This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
The first reaction many readers had was to celebrate the butler’s courage, because he chose to tell his lord the truth and confront him with his true reflection. And unlike all the other characters, he mentioned one positive aspect: the lord’s good heart. 
(chapter 68) In their eyes, valet Kim had turned into a hero not fearing his death. But we had another hero in this chapter, the scholar Jung In-Hun. The latter took the crying Baek Na-Kyum in his arm and brought him away from the scene, where Heena noona was getting beaten by a rich noble.
(chapter 68) In her eyes, he was a hero, because he showed concern and care towards her tenderhearted brother. 
(chapter 68) Yet, only a few applauded Jung In-Hun for his behavior. Why? It is because many readers have already perceived his true nature: his hypocrisy and coldness hidden behind his calm demeanor and huge smiles. That’s why we need to examine more closely the behavior of these two father figures. Are they truly heroes? In order to answer this question, it is important to look at the definition of heroism and at the characteristics of a hero.
Heroism is characterized by:2
- Acting voluntarily for the service of others who are in need, whether it is for an individual, a group, or a community
- Performing actions without any expectation of reward or external gain
- Recognition and acceptance of the potential risk or sacrifice made by taking heroic actions https://www.verywellmind.com/characteristics-of-heroism-2795943
So let’s start with the scholar’s heroism. I would like to remind the reader that this scene is told from Heena noona’s perspective. If the manhwalovers observe Jung In-Hun’s action, they have the impression that the scholar is indeed helping someone in need. He is comforting the upset boy. (chapter 68) So the first condition is met. However, neither the second condition or third component are present in the teacher’s gesture. Jung In-Hun is not exposing himself to danger, risking his own life as he doesn’t come to help the real person in danger: Heena noona. Actually, the real person who needed to be rescued was the gisaeng, and not the artist. 
(chapter 68) Yet, the so-called hero abandoned her to her misery, as he walked away from the room. (chapter 68) This shows that he wasn’t willing to risk his life or position. There are no selflessness and sacrifice. Secondly, he did hope something in return: while consoling the kind boy, he hoped to get recognition from the gisaengs. They would see him in a positive light, hence if he came to visit the brothel again, they wouldn’t ask him for money, and I can even envision that they would give him some wine or food. Furthermore, they would allow him to roam around. No one would question, why he would come to the gisaengs. His reason was simple: he liked the tenderhearted boy. Finally, we have to question about the scholar’s appearance at the brothel. Why was he there, so dressed up? This scene is relevant, because it displays how Heena noona got manipulated in the end. The teacher used Baek Na-Kyum as tool in order to save his own skin. In reality, Jung In-Hun was there in order to get noticed by rich and powerful nobles. He hoped to find some connections, as he knew that the brothel was the place, where influential aristocrats would like to spend their time. In my opinion, this is what happened. Jung In-Hun knew the importance of Baek Na-Kyum at the brothel. From my point of view, he used this knowledge to achieve his goal. He must have approached the guest at the gisaeng, while Heena noona was serving him. But the rich aristocrat got upset that a scholar was bothering him and started beating the poor woman. Seeing this, Baek Na-Kyum cried which gave Jung In-Hun the excuse to leave the place. He needed to console the boy. While reading this, the manhwalovers sense the origin of Heena noona’s prejudices towards rich aristocrats. The latter would disregard her, because the teacher was around, as the latter was hoping to get some benefit from it. With this scene, Byeonduck exposes the origin of Heena’s blindness, which is also visible in different panels, like this one: 
(chapter 68) As you can detect, the absence of her eyes reflect her blindness. The feelings she is projecting onto the painter’s are actually her own. 
(chapter 68) Now, we know why Baek Na-Kyum was so indoctrinated in the end. His own sister was also a victim of the manipulator, whom I had already diagnosed as a person suffering from a narcissistic personality disorder. Note that she uses the same vocabular than the scholar. 
(chapter 18) Hence I come to the conclusion, the teacher used the school in order to manipulate the commoners and the gisaengs. While he portrayed himself as righteous and kind, he described the powerful nobles as violent and arrogant, so that he would get the admiration from the commoners. In truth, he was deceiving them, since he looked down on them. Yet he needed them in order to get some connections to the powerful and rich nobles visiting the gisaeng house. On the other hand, since he didn’t want to get too close to the gisaengs, he employed the innocent boy as a shield, misleading Heena noona to think that Jung In-Hun had feelings for her brother. That’s why he hugs the protagonist so tightly. (chapter 68) For Heena, he was a hero, because he gave the impression that he cared for them, whereas it was the total opposite.
If we pay now attention to the butler’s behavior, it looks like the first aspect (“Acting voluntarily for the service of others who are in need“) is present in his action. He wanted to help Heena. 
(chapter 67) However, the second component (“Performing actions without any expectation of reward or external gain“) doesn’t apply, because he is not doing it for free. Let’s not forget Kim’s philosophy, which was exposed in chapter 65:
(chapter 65) He hates scandal and trouble. The gisaeng created such a uproar that Kim almost lost his credibility in front of his master. 
(chapter 65) He had two reasons for allowing her to meet the painter. First, Kim feared that she would cause more chaos in the future. Secondly, Kim realized that Baek Na-Kyum had become a huge source of trouble. He knew that the artist had been abducted, hence he got aware that Baek Na-Kyum had become a target of nobles. Furthermore, as soon as he had been returned, his sister made such a ruckus that she had turned the mansion upside down. Besides, like I had mentioned before, due to her behavior, she had put Kim in a difficult spot. Finally, he had another ground for giving his help: (chapter 65) He had seen the painter hurt in the bedchamber, so his words “Lord Yoon will not harm Nakyum” were proven wrong. Therefore I conclude, he had something to gain from his intervention. But what exactly? In my perspective, Kim wanted to get rid of the painter. The valet had already anticipated that Heena noona would ask her brother to leave the mansion. That’s why he said her this: (chapter 67) The butler anticipated her words and actions, as he is very perceptive (see chapter 23). At the same time, he told her the truth: 
(chapter 67) He had never received the authorization from his master. However, the manhwalovers should recognize that he painted his master in a rather negative light, while leaving a good impression on her. 
(chapter 67) In his mind, the butler thought that Baek Na-Kyum would leave the place right away after the harsh treatment he had received. For him, there was no doubt that no one in his right mind would stay at such a place. He knew that Yoon Seungho would come back soon. In other words, he was not helping Heena or Baek Na-Kyum here. He was doing himself a favor: his desire was to lead a peaceful life. Therefore, this explanation contradicts the first point.
As for the third point (“Recognition and acceptance of the potential risk or sacrifice made by taking heroic actions“), the manhwalovers should question this: When he granted the favor, was he putting his life at risk or was he willing to sacrifice himself? In my opinion, he was not, as he was acting behind his master’s back. He waited for the lord’s departure, then he allowed her to enter the mansion with the hope that Baek Na-Kyum would follow her right away. That’s why he was waiting outside next to the door. At the same time, he couldn’t tell her to hurry. At no moment, he was risking his life. He was using his position as the loyal valet to make decisions on his own, and even lied to the head-maid, when she questioned his behavior.
(chapter 67) In my opinion, we have here a new version of the painter’s escape from the first season: Kim acting as a shadow helped the artist to run away (chapter 29-30). However, the problem is that he got caught by Yoon Seungho. 
(chapter 68) What should he do now? I would like to remind the manhwaphiles that Kim had not only disobeyed his master’s order, but he had acted, as if he was a lord. He had given the permission without Yoon Seungho’s consent. 
(chapter 68 It is important to recall that this story takes place in Joseon, therefore Kim’s action can definitely be judged as a betrayal and usurpation of power. One might argue that he desired to help Heena, yet like I exposed above, he did out of selfishness and not because he felt concerned for the painter and for her. As such, Yoon Seungho has the right to be upset. He is the master and someone is acting behind his back, overlooking his orders. Under this perspective, the head-maid appears more loyal to her lord than Kim himself. In this scene, he was only serving his own interest.
People were rejoicing that Kim became brave, because he criticized his master for his behavior. But what they failed to realize is the importance of the timing. Why now? Observe that Kim only starts confronting the main lead after Yoon Seungho threatens him with consequences: 
(chapter 68). Note that the protagonist doesn’t menace to kill the gisaeng. He just desires to send her away, but he is now determined to punish his butler for his disobedience. He usurped his position, and as a lord he is allowed to do so. And that’s the moment, when Kim starts speaking the truth, which many readers associate to something positive.
However, this is important to realize that truth can also be used as manipulation. This is called paltering. Psychologists discern 3 types of lie: lie by commission, lie by omission and paltering.
“Like lying by omission, paltering can involve failing to disclose relevant information, but unlike lying by omission, paltering involves the active disclosure of true but misleading information: paltering enables would-be deceivers to actively influence a target’s beliefs” (Rogers, Zeckhauser, Gino, Norton, & Schweitzer, 2016). quoted from https://workplacepsychology.net/2016/12/18/to-deceive-using-truthful-statements-is-called-paltering/
This type of lie and manipulation is often used by politicians and even traders. They try to divert attention from the real main issue, and in our case: the butler’s disobedience and abuse of power. The other advantage is that since the paltering person is using truth as his tool, it is easier to remember and not get caught by the target. Moreover, the manipulator doesn’t have to feel guilty, as it looks like ethically more correct than lies.
That’s why it is important to look at the timing, when Kim reveals the truth. Here, I would like to bring another scene, where Kim’s first paltering was visible: chapter 50 
Note, that in that chapter, the lord had the sword in his hand, and strangely the valet came late. As you can imagine, this is no coincidence. In my opinion, butler knew that something bad had happened and in order to escape his lord’s bad mood, he arrived late on purpose (lie by commission), but at the same time he revealed his knowledge about the cause for Baek Na-Kyum’s depressed mood in order to divert his master’s attention. That way, he could put the blame on the absent noble, but also on the painter. The latter had disregarded him due to the scholar’s words. At the same time, he made the lord feel insecure, because it showed him that he had behaved exactly like a client, a man obsessed with sex. That’s why with the butler’s intervention, the master had a relapse. What mattered for Kim was a peaceful life, the rest is 
(chapter 65) Yet, he never expected such a change of behavior in the main lead, that’s why he blamed the painter afterwards. 
(chapter 52)
Hence I come to the conclusion that Kim’s MO is mostly paltering. And now, it is time to return our attention to the conversation between Yoon Seungho and his valet. It is important to examine each argument Kim brought up: 
(chapter 68) Initially, it looks like he is appealing to the lord’s heart, but in reality the main point is the noble’s judgement. The valet is reprimanding his master for his lack of discernment. He misjudged the painter’s behavior. This is relevant because in this panel, I view a first emotional manipulation. His real intent is to make the lord doubt his own judgement, like “look, back then you made the wrong decision… therefore you could be wrong here”. But the readers know that Yoon Seungho is right. Heena is determined to take away his lover, so his initial judgement about Heena is indeed correct. In his eyes, she represents a source of thread, he might lose the artist. One might argue that Yoon Seungho is sequestring the painter which is also correct, yet like my reader Luzy pointed out, this is the painter’s decision. Neither Kim nor Heena nor Yoon Seungho have to make the decision for him. And here, Kim and Heena are trying to do so. The problem is that Kim got caught. But let’s go back to my initial thought. Kim used his knowledge (the lord’s misjudgment) in order to make his lord doubt himself. and he appealed to his emotions for that. This type of manipulation is called gaslighting:
“Gaslighting is a form of emotional abuse that’s seen in abusive relationships. It’s the act of manipulating a person by forcing them to question their thoughts, memories, and the events occurring around them. A victim of gaslighting can be pushed so far that they question their own sanity.” https://www.healthline.com/health/gaslighting#:~:text=Gaslighting%20is%20a%20form%20of,they%20question%20their%20own%20sanity.
As a conclusion, Kim made the lord feel insecure and doubt his own judgment and used facts in order to achieve his goal. The lord should rely on his butler’s discernment. But the mercy and favor for the painter are just a subterfuge, he is trying to mask his wrongdoing.
I could bring up another panel as illustration: 
(chapter 68) Here, he is using the past in order to distort reality and memories while speaking truth. What Kim doesn’t mention here is his involvement in that incident. 
(chapter 65) Kim is destroying the lord’s confidence, so that Yoon Seungho will rely on Kim’s judgement.
If you pay attention to Kim’s words during that confrontation, Kim is actually utilizing many psychological and emotional manipulations:
- Guilty trip (chapter 68) “You are so cruel to this boy”. He might be right, yet why didn’t he say anything in chapter 64?
(chapter 64) He literally looked away, because truth wasn’t helpful in this case. Feigning innocence and ignorance was more appropriate. 
(chapter 23) - Shaming and vilifying the target:
(chapter 68) - Projection: it is a defense mechanism used to displace responsibility. Here, Kim decided to use Baek Na-Kyum as justification for his infraction: (chapter 68)
- Triangulation: “Triangulation is a tactic used to manipulate an interaction between two people who are not communicating directly with one another. It is problematic because a third person becomes involved in a situation that should be between the two individuals involved in the conflict.” https://www.e-counseling.com/mental-health/what-is-triangulation-psychology/
(chapter 68) Here, Kim is mentioning the past, where he played an active role between the father and son. In other words, he is reminding the master that he is acting like a mediator. However, this revelation exposes the servant’s manipulation. He was one of the causes for the falling apart between father Yoon and the eldest son. We have to imagine that he never revealed the real reason for Yoon Seungho’s rebellious nature to father Yoon. And here, he is behaving like in the past. He tries to intervene between Baek Na-Kyum, Heena noona and Yoon Seungho, as if he had the right to. 
(chapter 68) - Diversion: (chapter 68) he is bringing up the past to divert Yoon Seungho from the main problem: Kim abused his position.
- Negging: (chapter 68) making a person feel bad about herself, by giving backhanded compliments or comparing to another person. On the surface, it looks like constructive criticism, while in reality the victim is supposed to feel terrible and doubt his personality. https://www.healthline.com/health/mental-health/negging
I have to admit that I can’t give you an illustration of all psychological tricks Kim used in this confrontation. On wikipedia, there is a whole list of different psychological manipulations, which served me as orientation. https://en.wikipedia.org/wiki/Psychological_manipulation Nonetheless, as the readers can detect, I tried to look for more info for this analysis.
After portraying Kim as a manipulator, I would like to remind my reader of two aspects: I described the butler as the gatekeeper, the one who opens the door. And now, if the manhwaphiles pay attention to this picture, (chapter 68) they will detect that the door is now open. The valet opened Pandora’s box in my opinion. That’s why Yoon Seungho was hurt and at the end ran away. 
(chapter 68) He had heard, how Heena noona was comparing him to misfortune, reinforcing his negative opinion about himself. 
He had been already prepared mentally by his butler. He was as wounded as Baek Na-Kyum, when the scholar had voiced his true thoughts about the painter. 
(chapter 40) While the artist’s fate is to become a prostitute, the other is destined to bring misery. He already externalized this perception about himself in chapter 49: 
(chapter 68) For me, chapter 68 is the new version of chapter 40. That’s why I wasn’t rejoicing at all about Kim’s behavior. He was far from being honest with his truth. In reality, he used truth mixed with emotions as his ultimate tool in order to save his own skin. In other words, he functioned as the noble’s mirror.
This scene made me think of “Snow White and the 7 dwarfs”, where the mirror of truth tells the jealous queen that Snow White is far more beautiful than her. With this truth, the queen is led to take actions against the heroine and torment her. And here, we have another allusion how truth can be used as a weapon. The mirror never told the queen how to become the most beautiful woman. He never gave her any advice, it retained information: beauty can be different. It is not just the physical aspect, but it is about the personality. Therefore we could say that the mirror of Truth manipulated the queen leading her to her own demise. However, at no moment the queen never questioned the mirror of Truth and its ulterior motive. That’s exactly how Kim behaved the whole time explaining why Yoon Seungho never suspect his words. They reflected the truth. Yet the valet never intervened for his sake and for the painter’s sake. He only did, when he noticed that his lord was angry and let others take the blame, like here the father or Yoon Seungho himself. However, the readers should remember that in this scene, Kim had abused his authority. That’s also a fact.
Therefore I don’t consider Kim as a hero, quite the opposite. He is the worst manipulator, the reason why Yoon Seungho ended up with self-hatred and became violent with his swing moods. Kim isolated him, eroded his sense of reality, making him fear his own image. Besides, he didn’t even help him, when he got raped. Since Yoon Seungho has been manipulated psychologically and emotionally for years, he ended up hating himself.
“Long term effects of emotional manipulation:
- Isolation and numbness
- Requiring approval
- Feeling resentful
- excessive judging
- depressive disorder and anxiety” https://peaksrecovery.com/blog/effects-of-psychological-emotional-manipulation
- insomnia
- chronic pain
- guilt
- eventual feelings that their partner or parent is correct, and that they are “no good” or ugly, for example https://www.medicalnewstoday.com/articles/327080#long-term-effects
That’s the reflection Kim wanted him to have, so that the latter would never question his servant’s actions. And now, this picture has another meaning for me: 
(chapter 57) His gaze is only focused on his valet, not realizing that the latter is not honest with him. From my point of view, there’s a reason why Byeonduck put Jung In-Hun’s so-called heroism (chapter 68) next to the valet’s . (chapter 68) For me, she put the readers in the same situation than Heena noona’s. Just like the kisaeng, many readers expressed their admiration for the butler, because he had told the truth. They associated truth to goodness. Heena noona also watched the kindness in the scholar’s gesture leading her to think that the teacher was a honest and caring person, yet she overlooked that the teacher had in reality abandoned her. He never protected her and let her suffer. This picture truly reflects his cowardice and treachery 
(chapter 68) He slowly takes the artist in his arms. He doesn’t rush to her side, remains silent and immobile. His passivity reflects his true personality, but Heena is too focused on her young brother to grasp the situation. (chapter 68) The crying boy is used as a diversion. Besides, I am quite certain that Jung In-Hun was actually the source of her misery by trying to get attention from powerful nobles. Note that the scholar and Kim utilize both the painter’s to hide behind their misdeed. He serves as a justification why the scholar left the gisaeng behind and why Kim defied his master’s order. The domestic used kindness and pity as legitimations (chapter 68), while it was the opposite. He desired to get rid of them.
