This is where you can read the manhwa. https://www.lezhin.com/en/comic/painter
But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes.
In different occasions, the readers catch the protagonist feeling remorse and regretting his actions. Striking is that the first time, we could only detect it through the narration of a witness. And this happened in the chapter 13.
Even the narrator is quite unsure how to interpret the master’s action because of the expression “it seems”. Why is he so uncertain? First, the master’s behavior is unusual. Like Jihwa said, he is someone who doesn’t go back on his word. However, the servant is well aware that he has no idea what motivated the master. He might have good reasons because he is someone very cunning and has a secretive nature. Besides, no servant really understands the lord, he is just a mystery to them. He is harsh, has mood swings and leads such a decadent life without paying attention to his bad reputation and gossips. He stands out so much from the other nobles. He is just an oddity hence the spy hired by Jihwa can’t explain Seungho’s change of heart because he is so different from the other aristocrats.
Striking is that Byeonduck chose to reveal the outcome of the incident through a flashback from a spy. Besides we only see the lord from far away and what caught my attention is that we don’t get to see the lord’s gaze. As you know, his eyes are the mirror of his soul. Hence even the readers are left in the dark and it is left to the beholders to find an interpretation. But since we know the whole story for the first season, I believe that the lord’s change of heart represents his first visible guilty conscience.
We have two different clues for this. The master personally went there to stop the punishment. It is not just because he wanted to ensure that his order would be followed. He could have sent his loyal valet Kim. No, he regretted his action for slapping and for the punishment. His appearance there signalized that he felt responsible. And now this is my own interpretation. He had calmed down and realized that he had been too harsh and violent. He got aware that he had just jumped to the conclusion that he had ruined the painting but he must have remembered the painter’s surprised face and he only took liability because someone was accusing Jung In-Hun indirectly. I have the impression that he must have remembered the incident with the poem, where Baek Na-Kyum was so bold to criticize the master and even tried to take back the poem. 
He knows the painter’s daring attitude, when it comes to Jung In-Hun. The other clue is that he asked his servant Kim to attend the artist personally and take care of the wound on his lip. Striking is that he knew where the innocent man had been injured: the cut on the lip. So he must have paid attention to the artist’s face. 
From my point of view, the lord is someone self-reflecting a lot. How do I come to this conclusion?
Notice that there is a certain pattern in his attitude. He did the same thing after the rape but this time, the beholder had many occasions to witness his remorse. 
In the bathroom, he is recalling what led to the rape and the fact that he is remembering shows that he is not denying what happened. He wants to know how this could happen since he had never planned the rape. A person without remorse or regret wouldn’t even give a thought and would never attempt to remember like that because bad memories are quite painful. In the bathroom, he cools down and is no longer angry, rather remorseful. Therefore he makes the decision to bring the injured painter his own clothes. 
The deadly gaze he gives to Kim on his way back is a defense mechanism in my opinion. He doesn’t want to be confronted by a critical and reproachful gaze. We all know that he is truly sensitive, when it comes to gaze. And notice that he even attends the poor low-born himself. He stands by the bathtub and looks at him and even wipes the tears from his eyes.
However, the noble doesn’t truly realize the real impact of his action. He thought that even if he coerced him to sex, the painter would no longer resist him and accept him as his partner. He is a lord after all. That’s why he shows a certain lack of understanding first.
The lord believes that if he brings himself new clothes and wipes himself the tears from his face, it will be enough to smooth the pain. He makes the assumption that this will be enough to compensate for his wrongdoing. In his eyes, he has already lowered himself and taken over the job of an assistant. He never expected that the painter would reject his gentle gesture and push his hand away.
The rejection and the reproachful gaze ignite a fire in Seungho. He becomes furious.
We have to imagine that he never had to face admonition, until he met the commoner. The lord might have felt remorse but he doesn’t want to take the whole blame and tries to make the uke feel guilty. He never expected such a reply from Baek Na-Kyum. The climax of the reprimand is when the commoner puts the blame on him for the whole situation. 
If he hadn’t acted as Jung In-Hun, then none of this would have ever happened. Striking is that painter is more angry at him because of their first night than the forced sex at the pavilion. That’s why the beholder sees a shock on the master’s face. No one has ever reprimanded him like that, confronting with such harsh words and putting all the responsibility on him. He can’t accept criticism so well as he has never been used to it. We shouldn’t forget that he has never been in a relationship and all his “acquaintances” are just sex partners. He has been a loner for a long time.
His inability to accept criticism has been revealed all along. It started with the condemnation with the words “a man consumed by lust”. It annoyed him so much that he wanted to be left alone. He literally ran away.
Just after the rape, he does the same. He had already felt remorse, when the uke whispered Jung In-Hun hence he left the pavilion.
This terrible and somehow empty gaze serves as a shield, he is so lost in his thoughts and he doesn’t even want to see or hear anything that could resemble a disapproval or reprimand. In other words, the regret or remorse are always connected to a certain cowardice. He doesn’t want to face any admonishment and wants to seclude himself. However, as time passes on, I believe that he reflects on his behavior and has some pangs of conscience. Hence he went himself to release the painter from the straw mat beating and he personally fetched the horse and brought back his own clothes to the commoner. He has a certain self-awareness. And let’s not forget that he personally confirmed that the wound on his lip was healing. 
This gesture illustrates that the lord is definitely taking the blame for the injury.
If we compare the two situations (the straw mat beating and the scene in the bathroom), we can notice a progression in the involvement. First, he let the valet Kim attend the wound, this time he is willing to do it himself. He has started to devalue himself. Hence I come to the conclusion that after the straw mat beating, he did feel some regret but not to the point to feel so guilty. However by each wrongdoing, the pangs of conscience are getting bigger. Nevertheless his position as master represents a hindrance in my opinion. That’s why he wasn’t willing to take the whole blame for the rape in the bathroom.
And now, we come to the situation where the lord will feel remorse again. This happens right after the sex marathon. Striking is that this time, Byeonduck let the beholder witness how little by little the lord takes his responsibility for his action and bad decisions. He never imagined that his sex stamina would exhaust the artist so much. First, he drinks water and notice that the uke is immobile.
Here we can observe the worries in his eyes hence he puts the bowl next to the commoner believing that this would be enough.
The three dots in the speech bubble are interesting because this shows that the lack of reaction from the painter leaves the master speechless. We don’t see his face but yet we hear his shock, the sudden realization dawns on him that there is something really wrong with the artist. That’s why this time, the noble gives himself the water with his own mouth. 
Here, he can’t blame anyone like in the past (see the straw mat beating, the rape and the fellatio due to the way Baek Na-Kyum is dressed: half-naked and touching his body). He can’t run away either because if he did, the artist could die. He has to face his wrongdoing. Yet we can detect a progression in his change of behavior: he has lowered himself even more than before. When he recognizes that his simple gesture didn’t work, he gets even more concerned.
