Painter Of The Night: Uncatchable 👻 ghosts 👻👻 in town 🌆

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. The man with the purple hanbok

When manhwaphiles saw the man with the purple hanbok (chapter 106) strolling through town, they jumped to the conclusion that this must be lord Song! They remembered the recollection from Lee Jihwa. (Chapter 83) However, since I have been examining Painter Of The Night so closely, I learned to pay attention to details. Consequently, I recognized very quickly that Yoon Seungho was not chasing one ghost, but he was running after 3 different people (chapter 106) impersonating „lord Song“ (chapter 106) If you look very attentively at the hanboks, you will realize the slight differences. First, the shade of the cloth diverges, then one cloth has a pattern, the other hanbok none. The form of the gat is also a little different, just like the color of the hair diverges. Besides, the readers should keep in their mind that in season 3, we had at least 3 bodies, though I am suspecting 4 corpses: (chapter 94) (chapter 97) (chapter 97) and (chapter 101) Thus I come to the following conclusion that these 3 persons wearing the purple hanbok are not the “real lord Song”, the one who tormented the protagonist. In my eyes, he was watching the protagonist from the tower! (chapter 106) Let’s not forget that each scene is reflected in each season! And in episode 37, we had this memory from the fake servant: (chapter 37) The empty street was the indication that the monarch was present in the city. And now pay attention to the situation in episode 105: (chapter 105) Why is the street empty, when it was not the case during the night in episode 69? (chapter 69) For me, the pedophile was in the kisaeng house. But let’s return our attention to episode 37. (chapter 37) The view was divulging that the person was watching the town from above… so it had to be from the gate. Such a scene should be repeated, as the story is going in circle. Besides, note that the lord is also wearing a purple hanbok with a design. This means that he can be recognized very easily and this from afar! (chapter 106) To sum up, for me, the 4th “lord Song” was present in this scene, but the protagonist couldn’t detect his presence, for the other “shadows” were there to divert his attention.

2. The purpose of lord Song’s ghosts

But what was the purpose to use these „ghosts“ embodying lord Song? For me, they served two purposes. Since the painter had refused to be separated from his lover, they had to create a subterfuge, to create the illusion that Yoon Seungho was abandoning Baek Na-Kyum. In other words, they wanted the painter to witness how the main lead would break his own promise. (Chapter 106) As you can see, they used a prank to wound the artist. Their goal was to incite the painter to return to the kisaeng house. He should cut ties with the main lead, as the latter is a man with a fickle nature. Yes, episode 106 was the negative version of chapter 75. (chapter 75) That’s the reason why the couple was sent to the same inn. However, I don’t think that they had expected the painter’s fainting. (chapter 106) For me, this is a blessing in disguise.

3. The helping hands in the trick

But how could they plan such a „joke“ so quickly, for the painter was supposed to stay in the gibang? Here, it is important that the manhwalovers remember what the lord did before eating with his companion. He stopped at the tailor’s shop!! (Chapter 106) The latter had to be informed not to send the new clothes to the kisaeng house, but to his own mansion. That’s the reason why Baek Na-Kyum asked this question to the butler. (chapter 106) That’s how the schemer and his accomplices knew for sure that their original plan had not worked out. And if you read my previous analyses, you are aware that I had discovered the existence of two tailors!! (chapter 106) Observe how the tailor in the background is wearing his scarf. It is the same way than Yoon Seungho‘s! But now take a closer look at the tailor from episode 45 (chapter 45) and 74 (chapter 74) This tailor is wearing the scarf the same way than the artist‘s. Finally, in episode 64, the manhwalovers could see the face of the second tailor. : (chapter 64) In the past, I had already outlined the divergences in the body shape and the clothes, but the most visible evidence is the scarf!! Finally, I would like my avid readers to detect that the tailor from chapter 64 has been calling the main lead master Yoon, and not lord Yoon Seungho. This shows that this man is involved not only in the recent prank, but also in the main lead‘s suffering. He is not recognizing Yoon Seungho as a real lord. The usage of different hanboks is the proof that the tailor is an accomplice in the latest trick. But this also explicates why the tricksters had not planned the artist’s fainting. First, he had been able to run after his lover. (chapter 105) Besides, this is how Baek Na-Kyum acted, when he saw his lord looking at him: (chapter 106) The fake smile from Baek Na-Kyum was hiding his true condition, he was still suffering from PTSD. Nonetheless, for the tailor and the other witnesses, it looked like the artist was strong. Nonetheless, since the main lead had learned in the past to fake his smile, he could detect that his lover was far from feeling well. (chapter 106) But there is another reason why they had not predicted such an outcome: the doctor!! They had to ensure that the lord’s path never crosses the physician’s! That’s the reason why the manhwaphiles never saw him in episode 106. He was like a ghost. But there is more to it.

What caught my attention is the couple was first encouraged to eat before going to the medicine store. (chapter 106) Why? For the painter had wounded his hand, the first priority would have been to go to the doctor. Since the valet mentioned that it was about time to go to the medicine story, the manhwalovers should wonder why it was time. Why couldn’t they go before? Secondly, Byeonduck drew such a panel where you could see the kitchen outdoors: (chapter 106) As you already know, each picture contains important information. Why did the artist create such an image? That’s how the mortar and the grinder caught my attention. I had seen these tools before. (chapter 57) Yes in the kitchen of the physician! Then in a different image, you can the kitchen with the stool and the circle with the shamanism drawing right behind the lord’s back. (chapter 106) We assumed that the couple was eating in an inn, but it is true? Finally, in the shelves, the manhwalovers can see small packages hanging around, (chapter 106), they look exactly like the medicine Kim fetched in episode 55. (chapter 55) Because of these parallels, I started wondering if the couple and the readers had not been fooled in the end. They were actually sitting in the medicine store, but due to the butler’s words and episode 75, the manhwalovers had the impression that the couple was in an inn. I had already outlined that the furniture and shelves in the library had been switched. So it could be the same with the doctor’s office. Besides, the form of the building reminded me a lot of the house from the physician’s. (chapter 106) (chapter 74) Once you remove the cupboard from the side, you have a patio where you can eat. Under this new light, it explains why Yoon Seungho would say this to the butler: (chapter 106) It is because they were already there! And this would explain why the painter went to the restroom! (chapter 106) This coincides to the night of the abduction executed by No-Name! (chapter 59) To conclude, there was another ghost in episode 106, the invisible doctor. No matter what, the couple was not supposed to see the physician. Why? It is because he would have noticed the existence of two different doctors. That’s the reason why Kim acted as a mediator! (chapter 106) This was not to help his master and the painter at all. Quite the opposite. He had to cover up his own wrongdoings and help the schemer. Therefore it is not surprising that the valet was confronted with the artist’s fainting! (chapter 106) The latter had played a mean prank on Baek Na-Kyum!! Yes, you are reading it correctly. Now, you are wondering when the valet fooled the pure painter. Observe that Kim had joined his master (chapter 106), while the latter was waiting for his lover. He was standing next to him. (chapter 106) But look where he was standing, when Baek Na-Kyum saw him: (chapter 106) He had barely moved… maybe run for 4 meters! How could he be out of breath? Besides, why would he scream like that, when the lord was standing next to him? (chapter 106) It is because he needed Baek Na-Kyum to hear his lover’s departure!! Because we see this panel, we assume that the valet was left in the dark, especially after witnessing such a scene. (chapter 106) Our brain is trying to fill the blanks. But the moment you realize that Kim didn’t run such a long distance to be out of breath, you will realize that this “abandonment” was staged. This was the reflection of chapter 85, another fake run! (chapter 85)

In episode 106, Yoon Seungho just had to ask Kim to wait for him there with Baek Na-Kyum, similar to this scene! (chapter 86) Thus the butler got punished for his acting. He has now to take care of an unconscious painter. (chapter 106) And now, Kim is put in front of a choice. What should he do with the fragile artist? In my eyes, no matter what he chooses, he will get into trouble. Why? If he brings him to the doctor, the young noble will question the identity of the physician. Why is he not the same doctor than in the past? If he decides to bring him to the gibang, the lord will never believe that this was the artist’s choice. Besides, according to me, the noble asked his servant to wait for him there. Finally, if he brings him to the mansion, the lord will question his choice, for the artist needed the presence of a doctor. So the moment Yoon Seungho returns to the place where he left the butler and the painter, he could get scared, for they are no longer there. Thus the main lead could jump to the conclusion that his companion has been “kidnapped” again, especially after seeing the purple man circulating around them and hearing such grapevines. (chapter 106) Besides, I have another evidence that the painter got fooled by the valet. According to my observation, there is always a reflection within the same episode. Since the lord got fooled and was incited to follow the man with the purple hanbok, the artist had to experience the same. However, while the one got scared out of abandonment issues, the other got worried because of “lord Song”‘s obsession! Besides, because neither the butler nor the physician got punished for their crimes (passivity, silence, lies and disobedience), both need to receive their “punishment”. Let’s not forget what Yoon Seungho had said to the artist back then: (chapter 58) Kim had usurped his authority, he had made a decision without his master’s permission.

Moreover, I would like to outline that the place where the artist fainted is actually very close to the place when Jung In-Hun had dragged him. (chapter 24) The gate serves as the indication. (chapter 24) And in that episode, the artist got dragged twice. (chapter 24) First, it was the scholar, then the butler. However, in that scene, the butler had lied to the artist, for the noble had never requested to meet the artist in the pavilion. From my point of view, he was still hunting in the woods. As you can see, episode 24 contained all the elements of an abduction, though it was not perceptible. That’s the reason why I am suspecting that Yoon Seungho might think that his lover has been kidnapped again, especially after hearing such horrible gossips. Nonetheless, since the painter fainted, the valet will be forced to take care of Baek Na-Kyum. Yet because the noble is not informed, he can only anticipate the worst.

4. The purple hanbok

But why did they utilize a purple hanbok in order to attract Yoon Seungho‘s attention? We have to envision that this mean prank is the negative version of the incident in chapter 76!! (Chapter 76) Coincidence versus trick! They wished to scare Yoon Seungho, to let him think that „lord Song“ knew about his crime and was about to denunciate him. Yes, in my eyes, the man with the purple hanbok embodies treason and was the reason why Yoon Seungho got arrested and tortured in the past!! Under this new light, it becomes comprehensible why the lord would get so mad at his childhood friend. (Chapter 59) But the moment Yoon Seungho’s mother killed herself, it became clear that her son had been unfairly arrested and tormented. So someone had to take the fall for the injustice, the real lord Song. the (chapter 82) Nonetheless, there is no ambiguity that in reality the one behind the denunciation was father Lee. But the purple hanbok is connected not only to the arrest and torture, but also to the sexual abuse. Thus the painter had such a memory in the gibang: (chapter 1) The latter is the witness of Yoon Seungho’s sexual abuse. And what did the women say in the street? (chapter 106) The nobles would lust after men and women. Thus I am suspecting that Yoon Seungho won’t act like the schemers had planned. He will get the impression that the nobles might be still lusting after his lover, and the man with the purple hanbok is behind this. Yoon Seungho could remember Min’s words (chapter 102), Lee Jihwa was behind the scheme… and what had Lee Jihwa done in the past? He had sent a letter in his name. (chapter 59) Back then, Yoon Seungho assumed that his childhood friend knew nothing… but now, he is seeing the ghost lord Song circulating in town. So he could jump to the conclusion that the Lees have been helping lord Song. Finally, the manhwaworms will certainly recall the red-haired master’s confession, he knew everything!!. (chapter 57)

In my eyes, the women were spreading rumors on purpose!! They could recognize the main lead with his hanbok. (chapter 106) And this scene is a reflection of episode 64, where the two women were ignorant about the incident of the previous night. (chapter 64) Once again, this proves that the tailor is involved in the scheme.

The person behind this hoped to scare the noble, believing that Yoon Seungho was a superstitious man. Why? It is because he has the poem composed by Yoon Seungho. (chapter 106) The Spring Poem is actually reflected in this scenery: (chapter 106) This explicates why there is the refraction. During that day, both main leads are making important discoveries which indicates their relationship will only get reinforced.

When the lord wrote the poem in episode 92, what did the readers see there? A man in the shadow observing the couple, but the main lead had not detected his presence! (chapter 92) Yet this doesn’t end here. Episode 92 (chapter 92) is the positive reflection of episode 106: (chapter 106) This is no coincidence that there is the tower and gate in the background. From my point of view, the schemers are trying to manipulate the lord through rumors. But the puppet master is overlooking one important aspect, the gossips can be interpreted very differently. Besides, while the woman pointed out the existence of a manhunt against nobles (chapter 106), she contradicted her statement right after. (chapter 106) If nobles were involved in this, why did they kill the son of lord Shin? Besides, let’s not forget that Yoon Seungho never ordered the fire in the shrine and he never killed lord Shin! This means that he is innocent. That’s the reason why I come to the conclusion that contrary to their expectation, the lord won’t decide to leave the painter behind because of the imminent misfortune! From my point of view, Yoon Seungho could ask his lover to paint a lucky charm on their house, the tiger! (chapter 105) That way, the artist would feel that his master needs his help and talent. Moreover, I have the feeling that the main lead will go to the authorities and ask for their assistance. (chapter 101) Why did the shaman’s house get burned? How come that the son of lord Shin got killed? But we know for sure that the murderer had staged his death, he died because of a tiger. (chapter 103) Why are such rumors circulating in town and who are the witnesses? (chapter 106) Moreover, it is not random that the woman gossiping is similarly dressed than the maid in the kitchen. (chapter 103) As you can see, the schemers are no longer able to control Yoon Seungho and his lover, for both are supported by the gods. Chance stands on their side!

And this prediction leads me to the following observation. In town, there exists another ghost, the captain of the guards and his officers! (chapter 100) (chapter 101) (chapter 104) Though there is a manhunt, where is he? (chapter 106) As you can see, his absence is contradicting their statement. On the other hand, Yoon Seungho heard from the women this. (chapter 106) (chapter 106) So he could ask about the identity of the culprits and the witnesses, the new version of this scene. (chapter 98) To conclude, while the schemers thought that due to his crime, Yoon Seungho would lie low and cut ties with his lover, due to their meddling, they achieved the opposite. The lord will request an investigation… something he has never done before. He could even denunciate Lee Jihwa (chapter 67), that way he can escape punishment. This means that Black Heart’s last confession (and lie) could help the lord to protect himself and his lover. Finally, if Yoon Seungho were to mention the purple hanbok to his lover, the latter’s memory could get triggered and he could remember this night: (chapter 01) To conclude, the mysterious man with the purple hanbok is bringing the couple closer than before, whereas he hoped to achieve the opposite.

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Painter Of The Night: «Thank god 🙏 he didn’t see nor hear a thing about that awful matter »

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

The title of this essay comes from the following picture: (chapter 105) „Thank god, he didn’t see nor hear a thing about that awful matter“. This is what Heena said in the original version. [Here I would like to thank my follower @katamins again for her help]

1. Heena’s words

What caught my attention is that in the Korean version, the kisaeng employed the expression „Thank god“, displaying not only her relief but also her religiousness. In my eyes, Byeonduck‘s intention was to expose Heena‘s religion one more time, she is a Christian. Another important aspect is that her statement implies that Baek Na-Kyum can not testify about „that awful matter“, for he saw and heard nothing. The problem is the idiom „that awful matter“ is really ambiguous. Which incident is she referring to? Yoon Seungho‘s crime in the shaman’s house or her „murder“? While many readers only thought about Black heart’s execution, I believe that the noona was referring to her own “execution” as well. Why? It is because the lord refused Baek Na-Kyum to see his own sister. (chapter 105) He desired to spare his heart. To conclude, “that awful matter” is referring to the whole prank and its consequences.

