Painter Of The Night: Tears and predictions 😉

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

Now, you might wonder if I have not developed an obsession with the tears. This is already the fourth essays about this topic, if I include the analysis about Baek Na-Kyum’s tears. However, remember that in the composition entitled “Tears and characters – part 1”, I had explained that Min’s tear had inspired me.

And now, it is time to reveal my theory. For the first time in the manhwa, we had a combination between tears and humor. Furthermore, just after Nameless had mentioned the intercourse between him and Jihwa, the latter had punched him in the stomach. However, as you can imagine, the lord’s punch didn’t hurt the criminal at all. But since Nameless didn’t desire to embarrass his former sexual partner, he acted, as if he had been hurt. In other words, he wasn’t actually honest, when he said this: “That hurt, my lord”. (chapter 76) For the readers, the situation was transformed into a joke and comedy, exactly like Black Heart pointed out right after. Yet, for the villain, it was a serious situation: “Jihwa had fallen so deeply into sodomy that he had reached to a low-born!” Besides, Min hadn’t been able to taste himself the painter.

And this combination between humor and tears made me realize that at the end of the story, the readers should expect that Baek Na-Kyum or Jihwa will cry out of laughing. Byeonduck’s fanarts are already indicating this, because the artist is always seen laughing with an open mouth. This signifies that Yoon Seungho and Nameless will make jokes and tease their partners. In this picture, the noble is biting the artist’s finger. Let’s not forget that both ukes are always crying so much, when they are sad, angry and pained. It displays that they tear up easily.

Besides, Painter Of The Night indeed contains many jokes and pranks, but there are not perceptible right away. Let me give you another example. (Chapter 67) Nameless excused his roughness with his lack of experiences. But the readers are well aware that The Joker did it from the back with the kisaeng in episode 51 and he has quite a reputation. And when I combined the low-born’s excuse with Jihwa’s reaction, I couldn’t help myself laughing. The latter was so innocent here, for he believed the man. He wasn’t able to recognize why Nameless rubbed him so raw. His description reflected the butcher’s passionate desires. The latter couldn’t restrain himself. His heart had been moved by the aristocrat’s remorse and tears. The criminal could sense his purity despite his horrible intentions. The young master imagined that for the criminal had never done it with a man before, he would be more careful. Moreover, if he had done it with women before, in his eyes, it signified, the lover was quite delicate and tender. In other words, Nameless hid his sexual desires and affection behind a false excuse. We have another indication that the low-born did more than rubbing. He left many hickeys on his sex partner, a sign of possession and passion. For the first time, Jihwa experienced what a love session is, but didn’t recognize it. 😉 Nameless is well aware that the aristocrat has no real affection for him, therefore he has to hide his true emotions behind a joke.

In addition, we have Yoon Seungho who keeps playing pranks (chapter 16: , 74 and teasing his lover (chapter 23) (chapter 75). Nevertheless the latter hasn’t truly recognized his master’s sense of humor due to social norms.

Baek Na-Kyum is always worried about his doctrines and appearances. In chapter 16, he was fighting against his arousal and didn’t want to get caught. In episode 23, he tried to hide the fact that he had stolen the bottle of wine. Then in chapter 39, he was uncomfortable, because the tailor could see the nature of their relationship. In episode 75, he is still in denial that he is hoping for more. Therefore he refuses to admit the truthfulness of his lover’s words. Baek Na-Kyum could only blush, each time he was teased. Consequently I come to the conclusion that the protagonist will only shed tears out of laughing, when he has been able to overcome the social norms. That’s why the moment the artist won’t feel flustered any longer, he can pay attention to his lover’s words and behavior and grasp his intentions. From that moment on, he will sense the main lead’s sense of humor. On the other hand, this can only happen rather late in the story. Furthermore, since Jihwa is very similar to Baek Na-Kyum, for both are trying to follow traditions and are influenced by their peers (Min- Heena), it signifies that the young master will have a similar evolution.

As a conclusion, I am predicting that at the end of the story, the jokers Nameless and Yoon Seungho will make their respective partner laugh so much with their words and gestures that tears will come out. However, so far none of the ukes could enjoy the pranks and comical situations. Both were always very serious, because they are influenced by humorless and austere people: Min, Heena and Jung In-Hun.

Now, I will explain why I perceive them as unhumorous persons. The kisaeng lives in an environment, where she needs to entertain the rich and powerful nobles. That’s the reason why jokes are a synonym for work for the sister. In other words, humor is linked to seriousness. Besides, I think, she has never experienced fun with lightness. She was trained to make the clients laugh. Moreover, I would like to remind that Black Heart is no real jester, as his pranks are always aiming at hurting others, he wants to be entertained in detriment of others. This villain’s humor stands for Schadenfreude which is no real humor. As for the scholar, he is only focused on his dream: getting a high position, that’s why he never interacts with people. He only meets commoners, when he needs them. In other words, he is always very serious and doesn’t understand humor at all. This explicates why he failed to recognize the lord’s sarcasm in chapter 6. He took the compliments as face-value, but if he had paid attention to the tone of the voice and the smirk from the protagonist, he would have realized the situation: he was seen as a joke by Yoon Seungho. 😂

The presence of jokes and pranks truly shows that Painter Of The Night is not just a heavy drama and romance, the story contains humor as well. But the problem is that the jokes are and were never obvious. (see for example the scene with the book in episode 6) Only attentive readers can catch these little details. I have to admit that one of my favorite chapters from the first season is indeed the episode 6 due to the lord’s teasing and cynical remark. It’s because I laughed so much that I fell in love with this character. His sense of irony revealed his intelligence. My readers will certainly remember that my first essays were always about the infamous sodomite, who was greatly misunderstood by the manhwaphiles. And now you know why.

So my question is: Do you like the idea? Do you want to see Baek Na-Kyum and Jihwa crying out laughing?🤣 This would be a perfect ending for me, because this would compensate the readers for the long agony experienced while reading this manhwa. Besides, this would explain why Byeonduck created such happy fanarts.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Tears and characters – part 2 (Version with 10 different pictures) – second version

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

Now, it is time to focus on Black Heart and his famous tear.  (chapter 76) Contrary to Baek Na-Kyum and Jihwa’s crying, the villain is shedding one single tear while laughing. It looks like he’s having fun and entertained. But if you replace the scene in the whole context, you’ll come to a different conclusion.

1. The context of Min’s tear

He is actually far from enjoying this “joke”. First, he had to witness before that he had been defeated by his rival Yoon Seungho.  He couldn’t separate them. He was so annoyed and upset by the situation that he vomited. In other words, he was green of envy and simultaneously he was green (sickly)🤢🤮 due to his opium consumption. This signifies that he was definitely not in the best mood.

Then in the shed, he hears from Nameless that Jihwa had sex with the criminal behind his back.  Though it looks like this secret puts him back in a good mood, I noticed two details:

  1. His eyes are always closed, especially when the tear comes out
  2. Secondly, his laugh is very short-lived.

2. The closed eyes and the tear

The manhwaphiles should wonder why the Joker has his eyes closed. It can’t be explained with the laughing, as his laugh comes to an quick end (only 2 HAHA), and he is already talking to Jihwa and the commoner. But observe that while mocking his puppet, he avoids eye contact. So why does he have closed eyes? In order to get an answer, I tried to compare it to the previous situations, when he laughed. That’s how I realized that Byeonduck never let the readers see his gaze, when he was laughing.

  • chapter 19: 
  • Chapter 43 
  • Chapter 53: 
  • Chapter 54: 
  • Chapter 69: 

The absence of his face (19, 43, 54, 69) and of his eyes (chapter 53) is an indication that he is actually wearing a mask. That’s why I deduce that the Joker is actually closing his eyes in front of the second leads, for he is attempting to hide his pain and vulnerability. After seeing how Baek Na-Kyum escaped from all his traps (the wine, the sex orgy, the murder, the kidnapping, the gangrape, the rape, the sex at the kisaeng house), he has to discover that he is also losing control over his puppet Jihwa. This can only increase his stress and bad mood. The manhwaphiles should remember how much Black Heart loves using his power and influence over Yoon Seungho’s childhood friend. That way, he feels powerful. This explicates why he punished him in chapter 67. He made sure to scare and humiliate him so that the latter would become obedient again:  .

But during that night, he hears that Jihwa had even violated social norms. His disciple had sex with a commoner. Let’s not forget that the second lead had declared this in chapter 18: 

Jihwa: “Yoon Seungho has fallen into sodomy that he is now reaching for a low-born”.

In my eyes, the red-haired aristocrat was just repeating what Min and the other nobles were advocating. This sexual encounter between the second leads could only infuriate Black Heart, as the latter in reality follows traditions blindly out of fear.

3. Fear and laugh

Here, I need to elaborate the signification of Min’s laugh. In truth, his laugh is not a signal for pleasure and excitement, but the opposite. It reveals his discomfort and anxieties. This means, his laugh is linked to negative emotions and nervousness, which the character tries to mask from the others. Why do I interpret it so? I could use the situation from chapter 53. He has just been punched by Yoon Seungho and he fell onto the ground. This was definitely painful. But notice that though he is laughing, he is hiding his mouth with his hand, a sign that he is masking his true thoughts and emotions. In this panel, the readers are seeing Min the clown as his best. The covered mouth and the absence of the eyes are strong indications that he is not honest at all here. Since he is laughing, we have to imagine, he is feeling the opposite: scared and hurt. But he has to grin and bear it. That’s his MO in my eyes. Furthermore, there exists this famous study organized by Yale University psychologist Stanley Milgram that revealed people often laughed nervously in uncomfortable situations. People in his study were asked to give electric shocks to a stranger, with the shocks becoming increasingly powerful (up to 450 volts). The higher the shocks, the more the participants were laughing in order to mask their embarrassment and fear. They did it to reassure themselves and give the impression to others that this was normal.

One might argue that in episode 43, Black Heart had no reason to feel discomfort. He was truly making fun of Jihwa’s hypocritical behavior.  But even so, this truly outlines that while he was truly mocking Jihwa in episode 43, the new version of this scene (chapter 76) has to be different. Why? It is because this time, Jihwa didn’t act, like Min had anticipated. In chapter 36, The Joker had made sure that the second lead wouldn’t stick to his promise. He had manipulated him to visit Yoon Seungho’s mansion. In chapter 76, Min has to discover that nothing he had planed worked out. The assassination didn’t take place immediately, then he never involved Min like requested. Finally, Jihwa had even sex with the criminal. That’s why this comparison even reinforced my interpretation that Min’s laugh is more often a sign of stress, anxieties and negative emotions than real pleasure and enjoyment. Consequently I believe that the tear and the laugh are in truth a sign of discomfort, pain and stress.

4. The tear and Black Heart’s comment

But there’s another clue why I believe that his tear is the result of negative emotions.

What caught my attention is the presence of an oxymoron: a comedy of errors. While comedy stands for fun and lightness, error embodies gravity and seriousness. The contradiction indicates the presence of emotions, the noble is definitely torn apart by this revelation. Besides, notice the idiom “you found yourself in” which portrays Jihwa as weak and rather stupid. The words imply that the disciple is a puppet. According to Min, he had sex, because Nameless convinced his disciple to this. He was a victim of circumstances in Min’s eyes. That’s why his words truly exposes a huge reproach. Black Heart’s words reflect that he is very serious in that moment, he is even talking about money.

If I had to rephrase his true thoughts, this would be the result: “How could he let himself be so manipulated to make such a mistake? Is this a joke?” That’s why I believe that Min is not shedding a tear out of joy or out of laughing, rather because he is frustrated and pained. That’s the reason why in the same scene he will lose his temper in front of Nameless, and shows his true face: nasty, violent and arrogant.  And note the contrast of the mouth. The lips are positioned in the opposite way than when he smiles. And now, you understand why Min had his eyes closed. He was hiding his true emotions from the others, as the eyes are the mirror of the soul. Yet during that night he could no longer keep his mask as the Joker.

5. The signification of the tear

Another huge divergence is that unlike all the other characters weeping, he only sheds one tear which is quite significant. This shows that Min’s heart has been wounded, yet due to his true personality, he can’t cry buckets. Let’s not forget that I had already diagnosed him as someone suffering from ASPD (Antisocial Personality Disorder). His lack of empathy is the explanation of his lack of tears.

One might say that this is just a crocodile tear.

This is definitely correct in the sense that the lord fakes his happiness and pleasure, while in my opinion he is masking his hurt, frustration and stress. In that panel, he is definitely a hypocrite, nonetheless I doubt that his emotions are insincere. It is just that he is a crocodile himself, therefore he has never shed a tear before.

As you can perceive, the appearance of the tear is important in my eyes. We have to imagine that until the appearance of the painter Min felt bored to death or better said bored to tears.

“bored to death/bored to tears”: extremely bored to the point of distraction, frustration or irritation. quoted from https://idioms.thefreedictionary.com/bore+to+death%2ftears%2c+to

That’s why he kept looking for fun and entertainment.  (chapter 66) Striking is that when the lord found Baek Na-Kyum in a terrible situation, he looked excited. In my opinion, the situation was pleasing to his eyes for two reasons. Min could see how Yoon Seungho had mistreated the painter, therefore he sensed that he could have an opportunity to approach the artist. Since Yoon Seungho was not willing to share his lover to others,. Min had only one possibility left: separate the couple. That’s why he found it entertaining. He imagined that his chances to taste the low-born had increased. This explicates why he takes pleasure in the misery of others. He is able to profit from the suffering of others. In other words, he never had to put a lot of effort. Everything was always delivered to him on a silver plate.

But since he was using others to play his games, this means that Min never had to work either. I am quite certain, the readers remember this idiom:

blood, sweat and tears”: a huge amount of effort, dedication and hard work. quoted from https://idioms.thefreedictionary.com/blood%2c+sweat%2c+and+tears

That’s another explanation why he couldn’t shed a tear. Note that during the first season, he made requests to Yoon Seungho (chapter 19, 33). The latter had to bring the painter to the bedchamber in order to show the pictures or to bring him to the sex orgy. Then he asked the same thing during the second season. The host had to fetch his artist. Then he incited Jihwa to hire Nameless and gave him the information about the criminal. Nonetheless he never went there himself. Striking is that the more he lusted after Baek Na-Kyum, the more he became proactive. In chapter 56, he visited his “student” on his own, and made the request to be involved: “Let me in on it”. Then he visited the protagonist’s mansion on his own in chapter 66, this signifies that he was more and more walking around. In chapter 69, we see him waiting at the kisaeng house. He hoped to meet the artist there, thinking that Baek Na-Kyum would want to run away from Yoon Seungho. The fact that Byeonduck portrayed Min walking in so different scenes (52, 56, 66, 76) is an indication that Min is becoming more and more active. In poetry and literature, the walk is often a metaphor for life. That’s why I come to the conclusion that the tear symbolizes Min’s revival. Hence this picture truly mirrors Min’s life before his meeting with Baek Na-Kyum. (quoted from https://9gag.com/gag/awXAwnW) This image is inspired by the song “Beautiful” written by Eminem, because the latter referred to the presence of a mask and act by singing “hide behind the tears of a clown”.