The pangs of conscience are in this chapter not only visible but palpable. He sends for a doctor and Kim is by the uke’s side. What caught my attention here are the following pictures.
The doctor is actually criticizing the valet and the lord indirectly. This time, a third person is expressing a reprimand which incites the valet Kim to warn the physician.
He knows his master’s personality pretty well. He can’t accept any criticism, he actually expects a violent outburst. Only then we discover Yoon Seungho’s presence and he has a deadly gaze again. However, he shows no other reaction, although he did hear the diagnosis and the admonishment from the doctor. Like I had mentioned it above, the cold and mortal gaze is a defense mechanism. But his lack of violent outburst indicates that he does accept the reprimand. Little by little, Seungho is changing, is willing to face any criticism. He has no other choice. Then he remains at the door until the doctor has given his full diagnosis and prescription. Even plagued by remorse, he assumes the responsibility for his wrongdoings by his presence while remaining silence. Striking is that as soon as the physician has finished his speech, the lord leaves the room.
Here again, he is running away again in order to reflect on himself and the valet had even anticipated this behavior. He needs “seclusion” in order to think deeply and he can only get it outside the mansion. Hence he goes to sex parties, where his body might be present but his mind elsewhere. Besides I suspect that just like Baek Na-Kyum, he wants to ease the pain with sex so that he can’t think of anything else, yet from my point of view, Seungho couldn’t stop thinking while having sex… and I am sure that Min’s words triggered his possessiveness that’s why he returned to the mansion at the end.
He might take the blame financially but admitting himself to be responsible is another thing. Like I mentioned it in another analysis, Seungho wants to know the reason behind his actions. Why did he want to sleep with the painter so much? Was it because he had focused too much on the artist? Maybe if he had other sex partners, he would feel less aroused by the commoner? Why does it feel so different with the others? Moreover, he fears the painter’s reaction. That’s why he never comes back for many days. It is a mixture of a guilty conscience and introspection. Since he has always been rejected and criticized by the painter before, he has already imagined that the uke would behave like in the past. He only comes back, when he hears that the painter recovered from his fever. Deep down, he hopes that the uke won’t react so violently because so many days have passed and he is in a much better condition. He is definitely hoping that he won’t be confronted with harsh words and hatred. That’s why when he returns to his chamber, he has this indifferent faze and impenetrable gaze in order to protect himself. 
He observes a different reaction: there is no resent or hatred like in the bathroom, although what he did, was far worse in his eyes. Therefore he lets the painter leave his bedroom. The low-born could have died and the master is well aware of this fact but he is content enough that there is no hatred from the painter. The pangs of conscience are the reason why he broods the whole night. Besides, he has to find a way to get closer to Baek Na-Kyum.
From the chapter 36 on, Seungho is willing to become the servant in their relationship. This represents the climax of his transformation. However, the transformation is not complete. Why? First, he never apologized to the painter personally. Even when the painter was slapped by Jihwa and the identity of the culprit was revealed, Seungho only caressed the artist’s face saying that with him, his life was more colorful. 
That’s why there is this slap in the chapter 41. He still views himself as a master. We have to imagine that he has internalized his role as master so this shouldn’t wonder us that there are some remains. From my point of view, Seungho is now able to digest criticism but he needs to learn to communicate with the painter hence he wouldn’t need to seclude himself in order to reflect. An apology is needed too in my opinion. When the lord does that, their relationship will improve and the gap between them will really disappear.
The first season illustrates a gradual metamorphosis. He is able to face disapproval which explains why he is much calmer than before, he acts more and more like a servant, although he has not dropped entirely his role. He needs to learn to express himself more but after so many years in solitude and loneliness, this can’t happen so suddenly. He has to learn to be in a relationship and communication is the key. The eagle has almost been tamed.
Feel free to comment or to give any suggestion for an analysis (topic, manhwas). If you enjoyed reading it, either retweet it or push the button “like” so that this writing doesn’t become pointless. Thanks for the support.
The artist is surprised by this sudden brutal behavior, nevertheless he doesn’t complain. What caught my attention in this scene is the alternation of his attitude towards the commoner. First, he is aggressive, then when Jung In-Hun asks the artist to search for a weakness, he has already distanced himself from the low-born. 
Yet, when he witnessed Baek Na-Kyum’s shocked face, he gets aware that he needs to treat the artist better if he wants to convince the painter to act as a spy. That’s why Byeonduck zoomed on the low noble’s mouth. 
He becomes very close to the uke, touches his shoulder with his head and hands, then he kisses his hands. He is definitely seducing the innocent man. One might object that this is just an act but fact is that he is using his body in an alluring way in order to convince the painter. It is like a job he has to do. He knows that Baek Na-Kyum will never ask him for a sexual favor because he has indoctrinated him that he views homosexuality as filthy and disgusting. Sure, one might argue that he has only taken over the part of the pimp. However, what the uke didn’t realize is that he has the upper hand in their relationship. If he had been a corrupted person, he could have proposed a deal: “Sleep with me and you’ll get your info”. Imagine the irony of the situation: Jung In-Hun is here asking the painter to do anything, including sleep with the lord, in exchange for weaknesses, whereas at the same time, the learned sir is forced to become touchy and to caress the painter’s hands with his lips. We have to wonder who is here the whore. The low noble knows that he is safe with the artist and the latter will never come up with the idea to exploit this situation. 
Nonetheless, the elements of prostitution are right here. He is willing to use sex in order to achieve his goal and he is willing to use his body to seduce the naive man. And if we compare his behavior towards Baek Na-Kyum in the past, we will observe that the low noble always kept his distance from him. It was especially visible in the chapter 7 at the teacher’s arrival. While the artist was almost jumping on him, the learned sir could only take a step backwards while making a disgusted face. 
The only time, he touched the man, it was to prevent him from painting so that he would leave the mansion. Nonetheless, he was barely touching the uke’s chin (chapter 10).
But it was not obvious and he thought that this was a small token, nothing in comparison to what he would get from Yoon Seungho’s support. However after the chapter 24, the low noble’s attitude changes drastically. Jung In-Hun keeps touching him illustrating that sex and homosexuality that he abhors so much are now part of Jung In-Hun’s world. 
(chapter 29)
In front of the teacher, the commoner is declaring that Yoon Seungho has become his master and the gesture with the hands symbolizes the allegiance. He is joining his hands to Yoon Seungho. In other words, what Jung In-Hun wanted to do in the chapter 30 is to use Baek Na-Kyum as his whore in exchange for favors but he failed because of the painter’s spontaneity and innocence. The low-born didn’t fall into the teacher’s scheme. 
