. But one might say that this is just a story imagined by me. The manhwaphiles never saw such a scene. But don’t forget the existence of the reflections. I have definitely an evidence for this theory. Since the butler had manipulated the painter in chapter 4 in order to get rid of this uninvited guest, his karma was to receive a new guest!! 
(chapter 7) This is not what the valet truly desired at all. He wanted to live in peace. But now, he had three new people he had to serve: Jung In-Hun, the painter and his own master Yoon Seungho who had lived for quite some time in the Lees’ mansion. He had to work!! And note that in this episode 7, we have the following elements:
(chapter 93) It was a futile dream. When I had analyzed episode 93, I had explained that the speech from the main lead was influenced by the butler. As you can see, the lord’s narration 
(chapter 93) This time, Heena is the one standing behind closed doors, while it was Yoon Seungho in chapter 77
(chapter 93) In chapter 99, the noonas still lied to him.
(chapter 93), which was also present in chapter 4/5, 7 and 67
/68 and finally 77 
(chapter 55) Who was lord Song’s contact person then? In the past, I used to think that he was the one receiving the letters. But now, I have a different opinion. I believe, it is Heena! Why? It is because Kim couldn’t identify lord Song’s writing. According to me, Yoon Seungho was sent to the gibang in order to entertain the mysterious “lord Song”. Thereby I am assuming that the kisaeng would receive a word from lord Song and have the main lead fetched from the mansion by the black guards. Heena and Yoon Chang-Hyeon are the only ones seen with black guards, I am excluding the main lead, as he was always more or less their prisoner. As you can see, there is a connection between the noona and the Yoons.
(chapter 68)
(chapter 69) and in season 3, the noona sent messages to her brother herself. In two different chapters
(chapter 91), she is related to papers. 
(chapter 97) Logically, the noona in connection with the letter should be present in season 1. Secondly, when the woman appeared for the first time 
(chapter 64), she was accompanied with 2 guards, which is quite similar to the lord’s situation in chapter 1. That’s the reason why I believe that she didn’t keep the learned sir’s poem. Her betrayal could have been noticed and this was the first time that Yoon Seungho was making such a request.
(chapter 56) This would follow rule 3. Then according to rule 2 of the kaleidoscope, elements from one episode will be constantly mirrored in the next chapters. And what did we have in episode 19? A larceny… the bottle of wine vanished. Then in episode 20, the lord stole the scholar’s identity, while he stole the painter’s virginity. Hence the lord apologized to the painter for his wrongdoings. 
(chapter 21) And above I had already demonstrated the connection between the First Wedding Night and chapter 5 and 77! Here the lord was imitating the pedophile’s behavior, hence you comprehend why I think that lord Song was the recipient of the poem. I would like my readers to keep in their mind that the learned sir’s sijo was referring to a painful departure, the loss of a loved one and despair! The beholder could have the impression that the author was suicidal due to the mention of the well and the torment of the mind. Thus I am now assuming that the “mysterious lord Song” will consider the sijo as a farewell, the lord chose to commit suicide and his death was related to Jung In-Hun’s curtains. Why? It is because Heena wrote letters to her brother where she accused the main lead of killing the learned sir. Moreover, Yoon Seung-Won had definitely mistaken the painter for the learned sir. 
(chapter 37) His position revealed that the main lead trusted the artist. It was, as if he was treating him like his wife. 
(chapter 34), and shortly after the painter was sent to the tailor. But during that night, the pedophile and Yoon Seungho had missed each other due to Baek Na-Kyum. He was not dead. So when the painter received new clothes, it was the same for Yoon Seungho. Yet, the pedophile was gravely mistaken. Why? The sijo had been stolen, and as such it was never addressed to the pedophile. Furthermore, it is because the lord was suffering from memory loss. Moreover, I believe that the main lead is not aware of the true identity of his sexual abuser. In his mind, it is just lord Song. But this doesn’t end here. 
(chapter 94) In episode 4, the lord had laughed about the sijo, but it was no longer the case in the kisaeng house. In my eyes, the pedophile will go through the same experience. Yes, the effect of the kaleidoscope. He will perceive the learned sir’s poetry under a different perspective. Only in that moment, he will realize the suicidal tone in the sijo. He will question how Yoon Seungho could become so desperate and suicidal so suddenly. And now, you comprehend why Heena was trembling in front of her brother
, and why she had planned to leave the gibang that night!! She was aware of the arrival of “lord Song”. She knows how cruel and ruthless he can be. 
(chapter 82) 
(chapter 82) It is because he didn’t want to leave any evidence of his intervention. No one should notice that he had paid a visit to the patriarch either. His visit should remain a secret. He was actually afraid of getting detected. The reason is simple. He was fearing the person standing behind Yoon Seungho, lord Song. He had two reasons for this. First, he could see that Yoon Seungho was no longer treated like an animal or male kisaeng. 
(chapter 67) Here, the lord had just insinuated that if something like that happened again, he would go to the authorities. However, since this threat was rather ambiguous, the patriarch Lee could only interpret it that way. The main lead would report the incident to the “mysterious lord Song”, alias the king. And father Lee knew that he could get into trouble. Furthermore, since these elders are all hypocrites and liars, there is no doubt that father Lee feared that the protagonist wouldn’t keep his words. That’s the reason why he approached the father. He hoped that Yoon Chang-Hyeon would intervene and impose his will onto his son. He would tame the main character. In other words, episode 82 is a reflection of chapter 4/5, 19/20/21, 67/68 and 77. The first common denominator is the allusion to letters. The messenger’s words revealed that Kim had contacted the elder Yoon, for he already knew his name, though the latter had never met the domestic. Secondly, the “letters” were delivered orally: 
(chapter 82), and even in person: Father Lee and the emissary. Third, the elder Lee badmouthed Yoon Seungho by mentioning the incident from chapter 67, and refused the invitation of his host 
(chapter 82). Finally, he called Baek Na-Kyum a peasant exactly like the main lead in front of the gate: 
(chapter 82). But more important, the old bearded man expressed this fear: the loss of his family home!
(chapter 82) And remember that I had detected the presence of the Lees’ mansion in episode 4 and it was also present in chapter 21 and 67! And what had the butler done during these chapters? He had tried to chase away the painter and as such Yoon Seungho. The latter was not supposed to live in the Yoons’ domain. And this will be the Lees’ karma to be driven out of their own house! 
(chapter 83) It vanished, and as such it was stolen. Did the mysterious lord Song take it away in order to force Yoon Seungho to paint? The older version of this scene: 
Bebebisous33s' analyses in K-Dramaland and Manhwas 