As you can observe, Black Heart is making a similar experience than Yoon Seungho. He is starting to live his true life and as such dropping his disguise: The Joker. And this picture truly mirrors Min’s life before his meeting with Baek Na-Kyum. But old habits are hard to die.  

Min: “What if I said I could have you killed?” (chapter 76)

He threatened the criminal to have him eliminated. His words expose that Black Heart wouldn’t still do it himself, but he would use others. On the other hand, his remark displays a transformation, for Min is now taking responsibility for a person’s death. By becoming more active, he is no longer running away from accountability. This signifies that at some point, he will be responsible for his own actions and words and won’t be able to put the blame on others. Simultaneously, this situation forces him to show his true colors. However, there’s a huge difference between the wealthy main lead and Black Heart. Instead of transforming into a phoenix and shine, Black Heart will turn into a monster, a zombie. Since Min can now feel pain, this indicates that he is alive. I can’t help myself associating him to rotting flesh due to the opium and his nausea. Because of the connection between work and tears, I am expecting that Min will begin to show an interest in the officials and get in touch with Jung In-Hun.

6. The tear and the clown

To summarize, the Joker was always hiding his true self from others. He played The Joker in order to cover up his own anxieties, emotions and thoughts. Then he never had to make any effort. Finally, he always felt entitled due to his social status. Thereby I come to the conclusion that Black Heart was quite similar than Yoon Seungho in the end. He was also living like a ghost, yet he was different at the same time. Since he fears to break social norms, yet resents them deeply, he learned that he had to hide his true self behind a mask. Therefore he became a clown, a Joker who would use others as his puppets and as such toys. But as a clown, he couldn’t show his true emotions, for it was not his “function”.

tears of a clown: A phrase used to describe a person who appears joyful and chipper around people but is actually emotionally distraught. Usually this results from heartbreak or a severely stubbed toe.  https://www.urbandictionary.com/define.php?term=tears%20of%20a%20clown

This expression corresponds totally to the image from chapter 76: , the clown was in really distressed and wounded, but he had to grin and bear it. He had to keep playing his role of the Joker, until his position as the puppet master got threatened by Nameless’ intervention. This explicates why The Joker had to stop Nameless from talking. The Joker realized that the commoner could have a huge influence over the second lead.

Min: “Such insolence from a filthy, lowly cutthroat…. How dare you, a worthless peasant, question your superior? You’d do well to bite your tongue and keep playing your tricks, jester.” (chapter 76)  

He attempted to humiliate him through insults, but nothing worked on the commoner. In this scene, Min was defeated for the first time, though he managed to keep the red-haired noble by his side.

7. The tear and Min’s obsession

Since I elaborated that Min and Yoon Seungho had so many similarities, the Joker’s tear is another indication that the main lead will also come to cry. Yet, contrary to Black Heart, I am expecting the lord crying a river. In addition, this means that the reason for the appearance of Min’s tear is caused by Baek Na-Kyum, though it happened in front of Lee Jihwa. On the other hand, the manhwaphiles shouldn’t forget that the latter is a different version of Baek Na-Kyum. Therefore we have to imagine that in the past Min became interested in the second lead due to his closeness to Yoon Seungho too. That’s the reason why Min chose to snatch Jihwa from Yoon Seungho. Remember the main lead’s words in chapter 55:

Yoon Seungho: “I brought you here as a new plaything, that’s all…” (chapter 55)

Because the main character and Min are similar, this image is in my eyes an evidence that Min considered Jihwa as his plaything too. First, the protagonist showed an interest in painting, so did Min. The former was close to his childhood friend, therefore Black Heart desired the same relationship between Jihwa and himself. And now, you comprehend why he is determined to taste the painter. Yoon Seungho’s gaze revealed that he was sexually attracted to the painter, and the latter had a similar reaction. Hence Min feels the need to lust after Baek Na-Kyum. But he is making a huge mistake: for he sensed sexual attraction in their gaze, he believes that this is the real foundation of the relationship between the two main leads. Yet, it becomes obvious that Black Heart has fallen in love with the painter, but unlike Yoon Seungho, the Joker is not willing to admit this. He fears the consequences: to be laughed.

But why is Min so obsessed with the main lead? It is, because he envies the protagonist for his way of life. On the one hand, he lives above social norms and doesn’t pay attention to rumors and traditions, hence he has a bad reputation. On the other hand, the nobles keep seeking his company despite everything. Yoon Seungho is attracting attention, therefore the clown can only judge Yoon Seungho as a rival. However, people are mocking him behind his back. That’s why Min can’t truly take the main lead’s place and can only copy him. In my opinion, Min is longing for freedom too, but in a more destructive way.

And now, you comprehend why Jihwa became his disciple. Min was able to earn his trust, which explains why Jihwa admires Min’s relationship with the noble with the mole in chapter 59.

Jihwa: “We have seen each other in the most wretched of states. Of course our relationship is not the same as yours.”

 From my point of view, Min was motivated to take away Jihwa from Yoon Seungho and have the same influence over Jihwa than Yoon Seungho. But even here, Min failed in one aspect. The red-haired noble was always faithful to his childhood friend, therefore their relationship never turned into a sexual relationship. It is possible that first Min was aiming to have him as a sexual partner, until he realized that Jihwa only had eyes for Yoon Seungho. That’s why in the end, Black Heart played with the second lead’s naivety.

However, Min’s obsession over Yoon Seungho is slowly changing. I would say that he is now getting obsessed with Baek Na-Kyum. This would explicate why Min shed one tear in the shed after witnessing the embrace.  He definitely felt agony in that moment, thereby he felt the need to vomit. But since Jihwa’s tears are famous, I can’t restrain myself thinking that Min’s tear was provoked by Jihwa’s betrayal. It was the straw that broke the camel’s back. And this leads me to the following conclusion:

Min has now discovered that his influence over Jihwa is in danger, then this means that he has to pay more attention to his student. It is definitely possible that the “mentor” torments Jihwa more than before. But it could backfire on him. At the same time, his obsession for the painter is increasing, therefore I am expecting that Min will be forced to make a choice at the end: who is more important in his eyes? Jihwa or Baek Na-Kyum? And the moment Black Heart selects the painter, the second lead can only recognize Min’s hypocrisy and false preaching. One thing is sure: Min will shed more tears in the future… he will be more and more tormented which will be his karma.

As a conclusion, Min’s tear was a sign of his revival. The tear was triggered due to pain and stress. The puppet master experienced how little control he had over people. However, the master attempted to hide his heartache by masking with a laugh.

There will be a third part. 😉

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My reddit-instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The Ghost and the embrace 💞

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

As you can imagine, the embrace between the two protagonists stands in the center of this analysis, because we had so many pictures with a hug, like these two: (chapter 76)Yet, the peak was reached with the following picture, for Baek Na-Kyum and Yoon Seungho seemed to have merged as one: The readers can barely detect the painter’s presence: only his head and hand are visible indicating the depth of their intimacy and closeness. However, the title is mentioning the presence of a ghost. The latter can not be Yoon Seungho, because the panel above announces his official wedding with the commoner due to the presence of the red and blue lanterns called Cheongsachorong. These are used for wedding ceremony in Joseon. Therefore who is the ghost? And why do I perceive the existence of a spirit in this chapter? But before revealing the identity of the ghost, I would like to expose the reason behind such a title. While focusing on the embrace, I came to the following observation.

Each time Baek Na-Kyum and Yoon Seungho embraced each other, I detected the presence of a ghost. During the second season, we had 6 real hugs:

  • chapter 49,
  • chapter 53 ,
  • chapter 62 ,
  • chapter 66 ,
  • chapter 71,
  • chapter 76.

While comparing all the hugs, I will determine the ghost’s identity each time. In chapter 49 the painter was reminded of Jung In-Hun due to the warmth exuding from the main lead. The painter couldn’t restrain himself from thinking about that fake embrace (chapter 29), therefore he chose to push away the wealthy aristocrat out of fear that he might get hurt and betrayed again. The commoner judged the embrace and warmth as a deception. This means that the low noble as a “spirit” was the reason why both protagonists couldn’t get closer. The low-born was only acknowledging Yoon Seungho as his sex partner and nothing more. Striking is that in episode 76, we have a reference to the hug from chapter 49, as the position of the painter’s head in this image resembles a lot to this one: (chapter 49). Yet the outcome is different, as the manhwaphiles can witness how the painter moves his head closer to Yoon Seungho’s. Moreover, the artist’s gaze is truly looking at his lover. We even have the impression that the artist is smelling the lord’s scent in order to reassure himself. Although the manhwaphiles couldn’t enter Baek Na-Kyum’s thoughts this time, they could perceive the change of his attitude. The embrace is no longer judged as fake. This signifies that the ghost Jung In-Hun has vanished for good, which is even reflected in a different panel: (chapter 76) The lord allowed the low-born to embrace him in front of people, whereas the scholar had to ask the commoner to follow him in a deserted alley. (chapter 29) The low noble feared people’s gaze, his attitude truly showed that he didn’t want to be connected to Baek Na-Kyum. His action was definitely a sign of hypocrisy and cowardice. That’s why in chapter 76, the painter could only come to the conclusion that the lord’s embrace was genuine and the lord’s feelings were not trivial. Moreover, the main character never pushed his lover away(chapter 76), he even lowered himself and sat down on the ground for a while, so that Baek Na-Kyum could calm down. Imagine, when the powerful lord arrived to the place where the main character had a panic attack, everyone was bowing in front of the noble. They didn’t even dare to face him, yet when he saw his lover trembling, the master lowered himself and attempted to help his partner. However, his gestures led to be misinterpreted in the beginning, hence a shop owner started interfering. However, he was stopped with a frightful gaze: Besides, when the noble kept calling the protagonist in an informal way (Na-Kyum-Ah), people could realize his real intention. He meant no harm. In fact, he was treating the low-born like a precious treasure, who needed help. By calling his name Na-Kyum-Ah, the main lead tried to reassure his lover. Hearing his name made the low-born realize that he wasn’t attacked by the jester. This explains why the artist immediately embraced his companion. (chapter 76) Thus we could say that “Na-Kyum” had finally become a magical word like Seungho-Ya. Another contrast to the scene in episode 29 is that the way the low noble called Na-Kyum. (chapter 29) The former teacher was just caught by surprise, hence “Na-Kyum” was said more or less randomly. On the other hand, Yoon Seungho used this name as a sign of intimacy. He desired to give comfort and warmth to his lover. And now, you understand why Baek Na-Kyum hugged his lover by instinct. With his embrace, the protagonist would feel safe, which contrasts so much to the one in chapter 29. Back then, after the hug the learned sir brought the artist back to the mansion, although the low-born had run away out of fright. He mostly feared for the scholar’s life (chapter 29) thus he tried to find him. And now the mansion has become the painter’s home, just like the lord’s embrace. It is a synonym for comfort, warmth and safety. Another huge contrast is that for the first time, the painter asked for Yoon Seungho’s help directly. (chapter 76) Imagine that so far, he has never relied on others. Even as a low-born, he was willing to save others (Jung In-Hun or Deok-Jae or Heena (chapter 65). Surprising is that when he was bullied by Deok-Jae, he never complained and asked for the head-maid’s assistance or his lover’s. His attitude to never rely on others was even more perceptible in his escape in chapter 46. The cause for this behavior is linked to his abandonment issues. Due to his past, he was forced to only rely on himself. Nonetheless, in chapter 76 he changes his attitude. This shows that he is now opening up. That’s why his head rests on the lord’s shoulder completely. (chapter 76) This is a sign of trust, Baek Na-Kyum is willing to trust his lover. By comparing these 2 hugs, I come to the conclusion that Jung In-Hun has been totally removed from the painter’s mind as well. This embrace and marriage represent the scholar’s defeat. From now on, he won’t be able to use the painter as his pawn, because the latter is no longer attached to him. The lord’s love for Baek Na-Kyum can not be used as a weakness, since the low-born is reciprocating the affection. That’s why I would say that this panel (chapter 76) embodies the learned sir’s loss. There’s no one separating them, not even Heena noona who was the last person defending the scholar and as such representing his interest. So was Jung In-Hun the ghost I was referring to? Yes and no… because there’s more to it. That’s why it is important to examine the other embraces.

In chapter 53, the ghost was Yoon Seungho himself, since he was considering himself as a spirit. (chapter 53) However, the painter’s hug made him realize that he was a human after all, and that his fists and punches could definitely hurt his precious painter. Unlike in chapter 76, the painter’s voice couldn’t calm down the vengeful spirit(chapter 53), hence the gentle boy needed to intervene directly. The lord was definitely deaf to the artist’s words. Striking is that here again, we had the presence of danger, the painter feared for Deok-Jae’s life. Moreover, despite his fear and shaking hands, (chapter 53)the commoner chose to protect the vicious servant, but Yoon Seungho too. He desired him not to let his emotions blind his behavior. The gentle and selfless man didn’t even ask for help, he stopped the noble with his body twice: first his face, then he hugged him. Striking is that in chapter 62 and 66, we had a similar situation. One of the protagonists was behaving like a ghost. In chapter 62, Yoon Seungho, who was reliving his traumatic past, almost became a demon (chapter 62), whereas in chapter 66 the artist had a flashback, hence he wasn’t himself. (chapter 66) This meant that in both episodes, neither the aristocrat nor the commoner could sense the lover’s comfort and warmth. (chapter 66) Both of them didn’t feel safe and displayed extreme fear due to betrayal and abandonment.

But let’s return to the embrace in chapter 53, because this incident has another common denominator with the embrace from episode 66 and 76, the presence of a certain witness: Black Heart. There’s no doubt that the vicious noble felt extremely jealous in both episodes (53-66). The manhwaphiles should envision that despite his rage and his terrible behavior, the artist was willing to embrace such a man, which could only make Min envious. Moreover, the low-born showed courage and even strength. He didn’t reproach anything to his sexual partner. He just attempted to calm him down. Then even after seeing how poorly the main lead had treated the artist, the latter chose not to leave Yoon Seungho’s side. Min was definitely certain that after waking up, Baek Na-Kyum would follow his sister and come back to the kisaeng house. (chapter 69) That’s why he was waiting there. He imagined that the boy would be delivered to him on a silver plate, yet nothing like he had expected happened. In chapter 76, we have a new version of chapter 53. However, when Black Heart witnesses the painter’s second embrace, he can detect the huge difference. (chapter 76) This time, the artist is seeking his lover’s warmth and love. There’s no fear related to the “monster”. While in the past (53-54) The Joker mocked Yoon Seungho for his affection, here he can’t do it at all. The noble is not denying anything. In fact, he accepted the low-born’s embrace without feeling shame or embarrassment. He didn’t pay attention to the town folks, he just followed his heart. While in chapter 54, Min was able to separate the protagonists with his mockery and words (chapter 54), in episode 76 Black Heart is truly defeated. And by contrasting these two scenes, it becomes obvious why Yoon Seungho assaulted his guest back then. The noble was in fact punishing The Joker for insulting his lover, as the latter was just reduced to his status: a low-born. He had no name and as such no identity. The powerful aristocrat didn’t do it in order to protect his honor, but the artist’s. At no time, the main lead was afraid of losing his reputation, he is well aware of his bad notoriety. Thus this shows that in chapter 54, the one who feared more social norms was indeed Baek Na-Kyum, which was still visible in chapter 75. That’s why the commoner denied the lord’s affection. (chapter 54)The expression “it can’t be” was referring to permission and social rules. No wonder why the noble felt so hurt in the end and retaliated. He misunderstood the artist’s rejection.