Then he tries diminishing the lord’s action by declaring that he wasn’t seriously ill. These words do affect the painter. Here, he is able to sense that the low noble doesn’t value him very much. The candid man has to remind the learned sir that his condition was pretty serious. He is already hurt. And just before leaving, this is what Jung In-Hun says: 
This time, he is caressing the cheek with his full hand… Observe the progression. From the head, the teacher went closer to the lips. He is truly increasing his seductive gestures. Imagine that all this time, Yoon Seungho had to witness their interactions. No wonder, when he declares that he would have killed the painter if he had left the domain with the low noble. For him, it was as if they were having sex in front of him.
(chapter 2) or the wet dream in the chapter 6 
where the painter’s repressed natural desires resurface. The readers are a little confused because initially they have no idea how to judge these drawings. Are they reality or fiction? This is in particular visible in the following picture: 
On the surface, it looks so real, while in reality this image was a vision in Baek Na-Kyum’s dream which marked the start of his unleashed unconscious. In the wet dream, we had a similar question. The beholder wondered if these images were true memories or fantasies. 
(Chapter 2) These were a mixture of both, although the more pictures we got, the more it became an illusion, a phantasm. As you can observe, the boundaries between seem and real were sometimes not clearly defined. The beholder had to distinguish this.
as much as he is expressing his love for the low-born, Jihwa imagines to see something else. Baek Na-Kyum is the one who seduces the powerful lord hence he believes to detect a cunning smile on the artist’s face. 
(Chapter 43) The red-haired man is too biased towards the young low-born because he has so many prejudices against commoners. He believes that each low-born has no principle and virtue and will do anything in exchange for power, money in order to improve his life. However, the reality is different from the illusion Jihwa experienced. 
(chapter 3) Furthermore, it seems that each time Yoon Seungho had a sex session with Jihwa, he had no other sex partners. 
(chapter 13). Notice that Jihwa wasn’t present at the sex orgy in the chapter 33 hence he trusted Min’s words when the latter told him that the seme was hopping from one bedchamber to the other. From my point of view, Jihwa never participated in that kind of events that’s why he was able to have a clean reputation. 
(Chapter 18) With these words, the red-haired noble implied that his friend had to choose between him or Baek Na-Kyum as Jihwa had no intention to share him with the artist. 
His servants have to clean his mess here. He became himself a drunk. 
(chapter 36) 
(Chapter 12) Nevertheless, it contrasts to the first case as in this scene every action is real, it just depends on the interpretation of the participants. Here, the red-haired uke is observing from far away how Yoon Seungho is treating the low-born. We have to remember that his perception of the reality is limited because the lord is turning his back to him and is in front of the painter. Secondly he stands too far away to be able to hear their conversation. In other words, he can’t see Yoon Seungho’s facial expression nor the painter’s face as the master’s shoulder is covering his face. Based on these parameters, I selected all the pictures Jihwa could witness due to the movement of Seungho’s arm and hand: 
(Chapter 12) 
(Chapter 14) All this led the jealous man to the conclusion that there was something going on between the commoner and his childhood friend. However, we have to remind to the readers what Jihwa couldn’t see in the pictures above. The uke was avoiding the master’s gaze. Either he closed his eyes or looked down. If he had witnessed it, Jihwa would have realized that the fascination was coming more from his childhood friend than the reverse and as such, Baek Na-Kyum didn’t seduce the lord in this chapter. For him, the reality was that the low-born was using his position and influenced the lord in a bad way. He was already showing some favoritism. This perception of the reality was definitely influenced by his biased view about commoners. 
(Chapter 12) Here, the master is actually threatening the commoner. So his words stands in opposition to his gentle demeanor. 
(Chapter 12) 
It was, as if the protagonist would awake the beastly instincts living inside the boyfriend. However, this rape doesn’t change the fact that Soo-Young has some love and affection for Si-Jung. He confesses to himself that he would like the boyfriend to find him and support him. 
A guided tour of Yoon Seungho’s domain 🏡 (second version) (only accessible with a password) Use the second password 
🎉
he wipes his weapon. The beholder senses the dangerousity and the lack of mercy exuding from the noble. Yet as time passes on, we discover that this is just a facade and in different situations, the readers can detect his insecurities and fears. 
First, his fist is clenched indicating that there is resent, frustration and even hatred. However, his hand and wrist are shaking revealing a certain fear. Seungho doesn’t want anyone to witness his vulnerability and weakness. 
Notice in the last drawing that the leg is hiding the main lead’s hand and wrist from Seung-Won’s view. So his words contrast so much to his actual disposition. He is not calm at all, nonetheless he is willing to let the painter to see his shaking fist. Here he is definitely acting in front of his brother. The image of the shaking fist actually represents Baek Na-Kyum’s perspective. The beholder is discovering through the uke’s eyes that Yoon Seungho is not superhuman like in the beginning. Yet, the brother never got to see this sensitive side. 
the moment they first met. Like I mentioned it in another analysis, their first encounter marks a change in the lord’s life. He is actually inviting the low-born to enter his personal space. From that moment, Yoon Seungho kept touching him. Either he wiped the tears on the artist’s face
(chapter 1) or he caressed the hand 
with his cheek (chapter 2) or pushed the low-born 
(chapter 11). Baek Na-Kyum intruded his personal space physically
. I also believe that the hypnotic gaze helped the commoner to come closer to the lord, just like it served to unleash the commoner’s unconscious. 
This explains why Jihwa and Min decided to have the painter killed. As a conclusion, the lord created a fake image of himself as a powerful and self-assured noble with a strong stamina which no one ever questioned. All this underlines how big his fear is to reveal his vulnerability and sensitivity. His strong stamina was the result of drinking a lot of replenishing medicine (aphrodisiacs), no one has been really suspecting that he was no homosexual right from the start, even the readers were fooled by Byeonduck. The lord is a master of deception hence he could only fall for someone who symbolizes the opposite: naturalness and unrestraint. You all know the saying: opposite attracts.
and favoritism, then his sexual charisma 
, 
, 
and finally his sexual experiences.
None of this worked. Only by giving up his position as a noble and lord, he is able to be accepted by the painter. With the fellatio, Yoon Seungho is willing to appear weaker in front of the low-born. 
This position reflects his change of mind. He had already noticed that Baek Na-Kyum was moved, when the latter saw him at his lowest point.
This explicates why the lord has no problem to reveal his vulnerability in front of the uke, when Seung-Won appears. Later the protagonist even requests to the commoner to share his bed with him. By hugging him so closely he showed his true personality. 
There is no disguise and deception from his part. He is literally naked in front of the artist. He had dawned to him that naturalness and sensitivity could be the only tool… That’s the reason why Seungho chose to reveal his weaknesses. However, we shouldn’t forget that Seungho is not manipulating here the low-born, his deep feelings were the cause for all of this. The kiss at the end of the sex marathon marked another pivotal moment in the noble’s life. 