On the other hand, in the English version the kisaeng‘s declaration is more precise. Because of the expression „that terrible day“, it becomes obvious that Heena is referring to her lies and manipulations in the gibang. (Chapter 97) At the same time, the idiom includes the staff‘s tricks as well: the corpse in front of the gate and the maids‘ badmouthing (Chapter 97) (chapter 98), because it happened during the day and at downfall. Due to this expression, the readers can detect the presence of Yoon Seungho’s white lie. The painter had clearly mentioned what he had heard before. (Chapter 104) However, he had been silenced by his lover, when the latter suggested to him to view everything as a nightmare. The lord made the mistake not to listen to the victim and witness.

On the other hand, if we take the noona‘s original testimony into consideration, we get the impression that the artist can not testify about the night of his „abduction“ and the murders . It is because he didn‘t see or hear anything. Since the painter was unconscious, when the lord arrived, the latter truly believes that his companion saw and heard nothing. Thus Baek Na-Kyum has no memory. He knows nothing, hence he can not remember a thing: (chapter 105) With such a contrast, the manhwalovers can detect the link between ignorance and absence of memories. To conclude, in both versions, the main lead is “lying” out of ignorance. This is the positive version of “ignorance is a blessing”. Hence the noona thinks herself safe.

But like I have already pointed out in the previous analysis, the painter was present, when she revealed her complicity. (Chapter 99) It was clear that her brother would meet the noble, as their meeting didn’t surprise her. She was more upset that Baek Na-Kyum was unconscious. (chapter 99) However, her question „What’s wrong with Na-Kyum?“ divulges her hypocrisy and acting. How could she not realize that her sibling had been beaten? (Chapter 99) His head was bleeding, and the black guards were carrying sticks. It was clear that his state was not caused by an illness. To conclude, the calling “lord Jihwa” is the proof of her complicity, though in front of Yoon Seungho it serves as an excuse to portray herself as a victim. (chapter 105) Thus I deduce that Heena thinks, the painter could not witness her acting in front of the scholar’s house, for his head was turned around and he was not moving. She feels secure concerning that night, while I am expecting the opposite. Nonetheless, her past behavior in the kisaeng house represents a source of danger for her. That’s the reason why she has to hide the “attempted murder” from her brother. The moment Heena mentions that she has been hurt, the painter won’t believe her. Why? It is because in the kisaeng house, he has not forgotten her words: (chapter 97) Even if she was “fooled”, the artist can only reproach her stupidity. Remember her harsh words, she had called him stupid: (chapter 97) She had helped Min, and she can not claim ignorance. As you can see, Yoon Seungho was encouraged to hide the “attempted murder” from Baek Na-Kyum for selfish reasons. Therefore it is no coincidence that when the lord visited Heena, he made sure that his lover wouldn‘t see Heena in bed. (Chapter 105) The painter was kept in the dark about her “failed assassination”. It was, as if this had never happened. Yoon Seungho was convinced that if Baek Na-Kyum heard about this, he would feel guilty. Indirectly, he was blamed for her injuries. On the other hand, this decision has huge repercussions. It was, as if Yoon Seungho was erasing the traces of the attempted murder against Heena. It was, as if it had never taken place, which is correct, for it had been a subterfuge. Hence later she can not claim that she has been a victim of the nobles’ brutality.

Finally, I would like to point out that the head-kisaeng was acting as a poor victim in front of Yoon Seungho. Imagine that a month has already passed, but she is still in bed, (chapter 105) though she was not beaten, slapped and punched like her brother. Don’t you find it weird that she remains in bed, though she can still walk? (chapter 105) She has now the perfect excuse to avoid nobles. She has been hurt, hence she can not work. The lord never questioned her attitude, for he wished himself that the painter would take a rest and remain in bed. (Chapter 104) This explicates why later the lord was hugging his lover under the cover. (Chapter 104) Hence I conclude that Heena must have thought the same way about Yoon Seungho. „Thank god, he didn’t see or hear a thing about that awful matter“. He has no idea about her altercations with her brother in the kisaeng house. It is important, because our beloved seme has the impression that the noona has her brother’s best interests at heart, but actually he is wrong. In my opinion, the relationship between Heena and his lover serves as a mirror to his relationship with Yoon Seungwon. So far, the young noble doesn’t suspect his brother to have betrayed him. Note that he blames his father more than his younger sibling.

2. Memory illusions

While reading episode 105, we discovered how Heena was saved. (chapter 105) Yet, this incident was presented as Yoon Seungho’s memory. This panel could be used as an evidence that my theory, Heena was present next to the shaman’s shrine during the bloodbath, was wrong. Nonetheless, this image didn’t make me change my mind. Why? I paid attention to details and judged this rescue as “fake” again. The servants had a drop of sweat on their face, the symbol for deception. Secondly, the kisaeng was wet, while the staff’s clothes weren’t damp. How did they save her then? Besides, where are the foot prints? Moreover, where was the head cover? (chapter 99) Finally, her hands and feet were not tied. So where did the items go? Since we saw her “execution”, we are the witnesses, and as such we know the truth about that “awful matter”, but it is not the case for the lord. This image contains so many errors, hence it can not reflect reality.

This observation led me to the following question: when did the rescue happen exactly? Besides, how could the lord have seen her, when he could barely leave the painter’s side? He spent the whole night with the painter. (chapter 103) Hence he could have never been outside the mansion. That’s how I realized that the author was presenting us a false memory. This means that the manhwalovers are facing an implanted memory. But how could this happen? First, false memory is quite normal and is often of no consequence. But a false memory relayed during criminal testimony might lead to the conviction of an innocent person. As the manhwalovers can detect, it represents a serious problem.

In fact, everyone is prone to false memory distortions, but people with mental illness are more susceptible to “memory illusion”. It is the same for persons who have issues to differentiate between reality and fiction. Since Yoon Seungho is suffering from PTSD and often questions his sense of reality, (chapter 58), it makes him particularly vulnerable to false memories.

But how is it possible to implant fake memories? Let’s not forget that memory is working with associations, as the former is a network of cells. Thus the connections between these cells can been severed. And the moment the cells are reconnected, the brain is trying to fill the blanks. And that’s how false memories can arise. But there exist more factors.

First, it is related to inaccurate perception.

“Sometimes we see things that aren’t there and miss obvious things that are right in front of us.” Quoted from https://www.verywellmind.com/how-do-false-memories-form-2795349

We have the perfect example in episode 105. Because of the butler’s following testimony (chapter 104), the lord and even the readers imagined to see medicine in the white bowl! (chapter 105) Besides, the author had always connected the drug with the tray. (chapter 23) As you can see, the readers interpreted this scene due to associations. Nonetheless, like mentioned in the previous analysis, the different color and the traces on the edge were the evidences that it was ink. (chapter 36) Besides, Heena was in bed indicating that she was still weak. The circumstances led people to have a different perception of “verity”!! Only through the mind’s eye, the manhwalovers can detect that this scene was staged.

Then the other cause is interference. This signifies that as soon as new information appears, it can affect old memories or the reverse. Experience, prejudice and knowledge have an influence on memories.

“Our minds try to fill in the missing spaces, often using current knowledge as well as beliefs or expectations.” Quoted from https://www.verywellmind.com/how-do-false-memories-form-2795349

And this aspect is visible in the lord’s memory either. (chapter 105) Observe that the servant on the right is acting like Yoon Seungho: (chapter 103) The protagonist projected his own thoughts and emotions onto one servant: shock! (chapter 105) Secondly, the kisaeng has the same body posture than the painter after the first abduction. (chapter 61) This was interference by excellence. Besides, emotions can affect your memories. Since the lord was so under shock after witnessing the painter’s unconsciousness, it is not surprising that he imagined to have witnessed this scene. At the same time, when he left the shrine in trance, he could have overlooked the presence of a third person… similar to Lee Jihwa next to the shed. That’s how he doesn’t recall anything from that night except his crime. He didn’t see and hear the person by his side. Where is the sword? Where did he get the hanbok from?

“Researchers have found that people tend to be more likely to remember events connected to strong emotions, but that the details of such memories are often suspect. Retelling important events can also lead to a false belief in the accuracy of the memory.” Quoted from https://www.verywellmind.com/how-do-false-memories-form-2795349

And now, you have the explanation why the lord is blaming his father the entire time and no one else. Finally, I would like to remind the readers that the main lead had tried to commit suicide during that night. Thus he went to the pound. (chapter 102) Therefore it is not astonishing that he imagined a similar scenery.

Another cause for false memory is misinformation. And we have the perfect illustration in chapter 1: (chapter 1) Baek Na-Kyum thought to have seen “Yoon Seungho” as huge sodomite, yet he only connected the name to the face after meeting the lord for the first time. (chapter 1) This shows that the artist had only heard his name without seeing his face before. This explicates why the main lead’s gaze and facial expressions were similar (chapter 1) (chapter 1)

As you can see, Byeonduck left many clues for this interpretation: the noona’s rescue was fake, for it was a false memory. Finally, since the lord was present, when the servants had “discovered” Baek Na-Kyum, the negative reflection would be that he was not gone himself there. Finally, we have the confession from Yoon Seungho, he never saved her. Indirectly, he was admitting that he had not assisted them. (chapter 105)

As you can see, this image was the result of a combination of different events the lord had experienced himself. Hence I deduce that this memory was implanted through suggestions by the servant standing on the left side of the picture. The staff had never searched for the painter, hence one of the domestics had asked his master: (chapter 103)

On the other hand, he only narrated the main aspects, and let the lord fill the blanks. That’s how the lord created a false memory which feels so vivid that it seems real. But I have another proof for this theory. In the previous episode, the lord had tried to implant a false memory into the painter: (chapter 104) My avid readers can certainly recall the rule I had detected: each chapter will be reflected in the next!

But since Yoon Seungho was implanted a false memory, this signifies that it is the same for Baek Na-Kyum too! 😲 One detail caught my attention, the noona’s comment. She had detected that the painter used to feel anxious around Jung In-Hun. (chapter 105) How is it possible? Especially, when the painter said this: (chapter 94) Furthermore, the painter is associating the learned sir to the moon and as such the night. (chapter 94) Thus I am now suspecting that this image is a false memory. But I have another reason to think that the painter’s idolization was more the result of “brainwashing” and as such “false memories”.

The same noona had observed that she had not seen her donsaeng weep like that, since he was 5 years old! (chapter 105) How can she date this incident so precisely? The moment I read her testimony, I discovered that in episode 94 the author had never shown us the painter crying! (chapter 94) (chapter 94) (chapter 94) It was, as if the noonas had never been informed about the painter’s suffering and tears. This shows that Heena has been hiding many things from her colleagues. But there is more to it! The manhwaphiles saw the artist’s tears in his childhood. (chapter 68) But here he was much older!! Under this new perspective, I realized that the following image could have been a false memory: (chapter 68) Heena was misremembering that night, and she was misattributing the painter’s tears. In other words, she was confusing two incidents.

Misattribution: Have you ever mixed up the details of one story with the details of another? For example, while telling a friend about your last vacation you might mistakenly relate an incident that happened on a vacation you took several years ago.” Quoted from https://www.verywellmind.com/how-do-false-memories-form-2795349

And now, take a closer look to the painter’s tears in episode 105: (chapter 105) It is the same facial expression, though the redness around the eyes is more pronounced. This observation confirms that the noona’s memories in the kisaeng (chapter 68) were not reflecting reality. She idolized the scholar’s attitude, while she was portraying herself as the real victim. Thus I started wondering why the painter must have felt anxious around the learned sir. (chapter 105) One might question the veracity of the kisaeng’s testimony, but so far, I judge her as “innocent”, though she definitely helps Heena to fool the couple. In her mind, it is for her brother’s best interests. But let’s not forget that the teenager Yoon Seungho was exposed to sex in a brutal way (chapter 86), so the painter must have made a similar experience. In my analysis “Baek Na-Kyum’s foot“, I had already doubted the “warmth and happiness” of the scene. For me, the zoom on the painter’s foot was the clue for the painter’s suffering. And this interpretation was confirmed in episode 105. (chapter 105) He had run after his lover in socks. While in “Baek Na-Kyum’s foot”, I thought that this memory was true, I come now to a different signification. It was a false memory in order to hide a crime related to Heena. I would like to outline that in the kisaeng’s comment, we have the notion of “shame” and as such “guilt”. First, I thought of rape, but then it could be much simpler. The painter could have witnessed his noona having sex with the learned sir. But because he was too young, he misjudged the situation… as a virgin, she had to bleed. Because he saw blood, he imagined that the learned sir had hurt Heena. This would explain why the artist was afterwards anxious around the teacher. One might think that this is not terrible. But let’s not forget that as a kisaeng, she can not have sex like that. (chapter 105)

“After 1650 some kisaeng were assigned to a specific government office; these were called gwan-gi, and though officeholders were strictly forbidden from having sex with them, in practice they were usually expected and often forced to provide sex to these bureaucrats” Quoted from https://maggiemcneill.com/2013/09/12/the-kisaeng/

Besides, I doubt that the learned sir paid her for her services, hence according to regulations, the couple had committed a wrongdoing. Under this new perspective, it becomes comprehensible why Byeonduck let Heena witness their love session. (chapter 96) A similar situation had happened in the past.But because of her brother’s reaction, his huge tears, she got scared. (chapter 68) Hence my theory is that this image comes from that day, but she repressed it. Due to her guilty conscience and fears, she developed genophobia. Under this new light, it becomes comprehensible why later Heena caused trouble to Yoon Seungho in the kisaeng house. Her loss of virginity could have been detected. Finally, it explains why the kisaeng spoke about “fleeting and trivial emotions” (chapter 68) Through suggestions, she had been able to convince her brother that the learned sir was a nice person. This explicates why the caresses and hugs were used to silence the artist. By repeating to her brother, he liked Jung In-Hun, he came to develop such feelings. The kisaeng’s statement implies that the admiration for the teacher was not constant. (chapter 105) Her words represent a contradiction to Heena’s statement. (chapter 46) A change of heart versus “eternity”. This shows that the painter’s decision to go to the learned sir’s house was never his choice. He had simply followed Heena’s suggestion. She was definitely distorting his past. Furthermore I detected a strong connection between love and memory. (chapter 94) If it is a loved one, then it can only be a good memory. Therefore it is not surprising that by saying constantly saying that the painter likes the scholar, he is repressing the bad memories with the scholar (the beating in episode 34, the betrayal in chapter 29, his words in the library and his reproach about his job). So far, he only mentioned one negative incident.

But why did Byeonduck use false memories in her story? It is to make Yoon Seungho remember his true memories, which were repressed. However, in psychology, repressed memories are controversial. This explains why the author from „Memory illusions“, Julia Shaw, rejects this idea.

Research showed that the created memories often had the same theme as whatever the clinician was suggesting. So if the clinician suggested sexual abuse, the client would have memories of sexual abuse. If the clinician suggested alien abduction, the client would remember an alien abduction. And if the clinician suggested satanic ritual abuse, then the client would remember satanic ritual abuse. So this was a huge problem. This has led many psychologists and researchers to adamantly oppose any type of therapy that seeks to recover repressed memories, and they also would testify against any recovered memory in court.” Quoted from https://therapyinanutshell.com/repressed-memories-dissociative-amnesia-ptsd-and-the-memory-wars/

Through Baek Na-Kyum’s suffering, the lord is slowly reminded of his own tragedy. This means, his sexual abuse will come to the surface. At the same time, I believe that the painter is the witness of Yoon Seungho’s past suffering, but he has not discovered Yoon Seungho’s connection to the gibang. For me, the painter Baek Na-Kyum embodies true memories, especially since he is no longer under the influence of Heena.