What caught my attention in chapter 76 are Black Heart’s behavior and words. First, he notices that he is too late. (chapter 76) He imagined that time would work for him, as in his mind, no one would ever stay by Yoon Seungho’s side. That’s why he didn’t hurry the second abduction. The latter had such a terrible reputation (mood swings, his huge rage, his violence), yet nothing could pressure the artist to leave the mansion. Even his noona was not able to convince him to follow her and to return to the kisaeng house. However, when he saw the couple in front of the tailor’s shop, his jealousy and greed reached a new peak. That’s why that night he had planned to visit Nameless. He wanted him to abduct the artist a second time. The expression “time is running out” outlines The Joker’s urgency. He couldn’t wait any longer, as he could witness how close they had become within 2 weeks. And if you look at the panel above, you’ll detect the presence of a shadow, in other words, a ghost. However, this is the jester Nameless looking at the couple. When the painter faced the joker (chapter 76), the ghost from his nightmare (chapter 61), the painter got so panicked that he got paralyzed. Only the lord’s embrace could calm him. As you can see, the commoner denominator between 53 and 76 is that the presence of a terrible ghost. The latter pushed the artist to embrace his lover. This time, he needed himself protection. However, Nameless was not the only ghost witnessing the protagonists’ embrace. Lord Min has already become a ghost himself in my opinion. First, he is wearing a black hanbok which I am associating to death. Moreover, because he threatens the criminal to kill him (chapter 76), I view The Joker as a grim reaper. What caught my attention is his reaction, when he saw the heartfelt hug. He had to vomit and this is no coincidence. (chapter 76) Observe that the color green is connected to two reactions: “to be green with envy” and “to be green” (sickly). Besides, we have in French “être vert” as a synonym for fuming, furious and disgusted. Hence it’s not surprising that it exist these emojis: 🤮🤢. Both contain green. That’s why I believe that when Min saw the embrace between the protagonists, he got so upset and disgusted that he felt the urge to vomit. It was definitely a mixture of envy and rage. However, he had to lie to the others in order to hide his “weakness”. (chapter 76) For me, there’s no ambiguity that The Joker was not honest here. First, he has no dark circle and red eyes like Jihwa who definitely drank again. (chapter 76) Besides, has Black Heart ever apologized to others? No. He didn’t even care, when he smoked opium in front of commoners. When he was asked to stop it, (chapter 52), he never expressed a real apology, he rather criticized the other for ruining the good mood and his fun. Besides, he looks down on low-borns and even Jihwa… (chapter 76) so why would he apologize? It is, because he is slowly recognizing that his urges for Baek Na-Kyum are not linked to sex!! When he saw the hug, he could recognize the affection between the two lovers, and he felt powerless. Moreover, he envied Yoon Seungho even more than before. Let’s not forget that Min fears social norms despite his nihilistic tendencies. In this scene, the main lead showed courage and genuine affection, something that The Joker can’t do. Till chapter 76, he thought that he had been bewitched and he only felt the urge to have sex with Baek Na-Kyum. In other words, he wasn’t honest to himself and to the others. Until now, he had always imagined that once he had tasted the artist, his thirst would be satisfied. But the warm and tender embrace made him realize that he was wrong. Consequently, when he saw the hug, his envy and jealousy reached a new peak. He had to vomit. This signifies that the resent from chapter 53 became much stronger and obvious to the point that others could detect it now. Hence he has to lie. But in my opinion, he had another reason for vomiting. From my point of view, while the main lead spent his time drinking and reading, Min was busy smoking opium. Let’s not forget that Byeonduck portrayed Min with such a hanbok (chapter 56) and the pattern reminds the readers of opium smoke. Contrary to Yoon Seungho who only smoked it once during that terrible party, Min chose to keep smoking opium. First, the manhwaphiles could detect that he enjoyed the kick in chapter 52. (chapter 52) Secondly, the hanbok was another indication. Finally, I perceive the lord’s nausea in chapter 76 as another evidence for Black Heart’s opium addiction. Vomiting/nausea are listed as side effects of opium. From my point of view, when he saw the happy couple in the street (chapter 74), he chose to smoke one pipe in order to relieve his frustration before visiting Jihwa and urging him to contact Nameless. This was a new version of chapter 56. That’s why they came both to meet the criminal. (chapter 76) Hence I come to the conclusion that Min is slowly turning into a ghost himself, losing his mind due to his addiction to opium and at the same time due to his greed and obsession for Baek Na-Kyum. The embrace in chapter 53 led to the kiss and indirectly it was the trigger for Min to change his original plan. (chapter 56) Therefore I deduce that this second embrace is forcing him to change his plan again. From my point of view, he is no longer interested in tasting the painter once and have him killed afterwards. Black Heart is now determined to take away Baek Na-Kyum from Yoon Seungho. He is definitely longing for the artist’s love. He has every reason to be so jealous. The painter showed such a loyalty and courage. He is no longer fearing people’s gaze unlike in the past. Then, he even forgave his lover for his violence and mistreatment. Slowly, Min is showing his vulnerability in front of Jihwa and as such losing his power over him. He is definitely less laughing. As a conclusion, in chapter 76, the ghost Jung In-Hun vanished for good, while a new one appeared: Black Heart, who is now dressed like a grim reaper. However, there’s a huge difference, because Min has never entered Baek Na-Kyum’s mind and heart. He has no chance at all.

But wait… you might now wonder why I have not mentioned the hug from chapter 71 yet. Where was the ghost? Note that in this panel, the artist is portrayed without eyes. This insinuates that the artist is somehow blind. Secondly, we have this picture where the manhwalovers could see the lord’s footprints. (chapter 71) My explanation is the following: Baek Na-Kyum wasn’t sure how to judge the lord’s behavior. Imagine that in the morning, his lover had tied him up, while in the evening he was so gentle and calm. That’s why I believe that in this hug, the artist wasn’t certain how he should perceive the lord’s embrace. He knew that it was no longer fake, but like he explained it much later… how long would Yoon Seungho have feelings for him? Therefore I believe that in this scene, Baek Na-Kyum viewed him as an illusion, a spirit who could give him warmth and comfort. (chapter 71) Note the difference with the following picture: (chapter 76) First, the painter’s gaze is much softer and less questioning. In addition, the position of his head is different which exposed that they are much closer now. Besides, let’s not forget that the embrace took place before the long love session. The artist’s reaction was totally normal.

As a conclusion, the last picture from chapter 76 displays two major developments. (chapter 76) The protagonists are no longer separated by their fears and issues. The ghosts in their mind and heart have finally disappeared. That’s why they are portrayed like one here. However, there are now other shadows and ghosts surrounding them, the ones who would do anything to destroy their relationship, like Min, Jung In-Hun and father Yoon.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Animals of misfortune

This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

In the essays “Yoon Seungho’s suffering path” and “Kim: a dog, a matchmaker or a father?”, I compared the butler Kim to a black dog, as he was reminding me of Cerberus, the guardian of the Underworld (Greek mythology). The latter was a three-headed dog whose function was to hinder dead people from leaving the realm of Death. The reason why he has three heads is simple. They represent time: past, present and future. The black dog with three heads has to ensure that nothing changes, it stands for status-quo in the end. Surprising is that when I examined the relationship between the butler and time, I came to a similar conclusion. The valet was determined to refuse any change in the lord’s life, but since Baek Na-Kyum’s appearance in his life, the butler had to plan in the future in order to get rid of the commoner. To sum up, Kim is in my eyes Cerberus, the black dog with three heads which explains why he knows so much too.

And since black dogs are connected to the Underworld (Cerberus, Anubis), you can imagine now why black dogs are considered as bad omen. They are judged as bringing misfortune because of their connection to death. It was, as if they would bring death to the living. What caught my attention in chapter 74 is that Kim’s realm seems to have shrunk. While in the first season, he was often seen in the inner courtyard (chapter 7) (chapter 25) (chapter 35), now he is connected more to the backyard. (chapter 65) (chapter 74). Another important progression is the presence of the wall and border. The more time passes on, the more the valet is backed up against the wall. Note that in the last panel, the space between the building and the fence is so narrow that only one person can stand there. The pictures outline the valet’s loss of power. Besides, he has now even taken over Deok-Jae’s role. In chapter 35, he was the one sweeping the leaves, now it is Kim’s turn to sweep snow. This displays that he is covering up Deok-Jae’s disappearance. Another huge contrast is that the manhwaphiles can only recognize the domestic through his shoes and trousers which I interpret as another clue for his loss of authority. Since we don’t see his face, it signifies that he has lost his “identity”. He is now just a domestic among others, because he is no longer considered as the lord’s right-land. He has lost control over the staff. The cause for this huge change is that Yoon Seungho is no longer requesting his services. In other words, no one is asking him for an advice and help, like in chapter 17: and 65 for example. However, if you pay attention to the last panel, you’ll detect that the butler was not supposed to do such a work due to the maid’s remark. This exposes that as the master’s right-hand, the staff expected from him another attitude. This truly reveals the valet’s worries and cowardice. He is now hiding in the backyard, as if it was the only place where he could find a refuge. And his world is getting smaller and smaller to the point that he looks like trapped between the wall and the fence. (chapter 74). However, I believe that he is just biding his time. He is still following his own philosophy: . He has not learned his lesson from my perspective. To sum up, he is just waiting for the next uproar, because he knows about The Joker’s intention. Since the latter was bold enough to mock Yoon Seungho in his own mansion, the butler is perceptive enough to recognize that Min won’t give up on his plan. He is waiting for the next tragedy so that once it happens, he can “come to Yoon Seungho’s rescue”, acting as if he was helping him to recover from the loss. So since Kim is now hiding in the backyard, the staff, especially the maids, can notice the butler’s loss of favoritism.

And the huge gap between Yoon Seungho and Kim truly exposes Kim’s true role in the protagonist’s life. The moment Kim disappears from his master’s life, the latter returns to his original form: He has a rosy complexion and a vivid eye again. Exactly like in the past, he is smiling. For the return of life coincides with the butler’s departure, it can never be a hazard. Therefore I can only see it as a confirmation that Kim is a villain. The only problem is that Yoon Seungho has not really perceived his valet’s true personality and role in his life. He just knows that he no longer needs him, because he has found someone else who truly accepts him. Despite his wrongdoings, Baek Na-Kyum has forgiven him and is even accepting his presence. Since the lord heard Heena noona’s words (chapter 65), he has himself the impression that he is a bad omen for the painter, that’s why he keeps his distance from the artist. He must see himself as a crow, an animal associated to misfortune. First, in his dream, he has the impression to fly , secondly his vision is connected to red and black. which reminds me of wings with feathers, although I am well aware that they are supposed to represent the hands. This explains why he can’t even lie next to Baek Na-Kyum in bed. It was, as if he feared to soil the artist’s pure soul which would lead the painter to misery. Moreover, I believe that the aristocrat is afraid of disturbing Baek Na-Kyum’s sleep, a sign of innocence. Thus during this night he never lied down in his own bed. and later doesn’t share his bed with the painter. This elucidates why Yoon Seungho no longer asks for sex from the painter. The lord is just happy that Baek Na-Kyum chose him and is not pushing him away. I believe that this is an important phase for the artist and the main lead. While the latter learns to express his affection differently, the lover can finally perceive Yoon Seungho’s true nature. He was not a man consumed by lust, but just longing for love and acceptance. The main lead has not recognized his true nature, his soul is still trapped in the past. His abandonment issues might have been resolved, but his own insecurities have not entirely disappeared. Let’s not forget that during their last confrontation, Kim made sure that the lord would have a negative reflection about himself by comparing him to his father. That’s why I feel, he sees himself as a bird of misfortune. However, what the valet didn’t expect either is that Baek Na-Kyum wouldn’t push away the protagonist. When he sent the artist to the bathroom through the male servant, Kim imagined that the artist would still judge Yoon Seungho as a man consumed by lust. Imagine another sex session after the rough sex marathon. However nothing happened like Kim anticipated, because they were making love. This trick even solidified their relationship. This was the ultimate defeat for the butler, that’s why he is now waiting for Black Heart’s intervention. What Kim fails to recognize is the significance of love. Remember that a coward is avoiding emotions in order not feel guilt and pain. That’s why he doesn’t comprehend the notion of love, giving us a clue why the butler never showered his young master with real affection. Because the painter asked him to help him to have an orgasm and he witnessed how the artist felt extremely pleasure, Yoon Seungho no longer needs to mark Baek Na-Kyum’s body as his. He is now truly wooing the painter, aiming at his heart, but I am not sure, if it is a conscious choice. This explicates why Yoon Seungho no longer feels the need for sex. He has learned to make the difference between love and sex. This explicates his change of behavior. Because of his love for the painter, Yoon Seungho is now sharing his days with Baek Na-Kyum. He eats with him, talks to him, smokes with him, which makes it impossible to create a misunderstanding between the protagonists. He is expressing his affection in a different way, although he can’t resist to have an indirect kiss with the painter through the pipe. Thus he smiles so easily. Moreover, he always keeps the artist close to him, he never truly leaves his side, only during the night. When he feels the need to see his lover during the night, then he pays a visit to his study, while the painter fakes sleeping. The irony is that Yoon Seungho is totally unaware that his actions are actually bringing fortune and protection to his loved one. And this becomes more perceptible, when the second animal of misfortune appears: The real crow!! This bird is often associated to bad omen due to the color and the fact that it is a predator despite his size. A group of crows can definitely push away an eagle.