Here, he wants to know if the low-born came back because of the low noble’s request, if he has been asked to sleep with the powerful lord in order to get some info. That’s why he keeps questioning the teacher’s words.
The sudden request accompanied with tears and a certain resignation leads the noble to think that Jung In-Hun has now asked him to have sex with him. Like I mentioned it before, Baek Na-Kyum had internalized the teacher’s words and come to believe that he was indeed a prostitute. All his actions contrast to the spontaneity and the naturalness Baek Na-Kyum exuded before. He was no longer fighting and his gestures were stripped of warmth and genuine sensuality. Yoon Seungho saw the behavior of a prostitute in front of him, resigned to his fate… selling his body which is not what the noble is looking for. At the end, he was convinced that despite the tears, Baek Na-Kyum was doing it on his own accord because the commoner has never been able to lie and hide any ulterior motives. There is a reason why Yoon Seungho fears so much this idea that the painter might sell his body and it is related to his own father. The latter sold his own son in order to save his own skin and as such treated his son as a prostitute, while he was himself the pimp. Now, you understand why he wasn’t willing to sleep with the artist. 
And let’s not forget that the returned poem in the chapter 7 could be a different poem but Baek Na-Kyum failed to notice it. Hence just like Baek Na-Kyum, the readers will discover a new side of our protagonist in the future, like f. ex. his refined sense of poetry which was just implied in the chapter 4.
During this occasion, Jihwa can look again at Seungho’s gaze and what he observes annoys him the most. He sees that Seungho is starring (again) at the painter which means that the noble is neglecting his sex partner. Each time, the powerful lord wants to examine the painter’s reaction and look at his gaze, as if he was drawn to the uke’s eyes. We could even say that both gazes seem to have a hypnotic effect, they help them to unveil their deeply repressed unconscious. Besides their hypnotic gaze serves as a mirror, they see each other as attractive and alluring. There is no contempt and disdain, they perceive themselves as normal and natural, unaware of the effect caused by the gaze. This could be judged as an contradiction to Sartres’ theory, sometimes the gaze from the other can liberate oneself. 
By contrasting both images, the beholder detect the difference in the distance. It was as if Seungho had got closer to Baek Na-Kyum. However, we have to imagine that this is just an impression due to the perspective. Nonetheless it reflects their increasing closeness. Little by little, the noble is definitely getting closer with his seduction but just virtually. We have to remember that each sexual gesture is addressed to the young painter. The climax of their developing intimacy represents the following picture. 
The low noble had never looked him in the eye because he would have revealed his true thoughts, his soul. Besides, the artist would have recognized the disdain for him and his social status. That’s why the voice and words played a huge role in the commoner’s brainwashing. 
Let’s not forget that after that day, Baek Na-Kyum was no longer able to control his body. His blushing, his heart bumping and his erection were more visible and palpable for the uke. The latter could only admit his own sexual orientation and his attraction for the master.
because he is able to meet his idol. In the chapter 22, the seme is oozing sincerity, warmth and more importantly calmness. That’s why he has been patient with the low-born. All this has been triggered by the night spent with Baek Na-Kyum. All this outlines the importance of their “wedding night” and that he has experienced something new. He felt loved although it was just an illusion and deep down, Seungho was hoping that this wasn’t a dream. Baek Na-Kyum’s words during that night expressed what the seme felt too. 
as he personally took care of the uke. This revealed that the protagonist had been keeping an eye on the low-born which we didn’t see. Striking is that after helping him and showing him such a nice and gentle smile, the painter thanks him and the reader is unable to see Yoon Seungho’s face. 
Here, the tailor’s hand on Baek Na-Kyum’s body represents the perspective of the noble and through the switch of perspective, the reader is able to enter the noble’s mind and read his thoughts: he is jealous and dislikes what he is seeing. This explicates why the sensitive readers have come to love the seme because we were seeing the events from his perspective and feel his own emotions and turmoil.
Here, Seungho was reminding his brother that his father was the one who condemned him for sodomy, hence he was left behind. If you pay attention the brother’s reaction, you’ll notice his embarrassment and awkwardness. The man is sweating because he doesn’t want to be reminded of the past.
However, he blames the brother, when the father doesn’t leave his room in order to bid farewell. 
, because the illness is just an excuse. He is quite daring to ask his brother to pay a visit to their father. He knows the true signification of this request, which is the reason why Seungho laughs it off and refuses. 
The brother is willing to act as a messenger for the father, since in reality, Seungho’s support would help him as well. He expects from the powerful noble so much and has never done anything for him in return. 
He used his position as lord to mistreat Kim by threatening him and accusing him to lie, to ignore his words,
, he wanted to outline that contrary to Jung In-Hun, he would become responsible for the painter. Unconsciously, he put a red dot on the painter’s forehead, a sign for a bride. Yet his true goal was to push the painter to ponder about his actual situation. 
He should realize that he did expect something from his learned sir. Since he had helped him to find a sponsor, the painter hoped, the scholar would become reliable for him, as he was just a low-born.
He was the target of bad remarks, because the young artist was wearing the lord’s own shirt. For the first time, the aristocrat was confronted with the negative consequences of reputation and image. The main lead might be fine with his bad notoriety, but it is different for Baek Na-Kyum, as the latter is just a commoner. Yoon Seungho witnessed how the low-born claimed to be an artist, but he was not perceived as such. By giving him new clothes, the main lead wanted to demonstrate that the artist was not a servant, he had a special status. However, this incident was relevant for another reason. Due to the master’s reprimand, the gossips about Yoon Seungho’s household disappeared, hence Jihwa’s servant couldn’t get new information about his childhood friend. 
(chapter 41). Consequently, the author showed us in chapter 38 and 39 the origins of rumors and their function in the story. 
Hence Yoon Seungho decided to join them. Moreover, the main lead is a very possessive and jealous man. While getting dressed, he must have recognized that the tailor would get close to his lover by measuring him too. Note that it was the first question the lord asked, when he penetrated the room.
This definitely exposed that the noble was thinking a lot about this task. Moreover, his gaze was instantly directed at the tailor and his hand. This displays that the main lead had already envisioned the measuring and disliked the idea that someone else would see his partner so closely. 
Striking is that his late arrival truly outlined the artist’s importance in Yoon Seungho’s life, which couldn’t escape the tailor’s notice. Imagine, the lord was ensuring himself that everything was done properly. To sum up, the master had two reasons to join the butler and the artist. He desired to make sure that Baek Na-Kyum was treated properly, at the same time he needed to keep other men away. He had to protect the painter’s reputation: he was no servant, but an artist and his companion! Through his words said in front of the tailor, he deliberately unveiled the nature of their relationship. He knew that the tailor would catch this insinuation. 