3. The painter’s ignorance

The irony is that though the painter was kept in the dark about the lord’s intentions, he was capable to detect the verity!! How so? He was using his heart and his mind’s eye. First, though the lord’s sudden embrace had caught him by surprise, he had been able to interpret the true meaning: a goodbye (chapter 105) In the original version, this is what the artist thought:

“Earlier..why did it feel like the LAST…”

The last embrace! He had sensed the lord’s despair and heartache. They would no longer see each other. How do I know that the artist was caught by surprise? It is because he never reciprocated the hug. We have to envision a new version of this scene: (chapter 76) So while the painter was following his lover, the latter turned around and hugged him. Afterwards, he asked him to go to his noonas, for he needed to talk to Heena. Moreover, contrary to Yoon Seungho, Baek Na-Kyum paid attention to time. He was not lost in thoughts or had lost the sense of time (chapter 105) Despite being busy and talking to the kisaengs, the artist couldn’t forget his lover. All his attention was still focused on his lover. That’s the reason why he could catch the lord’s departure right on time. This means that Heena’s words didn’t become a reality. He could grasp the situation correctly, though he has no idea about the lord’s intentions. This has nothing to do with chance! It is thanks to the artist’s intelligence and sensibility.

But while he rushed to the lord’s side, he tripped and fell on his hand. (chapter 105) But the latter acted, as if his hand was not wounded. (chapter 105) He ignored his physical pain and heartache. (chapter 105) This is important, because the stumbling symbolizes the intervention of the gods… We have the perfect example at the end of season 3. The lord fell on his knees in front of the scholar’s house, hence there is a hand print on the snow. (chapter 100) That’s how he refused to view Lee Jihwa as the murderer of his lover, Baek Na-Kyum”. YES, the falling is the real manifestation of CHANCE! How so? I would like the manhwaphiles to keep in mind that chance is the antonym of trick and scheme! The latter are connected to plan and organization. Thus I come to the conclusion that the noble will decide to go to the doctor’s office in order to treat his lover’s hand. (chapter 105) Let’s not forget that Yoon Seungho treasures the artist’s hands so much. Besides, they are wearing the same scarfs than in episode 74. But this is something that the schemers are not expecting. After the start of season 4, I got aware that Yoon Seungho never saw the doctor clearly. When the main lead was brought there, (chapter 57) he was feverish so that he couldn’t pay attention to the physician. Besides, the man never remained by his side. Finally, in episode 74, the man never left the office!! (chapter 74) I conclude that Yoon Seungho never saw the physician for commoners! Besides, I doubt that he remembers him from his childhood. But this is not the same, when Baek Na-Kyum was ill. He met the other doctor twice. (chapter 33) (chapter 103) On the other hand, the artist assumes that the man in the office is Yoon Seungho’s doctor!! He heard his confession: (chapter 57) There exist two physicians in the city at least. That’s how a part of the truth will come to the surface! And who had fetched the doctor? (chapter 103) The staff… I would like to outline that in this panel, Kim was no longer seen next to the couple. (chapter 105), though he was still present here. (chapter 105) So where did he vanish? Probably to the mansion, for he had to warn the domestics that the artist would be returning! But if he left the couple behind, this means that he can’t witness what Yoon Seungho and Baek Na-Kyum will do next. And if they don’t go to the doctor, there is no ambiguity that the main lead will send for the doctor again. But according to me, the man disappeared. (chapter 103) To conclude, I am expecting that Yoon Seungho will make a huge discovery in the next episode… just like the painter did in the gibang.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The shadow 👤 behind the shrine ⛩️

Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

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Lezhin Korea released a few panels from season 4, thus we could discover that lord Shin got into trouble. He is on the ground, his face bruised and bloody, while he is asking an anonymous man for help. He is mentioning the shrine. As he is wearing the same hanbok, we can definitely assume that this scene takes place during the same night. The irony is that each time Byeonduck offers a new piece of a puzzle, she also creates a new riddle or mystery. How did the young master get wounded in the first place? And who is the person facing lord Shin?

1. The shoes and the weapon

First of all, I would like to point out that this image confirmed my results from my ongoing investigation. The author is using the shoes and clothes to give clues about a person‘s identity. Thus I was definitely right to say that during the abduction in season 2, there were two perpetrators. (Chapter 59) (chapter 66) The size and length of the protections and the cords around the pants were different. Besides, the masks were also different due to the form of the mouth.. (Chapter 61) (chapter 61) Finally, I had also detected his presence next to the barn because of a time jump. First, the manhwaphiles saw Lee Jihwa sitting on the floor, (Chapter 60), then shortly after he was standing at the entrance of the storage room holding a fireplace poker! (chapter 60) His position indicated that the young master had shortly left the building. However, the readers had not witnessed his move, for the author had diverted their attention by exposing the character‘s inner thoughts. He was recollecting the past, while talking to himself. (chapter 60) However, how did the fire poker end up in his own hand? The last time this tool was seen, it was in the kitchen. (chapter 60) As you can see, each image has its importance! However, I doubt that the upset aristocrat had this sudden idea and returned to the kitchen and take the fire iron. His mind and heart were definitely elsewhere, while such an action exposes the intention of hurting someone. Jihwa was acting, as if he was in trance, the moment he saw the hickey and heard the painter’s scream. His long lasting stupor was visible in this image. (chapter 60) That’s the reason why I had developed the theory that someone was hiding in the shadow, next to the barn and observing the evolution of the event. [For more read the essay “No matter what… Baek Na-Kyum must vanish“] For me, it could only be Kim. The latter had put the fire iron in the young man’s hand with the hope that he would strike Baek Na-Kyum. My conclusion was that he was not just involved in the painter’s abduction. However, all these were minor circumstantial evidences. Now, I found more concrete proofs for this hypothesis. Thanks to the new release, I can corroborate my assumption! 😱 The fireplace is the evidence of his involvement during that night! Why would Byeonduck zoom on the furnaces? (chapter 57) It is because they serve as a clue for unveiling the truth. (chapter 60) And now take a closer look at the stove in the storage room! (chapter 62) It is the same furnace! 😨We all assume that the lord prepared the fireplace, because he put his clothes on his lover. But is it true? We were all jumping to this conclusion, but actually we never saw it. Our brain was led to fill the blanks. (chapter 61) Finally, the readers were all assuming that the butler had never entered the storage room due to this image and his action before. (chapter 61) But is it true? He could have opened the door before, and go to the lord in order to explain his intervention. Faking his concerns for the painter. Why would he place the fireplace there? He wished that the warmth from the fire would wake up the painter. Hence he remained close to the gate of the storage room. That way, he had a reason to visit his master. Moreover, the author exposed that the valet had been keeping an eye on his master for a while too. (chapter 62) Because the valet went to his master, we got the impression that the valet had followed his master’s instructions. (chapter 61) In fact, this request could be perceived differently. The lord had seen the butler’s intervention, hence he expressed this wish. From my point of view, the butler must have brought the fireplace to the barn, and he left the poker there on purpose. I am quite certain that some people will think that I am again exaggerating. But why did the butler put a fireplace with a fire iron in the lord’s room, when the coal was not properly lit? (chapter 86) Compare the fire to this one: (chapter 62) But note that in the furnace, there was a fire iron too. (chapter 88) Consequently, I am suspecting that Kim had expected an outburst from Yoon Seungho. The latter could hurt his father with the fire iron. But none of this happened, for the lord preferred playing a comedy.

But let’s return our attention to the fireplace in the storage room. My theory would explain why Kim encouraged his master to go to the barn. (chapter 61) He hoped that Yoon Seungho would become so enraged due to the betrayal that in his violent outburst, he would grab the tool and wound the artist!! Thus he said this the next morning: (chapter 65) He had expected that the lord would hurt the main lead. But how was he supposed to harm Baek Na-Kyum in the end? With the fire iron… This signifies that he had been present in the barn during the abduction, and even knew the place of the sequestration. Thus he took the furnace and the fire iron to the shed.

And now, you have the explanation how lord Shin was wounded. He got beaten with a fire iron! This explicates the cut on his nose. Compare his face to the painter’s who got wounded by wooden sticks. (chapter 99) The painter’s head was bleeding, but his face and nose remained intact. (chapter 99) Besides, this theory also explains why the shrine is set on fire. (chapter 103) The fire iron is connected to a stove. Finally, I would like to outline the absence of the furnace in the shrine, though it was very cold outside. (chapter 99) So when the lord said this to his lover (chapter 88), we could interpret it the following way. It was once again a vision from the future, he was seeing from lord Shin’s perspective the betrayal. To conclude, I am sensing many parallels between the noble’s death and the night of chapter 86/87/88.

But I have another evidence that the butler had been spying on Jihwa and No-Name. How is it possible that Lee Jihwa had such a vision? (chapter 60) (chapter 60) At no moment, he was told that his childhood friend had been brought to the physician’s. He just heard him leaving. Moreover, the joker never mentioned the place where the couple was fooling around. (chapter 60) He didn’t even admit that he had seen them himself. These were memories from someone else! One might assume that these could represent the criminal’s recollection, but I don’t think so. He arrived much later to the physician’s house. If he had been present right from the start, he could have kidnapped Baek Na-Kyum on his way to the restroom. (chapter 59) To conclude, the person with such memories (chapter 62) had been at the doctor’s office before. This stands in opposition to the false memory the red-haired master had in the study. (chapter 43) Here, he had visited the place, hence he could imagine what had happened, though he never saw their encounter according to me. [For more read the essay “The liars in front of the mirror of truth: Lee Jihwa and Yoon Chang-Hyeon”] This explains why he created a false memory. However, in chapter 60, it is simply impossible for him to have such a vision, for he was not there. And in the propriety, only two people could know about their love session, the doctor and naturally the valet. For the latter is constantly seen with the bucket of water, I conclude that this can only be the butler. (chapter 58) He had left the bucket of water in the patio! But note that when the painter left the room, the item had simply vanished. (chapter 59) The painter was not supposed to detect his presence.

2. Identifying the shadows

Since I recognized the presence of a third person involved in the kidnapping from season 2, I come to the deduction that we have in this scene 3 people. And if the release is not changing, and these panels are still framed in black, this signifies that the readers are dealing with remembrance again. So we could say that we are seeing the event from the perpetrator’s perspective. But we will see. On the other hand, why am I so sure about the presence of 3 people? First, don’t forget that the story is going in circle, thus the author is working with reflections. The manhwaphiles will certainly recall that lord Shin had been made unconscious by No-Name, when he had approached Lee Jihwa. (chapter 100) The manhwaworms can grasp the similarities. Back then, the lord had refused to help Baek Na-Kyum, thus he was even encouraging Lee Jihwa to return to the shrine. Hence he had acted as a willing accomplice and perpetrator. Thus his karma is to be denied any assistance, he is punished the same way than his friends, Min and the other nobles. Finally, observe that the red-haired master (chapter 100) was lowering himself in front of No-Name which reminds me a lot to lord Shin’s situation. However, the naïve yangban is not suspecting the person facing him. He has the impression that the latter will listen to him and assist him. Thus I deduce that he was assaulted by someone else, the third person… I am excluding 2 people with the beating, for the noble was not unconscious in contrast to the scene in front of the scholar’s house. Besides, this person was not strong enough to kill the noble and had not tied him up either. (chapter 66) (chapter 99) Lord Shin was still conscious, and he could still run away, until he met this mysterious person. Why do I think so? It is because lord Shin is not suspecting the one standing in front of him. If they were together, he would have recognized the betrayal. From my point of view, he didn’t see them together. And I have another evidence for this interpretation. This picture is a reflection from this one due to the presence of the shadow. (chapter 88) Abandonment and rejection versus embrace and acceptance. And what had Yoon Seungho said during that fateful night? (chapter 88) (chapter 88) But while the painter was exposed to sexual abuse, lord Shin had indeed left his friend’s side. In my eyes, lord Shin embodies treason. As you can see, I conclude that lord Shin is about to get assassinated and from the person he expected the least. Why? It is because no one has to realize that lord Shin ran away from the shaman’s shrine. (chapter 102) He was a survivor. The opposite from this scene. They faked the painter’s desertion, (chapter 60) hence in episode 102 they had to mask his escape, for this would have exposed the involvement of other people, like Lee Jihwa, the doctor with the drugs and Heena. And now, you have the explanation why the shadow hidden behind the tree had put mattresses on the soil. The desertion and survival from lord Shin should not be detected. But who is this person facing the weak lord? And who is the third person who hit the young man? First, I would like to answer the second question.

3. Identifying the helping hand

We have to suspect a rather frail person who can be reckless and even stupid. As you can envision it, I am now suspecting the kisaeng Heena. Not only her philosophy allows her to be blinded by hatred, but also she witnessed herself her brother’s terrible condition. (chapter 99) Secondly, the moment she hears from someone that she got betrayed, for her brother died, she could definitely resent Min and his friends. But one might argue that she was killed by the two guards, or if she is alive, she was held captive by them. However, it is important to recall the following rules: the clothes and shoes are revealing the character’s identity. Both men are not wearing robes. Besides, they are not wearing black shoes like the other black guards! Yet, note all the black guards from chapter 7, 64/65 and 86 were wearing black shoes (chapter 7), (chapter 65) or boots (chapter 86), a sign for a high position. They even had all a sword. Why would the guards from chapter 99 use a wooden stick? In my eyes, it is because they are no real black guards. Besides, I detected that one man had a scarf similar to the butler’s, from lower quality. Thus I am suspecting that these two men are more servants than trained black guards. In other words, they are commoners. This would explicate why they didn’t know how to tie Heena properly. Her mouth was not covered, her feet were not tied. Thus they covered their face. That way, Baek Na-Kyum wouldn’t recognize them. And if he were to survive, then he could blame it on Yoon Chang-Hyeon, as their uniform was similar. During the assault, he couldn’t pay attention to such details and question their true origins. Besides, don’t forget that so far, the beating was tasked to the staff: (chapter 13) (chapter 77) As you can see, the wooden stocks were present during the first straw mat beating.

Under this new light, the manhwalovers can grasp why their face was masked. If they had to be identified, then by the clothes… that way they could mislead the investigation and frame innocents. We could detect their involvement in this scene, (chapter 101), but here Min thought that he was capable to frame the Lees. The other evidence for this interpretation is the presence of two servants during the main lead’s hunt, while he was wearing the suspicious boots. (chapter 83) As you can detect, I see a strong connection between the new panel and the hunt from chapter 83. And here we have 3 people again.

But let’s return our attention to the kisaeng who I am suspecting to be behind the noble’s wounds. What caught my attention is that the woman has always been involved in kidnapping and immobility (being tied up). She was present, when the lord was dragged and tied up. (chapter 68) She was again a witness, when her brother was tied up in the bedchamber. (chapter 66) Finally, when her brother was on the verge of getting abducted, she saw him lying unconscious with a bloody face. However, she never considered it as an abduction, for his hands and feet were not tied up. (chapter 99) That’s the reason why she blamed him with her questions. She implied that he shouldn’t have fought back. As you can see, I detect a common thread between Heena and her presence in different scenes: sequestration and a bloody face. But this doesn’t end here. When the young painter got beaten in the gibang, there was a furnace on the left side. (chapter 94) For me, this incident was to push the painter to leave the gibang and as such to listen to Heena’s suggestion. Furthermore, the man on the left side was wearing a white headband, though he was dressed like a noble in a hunting outfit! The hair dress and his moustache [for more read the analysis “Painful departures”] led me to the following assumption: He was just a commoner in the end, impersonating a noble.

The other clue for Heena’s involvement in lord Shin’s demise is her presence in chapter 88. (chapter 88) She was supposed to discover a crime scene. But what did she do? She didn’t report it to the authorities. Why? It is because the schemers implied that she would never get justice. As a kisaeng, she was totally powerless.