In my eyes, there’s no doubt that this is Min. First, The Joker has the habit to copy Yoon Seungho’s style. It became really obvious after the failed gangrape: Chapter 53 The moment the host appeared with a hanbok containing a pattern, Min had a similar hanbok, yet it definitely looked less refined. And when Black Heart saw him at his mansion, Yoon Seungho was dressed with a beautiful black hanbok . That’s why The Joker is dressed with a black hanbok. Moreover, we have another clue due to the presence of the tailor. Let’s not forget that in the first season, Min mentioned the tailor with his loose lips. Since chapter 74 is a new version of chapter 39-40, where our cute couple goes on a date , it means that there are parallels between these two chapters:

  1. Responsibility: By giving him such a hat, Yoon Seungho treats the painter as his wife. The warm headgear is actually reserved for women. The huge difference from chapter 40 is that this time, the artist understands the gesture. Hence the painter is blushing, he is deeply moved by Yoon Seungho’s decision. Just before, he had recognized that the lord had definitely changed and he was trustworthy. He had kept his promise. Now, their relationship is official and note that the painter is no longer looking at his surroundings. He is no longer feeling ashamed (chapter 40) and fears people’s gaze. Observe the contrast between chapter 40 and 74 Baek Na-Kyum is neither pushing away the noble nor avoiding his gaze. The protagonists have a locked gaze in front of people. In addition, Kim is no longer present, giving us the impression that he was one of the reasons why the painter couldn’t feel comfortable. We know or sure that he remained at the mansion in chapter 74.
  2. Jealousy: This aspect played a huge role in chapter 40. Whereas the main lead was jealous of the scholar, because he would bring a smile to the painter, Jung In-Hun was resenting the low-born. The latter had been able to get the lord’s attention and admiration. In other words, the person looking at the couple must be dying of jealousy. And this can only be Min. Why not Jihwa? First, when the second lead decided to send back the painter to his childhood friend, this gesture meant that he was resigning. He would no longer feel jealous. And when Black Heart visited his “pupil” Jihwa, he never mentioned the painter in order to arouse jealousy in the red-haired aristocrat. In chapter 67. he just used the noble’s fear for death and punishment. But there is another clue why I am convinced that

Min is the beholder. Yes, this image! My interpretation was that Min chose to impersonate Jihwa, because he imagined that after the rough treatment, Baek Na-Kyum would decide to leave Yoon Seungho’s side. Consequently he waited at the kisaeng house. However, the plan didn’t work out, like he had anticipated. Heena noona returned empty-handed. In other words, his scheme had failed. But this impersonification is full of symbolism. The moment Min put on the second lead’s clothes, it announced the beginning of The Joker’s real suffering. He would feel the same agony than Jihwa did in the past. It was, as though the latter had passed the baton to him. So the crow’s envy keeps increasing, and his thirst for Baek Na-Kyum can no longer be satisfied. He circles around the couple like a real crow would do before attacking its prey.

But now, the manhwaphiles have to wonder how Black Heart can be present in that shop spying on the couple. It means that the villain was looking for an opportunity. There’s no doubt that Kim must have told him that the artist’s wrist was injured and he needed to go to the physician’s. Min hoped that the artist would go alone or be accompanied with a servant. However, he had to see how Yoon Seungho was attending to the commoner. Black Heart witnesses how Yoon Seungho is not feeling embarrassed to act like a servant and to show his affection to a commoner in front of people, in particular in front of the loose-lipped tailor. In the past, I used to believe that The Joker’s jealousy was related to Yoon Seungho’s position and wealth. Although he had a bad reputation, he was still invited by nobles. I even called him the alpha king, while now his real status reminds me more of a head-kisaeng’s than anything else. Therefore, Min’s envy and jealousy towards the main lead can not be explained by a thirst for power. Only now, I recognize the true cause for his envy. The Joker envies Yoon Seungho, because the latter doesn’t care about people’s opinion in general. Remember how I portrayed the protagonist: he is a free-spirit, a libertine, which means that he doesn’t pay attention to social norms. He advocates freedom. Despite his bad notoriety, Yoon Seungho remains calm and acts like a confident person. While the main lead is free from social norms, Min as a hypocrite has to hide his nihilistic mindset behind his laugh and good manners. That’s why he manipulates people in the end. He likes playing games, for he can’t truly act like he wished in front of people. Black Heart can’t admit that he fears people’s opinion and prioritizes appearances. This is perceptible in chapter 54: He is mocking the main character, hoping that the latter would deny his feelings for the low-born. However, this exposes Min’s own anxiety. Hence he insulted Jihwa as a sodomite, although his words sound absurd. He is no different in reality, since he has sex with other men too. He feels now so attracted to the painter that he can’t forget him. He justifies his obsession by saying that this is just sexual… although there’s no ambiguity that the moment he “tasted” the painter, he longed for more. The kiss is definitely an evidence that The Joker is so mesmerized by Baek Na-Kyum. After that kiss, he asked the second lead to change the plan right away. (chapter 56) When he says this, he is even recalling the painter exposing his huge desires. His hypocrisy is also the reason why he didn’t look for the artist, although he liked his work. He justifies his action that he had imagined the artist differently. However, the manhwaphiles should realize that he would have become the source of the new gossip, if he had invited such a painter to his propriety. People would have talked and said that he had fallen so deep into sodomy that he was now asking a painter to work for him. The final evidence is the conversation in the woods (chapter 41). As you can see, Min is using rumors in order to embarrass Yoon Seungho, asking him to pay more attention to social codex. This truly exposes Min’s fear… on the one hand, he is a nihilistic person, on the other hand he can’t act like he would like to, because he fears people’s gaze. That’s the reason why the noble is so attracted by the painter in the end. The latter never hid his sexual desires in his face or in the painting. He definitely showed his carefree side. As the new “Jihwa”, Min is no different from his pupil: He is fiery in his jealousy, because he can’t give up, but also weak at heart, because he is not brave enough to face people’s judgement. Therefore The Joker acts like the valet after all. Both are two peas in a pot in this aspect. So since the lord doesn’t leave the painter’s side outside the mansion, it means that Black Heart has to develop a new strategy. He can no longer use the second lead, as the latter’s crime has been revealed. Moreover, the red-haired noble will stay far away from his childhood friend out of fear. And if you compare The Joker’s situation to the butler’s, you’ll note that they are both in a similar situation. They have no pawn to employ like in the past. That’s why I have the impression that Min could decide to enter Yoon Seungho’s mansion with Kim’s complicity. Let’s not forget that the latter works in the backyard… so there could be a small gate. Besides we shouldn’t forget that during the first season, Jihwa trespassed the house twice (chapter 10-17), which was discovered by the owner. Then he came unannounced once (chapter 12) and visited officially twice (1-5). And if you recall Black Heart’s visit, he came as a guest twice (8-52), arrived unannounced once (chapter 66), but he never trespassed the lord’s propriety. That’s why I come to the deduction: The Joker could definitely enter the mansion without the lord’s knowledge and Kim would have to open himself the door. Since Kim is sweeping the snow alone, I interpreted that he has no power over the servants. Note that time has passed on and since the painter’s return, the domestics had an easy life. There was no party and no trouble. Both protagonists led a peaceful and quiet life. Hence for the servants, it looks like “paradise” now. The lord seems to be always in a good mood. Now, you comprehend why I think that cornered and with no pawn left, both villains have to dirty their own hands. So my idea is that Black Heart will try to abduct the painter during the night again… because that’s the only time, when the two main leads are separated. However, the problem is that the noble is still suffering from insomnia and visits the painter from time to time. In my essay entitled “the purge”, I had this idea that someone would get drugged, as there was no repetition so far… Therefore, my prediction would be to say that the butler drugs the master so that Baek Na-Kyum can be abducted during the night. And if this happens, then the butler will forge a fake letter.

However, their plan is doomed to failure for a particular reason: the presence of the second Joker: Nameless. Since Jihwa’s crime was revealed to Yoon Seungho, the criminal is intelligent enough to recognize that if something bad happens again to the artist, the red-haired aristocrat will become the scapegoat. Since the criminal was portrayed with a good heart, I doubt that he would punish the painter, as the second lead never suffered any punishment. He got away with a scandal and a little fright, but that was it. And if you look at the different panels from chapter 74, you feel his presence through the panels We have views of the rooftop, a symbol for Nameless, and the author is showing us places where the criminal was seen: the physician’s office an inn. Besides, the city is the place where Nameless lives. That’s why I believe that the second abduction is taking place very soon. Remember that Min went hunting with Yoon Seungho in chapter 41, a very ominous sign. Hence the animals of misfortune will reveal their true nature in front of the couple. However, there’s no ambiguity that the black dog and the crow will meet their fate in the end. Their hypocrisy and crimes will be unveiled. On the other hand, the crow and dog’s action will help the couple to get closer than before, contributing the lord to overcome his trauma. The aristocrat will realize that he needs to be at the painter’s side all the time, if he wants to protect him properly. He will realize the true meaning of accountability. Responsibility doesn’t just mean to provide a good meal and a roof over the head, but also guarantee real safety. At some point, he will realize that he has to provide an education for his loved one so that they can have a longer conversation. But this realization will only happen with the scholar’s return.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The bride 👰 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

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I am quite sure that you all know the saying: “Things always come in threes”. Striking is that this idiom exists in many other languages:

  • French: “Jamais deux sans trois”
  • German: “Aller guten Dinge sind drei”
  • Spanish: “No hay dos sin tres”

Moreover, the human being is even composed by three parts: the body, the mind/spirit and the soul/heart. All this proves that the number “3” is indeed associated to completion and perfection. I am quite certain that you are now wondering about the connection between the magical and mystical number three and the title “the bride”. The answer is quite simple: we had three bridal carries in season 2, which the manhwaphiles could witness.

1. The first bridal carry

The first bridal carry occurred in chapter 45 Back then, the identity of the “bride” was unknown. However, there were two witnesses: the wandering merchant and the servant Deok-Jae. (chapter 45) The former mentioned this event to others so that a rumor started among the town folks. They were all wondering if Yoon Seungho was engaged due to the bridal carry. Since no marriage had happened, but simultaneously he showed great care in that person, they definitely perceived that the latter in his arm meant a lot to the master. They could judge that the noble was in love. At the same time, they were pleased, because they had realized that the black sheep of the Yoons seemed to have calmed down. Many painterofthenight-lovers couldn’t help smiling, when the entertainer praised the fiancée for her good sexual technics, (chapter 45) because the truth was that Yoon Seungho was so dissatisfied with the painter’s tricks. (chapter 45) And with such a contrast, it becomes obvious how strong and deep the noble’s affection for the artist already was. While the commoner’s comment diminished Yoon Seungho’s love for Baek Na-Kyum, as it was reduced to sensuality and seduction, the lord’s attitude clearly displayed that Yoon Seungho was expecting something else, but he had no idea what exactly. Striking is that the low-born was also clueless that the aristocrat had carried him like that, for he had fallen asleep. The fact that the wealthy man used his own hanbok to carry the commoner to the bathroom illustrated how caring Yoon Seungho was, but no one told him about this. Furthermore, this gesture outlined that the protagonist was taking great of the painter’s body. He shouldn’t get cold and he should get cleaned immediately, underlining that the first sex marathon had left a huge trauma on him. This incident (the bridal carry) was never mentioned within the mansion for two reasons. The domestic Deok-Jae had no interest in telling it to others, as he was filled with jealousy and still hoped that Baek Na-KYum would lose the lord’s favor. As for Kim, when he discovered that the incident had reached the ears of the inhabitants, he seized the opportunity to hide the fiancée’s identity in order to limit the damages. On the surface, it looked like he was protecting the couple’s interest, whereas in reality he feared a scandal. But more importantly, he wanted, just like Deok-Jae, this situation to be just temporary. Therefore he could only reduce the painter’s status: he was neither a bride nor a fiancée, at best a favored servant. (chapter 45) That way, if the low-born was to disappear, no one would connect Baek Na-Kyum to the bridal carry. All the men were convinced that it was a woman due to the smooth legs. (chapter 45) Since the painter had been kept in the dark about the noble’s action, he couldn’t realize the noble’s feelings. The only person pointing out the master’s affection for the commoner was the head-maid. (chapter 46) Since she had been kept in the dark by Deok-Jae and Kim about the bridal carry, she had to mention another conversation to prove her observation. Yet it was definitely less convincing, as it was more related to comfort and respect.

2. The second bridal carry

Then the second bridal carry took place much later in chapter 66: (chapter 66) The manhwalovers will notice the progression. First, the identity of the “bride” is no longer hidden. This time, the lord’s attention is more focused on the head, as his hand covers the painter’s head. In other words, he pays less attention to the artist’s body. The latter is just wearing a shirt and nothing more. The reason for this divergence is simple. Baek Na-Kyum had just a flashback, a panic attack indicating that his spirit or mind was troubled. Yoon Seungho had recognized that the painter was injured mentally. Just like in the past, there’s a witness, but this time, it is the noble Min. Why only one witness? If you compare it to the first scene, you’ll note that Black Heart replaces the merchant and the servant Deok-Jae. The Joker is lusting after the low-born due to the smooth legs (a new version of this panel: chapter 45) and he is definitely jealous of the main lead, similar to Deok-Jae. This made me realize why The Joker revealed Jihwa’s abduction right after. Imagine, if people got aware of this incident, then The Joker wouldn’t be able to taste the artist. Every one would know about Baek Na-Kyum and his importance to Yoon Seungho. He was no longer a low-born, but the lord’s official wife and partner. If he were to disappear, no one would be able to escape punishment. Therefore he needed to separate the couple… since the artist was in a poor condition (chapter 66). He could only assume that the painter wished to disappear, for he had been abducted and Yoon Seungho had failed to protect him. Later, Kim could report to him what Yoon Seungho had done to the painter in the shed, so that Min’s belief that Baek Na-Kyum would leave the mansion could only increased. Both imagined that the commoner would desert the lord’s mansion. Both hoped that Baek Na-Kyum would reject the “marriage”, although he was already chosen as the lord’s bride. As you can observe, the bridal carry plays a huge importance, it definitely symbolizes marriage, even if it is between two men. And this led me to the theory that Min had already envisioned the next scheme. The conspirators had no time… especially if other servants noticed the bridal carry too. Let’s not forget that before Min stood in front of the master’s bedchamber, other domestics were standing there: Kim, the maid and another servant. (chapter 66) It is definitely possible that they looked at their lord’s action from faraway. If so, this would signify that the news about Baek Na-Kyum as the lord’s bride has finally reached the ears of the staff.

3. The third bridal carry

In the third bridal carry, there is another huge difference. This time the painter is awake and his mind is no longer troubled. (chapter 71) This signifies that now the artist is well aware of the signification of that action. That’s why he is definitely moved. He is blushing and letting his head rest on the protagonist’s shoulder. (chapter 71) He stares at the lord’s shoulder so intensively in order to confirm that this is real. More striking is that the painter’s nose is on the lord’s shirt implying that the commoner is smelling the lord’s fragrance. Furthermore, the painter senses the warmth from the master’s body, just like he hears Yoon Seungho’s footsteps on the wooden floor. To sum up, Baek Na-Kyum is using all his senses that he is not dreaming. Gradually, he is accepting it as reality, hence he can only blush. (chapter 71) What caught my attention is that the lord carries the painter closer to his chest, while the artist is hugging the noble too. In other words, their hearts are close to each other. Hence this bridal carry is associated to the heart. While the first one represented the body, the second the spirit, now the last one is related to the soul. To sum up, the third bridal carry symbolizes the official marriage. Both have chosen each other. And now, here is the question: where are the witnesses? So far, Byeonduck didn’t draw any witness. Nevertheless, we have to imagine that there exist witnesses. Since Kim was always present during the three kowtows (for that read my analysis called The five candles), I believe that he definitely observed the scene in the shadow, especially after comparing this panel (chapter 71) to this one: (chapter 33). Back then, the butler was worried that Baek Na-Kyum would reveal his complicity in the escape. However, this time Kim is concerned for another reason: the painter is no longer a favored servant, but now the bride and as such Yoon Seungho’s official partner. But if the readers compare the two previous bridal carries, they’ll remember that there were more than just one testifier… although in the second case, it was just implied. Thus I think that there could be another witness. In the first version of this essay, I had imagined that the Joker could have been present: In chapter 44, he saw how the painter walked to the study. Secondly, he was present during the second love session: . (chapter 60) However, I was wrong here. Then it occurred to me that if there was a second witness, then it could have been the new version of Deok-Jae. He had been following the guest (chapter 66), when Min entered the propriety. And according to social norms, he should have followed the noble. So he could have seen the painter’s legs from a certain distance. And this also would explicate why the domestic had such eyes, when he approached the bedchamber in season 3. (chapter 80) He was interested in the painter. And there is another evidence that there are always two witnesses of that bridal carry, the love session in the gibang. (chapter 96) The noona was joined shortly after by Min who could now hear their love session. (chapter 96)

4. The meaning behind the bridal carry

And that’s how I discovered two important aspects: timing and consent.