But there’s hope in my opinion. Baek Na-Kyum refused to listen to his sister’s words, which Kim hadn’t expected. Therefore he got caught, he anticipated Baek Nakyum’s eagerness to leave. (chapter 67) Secondly, by giving his master a reflection of his behavior, the valet lost his influence on the main lead. Remember that I wrote that Baek Na-Kyum served as the lord’s mirror, therefore he will take over the valet’s role. He will reveal his true reflections: his flaws and wrongdoings
(chapter 68), but also his quality: his honesty
(chapter 58). Let’s not forget that the artist realized his dedication in chapter 58. Note the huge difference. The artist never uses others in order to judge the lord. Kim will realize soon enough the consequences of opening Pandora’s box. He might have achieved his goal (the lord won’t punish him for his disobedience), yet he lost his lord’s trust. Notice that right after this quarrel, Yoon Seungho started treating Baek Na-Kyum like a noble. 
(chapter 69) 
(chapter 72) From that moment on, Yoon Seungho was no longer viewing the valet as the unofficial lord. We could say that he had lost his status as “hero” in the main lead’s eyes.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Due to his suggestion, he suffered a lot in the past, therefore he doesn’t want to make the same experience again: anxiety and remorse. Yet, at the end of the chapter 67, Jihwa is sitting like an obedient monkey and paying attention to Black Heart’s words. 
It was, as if the red-haired noble had given up on his “humanity” in the sense, he is no longer using his brain. How could this happen? The readers will blame Yoon Seungho for this. The moment he barged in his bedchamber, Jihwa ran away from his childhood friend and hid behind the windscreen. 
He was too scared and didn’t want to face Yoon Seungho’s wrath. But this attitude exposed simultaneously that he was not willing to assume his responsibilities. Remember that he relied on Nameless so much. Since the latter had become his hands, it signified that the criminal was accountable for the crime.
Note this panel outlines Jihwa’s escapism. “I know, he couldn’t have seen me”, the scared man imagined, because Baek Na-Kyum had his eyes covered, then he wouldn’t get caught. What he failed to realize is that first, he spoke so that the servant could have recognized his voice, Nameless was well aware of this. Then, he counted on Nameless’ promise. For me, this panel embodies Jihwa’s habit: avoiding any responsibility for a wrongdoing, which could be seen in the three wise monkeys: 
In reality, a perverted version, as for Jihwa, if no one sees, speaks or hears his misdeed, then it means, he has nothing to fear. He has the impression that nothing happened. Getting caught triggers his anxieties, as it is connected to the incident with the door and Yoon Seungho’s suffering. And now you understand why Jihwa was so scared after the scene Yoon Seungho made: he had been caught for the third time!! Chapter 18 
, chapter 57
and chapter 67 
And each time, Yoon Seungho’s anger increased. However, each time, the aristocrat with black eyes never expressed remorse and offered an apology. I would even add that he never saw these as misdeeds, as he always justified his misdeeds. In chapter 10/17, Baek Na-Kyum represented a source of temptation for his friend and he had even seduced him. Then when he sent lord Song’s fake letter to his friend, he justified his action by putting the blame on his friend for changing and cutting ties with him.
Finally, the painter was the reason why he got rejected. In all three cases, he never questioned, how his actions affected his victims. That’s why even when he got caught, he never changed his behavior. This explicates why Jihwa didn’t learn his lesson, as he didn’t see the wrongdoings and its impact on others. 
But it only looks like that on the surface, as from my point of view, the trigger for this switch are Min’s words. First he offered help. 
Then he predicted Yoon Seungho’s arrival, so that Jihwa was deceived. 
Black Heart had already prepared his move. He created the illusion that “To Help you” was genuine, as his prediction had become true. For me, “to help you” played a huge role, as Min is well aware of the red-haired noble’s personality. He knows that the neglected child has never been willing to take any responsibility, letting others take the blame. There’s a reason for that: Min was his teacher, The Joker who never got caught himself. For Jihwa, the idiom “to help you” is a synonym for reliability. Therefore he has the impression that thanks to Black Heart, he can keep avoiding any accountability. But Min, as The Joker, will be the one teaching him a lesson. The latter has already planned for Jihwa to take the fall, making him believe that the commoners (Heena, Kim and eventually Nameless) will be blamed for the painter’s second kidnapping. What Jihwa fails to realize is that since Black Heart revealed his secret twice, 
the latter needs to put a neat, clean ending, 
so that no one will realize the existence of a mastermind behind the second kidnapping. My prediction is that Min has already calculated Jihwa’s death. This is the devil talking, when he voices those words: 
He is tempting Jihwa. The Joker was there, when Yoon Seungho warned the former friend and used his sword against him. That’s why the Joker could only laugh, when he saw Jihwa trembling after seeing the weapon so closely. He had to contain his laugh and smile behind his hand. 
He saw it as a confirmation that the noble would retaliate, if Baek Na-Kyum got abducted a second time. The lord wouldn’t even question his childhood friend. That way, Min would be able to get away, while Yoon Seungho would have to face infuriated aristocrats who would despise him for killing one of their fellows for a low-born. Imagine the destruction he is preparing, just to taste the painter. 
That’s why he waited at Jihwa’s door the next morning. 
He could barely contain his impatience and his jealousy. The lord was far from being in a good mood. His smile is actually an expression of his anger and resent. As time passed on, his desire for the artist got so strong that at the end, he felt the need to approach Yoon Seungho’s mansion. But there, he had to see the painter’s smooth legs in the main lead’s arms. 
And now, imagine Min’s face, when he saw this: even the merchant, 
who never had sex with a man before was already bewitched by them. And now, you comprehend why Min has the sensation that he has been bewitched and can’t escape from this attraction. Therefore, it becomes comprehensible why Min wishes to have Jihwa killed in the end. He resents him for putting him in a misery. He had ordered his red-haired servant to bring him the painter, but the childish man had not only disobeyed him twice, but he had made it more difficult for Min to obtain the painter. Yoon Seungho would be on his guard now. That’s the other reason why Black Heart has already projected Jihwa’s death. 
Observe the presence of The Joker on the windscreen. Since the aristocrat is so paralyzed by his anxiety, his weakened condition explains why he falls for Black Heart’s manipulation so easily. At the same time, this drawing illustrates that Jihwa’s fear is more linked to getting caught than to Yoon Seungho’s wrath. Let’s not forget that in chapter 59, the readers heard about the protagonist’s rage shocking the noble with the mole.
Yet, Jihwa didn’t seem to upset and traumatized after that, which the friend noted. He was even surprised that the red-haired noble was able to maintain his relationship with his childhood friend. I see it as a proof that his angst is linked to apprehension and arrest. That’s why I believe that the advice given by Min before the appearance of the main lead played a huge role. Since Jihwa has internalized avoidance and escapism, assistance sounds like avoidance of responsibility. And now, you understand, Jihwa has been following his “teacher”‘s rules so faithfully: 
Secondly, he saw the uproar she caused at the entrance of the propriety.
Moreover, the Joker must have noticed how Kim was standing at the door, yet the latter never stopped him and allowed him to be pushed away. 
This gesture signalized that the valet was a pushover. Besides, I have to admit that I am suspecting Kim to have met Min during that night in chapter 52/53/54. Back then, I was wondering where the man was, when the door of Baek Na-Kyum’s study was destroyed and when Deok-Jae fled. Furthermore, between the time Yoon Seungho brought Baek Na-Kyum to his room and Black Heart’s return, minutes elapsed… yet Kim never intervened. I have the impression, he played a similar role than during the night of the rape. He acted in the shadow, following his favorite philosophy: 
and the physician acted, as though he saw nothing. In other words, we have 6 participants. Therefore, I believe that there will be another person involved in the second abduction beside Nameless, Min, Jihwa, Heena and Kim. This seems to corroborate my theory that Nameless has already planted a spy at Yoon Seungho’s mansion. But there’s another person who could play an important role in the second kidnapping: the head-maid of the kitchen. Don’t get me wrong: I am not saying that she will help them, but she will be involved, because she will help the noble and the painter. 
His dream was a mixture of dream and reality, yet as you know, the artist’s dream has always come true.
Besides, when he woke up, he imagined that he was seeing his lord, exposing his desire to have him by his side. That’s why I believe that Baek Na-Kyum won’t follow her suggestion. Besides, the manhwaphiles shouldn’t forget that the head-maid was heading to the painter’s chamber.
Consequently, I am expecting a new version from chapter 46. 
From my point of view, her words will have an influence on the low-born and his sister. Another evidence for this theory is the incident in Baek Na-Kyum’s study in chapter 53. The artist refused to leave the propriety, although he was hurt by Deok-Jae. In my opinion, the commoner will reject her offer so that Min is forced to wait. Imagine Min’s torments!! They will be so different from Jihwa’s. 
I have the feeling that unlike his disciple who drank to hide his anxieties, the lord Min will resort to opium. 
Min’s new hanbok in chapter 56 exposes his transformation: the pattern reminds the readers of the opium smoke. Furthermore, his return was announced with this picture: 
There’s no doubt for me that Min will get caught and will suffer the consequences of his manipulations. Since The Joker’s return, I have always predicted his death: he gets suffocated due to strangulation. First, Yoon Seungho broke the pheasant’s neck during the hunt with Min 
(chapter 41). The blood on his hands comes from the wounds caused by the arrows. But I also noticed a progression, how the lord used his hands during the second season: from this 
(chapter 61) to this 
(chapter 67). His hands are getting closer to the throat, for me a clue that Yoon Seungho will eliminate his rival personally.
Yet, this time it will be the other way around. 
He was annoyed, as he feared people’s gaze and asked the painter to follow him to an isolated place. Since I am imagining a new version of chapter 29, I am expecting that Baek Na-Kyum’s walk through town will attract people’s attention. Let’s not forget that in chapter 64, his escape caused a huge uproar
, and I doubt that people will have already forgotten the artist. Since the low-born was seen many times in that town and no one paid attention to him before, Kim will imagine that no one will notice the artist. Remember that no one observed them, when they went to the doctor for the first time. And in the mean time, Baek Na-Kyum won’t leave the propriety for the time being. However, Kim is not expecting that people will witness him.
Do you remember that a buffoon is a synonym for “joker”? From my point of view, Nameless has already placed a spy at Yoon Seungho’s mansion. I am still convinced that the new guardian is giving info to the criminal due to his explanations to Min.
He can’t imagine that the criminal was the one who convinced the red-haired noble not to commit the murder. However, this time the butcher will refuse. Even if Jihwa’s involvement has been revealed, I doubt that the criminal is not aware of Yoon Seungho’s visit to the family Lee. Since Yoon Seungho didn’t retaliate against Jihwa and only warned him, Nameless has no reason to intervene first. From my point of view, it looks like Yoon Seungho is still not looking too closely to the circumstances of the abduction and Deok-Jae’s servant. But it could change, forcing Nameless to intervene. Due to my previous analyses about Nameless, I came to the conclusion that he represents Jihwa’s conscience, hence he is his liberator. Consequently Nameless can eventually become Jihwa’s hands again, yet this time, Jihwa will never be able to escape his fate: he will be caught and be forced to become responsible. As you can sense, I am still unsure about Nameless’ actions. My instinct is to say that he will refuse to help the red-haired noble first, but could change his mind. One thing is sure: Nameless will confront Jihwa and let him see the consequences of his decisions. I am still hoping that he plays a huge role in the discovery of the mastermind, but there’s nothing sure, as Byeonduck prefers characters with flaws. In her story, there’s no hero, except the artist, if we overlook his lies in the beginning.
As you can anticipate it, my predictions are based on observations, therefore it can definitely turn out differently. Yet, I think the list I made could be helpful to envision the evolution of the story. In other words, you are more than welcome to imagine a different story about the second kidnapping. 
reminding me of the butler Kim in the original, implying that we have a fake affection. But if Jung In-Hun replaces Kim, it signifies that Baek Na-Kyum is now living the life of the noble Yoon Seungho in the original story. From that moment, I tried to verify this theory: We have an older sister who seems to be jealous of her younger brother, because she mocks him by calling him a baby. 
The source of her resent is simple: since Baek Na-Kyum is the only son of their family, he always gets the attention and admiration from the father, while she, as an older sister, is overlooked due to her gender. Hence I connected her to Yoon Seung-Won, the younger brother, for I had already pointed out in one of my former analyses that there existed a certain jealousy between them due to their father. 
This was truly palpable in this incident. Back then, I had imagined that it was related to the topknot incident. However, I think now that what we are witnessing is a straw mat beating. The younger master, who betrayed his older brother out of jealousy, never imagined that his father would retaliate like that. He had envisioned that his brother would get into trouble and loses the father’s admiration, yet not to this extent. Another allusion to jealousy was the words expressed by the main lead, when he confessed to his lover: 
(chapter 55) From my point of view, he was reliving his past, when he saw his brother getting the father’s attention. Let’s not forget that this story is based on the principle: history keeps repeating itself, therefore the jealousy resented towards the low noble was the present, while in the past, Yoon Seungho resented his brother in the past, it was the moment where jealousy reached his peak. That’s why I saw the roles played by the sister and Jung In-Hun as a confirmation that Byeonduck had chosen to reveal the protagonist’s past in the Alternative Universe by switching their places. Yet, this means that the readers will always see the uke suffering. She desires the readers to imagine the main lead’s traumatic past. While many readers are liking the Alternative Universe because of the humor and the lightness, I am convinced that we are actually headed to a huge tragedy, a repetition of the original story… as it represents Yoon Seungho’s past. On the other hand, it is important to remember that although this is just a repetition of the story, we shouldn’t forget that the story is not simply a pure repetition, as the elements and the chronology are changed. As a conclusion, Baek Na-Kyum will suffer a similar tragedy than the protagonist in the main story, yet it will also be a little different, maybe less painful. 
He showed the picture, while saying that it was signed Na-Min. However, if the readers pay attention to the painting, there’s no signature on it. Besides, I doubt that as a commoner, he is able to read, remember that the artist in the original story can’t read either. One might argue that the shopkeeper told him the name of the creator, when he showed him the painting. Yet, this argument is incorrect for three reasons. First, the merchant had no reason to mention him, because the former knows that Baek Na-Kyum is selling his pictures directly in order to keep his hobby a secret. Moreover, imagine, Baek Na-Kyum portrayed the famous sodomite Yoon Seungho who is a commoner. The merchant would have questioned him about the circumstances, how he got a painting from the noble. How could the innocent noble have painted the commoner as model? This would have shocked the merchant. From my point of view, the shopkeeper didn’t recognize the artist’s work at all, but he proposed him 5 coins due to his greed. He must have repeated the following remarks: 
In my perspective, the trader was just repeating the criticisms heard from someone else. 
Compare the two reviews, you will notice that the commoner is much more accurate in his review. And he is able to discern the origin of the flaws for such a drawing. 
That’s why I came to the conclusion that Yoon Seungho was a painter himself. In order to become an arts critic, you need to understand the subject, therefore many painting critics are artists themselves. My explanation is that he discovered the noble’s work by sleeping with nobles. His clients would buy the pictures, which the commoner couldn’t afford himself. What caught my attention is the following panel: 
Baek Na-Kyum questions his competence with his rhetorical question. In the main lead’s eyes, Yoon Seungho doesn’t have the eye to know… and to judge his paintings. But this question made me think the exact opposite. From my point of view, Yoon Seungho recognized the artist’s style, hence he could name it.
But unlike Baek Na-Kyum, the commoner is not famous due to his social status. And you understand why I came to this idea that the powerful noble Yoon Seungho in the original story could have been an artist in his youth, a painter and even a poet. From that moment, I started to search for clues in order to corroborate my theory. 
Note that he doesn’t say “write” but paint on their skin. This showed that the noble used to like painting. When I read chapter 36, I made the following mistake: Yoon Seungho was writing, hence I didn’t pay too much attention to his drawing on the painter’s body. However, I changed my mind, the moment I viewed his lines on Baek Na-Kyum’s body: 
It definitely looks like a plant and his lines show a certain confidence. Don’t forget that the artist was shivering due to the stroke of the brush, yet there’s no mishap or zigzag on his body. If I include the following panel from the Alternative Universe, 
then you’ll realize that it is a painting on Yoon Seungho’s body and the author is a painter. This could be judged as another evidence for my theory. A painter drew lines on the body of another artist. Therefore I come to the deduction that in chapter 36, Yoon Seungho started showing his passion to Baek Na-Kyum: he used to paint. The manhwaphiles should remember that in the previous chapter, the lord asked the commoner about his likes and dislikes. Such a conversation implies that the counterpart will also ask about the likes and dislikes of the partner. What does Yoon Seungho like in reality? My answer would be: he liked painting, but exactly like the low-born, he was forced to abandon his passion due to his father. 
someone attempted to draw a scene of men copulating. Since my hypothesis is Yoon Seungho was a painter in his youth, then it looks like he was the creator of his drawing. Then in chapter 23, the manhwaphiles certainly remember the book he showed to Baek Na-Kyum in order to revive his memory: 
Therefore Yoon Seungho could have been the author of this picture. Note the progression between the picture from chapter 8 and 23. This time, the artist included colors and the design is more precise, just like the lines are more firm. Then this would explain why Yoon Seungho knew what it meant, when an artist doesn’t practice for a long time. 
(chapter 2). In that same chapter, the artist noticed how well furnished his study was. He had such an expensive paper, and so many brushes revealing the aristocrat’s knowledge. And now it becomes comprehensible, why the lord could only laugh at the fake excuse given by Jung In-Hun in chapter 30: The low noble had brought the artist to the shop in order to buy him ink and brushes. The lord knew that the painter had everything he needed. In my opinion, Yoon Seungho was the one who took care of that room. That’s why the study is next to his bedchamber.
Note that the drawing behind the noble is not only torn, but it was made on an expensive paper indicating that this work was made by someone rich. Secondly, Baek Na-Kyum never created such a painting in the first season for the protagonist, yet the main lead painted a similar picture in his youth: 
. However, there exist small divergences: the uke in the purple drawing is embracing his lover exposing such a passion and strong love. And since I explained that Baek Na-Kyum was making the same experiences than the main lead, it looks like the author of this painting in this picture 
So in my opinion, Yoon Seungho used to paint in secret, exactly like the noble Baek Na-Kyum, as he knew that his father would never allow such a hobby. He had many reasons for that. First, since Father Yoon is portrayed as a controlling father, it means that he was paying attention to the main lead’s every move. While the father might have described painting or poetry as too feminine, the real reason for this interdiction was different. Father Yoon couldn’t allow that Yoon Seungho’s reputation outshines his own. 