Thus the moment someone tells her that her brother died by the hands of nobles, the young woman’s hatred for yangbans can only increase. At the end of season 3, Yoon Seungho and even the shadow behind the shrine believed that the painter had died too. Consequently, the painter was just given a purple hanbok, and the main lead went to the mountain. Since the protagonist was under such a shock and pain, he never pondered why there was a person helping him. He was behaving like Lee Jihwa during the night of the abduction, the hanbok was put in his hand. The sword, the scholar’s glasses and even the painter’s clothes vanished from the shrine. (chapter 102) This is the evidence that someone had manipulated the crime scene. The clothes from the painter could serve as evidence of her brother’s curtains. Heena could come to the conclusion that Min had gone back on his words, and her fake death, which had definitely shocked (chapter 99) and bothered her, could only be perceived as real at the end. But this means that while Yoon Seungho had murdered the nobles, there was someone hiding in the shadow , exactly like in season 2. He had not stopped the execution either. He could have faked his late arrival and the shocked lord would have even believed him. This time, the man in the shadow had covered the bloody traces and had thought that the noble outside had died from cold. (chapter 61) And according to me (chapter 61) the second Joker (Kim) had tried to murder the painter, but he had failed, for he had covered the painter’s head. (chapter 66) However, his new attempt to have the painter vanished failed again.

4. The “trustworthy” disguised man

What caught my attention are the pants. The form and color remind me a lot of the painter’s. (chapter 97) It could be the same, though I have my doubts. Secondly, I suddenly got aware that the painter had 3 different grey pants at least. (chapter 4) This one had a cut just below the knees, though the color is much brighter. (chapter 84) This is the third one I detected, as the shape of the pants diverge once again. This explicates why Baek Na-Kyum chose to change his clothes before leaving the mansion. (chapter 85) And because his pants are very similar to the painter’s, I deduce that he must be close to Baek Na-Kyum or at least he has a spy informing him about the artist’s clothes. Compare his pants to other servants: (chapter 97) (chapter 61) (chapter 67) (chapter 67) Their pants have either a different pigment (white, black, khaki, or light grey) or the shape is different. That’s the reason why I am assuming that the person was wearing these trousers on purpose. A new version of this scene: (chapter 98) The only difference is that the disguised person is alive contrary to the corpses in the wells. But the problem is that the shoes are betraying him. The boots resemble a lot to Yoon Seungho’s which the latter utilized during the hunt. (chapter 83) What did the lord see back then? Three shadows, two men wearing a gat and one caught in the middle with a topknot. Since I consider Yoon Seungho as a shaman, I believe that this vision was not only referring to the past and the incident in the shrine. It exposes the immutable truth, the involvement of three people, either. This is no coincidence. Thus imagine one moment that this illusion was referring to lord Shin’s murder. He is about to get murdered because of a new conspiracy. From my point of view, the man is disguising himself. However, I doubt that he is wearing the lord’s boots. The latter could be “couple boots”, just like the lord and the painter had couple hats. (chapter 91) And note during that day, Baek Na-Kyum was called sir due to his hat and clothes. (chapter 91) However, if the woman had paid attention to his shoes (mituri), she would have realized that our beloved painter is just a low-born. One might think that I view Kim as the one facing lord Shin. Strangely, I am suspecting the involvement of someone else. One thing is sure. The person in front of lord Shin is disguising himself, and the latter trusted the man in front of him. But his misfortune was not to identify correctly the person, for he didn’t detect the contrast between the clothes and the shoes. And the author left us another clue that disguise plays a huge role in our protagonists’ suffering. Why is Kim wearing a gat with a headband for nobles, when he is dressed like a servant? But there is another detail what caught my attention. He is wearing a bag. It was, as if he had packed his belongings before leaving the mansion. This means, he is taking his brown hanbok, but he is not wearing it. He reminded me of Deok-Jae. (chapter 44) (chapter 54) But the readers should question themselves this: why did Kim dress like this in the first place? From my point of view, the schemers have already planned to frame Baek Na-Kyum for the murder of the nobles and even of Jung In-Hun. Kim is trying to separate the couple so that the artist can be arrested easily and sentenced immediately. By burning the place, the evidence that Baek Na-Kyum was a victim vanished. That’s how they can manage to turn a victim into a perpetrator. They wanted to erase every trace of the crimes, but then the return of the painter will force them to change their plan. The fire can help them to turn Baek Na-Kyum into a scapegoat. That’s the reason why the anonymous shadow is wearing clothes similar to the painter’s. No one should recognize him. Later, Baek Na-Kyum can be “identified” as the culprit. And any blood trace on his clothes could serve to incriminate the painter. They could use the resemblance of the clothes as a proof for his crime. That’s the reason why lord Shin had to die in the end. And if lord Shin never doubted this person, I am suspecting that the latter is working with the authorities. Kim is not the only suspect, for according to me, there always exist a conspiracy of 3 and even 5 people. This observation leads me to create a list of suspects. First of all, Yoon Seungho’s confession to the learned sir should help us to determine the schemers and culprits. (chapter 44). A synonym for old bearded men is “elders”. The latter are supposed to serve as role models. That’s the reason why the young man didn’t suspect the man. With his beard, he must have oozed “responsibility” and even “selflessness”. But who are the suspects?

  • The officer from the bureau investigation is definitely involved. Thus he misled Yoon Seungho. Besides, observe that the officers are connected to fire! (chapter 94) Secondly, his explanation implied the involvement of a physician. (chapter 98) Though he had been found in a well, the lord’s comment insinuates that “Deok-Jae” had been stabbed. Striking is that the lord didn’t show any interest in the violation of clothes and the servant’s death. This reaction surprised the yangban which left him speechless. It is important, because this shows that the schemers were trying to direct the lord’s attention to a certain person: Lee Jihwa. They were trying to instill the thought that Lee Jihwa had planted a professional spy in his household. And after his betrayal, Deok-Jae had run away with the money earned from his work.
  • The physician: What caught my attention is that the author focused on the fire place at his office. (chapter 57) Why? There has to be a reason. I don’t believe in coincidence in Painter Of The Night. Furthermore, observe that both men, Kim and the doctor, were sitting in the kitchen, similar to Jihwa and No-Name. (chapter 57) Finally, the painter met the Joker again on the same day he visited the physician. (chapter 75) Finally, why was the doctor never brought to the mansion again after his last visit in chapter 57? And it looks like he was not there to treat Baek Na-Kyum. The latter is suffering from PTSD. Thus the painter had a nightmare. Hence I have the impression that the butler’s intervention and suggestion to Yoon Seungho will fail. The lord won’t be able to leave his side. Moreover, I would like the readers to recall that when Baek Na-Kyum got sick, a different physician was fetched. (chapter 33) Different clothes displays a different identity. From my point of view, the doctor doesn‘t want to be connected to Yoon Seungho. Finally, don‘t you find it weird that he was not by his side in chapter 57? He literally abandoned the young master in the room with the painter (chapter 57), though the latter was a patient too. He had a wounded wrist. The physician should have controlled Yoon Seungho’s fever, brought him water and even an infusion. His absence and passivity caught my attention. So what was he doing in the kitchen? Finally, the doctor is also connected to the shaman. Not only he mentioned him, but also there is the symbol of shamanism in his kitchen. Why did the gods want our couple to have their first “true” love session at the physician’s office? Somehow, it was to confront him with the truth. Finally, don’t you find it weird how Kim reacted (chapter 82), when the new version of Deok-Jae made the following suggestion to Kim: (chapter 82) Hence the doctor is not off the hook, quite the opposite.
  • Father Lee: he has a huge motivation to eliminate not only the painter, but also Min. The latter had denunciated Lee Jihwa’s crime to Yoon Seungho. Since I judge father Lee as someone suffering from Machiavellianism, he certainly plotted something behind Yoon Seungho, and not only once, but at least twice. Moreover, someone could have divulged to the patriarch that Black Heart had been responsible for the loss of his son’s topknot and his manipulations. Besides, Black Heart had witnessed the altercation between the Lees and Yoon Seungho (chapter 67), and discovered Lee Jihwa’s sodomy which was supposed to be a secret. The father is well aware that the main lead’s suffering is linked to the young master’s sexual orientation, which the father had always denied. His involvement could be detected, when he allowed one of his servants to be dragged to the gibang. (chapter 99) Finally, The Joker also heard father Lee’s humiliation and powerlessness. (chapter 67) He never asked for the authorities’ assistance, for his son’s crime could have come to the surface. And since there was a ruckus in the gibang, where his name was mentioned, he had another reason to kill lord Shin. With his disappearance, his son’s “crimes” would be buried. Moreover, his son never went to the bureau of investigation to clear his name. (chapter 101) Thus the fire could be seen as a desperate measure to cover the Lees’ culpability.
  • Because people are violating code dress, and they are wearing similar clothes to deceive people, I think that we should include the tailor in the list of suspects, but the one I am referring to is the one from chapter 64. (chapter 64) He can play a huge role by making a false testimony, as he can recognize the clothes ordered by the clients.
  • Finally, I would like to include these two men. (chapter 37) The latter had already disguised himself in season 1, and due to his age, no one would suspect his real nature or power. Then we have this faceless man from chapter 83: (chapter 83) I am not including Yoon Chang-Hyeon in this list, for he is not intelligent and cunning enough to develop such a plan. For me, he is just a pawn. Thus he never intervened on his own. He was always pushed by others’ suggestions. Yet, there is no ambiguity that the elder Yoon will be involved in a new plot.

To conclude, I am suspecting many people involved in lord Shin’s struggle and curtains. Thus expect in season 4 new plots again. Finally, I would like to underline the butler’s hypocrisy one more time. While he keeps saying to his master that he is a bird of misfortune, why is he remaining by his side? Dedication or love? I have my doubt, for he keeps badmouthing him. If this “curse” was true, how come that he did not suffer like the painter? And note that he has a drop of sweat on his face, the symbol for manipulations and lies. In my eyes, the words from the publication are reflecting the butler and Heena’s philosophy. Why? Both are trying to hide their own wrongdoings and bad choices. They are still in denial to admit their responsibility.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The riddle of the enigmatic covers🔍🕵️‍♂️ (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

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The purpose of this essay is not just to interpret the illustrations for each season, but also to anticipate the future illustration of season 4. However, before revealing my new knowledge, it is important to explain how I came to develop these significations. This means that I will present new pieces of the puzzle “Painter Of The Night”. Everything started with this panel. (chapter 9)

1. The slap and hands

The noble with the mole had a red cheek and a bruised lip indicating that he had been slapped. Yet contrary to the painter, he had wounded on his right side. (chapter 1) This means that no one had witnessed the wrongdoing committed on the anonymous lord. However, it is important, because it exposes how a person committing a wrongdoing could escape scolding and punishment, even from the readers. There was no witness! Only an attentive reader could detect this. Hence you have the explanation why Yoon Seungho suffered for so long. There was either no witness or the persons chose to close an eye and remained silent. Since it was the negative reflection from Baek Na-Kyum’s slap and the main lead had used his right hand (chapter 11), I deduced that the culprit was left-handed. That’s how I could identify the culprit, lord Min. The lord was in reality left-handed. We could observe this in chapter 8 , episode 19 , chapter 33 and episode 43, but also in episode 76 , in chapter 96 , in episode 100 and finally in chapter 102 ! Yet, in other occasions like in episode 33 or 43, or 52 , he used his right hand! Thus one might argue that Min was simply ambidextrous. However, I can prove 100% that Black Heart is left-handed!😮 The evidence is the usage of the bow. (chapter 22) This is how a right-handed man shoots an arrow. On the other hand, we never saw Min using the bow. The bird was already wounded by the arrows, when the scene of the second hunt took place. (chapter 41) However, the manhwaphiles can discover the verity thanks to one detail: the bag of arrows. (chapter 22) As you can see, the bag is carried on the right side, but the arrows are almost touching the left shoulder. They need to be on the other side, since the scholar needs his right hand to grab the item. And now compare the position of Min’s bag. It is inclined in the opposite direction, hence the arrows are visible on his right side! (chapter 41) Thus the noble is carrying the bag (chapter 41) differently from the painter too. (chapter 22) Under this new light, it becomes comprehensible why Byeonduck never showed the Joker’s hunting skills. People would have noticed that he is left-handed immediately. She made sure to hide this important fact, thus within the same chapter Min was often portraying as using both hands. In episode 43, he employed his left hand to pour the alcohol in the glass, but then he switched the hand(chapter 43), when he gave the drink to Lee Jihwa.

This raised the following question. Why is he ambidextrous, though he prefers his left hand? It is because he has been conditioned to use his right hand. In Latin, sinister means left. This explicates why left is associated to sinister, dark and bad omen. Thus there exists this superstition that being left-handed is evil or a bad sign!! Till the end of the 20th Century, people in Europe were encouraged to write with their right hand. And now, if you compare all the scenes, where he employed his left-hand, you will detect that he was acting under the influence of his subconscious. In chapter 8, he was lusting after the painter; explicating why he got mad at his friend. Because of his nagging, Min could no longer ask his host to let the painter join the sex party. Therefore it is no coincidence that he slapped his friend with his left hand. Finally, we never saw his departure from the bedchamber! (chapter 9) Here, he was still present, but even before the end of the sex session, he had already vanished. (chapter 9) Finally, when the noble with the mole visited Lee Jihwa, the latter claimed that he had spent a long time at Yoon Seungho’s. (chapter 9), and his friend never denied it. As you can see, the characters made sure to confuse the readers with the change of the chronology. As you can see, it took me a long time before noticing the bruised face (only during season 3), then to bring up the conclusive evidence that Min was the culprit of the slap. Then in the shaman’s house, he took the dildo with his left hand, because he was angry and frustrated. (chapter 100) With the same hand, he pushed Jihwa (chapter 100) too. This shows that he could barely control himself here. And once he faced the main lead’s sword, he got so scared that he showed Jung In-Hun’s glasses with his left hand again. (chapter 102) Due to stress and his strong emotions, he exposed his true self, but since the readers were more focused on the actions and Min’s punishment, they never paid attention to his hand. This contrasts so much to the way the author portrayed Yoon Seungho. She often zoomed on his hands. (chapter 92) The irony is that in this scene, the main lead employed his left hand too, the positive reflection from the night in the pavilion (chapter 43). While here it was to bring him back to reality, in the pavilion, the Joker had the opposite intention: to lure Lee Jihwa to believe in illusions. (chapter 43).

Why did she confuse the readers then? It was to hide an important information, the culprit is left-handed!! And now it is necessary to examine the lord’s nightmare.

2. The hand in the nightmare

If you read my previous analyses about the visions, you are aware of my following observation. The visions represent not only memories, but also predictions. (chapter 74) They announce the future events, though the information is not given properly. On the other hand, since they are memories either, this signifies that they contain insight about the lord’s tragedy. Thus I noticed that the anonymous perpetrator used his left hand to grab his hanbok!! I deduced that the perpetrator in the past is also left-handed!! Secondly, since this vision can also be seen as the announcement of the painter’s second kidnapping, this is no coincidence that Byeonduck created such panels during the painter’s last torment. (chapter 99) However, in the shaman’s temple, Black Heart grabbed Baek Na-Kyum with his right hand. He was trying to manipulate the artist, he was acting. He was not showing his true self. Yet, the vision was revealing the truth: the future mastermind of the last scheme was in reality left-handed!! It didn’t matter, because at the end, the main lead was able to discern the truth. He sentenced Black Heart, for he believed that he had killed his loved one! That’s how I realized why the author would focus so much on the hands and on the distinction between unconscious and conscious! The hand in Painter Of The Night represents the crucial clue to identify the culprits!!