  • Chapter 45: It happened after the sex session, and the painter had returned. This means that he had accepted Yoon Seungho as his partner.
  • Chapter 66: One might say that it occurred after the sex session. Yet, people shouldn’t forget that they were sleeping in the bed, when Heena caused a ruckus. (chapter 65) This means that the painter was now the official partner of the protagonist. Nonetheless, the lord tied his bride so that the latter wouldn’t leave. The bridal carry was connected to forced marriage.
  • Chapter 71: The bridal carry took place before the love session, and the painter had agreed to it. He had accepted the main lead’s advances.
  • Chapter 78: Before the love session, though their intimacy began in delay. Note that the bride was the one who determined, when they should be intimate. However, they got interrupted. Then the consumption was quite painful, though the painter had masturbated before and as such prepared himself. (chapter 81) For me, this is an allusion to Yoon Seungho’s rape in his youth.
  • Chapter 96: The wedding night got interrupted by Heena. This time, the bridal carry was strongly associated to sex.
  • Chapter 102: This happened after the sexual assault. The lord was acting like in chapter 66. He was full of regret and tenderness. We could say that he was acting like a knight protecting his bride. Here, again the bridal carry is intertwined with death and pain. Don’t forget his words in the bath: (chapter 70)

Another huge difference between the two first bridal carries is the importance of the caresses. Yoon Seungho had sex before the bridal carry in both scenes. But more importantly, neither in the first case nor in the second he spent his time entangled, kissing and fondling. He was either teaching sexual lessons or claiming the painter as his belonging. In the third Wedding night, the chronology is respected. We have first the bridal carry, then the shower of caresses and kisses.

Through this examination, I realized that the bridal carry must have played a huge role in Yoon Seungho’s past. Either he experienced it, but he could never witness it (chapter 45, 66) or he has repressed it. Another possibility is that the bridal carry represents the biggest wish of the main lead. Back then, he wished that the pedophile had carried him like that. If only the “pedophile”had treated him that way… The manhwaphiles should keep in their mind that the bridal carry symbolizes marriage. The groom is supposed to bring his bride to the nuptial room, and according to me, the lord was raped in his own bedroom (the stranger in the night). And if this is true, there could be no bridal carry. Besides, the manhwaphiles should remember that the bridal carry in Painter Of The Night is strongly intertwined with sorrow and regret. Thus I had the following idea. Yoon Seungho would have forgiven the sexual abuser, if the latter had done it at some point, because this meant that he didn’t fear to be seen together. Hence we have the constant presence of witnesses during these scenes. I had already said that the bloody marriage was fake, for it was never official. Moreover, the bridal carry indicates that the man is taking his responsibility. But if the pedophile let others carry Yoon Seungho (chapter 77) and clean up his mess… no wonder why Yoon Seungho came to resent the man. He left the young master totally unprotected, exposed to all forms of abuse. And the man might have wondered why Yoon Seungho was so difficult to tame… Therefore he could never entirely trust the main lead. Consequently I view the gesture as the symbol of bravery, care, responsibility and strength. From my point of view, the main lead must have recognized that he was “married” much too young to the pedophile. During his conversation with Bongyong, the lord indicated that age mattered. He still had time. (chapter 78) They shouldn’t get married too young, and in my opinion, he was speaking out of experience.

As a conclusion, in season 2, I noticed 3 bridal carries. We could say that the first bridal carry symbolized the union of the bodies, the second of the spirit and the last one, the marriage of the souls. But since the story is going in circle, this signifies that in each season, we had them, but we couldn’t see all of them. Why? It is because Yoon Seungho never realized what he was doing. In chapter 45, he was like in trance. (chapter 45) Then in many occasions, the painter didn’t discover that Yoon Seungho had carried him like that, for he was either sleeping or unconscious. Hence the lord had to do it over and over again, until both realized the existence of the bridal carry and its significance. And it only happened in season 3: (chapter 78) Here, both were conscious. Thus I am deducing that Kim could have realized the lord’s biggest desire (embrace and bridal carry), but Kim chose to remain silent. He never divulged this information to lord Song. According to me, the latter kept sending beautiful clothes as a sign of contrition and support. This proves one more time that ignorance is not a blessing.

At the same time, the teacher’s embraces in chapter 68 and 70 clearly revealed that the scholar was treating Baek Na-Kyum like a child: (chapter 68) (chapter 70). The learned sir acted like a father and with the recollection of the piggyback, Baek Na-Kyum recognized the true value of this carry. He was never loved, like the commoner desired, the young man just viewed him as a child. He was innocent and pure and couldn’t realize the true nature of the scholar’s feelings: trivial and fleeting emotions, which turned into indifference, when the artist became an adult. That’s the reason why the artist is no longer upset… he judges this event in a different light. Back then, he was only a child for Jung In-Hun. This scene represents Baek Na-Kyum’s loss of innocence. He is now a mature man who makes decisions on his own. He is no longer idealizing Jung In-Hun, and the bridal carry reflects this maturity. (chapter 71) Baek Na-Kyum is not seeking warmth and affection out of despair or pain, he is finally able to detect the lord’s affection in each situation: in the bathroom and on his way to the bedchamber. Baek Na-Kyum was slowly accepting his position as Yoon Seungho’s bride, though I have to add that here, the painter was not thinking about marriage yet. During that scene, the couple was rekindling. It was make-up sex. Hence he could only blush. (chapter 71) I can imagine that his heart must be racing as well. Then in season 3, the painter is now seen carried fully naked in front of his sister. (chapter 96) He has no idea that she witnessed their union, but she already knew the true nature of their relationship. However, till the end of season 3, neither Yoon Seungho nor Baek Na-Kyum were even envisioning marriage, this topic was brought up by Bongyong, the witness of the first bridal carry. This is relevant, because we have to judge these bridal carries as a gesture influenced by the main lead’s subconscious. Deep down, he wished to make the painter his bride, but he had never realized it. However, this dream will become a reality, like Byeonduck implied it with this panel: Thus expect new bridal carries in season 4, but some of them will be connected to death, pain and sorrow. 😥 (chapter 66) (chapter 102).

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The purge (theory)

This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.

First of all, if you are not convinced that Kim is a villain, then I guess, you don’t need to read any further. Since I have already explained why I perceive the butler as an antagonist and even predicted that he would be involved in the second kidnapping, you can easily imagine that my theory is developed based on this interpretation.

The reason I chose this title is quite simple. As the former servant from the Yoons explained to Jung In-Hun in chapter 37 that the noble families close to the Yoons became victims of a purge, this signifies that we have to expect an elimination in season 2 for the same reason: treason. Thus in my opinion, the domestic’s actions will lead to an extermination. But now, some of you might be wondering how. For me, the second kidnapping and the events happening around this crime will lead to the purge.

Moreover, after reading the chapter 71, it becomes more evident that the second kidnapping will happen the next day. Why? First, if you recall all the sex scenes (25-28/ 30-32/ 36/ 40-42/ 48-50/ 58/ 62-64), the couple always had to suffer right after: the painter’s escape organized by Kim and Deok-Jae strongly intertwined to betrayals, the painter’s illness, the incident with the sword in chapter 35, the drugging, the lord’s nightmare and suffering, the lack of privacy and the plan of assassination, the spoiled rice, the artist’s loss of favor, the first kidnapping, the artist’s punishment due to the cover up and the scandal with Heena noona. But more striking is that it was always involved with an “improvement” of their relationship, in the sense that Yoon Seungho chose the painter as his partner. The nature of their relationship would become more and more known and obvious to others. And now that we have an official marriage ceremony, the climax of happiness, there’s no doubt that a terrible event will take place the next morning. More importantly is that all the conspirators are running out of time.

First, the manhwaphiles will recall that Black Heart couldn’t even wait to taste Baek Na-Kyum and rushed to the kisaeng house during the same night. His “urges” became so strong after seeing the artist’s smooth legs and his poor condition, which could only excite his sadistic nature. In addition, the low-born is now recognized as a “noble” by Yoon Seungho, which means that Baek Na-Kyum has now become the master’s official right-hand. Kim has been dethroned from his seat. He has every interest to remove the commoner, as the latter is definitely his rival and opponent. However, he can not do it right away. For that, he needs to restore his relationship with Yoon Seungho so that the latter can trust him again, like in the past. Besides, he has never dirtied his own hands, he always lets others do the dirty work.

So far, I had pointed out that Lee Jihwa and Heena noona would be framed and a faked letter would become the evidence of the conspiracy. I had anticipated as well that the physician would play a role, because he was a witness of the first abduction. Yet, I still had problem to figure out how exactly Nameless and Deok-Jae would come into play. Let’s not forget that the disappearance of the vicious domestic has not been resolved. So far, only Nameless knows about his death… but if the servant’s body is discovered, then he will be brought up in connection with the first kidnapping. My initial thought was that Yoon Seungho would use the servant’s death in order to organize a purge. Nevertheless, so far I had no idea how his disappearance would be brought up. With my following theory, I believe to have found the perfect solution which I will explain below.

Furthermore, Min’s impersonification is also a major key in order to turn Jihwa into a scapegoat. Yet, since Baek Na-Kyum didn’t follow his sister, the subterfuge becomes pointless… How could this trick help him to frame the second lead now? Yet, I think that since Min is a smart psychopath, he can come up with new strategies very quickly. First, I had imagined that Min would approach the kisaeng and manipulate her by proposing her his help. This assumption is very possible, as Heena noona judges people based on their appearances and rumors. On the other hand, she despises rich aristocrats, and Lee Jihwa definitely belongs to that category. After recognizing while composing the essay “Love, embrace and caress” that Heena noona must have listened to the guests’ conversations in the past in order to report things to the scholar, I came to this idea: What if Min leaks details about Nameless by acting like the second lead, so that the kisaeng chooses to contact the buffoon in order to hire him? With this theory, we would have a repetition of chapter 43 and 44. The manhwalovers should remember that in chapter 43, Min incited Lee Jihwa to commit a murder, while the Joker portrayed him as a savior. He would save his lover from the witch Baek Na-Kyum.

Note that Min is hidden behind a curtain, which means that the kisaeng can’t see his face properly. Secondly, while Heena noona is speaking loudly, she doesn’t realize that her words are heard by Black Heart. And with such a situation, Min can seize the opportunity. While spying on her and discovering her weakness, he decides to manipulate her. But in order to fool the kisaeng truly, he needs to hide his face. So he starts talking about Yoon Seungho so that he catches her attention. The kisaeng listens to their conversation, especially if the impersonificator explains that he has a grudge against Yoon Seungho. He is planning to do something against his childhood friend who humiliated him twice, hence he plans to contact Nameless. Since the kisaeng never judged her spying actions as a crime in the past, she will think that she can use this to her advantage. She will ask Nameless to “rescue” her brother from lord Yoon Seungho. Let’s not forget that in the first part of the second season, we had Nameless acting with a kisaeng. It is also possible that she thinks that if a feud starts between the main lead and the young master Lee, then no one will pay attention to her brother’s disappearance. In other words, she will try to seize the opportunity of the quarrel between Lee Jihwa and Yoon Seungho in order to diver the attention from Baek Na-Kyum, a new version of this panel: Note that this panel was presented, while Heena noona was at the mansion. The manhwaphiles shouldn’t diminish the wrongdoings Heena noona has already committed. Like Yoon Seungho underlined it to her, she trespassed his property and arrived with guards, hence she definitely violated the law. However, in her eyes, her action was justified, because she imagined that she was rescuing her brother. And remember what I wrote in “Love, embrace and caress”. If Heena noona knew that leaking information was wrong, she legitimated it out of care for the scholar. Let’s not forget that the kisaeng is not afraid of human justice, but of divine retribution! In her eyes, the gods would approve her actions, since Joseon justice system is so flawed. Out of love she justifies her misdeeds. And since my perception about her was proven correct in chapter 71, then you can imagine how I consider her words in chapter 68: In this scene, she tries to use the authorities in order to convince her brother to follow her. How ironic that she uses Joseon justice system now to achieve her goal, while in truth she just looks down on it due to her social status! I mean, she is right to criticize such laws, but this doesn’t mean that she is allowed to disrespect people’s rights as well. She is indeed a hypocrite, a similar version of Yoon Seungwon. In her eyes, rich nobles are all evil. Why? It is because her loved one is a poor low-noble. Like my reader Luzy remarked to me, she must have hoped that if she helped Jung In-Hun, the latter would help her too: leaving her condition as a kisaeng, the former version of this scene: But love can’t be used for committing misdeeds. And since the night is long for the lovers, we have to envision that it is the same for the manipulators and conspirators. Heena noona could pay a visit to the “butcher” during the same night, not realizing that she is falling into the trap set by Min. In The Joker’s mind, her contact with Nameless will serve as evidence for a plot organized by the kisaeng. Framing commoners is the usual method for nobles to commit crimes. And Nameless experienced it for sure. The vicious lord is using the trouble she caused the day before as a diversion. Since she arrived with guards at Yoon Seungho’s mansion, this violation could be perceived, as if she had attempted to hurt the wealthy protagonist. Her ruckus will be turned against her as evidence. It is still possible that a faked letter written by Kim pushes her over the edge, especially after witnessing how Baek Na-Kyum was treated during this night, but I have now some reservation about it. She is already determined to take some action.