Note that no one remembers the protagonist’s previous reputation. He was intelligent and talented, until father Yoon started spreading the rumor that his son was ill. He needed to get treated. Then later he portrayed him as unruly and difficult in front of people, like the former servant explained in chapter 37.
Yoon Seungho liked paintings and even poetry, a thorn in the eye for Father Yoon, as it represented a source of threat for father Yoon. There’s no ambiguity that such an ambitious and greedy man would reject arts. Why? According to my theory, the main lead is the illegitimate son of a kisaeng and the grandfather, so seeing his half-brother getting more famous would definitely infuriate him. Moreover, it would be a constant reminder of Yoon Seungho’s true origins. Finally, if Yoon Seungho became famous as an artist, he could get close to power, like for example he becomes the personal painter of the king. However, when father Yoon discovered that his son had caught the king’s attention, he realized that he could use the protagonist differently. 
As the king’s courtesan or prostitute, Yoon Seungho would lose all his rights. He would never get recognition and power as well, while father Yoon as his pimp would benefit from it. That’s why when the father mentions “illness”, he could definitely be referring to painting. Yoon Seungho learnt that he had to paint during the night to outlive his passion, and now you understand why I saw the combination of this illustration 
(chapter 45) 
(chapter 50) 
(chapter 53) and 
(chapter 67) Even when he died in a figurative sense, the last hanbok indicates that his liking for drawings has not died yet. Nevertheless, all the pattern have something in common: the presence of nature. There are always animals or plants. And this observation led me to the next conclusion, Yoon Seungho was a painter, but unlike his lover, he loved painting nature. This explains why the main lead painted a plant on the low-born’s body in chapter 36.
and the latter used a plant to play with the animal. 
The drawing in the illustration for the first season was discovered by the father who destroyed it, because someone tattled on Yoon Seungho. Let’s not forget that in the Alternative Universe we have a lord peeping tom: 
Moreover, the painter’s sexuality resurfaces the moment he witnesses sex between Jihwa and Yoon Seungho, a new version of voyeurism. Why do I think that Jihwa was the one who led the innocent noble to become a voyeur? Note that in the Alternative Universe, the cat is the one leading Baek Na-Kyum to the cabin and even strokes the artist’s butt, while the latter is beholding the scene: 
So the main lead was not alone, when he saw the commoner having a fellatio. Besides, the manhwalovers should recall how Baek Na-Kyum saw two nobles having sex at the gisaeng house.
The aristocrats hid their sexual orientation behind the gisaengs. On the surface, they would behave like normal men, while in reality they loved another man. I doubt that Yoon Seungho could leave his mansion like that, especially if he was monitored by the staff and especially by his butler and his brother. From my point of view, Jihwa and his friend must have witnessed it at the pavilion. 
Note that the pavilion played a huge role in the first season: emancipation for Yoon Seungho in chapter 3 and the same for Baek Na-Kyum, as the latter was forced to admit that he loved his teacher in chapter 25. Furthermore, I would like to outline that each scene at the pavilion was linked to painting. After witnessing how two nobles made love, Jihwa begged his friend to paint for him
That’s why Jihwa decided to visit him during the night, since no one noticed his absence from home. So while the innocent man, Yoon Seungho, was focused on the drawing requested by his friend, Jihwa said this: 
This interpretation would explain why Yoon Seungho couldn’t perceive Baek Na-Kyum’s preference and why Jihwa was an expert for recognizing virgins. However, during that night, the door opened 
and Jihwa, too scared to get caught, left his friend behind. What followed, you can imagine: Father Yoon believed to see in his son a homosexual due to the painting and punished him. He beat him and asked for some medication from the doctor. Since there was an erotic painting in his son’s room, the father went to father Lee and told him about the painting. However, father Yoon blamed his son for the incident. 
That’s how Jihwa was separated from his friend, yet the latter chose to remain silent and let Yoon Seungho suffer the consequences from his request. Then he must have heard from the staff that a teacher was hired for a conversion therapy. This would explain why Yoon Seungho relived his second abandonment during that night of revelations: first, the friend who ran away because he had been able to escape 
and later the rape with Kim at the door: 
Besides, the manhwaphiles will certainly recall how worried Baek Na-Kyum was in chapter 16 and 17, after leaving the lord’s bedchamber in a hurry. He couldn’t eat and kept wondering if someone had seen him or not, a new version of what the red-haired noble had experienced. In my opinion, there were two incidents occurring with the painting:
(chapter 37) to the younger master. This led to the straw mat beating. The scholar Jung In-Hun told his future sponsor this: 
We have to envision that the powerful main lead experienced a similar incident.
Furthermore, like my reader @Peperon21428670 pointed out, I had already associated the painter to nature. This explicates why Yoon Seungho chose to paint a plant on the artist’s body that night. He sensed the connection between nature and the artist.
(chapter 57), whereas he is only aware of the peak of the iceberg. 
(chapter 57) His keen eyes were revived and the light in them returned. 
Slowly the lord rediscovered his love for arts and paintings… inciting him to draw again. 
Since in the past his face was a source of inspiration, the symbol for innocence, youth, freedom, carefree, naturality, honesty, happiness for the painter Yoon Seungho, the latter can only associate his face to dishonesty, deception, pain and suffering now. Although Jihwa didn’t get scolded or caught with his lie, he felt guilty, but he never felt the courage to correct the truth. That’s how Jihwa started behaving like a coward and playing tricks. With this incident, he learnt a terrible lesson: he learnt how someone else could take responsibility for his actions and decisions. Since it was never revealed, the young aristocrat faked his smile and cheerfulness due to his guilt. However, with the separation from his friend, he got lost and found himself a new “friend”: The Joker who perverted his innocence and naturality in the end. That’s why when they reunited, Yoon Seungho sensed the transformation in his childhood friend. And once Jihwa discovered that his friend was interested again in painting, he looked for pictures hoping to catch Yoon Seungho’s interest. However, he was rather bored, 
when he looked at the picture (chapter 9). Then in chapter 12, he proposed to hire a painter from the Royal Academy 
, because he knew how much his friend liked painting. Yet he couldn’t encourage him to paint himself, for he would have been confronted with the past. The red-haired aristocrat thought, he could manage to get rid of the artist without reminding Yoon Seungho of the incident with the door. And if my theory is correct, this scene implies that the noble never apologized for his friend’s suffering. 
(chapter 67) The face is no longer a source of inspiration, rather of suffocation, and this picture contrasts so much to the main lead’s reaction, when he looked at the artist’s face in the following drawing.
(chapter 25) He noticed the absence of facial expressions. Therefore he recommended him to use a mirror (chapter 28). As you can see, the muse’s face and facial expressions are very important for the powerful aristocrat. I believe that at some point, he will destroy the painting made with Jihwa 
so that there are no picture left with him, a new version of chapter 2. For me, the chapter 67 marks the beginning of Baek Na-Kyum’s influence as the lord’s muse. With him, he is learning what love and courage are and he will inspire the master to paint again. Finally, he will be able to discern between fake and genuine affection and concern leading Kim to lose his master’s trust. 
Imagine how he must have felt. He tried so desperately to stop his son from being linked to arts and painting, and here he receives an erotic painting. He can only be reminded of the past incident. At the same time, he is also criticized for his hypocrisy. He forced his son to prostitution for his own goal, but acted as if he was proper and righteous. No wonder that he was so enraged and could barely contain his fury. He was confronted with his lies and wrongdoings, one could say that he was finally seeing his failure as father. Because of this new approach, I come to the conclusion that Kim was the one sending the painting, hoping that the eldest master would intervene, as he prefers father Yoon to his actual master who is always linked to scandal and uproar, which contrasts to Kim’s philosophy. The butler hoped for an intervention, but since father Yoon hates himself to be connected to sodomy and would like to keep his reputation intact, he chose not to intervene. 
(chapter 67) My first thought was: “Where were you all this time?”
(chapter 3) Their intercourse was noticeable, but at no moment father Lee interrupted them. And now, the erected phallus was switched to a sword, and unlike in chapter 3, where the second lead was eager to meet his sex partner
, the master chose to hide behind a windscreen. 
(chapter 41) He spent the whole night drinking and his father never asked about his whereabouts. He never showed any concern, as he has his staff to take care of him. In other words, he put the whole responsibility on the domestics. After confessing to Yoon Seungho in public, no servant shows up and takes care of him indicating that neither father Lee nor the staff heard about the scandal. Nameless was the one who was asked by the inn owner, if he could take care of the young noble. 
(chapter 59) He even gave him a dry robe and a home for the night. Since the servant only showed up the next morning in chapter 41 and he didn’t even appear during the night in chapter 59, it illustrates that the staff is more attached to the mansion than to the impulsive noble himself in truth.
(chapter 50), he is even willing to risk his life 
(chapter 45) That’s how isolated the father is cut off from reality and world. This is not surprising that his son resembles him, he also lives in his own world. 
, which corresponds to the expression “sensory isolation”. Back then, I had imagined that he had been abused as well. I was wrong, since it was just neglect which I had already detected. However, the consequences of such a severe neglect are as terrible as abuse. Consequently, abuse and neglect are often considered the same. 
(chapter 13)
(chapter 13); aggression 
(chapter 17)
(chapter 51)
(chapter 59) In chapter 56, Jihwa sent a fake letter reminding Yoon Seungho of his trauma, yet he acts as if the other is to blame and shows no remorse. That’s why many children suffering from emotional neglect have problems with rules and laws. 
(chapter 67)
(chapter 50)
(red circle). Because of the character’s previous deafness and blindness, I immediately connected it to the wise 3 monkeys: 
(chapter 57) “wayward” is a synonym for rebellious indicating that Yoon Seungho had started questioning his father’s behavior and words. Simultaneously, I believe that the father judged his son’s behavior as too childish, thus he said that he had been suffering from an illness for a long time. The adolescence represents an important step in the child’s development. That’s the moment when a teenager decides to take his distance from his father in order to find his own identity. Since the main lead was described as intelligent, it was normal that the main character would decide to make his own decision and could sense his father’s flaws. Consequently father Yoon could only see the critical remarks as a sign of insubordination. This is not surprising that he blamed his son, when something happened due to Jihwa. 
(chapter 57) There’s no doubt that father Yoon put all his trust in Kim. This explicates why Kim acts, as if he had the authority to give orders.
(chapter 57) due to the hat and the robe. What caught my attention is that he acts behind his lord’s back, when the latter is absent. 
(chapter 57) By examining Kim again, I have to admit that I suddenly had this question: who gave the painting to Yoon Seung-Won? Did the valet act on the lord’s order? 
(chapter 37) Or did he decide to act on his own? Let’s not forget that during that evening, the valet had been reprimanded by Yoon Seung-Won for lying to him. It is possible that the valet chose to give the painting in order to put the blame on Yoon Seungho, as he feared that the young master could report his lie and behavior to father Yoon. The latter might not be present at the mansion, but there’s no doubt that he asked his trusted servant to keep an eye on his eldest son, whom he considered as a troublemaker. This would explain why the main lead keeps taking the medicine. And now, you can grasp why Kim is more loyal to father Yoon than his actual master. The latter gives him more freedom, yet he expects from him more responsibility. Under the ruling of father Yoon, the butler could avoid any trouble by tattling on the young master Yoon Seungho or by faking ignorance, when it was necessary. Since father Yoon put all his trust in the valet, he was not able to see evil or hear evil in the end. Kim framed innocents or he feigned ignorance. As a conclusion, Father Yoon was put in the same situation than father Lee due to Kim’s actions.
And here, the readers should wonder why he feels the need to earn the money for the glasses. Technically, he could just go to the merchant and buy these with his family’s money. My answer is that it is related to social norms and the huge social gap between the domestic and the young master. I believe, Baek Na-Kyum’s family is rather traditional and as such makes a huge distinction between nobles and low-borns. This traditional mind-set is perceptible, when the shopkeeper threatens the artist. From my point of view, his father will never allow a noble to offer such an expensive present to a servant. That’s why the innocent man started painting. But does the personal domestic know about his master’s secret activities and true goal? Yes, he is aware of Baek Na-Kyum’s actions and intention, which is detectable in the following picture: 
Note that the noble gave him the order to wait at the door of the merchant’s shop, but the servant preferred disobeying him. This picture is relevant for two reasons. First, it outlines the true nature of the relationship between the lord and his servant. Jung In-hun can afford to disregard Baek Na-Kyum, as the latter doesn’t punish him at all. On the one hand, the young master underlines that his order was not respected, on the other hand nothing happens afterwards. This truly indicates that the domestic has the upper hand here. Secondly, he didn’t obey Baek Na-Kyum’s request, as he didn’t want to hear or to be seen with his master selling his last work. Note that, when the master leaves the shop, the trader speaks so loudly that the master can hear his explanations: 
And now imagine Jung In-Hun waiting at the door for the return of his master. If he had stood there as requested, he would have heard the merchant’s comment and would have become an accomplice. As a conclusion, we can definitely say that the domestic acts, as if he didn’t know about Baek Na-Kyum’s activities. He is applying Kim’s philosophy from the original story: 
However, let’s not forget that the servant has a real reason for his silence and his faked ignorance. He will get glasses, which he truly desires, therefore he can’t tattle this to lord Baek. On the surface, Jung In-Hun hates sodomy, nonetheless he benefits from it through the master’s paintings, exactly like in the original story. As you can imagine, I saw a new evidence for my theory that Kim is actually Yoon Seungho’s enemy, the surrogate father who betrayed and abandoned the aristocrat due to his selfishness. First, the servant has a similar mentality: silence and ignorance. Besides, observe that in the second special chapter, the domestic plays the role of the “adoptive” father, the one who is caring and giving some comfort. 
And there’s another reason why I suspect the valet in the original story has a similar function than the scholar. Only recently, I realized that Kim’s first appearance coincides with Jung In-Hun’s arrival at the mansion. 
(chapter 7) Besides, it is Kim who takes care of the former teacher too, by bringing him to his room. As you can detect, the servant Jung In-Hun reinforced my negative perception about the “loyal and caring” butler.
before criticizing his last work so that the main lead ends up with just 3 coins! And the trader reminds the painter that he can’t complain, as he can’t reveal this to his father. So we have a greedy merchant, who takes advantage of the artist due to his social status. On the other hand, Baek Na-Kyum has no other solution to accept his fate. In the second episode, Yoon Seungho reveals once again the artist’s popularity. 
And this situation with the painting made me think about the original story. How did the selling occur? Since the Alternative Universe is similar to the original, although the social status of the characters have been switched, we have to imagine that Baek Na-Kyum must have made a similar experience. As a low-born, the shopkeeper could use the lower social status to buy his paintings for a cheap price. I have to admit that when the first special episode appeared, I wondered if the glasses were not financed by the artist too. However, I rejected the idea, because when he left the brothel, the low noble already possessed glasses. 
(chapter 46) But the chapter 64 finally gave me the answer: the snake in the original story who took advantage of Baek Na-Kyum’s low social status is the tailor. 
This picture is relevant because it shows that the tailor knew the painter’s identity right from the start. Let’s not forget that Yoon Seungho never showed any picture to outsiders. The merchant sold the publications behind the curtains and gave the info to Yoon Seungho’s servant, when the latter questioned the identity of the real painter.
And now, you understand why Min knew about the incident at the tailor’s shop. Min is also a client who bought Baek Na-Kyum’s publications.
(chapter 8). And now, it is important to revisit the chapter 39 and the romantic date: 
What caught my attention are the drops of sweat on both characters. Back then, I thought, like many readers, that the origin of the discomfort was related to the unusual order: the tailor was supposed to make expensive clothes for a low-born. However, since we know that the tailor recognized Baek Na-Kyum as the painter working under a pseudonym, I believe that they were awkward for a different reason. They had to act, as if they didn’t know each other. This explains why the drop of sweat appears on both faces
In my opinion, there’s more than curiosity. He needs to know his relationship with the lord Yoon Seungho, in case the artist decides to sell again his paintings. He could no longer act like before, buy paintings for a cheap price. That’s why he needed to get more insight. And now, with the artist’s disappearance creating chaos among the town folks, the tailor revealed his knowledge and in reality his secret.
He saw no reason to hide it any longer. First, he was mad, because people would mock him. Secondly, since the painter hadn’t created any new publication, as he was taken care by the master, he could mention the low-born’s real job: a buggering painter! He had the impression that he had nothing to worry. Striking is that he mentions it in front of the sister 
, the manhwalovers can observe the absence of the gaze and eyes, indicating that his eyes and glasses played a huge role in the past. And now, if the readers look again at Yoon Seungho’s face during the Wedding night, they will notice the barely visible presence of glasses, the symbol for the teacher. 
And if Baek Na-Kyum did pay for the low noble’s glasses, then it is comprehensible why they mean so much to the low-born. The teacher could have voiced, he needed glasses. I can even imagine that he justified his actual situation, he is just a simple teacher due to the absence of glasses. In other words, he couldn’t do well at the exam, because he couldn’t afford the glasses. His true desire was to use the painter’s innocence and gentleness to obtain a favor without doing anything: just smile and compliment. And Baek Na-Kyum had to wait for a long time before being able to buy the present. The scholar was well aware how Baek Na-Kyum achieved his goal by selling erotic pictures, but the teacher feigned ignorance. However, the sister realized that the shopkeeper and publisher had abused the painter due to his humble origins, therefore Heena imagined that if the teacher was to take care of Baek Na-Kyum, the former would help him to get better paid. However, what happened was that the scholar realized that despite his popularity, Baek Na-Kyum wouldn’t earn that much, unless the former had to intervene. For him, it was unbearable to be linked to homosexuality. Therefore he could only see the artist as a burden. That’s why he decided to cut ties with the artist by no longer feigning ignorance. On the surface, he discovered the erotic painting and coerced the artist, until the latter vowed to never paint anything. It is also possible that Jung In-Hun tried to use the artist’s popularity in order to sell his own book, but was rejected. Anyway, there’s no doubt that the scholar in the past took advantage of Baek Na-Kyum, until he had the impression that the painter had become a burden and he refused to be responsible for him. Let’s not forget that history is repeating itself in Painter Of The Night. And now, you can understand that I am expecting another scandal: the tailor’s enrichment through the publications . 