3. The illustrations and the mystery

Because of these new discoveries, I realized the signification of the covers. In season 1, we had the hands in the illustration. The hands were revealing the crime committed against the main lead. The latter was totally passive in this picture. The hands are touching and unclothing the immobile man. It also shows that Yoon Seungho was at the center of the conspiracy, in the past and in the present! The painting in the background indicates the presence of a hidden painter. Thus Baek Na-Kyum was not drawn in the cover. The painter of the night was in truth someone else, the painter from the past! Nevertheless, the main lead was looking at the readers, indirectly at Baek Na-Kyum, the young painter of the night. This describes the arrival of Baek Na-Kyum in his life. Striking is that the painting in the background was destroyed… indicating that the portrayed relationship was no longer existent. This represents another clue that the lord’s suffering is linked to a previous relationship. Then in season 2, the author revealed Baek Na-Kyum as the painter, who had now become the target of the plot. Yet behind him we see Yoon Seungho’s foot. The latter symbolizes the main lead feared to get close to him, but he wouldn’t leave his side. Moreover, this corresponds to the lord’s impulsive decisions, he let his foot guide him. Thus during the first night of the failed gangrape, he walked towards the study and stopped unconsciously, when he was next to the room. (chapter 53) Due to his strong denial, he was strolling not realizing that his feet were under the influence of his subconscious. And it was the same, when he opened the door with his foot at the Lees’ (chapter 67) Nonetheless, I believe that the author had another reason to draw the foot in the cover. The foot prints are the evidence of the crime, and as such the deceptions and the culprits. (chapter 59) (chapter 60) (chapter 61) The shoes were the clues how to recognize the perpetrators and accomplices. That’s why I compared these feet (chapter 59) with those . (chapter 66) My avid readers are already aware of my theory. For me, we have two kidnappers, and one tried to kill the artist! To conclude, Byeonduck left the clues how to unveil the mystery from the past and the present in the illustrations of each season. The paper in the second cover is a reference to the forged letter (chapter 56), but also to the theft of the painting (chapter 56) and the painter’s break! At the end of season 2, he was no longer painting and in the beginning, he had also stopped due to his heartbreak. Simultaneously, we have the presence of water which serves as a connection to season 1 with the ruined painting and to season 3 with the well and drowning. The dark shades were an allusion to the lord’s darkness and suffering. The latter would come to the surface. However, since the cover only showed the lord’s foot, it exposes that the lord would not divulge his traumatic past. (chapter 78) In season 3, this time the main leads were facing each other, they were recognizing each other: their true self! But this stands in opposition to the deceased people without identity! (chapter 94) We never saw the face of the corpses, as they were either covered (chapter 97) or the manhwaphiles could only view the hand, , the back (chapter 97) or the clothes and shoes (chapter 100)! And since Min had disguised himself as Lee Jihwa, it was clear that the deceased shouldn’t be identified by their clothes, but by their faces. As you can see, season 3 was about the face and identity! This indicates that in the past, someone had been not identified correctly!! Why? It is because the main lead has long repressed this memory. He had forgotten his face out of fear and hatred. The only thing the victim remembers is the BEARD, and old bearded men! (chapter 44) And the nightmare exposed the number of persons involved in his suffering: 4 men!! Here, we have 3 men, and don’t forget the left hand from before. (chapter 74) But if I include the painting, then I come to 6 people: the patriach Yoon Chang-Hyeon and the king. This coincides with the cover from season 1: 3 hands indicates 3 people and we have two lovers in the background. Moreover, we shouldn’t forget the peeper, the person Yoon Seungho was looking at. Hence we have 6 people involved in the conspiracy.

But what caught my attention is that the illustration of season 2 and 3 are showing locations: the painter’s study and the bedchamber. Thus I conclude that Byeonduck was revealing the places where a crime was committed in the past and in the present. In the study, the painter lost his virginity, he was bullied or slapped, while in the past, Lee Jihwa stole Yoon Seungho’s first kiss. So in my opinion, the illustration for season 4 should be the gibang, unless we assume that the cover of season 1 is a reference to the kisaeng house! (chapter 1) Anyway, from my point of view, the cover of season 4 should indicate a location which is connected to the town. Why? It is because now I am suspecting commoners to be involved in the lord’s suffering. I have already expressed my theories about Kim, the guard blacks, Heena and the physician. But there are more suspects! Moreover, observe that the kisaeng house is not only visited by aristocrats, but also by commoners. (chapter 99) That’s the reason why I am anticipating a cover with the gibang. It would be the perfect place to find closure for the couple. It is a place where both suffered. Moreover, I think, belongings should serve as an evidence for the identification of the schemers and accomplices. Remember that we had the glasses as the evidence of a murder in season 3, yet I am sensing that the possession should serve to identify the perpetrators from the past and the present. Since the clothes were used to confuse people in season 3, I am assuming that in season 4, they should help to recognize people, but at the same time, it is totally possible that our main leads decide to employ the same method to fool the schemers and accomplices. And now, we have the cover for season 4. Both protagonists are not only facing each other, but also touching each other. They are no longer hiding their emotions and thoughts. This image represents the opposite to the other seasons. At the same time, the author is again referring to the bedchamber indicating that this place is strongly connected to the protagonists’ suffering. On the other side, since the painter is wearing a silk white shirt, it implies that he is not a commoner. This panel indicates that the main lead was able to the true owner of the study and even bed. However, due to the tears, the beholder can sense that this season will be painful as well. Striking is that in the cover, they were either alone, or they were just looking at each other, hence they didn’t pay attention to their surroundings. Consequently, they couldn’t sense the presence of a plot and the schemers. This indicates that the couple is still not prepared to face new schemes. To sum up, the author selected such covers because she had planned to leave clues there about the mystery! But wait… I had outlined that the person who grabbed the young master Seungho was left-handed, and he played a huge role in the main lead’s downfall and suffering! But who is left-handed in this story?

4. The mysterious left-handed

Naturally, I investigated the matter right away. My first suspect was Kim, but he seems to be right-handed! (chapter 12) (chapter 56). But then I noticed that he carried his master on the left side. (chapter 57) Nevertheless, the person threatening the painter was right-handed. (chapter 66) and since it is for me the butler, he was not the person from the nightmare. That’s the reason why I am excluding him from the suspect list. For me, if he was involved in the past, it is because he lit the candles (chapter 74). Furthermore, don’t forget that in his nightmare, the author exposed the presence of plates with 3 candles (chapter 74) which were also used in the shaman’s house. Finally, in this picture, we have a right-handed person. (chapter 74) So Kim could have been the one silencing him with his hand.

Then I realized that Yoon Chang-Hyeon had also switched his hand. In season 3, he slapped his son with his left hand. (chapter 86) Hence his right cheek was red and he had a wounded lip. (chapter 86) On the other hand, at the doctor’s office, he employed his right-hand to keep his son by his side. (chapter 57). Why is there this change? The turning point was the prank in the bedchamber. (chapter 83) During that scene, the father slapped his son with both hands. First with the right (chapter 83), then with the left! Striking is that the author never showed, when the patriarch employed his left hand. The readers could only hear the sound, and see the result of the beating. Both cheeks were wounded. From my point of view, he was conditioned exactly like Min! He was not allowed to use his left hand, but the angrier he got, the less he could hide his true self: he was left-handed and he was a stupid and brutal father!! (chapter 74) However, note that this switch happened after the sexual abuse had started!! That’s the reason why I conclude that he is not the man from the nightmare. For me, the father is symbolized by the painting, just like the pedophile! So where is the left-handed person? So far, the fake servant smoked with his right hand. (chapter 37) On the other hand, I am doubting that Byeonduck will introduce many new characters in season 4. That’s the reason why I believe that the man with the pipe is the real schemer, as the pipe was in the annex. Since Min grabbed Baek Na-Kyum in the shaman’s house, I am more inclined to think that the perpetrator grabbing the young master Seungho by the collar was just an accomplice and not the mastermind. In other words, he was the helping hand.

And there are two persons left that fit the profile of a left-handed old bearded man. The physician!! 😮Notice that he placed his box on the left side and this twice!! (chapter 57) (Chapter 74) I don’t believe in hazard. Besides, the lord had his nightmare during the same chapter. This means that he could have leaked this information about Yoon Seungho to an outsider, like he did with the painter. As the manhwalovers can grasp, the physician is more suspicious than before.

As for the second person, it is none other than the calligrapher!! (chapter 92) Besides, observe that the angry man put the brush on the left side. (chapter 92) The man is left-handed! And what did Yoon Seungho do? (chapter 92) He grabbed him by the collar! Exactly like in the dream!! (chapter 74) Thus I had this sudden idea: the calligrapher could have been Yoon Seungho’s teacher!! The latter became jealous of the young master due to his talent and notoriety. Another possibility is that he was commissioned by the elder master Yoon to write a talisman, a spring poetry, as we have these writings on the door (chapter 44) or patio of his mansion, similar to Heena’s. And since the young main lead suffered so much, it is normal that he doesn’t have such believes. IT is also possible that the young master Seungho played a prank which made the man angry and humiliated. As you can see, I come to the conclusion that jealousy and resent were the reasons why he got involved in the first place. Moreover, we shouldn’t forget that the calligrapher is linked to the kisaengs! He even recognized Baek Na-Kyum, as he called him a peasant. (chapter 92) Yet, he was either perceived as servant, a noblewoman or as a sir so far! He was never recognized as a peasant. Since he could identify the artist, it is also possible that he was also able to identify Yoon Seungho. But he thought that he was not well educated after living as a male kisaeng for so long. From my point of view, the man could have decided to get revenge on Yoon Seungho and participated in his abduction and gangrape!! Thus his karma was to lose his home! (chapter 91) The fact that Yoon Seungho grabbed him the same way than in the nightmare is not random. It was, as if he was getting justice. Honestly, I am more and more suspecting that in the past, Yoon Seungho got raped by commoners! Naturally, I have not changed my mind that the king was behind this plot: to get revenge on the Yoons! Who benefitted the most from the crime? Definitely the king, as he was able to ruin their influence.

Finally, I would like to remind the readers that according to me, the tailor is involved in the lord’s past suffering. However, according to me, there exist two tailors. While the other called the main lead “lord Yoon Seungho” (chapter 39), the other only recognizes him as master Yoon. (chapter 64) This means that the latter knows about the existence of elder master Yoon. Like mentioned above, the calligrapher, the physician, the tailor, the fake servant and the “shaman” from chapter 29 have all one thing in common: the beard!!

5. The other accomplices: the hanbok and the beards

Byeonduck left pieces of the puzzle in the covers in order to unveil the truth about the past and the present. Hence the moment the illustration is released, try to examine it attentively. It definitely gives clues about the evolution of the story, and the evidences concerning the perpetrators and helping hands. My recent discoveries led me to develop the following theory: the involvement of merchants. This man (chapter 83) disguised himself and hide his true identity behind “lord Song”. But is he the king or someone else? He was definitely a pedophile, but since we can’t see his face, it is not certain that it was the king. (chapter 83) Striking is that he is not “smoking here”, yet I had outlined that one abuser was a heavy smoker due to Yoon Seungho’s behavior. (chapter 83) On the other hand, I discovered that the man with the green hanbok was smoking! And why doesn’t the patriarch suspect the king behind the plot? It is because he was never officially banished or sent to exile. Thus he explains his desertion from the mansion as an absence. (chapter 86) Let’s not forget that in season 3, clothes were used to deceive Yoon Seungho, and the authorities played along. Besides, as the painter had become the love interest of Yoon Seungho and Black Heart, it is very likely that in the past, the victim was exposed to two different abusers, but they all hid behind the name: lord Song. Note that during this feast, one man had a moustache beard which is in Painter Of The Night the sign that he is no yanbang, not even chungin, the upper-middle class. He could be a rich merchant. Just because they are all wearing hanboks (chapter 83) (chapter 87), this doesn’t mean that these men belong to the aristocracy. Furthermore, Kim never said “nobles”, he just said “visitors”!! Finally, I would like to point out that since Yoon Seungho lived secluded for 10 years, I doubt that he had the means and the knowledge to be involved in the trade: (chapter 22) This theory of the participation of a merchant got even reinforced, when I made the following discovery. The wooden boxes in season 1 were present at the tailor‘s shop!! (chapter 39) Thus I am deducing that the barn in season 2 (chapter 51) could have belonged to the tailor or the owner of this shop. And note the couple was in the same position than with the kisaeng with No-Name in episode 51! (chapter 51) This was the negative reflection from episode 39: no penetration versus penetration, no interruption versus interruption, no rumor versus rumor etc. And this contrast clearly displays that the tailor shop is involved in Yoon Seungho’s suffering. And the best evidence for this is the nightmare. The main lead’s clothes had a design. (chapter 74) and the readers never saw the protagonist wearing it so far!! So where is this special hanbok? The latter is the evidence of the tailor’s involvement, as he had to create it. To conclude, there is a strong connection between the gibang, the tailor and the trade. And now, you comprehend why I am more than ever suspecting commoners’ complicity in the main lead’s suffering.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Yoon Seungho and his puzzled physician 🩺

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Announcement: Byeonduck tweeted that season 4 will star in February! 🥳 The essay “Sexual education and love” has been updated.

I would like to remind my readers that for me, Byeonduck introduced three different physicians. [For more read the essay The mysterious doctor] On the other hand, the manhwaphiles already know which doctor I am referring to, the physician from chapter 57 and this because of this expression: “I am still puzzled”. (chapter 57) So in this short essay, I would like to present my new observations and interpretation concerning this intriguing man.

1. His beard

What caught my attention is his beard (chapter 57), as it resembles a lot to the ones from the yangbans. (chapter 67) . (chapter 86) His beard is so different from the commoners’. (chapter 45) This is important, because it reveals that the doctor belongs to a different social class: Chungin, the upper-middle class.

Chungin (중인) Chungin” was the second-highest class in the society. People belonging to this class were considered as upper-middle-class of the society. It consisted of highly educated specialists, artists, astrologers, physicians, accountants, and low-level bureaucrats. To belong to this class, one had to pass the technical efficiency examination, called the Chapkwa, and hence, could become a Chungin. Chungin, similar to Yangban were also exempted from military service and paying taxes.” Quoted from https://hallyuism.com/2021/05/10/the-korean-society-during-the-joseon-dynasty/

It exposes that this man has a higher position than peasants and small merchants, the sangmin. The reason is simple. Since they had to pass an examination, this indicates that they have a certain knowledge. In other words, education serves as a mark of distinction among Joseon’s hierarchical society. It explicates why the calligrapher insulted Baek Na-Kyum. (chapter 92) The lords and chungin can look down on the commoners, sangmin and cheonmin, as the latter are not considered as educated, since they never had to pass an exam. Striking is that the physician voiced his ignorance in front of the painter which stands in opposition to his social status. (chapter 57) He was not able to diagnose Yoon Seungho’s illness. Thus the doctor could be perceived as selfless, honest, dedicated and humble. He is determined to do anything to find the proper solution. Thus many readers came to like the clueless physician. However, in my eyes, it is just an illusion again!!

2. The physician’s testimony

First of all, I detected a contradiction. The doctor claimed that he had not been able to help the father (chapter 57). But this is not correct, for he prescribed and gave the drug to the butler and as such the elder master Yoon. That’s why he said this: (chapter 57) Note that solution has two meanings, thus it has for synonyms answer and elixir/extract!! He did give him a solution, the drug!! This truly shows that the physician was lying to the painter. 😮 But this doesn’t end here.

He also contradicted himself, when he first stipulated this. (chapter 57), With the idiom “strong”, he was implying that Yoon Seungho had always been quite in good health. On the other hand, he said later that he had always been puzzled about the mysterious illness.