After elaborating my theory about the way Heena noona will get involved, it is time to focus on the valet and his manipulations. There’s no doubt that Kim has already sensed that his position is in danger. Why? First, Kim can no longer treat the main lead like his puppet, and secondly, the painter is on the verge to become the master’s official partner. Note that in chapter 71, Yoon Seungho is considering the artist as a noble, while the former is now a commoner due to the removal of the headband. Observe that these words are shown in front of a door, an allusion that a servant is spying on them. I can use the chapter 37 as an evidence: Kim is speaking behind the door, the protagonists didn’t detect his presence, until the former spoke. In addition, the manwhaphiles are well aware that the episode 71 is a new version of chapter 37. The chapter 37 starts with the noble’s fellatio: As a conclusion, it becomes urgent that the artist’s position is fragilized. The valet has now lost the master’s favor (new version of chapter 52 , because for the first time, his abuse of power was caught by the head-maid and the lord. In this scene, the readers could truly recognize Kim’s lie . However, the head-maid couldn’t detect his lie for good, as the master permitted Heena noona’s stay afterwards. Yet, there is no doubt that the butler must have perceived this conversation as a possible source of danger. If she just asked the master, she would discover the truth and from that moment, the head-maid would no longer perceive him the same way. Note that she relied a lot on Kim’s judgment, therefore her colleague and the head-maid requested to know about his opinion in chapter 63, a new version of the episode 17 Both maids trusted the valet’s decisions and action. However, in the second season, the gap between the butler and the maids kept increasing. From my point of view, the incident with the lie must have pushed the head-maid to show a certain reservation and mistrust concerning Kim. She is no longer relying on his perception and behavior. That’s why in my opinion, she brought the meal to Yoon Seungho in chapter 69:

Besides, we shouldn’t forget that during that terrible night (chapter 63), Kim disregarded both maids. He ignored their questions and comment. He left them behind without any explication. This scene is important, as we don’t see the valet’s eyes the whole time. However, we glimpsed his memories: he was wondering about the physician’s strange behavior. Therefore I come to this deduction: the butler was worried, if his complicity was witnessed. That’s why we don’t see the butler’s gaze in the panel above. Moreover, if you look closely, you’ll notice the butler’s pouting mouth indicating that he is really displeased. With this new interpretation, it becomes understandable why Kim ignored the maids. He had other worries. He needed to know what the physician had witnessed exactly. At the same time, he made a huge mistake, because he disregarded the maids for the first time. He gave the impression, he stood above them and could do anything he wanted. He was not obliged to answer them. And from my point of view, his attitude was the reason for the two women to distance themselves from him. Note that in chapter 66, the one with the green hanbok stood at the door, while the other followed Kim in chapter 67. In my opinion, they are now using their own critical thinking, which represents a source of danger for the valet. Dolls are not supposed to think on their own.

Let’s not forget that during this same night, Kim went first to the shed and from my perspective, he desired to know about the painter’s fate. Had the lord killed him in his rage or not? If yes, then he didn’t need to pay attention to the physician’s strange behavior. What he didn’t expect was to see the sexual intercourse. Hence Kim was forced to use an excuse for his appearance. Since the physician stood in center of his concern, he remembered him. Hence he requested from Yoon Seungho the permission to leave the mansion. Note how he is searching for his words. On the surface, the manhwaphiles had the impression, he was shocked by the scene, while in reality, he got scared, as he had been caught. Fortunately for him, Yoon Seungho blinded by his fear and wound didn’t question about the motive for the late visit. As a conclusion, the maids and the physician are all witnesses of the butler’s rudeness and possible manipulations. Remember that during that same night, Kim abused his position by threatening the physician. But this is just a short-time solution. The doctor could definitely talk and as such indirectly reveal the valet’s complicity. Consequently, I deduce that for Kim, the maids and the physician represent a source of danger too. Hence he needs to remove them and the best way to get rid of them is to organize an incident leading to a purge: the maids and the physician will be his target.

My theory is that by hurting the painter, he can get rid of his “enemies”, the one who could cause trouble to his quiet life. At the same time, he would use the lord’s agony to gain his trust again, but more important, he could usurp Yoon Seungho’s power and position, a new version of this scene: while he is legitimating that he is acting out of concern for the lord’s lover. Remember that each incident will be employed twice, but there exist some variation. But since Yoon Seungho is no longer under his control, he needs to create an incident, where he is requested to act on the noble’s name. He can take his power, if there’s a poisoning incident. He is the only one who knows that if the painter is hurt, he will lose his mind again. He witnessed it in the barn and his spy must have reported to him the following words: This would be perfect for him. If Baek Na-Kyum is wounded or even dies, then the butler can manipulate the main lead. The physician was a witness in the first abduction and remained silent, as for the maids, they were involved in the first “poisoning incident”: Back then, the identity of the culprit was never revealed to Yoon Seungho and notice that the maids were questioned first. Moreover, the lord experienced with his own eyes, how they looked down on him (chapter 38). And now, you will think… but what about Min’s plan? Let’s not forget that Kim has in reality a different interest than The Joker. For him, what matters is that Baek Na-Kyum is removed or is so wounded that the lord starts relying on Kim again. Since he has already attempted to kill him through the main lead and it never worked out, he needs to take a different approach. The drugging of the painter would be the perfect solution for him, a new version of the episode 36. He would get rid of all possible threads in one shot: the purge among the staff, like I had predicted… but the butler would be behind it. Consequently, my theory is that a drug will play a role in the second kidnapping.

My reader Luzy was the one who first brought up the idea of “drug”. Her theory was that Kim would poison the main character so that the latter in his rage would hurt the painter. First, it is relevant to reminisce that the incident with “poison” occurred twice during the first season: chapter 35 and chapter 36 One failed, whereas the second succeeded. Striking is that during the second “drugging”, the head-maid was involved. But as you can imagine, Luzy’s idea led me to this theory: Kim will poison the protagonist.

First, remember that we have this incident with the spoiled rice which was downplayed by Deok-Jae who called it a prank. However, the manhwaphiles shouldn’t forget in this incident, we had the two maids involved, just like Deok-Jae and Kim. I am quite sure that the readers will remember the butler’s words: this gesture was definitely a misdeed, worth of getting punished. However, back then no one got punished. Why? Due to Yoon Seungho’s good nature and leniency in the end. So we would have a new version of this incident. Nevertheless, like I mentioned above, we had two “poisonings” in the first season. One was a success and the other a failure. Since the commoner didn’t get hurt in the first “poisoning” , it means that the second will succeed. But more importantly, here is the twist. The victim of this “drugging” will be Yoon Seungho in reality!! I would like to point out that Kim never truly grasped the nature of the relationship between Yoon Seungho and Baek Na-Kyum, hence he won’t expect this turn of event. How did I come up with this theory?

Remember that in chapter 47, the lord proposed his own meal to the painter after the discovery of the spoiled rice. Since the story is constructed like a circle, it means that we will have a repetition of this decision. However the chronology will be changed: the lord will give his own meal to the painter right from the start, while the former will eat the painter’s meal. The result is that Yoon Seungho falls ill.

But because in my eyes, the butler is very quick-witted, he will know how to respond to this sudden turn of event. He is already aware of Min’s project. The latter must have asked him to make the commoner leave the property, a repetition from chapter 51: I would like to outline the parallels here. The Joker was talking to a domestic, and since the manhwaworms saw it once, they don’t need to see this repetition. I have already noticed that the author uses similarities, when it comes to the main leads. Therefore we have to envision that the Joker Black Heart met Kim in the shed and they came to an agreement. However, like I mentioned above, the butler is not obliged to follow Min’s instructions. Exactly like in chapter 56, when the noble approached his “student”, he just requested this: That’s why I came to this idea. Min’s kidnapping will only be used as a second measure, for the butler’s philosophy is prioritize his own interests: And now, I am quite sure that you are questioning how this is possible that he can change his strategy so quickly. In order to elaborate this interpretation, the painterofthenight’s lovers have to remember the chapter 35. In one single chapter, Kim played tricks: first, he imagined that the painter was in the lord’s bed and another sex night would have caused the painter’s death. Then he proposed the medicinal tea (the drug) and finally when he saw Baek Na-Kyum speaking with the scholar, he seized the opportunity to trigger the lord’s rage and jealousy. He hoped that in his fury, Yoon Seungho would kill the artist. Yes, I judge the valet as very intelligent and perceptive. Why not? The painter as a commoner is also very smart. Imagined that when with one farewell, he could find closure and grasp the nature of his relationship with Heena noona and the scholar.

So now, what he needs to do is to make the painter leave the mansion. He will use the painter’s trust and his influence to manipulate the painter one last time, as the latter hasn’t grasped his true personality. Byoenduck visualized the trust between the two commoners thanks to the candle with the glass standing close to the three candles symbolizing the artist.

But it becomes a different story, if the butler usurps Yoon Seungho’s authority under the excuse that the latter has been poisoned and the culprits must get caught. He will use the master’s poor condition to frame the artist. And the incident with the spoiled rice happened, when the couple was eating their meal together in the bedchamber. Note that in this panel there’s an allusion to the artist’s wandering. I am expecting a new version of this. The painter will have some place to be: he will be sent away by Kim, the latter asking him to fetch the physician, as the lord has suddenly fallen sick. Knowing Baek Na-Kyum’s good nature and readiness to help lord Seungho, the painter won’t mistrust Kim’s suggestion.

As you can see, my idea is that the butler won’t reveal the poisoning immediately, just like it happened in episode 47. Remember that initially the maids were interrogated and they apologized… the discovery of the real culprit took place afterwards in the kitchen. Besides, in this scene, Kim was the one who gave the punishment: We all praised the butler for his intervention, while now I view it in a different light. On whose authority can he give a verdict? Actually, he should have reported it to his lord who would have made the decision. But note that in this scene, the butler plays the role of the judge. And now, imagine what happens if Yoon Seungho is “poisoned”.

First, people will think, the lord got sick again, as he was ill recently. And unlike in the past, the butler will ask the painter to bring the physician to the mansion. Knowing that Baek Na-Kyum cares for the master, he will listen to the valet’s suggestion and leave the property. He knows where the physician lives. And once arrived at the physician’s house, he will be abducted. How is it possible? This time, the doctor won’t be at his office and this is no coincidence. Either Kim or Min asked him to be absent so that he could feign ignorance later, the opposite behavior in connection with the first abduction. The valet will justify this, telling him that he needs to have an alibi. At the same time, it explains why an innocent doctor becomes an accomplice in the end. The physician chose silence and passivity forcing him to make another wrong decision… He needs now to cover up his crime.

But in order to frame the painter for “the crime”, the butler has to forge a letter explaining that he had to use such a method, because he was scared and he couldn’t push the main lead away. The male servant spied on their conversation in the bathroom. Kim will utilize the ruckus with the escape to his advantage. Yoon Seungho’s servants made sure that he was brought back to the property, hence his first flee caught the attention of the town folks. The male staff searched for him through the town. However, in my opinion, the butler has been miscalculating something: the tailor’s intervention. Imagine that the moment the painter leaves the property, the town folks will notice him. Furthermore, he had already caught their attention in chapter 45: So after the chaos created by his disappearance, I doubt that the town folks won’t notice him. In my opinion, they will stop him and ask if he is escaping again. However, this time Baek Na-Kyum will explain the situation, the lord is sick and needs a physician. Let’s not forget that in chapter 29, the inhabitants were intrigued by the conversation between the scholar and the painter, indicating that they will serve as witnesses, when the “crime” is discovered.

The second miscalculation will be Nameless. The latter through Heena noona will hear that Jihwa visited the kisaeng house and he intends to do something against Yoon Seungho. The butcher will pay the red-haired noble a late visit (new version of this scene) and question him. In my opinion, Nameless will realize through the kisaeng’s words the existence of a conspiracy. From my point of view, the buffoon will recognize that someone is setting a trap and Jihwa will be framed, especially after hearing that someone impersonated him at the kisaeng house. Secondly, when Heena noona describes to the criminal how Baek Na-Kyum was treated by Yoon Seungho (tied up in a room), the Joker will realize that Baek Na-Kyum never revealed Jihwa’s crime. Moreover, the brother would have confided to his sister what truly happened. After hearing from the second lead that Yoon Seungho created a scene in Jihwa’s bedroom and warned him to never approach him again, Nameless will get aware that Yoon Seungho did forgive the second lead, hence he has nothing to worry. At the same time, Jihwa could tell him in his innocence that Min asked him to remain at home. Since he is doing nothing, then nothing bad can happen to him in Jihwa’s mind. And that’s how the criminal will become involved in the second kidnapping again. But this time, his role will be different, as he will recognize that if the painter gets hurt, Jihwa and himself will be framed. Hence he will pay attention to the painter and follow him. We will have a new version of this.

In other words, this time the criminal will come to Baek Na-Kyum’s rescue and as such redeem himself. however, the criminal will be forced to reveal Deok-Jae’s death to Yoon Seungho. On the other hand, during the loss of his conscience, Kim will start with the purge blaming the maids, the kisaeng, the painter and even the doctor. Since the painter is not present, he can be framed, as he can not defend himself, unaware of what Kim is planning behind his back. The butler will go to the authorities. From my point of view, he could use the first poisoning incident and frame the maids. Since the real culprit is dead and no one will speak in their favor, Kim will usurp his master’s authority, while faking that he is protecting his lord. On the other hand, since the lord has been drugged for a long time, I am expecting that Yoon Seungho will recover very quickly from this poisoning incident. And once Kim brings the letter as an evidence blaming the painter and the maids for their complicity, Yoon Seungho will realize the butler’s treason and betrayal. Unlike in chapter 11, he will believe in Baek Na-Kyum’s innocence, as the paper will become the proof of his probity. Since we have to expect a repetition of the incidents from the first season, I realized that one event hadn’t been repeated yet: framing the painter for a misdeed. And remember that in chapter 11, Kim played a huge role in this incident and it happened, while the painter was away. However, the moment Yoon Seungho reads the letter, his eyes will be able to perceive the truth: he is surrounded by spies… as the paper will content sentences from conversations between the two protagonists. Consequently, he will discover Deok-Jae’s disappearance and he will remember that night. That’s how the purge will take place. I am expecting that during the painter’s disappearance and the lord’s sickness, Kim sends the guards to arrest Heena noona. Through this terrible experience, she will recognize her wrongdoings. She will tell the authorities about Jihwa and his plan, but as a kisaeng she won’t be trusted. Moreover, the authorities will reproach her spying activities. She will definitely accuse the lord for threatening her , but everyone won’t listen to her, until Yoon Seungho appears and believes her. That’s how the male servant will be questioned. Through that terrible incident the kisaeng will learn a terrible lesson. And since Nameless could rescue the painter from the second kidnapping, Baek Na-Kyum will be able to defend himself and protect his sister. While Kim wanted to eliminate people among commoners, Yoon Seungho will decide to retaliate against the nobles by utilizing Deok-Jae’s death and his own poisoning. The result will be a real purge, which valet Kim didn’t predict. Both Min and Kim will experience why “ignorance is not a blessing”. However, I have the impression, Min will be able to escape the purge, while he will betray and abandon his friend, the noble with the mole, who thought that he was playing just a prank. There’s no doubt that this time, Jihwa won’t be spared, yet thanks to Nameless’ help, the noble will suffer less.

As conclusion, Kim’s true personality will be finally revealed. At the same time, I am quite sure that the valet will send a letter to father Yoon to cover up the scandal… in case he got into trouble, a new version of chapter 44. The butler will justify his action, that he wanted to remove the painter from Yoon Seungho’s side. He did it out of selflessness and concern for the eldest master. His son was in love with a commoner, a scandal. Kim’s involvement will cause the return of father Yoon in the main lead’s life.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Setting the trap

This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.