There’s no doubt that we will hear this sentence in the original story. However, I have the feeling that Heena will play a major role in this, as the shopkeeper revealed it in front of her. At the same time, this incident will lead to the scholar’s involvement as well. Why did the artist stop painting for a while? Why did Baek Na-Kyum become drunk? Why did he abandon the painter twice after receiving the glasses?
(special episode 1), like I had pointed out in a former essay. Since I have determined that Baek Na-Kyum is the butterfly in that story, symbolizing truth and hope, the question is now: what is the box in Painter Of The Night? For me, the box represents the past with all his secrets linked to pain and traumas. And the opening of the lid leads to suffering and tragedy, yet despite the agony, the figures will be able to move on and have hope. The painter will serve as a tool to unveil the truth signifying that all the secrets and as such the past will be revealed. And now there’s only one question left. Who is Pandora in this story? Which person opens the box full of secrets bringing misery but hope to the characters in this story? 
Black Heart actually lies to the second character by giving a false information, yet he gives the impression that his intelligence is real and concrete. If you pay attention to his expressions (“I hear”, “He doesn’t seem”), you’ll notice that his tip is uncertain and unreliable. In fact, he reveals that he is utilizing rumors. Why doesn’t the red-haired aristocrat recognize the manipulation? It’s because Min is well aware of the character’s personality. Min knew that Jihwa would always believe the gossips. The manhwaphiles should remember how Jihwa often mentions hearsays: chapter 13 
and chapter 18 
. Jihwa is always listening to the hearsay. In the last case, he tried to influence Yoon Seungho with such gossips. That’s why the red-haired aristocrat could only fall into Black Heart’s trap. The latter knew not only Jihwa’s love for his childhood friend, but also the influence of rumors on him. Min knew that Jihwa would always get his intel through others, because he would avoid to be confronted with reality and as such facts. Besides, Min perceived that the noble was very sensitive to Yoon Seungho’s sex life, hence he used the idiom “hopping from bedchamber to chamber”. It is important to remind the readers of Jihwa’s confession 
Min was definitely aware of Jihwa’s weaknesses: his love for his childhood friend, the importance of hearsay on him and the resent for this image “Yoon Seungho is fooling around with men”. 
Note that his friend with the mole caught the lie. Observe that the latter is sweating and looking at Min with such a serious face. Nevertheless, he doesn’t try to contradict Min. He remains silent here and looks at Jihwa’s reaction. Since the latter claims that he will never visit Yoon Seungho, the noble with the mole believes that the lie will have no consequence. This scene is important for two reasons. First, although the noble with the mole is a confident of Jihwa, the former doesn’t have a good understanding of his friend. In reality, he doesn’t truly know Jihwa’s weaknesses. This was visible in chapter 9, when he visited him and told him about the humiliation. The noble with the mole was not aware that Jihwa would be irritated and wounded, when the latter would hear that the former had planned to participate in a sex session with Yoon Seungho. That’s how perceptive Min is. He detected all the red-haired noble’s secrets. Striking is that in that particular scene, while Min employed his knowledge to trick the drunk noble, he discovered the existence of a secret, which was triggered by the noble with the purple robe. 
Why? It’s because “You know” is standing in opposition to “dream”. Knowledge is a synonym for facts and reality. Therefore, Jihwa finally confesses that he knows a secret about the main lead.
In that moment, Min is able to catch the existence of the main lead’s weakness. The latter must have been deeply wounded in the past. It doesn’t matter how… the fact that Yoon Seungho has a wound is enough for Min. Through the red-haired noble’s revelation, Min realizes that Yoon Seungho is acting like a cold-headed person, while in reality he is hot-tempered due to his wounds. Min could make the connection to the incident with the top-knot.
That’s how he recognized that Jihwa would use his knowledge of the past and would hurt his childhood friend due to his love for him. As you can sense, Jihwa left clues here and there to Min so that the latter could gather all the information about his rival and use his knowledge to defeat his rival. That’s how innocent and naive Jihwa was. While he thought, he was keeping everything a secret, since he was always allusive, he never recognized that he was doing the opposite. As you can see, Jihwa was the one who delivered the box to Min, and Min opened it therefore he brought pain to the protagonists, yet at the same time, he created an opportunity for them as well. The main leads were forced to face reality and reveal their true thoughts and emotions. 
The snake had detected that the lord was protecting his pride in reality despite the bad reputation: “common brute” (chapter 59) or in Min’s case: 
He humiliated him for the second time by revealing that he was in love with a commoner. As you can see, Min could perceive Yoon Seungho’s vulnerabilities and used the secrets in order to wound his rival and the object of his obsession. By opening the box, he made the protagonists suffer. However, the manhwalovers shouldn’t forget that Pandora in the story gets hurt as well, signifying that Min will get hurt by these secrets too.
and charlatan 
who was putting the main lead in danger, creating the illusion, if Jihwa intervened, he would do something honorable. He reversed the situation by describing Baek Na-Kyum as bad as possible. He knew exactly how to trigger the red-haired noble’s jealousy, simultaneously making him believe that he was representing righteousness. Yet, like I mentioned it in the essay “The Joker – part 3”, in this scene, Min was actually revealing his own thoughts and emotions. He was envious of Yoon Seungho and couldn’t bear the thought that the painter would become the protagonist’s mistress, because this signified that he could never taste the commoner. Yet during that night, no one recognized this.
And since Min only talked to the red-haired noble, this means that this information became a secret. 
In this panel, Jihwa questions Min’s reliability which indicates that he is now questioning the character’s personality, a first sign of critical thinking. In my opinion, soon the position will be switched. Jihwa will be in possession of a secret, Black Heart’s real motivation for targeting Yoon Seungho. From my point of view, Min’s weapons (knowledge and secrets) will be employed against him. 
He revealed the childhood friend’s involvement in the painter’s disappearance thinking that Yoon Seungho would act like in the past: become a monster and vent his anger against Jihwa. But what he didn’t know and anticipate is that Yoon Seungho would hurt the painter first. With this new revelation, Yoon Seungho realized his true sins. He had misjudged the painter, had allowed his rage to blind him to the point that he had hurt an innocent. He was responsible for the commoner’s trauma. Therefore he couldn’t blame Jihwa for the disappearance right away, the main lead had to face his own culpability. When Black Heart mentions Jihwa’s participation, he is expecting an immediate reaction from his counterpart: Jihwa will become the target of Yoon seungho’s anger and fury. Yet, what Min fails to realize is that by revealing Jihwa’s involvement, he exposes his complicity. He knew that the childhood friend had planned something and remained silent. And since I pointed out that Yoon Seungho suffered in the past because of the silence of a witness, I believe, the lord will remember this and decide to retaliate against all the people who knew about the incident and stayed quiet. Furthermore, I think, the main lead must have learned his lesson with the last incident: never judge someone based on impressions and beliefs. From my point of view, Yoon Seungho will investigate the matter, just like he did an investigation on the painter and Jung In-Hun during the first season. Besides, I would like to remind that when the murder was suggested, it took place at Min’s friend, so the circumstances make it look like there was a plot. 
Secondly, Black Heart made the mistake to believe that he could understand the main lead’s personality by just observations. 
And what did he see?
, then he had defended him against a vicious servant. 
One might argue that the noble had brought him to the sex session, yet since the host stopped the rape before and even evicted his guests in a rough manner, for Min, it was a real sign that Yoon Seungho was very caring. However, this is not reality, as Yoon Seungho mistreated the painter. Strangely, the painter never saw his true caring side, because he was always asleep (chapter 33, 34, 45, 50) or he was blind and deaf due to his own agony. Their relationship was far more complex. Finally, since Min’s knowledge was based on his observations, he could only view what Yoon Seungho allowed him to see: Black Heart is not aware of the main lead’s insecurities and self-hatred or his illness. Not even Jihwa knows about the existence of his illness which was supposed to have appeared in his teens. This explicates that Min’s information was not correct and he was fated to make mistakes. Besides, he doesn’t care for commoners and servants so Min is not paying attention to changes among Yoon Seungho’s staff. His understanding is quite superficial. The other mistake is that he is not aware of the last events at the mansion: Deok-Jae’s disappearance and his involvement in a poisoning incident. Furthermore, he has no idea about Yoon Seungho’s true power and connections, although his friend warned him 
. There’s no doubt that Min’s judgement about Yoon Seungho is also influenced by his reputation as a hell-raiser. That’s the reason why Min came to the conclusion that the protagonist was exactly like him. For Black Heart, the main character was seeking pleasure and fun by causing commotions and violating social norms, whereas the cause for main lead’s behavior is different: he has been brainwashed and traumatized. more complex. And you comprehend why I believe, Min will get hurt in the end. “His knowledge” will be the source for his misery and his punishment. And it will backfire on him. Besides, I suspect that Min won’t learn from his mistake and will make another mistake … he will still believe that he just needs to find a secret in order to have the upper hand. I have the feeling that Min will investigate why Yoon Seungho decided to sponsor the scholar Jung In-Hun, since the latter was mentioned in connection with the envious man. 
(chapter 52). Consequently he will discover the true reason behind the sponsor: Baek Na-Kyum has always admired the teacher. There’s another reason why the scholar’s path will cross Black Heart’s: their preference for investigation and secrecy. Don’t forget that the teacher tried to find some secrets in order to find a weakness in his sponsor and blackmail him (chapter 29).
That’s why I envision that with the scholar’s return, we will witness how the teacher tries to use his knowledge in order to gain something, especially if the wealthy aristocrat abandons him, the moment Baek Na-Kyum refuses to help his former teacher. There’s no doubt that Jung In-Hun will use secrets in order to manipulate Min, when the latter approaches him. In my opinion, the scholar could use the incident at the pavilion (the rape) 
, when he notices that Min has the same “obsession” than Yoon Seungho. For me, there was never an ambiguity that the teacher witnessed the rape but chose not to intervene. He used his “knowledge” by acting ignorant, applying the butler’s philosophy: 
and Baek Na-Kyum’s discovery of the teacher’s true face and hypocrisy. And imagine Black Heart’s reaction, when he hears about the rape, in that moment, he will interpret all the incidents in a different light. He never brought the painter to the sex sessions, because the artist got raped and in reality he was secluded. Then he will remember that the lord distanced himself from Baek Na-Kyum and returned to debauchery, the painter denied the lord’s feelings for him and as such rejected the master’s advances. Then he will remember that the commoner was brought to the sex party, before the noble changed his mind. Envision that if Jung In-Hun decides to expose how the lord treated the artist during the first season (the straw mat beating, the rape, the escape… ) which Min never heard of, the latter could imagine that the artist is kept captive and decide to “abduct” him in order to liberate him. That way, he could turn himself into a hero… I know, here I am no longer studying the story, but just making assumptions. Yet, what I want to demonstrate is that knowledge and secrets represent the key to Pandora’s box. My point is that all the secrets from season 1 will become fatal to Min and Jung In-Hun, as they will be used to manipulate. There is no coincidence that both use the same methods (manipulation, lies and knowledge to deceive others), since the two figures have a similar disposition (jealousy, greed and ambition). Yet their insight is superficial in the end. So far, they both lived in their own world, quite protected and have never experienced the harshness of reality. That’s why I am convinced that the scholar and Min will find each other and their encounter will cause them to suffer in the end. That’s why I have the impression that Jung In-Hun could be judged as another Pandora. In my opinion, his investigation about the past 
Note that he mentions here “channels” indicating that he has different sources. First, we can assume that Nameless gets some info from the gisaeng. We know for sure that he hired Deok-Jae. Finally, we are suspecting that he placed a spy among the nobles’ house (Jihwa 
). He knew the servant’s true motivation behind the betrayal, like he explained it to Jihwa in chapter 51. 
However, I believed that exactly like Min, he made a terrible mistake. He thought that this was related to the harsh beating caused by the painter’s first disappearance. 
In Nameless’ mind, Deok-Jae hated his lord for his “unfair punishment”, while in reality, Deok-Jae put the whole blame on the painter. In the servant’s eyes, the artist should have been the one receiving the harsh beating. 
This shows that he never questioned the punishment as such. Why did the criminal misunderstand the domestic? Let’s not forget that Nameless suffered injustice in the past, perceptible by the numbers of his tattoos, hence he projected his own thoughts onto Deok-Jae. What he failed to recognize was the vicious servant’s true motivation: he was jealous of the painter and wished, he had been the one receiving the lord’s favors, willing to become a homosexual, if it meant to improve his living conditions. 
(chapter 46) This explains why the blackmail happened in the end. Since Nameless envisaged that Deok-Jae was resenting his master due to the harsh thrashing, he didn’t expect that Deok-Jae would decide to side with Yoon Seungho in the end, if it meant to get some benefit.
(chapter 54) In my opinion, Nameless must have always thought that only aristocrats were greedy, unjust, ruthless and vicious, and would blame the commoners for their crimes. 
However, reality is much more complex, like I explained in a different essay: silence and passivity can cause damages. Besides, commoners are also humans, therefore they can be vicious, greedy and ruthless. To sum up, the criminal has a biased perception of the world. The other mistake the criminal made is related to his perception about Jihwa. He noticed the red-haired noble’s innocence due his bad habit (biting nails) and showed signs of bad conscience. Therefore he had the impression that Jihwa was not responsible for this situation, rather the childhood friend who chose to reject him and drop him for a low-born acting on a whim. Yet, what Nameless doesn’t know is what the red-haired noble did before: the constant bullying on the painter (chapter 5, 10, 17). For me, Nameless is already biased and has a better impression of his client than Yoon Seungho who hurt his staff so unfairly (chapter 29/30) and humiliated Jihwa twice (chapter 18, 57). That’s why he is pitying his client. 
In his eyes the master did nothing wrong, he only loved his friend. Consequently he imagined that the aristocrat was acting on impulse and anticipated that he would give up, yet the latter never did. Since no one visited Jihwa during that time, Nameless thought that the second lead was acting on his own. The noble never mentioned how the idea of the murder was brought up… and he never said anything about Min’s visit in chapter 56. 
And now imagine his surprise…if my theory is correct, the new guardian is his spy. Jihwa kept a secret from him… but it is the same for Nameless, who killed the domestic. Nameless will realize that other people knew about Jihwa’s intentions, hence he will question the noble’s actions. Nameless will realize quickly that this was more than just a love quarrel. In my opinion, he will investigate the matter. There’s no doubt that we will witness a scene where the criminal and Jihwa will blame each other: one will reproach him for involving the servant Deok-Jae, while the other will tell him how stupid and naive he was. He got betrayed by Min. 
(chapter 51), I have been thinking about this: what if the criminal was searching for Baek Na-Kyum? Envisage, with Heena’s intervention, he discovers the painter’s true identity and realizes that he hurt the person he was looking for and was even supposed to protect. For me, there’s no doubt that Min, Jung In-Hun, Jihwa and Nameless will pay for their “knowledge”, because they were actually biased by their own belief and arrogance. 
(chapter 11), his insecurities 
(chapter 58) 
(chapter 63) and his hopes. One might argue that Yoon Seungho was not entirely himself in these chapters, as he couldn’t control his feelings. Yet I believe that because of that, the lord was the most honest. He could never fake his true thoughts and emotions in front of the painter. I am quite certain that the lord learned due to his traumatic past that he needed to be strong in order to protect himself from others… remember that he had no one by his side, therefore I think that despite his debauchery, Yoon Seungho made sure that he had enough power to never become a victim again. However, Baek Na-Kyum is on his way to discern the master’s real personality, not only by discovering his past, but also because from now on, the lord will never approach Baek Na-Kyum for sex and they will have to interact differently: he will show him his true competences.
, I came to realize the lord’s true personality. He doesn’t just want to replace the main lead as the new alpha among the nobles, more importantly he takes pleasure in ruining friendships and as such causing pain to others. As a conclusion, I noticed that he enjoys destruction. Therefore I stated in the first part that Min had a nihilistic mindset: 
(chapter 52). Then he violates the rights of his host in chapter 43, when he proposes the assassination. Since this is not Min’s pavilion, this means that his friend’s house is transformed into a conspiracy place.
This will play a huge part in the future, as I am anticipating a purge. At another party, he violates again the rights of his host by mocking and insulting him: chapter 52, 53 
54
. I could also add that he disregards the painter by suggesting his murder (43, 56) or by treating him like a sex object (chapter 33/52). Moreover, he often lies (chapter 36
. All these examples expose that he manipulates his surroundings constantly. He influences Jihwa by giving him the idea of the murder (
chapter 43, chapter 56 
, 
chapter 33 
chapter 52), he doesn’t care about them. In fact, he uses them for his own benefit. Remember that he took the opium from his acquaintance (chapter 52). Then he ruined his “friend”‘s party by causing a ruckus, while the other wanted to have some discreet fun.
I would even say, he manipulates the masses by making requests, which the other nobles can’t truly reject. Note that neither in chapter 33 nor in 52, the aristocrats stopped Black Heart from talking and even supported his request: the main lead should bring the commoner to their sex party. As a conclusion, he uses his influence over the other aristocrats to get what he desires: have sex with the painter. This displays his true power as manipulator. No one is capable to stop him, not even Yoon Seungho, the alpha king among the local aristocracy. 
(chapter 52). This is understandable, as during that night, Yoon Seungho was totally vulnerable and tried to hide his weak disposition with his clothes.
He must have heard about the painter’s disappearance and desires to witness Yoon Seungho’s pain. For him, this would represent the best proof of his skill as manipulator. But to his disappointment, Baek Na-Kyum is not dead. 
This mask exposes his lack of empathy and his joy for imagining that the main lead is suffering (“difficulty with showing remorse or empathy“). Since his plan failed, he is disappointed
. Therefore he enters Yoon Seungho’s mansion. However, pay attention to the last picture which indicates that Min is thinking about Jihwa and his disobedience. The red-haired noble didn’t act like planned. In my perspective, his thoughts indicate that Min will make Jihwa pay for his “disobedience”. At the same time, I believe that Min is already thinking about his next move, this is the other reason why he enters the main lead’s house without a proper invitation (a new version of chapter 12). This image serves as another evidence for his continuous disregard for social norms. And this chapter 66 represents a turning point in my opinion, as it exposes Min’s impulsiveness to the best. Since he didn’t get Yoon Seungho’s defeat by afflicting pain on him, he needs to cause another uproar and inflict pain on Jihwa, who didn’t follow his “order”. Note that Black Heart just reversed the roles, showing that he doesn’t care who wounds whom. His main focus is pain. By revealing the secret, Black Heart is hoping that Yoon Seungho will retaliate against his childhood friend because of the kidnapping.