Striking is this description of the main lead. (chapter 57) He is the only one who portrayed the protagonist in a positive light. Why? In my eyes, it was to gain the painter’s trust. That way, the doctor would appear as impartial and neutral. Thus he said the truth first in order to divert attention from his own actions. He had been the one supplying the drug to the butler. (chapter 57) I had already criticized the doctor in the past, for he kept giving the medicine to the valet, and never made the connection to his “hot-headed” temper. He appeared as quite stupid. In my eyes, he already appeared as a passive accomplice, but mainly due to his lack of discernment. He would trust the butler too much. Thus in the composition „the purge“, I had predicted his involvement in a plot which would bring to light his complicity.

Yet, note that during his confidence, he portrayed Yoon Chang-Hyeon in a bad light. He was ignorant (“he would say strange things”), he was brutal with his son (chapter 57). This shows that right from the start, he was already putting the whole blame on the elder master Yoon. That way, the physician was avoiding to become responsible. He had been giving the drug to the butler for a long time, while claiming that he had not been able to diagnose the illness. Besides, we shouldn’t overlook that in this chapter, we only have the physician’s version!! We never heard the testimony from the father. Just because we saw the bruises and the hand on the main character’s neck, this is no real guarantee that the father said this to the doctor. (chapter 57) That’s how I realized that the doctor had been deceiving the painter all along. He lied by commission, but also when he talked about the visitation, he was actually delivering the truth in delay, paltering!! He used the same MO than Kim. He feigned ignorance, and mixed a truth with a lie!! This is no coincidence. This leads me to the following question: why did he talk about the past to Baek Na-Kyum? (Chapter 57) Yes, it was to protect himself!! He was diverting the painter‘s attention. From that moment on, I could no longer judge him the same way. He was now an active and smart accomplice, who would utilize innocence, truth and knowledge to his advantage.

Besides, the manhwalovers can note that he employs the same expressions than the valet: “it seems”, „always“… He is referring to appearances, a sign that he is aware of the importance of impression. As you can see, he was acting exactly like Kim. Thus we should see this conversation as a reflection from this scene: (chapter 12) According to my interpretation, here the butler wished the painter to desert the mansion. Thus I conclude that at the physician’s office, the doctor had the opposite task: he should ensure that Baek Na-Kyum doesn’t run away. It was important that the artist was by the lord’s side the moment he gets kidnapped. That way, Yoon Seungho would only blame himself and the painter. Yet, I don’t think that he knew everything about the future abduction. Secondly, why did the doctor bring up Yoon Seungho’s health and his medicine to the painter? He was actually a stranger, even a „servant“. (chapter 57) First, notice that Kim had already implied that he would bring his master to the doctor’s office. (chapter 57) However, the office is actually far away from the mansion. (For more read the essay The hidden shaman) From my point of view, the revelations from the doctor had two purposes. Baek Na-Kyum should not wonder why the butler brought his sick master to the office. Secondly, he had to gain his trust so that he would feel safe there. Moreover, I think that the butler must have realized that the artist had heard the exchange between the second physician and Kim. So he knew that the lord was supposed to take some medicine: (chapter 55) But like I have always pointed out, Yoon Seungho had no idea about the drugs and medicine. He was totally left in the dark, for the valet would call the drug ” medicinal tea”. (chapter 35) He employed an euphemism. This truly shows that the doctor and the valet were partners in crime, both accomplices due to their passivity, knowledge and silence. Nevertheless, I don’t think that the physician was directly involved with the kidnapping and assassination plot. The conversation between the valet and the physician displays the lack of honesty coming from Kim. (chapter 57) The latter portrays himself as a victim.

Under this new light, it becomes comprehensible why he never revealed anything after the abduction. (chapter 63) He felt bound by secrecy to the bearded man. On the other hand, this incident must have worried him, as it had taken place at his own mansion. Thus he could get into trouble. Kim realized that he needed to reassure the doctor. If the latter started speaking, he could get into trouble, for he had left the propriety during that night. He had no real alibi. Hence the valet visited the doctor during that night, but he never threatened him. (chapter 65) The doctor believed that the moment someone talked, someone could take the fall. Observe that in the yard, the butler followed the physician’s advice: he should say nothing. (chapter 65) This truly exposes that the doctor is not just a naive man, but an accomplice not only due to his silence and passivity, but also due to his own manipulations. He described himself as a concerned observer who had done nothing wrong. But no, this is not true, as the drug is the evidence of his participation. Who paid for the drug/medicine in the end? Since the elder master Yoon was no longer living in the mansion, the valet was the one responsible for the expenses. I doubt that Yoon Seungho would take a closer look to the accounts. Then when he said that he only saw the protagonist twice (chapter 57), this doesn’t mean that he was not involved in the main lead’s suffering. He could have affected Yoon Seungho’s life differently. We have the perfect example in season 3: he treated the butler (chapter 77), while he neglected the lord’s hand (chapter 84) But like I pointed out, who gave the aphrodisiac to Lee Jihwa? This is a medicine!! To conclude, the physician was involved in the main lead’s suffering, though he only met him twice. (chapter 57) The reason why I started examining the physician again, is because he was the first person to mention the shaman. (chapter 57) But since my theory is that Kim was a shaman, this signifies that he should have recognized Kim as the shaman!! In that case, I deduced that the physician had been lying to the elder master Yoon by omission. Naturally, it is also possible that the father had hired the shaman, but out of fear for his reputation, he acted, as if he had no idea about the butler’s true identity. In other words, all three men acted, as if they knew nothing. This would explain why all the characters had no eye in the last picture. Anyway, because of my latest theory, I reexamined the physician‘s statement and found more incongruences

Moreover, just because the doctor made this statement, this doesn’t signify that we should take his words as face-value. Like pointed out above, the physician was not honest, and he was definitely putting the whole blame on Yoon Chang-Hyeon for malpractice, while he was hiding his own malpractice. He acted as an ignorant and naive man. Striking is only the nobles were described in a rather negative light: Yoon Seungho as a hot-tempered man, Yoon Chang-Hyeon as a violent, untrustworthy and ignorant father. (chapter 57) Here he doubted the elder master Yoon’s words, for he stated as a fact that the young master Lee Jihwa was not mentally sick. Keep in mind that according to the doctor, the protagonist was described as someone suffering from a mental illness. And this detail caught my attention: the physician took the Lees’ side. Furthermore, the patriarch Lee was thinking similarly than the doctor: the shaman and the mental illness. (chapter 82) Finally, I would like to point out that in that chapter, the physician was mentioned too, and this next to the patriarch Lee. (chapter 82) Thus I believe that the physician’s fate is linked to Lee Jihwa and his father.

3. Conclusions

To conclude, since he feigned ignorance and hid his participation, I deduce that he will pay for his wrongdoings. His karma should be to become denunciated as an accomplice of a plot and even sentenced, though this time, he had truly been left in the dark, similar to Lee Jihwa. However, the physician won’t be able to run away. And remember the lord’s statement: (chapter 44) We should never trust the old bearded men, not even the doctor. And ignorance can not serve as an excuse for covering up wrongdoings. As a conclusion, the physician was more acting in chapter 57, he rather expressed a fake concern towards the main lead. (Chapter 57) Finally, the manhwaphiles should detect that the doctor never mentioned the presence of the servants in the bedchamber. Both were restraining the wounded lord. (Chapter 57) This is also no coincidence that he didn‘t point out the absence of the elder master Yoon during the second visit. He couldn‘t, because his tactic to put the whole blame on the patriarch would have totally failed. And this leads me to the following observation: (chapter 74) The doctor was not honest here either. Exactly like in episode 57, he was faking his worries towards Baek NA-Kyum. First, we have the presence of the drop of sweat on his cheek, a sign of dishonesty, but more importantly, his question was just theoretical, he was influencing the painter. The latter just needed to agree. He hoped that the artist would never bring up the incident in his mansion, and as such would wonder about his whereabouts and his responsibility concerning the kidnapping. At the same time, he could have asked this with the hope that the painter would blame the protagonist for his misery. He would use the painter‘s suffering (the unfair judgement leading to his imprisonment) in order to divert attention from his own wrongdoing: his silence, his passivity and his lack of commitment. He never tried to look for Baek Na-Kyum‘s vanishing. He never felt responsible. But he had to give up, because the artist was truly ignorant. (chapter 74) He never made any reproach towards the main lead.

As a conclusion, it is important to contrast the characters’ testimonies, to compare the images with the texts. That way, the readers can detect the deceptions through the contrast. Moreover, this shows that the physician was more than just an ignorant doctor, he was an accomplice. First, ignorance can not be an excuse for crimes. Secondly, we should question if he was truly ignorant. Yoon Seungho has not talked to him so far, hence this should happen in season 4. Therefore I come to the deduction that the physician will play a huge part in season 4, for he remained hidden in season 3. But he was definitely present because of the split, the aphrodisiac and the opium. The latter was often used as a medicine in China. Finally, it made me realize that season 4 will expose the participation of the commoners in the lord‘s suffering. Not only the aristocrats like Yoon Chang-Hyeon and father Lee were to blame for his misery, but also the servants, the tailor and the doctor. The latter played a role, as they never divulged their knowledge. The tailor could have noticed that he was no longer creating new clothes for the young master Seungho. The physician and the staff could have exposed the abuse to the authorities. Children were not supposed to be exposed to the straw mat beating.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Painful departures 👋🩸⚰️

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Announcement: The essay “Powerful fellatios” was updated.

Before elaborating my new discoveries, I would like to repeat the following principles on which the story was developed:

  1. There is always a reflection within the same chapter.
  2. The next episode is mirroring the previous one, naturally with slight changes.
  3. Each season is reflected in the previous and the future one.
  4. The author is working on positive and negative reflections.
  5. Thus the story is going in circle.
  6. Thus the lord’s destiny is reflected in the painter’s.

Like explained before, the reason for this huge amount of reflections is that her story is constructed like a kaleidoscope. Therefore it is not surprising that I keep contrasting many images and chapters with each other. That way, we can get new insight about the past. At the same time, the author can not expose the whole truth for two reasons. We don’t have a narrator, and since it is a manhwa, the narration is really limited. Moreover, Yoon Seungho might confess to Baek Na-Kyum about his traumatic past, yet his testimony will never mirror the entire verity. Why? It is because as a victim, he didn’t know everything. He had no idea what people would think and do behind his back. Since he had no idea about a conspiracy in season 1, 2 and 3, I conclude that it was the same in the past!! Hence it is up to the readers to fill the blanks and as such to solve the puzzle.

Striking is that after the end of season 2, I had examined the topic “farewells” [For more read essay 195 “Farewell” ] which sounds quite similar to the title of this analysis. One might fear that I could repeat myself. However, this is just a deception, for I am focusing now on season 3. With the new panels, I could get new clues about the painter’s departure from the gibang. So far, I had stated this: Heena did it for the painter’s sake. It was to protect him, (chapter 46) This was actually implied by Heena’s words and gestures, yet I had already questioned this, for Heena appeared as dishonest. Now, it is time to expose my new interpretation concerning Baek Na-Kyum’s eviction from home.

1. Exits in episode 94

What caught my attention is that chapter 94’s main topic was departure. How did I come to this perception? First, we have the well which reminded Yoon Seungho of the scholar and his poem. The latter had given the poetry referring to exit to the painter as a farewell gift. Why was the lord thinking of Jung In-Hun in that moment? It is because he had read the letters from Heena and as such her accusation against him. He had killed the learned sir, hence in the lord’s mind, it was only a matter of time until Baek Na-Kyum would bring up the subject and decide to leave him. The letters are not destroyed, for he asked this to the painter: (chapter 94) Yoon Seungho had two reasons to expect such an outcome. First, it was related to Yoon Seungho’s offer to Baek Na-Kyum. (chapter 44) Secondly, Baek Na-Kyum had already showed to the main lead that he could leave him at any moment. (chapter 85) Finally, what mattered to the artist the most was the lord’s love and trust. (chapter 85) He believed in his affection while thinking that Yoon Seungho would keep his promises. But if there was a slight doubt about him, in Yoon Seungho’s mind, the painter would choose his noona over him, like he had experienced it in the study. To sum up, in the gibang, the lord was fearing the artist’s departure. Moreover, when the painter confessed his love to the noble, he was also leaving the scholar’s side. His path was no longer following the teacher’s. Thus when he said this (chapter 94), he was actually biding farewell to Jung In-Hun. He was moving on. Finally, if you include these panels from chapter 94, , the painterofthenight-stans can notice that people are about to leave. In the first image, the young artist is chased away by the comments from the other children. Then the painter is standing in front of his noona Heena, he has just left the side of the sitting nobles. He is definitely crying, he wished to be embraced and taken away by Heena from the room. As for the last picture, we see two “nobles” leaving the painter behind. They are the ones leaving the gibang, for the exit is close. The painter ‘s face had been beaten, hence we could view drops of blood on the ground and the white head-band.

Interesting is that these three departures were all painful. First, Baek Na-Kyum’s heart got broken, for he was excluded by the children forcing him to live in the gibang. After that, he lived in seclusion. The children used their words and gestures to make him leave. Simultaneously, this panel indicates that the painter had left the kisaeng house and strolled through the streets. Then in the second image, the nobles were more aggressive, for they had removed the painter’s pants. As the manhwalovers can detect, the violence was increasing, thus when the painter’s visage was wounded, it represents the high peak of violence against the painter. Under this new light, it becomes comprehensible why the author chose not to follow the chronology. In this panel, the painter had still a braid (chapter 94) (chapter 94), but not here. This means that the rejection from the “peasants” happened afterwards. And now, if I include Jung In-Hun’s departure, the latter is supposed to have been killed, it becomes palpable that in Painter Of The Night, departure is strongly associated to blood, desertion, imprisonment and death. But this doesn’t end here.

2. The painter’s departure

I couldn’t help myself connecting this scene (chapter 94) with this physical assault in front of the learned sir’s home: (chapter 99) In these two scenes, the painter got so hurt that he was bleeding. In addition, the painter’s hair was free. In front of Jung In-Hun’s house, the perpetrators had removed his headgear, while in the gibang, the white head-band was on the ground. To conclude, the painter’s short hair was visible. Don’t forget that the short hair was indicating that the artist was an orphan. So by removing the headgear for noblewomen, Min and the black guards made sure to expose that the victim was just a low-born without any family. But let’s return to our comparison. Min was wearing a similar hanbok than the noble in the gibang. Furthermore, the black guard resembles a lot to the aristocrat with the hunting outfit in the kisaeng house house. The painter’s white headband is now serving as a cover for masking the black guards’ identity. As you can see, due to these similarities, I came to the conclusion that this scene (chapter 94) was the reason why Baek Na-Kyum left the gibang. Why do I think so? First, it is related to Heena’s absence.

3. Heena’s role

Where is she? Why didn’t she come and protect her brother? The perfect excuse would be that she was busy with a client. And this leads me to the following observation. Note that in this scene, Heena was standing in front of the door. (chapter 94) She was actually the one hindering the painter to run away. She didn’t act like Jung In-Hun at all (chapter 68). She let her brother hear the laughs from the younger masters. It looks like she is consoling her brother, yet she is not, for she is not embracing him. She is grabbing him by the shirt which reminded me of this gesture: (chapter 97) Hence I deduce that this scene in the gibang (chapter 97) is a reflection of the incident in the painter’s youth. (chapter 94)

Chapter 94 negative reflectionChapter 97 positive reflection
Painter in tears  Painter smiling, even when he gets scared
Heena brings a table with food.Baek Na-Kyum returned to the room in order to fetch the “paper”.
Heena says nothing and feels sorry for the painter –She talks the whole time
She remains next to the door.She approaches her brother in the room.
She grabs him by the shirtShe grabs him by the shirt
BNK wants to be huggedHeena wants to hug her brother, but she is rejected
BAek Na-Kyum believes herBaek Na-Kyum reproaches her to tell stories
Heena doesn’t weepShe is now in tears
Heena definitely portrayed the nobles as ruthless and filthy.Now, she found a nobleman who would help them
Heena stands in front of the entrance.Heena stands in the way to the door.