In my eyes, it was not just an unconscious expression of love (the lord was not aware of his affection), but also a conscious choice. As a lord, he desired to defend Baek Na-Kyum’s position as a painter and as his lover. That’s why Yoon Seungho became responsible. 
(chapter 1)
(chapter 10) 
(chapter 13)
(chapter 18)
(chapter 22) 
(chapter 33)
Besides, the childhood friend is often mentioning rumors as well, and since Jihwa is Black Heart’s pupil, this could be judged as another proof for my interpretation. Under this new perspective, this explicates why Jihwa, who is close to The Joker, could mention this gossip to Yoon Seungho in chapter 18: 
, indicating that besides their sexual relationship, Jihwa managed to make some deal. And now, you understand why The Joker is using gossips against the main lead, which became obvious in chapter 33. He imagined that he could isolate Yoon Seungho and make him feel miserable. This is no coincidence, when the main character heard this grapevine, 
He desired his childhood friend to tell the others that he didn’t fear this type of gossips. We have to envision that these words must have reached the Joker’s ears. That’s why in chapter 33, he retaliated by using the painter as an excuse. Note that the nobles mentioned Baek Na-Kyum as gossip 
and while leaving they kept talking about another rumor: 
He tried to instill fear in the noble (“look, now you are even associated to a low-born!”) but he didn’t succeed. That’s why The Joker decided to have the painter killed right after. 
If the latter were to die, then Yoon Seungho would truly become lonely, especially after discovering that his childhood friend was the culprit. Let’s not forget that Min was present
, when Jihwa showed a certain empathy for his lost friend despite their quarrel. The Joker recognized that their friendship was not ruined for good. And note that in chapter 76, he is using the same method again. He witnessed how Yoon Seungho showed leniency towards Jihwa despite his wrongdoings, as the lord didn’t punish him. 
Min is manipulating the second lead, making him believe that he has to listen to him, as the protagonist could target him. The Joker is using the second lead’s existential fear to separate both friends. 
Despite all his schemes, Min was not able to attach the red-haired aristocrat to himself. Furthermore, he even has to discover how Jihwa had sex with a low-born like Nameless and he would even listen to his words. No wonder why Min got infuriated in the end. 
Despite all his schemes, he was not able to control Jihwa and Yoon Seungho. Both escaped his manipulations. And now the readers should question themselves Black Heart’s true goal in all this. Why is he so determined to hurt the protagonist and to make him feel miserable? If he was able to hurt and control Yoon Seungho, he would become the ultimate puppet master. However, that’s what The Joker thinks. Remember what I wrote about Black Heart’s real weakness. The latter fears social norms and as such rumors. Strictly speaking, he pays attention to appearances despite his nihilistic tendencies. That’s why he smiles and laughs a lot. However, he has always envied Yoon Seungho for that reason. The latter has always remained impassible to social norms and rumors. He showed real courage and strength, because he never complied through peer group pressure. And the worst is that even Jihwa was willing to be associated to such a man, although the latter has a terrible reputation. I would even say that the bond between the two characters hasn’t been destroyed yet after all, although both figures kept hurting each other. Even after the abduction, the main lead didn’t retaliate against his friend. That’s why Min has to make Jihwa and Yoon Seungho miserable. He envies the protagonist, because he was capable to have such a friend. They have seen the worst from each other, yet they were able to remain friend, even Jihwa wanted to become Yoon Seungho’s lover. Moreover, now he is not hiding his relationship with Baek Na-Kyum. As you can imagine, the episode 76 made me realize Min’s defeat. The latter couldn’t stop Yoon Seungho from revealing his special relationship to the painter in front of commoners. He treated his lover like his wife and the town folks could witness it. 
Therefore this is no coincidence that episode 76 is connecting responsibility to rumors. The water and the music box are the evidences that Yoon Seungho is a responsible man. They reveal his integrity which stands in opposition to reputation. Integrity describes how you act, it is a characteristic of you regardless of who is watching. Finally, Yoon Seungho’s true personality is revealed to the world in chapter 76. He shows moral righteousness, courage, gentleness and responsibility. He allows a commoner to hug him, is willing to lower himself and listen to the low-born’s request: he needs his help. 
And during the second season Min’s only success was in chapter 54. 
Here, he could only wound the main lead, because the painter feared social norms as well. But now, it is no longer working on Baek Na-Kyum either. I believe, the trigger for this huge war is Baek Na-Kyum. I am still convinced that Black Heart is obsessed with the artist, because he wished that the artist would look at him the same way. Imagine this: The low-born showed pure desires, and neither the main lead’s terrible reputation nor his wrongdoings could disgust the artist so that the latter would leave Yoon Seungho’s side. As a psychopath/sociopath, Min can only resent the main lead. 
In chapter 32, he never intervened in order to defend his master’s honor. Moreover, he influenced them with his words. After calling Baek Na-Kyum a no-good painter 
(chapter 11), the maid associated Baek Na-Kyum 
to a charlatan (chapter 17). Besides, I would like to outline that through his words, Kim encouraged the staff to show a disrespect towards the low-born. That’s why they started eating his food. Since, the valet never reprimanded them for their misconduct, it truly shows that Kim had no interest to protect his master’s interests and rights. He is the one who described Yoon Seungho as violent and with mood swings, because he used the incident with Jihwa’s topknot. He had a reason for spreading these rumors. Exactly like Min, he desired to isolate Yoon Seungho so that the latter would always rely on him. He would show care and concern in front of his master, as he knew his true personality: 
he was gentle and considerate. And now, it is time to focus once again on chapter 40. Note that when the protagonists left the tailor shop, the butler didn’t follow them: 
Why? It’s because he needed to speak with the tailor alone. He asked him to never reveal the foreplay to others. That’s why Kim never witnessed this scene: 
This is the reason why the scholar speaks of flourishing. Let’s not forget that he was the only one who knew about the order of winter clothes. And here, they had just been ordered. From my point of view, Kim hoped to create a quarrel between the learned sir and the painter. Another evidence for this evidence is perceptible in chapter 50: 
The valet’s words clearly imply that the conversation had become the topic of gossips. That’s why in chapter 45, Byeonduck introduced Kim in front of commoners spreading gossips.
This is no coincidence. And this led me to realize two important elements. Right from the start, the author wanted to indicate the valet’s true personality. Kim was not only responsible for the rumors concerning his master, but also for the ambiguous status for Baek Na-Kyum. Furthermore, the butler thought, his trick had been successful, yet during his walk through the town, he discovered a new gossip. The town folks had already perceived a change of their lord’s behavior and connected it to a love affair. 