, when he revealed himself the planned assassination in front of Baek Na-Kyum. However, back then he wasn’t caught, as neither the painter nor the powerful protagonist paid attention to his words. And instead of learning from his mistakes (f. ex. the murder didn’t occur like planned or the punches he received from the main lead for his provocations), he continues irritating Yoon Seungho. He notices that the latter is no longer denying his feelings in front of him, hence he can’t humiliate him like in chapter 54. 
Since the chapter 66 stands in opposition to the episodes 53/54, it becomes obvious that the main lead will react differently. He won’t act on his emotions, he learned his lesson due to the painter. He punished the commoner, although the latter was innocent, too blinded by his rage and pain. That’s why I think, we should consider the chapter 66 as Min’s ultimate defeat.
He chose to irritate him again, risking his own life. That’s why he got slapped so violently that the door was destroyed. But note that Black Heart didn’t feel any pain and showed no tears, instead he started laughing and showed pleasure. 
But even after receiving the slap, he continued provoking the host thereby the main lead started punching him so many times. 
Yet at no moment, he asked the lord to stop from hurting him, he kept laughing. 
However, there exists another explanation why Min kept provoking Yoon Seungho. But this aspect will be elaborated later.
(chapter 41) Don’t forget that he calls the vicious man “a mouse”, a real insult to someone who sees himself as superior and talented. Then the night after the beating, Min waits for Jihwa in front of his house and urges Jihwa to murder the painter.
However, this time he adds that he wants to taste the painter before and note that here, he is mentioning the punches he received from Yoon Seungho. 
Min realized the importance of knowledge. Jihwa knew his friend well, hence he was able to awake the “beast” in the main lead. Besides, he could notice that Jihwa had an immense influence on the main character. He could wound him, yet the latter wouldn’t cut ties with him. Note that in that scene, Min never said a word, yet he was observant and realized that Yoon Seungho had a weakness: “in the most wretched of states”. That’s why he chose to get closer to the protagonist, willing to become an uke, if it was necessary for his plan. He needed to discover more about his prey and the best place was to get closer to Jihwa and Yoon Seungho, slowly and silently exactly like a snake. However, I believe, the real war between the two semes started in chapter 41, which caught my attention during the first season. The hand on the main character’s waist was a sign that the psychopath planned to “screw” the main character.
(chapter 41) Not only he showed his desire to submit Yoon Seungho, but also he acted, as if he was superior to him. He asked questions and even criticized the main character for his behavior: he was creating a ruckus, exposing his hypocrisy, as Black Heart loves uproar. 
This observation leads me to the following explanation: The Arousal Theory of Motivation. This psychological conception tries to elaborate what stimulates people. 
His reason is his thirst for revenge. His sister Lee Seorin was a victim of a gang rape, but since the perpetrators were never prosecuted, the sister killed herself out of despair. The culprits were students coming from wealthy and influential families and members of an organization called “secret fraternity”.
Because Lee Kirin had no idea about the identities of the culprits and only knew that they belonged to that “secret fraternity”, he decided to get close to Kang Moo in order to investigate and get revenge for his sister’s death. While Lee Ki-Rin believes, he is manipulating Kang Moo, the readers can quickly realize that the opposite is happening. Kang Moo is the one who let Lee Kirin approach him in the end. What Lee Kirin doesn’t know is that Kang Moo is a psychopath. The latter has always hidden his mental illness in front of people.
Even the members from that “club” had no idea except Lim Joohyuk. There’s a reason for that. When he killed a dog for the first time as a child, he saw his mother’s rejection and disgust. 
Striking is the importance of the gaze again. As a child, the boy sensed his mother’s negative judgement and rejection. However, this incident didn’t stop him to lose his “urge” for blood. Therefore he started to have hobbies like collecting dead bodies, taking pictures of dead creatures and even hunt.
As you can detect, in that story Kang Moo has an abnormal low arousal and needed stronger stimuli, as time passed on.
This reminds us of Min who keeps looking for entertainment and commotion. Note that Min’s violence has gradually increased: from sex as a symbol for fight, he went to a verbal challenge (chapter 33/41), then it escalated to a murder (43), then to a beating and gangrape (52/53) and finally to a combination of murder and rape (56). And in The Beast Must Die, the protagonist is well aware of the consequences of his behavior. If he killed someone, he would ruin his life.
(chapter 32) The manhwaphiles can sense the similarity in the vocabulary: for Min, it is fun/entertainment, while Kang Moor keeps talking about “pleasure”. Since Kang Moo recognized the repercussions of a murder, he chose to fight against it contrasting to Min’s attitude. And there’s reason for that: Min’s social status and historical period. The latter is a noble and can use his superiority to hurt commoners and even break laws, because aristocrats are not prosecuted like low-borns. Secondly, I believe that his family and his surroundings played a huge role. Observe that the nobility is portrayed as corrupt and decadent. Besides, the manhwalovers should remember that Min’s MO is to manipulate others, therefore it reveals that the character had found a way out how to outlive his “urge and need”. He could commit small wrongdoings, as he knew that he wouldn’t get punished for this. But if he had to hurt another noble, he had to use someone else. And this exposes the similarities between Kang Moo and Min. Both are well aware that certain things are not allowed, yet they try to find a different way to move around the rules and laws. 
(chapter 32) the readers shouldn’t take his words as face-value. In my opinion, he felt a similar emotion than Lee Kirin (revenge), because Lee Seorin was the first person who showed understanding and no rejection, when he removed his mask and revealed his true personality.
(chapter 33) . What caught my attention is that Kang Moo is voicing his fear indicating that he was well aware of his own mental issues. Moreover, it also outlines his despair… he desired to escape from this, but didn’t know how to. Lee Seorin comprehended Kang Moo’s anxiety, therefore she tried to encourage him not to give up, by supporting him that he could continue maintaining a normal life, if he truly wanted it. 
And now, you grasp why Kang Moo snapped, when he heard about the circumstances of her death. It was his club that was responsible for her suicide. Naturally, when Lee Kirin asks him if he loved his sister, the psychopath can’t answer that question, since he is unable to grasp his emotions.
(chapter 34). However, there’s no doubt that the protagonist had an affection for Lee Kirin’s sister. I believe to perceive an evidence of his attachment to her, when he mentions the suffering of a victim of gang rape. 
(chapter 56) Sure, in this scene he is threatening Mr. Jang to organize a gang rape on Mrs. Hong’s daughter, because the man with the glass was also menacing his lover Lee Kirin. Yet, the fact that he mentioned such a crime indicates that he didn’t forget the crime Lee Seorin suffered from and he could understand her pain. And there’s another proof that Kang Moo is not truly emotionless. It becomes even more obvious that he loves the main lead too. It is shown in two different occasions. First, he states that he will never let Lee Kirin go. 
(chapter 34) And latter, he requests from his lover to help him to “stop the beast inside him”. 
That’s his love confession, although Kang Moo doesn’t truly comprehend the true signification of his words. At some point, he begins to grasp that he has changed and is relying more on Lee Kirin which makes him nervous. This shows that Kang Moo has some problems to accept his love for Lee Kirin. However, this manhwa truly indicates that a person suffering from ASPD is capable to live a normal life and to feel love, even if this patient is not expressing it in the normal way. Furthermore, in this story, Kang Moo tries to use others in order to dirty less his own hands so that the members from “secret fraternity” kill each other indicating that this is not just to enjoy pleasure. Let’s not forget that at the same time, he helps a friend who is getting abused by her fiancé. So he is not a serial killer per se. He is determined to punish “scums” while committing crimes. Yet he believes that he uses revenge as an excuse. To sum up, the story is not just about a psychopath following his urges to kill, but rather the battle of a psychopath who struggled to lead a normal life, but gave in the moment he lost the person who supported him. 
(chapter 1). Here, they hunt someone for fun. Besides, I would like to mention here the k-drama “It’s Okay not to be okay” with Kim Soo-Yun and Seo Yea-Ji. In this terrific drama, the main lead is a famous writer suffering from ASPD and the so-called normal people are actually portrayed in a rather negative way as well: they insult, exclude and hurt the persons suffering from a disorder or disability. This shows that authors in South Korea are trying to change the image about mental disorders and plead for more understanding and open-mindedness. In “The Beast Must Die” and “It’s Okay Not To Be Okay”, the characters help people to comprehend that the boundary between normality and abnormality is thin and I would even say, illusory. Lee Kirin desired to get revenge, yet he doesn’t feel sorry for the death of the culprits, but no one is questioning him. It becomes a different story, when a psychopath is involved. The detective will do anything to catch Kang Moo, but finds excuses for Lee Kirin. But observe that he is not diagnosed as a psychopath. As you can sense, there’s here a double standard. Normal people even call for violence and revenge due to their anger and pain, that’s why there’s still death penalty in so many countries. As a conclusion, being diagnosed as a psychopath doesn’t mean that they are no human and people should treat the patient like a monster. Being excluded from society is not the correct answer, like Kang Moo sensed it. He felt the condemnation in his parents’ gaze hence he felt abandoned and lonely. 
(chapter 8), the aristocrat imagined that he could get the same gaze, if he had sex with the painter. And that’s how the love triangle started. He wished to be gazed like Yoon Seungho was. 
In reality, he is describing his own thoughts. In other words, he is projecting his own thoughts into the protagonist. He explains his desire and obsession with witchcraft, because he feels vulnerable. That’s his way to confess his love in my opinion. Just like Kang Moo, he can’t say these words (“I love you”), as he has no idea what he feels and what love is. With this interpretation, it becomes comprehensible why Min suggested the painter’s murder in the end. If he can’t satisfy his urges (taste the painter) and he is still thinking about it, then he needs to get rid of the source of his obsession. Because the moment the painter disappears, Min will be able to move on. Witnessing Yoon Seungho’s pain will compensate him for the loss. Therefore, the manhwaphiles can comprehend, why Min still associates Baek Na-Kyum to death. Deep down, he fears the painter, as he senses that the former represents a source of danger for him. He can become his weakness. And the best way to remove this is to manipulate Jihwa to commit the crime. I also think, Min had already detected that he couldn’t do it himself. 
For me, the character’s thoughts are actually mirroring Min’s true state of mind. Once again, he is projecting his own emotions “fiery in his jealousy”, “too weak at heart” into Jihwa. In fact, we could say the opposite. Jihwa’s heart was strong enough to resist negative emotions. That’s why Byeonduck chose to reveal Min’s thoughts in this chapter. Black Heart is someone who is always projecting his feelings and emotions into others, because he can’t deal with them himself. We had a similar phenomenon, in chapter 43. What Jihwa envisioned in chapter 43 represented Min’s thoughts in reality as well. 
, chapter 36 
chapter 43 
, chapter 53 
And now, it becomes comprehensible why Min chose to walk on the picture
, when he was in the artist’s study. He felt the urge to destroy the image, as he desires to be the one portrayed in that painting. This explains why the next morning when he talks about the Baek Na-Kyum’s assassination and rape, he remembers the drawing. 
(chapter 43) So his job corresponds to the second definition. That’s why he is wearing a mask. Striking is that his mask is very similar to The American Joker: 
(chapter 50) Therefore he chose to mislead the red-haired client, because he hoped that with time, the aristocrat would change his mind. However, in order to give Jihwa the impression that he was taken seriously, he gave a false excuse and explained that he needed some time. As you can see, exactly like Min, the commoner manipulated the instigator. Later, when the latter criticized the criminal for his inaction, the latter was the one who reminded the red-haired lord of the gravity of the crime: he intended to kill a person. The irony is that the assassin, a symbol for immorality, was actually playing the role of consciousness: 
(chapter 51) In my point of view, it is very important, because it shows that Nameless has a huge sense of justice and morality. He can distinguish from right and wrong, and is well aware that killing someone is in truth a terrible crime. And thanks to his intervention, he stopped Jihwa from committing a grave sin. He forced the lord to face reality, by describing in the most horrible but real way possible the things 
he would do to the painter, so that Jihwa would truly see the consequences of his choice. Nameless brought pain to the red-haired master, but at the end, Jihwa could finally admit his mistake and regret his actions. He was responsible for ruining his relationship with his childhood friend. What caught my attention is that Nameless’ words had such an effect on the lord that the latter even vomited. It was, as though Nameless’ words had such power that they could remove the poison from Jihwa’s heart. 
His words and actions worked like an antidote, which reminds us of the words used by the noble with the mole: 
As you can observe, Nameless embodies truth and Min lies, and Black Heart’s lies were the reason why Jihwa had been “poisoned” and deceived. Only reality could make him perceive the truth. Striking is that Nameless had already planned that Jihwa would never give the final hit order, therefore he had already envisioned to return the painter to Yoon Seungho. Min might have suggested the plan, but since Nameless executed it, he is also responsible for their misery and liberation. Consequently, the abduction made the painter realize his feelings for the main lead. The latter would have never recognized it, if he hadn’t been facing death. In front of death, social gap and social status didn’t matter any longer. What is truly important were the persons’ actions that moved the person facing his imminent end. The manhwaphiles should remember that Yoon Seungho’s smile was the last thought Baek Na-Kyum had, revealing that the lord’s smile must have touched his heart back then, giving him some hope. That’s why at the end, he screamed for Yoon Seungho’s help 
and the way he called the main lead showed a certain intimacy: lord Seungho. The result of the abduction on the main lead is clear. He recognized his powerlessness and recognized that he couldn’t bear the thought of being separated from Baek Na-Kyum. Furthermore, the chapter 66 displays how the main lead is no longer denying his affection for the painter in front of witnesses. Don’t forget that Yoon Seungho is carrying the artist in front of Min and his staff during the day
. Back then, only Min saw it and the protagonists denied both the main lead’s love for the commoner. Simultaneously, this panel 
, because the lord is not naked, a sign for his obsession with sex, but he is not even hiding the identity of his lover. The abduction destroyed the relationship between the two protagonists which was only based on sex, yet simultaneously the kidnapping helped them to change the nature of their relationship, to come to a spiritual love, something the noble had been longing all this time. And this explains why there won’t be any dichotomy later: sex or love. In the future, sex will become one of their ways to express their love for each other. Yet, I am quite sure, both will reveal their affection through other actions: painting, poetry and teaching. As you can conclude, Nameless has a similar effect than Min in the end. Both bring misery and pain, yet they help the characters to perceive truth and accept reality. And now you understand why I had this revelation: Nameless is also a Joker. 
(chapter 33) and hide his true wish (taste the painter), the clown is working with musicians and another dancer. This exposes that Nameless is actually team-oriented. Moreover, we know for sure that Nameless has a good relationship with his workers, since they gave info to Jihwa.
And now, you can understand while examining Black Heart, I had the following revelation: Nameless stands in opposition to Black Heart. 
, although it signifies that he is taking some risk. Sure, he is here not soft-hearted, quite ruthless. Yet, let’s not forget that he is here wearing his mask. In that scene, the criminal scares the victim so much for a reason: he is trying to ensure that this incident remains a secret and that no one gets hurt in the end. He is loyal towards his client, since he is acting for Jihwa’s best interest (not dirty his hands by murdering a person), willing to get rid of a possible thread. 
(a memory from the painter, chapter 61), he is wearing the mask. 
Hence I come to the deduction that the mask symbolizes his role as criminal, yet at the same time, it exposes that this doesn’t represent Nameless’ true identity and personality. There’s a different person behind the mask, whereas it is different for Black Heart. Min’s face is the mask itself, the symbol for his hypocrisy. 
(chapter 50)
Furthermore, Nameless does have a sense of justice…. like I pointed out earlier: he is well aware of the painter’s innocence. Yet, there’s no doubt that there are divergences between Nameless and Batman, as the former belongs to the commoners, whereas Bruce Wayne is really rich. The criminal is not powerful, unlike the American hero who can use his wealth and connection to fight against villains. But since the low-born stands in opposition to Min and I considered the latter as a new version of The Joker due to the similarity of their mentality, I can only perceive Nameless as Batman, the one who will be able to defeat Min. And in chapter 66, their antagonism is already palpable.
(chapter 50). The color of the clothes are the same. Thanks to her, I could finally put the puzzle together. It looks like Nameless planted a spy in Jihwa’s mansion in order to know how the lord would behave after giving the hit order. And this is not surprising why Nameless would know that Jihwa had been drinking all this time, even before removing the veil from the hat. Sure, he noticed the trembling hand, but this could be caused by nervousness and anxiety. 
Since Nameless is well aware of the nobility’ mentality, he can use it to his advantage. The aristocrats never pay attention to servants and as such commoners. The criminal is right in the end: Min doesn’t even recognize that there’s a new guardian, although he has been at the mansion before twice (8, 52) and he even saw Deok-Jae getting beaten. Besides, I would like to remind my readers that there’s no coincidence in Byeonduck’s work. She focused a great deal on the guardian and his explanations. Since he was delivering a similar explanation than Nameless had made up, I truly suspect that the domestic is informing Nameless in the end. And note that in chapter 66, Min reveals in front of Yoon Seungho Jihwa’s involvement.
Let’s not forget that this story is constructed according to the principle: history repeats itself. So there must have been a painter in the past as well. Finally, Jihwa is linked to secrets either, as his favourite sentence is: I know 
The man never got punished for his misdeeds: the theft, the treason, the bullying, the poisoning and the trashing of Baek Na-Kyum’s place. The vicious domestic met his karma. Sure, nowadays no one would receive a death sentence for such crimes, yet in that period it is a different story. 
(chapter 52) And notice that his desire to taste the painter contrasts so much to Jihwa’s words in chapter 18. 
and to his bloody face 
He kept asking rhetorical questions, making comments without waiting for Yoon Seungho’s answer. It was, as if Min was acting like an entertainer. However, we should remember that despite his role as jester, his true goal is not to entertain his host or his friends. He is behaving like that out of selfishness. He is the one who desires to have fun.
And due to Min’s trick, Yoon Seungho was hurt, as he considered it as a rejection. Note that in that scene, social norms played a huge part in the denial of both protagonists, although they were never directly mentioned. Min as the joker was a reminder of scandal and as such of standard norms. 
and screamed for his help. 
For him, it was also too beautiful and incredible to be true. At the same time, his denial stopped him from realizing his true feelings. Yet in front of death, Baek Na-Kyum couldn’t control his emotions and thoughts pressuring him to voice his deepest desires. And the artist’s disappearance had a similar effect on the main lead in the end. First, in the storage room, he confided his real wish 
Then he is not even trying to hide the painter in front of Min. He is indeed carrying him like a treasure, while feeling no embarrassment.