As you can see, these two scenes share so many parallels that I came to the conclusion that in both cases Heena was stopping her brother from leaving the room. (chapter 94) The table and the kisaeng were in his way. In other words, in this scene, she didn’t let the painter leave the room. However, the huge difference is that contrary to episode 97, she was acting under the influence of her unconscious/subconscious. This means that she was not doing it on purpose contrary to her confrontation with her brother in the annex. Here, she desired that her brother wouldn’t return to Yoon Seungho’s mansion. He should remain by her side and follow her. In chapter 94, she could have acted like the scholar (chapter 68) But she did not. Don’t get me wrong. I don’t think that she had bad intentions here. However, her passivity caught my attention. She was immobile and silent. (chapter 94) Hence Byeonduck drew her without mouth. Her behavior contrasts so much to this scene: (chapter 65). Thus she gave more the impression of being righteous and truly concerned.

Moreover, another detail caught my attention: (chapter 94) The presence of the moustache beard!! Three of them have one!! (chapter 94) The painterofthenight-lovers will certainly recall Yoon Seungho’s words: (chapter 44) However, there exists a difference between the painter and the lord’s association for beards in my opinion. The latter suffered due to old men wearing a long moustache beard with whiskers. (chapter 82) (chapter 83) (chapter 37)

Noblemen’s grooming styles for facial hair found in thirty portraits handed down from the Joseon Dynasty are as follows. Facial hair is classified into three types: beards, moustaches and whiskers according to its location. Twenty one portraits show that the subjects groomed all three types of facial hair.” Quoted from http://www.rjcc.or.kr/journal/article.php?code=7079

But there exists another style of moustache beard.

The remaining nine scholars also grew and trimmed their moustaches in the 八shape neatly, and had beards in an inverted triangle long enough to reach the lower part of the neck. However they do not have whiskers in their portraits. Quoted from http://www.rjcc.or.kr/journal/article.php?code=7079

Striking is that Kim is also wearing such a moustache beard. (chapter 87) However, so far in the story, this type of moustache beard was only present among commoners and not nobles!! (chapter 39) (chapter 45) (chapter 45) (chapter 64) (chapter 78) Hence I started suspecting if these two persons were truly nobles in the end. (chapter 94) Just because they are wearing clothes destined to aristocrats, this doesn’t mean that they are truly lords. And don’t forget that when the painter was attacked in front of the learned sir’s home, many people were disguised. The kisaeng Heena was dressed like a commoner’s wife (chapter 99), Min was cosplaying Lee Jihwa, the guards were covering their mouths, Baek Na-Kyum had been wearing a expensive scarf and a headgear for noblewomen, (chapter 99) so that he had been mistaken for a young master. (chapter 91). Therefore I came to the conclusion that the painter has repressed the link between the moustache beard and nobles. Since the noona kept saying nobles, what made Baek Na-Kyum shudder in the past were nobles. But the connection between the beard and nobility is existent in the painter’s subconscious. This explicates why Baek Na-Kyum would show such a respect to valet Kim, he would call him sir and listen to him. (chapter 52) However, the more time passed on, the more the butler kept pointing out that he was just a servant, so that this moustache beard is losing its meaning, the symbol for power and nobility. At the same time, the painter met more and more people with beards, like for example the tailor (chapter 74), the physician (chapter 74), Bongyong (chapter 78) and finally Yoon Chang-Hyeon (chapter 87). However, note that when the patriarch left, the main character only paid attention to his gaze and not his beard. (chapter 87) This explicates why Baek Na-Kyum is not mentioning the beard concerning nobility, while Yoon Seungho never made the connection between the old bearded men and Kim, though the latter has now a moustache beard! To conclude, I don’t think that this physical assault (chapter 94) was really done by nobles. Moreover, we shouldn’t forget that the gibang is not only visited by aristocrats, but also by commoners (rich merchants, small shop owners, workers). (chapter 99). That’s the reason why I came to the following theory. These persons wounded the painter on purpose and in my eyes, it was suggested by Heena. (chapter 94) She couldn’t ask nobles to commit such a crime due to her social status, hence she asked the assistance of low-borns. Striking is that the painter was mostly hurt by commoners in the different seasons: The servants (chapter 13), the maid (though not intended) (chapter 36, here the painter is drugged against his will), Deok-Jae , Nameless, (chapter 60), Kim (chapter 66) [As you already know, for me Kim was the one who tried to kill the painter during the abduction], Bongyong (chapter 78), the calligrapher with his insults (chapter 91), the maids with their reproaches (chapter 91) (chapter 98) and the black guards from Min. (chapter 99) The commoners are often the helping hands of the nobles. But as you know, Heena has been denying their existence and involvement. Why? It is because she has been a helping hand herself. Under this new approach, you comprehend why I came to the deduction that Heena had utilized people to make her brother desert the kisaeng house. This is no coincidence that in chapter 97, the painter was accompanied by 2 servants (chapter 97), two commoners who neglected him totally. By the way, the one with the green shirt and white jacket vanished later. He was not seen in the mansion. Anyway, the two domestics wouldn’t even follow the lord’s orders properly, for they never stayed by the painter’s side. And since it is a reflection from chapter 94, I deduce that the two “nobles” acted the opposite. They played their role perfectly to the point that the painter was terribly wounded and he never doubted their identities. They were just nobles! And that’s the point. That way, no person was truly blamed for the incident.

Hence Heena didn’t suggest the painter’s exit right after this incident, she had to wait for his recovery, and naturally she had to blame someone: the nobles!! She played with his prejudices in the end. The first evidence for this theory is that during that fateful night, Baek Na-Kyum didn’t go straight to the teacher’s home, for he first returned to Yoon Seungho’s mansion. This time, she couldn’t convince her brother to follow her suggestion, an indication that the indoctrination was no longer effective. This stands in opposition to chapter 94, where the painter’s self-esteem was ruined. Thus he chose to listen to her advice without resisting. This explicates why during their first farewell, the readers were able to see the painter’s face and the white headband on his head!! (chapter 46) This was the “positive” reflection of this scene: (chapter 94) No matter what… Baek Na-Kyum should leave the kisaeng house. What caught my attention is that she only presented her argument, the moment the painter was about to leave her. Thus he recalled her words when he was on his way to the gibang (chapter 46) and as such to the scholar’s home. (chapter 46) Moreover, I am now doubting that Baek Na-Kyum and Heena were seen in front of the gibang. (chapter 46) Why? It is because of the building and the absence of the cheongsachorong (the blue and red lantern). First, the gibang is surrounded by a wall made of stones! (chapter 19) (chapter 69) (chapter 93) Secondly, there is no window next to the entrance of the building contrary to the image from chapter 46. Consequently, I deduce that Heena had left the gibang with her brother saying that she was meeting a client, and just before entering the mansion, she sent away her brother. This explicates why he had only taken his tools and nothing more. Remember what the noonas said in chapter 93: (chapter 93) She implied that the noona was not present in the kisaeng house, while in reality she was punished, trapped in a storage room. And now, you comprehend why Heena said this to her brother: (chapter 46) He couldn’t bid farewell to his noonas, for he had already left the kisaeng house. But he had no idea that he would be sent away during that day. The other evidence for this theory is that the painter went to his lover’s home before visiting the scholar’s house. (chapter 97-98) Furthermore, the night before, the noona had implied that Heena had left the gibang. Thus I conclude that Baek Na-Kyum was truly abandoned by Heena in the end, but he got deceived by her gentle words and gestures. The physical abuse in the kisaeng house and her kind gestures had played a huge role in this. He could no longer be protected there. She justified this that it was for the painter’s best interests. She knew what the artist truly desired. However, this was not true, as she had manipulated him and she had never asked him. Under this new light, you comprehend how Heena could deceive her colleagues so easily with this statement: (chapter 93) He had suddenly vanished without voicing such a desire before. And note that in chapter 97, she was already acting on Min’s orders, a sign that in the past, it was different. She had done it on her own accord. In the annex, the kisaeng was definitely scared, hence she was trembling. (chapter 97) I have always said that the painter’s departure from the kisaeng house (chapter 1-46) was related to a crime, but the noona was not aware of this, or deep down she knew, but she chose to close an eye to this. Why do I think that this is related to murder? Simply, because in front of the scholar’s house, she faked her death and the painter had been wounded too. (chapter 99) Finally, we have this execution in chapter 1. During that night, Baek Na-Kyum should have died. But let’s return to episode 97. Here, she was resenting her brother. (chapter 97) She was totally unhappy which stands in opposition to chapter 46 in my eyes. Hence she was looking for new tissues at the tailor’s. (chapter 64) This would explain why she never looked for her brother afterwards. This shows that unconsciously, the painter had judged her betrayal and abandonment correctly, but he had been deceived by her argumentation and attitude. In other words, he was in denial.

4. The purpose of these reflections

I believe that these incidents are created to expose the transformation and evolution of characters. Heena felt powerless and scared, when she was young. Due to her anxieties (according to me, genophobia) she made wrong decisions, thus she let the protagonists suffer. She was definitely a victim due to her social status as kisaeng, for it was not her choice to become a kisaeng. Nonetheless, the problem is that in chapter 94, she utilized the painter as her shield. The real victim in this scene is not Heena, but Baek Na-Kyum. She had brought the table and let the painter approach the nobles. Why did they want to confirm, if he was a girl or a boy? (chapter 94) The clothes were indicating that he was a boy!! Moreover, why did she let him approach these men? It was during the night, for he was wearing his night clothes. So he should have slept. In my opinion, she utilized the painter in order to explain why she couldn’t perform her duties as a kisaeng. She was constantly followed by the painter. Simultaneously, she could utilize this incident to portray herself as a victim of violent and filthy nobles. She could lie to her brother, and explain that when he was not with her, she had to bear such an attitude. He would believe her, for he had experienced it once. She was clearly avoiding her fate as a kisaeng. Furthermore, she could explain why she was not working or sharing her bed with the other noonas. (chapter 87) So in this scene, (chapter 68), Baek Na-Kyum had the impression that she was telling the truth. It looked like she was a victim of violence, while in reality, Yoon Seungho was the real victim. He got dragged and tied up! Today, I just discovered another evidence for this interpretation! (chapter 68) The blue skirt is revealing her presence. She is next to the door and observe that there is a table to her right!! Exactly like in chapter 94! But it was much bigger. This means that she left the room. And since the table was not present in this image, (chapter 86), I deduce that Heena explained her desertion by taking away the table so that she had the perfect excuse to leave this room and abandon Yoon Seungho. It was not her business. But if she left the room during that night, she could have followed her brother. But she never did it. She let her brother imagine that she was suffering. (chapter 70) Terrible, right? However, since the painter had been deceived by impressions, he came to believe her version and lies. But there is more to it. Because the artist was so young, he never realized that he could have detected her manipulations!! How? She should have become a wreck… have bruises on her body, but she never had any.

This new interpretation is truly important, because it made me realize why Heena got punished in the storage room. 😮 (chapter 93) Since she excused her vanishing by saying that she had to remove the dishes and as such was busy in the kitchen, it is normal that she was imprisoned next to the kitchen 10 years later!! Here, we can recognize the kitchen by the door made of wooden planks: (chapter 95) But there exist two other evidences why Heena is associated to the kitchen. Remember the painter’s thoughts in the inn: (chapter 75) They let see that he was thinking of Heena, though he spoke of his noonas. However, the presence of religion was introduced with food. (chapter 75) This truly exposes that Heena preferred working in the kitchen. That way, she could avoid sex with the clients. Another interesting aspect is that when she was sitting at the table with nobles, she was not talking to her neighbors. . (chapter 93) She was not even serving the noble next to her. (chapter 93) Once again, she was passive and immobile. Since she was doing nothing, she could hear her brother’s name and turn her head. (chapter 93) Under this new light, it becomes understandable why Baek Na-Kyum didn’t detect her presence in the patio. It was not her usual place. At the same time, the readers can grasp why the artist didn’t mind eating in the kitchen with the maids and felt comfortable around the head-maid. (chapter 46) This was reflecting his past relationship with Heena. And now, you comprehend why Heena never paid attention to the painter’s education. She had not the time and the motivation to do so. She was busy in the kitchen during the evening and night, yet keep in mind that the painter was her excuse to keep her distance from the nobles in the beginning. This explicates why Yoon Seungho crashed the table in the gibang: (chapter 99) This was Heena’s karma. She could no longer use the table as an excuse to betray and abandon a young boy. Moreover, we could see this gesture as a compensation for the past incident. (chapter 68) Finally, the lord could voice his frustration and his resent for the kisaeng who had “deceived” him. Now, I am wondering if during that night, the rice had not been spoiled too. The most important aspect is that she had definitely seen the abduction and sequestration, yet she did nothing. But if the food was spoiled, then I can understand why she acted that way. She didn’t want to be punished. But if this theory is correct, , it depends on if she was involved in this incident or not. Yet I don’t believe that she was responsible here. She preferred Yoon Seungho taking the fall. So she took the table with her colleague and left the room. (chapter 68) How do I come to this idea? It is because there is a progression in the responsibility. But we will see, if the lord’s anger was caused by spoiled rice. One thing is sure: the butler is recreating events from the past. And shortly after the painter’s departure from his noona situated in chapter 46, (chapter 46), we had this incident: . (chapter 47). That’s the reason why I am connecting the kisaeng to the food. And I had already demonstrated that there exists a link between the gibang and the lord’s kitchen.