And this showed that the lord’s image was not that bad in reality. They still hoped that their lord would calm down and settle. They were even willing to accept Jihwa as the lord’s mistress. This truly revealed that they didn’t truly reject his homosexuality, rather his debauchery. In chapter 45, Kim discovered that Deok-Jae had ruined his plan. Kim was determined to ensure that Yoon Seungho would keep a bad reputation. The moment he was seen as a responsible man, he would no longer be isolated and rely on him. Moreover, the moment he was judged as responsible and he wouldn’t reject commoners, it becomes possible that the commoners complain to him and ask for his help. However, slowly Kim lost his pawns among the staff, so that he has no one to spread rumors. The maid questioned his authority 
and even defended her lord in chapter 67. She didn’t question Yoon Seungho’s reasoning, it was his right. This means that now he is considered as the real master of the mansion. Kim still used the male servants for his scheme in chapter 69, but in my opinion, he even lost their support, because nothing bad happened after their love session. And note that the domestic’s words are referring to rumor: 
The butler was no longer able to manipulate through rumors, hence he ends up alone in the backyard. 
Imagine, Kim can’t even use the loose-lipped tailor for his schemes, as the shop owner resents the butler for turning him into a liar and fool. 
That’s why we see him whispering to a client, when the lord is standing in front of his shop. 
Now, the tailor can talk to his heart content. Neither Kim nor Kim can ask him to remain quiet. And note that in chapter 76 Yoon Seungho is walking alone with his lover, hence when he helped his panicked lover, the commoners could witness how kind, selfless and generous Yoon Seungho was.
Exactly like in chapter 40, he came later so that his behavior would outline the artist’s importance in the noble’s life.
First, he sat on the ground to comfort his partner. Then after bringing to the planks of woods, Yoon Seungho took care of Baek Na-Kyum’s headgears. 
He made sure that his wife was properly covered and he would get water. Finally, he was even willing to buy an expensive music box, although Baek Na-Kyum never said anything. 
He acted as a responsible man which many people, commoners and nobles, could witness. 
and how he screamed for Yoon Seungho’s help. 
The commoners complained about the behavior of the lord’s servants. Back then, the rumors were that a servant had run away, however the tailor revealed that the lord’s lover was the painter. Hence I am expecting that the town folks will realize that Yoon Seungho’s lover was abducted. And since Jihwa had confessed in public the night before the artist’s disappearance
, the commoners will realize what the ex-lover did, when he got rejected. And maybe that’s the reason why Min is able to bind Jihwa to him. 
The lord’s statement in chapter 40 became true.
(chapter 40)
chapter 1
(chapter 34)
(chapter 26) even if Ian was sexually abused quite often as he spent many years at the Bardis before getting “rescued” by Mr. Raymond.
and the former is even willing to eat his lunch with him.
(chapter 41) He was jealous and annoyed, when he saw the picture of Jung In-Hun’s inauguration so that he failed to see the talent and dedication in this different type of drawing. So there is a certain selfishness in the seme here but I am expecting that this will change. He could have noticed that the low-born’s talent is not just defined by sex and sodomy but his insecurities made him blind in that moment. Yet, this painting has been given to the loyal valet Kim so that it can get destroyed. But I feel that Kim might give it to his master or keep it. I have the feeling that this painting will play a bigger role in Baek Na-Kyum’s career later. 
(chapter 41)
(chapter 44) The drawing was detailed and totally different from the erotic pictures. So I am expecting that Yoon Seungho turns into a real sponsor and becomes more and more like Mr. Raymond. However, the latter will have to choose at some point between power or love. By taking care of Ian so well, he wanted him to open up but at the end, Raymond fell in love with the genius too. While one artist could incite arousal with his creations, the other could calm the resentful merchant. Strictly speaking, their art had a huge impact on the life of the two semes. 
, the beholder never see any window, only books or walls. In “Spring Awakening”, Sunstroke asks to have a window opened during a meeting but he is unable to have his wish fulfilled. Either one teacher doesn’t want to have his back facing the opened window or one window was boarded up. This underlines their lack of connection to the youth, they are both living in their own world, disconnected from the students or from people in general. 
Here the excited noble is also following his instincts. For the first time, he is aroused and feels sex with a man quite exciting. He is neglecting his partner’s needs as well. He experiences something new. He feels pleasure for the first time, he also perceives himself differently. Just like Melchior, the noble is only focusing on sex and doesn’t pay attention to love. He is selfish just like the teenager. Striking is the resemblance in the location, a pavilion and a hay loft are quite similar, since they are open.
They made love and they had not just sex, though Seungho didn’t realize the distinction. Melchior in the theater play never got to know what making love feels. However, we could say that this represents the second step in the Spring Awakening of our Korean protagonist. Unlike Melchior, Yoon Seungho can no longer say that love doesn’t exist, since the young artist confessed his love … yet the master is unaware of his own feelings.
, whereas she tried to argue with her partner. They shouldn’t kiss because they don’t love each other. The stronger resistance can be explained very easily. The painter knew what the man wanted, whereas Wendla had no idea what was going to happen to her. Unlike Wendla, Baek Na-Kyum received sex education because he was raised at a brothel, furthermore he knew about homosexual sex. Strangely, both rapes start with kisses which shows that there was more than just sex. 
A kiss serves as a trigger for arousal but reveals a certain tenderness.
and he has no problem to use violence as well. Sure, he is much older than Melchior and as such he has experienced much more than the teenager. 
, why he can feel emotions again, while he was living more or less like a robot in the past.
By inducing fear and giving punishments, Baek Na-Kyum is little by little coerced to give up his own identity and personality. He has to follow the rules and social norms which makes him a perfect tool for deception and lies. He ends up as a drunk because he needs to fill that emptiness. Indirectly, the author is here showing issues concerning blind obedience and filial piety, just like Wedekind. The portray of adults is quite negative: they are superficial, manipulative and hypocrite, unwilling to admit their own failure or guilt. 
Notice, this servant is also wearing a headband. The parents are here making sure that they are dressed according to their social status and age. There is no freedom in both cases.
He makes the young man question the teacher’s intentions through a question. He wants him to become more critical, to develop critical abilities. Yoon Seungho is a supporter of the education for commoners, as the chapter 6 underlined it with the sarcastic remarks from the powerful noble. 
I have the impression that the poetry could become the link that brings Yoon Seungho and Baek Na-Kyum closer. As you already know, I have no doubt that the noble returned a different poem. As a result, I am expecting that Yoon Seungho becomes the low-born’s teacher. He truly becomes his “learned sir”.
(chapter 35). But what does the window symbolize?
(chapter 44). It looks like there wasn’t much progression, yet this time, the painter walks towards his mansion and remains by his side.