They would give such an answer, because they would use the black frame as reference. The latter represents a memory or a dream in Painter Of The Night. In other words, the manhwaphiles would invoke a literary phenomenon:
and walked randomly in the room. His survival instinct had kicked in. Because of the flashback, the protagonist had lost his sense of orientation and couldn’t see where he was going, as all his thoughts and emotions were revolving around the trauma. He had the feeling that he was reliving his past experience. This explains why the chapter 65 ended with the following panels: 
in chapter 65. And if you read the chapter again, you’ll notice a huge white space between the next following panel. 
Yoon Seungho is opening the door leaving the painter in his bedchamber (chapter 65). As a conclusion, the beginning of the episode 66 has to placed between the last words and the opening door. Hence we have a fourth flashback in episode 66. 
, then covering his mouth 
and finally putting him under the cover 
so that he could get rid of noona Heena easily. He recreated the situation Baek Na-Kyum was exposed to, when he had been abducted. And if the beholder pays attention to the way the painter is lying in the bed, they will realize another important aspect: the cover that the painter used as protection and comfort has become a prison or a trap now. 
Besides, in this chapter, his heart started racing with the main lead’s appearance.
In both chapters, the main lead was the cause for the heartbeat, yet the reasons for the racing heart are totally different. It is important, because it shows us that the kidnapping left a deep wound on the artist’s psyche. When the main character recreated the condition of the abduction, he triggered a flashback. Because Baek Na-Kyum couldn’t scream for help and his head was held under a bag 
But if the manhwaworms looks at the criminal’s actions, they will conclude that Nameless was indeed ruthless. He knew how to terrify the painter. He tormented the painter psychologically. Nonetheless, since Nameless neither murdered nor atrophied the painter, in his eyes he was actually very kind and even merciful. He even felt pity for him, as he was well aware of the artist’s innocence. The latter was just a plaything caught in the middle of the fight between two nobles. 
This impression seems to be confirmed, as the moment he removes the cloth from the painter’s mouth, the lord criticizes him.
However, from my point of view, we need to differentiate between the actions made by Yoon Seungho’s mouth and hands again. While the latter are under the influence of his unconscious, the mouth represents the mind and as such conscious. Note that he removes the cloth, although he could have ignored it. By liberating Baek Na-Kyum’s mouth, he is actually endangering his situation.
(chapter 58). The irony is that in chapter 66, the painter is a wreck, yet the lord is admitting his defeat displaying Baek Na-Kyum’s real power. The other divergence is that this time, it is a conscious choice. This is not a dream or an illusion. Yoon Seungho states that he can’t win against the low-born’s will. In other words, their relationship is progressing again. Due to the resemblance of the chapter 58, the readers have the feeling to witness another flashback. Nonetheless here, the noble hears a reply to his confession, unlike in the past: 
The nature of the confession has changed: this is an admission for his silence. He lied and apologized in order to survive. These panels expose how deeply traumatized the painter is. He is still trapped in his flashback, reliving his near-death experience and doesn’t realize his lover’s presence. Therefore his gaze is directed elsewhere. I would even say, his gaze is lost in the flashback. What caught my attention is the protagonist’s reaction, when he hears the painter’s words and heavy breathing. He is not only surprised and shocked
, he is also paralyzed. For me, the last panel shows the main lead’s realization. He must have recognized the painter’s real condition: he is traumatized. And in my opinion, the painter’s confession and behavior triggered a flashback in Yoon Seungho too, which we don’t really see, but can sense more or less. Observe his discomfort and his fixe stare. 
He seems lost as well, very similar to the commoner’s gaze. Besides, the aristocrat doesn’t move one moment, although some time has already passed. The sister has already left the house and Min is now standing at the door. The last picture even shows us Min’s perspective. He senses the lord’s worry and pangs of conscience too. From my point of view, the lord is reminded of his own bad past experience due to the artist’s behavior and words. The other clue for this interpretation is the lord’s phobia of the cover.
(chapter 35) Therefore I come to the conclusion that we have another flashback here, but Yoon Seungho’s is not revealed, only through his gaze and the observations I made: the fear of the cover and the commoner’s past as a repetition of the main lead’s tragic past. Let’s not forget that this scene is also a new version of chapter 53: 
, back then, the main lead was the one who was in a dissociative state and the painter embraced him, when he sensed his fury and pain. However, this time the roles are switched. And this explains why the noble hugs the painter, attempting to give him some comfort. Yet, in my opinion, he has no idea about the real cause of the artist’s trauma in that moment
, therefore he feels responsible and terrible. That’s the reason why he remains so passive and silent. He feels the need to console Baek Na-Kyum, but note that he doesn’t even attempt to dress the painter or to put him in a better position.
The images are almost identical, yet in the second picture, there’s no black frame, therefore this means that it represents reality. And now, you can better grasp the nature of Baek Na-Kyum’s flashback. It is a mixture of dream and memory. The lord stayed by his side the whole night (a new version of chapter 55) 
and at some point, the artist opened his eyes briefly, just like the lord nodded to Baek Na-Kyum’s question unconsciously 
, as he felt his presence, but never realized it in the end. In other words, the painter also detected the lord’s presence by his side, even opened his eyes for a second, heard him even calling his name 
. The tragedy is that exactly like during their Wedding Night, the painter won’t be sure, if what he sensed and saw was reality or a dream. Therefore I come to the conclusion that this is a new version of chapter 58, where the roles are reversed. Back then, the lord thought that this night with Baek Na-Kyum was too beautiful to be true and it is the artist’s turn to feel the same way. This flashback shows his wish mixed with a memory. And now, during this night, the lord expressed his regrets and showed his tenderness, just like in chapter 58. He took the hand with delicacy
and touched the wrist and the wound with his finger carefully, 
,as though he wanted to heal himself the bruise. For me, this scene was so beautiful and moving, as it reflects the noble’s growth. He doesn’t just feel huge pangs of conscience, but he is determined to redeem himself in the end. When he touches the scar, he feel sorry for Baek Na-Kyum’s wounds which he hadn’t seen due to his self-hatred. At the end, he treats Baek Na-Kyum’s hand like a treasure. Yet, note that he is not kissing it. 
and put them on his loins. 
He only valued them, as they helped him to have a better libido. And now, his gesture 
She symbolizes reality. Consequently, I believe that the following picture from the flashback illustrates the artist’s true wish. 
contrasting to the hug in the barn symbolizing fakeness and coldness. 
(even if it sounded so possessive and obsessive). Furthermore the same person even expressed that his smile and presence could be the source of his happiness 
Another flashback from the past… 
[I already examined the clothes from the first season, here are the links: 
(chapter 12)
However, it changed the moment, Yoon Seungho made love to the painter. Since he knew that he had acted as the scholar’s replacement, he needed to attract the painter’s attention and used his clothes in order to impress the commoner so that the latter would fall for him. 
In chapter 39/40, he selected a pink robe with a black hanbok. This represented his actual state of emotions. He had just shared his bed with the painter for the first time and felt pleased and refreshed, like a happy man in love. However, he was trying to hide his emotions, therefore the pink was covered by the black hanbok. And since he wore a hanbok with short sleeves, it is palpable that here again, he desired to seduce and impress the artist. In conclusion, the lord felt the need to become desirable in the artist’s eyes and used his hanboks for this purpose, indicating some insecurities. Simultaneously, his selection was influenced by his emotions and unconscious. Striking is that in chapter 39, he had not the valet by his side to dress him up. Therefore Kim had no influence in the selection of his hanbok for that romantic date. And it happened again in season 2. When the main lead chose the blue hanbok with short sleeves
, Kim was taking care of the painter. Therefore I come to the conclusion that Kim has some influence, in the way the main lead is dressed. This explains why we saw him helping the lord to get dressed in two occasions and each time, he chose the same hanbok: in chapter 11 
and chapter 47 
. And this is no coincidence. This outlines the importance of Kim in Yoon Seungho’s life. He is his right-hand, he is the only one allowed to see his hair down and comb it, a privilege that Baek Na-Kyum has never got to experience yet. However, little by little, the readers can perceive the painter’s increasing influence through the hanboks. 
But if we look at the hanbok again, we will notice that the addition of plants in the pattern illustrates the importance of nature for the noble. So it looks like nature is gaining the upper hand, it reached the climax with the beautiful hanbok where you see the phoenix among plants and herbs 
It looks like Yoon Seungho’s unconscious has finally been able to perceive his true identity. Therefore I come to the conclusion that his relationship with Baek Na-Kyum helped him to find his true self and the clothes reflected his transformation. He is indeed a phoenix, but he feels like dying due to his unrequired love. With this new approach, you can comprehend how the painter is represented in the hanboks. He is nature himself: the trees and the flowers making the main lead feel alive. That’s the reason why during the second season, the aristocrat wears hanboks with a design. The pattern is a metaphor for the low-born, which is not surprising, since he is himself a painter.
It was, as if he had returned to his old self. First, I had imagined that the light blue could still be judged as a good sign, as this color symbolizes peace of mind. Furthermore
This final scene indicates that despite the rough treatment, the painter has become even more intimate with Yoon Seungho. The progression is even more palpable, when you compare it with the scene in chapter 47: 
(chapter 57) But more importantly, the manhwaphiles should question themselves about the nature of this medicine. It is a drug to mess up with the main lead’s health? And this clue reveals that Kim is not working for Yoon Seungho. One might argue that Kim is just following father Yoon’s orders, but the latter lives so far away, hence the eldest master has no control to threaten the butler. Hence Kim could have stopped feeding the medicine, especially after knowing how father Yoon treated the son. In other words, it looks like his loyalty to father Yoon is still intact. This is palpable in two occasions. 
(chapter 35) In this scene, the valet gives an order to his master and not an advice, since he employs the verb “must”. Why? Because he thinks, the letter was sent by the elder master. And Yoon Seung-Won knew that Kim was loyal to their father. Hence when he sent the letter, he used his father’s name and authority, but in order to maintain the illusion that father Yoon was the author, the brother also requested that valet Kim would bring back himself the reply. The deceitful brother used not only the butler’s fidelity to his advantage, but also gave the impression that father Yoon cared somehow for the black sheep. It was, as if the elder master was trying to rekindle with his older son. The readers can sense more his loyalty to the elder master, if they compare his reaction, when Yoon Seungho received the fake letter from lord Song.
(chapter 56) Here, the domestic got scared, by just hearing the name. Nevertheless, he gave his master the advice to postpone the meeting due to his health.
Yet, observe how he hides his discomfort and fear to his master by suggesting to postpone the meeting which exposes that he is hiding his true emotions. He justifies his advice by faking concern for his lord. Hence the lord can only have the impression, he is protecting his interest. Striking is that since we saw him scared, we have the impression that he is brave enough to propose not to the follow the invitation. My initial impression was to think that he got afraid of the name lord Song due to the lord’s traumatic past and he feared for his master’s mental health condition. However, the moment the valet realizes that the noble is on his way to meet this aristocrat, he gets so scared that he leaves the mansion immediately. So he doesn’t want them to meet. 
(chapter 56) Then in chapter 57, 
the butler expresses his worries concerning father Yoon. He doesn’t want the elder master to hear the news about Jihwa’s public confession, as the servant is well aware of father Yoon’s mentality. 
(chapter 65) This shows that he has been successfully repressing it. In truth, he did it out of selfishness, while faking affection and loyalty to the Yoons. The readers shouldn’t forget that the head of the family decided to leave the main domain and live in the countryside. Therefore he abandoned the mansion to his eldest son. By remaining by Yoon Seungho’s side, butler Kim was ensured to have a quiet life. The man was a wreck, hence he couldn’t manage the mansion.
(chapter 57) Furthermore, as an infamous hell-raiser, no powerful noble would be interested in him. When the purge occurred, the son had become the sacrifice and scapegoat, hence he was forced to remain at the property. And now, you can grasp where the butler’s loyalty lies. He is faithful to the mansion and property, and not to Yoon Seungho or father Yoon in reality. This explicates why he lies to Seung-Won and tries to stop him from entering the lord’s chamber. As Seung-Won is only the second son, he is not considered as the lord of mansion, while father Yoon is the senior and is supposed to be the head of the family. Because he is bound to the domain Yoon, he is definitely acting more like a dog than like a matchmaker or a father. He is able to find his owner very quickly, as if he was following his scent.
(chapter 57) He barks like one, when he yells at Deok-Jae.
(chapter 47) He is also sent to fetch the painter, when the latter is somehow “abducted” by the scholar. 
(chapter 24) But the most conclusive evidence for this association is his rapport to the door. He is always shown next to an opened door or even often stands on the door threshold. 
(chapter 64) 
(chapter 45) Since dog owners often put the sign “beware of the dog” on their door, you understand why I see it as an evidence that the valet is more as a dog than anything else. The butler is the guardian of the mansion, watching out for the owner’s safety. However, here we should comprehend it in a figurative sense. On the surface, the butler is looking out for the reputation of the Yoons, while in truth he is just focused on living a peaceful life far from trouble.
(chapter 64) The dog is not only a symbol for loyalty, but also it represents obedience and secrecy. He knows what is happening in the mansion, but he won’t let it transpire to the outside world. Therefore I deduce that valet Kim is quite similar to Jihwa. He knows the main lead’s whole past and tragedy, but he doesn’t truly feel sorry for the main character, for if he revealed the truth, because it would expose his culpability.
(chapter 12) Simultaneously, he uses his knowledge to his own advantage, similar to Jihwa, although the latter was manipulated by Kim’s lies. And if you take into consideration the role played by the dog in different mythologies, you’ll note that they all have something in common: they are guardians of the realm of death, like for example Anubis (Egyptian) or Cerberus (Greek). And since I interpreted the mansion as Yoon Seungho’s prison and compared the master to a zombie, until he met the painter, the manhwalovers can now understand the butler’s real function. He is actually the guardian of the realm of death for the lord. To sum up, he is contributing to the lord’s misery and loneliness, as he keeps him bound to the domain and family. Moreover, the gentle valet is aware of his true role, as he has internalized the social norms. As a domestic, he is supposed to serve his master with respect and obedience, which he does on the surface. However, the reality is different, as he lies to him on multiple occasions. Hence he needs to act in the shadow. Why? The real goal of the butler is to live a peaceful life without any big responsibility. As a guardian of the kingdom of death, Kim is the one who allows people to remain by Yoon Seungho’s side or not, but since the painter is affecting the noble’s life, Kim can only perceive the painter as his enemy and source of danger. Yoon Seungho might decide one day that he would like to leave the property and join the capital. 
(chapter 64) This is not the first time that the butler had a similar reaction. In chapter 26, he tries to calm down the painter asking him to stop crying, and when the latter criticizes him, the domestic decides to leave the bathroom with the excuse that he needs to fetch him new clothes.
(chapter 26) He is leaving the artist behind, as he doesn’t want to be confronted with his wrongdoing: his passivity and cowardice. Then when he meets the protagonist in the main way, he sees his cold and distant gaze. So he knows that his master is in a bad mental condition, yet out of fear, he still leaves the artist behind, well aware that something bad could happen. That’s why he chose to intervene in the shadow (like for example, sending a servant to the scholar) so that I am now convinced that he even witnessed what happened to Yoon Seungho, but chose to close the door. There’s a reason for this assumption. First, he is connected to an opened door. Secondly, there’s this incident with the door in chapter 16.
(chapter 64) He resented valet Kim for his betrayal and abandonment. That’s why I believe, in that scene, Yoon Seungho is using the same words than his rapist from back then. 
(chapter 64) In this scene he is reliving his own traumatic past, the first rape. And after it had occurred the first time, the valet must have told him this: 
(chapter 65) Baek Na-Kyum is now the lord’s companion, while in the past he used to plot against him. In that moment, the valet recognized that ignorance is not a blessing, because this doesn’t erase the event. Observe that Kim has a similar approach than Jihwa again. Since the painter returned to Yoon Seungho’s side, the noble has now the feeling that nothing happened. For the first time, Kim sees the true face of his master 
. (chapter 45) First, it symbolized that the painter was more than just a favored favor. But more importantly, he never cared about the item, since 
(chapter 32) Kim has no real control over the staff, although he is the right-hand of the master. His indifference and his fear for responsibility explains his lack of authority. That’s why in chapter 63, he doesn’t even attempt to correct the maids talking badly about Baek Na-Kyum, although he already knows that there’s more to it. His silence should be considered as a sign of admission, reinforcing the servants to think badly of the painter. The painter is a liar and betrayer. I have to admit that Kim’s passivity really annoyed me in that scene.
(chapter 63) He is indeed a hypocrite, a selfish person,
(chapter 56) He trusts him to a certain extent, because the valet took care of him, while he was delirious. The domestic even stopped him from committing suicide.
(chapter 50) This explicates why Yoon Seungho can’t trust Kim’s words in the end.
(chapter 62) In his eyes, he betrayed and abandoned him once, therefore it is definitely possible that he is lying. The longer the lord lives with the artist, the more he senses that Kim shouldn’t be trusted. This explicates why the lord’s relationship with the valet is deteriorating. In season 1, he never doubted Kim’s words, but now it has changed. The painter’s genuineness makes Yoon Seungho detect the butler’s fakeness and hypocrisy. And since the lord threatened him with the sword, I am envisaging that he will do it, the moment he feels that his loyal butler betrayed him. 
(chapter 45) The purpose of this action is simple. On the one hand, he gave the impression that he was protecting Yoon Seungho’s interest, on the other hand he was pushing the jealous servant to plot something so that Baek Na-Kyum would disappear. Kim was well aware of Jihwa’s visit in chapter 43. He knew that the second lead would do something out of jealousy. Kim needed the painter’s submissive attitude, as this could only affect his lord positively, turning the mansion into a golden cage. And while I envisaged that the shock Kim experienced during that night would make change his mind,
so much. Furthermore the sex in episode 64 is linked to immorality, shame and shock. 
Here, the painter expressed the wish that the penetration should be deeper, he even asked for more roughness. All these sex scenes oozed sadness and violence. While in chapter 63, love was still present, the opening of the door marked a turning point. Kim’s presence triggers a memory deeply buried in the lord’s unconscious: Yoon Seungho’s first rape and the butler’s betrayal and abandonment. While all the readers, including myself, loathed Yoon Seungho for that terrible behavior, I only recognized afterwards why the lord changed one more time. He became even crueler and more brutal in that episode due to the valet’s appearance and presence. 