After reading chapter 69 for the first time, my instinctive reaction was to comment about Min’s presence at the kisaeng house on Twitter. Some readers had some doubts that this was Min, because the latter usually wears a green hanbok and not a mustard-yellow. Jihwa is the one wearing such hanboks, which is indeed correct. I have to admit that I didn’t even think about this detail, because my eyes had paid attention to something else: When I saw the laugh in the background, for me there was no doubt, Min was at the kisaeng house. The laugh is The Joker’s mark, that’s how you recognize this villain. (chapter 19) (chapter 54) And remember that a joker is a synonym for a comedian. Naturally, I have other arguments for this interpretation.

First, notice that Jihwa has never been at the kisaeng house, he prefers visiting the tavern. (chapter 59)

Secondly, since the story is constructed like a kaleidoscope, this signifies that we have to expect a repetition with some variations. And in chapter 19, Min is indeed present at a kisaeng house with Yoon Seungho. And back then, he was inquiring about the painter before making the following suggestion to the main lead: they should drink the expensive wine at the protagonist’s mansion. Black Heart was already trying to set a trap, because he couldn’t stop thinking about the artist. He felt the need to have sex with the artist, but in order to have his wish fulfilled, he needed to create an occasion. So the expensive wine was the bribe. One of my readers supposed that Min had planned to have the painter drunk, this is definitely possible. However, I am more inclined to think, Black Heart desired to have the main lead drunk, so that he could approach the artist more easily. Why? I believe, Min has totally misjudged the painter’s personality due to his observations. Remember that he is someone watching people closely. Since he saw the painter getting aroused during the sex session (chapter 8), he had the impression that the low-born was experienced with sex, and as such was “depraved”. He felt attracted to the painter’s facial expressions exuding pure and raw desires. He saw a confirmation of his perception in the drawings as well. In chapter 19, he describes the drawing as lewd, and for me he is actually thinking about the artist while commenting this. Moreover, this is the same expression Yoon Seungho will use during their Wedding Night: How could he paint such pictures without any sexual experience? Since Black Heart had the impression that Baek Na-Kyum was an easy man (a witch seducing men), The Joker proposed later to Yoon Seungho to bring the low-born to their sex sessions (chapter 33, chapter 52). He imagined, the artist would never be opposed to this, he just restrained himself due to Yoon Seungho’s order. That’s why he made such a comment about Baek Na-Kyum. (chapter 52) In my opinion, Min came to the belief that the lord was the reason why the painter didn’t join them in their sex sessions. However, he was right and wrong. In reality, the painter’s inner struggles were caused by the scholar’s indoctrination, and later the lord did really desire to keep the artist to himself. Yet more importantly, Baek Na-Kyum is actually a very loyal and faithful person, hence he abhors sex sessions. Since Min’s first scheme had failed, then he needed to find a new approach. Hence he came with this idea: if the lord gave his consent, he would be able to get his wish fulfilled. Therefore he keeps suggesting to bring the artist to their sex sessions after each failed trap (chapter 19, 43). Simultaneously, each time he planned something, this always backfired on him. In chapter 19, he got to see the beautiful face of Baek Na-Kyum full of tears, which could only arouse Min even more. Yet he couldn’t touch him. Then after urging Jihwa to organize the abduction and assassination, a few days later, Black Heart has to see the artist’s smooth legs, which can only increase his arousal. The more he tried to taste the commoner, the more he got tempted without being capable to satisfy his urges. Each time he even helped the lord in the end. In chapter 19, his plan with the expensive wine benefitted Yoon Seungho the most. The latter was finally able to “taste” the painter, and now Yoon Seungho has recognized that he can trust his loved one. He will now believe in his words, a huge step for the main lead. At the same time, Baek Na-Kyum got to hear that he could trust the noble, because the latter would believe in his words.

Moreover, since I have already portrayed the Joker as sadist, his desires can only increase, because he sees the painter’s condition has not improved. The last time Black Heart saw the low-born, he was a wreck… and I doubt that this repelled him. It had quite the opposite effect. Why do I think so? First, we have Yoon Seungho who confessed to the painter with these words: , therefore “wreck” had a positive connotation. Besides, we have Heena noona who complains about the painter’s terrible state. Yet at no moment the painter feels shocked or terrible. That’s why I believe, when Min saw the painter’s poor condition, his urges to taste the artist reached a new peak. That’s why he revealed Jihwa’s culpability. He needed to divert the lord’s attention, while he was already setting the next trap.

Because I have already elaborated this theory that Kim and Min have been talking to each other since the last party, I am quite sure, the butler must have revealed his knowledge to the Joker. Since Jihwa is no longer able to enter the place, the valet needed another pawn. In his mind, Min was perfect. So they must have agreed to use Heena noona during that morning. Both saw in her the perfect tool, because she already has a negative perception of Yoon Seungho. At the same time, she is close to the painter, therefore the latter will trust her more easily. Let’s not forget that when Min approached Seungho’s mansion, he saw the kisaeng making a ruckus in front of the mansion. He discovered her relationship to the artist. So far, no one had an idea where the artist was coming from. So their first plan was quite easy. Heena noona would bring the artist outside the mansion, while Yoon Seungho was busy making trouble at the Lee’s mansion. Both manipulators anticipated that once the artist woke up and saw his sister by his side asking him to leave, he would run away with her. In their mind, Baek Na-Kyum could only resent the aristocrat for the harsh treatment during the last night. That’s why Kim urged her to speak. He knew what she would say.

As for Min, he was very displeased with the new situation. Jihwa had really messed up, because for Min it would become more difficult to taste the artist. Besides, he is more than ever forced to kill Baek Na-Kyum, as the latter could reveal the scheme and the identity of the culprit. After the scandal Yoon Seungho created in town due to the artist, the Joker recognized that if anything happened to the painter, the main character would make sure to uncover the truth and make people pay for this. Remember The Joker’s words in chapter 43: They needed to fake an accident to cover up the murder, because killing a commoner was still a crime. And now you comprehend why Min revealed the abduction to the protagonist. Not only he wanted to divert the noble’s attention, but also he needed a scapegoat for the next kidnapping. Since Jihwa had disobeyed him, Black Heart felt the need to punish Jihwa. But most importantly, the red-haired aristocrat needed to pay for the situation he had created: Min was no longer able to concretize his “dream”: taste the painter.

But since Kim and Min thought that Baek Na-Kyum would follow his sister easily, we have to imagine that the Joker projected that he would encounter the low-born at the kisaeng house. He couldn’t wait to meet him, especially after seeing him as a wreck the same day. That’s why he went to the kisaeng house later. Since he had a servant by his side, the latter could ask the kisaeng’s guards, in which kisaeng house she was living.

And now, you are wondering why he is wearing a hanbok like Jihwa’s. It is quite simple: he is impersonating him. Since Jihwa refused to kill the painter, Black Heart envisioned that the noble had kept postponing the kidnapping due to fear and remorse. Therefore The Joker decided to come up with a new strategy, which would be so tempting that the red-haired noble wouldn’t doubt his words. Min asked the same thing than Nameless. He just needed to wait and remain in his mansion, having a low profile. In other words, Black Heart asked him to do nothing! Since Jihwa would do nothing, he wouldn’t have to feel remorse, and more importantly, he wouldn’t commit any crime in his eyes. Since the second lead is quite naive, he doesn’t realize that knowing the existence of a crime and not revealing it is actually a crime too. In his mind, his hands would remain pure, whereas in reality he is an accomplice. That’s why Min asked him not to run away. How did I come up with impersonification? It is because we already had one, and like I have already exposed it, each incident will be repeated. Jihwa impersonated lord Song, when he sent the fake letter.

And remember Jihwa’s reaction back then. He never saw any wrongdoing in his action, he didn’t recognize the seriousness of his misdeed. He even blamed the main lead.

In my opinion, Black Heart had envisioned the painter’s return, therefore he was waiting for him. Since neither Jihwa nor Min had ever visited this place, this means that no one would know their real identity. From my point of view, Black Heart had already anticipated to taste the artist that night. And if Baek Na-Kyum had disappeared, the kisaengs would have noticed the nobles with the color of the hanboks. However, the problem is that Heena noona returned alone that night. Hence Min’s scheme had failed again.

And now, I would like to point out the presence of the noble with the mole. He is noticeable with the purple robe. First, the latter is often seen with Jihwa, hence the aristocrat is already guilty by association. From my point of view, Black Heart is so determined to have his wish fulfilled that he is willing to jeopardize everything. And in my opinion, the poor friend has no idea about this. The manhwaphiles shouldn’t forget that in season 1, Min already betrayed him once, when the latter got humiliated and evicted from Yoon Seungho’s bedchamber. The Joker didn’t leave the lord’s chamber, hence he chose to side with the host. Moreover, we have the second lead’s admiration for their relationship: (chapter 59) Jihwa will realize how fake this relationship was. There’s this possibility that Min also manipulated his friend, telling him that he was playing a prank. Remember that in chapter 37, Min lied to Jihwa and the noble with the mole sensed it, but decided to overlook this deception. For Jihwa has already been connected to the first abduction, the moment Baek Na-Kyum disappears, Jihwa will be suspected. Since he has the bad habit to sneak out of the mansion, the kisaengs’ testimony could play in his disfavor. Yoon Seungho, blinded by his first mistake, would no longer believe in his friend’s innocence. As for the friend, even if he claims, he was with Min, the main lead won’t trust his words either, especially after the incident with the topknot. And if he participated in the prank (calling Min Jihwa for example), persuaded by his friend to play a prank, then he is done. But the problem was that the kisaeng returned without her brother, which must have surprised Black Heart.

But this doesn’t mean, Min will give up. In fact, it is the opposite. He must have heard the sister’s comment who speaks her mind so loudly that she doesn’t realize the danger. But we shouldn’t forget that Min is not working alone in this. Kim is already setting the next trap. He used the servants for that. Since he has been by the lord’s side for so long, they trust him. So when the domestic warned Heena noona to never return to the house, he was actually repeating Kim’s words. Why do I think so? Notice that the valet is always the one referring to the lord’s bad reputation, and observe that the domestic uses the expression “is known as”, indicating that in truth he doesn’t judge his master like that. As the manwhaphiles can detect, the staff have become Kim’s eyes and mouth, that’s why he can definitely act in the dark. And while he was not present in chapter 69, I could still feel his presence due to the domestics. The butler is already trying to drive an edge between the kisaeng and the protagonist. He desires to push Heena noona to ignore her brother’s wish, and let him kidnap, although in her mind, she will be saving him. Now, she would become the perfect tool. As you can see, I am expecting a new conspiracy, and they will use Heena noona’s ignorance. For them, it is truly a blessing. And since Min is impersonating Jihwa, he can act, as if he had an interest to separate the couple. Moreover, he can even tell her that he will protect her brother from Yoon Seungho, as he has power and wealth as well. The noble won’t be able to abuse his power. And since Min is always laughing and smiling, Heena noona will trust him, as for her Yoon Seungho is just a violent fiend. However, in order to push her, they will have to fake a letter. Since Heena noona spoke in front of the domestics, that he could write her, if he changed his mind, Kim will know about this and forge a letter from the painter. Another possibility is that Kim leaves a fake letter from the painter behind, telling Yoon Seungho that he chose to return to his sister’s side. As you can detect, the letter will be the downfall for Min and Kim in the end. That’s how the conspiracy will be revealed. The main lead will know immediately that another crime has been planned and even committed. So far, only the noble knows that Baek Na-Kyum is illiterate. When they returned from the tailor shop (chapter 40), Kim wasn’t following them, hence he never saw that the lord had to read for the painter. This will be the new version from the chapter 56. I have to admit that there is this possibility that once Heena noona receives the letter, she decides to go to the authorities, and ask for their help. Remember that she mentioned it once, therefore it is possible that she decides to do it. And this is definitely something Min and Kim are not expecting. Furthermore, the readers should recall, they tried to use Nameless, and the latter didn’t act like anticipated as well.

As a conclusion, all the traps set by Kim and Min are doomed to failure. I am still convinced that Kim will be forced to reveal his true role in the end, because Min will pressure him. Striking is that the manipulators believe that they know everything, while in reality they are judging people based on appearances and their words. They imagine, the others don’t have any secret, because they are so easy to read and easily manipulated, which is far from the truth. I have not mentioned Nameless here, as so far, I have no clue what he will do exactly. But there is no doubt that Nameless will play a huge part in the failure of the trap set by the manipulators, since he desires to keep his promise to Jihwa. Only a joker can destroy another joker.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My instagram-tumblr-twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.   

Painter Of The Night: Heroes 🦸‍♂️- part 2 (second version)

This is where you can read the manhwa.  https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/  I used again the following website for heroism: https://www.verywellmind.com/characteristics-of-heroism-2795943

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In the first part, after defining heroism, I exposed the hypocrisy of Jung In-Hun and Kim. On the surface, their action made them look like heroes, whereas in reality, they were only selfish cowards. They faked kindness and even used the painter as an excuse to make others suffer. However, what caught my attention is the resemblance of the following panel (chapter 68) to the situation in chapter 53, where the vicious domestic Deok-Jae got beaten for hurting Baek Na-Kyum. (chapter 53) This made me realize that chapter 68 was a new version of chapter 53 and 54. Therefore I would like to compare these two scenes for two reasons. First, the contrast will help us to judge better the protagonists’ actions.

Striking is that both scenes contain many common denominators:

  1. a violent noble (in both case Yoon Seungho!)
  2. a commoner is victim of a beating (Heena noona versus Deok-Jae)
  3. Prostitution (the brothel –
  4. The painter is a witness of that scene
  5. Another noble, the second witness, decides not to intervene (Jung In-Hun versus Min) (chapter 53)
  6. A noble’s love for Baek Na-Kyum (Jung In-Hun (chapter 68) versus Yoon Seungho)
  7. A heroic act
  8. The painter’s reluctance to accept the protagonist’s love: (chapter 54) (chapter 53) versus (chapter 68)

In chapter 53, the lord caught the vicious servant hurting the artist. That’s the reason why he became violent, he desired to protect his loved one who was getting abused. Consequently, he was wounded, when he witnessed this. His action corresponds to the first condition of heroism (Acting voluntarily for the service of others who are in need). Then when he started punching Deok-Jae, he never expected anything from the artist, a reward or a hug. He was just acing on his emotions, he couldn’t bear the thought of seeing Baek Na-Kyum insulted and treated like a whore, thereby the second condition for heroism was met: Performing actions without any expectation of reward or external gain. Since he interfered himself, using his own body to stop the perpetrator from employing verbal and physical violence, I come to the observation that Yoon Seungho was willing to risk his safety, fulfilling the last condition of heroism: Recognition and acceptance of the potential risk or sacrifice made by taking heroic actions. Back then, the noble was indeed celebrated as a hero, yet if you pay attention to the reactions of certain readers, they are now calling Kim a hero. It was, as if Seungho’s past action had never existed. From one extreme (hero), he turns into a villain due to the second sex marathon and his attitude towards the painter in chapter 66. But if you pay attention to Heena noona’s description, (chapter 68), you’ll notice that here the kisaeng was not the victim, though it looked like it. In reality, the so-called violent and arrogant noble had been forced to go to the gibang. He was just a teenager. This means that Heena was lying here. And the lord’s behavior in chapter 53 proved her words wrong. He showed mercy, when asked by the painter. He never thought of himself in that moment. This confirms that the noona was lying in the study, and she was well aware of that. She definitely knew that the main lead had been the victim of physical abuse. Here, he was dragged by a black guard.