That’s how I made a new connection between Heena and Nameless. The latter is a butcher, and he was seen in the kitchen. (chapter 60) And now, we know for sure that the chicken blood was used to stage the crime scene in the scholar’s house. (chapter 101) For me, Nameless was behind this prank. It sounded so harmless, but the reality is totally different. Consequently, Heena can become the prime suspect in the scholar’s disappearance. Remember that according to me, Yoon Seung-Won went to the gibang after leaving his brother’s mansion and discovered that he had been deceived. For me, there is no ambiguity that Yoon Seung-Won and lord Song are behind the learned sir’s murder, for both had a huge interest for his vanishing. But in my eyes, Heena is the link between the nobles, lord Song and No-Name, because the kisaeng house is frequented by all kind of people. I have already mentioned that the learned sir must have gone to the kisaeng house after meeting the fake servant. (chapter 38) This encounter took place during the day, however he returned during the night. So he must have spent some time elsewhere. Because of the connection between Heena and the kitchen, I think, she will have to take the fall for No-Name’s crimes. Under this new light, I comprehend why Byeonduck declared that she had no longer planned Mumyeong and Lee Jihwa. Both were already receiving their punishment, when they fled. But since I detected a connection between Heena and No-Name, I am quite sure that she is also responsible for the downfall of No-Name. And don’t forget that during the incident in the bedchamber, we had a party!! (chapter 83) Then I had already demonstrated that the kisaeng had already visited the mansion, for she knew where the painter’s room was. (chapter 65) So she could have worked in the kitchen… helping the other maids. To conclude, the kisaeng had committed the following wrongdoings. She had manipulated her brother with a mixture of belief and prejudices to cover up her own fears and wrongdoings. While in chapter 94, she stopped the painter from leaving the room unconsciously, it was no longer the case with Yoon Seungho, as she was standing in front of the door. (chapter 68) She contributed to his abduction and sequestration. But this doesn’t end here. She was also a witness of his sexual abuse, but she chose to close an eye. Thus she said this to the painter: (chapter 68) For her, sex had become a synonym for torture and death. Her wrong choices reinforced her fears about sex in my eyes. Every time, she decided not to face the truth, she preferred being blind. Thus the goddess chose to punish her by letting her deceived by impressions. (chapter 88) (chapter 66) Here, she couldn’t help her brother, though the “sequestration” was nothing compared to what Yoon Seungho had experienced at such a young age. She had deceived her brother in the past, and now she was put in the same position. She was the fool one. In addition, she was forced to be confronted with reality, because she needed to admit her wrongdoings. Since she was behind this assault (chapter 94), she had to see her brother wounded, the consequences of her lies and manipulations. (chapter 99) Yet, each time she refused to become responsible. She always had a perfect excuse: the nobles were to blame for this, the lord had acted like a spoiled child etc…. In front of the scholar’s house, it was because her brother had not listened to her. Besides, Min was also accountable for this. (chapter 99) She never pointed her finger to the black guards, for she knew that they could reply that she was responsible for her brother’s resistance. She had not been able to convince him to follow Min. She preferred blaming innocent people (Baek Na-Kyum, Yoon Seungho and “Jihwa”) than recognizing her own guilt and her bad choices. Since in the past, she stood in front of her door, her punishment was to remain outside. She could never enter the room (chapter 66). (chapter 96) She even got sequestered herself. (chapter 93), therefore it is not surprising that at the end, she was determined to leave the kisaeng house. But this doesn’t end here. The painter had been denied the right to bid farewell to his noonas a second time because of Heena (again), (chapter 99), this means that her punishment will be that she will never see her colleagues again. Since she faked her death (chapter 99), her karma will be that she gets killed for real. In my opinion, Heena is destined to suffer and die a horrible death. Remember that in this story, karma will be 1000% worse than the crime itself. She will be definitely blamed for the murder of many people. Since she claimed that nobles were filthy and violent liars, her doctrines and belief could be used against her, the moment the police investigate Black Heart’s death. .(chapter 102) She is a Christian, hence she could be accused of sacrilege too. In my eyes, Heena will never be able to bid farewell to her brother again. His words in the mansion will become a reality. (chapter 69) As you can see, I am detecting a progression in her wrongdoings. She is getting more and more involved, though there is no ambiguity that she was deceived herself in season 3. But this doesn’t excuse her crimes, for she refused to listen to her brother and called him an idiot. At no moment, she pondered on the situation. Her decisions were strongly influenced by her emotions (fear, anger and hatred). That’s the reason why I am convinced that if she is not dead (my theory), her attitude towards her brother will worsen to the point that she will call her brother a bird of misfortune! (chapter 68) Remember her metaphor concerning the gibang, it was viewed as a nest. She was already comparing her brother to a bird. (chapter 93) Thus the only thing that is missing is “of misfortune”. And she can only adopt such a belief, for everything she had planned never worked out. She imagined that she could exchange her brother for her freedom (chapter 97) which represented a betrayal of her own doctrines. But the result was that Min was killed, hence her situation can only deteriorate. If she can escape punishment concerning the nobles’ killing, she has then an opportunity to change her situation by putting the blame on her brother. Why? It is because Baek Na-Kyum will be perceived by Kim and the pedophile as the bird of misfortune. They will be reunited by this “belief”. This reinforces my conviction that the departures in season 4 will become very bloody and painful. The irony is that her metaphor with the bird revealed more about her own thoughts than she imagined. She just needed to give him some warmth, feed Baek Na-Kyum, and that was it. He had a bed and he could eat. A smile and a caress on the cheek were enough to motivate the painter. Her affection was fleeting and trivial in the end. However, while writing this essay, I realized why Baek Na-Kyum ended up drawing in the courtyard. It is because this was the only place where he could be in peace. In the room, he got assaulted by the nobles (chapter 94) or he had to witness his noona getting “beaten” by a violent noble (chapter 68). As you can see, the kitchen and the courtyard seemed to be the only place where he was left alone, until he got assault in the courtyard. Naturally, it was only possible during the day. Thus the learned sir had such a memory. (chapter 01)

5. Conclusions

The story is not only reflecting Heena’s metamorphosis and downfall, but also it serves as an example for the painter. Through her, he can grasp why Yoon Chang-Hyeon had such a cold gaze towards his own son. The ruin of their relationship will make him realize why the father could turn his back on his own son, the refusal of admitting his wrong choices and guilt. If he recalls their last argument, he can already notice the change in her gaze. (chapter 97) Fake concern versus anger and resent (chapter 97) The only difference is that here her fury and hatred were addressed more towards Yoon Seungho than the painter. However, gradually she was slowly revealing her anger towards her brother. At the end of season 3, her exit is quite sudden and brutal: staged death! (chapter 99) But by faking her death, she not only hides her desertion, but also she is not able to bid farewell to her brother. He is left behind unconscious, so he can not notice her “death”, while in her mind, she can only remember this image: (chapter 99) Baek Na-Kyum lying unconscious and his head covered in blood. Will she feel remorse and blame herself for his “death”? If she is still alive, it is possible, however the moment she realizes that Baek Na-Kyum escaped death and as such staged his curtains, she can only resent him, for he deceived her. In reality, she was the one who deceiving everyone: Jihwa and the other nobles. To conclude, she played a bigger role in Yoon Seungho’s suffering in the end.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Investigation 🔍🧐 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Now, you are all wondering why I am using a panel from chapter 59 as illustration, when the story has already moved on, and our beloved couple is actually celebrating their marriage. Everything started with the following panel: (Chapter 71) As you can envision, I am now examining each picture very carefully, hence when I saw this image, I couldn’t help myself associating it to the painter’s abduction. First, the painterofthenight-lovers will certainly remember the scene of the lord’s panic, when he left the room and saw the footprints on the ground misleading him to think that the painter had run away. (Chapter 60) In this picture, the manhwaphiles can even hear Nameless’ explication why the lord would jump to the wrong conclusion. The expression “on his own two feet” was actually visualized by the imprints left on the snow. We know for sure that Nameless knocked out the painter before carrying him away. He carried him the same way than he did with Lee Jihwa: (Chapter 59) What caught my attention is that the space between the footsteps on the wood (Chapter 71) is much bigger compared to the ones left in the snow. (Chapter 60) Why such a difference? It is related to the divergence of height between the lord and the painter. So here is the question? How could Nameless walk with small footsteps, when he is carrying another person? As you can see, the panel from chapter 71 serves as a clue for the presence of an accomplice during this night. I had already elaborated that Kim must have participated in this, but I could never prove it. But one might argue that this proof is not strong enough to validate my theory. That’s why I examined the chapter 59 more closely again.

(Chapter 59) This image caught my attention for two reasons. Thanks to the analysis “The five candles”, I realized the true meaning of the pictures with landscapes. They expose the actual situation, therefore the beholder should study them under the following elements: moon or sun, air, water, earth and fire. So in this picture, you can detect the absence of the moon symbolizing the lord’s illness. He is too weak to look after his lover. Striking is that the earth element is predominant here, as the tree branches standing next to the buildings are almost touching the sky. So since the snow is falling, it indicates the presence of water and note that water is almost everywhere: in the sky, on the trees, on the ground and on the rooftops. The only element missing is fire. Yet if the manhwalovers examine the image more closely, they will detect the presence of a light hanging on the side of the restroom. However, the candle surrounded by glass is not lit. To sum up my observations, this panel exposes the predominance of water and earth and the presence of a lamp with glass. In other words, this image symbolizes butler Kim, the new version of chapter 58 . First, let’s not forget that Kim is often seen carrying a bucket of water (chapter 33) (chapter 56). Secondly, he is also linked to the lantern with a glass (chapter 20) (chapter 36) But more importantly is that in the image from chapter 59, there is no light, (Chapter 59) which can not be a coincidence. In my eyes, the valet is already aware of the future kidnapping, but he is not sharing his knowledge to the protagonists. He wants to keep them in the dark. Moreover, if you add the picture from the chapter 58, you’ll detect the absence of the glass lamp too. (Chapter 58) The presence of light comes from the physician’s room, where both main leads are making love. Hence the fire element is associated to Yoon Seungho and not Kim. All this indicates that the valet will apply his favorite philosophy: feigning ignorance. Both panels are actually exposing the valet’s complicity. Even before I realized Kim’s true personality, I had already explained that he was the one who put the protagonists’ shoes next to each other. Back then, I considered it as a gesture of kindness, whereas now I have a different opinion. As you can imagine, I perceive these two panels as evidences for Kim’s complicity. The butler will be the one creating the painter’s imprints.

But some might say that this is not enough, as they are just interpretations. Therefore I am now bringing up this final evidence: (Chapter 59) Note that the painter is standing in front of the bathroom. He has just cleaned himself and note that the lamp is in the background. How is this a proof? If the painter had run away, he wouldn’t have gone to the restroom… he would have left the room right away, just like the footprints are indicating. (Chapter 60) But since he went to the restroom before, it signifies that imprints should have been left behind. Yet there’s nothing like that. Therefore, this means that someone had to erase the imprints. It can only be Kim!! As for the doctor, I believe that he must have heard the painter visiting the restroom. (Chapter 59) Note, there’s the sound of the door closing. But when the disappearance of the artist was noticed, the physician didn’t realize the significance of this noise, only afterwards hence he hesitated to mention it, as it appeared so anodyne. However, as the readers can envision, if the physician had talked about the painter’s visit to the bathroom, then the lord would have realized that someone had tampered evidence. However, the noble due to the footsteps had sent for his domestics in order to start a research, hence the doctor didn’t think about this right away. But this doesn’t end here. I suddenly realized that the doctor could have heard something else, the sound of No-Name jumping and the painter‘s question: (chapter 59) But since the artist was silent right away, as the Joker knocked him out immediately, the physician could have jumped to the conclusion that Baek Na-Kyum met an acquaintance. So when the vanishing of the painter was discovered, the doctor assumed that the artist had followed the person he met during that night. Honestly, I can’t blame the doctor for his “passivity”, if my assumption is correct. Due to the lord’s agitated state of mind, the doctor could only realize it afterwards. With this new discovery, it becomes more comprehensible why the physician hesitated the next morning. He didn’t know what he should do. (Chapter 63) If he revealed what he had heard, then he imagined that he could bring the person who had „helped“ Baek Na-Kyum to escape into trouble. Observe the presence of the drop of sweat on his face. He was definitely uncomfortable. If he testified, then he could reveal the presence of a conspiracy. Nonetheless, I believe that he had jumped to the wrong conclusion: desertion. And with this new discovery, you can understand why the butler was so worried. He had no idea what the doctor had noticed. Imagine, the valet got caught by his own method (spying behind doors), however in the physician’s case, the latter was not doing out of malevolence. He just happened to become a witness, but he had assumed something else. That’s the reason why Kim was so worried, he had seen no one, yet the doctor had observed something. Kim never imagined that such a small detail (noise) could become a threat for him. This explicates why he chose to visit the doctor during the night. (Chapter 64) He needed to ensure that the doctor remains silent. Many manhwaphiles will certainly recall how Kim threatened the doctor… (chapter 65) Back then, I had assumed that out of cowardice, he had not intervened due to Kim’s harsh words. Nonetheless, I came to a different interpretation. After recognizing how Byeonduck is tricking the readers, she gives the impression of a continuity, I believe that during that night, the butler visited two different physicians. According to my theory, there exist 3 different doctors. For more, please read the analysis “The mysterious doctor“. How did this idea come up? Simply by paying attention to the BEARD!! (Chapter 57) Note that the beard of this physician is covering the cheek and is straight. (Chapter 63) But now compare it to the physician’s beard in episode 65: The cheek is free on the side, and it has the form of a W!! First, he went to the one who treated the painter (Chapter 65) and from my point of view, he used pity to discover what the physician knew. Remember how he had used compassion the night before (chapter 57). Besides, if you contrast both statements, you will detect a contradiction. “This could be a matter of life or death“ implies that it was about saving someone, while in the second image, it is about killing someone: the other doctor! In my eyes, the valet must have begged the physician (chapter 57) to remain silent. If he revealed that he had discovered the presence of someone, then the other could get into trouble. In my opinion, the butler must have suggested that Baek Na-Kyum had tried to escape, because the lord had been abusing him. Don‘t forget that he had been treating the artist for his wrist. Then he must have seen the lord panicking too. (Chapter 60) But now, the manhwaphiles are probably wondering why he went to the other physician then. It was related to the lord’s behavior in the shed. He was acting like a sex-maniac. (Chapter 55) This doctor had reprimanded the butler and had been prescribing a tonic. So he visited the physician and used this opportunity to put the whole blame on the poor doctor. (Chapter 65) Because of him, the painter was now treated like a sex toy. The physician had poisoned the lord. Keep in mind that we always have a reflection within the same season. Baek Na-Kyum got “poisoned“, so it should be the same for the lord! Kim threatened the poor man for one reason. No one should discover that two different physicians had been treating Yoon Seungho!! (Chapter 65) The man never saw anything, Kim just described to him how the main lead had been behaving! Yes, he was acting like Yoon Chang-Hyeon who had gone to the doctor and described the son’s illness. (Chapter 57)

Now, it becomes comprehensible why the valet silenced the two doctors. Both were important witnesses who could reveal the butler’s complicity. The latter had been frequenting two different doctors, and he had made the decision on his own accord. He had acted like a noble, while in reality he was just a servant. Besides, if this doctor (chapter 63) had mentioned the presence of a third person, then Yoon Seungho could have asked the painter and the latter could have revealed the abduction. With such an innocent observation, the noble would start questioning the butler and he could realize that the imprints had been erased and new ones had been created. That’s why Kim had a huge interest for Baek Na-Kyum’s death, and hoped that the noble had killed him in the barn, hence he kept approaching the shed.

(chapter 61) (chapter 62) (chapter 64) He needed to confirm his death. But since the lord was having sex the whole night, the butler had to make sure to bury the truth. If the artist had fainted, then the valet would have fetched the other doctor, the one who imagined that Baek Na-Kyum had escaped. And now, you comprehend why the man hesitated to question the painter after his return: (chapter 74) He was wondering why the artist would look so fine, as he had attempted to escape before. Another evidence for this theory is the following rule: a reflection within the same season. Since the doctor had been puzzled by Yoon Seungho‘s illness, I am deducing that he had the exact opposite disposition concerning the artist. He imagined what the artist had done. He had jumped to the wrong conclusion due to the injured wrist. Besides, he was “aware“ of the lord‘s mood swings.

So after the abduction, everything looked fine again, because Yoon Seungho was more focused on getting the painter’s acceptance. (Chapter 71) Consequently, he was not investigating the real circumstances of the abduction. But he has another reason for neglecting this aspect: he knows the culprit’s identity, unaware that unveiling the mastermind’s identity is far from enough. Real justice is to uncover truth. However, at the end of season 2, the wealthy noble was more like a teenager in love. That’s the reason why he was making a huge mistake.

I could understand the lord’s attitude, although this doesn’t signify that I couldn’t criticize him. He has always hoped for a home and as such acceptance, and the artist did fulfil his wish: he definitely selected him and chose to remain by his side. On the other hand, Yoon Seungho was no longer hoping for the painter’s confession. And this perception was confirmed in season 3: (chapter 85) He was already content if the artist would look at him, the moment you recall his first confession: (chapter 55). Hence in chapter 71, he’s blushing and happy, for Baek Na-Kyum is definitely starring at him with such a curiosity and desire. Moreover, the painter talks to him, has even accepted his advances. That’s why he is no longer paying attention to the circumstances that led him to think that the painter had run away on his own feet. As for Kim, he was running out of time, because at any moment, Baek Na-Kyum could mention