(chapter 45) 
(chapter 43) While Baek Na-Kyum’s problem is sex, Jihwa’s struggle will be crime, like trespassing, abduction and murder. Like I had already mentioned it in another analysis, crane is connected to happiness, honor, longevity and good fortune. However, this doesn’t signify that the person embodied by the crane encounters good fortune. Due to Baek Na-Kyum, the second Justine, the red-haired aristocrat is forced to change and Nameless becomes his guide. 
That’s why Jihwa will play a different role than the commoner. Jihwa’s fate will be connected to justice, but he will suffer and his tormenter and liberator will be Nameless. The red-haired aristocrat is ignoring true moral values like charity, selflessness and justice, while his unconscious has not forgotten it. This will be his inner struggle, while Baek Na-Kyum was rejecting sex, connecting it to something dirty. Furthermore, unlike in the French novel from the 18th Century, where evilness and injustice win at the end, as the heroine dies, the manhwaphiles witness in the manhwa the spiritual death of the culprit, Yoon Seungho. This is represented by the following panel: 
(chapter 5) This marks the return of his older self, but a worse version, as there is no light. The yellow bougie on the candelabra is a symbol for coldness, frigidity and selfishness. Yet, since there is no light in chapter 64, the absence of light is a metaphor for the non-existence of life. In other words, we are witnessing the death of the phoenix. When I say that this is his spiritual death, it signifies that the lord’s heart is no longer beating for the painter. He closed his heart, and since the heart was in possession of his mind, this means that neither his heart nor his mind are alive. Yet, the manhwaphiles shouldn’t misunderstand me. I am not saying that Yoon Seungho’s love for Baek Na-Kyum vanished for good. It’s just that his self-hatred has taken over his mind and heart, therefore he is not able to give any love and warmth to his lover. 
Now, you understand the signification of chapter 64. The latter doesn’t reveal his true personality, the violent and obsessed side to the painter
We have to understand them. They were desperate to please their master, as they feared his brutality. They didn’t want to experience another huge beating. And the tailor plays a huge role in the birth of the huge scandal. 
(chapter 76)
What caught my attention is the absence of the painter’s blushing and the disappearance of tears. These two panels represent the final blow to the painter. And he will remember this gesture, just like he could recall the embrace and kiss from chapter 42.
That’s why the yellow candle is also a metaphor for the painter.
I believe that he didn’t cry after that night. And the manhwaphiles can note the vanishing of the painter’s physical reactions, if you compare it to the sex scene in the barn
or in front of the storage room. 
The painter is still blushing and ejaculates. And the interpretation from my previous analysis was correct. The scene with the storage room is a combination of the sex marathon and the chapters 40-41-42. Here, the absence of the kiss is similar to the scholar’s words: 
Notice the parallels. We have the return of the yellow candle on a candlestick, then the treatment is similar to the first chapter, where Baek Na-Kyum was kept captive in the barn.
In chapter 1, the room was bright contrasting to the darkness in the storage room in chapter 62-63. Back then the main character was intelligent and cunning, as he was not aware of the influence of his heart. From chapter 62 on, the lord is no longer in possession of his smart and bright mind, as the darkness of his heart has taken possession of his mind. Yet, since the painter was able to hear and see the lord’s love on two occasions, 
From my point of view, this second marathon has affected his creativity. He couldn’t paint due to his injury, but he remembered the orchid from Yoon Seungho. In my opinion, the lord’s words from that night 
(chapter 64)
(chapter 75) And now, you grasp why the author is tormenting our main lead. His function is to liberate Yoon Seungho, but for that, he needs to go through the same pain and wounds. By destroying the artist, he kills himself in the end. This explicates why the yellow bougie represent the two protagonists in chapter 64: 
His dream became real. I perceive this scene as the evidence that Jihwa’s role is quite similar to the artist’s. The latter’s dreams always turned into reality. But there’s more to it. Now, I comprehend the meaning of the following images differently.
The painter’s dead gaze is the reason for the main character to have dark eyes. Observe that the noble’s hand is holding the painter’s head, indicating that the lord is responsible for the artist’s spiritual death. The darkness of Yoon Seungho’s heart was brought to the surface due to Jihwa’s action. Due to his misdeed, he caused the noble to become oblivious of the truth, his gaze is covered by a shadow. As you can observe, the new episode gives us the opportunity to perceive Jihwa’s prediction under a new light. That’s why Baek Na-Kyum is able to move on from the scholar.
and once they meet, the artist affects him and his life. A small creature, like the butterfly, brings huge transformation to the people around him: Jung In-Hun, the valet Kim, the servants, Deok-Jae, the nobles and Jihwa. Note that in chapter 8, Min met the artist for the time and awoke lust and desires in him. That’s why he started challenging the main lead. And since Jihwa is the noble version of the painter, we can conclude that Jihwa plays a similar function in the end. He brings transformation, positive and negative, just like Baek Na-Kyum, but to Nameless and Yoon Seungho. And this is no coincidence that the butterfly is a symbol for transformation and temporality. 
He follows the lord till the end, never rebelling which contrasts to the painter’s behavior during the first season. He won’t even try to run away after that night, as he will keep his promise. However, this new vow is not without consequence. 
(chapter 69) Due to this panel, it becomes obvious that Heena noona will behave the same way than Jihwa in the end, though the roles have been switched. Her brother has been seduced by a witch and he needs assistance. She will do anything in order to save her brother, unaware that she will be the cause for her brother’s misery. While I thought in the past that Kim embodied the saying “the road to hell is paved with good intentions”, I came to recognize that this bible quote fits Heena noona’s personality. And this would definitely reinforce my interpretation that the kisaeng is a Christian.
signifies that Baek Na-Kyum is indeed connected to power in the end. Since I consider him as a phoenix, this could be an indication that he could be more than just a filthy low-born, like Jihwa and Jung In-Hun imagined. 
(chapter 31) Consequently in chapter 34, the painter sensed a change of perception about his body after the sex marathon. For the first time, he detected his heartbeat and the butterflies in his stomach, which were triggered by the main lead’s presence.
(chapter 34) The parallels can be observed by the absence of the eyes of the protagonists in certain panels. Compare the picture with the mirror 
(chapter 63) Striking is that the character represented with eyes plays the role of the liberator for his sex partner. Due to the sex marathon, Yoon Seungho had helped the painter to free himself from his torpor, since due to the coercive persuasion, the artist had come to deny not only his sexual orientation, but also the existence of his own body. That’s why he could no longer admire his learned sir like before after the sex marathon. By recognizing the existence of his own body, the painter couldn’t feel the same attraction towards the teacher. And since the sex marathon played a huge role in his healing process, we have to imagine that the sex scene in the barn has the same signification for Yoon Seungho. He is on his way to be liberated from his self-hatred, but as you can imagine, it will be a painful process. Back then, the painter got ill and the lord ran away from his responsibility. That’s why this time, the blinded person will be the one suffering from the sex marathon: he will feel like dying, when he realizes that he wounded his lover blinded by his prejudice and anxieties. 
(chapter 63) He has no guarantee that this is true, and love is like a leap of faith. This isn’t something that you can grasp or see. Besides, he would have no control over him, if he accepts the confession. Loving means taking risks, which is linked to fears. This displays how much the master has been brainwashed. Since the painter disappeared in his mind, he came to acknowledge his father’s doctrines one more time before dropping them completely, when he discovers the truth. 
(chapter 65)
(chapter 69) He had ruined his relationship with the artist. Because he refused to make the leap of faith in the shed, Yoon Seungho decided to make the opposite choice. He let the painter decide about his own fate, yet he was definitely living in agony. The wounded, fearful and desperate gaze revealed his turmoil. 
(chapter 69) In my eyes, the absence of the lord’s eyes during the night of revelations stands in opposition to the lord’s gaze full of expressions in chapter 69. Note that in that episode, the author always drew his eyes, underlining that now the noble was using his own eyes finally. He is no longer relying on Kim and his information. I was also right that this night would affect Yoon Seungho’s relationship with the valet, yet I didn’t expect, it would unveil his true personality. For me, this second sex marathon was a real eye-opener: it made me recognize Kim’s hypocrisy and cowardice. From that moment on, I could no longer view him as a real father figure.
He rejected his concern and yelled at him. In chapters 62-63, the positions are switched. Yoon Seungho is the one upset and pained, since he is convinced that the artist abandoned him, therefore his anger is aiming at the commoner. Yet, the true culprit of his wound is his childhood friend Jihwa. Simultaneously both have a common point: Baek Na-Kyum gets hurt, because he becomes the target of Yoon Seungho’s anger, while in chapter 40, he is backstabbed by his admired sir and used the master to get some comfort. Yet, the situation is similar, as the real culprits of the wound never witness the consequence of their actions and words. 
(chapter 63) And if we take the chapter 41/42 into consideration, the painter did request that the lord should be particularly rough.
(chapter 42) As you can see, the chapter 40 can not be really detached from the sex scene which follows the teacher’s betrayal. Another contradiction is that the painter is just asking the lord to stop, since Baek Na-Kyum is exhausted, while the aristocrat believes that the commoner is pushing him away, begging him to let him go for good.
(chapter 63) But this divergence comes from the fact that this scene is a new version of the sex marathon, which I mentioned above. Back then, the painter made a similar request. As conclusion, the violence of the sex in chapter 62-63 is strongly connected to an emotional wound, a repetition of chapter 41/42. And in my opinion, the artist understood the situation and the lord’s motivation. Hence he doesn’t feel badly about Yoon Seungho. Notice that the next night, Baek Na-Kyum doesn’t think badly of this sex marathon. 
(chapter 40) 
(chapter 63) What caught my attention is the contrast between the two declarations. While the artist’s feelings for his admired sir seem to be very strong (I adore you), his words don’t really correspond to his affection, because his feelings have already diminished. He did lie to his teacher and protected the main lead in chapter 38. That’s why the “I adore you” should be judged as an exaggeration. It was, as though the painter desired to convince himself and his teacher that he was still attached to him. Besides, he needed to persuade him not to abandon him, after hearing so many reproaches. This observation leads me to the conclusion that Baek Na-Kyum made up his mind to still follow his teacher out of loyalty despite the harshness of Jung In-Hun’s words. On the other hand, the author used a litotes (“I do not dislike you”), implying that in fact his attachment is much stronger. And this is exactly what happens during this scene. Despite the harshness, the painter is forced to question his true feelings for the main lead and recognize them. He is even willing to confess, yet he is stopped. I doubt that Yoon Seungho would have perceived it as a love confession, as he hates meek words. I can use this panel as a reminder:
(chapter 48). Yoon Seungho is exactly like the painter, he loves strong and metaphorical confessions, like “you’ve made me a wreck” or “I will never let you go”. But let’s return our attention the scholar and Yoon Seungho. Both nobles act the same way. Both can’t accept the artist’s declaration, yet their motivation diverges. The teacher finds it disgusting to be connected to a commoner, whereas Yoon Seungho is too afraid of being lied. He has the impression that this dream can never come true. Yet, while contrasting them, we see the painter’s determination who is willing to overlook the reproaches expressed before by both aristocrats. And he remains faithful till the end. That’s why he waited for Jung In-Hun at the gate in episode 44. 
He needed to see with his own eyes, how the learned sir had truly abandoned him. This represents another explication why the low-born didn’t react like Kim and Min anticipated. He didn’t follow his sister out of loyalty, compassion and a certain trust. However, Heena noona was able to sow seeds of doubts. 
(chapter 40) In this picture, the scholar leaves the painter behind, a metaphor for his abandonment. He even repeats this action, when he leaves for the capital. In chapter 62-63, Yoon Seungho sees in the commoner’s escape a rejection and betrayal. 
(chapter 62) This panel illustrates the thoughts of the protagonist: the commoner has turned his back on him.
(chapter 40)
(chapter 40) 
(chapter 62) 
(chapter 63) In both cases, the aristocrats questions the commoner’s motivations for his actions. While Jung In-Hun’s interrogation serves him as an occasion to break his promise by putting the blame on Baek Na-Kyum, the other character is more curious to know about the reasons for his desertion. From my point of view, this shows the noble’s desire to comprehend the painter better. And this illustrates that his obsession with the “why” is well meant. Why is he pushing him away? If he knows the cause, he could find a solution in order to bring the painter to his side. 
(chapter 40) The painter became happy, when he heard that the civil service examination would take place soon. He immediately thought of his learned sir and envisioned that this would please his former teacher. Jung In-Hun’s excitement became the painter’s joy, this is how the painter was thinking in that scene. 
(chapter 40) 
(chapter 29) By contrasting both panels from chapter 40, the readers can detect the painter’s lie. He expects something from the low noble. He is indeed hoping that Jung In-Hun will keep his promise and he will take his responsibility for him, since the painter supported him. 
(chapter 40) The former had Yoon Seungho’s attention all the time, and we all know that Jung In-Hun’s desire is to get attention and admiration. Striking is that the comparison enlightens the materialistic and narcissistic side of Jung In-Hun, while Yoon Seungho appears purer. He is just content with a smile. Besides, he would like to be the source and recipient of Baek Na-Kyum’s smile, whereas the other wishes to get favors (clothes, a room closer to the lord’s chamber, the favor to spend the evening in the bedchamber etc). That’s why by contrasting both chapters, the protagonist’s purity and simplicity become even more palpable, which is hidden due to the violence employed during that confrontation. 
Furthermore, if we take the chapter 41 into consideration, since we have a flashback of the incident at the library,
then the readers can recall that in this episode, Baek Na-Kyum was so heartbroken that he asked from Yoon Seungho to be embraced. He needed a shoulder as solace and comfort. The low-born literally begged him, while crying to be hold in his arms, but the noble didn’t know how to respond to this request.
(chapter 41) He only knew sex. In chapter 62, the lord hold the artist in his arms, only to betray him afterwards. The warmth is faked. 
(chapter 62) Yet, if you pay attention, you’ll observe a second hug in the barn: 
(chapter 40) while in chapter 63, it is the turn of our seme to reveal his expectations and desires. 
,(chapter 62) while the scholar calls the artist a fool
. (chapter 41) He is just jealous, furious and repulsed. Yoon Seungho is seeking closeness and uses sex in order achieve his goal, therefore he is is refusing to stop. He is so desperate to remain intimate with the painter, while the other noble has only one thought: keeping his distance from the low-born. 
(chapter 63) and words 
(chapter 63) have a huge effect on the upset protagonist. They trigger the noble to open up and reveal himself. That’s why the chapter ends with a face to face: the aristocrat is not decided to look at the painter’s eyes directly. 
(chapter 40)
(chapter 62) 
(chapter 62) 
(chapter 71) and Yoon Seungho’s outburst 
(chapter 70). Furthermore, when the painter is able to calm down the main lead by calling his name “Lord Seungho” and showing a blushed face, the aristocrat initiates a real conversation 
(chapter 62) 
(chapter 71) There was a “love confession” in the barn, but the lord didn’t use the typical expression for that: 
(chapter 76). The only problem is that Baek Na-Kyum is still fearing his own emotions for the infamous noble. Therefore he has not confessed yet, which will be the reason why both main leads will suffer again. The painter has just opened up and is not trusting Yoon Seungho entirely. 
and words remind us more of obsession than of love. First he corners the painter against the wall, making him visualize what his future situation will look like. He won’t be able to escape from Yoon Seungho’s control and monitoring. The lord will always stand within his reach. Secondly, the expression “I will never let you go” indicates that the rich main lead will cling onto him, he will remain sexually close to him. That’s why they are still connected through their bodies. By clinging onto the artist, the aristocrat reveals his dependency. He can’t live without the painter, hence all his thoughts are revolving around him. This definitely looks like an obsession. The reason is simple. Baek Na-Kyum has now given a certain sense in his life, his presence makes him feel emotions, positive 
(chapter 57)
(chapter 61) 
(chapter 74). Then he was raped in the shed and butler Kim was a witness who betrayed and abandoned him.
(chapter 74) Consequently, I come to the conclusion that this statement
, it becomes more obvious that Yoon Seungho’s tragic fate is intertwined with the monarch. Therefore I deduce this. The king is a combination of Jung In-Hun and father Yoon. He’s an arrogant, stupid, selfish, emotional, violent, jealous, impulsive and obsessive man. Why? First, jealousy is a common denominator between the two fathers, like it is palpable in the following panel: 
Yet, the disgust for sodomy is not a real argument in reality. In order to collaborate my theory, I will introduce another manhwa called “Dine With A Vampire”, created by Pangin and Pinko. The characters serves as an example. 
, although the former hates homosexuality
. Just like Jung In-Hun, Sungha is a hypocrite. Yet, he abused his schoolmate physically 
and sexually for so long that at the end, the main lead became a shadow of himself, a zombie. Therefore there was no light in his eyes. 
Kwon Sungha resents the protagonist, because he can’t accept his own sexual orientation and blames the poor uke. That’s why the antagonist is rough and violent during the intercourses. 
He even shows some sadistic tendencies, because he enjoys it very much, when the victim is crying due to pain.
Therefore it signifies that each time the main character sheds some tears, his behavior will incite the seme to become more brutal. As a result, it is better to repress tears. 
Each time, he tried to run away, he was caught and tormented even more than before.
His life is already controlled by Sungha, who tells what he has to eat
, how he has to dress and when he should come home. 
The villain is ruling Sooin’s life like a vicious tyrant. 
He is reliving his past. Notice how he avoids the other main lead’s gaze. He hides his eyes behind his arms and apologizes to his lover. He is already imagining that he will get punished. His behavior is so conditioned that in order to escape a punishment, he apologizes, although he knows that Sungha is dead. Even in his sleep, he is plagued with nightmares. 
As a conclusion, Sooin is not allowed to touch him. As you can envisage, Sooin is never kissed nor hugged. However, despite his hatred for sodomy and the abuse, he is not willing to give up on his sexual partner. He is so obsessed with Sooin that he even envisions to keep him captive in a cage, though he plans to marry a woman coming from an influential family. The irony is that after getting betrayed by the main lead, the former “lover” is not questioning the reason behind the treachery. In fact he blames Sooin for everything. He reproached him that the latter never smiled in front of him
, but now he is giving his smile towards another man. The antagonist, who has now become a vampire himself, definitely perceives the uke as his possession. The description of Sungha’s behavior indicates that Sooin was his obsession, but not his love. 