At the same time, during that night Baek Na-Kyum never saw Yoon Seungho as hero, because he only saw the violence used against Deok-Jae. He only felt concern for the jealous servant, he didn’t want the man to die by Yoon Seungho’s hands. (chapter 53) This explicates why Baek Na-Kyum couldn’t recognize the lord’s love in the end. The violence had blinded him, exactly like Heena noona had been blinded by her own prejudices. She was lumping the teenager Yoon Seungho under the same comb than the nobles. However, I would like to point out that her testimony represented a distorted memory. Why? It is because that way, she was justifying her inaction. Here, the person threatened and abused was not the noona, but the child Seungho recognizable with his hanbok. Under this approach, the manhwaphiles can grasp why she is not mentioning the helping hand in that scene, the black guard. (chapter 68) This is important, because in chapter 53, it was the commoner Deok-Jae who had acted like Heena’s description: (chapter 53) He had been insulting the painter and showed no mercy. Through this contrast, the readers can detect the kisaeng’s manipulations. It becomes even more obvious, when you add this scene from season 3. (chapter 99) We don’t just see nobles frequenting the kisaeng house, but also commoners! Heena’s statement gives the impression that only nobles are going there. This exposes Heena’s biased perception. To sum up, the kisaeng and the painter were blinded, though the latter had been influenced by the noona’s doctrines. This explicates why Baek Na-Kyum was in denial in the end and saw the lord’s love as a lie. Furthermore, this signifies that the artist experienced the opposite from what Heena noona is describing to Baek Na-Kyum: (chapter 68). In truth, the artist mistook love for fear. Note that in each confession, the low-born expresses a certain fear, while in truth his heart is already racing for Yoon Seungho out of desire and affection. In chapter 41, he explains that his heart is pounding due to fear and in chapter 49, he chose to reject the lord’s hug as a genuine embrace and decided to just admit his physical attraction. Since the lord had always been brutal, Baek Na-Kyum could never truly distinguish the cause for his heart pounding. And with this observation, it becomes obvious that the low-born was never in love with his teacher romantically, as he had never felt any heart racing for him. From my point of view, Heena noona was the one who mistook affection for fear. That’s the reason why she never saw the noble’s hypocrisy and cowardice. According to my latest theory, she is suffering from sex phobia [For more read the essay “Arrogant, filthy and lying nobles 🏯”]. But I am also suspecting that pride could have played a role as well.

But there was another hero during that night, Baek Na-Kyum, the low noble’s reflection. (chapter 53) He protected Deok-Jae from the noble’s violence (condition 1: Acting voluntarily for the service of others who are in need)), risked his own life (condition 3) and never receive any reward or gratefulness, in fact he never expected anything from the vicious man and the main lead. (condition 2: Performing actions without any expectation of reward or external gain). He even embraced the noble and his hug was totally genuine which the main lead sensed. (chapter 53) Because the former was strong, brave, courageous, convicted, determined, morally integer, helpful, selfless, ready for self-sacrifice and honest, the powerful aristocrat could only be moved by his action. This explains why Yoon Seungho chose to remove the headband from the low-born, the latter had acted like a noble person, he was a source of inspiration. (chapter 53) And with this new approach, I believe that when Min mocked the lord by calling Baek Na-Kyum a low-born (chapter 54), the main lead punched Black Heart, because he was actually protecting the painter’s name and honor. He no longer felt embarrassed to love such a person, Baek Na-Kyum was a true hero in his eyes. And now you understand why Yoon Seungho felt truly rejected, when Baek Na-Kyum called the lord’s love a lie. Sure, he asked for an explanation before (chapter 54), yet since the lord was acting under the influence of his heart, he couldn’t voice his thoughts and feelings properly. Besides, before reaching the study, he had been denying his feelings too. (chapter 53) The painter’s question was pushing the lord to admit his affection. However, because he had been in denial, the painter mirrored his attitude. (chapter 54) He claimed that this was not true. He had many reasons to think so. The noble had kept his distance from him for one week. Secondly, the lord’s hesitation and silence could only reinforce this interpretation. (chapter 54) Yoon Seungho was left speechless, because he was cornered. Since the artist was denying his protective actions, then he had no reason not to offer him to his guests. He felt rejected, especially when he saw the painter’s gaze: he could only glimpse “fear and denial” and not love. (chapter 54) He had thought that Baek Na-Kyum had hugged him out of concern and affection, yet he saw that he had misjudged the situation. And now, you understand why after that night, Yoon Seungho decided to confess with the expectation that the low-born would leave. He was able to grasp why Baek Na-Kyum was rejecting him. He feared him and Yoon Seungho had almost hurt him, he was not a real hero, like Baek Na-Kyum. In his eyes, he was actually the opposite: a violent beast hurting others. Therefore in his mind, if he confessed, the artist would get scared and run away. Yet, this didn’t happen which caught him by surprise.

Consequently, we have to imagine that during that night at the physician’s home, Yoon Seungho chose to confess properly, but the readers never got to hear his real confession. And here, I would like to thank Luzy one more time. She was the one who caught this detail: (chapter 68) When did the noble say that he adores Baek Na-Kyum? And remember that we have a flashback of that night from Yoon Seungho’s perspective: And this panel (chapter 62) made me realize that this could be the moment the lord chose to declare that he adores the painter. In this picture, the manhwaphiles have the impression that Baek Na-Kyum is whispering something to the lord, yet there’s no speech bulb and not even a moan. And since the painter is a reflection of the aristocrat, then this signifies that Yoon Seungho could have been whispering these words “I adore you”, especially after getting fully embraced by the low-born. Moreover, he experienced the heart pounding of Baek Na-Kyum (chapter 62) so that he felt compelled to reveal his adoration. However, despite the confession, Baek Na-Kyum was still in denial. And now, you can better grasp why Yoon Seungho was enraged afterwards and felt betrayed. He had confessed properly this time, and the commoner abandoned him for real, or better said, that’s what he envisioned. We have another evidence that Yoon Seungho declared not only his defeat, but his deep affection: (chapter 62) As you can observe, Yoon Seungho is also connecting love to fear, but in a different way. He was always afraid of admitting his love out of fear to be abandoned. And when he did it, the artist left him behind in his eyes. His nightmare came true, until he discovered that he had misjudged the whole situation. This repetition of misunderstanding proves me that chapter 68 is a reflection of the scene in the study from episode 53-54.

But now, if you pay attention to the chapter 68, you’ll observe that Baek Na-Kyum is still scared to admit his love for Yoon Seungho. He is definitely not brave here. That’s the reason why Byeonduck drew the commoner without eyes. He is refusing to face his own feelings. (chapter 68) First, he uses the scholar as his legitimation for his stay at the mansion. (chapter 68) Then when Heena noona pressures more the painter, the latter gives other justifications, like f. ex. the lord treats him well (chapter 68). Surprising is that he is actually mentioning others to legitimate his stay: the scholar, the master of the mansion (chapter 68) and “everyone” (chapter 68). But Heena noona can’t accept these excuses and forces him to confess his affection. However, even when he admits his feelings, he gives the impression that he is doing it against his will. (chapter 68) He portrays the main lead in a negative light (chapter 68) and observe that he is using the truth for his allegations. Yet, in my opinion, he is doing the same thing than Kim in the end. He is trying to put the whole responsibility on the lonely aristocrat. But what is the truth? Yoon Seungho might have dragged and mistreated the painter, but he also protected him and treated him with care, exactly like Baek Na-Kyum mentioned it first (“the lord is very good to me”). However, if the manhwaphiles look carefully at the artist’s second justification (chapter 68), they will notice that the commoner is just talking about the living conditions (a roof above his head and his art supplies). He doesn’t explain exactly how the main lead treated him well:

  • when he was sick, a physician was called and Yoon Seungho paid for the expensive medicine,
  • when the painter was sad and was longing for warmth and a hug, he tried to give him comfort,
  • when he was hurt with the spoiled rice, he looked at his injury himself,
  • he chose to eat with him and even gave his own meal to the painter,
  • he bought Baek Na-Kyum warm clothes for the winter,
  • and despite the huge betrayal and his agony, he made himself a bed for the painter and put some fire in the storage room, (chapter 62) (chapter 61)

This truly shows that truth and reality are far more complex than anything. Hence prejudices are not helping either. A commoner can also be violent and jealous, just like a noble can be tender and protective. Furthermore, reducing people to words like “rapist” or “psychopath” or “monster” or “racist” are not reflecting, how people truly are. A person shouldn’t be reduced to one action. Besides, like I explained, Kim and other people played a huge role in the lord’s brutal behavior. He made bad decisions, because people employed their knowledge about his weaknesses to trigger reactions in him. Don’t get me wrong, I am not saying that Yoon Seungho is innocent. My point is that the share of responsibility can’t be placed on only one person. And Baek Na-Kyum might have been a hero in chapter 53, yet in chapter 68 he can’t be considered as a hero. He was not willing to assume any responsibility for his feelings. He was still scared, too afraid of embracing such a powerful person. As a conclusion, Baek Na-Kyum is still not accepting his love for Yoon Seungho, but Heena noona was not able to convince him to leave the property either. That’s why at the end, she could only portray the main lead as a bad omen.

For me, Heena noona was replacing the vicious servant. Yet instead of abuse, she legitimated her intervention out of concern and love. In other words, she embodies the positive reflection of Deok-Jae. However she failed too in her tentative to convince the son and brother to follow her. And since the painter refuses to leave the study, there exists only one person who can make him leave the mansion: Yoon Seungho.

  1. Due to Kim’s words, Yoon Seungho is determined to allow Baek Na-Kyum to leave the property. He is giving up on his resolution: (chapter 63)
  2. This time, he won’t question Heena noona’s intervention contrary to chapter 53 (“Who do you think you are to put hands on him?”). He won’t chase her away, like he announced it so loudly in chapter 68.
  3. Kim manipulated Yoon Seungho by bringing up the past, therefore he mentioned his father. The manhwaphiles should remember that the latter had imprisoned the teenager (chapter 57), therefore Kim desired to push him to make the opposite decision. Since his father kept him captive, then Yoon Seungho should renounce on Baek Na-Kyum, because he doesn’t want to be like his own father. Kim knows Yoon Seungho’s good heart and wishes to utilize it to his own benefit.

That’s the reason why I believe that once Kim was caught in the act, Kim chose to use the painter not only to justify his disobedience (chapter 68), but also to push Yoon Seungho to accept the painter’s departure. This explicates why Yoon Seungho didn’t enter the study and waited for the kisaeng’s departure. (chapter 69) Don’t forget that in episode 68, we have Yoon Seungho getting dragged against his will. (chapter 68) Since in chapter 53/54, the lord showed his love by using violence in order to protect the painter, the latter couldn’t detect and accept the lord’s feelings. Thus it becomes comprehensible why the author selected passivity and silence for Yoon Seungho in chapter 68/69. He was doing the opposite from the night in episode 53/54! This is important, because that way, he let Baek Na-Kyum make a choice. That way, it was visible that the painter was willing to remain by his side. (chapter 68) At the same time, with this move, the main lead had cornered the artist. The latter could no longer use the lord as an excuse for his stay. By offering the painter the opportunity to leave, Yoon Seungho acts like a “hero” again. He helps Heena noona in the need (her desire to protect her adoptive son), he is expecting no reward, since he is giving up on the love of his life. Finally, he is risking his own life, because the moment he pushes the low-born away, it means that Yoon Seungho is giving up on his life. He has no longer a purpose to keep living. The artist was the only reason why he didn’t lose totally his sanity during that night (chapter 62-64). He reveals his selflessness in the purest form. However in season 2, it was not detectable, only through the mind’s eye. Yet, this interpretation was proven correct at the end of season 3. Once Yoon Seungho believed that his lover had died, he risked everything for his lover: his name and wealth. He no longer cared, for he had lost his reason to live. (chapter 102) So was he acting like a hero here?

  • Acting voluntarily for the service of others who are in need, whether it is for an individual, a group, or a community
  • Performing actions without any expectation of reward or external gain
  • Recognition and acceptance of the potential risk or sacrifice made by taking heroic actions

Yes, because he saved the painter’s life. Don’t forget that he was alone against three. If he had spared them… they could have testified against him. Secondly, Min could have broken his promise once Yoon Seungho had showed mercy. (chapter 102) Black Heart had already stated this before: (chapter 102) Yoon Seungho had already stabbed lord Jang, therefore he could be punished for this action, even if he spared the aristocrats. In reality, there was only one solution for Yoon Seungho now: to kill them all. Why? Like mentioned above, Min would have backstabbed him. Moreover once arrested, the main lead wouldn’t have been able to protect Baek Na-Kyum. The latter would have ended in Min’s hands. Nonetheless, the lord was not acting rationally during this night. He was guided by his emotions exactly like in chapter 53/54. The only difference is that he was acting like a cold-blooded killer. The rage and pain were only palpable in his gaze. (chapter 102) The irony is that the Joker had reproached this to the main figure in chapter 53: (chapter 53) He had been a killjoy, for he had showed mercy! As you can see, Black Heart’s words came back to bite him. (chapter 102) He didn’t stop, because Min asked him to. The gods were showing to Min the cruel reality: violence is not a game! And the painter’s soul and heart got spared during that night. Since he was unconscious, he never saw the bloodbath. The goddess showed mercy to the pure artist. He was rewarded for his bravery and good heart. He had remained loyal to his lover. He never believed in the manipulations of the schemers or gave in to the perpetrators. He resisted till the end to the point that he risked his own life too. Just like his lover, he was a hero. (chapter 102) And this brings me to the following observation: Heena described the nobles as violent and arrogant liars, but she occulted the reasons why a lord would employ violence and deceptions. Yoon Seungho didn’t become ruthless, because he likes brutality. He was forced to, and it is the same with the lie! There is no ambiguity that Yoon Seungho and Baek Na-Kyum will have to lie concerning the bloodbath. It will be a new version of this scene: (chapter 11) He lied in order to protect the learned sir! He took even responsibility for the crime. Both have to lie in order to protect each other.

This is important, because lie also stood in the center of that fateful night. (chapter 53) (chapter 54) From my point of view, the lord’s rescue in chapter 53 left a deep impression on the painter. This is no coincidence that during the kidnapping. Baek Na-Kyum screamed for Yoon Seungho’s help. (chapter 60) He was hoping for his arrival. He was already considering him as his lord and knight in shining armor. And at the end of season 3, the painter hoped the same! (chapter 99) Yoon Seungho was his hero and protector. It is because the painter had perceived the noble’s true personality. He was humble, generous, but more importantly, he was a man of honor. He would keep his promises!

As you can see, their courage reflected the deepness of their mutual affection. In other words, fear and love can be compatible! Out of fear for the loved one, they will do anything. This stands in opposition to the kisaeng’s statement: (chapter 68) This new perception reinforces my judgement about Heena. During that night, the kisaeng was definitely no hero. (chapter 68)

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.