This is important, because I realized that with the vanishing of the learned sir, Yoon Seungho chose to remain in the lord‘s bedchamber. What caught my attention is that the lord always went to the courtyard because of the admired sir. We have two chapters for this interpretation: chapter 7 and chapter 35 
(Chapter 7) This is not random at all, as from my perspective, it introduces the role played by Jung In-Hun in the main lead‘s life. He will be the one forcing the lord to move away from the window so that he can leave the bedchamber. Thus we had this scene: Yoon Seungho is observing the learned sir and his student from far away. 
(Chapter 19) This explicates too why the noble remained so passive in season 2 in the end. Baek Na-Kyum was the lord‘s love interest, hence his „place“ is the bedchamber. So how can the lord move away from the window and as such from the bedroom? Jung In-Hun is the trigger. And note that only in season 2, we discovered how the learned sir used walks through the countryside to console the painter. 
(Chapter 70) Finally, the main lead organized a hunt for the first time because of his honored guest. 
(Chapter 22) And if you recall the lord‘s behavior, you will notice that he left the city for the first time, when he wanted to meet the scholar. 
(Chapter 6) He encountered him in the woods. Under this new light, it reinforces my conviction that the learned sir‘s death will be the lord‘s motivation to become proactive and leave his past behind. Why? It is because of the painter‘s words. 
(Chapter 94) The painter still respects the scholar, but he already loves Yoon Seungho. He is not disloyal towards his former teacher despite falling in love with the protagonist. With the last incident, Yoon Seungho got aware how much the painter means to him, but at the same time, he realized the importance of the learned sir in Baek Na-Kyum‘s life. He needs to answer his question: 
(Chapter 102) And this question is strongly connected to the scholar, for the main lead was first sent to Jung In-Hun‘s home. 
( 100) Don‘t forget that the main lead saw the room covered in blood, though the latter had already dried. To conclude, the main lead was encouraged to walk thanks to the scholar, and as such to leave his window! 
(Chapter 100)
(Chapter 44) It was the painter’s role. This signified that he was still trapped by his past and trauma, something that he hadn’t revealed to anyone. Since Yoon Seungho is still inside the room smoking in front of the window, it reveals that the lord had not really let go of his past at all, he had not expressed himself in front of Baek Na-Kyum yet. If he reveals his inner feelings and thoughts, this means he will disclose his secret and unveil his vulnerability. This explains why there was no confession from the noble’s side for instance [there were other reasons why he hadn’t confessed anything too], why he was still not sharing his inner thoughts and emotions to his partner. 
(Chapter 102) This signifies that Yoon Seungho will act differently in season 4: he will be proactive. Like I mentioned in the essay „Scandal(s) in Jemulpo“, he will become the scholar’s disciple and follow his footsteps: ruthless, but also caring and gentle. The only difference is that his affection for the painter is genuine. 
(chapter 10),
(chapter 20)
(chapter 29)
It is still the same. Despite getting a blowjob, he still wants to hide his homosexuality to the outside. Hence he still gets scared and would like the noble to stop from exciting him. So for the first time, he is experiencing sex with someone.
Note the opened door. The learned sir caught him by surprise. That’s how the learned sir was forced to repress and hide his homosexuality. This is no coincidence that in season 1, the scholar had the opposite attitude. 
By feigning ignorance, he actually encouraged the artist to become a sodomite. After their return to the mansion, the teacher showed leniency. He accepted that his student would paint erotic paintings, but he was well aware of their sexual encounter. 
(Chapter 30) The moment he arrives back and the lord brings him back to his chamber, the nature of their relationship is no mystery any longer, though painting is used as a justification. 
(Chapter 45) He just accepted him as his sexual partner, hence he went to his room and not to the lord’s side in chapter 44. If we compare their respective situation. Yoon Seungho hadn’t progressed much compared to the painter at the end of season 1, because he needed to express his emotions and reveal his secrets and vulnerabilities to Baek Na-Kyum. It took him a long time to open up, as he had been coerced to view himself as a bird of misfortune. He didn’t dare to voice any wish out of fear that these wishes would get ruined. 
(Chapter 96) In his mind, he had no right to voice any desire, as they would be perceived as GREED! 
(Chapter 96) 
(chapter 96) and Heena could hear his words. Hence at the end, the door got broken: 
(chapter 96) This represented the final emancipation of the artist. He no longer cared, if he was seen. He was so moved that he didn‘t pay to his surroundings. 
(Chapter 96), while it was not the case for the noble. The latter knew about the artist‘s shyness. This truly shows that Heena was responsible for the sexual oppression of her brother. The painter was no longer hiding his affection for the main lead, when he decided to wait for his master‘s return in the bedchamber.
(Chapter 98) Observe that the artist was going there on his own will, and he was sharing his bed with his husband. 
(Chapter 1) This memory was from the learned sir. Why was he approaching the painter during the day? Secondly, note that he only scolded the artist in his house! 
(chapter 6) In my opinion, the kisaeng was responsible for this incident. We have a clue for this interpretation: 
(Chapter 94) The noona is the one standing in front of the opened door with her donsaeng. Here, the artist was getting embarrassed and humiliated. That‘s how little by little, the artist associated the closed door to shame and safety. This is not surprising that the kisaeng is also standing behind the closed door, when she hears her brother making love to the main lead. 
(Chapter 96) In addition, she is constantly seen in connection with an opened door, but this opened door is linked to anxieties, pain, shame and guilt: 
(chapter 68) 
(chapter 66) 
(chapter 88) I have the impression that she was acting out of jealousy, and she had intended to tarnish her brother‘s reputation.
(Chapter 102) This symbolized the final emancipation of Yoon Seungho. He could finally move on from his past, and as such leave the darkness of his mental prison. He no longer needs a window to view life. This scene announced that he was starting living again. Thus I am expecting to see Yoon Seungho becoming more proactive and funny in season 4. He will show his intelligence and strength in order to defeat his enemies because so far, he never revealed his qualities to others, only to the scholar. His past had left him somehow paralyzed, hence he has laid a low profile. In his past, he believed that his prison was his protection, for he could observe and remain quite wealthy and powerful. For me, Baek Na-Kyum is in reality his strength, the reason why he will be able to leave his cage and shows his true colors and skills. 
(chapter 7)
(chapter 19)
(chapter 29) 
(Chapter 22)
which is connected to the expression “castles in the air”. His aspirations are boundless, he is aiming at the highest position without being competent or even trying to improve himself. He also attempts to air dirty laundry, when he is hunting with Yoon Seungho. He wants to force the lord to admit his lie so that he can criticize him. But here he fails. As you can observe, many expressions with air reflect his personality. However, there is one scene that contrasts to this observation, that’s when he is in his library in the chapter 40. We actually see him at the library in two occasions: 
His words there are suffocating the poor boy, that’s the reason why Baek Na-Kyum is left speechless. 