Moreover, the main character is dressed like his father. Both wear a robe with long sleeves without any pattern and even the color is quite similar in the beginning. 
and he was the source of happiness of his partner, something he has never heard before. Neither his father nor his “sexual partner” embraced him. Why? In my opinion, it is linked to the way the lord was offered to the king.
in chapter 74 takes place in the mansion: 
that’s why he couldn’t yell or defend himself. Who could help him in front of the most powerful person in Joseon? He was like a low-born next to the monarch.
And since we have a repetition in the story, it means that this must have happened in the past. Besides, I doubt that father Yoon would have questioned such a behavior. He definitely hated Yoon Seungho’s strong will. Consequently, I believe that the king must have had a similar attitude. He wanted to obtain the main lead’s love, yet unlike Yoon Seungho, the king became violent and angry by such a submissive behavior, which could only contribute to the protagonist’s silence and fear. 
, therefore I am expecting the opposite with the king. The latter imagined that they would send him a virgin. Besides, it is a custom to send virgin concubines to the ruler.
This panel symbolizes the purge which the main lead witnessed. It started with the following question: Why would the monarch eliminate the families close to the Yoons? In my opinion, someone revealed to the sovereign that the protagonist had been trained by the nobles close the eldest master Yoon. They had tainted his sex partner and even ruined him, although there’s no ambiguity that the ruler’s attitude (jealous, violent and possessive) contributed to this evolution: the main lead was slowly becoming a zombie. From my point of view, there are three persons who had a desire to destroy Yoon Seungho and through him his father: the culprit of the first rape (my theory is now that it was father Lee), the butler who witnessed it, and like I mentioned it above, the artist who stole Yoon Seungho’s work. This leads me to the following conclusion: the butler could have revealed it to the king, faking his care and concern for his master.
“Imagine… the poor boy was gangraped by the families close to father Yoon.” But he never mentioned the training, as Kim’s MO is always to tell half-truths. This would divert attention from the other perpetrators. When the king confronted Yoon Seungho, the latter couldn’t reveal what had truly happened, because this would mean that his father was involved. Hence he remained silent, which was perceived as a confession. As a revenge for the dirty trick, the ruler ordered the purge which the main lead had to witness. The latter was so devastated that he was literally destroyed. The king didn’t expect such a reaction, hence he sent him back to the mansion, only to hear later that father Yoon had punished his own son. The latter believed that the main character had betrayed him by revealing the indoctrination and prostitution. 
From my point of view, when Kim realized that Yoon Seungho was suffering from memory loss and had even forgotten his relationship with the king, the butler decided to use lord Song as the scapegoat for the lord’s suffering. He created fake memories, a mixture composed of half-truths. Father Yoon and lord Song were blamed, while the real perpetrators for Yoon Seungho remained hidden.
Under this new approach, it becomes understandable why the butler encouraged Yoon Seungho to lead a life in debauchery. That way, he wouldn’t attract the king’s attention: 
Only the father was somehow able to control him. That way, he would bind his son’s mind and heart to him. This would explicate why the lord chose to become as a ghost in the end. Imagine, he had been ripped apart by his own father and by the king. The body was possessed by the other nobles, while the father was still possessing his mind and heart. He had no freedom at all. After writing this, I feel so horrible. Father Yoon was definitely ruling his son’s life and the monarch tried to change this, but failed as he was himself too selfish, violent and ruthless. 
is the expression Yoon Seungho used himself in the past, when he had displeased his father and the sovereign, or even worse, when he got caught after his escape attempt. This would explain why he saw it as a confirmation for the painter’s flee. He was definitely sent back to his past, therefore he turned into the shadow of his father and the king. That’s why when the painter started confessing,
With these words, the lord is actually questioning the reason for the painter’s behavior. Why did he push away the lord before? The artist replied that this had nothing to do with him, he didn’t dislike it. Then in chapter 40 and 41, he pushed the painter to question his own motivation. Why would he support his former teacher? What does he expect from him? Then we have the chapters 45 and 47, where the main character keeps asking about the artist’s reason for his behavior. Why did he remain by his side? Why is he so indifferent and submissive unlike in the past? I judge it as his obsession and there’s a reason for that. Sure, one might say that he would like to know why the painter stayed by his side. He is so desperate to be loved, he is still wishing to feel loved. However, there’s another motivation behind this obsession. In my opinion, this obsession to the “why” is related to his past and as such to his father and the king. He saw his negative reflection in his father’s eyes, the man he wanted to please at any cost. He must have wondered why his father tormented him so much, why he betrayed him, why he lied to him, why he was so fixated on him, since he had the impression that he was unlovable and even a monstrosity. The lord must have been young back then to perceive his father’s true motivations: jealousy, obsession and his immense greed and ambition. And after being sent to the capital, he met a similar person: the ruler who didn’t treat him better.
And this actually shows that when he was the uke, no one cleaned him. He had to do it himself. That’s how he learned the basics. 
, therefore he refused to become a vampire. His goal in his life was to help the vampire, however this could not be right. Sooin and Yoon Seungho needed to love themselves, so that they could become independent and love their partner. The moment Yoon Seungho treated the painter with respect, the latter showed more confidence again. He could play pranks again. As long as they were full of insecurities, they could never love their partner properly. 
This panel comes from chapter 62, and here what caught my attention is the dimension of the house compared to the sky and the moon. In the former similar pictures, it was the opposite. 
(chapter 33). Besides, the moon was rather in the center of the image. 
(chapter 47) In my opinion, the painter could definitely confront him with his own lies, just like he did in chapter 26.
The physical separation indicates his fear to reveal his true emotions. He definitely views this as a weakness and has the impression that he is exposed to danger. He is definitely protecting his heart by maintaining a space between them. 
In the second love declaration, the noble trapped the painter under his body displaying his fear that the painter might run away after a love confession from him. As you can observe, both love confessions had a huge difference. On the one side, the master encouraged the low-born to desert the mansion by opening the door and keeping his distance from Baek Na-Kyum. During the second love confession, Yoon Seungho was no longer willing to accept the artist’s escape. Since he had admitted his feelings and as such his dependency, the painter was forced to remain by his side. He had no other choice than to obey to his master. 
(chapter 62) For the first time, he hears Baek Na-Kyum’s heart, yet he is not ready to face the artist. This illustrates his huge insecurities. The main lead fears his own reflection. Nevertheless, in episode 63, this is totally different, as for the first time, the lord is looking at Baek Na-Kyum’s face directly, while admitting his dependency on the commoner.
He is emotionally unstable, because he had been forced to reveal his affection and vulnerability (dependency). According to his father’s doctrine, sex is a battle, therefore by confessing his love, he surrenders. And now, you understand why his father gave him such a role, absence of love is a synonym for independency and liberty. By attaching himself to the artist, he is in truth trapped himself. Now, the manhwaphiles can grasp, why the noble acted like that. The lord already viewed himself as a servant and object due to his love for the artist, but he was refusing to accept his position. In other words, he was in denial. That’s why he acts like a lord so openly. 
Remember that the artist treated the master as his sexual object, the one who will give him pleasure. The master could only perceive it as a power of force. Yoon Seungho doesn’t know, this is not correct, as he has never experienced it differently. Power relationship was the nature of his rapport with his own father. Just like he said, he has been living according to his father’s principles.
In other words, the noble is no different from Baek Na-Kyum in the end. He was also exposed to coercive persuasion. This explicates why his last resort is to use his status as master to force Baek Na-Kyum to remain by his side. This is the only power he has over the commoner in his eyes. He is no longer expecting to be loved by the painter. Simultaneously, he is also revealing his true position: he is no longer free, dependent on the low-born.
Here, the lord is reminding the artist, how he behaved during that night. He scratched his face and pushed him away.
He even confessed that he loved the scholar Jung In-Hun. 
, because he is exhausted and fears to show pleasure, the lord has the impression that Baek Na-Kyum is rejecting him totally, begging him to let him go forever. That’s the reason why the noble replies later that 
And in chapter 63, it appears twice. 
This is a huge step for the lord, which doesn’t escape Baek Na-Kyum’s notice. The painter is indeed surprised and moved in my opinion,
although he doesn’t have the time to reply to this admission. The fact that the painter is looking at Seungho’s eyes without any fear or disgust indicates for me that Baek Na-Kyum is slowly grasping the noble’s state of mind. For the first time, he is discovering the lord’s insecurities and wounds. In the past, it was different, since the artist was himself blind and deaf due to Jung In-Hun’s abandonment and betrayal. He also avoided his lover’s gaze and didn’t pay attention to his words 
By showing himself entirely, with his self-hatred and longing for love, the artist was sensitive enough to comprehend the lord’s state of mind. That’s why I see here another difference to the scene in chapter 25. This time, there is a real conversation, even if there’s a misunderstanding from Yoon Seungho. The lord is communicating his thoughts and emotions, although the conversation doesn’t start right away. In fact, the chronology differs. First, they have rough sex, but the moment the painter whispers Lord Seungho
This is the first time that Baek Na–Kyum calls him like that in his presence. This did catch his notice. Then when he detects the painter’s blush,
(chapter 1) in case his wish didn’t get fulfilled, and why he became so “bloodthirsty” after the rejection. Just like a drug addict who becomes violent, if he is unable to get his drug, he felt the urge to release his anger. 
(chapter 1) It was, as if he was in withdrawal and couldn’t bear the thought, he hadn’t obtained what he desired. So when I compare the painter and his work to a drug, it puts the low-born in a bad light. Nonetheless this is not my intention at all. For me, the painter represents his cure in reality. Let’s not forget that the powerful aristocrat’s heart has been poisoned, corrupted by his father, therefore in order to get cured, he needs to find another “poison”, it’s like fighting a poison with another poison. 
(chapter 3) We see here the lord intoxicated by the new drug. It did release him from his prison, his self-hatred. Moreover, it helped him to see more clearly for the first time. His eye in his mind was now free from any corruption. Nonetheless the next day, he is faced with a different image. More precisely, his ears have to hear a terrible truth. Now, he is a man consumed by sex, which causes him to become pensive and depressed. He is no longer feeling the urge to have sex with Jihwa.
And now, the manhwaphiles comprehend the true nature of the new drug: the painter’s gaze is liberating the lord’s senses, very similar to Jihwa. This is not surprising that the first two paintings
(chapter 2) 
(chapter 10) he makes show our lord looking at the painter. Imagine, in the second image, he even has two sex partners by his side, yet his attention is directed at the creator and not his partners. This painting exposes their locked gaze and their growing intimacy. Baek Na-Kyum’s gaze has become the lord’s obsession, his new drug. The paintings Baek Na-Kyum creates exude warmth, beauty and naturality which stands in opposition to the world, where the lord is living: fakeness, superficiality, distance and coldness. But the lord’s attraction towards the painter increases so much that he would like to taste the artist. In other words, if he devours Baek Na-Kyum, he might get high again because the pictures are no longer enough to satiate his urges. Now, you can understand what this means. Having sex with the low-born signifies, he is “increasing” the dose. Note that this coincides with the third painting, where he is looking at Jihwa and not at the painter.
(chapter 19) Notice that the moment the painter confesses to Seungho, he puts his hands on his shoulder and then he kisses him. But this doesn’t end here, later he puts his hands around his shoulders. 
(chapter 20) For the first time, the noble is embraced. And now, if you look at all the sex sessions he had with Jihwa or the others, the main lead was never truly hugged.
(chapter 8) 
(chapter 9) 
(chapter 15) [I am not quoting the paintings again which could be added to this list] One might argue that in the first panel, the sex partner is hugging the main lead from behind. 
(chapter 20) Yet, the more time passes on, the more the low-born holds the noble more tightly.
(chapter 21) The painter voices the wish to be embraced. That’s why the former puts him on his lap.
(chapter 21) You can sense that Yoon Seungho is willing to fill the gap and feel as close as possible to Baek Na-Kyum. He hugged him on his own first, yet the artist was the one embracing him fully at the end. 
(chapter 26) This was a gesture of defeat and submission and never an embrace full of love. One might argue that the noble had already hugged the painter before, 
(chapter 16) hence the artist’s hug during their Wedding night can’t mark the start. Yet, if the manhwaworms look at the way the master held the commoner in chapter 16, they’ll notice that the lord is hugging Baek Na-Kyum from behind. He was definitely restraining him from leaving his bedchamber, like a predator catching his prey. Sure, there’s no doubt that there exist emotions behind his gesture. Nonetheless, the hug was more under the influence of the unconscious. Consequently it is different from the night in chapter 19. Here, the lord was more looking for sex, whereas in chapters 20 and 21, it was a mixture of sex and love. However, at the end love became triumphant and the lord was no longer interested in sex. 
Once he became sober, he realized his mistake. His mind had become clearer again. In my perspective, the “cure” helped him to release his emotions, which he had been repressing for so long. This explicates why he was reminded of his tragic past and relived his traumatic experience. He had decided to become numb in order not to feel any pain. The problem is that the moment he discovered love, he was not recognizing that he was allowing his heart to feel pain as well. Love and pain can’t be separated.
(chapter 22) 
(chapter 30), as if they were a treasure to him. The roughness vanishes gradually, for the lord changes for the better as well. But more importantly, in the following gestures, the readers can sense his desire to hug the artist. And as time passes on, the gesture becomes more obvious and pronounced. It started with an arm,
(chapter 22) then it was the chest
(chapter 42) until it became a real hug.
(chapter 49) However, the real climax is reached in chapter 58. This time, the aristocrat in love is holding him so tightly with his both arms. 
(chapter 58) There is no gap between them, the artist is no longer putting some distance with his head, unlike in chapter 49 (third panel above) or the lord is grabbing the neck to make sure that the artist keeps kissing him (second panel above). Yet, while they make love 
(chapter 58) , the lord is no longer holding him and gazing at him, he is just grabbing his hand and whispering his love confession. This signifies that the lord has truly given up on his dream and has accepted reality. The painter’s gaze and hug were just an addiction and he is admitting that he will never be loved. He will see this night as a wonderful illusion but he won’t feel any anger, despair and pain after that night. We could say that the lord has finally defeated his inner demons and addiction. He is free from his past and can now use his mind clearly.
(chapter 61) Baek Na-Kyum purified the lord so that the latter has truly become selflessness and no longer needs sex. He won’t organize any sex session or any party with wine and opium. In my opinion, the last debauchery symbolized his final relapse. Observe that during that week, he had no sex and wasn’t even aroused, when a noble gave him a blowjob
Imagine his emotions, when the low-born did this. In that scene, the master was acting like a monster, nevertheless it didn’t stop the artist to embrace him despite the slap and his ugly behavior. But for Baek Na-Kyum, it was the same as well. He also longed to be embraced hence for him, their Wedding night represented a dream, where he could express his desire and experience what he wanted to have. He wanted to express his love, shower his learned sir with his affection. Strangely, it started with a hand 
(chapter 30) forcing the low-born to accept him as his new master. However, notice that the painter’s hands become more decisive and grab more firmly Yoon Seungho’s wrist in chapter 42. 
(chapter 42) This reflects the evolution of their relationship. The painter is here accepting the aristocrat as lover. Simultaneously, he is touching the place where the lord’s unconscious is voicing his desires. And this gesture triggers the lord later to put him on his lap, attempting to embrace him. And the more the lord hugs the painter, the more the latter is affected by it. The reason is simple. Just like the main lead, the commoner was deprived from warmth and love for so long and receiving it for the first time, this could only move the main lead. The manhwaphiles should remember that the artist asked the master to hold him in chapter 41
(chapter 41), exposing his need for comfort and embrace. Yet back then, the lord was confusing love with sex hence he couldn’t give correctly what the painter desired. He was not able to distinguish the difference. In truth, both were lost persons mixing up sex with love due to their terrible fathers. 
He keeps blushing displaying his emotions. He is really loved, displayed by the lord’s words and gestures. That’s why the hug is reciprocated but it is too beautiful to be true. Consequently the noble doubts its existence.
and secondly thanks to the intervention of the cat. Coincidence is a proof that they have no control over their life and love life. It was, as if the invisible hand of gods had decided to have them met. Yet, determinism doesn’t use the idea of gods or of an exterior force leading the characters to encounter each other. If you pay attention to the way they meet, you’ll realize that their decisions, influenced by their liking and living conditions, were the reasons why they met in the street. The noble Baek Na-Kyum was strolling in that part of the town because he wanted to sell his erotic paintings. So because of his hidden hobby, he is led to go to a part of the town where commoners live. In other words, the protagonist enters Yoon Seungho’s world. On the other hand, Yoon Seungho as a low-born catches Baek Na-Kyum’s attention due to his unusual attitude. He shows neither remorse nor fear in front of the angry aristocrat. He is very defiant. That’s love at first sight. However, this is true love as sexuality is immediately included, while his affection towards Jung In-Hun was more related to the innocent and pure love of a child. Striking is that Yoon Seungho is exposed for his scandalous relationship with the son of a noble family showing that he doesn’t care about social status and distinction between nobility and commoner. It is also the same for the painter who sells his erotic paintings in order to buy glasses for his servant.
and after meeting the impressive and attractive seme, Baek Na-Kyum becomes so inspired that he creates a threesome. 
The painting could be seen as another evidence that the painter had to create such a work. There’s no real free will in the end. However, the idea of a threesome indicates that the innocent noble has indeed a kinky side which was triggered the moment he met Yoon Seungho’s eyes. And now, it explains why Yoon Seungho was destined to meet Baek Na-Kyum outside his mansion in the original manhwa.
He had to meet him at the tavern because it was the commoner’s world and since the noble was interested in the painter, he couldn’t just send for him. The latter could refuse but in his presence, Yoon Seungho imagined that the artist would never dare to reject the offer.
In other words, Baek Na-Kyum seems to have a predisposition to follow social norms, although in his heart, he doesn’t acknowledge societal hierarchy. He lives in his own bubble in my opinion. That’s why I come to the conclusion that Baek Na-Kyum’s inner conflicts will always represent one of their problems in the evolution of their love story. The noble will suffer pressure from his family and his servant Jung In-Hun who will betray him, making the main lead discover what love truly is. But because of their affinities, they were destined to be together.
, Yoon Seungho will be able to discover Baek Na-Kyum’s identity and the latter will be blackmailed. Notice that the merchant knows his true identity.
The painter will have to work for Yoon Seungho, yet the reason will diverge. The commoner has already set his eyes on the artist, since he hasn’t really forgotten him.
Bebebisous33s' analyses in K-Dramaland and Manhwas 