(Chapter 40) He can’t breathe properly. Since there is no view and no door to the outside visible in the drawing, we have to imagine this reflects his narrow-mindedness. He is surrounded by books (see the pictures from the chapter 7) therefore he lacks real experience and knowledge. He is literally buried behind his books, therefore his knowledge is superficial. 
(Chapter 27) Even in his bedroom there are books so his own bedchamber gives the readers a suffocating feeling. Since there is no window visible in his room and the library, there is no fresh air in the closed room which explains why it is asphyxiating. Usually, we say in a closed room that it smells musty. He only knows the world through his books and the moral standards. He is not even opened to the outside, only his words and thoughts count. Everything else has no value hence there is no life next to him. People living by his side will end up suffocated as he doesn’t allow them to breathe. He is stubborn and he will never change, a fake, empty and narrow-minded man with no conscience. Because of this connection, I realized that Jung In-Hun had no future in Hanyang. He would end up buried, and this became a reality. Because the moment he left for the capital, he ended up dead. And now, if you think carefully, you will recognize that the learned sir is associated to nature! Thus he was seen in the woods (chapter 6, 22) or in the countryside admiring the moon. 
(Chapter 70) Air means also breathing! Hence he represents the fresh air entering Yoon Seungho‘s bedroom, hence we had such a scene: 
(chapter 35) The lord witnessed the intimate interaction between the learned sir and the artist, thus he was incited to leave the bedroom. Strangely, we could say that he was the initiator for the lord‘s liberation. No wonder, why Kim wished to get rid of the learned sir in the end, and just viewed the artist as less annoying and evil! 
(Chapter 18) so that he ended up letting his guard down. He was not so competent and intelligent like Yoon Seungho, he relied more on the stupidity on others. He could deceive commoners, but not spies. In my first version, I had envisioned that the learned sir had many tricks up his sleeves so he would survive, but I had not realized that he had met a fake servant 
(chapter 37) definitely a noble who could see through him. For me, it was the pedophile himself. I had predicted that he would disappear into thin air, and it became a reality, especially if my theory about his assassination is correct. We could see the transformation of the scholar into a ghost, 
(chapter 50) who would come to haunt the couple because of his resent. 
(Chapter 98) As the air, he became a spirit! And note that the lord was encouraged to stroll too! 
(chapter 33), forced the lord to realize that the artist was indeed a precious treasure, and he was not willing to share him. 
(chapter 33) At the same time, due to Black Heart’s words, the noble was reminded of the painter’s health conditions. Although the lord was talking about the artist, as though the latter was just an object, the reminder forced him to recall that Baek Na-Kyum was a human who could die. That’s why he returned in the end. His abandonment reflected his cowardice, he didn’t desire to be confronted with the consequences of his bad behavior. Consequently, just like in the Russian novel, the main lead was reminded that the low-born was just a human. As you can see, both characters had a similar disposition and also a change of heart.
(chapter 34) Kim’s remark was in fact insinuating that the lord had been very generous and caring for him. He gave the impression to the low-born that the noble was treating him like a noble, as the latter had sacrificed his bed for his recovery. However, this was not true, as the lord had brought the artist to the study before the doctor’s arrival. 
(chapter 33) At the same time, the butler was not entirely lying either. The lord had indeed shown generosity and care, since he had called for the physician. Yet, once he had heard about the doctor’s precription, the aristocrat had ran away from his responsibilities 
(chapter 33) and left everything in Kim’s hands. Remember my statement: Kim is always telling half-truths. Kim was in reality the one who brought him to the noble’s bed. 
(chapter 33) He needed to portray his master in a much more positive light in order to obtain the painter’s cooperation. The valet hoped that the artist would follow his order 
(chapter 34) and become the lord’s sex toy: 
The irony is that although the valet treated the painter as a honorable guest (bringing him to the lord’s chamber and taking care of him as if he was his master), in truth he was just viewing the low-born as an object and tool. was truly making sure that Baek Na-Kyum would get the best treatment, but the domestic used the opportunity to praise his master indirectly. 
(chapter 33) While he was at the sex orgy, he remembered the exhausted young face of the painter, while they were talking about him.
The lord was suffering, but unlike in the past he couldn’t keep his distance from his lover. He needed to sense his presence. He was no longer his sex partner, but he wasn’t treated like an object or a servant. During these two separations, Yoon Seungho was full of worries for Baek Na-Kyum which he was trying to forget, yet he couldn’t. At the same time, he was reflecting on his past actions:
(chapter 33) He was acting as a mediator between the master and the low-born which looks like a good thing. In reality, he was meddling in their relationship. Who was he to intervene? That’s why he acted like a father. With his words, the butler was implying that his lord had been affected by his illness, hence he remained away. However, I believe that in the valet’s mind, there existed a different explanation. For Kim, his master was just a coward. That’s why he said this comment in front of the physician: 
(chapter 33) He anticipated that his master was avoiding to face the consequences of his selfish behavior. For me, Kim doesn’t truly love his master. He views the Yoons as terrible, but he will never confront them. But for his own safety, he needed to deceive the painter. Let’s not forget that Kim had played a role in his escape and the low-born could reveal it to his master. That’s why he needed to fake his care and concern for the painter so that the artist wouldn’t mention the past. Thus he begged the young man not to wander around as a sign of care and gentleness.
(chapter 32) However, the valet Kim was not present, hence when he lied to Baek Na-Kyum, he had no idea that in reality his words were containing more truth than lies in reality. That’s why I chose the kiss as illustration for the analysis. The roles were switched. The master acted as a servant, and the low-born was now the lord. The male lead was acting like Vasili Andreyevich Brekhunov from the Russian novel. Yoon Seungho was even willing to give water to the exhausted man. This situation was repeated in chapter 76: 
(chapter 76). The lord made sure that the painter would feel better with the water. But let’s return our attention to chapter 33. In the bedchamber, the main lead was to blame for Baek Na-Kyum sickness, as he hadn’t paid attention to the artist’s condition. He had acted selfishly, exactly like the protagonist from Master and man. Both realized their huge mistakes, came to regret and took some responsibility, although the chronology in the Russian story diverges. But this shows that both aristocrats came to realize that commoners were humans and no possessions. 
(chapter 36), until he saw the painter’s erection. He was willing to give up his position as master. That’s why he prioritizes the painter’s pleasure all the time. 
(chapter 36) So their relationship master-servant stopped at this moment, hence he lets him stay by his side, when the brother Seung-Won is in his chamber.
(chapter 71) Baek NA-Kyum was no longer a low-born, but a noble, while the main lead was his “servant”. This explicates why the noble was no longer asking for him in the evening 
(chapter 74) and visited him secretly during the night. But this switch of position didn’t remain a secret, the moment the lord embraced his panicked lover. 
Bebebisous33s' analyses in K-Dramaland and Manhwas 